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"content": "\u003cp>Welcome to Liner Notes, the Rightnowish podcast series all about jazz in the Bay Area. Through five conversations with key players in the scene, we gain some insight into the past and present of jazz in the Bay Area.\u003c/p>\n\u003cp style=\"text-align: center\">…\u003c/p>\n\u003cfigure id=\"attachment_13930276\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13930276 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/Screenshot-2023-06-08-at-9.39.18-AM-800x439.png\" alt=\"Greg Bridges is photographed in black and white as he sits behind a microphone and soundboard at KPFA studios in Berkeley, while hosting his jazz radio show. He is holding a cd case and reading the track list. \" width=\"800\" height=\"439\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Screenshot-2023-06-08-at-9.39.18-AM-800x439.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Screenshot-2023-06-08-at-9.39.18-AM-1020x560.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Screenshot-2023-06-08-at-9.39.18-AM-160x88.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Screenshot-2023-06-08-at-9.39.18-AM-768x422.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Screenshot-2023-06-08-at-9.39.18-AM-1536x843.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Screenshot-2023-06-08-at-9.39.18-AM-2048x1124.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Screenshot-2023-06-08-at-9.39.18-AM-1920x1054.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Greg Bridges is photographed in black and white as he sits behind a microphone and soundboard at KPFA studios in Berkeley, while hosting a jazz radio show. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC4300364745&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Greg Bridges, Jazz Radio Host and Journalist\u003c/strong>\u003c/p>\n\u003cp>We start with a conversation with someone who has a wealth of knowledge, especially when it comes to jazz in the Bay: \u003ca href=\"https://www.instagram.com/g1rhythm/\" target=\"_blank\" rel=\"noopener\">Greg Bridges.\u003c/a>\u003c/p>\n\u003cp>As a journalist and longtime radio host at Bay Area radio stations KCSM and KPFA, Greg is steeped in Bay Area jazz history. And as a reoccurring host of events like the San Jose Jazz Festival, he has his finger on the current pulse of the culture. But this isn’t just a career choice, he was born into the world of jazz.\u003c/p>\n\u003cp>In this episode Greg shares some family history and gives us the lay of the land when it comes to jazz in the Bay. He also shares the secret ingredient that makes the Bay Area’s jazz scene unique.\u003c/p>\n\u003cfigure id=\"attachment_13930297\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13930297 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/IMG_3040-800x533.jpeg\" alt=\"Lidia Rodriguez is poses with her baritone saxophone. She looks off camera and in her left hand holds a succulent in a skeleton-themed pot. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/IMG_3040-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/IMG_3040-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/IMG_3040-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/IMG_3040-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/IMG_3040-1536x1024.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/IMG_3040-2048x1365.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/IMG_3040-1920x1280.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lidia Rodriguez is a prominent baritone saxophone player based in San Jose by way of Stockton. She’s on a mission to spread peace and love through her instrument one show at a time. \u003ccite>(Via Lidia Rodriguez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC2510938176&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003cbr>\n\u003cb>\u003cbr>\nLidia Rodriguez, Baritone Saxophonist and Music Educator \u003c/b>\u003c/p>\n\u003cp>\u003ca href=\"https://www.lidiapeacelovesax.com/\">Lidia Rodriguez\u003c/a> is a premier baritone saxophone player who grew up in Mudville a.k.a. Stockton, CA. Now based in San Jose, Lidia teaches music education to K-5th grade students, helping young people discover the joys of playing instruments, and practice self-love and self-expression. In the evenings, Lidia can be found playing shows with a number of bands, including the Golden State Warriors’ jazz band, the Bay Blue Notes, and the percussive electronic artist Madame Gandhi.\u003c/p>\n\u003cp>In case you didn’t know, the baritone saxophone stands out among the other saxophones because it’s the biggest in size and plays the lowest notes. Lidia’s big personality and big curly hair are a perfect match for the baritone saxophone— together they command audience attention. To watch Lidia on the “bari sax” is to witness an artist be totally in sync with an instrument. Real talk, Lidia can go dumb playing Mac Dre on the sax.\u003c/p>\n\u003cp>In this episode, Lidia shares with us her journey from being a cantankerous kid who once took all the screws out of a flute, to an adult who shuts down machismo in the music scene, all while becoming a rockstar educator and performer.\u003c/p>\n\u003cfigure id=\"attachment_13930304\" class=\"wp-caption aligncenter\" style=\"max-width: 415px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13930304 \" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/AMW-graduation-1-1020x1952.jpg\" alt=\"Dr. Angela Wellman wears a graduation cap and gown as she receives her PHD. \" width=\"415\" height=\"794\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/AMW-graduation-1-1020x1952.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/AMW-graduation-1-800x1531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/AMW-graduation-1-160x306.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/AMW-graduation-1-768x1470.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/AMW-graduation-1-803x1536.jpg 803w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/AMW-graduation-1.jpg 1070w\" sizes=\"(max-width: 415px) 100vw, 415px\">\u003cfigcaption class=\"wp-caption-text\">Dr. Angela Wellman celebrates her 2023 graduation. \u003ccite>(Via Dr. Angela Wellman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC8994929597&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003cbr>\n\u003cstrong>\u003cbr>\nDr. Angela Wellman, Trombonist and Music Education Activist\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/wellmanangela/\" target=\"_blank\" rel=\"noopener\">Dr. Angela Wellman’s\u003c/a> musical journey traces back to her upbringing in Kansas City, MO. As a young person involved in a music training initiative that was backed by the CETA (Comprehensive Employment and Training Act) program, she found the trombone– or rather, it found her.\u003c/p>\n\u003cp>In 2005, after music carried her around the map, Angela founded the \u003ca href=\"https://opcclasses.squarespace.com/\" target=\"_blank\" rel=\"noopener\">Oakland Public Conservatory of Music \u003c/a>as a way to assist Black and brown kids in accessing musical education. Now, after receiving numerous accolades for her work, including the National Endowment for the Arts Jazz Study Fellowship and being inducted into the Alameda County Women’s Hall of Fame, Dr. Wellman recently completed her doctorate degree in education. The focus of her dissertation: the importance of access to music for Black and brown children.\u003c/p>\n\u003cfigure id=\"attachment_13930308\" class=\"wp-caption aligncenter\" style=\"max-width: 439px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13930308 \" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/photo-by-Donovan-Washington.jpg\" alt=\"A black and white photo of musician Giulio Xavier Cetto playing an upright bass.\" width=\"439\" height=\"585\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/photo-by-Donovan-Washington.jpg 769w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/photo-by-Donovan-Washington-160x213.jpg 160w\" sizes=\"(max-width: 439px) 100vw, 439px\">\u003cfigcaption class=\"wp-caption-text\">Between touring and recording with notable musicians, bass player Giulio Xavier Cetto composes original music for his band Big Trippin. \u003ccite>(Donovan Washington)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC3420729776&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Giulio Xavier Cetto, Bass player and Composer\u003cbr>\n\u003c/strong>\u003c/p>\n\u003cp>Raised in musical family, \u003ca href=\"https://www.giulioxaviercetto.com/\">Giulio Xavier Cetto’s\u003c/a> musical influences range from his Venezuelan-Italian heritage to Bay Area rap. Giulio can play multiple styles and genres with ease, but at the intersection of jazz and hip hop is where his artistry truly shines. He brings an electric energy to his performances, encouraging audiences to not only vibe, but to get up and dance.\u003c/p>\n\u003cp>Playing tribute to these genres, Giulio hosts and performs at a reoccurring “Sunday Slaps” night at San Francisco’s beloved jazz venue, Black Cat. He also curates a weekly jazz set at Golden Gate Park’s Stowe Lake Boathouse.\u003c/p>\n\u003cp>Between gigging and recording with notable musicians including Kev Choice, Spelling, Kassa Overall, and Fantastic Negrito, he leads and composes original music for his own jazz band, Big Trippin. On their debut album, which drops this year, you can hear Giulio’s passion for jazz and hip hop.\u003c/p>\n\u003cp>On Rightnowish, Giulio talks about his favorite San Francisco venues to perform in, how the synthesis between jazz and hip-hop shape his sound and why the bass (upright and electric) is the heart of music.\u003c/p>\n\u003cfigure id=\"attachment_13930309\" class=\"wp-caption alignnone\" style=\"max-width: 486px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13930309 \" style=\"background-color: transparent;font-weight: bold;color: #767676\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/Elena-3-1020x1020.jpg\" alt=\"Elena Pinderhughes, an extremely talented flutist and vocalist from Berkeley, is pictured in a stylish brown and beige jacket and mocha shirt, hoop earrings and braids as she poses for a photo. \" width=\"486\" height=\"486\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Elena-3-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Elena-3-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Elena-3-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Elena-3-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Elena-3-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Elena-3-2048x2048.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Elena-3-1920x1920.jpg 1920w\" sizes=\"(max-width: 486px) 100vw, 486px\">\u003cfigcaption class=\"wp-caption-text\">Elena Pinderhughes is an extremely talented flutist and vocalist from Berkeley. \u003ccite>(Darrin Baldridge)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC9039639824&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003cbr>\n\u003cstrong>\u003cbr>\nElena Pinderhughes, Vocalist and Flutist \u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/iamelena/\" target=\"_blank\" rel=\"noopener\">Elena Pinderhughes\u003c/a> has been around the East Bay jazz scene since before she learned how to walk. After recording her first published work as a kid, she has gone on to share stages with Herbie Hancock and work with Carlos Santana. She’s also played NPR’s Tiny Desk with Chief Xian aTunde Adjuah (formerly Christian Scott) and even rocked on stage at Coachella with Future.\u003c/p>\n\u003cp>But Elena says she wouldn’t be where she is today without family support and the musical institutions of the East Bay. While working with her brother, pianist and vocalist Samora Pinderhughes, assisted her growth at home, organizations like the \u003ca href=\"https://www.youngmusiciansco.org/\" target=\"_blank\" rel=\"noopener\">Young Musicians Choral Orchestra\u003c/a> aided her progress in the community.\u003c/p>\n\u003cp>Elena is preparing for the next iteration of her career, relying on the tools given to her by the Bay Area’s multi-talented musical community, as she moves into the world of scoring films, making R&B music and more.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]=\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Welcome to Liner Notes, the Rightnowish podcast series all about jazz in the Bay Area. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Welcome to Liner Notes, the Rightnowish podcast series all about jazz in the Bay Area. Through five conversations with key players in the scene, we gain some insight into the past and present of jazz in the Bay Area.\u003c/p>\n\u003cp style=\"text-align: center\">…\u003c/p>\n\u003cfigure id=\"attachment_13930276\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13930276 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/Screenshot-2023-06-08-at-9.39.18-AM-800x439.png\" alt=\"Greg Bridges is photographed in black and white as he sits behind a microphone and soundboard at KPFA studios in Berkeley, while hosting his jazz radio show. He is holding a cd case and reading the track list. \" width=\"800\" height=\"439\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Screenshot-2023-06-08-at-9.39.18-AM-800x439.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Screenshot-2023-06-08-at-9.39.18-AM-1020x560.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Screenshot-2023-06-08-at-9.39.18-AM-160x88.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Screenshot-2023-06-08-at-9.39.18-AM-768x422.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Screenshot-2023-06-08-at-9.39.18-AM-1536x843.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Screenshot-2023-06-08-at-9.39.18-AM-2048x1124.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Screenshot-2023-06-08-at-9.39.18-AM-1920x1054.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Greg Bridges is photographed in black and white as he sits behind a microphone and soundboard at KPFA studios in Berkeley, while hosting a jazz radio show. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC4300364745&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Greg Bridges, Jazz Radio Host and Journalist\u003c/strong>\u003c/p>\n\u003cp>We start with a conversation with someone who has a wealth of knowledge, especially when it comes to jazz in the Bay: \u003ca href=\"https://www.instagram.com/g1rhythm/\" target=\"_blank\" rel=\"noopener\">Greg Bridges.\u003c/a>\u003c/p>\n\u003cp>As a journalist and longtime radio host at Bay Area radio stations KCSM and KPFA, Greg is steeped in Bay Area jazz history. And as a reoccurring host of events like the San Jose Jazz Festival, he has his finger on the current pulse of the culture. But this isn’t just a career choice, he was born into the world of jazz.\u003c/p>\n\u003cp>In this episode Greg shares some family history and gives us the lay of the land when it comes to jazz in the Bay. He also shares the secret ingredient that makes the Bay Area’s jazz scene unique.\u003c/p>\n\u003cfigure id=\"attachment_13930297\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13930297 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/IMG_3040-800x533.jpeg\" alt=\"Lidia Rodriguez is poses with her baritone saxophone. She looks off camera and in her left hand holds a succulent in a skeleton-themed pot. \" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/IMG_3040-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/IMG_3040-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/IMG_3040-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/IMG_3040-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/IMG_3040-1536x1024.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/IMG_3040-2048x1365.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/IMG_3040-1920x1280.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lidia Rodriguez is a prominent baritone saxophone player based in San Jose by way of Stockton. She’s on a mission to spread peace and love through her instrument one show at a time. \u003ccite>(Via Lidia Rodriguez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC2510938176&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003cbr>\n\u003cb>\u003cbr>\nLidia Rodriguez, Baritone Saxophonist and Music Educator \u003c/b>\u003c/p>\n\u003cp>\u003ca href=\"https://www.lidiapeacelovesax.com/\">Lidia Rodriguez\u003c/a> is a premier baritone saxophone player who grew up in Mudville a.k.a. Stockton, CA. Now based in San Jose, Lidia teaches music education to K-5th grade students, helping young people discover the joys of playing instruments, and practice self-love and self-expression. In the evenings, Lidia can be found playing shows with a number of bands, including the Golden State Warriors’ jazz band, the Bay Blue Notes, and the percussive electronic artist Madame Gandhi.\u003c/p>\n\u003cp>In case you didn’t know, the baritone saxophone stands out among the other saxophones because it’s the biggest in size and plays the lowest notes. Lidia’s big personality and big curly hair are a perfect match for the baritone saxophone— together they command audience attention. To watch Lidia on the “bari sax” is to witness an artist be totally in sync with an instrument. Real talk, Lidia can go dumb playing Mac Dre on the sax.\u003c/p>\n\u003cp>In this episode, Lidia shares with us her journey from being a cantankerous kid who once took all the screws out of a flute, to an adult who shuts down machismo in the music scene, all while becoming a rockstar educator and performer.\u003c/p>\n\u003cfigure id=\"attachment_13930304\" class=\"wp-caption aligncenter\" style=\"max-width: 415px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13930304 \" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/AMW-graduation-1-1020x1952.jpg\" alt=\"Dr. Angela Wellman wears a graduation cap and gown as she receives her PHD. \" width=\"415\" height=\"794\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/AMW-graduation-1-1020x1952.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/AMW-graduation-1-800x1531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/AMW-graduation-1-160x306.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/AMW-graduation-1-768x1470.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/AMW-graduation-1-803x1536.jpg 803w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/AMW-graduation-1.jpg 1070w\" sizes=\"(max-width: 415px) 100vw, 415px\">\u003cfigcaption class=\"wp-caption-text\">Dr. Angela Wellman celebrates her 2023 graduation. \u003ccite>(Via Dr. Angela Wellman)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC8994929597&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003cbr>\n\u003cstrong>\u003cbr>\nDr. Angela Wellman, Trombonist and Music Education Activist\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/wellmanangela/\" target=\"_blank\" rel=\"noopener\">Dr. Angela Wellman’s\u003c/a> musical journey traces back to her upbringing in Kansas City, MO. As a young person involved in a music training initiative that was backed by the CETA (Comprehensive Employment and Training Act) program, she found the trombone– or rather, it found her.\u003c/p>\n\u003cp>In 2005, after music carried her around the map, Angela founded the \u003ca href=\"https://opcclasses.squarespace.com/\" target=\"_blank\" rel=\"noopener\">Oakland Public Conservatory of Music \u003c/a>as a way to assist Black and brown kids in accessing musical education. Now, after receiving numerous accolades for her work, including the National Endowment for the Arts Jazz Study Fellowship and being inducted into the Alameda County Women’s Hall of Fame, Dr. Wellman recently completed her doctorate degree in education. The focus of her dissertation: the importance of access to music for Black and brown children.\u003c/p>\n\u003cfigure id=\"attachment_13930308\" class=\"wp-caption aligncenter\" style=\"max-width: 439px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13930308 \" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/photo-by-Donovan-Washington.jpg\" alt=\"A black and white photo of musician Giulio Xavier Cetto playing an upright bass.\" width=\"439\" height=\"585\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/photo-by-Donovan-Washington.jpg 769w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/photo-by-Donovan-Washington-160x213.jpg 160w\" sizes=\"(max-width: 439px) 100vw, 439px\">\u003cfigcaption class=\"wp-caption-text\">Between touring and recording with notable musicians, bass player Giulio Xavier Cetto composes original music for his band Big Trippin. \u003ccite>(Donovan Washington)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC3420729776&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Giulio Xavier Cetto, Bass player and Composer\u003cbr>\n\u003c/strong>\u003c/p>\n\u003cp>Raised in musical family, \u003ca href=\"https://www.giulioxaviercetto.com/\">Giulio Xavier Cetto’s\u003c/a> musical influences range from his Venezuelan-Italian heritage to Bay Area rap. Giulio can play multiple styles and genres with ease, but at the intersection of jazz and hip hop is where his artistry truly shines. He brings an electric energy to his performances, encouraging audiences to not only vibe, but to get up and dance.\u003c/p>\n\u003cp>Playing tribute to these genres, Giulio hosts and performs at a reoccurring “Sunday Slaps” night at San Francisco’s beloved jazz venue, Black Cat. He also curates a weekly jazz set at Golden Gate Park’s Stowe Lake Boathouse.\u003c/p>\n\u003cp>Between gigging and recording with notable musicians including Kev Choice, Spelling, Kassa Overall, and Fantastic Negrito, he leads and composes original music for his own jazz band, Big Trippin. On their debut album, which drops this year, you can hear Giulio’s passion for jazz and hip hop.\u003c/p>\n\u003cp>On Rightnowish, Giulio talks about his favorite San Francisco venues to perform in, how the synthesis between jazz and hip-hop shape his sound and why the bass (upright and electric) is the heart of music.\u003c/p>\n\u003cfigure id=\"attachment_13930309\" class=\"wp-caption alignnone\" style=\"max-width: 486px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13930309 \" style=\"background-color: transparent;font-weight: bold;color: #767676\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/Elena-3-1020x1020.jpg\" alt=\"Elena Pinderhughes, an extremely talented flutist and vocalist from Berkeley, is pictured in a stylish brown and beige jacket and mocha shirt, hoop earrings and braids as she poses for a photo. \" width=\"486\" height=\"486\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Elena-3-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Elena-3-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Elena-3-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Elena-3-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Elena-3-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Elena-3-2048x2048.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Elena-3-1920x1920.jpg 1920w\" sizes=\"(max-width: 486px) 100vw, 486px\">\u003cfigcaption class=\"wp-caption-text\">Elena Pinderhughes is an extremely talented flutist and vocalist from Berkeley. \u003ccite>(Darrin Baldridge)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC9039639824&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003cbr>\n\u003cstrong>\u003cbr>\nElena Pinderhughes, Vocalist and Flutist \u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/iamelena/\" target=\"_blank\" rel=\"noopener\">Elena Pinderhughes\u003c/a> has been around the East Bay jazz scene since before she learned how to walk. After recording her first published work as a kid, she has gone on to share stages with Herbie Hancock and work with Carlos Santana. She’s also played NPR’s Tiny Desk with Chief Xian aTunde Adjuah (formerly Christian Scott) and even rocked on stage at Coachella with Future.\u003c/p>\n\u003cp>But Elena says she wouldn’t be where she is today without family support and the musical institutions of the East Bay. While working with her brother, pianist and vocalist Samora Pinderhughes, assisted her growth at home, organizations like the \u003ca href=\"https://www.youngmusiciansco.org/\" target=\"_blank\" rel=\"noopener\">Young Musicians Choral Orchestra\u003c/a> aided her progress in the community.\u003c/p>\n\u003cp>Elena is preparing for the next iteration of her career, relying on the tools given to her by the Bay Area’s multi-talented musical community, as she moves into the world of scoring films, making R&B music and more.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "hip-hop-for-change-studio-oakland-san-francisco-leadership-change",
"title": "At Hip Hop For Change, Two New Creative Studios and a Seismic Shift",
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"content": "\u003cp>\u003cem>\u003cstrong>Editor’s note\u003c/strong>: This story is part of \u003ca href=\"https://www.kqed.org/bayareahiphop\">That’s My Word\u003c/a>, KQED’s year-long exploration of \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop\u003c/a> history.\u003c/em>\u003c/p>\n\u003cp>There’s a new creative hub blossoming between auto shops and construction businesses in San Francisco’s Bayview-Hunters Point. On a recent afternoon, \u003ca href=\"https://www.hiphopforchange.org/\">Hip Hop For Change\u003c/a>’s education director Marlon Richardson beams with excitement as he walks us through the 1,200-square-foot studio, which will soon come alive with possibilities: a recording space for music and podcasts; a lighting set-up for photography and video shoots; a screen-printing press for artist merch.\u003c/p>\n\u003cp>On June 26, Hip Hop For Change’s new San Francisco studio will be ready to welcome the thousands of children and young people the organization serves every year, plus local artists from its staff and the surrounding community. A second studio is coming soon to the organization’s North Oakland headquarters. And other developments are on the horizon, including a 24/7 online radio station and Pipeline 2 Positivity, a paid internship program for system-impacted youth to get training in artistic, professional and restorative justice skills.\u003c/p>\n\u003cp>“We’re putting them in a system that’s going to change the individual for the better, that’s going to prepare them for a world that has historically kept them out of the equation,” says Richardson, an MC and producer who performs as \u003ca href=\"https://www.instagram.com/unlearntheworld/\">UnLearn The World\u003c/a>. “And we’re saying that you can do so by being your most authentic self, finding your voice and letting your voice be heard as loud as possible across all these different creative spectrums.”\u003c/p>\n\u003cp>These new, ambitious projects come at an exciting time for Hip Hop For Change, but also one of seismic shifts for the organization. The most prominent hip-hop education nonprofit in the Bay Area has recently received an influx of funding from partners such as Meta and the San Francisco 49ers, which has allowed it to expand its youth programming. And the organization has ambitions to take its hip-hop curriculum — which teaches history, culture, beatmaking and other music skills at schools throughout California — nationwide.\u003c/p>\n\u003cfigure id=\"attachment_13930126\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930126\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/RS65563_016_KQEDArts_HipHop4ChangeBayview_05082023-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65563_016_KQEDArts_HipHop4ChangeBayview_05082023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65563_016_KQEDArts_HipHop4ChangeBayview_05082023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65563_016_KQEDArts_HipHop4ChangeBayview_05082023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65563_016_KQEDArts_HipHop4ChangeBayview_05082023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65563_016_KQEDArts_HipHop4ChangeBayview_05082023-qut-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65563_016_KQEDArts_HipHop4ChangeBayview_05082023-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Marlon Richardson, education director, poses for a portrait at Hip Hop For Change’s new Bayview-Hunters Point film and recording studio in San Francisco on May 8, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This period of growth has not been without turbulence: In March, the nonprofit announced on its Instagram that founder Khafre James was removed as executive director in January, and that he subsequently resigned. James, who oversaw the growth of the organization from a grassroots initiative, had been the face of the organization for 10 years, and the announcement stirred up controversy and speculation.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Since James’ departure, Hip Hop For Change is now collectively helmed by Richardson, grassroots director Malina King, marketing and creative director \u003ca href=\"https://www.instagram.com/stretchito/\">Marc Stretch\u003c/a> and grants manager \u003ca href=\"https://www.instagram.com/pallavi.kidambi/\">Pallavi Kidambi\u003c/a>. And the four of them were tight-lipped during our interview about the circumstances surrounding James’ departure, saying only that the organization’s board of directors hired an outside investigator to look into allegations about his leadership, which led to his removal. When reached by KQED, James pointed to a “disgruntled employee” and said “there was no merit” to the allegations.\u003c/p>\n\u003cp>“I’ve always been proud of what I started at Hip Hop For Change, and I wish them the best simply for the fact that they’re teaching babies in the community, the culture,” says James, whose new nonprofit, Hip Hop For the People, is hosting a free health and wellness summit at the New Parish with Inspectah Deck of Wu-Tang Clan on June 25. “As long as they’re doing that, they have my full blessing.”\u003c/p>\n\u003cfigure id=\"attachment_13930127\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930127\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/RS65568_018_KQEDArts_HipHop4ChangeBayview_05082023-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65568_018_KQEDArts_HipHop4ChangeBayview_05082023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65568_018_KQEDArts_HipHop4ChangeBayview_05082023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65568_018_KQEDArts_HipHop4ChangeBayview_05082023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65568_018_KQEDArts_HipHop4ChangeBayview_05082023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65568_018_KQEDArts_HipHop4ChangeBayview_05082023-qut-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65568_018_KQEDArts_HipHop4ChangeBayview_05082023-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Malina King, grassroots director, poses for a portrait at Hip Hop For Change’s new Bayview film and recording studio in San Francisco on May 8, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At Hip Hop For Change, its four leaders are focused on forward motion. King is building up the grassroots staff — the canvassing team with clipboards often seen asking passersby if they want to help end white supremacy — and expanding their professional development opportunities. Richardson is busy getting more hip-hop history and musical programming into schools up and down the state, from Los Angeles to Santa Rosa.\u003c/p>\n\u003cp>A number of schools have already seen those programs unlock students’ creativity and self-expression. Dr. Delores Thompson, the pathway coordinator at Oakland School for the Arts who began her career at Black-owned television station \u003ca href=\"https://www.kqed.org/arts/13877570/a-tribute-to-soul-beat-tv-the-black-owned-network-of-east-oakland\">Soul Beat TV\u003c/a>, says she appreciates Hip Hop For Change’s emphasis on storytelling — an empowering facet of the culture that is often neglected in the mainstream music industry.\u003c/p>\n\u003cfigure id=\"attachment_13930128\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930128\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/RS65573_023_KQEDArts_HipHop4ChangeBayview_05082023-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65573_023_KQEDArts_HipHop4ChangeBayview_05082023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65573_023_KQEDArts_HipHop4ChangeBayview_05082023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65573_023_KQEDArts_HipHop4ChangeBayview_05082023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65573_023_KQEDArts_HipHop4ChangeBayview_05082023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65573_023_KQEDArts_HipHop4ChangeBayview_05082023-qut-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65573_023_KQEDArts_HipHop4ChangeBayview_05082023-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Pallavi Kidambi, grants manager, poses for a portrait at Hip Hop for Change’s new Bayview film and recording studio in San Francisco on May 8, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We’ve had hip-hop artists like Grandmaster Flash, ‘The Message,’ Public Enemy, you know, all these people that actually told stories and either undergirded movements and or started movements,” she says.\u003c/p>\n\u003cp>“Storytellers not only can lift up our community, but they can also help our community to go to the next level or kind of kite us to where we’re going,” Thompson adds. [aside postid='arts_13929183']\u003c/p>\n\u003cp>Kidambi, the grants manager, is securing more funding and also working on next year’s annual Women’s Empowerment Summit. Along with Stretch, the four Hip Hop For Change leaders are moving as a unit. All artists themselves, the youngest among them are still establishing themselves within hip-hop while the oldest have seen its evolution into a global force. As conversations about inclusivity evolve, the team has embraced intergenerational collaboration, and is a rare example of an explicitly pro-woman and pro-LGBTQ+ hip-hop organization.\u003c/p>\n\u003cfigure id=\"attachment_13930129\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930129\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/RS65575_026_KQEDArts_HipHop4ChangeBayview_05082023-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65575_026_KQEDArts_HipHop4ChangeBayview_05082023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65575_026_KQEDArts_HipHop4ChangeBayview_05082023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65575_026_KQEDArts_HipHop4ChangeBayview_05082023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65575_026_KQEDArts_HipHop4ChangeBayview_05082023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65575_026_KQEDArts_HipHop4ChangeBayview_05082023-qut-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65575_026_KQEDArts_HipHop4ChangeBayview_05082023-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Marc Stretch, marketing and creative director, poses for a portrait at Hip Hop For Change’s new Bayview film and recording studio in San Francisco on May 8, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I am a Black Latina queer woman from East Oakland, and that is hip-hop,” says King. “I’m in the right place.”\u003c/p>\n\u003cp>“Hip-hop is expansive,” says Stretch. “It’s not defined by the ’90s, it’s not defined by the 2000s. It’s defined by whoever is listening to it, whoever’s creating it. … The culture is for all of us now, and we take from it what’s important to us. And sometimes the important part is just to be quiet and listen to someone else.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-11687704\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/06/Turntable.Break_-800x60.jpg\" alt=\"\" width=\"800\" height=\"60\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-400x30.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-768x58.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Hip Hop For Change’s \u003ca href=\"https://www.hiphopforchange.org/copy-of-agents-of-change\">Pipeline 2 Positivity\u003c/a> youth internship program is currently accepting applications. The organization’s San Francisco studio opens for bookings on June 26.\u003c/em>\u003c/p>\n\u003cp>\u003cem>UnLearn The World hosts a \u003ca href=\"https://www.instagram.com/p/CtH_AFluII8/\">youth MC Competition for Town Nights\u003c/a> with \u003ca href=\"https://www.kqed.org/arts/13918908/oakland-department-violence-prevention-curyj-restorative-justice-town-nights\">CURYJ\u003c/a> on June 16 at Josie de la Cruz Park in Oakland. UnLearn The World and Marc Stretch host \u003ca href=\"https://enjoymillvalley.com/double-the-juneteenth-mill-valleys-freedom-festival-on-downtown-plaza-is-june-17-marin-citys-follows-on-june-19/\">Mill Valley’s Juneteenth celebration\u003c/a> on June 17. And Hip Hop For Change curates a youth performance showcase at the \u003ca href=\"https://www.sjearthquakes.com/news/news-earthquakes-announce-2023-theme-nights\">San Jose Earthquakes\u003c/a> soccer game on July 1, celebrating hip-hop’s 50th anniversary.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Correction: \u003c/em>\u003c/strong>\u003cem>This story listed the size of Hip Hop For Change’s San Francisco studio as 12,000 square feet when it is 1,200. \u003c/em>\u003c/p>\n\n",
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"title": "At Hip Hop for Change, New Leadership and an SF Studio | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Editor’s note\u003c/strong>: This story is part of \u003ca href=\"https://www.kqed.org/bayareahiphop\">That’s My Word\u003c/a>, KQED’s year-long exploration of \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop\u003c/a> history.\u003c/em>\u003c/p>\n\u003cp>There’s a new creative hub blossoming between auto shops and construction businesses in San Francisco’s Bayview-Hunters Point. On a recent afternoon, \u003ca href=\"https://www.hiphopforchange.org/\">Hip Hop For Change\u003c/a>’s education director Marlon Richardson beams with excitement as he walks us through the 1,200-square-foot studio, which will soon come alive with possibilities: a recording space for music and podcasts; a lighting set-up for photography and video shoots; a screen-printing press for artist merch.\u003c/p>\n\u003cp>On June 26, Hip Hop For Change’s new San Francisco studio will be ready to welcome the thousands of children and young people the organization serves every year, plus local artists from its staff and the surrounding community. A second studio is coming soon to the organization’s North Oakland headquarters. And other developments are on the horizon, including a 24/7 online radio station and Pipeline 2 Positivity, a paid internship program for system-impacted youth to get training in artistic, professional and restorative justice skills.\u003c/p>\n\u003cp>“We’re putting them in a system that’s going to change the individual for the better, that’s going to prepare them for a world that has historically kept them out of the equation,” says Richardson, an MC and producer who performs as \u003ca href=\"https://www.instagram.com/unlearntheworld/\">UnLearn The World\u003c/a>. “And we’re saying that you can do so by being your most authentic self, finding your voice and letting your voice be heard as loud as possible across all these different creative spectrums.”\u003c/p>\n\u003cp>These new, ambitious projects come at an exciting time for Hip Hop For Change, but also one of seismic shifts for the organization. The most prominent hip-hop education nonprofit in the Bay Area has recently received an influx of funding from partners such as Meta and the San Francisco 49ers, which has allowed it to expand its youth programming. And the organization has ambitions to take its hip-hop curriculum — which teaches history, culture, beatmaking and other music skills at schools throughout California — nationwide.\u003c/p>\n\u003cfigure id=\"attachment_13930126\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930126\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/RS65563_016_KQEDArts_HipHop4ChangeBayview_05082023-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65563_016_KQEDArts_HipHop4ChangeBayview_05082023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65563_016_KQEDArts_HipHop4ChangeBayview_05082023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65563_016_KQEDArts_HipHop4ChangeBayview_05082023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65563_016_KQEDArts_HipHop4ChangeBayview_05082023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65563_016_KQEDArts_HipHop4ChangeBayview_05082023-qut-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65563_016_KQEDArts_HipHop4ChangeBayview_05082023-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Marlon Richardson, education director, poses for a portrait at Hip Hop For Change’s new Bayview-Hunters Point film and recording studio in San Francisco on May 8, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This period of growth has not been without turbulence: In March, the nonprofit announced on its Instagram that founder Khafre James was removed as executive director in January, and that he subsequently resigned. James, who oversaw the growth of the organization from a grassroots initiative, had been the face of the organization for 10 years, and the announcement stirred up controversy and speculation.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Since James’ departure, Hip Hop For Change is now collectively helmed by Richardson, grassroots director Malina King, marketing and creative director \u003ca href=\"https://www.instagram.com/stretchito/\">Marc Stretch\u003c/a> and grants manager \u003ca href=\"https://www.instagram.com/pallavi.kidambi/\">Pallavi Kidambi\u003c/a>. And the four of them were tight-lipped during our interview about the circumstances surrounding James’ departure, saying only that the organization’s board of directors hired an outside investigator to look into allegations about his leadership, which led to his removal. When reached by KQED, James pointed to a “disgruntled employee” and said “there was no merit” to the allegations.\u003c/p>\n\u003cp>“I’ve always been proud of what I started at Hip Hop For Change, and I wish them the best simply for the fact that they’re teaching babies in the community, the culture,” says James, whose new nonprofit, Hip Hop For the People, is hosting a free health and wellness summit at the New Parish with Inspectah Deck of Wu-Tang Clan on June 25. “As long as they’re doing that, they have my full blessing.”\u003c/p>\n\u003cfigure id=\"attachment_13930127\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930127\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/RS65568_018_KQEDArts_HipHop4ChangeBayview_05082023-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65568_018_KQEDArts_HipHop4ChangeBayview_05082023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65568_018_KQEDArts_HipHop4ChangeBayview_05082023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65568_018_KQEDArts_HipHop4ChangeBayview_05082023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65568_018_KQEDArts_HipHop4ChangeBayview_05082023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65568_018_KQEDArts_HipHop4ChangeBayview_05082023-qut-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65568_018_KQEDArts_HipHop4ChangeBayview_05082023-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Malina King, grassroots director, poses for a portrait at Hip Hop For Change’s new Bayview film and recording studio in San Francisco on May 8, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At Hip Hop For Change, its four leaders are focused on forward motion. King is building up the grassroots staff — the canvassing team with clipboards often seen asking passersby if they want to help end white supremacy — and expanding their professional development opportunities. Richardson is busy getting more hip-hop history and musical programming into schools up and down the state, from Los Angeles to Santa Rosa.\u003c/p>\n\u003cp>A number of schools have already seen those programs unlock students’ creativity and self-expression. Dr. Delores Thompson, the pathway coordinator at Oakland School for the Arts who began her career at Black-owned television station \u003ca href=\"https://www.kqed.org/arts/13877570/a-tribute-to-soul-beat-tv-the-black-owned-network-of-east-oakland\">Soul Beat TV\u003c/a>, says she appreciates Hip Hop For Change’s emphasis on storytelling — an empowering facet of the culture that is often neglected in the mainstream music industry.\u003c/p>\n\u003cfigure id=\"attachment_13930128\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930128\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/RS65573_023_KQEDArts_HipHop4ChangeBayview_05082023-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65573_023_KQEDArts_HipHop4ChangeBayview_05082023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65573_023_KQEDArts_HipHop4ChangeBayview_05082023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65573_023_KQEDArts_HipHop4ChangeBayview_05082023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65573_023_KQEDArts_HipHop4ChangeBayview_05082023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65573_023_KQEDArts_HipHop4ChangeBayview_05082023-qut-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65573_023_KQEDArts_HipHop4ChangeBayview_05082023-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Pallavi Kidambi, grants manager, poses for a portrait at Hip Hop for Change’s new Bayview film and recording studio in San Francisco on May 8, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We’ve had hip-hop artists like Grandmaster Flash, ‘The Message,’ Public Enemy, you know, all these people that actually told stories and either undergirded movements and or started movements,” she says.\u003c/p>\n\u003cp>“Storytellers not only can lift up our community, but they can also help our community to go to the next level or kind of kite us to where we’re going,” Thompson adds. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Kidambi, the grants manager, is securing more funding and also working on next year’s annual Women’s Empowerment Summit. Along with Stretch, the four Hip Hop For Change leaders are moving as a unit. All artists themselves, the youngest among them are still establishing themselves within hip-hop while the oldest have seen its evolution into a global force. As conversations about inclusivity evolve, the team has embraced intergenerational collaboration, and is a rare example of an explicitly pro-woman and pro-LGBTQ+ hip-hop organization.\u003c/p>\n\u003cfigure id=\"attachment_13930129\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930129\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/RS65575_026_KQEDArts_HipHop4ChangeBayview_05082023-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65575_026_KQEDArts_HipHop4ChangeBayview_05082023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65575_026_KQEDArts_HipHop4ChangeBayview_05082023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65575_026_KQEDArts_HipHop4ChangeBayview_05082023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65575_026_KQEDArts_HipHop4ChangeBayview_05082023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65575_026_KQEDArts_HipHop4ChangeBayview_05082023-qut-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/RS65575_026_KQEDArts_HipHop4ChangeBayview_05082023-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Marc Stretch, marketing and creative director, poses for a portrait at Hip Hop For Change’s new Bayview film and recording studio in San Francisco on May 8, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I am a Black Latina queer woman from East Oakland, and that is hip-hop,” says King. “I’m in the right place.”\u003c/p>\n\u003cp>“Hip-hop is expansive,” says Stretch. “It’s not defined by the ’90s, it’s not defined by the 2000s. It’s defined by whoever is listening to it, whoever’s creating it. … The culture is for all of us now, and we take from it what’s important to us. And sometimes the important part is just to be quiet and listen to someone else.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-11687704\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/06/Turntable.Break_-800x60.jpg\" alt=\"\" width=\"800\" height=\"60\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-400x30.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-768x58.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Hip Hop For Change’s \u003ca href=\"https://www.hiphopforchange.org/copy-of-agents-of-change\">Pipeline 2 Positivity\u003c/a> youth internship program is currently accepting applications. The organization’s San Francisco studio opens for bookings on June 26.\u003c/em>\u003c/p>\n\u003cp>\u003cem>UnLearn The World hosts a \u003ca href=\"https://www.instagram.com/p/CtH_AFluII8/\">youth MC Competition for Town Nights\u003c/a> with \u003ca href=\"https://www.kqed.org/arts/13918908/oakland-department-violence-prevention-curyj-restorative-justice-town-nights\">CURYJ\u003c/a> on June 16 at Josie de la Cruz Park in Oakland. UnLearn The World and Marc Stretch host \u003ca href=\"https://enjoymillvalley.com/double-the-juneteenth-mill-valleys-freedom-festival-on-downtown-plaza-is-june-17-marin-citys-follows-on-june-19/\">Mill Valley’s Juneteenth celebration\u003c/a> on June 17. And Hip Hop For Change curates a youth performance showcase at the \u003ca href=\"https://www.sjearthquakes.com/news/news-earthquakes-announce-2023-theme-nights\">San Jose Earthquakes\u003c/a> soccer game on July 1, celebrating hip-hop’s 50th anniversary.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>On Saturday, June 10, Oakland’s La Escuelita Elementary School will host the Many Nations One Land American Indian Music and Cultural Arts festival. From 12 p.m. to 5 p.m., people of all ages are invited to a free afternoon of beading workshops, dance performances, Native cuisine and more.\u003c/p>\n\u003cp>Co-hosts of the event are The American Indian Child Resource Center’s \u003ca href=\"https://www.instagram.com/mann1e/?hl=en\" target=\"_blank\" rel=\"noopener\">Manny Lieras\u003c/a> and comedian \u003ca href=\"https://www.instagram.com/jackiecomedy/\" target=\"_blank\" rel=\"noopener\">Jackie Keliiaa\u003c/a>, who is also on the Many Nations One Land Planning Committee. “I’m doing a clean 15-minute set,” says Keliiaa, calling herself a “Jackie of all trades.”\u003c/p>\n\u003cfigure id=\"attachment_13930045\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930045\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/Copy-of-DSC07512-800x1200.jpg\" alt=\"Comedian and host Jackie Keliiaa poses for a photo.\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Copy-of-DSC07512-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Copy-of-DSC07512-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Copy-of-DSC07512-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Copy-of-DSC07512.jpg 995w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Comedian and host Jackie Keliiaa poses for a photo. \u003ccite>(Jim McCambridge)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Keliiaa, who was raised in the East Bay, sees this event as a chance for folks to get familiar with their Native neighbors. “It’s a good opportunity for the Oakland, and the overarching Bay community to get to know the thriving Native community that we have right here in Oakland,” says Keliiaa, adding that people will leave with further understanding of current Native arts and culture, as well as how people are living in the modern world.\u003c/p>\n\u003cp>In addition to learning about making cornhusk dolls, people will have an opportunity to hear firsthand about the work of the \u003ca href=\"https://sogoreate-landtrust.org/\" target=\"_blank\" rel=\"noopener\">Sogorea Te’ Land Trust \u003c/a>and enjoy a performance by the Sonoma County Pomo Dancers.\u003c/p>\n\u003cp>Other artists on the lineup include Wally Ogi Johnson, C-log, The Bobby Young Project, Stewie G, and Twice as Good.\u003c/p>\n\u003cfigure id=\"attachment_13930043\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930043\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/Bobby-Young-of-the-Bobby-Young-Project-800x1067.jpg\" alt=\"Bobby Young of the Bobby Young Project performing in Oakland. \" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Bobby-Young-of-the-Bobby-Young-Project-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Bobby-Young-of-the-Bobby-Young-Project-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Bobby-Young-of-the-Bobby-Young-Project-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Bobby-Young-of-the-Bobby-Young-Project-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Bobby-Young-of-the-Bobby-Young-Project-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Bobby-Young-of-the-Bobby-Young-Project-1536x2048.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Bobby-Young-of-the-Bobby-Young-Project-scaled.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bobby Young of the Bobby Young Project performing in Oakland. \u003ccite>(Manny Lieras)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This is the second year for this event, which is partially supported by The City of Oakland’s Cultural Fund. Keliiaa says that building on last year’s event is important, as it further pushes Oakland and the larger Bay Area to get more familiar with local Native groups.\u003cbr>\n“When people talk about the Native experience it’s always in the past tense,” says Keliiaa. “But we’re right here, and we’d love people to get together and celebrate Native culture and Native music with us.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The Many Nations One Land American Indian Music and Cultural Arts festival will take place from noon to 5 p.m. on June 10 at La Escuelita Elementary School (1050 2nd Ave., Oakland). The festival is free to attend; \u003ca href=\"https://www.visitoakland.com/event/%E2%80%9Cmany-nations-one-land%E2%80%9D-american-indian-music-and-cultural-arts-festival/31150/\">more info here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Saturday, June 10, Oakland’s La Escuelita Elementary School will host the Many Nations One Land American Indian Music and Cultural Arts festival. From 12 p.m. to 5 p.m., people of all ages are invited to a free afternoon of beading workshops, dance performances, Native cuisine and more.\u003c/p>\n\u003cp>Co-hosts of the event are The American Indian Child Resource Center’s \u003ca href=\"https://www.instagram.com/mann1e/?hl=en\" target=\"_blank\" rel=\"noopener\">Manny Lieras\u003c/a> and comedian \u003ca href=\"https://www.instagram.com/jackiecomedy/\" target=\"_blank\" rel=\"noopener\">Jackie Keliiaa\u003c/a>, who is also on the Many Nations One Land Planning Committee. “I’m doing a clean 15-minute set,” says Keliiaa, calling herself a “Jackie of all trades.”\u003c/p>\n\u003cfigure id=\"attachment_13930045\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930045\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/Copy-of-DSC07512-800x1200.jpg\" alt=\"Comedian and host Jackie Keliiaa poses for a photo.\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Copy-of-DSC07512-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Copy-of-DSC07512-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Copy-of-DSC07512-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Copy-of-DSC07512.jpg 995w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Comedian and host Jackie Keliiaa poses for a photo. \u003ccite>(Jim McCambridge)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Keliiaa, who was raised in the East Bay, sees this event as a chance for folks to get familiar with their Native neighbors. “It’s a good opportunity for the Oakland, and the overarching Bay community to get to know the thriving Native community that we have right here in Oakland,” says Keliiaa, adding that people will leave with further understanding of current Native arts and culture, as well as how people are living in the modern world.\u003c/p>\n\u003cp>In addition to learning about making cornhusk dolls, people will have an opportunity to hear firsthand about the work of the \u003ca href=\"https://sogoreate-landtrust.org/\" target=\"_blank\" rel=\"noopener\">Sogorea Te’ Land Trust \u003c/a>and enjoy a performance by the Sonoma County Pomo Dancers.\u003c/p>\n\u003cp>Other artists on the lineup include Wally Ogi Johnson, C-log, The Bobby Young Project, Stewie G, and Twice as Good.\u003c/p>\n\u003cfigure id=\"attachment_13930043\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930043\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/Bobby-Young-of-the-Bobby-Young-Project-800x1067.jpg\" alt=\"Bobby Young of the Bobby Young Project performing in Oakland. \" width=\"800\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Bobby-Young-of-the-Bobby-Young-Project-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Bobby-Young-of-the-Bobby-Young-Project-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Bobby-Young-of-the-Bobby-Young-Project-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Bobby-Young-of-the-Bobby-Young-Project-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Bobby-Young-of-the-Bobby-Young-Project-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Bobby-Young-of-the-Bobby-Young-Project-1536x2048.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/Bobby-Young-of-the-Bobby-Young-Project-scaled.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bobby Young of the Bobby Young Project performing in Oakland. \u003ccite>(Manny Lieras)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This is the second year for this event, which is partially supported by The City of Oakland’s Cultural Fund. Keliiaa says that building on last year’s event is important, as it further pushes Oakland and the larger Bay Area to get more familiar with local Native groups.\u003cbr>\n“When people talk about the Native experience it’s always in the past tense,” says Keliiaa. “But we’re right here, and we’d love people to get together and celebrate Native culture and Native music with us.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The Many Nations One Land American Indian Music and Cultural Arts festival will take place from noon to 5 p.m. on June 10 at La Escuelita Elementary School (1050 2nd Ave., Oakland). The festival is free to attend; \u003ca href=\"https://www.visitoakland.com/event/%E2%80%9Cmany-nations-one-land%E2%80%9D-american-indian-music-and-cultural-arts-festival/31150/\">more info here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "bay-area-summer-cocktails-summer-guide-2023",
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"content": "\u003cp>\u003cem>\u003cstrong>Be sure to check out our full \u003ca href=\"https://www.kqed.org/summerguide2023\">2023 Summer Arts Guide to live music, movies, art, theater, festivals and more\u003c/a> in the Bay Area.\u003c/strong> \u003c/em>\u003c/p>\n\u003cp>Let’s be honest: Bay Area summers are hella weird. With inconsistent days that get interrupted by strong winds, fog and poorly-timed storms, it’s not quite the palm tree–saturated, sunglasses vibe that an uninitiated visitor might be craving. Still, it \u003ci>does \u003c/i>warm up around here (relatively speaking), and if you’re lucky, your boss might let you hop off the clock early so you can inhale more fresh oxygen than usual — or, better yet, unwind with a decadent cocktail in hand.\u003c/p>\n\u003cp>Whether it’s a non-alcoholic concoction with top-shelf botanical extracts sipped on a ritzy rooftop or a boozy behemoth poured with a heavy hand at a red-light dive bar, Bay Area bartenders will be serving up enough drinks this summer to keep Alcatraz Island afloat. Trust me, I did the science, it checks out.\u003c/p>\n\u003cp>Here’s where KQED employees will be sipping their favorite “warm-weather” cocktails around the Bay.\u003c/p>\n\u003cfigure id=\"attachment_13929628\" class=\"wp-caption alignnone\" style=\"max-width: 1707px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929628\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/BackPorch_Bardo-scaled.jpg\" alt=\"A bourbon cocktail served in a glass tumbler, garnished with a lemon slice and a sprig of mint.\" width=\"1707\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BackPorch_Bardo-scaled.jpg 1707w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BackPorch_Bardo-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BackPorch_Bardo-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BackPorch_Bardo-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BackPorch_Bardo-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BackPorch_Bardo-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BackPorch_Bardo-1365x2048.jpg 1365w\" sizes=\"auto, (max-width: 1707px) 100vw, 1707px\">\u003cfigcaption class=\"wp-caption-text\">The drink reminds the author of a hot Louisiana summer. \u003ccite>(Alan Chazaro)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cb>Back Porch at Bardo Lounge & Supper Club\u003c/b>\u003c/h2>\n\u003cp>\u003ci>Bourbon, house black tea syrup, mint, Angostura, lemon peel ($14)\u003c/i>\u003cbr>\n\u003ci>3343 Lakeshore Ave., Oakland\u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>This slickly decorated, mid-century themed bar and restaurant tucked a few blocks away from Grand Lake Theater is a cocktail lover’s paradise. \u003ca href=\"https://www.instagram.com/bardo_oakland/\">Bardo’s\u003c/a> zine-length drink menu is sophisticated and diverse (including an impressive range of mocktails), but my personal favorite is the Back Porch. The name alone reminds me of a hot Louisiana summer, and the mix of bourbon and black tea syrup, with touches of fresh mint and lemon, give it that homemade sweet tea aroma you can’t ever go wrong with. \u003ci>—A.C.\u003c/i>\u003c/p>\n\u003cp>https://www.instagram.com/p/CblN8bbvQEu/?hl=en\u003c/p>\n\u003ch2>\u003cb>‘Surfer on Acid’ at White Cap\u003c/b>\u003c/h2>\n\u003cp>\u003ci>Coconut coffee rum, amaro, sherry wine, falernum, pineapple ($14)\u003c/i>\u003c/p>\n\u003cp>\u003ci>3608 Taraval St., San Francisco\u003c/i>\u003c/p>\n\u003cp>Summer is a tough season in San Francisco. And it’s especially tough in the Outer Sunset. In the two summers I lived out in the Avenues, the cold fog could get so thick that I wasn’t able to see any sand on the beach, mere blocks away. One way to cope was by building fires to stay warm. The other? To bundle up in a down jacket and grab a cocktail at \u003ca href=\"https://whitecapsf.com/\">White Cap\u003c/a>. The “Surfer on Acid” is a classic — tropical, boozy — and while you’re drinking it, you can pretend you’re somewhere where it’s actually hot in May, June or July. \u003ci>—Bianca Taylor\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13929630\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929630\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Saturn_LittleHillLounge.jpg\" alt=\"Two mint-garnished tropical cocktails, lit from behind by candle light.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Saturn_LittleHillLounge.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Saturn_LittleHillLounge-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Saturn_LittleHillLounge-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Saturn_LittleHillLounge-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Saturn_LittleHillLounge-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Saturn_LittleHillLounge-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Saturn is one of the refreshing tiki drinks you can find at El Cerrito’s Little Hill Lounge. \u003ccite>(Alan Chazaro)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cb>Saturn at Little Hill Lounge\u003c/b>\u003c/h2>\n\u003cp>\u003ci>Gin, passion fruit, orgeat, falernum, lemon juice ($12)\u003c/i>\u003cbr>\n\u003ci>10753 San Pablo Ave., El Cerrito\u003c/i>\u003c/p>\n\u003cp>Here’s a quick lesson for my non-Spanish speakers: “cerro” translates as “hill” and “El Cerrito” means “the little hill.” So the next time you’re on Highway 80, look for the tiny hillside along the San Pablo Bay shoreline and tell your Uber driver to hop off the first exit. At \u003ca href=\"https://littlehillelcerrito.com/\">Little Hill Lounge\u003c/a>, you’ll encounter tiki drinks inside a retro ’70s red-interior room with a gorgeous oval-shaped bar in the middle. There might even be a neighborhood regular belting jukebox favorites to himself. The Saturn is my beverage of choice here. It’s smooth, satiating, zesty and simple. \u003ci>—A.C.\u003c/i>\u003c/p>\n\u003cp>https://www.instagram.com/p/Coz_ZA6paN3/\u003c/p>\n\u003ch2>\u003cb>Chamborlada at Forbidden Island\u003c/b>\u003c/h2>\n\u003cp>\u003ci>Rum, Chambord, pineapple, coconut ($16)\u003c/i>\u003cbr>\n\u003ci>1304 Lincoln Ave., Alameda\u003c/i>\u003c/p>\n\u003cp>Full disclosure: I’m one of those maniacs whose favorite La Croix flavor is coconut. I want coconut everything. Coconut cake, coconut sake (it’s a real thing!), coconut protein bars — just give me all of the coconut. (Don’t tell me it tastes like sun block, I’ve heard it all before.) Because of that, \u003ca href=\"https://www.forbiddenislandalameda.com/\">Forbidden Island\u003c/a> is a cocktail paradise for me. There are ample drink options for coconut haters in this fantastically kitsch little joint, but there is also an entire section of the menu dedicated to “Coconutty Creations.” My favorite is the Chamborlada, a drink that combines light tropical flavors with a heavy hit of alcohol. It’s the perfect cocktail to transport you to a tropical island, even as the fog rolls over the Bay outside. —\u003ci>Rae Alexandra\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13929632\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929632\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/umami-mart-whisky-highball.jpg\" alt=\"A whisky highball in a tall glass, garnished with a slice of lemon peel.\" width=\"1920\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/umami-mart-whisky-highball.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/umami-mart-whisky-highball-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/umami-mart-whisky-highball-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/umami-mart-whisky-highball-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/umami-mart-whisky-highball-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/umami-mart-whisky-highball-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/umami-mart-whisky-highball-1536x2048.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Japanese whisky highball at Umami Mart is simple, elegant and extremely refreshing. \u003ccite>(Luke Tsai)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cb>Whisky Highball at Umami Mart\u003c/b>\u003c/h2>\n\u003cp>\u003ci>Japanese whisky, soda, lemon ($12)\u003c/i>\u003cbr>\n\u003ci>4027 Broadway, Oakland\u003c/i>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[aside postID='arts_13928804,arts_13929494']\u003c/span>As someone who goes for low-alcohol carbonated drinks almost exclusively (yes, I’m a lightweight), I love a good Japanese whisky highball. My drink of the summer this year is the version they’re pouring at \u003ca href=\"https://www.instagram.com/umamimart/?hl=en\">Umami Mart\u003c/a>, which you might know for its design-conscious Japanese bar gadget and kitchenware shop in North Oakland. But did you know about the not-so-secret bar in the back, where you can bop your head to old jazz records while perusing the finely curated shochu and sake collection? The classic highball couldn’t be simpler: a high-proof Iwai whisky from Nagano (so the drink isn’t actually \u003ci>that\u003c/i> weak), Fever Tree’s aggressively fizzy club soda, a slice of lemon peel and plenty of ice. It’s the kind of elegant cocktail you make for a person who enjoys cold beer: super smooth, super refreshing. On a hot day, there’s nothing better. \u003ci>—Luke Tsai\u003c/i>\u003c/p>\n\u003ch2>\u003cb>‘Last Mistake’ at North Light\u003c/b>\u003c/h2>\n\u003cp>\u003ci>Mezcal, Aperol, aloe, citrus, ginger, soda\u003c/i> (\u003ci>$15)\u003c/i>\u003cbr>\n\u003ci>4915 Telegraph Ave., Oakland\u003c/i>\u003c/p>\n\u003cp>\u003ca href=\"https://northlight.bar/\">North Light\u003c/a> appears to be a narrow bar hidden between busy Temescal stores, but keep going to the back and it opens into a beautiful patio. The place serves delicious food (love the tater tots), and my go-to drink is the “Last Mistake,” a smooth and uplifting blend of mezcal, citrus flavors and ginger. My favorite thing about North Light is that it doubles as a bookstore whose selection is curated by writers and artists as illustrious as Michael Chabon, Patti Smith and Samin Nosrat. Nothing I love more than snacks and a drink with a book in front of me. (Also on the drinks front: the \u003ca href=\"http://kqed.org/live\">KQED Live\u003c/a> team’s July 13 cocktail event with the podcast Bay Curious!) —\u003ci>Sarah Rose Leonard\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13929633\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929633\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/E_E_CatHouse.jpg\" alt=\"A hand holding up a cocktail, with fruity, pulpy bits floating on top. A fully stocked bar is visible in the background.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/E_E_CatHouse.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/E_E_CatHouse-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/E_E_CatHouse-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/E_E_CatHouse-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/E_E_CatHouse-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/E_E_CatHouse-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A fruity, spicy “E&E” from the Cat House Bar makes a good start or finish to a Lake Merritt excursion. \u003ccite>(Alan Chazaro)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cb>‘E&E’ at the Cat House Bar\u003c/b>\u003c/h2>\n\u003cp>\u003ci>Tequila, mezcal, pineapple, cilantro, lime, jalapeño ($13)\u003c/i>\u003cbr>\n\u003ci>3255 Lakeshore Ave., Oakland\u003c/i>\u003c/p>\n\u003cp>When all else fails, add tequila and mezcal to your night for an extra summery kick. With fruity splashes of pineapple and lime and dashes of spice from the jalapeño and cilantro, \u003ca href=\"https://www.instagram.com/the_cat_house_bar/?hl=en\">The Cat House Bar’s\u003c/a> “E&E” is a perfectly balanced cocktail served in an elegant, laid-back environment. Pro tip: Both Lake Merritt and the aforementioned \u003ca href=\"https://www.bardooakland.com/\">Bardo\u003c/a> are within short walking distance. \u003ci>—A.C.\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13929652\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929652\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Hitman_Dalva.jpg\" alt=\"A pink cocktail garnished with mint on a wood bar counter.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Hitman_Dalva.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Hitman_Dalva-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Hitman_Dalva-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Hitman_Dalva-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Hitman_Dalva-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Hitman_Dalva-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The ‘Hitman’ is an pink, effervescent beauty of a cocktail. It also happens to be alcohol-free. \u003ccite>(Alan Chazaro)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cb>The ‘Hitman’ at Dalva\u003c/b>\u003c/h2>\n\u003cp>\u003ci>Grapefruit, lime, NA bitter, Mala syrup, soda ($7)\u003c/i>\u003cbr>\n\u003ci>3121 16th St., San Francisco\u003c/i>\u003c/p>\n\u003cp>There may not be another bar in San Francisco serving a better mocktail than this pink beauty at \u003ca href=\"https://www.instagram.com/dalva_thehideout/?hl=en\">Dalva\u003c/a>. The beverage is what some of my bar-hopping friends might call effervescent — it’s also light, minty, herbaceous and bubbly. Soak up the non-alcoholic (or \u003ca href=\"https://www.dalvasf.com/menu\">alcoholic\u003c/a>) vibes at this grown-up lounge with psychedelically-swirled decor next to the \u003ca href=\"https://www.instagram.com/roxie_theater/\">Roxie Theater\u003c/a>. Conveniently, it’s just a few feet away from some of the \u003ca href=\"https://www.instagram.com/panchitaspupuseria/?hl=en\">Bay Area’s best pupusas\u003c/a>. —\u003ci>A.C.\u003c/i>\u003c/p>\n\u003ch2>\u003cb>The Great American Sazerac at the Great American Music Hall\u003c/b>\u003c/h2>\n\u003cp>\u003ci>cognac, rye whiskey, simple syrup, absinthe rinse ($16)\u003c/i>\u003cbr>\n\u003ci>859 O’Farrell St., San Francisco\u003c/i>\u003c/p>\n\u003cp>In need of a good drink and show this summer? The \u003ca href=\"https://gamh.com/\">Great American Music Hall\u003c/a> is your place. This historic building lies in the heart of the city, surrounded by some of the best restaurants in San Francisco. Formerly known as “Blancos,” the venue was built in 1907, served as a speakeasy during Prohibition and, just like the movies, even had a small basement stage that remains to this day — the perfect place for an intimate show with your favorite artist. My go-to drink is the Great American Sazerac, a little drink that packs a punch and is as rich as the venue it’s named after. It’s complex, warm and just sweet enough to balance out the potent kick of rye whiskey. \u003ci>—Antony Fangary\u003c/i>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Be sure to check out our full \u003ca href=\"https://www.kqed.org/summerguide2023\">2023 Summer Arts Guide to live music, movies, art, theater, festivals and more\u003c/a> in the Bay Area.\u003c/strong> \u003c/em>\u003c/p>\n\u003cp>Let’s be honest: Bay Area summers are hella weird. With inconsistent days that get interrupted by strong winds, fog and poorly-timed storms, it’s not quite the palm tree–saturated, sunglasses vibe that an uninitiated visitor might be craving. Still, it \u003ci>does \u003c/i>warm up around here (relatively speaking), and if you’re lucky, your boss might let you hop off the clock early so you can inhale more fresh oxygen than usual — or, better yet, unwind with a decadent cocktail in hand.\u003c/p>\n\u003cp>Whether it’s a non-alcoholic concoction with top-shelf botanical extracts sipped on a ritzy rooftop or a boozy behemoth poured with a heavy hand at a red-light dive bar, Bay Area bartenders will be serving up enough drinks this summer to keep Alcatraz Island afloat. Trust me, I did the science, it checks out.\u003c/p>\n\u003cp>Here’s where KQED employees will be sipping their favorite “warm-weather” cocktails around the Bay.\u003c/p>\n\u003cfigure id=\"attachment_13929628\" class=\"wp-caption alignnone\" style=\"max-width: 1707px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929628\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/BackPorch_Bardo-scaled.jpg\" alt=\"A bourbon cocktail served in a glass tumbler, garnished with a lemon slice and a sprig of mint.\" width=\"1707\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BackPorch_Bardo-scaled.jpg 1707w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BackPorch_Bardo-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BackPorch_Bardo-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BackPorch_Bardo-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BackPorch_Bardo-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BackPorch_Bardo-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/BackPorch_Bardo-1365x2048.jpg 1365w\" sizes=\"auto, (max-width: 1707px) 100vw, 1707px\">\u003cfigcaption class=\"wp-caption-text\">The drink reminds the author of a hot Louisiana summer. \u003ccite>(Alan Chazaro)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cb>Back Porch at Bardo Lounge & Supper Club\u003c/b>\u003c/h2>\n\u003cp>\u003ci>Bourbon, house black tea syrup, mint, Angostura, lemon peel ($14)\u003c/i>\u003cbr>\n\u003ci>3343 Lakeshore Ave., Oakland\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This slickly decorated, mid-century themed bar and restaurant tucked a few blocks away from Grand Lake Theater is a cocktail lover’s paradise. \u003ca href=\"https://www.instagram.com/bardo_oakland/\">Bardo’s\u003c/a> zine-length drink menu is sophisticated and diverse (including an impressive range of mocktails), but my personal favorite is the Back Porch. The name alone reminds me of a hot Louisiana summer, and the mix of bourbon and black tea syrup, with touches of fresh mint and lemon, give it that homemade sweet tea aroma you can’t ever go wrong with. \u003ci>—A.C.\u003c/i>\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003ch2>\u003cb>‘Surfer on Acid’ at White Cap\u003c/b>\u003c/h2>\n\u003cp>\u003ci>Coconut coffee rum, amaro, sherry wine, falernum, pineapple ($14)\u003c/i>\u003c/p>\n\u003cp>\u003ci>3608 Taraval St., San Francisco\u003c/i>\u003c/p>\n\u003cp>Summer is a tough season in San Francisco. And it’s especially tough in the Outer Sunset. In the two summers I lived out in the Avenues, the cold fog could get so thick that I wasn’t able to see any sand on the beach, mere blocks away. One way to cope was by building fires to stay warm. The other? To bundle up in a down jacket and grab a cocktail at \u003ca href=\"https://whitecapsf.com/\">White Cap\u003c/a>. The “Surfer on Acid” is a classic — tropical, boozy — and while you’re drinking it, you can pretend you’re somewhere where it’s actually hot in May, June or July. \u003ci>—Bianca Taylor\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13929630\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929630\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Saturn_LittleHillLounge.jpg\" alt=\"Two mint-garnished tropical cocktails, lit from behind by candle light.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Saturn_LittleHillLounge.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Saturn_LittleHillLounge-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Saturn_LittleHillLounge-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Saturn_LittleHillLounge-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Saturn_LittleHillLounge-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Saturn_LittleHillLounge-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Saturn is one of the refreshing tiki drinks you can find at El Cerrito’s Little Hill Lounge. \u003ccite>(Alan Chazaro)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cb>Saturn at Little Hill Lounge\u003c/b>\u003c/h2>\n\u003cp>\u003ci>Gin, passion fruit, orgeat, falernum, lemon juice ($12)\u003c/i>\u003cbr>\n\u003ci>10753 San Pablo Ave., El Cerrito\u003c/i>\u003c/p>\n\u003cp>Here’s a quick lesson for my non-Spanish speakers: “cerro” translates as “hill” and “El Cerrito” means “the little hill.” So the next time you’re on Highway 80, look for the tiny hillside along the San Pablo Bay shoreline and tell your Uber driver to hop off the first exit. At \u003ca href=\"https://littlehillelcerrito.com/\">Little Hill Lounge\u003c/a>, you’ll encounter tiki drinks inside a retro ’70s red-interior room with a gorgeous oval-shaped bar in the middle. There might even be a neighborhood regular belting jukebox favorites to himself. The Saturn is my beverage of choice here. It’s smooth, satiating, zesty and simple. \u003ci>—A.C.\u003c/i>\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003ch2>\u003cb>Chamborlada at Forbidden Island\u003c/b>\u003c/h2>\n\u003cp>\u003ci>Rum, Chambord, pineapple, coconut ($16)\u003c/i>\u003cbr>\n\u003ci>1304 Lincoln Ave., Alameda\u003c/i>\u003c/p>\n\u003cp>Full disclosure: I’m one of those maniacs whose favorite La Croix flavor is coconut. I want coconut everything. Coconut cake, coconut sake (it’s a real thing!), coconut protein bars — just give me all of the coconut. (Don’t tell me it tastes like sun block, I’ve heard it all before.) Because of that, \u003ca href=\"https://www.forbiddenislandalameda.com/\">Forbidden Island\u003c/a> is a cocktail paradise for me. There are ample drink options for coconut haters in this fantastically kitsch little joint, but there is also an entire section of the menu dedicated to “Coconutty Creations.” My favorite is the Chamborlada, a drink that combines light tropical flavors with a heavy hit of alcohol. It’s the perfect cocktail to transport you to a tropical island, even as the fog rolls over the Bay outside. —\u003ci>Rae Alexandra\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13929632\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929632\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/umami-mart-whisky-highball.jpg\" alt=\"A whisky highball in a tall glass, garnished with a slice of lemon peel.\" width=\"1920\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/umami-mart-whisky-highball.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/umami-mart-whisky-highball-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/umami-mart-whisky-highball-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/umami-mart-whisky-highball-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/umami-mart-whisky-highball-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/umami-mart-whisky-highball-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/umami-mart-whisky-highball-1536x2048.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Japanese whisky highball at Umami Mart is simple, elegant and extremely refreshing. \u003ccite>(Luke Tsai)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cb>Whisky Highball at Umami Mart\u003c/b>\u003c/h2>\n\u003cp>\u003ci>Japanese whisky, soda, lemon ($12)\u003c/i>\u003cbr>\n\u003ci>4027 Broadway, Oakland\u003c/i>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>As someone who goes for low-alcohol carbonated drinks almost exclusively (yes, I’m a lightweight), I love a good Japanese whisky highball. My drink of the summer this year is the version they’re pouring at \u003ca href=\"https://www.instagram.com/umamimart/?hl=en\">Umami Mart\u003c/a>, which you might know for its design-conscious Japanese bar gadget and kitchenware shop in North Oakland. But did you know about the not-so-secret bar in the back, where you can bop your head to old jazz records while perusing the finely curated shochu and sake collection? The classic highball couldn’t be simpler: a high-proof Iwai whisky from Nagano (so the drink isn’t actually \u003ci>that\u003c/i> weak), Fever Tree’s aggressively fizzy club soda, a slice of lemon peel and plenty of ice. It’s the kind of elegant cocktail you make for a person who enjoys cold beer: super smooth, super refreshing. On a hot day, there’s nothing better. \u003ci>—Luke Tsai\u003c/i>\u003c/p>\n\u003ch2>\u003cb>‘Last Mistake’ at North Light\u003c/b>\u003c/h2>\n\u003cp>\u003ci>Mezcal, Aperol, aloe, citrus, ginger, soda\u003c/i> (\u003ci>$15)\u003c/i>\u003cbr>\n\u003ci>4915 Telegraph Ave., Oakland\u003c/i>\u003c/p>\n\u003cp>\u003ca href=\"https://northlight.bar/\">North Light\u003c/a> appears to be a narrow bar hidden between busy Temescal stores, but keep going to the back and it opens into a beautiful patio. The place serves delicious food (love the tater tots), and my go-to drink is the “Last Mistake,” a smooth and uplifting blend of mezcal, citrus flavors and ginger. My favorite thing about North Light is that it doubles as a bookstore whose selection is curated by writers and artists as illustrious as Michael Chabon, Patti Smith and Samin Nosrat. Nothing I love more than snacks and a drink with a book in front of me. (Also on the drinks front: the \u003ca href=\"http://kqed.org/live\">KQED Live\u003c/a> team’s July 13 cocktail event with the podcast Bay Curious!) —\u003ci>Sarah Rose Leonard\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13929633\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929633\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/E_E_CatHouse.jpg\" alt=\"A hand holding up a cocktail, with fruity, pulpy bits floating on top. A fully stocked bar is visible in the background.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/E_E_CatHouse.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/E_E_CatHouse-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/E_E_CatHouse-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/E_E_CatHouse-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/E_E_CatHouse-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/E_E_CatHouse-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">A fruity, spicy “E&E” from the Cat House Bar makes a good start or finish to a Lake Merritt excursion. \u003ccite>(Alan Chazaro)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cb>‘E&E’ at the Cat House Bar\u003c/b>\u003c/h2>\n\u003cp>\u003ci>Tequila, mezcal, pineapple, cilantro, lime, jalapeño ($13)\u003c/i>\u003cbr>\n\u003ci>3255 Lakeshore Ave., Oakland\u003c/i>\u003c/p>\n\u003cp>When all else fails, add tequila and mezcal to your night for an extra summery kick. With fruity splashes of pineapple and lime and dashes of spice from the jalapeño and cilantro, \u003ca href=\"https://www.instagram.com/the_cat_house_bar/?hl=en\">The Cat House Bar’s\u003c/a> “E&E” is a perfectly balanced cocktail served in an elegant, laid-back environment. Pro tip: Both Lake Merritt and the aforementioned \u003ca href=\"https://www.bardooakland.com/\">Bardo\u003c/a> are within short walking distance. \u003ci>—A.C.\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13929652\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929652\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Hitman_Dalva.jpg\" alt=\"A pink cocktail garnished with mint on a wood bar counter.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Hitman_Dalva.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Hitman_Dalva-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Hitman_Dalva-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Hitman_Dalva-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Hitman_Dalva-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Hitman_Dalva-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The ‘Hitman’ is an pink, effervescent beauty of a cocktail. It also happens to be alcohol-free. \u003ccite>(Alan Chazaro)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003cb>The ‘Hitman’ at Dalva\u003c/b>\u003c/h2>\n\u003cp>\u003ci>Grapefruit, lime, NA bitter, Mala syrup, soda ($7)\u003c/i>\u003cbr>\n\u003ci>3121 16th St., San Francisco\u003c/i>\u003c/p>\n\u003cp>There may not be another bar in San Francisco serving a better mocktail than this pink beauty at \u003ca href=\"https://www.instagram.com/dalva_thehideout/?hl=en\">Dalva\u003c/a>. The beverage is what some of my bar-hopping friends might call effervescent — it’s also light, minty, herbaceous and bubbly. Soak up the non-alcoholic (or \u003ca href=\"https://www.dalvasf.com/menu\">alcoholic\u003c/a>) vibes at this grown-up lounge with psychedelically-swirled decor next to the \u003ca href=\"https://www.instagram.com/roxie_theater/\">Roxie Theater\u003c/a>. Conveniently, it’s just a few feet away from some of the \u003ca href=\"https://www.instagram.com/panchitaspupuseria/?hl=en\">Bay Area’s best pupusas\u003c/a>. —\u003ci>A.C.\u003c/i>\u003c/p>\n\u003ch2>\u003cb>The Great American Sazerac at the Great American Music Hall\u003c/b>\u003c/h2>\n\u003cp>\u003ci>cognac, rye whiskey, simple syrup, absinthe rinse ($16)\u003c/i>\u003cbr>\n\u003ci>859 O’Farrell St., San Francisco\u003c/i>\u003c/p>\n\u003cp>In need of a good drink and show this summer? The \u003ca href=\"https://gamh.com/\">Great American Music Hall\u003c/a> is your place. This historic building lies in the heart of the city, surrounded by some of the best restaurants in San Francisco. Formerly known as “Blancos,” the venue was built in 1907, served as a speakeasy during Prohibition and, just like the movies, even had a small basement stage that remains to this day — the perfect place for an intimate show with your favorite artist. My go-to drink is the Great American Sazerac, a little drink that packs a punch and is as rich as the venue it’s named after. It’s complex, warm and just sweet enough to balance out the potent kick of rye whiskey. \u003ci>—Antony Fangary\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Get Lit: 8 Bay Area Events to Help You Discover Your Next Summer Read",
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"headTitle": "Get Lit: 8 Bay Area Events to Help You Discover Your Next Summer Read | KQED",
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"content": "\u003cp>\u003cem>\u003cstrong>Be sure to check out our full \u003ca href=\"https://www.kqed.org/summerguide2023\">2023 Summer Arts Guide to live music, movies, art, theater, festivals and more\u003c/a> in the Bay Area.\u003c/strong> \u003c/em>\u003c/p>\n\u003cp>Summer heat always brings me back to being a young student, eager to reconnect with joy during breaks from school. It’s the perfect time to get back into reading for pleasure — to dust off the books you’ve shoved into the corners of your desk or visit the local bookstore or library for something new. There are also plenty of chances to get out and explore the Bay Area’s literary scene, with a wave of author talks, book fairs and zine fests offering spaces for bookworms to gather and discover new reads.\u003c/p>\n\u003cfigure id=\"attachment_13929398\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Oakland-2023-youth-poet-laureate-finalists-Sharon-Mckellar-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929398\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Oakland-2023-youth-poet-laureate-finalists-Sharon-Mckellar-800x533.jpg\" alt=\"a diverse group of seven young women pose and smile while sitting on a stoop\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Oakland-2023-youth-poet-laureate-finalists-Sharon-Mckellar-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Oakland-2023-youth-poet-laureate-finalists-Sharon-Mckellar-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Oakland-2023-youth-poet-laureate-finalists-Sharon-Mckellar-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Oakland-2023-youth-poet-laureate-finalists-Sharon-Mckellar-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Oakland-2023-youth-poet-laureate-finalists-Sharon-Mckellar-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Oakland-2023-youth-poet-laureate-finalists-Sharon-Mckellar-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Oakland-2023-youth-poet-laureate-finalists-Sharon-Mckellar-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">2023 Oakland Youth Poet Laureate finalists Serafina Mackintosh, Maya Raveneu-Bey, Aniylah (Niy) Dixon, Michelle Vong, Ella Gordon, Isabel Park and Nairobi Barnes. \u003ccite>(Sharon Mckellar)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://oaklandlibrary.bibliocommons.com/events/640f576581da764500c35abb\" target=\"_blank\" rel=\"noopener\">Oakland’s Youth Poet Laureate Reading\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Oakstop, Oakland \u003c/em>\u003cbr>\n\u003cem>June 2\u003c/em>\u003c/p>\n\u003cp>In high school, I joined a small literary group to find camaraderie with other bookworms. We met weekly, \u003cem>Dead Poets Society\u003c/em>-style, in a secluded part of campus, sharing excerpts from our favorite reads (a good amount was fan fiction) and our own writing projects. I think back on this time as a tender era of exploration, when I was first understanding writing as a way to process my deepest curiosities. It’s always heartening, then, for me to see younger generations come into their own through this form of expression.\u003c/p>\n\u003cp>The Oakland Youth Poet Laureate program was created to help promising young writers do just that, connecting youth ages 13 to 18 with opportunities and community to foster their passions for poetry and literature. On June 2, Oakland Public Library hosts a reading and announcement of this year’s 12th Oakland Youth Poet Laureate and Vice Youth Poet Laureate, selected from a group of seven finalists that includes Aniylah (Niy) Dixon, Ella Gordon, Isabel Park, Maya Raveneau-Bey, Michelle Vong, Nairobi Barnes and Serafina Mackintosh.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Each of these writers has already developed a distinct voice and unique delivery. Watching a recent online series of their readings, I was struck by their composure as they recited poems drawing inspiration from Oakland, while holding space for grief and pain, rebellion against sexism and the power and anxieties of Black womanhood.\u003c/p>\n\u003cfigure id=\"attachment_13929576\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Screen-Shot-2023-05-24-at-10.39.51-AM.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929576\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Screen-Shot-2023-05-24-at-10.39.51-AM-800x488.png\" alt=\"a young Asian American person in a black and white headshot and a Black man with a beard and glasses in a headshot\" width=\"800\" height=\"488\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-24-at-10.39.51-AM-800x488.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-24-at-10.39.51-AM-1020x622.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-24-at-10.39.51-AM-160x98.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-24-at-10.39.51-AM-768x468.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-24-at-10.39.51-AM.png 1142w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">L to R: Writers Brandon Taylor and Ocean Vuong. \u003ccite>(Tom Hines; H. Xu)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>City Arts & Lectures: \u003ca href=\"https://www.cityarts.net/event/brandon-taylor/\" target=\"_blank\" rel=\"noopener\">Brandon Taylor\u003c/a> and \u003ca href=\"https://www.cityarts.net/event/ocean-vuong-2/\">Ocean Vuong\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sydney Goldstein Theater, San Francisco \u003c/em>\u003cbr>\n\u003cem>June 2 (Brandon Taylor) and June 9 (Ocean Vuong)\u003c/em>\u003c/p>\n\u003cp>Around two years ago, I began reading more queer literature from contemporary writers of color, scouring the internet for short stories and poems, and saving as much as I could. The world was in the midst of lockdown chaos, and questions of identity felt more pressing than ever before.\u003c/p>\n\u003cp>This is how I discovered the works of \u003ca href=\"https://www.instagram.com/brandonlgtaylor/?hl=en\">Brandon Taylor\u003c/a> and \u003ca href=\"https://www.instagram.com/ocean_vuong/\">Ocean Vuong\u003c/a>. I devoured Taylor’s essays on his \u003ca href=\"https://lithub.com/who-cares-what-straight-people-think/\">conflictedness in reading and writing queer narratives\u003c/a> and on \u003ca href=\"https://lithub.com/being-gay-vs-being-southern-a-false-choice/\">being gay in the South\u003c/a>; and spent hours underlining quotes from Vuong’s debut novel, \u003cem>On Earth We’re Briefly Gorgeous\u003c/em>. Taylor’s writing encouraged me to think more critically about craft, while Vuong’s prose presented new and unconventional ways to use language in vulnerable stories.\u003c/p>\n\u003cp>At Taylor’s and Vuong’s City Arts & Lectures talks, each writer will discuss their most recent works — Taylor’s upcoming book \u003cem>The Late Americans\u003c/em>, and Vuong’s latest poetry collection, \u003cem>Time is a Mother\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_13929544\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Peter-Limata-MDX-REPCO-2020-049.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929544\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Peter-Limata-MDX-REPCO-2020-049-800x533.jpeg\" alt=\"a young Black man in a denim button up shirt smiles while holding a children's book in a bookstore\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Peter-Limata-MDX-REPCO-2020-049-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Peter-Limata-MDX-REPCO-2020-049-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Peter-Limata-MDX-REPCO-2020-049-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Peter-Limata-MDX-REPCO-2020-049-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Peter-Limata-MDX-REPCO-2020-049.jpeg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Peter Limata, seen here at Marcus Books, is an Oakland educator who’s become nationally known for his live book readings. He’ll host this year’s book festival at Children’s Fairyland. \u003ccite>(Molly DeCoudreaux Photography)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://fairyland.org/events-and-performances/book-festival/\">The Children’s Fairyland Book Festival\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Children’s Fairyland, Oakland\u003cbr>\nJune 3\u003c/em>\u003c/p>\n\u003cp>At this family-friendly event, local youth are invited to celebrate literature and reading with a lineup of author talks, book-making activities, a puppet show, meet-and-greets and more. The speaker lineup features illustrators and authors including Angela Dalton, Christian Robinson, Gennifer Choldenko, JaNay Brown-Wood, Mac Barnett, Nidhi Chanani, Shawn Harris and members of Fairyland’s \u003ca href=\"https://www.fairyland.org/education-and-community/youth-writers-workshop/\">Youth Writers Workshop\u003c/a>. The festival will be hosted by Oakland educator\u003ca href=\"https://www.storytimewithmrlimata.com/\"> Mr. Limata\u003c/a>, who is known for his live children’s book readings.\u003c/p>\n\u003cfigure id=\"attachment_13929400\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Screen-Shot-2023-05-19-at-12.00.51-PM.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929400\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Screen-Shot-2023-05-19-at-12.00.51-PM-800x506.png\" alt=\"a diptych of an author, a woman with brown hair and glasses and a book cover for a graphic novel called 'impossible people'\" width=\"800\" height=\"506\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-19-at-12.00.51-PM-800x506.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-19-at-12.00.51-PM-1020x645.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-19-at-12.00.51-PM-160x101.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-19-at-12.00.51-PM-768x485.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-19-at-12.00.51-PM.png 1190w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Author Julia Wertz and the cover of her latest book, ‘Impossible People.’ \u003ccite>(Author photo by Oliver Trixl; book cover courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.juliawertz.com/events/\">Cartoonist Julia Wertz’s ‘Impossible People’\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Pegasus Books, Berkeley, June 8\u003cbr>\nBookmine, Napa, June 15\u003cbr>\nSilver Sprocket, San Francisco, Aug. 11 (with \u003ca href=\"https://www.instagram.com/janelleblarg\">Janelle Hessig\u003c/a>!)\u003c/em>\u003c/p>\n\u003cp>As both a nosy person and comics lover, my favorite subcategory of the artform has always been diary comics and graphic memoirs. They don’t have to be notable public figures, nor do their recollections need to be magnificent or fanciful for me to be invested — I’m just entranced by people being people, navigating their doubts and fears as they search for their own versions of peace.\u003c/p>\n\u003cp>When I first read Sonoma County cartoonist Julia Wertz’s comics, I immediately fell in love with her storytelling. Wertz has an illustrative style that is cute, simple and detailed; a witty and reflective approach to dialogue and narrative; and an openness that is intimate and relatable. In her latest book, \u003cem>Impossible People\u003c/em>, she details her five-year sobriety journey in all its chaos. Digging into stories of group therapy sessions, relapses, relationship troubles, an eviction and other trials, she tells the story of how she succeeded, failed and picked herself back up throughout her recovery process. Reflective and honest, Wertz’s take on recovery is filled with ups, downs and unexpected turns. Through each winding revelation, she comes to see herself in a new light — one that forces her to care more deeply for herself.\u003c/p>\n\u003cfigure id=\"attachment_13929403\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/image10.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929403\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/image10-800x824.png\" alt=\"a young Asian woman poses behind a table full of zines and stickers and tshirts at a book fair\" width=\"800\" height=\"824\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image10-800x824.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image10-1020x1051.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image10-160x165.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image10-768x791.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image10.png 1246w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Local illustrator HAETAE will be tabling at the San Jose Art, Zine & Book Fair. \u003ccite>(Courtesy of the artit)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.empiresevenstudios.com/sj-art-zine-book-fair\">San Jose Art, Zine & Book Fair\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Japantown, San Jose\u003cbr>\nJune 10–11\u003c/em>\u003c/p>\n\u003cp>A newer addition to the local DIY arts scene, this two-day event is organized by art gallery \u003ca href=\"https://www.instagram.com/empire7studios/\">Empire Seven Studios\u003c/a> and community arts organization \u003ca href=\"https://www.instagram.com/sj.makers/\">SJ Makers\u003c/a>. The event will feature local indie creators tabling with their art, a pop-up market and artist panelists, including Sean Barton, creator of \u003cem>Indecent Exposure\u003c/em>, a 300-page graffiti zine published in San Jose.\u003c/p>\n\u003cp>While the event is relatively new, its presence proves that the South Bay — a region often overlooked in Bay Area arts events — is a thriving hotspot for underground zine culture.\u003c/p>\n\u003cfigure id=\"attachment_13929543\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/image7.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929543\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/image7-800x738.png\" alt=\"a young Black woman wearing a coat and red lipstick laughs in a portrait\" width=\"800\" height=\"738\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image7-800x738.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image7-1020x941.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image7-160x148.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image7-768x709.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image7.png 1062w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Author and NPR podcast host Aisha Harris. \u003ccite>(Sheilby Macena)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/aisha-harris-in-store-launch-and-signing-for-her-new-book-wannabe-tickets-610208669557\">Aisha Harris’ ‘Wannabe: Reckonings with the Pop Culture That Shapes Me’\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Mrs. Dalloway’s, Berkeley\u003c/em>\u003cbr>\n\u003cem>June 14\u003c/em>\u003c/p>\n\u003cp>I’ve often tuned into NPR’s Pop Culture Happy Hour during long walks, finding solace in the lively conversations of its hosts, a warm, funny and knowledgeable group of arts journalists. In bite-sized episodes, the hosts and guests banter and discuss the intricacies of popular shows, films and pop culture events, while dissecting their significance.\u003c/p>\n\u003cp>Host and culture critic \u003ca href=\"https://www.instagram.com/aha88/\">Aisha Harris\u003c/a> is touring this summer with her debut essay collection, \u003cem>Wannabe: Reckonings with the Pop Culture That Shapes Me\u003c/em>. In it, she takes readers through her adolescence, and the pop-culture figures, moments and concepts that impacted her growing up. On Instagram, Harris offers snippets of some of her chapters and the “mood boards” behind them, with one focusing on her relationship with being the “cool girl,” writing that this journey is “the story of a girl who sought power through exception and various posturings of masculinity.”\u003c/p>\n\u003cp>The book is a more intimate look into Harris’ life: a treat for those, like myself, who have grown to savor her wisdom and humor on Pop Culture Happy Hour.\u003c/p>\n\u003cfigure id=\"attachment_13929542\" class=\"wp-caption aligncenter\" style=\"max-width: 509px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/image9.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-13929542\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/image9-800x534.jpg\" alt=\"people gather at a book fair, scene in an aerial shot\" width=\"509\" height=\"339\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image9-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image9-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image9-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image9-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image9-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image9-1920x1281.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image9.jpg 1999w\" sizes=\"(max-width: 509px) 100vw, 509px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Attendees and artists gather at SF Art Book Fair 2022. \u003ccite>(Jenna Garrett)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://sfartbookfair.com/\">The San Francisco Art Book Fair\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Minnesota Street Project, San Francisco\u003c/em>\u003cbr>\n\u003cem>July 14-16 (Preview July 13)\u003c/em>\u003c/p>\n\u003cp>Zine fests and book fairs are staples amongst local artists and enthusiasts in the Bay Area: each one a new treasure trove of colorful, eclectic items to add to one’s ever-growing personal collection. The San Francisco Art Book Fair is one of these essential events, and offers a large range of independent artists, publishers and designers who will sell prints, zines, books, apparel and other wares over the course of four days.\u003c/p>\n\u003cp>The fair, currently in its sixth year, also includes artist talks, book presentations, performances, lectures and other special events. In previous years, they’ve hosted a documentary screening on Bay Area zine culture, collaborative drawing sessions and an exhibition showcasing unseen work from cultural icons John Waters and Andy Warhol. Best of all, it retains the spirit of the humble book fair, where accessibility and inclusivity are key. In this place, there is truly something for everyone.\u003c/p>\n\u003cfigure id=\"attachment_13929541\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Screen-Shot-2023-05-23-at-1.15.24-PM.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929541\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Screen-Shot-2023-05-23-at-1.15.24-PM-800x803.png\" alt=\"a collage of an Asian-American woman with two book covers, with titles 'In the Beautiful Country' and 'Land of Broken Promises'\" width=\"800\" height=\"803\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-23-at-1.15.24-PM-800x803.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-23-at-1.15.24-PM-1020x1023.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-23-at-1.15.24-PM-160x161.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-23-at-1.15.24-PM-768x771.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-23-at-1.15.24-PM.png 1212w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Author Jane Kuo with her two novels, ‘In the Beautiful Country,’ and ‘Land of Broken Promises.’ \u003ccite>(Jane Kuo photo by Jon Paris; collage courtesy Palo Alto City Library)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://paloalto.bibliocommons.com/events/6463ce250e0afc41007480ba\">Jane Kuo’s ‘Land of Broken Promises’\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Rinconada Library, Palo Alto\u003c/em>\u003cbr>\n\u003cem>July 15\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Novelist Jane Kuo’s latest book follows Anna, a young Taiwanese immigrant who struggles to adjust to 1980s Los Angeles. Drawn from Kuo’s own life, the book is a tribute to the author’s experience immigrating to the U.S. and her subsequent explorations of identity, language, family and the concept of the American Dream. The novel is a sequel to Kuo’s first book, \u003cem>In the Beautiful Country\u003c/em>, and similarly explores the lesser-told coming-of-age narrative of a young Taiwanese immigrant. Here, Kuo will appear for a craft talk and book signing.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Be sure to check out our full \u003ca href=\"https://www.kqed.org/summerguide2023\">2023 Summer Arts Guide to live music, movies, art, theater, festivals and more\u003c/a> in the Bay Area.\u003c/strong> \u003c/em>\u003c/p>\n\u003cp>Summer heat always brings me back to being a young student, eager to reconnect with joy during breaks from school. It’s the perfect time to get back into reading for pleasure — to dust off the books you’ve shoved into the corners of your desk or visit the local bookstore or library for something new. There are also plenty of chances to get out and explore the Bay Area’s literary scene, with a wave of author talks, book fairs and zine fests offering spaces for bookworms to gather and discover new reads.\u003c/p>\n\u003cfigure id=\"attachment_13929398\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Oakland-2023-youth-poet-laureate-finalists-Sharon-Mckellar-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929398\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Oakland-2023-youth-poet-laureate-finalists-Sharon-Mckellar-800x533.jpg\" alt=\"a diverse group of seven young women pose and smile while sitting on a stoop\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Oakland-2023-youth-poet-laureate-finalists-Sharon-Mckellar-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Oakland-2023-youth-poet-laureate-finalists-Sharon-Mckellar-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Oakland-2023-youth-poet-laureate-finalists-Sharon-Mckellar-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Oakland-2023-youth-poet-laureate-finalists-Sharon-Mckellar-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Oakland-2023-youth-poet-laureate-finalists-Sharon-Mckellar-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Oakland-2023-youth-poet-laureate-finalists-Sharon-Mckellar-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Oakland-2023-youth-poet-laureate-finalists-Sharon-Mckellar-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">2023 Oakland Youth Poet Laureate finalists Serafina Mackintosh, Maya Raveneu-Bey, Aniylah (Niy) Dixon, Michelle Vong, Ella Gordon, Isabel Park and Nairobi Barnes. \u003ccite>(Sharon Mckellar)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://oaklandlibrary.bibliocommons.com/events/640f576581da764500c35abb\" target=\"_blank\" rel=\"noopener\">Oakland’s Youth Poet Laureate Reading\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Oakstop, Oakland \u003c/em>\u003cbr>\n\u003cem>June 2\u003c/em>\u003c/p>\n\u003cp>In high school, I joined a small literary group to find camaraderie with other bookworms. We met weekly, \u003cem>Dead Poets Society\u003c/em>-style, in a secluded part of campus, sharing excerpts from our favorite reads (a good amount was fan fiction) and our own writing projects. I think back on this time as a tender era of exploration, when I was first understanding writing as a way to process my deepest curiosities. It’s always heartening, then, for me to see younger generations come into their own through this form of expression.\u003c/p>\n\u003cp>The Oakland Youth Poet Laureate program was created to help promising young writers do just that, connecting youth ages 13 to 18 with opportunities and community to foster their passions for poetry and literature. On June 2, Oakland Public Library hosts a reading and announcement of this year’s 12th Oakland Youth Poet Laureate and Vice Youth Poet Laureate, selected from a group of seven finalists that includes Aniylah (Niy) Dixon, Ella Gordon, Isabel Park, Maya Raveneau-Bey, Michelle Vong, Nairobi Barnes and Serafina Mackintosh.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Each of these writers has already developed a distinct voice and unique delivery. Watching a recent online series of their readings, I was struck by their composure as they recited poems drawing inspiration from Oakland, while holding space for grief and pain, rebellion against sexism and the power and anxieties of Black womanhood.\u003c/p>\n\u003cfigure id=\"attachment_13929576\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Screen-Shot-2023-05-24-at-10.39.51-AM.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929576\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Screen-Shot-2023-05-24-at-10.39.51-AM-800x488.png\" alt=\"a young Asian American person in a black and white headshot and a Black man with a beard and glasses in a headshot\" width=\"800\" height=\"488\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-24-at-10.39.51-AM-800x488.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-24-at-10.39.51-AM-1020x622.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-24-at-10.39.51-AM-160x98.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-24-at-10.39.51-AM-768x468.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-24-at-10.39.51-AM.png 1142w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">L to R: Writers Brandon Taylor and Ocean Vuong. \u003ccite>(Tom Hines; H. Xu)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>City Arts & Lectures: \u003ca href=\"https://www.cityarts.net/event/brandon-taylor/\" target=\"_blank\" rel=\"noopener\">Brandon Taylor\u003c/a> and \u003ca href=\"https://www.cityarts.net/event/ocean-vuong-2/\">Ocean Vuong\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sydney Goldstein Theater, San Francisco \u003c/em>\u003cbr>\n\u003cem>June 2 (Brandon Taylor) and June 9 (Ocean Vuong)\u003c/em>\u003c/p>\n\u003cp>Around two years ago, I began reading more queer literature from contemporary writers of color, scouring the internet for short stories and poems, and saving as much as I could. The world was in the midst of lockdown chaos, and questions of identity felt more pressing than ever before.\u003c/p>\n\u003cp>This is how I discovered the works of \u003ca href=\"https://www.instagram.com/brandonlgtaylor/?hl=en\">Brandon Taylor\u003c/a> and \u003ca href=\"https://www.instagram.com/ocean_vuong/\">Ocean Vuong\u003c/a>. I devoured Taylor’s essays on his \u003ca href=\"https://lithub.com/who-cares-what-straight-people-think/\">conflictedness in reading and writing queer narratives\u003c/a> and on \u003ca href=\"https://lithub.com/being-gay-vs-being-southern-a-false-choice/\">being gay in the South\u003c/a>; and spent hours underlining quotes from Vuong’s debut novel, \u003cem>On Earth We’re Briefly Gorgeous\u003c/em>. Taylor’s writing encouraged me to think more critically about craft, while Vuong’s prose presented new and unconventional ways to use language in vulnerable stories.\u003c/p>\n\u003cp>At Taylor’s and Vuong’s City Arts & Lectures talks, each writer will discuss their most recent works — Taylor’s upcoming book \u003cem>The Late Americans\u003c/em>, and Vuong’s latest poetry collection, \u003cem>Time is a Mother\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_13929544\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Peter-Limata-MDX-REPCO-2020-049.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929544\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Peter-Limata-MDX-REPCO-2020-049-800x533.jpeg\" alt=\"a young Black man in a denim button up shirt smiles while holding a children's book in a bookstore\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Peter-Limata-MDX-REPCO-2020-049-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Peter-Limata-MDX-REPCO-2020-049-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Peter-Limata-MDX-REPCO-2020-049-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Peter-Limata-MDX-REPCO-2020-049-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Peter-Limata-MDX-REPCO-2020-049.jpeg 1500w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Peter Limata, seen here at Marcus Books, is an Oakland educator who’s become nationally known for his live book readings. He’ll host this year’s book festival at Children’s Fairyland. \u003ccite>(Molly DeCoudreaux Photography)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://fairyland.org/events-and-performances/book-festival/\">The Children’s Fairyland Book Festival\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Children’s Fairyland, Oakland\u003cbr>\nJune 3\u003c/em>\u003c/p>\n\u003cp>At this family-friendly event, local youth are invited to celebrate literature and reading with a lineup of author talks, book-making activities, a puppet show, meet-and-greets and more. The speaker lineup features illustrators and authors including Angela Dalton, Christian Robinson, Gennifer Choldenko, JaNay Brown-Wood, Mac Barnett, Nidhi Chanani, Shawn Harris and members of Fairyland’s \u003ca href=\"https://www.fairyland.org/education-and-community/youth-writers-workshop/\">Youth Writers Workshop\u003c/a>. The festival will be hosted by Oakland educator\u003ca href=\"https://www.storytimewithmrlimata.com/\"> Mr. Limata\u003c/a>, who is known for his live children’s book readings.\u003c/p>\n\u003cfigure id=\"attachment_13929400\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Screen-Shot-2023-05-19-at-12.00.51-PM.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929400\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Screen-Shot-2023-05-19-at-12.00.51-PM-800x506.png\" alt=\"a diptych of an author, a woman with brown hair and glasses and a book cover for a graphic novel called 'impossible people'\" width=\"800\" height=\"506\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-19-at-12.00.51-PM-800x506.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-19-at-12.00.51-PM-1020x645.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-19-at-12.00.51-PM-160x101.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-19-at-12.00.51-PM-768x485.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-19-at-12.00.51-PM.png 1190w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Author Julia Wertz and the cover of her latest book, ‘Impossible People.’ \u003ccite>(Author photo by Oliver Trixl; book cover courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.juliawertz.com/events/\">Cartoonist Julia Wertz’s ‘Impossible People’\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Pegasus Books, Berkeley, June 8\u003cbr>\nBookmine, Napa, June 15\u003cbr>\nSilver Sprocket, San Francisco, Aug. 11 (with \u003ca href=\"https://www.instagram.com/janelleblarg\">Janelle Hessig\u003c/a>!)\u003c/em>\u003c/p>\n\u003cp>As both a nosy person and comics lover, my favorite subcategory of the artform has always been diary comics and graphic memoirs. They don’t have to be notable public figures, nor do their recollections need to be magnificent or fanciful for me to be invested — I’m just entranced by people being people, navigating their doubts and fears as they search for their own versions of peace.\u003c/p>\n\u003cp>When I first read Sonoma County cartoonist Julia Wertz’s comics, I immediately fell in love with her storytelling. Wertz has an illustrative style that is cute, simple and detailed; a witty and reflective approach to dialogue and narrative; and an openness that is intimate and relatable. In her latest book, \u003cem>Impossible People\u003c/em>, she details her five-year sobriety journey in all its chaos. Digging into stories of group therapy sessions, relapses, relationship troubles, an eviction and other trials, she tells the story of how she succeeded, failed and picked herself back up throughout her recovery process. Reflective and honest, Wertz’s take on recovery is filled with ups, downs and unexpected turns. Through each winding revelation, she comes to see herself in a new light — one that forces her to care more deeply for herself.\u003c/p>\n\u003cfigure id=\"attachment_13929403\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/image10.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929403\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/image10-800x824.png\" alt=\"a young Asian woman poses behind a table full of zines and stickers and tshirts at a book fair\" width=\"800\" height=\"824\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image10-800x824.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image10-1020x1051.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image10-160x165.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image10-768x791.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image10.png 1246w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Local illustrator HAETAE will be tabling at the San Jose Art, Zine & Book Fair. \u003ccite>(Courtesy of the artit)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.empiresevenstudios.com/sj-art-zine-book-fair\">San Jose Art, Zine & Book Fair\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Japantown, San Jose\u003cbr>\nJune 10–11\u003c/em>\u003c/p>\n\u003cp>A newer addition to the local DIY arts scene, this two-day event is organized by art gallery \u003ca href=\"https://www.instagram.com/empire7studios/\">Empire Seven Studios\u003c/a> and community arts organization \u003ca href=\"https://www.instagram.com/sj.makers/\">SJ Makers\u003c/a>. The event will feature local indie creators tabling with their art, a pop-up market and artist panelists, including Sean Barton, creator of \u003cem>Indecent Exposure\u003c/em>, a 300-page graffiti zine published in San Jose.\u003c/p>\n\u003cp>While the event is relatively new, its presence proves that the South Bay — a region often overlooked in Bay Area arts events — is a thriving hotspot for underground zine culture.\u003c/p>\n\u003cfigure id=\"attachment_13929543\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/image7.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929543\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/image7-800x738.png\" alt=\"a young Black woman wearing a coat and red lipstick laughs in a portrait\" width=\"800\" height=\"738\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image7-800x738.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image7-1020x941.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image7-160x148.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image7-768x709.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image7.png 1062w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Author and NPR podcast host Aisha Harris. \u003ccite>(Sheilby Macena)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/aisha-harris-in-store-launch-and-signing-for-her-new-book-wannabe-tickets-610208669557\">Aisha Harris’ ‘Wannabe: Reckonings with the Pop Culture That Shapes Me’\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Mrs. Dalloway’s, Berkeley\u003c/em>\u003cbr>\n\u003cem>June 14\u003c/em>\u003c/p>\n\u003cp>I’ve often tuned into NPR’s Pop Culture Happy Hour during long walks, finding solace in the lively conversations of its hosts, a warm, funny and knowledgeable group of arts journalists. In bite-sized episodes, the hosts and guests banter and discuss the intricacies of popular shows, films and pop culture events, while dissecting their significance.\u003c/p>\n\u003cp>Host and culture critic \u003ca href=\"https://www.instagram.com/aha88/\">Aisha Harris\u003c/a> is touring this summer with her debut essay collection, \u003cem>Wannabe: Reckonings with the Pop Culture That Shapes Me\u003c/em>. In it, she takes readers through her adolescence, and the pop-culture figures, moments and concepts that impacted her growing up. On Instagram, Harris offers snippets of some of her chapters and the “mood boards” behind them, with one focusing on her relationship with being the “cool girl,” writing that this journey is “the story of a girl who sought power through exception and various posturings of masculinity.”\u003c/p>\n\u003cp>The book is a more intimate look into Harris’ life: a treat for those, like myself, who have grown to savor her wisdom and humor on Pop Culture Happy Hour.\u003c/p>\n\u003cfigure id=\"attachment_13929542\" class=\"wp-caption aligncenter\" style=\"max-width: 509px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/image9.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-13929542\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/image9-800x534.jpg\" alt=\"people gather at a book fair, scene in an aerial shot\" width=\"509\" height=\"339\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image9-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image9-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image9-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image9-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image9-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image9-1920x1281.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/image9.jpg 1999w\" sizes=\"(max-width: 509px) 100vw, 509px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Attendees and artists gather at SF Art Book Fair 2022. \u003ccite>(Jenna Garrett)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://sfartbookfair.com/\">The San Francisco Art Book Fair\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Minnesota Street Project, San Francisco\u003c/em>\u003cbr>\n\u003cem>July 14-16 (Preview July 13)\u003c/em>\u003c/p>\n\u003cp>Zine fests and book fairs are staples amongst local artists and enthusiasts in the Bay Area: each one a new treasure trove of colorful, eclectic items to add to one’s ever-growing personal collection. The San Francisco Art Book Fair is one of these essential events, and offers a large range of independent artists, publishers and designers who will sell prints, zines, books, apparel and other wares over the course of four days.\u003c/p>\n\u003cp>The fair, currently in its sixth year, also includes artist talks, book presentations, performances, lectures and other special events. In previous years, they’ve hosted a documentary screening on Bay Area zine culture, collaborative drawing sessions and an exhibition showcasing unseen work from cultural icons John Waters and Andy Warhol. Best of all, it retains the spirit of the humble book fair, where accessibility and inclusivity are key. In this place, there is truly something for everyone.\u003c/p>\n\u003cfigure id=\"attachment_13929541\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Screen-Shot-2023-05-23-at-1.15.24-PM.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929541\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Screen-Shot-2023-05-23-at-1.15.24-PM-800x803.png\" alt=\"a collage of an Asian-American woman with two book covers, with titles 'In the Beautiful Country' and 'Land of Broken Promises'\" width=\"800\" height=\"803\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-23-at-1.15.24-PM-800x803.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-23-at-1.15.24-PM-1020x1023.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-23-at-1.15.24-PM-160x161.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-23-at-1.15.24-PM-768x771.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Screen-Shot-2023-05-23-at-1.15.24-PM.png 1212w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Author Jane Kuo with her two novels, ‘In the Beautiful Country,’ and ‘Land of Broken Promises.’ \u003ccite>(Jane Kuo photo by Jon Paris; collage courtesy Palo Alto City Library)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://paloalto.bibliocommons.com/events/6463ce250e0afc41007480ba\">Jane Kuo’s ‘Land of Broken Promises’\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Rinconada Library, Palo Alto\u003c/em>\u003cbr>\n\u003cem>July 15\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Novelist Jane Kuo’s latest book follows Anna, a young Taiwanese immigrant who struggles to adjust to 1980s Los Angeles. Drawn from Kuo’s own life, the book is a tribute to the author’s experience immigrating to the U.S. and her subsequent explorations of identity, language, family and the concept of the American Dream. The novel is a sequel to Kuo’s first book, \u003cem>In the Beautiful Country\u003c/em>, and similarly explores the lesser-told coming-of-age narrative of a young Taiwanese immigrant. Here, Kuo will appear for a craft talk and book signing.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "tupac-shakur-street-oakland-tupac-shakur-way",
"title": "Tupac Shakur to Have His Own Street, ‘Tupac Shakur Way,’ in Oakland",
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"headTitle": "Tupac Shakur to Have His Own Street, ‘Tupac Shakur Way,’ in Oakland | KQED",
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"content": "\u003cfigure id=\"attachment_13929237\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929237\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Tupac.Square-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Tupac.Square-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Tupac.Square-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Tupac.Square-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Tupac.Square-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Tupac.Square-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Tupac.Square.jpg 1716w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tupac Shakur pictured in Oakland in 1992. The rap icon is set to have an Oakland street renamed in his honor. \u003ccite>(Gary Reyes / Oakland Tribune Staff Archives (MediaNews Group/Bay Area News via Getty Images))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Tupac Shakur will soon have an Oakland street named after him, following a unanimous vote by the Oakland City Council Tuesday night to honor the rap icon, whose career began in the Bay Area.\u003c/p>\n\u003cp>[aside postID='arts_13937563']MacArthur Boulevard between Grand Avenue and Van Buren Avenue will be known as “Tupac Shakur Way,” marked by commemorative signage. In the early 1990s, Shakur \u003ca href=\"https://www.julienslive.com/lot-details/index/catalog/192/lot/82603/\">lived in the apartment complex\u003c/a> at 275 MacArthur Boulevard.\u003c/p>\n\u003cp>Eight members of the council voted in favor of the renaming. No members voted against it.\u003c/p>\n\u003cp>Shakur moved to Oakland in the early 1990s, after brief stints living in Marin City and Santa Rosa. It was while living in Oakland that the ambitious young rapper split from Digital Underground and started his solo career with the 1991 LP \u003cem>2Pacalypse Now\u003c/em>.\u003c/p>\n\u003cp>[aside postID='arts_13927810']Shakur also \u003ca href=\"https://www.kqed.org/arts/13927810/brendas-got-a-baby-tupac-shakur-ethel-love\">filmed the pivotal music video for “Brenda’s Got a Baby” in downtown Oakland\u003c/a>, and famously \u003ca href=\"https://www.kqed.org/arts/11696060/its-tupac-day-in-oakland-where-he-once-sued-the-police-for-10-million\">sued the Oakland Police Department for slamming him to the ground\u003c/a> during a jaywalking arrest at 17th and Broadway.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Even after he moved to Los Angeles, Tupac \u003ca href=\"https://youtu.be/yCYT3T3UBdw\">credited Oakland\u003c/a> as the place “where I got the game at. … I give all my love to Oakland. If imma claim somewhere, imma claim Oakland.”\u003c/p>\n\u003cp>The \u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/TupacShakurWay.pdf\">council’s resolution [PDF]\u003c/a> notes that a street renaming will be considered appropriate if “the individual has positively impacted the lives of a nation or the world.”\u003c/p>\n\u003cp>[aside postID='arts_13922616']The resolution continues: “MacArthur Boulevard between Grand Avenue and Van Buren Avenue where [Shakur] once lived serves to remind us of his contributions to Oakland and our communities through the celebration of art and culture as an awakening tool towards changes in society.”\u003c/p>\n\u003cp>This is the second time in the past year that Oakland has renamed a street after a rap artist. In December 2022, \u003ca href=\"https://www.kqed.org/arts/13922616/too-short-way-street-sign-unveiled-oakland\">a portion of Foothill Boulevard in East Oakland was renamed “Too Short Way.”\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Costs for the signage will be covered by the Tupac Shakur Foundation. No timeline has been set for a street renaming ceremony.\u003c/p>\n\n",
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"excerpt": "'Tupac Shakur Way' will be on MacArthur Boulevard near Grand Avenue after a unanimous city council vote. ",
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"title": "Tupac Shakur to Have His Own Street, ‘Tupac Shakur Way,’ in Oakland | KQED",
"description": "'Tupac Shakur Way' will be on MacArthur Boulevard near Grand Avenue after a unanimous city council vote. ",
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"headline": "Tupac Shakur to Have His Own Street, ‘Tupac Shakur Way,’ in Oakland",
"datePublished": "2023-05-17T09:28:21-07:00",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13929237\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929237\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Tupac.Square-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Tupac.Square-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Tupac.Square-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Tupac.Square-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Tupac.Square-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Tupac.Square-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Tupac.Square.jpg 1716w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tupac Shakur pictured in Oakland in 1992. The rap icon is set to have an Oakland street renamed in his honor. \u003ccite>(Gary Reyes / Oakland Tribune Staff Archives (MediaNews Group/Bay Area News via Getty Images))\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Tupac Shakur will soon have an Oakland street named after him, following a unanimous vote by the Oakland City Council Tuesday night to honor the rap icon, whose career began in the Bay Area.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>MacArthur Boulevard between Grand Avenue and Van Buren Avenue will be known as “Tupac Shakur Way,” marked by commemorative signage. In the early 1990s, Shakur \u003ca href=\"https://www.julienslive.com/lot-details/index/catalog/192/lot/82603/\">lived in the apartment complex\u003c/a> at 275 MacArthur Boulevard.\u003c/p>\n\u003cp>Eight members of the council voted in favor of the renaming. No members voted against it.\u003c/p>\n\u003cp>Shakur moved to Oakland in the early 1990s, after brief stints living in Marin City and Santa Rosa. It was while living in Oakland that the ambitious young rapper split from Digital Underground and started his solo career with the 1991 LP \u003cem>2Pacalypse Now\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Shakur also \u003ca href=\"https://www.kqed.org/arts/13927810/brendas-got-a-baby-tupac-shakur-ethel-love\">filmed the pivotal music video for “Brenda’s Got a Baby” in downtown Oakland\u003c/a>, and famously \u003ca href=\"https://www.kqed.org/arts/11696060/its-tupac-day-in-oakland-where-he-once-sued-the-police-for-10-million\">sued the Oakland Police Department for slamming him to the ground\u003c/a> during a jaywalking arrest at 17th and Broadway.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Even after he moved to Los Angeles, Tupac \u003ca href=\"https://youtu.be/yCYT3T3UBdw\">credited Oakland\u003c/a> as the place “where I got the game at. … I give all my love to Oakland. If imma claim somewhere, imma claim Oakland.”\u003c/p>\n\u003cp>The \u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/TupacShakurWay.pdf\">council’s resolution [PDF]\u003c/a> notes that a street renaming will be considered appropriate if “the individual has positively impacted the lives of a nation or the world.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The resolution continues: “MacArthur Boulevard between Grand Avenue and Van Buren Avenue where [Shakur] once lived serves to remind us of his contributions to Oakland and our communities through the celebration of art and culture as an awakening tool towards changes in society.”\u003c/p>\n\u003cp>This is the second time in the past year that Oakland has renamed a street after a rap artist. In December 2022, \u003ca href=\"https://www.kqed.org/arts/13922616/too-short-way-street-sign-unveiled-oakland\">a portion of Foothill Boulevard in East Oakland was renamed “Too Short Way.”\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Costs for the signage will be covered by the Tupac Shakur Foundation. No timeline has been set for a street renaming ceremony.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>\u003cstrong>Editor’s note\u003c/strong>: This story is part of \u003c/em>\u003ca href=\"https://www.kqed.org/bayareahiphop\">That’s My Word\u003c/a>\u003cem>, KQED’s year-long exploration of \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop\u003c/a> history.\u003c/em>\u003c/p>\n\u003cp>The uneven power dynamics in hip-hop — and the music industry in general — are no secret: Mostly white executives enrich themselves from Black ingenuity, invest in the salacious and the sensational, and ignore the true diversity of the culture. That’s why, on a January Zoom call with the inaugural inductee class of the \u003ca href=\"https://microphonemechanics.com/bay-area-hip-hop-archives\">Bay Area Hip-Hop Archives\u003c/a>, Jahi implored: “Don’t leave your legacy to chance.”\u003c/p>\n\u003cp>Those in the virtual room included well-known figures like \u003ca href=\"https://www.instagram.com/suga_t_/\">Suga T\u003c/a> and \u003ca href=\"https://djdsharp.co/\">DJ D Sharp\u003c/a> of the Golden State Warriors. There was also \u003ca href=\"https://thembisamshaka.com/\">Thembisa Mshaka\u003c/a>, former editor of the influential industry magazine \u003ci>Gavin Report\u003c/i>; Helen Warren, mother of the late, great turntablist Pam the Funkstress; Black Panther-descended aerosol artist \u003ca href=\"http://www.refa1.com/\">Refa One\u003c/a>; rapper-turned-elementary educator \u003ca href=\"https://mysticworldwide.com/\">Mystic\u003c/a>; and others connected to hip-hop’s revolutionary core, who’ve helped build the culture in the Bay from the ground up. [aside postid='arts_13927349']\u003c/p>\n\u003cp>For archive curator Jahi, the time is right to preserve the Bay Area’s impact on hip-hop culture, which celebrates its 50th anniversary on Aug. 11, the day of \u003ca href=\"https://www.theguardian.com/music/2011/jun/13/dj-kool-herc-block-party\">DJ Kool Herc’s fateful 1973 Bronx block party\u003c/a>. Not to mention that, in recent years, the Bay Area has seen the untimely passing of numerous hip-hop greats in their 40s and 50s. The loss of \u003ca href=\"https://www.kqed.org/arts/13818092/pam-the-funkstress-pioneering-bay-area-dj-passes-away\">Pam the Funkstress\u003c/a>, Digital Underground frontman \u003ca href=\"https://www.kqed.org/arts/13896288/remembering-shock-g-the-funky-digital-underground-frontman-who-shaped-oakland-rap\">Shock G\u003c/a>, Zion I’s \u003ca href=\"https://www.kqed.org/arts/13920198/zumbi-zion-i-improper-restraint-at-hospital\">Zumbi\u003c/a> and Blackalicious’ \u003ca href=\"https://www.kqed.org/arts/13899378/blackalicious-gift-of-gab-a-celebrated-mc-dies-at-age-50\">Gift of Gab\u003c/a> sent shockwaves of grief throughout the Bay Area. For Jahi’s generation, time is precious, and the creators of the culture feel an imperative to leave a record for posterity.\u003c/p>\n\u003cp>“When you think about ancient Egypt and other societies, their cultures took dynasties to grow and develop,” says Jahi with reverence. “And in 50 years, look what we’ve created.”\u003c/p>\n\u003cfigure id=\"attachment_13929194\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929194\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Jahi-photo-1-800x1028.jpg\" alt=\"Jahi wears a fedora and black suit while giving a speech on stage. \" width=\"800\" height=\"1028\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Jahi-photo-1-800x1028.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Jahi-photo-1-160x206.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Jahi-photo-1-768x987.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Jahi-photo-1.jpg 935w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bay Area Hip-Hop Archives curator Jahi had a successful career as an MC before foraying into exhibitions, theater and legacy work. \u003ccite>(Courtesy of Jahi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Indeed, hip-hop is now a multi-billion dollar industry with influence on Wall Street, the \u003ca href=\"https://www.paris2024.org/en/sport/breaking/\">2024 Olympics\u003c/a> and beyond. But it still remains a Black, working-class, grassroots culture that empowers, heals and politically mobilizes, an aspect that was front of mind for Jahi as he planned the archive, which is housed at the \u003ca href=\"https://oaklandlibrary.org/aamlo/\">African American Museum and Library at Oakland\u003c/a> (AAMLO).\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Since inducting the first Bay Area Hip-Hop Archives class of 15 honorees during Black History Month, Jahi has gathered 1,000 artifacts and counting from their personal collections, some of which will be on view at AAMLO’s Aug. 11 block party celebrating hip-hop’s 50th anniversary, with another viewing to come in February 2024. Concert flyers, setlists, photos, audio and video interviews are getting the “white-glove” museum treatment for future fans, artists and scholars to explore. Jahi is also hosting a \u003ca href=\"https://www.instagram.com/p/Cryc31GpDH6/?igshid=MzRlODBiNWFlZA%3D%3D\">Meet the Curator Night\u003c/a> with music and discussion at AAMLO on May 19, and is gearing up to announce the next 40 honorees on Juneteenth next month. [pullquote size='large' citation='Jahi, Bay Area Hip-Hop Archives curator']‘When you think about ancient Egypt and other societies, their cultures took dynasties to grow and develop. And in 50 years, look what we’ve created.’[/pullquote]\u003c/p>\n\u003cp>To create the archive, Jahi sought out a partnership with a Black-led institution, and he found the right collaborator in AAMLO and its Chief Curator Bamidele Agbasegbe-Demerson. Prior to the Bay Area Hip-Hop Archives’ launch, AAMLO already had close to 12,000 artifacts and documents chronicling Black life in Northern California, from the Gold Rush to the Black Panther Party. “So we’re joining their community,” Jahi says. “And when we’re done, we’ll probably have about ten or 12,000 pieces from the Bay Area Hip-Hop Archives. It’s a level up — in terms of preservation, protection and, most importantly, the opportunity for artists to tell their story in their own voices so they are not erased.”\u003c/p>\n\u003cp>Beyond artists, the Bay Area Hip-Hop Archives honors people who’ve played a crucial role in facilitating the local scene, such as promoter \u003ca href=\"https://ankhmarketing.com/\">Ankh Marketing\u003c/a>, which has produced community events and big-name concerts with Goapele and Erykah Badu alike, and \u003ca href=\"https://youtu.be/lkadOO6UuR0\">the Upper Room\u003c/a>, a substance-free gathering space for the San Francisco spoken word and alternative hip-hop scenes of the ’90s. Other inductees include MC and queer party producer \u003ca href=\"https://www.instagram.com/aimathedrmr/?hl=en\">Aima the Dreamer\u003c/a>; journalist, scholar and DJ \u003ca href=\"https://daveyd.com/\">Davey D\u003c/a> (who serves as an advisor on KQED’s \u003cem>That’s My Word\u003c/em>); dance historian and photographer \u003ca href=\"http://www.iamtracibartlow.com/\">Traci Bartlow\u003c/a>; \u003ca href=\"https://www.instagram.com/realdjkevykev/?hl=en\">DJ Kevy Kev\u003c/a>; the “Black Panther of hip-hop,” \u003ca href=\"https://www.guerrillafunk.com/paris\">Paris\u003c/a>; poet and educator \u003ca href=\"https://www.instagram.com/mrdavis510/?hl=en\">Hodari Davis\u003c/a>; and \u003ca href=\"https://www.instagram.com/phestohierosoul/?hl=en\">Phesto Dee\u003c/a> of Souls of Mischief.\u003c/p>\n\u003cp>https://youtu.be/uMqQgf__apQ\u003c/p>\n\u003cp>Jahi himself comes from the activist, alternative corner of hip-hop — what he refers to as the “socially conscious, mostly profanity-free, life-affirming lane.” He’s called Oakland home for 24 years, but he grew up DJing and freestyling in East Cleveland in the early ’80s. It was a turbulent time in American history, with the crack epidemic and rise of mass incarceration, and hip-hop offered him a sense of belonging and an artistic outlet. “All the rappers had perfect attendance, because we was always at school 30 minutes before school opened so we could battle,” says Jahi.\u003c/p>\n\u003cp>Jahi’s path into music was somewhat unconventional: He had a successful career at an educational nonprofit before embarking on a professional music career at 28 years old, in the late ’90s. Public Enemy’s Chuck D and KRS One gave him some of his first big opportunities, which led to a major-label album and a successful stint in Europe. He later founded the production company Microphone Mechanics, which has been his springboard into museum exhibitions, theater and, now, the archives.\u003c/p>\n\u003cp>Jahi has an inclusive vision of hip-hop, and isn’t about creating a dichotomy of street-versus-conscious, mainstream-versus-underground — nor is he into shaming or excluding practitioners of the art form who are different from him. Instead, he wants to celebrate the many styles and philosophies, the collective efforts, that have made the culture such a potent form of expression. “Hip-hop is a house with many rooms, and we’ve been in the sex, drugs, violence, pimp, hustler room,” he says. “It’s not the whole house.”\u003c/p>\n\u003cp>At the unveiling of the Bay Area Hip-Hop Archives in February, artists spoke of unity and pride. “We built this community,” said Mystic. “We built this when we had no models. We created magazines, we produced albums, we threw events. We created what the dream needed to be, and it was grounded in the radically loving and socially political foundation that is Oakland.” [aside postid='arts_13906176']\u003c/p>\n\u003cp>“Everybody likes to make us believe, especially as Black people, that our history is kind of happenstance. You know, Martin just kind of wrote a speech, and Malcolm just showed up,” said Davey D. “And that makes for a good story, it makes it sound like these individuals were superhuman, when in fact they put in a lot of work. They were very intentional, they were in the pocket, they thought about things. Even in hip-hop.”\u003c/p>\n\u003cp>As the mic was passed around, other inductees spoke of their hopes for the next 50 years of hip-hop culture as calls of “ashe” resounded throughout AAMLO’s high-ceilinged, marbled halls. “For the level of murder and violence that exists in our streets, what are we saying with this culture?” asked Refa One. “Is it more healing and food, or is it toxic? Because it could be either one. … It could be a weapon to liberate us, or one to put our people down. … It’s got to have that knowledge element. That fifth element is key.” [aside postid='arts_13923978']\u003c/p>\n\u003cp>For his part, Jahi has ambitious plans to invest in that fifth element. After the next group of Bay Area Hip-Hop Archives inductees are announced on Juneteenth, he’s planning on hosting Friday nights at OMCA throughout the month of August, curating talks, performances and screenings for hip-hop’s 50th anniversary.\u003c/p>\n\u003cp>DJ Kool Herc’s foundational 1973 party was a back-to-school event. So in that spirit, AAMLO’s Aug. 11 block party will be a family-friendly affair hosted by \u003ca href=\"http://www.kqed.org/bayareahiphop/timeline#home-turf-premieres-on-kron-tv\">Dominique DiPrima\u003c/a>, with school supply giveaways, music by DJs Davey D, \u003ca href=\"https://www.kqed.org/arts/13915614/black-the-bay-areas-mother-of-djs-is-getting-the-recognition-she-deserves\">Black\u003c/a> and True Justice and an appearance from 12-year-old race car driver Cam-Man Races. The second class of the Archives will be formally inducted, and select items from the collections will be on view, with more to come next year.\u003c/p>\n\u003cp>And, of course, Jahi is busy documenting items and stories for the Bay Area Hip-Hop Archives, which he anticipates will be fully up and running in person and online in two to five years. He’s moving with intention, and already coming up with a succession plan and fundraising structure to keep the archives sustainable for generations to come.\u003c/p>\n\u003cp>“So a Black child that looks like me, that comes from the hood, can know that without anything other than sheer determination, you can make something happen,” Jahi says. “That’s what this legacy work is also about.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-11687704\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/06/Turntable.Break_-800x60.jpg\" alt=\"\" width=\"800\" height=\"60\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-400x30.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-768x58.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Upcoming Events\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003cem>The Bay Area Hip-Hop Archives’ \u003ca href=\"https://www.instagram.com/p/Cryc31GpDH6/?igshid=MzRlODBiNWFlZA%3D%3D\">Meet the Curator night\u003c/a> takes place at the African American Museum and Library at Oakland on May 19, 5-7 p.m.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Jahi curates \u003ca href=\"https://museumca.org/about-friday-nights-at-omca-with-off-the-grid/?utm_campaign=OMCA+friday&utm_source=g&utm_medium=g&utm_campaignid=17402932715&utm_adgroupid=143053530931&utm_adid=601813286558&utm_placement=g&utm_agency=gupta&gclid=CjwKCAjw04yjBhApEiwAJcvNoeLJe-Tq8pu1hXdxKKrMNMwIdyAT1TnduoOrcc2dy-Osklytg0t1rhoCP3QQAvD_BwE\">Friday Nights at the Oakland Museum of California\u003c/a> throughout the month of August. Diamano Coura West African Dance Company performs on Aug. 4; Aug. 11 features DJ sets by Jahi and Davey D, a meet-and-greet with race-car driver Cameron “Cam-Man” Carraway, a turfing dance class with Telice and an induction ceremony for the Bay Area Hip-Hop Archives. Destiny Muhammad plays Bay Area hip-hop on jazz harp on Aug. 18; and programming concludes Aug. 25 with an evening of aerosol art with Refa One and hands-on beatmaking activities led by Seti X of June Jordan School for Equity. KQED’s \u003ca href=\"https://www.kqed.org/if-cities-could-dance\">If Cities Could Dance\u003c/a> series will screen on Aug. 4 and 11, and our video podcast \u003ca href=\"https://www.kqed.org/whatspimpin\">What’s Pimpin’?\u003c/a> screens on Aug. 18 and 25. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Editor’s note\u003c/strong>: This story is part of \u003c/em>\u003ca href=\"https://www.kqed.org/bayareahiphop\">That’s My Word\u003c/a>\u003cem>, KQED’s year-long exploration of \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop\u003c/a> history.\u003c/em>\u003c/p>\n\u003cp>The uneven power dynamics in hip-hop — and the music industry in general — are no secret: Mostly white executives enrich themselves from Black ingenuity, invest in the salacious and the sensational, and ignore the true diversity of the culture. That’s why, on a January Zoom call with the inaugural inductee class of the \u003ca href=\"https://microphonemechanics.com/bay-area-hip-hop-archives\">Bay Area Hip-Hop Archives\u003c/a>, Jahi implored: “Don’t leave your legacy to chance.”\u003c/p>\n\u003cp>Those in the virtual room included well-known figures like \u003ca href=\"https://www.instagram.com/suga_t_/\">Suga T\u003c/a> and \u003ca href=\"https://djdsharp.co/\">DJ D Sharp\u003c/a> of the Golden State Warriors. There was also \u003ca href=\"https://thembisamshaka.com/\">Thembisa Mshaka\u003c/a>, former editor of the influential industry magazine \u003ci>Gavin Report\u003c/i>; Helen Warren, mother of the late, great turntablist Pam the Funkstress; Black Panther-descended aerosol artist \u003ca href=\"http://www.refa1.com/\">Refa One\u003c/a>; rapper-turned-elementary educator \u003ca href=\"https://mysticworldwide.com/\">Mystic\u003c/a>; and others connected to hip-hop’s revolutionary core, who’ve helped build the culture in the Bay from the ground up. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For archive curator Jahi, the time is right to preserve the Bay Area’s impact on hip-hop culture, which celebrates its 50th anniversary on Aug. 11, the day of \u003ca href=\"https://www.theguardian.com/music/2011/jun/13/dj-kool-herc-block-party\">DJ Kool Herc’s fateful 1973 Bronx block party\u003c/a>. Not to mention that, in recent years, the Bay Area has seen the untimely passing of numerous hip-hop greats in their 40s and 50s. The loss of \u003ca href=\"https://www.kqed.org/arts/13818092/pam-the-funkstress-pioneering-bay-area-dj-passes-away\">Pam the Funkstress\u003c/a>, Digital Underground frontman \u003ca href=\"https://www.kqed.org/arts/13896288/remembering-shock-g-the-funky-digital-underground-frontman-who-shaped-oakland-rap\">Shock G\u003c/a>, Zion I’s \u003ca href=\"https://www.kqed.org/arts/13920198/zumbi-zion-i-improper-restraint-at-hospital\">Zumbi\u003c/a> and Blackalicious’ \u003ca href=\"https://www.kqed.org/arts/13899378/blackalicious-gift-of-gab-a-celebrated-mc-dies-at-age-50\">Gift of Gab\u003c/a> sent shockwaves of grief throughout the Bay Area. For Jahi’s generation, time is precious, and the creators of the culture feel an imperative to leave a record for posterity.\u003c/p>\n\u003cp>“When you think about ancient Egypt and other societies, their cultures took dynasties to grow and develop,” says Jahi with reverence. “And in 50 years, look what we’ve created.”\u003c/p>\n\u003cfigure id=\"attachment_13929194\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929194\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Jahi-photo-1-800x1028.jpg\" alt=\"Jahi wears a fedora and black suit while giving a speech on stage. \" width=\"800\" height=\"1028\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Jahi-photo-1-800x1028.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Jahi-photo-1-160x206.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Jahi-photo-1-768x987.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Jahi-photo-1.jpg 935w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bay Area Hip-Hop Archives curator Jahi had a successful career as an MC before foraying into exhibitions, theater and legacy work. \u003ccite>(Courtesy of Jahi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Indeed, hip-hop is now a multi-billion dollar industry with influence on Wall Street, the \u003ca href=\"https://www.paris2024.org/en/sport/breaking/\">2024 Olympics\u003c/a> and beyond. But it still remains a Black, working-class, grassroots culture that empowers, heals and politically mobilizes, an aspect that was front of mind for Jahi as he planned the archive, which is housed at the \u003ca href=\"https://oaklandlibrary.org/aamlo/\">African American Museum and Library at Oakland\u003c/a> (AAMLO).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Since inducting the first Bay Area Hip-Hop Archives class of 15 honorees during Black History Month, Jahi has gathered 1,000 artifacts and counting from their personal collections, some of which will be on view at AAMLO’s Aug. 11 block party celebrating hip-hop’s 50th anniversary, with another viewing to come in February 2024. Concert flyers, setlists, photos, audio and video interviews are getting the “white-glove” museum treatment for future fans, artists and scholars to explore. Jahi is also hosting a \u003ca href=\"https://www.instagram.com/p/Cryc31GpDH6/?igshid=MzRlODBiNWFlZA%3D%3D\">Meet the Curator Night\u003c/a> with music and discussion at AAMLO on May 19, and is gearing up to announce the next 40 honorees on Juneteenth next month. \u003c/p>\u003c/div>",
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"content": "‘When you think about ancient Egypt and other societies, their cultures took dynasties to grow and develop. And in 50 years, look what we’ve created.’",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>To create the archive, Jahi sought out a partnership with a Black-led institution, and he found the right collaborator in AAMLO and its Chief Curator Bamidele Agbasegbe-Demerson. Prior to the Bay Area Hip-Hop Archives’ launch, AAMLO already had close to 12,000 artifacts and documents chronicling Black life in Northern California, from the Gold Rush to the Black Panther Party. “So we’re joining their community,” Jahi says. “And when we’re done, we’ll probably have about ten or 12,000 pieces from the Bay Area Hip-Hop Archives. It’s a level up — in terms of preservation, protection and, most importantly, the opportunity for artists to tell their story in their own voices so they are not erased.”\u003c/p>\n\u003cp>Beyond artists, the Bay Area Hip-Hop Archives honors people who’ve played a crucial role in facilitating the local scene, such as promoter \u003ca href=\"https://ankhmarketing.com/\">Ankh Marketing\u003c/a>, which has produced community events and big-name concerts with Goapele and Erykah Badu alike, and \u003ca href=\"https://youtu.be/lkadOO6UuR0\">the Upper Room\u003c/a>, a substance-free gathering space for the San Francisco spoken word and alternative hip-hop scenes of the ’90s. Other inductees include MC and queer party producer \u003ca href=\"https://www.instagram.com/aimathedrmr/?hl=en\">Aima the Dreamer\u003c/a>; journalist, scholar and DJ \u003ca href=\"https://daveyd.com/\">Davey D\u003c/a> (who serves as an advisor on KQED’s \u003cem>That’s My Word\u003c/em>); dance historian and photographer \u003ca href=\"http://www.iamtracibartlow.com/\">Traci Bartlow\u003c/a>; \u003ca href=\"https://www.instagram.com/realdjkevykev/?hl=en\">DJ Kevy Kev\u003c/a>; the “Black Panther of hip-hop,” \u003ca href=\"https://www.guerrillafunk.com/paris\">Paris\u003c/a>; poet and educator \u003ca href=\"https://www.instagram.com/mrdavis510/?hl=en\">Hodari Davis\u003c/a>; and \u003ca href=\"https://www.instagram.com/phestohierosoul/?hl=en\">Phesto Dee\u003c/a> of Souls of Mischief.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/uMqQgf__apQ'\n title='//www.youtube.com/embed/uMqQgf__apQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Jahi himself comes from the activist, alternative corner of hip-hop — what he refers to as the “socially conscious, mostly profanity-free, life-affirming lane.” He’s called Oakland home for 24 years, but he grew up DJing and freestyling in East Cleveland in the early ’80s. It was a turbulent time in American history, with the crack epidemic and rise of mass incarceration, and hip-hop offered him a sense of belonging and an artistic outlet. “All the rappers had perfect attendance, because we was always at school 30 minutes before school opened so we could battle,” says Jahi.\u003c/p>\n\u003cp>Jahi’s path into music was somewhat unconventional: He had a successful career at an educational nonprofit before embarking on a professional music career at 28 years old, in the late ’90s. Public Enemy’s Chuck D and KRS One gave him some of his first big opportunities, which led to a major-label album and a successful stint in Europe. He later founded the production company Microphone Mechanics, which has been his springboard into museum exhibitions, theater and, now, the archives.\u003c/p>\n\u003cp>Jahi has an inclusive vision of hip-hop, and isn’t about creating a dichotomy of street-versus-conscious, mainstream-versus-underground — nor is he into shaming or excluding practitioners of the art form who are different from him. Instead, he wants to celebrate the many styles and philosophies, the collective efforts, that have made the culture such a potent form of expression. “Hip-hop is a house with many rooms, and we’ve been in the sex, drugs, violence, pimp, hustler room,” he says. “It’s not the whole house.”\u003c/p>\n\u003cp>At the unveiling of the Bay Area Hip-Hop Archives in February, artists spoke of unity and pride. “We built this community,” said Mystic. “We built this when we had no models. We created magazines, we produced albums, we threw events. We created what the dream needed to be, and it was grounded in the radically loving and socially political foundation that is Oakland.” \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Everybody likes to make us believe, especially as Black people, that our history is kind of happenstance. You know, Martin just kind of wrote a speech, and Malcolm just showed up,” said Davey D. “And that makes for a good story, it makes it sound like these individuals were superhuman, when in fact they put in a lot of work. They were very intentional, they were in the pocket, they thought about things. Even in hip-hop.”\u003c/p>\n\u003cp>As the mic was passed around, other inductees spoke of their hopes for the next 50 years of hip-hop culture as calls of “ashe” resounded throughout AAMLO’s high-ceilinged, marbled halls. “For the level of murder and violence that exists in our streets, what are we saying with this culture?” asked Refa One. “Is it more healing and food, or is it toxic? Because it could be either one. … It could be a weapon to liberate us, or one to put our people down. … It’s got to have that knowledge element. That fifth element is key.” \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For his part, Jahi has ambitious plans to invest in that fifth element. After the next group of Bay Area Hip-Hop Archives inductees are announced on Juneteenth, he’s planning on hosting Friday nights at OMCA throughout the month of August, curating talks, performances and screenings for hip-hop’s 50th anniversary.\u003c/p>\n\u003cp>DJ Kool Herc’s foundational 1973 party was a back-to-school event. So in that spirit, AAMLO’s Aug. 11 block party will be a family-friendly affair hosted by \u003ca href=\"http://www.kqed.org/bayareahiphop/timeline#home-turf-premieres-on-kron-tv\">Dominique DiPrima\u003c/a>, with school supply giveaways, music by DJs Davey D, \u003ca href=\"https://www.kqed.org/arts/13915614/black-the-bay-areas-mother-of-djs-is-getting-the-recognition-she-deserves\">Black\u003c/a> and True Justice and an appearance from 12-year-old race car driver Cam-Man Races. The second class of the Archives will be formally inducted, and select items from the collections will be on view, with more to come next year.\u003c/p>\n\u003cp>And, of course, Jahi is busy documenting items and stories for the Bay Area Hip-Hop Archives, which he anticipates will be fully up and running in person and online in two to five years. He’s moving with intention, and already coming up with a succession plan and fundraising structure to keep the archives sustainable for generations to come.\u003c/p>\n\u003cp>“So a Black child that looks like me, that comes from the hood, can know that without anything other than sheer determination, you can make something happen,” Jahi says. “That’s what this legacy work is also about.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-11687704\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/06/Turntable.Break_-800x60.jpg\" alt=\"\" width=\"800\" height=\"60\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-400x30.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-768x58.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Upcoming Events\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003cem>The Bay Area Hip-Hop Archives’ \u003ca href=\"https://www.instagram.com/p/Cryc31GpDH6/?igshid=MzRlODBiNWFlZA%3D%3D\">Meet the Curator night\u003c/a> takes place at the African American Museum and Library at Oakland on May 19, 5-7 p.m.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Jahi curates \u003ca href=\"https://museumca.org/about-friday-nights-at-omca-with-off-the-grid/?utm_campaign=OMCA+friday&utm_source=g&utm_medium=g&utm_campaignid=17402932715&utm_adgroupid=143053530931&utm_adid=601813286558&utm_placement=g&utm_agency=gupta&gclid=CjwKCAjw04yjBhApEiwAJcvNoeLJe-Tq8pu1hXdxKKrMNMwIdyAT1TnduoOrcc2dy-Osklytg0t1rhoCP3QQAvD_BwE\">Friday Nights at the Oakland Museum of California\u003c/a> throughout the month of August. Diamano Coura West African Dance Company performs on Aug. 4; Aug. 11 features DJ sets by Jahi and Davey D, a meet-and-greet with race-car driver Cameron “Cam-Man” Carraway, a turfing dance class with Telice and an induction ceremony for the Bay Area Hip-Hop Archives. Destiny Muhammad plays Bay Area hip-hop on jazz harp on Aug. 18; and programming concludes Aug. 25 with an evening of aerosol art with Refa One and hands-on beatmaking activities led by Seti X of June Jordan School for Equity. KQED’s \u003ca href=\"https://www.kqed.org/if-cities-could-dance\">If Cities Could Dance\u003c/a> series will screen on Aug. 4 and 11, and our video podcast \u003ca href=\"https://www.kqed.org/whatspimpin\">What’s Pimpin’?\u003c/a> screens on Aug. 18 and 25. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "in-oakland-a-drag-fest-for-the-community-by-the-community",
"title": "In Oakland, a Drag Fest for the Community, by the Community",
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"content": "\u003cp>For \u003ca href=\"https://www.instagram.com/beatrixlahaine/\">Beatrix Lahaine\u003c/a> and \u003ca href=\"https://www.instagram.com/mamacelestefanclub/\" target=\"_blank\" rel=\"noopener\">Mama Celeste\u003c/a>, drag has been about community from the start. Nearly a decade ago, both performers started participating in Bay Area nightlife to build queer connections. They soon found their place in San Francisco’s drag scene, with its subversive, no-rules style.\u003c/p>\n\u003cp>But when the fun turned into too many late nights out — “This was before Uber,” says Lahaine, “and I didn’t wanna take the late night bus” — they decided to bring it home over the bridge to the East Bay.\u003c/p>\n\u003cp>[aside postid='arts_13835533']In 2018, the duo founded \u003ca href=\"https://www.oaklash.com/\">Oaklash\u003c/a> as one night of drag shows. Now, their celebration has grown into a whole month of events designed to uplift local drag artists and provide them with resources to keep performing. For its sixth annual event this year, the Bay Area’s drag festival includes a series of panels and workshops — \u003ca href=\"https://www.eventbrite.com/e/black-brown-king-workshop-registration-620400553757\" target=\"_blank\" rel=\"noopener\">like one on May 17 for Black and brown drag kings\u003c/a> — all leading up to its main weekend of “nonstop” drag, from May 19–21.\u003c/p>\n\u003cp>Oaklash kicks off with Backlash at Thee Stork Club on Friday night, hosted by \u003ca href=\"https://www.instagram.com/kochinarude/\" target=\"_blank\" rel=\"noopener\">Kochina Rude\u003c/a> and featuring live sets by queer and trans musicians and bands.\u003c/p>\n\u003cfigure id=\"attachment_13929152\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-scaled.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929152\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-800x478.jpeg\" alt=\"a Black drag performer in a bright blue wig and red outfit performs in the street as a crowd looks on, smiling and cheering\" width=\"800\" height=\"478\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-800x478.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-1020x610.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-160x96.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-768x459.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-1536x919.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-2048x1225.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-1920x1148.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Drag performer Bionka Simone at Oaklash 2022. \u003ccite>(Fred Rowe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Saturday brings an all-ages block party to Old Oakland with two stages of live drag performances, DJs, and more at 9th & Washington. Performers come from the Bay and beyond — including \u003ca href=\"https://www.instagram.com/nicki_jizz/\" target=\"_blank\" rel=\"noopener\">Nicki Jizz\u003c/a>, recently crowned \u003ca href=\"https://twitter.com/SalinaEstitties/status/1657985795842805765\">Drag Queen of the Year\u003c/a> and host of SF Oasis’ \u003ca href=\"https://www.instagram.com/reparationssf/\" target=\"_blank\" rel=\"noopener\">Reparations drag show\u003c/a>, as well as \u003ca href=\"https://www.instagram.com/getjaxed/?hl=en\" target=\"_blank\" rel=\"noopener\">Jax\u003c/a> and\u003ca href=\"https://www.instagram.com/naomismalls/\"> Naomi Smalls\u003c/a> of \u003cem>RuPaul’s Drag Race\u003c/em>. It’s all followed by an Afterkii at the Continental Club, hosted by \u003ca href=\"https://www.instagram.com/princesspanocha/\" target=\"_blank\" rel=\"noopener\">Princess Panocha\u003c/a> and going until late.\u003c/p>\n\u003cp>Oaklash gets a fairytale ending with an adults-only takeover of \u003ca href=\"https://www.kqed.org/news/11948422/the-future-looks-bright-for-childrens-fairyland-as-it-seeks-to-better-reflect-oaklands-cultural-rainbow\">Children’s Fairyland\u003c/a> on Sunday night. “Who needs Disneyland?” says Lahaine. “We have actual drag at Fairyland, the one that started it all!”\u003c/p>\n\u003cp>At each event, say organizers, equity will take center stage: “It speaks to the authentic community nature of our event that we’re not the ones making all the decisions,” says Mama Celeste. The organization’s board has built the festival around a \u003ca href=\"https://www.oaklash.com/equity\">Cultural Equity Framework\u003c/a>, designed to mirror Oakland’s revolutionary and inclusive spirit. All talent was selected by other Bay Area artists — and they’re all being paid. Several focus on providing tough-to-find resources. For example, Oaklash hosted a workshop about lip syncing, a skill many performers aren’t even taught, as they’re simply expected to learn by watching, says Mama Celeste.\u003c/p>\n\u003cfigure id=\"attachment_13929153\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-scaled.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929153\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-800x533.jpeg\" alt=\"a drag performer in high heel red boots laughs as she performs outside for a crowd\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1536x1024.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-2048x1365.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1920x1280.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Mahlae Balenciaga performs at Oaklash 2022. \u003ccite>(Fred Rowe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We put out open calls for these workshops because we don’t want to decide what’s important for the community; we want the community to tell us what’s important.” All Oaklash events are ASL interpreted. Last year, the organization created the \u003ca href=\"https://48hills.org/2022/10/newly-established-oaklash-disability-fund-wants-to-make-drag-accessible-to-all/\">Oaklash Disability Fund\u003c/a> to make drag even more accessible to all.\u003c/p>\n\u003cp>With the scale of the festival growing each year, logistics can get crazy, says Beatrix. But the community’s enthusiasm keeps organizers going. “The Bay Area really supports new ideas and people who are trying new things,” says Beatrix. “I feel like there’s this ‘I can do that’ attitude that’s very accepting. Like, ‘If you want to do it, do it!’”\u003c/p>\n\u003cp>It’s this love that’s helped Oaklash evolve and thrive, says Mama Celeste: “It’s why we create these safe, welcoming, accessible, loving, heart-filled spaces — queer people deserve to forget about the rest of the world for a second and just kiki and party and have the most fun in their lives.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Oaklash hosts a series of workshops throughout May, leading up to a weekend of drag May 19–21. Highlights include the Oaklash Block Party in Old Oakland (9th and Broadway) and the Grand Finale at Children’s Fairyland (699 Bellevue Ave). \u003ca href=\"https://www.eventbrite.com/e/oaklash-2023-registration-526910382137\">Find tickets\u003c/a> and \u003ca href=\"https://www.oaklash.com/\">more info here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>For \u003ca href=\"https://www.instagram.com/beatrixlahaine/\">Beatrix Lahaine\u003c/a> and \u003ca href=\"https://www.instagram.com/mamacelestefanclub/\" target=\"_blank\" rel=\"noopener\">Mama Celeste\u003c/a>, drag has been about community from the start. Nearly a decade ago, both performers started participating in Bay Area nightlife to build queer connections. They soon found their place in San Francisco’s drag scene, with its subversive, no-rules style.\u003c/p>\n\u003cp>But when the fun turned into too many late nights out — “This was before Uber,” says Lahaine, “and I didn’t wanna take the late night bus” — they decided to bring it home over the bridge to the East Bay.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>In 2018, the duo founded \u003ca href=\"https://www.oaklash.com/\">Oaklash\u003c/a> as one night of drag shows. Now, their celebration has grown into a whole month of events designed to uplift local drag artists and provide them with resources to keep performing. For its sixth annual event this year, the Bay Area’s drag festival includes a series of panels and workshops — \u003ca href=\"https://www.eventbrite.com/e/black-brown-king-workshop-registration-620400553757\" target=\"_blank\" rel=\"noopener\">like one on May 17 for Black and brown drag kings\u003c/a> — all leading up to its main weekend of “nonstop” drag, from May 19–21.\u003c/p>\n\u003cp>Oaklash kicks off with Backlash at Thee Stork Club on Friday night, hosted by \u003ca href=\"https://www.instagram.com/kochinarude/\" target=\"_blank\" rel=\"noopener\">Kochina Rude\u003c/a> and featuring live sets by queer and trans musicians and bands.\u003c/p>\n\u003cfigure id=\"attachment_13929152\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-scaled.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929152\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-800x478.jpeg\" alt=\"a Black drag performer in a bright blue wig and red outfit performs in the street as a crowd looks on, smiling and cheering\" width=\"800\" height=\"478\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-800x478.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-1020x610.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-160x96.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-768x459.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-1536x919.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-2048x1225.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-1920x1148.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Drag performer Bionka Simone at Oaklash 2022. \u003ccite>(Fred Rowe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Saturday brings an all-ages block party to Old Oakland with two stages of live drag performances, DJs, and more at 9th & Washington. Performers come from the Bay and beyond — including \u003ca href=\"https://www.instagram.com/nicki_jizz/\" target=\"_blank\" rel=\"noopener\">Nicki Jizz\u003c/a>, recently crowned \u003ca href=\"https://twitter.com/SalinaEstitties/status/1657985795842805765\">Drag Queen of the Year\u003c/a> and host of SF Oasis’ \u003ca href=\"https://www.instagram.com/reparationssf/\" target=\"_blank\" rel=\"noopener\">Reparations drag show\u003c/a>, as well as \u003ca href=\"https://www.instagram.com/getjaxed/?hl=en\" target=\"_blank\" rel=\"noopener\">Jax\u003c/a> and\u003ca href=\"https://www.instagram.com/naomismalls/\"> Naomi Smalls\u003c/a> of \u003cem>RuPaul’s Drag Race\u003c/em>. It’s all followed by an Afterkii at the Continental Club, hosted by \u003ca href=\"https://www.instagram.com/princesspanocha/\" target=\"_blank\" rel=\"noopener\">Princess Panocha\u003c/a> and going until late.\u003c/p>\n\u003cp>Oaklash gets a fairytale ending with an adults-only takeover of \u003ca href=\"https://www.kqed.org/news/11948422/the-future-looks-bright-for-childrens-fairyland-as-it-seeks-to-better-reflect-oaklands-cultural-rainbow\">Children’s Fairyland\u003c/a> on Sunday night. “Who needs Disneyland?” says Lahaine. “We have actual drag at Fairyland, the one that started it all!”\u003c/p>\n\u003cp>At each event, say organizers, equity will take center stage: “It speaks to the authentic community nature of our event that we’re not the ones making all the decisions,” says Mama Celeste. The organization’s board has built the festival around a \u003ca href=\"https://www.oaklash.com/equity\">Cultural Equity Framework\u003c/a>, designed to mirror Oakland’s revolutionary and inclusive spirit. All talent was selected by other Bay Area artists — and they’re all being paid. Several focus on providing tough-to-find resources. For example, Oaklash hosted a workshop about lip syncing, a skill many performers aren’t even taught, as they’re simply expected to learn by watching, says Mama Celeste.\u003c/p>\n\u003cfigure id=\"attachment_13929153\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-scaled.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929153\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-800x533.jpeg\" alt=\"a drag performer in high heel red boots laughs as she performs outside for a crowd\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1536x1024.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-2048x1365.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1920x1280.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Mahlae Balenciaga performs at Oaklash 2022. \u003ccite>(Fred Rowe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We put out open calls for these workshops because we don’t want to decide what’s important for the community; we want the community to tell us what’s important.” All Oaklash events are ASL interpreted. Last year, the organization created the \u003ca href=\"https://48hills.org/2022/10/newly-established-oaklash-disability-fund-wants-to-make-drag-accessible-to-all/\">Oaklash Disability Fund\u003c/a> to make drag even more accessible to all.\u003c/p>\n\u003cp>With the scale of the festival growing each year, logistics can get crazy, says Beatrix. But the community’s enthusiasm keeps organizers going. “The Bay Area really supports new ideas and people who are trying new things,” says Beatrix. “I feel like there’s this ‘I can do that’ attitude that’s very accepting. Like, ‘If you want to do it, do it!’”\u003c/p>\n\u003cp>It’s this love that’s helped Oaklash evolve and thrive, says Mama Celeste: “It’s why we create these safe, welcoming, accessible, loving, heart-filled spaces — queer people deserve to forget about the rest of the world for a second and just kiki and party and have the most fun in their lives.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Oaklash hosts a series of workshops throughout May, leading up to a weekend of drag May 19–21. Highlights include the Oaklash Block Party in Old Oakland (9th and Broadway) and the Grand Finale at Children’s Fairyland (699 Bellevue Ave). \u003ca href=\"https://www.eventbrite.com/e/oaklash-2023-registration-526910382137\">Find tickets\u003c/a> and \u003ca href=\"https://www.oaklash.com/\">more info here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "20-best-rare-oakland-rap-tapes",
"title": "20 Oakland Rap Tapes You've (Probably) Never Heard Before",
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"headTitle": "20 Oakland Rap Tapes You’ve (Probably) Never Heard Before | KQED",
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"content": "\u003cfigure id=\"attachment_13928637\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/CassetteTapesOakland_COVER.jpg\" alt=\"\" width=\"1920\" height=\"1080\" class=\"size-full wp-image-13928637\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/CassetteTapesOakland_COVER.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/CassetteTapesOakland_COVER-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/CassetteTapesOakland_COVER-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/CassetteTapesOakland_COVER-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/CassetteTapesOakland_COVER-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/CassetteTapesOakland_COVER-1536x864.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Along with major artists like Too Short and Tupac, the streets of the Town produced dozens of independent rappers whose rare underground cassettes contain Oakland gold. (Clockwise from top left: Mr. Fresh & Master T.M.D., Cassidine, Mac Mill, M.C. Jay and DJ Villian, Easy-A-Ski. \u003ccite>(Collage by Sarah Hotchkiss)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>\u003cstrong>Editor’s note\u003c/strong>: This story is part of \u003c/em>\u003ca href=\"https://www.kqed.org/bayareahiphop\">That’s My Word\u003c/a>\u003cem>, KQED’s year-long exploration of \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop\u003c/a> history.\u003c/em>\u003c/p>\n\u003cp>\u003cem>An obsessive collector of underground Bay Area rap cassettes, J. Darrah has chronicled \u003ca href=\"https://12manrambotapes.blogspot.com/\">over 500 Northern California hip-hop tapes from 1985–2000\u003c/a> on his blog, \u003ca href=\"https://12manrambotapes.blogspot.com/\">12ManRambo\u003c/a>. Here, he shares 20 standout tracks from mostly unknown Oakland rap artists who recorded some straight-up heat for posterity.\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>t’s an exhilarating and strange feeling to randomly find a tape like \u003ca href=\"https://12manrambotapes.blogspot.com/2012/08/step-g-dream-oakland-strip-oakland-91.html\">MC Sirgeo’s “Oakland Strip”\u003c/a> and, after being mesmerized by the “self-done” cover art, you pop the tape into the deck and think “Damn, this guy’s got sort of a funny voice… but so did MC Pooh and even Too Short, right?”\u003c/p>\n\u003cp>[aside postID='arts_13927349']The beat is a slumper, and the dude is rapping about “taking Coolidge up to Macarthur” (an intersection I lived near for 10 years) in his drop-top Mustang. Then you start finding other tapes from the same era and city, and they just happen to have MC Sirgeo listed prominently in the shout-outs inside the J-card. You start to wonder why you’ve never heard of this guy before.\u003c/p>\n\u003cp>Or when you find a tape from the early ’90s at the Oakland Coliseum flea market by a rapper named \u003ca href=\"https://12manrambotapes.blogspot.com/2012/08/the-govenor-feat-2pac-richie-rich.html\">The Govenor\u003c/a> and see that he’s got 2pac & Richie Rich featured on there, and you pop \u003cem>that\u003c/em> tape in the deck and it’s absolutely incredible. The Govenor not only keeps up with the two heavyweights, he even seems to have been actual friends with them for a while. (Would you believe that the “feature” fee was \u003cem>zero\u003c/em> dollars?).\u003c/p>\n\u003cp>These are just two of the many revelations I’ve had digging around the East Bay and beyond for the past 20 years, finding different releases, most on cassette, from Bay Area artists that seem to have been almost completely overlooked. You won’t find these songs on streaming, but they all link together in small ways to form a clearer picture of Oakland rap history.\u003c/p>\n\u003cp>Here are 20 tracks from Oakland rappers from the mid ’80s to early ’90s that you’ve likely never heard — but that definitely have historical significance, and influenced the formative years of Bay Area rap.\u003c/p>\n\u003cp>https://youtu.be/qC7ecFVkGIE\u003c/p>\n\u003ch2>1. Mr. Fresh & Master T.M.D., ‘What Fer’ (1986)\u003c/h2>\n\u003cp>A fun little jam from way back in ’86 featuring a very young Master T.M.D. (Total Mind Devastator), whose later group \u003ca href=\"https://www.youtube.com/watch?v=1_dnat21y5w\">Capital Tax\u003c/a> went on to be signed to MCA. Was this really the “slang of Oakland” at the time, or did they simply make this track “just to be buggin’,” as they state at the end?\u003c/p>\n\u003cp>https://youtu.be/vfMxP1fUzVE\u003c/p>\n\u003ch2>2. MC Sirgeo, ‘Oakland Strip’ (1989)\u003c/h2>\n\u003cp>An underground classic from MC Sirgeo before he formed his group \u003ca href=\"https://www.discogs.com/artist/963392-Step-G\">Step G\u003c/a>. Lingo is spit and spots are name-dropped as Sirgeo gives a virtual tour of East Oakland via his drop-top ‘Stang: “The light turned green and I was back on the scene / Right by Eastmont and Mickey D’s / Parked right by the 43 bus stop / Ya see they all love me ‘cuz I’m rollin’ a drop.”\u003c/p>\n\u003cp>https://youtu.be/Ds_psH1TrJo\u003c/p>\n\u003ch2>3. East Side Oakland, ‘Eastmont Mall’ (1990)\u003c/h2>\n\u003cp>MC Tray-C and Gino Blacknell (the son of legendary Bay soul/funk artist \u003ca href=\"https://studylib.net/doc/8069642/in-1961-the-earliest-incarnation-of-the-band-was-at-hoove...\">Eugene Blacknell\u003c/a>, and whose \u003ca href=\"https://www.discogs.com/artist/370548-Gino-Blacknell?type=Credits&subtype=Production&filter_anv=0\">production credits\u003c/a> comprise a who’s-who of formative East Oakland rap) come with a dreamy ode to the town square of the East Side, the \u003ca href=\"http://www.kqed.org/bayareahiphop/timeline#the-eastmont-malls-grand-opening\">Eastmont Mall\u003c/a>.\u003c/p>\n\u003cp>https://youtu.be/3q8mwbBRvoc\u003c/p>\n\u003ch2>4. Underground Rebellion, ‘Gin & Juice’ (1991)\u003c/h2>\n\u003cp>Preceding Snoop’s classic hit of the same name by a few years, MC Jullie D and pioneering West Oakland MC and producer \u003ca href=\"https://www.discogs.com/artist/359766-Krushadelic?type=Credits&filter_anv=0\">Krushadelic\u003c/a> (RIP) take a few too many gulps “down the throat chamber” over a clever Jimmy Spicer “Money (Dollar Bill Y’all)” / Vaughan Mason & Crew “Bounce, Rock, Skate, Roll” blend, all the while hittin’ the dank and gettin’ “major high!”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=-6_Ln7LhzwQ&ab_channel=deathsounds\u003c/p>\n\u003ch2>5. Cassidine, ‘Yeah Bitch I’m Cassidine’ (1988)\u003c/h2>\n\u003cp>Seen as by some as the original Foxy Brown or Lil Kim of Rap, Cassidine definitely aimed to prove that she could get as nasty as her labelmate Too Short. Call her or her other labelmate \u003ca href=\"https://www.youtube.com/watch?v=9yB2vcs16VY&ab_channel=rapreal\">Kimmie Fresh\u003c/a> gimmicky Dean Hodges-funded products of his infamous \u003ca href=\"https://www.discogs.com/label/27733-75-Girls-Records-And-Tapes\">75 Girls\u003c/a> label if you want, but these girls could \u003cem>rap\u003c/em> — and in an ideal world, they would have been the start of a much bigger movement of Oakland female rappers.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=YEOpHvj2rLI\u003c/p>\n\u003ch2>6. Conscious Daughters, ‘Princess of Poetry (Original Demo Version)’ (1991)\u003c/h2>\n\u003cp>Though the explosion of female rappers didn’t quite materialize, the \u003ca href=\"https://www.kqed.org/arts/13925177/the-conscious-daughters-raps-sucka-free-thelma-and-louise-rewrote-the-rules\">Conscious Daughters\u003c/a> took the Bay by storm. We all know CMG and Special One’s classic \u003cem>\u003ca href=\"https://www.youtube.com/watch?v=Pa3iq2CsW-g\">Ear to the Street\u003c/a>\u003c/em> LP, but prior to their full-length debut came their demo tape from ’91, which includes the original version of “Princess of Poetry.” Witness how they simply rip the mic to shreds despite the rather generic, skeletal production, which under the guidance of SF’s mighty “Black Panther of Hip-Hop,” Paris, would be vastly improved upon two years later.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=UiBQEHtLts0\u003c/p>\n\u003ch2>7. Mac Mill, ‘Lifetime Mission’ (1990)\u003c/h2>\n\u003cp>Before Mac Mall, there was \u003ca href=\"https://www.youtube.com/watch?v=5u3eiG9BtdE&list=PLHaMBojaobux8fAV_B3Iq-KsXOKbK2V0e&index=3\">Mac Mill\u003c/a>, a North Oakland veteran on the mic who had been making tapes since the mid-’80s, similar to those of Too Short and \u003ca href=\"https://www.youtube.com/watch?v=4I-LUdwVn_8&t=1s\">Freddy B\u003c/a> with 10-minute raps over Sugar Hill and Def Jam 12″ instrumentals. The fact that he never delivered a full-length is a damn shame. His 1990 \u003cem>Run of the Mill\u003c/em> EP release, however, contained three solid tracks that showcased his talents. “Lifetime Mission” is a long, way-out storytelling rhyme with his “funky def rhymes and Arabian words” that finds him mackin’ on a tender while visiting his cousins in Zanzibar and beyond.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=sqZIfdbutt8\u003c/p>\n\u003ch2>8. Em-Cee Quik and DJ K-OS, ‘Just Rollin’ (1988)\u003c/h2>\n\u003cp>Em-Cee Quik a.k.a. Sir Quickdraw a.k.a. A Brotha Named Quick a.k.a. Naru is somewhat of a silent factor in the East Bay rap scene. With his 1987 Macola-distributed “\u003ca href=\"https://www.youtube.com/watch?v=NRuv7r_6A24\">Rapaholic\u003c/a>” 12″, he got an early start busting solid rhymes on wax. A year later, he and DJ Dav-id K-os came hard and ballsy as hell with B-side “Just Rollin,” which is not about rollin’ in his Cougar or Mustang…but on his \u003cem>bike\u003c/em>! Quick went on to release his dope album \u003cem>\u003ca href=\"https://www.youtube.com/watch?v=BEgpsTIPnmU\">Never in Your Wildest Dreams\u003c/a>\u003c/em> in ’94 on the APG-related Basement Flavor label, with production from \u003ca href=\"https://www.discogs.com/artist/198047-Bas-1\">Bas-1\u003c/a> and \u003ca href=\"https://www.discogs.com/artist/379417-Turntable-T?type=Credits&filter_anv=0\">Turntable T\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=iVc2d4ufBVM\u003c/p>\n\u003ch2>9. MC Jay & DJ Villian, ‘City Of A Gangster’ (1990)\u003c/h2>\n\u003cp>MC Jay a.k.a. Jay Soul was a super-talented rapper and producer from East Oakland who put down an impressive but virtually unheard catalog on his \u003ca href=\"https://www.discogs.com/label/467354-Cali-Jam-Music\">Cali-Jam Music\u003c/a> label in the early ’90s. After releasing his own killer cassette-only release \u003cem>\u003ca href=\"https://12manrambotapes.blogspot.com/2013/04/mc-jay-dj-villian-once-again-oakland-91.html\">Once Again\u003c/a>\u003c/em> along with DJ Villian, as well as his ventures with \u003ca href=\"https://12manrambotapes.blogspot.com/2013/04/lavish-style-hustlers-klan-ridin-high.html\">Lavish Style Hustlers Klan\u003c/a> and \u003ca href=\"https://12manrambotapes.blogspot.com/2012/08/twon-dead-end-oakland-93.html\">Twon\u003c/a>, he seemed to simply disappear. “City of a Gangster” is a classic slow and heavy-rolling track warning of the dangers of the crime-ridden streets of Oakland in the late ’80s/early ’90s.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=tsJYRTCpl1Q\u003c/p>\n\u003ch2>10. Freddy B, ‘Dopefene Beat (I Want Some Helium)’ (1992)\u003c/h2>\n\u003cp>A lethal, bugged-out display of imaginative storytelling from Too Short’s old partner in crime Freddy B. (“Oh yeah, it takes me back to back in the days / When me and my boy Short Dog were just chillin’ / Oh yeah, we used to do somethin’ like this…”) Far outdated for ’92 (sadly, Freddy B was behind bars for much of the ’80s while Short made major moves), this song hints at the more far-out tracks the duo might have made selling “special request” tapes to local dealers and pimps around Sobrante Park and beyond.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ogNoOCIVPrI\u003c/p>\n\u003ch2>11. Morocco Moe, ‘Task’ (1988)\u003c/h2>\n\u003cp>A classic overlooked cut by \u003ca href=\"https://12manrambotapes.blogspot.com/2013/04/morocco-moe-did-it-my-damn-self-oakland.html\">Morocco Moe\u003c/a> (RIP), this comes off as an updated, more hardcore version of Toddy Tee’s “\u003ca href=\"https://www.youtube.com/watch?v=wUxH5APAEmA&ab_channel=The4-TrackIsKing\">Batteram\u003c/a>” complete with a slick Kraftwerk “Man Machine” sample. Over omnipresent local producer Raul “EFX” Recinos’ beat, Moe warns of the feds that come knocking on your door when you least expect it.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=oxP_y-ACG_A\u003c/p>\n\u003ch2>12. Spice 1, ‘East Bay Gangsta (Original Version)’ (1991)\u003c/h2>\n\u003cp>OK, yeah — we don’t care he was originally from Hayward! This \u003ca href=\"https://12manrambotapes.blogspot.com/2013/04/spice-1-etc-187-proof-dope-like-pound.html\">mysterious tape\u003c/a>, likely put out by \u003ca href=\"https://www.discogs.com/artist/1272883-Pizo\">DJ Pizo\u003c/a>, introduced the world to \u003ca href=\"https://www.discogs.com/artist/137528-The-Coup\">The Coup\u003c/a>. On the heels of Too Short’s \u003ca href=\"https://www.discogs.com/release/734047-The-Dangerous-Crew-Dangerous-Crew\">first Dangerous Crew compilation\u003c/a>, it also reintroduced a more full-fledged hardcore Spice 1 just before signing to Jive Records. With classic punchline- and murder-laced rhymes over a brilliantly dense sample merging of the O’Jays “Got To Give The People” and 9th Creation’s “Bubble Gum,” Spice shows why he became one of the top Bay Area rappers of all time, especially with lines as mundane as “Rollin’ thicker than a milkshake / I like to eat crab but I prefer steak” that \u003cem>still\u003c/em> sound fly as all hell.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=YsuZZxRrxt0\u003c/p>\n\u003ch2>13. Commanda C & DJ MF, ‘Check ‘Em’ (1992)\u003c/h2>\n\u003cp>A random demo tape found at \u003ca href=\"https://www.daveyd.com/whoisdaveyd.html\">Davey “I Got Everyone’s Demo Tape” D\u003c/a>‘s crib about 10 years ago, only to find out afterward that \u003ca href=\"https://www.youtube.com/watch?v=L_71XuDWzeE&t=42s&ab_channel=JimRichards\">Commanda C was wreckin’ Sproul Plaza as far back as ’84\u003c/a>. With a thick East Bay “\u003ca href=\"https://youtu.be/7xKkSpna9bA?t=100\">country accent, hillbillies-and-all-that\u003c/a>” delivery and Hiero-esque wordplay (“Here’s the album / Now tell me how come / You haven’t bought it yet / Man, how dumb”), this guy definitely gets my vote for Influential Rapper That Almost Nobody Ever Heard Of.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=4f7warzCk78\u003c/p>\n\u003ch2>14. FM Blue feat. Dangerous Dame, ‘Oakland Styles’ (1993)\u003c/h2>\n\u003cp>A loose \u003ca href=\"https://www.discogs.com/artist/197231-The-Dangerous-Crew\">Dangerous Crew\u003c/a> member with flows for days, this track finds FM Blue and the legendary \u003ca href=\"http://www.kqed.org/bayareahiphop/timeline#dangerous-dames-town-tribute-oaktown\">Dangerous Dame\u003c/a> (RIP) trading verses over a classic Ant Banks beat. Likely the very first release on \u003ca href=\"https://www.discogs.com/label/662358-CELLBLOCK-Productions\">Cell Block Records\u003c/a>, which also released Dangerous Crew members Rappin’ Ron & Ant Diddley Dog’s almost equally slept-on album \u003cem>\u003ca href=\"https://12manrambotapes.blogspot.com/2018/07/rappin-ron-ant-diddly-dog-bad-n-fluenz.html\">Bad N-Fluenz\u003c/a>\u003c/em>, it’s still a bit of a mystery why this wasn’t released on any other format than cassette in ’93.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=vpoFnXAC-8U\u003c/p>\n\u003ch2>15. Easy A-Ski, ‘High Stepping’ (1990)\u003c/h2>\n\u003cp>Before he shortened his name and got with a young up-and-coming New Orleans transplant by the name of \u003ca href=\"http://www.kqed.org/bayareahiphop/timeline#master-p-establishes-no-limit-records-in-richmond\">Master P\u003c/a> who signed him to No Limit Records, EA-Ski was gettin’ busy over James Brown loops with his DJ, CMT. A solid debut here, but his production sound would soon change drastically post-\u003cem>Chronic\u003c/em> (EA-Ski became a frequent Dr. Dre collaborator through the mid- to late-’90s) and help pave the way for the glorious sound of \u003ca href=\"https://www.youtube.com/watch?v=AQnnIlk7ojU\">mobb music\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=VC6bf3ib3Hc\u003c/p>\n\u003ch2>16. APG, ‘Action Packed Gangstas’ (1989)\u003c/h2>\n\u003cp>The \u003ca href=\"https://www.youtube.com/watch?v=WXBkiwQ_ZGo\">APG Crew\u003c/a> was a legendary 12-or-more-man crew outta North Oakland (853 Apgar St., to be exact), including the main dudes putting the whole Voltron-like ensemble together, the Blackwell brothers. Marlon (a.k.a. \u003ca href=\"https://www.discogs.com/artist/680232-MC-Mello-Mar\">MC Mello Mar\u003c/a>) and \u003ca href=\"https://www.discogs.com/artist/233085-Allen-Blackwell\">Allen Blackwell\u003c/a> (RIP), who ran Metro Records, linked with the very fine talents of DJ Red, \u003ca href=\"https://www.discogs.com/artist/224834-J-Cutt?type=Credits&subtype=Production&filter_anv=0\">J-Cutt\u003c/a> and MC Money Ray, who is featured here on the lead-off track from the album. It’s a perfect early blend of East Coast-style production and undeniably Oakland vocal delivery. Long live APG!\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=jRTZ5iwtI24\u003c/p>\n\u003ch2>17. Delinquents, ‘Bitches Ain’t Shit’ (1992)\u003c/h2>\n\u003cp>Incredibly dope duo G-Stak and Big V a.k.a. V-Dal of East Oakland started their own label \u003ca href=\"https://www.discogs.com/label/44068-Dank-Or-Die-Records\">Dank Or Die\u003c/a> in ’92 and were even briefly signed to Priority Records in ’97. This track, off their solid debut \u003cem>Insane\u003c/em>, utilizes a cool Middle Eastern sample alongside The Controllers “Stay.”\u003c/p>\n\u003ch2>18. The Govenor feat. Richie Rich & 2pac, ‘Gaffled Like That’ (1992)\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=JBN2n_KnxRc\u003c/p>\n\u003cp>An absolutely classic “\u003ca href=\"https://www.youtube.com/watch?v=oTfkAicXmEo&ab_channel=IceCubeVEVO\">Jackin’ For Beats\u003c/a>“-style jam featuring some top-notch ’92 verses from major factors 2pac and Richie Rich over A-1 production from 415’s \u003ca href=\"https://www.discogs.com/artist/173778-DJ-Daryl?type=Credits&subtype=Production&filter_anv=0\">DJ Daryl\u003c/a>, who went on to be a bonafide super-producer shortly after this. Their sense of fun in the studio and camaraderie really shows; 2pac fires off an amazing verse, but nothing can beat the 415 veteran Rich’s tale of outsmarting the po-po’s while simultaneously ducking the jackers in the Fillmore, on his way to “get a fat feast on” at his cousin’s Thanksgiving party.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7jY7Q-vGZ34\u003c/p>\n\u003ch2>19. The Ansārs, ‘Not A Dance Tune’ (1991)\u003c/h2>\n\u003cp>Led by a very young \u003ca href=\"https://www.discogs.com/artist/190818-Askari-X\">Askari X\u003c/a> and featuring veteran MC Tray-C of \u003ca href=\"https://www.discogs.com/release/7963606-East-Side-Oakland-Tyme-4-Unutha-Blackout-\">East Side Oakland\u003c/a>, this serious group was aligned philosophically with the Nation Of Islam and the Uhuru Movement. They only dropped one EP release in ’91 on the \u003ca href=\"https://www.discogs.com/label/43966-Righteous-Records\">Righteous Records\u003c/a> label before Askari was incarcerated for suspected bank robbery the very next year (the same year in which his classic solo debut \u003cem>\u003ca href=\"https://www.youtube.com/watch?v=9SatYcmmSWA\">Ward Of The State\u003c/a>\u003c/em> was released). NYC’s Dead Prez cite Askari as a major influence, and even commissioned him to produce a track off their 2003 mixtape \u003cem>Get Free or Die Tryin’\u003c/em>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=bW7904AQhNE\u003c/p>\n\u003ch2>20. TKO, ‘415-510’ (1993)\u003c/h2>\n\u003cp>Mac Ted (RIP) and Kette of the “twomps” make up the duo TKO (Ted & Kette from Oakland) and put out a true gem of a tape, \u003cem>\u003ca href=\"https://12manrambotapes.blogspot.com/2012/08/tko-lets-get-ready-to-rumble-oakland-93.html\">Let’s Get Ready To Rumble\u003c/a>\u003c/em>, in ’93. Ted had already been featured on the Triple R Productions \u003cem>\u003ca href=\"https://12manrambotapes.blogspot.com/2013/08/triple-r-productions-extra-extra.html\">Extra! Extra!\u003c/a>\u003c/em> mini-compilation from ’89, in addition to kicking a dope guest verse on overlooked Oakland rapper \u003ca href=\"https://www.discogs.com/release/12721272-Chocolate-Milk-Big-Payback\">Chocolate Milk\u003c/a>‘s debut full-length. Here, he gets so honed in on the details of the day’s activities in his hood he even mentions the hat his homeboy is sporting (“Reg has got a hat that reads ‘All The Way To Heaven'”) and name-drops \u003ca href=\"https://www.loc8nearme.com/california/oakland/eng-market-tonys-liquor/3757328/\">Tony’s Liquor Store\u003c/a>, which is still around on 23rd and East 20th.\u003c/p>\n\u003cp>But mainly, in this song (essentially a glorious ode to Richie Rich’s “\u003ca href=\"https://www.youtube.com/watch?v=K9GIhOBH9fU&ab_channel=TunedInMusicChannel\">415\u003c/a>“), he’s frustrated about the area code change in the East Bay that occurred in late ’92 (“Me, I kinda took the shit personal / I think the shit shoulda been vice-verso / They changed the 415 to the 510… / Now what the fuck they do that fo’?”).\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>This track has to be my favorite of all the lesser-known Oakland raps, and it truly marks the end of an era in East Bay rap. Years ago, I was blown away when I mentioned this track to my boy Clint at my local liquor store \u003ca href=\"https://2starmarket.com/\">Two Star Market\u003c/a> and he immediately started reciting the hook. I mentioned Mac Ted and he said “Yep, from the 20’s — that’s where I grew up!”\u003c/p>\n\u003cp>Stuff like that makes me very happy to be a life-long rap fan – especially after moving to Oaktown and discovering what a treasure this city really is. Dangerous Dame (RIP) once said “New York is the place where the rappers dwell / But I don’t even care cuz I’m hard as hell / Yes Oakland’s comin’ up and it’s gonna be known / As the itty-bitty-city of the microphone.” But as I’ve found more and more tapes like these, I can say: Oakland deserves to be known as “The city where you got your whole style, swagger and slang from!”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/06/Turntable.Break_.jpg\" alt=\"\" width=\"800\" height=\"60\" class=\"aligncenter size-full wp-image-11687704\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-400x30.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-768x58.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[ad alignright]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13928637\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/CassetteTapesOakland_COVER.jpg\" alt=\"\" width=\"1920\" height=\"1080\" class=\"size-full wp-image-13928637\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/CassetteTapesOakland_COVER.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/CassetteTapesOakland_COVER-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/CassetteTapesOakland_COVER-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/CassetteTapesOakland_COVER-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/CassetteTapesOakland_COVER-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/CassetteTapesOakland_COVER-1536x864.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Along with major artists like Too Short and Tupac, the streets of the Town produced dozens of independent rappers whose rare underground cassettes contain Oakland gold. (Clockwise from top left: Mr. Fresh & Master T.M.D., Cassidine, Mac Mill, M.C. Jay and DJ Villian, Easy-A-Ski. \u003ccite>(Collage by Sarah Hotchkiss)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>\u003cstrong>Editor’s note\u003c/strong>: This story is part of \u003c/em>\u003ca href=\"https://www.kqed.org/bayareahiphop\">That’s My Word\u003c/a>\u003cem>, KQED’s year-long exploration of \u003ca href=\"https://www.kqed.org/bayareahiphop\">Bay Area hip-hop\u003c/a> history.\u003c/em>\u003c/p>\n\u003cp>\u003cem>An obsessive collector of underground Bay Area rap cassettes, J. Darrah has chronicled \u003ca href=\"https://12manrambotapes.blogspot.com/\">over 500 Northern California hip-hop tapes from 1985–2000\u003c/a> on his blog, \u003ca href=\"https://12manrambotapes.blogspot.com/\">12ManRambo\u003c/a>. Here, he shares 20 standout tracks from mostly unknown Oakland rap artists who recorded some straight-up heat for posterity.\u003c/em>\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>t’s an exhilarating and strange feeling to randomly find a tape like \u003ca href=\"https://12manrambotapes.blogspot.com/2012/08/step-g-dream-oakland-strip-oakland-91.html\">MC Sirgeo’s “Oakland Strip”\u003c/a> and, after being mesmerized by the “self-done” cover art, you pop the tape into the deck and think “Damn, this guy’s got sort of a funny voice… but so did MC Pooh and even Too Short, right?”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The beat is a slumper, and the dude is rapping about “taking Coolidge up to Macarthur” (an intersection I lived near for 10 years) in his drop-top Mustang. Then you start finding other tapes from the same era and city, and they just happen to have MC Sirgeo listed prominently in the shout-outs inside the J-card. You start to wonder why you’ve never heard of this guy before.\u003c/p>\n\u003cp>Or when you find a tape from the early ’90s at the Oakland Coliseum flea market by a rapper named \u003ca href=\"https://12manrambotapes.blogspot.com/2012/08/the-govenor-feat-2pac-richie-rich.html\">The Govenor\u003c/a> and see that he’s got 2pac & Richie Rich featured on there, and you pop \u003cem>that\u003c/em> tape in the deck and it’s absolutely incredible. The Govenor not only keeps up with the two heavyweights, he even seems to have been actual friends with them for a while. (Would you believe that the “feature” fee was \u003cem>zero\u003c/em> dollars?).\u003c/p>\n\u003cp>These are just two of the many revelations I’ve had digging around the East Bay and beyond for the past 20 years, finding different releases, most on cassette, from Bay Area artists that seem to have been almost completely overlooked. You won’t find these songs on streaming, but they all link together in small ways to form a clearer picture of Oakland rap history.\u003c/p>\n\u003cp>Here are 20 tracks from Oakland rappers from the mid ’80s to early ’90s that you’ve likely never heard — but that definitely have historical significance, and influenced the formative years of Bay Area rap.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/qC7ecFVkGIE'\n title='//www.youtube.com/embed/qC7ecFVkGIE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>1. Mr. Fresh & Master T.M.D., ‘What Fer’ (1986)\u003c/h2>\n\u003cp>A fun little jam from way back in ’86 featuring a very young Master T.M.D. (Total Mind Devastator), whose later group \u003ca href=\"https://www.youtube.com/watch?v=1_dnat21y5w\">Capital Tax\u003c/a> went on to be signed to MCA. Was this really the “slang of Oakland” at the time, or did they simply make this track “just to be buggin’,” as they state at the end?\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/vfMxP1fUzVE'\n title='//www.youtube.com/embed/vfMxP1fUzVE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>2. MC Sirgeo, ‘Oakland Strip’ (1989)\u003c/h2>\n\u003cp>An underground classic from MC Sirgeo before he formed his group \u003ca href=\"https://www.discogs.com/artist/963392-Step-G\">Step G\u003c/a>. Lingo is spit and spots are name-dropped as Sirgeo gives a virtual tour of East Oakland via his drop-top ‘Stang: “The light turned green and I was back on the scene / Right by Eastmont and Mickey D’s / Parked right by the 43 bus stop / Ya see they all love me ‘cuz I’m rollin’ a drop.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Ds_psH1TrJo'\n title='//www.youtube.com/embed/Ds_psH1TrJo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>3. East Side Oakland, ‘Eastmont Mall’ (1990)\u003c/h2>\n\u003cp>MC Tray-C and Gino Blacknell (the son of legendary Bay soul/funk artist \u003ca href=\"https://studylib.net/doc/8069642/in-1961-the-earliest-incarnation-of-the-band-was-at-hoove...\">Eugene Blacknell\u003c/a>, and whose \u003ca href=\"https://www.discogs.com/artist/370548-Gino-Blacknell?type=Credits&subtype=Production&filter_anv=0\">production credits\u003c/a> comprise a who’s-who of formative East Oakland rap) come with a dreamy ode to the town square of the East Side, the \u003ca href=\"http://www.kqed.org/bayareahiphop/timeline#the-eastmont-malls-grand-opening\">Eastmont Mall\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3q8mwbBRvoc'\n title='//www.youtube.com/embed/3q8mwbBRvoc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>4. Underground Rebellion, ‘Gin & Juice’ (1991)\u003c/h2>\n\u003cp>Preceding Snoop’s classic hit of the same name by a few years, MC Jullie D and pioneering West Oakland MC and producer \u003ca href=\"https://www.discogs.com/artist/359766-Krushadelic?type=Credits&filter_anv=0\">Krushadelic\u003c/a> (RIP) take a few too many gulps “down the throat chamber” over a clever Jimmy Spicer “Money (Dollar Bill Y’all)” / Vaughan Mason & Crew “Bounce, Rock, Skate, Roll” blend, all the while hittin’ the dank and gettin’ “major high!”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/-6_Ln7LhzwQ'\n title='//www.youtube.com/embed/-6_Ln7LhzwQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>5. Cassidine, ‘Yeah Bitch I’m Cassidine’ (1988)\u003c/h2>\n\u003cp>Seen as by some as the original Foxy Brown or Lil Kim of Rap, Cassidine definitely aimed to prove that she could get as nasty as her labelmate Too Short. Call her or her other labelmate \u003ca href=\"https://www.youtube.com/watch?v=9yB2vcs16VY&ab_channel=rapreal\">Kimmie Fresh\u003c/a> gimmicky Dean Hodges-funded products of his infamous \u003ca href=\"https://www.discogs.com/label/27733-75-Girls-Records-And-Tapes\">75 Girls\u003c/a> label if you want, but these girls could \u003cem>rap\u003c/em> — and in an ideal world, they would have been the start of a much bigger movement of Oakland female rappers.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/YEOpHvj2rLI'\n title='//www.youtube.com/embed/YEOpHvj2rLI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>6. Conscious Daughters, ‘Princess of Poetry (Original Demo Version)’ (1991)\u003c/h2>\n\u003cp>Though the explosion of female rappers didn’t quite materialize, the \u003ca href=\"https://www.kqed.org/arts/13925177/the-conscious-daughters-raps-sucka-free-thelma-and-louise-rewrote-the-rules\">Conscious Daughters\u003c/a> took the Bay by storm. We all know CMG and Special One’s classic \u003cem>\u003ca href=\"https://www.youtube.com/watch?v=Pa3iq2CsW-g\">Ear to the Street\u003c/a>\u003c/em> LP, but prior to their full-length debut came their demo tape from ’91, which includes the original version of “Princess of Poetry.” Witness how they simply rip the mic to shreds despite the rather generic, skeletal production, which under the guidance of SF’s mighty “Black Panther of Hip-Hop,” Paris, would be vastly improved upon two years later.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/UiBQEHtLts0'\n title='//www.youtube.com/embed/UiBQEHtLts0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>7. Mac Mill, ‘Lifetime Mission’ (1990)\u003c/h2>\n\u003cp>Before Mac Mall, there was \u003ca href=\"https://www.youtube.com/watch?v=5u3eiG9BtdE&list=PLHaMBojaobux8fAV_B3Iq-KsXOKbK2V0e&index=3\">Mac Mill\u003c/a>, a North Oakland veteran on the mic who had been making tapes since the mid-’80s, similar to those of Too Short and \u003ca href=\"https://www.youtube.com/watch?v=4I-LUdwVn_8&t=1s\">Freddy B\u003c/a> with 10-minute raps over Sugar Hill and Def Jam 12″ instrumentals. The fact that he never delivered a full-length is a damn shame. His 1990 \u003cem>Run of the Mill\u003c/em> EP release, however, contained three solid tracks that showcased his talents. “Lifetime Mission” is a long, way-out storytelling rhyme with his “funky def rhymes and Arabian words” that finds him mackin’ on a tender while visiting his cousins in Zanzibar and beyond.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/sqZIfdbutt8'\n title='//www.youtube.com/embed/sqZIfdbutt8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>8. Em-Cee Quik and DJ K-OS, ‘Just Rollin’ (1988)\u003c/h2>\n\u003cp>Em-Cee Quik a.k.a. Sir Quickdraw a.k.a. A Brotha Named Quick a.k.a. Naru is somewhat of a silent factor in the East Bay rap scene. With his 1987 Macola-distributed “\u003ca href=\"https://www.youtube.com/watch?v=NRuv7r_6A24\">Rapaholic\u003c/a>” 12″, he got an early start busting solid rhymes on wax. A year later, he and DJ Dav-id K-os came hard and ballsy as hell with B-side “Just Rollin,” which is not about rollin’ in his Cougar or Mustang…but on his \u003cem>bike\u003c/em>! Quick went on to release his dope album \u003cem>\u003ca href=\"https://www.youtube.com/watch?v=BEgpsTIPnmU\">Never in Your Wildest Dreams\u003c/a>\u003c/em> in ’94 on the APG-related Basement Flavor label, with production from \u003ca href=\"https://www.discogs.com/artist/198047-Bas-1\">Bas-1\u003c/a> and \u003ca href=\"https://www.discogs.com/artist/379417-Turntable-T?type=Credits&filter_anv=0\">Turntable T\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/iVc2d4ufBVM'\n title='//www.youtube.com/embed/iVc2d4ufBVM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>9. MC Jay & DJ Villian, ‘City Of A Gangster’ (1990)\u003c/h2>\n\u003cp>MC Jay a.k.a. Jay Soul was a super-talented rapper and producer from East Oakland who put down an impressive but virtually unheard catalog on his \u003ca href=\"https://www.discogs.com/label/467354-Cali-Jam-Music\">Cali-Jam Music\u003c/a> label in the early ’90s. After releasing his own killer cassette-only release \u003cem>\u003ca href=\"https://12manrambotapes.blogspot.com/2013/04/mc-jay-dj-villian-once-again-oakland-91.html\">Once Again\u003c/a>\u003c/em> along with DJ Villian, as well as his ventures with \u003ca href=\"https://12manrambotapes.blogspot.com/2013/04/lavish-style-hustlers-klan-ridin-high.html\">Lavish Style Hustlers Klan\u003c/a> and \u003ca href=\"https://12manrambotapes.blogspot.com/2012/08/twon-dead-end-oakland-93.html\">Twon\u003c/a>, he seemed to simply disappear. “City of a Gangster” is a classic slow and heavy-rolling track warning of the dangers of the crime-ridden streets of Oakland in the late ’80s/early ’90s.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/tsJYRTCpl1Q'\n title='//www.youtube.com/embed/tsJYRTCpl1Q'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>10. Freddy B, ‘Dopefene Beat (I Want Some Helium)’ (1992)\u003c/h2>\n\u003cp>A lethal, bugged-out display of imaginative storytelling from Too Short’s old partner in crime Freddy B. (“Oh yeah, it takes me back to back in the days / When me and my boy Short Dog were just chillin’ / Oh yeah, we used to do somethin’ like this…”) Far outdated for ’92 (sadly, Freddy B was behind bars for much of the ’80s while Short made major moves), this song hints at the more far-out tracks the duo might have made selling “special request” tapes to local dealers and pimps around Sobrante Park and beyond.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ogNoOCIVPrI'\n title='//www.youtube.com/embed/ogNoOCIVPrI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>11. Morocco Moe, ‘Task’ (1988)\u003c/h2>\n\u003cp>A classic overlooked cut by \u003ca href=\"https://12manrambotapes.blogspot.com/2013/04/morocco-moe-did-it-my-damn-self-oakland.html\">Morocco Moe\u003c/a> (RIP), this comes off as an updated, more hardcore version of Toddy Tee’s “\u003ca href=\"https://www.youtube.com/watch?v=wUxH5APAEmA&ab_channel=The4-TrackIsKing\">Batteram\u003c/a>” complete with a slick Kraftwerk “Man Machine” sample. Over omnipresent local producer Raul “EFX” Recinos’ beat, Moe warns of the feds that come knocking on your door when you least expect it.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/oxP_y-ACG_A'\n title='//www.youtube.com/embed/oxP_y-ACG_A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>12. Spice 1, ‘East Bay Gangsta (Original Version)’ (1991)\u003c/h2>\n\u003cp>OK, yeah — we don’t care he was originally from Hayward! This \u003ca href=\"https://12manrambotapes.blogspot.com/2013/04/spice-1-etc-187-proof-dope-like-pound.html\">mysterious tape\u003c/a>, likely put out by \u003ca href=\"https://www.discogs.com/artist/1272883-Pizo\">DJ Pizo\u003c/a>, introduced the world to \u003ca href=\"https://www.discogs.com/artist/137528-The-Coup\">The Coup\u003c/a>. On the heels of Too Short’s \u003ca href=\"https://www.discogs.com/release/734047-The-Dangerous-Crew-Dangerous-Crew\">first Dangerous Crew compilation\u003c/a>, it also reintroduced a more full-fledged hardcore Spice 1 just before signing to Jive Records. With classic punchline- and murder-laced rhymes over a brilliantly dense sample merging of the O’Jays “Got To Give The People” and 9th Creation’s “Bubble Gum,” Spice shows why he became one of the top Bay Area rappers of all time, especially with lines as mundane as “Rollin’ thicker than a milkshake / I like to eat crab but I prefer steak” that \u003cem>still\u003c/em> sound fly as all hell.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/YsuZZxRrxt0'\n title='//www.youtube.com/embed/YsuZZxRrxt0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>13. Commanda C & DJ MF, ‘Check ‘Em’ (1992)\u003c/h2>\n\u003cp>A random demo tape found at \u003ca href=\"https://www.daveyd.com/whoisdaveyd.html\">Davey “I Got Everyone’s Demo Tape” D\u003c/a>‘s crib about 10 years ago, only to find out afterward that \u003ca href=\"https://www.youtube.com/watch?v=L_71XuDWzeE&t=42s&ab_channel=JimRichards\">Commanda C was wreckin’ Sproul Plaza as far back as ’84\u003c/a>. With a thick East Bay “\u003ca href=\"https://youtu.be/7xKkSpna9bA?t=100\">country accent, hillbillies-and-all-that\u003c/a>” delivery and Hiero-esque wordplay (“Here’s the album / Now tell me how come / You haven’t bought it yet / Man, how dumb”), this guy definitely gets my vote for Influential Rapper That Almost Nobody Ever Heard Of.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4f7warzCk78'\n title='//www.youtube.com/embed/4f7warzCk78'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>14. FM Blue feat. Dangerous Dame, ‘Oakland Styles’ (1993)\u003c/h2>\n\u003cp>A loose \u003ca href=\"https://www.discogs.com/artist/197231-The-Dangerous-Crew\">Dangerous Crew\u003c/a> member with flows for days, this track finds FM Blue and the legendary \u003ca href=\"http://www.kqed.org/bayareahiphop/timeline#dangerous-dames-town-tribute-oaktown\">Dangerous Dame\u003c/a> (RIP) trading verses over a classic Ant Banks beat. Likely the very first release on \u003ca href=\"https://www.discogs.com/label/662358-CELLBLOCK-Productions\">Cell Block Records\u003c/a>, which also released Dangerous Crew members Rappin’ Ron & Ant Diddley Dog’s almost equally slept-on album \u003cem>\u003ca href=\"https://12manrambotapes.blogspot.com/2018/07/rappin-ron-ant-diddly-dog-bad-n-fluenz.html\">Bad N-Fluenz\u003c/a>\u003c/em>, it’s still a bit of a mystery why this wasn’t released on any other format than cassette in ’93.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/vpoFnXAC-8U'\n title='//www.youtube.com/embed/vpoFnXAC-8U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>15. Easy A-Ski, ‘High Stepping’ (1990)\u003c/h2>\n\u003cp>Before he shortened his name and got with a young up-and-coming New Orleans transplant by the name of \u003ca href=\"http://www.kqed.org/bayareahiphop/timeline#master-p-establishes-no-limit-records-in-richmond\">Master P\u003c/a> who signed him to No Limit Records, EA-Ski was gettin’ busy over James Brown loops with his DJ, CMT. A solid debut here, but his production sound would soon change drastically post-\u003cem>Chronic\u003c/em> (EA-Ski became a frequent Dr. Dre collaborator through the mid- to late-’90s) and help pave the way for the glorious sound of \u003ca href=\"https://www.youtube.com/watch?v=AQnnIlk7ojU\">mobb music\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/VC6bf3ib3Hc'\n title='//www.youtube.com/embed/VC6bf3ib3Hc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>16. APG, ‘Action Packed Gangstas’ (1989)\u003c/h2>\n\u003cp>The \u003ca href=\"https://www.youtube.com/watch?v=WXBkiwQ_ZGo\">APG Crew\u003c/a> was a legendary 12-or-more-man crew outta North Oakland (853 Apgar St., to be exact), including the main dudes putting the whole Voltron-like ensemble together, the Blackwell brothers. Marlon (a.k.a. \u003ca href=\"https://www.discogs.com/artist/680232-MC-Mello-Mar\">MC Mello Mar\u003c/a>) and \u003ca href=\"https://www.discogs.com/artist/233085-Allen-Blackwell\">Allen Blackwell\u003c/a> (RIP), who ran Metro Records, linked with the very fine talents of DJ Red, \u003ca href=\"https://www.discogs.com/artist/224834-J-Cutt?type=Credits&subtype=Production&filter_anv=0\">J-Cutt\u003c/a> and MC Money Ray, who is featured here on the lead-off track from the album. It’s a perfect early blend of East Coast-style production and undeniably Oakland vocal delivery. Long live APG!\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/jRTZ5iwtI24'\n title='//www.youtube.com/embed/jRTZ5iwtI24'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>17. Delinquents, ‘Bitches Ain’t Shit’ (1992)\u003c/h2>\n\u003cp>Incredibly dope duo G-Stak and Big V a.k.a. V-Dal of East Oakland started their own label \u003ca href=\"https://www.discogs.com/label/44068-Dank-Or-Die-Records\">Dank Or Die\u003c/a> in ’92 and were even briefly signed to Priority Records in ’97. This track, off their solid debut \u003cem>Insane\u003c/em>, utilizes a cool Middle Eastern sample alongside The Controllers “Stay.”\u003c/p>\n\u003ch2>18. The Govenor feat. Richie Rich & 2pac, ‘Gaffled Like That’ (1992)\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/JBN2n_KnxRc'\n title='//www.youtube.com/embed/JBN2n_KnxRc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>An absolutely classic “\u003ca href=\"https://www.youtube.com/watch?v=oTfkAicXmEo&ab_channel=IceCubeVEVO\">Jackin’ For Beats\u003c/a>“-style jam featuring some top-notch ’92 verses from major factors 2pac and Richie Rich over A-1 production from 415’s \u003ca href=\"https://www.discogs.com/artist/173778-DJ-Daryl?type=Credits&subtype=Production&filter_anv=0\">DJ Daryl\u003c/a>, who went on to be a bonafide super-producer shortly after this. Their sense of fun in the studio and camaraderie really shows; 2pac fires off an amazing verse, but nothing can beat the 415 veteran Rich’s tale of outsmarting the po-po’s while simultaneously ducking the jackers in the Fillmore, on his way to “get a fat feast on” at his cousin’s Thanksgiving party.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7jY7Q-vGZ34'\n title='//www.youtube.com/embed/7jY7Q-vGZ34'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>19. The Ansārs, ‘Not A Dance Tune’ (1991)\u003c/h2>\n\u003cp>Led by a very young \u003ca href=\"https://www.discogs.com/artist/190818-Askari-X\">Askari X\u003c/a> and featuring veteran MC Tray-C of \u003ca href=\"https://www.discogs.com/release/7963606-East-Side-Oakland-Tyme-4-Unutha-Blackout-\">East Side Oakland\u003c/a>, this serious group was aligned philosophically with the Nation Of Islam and the Uhuru Movement. They only dropped one EP release in ’91 on the \u003ca href=\"https://www.discogs.com/label/43966-Righteous-Records\">Righteous Records\u003c/a> label before Askari was incarcerated for suspected bank robbery the very next year (the same year in which his classic solo debut \u003cem>\u003ca href=\"https://www.youtube.com/watch?v=9SatYcmmSWA\">Ward Of The State\u003c/a>\u003c/em> was released). NYC’s Dead Prez cite Askari as a major influence, and even commissioned him to produce a track off their 2003 mixtape \u003cem>Get Free or Die Tryin’\u003c/em>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/bW7904AQhNE'\n title='//www.youtube.com/embed/bW7904AQhNE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>20. TKO, ‘415-510’ (1993)\u003c/h2>\n\u003cp>Mac Ted (RIP) and Kette of the “twomps” make up the duo TKO (Ted & Kette from Oakland) and put out a true gem of a tape, \u003cem>\u003ca href=\"https://12manrambotapes.blogspot.com/2012/08/tko-lets-get-ready-to-rumble-oakland-93.html\">Let’s Get Ready To Rumble\u003c/a>\u003c/em>, in ’93. Ted had already been featured on the Triple R Productions \u003cem>\u003ca href=\"https://12manrambotapes.blogspot.com/2013/08/triple-r-productions-extra-extra.html\">Extra! Extra!\u003c/a>\u003c/em> mini-compilation from ’89, in addition to kicking a dope guest verse on overlooked Oakland rapper \u003ca href=\"https://www.discogs.com/release/12721272-Chocolate-Milk-Big-Payback\">Chocolate Milk\u003c/a>‘s debut full-length. Here, he gets so honed in on the details of the day’s activities in his hood he even mentions the hat his homeboy is sporting (“Reg has got a hat that reads ‘All The Way To Heaven'”) and name-drops \u003ca href=\"https://www.loc8nearme.com/california/oakland/eng-market-tonys-liquor/3757328/\">Tony’s Liquor Store\u003c/a>, which is still around on 23rd and East 20th.\u003c/p>\n\u003cp>But mainly, in this song (essentially a glorious ode to Richie Rich’s “\u003ca href=\"https://www.youtube.com/watch?v=K9GIhOBH9fU&ab_channel=TunedInMusicChannel\">415\u003c/a>“), he’s frustrated about the area code change in the East Bay that occurred in late ’92 (“Me, I kinda took the shit personal / I think the shit shoulda been vice-verso / They changed the 415 to the 510… / Now what the fuck they do that fo’?”).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This track has to be my favorite of all the lesser-known Oakland raps, and it truly marks the end of an era in East Bay rap. Years ago, I was blown away when I mentioned this track to my boy Clint at my local liquor store \u003ca href=\"https://2starmarket.com/\">Two Star Market\u003c/a> and he immediately started reciting the hook. I mentioned Mac Ted and he said “Yep, from the 20’s — that’s where I grew up!”\u003c/p>\n\u003cp>Stuff like that makes me very happy to be a life-long rap fan – especially after moving to Oaktown and discovering what a treasure this city really is. Dangerous Dame (RIP) once said “New York is the place where the rappers dwell / But I don’t even care cuz I’m hard as hell / Yes Oakland’s comin’ up and it’s gonna be known / As the itty-bitty-city of the microphone.” But as I’ve found more and more tapes like these, I can say: Oakland deserves to be known as “The city where you got your whole style, swagger and slang from!”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/06/Turntable.Break_.jpg\" alt=\"\" width=\"800\" height=\"60\" class=\"aligncenter size-full wp-image-11687704\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-400x30.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/Turntable.Break_-768x58.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Our Picks for the 2023 Bay Area Book Festival",
"headTitle": "Our Picks for the 2023 Bay Area Book Festival | KQED",
"content": "\u003cp>While certain themes usually emerge during the \u003ca href=\"https://www.baybookfest.org/\">Bay Area Book Festival\u003c/a>, now in its ninth year, the stacked two-day program always has a bit of something for everyone — whether you’re looking for \u003ca href=\"https://www.baybookfest.org/session/science-fiction-space-exploration/\">world-expanding sci-fi\u003c/a>, \u003ca href=\"https://www.baybookfest.org/session/do-the-work/\">anti-racist instruction\u003c/a>, an \u003ca href=\"https://www.baybookfest.org/session/scavenger-hunt/\">IRL \u003ci>Where’s Waldo\u003c/i> hunt\u003c/a> or your next \u003ca href=\"https://www.baybookfest.org/session/finding-nature-saving-time/\">contemplative read\u003c/a>.\u003c/p>\n\u003cp>Hosting nearly 300 authors on indoor and outdoor stages May 6 and 7 alongside literary exhibitors, food vendors and a youth expo, the Bay Area Book Festival is completely free to attend, save for ticketed events featuring \u003ca href=\"https://www.baybookfest.org/session/joan-baez/\">Joan Baez\u003c/a> and \u003ca href=\"https://www.baybookfest.org/session/do-the-work/\">W. Kamau Bell\u003c/a>. Expect enthusiastic crowds, and avoid driving if you can — parking will be hard to come by.\u003c/p>\n\u003cp>Below, find the KQED Arts & Culture team’s recommendations for the weekend, and be sure to \u003ca href=\"https://www.baybookfest.org/schedule23/\">check out the full weekend schedule\u003c/a>.\u003c/p>\n\u003ch2>\u003ca href=\"https://www.baybookfest.org/session/seen-and-unseen/\">Seen and Unseen: New Glimpses of Japanese Incarceration\u003c/a>\u003c/h2>\n\u003cp>\u003ci>Saturday, May 6, 11–11:45 a.m.\u003cbr>\nBerkeley Public Library, Community Meeting Room (2090 Kittredge St.)\u003c/i>\u003c/p>\n\u003cp>Last year, two beautifully illustrated works about the imprisonment of Japanese Americans during World War II were released by two Bay Area authors.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Elizabeth Partridge’s \u003ci>\u003ca href=\"https://www.elizabethpartridge.com/young/seenandunseed\">Seen and Unseen\u003c/a>\u003c/i> (illustrated by Lauren Tamaki) uses the documentary photos of Dorothea Lange, Ansel Adams and Toyo Miyatake — a photographer who endured incarceration alongside 120,000 other Japanese Americans — to tell the story of this great injustice from three different angles. It demonstrates to readers how the ways Lange, Adams and Miyatake each captured scenes at the camps reflected their own perspectives on what was happening.\u003c/p>\n\u003cp>[aside postID='arts_13927861']Meanwhile, Maggie Tokuda-Hall’s \u003ci>\u003ca href=\"https://www.penguinrandomhouse.com/books/688897/love-in-the-library-by-maggie-tokuda-hall-illustrated-by-yas-imamura/\">Love in the Library\u003c/a>\u003c/i> (illustrated by Yas Imamura) tells the story of the author’s grandparents — a couple who somehow found love while incarcerated, over the stacks of books that offered them some semblance of escape. Tokuda-Hall recently \u003ca href=\"https://www.kqed.org/arts/13927861/scholastic-wanted-to-license-her-childrens-book-if-she-cut-a-part-about-racism\">turned down a licensing deal\u003c/a> from Scholastic after the publisher asked her to remove a reference to “the deeply American tradition of racism” from her author’s note.\u003c/p>\n\u003cp>Both books take an unthinkable period from recent history and make it relatable and engaging for young readers. Both honor the people who lived and died in those camps. And both question what it means to be a “good American.”\u003c/p>\n\u003cp>The Bay Area Book Festival’s decision to pair these two authors for a deeper conversation about \u003ci>Seen and Unseen\u003c/i>, then, is a stroke of brilliance. Partridge and Tokuda-Hall will be discussing how history is shaped by those chosen to document it and how power imbalances impact the narratives we leave behind. This fascinating event is suitable for an audiences of all ages. — \u003ci>Rae Alexandra\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13928492\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13928492\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/NatureWriting.jpg\" alt=\"Three book covers laid out side by side\" width=\"1920\" height=\"942\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/NatureWriting.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/NatureWriting-800x393.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/NatureWriting-1020x500.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/NatureWriting-160x79.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/NatureWriting-768x377.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/NatureWriting-1536x754.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Authors Tom Commita, Talia Lakshmi Kolluri and Erica Berry appear together on a panel at the Magnes Museum. \u003ccite>(Covers courtesy of Coffee House Press, Tin House and Macmillan Publishers)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.baybookfest.org/session/nature-writing/\">The Beauty and Urgency of Nature Writing\u003c/a>\u003c/h2>\n\u003cp>\u003ci>Saturday, May 6, 11 a.m.–12 p.m.\u003cbr>\nThe Magnes Museum, Auditorium (2121 Allston Way)\u003c/i>\u003c/p>\n\u003cp>Those first few months of the pandemic hit me hard. \u003ci>Is spring always this glorious?\u003c/i> I wondered as I rambled along previously unknown paths in Golden Gate Park. The answer, of course, was yes. I just hadn’t been paying attention until I was forced — by the closure of all indoor spaces — to actually take stock of the blossoms, animals and shifting weather patterns around me.\u003c/p>\n\u003cp>Thankfully, authors Tom Comitta, Erica Berry and Talia Lakshmi Kolluri are far more observant than I am, and they’ve turned their focus to nature writing, a category as expansive in form as the subject it covers. Comitta’s \u003ci>\u003ca href=\"https://coffeehousepress.org/products/the-nature-book\">The Nature Book\u003c/a>\u003c/i> collages together nature writing from over 300 existing English-language novels — a method they call the “literary supercut.” By subtracting all references to the human world, Comitta challenges our anthropocentric view while also archiving the many ways we have, over time, written about nature.\u003c/p>\n\u003cp>Kolluri likewise commits to inventively shifting her readers’ focus. In \u003ci>\u003ca href=\"https://tinhouse.com/book/what-we-fed-to-the-manticore/\">What We Fed to the Manticore\u003c/a>\u003c/i>, short stories are told from the points of view of different animals, including vultures dining on an antelope in Central Asia. And Berry’s book, \u003ci>\u003ca href=\"https://us.macmillan.com/books/9781250821621/wolfish\">Wolfish: Wolf, Self, and the Stories We Tell About Fear\u003c/a>\u003c/i> uses wolves both real and metaphorical to examine what it means to be brave in a changing, damaged world. If all of the above wasn’t intriguing enough, this panel discussion will be moderated by KQED’s own community reporter \u003ca href=\"https://www.kqed.org/author/ccabreralomeli\">Carlos Cabrera-Lomelí\u003c/a>. — \u003ci>Sarah Hotchkiss\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13875123\" class=\"wp-caption aligncenter\" style=\"max-width: 1616px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13875123\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/DSC8425.jpg\" alt=\"An older Black woman with short hair wears glasses, a pink sweater and a light scarf, smiling in a library\" width=\"1616\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/DSC8425.jpg 1616w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/DSC8425-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/DSC8425-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/DSC8425-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/DSC8425-1020x682.jpg 1020w\" sizes=\"(max-width: 1616px) 100vw, 1616px\">\u003cfigcaption class=\"wp-caption-text\">Dorothy Lazard, former head librarian of the Oakland Public Library’s History Center, pictured in 2020. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.baybookfest.org/session/a-life-in-books/\">A Life In Books\u003c/a>\u003c/h2>\n\u003cp>\u003ci>Saturday May 6, 11 a.m.–12 p.m.\u003cbr>\nThe Marsh Theater (2120 Allston Way)\u003c/i>\u003c/p>\n\u003cp>In her forthcoming memoir, \u003ci>\u003ca href=\"https://www.heydaybooks.com/catalog/what-you-dont-know-will-make-a-whole-new-world/\">What You Don’t Know Will Make a Whole New World\u003c/a>\u003c/i>, beloved retired Oakland librarian and historian Dorothy Lazard opens with the period in her adolescence when she fell in love with reading. As a young person, she found a safe haven in her local library, diving into pages of books to escape the issues she was facing at home. Those years laid the foundation for a career in literature.\u003c/p>\n\u003cp>[aside postID='forum_2010101887349'] On this panel Lazard is joined by essayist, playwright and author Joan Frank, as well as Pulitzer Prize-winning author Jane Smiley. All three speakers have led amazing lives full of stories, and will be sharing their wisdom when it comes to accessing the power of words, the magic of writing and the wonders of reading. Hosted by author John Freeman, this conversation will center the beauty of living a life dedicated to the written word. — \u003ci>Pendarvis Harshaw\u003c/i>\u003c/p>\n\u003ch2>\u003ca href=\"https://www.baybookfest.org/session/noir-at-the-bar-23/\">Noir at the Bar\u003c/a>\u003c/h2>\n\u003cp>\u003ci>Saturday, May 6, 5:30–7 p.m.\u003cbr>\nCornerstone Berkeley (2367 Shattuck Ave.)\u003c/i>\u003c/p>\n\u003cp>While there’s plenty of offerings at the festival to get young people excited about reading, there’s also a time and place for, ahem, more adult matters. Look no further than this lineup of mystery and thriller writers that lets those 21 and above journey through time and space (like with Rina Ayuyang’s \u003ca href=\"https://drawnandquarterly.com/books/the-man-in-the-macintosh-suit/\">Depression-era graphic novel\u003c/a> about Filipino immigrants in rural California) in the cozy comfort of a Shattuck Avenue bar. The event, which also features readings from authors Mary Robinette Kwal, Marcie Rendon, T. Jefferson Parker, Kwei Quartey and Margot Douaihy, is emceed by Randal Brandt, curator of the California Detective Fiction Collection at the Bancroft Library. Talk about amazing jobs. One Dark ‘n’ Stormy, please! — \u003ci>Sarah Hotchkiss\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13928484\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13928484\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Alphabet-Rockers-6-performers-Nino-Fernandez_1200.jpg\" alt=\"Three adults and three teens in brightly colored clothes pose and smile at camera\" width=\"1200\" height=\"801\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Alphabet-Rockers-6-performers-Nino-Fernandez_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Alphabet-Rockers-6-performers-Nino-Fernandez_1200-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Alphabet-Rockers-6-performers-Nino-Fernandez_1200-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Alphabet-Rockers-6-performers-Nino-Fernandez_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Alphabet-Rockers-6-performers-Nino-Fernandez_1200-768x513.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">The Grammy-winning Alphabet Rockers. \u003ccite>(Nino Fernandez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.baybookfest.org/session/alphabet-rockers-musical-performance/\">Alphabet Rockers\u003c/a>\u003c/h2>\n\u003cp>\u003ci>Saturday, May 6, 2–2:45 p.m.\u003cbr>\nBART Plaza Stage (Shattuck & Allston)\u003c/i>\u003c/p>\n\u003cp>After being nominated for Grammy Awards two previous times, it was the Alphabet Rockers’ 2022 album, \u003ci>The Movement\u003c/i>, that brought home the gold earlier this year. Led by Kaitlin McGaw and Tommy Soulati Shepherd, the stars of the show are the three teenagers of the group, Kali de Jesus, Tommy Shepherd III and Maya Fleming.\u003c/p>\n\u003cp>[aside postID='arts_13856498'] The Oakland-based collective makes fresh music that has the foundational sound of hip-hop, the energy of rock and roll, and the messages we need to hear if we’re going to have a brighter future. If you’re around midday and need a break from using big words to talk about small books with enormous ideas, then I’d suggest watching this group get down. — \u003ci>Pendarvis Harshaw\u003c/i>\u003c/p>\n\u003ch2>\u003ca href=\"https://www.baybookfest.org/session/rest-is-resistance/\">Tricia Hersey: Rest is Resistance\u003c/a>\u003c/h2>\n\u003cp>\u003ci>Sunday, May 7, 2–3 p.m.\u003cbr>\nFreight & Salvage (2020 Addison St.)\u003c/i>\u003c/p>\n\u003cp>[aside postID='arts_13870917'] I love taking naps. But I never thought about them as forms of resistance or reparations until I encountered the work of \u003ca href=\"http://www.triciahersey.com/\">Tricia Hersey\u003c/a>, aka The Nap Bishop. \u003ci>You mean I’m\u003c/i> not \u003ci>lazy for preferring naps over “grind culture”? And I\u003c/i> should \u003ci>be daydreaming more?\u003c/i> Her frameworks around rest, detailed in her bestselling book, \u003ci>\u003ca href=\"https://www.hachettebookgroup.com/titles/tricia-hersey/rest-is-resistance/9780316365536/\">Rest is Resistance: A Manifesto\u003c/a>\u003c/i>, are as empowering as they are paradigm-shifting.\u003c/p>\n\u003cp>Hersey very much practices what she preaches, so her media appearances and interviews are intentionally few and far between — which means this is a prime opportunity for fans of her work and curious folk to take advantage of her visit to the Bay Area. That she’ll be in conversation with Bay Area curator Ashara Ekundayo, who leads the organization \u003ca href=\"https://www.artistasfirstresponder.com/\">Artist as First Responder\u003c/a>, makes the opportunity even sweeter. — \u003ci>Ariana Proehl\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13928496\" class=\"wp-caption aligncenter\" style=\"max-width: 1620px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13928496\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Free-Books-BABF-Mike-Hitchner-8688x5792-2.jpg\" alt=\"\" width=\"1620\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Free-Books-BABF-Mike-Hitchner-8688x5792-2.jpg 1620w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Free-Books-BABF-Mike-Hitchner-8688x5792-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Free-Books-BABF-Mike-Hitchner-8688x5792-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Free-Books-BABF-Mike-Hitchner-8688x5792-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Free-Books-BABF-Mike-Hitchner-8688x5792-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Free-Books-BABF-Mike-Hitchner-8688x5792-2-1536x1024.jpg 1536w\" sizes=\"(max-width: 1620px) 100vw, 1620px\">\u003cfigcaption class=\"wp-caption-text\">Readers browse the free books at a past Bay Area Books Festival. \u003ccite>(Mike Hitchner)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Briefly Noted\u003c/h2>\n\u003cp>\u003ca href=\"https://www.baybookfest.org/session/hidden-histories/\">\u003cb>Hidden Histories\u003c/b>\u003c/a>\u003cbr>\n\u003ci>Saturday, May 6, 4–5 p.m. at the Brower Center’s Tamalpais Room (2150 Allston Way)\u003c/i>\u003cbr>\nKQED’s Ariana Proehl moderates a conversation on Saturday, May 6 with journalist Jori Lewis (\u003ci>\u003ca href=\"https://thenewpress.com/books/slaves-for-peanuts\">Slaves for Peanuts\u003c/a>\u003c/i>) and Swiss author Dorothee Elmiger (\u003ci>\u003ca href=\"https://www.catranslation.org/shop/book/out-of-the-sugar-factory/\">Out of the Sugar Factory\u003c/a>\u003c/i>) about the hidden histories of the peanut and sugar industries.\u003c/p>\n\u003cp>\u003cb>Emil DeAndreis tabling for \u003ci>\u003ca href=\"https://www.flexiblepub.com/tell-us-when-to-go\">Tell Us When To Go\u003c/a>\u003c/i>\u003c/b>\u003cbr>\n\u003ci>Sunday, May 7, 11 a.m.–5 p.m. at Booth #112 on Allston Way\u003c/i>\u003cbr>\nIn a world of technology, big business and gentrification, friendship is more valuable and unfortunately more volatile than ever. Through a unique lens, Emil DeAndreis brings readers into a coming-of-age tale based on the real-life changes happening to the place he calls home. Through the divergent stories of two friends, the reader gets a sense of the dichotomies that exist in the Bay Area, as well as the influence of tech companies and local hip-hop culture.\u003c/p>\n\u003cp>\u003ca href=\"https://www.baybookfest.org/session/parable-of-the-sower-turns-30/\">\u003cb>‘Parable of the Sower’ Turns 30\u003c/b>\u003c/a>\u003cbr>\n\u003ci>Sunday, May 7, 2:30–3:30 p.m. at the Brower Center’s Tamalpais Room (2150 Allston Way)\u003c/i>\u003cbr>\nPoets Camille Dungy and Ashia Ajani and novelist Aya de Leon discuss Octavia Butler’s increasingly prescient sci-fi \u003ci>Parable of the Sower\u003c/i>. Moderated by Pinole mayor and climate organizer Devin T. Murphy, the panel promises to address current efforts at movement building to address the climate crisis.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ca href=\"https://www.baybookfest.org/session/poetry-at-the-end-of-the-world/\">\u003cb>Poetry at the End of the World\u003c/b>\u003c/a>\u003cbr>\n\u003ci>Sunday, May 7, 3:30–4:30 p.m. at Freight & Salvage (2020 Addison St.)\u003c/i>\u003cbr>\nA panel of poets, including Saeed Jones (\u003ci>\u003ca href=\"https://coffeehousepress.org/products/alive-at-the-end-of-the-world\">Alive at the End of the World\u003c/a>\u003c/i>) and the El Cerrito-based Tess Taylor (\u003ci>\u003ca href=\"https://www.tess-taylor.com/the-forage-house\">The Forage House\u003c/a>\u003c/i>), contemplate the apocalyptic and the hopeful.\u003c/p>\n\n",
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"excerpt": "The literary bonanza on May 6 and 7 hosts nearly 300 authors — here's your guide to the weekend's best bets.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>While certain themes usually emerge during the \u003ca href=\"https://www.baybookfest.org/\">Bay Area Book Festival\u003c/a>, now in its ninth year, the stacked two-day program always has a bit of something for everyone — whether you’re looking for \u003ca href=\"https://www.baybookfest.org/session/science-fiction-space-exploration/\">world-expanding sci-fi\u003c/a>, \u003ca href=\"https://www.baybookfest.org/session/do-the-work/\">anti-racist instruction\u003c/a>, an \u003ca href=\"https://www.baybookfest.org/session/scavenger-hunt/\">IRL \u003ci>Where’s Waldo\u003c/i> hunt\u003c/a> or your next \u003ca href=\"https://www.baybookfest.org/session/finding-nature-saving-time/\">contemplative read\u003c/a>.\u003c/p>\n\u003cp>Hosting nearly 300 authors on indoor and outdoor stages May 6 and 7 alongside literary exhibitors, food vendors and a youth expo, the Bay Area Book Festival is completely free to attend, save for ticketed events featuring \u003ca href=\"https://www.baybookfest.org/session/joan-baez/\">Joan Baez\u003c/a> and \u003ca href=\"https://www.baybookfest.org/session/do-the-work/\">W. Kamau Bell\u003c/a>. Expect enthusiastic crowds, and avoid driving if you can — parking will be hard to come by.\u003c/p>\n\u003cp>Below, find the KQED Arts & Culture team’s recommendations for the weekend, and be sure to \u003ca href=\"https://www.baybookfest.org/schedule23/\">check out the full weekend schedule\u003c/a>.\u003c/p>\n\u003ch2>\u003ca href=\"https://www.baybookfest.org/session/seen-and-unseen/\">Seen and Unseen: New Glimpses of Japanese Incarceration\u003c/a>\u003c/h2>\n\u003cp>\u003ci>Saturday, May 6, 11–11:45 a.m.\u003cbr>\nBerkeley Public Library, Community Meeting Room (2090 Kittredge St.)\u003c/i>\u003c/p>\n\u003cp>Last year, two beautifully illustrated works about the imprisonment of Japanese Americans during World War II were released by two Bay Area authors.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Elizabeth Partridge’s \u003ci>\u003ca href=\"https://www.elizabethpartridge.com/young/seenandunseed\">Seen and Unseen\u003c/a>\u003c/i> (illustrated by Lauren Tamaki) uses the documentary photos of Dorothea Lange, Ansel Adams and Toyo Miyatake — a photographer who endured incarceration alongside 120,000 other Japanese Americans — to tell the story of this great injustice from three different angles. It demonstrates to readers how the ways Lange, Adams and Miyatake each captured scenes at the camps reflected their own perspectives on what was happening.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Meanwhile, Maggie Tokuda-Hall’s \u003ci>\u003ca href=\"https://www.penguinrandomhouse.com/books/688897/love-in-the-library-by-maggie-tokuda-hall-illustrated-by-yas-imamura/\">Love in the Library\u003c/a>\u003c/i> (illustrated by Yas Imamura) tells the story of the author’s grandparents — a couple who somehow found love while incarcerated, over the stacks of books that offered them some semblance of escape. Tokuda-Hall recently \u003ca href=\"https://www.kqed.org/arts/13927861/scholastic-wanted-to-license-her-childrens-book-if-she-cut-a-part-about-racism\">turned down a licensing deal\u003c/a> from Scholastic after the publisher asked her to remove a reference to “the deeply American tradition of racism” from her author’s note.\u003c/p>\n\u003cp>Both books take an unthinkable period from recent history and make it relatable and engaging for young readers. Both honor the people who lived and died in those camps. And both question what it means to be a “good American.”\u003c/p>\n\u003cp>The Bay Area Book Festival’s decision to pair these two authors for a deeper conversation about \u003ci>Seen and Unseen\u003c/i>, then, is a stroke of brilliance. Partridge and Tokuda-Hall will be discussing how history is shaped by those chosen to document it and how power imbalances impact the narratives we leave behind. This fascinating event is suitable for an audiences of all ages. — \u003ci>Rae Alexandra\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13928492\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13928492\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/NatureWriting.jpg\" alt=\"Three book covers laid out side by side\" width=\"1920\" height=\"942\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/NatureWriting.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/NatureWriting-800x393.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/NatureWriting-1020x500.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/NatureWriting-160x79.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/NatureWriting-768x377.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/NatureWriting-1536x754.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Authors Tom Commita, Talia Lakshmi Kolluri and Erica Berry appear together on a panel at the Magnes Museum. \u003ccite>(Covers courtesy of Coffee House Press, Tin House and Macmillan Publishers)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.baybookfest.org/session/nature-writing/\">The Beauty and Urgency of Nature Writing\u003c/a>\u003c/h2>\n\u003cp>\u003ci>Saturday, May 6, 11 a.m.–12 p.m.\u003cbr>\nThe Magnes Museum, Auditorium (2121 Allston Way)\u003c/i>\u003c/p>\n\u003cp>Those first few months of the pandemic hit me hard. \u003ci>Is spring always this glorious?\u003c/i> I wondered as I rambled along previously unknown paths in Golden Gate Park. The answer, of course, was yes. I just hadn’t been paying attention until I was forced — by the closure of all indoor spaces — to actually take stock of the blossoms, animals and shifting weather patterns around me.\u003c/p>\n\u003cp>Thankfully, authors Tom Comitta, Erica Berry and Talia Lakshmi Kolluri are far more observant than I am, and they’ve turned their focus to nature writing, a category as expansive in form as the subject it covers. Comitta’s \u003ci>\u003ca href=\"https://coffeehousepress.org/products/the-nature-book\">The Nature Book\u003c/a>\u003c/i> collages together nature writing from over 300 existing English-language novels — a method they call the “literary supercut.” By subtracting all references to the human world, Comitta challenges our anthropocentric view while also archiving the many ways we have, over time, written about nature.\u003c/p>\n\u003cp>Kolluri likewise commits to inventively shifting her readers’ focus. In \u003ci>\u003ca href=\"https://tinhouse.com/book/what-we-fed-to-the-manticore/\">What We Fed to the Manticore\u003c/a>\u003c/i>, short stories are told from the points of view of different animals, including vultures dining on an antelope in Central Asia. And Berry’s book, \u003ci>\u003ca href=\"https://us.macmillan.com/books/9781250821621/wolfish\">Wolfish: Wolf, Self, and the Stories We Tell About Fear\u003c/a>\u003c/i> uses wolves both real and metaphorical to examine what it means to be brave in a changing, damaged world. If all of the above wasn’t intriguing enough, this panel discussion will be moderated by KQED’s own community reporter \u003ca href=\"https://www.kqed.org/author/ccabreralomeli\">Carlos Cabrera-Lomelí\u003c/a>. — \u003ci>Sarah Hotchkiss\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13875123\" class=\"wp-caption aligncenter\" style=\"max-width: 1616px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13875123\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/02/DSC8425.jpg\" alt=\"An older Black woman with short hair wears glasses, a pink sweater and a light scarf, smiling in a library\" width=\"1616\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/DSC8425.jpg 1616w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/DSC8425-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/DSC8425-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/DSC8425-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/02/DSC8425-1020x682.jpg 1020w\" sizes=\"(max-width: 1616px) 100vw, 1616px\">\u003cfigcaption class=\"wp-caption-text\">Dorothy Lazard, former head librarian of the Oakland Public Library’s History Center, pictured in 2020. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.baybookfest.org/session/a-life-in-books/\">A Life In Books\u003c/a>\u003c/h2>\n\u003cp>\u003ci>Saturday May 6, 11 a.m.–12 p.m.\u003cbr>\nThe Marsh Theater (2120 Allston Way)\u003c/i>\u003c/p>\n\u003cp>In her forthcoming memoir, \u003ci>\u003ca href=\"https://www.heydaybooks.com/catalog/what-you-dont-know-will-make-a-whole-new-world/\">What You Don’t Know Will Make a Whole New World\u003c/a>\u003c/i>, beloved retired Oakland librarian and historian Dorothy Lazard opens with the period in her adolescence when she fell in love with reading. As a young person, she found a safe haven in her local library, diving into pages of books to escape the issues she was facing at home. Those years laid the foundation for a career in literature.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp> On this panel Lazard is joined by essayist, playwright and author Joan Frank, as well as Pulitzer Prize-winning author Jane Smiley. All three speakers have led amazing lives full of stories, and will be sharing their wisdom when it comes to accessing the power of words, the magic of writing and the wonders of reading. Hosted by author John Freeman, this conversation will center the beauty of living a life dedicated to the written word. — \u003ci>Pendarvis Harshaw\u003c/i>\u003c/p>\n\u003ch2>\u003ca href=\"https://www.baybookfest.org/session/noir-at-the-bar-23/\">Noir at the Bar\u003c/a>\u003c/h2>\n\u003cp>\u003ci>Saturday, May 6, 5:30–7 p.m.\u003cbr>\nCornerstone Berkeley (2367 Shattuck Ave.)\u003c/i>\u003c/p>\n\u003cp>While there’s plenty of offerings at the festival to get young people excited about reading, there’s also a time and place for, ahem, more adult matters. Look no further than this lineup of mystery and thriller writers that lets those 21 and above journey through time and space (like with Rina Ayuyang’s \u003ca href=\"https://drawnandquarterly.com/books/the-man-in-the-macintosh-suit/\">Depression-era graphic novel\u003c/a> about Filipino immigrants in rural California) in the cozy comfort of a Shattuck Avenue bar. The event, which also features readings from authors Mary Robinette Kwal, Marcie Rendon, T. Jefferson Parker, Kwei Quartey and Margot Douaihy, is emceed by Randal Brandt, curator of the California Detective Fiction Collection at the Bancroft Library. Talk about amazing jobs. One Dark ‘n’ Stormy, please! — \u003ci>Sarah Hotchkiss\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13928484\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13928484\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Alphabet-Rockers-6-performers-Nino-Fernandez_1200.jpg\" alt=\"Three adults and three teens in brightly colored clothes pose and smile at camera\" width=\"1200\" height=\"801\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Alphabet-Rockers-6-performers-Nino-Fernandez_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Alphabet-Rockers-6-performers-Nino-Fernandez_1200-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Alphabet-Rockers-6-performers-Nino-Fernandez_1200-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Alphabet-Rockers-6-performers-Nino-Fernandez_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Alphabet-Rockers-6-performers-Nino-Fernandez_1200-768x513.jpg 768w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">The Grammy-winning Alphabet Rockers. \u003ccite>(Nino Fernandez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.baybookfest.org/session/alphabet-rockers-musical-performance/\">Alphabet Rockers\u003c/a>\u003c/h2>\n\u003cp>\u003ci>Saturday, May 6, 2–2:45 p.m.\u003cbr>\nBART Plaza Stage (Shattuck & Allston)\u003c/i>\u003c/p>\n\u003cp>After being nominated for Grammy Awards two previous times, it was the Alphabet Rockers’ 2022 album, \u003ci>The Movement\u003c/i>, that brought home the gold earlier this year. Led by Kaitlin McGaw and Tommy Soulati Shepherd, the stars of the show are the three teenagers of the group, Kali de Jesus, Tommy Shepherd III and Maya Fleming.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp> The Oakland-based collective makes fresh music that has the foundational sound of hip-hop, the energy of rock and roll, and the messages we need to hear if we’re going to have a brighter future. If you’re around midday and need a break from using big words to talk about small books with enormous ideas, then I’d suggest watching this group get down. — \u003ci>Pendarvis Harshaw\u003c/i>\u003c/p>\n\u003ch2>\u003ca href=\"https://www.baybookfest.org/session/rest-is-resistance/\">Tricia Hersey: Rest is Resistance\u003c/a>\u003c/h2>\n\u003cp>\u003ci>Sunday, May 7, 2–3 p.m.\u003cbr>\nFreight & Salvage (2020 Addison St.)\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp> I love taking naps. But I never thought about them as forms of resistance or reparations until I encountered the work of \u003ca href=\"http://www.triciahersey.com/\">Tricia Hersey\u003c/a>, aka The Nap Bishop. \u003ci>You mean I’m\u003c/i> not \u003ci>lazy for preferring naps over “grind culture”? And I\u003c/i> should \u003ci>be daydreaming more?\u003c/i> Her frameworks around rest, detailed in her bestselling book, \u003ci>\u003ca href=\"https://www.hachettebookgroup.com/titles/tricia-hersey/rest-is-resistance/9780316365536/\">Rest is Resistance: A Manifesto\u003c/a>\u003c/i>, are as empowering as they are paradigm-shifting.\u003c/p>\n\u003cp>Hersey very much practices what she preaches, so her media appearances and interviews are intentionally few and far between — which means this is a prime opportunity for fans of her work and curious folk to take advantage of her visit to the Bay Area. That she’ll be in conversation with Bay Area curator Ashara Ekundayo, who leads the organization \u003ca href=\"https://www.artistasfirstresponder.com/\">Artist as First Responder\u003c/a>, makes the opportunity even sweeter. — \u003ci>Ariana Proehl\u003c/i>\u003c/p>\n\u003cfigure id=\"attachment_13928496\" class=\"wp-caption aligncenter\" style=\"max-width: 1620px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13928496\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Free-Books-BABF-Mike-Hitchner-8688x5792-2.jpg\" alt=\"\" width=\"1620\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Free-Books-BABF-Mike-Hitchner-8688x5792-2.jpg 1620w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Free-Books-BABF-Mike-Hitchner-8688x5792-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Free-Books-BABF-Mike-Hitchner-8688x5792-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Free-Books-BABF-Mike-Hitchner-8688x5792-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Free-Books-BABF-Mike-Hitchner-8688x5792-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Free-Books-BABF-Mike-Hitchner-8688x5792-2-1536x1024.jpg 1536w\" sizes=\"(max-width: 1620px) 100vw, 1620px\">\u003cfigcaption class=\"wp-caption-text\">Readers browse the free books at a past Bay Area Books Festival. \u003ccite>(Mike Hitchner)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Briefly Noted\u003c/h2>\n\u003cp>\u003ca href=\"https://www.baybookfest.org/session/hidden-histories/\">\u003cb>Hidden Histories\u003c/b>\u003c/a>\u003cbr>\n\u003ci>Saturday, May 6, 4–5 p.m. at the Brower Center’s Tamalpais Room (2150 Allston Way)\u003c/i>\u003cbr>\nKQED’s Ariana Proehl moderates a conversation on Saturday, May 6 with journalist Jori Lewis (\u003ci>\u003ca href=\"https://thenewpress.com/books/slaves-for-peanuts\">Slaves for Peanuts\u003c/a>\u003c/i>) and Swiss author Dorothee Elmiger (\u003ci>\u003ca href=\"https://www.catranslation.org/shop/book/out-of-the-sugar-factory/\">Out of the Sugar Factory\u003c/a>\u003c/i>) about the hidden histories of the peanut and sugar industries.\u003c/p>\n\u003cp>\u003cb>Emil DeAndreis tabling for \u003ci>\u003ca href=\"https://www.flexiblepub.com/tell-us-when-to-go\">Tell Us When To Go\u003c/a>\u003c/i>\u003c/b>\u003cbr>\n\u003ci>Sunday, May 7, 11 a.m.–5 p.m. at Booth #112 on Allston Way\u003c/i>\u003cbr>\nIn a world of technology, big business and gentrification, friendship is more valuable and unfortunately more volatile than ever. Through a unique lens, Emil DeAndreis brings readers into a coming-of-age tale based on the real-life changes happening to the place he calls home. Through the divergent stories of two friends, the reader gets a sense of the dichotomies that exist in the Bay Area, as well as the influence of tech companies and local hip-hop culture.\u003c/p>\n\u003cp>\u003ca href=\"https://www.baybookfest.org/session/parable-of-the-sower-turns-30/\">\u003cb>‘Parable of the Sower’ Turns 30\u003c/b>\u003c/a>\u003cbr>\n\u003ci>Sunday, May 7, 2:30–3:30 p.m. at the Brower Center’s Tamalpais Room (2150 Allston Way)\u003c/i>\u003cbr>\nPoets Camille Dungy and Ashia Ajani and novelist Aya de Leon discuss Octavia Butler’s increasingly prescient sci-fi \u003ci>Parable of the Sower\u003c/i>. Moderated by Pinole mayor and climate organizer Devin T. Murphy, the panel promises to address current efforts at movement building to address the climate crisis.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.baybookfest.org/session/poetry-at-the-end-of-the-world/\">\u003cb>Poetry at the End of the World\u003c/b>\u003c/a>\u003cbr>\n\u003ci>Sunday, May 7, 3:30–4:30 p.m. at Freight & Salvage (2020 Addison St.)\u003c/i>\u003cbr>\nA panel of poets, including Saeed Jones (\u003ci>\u003ca href=\"https://coffeehousepress.org/products/alive-at-the-end-of-the-world\">Alive at the End of the World\u003c/a>\u003c/i>) and the El Cerrito-based Tess Taylor (\u003ci>\u003ca href=\"https://www.tess-taylor.com/the-forage-house\">The Forage House\u003c/a>\u003c/i>), contemplate the apocalyptic and the hopeful.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Reclaiming Cinco de Mayo with a Poblano-Style Dinner in Oakland",
"headTitle": "Reclaiming Cinco de Mayo with a Poblano-Style Dinner in Oakland | KQED",
"content": "\u003cp>\u003cspan style=\"font-weight: 400\">When it comes to being Mexican American, or Chicanx, in California, there is a double consciousness that is fractured by our proximity to the U.S.-Mexico border. It’s a beautiful contradiction: to exist physically in one location, but to dream spiritually and psychologically of another home. Within our community, it’s often the role of artists and food makers to merge those worlds, inviting others to grapple with — and enjoy — the flavors and edges of the borderland we occupy.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Such is the mission for Marisa Sanchez-Dunning, a 29-year-old Chicana from Berkeley who is launching \u003c/span>\u003ca href=\"https://www.ifonly-creative.com/shop/el-otro-lado\">\u003cspan style=\"font-weight: 400\">El Otro Lado\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, or “the other side” — a Cinco de Mayo dinner that will honor the food and history of the central Mexican city of Puebla. Puebla is where the battle of Cinco de Mayo took place against the French in 1862 and where the holiday is mostly celebrated in Mexico. (Most regions in Mexico don’t celebrate Cinco de Mayo since it represents a battle that holds minor significance in the country’s larger history.)\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13928472\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928472\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/space1-800x480.jpg\" alt=\"an outdoor patio in Oakland with Mexican cacti and warm colors\" width=\"800\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/space1-800x480.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/space1-1020x613.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/space1-160x96.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/space1-768x461.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/space1-1536x922.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/space1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">If Only Creative aspires to build spaces like “El Otro Lado” for minority-owned businesses. \u003ccite>(Courtesy of Marisa Sanchez-Dunning)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">In Puebla, it’s still a day of commemoration and celebration. Unlike the Americanized version of the event — which overuses stereotypical symbols of Mexicanidad like Corona beers, Tostitos salsa dip and sombreros — Sanchez-Dunning plans to highlight the day and her heritage with more dimension and accuracy. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">To help make that happen, an array of diverse food makers from both countries will fly into Oakland for the event, each representing various facets of Mexican foods and cultures, from chocolates and pasteles to mezcal and moles.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“How can we do something bigger and better? What’s a milestone in the year I can take and reimagine? Within our community it was Cinco de Mayo,” says Sanchez-Dunning, who will host the event in partnership with her creative studio, \u003c/span>\u003ca href=\"https://www.instagram.com/ifonlycreative/\">\u003cspan style=\"font-weight: 400\">If Only Creative\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. “I wanted to figure out what that would look like and make sense for a holiday that feels so Americanized. It just feels blindly celebrated without knowing where it stems from. How can we make this holiday better?”\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13928469\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928469\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/delacreamery-800x550.jpg\" alt=\"a platter of colorful, Mexican-style ice creams \" width=\"800\" height=\"550\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/delacreamery-800x550.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/delacreamery-1020x702.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/delacreamery-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/delacreamery-768x528.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/delacreamery-1536x1057.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/delacreamery.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">De La Creamery will be supplying their small-batch Mexican helados. \u003ccite>(Andrea Arevalo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Despite the biases of our Californian palates, there won’t be any tacos or burritos — since those dishes aren’t typically associated with Puebla. That would be like serving New York-style pizza in New Orleans for Mardi Gras.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[aside postID='arts_13919032,arts_13920076,arts_13918088']Instead, Portland’s \u003c/span>\u003ca href=\"https://www.instagram.com/lacasademamapdx/?hl=en\">\u003cspan style=\"font-weight: 400\">La Casa de Mamá\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — an all-vegan Mexican American bakery — will handle the main dishes. The menu will include vegan versions of classic Poblano favorites like chiles en nogada — a large Poblano pepper traditionally stuffed with ground meat and spices, then topped with sour cream and sprinkled with pomegranate seeds to form the tri-color of the Mexican flag. Pozole verde, tamalitos, cemitas, flautas and mole Poblano will round out the\u003ca href=\"https://www.instagram.com/p/CrLpqiuruZL/?hl=en\"> five-course meal\u003c/a>.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Other highlights will include drinking chocolates, agua fresca and Mexican coffee (from Austin’s \u003c/span>\u003ca href=\"https://www.instagram.com/hijita_co/\">\u003cspan style=\"font-weight: 400\">Hijita\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003ca href=\"https://www.instagram.com/drinkbawi/\">\u003cspan style=\"font-weight: 400\">Bawi Agua Fresca\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ca href=\"https://www.instagram.com/mercadosinnombre/?hl=en\">\u003cspan style=\"font-weight: 400\">Mercado Sin Nombre\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, respectively), specially-made \u003c/span>\u003ca href=\"https://www.instagram.com/paqueramezcal/\">\u003cspan style=\"font-weight: 400\">Paquera\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> mezcal imported directly from Mexico by the mezcalero himself and Mexican helados from the Bay Area’s own \u003c/span>\u003ca href=\"https://www.instagram.com/delacreamery/\">\u003cspan style=\"font-weight: 400\">De La Creamery\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. San Francisco’s \u003c/span>\u003ca href=\"https://www.kqed.org/arts/13919032/norte-54-modern-mexican-american-bakery-conchas-pan-dulce-san-francisco\">\u003cspan style=\"font-weight: 400\">Norte 54\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> will serve Mexican cakes, and take-home “goodie bags” will include original art from L.A.’s Latina-owned brand, \u003c/span>\u003ca href=\"https://www.instagram.com/raggedytiff/?hl=en\">\u003cspan style=\"font-weight: 400\">Raggedy Tiff\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13928473\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928473\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/norte54-800x533.jpg\" alt=\"a plate of Mexican pastries are served on a wooden table top\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/norte54-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/norte54-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/norte54-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/norte54-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/norte54-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/norte54.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Norte 54’s pasteles will cap off the five-course dinner. \u003ccite>(Alan Chazaro)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sanchez-Dunning hopes to turn El Otro Lado into a recurring series with rotating guests.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“[If Only Creative] was born out of creative frustration, frustration in general. I felt like I was working for people who were not aligned with me — really wealthy white men. It wasn’t the vibe,” Sanchez-Dunning says about starting her creative agency in 2021 and taking the leap to host events like El Otro Lado. “This was [created from] my day-to-day rebellious daydreams.” \u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12127869 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">El Otro Lado is happening on Fri., May 5 from 6 to 9:30 p.m at 4200 Piedmont Ave., Oakland. The full dinner menu with non-alcoholic beverages costs \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">$111.11 per guest\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">. Unlimited mezcal cocktails are also available for an optional $30. Tickets are available \u003ca href=\"https://linktr.ee/ifonlycreative\">online\u003c/a>.\u003c/span>\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">When it comes to being Mexican American, or Chicanx, in California, there is a double consciousness that is fractured by our proximity to the U.S.-Mexico border. It’s a beautiful contradiction: to exist physically in one location, but to dream spiritually and psychologically of another home. Within our community, it’s often the role of artists and food makers to merge those worlds, inviting others to grapple with — and enjoy — the flavors and edges of the borderland we occupy.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Such is the mission for Marisa Sanchez-Dunning, a 29-year-old Chicana from Berkeley who is launching \u003c/span>\u003ca href=\"https://www.ifonly-creative.com/shop/el-otro-lado\">\u003cspan style=\"font-weight: 400\">El Otro Lado\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, or “the other side” — a Cinco de Mayo dinner that will honor the food and history of the central Mexican city of Puebla. Puebla is where the battle of Cinco de Mayo took place against the French in 1862 and where the holiday is mostly celebrated in Mexico. (Most regions in Mexico don’t celebrate Cinco de Mayo since it represents a battle that holds minor significance in the country’s larger history.)\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13928472\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928472\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/space1-800x480.jpg\" alt=\"an outdoor patio in Oakland with Mexican cacti and warm colors\" width=\"800\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/space1-800x480.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/space1-1020x613.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/space1-160x96.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/space1-768x461.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/space1-1536x922.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/space1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">If Only Creative aspires to build spaces like “El Otro Lado” for minority-owned businesses. \u003ccite>(Courtesy of Marisa Sanchez-Dunning)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">In Puebla, it’s still a day of commemoration and celebration. Unlike the Americanized version of the event — which overuses stereotypical symbols of Mexicanidad like Corona beers, Tostitos salsa dip and sombreros — Sanchez-Dunning plans to highlight the day and her heritage with more dimension and accuracy. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">To help make that happen, an array of diverse food makers from both countries will fly into Oakland for the event, each representing various facets of Mexican foods and cultures, from chocolates and pasteles to mezcal and moles.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“How can we do something bigger and better? What’s a milestone in the year I can take and reimagine? Within our community it was Cinco de Mayo,” says Sanchez-Dunning, who will host the event in partnership with her creative studio, \u003c/span>\u003ca href=\"https://www.instagram.com/ifonlycreative/\">\u003cspan style=\"font-weight: 400\">If Only Creative\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. “I wanted to figure out what that would look like and make sense for a holiday that feels so Americanized. It just feels blindly celebrated without knowing where it stems from. How can we make this holiday better?”\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13928469\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928469\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/delacreamery-800x550.jpg\" alt=\"a platter of colorful, Mexican-style ice creams \" width=\"800\" height=\"550\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/delacreamery-800x550.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/delacreamery-1020x702.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/delacreamery-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/delacreamery-768x528.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/delacreamery-1536x1057.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/delacreamery.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">De La Creamery will be supplying their small-batch Mexican helados. \u003ccite>(Andrea Arevalo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Despite the biases of our Californian palates, there won’t be any tacos or burritos — since those dishes aren’t typically associated with Puebla. That would be like serving New York-style pizza in New Orleans for Mardi Gras.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Instead, Portland’s \u003c/span>\u003ca href=\"https://www.instagram.com/lacasademamapdx/?hl=en\">\u003cspan style=\"font-weight: 400\">La Casa de Mamá\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — an all-vegan Mexican American bakery — will handle the main dishes. The menu will include vegan versions of classic Poblano favorites like chiles en nogada — a large Poblano pepper traditionally stuffed with ground meat and spices, then topped with sour cream and sprinkled with pomegranate seeds to form the tri-color of the Mexican flag. Pozole verde, tamalitos, cemitas, flautas and mole Poblano will round out the\u003ca href=\"https://www.instagram.com/p/CrLpqiuruZL/?hl=en\"> five-course meal\u003c/a>.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Other highlights will include drinking chocolates, agua fresca and Mexican coffee (from Austin’s \u003c/span>\u003ca href=\"https://www.instagram.com/hijita_co/\">\u003cspan style=\"font-weight: 400\">Hijita\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003ca href=\"https://www.instagram.com/drinkbawi/\">\u003cspan style=\"font-weight: 400\">Bawi Agua Fresca\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and \u003c/span>\u003ca href=\"https://www.instagram.com/mercadosinnombre/?hl=en\">\u003cspan style=\"font-weight: 400\">Mercado Sin Nombre\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, respectively), specially-made \u003c/span>\u003ca href=\"https://www.instagram.com/paqueramezcal/\">\u003cspan style=\"font-weight: 400\">Paquera\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> mezcal imported directly from Mexico by the mezcalero himself and Mexican helados from the Bay Area’s own \u003c/span>\u003ca href=\"https://www.instagram.com/delacreamery/\">\u003cspan style=\"font-weight: 400\">De La Creamery\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. San Francisco’s \u003c/span>\u003ca href=\"https://www.kqed.org/arts/13919032/norte-54-modern-mexican-american-bakery-conchas-pan-dulce-san-francisco\">\u003cspan style=\"font-weight: 400\">Norte 54\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> will serve Mexican cakes, and take-home “goodie bags” will include original art from L.A.’s Latina-owned brand, \u003c/span>\u003ca href=\"https://www.instagram.com/raggedytiff/?hl=en\">\u003cspan style=\"font-weight: 400\">Raggedy Tiff\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13928473\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928473\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/norte54-800x533.jpg\" alt=\"a plate of Mexican pastries are served on a wooden table top\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/norte54-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/norte54-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/norte54-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/norte54-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/norte54-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/norte54.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Norte 54’s pasteles will cap off the five-course dinner. \u003ccite>(Alan Chazaro)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sanchez-Dunning hopes to turn El Otro Lado into a recurring series with rotating guests.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“[If Only Creative] was born out of creative frustration, frustration in general. I felt like I was working for people who were not aligned with me — really wealthy white men. It wasn’t the vibe,” Sanchez-Dunning says about starting her creative agency in 2021 and taking the leap to host events like El Otro Lado. “This was [created from] my day-to-day rebellious daydreams.” \u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12127869 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">El Otro Lado is happening on Fri., May 5 from 6 to 9:30 p.m at 4200 Piedmont Ave., Oakland. The full dinner menu with non-alcoholic beverages costs \u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">$111.11 per guest\u003c/span>\u003c/i>\u003ci>\u003cspan style=\"font-weight: 400\">. Unlimited mezcal cocktails are also available for an optional $30. Tickets are available \u003ca href=\"https://linktr.ee/ifonlycreative\">online\u003c/a>.\u003c/span>\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Dear Future Self: Letters From Fremont High Students",
"headTitle": "Dear Future Self: Letters From Fremont High Students | KQED",
"content": "\u003cp>Imagine opening a letter from yourself as a high school student, addressed to the current version of you.\u003c/p>\n\u003cp>10, 15, or even 30 years ago, what did you care about? What were you curious about? Did you have fears about the world? Goals of being a lawyer or a ball player? Boy bands you wanted to see in concert? Friendships that you hoped would last forever?\u003c/p>\n\u003cp>Do you even remember the high school version of you?\u003c/p>\n\u003cp>On this week’s episode of Rightnowish, we combine forces with students from Oakland’s Fremont High School, as they share letters to their future selves for KQED’s annual Youth Takeover Week.\u003c/p>\n\u003cp>This episode is a slight deviation from our \u003ca href=\"https://www.kqed.org/arts/13927453/rightnowish-presents-pens-pals\" target=\"_blank\" rel=\"noopener\">Pen’s Pals\u003c/a> series, as everyone featured in the piece is local. But the themes of writing letters, shifting perspectives, traveling and pursuing goals remain.\u003c/p>\n\u003cp>We hope this serves as a time capsule to the students who shared their words with us. For the listeners, we hope this takes you back to when you were in high school– what would you have written in your letter to your future self?\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC1539394342&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003ca href=\"https://bit.ly/3HIqIsT\">Read the transcript\u003c/a>\u003c/p>\n\u003cp>Below are lightly edited excerpts from this episode\u003c/p>\n\u003cp>\u003cstrong>Citlali Udovic Sanchez:\u003c/strong> Dear Future Citlali,\u003c/p>\n\u003cp>Remember me? I’m our past self. I’m writing to you now to give you a piece of advice. Take advantage of everything we’ve worked so hard for. I am so hopeful that you are using everything we have learned in all of our experiences as reasons to keep going and not reasons to quit. I am so grateful for you.\u003c/p>\n\u003cp>\u003cb>Brenda Chales Pablo: \u003c/b>\u003cspan style=\"font-weight: 400\">Dear Future Brenda,\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Never forget the joy of dancing. Remember the joy you felt being on stage performing for a big audience? Remember how you would forget about absolutely everything once you stepped onto the stage at Fremont High School? Choosing dance as an elective will always be one of the best choices you’ve made in life, because dancing has become such a big part of it.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Joshua Watan:\u003c/b>\u003cspan style=\"font-weight: 400\"> Dear Future Joshua,\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I hope you never forget the thrill of playing football and working out every day and how it made you into a stronger and more disciplined person. If you ever do forget, remember to kick it with your former teammates and friends and just reminisce about the high school experience. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Tauryana Hickman: \u003c/b>\u003cspan style=\"font-weight: 400\">Dear Future Tauryana,\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I hope when I get older, I will still enjoy playing video games and sports. \u003c/span>\u003cspan style=\"font-weight: 400\">I love basketball. It’s my joy and, and it’s my comfort zone. I was told I would make a great lawyer and that motivated me. I’m very good at debating and that’s something I could see myself doing.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Diana Tieng: \u003c/b>\u003cspan style=\"font-weight: 400\">Dear Future Diana,\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I hope you never forget the joy you had in high school and how it made you feel. If you ever forget. Remember to look back at your camera roll to feel that memory again. Stay in contact with your hometown friends and make sure they’re ok.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rebekah Chavez: \u003c/b>\u003cspan style=\"font-weight: 400\">Dear Rebecca, future me, \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I hope you’ve let go of everything that was holding you back, everything that made you feel like you wouldn’t be successful, everything that hurt you and made you feel like nothing. But no matter how much worry and hope I have, I know that you’ll do and be something great and you’ll be really proud of yourself someday, \u003c/span>\u003c/p>\n\u003cp>\u003cb>Victor Familathe: \u003c/b>\u003cspan style=\"font-weight: 400\">Dear Future Victor Familathe,\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I hope that you are in a better position now. I hope that there are more opportunities and triumphs in your future than there were in your past. \u003c/span>\u003cspan style=\"font-weight: 400\">To accept both parts of yourself is to truly live and it is the only way to live. \u003c/span>\u003cspan style=\"font-weight: 400\">I must learn to live with the bad, to appreciate the good. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]=\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Imagine opening a letter from yourself as a high school student, addressed to the current version of you.\u003c/p>\n\u003cp>10, 15, or even 30 years ago, what did you care about? What were you curious about? Did you have fears about the world? Goals of being a lawyer or a ball player? Boy bands you wanted to see in concert? Friendships that you hoped would last forever?\u003c/p>\n\u003cp>Do you even remember the high school version of you?\u003c/p>\n\u003cp>On this week’s episode of Rightnowish, we combine forces with students from Oakland’s Fremont High School, as they share letters to their future selves for KQED’s annual Youth Takeover Week.\u003c/p>\n\u003cp>This episode is a slight deviation from our \u003ca href=\"https://www.kqed.org/arts/13927453/rightnowish-presents-pens-pals\" target=\"_blank\" rel=\"noopener\">Pen’s Pals\u003c/a> series, as everyone featured in the piece is local. But the themes of writing letters, shifting perspectives, traveling and pursuing goals remain.\u003c/p>\n\u003cp>We hope this serves as a time capsule to the students who shared their words with us. For the listeners, we hope this takes you back to when you were in high school– what would you have written in your letter to your future self?\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC1539394342&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003ca href=\"https://bit.ly/3HIqIsT\">Read the transcript\u003c/a>\u003c/p>\n\u003cp>Below are lightly edited excerpts from this episode\u003c/p>\n\u003cp>\u003cstrong>Citlali Udovic Sanchez:\u003c/strong> Dear Future Citlali,\u003c/p>\n\u003cp>Remember me? I’m our past self. I’m writing to you now to give you a piece of advice. Take advantage of everything we’ve worked so hard for. I am so hopeful that you are using everything we have learned in all of our experiences as reasons to keep going and not reasons to quit. I am so grateful for you.\u003c/p>\n\u003cp>\u003cb>Brenda Chales Pablo: \u003c/b>\u003cspan style=\"font-weight: 400\">Dear Future Brenda,\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Never forget the joy of dancing. Remember the joy you felt being on stage performing for a big audience? Remember how you would forget about absolutely everything once you stepped onto the stage at Fremont High School? Choosing dance as an elective will always be one of the best choices you’ve made in life, because dancing has become such a big part of it.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Joshua Watan:\u003c/b>\u003cspan style=\"font-weight: 400\"> Dear Future Joshua,\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I hope you never forget the thrill of playing football and working out every day and how it made you into a stronger and more disciplined person. If you ever do forget, remember to kick it with your former teammates and friends and just reminisce about the high school experience. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Tauryana Hickman: \u003c/b>\u003cspan style=\"font-weight: 400\">Dear Future Tauryana,\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I hope when I get older, I will still enjoy playing video games and sports. \u003c/span>\u003cspan style=\"font-weight: 400\">I love basketball. It’s my joy and, and it’s my comfort zone. I was told I would make a great lawyer and that motivated me. I’m very good at debating and that’s something I could see myself doing.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Diana Tieng: \u003c/b>\u003cspan style=\"font-weight: 400\">Dear Future Diana,\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I hope you never forget the joy you had in high school and how it made you feel. If you ever forget. Remember to look back at your camera roll to feel that memory again. Stay in contact with your hometown friends and make sure they’re ok.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Rebekah Chavez: \u003c/b>\u003cspan style=\"font-weight: 400\">Dear Rebecca, future me, \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I hope you’ve let go of everything that was holding you back, everything that made you feel like you wouldn’t be successful, everything that hurt you and made you feel like nothing. But no matter how much worry and hope I have, I know that you’ll do and be something great and you’ll be really proud of yourself someday, \u003c/span>\u003c/p>\n\u003cp>\u003cb>Victor Familathe: \u003c/b>\u003cspan style=\"font-weight: 400\">Dear Future Victor Familathe,\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I hope that you are in a better position now. I hope that there are more opportunities and triumphs in your future than there were in your past. \u003c/span>\u003cspan style=\"font-weight: 400\">To accept both parts of yourself is to truly live and it is the only way to live. \u003c/span>\u003cspan style=\"font-weight: 400\">I must learn to live with the bad, to appreciate the good. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
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},
"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"planet-money": {
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"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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"rss": "http://feeds.revealradio.org/revealpodcast"
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
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},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
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},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
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