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"content": "\u003cp>Liz and Lena and I walked down to Courthouse Square last night. Today’s the \u003ca href=\"https://www.pressdemocrat.com/article/news/reunified-old-courthouse-square-poised-to-make-its-debut-in-downtown-santa/?ref=related\" target=\"_blank\" rel=\"noopener noreferrer\">grand opening\u003c/a> ceremony with Chris Coursey and Gaye Lebaron and other official speeches, but we’d heard the fences were already down, and I couldn’t wait. Patching up a scar through he heart of the city is something I’d already waited for — for, oh, about 27 years.\u003c/p>\n\u003cp>Kids tumbled on the brand-new grass. Dogs ran circles around each other. Everyone turned around in a panoramic circle, pointing out new features, or trying to estimate where the old ones had been. There was a sense of hesitant excitement.\u003c/p>\n\u003cp>I overheard one guy nearby, sitting on benches, who shrugged. “I don’t know if I like it,” he said.\u003c/p>\n\u003cp>“Yeah,” his friend replied. “I’ll give it time, though.”\u003c/p>\n\u003cp>To those who grumble at the new square — a flat, expensive patch of concrete, they say — that may be my best advice. Give this new Courthouse Square time. We’ve got a lot of it.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13911700\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg\" alt=\"\" width=\"800\" height=\"76\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-160x15.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-768x73.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>You know the story by now: in 1966, the county outgrew its old courthouse, which anchored the center of Santa Rosa. The stately building was torn down, but instead of turning the land into an open park downtown, city planners ran Santa Rosa’s busiest street through it, squeezed some park features on either side, and, with a giant pair of scissors on opening day, cut a proud ribbon. It read: “Symbol of Progress.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13911701\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18156578_10211377613053605_8536823908719878453_o-800x701.jpg\" alt=\"\" width=\"800\" height=\"701\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18156578_10211377613053605_8536823908719878453_o-800x701.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18156578_10211377613053605_8536823908719878453_o-1020x894.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18156578_10211377613053605_8536823908719878453_o-160x140.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18156578_10211377613053605_8536823908719878453_o-768x673.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18156578_10211377613053605_8536823908719878453_o.jpg 1189w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>By the 1990s, that “progress” looked more like de-evolution. The mall had been built, putting mom ‘n’ pop stores out of business all over downtown, and a huge cluster of megastores like Best Buy and Costco had been erected on Santa Rosa Avenue. The street that was paved through Courthouse Square — which had doubled as the transit hub for the city’s loud, noxious city buses — played host to a \u003ca href=\"https://www.youtube.com/watch?v=AYz_iXO5Qjk\" target=\"_blank\" rel=\"noopener noreferrer\">constant stream of traffic, speeding right past\u003c/a>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13911702\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18192447_10211377718816249_3016441479001586066_o-800x568.jpg\" alt=\"\" width=\"800\" height=\"568\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192447_10211377718816249_3016441479001586066_o-800x568.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192447_10211377718816249_3016441479001586066_o-1020x725.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192447_10211377718816249_3016441479001586066_o-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192447_10211377718816249_3016441479001586066_o-768x546.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192447_10211377718816249_3016441479001586066_o-1536x1091.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192447_10211377718816249_3016441479001586066_o-1920x1364.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192447_10211377718816249_3016441479001586066_o.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>I started to loudly declare that Courthouse Square should be reunified — in my zine, in letters to the mayor, at parties. I was “that guy.” I had no hope that it would actually happen, but at least discovered I wasn’t alone: cutting Courthouse Square in half was cited, with ever more frequency, as one of Santa Rosa’s famous mistakes. One that maybe could be fixed. Demolishing the mall or re-routing the freeway were unfeasible pipe dreams. But reuniting Courthouse Square, as I learned through donating to various fundraisers and commissions and think-tanks, wasn’t such an unobtainable goal.\u003c/p>\n\u003cp>It took a long time. It only happened because of the \u003ca href=\"https://www.pressdemocrat.com/article/news/reunified-old-courthouse-square-poised-to-make-its-debut-in-downtown-santa/\" target=\"_blank\" rel=\"noopener noreferrer\">rare confluence\u003c/a> of a united city council, the right amount of funds at the right time, and a collective will to finally go for it. Today they open it officially, and cut a new kind of ribbon. One that might as well say: “Whoops, Progress Was Right Under Our Nose All Along.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13911700\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg\" alt=\"\" width=\"800\" height=\"76\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-160x15.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-768x73.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>It’s intermission time. Some favorite memories of Courthouse Square:\u003c/p>\n\u003cp>1. The time the city tried putting speakers in the trees to pipe classical music into the square in an attempt to drive teenage punk rockers and derelicts out. (The idea failed spectacularly; in a \u003cem>Press Democrat\u003c/em> story about its efficacy, a homeless person was quoted: “I like it, but I wish they’d play some Mahler or Shostakovich. Beethoven is so \u003cem>common\u003c/em>.”) My friend Donovan was there the day that one of the speakers fell out of the tree and onto the ground. A group of punks ran over and started kicking it, until one of them said, “Hey, this is a nice speaker, it’s probably worth some money,” and they picked it up and ran off.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13911703\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18199347_10211377825858925_7681476918943987217_n-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18199347_10211377825858925_7681476918943987217_n-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18199347_10211377825858925_7681476918943987217_n-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18199347_10211377825858925_7681476918943987217_n-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18199347_10211377825858925_7681476918943987217_n.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>2. Jumping into the circular Rosenberg fountain with Evan late one night. We’d been walking around, complaining about how we were tired of observing the world from a distance, as teenagers do, and how we wanted to live more \u003cem>in\u003c/em> the world. We threw pebbles in the water and watched the ripples bounce off of the walls and overlap, discussing how every action has an impact. It was all very deep. Then I realized we were doing exactly what we’d been complaining about earlier — observing something, instead of living in it — and I turned around and dramatically fell backwards into the fountain. I made Evan do it too. We walked home soaked, determined from then onward to live differently.\u003c/p>\n\u003cp>3. Cutting school for a Gulf War protest in the square, 1991. The square was not only physically divided but politically divided: pro-war people on the East side, antiwar people on the West, both shouting at each other. I was sitting listening to speakers talk about oil and Middle East relations and Kuwait, when suddenly my mom appeared. “I thought I’d find you here!” she shouted across the crowd, pointing at me. I was busted for cutting school… or so I thought. My mom came over, sat down, put her arm around me and said she was proud of me. We hung out downtown the rest of the day.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13911704\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18238100_10211377698575743_4982369222838759827_o-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238100_10211377698575743_4982369222838759827_o-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238100_10211377698575743_4982369222838759827_o-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238100_10211377698575743_4982369222838759827_o-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238100_10211377698575743_4982369222838759827_o-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238100_10211377698575743_4982369222838759827_o-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238100_10211377698575743_4982369222838759827_o.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>4. Playing on Courthouse Square’s stage with my band Santiago, celebrating the release of our album about Santa Rosa, \u003cem>Rosenberg’s After Dark\u003c/em>. (I’d recorded the intro late at night sitting on a bench near the Rosenberg fountain; you can \u003ca href=\"https://www.youtube.com/watch?v=AYz_iXO5Qjk\" target=\"_blank\" rel=\"noopener noreferrer\">hear cars driving on the fake cobblestone\u003c/a> of the now-removed street in the background.) We brought Madigan’s Stationery and Eggen & Lance Mortuary signs to flank the stage. We had a song called “\u003ca href=\"https://www.youtube.com/watch?v=BY7g50PzgwQ\" target=\"_blank\" rel=\"noopener noreferrer\">The Calm of Courthouse Square\u003c/a>,” about finding peace in the square on Christmas morning after breaking up with a girl who’d wanted me to decide between staying in Santa Rosa or following her to a bigger, more exciting city. We opened \u003cem>and\u003c/em> closed our set with it. I’ve played at famous clubs from CBGB to the Fillmore, but headlining Courthouse Square was more special.\u003c/p>\n\u003cp>5. Finding \u003ca href=\"https://www.facebook.com/photo.php?fbid=10202580895261158&set=p.10202580895261158&type=1&theater\" target=\"_blank\" rel=\"noopener noreferrer\">two pot plants growing in Courthouse Square\u003c/a>! Crazy! They were only about six inches tall. I uprooted them and carried them home, where I planted them in larger and larger pots and watered them in our backyard until they grew taller than me. I don’t really smoke weed at all, but how often do you find it growing right in the middle of downtown? I gave away a lot of “Courthouse Kush” to friends that year.\u003c/p>\n\u003cp>6. Driving Lena home from the hospital when she was just one day old, and parking in front of Treehorn Books. “I’ll be right back,” I told Liz. I ran to the fountain and pooled some water in my hands, and walked back to the car, and to our new child. I trickled some of the water on her soft forehead. “Welcome to town,” I whispered.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13911700\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg\" alt=\"\" width=\"800\" height=\"76\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-160x15.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-768x73.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>I, of all people, should be sad and upset that the old square is gone. People who know my propensity for living in the past have joked that I was already nostalgic for the old square the minute they brought in the tractors. It’s true. I can’t help looking back.\u003c/p>\n\u003cp>But like the man said, nostalgia ain’t what it used to be. Santa Rosa has stayed the same, more or less, for the past 15 years, and I’m ready for some newness. Now, suddenly, we’re on a precipice of some major changes. The square is one of them. The SMART train is another. And lots of other changes add up to what could quickly be a very different Santa Rosa than the one we’ve known.\u003c/p>\n\u003cp>Around the square, a \u003ca href=\"https://www.pressdemocrat.com/article/news/hotel-plans-taking-shape-on-santa-rosas-old-courthouse-square/\" target=\"_blank\" rel=\"noopener noreferrer\">boutique hotel for tourists\u003c/a> complete with valet parking is coming soon. \u003ca href=\"https://www.sonomamag.com/category/biteclub?fbclid=IwAR1ATFQT6JJwmc6MhBQr0zefZLLcqGQpForARsZsG3KaVpGR6Qc06dk3_x8\" target=\"_blank\" rel=\"noopener noreferrer\">Eight new restaurants\u003c/a> are opening downtown in the next few months, bringing more handcrafted cocktails and artisanal menus. Even the Astro Motel is \u003ca href=\"https://www.pressdemocrat.com/article/news/spinster-sisters-restaurant-owners-buy-astro-motel-in-santa-rosa/\" target=\"_blank\" rel=\"noopener noreferrer\">being remodeled and reopening soon\u003c/a> as another boutique destination.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13911705\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18192450_10211377705335912_6964387410853039091_o-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192450_10211377705335912_6964387410853039091_o-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192450_10211377705335912_6964387410853039091_o-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192450_10211377705335912_6964387410853039091_o-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192450_10211377705335912_6964387410853039091_o-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192450_10211377705335912_6964387410853039091_o-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192450_10211377705335912_6964387410853039091_o.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>More and more, we find ourselves on “Best Places to Live” lists. The Russian River Brewing Co. is ground zero for our status as the \u003ca href=\"https://www.sfgate.com/beer/article/Santa-Rosa-dubbed-microbrew-capital-of-the-U-S-11084669.php?fbclid=IwAR2iJljIYdTBEJ5DYevugSf9BOS1knZ3Pf4XoZPIzFEywjU1fB0IX5_ooNg\" target=\"_blank\" rel=\"noopener noreferrer\">capital of craft beer\u003c/a>. Next door, what used to be Sawyer’s News selling magazines, racing forms and cigarettes is now an English-style tea parlor and a real estate sales office. Up the block, a storefront that sold shoes is now a financial planning service. Arrigoni’s, the 77-year-old family deli, is now a create-your-own-pizza place. And a restaurant from Healdsburg will soon take the place of La Bufa, the no-frills, family-run Mexican joint which \u003ca href=\"https://www.pressdemocrat.com/article/lifestyle/la-bufa-mexican-restaurant-in-santa-rosa-closing-after-42-years/\" target=\"_blank\" rel=\"noopener noreferrer\">closes Sunday after almost 45 years\u003c/a>.\u003c/p>\n\u003cp>Have you seen Clover’s new billboards? The ones that used to feature a cartoon cow and silly puns, and now present elegant phrases about their milk’s “mouthfeel”?\u003c/p>\n\u003cp>Santa Rosa has been on this trajectory for a while, transforming from the Redwood Empire to Wine Country. But it’s gonna come extra fast and hard in the next year or so.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13911700\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg\" alt=\"\" width=\"800\" height=\"76\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-160x15.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-768x73.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Meanwhile, mere hours after the square’s fences came down yesterday, a man slept in a sleeping bag under the redwood trees. Twenty minutes later, Liz and I watched as a cop came and rustled him awake, and pulled out his ticket book.\u003c/p>\n\u003cp>We have an enormous housing problem in Santa Rosa, and more homeless than I can ever remember. I don’t know what to say to those who complain about homeless people without seeing the connection to the luxurification of Santa Rosa, except that you can only have so many landlords \u003ca href=\"https://www.airbnb.com/santa-rosa-ca/stays\" target=\"_blank\" rel=\"noopener noreferrer\">turning their units into permanent Airbnbs\u003c/a> for Pliny the Younger fans before there’s no place for people who grew up here to live.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13911706\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18238440_10211377647174458_537120752881380645_o-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238440_10211377647174458_537120752881380645_o-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238440_10211377647174458_537120752881380645_o-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238440_10211377647174458_537120752881380645_o-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238440_10211377647174458_537120752881380645_o-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238440_10211377647174458_537120752881380645_o-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238440_10211377647174458_537120752881380645_o.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Home sales here have hit their \u003ca href=\"https://www.pressdemocrat.com/article/news/sonoma-county-home-sales-median-price-fall-in-april/\" target=\"_blank\" rel=\"noopener noreferrer\">highest median price in history\u003c/a>, out of range for the average first-time buyer. Rents have skyrocketed, completely out of reach for most of my friends. And the freeway underpasses on Sixth Street and Ninth Street have become mini-villages of homeless people who simply can’t afford a basic roof over their head.\u003c/p>\n\u003cp>The city knows this, and is \u003ca href=\"https://www.pressdemocrat.com/article/news/santa-rosa-thinks-granny-units-could-help-solve-housing-crisis/?artslide=0&fbclid=IwAR0S-oYaMNSNxMn6BF4DvNsoCu9ZWooP8ZjGJBbPOiQ8uxhTIj-T0i2L6QE\" target=\"_blank\" rel=\"noopener noreferrer\">trying\u003c/a> to \u003ca href=\"https://www.facebook.com/FairandAffordableSantaRosa/\" target=\"_blank\" rel=\"noopener noreferrer\">address\u003c/a> it. But the changes Santa Rosa faces are going to come much faster than city policy. Meanwhile, the city wants the square to succeed, and an important part of that — in the eyes of many — is to keep it “nice,” “clean,” and “welcoming.”\u003c/p>\n\u003cp>In other words: clear of homeless people. I mean, we witnessed it right there, firsthand, after the square opened, as if on cue.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13911700\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg\" alt=\"\" width=\"800\" height=\"76\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-160x15.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-768x73.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>I’m nervous. I’m also excited. I don’t know what’s gonna happen. I do know that I love this city, and that today is a historic day for Santa Rosa. To the critics of the new square’s design, I say: It’s a canvas. I know of no construction project that doesn’t go in phases. (And, $10 million is cheap. \u003ca href=\"https://www.pressdemocrat.com/article/news/sonoma-states-120-million-green-center-takes-center-stage/?ref=related&gallery=2358864&artslide=0&fbclid=IwAR1XlYEGAuT4I8Z4J2V0TX8bJJmjw4bENE4LVH0beoqNveS57GeIDm_cGqk\" target=\"_blank\" rel=\"noopener noreferrer\">Really\u003c/a>.) Look at the photo earlier for what the square looked like when it opened in the early ’70s: flat, empty, a lot of concrete. Things adapt. Trees grow.\u003c/p>\n\u003cp>Ultimately, a town square is just that — a place. What makes it special are the people, and what they do with it. And time will tell what we do with this square. Some modern-looking LED towers are on the way. The \u003ca href=\"https://www.kqed.org/arts/11665156/ruth-asawa-fountain-delicately-removed-preserved-in-santa-rosa\" target=\"_blank\" rel=\"noopener noreferrer\">Ruth Asawa fountain will be reinstalled\u003c/a>. I, for one, would love to add a gazebo or permanent stage for speakers and musical performances.\u003c/p>\n\u003cp>But last night, as I noticed new plaques commemorating the old Rosenberg fountain and the current city council, I was glad to see an older plaque that someone decided to keep. Giving a brief history of the square, it includes the name “J. Carrillo.” That’s Julio Carrillo, someone I’ve written about at length, who donated his family’s land to help lay the foundation for Santa Rosa — including the land for the square. Developers and businessmen did their thing, and Santa Rosa flourished. Julio Carrillo, the son of Spanish settlers who drank and gambled as much as he believed in high-minded ideas, went broke.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13911707\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18156338_10211377723096356_1643596746478933906_o-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18156338_10211377723096356_1643596746478933906_o-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18156338_10211377723096356_1643596746478933906_o-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18156338_10211377723096356_1643596746478933906_o-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18156338_10211377723096356_1643596746478933906_o-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18156338_10211377723096356_1643596746478933906_o-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18156338_10211377723096356_1643596746478933906_o.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Near the end of his life, Carrillo, basically penniless, worked as a janitor for the courthouse. By day, he and his wife sold tamales on the sidewalk to help support their large family. All this on valuable land he’d once owned, and naively signed over in service of a high-minded idea called Santa Rosa.\u003c/p>\n\u003cp>Change comes fast. Carrillo eventually got a prince’s funeral, with a huge crowd in the square, and a parade to the cemetery. And his name – some of it, at least – is memorialized on a plaque in this new, reunified square. But just like it was in Carrillo’s day, Santa Rosa is still a city of the haves and the have-nots.\u003c/p>\n\u003cp>There’s a grand metaphor to be made here about reunifying the square and reunifying our splintered city, divided by wealth and class and race, but I just can’t bring myself to be that hopeful. Not yet. But I’ll give it time.\u003c/p>\n\u003cp>As for today, and the big celebration in the new (finally!) reunified Courthouse Square, and this new era of downtown, whatever it may bring?\u003c/p>\n\u003cp>It’s our city. Our square. Let’s make it great. I’ll see you there.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13911700\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg\" alt=\"\" width=\"800\" height=\"76\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-160x15.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-768x73.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Liz and Lena and I walked down to Courthouse Square last night. Today’s the \u003ca href=\"https://www.pressdemocrat.com/article/news/reunified-old-courthouse-square-poised-to-make-its-debut-in-downtown-santa/?ref=related\" target=\"_blank\" rel=\"noopener noreferrer\">grand opening\u003c/a> ceremony with Chris Coursey and Gaye Lebaron and other official speeches, but we’d heard the fences were already down, and I couldn’t wait. Patching up a scar through he heart of the city is something I’d already waited for — for, oh, about 27 years.\u003c/p>\n\u003cp>Kids tumbled on the brand-new grass. Dogs ran circles around each other. Everyone turned around in a panoramic circle, pointing out new features, or trying to estimate where the old ones had been. There was a sense of hesitant excitement.\u003c/p>\n\u003cp>I overheard one guy nearby, sitting on benches, who shrugged. “I don’t know if I like it,” he said.\u003c/p>\n\u003cp>“Yeah,” his friend replied. “I’ll give it time, though.”\u003c/p>\n\u003cp>To those who grumble at the new square — a flat, expensive patch of concrete, they say — that may be my best advice. Give this new Courthouse Square time. We’ve got a lot of it.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13911700\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg\" alt=\"\" width=\"800\" height=\"76\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-160x15.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-768x73.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>You know the story by now: in 1966, the county outgrew its old courthouse, which anchored the center of Santa Rosa. The stately building was torn down, but instead of turning the land into an open park downtown, city planners ran Santa Rosa’s busiest street through it, squeezed some park features on either side, and, with a giant pair of scissors on opening day, cut a proud ribbon. It read: “Symbol of Progress.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13911701\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18156578_10211377613053605_8536823908719878453_o-800x701.jpg\" alt=\"\" width=\"800\" height=\"701\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18156578_10211377613053605_8536823908719878453_o-800x701.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18156578_10211377613053605_8536823908719878453_o-1020x894.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18156578_10211377613053605_8536823908719878453_o-160x140.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18156578_10211377613053605_8536823908719878453_o-768x673.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18156578_10211377613053605_8536823908719878453_o.jpg 1189w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>By the 1990s, that “progress” looked more like de-evolution. The mall had been built, putting mom ‘n’ pop stores out of business all over downtown, and a huge cluster of megastores like Best Buy and Costco had been erected on Santa Rosa Avenue. The street that was paved through Courthouse Square — which had doubled as the transit hub for the city’s loud, noxious city buses — played host to a \u003ca href=\"https://www.youtube.com/watch?v=AYz_iXO5Qjk\" target=\"_blank\" rel=\"noopener noreferrer\">constant stream of traffic, speeding right past\u003c/a>.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13911702\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18192447_10211377718816249_3016441479001586066_o-800x568.jpg\" alt=\"\" width=\"800\" height=\"568\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192447_10211377718816249_3016441479001586066_o-800x568.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192447_10211377718816249_3016441479001586066_o-1020x725.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192447_10211377718816249_3016441479001586066_o-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192447_10211377718816249_3016441479001586066_o-768x546.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192447_10211377718816249_3016441479001586066_o-1536x1091.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192447_10211377718816249_3016441479001586066_o-1920x1364.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192447_10211377718816249_3016441479001586066_o.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>I started to loudly declare that Courthouse Square should be reunified — in my zine, in letters to the mayor, at parties. I was “that guy.” I had no hope that it would actually happen, but at least discovered I wasn’t alone: cutting Courthouse Square in half was cited, with ever more frequency, as one of Santa Rosa’s famous mistakes. One that maybe could be fixed. Demolishing the mall or re-routing the freeway were unfeasible pipe dreams. But reuniting Courthouse Square, as I learned through donating to various fundraisers and commissions and think-tanks, wasn’t such an unobtainable goal.\u003c/p>\n\u003cp>It took a long time. It only happened because of the \u003ca href=\"https://www.pressdemocrat.com/article/news/reunified-old-courthouse-square-poised-to-make-its-debut-in-downtown-santa/\" target=\"_blank\" rel=\"noopener noreferrer\">rare confluence\u003c/a> of a united city council, the right amount of funds at the right time, and a collective will to finally go for it. Today they open it officially, and cut a new kind of ribbon. One that might as well say: “Whoops, Progress Was Right Under Our Nose All Along.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13911700\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg\" alt=\"\" width=\"800\" height=\"76\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-160x15.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-768x73.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>It’s intermission time. Some favorite memories of Courthouse Square:\u003c/p>\n\u003cp>1. The time the city tried putting speakers in the trees to pipe classical music into the square in an attempt to drive teenage punk rockers and derelicts out. (The idea failed spectacularly; in a \u003cem>Press Democrat\u003c/em> story about its efficacy, a homeless person was quoted: “I like it, but I wish they’d play some Mahler or Shostakovich. Beethoven is so \u003cem>common\u003c/em>.”) My friend Donovan was there the day that one of the speakers fell out of the tree and onto the ground. A group of punks ran over and started kicking it, until one of them said, “Hey, this is a nice speaker, it’s probably worth some money,” and they picked it up and ran off.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13911703\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18199347_10211377825858925_7681476918943987217_n-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18199347_10211377825858925_7681476918943987217_n-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18199347_10211377825858925_7681476918943987217_n-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18199347_10211377825858925_7681476918943987217_n-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18199347_10211377825858925_7681476918943987217_n.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>2. Jumping into the circular Rosenberg fountain with Evan late one night. We’d been walking around, complaining about how we were tired of observing the world from a distance, as teenagers do, and how we wanted to live more \u003cem>in\u003c/em> the world. We threw pebbles in the water and watched the ripples bounce off of the walls and overlap, discussing how every action has an impact. It was all very deep. Then I realized we were doing exactly what we’d been complaining about earlier — observing something, instead of living in it — and I turned around and dramatically fell backwards into the fountain. I made Evan do it too. We walked home soaked, determined from then onward to live differently.\u003c/p>\n\u003cp>3. Cutting school for a Gulf War protest in the square, 1991. The square was not only physically divided but politically divided: pro-war people on the East side, antiwar people on the West, both shouting at each other. I was sitting listening to speakers talk about oil and Middle East relations and Kuwait, when suddenly my mom appeared. “I thought I’d find you here!” she shouted across the crowd, pointing at me. I was busted for cutting school… or so I thought. My mom came over, sat down, put her arm around me and said she was proud of me. We hung out downtown the rest of the day.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13911704\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18238100_10211377698575743_4982369222838759827_o-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238100_10211377698575743_4982369222838759827_o-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238100_10211377698575743_4982369222838759827_o-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238100_10211377698575743_4982369222838759827_o-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238100_10211377698575743_4982369222838759827_o-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238100_10211377698575743_4982369222838759827_o-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238100_10211377698575743_4982369222838759827_o.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>4. Playing on Courthouse Square’s stage with my band Santiago, celebrating the release of our album about Santa Rosa, \u003cem>Rosenberg’s After Dark\u003c/em>. (I’d recorded the intro late at night sitting on a bench near the Rosenberg fountain; you can \u003ca href=\"https://www.youtube.com/watch?v=AYz_iXO5Qjk\" target=\"_blank\" rel=\"noopener noreferrer\">hear cars driving on the fake cobblestone\u003c/a> of the now-removed street in the background.) We brought Madigan’s Stationery and Eggen & Lance Mortuary signs to flank the stage. We had a song called “\u003ca href=\"https://www.youtube.com/watch?v=BY7g50PzgwQ\" target=\"_blank\" rel=\"noopener noreferrer\">The Calm of Courthouse Square\u003c/a>,” about finding peace in the square on Christmas morning after breaking up with a girl who’d wanted me to decide between staying in Santa Rosa or following her to a bigger, more exciting city. We opened \u003cem>and\u003c/em> closed our set with it. I’ve played at famous clubs from CBGB to the Fillmore, but headlining Courthouse Square was more special.\u003c/p>\n\u003cp>5. Finding \u003ca href=\"https://www.facebook.com/photo.php?fbid=10202580895261158&set=p.10202580895261158&type=1&theater\" target=\"_blank\" rel=\"noopener noreferrer\">two pot plants growing in Courthouse Square\u003c/a>! Crazy! They were only about six inches tall. I uprooted them and carried them home, where I planted them in larger and larger pots and watered them in our backyard until they grew taller than me. I don’t really smoke weed at all, but how often do you find it growing right in the middle of downtown? I gave away a lot of “Courthouse Kush” to friends that year.\u003c/p>\n\u003cp>6. Driving Lena home from the hospital when she was just one day old, and parking in front of Treehorn Books. “I’ll be right back,” I told Liz. I ran to the fountain and pooled some water in my hands, and walked back to the car, and to our new child. I trickled some of the water on her soft forehead. “Welcome to town,” I whispered.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13911700\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg\" alt=\"\" width=\"800\" height=\"76\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-160x15.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-768x73.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>I, of all people, should be sad and upset that the old square is gone. People who know my propensity for living in the past have joked that I was already nostalgic for the old square the minute they brought in the tractors. It’s true. I can’t help looking back.\u003c/p>\n\u003cp>But like the man said, nostalgia ain’t what it used to be. Santa Rosa has stayed the same, more or less, for the past 15 years, and I’m ready for some newness. Now, suddenly, we’re on a precipice of some major changes. The square is one of them. The SMART train is another. And lots of other changes add up to what could quickly be a very different Santa Rosa than the one we’ve known.\u003c/p>\n\u003cp>Around the square, a \u003ca href=\"https://www.pressdemocrat.com/article/news/hotel-plans-taking-shape-on-santa-rosas-old-courthouse-square/\" target=\"_blank\" rel=\"noopener noreferrer\">boutique hotel for tourists\u003c/a> complete with valet parking is coming soon. \u003ca href=\"https://www.sonomamag.com/category/biteclub?fbclid=IwAR1ATFQT6JJwmc6MhBQr0zefZLLcqGQpForARsZsG3KaVpGR6Qc06dk3_x8\" target=\"_blank\" rel=\"noopener noreferrer\">Eight new restaurants\u003c/a> are opening downtown in the next few months, bringing more handcrafted cocktails and artisanal menus. Even the Astro Motel is \u003ca href=\"https://www.pressdemocrat.com/article/news/spinster-sisters-restaurant-owners-buy-astro-motel-in-santa-rosa/\" target=\"_blank\" rel=\"noopener noreferrer\">being remodeled and reopening soon\u003c/a> as another boutique destination.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13911705\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18192450_10211377705335912_6964387410853039091_o-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192450_10211377705335912_6964387410853039091_o-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192450_10211377705335912_6964387410853039091_o-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192450_10211377705335912_6964387410853039091_o-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192450_10211377705335912_6964387410853039091_o-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192450_10211377705335912_6964387410853039091_o-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18192450_10211377705335912_6964387410853039091_o.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>More and more, we find ourselves on “Best Places to Live” lists. The Russian River Brewing Co. is ground zero for our status as the \u003ca href=\"https://www.sfgate.com/beer/article/Santa-Rosa-dubbed-microbrew-capital-of-the-U-S-11084669.php?fbclid=IwAR2iJljIYdTBEJ5DYevugSf9BOS1knZ3Pf4XoZPIzFEywjU1fB0IX5_ooNg\" target=\"_blank\" rel=\"noopener noreferrer\">capital of craft beer\u003c/a>. Next door, what used to be Sawyer’s News selling magazines, racing forms and cigarettes is now an English-style tea parlor and a real estate sales office. Up the block, a storefront that sold shoes is now a financial planning service. Arrigoni’s, the 77-year-old family deli, is now a create-your-own-pizza place. And a restaurant from Healdsburg will soon take the place of La Bufa, the no-frills, family-run Mexican joint which \u003ca href=\"https://www.pressdemocrat.com/article/lifestyle/la-bufa-mexican-restaurant-in-santa-rosa-closing-after-42-years/\" target=\"_blank\" rel=\"noopener noreferrer\">closes Sunday after almost 45 years\u003c/a>.\u003c/p>\n\u003cp>Have you seen Clover’s new billboards? The ones that used to feature a cartoon cow and silly puns, and now present elegant phrases about their milk’s “mouthfeel”?\u003c/p>\n\u003cp>Santa Rosa has been on this trajectory for a while, transforming from the Redwood Empire to Wine Country. But it’s gonna come extra fast and hard in the next year or so.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13911700\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg\" alt=\"\" width=\"800\" height=\"76\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-160x15.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-768x73.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Meanwhile, mere hours after the square’s fences came down yesterday, a man slept in a sleeping bag under the redwood trees. Twenty minutes later, Liz and I watched as a cop came and rustled him awake, and pulled out his ticket book.\u003c/p>\n\u003cp>We have an enormous housing problem in Santa Rosa, and more homeless than I can ever remember. I don’t know what to say to those who complain about homeless people without seeing the connection to the luxurification of Santa Rosa, except that you can only have so many landlords \u003ca href=\"https://www.airbnb.com/santa-rosa-ca/stays\" target=\"_blank\" rel=\"noopener noreferrer\">turning their units into permanent Airbnbs\u003c/a> for Pliny the Younger fans before there’s no place for people who grew up here to live.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13911706\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18238440_10211377647174458_537120752881380645_o-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238440_10211377647174458_537120752881380645_o-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238440_10211377647174458_537120752881380645_o-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238440_10211377647174458_537120752881380645_o-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238440_10211377647174458_537120752881380645_o-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238440_10211377647174458_537120752881380645_o-1536x864.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18238440_10211377647174458_537120752881380645_o.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Home sales here have hit their \u003ca href=\"https://www.pressdemocrat.com/article/news/sonoma-county-home-sales-median-price-fall-in-april/\" target=\"_blank\" rel=\"noopener noreferrer\">highest median price in history\u003c/a>, out of range for the average first-time buyer. Rents have skyrocketed, completely out of reach for most of my friends. And the freeway underpasses on Sixth Street and Ninth Street have become mini-villages of homeless people who simply can’t afford a basic roof over their head.\u003c/p>\n\u003cp>The city knows this, and is \u003ca href=\"https://www.pressdemocrat.com/article/news/santa-rosa-thinks-granny-units-could-help-solve-housing-crisis/?artslide=0&fbclid=IwAR0S-oYaMNSNxMn6BF4DvNsoCu9ZWooP8ZjGJBbPOiQ8uxhTIj-T0i2L6QE\" target=\"_blank\" rel=\"noopener noreferrer\">trying\u003c/a> to \u003ca href=\"https://www.facebook.com/FairandAffordableSantaRosa/\" target=\"_blank\" rel=\"noopener noreferrer\">address\u003c/a> it. But the changes Santa Rosa faces are going to come much faster than city policy. Meanwhile, the city wants the square to succeed, and an important part of that — in the eyes of many — is to keep it “nice,” “clean,” and “welcoming.”\u003c/p>\n\u003cp>In other words: clear of homeless people. I mean, we witnessed it right there, firsthand, after the square opened, as if on cue.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13911700\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg\" alt=\"\" width=\"800\" height=\"76\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-160x15.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-768x73.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>I’m nervous. I’m also excited. I don’t know what’s gonna happen. I do know that I love this city, and that today is a historic day for Santa Rosa. To the critics of the new square’s design, I say: It’s a canvas. I know of no construction project that doesn’t go in phases. (And, $10 million is cheap. \u003ca href=\"https://www.pressdemocrat.com/article/news/sonoma-states-120-million-green-center-takes-center-stage/?ref=related&gallery=2358864&artslide=0&fbclid=IwAR1XlYEGAuT4I8Z4J2V0TX8bJJmjw4bENE4LVH0beoqNveS57GeIDm_cGqk\" target=\"_blank\" rel=\"noopener noreferrer\">Really\u003c/a>.) Look at the photo earlier for what the square looked like when it opened in the early ’70s: flat, empty, a lot of concrete. Things adapt. Trees grow.\u003c/p>\n\u003cp>Ultimately, a town square is just that — a place. What makes it special are the people, and what they do with it. And time will tell what we do with this square. Some modern-looking LED towers are on the way. The \u003ca href=\"https://www.kqed.org/arts/11665156/ruth-asawa-fountain-delicately-removed-preserved-in-santa-rosa\" target=\"_blank\" rel=\"noopener noreferrer\">Ruth Asawa fountain will be reinstalled\u003c/a>. I, for one, would love to add a gazebo or permanent stage for speakers and musical performances.\u003c/p>\n\u003cp>But last night, as I noticed new plaques commemorating the old Rosenberg fountain and the current city council, I was glad to see an older plaque that someone decided to keep. Giving a brief history of the square, it includes the name “J. Carrillo.” That’s Julio Carrillo, someone I’ve written about at length, who donated his family’s land to help lay the foundation for Santa Rosa — including the land for the square. Developers and businessmen did their thing, and Santa Rosa flourished. Julio Carrillo, the son of Spanish settlers who drank and gambled as much as he believed in high-minded ideas, went broke.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13911707\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18156338_10211377723096356_1643596746478933906_o-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18156338_10211377723096356_1643596746478933906_o-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18156338_10211377723096356_1643596746478933906_o-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18156338_10211377723096356_1643596746478933906_o-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18156338_10211377723096356_1643596746478933906_o-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18156338_10211377723096356_1643596746478933906_o-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18156338_10211377723096356_1643596746478933906_o.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Near the end of his life, Carrillo, basically penniless, worked as a janitor for the courthouse. By day, he and his wife sold tamales on the sidewalk to help support their large family. All this on valuable land he’d once owned, and naively signed over in service of a high-minded idea called Santa Rosa.\u003c/p>\n\u003cp>Change comes fast. Carrillo eventually got a prince’s funeral, with a huge crowd in the square, and a parade to the cemetery. And his name – some of it, at least – is memorialized on a plaque in this new, reunified square. But just like it was in Carrillo’s day, Santa Rosa is still a city of the haves and the have-nots.\u003c/p>\n\u003cp>There’s a grand metaphor to be made here about reunifying the square and reunifying our splintered city, divided by wealth and class and race, but I just can’t bring myself to be that hopeful. Not yet. But I’ll give it time.\u003c/p>\n\u003cp>As for today, and the big celebration in the new (finally!) reunified Courthouse Square, and this new era of downtown, whatever it may bring?\u003c/p>\n\u003cp>It’s our city. Our square. Let’s make it great. I’ll see you there.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13911700\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg\" alt=\"\" width=\"800\" height=\"76\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-160x15.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/04/18157782_10211377597133207_2734933436833314751_n-768x73.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Dylan Farrow Aside, Does Woody Allen Stink as a Film Director?",
"headTitle": "Dylan Farrow Aside, Does Woody Allen Stink as a Film Director? | KQED",
"content": "\u003cp>There’s no doubt the \u003ca href=\"http://kristof.blogs.nytimes.com/2014/02/01/an-open-%20letter-from-dylan-farrow/\">Dylan Farrow\u003c/a> – \u003ca href=\"http://www.nytimes.com/%202014/02/09/opinion/sunday/woody-allen-speaks-out.html\">Woody Allen\u003c/a> back-and-\u003ca href=\"http://www.hollywoodreporter.com/news/dylan-farrow-responds-woody-%20allen-678552\">forth\u003c/a> has raised serious issues. Questions like how does society deal with allegations of child abuse? And how do \u003ca href=\"http://www.kqed.org/arts/popculture/article.jsp?essid=133738\">audiences respond to an artist’s work after he has been accused of a deeply immoral act?\u003c/a> If on Oscar night, Woody Allen happens to win the best original screenplay award for \u003ci>Blue Jasmine\u003c/i>, the full range of \u003ca href=\"https://twitter.com/search?q=woody%20allen&src=typd\">140-character opinions\u003c/a> on such matters is going to, within seconds, criss-cross the globe.\u003c/p>\n\u003cp>If Allen does win, I’ll be crying foul not because of any moral transgressions on the director’s part, but because I thought his movie stunk. Last summer, when \u003ca href=\"http://www.rottentomatoes.com/m/blue_jasmine/\">many other critics\u003c/a> were hailing \u003ci>Blue Jasmine\u003c/i> as a masterpiece, I was busy writing a piece called \u003ca href=\"http://www.kqed.org/arts/movies/article.jsp?essid=124365\">\u003ci>How Woody Allen Became a Hack\u003c/i>\u003c/a>, asserting that the director’s sloppy moviemaking and derivative screenplays over the past 20 years should have landed him in movie jail for various aesthetic crimes and misdemeanors.\u003c/p>\n\u003cp>Of course, I’m well aware I’m living on a planet other than Earth when it comes to this topic. No less a critic than David Thomson, one of the most astute film minds around, in my opinion, called \u003ci>Blue Jasmine\u003c/i> “the best film (Allen) has ever made.”\u003c/p>\n\u003cp>So we thought that now, the day before the Oscars, was a good time to publish some of the online reaction we received to my Woody Allen piece, much of which expressed the opinion that:\u003c/p>\n\u003cp>A) Woody still has a lot on the cinematic ball.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>B) I’m a moron.\u003c/p>\n\u003cp>\u003cb>My favorite reaction:\u003c/b>\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">You are an imbecile. Probably a Republican? How you ever got to write anything is a surprise to me. Your logical reasoning is almost on par with a five year old. Please die soon and rid humanity from this banter. You are a waste of space. –Zetret\u003c/p>\n\u003cp>I’m thinking \u003ca href=\"http://youtu.be/vLJzqvbxjqw?t=42s\">Marshall McLuhan\u003c/a> wrote that one …\u003c/p>\n\u003cp style=\"text-align: center\">[youtube http://www.youtube.com/watch?v=vLJzqvbxjqw&w=640&h=480]\u003c/p>\n\u003cp>More below. Feel free to chime in. Oh wait. This is the Internet — what an unnecessary invitation. (And by the way, if you think I was hard on Woody, check out \u003ca href=\"http://www.nybooks.com/articles/archives/1979/aug/16/letter-from-manhattan/\">Joan Didion’s takedown of his films and his audience\u003c/a>, published in \u003ci>The New York Review of Books\u003c/i> in 1979, smack in the middle of the director’s glory years.)\u003c/p>\n\u003cp>\u003cb>Responses to \u003ca href=\"http://www.kqed.org/arts/movies/article.jsp?essid=124365\">\u003ci>How Woody Allen Became a Hack\u003c/i>\u003c/a> (culled from KQED Arts Facebook and the comments on the post):\u003c/b>\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">Totally disagree with this article. \u003ci>Midnight in Paris\u003c/i> is brilliant. \u003ci>Blue Jasmine\u003c/i> is not as good, but Cate Blanchett’s performance (Oscar for Best Actress for sure) is one of the best you will ever see. –John Leibee\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">When he’s good, he’s made some of the most fantastic movies. He has captured humanity in an amazing and excruciating way. With a career as long as he has had, is it fair for us arm chair critics to be so errr…. critical? Maybe… but have you created anything as brilliant in your lifetime? So you don’t like his new movies as much… big deal. What’s so great about being a critic anyhow? –Josh Alper\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">I thought \u003ci>To Rome with Love\u003c/i>, \u003ci>Match Point\u003c/i> and \u003ci>Cassandra’s Dream\u003c/i> were all excellent. They’re not \u003ci>Stardust Memories\u003c/i> or \u003ci>Manhattan\u003c/i> but are still intelligent, entertaining and well acted and crafted. –Victor Milin\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">He’s still got more originality than Quentin Tarantino. –Chris Knight\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">Bitch, bitch, bitch. Yeah, Woody’s done some classics and some stinkers. But there’s no one I can think of who’s matched his output and few who can claim ownership of so many brilliant films. Criticism is easy, creating is difficult. –Mike Woolson\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">\u003ci>Blue Jasmine\u003c/i> was brilliant. –Louis\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">How moronic. Can’t imagine what the idiots who deride Woody think passes for good screenwriting. \u003ci>Iron Man\u003c/i>? Kevin James flicks? –Chris Faraone\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">His latest is always the greatest because it hits the current nerves of the time. –Lee Embrey\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">Long may Woody entertain us as only he can! –Tim Street-Porter\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">Another tired old putz complaining that Woody Allen hasn’t made a good film in 20 years. Here’s a suggestion — stop seeing the new ones and just watch \u003ci>Annie Hall\u003c/i> and \u003ci>Manhattan\u003c/i> over and over again. –Steven Kaye\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">I think many of the criticisms here are really strengths for what Allen does with them and certainly aren’t anything new to his work. The man works in a limited arena, but he always does it well. Also, to call \u003ci>Stardust Memories\u003c/i> a Fellini knockoff and leave it at that is criminal; it’s Allen’s best film and better than \u003ci>8 1/2\u003c/i> IMO. –redflagblackflag\u003c/p>\n\u003cp>\u003cb>And then there were those who agreed with me, more or less\u003c/b>:\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">Have not been very enthusiastic about anything by Woodman since \u003ci>Annie Hall\u003c/i> or so. Found \u003ci>Midnight in Paris\u003c/i> a bit silly for a director in his 70s. Could not watch more than a few minutes of newer films –DeWitt Cheng\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">You are right on with this stuff. I will certainly not see the new one. And I have a very hard time understanding how anyone who like the old Allen stuff could also like this new stuff. I agree that the “quicker and cheaper” goal is primarily to blame, but I think it’s even more than that. I think Allen used to write about characters he knew, or at least felt. Now he’s all over the place — well any place except for his own heart/mind/intellect. And it’s out of those places that real comedy — and real pathos — springs.\u003c/p>\n\u003cp>Sitting in the theater for \u003ci>Midnight In Paris\u003c/i> its opening weekend, hearing laughter coming from all around, I was convinced that it was laughter at how bad the film was — how ridiculous the acting was, how flat and unbelievable the characters — really how terribly simple it all was. –CORE2THEMAXX\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">Truthfully, the last film of his I liked was \u003ci>Hannah and Her Sisters\u003c/i>. –RC\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">I kept saying … “it’s about time someone said this” in my head as I read this essay. I think most people know that Woody isn’t making masterpieces anymore, but there’s not nearly enough\u003cbr>\nacknowledgement of how dreadful his work has become. This author’s take on \u003ci>Midnight in Paris\u003c/i> isn’t even in the realm of opinion as far as I’m concerned, it is stating an obvious case. And like the author of this piece, this is coming from someone who thinks Woody Allen was pumping out a great film almost every year for about a 15 year period. –Soxfan111111\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">My favorite answer to the question: Who is the most over-rated director of our lifetime? Plus, he is a major sleaze. –Paul Hurdlow\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">I feel like Woody exhausted all his ideas long ago, now he’s like a family member telling the same old stories over the holiday dinner table. His films have all the surprise and urgency of a new Stones record. –Dan Buskirk\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>What do you think? Let us know…\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>There’s no doubt the \u003ca href=\"http://kristof.blogs.nytimes.com/2014/02/01/an-open-%20letter-from-dylan-farrow/\">Dylan Farrow\u003c/a> – \u003ca href=\"http://www.nytimes.com/%202014/02/09/opinion/sunday/woody-allen-speaks-out.html\">Woody Allen\u003c/a> back-and-\u003ca href=\"http://www.hollywoodreporter.com/news/dylan-farrow-responds-woody-%20allen-678552\">forth\u003c/a> has raised serious issues. Questions like how does society deal with allegations of child abuse? And how do \u003ca href=\"http://www.kqed.org/arts/popculture/article.jsp?essid=133738\">audiences respond to an artist’s work after he has been accused of a deeply immoral act?\u003c/a> If on Oscar night, Woody Allen happens to win the best original screenplay award for \u003ci>Blue Jasmine\u003c/i>, the full range of \u003ca href=\"https://twitter.com/search?q=woody%20allen&src=typd\">140-character opinions\u003c/a> on such matters is going to, within seconds, criss-cross the globe.\u003c/p>\n\u003cp>If Allen does win, I’ll be crying foul not because of any moral transgressions on the director’s part, but because I thought his movie stunk. Last summer, when \u003ca href=\"http://www.rottentomatoes.com/m/blue_jasmine/\">many other critics\u003c/a> were hailing \u003ci>Blue Jasmine\u003c/i> as a masterpiece, I was busy writing a piece called \u003ca href=\"http://www.kqed.org/arts/movies/article.jsp?essid=124365\">\u003ci>How Woody Allen Became a Hack\u003c/i>\u003c/a>, asserting that the director’s sloppy moviemaking and derivative screenplays over the past 20 years should have landed him in movie jail for various aesthetic crimes and misdemeanors.\u003c/p>\n\u003cp>Of course, I’m well aware I’m living on a planet other than Earth when it comes to this topic. No less a critic than David Thomson, one of the most astute film minds around, in my opinion, called \u003ci>Blue Jasmine\u003c/i> “the best film (Allen) has ever made.”\u003c/p>\n\u003cp>So we thought that now, the day before the Oscars, was a good time to publish some of the online reaction we received to my Woody Allen piece, much of which expressed the opinion that:\u003c/p>\n\u003cp>A) Woody still has a lot on the cinematic ball.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>B) I’m a moron.\u003c/p>\n\u003cp>\u003cb>My favorite reaction:\u003c/b>\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">You are an imbecile. Probably a Republican? How you ever got to write anything is a surprise to me. Your logical reasoning is almost on par with a five year old. Please die soon and rid humanity from this banter. You are a waste of space. –Zetret\u003c/p>\n\u003cp>I’m thinking \u003ca href=\"http://youtu.be/vLJzqvbxjqw?t=42s\">Marshall McLuhan\u003c/a> wrote that one …\u003c/p>\n\u003cp style=\"text-align: center\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/vLJzqvbxjqw'\n title='//www.youtube.com/embed/vLJzqvbxjqw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>More below. Feel free to chime in. Oh wait. This is the Internet — what an unnecessary invitation. (And by the way, if you think I was hard on Woody, check out \u003ca href=\"http://www.nybooks.com/articles/archives/1979/aug/16/letter-from-manhattan/\">Joan Didion’s takedown of his films and his audience\u003c/a>, published in \u003ci>The New York Review of Books\u003c/i> in 1979, smack in the middle of the director’s glory years.)\u003c/p>\n\u003cp>\u003cb>Responses to \u003ca href=\"http://www.kqed.org/arts/movies/article.jsp?essid=124365\">\u003ci>How Woody Allen Became a Hack\u003c/i>\u003c/a> (culled from KQED Arts Facebook and the comments on the post):\u003c/b>\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">Totally disagree with this article. \u003ci>Midnight in Paris\u003c/i> is brilliant. \u003ci>Blue Jasmine\u003c/i> is not as good, but Cate Blanchett’s performance (Oscar for Best Actress for sure) is one of the best you will ever see. –John Leibee\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">When he’s good, he’s made some of the most fantastic movies. He has captured humanity in an amazing and excruciating way. With a career as long as he has had, is it fair for us arm chair critics to be so errr…. critical? Maybe… but have you created anything as brilliant in your lifetime? So you don’t like his new movies as much… big deal. What’s so great about being a critic anyhow? –Josh Alper\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">I thought \u003ci>To Rome with Love\u003c/i>, \u003ci>Match Point\u003c/i> and \u003ci>Cassandra’s Dream\u003c/i> were all excellent. They’re not \u003ci>Stardust Memories\u003c/i> or \u003ci>Manhattan\u003c/i> but are still intelligent, entertaining and well acted and crafted. –Victor Milin\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">He’s still got more originality than Quentin Tarantino. –Chris Knight\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">Bitch, bitch, bitch. Yeah, Woody’s done some classics and some stinkers. But there’s no one I can think of who’s matched his output and few who can claim ownership of so many brilliant films. Criticism is easy, creating is difficult. –Mike Woolson\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">\u003ci>Blue Jasmine\u003c/i> was brilliant. –Louis\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">How moronic. Can’t imagine what the idiots who deride Woody think passes for good screenwriting. \u003ci>Iron Man\u003c/i>? Kevin James flicks? –Chris Faraone\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">His latest is always the greatest because it hits the current nerves of the time. –Lee Embrey\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">Long may Woody entertain us as only he can! –Tim Street-Porter\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">Another tired old putz complaining that Woody Allen hasn’t made a good film in 20 years. Here’s a suggestion — stop seeing the new ones and just watch \u003ci>Annie Hall\u003c/i> and \u003ci>Manhattan\u003c/i> over and over again. –Steven Kaye\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">I think many of the criticisms here are really strengths for what Allen does with them and certainly aren’t anything new to his work. The man works in a limited arena, but he always does it well. Also, to call \u003ci>Stardust Memories\u003c/i> a Fellini knockoff and leave it at that is criminal; it’s Allen’s best film and better than \u003ci>8 1/2\u003c/i> IMO. –redflagblackflag\u003c/p>\n\u003cp>\u003cb>And then there were those who agreed with me, more or less\u003c/b>:\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">Have not been very enthusiastic about anything by Woodman since \u003ci>Annie Hall\u003c/i> or so. Found \u003ci>Midnight in Paris\u003c/i> a bit silly for a director in his 70s. Could not watch more than a few minutes of newer films –DeWitt Cheng\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">You are right on with this stuff. I will certainly not see the new one. And I have a very hard time understanding how anyone who like the old Allen stuff could also like this new stuff. I agree that the “quicker and cheaper” goal is primarily to blame, but I think it’s even more than that. I think Allen used to write about characters he knew, or at least felt. Now he’s all over the place — well any place except for his own heart/mind/intellect. And it’s out of those places that real comedy — and real pathos — springs.\u003c/p>\n\u003cp>Sitting in the theater for \u003ci>Midnight In Paris\u003c/i> its opening weekend, hearing laughter coming from all around, I was convinced that it was laughter at how bad the film was — how ridiculous the acting was, how flat and unbelievable the characters — really how terribly simple it all was. –CORE2THEMAXX\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">Truthfully, the last film of his I liked was \u003ci>Hannah and Her Sisters\u003c/i>. –RC\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">I kept saying … “it’s about time someone said this” in my head as I read this essay. I think most people know that Woody isn’t making masterpieces anymore, but there’s not nearly enough\u003cbr>\nacknowledgement of how dreadful his work has become. This author’s take on \u003ci>Midnight in Paris\u003c/i> isn’t even in the realm of opinion as far as I’m concerned, it is stating an obvious case. And like the author of this piece, this is coming from someone who thinks Woody Allen was pumping out a great film almost every year for about a 15 year period. –Soxfan111111\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">My favorite answer to the question: Who is the most over-rated director of our lifetime? Plus, he is a major sleaze. –Paul Hurdlow\u003c/p>\n\u003cp style=\"margin-left: 20px;margin-right: 20px\">I feel like Woody exhausted all his ideas long ago, now he’s like a family member telling the same old stories over the holiday dinner table. His films have all the surprise and urgency of a new Stones record. –Dan Buskirk\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"order": 9
},
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"id": "freakonomics-radio",
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"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
"meta": {
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"link": "/radio/program/how-i-built-this",
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"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"rss": "https://feeds.npr.org/510360/podcast.xml"
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
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"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
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"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
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"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
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"source": "kqed",
"order": 5
},
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