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"content": "\u003cp>The 75th Emmy Awards offered up nothing in the way of real surprise; practically every prize went to the frontrunner. Perhaps the closest the night came to a moment worth an eyebrow-raise was the In Memoriam segment that included a mournful rendition of the \u003cem>Friends \u003c/em>theme song. Obviously, a very well-meaning attempt to recognize Matthew Perry, but that is not a song that translates into tears. The delay of this ceremony from September to now also meant that a lot of these frontrunners are fresh off Golden Globe and Critics’ Choice awards, making their wins seem even a little more obvious.\u003c/p>\n\u003cp>Still, like every Emmy night, there were some notable developments.\u003c/p>\n\u003cp>1. Three big shows dominated the major categories given out Monday night: \u003cem>Succession \u003c/em>in drama, \u003cem>The Bear \u003c/em>in comedy, and \u003cem>Beef \u003c/em>in limited series. All three won the big prize in their category as best series. All three won both directing and writing awards. All three won multiple acting awards — two for \u003cem>Beef \u003c/em>(its two leads), three for \u003cem>The Bear \u003c/em>(its three principals), and three for \u003cem>Succession \u003c/em>(three members of its gazillion-person cast). Only four wins out of the 21 handed out in these three categories went to any other shows: Jennifer Coolidge for \u003cem>The White Lotus\u003c/em>, Paul Walter Hauser for \u003cem>Black Bird\u003c/em>, Quinta Brunson for \u003cem>Abbott Elementary\u003c/em> and Niecy Nash-Betts for \u003cem>Dahmer — Monster: The Jeffrey Dahmer Story\u003c/em>. It seemed like maybe \u003cem>Ted Lasso \u003c/em>might be in the race for its (likely) final season, or \u003cem>The Last Of Us \u003c/em>might make a strong showing for its adaptation of a stunning video game. But it was not to be. This was a night for the favorites to fully dominate.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=vbmxLOnrRbU\u003c/p>\n\u003cp>2. Coolidge’s win for her supporting work in \u003cem>The White Lotus \u003c/em>wasn’t unexpected, given that she won last year, but along with the rest of the night, it did come as a real blow to \u003cem>Better Call Saul \u003c/em>fans, myself included. Many people who hoped against hope that Rhea Seehorn would win the trophy in her last shot for the work she did as Kim Wexler. In fact, \u003cem>Saul\u003c/em> — a show a lot of its admirers think is better than \u003cem>Breaking Bad\u003c/em>, from which it was spun off — won no Emmys at all. It ends an acclaimed six-season run with 53 nominations and no awards. Perhaps that’s only fitting for a show that’s about a bottom-feeder and repeat loser like Jimmy McGill, but those who know, know. \u003cem>Especially\u003c/em> about Rhea Seehorn.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=k_wz0SEH6Vg\u003c/p>\n\u003cp>3. In place of the orchestra playing people off to trim runaway speeches, they decided this year to have host Anthony Anderson’s mother stand up in the audience and start yelling at them. The moment she did it to Jennifer Coolidge, it was more than clear that this was going to be terribly awkward. The producers didn’t continue with it, fortunately. It’s not clear whether they ever intended to. Perhaps they didn’t, or perhaps they instantly realized it was not going to land the way they hoped. Seriously, just play the music.[aside postid='arts_13940099']\u003c/p>\n\u003cp>4. It’s often been the case that awards shows include a good number of Black actors as presenters, or as hosts like Anderson, but then don’t actually reward their work. Not so with these Emmys. Three of the first four women to take the stage as winners — Ayo Edebiri, Quinta Brunson, and Niecy Nash-Betts — were Black, and the ceremony’s look back at 75 years of Emmys included beloved icons like Arsenio Hall and Marla Gibbs as well as influential shows like \u003cem>Good Times\u003c/em> and \u003cem>Martin\u003c/em>. Anderson called it “like MLK Day and Juneteenth rolled into one.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=jOJNgHgKnFs\u003c/p>\n\u003cp>5. Most coverage of the Emmys goes to a handful of major categories, but there’s always plenty going on up and down the list. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>4. It’s often been the case that awards shows include a good number of Black actors as presenters, or as hosts like Anderson, but then don’t actually reward their work. Not so with these Emmys. Three of the first four women to take the stage as winners — Ayo Edebiri, Quinta Brunson, and Niecy Nash-Betts — were Black, and the ceremony’s look back at 75 years of Emmys included beloved icons like Arsenio Hall and Marla Gibbs as well as influential shows like \u003cem>Good Times\u003c/em> and \u003cem>Martin\u003c/em>. Anderson called it “like MLK Day and Juneteenth rolled into one.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/jOJNgHgKnFs'\n title='//www.youtube.com/embed/jOJNgHgKnFs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>5. Most coverage of the Emmys goes to a handful of major categories, but there’s always plenty going on up and down the list. One story of note: With a win for his special \u003cem>Elton John Live: Farewell from Dodger Stadium\u003c/em>, Elton John reached a made-up status that it’s hard not to admire anyway — the EGOT.\u003c/p>\n\u003cp>6. At the 75th Emmys, it made sense to do a lot of remembering of the TV of the past. Some of this worked really well, like getting to see old sets (or rough approximations of old sets) or reunions, like the one between Rob Reiner and Sally Struthers. Some of it was a little effortful, like Anderson doing a skit with Dylan McDermott about \u003cem>American Horror Story\u003c/em>. But on a generous curve of how “and now, we salute television!” stuff usually goes, it gets a solid B-plus.\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/UANVcCKl_Ck'\n title='//www.youtube.com/embed/UANVcCKl_Ck'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2024 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Six+takeaways+from+the+return+of+the+Emmys&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "The Golden Globes: How to Watch, Who’s Hosting and Other Key Things to Know",
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"content": "\u003cp>The Golden Globe Awards are back on the first Sunday in January with plenty of behind-the-scenes changes aimed at cementing a yearslong comeback effort.\u003c/p>\n\u003cp>[aside postid='arts_13897003']The show is known for its boozy celebration of film and television and as an early stop for awards season contenders. Scandals have led to a membership revamp and a new broadcaster for the Jan. 7 show, but a key question remains: Will viewers tune in?\u003c/p>\n\u003cp>Here’s what to know about the 81st Golden Globe Awards.\u003c/p>\n\u003ch2>How can I watch The Golden Globes?\u003c/h2>\n\u003cp>Viewers in the United States can catch the ceremony, broadcast live from the Beverly Hilton Hotel, beginning at 5 p.m.\u003c/p>\n\u003cp>The three-hour show will have a strong lead-in since CBS is airing an NFL game directly before the Globes.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>CBS says the show will air on its app and stream on Paramount+, but there’s an important caveat. Only Paramount+ subscribers with the Showtime add-on will be able to watch the show live. Otherwise, it’ll be available on the streaming platform on Monday.\u003c/p>\n\u003ch2>Who’s hosting the Globes?\u003c/h2>\n\u003cfigure id=\"attachment_13939920\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13939920\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1478258736-scaled.jpg\" alt=\"A man wearing all black and a baseball cap talks into a microphone onstage in a dark room.\" width=\"2560\" height=\"1705\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1478258736-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1478258736-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1478258736-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1478258736-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1478258736-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1478258736-1536x1023.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1478258736-2048x1364.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1478258736-1920x1279.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Jo Koy performs in Louisville, March 2023. \u003ccite>(Stephen J. Cohen/ Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Comedian Jo Koy, who has headlined several Netflix specials and starred in last year’s comedy film \u003cem>Easter Sunday\u003c/em>, will host.\u003c/p>\n\u003cp>Organizers cited his “infectious energy and relatable humor” in announcing Koy would headline the event.\u003c/p>\n\u003cp>Hosting the Globes typically requires serving a mix of biting humor to the audience of film and television stars and keeping the ceremony from getting too sloppy.\u003c/p>\n\u003cp>Previous hosts include Ricky Gervais, whose jokes were particularly caustic, the duo of Tina Fey and Amy Poehler and last year’s emcee, Jerrod Carmichael.\u003c/p>\n\u003ch2>What’s new with the Golden Globes?\u003c/h2>\n\u003cp>The 81st Golden Globe Awards will be the first major broadcast of awards season, with a new home on CBS. And while to audiences it might look similar on the surface, it’s been a tumultuous few years behind the scenes following a bombshell report in the \u003cem>Los Angeles Times\u003c/em>. The 2021 report found that there were no Black members in the Hollywood Foreign Press Association, which voted on the awards.\u003c/p>\n\u003cp>[aside postid='arts_13932204']Stars and studios boycotted the Globes and NBC refused to air it in 2022 as a result. After the group added journalists of color to its ranks and instituted other reforms to address ethical concerns, the show came back in January 2023 in a one-year probationary agreement with NBC. The network did not opt to renew.\u003c/p>\n\u003cp>In June, billionaire Todd Boehly was granted approval to dissolve the HFPA and reinvent the Golden Globes as a for-profit organization. Its assets were acquired by Boehly’s Eldridge Industries, along with Dick Clark Productions, a group that is owned by Penske Media whose assets also include \u003cem>Variety, Deadline, The Hollywood Reporter, Rolling Stone \u003c/em>and\u003cem> Billboard\u003c/em>.\u003c/p>\n\u003ch2>Golden Globe Nominees\u003c/h2>\n\u003cfigure id=\"attachment_13939315\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13939315\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rev-1-bar-tt3-0093_high_res_jpeg_custom-c507514a182fbc236b361632891859ba56a99e60-scaled.jpe\" alt=\"A woman wearing a white cowboy hat and striking pink pants, vest and neck scarf poses in front of a table full of schoolgirls.\" width=\"2560\" height=\"1272\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rev-1-bar-tt3-0093_high_res_jpeg_custom-c507514a182fbc236b361632891859ba56a99e60-scaled.jpe 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rev-1-bar-tt3-0093_high_res_jpeg_custom-c507514a182fbc236b361632891859ba56a99e60-800x398.jpe 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rev-1-bar-tt3-0093_high_res_jpeg_custom-c507514a182fbc236b361632891859ba56a99e60-1020x507.jpe 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rev-1-bar-tt3-0093_high_res_jpeg_custom-c507514a182fbc236b361632891859ba56a99e60-160x80.jpe 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rev-1-bar-tt3-0093_high_res_jpeg_custom-c507514a182fbc236b361632891859ba56a99e60-768x382.jpe 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rev-1-bar-tt3-0093_high_res_jpeg_custom-c507514a182fbc236b361632891859ba56a99e60-1536x763.jpe 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rev-1-bar-tt3-0093_high_res_jpeg_custom-c507514a182fbc236b361632891859ba56a99e60-2048x1018.jpe 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rev-1-bar-tt3-0093_high_res_jpeg_custom-c507514a182fbc236b361632891859ba56a99e60-1920x954.jpe 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Margot Robbie in a moment from ‘Barbie.’\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.kqed.org/forum/2010101893867/is-life-in-plastic-so-fantastic\">\u003cem>Barbie\u003c/em>\u003c/a> is the top nominee this year, followed closely by \u003cem>Oppenheimer.\u003c/em>\u003c/p>\n\u003cp>The films reflect one unique aspect of the Globes — they split the top film winners into two categories. With Greta Gerwig’s \u003cem>Barbie\u003c/em> and Christopher Nolan’s \u003ca href=\"https://www.kqed.org/arts/13931577/in-oppenheimer-christopher-nolan-builds-a-thrilling-serious-blockbuster-for-adults\">\u003cem>Oppenheimer\u003c/em>\u003c/a> leading the way, it gives the show a chance to capitalize on the \u003ca href=\"https://www.kqed.org/arts/13931677/barbenheimer-barbie-oppenheimer-box-office-greta-gerwig-christopher-nolan\">Barbenheimer craze\u003c/a> that boosted theaters in 2023.\u003c/p>\n\u003cp>[aside postid='arts_13931753']Films nominated for best motion picture drama include \u003cem>Oppenheimer\u003c/em>, Martin Scorsese’s \u003ca href=\"https://www.kqed.org/arts/13936628/killers-of-the-flower-moon-review-martin-scorsese-robert-deniro-lily-gladstone-epic#:~:text=Scorsese's%20'Killers%20of%20the%20Flower,of%20Greed%2C%20Richly%20Told%20%7C%20KQED\">\u003cem>Killers of the Flower Moon\u003c/em>\u003c/a>, Bradley Cooper’s \u003ca href=\"https://www.kqed.org/arts/13938332/maestro-bradley-cooper-review\">\u003cem>Maestro\u003c/em>\u003c/a>, Celine Song’s \u003ca href=\"https://www.kqed.org/arts/13930006/past-lives-is-a-gorgeous-meditation-on-love-chance-and-the-choices-we-make\">\u003cem>Past Lives\u003c/em>\u003c/a>, Justine Triet’s \u003ca href=\"https://www.kqed.org/arts/13936363/anatomy-of-a-fall-movie-review-sandra-huller-palme-dor-france\">\u003cem>Anatomy of a Fall\u003c/em> \u003c/a>and Jonathan Glazer’s \u003cem>The Zone of Interest\u003c/em>.\u003c/p>\n\u003cp>In the best motion picture musical or comedy category, \u003cem>Barbie\u003c/em> was joined by Ben Affleck’s \u003cem>Air\u003c/em>, Cord Jefferson’s \u003ca href=\"https://www.kqed.org/arts/13938160/american-fiction-based-on-erasure-jeffrey-wright-cord-jefferson-ross\">\u003cem>American Fiction\u003c/em>\u003c/a>, Alexander Payne’s \u003ca href=\"https://www.kqed.org/arts/13937046/alexander-payne-keeps-real-emotion-at-bay-in-the-coyly-comic-holdovers\">\u003cem>The Holdovers\u003c/em>\u003c/a>, Todd Haynes’ \u003ca href=\"https://www.kqed.org/arts/13938143/may-december-movie-review-netflix-mary-kay-letourneau-julianne-moore\">\u003cem>May December\u003c/em>\u003c/a> and Yorgos Lanthimos’ \u003ca href=\"https://www.kqed.org/arts/13938158/poor-things-movie-review-emma-stone-bella-baxter-mark-ruffalo-willem-dafoe\">\u003cem>Poor Things\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13930048/succession-creator-on-finale-jesse-armstrong-shiv-tom-sarah-snook-kieran-culkin\">\u003cem>Succession\u003c/em>\u003c/a> was the top-nominated television program, with nine nods including for series stars Brian Cox, Jeremy Strong, Sarah Snook and Kieran Culkin, followed by Hulu’s \u003ca href=\"https://www.kqed.org/arts/13930853/the-bear-deftly-turns-the-corner-into-season-2\">\u003cem>The Bear\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://apnews.com/article/golden-globe-nominations-list-2024-9e04a98d20c92e8ce2b947040c7a879e\">For the full list of nominees, click here\u003c/a>.\u003c/p>\n\u003ch2>What are the Globes known for?\u003c/h2>\n\u003cp>The Golden Globe Awards had long been one of the highest-profile awards season broadcasts, second only to the Oscars.\u003c/p>\n\u003cp>The show was touted as an A-list party whose hosts often took a more irreverent tone than their Academy counterparts. It also only honored the flashiest filmmaking categories — picture, director, actors among them — meaning no long speeches from visual effects supervisors or directors of little-known shorts.\u003c/p>\n\u003cp>[aside postid='arts_13938158']But the voting body was a small group of around 87 members who wielded incredible influence in the industry and often accepted lavish gifts and travel from studios and awards publicists eager to court favor and win votes.\u003c/p>\n\u003cp>Some years, the HFPA were pilloried for nominating poorly reviewed films with big-name talent in hopes of getting them to the show — the most infamous being \u003cem>The Tourist\u003c/em>, with Angelina Jolie and Johnny Depp. In the past decade, they’ve more often overlapped with the Oscars. The show also recognizes television.\u003c/p>\n\u003cp>Before the expose and public relations crisis though, no one in the industry took much umbrage with who was voting on the awards. The show had become an important part of the Hollywood awards ecosystem, a platform for Oscar hopefuls and was, until recently, a reliable ratings draw. As of 2019, the broadcast was still pulling in nearly 19 million viewers. In 2023, NBC’s Tuesday night broadcast got its smallest audience ever for a traditional broadcast, with 6.3 million viewers.\u003c/p>\n\u003ch2>What about \u003cem>60 Minutes\u003c/em>?\u003c/h2>\n\u003cp>The Globes, and New Year’s Eve celebrations, will keep \u003cem>60 Minutes\u003c/em> from airing the next two weeks.\u003c/p>\n\u003cp>CBS is airing \u003cem>New Year’s Eve Live: Nashville’s Big Bash\u003c/em> on Dec. 31.\u003c/p>\n\u003cp>CBS says \u003cem>60 Minutes\u003c/em> will resume on Jan. 14.\u003c/p>\n\u003ch2>Who votes on the Globes now?\u003c/h2>\n\u003cp>\u003c/p>\n\u003cp>The group nominating and voting for the awards is now made up of a more diverse group of over 300 people from around the world.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The show is known for its boozy celebration of film and television and as an early stop for awards season contenders. Scandals have led to a membership revamp and a new broadcaster for the Jan. 7 show, but a key question remains: Will viewers tune in?\u003c/p>\n\u003cp>Here’s what to know about the 81st Golden Globe Awards.\u003c/p>\n\u003ch2>How can I watch The Golden Globes?\u003c/h2>\n\u003cp>Viewers in the United States can catch the ceremony, broadcast live from the Beverly Hilton Hotel, beginning at 5 p.m.\u003c/p>\n\u003cp>The three-hour show will have a strong lead-in since CBS is airing an NFL game directly before the Globes.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>CBS says the show will air on its app and stream on Paramount+, but there’s an important caveat. Only Paramount+ subscribers with the Showtime add-on will be able to watch the show live. Otherwise, it’ll be available on the streaming platform on Monday.\u003c/p>\n\u003ch2>Who’s hosting the Globes?\u003c/h2>\n\u003cfigure id=\"attachment_13939920\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13939920\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1478258736-scaled.jpg\" alt=\"A man wearing all black and a baseball cap talks into a microphone onstage in a dark room.\" width=\"2560\" height=\"1705\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1478258736-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1478258736-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1478258736-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1478258736-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1478258736-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1478258736-1536x1023.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1478258736-2048x1364.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1478258736-1920x1279.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Jo Koy performs in Louisville, March 2023. \u003ccite>(Stephen J. Cohen/ Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Comedian Jo Koy, who has headlined several Netflix specials and starred in last year’s comedy film \u003cem>Easter Sunday\u003c/em>, will host.\u003c/p>\n\u003cp>Organizers cited his “infectious energy and relatable humor” in announcing Koy would headline the event.\u003c/p>\n\u003cp>Hosting the Globes typically requires serving a mix of biting humor to the audience of film and television stars and keeping the ceremony from getting too sloppy.\u003c/p>\n\u003cp>Previous hosts include Ricky Gervais, whose jokes were particularly caustic, the duo of Tina Fey and Amy Poehler and last year’s emcee, Jerrod Carmichael.\u003c/p>\n\u003ch2>What’s new with the Golden Globes?\u003c/h2>\n\u003cp>The 81st Golden Globe Awards will be the first major broadcast of awards season, with a new home on CBS. And while to audiences it might look similar on the surface, it’s been a tumultuous few years behind the scenes following a bombshell report in the \u003cem>Los Angeles Times\u003c/em>. The 2021 report found that there were no Black members in the Hollywood Foreign Press Association, which voted on the awards.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Stars and studios boycotted the Globes and NBC refused to air it in 2022 as a result. After the group added journalists of color to its ranks and instituted other reforms to address ethical concerns, the show came back in January 2023 in a one-year probationary agreement with NBC. The network did not opt to renew.\u003c/p>\n\u003cp>In June, billionaire Todd Boehly was granted approval to dissolve the HFPA and reinvent the Golden Globes as a for-profit organization. Its assets were acquired by Boehly’s Eldridge Industries, along with Dick Clark Productions, a group that is owned by Penske Media whose assets also include \u003cem>Variety, Deadline, The Hollywood Reporter, Rolling Stone \u003c/em>and\u003cem> Billboard\u003c/em>.\u003c/p>\n\u003ch2>Golden Globe Nominees\u003c/h2>\n\u003cfigure id=\"attachment_13939315\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13939315\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rev-1-bar-tt3-0093_high_res_jpeg_custom-c507514a182fbc236b361632891859ba56a99e60-scaled.jpe\" alt=\"A woman wearing a white cowboy hat and striking pink pants, vest and neck scarf poses in front of a table full of schoolgirls.\" width=\"2560\" height=\"1272\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rev-1-bar-tt3-0093_high_res_jpeg_custom-c507514a182fbc236b361632891859ba56a99e60-scaled.jpe 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rev-1-bar-tt3-0093_high_res_jpeg_custom-c507514a182fbc236b361632891859ba56a99e60-800x398.jpe 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rev-1-bar-tt3-0093_high_res_jpeg_custom-c507514a182fbc236b361632891859ba56a99e60-1020x507.jpe 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rev-1-bar-tt3-0093_high_res_jpeg_custom-c507514a182fbc236b361632891859ba56a99e60-160x80.jpe 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rev-1-bar-tt3-0093_high_res_jpeg_custom-c507514a182fbc236b361632891859ba56a99e60-768x382.jpe 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rev-1-bar-tt3-0093_high_res_jpeg_custom-c507514a182fbc236b361632891859ba56a99e60-1536x763.jpe 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rev-1-bar-tt3-0093_high_res_jpeg_custom-c507514a182fbc236b361632891859ba56a99e60-2048x1018.jpe 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/rev-1-bar-tt3-0093_high_res_jpeg_custom-c507514a182fbc236b361632891859ba56a99e60-1920x954.jpe 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Margot Robbie in a moment from ‘Barbie.’\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.kqed.org/forum/2010101893867/is-life-in-plastic-so-fantastic\">\u003cem>Barbie\u003c/em>\u003c/a> is the top nominee this year, followed closely by \u003cem>Oppenheimer.\u003c/em>\u003c/p>\n\u003cp>The films reflect one unique aspect of the Globes — they split the top film winners into two categories. With Greta Gerwig’s \u003cem>Barbie\u003c/em> and Christopher Nolan’s \u003ca href=\"https://www.kqed.org/arts/13931577/in-oppenheimer-christopher-nolan-builds-a-thrilling-serious-blockbuster-for-adults\">\u003cem>Oppenheimer\u003c/em>\u003c/a> leading the way, it gives the show a chance to capitalize on the \u003ca href=\"https://www.kqed.org/arts/13931677/barbenheimer-barbie-oppenheimer-box-office-greta-gerwig-christopher-nolan\">Barbenheimer craze\u003c/a> that boosted theaters in 2023.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Films nominated for best motion picture drama include \u003cem>Oppenheimer\u003c/em>, Martin Scorsese’s \u003ca href=\"https://www.kqed.org/arts/13936628/killers-of-the-flower-moon-review-martin-scorsese-robert-deniro-lily-gladstone-epic#:~:text=Scorsese's%20'Killers%20of%20the%20Flower,of%20Greed%2C%20Richly%20Told%20%7C%20KQED\">\u003cem>Killers of the Flower Moon\u003c/em>\u003c/a>, Bradley Cooper’s \u003ca href=\"https://www.kqed.org/arts/13938332/maestro-bradley-cooper-review\">\u003cem>Maestro\u003c/em>\u003c/a>, Celine Song’s \u003ca href=\"https://www.kqed.org/arts/13930006/past-lives-is-a-gorgeous-meditation-on-love-chance-and-the-choices-we-make\">\u003cem>Past Lives\u003c/em>\u003c/a>, Justine Triet’s \u003ca href=\"https://www.kqed.org/arts/13936363/anatomy-of-a-fall-movie-review-sandra-huller-palme-dor-france\">\u003cem>Anatomy of a Fall\u003c/em> \u003c/a>and Jonathan Glazer’s \u003cem>The Zone of Interest\u003c/em>.\u003c/p>\n\u003cp>In the best motion picture musical or comedy category, \u003cem>Barbie\u003c/em> was joined by Ben Affleck’s \u003cem>Air\u003c/em>, Cord Jefferson’s \u003ca href=\"https://www.kqed.org/arts/13938160/american-fiction-based-on-erasure-jeffrey-wright-cord-jefferson-ross\">\u003cem>American Fiction\u003c/em>\u003c/a>, Alexander Payne’s \u003ca href=\"https://www.kqed.org/arts/13937046/alexander-payne-keeps-real-emotion-at-bay-in-the-coyly-comic-holdovers\">\u003cem>The Holdovers\u003c/em>\u003c/a>, Todd Haynes’ \u003ca href=\"https://www.kqed.org/arts/13938143/may-december-movie-review-netflix-mary-kay-letourneau-julianne-moore\">\u003cem>May December\u003c/em>\u003c/a> and Yorgos Lanthimos’ \u003ca href=\"https://www.kqed.org/arts/13938158/poor-things-movie-review-emma-stone-bella-baxter-mark-ruffalo-willem-dafoe\">\u003cem>Poor Things\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13930048/succession-creator-on-finale-jesse-armstrong-shiv-tom-sarah-snook-kieran-culkin\">\u003cem>Succession\u003c/em>\u003c/a> was the top-nominated television program, with nine nods including for series stars Brian Cox, Jeremy Strong, Sarah Snook and Kieran Culkin, followed by Hulu’s \u003ca href=\"https://www.kqed.org/arts/13930853/the-bear-deftly-turns-the-corner-into-season-2\">\u003cem>The Bear\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://apnews.com/article/golden-globe-nominations-list-2024-9e04a98d20c92e8ce2b947040c7a879e\">For the full list of nominees, click here\u003c/a>.\u003c/p>\n\u003ch2>What are the Globes known for?\u003c/h2>\n\u003cp>The Golden Globe Awards had long been one of the highest-profile awards season broadcasts, second only to the Oscars.\u003c/p>\n\u003cp>The show was touted as an A-list party whose hosts often took a more irreverent tone than their Academy counterparts. It also only honored the flashiest filmmaking categories — picture, director, actors among them — meaning no long speeches from visual effects supervisors or directors of little-known shorts.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>But the voting body was a small group of around 87 members who wielded incredible influence in the industry and often accepted lavish gifts and travel from studios and awards publicists eager to court favor and win votes.\u003c/p>\n\u003cp>Some years, the HFPA were pilloried for nominating poorly reviewed films with big-name talent in hopes of getting them to the show — the most infamous being \u003cem>The Tourist\u003c/em>, with Angelina Jolie and Johnny Depp. In the past decade, they’ve more often overlapped with the Oscars. The show also recognizes television.\u003c/p>\n\u003cp>Before the expose and public relations crisis though, no one in the industry took much umbrage with who was voting on the awards. The show had become an important part of the Hollywood awards ecosystem, a platform for Oscar hopefuls and was, until recently, a reliable ratings draw. As of 2019, the broadcast was still pulling in nearly 19 million viewers. In 2023, NBC’s Tuesday night broadcast got its smallest audience ever for a traditional broadcast, with 6.3 million viewers.\u003c/p>\n\u003ch2>What about \u003cem>60 Minutes\u003c/em>?\u003c/h2>\n\u003cp>The Globes, and New Year’s Eve celebrations, will keep \u003cem>60 Minutes\u003c/em> from airing the next two weeks.\u003c/p>\n\u003cp>CBS is airing \u003cem>New Year’s Eve Live: Nashville’s Big Bash\u003c/em> on Dec. 31.\u003c/p>\n\u003cp>CBS says \u003cem>60 Minutes\u003c/em> will resume on Jan. 14.\u003c/p>\n\u003ch2>Who votes on the Globes now?\u003c/h2>\n\u003cp>\u003c/p>\n\u003cp>The group nominating and voting for the awards is now made up of a more diverse group of over 300 people from around the world.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "‘Barbie’ Leads Golden Globe Nominations With 9, Followed by ‘Oppenheimer’",
"headTitle": "‘Barbie’ Leads Golden Globe Nominations With 9, Followed by ‘Oppenheimer’ | KQED",
"content": "\u003cp>Greta Gerwig’s \u003ca href=\"https://www.kqed.org/arts/13931753/allan-doll-michael-cera-greta-gerwig-barbie-movie-review\">\u003cem>Barbie\u003c/em>\u003c/a> dominated the Golden Globe Awards nominations with nine nods for the blockbuster film, including best picture musical or comedy as well as acting nominations for Margot Robbie and Ryan Gosling, and three of its original songs.\u003c/p>\n\u003cp>It was closely followed by its release date and \u003ca href=\"https://www.kqed.org/arts/13931677/barbenheimer-barbie-oppenheimer-box-office-greta-gerwig-christopher-nolan\">meme companion\u003c/a> Christopher Nolan’s \u003cem>Oppenheimer\u003c/em>, which scored eight nominations, including best picture drama and for actors Cillian Murphy, Robert Downey Jr. and Emily Blunt.\u003c/p>\n\u003cp>[aside postid='arts_13931753']The revamped group, now a for-profit endeavor with a larger and more diverse voting body, announced nominations Monday for its January awards show, after scandal and several troubled years, including one without a broadcast. Cedric the Entertainer and Wilmer Valderrama presided over the announcements from the Beverly Hilton Hotel, where the show will also take place on Jan. 7.\u003c/p>\n\u003cp>Films nominated for best motion picture drama included \u003ca href=\"https://www.kqed.org/arts/13931577/in-oppenheimer-christopher-nolan-builds-a-thrilling-serious-blockbuster-for-adults\">\u003cem>Oppenheimer\u003c/em>\u003c/a>, Martin Scorsese’s \u003ca href=\"https://www.kqed.org/arts/13936628/killers-of-the-flower-moon-review-martin-scorsese-robert-deniro-lily-gladstone-epic\">\u003cem>Killers of the Flower Moon\u003c/em>\u003c/a>, Bradley Cooper’s \u003cem>\u003ca href=\"https://www.kqed.org/arts/13938332/maestro-bradley-cooper-review\">Maestro\u003c/a>\u003c/em>, Celine Song’s \u003ca href=\"https://www.kqed.org/arts/13930006/past-lives-is-a-gorgeous-meditation-on-love-chance-and-the-choices-we-make\">\u003cem>Past Lives\u003c/em>\u003c/a>, Justine Triet’s \u003cem>Anatomy of a Fall\u003c/em> and Jonathan Glazer’s \u003cem>The Zone of Interest\u003c/em>.\u003c/p>\n\u003cp>In the best motion picture musical or comedy category, \u003cem>Barbie\u003c/em> was joined by \u003cem>Air\u003c/em>, \u003cem>American Fiction\u003c/em>, \u003cem>The Holdovers\u003c/em>, \u003ca href=\"https://www.kqed.org/arts/13938143/may-december-movie-review-netflix-mary-kay-letourneau-julianne-moore\">\u003cem>May December\u003c/em>\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13938158/poor-things-movie-review-emma-stone-bella-baxter-mark-ruffalo-willem-dafoe\">\u003cem>Poor Things\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Yorgos Lanthimos’ \u003cem>Poor Things\u003c/em> and Scorsese’s \u003cem>Killers of the Flower Moon\u003c/em> both received seven nominations each.\u003cem> Poor Things\u003c/em> saw nominations for Lanthimos, its actors Emma Stone, Mark Ruffalo, Willem Dafoe, and Tony McNamara for screenplay. \u003cem>Killers of the Flower Moon\u003c/em> got nods for Scorsese, for direction and co-writing the screenplay with Eric Roth, and stars Leonardo DiCaprio, Lily Gladstone and Robert De Niro.\u003c/p>\n\u003cp>[aside postid='arts_13938158']Stone, who was also nominated for the Showtime series \u003cem>The Curse\u003c/em>, said in a statement that she was “Feeling extremely bewildered and thankful for it all.” She also said her \u003cem>Poor Things\u003c/em> character Bella Baxter is her favorite and that she was “so grateful for the opportunity to be a part of this magical film experience.”\u003c/p>\n\u003cp>DiCaprio also used his statement to praise Gladstone: “She is the soul of our film and helped to bring this sinister and painful part of our nation’s history to life,” he wrote. The film is about the murders of wealthy Osage individuals in Oklahoma in the early 20th century.\u003c/p>\n\u003cp>\u003cem>Barbie\u003c/em> tied for second-most nominations in Globes history with \u003cem>Cabaret\u003c/em>, from 1972. Robert Altman’s \u003cem>Nashville\u003c/em> remains the record-holder with 11 nominations. It went into the morning as a favorite top, and got a big boost from its three original song nominations, including “I’m Just Ken,” and one of the year’s new categories, recognizing cinematic and box office achievement. One person who was not nominated was America Ferrera, who delivered the movie’s most memorable monologue.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13926773/succession-returns-for-a-fourth-and-final-season-of-family-back-stabbing\">\u003cem>Succession\u003c/em>\u003c/a> was the top-nominated television program, with nine nods including for series stars Brian Cox, Jeremy Strong, Sarah Snook and Kieran Culkin, followed by Hulu’s \u003ca href=\"https://www.kqed.org/arts/13930853/the-bear-deftly-turns-the-corner-into-season-2\">\u003cem>The Bear\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>[aside postid='arts_13938143']As always there were some big surprises, like Jennifer Lawrence getting nominated for her bawdy R-rated comedy \u003ca href=\"https://www.kqed.org/arts/13930807/jennifer-lawrences-new-raunchy-teen-comedy-is-better-than-it-should-be\">\u003cem>No Hard Feelings\u003c/em>\u003c/a> for best performance by a female actor in a musical or comedy. She was nominated alongside Robbie, Stone and Fantasia Barrino (\u003cem>The Color Purple\u003c/em>), Natalie Portman (\u003cem>May December\u003c/em>) and Alma Pöysti (\u003cem>Fallen Leaves\u003c/em>).\u003c/p>\n\u003cp>Lawrence, in a statement, said she had so much fun making the movie that “it almost feels wrong to accept such an honor — but I will!!!… I cannot wait for some lukewarm Chardonnay. Let’s go!!!”\u003c/p>\n\u003cp>\u003cem>The Color Purple\u003c/em> was expected to do better. The adaption of the stage musical got only two nominations total, both for actors, for Barrino and Danielle Brooks for her supporting performance. Left out was \u003ca href=\"https://www.kqed.org/arts/13909135/colman-domingo-strand-theater-valentines-euphoria-walking-dead-zola\">Colman Domingo\u003c/a>, who was nominated for best drama actor for \u003ca href=\"https://www.kqed.org/arts/13937499/bayard-rustin-biopic-review-colman-domingo-civil-rights\">\u003cem>Rustin\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Cord Jefferson’s comedy \u003cem>American Fiction\u003c/em> also came up with only two nods, best musical or comedy and for lead actor Jeffrey Wright.\u003c/p>\n\u003cp>Sofia Coppola’s widely acclaimed \u003ca href=\"https://www.kqed.org/arts/13936970/priscilla-movie-review-sofia-coppola-jacob-elordi-cailee-spaeny\">\u003cem>Priscilla\u003c/em>\u003c/a> got only one nomination, for actor Cailee Spaeny’s portrayal of Priscilla Presley. Her category mates in best female performance in a drama include Gladstone, Annette Bening for \u003ca href=\"https://www.kqed.org/arts/13936754/nyad-movie-review-true-story-jodie-foster-swimming-annette-bening\">\u003cem>Nyad\u003c/em>\u003c/a>, Sandra Hüller for \u003cem>Anatomy of a Fall\u003c/em>, Greta Lee for\u003cem> Past Lives\u003c/em> and Carey Mulligan for \u003cem>Maestro\u003c/em>.\u003c/p>\n\u003cp>[aside postid='arts_13936970']The Globes won’t have to worry about anyone criticizing its “all male” directors this year, however. Gerwig was nominated as was Celine Song, for her romantic debut \u003cem>Past Lives\u003c/em>, alongside Nolan, Scorsese, Cooper and Lanthimos.\u003c/p>\n\u003cp>Netflix got the most nominations overall, with 13 total for a slate which included \u003cem>Maestro\u003c/em>, \u003cem>May December\u003c/em> and \u003cem>Rustin\u003c/em>, followed by Warner Bros., which made \u003cem>Barbie\u003c/em> and \u003cem>The Color Purple\u003c/em> with 12.\u003c/p>\n\u003cp>Ridley Scott’s \u003ca href=\"https://www.kqed.org/arts/13938168/ridley-scott-napoleon-movie-review-joaquin-phoenix\">\u003cem>Napoleon\u003c/em>\u003c/a> was not nominated at all. Instead, its star Joaquin Phoenix was recognized for \u003cem>Beau Is Afraid\u003c/em> in the lead actor comedy/musical category, with Wright, Matt Damon (\u003cem>Air\u003c/em>), Nicolas Cage (\u003ca href=\"https://www.kqed.org/arts/13937870/dream-scenario-movie-review-nicolas-cage-julianne-nicholson-kristoffer-borgli\">\u003cem>Dream Scenario\u003c/em>\u003c/a>), Timothée Chalamet (\u003cem>Wonka\u003c/em>) and Paul Giamatti (\u003ca href=\"https://www.kqed.org/arts/13937046/alexander-payne-keeps-real-emotion-at-bay-in-the-coyly-comic-holdovers\">\u003cem>The Holdovers\u003c/em>\u003c/a>). Michael Mann’s \u003cem>Ferrari\u003c/em>, with Adam Driver, and Wes Anderson’s starry \u003ca href=\"https://www.kqed.org/arts/13930502/asteroid-city-review-wes-anderson-scarlet-johansson-jason-schwartzman\">\u003cem>Asteroid City\u003c/em>\u003c/a> also got zero nominations.\u003c/p>\n\u003cp>The voting body has now grown to 300 members, following backlash to a 2021 report in the \u003cem>Los Angeles Times\u003c/em> that found that there were zero Black members in the group that was then composed of only 87 foreign journalists.\u003c/p>\n\u003cp>Perhaps as a result, there were more international films and actors nominated in prominent categories including the Finnish comedy \u003cem>Fallen Leaves\u003c/em>, the courtroom thriller \u003cem>Anatomy of a Fall\u003c/em> and the harrowing Auschwitz drama \u003cem>The Zone of Interest\u003c/em>.\u003c/p>\n\u003cp>[aside postid='arts_13923511']The 81st Golden Globes will be the first major broadcast of awards season, with a new home on CBS, but no word on a host. And while to audiences it might look similar on the surface, it’s been tumultuous few years behind the scenes in the aftermath of the \u003cem>L.A. Times\u003c/em> report, which also exposed ethical lapses like its members accepting lavish gifts and travel from awards publicists and studios.\u003c/p>\n\u003cp>The Globes had long been one of the highest-profile awards season broadcasts, second only to the Oscars. Before the pandemic, it was still pulling in around 19 million viewers. The show was touted as a boozy, A-list party, whose hosts often took a more irreverent tone than their academy counterparts. It also only honored the flashiest filmmaking categories — picture, director, actors among them — meaning no long speeches from visual effects supervisors or directors of shorts no one has heard of.\u003c/p>\n\u003cp>Some years, the HFPA were pilloried for nominating poorly reviewed films with big name talent with hopes of getting them to the show, the most infamous being \u003cem>The Tourist\u003c/em>, with Angelina Jolie and Johnny Depp. In the past decade, they’ve more often overlapped with the Oscars.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>This year, NBC’s Tuesday night broadcast got its smallest audience ever for a traditional broadcast, with 6.3 million viewers.\u003c/p>\n\n",
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"excerpt": "‘Barbie’ tied for second-most nominations in Globes history with ‘Cabaret’ from 1972. 1975’s ‘Nashville’ still leads with 11.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Greta Gerwig’s \u003ca href=\"https://www.kqed.org/arts/13931753/allan-doll-michael-cera-greta-gerwig-barbie-movie-review\">\u003cem>Barbie\u003c/em>\u003c/a> dominated the Golden Globe Awards nominations with nine nods for the blockbuster film, including best picture musical or comedy as well as acting nominations for Margot Robbie and Ryan Gosling, and three of its original songs.\u003c/p>\n\u003cp>It was closely followed by its release date and \u003ca href=\"https://www.kqed.org/arts/13931677/barbenheimer-barbie-oppenheimer-box-office-greta-gerwig-christopher-nolan\">meme companion\u003c/a> Christopher Nolan’s \u003cem>Oppenheimer\u003c/em>, which scored eight nominations, including best picture drama and for actors Cillian Murphy, Robert Downey Jr. and Emily Blunt.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The revamped group, now a for-profit endeavor with a larger and more diverse voting body, announced nominations Monday for its January awards show, after scandal and several troubled years, including one without a broadcast. Cedric the Entertainer and Wilmer Valderrama presided over the announcements from the Beverly Hilton Hotel, where the show will also take place on Jan. 7.\u003c/p>\n\u003cp>Films nominated for best motion picture drama included \u003ca href=\"https://www.kqed.org/arts/13931577/in-oppenheimer-christopher-nolan-builds-a-thrilling-serious-blockbuster-for-adults\">\u003cem>Oppenheimer\u003c/em>\u003c/a>, Martin Scorsese’s \u003ca href=\"https://www.kqed.org/arts/13936628/killers-of-the-flower-moon-review-martin-scorsese-robert-deniro-lily-gladstone-epic\">\u003cem>Killers of the Flower Moon\u003c/em>\u003c/a>, Bradley Cooper’s \u003cem>\u003ca href=\"https://www.kqed.org/arts/13938332/maestro-bradley-cooper-review\">Maestro\u003c/a>\u003c/em>, Celine Song’s \u003ca href=\"https://www.kqed.org/arts/13930006/past-lives-is-a-gorgeous-meditation-on-love-chance-and-the-choices-we-make\">\u003cem>Past Lives\u003c/em>\u003c/a>, Justine Triet’s \u003cem>Anatomy of a Fall\u003c/em> and Jonathan Glazer’s \u003cem>The Zone of Interest\u003c/em>.\u003c/p>\n\u003cp>In the best motion picture musical or comedy category, \u003cem>Barbie\u003c/em> was joined by \u003cem>Air\u003c/em>, \u003cem>American Fiction\u003c/em>, \u003cem>The Holdovers\u003c/em>, \u003ca href=\"https://www.kqed.org/arts/13938143/may-december-movie-review-netflix-mary-kay-letourneau-julianne-moore\">\u003cem>May December\u003c/em>\u003c/a> and \u003ca href=\"https://www.kqed.org/arts/13938158/poor-things-movie-review-emma-stone-bella-baxter-mark-ruffalo-willem-dafoe\">\u003cem>Poor Things\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Yorgos Lanthimos’ \u003cem>Poor Things\u003c/em> and Scorsese’s \u003cem>Killers of the Flower Moon\u003c/em> both received seven nominations each.\u003cem> Poor Things\u003c/em> saw nominations for Lanthimos, its actors Emma Stone, Mark Ruffalo, Willem Dafoe, and Tony McNamara for screenplay. \u003cem>Killers of the Flower Moon\u003c/em> got nods for Scorsese, for direction and co-writing the screenplay with Eric Roth, and stars Leonardo DiCaprio, Lily Gladstone and Robert De Niro.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Stone, who was also nominated for the Showtime series \u003cem>The Curse\u003c/em>, said in a statement that she was “Feeling extremely bewildered and thankful for it all.” She also said her \u003cem>Poor Things\u003c/em> character Bella Baxter is her favorite and that she was “so grateful for the opportunity to be a part of this magical film experience.”\u003c/p>\n\u003cp>DiCaprio also used his statement to praise Gladstone: “She is the soul of our film and helped to bring this sinister and painful part of our nation’s history to life,” he wrote. The film is about the murders of wealthy Osage individuals in Oklahoma in the early 20th century.\u003c/p>\n\u003cp>\u003cem>Barbie\u003c/em> tied for second-most nominations in Globes history with \u003cem>Cabaret\u003c/em>, from 1972. Robert Altman’s \u003cem>Nashville\u003c/em> remains the record-holder with 11 nominations. It went into the morning as a favorite top, and got a big boost from its three original song nominations, including “I’m Just Ken,” and one of the year’s new categories, recognizing cinematic and box office achievement. One person who was not nominated was America Ferrera, who delivered the movie’s most memorable monologue.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13926773/succession-returns-for-a-fourth-and-final-season-of-family-back-stabbing\">\u003cem>Succession\u003c/em>\u003c/a> was the top-nominated television program, with nine nods including for series stars Brian Cox, Jeremy Strong, Sarah Snook and Kieran Culkin, followed by Hulu’s \u003ca href=\"https://www.kqed.org/arts/13930853/the-bear-deftly-turns-the-corner-into-season-2\">\u003cem>The Bear\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>As always there were some big surprises, like Jennifer Lawrence getting nominated for her bawdy R-rated comedy \u003ca href=\"https://www.kqed.org/arts/13930807/jennifer-lawrences-new-raunchy-teen-comedy-is-better-than-it-should-be\">\u003cem>No Hard Feelings\u003c/em>\u003c/a> for best performance by a female actor in a musical or comedy. She was nominated alongside Robbie, Stone and Fantasia Barrino (\u003cem>The Color Purple\u003c/em>), Natalie Portman (\u003cem>May December\u003c/em>) and Alma Pöysti (\u003cem>Fallen Leaves\u003c/em>).\u003c/p>\n\u003cp>Lawrence, in a statement, said she had so much fun making the movie that “it almost feels wrong to accept such an honor — but I will!!!… I cannot wait for some lukewarm Chardonnay. Let’s go!!!”\u003c/p>\n\u003cp>\u003cem>The Color Purple\u003c/em> was expected to do better. The adaption of the stage musical got only two nominations total, both for actors, for Barrino and Danielle Brooks for her supporting performance. Left out was \u003ca href=\"https://www.kqed.org/arts/13909135/colman-domingo-strand-theater-valentines-euphoria-walking-dead-zola\">Colman Domingo\u003c/a>, who was nominated for best drama actor for \u003ca href=\"https://www.kqed.org/arts/13937499/bayard-rustin-biopic-review-colman-domingo-civil-rights\">\u003cem>Rustin\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Cord Jefferson’s comedy \u003cem>American Fiction\u003c/em> also came up with only two nods, best musical or comedy and for lead actor Jeffrey Wright.\u003c/p>\n\u003cp>Sofia Coppola’s widely acclaimed \u003ca href=\"https://www.kqed.org/arts/13936970/priscilla-movie-review-sofia-coppola-jacob-elordi-cailee-spaeny\">\u003cem>Priscilla\u003c/em>\u003c/a> got only one nomination, for actor Cailee Spaeny’s portrayal of Priscilla Presley. Her category mates in best female performance in a drama include Gladstone, Annette Bening for \u003ca href=\"https://www.kqed.org/arts/13936754/nyad-movie-review-true-story-jodie-foster-swimming-annette-bening\">\u003cem>Nyad\u003c/em>\u003c/a>, Sandra Hüller for \u003cem>Anatomy of a Fall\u003c/em>, Greta Lee for\u003cem> Past Lives\u003c/em> and Carey Mulligan for \u003cem>Maestro\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The Globes won’t have to worry about anyone criticizing its “all male” directors this year, however. Gerwig was nominated as was Celine Song, for her romantic debut \u003cem>Past Lives\u003c/em>, alongside Nolan, Scorsese, Cooper and Lanthimos.\u003c/p>\n\u003cp>Netflix got the most nominations overall, with 13 total for a slate which included \u003cem>Maestro\u003c/em>, \u003cem>May December\u003c/em> and \u003cem>Rustin\u003c/em>, followed by Warner Bros., which made \u003cem>Barbie\u003c/em> and \u003cem>The Color Purple\u003c/em> with 12.\u003c/p>\n\u003cp>Ridley Scott’s \u003ca href=\"https://www.kqed.org/arts/13938168/ridley-scott-napoleon-movie-review-joaquin-phoenix\">\u003cem>Napoleon\u003c/em>\u003c/a> was not nominated at all. Instead, its star Joaquin Phoenix was recognized for \u003cem>Beau Is Afraid\u003c/em> in the lead actor comedy/musical category, with Wright, Matt Damon (\u003cem>Air\u003c/em>), Nicolas Cage (\u003ca href=\"https://www.kqed.org/arts/13937870/dream-scenario-movie-review-nicolas-cage-julianne-nicholson-kristoffer-borgli\">\u003cem>Dream Scenario\u003c/em>\u003c/a>), Timothée Chalamet (\u003cem>Wonka\u003c/em>) and Paul Giamatti (\u003ca href=\"https://www.kqed.org/arts/13937046/alexander-payne-keeps-real-emotion-at-bay-in-the-coyly-comic-holdovers\">\u003cem>The Holdovers\u003c/em>\u003c/a>). Michael Mann’s \u003cem>Ferrari\u003c/em>, with Adam Driver, and Wes Anderson’s starry \u003ca href=\"https://www.kqed.org/arts/13930502/asteroid-city-review-wes-anderson-scarlet-johansson-jason-schwartzman\">\u003cem>Asteroid City\u003c/em>\u003c/a> also got zero nominations.\u003c/p>\n\u003cp>The voting body has now grown to 300 members, following backlash to a 2021 report in the \u003cem>Los Angeles Times\u003c/em> that found that there were zero Black members in the group that was then composed of only 87 foreign journalists.\u003c/p>\n\u003cp>Perhaps as a result, there were more international films and actors nominated in prominent categories including the Finnish comedy \u003cem>Fallen Leaves\u003c/em>, the courtroom thriller \u003cem>Anatomy of a Fall\u003c/em> and the harrowing Auschwitz drama \u003cem>The Zone of Interest\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The 81st Golden Globes will be the first major broadcast of awards season, with a new home on CBS, but no word on a host. And while to audiences it might look similar on the surface, it’s been tumultuous few years behind the scenes in the aftermath of the \u003cem>L.A. Times\u003c/em> report, which also exposed ethical lapses like its members accepting lavish gifts and travel from awards publicists and studios.\u003c/p>\n\u003cp>The Globes had long been one of the highest-profile awards season broadcasts, second only to the Oscars. Before the pandemic, it was still pulling in around 19 million viewers. The show was touted as a boozy, A-list party, whose hosts often took a more irreverent tone than their academy counterparts. It also only honored the flashiest filmmaking categories — picture, director, actors among them — meaning no long speeches from visual effects supervisors or directors of shorts no one has heard of.\u003c/p>\n\u003cp>Some years, the HFPA were pilloried for nominating poorly reviewed films with big name talent with hopes of getting them to the show, the most infamous being \u003cem>The Tourist\u003c/em>, with Angelina Jolie and Johnny Depp. In the past decade, they’ve more often overlapped with the Oscars.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This year, NBC’s Tuesday night broadcast got its smallest audience ever for a traditional broadcast, with 6.3 million viewers.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Greta Gerwig Wants to Make Two More Movies About Sacramento",
"headTitle": "Greta Gerwig Wants to Make Two More Movies About Sacramento | KQED",
"content": "\u003cp>At the SFFILM Awards Night on Monday, \u003cem>Barbie\u003c/em> director Greta Gerwig said she has two more movies about her hometown of Sacramento that she’d like to make. \u003c/p>\n\u003cp>“All filmmakers have a fantasy baseball team of movies they hope to make. And there’s actually two other movies I’d like to make in Sacramento, in the future,” she told KQED. Gerwig’s acclaimed 2017 film \u003cem>Lady Bird\u003c/em> was set and filmed in Sacramento. \u003c/p>\n\u003cp>As for any details on the films, “I have little inklings. But I have to keep them to myself. If I expose them to air, they’ll run away from me,” Gerwig said.\u003c/p>\n\u003cfigure id=\"attachment_13938913\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-021-JY-KQED.jpg\" alt=\"A person in a suit.\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13938913\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-021-JY-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-021-JY-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-021-JY-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-021-JY-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-021-JY-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-021-JY-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-021-JY-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Actor Ryan Gosling poses on the red carpet at the 2023 SFFILM Awards Night at the Yerba Buena Center for the Arts in San Francisco on Monday, Dec. 4, 2023. Gosling presented the Irving M. Levin Award for Film Direction to director Greta Gerwig, who he worked with on the Barbie movie. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Introduced later by \u003cem>Barbie\u003c/em> star Ryan Gosling, Gerwig joined \u003cem>American Fiction\u003c/em> director Cord Jefferson and Roger Ross Williams as the three directors were honored at the SFFILM Awards Night, held at the Yerba Buena Center for the Arts on Monday. SFFILM also honored Nicolas Cage with a lifetime achievement award for acting during the annual ceremony.\u003c/p>\n\u003ch2>Greta Gerwig’s Bay Area Nostalgia\u003c/h2>\n\u003cp>Amidst a steady flow of booze and a crowd with hundreds of thousands of dollars in donations at the ready, Ryan Gosling described Gerwig to the crowd in a sentence as imaginative as it was befuddling. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Working with Greta Gerwig is like getting a private tour of the Louvre, but you have total access to the Cheesecake Factory menu,” he said. \u003c/p>\n\u003cfigure id=\"attachment_13938917\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-046-JY-KQED.jpg\" alt=\"A person wearing earrings speaks in front of a row of cameras and microphones.\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13938917\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-046-JY-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-046-JY-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-046-JY-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-046-JY-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-046-JY-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-046-JY-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-046-JY-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Director and actress Greta Gerwig speaks to the press at the 2023 SFFILM Awards Night at the Yerba Buena Center for the Arts in San Francisco on Monday, Dec. 4, 2023. Gerwig received the Irving M. Levin Award for Film Direction on Monday. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And yet the description holds up, in a way. Gerwig is known for striking a balance between high art and salt-of-the-Earth, Sacramento realness — where there is in fact a Cheesecake Factory a few miles from where she grew up.\u003c/p>\n\u003cp>Gerwig, who accepted the Irving M. Levin award for film direction, reminisced about seeing plays at Berkeley Repertory Theatre with her parents and thinking San Francisco was “the coolest place ever.” \u003c/p>\n\u003cp>“San Francisco and the East Bay — it was like the place you’d go if you’d cut class senior year and got on Amtrak to Richmond, and then you got on BART, and then you’d go to City Lights bookstore,” she said.\u003c/p>\n\u003ch2>Nicolas Cage on Broadway?\u003c/h2>\n\u003cp>Nicolas Cage, who owned a house on Russian Hill up until the early 2000s, also shared some Bay Area stories on the carpet. He remembered Charlie Sheen’s request when he visited to eat “square tube pasta” at Cafe Tiramisu in downtown San Francisco, and was introduced at the ceremony by the normally reclusive songwriter and singer Tom Waits, who lives in Sonoma County.\u003c/p>\n\u003cfigure id=\"attachment_13938911\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-005-JY-KQED.jpg\" alt=\"A person in a suit.\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13938911\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-005-JY-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-005-JY-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-005-JY-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-005-JY-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-005-JY-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-005-JY-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-005-JY-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Actor Nicolas Cage talks to the media at the 2023 SFFILM Awards Night at the Yerba Buena Center for the Arts in San Francisco on Monday, Dec. 4, 2023. Cage received the Maria Manetti Shrem Lifetime Achievement award for his work as an actor. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Cage has played roles ranging from rogue treasure hunter to a satirical version of himself, and currently stars as a biology professor in the surreal \u003cem>Dream Scenario\u003c/em>. But there’s another role he’d want to tackle in the future.\u003c/p>\n\u003cp>“I think it would be interesting to try one of these reverse-time things where you’re a child in an adult body, like \u003cem>Big\u003c/em>,” he told KQED. “I remember I loved Martin Short in \u003cem>Clifford\u003c/em> — something like that.”\u003c/p>\n\u003cfigure id=\"attachment_13938912\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-006-JY-KQED.jpg\" alt=\"A person in a suit in front of a row of cameras and microphones.\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13938912\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-006-JY-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-006-JY-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-006-JY-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-006-JY-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-006-JY-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-006-JY-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-006-JY-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Actor Nicolas Cage talks to the media at the 2023 SFFILM Awards Night at the Yerba Buena Center for the Arts in San Francisco on Monday, Dec. 4, 2023. Cage received the Maria Manetti Shrem Lifetime Achievement award for his work as an actor. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Cage added that he wants to pivot away from movies.\u003c/p>\n\u003cp>“I’ve pretty much said what I’ve wanted to say with screen acting,” he said. “I’m about ready to try my hand at television or Broadway — we’ll see what happens.”\u003c/p>\n\u003ch2>A Gate-Kept Industry for Black Directors\u003c/h2>\n\u003cp>\u003cem>Cassandro\u003c/em> director and storytelling award recipient Roger Ross Williams contributed his own Bay Area memories to the mix, including the premiere of his film at the Castro Theatre and the “incomparable San Francisco audience” in attendance.\u003c/p>\n\u003cp>“The response was so tremendous that it really made us feel that we had something special with this film,” he said. “And I have an incredible relationship with the San Francisco community.”\u003c/p>\n\u003cfigure id=\"attachment_13938914\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-030-JY-KQED.jpg\" alt='Two people wearing sport coats in front of a backdrop with the words \"SFFILM\" written on it.' width=\"2000\" height=\"1333\" class=\"size-full wp-image-13938914\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-030-JY-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-030-JY-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-030-JY-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-030-JY-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-030-JY-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-030-JY-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-030-JY-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Raúl Castillo (left) and Roger Ross Williams (right) pose on the red carpet at the 2023 SFFILM Awards Night at the Yerba Buena Center for the Arts in San Francisco on Monday, Dec. 4, 2023. Castillo presented Williams with the Nion McEvoy & Leslie Berriman Award for Storytelling on Monday. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Williams was also Celebrity Grand Marshal for the 2013 San Francisco Pride parade, which he remembers as a deeply powerful moment. Since then, he’s directed nine films, including \u003cem>God Loves Uganda\u003c/em>, \u003cem>Life, Animated\u003c/em> and \u003cem>Love to Love You, Donna Summer\u003c/em>.\u003c/p>\n\u003cp>“I never thought [as] a gay Black man from a small town in Pennsylvania this would ever be possible for someone like me,” Williams said. \u003c/p>\n\u003cp>Williams also reflected on being the first-ever Black director to win an Oscar, in 2010 for the documentary short \u003cem>Music By Prudence\u003c/em>, and explained why he feels it’s a shame.\u003c/p>\n\u003cp>“This to me is a sin considering all the incredible Black directors that came before me should’ve won an Oscar,” he said. “The fact of the matter is the gatekeepers in this business didn’t really see someone like me — my phone didn’t ring after I got that Oscar, no agents called, no managers called.”\u003c/p>\n\u003cfigure id=\"attachment_13938916\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-043-JY-KQED.jpg\" alt='Two people wearing sport coats in front of a backdrop with the words \"SFFILM\" written on it.' width=\"2000\" height=\"1333\" class=\"size-full wp-image-13938916\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-043-JY-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-043-JY-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-043-JY-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-043-JY-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-043-JY-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-043-JY-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-043-JY-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Actor John Ortiz (left) and director Cord Jefferson (right) pose on the red carpet at the 2023 SFFILM Awards Night at the Yerba Buena Center for the Arts in San Francisco on Monday, Dec. 4, 2023. Ortiz presented Jefferson with the George Gund III Award for Virtuosity on Monday. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>American Fiction\u003c/em> director and Award for Virtuosity recipient Cord Jefferson echoed Williams’ sentiment when he described the process for pitching the movie, due to be released Dec. 15, that stars Jeffrey Wright.\u003c/p>\n\u003cp>[aside postID='arts_13932865']“I had several people tell me that this was one of the best scripts they’d read in years,” Jefferson said. “When I asked those same people to give me money to make the film, the vast majority of them — all but one, in fact — said no.”\u003c/p>\n\u003cp>Jefferson was told “it was just too risky,” underscoring a disparity in the speeches of the award recipients. Both Black directors dedicated time to explain how difficult it was to get their movies made, telling stories of structural inequity and discrimination that were not at all present in the speeches of their white counterparts. \u003c/p>\n\u003cfigure id=\"attachment_13938935\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/12/GettyImages-1832758409.jpg\" alt=\"A man in a black shirt, tousled hair and glasses speaks at a podium.\" width=\"1000\" height=\"683\" class=\"size-full wp-image-13938935\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1832758409.jpg 1000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1832758409-800x546.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1832758409-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1832758409-768x525.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\">\u003cfigcaption class=\"wp-caption-text\">Musician Tom Waits presents a Lifetime Achievement Award for Acting to Nicolas Cage at the 2023 SFFILM Awards Night on Dec. 4, 2023 in San Francisco, California. \u003ccite>(Steve Jennings/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Filmmakers of the Future\u003c/h2>\n\u003cp>The awards ceremony generated hundreds of thousands of dollars in donations for the nonprofit, including $20,000 each from Gerwig and Gosling. Throughout the night, award recipients and SFFILM staff underscored the need to fund the filmmakers of the future.\u003c/p>\n\u003cp>The night concluded with an earnest and tearful message from Gerwig.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“It’s such a gift to make movies,” she said. “It’s the gift of my life, and it’s such a gift to be a part of this community.”\u003c/p>\n\n",
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"excerpt": "The 'Barbie' director was honored at the SFFILM Awards in San Francisco, along with Nicolas Cage, Roger Ross Williams and Cord Jefferson.",
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"title": "Greta Gerwig Wants to Make Two More Movies About Sacramento | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>At the SFFILM Awards Night on Monday, \u003cem>Barbie\u003c/em> director Greta Gerwig said she has two more movies about her hometown of Sacramento that she’d like to make. \u003c/p>\n\u003cp>“All filmmakers have a fantasy baseball team of movies they hope to make. And there’s actually two other movies I’d like to make in Sacramento, in the future,” she told KQED. Gerwig’s acclaimed 2017 film \u003cem>Lady Bird\u003c/em> was set and filmed in Sacramento. \u003c/p>\n\u003cp>As for any details on the films, “I have little inklings. But I have to keep them to myself. If I expose them to air, they’ll run away from me,” Gerwig said.\u003c/p>\n\u003cfigure id=\"attachment_13938913\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-021-JY-KQED.jpg\" alt=\"A person in a suit.\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13938913\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-021-JY-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-021-JY-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-021-JY-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-021-JY-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-021-JY-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-021-JY-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-021-JY-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Actor Ryan Gosling poses on the red carpet at the 2023 SFFILM Awards Night at the Yerba Buena Center for the Arts in San Francisco on Monday, Dec. 4, 2023. Gosling presented the Irving M. Levin Award for Film Direction to director Greta Gerwig, who he worked with on the Barbie movie. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Introduced later by \u003cem>Barbie\u003c/em> star Ryan Gosling, Gerwig joined \u003cem>American Fiction\u003c/em> director Cord Jefferson and Roger Ross Williams as the three directors were honored at the SFFILM Awards Night, held at the Yerba Buena Center for the Arts on Monday. SFFILM also honored Nicolas Cage with a lifetime achievement award for acting during the annual ceremony.\u003c/p>\n\u003ch2>Greta Gerwig’s Bay Area Nostalgia\u003c/h2>\n\u003cp>Amidst a steady flow of booze and a crowd with hundreds of thousands of dollars in donations at the ready, Ryan Gosling described Gerwig to the crowd in a sentence as imaginative as it was befuddling. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Working with Greta Gerwig is like getting a private tour of the Louvre, but you have total access to the Cheesecake Factory menu,” he said. \u003c/p>\n\u003cfigure id=\"attachment_13938917\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-046-JY-KQED.jpg\" alt=\"A person wearing earrings speaks in front of a row of cameras and microphones.\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13938917\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-046-JY-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-046-JY-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-046-JY-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-046-JY-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-046-JY-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-046-JY-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-046-JY-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Director and actress Greta Gerwig speaks to the press at the 2023 SFFILM Awards Night at the Yerba Buena Center for the Arts in San Francisco on Monday, Dec. 4, 2023. Gerwig received the Irving M. Levin Award for Film Direction on Monday. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And yet the description holds up, in a way. Gerwig is known for striking a balance between high art and salt-of-the-Earth, Sacramento realness — where there is in fact a Cheesecake Factory a few miles from where she grew up.\u003c/p>\n\u003cp>Gerwig, who accepted the Irving M. Levin award for film direction, reminisced about seeing plays at Berkeley Repertory Theatre with her parents and thinking San Francisco was “the coolest place ever.” \u003c/p>\n\u003cp>“San Francisco and the East Bay — it was like the place you’d go if you’d cut class senior year and got on Amtrak to Richmond, and then you got on BART, and then you’d go to City Lights bookstore,” she said.\u003c/p>\n\u003ch2>Nicolas Cage on Broadway?\u003c/h2>\n\u003cp>Nicolas Cage, who owned a house on Russian Hill up until the early 2000s, also shared some Bay Area stories on the carpet. He remembered Charlie Sheen’s request when he visited to eat “square tube pasta” at Cafe Tiramisu in downtown San Francisco, and was introduced at the ceremony by the normally reclusive songwriter and singer Tom Waits, who lives in Sonoma County.\u003c/p>\n\u003cfigure id=\"attachment_13938911\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-005-JY-KQED.jpg\" alt=\"A person in a suit.\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13938911\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-005-JY-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-005-JY-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-005-JY-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-005-JY-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-005-JY-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-005-JY-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-005-JY-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Actor Nicolas Cage talks to the media at the 2023 SFFILM Awards Night at the Yerba Buena Center for the Arts in San Francisco on Monday, Dec. 4, 2023. Cage received the Maria Manetti Shrem Lifetime Achievement award for his work as an actor. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Cage has played roles ranging from rogue treasure hunter to a satirical version of himself, and currently stars as a biology professor in the surreal \u003cem>Dream Scenario\u003c/em>. But there’s another role he’d want to tackle in the future.\u003c/p>\n\u003cp>“I think it would be interesting to try one of these reverse-time things where you’re a child in an adult body, like \u003cem>Big\u003c/em>,” he told KQED. “I remember I loved Martin Short in \u003cem>Clifford\u003c/em> — something like that.”\u003c/p>\n\u003cfigure id=\"attachment_13938912\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-006-JY-KQED.jpg\" alt=\"A person in a suit in front of a row of cameras and microphones.\" width=\"2000\" height=\"1333\" class=\"size-full wp-image-13938912\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-006-JY-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-006-JY-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-006-JY-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-006-JY-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-006-JY-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-006-JY-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-006-JY-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Actor Nicolas Cage talks to the media at the 2023 SFFILM Awards Night at the Yerba Buena Center for the Arts in San Francisco on Monday, Dec. 4, 2023. Cage received the Maria Manetti Shrem Lifetime Achievement award for his work as an actor. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Cage added that he wants to pivot away from movies.\u003c/p>\n\u003cp>“I’ve pretty much said what I’ve wanted to say with screen acting,” he said. “I’m about ready to try my hand at television or Broadway — we’ll see what happens.”\u003c/p>\n\u003ch2>A Gate-Kept Industry for Black Directors\u003c/h2>\n\u003cp>\u003cem>Cassandro\u003c/em> director and storytelling award recipient Roger Ross Williams contributed his own Bay Area memories to the mix, including the premiere of his film at the Castro Theatre and the “incomparable San Francisco audience” in attendance.\u003c/p>\n\u003cp>“The response was so tremendous that it really made us feel that we had something special with this film,” he said. “And I have an incredible relationship with the San Francisco community.”\u003c/p>\n\u003cfigure id=\"attachment_13938914\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-030-JY-KQED.jpg\" alt='Two people wearing sport coats in front of a backdrop with the words \"SFFILM\" written on it.' width=\"2000\" height=\"1333\" class=\"size-full wp-image-13938914\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-030-JY-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-030-JY-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-030-JY-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-030-JY-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-030-JY-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-030-JY-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-030-JY-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Raúl Castillo (left) and Roger Ross Williams (right) pose on the red carpet at the 2023 SFFILM Awards Night at the Yerba Buena Center for the Arts in San Francisco on Monday, Dec. 4, 2023. Castillo presented Williams with the Nion McEvoy & Leslie Berriman Award for Storytelling on Monday. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Williams was also Celebrity Grand Marshal for the 2013 San Francisco Pride parade, which he remembers as a deeply powerful moment. Since then, he’s directed nine films, including \u003cem>God Loves Uganda\u003c/em>, \u003cem>Life, Animated\u003c/em> and \u003cem>Love to Love You, Donna Summer\u003c/em>.\u003c/p>\n\u003cp>“I never thought [as] a gay Black man from a small town in Pennsylvania this would ever be possible for someone like me,” Williams said. \u003c/p>\n\u003cp>Williams also reflected on being the first-ever Black director to win an Oscar, in 2010 for the documentary short \u003cem>Music By Prudence\u003c/em>, and explained why he feels it’s a shame.\u003c/p>\n\u003cp>“This to me is a sin considering all the incredible Black directors that came before me should’ve won an Oscar,” he said. “The fact of the matter is the gatekeepers in this business didn’t really see someone like me — my phone didn’t ring after I got that Oscar, no agents called, no managers called.”\u003c/p>\n\u003cfigure id=\"attachment_13938916\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-043-JY-KQED.jpg\" alt='Two people wearing sport coats in front of a backdrop with the words \"SFFILM\" written on it.' width=\"2000\" height=\"1333\" class=\"size-full wp-image-13938916\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-043-JY-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-043-JY-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-043-JY-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-043-JY-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-043-JY-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-043-JY-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/20231204-SFFILM-Festival-Awards-043-JY-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Actor John Ortiz (left) and director Cord Jefferson (right) pose on the red carpet at the 2023 SFFILM Awards Night at the Yerba Buena Center for the Arts in San Francisco on Monday, Dec. 4, 2023. Ortiz presented Jefferson with the George Gund III Award for Virtuosity on Monday. \u003ccite>(Juliana Yamada/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>American Fiction\u003c/em> director and Award for Virtuosity recipient Cord Jefferson echoed Williams’ sentiment when he described the process for pitching the movie, due to be released Dec. 15, that stars Jeffrey Wright.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“I had several people tell me that this was one of the best scripts they’d read in years,” Jefferson said. “When I asked those same people to give me money to make the film, the vast majority of them — all but one, in fact — said no.”\u003c/p>\n\u003cp>Jefferson was told “it was just too risky,” underscoring a disparity in the speeches of the award recipients. Both Black directors dedicated time to explain how difficult it was to get their movies made, telling stories of structural inequity and discrimination that were not at all present in the speeches of their white counterparts. \u003c/p>\n\u003cfigure id=\"attachment_13938935\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/12/GettyImages-1832758409.jpg\" alt=\"A man in a black shirt, tousled hair and glasses speaks at a podium.\" width=\"1000\" height=\"683\" class=\"size-full wp-image-13938935\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1832758409.jpg 1000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1832758409-800x546.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1832758409-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/12/GettyImages-1832758409-768x525.jpg 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\">\u003cfigcaption class=\"wp-caption-text\">Musician Tom Waits presents a Lifetime Achievement Award for Acting to Nicolas Cage at the 2023 SFFILM Awards Night on Dec. 4, 2023 in San Francisco, California. \u003ccite>(Steve Jennings/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Filmmakers of the Future\u003c/h2>\n\u003cp>The awards ceremony generated hundreds of thousands of dollars in donations for the nonprofit, including $20,000 each from Gerwig and Gosling. Throughout the night, award recipients and SFFILM staff underscored the need to fund the filmmakers of the future.\u003c/p>\n\u003cp>The night concluded with an earnest and tearful message from Gerwig.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It’s such a gift to make movies,” she said. “It’s the gift of my life, and it’s such a gift to be a part of this community.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "After the BET Awards, a Look Back at How the Network Helped Hip-Hop Grow",
"headTitle": "After the BET Awards, a Look Back at How the Network Helped Hip-Hop Grow | KQED",
"content": "\u003cp>\u003cem>Rap City. 106 & Park\u003c/em>. And even, \u003cem>Uncut\u003c/em>.\u003c/p>\n\u003cp>From innovative to provocative, BET has played a crucial role in creating several influential programs that helped spread hip-hop to millions of homes across the globe. Other than its rival show \u003cem>Yo! MTV Raps\u003c/em>, the network known as Black Entertainment Television took up the mantle — despite some reluctance — to showcase a misunderstood rap culture decades before it became today’s most popular music genre.\u003c/p>\n\u003cp>[aside postid='arts_13929900']For many, BET became a safe place for those within hip-hop to express their artistry, although not without criticism. Through it all, the network has been a mainstay for established and emerging rap artists.\u003c/p>\n\u003cp>It all came together during the BET Awards on Sunday. Show officials celebrated the genre’s 50th anniversary during the telecast dubbed as a “non-stop Hip-Hop Party.” It also comes at a pivotal time for the network, which will be soon be sold. Several Black entrepreneurs and celebrities, including Tyler Perry, media executive Byron Allen and rapper-entrepreneur Diddy, are interested in purchasing the network.\u003c/p>\n\u003cp>The new owner will acquire an important cultural fixture, one whose success was partially built on how it elevated hip-hop.\u003c/p>\n\u003cfigure id=\"attachment_13930909\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930909\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/GettyImages-1436964378-scaled-e1687805985366-800x533.jpg\" alt=\"An attractive middle-aged Black man smiles on a red carpet. He is wearing black-rimmed glasses and a tuxedo.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1436964378-scaled-e1687805985366-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1436964378-scaled-e1687805985366-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1436964378-scaled-e1687805985366-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1436964378-scaled-e1687805985366-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1436964378-scaled-e1687805985366-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1436964378-scaled-e1687805985366.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tyler Perry in 2022. The entrepreneur has expressed an interest in purchasing BET. \u003ccite>(Axelle/Bauer-Griffin/FilmMagic)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“BET was a big platform for hip-hop and urban music overall,” said E-40. His song “Tired of Being Stepped On” with the rap group The Click appeared on BET’s \u003cem>Video Soul,\u003c/em> which was created in 1981 at a time when MTV refused to play videos by most African Americans. The rapper recalled how guest host Jamie Foxx dissed The Click’s song but the comedian’s critical words didn’t faze him. He felt his group gained important exposure to promote their “unorthodox” West Coast rap style.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“The network really stepped up. We needed that,” said E-40, who also made a few appearances on another BET show called \u003cem>Rap City\u003c/em>, which featured hip-hop music videos, interviews and freestyles booth sessions with big names including Jay-Z, Lil Wayne and MC Lyte. The show, which highlighted popular and up-and-coming rappers, became the longest-running hip-hop TV show in history.\u003cbr>\nE-40 credited BET founder Robert Johnson for giving hip-hop a chance. Johnson built the brand into the leading TV network for Black Americans in hopes of creating content geared toward jazz, comedy and gospel. But at the time, he and other founders were unsure about featuring a rap show, believing the genre would be short lived.\u003c/p>\n\u003cp>Rival MTV’s \u003cem>Yo! MTV Raps\u003c/em>, however, showed that hip-hop had staying power.\u003c/p>\n\u003cfigure id=\"attachment_13930910\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930910\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/GettyImages-1502095663-scaled-e1687806273125-800x533.jpg\" alt=\"A rapper performs on stage with a small crowd behind him. He wears a bucket hat, sunglasses and large gold medallion.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502095663-scaled-e1687806273125-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502095663-scaled-e1687806273125-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502095663-scaled-e1687806273125-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502095663-scaled-e1687806273125-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502095663-scaled-e1687806273125-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502095663-scaled-e1687806273125.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">E-40 at the 2023 BET Awards in Los Angeles. \u003ccite>(Paras Griffin/Getty Images for BET)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“After kind of a brief initial hesitancy, the founders of BET really understood how hip-hop was transforming culture overall and specifically Black entertainment,” said Scott M. Mills, BET’s president and CEO.\u003c/p>\n\u003cp>“They rapidly embraced hip-hop as part of the mission of BET,” he said. “You went from BET having shows with no hip-hop artists or music to artists and music starting to trickle through shows to this full evolution of creating dedicated shows, celebrating hip-hop music, artists and culture.”\u003c/p>\n\u003cp>[aside postid='arts_13927349']BET’s decision to embrace hip-hop literally paid off: Johnson and his then-wife, Sheila, sold the network to Viacom in 2000 for $3 billion — which made them the nation’s first Black billionaires. He remained CEO until 2006.\u003c/p>\n\u003cp>After the sale, BET continued to beef up its content with reality shows and the network’s flagship program \u003cem>106 & Park\u003c/em>, a weekday show that started in 2000 and lasted for more than a decade. The show thrived with a video countdown, interviews and performances. A year later, the network started the BET Awards then the BET Hip-Hop Awards.\u003c/p>\n\u003cp>For Lil Jon, he certainly benefitted from appearing on \u003cem>106 & Park\u003c/em>. One day, the rapper-producer joined the show’s audience during the time when he had a hard time getting music on BET.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=9BeuGfuFIA8\u003c/p>\n\u003cp>Lil Jon had no clue \u003cem>106 & Park\u003c/em> co-host A.J. Calloway would notice him sitting in the crowd before he shouted out his name. The exposure helped him become more recognizable, particularly to the BET brass — who he says initially struggled to grasp the concept of his crunk music, which eventually gained mainstream appeal.\u003c/p>\n\u003cp>“We strived to be on \u003cem>Rap City.\u003c/em> We strived to be on \u003cem>106 & Park\u003c/em>,” Lil Jon said. “A.J. knew who I was, because he would go to the South and host things. He knew the power of my music … They would show me in the audience throughout the whole show. It was what they call an impression in the advertising world. It was a way for me to be around people at BET. They started to see and get familiar with me, and they wanted to look out for me. BET was just a place where we would get support from our community.”\u003c/p>\n\u003cp>[aside postid='arts_13929861']Like Lil Jon, other hip-hop artists took advantage of the exposure from BET — which often highlighted positive images of Black people through shows such as \u003cem>Teen Summit\u003c/em> and \u003cem>106 & Park\u003c/em>. But in the early-2000s, the network started to take an odd turn as several popular figures — from filmmaker Spike Lee to Public Enemy’s Chuck D — heavily criticized the channel’s content for depicting African Americans in a negative light.\u003c/p>\n\u003cp>Many took aim at the now-defunct \u003cem>BET: Uncut\u003c/em>, a late-night mature program that contained highly sexual content such as Ludacris’ “Booty Poppin” music video. The tipping point came after Nelly’s “Tip Drill” video featured women simulating sex acts with themselves while men grabbed their bodies.\u003c/p>\n\u003cp>\u003cem>Uncut\u003c/em> normally finished airing early Sunday just hours before the network’s faith-based programs began.\u003c/p>\n\u003cp>At the time, Big Boi of Outkast was taken aback by some of the raunchy content, calling it “distasteful” and “soft porn.” Other political figures and activists showed their displeasure. Co-founder Sheila Johnson even said in a 2010 interview that she was ashamed of BET, suggesting that no one, including her own children, should watch the channel.\u003c/p>\n\u003cp>After the backlash, BET took a new approach. The company researched what their viewers wanted to see and created a lineup of more family-oriented shows such as \u003cem>Reed Between the Lines\u003c/em> and \u003cem>Let’s\u003c/em> \u003cem>Stay Together\u003c/em>.\u003c/p>\n\u003cp>“If you look at it, hip-hop is like a huge family,” said Roxanne Shante. “You’re going to have family members that do things that’s necessarily not my thing.”\u003c/p>\n\u003cfigure id=\"attachment_13930911\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930911\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/GettyImages-1491748126-scaled-e1687807323886-800x533.jpg\" alt=\"A Black woman stands onstage smiling broadly. She is wearing an off the shoulder red gown and holding her hands out in a half shrug.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1491748126-scaled-e1687807323886-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1491748126-scaled-e1687807323886-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1491748126-scaled-e1687807323886-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1491748126-scaled-e1687807323886-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1491748126-scaled-e1687807323886-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1491748126-scaled-e1687807323886.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Roxanne Shante at the 2023 Black Music Honors in Atlanta, Georgia. \u003ccite>(Nykieria Chaney/ Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“But who am I to criticize what they go through? It’s a form of expression,” said the “Roxanne’s Revenge” rapper. “I think BET has shown its ability to go with that form of expression. Now, people are expressing themselves in a different way. And now, they cater to a different audience and started to show different programming.”\u003c/p>\n\u003cp>[aside postid='arts_13925931']Despite controversy, Mills said a symbolic relationship was kept between BET and the hip-hop community. He said the network has a chance to break new artists through the BET Hip-Hop Awards while showcasing the more popular ones at the BET Awards. He shouted out veteran rapper and Oscar-nominated actor Queen Latifah, who recently hosted the NAACP Image Awards this year.\u003c/p>\n\u003cp>“When you look at artists today, they’re profoundly talented,” he said. “The evolution of people deciding how they want to show up to the world is something that ultimately, I think we have to embrace. One thing about hip-hop, it’s always changing. We’re in the moment today, and that moment will evolve to whatever comes next.”\u003c/p>\n\u003cp>Mills said BET is exploring ways to bring back \u003cem>106 & Park\u003c/em> as a possible residency live show.\u003c/p>\n\u003cp>With a new buyer looking to purchase BET soon, the network’s future focus and how much it emphasizes hip-hop will be closely watched.\u003c/p>\n\u003cfigure id=\"attachment_13930912\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930912\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/GettyImages-1502158893-scaled-e1687807420908-800x534.jpg\" alt=\"A bald Black man stands on a red carpet wearing white pants and a polo jersey. He is clasping his hands together.\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502158893-scaled-e1687807420908-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502158893-scaled-e1687807420908-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502158893-scaled-e1687807420908-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502158893-scaled-e1687807420908-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502158893-scaled-e1687807420908-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502158893-scaled-e1687807420908.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Too Short arrives at the 2023 BET Awards in Los Angeles. \u003ccite>(Aaron J. Thornton/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Rapper Too Short said BET should continue to serve the Black community’s needs.\u003c/p>\n\u003cp>“\u003cem>Teen Summit\u003c/em> was the best show ever,” he said. “Just for kids to sit there and have an intellectual conversation every Saturday morning. That was amazing to see Black kids thinking intelligently and debating with each other and an audience tapping in.\u003c/p>\n\u003cp>“I don’t know why anybody doesn’t think that kind of programming is needed right now. I think BET just needs to be the community. Don’t show me an aspect. The whole thing. Be Black entertainment.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Copyright 2023 Associated Press. To see more, \u003ca href=\"https://apnews.com/\" rel=\"noopener\">visit AP\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"excerpt": "“You went from BET having shows with no hip-hop to this full evolution of dedicated shows celebrating the music and culture.”",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Rap City. 106 & Park\u003c/em>. And even, \u003cem>Uncut\u003c/em>.\u003c/p>\n\u003cp>From innovative to provocative, BET has played a crucial role in creating several influential programs that helped spread hip-hop to millions of homes across the globe. Other than its rival show \u003cem>Yo! MTV Raps\u003c/em>, the network known as Black Entertainment Television took up the mantle — despite some reluctance — to showcase a misunderstood rap culture decades before it became today’s most popular music genre.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>For many, BET became a safe place for those within hip-hop to express their artistry, although not without criticism. Through it all, the network has been a mainstay for established and emerging rap artists.\u003c/p>\n\u003cp>It all came together during the BET Awards on Sunday. Show officials celebrated the genre’s 50th anniversary during the telecast dubbed as a “non-stop Hip-Hop Party.” It also comes at a pivotal time for the network, which will be soon be sold. Several Black entrepreneurs and celebrities, including Tyler Perry, media executive Byron Allen and rapper-entrepreneur Diddy, are interested in purchasing the network.\u003c/p>\n\u003cp>The new owner will acquire an important cultural fixture, one whose success was partially built on how it elevated hip-hop.\u003c/p>\n\u003cfigure id=\"attachment_13930909\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930909\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/GettyImages-1436964378-scaled-e1687805985366-800x533.jpg\" alt=\"An attractive middle-aged Black man smiles on a red carpet. He is wearing black-rimmed glasses and a tuxedo.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1436964378-scaled-e1687805985366-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1436964378-scaled-e1687805985366-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1436964378-scaled-e1687805985366-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1436964378-scaled-e1687805985366-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1436964378-scaled-e1687805985366-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1436964378-scaled-e1687805985366.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tyler Perry in 2022. The entrepreneur has expressed an interest in purchasing BET. \u003ccite>(Axelle/Bauer-Griffin/FilmMagic)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“BET was a big platform for hip-hop and urban music overall,” said E-40. His song “Tired of Being Stepped On” with the rap group The Click appeared on BET’s \u003cem>Video Soul,\u003c/em> which was created in 1981 at a time when MTV refused to play videos by most African Americans. The rapper recalled how guest host Jamie Foxx dissed The Click’s song but the comedian’s critical words didn’t faze him. He felt his group gained important exposure to promote their “unorthodox” West Coast rap style.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“The network really stepped up. We needed that,” said E-40, who also made a few appearances on another BET show called \u003cem>Rap City\u003c/em>, which featured hip-hop music videos, interviews and freestyles booth sessions with big names including Jay-Z, Lil Wayne and MC Lyte. The show, which highlighted popular and up-and-coming rappers, became the longest-running hip-hop TV show in history.\u003cbr>\nE-40 credited BET founder Robert Johnson for giving hip-hop a chance. Johnson built the brand into the leading TV network for Black Americans in hopes of creating content geared toward jazz, comedy and gospel. But at the time, he and other founders were unsure about featuring a rap show, believing the genre would be short lived.\u003c/p>\n\u003cp>Rival MTV’s \u003cem>Yo! MTV Raps\u003c/em>, however, showed that hip-hop had staying power.\u003c/p>\n\u003cfigure id=\"attachment_13930910\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930910\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/GettyImages-1502095663-scaled-e1687806273125-800x533.jpg\" alt=\"A rapper performs on stage with a small crowd behind him. He wears a bucket hat, sunglasses and large gold medallion.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502095663-scaled-e1687806273125-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502095663-scaled-e1687806273125-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502095663-scaled-e1687806273125-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502095663-scaled-e1687806273125-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502095663-scaled-e1687806273125-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502095663-scaled-e1687806273125.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">E-40 at the 2023 BET Awards in Los Angeles. \u003ccite>(Paras Griffin/Getty Images for BET)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“After kind of a brief initial hesitancy, the founders of BET really understood how hip-hop was transforming culture overall and specifically Black entertainment,” said Scott M. Mills, BET’s president and CEO.\u003c/p>\n\u003cp>“They rapidly embraced hip-hop as part of the mission of BET,” he said. “You went from BET having shows with no hip-hop artists or music to artists and music starting to trickle through shows to this full evolution of creating dedicated shows, celebrating hip-hop music, artists and culture.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>BET’s decision to embrace hip-hop literally paid off: Johnson and his then-wife, Sheila, sold the network to Viacom in 2000 for $3 billion — which made them the nation’s first Black billionaires. He remained CEO until 2006.\u003c/p>\n\u003cp>After the sale, BET continued to beef up its content with reality shows and the network’s flagship program \u003cem>106 & Park\u003c/em>, a weekday show that started in 2000 and lasted for more than a decade. The show thrived with a video countdown, interviews and performances. A year later, the network started the BET Awards then the BET Hip-Hop Awards.\u003c/p>\n\u003cp>For Lil Jon, he certainly benefitted from appearing on \u003cem>106 & Park\u003c/em>. One day, the rapper-producer joined the show’s audience during the time when he had a hard time getting music on BET.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/9BeuGfuFIA8'\n title='//www.youtube.com/embed/9BeuGfuFIA8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Lil Jon had no clue \u003cem>106 & Park\u003c/em> co-host A.J. Calloway would notice him sitting in the crowd before he shouted out his name. The exposure helped him become more recognizable, particularly to the BET brass — who he says initially struggled to grasp the concept of his crunk music, which eventually gained mainstream appeal.\u003c/p>\n\u003cp>“We strived to be on \u003cem>Rap City.\u003c/em> We strived to be on \u003cem>106 & Park\u003c/em>,” Lil Jon said. “A.J. knew who I was, because he would go to the South and host things. He knew the power of my music … They would show me in the audience throughout the whole show. It was what they call an impression in the advertising world. It was a way for me to be around people at BET. They started to see and get familiar with me, and they wanted to look out for me. BET was just a place where we would get support from our community.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Like Lil Jon, other hip-hop artists took advantage of the exposure from BET — which often highlighted positive images of Black people through shows such as \u003cem>Teen Summit\u003c/em> and \u003cem>106 & Park\u003c/em>. But in the early-2000s, the network started to take an odd turn as several popular figures — from filmmaker Spike Lee to Public Enemy’s Chuck D — heavily criticized the channel’s content for depicting African Americans in a negative light.\u003c/p>\n\u003cp>Many took aim at the now-defunct \u003cem>BET: Uncut\u003c/em>, a late-night mature program that contained highly sexual content such as Ludacris’ “Booty Poppin” music video. The tipping point came after Nelly’s “Tip Drill” video featured women simulating sex acts with themselves while men grabbed their bodies.\u003c/p>\n\u003cp>\u003cem>Uncut\u003c/em> normally finished airing early Sunday just hours before the network’s faith-based programs began.\u003c/p>\n\u003cp>At the time, Big Boi of Outkast was taken aback by some of the raunchy content, calling it “distasteful” and “soft porn.” Other political figures and activists showed their displeasure. Co-founder Sheila Johnson even said in a 2010 interview that she was ashamed of BET, suggesting that no one, including her own children, should watch the channel.\u003c/p>\n\u003cp>After the backlash, BET took a new approach. The company researched what their viewers wanted to see and created a lineup of more family-oriented shows such as \u003cem>Reed Between the Lines\u003c/em> and \u003cem>Let’s\u003c/em> \u003cem>Stay Together\u003c/em>.\u003c/p>\n\u003cp>“If you look at it, hip-hop is like a huge family,” said Roxanne Shante. “You’re going to have family members that do things that’s necessarily not my thing.”\u003c/p>\n\u003cfigure id=\"attachment_13930911\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930911\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/GettyImages-1491748126-scaled-e1687807323886-800x533.jpg\" alt=\"A Black woman stands onstage smiling broadly. She is wearing an off the shoulder red gown and holding her hands out in a half shrug.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1491748126-scaled-e1687807323886-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1491748126-scaled-e1687807323886-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1491748126-scaled-e1687807323886-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1491748126-scaled-e1687807323886-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1491748126-scaled-e1687807323886-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1491748126-scaled-e1687807323886.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Roxanne Shante at the 2023 Black Music Honors in Atlanta, Georgia. \u003ccite>(Nykieria Chaney/ Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“But who am I to criticize what they go through? It’s a form of expression,” said the “Roxanne’s Revenge” rapper. “I think BET has shown its ability to go with that form of expression. Now, people are expressing themselves in a different way. And now, they cater to a different audience and started to show different programming.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Despite controversy, Mills said a symbolic relationship was kept between BET and the hip-hop community. He said the network has a chance to break new artists through the BET Hip-Hop Awards while showcasing the more popular ones at the BET Awards. He shouted out veteran rapper and Oscar-nominated actor Queen Latifah, who recently hosted the NAACP Image Awards this year.\u003c/p>\n\u003cp>“When you look at artists today, they’re profoundly talented,” he said. “The evolution of people deciding how they want to show up to the world is something that ultimately, I think we have to embrace. One thing about hip-hop, it’s always changing. We’re in the moment today, and that moment will evolve to whatever comes next.”\u003c/p>\n\u003cp>Mills said BET is exploring ways to bring back \u003cem>106 & Park\u003c/em> as a possible residency live show.\u003c/p>\n\u003cp>With a new buyer looking to purchase BET soon, the network’s future focus and how much it emphasizes hip-hop will be closely watched.\u003c/p>\n\u003cfigure id=\"attachment_13930912\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930912\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/GettyImages-1502158893-scaled-e1687807420908-800x534.jpg\" alt=\"A bald Black man stands on a red carpet wearing white pants and a polo jersey. He is clasping his hands together.\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502158893-scaled-e1687807420908-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502158893-scaled-e1687807420908-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502158893-scaled-e1687807420908-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502158893-scaled-e1687807420908-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502158893-scaled-e1687807420908-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/GettyImages-1502158893-scaled-e1687807420908.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Too Short arrives at the 2023 BET Awards in Los Angeles. \u003ccite>(Aaron J. Thornton/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Rapper Too Short said BET should continue to serve the Black community’s needs.\u003c/p>\n\u003cp>“\u003cem>Teen Summit\u003c/em> was the best show ever,” he said. “Just for kids to sit there and have an intellectual conversation every Saturday morning. That was amazing to see Black kids thinking intelligently and debating with each other and an audience tapping in.\u003c/p>\n\u003cp>“I don’t know why anybody doesn’t think that kind of programming is needed right now. I think BET just needs to be the community. Don’t show me an aspect. The whole thing. Be Black entertainment.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Everything You Need to Know About the 2023 Academy Awards",
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"content": "\u003cp>Hollywood is gearing up for the 95th Academy Awards, where \u003cem>Everything Everywhere All at Once\u003c/em> comes in as the lead nominee and the film industry hopes to move past “the slap” of last year’s ceremony. Here’s everything you need to know about the 2023 Oscars, including when they are, where to watch the live show and this year’s controversies.\u003c/p>\n\u003ch2>When are the Oscars?\u003c/h2>\n\u003cp>The Oscars will be held Sunday, March 12, at the Dolby Theatre in Los Angeles. The ceremony is set to begin at 8 p.m. EST and will be broadcast live on ABC.\u003c/p>\n\u003ch2>Can you stream the Oscars?\u003c/h2>\n\u003cp>[aside postid='arts_13911228']The broadcast can be streamed with a subscription to Hulu Live TV, YouTubeTV, AT&T TV and Fubo TV. Some of these services offer brief free trials. You can also stream the show on ABC.com and on the ABC app by authenticating your provider.\u003c/p>\n\u003ch2>Who’s hosting?\u003c/h2>\n\u003cp>Jimmy Kimmel will host for the third time and his first time since 2018. That was also the last Oscars to feature a solo host. The show went hostless for several years after Kimmel’s last outing. Last year, Regina Hall, Amy Schumer and Wanda Sykes hosted as a trio. In an ad for this year’s show styled after \u003cem>Top Gun: Maverick\u003c/em>, Kimmel made his humble case for being the right person for the job while noting that he can’t get slapped because “I cry a lot.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=aGsXh_loS7k\u003c/p>\n\u003ch2>What’s nominated for Best Picture at the 2023 Oscars?\u003c/h2>\n\u003cp>The 10 movies competing for best picture are: \u003cem>All Quiet on the Western Front\u003c/em>, \u003cem>Avatar: The Way of Water\u003c/em>, \u003cem>The Banshees of Inisherin\u003c/em>, \u003cem>Elvis\u003c/em>, \u003cem>Everything Everywhere All at Once\u003c/em>, \u003cem>The Fabelmans\u003c/em>, \u003cem>Tár\u003c/em>, \u003cem>Top Gun: Maverick\u003c/em>, \u003cem>Triangle of Sadness\u003c/em>, \u003cem>Women Talking\u003c/em>. \u003ca href=\"https://apnews.com/article/how-to-watch-2023-oscar-nominations-movies-364aca2fdaa51eae34307c3b02446ae8\" target=\"_blank\" rel=\"noopener\">Here’s a guide to how you can watch them.\u003c/a>\u003c/p>\n\u003ch2>What’s in store for the show?\u003c/h2>\n\u003cp>The Academy of Motion Pictures Arts and Sciences is yet to announce presenters. But it has said that winners to all categories will be announced live on the show. (Last year, some categories were taped in a pre-show, something that caused an uproar among academy members.) Nominees for best song are often performed, and the academy confirms that Rihanna will perform “Lift Me Up” from \u003cem>Black Panther: Wakanda Forever\u003c/em> on the show. There’s no word yet on whether the show will feature Lady Gaga’s “Hold My Hand,” from \u003cem>Top Gun: Maverick\u003c/em> or Kala Bhairava’s “Naatu Naatu,” from \u003cem>RRR\u003c/em> — two other buzzy original song nominees.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Mx_OexsUI2M\u003c/p>\n\u003ch2>Who are the favorites?\u003c/h2>\n\u003cp>Daniel Kwan and Daniel Scheinert’s indie sci-fi hit \u003cem>Everything Everywhere All at Once\u003c/em> comes in with a leading 11 nominations. Close on its heels, though, is the Irish friends-falling-out dark comedy \u003cem>The Banshees of Inisherin\u003c/em>, with nine nods, a total matched by Netflix’s WWI film \u003cem>All Quiet on the Western Front\u003c/em>.\u003c/p>\n\u003cp>[aside postid='arts_13911018']Michelle Yeoh (\u003cem>Everything Everywhere All at Once\u003c/em>) may have a slight edge on Cate Blanchett (\u003cem>Tár\u003c/em>) for best actress. Best actor is harder to call, with Brendan Fraser (\u003cem>The Whale\u003c/em>), Colin Farrell (\u003cem>Banshees\u003c/em>) and Austin Butler (\u003cem>Elvis\u003c/em>) in the mix.\u003c/p>\n\u003cp>In the supporting categories, Angela Bassett (\u003cem>Black Panther: Wakanda Forever\u003c/em>) and Ke Huy Quan (\u003cem>Everything Everywhere All at Once\u003c/em>) are the frontrunners. Steven Spielberg (\u003cem>The Fabelmans\u003c/em>) may win his third best director Oscar, though the Daniels could also pull off the upset.\u003c/p>\n\u003ch2>What’s been controversial this year?\u003c/h2>\n\u003cp>Aside from the usual snubs and surprises, this year’s biggest to-do has been the debate surrounding Andrea Riseborough’s unexpected nomination for best actress. Riseborough was nominated for the little-seen Texas-set drama \u003cem>To Leslie\u003c/em> after many A-list stars rallied around her performance. When two other best-actress contenders — Danielle Deadwyler (\u003cem>Till\u003c/em>) and Viola Davis (\u003cem>Woman King\u003c/em>) — were snubbed, some saw that as a reflection of racial bias in the film industry. The academy launched an inquiry into the star-studded, grassroots campaign for Riseborough but found no reason to rescind her nomination.\u003c/p>\n\u003ch2>What else should you look for?\u003c/h2>\n\u003cp>Just the reading of the title to one of \u003ca href=\"https://apnews.com/article/my-year-of-dicks-oscars-b8a6cb7089a580da4dbae0b16571bb25\" target=\"_blank\" rel=\"noopener\">this year’s short film nominees\u003c/a> should prompt a wave of giggles. John Williams (\u003cem>The Fabelmans\u003c/em>), up for best score, is the oldest nominee ever, at 90 years old. After historic back-to-back best-director wins by Chloé Zhao (\u003cem>Nomadland\u003c/em>) and Jane Campion (\u003cem>The Power of the Dog\u003c/em>), no women were nominated this year for best director. Also don’t expect to see Will Smith at the Oscars anytime soon. After striking Chris Rock at last year’s ceremony, Smith was banned by the film academy from attending for 10 years.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Copyright 2023 Associated Press. To see more, \u003ca href=\"https://apnews.com/\" rel=\"noopener\">visit AP\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The broadcast can be streamed with a subscription to Hulu Live TV, YouTubeTV, AT&T TV and Fubo TV. Some of these services offer brief free trials. You can also stream the show on ABC.com and on the ABC app by authenticating your provider.\u003c/p>\n\u003ch2>Who’s hosting?\u003c/h2>\n\u003cp>Jimmy Kimmel will host for the third time and his first time since 2018. That was also the last Oscars to feature a solo host. The show went hostless for several years after Kimmel’s last outing. Last year, Regina Hall, Amy Schumer and Wanda Sykes hosted as a trio. In an ad for this year’s show styled after \u003cem>Top Gun: Maverick\u003c/em>, Kimmel made his humble case for being the right person for the job while noting that he can’t get slapped because “I cry a lot.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/aGsXh_loS7k'\n title='//www.youtube.com/embed/aGsXh_loS7k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>What’s nominated for Best Picture at the 2023 Oscars?\u003c/h2>\n\u003cp>The 10 movies competing for best picture are: \u003cem>All Quiet on the Western Front\u003c/em>, \u003cem>Avatar: The Way of Water\u003c/em>, \u003cem>The Banshees of Inisherin\u003c/em>, \u003cem>Elvis\u003c/em>, \u003cem>Everything Everywhere All at Once\u003c/em>, \u003cem>The Fabelmans\u003c/em>, \u003cem>Tár\u003c/em>, \u003cem>Top Gun: Maverick\u003c/em>, \u003cem>Triangle of Sadness\u003c/em>, \u003cem>Women Talking\u003c/em>. \u003ca href=\"https://apnews.com/article/how-to-watch-2023-oscar-nominations-movies-364aca2fdaa51eae34307c3b02446ae8\" target=\"_blank\" rel=\"noopener\">Here’s a guide to how you can watch them.\u003c/a>\u003c/p>\n\u003ch2>What’s in store for the show?\u003c/h2>\n\u003cp>The Academy of Motion Pictures Arts and Sciences is yet to announce presenters. But it has said that winners to all categories will be announced live on the show. (Last year, some categories were taped in a pre-show, something that caused an uproar among academy members.) Nominees for best song are often performed, and the academy confirms that Rihanna will perform “Lift Me Up” from \u003cem>Black Panther: Wakanda Forever\u003c/em> on the show. There’s no word yet on whether the show will feature Lady Gaga’s “Hold My Hand,” from \u003cem>Top Gun: Maverick\u003c/em> or Kala Bhairava’s “Naatu Naatu,” from \u003cem>RRR\u003c/em> — two other buzzy original song nominees.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Michelle Yeoh (\u003cem>Everything Everywhere All at Once\u003c/em>) may have a slight edge on Cate Blanchett (\u003cem>Tár\u003c/em>) for best actress. Best actor is harder to call, with Brendan Fraser (\u003cem>The Whale\u003c/em>), Colin Farrell (\u003cem>Banshees\u003c/em>) and Austin Butler (\u003cem>Elvis\u003c/em>) in the mix.\u003c/p>\n\u003cp>In the supporting categories, Angela Bassett (\u003cem>Black Panther: Wakanda Forever\u003c/em>) and Ke Huy Quan (\u003cem>Everything Everywhere All at Once\u003c/em>) are the frontrunners. Steven Spielberg (\u003cem>The Fabelmans\u003c/em>) may win his third best director Oscar, though the Daniels could also pull off the upset.\u003c/p>\n\u003ch2>What’s been controversial this year?\u003c/h2>\n\u003cp>Aside from the usual snubs and surprises, this year’s biggest to-do has been the debate surrounding Andrea Riseborough’s unexpected nomination for best actress. Riseborough was nominated for the little-seen Texas-set drama \u003cem>To Leslie\u003c/em> after many A-list stars rallied around her performance. When two other best-actress contenders — Danielle Deadwyler (\u003cem>Till\u003c/em>) and Viola Davis (\u003cem>Woman King\u003c/em>) — were snubbed, some saw that as a reflection of racial bias in the film industry. The academy launched an inquiry into the star-studded, grassroots campaign for Riseborough but found no reason to rescind her nomination.\u003c/p>\n\u003ch2>What else should you look for?\u003c/h2>\n\u003cp>Just the reading of the title to one of \u003ca href=\"https://apnews.com/article/my-year-of-dicks-oscars-b8a6cb7089a580da4dbae0b16571bb25\" target=\"_blank\" rel=\"noopener\">this year’s short film nominees\u003c/a> should prompt a wave of giggles. John Williams (\u003cem>The Fabelmans\u003c/em>), up for best score, is the oldest nominee ever, at 90 years old. After historic back-to-back best-director wins by Chloé Zhao (\u003cem>Nomadland\u003c/em>) and Jane Campion (\u003cem>The Power of the Dog\u003c/em>), no women were nominated this year for best director. Also don’t expect to see Will Smith at the Oscars anytime soon. After striking Chris Rock at last year’s ceremony, Smith was banned by the film academy from attending for 10 years.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Copyright 2023 Associated Press. To see more, \u003ca href=\"https://apnews.com/\" rel=\"noopener\">visit AP\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Beyoncé Sets a New Grammy Record, While Harry Styles Wins Album of the Year",
"headTitle": "Beyoncé Sets a New Grammy Record, While Harry Styles Wins Album of the Year | KQED",
"content": "\u003cdiv class=\"storyMajorUpdateDate\"> \u003cstrong>Updated February 6, 2023 at 12:53 AM ET\u003c/strong>\u003c/div>\n\u003cp>Beyoncé has now captured more Grammy awards than any other artist, thanks to a quartet of trophies for her album \u003cem>RENAISSANCE\u003c/em>. Two-thirds of the way into the evening’s live telecast, she won her fourth award of the year for a total of 32 in her career, shattering the record for the most Grammys of any artist in the prize’s 65-year history.\u003c/p>\n\u003cp>However, she failed to collect any of the evening’s biggest prizes. Instead, the Grammys divided the general categories in a typical voting split. Bonnie Raitt won the song of the year prize for “Just Like That.” Lizzo took record of the year for “About Damn Time.” Album of the year went to \u003ca href=\"https://www.npr.org/artists/531040090/harry-styles\">Harry Styles\u003c/a> for his album \u003cem>Harry’s House\u003c/em>. He also won best pop vocal album. “This is so kind,” Styles said of the album of the year award, as Beyoncé gave him a standing ovation.\u003c/p>\n\u003cp>Coming into this year’s awards, Beyoncé already owned 28 Grammys as a lead artist, though only one in the one of the awards’ general categories. She had nine nominations this year, and hit the new record just after 7 p.m. PT, when she won best electronic/dance music album. She cried upon taking the stage, saying, “I’m just trying to receive this night.” Later, she gave credit to her forebears and inspiration, adding: “I would like to thank the queer community for your love, and for inventing the genre,” referring to the house music that grounded \u003cem>RENAISSANCE\u003c/em>.\u003c/p>\n\u003cp>Faced with \u003ca href=\"https://www.npr.org/2022/01/06/1070849471/the-omicron-surge-forces-the-grammys-to-be-postponed-sundance-to-move-online\">years\u003c/a> of \u003ca href=\"https://variety.com/2022/tv/news/grammy-awards-ratings-2022-grammys-1235221012/\">declining and middling \u003c/a>viewership, the Grammys hoped to amp up the dazzle this year via this bit of history-making. What the Record Academy had clearly hoped would be an earlier, big live television moment was foiled by urban sprawl. Half an hour into the show, Beyoncé — who was reportedly late to the awards thanks to LA traffic — tied the all-time record for most Grammys won when she and a team of co-writers won best R&B song for “Cuff It.” The iconic musician and composer Nile Rogers, one of the co-writers on “Cuff It,” accepted the award for best R&B song on the team’s behalf along with another of its co-writers, The-Dream. The previous Grammy record of 31 wins was a feat set by the late Hungarian-born classical conductor Georg Solti.\u003c/p>\n\u003cp>Several of the other nine contenders for album of the year had to be satisfied with other awards. At the beginning of her acceptance speech for her win for record of the year for “About Damn Time,” Lizzo said, “Let me tell you something, Adele and I are just having a great time here.” (Adele took home took home best pop solo performance for her song “Easy on Me.”) Lizzo also paid tribute to Beyoncé, noting that she had skipped school in fifth grade to go hear the megastar perform.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://www.npr.org/artists/166009689/kendrick-lamar\">Kendrick Lamar\u003c/a> took home the Grammy for best rap album for his \u003cem>Mr. Morale & The Big Steppers\u003c/em>; during the afternoon ceremony, Lamar also picked up Grammys for best rap performance and best rap song, both for “The Heart Part 5.” “I would like to thank the culture for allowing me to evolve,” he said in an acceptance speech in which he also thanked his family and fans. “I finally found imperfection with this album.” \u003c/p>\n\u003cp>Another artist up for album of the year, Puerto Rican rapper \u003ca href=\"https://www.npr.org/artists/656561349/bad-bunny\">Bad Bunny\u003c/a>, opened the show with a colorful performance of songs from his album \u003cem>Un Verano Sin Ti\u003c/em>, weaving in and out of the seated audience alongside brass band members before making his way to a dance party on stage for a medley that captured the vibrant, infectious energy of the hit album. \u003cem>Un Verano Sin Ti\u003c/em> dominated streaming services last year and won the rapper the prize for best música urbana album. “I made this album with love and passion and when you do things with love and passion, everything is easier — life is easier,” he said in English while accepting his award.\u003c/p>\n\u003cp>In a throwback to a very particular kind of Grammy-voter favorite, the gifted young jazz vocalist \u003ca href=\"https://www.npr.org/artists/1120541975/samara-joy\">Samara Joy\u003c/a> won the award for best new artist. The 23-year-old cried through her whole acceptance speech, marveling that she won one of the Grammy’s biggest prizes “just by being myself.”\u003c/p>\n\u003cp>One of the strongest performances of the night came in the form of a star-studded, comprehensive tribute to the history of hip-hop that followed a new “Dr. Dre Global Impact award,” given to the namesake artist himself by rapper LL Cool J. Organized by Questlove, the performance brought together some of the greatest names in hip-hop to honor the genre’s 50th anniversary this year. The set chronicled the entire history of rap, featuring early pioneers like Run-DMC, Rakim, Public Enemy and Salt-N-Pepa, all the way up to current viral stars like GloRilla. \u003c/p>\n\u003cp>“We wish we could have included every single hip-hop artist from 1973 to 2023,” LL Cool J said.\u003c/p>\n\u003cp>The show’s “In Memoriam” segment, honoring musicians and industry professionals who died in the last year, featured performances by Kacey Musgraves, Migos’ Quavo and Mick Fleetwood. The night featured multiple tributes, including Stevie Wonder honoring Berry Gordy and Smokey Robinson by playing Motown hits including The Temptations’ “The Way You Do The Things You Do” and “Tears of a Clown” alongside Robinson. \u003c/p>\n\u003cp>The night was filled with a number of excellent live performances, from longtime Grammy favorites to newcomers to the stage. Brandi Carlile, who took home three awards for best Americana album, best rock performance and best rock song, returned to the Academy’s stage for a stirring rendition of “Broken Horses,” introduced to viewers by her wife and two daughters. \u003c/p>\n\u003cp>Steve Lacy, who took home his first Grammy award earlier in the evening for best progressive R&B album for \u003cem>Gemini Rights\u003c/em>, proved his TikTok hit “Bad Habit” as magnetic a live performance as it has become in viral videos, performing the funky hit in heels alongside Thundercat on bass. \u003c/p>\n\u003cp>A brand-new honor called best song for social change was given to Iranian musician Shervin Hajipour for his protest song “Baraye,” which was written in solidarity with Iran’s \u003ca href=\"https://www.npr.org/2022/10/27/1131436766/kurdish-roots-iran-protest-slogan\">“Woman, life, freedom”\u003c/a> movement, and gained worldwide fans on social media. Hajipour was unable to attend the ceremony, as \u003ca href=\"https://variety.com/2023/global/news/iran-protest-song-baraye-grammy-amnesty-jailed-activists-1235514072/\">he has been banned from leaving Iran\u003c/a> while he awaits trial; the award was presented by First Lady Jill Biden.\u003c/p>\n\u003cp>Biden also presented the award for song of the year to Bonnie Raitt, who looked shellshocked to win this year’s prize for songwriting; she had been up against other writers such as Beyoncé, Lizzo, \u003ca href=\"https://www.npr.org/artists/728755923/steve-lacy\">Steve Lacy\u003c/a>, Kendrick Lamar and Adele. “I don’t write a lot of songs,” said Raitt.\u003c/p>\n\u003cp>In another history-making moment, 2023 marked the first time that either an openly non-binary person or an openly transgender woman won a Grammy. Both glass ceilings were smashed when Sam Smith and Kim Petras were awarded best pop duo/group performance for their song “Unholy.” (Musician Wendy Carlos won three Grammys in 1970 for her album \u003cem>Switched-On Bach\u003c/em>, but she was not yet living publicly as a woman at that point.)\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>“Sam graciously wanted me to accept this award because I’m the first transgender woman to win this award,” Petras said in her speech. “I want to thank all the incredible transgender legends before me so I could be here tonight,” she added, shouting out the late trans pop artist SOPHIE in her speech, as well as Madonna and her mother for inspiration. After winning the award, the pair put on a fiery, provocative performance with Smith dressed up as a horned devil, playing off of the sinful imagery of their hit single.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>At the so-called Grammy “premiere” show, or pre-telecast ceremony, the Recording Academy handed out nearly 80 awards. Among that sprawling array of prizes, actress Viola Davis \u003ca href=\"https://www.npr.org/2023/02/05/1154671624/viola-davis-egot-grammys\">became an EGOT\u003c/a> — the proud possessor of Emmy, Grammy, Oscar and Tony awards — Sunday afternoon when she won a Grammy for the audiobook version of her memoir, \u003cem>Finding Me\u003c/em>. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2023 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Beyonc%C3%A9+sets+a+new+Grammy+record%2C+while+Harry+Styles+wins+album+of+the+year&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cdiv class=\"storyMajorUpdateDate\"> \u003cstrong>Updated February 6, 2023 at 12:53 AM ET\u003c/strong>\u003c/div>\n\u003cp>Beyoncé has now captured more Grammy awards than any other artist, thanks to a quartet of trophies for her album \u003cem>RENAISSANCE\u003c/em>. Two-thirds of the way into the evening’s live telecast, she won her fourth award of the year for a total of 32 in her career, shattering the record for the most Grammys of any artist in the prize’s 65-year history.\u003c/p>\n\u003cp>However, she failed to collect any of the evening’s biggest prizes. Instead, the Grammys divided the general categories in a typical voting split. Bonnie Raitt won the song of the year prize for “Just Like That.” Lizzo took record of the year for “About Damn Time.” Album of the year went to \u003ca href=\"https://www.npr.org/artists/531040090/harry-styles\">Harry Styles\u003c/a> for his album \u003cem>Harry’s House\u003c/em>. He also won best pop vocal album. “This is so kind,” Styles said of the album of the year award, as Beyoncé gave him a standing ovation.\u003c/p>\n\u003cp>Coming into this year’s awards, Beyoncé already owned 28 Grammys as a lead artist, though only one in the one of the awards’ general categories. She had nine nominations this year, and hit the new record just after 7 p.m. PT, when she won best electronic/dance music album. She cried upon taking the stage, saying, “I’m just trying to receive this night.” Later, she gave credit to her forebears and inspiration, adding: “I would like to thank the queer community for your love, and for inventing the genre,” referring to the house music that grounded \u003cem>RENAISSANCE\u003c/em>.\u003c/p>\n\u003cp>Faced with \u003ca href=\"https://www.npr.org/2022/01/06/1070849471/the-omicron-surge-forces-the-grammys-to-be-postponed-sundance-to-move-online\">years\u003c/a> of \u003ca href=\"https://variety.com/2022/tv/news/grammy-awards-ratings-2022-grammys-1235221012/\">declining and middling \u003c/a>viewership, the Grammys hoped to amp up the dazzle this year via this bit of history-making. What the Record Academy had clearly hoped would be an earlier, big live television moment was foiled by urban sprawl. Half an hour into the show, Beyoncé — who was reportedly late to the awards thanks to LA traffic — tied the all-time record for most Grammys won when she and a team of co-writers won best R&B song for “Cuff It.” The iconic musician and composer Nile Rogers, one of the co-writers on “Cuff It,” accepted the award for best R&B song on the team’s behalf along with another of its co-writers, The-Dream. The previous Grammy record of 31 wins was a feat set by the late Hungarian-born classical conductor Georg Solti.\u003c/p>\n\u003cp>Several of the other nine contenders for album of the year had to be satisfied with other awards. At the beginning of her acceptance speech for her win for record of the year for “About Damn Time,” Lizzo said, “Let me tell you something, Adele and I are just having a great time here.” (Adele took home took home best pop solo performance for her song “Easy on Me.”) Lizzo also paid tribute to Beyoncé, noting that she had skipped school in fifth grade to go hear the megastar perform.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.npr.org/artists/166009689/kendrick-lamar\">Kendrick Lamar\u003c/a> took home the Grammy for best rap album for his \u003cem>Mr. Morale & The Big Steppers\u003c/em>; during the afternoon ceremony, Lamar also picked up Grammys for best rap performance and best rap song, both for “The Heart Part 5.” “I would like to thank the culture for allowing me to evolve,” he said in an acceptance speech in which he also thanked his family and fans. “I finally found imperfection with this album.” \u003c/p>\n\u003cp>Another artist up for album of the year, Puerto Rican rapper \u003ca href=\"https://www.npr.org/artists/656561349/bad-bunny\">Bad Bunny\u003c/a>, opened the show with a colorful performance of songs from his album \u003cem>Un Verano Sin Ti\u003c/em>, weaving in and out of the seated audience alongside brass band members before making his way to a dance party on stage for a medley that captured the vibrant, infectious energy of the hit album. \u003cem>Un Verano Sin Ti\u003c/em> dominated streaming services last year and won the rapper the prize for best música urbana album. “I made this album with love and passion and when you do things with love and passion, everything is easier — life is easier,” he said in English while accepting his award.\u003c/p>\n\u003cp>In a throwback to a very particular kind of Grammy-voter favorite, the gifted young jazz vocalist \u003ca href=\"https://www.npr.org/artists/1120541975/samara-joy\">Samara Joy\u003c/a> won the award for best new artist. The 23-year-old cried through her whole acceptance speech, marveling that she won one of the Grammy’s biggest prizes “just by being myself.”\u003c/p>\n\u003cp>One of the strongest performances of the night came in the form of a star-studded, comprehensive tribute to the history of hip-hop that followed a new “Dr. Dre Global Impact award,” given to the namesake artist himself by rapper LL Cool J. Organized by Questlove, the performance brought together some of the greatest names in hip-hop to honor the genre’s 50th anniversary this year. The set chronicled the entire history of rap, featuring early pioneers like Run-DMC, Rakim, Public Enemy and Salt-N-Pepa, all the way up to current viral stars like GloRilla. \u003c/p>\n\u003cp>“We wish we could have included every single hip-hop artist from 1973 to 2023,” LL Cool J said.\u003c/p>\n\u003cp>The show’s “In Memoriam” segment, honoring musicians and industry professionals who died in the last year, featured performances by Kacey Musgraves, Migos’ Quavo and Mick Fleetwood. The night featured multiple tributes, including Stevie Wonder honoring Berry Gordy and Smokey Robinson by playing Motown hits including The Temptations’ “The Way You Do The Things You Do” and “Tears of a Clown” alongside Robinson. \u003c/p>\n\u003cp>The night was filled with a number of excellent live performances, from longtime Grammy favorites to newcomers to the stage. Brandi Carlile, who took home three awards for best Americana album, best rock performance and best rock song, returned to the Academy’s stage for a stirring rendition of “Broken Horses,” introduced to viewers by her wife and two daughters. \u003c/p>\n\u003cp>Steve Lacy, who took home his first Grammy award earlier in the evening for best progressive R&B album for \u003cem>Gemini Rights\u003c/em>, proved his TikTok hit “Bad Habit” as magnetic a live performance as it has become in viral videos, performing the funky hit in heels alongside Thundercat on bass. \u003c/p>\n\u003cp>A brand-new honor called best song for social change was given to Iranian musician Shervin Hajipour for his protest song “Baraye,” which was written in solidarity with Iran’s \u003ca href=\"https://www.npr.org/2022/10/27/1131436766/kurdish-roots-iran-protest-slogan\">“Woman, life, freedom”\u003c/a> movement, and gained worldwide fans on social media. Hajipour was unable to attend the ceremony, as \u003ca href=\"https://variety.com/2023/global/news/iran-protest-song-baraye-grammy-amnesty-jailed-activists-1235514072/\">he has been banned from leaving Iran\u003c/a> while he awaits trial; the award was presented by First Lady Jill Biden.\u003c/p>\n\u003cp>Biden also presented the award for song of the year to Bonnie Raitt, who looked shellshocked to win this year’s prize for songwriting; she had been up against other writers such as Beyoncé, Lizzo, \u003ca href=\"https://www.npr.org/artists/728755923/steve-lacy\">Steve Lacy\u003c/a>, Kendrick Lamar and Adele. “I don’t write a lot of songs,” said Raitt.\u003c/p>\n\u003cp>In another history-making moment, 2023 marked the first time that either an openly non-binary person or an openly transgender woman won a Grammy. Both glass ceilings were smashed when Sam Smith and Kim Petras were awarded best pop duo/group performance for their song “Unholy.” (Musician Wendy Carlos won three Grammys in 1970 for her album \u003cem>Switched-On Bach\u003c/em>, but she was not yet living publicly as a woman at that point.)\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>“Sam graciously wanted me to accept this award because I’m the first transgender woman to win this award,” Petras said in her speech. “I want to thank all the incredible transgender legends before me so I could be here tonight,” she added, shouting out the late trans pop artist SOPHIE in her speech, as well as Madonna and her mother for inspiration. After winning the award, the pair put on a fiery, provocative performance with Smith dressed up as a horned devil, playing off of the sinful imagery of their hit single.\u003cstrong> \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>At the so-called Grammy “premiere” show, or pre-telecast ceremony, the Recording Academy handed out nearly 80 awards. Among that sprawling array of prizes, actress Viola Davis \u003ca href=\"https://www.npr.org/2023/02/05/1154671624/viola-davis-egot-grammys\">became an EGOT\u003c/a> — the proud possessor of Emmy, Grammy, Oscar and Tony awards — Sunday afternoon when she won a Grammy for the audiobook version of her memoir, \u003cem>Finding Me\u003c/em>. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2023 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Beyonc%C3%A9+sets+a+new+Grammy+record%2C+while+Harry+Styles+wins+album+of+the+year&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "The Golden Globes Had a Lot to Prove — and Still Have a Long Way to Go",
"headTitle": "The Golden Globes Had a Lot to Prove — and Still Have a Long Way to Go | KQED",
"content": "\u003cp>Ke Huy Quan gave the 80th annual Golden Globe awards the redemption moment it so desperately needed.\u003c/p>\n\u003cp>Accepting the very first award of the night, as best supporting actor in a film for his standout work on the action/fantasy/comedy \u003cem>Everything Everywhere All at Once\u003c/em>, Quan recalled how he thought for years his acting career might never match his early work in movies like\u003cem> The Goonies\u003c/em> and \u003cem>Indiana Jones and the Temple of Doom\u003c/em>.\u003c/p>\n\u003cp>“For so many years, I was afraid I had nothing more to offer, that no matter what I did, I would never surpass what I achieved as a kid,” Quan said tearfully, moments after thanking director Steven Spielberg for casting him in\u003cem> Indiana Jones\u003c/em>. “Thankfully, more than 30 years later, two guys thought of me. They remembered that kid. And they gave me an opportunity to try again.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=WIFvInRA2xQ\u003c/p>\n\u003cp>Ever since the Globes announced plans to return to NBC after a prolonged scandal over a lack of diversity among members and allegations of corruption, cynics wondered: Why should anyone care about this awards show again?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Quan’s tearful acceptance speech — a moving moment from an actor of color who is making a triumphant return to the craft when his career seemed to be over — provided a perfect answer.\u003c/p>\n\u003cp>If only these Globes could have come up with a few more moments like that.\u003c/p>\n\u003cp>[aside postid='arts_13923511']Instead, Tuesday’s Globes were an odd hodgepodge of expected awards (Cate Blanchette as best actress in a film drama for\u003cem> Tar\u003c/em>; Steven Spielberg as best director of a film drama for \u003cem>The Fablemans\u003c/em>), awards that didn’t make much sense (the \u003cem>Game of Thrones\u003c/em> spinoff\u003cem> House of the Dragon\u003c/em> as best TV drama over \u003cem>Better Call Saul\u003c/em> and \u003cem>Severance\u003c/em>?), and awards that were cool, but still kind of head-scratchers (\u003cem>Abbott Elementary’\u003c/em>s Tyler James Williams as best supporting actor on a TV show over \u003cem>Severance’\u003c/em>s John Turturro or \u003cem>Barry’\u003c/em>s Henry Winkler?)\u003c/p>\n\u003cp>In the end, the Globes had to make three arguments Tuesday: that it has survived its past scandals to become a better organization; that it still matters as an important benchmark in an awards season topped by The Oscars. And that it’s still Hollywood’s coolest party — the tipsy, uninhibited yin to the stuffy, traditional yang of The Oscars.\u003c/p>\n\u003cp>This year’s program showed they’ve still got a lot of work to do on every front. Here are a few reasons why:\u003c/p>\n\u003ch3>When you pick a host for a show that bills itself as Hollywood’s “party of the year,” maybe hire someone who actually wants to party?\u003c/h3>\n\u003cp>I get why Jerrod Carmichael started the Globes by telling everyone to be quiet while he walked them through a sardonic story on how he decided to take the host’s job. He even dropped a few great lines like: “One minute, you’re making mint tea at home, the next, you’re invited to be the Black face of an embattled white organization.”\u003c/p>\n\u003cp>But ultimately, that was a bummer of a way to start an awards show whose original claim to fame was that it was a wild, fun party. And Carmichael never really found his groove after that awkward, biting, sometimes funny-sometimes-not monologue — telling the audience to be quiet so much, he sounded more like a hall monitor than somebody trying to encourage everyone to have a good time.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=P9OwwVAaWFU&t=11s\u003c/p>\n\u003cp>Worse, some of Carmichael’s attempts at edgy humor weren’t quite funny enough to get past the edge to be entertaining. Like his joke about taking the three Golden Globes Tom Cruise returned — he gave them back in protest during the Globes’ scandals — and trading them for the wife of the Church of Scientology’s leader (critics of the church, of which Cruise is a longtime member, \u003ca href=\"https://deadline.com/2023/01/jerrod-carmichael-shelly-miscavige-scientology-tom-cruise-golden-globes-1235217193/\">have alleged she has been missing for years\u003c/a>.) Though I did love the moment when Carmichael told Spielberg he watched \u003cem>The Fablemans\u003c/em> with Kanye West and the movie was so good it changed Ye’s mind about his anti-Semitism.\u003c/p>\n\u003cp>In an odd way Carmichael’s uneven performance summed up the confused spirit of the show — which couldn’t quite decide if it was going to party on in hopes people forgot its past scandals or offer up a show so smart and incisive all would see they had transcended them.\u003c/p>\n\u003ch3>Diversity among some winners brought powerful moments, but …\u003c/h3>\n\u003cp>The Globes tried mightily to showcase diversity. The first three winners of the night were non-white performers: Quan, Williams and Angela Bassett as supporting actress for \u003cem>Black Panther: Wakanda Forever.\u003c/em>\u003c/p>\n\u003cp>Quan’s \u003cem>Everything Everywhere\u003c/em> co-star Michelle Yeoh finally got her flowers for a 40-year career navigating Hollywood’s often-terrible treatment of Asian performers and women of a certain age. “When I first came to Hollywood, it was a dream come true … until I (got) here,” she quipped, jokingly threatening to beat up producers if they tried to play her off with music before her speech was done. “Someone said to me: ‘You speak English?” … I said, ‘Yeah, the flight here was about 13 hours long, so I learned.’”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=dHpDqn0nlK8\u003c/p>\n\u003cp>Producer/director Ryan Murphy, accepting the Carol Burnett award for TV achievement, used his acceptance speech to highlight LGBTQ performers he had worked with who had been pressured to hide their identities, like \u003cem>Pose\u003c/em> stars Michaela Jaé Rodriguez, Jeremy Pope and Billy Porter. “My mission was to take the invisible, the unloved, and make them the heroes I long to see but never did in pop culture,” he added.\u003c/p>\n\u003cp>Still, even with all these wonderful moments, there were too many great performances and projects by people of color left out — from movies like\u003cem> Till \u003c/em>and \u003cem>Nope\u003c/em> to TV shows like \u003cem>Reservation Dogs, Atlanta\u003c/em> and \u003cem>Pachinko\u003c/em>. Which left a feeling that the Globes have only just begun to make up for their past missed opportunities.\u003c/p>\n\u003ch3>Playing winners off with music during emotional acceptance speeches kills one of the biggest elements of the show.\u003c/h3>\n\u003cp>This is a mistake too many awards show producers make, including those at the Globes. Early in the night, Carmichael and a few presenters seemed to take their time, eating up precious minutes and throwing the show off schedule. This forces producers to curb the amount of time winners have for their speeches so they can end the show on time for the broadcast network — even during showcase moments like Yeoh’s long-awaited win, Spielberg’s acceptance of the best film drama award for \u003cem>The Fablemans \u003c/em>or Quinta Brunson’s win as best TV comedy for the show she created, \u003cem>Abbott Elementary\u003c/em>.\u003c/p>\n\u003cp>They even played off filmmakers trying to talk about the struggle for democracy in Argentina (\u003cem>Argentina, 85\u003c/em>).\u003c/p>\n\u003cp>Worse, the show had a pianist onscreen who was getting blamed for playing people off, but the music was pre-recorded and coming from the producers, as the pianist herself explained on Twitter.\u003c/p>\n\u003cp>https://twitter.com/ChloeFlower/status/1613006017595609089\u003c/p>\n\u003cp>Bottom line: emotional, eloquent acceptance speeches are what viewers love and what critics like me talk about the next day. Setting up a situation where you’re rushing big winners through their moment helps no one — especially the onscreen pianist unfairly blamed for the music.\u003c/p>\n\u003ch3>Making fun of weather emergencies is rarely wise\u003c/h3>\n\u003cp>Because some celebrities chose not to attend the Globes on principle — like nominee Brendan Fraser (\u003cem>The Whale\u003c/em>) — the show went out of its way to tell the audience when a celebrity wasn’t present because they were working or otherwise indisposed.\u003c/p>\n\u003cp>These announcements could lead to some suspicion and snark, including when Regina Hall made fun of the idea that inclement weather trapped \u003cem>Yellowstone\u003c/em> star Kevin Costner in Santa Barbara and kept him from accepting his award as best actor in a TV drama.\u003c/p>\n\u003cp>But Costner had released his own video on social media explaining that heavy rain had washed out the roads in his area and he truly had intended to attend the ceremony — which highlights the dangers of snarking before you know all the facts (and yes, I snarked too, until I saw Costner’s video).\u003c/p>\n\u003cp>https://twitter.com/modernwest/status/1612971766116225026\u003c/p>\n\u003ch3>Even when his acceptance speech is just a few minutes long, Eddie Murphy knows how to bring down the house.\u003c/h3>\n\u003cp>To be honest, I was hoping Murphy would speak longer during his acceptance speech for the Cecil B. DeMille award — a lifetime achievement honor for one of the most influential comics in film or TV. But he offered a short, serious speech where he thanked family, friends and colleagues, before ending with three things he said were the key to success and happiness in Hollywood.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=agwQGhsS1qw\u003c/p>\n\u003cp>“Pay your taxes. Mind your business. And keep Will Smith’s wife’s name out your mother f—ing mouth!”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Now that’s the kind of in-your-face, irreverent funny bit that the Golden Globes could have used a lot more of.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+Golden+Globes+had+a+lot+to+prove+%E2%80%94+and+still+have+a+long+way+to+go&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Ke Huy Quan gave the 80th annual Golden Globe awards the redemption moment it so desperately needed.\u003c/p>\n\u003cp>Accepting the very first award of the night, as best supporting actor in a film for his standout work on the action/fantasy/comedy \u003cem>Everything Everywhere All at Once\u003c/em>, Quan recalled how he thought for years his acting career might never match his early work in movies like\u003cem> The Goonies\u003c/em> and \u003cem>Indiana Jones and the Temple of Doom\u003c/em>.\u003c/p>\n\u003cp>“For so many years, I was afraid I had nothing more to offer, that no matter what I did, I would never surpass what I achieved as a kid,” Quan said tearfully, moments after thanking director Steven Spielberg for casting him in\u003cem> Indiana Jones\u003c/em>. “Thankfully, more than 30 years later, two guys thought of me. They remembered that kid. And they gave me an opportunity to try again.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/WIFvInRA2xQ'\n title='//www.youtube.com/embed/WIFvInRA2xQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Ever since the Globes announced plans to return to NBC after a prolonged scandal over a lack of diversity among members and allegations of corruption, cynics wondered: Why should anyone care about this awards show again?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Quan’s tearful acceptance speech — a moving moment from an actor of color who is making a triumphant return to the craft when his career seemed to be over — provided a perfect answer.\u003c/p>\n\u003cp>If only these Globes could have come up with a few more moments like that.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Instead, Tuesday’s Globes were an odd hodgepodge of expected awards (Cate Blanchette as best actress in a film drama for\u003cem> Tar\u003c/em>; Steven Spielberg as best director of a film drama for \u003cem>The Fablemans\u003c/em>), awards that didn’t make much sense (the \u003cem>Game of Thrones\u003c/em> spinoff\u003cem> House of the Dragon\u003c/em> as best TV drama over \u003cem>Better Call Saul\u003c/em> and \u003cem>Severance\u003c/em>?), and awards that were cool, but still kind of head-scratchers (\u003cem>Abbott Elementary’\u003c/em>s Tyler James Williams as best supporting actor on a TV show over \u003cem>Severance’\u003c/em>s John Turturro or \u003cem>Barry’\u003c/em>s Henry Winkler?)\u003c/p>\n\u003cp>In the end, the Globes had to make three arguments Tuesday: that it has survived its past scandals to become a better organization; that it still matters as an important benchmark in an awards season topped by The Oscars. And that it’s still Hollywood’s coolest party — the tipsy, uninhibited yin to the stuffy, traditional yang of The Oscars.\u003c/p>\n\u003cp>This year’s program showed they’ve still got a lot of work to do on every front. Here are a few reasons why:\u003c/p>\n\u003ch3>When you pick a host for a show that bills itself as Hollywood’s “party of the year,” maybe hire someone who actually wants to party?\u003c/h3>\n\u003cp>I get why Jerrod Carmichael started the Globes by telling everyone to be quiet while he walked them through a sardonic story on how he decided to take the host’s job. He even dropped a few great lines like: “One minute, you’re making mint tea at home, the next, you’re invited to be the Black face of an embattled white organization.”\u003c/p>\n\u003cp>But ultimately, that was a bummer of a way to start an awards show whose original claim to fame was that it was a wild, fun party. And Carmichael never really found his groove after that awkward, biting, sometimes funny-sometimes-not monologue — telling the audience to be quiet so much, he sounded more like a hall monitor than somebody trying to encourage everyone to have a good time.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/P9OwwVAaWFU'\n title='//www.youtube.com/embed/P9OwwVAaWFU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Worse, some of Carmichael’s attempts at edgy humor weren’t quite funny enough to get past the edge to be entertaining. Like his joke about taking the three Golden Globes Tom Cruise returned — he gave them back in protest during the Globes’ scandals — and trading them for the wife of the Church of Scientology’s leader (critics of the church, of which Cruise is a longtime member, \u003ca href=\"https://deadline.com/2023/01/jerrod-carmichael-shelly-miscavige-scientology-tom-cruise-golden-globes-1235217193/\">have alleged she has been missing for years\u003c/a>.) Though I did love the moment when Carmichael told Spielberg he watched \u003cem>The Fablemans\u003c/em> with Kanye West and the movie was so good it changed Ye’s mind about his anti-Semitism.\u003c/p>\n\u003cp>In an odd way Carmichael’s uneven performance summed up the confused spirit of the show — which couldn’t quite decide if it was going to party on in hopes people forgot its past scandals or offer up a show so smart and incisive all would see they had transcended them.\u003c/p>\n\u003ch3>Diversity among some winners brought powerful moments, but …\u003c/h3>\n\u003cp>The Globes tried mightily to showcase diversity. The first three winners of the night were non-white performers: Quan, Williams and Angela Bassett as supporting actress for \u003cem>Black Panther: Wakanda Forever.\u003c/em>\u003c/p>\n\u003cp>Quan’s \u003cem>Everything Everywhere\u003c/em> co-star Michelle Yeoh finally got her flowers for a 40-year career navigating Hollywood’s often-terrible treatment of Asian performers and women of a certain age. “When I first came to Hollywood, it was a dream come true … until I (got) here,” she quipped, jokingly threatening to beat up producers if they tried to play her off with music before her speech was done. “Someone said to me: ‘You speak English?” … I said, ‘Yeah, the flight here was about 13 hours long, so I learned.’”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/dHpDqn0nlK8'\n title='//www.youtube.com/embed/dHpDqn0nlK8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Producer/director Ryan Murphy, accepting the Carol Burnett award for TV achievement, used his acceptance speech to highlight LGBTQ performers he had worked with who had been pressured to hide their identities, like \u003cem>Pose\u003c/em> stars Michaela Jaé Rodriguez, Jeremy Pope and Billy Porter. “My mission was to take the invisible, the unloved, and make them the heroes I long to see but never did in pop culture,” he added.\u003c/p>\n\u003cp>Still, even with all these wonderful moments, there were too many great performances and projects by people of color left out — from movies like\u003cem> Till \u003c/em>and \u003cem>Nope\u003c/em> to TV shows like \u003cem>Reservation Dogs, Atlanta\u003c/em> and \u003cem>Pachinko\u003c/em>. Which left a feeling that the Globes have only just begun to make up for their past missed opportunities.\u003c/p>\n\u003ch3>Playing winners off with music during emotional acceptance speeches kills one of the biggest elements of the show.\u003c/h3>\n\u003cp>This is a mistake too many awards show producers make, including those at the Globes. Early in the night, Carmichael and a few presenters seemed to take their time, eating up precious minutes and throwing the show off schedule. This forces producers to curb the amount of time winners have for their speeches so they can end the show on time for the broadcast network — even during showcase moments like Yeoh’s long-awaited win, Spielberg’s acceptance of the best film drama award for \u003cem>The Fablemans \u003c/em>or Quinta Brunson’s win as best TV comedy for the show she created, \u003cem>Abbott Elementary\u003c/em>.\u003c/p>\n\u003cp>They even played off filmmakers trying to talk about the struggle for democracy in Argentina (\u003cem>Argentina, 85\u003c/em>).\u003c/p>\n\u003cp>Worse, the show had a pianist onscreen who was getting blamed for playing people off, but the music was pre-recorded and coming from the producers, as the pianist herself explained on Twitter.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Bottom line: emotional, eloquent acceptance speeches are what viewers love and what critics like me talk about the next day. Setting up a situation where you’re rushing big winners through their moment helps no one — especially the onscreen pianist unfairly blamed for the music.\u003c/p>\n\u003ch3>Making fun of weather emergencies is rarely wise\u003c/h3>\n\u003cp>Because some celebrities chose not to attend the Globes on principle — like nominee Brendan Fraser (\u003cem>The Whale\u003c/em>) — the show went out of its way to tell the audience when a celebrity wasn’t present because they were working or otherwise indisposed.\u003c/p>\n\u003cp>These announcements could lead to some suspicion and snark, including when Regina Hall made fun of the idea that inclement weather trapped \u003cem>Yellowstone\u003c/em> star Kevin Costner in Santa Barbara and kept him from accepting his award as best actor in a TV drama.\u003c/p>\n\u003cp>But Costner had released his own video on social media explaining that heavy rain had washed out the roads in his area and he truly had intended to attend the ceremony — which highlights the dangers of snarking before you know all the facts (and yes, I snarked too, until I saw Costner’s video).\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003ch3>Even when his acceptance speech is just a few minutes long, Eddie Murphy knows how to bring down the house.\u003c/h3>\n\u003cp>To be honest, I was hoping Murphy would speak longer during his acceptance speech for the Cecil B. DeMille award — a lifetime achievement honor for one of the most influential comics in film or TV. But he offered a short, serious speech where he thanked family, friends and colleagues, before ending with three things he said were the key to success and happiness in Hollywood.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/agwQGhsS1qw'\n title='//www.youtube.com/embed/agwQGhsS1qw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“Pay your taxes. Mind your business. And keep Will Smith’s wife’s name out your mother f—ing mouth!”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Now that’s the kind of in-your-face, irreverent funny bit that the Golden Globes could have used a lot more of.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+Golden+Globes+had+a+lot+to+prove+%E2%80%94+and+still+have+a+long+way+to+go&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The Golden Globes are attempting a comeback on television Tuesday evening, after two scandal-ridden years for the organization that hosts the annual ceremony honoring film and TV. The 80-year-old Hollywood Foreign Press Association plans to hand out its awards with \u003ca href=\"https://www.youtube.com/watch?v=HN2aQ3ZE5Fw\">a lavish Hollywood party emceed by comedian Jerrod Carmichael\u003c/a>. The who’s who of this year’s presenters include Best Actress nominee Ana de Armas, Best Supporting Actress nominee Jamie Lee Curtis and filmmaker Quentin Tarantino.\u003c/p>\n\u003cp>[aside postid='arts_13923388']NBC/Peacock will again broadcast the ceremony, \u003ca href=\"https://www.npr.org/2022/01/09/1071706568/the-golden-globes-go-on-but-wont-be-televised\">having ditched it last year\u003c/a>. \u003ca href=\"https://www.npr.org/2021/12/13/1063594038/many-remain-wary-of-the-group-behind-the-golden-globe-awards\">Many studios, networks, stars and publicists boycotted the 2022 ceremony\u003c/a>; There were no celebrity presenters and no red carpet. That was in response to controversy over the HFPA’s questionable practices and lack of diversity.\u003c/p>\n\u003cp>The group was criticized for conflicts of interest and bribery; it was called out for having very few Black members and for holding problematic press conferences by members, who are supposed to be journalists for international media.\u003c/p>\n\u003cp>HFPA president \u003ca href=\"https://www.goldenglobes.com/hfpa-member/helen-hoehne\">Helen Hoehne \u003c/a>says since then, the group has been overhauled, adding stricter standards of who can be a member and a new code of conduct.\u003c/p>\n\u003cp>“We adopted a new set of policies, eliminated a lot of the conflicts that we had,” she tells NPR. “We implemented a new grievance procedure with \u003ca href=\"https://www.goldenglobes.com/hfpa-complaint-hotline\">a confidential reporting hotline\u003c/a>.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The HFPA added 21 journalists based in the U.S., including six Black Americans, and \u003ca href=\"https://www.goldenglobes.com/articles/hfpa-r-adds-103-new-voters-golden-glober-awards\">103 new members representing 62 countries\u003c/a>. Two hundred members now making up the voting body — 52% are female, 19.5% self-identify as Latinx, 12% as Asian, 10% as Black and 10% as Middle Eastern.\u003c/p>\n\u003cp>[aside postid='arts_13923009']“We are working to correct past wrongs, past transgressions, but we are really feeling like we’re in a position to take pride in some of that work. But most importantly, we aren’t done,” says\u003ca href=\"https://www.goldenglobes.com/hfpa-member/neil-phillips\"> Neil Phillips, \u003c/a>the HFPA’s Chief Diversity Officer. “The organization was called out, was exposed, justifiably so. They were in crisis, and we’ll continue to work on changing that just to try to be a better organization.”\u003c/p>\n\u003cp>Phillips says the HFPA is now collaborating with 16 advocacy groups, including the NAACP, in what they call a “Reimagined Coalition,” to support and fund efforts toward diversity, equity, inclusion and access in the entertainment industry.\u003c/p>\n\u003cp>“It really took a crisis in order to allow this organization to evolve,” says CEO \u003ca href=\"https://www.goldenglobes.com/hfpa-member/todd-l-boehly\">Todd Boehly\u003c/a>. He says the HFPA is rebranding itself.\u003c/p>\n\u003cp>“It’s evolving into two organizations, one which will be for profit and one which will be the charitable arm, both which will be branded the Golden Globes,” he told NPR.\u003c/p>\n\u003cp>Boehly says the for-profit Golden Globes organization will be more professional, paying journalists to create online content and podcasts (offering them salaries of $75,000 a year). He says they’ll no longer hold exclusive press conferences for its members.\u003c/p>\n\u003cp>“The press conferences were one of the things that Hollywood felt weren’t the safest environments,” Boehly says, admitting that some questions asked during those events were “seen as not thoughtful.”\u003c/p>\n\u003cp>[aside postid='arts_13922631']Behind the scenes, some publicists, actors and filmmakers remain skeptical that the HPFA has truly reformed. They point out, for instance, that \u003ca href=\"https://www.goldenglobes.com/winners-nominees/best-director-motion-picture\">this year’s Best Director category\u003c/a> once again has no female nominees. But some are cautiously hopeful.\u003c/p>\n\u003cp>“They still have a long way to go there, but they have made significant strides,” says Kelly Bush Novak, the CEO and founder of ID, one of the entertainment industry’s top publicity and marketing firms. “I’m optimistic about the road ahead, that the issues we faced historically are going to remain squarely in the rearview mirror.”\u003c/p>\n\u003cp>Two years ago, Novak helped lead 100 publicity firms in \u003ca href=\"https://legacy.npr.org/assets/artslife/arts/2023/HFPAletter.pdf\">signing a letter asking the HFPA to reform\u003c/a>.\u003c/p>\n\u003cp>“It was really problematic. We had clients experience homophobia during press conferences, blatantly racist remarks during press conferences, certainly a lot of sexist remarks,” she says. “It’s important to acknowledge the past and never forget the damage that was done because it was significant. But I really do encourage everyone to concentrate on the promise that they’ve made to continue to reform.”\u003c/p>\n\u003cp>Still, for many, the question remains: Are the Golden Globes forever tarnished?\u003c/p>\n\u003cp>“I am both surprised and not surprised by how quickly Hollywood seems to have forgiven the organization,” \u003ca href=\"https://www.thedailybeast.com/obsessed/the-2023-golden-globe-nominations-are-too-boring-to-care-about?ref=scroll\">says Kevin Fallon, \u003c/a>editor of The Daily Beast’s \u003cem>\u003ca href=\"https://www.thedailybeast.com/franchise/the-daily-beasts-obsessed\">Obsessed\u003c/a>\u003c/em> and co-president of the TV branch of the \u003ca href=\"https://www.criticschoice.com/\">Critics Choice Association\u003c/a>.\u003c/p>\n\u003cp>“At one point, I wondered if they ever had a show again, if no one in Hollywood would show up because they want to stand up for all the things that they had preached about when the controversy first started and wanted to make a statement by not going,” he says.\u003c/p>\n\u003cp>[aside postid='arts_13922764']Last year, amidst the scandal, Tom Cruise famously returned his Golden Globe trophies in protest. This year, his movie \u003cem>Top Gun: Maverick \u003c/em>is \u003ca href=\"https://www.goldenglobes.com/film/top-gun-maverick\">up for Best Picture.\u003c/a> Brendan Fraser, who is \u003ca href=\"https://www.goldenglobes.com/person/brendan-fraser\">nominated as Best Actor\u003c/a> for his role in the film \u003cem>Whale\u003c/em> publicly announced he will not be attending the ceremony; he alleges he was once groped by the HFPA’s former eight-term president Philip Berk — an allegation Berk has disputed.\u003c/p>\n\u003cp>Fallon says it will be interesting to see who else does or doesn’t show up for what’s traditionally been Hollywood’s loosest, booziest awards celebration.\u003c/p>\n\u003cp>Already, there are reports that Steven Spielberg, Tony Kushner and Michelle Williams will be there, representing their film \u003cem>The Fabelmans\u003c/em> (with\u003ca href=\"https://www.goldenglobes.com/film/fabelmans\"> five nominations\u003c/a>). Best Actor nominee \u003ca href=\"https://www.goldenglobes.com/person/austin-butler\">Austin Butler,\u003c/a> who stars in \u003cem>Elvis\u003c/em> reportedly plans to be in the building. Fans will be watching the red carpet for nominated guests such as \u003ca href=\"https://www.goldenglobes.com/person/sheryl-lee-ralph\">Sheryl Lee Ralph \u003c/a>from \u003cem>Abbott Elementary\u003c/em>, \u003ca href=\"https://www.goldenglobes.com/person/julia-garner\">Julia Garner\u003c/a> from \u003cem>Inventing Anna\u003c/em> and \u003cem>Ozark\u003c/em>, and \u003ca href=\"https://www.goldenglobes.com/person/jenna-ortega\">Jenna Ortega\u003c/a> from \u003cem>Wednesday\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“There may bit a little bit of sheepishness in accepting a trophy,” says Fallon. “But of course, it’s Hollywood and they can’t resist going to an awards show. So maybe I shouldn’t be surprised.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Tarnished+Golden+Globes+attempt+a+comeback%2C+after+years+of+controversy&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>NBC/Peacock will again broadcast the ceremony, \u003ca href=\"https://www.npr.org/2022/01/09/1071706568/the-golden-globes-go-on-but-wont-be-televised\">having ditched it last year\u003c/a>. \u003ca href=\"https://www.npr.org/2021/12/13/1063594038/many-remain-wary-of-the-group-behind-the-golden-globe-awards\">Many studios, networks, stars and publicists boycotted the 2022 ceremony\u003c/a>; There were no celebrity presenters and no red carpet. That was in response to controversy over the HFPA’s questionable practices and lack of diversity.\u003c/p>\n\u003cp>The group was criticized for conflicts of interest and bribery; it was called out for having very few Black members and for holding problematic press conferences by members, who are supposed to be journalists for international media.\u003c/p>\n\u003cp>HFPA president \u003ca href=\"https://www.goldenglobes.com/hfpa-member/helen-hoehne\">Helen Hoehne \u003c/a>says since then, the group has been overhauled, adding stricter standards of who can be a member and a new code of conduct.\u003c/p>\n\u003cp>“We adopted a new set of policies, eliminated a lot of the conflicts that we had,” she tells NPR. “We implemented a new grievance procedure with \u003ca href=\"https://www.goldenglobes.com/hfpa-complaint-hotline\">a confidential reporting hotline\u003c/a>.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“We are working to correct past wrongs, past transgressions, but we are really feeling like we’re in a position to take pride in some of that work. But most importantly, we aren’t done,” says\u003ca href=\"https://www.goldenglobes.com/hfpa-member/neil-phillips\"> Neil Phillips, \u003c/a>the HFPA’s Chief Diversity Officer. “The organization was called out, was exposed, justifiably so. They were in crisis, and we’ll continue to work on changing that just to try to be a better organization.”\u003c/p>\n\u003cp>Phillips says the HFPA is now collaborating with 16 advocacy groups, including the NAACP, in what they call a “Reimagined Coalition,” to support and fund efforts toward diversity, equity, inclusion and access in the entertainment industry.\u003c/p>\n\u003cp>“It really took a crisis in order to allow this organization to evolve,” says CEO \u003ca href=\"https://www.goldenglobes.com/hfpa-member/todd-l-boehly\">Todd Boehly\u003c/a>. He says the HFPA is rebranding itself.\u003c/p>\n\u003cp>“It’s evolving into two organizations, one which will be for profit and one which will be the charitable arm, both which will be branded the Golden Globes,” he told NPR.\u003c/p>\n\u003cp>Boehly says the for-profit Golden Globes organization will be more professional, paying journalists to create online content and podcasts (offering them salaries of $75,000 a year). He says they’ll no longer hold exclusive press conferences for its members.\u003c/p>\n\u003cp>“The press conferences were one of the things that Hollywood felt weren’t the safest environments,” Boehly says, admitting that some questions asked during those events were “seen as not thoughtful.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Behind the scenes, some publicists, actors and filmmakers remain skeptical that the HPFA has truly reformed. They point out, for instance, that \u003ca href=\"https://www.goldenglobes.com/winners-nominees/best-director-motion-picture\">this year’s Best Director category\u003c/a> once again has no female nominees. But some are cautiously hopeful.\u003c/p>\n\u003cp>“They still have a long way to go there, but they have made significant strides,” says Kelly Bush Novak, the CEO and founder of ID, one of the entertainment industry’s top publicity and marketing firms. “I’m optimistic about the road ahead, that the issues we faced historically are going to remain squarely in the rearview mirror.”\u003c/p>\n\u003cp>Two years ago, Novak helped lead 100 publicity firms in \u003ca href=\"https://legacy.npr.org/assets/artslife/arts/2023/HFPAletter.pdf\">signing a letter asking the HFPA to reform\u003c/a>.\u003c/p>\n\u003cp>“It was really problematic. We had clients experience homophobia during press conferences, blatantly racist remarks during press conferences, certainly a lot of sexist remarks,” she says. “It’s important to acknowledge the past and never forget the damage that was done because it was significant. But I really do encourage everyone to concentrate on the promise that they’ve made to continue to reform.”\u003c/p>\n\u003cp>Still, for many, the question remains: Are the Golden Globes forever tarnished?\u003c/p>\n\u003cp>“I am both surprised and not surprised by how quickly Hollywood seems to have forgiven the organization,” \u003ca href=\"https://www.thedailybeast.com/obsessed/the-2023-golden-globe-nominations-are-too-boring-to-care-about?ref=scroll\">says Kevin Fallon, \u003c/a>editor of The Daily Beast’s \u003cem>\u003ca href=\"https://www.thedailybeast.com/franchise/the-daily-beasts-obsessed\">Obsessed\u003c/a>\u003c/em> and co-president of the TV branch of the \u003ca href=\"https://www.criticschoice.com/\">Critics Choice Association\u003c/a>.\u003c/p>\n\u003cp>“At one point, I wondered if they ever had a show again, if no one in Hollywood would show up because they want to stand up for all the things that they had preached about when the controversy first started and wanted to make a statement by not going,” he says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Last year, amidst the scandal, Tom Cruise famously returned his Golden Globe trophies in protest. This year, his movie \u003cem>Top Gun: Maverick \u003c/em>is \u003ca href=\"https://www.goldenglobes.com/film/top-gun-maverick\">up for Best Picture.\u003c/a> Brendan Fraser, who is \u003ca href=\"https://www.goldenglobes.com/person/brendan-fraser\">nominated as Best Actor\u003c/a> for his role in the film \u003cem>Whale\u003c/em> publicly announced he will not be attending the ceremony; he alleges he was once groped by the HFPA’s former eight-term president Philip Berk — an allegation Berk has disputed.\u003c/p>\n\u003cp>Fallon says it will be interesting to see who else does or doesn’t show up for what’s traditionally been Hollywood’s loosest, booziest awards celebration.\u003c/p>\n\u003cp>Already, there are reports that Steven Spielberg, Tony Kushner and Michelle Williams will be there, representing their film \u003cem>The Fabelmans\u003c/em> (with\u003ca href=\"https://www.goldenglobes.com/film/fabelmans\"> five nominations\u003c/a>). Best Actor nominee \u003ca href=\"https://www.goldenglobes.com/person/austin-butler\">Austin Butler,\u003c/a> who stars in \u003cem>Elvis\u003c/em> reportedly plans to be in the building. Fans will be watching the red carpet for nominated guests such as \u003ca href=\"https://www.goldenglobes.com/person/sheryl-lee-ralph\">Sheryl Lee Ralph \u003c/a>from \u003cem>Abbott Elementary\u003c/em>, \u003ca href=\"https://www.goldenglobes.com/person/julia-garner\">Julia Garner\u003c/a> from \u003cem>Inventing Anna\u003c/em> and \u003cem>Ozark\u003c/em>, and \u003ca href=\"https://www.goldenglobes.com/person/jenna-ortega\">Jenna Ortega\u003c/a> from \u003cem>Wednesday\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“There may bit a little bit of sheepishness in accepting a trophy,” says Fallon. “But of course, it’s Hollywood and they can’t resist going to an awards show. So maybe I shouldn’t be surprised.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Tarnished+Golden+Globes+attempt+a+comeback%2C+after+years+of+controversy&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>After scandal and boycott plunged the Hollywood Foreign Press Association into disarray and knocked its annual award show off television for a year, the Golden Globes geared up Monday for its return by showering nominations on the black comedy \u003cem>The Banshees of Inisherin\u003c/em> and the multiverse mash-up \u003cem>Everything Everywhere All at Once\u003c/em>.\u003c/p>\n\u003cp>[aside postid='arts_13920702']Nominations were read by Mayan Lopez and Selenis Leyva on NBC’s \u003cem>Today\u003c/em> morning show.\u003c/p>\n\u003cp>The nominees for best film, drama, are: \u003cem>The Fabelmans\u003c/em>, \u003cem>Top Gun: Maverick\u003c/em>, \u003cem>Elvis\u003c/em>, \u003cem>Tár\u003c/em> and \u003cem>Avatar: The Way of Water.\u003c/em>\u003c/p>\n\u003cp>The nominees for best film, comedy or musical, are: \u003cem>The Banshees of Inisherin\u003c/em>, \u003cem>Everything Everywhere All at Once\u003c/em>, \u003cem>Glass Onion: A Knives Out Mystery\u003c/em>, \u003cem>Babylon\u003c/em> and \u003cem>Triangle of Sadness\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_13922633\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13922633\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/ap22342673136312_wide-6d7539f18653cf3d4ba249c293efa57a7726e824-800x450.jpg\" alt=\"An older man sits dejected on a simple wooden chair inside a cottage. Outside his window, another man stares inside, looking concerned.\" width=\"800\" height=\"450\">\u003cfigcaption class=\"wp-caption-text\">Brendan Gleeson in ‘The Banshees of Inisherin.’ \u003ccite>(Searchlight Pictures via AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Martin McDonagh’s feuding friends tale \u003cem>The Banshees of Inisherin\u003c/em> led all films with eight nominations, including nods for actors Colin Farrell, Brendan Gleeson, Kerry Condon and Barry Keoghan. Daniel Kwan and Daniel Scheinert’s existential action comedy \u003cem>Everything Everywhere All at Once\u003c/em> came in second with six nominations, including nods for Michelle Yeoh, \u003ca href=\"https://apnews.com/article/ke-huy-quan-interview-everything-everywhere-spielberg-ab2601e87b405370853ce1ab12bf5dc2\">Ke Huy Quan\u003c/a> and Jamie Lee Curtis.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Among the nominees for best actor in a drama is Brendan Fraser. Fraser has said he won’t attend the Globes after he said he was groped in 2003 by Philip Berk, a former HFPA member and former president of the organization.\u003c/p>\n\u003cp>[aside postid='arts_13911775']The Globes will be telecast Jan. 10, with \u003ca href=\"https://apnews.com/article/jerrod-carmichael-golden-globes-host-2023-d60e244c609ad4cf23a6789fdeab6a68\">stand-up comedian Jerrod Carmichael hosting.\u003c/a>\u003c/p>\n\u003cp>The Globes are trying to mount a comeback this year. A \u003ca href=\"https://www.latimes.com/entertainment-arts/business/story/2021-02-21/hfpa-golden-globes-2021-who-are-the-members\">\u003cem>Los Angeles Times\u003c/em> investigation in early 2021\u003c/a> found that the group then had no Black members, a revelation compounded by other allegations of ethical improprieties. Many stars and studios said they would boycott the show. Tom Cruise returned his three Globes.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>NBC last year canceled the telecast that would have taken place this past January. Instead, the Golden Globes were \u003ca href=\"https://apnews.com/article/golden-globe-awards-7807652153518b2df70e636dd22654c2\">quietly held in a Beverly Hilton ballroom without any stars in attendance\u003c/a>. Winners were announced on Twitter.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Golden+Globe+nominations+are+led+by+%27Banshees%2C%27+%27Everything+Everywhere%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After scandal and boycott plunged the Hollywood Foreign Press Association into disarray and knocked its annual award show off television for a year, the Golden Globes geared up Monday for its return by showering nominations on the black comedy \u003cem>The Banshees of Inisherin\u003c/em> and the multiverse mash-up \u003cem>Everything Everywhere All at Once\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Nominations were read by Mayan Lopez and Selenis Leyva on NBC’s \u003cem>Today\u003c/em> morning show.\u003c/p>\n\u003cp>The nominees for best film, drama, are: \u003cem>The Fabelmans\u003c/em>, \u003cem>Top Gun: Maverick\u003c/em>, \u003cem>Elvis\u003c/em>, \u003cem>Tár\u003c/em> and \u003cem>Avatar: The Way of Water.\u003c/em>\u003c/p>\n\u003cp>The nominees for best film, comedy or musical, are: \u003cem>The Banshees of Inisherin\u003c/em>, \u003cem>Everything Everywhere All at Once\u003c/em>, \u003cem>Glass Onion: A Knives Out Mystery\u003c/em>, \u003cem>Babylon\u003c/em> and \u003cem>Triangle of Sadness\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_13922633\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13922633\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/12/ap22342673136312_wide-6d7539f18653cf3d4ba249c293efa57a7726e824-800x450.jpg\" alt=\"An older man sits dejected on a simple wooden chair inside a cottage. Outside his window, another man stares inside, looking concerned.\" width=\"800\" height=\"450\">\u003cfigcaption class=\"wp-caption-text\">Brendan Gleeson in ‘The Banshees of Inisherin.’ \u003ccite>(Searchlight Pictures via AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Martin McDonagh’s feuding friends tale \u003cem>The Banshees of Inisherin\u003c/em> led all films with eight nominations, including nods for actors Colin Farrell, Brendan Gleeson, Kerry Condon and Barry Keoghan. Daniel Kwan and Daniel Scheinert’s existential action comedy \u003cem>Everything Everywhere All at Once\u003c/em> came in second with six nominations, including nods for Michelle Yeoh, \u003ca href=\"https://apnews.com/article/ke-huy-quan-interview-everything-everywhere-spielberg-ab2601e87b405370853ce1ab12bf5dc2\">Ke Huy Quan\u003c/a> and Jamie Lee Curtis.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The Globes will be telecast Jan. 10, with \u003ca href=\"https://apnews.com/article/jerrod-carmichael-golden-globes-host-2023-d60e244c609ad4cf23a6789fdeab6a68\">stand-up comedian Jerrod Carmichael hosting.\u003c/a>\u003c/p>\n\u003cp>The Globes are trying to mount a comeback this year. A \u003ca href=\"https://www.latimes.com/entertainment-arts/business/story/2021-02-21/hfpa-golden-globes-2021-who-are-the-members\">\u003cem>Los Angeles Times\u003c/em> investigation in early 2021\u003c/a> found that the group then had no Black members, a revelation compounded by other allegations of ethical improprieties. Many stars and studios said they would boycott the show. Tom Cruise returned his three Globes.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>NBC last year canceled the telecast that would have taken place this past January. Instead, the Golden Globes were \u003ca href=\"https://apnews.com/article/golden-globe-awards-7807652153518b2df70e636dd22654c2\">quietly held in a Beverly Hilton ballroom without any stars in attendance\u003c/a>. Winners were announced on Twitter.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Golden+Globe+nominations+are+led+by+%27Banshees%2C%27+%27Everything+Everywhere%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Five Takeaways From the 2022 Emmy Awards",
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"content": "\u003cp>Emmy night was a big one for a lot of different shows: \u003cem>Squid Game\u003c/em>, \u003cem>Succession\u003c/em>, \u003cem>Ted Lasso\u003c/em>, \u003cem>The White Lotus\u003c/em>. There were very strange music choices (why did Jesse Armstrong collect an Emmy for writing \u003cem>Succession \u003c/em>and walk on stage to “Shake Your Booty”?) and bits that dragged on too long (especially Jimmy Kimmel’s play-dead routine that lasted right through Quinta Brunson’s win for comedy writing for \u003cem>Abbott Elementary\u003c/em>). But there were also great speeches and encouraging wins, and we’re here to look at five takeaways from the ceremony as a whole. (Here’s \u003ca href=\"https://www.npr.org/2022/09/12/1122305852/emmys-2022-full-list-of-nominees\" target=\"_blank\" rel=\"noopener noreferrer\">a complete list of winners\u003c/a>.)\u003c/p>\n\u003cp>\u003cstrong>1. The great Sheryl Lee Ralph won the night.\u003c/strong>\u003c/p>\n\u003cp>There are years when you have to try to figure out what was the best moment of the ceremony; this was not one of those years.\u003c/p>\n\u003cp>When Sheryl Lee Ralph accepted the award for outstanding supporting actress in a comedy series for \u003cem>Abbott Elementary\u003c/em>, her speech was not only the best moment of the night, but it’s up there for the best moment of the Emmys… maybe ever?\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=cRw8IFLS1Fs\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Ralph took the stage and sang Dianne Reeves’ “Endangered Species” a cappella—something few people could do effectively. She then spoke rousingly, beautifully and encouragingly about the importance of never giving up your dreams and how you should value all the people who take care of you. It’s worth downloading the whole speech to your phone so that you can play it for yourself the next time you are discouraged, but really, it belongs uniquely to her and the power of her talent and her history. Her career in TV stretches back to the 1980s, but with this award she became only the second Black woman to win in the category (after Jackée Harry for \u003cem>227\u003c/em>). While it was overdue, it was great to see.\u003c/p>\n\u003cp>\u003cstrong>2. The show still needs more time for speeches and less for montages and scripted banter.\u003c/strong>\u003c/p>\n\u003cp>This particular Emmy ceremony, with a couple of notable exceptions, seemed to be playing people off quickly, even though some of them, like Jennifer Coolidge, were very entertaining. Coolidge won best supporting actress in a limited series for her work in \u003cem>The White Lotus;\u003c/em> after trying and trying to get the show to let her say a couple more things, Coolidge heard “Hit The Road, Jack” start up and, rather than hurrying off stage, she danced, to a roar from the crowd.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=y-9yNVGiOpE\u003c/p>\n\u003cp>At the same time winners fought for spare seconds, dull montages that were little more than “here are some TV shows” were allowed to linger, as were scripted bits that seemed less satisfying than the cut-off speeches, even when those sketches were performed by able comedians like host Kenan Thompson and the very funny Bowen Yang. Awards show producers seem convinced that people want all the stuff in between the awards more than they want the awards; betting on the charm of a speech instead of another montage will rarely be the wrong decision.\u003c/p>\n\u003cp>\u003cstrong>3. There weren’t a lot of big surprises. \u003c/strong>\u003c/p>\n\u003cp>\u003cem>Ted Lasso \u003c/em>and \u003cem>Succession \u003c/em>were both expected to win their respective categories of comedy series and drama series… and they did. \u003cem>The White Lotus \u003c/em>cleaned up in the limited series awards with wins for Coolidge and Murray Bartlett in the supporting categories and for Mike White in directing and writing.\u003c/p>\n\u003cp>Yet none of those shows swept the awards. Amanda Seyfried took lead actress for \u003cem>The Dropout \u003c/em>and Michael Keaton won for lead actor in \u003cem>Dopesick\u003c/em>. Lee Jung-jae won lead actor in a drama series for \u003cem>Squid Game, \u003c/em>the first Asian man to ever be so honored. This might be a surprise, since it’s the first time someone has won for a performance where they didn’t speak English, but the sheer phenomenon of the show and its big haul of nominations had suggested it had a good shot at doing well.\u003c/p>\n\u003cp>Perhaps the nicest surprise was Lizzo’s \u003cem>Watch Out For The Big Grrrls, \u003c/em>which broke \u003cem>RuPaul’s Drag Race\u003c/em> streak of four wins in the reality competition category. That win led (of course) to a powerful and joyful speech from Lizzo about the importance of representation—a running theme over the course of the evening.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=zdWc-MW4HCM\u003c/p>\n\u003cp>\u003cstrong>4. There’s still plenty of repetition. \u003c/strong>\u003c/p>\n\u003cp>Even with competition running hot in almost every category and a lack of shows dominating the awards the way sitcoms like \u003cem>Frasier \u003c/em>and \u003cem>Modern Family \u003c/em>once did, there were lots of repeat winners.\u003c/p>\n\u003cp>[aside postid='arts_13918217']\u003cem>Saturday Night Live \u003c/em>won again in the variety sketch category (its only rival was \u003cem>A Black Lady Sketch Show\u003c/em>); it was its sixth win in a row, a pretty boring outcome. \u003cem>Succession \u003c/em>repeated last year’s win in the outstanding drama series category, as did \u003cem>Ted Lasso \u003c/em>in its own category of outstanding comedy series. Plus, \u003cem>Ted Lasso\u003c/em> actors Jason Sudeikis and Brett Goldstein won again in the lead and supporting categories.\u003c/p>\n\u003cp>That wasn’t all. Zendaya, who won the award for outstanding lead actress in a drama series for \u003cem>Euphoria \u003c/em>two years ago, won again. Jean Smart won for \u003cem>Hacks \u003c/em>for lead actress in a comedy series for the second year in a row. Perhaps most impressive of all, \u003cem>Last Week Tonight with John Oliver \u003c/em>won its seventh straight award for outstanding variety talk series, continuing to beat \u003cem>The Daily Show \u003c/em>as well as all of network late night.\u003c/p>\n\u003cp>\u003cstrong>5. People want to see new winners have a real chance. \u003c/strong>\u003c/p>\n\u003cp>It’s more an observation of public reaction than of the show itself, but standards seem to have changed for when a show has won “too much.” Back in the days when there were far fewer shows to choose from, it wasn’t until something racked up five or six wins—that pressure started to mount to get something else, anything else, up on stage with a win.\u003c/p>\n\u003cp>But now, with so much out there and so much that’s good, even two wins for \u003cem>Ted Lasso \u003c/em>seems repetitive, particularly when there’s a show that feels as fresh as \u003cem>Abbott Elementary\u003c/em>.\u003c/p>\n\u003cp>[aside postid='arts_13917950']The Emmys are starting to have an enviable problem: Even when people disagree with the outcome of a contest, it might be less that a show is undeserving and more that there’s simply something else that deserves a shot in a stacked category. Even the great Jean Smart, beloved by so many over such a tremendous career and absolutely marvelous on \u003cem>Hacks\u003c/em>, might not have been the first choice of many people. That’s not because of her ability; it’s because this was a year where she faced opponents like Brunson, who is a new face, and Issa Rae, who’s been nominated for \u003cem>Insecure \u003c/em>several times but has never won. This is one of the reasons the \u003cem>Squid Game \u003c/em>wins feels invigorating—the show is new.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>It’s one thing for a win to feel deserved; it’s another for it to feel exciting. Even a second or third win can seem rote by now, so bring on the new contenders, and we’ll be glad to see them.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Five+takeaways+from+the+2022+Emmy+awards&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Emmy night was a big one for a lot of different shows: \u003cem>Squid Game\u003c/em>, \u003cem>Succession\u003c/em>, \u003cem>Ted Lasso\u003c/em>, \u003cem>The White Lotus\u003c/em>. There were very strange music choices (why did Jesse Armstrong collect an Emmy for writing \u003cem>Succession \u003c/em>and walk on stage to “Shake Your Booty”?) and bits that dragged on too long (especially Jimmy Kimmel’s play-dead routine that lasted right through Quinta Brunson’s win for comedy writing for \u003cem>Abbott Elementary\u003c/em>). But there were also great speeches and encouraging wins, and we’re here to look at five takeaways from the ceremony as a whole. (Here’s \u003ca href=\"https://www.npr.org/2022/09/12/1122305852/emmys-2022-full-list-of-nominees\" target=\"_blank\" rel=\"noopener noreferrer\">a complete list of winners\u003c/a>.)\u003c/p>\n\u003cp>\u003cstrong>1. The great Sheryl Lee Ralph won the night.\u003c/strong>\u003c/p>\n\u003cp>There are years when you have to try to figure out what was the best moment of the ceremony; this was not one of those years.\u003c/p>\n\u003cp>When Sheryl Lee Ralph accepted the award for outstanding supporting actress in a comedy series for \u003cem>Abbott Elementary\u003c/em>, her speech was not only the best moment of the night, but it’s up there for the best moment of the Emmys… maybe ever?\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/cRw8IFLS1Fs'\n title='//www.youtube.com/embed/cRw8IFLS1Fs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Ralph took the stage and sang Dianne Reeves’ “Endangered Species” a cappella—something few people could do effectively. She then spoke rousingly, beautifully and encouragingly about the importance of never giving up your dreams and how you should value all the people who take care of you. It’s worth downloading the whole speech to your phone so that you can play it for yourself the next time you are discouraged, but really, it belongs uniquely to her and the power of her talent and her history. Her career in TV stretches back to the 1980s, but with this award she became only the second Black woman to win in the category (after Jackée Harry for \u003cem>227\u003c/em>). While it was overdue, it was great to see.\u003c/p>\n\u003cp>\u003cstrong>2. The show still needs more time for speeches and less for montages and scripted banter.\u003c/strong>\u003c/p>\n\u003cp>This particular Emmy ceremony, with a couple of notable exceptions, seemed to be playing people off quickly, even though some of them, like Jennifer Coolidge, were very entertaining. Coolidge won best supporting actress in a limited series for her work in \u003cem>The White Lotus;\u003c/em> after trying and trying to get the show to let her say a couple more things, Coolidge heard “Hit The Road, Jack” start up and, rather than hurrying off stage, she danced, to a roar from the crowd.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/y-9yNVGiOpE'\n title='//www.youtube.com/embed/y-9yNVGiOpE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>At the same time winners fought for spare seconds, dull montages that were little more than “here are some TV shows” were allowed to linger, as were scripted bits that seemed less satisfying than the cut-off speeches, even when those sketches were performed by able comedians like host Kenan Thompson and the very funny Bowen Yang. Awards show producers seem convinced that people want all the stuff in between the awards more than they want the awards; betting on the charm of a speech instead of another montage will rarely be the wrong decision.\u003c/p>\n\u003cp>\u003cstrong>3. There weren’t a lot of big surprises. \u003c/strong>\u003c/p>\n\u003cp>\u003cem>Ted Lasso \u003c/em>and \u003cem>Succession \u003c/em>were both expected to win their respective categories of comedy series and drama series… and they did. \u003cem>The White Lotus \u003c/em>cleaned up in the limited series awards with wins for Coolidge and Murray Bartlett in the supporting categories and for Mike White in directing and writing.\u003c/p>\n\u003cp>Yet none of those shows swept the awards. Amanda Seyfried took lead actress for \u003cem>The Dropout \u003c/em>and Michael Keaton won for lead actor in \u003cem>Dopesick\u003c/em>. Lee Jung-jae won lead actor in a drama series for \u003cem>Squid Game, \u003c/em>the first Asian man to ever be so honored. This might be a surprise, since it’s the first time someone has won for a performance where they didn’t speak English, but the sheer phenomenon of the show and its big haul of nominations had suggested it had a good shot at doing well.\u003c/p>\n\u003cp>Perhaps the nicest surprise was Lizzo’s \u003cem>Watch Out For The Big Grrrls, \u003c/em>which broke \u003cem>RuPaul’s Drag Race\u003c/em> streak of four wins in the reality competition category. That win led (of course) to a powerful and joyful speech from Lizzo about the importance of representation—a running theme over the course of the evening.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/zdWc-MW4HCM'\n title='//www.youtube.com/embed/zdWc-MW4HCM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>4. There’s still plenty of repetition. \u003c/strong>\u003c/p>\n\u003cp>Even with competition running hot in almost every category and a lack of shows dominating the awards the way sitcoms like \u003cem>Frasier \u003c/em>and \u003cem>Modern Family \u003c/em>once did, there were lots of repeat winners.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cem>Saturday Night Live \u003c/em>won again in the variety sketch category (its only rival was \u003cem>A Black Lady Sketch Show\u003c/em>); it was its sixth win in a row, a pretty boring outcome. \u003cem>Succession \u003c/em>repeated last year’s win in the outstanding drama series category, as did \u003cem>Ted Lasso \u003c/em>in its own category of outstanding comedy series. Plus, \u003cem>Ted Lasso\u003c/em> actors Jason Sudeikis and Brett Goldstein won again in the lead and supporting categories.\u003c/p>\n\u003cp>That wasn’t all. Zendaya, who won the award for outstanding lead actress in a drama series for \u003cem>Euphoria \u003c/em>two years ago, won again. Jean Smart won for \u003cem>Hacks \u003c/em>for lead actress in a comedy series for the second year in a row. Perhaps most impressive of all, \u003cem>Last Week Tonight with John Oliver \u003c/em>won its seventh straight award for outstanding variety talk series, continuing to beat \u003cem>The Daily Show \u003c/em>as well as all of network late night.\u003c/p>\n\u003cp>\u003cstrong>5. People want to see new winners have a real chance. \u003c/strong>\u003c/p>\n\u003cp>It’s more an observation of public reaction than of the show itself, but standards seem to have changed for when a show has won “too much.” Back in the days when there were far fewer shows to choose from, it wasn’t until something racked up five or six wins—that pressure started to mount to get something else, anything else, up on stage with a win.\u003c/p>\n\u003cp>But now, with so much out there and so much that’s good, even two wins for \u003cem>Ted Lasso \u003c/em>seems repetitive, particularly when there’s a show that feels as fresh as \u003cem>Abbott Elementary\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The Emmys are starting to have an enviable problem: Even when people disagree with the outcome of a contest, it might be less that a show is undeserving and more that there’s simply something else that deserves a shot in a stacked category. Even the great Jean Smart, beloved by so many over such a tremendous career and absolutely marvelous on \u003cem>Hacks\u003c/em>, might not have been the first choice of many people. That’s not because of her ability; it’s because this was a year where she faced opponents like Brunson, who is a new face, and Issa Rae, who’s been nominated for \u003cem>Insecure \u003c/em>several times but has never won. This is one of the reasons the \u003cem>Squid Game \u003c/em>wins feels invigorating—the show is new.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It’s one thing for a win to feel deserved; it’s another for it to feel exciting. Even a second or third win can seem rote by now, so bring on the new contenders, and we’ll be glad to see them.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Five+takeaways+from+the+2022+Emmy+awards&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Taraji P. Henson, Janelle Monae and Jazmine Sullivan were some of the big stars using the BET Awards stage to strongly criticize the \u003ca href=\"https://www.npr.org/2022/06/24/1102305878/supreme-court-abortion-roe-v-wade-decision-overturn\" target=\"_blank\" rel=\"noopener noreferrer\">Supreme Court’s recent decision\u003c/a> to strip away women’s constitutional protection for abortion.\u003c/p>\n\u003cp>Henson took the stage as the show’s host on Sunday with an uplifting message about “Black excellence” before she launched into the court’s overturning of the landmark Roe v. Wade ruling last week. The actor took the stage after Lizzo opened the show with a flute solo in a glittery-gold outfit performing her single “About Damn Time.”\u003c/p>\n\u003cp>“It’s about damn time we talk about the fact that guns have more rights than a woman. It’s a sad day in America,” said Henson, thanking Lizzo who along with Live Nation recently donated $1 million in tour proceeds to Planned Parenthood. “A weapon that can take lives has more power than a woman that can give life—if she chooses to.”\u003c/p>\n\u003cp>[aside postID='arts_13912860']Janelle Monae held up her middle finger toward the Supreme Court before she introduced nominees for best female R&B/pop artist. Her speech earned standing applause at the Microsoft Theater in Los Angeles.\u003c/p>\n\u003cp>“These artists are making art on our own terms, owning our truths and expressing ourselves freely and unapologetically in a world that tries to control and police our bodies, my body and our decisions, my body,” said the singer, who also paid homage to the LGBTQ+ community. “(explicit) you Supreme Court. I know we’re celebrating us right now as we should. We absolutely deserve to celebrate—especially now we should celebrate our art by protecting our right and our truths.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Afterwards, Monae introduced Sullivan as the category’s winner—who made a plea to men for their support of women.\u003c/p>\n\u003cp>“It’s a hard time for us,” Sullivan said. “I want to speak directly to the men: We need y’all. We need y’all to stand up, stand up for us, stand up with us. If you’ve ever benefitted from a woman making one of the toughest decisions of her life, which is to terminate a pregnancy, you need to be standing. This is not just a woman issue. This is everybody’s issue. We need your support more than ever.”\u003c/p>\n\u003cp>Latto gave an emotional speech after she won best new artist.\u003c/p>\n\u003cp>“It’s giving pro-choice,” said the rapper, who later performed her smash hit “Big Energy” with Mariah Carey. “It’s never giving a man policing my body.”\u003c/p>\n\u003cp>Singer Tems dedicated her best international act award to the many women who “dare to dream.”\u003c/p>\n\u003cp>“Where I’m from, things like this don’t happen,” said the Lagos, Nigeria-born singer who won best collaboration with Justin Bieber and Wizkid for their song “Essence.” “This is a dream. If you’re watching me, I want you to imagine yourself as me because you are meant to be here too.”\u003c/p>\n\u003cp>[aside postID='news_11917111']Doja Cat entered the show as the leading nominee with six. The chart-topping performer is up for best female R&B-pop artist, best female hip-hop artist, album of the year for her No. 1 hit “Planet Her” and BET Her for “Woman.” Her “Kiss Me More” with SZA is nominated for video of the year and best collaboration.\u003c/p>\n\u003cp>Sean “Diddy” Combs received the Lifetime Achievement Award—one of the highest honors at the ceremony. The music mogul is the founder of Bad Boy Records, has his own television network, fashion line and is a three-time Grammy winner who has worked with a slew of top-tier artists including Notorious B.I.G., Mary J. Blige, Usher, Lil Kim, Faith Evans and 112.\u003c/p>\n\u003cp>Drake and Ari Lennox were the second-most nominated acts, scoring four nods each. Three nominations went to several others including Baby Keem, Silk Sonic, Chloe Bailey, Future, H.E.R., Jazmine Sullivan, Ye (formerly known as Kanye West), Kendrick Lamar, Lil Baby, Mary J. Blige and Tems.\u003c/p>\n\u003cp>Jack Harlow performed “Poison” alongside Lil Wayne before Brandy hit the stage with him for his hit “First Class.” While Harlow and Brandy performed, the camera turned to her brother, Ray J, who was seen dancing in the audience.\u003c/p>\n\u003cp>Chance the Rapper and Joey Bada$$ performed “The Highs & the Lows.” In her pink gown, Muni Long opened her set with a snippet of “Time Machine” before her jam “Hrs & Hrs.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The winners in the 19 categories, including film and sports awards, are selected by BET’s Voting Academy, comprised of entertainment professionals and fans.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Taraji P. Henson, Janelle Monae and Jazmine Sullivan were some of the big stars using the BET Awards stage to strongly criticize the \u003ca href=\"https://www.npr.org/2022/06/24/1102305878/supreme-court-abortion-roe-v-wade-decision-overturn\" target=\"_blank\" rel=\"noopener noreferrer\">Supreme Court’s recent decision\u003c/a> to strip away women’s constitutional protection for abortion.\u003c/p>\n\u003cp>Henson took the stage as the show’s host on Sunday with an uplifting message about “Black excellence” before she launched into the court’s overturning of the landmark Roe v. Wade ruling last week. The actor took the stage after Lizzo opened the show with a flute solo in a glittery-gold outfit performing her single “About Damn Time.”\u003c/p>\n\u003cp>“It’s about damn time we talk about the fact that guns have more rights than a woman. It’s a sad day in America,” said Henson, thanking Lizzo who along with Live Nation recently donated $1 million in tour proceeds to Planned Parenthood. “A weapon that can take lives has more power than a woman that can give life—if she chooses to.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Doja Cat entered the show as the leading nominee with six. The chart-topping performer is up for best female R&B-pop artist, best female hip-hop artist, album of the year for her No. 1 hit “Planet Her” and BET Her for “Woman.” Her “Kiss Me More” with SZA is nominated for video of the year and best collaboration.\u003c/p>\n\u003cp>Sean “Diddy” Combs received the Lifetime Achievement Award—one of the highest honors at the ceremony. The music mogul is the founder of Bad Boy Records, has his own television network, fashion line and is a three-time Grammy winner who has worked with a slew of top-tier artists including Notorious B.I.G., Mary J. Blige, Usher, Lil Kim, Faith Evans and 112.\u003c/p>\n\u003cp>Drake and Ari Lennox were the second-most nominated acts, scoring four nods each. Three nominations went to several others including Baby Keem, Silk Sonic, Chloe Bailey, Future, H.E.R., Jazmine Sullivan, Ye (formerly known as Kanye West), Kendrick Lamar, Lil Baby, Mary J. Blige and Tems.\u003c/p>\n\u003cp>Jack Harlow performed “Poison” alongside Lil Wayne before Brandy hit the stage with him for his hit “First Class.” While Harlow and Brandy performed, the camera turned to her brother, Ray J, who was seen dancing in the audience.\u003c/p>\n\u003cp>Chance the Rapper and Joey Bada$$ performed “The Highs & the Lows.” In her pink gown, Muni Long opened her set with a snippet of “Time Machine” before her jam “Hrs & Hrs.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The winners in the 19 categories, including film and sports awards, are selected by BET’s Voting Academy, comprised of entertainment professionals and fans.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"soldout": {
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