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"slug": "oakland-community-love",
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"content": "\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">E\u003c/span>arlier this week, \u003ca href=\"https://www.instagram.com/mx.san_chez/\" target=\"_blank\" rel=\"noopener noreferrer\">Maurice André San-Chez\u003c/a> and \u003ca href=\"https://www.instagram.com/craft_ed._x/\" target=\"_blank\" rel=\"noopener noreferrer\">Moses Omolade\u003c/a>, an educator and school administrator who in February held a hunger strike \u003ca href=\"https://www.kqed.org/news/11904278/teachers-and-families-rally-ahead-of-upcoming-vote-on-oakland-school-closures\" target=\"_blank\" rel=\"noopener noreferrer\">to protest Oakland Unified School District’s proposed school closures\u003c/a> in predominantly Black and brown neighborhoods, returned to the location of their protest.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">They cleaned the site at Westlake Middle School, held a restorative justice circle and planted two avocado trees. They chose the non-messy fruit that yields healthy fat after the duo asked themselves, “What’s a fruit that we both enjoy that can be really beneficial to the community?”\u003c/p>\n\u003cp>Omolade and San-Chez’s hunger strike lasted \u003ca style=\"color: #41a62a\" href=\"https://www.instagram.com/p/CaOMXP9Fcoe/\" target=\"_blank\" rel=\"noopener noreferrer\">20 days\u003c/a>, and left San-Chez hospitalized for a short period and Omolade requiring medical treatment.\u003c/p>\n\u003cp>“We initially went out on a hunger strike, and there was a deep, deep, \u003cem>deep\u003c/em> commitment to death,” Omolade tells me during a phone call. “That shit was, like, really wild, to look at one another in the face—and to look at ourselves individually—and be like: ‘I’m willing to die.'”\u003c/p>\n\u003cp>But that perspective shifted over time, and for that he’s grateful.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>He credits his changed perspective to community. The students and elders who visited them during the strike spoke words that resonated. “People were coming by,” Omolade says, “being like, ‘Hold up, what ya’ll are doing here is actually important for the longevity of this fight. So, if you can find it within yourselves, take a step back from a commitment to death—because these folks will allow you to die.'”\u003c/p>\n\u003cfigure id=\"attachment_13910134\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910134\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_3159-800x600.jpeg\" alt=\"André San-Chez, Moses Omolade and community members pose for a photo after planting avocado trees in front of West Lake Middle school in Oakland.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-1020x765.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-768x576.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-1536x1152.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-2048x1536.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-1920x1440.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">André San-Chez, Moses Omolade and community members pose for a photo after planting avocado trees in front of West Lake Middle school in Oakland. \u003ccite>(Via Moses Omolade.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Along with San-Chez, Omolade is now recharging and strategizing. The fight is much larger, he says, than the closure of a few schools. It’s about systems of racism, structural oppression, and the privatization of schools and public land.\u003c/p>\n\u003cp>They’re currently gathering signatures to recall the school board seats of District 1 and District 7, held respectively by Benjamin “Sam” Davis and Clifford Thompson. And on \u003ca href=\"https://www.instagram.com/p/CaTM30GJJqY/\" target=\"_blank\" rel=\"noopener noreferrer\">Saturday, March 5\u003c/a>, they’ll participate in a protest and march against the proposed East Oakland school closures—gathering at 1390 66th Ave. (the site of Coliseum Prep Academy) at 10am, marching at 11am, and arriving at International Community School with music and performances.\u003c/p>\n\u003cp>So much for rest.\u003c/p>\n\u003cp>As of now, the school board \u003ca href=\"https://oaklandside.org/2022/02/09/oakland-school-board-votes-to-close-seven-schools-over-the-next-two-years/\" target=\"_blank\" rel=\"noopener noreferrer\">plans to close fewer schools\u003c/a> than initially suggested, but still closing seven schools. Despite that, I’m intrigued by San-chez and Omolade’s efforts. In effect, they were laying down in front of the machine and willing to die for their cause.\u003c/p>\n\u003cp>It resonated with me. Finding the fuel to keep fighting is something I had been struggling with for a while.\u003c/p>\n\u003cfigure id=\"attachment_13910127\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910127\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_7498-800x600.jpg\" alt=\"Artist, educator and friend Venus Morris stands by Lake Merritt at sunset while wearing a jacket with the logo of the Black Panther Party, made by MADOW FUTUR. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Artist, educator and friend Venus Morris stands by Lake Merritt at sunset while wearing a jacket with the logo of the Black Panther Party, made by MADOW FUTUR. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">A\u003c/span>s February flew by, the Oakland school closures, war abroad, COVID’s sustained impact and a few interpersonal issues had been weighing on me.\u003c/p>\n\u003cp>Somehow, I still took a bunch of photos, from the first day of Black History Month to the \u003ca href=\"https://www.kqed.org/arts/13909853/black-joy-parade-2022-oakland-photos\" target=\"_blank\" rel=\"noopener noreferrer\">Black Joy Parade\u003c/a> on its final Sunday. Fly shots. Birthday smiles and nature blossoming. Memories etched in the digital archives.\u003c/p>\n\u003cp>But there’s one image from February that sticks with me. I have no photo of it, but it paints a picture of my recent mind state.\u003c/p>\n\u003cp>At about 2pm on Feb. 5, I sat at the light on West Grand Avenue and Northgate Avenue in Oakland. A middle-aged African American man sporting a bomber jacket with “Security” printed across the back and the word “fuck” written above it in Sharpie started to cross the street.\u003c/p>\n\u003cp>The man halted after a few steps into the crosswalk and turned to square up with a white Tesla that, in its attempt to make a right turn, came too close for comfort.\u003c/p>\n\u003cp>I watched as the driver, an older white woman, threw her arms up and urged the man to move across the street. The man stood his ground with words I couldn’t hear, but with a posture I definitely recognized: he was daring the driver to do something. The car swerved far enough around him so as to not hit him, but close enough for the man to pull off a textbook right-legged roundhouse kick to the driver-side door as the car sped past.\u003c/p>\n\u003cp>The mental snapshot has been inside my dome ever since.\u003c/p>\n\u003cp>\u003cem>He almost get run over by a machine 20 times his size, so he kicks it in protest. Only to see the machine turn and keep rollin’, while he’s left with an injured foot.\u003c/em>\u003c/p>\n\u003cp>Add race and class to that simple synopsis, and it’s a metaphorical breakdown of what I see damn near everyday.\u003c/p>\n\u003cfigure id=\"attachment_13910128\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910128\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_7455-800x373.jpg\" alt=\"A mural by the Bay Area Mural Program located on 22nd Street, between Broadway and Valley Street in Oakland. \" width=\"800\" height=\"373\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-800x373.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-1020x476.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-160x75.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-768x358.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-1536x716.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-2048x955.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-1920x895.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A mural by the Bay Area Mural Program located on 22nd Street, between Broadway and Valley Street, in Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The intersection where the punt, pass and kick-a-Tesla competition went down is just around the corner from one of the larger unsheltered encampments in Oakland. For a solid few blocks, tents are strewn down Dr. Martin Luther King Way; a lot of African American folks over there.\u003c/p>\n\u003cp>How many? Well, we don’t know. But we do know that in 2019 about three out four of the 4,000 unsheltered people in Oakland were Black, according to the \u003ca href=\"https://cao-94612.s3.amazonaws.com/documents/2019-Oakland-Point-In-Time-Count-2-page-infographic.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Point in Time Count data from that year\u003c/a>. The first survey of unhoused individuals \u003ca href=\"https://www.eastbaytimes.com/2022/02/23/how-bad-is-it-for-first-time-in-3-years-bay-area-counts-homeless-residents/\">since the pandemic started\u003c/a> just got underway last month, so we’ll see the current numbers soon enough.\u003c/p>\n\u003cp>Even without the data, the image is enough to make you want to punch one of the new luxury high-rises casting shadows over people living on the street.\u003c/p>\n\u003cp>Beyond the issue of finding basic housing for folks, there’s the problem of increased homicides in a number of major cities across the nation, including Oakland. Last week it was announced that \u003ca href=\"https://www.npr.org/2022/02/23/1082564685/guns-leading-cause-of-premature-deaths\" target=\"_blank\" rel=\"noopener noreferrer\">firearms\u003c/a> are now the leading cause of premature death in America, and that \u003ca href=\"https://www.npr.org/2022/02/23/1082564685/guns-leading-cause-of-premature-deaths\" target=\"_blank\" rel=\"noopener noreferrer\">younger Black males are the group most affected by homicide\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13910129\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910129\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_7510-800x600.jpg\" alt=\"A mural of the late Shock G (aka Humpty Hump) located at Frank Ogawa Plaza, painted by Kufue. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A mural of the late Shock G (a.k.a. Humpty Hump) located at Frank Ogawa Plaza, painted by Kufue. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Add to that a few interpersonal issues of loneliness and detachment that often come during the winter months, plus news of international war and the potential for a third year of a pandemic, and you can see why being an arts writer and covering the latest rapper with a hot mixtape isn’t always inspiring work.\u003c/p>\n\u003cp>I quit my job like three times since Jan. 1. I’m tired of kicking the machine to keep it from running us over. It always swerves and drives away. \u003cem>The work ain’t working.\u003c/em>\u003c/p>\n\u003cp>So I quit. Well, mentally. I’m not officially part of \u003ca href=\"https://www.npr.org/2021/06/24/1007914455/as-the-pandemic-recedes-millions-of-workers-are-saying-i-quit\" target=\"_blank\" rel=\"noopener noreferrer\">the great resignation\u003c/a>, but similar circumstances. Call it burnout, fatigue, soul-searching or whatever you want, but man, I struggled just sending emails. Gravity got really heavy.\u003c/p>\n\u003cfigure id=\"attachment_13910131\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910131\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F-800x537.jpg\" alt=\"Filmmaker, poet and friend Nijla Mu'min poses for a photo in front of a mural that reads Oakland Dreams, by Trust Your Struggle. \" width=\"800\" height=\"537\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F-800x537.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F-1020x685.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F-768x516.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F.jpg 1440w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Filmmaker, poet and friend Nijla Mu’min poses for a photo in front of a mural that reads Oakland Dreams, by Trust Your Struggle. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>rying to kickstart my ambition the day of the great electric car-kick-and-connection, I was on assignment: taking over KQED Arts’ Instagram stories to give a glimpse into “a day in the life” of what it’s like for me running around town. I figured some inspiration might find me.\u003c/p>\n\u003cp>I posted images of murals and matched them with music from local artists. A shared a quick meeting with a movie maker named \u003ca href=\"https://www.instagram.com/p/CZuxRowBvBh/\" target=\"_blank\" rel=\"noopener noreferrer\">Nijla Mu’min\u003c/a>, who shared her message about her forthcoming film named after Mosswood. A few shots taken by Lake Merritt at sunset.\u003c/p>\n\u003cp>And then it was time for the evening’s main event: a retirement celebration for the former head of East Oakland Youth Development Center, Ms. Regina Jackson. I stood in the back of the room, underdressed and hiding behind my camera, as the decadent Rotunda building in Oakland’s Frank Ogawa Plaza swelled with elected officials and community members praising Ms. Regina’s 27 years of fighting against the machine.\u003c/p>\n\u003cfigure id=\"attachment_13910137\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910137\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/JacksonRetirement_15266-800x532.jpeg\" alt=\"Ms. Regina Jackson receives a standing ovation during her retirement party. \" width=\"800\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/JacksonRetirement_15266-800x532.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/JacksonRetirement_15266-1020x678.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/JacksonRetirement_15266-160x106.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/JacksonRetirement_15266-768x511.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/JacksonRetirement_15266.jpeg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ms. Regina Jackson receives a standing ovation during her retirement party. \u003ccite>(Via EOYDC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I’ve seen Ms. Regina’s work in Deep East Oakland and in the Far East. In 2014, I served as chaperone on a trip where she took a group of young African American men to China. I didn’t get a chance to give her a hug and some appreciation at her retirement celebration, but if I had, I couldn’t have thanked her enough.\u003c/p>\n\u003cp>I posted a beautiful dance performance by educator and artist \u003ca href=\"https://www.instagram.com/queen_iminah/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Queen Imïnah\u003c/a>, and I headed home. There were a bunch of photos left untaken that day, more than just the assault of the battery-charged car.\u003c/p>\n\u003cp>While en route to Ms. Regina’s celebration, for example, I passed something else that lingered on my mind all month: Westlake Middle School, where Omolade and San-chez held their hunger strike. I saw their tents, and didn’t stop. But I followed their story all month.\u003c/p>\n\u003cp>When I finally I talked to Omolade earlier this week, the first thing I did was apologize for not covering their story earlier. At the end of our talk, I told him about the interaction at the intersection—the man kicking the Tesla. Omolade knew about tenacity. I asked him: how do you \u003cem>keep\u003c/em> fighting the system? I figured that someone who was willing to die for what they believe in might have some guidance for a struggling writer.\u003c/p>\n\u003cp>His answer?\u003c/p>\n\u003cfigure id=\"attachment_13910135\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910135\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/Screen-Shot-2022-03-04-at-10.01.31-AM-800x1004.png\" alt=\"Maurice André San-Chez and Moses Omolade receive medical attention from community members during their hunger strike. \" width=\"800\" height=\"1004\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/Screen-Shot-2022-03-04-at-10.01.31-AM-800x1004.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/Screen-Shot-2022-03-04-at-10.01.31-AM-160x201.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/Screen-Shot-2022-03-04-at-10.01.31-AM-768x964.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/Screen-Shot-2022-03-04-at-10.01.31-AM.png 986w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Maurice André San-Chez and Moses Omolade receive medical attention from community members during their hunger strike. \u003ccite>(Via Moses Omolade )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Love,” said Omolade. “Love was centered, big time. The community really centered love—and it is currently centered. It’s continuously the fire that we use.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>You know what might be wiser than trying to kick against a machine? Investing in organizing, strategizing and community—specifically community love. Note to self.\u003c/p>\n\n",
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"title": "Community Love: The Fuel For Fighting the Machine | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">E\u003c/span>arlier this week, \u003ca href=\"https://www.instagram.com/mx.san_chez/\" target=\"_blank\" rel=\"noopener noreferrer\">Maurice André San-Chez\u003c/a> and \u003ca href=\"https://www.instagram.com/craft_ed._x/\" target=\"_blank\" rel=\"noopener noreferrer\">Moses Omolade\u003c/a>, an educator and school administrator who in February held a hunger strike \u003ca href=\"https://www.kqed.org/news/11904278/teachers-and-families-rally-ahead-of-upcoming-vote-on-oakland-school-closures\" target=\"_blank\" rel=\"noopener noreferrer\">to protest Oakland Unified School District’s proposed school closures\u003c/a> in predominantly Black and brown neighborhoods, returned to the location of their protest.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">They cleaned the site at Westlake Middle School, held a restorative justice circle and planted two avocado trees. They chose the non-messy fruit that yields healthy fat after the duo asked themselves, “What’s a fruit that we both enjoy that can be really beneficial to the community?”\u003c/p>\n\u003cp>Omolade and San-Chez’s hunger strike lasted \u003ca style=\"color: #41a62a\" href=\"https://www.instagram.com/p/CaOMXP9Fcoe/\" target=\"_blank\" rel=\"noopener noreferrer\">20 days\u003c/a>, and left San-Chez hospitalized for a short period and Omolade requiring medical treatment.\u003c/p>\n\u003cp>“We initially went out on a hunger strike, and there was a deep, deep, \u003cem>deep\u003c/em> commitment to death,” Omolade tells me during a phone call. “That shit was, like, really wild, to look at one another in the face—and to look at ourselves individually—and be like: ‘I’m willing to die.'”\u003c/p>\n\u003cp>But that perspective shifted over time, and for that he’s grateful.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>He credits his changed perspective to community. The students and elders who visited them during the strike spoke words that resonated. “People were coming by,” Omolade says, “being like, ‘Hold up, what ya’ll are doing here is actually important for the longevity of this fight. So, if you can find it within yourselves, take a step back from a commitment to death—because these folks will allow you to die.'”\u003c/p>\n\u003cfigure id=\"attachment_13910134\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910134\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_3159-800x600.jpeg\" alt=\"André San-Chez, Moses Omolade and community members pose for a photo after planting avocado trees in front of West Lake Middle school in Oakland.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-1020x765.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-768x576.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-1536x1152.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-2048x1536.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_3159-1920x1440.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">André San-Chez, Moses Omolade and community members pose for a photo after planting avocado trees in front of West Lake Middle school in Oakland. \u003ccite>(Via Moses Omolade.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Along with San-Chez, Omolade is now recharging and strategizing. The fight is much larger, he says, than the closure of a few schools. It’s about systems of racism, structural oppression, and the privatization of schools and public land.\u003c/p>\n\u003cp>They’re currently gathering signatures to recall the school board seats of District 1 and District 7, held respectively by Benjamin “Sam” Davis and Clifford Thompson. And on \u003ca href=\"https://www.instagram.com/p/CaTM30GJJqY/\" target=\"_blank\" rel=\"noopener noreferrer\">Saturday, March 5\u003c/a>, they’ll participate in a protest and march against the proposed East Oakland school closures—gathering at 1390 66th Ave. (the site of Coliseum Prep Academy) at 10am, marching at 11am, and arriving at International Community School with music and performances.\u003c/p>\n\u003cp>So much for rest.\u003c/p>\n\u003cp>As of now, the school board \u003ca href=\"https://oaklandside.org/2022/02/09/oakland-school-board-votes-to-close-seven-schools-over-the-next-two-years/\" target=\"_blank\" rel=\"noopener noreferrer\">plans to close fewer schools\u003c/a> than initially suggested, but still closing seven schools. Despite that, I’m intrigued by San-chez and Omolade’s efforts. In effect, they were laying down in front of the machine and willing to die for their cause.\u003c/p>\n\u003cp>It resonated with me. Finding the fuel to keep fighting is something I had been struggling with for a while.\u003c/p>\n\u003cfigure id=\"attachment_13910127\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910127\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_7498-800x600.jpg\" alt=\"Artist, educator and friend Venus Morris stands by Lake Merritt at sunset while wearing a jacket with the logo of the Black Panther Party, made by MADOW FUTUR. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7498-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Artist, educator and friend Venus Morris stands by Lake Merritt at sunset while wearing a jacket with the logo of the Black Panther Party, made by MADOW FUTUR. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">A\u003c/span>s February flew by, the Oakland school closures, war abroad, COVID’s sustained impact and a few interpersonal issues had been weighing on me.\u003c/p>\n\u003cp>Somehow, I still took a bunch of photos, from the first day of Black History Month to the \u003ca href=\"https://www.kqed.org/arts/13909853/black-joy-parade-2022-oakland-photos\" target=\"_blank\" rel=\"noopener noreferrer\">Black Joy Parade\u003c/a> on its final Sunday. Fly shots. Birthday smiles and nature blossoming. Memories etched in the digital archives.\u003c/p>\n\u003cp>But there’s one image from February that sticks with me. I have no photo of it, but it paints a picture of my recent mind state.\u003c/p>\n\u003cp>At about 2pm on Feb. 5, I sat at the light on West Grand Avenue and Northgate Avenue in Oakland. A middle-aged African American man sporting a bomber jacket with “Security” printed across the back and the word “fuck” written above it in Sharpie started to cross the street.\u003c/p>\n\u003cp>The man halted after a few steps into the crosswalk and turned to square up with a white Tesla that, in its attempt to make a right turn, came too close for comfort.\u003c/p>\n\u003cp>I watched as the driver, an older white woman, threw her arms up and urged the man to move across the street. The man stood his ground with words I couldn’t hear, but with a posture I definitely recognized: he was daring the driver to do something. The car swerved far enough around him so as to not hit him, but close enough for the man to pull off a textbook right-legged roundhouse kick to the driver-side door as the car sped past.\u003c/p>\n\u003cp>The mental snapshot has been inside my dome ever since.\u003c/p>\n\u003cp>\u003cem>He almost get run over by a machine 20 times his size, so he kicks it in protest. Only to see the machine turn and keep rollin’, while he’s left with an injured foot.\u003c/em>\u003c/p>\n\u003cp>Add race and class to that simple synopsis, and it’s a metaphorical breakdown of what I see damn near everyday.\u003c/p>\n\u003cfigure id=\"attachment_13910128\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910128\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_7455-800x373.jpg\" alt=\"A mural by the Bay Area Mural Program located on 22nd Street, between Broadway and Valley Street in Oakland. \" width=\"800\" height=\"373\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-800x373.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-1020x476.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-160x75.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-768x358.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-1536x716.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-2048x955.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7455-1920x895.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A mural by the Bay Area Mural Program located on 22nd Street, between Broadway and Valley Street, in Oakland. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The intersection where the punt, pass and kick-a-Tesla competition went down is just around the corner from one of the larger unsheltered encampments in Oakland. For a solid few blocks, tents are strewn down Dr. Martin Luther King Way; a lot of African American folks over there.\u003c/p>\n\u003cp>How many? Well, we don’t know. But we do know that in 2019 about three out four of the 4,000 unsheltered people in Oakland were Black, according to the \u003ca href=\"https://cao-94612.s3.amazonaws.com/documents/2019-Oakland-Point-In-Time-Count-2-page-infographic.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Point in Time Count data from that year\u003c/a>. The first survey of unhoused individuals \u003ca href=\"https://www.eastbaytimes.com/2022/02/23/how-bad-is-it-for-first-time-in-3-years-bay-area-counts-homeless-residents/\">since the pandemic started\u003c/a> just got underway last month, so we’ll see the current numbers soon enough.\u003c/p>\n\u003cp>Even without the data, the image is enough to make you want to punch one of the new luxury high-rises casting shadows over people living on the street.\u003c/p>\n\u003cp>Beyond the issue of finding basic housing for folks, there’s the problem of increased homicides in a number of major cities across the nation, including Oakland. Last week it was announced that \u003ca href=\"https://www.npr.org/2022/02/23/1082564685/guns-leading-cause-of-premature-deaths\" target=\"_blank\" rel=\"noopener noreferrer\">firearms\u003c/a> are now the leading cause of premature death in America, and that \u003ca href=\"https://www.npr.org/2022/02/23/1082564685/guns-leading-cause-of-premature-deaths\" target=\"_blank\" rel=\"noopener noreferrer\">younger Black males are the group most affected by homicide\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13910129\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910129\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_7510-800x600.jpg\" alt=\"A mural of the late Shock G (aka Humpty Hump) located at Frank Ogawa Plaza, painted by Kufue. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_7510-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A mural of the late Shock G (a.k.a. Humpty Hump) located at Frank Ogawa Plaza, painted by Kufue. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Add to that a few interpersonal issues of loneliness and detachment that often come during the winter months, plus news of international war and the potential for a third year of a pandemic, and you can see why being an arts writer and covering the latest rapper with a hot mixtape isn’t always inspiring work.\u003c/p>\n\u003cp>I quit my job like three times since Jan. 1. I’m tired of kicking the machine to keep it from running us over. It always swerves and drives away. \u003cem>The work ain’t working.\u003c/em>\u003c/p>\n\u003cp>So I quit. Well, mentally. I’m not officially part of \u003ca href=\"https://www.npr.org/2021/06/24/1007914455/as-the-pandemic-recedes-millions-of-workers-are-saying-i-quit\" target=\"_blank\" rel=\"noopener noreferrer\">the great resignation\u003c/a>, but similar circumstances. Call it burnout, fatigue, soul-searching or whatever you want, but man, I struggled just sending emails. Gravity got really heavy.\u003c/p>\n\u003cfigure id=\"attachment_13910131\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910131\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F-800x537.jpg\" alt=\"Filmmaker, poet and friend Nijla Mu'min poses for a photo in front of a mural that reads Oakland Dreams, by Trust Your Struggle. \" width=\"800\" height=\"537\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F-800x537.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F-1020x685.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F-768x516.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/49A488F7-44C2-4DA1-A491-A9AD2EB4768F.jpg 1440w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Filmmaker, poet and friend Nijla Mu’min poses for a photo in front of a mural that reads Oakland Dreams, by Trust Your Struggle. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>rying to kickstart my ambition the day of the great electric car-kick-and-connection, I was on assignment: taking over KQED Arts’ Instagram stories to give a glimpse into “a day in the life” of what it’s like for me running around town. I figured some inspiration might find me.\u003c/p>\n\u003cp>I posted images of murals and matched them with music from local artists. A shared a quick meeting with a movie maker named \u003ca href=\"https://www.instagram.com/p/CZuxRowBvBh/\" target=\"_blank\" rel=\"noopener noreferrer\">Nijla Mu’min\u003c/a>, who shared her message about her forthcoming film named after Mosswood. A few shots taken by Lake Merritt at sunset.\u003c/p>\n\u003cp>And then it was time for the evening’s main event: a retirement celebration for the former head of East Oakland Youth Development Center, Ms. Regina Jackson. I stood in the back of the room, underdressed and hiding behind my camera, as the decadent Rotunda building in Oakland’s Frank Ogawa Plaza swelled with elected officials and community members praising Ms. Regina’s 27 years of fighting against the machine.\u003c/p>\n\u003cfigure id=\"attachment_13910137\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910137\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/JacksonRetirement_15266-800x532.jpeg\" alt=\"Ms. Regina Jackson receives a standing ovation during her retirement party. \" width=\"800\" height=\"532\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/JacksonRetirement_15266-800x532.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/JacksonRetirement_15266-1020x678.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/JacksonRetirement_15266-160x106.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/JacksonRetirement_15266-768x511.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/JacksonRetirement_15266.jpeg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ms. Regina Jackson receives a standing ovation during her retirement party. \u003ccite>(Via EOYDC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I’ve seen Ms. Regina’s work in Deep East Oakland and in the Far East. In 2014, I served as chaperone on a trip where she took a group of young African American men to China. I didn’t get a chance to give her a hug and some appreciation at her retirement celebration, but if I had, I couldn’t have thanked her enough.\u003c/p>\n\u003cp>I posted a beautiful dance performance by educator and artist \u003ca href=\"https://www.instagram.com/queen_iminah/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Queen Imïnah\u003c/a>, and I headed home. There were a bunch of photos left untaken that day, more than just the assault of the battery-charged car.\u003c/p>\n\u003cp>While en route to Ms. Regina’s celebration, for example, I passed something else that lingered on my mind all month: Westlake Middle School, where Omolade and San-chez held their hunger strike. I saw their tents, and didn’t stop. But I followed their story all month.\u003c/p>\n\u003cp>When I finally I talked to Omolade earlier this week, the first thing I did was apologize for not covering their story earlier. At the end of our talk, I told him about the interaction at the intersection—the man kicking the Tesla. Omolade knew about tenacity. I asked him: how do you \u003cem>keep\u003c/em> fighting the system? I figured that someone who was willing to die for what they believe in might have some guidance for a struggling writer.\u003c/p>\n\u003cp>His answer?\u003c/p>\n\u003cfigure id=\"attachment_13910135\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13910135\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/Screen-Shot-2022-03-04-at-10.01.31-AM-800x1004.png\" alt=\"Maurice André San-Chez and Moses Omolade receive medical attention from community members during their hunger strike. \" width=\"800\" height=\"1004\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/Screen-Shot-2022-03-04-at-10.01.31-AM-800x1004.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/Screen-Shot-2022-03-04-at-10.01.31-AM-160x201.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/Screen-Shot-2022-03-04-at-10.01.31-AM-768x964.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/Screen-Shot-2022-03-04-at-10.01.31-AM.png 986w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Maurice André San-Chez and Moses Omolade receive medical attention from community members during their hunger strike. \u003ccite>(Via Moses Omolade )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Love,” said Omolade. “Love was centered, big time. The community really centered love—and it is currently centered. It’s continuously the fire that we use.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>You know what might be wiser than trying to kick against a machine? Investing in organizing, strategizing and community—specifically community love. Note to self.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "For Many Former Soviet Immigrants, Russia’s War on Ukraine is Horrific",
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"content": "\u003cp>[dropcap]L[/dropcap]ike many immigrants from the former Soviet Union, I’ve been glued to my screen in horror since last week, unable to look away from the real-time updates of Russian forces attacking Ukraine. Videos of women, children and elderly people \u003ca href=\"https://www.theguardian.com/world/2022/feb/26/fear-darkness-and-newborn-babies-inside-ukraine-underground-shelters\" target=\"_blank\" rel=\"noopener noreferrer\">hiding in bomb shelters\u003c/a> and of \u003ca href=\"https://www.bbc.com/news/world-europe-60567162\" target=\"_blank\" rel=\"noopener noreferrer\">explosions\u003c/a> going off outside of people’s windows have sent our community into distress.\u003c/p>\n\u003cp>Russia’s aggression towards Ukraine feels particularly vile because it’s so contrary to the kinship many people from both nations feel. I was born in St. Petersburg, Russia, and as a child I immigrated with my family to the Bay Area in the late ’90s, joining a multi-ethnic wave of post-Soviet immigrants and refugees. In Russian-speaking pockets across the United States, Russians, Ukrainians, Armenians, Georgians, Belarusians, Kazakhs and many other ethnic groups broke bread, raised children and helped each other acclimate to our new country. I grew up with a Ukrainian stepfather from Odesa, and thanks to him, I have U.S. citizenship and an American-born younger sister who is half Russian and half Ukrainian.\u003c/p>\n\u003cp>That experience is not uncommon. When I went to the anti-war protests outside of San Francisco City Hall last Thursday and Sunday, I heard speeches in Ukrainian, Russian and English. Russian-speaking Ukrainians were prominent among the turnout, but I saw protest signs that indicated that Russian, Latvian, Azerbaijani and Taiwanese people were also there in solidarity. As Russia and NATO continued to face off in a geopolitical chess game of superpowers, everyday people showed up to hold each other in mutual grief and support as many awaited updates from family members hiding from bombs in Ukraine.\u003c/p>\n\u003cp>“We’re terrified,” said Bay Area author \u003ca href=\"https://www.masharumer.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Masha Rumer\u003c/a> when I met up with her at the protest on Feb. 24. Born in Russia to a Jewish family with roots in Ukraine, Rumer came to the U.S. as a refugee in the early ’90s. “I know some family members right now in Kyiv cannot leave because the air space is closed, and they cannot get enough fuel to get out of the country and they’re afraid for their safety and the safety of their child,” she said.\u003c/p>\n\u003cp>Rumer’s book \u003cem>Parenting With An Accent\u003c/em> builds bridges among immigrants of different cultures, and that’s what she hoped to see at the rally. “Many of us left the former Soviet Union because we don’t agree with the policies, and yet we’re still finding it reverberates all over the world all over again,” she said. “It’s a very complicated relationship. Many of us speak the Russian language, which was forced upon people from across the former Soviet Republics. But at the same time, it’s the language we grew up with, and now we’re finding ourselves in a difficult time where we’re ashamed of what the government is doing.”\u003c/p>\n\u003cfigure id=\"attachment_13909940\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13909940\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_4304-800x754.jpg\" alt=\"\" width=\"800\" height=\"754\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4304-800x754.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4304-1020x962.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4304-160x151.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4304-768x724.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4304-1536x1448.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4304.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A protester holds a sign that says “Putin occupant” in San Francisco on Feb. 24. \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Anastasiya Mutungi, manager of San Francisco Russian-language bookstore \u003ca href=\"https://www.kqed.org/arts/13872976/san-franciscos-49-year-old-russian-bookstore-opens-a-progressive-new-chapter\" target=\"_blank\" rel=\"noopener noreferrer\">Globus\u003c/a>, expressed similar feelings when I spoke with her on the phone late last week. She immigrated to the U.S. from Belarus in 2009 and said she feels “accountable and responsible” that the government of her home country is supporting the aggression. She changed Globus’ small, Richmond district window display to feature books by Ukrainian authors.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“We all feel emotional here because there’s very little we can do about anything,” she said. “Yesterday we had a couple people who immigrated from Ukraine recently and they cried over the conversation. We can offer comfort and emotional support.”\u003c/p>\n\u003cfigure id=\"attachment_13909948\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13909948\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_4344-800x885.jpg\" alt=\"\" width=\"800\" height=\"885\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4344-800x885.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4344-1020x1128.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4344-160x177.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4344-768x849.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4344-1389x1536.jpg 1389w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4344-1852x2048.jpg 1852w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4344.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The window display of the Russian-language shop Globus Books in San Francisco features Ukrainian authors. \u003ccite>(Anastasiya Mutungi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As much as the anti-war effort is bringing immigrants from the former Soviet Union together, it’s also prompting us to reflect on and respect our differences. Odesa-born Berkeleyside journalist Ally Markovich recently told \u003ca href=\"https://www.kqed.org/news/11906380/reacting-to-the-news-in-ukraine\" target=\"_blank\" rel=\"noopener noreferrer\">KQED’s \u003cem>The Bay\u003c/em>\u003c/a> that when she was growing up in Ohio, she’d tell people she was Russian to save herself the trouble of explaining her Russian-speaking Ukrainian identity. But current events have reminded her of the importance of taking pride in her culture. [aside postid='news_11906380']\u003c/p>\n\u003cp>“I think for me it’s particularly painful because I feel in touch with how much effort has gone into developing a national identity in Ukraine, how much work and love was put into defining what Ukrainian people [are], only to have that concept be threatened by Vladimir Putin and Russia,” she said, referring to recent efforts to promote the Ukrainian language, which the Russian Empire and, later, the Soviet Union \u003ca href=\"https://www.atlanticcouncil.org/blogs/ukrainealert/putin-is-the-only-winner-of-ukraines-language-wars/\" target=\"_blank\" rel=\"noopener noreferrer\">treated as secondary to Russian\u003c/a> throughout the 19th and 20th centuries.\u003c/p>\n\u003cp>“I think of being Ukrainian as being closely intertwined with an identity of resistance,” Markovich said. “For a long time, a Ukrainian identity has been a deliberate choice. It’s something that people have said to distinguish themselves from the ruling class.” [aside postid='arts_13909675']\u003c/p>\n\u003cp>Jess Makhlin, a.k.a. Mishka, a San Francisco-born DJ whose parents are immigrants from Russia and Ukraine, is thinking of these themes of identity as she programs her \u003ca href=\"https://www.nts.live/shows/mishka\" target=\"_blank\" rel=\"noopener noreferrer\">NTS Radio show\u003c/a> focused on Russian and Eastern European music. On Monday, she re-aired an episode with \u003ca href=\"https://www.nts.live/shows/mishka/episodes/mishka-27th-may-2019\" target=\"_blank\" rel=\"noopener noreferrer\">Ukrainian singer Ivan Dorn\u003c/a> and published a list of places to donate \u003ca href=\"https://docs.google.com/document/d/15eTsCgyH8T3OJSka3UFnw5-XgMu40E74d6Sqg4IxRHw/mobilebasic\" target=\"_blank\" rel=\"noopener noreferrer\">humanitarian aid\u003c/a>.\u003c/p>\n\u003cp>“I think in the time being I’m going to focus my programming on highlighting Ukrainian artists and seeing how things unfold,” she said, adding that she has several friends who escaped from Kyiv to Poland over the weekend.\u003c/p>\n\u003cp>“Most people I know in Russia in the artist community don’t want this war and want peace,” she said.\u003c/p>\n\u003cfigure id=\"attachment_13909941\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13909941\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_4305-1-800x780.jpg\" alt=\"\" width=\"800\" height=\"780\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4305-1-800x780.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4305-1-1020x994.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4305-1-160x156.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4305-1-768x748.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4305-1-1536x1497.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4305-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Protesters hold a sign that reads “Russians against war” in San Francisco on Feb. 24. \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[dropcap]O[/dropcap]ver \u003ca href=\"https://www.euronews.com/2022/03/01/more-than-6-000-arrests-in-russia-during-protests-over-ukraine-war-says-human-rights-group\" target=\"_blank\" rel=\"noopener noreferrer\">6,400 people in Russia\u003c/a>—where the \u003ca href=\"https://www.reuters.com/breakingviews/navalnys-supporters-call-civil-disobedience-against-ukraine-war-2022-02-28/\" target=\"_blank\" rel=\"noopener noreferrer\">main opposition leader is currently imprisoned\u003c/a>, and where people can’t legally protest without permission from authorities—have been arrested for taking to the streets to say “nyet voyne,” or “no to war” since Feb. 24. A friend in Moscow texted me that she ran away while police dragged protesters into an AvtoZak, or prison transport bus. “That’s how it usually is, and that’s the reason more people don’t come out in the streets,” she wrote in Russian.\u003c/p>\n\u003cp>Ordinary Russians are risking their freedom to oppose senseless bloodshed, and are now bearing the brunt of economic sanctions that have already done significant damage.\u003c/p>\n\u003cp>Putin justified the invasion by claiming that Russian speakers in Ukraine are oppressed, but Russian-speaking Ukrainians are \u003ca href=\"https://www.atlanticcouncil.org/blogs/ukrainealert/putin-is-the-only-winner-of-ukraines-language-wars/\" target=\"_blank\" rel=\"noopener noreferrer\">challenging that narrative\u003c/a>. “My family has never asked to be rescued by Russia,” wrote Russian American San Francisco journalist Sasha Vasilyuk, who has family in Eastern Ukraine, in an \u003ca href=\"https://www.nytimes.com/2022/02/26/opinion/ukraine-russia-invasion-family.html\" target=\"_blank\" rel=\"noopener noreferrer\">opinion piece for \u003ci>The New York Times\u003c/i>\u003c/a>. “For eight years this conflict has done nothing for my family except tear it apart. This is just the latest ugly chapter.”\u003c/p>\n\u003cp>[pullquote citation='Masha Rumer, author' size='large']‘Many of us left the former Soviet Union because we don’t agree with the policies, and yet we’re still finding it reverberates all over the world all over again.’[/pullquote]\u003c/p>\n\u003cp>Putin also justified the war as an effort to “denazify” Ukraine. While Ukraine’s \u003ca href=\"//www.aljazeera.com/news/2022/3/1/who-are-the-azov-regiment\" target=\"_blank\" rel=\"noopener noreferrer\">Azov Regiment\u003c/a>, a neo-Nazi militia that has been accepted into Ukraine’s armed forces, should be denounced like any other white supremacist movement, Putin’s reasoning for an invasion is laughable when \u003ca href=\"//hir.harvard.edu/white-nationalism-in-the-united-states-and-russia-transnational-ties-domestic-impact/\" target=\"_blank\" rel=\"noopener noreferrer\">his brand of far-right, Christian authoritarianism\u003c/a> has been heralded by David Duke and Richard Spencer as a beacon of white power. (Not to mention, Ukrainian president Volodymyr Zelenskyy is a Jewish descendent of Holocaust survivors.)\u003c/p>\n\u003cp>White people around the world, including former Soviet people, have a responsibility to counteract the horrors of racism and antisemitism. Ukraine certainly has problems with both. African students have reported \u003ca href=\"https://www.nytimes.com/2022/03/01/world/europe/ukraine-refugee-discrimination.html\" target=\"_blank\" rel=\"noopener noreferrer\">abuses by Ukrainian authorities\u003c/a> at border crossings. (Here’s a list of ways to \u003ca href=\"https://linktr.ee/ksvarnon\" target=\"_blank\" rel=\"noopener noreferrer\">help African and Asian people leaving Ukraine\u003c/a>.) But Russia is also a \u003ca href=\"https://www.bbc.com/news/world-europe-53055857\" target=\"_blank\" rel=\"noopener noreferrer\">deeply racist and antisemitic country\u003c/a> that needs to clean up its own house instead of invading someone else’s.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>This war isn’t about anyone’s liberation or any other noble cause. It’s about global superpowers vying for greater influence, and it’s everyday working people who will ultimately pay the price.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">L\u003c/span>\u003c/p>\u003cp>ike many immigrants from the former Soviet Union, I’ve been glued to my screen in horror since last week, unable to look away from the real-time updates of Russian forces attacking Ukraine. Videos of women, children and elderly people \u003ca href=\"https://www.theguardian.com/world/2022/feb/26/fear-darkness-and-newborn-babies-inside-ukraine-underground-shelters\" target=\"_blank\" rel=\"noopener noreferrer\">hiding in bomb shelters\u003c/a> and of \u003ca href=\"https://www.bbc.com/news/world-europe-60567162\" target=\"_blank\" rel=\"noopener noreferrer\">explosions\u003c/a> going off outside of people’s windows have sent our community into distress.\u003c/p>\n\u003cp>Russia’s aggression towards Ukraine feels particularly vile because it’s so contrary to the kinship many people from both nations feel. I was born in St. Petersburg, Russia, and as a child I immigrated with my family to the Bay Area in the late ’90s, joining a multi-ethnic wave of post-Soviet immigrants and refugees. In Russian-speaking pockets across the United States, Russians, Ukrainians, Armenians, Georgians, Belarusians, Kazakhs and many other ethnic groups broke bread, raised children and helped each other acclimate to our new country. I grew up with a Ukrainian stepfather from Odesa, and thanks to him, I have U.S. citizenship and an American-born younger sister who is half Russian and half Ukrainian.\u003c/p>\n\u003cp>That experience is not uncommon. When I went to the anti-war protests outside of San Francisco City Hall last Thursday and Sunday, I heard speeches in Ukrainian, Russian and English. Russian-speaking Ukrainians were prominent among the turnout, but I saw protest signs that indicated that Russian, Latvian, Azerbaijani and Taiwanese people were also there in solidarity. As Russia and NATO continued to face off in a geopolitical chess game of superpowers, everyday people showed up to hold each other in mutual grief and support as many awaited updates from family members hiding from bombs in Ukraine.\u003c/p>\n\u003cp>“We’re terrified,” said Bay Area author \u003ca href=\"https://www.masharumer.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Masha Rumer\u003c/a> when I met up with her at the protest on Feb. 24. Born in Russia to a Jewish family with roots in Ukraine, Rumer came to the U.S. as a refugee in the early ’90s. “I know some family members right now in Kyiv cannot leave because the air space is closed, and they cannot get enough fuel to get out of the country and they’re afraid for their safety and the safety of their child,” she said.\u003c/p>\n\u003cp>Rumer’s book \u003cem>Parenting With An Accent\u003c/em> builds bridges among immigrants of different cultures, and that’s what she hoped to see at the rally. “Many of us left the former Soviet Union because we don’t agree with the policies, and yet we’re still finding it reverberates all over the world all over again,” she said. “It’s a very complicated relationship. Many of us speak the Russian language, which was forced upon people from across the former Soviet Republics. But at the same time, it’s the language we grew up with, and now we’re finding ourselves in a difficult time where we’re ashamed of what the government is doing.”\u003c/p>\n\u003cfigure id=\"attachment_13909940\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13909940\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_4304-800x754.jpg\" alt=\"\" width=\"800\" height=\"754\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4304-800x754.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4304-1020x962.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4304-160x151.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4304-768x724.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4304-1536x1448.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4304.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A protester holds a sign that says “Putin occupant” in San Francisco on Feb. 24. \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Anastasiya Mutungi, manager of San Francisco Russian-language bookstore \u003ca href=\"https://www.kqed.org/arts/13872976/san-franciscos-49-year-old-russian-bookstore-opens-a-progressive-new-chapter\" target=\"_blank\" rel=\"noopener noreferrer\">Globus\u003c/a>, expressed similar feelings when I spoke with her on the phone late last week. She immigrated to the U.S. from Belarus in 2009 and said she feels “accountable and responsible” that the government of her home country is supporting the aggression. She changed Globus’ small, Richmond district window display to feature books by Ukrainian authors.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We all feel emotional here because there’s very little we can do about anything,” she said. “Yesterday we had a couple people who immigrated from Ukraine recently and they cried over the conversation. We can offer comfort and emotional support.”\u003c/p>\n\u003cfigure id=\"attachment_13909948\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13909948\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_4344-800x885.jpg\" alt=\"\" width=\"800\" height=\"885\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4344-800x885.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4344-1020x1128.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4344-160x177.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4344-768x849.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4344-1389x1536.jpg 1389w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4344-1852x2048.jpg 1852w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4344.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The window display of the Russian-language shop Globus Books in San Francisco features Ukrainian authors. \u003ccite>(Anastasiya Mutungi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As much as the anti-war effort is bringing immigrants from the former Soviet Union together, it’s also prompting us to reflect on and respect our differences. Odesa-born Berkeleyside journalist Ally Markovich recently told \u003ca href=\"https://www.kqed.org/news/11906380/reacting-to-the-news-in-ukraine\" target=\"_blank\" rel=\"noopener noreferrer\">KQED’s \u003cem>The Bay\u003c/em>\u003c/a> that when she was growing up in Ohio, she’d tell people she was Russian to save herself the trouble of explaining her Russian-speaking Ukrainian identity. But current events have reminded her of the importance of taking pride in her culture. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I think for me it’s particularly painful because I feel in touch with how much effort has gone into developing a national identity in Ukraine, how much work and love was put into defining what Ukrainian people [are], only to have that concept be threatened by Vladimir Putin and Russia,” she said, referring to recent efforts to promote the Ukrainian language, which the Russian Empire and, later, the Soviet Union \u003ca href=\"https://www.atlanticcouncil.org/blogs/ukrainealert/putin-is-the-only-winner-of-ukraines-language-wars/\" target=\"_blank\" rel=\"noopener noreferrer\">treated as secondary to Russian\u003c/a> throughout the 19th and 20th centuries.\u003c/p>\n\u003cp>“I think of being Ukrainian as being closely intertwined with an identity of resistance,” Markovich said. “For a long time, a Ukrainian identity has been a deliberate choice. It’s something that people have said to distinguish themselves from the ruling class.” \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Jess Makhlin, a.k.a. Mishka, a San Francisco-born DJ whose parents are immigrants from Russia and Ukraine, is thinking of these themes of identity as she programs her \u003ca href=\"https://www.nts.live/shows/mishka\" target=\"_blank\" rel=\"noopener noreferrer\">NTS Radio show\u003c/a> focused on Russian and Eastern European music. On Monday, she re-aired an episode with \u003ca href=\"https://www.nts.live/shows/mishka/episodes/mishka-27th-may-2019\" target=\"_blank\" rel=\"noopener noreferrer\">Ukrainian singer Ivan Dorn\u003c/a> and published a list of places to donate \u003ca href=\"https://docs.google.com/document/d/15eTsCgyH8T3OJSka3UFnw5-XgMu40E74d6Sqg4IxRHw/mobilebasic\" target=\"_blank\" rel=\"noopener noreferrer\">humanitarian aid\u003c/a>.\u003c/p>\n\u003cp>“I think in the time being I’m going to focus my programming on highlighting Ukrainian artists and seeing how things unfold,” she said, adding that she has several friends who escaped from Kyiv to Poland over the weekend.\u003c/p>\n\u003cp>“Most people I know in Russia in the artist community don’t want this war and want peace,” she said.\u003c/p>\n\u003cfigure id=\"attachment_13909941\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13909941\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/03/IMG_4305-1-800x780.jpg\" alt=\"\" width=\"800\" height=\"780\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4305-1-800x780.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4305-1-1020x994.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4305-1-160x156.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4305-1-768x748.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4305-1-1536x1497.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/03/IMG_4305-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Protesters hold a sign that reads “Russians against war” in San Francisco on Feb. 24. \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">O\u003c/span>\u003c/p>\u003cp>ver \u003ca href=\"https://www.euronews.com/2022/03/01/more-than-6-000-arrests-in-russia-during-protests-over-ukraine-war-says-human-rights-group\" target=\"_blank\" rel=\"noopener noreferrer\">6,400 people in Russia\u003c/a>—where the \u003ca href=\"https://www.reuters.com/breakingviews/navalnys-supporters-call-civil-disobedience-against-ukraine-war-2022-02-28/\" target=\"_blank\" rel=\"noopener noreferrer\">main opposition leader is currently imprisoned\u003c/a>, and where people can’t legally protest without permission from authorities—have been arrested for taking to the streets to say “nyet voyne,” or “no to war” since Feb. 24. A friend in Moscow texted me that she ran away while police dragged protesters into an AvtoZak, or prison transport bus. “That’s how it usually is, and that’s the reason more people don’t come out in the streets,” she wrote in Russian.\u003c/p>\n\u003cp>Ordinary Russians are risking their freedom to oppose senseless bloodshed, and are now bearing the brunt of economic sanctions that have already done significant damage.\u003c/p>\n\u003cp>Putin justified the invasion by claiming that Russian speakers in Ukraine are oppressed, but Russian-speaking Ukrainians are \u003ca href=\"https://www.atlanticcouncil.org/blogs/ukrainealert/putin-is-the-only-winner-of-ukraines-language-wars/\" target=\"_blank\" rel=\"noopener noreferrer\">challenging that narrative\u003c/a>. “My family has never asked to be rescued by Russia,” wrote Russian American San Francisco journalist Sasha Vasilyuk, who has family in Eastern Ukraine, in an \u003ca href=\"https://www.nytimes.com/2022/02/26/opinion/ukraine-russia-invasion-family.html\" target=\"_blank\" rel=\"noopener noreferrer\">opinion piece for \u003ci>The New York Times\u003c/i>\u003c/a>. “For eight years this conflict has done nothing for my family except tear it apart. This is just the latest ugly chapter.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Putin also justified the war as an effort to “denazify” Ukraine. While Ukraine’s \u003ca href=\"//www.aljazeera.com/news/2022/3/1/who-are-the-azov-regiment\" target=\"_blank\" rel=\"noopener noreferrer\">Azov Regiment\u003c/a>, a neo-Nazi militia that has been accepted into Ukraine’s armed forces, should be denounced like any other white supremacist movement, Putin’s reasoning for an invasion is laughable when \u003ca href=\"//hir.harvard.edu/white-nationalism-in-the-united-states-and-russia-transnational-ties-domestic-impact/\" target=\"_blank\" rel=\"noopener noreferrer\">his brand of far-right, Christian authoritarianism\u003c/a> has been heralded by David Duke and Richard Spencer as a beacon of white power. (Not to mention, Ukrainian president Volodymyr Zelenskyy is a Jewish descendent of Holocaust survivors.)\u003c/p>\n\u003cp>White people around the world, including former Soviet people, have a responsibility to counteract the horrors of racism and antisemitism. Ukraine certainly has problems with both. African students have reported \u003ca href=\"https://www.nytimes.com/2022/03/01/world/europe/ukraine-refugee-discrimination.html\" target=\"_blank\" rel=\"noopener noreferrer\">abuses by Ukrainian authorities\u003c/a> at border crossings. (Here’s a list of ways to \u003ca href=\"https://linktr.ee/ksvarnon\" target=\"_blank\" rel=\"noopener noreferrer\">help African and Asian people leaving Ukraine\u003c/a>.) But Russia is also a \u003ca href=\"https://www.bbc.com/news/world-europe-53055857\" target=\"_blank\" rel=\"noopener noreferrer\">deeply racist and antisemitic country\u003c/a> that needs to clean up its own house instead of invading someone else’s.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This war isn’t about anyone’s liberation or any other noble cause. It’s about global superpowers vying for greater influence, and it’s everyday working people who will ultimately pay the price.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "On-Screen Peen: Equal-Opportunity Nudity or Dangling Distraction?",
"headTitle": "On-Screen Peen: Equal-Opportunity Nudity or Dangling Distraction? | KQED",
"content": "\u003cp>There is a point midway through Episode 2 of the new Hulu series \u003cem>Pam & Tommy\u003c/em> where Tommy Lee (played by Sebastian Stan) begins arguing with his own penis. The camera pans down to his crotch so the viewer can see close-up, an animatronic, flexing schlong with a talking tip. “We’ve gotta keep this pussy train rolling,” the peen (voiced by Jason Mantzoukas) demands. “Do you hear me?”\u003c/p>\n\u003cp>[aside postid='arts_13908915']This ridiculous display was the natural end point (pun intended) of months and months of TV shows trying to out-dick each other. As anyone with a regular streaming habit is no doubt aware, full-frontal male nudity is suddenly being embraced by the non-network channels like never before. HBO has, of course, been working to advance penile screen time since its earliest days. But in recent years, the channel has noticeably upgraded its wang locomotive from steam engine to bullet train. And it has inspired other channels to follow suit.\u003c/p>\n\u003cp>At the head of the HBO pack is \u003cem>Euphoria\u003c/em>. The show has garnered praise for finally bringing equal opportunity nudity to the TV screen. But, boy oh boy, does it have a tendency to overdo it. You name a type of penis, it’s been on \u003cem>Euphoria\u003c/em>. Old penis, erect penis, locker room penis, toilet penis, drug-dealer-house penis, about-to-get-shot penis, prosthetic penis, real penis. All of the penis, basically.\u003c/p>\n\u003cp>https://twitter.com/enbycoraline/status/1485869994067955713\u003c/p>\n\u003cp>While HBO offers full-frontal male nudity in damn near everything (“Thanks for Steve Zahn’s fake balls in \u003cem>The White Lotus\u003c/em>,” said nobody), nowhere has \u003cem>Euphoria\u003c/em>’s influence been more obvious than in \u003cem>And Just Like That…\u003c/em>, the \u003cem>Sex and the City \u003c/em>reboot. This was a show that almost certainly would have benefited from more nudity in its original iteration, but remained a dong-free zone for the entirety of its six-season run in the 2000s. And yet its 2022 version managed to squeeze two ding-a-lings into a single episode. Neither acted as anything other than a dangling distraction in an otherwise sexless landscape.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>All of which begs the question: How many on-screen penises are too many on-screen penises?\u003c/p>\n\u003cp>Twitter users have certainly reached a consensus with \u003cem>Euphoria\u003c/em>. Sunday after Sunday, it’s clear that a broad swath of the audience thinks the show’s penile limit has been met and exceeded. (Not surprising when there were, infamously, “\u003ca href=\"https://www.menshealth.com/entertainment/a27965066/euphoria-hbo-30-penises-nudity-sex-drugs/\" target=\"_blank\" rel=\"noopener noreferrer\">30 dicks\u003c/a>” featured in the second episode of the first season.)\u003c/p>\n\u003cp>https://twitter.com/lebang_moloi/status/1493117707650281475\u003c/p>\n\u003cp>https://twitter.com/Aj_tbp/status/1490515833612906496\u003c/p>\n\u003cp>https://twitter.com/ruesdirtynose/status/1488001274297597957\u003c/p>\n\u003cp>https://twitter.com/joekeerious/status/1485433317021396995\u003c/p>\n\u003cp>When TV centers and gratuitously lingers on male members, it can feel as jarring for the viewer as receiving unsolicited dick pics. And \u003cem>Euphoria\u003c/em> knows how “terrifying” and “horrifying” dick pics can be. “There are two different types of dick pic,” Rue explained in season one. “Solicited and unsolicited. Solicited makes up about one percent of all dick pics sent and received.” At this point, a lot of women are simply sick to death of looking at penises they didn’t expressly ask to see. Actual studies have been done on this topic.\u003c/p>\n\u003cp>Last year, \u003cem>The Journal of Sex Research\u003c/em> \u003ca href=\"https://www.tandfonline.com/doi/abs/10.1080/00224499.2020.1779171\" target=\"_blank\" rel=\"noopener noreferrer\">published a study\u003c/a> that concluded:\u003c/p>\n\u003cblockquote>\u003cp>In a U.S. sample of 2,045 women of all sexual identities and 298 gay/bisexual men, we found that among those who had ever received a ‘dick pic,’ nearly all (91%) had also received an unsolicited [one]. Women of all sexual identities predominantly experienced negative responses to these unsolicited nude images, with only a minority selecting any positive or neutral/ambivalent reactions.\u003c/p>\u003c/blockquote>\n\u003cp>The other risk of overdoing on-screen peen is the ammunition it gives to so-called men’s rights activists (and a whole mess of other humans) who use the objectification of men to further justify the objectification of women.\u003c/p>\n\u003cfigure id=\"attachment_13909409\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13909409\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/Screen-Shot-2022-02-14-at-12.37.33-PM-800x722.png\" alt=\"\" width=\"800\" height=\"722\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-14-at-12.37.33-PM-800x722.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-14-at-12.37.33-PM-1020x921.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-14-at-12.37.33-PM-160x144.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-14-at-12.37.33-PM-768x693.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-14-at-12.37.33-PM.png 1090w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A ‘meninist’ meme about objectification.\u003c/figcaption>\u003c/figure>\n\u003cp>Then there are the campaigners who see this wave of TV penises and think, “Hey! How can we pressure women on our screens to get \u003cem>even more\u003c/em> naked?”\u003c/p>\n\u003cp>https://twitter.com/KatieLny/status/1490033474698453000\u003c/p>\n\u003cp>There is of course a place for naked male bodies on television. It’s absurd that they’ve been such a rarity until fairly recently. It’s also still true that female actors are naked far more than their male counterparts. (We only need look at the nudity stats in \u003cem>Game of Thrones\u003c/em>. There were only two full-frontal male scenes in its entire eight seasons. For women, the show reached that number in Episode 7 alone.) But there are thoughtful ways of showing audiences everyday nudity that doesn’t turn the whole thing into a gratuitous sideshow.\u003c/p>\n\u003cp>In Season 3 of \u003cem>Succession\u003c/em>, for example, there is \u003ca href=\"https://www.youtube.com/watch?v=H_fV5w5d7IU\" target=\"_blank\" rel=\"noopener noreferrer\">a scene\u003c/a> in which Roman tries to send a dick pic to Gerri but accidentally sends it to his father Logan instead. The mortification Roman feels is enhanced by the fact that the viewer sees the intimate photograph too. We, along with Logan, are seeing something we shouldn’t. And its impact is heightened because it’s something we’ve never seen in \u003cem>Succession\u003c/em> before. Had the series been a parade of unnecessary penises up to that point, it wouldn’t have been the scream-at-the-TV moment it was.\u003c/p>\n\u003cp>[aside postid='arts_13891785']Even a show like \u003cem>Sex/Life\u003c/em>, which doesn’t shy away from regular nudity, has figured out how to use it to advance the plot effectively. In the third episode, for example, Cooper follows his wife’s ex-boyfriend into the showers at the gym, only to be stunned by how generously endowed Brad is. The giant (prosthetic) penis featured in the episode wasn’t there for no reason: it was there as part of a storyline about insecurity in relationships. It was there as a traditional symbol of male virility. And it was there to highlight the physical pressures put on men over something they have no control over. Without seeing what Brad was working with, the viewer couldn’t fully comprehend Cooper’s inner turmoil.\u003c/p>\n\u003cp>The frustrating thing with \u003cem>Euphoria\u003c/em> is that it \u003cem>almost\u003c/em> gets it right all the time. In Season 2’s third episode, we see a flashback to Cal’s high school days. In it, we find out he was in love with his best friend and wrestling teammate, Derek. The moments of nudity they share in the locker room—even exchanging the same bar of soap in the shower—speak to a familiarity and an intimacy that would be hard to convey otherwise. It explains how they reach the point of feeling comfortable enough to dance together and make out in a gay bar despite being submerged in a world of toxic masculinity. Had the nudity been left at that, it would have been a powerful presence in their love story. Instead, we were also subjected to other, irrelevant penises in the shower, and lingering shots of floating underwater penis while Cal and Derek are skinny dipping. These moments undercut the power of their nude locker room bonding.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>All of which is to say that full-frontal male nudity certainly has a valuable place on TV. Not just for the sake of realism in intimate scenes, but also in the service of specific, emotional plot points. But—like a flasher on a train—just because you \u003cem>can\u003c/em> show penis, doesn’t necessarily mean you \u003cem>should\u003c/em> show penis. In the rush to embrace equal opportunity nudity, some TV series have diminished their own value because of an inability to recognize that basic principle.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>There is a point midway through Episode 2 of the new Hulu series \u003cem>Pam & Tommy\u003c/em> where Tommy Lee (played by Sebastian Stan) begins arguing with his own penis. The camera pans down to his crotch so the viewer can see close-up, an animatronic, flexing schlong with a talking tip. “We’ve gotta keep this pussy train rolling,” the peen (voiced by Jason Mantzoukas) demands. “Do you hear me?”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>This ridiculous display was the natural end point (pun intended) of months and months of TV shows trying to out-dick each other. As anyone with a regular streaming habit is no doubt aware, full-frontal male nudity is suddenly being embraced by the non-network channels like never before. HBO has, of course, been working to advance penile screen time since its earliest days. But in recent years, the channel has noticeably upgraded its wang locomotive from steam engine to bullet train. And it has inspired other channels to follow suit.\u003c/p>\n\u003cp>At the head of the HBO pack is \u003cem>Euphoria\u003c/em>. The show has garnered praise for finally bringing equal opportunity nudity to the TV screen. But, boy oh boy, does it have a tendency to overdo it. You name a type of penis, it’s been on \u003cem>Euphoria\u003c/em>. Old penis, erect penis, locker room penis, toilet penis, drug-dealer-house penis, about-to-get-shot penis, prosthetic penis, real penis. All of the penis, basically.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>While HBO offers full-frontal male nudity in damn near everything (“Thanks for Steve Zahn’s fake balls in \u003cem>The White Lotus\u003c/em>,” said nobody), nowhere has \u003cem>Euphoria\u003c/em>’s influence been more obvious than in \u003cem>And Just Like That…\u003c/em>, the \u003cem>Sex and the City \u003c/em>reboot. This was a show that almost certainly would have benefited from more nudity in its original iteration, but remained a dong-free zone for the entirety of its six-season run in the 2000s. And yet its 2022 version managed to squeeze two ding-a-lings into a single episode. Neither acted as anything other than a dangling distraction in an otherwise sexless landscape.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>All of which begs the question: How many on-screen penises are too many on-screen penises?\u003c/p>\n\u003cp>Twitter users have certainly reached a consensus with \u003cem>Euphoria\u003c/em>. Sunday after Sunday, it’s clear that a broad swath of the audience thinks the show’s penile limit has been met and exceeded. (Not surprising when there were, infamously, “\u003ca href=\"https://www.menshealth.com/entertainment/a27965066/euphoria-hbo-30-penises-nudity-sex-drugs/\" target=\"_blank\" rel=\"noopener noreferrer\">30 dicks\u003c/a>” featured in the second episode of the first season.)\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>When TV centers and gratuitously lingers on male members, it can feel as jarring for the viewer as receiving unsolicited dick pics. And \u003cem>Euphoria\u003c/em> knows how “terrifying” and “horrifying” dick pics can be. “There are two different types of dick pic,” Rue explained in season one. “Solicited and unsolicited. Solicited makes up about one percent of all dick pics sent and received.” At this point, a lot of women are simply sick to death of looking at penises they didn’t expressly ask to see. Actual studies have been done on this topic.\u003c/p>\n\u003cp>Last year, \u003cem>The Journal of Sex Research\u003c/em> \u003ca href=\"https://www.tandfonline.com/doi/abs/10.1080/00224499.2020.1779171\" target=\"_blank\" rel=\"noopener noreferrer\">published a study\u003c/a> that concluded:\u003c/p>\n\u003cblockquote>\u003cp>In a U.S. sample of 2,045 women of all sexual identities and 298 gay/bisexual men, we found that among those who had ever received a ‘dick pic,’ nearly all (91%) had also received an unsolicited [one]. Women of all sexual identities predominantly experienced negative responses to these unsolicited nude images, with only a minority selecting any positive or neutral/ambivalent reactions.\u003c/p>\u003c/blockquote>\n\u003cp>The other risk of overdoing on-screen peen is the ammunition it gives to so-called men’s rights activists (and a whole mess of other humans) who use the objectification of men to further justify the objectification of women.\u003c/p>\n\u003cfigure id=\"attachment_13909409\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13909409\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/Screen-Shot-2022-02-14-at-12.37.33-PM-800x722.png\" alt=\"\" width=\"800\" height=\"722\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-14-at-12.37.33-PM-800x722.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-14-at-12.37.33-PM-1020x921.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-14-at-12.37.33-PM-160x144.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-14-at-12.37.33-PM-768x693.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/Screen-Shot-2022-02-14-at-12.37.33-PM.png 1090w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A ‘meninist’ meme about objectification.\u003c/figcaption>\u003c/figure>\n\u003cp>Then there are the campaigners who see this wave of TV penises and think, “Hey! How can we pressure women on our screens to get \u003cem>even more\u003c/em> naked?”\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>There is of course a place for naked male bodies on television. It’s absurd that they’ve been such a rarity until fairly recently. It’s also still true that female actors are naked far more than their male counterparts. (We only need look at the nudity stats in \u003cem>Game of Thrones\u003c/em>. There were only two full-frontal male scenes in its entire eight seasons. For women, the show reached that number in Episode 7 alone.) But there are thoughtful ways of showing audiences everyday nudity that doesn’t turn the whole thing into a gratuitous sideshow.\u003c/p>\n\u003cp>In Season 3 of \u003cem>Succession\u003c/em>, for example, there is \u003ca href=\"https://www.youtube.com/watch?v=H_fV5w5d7IU\" target=\"_blank\" rel=\"noopener noreferrer\">a scene\u003c/a> in which Roman tries to send a dick pic to Gerri but accidentally sends it to his father Logan instead. The mortification Roman feels is enhanced by the fact that the viewer sees the intimate photograph too. We, along with Logan, are seeing something we shouldn’t. And its impact is heightened because it’s something we’ve never seen in \u003cem>Succession\u003c/em> before. Had the series been a parade of unnecessary penises up to that point, it wouldn’t have been the scream-at-the-TV moment it was.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Even a show like \u003cem>Sex/Life\u003c/em>, which doesn’t shy away from regular nudity, has figured out how to use it to advance the plot effectively. In the third episode, for example, Cooper follows his wife’s ex-boyfriend into the showers at the gym, only to be stunned by how generously endowed Brad is. The giant (prosthetic) penis featured in the episode wasn’t there for no reason: it was there as part of a storyline about insecurity in relationships. It was there as a traditional symbol of male virility. And it was there to highlight the physical pressures put on men over something they have no control over. Without seeing what Brad was working with, the viewer couldn’t fully comprehend Cooper’s inner turmoil.\u003c/p>\n\u003cp>The frustrating thing with \u003cem>Euphoria\u003c/em> is that it \u003cem>almost\u003c/em> gets it right all the time. In Season 2’s third episode, we see a flashback to Cal’s high school days. In it, we find out he was in love with his best friend and wrestling teammate, Derek. The moments of nudity they share in the locker room—even exchanging the same bar of soap in the shower—speak to a familiarity and an intimacy that would be hard to convey otherwise. It explains how they reach the point of feeling comfortable enough to dance together and make out in a gay bar despite being submerged in a world of toxic masculinity. Had the nudity been left at that, it would have been a powerful presence in their love story. Instead, we were also subjected to other, irrelevant penises in the shower, and lingering shots of floating underwater penis while Cal and Derek are skinny dipping. These moments undercut the power of their nude locker room bonding.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>All of which is to say that full-frontal male nudity certainly has a valuable place on TV. Not just for the sake of realism in intimate scenes, but also in the service of specific, emotional plot points. But—like a flasher on a train—just because you \u003cem>can\u003c/em> show penis, doesn’t necessarily mean you \u003cem>should\u003c/em> show penis. In the rush to embrace equal opportunity nudity, some TV series have diminished their own value because of an inability to recognize that basic principle.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Kanye West Controlling Julia Fox's Style is Alarming, Not Romantic",
"headTitle": "Kanye West Controlling Julia Fox’s Style is Alarming, Not Romantic | KQED",
"content": "\u003cp>Paris Fashion Week happened last week. The only reason I know this is because every time (the artist formerly known as) Kanye West and his new girlfriend Julia Fox showed up anywhere, Twitter had a meltdown. It wasn’t hard to see why. The whole thing was like the new \u003ca href=\"https://www.kqed.org/arts/13908472/and-just-like-that-sex-and-the-city-che-miranda-carrie-charlotte-nyc\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Sex and the City\u003c/em> reboot\u003c/a>: You know you should turn away. You know what you’re looking at is going to make you cringe. But the need to keep staring at it is uncontrollable.\u003c/p>\n\u003cp>The new couple spent several days parading around in almost-but-not-quite-matching outfits.\u003c/p>\n\u003cp>There was this double denim situation:\u003c/p>\n\u003cp>https://twitter.com/saint/status/1485299099377315842\u003c/p>\n\u003cp>This Folsom Street Fair-adjacent effort:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/LiabilityLouie/status/1486163857668255748\u003c/p>\n\u003cp>And whatever the hell this was:\u003c/p>\n\u003cp>https://twitter.com/therapland/status/1485777404903792641\u003c/p>\n\u003cp>Truly, the longer the couple’s Paris sojourn went on, the more out of her depth Fox looked. Which isn’t terribly surprising if you examine the circumstances. Ye (that’s the name West is using now) and Fox met just one month ago, on New Year’s Eve. And—according to the \u003ca href=\"https://www.interviewmagazine.com/culture/date-night\" target=\"_blank\" rel=\"noopener noreferrer\">two paragraph-story Fox wrote for \u003cem>Interview\u003c/em>\u003c/a> magazine last month—he presented her with “an entire hotel suite full of clothes,” after knowing her for literally one day. Fox wrote: “I was so surprised. Like, who does things like this on a second date? Or any date!”\u003c/p>\n\u003cp>The answer to that question is: a new partner who’s waving a big ol’ red flag in your face.\u003c/p>\n\u003cp>https://twitter.com/AaronRFernandes/status/1487565601321197568\u003c/p>\n\u003cp>If you look up how to spot if you’re in an unhealthy relationship, clothing is a recurring theme. \u003ca href=\"https://psychcentral.com/lib/signs-controlling-partner-relationship\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Psych Central\u003c/em>\u003c/a> suggests that controlling partners “could start slowly ‘changing your wardrobe’ by buying specific outfits as gifts to you.”\u003c/p>\n\u003cp>\u003ca href=\"https://www.everydayhealth.com/emotional-health/controlling-men/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Everyday Health\u003c/em>\u003c/a> says: “Controlling men like to be in charge. They like to tell women what to do, wear and be, and even how and when to speak. Most controlling men don’t really believe they are controlling. In their minds, they’re merely helping their wives or girlfriends to ‘improve,’ and they honestly believe that men are entitled to have things just the way they prefer them to be … Does this sound like anyone you know?”\u003c/p>\n\u003cp>[aside postid='pop_28206']Yes. It sounds like Kanye West, who has been re-dressing women according to his specifications, very openly, for years.\u003c/p>\n\u003cp>Amber Rose spoke repeatedly about \u003ca href=\"https://www.elle.com/fashion/a9049/fashion-spotlight-amber-rose-360509/\" target=\"_blank\" rel=\"noopener noreferrer\">Kanye’s attempts to control her wardrobe\u003c/a> while the two were a couple. She told \u003cem>Elle\u003c/em> in 2009: “He’ll pick out something and I’ll be like, ‘Oh, God, I don’t like that at all.’ And then I’ll pick out something and he’ll be like ‘Babe, just… no.’ I’m more electric pink and bright yellow. And Kanye’s more like nude and bone … I’m not, like, his Barbie.”\u003c/p>\n\u003cp>In his next serious relationship, Kanye found a significantly more malleable partner. In a 2012 episode of \u003cem>Keeping Up With the Kardashians\u003c/em>—filmed just a few months into their relationship—Kanye is seen telling Kardashian to “clean out everything” from her closet. Her pleas to keep a few accessories are repeatedly shot down, despite her being a long-time boutique owner who first became famous while working as a personal stylist.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=8E9lNF9bhYU\u003c/p>\n\u003cp>No secret was made of the fact that Kanye exerted extreme control over Kardashian’s style for the entirety of their relationship. In one 2018 episode of her reality show, Kardashian mentioned that Kanye had flown out to Paris to see her for 24 hours. Not because he missed her, but because he had seen paparazzi photos of her wearing clothes he didn’t like, and he wanted to check on her wardrobe.\u003c/p>\n\u003cp>[aside postid='pop_49104']A year later, Kanye questioned Kardashian’s choice to wear a stunning Thierry Mugler corseted dress to the Met Gala. “A corset is a form of underwear. It’s hot. It’s like, it’s hot for who though?” he said to Kardashian the night before the event. “You are my wife and it affects me when pictures are too sexy.”\u003c/p>\n\u003cp>Julia Fox isn’t Kanye’s wife. She’s only been his girlfriend for a month. But if Fashion Week is anything to go by, he seems to already be controlling every inch of her appearance, down to her makeup.\u003c/p>\n\u003cp>https://twitter.com/LukeLarainGray/status/1485690511633625089\u003c/p>\n\u003cp>There’s no doubt that all of this is outside Fox’s wheelhouse—you can see it in her awkward Fashion Week body language. And it’s probably because Kanye’s clothing choices for her are such an enormous departure from anything she’s ever worn in public previously.\u003c/p>\n\u003cp>To demonstrate the contrast, here’s what she looked like at November’s CFDA Awards, just six weeks before Kanye showed up with that suite full of clothes.\u003c/p>\n\u003cfigure id=\"attachment_13908832\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13908832\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/GettyImages-1352567200-800x1200.jpg\" alt=\"A fresh-faced, but polished woman stands on the red carpet wearing a tight, mint green long sleeved top and calf length pale pink skirt with fur trim. She carries a beaded handbag in the shape of the Empire State Building.\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/GettyImages-1352567200-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/GettyImages-1352567200-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/GettyImages-1352567200-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/GettyImages-1352567200-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/GettyImages-1352567200-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/GettyImages-1352567200-1365x2048.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/GettyImages-1352567200-1920x2880.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/GettyImages-1352567200-scaled.jpg 1707w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Julia Fox at the CFDA Fashion Awards, New York, November 2021. \u003ccite>(Jamie McCarthy/WireImage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Despite an obvious pattern, Kanye’s compulsion to control yet another girlfriend’s appearance has been greeted without much alarm in the press. The tabloid media has, by and large, instead decided to pit Kardashian and Fox against each other. (This despite reports that \u003ca href=\"https://www.elle.com/culture/celebrities/a38735734/kim-kardashian-kanye-west-julia-fox-dating-pursuit-reaction/\" target=\"_blank\" rel=\"noopener noreferrer\">Kardashian is just trying to move on with her life\u003c/a>.)\u003c/p>\n\u003cp>“Fox borrowed yet another look from her boyfriend Kanye West’s ex Kim Kardashian as she stepped out during Paris Fashion Week last week,” the \u003ca href=\"https://www.dailymail.co.uk/tvshowbiz/article-10466443/Kanye-Wests-new-flame-Julia-Fox-denies-copying-Kim-Kardashians-edgy-chest-mold.html\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Daily Mail\u003c/em> declared\u003c/a> yesterday.\u003c/p>\n\u003cp>“Kanye West’s Girlfriend Julia Fox Rips Off Kim Kardashian With Oozing Chest Mold, Model Caught In Another Copycat Fashion Fumble,” \u003ca href=\"https://radaronline.com/p/kanye-west-girlfriend-julia-fox-chest-mold-copying-kim-kardashian-fashion-style/\" target=\"_blank\" rel=\"noopener noreferrer\">screamed\u003cem> Radar Online\u003c/em>\u003c/a> this week.\u003c/p>\n\u003cp>The copycat refrain has been so common, \u003ca href=\"https://www.complex.com/style/julia-fox-responds-to-claim-she-channels-kim-kardashian-outfit-choice\" target=\"_blank\" rel=\"noopener noreferrer\">Fox felt the need to take to Instagram this week to deny she was stealing looks from Kardashian\u003c/a>.\u003c/p>\n\u003cp>[aside postid='arts_13908784']That Fox has been blamed for “copying” Kardashian is a reflection of just how much our culture loves a catfight. It also points to a widespread unwillingness to examine Kanye’s disturbing need to take control of the appearances of the women he’s with.\u003c/p>\n\u003cp>What has been said far too little in the course of Fox and Kanye’s short relationship is that when one person insists on controlling another person’s clothing and makeup choices, it’s a way of squashing their bodily autonomy. It’s a way to restrict their sense of personal freedom. It’s a way to make them insecure about their own judgement which, in turn, is designed to make them more dependent on the controlling partner. And when the act of altering someone’s image is presented as a romantic gesture, it’s not a sign of love, it’s a form of grooming.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Fox isn’t trying to keep up with Kim Kardashian; she appears to be trying desperately to keep up with the demands of Kanye West. That she thinks him dressing her is “\u003ca href=\"https://www.interviewmagazine.com/culture/date-night\" target=\"_blank\" rel=\"noopener noreferrer\">every girl’s dream\u003c/a>” is perhaps the part that’s most disturbing.\u003c/p>\n\n",
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"excerpt": "Kanye exerted extreme control over Kim Kardashian's clothing. Now he's subjecting Fox to the same treatment.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Paris Fashion Week happened last week. The only reason I know this is because every time (the artist formerly known as) Kanye West and his new girlfriend Julia Fox showed up anywhere, Twitter had a meltdown. It wasn’t hard to see why. The whole thing was like the new \u003ca href=\"https://www.kqed.org/arts/13908472/and-just-like-that-sex-and-the-city-che-miranda-carrie-charlotte-nyc\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Sex and the City\u003c/em> reboot\u003c/a>: You know you should turn away. You know what you’re looking at is going to make you cringe. But the need to keep staring at it is uncontrollable.\u003c/p>\n\u003cp>The new couple spent several days parading around in almost-but-not-quite-matching outfits.\u003c/p>\n\u003cp>There was this double denim situation:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>This Folsom Street Fair-adjacent effort:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>And whatever the hell this was:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Truly, the longer the couple’s Paris sojourn went on, the more out of her depth Fox looked. Which isn’t terribly surprising if you examine the circumstances. Ye (that’s the name West is using now) and Fox met just one month ago, on New Year’s Eve. And—according to the \u003ca href=\"https://www.interviewmagazine.com/culture/date-night\" target=\"_blank\" rel=\"noopener noreferrer\">two paragraph-story Fox wrote for \u003cem>Interview\u003c/em>\u003c/a> magazine last month—he presented her with “an entire hotel suite full of clothes,” after knowing her for literally one day. Fox wrote: “I was so surprised. Like, who does things like this on a second date? Or any date!”\u003c/p>\n\u003cp>The answer to that question is: a new partner who’s waving a big ol’ red flag in your face.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>If you look up how to spot if you’re in an unhealthy relationship, clothing is a recurring theme. \u003ca href=\"https://psychcentral.com/lib/signs-controlling-partner-relationship\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Psych Central\u003c/em>\u003c/a> suggests that controlling partners “could start slowly ‘changing your wardrobe’ by buying specific outfits as gifts to you.”\u003c/p>\n\u003cp>\u003ca href=\"https://www.everydayhealth.com/emotional-health/controlling-men/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Everyday Health\u003c/em>\u003c/a> says: “Controlling men like to be in charge. They like to tell women what to do, wear and be, and even how and when to speak. Most controlling men don’t really believe they are controlling. In their minds, they’re merely helping their wives or girlfriends to ‘improve,’ and they honestly believe that men are entitled to have things just the way they prefer them to be … Does this sound like anyone you know?”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Yes. It sounds like Kanye West, who has been re-dressing women according to his specifications, very openly, for years.\u003c/p>\n\u003cp>Amber Rose spoke repeatedly about \u003ca href=\"https://www.elle.com/fashion/a9049/fashion-spotlight-amber-rose-360509/\" target=\"_blank\" rel=\"noopener noreferrer\">Kanye’s attempts to control her wardrobe\u003c/a> while the two were a couple. She told \u003cem>Elle\u003c/em> in 2009: “He’ll pick out something and I’ll be like, ‘Oh, God, I don’t like that at all.’ And then I’ll pick out something and he’ll be like ‘Babe, just… no.’ I’m more electric pink and bright yellow. And Kanye’s more like nude and bone … I’m not, like, his Barbie.”\u003c/p>\n\u003cp>In his next serious relationship, Kanye found a significantly more malleable partner. In a 2012 episode of \u003cem>Keeping Up With the Kardashians\u003c/em>—filmed just a few months into their relationship—Kanye is seen telling Kardashian to “clean out everything” from her closet. Her pleas to keep a few accessories are repeatedly shot down, despite her being a long-time boutique owner who first became famous while working as a personal stylist.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/8E9lNF9bhYU'\n title='//www.youtube.com/embed/8E9lNF9bhYU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>No secret was made of the fact that Kanye exerted extreme control over Kardashian’s style for the entirety of their relationship. In one 2018 episode of her reality show, Kardashian mentioned that Kanye had flown out to Paris to see her for 24 hours. Not because he missed her, but because he had seen paparazzi photos of her wearing clothes he didn’t like, and he wanted to check on her wardrobe.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>A year later, Kanye questioned Kardashian’s choice to wear a stunning Thierry Mugler corseted dress to the Met Gala. “A corset is a form of underwear. It’s hot. It’s like, it’s hot for who though?” he said to Kardashian the night before the event. “You are my wife and it affects me when pictures are too sexy.”\u003c/p>\n\u003cp>Julia Fox isn’t Kanye’s wife. She’s only been his girlfriend for a month. But if Fashion Week is anything to go by, he seems to already be controlling every inch of her appearance, down to her makeup.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>There’s no doubt that all of this is outside Fox’s wheelhouse—you can see it in her awkward Fashion Week body language. And it’s probably because Kanye’s clothing choices for her are such an enormous departure from anything she’s ever worn in public previously.\u003c/p>\n\u003cp>To demonstrate the contrast, here’s what she looked like at November’s CFDA Awards, just six weeks before Kanye showed up with that suite full of clothes.\u003c/p>\n\u003cfigure id=\"attachment_13908832\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13908832\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/02/GettyImages-1352567200-800x1200.jpg\" alt=\"A fresh-faced, but polished woman stands on the red carpet wearing a tight, mint green long sleeved top and calf length pale pink skirt with fur trim. She carries a beaded handbag in the shape of the Empire State Building.\" width=\"800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/GettyImages-1352567200-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/GettyImages-1352567200-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/GettyImages-1352567200-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/GettyImages-1352567200-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/GettyImages-1352567200-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/GettyImages-1352567200-1365x2048.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/GettyImages-1352567200-1920x2880.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/02/GettyImages-1352567200-scaled.jpg 1707w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Julia Fox at the CFDA Fashion Awards, New York, November 2021. \u003ccite>(Jamie McCarthy/WireImage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Despite an obvious pattern, Kanye’s compulsion to control yet another girlfriend’s appearance has been greeted without much alarm in the press. The tabloid media has, by and large, instead decided to pit Kardashian and Fox against each other. (This despite reports that \u003ca href=\"https://www.elle.com/culture/celebrities/a38735734/kim-kardashian-kanye-west-julia-fox-dating-pursuit-reaction/\" target=\"_blank\" rel=\"noopener noreferrer\">Kardashian is just trying to move on with her life\u003c/a>.)\u003c/p>\n\u003cp>“Fox borrowed yet another look from her boyfriend Kanye West’s ex Kim Kardashian as she stepped out during Paris Fashion Week last week,” the \u003ca href=\"https://www.dailymail.co.uk/tvshowbiz/article-10466443/Kanye-Wests-new-flame-Julia-Fox-denies-copying-Kim-Kardashians-edgy-chest-mold.html\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Daily Mail\u003c/em> declared\u003c/a> yesterday.\u003c/p>\n\u003cp>“Kanye West’s Girlfriend Julia Fox Rips Off Kim Kardashian With Oozing Chest Mold, Model Caught In Another Copycat Fashion Fumble,” \u003ca href=\"https://radaronline.com/p/kanye-west-girlfriend-julia-fox-chest-mold-copying-kim-kardashian-fashion-style/\" target=\"_blank\" rel=\"noopener noreferrer\">screamed\u003cem> Radar Online\u003c/em>\u003c/a> this week.\u003c/p>\n\u003cp>The copycat refrain has been so common, \u003ca href=\"https://www.complex.com/style/julia-fox-responds-to-claim-she-channels-kim-kardashian-outfit-choice\" target=\"_blank\" rel=\"noopener noreferrer\">Fox felt the need to take to Instagram this week to deny she was stealing looks from Kardashian\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>That Fox has been blamed for “copying” Kardashian is a reflection of just how much our culture loves a catfight. It also points to a widespread unwillingness to examine Kanye’s disturbing need to take control of the appearances of the women he’s with.\u003c/p>\n\u003cp>What has been said far too little in the course of Fox and Kanye’s short relationship is that when one person insists on controlling another person’s clothing and makeup choices, it’s a way of squashing their bodily autonomy. It’s a way to restrict their sense of personal freedom. It’s a way to make them insecure about their own judgement which, in turn, is designed to make them more dependent on the controlling partner. And when the act of altering someone’s image is presented as a romantic gesture, it’s not a sign of love, it’s a form of grooming.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Fox isn’t trying to keep up with Kim Kardashian; she appears to be trying desperately to keep up with the demands of Kanye West. That she thinks him dressing her is “\u003ca href=\"https://www.interviewmagazine.com/culture/date-night\" target=\"_blank\" rel=\"noopener noreferrer\">every girl’s dream\u003c/a>” is perhaps the part that’s most disturbing.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "‘And Just Like That...’: A Handy Breakdown of the Show’s Screw-Ups",
"headTitle": "‘And Just Like That…’: A Handy Breakdown of the Show’s Screw-Ups | KQED",
"content": "\u003cp>And just like that, \u003cem>Sex and the City\u003c/em>‘s legacy got pummeled into the dirt. In December, the reboot no one was sure they even wanted came stomping in, Manolos wobbling, Samantha missing, determined to appear relevant in 2022, no matter the cost. And oh, what a train wreck it has been. The season one finale airs on Feb. 3, but getting through the first nine episodes has been a marathon of cringe. You thought 2010’s barrel-scraping \u003cem>Sex and the City 2\u003c/em> movie made you want to crawl under the nearest table?\u003cem> And Just Like That\u003c/em>… just arrived, screamed “Hold my beer!” and kicked that table across the room.\u003c/p>\n\u003cp>Here are the ways it has most failed its audience.\u003c/p>\n\u003ch2>\u003cstrong>The worst sex scenes in history\u003c/strong>\u003c/h2>\n\u003cp>Let’s just go ahead and assume they had to remove the word “sex” from the show’s title because of \u003cem>AJLT’s\u003c/em> unholy marriage to the kind of physical intimacy that makes you want to never, ever have sex again.\u003c/p>\n\u003cfigure id=\"attachment_13908518\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13908518\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.15.23-PM-800x489.png\" alt=\"A woman with a partially shaved head embraces another woman with a grey bob. The first woman covers the mouth of the second woman during a passionate embrace. They are standing near a stove.\" width=\"800\" height=\"489\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.15.23-PM-800x489.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.15.23-PM-1020x623.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.15.23-PM-160x98.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.15.23-PM-768x469.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.15.23-PM-1536x939.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.15.23-PM.png 1656w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Che and Miranda have all the sexual chemistry of a raccoon trying to hump a possum. ‘And Just Like That…’ has failed to notice this. \u003ccite>(HBO)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Some examples of unsexy sex we’ve had to witness in this show:\u003c/p>\n\u003cul>\n\u003cli>Miranda and Che’s kitchen finger bang incident, directly juxtaposed with Carrie literally peeing the bed in the next room.\u003c/li>\n\u003cli>Miranda attempting to re-live the kitchen finger bang incident via Steve who, despite being great in bed in \u003cem>SATC\u003c/em>, has forgotten how to do third base now.\u003c/li>\n\u003cli>Lily walking in on her mom (Charlotte) orally pleasuring her dad (Harry) in a scene that also included a shiny, bouncing, fully erect, obviously fake penis. (Ew.)\u003c/li>\n\u003cli>Miranda continuing to masturbate while conducting a conversation with her 17-year-old son Brady through the bedroom door. (EW.)\u003c/li>\n\u003cli>Brady getting cowgirled by his girlfriend in the same house he shares with his parents. (This one was more upsetting than all of the teen sex scenes in \u003cem>Euphoria\u003c/em>, combined.)\u003c/li>\n\u003c/ul>\n\u003cp>Nothing about this show is sexy. \u003cem>Nothing.\u003c/em> Even the silver fox Carrie went on a date with in episode seven ended up spewing everywhere. (Really, who can blame him?)\u003c/p>\n\u003ch2>\u003cstrong>Making it seem like being friends with Black and brown people is hard\u003c/strong>\u003c/h2>\n\u003cp>\u003cem>SATC\u003c/em> was too white and we all know it—and getting Carrie a sassy Black assistant (played by the wonderful Jennifer Hudson) in the first movie didn’t move things along much. But watching Carrie, Miranda and Charlotte each simultaneously acquiring A New Black or Brown Friend throughout \u003cem>AJLT\u003c/em> has been clunky as hell.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Charlotte trying to find a second Black couple to invite to dinner, so Lisa and her husband won’t be the only one there? Awful. Carrie dealing with overbearing Indian parents at Seema’s Diwali party? Totally unnecessary. And Miranda mistaking her professor, Nya, for a student while making a comment about her braids? Nightmare fuel. (“Hair has nothing whatsoever to do with appropriateness, or intelligence or gravitas, obviously,” Miranda fumbles.)\u003c/p>\n\u003cfigure id=\"attachment_13908544\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13908544\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/Screen-Shot-2022-01-25-at-2.16.53-PM-800x592.png\" alt=\"Carrie Bradshaw, played by Sarah Jessica Parker, wearing traditional Indian clothing and greeting Seema's parents.\" width=\"800\" height=\"592\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-25-at-2.16.53-PM-800x592.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-25-at-2.16.53-PM-1020x755.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-25-at-2.16.53-PM-160x118.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-25-at-2.16.53-PM-768x569.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-25-at-2.16.53-PM.png 1440w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dear television, why is it always the parents of ethnic minorities that get presented as nagging their adult children to get married? White parents do this all the damn time as well.\u003c/figcaption>\u003c/figure>\n\u003cp>The problem with\u003cem> AJLT\u003c/em> is that rather than just seamlessly incorporating Lisa, Seema and Nya as new, fabulous characters, the show attempts to use them as learning tools. This, in turn, means \u003cem>AJLT\u003c/em> spends a lot of time focusing on the rich, white women’s discomfort with people of color instead of giving their new friends their own storylines. \u003cem>SATC\u003c/em> was weird because it ignored the fact that people living in diverse cities tend to have diverse friend groups. But the weirdest part about \u003cem>AJLT\u003c/em> is how Lisa, Seema and Nya have little to do beyond teaching Carrie, Charlotte and Miranda lessons.\u003c/p>\n\u003ch2>Everything that happens when Che Diaz is in the room\u003c/h2>\n\u003cp>Che (played by Sara Ramirez) is a nonbinary stand-up comedian who isn’t funny but still somehow has a Netflix special in the show. Miranda gets wide-eyed and laughs uproariously every time they open their mouth, and watching Miranda (\u003cem>Miranda!\u003c/em>) fan-girling is almost as bad as watching Brady have sex.\u003c/p>\n\u003cp>https://twitter.com/sleep2dream/status/1481784311154196482\u003c/p>\n\u003cp>When Che is not doing terrible stand-up, they are making an “edgy” podcast that isn’t very edgy, incessantly smoking weed (even in elevators—so rude), being aggravatingly cocky, and posing for photos with cartoon versions of what baby boomers think queer people look like. Which is this, incidentally:\u003c/p>\n\u003cp>https://twitter.com/LouisStaples/status/1484224425423773701\u003c/p>\n\u003cp>Here is an exchange between Miranda and Che that was in no way sarcastic:\u003c/p>\n\u003cp>\u003cstrong>Che:\u003c/strong> You look especially pretty tonight.\u003cbr>\n\u003cstrong>Miranda:\u003c/strong> And you look especially… whatever acceptable, non-polarizing, gender-positive compliment that you feel comfortable with.\u003cbr>\n\u003cstrong>Che:\u003c/strong> You are a lot of fun.\u003c/p>\n\u003cp>Che is a character \u003cem>AJLT\u003c/em> made up to teach old, straight folks what nonbinary means. For the rest of us watching, the after-school-special-ness of it is excruciating. What would have been far more engaging is if a little extra time was dedicated to Rock—Charlotte’s nonbinary child—and the learning curve Charlotte is on. (Oh, and if \u003cem>AJLT\u003c/em> \u003cem>really\u003c/em> wanted to make up for the former sins of \u003cem>SATC\u003c/em>, it should’ve introduced a major trans woman character this season. \u003ca href=\"https://www.indy100.com/showbiz/sex-and-the-city-problematic-race-slut-shaming-8385976\" target=\"_blank\" rel=\"noopener noreferrer\">No one was done a greater disservice\u003c/a> in the original series than the trans sex workers of season three.)\u003c/p>\n\u003ch2>\u003cstrong>Equating hearing loss with unattractiveness\u003c/strong>\u003c/h2>\n\u003cp>For a show that’s this desperate to prove how woke it is, it has done a terrible job on the ableism front. (Miranda recovered from her alcohol dependency literally overnight! Because she felt like it!)\u003c/p>\n\u003cp>Much is made of the fact that Steve (played by David Eigenberg) is living with hearing loss and now needs to wear hearing aids—something apparently inspired by Eigenberg’s real-life experience. That’s all well and good, but for some reason this development has turned Steve into a bumbling, sexless, shouting idiot-man that Miranda is constantly embarrassed by.\u003c/p>\n\u003cp>https://twitter.com/megasound8000/status/1481679695569686531\u003c/p>\n\u003cp>Only in episode nine, after Miranda has already left him for Che, do we get to see the Steve we love and remember. It’s too little, too late.\u003c/p>\n\u003ch2>Carrie’s “grief”\u003c/h2>\n\u003cp>\u003cem>SATC\u003c/em> spent six seasons and a movie hammering in the point, over and over again, that Mr. Big was the love of Carrie’s life. So when that nasty Peloton bike went and drove him to a heart attack in the first episode, I really hoped it would give \u003cem>AJLT\u003c/em> something meaty to dig into. A well thought-out grief arc for Carrie could have been a total game-changer.\u003c/p>\n\u003cp>Instead, Carrie’s grief in \u003cem>AJLT\u003c/em> has manifested thusly:\u003c/p>\n\u003cul>\n\u003cli>Going for a few long walks\u003c/li>\n\u003cli>Finding a box of records and looking a bit sad\u003c/li>\n\u003cli>Telling Miranda not to argue with Charlotte because “people are gone in a second”\u003c/li>\n\u003cli>A book-writing/seasons changing montage\u003c/li>\n\u003cli>Wearing Big’s wedding ring for a day\u003c/li>\n\u003c/ul>\n\u003cfigure id=\"attachment_13908519\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13908519\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.20.09-PM-800x471.png\" alt=\"A woman with long wavy blonde hair sits in a window, wearing a green shirt, behind an open Apple laptop, looking thoughtfully out to the horizon.\" width=\"800\" height=\"471\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.20.09-PM-800x471.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.20.09-PM-1020x600.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.20.09-PM-160x94.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.20.09-PM-768x452.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.20.09-PM.png 1448w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Carrie, doing a grief. \u003ccite>(HBO)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I know that everyone grieves differently, and that it’s hard to convey on TV, but \u003cem>AJLT\u003c/em> has Carrie whitewashing her and Big’s luxurious home—sentimentality be damned!—and moving out immediately. Just so the audience can see her in her little apartment again like the good old days. It also has her quipping her way through hip surgery just two months after Big’s death. Carrie was more upset when Big moved to Paris in season two of the original show, for crying out loud! At least a Filet-O-Fish got chucked across the room that time!\u003c/p>\n\u003cp>Which brings us to…\u003c/p>\n\u003ch2>Established characters doing things their characters would never do\u003c/h2>\n\u003cp>Did the writers of \u003cem>AJLT\u003c/em> even watch \u003cem>Sex and the City\u003c/em> before they started writing this thing? Because this show does not seem to know the histories of any of the main characters beyond the most superficial of elements.\u003c/p>\n\u003cp>[aside postID='pop_101843,pop_112650']Carrie—whose entire career was founded on talking about sex—is now the kind of human who can’t bring herself to answer a question about masturbation on a podcast. Samantha—once the kind of friend who ditched out on work to literally spoon-feed a heartbroken Carrie—has abandoned all of her friends (and her beloved New York!) and moved to London because Carrie didn’t want Samantha to be her publicist anymore. (Why would Sam ditch \u003cem>all\u003c/em> of her friends over this? It doesn’t make a modicum of sense.) Stanford—sweet, sensitive Stanford who just wants to be loved for who he is—ditches his husband Anthony (the only good thing left from the original show, by the way) to go to Japan to tour with a TikTok star. I mean… on what planet?\u003c/p>\n\u003cp>Of course Willie Garson’s untimely death and Kim Cattrall’s unwillingness to return to the cast posed challenges for the show’s writers. But perhaps if more time had been spent planning classier, more character-appropriate exits, \u003cem>AJLT\u003c/em> wouldn’t have been such a disaster from the get-go.\u003c/p>\n\u003cp>https://twitter.com/laean4luvs/status/1484361089059983361\u003c/p>\n\u003cp>No character gets a worse deal than Miranda. In the original \u003cem>SATC\u003c/em>, Miranda was practical, no nonsense and focused on her career. In \u003cem>AJLT\u003c/em>, Miranda is careless, unlikeable and makes sex noises that resemble an angry cow. She’s also suddenly a simpleton that has no idea how to talk to Black people, despite living in NYC for 35 years and having had a serious relationship with at least one Black man. (Remember Blair Underwood in \u003cem>SATC\u003c/em> season six? How could anyone forget Blair Underwood in season six?!)\u003c/p>\n\u003cp>Watching Miranda blow up her life and 18-year marriage for a romance with Che—basically three weeks of sex, after a three-month wait to get a text returned—has been agony to watch. For Miranda to be given the line, “I’m living in a rom-com, Carrie!”—after being the one to tell Carrie “You’re living in a fantasy!” in season six—isn’t just a kick in the chops for the old Miranda, it’s a middle finger to her fans too.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Episode nine was the first of \u003cem>AJLT\u003c/em> to find something resembling a natural rhythm. So, who knows? Perhaps the finale will redeem this series on some level. But for now, let’s just call \u003cem>And Just Like That\u003c/em>… what it was: absolutely baffling.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>And just like that, \u003cem>Sex and the City\u003c/em>‘s legacy got pummeled into the dirt. In December, the reboot no one was sure they even wanted came stomping in, Manolos wobbling, Samantha missing, determined to appear relevant in 2022, no matter the cost. And oh, what a train wreck it has been. The season one finale airs on Feb. 3, but getting through the first nine episodes has been a marathon of cringe. You thought 2010’s barrel-scraping \u003cem>Sex and the City 2\u003c/em> movie made you want to crawl under the nearest table?\u003cem> And Just Like That\u003c/em>… just arrived, screamed “Hold my beer!” and kicked that table across the room.\u003c/p>\n\u003cp>Here are the ways it has most failed its audience.\u003c/p>\n\u003ch2>\u003cstrong>The worst sex scenes in history\u003c/strong>\u003c/h2>\n\u003cp>Let’s just go ahead and assume they had to remove the word “sex” from the show’s title because of \u003cem>AJLT’s\u003c/em> unholy marriage to the kind of physical intimacy that makes you want to never, ever have sex again.\u003c/p>\n\u003cfigure id=\"attachment_13908518\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13908518\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.15.23-PM-800x489.png\" alt=\"A woman with a partially shaved head embraces another woman with a grey bob. The first woman covers the mouth of the second woman during a passionate embrace. They are standing near a stove.\" width=\"800\" height=\"489\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.15.23-PM-800x489.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.15.23-PM-1020x623.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.15.23-PM-160x98.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.15.23-PM-768x469.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.15.23-PM-1536x939.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.15.23-PM.png 1656w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Che and Miranda have all the sexual chemistry of a raccoon trying to hump a possum. ‘And Just Like That…’ has failed to notice this. \u003ccite>(HBO)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Some examples of unsexy sex we’ve had to witness in this show:\u003c/p>\n\u003cul>\n\u003cli>Miranda and Che’s kitchen finger bang incident, directly juxtaposed with Carrie literally peeing the bed in the next room.\u003c/li>\n\u003cli>Miranda attempting to re-live the kitchen finger bang incident via Steve who, despite being great in bed in \u003cem>SATC\u003c/em>, has forgotten how to do third base now.\u003c/li>\n\u003cli>Lily walking in on her mom (Charlotte) orally pleasuring her dad (Harry) in a scene that also included a shiny, bouncing, fully erect, obviously fake penis. (Ew.)\u003c/li>\n\u003cli>Miranda continuing to masturbate while conducting a conversation with her 17-year-old son Brady through the bedroom door. (EW.)\u003c/li>\n\u003cli>Brady getting cowgirled by his girlfriend in the same house he shares with his parents. (This one was more upsetting than all of the teen sex scenes in \u003cem>Euphoria\u003c/em>, combined.)\u003c/li>\n\u003c/ul>\n\u003cp>Nothing about this show is sexy. \u003cem>Nothing.\u003c/em> Even the silver fox Carrie went on a date with in episode seven ended up spewing everywhere. (Really, who can blame him?)\u003c/p>\n\u003ch2>\u003cstrong>Making it seem like being friends with Black and brown people is hard\u003c/strong>\u003c/h2>\n\u003cp>\u003cem>SATC\u003c/em> was too white and we all know it—and getting Carrie a sassy Black assistant (played by the wonderful Jennifer Hudson) in the first movie didn’t move things along much. But watching Carrie, Miranda and Charlotte each simultaneously acquiring A New Black or Brown Friend throughout \u003cem>AJLT\u003c/em> has been clunky as hell.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Charlotte trying to find a second Black couple to invite to dinner, so Lisa and her husband won’t be the only one there? Awful. Carrie dealing with overbearing Indian parents at Seema’s Diwali party? Totally unnecessary. And Miranda mistaking her professor, Nya, for a student while making a comment about her braids? Nightmare fuel. (“Hair has nothing whatsoever to do with appropriateness, or intelligence or gravitas, obviously,” Miranda fumbles.)\u003c/p>\n\u003cfigure id=\"attachment_13908544\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13908544\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/Screen-Shot-2022-01-25-at-2.16.53-PM-800x592.png\" alt=\"Carrie Bradshaw, played by Sarah Jessica Parker, wearing traditional Indian clothing and greeting Seema's parents.\" width=\"800\" height=\"592\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-25-at-2.16.53-PM-800x592.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-25-at-2.16.53-PM-1020x755.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-25-at-2.16.53-PM-160x118.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-25-at-2.16.53-PM-768x569.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-25-at-2.16.53-PM.png 1440w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dear television, why is it always the parents of ethnic minorities that get presented as nagging their adult children to get married? White parents do this all the damn time as well.\u003c/figcaption>\u003c/figure>\n\u003cp>The problem with\u003cem> AJLT\u003c/em> is that rather than just seamlessly incorporating Lisa, Seema and Nya as new, fabulous characters, the show attempts to use them as learning tools. This, in turn, means \u003cem>AJLT\u003c/em> spends a lot of time focusing on the rich, white women’s discomfort with people of color instead of giving their new friends their own storylines. \u003cem>SATC\u003c/em> was weird because it ignored the fact that people living in diverse cities tend to have diverse friend groups. But the weirdest part about \u003cem>AJLT\u003c/em> is how Lisa, Seema and Nya have little to do beyond teaching Carrie, Charlotte and Miranda lessons.\u003c/p>\n\u003ch2>Everything that happens when Che Diaz is in the room\u003c/h2>\n\u003cp>Che (played by Sara Ramirez) is a nonbinary stand-up comedian who isn’t funny but still somehow has a Netflix special in the show. Miranda gets wide-eyed and laughs uproariously every time they open their mouth, and watching Miranda (\u003cem>Miranda!\u003c/em>) fan-girling is almost as bad as watching Brady have sex.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>When Che is not doing terrible stand-up, they are making an “edgy” podcast that isn’t very edgy, incessantly smoking weed (even in elevators—so rude), being aggravatingly cocky, and posing for photos with cartoon versions of what baby boomers think queer people look like. Which is this, incidentally:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Here is an exchange between Miranda and Che that was in no way sarcastic:\u003c/p>\n\u003cp>\u003cstrong>Che:\u003c/strong> You look especially pretty tonight.\u003cbr>\n\u003cstrong>Miranda:\u003c/strong> And you look especially… whatever acceptable, non-polarizing, gender-positive compliment that you feel comfortable with.\u003cbr>\n\u003cstrong>Che:\u003c/strong> You are a lot of fun.\u003c/p>\n\u003cp>Che is a character \u003cem>AJLT\u003c/em> made up to teach old, straight folks what nonbinary means. For the rest of us watching, the after-school-special-ness of it is excruciating. What would have been far more engaging is if a little extra time was dedicated to Rock—Charlotte’s nonbinary child—and the learning curve Charlotte is on. (Oh, and if \u003cem>AJLT\u003c/em> \u003cem>really\u003c/em> wanted to make up for the former sins of \u003cem>SATC\u003c/em>, it should’ve introduced a major trans woman character this season. \u003ca href=\"https://www.indy100.com/showbiz/sex-and-the-city-problematic-race-slut-shaming-8385976\" target=\"_blank\" rel=\"noopener noreferrer\">No one was done a greater disservice\u003c/a> in the original series than the trans sex workers of season three.)\u003c/p>\n\u003ch2>\u003cstrong>Equating hearing loss with unattractiveness\u003c/strong>\u003c/h2>\n\u003cp>For a show that’s this desperate to prove how woke it is, it has done a terrible job on the ableism front. (Miranda recovered from her alcohol dependency literally overnight! Because she felt like it!)\u003c/p>\n\u003cp>Much is made of the fact that Steve (played by David Eigenberg) is living with hearing loss and now needs to wear hearing aids—something apparently inspired by Eigenberg’s real-life experience. That’s all well and good, but for some reason this development has turned Steve into a bumbling, sexless, shouting idiot-man that Miranda is constantly embarrassed by.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Only in episode nine, after Miranda has already left him for Che, do we get to see the Steve we love and remember. It’s too little, too late.\u003c/p>\n\u003ch2>Carrie’s “grief”\u003c/h2>\n\u003cp>\u003cem>SATC\u003c/em> spent six seasons and a movie hammering in the point, over and over again, that Mr. Big was the love of Carrie’s life. So when that nasty Peloton bike went and drove him to a heart attack in the first episode, I really hoped it would give \u003cem>AJLT\u003c/em> something meaty to dig into. A well thought-out grief arc for Carrie could have been a total game-changer.\u003c/p>\n\u003cp>Instead, Carrie’s grief in \u003cem>AJLT\u003c/em> has manifested thusly:\u003c/p>\n\u003cul>\n\u003cli>Going for a few long walks\u003c/li>\n\u003cli>Finding a box of records and looking a bit sad\u003c/li>\n\u003cli>Telling Miranda not to argue with Charlotte because “people are gone in a second”\u003c/li>\n\u003cli>A book-writing/seasons changing montage\u003c/li>\n\u003cli>Wearing Big’s wedding ring for a day\u003c/li>\n\u003c/ul>\n\u003cfigure id=\"attachment_13908519\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13908519\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.20.09-PM-800x471.png\" alt=\"A woman with long wavy blonde hair sits in a window, wearing a green shirt, behind an open Apple laptop, looking thoughtfully out to the horizon.\" width=\"800\" height=\"471\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.20.09-PM-800x471.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.20.09-PM-1020x600.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.20.09-PM-160x94.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.20.09-PM-768x452.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-24-at-8.20.09-PM.png 1448w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Carrie, doing a grief. \u003ccite>(HBO)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I know that everyone grieves differently, and that it’s hard to convey on TV, but \u003cem>AJLT\u003c/em> has Carrie whitewashing her and Big’s luxurious home—sentimentality be damned!—and moving out immediately. Just so the audience can see her in her little apartment again like the good old days. It also has her quipping her way through hip surgery just two months after Big’s death. Carrie was more upset when Big moved to Paris in season two of the original show, for crying out loud! At least a Filet-O-Fish got chucked across the room that time!\u003c/p>\n\u003cp>Which brings us to…\u003c/p>\n\u003ch2>Established characters doing things their characters would never do\u003c/h2>\n\u003cp>Did the writers of \u003cem>AJLT\u003c/em> even watch \u003cem>Sex and the City\u003c/em> before they started writing this thing? Because this show does not seem to know the histories of any of the main characters beyond the most superficial of elements.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Carrie—whose entire career was founded on talking about sex—is now the kind of human who can’t bring herself to answer a question about masturbation on a podcast. Samantha—once the kind of friend who ditched out on work to literally spoon-feed a heartbroken Carrie—has abandoned all of her friends (and her beloved New York!) and moved to London because Carrie didn’t want Samantha to be her publicist anymore. (Why would Sam ditch \u003cem>all\u003c/em> of her friends over this? It doesn’t make a modicum of sense.) Stanford—sweet, sensitive Stanford who just wants to be loved for who he is—ditches his husband Anthony (the only good thing left from the original show, by the way) to go to Japan to tour with a TikTok star. I mean… on what planet?\u003c/p>\n\u003cp>Of course Willie Garson’s untimely death and Kim Cattrall’s unwillingness to return to the cast posed challenges for the show’s writers. But perhaps if more time had been spent planning classier, more character-appropriate exits, \u003cem>AJLT\u003c/em> wouldn’t have been such a disaster from the get-go.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>No character gets a worse deal than Miranda. In the original \u003cem>SATC\u003c/em>, Miranda was practical, no nonsense and focused on her career. In \u003cem>AJLT\u003c/em>, Miranda is careless, unlikeable and makes sex noises that resemble an angry cow. She’s also suddenly a simpleton that has no idea how to talk to Black people, despite living in NYC for 35 years and having had a serious relationship with at least one Black man. (Remember Blair Underwood in \u003cem>SATC\u003c/em> season six? How could anyone forget Blair Underwood in season six?!)\u003c/p>\n\u003cp>Watching Miranda blow up her life and 18-year marriage for a romance with Che—basically three weeks of sex, after a three-month wait to get a text returned—has been agony to watch. For Miranda to be given the line, “I’m living in a rom-com, Carrie!”—after being the one to tell Carrie “You’re living in a fantasy!” in season six—isn’t just a kick in the chops for the old Miranda, it’s a middle finger to her fans too.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Episode nine was the first of \u003cem>AJLT\u003c/em> to find something resembling a natural rhythm. So, who knows? Perhaps the finale will redeem this series on some level. But for now, let’s just call \u003cem>And Just Like That\u003c/em>… what it was: absolutely baffling.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "food-doesnt-slap",
"title": "Food Doesn't Slap",
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"headTitle": "Food Doesn’t Slap | KQED",
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"content": "\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>t’s 2022. Let’s get this out of the way. Stop saying food slaps.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>We’ve got enough problems as it is. We don’t need game-goofy folks out there misappropriating slang, leading our youth astray and contributing to the further decay of our society. People using a term deeply rooted in the culture of Bay Area hip-hop in a way that has nothing to do with the Bay Area, nor hip-hop.\u003c/p>\n\u003cp>I invite you to do a simple social media search of the term “\u003ca href=\"https://twitter.com/search?q=food%20slaps&src=typed_query&f=live\" target=\"_blank\" rel=\"noopener noreferrer\">food slaps\u003c/a>.” What you’ll find is that fools are \u003cem>still\u003c/em> saying it, and people are \u003cem>still\u003c/em> trying to correct them, bless their hearts.\u003c/p>\n\u003cp>“Slap” is about the sound of music when it hits your ears, not the flavor of food when it touches your tastebuds. Period.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Here we are, collectively surging into year three of the COVID-19 pandemic, with new variants sending people to hospitals across the country in droves. We really don’t have time to address how our jargon is (mis)used.\u003c/p>\n\u003cp>We should be worried that the United States’ current surge in COVID-19 cases is so bad that just outside of the nation’s capital, they’re \u003ca href=\"https://www.fox5dc.com/news/montgomery-county-school-officials-call-on-national-guard-amid-bus-driver-shortage\">calling in the National Guard\u003c/a> to drive school buses. We should be alarmed that this past Tuesday, the Hayward school district went\u003ca href=\"https://abc7news.com/hayward-unified-schools-virtual-unfied-learning-distance/11455635/\"> back to distanced learning for a week\u003c/a>, the \u003ca href=\"https://oaklandside.org/2022/01/06/oakland-teachers-plan-sickout-protest-as-omicron-cases-surge/\">Oakland teachers staged a sick-out\u003c/a> and \u003ca href=\"https://twitter.com/ashleynmcb/status/1479604608368476161?s=20\">OUSD students are petitioning\u003c/a> for more COVID-safe resources and threatening to have their own sick-out.\u003c/p>\n\u003cp>That’s just a couple of the healthcare-related issues. Don’t get me started on \u003ca href=\"https://apnews.com/article/consumer-prices-inflation-c1bfd93ed1719cf0135420f4fd0270f9?utm_campaign=SocialFlow&utm_source=Twitter&utm_medium=AP\">stark increases on the price of goods\u003c/a>, \u003ca href=\"https://www.npr.org/2021/12/21/1065722993/communities-are-dealing-with-an-increase-in-homicides-whats-behind-the-rise\">the uptick in crime across the nation\u003c/a> and how police companies are leveraging this data \u003ca href=\"https://www.nbcnews.com/news/nbcblk/cities-vowed-2020-cut-police-funding-budgets-expanded-2021-rcna9864\">to bolster their budgets\u003c/a>.\u003c/p>\n\u003cp>The last thing we need right now is someone getting on Marshawn Lynch’s internet, talking about they “had a sandwich and it was slapping.” Man, what?\u003c/p>\n\u003cp>https://twitter.com/omgadrian/status/1187570425879904256?lang=en\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>here’s so many \u003ci>other\u003c/i> words to describe food. It can be “delicious,” “scrumptious,” “good”– even “dumbass good.” It can be “hittin’” or “bangin’,” “Smackin’ or “Shhhhmackin’.” One of my favorites is when you ask someone if the food is good and they emphatically reply, “It’s candy, bruh!”\u003c/p>\n\u003cp>It can even be “man, this sh*t right here,” or “that’s that sh*t right there.”\u003c/p>\n\u003cp>But food can’t slap. Don’t say it.\u003c/p>\n\u003cp>Before going further into my tirade, I will concede this: I understand the confusion. I’m not exactly sure of the roots of saying “food slaps,” but I know that in the film \u003cem>Friday After Next\u003c/em> (2002), the third installment in the \u003cem>Friday\u003c/em> film trilogy, comedian Don “D.C.” Curry’s character, Uncle Elroy, opens a barbecue restaurant with the tagline, “\u003ca href=\"https://www.youtube.com/watch?v=skKTrYFDYg0\">tastes so good, make you wanna slap your mamma\u003c/a>.”\u003c/p>\n\u003cp>After this claim, his brother in the film, Willie Jones (played by the late John Witherspoon), proceeds to slap the ancestors’ blessings out of their mother. Ah, Hollywood magic.\u003c/p>\n\u003cp>There isn’t a piece of food on this earth good enough to make me even think about slapping my momma. “Slap” doesn’t even come to mind when we’re talking about food.\u003c/p>\n\u003cp>“Slap” is reserved for describing the audio experience of encountering someone with a stupid sound system, sliding down the block in a Box Chevy or a Delta 88 \u003cem>slappin’\u003c/em> Keak Da Sneak’s “T-Shirts Blue Jeans & Nikes,” and the bass line is kicking like a mule in heat.\u003c/p>\n\u003cp>“Slap” is a descriptor that was popularized during the hyphy movement, circa 2004. It was used to illustrate the type of impact on a person’s face when they encounter D-Lo’s “No Hoe” for the first time.\u003c/p>\n\u003cp>The late great producer Traxamillion used the term “Slapp,” with two Ps, just to emphasize the strength with which the song was slappin’.\u003c/p>\n\u003cfigure id=\"attachment_13908143\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13908143\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/Traxamillion.SlappAddict-800x600.jpg\" alt=\"A CD with the producer Traxamillion on the cover.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Traxamillion.SlappAddict-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Traxamillion.SlappAddict-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Traxamillion.SlappAddict-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Traxamillion.SlappAddict-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Traxamillion.SlappAddict-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Traxamillion.SlappAddict.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">San Jose producer Traxamillion’s 2006 album ‘The Slapp Addict’ slapped so hard, it required two “P”s in the title. \u003ccite>(Gabe Meline/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But before we were goin’ dumb, the term was already floating around the music-sphere, most often in reference to “slapping the bass,” a percussive way of playing the bass guitar with one’s thumb. (Larry Graham and Bootsy Collins are the godfathers of slapping, but you’ve probably heard it on \u003cem>\u003ca href=\"https://www.youtube.com/watch?v=slbco4zHmt8\" target=\"_blank\" rel=\"noopener noreferrer\">Seinfeld\u003c/a>\u003c/em>, or joked about in the movie \u003ca href=\"https://www.youtube.com/watch?v=RUuplQuk9Ck\">\u003cem>I Love You, Man\u003c/em>\u003c/a>.)\u003c/p>\n\u003cp>And yes, at the same time, \u003ca href=\"https://www.etymonline.com/word/slap\" target=\"_blank\" rel=\"noopener noreferrer\">the etymology of the word “slap”\u003c/a> reportedly dates to the 15th century, rooted in the literal act of gracing one’s cheek (facial or buttock) with a fierce open-palm.\u003c/p>\n\u003cp>So yes, “slap” has multiple meanings, just like so many other words in the English language. But it doesn’t apply to food. That’s the glory of slang, ever-evolving, and keeping the Queen’s English youthful.\u003c/p>\n\u003cp>https://twitter.com/hellasoosh/status/1100901490535759872\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">F\u003c/span>or instance, if I say “pull up,” that can mean that I’m asking you to hit a set of 10 on the chin-up bar in the doorway, it can mean come over for a friendly gathering, or it can mean bring yo mark-ass over here I’m finna put these hands on you.\u003c/p>\n\u003cp>When someone says “put these hands on you,” it means they plan on fighting, squaring up, throwing hands or catching a fade.\u003c/p>\n\u003cp>This is where it gets tricky.\u003c/p>\n\u003cp>“Fade,” or rather “fading up,” can also be a request that everyone pitch in a couple dollars on something, usually reefer. Not to mention a “fade route” is a path for a wide receiver to run in football. Being “faded” is being intoxicated. “Fading” something is coloring it in a spectrum that goes from dark to light. And, of course, “a fade” is also a haircut.\u003c/p>\n\u003cp>And oh man, if your barber or hairstylist is nice at their job, they’ve “got bars.” But having “bars” can also mean that you know how to drive a car extremely well. Or that you’re an exceptional blunt roller. Mind you, saying that a person “got bars” can also mean they are a very skilled rapper.\u003c/p>\n\u003cp>(You picking up what I’m putting down?)\u003c/p>\n\u003cp>If a person is a skilled rapper, it’s more common for folks to say that they’re “spittin’ gas”/ “gassin a track.” But be careful, because “gas” can also mean high quality reefer (it always comes back to reefer).\u003c/p>\n\u003cp>Additionally, “gassin’” can also mean lying, or “blowing up someone’s head.” Lastly, “having gas” can mean fuel in your car’s gas tank, or indigestion in your tummy’s tank.\u003c/p>\n\u003cp>Context is everything, eh?\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13908144\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/FoodDoesntSlap.jpg\" alt=\"\" width=\"423\" height=\"423\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/FoodDoesntSlap.jpg 423w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/FoodDoesntSlap-160x160.jpg 160w\" sizes=\"(max-width: 423px) 100vw, 423px\">\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span> could keep going for days about Northern Californian colloquialisms, and how tricky they are. But the mutation of words isn’t specific to this region—lest I remind you of the great “\u003ca href=\"https://hiphopdx.com/news/id.56660/title.ight-well-bite-examining-hip-hop-twitters-latest-obsession-with-the-glizzy#signup\" target=\"_blank\" rel=\"noopener noreferrer\">glizzy\u003c/a>” scandal of summer 2020 that had a solid portion of the Atlantic seaboard up in arms.\u003c/p>\n\u003cp>(The term “Glizzy” reportedly originated in the greater Washington D.C. area, and is a euphemism for hot dog, but it comes from how folks would describe a glock, or the extended clip that protrudes from a handgun. And I’m pretty sure there’s some connection to male anatomy in there too.)\u003c/p>\n\u003cp>Point being: words often have multiple meanings. It’s a fact of life. Even if every other aspect of Bay Area lingo from “bootsie” to “bipper” can be used in multiple ways, “slap” is where we as a community draw the line. I can’t even think of any other words that we collectively believe should have just one meani…..\u003c/p>\n\u003cp>Oh, wait: “Bop.” That’s another one. Because, to some, “bop” is a tasteful catchy song. But, uh, where I’m from, it means that you’re a hoe. And I mean “hoe” as in “a promiscuous person,” not “a garden tool.”\u003c/p>\n\u003cp>Ah, language. A collection of symbols that people have agreed upon, and oftentimes disagree upon. I bet as soon as the first humans started talking, an argument ensued soon after.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13908148\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/Twitter.Food_.Slaps_-800x361.jpg\" alt=\"\" width=\"800\" height=\"361\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Twitter.Food_.Slaps_-800x361.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Twitter.Food_.Slaps_-1020x461.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Twitter.Food_.Slaps_-160x72.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Twitter.Food_.Slaps_-768x347.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Twitter.Food_.Slaps_-1536x694.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Twitter.Food_.Slaps_.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Look, when it boils down to it, I’m all for free speech: Say what you want, just know the consequences of your actions.\u003c/p>\n\u003cp>I do stand \u003ca href=\"https://twitter.com/omgadrian/status/1187570425879904256?lang=en\" target=\"_blank\" rel=\"noopener noreferrer\">with E-40\u003c/a>, \u003ca href=\"https://twitter.com/p_lo/status/1311551426817007621?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">P-Lo\u003c/a> and many others in this fight against misuse of our innovative idioms.\u003c/p>\n\u003cp>And at the same time, I know words change. Language evolves, just like the world we’re attempting to make sense of through the words we use.\u003c/p>\n\u003cp>While I envision a world where we can come together on one accord, and conquer the problems of our time—the spread of COVID, the fractured education system, economic disparity, the impending collapse of civilization—I imagine that it’ll be hard to do if we’re arguing about the proper use of lexicon.\u003c/p>\n\u003cp>In conclusion, the Raiders and 49ers are in the playoffs, Klay Thompson is back on the basketball court, housing is a human right, no one should be hungry in the wealthiest country in the world, mass incarceration is inhumane, and we don’t say “food slaps.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>But we do say “Frisco.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>t’s 2022. Let’s get this out of the way. Stop saying food slaps.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>We’ve got enough problems as it is. We don’t need game-goofy folks out there misappropriating slang, leading our youth astray and contributing to the further decay of our society. People using a term deeply rooted in the culture of Bay Area hip-hop in a way that has nothing to do with the Bay Area, nor hip-hop.\u003c/p>\n\u003cp>I invite you to do a simple social media search of the term “\u003ca href=\"https://twitter.com/search?q=food%20slaps&src=typed_query&f=live\" target=\"_blank\" rel=\"noopener noreferrer\">food slaps\u003c/a>.” What you’ll find is that fools are \u003cem>still\u003c/em> saying it, and people are \u003cem>still\u003c/em> trying to correct them, bless their hearts.\u003c/p>\n\u003cp>“Slap” is about the sound of music when it hits your ears, not the flavor of food when it touches your tastebuds. Period.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Here we are, collectively surging into year three of the COVID-19 pandemic, with new variants sending people to hospitals across the country in droves. We really don’t have time to address how our jargon is (mis)used.\u003c/p>\n\u003cp>We should be worried that the United States’ current surge in COVID-19 cases is so bad that just outside of the nation’s capital, they’re \u003ca href=\"https://www.fox5dc.com/news/montgomery-county-school-officials-call-on-national-guard-amid-bus-driver-shortage\">calling in the National Guard\u003c/a> to drive school buses. We should be alarmed that this past Tuesday, the Hayward school district went\u003ca href=\"https://abc7news.com/hayward-unified-schools-virtual-unfied-learning-distance/11455635/\"> back to distanced learning for a week\u003c/a>, the \u003ca href=\"https://oaklandside.org/2022/01/06/oakland-teachers-plan-sickout-protest-as-omicron-cases-surge/\">Oakland teachers staged a sick-out\u003c/a> and \u003ca href=\"https://twitter.com/ashleynmcb/status/1479604608368476161?s=20\">OUSD students are petitioning\u003c/a> for more COVID-safe resources and threatening to have their own sick-out.\u003c/p>\n\u003cp>That’s just a couple of the healthcare-related issues. Don’t get me started on \u003ca href=\"https://apnews.com/article/consumer-prices-inflation-c1bfd93ed1719cf0135420f4fd0270f9?utm_campaign=SocialFlow&utm_source=Twitter&utm_medium=AP\">stark increases on the price of goods\u003c/a>, \u003ca href=\"https://www.npr.org/2021/12/21/1065722993/communities-are-dealing-with-an-increase-in-homicides-whats-behind-the-rise\">the uptick in crime across the nation\u003c/a> and how police companies are leveraging this data \u003ca href=\"https://www.nbcnews.com/news/nbcblk/cities-vowed-2020-cut-police-funding-budgets-expanded-2021-rcna9864\">to bolster their budgets\u003c/a>.\u003c/p>\n\u003cp>The last thing we need right now is someone getting on Marshawn Lynch’s internet, talking about they “had a sandwich and it was slapping.” Man, what?\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>here’s so many \u003ci>other\u003c/i> words to describe food. It can be “delicious,” “scrumptious,” “good”– even “dumbass good.” It can be “hittin’” or “bangin’,” “Smackin’ or “Shhhhmackin’.” One of my favorites is when you ask someone if the food is good and they emphatically reply, “It’s candy, bruh!”\u003c/p>\n\u003cp>It can even be “man, this sh*t right here,” or “that’s that sh*t right there.”\u003c/p>\n\u003cp>But food can’t slap. Don’t say it.\u003c/p>\n\u003cp>Before going further into my tirade, I will concede this: I understand the confusion. I’m not exactly sure of the roots of saying “food slaps,” but I know that in the film \u003cem>Friday After Next\u003c/em> (2002), the third installment in the \u003cem>Friday\u003c/em> film trilogy, comedian Don “D.C.” Curry’s character, Uncle Elroy, opens a barbecue restaurant with the tagline, “\u003ca href=\"https://www.youtube.com/watch?v=skKTrYFDYg0\">tastes so good, make you wanna slap your mamma\u003c/a>.”\u003c/p>\n\u003cp>After this claim, his brother in the film, Willie Jones (played by the late John Witherspoon), proceeds to slap the ancestors’ blessings out of their mother. Ah, Hollywood magic.\u003c/p>\n\u003cp>There isn’t a piece of food on this earth good enough to make me even think about slapping my momma. “Slap” doesn’t even come to mind when we’re talking about food.\u003c/p>\n\u003cp>“Slap” is reserved for describing the audio experience of encountering someone with a stupid sound system, sliding down the block in a Box Chevy or a Delta 88 \u003cem>slappin’\u003c/em> Keak Da Sneak’s “T-Shirts Blue Jeans & Nikes,” and the bass line is kicking like a mule in heat.\u003c/p>\n\u003cp>“Slap” is a descriptor that was popularized during the hyphy movement, circa 2004. It was used to illustrate the type of impact on a person’s face when they encounter D-Lo’s “No Hoe” for the first time.\u003c/p>\n\u003cp>The late great producer Traxamillion used the term “Slapp,” with two Ps, just to emphasize the strength with which the song was slappin’.\u003c/p>\n\u003cfigure id=\"attachment_13908143\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13908143\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/Traxamillion.SlappAddict-800x600.jpg\" alt=\"A CD with the producer Traxamillion on the cover.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Traxamillion.SlappAddict-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Traxamillion.SlappAddict-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Traxamillion.SlappAddict-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Traxamillion.SlappAddict-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Traxamillion.SlappAddict-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Traxamillion.SlappAddict.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">San Jose producer Traxamillion’s 2006 album ‘The Slapp Addict’ slapped so hard, it required two “P”s in the title. \u003ccite>(Gabe Meline/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>But before we were goin’ dumb, the term was already floating around the music-sphere, most often in reference to “slapping the bass,” a percussive way of playing the bass guitar with one’s thumb. (Larry Graham and Bootsy Collins are the godfathers of slapping, but you’ve probably heard it on \u003cem>\u003ca href=\"https://www.youtube.com/watch?v=slbco4zHmt8\" target=\"_blank\" rel=\"noopener noreferrer\">Seinfeld\u003c/a>\u003c/em>, or joked about in the movie \u003ca href=\"https://www.youtube.com/watch?v=RUuplQuk9Ck\">\u003cem>I Love You, Man\u003c/em>\u003c/a>.)\u003c/p>\n\u003cp>And yes, at the same time, \u003ca href=\"https://www.etymonline.com/word/slap\" target=\"_blank\" rel=\"noopener noreferrer\">the etymology of the word “slap”\u003c/a> reportedly dates to the 15th century, rooted in the literal act of gracing one’s cheek (facial or buttock) with a fierce open-palm.\u003c/p>\n\u003cp>So yes, “slap” has multiple meanings, just like so many other words in the English language. But it doesn’t apply to food. That’s the glory of slang, ever-evolving, and keeping the Queen’s English youthful.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">F\u003c/span>or instance, if I say “pull up,” that can mean that I’m asking you to hit a set of 10 on the chin-up bar in the doorway, it can mean come over for a friendly gathering, or it can mean bring yo mark-ass over here I’m finna put these hands on you.\u003c/p>\n\u003cp>When someone says “put these hands on you,” it means they plan on fighting, squaring up, throwing hands or catching a fade.\u003c/p>\n\u003cp>This is where it gets tricky.\u003c/p>\n\u003cp>“Fade,” or rather “fading up,” can also be a request that everyone pitch in a couple dollars on something, usually reefer. Not to mention a “fade route” is a path for a wide receiver to run in football. Being “faded” is being intoxicated. “Fading” something is coloring it in a spectrum that goes from dark to light. And, of course, “a fade” is also a haircut.\u003c/p>\n\u003cp>And oh man, if your barber or hairstylist is nice at their job, they’ve “got bars.” But having “bars” can also mean that you know how to drive a car extremely well. Or that you’re an exceptional blunt roller. Mind you, saying that a person “got bars” can also mean they are a very skilled rapper.\u003c/p>\n\u003cp>(You picking up what I’m putting down?)\u003c/p>\n\u003cp>If a person is a skilled rapper, it’s more common for folks to say that they’re “spittin’ gas”/ “gassin a track.” But be careful, because “gas” can also mean high quality reefer (it always comes back to reefer).\u003c/p>\n\u003cp>Additionally, “gassin’” can also mean lying, or “blowing up someone’s head.” Lastly, “having gas” can mean fuel in your car’s gas tank, or indigestion in your tummy’s tank.\u003c/p>\n\u003cp>Context is everything, eh?\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13908144\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/FoodDoesntSlap.jpg\" alt=\"\" width=\"423\" height=\"423\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/FoodDoesntSlap.jpg 423w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/FoodDoesntSlap-160x160.jpg 160w\" sizes=\"(max-width: 423px) 100vw, 423px\">\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span> could keep going for days about Northern Californian colloquialisms, and how tricky they are. But the mutation of words isn’t specific to this region—lest I remind you of the great “\u003ca href=\"https://hiphopdx.com/news/id.56660/title.ight-well-bite-examining-hip-hop-twitters-latest-obsession-with-the-glizzy#signup\" target=\"_blank\" rel=\"noopener noreferrer\">glizzy\u003c/a>” scandal of summer 2020 that had a solid portion of the Atlantic seaboard up in arms.\u003c/p>\n\u003cp>(The term “Glizzy” reportedly originated in the greater Washington D.C. area, and is a euphemism for hot dog, but it comes from how folks would describe a glock, or the extended clip that protrudes from a handgun. And I’m pretty sure there’s some connection to male anatomy in there too.)\u003c/p>\n\u003cp>Point being: words often have multiple meanings. It’s a fact of life. Even if every other aspect of Bay Area lingo from “bootsie” to “bipper” can be used in multiple ways, “slap” is where we as a community draw the line. I can’t even think of any other words that we collectively believe should have just one meani…..\u003c/p>\n\u003cp>Oh, wait: “Bop.” That’s another one. Because, to some, “bop” is a tasteful catchy song. But, uh, where I’m from, it means that you’re a hoe. And I mean “hoe” as in “a promiscuous person,” not “a garden tool.”\u003c/p>\n\u003cp>Ah, language. A collection of symbols that people have agreed upon, and oftentimes disagree upon. I bet as soon as the first humans started talking, an argument ensued soon after.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13908148\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/Twitter.Food_.Slaps_-800x361.jpg\" alt=\"\" width=\"800\" height=\"361\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Twitter.Food_.Slaps_-800x361.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Twitter.Food_.Slaps_-1020x461.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Twitter.Food_.Slaps_-160x72.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Twitter.Food_.Slaps_-768x347.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Twitter.Food_.Slaps_-1536x694.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Twitter.Food_.Slaps_.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Look, when it boils down to it, I’m all for free speech: Say what you want, just know the consequences of your actions.\u003c/p>\n\u003cp>I do stand \u003ca href=\"https://twitter.com/omgadrian/status/1187570425879904256?lang=en\" target=\"_blank\" rel=\"noopener noreferrer\">with E-40\u003c/a>, \u003ca href=\"https://twitter.com/p_lo/status/1311551426817007621?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">P-Lo\u003c/a> and many others in this fight against misuse of our innovative idioms.\u003c/p>\n\u003cp>And at the same time, I know words change. Language evolves, just like the world we’re attempting to make sense of through the words we use.\u003c/p>\n\u003cp>While I envision a world where we can come together on one accord, and conquer the problems of our time—the spread of COVID, the fractured education system, economic disparity, the impending collapse of civilization—I imagine that it’ll be hard to do if we’re arguing about the proper use of lexicon.\u003c/p>\n\u003cp>In conclusion, the Raiders and 49ers are in the playoffs, Klay Thompson is back on the basketball court, housing is a human right, no one should be hungry in the wealthiest country in the world, mass incarceration is inhumane, and we don’t say “food slaps.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But we do say “Frisco.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Elizabeth Holmes, Convicted of Fraud, is More Fascinating Than Ever",
"headTitle": "Elizabeth Holmes, Convicted of Fraud, is More Fascinating Than Ever | KQED",
"content": "\u003cp>Perhaps it’s only right for a story about a convicted criminal to start with a confession.\u003c/p>\n\u003cp>The following is a partial list of the media I have consumed on the topic of Elizabeth Holmes (no relation), recently convicted of four fraud-related charges for lying to investors in her company, Theranos.\u003c/p>\n\u003cul>\n\u003cli>The John Carreyrou book \u003ca href=\"https://www.goodreads.com/book/show/37976541-bad-blood\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Bad Blood: Secrets and Lies in a Silicon Valley Startup\u003c/em>\u003c/a>\u003c/li>\n\u003cli>The John Carreyrou podcast \u003ca href=\"https://www.threeuncannyfour.com/show/bad-blood/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Bad Blood: The Final Chapter\u003c/em>\u003c/a>\u003c/li>\n\u003cli>The ABC podcast \u003ca href=\"https://abcnews.go.com/Business/nightline-documentary-podcast-dropout-story-elizabeth-holmes-theranos/story?id=60365362\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Dropout\u003c/em>\u003c/a>\u003c/li>\n\u003cli>The Alex Gibney documentary \u003ca href=\"https://www.imdb.com/title/tt8488126/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Inventor: Out for Blood in Silicon Valley\u003c/em>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>I have listened to the Carreyrou book on audio — twice. I have watched the Gibney documentary, I believe, three times. If Theranos Fever is a disease, I am the patient who kept going back and putting my mouth directly on the water fountain, no matter how many times they tell me to stop, making myself sick all over again.\u003c/p>\n\u003ch3>The draw of the scam\u003c/h3>\n\u003cp>[aside postid='arts_13148571']Part of this, I admit, is rooted in a more general weakness for stories about brazen grabs for other people’s money, particularly people who have a lot of it. People who have enough money that they buy \u003cem>Magic Beans: The Painting\u003c/em>, \u003cem>Magic Beans: The Stock\u003c/em>, \u003cem>Magic Beans: The Experience\u003c/em>. There were two documentaries in 2019 about the ill-fated Fyre Festival, and I watched both. I would have watched three. (Who am I kidding? I would have watched ten. That iconic and possibly apocryphal \u003ca href=\"https://www.vice.com/en/article/mb8va8/the-full-story-of-the-legendary-fyre-festival-cheese-sandwich\" target=\"_blank\" rel=\"noopener noreferrer\">cheese sandwich\u003c/a>!) I love \u003cem>Sour Grapes\u003c/em>, about rich types who paid small fortunes for counterfeit wine, and \u003cem>Made You Look: A True Story About Fake Art\u003c/em>, about a massive bamboozle involving paintings.\u003c/p>\n\u003cp>As it related to investors, Theranos has always been, for me, a bit like \u003cem>Magic Beans: The Startup\u003c/em>: something rich people invested in because other rich people were doing it and said they should do it too. And when the magic evaporated, well, all those rich people were \u003cem>furious\u003c/em>. If you take this comparison to its logical conclusion, here’s the question: Was Elizabeth Holmes the seller, or was she, in fact, the beans? Did she make the shiny object, or was she herself the shiny object?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>If you have thus far avoided Theranos Fever, some basics: Holmes was a young Stanford dropout who wanted to be the Steve Jobs of biotech. (When she was still in college, she had this idea that you could put a patch on your arm that would detect your medical problem \u003cem>and \u003c/em>administer your medications through your skin. When I try to envision this, it’s always on George Jetson.) She carried her Jobs-iness through her adoption of a black-turtleneck uniform, her hiring of people who came from Apple, and her apparent conviction that a slick-looking interface was the lever you pulled to make money come out.\u003c/p>\n\u003cp>Later, she began to follow her dream of making a machine that could run hundreds of medical tests on a couple of drops of blood from pricking your finger. She raised a fortune from investors, got on the \u003ca href=\"https://fortune.com/2014/06/12/theranos-blood-holmes/\" target=\"_blank\" rel=\"noopener noreferrer\">cover of \u003cem>Fortune\u003c/em>\u003c/a>, hobnobbed with political and financial mucky-mucks of many stripes, was hailed as the rare woman to break through the very male world of Silicon Valley startup founders, and then \u003ca href=\"https://www.npr.org/2022/01/03/1063973490/elizabeth-holmes-trial-verdict-guilty-theranos\" target=\"_blank\" rel=\"noopener noreferrer\">saw it all go to pieces\u003c/a> when it turned out that the machines didn’t work the way she hoped and she, according to the charges on which she was just convicted, didn’t tell her investors the truth.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=wtDaP18OGfw\u003c/p>\n\u003cp>Elizabeth Holmes belongs to a robust cohort of startup founders who have seen their reputations tank. (WeWork’s ousted Adam Neumann \u003ca href=\"https://www.cnbc.com/2021/11/09/ousted-wework-ceo-adam-neumann-47-billion-valuation-went-to-his-head.html\" target=\"_blank\" rel=\"noopener noreferrer\">saying a $47 billion valuation\u003c/a> might just have warped his perspective is \u003cem>amazing\u003c/em>.) But there’s something about the brazenness with which she operated that makes her mesmerizing to me. You can keep your high-level financial maneuvers and your sophisticated document manipulations: according to Carreyrou’s reporting and some of the \u003ca href=\"https://arstechnica.com/tech-policy/2021/10/theranos-devices-ran-demo-apps-that-blocked-error-messages-during-investor-pitches/\" target=\"_blank\" rel=\"noopener noreferrer\">trial testimony\u003c/a>, Theranos got around demands for demonstrations of its machines with painfully obvious dodges—moves about as complicated as making beeping noises with your mouth to make a toddler think you’re a robot.\u003c/p>\n\u003ch3>Self-made, indeed\u003c/h3>\n\u003cp>I keep asking myself: How did \u003cem>any \u003c/em>of this work? On \u003cem>anybody\u003c/em>? How did she have two former Secretaries of State on her board (Henry Kissinger and George Schultz), both over 90 years old, and wiggle around the doubts about her motives that one would think decades of experience in diplomacy would instill? How did a company like Walgreens, which undoubtedly wouldn’t change the length of the tail on the “W” logo without being certain that they understood every last possible consequence, \u003ca href=\"https://www.washingtonpost.com/technology/2021/10/13/theranos-walgreens-holmes/\" target=\"_blank\" rel=\"noopener noreferrer\">spend $140 million\u003c/a> on a doomed deal with Theranos?\u003c/p>\n\u003cp>Maybe it was her capacity for invention after all—not invention of the machine, but invention of herself.\u003c/p>\n\u003cp>[aside postid='science_1978159']Consider this: Elizabeth Holmes was touted at one point as the \u003ca href=\"https://www.forbes.com/profile/elizabeth-holmes/?sh=3ceea43147a7\" target=\"_blank\" rel=\"noopener noreferrer\">youngest-ever woman self-made billionaire\u003c/a>, but \u003cem>Forbes\u003c/em> revised her net worth from billions to zero in a single year. And it wasn’t because she gave all that money away or spent it on candy and magazines. It just no longer existed.\u003c/p>\n\u003cp>It’s almost charming, the \u003cem>verve \u003c/em>of this particular kind of operator, right? Imagine I walked up to you with my hand held behind my back, and I told you I had a unicorn horn of potentially unlimited value. Imagine I offered you a one percent interest in my unicorn horn, which you have not seen yet, for $10,000. And imagine you believed me. You paid me the money.\u003c/p>\n\u003cp>On the one hand, I only have $10,000. But on the other, I own a unicorn horn that has been valued by the market at one million dollars. \u003cem>I am a self-made millionaire.\u003c/em> You may have never even seen the unicorn horn, but I have the proof of its worth. Your belief in me has defined me! \u003cem>How impressive\u003c/em>, someone might say when walking past me, \u003cem>that yesterday she was broke, and today, she is a self-made millionaire! \u003c/em>\u003c/p>\n\u003cp>In this example, I do not actually have a unicorn horn, of course. And I don’t have a million dollars. But I have a \u003cem>story\u003c/em>. And Elizabeth Holmes did not have operational technology that could do hundreds of tests on a finger prick’s worth of blood, and she did not have billions of dollars. But she had a story.\u003c/p>\n\u003cfigure id=\"attachment_13907778\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13907778\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-800x600.jpg\" alt=\"Elizabeth Holmes, in her trademark black turtleneck, blonde hair pulled back into a messy ponytail, leans forward to listen to someone.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Elizabeth Holmes speaks at the Fortune Global Forum in San Francisco in 2015. \u003ccite>(Jeff Chiu/AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Underestimate her at your peril\u003c/h3>\n\u003cp>We come, inevitably, to this: Most of the purveyors of magic beans who have become cultural (and sometimes criminal) legends have been men. Plenty of people before me have spent considerable time since Holmes came to power analyzing the complicated gender dynamics around her rise and fall. We know sexism is rampant in tech, in Silicon Valley, in press coverage, in everything. No one gets the chance to opt out of all relevant context. She’s sometimes argued that the treatment of her has been sexist compared to the treatment of other similarly sketchy startup founders, and it probably has been at times. Why wouldn’t it be? How couldn’t it be?\u003c/p>\n\u003cp>[aside postid='news_11900856']But the gender dynamics in the Theranos story pull in multiple directions. Skepticism—lack of faith in one’s work and ability—can be the result of bias. But maybe in this case, the many powerful men pulled into her orbit as investors or board members or public allies—or, in some cases, credulous journalists—were \u003cem>less \u003c/em>skeptical of her than they might have been if she weren’t a young woman. Maybe they just didn’t have their antennae up. When you see the way men like George Schultz acted around her, it doesn’t seem patronizing as much as just \u003cem>paternal\u003c/em>. Introducing her in 2015, \u003ca href=\"https://www.youtube.com/watch?v=CB5_68CIt_k&ab_channel=StanfordInstituteforEconomicPolicyResearch%28SIEPR%29\" target=\"_blank\" rel=\"noopener noreferrer\">Schultz said\u003c/a> his first thought when he met her was that she seemed like a friend of his granddaughter’s. He claimed that he quickly realized he’d underestimated her, and he began to rave about her accomplishments. But did he \u003cem>really\u003c/em> understand the ways he’d underestimated her?\u003c/p>\n\u003cp>What if the most important sexist misapprehension of Elizabeth Holmes was that some of her backers believed young women to be less driven, less capable, and therefore less dangerous to take at their word than young men? What if they underestimated not just her abilities, but also her ruthlessness? What if she keenly understood sexism and used it to her advantage? And what if, given the way Silicon Valley works, the way tech works, the way big money works, a woman less willing to exploit sexism would not have stood a chance?\u003c/p>\n\u003cp>Vanessa Friedman \u003ca href=\"https://www.nytimes.com/2021/12/17/style/elizabeth-holmes-trial-makeover.html\" target=\"_blank\" rel=\"noopener noreferrer\">wrote in the \u003cem>New York Times\u003c/em>\u003c/a> recently about Holmes’ image makeover before and at her trial. She described it as a transformation “from black-clad genius to besuited milquetoast.” Whatever the purpose of that change was, it’s hard to deny that the Elizabeth Holmes of her trial was a very different one from the Elizabeth you will see in any footage that was taken during the highest highs of her publicity swings. As the aforementioned Theranos enthusiast I am, I almost didn’t recognize her the first time I saw her during her trial. Different hair, different makeup, different clothes, different bearing, the abandonment of \u003cem>every \u003c/em>element of her Theranos-era style. (Except, of course, her deep voice, which I have considered mostly a distraction—if she artificially started speaking in a lower voice at some point because people didn’t take her seriously, that’s a modest and understandable manipulation.)\u003c/p>\n\u003cfigure id=\"attachment_13907781\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13907781\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/GettyImages-1237525059-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-2048x1366.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Elizabeth Holmes (2nd L) walks with her partner Billy Evans (L), her mother Noel Holmes and a lawyer as they leave the Robert F. Peckham Federal Building on January 3, 2022 in San Jose. \u003ccite>(David Odisho/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This question also got a lot more prickly when Holmes testified about sexual and emotional abuse she said she suffered at the hands of Sunny Balwani, her significantly older former boyfriend and her number-two at Theranos. Raising the issue of intimate partner abuse in the context of this trial, to suggest Balwani was really the driver of the bad acts at Theranos, was \u003cem>really\u003c/em> complicated to navigate, only partly because so much of what had been reported about Elizabeth Holmes had focused on how forceful she was, how in charge.\u003c/p>\n\u003ch3>More to come\u003c/h3>\n\u003cp>Pop culture is not through with Elizabeth Holmes. Apple has a movie coming (perhaps not the connection to Apple that Holmes dreamed of) in which Jennifer Lawrence will play her. Adam McKay (\u003cem>The Big Short\u003c/em>) is directing, so it’s probably not going to be a particularly \u003cem>flattering \u003c/em>portrait. \u003ca href=\"https://www.theverge.com/2021/12/15/22838297/hulu-amanda-seyfried-elizabeth-holmes-theranos\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu has a limited series\u003c/a> coming much sooner, in March, in which Holmes is played by Amanda Seyfried. There were two podcasts, at least one big book, a big documentary … it only makes sense that there will be two high-profile fictional Elizabeths as well.\u003c/p>\n\u003cp>I know myself. I will watch both.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>https://twitter.com/U_pasana/status/1479157325797552128\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Elizabeth+Holmes%2C+convicted+of+fraud%2C+is+our+latest+seller+of+false+hope+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"excerpt": "It's possible that Holmes recognized—and then relied on—sexist notions in tech to keep the sham going for as long as she did.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Perhaps it’s only right for a story about a convicted criminal to start with a confession.\u003c/p>\n\u003cp>The following is a partial list of the media I have consumed on the topic of Elizabeth Holmes (no relation), recently convicted of four fraud-related charges for lying to investors in her company, Theranos.\u003c/p>\n\u003cul>\n\u003cli>The John Carreyrou book \u003ca href=\"https://www.goodreads.com/book/show/37976541-bad-blood\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Bad Blood: Secrets and Lies in a Silicon Valley Startup\u003c/em>\u003c/a>\u003c/li>\n\u003cli>The John Carreyrou podcast \u003ca href=\"https://www.threeuncannyfour.com/show/bad-blood/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Bad Blood: The Final Chapter\u003c/em>\u003c/a>\u003c/li>\n\u003cli>The ABC podcast \u003ca href=\"https://abcnews.go.com/Business/nightline-documentary-podcast-dropout-story-elizabeth-holmes-theranos/story?id=60365362\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Dropout\u003c/em>\u003c/a>\u003c/li>\n\u003cli>The Alex Gibney documentary \u003ca href=\"https://www.imdb.com/title/tt8488126/?ref_=nv_sr_srsg_0\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Inventor: Out for Blood in Silicon Valley\u003c/em>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>I have listened to the Carreyrou book on audio — twice. I have watched the Gibney documentary, I believe, three times. If Theranos Fever is a disease, I am the patient who kept going back and putting my mouth directly on the water fountain, no matter how many times they tell me to stop, making myself sick all over again.\u003c/p>\n\u003ch3>The draw of the scam\u003c/h3>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Part of this, I admit, is rooted in a more general weakness for stories about brazen grabs for other people’s money, particularly people who have a lot of it. People who have enough money that they buy \u003cem>Magic Beans: The Painting\u003c/em>, \u003cem>Magic Beans: The Stock\u003c/em>, \u003cem>Magic Beans: The Experience\u003c/em>. There were two documentaries in 2019 about the ill-fated Fyre Festival, and I watched both. I would have watched three. (Who am I kidding? I would have watched ten. That iconic and possibly apocryphal \u003ca href=\"https://www.vice.com/en/article/mb8va8/the-full-story-of-the-legendary-fyre-festival-cheese-sandwich\" target=\"_blank\" rel=\"noopener noreferrer\">cheese sandwich\u003c/a>!) I love \u003cem>Sour Grapes\u003c/em>, about rich types who paid small fortunes for counterfeit wine, and \u003cem>Made You Look: A True Story About Fake Art\u003c/em>, about a massive bamboozle involving paintings.\u003c/p>\n\u003cp>As it related to investors, Theranos has always been, for me, a bit like \u003cem>Magic Beans: The Startup\u003c/em>: something rich people invested in because other rich people were doing it and said they should do it too. And when the magic evaporated, well, all those rich people were \u003cem>furious\u003c/em>. If you take this comparison to its logical conclusion, here’s the question: Was Elizabeth Holmes the seller, or was she, in fact, the beans? Did she make the shiny object, or was she herself the shiny object?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>If you have thus far avoided Theranos Fever, some basics: Holmes was a young Stanford dropout who wanted to be the Steve Jobs of biotech. (When she was still in college, she had this idea that you could put a patch on your arm that would detect your medical problem \u003cem>and \u003c/em>administer your medications through your skin. When I try to envision this, it’s always on George Jetson.) She carried her Jobs-iness through her adoption of a black-turtleneck uniform, her hiring of people who came from Apple, and her apparent conviction that a slick-looking interface was the lever you pulled to make money come out.\u003c/p>\n\u003cp>Later, she began to follow her dream of making a machine that could run hundreds of medical tests on a couple of drops of blood from pricking your finger. She raised a fortune from investors, got on the \u003ca href=\"https://fortune.com/2014/06/12/theranos-blood-holmes/\" target=\"_blank\" rel=\"noopener noreferrer\">cover of \u003cem>Fortune\u003c/em>\u003c/a>, hobnobbed with political and financial mucky-mucks of many stripes, was hailed as the rare woman to break through the very male world of Silicon Valley startup founders, and then \u003ca href=\"https://www.npr.org/2022/01/03/1063973490/elizabeth-holmes-trial-verdict-guilty-theranos\" target=\"_blank\" rel=\"noopener noreferrer\">saw it all go to pieces\u003c/a> when it turned out that the machines didn’t work the way she hoped and she, according to the charges on which she was just convicted, didn’t tell her investors the truth.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/wtDaP18OGfw'\n title='//www.youtube.com/embed/wtDaP18OGfw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Elizabeth Holmes belongs to a robust cohort of startup founders who have seen their reputations tank. (WeWork’s ousted Adam Neumann \u003ca href=\"https://www.cnbc.com/2021/11/09/ousted-wework-ceo-adam-neumann-47-billion-valuation-went-to-his-head.html\" target=\"_blank\" rel=\"noopener noreferrer\">saying a $47 billion valuation\u003c/a> might just have warped his perspective is \u003cem>amazing\u003c/em>.) But there’s something about the brazenness with which she operated that makes her mesmerizing to me. You can keep your high-level financial maneuvers and your sophisticated document manipulations: according to Carreyrou’s reporting and some of the \u003ca href=\"https://arstechnica.com/tech-policy/2021/10/theranos-devices-ran-demo-apps-that-blocked-error-messages-during-investor-pitches/\" target=\"_blank\" rel=\"noopener noreferrer\">trial testimony\u003c/a>, Theranos got around demands for demonstrations of its machines with painfully obvious dodges—moves about as complicated as making beeping noises with your mouth to make a toddler think you’re a robot.\u003c/p>\n\u003ch3>Self-made, indeed\u003c/h3>\n\u003cp>I keep asking myself: How did \u003cem>any \u003c/em>of this work? On \u003cem>anybody\u003c/em>? How did she have two former Secretaries of State on her board (Henry Kissinger and George Schultz), both over 90 years old, and wiggle around the doubts about her motives that one would think decades of experience in diplomacy would instill? How did a company like Walgreens, which undoubtedly wouldn’t change the length of the tail on the “W” logo without being certain that they understood every last possible consequence, \u003ca href=\"https://www.washingtonpost.com/technology/2021/10/13/theranos-walgreens-holmes/\" target=\"_blank\" rel=\"noopener noreferrer\">spend $140 million\u003c/a> on a doomed deal with Theranos?\u003c/p>\n\u003cp>Maybe it was her capacity for invention after all—not invention of the machine, but invention of herself.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Consider this: Elizabeth Holmes was touted at one point as the \u003ca href=\"https://www.forbes.com/profile/elizabeth-holmes/?sh=3ceea43147a7\" target=\"_blank\" rel=\"noopener noreferrer\">youngest-ever woman self-made billionaire\u003c/a>, but \u003cem>Forbes\u003c/em> revised her net worth from billions to zero in a single year. And it wasn’t because she gave all that money away or spent it on candy and magazines. It just no longer existed.\u003c/p>\n\u003cp>It’s almost charming, the \u003cem>verve \u003c/em>of this particular kind of operator, right? Imagine I walked up to you with my hand held behind my back, and I told you I had a unicorn horn of potentially unlimited value. Imagine I offered you a one percent interest in my unicorn horn, which you have not seen yet, for $10,000. And imagine you believed me. You paid me the money.\u003c/p>\n\u003cp>On the one hand, I only have $10,000. But on the other, I own a unicorn horn that has been valued by the market at one million dollars. \u003cem>I am a self-made millionaire.\u003c/em> You may have never even seen the unicorn horn, but I have the proof of its worth. Your belief in me has defined me! \u003cem>How impressive\u003c/em>, someone might say when walking past me, \u003cem>that yesterday she was broke, and today, she is a self-made millionaire! \u003c/em>\u003c/p>\n\u003cp>In this example, I do not actually have a unicorn horn, of course. And I don’t have a million dollars. But I have a \u003cem>story\u003c/em>. And Elizabeth Holmes did not have operational technology that could do hundreds of tests on a finger prick’s worth of blood, and she did not have billions of dollars. But she had a story.\u003c/p>\n\u003cfigure id=\"attachment_13907778\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13907778\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-800x600.jpg\" alt=\"Elizabeth Holmes, in her trademark black turtleneck, blonde hair pulled back into a messy ponytail, leans forward to listen to someone.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/ap968958996355-24d4e67337d532b606ad114fb8e04bd720aa7480-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Elizabeth Holmes speaks at the Fortune Global Forum in San Francisco in 2015. \u003ccite>(Jeff Chiu/AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Underestimate her at your peril\u003c/h3>\n\u003cp>We come, inevitably, to this: Most of the purveyors of magic beans who have become cultural (and sometimes criminal) legends have been men. Plenty of people before me have spent considerable time since Holmes came to power analyzing the complicated gender dynamics around her rise and fall. We know sexism is rampant in tech, in Silicon Valley, in press coverage, in everything. No one gets the chance to opt out of all relevant context. She’s sometimes argued that the treatment of her has been sexist compared to the treatment of other similarly sketchy startup founders, and it probably has been at times. Why wouldn’t it be? How couldn’t it be?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>But the gender dynamics in the Theranos story pull in multiple directions. Skepticism—lack of faith in one’s work and ability—can be the result of bias. But maybe in this case, the many powerful men pulled into her orbit as investors or board members or public allies—or, in some cases, credulous journalists—were \u003cem>less \u003c/em>skeptical of her than they might have been if she weren’t a young woman. Maybe they just didn’t have their antennae up. When you see the way men like George Schultz acted around her, it doesn’t seem patronizing as much as just \u003cem>paternal\u003c/em>. Introducing her in 2015, \u003ca href=\"https://www.youtube.com/watch?v=CB5_68CIt_k&ab_channel=StanfordInstituteforEconomicPolicyResearch%28SIEPR%29\" target=\"_blank\" rel=\"noopener noreferrer\">Schultz said\u003c/a> his first thought when he met her was that she seemed like a friend of his granddaughter’s. He claimed that he quickly realized he’d underestimated her, and he began to rave about her accomplishments. But did he \u003cem>really\u003c/em> understand the ways he’d underestimated her?\u003c/p>\n\u003cp>What if the most important sexist misapprehension of Elizabeth Holmes was that some of her backers believed young women to be less driven, less capable, and therefore less dangerous to take at their word than young men? What if they underestimated not just her abilities, but also her ruthlessness? What if she keenly understood sexism and used it to her advantage? And what if, given the way Silicon Valley works, the way tech works, the way big money works, a woman less willing to exploit sexism would not have stood a chance?\u003c/p>\n\u003cp>Vanessa Friedman \u003ca href=\"https://www.nytimes.com/2021/12/17/style/elizabeth-holmes-trial-makeover.html\" target=\"_blank\" rel=\"noopener noreferrer\">wrote in the \u003cem>New York Times\u003c/em>\u003c/a> recently about Holmes’ image makeover before and at her trial. She described it as a transformation “from black-clad genius to besuited milquetoast.” Whatever the purpose of that change was, it’s hard to deny that the Elizabeth Holmes of her trial was a very different one from the Elizabeth you will see in any footage that was taken during the highest highs of her publicity swings. As the aforementioned Theranos enthusiast I am, I almost didn’t recognize her the first time I saw her during her trial. Different hair, different makeup, different clothes, different bearing, the abandonment of \u003cem>every \u003c/em>element of her Theranos-era style. (Except, of course, her deep voice, which I have considered mostly a distraction—if she artificially started speaking in a lower voice at some point because people didn’t take her seriously, that’s a modest and understandable manipulation.)\u003c/p>\n\u003cfigure id=\"attachment_13907781\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13907781\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/GettyImages-1237525059-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-2048x1366.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/GettyImages-1237525059-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Elizabeth Holmes (2nd L) walks with her partner Billy Evans (L), her mother Noel Holmes and a lawyer as they leave the Robert F. Peckham Federal Building on January 3, 2022 in San Jose. \u003ccite>(David Odisho/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This question also got a lot more prickly when Holmes testified about sexual and emotional abuse she said she suffered at the hands of Sunny Balwani, her significantly older former boyfriend and her number-two at Theranos. Raising the issue of intimate partner abuse in the context of this trial, to suggest Balwani was really the driver of the bad acts at Theranos, was \u003cem>really\u003c/em> complicated to navigate, only partly because so much of what had been reported about Elizabeth Holmes had focused on how forceful she was, how in charge.\u003c/p>\n\u003ch3>More to come\u003c/h3>\n\u003cp>Pop culture is not through with Elizabeth Holmes. Apple has a movie coming (perhaps not the connection to Apple that Holmes dreamed of) in which Jennifer Lawrence will play her. Adam McKay (\u003cem>The Big Short\u003c/em>) is directing, so it’s probably not going to be a particularly \u003cem>flattering \u003c/em>portrait. \u003ca href=\"https://www.theverge.com/2021/12/15/22838297/hulu-amanda-seyfried-elizabeth-holmes-theranos\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu has a limited series\u003c/a> coming much sooner, in March, in which Holmes is played by Amanda Seyfried. There were two podcasts, at least one big book, a big documentary … it only makes sense that there will be two high-profile fictional Elizabeths as well.\u003c/p>\n\u003cp>I know myself. I will watch both.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Elizabeth+Holmes%2C+convicted+of+fraud%2C+is+our+latest+seller+of+false+hope+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"slug": "how-vicente-fernandez-earned-appreciation-for-rancheros-like-my-dad",
"title": "How Vicente Fernández Earned Appreciation for Rancheros Like My Dad",
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"content": "\u003cp>\u003cspan style=\"font-weight: 400\">I first remember seeing Vicente Fernández perform on the Mexican television show \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Siempre en Domingo\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, when I was a kid growing up in Eastern Washington. Fernández, who died on Dec. 12 at 81 years old, would amble across the stage in his charro outfit, backed by an expansive ensemble of mariachi musicians also decked out in charro gear. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Like many Mexican Americans, I often heard Fernández’s music on the radio, in the car and at seemingly every party. He provided a soundtrack for our lives. But \u003c/span>\u003ca href=\"https://youtu.be/txVWA-FXZsE\" target=\"_blank\" rel=\"noopener noreferrer\">\u003ci>\u003cspan style=\"font-weight: 400\">seeing\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400\"> him on screen was different. He wasn’t just a singer—he was the consummate Mexican ranchero. He was proud. He was dashingly galante in his traje de charro. In movies, he depicted valiant outlaws and cowboys. His dense mustache and stern facial expressions spoke volumes. And he seemed just as comfortable crooning to sold out-arenas as he was tending to stables on his ranch. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">What I loved about Fernández was his true-life “rancho to riches” story, in which he never left el rancho even as he rose to become one of the world’s most famous and successful musicians. He embraced his upbringing on a farm and even glamorized it when he \u003ca href=\"https://turismo.guadalajaravisit.com/guadalajara/recorrido-chapala-rancho-vicente-fernandez/\" target=\"_blank\" rel=\"noopener noreferrer\">turned his rancho near Guadalajara into a tourist attraction\u003c/a> complete with a performance venue and restaurant. He was beloved across the globe in not just Spanish-speaking countries, but also places like Romania, where mariachi music has a cult following.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">That’s pretty remarkable for a ranchero, a class label similar to “hillbilly” that was widely seen as backward, low class and pitiable. Looking down on rancheros wasn’t just tolerated, it was expected. When I was growing up in the ’80s and ’90s, asking someone if they were born on a ranch was a common way to denigrate someone for being shy, rude or socially awkward. Even in my household, my parents remarked about how their love transcended social barriers. My father came from el Rancho Colorado, a small settlement outside of Huejuquilla el Alto, Jalisco, the town where my mother grew up. People still ask my mom how she, an educated teacher, ended up marrying a ranchero like my dad and moving to the United States for him. Crossing class lines, especially during my parents’ generation, was considered taboo. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13907392\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13907392\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/Image-from-iOS-5-800x609.jpg\" alt=\"\" width=\"800\" height=\"609\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-5-800x609.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-5-1020x777.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-5-160x122.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-5-768x585.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-5-1536x1170.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-5-2048x1560.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-5-1920x1462.jpg 1920w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The author (front left) and her family pose for a portrait circa 1986. \u003ccite>(Blanca Torres)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">My parents were of similar age to Fernández—my father a decade older, and my mom born the same year as him, 1940. Like my dad, Fernández grew up poor on a ranch and eventually left to find better economic opportunities. My parents eloped in 1974 while my mother was on vacation in California visiting one of my aunts. I knew from an early age that my parents were not like other kids’. First of all, my parents married later in life. My father was 50 and my mom was 40 when I was born. My dad had gray hair for the whole time I knew him—he died when I was 15.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">My father ended up living most of his life in the United States, but his style remained very much rooted in the ranchero aesthetic: polyester slacks, shiny belt buckle, Western-style button-down shirts with embroidery and snap buttons, leather cowboy boots and, of course, a cowboy hat. He sported casual ones for doing yard work; a Stetson with its own special box in the closet was reserved for special occasions. As far as footwear, my father basically wore either huaraches, work boots or cowboy boots. He wasn’t the type to wear a sneaker. I never saw my dad wear a sports coat or a tie. That just wasn’t his look. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13907393\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13907393\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/Image-from-iOS-4-800x807.jpg\" alt=\"\" width=\"800\" height=\"807\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-4-800x807.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-4-1020x1029.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-4-160x161.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-4-768x775.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-4-1522x1536.jpg 1522w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-4-2030x2048.jpg 2030w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-4-1920x1937.jpg 1920w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A typical outfit for the author’s father, Jesús Torres, in the 1970s. \u003ccite>(Blanca Torres)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">There were times in my childhood when I longed for my parents to be, you know, more cool—which I realize is a common sentiment. But looking back, I also realize that I understood my dad’s style as his way of maintaining some sense of authenticity. He, like millions of other Mexicans, moved to the United States where they encountered a mainstream that wanted their labor, but not their culture or style. For him to continue wearing ranchero clothes was a way to say, “I’m in a new country, but I won’t lose who I am.” For me, seeing superstars like Vicente Fernández, norteño singer Ramón Ayala and ranchero royalty Antonio Aguilar don similar styles helped me understand my father’s influences—the rancho and love for one’s homeland even if you feel compelled to leave it. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The coverage of Fernández’s death last Sunday has zoomed in on his ranchero persona. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Washington Post\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> hailed him as the “cowboy king” of Mexico, which some people of Mexican descent found demeaning, offensive and callous. \u003cem>(The Post \u003c/em>later \u003ca href=\"https://miblogestublog.com/2021/12/12/vicente-fernandez-wapo-obituary/\" target=\"_blank\" rel=\"noopener noreferrer\">changed the headline\u003c/a>.) When I brought this up to my husband, he replied, “Why is that offensive? He was a cowboy.” He did represent more than a just a cowboy to millions of people, but I do find it remarkable that someone who identified so deeply as a cowboy ended up becoming a global superstar with more than 70 million records sold. [aside postid='arts_13900272']\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Classism is still alive and well in Mexico, but Fernández’s success validated rancheros’ importance in Mexican culture. Younger generations have taken his aesthetics and musical influence and used it to challenge the machismo associated with Fernández by rejecting elements such as sexism and toxic masculinity. Fernández paved the way for the generations of artists that followed, including Christian Nodal, Nora González (the self-proclaimed Charra Millennial), female mariachi group Flor de Toloache and \u003ca href=\"https://www.kqed.org/arts/13900272/de-san-francisco-para-el-mundo-la-donas-star-rises\" target=\"_blank\" rel=\"noopener noreferrer\">La Doña\u003c/a>, who are now redefining traditions. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13907394\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13907394\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/GettyImages-1196587910-800x565.jpg\" alt=\"\" width=\"800\" height=\"565\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/GettyImages-1196587910-800x565.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/GettyImages-1196587910-1020x720.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/GettyImages-1196587910-160x113.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/GettyImages-1196587910-768x542.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/GettyImages-1196587910.jpg 1024w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Band Flor de Toloache arrives for the 62nd Annual Grammy Awards on January 26, 2020, in Los Angeles. \u003ccite>(Valerie Macon/ AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">My father’s go-to dress up outfit was a tan-colored charro suit similar to the suits Vicente Fernández always wore, minus all the shiny buttons on the sides of the legs and arms. My father’s version, tailor made for him during one of our vacations to Mexico, had the same slim pants and waist length jacket with western style toggle buttons on the chest pockets and sharp angled collar. \u003c/span>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When it came time to pick out my father’s burial clothes, the choice was simple: the tan charro suit. I remember how difficult it was to bring the suit to the funeral home on a hanger and hand it over to the mortician as if I was letting go of an important piece of my father. \u003c/span>\u003cspan style=\"font-weight: 400\">But it was also perfect to know he would forever don clothes that were regal, classy and unapologetically ranchero—just like Vicente. \u003c/span>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">I first remember seeing Vicente Fernández perform on the Mexican television show \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Siempre en Domingo\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, when I was a kid growing up in Eastern Washington. Fernández, who died on Dec. 12 at 81 years old, would amble across the stage in his charro outfit, backed by an expansive ensemble of mariachi musicians also decked out in charro gear. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Like many Mexican Americans, I often heard Fernández’s music on the radio, in the car and at seemingly every party. He provided a soundtrack for our lives. But \u003c/span>\u003ca href=\"https://youtu.be/txVWA-FXZsE\" target=\"_blank\" rel=\"noopener noreferrer\">\u003ci>\u003cspan style=\"font-weight: 400\">seeing\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400\"> him on screen was different. He wasn’t just a singer—he was the consummate Mexican ranchero. He was proud. He was dashingly galante in his traje de charro. In movies, he depicted valiant outlaws and cowboys. His dense mustache and stern facial expressions spoke volumes. And he seemed just as comfortable crooning to sold out-arenas as he was tending to stables on his ranch. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">What I loved about Fernández was his true-life “rancho to riches” story, in which he never left el rancho even as he rose to become one of the world’s most famous and successful musicians. He embraced his upbringing on a farm and even glamorized it when he \u003ca href=\"https://turismo.guadalajaravisit.com/guadalajara/recorrido-chapala-rancho-vicente-fernandez/\" target=\"_blank\" rel=\"noopener noreferrer\">turned his rancho near Guadalajara into a tourist attraction\u003c/a> complete with a performance venue and restaurant. He was beloved across the globe in not just Spanish-speaking countries, but also places like Romania, where mariachi music has a cult following.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">That’s pretty remarkable for a ranchero, a class label similar to “hillbilly” that was widely seen as backward, low class and pitiable. Looking down on rancheros wasn’t just tolerated, it was expected. When I was growing up in the ’80s and ’90s, asking someone if they were born on a ranch was a common way to denigrate someone for being shy, rude or socially awkward. Even in my household, my parents remarked about how their love transcended social barriers. My father came from el Rancho Colorado, a small settlement outside of Huejuquilla el Alto, Jalisco, the town where my mother grew up. People still ask my mom how she, an educated teacher, ended up marrying a ranchero like my dad and moving to the United States for him. Crossing class lines, especially during my parents’ generation, was considered taboo. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13907392\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13907392\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/Image-from-iOS-5-800x609.jpg\" alt=\"\" width=\"800\" height=\"609\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-5-800x609.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-5-1020x777.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-5-160x122.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-5-768x585.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-5-1536x1170.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-5-2048x1560.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-5-1920x1462.jpg 1920w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The author (front left) and her family pose for a portrait circa 1986. \u003ccite>(Blanca Torres)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">My parents were of similar age to Fernández—my father a decade older, and my mom born the same year as him, 1940. Like my dad, Fernández grew up poor on a ranch and eventually left to find better economic opportunities. My parents eloped in 1974 while my mother was on vacation in California visiting one of my aunts. I knew from an early age that my parents were not like other kids’. First of all, my parents married later in life. My father was 50 and my mom was 40 when I was born. My dad had gray hair for the whole time I knew him—he died when I was 15.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">My father ended up living most of his life in the United States, but his style remained very much rooted in the ranchero aesthetic: polyester slacks, shiny belt buckle, Western-style button-down shirts with embroidery and snap buttons, leather cowboy boots and, of course, a cowboy hat. He sported casual ones for doing yard work; a Stetson with its own special box in the closet was reserved for special occasions. As far as footwear, my father basically wore either huaraches, work boots or cowboy boots. He wasn’t the type to wear a sneaker. I never saw my dad wear a sports coat or a tie. That just wasn’t his look. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13907393\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13907393\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/Image-from-iOS-4-800x807.jpg\" alt=\"\" width=\"800\" height=\"807\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-4-800x807.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-4-1020x1029.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-4-160x161.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-4-768x775.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-4-1522x1536.jpg 1522w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-4-2030x2048.jpg 2030w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Image-from-iOS-4-1920x1937.jpg 1920w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A typical outfit for the author’s father, Jesús Torres, in the 1970s. \u003ccite>(Blanca Torres)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">There were times in my childhood when I longed for my parents to be, you know, more cool—which I realize is a common sentiment. But looking back, I also realize that I understood my dad’s style as his way of maintaining some sense of authenticity. He, like millions of other Mexicans, moved to the United States where they encountered a mainstream that wanted their labor, but not their culture or style. For him to continue wearing ranchero clothes was a way to say, “I’m in a new country, but I won’t lose who I am.” For me, seeing superstars like Vicente Fernández, norteño singer Ramón Ayala and ranchero royalty Antonio Aguilar don similar styles helped me understand my father’s influences—the rancho and love for one’s homeland even if you feel compelled to leave it. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The coverage of Fernández’s death last Sunday has zoomed in on his ranchero persona. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Washington Post\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> hailed him as the “cowboy king” of Mexico, which some people of Mexican descent found demeaning, offensive and callous. \u003cem>(The Post \u003c/em>later \u003ca href=\"https://miblogestublog.com/2021/12/12/vicente-fernandez-wapo-obituary/\" target=\"_blank\" rel=\"noopener noreferrer\">changed the headline\u003c/a>.) When I brought this up to my husband, he replied, “Why is that offensive? He was a cowboy.” He did represent more than a just a cowboy to millions of people, but I do find it remarkable that someone who identified so deeply as a cowboy ended up becoming a global superstar with more than 70 million records sold. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Classism is still alive and well in Mexico, but Fernández’s success validated rancheros’ importance in Mexican culture. Younger generations have taken his aesthetics and musical influence and used it to challenge the machismo associated with Fernández by rejecting elements such as sexism and toxic masculinity. Fernández paved the way for the generations of artists that followed, including Christian Nodal, Nora González (the self-proclaimed Charra Millennial), female mariachi group Flor de Toloache and \u003ca href=\"https://www.kqed.org/arts/13900272/de-san-francisco-para-el-mundo-la-donas-star-rises\" target=\"_blank\" rel=\"noopener noreferrer\">La Doña\u003c/a>, who are now redefining traditions. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13907394\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13907394\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/GettyImages-1196587910-800x565.jpg\" alt=\"\" width=\"800\" height=\"565\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/GettyImages-1196587910-800x565.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/GettyImages-1196587910-1020x720.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/GettyImages-1196587910-160x113.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/GettyImages-1196587910-768x542.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/GettyImages-1196587910.jpg 1024w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Band Flor de Toloache arrives for the 62nd Annual Grammy Awards on January 26, 2020, in Los Angeles. \u003ccite>(Valerie Macon/ AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">My father’s go-to dress up outfit was a tan-colored charro suit similar to the suits Vicente Fernández always wore, minus all the shiny buttons on the sides of the legs and arms. My father’s version, tailor made for him during one of our vacations to Mexico, had the same slim pants and waist length jacket with western style toggle buttons on the chest pockets and sharp angled collar. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">When it came time to pick out my father’s burial clothes, the choice was simple: the tan charro suit. I remember how difficult it was to bring the suit to the funeral home on a hanger and hand it over to the mortician as if I was letting go of an important piece of my father. \u003c/span>\u003cspan style=\"font-weight: 400\">But it was also perfect to know he would forever don clothes that were regal, classy and unapologetically ranchero—just like Vicente. \u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "8 Things I Fixed in This Broken Year",
"headTitle": "8 Things I Fixed in This Broken Year | KQED",
"content": "\u003cp>While the country hovered in semi-reopened limbo throughout 2021, it seemed like the only news coming in was bad. Trump supporters raiding the Capitol. The delta variant\u003cspan style=\"font-weight: 400\">’\u003c/span>s summertime surge. The Supreme Court dismantling Roe v. Wade. Elon Musk-worshipping, MLM-in-sheep’s-clothing bros spending millions in \u003ca href=\"https://www.theverge.com/2021/3/15/22328203/nft-cryptoart-ethereum-blockchain-climate-change\" target=\"_blank\" rel=\"noopener noreferrer\">climate-destroying crypto\u003c/a> for \u003ca href=\"https://www.cracked.com/article_31914_nfts-are-so-so-dumb.html\" target=\"_blank\" rel=\"noopener noreferrer\">proof that they own a .jpg\u003c/a> and heralding it as \u003ca href=\"https://www.instagram.com/p/COStujxBFvB/\" target=\"_blank\" rel=\"noopener noreferrer\">the future of art\u003c/a>.\u003c/p>\n\u003cp>You can’t really fix the world’s big problems on your own. But you can fix the small stuff in your life. Having somehow graduated from my youthful indiscretions to the rank of \u003ca href=\"https://www.instagram.com/p/B8-hfAgl9dp/\" target=\"_blank\" rel=\"noopener noreferrer\">Official Suburban Dad\u003c/a>, I found a sense of accomplishment in home repair in 2021—and was reminded of some bigger lessons along the way.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13907187\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/Faucet.1920.jpg\" alt=\"a chrome-plated nickel faucet\" width=\"1920\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Faucet.1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Faucet.1920-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Faucet.1920-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Faucet.1920-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Faucet.1920-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Faucet.1920-1536x960.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cstrong>The Bathroom Faucet\u003c/strong>\u003cbr>\nIt was around early January when I heard something dripping in the bathroom. What with an attempted coup by domestic terrorists led by an impeached president on my mind, I put off investigating it. A few days later, the hardwood floor around our sink had buckled and warped, so I finally replaced the seals inside the faucet—an easy, 10-minute job. Replacing the floorboards took five hours.\u003c/p>\n\u003cp>Lesson: Fix the problem before it gets progressively worse and destroys everything. (This is a helpful tip for democracy, too.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13907181\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/IMG_4501.jpg\" alt=\"the inside of a Yamaha stereo receiver, showing wires and transformers\" width=\"1920\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4501.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4501-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4501-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4501-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4501-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4501-1536x960.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cstrong>A Stereo Receiver\u003c/strong>\u003cbr>\nIt’s one of the most common problems for stereo equipment: sound only coming out of one channel. Our speaker wires run beneath the floorboards, so while trying to isolate the issue, I crawled under the house. Turns out the wires were fine, but down there in the tiny crawlspace among the dirt and nails and bones, I realized that after being cooped up inside for the past 18 months, the most exciting place in the house is \u003ca href=\"https://www.instagram.com/p/B_JhPisFw55/\" target=\"_blank\" rel=\"noopener noreferrer\">actually \u003cem>under\u003c/em> the house\u003c/a>.\u003c/p>\n\u003cp>Lesson: Explore. See what’s around you. Don\u003cspan style=\"font-weight: 400\">’\u003c/span>t get in a rut.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13907185\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/IMG_2070.jpg\" alt=\"twin SU carburetors attached to a vintage volvo engine\" width=\"1920\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_2070.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_2070-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_2070-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_2070-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_2070-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_2070-1536x960.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cstrong>The Carburetor on a B18 Engine\u003c/strong>\u003cbr>\nTen years ago I bought a 1964 Volvo that had a Weber conversion—basically, a cheap replacement carburetor for the car’s original twin SU carburetors, which are tricky to maintain but have a dedicated fan club. One such fan was \u003ca href=\"https://www.instagram.com/p/CQIERt8rT0R/\" target=\"_blank\" rel=\"noopener noreferrer\">Robin Jackson\u003c/a>, an import-auto mentor of mine. Robin always told me I should rip out the Weber and put in some SUs, and after he died in June at age 88, I did just that, in tribute. The two-week job was tedious, complex and maddening, but Robin was right: \u003ca href=\"https://www.instagram.com/p/CSnj4NInh1Q/\" target=\"_blank\" rel=\"noopener noreferrer\">the engine runs like a dream now\u003c/a>.\u003c/p>\n\u003cp>Lesson: Listen to your elders. They’ve been there, they know.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13907184\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/IMG_4512.jpg\" alt=\"a rope-and-pulley contraption attached to a yellow screen door\" width=\"1920\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4512.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4512-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4512-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4512-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4512-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4512-1536x960.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cstrong>The Screen Door\u003c/strong>\u003cbr>\nIn March, as the weather warmed up, I finally installed a screen door I bought from Craigslist. After painting it and hanging it, the question arose: should I install spring-loaded hinges or a hydraulic door closer? Instead, remembering a fun trick I learned from my friend Josh, I rigged up a series of eyelets, pulleys, rope and a large fishing weight. Voilà: the screen door closes by gravity.\u003c/p>\n\u003cp>Lesson: Be resourceful. You don\u003cspan style=\"font-weight: 400\">’\u003c/span>t have to rely on fancy stuff to do what the laws of nature do already.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13907182\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/image0.jpg\" alt=\"a canon scanner from 2010\" width=\"1920\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/image0.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/image0-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/image0-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/image0-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/image0-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/image0-1536x960.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cstrong>An Old Scanner\u003c/strong>\u003cbr>\nOur scanner is over 10 years old and Canon stopped supporting it, and if you couldn’t tell by now, I like to keep old things running. When a system update rendered its software useless, I couldn’t bring myself to throw it out. So I searched around and found some Web 1.0 site run by lovable scanner nerds. They sold me a cheap driver for it, and I’m back in business scanning \u003ca href=\"https://www.instagram.com/p/CCKwa8kFMqM/\" target=\"_blank\" rel=\"noopener noreferrer\">really important stuff\u003c/a>.\u003c/p>\n\u003cp>Lesson: If the official dealer won’t help you, remember that \u003ca href=\"https://youtu.be/O7VaXlMvAvk?t=253\" target=\"_blank\" rel=\"noopener noreferrer\">everybody’s got a guy\u003c/a>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13907188\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/DIsposal.jpg\" alt=\"the plumbing underneath a kitchen sink, with a garbage disposal\" width=\"1920\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/DIsposal.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/DIsposal-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/DIsposal-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/DIsposal-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/DIsposal-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/DIsposal-1536x960.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cstrong>The Garbage Disposal\u003c/strong>\u003cbr>\nImagine my surprise when I noticed the garbage disposal we’ve had for just seven years wasn’t only broken—it was leaking out of the bottom, water dripping all around the reset button. Meaning that the engine, and the wiring, were saturated. Yeah, no. One hour and a trip to the hardware store later, I pulled all the plumbing apart and installed a new garbage disposal.\u003c/p>\n\u003cp>Lesson: Sometimes you gotta just cut your losses, man. Don\u003cspan style=\"font-weight: 400\">’\u003c/span>t electrocute yourself trying to be a hero.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13907186\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/IMG_4315.jpg\" alt=\"a close-up of a golf bag, showing a broken leather handle\" width=\"1920\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4315.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4315-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4315-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4315-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4315-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4315-1536x960.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cstrong>A Golf Bag\u003c/strong>\u003cbr>\nI golf exactly once a year, and always with my dad. I am also terrible at golf, so when both the handle and zipper ripped out on my classy 1960s golf bag, I wasn’t in a rush to take care of it. But then this sad thing happened in the pandemic—maybe it happened to you, too—where I \u003cem>over\u003c/em>-acclimated to being isolated, and even accidentally stopped calling the people I love. So, the other night, I sawed and drilled some plywood and used locking nuts to fix the handle, and sewed the zipper back together, and I’m ready to go suck at golf again while hanging out for a few hours with my dad.\u003c/p>\n\u003cp>Lesson: Call your folks. Check in with friends. Hang out with people you love.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13907183\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/IMG_4153.jpg\" alt=\"a large boiler with pilot light assembly\" width=\"1920\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4153.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4153-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4153-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4153-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4153-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4153-1536x960.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cstrong>The Hydronic Boiler\u003c/strong>\u003cbr>\nThis fall brought the usual pilot-lighting ritual, and despite multiple attempts involving every trick known to man, the hydronic boiler simply would not fire up. Sheepishly, I called a repairman, and even more sheepishly, I watched as he followed the same exact steps I had followed… and got the damn thing to light on the first try! It was humiliating, \u003cem>and\u003c/em> it cost me $90.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Lesson: Before giving up, knock it on the side, blow on it, and keep trying. Don’t be embarrassed if you can’t get it right the first time. Take breaks. Cut yourself some slack in this nonsense-addled year. There\u003cspan style=\"font-weight: 400\">’\u003c/span>s always 2022.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>While the country hovered in semi-reopened limbo throughout 2021, it seemed like the only news coming in was bad. Trump supporters raiding the Capitol. The delta variant\u003cspan style=\"font-weight: 400\">’\u003c/span>s summertime surge. The Supreme Court dismantling Roe v. Wade. Elon Musk-worshipping, MLM-in-sheep’s-clothing bros spending millions in \u003ca href=\"https://www.theverge.com/2021/3/15/22328203/nft-cryptoart-ethereum-blockchain-climate-change\" target=\"_blank\" rel=\"noopener noreferrer\">climate-destroying crypto\u003c/a> for \u003ca href=\"https://www.cracked.com/article_31914_nfts-are-so-so-dumb.html\" target=\"_blank\" rel=\"noopener noreferrer\">proof that they own a .jpg\u003c/a> and heralding it as \u003ca href=\"https://www.instagram.com/p/COStujxBFvB/\" target=\"_blank\" rel=\"noopener noreferrer\">the future of art\u003c/a>.\u003c/p>\n\u003cp>You can’t really fix the world’s big problems on your own. But you can fix the small stuff in your life. Having somehow graduated from my youthful indiscretions to the rank of \u003ca href=\"https://www.instagram.com/p/B8-hfAgl9dp/\" target=\"_blank\" rel=\"noopener noreferrer\">Official Suburban Dad\u003c/a>, I found a sense of accomplishment in home repair in 2021—and was reminded of some bigger lessons along the way.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13907187\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/Faucet.1920.jpg\" alt=\"a chrome-plated nickel faucet\" width=\"1920\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Faucet.1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Faucet.1920-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Faucet.1920-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Faucet.1920-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Faucet.1920-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/Faucet.1920-1536x960.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cstrong>The Bathroom Faucet\u003c/strong>\u003cbr>\nIt was around early January when I heard something dripping in the bathroom. What with an attempted coup by domestic terrorists led by an impeached president on my mind, I put off investigating it. A few days later, the hardwood floor around our sink had buckled and warped, so I finally replaced the seals inside the faucet—an easy, 10-minute job. Replacing the floorboards took five hours.\u003c/p>\n\u003cp>Lesson: Fix the problem before it gets progressively worse and destroys everything. (This is a helpful tip for democracy, too.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13907181\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/IMG_4501.jpg\" alt=\"the inside of a Yamaha stereo receiver, showing wires and transformers\" width=\"1920\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4501.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4501-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4501-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4501-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4501-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4501-1536x960.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cstrong>A Stereo Receiver\u003c/strong>\u003cbr>\nIt’s one of the most common problems for stereo equipment: sound only coming out of one channel. Our speaker wires run beneath the floorboards, so while trying to isolate the issue, I crawled under the house. Turns out the wires were fine, but down there in the tiny crawlspace among the dirt and nails and bones, I realized that after being cooped up inside for the past 18 months, the most exciting place in the house is \u003ca href=\"https://www.instagram.com/p/B_JhPisFw55/\" target=\"_blank\" rel=\"noopener noreferrer\">actually \u003cem>under\u003c/em> the house\u003c/a>.\u003c/p>\n\u003cp>Lesson: Explore. See what’s around you. Don\u003cspan style=\"font-weight: 400\">’\u003c/span>t get in a rut.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13907185\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/IMG_2070.jpg\" alt=\"twin SU carburetors attached to a vintage volvo engine\" width=\"1920\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_2070.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_2070-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_2070-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_2070-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_2070-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_2070-1536x960.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cstrong>The Carburetor on a B18 Engine\u003c/strong>\u003cbr>\nTen years ago I bought a 1964 Volvo that had a Weber conversion—basically, a cheap replacement carburetor for the car’s original twin SU carburetors, which are tricky to maintain but have a dedicated fan club. One such fan was \u003ca href=\"https://www.instagram.com/p/CQIERt8rT0R/\" target=\"_blank\" rel=\"noopener noreferrer\">Robin Jackson\u003c/a>, an import-auto mentor of mine. Robin always told me I should rip out the Weber and put in some SUs, and after he died in June at age 88, I did just that, in tribute. The two-week job was tedious, complex and maddening, but Robin was right: \u003ca href=\"https://www.instagram.com/p/CSnj4NInh1Q/\" target=\"_blank\" rel=\"noopener noreferrer\">the engine runs like a dream now\u003c/a>.\u003c/p>\n\u003cp>Lesson: Listen to your elders. They’ve been there, they know.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13907184\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/IMG_4512.jpg\" alt=\"a rope-and-pulley contraption attached to a yellow screen door\" width=\"1920\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4512.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4512-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4512-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4512-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4512-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4512-1536x960.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cstrong>The Screen Door\u003c/strong>\u003cbr>\nIn March, as the weather warmed up, I finally installed a screen door I bought from Craigslist. After painting it and hanging it, the question arose: should I install spring-loaded hinges or a hydraulic door closer? Instead, remembering a fun trick I learned from my friend Josh, I rigged up a series of eyelets, pulleys, rope and a large fishing weight. Voilà: the screen door closes by gravity.\u003c/p>\n\u003cp>Lesson: Be resourceful. You don\u003cspan style=\"font-weight: 400\">’\u003c/span>t have to rely on fancy stuff to do what the laws of nature do already.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13907182\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/image0.jpg\" alt=\"a canon scanner from 2010\" width=\"1920\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/image0.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/image0-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/image0-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/image0-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/image0-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/image0-1536x960.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cstrong>An Old Scanner\u003c/strong>\u003cbr>\nOur scanner is over 10 years old and Canon stopped supporting it, and if you couldn’t tell by now, I like to keep old things running. When a system update rendered its software useless, I couldn’t bring myself to throw it out. So I searched around and found some Web 1.0 site run by lovable scanner nerds. They sold me a cheap driver for it, and I’m back in business scanning \u003ca href=\"https://www.instagram.com/p/CCKwa8kFMqM/\" target=\"_blank\" rel=\"noopener noreferrer\">really important stuff\u003c/a>.\u003c/p>\n\u003cp>Lesson: If the official dealer won’t help you, remember that \u003ca href=\"https://youtu.be/O7VaXlMvAvk?t=253\" target=\"_blank\" rel=\"noopener noreferrer\">everybody’s got a guy\u003c/a>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13907188\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/DIsposal.jpg\" alt=\"the plumbing underneath a kitchen sink, with a garbage disposal\" width=\"1920\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/DIsposal.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/DIsposal-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/DIsposal-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/DIsposal-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/DIsposal-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/DIsposal-1536x960.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cstrong>The Garbage Disposal\u003c/strong>\u003cbr>\nImagine my surprise when I noticed the garbage disposal we’ve had for just seven years wasn’t only broken—it was leaking out of the bottom, water dripping all around the reset button. Meaning that the engine, and the wiring, were saturated. Yeah, no. One hour and a trip to the hardware store later, I pulled all the plumbing apart and installed a new garbage disposal.\u003c/p>\n\u003cp>Lesson: Sometimes you gotta just cut your losses, man. Don\u003cspan style=\"font-weight: 400\">’\u003c/span>t electrocute yourself trying to be a hero.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13907186\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/IMG_4315.jpg\" alt=\"a close-up of a golf bag, showing a broken leather handle\" width=\"1920\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4315.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4315-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4315-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4315-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4315-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4315-1536x960.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cstrong>A Golf Bag\u003c/strong>\u003cbr>\nI golf exactly once a year, and always with my dad. I am also terrible at golf, so when both the handle and zipper ripped out on my classy 1960s golf bag, I wasn’t in a rush to take care of it. But then this sad thing happened in the pandemic—maybe it happened to you, too—where I \u003cem>over\u003c/em>-acclimated to being isolated, and even accidentally stopped calling the people I love. So, the other night, I sawed and drilled some plywood and used locking nuts to fix the handle, and sewed the zipper back together, and I’m ready to go suck at golf again while hanging out for a few hours with my dad.\u003c/p>\n\u003cp>Lesson: Call your folks. Check in with friends. Hang out with people you love.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13907183\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/12/IMG_4153.jpg\" alt=\"a large boiler with pilot light assembly\" width=\"1920\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4153.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4153-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4153-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4153-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4153-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/12/IMG_4153-1536x960.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>\u003cstrong>The Hydronic Boiler\u003c/strong>\u003cbr>\nThis fall brought the usual pilot-lighting ritual, and despite multiple attempts involving every trick known to man, the hydronic boiler simply would not fire up. Sheepishly, I called a repairman, and even more sheepishly, I watched as he followed the same exact steps I had followed… and got the damn thing to light on the first try! It was humiliating, \u003cem>and\u003c/em> it cost me $90.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Lesson: Before giving up, knock it on the side, blow on it, and keep trying. Don’t be embarrassed if you can’t get it right the first time. Take breaks. Cut yourself some slack in this nonsense-addled year. There\u003cspan style=\"font-weight: 400\">’\u003c/span>s always 2022.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Understanding My Nephew's Generation—Or Trying To",
"headTitle": "Understanding My Nephew’s Generation—Or Trying To | KQED",
"content": "\u003cfigure id=\"attachment_13906504\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13906504\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/7BF815C4-7B0E-46C8-8A94-F82A096555B3-800x601.jpg\" alt=\"A young man stacks rocks in a riverbed\" width=\"800\" height=\"601\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/7BF815C4-7B0E-46C8-8A94-F82A096555B3-800x601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/7BF815C4-7B0E-46C8-8A94-F82A096555B3-1020x766.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/7BF815C4-7B0E-46C8-8A94-F82A096555B3-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/7BF815C4-7B0E-46C8-8A94-F82A096555B3-768x577.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/7BF815C4-7B0E-46C8-8A94-F82A096555B3.jpg 1440w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">My nephew, Reggie Cole, stacking stones in a dry riverbed near Auburn, CA. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">A\u003c/span>fter I enter my debit card information into my nephew’s phone, confirming the purchase of a Sacramento-to-Oakland Greyhound ticket so he can attend the funeral of a friend who’d passed from fentanyl poisoning, I hand the phone back, asking if this was the first close friend he’s lost.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>No, he replies—another buddy of his died at the start of the pandemic. COVID-19 related. Damn. I offer my condolences, and really didn’t know what else to say.\u003c/p>\n\u003cp>At 18 years old, my nephew Reggie is a struggling high school super-senior who has dreams of being a mechanic—and even bigger dreams of racing the Le Mans in France. But right now, he’s staying on my couch, trying to figure out life.\u003c/p>\n\u003cp>I place myself in his shoes: At 18, I was working multiple jobs and was headed to college. But a number of my close friends who weren’t going to college were dying of gunshots, losing their minds while popping pills, and/or being hit with charges that would start them on a path of living in and out of incarceration.\u003c/p>\n\u003cfigure id=\"attachment_13906505\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13906505\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/IMG_4697-800x600.jpg\" alt=\"Reggie at the SFMoMA, posing in front of a sculpture of stacked fake human brains. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_4697-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_4697-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_4697-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_4697-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_4697-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_4697-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_4697-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Reggie at SFMOMA, posing in front of a sculpture of stacked fake human brains. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I can help my nephew understand gun violence and mass incarceration. But I don’t know what it’s like to deal with deaths from fentanyl and COVID. I don’t know what it’s like to be 18 right now.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The morning after our convo we grab breakfast, I pass him a few bucks, and drop him at the Greyhound. Then I sit down for work, opening my phone to read an Associated Press story about overdoses reaching a record high.\u003c/p>\n\u003cp>My nephew’s friend is one of \u003ca href=\"https://apnews.com/article/overdodse-deaths-fentanayl-health-f34b022d75a1eb9776e27903ab40670f\">the estimated 100,000\u003c/a> people who’ve died of an overdose in the past 12 months.\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">M\u003c/span>y nephew represents the story of so many young people right now. Trying to figure it all out from a couch, a cot, a passenger seat in a car or a park bench. And the worst part: the guidance of older folks, such as myself, doesn’t quite fit what they’re experiencing.\u003c/p>\n\u003cp>They’re dealing with a school system that was dysfunctional pre-pandemic, and was all but obliterated when learning became “distanced.” They’re looking for a job in a market where employers are reportedly seeking workers, but it gets tricky if you don’t have a GED or a driver’s license; the latter is basically a necessity for joining the gig economy. And a number of development resources, like trade schools, are either shuttered or aren’t accepting new students. I know, I’ve called.\u003c/p>\n\u003cp>The way the cost of housing has impacted Reggie’s generation, I’m happy he isn’t living in his car, like some of his peers. But by definition, he is functionally “homeless.” Despite floating from couch to couch, he wouldn’t be counted on the \u003ca href=\"https://www.huduser.gov/portal/sites/default/files/pdf/2020-AHAR-Part-1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">official government homeless assessment report\u003c/a>. And to think: African Americans already make up a disproportionate amount of homelessness in this country. I wonder how steep of an undercount that is?\u003c/p>\n\u003cp>Then there’s the issue of increasing \u003ca href=\"https://inequality.org/great-divide/updates-billionaire-pandemic/\" target=\"_blank\" rel=\"noopener noreferrer\">wealth inequality\u003c/a>. California, the land of economic disparities, is the place where the food that feeds the world is grown, but people who pick it are paid pennies. There are a multitude of millionaires and a heap of homelessness homies. What’s to become of an undereducated, informally skilled young Black man?\u003c/p>\n\u003cp>I’m a student of this stuff—you know, this whole “Black man in America” thing. During my late teens and early 20s, I worked as a resident assistant in Howard University’s largest freshmen male dormitory, and as a teacher in Oakland’s African Male Achievement program. I’ve read and written more pieces on the topic than I can count. Plus, shit, I’m a Black man in America. I live this too.\u003c/p>\n\u003cp>But you don’t have to be Black, a man or even America to know that your late teens and early 20s are an extremely important period in life. It’s when a simple decision, or a set of them, can affect the rest of your life, and possibly even generations of your family.\u003c/p>\n\u003cfigure id=\"attachment_13906509\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13906509\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/IMG_5820-800x600.jpg\" alt=\"Artist Dana King and my nephew Reggie met and instantly clicked on their shared love of racing.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_5820-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_5820-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_5820-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_5820-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_5820-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_5820-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_5820-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Artist Dana King and my nephew Reggie met and instantly clicked on their shared love of racing. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>So I’m stressing him. Not just about finding a job, gaining skills and finishing school. But starting with making handwritten to-do lists that include the simple things. Because the failures he’s faced in life have left his self-esteem depleted, and now it’s on him to build himself back up through seeing his own incremental successes. Because that’s what I did.\u003c/p>\n\u003cp>I encourage visiting the library and spending time in cafes, taking time to read books, because that mediative period is needed, even if it’s just a few minutes. Because that’s what I did.\u003c/p>\n\u003cp>I push him to exercise and eat well, because we’ve been miseducated about the importance of a healthy diet, and need to make a drastic change. Because, again, that’s what I did.\u003c/p>\n\u003cp>He dismisses my sermon about how Red Hot burritos and Cup O’ Noodles aren’t sufficient, and knocks me off my fake-vegan hill by telling me that I cook like a woke white man.\u003c/p>\n\u003cp>He’s comedic. Sincere. A lil’ hard headed and forgetful. But he has potential.\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span> regularly talk to groups of students who are Reggie’s age and younger. In the past couple of weeks, I’ve led virtual discussions with students at Rudsdale High School about the importance of their worldview and telling their stories through photos, and I’ve talked to students at Madison Park Academy Elementary School about the importance of simply showing up.\u003c/p>\n\u003cp>This past Friday, I was underdressed as I sat on a panel about fatherhood at Contra Costa College’s African American Male Symposium. We answered questions about the metamorphosis that occurred when we found out we were having children, and our favorite thing to do with our kids. My five year-old daughter sat in the front row, spacing out on her tablet. My nephew sat next to her, and was surprisingly paying attention. He even asked a question: “How do you not repeat the mistakes of your father?”\u003c/p>\n\u003cp>It was funny, because the whole time I’m up there talking to this room full of over 100 high schoolers, I just wanted to blurt out that we adults don’t have it together either. We don’t have \u003cem>the answers.\u003c/em> With crumbling infrastructure, failing public schools, an unjust criminal justice system and an ongoing housing crisis, I’m sorry, but this generation, like the generation before mine, has failed my nephew and his peers. I have absolutely no idea how they’re going to deal with it.\u003c/p>\n\u003cfigure id=\"attachment_13906510\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13906510\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/IMG_0400-800x600.jpg\" alt=\"Aside from racing cars, Reggie loves fishing. In fact, he's taught me more about fishing than anyone. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_0400-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_0400-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_0400-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_0400-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_0400-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_0400-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_0400-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Aside from racing cars, Reggie loves fishing. In fact, he’s taught me more about fishing than anyone. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Yesterday, lightweight frustrated that my advice wasn’t helping much, I had a timely learning experience in the DMV parking lot.\u003c/p>\n\u003cp>My nephew is inside, taking a written driver’s license test—you know, so he can enter the gig economy and stop taking the bus back and forth to Oakland. Outside the building, another young Black man is in the parking lot, smoking a Black & Mild near the popped hood of a Honda. The young man calls me “OG” and asks for a jump. We try it, but my hybrid isn’t built for that shit, or maybe his car just isn’t receptive. Whatever the case, it doesn’t work.\u003c/p>\n\u003cp>He calls a tow truck as I look up the nearest auto parts store; we talk the whole time. Well, he talks. I listen. He tells me about his automobile blunders, what music he listens to on his battery-draining sound system, and how badly he has to get to work.\u003c/p>\n\u003cp>The tow truck comes, the young man thanks me and gives me a fist bump through my driver’s side window before leaving. Not long after, my nephew comes back from his test. I ask him how it went.\u003c/p>\n\u003cp>He didn’t pass.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>During our ride home, we don’t listen to music—instead, I keep asking questions, and listen to him.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13906504\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13906504\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/7BF815C4-7B0E-46C8-8A94-F82A096555B3-800x601.jpg\" alt=\"A young man stacks rocks in a riverbed\" width=\"800\" height=\"601\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/7BF815C4-7B0E-46C8-8A94-F82A096555B3-800x601.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/7BF815C4-7B0E-46C8-8A94-F82A096555B3-1020x766.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/7BF815C4-7B0E-46C8-8A94-F82A096555B3-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/7BF815C4-7B0E-46C8-8A94-F82A096555B3-768x577.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/7BF815C4-7B0E-46C8-8A94-F82A096555B3.jpg 1440w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">My nephew, Reggie Cole, stacking stones in a dry riverbed near Auburn, CA. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">A\u003c/span>fter I enter my debit card information into my nephew’s phone, confirming the purchase of a Sacramento-to-Oakland Greyhound ticket so he can attend the funeral of a friend who’d passed from fentanyl poisoning, I hand the phone back, asking if this was the first close friend he’s lost.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>No, he replies—another buddy of his died at the start of the pandemic. COVID-19 related. Damn. I offer my condolences, and really didn’t know what else to say.\u003c/p>\n\u003cp>At 18 years old, my nephew Reggie is a struggling high school super-senior who has dreams of being a mechanic—and even bigger dreams of racing the Le Mans in France. But right now, he’s staying on my couch, trying to figure out life.\u003c/p>\n\u003cp>I place myself in his shoes: At 18, I was working multiple jobs and was headed to college. But a number of my close friends who weren’t going to college were dying of gunshots, losing their minds while popping pills, and/or being hit with charges that would start them on a path of living in and out of incarceration.\u003c/p>\n\u003cfigure id=\"attachment_13906505\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13906505\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/IMG_4697-800x600.jpg\" alt=\"Reggie at the SFMoMA, posing in front of a sculpture of stacked fake human brains. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_4697-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_4697-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_4697-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_4697-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_4697-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_4697-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_4697-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Reggie at SFMOMA, posing in front of a sculpture of stacked fake human brains. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I can help my nephew understand gun violence and mass incarceration. But I don’t know what it’s like to deal with deaths from fentanyl and COVID. I don’t know what it’s like to be 18 right now.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The morning after our convo we grab breakfast, I pass him a few bucks, and drop him at the Greyhound. Then I sit down for work, opening my phone to read an Associated Press story about overdoses reaching a record high.\u003c/p>\n\u003cp>My nephew’s friend is one of \u003ca href=\"https://apnews.com/article/overdodse-deaths-fentanayl-health-f34b022d75a1eb9776e27903ab40670f\">the estimated 100,000\u003c/a> people who’ve died of an overdose in the past 12 months.\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">M\u003c/span>y nephew represents the story of so many young people right now. Trying to figure it all out from a couch, a cot, a passenger seat in a car or a park bench. And the worst part: the guidance of older folks, such as myself, doesn’t quite fit what they’re experiencing.\u003c/p>\n\u003cp>They’re dealing with a school system that was dysfunctional pre-pandemic, and was all but obliterated when learning became “distanced.” They’re looking for a job in a market where employers are reportedly seeking workers, but it gets tricky if you don’t have a GED or a driver’s license; the latter is basically a necessity for joining the gig economy. And a number of development resources, like trade schools, are either shuttered or aren’t accepting new students. I know, I’ve called.\u003c/p>\n\u003cp>The way the cost of housing has impacted Reggie’s generation, I’m happy he isn’t living in his car, like some of his peers. But by definition, he is functionally “homeless.” Despite floating from couch to couch, he wouldn’t be counted on the \u003ca href=\"https://www.huduser.gov/portal/sites/default/files/pdf/2020-AHAR-Part-1.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">official government homeless assessment report\u003c/a>. And to think: African Americans already make up a disproportionate amount of homelessness in this country. I wonder how steep of an undercount that is?\u003c/p>\n\u003cp>Then there’s the issue of increasing \u003ca href=\"https://inequality.org/great-divide/updates-billionaire-pandemic/\" target=\"_blank\" rel=\"noopener noreferrer\">wealth inequality\u003c/a>. California, the land of economic disparities, is the place where the food that feeds the world is grown, but people who pick it are paid pennies. There are a multitude of millionaires and a heap of homelessness homies. What’s to become of an undereducated, informally skilled young Black man?\u003c/p>\n\u003cp>I’m a student of this stuff—you know, this whole “Black man in America” thing. During my late teens and early 20s, I worked as a resident assistant in Howard University’s largest freshmen male dormitory, and as a teacher in Oakland’s African Male Achievement program. I’ve read and written more pieces on the topic than I can count. Plus, shit, I’m a Black man in America. I live this too.\u003c/p>\n\u003cp>But you don’t have to be Black, a man or even America to know that your late teens and early 20s are an extremely important period in life. It’s when a simple decision, or a set of them, can affect the rest of your life, and possibly even generations of your family.\u003c/p>\n\u003cfigure id=\"attachment_13906509\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13906509\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/IMG_5820-800x600.jpg\" alt=\"Artist Dana King and my nephew Reggie met and instantly clicked on their shared love of racing.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_5820-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_5820-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_5820-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_5820-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_5820-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_5820-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_5820-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Artist Dana King and my nephew Reggie met and instantly clicked on their shared love of racing. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>So I’m stressing him. Not just about finding a job, gaining skills and finishing school. But starting with making handwritten to-do lists that include the simple things. Because the failures he’s faced in life have left his self-esteem depleted, and now it’s on him to build himself back up through seeing his own incremental successes. Because that’s what I did.\u003c/p>\n\u003cp>I encourage visiting the library and spending time in cafes, taking time to read books, because that mediative period is needed, even if it’s just a few minutes. Because that’s what I did.\u003c/p>\n\u003cp>I push him to exercise and eat well, because we’ve been miseducated about the importance of a healthy diet, and need to make a drastic change. Because, again, that’s what I did.\u003c/p>\n\u003cp>He dismisses my sermon about how Red Hot burritos and Cup O’ Noodles aren’t sufficient, and knocks me off my fake-vegan hill by telling me that I cook like a woke white man.\u003c/p>\n\u003cp>He’s comedic. Sincere. A lil’ hard headed and forgetful. But he has potential.\u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span> regularly talk to groups of students who are Reggie’s age and younger. In the past couple of weeks, I’ve led virtual discussions with students at Rudsdale High School about the importance of their worldview and telling their stories through photos, and I’ve talked to students at Madison Park Academy Elementary School about the importance of simply showing up.\u003c/p>\n\u003cp>This past Friday, I was underdressed as I sat on a panel about fatherhood at Contra Costa College’s African American Male Symposium. We answered questions about the metamorphosis that occurred when we found out we were having children, and our favorite thing to do with our kids. My five year-old daughter sat in the front row, spacing out on her tablet. My nephew sat next to her, and was surprisingly paying attention. He even asked a question: “How do you not repeat the mistakes of your father?”\u003c/p>\n\u003cp>It was funny, because the whole time I’m up there talking to this room full of over 100 high schoolers, I just wanted to blurt out that we adults don’t have it together either. We don’t have \u003cem>the answers.\u003c/em> With crumbling infrastructure, failing public schools, an unjust criminal justice system and an ongoing housing crisis, I’m sorry, but this generation, like the generation before mine, has failed my nephew and his peers. I have absolutely no idea how they’re going to deal with it.\u003c/p>\n\u003cfigure id=\"attachment_13906510\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13906510\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/IMG_0400-800x600.jpg\" alt=\"Aside from racing cars, Reggie loves fishing. In fact, he's taught me more about fishing than anyone. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_0400-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_0400-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_0400-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_0400-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_0400-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_0400-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/IMG_0400-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Aside from racing cars, Reggie loves fishing. In fact, he’s taught me more about fishing than anyone. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Yesterday, lightweight frustrated that my advice wasn’t helping much, I had a timely learning experience in the DMV parking lot.\u003c/p>\n\u003cp>My nephew is inside, taking a written driver’s license test—you know, so he can enter the gig economy and stop taking the bus back and forth to Oakland. Outside the building, another young Black man is in the parking lot, smoking a Black & Mild near the popped hood of a Honda. The young man calls me “OG” and asks for a jump. We try it, but my hybrid isn’t built for that shit, or maybe his car just isn’t receptive. Whatever the case, it doesn’t work.\u003c/p>\n\u003cp>He calls a tow truck as I look up the nearest auto parts store; we talk the whole time. Well, he talks. I listen. He tells me about his automobile blunders, what music he listens to on his battery-draining sound system, and how badly he has to get to work.\u003c/p>\n\u003cp>The tow truck comes, the young man thanks me and gives me a fist bump through my driver’s side window before leaving. Not long after, my nephew comes back from his test. I ask him how it went.\u003c/p>\n\u003cp>He didn’t pass.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>During our ride home, we don’t listen to music—instead, I keep asking questions, and listen to him.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC5947182069\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>At first it may seem like an odd-pairing: a white guy who is a silver-spoon-fed techie from the East Coast and a Black woman from Oakland who is a hard working natural genius in the field of engineering.\u003c/p>\n\u003cp>But through a series of events that unravel in the new play, “Cofounders”, the two learn to co-exist.\u003c/p>\n\u003cp>The worlds of art and tech are often pitted against one another, especially in the Bay Area. The conflict between the two groups often centers on issues of race, gender, class, housing, and accessibility.\u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/msryannicole/\" target=\"_blank\" rel=\"noopener noreferrer\">Ryan Nicole Austin\u003c/a>, \u003ca href=\"https://www.instagram.com/adeshamusic/\" target=\"_blank\" rel=\"noopener noreferrer\">Adesha Adefela\u003c/a> and \u003ca href=\"https://www.beaucantrap.com/\">Beau Lewis\u003c/a> are the trio behind the tale that addresses these issues, both on and off the stage.\u003c/p>\n\u003cp>Toward the end of the play, the actors break “the fourth wall,” and ask for audience involvement in addressing the aforementioned issues. These are things that the audience members are dealing with themselves, as the cast strategically has preformed this play in front of tech companies and arts organizations.\u003c/p>\n\u003cp>The play, a product of \u003ca href=\"https://www.rhymecombinator.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Rhyme Combinator\u003c/a>, serves as a tool to spark critical conversations across communities, and even identify common ground between two cultures.\u003c/p>\n\u003cp>This week, we talk art and tech, and what can be done to curb the perceived divisions between the two.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>he shores of Mono Lake are sandy, salty, still, silent. A peaceful patch of nature where man-made structures aren’t visible: houses and buildings, as well as social constructs. When I visited last month, I was removed from the isms that often dictate everyday life, for a brief moment at least.\u003c/p>\n\u003cp>Mono Lake felt like a new world.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">For further evidence that I was on a different planet: \u003ca href=\"https://youtu.be/Cp4H3uXl1Lk?t=180\" target=\"_blank\" rel=\"noopener noreferrer\">the tufa\u003c/a>. They’re these alien-looking limestone pillars that have grown over years and years and years and years, as freshwater springs beneath the lake’s surface combine with the lake’s saltwater, making calcium carbonate. There’s a gigantic mountain range to the west and a crater just a mile or two to the southeast. Both the valley where the lake sits and the islands that emerge from the lake’s water were created by volcanic activity throughout the ages.\u003c/p>\n\u003cp>I’ve lived in California for 30 years, and this whole time a totally different world was just a few hours from my crib.\u003c/p>\n\u003cp>I never thought before to venture out here. I’d look at the map of California and think there was nothing to see in the far eastern part of the state. I’d imagine that it’s just rural white folks who probably don’t like me. I’d convince myself that exploring nature isn’t for Black kids who grew up in the neighborhood. I’d drive loops around Oakland, Richmond and Vallejo, but aside from family trips to Reno or Tahoe, I never ventured to those mountains in the distance.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>But I needed to see this world.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13904240\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13904240\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/IMG_4530-1020x1360.jpg\" alt=\"A glimpse of the morning sun shown through an O-shaped piece of tufa.\" width=\"640\" height=\"853\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4530-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4530-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4530-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4530-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4530-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4530-1536x2048.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4530-scaled.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">A glimpse of the morning sun shown through an O-shaped piece of tufa. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Algae, birds, shrimp, and these loudly buzzing bugs that have adapted to the nutrient-deficient terrain—alkaline flies—are the noted inhabitants, so says the self-guided tour signs. One sign notes that, in 1941, water was diverted from the lake’s tributaries to the Los Angeles aqueduct. This resulted in water levels dropping and exposure of dry-salty terrain, even causing \u003ca href=\"https://www.latimes.com/local/california/la-me-mono-lake-dust20180705-htmlstory.html\" target=\"_blank\" rel=\"noopener noreferrer\">toxic dust storms\u003c/a>. In 1994, the State Water Resources Control Board Water started a strategic effort to get the lake’s water back to its natural level, a goal still unmet.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The tufa, some reaching 10 to 12 feet high, reminded me of that scene in old movies when a warlord casts a curse on the town’s people, turning them into stone where they stand. I imagined a warrior in one tower’s shape. In another I saw something that looked like a llama. I laughed.\u003c/span>\u003c/p>\n\u003cp>\u003cem>My goofy ass woke up 4am to drive about 200 miles to see some rocks. Nerd.\u003c/em>\u003c/p>\n\u003cp>But at least I got a break from the world I know.\u003c/p>\n\u003cfigure id=\"attachment_13904242\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13904242\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/IMG_4444-800x600.jpg\" alt=\"The morning sun shines its first light on the Tahoe Basin. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4444-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4444-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4444-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4444-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4444-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4444-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4444-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The morning sun shines its first light on the Tahoe Basin. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>his is the first trip in a series of adventures in my \u003ca href=\"https://www.kqed.org/arts/13900274/hitting-the-road-and-building-a-northern-california-bucket-list\" target=\"_blank\" rel=\"noopener noreferrer\">Northern California Bucket List\u003c/a> series. I started at Mono Lake because of its remote location and its history. It also pushed me out of my comfort zone to travel alone.\u003c/p>\n\u003cp>In the wee hours, sunlight greeted me in the Tahoe Basin. Nothing like seeing the sun rise over a mountain.\u003c/p>\n\u003cp>The road led me through the mountains, out of California and into Nevada. Just across the state line, I stopped at a gas station where unleaded fuel was around $3.99 per gallon. Pickup trucks, camouflage clothing and lots of American flags. I knew what world I was in. Getting a full tank in a place where I was the only Black face later proved to be a smart move.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">After an hour, passing Topaz Lake and a giant scar in the land where fire had threatened a nearby housing stucture, I reached the Mono Lake Basin overlook. The air at the Mono Lake basin overlook was so fresh, I almost forgot that wildfires were burning a hundred miles away. After running around the south end of the lake for an hour or two—getting familiar with the geological terrain, reading signs, doing some bird watching—I realized that there wasn’t much more that I could do. In the end, it’s a big pile of stones.\u003c/span>\u003c/p>\n\u003cp>So I left Mono Lake and took the\u003cspan style=\"font-weight: 400\"> June Lake Loop, a road that goes around Grant Lake, Silver Lake, Gull Lake and June Lake. As I drove past Grant Lake, one of \u003ca href=\"https://apnews.com/article/california-droughts-government-and-politics-science-business-76709d5854394905e0f46880ed6dab9c\" target=\"_blank\" rel=\"noopener noreferrer\">the state’s many depleted reservoirs\u003c/a>, I pulled over to take a photo of the lake that looked more like a pond.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I picked up my jaw, got back in the car, and hit the road. I was on pace to be home by sunset, which was important to me. I wanted to get out of this world before it got dark. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13904244\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13904244\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/IMG_4554-800x600.jpg\" alt=\"What remains of Grant Lake.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4554-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4554-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4554-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4554-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4554-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4554-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4554-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">What remains of Grant Lake. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">On the trip back I drove through Lee Vining, a town on the western side of Mono Lake, where \u003ca href=\"https://www.instagram.com/p/CUOq80Krs4O/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">premium unleaded was $5.69 per gallon\u003c/a>. (Told you getting a full tank earlier was a wise decision.) Across the street, I stopped at Mono Cone, a 1950s-esque hot dog and burger joint that offers soft-serve ice cream, and joined the line outside. \u003cem>My Black ass probably wouldn’t have been able to eat here back in the day\u003c/em>, I thought to myself. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And then, standing there in line, nothing was said to me. Not a single interaction, for better or for worse. No friendly hellos, nor odd stares. Nothing. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The self-imposed thoughts of where I’m \u003cem>supposed\u003c/em> to be and preconceived notions about groups of white folks got to me. I jumped back in the car without making a purchase.\u003cem> I’ll eat when I get home. \u003c/em>\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">With the way Black folks have been confined to certain neighborhoods in this country, venturing out into rural spaces can be alarming—almost alien. I didn’t want to deal with my underlying fear, and how that fear is rooted in real stories. I just wanted to get back on the other side of \u003ca href=\"https://soj51.org/map/\">\u003cspan style=\"font-weight: 400\">the proposed “State of Jefferson”\u003c/span>\u003c/a> dividing line.\u003c/span>\u003c/p>\n\u003cp>There are actual hot springs in the area, and I didn’t even consider stopping to see them. And \u003ca href=\"https://www.kqed.org/news/11640709/how-this-ghost-towns-curse-backfired-on-park-rangers\" target=\"_blank\" rel=\"noopener noreferrer\">Bodie\u003c/a>—the ghost town I’d heard about—yeah, you know damn well I didn’t drive through there.\u003c/p>\n\u003cp>My mission was complete: I stepped into another world, I saw the rocks, I got uncomfortable. Now I wanted to get home.\u003c/p>\n\u003cfigure id=\"attachment_13904247\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13904247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/IMG_4522-800x600.jpg\" alt=\"The salt water and fresh water of Mono Lake create a blueish green tint. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4522-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4522-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4522-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4522-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4522-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4522-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4522-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The salt water and fresh water of Mono Lake create a blueish green tint. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span> drove the speed limit, hands at ten-and-two as I turned curves and watched for sheriffs and highway patrol. My laminated KQED press pass, a license to go places and ask questions, strategically rested in my cup holder in clear view, in case it’d help if I got pulled over.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As I drove through Placerville, a place that just this year removed \u003ca href=\"https://www.latimes.com/california/story/2021-04-30/placerville-is-keeping-the-nickname-hangtown-after-dropping-a-noose-from-its-logo\" target=\"_blank\" rel=\"noopener noreferrer\">a noose from the city’s logo\u003c/a> (but kept the nickname of “hangtown”), I marveled at the charred portions of Eldorado National Forest. People in bright orange and yellow work clothing scaled wooden poles, replacing wires and other infrastructure that wildfires had recently demolished. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The pine trees on the mountainside were scorched—no needles on their branches, but still standing, looking like a sea of oversized Charlie Brown Christmas trees. I rolled up my window to block the smell of smoke, but couldn’t dodge the reminders of racism, a crumbling infrastructure and a changing environment. Ahhh, back to the manmade structures I know so well.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">There’s so much more to see out there. These are features of the natural world that I can’t even wrap my mind around. A crater? Volcanoes? Massive fires? \u003c/span>A prehistoric salt lake thousands of miles up in the mountains where stone towers climb toward the sky?\u003c/p>\n\u003cfigure id=\"attachment_13904238\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13904238\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/IMG_4516-1020x1360.jpg\" alt=\"A piece of tufa that looks like the side profile of a warrior.\" width=\"640\" height=\"853\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4516-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4516-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4516-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4516-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4516-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4516-1536x2048.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4516-scaled.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">A piece of tufa that looks like the side profile of a warrior. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I needed this trip. I needed the reminder that this place that was stolen from natives about two hundred years ago by folks who claimed that God sent them to spread their beliefs. And we aren’t too far removed from that time period.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The structures have advanced. And when I say structures, I mean houses and buildings as well as social constructs. But the elements—the isms—within these structures are as old as the tufa pillars.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Being cognizant of this only makes my internalized oppression scream. It’s hard to quiet that voice in my head that’s heard all the stories about this land and who has “a right” to it. \u003c/span>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It’s enough to have you bogged down in one world; comfortable and complacent with the structures that have been created for us. All the while missing the peace that exists in another world.\u003c/span>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>he shores of Mono Lake are sandy, salty, still, silent. A peaceful patch of nature where man-made structures aren’t visible: houses and buildings, as well as social constructs. When I visited last month, I was removed from the isms that often dictate everyday life, for a brief moment at least.\u003c/p>\n\u003cp>Mono Lake felt like a new world.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">For further evidence that I was on a different planet: \u003ca href=\"https://youtu.be/Cp4H3uXl1Lk?t=180\" target=\"_blank\" rel=\"noopener noreferrer\">the tufa\u003c/a>. They’re these alien-looking limestone pillars that have grown over years and years and years and years, as freshwater springs beneath the lake’s surface combine with the lake’s saltwater, making calcium carbonate. There’s a gigantic mountain range to the west and a crater just a mile or two to the southeast. Both the valley where the lake sits and the islands that emerge from the lake’s water were created by volcanic activity throughout the ages.\u003c/p>\n\u003cp>I’ve lived in California for 30 years, and this whole time a totally different world was just a few hours from my crib.\u003c/p>\n\u003cp>I never thought before to venture out here. I’d look at the map of California and think there was nothing to see in the far eastern part of the state. I’d imagine that it’s just rural white folks who probably don’t like me. I’d convince myself that exploring nature isn’t for Black kids who grew up in the neighborhood. I’d drive loops around Oakland, Richmond and Vallejo, but aside from family trips to Reno or Tahoe, I never ventured to those mountains in the distance.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>But I needed to see this world.\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13904240\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13904240\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/IMG_4530-1020x1360.jpg\" alt=\"A glimpse of the morning sun shown through an O-shaped piece of tufa.\" width=\"640\" height=\"853\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4530-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4530-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4530-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4530-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4530-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4530-1536x2048.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4530-scaled.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">A glimpse of the morning sun shown through an O-shaped piece of tufa. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Algae, birds, shrimp, and these loudly buzzing bugs that have adapted to the nutrient-deficient terrain—alkaline flies—are the noted inhabitants, so says the self-guided tour signs. One sign notes that, in 1941, water was diverted from the lake’s tributaries to the Los Angeles aqueduct. This resulted in water levels dropping and exposure of dry-salty terrain, even causing \u003ca href=\"https://www.latimes.com/local/california/la-me-mono-lake-dust20180705-htmlstory.html\" target=\"_blank\" rel=\"noopener noreferrer\">toxic dust storms\u003c/a>. In 1994, the State Water Resources Control Board Water started a strategic effort to get the lake’s water back to its natural level, a goal still unmet.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The tufa, some reaching 10 to 12 feet high, reminded me of that scene in old movies when a warlord casts a curse on the town’s people, turning them into stone where they stand. I imagined a warrior in one tower’s shape. In another I saw something that looked like a llama. I laughed.\u003c/span>\u003c/p>\n\u003cp>\u003cem>My goofy ass woke up 4am to drive about 200 miles to see some rocks. Nerd.\u003c/em>\u003c/p>\n\u003cp>But at least I got a break from the world I know.\u003c/p>\n\u003cfigure id=\"attachment_13904242\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13904242\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/IMG_4444-800x600.jpg\" alt=\"The morning sun shines its first light on the Tahoe Basin. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4444-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4444-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4444-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4444-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4444-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4444-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4444-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The morning sun shines its first light on the Tahoe Basin. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">T\u003c/span>his is the first trip in a series of adventures in my \u003ca href=\"https://www.kqed.org/arts/13900274/hitting-the-road-and-building-a-northern-california-bucket-list\" target=\"_blank\" rel=\"noopener noreferrer\">Northern California Bucket List\u003c/a> series. I started at Mono Lake because of its remote location and its history. It also pushed me out of my comfort zone to travel alone.\u003c/p>\n\u003cp>In the wee hours, sunlight greeted me in the Tahoe Basin. Nothing like seeing the sun rise over a mountain.\u003c/p>\n\u003cp>The road led me through the mountains, out of California and into Nevada. Just across the state line, I stopped at a gas station where unleaded fuel was around $3.99 per gallon. Pickup trucks, camouflage clothing and lots of American flags. I knew what world I was in. Getting a full tank in a place where I was the only Black face later proved to be a smart move.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">After an hour, passing Topaz Lake and a giant scar in the land where fire had threatened a nearby housing stucture, I reached the Mono Lake Basin overlook. The air at the Mono Lake basin overlook was so fresh, I almost forgot that wildfires were burning a hundred miles away. After running around the south end of the lake for an hour or two—getting familiar with the geological terrain, reading signs, doing some bird watching—I realized that there wasn’t much more that I could do. In the end, it’s a big pile of stones.\u003c/span>\u003c/p>\n\u003cp>So I left Mono Lake and took the\u003cspan style=\"font-weight: 400\"> June Lake Loop, a road that goes around Grant Lake, Silver Lake, Gull Lake and June Lake. As I drove past Grant Lake, one of \u003ca href=\"https://apnews.com/article/california-droughts-government-and-politics-science-business-76709d5854394905e0f46880ed6dab9c\" target=\"_blank\" rel=\"noopener noreferrer\">the state’s many depleted reservoirs\u003c/a>, I pulled over to take a photo of the lake that looked more like a pond.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I picked up my jaw, got back in the car, and hit the road. I was on pace to be home by sunset, which was important to me. I wanted to get out of this world before it got dark. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13904244\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13904244\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/IMG_4554-800x600.jpg\" alt=\"What remains of Grant Lake.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4554-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4554-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4554-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4554-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4554-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4554-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4554-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">What remains of Grant Lake. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">On the trip back I drove through Lee Vining, a town on the western side of Mono Lake, where \u003ca href=\"https://www.instagram.com/p/CUOq80Krs4O/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">premium unleaded was $5.69 per gallon\u003c/a>. (Told you getting a full tank earlier was a wise decision.) Across the street, I stopped at Mono Cone, a 1950s-esque hot dog and burger joint that offers soft-serve ice cream, and joined the line outside. \u003cem>My Black ass probably wouldn’t have been able to eat here back in the day\u003c/em>, I thought to myself. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And then, standing there in line, nothing was said to me. Not a single interaction, for better or for worse. No friendly hellos, nor odd stares. Nothing. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The self-imposed thoughts of where I’m \u003cem>supposed\u003c/em> to be and preconceived notions about groups of white folks got to me. I jumped back in the car without making a purchase.\u003cem> I’ll eat when I get home. \u003c/em>\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">With the way Black folks have been confined to certain neighborhoods in this country, venturing out into rural spaces can be alarming—almost alien. I didn’t want to deal with my underlying fear, and how that fear is rooted in real stories. I just wanted to get back on the other side of \u003ca href=\"https://soj51.org/map/\">\u003cspan style=\"font-weight: 400\">the proposed “State of Jefferson”\u003c/span>\u003c/a> dividing line.\u003c/span>\u003c/p>\n\u003cp>There are actual hot springs in the area, and I didn’t even consider stopping to see them. And \u003ca href=\"https://www.kqed.org/news/11640709/how-this-ghost-towns-curse-backfired-on-park-rangers\" target=\"_blank\" rel=\"noopener noreferrer\">Bodie\u003c/a>—the ghost town I’d heard about—yeah, you know damn well I didn’t drive through there.\u003c/p>\n\u003cp>My mission was complete: I stepped into another world, I saw the rocks, I got uncomfortable. Now I wanted to get home.\u003c/p>\n\u003cfigure id=\"attachment_13904247\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13904247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/IMG_4522-800x600.jpg\" alt=\"The salt water and fresh water of Mono Lake create a blueish green tint. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4522-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4522-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4522-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4522-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4522-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4522-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4522-1920x1440.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The salt water and fresh water of Mono Lake create a blueish green tint. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span> drove the speed limit, hands at ten-and-two as I turned curves and watched for sheriffs and highway patrol. My laminated KQED press pass, a license to go places and ask questions, strategically rested in my cup holder in clear view, in case it’d help if I got pulled over.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As I drove through Placerville, a place that just this year removed \u003ca href=\"https://www.latimes.com/california/story/2021-04-30/placerville-is-keeping-the-nickname-hangtown-after-dropping-a-noose-from-its-logo\" target=\"_blank\" rel=\"noopener noreferrer\">a noose from the city’s logo\u003c/a> (but kept the nickname of “hangtown”), I marveled at the charred portions of Eldorado National Forest. People in bright orange and yellow work clothing scaled wooden poles, replacing wires and other infrastructure that wildfires had recently demolished. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The pine trees on the mountainside were scorched—no needles on their branches, but still standing, looking like a sea of oversized Charlie Brown Christmas trees. I rolled up my window to block the smell of smoke, but couldn’t dodge the reminders of racism, a crumbling infrastructure and a changing environment. Ahhh, back to the manmade structures I know so well.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">There’s so much more to see out there. These are features of the natural world that I can’t even wrap my mind around. A crater? Volcanoes? Massive fires? \u003c/span>A prehistoric salt lake thousands of miles up in the mountains where stone towers climb toward the sky?\u003c/p>\n\u003cfigure id=\"attachment_13904238\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13904238\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/IMG_4516-1020x1360.jpg\" alt=\"A piece of tufa that looks like the side profile of a warrior.\" width=\"640\" height=\"853\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4516-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4516-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4516-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4516-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4516-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4516-1536x2048.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/IMG_4516-scaled.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">A piece of tufa that looks like the side profile of a warrior. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I needed this trip. I needed the reminder that this place that was stolen from natives about two hundred years ago by folks who claimed that God sent them to spread their beliefs. And we aren’t too far removed from that time period.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The structures have advanced. And when I say structures, I mean houses and buildings as well as social constructs. But the elements—the isms—within these structures are as old as the tufa pillars.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Being cognizant of this only makes my internalized oppression scream. It’s hard to quiet that voice in my head that’s heard all the stories about this land and who has “a right” to it. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It’s enough to have you bogged down in one world; comfortable and complacent with the structures that have been created for us. All the while missing the peace that exists in another world.\u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>",
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},
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"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
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},
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
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"order": 1
},
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
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"source": "WNYC"
},
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
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"link": "/radio/program/hidden-brain",
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
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