window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_13916359": {
"type": "attachments",
"id": "arts_13916359",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13916359",
"found": true
},
"parent": 13916358,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/e9i0031_wide-179768207af20e3de15cd38fd77b4fb2e43a41ed-1038x576.jpe",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/e9i0031_wide-179768207af20e3de15cd38fd77b4fb2e43a41ed-160x90.jpe",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/e9i0031_wide-179768207af20e3de15cd38fd77b4fb2e43a41ed-672x372.jpe",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/e9i0031_wide-179768207af20e3de15cd38fd77b4fb2e43a41ed.jpe",
"width": 1597,
"height": 898
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/e9i0031_wide-179768207af20e3de15cd38fd77b4fb2e43a41ed-1020x574.jpe",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/e9i0031_wide-179768207af20e3de15cd38fd77b4fb2e43a41ed-1536x864.jpe",
"width": 1536,
"mimeType": "image/jpeg",
"height": 864
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/e9i0031_wide-179768207af20e3de15cd38fd77b4fb2e43a41ed-800x450.jpe",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/e9i0031_wide-179768207af20e3de15cd38fd77b4fb2e43a41ed-768x432.jpe",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1658344963,
"modified": 1658346503,
"caption": "The New York Titans and the Austin Outlaws face off during the 2021 regular Major League Quidditch season last June in Round Rock, Texas. The league and the sports governing bodies announced on Tuesday that the sport is rebranding as quadball.",
"description": null,
"title": "The New York Titans and the Austin Outlaws face off during the 2021 regular Major League Quidditch season last June in Round Rock, Texas. The league and the sports governing bodies announced on Tuesday that the sport is rebranding as quadball.",
"credit": "Major League Quidditch",
"status": "inherit",
"altTag": "A Black man wearing a blue and red rugby jersey and red shorts, clutching a ball and collides with a blonde woman in yellow and red soccer kit. She is holding a short stick between her legs. Goalposts are visible in the background.",
"isLoading": false,
"fetchFailed": false
},
"arts_13916262": {
"type": "attachments",
"id": "arts_13916262",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13916262",
"found": true
},
"parent": 13916258,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/GettyImages-1404614011-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/GettyImages-1404614011-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/GettyImages-1404614011-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/GettyImages-1404614011-scaled.jpg",
"width": 2560,
"height": 1707
},
"2048x2048": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/GettyImages-1404614011-2048x1365.jpg",
"width": 2048,
"mimeType": "image/jpeg",
"height": 1365
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/GettyImages-1404614011-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/GettyImages-1404614011-1536x1024.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1024
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/GettyImages-1404614011-1920x1280.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1280
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/GettyImages-1404614011-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/GettyImages-1404614011-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
}
},
"publishDate": 1658192588,
"modified": 1658192862,
"caption": "Constance Wu attends the 'The Terminal List' premiere in L.A. on June 22, 2022.",
"description": null,
"title": "Constance Wu attends the 'The Terminal List' premiere in L.A. on June 22, 2022.",
"credit": "Axelle/Bauer-Griffin/FilmMagic",
"status": "inherit",
"altTag": "Constance Wu in fresh, dewy make-up turns towards the camera, half-smiling.",
"isLoading": false,
"fetchFailed": false
},
"arts_13916222": {
"type": "attachments",
"id": "arts_13916222",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13916222",
"found": true
},
"parent": 13916203,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Screen-Shot-2022-07-18-at-11.48.05-AM-1038x576.png",
"width": 1038,
"mimeType": "image/png",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Screen-Shot-2022-07-18-at-11.48.05-AM-160x101.png",
"width": 160,
"mimeType": "image/png",
"height": 101
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Screen-Shot-2022-07-18-at-11.48.05-AM-672x372.png",
"width": 672,
"mimeType": "image/png",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Screen-Shot-2022-07-18-at-11.48.05-AM-e1658170355218.png",
"width": 1920,
"height": 1216
},
"2048x2048": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Screen-Shot-2022-07-18-at-11.48.05-AM-2048x1297.png",
"width": 2048,
"mimeType": "image/png",
"height": 1297
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Screen-Shot-2022-07-18-at-11.48.05-AM-1020x646.png",
"width": 1020,
"mimeType": "image/png",
"height": 646
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Screen-Shot-2022-07-18-at-11.48.05-AM-1536x973.png",
"width": 1536,
"mimeType": "image/png",
"height": 973
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Screen-Shot-2022-07-18-at-11.48.05-AM-1920x1216.png",
"width": 1920,
"mimeType": "image/png",
"height": 1216
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Screen-Shot-2022-07-18-at-11.48.05-AM-800x507.png",
"width": 800,
"mimeType": "image/png",
"height": 507
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Screen-Shot-2022-07-18-at-11.48.05-AM-768x486.png",
"width": 768,
"mimeType": "image/png",
"height": 486
}
},
"publishDate": 1658170149,
"modified": 1658170392,
"caption": "Emmanuel the emu finally behaving for farmer, Taylor Blake. ",
"description": null,
"title": "Emmanuel the emu finally behaving for farmer, Taylor Blake.",
"credit": "Taylor Blake/ Twitter @hiitaylorblake",
"status": "inherit",
"altTag": "A young woman with long wavy blonde hair puckers her lip against the pointed end of an emu's beak. She is wearing a beige baseball cap.",
"isLoading": false,
"fetchFailed": false
},
"arts_13916174": {
"type": "attachments",
"id": "arts_13916174",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13916174",
"found": true
},
"parent": 13916103,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Screen-Shot-2022-07-15-at-8.57.48-AM-892x576.png",
"width": 892,
"mimeType": "image/png",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Screen-Shot-2022-07-15-at-8.57.48-AM-160x142.png",
"width": 160,
"mimeType": "image/png",
"height": 142
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Screen-Shot-2022-07-15-at-8.57.48-AM-672x372.png",
"width": 672,
"mimeType": "image/png",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Screen-Shot-2022-07-15-at-8.57.48-AM.png",
"width": 892,
"height": 790
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Screen-Shot-2022-07-15-at-8.57.48-AM-800x709.png",
"width": 800,
"mimeType": "image/png",
"height": 709
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/Screen-Shot-2022-07-15-at-8.57.48-AM-768x680.png",
"width": 768,
"mimeType": "image/png",
"height": 680
}
},
"publishDate": 1657901182,
"modified": 1657901212,
"caption": "Joshua Neal",
"description": "Joshua Neal",
"title": "Joshua Neal",
"credit": "Via Joshua Neal",
"status": "inherit",
"altTag": "Joshua Neal",
"isLoading": false,
"fetchFailed": false
},
"arts_13915945": {
"type": "attachments",
"id": "arts_13915945",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13915945",
"found": true
},
"parent": 13915943,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/unnamed-12-_wide-f5590944d0a39aa2d4c833bf6185aab155baee29-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/unnamed-12-_wide-f5590944d0a39aa2d4c833bf6185aab155baee29-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/unnamed-12-_wide-f5590944d0a39aa2d4c833bf6185aab155baee29-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/unnamed-12-_wide-f5590944d0a39aa2d4c833bf6185aab155baee29-scaled-e1657572197743.jpg",
"width": 1920,
"height": 1080
},
"2048x2048": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/unnamed-12-_wide-f5590944d0a39aa2d4c833bf6185aab155baee29-2048x1152.jpg",
"width": 2048,
"mimeType": "image/jpeg",
"height": 1152
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/unnamed-12-_wide-f5590944d0a39aa2d4c833bf6185aab155baee29-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/unnamed-12-_wide-f5590944d0a39aa2d4c833bf6185aab155baee29-1536x864.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 864
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/unnamed-12-_wide-f5590944d0a39aa2d4c833bf6185aab155baee29-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/unnamed-12-_wide-f5590944d0a39aa2d4c833bf6185aab155baee29-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/unnamed-12-_wide-f5590944d0a39aa2d4c833bf6185aab155baee29-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1657571490,
"modified": 1657572292,
"caption": "Bob Odenkirk plays the title character in the 'Breaking Bad' spin-off, 'Better Call Saul.'",
"description": null,
"title": "Bob Odenkirk plays the title character in the 'Breaking Bad' spin-off, 'Better Call Saul.'",
"credit": "Greg Lewis/AMC/Sony Pictures Television",
"status": "inherit",
"altTag": "A non-distinctive middle-aged man stands, concerned looking before the white net curtains of someone's house. He is wearing a green-brown polo shirt.",
"isLoading": false,
"fetchFailed": false
},
"arts_13915896": {
"type": "attachments",
"id": "arts_13915896",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13915896",
"found": true
},
"parent": 13915895,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/fire-still-2_wide-a04e6d635243bf7c5a5b536f8144128f3fa30d15-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/fire-still-2_wide-a04e6d635243bf7c5a5b536f8144128f3fa30d15-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/fire-still-2_wide-a04e6d635243bf7c5a5b536f8144128f3fa30d15-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/fire-still-2_wide-a04e6d635243bf7c5a5b536f8144128f3fa30d15.jpg",
"width": 1791,
"height": 1008
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/fire-still-2_wide-a04e6d635243bf7c5a5b536f8144128f3fa30d15-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/fire-still-2_wide-a04e6d635243bf7c5a5b536f8144128f3fa30d15-1536x864.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 864
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/fire-still-2_wide-a04e6d635243bf7c5a5b536f8144128f3fa30d15-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/fire-still-2_wide-a04e6d635243bf7c5a5b536f8144128f3fa30d15-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1657303645,
"modified": 1657304854,
"caption": "Juliette Binoche and Vincent Lindon play a couple whose relationship is threatened by another man in 'Both Sides of the Blade.'",
"description": null,
"title": "Juliette Binoche and Vincent Lindon play a couple whose relationship is threatened by another man in 'Both Sides of the Blade.'",
"credit": "Courtesy of Gaëlle Rapp-Tronqui",
"status": "inherit",
"altTag": "A man peers over a balcony, a city gleaming in the sun behind him. At his side a woman leans on his shoulder, affectionately caressing the back of his head.",
"isLoading": false,
"fetchFailed": false
},
"arts_13915851": {
"type": "attachments",
"id": "arts_13915851",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13915851",
"found": true
},
"parent": 13915843,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/GettyImages-1407124324-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/GettyImages-1407124324-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/GettyImages-1407124324-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/GettyImages-1407124324-scaled.jpg",
"width": 2560,
"height": 1706
},
"2048x2048": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/GettyImages-1407124324-2048x1365.jpg",
"width": 2048,
"mimeType": "image/jpeg",
"height": 1365
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/GettyImages-1407124324-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/GettyImages-1407124324-1536x1024.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1024
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/GettyImages-1407124324-1920x1280.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1280
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/GettyImages-1407124324-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/07/GettyImages-1407124324-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
}
},
"publishDate": 1657219884,
"modified": 1657220054,
"caption": "Hugh Grant shares a laugh with Anna Elisabet Eberstein this week, right before very publicly unleashing the Benny Hill theme tune on the UK government.",
"description": null,
"title": "Hugh Grant shares a laugh with Anna Elisabet Eberstein this week, right before very publicly unleashing the Benny Hill theme tune on the UK government.",
"credit": "Karwai Tang/WireImage",
"status": "inherit",
"altTag": "Hugh Grant screws his face up in an enthusiastic laugh alongside a female companion. The pair are sitting behind several rows of serious looking men.",
"isLoading": false,
"fetchFailed": false
},
"arts_13915563": {
"type": "attachments",
"id": "arts_13915563",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13915563",
"found": true
},
"parent": 13915562,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/ap22180618306431_wide-f528933b580b86fc683f49167ed1122684fae3ec-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/ap22180618306431_wide-f528933b580b86fc683f49167ed1122684fae3ec-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/ap22180618306431_wide-f528933b580b86fc683f49167ed1122684fae3ec-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/ap22180618306431_wide-f528933b580b86fc683f49167ed1122684fae3ec-scaled-e1656535997675.jpg",
"width": 1920,
"height": 1080
},
"2048x2048": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/ap22180618306431_wide-f528933b580b86fc683f49167ed1122684fae3ec-2048x1152.jpg",
"width": 2048,
"mimeType": "image/jpeg",
"height": 1152
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/ap22180618306431_wide-f528933b580b86fc683f49167ed1122684fae3ec-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/ap22180618306431_wide-f528933b580b86fc683f49167ed1122684fae3ec-1536x864.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 864
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/ap22180618306431_wide-f528933b580b86fc683f49167ed1122684fae3ec-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/ap22180618306431_wide-f528933b580b86fc683f49167ed1122684fae3ec-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/ap22180618306431_wide-f528933b580b86fc683f49167ed1122684fae3ec-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1656535882,
"modified": 1656536046,
"caption": "A sketch of R. Kelly during his sentencing hearing Wednesday in New York.",
"description": null,
"title": "A sketch of R. Kelly during his sentencing hearing Wednesday in New York.",
"credit": "AP Photo/Elizabeth Williams",
"status": "inherit",
"altTag": "In this courtroom sketch, R. Kelly and his attorney Jennifer Bonjean, left, appear during his sentencing hearing in federal court, Wednesday, June 29, 2022, in New York.",
"isLoading": false,
"fetchFailed": false
},
"arts_13915390": {
"type": "attachments",
"id": "arts_13915390",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13915390",
"found": true
},
"parent": 13915389,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/gettyimages-1241531007-7b6a80282c22968a05ebad5da065f885b334835c-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/gettyimages-1241531007-7b6a80282c22968a05ebad5da065f885b334835c-160x120.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 120
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/gettyimages-1241531007-7b6a80282c22968a05ebad5da065f885b334835c-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/gettyimages-1241531007-7b6a80282c22968a05ebad5da065f885b334835c-scaled.jpg",
"width": 2560,
"height": 1920
},
"2048x2048": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/gettyimages-1241531007-7b6a80282c22968a05ebad5da065f885b334835c-2048x1536.jpg",
"width": 2048,
"mimeType": "image/jpeg",
"height": 1536
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/gettyimages-1241531007-7b6a80282c22968a05ebad5da065f885b334835c-1020x765.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 765
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/gettyimages-1241531007-7b6a80282c22968a05ebad5da065f885b334835c-1536x1152.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1152
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/gettyimages-1241531007-7b6a80282c22968a05ebad5da065f885b334835c-1920x1440.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1440
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/gettyimages-1241531007-7b6a80282c22968a05ebad5da065f885b334835c-800x600.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 600
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/gettyimages-1241531007-7b6a80282c22968a05ebad5da065f885b334835c-768x576.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 576
}
},
"publishDate": 1656441032,
"modified": 1656446744,
"caption": "Megan Thee Stallion, performing at England's Glastonbury Festival on Sat. June 25, 2022. During her set, Megan spoke out against the Supreme Court's decision overturning Roe v. Wade.",
"description": null,
"title": "Megan Thee Stallion, performing at England's Glastonbury Festival on Sat. June 25, 2022. During her set, Megan spoke out against the Supreme Court's decision overturning Roe v. Wade.",
"credit": "Ben Birchall/PA Images via Getty Images",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
},
"arts_13915301": {
"type": "attachments",
"id": "arts_13915301",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13915301",
"found": true
},
"parent": 13915299,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/GettyImages-1405305077-1024x576.jpg",
"width": 1024,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/GettyImages-1405305077-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/GettyImages-1405305077-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/GettyImages-1405305077.jpg",
"width": 1024,
"height": 683
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/GettyImages-1405305077-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/GettyImages-1405305077-800x534.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 534
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/GettyImages-1405305077-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
}
},
"publishDate": 1656359934,
"modified": 1656359984,
"caption": "Janelle Monáe attends the 2022 BET Awards at Microsoft Theater on June 26, 2022 in Los Angeles, California.",
"description": null,
"title": "BET Awards 2022 - Red Carpet",
"credit": "Paras Griffin/Getty Images for BET",
"status": "inherit",
"altTag": "A Black woman in a black dress and styled hair poses on the red carpet",
"isLoading": false,
"fetchFailed": false
},
"arts_13915049": {
"type": "attachments",
"id": "arts_13915049",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13915049",
"found": true
},
"parent": 13915045,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/GettyImages-1388259808-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/GettyImages-1388259808-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/GettyImages-1388259808-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/GettyImages-1388259808.jpg",
"width": 1280,
"height": 853
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/GettyImages-1388259808-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/GettyImages-1388259808-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/GettyImages-1388259808-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
}
},
"publishDate": 1655834612,
"modified": 1655834824,
"caption": "Queen Bey in March 2022.",
"description": null,
"title": "Queen Bey in March 2022.",
"credit": "Mason Poole/A.M.P.A.S. via Getty Images",
"status": "inherit",
"altTag": "Beyoncé stands on stage in a luminous sheer green ensemble with feather bustier and high cut leg, diamond-encrusted garter on show. Behind her stand a formation of three strong-looking Black women wearing luminous green flowing skirts and tops.",
"isLoading": false,
"fetchFailed": false
},
"arts_13914802": {
"type": "attachments",
"id": "arts_13914802",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13914802",
"found": true
},
"parent": 13914801,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/gettyimages-1397824948-1cc7b42cf06c3d37f4b5a4f81a5c242111906f97-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/gettyimages-1397824948-1cc7b42cf06c3d37f4b5a4f81a5c242111906f97-160x120.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 120
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/gettyimages-1397824948-1cc7b42cf06c3d37f4b5a4f81a5c242111906f97-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/gettyimages-1397824948-1cc7b42cf06c3d37f4b5a4f81a5c242111906f97.jpg",
"width": 1439,
"height": 1079
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/gettyimages-1397824948-1cc7b42cf06c3d37f4b5a4f81a5c242111906f97-1020x765.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 765
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/gettyimages-1397824948-1cc7b42cf06c3d37f4b5a4f81a5c242111906f97-800x600.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 600
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/06/gettyimages-1397824948-1cc7b42cf06c3d37f4b5a4f81a5c242111906f97-768x576.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 576
}
},
"publishDate": 1655234853,
"modified": 1655235082,
"caption": "Lizzo strikes a pose onstage in New York on May 17, 2022.",
"description": null,
"title": "Lizzo strikes a pose onstage in New York on May 17, 2022.",
"credit": "Noam Galai/Getty Images for Youtube",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_13916358": {
"type": "authors",
"id": "byline_arts_13916358",
"meta": {
"override": true
},
"slug": "byline_arts_13916358",
"name": "Wynne Davis",
"isLoading": false
},
"byline_arts_13916258": {
"type": "authors",
"id": "byline_arts_13916258",
"meta": {
"override": true
},
"slug": "byline_arts_13916258",
"name": "Juliana Kim",
"isLoading": false
},
"byline_arts_13915943": {
"type": "authors",
"id": "byline_arts_13915943",
"meta": {
"override": true
},
"slug": "byline_arts_13915943",
"name": "David Bianculli",
"isLoading": false
},
"byline_arts_13915895": {
"type": "authors",
"id": "byline_arts_13915895",
"meta": {
"override": true
},
"slug": "byline_arts_13915895",
"name": "Justin Chang",
"isLoading": false
},
"byline_arts_13915389": {
"type": "authors",
"id": "byline_arts_13915389",
"meta": {
"override": true
},
"slug": "byline_arts_13915389",
"name": "Nisha Venkat",
"isLoading": false
},
"byline_arts_13915299": {
"type": "authors",
"id": "byline_arts_13915299",
"meta": {
"override": true
},
"slug": "byline_arts_13915299",
"name": "Associated Press",
"isLoading": false
},
"byline_arts_13915045": {
"type": "authors",
"id": "byline_arts_13915045",
"meta": {
"override": true
},
"slug": "byline_arts_13915045",
"name": "LaTesha Harris",
"isLoading": false
},
"byline_arts_13914801": {
"type": "authors",
"id": "byline_arts_13914801",
"meta": {
"override": true
},
"slug": "byline_arts_13914801",
"name": "Shruti Rajkumar",
"isLoading": false
},
"kqedarts": {
"type": "authors",
"id": "92",
"meta": {
"index": "authors_1716337520",
"id": "92",
"found": true
},
"name": "KQED Arts",
"firstName": "KQED",
"lastName": "Arts",
"slug": "kqedarts",
"email": "arts@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Staff",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": "https://www.instagram.com/kqed_arts/",
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"contributor"
]
},
{
"site": "pop",
"roles": [
"contributor"
]
},
{
"site": "science",
"roles": [
"author"
]
},
{
"site": "food",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "KQED Arts | KQED",
"description": "KQED Staff",
"ogImgSrc": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/kqedarts"
},
"ralexandra": {
"type": "authors",
"id": "11242",
"meta": {
"index": "authors_1716337520",
"id": "11242",
"found": true
},
"name": "Rae Alexandra",
"firstName": "Rae",
"lastName": "Alexandra",
"slug": "ralexandra",
"email": "ralexandra@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Reporter/Producer",
"bio": "Rae Alexandra is a Reporter/Producer for KQED Arts & Culture, and the creator/author of the \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\">Rebel Girls From Bay Area History\u003c/a> and \u003ca href=\"https://www.kqed.org/bizarrebayarea\">Bizarre Bay Area\u003c/a> series. Her debut book, \u003ca href=\"https://citylights.com/politics-current-events-history/unsung-heroines35-women-who-changed/\">Unsung Heroines: 35 Women Who Changed the Bay Area\u003c/a> was published by City Lights in March 2026. In 2023, Rae was awarded an SPJ Excellence in Journalism Award for Arts & Culture. Rae was born and raised in Wales and subsequently — even after two decades in Northern California — still uses phrases that regularly baffle her coworkers.",
"avatar": "https://secure.gravatar.com/avatar/edfee8176c80cc0a382b051190f5341997df378a934a5774dcb0977732dfd401?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "pop",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "science",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Rae Alexandra | KQED",
"description": "Reporter/Producer",
"ogImgSrc": "https://secure.gravatar.com/avatar/edfee8176c80cc0a382b051190f5341997df378a934a5774dcb0977732dfd401?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/edfee8176c80cc0a382b051190f5341997df378a934a5774dcb0977732dfd401?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ralexandra"
},
"ogpenn": {
"type": "authors",
"id": "11491",
"meta": {
"index": "authors_1716337520",
"id": "11491",
"found": true
},
"name": "Pendarvis Harshaw",
"firstName": "Pendarvis",
"lastName": "Harshaw",
"slug": "ogpenn",
"email": "ogpenn@gmail.com",
"display_author_email": false,
"staff_mastheads": [
"arts"
],
"title": "Community Engagement Reporter",
"bio": "Pendarvis Harshaw is an educator, host and writer with KQED Arts.",
"avatar": "https://secure.gravatar.com/avatar/972b77ee8e3f346ae2b00622661187fbfabd059b5693bbdc1475ea7a722fd4cd?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": "ogpenn",
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"author"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Pendarvis Harshaw | KQED",
"description": "Community Engagement Reporter",
"ogImgSrc": "https://secure.gravatar.com/avatar/972b77ee8e3f346ae2b00622661187fbfabd059b5693bbdc1475ea7a722fd4cd?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/972b77ee8e3f346ae2b00622661187fbfabd059b5693bbdc1475ea7a722fd4cd?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ogpenn"
},
"mmedina": {
"type": "authors",
"id": "11528",
"meta": {
"index": "authors_1716337520",
"id": "11528",
"found": true
},
"name": "Marisol Medina-Cadena",
"firstName": "Marisol",
"lastName": "Medina-Cadena",
"slug": "mmedina",
"email": "mmedina@KQED.org",
"display_author_email": true,
"staff_mastheads": [],
"title": "Producer, Rightnowish Podcast",
"bio": "Marisol Medina-Cadena is a radio reporter and podcast producer. Before working at KQED, she produced for PBS member station, KCET, in Los Angeles. In 2017, Marisol won an Emmy Award for her work on the televised documentary, \u003cem>City Rising\u003c/em>, examining California's affordable housing crisis and the historical roots of gentrification.",
"avatar": "https://secure.gravatar.com/avatar/6c3db46a1cabb5e1fe9a365b5f4e681e?s=600&d=blank&r=g",
"twitter": "marisolreports",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": []
},
{
"site": "news",
"roles": [
"edit_others_posts"
]
}
],
"headData": {
"title": "Marisol Medina-Cadena | KQED",
"description": "Producer, Rightnowish Podcast",
"ogImgSrc": "https://secure.gravatar.com/avatar/6c3db46a1cabb5e1fe9a365b5f4e681e?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/6c3db46a1cabb5e1fe9a365b5f4e681e?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/mmedina"
},
"srascon": {
"type": "authors",
"id": "11816",
"meta": {
"index": "authors_1716337520",
"id": "11816",
"found": true
},
"name": "Steven Rascón",
"firstName": "Steven",
"lastName": "Rascón",
"slug": "srascon",
"email": "srascon@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Steven Rascón is a journalist and an audio producer from Northeast Los Angeles. He's a producer in the KQED news and podcast department. He was a producer for the KQED investigative series \u003cem>\u003ca href=\"https://www.kqed.org/news/11974730/1-welcome-to-the-family-s2-new-folsom/\">On Our Watch: New Folsom\u003c/a>.\u003c/em> His reporting has been featured in Cal Matters, KCRW, and WHYY. He's also the production manager for the radio show and podcast \u003cem>Reveal\u003c/em> from the Center for Investigative Reporting and PRX. He was part of the team that produced the Peabody nominated 7-part series \u003cem>\u003ca href=\"https://revealnews.org/mississippi-goddam/\">Mississippi Goddamn: The Ballad of Billey Joe\u003c/a>.\u003c/em> He's a graduate from the UC Berkeley Graduate School of Journalism.",
"avatar": "https://secure.gravatar.com/avatar/37610a357b875db673c4b0d1bdcd9db1?s=600&d=blank&r=g",
"twitter": "hola_rascon",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Steven Rascón | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/37610a357b875db673c4b0d1bdcd9db1?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/37610a357b875db673c4b0d1bdcd9db1?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/srascon"
}
},
"pagesReducer": {
"arts_category_popculture": {
"type": "terms",
"id": "arts_75",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "75",
"score": 14.403581
},
"featImg": null,
"name": "Pop Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Pop Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 76,
"slug": "popculture",
"isLoading": false,
"title": "Pop Culture",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 96
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=popculture",
"seeMore": false,
"paginated": true,
"page": 96
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_13916358": {
"type": "posts",
"id": "arts_13916358",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13916358",
"score": null,
"sort": [
1658346837000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1658346837,
"format": "standard",
"title": "Quidditch Rebrands as Quadball and Further Distances Itself from Harry Potter Author",
"headTitle": "Quidditch Rebrands as Quadball and Further Distances Itself from Harry Potter Author | KQED",
"content": "\u003cp>Fans of quidditch are now fans of quadball, the new name for the real-life sport that was first inspired by the Harry Potter book series.\u003c/p>\n\u003cp>U.S. Quidditch and Major League Quidditch announced the name change on Tuesday as well as their own rebranding as \u003ca href=\"https://www.usquadball.org/\" target=\"_blank\" rel=\"noopener noreferrer\">U.S. Quadball \u003c/a>and \u003ca href=\"https://www.mlquadball.com/news/letters-from-founders\" target=\"_blank\" rel=\"noopener noreferrer\">Major League Quadball.\u003c/a> The groups announced their intention to find a new name for the sport in December, citing what they called \u003ca href=\"https://www.npr.org/2021/11/17/1056645248/hary-potter-cast-reunion-j-k-rowling\" target=\"_blank\" rel=\"noopener noreferrer\">anti-trans positions of \u003cem>Harry Potter\u003c/em> author J.K. Rowling.\u003c/a>\u003c/p>\n\u003cp>[aside postid='arts_13906284']In addition to distancing themselves from the author, organizers hope the name change will give the sport more opportunities to grow and not be inhibited by the trademark for “quidditch” being owned by Warner Bros.\u003c/p>\n\u003cp>“Bringing full creative control of the name of our sport to the vibrant community of players and fans that has grown and sustained it will allow our organizations to take the next step,” MLQ co-commissioner Amanda Dallas said in a statement. “We are now able to pursue the kinds of opportunities that our community has dreamed about for years.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=BKSoi96X6fA\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Fans and players were polled as part of the name change process, MLQ said, with “quadball” receiving “strong support across demographic groups in the surveys.”\u003c/p>\n\u003cp>[aside postid='arts_13910038']The rules of the sport will remain the same, with four balls on the field and four different positions. Both of those are referenced in the new name.\u003c/p>\n\u003cp>The names of those positions and the balls will remain the same for now, but MLQ notes that both \u003ca href=\"https://www.mlquadball.com/what-is-quadball\" target=\"_blank\" rel=\"noopener noreferrer\">could change at a later date.\u003c/a>\u003c/p>\n\u003cp>The first quidditch match took place at Middlebury College in Vermont in 2005, where the game was created by Alex Benepe and Xander Manshel. Benepe called the name change a “bold move.”\u003c/p>\n\u003cp>“For me personally there is definitely some nostalgia to the original name, but from a long term development perspective I feel confident this is a smart decision for the future that will allow the sport to grow without limits into its own unique space for many years to come,” he said in a statement.\u003c/p>\n\u003cfigure id=\"attachment_13916360\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13916360\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/07/gettyimages-1238434683-44c0fff1acd9537ffd191dee391404f9a1961066-800x600.jpg\" alt=\"A woman, in silhouette, is seen leaping towards a round hoop on a stick. She has tossed a ball towards it. \" width=\"800\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">U.S. Quidditch has already adopted the name change and transitioned to U.S. Quadball. Both Major League Quidditch and the International Quidditch Association have said they are also going to make the name change upon completion of this year’s final tournaments in July and August. \u003ccite>(LOIC VENANCE/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>During the sport’s initial years, many were drawn to it because of the connection with the blockbuster book and movie series, but since then it has become known as an intense, full-contact sport full of athleticism. It’s now played in at least 40 countries with nearly 600 teams in existence.\u003c/p>\n\u003cp>While the inspiration for Harry Potter may remain a draw for some, MLQ media outreach coordinator Jack McGovern said it’s important for the sport to remain welcoming to everyone.\u003c/p>\n\u003cp>[aside postid='arts_13881738']“I think our leagues have always and still attract people from lots of different backgrounds. People who come to the sport because they are Harry Potter fans and people who come to the sport because they are looking for an outlet for athletics in their life,” McGovern said. “The sport has also always drawn heavily from the LGBTQ+ community and maintaining a welcoming space for all of those people who might be interested in the sport is really important to us.”\u003c/p>\n\u003cp>The change in name has already been adopted by USQ and MLQ will officially adopt the new name after the 2022 MLQ Championship on Aug. 20 to 22 in Howard County, Md.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The International Quidditch Association also plans to adopt the sports news name following the conclusion of the IQA European Games this weekend.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Quidditch+rebrands+as+quadball+and+further+distances+itself+from+Harry+Potter+author&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 660,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 16
},
"modified": 1705006590,
"excerpt": "Quadball is a reference both to the number of balls on the field and the number of positions in the game.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Quadball is a reference both to the number of balls on the field and the number of positions in the game.",
"title": "Quidditch Rebrands as Quadball and Further Distances Itself from Harry Potter Author | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Quidditch Rebrands as Quadball and Further Distances Itself from Harry Potter Author",
"datePublished": "2022-07-20T12:53:57-07:00",
"dateModified": "2024-01-11T12:56:30-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "quidditch-rebrand-quadball-harry-potter-jk-rowling-transphobia",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=1112324298&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Tue, 19 Jul 2022 18:28:38 -0400",
"excludeFromSiteSearch": "Include",
"nprLastModifiedDate": "Wed, 20 Jul 2022 10:14:26 -0400",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/2022/07/19/1112324298/quidditch-rebrands-as-quadball-and-further-distances-itself-from-harry-potter-au?ft=nprml&f=1112324298",
"nprImageAgency": "Major League Quidditch",
"nprStoryId": "1112324298",
"nprByline": "Wynne Davis",
"sticky": false,
"showOnAuthorArchivePages": "No",
"nprRetrievedStory": "1",
"nprPubDate": "Wed, 20 Jul 2022 10:14:00 -0400",
"path": "/arts/13916358/quidditch-rebrand-quadball-harry-potter-jk-rowling-transphobia",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Fans of quidditch are now fans of quadball, the new name for the real-life sport that was first inspired by the Harry Potter book series.\u003c/p>\n\u003cp>U.S. Quidditch and Major League Quidditch announced the name change on Tuesday as well as their own rebranding as \u003ca href=\"https://www.usquadball.org/\" target=\"_blank\" rel=\"noopener noreferrer\">U.S. Quadball \u003c/a>and \u003ca href=\"https://www.mlquadball.com/news/letters-from-founders\" target=\"_blank\" rel=\"noopener noreferrer\">Major League Quadball.\u003c/a> The groups announced their intention to find a new name for the sport in December, citing what they called \u003ca href=\"https://www.npr.org/2021/11/17/1056645248/hary-potter-cast-reunion-j-k-rowling\" target=\"_blank\" rel=\"noopener noreferrer\">anti-trans positions of \u003cem>Harry Potter\u003c/em> author J.K. Rowling.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13906284",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>In addition to distancing themselves from the author, organizers hope the name change will give the sport more opportunities to grow and not be inhibited by the trademark for “quidditch” being owned by Warner Bros.\u003c/p>\n\u003cp>“Bringing full creative control of the name of our sport to the vibrant community of players and fans that has grown and sustained it will allow our organizations to take the next step,” MLQ co-commissioner Amanda Dallas said in a statement. “We are now able to pursue the kinds of opportunities that our community has dreamed about for years.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/BKSoi96X6fA'\n title='//www.youtube.com/embed/BKSoi96X6fA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Fans and players were polled as part of the name change process, MLQ said, with “quadball” receiving “strong support across demographic groups in the surveys.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13910038",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>The rules of the sport will remain the same, with four balls on the field and four different positions. Both of those are referenced in the new name.\u003c/p>\n\u003cp>The names of those positions and the balls will remain the same for now, but MLQ notes that both \u003ca href=\"https://www.mlquadball.com/what-is-quadball\" target=\"_blank\" rel=\"noopener noreferrer\">could change at a later date.\u003c/a>\u003c/p>\n\u003cp>The first quidditch match took place at Middlebury College in Vermont in 2005, where the game was created by Alex Benepe and Xander Manshel. Benepe called the name change a “bold move.”\u003c/p>\n\u003cp>“For me personally there is definitely some nostalgia to the original name, but from a long term development perspective I feel confident this is a smart decision for the future that will allow the sport to grow without limits into its own unique space for many years to come,” he said in a statement.\u003c/p>\n\u003cfigure id=\"attachment_13916360\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13916360\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/07/gettyimages-1238434683-44c0fff1acd9537ffd191dee391404f9a1961066-800x600.jpg\" alt=\"A woman, in silhouette, is seen leaping towards a round hoop on a stick. She has tossed a ball towards it. \" width=\"800\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">U.S. Quidditch has already adopted the name change and transitioned to U.S. Quadball. Both Major League Quidditch and the International Quidditch Association have said they are also going to make the name change upon completion of this year’s final tournaments in July and August. \u003ccite>(LOIC VENANCE/AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>During the sport’s initial years, many were drawn to it because of the connection with the blockbuster book and movie series, but since then it has become known as an intense, full-contact sport full of athleticism. It’s now played in at least 40 countries with nearly 600 teams in existence.\u003c/p>\n\u003cp>While the inspiration for Harry Potter may remain a draw for some, MLQ media outreach coordinator Jack McGovern said it’s important for the sport to remain welcoming to everyone.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13881738",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>“I think our leagues have always and still attract people from lots of different backgrounds. People who come to the sport because they are Harry Potter fans and people who come to the sport because they are looking for an outlet for athletics in their life,” McGovern said. “The sport has also always drawn heavily from the LGBTQ+ community and maintaining a welcoming space for all of those people who might be interested in the sport is really important to us.”\u003c/p>\n\u003cp>The change in name has already been adopted by USQ and MLQ will officially adopt the new name after the 2022 MLQ Championship on Aug. 20 to 22 in Howard County, Md.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The International Quidditch Association also plans to adopt the sports news name following the conclusion of the IQA European Games this weekend.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Quidditch+rebrands+as+quadball+and+further+distances+itself+from+Harry+Potter+author&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13916358/quidditch-rebrand-quadball-harry-potter-jk-rowling-transphobia",
"authors": [
"byline_arts_13916358"
],
"categories": [
"arts_1",
"arts_75",
"arts_13238"
],
"tags": [
"arts_928",
"arts_977",
"arts_1376"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13916359",
"label": "arts_137"
},
"arts_13916258": {
"type": "posts",
"id": "arts_13916258",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13916258",
"score": null,
"sort": [
1658240403000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1658240403,
"format": "standard",
"title": "Constance Wu's Reveal Speaks to the Profound Pressure Asian American Women Face",
"headTitle": "Constance Wu’s Reveal Speaks to the Profound Pressure Asian American Women Face | KQED",
"content": "\u003cp>After being largely under the radar for three years, Hollywood actor Constance Wu broke her silence last week, opening up about her mental health, and in doing so, admitting there’s still a lot of work left to do to for and within the Asian American community.\u003c/p>\n\u003cp>It all started back in 2019, when Wu’s ABC sitcom \u003cem>Fresh Off the Boat\u003c/em> announced it would be renewed for a sixth season. Wu responded to the news with frustration, writing on Twitter: “So upset right now that I’m literally crying. Ugh. F***” and “F***ing hell.”\u003c/p>\n\u003cp>Wu, who has also starred in the movies \u003cem>Crazy Rich Asians\u003c/em> and \u003cem>Hustlers\u003c/em>, later clarified that her grievances were related to a missed work opportunity. Despite her explanation, users on social media still condemned Wu’s comments, branding her as ungrateful, selfish and a diva. The backlash led her to a mental health crisis and a suicide attempt, \u003ca href=\"https://twitter.com/ConstanceWu/status/1547661204545359877\" target=\"_blank\" rel=\"noopener noreferrer\">Wu revealed on Twitter\u003c/a> last week.\u003c/p>\n\u003cp>https://twitter.com/ConstanceWu/status/1547661204545359877\u003c/p>\n\u003cp>“I was afraid of coming back on social media because I almost lost my life from it,” Wu wrote. “[Asian Americans] don’t talk about mental health enough. While we’re quick to celebrate representation wins, there’s a lot of avoidance around the more uncomfortable issues within our community.”\u003c/p>\n\u003ch3>When Asian American women try to be ambitious, it’s often been met with pushback\u003c/h3>\n\u003cp>In her statement, Wu wrote, “I’m not poised or graceful or perfect. I’m emotional. I make mistakes.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Asian American experts say while that confession may not appear profound to some, for others, it spoke volumes about the pressures typically felt by Asian American women.\u003c/p>\n\u003cp>“Asian American women want to be their authentic selves but their image and behavior are prescribed by society and family expectations,” says Hyeouk Chris Hahm, an associate dean of research at Boston University’s School of Social Work, who has extensively studied mental health disparities in the Asian American community.\u003c/p>\n\u003cp>[aside postid='arts_13911935']While no two experiences are alike, Hahm points out that in spaces like the workplace, many Asian American women are stereotyped to be soft-spoken, respectful and followers rather than leaders. When they try to break out of that mold by speaking up for themselves, they can be met with pushback, Hahm added.\u003c/p>\n\u003cp>“When Asian American women try to be autonomous, ambitious, self-fulfilling, it’s been historically perceived as threatening the social order and social norm,” Hahm said.\u003c/p>\n\u003cp>Recently, Twitter users have pointed out that double standard after comparing Wu’s backlash to actors such as Robert Pattinson, who received a\u003ca href=\"https://www.buzzfeed.com/farrahpenn/robert-pattinson-trolls-twilight\" target=\"_blank\" rel=\"noopener noreferrer\"> more positive reception\u003c/a> after bad-mouthing his breakout film, \u003cem>Twilight.\u003c/em>\u003c/p>\n\u003cp>“The harshness behind the overall reaction to Wu’s tweets demonstrates the implicit yet widely-held hostility towards Asian women,” said culture writer Roslyn Talusan in a \u003ca href=\"https://www.playboy.com/read/on-constance-wu-and-angry-asian-women\" target=\"_blank\" rel=\"noopener noreferrer\">2019 \u003cem>Playboy\u003c/em> article\u003c/a>. “As it stands, humanity isn’t afforded to angry, insubordinate Asian women.”\u003c/p>\n\u003ch3>For many people of Asian descent, individual reputation is tied to their community’s reputation\u003c/h3>\n\u003cp>In her tweet, Wu said it wasn’t just the online harassment, but shame from other Asian American acquaintances that felt traumatizing.\u003c/p>\n\u003cp>According to Wu, a fellow Asian American actress—who she didn’t name—privately condemned her, calling Wu a “blight” to their community.\u003c/p>\n\u003cp>“I started feeling like I didn’t even deserve to live anymore. That I was a disgrace to [Asian Americans], and they’d be better off without me,” she wrote.\u003c/p>\n\u003cp>[aside postid='arts_13880441']Words like “blight” and “disgrace” can be especially hurtful to Asian Americans, said Jenn Fang, the founder and editor of \u003ca href=\"http://reappropriate.co/\" target=\"_blank\" rel=\"noopener noreferrer\">Reappropriate\u003c/a>, an Asian American-centered race and gender blog.\u003c/p>\n\u003cp>“Being a public figure, especially on social media, criticism happens,” Fang said. “But for Asian Americans, this thread of criticism is particularly personal and difficult to bear because it suggests we don’t belong and we should leave the Asian American community.”\u003c/p>\n\u003cp>Hahm points out that it’s not just people of Asian descent—many immigrants of all backgrounds can relate to the burden that comes when an individual’s reputation is seen as a reflection of their family or community’s reputation.\u003c/p>\n\u003cp>“Reputation is important for many immigrants because it creates trust and trust becomes a foundation for immigrants rebuilding their wealth, social networks, and resources,” Hahm said.\u003c/p>\n\u003ch3>Hollywood is only one of the places where representation matters\u003c/h3>\n\u003cp>To Fang, part of Wu’s online criticism also had to do with fans’ staunch loyalty to \u003cem>Fresh Off the Boat\u003c/em>, and the pressure for Asian American representation in media.\u003c/p>\n\u003cp>When the sitcom first aired, there was a lot of anticipation amongst Asian Americans, Fang recalled, mainly because it was the first time in \u003ca href=\"https://www.npr.org/sections/codeswitch/2015/02/05/383520596/a-brief-weird-history-of-squashed-asian-american-tv-shows\" target=\"_blank\" rel=\"noopener noreferrer\">roughly two decades\u003c/a> that network television focused on an Asian American family.\u003c/p>\n\u003cp>[aside postid='arts_13914487']“There’s a sense within the community that if we can see more of ourselves in media, we will feel more like we belong,” Fang said. “Common among Asian Americans is this question of where we fit, where do we belong?”\u003c/p>\n\u003cp>According to Fang, that’s why on-screen representation matters, and why there’s still a lot of room for improvement—whether that’s forgoing harmful stereotypes or accurately reflecting the experiences of South Asians and Pacific Islanders. But she also underscores that Hollywood is only one avenue where representation matters for Asian Americans.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The problem, however, is that when we focus exclusively on issues of media representation without addressing it alongside other issues, we run the risk of forgetting that improved media representation is not by itself a solution to anti-Asian racism,” she said.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more,\u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\"> visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Constance+Wu%27s+reveal+speaks+to+the+profound+pressure+Asian+American+women+face&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1013,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 25
},
"modified": 1705006601,
"excerpt": "\"It's surreal that a few DMs convinced me to end my own life,\" Wu said. \"Luckily a friend found me and rushed me to the ER.\"",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": ""It's surreal that a few DMs convinced me to end my own life," Wu said. "Luckily a friend found me and rushed me to the ER."",
"title": "Constance Wu's Reveal Speaks to the Profound Pressure Asian American Women Face | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Constance Wu's Reveal Speaks to the Profound Pressure Asian American Women Face",
"datePublished": "2022-07-19T07:20:03-07:00",
"dateModified": "2024-01-11T12:56:41-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "constance-wus-reveal-speaks-to-the-profound-pressure-asian-american-women-face",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=1112055817&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Mon, 18 Jul 2022 19:33:43 -0400",
"excludeFromSiteSearch": "Include",
"nprLastModifiedDate": "Mon, 18 Jul 2022 19:33:43 -0400",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/2022/07/18/1112055817/constance-wu-asian-american-women?ft=nprml&f=1112055817",
"nprImageAgency": "Getty Images",
"nprStoryId": "1112055817",
"nprByline": "Juliana Kim",
"sticky": false,
"nprImageCredit": "Emma McIntyre",
"showOnAuthorArchivePages": "No",
"nprRetrievedStory": "1",
"nprPubDate": "Mon, 18 Jul 2022 19:33:00 -0400",
"path": "/arts/13916258/constance-wus-reveal-speaks-to-the-profound-pressure-asian-american-women-face",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After being largely under the radar for three years, Hollywood actor Constance Wu broke her silence last week, opening up about her mental health, and in doing so, admitting there’s still a lot of work left to do to for and within the Asian American community.\u003c/p>\n\u003cp>It all started back in 2019, when Wu’s ABC sitcom \u003cem>Fresh Off the Boat\u003c/em> announced it would be renewed for a sixth season. Wu responded to the news with frustration, writing on Twitter: “So upset right now that I’m literally crying. Ugh. F***” and “F***ing hell.”\u003c/p>\n\u003cp>Wu, who has also starred in the movies \u003cem>Crazy Rich Asians\u003c/em> and \u003cem>Hustlers\u003c/em>, later clarified that her grievances were related to a missed work opportunity. Despite her explanation, users on social media still condemned Wu’s comments, branding her as ungrateful, selfish and a diva. The backlash led her to a mental health crisis and a suicide attempt, \u003ca href=\"https://twitter.com/ConstanceWu/status/1547661204545359877\" target=\"_blank\" rel=\"noopener noreferrer\">Wu revealed on Twitter\u003c/a> last week.\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1547661204545359877"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>“I was afraid of coming back on social media because I almost lost my life from it,” Wu wrote. “[Asian Americans] don’t talk about mental health enough. While we’re quick to celebrate representation wins, there’s a lot of avoidance around the more uncomfortable issues within our community.”\u003c/p>\n\u003ch3>When Asian American women try to be ambitious, it’s often been met with pushback\u003c/h3>\n\u003cp>In her statement, Wu wrote, “I’m not poised or graceful or perfect. I’m emotional. I make mistakes.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Asian American experts say while that confession may not appear profound to some, for others, it spoke volumes about the pressures typically felt by Asian American women.\u003c/p>\n\u003cp>“Asian American women want to be their authentic selves but their image and behavior are prescribed by society and family expectations,” says Hyeouk Chris Hahm, an associate dean of research at Boston University’s School of Social Work, who has extensively studied mental health disparities in the Asian American community.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13911935",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>While no two experiences are alike, Hahm points out that in spaces like the workplace, many Asian American women are stereotyped to be soft-spoken, respectful and followers rather than leaders. When they try to break out of that mold by speaking up for themselves, they can be met with pushback, Hahm added.\u003c/p>\n\u003cp>“When Asian American women try to be autonomous, ambitious, self-fulfilling, it’s been historically perceived as threatening the social order and social norm,” Hahm said.\u003c/p>\n\u003cp>Recently, Twitter users have pointed out that double standard after comparing Wu’s backlash to actors such as Robert Pattinson, who received a\u003ca href=\"https://www.buzzfeed.com/farrahpenn/robert-pattinson-trolls-twilight\" target=\"_blank\" rel=\"noopener noreferrer\"> more positive reception\u003c/a> after bad-mouthing his breakout film, \u003cem>Twilight.\u003c/em>\u003c/p>\n\u003cp>“The harshness behind the overall reaction to Wu’s tweets demonstrates the implicit yet widely-held hostility towards Asian women,” said culture writer Roslyn Talusan in a \u003ca href=\"https://www.playboy.com/read/on-constance-wu-and-angry-asian-women\" target=\"_blank\" rel=\"noopener noreferrer\">2019 \u003cem>Playboy\u003c/em> article\u003c/a>. “As it stands, humanity isn’t afforded to angry, insubordinate Asian women.”\u003c/p>\n\u003ch3>For many people of Asian descent, individual reputation is tied to their community’s reputation\u003c/h3>\n\u003cp>In her tweet, Wu said it wasn’t just the online harassment, but shame from other Asian American acquaintances that felt traumatizing.\u003c/p>\n\u003cp>According to Wu, a fellow Asian American actress—who she didn’t name—privately condemned her, calling Wu a “blight” to their community.\u003c/p>\n\u003cp>“I started feeling like I didn’t even deserve to live anymore. That I was a disgrace to [Asian Americans], and they’d be better off without me,” she wrote.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13880441",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Words like “blight” and “disgrace” can be especially hurtful to Asian Americans, said Jenn Fang, the founder and editor of \u003ca href=\"http://reappropriate.co/\" target=\"_blank\" rel=\"noopener noreferrer\">Reappropriate\u003c/a>, an Asian American-centered race and gender blog.\u003c/p>\n\u003cp>“Being a public figure, especially on social media, criticism happens,” Fang said. “But for Asian Americans, this thread of criticism is particularly personal and difficult to bear because it suggests we don’t belong and we should leave the Asian American community.”\u003c/p>\n\u003cp>Hahm points out that it’s not just people of Asian descent—many immigrants of all backgrounds can relate to the burden that comes when an individual’s reputation is seen as a reflection of their family or community’s reputation.\u003c/p>\n\u003cp>“Reputation is important for many immigrants because it creates trust and trust becomes a foundation for immigrants rebuilding their wealth, social networks, and resources,” Hahm said.\u003c/p>\n\u003ch3>Hollywood is only one of the places where representation matters\u003c/h3>\n\u003cp>To Fang, part of Wu’s online criticism also had to do with fans’ staunch loyalty to \u003cem>Fresh Off the Boat\u003c/em>, and the pressure for Asian American representation in media.\u003c/p>\n\u003cp>When the sitcom first aired, there was a lot of anticipation amongst Asian Americans, Fang recalled, mainly because it was the first time in \u003ca href=\"https://www.npr.org/sections/codeswitch/2015/02/05/383520596/a-brief-weird-history-of-squashed-asian-american-tv-shows\" target=\"_blank\" rel=\"noopener noreferrer\">roughly two decades\u003c/a> that network television focused on an Asian American family.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13914487",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>“There’s a sense within the community that if we can see more of ourselves in media, we will feel more like we belong,” Fang said. “Common among Asian Americans is this question of where we fit, where do we belong?”\u003c/p>\n\u003cp>According to Fang, that’s why on-screen representation matters, and why there’s still a lot of room for improvement—whether that’s forgoing harmful stereotypes or accurately reflecting the experiences of South Asians and Pacific Islanders. But she also underscores that Hollywood is only one avenue where representation matters for Asian Americans.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The problem, however, is that when we focus exclusively on issues of media representation without addressing it alongside other issues, we run the risk of forgetting that improved media representation is not by itself a solution to anti-Asian racism,” she said.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more,\u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\"> visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Constance+Wu%27s+reveal+speaks+to+the+profound+pressure+Asian+American+women+face&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13916258/constance-wus-reveal-speaks-to-the-profound-pressure-asian-american-women-face",
"authors": [
"byline_arts_13916258"
],
"categories": [
"arts_1",
"arts_74",
"arts_75",
"arts_990"
],
"tags": [
"arts_11007",
"arts_4672",
"arts_4773"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13916262",
"label": "arts_137"
},
"arts_13916203": {
"type": "posts",
"id": "arts_13916203",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13916203",
"score": null,
"sort": [
1658172924000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1658172924,
"format": "standard",
"title": "Emmanuel Todd Lopez is the Greatest Thing on Social Media (He’s an Emu BTW)",
"headTitle": "Emmanuel Todd Lopez is the Greatest Thing on Social Media (He’s an Emu BTW) | KQED",
"content": "\u003cp>[aside postid='arts_13912098']Over the weekend, a new star outgrew the confines of TikTok and was welcomed with open hearts and minds by the rest of the internet. His name is Emmanuel Todd Lopez, he’s an emu, and—like so many parents at so many dinner tables—he has a raging vendetta against cellphones.\u003c/p>\n\u003cp>Avid TikTok users have known about Emmanuel’s sparkling personality for weeks now, thanks to \u003ca href=\"https://www.tiktok.com/@knucklebumpfarms?lang=en\" target=\"_blank\" rel=\"noopener noreferrer\">Knuckle Bump Farms’ account\u003c/a> on the app. The South Florida farm’s content—curated by 29-year-old farmer \u003ca href=\"https://www.instagram.com/hiitaylorblake/\" target=\"_blank\" rel=\"noopener noreferrer\">Taylor Blake\u003c/a>—had primarily revolved around cattle and very sweet miniature cows since joining TikTok. That was until Emmanuel angrily sauntered into the picture in early July.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@knucklebumpfarms/video/7118102996201917739\" data-video-id=\"7118102996201917739\">\n\u003csection>\u003ca title=\"@knucklebumpfarms\" href=\"https://www.tiktok.com/@knucklebumpfarms\" target=\"_blank\" rel=\"noopener noreferrer\">@knucklebumpfarms\u003c/a> Not a day goes by that Emanuel doesn’t try my life \u003ca title=\"emu\" href=\"https://www.tiktok.com/tag/emu\" target=\"_blank\" rel=\"noopener noreferrer\">#emu\u003c/a> \u003ca title=\"emusoftiktok\" href=\"https://www.tiktok.com/tag/emusoftiktok\" target=\"_blank\" rel=\"noopener noreferrer\">#emusoftiktok\u003c/a> \u003ca title=\"farmlife\" href=\"https://www.tiktok.com/tag/farmlife\" target=\"_blank\" rel=\"noopener noreferrer\">#farmlife\u003c/a> \u003ca title=\"♬ original sound - Knuckle Bump Farms\" href=\"https://www.tiktok.com/music/original-sound-7118102977310690091\" target=\"_blank\" rel=\"noopener noreferrer\">♬ original sound – Knuckle Bump Farms\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>[tiktok]\u003c/p>\n\u003cp>The video quickly garnered millions of views and Emmanuel fans demanded more ornery emu content. Blake happily obliged, providing another clip of the big bird behaving badly. “Emmanuel, don’t do it!” quickly became a universal symbol of the entire world’s work-related frustrations.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@knucklebumpfarms/video/7118391540732710190\" data-video-id=\"7118391540732710190\">\n\u003csection>\u003ca title=\"@knucklebumpfarms\" href=\"https://www.tiktok.com/@knucklebumpfarms\" target=\"_blank\" rel=\"noopener noreferrer\">@knucklebumpfarms\u003c/a> Another day, another Emmanuel don’t do it🤦🏼♀️its impossible to educate under these hostile work conditions \u003ca title=\"emu\" href=\"https://www.tiktok.com/tag/emu\" target=\"_blank\" rel=\"noopener noreferrer\">#emu\u003c/a> \u003ca title=\"emmanueltheemu\" href=\"https://www.tiktok.com/tag/emmanueltheemu\" target=\"_blank\" rel=\"noopener noreferrer\">#emmanueltheemu\u003c/a> \u003ca title=\"farmlife\" href=\"https://www.tiktok.com/tag/farmlife\" target=\"_blank\" rel=\"noopener noreferrer\">#farmlife\u003c/a> \u003ca title=\"choas\" href=\"https://www.tiktok.com/tag/choas\" target=\"_blank\" rel=\"noopener noreferrer\">#choas\u003c/a> \u003ca title=\"♬ original sound - Knuckle Bump Farms\" href=\"https://www.tiktok.com/music/original-sound-7118391475100044075\" target=\"_blank\" rel=\"noopener noreferrer\">♬ original sound – Knuckle Bump Farms\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>[tiktok]\u003c/p>\n\u003cp>Then came the inevitable. A request to see what happened when Emmanuel \u003cem>did\u003c/em> do it. Again, Blake happily obliged with a TikTok of Emmanuel angrily knocking Blake’s cell phone to the ground and pecking at it. “Do you feel fulfilled now?” Blake asks him. “Did it give you a rush?”\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@knucklebumpfarms/video/7118525659487620398\" data-video-id=\"7118525659487620398\">\n\u003csection>\u003ca title=\"@knucklebumpfarms\" href=\"https://www.tiktok.com/@knucklebumpfarms\" target=\"_blank\" rel=\"noopener noreferrer\">@knucklebumpfarms\u003c/a> Reply to @pdtheog is this what you wanted? Bc I have cow shit stuck in my phone speaker now😩 \u003ca title=\"emu\" href=\"https://www.tiktok.com/tag/emu\" target=\"_blank\" rel=\"noopener noreferrer\">#emu\u003c/a> \u003ca title=\"emmanuel\" href=\"https://www.tiktok.com/tag/emmanuel\" target=\"_blank\" rel=\"noopener noreferrer\">#emmanuel\u003c/a> \u003ca title=\"emusoftiktok\" href=\"https://www.tiktok.com/tag/emusoftiktok\" target=\"_blank\" rel=\"noopener noreferrer\">#emusoftiktok\u003c/a> \u003ca title=\"farmlife\" href=\"https://www.tiktok.com/tag/farmlife\" target=\"_blank\" rel=\"noopener noreferrer\">#farmlife\u003c/a> \u003ca title=\"♬ original sound - Knuckle Bump Farms\" href=\"https://www.tiktok.com/music/original-sound-7118525653288291118\" target=\"_blank\" rel=\"noopener noreferrer\">♬ original sound – Knuckle Bump Farms\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>[tiktok]\u003c/p>\n\u003cp>A major key in the appeal of the Emmanuel videos is the juxtaposition of his beady-eyed determination and Blake’s exasperated pleas for peace and sanity. This is also something she does with the other animals on the farm, as seen on TikTok. (“Ferdinand, I don’t need it out of you. This is exactly why we moved your mom to the big pasture: because she never shut her mouth.”)\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@knucklebumpfarms/video/7118404457943092522\" data-video-id=\"7118404457943092522\">\n\u003csection>\u003ca title=\"@knucklebumpfarms\" href=\"https://www.tiktok.com/@knucklebumpfarms\" target=\"_blank\" rel=\"noopener noreferrer\">@knucklebumpfarms\u003c/a> I am tired of the verbal abuse I endure at the hooves of these cows \u003ca title=\"cowsoftiktok\" href=\"https://www.tiktok.com/tag/cowsoftiktok\" target=\"_blank\" rel=\"noopener noreferrer\">#cowsoftiktok\u003c/a> \u003ca title=\"farmlife\" href=\"https://www.tiktok.com/tag/farmlife\" target=\"_blank\" rel=\"noopener noreferrer\">#farmlife\u003c/a> \u003ca title=\"moo\" href=\"https://www.tiktok.com/tag/moo\" target=\"_blank\" rel=\"noopener noreferrer\">#moo\u003c/a> \u003ca title=\"stopbullying\" href=\"https://www.tiktok.com/tag/stopbullying\" target=\"_blank\" rel=\"noopener noreferrer\">#stopbullying\u003c/a> \u003ca title=\"♬ original sound - Knuckle Bump Farms\" href=\"https://www.tiktok.com/music/original-sound-7118404444919728939\" target=\"_blank\" rel=\"noopener noreferrer\">♬ original sound – Knuckle Bump Farms\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>[tiktok]\u003c/p>\n\u003cp>Over the weekend, after someone made a supercut of Blake’s videos, the cult of Emmanuel spread to Instagram and Twitter, helped in large part by celebrity fans. Including Wonder Woman herself, Lynda Carter:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/RealLyndaCarter/status/1548697854234984451\u003c/p>\n\u003cp>Comedian Patton Oswalt posted several of Blake’s videos over the weekend. A favorite: one where she thanks the internet for supporting her and Emmanuel, then promptly gets her cell phone knocked into the dirt for her trouble.\u003c/p>\n\u003cp>https://twitter.com/pattonoswalt/status/1548718744498671616\u003c/p>\n\u003cp>It was on Sunday when we finally found out Emmanuel’s “government name”: Emmanuel Todd Lopez.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@knucklebumpfarms/video/7121505700672458026\" data-video-id=\"7121505700672458026\">\n\u003csection>\u003ca title=\"@knucklebumpfarms\" href=\"https://www.tiktok.com/@knucklebumpfarms\" target=\"_blank\" rel=\"noopener noreferrer\">@knucklebumpfarms\u003c/a> He knew I meant business when I whipped out his government name 😩🤣 \u003ca title=\"emmanueltheemu\" href=\"https://www.tiktok.com/tag/emmanueltheemu\" target=\"_blank\" rel=\"noopener noreferrer\">#emmanueltheemu\u003c/a> \u003ca title=\"emmanueldontdoit\" href=\"https://www.tiktok.com/tag/emmanueldontdoit\" target=\"_blank\" rel=\"noopener noreferrer\">#emmanueldontdoit\u003c/a> \u003ca title=\"emmanuel\" href=\"https://www.tiktok.com/tag/emmanuel\" target=\"_blank\" rel=\"noopener noreferrer\">#emmanuel\u003c/a> \u003ca title=\"emu\" href=\"https://www.tiktok.com/tag/emu\" target=\"_blank\" rel=\"noopener noreferrer\">#emu\u003c/a> \u003ca title=\"animalsagainsteducation\" href=\"https://www.tiktok.com/tag/animalsagainsteducation\" target=\"_blank\" rel=\"noopener noreferrer\">#animalsagainsteducation\u003c/a> \u003ca title=\"♬ original sound - Knuckle Bump Farms\" href=\"https://www.tiktok.com/music/original-sound-7121505683312282411\" target=\"_blank\" rel=\"noopener noreferrer\">♬ original sound – Knuckle Bump Farms\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>[tiktok]\u003c/p>\n\u003cp>Naturally, the internet was very excited about this important development.\u003c/p>\n\u003cp>https://twitter.com/mspears96/status/1548902042604896256\u003c/p>\n\u003cp>https://twitter.com/riverag3000/status/1548833955062747136\u003c/p>\n\u003cp>https://twitter.com/genwilliams/status/1548853201235058691\u003c/p>\n\u003cp>No word yet on how the other emus at Knuckle Bump Farms—Regina and Ellen—are reacting to their friend’s newfound stardom. Emmanuel, at least, appears to be taking it in stride…\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@knucklebumpfarms/video/7121796555685809450\" data-video-id=\"7121796555685809450\">\n\u003csection>\u003ca title=\"@knucklebumpfarms\" href=\"https://www.tiktok.com/@knucklebumpfarms\" target=\"_blank\" rel=\"noopener noreferrer\">@knucklebumpfarms\u003c/a> People let me tell you bout my best friend 🤠 \u003ca title=\"emmanuel\" href=\"https://www.tiktok.com/tag/emmanuel\" target=\"_blank\" rel=\"noopener noreferrer\">#emmanuel\u003c/a> \u003ca title=\"emmanueldontdoit\" href=\"https://www.tiktok.com/tag/emmanueldontdoit\" target=\"_blank\" rel=\"noopener noreferrer\">#emmanueldontdoit\u003c/a> \u003ca title=\"emmanueltheemu\" href=\"https://www.tiktok.com/tag/emmanueltheemu\" target=\"_blank\" rel=\"noopener noreferrer\">#emmanueltheemu\u003c/a> \u003ca title=\"bestfriend\" href=\"https://www.tiktok.com/tag/bestfriend\" target=\"_blank\" rel=\"noopener noreferrer\">#bestfriend\u003c/a> \u003ca title=\"♬ Best friend by Harry Nilsson - PeterVigilante\" href=\"https://www.tiktok.com/music/Best-friend-by-Harry-Nilsson-6726196654770375430\" target=\"_blank\" rel=\"noopener noreferrer\">♬ Best friend by Harry Nilsson – PeterVigilante\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>[tiktok]\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 650,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 18
},
"modified": 1705006606,
"excerpt": "He’s a big bird behaving badly, and the internet adores him.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "He’s a big bird behaving badly, and the internet adores him.",
"title": "Emmanuel Todd Lopez is the Greatest Thing on Social Media (He’s an Emu BTW) | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Emmanuel Todd Lopez is the Greatest Thing on Social Media (He’s an Emu BTW)",
"datePublished": "2022-07-18T12:35:24-07:00",
"dateModified": "2024-01-11T12:56:46-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "emmanuel-todd-lopez-emu-tiktok-taylor-blake-knuckle-bump-farms",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13916203/emmanuel-todd-lopez-emu-tiktok-taylor-blake-knuckle-bump-farms",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13912098",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Over the weekend, a new star outgrew the confines of TikTok and was welcomed with open hearts and minds by the rest of the internet. His name is Emmanuel Todd Lopez, he’s an emu, and—like so many parents at so many dinner tables—he has a raging vendetta against cellphones.\u003c/p>\n\u003cp>Avid TikTok users have known about Emmanuel’s sparkling personality for weeks now, thanks to \u003ca href=\"https://www.tiktok.com/@knucklebumpfarms?lang=en\" target=\"_blank\" rel=\"noopener noreferrer\">Knuckle Bump Farms’ account\u003c/a> on the app. The South Florida farm’s content—curated by 29-year-old farmer \u003ca href=\"https://www.instagram.com/hiitaylorblake/\" target=\"_blank\" rel=\"noopener noreferrer\">Taylor Blake\u003c/a>—had primarily revolved around cattle and very sweet miniature cows since joining TikTok. That was until Emmanuel angrily sauntered into the picture in early July.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@knucklebumpfarms/video/7118102996201917739\" data-video-id=\"7118102996201917739\">\n\u003csection>\u003ca title=\"@knucklebumpfarms\" href=\"https://www.tiktok.com/@knucklebumpfarms\" target=\"_blank\" rel=\"noopener noreferrer\">@knucklebumpfarms\u003c/a> Not a day goes by that Emanuel doesn’t try my life \u003ca title=\"emu\" href=\"https://www.tiktok.com/tag/emu\" target=\"_blank\" rel=\"noopener noreferrer\">#emu\u003c/a> \u003ca title=\"emusoftiktok\" href=\"https://www.tiktok.com/tag/emusoftiktok\" target=\"_blank\" rel=\"noopener noreferrer\">#emusoftiktok\u003c/a> \u003ca title=\"farmlife\" href=\"https://www.tiktok.com/tag/farmlife\" target=\"_blank\" rel=\"noopener noreferrer\">#farmlife\u003c/a> \u003ca title=\"♬ original sound - Knuckle Bump Farms\" href=\"https://www.tiktok.com/music/original-sound-7118102977310690091\" target=\"_blank\" rel=\"noopener noreferrer\">♬ original sound – Knuckle Bump Farms\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "tiktok",
"attributes": {
"named": {
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The video quickly garnered millions of views and Emmanuel fans demanded more ornery emu content. Blake happily obliged, providing another clip of the big bird behaving badly. “Emmanuel, don’t do it!” quickly became a universal symbol of the entire world’s work-related frustrations.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@knucklebumpfarms/video/7118391540732710190\" data-video-id=\"7118391540732710190\">\n\u003csection>\u003ca title=\"@knucklebumpfarms\" href=\"https://www.tiktok.com/@knucklebumpfarms\" target=\"_blank\" rel=\"noopener noreferrer\">@knucklebumpfarms\u003c/a> Another day, another Emmanuel don’t do it🤦🏼♀️its impossible to educate under these hostile work conditions \u003ca title=\"emu\" href=\"https://www.tiktok.com/tag/emu\" target=\"_blank\" rel=\"noopener noreferrer\">#emu\u003c/a> \u003ca title=\"emmanueltheemu\" href=\"https://www.tiktok.com/tag/emmanueltheemu\" target=\"_blank\" rel=\"noopener noreferrer\">#emmanueltheemu\u003c/a> \u003ca title=\"farmlife\" href=\"https://www.tiktok.com/tag/farmlife\" target=\"_blank\" rel=\"noopener noreferrer\">#farmlife\u003c/a> \u003ca title=\"choas\" href=\"https://www.tiktok.com/tag/choas\" target=\"_blank\" rel=\"noopener noreferrer\">#choas\u003c/a> \u003ca title=\"♬ original sound - Knuckle Bump Farms\" href=\"https://www.tiktok.com/music/original-sound-7118391475100044075\" target=\"_blank\" rel=\"noopener noreferrer\">♬ original sound – Knuckle Bump Farms\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "tiktok",
"attributes": {
"named": {
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Then came the inevitable. A request to see what happened when Emmanuel \u003cem>did\u003c/em> do it. Again, Blake happily obliged with a TikTok of Emmanuel angrily knocking Blake’s cell phone to the ground and pecking at it. “Do you feel fulfilled now?” Blake asks him. “Did it give you a rush?”\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@knucklebumpfarms/video/7118525659487620398\" data-video-id=\"7118525659487620398\">\n\u003csection>\u003ca title=\"@knucklebumpfarms\" href=\"https://www.tiktok.com/@knucklebumpfarms\" target=\"_blank\" rel=\"noopener noreferrer\">@knucklebumpfarms\u003c/a> Reply to @pdtheog is this what you wanted? Bc I have cow shit stuck in my phone speaker now😩 \u003ca title=\"emu\" href=\"https://www.tiktok.com/tag/emu\" target=\"_blank\" rel=\"noopener noreferrer\">#emu\u003c/a> \u003ca title=\"emmanuel\" href=\"https://www.tiktok.com/tag/emmanuel\" target=\"_blank\" rel=\"noopener noreferrer\">#emmanuel\u003c/a> \u003ca title=\"emusoftiktok\" href=\"https://www.tiktok.com/tag/emusoftiktok\" target=\"_blank\" rel=\"noopener noreferrer\">#emusoftiktok\u003c/a> \u003ca title=\"farmlife\" href=\"https://www.tiktok.com/tag/farmlife\" target=\"_blank\" rel=\"noopener noreferrer\">#farmlife\u003c/a> \u003ca title=\"♬ original sound - Knuckle Bump Farms\" href=\"https://www.tiktok.com/music/original-sound-7118525653288291118\" target=\"_blank\" rel=\"noopener noreferrer\">♬ original sound – Knuckle Bump Farms\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "tiktok",
"attributes": {
"named": {
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A major key in the appeal of the Emmanuel videos is the juxtaposition of his beady-eyed determination and Blake’s exasperated pleas for peace and sanity. This is also something she does with the other animals on the farm, as seen on TikTok. (“Ferdinand, I don’t need it out of you. This is exactly why we moved your mom to the big pasture: because she never shut her mouth.”)\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@knucklebumpfarms/video/7118404457943092522\" data-video-id=\"7118404457943092522\">\n\u003csection>\u003ca title=\"@knucklebumpfarms\" href=\"https://www.tiktok.com/@knucklebumpfarms\" target=\"_blank\" rel=\"noopener noreferrer\">@knucklebumpfarms\u003c/a> I am tired of the verbal abuse I endure at the hooves of these cows \u003ca title=\"cowsoftiktok\" href=\"https://www.tiktok.com/tag/cowsoftiktok\" target=\"_blank\" rel=\"noopener noreferrer\">#cowsoftiktok\u003c/a> \u003ca title=\"farmlife\" href=\"https://www.tiktok.com/tag/farmlife\" target=\"_blank\" rel=\"noopener noreferrer\">#farmlife\u003c/a> \u003ca title=\"moo\" href=\"https://www.tiktok.com/tag/moo\" target=\"_blank\" rel=\"noopener noreferrer\">#moo\u003c/a> \u003ca title=\"stopbullying\" href=\"https://www.tiktok.com/tag/stopbullying\" target=\"_blank\" rel=\"noopener noreferrer\">#stopbullying\u003c/a> \u003ca title=\"♬ original sound - Knuckle Bump Farms\" href=\"https://www.tiktok.com/music/original-sound-7118404444919728939\" target=\"_blank\" rel=\"noopener noreferrer\">♬ original sound – Knuckle Bump Farms\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "tiktok",
"attributes": {
"named": {
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Over the weekend, after someone made a supercut of Blake’s videos, the cult of Emmanuel spread to Instagram and Twitter, helped in large part by celebrity fans. Including Wonder Woman herself, Lynda Carter:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1548697854234984451"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Comedian Patton Oswalt posted several of Blake’s videos over the weekend. A favorite: one where she thanks the internet for supporting her and Emmanuel, then promptly gets her cell phone knocked into the dirt for her trouble.\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1548718744498671616"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>It was on Sunday when we finally found out Emmanuel’s “government name”: Emmanuel Todd Lopez.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@knucklebumpfarms/video/7121505700672458026\" data-video-id=\"7121505700672458026\">\n\u003csection>\u003ca title=\"@knucklebumpfarms\" href=\"https://www.tiktok.com/@knucklebumpfarms\" target=\"_blank\" rel=\"noopener noreferrer\">@knucklebumpfarms\u003c/a> He knew I meant business when I whipped out his government name 😩🤣 \u003ca title=\"emmanueltheemu\" href=\"https://www.tiktok.com/tag/emmanueltheemu\" target=\"_blank\" rel=\"noopener noreferrer\">#emmanueltheemu\u003c/a> \u003ca title=\"emmanueldontdoit\" href=\"https://www.tiktok.com/tag/emmanueldontdoit\" target=\"_blank\" rel=\"noopener noreferrer\">#emmanueldontdoit\u003c/a> \u003ca title=\"emmanuel\" href=\"https://www.tiktok.com/tag/emmanuel\" target=\"_blank\" rel=\"noopener noreferrer\">#emmanuel\u003c/a> \u003ca title=\"emu\" href=\"https://www.tiktok.com/tag/emu\" target=\"_blank\" rel=\"noopener noreferrer\">#emu\u003c/a> \u003ca title=\"animalsagainsteducation\" href=\"https://www.tiktok.com/tag/animalsagainsteducation\" target=\"_blank\" rel=\"noopener noreferrer\">#animalsagainsteducation\u003c/a> \u003ca title=\"♬ original sound - Knuckle Bump Farms\" href=\"https://www.tiktok.com/music/original-sound-7121505683312282411\" target=\"_blank\" rel=\"noopener noreferrer\">♬ original sound – Knuckle Bump Farms\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "tiktok",
"attributes": {
"named": {
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Naturally, the internet was very excited about this important development.\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1548902042604896256"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1548833955062747136"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1548853201235058691"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>No word yet on how the other emus at Knuckle Bump Farms—Regina and Ellen—are reacting to their friend’s newfound stardom. Emmanuel, at least, appears to be taking it in stride…\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@knucklebumpfarms/video/7121796555685809450\" data-video-id=\"7121796555685809450\">\n\u003csection>\u003ca title=\"@knucklebumpfarms\" href=\"https://www.tiktok.com/@knucklebumpfarms\" target=\"_blank\" rel=\"noopener noreferrer\">@knucklebumpfarms\u003c/a> People let me tell you bout my best friend 🤠 \u003ca title=\"emmanuel\" href=\"https://www.tiktok.com/tag/emmanuel\" target=\"_blank\" rel=\"noopener noreferrer\">#emmanuel\u003c/a> \u003ca title=\"emmanueldontdoit\" href=\"https://www.tiktok.com/tag/emmanueldontdoit\" target=\"_blank\" rel=\"noopener noreferrer\">#emmanueldontdoit\u003c/a> \u003ca title=\"emmanueltheemu\" href=\"https://www.tiktok.com/tag/emmanueltheemu\" target=\"_blank\" rel=\"noopener noreferrer\">#emmanueltheemu\u003c/a> \u003ca title=\"bestfriend\" href=\"https://www.tiktok.com/tag/bestfriend\" target=\"_blank\" rel=\"noopener noreferrer\">#bestfriend\u003c/a> \u003ca title=\"♬ Best friend by Harry Nilsson - PeterVigilante\" href=\"https://www.tiktok.com/music/Best-friend-by-Harry-Nilsson-6726196654770375430\" target=\"_blank\" rel=\"noopener noreferrer\">♬ Best friend by Harry Nilsson – PeterVigilante\u003c/a>\u003c/section>\n\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "tiktok",
"attributes": {
"named": {
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13916203/emmanuel-todd-lopez-emu-tiktok-taylor-blake-knuckle-bump-farms",
"authors": [
"11242"
],
"categories": [
"arts_1",
"arts_75"
],
"tags": [
"arts_9124",
"arts_549",
"arts_10342",
"arts_10278",
"arts_8017"
],
"featImg": "arts_13916222",
"label": "arts"
},
"arts_13916103": {
"type": "posts",
"id": "arts_13916103",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13916103",
"score": null,
"sort": [
1657879228000
]
},
"guestAuthors": [],
"slug": "union-citys-joshua-neal-is-a-star-for-real",
"title": "Union City’s Joshua Neal is a Star For Real",
"publishDate": 1657879228,
"format": "audio",
"headTitle": "Union City’s Joshua Neal is a Star For Real | KQED",
"labelTerm": {
"term": 8720,
"site": "arts"
},
"content": "\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC7857325208&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/joshuaneall/\" target=\"_blank\" rel=\"noopener noreferrer\">Joshua Neal\u003c/a> is a viral sensation, using social media platforms to share his acting talents and social commentary with the world, and simultaneously launching his career.\u003c/p>\n\u003cp>Multiple times a week, Neal posts short comedic videos where he plays all the roles, writes all the scripts, and produces all the stories. He can be seen smoking fake cigarettes as a bad guy or wearing a towel on his head as he takes on the role of an angry girlfriend—all in service of telling humorous stories that resonate with people’s real-life experiences.\u003c/p>\n\u003cp>His posts have been shared widely, and have reached the digital doorsteps of Hollywood luminaries like \u003ca href=\"https://twitter.com/ellabakercenter/status/1547295009249980416?s=20&t=ebcv2ZkmKeD5UveebJ0MzA\" target=\"_blank\" rel=\"noopener noreferrer\">Ava DuVernay\u003c/a>.\u003c/p>\n\u003cp>Neal, an actor, writer and creator who grew up in Union City and currently lives in Hayward, now has a foot in the door of major production circles, and he did it by simply creating content from the confines of his parents’ crib.\u003c/p>\n\u003cp>This week Joshua Neal shares a little bit of his own story, as well as what it takes to consistently make viral videos.\u003c/p>\n\u003cp>\u003cstrong>Below are some lightly edited excerpts of the episode with Joshua Neal.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cspan style=\"font-weight: 400\">Pen: Why Hayward? \u003c/span>\u003cspan style=\"font-weight: 400\">Like, Hayward is not L.A.\u003c/span>\u003c/em>\u003c/p>\n\u003cp>Joshua: \u003cspan style=\"font-weight: 400\">It isn’t, but you know, it’s a little bit easier for the opportunities to come to you wherever you are because of social media. So I don’t really have a reason to be in L.A. right now. You know, like I remember when I finally… I booked a national commercial right? And I was like, I’ve made it. \u003c/span>\u003cspan style=\"font-weight: 400\">I’m going to buy my mom a Ferrari and I’m going to move to L.A.\u003c/span>\u003c/p>\n\u003cp>\u003cem>Pen: \u003cspan style=\"font-weight: 400\">Off of one commercial.\u003c/span>\u003c/em>\u003c/p>\n\u003cp>Joshua: \u003cspan style=\"font-weight: 400\">Exactly. So I made a cool little penny. But when I was out there, I was doing a lot of the same things that I was doing in the Bay, which is just waiting for an audition. Sending in a self-tape [audition], you know, you don’t really even get the audition in person, I guess, until round two or three? \u003c/span>\u003cspan style=\"font-weight: 400\">Depending on, you know, how big of a production they are, you know, stuff like that. So I was like, you know what, until I have to come back to L.A. and do work there, then I’ll just stay out here. And [it’s] a little bit easier on the pockets.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I think the cultures are very different: there’s social media and then there’s the film and TV industry. I think how you’re seen is very, very different, you know what I mean? \u003c/span>\u003cspan style=\"font-weight: 400\">Because I feel like, there is the method that, you know, you’re just sending in your self-tape, you’re auditioning. But we’re in a different day and age now, to where you can be somewhat in control of your destiny, like you don’t have to wait around. And I think that instead of reaching out to Hollywood, it’s a little better to have Hollywood reach out to you, now. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">You know, there’s a lot of people that go to actor’s school. They do their … what is it called, their showcase. And there’s agents that come there and they get picked up straight from that, you know what I mean? \u003c/span>\u003cspan style=\"font-weight: 400\">But for those of us who I would say kind of don’t want to sit still … Then it’s the best way to market yourself, brand yourself, make a living and have them go, “Oh, we think this guy will be good for this” because when they approach you in an audition opportunity, they have an idea already of who you are, and kind of like the part that you will fit. So it kind of gives you a little extra advantage… Until Michael B. Jordan comes in and then it’s all over!\u003c/span>\u003c/p>\n\u003cp>\u003cem>Pen: I asked Joshua what his goal would be if he were to make super stardom like Issa Rae, who also carved out her path through a web series. And whether he would try to help other people in his community get past some of the Hollywood gatekeeping. \u003c/em>\u003c/p>\n\u003cp>Joshua: \u003cspan style=\"font-weight: 400\">You know, for people, you know who aren’t Black, not a person of color, it’s kind of like the opportunity is everywhere, it’s been there. So there’s not as much pressure to put people on because they’re already on or going to get on. It’s very easy. Versus one of us makes it out of thousands? We’re all going to say like, “Oh, please, yo, I mean like, you got to.” \u003c/span>\u003cspan style=\"font-weight: 400\">We feel like you’re obligated to because of the fact that it’s rare for one of us to make it as big as Issa Rae. You know what I’m saying? And I’m pretty sure she feels as pressured to sometimes to be like oh I have to do it, because if you don’t, who else is? There’ll be another Issa Rae thirty years from now. \u003c/span>\u003cspan style=\"font-weight: 400\">Being a black man in America, especially a Black artist, there is the lack of opportunities. So if I get lucky and blessed enough to get to this level of whatever stardom, whatever you want to call it, and I have this access of managers and agents and casting directors and people that I can “put on,” I’m going to do so. \u003c/span>\u003c/p>\n\u003cp>…\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Joshua: Sometimes I feel like people can maybe look at social media people as like they got it made and stuff. When really I don’t, personally. \u003c/span>\u003cspan style=\"font-weight: 400\">So I like to, you know, just bring it down to earth sometimes, let people know that it’s like, yo, or I’m still trying to figure it out. I’m 32, I live with my parents. You know, things just started taking off for me and my acting career a year and a half ago, you know, and I’m still trying to make it.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sometimes I think it’s important to just let people know, like, we’re really all in this together. We’re really all trying to figure it out. Sometimes things aren’t what they seem, you know what I’m saying? So I just put that in there every now and then. \u003c/span>\u003cspan style=\"font-weight: 400\">And I know I can sound so phony, [but] he battle really is within yourself.\u003c/span>\u003cspan style=\"font-weight: 400\"> It really is. You’re your hardest critic. You’re always going to say, “this isn’t funny. That’s not going to do it. That’s not going to… ” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">You don’t know that! Do it first, then find out. \u003c/span>\u003cspan style=\"font-weight: 400\">There’s nothing to be worried about right now. There’s no failure. So make something, because it could be the greatest thing someone’s ever seen. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"blocks": [],
"excerpt": "Joshua Neal gives us insight on creating viral videos and entering the entertainment industry. ",
"status": "publish",
"parent": 0,
"modified": 1726759394,
"stats": {
"hasAudio": true,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 23,
"wordCount": 1279
},
"headData": {
"title": "Union City’s Joshua Neal is a Star For Real | KQED",
"description": "Joshua Neal gives us insight on creating viral videos and entering the entertainment industry. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Union City’s Joshua Neal is a Star For Real",
"datePublished": "2022-07-15T03:00:28-07:00",
"dateModified": "2024-09-19T08:23:14-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"audioUrl": "https//www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/KQINC7857325208.mp3?updated=1657849946",
"sticky": false,
"excludeFromSiteSearch": "Include",
"path": "/arts/13916103/union-citys-joshua-neal-is-a-star-for-real",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC7857325208&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"https://www.instagram.com/joshuaneall/\" target=\"_blank\" rel=\"noopener noreferrer\">Joshua Neal\u003c/a> is a viral sensation, using social media platforms to share his acting talents and social commentary with the world, and simultaneously launching his career.\u003c/p>\n\u003cp>Multiple times a week, Neal posts short comedic videos where he plays all the roles, writes all the scripts, and produces all the stories. He can be seen smoking fake cigarettes as a bad guy or wearing a towel on his head as he takes on the role of an angry girlfriend—all in service of telling humorous stories that resonate with people’s real-life experiences.\u003c/p>\n\u003cp>His posts have been shared widely, and have reached the digital doorsteps of Hollywood luminaries like \u003ca href=\"https://twitter.com/ellabakercenter/status/1547295009249980416?s=20&t=ebcv2ZkmKeD5UveebJ0MzA\" target=\"_blank\" rel=\"noopener noreferrer\">Ava DuVernay\u003c/a>.\u003c/p>\n\u003cp>Neal, an actor, writer and creator who grew up in Union City and currently lives in Hayward, now has a foot in the door of major production circles, and he did it by simply creating content from the confines of his parents’ crib.\u003c/p>\n\u003cp>This week Joshua Neal shares a little bit of his own story, as well as what it takes to consistently make viral videos.\u003c/p>\n\u003cp>\u003cstrong>Below are some lightly edited excerpts of the episode with Joshua Neal.\u003c/strong>\u003c/p>\n\u003cp>\u003cem>\u003cspan style=\"font-weight: 400\">Pen: Why Hayward? \u003c/span>\u003cspan style=\"font-weight: 400\">Like, Hayward is not L.A.\u003c/span>\u003c/em>\u003c/p>\n\u003cp>Joshua: \u003cspan style=\"font-weight: 400\">It isn’t, but you know, it’s a little bit easier for the opportunities to come to you wherever you are because of social media. So I don’t really have a reason to be in L.A. right now. You know, like I remember when I finally… I booked a national commercial right? And I was like, I’ve made it. \u003c/span>\u003cspan style=\"font-weight: 400\">I’m going to buy my mom a Ferrari and I’m going to move to L.A.\u003c/span>\u003c/p>\n\u003cp>\u003cem>Pen: \u003cspan style=\"font-weight: 400\">Off of one commercial.\u003c/span>\u003c/em>\u003c/p>\n\u003cp>Joshua: \u003cspan style=\"font-weight: 400\">Exactly. So I made a cool little penny. But when I was out there, I was doing a lot of the same things that I was doing in the Bay, which is just waiting for an audition. Sending in a self-tape [audition], you know, you don’t really even get the audition in person, I guess, until round two or three? \u003c/span>\u003cspan style=\"font-weight: 400\">Depending on, you know, how big of a production they are, you know, stuff like that. So I was like, you know what, until I have to come back to L.A. and do work there, then I’ll just stay out here. And [it’s] a little bit easier on the pockets.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I think the cultures are very different: there’s social media and then there’s the film and TV industry. I think how you’re seen is very, very different, you know what I mean? \u003c/span>\u003cspan style=\"font-weight: 400\">Because I feel like, there is the method that, you know, you’re just sending in your self-tape, you’re auditioning. But we’re in a different day and age now, to where you can be somewhat in control of your destiny, like you don’t have to wait around. And I think that instead of reaching out to Hollywood, it’s a little better to have Hollywood reach out to you, now. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">You know, there’s a lot of people that go to actor’s school. They do their … what is it called, their showcase. And there’s agents that come there and they get picked up straight from that, you know what I mean? \u003c/span>\u003cspan style=\"font-weight: 400\">But for those of us who I would say kind of don’t want to sit still … Then it’s the best way to market yourself, brand yourself, make a living and have them go, “Oh, we think this guy will be good for this” because when they approach you in an audition opportunity, they have an idea already of who you are, and kind of like the part that you will fit. So it kind of gives you a little extra advantage… Until Michael B. Jordan comes in and then it’s all over!\u003c/span>\u003c/p>\n\u003cp>\u003cem>Pen: I asked Joshua what his goal would be if he were to make super stardom like Issa Rae, who also carved out her path through a web series. And whether he would try to help other people in his community get past some of the Hollywood gatekeeping. \u003c/em>\u003c/p>\n\u003cp>Joshua: \u003cspan style=\"font-weight: 400\">You know, for people, you know who aren’t Black, not a person of color, it’s kind of like the opportunity is everywhere, it’s been there. So there’s not as much pressure to put people on because they’re already on or going to get on. It’s very easy. Versus one of us makes it out of thousands? We’re all going to say like, “Oh, please, yo, I mean like, you got to.” \u003c/span>\u003cspan style=\"font-weight: 400\">We feel like you’re obligated to because of the fact that it’s rare for one of us to make it as big as Issa Rae. You know what I’m saying? And I’m pretty sure she feels as pressured to sometimes to be like oh I have to do it, because if you don’t, who else is? There’ll be another Issa Rae thirty years from now. \u003c/span>\u003cspan style=\"font-weight: 400\">Being a black man in America, especially a Black artist, there is the lack of opportunities. So if I get lucky and blessed enough to get to this level of whatever stardom, whatever you want to call it, and I have this access of managers and agents and casting directors and people that I can “put on,” I’m going to do so. \u003c/span>\u003c/p>\n\u003cp>…\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Joshua: Sometimes I feel like people can maybe look at social media people as like they got it made and stuff. When really I don’t, personally. \u003c/span>\u003cspan style=\"font-weight: 400\">So I like to, you know, just bring it down to earth sometimes, let people know that it’s like, yo, or I’m still trying to figure it out. I’m 32, I live with my parents. You know, things just started taking off for me and my acting career a year and a half ago, you know, and I’m still trying to make it.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Sometimes I think it’s important to just let people know, like, we’re really all in this together. We’re really all trying to figure it out. Sometimes things aren’t what they seem, you know what I’m saying? So I just put that in there every now and then. \u003c/span>\u003cspan style=\"font-weight: 400\">And I know I can sound so phony, [but] he battle really is within yourself.\u003c/span>\u003cspan style=\"font-weight: 400\"> It really is. You’re your hardest critic. You’re always going to say, “this isn’t funny. That’s not going to do it. That’s not going to… ” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">You don’t know that! Do it first, then find out. \u003c/span>\u003cspan style=\"font-weight: 400\">There’s nothing to be worried about right now. There’s no failure. So make something, because it could be the greatest thing someone’s ever seen. \u003c/span>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13916103/union-citys-joshua-neal-is-a-star-for-real",
"authors": [
"11491",
"11528",
"11816"
],
"programs": [
"arts_8720"
],
"categories": [
"arts_1",
"arts_968",
"arts_21759",
"arts_75"
],
"tags": [
"arts_3850",
"arts_8393",
"arts_8017",
"arts_18037",
"arts_8491"
],
"featImg": "arts_13916174",
"label": "arts_8720"
},
"arts_13915943": {
"type": "posts",
"id": "arts_13915943",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13915943",
"score": null,
"sort": [
1657572708000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1657572708,
"format": "standard",
"title": "'Better Call Saul' Might Be the Greatest of All Time—if it Can Stick the Landing",
"headTitle": "‘Better Call Saul’ Might Be the Greatest of All Time—if it Can Stick the Landing | KQED",
"content": "\u003cp>\u003ca href=\"https://www.npr.org/2015/02/04/383785664/better-call-saul-the-prequel-to-breaking-bad-is-as-good-as-the-first\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Better Call Saul\u003c/em>\u003c/a>\u003cem>,\u003c/em> the AMC show which serves as both a prequel and a sequel to \u003ca href=\"https://www.npr.org/2013/10/03/228813142/breaking-bad-writers-this-is-it-theres-no-more\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Breaking Bad\u003c/em>\u003c/a>, has been outstanding ever since it debuted in 2015. Depending on how well it sticks the landing in the final episodes of its sixth and final season, it could end up as the best dramatic TV series ever made.\u003c/p>\n\u003cp>And this fascinates me, because the series, has been entirely reverse-engineered—designed and built from pieces of the earlier show. Now that it’s about to end, it’s fun to look back at exactly how the character and story of Saul were crafted from the original seeds sown on \u003cem>Breaking Bad\u003c/em>.\u003c/p>\n\u003cp>[aside postid='pop_7467']\u003cem>Breaking Bad\u003c/em> creator Vince Gilligan is behind \u003cem>Better Call Saul\u003c/em>, too, along with co-creator Peter Gould. With that previous series, Gilligan knew the journey he wanted his main character to take: Walter White, played brilliantly by Bryan Cranston, would go from meek high-school science teacher to murderous meth-manufacturing drug lord. But the path to get from that Point A to Point B was wide open.\u003c/p>\n\u003cp>With \u003cem>Better Call Saul,\u003c/em> it’s different. Some short, intermittent snippets are set in the future after \u003cem>Breaking Bad,\u003c/em> but most of the series is an origin story, following the character of shifty lawyer Saul Goodman, whom we first met in season 2 of \u003cem>Breaking Bad. \u003c/em>Saul, played by comedian Bob Odenkirk, was and is the type of lawyer who talks loudly and carries a heavy shtick—especially in local TV spots advertising his services.\u003c/p>\n\u003cp>Gould wrote the episode of \u003cem>Breaking Bad \u003c/em>that introduced Goodman, and when it came time to make a series out of \u003cem>Better Call Saul, \u003c/em>the writing staff took its inspiration from ideas and lines of dialogue that Gould had intended as throwaways. For example, the series \u003cem>Better Call Saul\u003c/em> presented Odenkirk as Jimmy McGill, a low-rent lawyer who would take several seasons to adopt the persona of Saul Goodman. But the seeds were laid in the \u003cem>Breaking Bad \u003c/em>episode where Odenkirk’s character meets Walter and admits that he assumed the Jewish-sounding name because he thought it would be good for business.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=lqMq6jLUcg8\u003c/p>\n\u003cp>The part of the spinoff series that was set in the past was all about Jimmy, and two other prominent characters—neither of whom had appeared in \u003cem>Breaking Bad\u003c/em> at all. One was Jimmy’s girlfriend, Kim Wexler, a fellow lawyer—and, eventually, fellow con artist—played so mysteriously by Rhea Seehorn. The other was Jimmy’s older brother Chuck, played by Michael McKean, whose character was a much more successful and respected attorney.\u003c/p>\n\u003cp>These were great new additions. Kim, like Jimmy and Walter, was a character we got to watch breaking bad over a very slow and sad downward spiral. And the sibling rivalry between Jimmy and Chuck was as wonderful to watch as the one between Frasier and his brother Niles on the sitcom \u003cem>Frasier\u003c/em>, which was a spinoff from another fabulous sitcom, \u003cem>Cheers\u003c/em>. Both those brothers, Niles and Chuck, were created for their respective spinoffs, and \u003cem>Better Call Saul \u003c/em>benefited just as greatly from the addition.\u003c/p>\n\u003cp>[aside postid='pop_109545']But Gilligan and Gould weren’t done pulling inspiration from \u003cem>Breaking Bad. \u003c/em>The short black-and-white scenes showing Saul’s current fate have the character adopting yet another name, and about to return to Albuquerque after hiding undercover in Nebraska. That may seem random, but in Saul’s last conversation with Walter on \u003cem>Breaking Bad,\u003c/em> Saul rejected Walter’s demand to continue working as his lawyer by saying his goal was to become “Mr. Low Profile,” who, in the “best case scenario,” might wind up managing a Cinnabon in Omaha.\u003c/p>\n\u003cp>Nothing from \u003cem>Breaking Bad, \u003c/em>though, is as surprisingly precise as an early indicator of what \u003cem>Better Call Saul \u003c/em>would become as another scene from the episode introducing Saul. Walter and his meth-producing partner, Jesse (Aaron Paul), are upset that Saul won’t do what they’ve asked him to do. So they dig a grave-sized hole in the desert, put on ski masks and abduct Saul, covering his head with a hood. As they tie his hands behind his back, drive him to the desert and drop him to his knees at gunpoint, Saul assumes they’ve been sent by someone named Lalo.\u003c/p>\n\u003cp>That’s the only mention of Lalo in \u003cem>Breaking Bad,\u003c/em> but clearly, from Saul’s perspective, he’s someone really to be feared. That’s why it’s so astounding that, in the most recent episodes of \u003cem>Better Call Saul, \u003c/em>the most menacing and deadly character has been none other than that same Lalo, played by Tony Dalton. The most recent episode of \u003cem>Better Call Saul, \u003c/em>back in May, had Lalo kill a major character so brutally and shockingly that I still haven’t forgotten it.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Qz3u06eXf0E\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>What happens now? I have no idea, and AMC sent out no episodes to preview. We do know that, for these final episodes, Carol Burnett appears as a newly introduced character, which is really intriguing. And we know that the fate of Seehorn’s Kim, whatever it is, will be drastic enough to keep her from making even a single appearance in \u003cem>Breaking Bad, \u003c/em>and will complete Jimmy’s transformation into the totally amoral Saul Goodman. It’s how Gilligan, Gould and company connect the dots between those new sets of Point A and Point B that will determine just how great a show \u003cem>Better Call Saul \u003c/em>ends up being. The devil is in the details. And on this show, so is the brilliance.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\" target=\"_blank\" rel=\"noopener noreferrer\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Better+Call+Saul%27+might+be+the+greatest+of+all+time+%E2%80%94+if+it+can+stick+the+landing&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 985,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 13
},
"modified": 1705006632,
"excerpt": "The 'Breaking Bad' spin-off has been great since it started. The last episodes will determine just how great it ends up being. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The 'Breaking Bad' spin-off has been great since it started. The last episodes will determine just how great it ends up being. ",
"title": "'Better Call Saul' Might Be the Greatest of All Time—if it Can Stick the Landing | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "'Better Call Saul' Might Be the Greatest of All Time—if it Can Stick the Landing",
"datePublished": "2022-07-11T13:51:48-07:00",
"dateModified": "2024-01-11T12:57:12-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "better-call-saul-might-be-the-greatest-of-all-time-if-it-can-stick-the-landing",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=1110808669&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Mon, 11 Jul 2022 12:27:01 -0400",
"excludeFromSiteSearch": "Include",
"nprLastModifiedDate": "Mon, 11 Jul 2022 12:27:47 -0400",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/2022/07/11/1110808669/better-call-saul-breaking-bad-bob-odenkirk-review?ft=nprml&f=1110808669",
"nprAudio": "https://ondemand.npr.org/anon.npr-mp3/npr/fa/2022/07/20220711_fa_02.mp3?orgId=427869011&topicId=1163&d=520&p=13&story=1110808669&ft=nprml&f=1110808669",
"nprImageAgency": "AMC/Sony Pictures Television",
"nprAudioM3u": "http://api.npr.org/m3u/11110881272-09682a.m3u?orgId=427869011&topicId=1163&d=520&p=13&story=1110808669&ft=nprml&f=1110808669",
"nprStoryId": "1110808669",
"nprByline": "David Bianculli",
"sticky": false,
"nprImageCredit": "Greg Lewis",
"showOnAuthorArchivePages": "No",
"nprRetrievedStory": "1",
"nprPubDate": "Mon, 11 Jul 2022 13:33:00 -0400",
"path": "/arts/13915943/better-call-saul-might-be-the-greatest-of-all-time-if-it-can-stick-the-landing",
"audioUrl": "https://ondemand.npr.org/anon.npr-mp3/npr/fa/2022/07/20220711_fa_02.mp3?orgId=427869011&topicId=1163&d=520&p=13&story=1110808669&ft=nprml&f=1110808669",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.npr.org/2015/02/04/383785664/better-call-saul-the-prequel-to-breaking-bad-is-as-good-as-the-first\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Better Call Saul\u003c/em>\u003c/a>\u003cem>,\u003c/em> the AMC show which serves as both a prequel and a sequel to \u003ca href=\"https://www.npr.org/2013/10/03/228813142/breaking-bad-writers-this-is-it-theres-no-more\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Breaking Bad\u003c/em>\u003c/a>, has been outstanding ever since it debuted in 2015. Depending on how well it sticks the landing in the final episodes of its sixth and final season, it could end up as the best dramatic TV series ever made.\u003c/p>\n\u003cp>And this fascinates me, because the series, has been entirely reverse-engineered—designed and built from pieces of the earlier show. Now that it’s about to end, it’s fun to look back at exactly how the character and story of Saul were crafted from the original seeds sown on \u003cem>Breaking Bad\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "pop_7467",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cem>Breaking Bad\u003c/em> creator Vince Gilligan is behind \u003cem>Better Call Saul\u003c/em>, too, along with co-creator Peter Gould. With that previous series, Gilligan knew the journey he wanted his main character to take: Walter White, played brilliantly by Bryan Cranston, would go from meek high-school science teacher to murderous meth-manufacturing drug lord. But the path to get from that Point A to Point B was wide open.\u003c/p>\n\u003cp>With \u003cem>Better Call Saul,\u003c/em> it’s different. Some short, intermittent snippets are set in the future after \u003cem>Breaking Bad,\u003c/em> but most of the series is an origin story, following the character of shifty lawyer Saul Goodman, whom we first met in season 2 of \u003cem>Breaking Bad. \u003c/em>Saul, played by comedian Bob Odenkirk, was and is the type of lawyer who talks loudly and carries a heavy shtick—especially in local TV spots advertising his services.\u003c/p>\n\u003cp>Gould wrote the episode of \u003cem>Breaking Bad \u003c/em>that introduced Goodman, and when it came time to make a series out of \u003cem>Better Call Saul, \u003c/em>the writing staff took its inspiration from ideas and lines of dialogue that Gould had intended as throwaways. For example, the series \u003cem>Better Call Saul\u003c/em> presented Odenkirk as Jimmy McGill, a low-rent lawyer who would take several seasons to adopt the persona of Saul Goodman. But the seeds were laid in the \u003cem>Breaking Bad \u003c/em>episode where Odenkirk’s character meets Walter and admits that he assumed the Jewish-sounding name because he thought it would be good for business.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/lqMq6jLUcg8'\n title='//www.youtube.com/embed/lqMq6jLUcg8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The part of the spinoff series that was set in the past was all about Jimmy, and two other prominent characters—neither of whom had appeared in \u003cem>Breaking Bad\u003c/em> at all. One was Jimmy’s girlfriend, Kim Wexler, a fellow lawyer—and, eventually, fellow con artist—played so mysteriously by Rhea Seehorn. The other was Jimmy’s older brother Chuck, played by Michael McKean, whose character was a much more successful and respected attorney.\u003c/p>\n\u003cp>These were great new additions. Kim, like Jimmy and Walter, was a character we got to watch breaking bad over a very slow and sad downward spiral. And the sibling rivalry between Jimmy and Chuck was as wonderful to watch as the one between Frasier and his brother Niles on the sitcom \u003cem>Frasier\u003c/em>, which was a spinoff from another fabulous sitcom, \u003cem>Cheers\u003c/em>. Both those brothers, Niles and Chuck, were created for their respective spinoffs, and \u003cem>Better Call Saul \u003c/em>benefited just as greatly from the addition.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "pop_109545",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>But Gilligan and Gould weren’t done pulling inspiration from \u003cem>Breaking Bad. \u003c/em>The short black-and-white scenes showing Saul’s current fate have the character adopting yet another name, and about to return to Albuquerque after hiding undercover in Nebraska. That may seem random, but in Saul’s last conversation with Walter on \u003cem>Breaking Bad,\u003c/em> Saul rejected Walter’s demand to continue working as his lawyer by saying his goal was to become “Mr. Low Profile,” who, in the “best case scenario,” might wind up managing a Cinnabon in Omaha.\u003c/p>\n\u003cp>Nothing from \u003cem>Breaking Bad, \u003c/em>though, is as surprisingly precise as an early indicator of what \u003cem>Better Call Saul \u003c/em>would become as another scene from the episode introducing Saul. Walter and his meth-producing partner, Jesse (Aaron Paul), are upset that Saul won’t do what they’ve asked him to do. So they dig a grave-sized hole in the desert, put on ski masks and abduct Saul, covering his head with a hood. As they tie his hands behind his back, drive him to the desert and drop him to his knees at gunpoint, Saul assumes they’ve been sent by someone named Lalo.\u003c/p>\n\u003cp>That’s the only mention of Lalo in \u003cem>Breaking Bad,\u003c/em> but clearly, from Saul’s perspective, he’s someone really to be feared. That’s why it’s so astounding that, in the most recent episodes of \u003cem>Better Call Saul, \u003c/em>the most menacing and deadly character has been none other than that same Lalo, played by Tony Dalton. The most recent episode of \u003cem>Better Call Saul, \u003c/em>back in May, had Lalo kill a major character so brutally and shockingly that I still haven’t forgotten it.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Qz3u06eXf0E'\n title='//www.youtube.com/embed/Qz3u06eXf0E'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>What happens now? I have no idea, and AMC sent out no episodes to preview. We do know that, for these final episodes, Carol Burnett appears as a newly introduced character, which is really intriguing. And we know that the fate of Seehorn’s Kim, whatever it is, will be drastic enough to keep her from making even a single appearance in \u003cem>Breaking Bad, \u003c/em>and will complete Jimmy’s transformation into the totally amoral Saul Goodman. It’s how Gilligan, Gould and company connect the dots between those new sets of Point A and Point B that will determine just how great a show \u003cem>Better Call Saul \u003c/em>ends up being. The devil is in the details. And on this show, so is the brilliance.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\" target=\"_blank\" rel=\"noopener noreferrer\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Better+Call+Saul%27+might+be+the+greatest+of+all+time+%E2%80%94+if+it+can+stick+the+landing&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13915943/better-call-saul-might-be-the-greatest-of-all-time-if-it-can-stick-the-landing",
"authors": [
"byline_arts_13915943"
],
"categories": [
"arts_1",
"arts_75",
"arts_990"
],
"tags": [
"arts_977",
"arts_5422"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13915945",
"label": "arts_137"
},
"arts_13915895": {
"type": "posts",
"id": "arts_13915895",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13915895",
"score": null,
"sort": [
1657305089000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1657305089,
"format": "standard",
"title": "'Both Sides of the Blade' is a French Melodrama About Intimacy and Illicit Desire",
"headTitle": "‘Both Sides of the Blade’ is a French Melodrama About Intimacy and Illicit Desire | KQED",
"content": "\u003cp>\u003cem>Both Sides of the Blade\u003c/em> might sound at first like a quintessentially French movie, or perhaps even a parody of one. It stars \u003ca href=\"https://www.npr.org/2015/09/28/443484430/from-ingenue-to-antigone-juliette-binoche-discusses-acting-aging-and-family\" target=\"_blank\" rel=\"noopener noreferrer\">Juliette Binoche\u003c/a> and Vincent Lindon, two of France’s best-known actors, as a couple who have a lot of sex and talk a lot about their emotions. Their scenes together have an erotic intimacy that we associate with French cinema, in part because it’s relatively rare in American movies. Then a figure from the past returns and threatens their relationship; voices are raised, tables are turned and nothing will ever be the same.\u003c/p>\n\u003cp>That might make \u003cem>Both Sides of the Blade\u003c/em> sound like standard soap-opera material, especially coming from Claire Denis, the director of daringly elliptical art films like \u003cem>Beau Travail\u003c/em> and \u003ca href=\"https://www.npr.org/2019/04/05/709455760/high-life-is-a-stunning-space-odyssey-with-a-baby-on-board\">\u003cem>High Life\u003c/em>\u003c/a>. But nothing about the movie, which Denis and Christine Angot adapted from Angot’s novel, feels trite or predictable. It’s a jolt of a movie, full of hot-blooded sensuality one moment but then oddly cool and studied the next, almost as if it were deconstructing itself as it went along. Which, again, sounds very French, but never mind.\u003c/p>\n\u003cp>[aside postid='arts_13915702']Binoche and Lindon give superb performances as Sara and Jean, who’ve lived together for about 10 years and still can’t keep their hands off each other. They have an apartment in Paris, where they’ve carved out what looks like a perfect life amid decidedly imperfect circumstances. Sara hosts a successful radio talk show, but work is less steady for Jean, who spent some time in prison for an undisclosed crime. He also has a tough relationship with Marcus, his teenage son from an earlier marriage, who lives with Jean’s mother in the suburbs.\u003c/p>\n\u003cp>Then one day, François, played by Grégoire Colin, slips back into their lives. He used to be Jean’s colleague and Sara’s lover. It begins innocuously enough, when François offers Jean a job at his sports talent agency. But Sara can’t hide her anxiety or her excitement at the prospect of seeing François again, and when they finally meet, long-repressed memories and desires come surging back. Inevitably Sara will succumb to those desires, but the movie, set to a haunting score by the English band \u003ca href=\"https://www.npr.org/artists/462907640/tindersticks\" target=\"_blank\" rel=\"noopener noreferrer\">Tindersticks\u003c/a>, wrings enormous tension from the buildup.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=OWEqBhstjP0\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The title of \u003cem>Both Sides of the Blade\u003c/em> evokes the age-old question of whether a person can love two people at the same time. And Binoche, so good at revealing complex, contradictory emotions, shows us a woman torn between a partner she adores and an ex she can’t forget. This is the latest collaboration between Binoche and Denis, and it’d make a great double bill with their recent rom-com \u003ca href=\"https://www.npr.org/2018/04/26/605337833/let-the-sunshine-in-a-soulful-french-comedy-of-carnality\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Let the Sunshine In\u003c/em>\u003c/a>, a much funnier story about a woman’s emotional indecision.\u003c/p>\n\u003cp>Binoche is well matched here by Lindon, whose handsome, weathered face suggests a man who’s already lost too much and can’t bear the idea of also losing the woman he loves. Jean is quick to pick up on the warning signs and confronts Sara. I’ve seen a lot of heated arguments in movies, but few have been acted or shot with this much sustained intensity. Denis is a master of form, and she uses extreme closeups and jagged edits to suggest that something has broken between these two, possibly for good.\u003c/p>\n\u003cp>[aside postid='arts_13914231']But even as she pulls her characters close, Denis sometimes steps back and examines them from a more critical perspective. As a radio host, Sara interviews a lot of writers and artists, often about racial and political issues that she doesn’t engage with much outside work. Jean’s son is a Black biracial youth who’s struggling to figure out his future, and there’s an awkward but moving scene in which he and his father talk about race and discrimination. On top of all that, this is one of the few movies shot during COVID that acknowledges the reality of the pandemic, as we can see from the characters repeatedly putting on and taking off their face masks.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>There’s something a little ungainly about how Denis balances her characters’ romantic anguish with these bigger-picture concerns, but that messiness seems to be the point: Even when illicit desires intrude and relationships fall apart, real life doesn’t just politely recede into the background. \u003cem>Both Sides of the Blade\u003c/em> wants us to see its characters rage, but it never loses sight of the larger world raging outside their windows. It’s a different kind of melodrama—and a great one.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\" target=\"_blank\" rel=\"noopener noreferrer\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Both+Sides+of+the+Blade%27+is+a+French+melodrama+about+intimacy+and+illicit+desire&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 824,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 10
},
"modified": 1705006637,
"excerpt": "The plot of Juliette Binoche's new film sounds like soap-opera material, but nothing about the film feels trite or predictable.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The plot of Juliette Binoche's new film sounds like soap-opera material, but nothing about the film feels trite or predictable.",
"title": "'Both Sides of the Blade' is a French Melodrama About Intimacy and Illicit Desire | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "'Both Sides of the Blade' is a French Melodrama About Intimacy and Illicit Desire",
"datePublished": "2022-07-08T11:31:29-07:00",
"dateModified": "2024-01-11T12:57:17-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "both-sides-of-the-blade-is-a-french-melodrama-about-intimacy-and-illicit-desire",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=1110248728&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Fri, 08 Jul 2022 05:00:44 -0400",
"excludeFromSiteSearch": "Include",
"nprLastModifiedDate": "Fri, 08 Jul 2022 12:02:32 -0400",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/2022/07/08/1110248728/both-sides-of-the-blade-claire-denis-film-review?ft=nprml&f=1110248728",
"nprAudio": "https://ondemand.npr.org/anon.npr-mp3/npr/fa/2022/07/20220708_fa_03.mp3?orgId=427869011&topicId=4467349&d=340&p=13&story=1110248728&ft=nprml&f=1110248728",
"nprImageAgency": "Courtesy of Gaëlle Rapp-Tronqui",
"nprAudioM3u": "http://api.npr.org/m3u/11110534986-74f009.m3u?orgId=427869011&topicId=4467349&d=340&p=13&story=1110248728&ft=nprml&f=1110248728",
"nprStoryId": "1110248728",
"nprByline": "Justin Chang",
"sticky": false,
"showOnAuthorArchivePages": "No",
"nprRetrievedStory": "1",
"nprPubDate": "Fri, 08 Jul 2022 13:28:00 -0400",
"path": "/arts/13915895/both-sides-of-the-blade-is-a-french-melodrama-about-intimacy-and-illicit-desire",
"audioUrl": "https://ondemand.npr.org/anon.npr-mp3/npr/fa/2022/07/20220708_fa_03.mp3?orgId=427869011&topicId=4467349&d=340&p=13&story=1110248728&ft=nprml&f=1110248728",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Both Sides of the Blade\u003c/em> might sound at first like a quintessentially French movie, or perhaps even a parody of one. It stars \u003ca href=\"https://www.npr.org/2015/09/28/443484430/from-ingenue-to-antigone-juliette-binoche-discusses-acting-aging-and-family\" target=\"_blank\" rel=\"noopener noreferrer\">Juliette Binoche\u003c/a> and Vincent Lindon, two of France’s best-known actors, as a couple who have a lot of sex and talk a lot about their emotions. Their scenes together have an erotic intimacy that we associate with French cinema, in part because it’s relatively rare in American movies. Then a figure from the past returns and threatens their relationship; voices are raised, tables are turned and nothing will ever be the same.\u003c/p>\n\u003cp>That might make \u003cem>Both Sides of the Blade\u003c/em> sound like standard soap-opera material, especially coming from Claire Denis, the director of daringly elliptical art films like \u003cem>Beau Travail\u003c/em> and \u003ca href=\"https://www.npr.org/2019/04/05/709455760/high-life-is-a-stunning-space-odyssey-with-a-baby-on-board\">\u003cem>High Life\u003c/em>\u003c/a>. But nothing about the movie, which Denis and Christine Angot adapted from Angot’s novel, feels trite or predictable. It’s a jolt of a movie, full of hot-blooded sensuality one moment but then oddly cool and studied the next, almost as if it were deconstructing itself as it went along. Which, again, sounds very French, but never mind.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13915702",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Binoche and Lindon give superb performances as Sara and Jean, who’ve lived together for about 10 years and still can’t keep their hands off each other. They have an apartment in Paris, where they’ve carved out what looks like a perfect life amid decidedly imperfect circumstances. Sara hosts a successful radio talk show, but work is less steady for Jean, who spent some time in prison for an undisclosed crime. He also has a tough relationship with Marcus, his teenage son from an earlier marriage, who lives with Jean’s mother in the suburbs.\u003c/p>\n\u003cp>Then one day, François, played by Grégoire Colin, slips back into their lives. He used to be Jean’s colleague and Sara’s lover. It begins innocuously enough, when François offers Jean a job at his sports talent agency. But Sara can’t hide her anxiety or her excitement at the prospect of seeing François again, and when they finally meet, long-repressed memories and desires come surging back. Inevitably Sara will succumb to those desires, but the movie, set to a haunting score by the English band \u003ca href=\"https://www.npr.org/artists/462907640/tindersticks\" target=\"_blank\" rel=\"noopener noreferrer\">Tindersticks\u003c/a>, wrings enormous tension from the buildup.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/OWEqBhstjP0'\n title='//www.youtube.com/embed/OWEqBhstjP0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The title of \u003cem>Both Sides of the Blade\u003c/em> evokes the age-old question of whether a person can love two people at the same time. And Binoche, so good at revealing complex, contradictory emotions, shows us a woman torn between a partner she adores and an ex she can’t forget. This is the latest collaboration between Binoche and Denis, and it’d make a great double bill with their recent rom-com \u003ca href=\"https://www.npr.org/2018/04/26/605337833/let-the-sunshine-in-a-soulful-french-comedy-of-carnality\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Let the Sunshine In\u003c/em>\u003c/a>, a much funnier story about a woman’s emotional indecision.\u003c/p>\n\u003cp>Binoche is well matched here by Lindon, whose handsome, weathered face suggests a man who’s already lost too much and can’t bear the idea of also losing the woman he loves. Jean is quick to pick up on the warning signs and confronts Sara. I’ve seen a lot of heated arguments in movies, but few have been acted or shot with this much sustained intensity. Denis is a master of form, and she uses extreme closeups and jagged edits to suggest that something has broken between these two, possibly for good.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13914231",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>But even as she pulls her characters close, Denis sometimes steps back and examines them from a more critical perspective. As a radio host, Sara interviews a lot of writers and artists, often about racial and political issues that she doesn’t engage with much outside work. Jean’s son is a Black biracial youth who’s struggling to figure out his future, and there’s an awkward but moving scene in which he and his father talk about race and discrimination. On top of all that, this is one of the few movies shot during COVID that acknowledges the reality of the pandemic, as we can see from the characters repeatedly putting on and taking off their face masks.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>There’s something a little ungainly about how Denis balances her characters’ romantic anguish with these bigger-picture concerns, but that messiness seems to be the point: Even when illicit desires intrude and relationships fall apart, real life doesn’t just politely recede into the background. \u003cem>Both Sides of the Blade\u003c/em> wants us to see its characters rage, but it never loses sight of the larger world raging outside their windows. It’s a different kind of melodrama—and a great one.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\" target=\"_blank\" rel=\"noopener noreferrer\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Both+Sides+of+the+Blade%27+is+a+French+melodrama+about+intimacy+and+illicit+desire&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13915895/both-sides-of-the-blade-is-a-french-melodrama-about-intimacy-and-illicit-desire",
"authors": [
"byline_arts_13915895"
],
"categories": [
"arts_1",
"arts_74",
"arts_75"
],
"tags": [
"arts_977",
"arts_12322",
"arts_10443"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13915896",
"label": "arts_137"
},
"arts_13915843": {
"type": "posts",
"id": "arts_13915843",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13915843",
"score": null,
"sort": [
1657226301000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1657226301,
"format": "standard",
"title": "British Protests are Funnier Than American Ones—Hugh Grant Just Proved it",
"headTitle": "British Protests are Funnier Than American Ones—Hugh Grant Just Proved it | KQED",
"content": "\u003cp>The British people have always had a taste for absurdist comedy. (Think: \u003cem>Monty Python’s Flying Circus\u003c/em>. \u003cem>The Young Ones\u003c/em> and, more recently, \u003cem>The Mighty Boosh\u003c/em>.) Now, worn down after seven years of near non-stop political turmoil, the Great British public have found a way to inject that humor into their protests—loudly.\u003c/p>\n\u003cp>For a few years now, industrious individuals have been curating music playlists to blast at London’s Houses of Parliament. The song choices generally offer commentary on the news of the day—or at the very least, make a mockery of it. And, because the prime location for these musical protests is also the prime location for television journalists to stand and report, sometimes these protests end up lending the news an unexpected soundtrack.\u003c/p>\n\u003cp>Take what happened this morning to a Sky News journalist who was attempting to report on the resignation of Boris Johnson. The U.K. Prime Minister was ousted after days of resignations within his government, prompted by a sexual assault scandal. All very serious stuff.\u003c/p>\n\u003cp>This is what viewers heard, however, when they tuned in to catch up on the latest:\u003c/p>\n\u003cp>https://twitter.com/scottygb/status/1544993157745721344\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Round of applause for that very straight-faced journalist please.\u003c/p>\n\u003cp>Remarkably, the hilarious song choice came as a direct request from England’s leading chin-actor Hugh Grant. Grant used Twitter to reach out to \u003ca href=\"https://twitter.com/snb19692\" target=\"_blank\" rel=\"noopener noreferrer\">Steve Bray\u003c/a>, the protester behind the loudspeakers, and asked him to play “Yakety Sax,” a song most famous for being the theme tune to the \u003ca href=\"https://en.wikipedia.org/wiki/The_Benny_Hill_Show\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Benny Hill Show\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>https://twitter.com/HackedOffHugh/status/1544953409845043201\u003c/p>\n\u003cp>Grant’s request was a game-changer in tone for the day. Bray’s earlier song choices had been considerably drier. (At one point, he blasted “You’ve Lost That Loving Feeling” at former Health Secretary \u003ca href=\"https://en.wikipedia.org/wiki/Matt_Hancock\" target=\"_blank\" rel=\"noopener noreferrer\">Matt Hancock\u003c/a>. Hancock was forced to resign last summer after kissing and hugging a co-worker, thereby violating his own party’s COVID safety protocols.)\u003c/p>\n\u003cp>Musical protests outside Parliament first gained popularity during the political chaos that followed the U.K.’s Brexit vote. Back then, viewers found their news reports soundtracked by glockenspiel renditions of ’80s classics. Here, for example, is a discussion about government leadership soundtracked by “Axel F.”\u003c/p>\n\u003cp>https://www.instagram.com/p/B0Tu0YeBLQu/\u003c/p>\n\u003cp>While these kinds of protests must undoubtedly be frustrating for journalists as they attempt to report on the news of the day, some certainly have a sense of humor about it. Like BBC News reporter Kasia Madera, who did a whole segment about “Glockenspiel Man,” referring to the protester as “light relief.”\u003c/p>\n\u003cp>https://twitter.com/KasiaMadera/status/1154502181057204224\u003c/p>\n\u003cp>The Brits have been attempting to bring levity to dark situations for a while now. The new music-blasting trend follows several years of “Milkshaking”—the act of throwing large McDonald’s milkshakes on far-right public figures. Some particularly unpopular campaigners, including outspoken Islamophobe \u003ca href=\"https://www.theguardian.com/uk-news/2019/may/02/tommy-robinson-doused-in-milkshake-for-second-time-in-two-days\" target=\"_blank\" rel=\"noopener noreferrer\">Tommy Robinson\u003c/a> and anti-feminist YouTuber \u003ca href=\"https://www.independent.co.uk/news/uk/home-news/carl-benjamin-milkshake-salisbury-ukip-a8920846.html\" target=\"_blank\" rel=\"noopener noreferrer\">Carl Benjamin\u003c/a> were doused by members of the public repeatedly.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As low energy, high impact protests go, it’s clear now that you can’t beat a clever song on a loud-enough-speaker in a strategic location. And if one of England’s most famous actors wants to join in, well, the more the merrier.\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 575,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 13
},
"modified": 1705006641,
"excerpt": "A Sky News journalist reported on Boris Johnson’s resignation to a soundtrack of ‘Yakety Sax.’ It was hilarious.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "A Sky News journalist reported on Boris Johnson’s resignation to a soundtrack of ‘Yakety Sax.’ It was hilarious.",
"title": "British Protests are Funnier Than American Ones—Hugh Grant Just Proved it | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "British Protests are Funnier Than American Ones—Hugh Grant Just Proved it",
"datePublished": "2022-07-07T13:38:21-07:00",
"dateModified": "2024-01-11T12:57:21-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "hugh-grant-benny-hill-yakety-sax-boris-johnson-resigns-protest",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13915843/hugh-grant-benny-hill-yakety-sax-boris-johnson-resigns-protest",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The British people have always had a taste for absurdist comedy. (Think: \u003cem>Monty Python’s Flying Circus\u003c/em>. \u003cem>The Young Ones\u003c/em> and, more recently, \u003cem>The Mighty Boosh\u003c/em>.) Now, worn down after seven years of near non-stop political turmoil, the Great British public have found a way to inject that humor into their protests—loudly.\u003c/p>\n\u003cp>For a few years now, industrious individuals have been curating music playlists to blast at London’s Houses of Parliament. The song choices generally offer commentary on the news of the day—or at the very least, make a mockery of it. And, because the prime location for these musical protests is also the prime location for television journalists to stand and report, sometimes these protests end up lending the news an unexpected soundtrack.\u003c/p>\n\u003cp>Take what happened this morning to a Sky News journalist who was attempting to report on the resignation of Boris Johnson. The U.K. Prime Minister was ousted after days of resignations within his government, prompted by a sexual assault scandal. All very serious stuff.\u003c/p>\n\u003cp>This is what viewers heard, however, when they tuned in to catch up on the latest:\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1544993157745721344"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Round of applause for that very straight-faced journalist please.\u003c/p>\n\u003cp>Remarkably, the hilarious song choice came as a direct request from England’s leading chin-actor Hugh Grant. Grant used Twitter to reach out to \u003ca href=\"https://twitter.com/snb19692\" target=\"_blank\" rel=\"noopener noreferrer\">Steve Bray\u003c/a>, the protester behind the loudspeakers, and asked him to play “Yakety Sax,” a song most famous for being the theme tune to the \u003ca href=\"https://en.wikipedia.org/wiki/The_Benny_Hill_Show\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Benny Hill Show\u003c/em>\u003c/a>.\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1544953409845043201"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Grant’s request was a game-changer in tone for the day. Bray’s earlier song choices had been considerably drier. (At one point, he blasted “You’ve Lost That Loving Feeling” at former Health Secretary \u003ca href=\"https://en.wikipedia.org/wiki/Matt_Hancock\" target=\"_blank\" rel=\"noopener noreferrer\">Matt Hancock\u003c/a>. Hancock was forced to resign last summer after kissing and hugging a co-worker, thereby violating his own party’s COVID safety protocols.)\u003c/p>\n\u003cp>Musical protests outside Parliament first gained popularity during the political chaos that followed the U.K.’s Brexit vote. Back then, viewers found their news reports soundtracked by glockenspiel renditions of ’80s classics. Here, for example, is a discussion about government leadership soundtracked by “Axel F.”\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "instagramLink",
"attributes": {
"named": {
"instagramUrl": "https://www.instagram.com/p/B0Tu0YeBLQu/"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>While these kinds of protests must undoubtedly be frustrating for journalists as they attempt to report on the news of the day, some certainly have a sense of humor about it. Like BBC News reporter Kasia Madera, who did a whole segment about “Glockenspiel Man,” referring to the protester as “light relief.”\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1154502181057204224"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>The Brits have been attempting to bring levity to dark situations for a while now. The new music-blasting trend follows several years of “Milkshaking”—the act of throwing large McDonald’s milkshakes on far-right public figures. Some particularly unpopular campaigners, including outspoken Islamophobe \u003ca href=\"https://www.theguardian.com/uk-news/2019/may/02/tommy-robinson-doused-in-milkshake-for-second-time-in-two-days\" target=\"_blank\" rel=\"noopener noreferrer\">Tommy Robinson\u003c/a> and anti-feminist YouTuber \u003ca href=\"https://www.independent.co.uk/news/uk/home-news/carl-benjamin-milkshake-salisbury-ukip-a8920846.html\" target=\"_blank\" rel=\"noopener noreferrer\">Carl Benjamin\u003c/a> were doused by members of the public repeatedly.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As low energy, high impact protests go, it’s clear now that you can’t beat a clever song on a loud-enough-speaker in a strategic location. And if one of England’s most famous actors wants to join in, well, the more the merrier.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13915843/hugh-grant-benny-hill-yakety-sax-boris-johnson-resigns-protest",
"authors": [
"11242"
],
"categories": [
"arts_1",
"arts_75"
],
"tags": [
"arts_8302",
"arts_5554",
"arts_1756",
"arts_5293",
"arts_5292"
],
"featImg": "arts_13915851",
"label": "arts"
},
"arts_13915562": {
"type": "posts",
"id": "arts_13915562",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13915562",
"score": null,
"sort": [
1656536112000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1656536112,
"format": "standard",
"title": "R. Kelly is Sentenced to 30 Years in Prison",
"headTitle": "R. Kelly is Sentenced to 30 Years in Prison | KQED",
"content": "\u003cp>The disgraced R&B star R. Kelly was sentenced Wednesday to 30 years in prison.\u003c/p>\n\u003cp>He was sentenced in New York by federal Judge Ann Donnelly, who spoke at length before issuing the sentence. At one point, she quoted a victim impact statement from a woman known in court as Stephanie, who told Kelly, “No price was too high for someone else to pay for your happiness.”\u003c/p>\n\u003cp>[aside postid='arts_13903808']“This case is not about sex,” the judge said. “It is about violence, cruelty and control.”\u003c/p>\n\u003cp>Donnelly acknowledged points made by defense, including that Kelly endured a very difficult childhood, with sexual abuse at the hands of his sister and a landlord. However, she added, “You are a person who had great advantages—worldwide fame and celebrity, untold money.”\u003c/p>\n\u003cp>Kelly declined to address the court himself. His lawyer cited pending cases: a second federal trial in Illinois, slated to begin Aug. 15, and separate criminal charges in Minnesota. The charges include child pornography and obstruction of justice.\u003c/p>\n\u003ch3>Kelly’s conviction\u003c/h3>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13903808/r-kelly-found-guilty-of-racketeering-and-sex-trafficking\" target=\"_blank\" rel=\"noopener noreferrer\">Last year, Kelly was found guilty\u003c/a> of charges including sexual exploitation of a child, racketeering, bribery and sex trafficking. The jury found the government proved Kelly was at the head of a criminal conspiracy to recruit and coerce girls, boys and women into sex.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>During the weekslong trial, multiple victims established a pattern where they would see Kelly at a show or out in public, and an associate of Kelly would hand them a phone number to call. From there they would be ensnared in a system of sexual and psychological abuse. Kelly forced his victims to perform sexual acts for his gratification (which he often filmed). He set up strict rules dictating where his victims were allowed to go and who they were allowed to speak to. And he forced to them to write letters or video tape themselves claiming they were doing everything of their own free will.\u003c/p>\n\u003ch3>Accusers spoke about how he hurt them\u003c/h3>\n\u003cp>Before the judge announced Kelly’s sentence, seven women made their own statements to and about him and about the abuse they suffered. At no point did Kelly look at his accusers.\u003c/p>\n\u003cp>[aside postid='arts_13848980']A woman identified in court as Angela said, “We will be able to live again.”\u003c/p>\n\u003cp>She said, “I am a representation of every woman, boy, child, man that you have ever afflicted with your deplorable, inexplicable acts, and with that I leave you with yourself, Robert Sylvester Kelly.”\u003c/p>\n\u003cp>Another woman, known in court as Jane Doe 2, described enduring depression and stress related to Kelly’s abuse. She paused in her comments to demand his attention when Kelly whispered to his attorney. “I’m sorry,” she said. “I don’t want to interrupt his conversation.”\u003c/p>\n\u003cp>A man identified as Charles, the father of another woman, said in a resigned tone, “So many people love you and they hate us.” He noted that Kelly hadn’t expressed remorse. Charles urged Kelly to confess and to ask for God’s forgiveness.\u003c/p>\n\u003ch3>Kelly’s defense lawyer promises an appeal\u003c/h3>\n\u003cp>“Obviously he’s devastated,” Kelly’s lawyer Jennifer Bonjean said outside the courthouse. “Thirty years in prison is like a life sentence for him, but at the same time we knew the government was asking for 25 years. We were prepared for what the judge might impose and we are now prepared to fight this appeal.”\u003c/p>\n\u003ch3>Victims were heard\u003c/h3>\n\u003cp>After the sentencing hearing, U.S. Attorney Breon Peace said the case meant the “voices of mostly Black and brown women and children … were heard and believed, and for [them,] justice was finally achieved.”\u003c/p>\n\u003cp>The sentencing comes after \u003ca href=\"https://www.npr.org/2019/01/11/683936629/r-kelly-allegations-an-abridged-history\" target=\"_blank\" rel=\"noopener noreferrer\">decades of allegations\u003c/a> against the multi-platinum singer. In 2008, he stood trial in his hometown of Chicago for child pornography. He was \u003ca href=\"https://www.npr.org/transcripts/91480976\" target=\"_blank\" rel=\"noopener noreferrer\">acquitted \u003c/a>of all charges.\u003c/p>\n\u003cp>[aside postid='arts_13901400']From there, Kelly continued to live his life of superstardom, performing across the world and selling out venues.\u003c/p>\n\u003cp>In 2019, the\u003ca href=\"https://www.kqed.org/arts/13848278/making-surviving-r-kelly-a-conversation-with-executive-producer-dream-hampton\" target=\"_blank\" rel=\"noopener noreferrer\"> TV docuseries \u003cem>Surviving R. Kelly\u003c/em>\u003c/a> renewed interest in the sexual abuse allegations against Kelly and gave a sustained push to the activists who had been pushing for Kelly to be \u003ca href=\"https://www.npr.org/2019/01/16/685912752/the-muterkelly-movement-takes-its-protest-to-the-steps-of-his-record-label\" target=\"_blank\" rel=\"noopener noreferrer\">pulled off airwaves and stages.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Jovante Cunningham, an accuser who had appeared in \u003cem>Surviving R. Kelly\u003c/em>, said after the sentencing, “There wasn’t a day in my life, up until this moment, that I actually believed that the judicial system would come through for Black and brown girls. Thirty years did he do this, and 30 years is what he got.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=R.+Kelly+is+sentenced+to+30+years+in+prison+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 797,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 20
},
"modified": 1705006668,
"excerpt": "The R&B star was convicted in New York last year of sexual exploitation of a child, bribery, sex trafficking and racketeering.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The R&B star was convicted in New York last year of sexual exploitation of a child, bribery, sex trafficking and racketeering.",
"title": "R. Kelly is Sentenced to 30 Years in Prison | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "R. Kelly is Sentenced to 30 Years in Prison",
"datePublished": "2022-06-29T13:55:12-07:00",
"dateModified": "2024-01-11T12:57:48-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "r-kelly-is-sentenced-to-30-years-in-prison",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=1105551227&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Wed, 29 Jun 2022 15:15:45 -0400",
"excludeFromSiteSearch": "Include",
"nprLastModifiedDate": "Wed, 29 Jun 2022 16:49:46 -0400",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/2022/06/29/1105551227/r-kelly-sentence-30-years?ft=nprml&f=1105551227",
"nprImageAgency": "AP",
"nprStoryId": "1105551227",
"sticky": false,
"nprImageCredit": "Elizabeth Williams",
"nprRetrievedStory": "1",
"nprPubDate": "Wed, 29 Jun 2022 16:49:00 -0400",
"path": "/arts/13915562/r-kelly-is-sentenced-to-30-years-in-prison",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The disgraced R&B star R. Kelly was sentenced Wednesday to 30 years in prison.\u003c/p>\n\u003cp>He was sentenced in New York by federal Judge Ann Donnelly, who spoke at length before issuing the sentence. At one point, she quoted a victim impact statement from a woman known in court as Stephanie, who told Kelly, “No price was too high for someone else to pay for your happiness.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13903808",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>“This case is not about sex,” the judge said. “It is about violence, cruelty and control.”\u003c/p>\n\u003cp>Donnelly acknowledged points made by defense, including that Kelly endured a very difficult childhood, with sexual abuse at the hands of his sister and a landlord. However, she added, “You are a person who had great advantages—worldwide fame and celebrity, untold money.”\u003c/p>\n\u003cp>Kelly declined to address the court himself. His lawyer cited pending cases: a second federal trial in Illinois, slated to begin Aug. 15, and separate criminal charges in Minnesota. The charges include child pornography and obstruction of justice.\u003c/p>\n\u003ch3>Kelly’s conviction\u003c/h3>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13903808/r-kelly-found-guilty-of-racketeering-and-sex-trafficking\" target=\"_blank\" rel=\"noopener noreferrer\">Last year, Kelly was found guilty\u003c/a> of charges including sexual exploitation of a child, racketeering, bribery and sex trafficking. The jury found the government proved Kelly was at the head of a criminal conspiracy to recruit and coerce girls, boys and women into sex.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>During the weekslong trial, multiple victims established a pattern where they would see Kelly at a show or out in public, and an associate of Kelly would hand them a phone number to call. From there they would be ensnared in a system of sexual and psychological abuse. Kelly forced his victims to perform sexual acts for his gratification (which he often filmed). He set up strict rules dictating where his victims were allowed to go and who they were allowed to speak to. And he forced to them to write letters or video tape themselves claiming they were doing everything of their own free will.\u003c/p>\n\u003ch3>Accusers spoke about how he hurt them\u003c/h3>\n\u003cp>Before the judge announced Kelly’s sentence, seven women made their own statements to and about him and about the abuse they suffered. At no point did Kelly look at his accusers.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13848980",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>A woman identified in court as Angela said, “We will be able to live again.”\u003c/p>\n\u003cp>She said, “I am a representation of every woman, boy, child, man that you have ever afflicted with your deplorable, inexplicable acts, and with that I leave you with yourself, Robert Sylvester Kelly.”\u003c/p>\n\u003cp>Another woman, known in court as Jane Doe 2, described enduring depression and stress related to Kelly’s abuse. She paused in her comments to demand his attention when Kelly whispered to his attorney. “I’m sorry,” she said. “I don’t want to interrupt his conversation.”\u003c/p>\n\u003cp>A man identified as Charles, the father of another woman, said in a resigned tone, “So many people love you and they hate us.” He noted that Kelly hadn’t expressed remorse. Charles urged Kelly to confess and to ask for God’s forgiveness.\u003c/p>\n\u003ch3>Kelly’s defense lawyer promises an appeal\u003c/h3>\n\u003cp>“Obviously he’s devastated,” Kelly’s lawyer Jennifer Bonjean said outside the courthouse. “Thirty years in prison is like a life sentence for him, but at the same time we knew the government was asking for 25 years. We were prepared for what the judge might impose and we are now prepared to fight this appeal.”\u003c/p>\n\u003ch3>Victims were heard\u003c/h3>\n\u003cp>After the sentencing hearing, U.S. Attorney Breon Peace said the case meant the “voices of mostly Black and brown women and children … were heard and believed, and for [them,] justice was finally achieved.”\u003c/p>\n\u003cp>The sentencing comes after \u003ca href=\"https://www.npr.org/2019/01/11/683936629/r-kelly-allegations-an-abridged-history\" target=\"_blank\" rel=\"noopener noreferrer\">decades of allegations\u003c/a> against the multi-platinum singer. In 2008, he stood trial in his hometown of Chicago for child pornography. He was \u003ca href=\"https://www.npr.org/transcripts/91480976\" target=\"_blank\" rel=\"noopener noreferrer\">acquitted \u003c/a>of all charges.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13901400",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>From there, Kelly continued to live his life of superstardom, performing across the world and selling out venues.\u003c/p>\n\u003cp>In 2019, the\u003ca href=\"https://www.kqed.org/arts/13848278/making-surviving-r-kelly-a-conversation-with-executive-producer-dream-hampton\" target=\"_blank\" rel=\"noopener noreferrer\"> TV docuseries \u003cem>Surviving R. Kelly\u003c/em>\u003c/a> renewed interest in the sexual abuse allegations against Kelly and gave a sustained push to the activists who had been pushing for Kelly to be \u003ca href=\"https://www.npr.org/2019/01/16/685912752/the-muterkelly-movement-takes-its-protest-to-the-steps-of-his-record-label\" target=\"_blank\" rel=\"noopener noreferrer\">pulled off airwaves and stages.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Jovante Cunningham, an accuser who had appeared in \u003cem>Surviving R. Kelly\u003c/em>, said after the sentencing, “There wasn’t a day in my life, up until this moment, that I actually believed that the judicial system would come through for Black and brown girls. Thirty years did he do this, and 30 years is what he got.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=R.+Kelly+is+sentenced+to+30+years+in+prison+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13915562/r-kelly-is-sentenced-to-30-years-in-prison",
"authors": [
"92"
],
"categories": [
"arts_1",
"arts_69",
"arts_75"
],
"tags": [
"arts_1962",
"arts_2461",
"arts_6443"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13915563",
"label": "arts_137"
},
"arts_13915389": {
"type": "posts",
"id": "arts_13915389",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13915389",
"score": null,
"sort": [
1656447299000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1656447299,
"format": "standard",
"title": "Musicians React to Supreme Court Decision on Right to Abortion",
"headTitle": "Musicians React to Supreme Court Decision on Right to Abortion | KQED",
"content": "\u003cp>When the Supreme Court \u003ca href=\"https://www.npr.org/2022/06/24/1102305878/supreme-court-abortion-roe-v-wade-decision-overturn\" target=\"_blank\" rel=\"noopener noreferrer\">issued its decision on Dobbs vs. Jackson Women’s Health Organization on Friday\u003c/a>, effectively overturning the 1973 Roe v. Wade decision that granted the right to abortion, social media predictably exploded.\u003c/p>\n\u003cp>[aside postid='arts_13912860']Musicians were among those who immediately spoke up, and their reactions were overwhelmingly against the court’s decision. Many took to Twitter and Instagram. Others spoke up from the highly visible stages of Glastonbury \u003ca href=\"https://www.kqed.org/arts/13915299/stars-use-bet-awards-stage-to-criticize-roe-v-wade-ruling\" target=\"_blank\" rel=\"noopener noreferrer\">and the BET Awards\u003c/a>, which became pulpits for people demanding respect for individuals’ freedoms.\u003c/p>\n\u003cp>A few musicians quickly penned songs in response to the rulings, or rewrote Americana chestnuts—including “The Star-Spangled Banner.” Several stars and music industry groups, including Lizzo and Rage Against the Machine, pledged significant profits from upcoming tours to support abortion-rights advocacy groups.\u003c/p>\n\u003cp>\u003cstrong>Here is a list of musicians’ reactions and actions:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>Lizzo, matched by Live Nation, \u003ca href=\"https://twitter.com/lizzo/status/1540473013543391232\" target=\"_blank\" rel=\"noopener noreferrer\">pledged a million dollars\u003c/a> to Planned Parenthood.\u003c/li>\n\u003cli>Rage Against The Machine \u003ca href=\"https://www.instagram.com/p/CfNgfa5r4qQ/\" target=\"_blank\" rel=\"noopener noreferrer\">pledged nearly half a million dollars\u003c/a> to abortion services in Illinois and Wisconsin.\u003c/li>\n\u003cli>Olivia Rodrigo and Lily Allen \u003ca href=\"https://twitter.com/jelousyliv/status/1540767329537196032\" target=\"_blank\" rel=\"noopener noreferrer\">dedicated a performance of “F*** You” during their set at Glastonbury\u003c/a> to the five Supreme Court Justices who voted in the Court’s majority:\u003c/li>\n\u003c/ul>\n\u003cp>https://twitter.com/jelousyliv/status/1540767329537196032\u003c/p>\n\u003cul>\n\u003cli>“All these irrelevant, old motherf******, trying to tell us what to do with our bodies,” Phoebe Bridgers \u003ca href=\"https://twitter.com/consequence/status/1540419643923390466?s=20&t=Ti-f6UChkf4mWa5QaYAbJA\" target=\"_blank\" rel=\"noopener noreferrer\">said during her Glastonbury set\u003c/a>, to raucous cheers from the audience.\u003c/li>\n\u003cli>Latto, the singer behind hit single “Big Energy,” used her acceptance speech at the BET awards \u003ca href=\"https://www.youtube.com/watch?v=ItnjnSVJw2A\" target=\"_blank\" rel=\"noopener noreferrer\">to share a tearful nod to abortion rights\u003c/a>: “It’s giving pro-choice, it’s never giving a man policing my body.”\u003c/li>\n\u003cli>Raveena, who wrote “\u003ca href=\"https://open.spotify.com/track/0z6aLSVOKcrq5UuCjzEw5z?si=ca83b5076d7345aa\" target=\"_blank\" rel=\"noopener noreferrer\">Time Flies\u003c/a>” about an abortion she had in her twenties, \u003ca href=\"https://twitter.com/raveena_aurora/status/1540478721194336258\" target=\"_blank\" rel=\"noopener noreferrer\">shared\u003c/a> that she’d had an ectopic pregnancy scare the same week as the ruling.\u003c/li>\n\u003cli>“The truth is that my heart breaks looking out into this audience, because I see so many people who deserve to have incredible lives, who deserve healthcare that they need,” said Halsey \u003ca href=\"https://twitter.com/stephxvg/status/1541343623094030337?s=20&t=Ti-f6UChkf4mWa5QaYAbJA\" target=\"_blank\" rel=\"noopener noreferrer\">at a performance in Arizona on June 26\u003c/a>.\u003c/li>\n\u003cli>Singer-songwriter Reina Del Cid \u003ca href=\"https://twitter.com/annkpowers/status/1540934353269710849?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">wrote a haunting, spare take on “the Star-Spangled Banner\u003c/a>:\u003c/li>\n\u003c/ul>\n\u003cp>https://twitter.com/BurrdDoh/status/1540793095964483585\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://twitter.com/taylorswift13/status/1540382753677627393?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Taylor Swift quote-tweeted Michelle Obama\u003c/a>‘s statement on the Supreme Court decision, adding that she was “absolutely terrified” about the ruling.\u003c/li>\n\u003cli>Janelle Monae took a beat to \u003ca href=\"https://twitter.com/itsKenBarbie/status/1541214582877966336?s=20&t=FExDxryxGBcGIo1XeHsVFg\" target=\"_blank\" rel=\"noopener noreferrer\">flip off the Supreme Court\u003c/a> at the BET Awards.\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/foreverrwinter/status/1541137429398261763?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">“F*** the Supreme Court,” said Lorde\u003c/a> during her own Glastonbury set.\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/MariahCarey/status/1540443554102779904?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Mariah Carey reflected\u003c/a> on the decision’s impact on future generations on Twitter.\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/charli_xcx/status/1540411883408220160?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Charli XCX encouraged\u003c/a> people across the world to act to protect abortion access.\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/Pink/status/1540816633039466496\" target=\"_blank\" rel=\"noopener noreferrer\">P!nk took to Twitter\u003c/a> to tell her fans that if they didn’t believe in her values, she didn’t want them supporting her.\u003c/li>\n\u003cli>\u003ca href=\"https://www.instagram.com/tv/CfMSrAAlliB/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">Amanda Shires opened up\u003c/a> about the decision to talk about her abortion, saying, “I feel like the God that I believe in gave me the brain and the thinking and the knowledge to know what I should be able to do with my body.”\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/breland/status/1540506460144242693?s=20&t=Ti-f6UChkf4mWa5QaYAbJA\" target=\"_blank\" rel=\"noopener noreferrer\">Breland emphasized the need\u003c/a> for everyone to speak up for abortion access, and said this was only the beginning of a “hymn of oppression and control.”\u003c/li>\n\u003c/ul>\n\u003cp>https://twitter.com/breland/status/1540506460144242693\u003c/p>\n\u003cul>\n\u003cli>Brandi Carlile added a note of hope to her protest, according to \u003cem>Variety\u003c/em>, expressing faith in the majority of American people and encouraging her fans to \u003ca href=\"https://variety.com/2022/music/concert-reviews/brandi-carlile-greek-theatre-tour-concert-review-1235303657/\" target=\"_blank\" rel=\"noopener noreferrer\">let their emotions out\u003c/a>.\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/blkfootwhtfoot/status/1540446350109810689?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Brittany Howard of Alabama Shakes\u003c/a> tied abortion rights in with police brutality and capitalism, saying: “Anger on top of anger on top of anger. This system has failed us again.”\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/JasonIsbell/status/1540358578548121601?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">On Twitter, Jason Isbell\u003c/a> suggested gerrymandering shaped the impact of the Supreme Court’s decision, adding, “This is not what the people want.”\u003c/li>\n\u003cli>Sadler Vaden, a solo artist who also plays guitar in Jason Isbell and the 400 Unit, tweeted in support of bodily autonomy, adding that it was a “\u003ca href=\"https://twitter.com/SadlerVaden/status/1540358240332140545?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">sad day for our country.\u003c/a>“\u003c/li>\n\u003cli>Lukas Nelson \u003ca href=\"https://www.instagram.com/tv/CfRtZR3FG-4/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">quickly penned a heartfelt ballad\u003c/a> about the consequences lack of abortion access will have.\u003c/li>\n\u003cli>Country artist and Apple Radio host Rissi Palmer \u003ca href=\"https://twitter.com/RissiPalmer/status/1540358254189957123?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">offered a heartfelt and harrowing account of a miscarriage\u003c/a> to illustrate the variety of pregnancy experiences affected by the SCOTUS ruling.\u003c/li>\n\u003c/ul>\n\u003cp>https://twitter.com/RissiPalmer/status/1540358254189957123\u003c/p>\n\u003cul>\n\u003cli>Singer-songwriter \u003ca href=\"https://twitter.com/Lauren_Jenkins/status/1541177895196008448?s=20&t=OhVii4uiraMv0SDrxFLaHg\" target=\"_blank\" rel=\"noopener noreferrer\">Lauren Jenkins wondered\u003c/a> where the voices of mainstream country artists were in the moment.\u003c/li>\n\u003cli>Singer-songwriter \u003ca href=\"https://twitter.com/MyMichaelaAnne/status/1540341383223033857?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Michaela Anne speculated\u003c/a> about the possible effects of the Jan. 6 hearings on the integrity of the Supreme Court Justices that Donald Trump appointed.\u003c/li>\n\u003cli>Country singer \u003ca href=\"https://twitter.com/KaitlinButts/status/1540354397615669252?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Kaitlin Butts referenced the emotional end\u003c/a> of a \u003ca href=\"https://www.youtube.com/watch?v=5GJWxDKyk3A\" target=\"_blank\" rel=\"noopener noreferrer\">Billie Eilish song\u003c/a> to express her feelings about the decision.\u003c/li>\n\u003cli>In line with decades of pro-choice activism, \u003ca href=\"https://twitter.com/PearlJam/status/1540341481973719040?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Pearl Jam encouraged fans to support organizations\u003c/a> focused on providing and supporting abortion access.\u003c/li>\n\u003cli>On stage at Glastonbury, Megan Thee Stallion said her home state of Texas was “really embarrassing me right now” and \u003ca href=\"https://twitter.com/Phil_Lewis_/status/1541076372487020544\" target=\"_blank\" rel=\"noopener noreferrer\">led the crowd in chanting\u003c/a> “my body, my motherf****** choice”:\u003c/li>\n\u003c/ul>\n\u003cp>https://twitter.com/Phil_Lewis_/status/1541076372487020544\u003c/p>\n\u003cul>\n\u003cli>The Chicago artist \u003ca href=\"https://twitter.com/NnamdisWorld/status/1540400061862932481\" target=\"_blank\" rel=\"noopener noreferrer\">NNAMDÏ shared on Twitter\u003c/a> that he was “never surprised but continuously disappointed” and recommended community-driven ways to support abortion access.\u003c/li>\n\u003cli>\u003ca href=\"https://www.instagram.com/p/CfMW5C3qaYL/\" target=\"_blank\" rel=\"noopener noreferrer\">Cat Power shared screenshots\u003c/a> of reactions to the decision and information about a protest on Instagram, adding “We will NOT abandon people who need abortions right now we will do the opposite.”\u003c/li>\n\u003cli>Bon Iver’s \u003ca href=\"https://twitter.com/blobtower/status/1540358042100944896?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Justin Vernon shared his frustration\u003c/a> on Twitter.\u003c/li>\n\u003cli>In a lengthy Instagram caption, \u003ca href=\"https://www.instagram.com/p/CfMab67rxNw/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Jack White criticized the two-party system\u003c/a> and Trump’s actions that led to the overturn of Roe v. Wade.\u003c/li>\n\u003cli>Green Day frontman \u003ca href=\"https://twitter.com/armstr0ngtyler/status/1540687191919280129?s=20&t=4FKUOWIfitVBkMSM6_QNJQ\" target=\"_blank\" rel=\"noopener noreferrer\">Billie Joe Armstron’s spontaneous onstage response to the ruling\u003c/a> was to threaten that he would revoke his American citizenship.\u003c/li>\n\u003c/ul>\n\u003cp>https://twitter.com/armstr0ngtyler/status/1540687191919280129?s=20&t=4FKUOWIfitVBkMSM6_QNJQ\u003c/p>\n\u003cul>\n\u003cli>Paramore singer \u003ca href=\"https://www.instagram.com/p/CfMhh7Tptd2/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">Hayley Williams shared sadness and anger\u003c/a> on Instagram, and pointed fans towards the ACLU and Planned Parenthood.\u003c/li>\n\u003cli>Singer-songwriter \u003ca href=\"https://twitter.com/kristinhersh/status/1540367939160907776?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Kristen Hersh shared a 2015 video\u003c/a> of her performing “Hysterical Bending,” which she describes as a “song about childbirth”:\u003c/li>\n\u003c/ul>\n\u003cp>https://www.youtube.com/watch?v=GuhRFqOZHS4\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://twitter.com/HFTRR/status/1540372528928935937?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Hurray For The Riff Raff encouraged fans\u003c/a> to share information about abortion access organizations, and linked to the New Orleans Abortion Fund.\u003c/li>\n\u003cli>Maggie Rogers wrote: “\u003ca href=\"https://twitter.com/maggierogers/status/1540355104817270784?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">abortion is healthcare\u003c/a>. bodily autonomy is a human right.”\u003c/li>\n\u003cli>The pop duo \u003ca href=\"https://twitter.com/SylvanEsso/status/1540342470273368066?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Sylvan Esso tweeted\u003c/a> that “we are full of rage,” adding that the band would “play this festival tonight and go directly to dc to protest.”\u003c/li>\n\u003cli>Rock songwriter \u003ca href=\"https://twitter.com/MAITAmusic/status/1540366230179090432\" target=\"_blank\" rel=\"noopener noreferrer\">MAITA was succinct about her frustrations\u003c/a>, tweeting simply: “abort the supreme court.”\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/paulacolemusic/status/1540341228994265091?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Paula Cole declared\u003c/a> that the ruling “has officially ratified gender apartheid.”\u003c/li>\n\u003cli>Kathy Valentine, bassist and guitarist from \u003ca href=\"https://twitter.com/Kathy_Valentine/status/1540353723175682049?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">The Go-Go’s posted\u003c/a>: “It breaks my heart to think of all the intelligent, creative, innovative minds and careers of women” limited by the ruling.\u003c/li>\n\u003cli>Public Enemy’s always outspoken frontman Chuck D called the decision “\u003ca href=\"https://twitter.com/MrChuckD/status/1540365236279996417?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">F a s c i s m\u003c/a>.”\u003c/li>\n\u003cli>While accepting the Best Female R&B/Pop Artist award at the BET Awards, Jazmine Sullivan asked men to stand up for women’s rights. “This is not just a women’s issue,” she said. “This is everybody’s issue.”\u003c/li>\n\u003c/ul>\n\u003cp>https://www.youtube.com/watch?v=P4g2CHBt3_Y\u003c/p>\n\u003cul>\n\u003cli>According to the \u003cem>Guardian\u003c/em>, Kendrick Lamar concluded his electrifying Glastonbury performance with an improvised reworking of the song “Savior,” intoning, “\u003ca href=\"https://www.theguardian.com/music/2022/jun/27/kendrick-lamar-at-glastonbury-2022-review\" target=\"_blank\" rel=\"noopener noreferrer\">Godspeed for women’s rights / They judge you, they judge Christ\u003c/a>.”\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/aliciakeys/status/1540382914550108160?s=20&t=-VEj5WsA9qvmYdDV6GQgXA\" target=\"_blank\" rel=\"noopener noreferrer\">Alicia Keys retweeted former President Obama’s tweet\u003c/a>, adding that the decision “is about more than abortion, it’s about who has power over you.”\u003c/li>\n\u003cli>Puerto Rican superstar \u003ca href=\"https://twitter.com/RepShontelBrown/status/1540010611001663489?s=20&t=-VEj5WsA9qvmYdDV6GQgXA\" target=\"_blank\" rel=\"noopener noreferrer\">Bad Bunny retweed Ohio representative Shontel Brown\u003c/a>, who expressed frustration at the Supreme Court’s recent rulings on gun control and abortion rights.\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/jose272011/status/1541151851047014403\" target=\"_blank\" rel=\"noopener noreferrer\">Rosalía retweeted an image\u003c/a> of a sign invoking her “Motomami” nickname and reading “fight for your rights”:\u003c/li>\n\u003c/ul>\n\u003cp>https://twitter.com/jose272011/status/1541151851047014403\u003c/p>\n\u003cul>\n\u003cli>Singer-songwriter \u003ca href=\"https://twitter.com/HeladoNegro/status/1540712024711348224\" target=\"_blank\" rel=\"noopener noreferrer\">Helado Negro shared a link\u003c/a> to donate to abortion funds across the country.\u003c/li>\n\u003cli>Acclaimed jazz pianist \u003ca href=\"https://twitter.com/vijayiyer/status/1540341441997639682?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Vijay Iyer retweeted\u003c/a> part of Justice Thomas’ opinion, calling it “Cruel and deranged.”\u003c/li>\n\u003cli>The Nashville band Bully shared abortion resources \u003ca href=\"https://twitter.com/Bully/status/1541487042529574912?s=20&t=Ti-f6UChkf4mWa5QaYAbJA\" target=\"_blank\" rel=\"noopener noreferrer\">as a backdrop to its set\u003c/a> at Nashville Pride on Sunday.\u003c/li>\n\u003cli>Covering Vic Chesnutt’s song “Blight,” the revered jam band Widespread Panic \u003ca href=\"https://twitter.com/theaudiovore/status/1541486827084947457?s=20&t=Ti-f6UChkf4mWa5QaYAbJA\" target=\"_blank\" rel=\"noopener noreferrer\">added the lyric\u003c/a>, “Stand by your woman, because a woman’s body is her f****** own.”\u003c/li>\n\u003cli>Rap group Earthgang expressed frustration at the Supreme Court’s decision from the stage at a concert, \u003ca href=\"https://www.instagram.com/reel/CfMe2P-FbjI/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">sharing a video\u003c/a> on Instagram.\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/Eminem/status/1541174465442115585?s=20&t=1UNutvPDyLA6ZlLzlYA0EA\" target=\"_blank\" rel=\"noopener noreferrer\">Eminem shared his anger\u003c/a> with the decision as a father of three, and shared abortion resources in Michigan.\u003c/li>\n\u003cli>The always-online superstar \u003ca href=\"https://twitter.com/cher/status/1540388351655542784?s=20&t=xdv48Q5_XRubvqfr5b59Ug\">Cher warned\u003c/a> that Americans should “BE VERY AFRAID‼”\u003c/li>\n\u003cli>After posting a comment about how the decision affects family members beyond women, \u003ca href=\"https://twitter.com/Carole_King/status/1540738793526857728\" target=\"_blank\" rel=\"noopener noreferrer\">Carole King posed with a handmade sign: “Don’t despair, organize and vote.”\u003c/a>\u003c/li>\n\u003cli>In the wake of the ruling, \u003ca href=\"https://twitter.com/cyndilauper/status/1540498541990248448?s=20&t=0Bh4fjF0OpRogFp2kYyDmg\">Cindi Lauper released\u003c/a> a new version of her 1993 song “Sally’s Pigeons,” about a girl who dies after a back-alley abortion:\u003c/li>\n\u003c/ul>\n\u003cp>https://www.youtube.com/watch?v=5g-vceY9H68\u003c/p>\n\u003cul>\n\u003cli>Jazz singer \u003ca href=\"https://twitter.com/ddbprods/status/1541174827737677824?t=N8onXm7q2g0cPHaiA1KDEg&s=19\" target=\"_blank\" rel=\"noopener noreferrer\">Dee Dee Bridgewater vowed\u003c/a> to “never stop fighting for women’s rights.”\u003c/li>\n\u003cli>Days after releasing an album including the song “\u003ca href=\"https://www.youtube.com/watch?v=iMp4mgZbhA8\" target=\"_blank\" rel=\"noopener noreferrer\">Baby, I Had an Abortion\u003c/a>,” Petrol Girls singer \u003ca href=\"https://www.kerrang.com/abortion-bans-are-an-all-out-war-on-women-and-anyone-with-a-uterus\" target=\"_blank\" rel=\"noopener noreferrer\">Ren Aldridge published an editorial\u003c/a> on the subject in British music magazine \u003cem>Kerrang!.\u003c/em>\u003c/li>\n\u003cli>In a series of tweets, Mountain Goats leader \u003ca href=\"https://twitter.com/mountain_goats/status/1540338888501350402?s=20&t=IIjNiJisfBD7LMPjGiwzYA\" target=\"_blank\" rel=\"noopener noreferrer\">John Darnielle decried “centrists”\u003c/a> for allowing the right-to-choose to slip into peril.\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/drivebytruckers/status/1540666762836037632?s=20&t=IIjNiJisfBD7LMPjGiwzYA\" target=\"_blank\" rel=\"noopener noreferrer\">Drive-By Truckers’ Twitter feed\u003c/a> was full of warnings about America’s “slide into fascism.”\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/HayleyKiyoko/status/1540358393403125760?s=20&t=Ls_mvlz3kCixVLbh1j9ZvA\" target=\"_blank\" rel=\"noopener noreferrer\">Hayley Kiyoko declared\u003c/a> herself “sick to my stomach” and called for her fans to fight back.\u003c/li>\n\u003cli>“Check on your friends,” pop superstar \u003ca href=\"https://twitter.com/Harry_Styles/status/1540466638138605568?s=20&t=h56BX4tCtspGu0e7bEc4aw\" target=\"_blank\" rel=\"noopener noreferrer\">Harry Styles wrote in a sympathetic note\u003c/a> to fans on “a truly dark day for America.”\u003c/li>\n\u003cli>Among other comments, Questlove speculated that \u003ca href=\"https://www.npr.org/sections/now-playing/2022/06/21/1106327376/beyonce-break-my-soul\" target=\"_blank\" rel=\"noopener noreferrer\">Beyoncé’s latest anthem, “BREAK MY SOUL,”\u003c/a> might prove more necessary after the ruling.\u003c/li>\n\u003cli>Maren Morris kept her response \u003ca href=\"https://twitter.com/MarenMorris/status/1540405458254569473?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">short and sweet\u003c/a>:\u003c/li>\n\u003c/ul>\n\u003cp>https://twitter.com/MarenMorris/status/1540405458254569473\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Musicians+react+to+Supreme+Court+decision+on+right+to+abortion&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>[ad floatright]\u003c/p>\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1777,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1705006677,
"excerpt": "After Friday's Supreme Court decision, artists from around the world shared reactions and suggestions for the immediate future.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "After Friday's Supreme Court decision, artists from around the world shared reactions and suggestions for the immediate future.",
"title": "Musicians React to Supreme Court Decision on Right to Abortion | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Musicians React to Supreme Court Decision on Right to Abortion",
"datePublished": "2022-06-28T13:14:59-07:00",
"dateModified": "2024-01-11T12:57:57-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "musicians-react-to-supreme-court-decision-on-right-to-abortion",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=1107887181&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Tue, 28 Jun 2022 09:49:54 -0400",
"excludeFromSiteSearch": "Include",
"nprLastModifiedDate": "Tue, 28 Jun 2022 10:54:59 -0400",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/2022/06/28/1107887181/musicians-react-to-roe-v-wade-decision?ft=nprml&f=1107887181",
"nprImageAgency": "PA Images via Getty Images",
"nprStoryId": "1107887181",
"nprByline": "Nisha Venkat",
"sticky": false,
"nprImageCredit": "Ben Birchall",
"showOnAuthorArchivePages": "No",
"nprRetrievedStory": "1",
"nprPubDate": "Tue, 28 Jun 2022 10:55:00 -0400",
"path": "/arts/13915389/musicians-react-to-supreme-court-decision-on-right-to-abortion",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When the Supreme Court \u003ca href=\"https://www.npr.org/2022/06/24/1102305878/supreme-court-abortion-roe-v-wade-decision-overturn\" target=\"_blank\" rel=\"noopener noreferrer\">issued its decision on Dobbs vs. Jackson Women’s Health Organization on Friday\u003c/a>, effectively overturning the 1973 Roe v. Wade decision that granted the right to abortion, social media predictably exploded.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13912860",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Musicians were among those who immediately spoke up, and their reactions were overwhelmingly against the court’s decision. Many took to Twitter and Instagram. Others spoke up from the highly visible stages of Glastonbury \u003ca href=\"https://www.kqed.org/arts/13915299/stars-use-bet-awards-stage-to-criticize-roe-v-wade-ruling\" target=\"_blank\" rel=\"noopener noreferrer\">and the BET Awards\u003c/a>, which became pulpits for people demanding respect for individuals’ freedoms.\u003c/p>\n\u003cp>A few musicians quickly penned songs in response to the rulings, or rewrote Americana chestnuts—including “The Star-Spangled Banner.” Several stars and music industry groups, including Lizzo and Rage Against the Machine, pledged significant profits from upcoming tours to support abortion-rights advocacy groups.\u003c/p>\n\u003cp>\u003cstrong>Here is a list of musicians’ reactions and actions:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>Lizzo, matched by Live Nation, \u003ca href=\"https://twitter.com/lizzo/status/1540473013543391232\" target=\"_blank\" rel=\"noopener noreferrer\">pledged a million dollars\u003c/a> to Planned Parenthood.\u003c/li>\n\u003cli>Rage Against The Machine \u003ca href=\"https://www.instagram.com/p/CfNgfa5r4qQ/\" target=\"_blank\" rel=\"noopener noreferrer\">pledged nearly half a million dollars\u003c/a> to abortion services in Illinois and Wisconsin.\u003c/li>\n\u003cli>Olivia Rodrigo and Lily Allen \u003ca href=\"https://twitter.com/jelousyliv/status/1540767329537196032\" target=\"_blank\" rel=\"noopener noreferrer\">dedicated a performance of “F*** You” during their set at Glastonbury\u003c/a> to the five Supreme Court Justices who voted in the Court’s majority:\u003c/li>\n\u003c/ul>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1540767329537196032"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cul>\n\u003cli>“All these irrelevant, old motherf******, trying to tell us what to do with our bodies,” Phoebe Bridgers \u003ca href=\"https://twitter.com/consequence/status/1540419643923390466?s=20&t=Ti-f6UChkf4mWa5QaYAbJA\" target=\"_blank\" rel=\"noopener noreferrer\">said during her Glastonbury set\u003c/a>, to raucous cheers from the audience.\u003c/li>\n\u003cli>Latto, the singer behind hit single “Big Energy,” used her acceptance speech at the BET awards \u003ca href=\"https://www.youtube.com/watch?v=ItnjnSVJw2A\" target=\"_blank\" rel=\"noopener noreferrer\">to share a tearful nod to abortion rights\u003c/a>: “It’s giving pro-choice, it’s never giving a man policing my body.”\u003c/li>\n\u003cli>Raveena, who wrote “\u003ca href=\"https://open.spotify.com/track/0z6aLSVOKcrq5UuCjzEw5z?si=ca83b5076d7345aa\" target=\"_blank\" rel=\"noopener noreferrer\">Time Flies\u003c/a>” about an abortion she had in her twenties, \u003ca href=\"https://twitter.com/raveena_aurora/status/1540478721194336258\" target=\"_blank\" rel=\"noopener noreferrer\">shared\u003c/a> that she’d had an ectopic pregnancy scare the same week as the ruling.\u003c/li>\n\u003cli>“The truth is that my heart breaks looking out into this audience, because I see so many people who deserve to have incredible lives, who deserve healthcare that they need,” said Halsey \u003ca href=\"https://twitter.com/stephxvg/status/1541343623094030337?s=20&t=Ti-f6UChkf4mWa5QaYAbJA\" target=\"_blank\" rel=\"noopener noreferrer\">at a performance in Arizona on June 26\u003c/a>.\u003c/li>\n\u003cli>Singer-songwriter Reina Del Cid \u003ca href=\"https://twitter.com/annkpowers/status/1540934353269710849?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">wrote a haunting, spare take on “the Star-Spangled Banner\u003c/a>:\u003c/li>\n\u003c/ul>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1540793095964483585"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cul>\n\u003cli>\u003ca href=\"https://twitter.com/taylorswift13/status/1540382753677627393?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Taylor Swift quote-tweeted Michelle Obama\u003c/a>‘s statement on the Supreme Court decision, adding that she was “absolutely terrified” about the ruling.\u003c/li>\n\u003cli>Janelle Monae took a beat to \u003ca href=\"https://twitter.com/itsKenBarbie/status/1541214582877966336?s=20&t=FExDxryxGBcGIo1XeHsVFg\" target=\"_blank\" rel=\"noopener noreferrer\">flip off the Supreme Court\u003c/a> at the BET Awards.\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/foreverrwinter/status/1541137429398261763?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">“F*** the Supreme Court,” said Lorde\u003c/a> during her own Glastonbury set.\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/MariahCarey/status/1540443554102779904?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Mariah Carey reflected\u003c/a> on the decision’s impact on future generations on Twitter.\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/charli_xcx/status/1540411883408220160?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Charli XCX encouraged\u003c/a> people across the world to act to protect abortion access.\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/Pink/status/1540816633039466496\" target=\"_blank\" rel=\"noopener noreferrer\">P!nk took to Twitter\u003c/a> to tell her fans that if they didn’t believe in her values, she didn’t want them supporting her.\u003c/li>\n\u003cli>\u003ca href=\"https://www.instagram.com/tv/CfMSrAAlliB/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">Amanda Shires opened up\u003c/a> about the decision to talk about her abortion, saying, “I feel like the God that I believe in gave me the brain and the thinking and the knowledge to know what I should be able to do with my body.”\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/breland/status/1540506460144242693?s=20&t=Ti-f6UChkf4mWa5QaYAbJA\" target=\"_blank\" rel=\"noopener noreferrer\">Breland emphasized the need\u003c/a> for everyone to speak up for abortion access, and said this was only the beginning of a “hymn of oppression and control.”\u003c/li>\n\u003c/ul>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1540506460144242693"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cul>\n\u003cli>Brandi Carlile added a note of hope to her protest, according to \u003cem>Variety\u003c/em>, expressing faith in the majority of American people and encouraging her fans to \u003ca href=\"https://variety.com/2022/music/concert-reviews/brandi-carlile-greek-theatre-tour-concert-review-1235303657/\" target=\"_blank\" rel=\"noopener noreferrer\">let their emotions out\u003c/a>.\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/blkfootwhtfoot/status/1540446350109810689?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Brittany Howard of Alabama Shakes\u003c/a> tied abortion rights in with police brutality and capitalism, saying: “Anger on top of anger on top of anger. This system has failed us again.”\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/JasonIsbell/status/1540358578548121601?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">On Twitter, Jason Isbell\u003c/a> suggested gerrymandering shaped the impact of the Supreme Court’s decision, adding, “This is not what the people want.”\u003c/li>\n\u003cli>Sadler Vaden, a solo artist who also plays guitar in Jason Isbell and the 400 Unit, tweeted in support of bodily autonomy, adding that it was a “\u003ca href=\"https://twitter.com/SadlerVaden/status/1540358240332140545?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">sad day for our country.\u003c/a>“\u003c/li>\n\u003cli>Lukas Nelson \u003ca href=\"https://www.instagram.com/tv/CfRtZR3FG-4/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">quickly penned a heartfelt ballad\u003c/a> about the consequences lack of abortion access will have.\u003c/li>\n\u003cli>Country artist and Apple Radio host Rissi Palmer \u003ca href=\"https://twitter.com/RissiPalmer/status/1540358254189957123?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">offered a heartfelt and harrowing account of a miscarriage\u003c/a> to illustrate the variety of pregnancy experiences affected by the SCOTUS ruling.\u003c/li>\n\u003c/ul>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1540358254189957123"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cul>\n\u003cli>Singer-songwriter \u003ca href=\"https://twitter.com/Lauren_Jenkins/status/1541177895196008448?s=20&t=OhVii4uiraMv0SDrxFLaHg\" target=\"_blank\" rel=\"noopener noreferrer\">Lauren Jenkins wondered\u003c/a> where the voices of mainstream country artists were in the moment.\u003c/li>\n\u003cli>Singer-songwriter \u003ca href=\"https://twitter.com/MyMichaelaAnne/status/1540341383223033857?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Michaela Anne speculated\u003c/a> about the possible effects of the Jan. 6 hearings on the integrity of the Supreme Court Justices that Donald Trump appointed.\u003c/li>\n\u003cli>Country singer \u003ca href=\"https://twitter.com/KaitlinButts/status/1540354397615669252?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Kaitlin Butts referenced the emotional end\u003c/a> of a \u003ca href=\"https://www.youtube.com/watch?v=5GJWxDKyk3A\" target=\"_blank\" rel=\"noopener noreferrer\">Billie Eilish song\u003c/a> to express her feelings about the decision.\u003c/li>\n\u003cli>In line with decades of pro-choice activism, \u003ca href=\"https://twitter.com/PearlJam/status/1540341481973719040?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Pearl Jam encouraged fans to support organizations\u003c/a> focused on providing and supporting abortion access.\u003c/li>\n\u003cli>On stage at Glastonbury, Megan Thee Stallion said her home state of Texas was “really embarrassing me right now” and \u003ca href=\"https://twitter.com/Phil_Lewis_/status/1541076372487020544\" target=\"_blank\" rel=\"noopener noreferrer\">led the crowd in chanting\u003c/a> “my body, my motherf****** choice”:\u003c/li>\n\u003c/ul>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1541076372487020544"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cul>\n\u003cli>The Chicago artist \u003ca href=\"https://twitter.com/NnamdisWorld/status/1540400061862932481\" target=\"_blank\" rel=\"noopener noreferrer\">NNAMDÏ shared on Twitter\u003c/a> that he was “never surprised but continuously disappointed” and recommended community-driven ways to support abortion access.\u003c/li>\n\u003cli>\u003ca href=\"https://www.instagram.com/p/CfMW5C3qaYL/\" target=\"_blank\" rel=\"noopener noreferrer\">Cat Power shared screenshots\u003c/a> of reactions to the decision and information about a protest on Instagram, adding “We will NOT abandon people who need abortions right now we will do the opposite.”\u003c/li>\n\u003cli>Bon Iver’s \u003ca href=\"https://twitter.com/blobtower/status/1540358042100944896?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Justin Vernon shared his frustration\u003c/a> on Twitter.\u003c/li>\n\u003cli>In a lengthy Instagram caption, \u003ca href=\"https://www.instagram.com/p/CfMab67rxNw/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Jack White criticized the two-party system\u003c/a> and Trump’s actions that led to the overturn of Roe v. Wade.\u003c/li>\n\u003cli>Green Day frontman \u003ca href=\"https://twitter.com/armstr0ngtyler/status/1540687191919280129?s=20&t=4FKUOWIfitVBkMSM6_QNJQ\" target=\"_blank\" rel=\"noopener noreferrer\">Billie Joe Armstron’s spontaneous onstage response to the ruling\u003c/a> was to threaten that he would revoke his American citizenship.\u003c/li>\n\u003c/ul>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1540687191919280129"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cul>\n\u003cli>Paramore singer \u003ca href=\"https://www.instagram.com/p/CfMhh7Tptd2/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">Hayley Williams shared sadness and anger\u003c/a> on Instagram, and pointed fans towards the ACLU and Planned Parenthood.\u003c/li>\n\u003cli>Singer-songwriter \u003ca href=\"https://twitter.com/kristinhersh/status/1540367939160907776?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Kristen Hersh shared a 2015 video\u003c/a> of her performing “Hysterical Bending,” which she describes as a “song about childbirth”:\u003c/li>\n\u003c/ul>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/GuhRFqOZHS4'\n title='//www.youtube.com/embed/GuhRFqOZHS4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cul>\n\u003cli>\u003ca href=\"https://twitter.com/HFTRR/status/1540372528928935937?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Hurray For The Riff Raff encouraged fans\u003c/a> to share information about abortion access organizations, and linked to the New Orleans Abortion Fund.\u003c/li>\n\u003cli>Maggie Rogers wrote: “\u003ca href=\"https://twitter.com/maggierogers/status/1540355104817270784?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">abortion is healthcare\u003c/a>. bodily autonomy is a human right.”\u003c/li>\n\u003cli>The pop duo \u003ca href=\"https://twitter.com/SylvanEsso/status/1540342470273368066?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Sylvan Esso tweeted\u003c/a> that “we are full of rage,” adding that the band would “play this festival tonight and go directly to dc to protest.”\u003c/li>\n\u003cli>Rock songwriter \u003ca href=\"https://twitter.com/MAITAmusic/status/1540366230179090432\" target=\"_blank\" rel=\"noopener noreferrer\">MAITA was succinct about her frustrations\u003c/a>, tweeting simply: “abort the supreme court.”\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/paulacolemusic/status/1540341228994265091?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Paula Cole declared\u003c/a> that the ruling “has officially ratified gender apartheid.”\u003c/li>\n\u003cli>Kathy Valentine, bassist and guitarist from \u003ca href=\"https://twitter.com/Kathy_Valentine/status/1540353723175682049?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">The Go-Go’s posted\u003c/a>: “It breaks my heart to think of all the intelligent, creative, innovative minds and careers of women” limited by the ruling.\u003c/li>\n\u003cli>Public Enemy’s always outspoken frontman Chuck D called the decision “\u003ca href=\"https://twitter.com/MrChuckD/status/1540365236279996417?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">F a s c i s m\u003c/a>.”\u003c/li>\n\u003cli>While accepting the Best Female R&B/Pop Artist award at the BET Awards, Jazmine Sullivan asked men to stand up for women’s rights. “This is not just a women’s issue,” she said. “This is everybody’s issue.”\u003c/li>\n\u003c/ul>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/P4g2CHBt3_Y'\n title='//www.youtube.com/embed/P4g2CHBt3_Y'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cul>\n\u003cli>According to the \u003cem>Guardian\u003c/em>, Kendrick Lamar concluded his electrifying Glastonbury performance with an improvised reworking of the song “Savior,” intoning, “\u003ca href=\"https://www.theguardian.com/music/2022/jun/27/kendrick-lamar-at-glastonbury-2022-review\" target=\"_blank\" rel=\"noopener noreferrer\">Godspeed for women’s rights / They judge you, they judge Christ\u003c/a>.”\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/aliciakeys/status/1540382914550108160?s=20&t=-VEj5WsA9qvmYdDV6GQgXA\" target=\"_blank\" rel=\"noopener noreferrer\">Alicia Keys retweeted former President Obama’s tweet\u003c/a>, adding that the decision “is about more than abortion, it’s about who has power over you.”\u003c/li>\n\u003cli>Puerto Rican superstar \u003ca href=\"https://twitter.com/RepShontelBrown/status/1540010611001663489?s=20&t=-VEj5WsA9qvmYdDV6GQgXA\" target=\"_blank\" rel=\"noopener noreferrer\">Bad Bunny retweed Ohio representative Shontel Brown\u003c/a>, who expressed frustration at the Supreme Court’s recent rulings on gun control and abortion rights.\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/jose272011/status/1541151851047014403\" target=\"_blank\" rel=\"noopener noreferrer\">Rosalía retweeted an image\u003c/a> of a sign invoking her “Motomami” nickname and reading “fight for your rights”:\u003c/li>\n\u003c/ul>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1541151851047014403"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cul>\n\u003cli>Singer-songwriter \u003ca href=\"https://twitter.com/HeladoNegro/status/1540712024711348224\" target=\"_blank\" rel=\"noopener noreferrer\">Helado Negro shared a link\u003c/a> to donate to abortion funds across the country.\u003c/li>\n\u003cli>Acclaimed jazz pianist \u003ca href=\"https://twitter.com/vijayiyer/status/1540341441997639682?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">Vijay Iyer retweeted\u003c/a> part of Justice Thomas’ opinion, calling it “Cruel and deranged.”\u003c/li>\n\u003cli>The Nashville band Bully shared abortion resources \u003ca href=\"https://twitter.com/Bully/status/1541487042529574912?s=20&t=Ti-f6UChkf4mWa5QaYAbJA\" target=\"_blank\" rel=\"noopener noreferrer\">as a backdrop to its set\u003c/a> at Nashville Pride on Sunday.\u003c/li>\n\u003cli>Covering Vic Chesnutt’s song “Blight,” the revered jam band Widespread Panic \u003ca href=\"https://twitter.com/theaudiovore/status/1541486827084947457?s=20&t=Ti-f6UChkf4mWa5QaYAbJA\" target=\"_blank\" rel=\"noopener noreferrer\">added the lyric\u003c/a>, “Stand by your woman, because a woman’s body is her f****** own.”\u003c/li>\n\u003cli>Rap group Earthgang expressed frustration at the Supreme Court’s decision from the stage at a concert, \u003ca href=\"https://www.instagram.com/reel/CfMe2P-FbjI/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">sharing a video\u003c/a> on Instagram.\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/Eminem/status/1541174465442115585?s=20&t=1UNutvPDyLA6ZlLzlYA0EA\" target=\"_blank\" rel=\"noopener noreferrer\">Eminem shared his anger\u003c/a> with the decision as a father of three, and shared abortion resources in Michigan.\u003c/li>\n\u003cli>The always-online superstar \u003ca href=\"https://twitter.com/cher/status/1540388351655542784?s=20&t=xdv48Q5_XRubvqfr5b59Ug\">Cher warned\u003c/a> that Americans should “BE VERY AFRAID‼”\u003c/li>\n\u003cli>After posting a comment about how the decision affects family members beyond women, \u003ca href=\"https://twitter.com/Carole_King/status/1540738793526857728\" target=\"_blank\" rel=\"noopener noreferrer\">Carole King posed with a handmade sign: “Don’t despair, organize and vote.”\u003c/a>\u003c/li>\n\u003cli>In the wake of the ruling, \u003ca href=\"https://twitter.com/cyndilauper/status/1540498541990248448?s=20&t=0Bh4fjF0OpRogFp2kYyDmg\">Cindi Lauper released\u003c/a> a new version of her 1993 song “Sally’s Pigeons,” about a girl who dies after a back-alley abortion:\u003c/li>\n\u003c/ul>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/5g-vceY9H68'\n title='//www.youtube.com/embed/5g-vceY9H68'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cul>\n\u003cli>Jazz singer \u003ca href=\"https://twitter.com/ddbprods/status/1541174827737677824?t=N8onXm7q2g0cPHaiA1KDEg&s=19\" target=\"_blank\" rel=\"noopener noreferrer\">Dee Dee Bridgewater vowed\u003c/a> to “never stop fighting for women’s rights.”\u003c/li>\n\u003cli>Days after releasing an album including the song “\u003ca href=\"https://www.youtube.com/watch?v=iMp4mgZbhA8\" target=\"_blank\" rel=\"noopener noreferrer\">Baby, I Had an Abortion\u003c/a>,” Petrol Girls singer \u003ca href=\"https://www.kerrang.com/abortion-bans-are-an-all-out-war-on-women-and-anyone-with-a-uterus\" target=\"_blank\" rel=\"noopener noreferrer\">Ren Aldridge published an editorial\u003c/a> on the subject in British music magazine \u003cem>Kerrang!.\u003c/em>\u003c/li>\n\u003cli>In a series of tweets, Mountain Goats leader \u003ca href=\"https://twitter.com/mountain_goats/status/1540338888501350402?s=20&t=IIjNiJisfBD7LMPjGiwzYA\" target=\"_blank\" rel=\"noopener noreferrer\">John Darnielle decried “centrists”\u003c/a> for allowing the right-to-choose to slip into peril.\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/drivebytruckers/status/1540666762836037632?s=20&t=IIjNiJisfBD7LMPjGiwzYA\" target=\"_blank\" rel=\"noopener noreferrer\">Drive-By Truckers’ Twitter feed\u003c/a> was full of warnings about America’s “slide into fascism.”\u003c/li>\n\u003cli>\u003ca href=\"https://twitter.com/HayleyKiyoko/status/1540358393403125760?s=20&t=Ls_mvlz3kCixVLbh1j9ZvA\" target=\"_blank\" rel=\"noopener noreferrer\">Hayley Kiyoko declared\u003c/a> herself “sick to my stomach” and called for her fans to fight back.\u003c/li>\n\u003cli>“Check on your friends,” pop superstar \u003ca href=\"https://twitter.com/Harry_Styles/status/1540466638138605568?s=20&t=h56BX4tCtspGu0e7bEc4aw\" target=\"_blank\" rel=\"noopener noreferrer\">Harry Styles wrote in a sympathetic note\u003c/a> to fans on “a truly dark day for America.”\u003c/li>\n\u003cli>Among other comments, Questlove speculated that \u003ca href=\"https://www.npr.org/sections/now-playing/2022/06/21/1106327376/beyonce-break-my-soul\" target=\"_blank\" rel=\"noopener noreferrer\">Beyoncé’s latest anthem, “BREAK MY SOUL,”\u003c/a> might prove more necessary after the ruling.\u003c/li>\n\u003cli>Maren Morris kept her response \u003ca href=\"https://twitter.com/MarenMorris/status/1540405458254569473?s=20&t=DhQDxG39wR-6GYHEcm2viw\" target=\"_blank\" rel=\"noopener noreferrer\">short and sweet\u003c/a>:\u003c/li>\n\u003c/ul>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1540405458254569473"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Musicians+react+to+Supreme+Court+decision+on+right+to+abortion&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13915389/musicians-react-to-supreme-court-decision-on-right-to-abortion",
"authors": [
"byline_arts_13915389"
],
"categories": [
"arts_1",
"arts_69",
"arts_75"
],
"tags": [
"arts_9324",
"arts_13671",
"arts_1674",
"arts_6470"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13915390",
"label": "arts_137"
},
"arts_13915299": {
"type": "posts",
"id": "arts_13915299",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13915299",
"score": null,
"sort": [
1656360166000
]
},
"guestAuthors": [],
"slug": "stars-use-bet-awards-stage-to-criticize-roe-v-wade-ruling",
"title": "Stars Use BET Awards Stage to Criticize Roe v. Wade Ruling",
"publishDate": 1656360166,
"format": "standard",
"headTitle": "Stars Use BET Awards Stage to Criticize Roe v. Wade Ruling | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Taraji P. Henson, Janelle Monae and Jazmine Sullivan were some of the big stars using the BET Awards stage to strongly criticize the \u003ca href=\"https://www.npr.org/2022/06/24/1102305878/supreme-court-abortion-roe-v-wade-decision-overturn\" target=\"_blank\" rel=\"noopener noreferrer\">Supreme Court’s recent decision\u003c/a> to strip away women’s constitutional protection for abortion.\u003c/p>\n\u003cp>Henson took the stage as the show’s host on Sunday with an uplifting message about “Black excellence” before she launched into the court’s overturning of the landmark Roe v. Wade ruling last week. The actor took the stage after Lizzo opened the show with a flute solo in a glittery-gold outfit performing her single “About Damn Time.”\u003c/p>\n\u003cp>“It’s about damn time we talk about the fact that guns have more rights than a woman. It’s a sad day in America,” said Henson, thanking Lizzo who along with Live Nation recently donated $1 million in tour proceeds to Planned Parenthood. “A weapon that can take lives has more power than a woman that can give life—if she chooses to.”\u003c/p>\n\u003cp>[aside postID='arts_13912860']Janelle Monae held up her middle finger toward the Supreme Court before she introduced nominees for best female R&B/pop artist. Her speech earned standing applause at the Microsoft Theater in Los Angeles.\u003c/p>\n\u003cp>“These artists are making art on our own terms, owning our truths and expressing ourselves freely and unapologetically in a world that tries to control and police our bodies, my body and our decisions, my body,” said the singer, who also paid homage to the LGBTQ+ community. “(explicit) you Supreme Court. I know we’re celebrating us right now as we should. We absolutely deserve to celebrate—especially now we should celebrate our art by protecting our right and our truths.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Afterwards, Monae introduced Sullivan as the category’s winner—who made a plea to men for their support of women.\u003c/p>\n\u003cp>“It’s a hard time for us,” Sullivan said. “I want to speak directly to the men: We need y’all. We need y’all to stand up, stand up for us, stand up with us. If you’ve ever benefitted from a woman making one of the toughest decisions of her life, which is to terminate a pregnancy, you need to be standing. This is not just a woman issue. This is everybody’s issue. We need your support more than ever.”\u003c/p>\n\u003cp>Latto gave an emotional speech after she won best new artist.\u003c/p>\n\u003cp>“It’s giving pro-choice,” said the rapper, who later performed her smash hit “Big Energy” with Mariah Carey. “It’s never giving a man policing my body.”\u003c/p>\n\u003cp>Singer Tems dedicated her best international act award to the many women who “dare to dream.”\u003c/p>\n\u003cp>“Where I’m from, things like this don’t happen,” said the Lagos, Nigeria-born singer who won best collaboration with Justin Bieber and Wizkid for their song “Essence.” “This is a dream. If you’re watching me, I want you to imagine yourself as me because you are meant to be here too.”\u003c/p>\n\u003cp>[aside postID='news_11917111']Doja Cat entered the show as the leading nominee with six. The chart-topping performer is up for best female R&B-pop artist, best female hip-hop artist, album of the year for her No. 1 hit “Planet Her” and BET Her for “Woman.” Her “Kiss Me More” with SZA is nominated for video of the year and best collaboration.\u003c/p>\n\u003cp>Sean “Diddy” Combs received the Lifetime Achievement Award—one of the highest honors at the ceremony. The music mogul is the founder of Bad Boy Records, has his own television network, fashion line and is a three-time Grammy winner who has worked with a slew of top-tier artists including Notorious B.I.G., Mary J. Blige, Usher, Lil Kim, Faith Evans and 112.\u003c/p>\n\u003cp>Drake and Ari Lennox were the second-most nominated acts, scoring four nods each. Three nominations went to several others including Baby Keem, Silk Sonic, Chloe Bailey, Future, H.E.R., Jazmine Sullivan, Ye (formerly known as Kanye West), Kendrick Lamar, Lil Baby, Mary J. Blige and Tems.\u003c/p>\n\u003cp>Jack Harlow performed “Poison” alongside Lil Wayne before Brandy hit the stage with him for his hit “First Class.” While Harlow and Brandy performed, the camera turned to her brother, Ray J, who was seen dancing in the audience.\u003c/p>\n\u003cp>Chance the Rapper and Joey Bada$$ performed “The Highs & the Lows.” In her pink gown, Muni Long opened her set with a snippet of “Time Machine” before her jam “Hrs & Hrs.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The winners in the 19 categories, including film and sports awards, are selected by BET’s Voting Academy, comprised of entertainment professionals and fans.\u003c/p>\n\n",
"blocks": [],
"excerpt": "\"It's about damn time we talk about the fact that guns have more rights than a woman,\" Taraji P. Henson declared.",
"status": "publish",
"parent": 0,
"modified": 1726759441,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 19,
"wordCount": 839
},
"headData": {
"title": "Stars Use BET Awards Stage to Criticize Roe v. Wade Ruling | KQED",
"description": ""It's about damn time we talk about the fact that guns have more rights than a woman," Taraji P. Henson declared.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Stars Use BET Awards Stage to Criticize Roe v. Wade Ruling",
"datePublished": "2022-06-27T13:02:46-07:00",
"dateModified": "2024-09-19T08:24:01-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprByline": "Associated Press",
"nprStoryId": "1107744877",
"nprApiLink": "http://api.npr.org/query?id=1107744877&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprHtmlLink": "https://www.npr.org/2022/06/27/1107744877/stars-use-bet-awards-stage-to-criticize-roe-v-wade-ruling?ft=nprml&f=1107744877",
"nprRetrievedStory": "1",
"nprPubDate": "Mon, 27 Jun 2022 00:28:00 -0400",
"nprStoryDate": "Mon, 27 Jun 2022 00:28:22 -0400",
"nprLastModifiedDate": "Mon, 27 Jun 2022 00:28:22 -0400",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"showOnAuthorArchivePages": "No",
"path": "/arts/13915299/stars-use-bet-awards-stage-to-criticize-roe-v-wade-ruling",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Taraji P. Henson, Janelle Monae and Jazmine Sullivan were some of the big stars using the BET Awards stage to strongly criticize the \u003ca href=\"https://www.npr.org/2022/06/24/1102305878/supreme-court-abortion-roe-v-wade-decision-overturn\" target=\"_blank\" rel=\"noopener noreferrer\">Supreme Court’s recent decision\u003c/a> to strip away women’s constitutional protection for abortion.\u003c/p>\n\u003cp>Henson took the stage as the show’s host on Sunday with an uplifting message about “Black excellence” before she launched into the court’s overturning of the landmark Roe v. Wade ruling last week. The actor took the stage after Lizzo opened the show with a flute solo in a glittery-gold outfit performing her single “About Damn Time.”\u003c/p>\n\u003cp>“It’s about damn time we talk about the fact that guns have more rights than a woman. It’s a sad day in America,” said Henson, thanking Lizzo who along with Live Nation recently donated $1 million in tour proceeds to Planned Parenthood. “A weapon that can take lives has more power than a woman that can give life—if she chooses to.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13912860",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Janelle Monae held up her middle finger toward the Supreme Court before she introduced nominees for best female R&B/pop artist. Her speech earned standing applause at the Microsoft Theater in Los Angeles.\u003c/p>\n\u003cp>“These artists are making art on our own terms, owning our truths and expressing ourselves freely and unapologetically in a world that tries to control and police our bodies, my body and our decisions, my body,” said the singer, who also paid homage to the LGBTQ+ community. “(explicit) you Supreme Court. I know we’re celebrating us right now as we should. We absolutely deserve to celebrate—especially now we should celebrate our art by protecting our right and our truths.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Afterwards, Monae introduced Sullivan as the category’s winner—who made a plea to men for their support of women.\u003c/p>\n\u003cp>“It’s a hard time for us,” Sullivan said. “I want to speak directly to the men: We need y’all. We need y’all to stand up, stand up for us, stand up with us. If you’ve ever benefitted from a woman making one of the toughest decisions of her life, which is to terminate a pregnancy, you need to be standing. This is not just a woman issue. This is everybody’s issue. We need your support more than ever.”\u003c/p>\n\u003cp>Latto gave an emotional speech after she won best new artist.\u003c/p>\n\u003cp>“It’s giving pro-choice,” said the rapper, who later performed her smash hit “Big Energy” with Mariah Carey. “It’s never giving a man policing my body.”\u003c/p>\n\u003cp>Singer Tems dedicated her best international act award to the many women who “dare to dream.”\u003c/p>\n\u003cp>“Where I’m from, things like this don’t happen,” said the Lagos, Nigeria-born singer who won best collaboration with Justin Bieber and Wizkid for their song “Essence.” “This is a dream. If you’re watching me, I want you to imagine yourself as me because you are meant to be here too.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "news_11917111",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Doja Cat entered the show as the leading nominee with six. The chart-topping performer is up for best female R&B-pop artist, best female hip-hop artist, album of the year for her No. 1 hit “Planet Her” and BET Her for “Woman.” Her “Kiss Me More” with SZA is nominated for video of the year and best collaboration.\u003c/p>\n\u003cp>Sean “Diddy” Combs received the Lifetime Achievement Award—one of the highest honors at the ceremony. The music mogul is the founder of Bad Boy Records, has his own television network, fashion line and is a three-time Grammy winner who has worked with a slew of top-tier artists including Notorious B.I.G., Mary J. Blige, Usher, Lil Kim, Faith Evans and 112.\u003c/p>\n\u003cp>Drake and Ari Lennox were the second-most nominated acts, scoring four nods each. Three nominations went to several others including Baby Keem, Silk Sonic, Chloe Bailey, Future, H.E.R., Jazmine Sullivan, Ye (formerly known as Kanye West), Kendrick Lamar, Lil Baby, Mary J. Blige and Tems.\u003c/p>\n\u003cp>Jack Harlow performed “Poison” alongside Lil Wayne before Brandy hit the stage with him for his hit “First Class.” While Harlow and Brandy performed, the camera turned to her brother, Ray J, who was seen dancing in the audience.\u003c/p>\n\u003cp>Chance the Rapper and Joey Bada$$ performed “The Highs & the Lows.” In her pink gown, Muni Long opened her set with a snippet of “Time Machine” before her jam “Hrs & Hrs.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The winners in the 19 categories, including film and sports awards, are selected by BET’s Voting Academy, comprised of entertainment professionals and fans.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13915299/stars-use-bet-awards-stage-to-criticize-roe-v-wade-ruling",
"authors": [
"byline_arts_13915299"
],
"categories": [
"arts_1",
"arts_75"
],
"tags": [
"arts_9324",
"arts_9943",
"arts_4001",
"arts_13671",
"arts_1674"
],
"featImg": "arts_13915301",
"label": "arts"
},
"arts_13915045": {
"type": "posts",
"id": "arts_13915045",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13915045",
"score": null,
"sort": [
1655834987000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1655834987,
"format": "standard",
"title": "Beyoncé's New Single is Out. Listen to 'BREAK MY SOUL'",
"headTitle": "Beyoncé’s New Single is Out. Listen to ‘BREAK MY SOUL’ | KQED",
"content": "\u003cp>Hold onto your wigs, the Queen is back. Four days \u003ca href=\"https://www.npr.org/2022/06/16/1104324975/beyonce-announces-new-album-renaissance\" target=\"_blank\" rel=\"noopener noreferrer\">after announcing the release\u003c/a> date of her seventh solo studio album, the eagerly anticipated \u003cem>act i: RENAISSANCE\u003c/em> (out July 29), Beyoncé dropped the project’s lead single, “\u003ca href=\"https://songwhip.com/beyonce/break-my-soul\" target=\"_blank\" rel=\"noopener noreferrer\">BREAK MY SOUL\u003c/a>.” A co-production between Beyoncé, Tricky Stewart and The-Dream (who last collaborated on 2009’s “Single Ladies”), “BREAK MY SOUL” honors a long lineage of liberatory queer anthems, like Diana Ross’ “I’m Coming Out” or Donna Summer’s “I Feel Love.”\u003c/p>\n\u003cp>[aside postid='arts_13901650']Whether it’s a dead-end job or a relationship that’s not going anywhere, Beyoncé wants you to release the stress. Over a pulsing dance melody, she croons, “Got motivation, I done found me a new foundation, and I’m takin’ my new salvation and I’ma build my own foundation,” before delivering an uplifting mantra of “You won’t break my soul” in the chorus. Built around a four-count sample of the gay club staple “Show Me Love” by Robin S. and an interpolation of NOLA rapper Big Freedia’s 2014 bounce record “Explode,” the retrofuturistic track is a seamless blend of disco, house and gospel pop with dulcet, meticulously-arranged vocals ready for the ballroom.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=yjki-9Pthh0\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Beyonc%C3%A9%27s+new+single+is+out.+Listen+to+%27BREAK+MY+SOUL%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 256,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 4
},
"modified": 1705006704,
"excerpt": "The Queen is back. All hail.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The Queen is back. All hail.",
"title": "Beyoncé's New Single is Out. Listen to 'BREAK MY SOUL' | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Beyoncé's New Single is Out. Listen to 'BREAK MY SOUL'",
"datePublished": "2022-06-21T11:09:47-07:00",
"dateModified": "2024-01-11T12:58:24-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "beyonces-new-single-is-out-listen-to-break-my-soul",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=1106327376&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Tue, 21 Jun 2022 06:38:34 -0400",
"excludeFromSiteSearch": "Include",
"nprLastModifiedDate": "Tue, 21 Jun 2022 06:39:04 -0400",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/sections/now-playing/2022/06/21/1106327376/beyonce-break-my-soul?ft=nprml&f=1106327376",
"nprImageAgency": "A.M.P.A.S. via Getty Images",
"nprStoryId": "1106327376",
"nprByline": "LaTesha Harris",
"sticky": false,
"showOnAuthorArchivePages": "No",
"nprRetrievedStory": "1",
"nprPubDate": "Tue, 21 Jun 2022 06:38:00 -0400",
"path": "/arts/13915045/beyonces-new-single-is-out-listen-to-break-my-soul",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Hold onto your wigs, the Queen is back. Four days \u003ca href=\"https://www.npr.org/2022/06/16/1104324975/beyonce-announces-new-album-renaissance\" target=\"_blank\" rel=\"noopener noreferrer\">after announcing the release\u003c/a> date of her seventh solo studio album, the eagerly anticipated \u003cem>act i: RENAISSANCE\u003c/em> (out July 29), Beyoncé dropped the project’s lead single, “\u003ca href=\"https://songwhip.com/beyonce/break-my-soul\" target=\"_blank\" rel=\"noopener noreferrer\">BREAK MY SOUL\u003c/a>.” A co-production between Beyoncé, Tricky Stewart and The-Dream (who last collaborated on 2009’s “Single Ladies”), “BREAK MY SOUL” honors a long lineage of liberatory queer anthems, like Diana Ross’ “I’m Coming Out” or Donna Summer’s “I Feel Love.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13901650",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Whether it’s a dead-end job or a relationship that’s not going anywhere, Beyoncé wants you to release the stress. Over a pulsing dance melody, she croons, “Got motivation, I done found me a new foundation, and I’m takin’ my new salvation and I’ma build my own foundation,” before delivering an uplifting mantra of “You won’t break my soul” in the chorus. Built around a four-count sample of the gay club staple “Show Me Love” by Robin S. and an interpolation of NOLA rapper Big Freedia’s 2014 bounce record “Explode,” the retrofuturistic track is a seamless blend of disco, house and gospel pop with dulcet, meticulously-arranged vocals ready for the ballroom.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yjki-9Pthh0'\n title='//www.youtube.com/embed/yjki-9Pthh0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Beyonc%C3%A9%27s+new+single+is+out.+Listen+to+%27BREAK+MY+SOUL%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13915045/beyonces-new-single-is-out-listen-to-break-my-soul",
"authors": [
"byline_arts_13915045"
],
"categories": [
"arts_1",
"arts_69",
"arts_75"
],
"tags": [
"arts_1686"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13915049",
"label": "arts_137"
},
"arts_13914801": {
"type": "posts",
"id": "arts_13914801",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13914801",
"score": null,
"sort": [
1655235443000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1655235443,
"format": "standard",
"title": "Lizzo Re-Records 'Grrrls' Following Criticism Over Ableist Lyric",
"headTitle": "Lizzo Re-Records ‘Grrrls’ Following Criticism Over Ableist Lyric | KQED",
"content": "\u003cp>Singer songwriter Lizzo has re-released her new single “Grrrls” with a lyric change after it sparked heated discussions online about ableist language.\u003c/p>\n\u003cp>The song, which is set to appear on her upcoming album \u003cem>Special\u003c/em>, received praise and excitement from many fans upon its release last Friday. Others, especially those within the disability community, expressed concern about her use of the word “spaz,” which many consider an ableist slur.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=4r9TbKLCus0\u003c/p>\n\u003cp>It originates from the term “spastic,” which has historically been used to describe people with spastic paralysis and cerebral palsy. Often used in a derogatory way to describe people in the disability community, “spaz” or “spaz out” has also been used to refer to someone losing physical control or simply acting “weird” or “uncool.” \u003cem>Webster’s New World College Dictionary\u003c/em> defines it as “someone regarded as being clumsy, awkward, stupid, odd, etc.”\u003c/p>\n\u003cp>Lizzo released a statement on Monday acknowledging the “harmful word” in her song and announcing a rerecorded version of the song without the slur in it. “I never want to promote derogatory language. As a fat black woman in America, I’ve had many hurtful words used against me so I overstand the power words can have (whether intentionally or in my case, unintentionally),” she wrote in her statement.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.instagram.com/p/Cew0HrlPhEq/\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Lizzo+rerecords+%27Grrrls%27+following+criticism+over+ableist+lyric&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 255,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1705006731,
"excerpt": "\"As an influential artist I'm dedicated to being part of the change I've been waiting to see in the world,\" Lizzo explained.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": ""As an influential artist I'm dedicated to being part of the change I've been waiting to see in the world," Lizzo explained.",
"title": "Lizzo Re-Records 'Grrrls' Following Criticism Over Ableist Lyric | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Lizzo Re-Records 'Grrrls' Following Criticism Over Ableist Lyric",
"datePublished": "2022-06-14T12:37:23-07:00",
"dateModified": "2024-01-11T12:58:51-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "lizzo-re-records-grrrls-following-criticism-over-ableist-lyric",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=1104925003&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Tue, 14 Jun 2022 11:22:55 -0400",
"excludeFromSiteSearch": "Include",
"nprLastModifiedDate": "Tue, 14 Jun 2022 11:22:55 -0400",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/2022/06/14/1104925003/lizzo-rerecords-grrrls-criticism-ableism?ft=nprml&f=1104925003",
"nprImageAgency": "Getty Images for Youtube",
"nprStoryId": "1104925003",
"nprByline": "Shruti Rajkumar",
"sticky": false,
"nprImageCredit": "Noam Galai",
"showOnAuthorArchivePages": "No",
"nprRetrievedStory": "1",
"nprPubDate": "Tue, 14 Jun 2022 11:22:00 -0400",
"path": "/arts/13914801/lizzo-re-records-grrrls-following-criticism-over-ableist-lyric",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Singer songwriter Lizzo has re-released her new single “Grrrls” with a lyric change after it sparked heated discussions online about ableist language.\u003c/p>\n\u003cp>The song, which is set to appear on her upcoming album \u003cem>Special\u003c/em>, received praise and excitement from many fans upon its release last Friday. Others, especially those within the disability community, expressed concern about her use of the word “spaz,” which many consider an ableist slur.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4r9TbKLCus0'\n title='//www.youtube.com/embed/4r9TbKLCus0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It originates from the term “spastic,” which has historically been used to describe people with spastic paralysis and cerebral palsy. Often used in a derogatory way to describe people in the disability community, “spaz” or “spaz out” has also been used to refer to someone losing physical control or simply acting “weird” or “uncool.” \u003cem>Webster’s New World College Dictionary\u003c/em> defines it as “someone regarded as being clumsy, awkward, stupid, odd, etc.”\u003c/p>\n\u003cp>Lizzo released a statement on Monday acknowledging the “harmful word” in her song and announcing a rerecorded version of the song without the slur in it. “I never want to promote derogatory language. As a fat black woman in America, I’ve had many hurtful words used against me so I overstand the power words can have (whether intentionally or in my case, unintentionally),” she wrote in her statement.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "instagramLink",
"attributes": {
"named": {
"instagramUrl": "https://www.instagram.com/p/Cew0HrlPhEq/"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Lizzo+rerecords+%27Grrrls%27+following+criticism+over+ableist+lyric&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13914801/lizzo-re-records-grrrls-following-criticism-over-ableist-lyric",
"authors": [
"byline_arts_13914801"
],
"categories": [
"arts_1",
"arts_69",
"arts_75"
],
"tags": [
"arts_2968"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13914802",
"label": "arts_137"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=popculture": {
"isFetching": false,
"latestQuery": {
"from": 1140,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 2976,
"relation": "eq"
},
"items": [
"arts_13916358",
"arts_13916258",
"arts_13916203",
"arts_13916103",
"arts_13915943",
"arts_13915895",
"arts_13915843",
"arts_13915562",
"arts_13915389",
"arts_13915299",
"arts_13915045",
"arts_13914801"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_popculture": {
"isLoading": true
},
"arts_75": {
"type": "terms",
"id": "arts_75",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "75",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Pop Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Pop Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 76,
"slug": "popculture",
"isLoading": false,
"link": "/arts/category/popculture"
},
"arts_1": {
"type": "terms",
"id": "arts_1",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1,
"slug": "arts",
"isLoading": false,
"link": "/arts/category/arts"
},
"arts_13238": {
"type": "terms",
"id": "arts_13238",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "13238",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Sports",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Sports Archives | KQED Arts",
"ogDescription": null
},
"ttid": 13250,
"slug": "sports",
"isLoading": false,
"link": "/arts/category/sports"
},
"arts_928": {
"type": "terms",
"id": "arts_928",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "928",
"found": true
},
"relationships": {},
"featImg": null,
"name": "books",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "books Archives | KQED Arts",
"ogDescription": null
},
"ttid": 946,
"slug": "books",
"isLoading": false,
"link": "/arts/tag/books"
},
"arts_977": {
"type": "terms",
"id": "arts_977",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "977",
"found": true
},
"relationships": {},
"name": "Film",
"slug": "film",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Film Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 995,
"isLoading": false,
"link": "/arts/tag/film"
},
"arts_1376": {
"type": "terms",
"id": "arts_1376",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1376",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Harry Potter",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Harry Potter Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1388,
"slug": "harry-potter",
"isLoading": false,
"link": "/arts/tag/harry-potter"
},
"arts_137": {
"type": "terms",
"id": "arts_137",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "137",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-npr-lg1.png",
"name": "NPR",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "NPR Archives | KQED Arts",
"ogDescription": null
},
"ttid": 138,
"slug": "npr",
"isLoading": false,
"link": "/arts/affiliate/npr"
},
"arts_74": {
"type": "terms",
"id": "arts_74",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "74",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Movies",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Movies Archives | KQED Arts",
"ogDescription": null
},
"ttid": 75,
"slug": "movies",
"isLoading": false,
"link": "/arts/category/movies"
},
"arts_990": {
"type": "terms",
"id": "arts_990",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "990",
"found": true
},
"relationships": {},
"featImg": null,
"name": "TV",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "TV Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1008,
"slug": "tv",
"isLoading": false,
"link": "/arts/category/tv"
},
"arts_11007": {
"type": "terms",
"id": "arts_11007",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "11007",
"found": true
},
"relationships": {},
"featImg": null,
"name": "AAPI",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "AAPI Archives | KQED Arts",
"ogDescription": null
},
"ttid": 11019,
"slug": "aapi",
"isLoading": false,
"link": "/arts/tag/aapi"
},
"arts_4672": {
"type": "terms",
"id": "arts_4672",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4672",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Asian American",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Asian American Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4684,
"slug": "asian-american",
"isLoading": false,
"link": "/arts/tag/asian-american"
},
"arts_4773": {
"type": "terms",
"id": "arts_4773",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4773",
"found": true
},
"relationships": {},
"featImg": null,
"name": "mental health",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "mental health Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4785,
"slug": "mental-health",
"isLoading": false,
"link": "/arts/tag/mental-health"
},
"arts_9124": {
"type": "terms",
"id": "arts_9124",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "9124",
"found": true
},
"relationships": {},
"name": "Animals",
"slug": "animals",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Animals | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 9136,
"isLoading": false,
"link": "/arts/tag/animals"
},
"arts_549": {
"type": "terms",
"id": "arts_549",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "549",
"found": true
},
"relationships": {},
"featImg": null,
"name": "comedy",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "comedy Archives | KQED Arts",
"ogDescription": null
},
"ttid": 550,
"slug": "comedy",
"isLoading": false,
"link": "/arts/tag/comedy"
},
"arts_10342": {
"type": "terms",
"id": "arts_10342",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10342",
"found": true
},
"relationships": {},
"featImg": null,
"name": "editorspick",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "editorspick Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10354,
"slug": "editorspick",
"isLoading": false,
"link": "/arts/tag/editorspick"
},
"arts_10278": {
"type": "terms",
"id": "arts_10278",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10278",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured-arts",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured-arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10290,
"slug": "featured-arts",
"isLoading": false,
"link": "/arts/tag/featured-arts"
},
"arts_8017": {
"type": "terms",
"id": "arts_8017",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "8017",
"found": true
},
"relationships": {},
"featImg": null,
"name": "tiktok",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "tiktok Archives | KQED Arts",
"ogDescription": null
},
"ttid": 8029,
"slug": "tiktok",
"isLoading": false,
"link": "/arts/tag/tiktok"
},
"arts_8720": {
"type": "terms",
"id": "arts_8720",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "8720",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Rightnowish",
"description": null,
"taxonomy": "program",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Rightnowish Archives | KQED Arts",
"ogDescription": null
},
"ttid": 8732,
"slug": "rightnowish",
"isLoading": false,
"link": "/arts/program/rightnowish"
},
"arts_968": {
"type": "terms",
"id": "arts_968",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "968",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Comedy",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Comedy Archives | KQED Arts",
"ogDescription": null
},
"ttid": 986,
"slug": "comedy",
"isLoading": false,
"link": "/arts/category/comedy"
},
"arts_21759": {
"type": "terms",
"id": "arts_21759",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "21759",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Podcast",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Podcast Archives | KQED Arts",
"ogDescription": null
},
"ttid": 21771,
"slug": "podcast",
"isLoading": false,
"link": "/arts/category/podcast"
},
"arts_3850": {
"type": "terms",
"id": "arts_3850",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3850",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ava duvernay",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ava duvernay Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3862,
"slug": "ava-duvernay",
"isLoading": false,
"link": "/arts/tag/ava-duvernay"
},
"arts_8393": {
"type": "terms",
"id": "arts_8393",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "8393",
"found": true
},
"relationships": {},
"featImg": null,
"name": "hollywood",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "hollywood Archives | KQED Arts",
"ogDescription": null
},
"ttid": 8405,
"slug": "hollywood",
"isLoading": false,
"link": "/arts/tag/hollywood"
},
"arts_18037": {
"type": "terms",
"id": "arts_18037",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "18037",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Union City",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Union City Archives | KQED Arts",
"ogDescription": null
},
"ttid": 18049,
"slug": "union-city",
"isLoading": false,
"link": "/arts/tag/union-city"
},
"arts_8491": {
"type": "terms",
"id": "arts_8491",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "8491",
"found": true
},
"relationships": {},
"featImg": null,
"name": "viral video",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "viral video Archives | KQED Arts",
"ogDescription": null
},
"ttid": 8503,
"slug": "viral-video",
"isLoading": false,
"link": "/arts/tag/viral-video"
},
"arts_5422": {
"type": "terms",
"id": "arts_5422",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5422",
"found": true
},
"relationships": {},
"featImg": null,
"name": "television",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "television Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5434,
"slug": "television",
"isLoading": false,
"link": "/arts/tag/television"
},
"arts_12322": {
"type": "terms",
"id": "arts_12322",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "12322",
"found": true
},
"relationships": {},
"featImg": null,
"name": "films",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "films Archives | KQED Arts",
"ogDescription": null
},
"ttid": 12334,
"slug": "films",
"isLoading": false,
"link": "/arts/tag/films"
},
"arts_10443": {
"type": "terms",
"id": "arts_10443",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10443",
"found": true
},
"relationships": {},
"featImg": null,
"name": "France",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "France Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10455,
"slug": "france",
"isLoading": false,
"link": "/arts/tag/france"
},
"arts_8302": {
"type": "terms",
"id": "arts_8302",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "8302",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Great Britain",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Great Britain Archives | KQED Arts",
"ogDescription": null
},
"ttid": 8314,
"slug": "great-britain",
"isLoading": false,
"link": "/arts/tag/great-britain"
},
"arts_5554": {
"type": "terms",
"id": "arts_5554",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5554",
"found": true
},
"relationships": {},
"featImg": null,
"name": "parliament",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "parliament Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5566,
"slug": "parliament",
"isLoading": false,
"link": "/arts/tag/parliament"
},
"arts_1756": {
"type": "terms",
"id": "arts_1756",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1756",
"found": true
},
"relationships": {},
"featImg": null,
"name": "protest",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "protest Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1768,
"slug": "protest",
"isLoading": false,
"link": "/arts/tag/protest"
},
"arts_5293": {
"type": "terms",
"id": "arts_5293",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5293",
"found": true
},
"relationships": {},
"featImg": null,
"name": "protests",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "protests Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5305,
"slug": "protests",
"isLoading": false,
"link": "/arts/tag/protests"
},
"arts_5292": {
"type": "terms",
"id": "arts_5292",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5292",
"found": true
},
"relationships": {},
"featImg": null,
"name": "uk",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "uk Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5304,
"slug": "uk",
"isLoading": false,
"link": "/arts/tag/uk"
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_1962": {
"type": "terms",
"id": "arts_1962",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1962",
"found": true
},
"relationships": {},
"featImg": null,
"name": "feminism",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "feminism Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1974,
"slug": "feminism",
"isLoading": false,
"link": "/arts/tag/feminism"
},
"arts_2461": {
"type": "terms",
"id": "arts_2461",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2461",
"found": true
},
"relationships": {},
"featImg": null,
"name": "R. Kelly",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "R. Kelly Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2473,
"slug": "r-kelly",
"isLoading": false,
"link": "/arts/tag/r-kelly"
},
"arts_6443": {
"type": "terms",
"id": "arts_6443",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6443",
"found": true
},
"relationships": {},
"featImg": null,
"name": "surviving r. kelly",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "surviving r. kelly Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6455,
"slug": "surviving-r-kelly",
"isLoading": false,
"link": "/arts/tag/surviving-r-kelly"
},
"arts_9324": {
"type": "terms",
"id": "arts_9324",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "9324",
"found": true
},
"relationships": {},
"featImg": null,
"name": "abortion",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "abortion Archives | KQED Arts",
"ogDescription": null
},
"ttid": 9336,
"slug": "abortion",
"isLoading": false,
"link": "/arts/tag/abortion"
},
"arts_13671": {
"type": "terms",
"id": "arts_13671",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "13671",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Reproductive Rights",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Reproductive Rights Archives | KQED Arts",
"ogDescription": null
},
"ttid": 13683,
"slug": "reproductive-rights",
"isLoading": false,
"link": "/arts/tag/reproductive-rights"
},
"arts_1674": {
"type": "terms",
"id": "arts_1674",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1674",
"found": true
},
"relationships": {},
"featImg": null,
"name": "roe v. wade",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "roe v. wade Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1686,
"slug": "roe-v-wade",
"isLoading": false,
"link": "/arts/tag/roe-v-wade"
},
"arts_6470": {
"type": "terms",
"id": "arts_6470",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6470",
"found": true
},
"relationships": {},
"featImg": null,
"name": "supreme court",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "supreme court Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6482,
"slug": "supreme-court",
"isLoading": false,
"link": "/arts/tag/supreme-court"
},
"arts_9943": {
"type": "terms",
"id": "arts_9943",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "9943",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Awards",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Awards Archives | KQED Arts",
"ogDescription": null
},
"ttid": 9955,
"slug": "awards",
"isLoading": false,
"link": "/arts/tag/awards"
},
"arts_4001": {
"type": "terms",
"id": "arts_4001",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4001",
"found": true
},
"relationships": {},
"featImg": null,
"name": "janelle monae",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "janelle monae Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4013,
"slug": "janelle-monae",
"isLoading": false,
"link": "/arts/tag/janelle-monae"
},
"arts_1686": {
"type": "terms",
"id": "arts_1686",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1686",
"found": true
},
"relationships": {},
"featImg": null,
"name": "beyonce",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "beyonce Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1698,
"slug": "beyonce",
"isLoading": false,
"link": "/arts/tag/beyonce"
},
"arts_2968": {
"type": "terms",
"id": "arts_2968",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2968",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Lizzo",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Lizzo Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2980,
"slug": "lizzo",
"isLoading": false,
"link": "/arts/tag/lizzo"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
}
}