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"content": "\u003caside class=\"aligncenter\">\n\u003ch4>KQED’s Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.\u003c/h4>\n\u003cp>http://www.kqed.org/.stream/anon/radio/thedolist/2016/01/TDL01152016.mp3\u003c/p>\n\u003c/aside>\n\u003cp>https://www.youtube.com/watch?v=VzXYvyFqM4Y\u003c/p>\n\u003cp>\u003cstrong>Jan. 17:\u003c/strong> Ignacio Piñeiro founded this band in 1927 and it’s continued to thrive since then, despite frequent changes in personnel over the years. Piñeiro himself was a great rumbero and helped develop “son Cubano” — a music genre that marries Spanish traditional songs with African rhythms — before he died in 1969. These days Eugenio “Raspa” Rodríguez and Francisco “El Matador” Oropesa lead the band, and they played a marvelously tight set here in San Francisco a few years ago. Expect the same when they play Sunday night at the \u003ca href=\"http://www.brava.org/current-shows/current-shows/septeto-nacional/\" target=\"_blank\" rel=\"noopener\">Brava Theater\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11246854\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11246854\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/01/Raiders-SSV.jpg\" alt=\"Symphony Silicon Valley presents 'Raiders of the Lost Ark'\" width=\"960\" height=\"720\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Raiders-SSV.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Raiders-SSV-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Raiders-SSV-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Raiders-SSV-768x576.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Symphony Silicon Valley presents ‘Raiders of the Lost Ark’ \u003ccite>(Photo: 21st Century Symphony Orchestra.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Jan. 15-17: \u003c/strong>Hard to believe the first Indiana Jones movie, \u003ca href=\"http://www.imdb.com/title/tt0082971/\" target=\"_blank\" rel=\"noopener\">\u003cem>Raiders of the Lost Ark\u003c/em>, \u003c/a>is now 35 years old. The film, birthed from a collaboration between George Lucas and Steven Spielberg, is an update on the movie serials of yore and is still the best of the bunch. And there’s a fresh (if pricey) way to see the film this weekend as \u003ca href=\"https://www.symphonysiliconvalley.org/\" target=\"_blank\" rel=\"noopener\">Symphony Silicon Valley\u003c/a> (SVV) plays the \u003ca href=\"https://en.wikipedia.org/wiki/John_Williams\" target=\"_blank\" rel=\"noopener\">John Williams\u003c/a> film score live to accompany the film. This is a major trend for orchestras, trying to lure new audiences in the door. SSV did it last spring with \u003cem>the Lord of the Rings\u003c/em>, and the \u003ca href=\"http://www.sfsymphony.org/Buy-Tickets/Calendar.aspx?gclid=CLr7-ay5qsoCFcRffgodk8sEFQ#kw=Films+and+Multimedia\" target=\"_blank\" rel=\"noopener\">San Francisco Symphony has been digging into the great scores Bernard Herrmann \u003c/a>wrote for a number of Hitchcock films. \u003ca href=\"https://www.symphonysiliconvalley.org/concerts.php?pagecontID=208#showis188\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11246731\" class=\"wp-caption aligncenter\" style=\"max-width: 599px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11246731\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/01/Dreamstate.png\" alt=\"Dreamstate at the Bill Graham Civic Center\" width=\"599\" height=\"399\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Dreamstate.png 599w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Dreamstate-400x266.png 400w\" sizes=\"(max-width: 599px) 100vw, 599px\">\u003cfigcaption class=\"wp-caption-text\">Dreamstate at the Bill Graham Civic Center\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Jan 16-17: \u003c/strong>Trance music is an amazingly popular form of electronic dance music born in Germany (my daughter loves it), with concerts in Los Angeles selling out within hours. Think DJ’s on the stage, dialing up 125 beats per minute that build, and build, and build, and then release. \u003ca href=\"http://www.dreamstateusa.com/\" target=\"_blank\" rel=\"noopener\">Dreamstate fills the Bill Graham Auditorium Saturday and Sunday\u003c/a> with new and older acts including Aly and Fila, Cosmic Gate, Paul Oakenfold,, Paul Van Dyk and more. Don’t forget to hydrate.\u003c/p>\n\u003cfigure id=\"attachment_11246483\" class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11246483\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/01/Feather-Of-Fire.jpg\" alt=\"Feathers Of Fire\" width=\"500\" height=\"238\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Feather-Of-Fire.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Feather-Of-Fire-400x190.jpg 400w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003cfigcaption class=\"wp-caption-text\">Feathers Of Fire \u003ccite>(Photo Credit: Finecutstudio.com)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Jan. 16-18:\u003c/strong> \u003cem>Feathers of Fire\u003c/em> is a tale from the ancient Persian epic Shahname, the Book of Kings. And it’s also the newest work by San Francisco \u003ca href=\"http://www.shadowlight.org/slp/index.cfm\" target=\"_blank\" rel=\"noopener\">shadow puppet master Larry Reed \u003c/a>in a production conceived and directed by Iranian American filmmaker \u003ca href=\"http://www.kingorama.com/\" target=\"_blank\" rel=\"noopener\">Hamid Rahmanian\u003c/a>. Reed called this production the IMAX of shadow theater, because the team is projecting videos, and the shadows of puppets and live actors onto a 30-by-15 foot screen. Expect magic, if you can get a ticket: As of Thursday, all but one show was sold out. \u003ca href=\"https://www.facebook.com/events/526630310836844/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a> and \u003ca href=\"http://fortmason.org/event/feathers-of-fire/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=z3aklEgwjF8\u003c/p>\n\u003cp>\u003cstrong>Jan 18 & 19:\u003c/strong> Ty Segall may be the world’s best and prolific garage rocker. He’s contributed to 20 albums in the last few years, and the majority of his music is nasty, loud, fuzzy and strange, yet full of pop hooks. And even though he left San Francisco for Los Angeles a few years ago, we still love him. He’s been promoting his new album \u003cem>Emotional Mugger\u003c/em> with a series of bizarre videos, including one with him wearing what looks like a Jabba the Hut baby mask. He’s at the \u003ca href=\"http://thefillmore.com/event/ty-segall-the-muggers/\" target=\"_blank\" rel=\"noopener\">Fillmore for two nights.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11246737\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11246737\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/01/Kelly-Stoltz.jpg\" alt=\"Kelley Stoltz\" width=\"960\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Kelly-Stoltz.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Kelly-Stoltz-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Kelly-Stoltz-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Kelly-Stoltz-768x512.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Kelley Stoltz\u003c/figcaption>\u003c/figure>\n\u003cp>And for a sunnier indie sound, try San Francisco rocker \u003ca href=\"http://www.kelleystoltz.com/\" target=\"_blank\" rel=\"noopener\">Kelley Stoltz\u003c/a> at the Chapel. Stoltz, like Segall, has a new album out, \u003cem>In Triangle Time\u003c/em>. The show is a \u003cstrong>Cheap Thrill\u003c/strong> at just $15. \u003ca href=\"http://www.thechapelsf.com/event/1018653-kelley-stoltz-mattson-2-san-francisco/\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>A couple of SHOUTouts:\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Jan. 17:\u003c/strong> I’m a fan of new music advocate and pianist Sarah Cahill. She’s presenting an eclectic program that includes a world premiere of a new work from the Bay Area’s Danny Clay at the \u003ca href=\"http://nvcm.org/season/season23/sarah-cahill/\" target=\"_blank\" rel=\"noopener\">Noe Valley Chamber Music series Sunday afternoon.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Jan. 14-Feb. 10:\u003c/strong> David Wiegand likes \u003ca href=\"http://www.somarts.org/infinitearchives/\" target=\"_blank\" rel=\"noopener\">SOMArts new show \u003c/a>\u003cem>\u003ca href=\"http://www.somarts.org/infinitearchives/\" target=\"_blank\" rel=\"noopener\">Visions Into Infinite Archives\u003c/a>,\u003c/em> curated by \u003ca href=\"http://blacksaltcollective.tumblr.com/\" target=\"_blank\" rel=\"noopener\">Black Salt Collective\u003c/a>, which champions black, brown, and indigenous visions. It’s another \u003cstrong>Cheap Thrill,\u003c/strong> as admission to SOMArts is always free. \u003ci>(We also suggest reading \u003ca href=\"http://ww2.kqed.org/arts/author/shotchkiss/\" target=\"_blank\" rel=\"noopener\">Sarah Hotchkiss’s\u003c/a> review of \u003ca href=\"http://ww2.kqed.org/arts/2016/01/14/black-salt-collective-agitates-the-archive-with-visions-at-somarts/\" target=\"_blank\" rel=\"noopener\">‘Visions Into Archives’ here\u003c/a>.\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/aside>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/VzXYvyFqM4Y'\n title='//www.youtube.com/embed/VzXYvyFqM4Y'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Jan. 17:\u003c/strong> Ignacio Piñeiro founded this band in 1927 and it’s continued to thrive since then, despite frequent changes in personnel over the years. Piñeiro himself was a great rumbero and helped develop “son Cubano” — a music genre that marries Spanish traditional songs with African rhythms — before he died in 1969. These days Eugenio “Raspa” Rodríguez and Francisco “El Matador” Oropesa lead the band, and they played a marvelously tight set here in San Francisco a few years ago. Expect the same when they play Sunday night at the \u003ca href=\"http://www.brava.org/current-shows/current-shows/septeto-nacional/\" target=\"_blank\" rel=\"noopener\">Brava Theater\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11246854\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11246854\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/01/Raiders-SSV.jpg\" alt=\"Symphony Silicon Valley presents 'Raiders of the Lost Ark'\" width=\"960\" height=\"720\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Raiders-SSV.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Raiders-SSV-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Raiders-SSV-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Raiders-SSV-768x576.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Symphony Silicon Valley presents ‘Raiders of the Lost Ark’ \u003ccite>(Photo: 21st Century Symphony Orchestra.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Jan. 15-17: \u003c/strong>Hard to believe the first Indiana Jones movie, \u003ca href=\"http://www.imdb.com/title/tt0082971/\" target=\"_blank\" rel=\"noopener\">\u003cem>Raiders of the Lost Ark\u003c/em>, \u003c/a>is now 35 years old. The film, birthed from a collaboration between George Lucas and Steven Spielberg, is an update on the movie serials of yore and is still the best of the bunch. And there’s a fresh (if pricey) way to see the film this weekend as \u003ca href=\"https://www.symphonysiliconvalley.org/\" target=\"_blank\" rel=\"noopener\">Symphony Silicon Valley\u003c/a> (SVV) plays the \u003ca href=\"https://en.wikipedia.org/wiki/John_Williams\" target=\"_blank\" rel=\"noopener\">John Williams\u003c/a> film score live to accompany the film. This is a major trend for orchestras, trying to lure new audiences in the door. SSV did it last spring with \u003cem>the Lord of the Rings\u003c/em>, and the \u003ca href=\"http://www.sfsymphony.org/Buy-Tickets/Calendar.aspx?gclid=CLr7-ay5qsoCFcRffgodk8sEFQ#kw=Films+and+Multimedia\" target=\"_blank\" rel=\"noopener\">San Francisco Symphony has been digging into the great scores Bernard Herrmann \u003c/a>wrote for a number of Hitchcock films. \u003ca href=\"https://www.symphonysiliconvalley.org/concerts.php?pagecontID=208#showis188\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11246731\" class=\"wp-caption aligncenter\" style=\"max-width: 599px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11246731\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/01/Dreamstate.png\" alt=\"Dreamstate at the Bill Graham Civic Center\" width=\"599\" height=\"399\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Dreamstate.png 599w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Dreamstate-400x266.png 400w\" sizes=\"(max-width: 599px) 100vw, 599px\">\u003cfigcaption class=\"wp-caption-text\">Dreamstate at the Bill Graham Civic Center\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Jan 16-17: \u003c/strong>Trance music is an amazingly popular form of electronic dance music born in Germany (my daughter loves it), with concerts in Los Angeles selling out within hours. Think DJ’s on the stage, dialing up 125 beats per minute that build, and build, and build, and then release. \u003ca href=\"http://www.dreamstateusa.com/\" target=\"_blank\" rel=\"noopener\">Dreamstate fills the Bill Graham Auditorium Saturday and Sunday\u003c/a> with new and older acts including Aly and Fila, Cosmic Gate, Paul Oakenfold,, Paul Van Dyk and more. Don’t forget to hydrate.\u003c/p>\n\u003cfigure id=\"attachment_11246483\" class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11246483\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/01/Feather-Of-Fire.jpg\" alt=\"Feathers Of Fire\" width=\"500\" height=\"238\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Feather-Of-Fire.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Feather-Of-Fire-400x190.jpg 400w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003cfigcaption class=\"wp-caption-text\">Feathers Of Fire \u003ccite>(Photo Credit: Finecutstudio.com)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Jan. 16-18:\u003c/strong> \u003cem>Feathers of Fire\u003c/em> is a tale from the ancient Persian epic Shahname, the Book of Kings. And it’s also the newest work by San Francisco \u003ca href=\"http://www.shadowlight.org/slp/index.cfm\" target=\"_blank\" rel=\"noopener\">shadow puppet master Larry Reed \u003c/a>in a production conceived and directed by Iranian American filmmaker \u003ca href=\"http://www.kingorama.com/\" target=\"_blank\" rel=\"noopener\">Hamid Rahmanian\u003c/a>. Reed called this production the IMAX of shadow theater, because the team is projecting videos, and the shadows of puppets and live actors onto a 30-by-15 foot screen. Expect magic, if you can get a ticket: As of Thursday, all but one show was sold out. \u003ca href=\"https://www.facebook.com/events/526630310836844/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a> and \u003ca href=\"http://fortmason.org/event/feathers-of-fire/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/z3aklEgwjF8'\n title='//www.youtube.com/embed/z3aklEgwjF8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Jan 18 & 19:\u003c/strong> Ty Segall may be the world’s best and prolific garage rocker. He’s contributed to 20 albums in the last few years, and the majority of his music is nasty, loud, fuzzy and strange, yet full of pop hooks. And even though he left San Francisco for Los Angeles a few years ago, we still love him. He’s been promoting his new album \u003cem>Emotional Mugger\u003c/em> with a series of bizarre videos, including one with him wearing what looks like a Jabba the Hut baby mask. He’s at the \u003ca href=\"http://thefillmore.com/event/ty-segall-the-muggers/\" target=\"_blank\" rel=\"noopener\">Fillmore for two nights.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11246737\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11246737\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/01/Kelly-Stoltz.jpg\" alt=\"Kelley Stoltz\" width=\"960\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Kelly-Stoltz.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Kelly-Stoltz-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Kelly-Stoltz-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Kelly-Stoltz-768x512.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Kelley Stoltz\u003c/figcaption>\u003c/figure>\n\u003cp>And for a sunnier indie sound, try San Francisco rocker \u003ca href=\"http://www.kelleystoltz.com/\" target=\"_blank\" rel=\"noopener\">Kelley Stoltz\u003c/a> at the Chapel. Stoltz, like Segall, has a new album out, \u003cem>In Triangle Time\u003c/em>. The show is a \u003cstrong>Cheap Thrill\u003c/strong> at just $15. \u003ca href=\"http://www.thechapelsf.com/event/1018653-kelley-stoltz-mattson-2-san-francisco/\" target=\"_blank\" rel=\"noopener\">Details here.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>A couple of SHOUTouts:\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Jan. 17:\u003c/strong> I’m a fan of new music advocate and pianist Sarah Cahill. She’s presenting an eclectic program that includes a world premiere of a new work from the Bay Area’s Danny Clay at the \u003ca href=\"http://nvcm.org/season/season23/sarah-cahill/\" target=\"_blank\" rel=\"noopener\">Noe Valley Chamber Music series Sunday afternoon.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Jan. 14-Feb. 10:\u003c/strong> David Wiegand likes \u003ca href=\"http://www.somarts.org/infinitearchives/\" target=\"_blank\" rel=\"noopener\">SOMArts new show \u003c/a>\u003cem>\u003ca href=\"http://www.somarts.org/infinitearchives/\" target=\"_blank\" rel=\"noopener\">Visions Into Infinite Archives\u003c/a>,\u003c/em> curated by \u003ca href=\"http://blacksaltcollective.tumblr.com/\" target=\"_blank\" rel=\"noopener\">Black Salt Collective\u003c/a>, which champions black, brown, and indigenous visions. It’s another \u003cstrong>Cheap Thrill,\u003c/strong> as admission to SOMArts is always free. \u003ci>(We also suggest reading \u003ca href=\"http://ww2.kqed.org/arts/author/shotchkiss/\" target=\"_blank\" rel=\"noopener\">Sarah Hotchkiss’s\u003c/a> review of \u003ca href=\"http://ww2.kqed.org/arts/2016/01/14/black-salt-collective-agitates-the-archive-with-visions-at-somarts/\" target=\"_blank\" rel=\"noopener\">‘Visions Into Archives’ here\u003c/a>.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "The 10 Most Amusing Predictions Nikki, Psychic to the Stars, Made for 2016",
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"content": "\u003cp>Huge ants, a cat dog hybrid and Krystal South Kardashian West, coming to a future near you!\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2016/01/predictions.mp3\" title=\"The 10 Most Amusing Predictions Nikki, Psychic to the Stars, Made for 2016\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>This week, I'm sharing two bits of news with you dear listeners.\u003c/p>\n\u003cp>\u003cstrong>Bad news:\u003c/strong> we're still on hiatus.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/c9b0efb2db0e8884d71b7ee10c63bcc9.500x265x21.gif\" rel=\"attachment wp-att-19879\">\u003cimg class=\"aligncenter size-full wp-image-19879\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/c9b0efb2db0e8884d71b7ee10c63bcc9.500x265x21.gif\" alt=\"leo i defy you stars gif\" width=\"500\" height=\"265\">\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Good news:\u003c/strong> that hiatus will be dunzo on January 28th with the debut of an all-new full-length episode!!!\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/giphy-1.gif\" rel=\"attachment wp-att-19880\">\u003cimg class=\"aligncenter size-full wp-image-19880\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/giphy-1.gif\" alt=\"leo dicaprio dancing\" width=\"568\" height=\"236\">\u003c/a>\u003c/p>\n\u003cp>I felt lazy just leaving it at that for the week so I put together my 10 favorite bizzare-o predictions Nikki, Psychic to the Stars, made for the coming year.\u003c/p>\n\u003cp>They involve a cat and dog hybrid:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/tumblr_nn6wva7RbO1sf2cm2o1_500.gif\" rel=\"attachment wp-att-19918\">\u003cimg class=\"aligncenter size-full wp-image-19918\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/tumblr_nn6wva7RbO1sf2cm2o1_500.gif\" alt=\"tumblr_nn6wva7RbO1sf2cm2o1_500\" width=\"500\" height=\"398\">\u003c/a>\u003c/p>\n\u003cp>A White House break-in by a monkey (here's hoping it's our beloved IKEA friend):\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/anigif_enhanced-buzz-25328-1384182042-35.gif\" rel=\"attachment wp-att-19919\">\u003cimg class=\"aligncenter size-full wp-image-19919\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/anigif_enhanced-buzz-25328-1384182042-35.gif\" alt=\"anigif_enhanced-buzz-25328-1384182042-35\" width=\"477\" height=\"270\">\u003c/a>\u003c/p>\n\u003cp>And yet another Kardashian-West baby by the name of Krystal South:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/kimk-1415673876.gif\" rel=\"attachment wp-att-19920\">\u003cimg class=\"aligncenter size-full wp-image-19920\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/kimk-1415673876.gif\" alt=\"kimk-1415673876\" width=\"460\" height=\"262\">\u003c/a>\u003c/p>\n\u003cp>Listen to find out what 2016 allegedly has in store!\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/242057775&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>And that's just scratching the surface. Nikki has hundreds of other predictions too. For the full list, check out her website:\u003c/p>\n\u003cp>\u003ca class=\"embedly-card\" href=\"http://www.psychicnikki.com/\">Nikki - Psychic to the Stars - 416-961-7976\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Good news:\u003c/strong> that hiatus will be dunzo on January 28th with the debut of an all-new full-length episode!!!\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/giphy-1.gif\" rel=\"attachment wp-att-19880\">\u003cimg class=\"aligncenter size-full wp-image-19880\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/giphy-1.gif\" alt=\"leo dicaprio dancing\" width=\"568\" height=\"236\">\u003c/a>\u003c/p>\n\u003cp>I felt lazy just leaving it at that for the week so I put together my 10 favorite bizzare-o predictions Nikki, Psychic to the Stars, made for the coming year.\u003c/p>\n\u003cp>They involve a cat and dog hybrid:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/tumblr_nn6wva7RbO1sf2cm2o1_500.gif\" rel=\"attachment wp-att-19918\">\u003cimg class=\"aligncenter size-full wp-image-19918\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/tumblr_nn6wva7RbO1sf2cm2o1_500.gif\" alt=\"tumblr_nn6wva7RbO1sf2cm2o1_500\" width=\"500\" height=\"398\">\u003c/a>\u003c/p>\n\u003cp>A White House break-in by a monkey (here's hoping it's our beloved IKEA friend):\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/anigif_enhanced-buzz-25328-1384182042-35.gif\" rel=\"attachment wp-att-19919\">\u003cimg class=\"aligncenter size-full wp-image-19919\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/anigif_enhanced-buzz-25328-1384182042-35.gif\" alt=\"anigif_enhanced-buzz-25328-1384182042-35\" width=\"477\" height=\"270\">\u003c/a>\u003c/p>\n\u003cp>And yet another Kardashian-West baby by the name of Krystal South:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/kimk-1415673876.gif\" rel=\"attachment wp-att-19920\">\u003cimg class=\"aligncenter size-full wp-image-19920\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/kimk-1415673876.gif\" alt=\"kimk-1415673876\" width=\"460\" height=\"262\">\u003c/a>\u003c/p>\n\u003cp>Listen to find out what 2016 allegedly has in store!\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/242057775&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>And that's just scratching the surface. Nikki has hundreds of other predictions too. For the full list, check out her website:\u003c/p>\n\u003cp>\u003ca class=\"embedly-card\" href=\"http://www.psychicnikki.com/\">Nikki - Psychic to the Stars - 416-961-7976\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Remember a few months ago, when presidential hopeful Ben Carson's campaign tapped a young Republican rapper named Aspiring Mogul to write \u003ca href=\"http://ww2.kqed.org/pop/2015/11/05/back-away-from-the-beatbox-ben-carsons-rap-and-other-cringeworthy-pitfalls-of-political-pandering/\" target=\"_blank\">a Ben Carson-themed rap\u003c/a>? (That sick flute riff! How could you forget?)\u003c/p>\n\u003cp>Never one to be outdone, it seems Donald Trump also felt he needed a snappy, \"see-I'm-hip-with-the-youngs\" kind of theme song, and this, ladies and gentlemen -- this unholy stew of innocent children, pageant outfits and propaganda -- is the result.\u003c/p>\n\u003cp>Give yourself some time for this one. Take a few deep breaths.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=vPRfP_TEQ-g\u003c/p>\n\u003cp>\u003cstrong>Here's what we know:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>These are three members of \"\u003ca href=\"https://www.facebook.com/USAfreedomKids/\" target=\"_blank\">The USA Freedom Kids\u003c/a>.\"\u003c/li>\n\u003cli>They performed this ditty yesterday, Jan. 13, at a Trump rally in Pensacola, Florida.\u003c/li>\n\u003cli>They are lip-syncing (or, as my esteemed colleague \u003ca href=\"http://ww2.kqed.org/pop/author/ehapsis/\" target=\"_blank\">Emmanuel\u003c/a> just put it, Ashlee Simpson-ing) the \u003cem>hell\u003c/em> out of this thing\u003c/li>\n\u003cli>\"Deal from strength or get crushed every time\" is a lyric the writer of this song, 53-year-old businessman Jeff Popick, thought would be a cool thing to hear coming out of the mouths of young children\u003c/li>\n\u003cli>One of those children is his own 8-year-old daughter\u003c/li>\n\u003cli>Judging by the crowd behind the kids, audience reactions ranged from \"this is cute\" to \"not feelin' it\" to \"I'm just going to take this opportunity to send a lot of text messages\" (good work, dude in the front left).\u003c/li>\n\u003c/ul>\n\u003cp>\u003ca href=\"http://time.com/4181383/donald-trump-usa-freedom-kids/\" target=\"_blank\">TIME has an interview with the brains behind the catchy little tune\u003c/a>, in which one can learn that the elder Popick, a huge Trump supporter, originally wrote the song \"in honor of Lt. General George Patton, who led the U.S. Army when it liberated Italy in World War II, but tweaked it to focus on Trump.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Popick, who seems to be a sort of self-styled, freedom-loving \u003ca href=\"http://www.hollywoodreporter.com/news/backstreet-boys-lou-pearlmans-prison-672724\" target=\"_blank\">Lou Perlman\u003c/a>, held tryouts in order to put the group together about six months ago. Since that time, the USA Freedom Kids have performed the National Anthem at Miami Dolphins and Marlins games, but this song about destroying enemies of freedom has understandably garnered the girls the most attention thus far.\u003c/p>\n\u003cp>Now, it's tempting to suggest Popick deserves a visit from Child Protective Services, but you know what? This country\u003cem> is\u003c/em> about freedom. Freedom to write terrible songs. Freedom to purchase terrible outfits. Freedom to exploit your own children, who are far too young to form educated political views of their own, not to mention comprehend the ramifications of stumping for a racist billionaire \u003ca href=\"http://www.onthemedia.org/story/so-youve-got-demagogue/\" target=\"_blank\">demagogue\u003c/a>, thereby deftly showing the world you believe five minutes of viral fame and maybe a few hundred dollars are \u003cem>definitely \u003c/em>worth the fact that you're screwing said children up royally for the rest of their lives.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>But hey, maybe we're just being cynical here! Sometimes former child stars who hit the bigtime following band tryouts in Florida \u003ca href=\"http://www.eonline.com/news/731132/former-backstreet-boy-nick-carter-arrested-in-florida-bar\" target=\"_blank\">turn out just fine\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Remember a few months ago, when presidential hopeful Ben Carson's campaign tapped a young Republican rapper named Aspiring Mogul to write \u003ca href=\"http://ww2.kqed.org/pop/2015/11/05/back-away-from-the-beatbox-ben-carsons-rap-and-other-cringeworthy-pitfalls-of-political-pandering/\" target=\"_blank\">a Ben Carson-themed rap\u003c/a>? (That sick flute riff! How could you forget?)\u003c/p>\n\u003cp>Never one to be outdone, it seems Donald Trump also felt he needed a snappy, \"see-I'm-hip-with-the-youngs\" kind of theme song, and this, ladies and gentlemen -- this unholy stew of innocent children, pageant outfits and propaganda -- is the result.\u003c/p>\n\u003cp>Give yourself some time for this one. Take a few deep breaths.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/vPRfP_TEQ-g'\n title='//www.youtube.com/embed/vPRfP_TEQ-g'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Here's what we know:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>These are three members of \"\u003ca href=\"https://www.facebook.com/USAfreedomKids/\" target=\"_blank\">The USA Freedom Kids\u003c/a>.\"\u003c/li>\n\u003cli>They performed this ditty yesterday, Jan. 13, at a Trump rally in Pensacola, Florida.\u003c/li>\n\u003cli>They are lip-syncing (or, as my esteemed colleague \u003ca href=\"http://ww2.kqed.org/pop/author/ehapsis/\" target=\"_blank\">Emmanuel\u003c/a> just put it, Ashlee Simpson-ing) the \u003cem>hell\u003c/em> out of this thing\u003c/li>\n\u003cli>\"Deal from strength or get crushed every time\" is a lyric the writer of this song, 53-year-old businessman Jeff Popick, thought would be a cool thing to hear coming out of the mouths of young children\u003c/li>\n\u003cli>One of those children is his own 8-year-old daughter\u003c/li>\n\u003cli>Judging by the crowd behind the kids, audience reactions ranged from \"this is cute\" to \"not feelin' it\" to \"I'm just going to take this opportunity to send a lot of text messages\" (good work, dude in the front left).\u003c/li>\n\u003c/ul>\n\u003cp>\u003ca href=\"http://time.com/4181383/donald-trump-usa-freedom-kids/\" target=\"_blank\">TIME has an interview with the brains behind the catchy little tune\u003c/a>, in which one can learn that the elder Popick, a huge Trump supporter, originally wrote the song \"in honor of Lt. General George Patton, who led the U.S. Army when it liberated Italy in World War II, but tweaked it to focus on Trump.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Popick, who seems to be a sort of self-styled, freedom-loving \u003ca href=\"http://www.hollywoodreporter.com/news/backstreet-boys-lou-pearlmans-prison-672724\" target=\"_blank\">Lou Perlman\u003c/a>, held tryouts in order to put the group together about six months ago. Since that time, the USA Freedom Kids have performed the National Anthem at Miami Dolphins and Marlins games, but this song about destroying enemies of freedom has understandably garnered the girls the most attention thus far.\u003c/p>\n\u003cp>Now, it's tempting to suggest Popick deserves a visit from Child Protective Services, but you know what? This country\u003cem> is\u003c/em> about freedom. Freedom to write terrible songs. Freedom to purchase terrible outfits. Freedom to exploit your own children, who are far too young to form educated political views of their own, not to mention comprehend the ramifications of stumping for a racist billionaire \u003ca href=\"http://www.onthemedia.org/story/so-youve-got-demagogue/\" target=\"_blank\">demagogue\u003c/a>, thereby deftly showing the world you believe five minutes of viral fame and maybe a few hundred dollars are \u003cem>definitely \u003c/em>worth the fact that you're screwing said children up royally for the rest of their lives.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>But hey, maybe we're just being cynical here! Sometimes former child stars who hit the bigtime following band tryouts in Florida \u003ca href=\"http://www.eonline.com/news/731132/former-backstreet-boy-nick-carter-arrested-in-florida-bar\" target=\"_blank\">turn out just fine\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>America! Are you feeling a little stressed out as of late? The post-holidays back-to-work grind got you feeling a little jumbled in the head? Or is it wintertime, with its\u003ca href=\"http://commonhealth.wbur.org/2015/11/seasonal-affective-disorder-talk-therapy\" target=\"_blank\"> S.A.D.-inducing\u003c/a> dearth of natural night, that's got you anxious and low -- in need of some kind of bright, consistent, soothing sights and sounds?\u003c/p>\n\u003cp>A clear explanation continues to escape us, but the numbers don't lie. According to \u003ca href=\"http://instantwatcher.com/\" target=\"_blank\">instantwatcher.com\u003c/a>, a site that tracks Netflix and Amazon video views, a whole lot of us are going bonkers over what sounds, on paper, like the most boring video of all time: an hour of footage of an electric house fan turning serenely back and forth, perched on a table next to a window with sunlight streaming in. The title? \u003cem>\u003ca href=\"http://www.netflix.com/title/80093400\" target=\"_blank\">Oscillating Fan For Your Home. \u003c/a>\u003c/em>\u003c/p>\n\u003cp>It's been available since Dec. 23, a few days before which Netflix issued this highly self-aware trailer.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=c27D1-2p_ZM\u003c/p>\n\u003cp>At the time of this writing (10 a.m. on Thursday, Jan. 14), \u003cem>Fan \u003c/em>is supposedly the No. 4 most popular video streaming on Netflix, with \u003cem>Parks and Recreation\u003c/em> coming in at No. 6 and \u003cem>Training Day\u003c/em> at No. 12.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>So, uh, what gives? Did everyone go see \u003cem>The Revenant\u003c/em> at the same time and need to come home and put on some sunshiney, ambient background audiovisuals to help bleach their brains of that bear mauling scene? As for the video itself, you'll have to see it yourself to understand. Then we can talk about questions like: Whose sunglasses are those? Why did someone leave an electric fan on in an empty room for an hour? And \u003cem>who's paying their electricity bill?\u003c/em>\u003c/p>\n\u003cp>If you're a fan (sorry), please go ahead and let us know.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>America! Are you feeling a little stressed out as of late? The post-holidays back-to-work grind got you feeling a little jumbled in the head? Or is it wintertime, with its\u003ca href=\"http://commonhealth.wbur.org/2015/11/seasonal-affective-disorder-talk-therapy\" target=\"_blank\"> S.A.D.-inducing\u003c/a> dearth of natural night, that's got you anxious and low -- in need of some kind of bright, consistent, soothing sights and sounds?\u003c/p>\n\u003cp>A clear explanation continues to escape us, but the numbers don't lie. According to \u003ca href=\"http://instantwatcher.com/\" target=\"_blank\">instantwatcher.com\u003c/a>, a site that tracks Netflix and Amazon video views, a whole lot of us are going bonkers over what sounds, on paper, like the most boring video of all time: an hour of footage of an electric house fan turning serenely back and forth, perched on a table next to a window with sunlight streaming in. The title? \u003cem>\u003ca href=\"http://www.netflix.com/title/80093400\" target=\"_blank\">Oscillating Fan For Your Home. \u003c/a>\u003c/em>\u003c/p>\n\u003cp>It's been available since Dec. 23, a few days before which Netflix issued this highly self-aware trailer.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/c27D1-2p_ZM'\n title='//www.youtube.com/embed/c27D1-2p_ZM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>At the time of this writing (10 a.m. on Thursday, Jan. 14), \u003cem>Fan \u003c/em>is supposedly the No. 4 most popular video streaming on Netflix, with \u003cem>Parks and Recreation\u003c/em> coming in at No. 6 and \u003cem>Training Day\u003c/em> at No. 12.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So, uh, what gives? Did everyone go see \u003cem>The Revenant\u003c/em> at the same time and need to come home and put on some sunshiney, ambient background audiovisuals to help bleach their brains of that bear mauling scene? As for the video itself, you'll have to see it yourself to understand. Then we can talk about questions like: Whose sunglasses are those? Why did someone leave an electric fan on in an empty room for an hour? And \u003cem>who's paying their electricity bill?\u003c/em>\u003c/p>\n\u003cp>If you're a fan (sorry), please go ahead and let us know.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>This morning at the ungodly hour of 5:30am, the Oscar nominations were unveiled. Last year, #OscarsSoWhite became a trending hashtag in the wake of all 20 actor contenders being white (\u003ca href=\"http://www.theatlantic.com/entertainment/archive/2015/01/the-oscars-havent-been-this-white-in-19-years/384550/\">the first time that happened since 1995\u003c/a>). If you thought the Academy would take a long, hard look at itself and make some changes, you would be wrong. This year, all 20 slots again were given to only white people. Maybe this could have something to do with the fact that Oscar voters are \u003ca href=\"http://www.theatlantic.com/entertainment/archive/2014/03/oscar-voters-94-white-76-men-and-an-average-of-63-years-old/284163/\" target=\"_blank\">94% white, 76% men, and an average of 63 years old\u003c/a>. Yikes. Sigh. Ugh. Blergh. I can't seem to type out anything but one-word stand-ins for disgust so I'll let these tweets do the talking:\u003c/p>\n\u003cp>https://twitter.com/saladinahmed/status/687646570708353024\u003c/p>\n\u003cp>https://twitter.com/tnwhiskeywoman/status/687651886640566272\u003c/p>\n\u003cp>https://twitter.com/MatthewACherry/status/687696938028761088\u003c/p>\n\u003cp>https://twitter.com/brokeymcpoverty/status/687645212676624386\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Anyway, here’s how this year’s nominations shook out (if you even still give a damn):\u003c/p>\n\u003cp>\u003cstrong>Best Supporting Actress:\u003c/strong>\u003c/p>\n\u003cp>Jennifer Jason Leigh (\u003cem>The Hateful Eight)\u003c/em>\u003cbr>\nRooney Mara (\u003cem>Carol)\u003c/em>\u003cbr>\nRachel McAdams (\u003cem>Spotlight)\u003c/em>\u003cbr>\nAlicia Vikander (\u003cem>The Danish Girl)\u003c/em>\u003cbr>\nKate Winslet (\u003cem>Steve Jobs)\u003c/em>\u003c/p>\n\u003cp>Major drama in this category because many are calling Mara and Vikander's supporting actor campaigns category fraud, as they are clearly leads in their respective movies. This opens the door for more BS Hollywood machinations in the years to come. At least they finally decided to give Rachel McAdams some love for her role as Regina George in \u003cem>Mean Girls\u003c/em>.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/rs_500x259-151117115947-giphy_5.gif\" rel=\"attachment wp-att-19890\">\u003cimg class=\"aligncenter size-full wp-image-19890\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/rs_500x259-151117115947-giphy_5.gif\" alt=\"regina george mean girls\" width=\"500\" height=\"259\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Best Supporting Actor:\u003c/strong>\u003c/p>\n\u003cp>Christian Bale (\u003cem>The Big Short)\u003c/em>\u003cbr>\nTom Hardy (\u003cem>The Revenant) \u003c/em>\u003cbr>\nMark Ruffalo (S\u003cem>potlight)\u003c/em>\u003cbr>\nMark Rylance (\u003cem>Bridge of Spies)\u003c/em>\u003cbr>\nSylvester Stallone (\u003cem>Creed)\u003c/em>\u003c/p>\n\u003cp>No, that's not a typo. Sylvester Stallone is nominated for an Oscar, 39 years after his first nom for \u003cem>Rocky\u003c/em>. Another less-amusing surprise is the lack of Idris Elba for \u003cem>Beasts of No Nation\u003c/em>, which contributed to this super duper white affair. Some also expected 9-year-old Jacob Tremblay from \u003cem>Room\u003c/em> to be in the mix. Silver lining: Tom Hardy's lips will be at the Oscars.\u003c/p>\n\u003cp>\u003cstrong>Best Actress:\u003c/strong>\u003c/p>\n\u003cp>Cate Blanchett (\u003cem>Carol)\u003c/em>\u003cbr>\nBrie Larson (\u003cem>Room)\u003c/em>\u003cbr>\nJennifer Lawrence (\u003cem>Joy)\u003c/em>\u003cbr>\nCharlotte Rampling (\u003cem>45 Years)\u003c/em>\u003cbr>\nSaoirse Ronan (\u003cem>Brooklyn)\u003c/em>\u003c/p>\n\u003cp>This makes 25-year-old Jennifer Lawrence the youngest actor to receive four nominations (Meryl didn't reach #4 until she was 33). Despite her Golden Globe win a few days ago, most didn't fully expect her to grab this nom because of the lukewarm feelings around \u003cem>Joy\u003c/em>. This will probably contribute to the \u003ca href=\"http://ww2.kqed.org/pop/2013/02/27/whats-our-problem-with-anne-hathaway/\" target=\"_blank\">Anne Hathaway-ing\u003c/a> Lawrence is experiencing right now, especially in the wake of that \u003ca href=\"http://www.ibtimes.com/jennifer-lawrence-blasted-being-rude-foreign-reporter-2016-golden-globes-video-2259065\" target=\"_blank\">cringe-worthy press room incident\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Best Actor: \u003c/strong>\u003c/p>\n\u003cp>Bryan Cranston (\u003cem>Trumbo)\u003c/em>\u003cbr>\nMatt Damon (\u003cem>The Martian)\u003c/em>\u003cbr>\nLeonardo DiCaprio (\u003cem>The Revenant)\u003c/em>\u003cbr>\nMichael Fassbender (\u003cem>Steve Jobs)\u003c/em>\u003cbr>\nEddie Redmayne (\u003cem>The Danish Girl)\u003c/em>\u003c/p>\n\u003cp>Matt Damon bumped out \u003cem>Creed\u003c/em>'s Michael B. Jordan and \u003cem>Black Mass\u003c/em>' Johnny Depp. There goes my super involved fantasy of Depp announcing that he's gotten back together with \u003ca href=\"https://33.media.tumblr.com/c332cc5844fbd4faaab25d3e3af174aa/tumblr_inline_npi436v3PT1t1qvrx_500.gif\" target=\"_blank\">the love of his life, Winona Ryder\u003c/a>, on the red carpet. And it's looking like Leo is on track to finally (FINALLY!) get the Oscar he has been chasing so desperately.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/anigif_enhanced-buzz-12414-1389890809-8.gif\" rel=\"attachment wp-att-19891\">\u003cimg class=\"aligncenter size-full wp-image-19891\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/anigif_enhanced-buzz-12414-1389890809-8.gif\" alt=\"leo oscar meme\" width=\"400\" height=\"227\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Best Picture:\u003c/strong>\u003c/p>\n\u003cp>\u003cem>The Big Short\u003cbr>\n\u003c/em>\u003cem>Bridge of Spies\u003cbr>\n\u003c/em>\u003cem>Brooklyn\u003cbr>\n\u003c/em>\u003cem>Mad Max: Fury Road\u003cbr>\n\u003c/em>\u003cem>The Martian\u003cbr>\n\u003c/em>\u003cem>The Revenant\u003cbr>\n\u003c/em>\u003cem>Room\u003cbr>\n\u003c/em>\u003cem>Spotlight\u003c/em>\u003c/p>\n\u003cp>For the second year in a row, the Academy only went with eight picks for best picture (they usually go for nine out of the possible ten), which doesn’t exactly send a positive message about the state of the film industry. No \u003cem>Straight Outta Compton \u003c/em>because there are black people in that. No \u003cem>Carol\u003c/em>, despite nomination-worthy performances from Blanchett and Mara. No \u003cem>Inside Out\u003c/em> or \u003cem>Star Wars: The Force Awakens\u003c/em> because I guess they don't care if anyone watches the ceremony? Academy voters, when asked what goes into their decision making: ¯\\_(ツ)_/¯\u003c/p>\n\u003cp>\u003cstrong>Best Director:\u003c/strong>\u003c/p>\n\u003cp>Adam McKay\u003cem> (The Big Short)\u003cbr>\n\u003c/em>George Miller\u003cem> (Mad Max: Fury Road)\u003cbr>\n\u003c/em>Alejandro González Iñárritu (\u003cem>The Revenant)\u003cbr>\n\u003c/em>Lenny Abrahamson\u003cem> (Room)\u003cbr>\n\u003c/em>Tom McCarthy\u003cem> (Spotlight)\u003c/em>\u003c/p>\n\u003cp>Abrahamson's inclusion is stunning some people this morning. Somewhere out there, in three separate mansions, Ridley Scott (\u003cem>The Martian\u003c/em>), Steven Spielberg (\u003cem>Bridge of Spies\u003c/em>) and Todd Haynes (\u003cem>Carol\u003c/em>) are all shaking their fists.\u003c/p>\n\u003cp>\u003cstrong>Best Original Song:\u003c/strong>\u003c/p>\n\u003cp>\"Earned It\" (\u003cem>Fifty Shades of Grey)\u003cbr>\n\u003c/em>\"Manta Ray\" (\u003cem>Racing Extinction)\u003cbr>\n\u003c/em>Simple Song #3\" (\u003cem>Youth)\u003cbr>\n\u003c/em>\"Til It Happens To You\" (\u003cem>The Hunting Ground)\u003cbr>\n\u003c/em>\"Writing's On The Wall\" (\u003cem>Spectre)\u003c/em>\u003c/p>\n\u003cp>Many expected \"See You Again\" from \u003cem>Furious 7\u003c/em> to make this list. Apparently, we don't yet deserve a world in which Wiz Khalifa wins an Oscar. Instead we get Sam Smith for his predictable Bond song, the Weeknd for a song from the Razzie-nominated \u003cem>Fifty Shades of Grey\u003c/em>, and Lady Gaga? We are all Leo, the Academy is Gaga:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/leo.gif\" rel=\"attachment wp-att-19892\">\u003cimg class=\"aligncenter size-full wp-image-19892\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/leo.gif\" alt=\"leo\" width=\"500\" height=\"281\">\u003c/a>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Okay, that’s enough outrage for one post. Check out \u003ca href=\"http://oscar.go.com/nominees\">the full list of nominees\u003c/a>. And tune in to the Oscars on February 28, 2016.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This morning at the ungodly hour of 5:30am, the Oscar nominations were unveiled. Last year, #OscarsSoWhite became a trending hashtag in the wake of all 20 actor contenders being white (\u003ca href=\"http://www.theatlantic.com/entertainment/archive/2015/01/the-oscars-havent-been-this-white-in-19-years/384550/\">the first time that happened since 1995\u003c/a>). If you thought the Academy would take a long, hard look at itself and make some changes, you would be wrong. This year, all 20 slots again were given to only white people. Maybe this could have something to do with the fact that Oscar voters are \u003ca href=\"http://www.theatlantic.com/entertainment/archive/2014/03/oscar-voters-94-white-76-men-and-an-average-of-63-years-old/284163/\" target=\"_blank\">94% white, 76% men, and an average of 63 years old\u003c/a>. Yikes. Sigh. Ugh. Blergh. I can't seem to type out anything but one-word stand-ins for disgust so I'll let these tweets do the talking:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Anyway, here’s how this year’s nominations shook out (if you even still give a damn):\u003c/p>\n\u003cp>\u003cstrong>Best Supporting Actress:\u003c/strong>\u003c/p>\n\u003cp>Jennifer Jason Leigh (\u003cem>The Hateful Eight)\u003c/em>\u003cbr>\nRooney Mara (\u003cem>Carol)\u003c/em>\u003cbr>\nRachel McAdams (\u003cem>Spotlight)\u003c/em>\u003cbr>\nAlicia Vikander (\u003cem>The Danish Girl)\u003c/em>\u003cbr>\nKate Winslet (\u003cem>Steve Jobs)\u003c/em>\u003c/p>\n\u003cp>Major drama in this category because many are calling Mara and Vikander's supporting actor campaigns category fraud, as they are clearly leads in their respective movies. This opens the door for more BS Hollywood machinations in the years to come. At least they finally decided to give Rachel McAdams some love for her role as Regina George in \u003cem>Mean Girls\u003c/em>.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/rs_500x259-151117115947-giphy_5.gif\" rel=\"attachment wp-att-19890\">\u003cimg class=\"aligncenter size-full wp-image-19890\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/rs_500x259-151117115947-giphy_5.gif\" alt=\"regina george mean girls\" width=\"500\" height=\"259\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Best Supporting Actor:\u003c/strong>\u003c/p>\n\u003cp>Christian Bale (\u003cem>The Big Short)\u003c/em>\u003cbr>\nTom Hardy (\u003cem>The Revenant) \u003c/em>\u003cbr>\nMark Ruffalo (S\u003cem>potlight)\u003c/em>\u003cbr>\nMark Rylance (\u003cem>Bridge of Spies)\u003c/em>\u003cbr>\nSylvester Stallone (\u003cem>Creed)\u003c/em>\u003c/p>\n\u003cp>No, that's not a typo. Sylvester Stallone is nominated for an Oscar, 39 years after his first nom for \u003cem>Rocky\u003c/em>. Another less-amusing surprise is the lack of Idris Elba for \u003cem>Beasts of No Nation\u003c/em>, which contributed to this super duper white affair. Some also expected 9-year-old Jacob Tremblay from \u003cem>Room\u003c/em> to be in the mix. Silver lining: Tom Hardy's lips will be at the Oscars.\u003c/p>\n\u003cp>\u003cstrong>Best Actress:\u003c/strong>\u003c/p>\n\u003cp>Cate Blanchett (\u003cem>Carol)\u003c/em>\u003cbr>\nBrie Larson (\u003cem>Room)\u003c/em>\u003cbr>\nJennifer Lawrence (\u003cem>Joy)\u003c/em>\u003cbr>\nCharlotte Rampling (\u003cem>45 Years)\u003c/em>\u003cbr>\nSaoirse Ronan (\u003cem>Brooklyn)\u003c/em>\u003c/p>\n\u003cp>This makes 25-year-old Jennifer Lawrence the youngest actor to receive four nominations (Meryl didn't reach #4 until she was 33). Despite her Golden Globe win a few days ago, most didn't fully expect her to grab this nom because of the lukewarm feelings around \u003cem>Joy\u003c/em>. This will probably contribute to the \u003ca href=\"http://ww2.kqed.org/pop/2013/02/27/whats-our-problem-with-anne-hathaway/\" target=\"_blank\">Anne Hathaway-ing\u003c/a> Lawrence is experiencing right now, especially in the wake of that \u003ca href=\"http://www.ibtimes.com/jennifer-lawrence-blasted-being-rude-foreign-reporter-2016-golden-globes-video-2259065\" target=\"_blank\">cringe-worthy press room incident\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Best Actor: \u003c/strong>\u003c/p>\n\u003cp>Bryan Cranston (\u003cem>Trumbo)\u003c/em>\u003cbr>\nMatt Damon (\u003cem>The Martian)\u003c/em>\u003cbr>\nLeonardo DiCaprio (\u003cem>The Revenant)\u003c/em>\u003cbr>\nMichael Fassbender (\u003cem>Steve Jobs)\u003c/em>\u003cbr>\nEddie Redmayne (\u003cem>The Danish Girl)\u003c/em>\u003c/p>\n\u003cp>Matt Damon bumped out \u003cem>Creed\u003c/em>'s Michael B. Jordan and \u003cem>Black Mass\u003c/em>' Johnny Depp. There goes my super involved fantasy of Depp announcing that he's gotten back together with \u003ca href=\"https://33.media.tumblr.com/c332cc5844fbd4faaab25d3e3af174aa/tumblr_inline_npi436v3PT1t1qvrx_500.gif\" target=\"_blank\">the love of his life, Winona Ryder\u003c/a>, on the red carpet. And it's looking like Leo is on track to finally (FINALLY!) get the Oscar he has been chasing so desperately.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/anigif_enhanced-buzz-12414-1389890809-8.gif\" rel=\"attachment wp-att-19891\">\u003cimg class=\"aligncenter size-full wp-image-19891\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/anigif_enhanced-buzz-12414-1389890809-8.gif\" alt=\"leo oscar meme\" width=\"400\" height=\"227\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Best Picture:\u003c/strong>\u003c/p>\n\u003cp>\u003cem>The Big Short\u003cbr>\n\u003c/em>\u003cem>Bridge of Spies\u003cbr>\n\u003c/em>\u003cem>Brooklyn\u003cbr>\n\u003c/em>\u003cem>Mad Max: Fury Road\u003cbr>\n\u003c/em>\u003cem>The Martian\u003cbr>\n\u003c/em>\u003cem>The Revenant\u003cbr>\n\u003c/em>\u003cem>Room\u003cbr>\n\u003c/em>\u003cem>Spotlight\u003c/em>\u003c/p>\n\u003cp>For the second year in a row, the Academy only went with eight picks for best picture (they usually go for nine out of the possible ten), which doesn’t exactly send a positive message about the state of the film industry. No \u003cem>Straight Outta Compton \u003c/em>because there are black people in that. No \u003cem>Carol\u003c/em>, despite nomination-worthy performances from Blanchett and Mara. No \u003cem>Inside Out\u003c/em> or \u003cem>Star Wars: The Force Awakens\u003c/em> because I guess they don't care if anyone watches the ceremony? Academy voters, when asked what goes into their decision making: ¯\\_(ツ)_/¯\u003c/p>\n\u003cp>\u003cstrong>Best Director:\u003c/strong>\u003c/p>\n\u003cp>Adam McKay\u003cem> (The Big Short)\u003cbr>\n\u003c/em>George Miller\u003cem> (Mad Max: Fury Road)\u003cbr>\n\u003c/em>Alejandro González Iñárritu (\u003cem>The Revenant)\u003cbr>\n\u003c/em>Lenny Abrahamson\u003cem> (Room)\u003cbr>\n\u003c/em>Tom McCarthy\u003cem> (Spotlight)\u003c/em>\u003c/p>\n\u003cp>Abrahamson's inclusion is stunning some people this morning. Somewhere out there, in three separate mansions, Ridley Scott (\u003cem>The Martian\u003c/em>), Steven Spielberg (\u003cem>Bridge of Spies\u003c/em>) and Todd Haynes (\u003cem>Carol\u003c/em>) are all shaking their fists.\u003c/p>\n\u003cp>\u003cstrong>Best Original Song:\u003c/strong>\u003c/p>\n\u003cp>\"Earned It\" (\u003cem>Fifty Shades of Grey)\u003cbr>\n\u003c/em>\"Manta Ray\" (\u003cem>Racing Extinction)\u003cbr>\n\u003c/em>Simple Song #3\" (\u003cem>Youth)\u003cbr>\n\u003c/em>\"Til It Happens To You\" (\u003cem>The Hunting Ground)\u003cbr>\n\u003c/em>\"Writing's On The Wall\" (\u003cem>Spectre)\u003c/em>\u003c/p>\n\u003cp>Many expected \"See You Again\" from \u003cem>Furious 7\u003c/em> to make this list. Apparently, we don't yet deserve a world in which Wiz Khalifa wins an Oscar. Instead we get Sam Smith for his predictable Bond song, the Weeknd for a song from the Razzie-nominated \u003cem>Fifty Shades of Grey\u003c/em>, and Lady Gaga? We are all Leo, the Academy is Gaga:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/leo.gif\" rel=\"attachment wp-att-19892\">\u003cimg class=\"aligncenter size-full wp-image-19892\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/leo.gif\" alt=\"leo\" width=\"500\" height=\"281\">\u003c/a>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Okay, that’s enough outrage for one post. Check out \u003ca href=\"http://oscar.go.com/nominees\">the full list of nominees\u003c/a>. And tune in to the Oscars on February 28, 2016.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>It is 1997, I am 13 years old, and I have the house to myself.\u003c/p>\n\u003cp>This is a situation people relish at any age -- but when you are 13 years old and confused all the time and spend most of your days in seemingly vacuum-sealed rooms, occupying a series of plastic chairs lined up next to other plastic chairs containing other 13-year-olds who are seething with tumultuous home lives and hormones and unfortunate harbingers of facial hair, a house to yourself is a kingdom. 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Joe Jackson, Janis Joplin, The Kinks, Carole King.\u003c/p>\n\u003cp>My first real encounter with David Bowie is this: I take \u003cem>Hunky Dory \u003c/em>off\u003cem> \u003c/em>the shelf, consider its weathered exterior, pull the record from its sleeve, and place it on the turntable. Then I sit cross-legged on the couch -- between the two speakers, enveloped by sound -- and listen with what feels like every pore on my body.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=dgQHZjAafo4\u003c/p>\n\u003cp>I am now in my thirties, and I have known for some time now, while also knowing this is a fantastically unreasonable standard, that all I want from music -- from any art, really -- is for it to make me feel the way I felt the first time I heard the first chorus of \"Oh! You Pretty Things.\" The overwhelming, visceral thrill of it: the moment the strings and bass knock your feet out from under you, the seconds-long swoop of going upside down on a rollercoaster -- and when the chorus is over, the awareness that your ear is straining for it to come around again, but also that the anticipation is half the fun. That something with no measurable or useful effect on your body has seemingly rewired your brain to make you crave it; that you are now a junkie; that because of sounds recorded in 1971, you just went \u003cem>somewhere else entirely\u003c/em> while sitting in your parents' living room in 1997. The slow realization that music maybe isn't a secret escape hatch, but rather a vast entry portal hiding in plain sight, and what's on the other side is maybe much, much bigger than you ever imagined.\u003c/p>\n\u003cp>Look, I know that writing about a David Bowie memory right now is self-indulgent. It feels gross, and it feels like not enough, and it would feel that way if I spent the next five years writing it, which I could very easily do. There's no way around this inadequacy: I could choose to put on my objective critic's hat and focus on how forward-thinking he always was; how tremendously gratifying it is that mainstream pop music was ever this deeply queer and challenging, and offer a hope that we ever get there again. I could say David Bowie's work is what all art should strive to be: a mirror, a warm blanket, a firepoker. And that even his death -- his just-released record, a final act of \u003ca href=\"https://www.youtube.com/watch?v=kszLwBaC4Sw\" target=\"_blank\">perfectly timed theater\u003c/a>, so Bowie-esque you want to punch the guy -- should serve as an inspiration.\u003c/p>\n\u003cp>I could declare, correctly, that because I'm a heterosexual white girl he meant different things to me than he did to other people, people who saw themselves reflected in him for the first time, in real and irreplaceable ways. But I might also venture that one constant throughout his chameleon-like career was a sense of inclusivity alongside the playfulness, and the result was that once you let him in, his music had a mainline straight to your emotional gut no matter who you were; David Bowie would likely not care for the idea of posthumous ownership Olympics.\u003c/p>\n\u003cfigure id=\"attachment_19826\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg class=\"size-thumbnail wp-image-19826\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-400x225.jpg\" alt=\"David Bowie performing in Hartford, Conn., in 1995. \" width=\"400\" height=\"225\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-1180x663.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff.jpg 1400w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">David Bowie performing in Hartford, Conn., in 1995. \u003ccite>(via NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>All of which is to say, there are a lot of pieces containing a lot of people's Bowie memories on the internet today, and none of them are going to be enough, and I want to suggest that that's okay, because the truth is we don't know how else to say thank you. We do know how to say \"This is what he meant\u003cem> to me.\u003c/em>\" And because he contained multitudes, it'd be odd if that outpouring were anything but prismatic.\u003c/p>\n\u003cp>So rather than clamor for one true legacy or final word on the man, I'd offer a step back and, if you can muster it, a tamping down of the inevitable cynicism about the way we process celebrity deaths via social media in 2016. I'm going to aim, at least, in scrolling through an endless feed of search engine-optimized rock star death #content and music videos and entire articles crafted around tweets, for a sober 13-year-old's sense of awe -- at David Bowie's art, at his humanity, and at the fact that it's possible for this one weird, beautiful human to have changed so many other humans in so many weird, beautiful ways.\u003c/p>\n\u003cp>We don't run into the streets so much anymore, as a society. We don't pound on neighbors' doors to spread the news. We're all sitting on different couches right now, behind separate computers, in separate orbits, with entirely different interpretations of what it is we've just lost. What we can do, together, is find ourselves some good speakers and hit \"play.\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=YQTENuQYgjM\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It is 1997, I am 13 years old, and I have the house to myself.\u003c/p>\n\u003cp>This is a situation people relish at any age -- but when you are 13 years old and confused all the time and spend most of your days in seemingly vacuum-sealed rooms, occupying a series of plastic chairs lined up next to other plastic chairs containing other 13-year-olds who are seething with tumultuous home lives and hormones and unfortunate harbingers of facial hair, a house to yourself is a kingdom. It is possibility.\u003c/p>\n\u003cp>I already know about music as an escape hatch: I have my stereo in my room, and my mixtapes made off local alt-rock radio stations, and the East Bay punk bands in whom I have such incredibly fierce pride that I hope it helps cover for the fact that I am not actually drinking forties down by the BART tracks with safety pins on my clothes; I am home doing my homework, for now, at least.\u003c/p>\n\u003cp>If I've realized that music can be a tunnel out, though, I am still learning its dimensions -- how far back this goes, how far off it can take you, how long other people have known about this -- and I am doing that by going through my parents' records. They are vaguely alphabetized. Joe Jackson, Janis Joplin, The Kinks, Carole King.\u003c/p>\n\u003cp>My first real encounter with David Bowie is this: I take \u003cem>Hunky Dory \u003c/em>off\u003cem> \u003c/em>the shelf, consider its weathered exterior, pull the record from its sleeve, and place it on the turntable. Then I sit cross-legged on the couch -- between the two speakers, enveloped by sound -- and listen with what feels like every pore on my body.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/dgQHZjAafo4'\n title='//www.youtube.com/embed/dgQHZjAafo4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>I am now in my thirties, and I have known for some time now, while also knowing this is a fantastically unreasonable standard, that all I want from music -- from any art, really -- is for it to make me feel the way I felt the first time I heard the first chorus of \"Oh! 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It feels gross, and it feels like not enough, and it would feel that way if I spent the next five years writing it, which I could very easily do. There's no way around this inadequacy: I could choose to put on my objective critic's hat and focus on how forward-thinking he always was; how tremendously gratifying it is that mainstream pop music was ever this deeply queer and challenging, and offer a hope that we ever get there again. I could say David Bowie's work is what all art should strive to be: a mirror, a warm blanket, a firepoker. And that even his death -- his just-released record, a final act of \u003ca href=\"https://www.youtube.com/watch?v=kszLwBaC4Sw\" target=\"_blank\">perfectly timed theater\u003c/a>, so Bowie-esque you want to punch the guy -- should serve as an inspiration.\u003c/p>\n\u003cp>I could declare, correctly, that because I'm a heterosexual white girl he meant different things to me than he did to other people, people who saw themselves reflected in him for the first time, in real and irreplaceable ways. But I might also venture that one constant throughout his chameleon-like career was a sense of inclusivity alongside the playfulness, and the result was that once you let him in, his music had a mainline straight to your emotional gut no matter who you were; David Bowie would likely not care for the idea of posthumous ownership Olympics.\u003c/p>\n\u003cfigure id=\"attachment_19826\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg class=\"size-thumbnail wp-image-19826\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-400x225.jpg\" alt=\"David Bowie performing in Hartford, Conn., in 1995. \" width=\"400\" height=\"225\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-1180x663.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/ap_385067366426_wide-67cfd59e7ffde18565d23413a2fb14930ef928ff.jpg 1400w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">David Bowie performing in Hartford, Conn., in 1995. \u003ccite>(via NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>All of which is to say, there are a lot of pieces containing a lot of people's Bowie memories on the internet today, and none of them are going to be enough, and I want to suggest that that's okay, because the truth is we don't know how else to say thank you. We do know how to say \"This is what he meant\u003cem> to me.\u003c/em>\" And because he contained multitudes, it'd be odd if that outpouring were anything but prismatic.\u003c/p>\n\u003cp>So rather than clamor for one true legacy or final word on the man, I'd offer a step back and, if you can muster it, a tamping down of the inevitable cynicism about the way we process celebrity deaths via social media in 2016. I'm going to aim, at least, in scrolling through an endless feed of search engine-optimized rock star death #content and music videos and entire articles crafted around tweets, for a sober 13-year-old's sense of awe -- at David Bowie's art, at his humanity, and at the fact that it's possible for this one weird, beautiful human to have changed so many other humans in so many weird, beautiful ways.\u003c/p>\n\u003cp>We don't run into the streets so much anymore, as a society. We don't pound on neighbors' doors to spread the news. 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"content": "\u003cp>By now, you've heard that the eclectic wonder David Bowie has passed at the age of 69. You've probably spent all morning listening to his music and talking about his impact with your coworkers. And you're probably planning on watching \u003cem>Labyrinth\u003c/em> after work. But who says you have to wait?\u003c/p>\n\u003cp>A kind YouTube user by the name of \u003ca class=\"yt-uix-sessionlink g-hovercard spf-link \" href=\"https://www.youtube.com/channel/UC7G1sxMxMnmXy7Pi_SviO_A\">Lenora1854\u003c/a> has generously compiled all the Jareth scenes from the 1986 film. So dance, magic, dance. Jump, magic, jump. Put that baby spell on [your boss so they won't give you any guff for spending the next 20 minutes glued to the Goblin King]:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ofRJwYWHriM\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ckf-VelLbxg\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>By now, you've heard that the eclectic wonder David Bowie has passed at the age of 69. You've probably spent all morning listening to his music and talking about his impact with your coworkers. And you're probably planning on watching \u003cem>Labyrinth\u003c/em> after work. But who says you have to wait?\u003c/p>\n\u003cp>A kind YouTube user by the name of \u003ca class=\"yt-uix-sessionlink g-hovercard spf-link \" href=\"https://www.youtube.com/channel/UC7G1sxMxMnmXy7Pi_SviO_A\">Lenora1854\u003c/a> has generously compiled all the Jareth scenes from the 1986 film. So dance, magic, dance. Jump, magic, jump. Put that baby spell on [your boss so they won't give you any guff for spending the next 20 minutes glued to the Goblin King]:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ofRJwYWHriM'\n title='//www.youtube.com/embed/ofRJwYWHriM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>https://www.youtube.com/watch?v=ckf-VelLbxg\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>In recent years, the Golden Globes have been picking up steam as a less stuffy, less predictable awards show than most others. From the marvelous hosting of Tina Fey and Amy Poehler for the past three years to glorious little moments like Emma Thompson \u003ca href=\"http://big.assets.huffingtonpost.com/martini.gif\" target=\"_blank\" rel=\"noopener\">tossing her shoes in the air\u003c/a>, the Globes were starting to get a little bit of air under them — a fun diversion during awards season.\u003c/p>\n\u003cp>It was not to remain so. Sunday night, Ricky Gervais, who hosted the three ceremonies before the Fey/Poehler years, returned. What distinguished Gervais’ previous appearances was the attempt to position him as a dangerous, rebellious, take-no-prisoners host — a tough sell when he was making jokes about things like Hugh Hefner being really old. But for the most part, the Hollywood Foreign Press Association (which gives out these awards) has successfully sold the narrative of Gervais as fearless provocateur, and from the minute he stepped on stage Sunday, it was clear he was going to ride that horse as far as it would take him.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=v3JQf-WTLo8\u003c/p>\n\u003cp>His early targets included Caitlyn Jenner (one joke about her car accident followed one that was basically just “transgender people, right?”), Jeffrey Tambor for playing a transgender woman, NBC for having no nominations (true, but there are far more daring things to say about network TV than that NBC didn’t get nominated for any Golden Globes), and the Globes themselves, which he ribbed with a tamer version of a joke he made years ago about how the awards are all bought and paid for. It’s a joke that doesn’t feel particularly daring since he’s basically already made it and been invited back. They clearly don’t mind and he’s already said the same thing years ago, so where’s the risk?\u003c/p>\n\u003cp>Unfortunately, Gervais’ weak monologue was followed by a weird appearance by Channing Tatum and Jonah Hill, who — OK, look. The whole reputation of the Globes is that everybody is bombed the entire time. Either bombed in practice or in spirit — that’s part of the charm. And I would never comment on who is bombed and who is not as a matter of science, but I can say that Hill, wearing a bear head, threw himself into the bombed \u003cem>feeling \u003c/em>of the ceremony in the “some drunk people are hostile and nonsensical” fashion rather than the more enjoyable “some drunk people burble delightfully with enthusiasm” fashion. Whether he was actually bombed or not, you see.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The bear bit was also the beginning of a recurring problem over the course of the evening: at some point, people seemed to forget entirely that they were on network television, and they swore so gratuitously that big chunks of things said on stage were silenced by the censor button, rendering certain appearances rather difficult to interpret. Swearing isn’t necessarily bad in and of itself, but the way it leaves giant gaps in the audio doesn’t make for a very good show at home.\u003c/p>\n\u003cp>One of the most striking things about the evening was that the low points brought out the ability of some of the presenters to instantly lift audience spirits. Andy Samberg, who hosted the Emmys, has become a reliably lovely and funny presence at events like this, and America Ferrera and Eva Longoria did a really funny bit about being confused with other Latina actresses: “Hi, I’m Eva Longoria, not Eva Mendes.” “And hi, I’m America Ferrera, not Gina Rodriguez.” (Ferrera and Rodriguez actually were mistaken for each other by the Globes themselves during the nominations. Mentioning that? That’s a little daring.) It ended with the women addressing each other as “Salma” and “Charo.” Funny!\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=SHBijKSOI8U\u003c/p>\n\u003cp>At times, though, these awards just seemed a little snakebit, having trouble getting joy where joy should have been easy: What should have been a great moment for Sylvester Stallone (who won a supporting award for \u003cem>Creed\u003c/em>) was marred by his forgetting to thank writer-director Ryan Coogler or anyone in the cast, which he reportedly ran back on stage to correct, but after the TV coverage had already cut away. Aziz Ansari had a very funny bit where he was in the audience reading \u003cem>How to Lose to Jeffrey Tambor with Dignity\u003c/em> when the lead TV comedy actors were announced, but his joke fell victim to the unexpected victory of Gael Garcia Bernal for \u003cem>Mozart in the Jungle\u003c/em> — a very low-profile Amazon show that was also named the best TV comedy.\u003c/p>\n\u003cp>Of course, the advantage that awards shows have is that when you put enough charismatic, enjoyable people on stage, you’ll get good moments. Rachel Bloom of the CW’s \u003cem>Crazy Ex-Girlfriend \u003c/em>was an excited delight as the winning TV comic actress, Oscar Isaac was charming accepting an award for the HBO miniseries \u003cem>Show Me a Hero\u003c/em>, Taraji P. Henson was luminous accepting for \u003cem>Empire\u003c/em>, and Tom Hanks made a predictably fine presenter of the Cecil B. DeMille Award to his \u003cem>Philadelphia \u003c/em>co-star, Denzel Washington, who got a very good career montage out of the deal.\u003c/p>\n\u003cp>Other winners included \u003cem>The Revenant\u003c/em> for outstanding dramatic movie and \u003cem>The Martian \u003c/em>for outstanding comedy/musical (another moment marred by a side issue: in this case, whether \u003cem>The Martian \u003c/em>is actually comedic), Leonardo DiCaprio (\u003cem>The Revenant\u003c/em>) and Brie Larson (\u003cem>Room\u003c/em>) for their lead dramatic roles in film, Jennifer Lawrence (\u003cem>Joy\u003c/em>) and Matt Damon (\u003cem>The Martian\u003c/em>) for their lead roles in comedies (or comedies-ish), and the terrific USA show \u003cem>Mr. Robot \u003c/em>for TV drama series — exactly the kind of slightly offbeat winner the Globes redeem themselves by sometimes crowning.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>There have been worse awards shows, certainly. But Gervais’ ancient-feeling shtick about Mel Gibson and Brad Pitt and Angelina Jolie’s adopted kids was enough to put the evening at a disadvantage that the awards themselves struggled to overcome.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Even+Bears%2C+Martians+And+Robots+Can%27t+Perk+Up+The+Dull+Golden+Globes&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\" alt=\"\">\u003c/div>\n\n",
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"excerpt": "The Golden Globes ceremony has been on an upswing for the past several years. Unfortunately, Sunday night, that came to an end.",
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"title": "Even Bears, Martians and Robots Can't Perk Up the Dull Golden Globes | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In recent years, the Golden Globes have been picking up steam as a less stuffy, less predictable awards show than most others. From the marvelous hosting of Tina Fey and Amy Poehler for the past three years to glorious little moments like Emma Thompson \u003ca href=\"http://big.assets.huffingtonpost.com/martini.gif\" target=\"_blank\" rel=\"noopener\">tossing her shoes in the air\u003c/a>, the Globes were starting to get a little bit of air under them — a fun diversion during awards season.\u003c/p>\n\u003cp>It was not to remain so. Sunday night, Ricky Gervais, who hosted the three ceremonies before the Fey/Poehler years, returned. What distinguished Gervais’ previous appearances was the attempt to position him as a dangerous, rebellious, take-no-prisoners host — a tough sell when he was making jokes about things like Hugh Hefner being really old. But for the most part, the Hollywood Foreign Press Association (which gives out these awards) has successfully sold the narrative of Gervais as fearless provocateur, and from the minute he stepped on stage Sunday, it was clear he was going to ride that horse as far as it would take him.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/v3JQf-WTLo8'\n title='//www.youtube.com/embed/v3JQf-WTLo8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>His early targets included Caitlyn Jenner (one joke about her car accident followed one that was basically just “transgender people, right?”), Jeffrey Tambor for playing a transgender woman, NBC for having no nominations (true, but there are far more daring things to say about network TV than that NBC didn’t get nominated for any Golden Globes), and the Globes themselves, which he ribbed with a tamer version of a joke he made years ago about how the awards are all bought and paid for. It’s a joke that doesn’t feel particularly daring since he’s basically already made it and been invited back. They clearly don’t mind and he’s already said the same thing years ago, so where’s the risk?\u003c/p>\n\u003cp>Unfortunately, Gervais’ weak monologue was followed by a weird appearance by Channing Tatum and Jonah Hill, who — OK, look. The whole reputation of the Globes is that everybody is bombed the entire time. Either bombed in practice or in spirit — that’s part of the charm. And I would never comment on who is bombed and who is not as a matter of science, but I can say that Hill, wearing a bear head, threw himself into the bombed \u003cem>feeling \u003c/em>of the ceremony in the “some drunk people are hostile and nonsensical” fashion rather than the more enjoyable “some drunk people burble delightfully with enthusiasm” fashion. Whether he was actually bombed or not, you see.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The bear bit was also the beginning of a recurring problem over the course of the evening: at some point, people seemed to forget entirely that they were on network television, and they swore so gratuitously that big chunks of things said on stage were silenced by the censor button, rendering certain appearances rather difficult to interpret. Swearing isn’t necessarily bad in and of itself, but the way it leaves giant gaps in the audio doesn’t make for a very good show at home.\u003c/p>\n\u003cp>One of the most striking things about the evening was that the low points brought out the ability of some of the presenters to instantly lift audience spirits. Andy Samberg, who hosted the Emmys, has become a reliably lovely and funny presence at events like this, and America Ferrera and Eva Longoria did a really funny bit about being confused with other Latina actresses: “Hi, I’m Eva Longoria, not Eva Mendes.” “And hi, I’m America Ferrera, not Gina Rodriguez.” (Ferrera and Rodriguez actually were mistaken for each other by the Globes themselves during the nominations. Mentioning that? That’s a little daring.) It ended with the women addressing each other as “Salma” and “Charo.” Funny!\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/SHBijKSOI8U'\n title='//www.youtube.com/embed/SHBijKSOI8U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>At times, though, these awards just seemed a little snakebit, having trouble getting joy where joy should have been easy: What should have been a great moment for Sylvester Stallone (who won a supporting award for \u003cem>Creed\u003c/em>) was marred by his forgetting to thank writer-director Ryan Coogler or anyone in the cast, which he reportedly ran back on stage to correct, but after the TV coverage had already cut away. Aziz Ansari had a very funny bit where he was in the audience reading \u003cem>How to Lose to Jeffrey Tambor with Dignity\u003c/em> when the lead TV comedy actors were announced, but his joke fell victim to the unexpected victory of Gael Garcia Bernal for \u003cem>Mozart in the Jungle\u003c/em> — a very low-profile Amazon show that was also named the best TV comedy.\u003c/p>\n\u003cp>Of course, the advantage that awards shows have is that when you put enough charismatic, enjoyable people on stage, you’ll get good moments. Rachel Bloom of the CW’s \u003cem>Crazy Ex-Girlfriend \u003c/em>was an excited delight as the winning TV comic actress, Oscar Isaac was charming accepting an award for the HBO miniseries \u003cem>Show Me a Hero\u003c/em>, Taraji P. Henson was luminous accepting for \u003cem>Empire\u003c/em>, and Tom Hanks made a predictably fine presenter of the Cecil B. DeMille Award to his \u003cem>Philadelphia \u003c/em>co-star, Denzel Washington, who got a very good career montage out of the deal.\u003c/p>\n\u003cp>Other winners included \u003cem>The Revenant\u003c/em> for outstanding dramatic movie and \u003cem>The Martian \u003c/em>for outstanding comedy/musical (another moment marred by a side issue: in this case, whether \u003cem>The Martian \u003c/em>is actually comedic), Leonardo DiCaprio (\u003cem>The Revenant\u003c/em>) and Brie Larson (\u003cem>Room\u003c/em>) for their lead dramatic roles in film, Jennifer Lawrence (\u003cem>Joy\u003c/em>) and Matt Damon (\u003cem>The Martian\u003c/em>) for their lead roles in comedies (or comedies-ish), and the terrific USA show \u003cem>Mr. Robot \u003c/em>for TV drama series — exactly the kind of slightly offbeat winner the Globes redeem themselves by sometimes crowning.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>There have been worse awards shows, certainly. But Gervais’ ancient-feeling shtick about Mel Gibson and Brad Pitt and Angelina Jolie’s adopted kids was enough to put the evening at a disadvantage that the awards themselves struggled to overcome.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Even+Bears%2C+Martians+And+Robots+Can%27t+Perk+Up+The+Dull+Golden+Globes&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\" alt=\"\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "'What Did David Bowie Do At Your Age?' Will Make You Feel Inadequate / Love Him Even More",
"title": "'What Did David Bowie Do At Your Age?' Will Make You Feel Inadequate / Love Him Even More",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>The Internet is chock-full of David Bowie memories today, as it should be. We remember\u003ca href=\"http://ww2.kqed.org/pop/2016/01/11/this-time-its-personal-why-losing-david-bowie-means-something-different-to-everyone/\" target=\"_blank\"> the first time we heard\u003c/a> \"Oh! You Pretty Things\" in our childhood basement. We remember \u003ca href=\"http://ww2.kqed.org/pop/2016/01/11/watch-all-the-david-bowie-scenes-from-labyrinth/\" target=\"_blank\">his turn as the Goblin King\u003c/a> in \u003cem>Labyrinth\u003c/em>. We remember \u003ca href=\"http://news.yahoo.com/david-bowie-mugshot-marijuana-rochester-150029295.html\" target=\"_blank\">his beautiful mugshot\u003c/a>. And, thanks to \"\u003ca href=\"http://supbowie.com/\" target=\"_blank\">What Did David Bowie Do At Your Age?\u003c/a>” , you can remember other landmarks from his life (and compare them unfavorably to your own; alas, we can't all be rock royalty).\u003c/p>\n\u003cp>Since most of you are over 15, here are some amusing youthful accomplishments:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-3.40.18-PM.png\" rel=\"attachment wp-att-19853\">\u003cimg class=\"aligncenter size-medium wp-image-19853\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-3.40.18-PM.png\" alt=\"Screen Shot 2016-01-11 at 3.40.18 PM\" width=\"693\" height=\"189\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-3.40.18-PM.png 693w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-3.40.18-PM-400x109.png 400w\" sizes=\"(max-width: 693px) 100vw, 693px\">\u003c/a>\u003c/p>\n\u003cp>Was there even a question?\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM.png\" rel=\"attachment wp-att-19852\">\u003cimg class=\"aligncenter size-medium wp-image-19852\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM-800x209.png\" alt=\"Screen Shot 2016-01-11 at 4.00.19 PM\" width=\"800\" height=\"209\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM-800x209.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM-400x105.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM-768x201.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM.png 906w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I hate hot beverages too! Too risky! Room temp is fine! Bowie got it.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.35-PM.png\" rel=\"attachment wp-att-19851\">\u003cimg class=\"aligncenter size-medium wp-image-19851\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.35-PM.png\" alt=\"Screen Shot 2016-01-11 at 4.00.35 PM\" width=\"603\" height=\"458\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.35-PM.png 603w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.35-PM-400x304.png 400w\" sizes=\"(max-width: 603px) 100vw, 603px\">\u003c/a>\u003c/p>\n\u003cp>Some childhood photos are more miraculous than others.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.17-PM.png\" rel=\"attachment wp-att-19850\">\u003cimg class=\"aligncenter size-medium wp-image-19850\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.17-PM.png\" alt=\"Screen Shot 2016-01-11 at 4.01.17 PM\" width=\"626\" height=\"177\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.17-PM.png 626w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.17-PM-400x113.png 400w\" sizes=\"(max-width: 626px) 100vw, 626px\">\u003c/a>\u003c/p>\n\u003cp>What a delicious way of entering your teenage years!\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.24-PM.png\" rel=\"attachment wp-att-19849\">\u003cimg class=\"aligncenter size-medium wp-image-19849\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.24-PM.png\" alt=\"Screen Shot 2016-01-11 at 4.01.24 PM\" width=\"614\" height=\"947\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.24-PM.png 614w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.24-PM-400x617.png 400w\" sizes=\"(max-width: 614px) 100vw, 614px\">\u003c/a>\u003c/p>\n\u003cp>Imagine all the girls and boys who planned on asking, but ended up getting too nervous. Hubba hubba!\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM.png\" rel=\"attachment wp-att-19848\">\u003cimg class=\"aligncenter size-medium wp-image-19848\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM-800x718.png\" alt=\"Screen Shot 2016-01-11 at 4.01.40 PM\" width=\"800\" height=\"718\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM-800x718.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM-400x359.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM-768x689.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM.png 885w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>There are almost no photos of me at 15 because everything about me was unfortunate. This is not the case for dear Bowie. Take a few moments to worship at the altar of his hair. And does it get cooler than leaning your elbow on a sax? A hard nope!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>He will be missed.\u003c/p>\n\n",
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"excerpt": "This site lets you compare what you're doing with your life with what Bowie was doing with his at that age. Proceed with caution.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Internet is chock-full of David Bowie memories today, as it should be. We remember\u003ca href=\"http://ww2.kqed.org/pop/2016/01/11/this-time-its-personal-why-losing-david-bowie-means-something-different-to-everyone/\" target=\"_blank\"> the first time we heard\u003c/a> \"Oh! You Pretty Things\" in our childhood basement. We remember \u003ca href=\"http://ww2.kqed.org/pop/2016/01/11/watch-all-the-david-bowie-scenes-from-labyrinth/\" target=\"_blank\">his turn as the Goblin King\u003c/a> in \u003cem>Labyrinth\u003c/em>. We remember \u003ca href=\"http://news.yahoo.com/david-bowie-mugshot-marijuana-rochester-150029295.html\" target=\"_blank\">his beautiful mugshot\u003c/a>. And, thanks to \"\u003ca href=\"http://supbowie.com/\" target=\"_blank\">What Did David Bowie Do At Your Age?\u003c/a>” , you can remember other landmarks from his life (and compare them unfavorably to your own; alas, we can't all be rock royalty).\u003c/p>\n\u003cp>Since most of you are over 15, here are some amusing youthful accomplishments:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-3.40.18-PM.png\" rel=\"attachment wp-att-19853\">\u003cimg class=\"aligncenter size-medium wp-image-19853\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-3.40.18-PM.png\" alt=\"Screen Shot 2016-01-11 at 3.40.18 PM\" width=\"693\" height=\"189\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-3.40.18-PM.png 693w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-3.40.18-PM-400x109.png 400w\" sizes=\"(max-width: 693px) 100vw, 693px\">\u003c/a>\u003c/p>\n\u003cp>Was there even a question?\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM.png\" rel=\"attachment wp-att-19852\">\u003cimg class=\"aligncenter size-medium wp-image-19852\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM-800x209.png\" alt=\"Screen Shot 2016-01-11 at 4.00.19 PM\" width=\"800\" height=\"209\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM-800x209.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM-400x105.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM-768x201.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.19-PM.png 906w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I hate hot beverages too! Too risky! Room temp is fine! Bowie got it.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.35-PM.png\" rel=\"attachment wp-att-19851\">\u003cimg class=\"aligncenter size-medium wp-image-19851\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.35-PM.png\" alt=\"Screen Shot 2016-01-11 at 4.00.35 PM\" width=\"603\" height=\"458\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.35-PM.png 603w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.00.35-PM-400x304.png 400w\" sizes=\"(max-width: 603px) 100vw, 603px\">\u003c/a>\u003c/p>\n\u003cp>Some childhood photos are more miraculous than others.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.17-PM.png\" rel=\"attachment wp-att-19850\">\u003cimg class=\"aligncenter size-medium wp-image-19850\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.17-PM.png\" alt=\"Screen Shot 2016-01-11 at 4.01.17 PM\" width=\"626\" height=\"177\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.17-PM.png 626w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.17-PM-400x113.png 400w\" sizes=\"(max-width: 626px) 100vw, 626px\">\u003c/a>\u003c/p>\n\u003cp>What a delicious way of entering your teenage years!\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.24-PM.png\" rel=\"attachment wp-att-19849\">\u003cimg class=\"aligncenter size-medium wp-image-19849\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.24-PM.png\" alt=\"Screen Shot 2016-01-11 at 4.01.24 PM\" width=\"614\" height=\"947\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.24-PM.png 614w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.24-PM-400x617.png 400w\" sizes=\"(max-width: 614px) 100vw, 614px\">\u003c/a>\u003c/p>\n\u003cp>Imagine all the girls and boys who planned on asking, but ended up getting too nervous. Hubba hubba!\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM.png\" rel=\"attachment wp-att-19848\">\u003cimg class=\"aligncenter size-medium wp-image-19848\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM-800x718.png\" alt=\"Screen Shot 2016-01-11 at 4.01.40 PM\" width=\"800\" height=\"718\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM-800x718.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM-400x359.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM-768x689.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/01/Screen-Shot-2016-01-11-at-4.01.40-PM.png 885w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>There are almost no photos of me at 15 because everything about me was unfortunate. This is not the case for dear Bowie. Take a few moments to worship at the altar of his hair. And does it get cooler than leaning your elbow on a sax? A hard nope!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>He will be missed.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"masters-of-scale": {
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"morning-edition": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"pbs-newshour": {
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},
"perspectives": {
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"order": 14
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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"link": "/radio/program/planet-money",
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"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"order": 5
},
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
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