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Yes, we're talking about the UFO Enthusiast Vote. \u003ca href=\"http://www.nytimes.com/2016/05/11/us/politics/hillary-clinton-aliens.html\" target=\"_blank\">And according to the\u003cem> New York Times\u003c/em>\u003c/a>, Hillary Clinton's got it all sewn up.\u003c/p>\n\u003cfigure id=\"attachment_24315\" class=\"wp-caption aligncenter\" style=\"max-width: 630px\">\u003cimg class=\"size-full wp-image-24315\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/love-nest630.gif\" alt=\"This is from the Weekly World News, to be clear, and not the New York Times, \" width=\"630\" height=\"385\">\u003cfigcaption class=\"wp-caption-text\">This is from the Weekly World News, to be clear, and not the New York Times.\u003c/figcaption>\u003c/figure>\n\u003cp>To wit:\u003c/p>\n\u003cblockquote>\n\u003cp class=\"story-body-text story-content\">Mrs. Clinton has vowed that barring any threats to national security, she would open up government files on the subject, a shift from President Obama, who typically dismisses the topic as a joke. Her position has elated U.F.O. enthusiasts, who have declared Mrs. Clinton the first “E.T. candidate.”\u003c/p>\n\u003cp class=\"story-body-text story-content\">“Hillary has embraced this issue with an absolutely unprecedented level of interest in American politics,” said \u003ca href=\"http://josephbuchman.com/bio.htm\">Joseph G. Buchman\u003c/a>, who has spent decades calling for government transparency about extraterrestrials.\u003c/p>\n\u003cp id=\"story-continues-1\" class=\"story-body-text story-content\">Mrs. Clinton, a cautious candidate who often bemoans being the subject of Republican conspiracy theories, has shown surprising ease plunging into the discussion of the possibility of extraterrestrial beings.\u003c/p>\n\u003cp class=\"story-body-text story-content\">She has said in recent interviews that as president she would release information about \u003ca href=\"http://www.nytimes.com/slideshow/2013/08/23/us/20130823-AREA.html?_r=0\">Area 51\u003c/a>, the remote Air Force base in Nevada believed by some to be a secret hub where the government stores classified information about aliens and U.F.O.s.\u003c/p>\n\u003c/blockquote>\n\u003cp>Lest you think this is a recently adopted stance -- an eleventh-hour grab at the notoriously powerful extraterrestrial lobby -- the story goes on to note that Hill's been sympathetic to believers since at least the '90s, when she was photographed carrying a book called \u003cem>Are We Alone? Philosophical Implications of the Discovery of Extraterrestrial Life \u003c/em>during a visit with conservationist Laurence Rockefeller.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-24323\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/03CLINTONUFOSweb2-master675.jpg\" alt=\"03CLINTONUFOSweb2-master675\" width=\"675\" height=\"434\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/03CLINTONUFOSweb2-master675.jpg 675w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/03CLINTONUFOSweb2-master675-400x257.jpg 400w\" sizes=\"(max-width: 675px) 100vw, 675px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Other fun tidbits from\u003ca href=\"http://www.nytimes.com/2016/05/11/us/politics/hillary-clinton-aliens.html\" target=\"_blank\"> the piece\u003c/a> include the fact that Clinton's well-respected campaign chairman, John D. Podesta, ran an\u003cem> X-Files\u003c/em> fan club in the White House during the Clinton administration. The UFO-phile also served as a top advisor to President Obama until 2014. When Podesta left his post, he tweeted, \"Finally, my biggest failure of 2014: Once again not securing the #disclosure of the U.F.O. files. #thetruthisstilloutthere.”\u003c/p>\n\u003cfigure id=\"attachment_24321\" class=\"wp-caption aligncenter\" style=\"max-width: 342px\">\u003cimg class=\"size-full wp-image-24321\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/06e7795198ef42e6137545bd6bb26c70.jpg\" alt=\"Well, did she adopt it or is it a biological result of the alien love nest? Make up your mind, World Weekly News. \" width=\"342\" height=\"381\">\u003cfigcaption class=\"wp-caption-text\">Well, did she adopt it or is it a biological result of the alien love nest? Make up your mind, Weekly World News.\u003c/figcaption>\u003c/figure>\n\u003cp>So: Are there single-issue voters out there for whom the single issue is aliens? Probably. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In the midst of an election year, it's a little too easy to fall into the demographics trap: to believe blanket statements about political beliefs based on race or class or gender -- to begin thinking of human beings in easy-to-define labels and boxes. \"Millennials\" are all voting for this one guy, we're told. Latino voters are more likely to do X, Y, and Z. Blatantly racist, and don't care about much else? Step right this way.\u003c/p>\n\u003cp>All of which makes it that much more interesting to read about a long-ignored demographic, one that's apparently been quietly seething for decades, just waiting, watching \u003cem>X-Files\u003c/em> reruns, hungering for a candidate to call its own -- until now. Yes, we're talking about the UFO Enthusiast Vote. \u003ca href=\"http://www.nytimes.com/2016/05/11/us/politics/hillary-clinton-aliens.html\" target=\"_blank\">And according to the\u003cem> New York Times\u003c/em>\u003c/a>, Hillary Clinton's got it all sewn up.\u003c/p>\n\u003cfigure id=\"attachment_24315\" class=\"wp-caption aligncenter\" style=\"max-width: 630px\">\u003cimg class=\"size-full wp-image-24315\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/love-nest630.gif\" alt=\"This is from the Weekly World News, to be clear, and not the New York Times, \" width=\"630\" height=\"385\">\u003cfigcaption class=\"wp-caption-text\">This is from the Weekly World News, to be clear, and not the New York Times.\u003c/figcaption>\u003c/figure>\n\u003cp>To wit:\u003c/p>\n\u003cblockquote>\n\u003cp class=\"story-body-text story-content\">Mrs. Clinton has vowed that barring any threats to national security, she would open up government files on the subject, a shift from President Obama, who typically dismisses the topic as a joke. Her position has elated U.F.O. enthusiasts, who have declared Mrs. Clinton the first “E.T. candidate.”\u003c/p>\n\u003cp class=\"story-body-text story-content\">“Hillary has embraced this issue with an absolutely unprecedented level of interest in American politics,” said \u003ca href=\"http://josephbuchman.com/bio.htm\">Joseph G. Buchman\u003c/a>, who has spent decades calling for government transparency about extraterrestrials.\u003c/p>\n\u003cp id=\"story-continues-1\" class=\"story-body-text story-content\">Mrs. Clinton, a cautious candidate who often bemoans being the subject of Republican conspiracy theories, has shown surprising ease plunging into the discussion of the possibility of extraterrestrial beings.\u003c/p>\n\u003cp class=\"story-body-text story-content\">She has said in recent interviews that as president she would release information about \u003ca href=\"http://www.nytimes.com/slideshow/2013/08/23/us/20130823-AREA.html?_r=0\">Area 51\u003c/a>, the remote Air Force base in Nevada believed by some to be a secret hub where the government stores classified information about aliens and U.F.O.s.\u003c/p>\n\u003c/blockquote>\n\u003cp>Lest you think this is a recently adopted stance -- an eleventh-hour grab at the notoriously powerful extraterrestrial lobby -- the story goes on to note that Hill's been sympathetic to believers since at least the '90s, when she was photographed carrying a book called \u003cem>Are We Alone? Philosophical Implications of the Discovery of Extraterrestrial Life \u003c/em>during a visit with conservationist Laurence Rockefeller.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-24323\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/03CLINTONUFOSweb2-master675.jpg\" alt=\"03CLINTONUFOSweb2-master675\" width=\"675\" height=\"434\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/03CLINTONUFOSweb2-master675.jpg 675w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/03CLINTONUFOSweb2-master675-400x257.jpg 400w\" sizes=\"(max-width: 675px) 100vw, 675px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Other fun tidbits from\u003ca href=\"http://www.nytimes.com/2016/05/11/us/politics/hillary-clinton-aliens.html\" target=\"_blank\"> the piece\u003c/a> include the fact that Clinton's well-respected campaign chairman, John D. Podesta, ran an\u003cem> X-Files\u003c/em> fan club in the White House during the Clinton administration. The UFO-phile also served as a top advisor to President Obama until 2014. When Podesta left his post, he tweeted, \"Finally, my biggest failure of 2014: Once again not securing the #disclosure of the U.F.O. files. #thetruthisstilloutthere.”\u003c/p>\n\u003cfigure id=\"attachment_24321\" class=\"wp-caption aligncenter\" style=\"max-width: 342px\">\u003cimg class=\"size-full wp-image-24321\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/06e7795198ef42e6137545bd6bb26c70.jpg\" alt=\"Well, did she adopt it or is it a biological result of the alien love nest? Make up your mind, World Weekly News. \" width=\"342\" height=\"381\">\u003cfigcaption class=\"wp-caption-text\">Well, did she adopt it or is it a biological result of the alien love nest? Make up your mind, Weekly World News.\u003c/figcaption>\u003c/figure>\n\u003cp>So: Are there single-issue voters out there for whom the single issue is aliens? Probably. Are there enough of them to make a dent in the presidential election? Time will tell. For now, we're keeping an eye out for that official, much-coveted political endorsement from UFO enthusiasts' most visible champion: \u003ca href=\"https://youtu.be/oVCd50LXPGY\" target=\"_blank\">Dan Aykroyd.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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That, plus the fact that she has the most sizzling pair of legs south of Market Street.\u003c/p>\n\u003cp>But this is not to say that D’Arcy hasn’t worked hard for her success.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I sent my \u003cem>Sh*t & Champagne\u003c/em> script to a number of different producers and venues and several people told me it was terrible or they just ignored me, but it turned into probably one of the biggest hits of my career because I believed in it and knew I could make it funny. I knew it was funny even though it was about 50 pages of poop jokes!”\u003c/p>\n\u003cp>\u003cem>Sh*t & Champagne\u003c/em> was indeed a runaway hit in the City, boasting two separate runs, and judging from the diverse, multi-generational crowds that flocked to them, its success served as proof that potty humor is timeless (no matter what your parents say).\u003c/p>\n\u003cp>D'Arcy's latest offering, \u003cem>Above and Beyond the Valley of the Ultra Showgirls\u003c/em>, was actually a brainchild that spawned from a band she was in during the late '80s and early '90s.\u003c/p>\n\u003cp>“Enrique was an art and punk band, almost like a '70s revival band in the '80s. We played all over San Francisco and finally ended up with a permanent home at the Transmission Theater, which is now Beatbox. We played there for about nine months and the new show was definitely something that organically grew out of the band, so it was a very collaborative project from the beginning.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=nwgY5A6SEfI\u003c/p>\n\u003cp>Though the original script for \u003cem>Above and Beyond the Valley of the Ultra Showgirls\u003c/em> was written in the '90s, D’Arcy has dusted it off, updated it and infused it with her love of tasteless wit.\u003c/p>\n\u003cp>“The reboot is a little more current and, like the way that \u003cem>Sh*t & Champagne\u003c/em> was inspired by the Blaxploitation films of the '70s, this one riffs off of a Russ Meyer film, written by Roger Ebert, called \u003cem>Beyond the Valley of the Dolls\u003c/em>, and elements of \u003cem>Showgirls\u003c/em>. They were both so ridiculous, over-the-top, trashy, melodramatic scripts that almost shouldn’t have been made since they were so cheesy. But instead these films had huge budgets. \u003cem>Beyond the Valley of the Dolls\u003c/em> had a budget of over one million dollars, and that was in 1970! Both of these films have amazingly lush cinematography, but they also have ridiculous plot lines and dialogue.”\u003c/p>\n\u003cp>Millennials, who may not be familiar with \u003cem>Beyond the Valley of the Dolls\u003c/em>, can certainly relate to the nostalgia of \u003cem>Showgirls\u003c/em> – the overdone tale of a Las Vegas hopeful turned rebel played by \u003cem>Saved by the Bell\u003c/em> alumna, Elizabeth Berkley. In a world where practically everything under the sun gets a facelift (\u003ca href=\"http://ww2.kqed.org/pop/2016/03/02/fuller-house-every-single-wtf-moment-from-season-1/\">\u003cem>Fuller House\u003c/em>\u003c/a>, anyone?), why not revisit the downright ridiculousness of such memorable camp classics? Although D’Arcy’s new show is more of a satire than a replica: “While it is a send-up of the two films, it’s totally original and it’s a musical – we have a five-piece rock band!”\u003c/p>\n\u003cp>So what's it about? The show’s website says it best:\u003c/p>\n\u003cblockquote>\u003cp>\u003cem>The story follows SUPER VIXEN – a struggling all-girl rock band with big dreams, big boobs, big hair and big everything else. Chablis, Chardonnay and Gewürztraminer claw their way up the underside of the music industry where they meet low life record company exec Mr. Richard Face, who promises them super-stardom. When Dick talks Gewürztraminer into leaving her band mates, she changes her name to Sherry, hooks up with even trashier back up girls and becomes an overnight sensation. Naturally, her rejected friends embark on a painful and hilarious downward spiral of sex, drugs... and revenge!\u003c/em>\u003c/p>\u003c/blockquote>\n\u003cp>Or as D’Arcy likes to describe it, “an everything but the kitchen sink melodrama.”\u003c/p>\n\u003cp>This weekend is your last chance to see \u003cem>Above and Beyond the Valley of the Ultra Showgirls\u003c/em> for now, so go snag some tickets! If you can't make it for whatever reason, don't fret. In between productions, you can always visit D’Arcy at Oasis, a nightclub that she co-owns with San Francisco legend, Heklina, or you can catch her each week teaching \u003ca href=\"http://www.darcydrollinger.com/#!sexitude/c1wji\">Sexitude at Sunday Skool\u003c/a> – a body-positive, age-positive, sex-positive dance experience for those who are looking to make their dreams of becoming a famous back-up dancer a reality. Who knows? You may unwittingly be cast as the next starlet in one of D’Arcy’s future shows!\u003c/p>\n\u003cp>When asked if she has any words of encouragement for future generations: “Don’t wait around for someone else to make your art happen. I have been self-producing from the beginning. If I hadn’t self-produced, who knows if I would have produced anything. Especially if you aren’t producing things that fit a mold, then you have to find your own path sometimes.”\u003c/p>\n\u003cp>Thank you, D’Arcy, for going your own way. And for all the poop jokes.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Above and Beyond the Valley of the Ultra Showgirls is playing at Oasis (928 11\u003csup>th\u003c/sup> Street, San Francisco, CA 94103) through May 14, 2016, Thursday, Friday and Saturday nights at 7:00 p.m. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When you think of the performing arts scene in San Francisco, 'typical' is the last adjective that comes to mind. Sure, New York may have the well-oiled machine that is Broadway, but we San Franciscans find pleasure in productions that err on the left-most side of zany. Or at least the devoted fans of D'Arcy Drollinger do.\u003c/p>\n\u003cp>“In San Francisco, the culture is more risk-taking,” D’Arcy said. “I lived in New York for a time and there is more of a dependency on commerce. There is a freedom and ability to take risks in San Francisco that is great for incubating new work – the community really rallies new stuff in a way that I don’t see in places like New York or Los Angeles.”\u003c/p>\n\u003cp>As a performer, writer, and choreographer, D'Arcy has an incredible knack for creating productions that are equal parts raunchy, ridiculous, and nostalgic. If you've laughed your way through any of Darcy's recent shows (\u003cem>Sh*t & Champagne\u003c/em>, or its sequel, \u003cem>Champagne White and the Temple of Poon\u003c/em>), then you're well aware that anything she touches turns to camp-classic gold. It's the kind of humor that is so over-the-top -- at times bordering on absurd -- that it has the power to wax the highbrow off of even the most stoic of theatergoers.\u003c/p>\n\u003cp>Humor aside, the direction, comedic timing, and sense of pride in D'Arcy's performances let the audience know that this is so much more than a drag show, and labeling it as such would be a complete misnomer. In a world where the majority of queens simply lip-sync for their lives, D'Arcy has raised the satirical bar for her peers. Humor is afoot nearly everywhere in the world of drag, but it's D'Arcy's unique brand of homegrown creativity, coupled with her finger on the pulse of anything and everything campy, that truly sets her apart. That, plus the fact that she has the most sizzling pair of legs south of Market Street.\u003c/p>\n\u003cp>But this is not to say that D’Arcy hasn’t worked hard for her success.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I sent my \u003cem>Sh*t & Champagne\u003c/em> script to a number of different producers and venues and several people told me it was terrible or they just ignored me, but it turned into probably one of the biggest hits of my career because I believed in it and knew I could make it funny. I knew it was funny even though it was about 50 pages of poop jokes!”\u003c/p>\n\u003cp>\u003cem>Sh*t & Champagne\u003c/em> was indeed a runaway hit in the City, boasting two separate runs, and judging from the diverse, multi-generational crowds that flocked to them, its success served as proof that potty humor is timeless (no matter what your parents say).\u003c/p>\n\u003cp>D'Arcy's latest offering, \u003cem>Above and Beyond the Valley of the Ultra Showgirls\u003c/em>, was actually a brainchild that spawned from a band she was in during the late '80s and early '90s.\u003c/p>\n\u003cp>“Enrique was an art and punk band, almost like a '70s revival band in the '80s. We played all over San Francisco and finally ended up with a permanent home at the Transmission Theater, which is now Beatbox. We played there for about nine months and the new show was definitely something that organically grew out of the band, so it was a very collaborative project from the beginning.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/nwgY5A6SEfI'\n title='//www.youtube.com/embed/nwgY5A6SEfI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Though the original script for \u003cem>Above and Beyond the Valley of the Ultra Showgirls\u003c/em> was written in the '90s, D’Arcy has dusted it off, updated it and infused it with her love of tasteless wit.\u003c/p>\n\u003cp>“The reboot is a little more current and, like the way that \u003cem>Sh*t & Champagne\u003c/em> was inspired by the Blaxploitation films of the '70s, this one riffs off of a Russ Meyer film, written by Roger Ebert, called \u003cem>Beyond the Valley of the Dolls\u003c/em>, and elements of \u003cem>Showgirls\u003c/em>. They were both so ridiculous, over-the-top, trashy, melodramatic scripts that almost shouldn’t have been made since they were so cheesy. But instead these films had huge budgets. \u003cem>Beyond the Valley of the Dolls\u003c/em> had a budget of over one million dollars, and that was in 1970! Both of these films have amazingly lush cinematography, but they also have ridiculous plot lines and dialogue.”\u003c/p>\n\u003cp>Millennials, who may not be familiar with \u003cem>Beyond the Valley of the Dolls\u003c/em>, can certainly relate to the nostalgia of \u003cem>Showgirls\u003c/em> – the overdone tale of a Las Vegas hopeful turned rebel played by \u003cem>Saved by the Bell\u003c/em> alumna, Elizabeth Berkley. In a world where practically everything under the sun gets a facelift (\u003ca href=\"http://ww2.kqed.org/pop/2016/03/02/fuller-house-every-single-wtf-moment-from-season-1/\">\u003cem>Fuller House\u003c/em>\u003c/a>, anyone?), why not revisit the downright ridiculousness of such memorable camp classics? Although D’Arcy’s new show is more of a satire than a replica: “While it is a send-up of the two films, it’s totally original and it’s a musical – we have a five-piece rock band!”\u003c/p>\n\u003cp>So what's it about? The show’s website says it best:\u003c/p>\n\u003cblockquote>\u003cp>\u003cem>The story follows SUPER VIXEN – a struggling all-girl rock band with big dreams, big boobs, big hair and big everything else. Chablis, Chardonnay and Gewürztraminer claw their way up the underside of the music industry where they meet low life record company exec Mr. Richard Face, who promises them super-stardom. When Dick talks Gewürztraminer into leaving her band mates, she changes her name to Sherry, hooks up with even trashier back up girls and becomes an overnight sensation. Naturally, her rejected friends embark on a painful and hilarious downward spiral of sex, drugs... and revenge!\u003c/em>\u003c/p>\u003c/blockquote>\n\u003cp>Or as D’Arcy likes to describe it, “an everything but the kitchen sink melodrama.”\u003c/p>\n\u003cp>This weekend is your last chance to see \u003cem>Above and Beyond the Valley of the Ultra Showgirls\u003c/em> for now, so go snag some tickets! If you can't make it for whatever reason, don't fret. In between productions, you can always visit D’Arcy at Oasis, a nightclub that she co-owns with San Francisco legend, Heklina, or you can catch her each week teaching \u003ca href=\"http://www.darcydrollinger.com/#!sexitude/c1wji\">Sexitude at Sunday Skool\u003c/a> – a body-positive, age-positive, sex-positive dance experience for those who are looking to make their dreams of becoming a famous back-up dancer a reality. Who knows? You may unwittingly be cast as the next starlet in one of D’Arcy’s future shows!\u003c/p>\n\u003cp>When asked if she has any words of encouragement for future generations: “Don’t wait around for someone else to make your art happen. I have been self-producing from the beginning. If I hadn’t self-produced, who knows if I would have produced anything. Especially if you aren’t producing things that fit a mold, then you have to find your own path sometimes.”\u003c/p>\n\u003cp>Thank you, D’Arcy, for going your own way. And for all the poop jokes.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Above and Beyond the Valley of the Ultra Showgirls is playing at Oasis (928 11\u003csup>th\u003c/sup> Street, San Francisco, CA 94103) through May 14, 2016, Thursday, Friday and Saturday nights at 7:00 p.m. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Deep Breaths: A Dispatch From the Gwyneth Paltrow Industrial Complex",
"headTitle": "Deep Breaths: A Dispatch From the Gwyneth Paltrow Industrial Complex | KQED",
"content": "\u003cp>Let’s start with this: I am not here to hate bluntly on Gwyneth Paltrow. And a desire to do that is not, I swear to you, why I felt a subtle yet unmistakable gravitational pull toward the actress’s new San Francisco pop-up shop, \u003ca href=\"http://goop.com/goop-mrkt/\">Goop MRKT\u003c/a> (apparently she got the memo about ditching vowels if you want to do good business in the Bay Area), when I learned she would be appearing there May 5 to sign her new cookbook and shower plebeians with her effervescent, organically produced glow.\u003c/p>\n\u003cp>Gwyneth is an easy target. Too easy, one could say. In this \u003ca href=\"http://www.huffingtonpost.com/entry/muslim-woman-attacked_us_57289b7ae4b0bc9cb0447aed\" target=\"_blank\" rel=\"noopener\">terrifying political climate\u003c/a>, with our current levels of income inequality — while five hunger strikers endanger themselves in the hopes of raising awareness about police brutality against young men of color \u003ca href=\"http://ww2.kqed.org/arts/2016/04/30/equiptos-hunger-strike-the-importance-of-art-in-social-change/\">four blocks away from my house\u003c/a> — it is all too convenient to point a finger at the extremely wealthy thin white blonde actress lady shilling \u003ca href=\"http://www.amazon.com/dp/1455522716/ref=pd_lpo_sbs_dp_ss_2?pf_rd_p=1944687682&pf_rd_s=lpo-top-stripe-1&pf_rd_t=201&pf_rd_i=1455584215&pf_rd_m=ATVPDKIKX0DER&pf_rd_r=1VS4T5GV941V0EWNXQCW\">health-conscious cookbooks\u003c/a> and an organic skincare line as part of her \u003ca href=\"http://goop.com/\">egregiously overpriced lifestyle brand\u003c/a> and say, “That right there, that’s a thing I know how to hate. That seems simple. Let’s just focus on that for today.”\u003c/p>\n\u003cp>Hating on Gwyneth has, in fact, become such an\u003ca href=\"http://www.dailymail.co.uk/tvshowbiz/article-2310405/Gwyneth-Paltrow-named-hated-celebrities-Hollywood-beats-Anne-Hathaway-Kristen-Stewart-poll.html\"> obvious national pastime\u003c/a> that when she was gruesomely killed off in the first 10 minutes of \u003cem>Contagion \u003c/em>a few years ago\u003cem>, \u003c/em>one had to wonder if Steven Soderbergh was enacting a bit of cinematic revenge porn for his audience’s collective benefit.\u003c/p>\n\u003cfigure id=\"attachment_23939\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-23939\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/gwyneth-paltrow-as-beth-emhoff-in-contagion-800x450.jpg\" alt=\"Gwyneth looking not that pretty \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/gwyneth-paltrow-as-beth-emhoff-in-contagion-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/gwyneth-paltrow-as-beth-emhoff-in-contagion-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/gwyneth-paltrow-as-beth-emhoff-in-contagion-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/gwyneth-paltrow-as-beth-emhoff-in-contagion-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/gwyneth-paltrow-as-beth-emhoff-in-contagion-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/gwyneth-paltrow-as-beth-emhoff-in-contagion.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gwyneth looking not that pretty in ‘Contagion.’\u003c/figcaption>\u003c/figure>\n\u003cp>Which, in turn, brings up a slew of questions, such as: Is she in on the joke? Surely the most hated celebrity in America has an inkling of that status by now. On the other hand: Is a person whose online kitchenware store includes \u003ca href=\"http://shop.goop.com/collections/kitchen-tabletop/products/copper-spoons\">$1200 spoons\u003c/a> and a \u003ca href=\"http://shop.goop.com/collections/kitchen-tabletop/products/apron-with-leather\">$200 apron\u003c/a> one must disassemble with a screwdriver in order to wash really a person who’s in touch with the rest of America?\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-23945\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/Paltrow-Vegetables1-800x776.jpg\" alt=\"Paltrow-Vegetables1\" width=\"800\" height=\"776\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/Paltrow-Vegetables1-800x776.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/Paltrow-Vegetables1-400x388.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/Paltrow-Vegetables1-768x745.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/Paltrow-Vegetables1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/Paltrow-Vegetables1.jpg 940w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>If I’m not here to add on the hate-pile, you might ask, then why did I join a couple hundred Gwyneth fans on the street in downtown San Francisco yesterday, all for the privilege of getting an up-close-and-personal look at her line of children’s clothes, face washes, and frying pans, then wait in line for nearly 90 minutes to have her royal blondness sign a cookbook for my mother?\u003c/p>\n\u003cp>I can say I was genuinely curious about the interior of San Francisco’s only \u003ca href=\"http://www.sfchronicle.com/bayarea/place/article/S-F-move-to-protect-interior-of-Frank-Lloyd-6834897.php\">Frank Lloyd Wright-designed building\u003c/a>, which is the “mrkt” from whence Gwyneth shall sell her Goop until May 22. And I can promise that I really tried to leave my preconceived notions behind — to consciously uncouple, if you will, from whatever biases I may have previously formed about the woman.\u003c/p>\n\u003cfigure id=\"attachment_23876\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-23876 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/goop-mrkt-details-left-800x569.jpg\" alt=\"goop-mrkt-details-left\" width=\"800\" height=\"569\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/goop-mrkt-details-left-800x569.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/goop-mrkt-details-left-400x284.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/goop-mrkt-details-left-768x546.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/goop-mrkt-details-left-1180x839.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/goop-mrkt-details-left-960x683.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/goop-mrkt-details-left.jpg 1350w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Official press photos from the goop MRKT website.\u003c/figcaption>\u003c/figure>\n\u003cp>Still, I had questions, and I thought her devotees, these subjects of Gwyneth’s empire who had dutifully flocked here on a muggy, overcast Thursday morning, might answer them.\u003c/p>\n\u003cp>Luckily, I also had some time to kill. Gwyneth was due to sign books from 10:30 to noon; the doorman informed that me that the first people began lining up around 9am. By 10:30, when I arrived, the line stretched entirely down the length of Maiden Lane. Roughly 95 percent of these people were women; maybe 93 percent of them were white; 100 percent of them were beautiful. A special kind of beautiful. You know that specific kind of rich-people beautiful that involves perfect skin and shiny hair and flawless manicures and a general aura of effortlessness that somehow also communicates a great deal of effort and certainly a f*ck-ton of money? I was immediately aware of my chipped nail polish, of the stray cat hair on my jacket. I couldn’t tell if I hated everyone or wanted them to adopt me.\u003c/p>\n\u003cp>“What brings you here?” I asked about a dozen women, tossing my hair, trying my darnedest to act like I belonged.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-25768\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/Screen-Shot-2016-06-02-at-10.26.36-PM.png\" alt=\"Screen Shot 2016-06-02 at 10.26.36 PM\" width=\"475\" height=\"407\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/Screen-Shot-2016-06-02-at-10.26.36-PM.png 475w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/Screen-Shot-2016-06-02-at-10.26.36-PM-400x343.png 400w\" sizes=\"(max-width: 475px) 100vw, 475px\">\u003c/p>\n\u003cp>“I’ve just been a fan of hers forever,” offered a woman with immaculate eyeliner. “I just think she’s really cool, and has a great sense of style. And I try to eat healthy, so her recipes are great.”\u003c/p>\n\u003cp>Another told me she traveled for work frequently, and Gwyneth’s \u003ca href=\"http://goop.com/city-guides/city-guide/\">hotel and restaurant tips \u003c/a>were always right up her alley.\u003c/p>\n\u003cp>“Cool,” I said. “What do you do for work?”\u003c/p>\n\u003cp>“I work in marketing at Twitter,” she said.\u003c/p>\n\u003cp>“Cool,” I said.\u003c/p>\n\u003cfigure id=\"attachment_23897\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-23897\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/FullSizeRender-18-800x1059.jpg\" alt=\"Who looks beautiful holding cans of sardines? Gwyneth Paltrow looks beautiful holding cans of sardines. \" width=\"800\" height=\"1059\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-18-800x1059.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-18-400x530.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-18-768x1017.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-18-1440x1907.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-18-1920x2542.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-18-1180x1563.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-18-960x1271.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-18.jpg 1925w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Who looks beautiful holding cans of sardines? Gwyneth Paltrow looks beautiful holding cans of sardines.\u003c/figcaption>\u003c/figure>\n\u003cp>Another young woman who worked in PR revealed to me that this was not her first Goop experience this week: She had attended a Goop workout class at The Battery, San Francisco’s grand members-only club, the previous evening.\u003c/p>\n\u003cp>“What kind of workout class?” I asked. “Was Gwyneth there, like, on the floor doing Pilates with you guys?”\u003c/p>\n\u003cp>“Oh, no, she wasn’t there,” she clarified with a laugh, looking starry-eyed at the thought. “Just a Goop thing. They had us, like, running around on the roof.”\u003c/p>\n\u003cp>“Cool,” I said.\u003c/p>\n\u003cfigure id=\"attachment_23885\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-23885\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/FullSizeRender-13-800x600.jpg\" alt=\"goop waterbottles for those goop workouts\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-13-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-13-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-13-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-13-1440x1080.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-13-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-13-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-13-960x720.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Goop waterbottles for those Goop workouts.\u003c/figcaption>\u003c/figure>\n\u003cp>Many attendees reported that they were in fact big fans of Gwyneth’s previous cookbooks, including \u003cem>My Father’s Daughter: Delicious, Easy Recipes Celebrating Family & Togetherness \u003c/em>and\u003cem> It’s All Good: Delicious, Easy Recipes That Will Make You Look Good and Feel Great. \u003c/em>\u003c/p>\n\u003cp>The new book, out in time for Mother’s Day, is titled \u003cem>It’s All Easy: Delicious Weekday Recipes for the Super-Busy Home Cook. \u003c/em>Its promotional copy, in case the title didn’t make this clear, emphasizes that these are Gwyneth’s favorite recipes for regular people like you and me — people with jobs, in other words, and without personal chefs, nor millions of dollars.\u003c/p>\n\u003cfigure id=\"attachment_23880\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-23880\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/8943550_5-simple-and-healthy-breakfast-recipes-gwyneth_5a4d079a_m.png\" alt=\"Something that Gwyneth Paltrow totally eats on the regular hahahaha yeah right\" width=\"640\" height=\"320\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/8943550_5-simple-and-healthy-breakfast-recipes-gwyneth_5a4d079a_m.png 640w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/8943550_5-simple-and-healthy-breakfast-recipes-gwyneth_5a4d079a_m-400x200.png 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Something that Gwyneth Paltrow totally eats on the regular hahahaha yeah right.\u003c/figcaption>\u003c/figure>\n\u003cp>It is filled, naturally, with photos of Gwyneth looking beautiful, wearing chunky knit sweaters at home or in nature with her children, in addition to photos of the beautiful meals she ostensibly prepares on weeknights when she is home from her imaginary regular-person job, and must feed her regular children without any help whatsoever. These spreads are interspersed with “easy” recipes — the very first in the book is for an “easy” acai bowl — plus stories about Gwyneth’s ostensible regular-person life.\u003c/p>\n\u003cp>The persistent attempt to come off like a relatable human being results in some hilarious reaches, like the recipe for a beautiful, gourmet salad niçoise made with nine-minute eggs served on a fresh baguette, which Gwyneth suggests should really be enjoyed during a picnic with a bottle of rosé, but can also be wolfed down while sitting in one’s car waiting for the kids to finish soccer practice. (You can clearly envision the edit meetings: “That’s a thing people do, right?”)\u003c/p>\n\u003cp>Here are some actual excerpts from the book, selected via a process of opening it to random pages once I was home, writing this, eating cheese popcorn out of a bag that I bought at the liquor store across the street.\u003c/p>\n\u003cp>\u003cem>Cacio e pepe is one of my favorite simple pasta dishes, so when Thea and I started spiralizing vegetables like maniacs, we thought a zucchini noodle version might be nice. \u003c/em>\u003c/p>\n\u003cp>\u003cem>If you’re short on time, get someone at the meat counter to pound out your chicken for you and be sure to let the lemon slices get caramelized and sweet before adding the other ingredients. \u003c/em>\u003c/p>\n\u003cp>\u003cem>When working on a GOOP story with the L.A.-based company Moon Juice, we learned the easiest-ever method for making instant almond milk: simply blend good almond butter and water together. Duh — why didn’t we think of that?! Here we make a hot version with fresh ginger and a little sesame oil to add roundness. \u003c/em>\u003c/p>\n\u003cp>Duh!! Anyway, the interior of the building was truly beautiful. With a nod from the doorman, I passed the rubicon (goopicon? sorry) to see beautiful assistants swiping credit cards through iPads as customers bought books for Gwyneth to sign; the line to meet her packed the spiral ramp to the second floor.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-23879\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/FullSizeRender-9-800x600.jpg\" alt=\"FullSizeRender (9)\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-9-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-9-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-9-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-9-1440x1080.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-9-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-9-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-9-960x720.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>On the ground floor below, the Goop beauty and skincare line occupied one bright-white corner, while another, set up to look like an expensive but also regular-person living room, featured bookshelves full of architecture tomes and travel guides; $200 throw pillows; and black and white photographs lining each wall. (“She curated those herself,” I heard one impressed woman murmur to another, as Rihanna extolled the virtues of \u003cem>werk werk werk werk werk\u003c/em> over a PA.) A white old-timey bicycle was perched in another corner; I couldn’t tell if it was for sale or if perhaps Gwyneth had pedaled it here herself while carrying a basket overflowing with fresh vegetables.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-23882\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/FullSizeRender-12-800x600.jpg\" alt=\"FullSizeRender (12)\" width=\"489\" height=\"367\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-12-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-12-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-12-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-12-1440x1080.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-12-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-12-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-12-960x720.jpg 960w\" sizes=\"(max-width: 489px) 100vw, 489px\">\u003c/p>\n\u003cp>Up the walkway, the line snaked past Goop’s various houseware and clothing lines — workout gear, children’s items, these weird things that were hanging on the wall and I still don’t know what they are after looking them up but they cost \u003cem>$300 each\u003c/em>. Oh wait, the tag says they’re “wall tassels.” That clears it up.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-24910\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/FullSizeRender-22-800x600.jpg\" alt=\"FullSizeRender (22)\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-22-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-22-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-22-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-22-1440x1079.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-22-1920x1439.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-22-1180x884.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-22-960x720.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>You get the idea.\u003c/p>\n\u003cp>And yet: As I made my way through the vortex, inching closer to the holy grail — Gwyneth had been set up for the book-signing behind a hilariously wide butcher-block table, accessorized with Goop dish sets and cast iron pans for that “I’m totally actually in Gwyneth Paltrow’s kitchen!” feeling — I felt some air leaking slowly from my dark balloon of repulsion.\u003c/p>\n\u003cp>Maybe it was the fact that every single beautiful human I’d interacted with for the past hour and a half had been wonderfully kind and friendly. Then there was the fact that every person walking away from the table after meeting her looked like they could die happy, on the spot. Then, from 10 feet away, I could see Gwyneth’s own smile as she chatted up each beautiful human who’d come out to see her, and — in my limited experience with encountering celebrities in the flesh — it was among the most warm, lifelike, genuine smiles I’d seen.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-23900\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/32A327B600000578-0-image-a-4_1459335038932-1.jpg\" alt=\"32A327B600000578-0-image-a-4_1459335038932-1\" width=\"634\" height=\"607\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/32A327B600000578-0-image-a-4_1459335038932-1.jpg 634w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/32A327B600000578-0-image-a-4_1459335038932-1-400x383.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/32A327B600000578-0-image-a-4_1459335038932-1-32x32.jpg 32w\" sizes=\"(max-width: 634px) 100vw, 634px\">\u003c/p>\n\u003cp>Or maybe it was more like: Over the course of 90 minutes, I’d made peace with my incredulity. Because you know what? It’s fine to be obscenely wealthy. It’s fine that she was born into a Hollywood family, and has therefore been wealthy, and privileged, and ensconced in a bubble with people just like her, for literally her entire life. It’s even fine that she’s selling this \u003ca href=\"http://shop.goop.com/collections/kitchen-tabletop/products/three-dip-board\">slab of wood you’re supposed to pay $395 to put hummus on\u003c/a>. (I mean it’s crazy, but it’s fine.)\u003c/p>\n\u003cp>But that is not why people hate her. Extreme wealth in and of itself is not grounds for ridicule in this country. It’s your attitude about it — your understanding of where you fit into the grand scheme of things — that can get you in trouble. The Kardashians are mocked for many things, but they have never pretended they cook their own meals. George Clooney owns a f*cking villa in Italy; he does not, however, have a weekly newsletter with suggestions for other people about how to decorate their Italian villas. (That I know of. Someone please sign me up immediately if I’m wrong.)\u003c/p>\n\u003cfigure id=\"attachment_23896\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-23896\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/IMG_0233-800x600.jpg\" alt='Here is a seafood-and-sherry dish one is supposed to be able to make at the last minute if one has \"unexpected guests\"' width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0233-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0233-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0233-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0233-1440x1080.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0233-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0233-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0233-960x720.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Here is a seafood-and-sherry dish one is supposed to be able to make at the last minute if one has “unexpected guests.”\u003c/figcaption>\u003c/figure>\n\u003cp>Whether it’s complete lack of self-awareness or calculated business strategy or both, the idea of being so disconnected from reality that you see “regular person with a 9-to-5 and kids to feed” as a charming brand to try on is staggering; it’s homemaker fetishization of the most insidious degree. The fact that it’s difficult for busy people with little money to feed their children nutritious food is a source of real pain for real humans every day, not to mention the root of a massive national health crisis, and for Gwyneth Paltrow — who has publicly proved that she’s \u003ca href=\"https://www.washingtonpost.com/news/morning-mix/wp/2015/04/17/a-hungry-gwyneth-paltrow-fails-the-food-stamp-challenge-four-days-in/\">woefully incapable of eating on a budget for more than four days\u003c/a> — to suggest that she can relate to this problem, let alone has solutions to it, is patently insulting. \u003cem>It’s All Easy\u003c/em> is a book for people who can afford to not cook but want to feel like they’re the kind of people who do anyway.\u003c/p>\n\u003cp>The central conceit, that Gwyneth is a regular person in any way, is condescending and gross. It’s tacky. And the level of narcissism and near-sightedness it reveals implies a kind of existence \u003cem>I don’t actually think I would ever want.\u003c/em> I work for a public radio station, Gwyneth. I live in the most expensive city in America, one whose future is alarmingly uncertain. I’m hanging on by a thread, and relatively speaking I’m incredibly lucky: I walked by approximately 30 homeless people in and around BART stations just to get here.\u003c/p>\n\u003cp>Here is a $165 keychain by Stella McCartney.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-23899\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/IMG_0229-800x800.jpg\" alt=\"IMG_0229\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-1440x1440.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-1920x1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-1180x1180.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-960x960.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>“It’s aspirational, for sure,” the girl behind me in line said thoughtfully, of her affinity for Gwyn’s cookbooks.\u003c/p>\n\u003cp>“Right,” I said. “Like if you’re eating the same dinner she’s eating, you might — ”\u003c/p>\n\u003cp>“Kind of become her? Yeah,” she laughed. “It’s a little weird, isn’t it.”\u003c/p>\n\u003cp>A little.\u003c/p>\n\u003cp>Our journey ends like this: Gwyneth was a doll. No, I mean she actually looked like a doll. A tiny, beautiful, beaming doll, and one who — with zero prompting — signed a copy of \u003cem>It’s All Easy\u003c/em> with a Mother’s Day message for my mother, then both my name and hers.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-23890\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/FullSizeRender-17-800x923.jpg\" alt=\"FullSizeRender (17)\" width=\"800\" height=\"923\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-17-800x923.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-17-400x462.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-17-768x886.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-17-1440x1662.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-17-1920x2216.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-17-1180x1362.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-17-960x1108.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-17.jpg 1948w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>“So,” I said to her from across the table, with what I can only assume was the voice of a sheepish giantess, willing myself to be something like a journalist and not a large, trembly child meeting Cinderella at Disneyland. “What do you do when it doesn’t all \u003cem>feel\u003c/em> easy?”\u003c/p>\n\u003cp>She looked peeved for a moment, cocked her head to one side. For one, instantaneous flash of a second, I saw a crack in her golden human-shaped costume, a slight tinge of awareness of being mocked. And then it was gone, and she was beaming again.\u003c/p>\n\u003cp>“Just take deep breaths,” she said, in a beautiful voice. “And keep putting one foot in front of the other.”\u003c/p>\n\u003cp>I nodded. And then I did just that, Gwyneth. All the way home.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/pop/24274/whats-really-behind-all-the-hate-gwyneth-paltrow-and-goop-get\">More about Emma’s Goopy day can be found in this episode of ‘The Cooler.’\u003c/a>\u003c/em>\u003c/p>\n\n",
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"excerpt": "The actress-turned-lifestyle-brand appeared at the launch of her pop-up shop in San Francisco May 5. We showed up with some questions. ",
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"title": "Deep Breaths: A Dispatch From the Gwyneth Paltrow Industrial Complex | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Let’s start with this: I am not here to hate bluntly on Gwyneth Paltrow. And a desire to do that is not, I swear to you, why I felt a subtle yet unmistakable gravitational pull toward the actress’s new San Francisco pop-up shop, \u003ca href=\"http://goop.com/goop-mrkt/\">Goop MRKT\u003c/a> (apparently she got the memo about ditching vowels if you want to do good business in the Bay Area), when I learned she would be appearing there May 5 to sign her new cookbook and shower plebeians with her effervescent, organically produced glow.\u003c/p>\n\u003cp>Gwyneth is an easy target. Too easy, one could say. In this \u003ca href=\"http://www.huffingtonpost.com/entry/muslim-woman-attacked_us_57289b7ae4b0bc9cb0447aed\" target=\"_blank\" rel=\"noopener\">terrifying political climate\u003c/a>, with our current levels of income inequality — while five hunger strikers endanger themselves in the hopes of raising awareness about police brutality against young men of color \u003ca href=\"http://ww2.kqed.org/arts/2016/04/30/equiptos-hunger-strike-the-importance-of-art-in-social-change/\">four blocks away from my house\u003c/a> — it is all too convenient to point a finger at the extremely wealthy thin white blonde actress lady shilling \u003ca href=\"http://www.amazon.com/dp/1455522716/ref=pd_lpo_sbs_dp_ss_2?pf_rd_p=1944687682&pf_rd_s=lpo-top-stripe-1&pf_rd_t=201&pf_rd_i=1455584215&pf_rd_m=ATVPDKIKX0DER&pf_rd_r=1VS4T5GV941V0EWNXQCW\">health-conscious cookbooks\u003c/a> and an organic skincare line as part of her \u003ca href=\"http://goop.com/\">egregiously overpriced lifestyle brand\u003c/a> and say, “That right there, that’s a thing I know how to hate. That seems simple. Let’s just focus on that for today.”\u003c/p>\n\u003cp>Hating on Gwyneth has, in fact, become such an\u003ca href=\"http://www.dailymail.co.uk/tvshowbiz/article-2310405/Gwyneth-Paltrow-named-hated-celebrities-Hollywood-beats-Anne-Hathaway-Kristen-Stewart-poll.html\"> obvious national pastime\u003c/a> that when she was gruesomely killed off in the first 10 minutes of \u003cem>Contagion \u003c/em>a few years ago\u003cem>, \u003c/em>one had to wonder if Steven Soderbergh was enacting a bit of cinematic revenge porn for his audience’s collective benefit.\u003c/p>\n\u003cfigure id=\"attachment_23939\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-23939\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/gwyneth-paltrow-as-beth-emhoff-in-contagion-800x450.jpg\" alt=\"Gwyneth looking not that pretty \" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/gwyneth-paltrow-as-beth-emhoff-in-contagion-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/gwyneth-paltrow-as-beth-emhoff-in-contagion-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/gwyneth-paltrow-as-beth-emhoff-in-contagion-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/gwyneth-paltrow-as-beth-emhoff-in-contagion-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/gwyneth-paltrow-as-beth-emhoff-in-contagion-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/gwyneth-paltrow-as-beth-emhoff-in-contagion.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Gwyneth looking not that pretty in ‘Contagion.’\u003c/figcaption>\u003c/figure>\n\u003cp>Which, in turn, brings up a slew of questions, such as: Is she in on the joke? Surely the most hated celebrity in America has an inkling of that status by now. On the other hand: Is a person whose online kitchenware store includes \u003ca href=\"http://shop.goop.com/collections/kitchen-tabletop/products/copper-spoons\">$1200 spoons\u003c/a> and a \u003ca href=\"http://shop.goop.com/collections/kitchen-tabletop/products/apron-with-leather\">$200 apron\u003c/a> one must disassemble with a screwdriver in order to wash really a person who’s in touch with the rest of America?\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-23945\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/Paltrow-Vegetables1-800x776.jpg\" alt=\"Paltrow-Vegetables1\" width=\"800\" height=\"776\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/Paltrow-Vegetables1-800x776.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/Paltrow-Vegetables1-400x388.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/Paltrow-Vegetables1-768x745.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/Paltrow-Vegetables1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/Paltrow-Vegetables1.jpg 940w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>If I’m not here to add on the hate-pile, you might ask, then why did I join a couple hundred Gwyneth fans on the street in downtown San Francisco yesterday, all for the privilege of getting an up-close-and-personal look at her line of children’s clothes, face washes, and frying pans, then wait in line for nearly 90 minutes to have her royal blondness sign a cookbook for my mother?\u003c/p>\n\u003cp>I can say I was genuinely curious about the interior of San Francisco’s only \u003ca href=\"http://www.sfchronicle.com/bayarea/place/article/S-F-move-to-protect-interior-of-Frank-Lloyd-6834897.php\">Frank Lloyd Wright-designed building\u003c/a>, which is the “mrkt” from whence Gwyneth shall sell her Goop until May 22. And I can promise that I really tried to leave my preconceived notions behind — to consciously uncouple, if you will, from whatever biases I may have previously formed about the woman.\u003c/p>\n\u003cfigure id=\"attachment_23876\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-23876 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/goop-mrkt-details-left-800x569.jpg\" alt=\"goop-mrkt-details-left\" width=\"800\" height=\"569\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/goop-mrkt-details-left-800x569.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/goop-mrkt-details-left-400x284.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/goop-mrkt-details-left-768x546.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/goop-mrkt-details-left-1180x839.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/goop-mrkt-details-left-960x683.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/goop-mrkt-details-left.jpg 1350w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Official press photos from the goop MRKT website.\u003c/figcaption>\u003c/figure>\n\u003cp>Still, I had questions, and I thought her devotees, these subjects of Gwyneth’s empire who had dutifully flocked here on a muggy, overcast Thursday morning, might answer them.\u003c/p>\n\u003cp>Luckily, I also had some time to kill. Gwyneth was due to sign books from 10:30 to noon; the doorman informed that me that the first people began lining up around 9am. By 10:30, when I arrived, the line stretched entirely down the length of Maiden Lane. Roughly 95 percent of these people were women; maybe 93 percent of them were white; 100 percent of them were beautiful. A special kind of beautiful. You know that specific kind of rich-people beautiful that involves perfect skin and shiny hair and flawless manicures and a general aura of effortlessness that somehow also communicates a great deal of effort and certainly a f*ck-ton of money? I was immediately aware of my chipped nail polish, of the stray cat hair on my jacket. I couldn’t tell if I hated everyone or wanted them to adopt me.\u003c/p>\n\u003cp>“What brings you here?” I asked about a dozen women, tossing my hair, trying my darnedest to act like I belonged.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-25768\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/Screen-Shot-2016-06-02-at-10.26.36-PM.png\" alt=\"Screen Shot 2016-06-02 at 10.26.36 PM\" width=\"475\" height=\"407\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/Screen-Shot-2016-06-02-at-10.26.36-PM.png 475w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/Screen-Shot-2016-06-02-at-10.26.36-PM-400x343.png 400w\" sizes=\"(max-width: 475px) 100vw, 475px\">\u003c/p>\n\u003cp>“I’ve just been a fan of hers forever,” offered a woman with immaculate eyeliner. “I just think she’s really cool, and has a great sense of style. And I try to eat healthy, so her recipes are great.”\u003c/p>\n\u003cp>Another told me she traveled for work frequently, and Gwyneth’s \u003ca href=\"http://goop.com/city-guides/city-guide/\">hotel and restaurant tips \u003c/a>were always right up her alley.\u003c/p>\n\u003cp>“Cool,” I said. “What do you do for work?”\u003c/p>\n\u003cp>“I work in marketing at Twitter,” she said.\u003c/p>\n\u003cp>“Cool,” I said.\u003c/p>\n\u003cfigure id=\"attachment_23897\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-23897\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/FullSizeRender-18-800x1059.jpg\" alt=\"Who looks beautiful holding cans of sardines? Gwyneth Paltrow looks beautiful holding cans of sardines. \" width=\"800\" height=\"1059\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-18-800x1059.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-18-400x530.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-18-768x1017.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-18-1440x1907.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-18-1920x2542.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-18-1180x1563.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-18-960x1271.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-18.jpg 1925w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Who looks beautiful holding cans of sardines? Gwyneth Paltrow looks beautiful holding cans of sardines.\u003c/figcaption>\u003c/figure>\n\u003cp>Another young woman who worked in PR revealed to me that this was not her first Goop experience this week: She had attended a Goop workout class at The Battery, San Francisco’s grand members-only club, the previous evening.\u003c/p>\n\u003cp>“What kind of workout class?” I asked. “Was Gwyneth there, like, on the floor doing Pilates with you guys?”\u003c/p>\n\u003cp>“Oh, no, she wasn’t there,” she clarified with a laugh, looking starry-eyed at the thought. “Just a Goop thing. They had us, like, running around on the roof.”\u003c/p>\n\u003cp>“Cool,” I said.\u003c/p>\n\u003cfigure id=\"attachment_23885\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-23885\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/FullSizeRender-13-800x600.jpg\" alt=\"goop waterbottles for those goop workouts\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-13-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-13-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-13-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-13-1440x1080.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-13-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-13-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-13-960x720.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Goop waterbottles for those Goop workouts.\u003c/figcaption>\u003c/figure>\n\u003cp>Many attendees reported that they were in fact big fans of Gwyneth’s previous cookbooks, including \u003cem>My Father’s Daughter: Delicious, Easy Recipes Celebrating Family & Togetherness \u003c/em>and\u003cem> It’s All Good: Delicious, Easy Recipes That Will Make You Look Good and Feel Great. \u003c/em>\u003c/p>\n\u003cp>The new book, out in time for Mother’s Day, is titled \u003cem>It’s All Easy: Delicious Weekday Recipes for the Super-Busy Home Cook. \u003c/em>Its promotional copy, in case the title didn’t make this clear, emphasizes that these are Gwyneth’s favorite recipes for regular people like you and me — people with jobs, in other words, and without personal chefs, nor millions of dollars.\u003c/p>\n\u003cfigure id=\"attachment_23880\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-23880\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/8943550_5-simple-and-healthy-breakfast-recipes-gwyneth_5a4d079a_m.png\" alt=\"Something that Gwyneth Paltrow totally eats on the regular hahahaha yeah right\" width=\"640\" height=\"320\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/8943550_5-simple-and-healthy-breakfast-recipes-gwyneth_5a4d079a_m.png 640w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/8943550_5-simple-and-healthy-breakfast-recipes-gwyneth_5a4d079a_m-400x200.png 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Something that Gwyneth Paltrow totally eats on the regular hahahaha yeah right.\u003c/figcaption>\u003c/figure>\n\u003cp>It is filled, naturally, with photos of Gwyneth looking beautiful, wearing chunky knit sweaters at home or in nature with her children, in addition to photos of the beautiful meals she ostensibly prepares on weeknights when she is home from her imaginary regular-person job, and must feed her regular children without any help whatsoever. These spreads are interspersed with “easy” recipes — the very first in the book is for an “easy” acai bowl — plus stories about Gwyneth’s ostensible regular-person life.\u003c/p>\n\u003cp>The persistent attempt to come off like a relatable human being results in some hilarious reaches, like the recipe for a beautiful, gourmet salad niçoise made with nine-minute eggs served on a fresh baguette, which Gwyneth suggests should really be enjoyed during a picnic with a bottle of rosé, but can also be wolfed down while sitting in one’s car waiting for the kids to finish soccer practice. (You can clearly envision the edit meetings: “That’s a thing people do, right?”)\u003c/p>\n\u003cp>Here are some actual excerpts from the book, selected via a process of opening it to random pages once I was home, writing this, eating cheese popcorn out of a bag that I bought at the liquor store across the street.\u003c/p>\n\u003cp>\u003cem>Cacio e pepe is one of my favorite simple pasta dishes, so when Thea and I started spiralizing vegetables like maniacs, we thought a zucchini noodle version might be nice. \u003c/em>\u003c/p>\n\u003cp>\u003cem>If you’re short on time, get someone at the meat counter to pound out your chicken for you and be sure to let the lemon slices get caramelized and sweet before adding the other ingredients. \u003c/em>\u003c/p>\n\u003cp>\u003cem>When working on a GOOP story with the L.A.-based company Moon Juice, we learned the easiest-ever method for making instant almond milk: simply blend good almond butter and water together. Duh — why didn’t we think of that?! Here we make a hot version with fresh ginger and a little sesame oil to add roundness. \u003c/em>\u003c/p>\n\u003cp>Duh!! Anyway, the interior of the building was truly beautiful. With a nod from the doorman, I passed the rubicon (goopicon? sorry) to see beautiful assistants swiping credit cards through iPads as customers bought books for Gwyneth to sign; the line to meet her packed the spiral ramp to the second floor.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-23879\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/FullSizeRender-9-800x600.jpg\" alt=\"FullSizeRender (9)\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-9-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-9-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-9-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-9-1440x1080.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-9-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-9-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-9-960x720.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>On the ground floor below, the Goop beauty and skincare line occupied one bright-white corner, while another, set up to look like an expensive but also regular-person living room, featured bookshelves full of architecture tomes and travel guides; $200 throw pillows; and black and white photographs lining each wall. (“She curated those herself,” I heard one impressed woman murmur to another, as Rihanna extolled the virtues of \u003cem>werk werk werk werk werk\u003c/em> over a PA.) A white old-timey bicycle was perched in another corner; I couldn’t tell if it was for sale or if perhaps Gwyneth had pedaled it here herself while carrying a basket overflowing with fresh vegetables.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-23882\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/FullSizeRender-12-800x600.jpg\" alt=\"FullSizeRender (12)\" width=\"489\" height=\"367\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-12-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-12-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-12-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-12-1440x1080.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-12-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-12-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-12-960x720.jpg 960w\" sizes=\"(max-width: 489px) 100vw, 489px\">\u003c/p>\n\u003cp>Up the walkway, the line snaked past Goop’s various houseware and clothing lines — workout gear, children’s items, these weird things that were hanging on the wall and I still don’t know what they are after looking them up but they cost \u003cem>$300 each\u003c/em>. Oh wait, the tag says they’re “wall tassels.” That clears it up.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-24910\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/FullSizeRender-22-800x600.jpg\" alt=\"FullSizeRender (22)\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-22-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-22-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-22-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-22-1440x1079.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-22-1920x1439.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-22-1180x884.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-22-960x720.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>You get the idea.\u003c/p>\n\u003cp>And yet: As I made my way through the vortex, inching closer to the holy grail — Gwyneth had been set up for the book-signing behind a hilariously wide butcher-block table, accessorized with Goop dish sets and cast iron pans for that “I’m totally actually in Gwyneth Paltrow’s kitchen!” feeling — I felt some air leaking slowly from my dark balloon of repulsion.\u003c/p>\n\u003cp>Maybe it was the fact that every single beautiful human I’d interacted with for the past hour and a half had been wonderfully kind and friendly. Then there was the fact that every person walking away from the table after meeting her looked like they could die happy, on the spot. Then, from 10 feet away, I could see Gwyneth’s own smile as she chatted up each beautiful human who’d come out to see her, and — in my limited experience with encountering celebrities in the flesh — it was among the most warm, lifelike, genuine smiles I’d seen.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-23900\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/32A327B600000578-0-image-a-4_1459335038932-1.jpg\" alt=\"32A327B600000578-0-image-a-4_1459335038932-1\" width=\"634\" height=\"607\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/32A327B600000578-0-image-a-4_1459335038932-1.jpg 634w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/32A327B600000578-0-image-a-4_1459335038932-1-400x383.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/32A327B600000578-0-image-a-4_1459335038932-1-32x32.jpg 32w\" sizes=\"(max-width: 634px) 100vw, 634px\">\u003c/p>\n\u003cp>Or maybe it was more like: Over the course of 90 minutes, I’d made peace with my incredulity. Because you know what? It’s fine to be obscenely wealthy. It’s fine that she was born into a Hollywood family, and has therefore been wealthy, and privileged, and ensconced in a bubble with people just like her, for literally her entire life. It’s even fine that she’s selling this \u003ca href=\"http://shop.goop.com/collections/kitchen-tabletop/products/three-dip-board\">slab of wood you’re supposed to pay $395 to put hummus on\u003c/a>. (I mean it’s crazy, but it’s fine.)\u003c/p>\n\u003cp>But that is not why people hate her. Extreme wealth in and of itself is not grounds for ridicule in this country. It’s your attitude about it — your understanding of where you fit into the grand scheme of things — that can get you in trouble. The Kardashians are mocked for many things, but they have never pretended they cook their own meals. George Clooney owns a f*cking villa in Italy; he does not, however, have a weekly newsletter with suggestions for other people about how to decorate their Italian villas. (That I know of. Someone please sign me up immediately if I’m wrong.)\u003c/p>\n\u003cfigure id=\"attachment_23896\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-23896\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/IMG_0233-800x600.jpg\" alt='Here is a seafood-and-sherry dish one is supposed to be able to make at the last minute if one has \"unexpected guests\"' width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0233-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0233-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0233-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0233-1440x1080.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0233-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0233-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0233-960x720.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Here is a seafood-and-sherry dish one is supposed to be able to make at the last minute if one has “unexpected guests.”\u003c/figcaption>\u003c/figure>\n\u003cp>Whether it’s complete lack of self-awareness or calculated business strategy or both, the idea of being so disconnected from reality that you see “regular person with a 9-to-5 and kids to feed” as a charming brand to try on is staggering; it’s homemaker fetishization of the most insidious degree. The fact that it’s difficult for busy people with little money to feed their children nutritious food is a source of real pain for real humans every day, not to mention the root of a massive national health crisis, and for Gwyneth Paltrow — who has publicly proved that she’s \u003ca href=\"https://www.washingtonpost.com/news/morning-mix/wp/2015/04/17/a-hungry-gwyneth-paltrow-fails-the-food-stamp-challenge-four-days-in/\">woefully incapable of eating on a budget for more than four days\u003c/a> — to suggest that she can relate to this problem, let alone has solutions to it, is patently insulting. \u003cem>It’s All Easy\u003c/em> is a book for people who can afford to not cook but want to feel like they’re the kind of people who do anyway.\u003c/p>\n\u003cp>The central conceit, that Gwyneth is a regular person in any way, is condescending and gross. It’s tacky. And the level of narcissism and near-sightedness it reveals implies a kind of existence \u003cem>I don’t actually think I would ever want.\u003c/em> I work for a public radio station, Gwyneth. I live in the most expensive city in America, one whose future is alarmingly uncertain. I’m hanging on by a thread, and relatively speaking I’m incredibly lucky: I walked by approximately 30 homeless people in and around BART stations just to get here.\u003c/p>\n\u003cp>Here is a $165 keychain by Stella McCartney.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-23899\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/IMG_0229-800x800.jpg\" alt=\"IMG_0229\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-1440x1440.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-1920x1920.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-1180x1180.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-960x960.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/IMG_0229-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>“It’s aspirational, for sure,” the girl behind me in line said thoughtfully, of her affinity for Gwyn’s cookbooks.\u003c/p>\n\u003cp>“Right,” I said. “Like if you’re eating the same dinner she’s eating, you might — ”\u003c/p>\n\u003cp>“Kind of become her? Yeah,” she laughed. “It’s a little weird, isn’t it.”\u003c/p>\n\u003cp>A little.\u003c/p>\n\u003cp>Our journey ends like this: Gwyneth was a doll. No, I mean she actually looked like a doll. A tiny, beautiful, beaming doll, and one who — with zero prompting — signed a copy of \u003cem>It’s All Easy\u003c/em> with a Mother’s Day message for my mother, then both my name and hers.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-23890\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/FullSizeRender-17-800x923.jpg\" alt=\"FullSizeRender (17)\" width=\"800\" height=\"923\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-17-800x923.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-17-400x462.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-17-768x886.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-17-1440x1662.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-17-1920x2216.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-17-1180x1362.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-17-960x1108.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/FullSizeRender-17.jpg 1948w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>“So,” I said to her from across the table, with what I can only assume was the voice of a sheepish giantess, willing myself to be something like a journalist and not a large, trembly child meeting Cinderella at Disneyland. “What do you do when it doesn’t all \u003cem>feel\u003c/em> easy?”\u003c/p>\n\u003cp>She looked peeved for a moment, cocked her head to one side. For one, instantaneous flash of a second, I saw a crack in her golden human-shaped costume, a slight tinge of awareness of being mocked. And then it was gone, and she was beaming again.\u003c/p>\n\u003cp>“Just take deep breaths,” she said, in a beautiful voice. “And keep putting one foot in front of the other.”\u003c/p>\n\u003cp>I nodded. And then I did just that, Gwyneth. All the way home.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>A look back at some of the most memorable celebrity apologies, a crash course in Cinco de Mayo's origins, and a take on the sad implications of Lil Kim's facial transformation.\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2016/05/Cinco.mp3\" title=\"Sorry Not Sorry: The Best and Worst Celebrity Apologies\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>This week, we're getting into the true meaning behind Cinco de Mayo.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>https://ww2.kqed.org/pop/2016/05/04/think-you-know-what-cinco-de-mayo-means-youre-probably-wrong/\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Inspired by Johnny Depp and Amber Heard's \u003ca href=\"https://www.youtube.com/watch?v=ORpBAIB9j64\">bizarre apology\u003c/a> for smuggling their dogs into Australia, we look back at some of the most memorable celebrity apologies.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/leo-sorry.gif\">\u003cimg class=\"aligncenter size-full wp-image-23816\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/leo-sorry.gif\" alt=\"leo-sorry\" width=\"500\" height=\"219\">\u003c/a>\u003c/p>\n\u003cp>We discuss the sad implications of Lil Kim's facial transformation.\u003c/p>\n\u003cp>http://www.theguardian.com/commentisfree/2016/apr/27/lil-kim-whiter-look-misogynoir-colourism-anti-blackness\u003c/p>\n\u003cp>And we cap things off with a little respek:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=X-_cX0yuXTw\u003c/p>\n\u003cp>Until next week!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>This week, we're getting into the true meaning behind Cinco de Mayo.\u003c/p>\n\u003cp> \u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Inspired by Johnny Depp and Amber Heard's \u003ca href=\"https://www.youtube.com/watch?v=ORpBAIB9j64\">bizarre apology\u003c/a> for smuggling their dogs into Australia, we look back at some of the most memorable celebrity apologies.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/leo-sorry.gif\">\u003cimg class=\"aligncenter size-full wp-image-23816\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/leo-sorry.gif\" alt=\"leo-sorry\" width=\"500\" height=\"219\">\u003c/a>\u003c/p>\n\u003cp>We discuss the sad implications of Lil Kim's facial transformation.\u003c/p>\n\u003cp>http://www.theguardian.com/commentisfree/2016/apr/27/lil-kim-whiter-look-misogynoir-colourism-anti-blackness\u003c/p>\n\u003cp>And we cap things off with a little respek:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/X-_cX0yuXTw'\n title='//www.youtube.com/embed/X-_cX0yuXTw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Until next week!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>This piece was inspired by an episode of \u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">The Cooler\u003c/a>, KQED’s weekly pop culture podcast. Give it a listen!\u003c/em>\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2016/05/Cinco.mp3\" title=\"Think You Know What Cinco de Mayo Means? You're Probably Wrong\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>Most people are familiar with the idea of Cinco de Mayo, but the knowledge often ends there.\u003c/p>\n\u003cp>See exhibit A:\u003c/p>\n\u003cp>https://twitter.com/realDonaldTrump/status/728297587418247168\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Right after this photo was taken, Donald probably explained Cinco de Mayo's significance:\u003cem> It represents Mexico's Independence Day, duh!\u003c/em> Yeah, no. That momentous event is celebrated on September 16. And, despite what the inside of most bars on May 5 might lead one to believe, Cinco de Mayo isn't a holiday in honor of the margarita. They're delicious and probably deserve their own day; this just happens to not be the one. Another thing Cinco de Mayo is not: an excuse for non-Mexicans to don ill-advised sombreros or ponchos. Keep it cute, people.\u003c/p>\n\u003cp>So now that we know what the holiday isn’t, let’s talk about what it really signifies:\u003c/p>\n\u003cp>[aside postid='arts_13912474']Before we get to May 5, 1862, we should lay down some foundational knowledge because everything is connected and historical events don't occur in a vacuum.\u003c/p>\n\u003cp>After Mexico declared its independence from bugaboo Spain in 1821, there was a lot of instability. Now that the colonial presence was gone, what should replace it? A Catholic monarchy or a republic? It took some time to figure this all out.\u003c/p>\n\u003cp>Then in 1836, some Americans and Mexicans revolted against the Mexican government in what is now called the Texas Revolution and created a separate republic because they felt like it. This did not go over well.\u003c/p>\n\u003cp>[contextly_sidebar id=\"FIjF4aeeujluRsO0hhrxKjOA8oGpvTZ4\"]To assuage the Mexican government, U.S. President Polk was like, \u003cem>Ok, guys, calm down. We’ll buy this territory from you.\u003c/em> Mexico was like \u003cem>Um, you don’t even go here. F*ck off.\u003c/em> Polk, who \u003ca href=\"http://ww2.kqed.org/pop/2016/02/18/weird-facts-you-never-knew-about-the-u-s-presidents/\" target=\"_blank\" rel=\"noopener noreferrer\">was famous for banning booze, card playing and dancing\u003c/a> from the White House, continued his streak of being the worst and ordered troops into Mexican territory, against the protestations of people like Abraham Lincoln, Frederick Douglass and Henry David Thoreau. This resulted in what our textbooks call the Mexican-American War and what the Mexicans call Primera intervención estadounidense en México (First Intervention of the United States in Mexico). Did you catch that \"first\"? Mexico, telling it like it is!\u003c/p>\n\u003cp>After that fiasco, which resulted in Mexico losing two-thirds of its territory, including land we now call Texas, New Mexico, Arizona, and California, there was something called the Reform War, which was a civil dispute over how involved the church should be in government. All of these wars left Mexico bankrupt. They didn't have the money to pay their foreign debts so France, Britain and Spain sent naval forces to proclaim, loud and clear, in person: \u003ca href=\"http://www.vevo.com/watch/rihanna/bitch-better-have-my-money-(explicit)/QM5FT1590005\" target=\"_blank\" rel=\"noopener noreferrer\">Bitch better have my money\u003c/a>!\u003c/p>\n\u003cp>Britain and Spain eventually negotiated and went home, but France, under the leadership of Napoleon III (the nephew of Napoleon Bonaparte) saw an opportunity to establish an empire in Latin America that would benefit French interests. And because that wasn't enough of a buttinsky move, he also wanted to meddle in the U.S. Civil War in support of the Confederacy.\u003c/p>\n\u003cp>So the French attacked, confident that they would handily conquer because they hadn't been defeated in the past 50 years and the Mexican forces were outnumbered and undersupplied. Initially, the Mexican government retreated and Napoleon III's plan was going swimmingly...until the two sides met near a town called Puebla.\u003c/p>\n\u003cp>[aside postid='arts_13910723']Despite being the premiere army in the world, the French were crushed by the poorly equipped group of Mexicans. David and Goliath realness! The war didn’t end for another 6 years, but the victory at Puebla came to symbolize Mexican unity and patriotism.\u003c/p>\n\u003cp>Since the Battle of Puebla, no country in the Americas has been invaded by a European military force. And if Mexico hadn’t won, France would have supported the Confederates and our own history could have turned out a lot differently.\u003c/p>\n\u003cp>The battle's anniversary has been celebrated in California since 1863, while—plot twist—the day is \"virtually ignored\" in Mexico. The holiday gained more prominence in California during the Chicano movement in the 1960s and crossed over to the rest of the country in the 1980s, when beer companies used the holiday as a way to market their products.\u003c/p>\n\u003cp>If you didn't know, now you know.\u003c/p>\n\u003cp>This educational moment is brought to you by the More You Know star, in conjunction with Human Beings Against Donald Trump Ruining Taco Bowls. Spread the word!\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/05/tumblr_nj4fgeWetz1qk08n1o1_500.gif\">\u003cimg class=\"aligncenter size-full wp-image-16264\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/05/tumblr_nj4fgeWetz1qk08n1o1_500.gif\" alt=\"the more you know gif\" width=\"500\" height=\"280\">\u003c/a>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cem>Listen to The Cooler hosts talk about Cinco de Mayo, as well as the best and worst celebrity apologies and the sad implications for Lil Kim's facial transformation.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2016/05/Cinco.mp3\" title=\"Think You Know What Cinco de Mayo Means? You're Probably Wrong\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Before we get to May 5, 1862, we should lay down some foundational knowledge because everything is connected and historical events don't occur in a vacuum.\u003c/p>\n\u003cp>After Mexico declared its independence from bugaboo Spain in 1821, there was a lot of instability. Now that the colonial presence was gone, what should replace it? A Catholic monarchy or a republic? It took some time to figure this all out.\u003c/p>\n\u003cp>Then in 1836, some Americans and Mexicans revolted against the Mexican government in what is now called the Texas Revolution and created a separate republic because they felt like it. This did not go over well.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>To assuage the Mexican government, U.S. President Polk was like, \u003cem>Ok, guys, calm down. We’ll buy this territory from you.\u003c/em> Mexico was like \u003cem>Um, you don’t even go here. F*ck off.\u003c/em> Polk, who \u003ca href=\"http://ww2.kqed.org/pop/2016/02/18/weird-facts-you-never-knew-about-the-u-s-presidents/\" target=\"_blank\" rel=\"noopener noreferrer\">was famous for banning booze, card playing and dancing\u003c/a> from the White House, continued his streak of being the worst and ordered troops into Mexican territory, against the protestations of people like Abraham Lincoln, Frederick Douglass and Henry David Thoreau. This resulted in what our textbooks call the Mexican-American War and what the Mexicans call Primera intervención estadounidense en México (First Intervention of the United States in Mexico). Did you catch that \"first\"? Mexico, telling it like it is!\u003c/p>\n\u003cp>After that fiasco, which resulted in Mexico losing two-thirds of its territory, including land we now call Texas, New Mexico, Arizona, and California, there was something called the Reform War, which was a civil dispute over how involved the church should be in government. All of these wars left Mexico bankrupt. They didn't have the money to pay their foreign debts so France, Britain and Spain sent naval forces to proclaim, loud and clear, in person: \u003ca href=\"http://www.vevo.com/watch/rihanna/bitch-better-have-my-money-(explicit)/QM5FT1590005\" target=\"_blank\" rel=\"noopener noreferrer\">Bitch better have my money\u003c/a>!\u003c/p>\n\u003cp>Britain and Spain eventually negotiated and went home, but France, under the leadership of Napoleon III (the nephew of Napoleon Bonaparte) saw an opportunity to establish an empire in Latin America that would benefit French interests. And because that wasn't enough of a buttinsky move, he also wanted to meddle in the U.S. Civil War in support of the Confederacy.\u003c/p>\n\u003cp>So the French attacked, confident that they would handily conquer because they hadn't been defeated in the past 50 years and the Mexican forces were outnumbered and undersupplied. Initially, the Mexican government retreated and Napoleon III's plan was going swimmingly...until the two sides met near a town called Puebla.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Despite being the premiere army in the world, the French were crushed by the poorly equipped group of Mexicans. David and Goliath realness! The war didn’t end for another 6 years, but the victory at Puebla came to symbolize Mexican unity and patriotism.\u003c/p>\n\u003cp>Since the Battle of Puebla, no country in the Americas has been invaded by a European military force. And if Mexico hadn’t won, France would have supported the Confederates and our own history could have turned out a lot differently.\u003c/p>\n\u003cp>The battle's anniversary has been celebrated in California since 1863, while—plot twist—the day is \"virtually ignored\" in Mexico. The holiday gained more prominence in California during the Chicano movement in the 1960s and crossed over to the rest of the country in the 1980s, when beer companies used the holiday as a way to market their products.\u003c/p>\n\u003cp>If you didn't know, now you know.\u003c/p>\n\u003cp>This educational moment is brought to you by the More You Know star, in conjunction with Human Beings Against Donald Trump Ruining Taco Bowls. Spread the word!\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/05/tumblr_nj4fgeWetz1qk08n1o1_500.gif\">\u003cimg class=\"aligncenter size-full wp-image-16264\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/05/tumblr_nj4fgeWetz1qk08n1o1_500.gif\" alt=\"the more you know gif\" width=\"500\" height=\"280\">\u003c/a>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cem>Listen to The Cooler hosts talk about Cinco de Mayo, as well as the best and worst celebrity apologies and the sad implications for Lil Kim's facial transformation.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"headTitle": "You Can’t Kill the Revolution: Davey D on Tupac’s Mother, Afeni Shakur | KQED",
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"content": "\u003cp>\u003cem>\u003cstrong>Ed. note:\u003c/strong> Afeni Shakur, a onetime Black Panther, lifelong political activist, and the mother of famed rapper Tupac Shakur, died May 2 at her home in Sausalito. KQED Pop reached out to DJ, hip-hop historian and SFSU professor \u003cstrong>\u003ca href=\"http://www.daveyd.com/\">Davey D\u003c/a>\u003c/strong>, who met with Shakur soon after Tupac died, for a personal remembrance. \u003c/em>\u003c/p>\n\u003cp>“You can kill the revolutionary, but you can’t kill the revolution! All power to all the people.”\u003c/p>\n\u003cp>These were words uttered by Chairman Fred Hampton Sr., who in the late ’60s headed up the largest chapter of the \u003ca href=\"http://www.pbs.org/independentlens/films/the-black-panthers-vanguard-of-the-revolution/\">Black Panther Party for Self Defense\u003c/a> in Chicago, Illinois. They were profound words that resonated with party members, and which sadly took on greater and graver meaning when Hampton and his comrade Mark Clark were tragically gunned down on Dec. 4, 1969.\u003c/p>\n\u003cfigure id=\"attachment_23773\" class=\"wp-caption aligncenter\" style=\"max-width: 594px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-23773\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/97263501.jpg\" alt=\"Afeni Shakur with Black Panther leader Richard Moore. \" width=\"594\" height=\"495\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/97263501.jpg 594w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/97263501-400x333.jpg 400w\" sizes=\"(max-width: 594px) 100vw, 594px\">\u003cfigcaption class=\"wp-caption-text\">Afeni Shakur with Black Panther leader Richard Moore. \u003ccite>(Photo by Frank Hurley/NY Daily News Archive via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It’s important to keep in mind the mindset of those who joined the Black Panther Party\u003cstrong>.\u003c/strong> BPP members knew that many among them would be locked up. They knew many would lose their lives. They also knew that the tenacious, heartfelt commitments they made when joining the Black Panthers were to bring about a better world for their children and their children’s children. If they were to fall short or be compromised in any way, their children, Panther Cubs born and unborn, would take the seeds that had been planted and carry on.\u003c/p>\n\u003cfigure id=\"attachment_23768\" class=\"wp-caption aligncenter\" style=\"max-width: 582px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-23768\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/Afeni-Shakur-Sues-E1-For-Sons-Unpaid-Royalties-youtube.jpg\" alt=\"Tupac and Afeni Shakur\" width=\"582\" height=\"486\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/Afeni-Shakur-Sues-E1-For-Sons-Unpaid-Royalties-youtube.jpg 582w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/Afeni-Shakur-Sues-E1-For-Sons-Unpaid-Royalties-youtube-400x334.jpg 400w\" sizes=\"(max-width: 582px) 100vw, 582px\">\u003cfigcaption class=\"wp-caption-text\">Tupac and Afeni Shakur\u003c/figcaption>\u003c/figure>\n\u003cp>You can’t talk about the late Afeni Shakur, nor her son, the late Tupac Shakur — who was one of the most prolific, impactful and admired artists to ever bless the mic — without referencing the Black Panthers who shaped their lives. I met Afeni \u003ca href=\"http://www.daveyd.com/afeni.html\">almost a year to the day her son was taken from us\u003c/a>. It was in Marin City, where she had raised Tupac. She wasn’t doing interviews, but had agreed to talk with us because we had known her son just as he was starting his career. We were there at the beginning, when Oakland’s Digital Underground was starting, and knew Tupac when he first linked up with the group. He was doing the Humpty Dance in their videos and basically being a roadie for them while he honed his emcee skills and built upon his writing — which was already on point.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=byIkY9qsTdU\u003c/p>\n\u003cp>While the world knew an in-your-face, bold, outspoken Tupac, we knew a Tupac who was well-read and had intellectual depth. We knew a Tupac who was well-versed in Panther history and at the end of the day, in spite of all his brashness, was about the community and seeing it uplifted. Pac often said he was trying to give voice to the young Black male, who he felt was systemically being demonized and made into a scapegoat for society’s deep-seated problems. Pac had his contradictions, but for those of us who knew him, the one thing you could say unequivocally was he was honest. Brutally honest. Honest when it was inconvenient, honest when it ruffled feathers.\u003c/p>\n\u003cfigure id=\"attachment_23778\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-23778\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/11419146_1206956299321511_491017024_n.jpg\" alt=\"Tupacs business card.\" width=\"640\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/11419146_1206956299321511_491017024_n.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/11419146_1206956299321511_491017024_n-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/11419146_1206956299321511_491017024_n-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/11419146_1206956299321511_491017024_n-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/11419146_1206956299321511_491017024_n-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/11419146_1206956299321511_491017024_n-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/11419146_1206956299321511_491017024_n-150x150.jpg 150w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Tupac’s business card.\u003c/figcaption>\u003c/figure>\n\u003cp>The Tupac many of us came to know was also one who always referenced his mom. He always uplifted her — long before he released the song that immortalized her, “Dear Mama.” In the Digital Underground camp, we came to know of Afeni via the running barbs that Tupac and group member Money B would privately and publicly exchange with one another. Tupac might be on stage at a concert and, as the crowd gave him a standing ovation, he would sign off by clowning Money B’s mom — e.g. “Can we give it up for Money B’s mom, who will be outside the concert beatboxing for quarters?” The crowd would roar with laughter.\u003c/p>\n\u003cp>Days later, Money B might be doing a radio interview in New York and, before leaving, he would get back at Tupac: “I wanna thank Tupac’s mom Afeni for not stealing the dice at the dice game I just left.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Mb1ZvUDvLDY\u003c/p>\n\u003cp>Her name was mentioned often — frequently in jest, but the jokes were never explicitly offensive. Even if we had not met her personally, we knew Afeni was a former Black Panther, and she had our reverence and respect. We knew she was part of the Panther 21, who were brought up on conspiracy charges in 1971. We knew that Afeni had represented herself during the trial while pregnant with Tupac. We knew that she and the other Panther members beat the case and were acquitted.\u003c/p>\n\u003cp>So when doing \u003ca href=\"http://www.daveyd.com/afeni.html\">that interview\u003c/a> with Afeni a year after Tupac’s passing, it was with a mixture of sadness and awe: This was the woman we had heard so much about. It became clear that day where Tupac got his strength. It was clear that day why Pac was so well-read, why he was so brutally honest. During our conversation, Afeni noted that she and her children lived in truth. There were no secrets, she said, and Tupac was truthful in the face of anything.\u003c/p>\n\u003cp>When asked to clear up any misconceptions about her son, Afeni noted that while most people saw him just as a rapper, he was in fact so much more than that. “Tupac was and remains in my mind a child of the Black Panther Party,” she said. “I always felt that Tupac was living witness to who we are and who we were. I think that his life spoke to every part of our development and the development of the Party, and the development in this country that I don’t think will die.”\u003c/p>\n\u003cfigure id=\"attachment_23774\" class=\"wp-caption aligncenter\" style=\"max-width: 680px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-23774\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/tupac-afeni-shakur_i1kblb_o6m3ya.jpg\" alt=\"Afeni and Tupac Shakur\" width=\"680\" height=\"440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/tupac-afeni-shakur_i1kblb_o6m3ya.jpg 680w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/tupac-afeni-shakur_i1kblb_o6m3ya-400x259.jpg 400w\" sizes=\"(max-width: 680px) 100vw, 680px\">\u003cfigcaption class=\"wp-caption-text\">Afeni and Tupac Shakur\u003c/figcaption>\u003c/figure>\n\u003cp>During our conversation, Afeni talked at length about her own upbringing. She talked about joining the Black Panthers in 1968 and how, unlike many who came onboard via college, she came to the party out of a gang in the South Bronx called the Disciples Deads.\u003c/p>\n\u003cp>“What the Panther Party did for me? I used to always say it gave me home training,” she said. “The Party taught me things that were principles to living … principles I think most Panthers have tried to pass on to their children and to anybody else that would listen to them.\u003c/p>\n\u003cp>“…One of those principles was like, don’t steal a penny, needle or a simple piece of thread from the people. It’s just general basic things about how we as individuals treat a race of people, and how we treat each other as a people! And those are the things I think the people recognize in Tupac.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=QdLJ-8p-eUA\u003c/p>\n\u003cp>During our interview, we were interrupted when former Black Panther and recently released political prisoner Geronimo Ji-Jaga Pratt came in to greet Afeni. I recall her smiling broadly and the two embracing. As we ended the interview, Afeni teared up a bit when she urged us to study Tupac’s music and read books like \u003cem>The Art of War\u003c/em> by Sun Tzu, and \u003cem>The Prince\u003c/em> by Machiavelli, so that we “would have a better way of looking at things.”\u003c/p>\n\u003cp>As for her son’s killers, she noted: “Not only will they have to live with it, but so will their children and their children’s children. I would not want to stand before God and say that I’m the one who took Tupac’s life. So what I have to say is more power to them.”\u003c/p>\n\u003cp>Afeni’s words were in sharp contrast to those who, at that time, were insisting that Tupac had faked his death and was still alive. It was clear that she knew the grave truth and was facing it while so many had not.\u003c/p>\n\u003cfigure id=\"attachment_23770\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-23770\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/2PAC2.jpg\" alt=\"Afeni Shakur speaks to a crowd at the center named for her son in 2005.\" width=\"600\" height=\"397\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/2PAC2.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/2PAC2-400x265.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Afeni Shakur speaks to a crowd at the center named for her son in 2005. \u003ccite>(Renee’ Hannans Henry)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Years later, I got to see Afeni for a second time. I was with Chuck D of Public Enemy and then-Congresswoman Cynthia McKinney. We went to the [now defunct] \u003ca href=\"https://en.wikipedia.org/wiki/Tupac_Amaru_Shakur_Center_for_the_Arts\">Tupac Amaru Shakur Center for the Arts\u003c/a>, which Afeni had founded just outside Atlanta. She spoke to us about the work of the education and performing arts foundation and the peace garden she had set up. The center’s purpose was not only to preserve Tupac’s legacy but to carry out Pac’s vision of reaching the youth.\u003c/p>\n\u003cp>That center was the realization of a dream Tupac held for a long time. In 1991, he filed a \u003ca href=\"http://www.nytimes.com/1996/09/14/arts/tupac-shakur-25-rap-performer-who-personified-violence-dies.html?pagewanted=2\">$10 million civil suit against the Oakland Police Department\u003c/a>, alleging they \u003ca href=\"https://www.youtube.com/watch?v=P-G7HbQX8Qg\">beat him after he was stopped for jaywalking\u003c/a>. He vowed that the money he got would go to build a youth center, and continue the afterschool program work he was doing in Marin with his friend and former manager Leila Steinberg.\u003c/p>\n\u003cp>Pac never got $10 million from the OPD. In an \u003ca href=\"http://www.riverfronttimes.com/newsblog/2011/06/16/tupac-shakurs-40th-birthday-lessons-in-police-community-relationships\" target=\"_blank\" rel=\"noopener\">out-of-court settlement\u003c/a>, he barely got enough to pay for his lawyer, but in his death his mother had carried out much of that vision with the center. She talked earnestly about the peace garden and her hopes for many to heal. Whereas the Black Panthers’ plan was for their children (Panther Cubs) to carry out the vision of the Panthers, here we saw Afeni the Black Panther carrying out the vision of her child.\u003c/p>\n\u003cfigure id=\"attachment_23775\" class=\"wp-caption aligncenter\" style=\"max-width: 625px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-23775\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/enhanced-6058-1462277630-2.jpg\" alt=\"Afeni Shakur is escorted from a police station in New York in1969 after her arrest. \" width=\"625\" height=\"503\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/enhanced-6058-1462277630-2.jpg 625w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/enhanced-6058-1462277630-2-400x322.jpg 400w\" sizes=\"(max-width: 625px) 100vw, 625px\">\u003cfigcaption class=\"wp-caption-text\">Afeni Shakur is escorted from a police station in New York in1969 after her arrest. \u003ccite>(AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Afeni also went to great lengths to educate herself and get her son’s music affairs in order. She gained control of \u003ca href=\"http://www.spin.com/2013/09/tupac-shakur-afeni-royalties-death-row-lawsuit-unreleased/\">his unreleased music\u003c/a>. She set up a record label, Amaru Records, and accomplished the Herculean task of getting the his assets under one roof, preventing them from exploitation by an often unforgiving and cannibalistic music industry. Afeni Shakur became a sharp businesswoman and, in doing so, prevented the silencing of her son’s voice and nefarious distortions of his legacy.\u003c/p>\n\u003cp>The last time I saw Afeni was in Memphis in 2008, during the Dream Reborn conference, a civil rights gathering organized by former White House adviser and longtime organizer Van Jones. Afeni gave \u003ca href=\"https://www.youtube.com/watch?v=94sXTwU0h18\" target=\"_blank\" rel=\"noopener\">a keynote address\u003c/a> for the ages: she talked about the importance of folks being spiritually grounded, owning land and being self-sufficient.\u003c/p>\n\u003cp>On the surface, it may have appeared Afeni was headed in a different direction and no longer saw herself as a revolutionary or militant. The truth of the matter was that Afeni was talking about setting up survival programs. She was talking about making sure we as a people would be able to take care of one another, and would not have to be dependent upon a system that did not fully care for far too many of us. That message was an extension of what the Panthers were about, and in many ways, what was core to their existence. People hear “Black Panthers” and think guns and berets, but many people will tell you that what J. Edgar Hoover and the FBI feared most were the party’s survival programs. Afeni was speaking to the party’s legacy, a message she had committed herself to back in 1968.\u003c/p>\n\u003cfigure id=\"attachment_23771\" class=\"wp-caption aligncenter\" style=\"max-width: 501px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-23771\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/rosesconcrete-800x264.png\" alt=\"Afeni Shakur visits Roses in Concrete Community School in Oakland.\" width=\"501\" height=\"166\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/rosesconcrete-800x264.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/rosesconcrete-400x132.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/rosesconcrete-768x253.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/rosesconcrete.png 900w\" sizes=\"(max-width: 501px) 100vw, 501px\">\u003cfigcaption class=\"wp-caption-text\">Afeni Shakur visits Roses in Concrete Community School in Oakland. \u003ccite>(Photos from Mic.com courtesy of Reena Valvani)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In September of 2015, Afeni Shakur came to Oakland and paid a surprise visit to a new school called \u003ca href=\"http://rosesinconcrete.org/\">Roses In Concrete\u003c/a>, an elementary school with a social justice emphasis, \u003ca href=\"http://mic.com/articles/125029/oakland-elementary-school-uses-tupac-s-poetry-to-help-children-deal-with-ptsd#.H7CoSTx32\">named in honor of her son’s poem and book of the same title\u003c/a>. Afeni visited the kindergarten class that my wife teaches, and was touched to discover, on the wall of the classroom, a picture of her son and a copy of his poem.\u003c/p>\n\u003cfigure id=\"attachment_23776\" class=\"wp-caption aligncenter\" style=\"max-width: 503px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-23776\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/rose-concrete-handwriting.jpg\" alt=\"Tupac's poem, said to be about his mother, in his own handwriting. \" width=\"503\" height=\"315\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/rose-concrete-handwriting.jpg 506w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/rose-concrete-handwriting-400x251.jpg 400w\" sizes=\"(max-width: 503px) 100vw, 503px\">\u003cfigcaption class=\"wp-caption-text\">Tupac’s poem in his own handwriting.\u003c/figcaption>\u003c/figure>\n\u003cp>She was impressed, and promised to support the school however she could. The kids were excited, as well as the staff. She had lifted up their spirits. After learning of her death this week, they held a drumming circle and tears were shed.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Afeni Shakur joins her son and is now amongst the ancestors. She was a force to be reckoned with, and a person who honored that commitment made in 1968 to plant seeds and make a difference. She touched many, and through her son she touched even more. Left to carry the torch is her daughter Sekyiwa. Our heartfelt condolences to her. May we remember Afeni Shakur and honor her memory by keeping the revolutionary spirit and values that she embodied alive.\u003c/p>\n\n",
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"excerpt": "Immortalized in Tupac's song 'Dear Mama,' the former Black Panther was much more than a mother. Oakland hip-hop historian Davey D weighs in on her life's work, and the legacy she leaves behind. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Ed. note:\u003c/strong> Afeni Shakur, a onetime Black Panther, lifelong political activist, and the mother of famed rapper Tupac Shakur, died May 2 at her home in Sausalito. KQED Pop reached out to DJ, hip-hop historian and SFSU professor \u003cstrong>\u003ca href=\"http://www.daveyd.com/\">Davey D\u003c/a>\u003c/strong>, who met with Shakur soon after Tupac died, for a personal remembrance. \u003c/em>\u003c/p>\n\u003cp>“You can kill the revolutionary, but you can’t kill the revolution! All power to all the people.”\u003c/p>\n\u003cp>These were words uttered by Chairman Fred Hampton Sr., who in the late ’60s headed up the largest chapter of the \u003ca href=\"http://www.pbs.org/independentlens/films/the-black-panthers-vanguard-of-the-revolution/\">Black Panther Party for Self Defense\u003c/a> in Chicago, Illinois. They were profound words that resonated with party members, and which sadly took on greater and graver meaning when Hampton and his comrade Mark Clark were tragically gunned down on Dec. 4, 1969.\u003c/p>\n\u003cfigure id=\"attachment_23773\" class=\"wp-caption aligncenter\" style=\"max-width: 594px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-23773\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/97263501.jpg\" alt=\"Afeni Shakur with Black Panther leader Richard Moore. \" width=\"594\" height=\"495\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/97263501.jpg 594w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/97263501-400x333.jpg 400w\" sizes=\"(max-width: 594px) 100vw, 594px\">\u003cfigcaption class=\"wp-caption-text\">Afeni Shakur with Black Panther leader Richard Moore. \u003ccite>(Photo by Frank Hurley/NY Daily News Archive via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It’s important to keep in mind the mindset of those who joined the Black Panther Party\u003cstrong>.\u003c/strong> BPP members knew that many among them would be locked up. They knew many would lose their lives. They also knew that the tenacious, heartfelt commitments they made when joining the Black Panthers were to bring about a better world for their children and their children’s children. If they were to fall short or be compromised in any way, their children, Panther Cubs born and unborn, would take the seeds that had been planted and carry on.\u003c/p>\n\u003cfigure id=\"attachment_23768\" class=\"wp-caption aligncenter\" style=\"max-width: 582px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-23768\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/Afeni-Shakur-Sues-E1-For-Sons-Unpaid-Royalties-youtube.jpg\" alt=\"Tupac and Afeni Shakur\" width=\"582\" height=\"486\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/Afeni-Shakur-Sues-E1-For-Sons-Unpaid-Royalties-youtube.jpg 582w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/Afeni-Shakur-Sues-E1-For-Sons-Unpaid-Royalties-youtube-400x334.jpg 400w\" sizes=\"(max-width: 582px) 100vw, 582px\">\u003cfigcaption class=\"wp-caption-text\">Tupac and Afeni Shakur\u003c/figcaption>\u003c/figure>\n\u003cp>You can’t talk about the late Afeni Shakur, nor her son, the late Tupac Shakur — who was one of the most prolific, impactful and admired artists to ever bless the mic — without referencing the Black Panthers who shaped their lives. I met Afeni \u003ca href=\"http://www.daveyd.com/afeni.html\">almost a year to the day her son was taken from us\u003c/a>. It was in Marin City, where she had raised Tupac. She wasn’t doing interviews, but had agreed to talk with us because we had known her son just as he was starting his career. We were there at the beginning, when Oakland’s Digital Underground was starting, and knew Tupac when he first linked up with the group. He was doing the Humpty Dance in their videos and basically being a roadie for them while he honed his emcee skills and built upon his writing — which was already on point.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/byIkY9qsTdU'\n title='//www.youtube.com/embed/byIkY9qsTdU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>While the world knew an in-your-face, bold, outspoken Tupac, we knew a Tupac who was well-read and had intellectual depth. We knew a Tupac who was well-versed in Panther history and at the end of the day, in spite of all his brashness, was about the community and seeing it uplifted. Pac often said he was trying to give voice to the young Black male, who he felt was systemically being demonized and made into a scapegoat for society’s deep-seated problems. Pac had his contradictions, but for those of us who knew him, the one thing you could say unequivocally was he was honest. Brutally honest. Honest when it was inconvenient, honest when it ruffled feathers.\u003c/p>\n\u003cfigure id=\"attachment_23778\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-23778\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/11419146_1206956299321511_491017024_n.jpg\" alt=\"Tupacs business card.\" width=\"640\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/11419146_1206956299321511_491017024_n.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/11419146_1206956299321511_491017024_n-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/11419146_1206956299321511_491017024_n-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/11419146_1206956299321511_491017024_n-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/11419146_1206956299321511_491017024_n-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/11419146_1206956299321511_491017024_n-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/11419146_1206956299321511_491017024_n-150x150.jpg 150w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Tupac’s business card.\u003c/figcaption>\u003c/figure>\n\u003cp>The Tupac many of us came to know was also one who always referenced his mom. He always uplifted her — long before he released the song that immortalized her, “Dear Mama.” In the Digital Underground camp, we came to know of Afeni via the running barbs that Tupac and group member Money B would privately and publicly exchange with one another. Tupac might be on stage at a concert and, as the crowd gave him a standing ovation, he would sign off by clowning Money B’s mom — e.g. “Can we give it up for Money B’s mom, who will be outside the concert beatboxing for quarters?” The crowd would roar with laughter.\u003c/p>\n\u003cp>Days later, Money B might be doing a radio interview in New York and, before leaving, he would get back at Tupac: “I wanna thank Tupac’s mom Afeni for not stealing the dice at the dice game I just left.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Mb1ZvUDvLDY'\n title='//www.youtube.com/embed/Mb1ZvUDvLDY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Her name was mentioned often — frequently in jest, but the jokes were never explicitly offensive. Even if we had not met her personally, we knew Afeni was a former Black Panther, and she had our reverence and respect. We knew she was part of the Panther 21, who were brought up on conspiracy charges in 1971. We knew that Afeni had represented herself during the trial while pregnant with Tupac. We knew that she and the other Panther members beat the case and were acquitted.\u003c/p>\n\u003cp>So when doing \u003ca href=\"http://www.daveyd.com/afeni.html\">that interview\u003c/a> with Afeni a year after Tupac’s passing, it was with a mixture of sadness and awe: This was the woman we had heard so much about. It became clear that day where Tupac got his strength. It was clear that day why Pac was so well-read, why he was so brutally honest. During our conversation, Afeni noted that she and her children lived in truth. There were no secrets, she said, and Tupac was truthful in the face of anything.\u003c/p>\n\u003cp>When asked to clear up any misconceptions about her son, Afeni noted that while most people saw him just as a rapper, he was in fact so much more than that. “Tupac was and remains in my mind a child of the Black Panther Party,” she said. “I always felt that Tupac was living witness to who we are and who we were. I think that his life spoke to every part of our development and the development of the Party, and the development in this country that I don’t think will die.”\u003c/p>\n\u003cfigure id=\"attachment_23774\" class=\"wp-caption aligncenter\" style=\"max-width: 680px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-23774\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/tupac-afeni-shakur_i1kblb_o6m3ya.jpg\" alt=\"Afeni and Tupac Shakur\" width=\"680\" height=\"440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/tupac-afeni-shakur_i1kblb_o6m3ya.jpg 680w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/tupac-afeni-shakur_i1kblb_o6m3ya-400x259.jpg 400w\" sizes=\"(max-width: 680px) 100vw, 680px\">\u003cfigcaption class=\"wp-caption-text\">Afeni and Tupac Shakur\u003c/figcaption>\u003c/figure>\n\u003cp>During our conversation, Afeni talked at length about her own upbringing. She talked about joining the Black Panthers in 1968 and how, unlike many who came onboard via college, she came to the party out of a gang in the South Bronx called the Disciples Deads.\u003c/p>\n\u003cp>“What the Panther Party did for me? I used to always say it gave me home training,” she said. “The Party taught me things that were principles to living … principles I think most Panthers have tried to pass on to their children and to anybody else that would listen to them.\u003c/p>\n\u003cp>“…One of those principles was like, don’t steal a penny, needle or a simple piece of thread from the people. It’s just general basic things about how we as individuals treat a race of people, and how we treat each other as a people! And those are the things I think the people recognize in Tupac.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/QdLJ-8p-eUA'\n title='//www.youtube.com/embed/QdLJ-8p-eUA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>During our interview, we were interrupted when former Black Panther and recently released political prisoner Geronimo Ji-Jaga Pratt came in to greet Afeni. I recall her smiling broadly and the two embracing. As we ended the interview, Afeni teared up a bit when she urged us to study Tupac’s music and read books like \u003cem>The Art of War\u003c/em> by Sun Tzu, and \u003cem>The Prince\u003c/em> by Machiavelli, so that we “would have a better way of looking at things.”\u003c/p>\n\u003cp>As for her son’s killers, she noted: “Not only will they have to live with it, but so will their children and their children’s children. I would not want to stand before God and say that I’m the one who took Tupac’s life. So what I have to say is more power to them.”\u003c/p>\n\u003cp>Afeni’s words were in sharp contrast to those who, at that time, were insisting that Tupac had faked his death and was still alive. It was clear that she knew the grave truth and was facing it while so many had not.\u003c/p>\n\u003cfigure id=\"attachment_23770\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-23770\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/2PAC2.jpg\" alt=\"Afeni Shakur speaks to a crowd at the center named for her son in 2005.\" width=\"600\" height=\"397\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/2PAC2.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/2PAC2-400x265.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Afeni Shakur speaks to a crowd at the center named for her son in 2005. \u003ccite>(Renee’ Hannans Henry)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Years later, I got to see Afeni for a second time. I was with Chuck D of Public Enemy and then-Congresswoman Cynthia McKinney. We went to the [now defunct] \u003ca href=\"https://en.wikipedia.org/wiki/Tupac_Amaru_Shakur_Center_for_the_Arts\">Tupac Amaru Shakur Center for the Arts\u003c/a>, which Afeni had founded just outside Atlanta. She spoke to us about the work of the education and performing arts foundation and the peace garden she had set up. The center’s purpose was not only to preserve Tupac’s legacy but to carry out Pac’s vision of reaching the youth.\u003c/p>\n\u003cp>That center was the realization of a dream Tupac held for a long time. In 1991, he filed a \u003ca href=\"http://www.nytimes.com/1996/09/14/arts/tupac-shakur-25-rap-performer-who-personified-violence-dies.html?pagewanted=2\">$10 million civil suit against the Oakland Police Department\u003c/a>, alleging they \u003ca href=\"https://www.youtube.com/watch?v=P-G7HbQX8Qg\">beat him after he was stopped for jaywalking\u003c/a>. He vowed that the money he got would go to build a youth center, and continue the afterschool program work he was doing in Marin with his friend and former manager Leila Steinberg.\u003c/p>\n\u003cp>Pac never got $10 million from the OPD. In an \u003ca href=\"http://www.riverfronttimes.com/newsblog/2011/06/16/tupac-shakurs-40th-birthday-lessons-in-police-community-relationships\" target=\"_blank\" rel=\"noopener\">out-of-court settlement\u003c/a>, he barely got enough to pay for his lawyer, but in his death his mother had carried out much of that vision with the center. She talked earnestly about the peace garden and her hopes for many to heal. Whereas the Black Panthers’ plan was for their children (Panther Cubs) to carry out the vision of the Panthers, here we saw Afeni the Black Panther carrying out the vision of her child.\u003c/p>\n\u003cfigure id=\"attachment_23775\" class=\"wp-caption aligncenter\" style=\"max-width: 625px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-23775\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/enhanced-6058-1462277630-2.jpg\" alt=\"Afeni Shakur is escorted from a police station in New York in1969 after her arrest. \" width=\"625\" height=\"503\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/enhanced-6058-1462277630-2.jpg 625w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/enhanced-6058-1462277630-2-400x322.jpg 400w\" sizes=\"(max-width: 625px) 100vw, 625px\">\u003cfigcaption class=\"wp-caption-text\">Afeni Shakur is escorted from a police station in New York in1969 after her arrest. \u003ccite>(AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Afeni also went to great lengths to educate herself and get her son’s music affairs in order. She gained control of \u003ca href=\"http://www.spin.com/2013/09/tupac-shakur-afeni-royalties-death-row-lawsuit-unreleased/\">his unreleased music\u003c/a>. She set up a record label, Amaru Records, and accomplished the Herculean task of getting the his assets under one roof, preventing them from exploitation by an often unforgiving and cannibalistic music industry. Afeni Shakur became a sharp businesswoman and, in doing so, prevented the silencing of her son’s voice and nefarious distortions of his legacy.\u003c/p>\n\u003cp>The last time I saw Afeni was in Memphis in 2008, during the Dream Reborn conference, a civil rights gathering organized by former White House adviser and longtime organizer Van Jones. Afeni gave \u003ca href=\"https://www.youtube.com/watch?v=94sXTwU0h18\" target=\"_blank\" rel=\"noopener\">a keynote address\u003c/a> for the ages: she talked about the importance of folks being spiritually grounded, owning land and being self-sufficient.\u003c/p>\n\u003cp>On the surface, it may have appeared Afeni was headed in a different direction and no longer saw herself as a revolutionary or militant. The truth of the matter was that Afeni was talking about setting up survival programs. She was talking about making sure we as a people would be able to take care of one another, and would not have to be dependent upon a system that did not fully care for far too many of us. That message was an extension of what the Panthers were about, and in many ways, what was core to their existence. People hear “Black Panthers” and think guns and berets, but many people will tell you that what J. Edgar Hoover and the FBI feared most were the party’s survival programs. Afeni was speaking to the party’s legacy, a message she had committed herself to back in 1968.\u003c/p>\n\u003cfigure id=\"attachment_23771\" class=\"wp-caption aligncenter\" style=\"max-width: 501px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-23771\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/rosesconcrete-800x264.png\" alt=\"Afeni Shakur visits Roses in Concrete Community School in Oakland.\" width=\"501\" height=\"166\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/rosesconcrete-800x264.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/rosesconcrete-400x132.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/rosesconcrete-768x253.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/rosesconcrete.png 900w\" sizes=\"(max-width: 501px) 100vw, 501px\">\u003cfigcaption class=\"wp-caption-text\">Afeni Shakur visits Roses in Concrete Community School in Oakland. \u003ccite>(Photos from Mic.com courtesy of Reena Valvani)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In September of 2015, Afeni Shakur came to Oakland and paid a surprise visit to a new school called \u003ca href=\"http://rosesinconcrete.org/\">Roses In Concrete\u003c/a>, an elementary school with a social justice emphasis, \u003ca href=\"http://mic.com/articles/125029/oakland-elementary-school-uses-tupac-s-poetry-to-help-children-deal-with-ptsd#.H7CoSTx32\">named in honor of her son’s poem and book of the same title\u003c/a>. Afeni visited the kindergarten class that my wife teaches, and was touched to discover, on the wall of the classroom, a picture of her son and a copy of his poem.\u003c/p>\n\u003cfigure id=\"attachment_23776\" class=\"wp-caption aligncenter\" style=\"max-width: 503px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-23776\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/rose-concrete-handwriting.jpg\" alt=\"Tupac's poem, said to be about his mother, in his own handwriting. \" width=\"503\" height=\"315\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/rose-concrete-handwriting.jpg 506w, https://cdn.kqed.org/wp-content/uploads/sites/12/2016/05/rose-concrete-handwriting-400x251.jpg 400w\" sizes=\"(max-width: 503px) 100vw, 503px\">\u003cfigcaption class=\"wp-caption-text\">Tupac’s poem in his own handwriting.\u003c/figcaption>\u003c/figure>\n\u003cp>She was impressed, and promised to support the school however she could. The kids were excited, as well as the staff. She had lifted up their spirits. After learning of her death this week, they held a drumming circle and tears were shed.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Afeni Shakur joins her son and is now amongst the ancestors. She was a force to be reckoned with, and a person who honored that commitment made in 1968 to plant seeds and make a difference. She touched many, and through her son she touched even more. Left to carry the torch is her daughter Sekyiwa. Our heartfelt condolences to her. May we remember Afeni Shakur and honor her memory by keeping the revolutionary spirit and values that she embodied alive.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Why Do Reality TV Stars Insist on Making Music?",
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"content": "\u003cp>[contextly_auto_sidebar]\u003c/p>\n\u003cp>Back in the good old days, the music-career-on-the-side was an endeavor only attempted by actors. The TV actors did it in an attempt to take their careers to the next level -- we’re looking at you, \u003ca href=\"https://www.youtube.com/watch?v=9g5h8jrceec\">Brian Austin Green\u003c/a> and giving you serious side eye, \u003ca href=\"https://www.youtube.com/watch?v=8ti8-vEM3U8\">Uncle Jesse\u003c/a> -- but the movie guys often did it in an attempt to claw back some street cred after accidentally becoming millionaires.\u003c/p>\n\u003cp>In the ‘90s, this meant watching Keanu Reeves staring at his feet in \u003ca href=\"https://www.youtube.com/watch?v=H7TSnE1b-Bs\">Dogstar\u003c/a>, and Johnny Depp collaborating with a Butthole Surfer and trying to look casual about it (that band was called \u003ca href=\"https://www.youtube.com/watch?v=UVKkWvNQzxE\">P\u003c/a>, in case you erased it from memory). At the time, we all assumed these lackluster attempts to break into rock ‘n’ roll were just about the worst things we’d ever deal with in the world of celebrity music crossovers – but that’s because, at the time, reality TV was just a \u003ca href=\"https://vimeo.com/19177327\">\u003cem>Real World\u003c/em>\u003c/a>-shaped twinkle in MTV’s eye.\u003c/p>\n\u003cfigure id=\"attachment_23648\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-23648\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/maxresdefault-800x450.jpg\" alt=\"Keanu Reeves, in Dogstar. \" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/maxresdefault-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/maxresdefault-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/maxresdefault-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/maxresdefault-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/maxresdefault-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/maxresdefault.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Keanu Reeves, in Dogstar.\u003c/figcaption>\u003c/figure>\n\u003cp>Since the advent of reality television, however, celebrities who were famous for nothing more than living with a camera crew started consistently assuming that the fastest way to a more credible career was via the medium of music. In the early days, this happened repeatedly and, without fail, each and every reality star thought that their music career would be different; that they somehow would get one over on a public who, they refused to acknowledge, really, really didn’t want to hear them sing in the first place.\u003c/p>\n\u003cp>When this phenomena first started in the early 2000s, it became apparent very quickly that even when reality stars made a real effort to put out something musically solid -- or at least something that wouldn’t immediately get you scrambling to the mute button on your TV--- they were still met with indifference and not a small amount of disapproval from the peanut gallery.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In 2002, emerging on the back of the enormously successful \u003ca href=\"https://en.wikipedia.org/wiki/The_Osbournes\">\u003cem>The Osbournes\u003c/em>\u003c/a>, Kelly Osbourne’s wooden performance in the video for \"\u003ca href=\"https://www.youtube.com/watch?v=WUb5JihqZZQ#t=70\">Papa Don’t Preach\u003c/a>\" might have erred on the side of cringeworthy, but the actual song was on par with -- perhaps even better than --anything Avril Lavigne was doing with more success that year. Osbourne’s follow-up singles, “\u003ca href=\"https://www.youtube.com/watch?v=j8nng0Anvig\">Shut Up\u003c/a>” and “Come Dig Me Out”, certainly out-paced and outsmarted Lavigne’s \"\u003ca href=\"https://www.youtube.com/watch?v=5NPBIwQyPWE\">Complicated\u003c/a>\" and “\u003ca href=\"https://www.youtube.com/watch?v=TIy3n2b7V9k\">Sk8tr Boi\u003c/a>”:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Q_qE8_BHMrI\u003c/p>\n\u003cp>Still it came to naught.\u003c/p>\n\u003cp>A few years later, Paris Hilton -- who occasionally seemed like an actual Real Human Girl in \u003ca href=\"http://www.imdb.com/title/tt0362153/\">\u003cem>The Simple Life\u003c/em>\u003c/a> -- had a crack at music stardom with “Stars Are Blind” -- a song that was received across the board with a kind shrug, a gentle nod and a muttering of “This actually isn’t that bad.” Which, of course, is code for “I’d listen to this song if Gwen Stefani had recorded it.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=joWpYsKere8\u003c/p>\n\u003cp>In 2008, Heidi Montag (poor, dear Heidi Montag) did put some effort into her \u003ca href=\"https://en.wikipedia.org/wiki/The_Hills_(TV_series)\">\u003cem>Hills\u003c/em>\u003c/a>-adjacent foray into music, copying Paris Hilton’s beachy video and being hailed (by people who were surely being paid to do so) as \"\u003ca href=\"https://www.youtube.com/watch?v=wOgA5D10Hvg\">The NEXT Britney Spears!\u003c/a>\" Sadly, Montag's attempts to not sound like a balloon deflating in slow motion failed. (Poor, dear Heidi Montag.)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=wHZYGrC40Ko\u003c/p>\n\u003cp>All three stars were forced to abandon their music careers shortly after they’d begun, to the disappointment of almost nobody. But what followed was a contagious idea among other reality stars that (a) anyone could have a go, and (b) since it was clearly going to be short-lived, they could just release any old nonsense. The reality star singles that followed were both infuriating in their laziness and -- silver lining! -- a goldmine of unintentional comedy.\u003c/p>\n\u003cp>First, there was Daisy De La Hoya, one of Brett Michaels’ playthings from his (consistently gag-worthy) \u003ca href=\"https://en.wikipedia.org/wiki/Rock_of_Love_with_Bret_Michaels_(season_2)\">\u003cem>Rock Of Love\u003c/em>\u003c/a> dating show. Ms. De La Hoya decided in 2009 that the quickest way to a rock ‘n’ roll career was singing a song titled “Suck It” featuring the immortal refrain: “Girls, they wanna be me! Boys, they wanna do me!” It was just as head-desk terrible as you might imagine, but there was, at least, also a strong possibility that every time you heard this, you laughed until the breath left your lungs.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=8tul_1hRphI\u003c/p>\n\u003cp>Not to be outdone on the trashiness scale, \u003ca href=\"https://en.wikipedia.org/wiki/Jersey_Shore_(TV_series)\">\u003cem>Jersey Shore\u003c/em>\u003c/a>’s Pauly D decided to release “Beat Dat Beat” a year later. It was a Pitbull-inspired tropical house nightmare with spoken word sections about tanning, being Italian and “only dealing with 9s and 10s in the DJ booth.” It was like Marky Mark & The Funky Bunch went on a bender, stopped being able to do backflips and just started complaining about ugly people:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=y0Gpt12psAA\u003c/p>\n\u003cp>Just when we thought things couldn’t get worse, Kim Kardashian’s “Jam” half-emerged. That’s right! This atrocity was so bad, not even the Kardashians wanted it released, even after airing \u003ca href=\"https://www.youtube.com/watch?v=d2uzScEbcws\">Kim in the recording studio\u003c/a> during an episode of \u003ca href=\"http://www.eonline.com/shows/kardashians\">\u003cem>Keeping Up With The Kardashians\u003c/em>\u003c/a>. To this day, it’s impossible to find an entirely finished video to accompany the track. Not even The Dream, a vat of body oil and Kim K’s perfect derriere crawling through a service tunnel could disguise the fact that her singing(?) voice was even more profoundly irritating than the one she speaks with. But hey, rosé up in the air, everybody! (ROSÉ!)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=gHp7sq1Tzn0\u003c/p>\n\u003cp>Astonishingly, in the years that have followed, we’ve only seen the bar set increasingly lower, thanks almost entirely to the squawking banshees of \u003cem>The Real Housewives\u003c/em> franchise. Here’s New York’s Kim Zolciak with “Tardy For The Party,” closely resembling that friend of your mom’s that always drinks too much on national holidays, then passes out on the front lawn:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=gIeb7tY3Z6s\u003c/p>\n\u003cp>Another NYC housewife, Countess Luann, went one step further with “Money Can’t Buy You Class,” a track that features so many layers of Auto-Tune, it sounds like she recorded it with her face submerged in a mop bucket. Money can't buy you talent either, sweet cheeks!\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=kEDvlSAMhQU\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>Even bit-players from \u003cem>The Real Housewives\u003c/em> got in on recording singles. Do you know who \u003ca href=\"https://www.youtube.com/watch?v=nbRlRUlXWz0#t=20\">Simon Van Kempen\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=KUcQq1sbWsM#t=63\">Miss Lawrence\u003c/a> are? We don’t either. But someone let those fools into recording booths because, apparently, being on reality television erases the ability to feel shame. Truly, it would now be an impossibility for a reality star to record anything worse than this exercise in humiliation:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=nbRlRUlXWz0\u003c/p>\n\u003cp>Today, it’s possible for actors to cross over into legitimate and nerd-approved music careers in a way that simply wasn’t permitted a decade ago. Perhaps many actors’ efforts just don’t seem so bad now that we’re so consistently exposed to the bottom of the barrel by reality stars. That’s not to say many people are clamoring to listen to \u003ca href=\"http://www.baconbros.com/\">The Bacon Brothers\u003c/a> or \u003ca href=\"http://kevincostnermodernwest.com/\">Kevin Costner & Modern West\u003c/a>, and sweet baby Jesus, we wish we'd never found out about Jada Pinkett Smith’s metal band, \u003ca href=\"https://www.youtube.com/watch?v=f56ZtXrx_nw\">Wicked Wisdom\u003c/a>.\u003c/p>\n\u003cp>Truthfully, the established actors who have succeeded in recording music that isn’t just tolerable, but legitimately great, have done so by collaborating with respected artists and not pandering to the biggest potential audience. The two best examples are Zooey Deschanel’s collaboration with indie darling M. Ward, for \u003ca href=\"http://www.sheandhim.com/\">She & Him\u003c/a>, and Ryan Gosling’s foray into artsy horror-themed experimentation with the surprisingly excellent \u003ca href=\"https://en.wikipedia.org/wiki/Dead_Man%27s_Bones\">Dead Man’s Bones\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=tpYwHfB7eds\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Ni75mYuwvlg\u003c/p>\n\u003cp>What Gosling and Deschanel have in common: You can tell that they’re recording music truthfully and with not a small amount of skill. Neither of them has made their music to get their egos stroked (see Russell Crowe’s \u003ca href=\"https://www.youtube.com/watch?v=lNfomuY2ysg\">30 Odd Foot of Grunts\u003c/a>) or to live out some rock star fantasy (see Jared Leto's \u003ca href=\"https://www.youtube.com/watch?v=Zcps2fJKuAI\">30 Seconds to Mars\u003c/a>) -- they’ve done it because they were compelled to.\u003c/p>\n\u003cp>Last week, reality TV's favorite tattoo artist Kat Von D emerged as a guest vocalist on a single by \u003ca href=\"https://en.wikipedia.org/wiki/Prayers_(rock_duo)\">Prayers\u003c/a>, an underground electro-goth outfit that is garnering a fair amount of underground buzz right now.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=EnA_ADv9J_8\u003c/p>\n\u003cp>\"\u003ca href=\"https://www.youtube.com/watch?v=EnA_ADv9J_8\">Black Leather\u003c/a>\" is Von D’s first foray into music since promising the world an album in 2014, then never actually coming through with one. If she can forge a path into music following her passions rather than her bank balance, she might actually be the first reality star to pull off a real career in music. Also in her favor is the fact that she’s no longer on our televisions every day -- \u003ca href=\"http://www.tlc.com/tv-shows/la-ink/\">\u003cem>LA Ink\u003c/em>\u003c/a> ended all the way back in 2011, and that fact alone gives Von D a shot.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=GV-v2FDhHbI\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Kat Von D is certainly, currently, the reality star most likely to succeed when it comes to branching out into music (she has a multitude of musician friends in respected places and can play actual instruments). But if she can’t do it? Well, I'm not holding my breath -- but it'd be nice to see this trend come to an end, once and for all.\u003c/p>\n\n",
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"excerpt": "A look back at the few hits (and a whole lot of misses) from TV stars who've decided to get musical. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>[contextly_auto_sidebar]\u003c/p>\n\u003cp>Back in the good old days, the music-career-on-the-side was an endeavor only attempted by actors. The TV actors did it in an attempt to take their careers to the next level -- we’re looking at you, \u003ca href=\"https://www.youtube.com/watch?v=9g5h8jrceec\">Brian Austin Green\u003c/a> and giving you serious side eye, \u003ca href=\"https://www.youtube.com/watch?v=8ti8-vEM3U8\">Uncle Jesse\u003c/a> -- but the movie guys often did it in an attempt to claw back some street cred after accidentally becoming millionaires.\u003c/p>\n\u003cp>In the ‘90s, this meant watching Keanu Reeves staring at his feet in \u003ca href=\"https://www.youtube.com/watch?v=H7TSnE1b-Bs\">Dogstar\u003c/a>, and Johnny Depp collaborating with a Butthole Surfer and trying to look casual about it (that band was called \u003ca href=\"https://www.youtube.com/watch?v=UVKkWvNQzxE\">P\u003c/a>, in case you erased it from memory). At the time, we all assumed these lackluster attempts to break into rock ‘n’ roll were just about the worst things we’d ever deal with in the world of celebrity music crossovers – but that’s because, at the time, reality TV was just a \u003ca href=\"https://vimeo.com/19177327\">\u003cem>Real World\u003c/em>\u003c/a>-shaped twinkle in MTV’s eye.\u003c/p>\n\u003cfigure id=\"attachment_23648\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-23648\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/maxresdefault-800x450.jpg\" alt=\"Keanu Reeves, in Dogstar. \" width=\"800\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/maxresdefault-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/maxresdefault-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/maxresdefault-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/maxresdefault-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/maxresdefault-960x540.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/maxresdefault.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Keanu Reeves, in Dogstar.\u003c/figcaption>\u003c/figure>\n\u003cp>Since the advent of reality television, however, celebrities who were famous for nothing more than living with a camera crew started consistently assuming that the fastest way to a more credible career was via the medium of music. In the early days, this happened repeatedly and, without fail, each and every reality star thought that their music career would be different; that they somehow would get one over on a public who, they refused to acknowledge, really, really didn’t want to hear them sing in the first place.\u003c/p>\n\u003cp>When this phenomena first started in the early 2000s, it became apparent very quickly that even when reality stars made a real effort to put out something musically solid -- or at least something that wouldn’t immediately get you scrambling to the mute button on your TV--- they were still met with indifference and not a small amount of disapproval from the peanut gallery.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In 2002, emerging on the back of the enormously successful \u003ca href=\"https://en.wikipedia.org/wiki/The_Osbournes\">\u003cem>The Osbournes\u003c/em>\u003c/a>, Kelly Osbourne’s wooden performance in the video for \"\u003ca href=\"https://www.youtube.com/watch?v=WUb5JihqZZQ#t=70\">Papa Don’t Preach\u003c/a>\" might have erred on the side of cringeworthy, but the actual song was on par with -- perhaps even better than --anything Avril Lavigne was doing with more success that year. Osbourne’s follow-up singles, “\u003ca href=\"https://www.youtube.com/watch?v=j8nng0Anvig\">Shut Up\u003c/a>” and “Come Dig Me Out”, certainly out-paced and outsmarted Lavigne’s \"\u003ca href=\"https://www.youtube.com/watch?v=5NPBIwQyPWE\">Complicated\u003c/a>\" and “\u003ca href=\"https://www.youtube.com/watch?v=TIy3n2b7V9k\">Sk8tr Boi\u003c/a>”:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Q_qE8_BHMrI'\n title='//www.youtube.com/embed/Q_qE8_BHMrI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Still it came to naught.\u003c/p>\n\u003cp>A few years later, Paris Hilton -- who occasionally seemed like an actual Real Human Girl in \u003ca href=\"http://www.imdb.com/title/tt0362153/\">\u003cem>The Simple Life\u003c/em>\u003c/a> -- had a crack at music stardom with “Stars Are Blind” -- a song that was received across the board with a kind shrug, a gentle nod and a muttering of “This actually isn’t that bad.” Which, of course, is code for “I’d listen to this song if Gwen Stefani had recorded it.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/joWpYsKere8'\n title='//www.youtube.com/embed/joWpYsKere8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In 2008, Heidi Montag (poor, dear Heidi Montag) did put some effort into her \u003ca href=\"https://en.wikipedia.org/wiki/The_Hills_(TV_series)\">\u003cem>Hills\u003c/em>\u003c/a>-adjacent foray into music, copying Paris Hilton’s beachy video and being hailed (by people who were surely being paid to do so) as \"\u003ca href=\"https://www.youtube.com/watch?v=wOgA5D10Hvg\">The NEXT Britney Spears!\u003c/a>\" Sadly, Montag's attempts to not sound like a balloon deflating in slow motion failed. (Poor, dear Heidi Montag.)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/wHZYGrC40Ko'\n title='//www.youtube.com/embed/wHZYGrC40Ko'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>All three stars were forced to abandon their music careers shortly after they’d begun, to the disappointment of almost nobody. But what followed was a contagious idea among other reality stars that (a) anyone could have a go, and (b) since it was clearly going to be short-lived, they could just release any old nonsense. The reality star singles that followed were both infuriating in their laziness and -- silver lining! -- a goldmine of unintentional comedy.\u003c/p>\n\u003cp>First, there was Daisy De La Hoya, one of Brett Michaels’ playthings from his (consistently gag-worthy) \u003ca href=\"https://en.wikipedia.org/wiki/Rock_of_Love_with_Bret_Michaels_(season_2)\">\u003cem>Rock Of Love\u003c/em>\u003c/a> dating show. Ms. De La Hoya decided in 2009 that the quickest way to a rock ‘n’ roll career was singing a song titled “Suck It” featuring the immortal refrain: “Girls, they wanna be me! Boys, they wanna do me!” It was just as head-desk terrible as you might imagine, but there was, at least, also a strong possibility that every time you heard this, you laughed until the breath left your lungs.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/8tul_1hRphI'\n title='//www.youtube.com/embed/8tul_1hRphI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Not to be outdone on the trashiness scale, \u003ca href=\"https://en.wikipedia.org/wiki/Jersey_Shore_(TV_series)\">\u003cem>Jersey Shore\u003c/em>\u003c/a>’s Pauly D decided to release “Beat Dat Beat” a year later. It was a Pitbull-inspired tropical house nightmare with spoken word sections about tanning, being Italian and “only dealing with 9s and 10s in the DJ booth.” It was like Marky Mark & The Funky Bunch went on a bender, stopped being able to do backflips and just started complaining about ugly people:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/y0Gpt12psAA'\n title='//www.youtube.com/embed/y0Gpt12psAA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Just when we thought things couldn’t get worse, Kim Kardashian’s “Jam” half-emerged. That’s right! This atrocity was so bad, not even the Kardashians wanted it released, even after airing \u003ca href=\"https://www.youtube.com/watch?v=d2uzScEbcws\">Kim in the recording studio\u003c/a> during an episode of \u003ca href=\"http://www.eonline.com/shows/kardashians\">\u003cem>Keeping Up With The Kardashians\u003c/em>\u003c/a>. To this day, it’s impossible to find an entirely finished video to accompany the track. Not even The Dream, a vat of body oil and Kim K’s perfect derriere crawling through a service tunnel could disguise the fact that her singing(?) voice was even more profoundly irritating than the one she speaks with. But hey, rosé up in the air, everybody! (ROSÉ!)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gHp7sq1Tzn0'\n title='//www.youtube.com/embed/gHp7sq1Tzn0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Astonishingly, in the years that have followed, we’ve only seen the bar set increasingly lower, thanks almost entirely to the squawking banshees of \u003cem>The Real Housewives\u003c/em> franchise. Here’s New York’s Kim Zolciak with “Tardy For The Party,” closely resembling that friend of your mom’s that always drinks too much on national holidays, then passes out on the front lawn:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gIeb7tY3Z6s'\n title='//www.youtube.com/embed/gIeb7tY3Z6s'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Another NYC housewife, Countess Luann, went one step further with “Money Can’t Buy You Class,” a track that features so many layers of Auto-Tune, it sounds like she recorded it with her face submerged in a mop bucket. Money can't buy you talent either, sweet cheeks!\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/kEDvlSAMhQU'\n title='//www.youtube.com/embed/kEDvlSAMhQU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp> \u003c/p>\n\u003cp>Even bit-players from \u003cem>The Real Housewives\u003c/em> got in on recording singles. Do you know who \u003ca href=\"https://www.youtube.com/watch?v=nbRlRUlXWz0#t=20\">Simon Van Kempen\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=KUcQq1sbWsM#t=63\">Miss Lawrence\u003c/a> are? We don’t either. But someone let those fools into recording booths because, apparently, being on reality television erases the ability to feel shame. Truly, it would now be an impossibility for a reality star to record anything worse than this exercise in humiliation:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/nbRlRUlXWz0'\n title='//www.youtube.com/embed/nbRlRUlXWz0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Today, it’s possible for actors to cross over into legitimate and nerd-approved music careers in a way that simply wasn’t permitted a decade ago. Perhaps many actors’ efforts just don’t seem so bad now that we’re so consistently exposed to the bottom of the barrel by reality stars. That’s not to say many people are clamoring to listen to \u003ca href=\"http://www.baconbros.com/\">The Bacon Brothers\u003c/a> or \u003ca href=\"http://kevincostnermodernwest.com/\">Kevin Costner & Modern West\u003c/a>, and sweet baby Jesus, we wish we'd never found out about Jada Pinkett Smith’s metal band, \u003ca href=\"https://www.youtube.com/watch?v=f56ZtXrx_nw\">Wicked Wisdom\u003c/a>.\u003c/p>\n\u003cp>Truthfully, the established actors who have succeeded in recording music that isn’t just tolerable, but legitimately great, have done so by collaborating with respected artists and not pandering to the biggest potential audience. The two best examples are Zooey Deschanel’s collaboration with indie darling M. Ward, for \u003ca href=\"http://www.sheandhim.com/\">She & Him\u003c/a>, and Ryan Gosling’s foray into artsy horror-themed experimentation with the surprisingly excellent \u003ca href=\"https://en.wikipedia.org/wiki/Dead_Man%27s_Bones\">Dead Man’s Bones\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/tpYwHfB7eds'\n title='//www.youtube.com/embed/tpYwHfB7eds'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>https://www.youtube.com/watch?v=Ni75mYuwvlg\u003c/p>\n\u003cp>What Gosling and Deschanel have in common: You can tell that they’re recording music truthfully and with not a small amount of skill. Neither of them has made their music to get their egos stroked (see Russell Crowe’s \u003ca href=\"https://www.youtube.com/watch?v=lNfomuY2ysg\">30 Odd Foot of Grunts\u003c/a>) or to live out some rock star fantasy (see Jared Leto's \u003ca href=\"https://www.youtube.com/watch?v=Zcps2fJKuAI\">30 Seconds to Mars\u003c/a>) -- they’ve done it because they were compelled to.\u003c/p>\n\u003cp>Last week, reality TV's favorite tattoo artist Kat Von D emerged as a guest vocalist on a single by \u003ca href=\"https://en.wikipedia.org/wiki/Prayers_(rock_duo)\">Prayers\u003c/a>, an underground electro-goth outfit that is garnering a fair amount of underground buzz right now.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/EnA_ADv9J_8'\n title='//www.youtube.com/embed/EnA_ADv9J_8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\"\u003ca href=\"https://www.youtube.com/watch?v=EnA_ADv9J_8\">Black Leather\u003c/a>\" is Von D’s first foray into music since promising the world an album in 2014, then never actually coming through with one. If she can forge a path into music following her passions rather than her bank balance, she might actually be the first reality star to pull off a real career in music. Also in her favor is the fact that she’s no longer on our televisions every day -- \u003ca href=\"http://www.tlc.com/tv-shows/la-ink/\">\u003cem>LA Ink\u003c/em>\u003c/a> ended all the way back in 2011, and that fact alone gives Von D a shot.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/GV-v2FDhHbI'\n title='//www.youtube.com/embed/GV-v2FDhHbI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Kat Von D is certainly, currently, the reality star most likely to succeed when it comes to branching out into music (she has a multitude of musician friends in respected places and can play actual instruments). But if she can’t do it? Well, I'm not holding my breath -- but it'd be nice to see this trend come to an end, once and for all.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "photos-the-1960s-san-francisco-bay-area-seen-though-family-albums",
"title": "PHOTOS: The 1960s San Francisco Bay Area, Seen Though Family Albums",
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"headTitle": "PHOTOS: The 1960s San Francisco Bay Area, Seen Though Family Albums | KQED",
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"content": "\u003cp>To celebrate the broadcast premiere of \u003ca href=\"arts/2016/04/28/american-masters-janis-joplin/\" target=\"_blank\" rel=\"noopener\">\u003cem>Janis Joplin: Little Girl Blue\u003c/em>\u003c/a> on Tuesday, May 3 on KQED 9, \u003ca href=\"https://ww2.kqed.org/about/2016/04/28/baybackwhen-we-want-your-vintage-family-photographs-from-the-1960s/\">we asked our social media fans\u003c/a> to delve into their family albums and show us their snapshots taken during the Sixties in the San Francisco Bay Area: a place Joplin called home until her untimely death age 27 in 1970. And they did \u003cem>not\u003c/em> disappoint.\u003c/p>\n\u003cp>Scroll down to enjoy just some of the many, many evocative photographs we received via the #BayBackWhen hashtag. Many thanks to all those who contributed to this collective picture of the style, attitude and atmosphere of an unforgettable period of Bay Area history!\u003c/p>\n\u003cp style=\"text-align: left\">\u003cstrong>(Click \u003ca href=\"arts/2016/04/28/american-masters-janis-joplin/\" target=\"_blank\" rel=\"noopener\">here\u003c/a> for more information on \u003cem>\u003ca href=\"http://www.kqed.org/tv/programs/index.jsp?pgmid=23409\" target=\"_blank\" rel=\"noopener\">Janis Joplin: Little Girl Blue\u003c/a>, \u003c/em>including interviews, \u003ca href=\"http://ww2.kqed.org/arts/2016/04/29/bonus-video-clips-and-excerpts-from-janis-little-girl-blue/\" target=\"_blank\" rel=\"noopener\">bonus video clips\u003c/a> and \u003ca href=\"http://ww2.kqed.org/arts/2016/04/28/american-masters-janis-joplin/\" target=\"_blank\" rel=\"noopener\">more\u003c/a>.)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11545718\" class=\"wp-caption aligncenter\" style=\"max-width: 742px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545718\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish.jpg\" alt='Joan Rudloff, via Facebook: Pictured at San Francisco General Hospital \"in 1970 or so\"' width=\"742\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish.jpg 742w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish-400x518.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish-464x600.jpg 464w\" sizes=\"(max-width: 742px) 100vw, 742px\">\u003cfigcaption class=\"wp-caption-text\">Joan Rudloff, via Facebook: Pictured at San Francisco General Hospital “in 1970 or so”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551586\" class=\"wp-caption aligncenter\" style=\"max-width: 720px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551586\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz.jpg\" alt=\"Loriz Gomez, via Facebook: "'61, 62? Santa Cruz. Sis in law Sharon, my brothers, my niece the baby and sis Robina and I. Crazy family!"\" width=\"720\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz-400x533.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz-450x600.jpg 450w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Loriz Gomez, via Facebook: “’61, 62? Santa Cruz. Sis in law Sharon, my brothers, my niece the baby and sis Robina and I. Crazy family!”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545612\" class=\"wp-caption aligncenter\" style=\"max-width: 536px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545612\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley.jpg\" alt=\"Molly Robinson Couto, via Facebook: "Me holding my older sister's hand during a protest march in downtown Berkeley in around 1968. My mom is just behind my sister, and her best friend is behind her next to another family friend."\" width=\"536\" height=\"608\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley.jpg 536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley-400x454.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley-529x600.jpg 529w\" sizes=\"(max-width: 536px) 100vw, 536px\">\u003cfigcaption class=\"wp-caption-text\">Molly Robinson Couto, via Facebook: “Me holding my older sister’s hand during a protest march in downtown Berkeley in around 1968. My mom is just behind my sister, and her best friend is behind her next to another family friend.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551585\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551585\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965.jpg\" alt='Xochitl Selena Martinez, via Facebook: \"The Sinaloa nightclub in North Beach, S.F. me as a child, my mom, aunts and extended family 1965.\"' width=\"960\" height=\"628\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965-400x262.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965-800x523.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965-768x502.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Xochitl Selena Martinez, via Facebook: “The Sinaloa nightclub in North Beach, S.F. me as a child, my mom, aunts and extended family 1965.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545734\" class=\"wp-caption aligncenter\" style=\"max-width: 734px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545734\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002.jpg\" alt='From Mary Elizabeth Ferla-Brown, via Facebook: \"My dad , Jim Ferla [exact date unknown.] He passed away in 2002 and I always keep it in my wallet.\"' width=\"734\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002.jpg 734w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002-400x523.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002-459x600.jpg 459w\" sizes=\"(max-width: 734px) 100vw, 734px\">\u003cfigcaption class=\"wp-caption-text\">From Mary Elizabeth Ferla-Brown, via Facebook: “My dad , Jim Ferla [exact date unknown.] He passed away in 2002 and I always keep it in my wallet.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548842\" class=\"wp-caption aligncenter\" style=\"max-width: 1334px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11548842 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans.jpg\" alt='\"This picture was taken in 1969, Monterey. The Dovan clan had been one of the first Vietnamese families to emigrate to the US. The patriarch, Hien Dovan was offered a teaching post at the Language Institute on the West Coast and came over during the Eisenhower administration in 1957; his family soon followed. At school the young Dovans were thought to be either Koreans (because of the recent Korean War), Chinese or Japanese because at that time very few people had ever heard of Vietnam.”' width=\"1334\" height=\"910\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans.jpg 1334w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-400x273.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-800x546.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-768x524.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-1180x805.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-960x655.jpg 960w\" sizes=\"(max-width: 1334px) 100vw, 1334px\">\u003cfigcaption class=\"wp-caption-text\">Minh Steven Dovan: “This picture was taken in 1969, Monterey. The Dovan clan had been one of the first Vietnamese families to emigrate to the US. The patriarch, Hien Dovan was offered a teaching post at the Language Institute on the West Coast and came over during the Eisenhower administration in 1957; his family soon followed. At school the young Dovans were thought to be either Koreans (because of the recent Korean War), Chinese or Japanese because at that time very few people had ever heard of Vietnam.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545750\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545750\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968.jpg\" alt='Jacqueline Haber, via Facebook: \"Miss Martinez & Miss McNulty, San Franciscans picnicking on Mt. Tam, 1968!\"' width=\"960\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-600x600.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-150x150.jpg 150w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Jacqueline Haber, via Facebook: “Miss Martinez & Miss McNulty, San Franciscans picnicking on Mt. Tam, 1968!”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551587\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551587\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9.jpg\" alt='Stephanie Byrne Fiedler, via Facebook: \"Peace March in San Francisco - probably 1968 or 1969.\"' width=\"960\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9-768x512.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Stephanie Byrne Fiedler, via Facebook: “Peace March in San Francisco – probably 1968 or 1969.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548061\" class=\"wp-caption aligncenter\" style=\"max-width: 700px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11548061\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-68-Avalon.jpg\" alt=\"Gary Lucas, via Facebook: "I was there the night Janis and the Angels closed down the Avalon. It was the best party in town. This is a photo of three Haight Street Freaks back in about '68. I'm the one in the middle. We were driven by a psychological compulsion to search for an order of complexity greater than what had been previously experienced. Believing it was my duty to advance Humanitarian Values and to protect the earth, I brought my ability to transcend with me and San Francisco validated it."\" width=\"700\" height=\"489\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-68-Avalon.jpg 700w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-68-Avalon-400x279.jpg 400w\" sizes=\"(max-width: 700px) 100vw, 700px\">\u003cfigcaption class=\"wp-caption-text\">Gary Lucas, via Facebook: “I was there the night Janis and the Angels closed down the Avalon. It was the best party in town. This is a photo of three Haight Street Freaks back in about ’68. I’m the one in the middle. We were driven by a psychological compulsion to search for an order of complexity greater than what had been previously experienced. Believing it was my duty to advance Humanitarian Values and to protect the earth, I brought my ability to transcend with me and San Francisco validated it.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548064\" class=\"wp-caption aligncenter\" style=\"max-width: 964px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11548064\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB.jpg\" alt=\"Theresa Anderson Glisson, via Facebook: "Here's my family photo from my hippie days......cousins, aunts, uncles, parents, grandparents, brother and sisters. I'm the cool one in front with the dog."\" width=\"964\" height=\"810\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB.jpg 964w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-400x336.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-714x600.jpg 714w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-768x645.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-960x807.jpg 960w\" sizes=\"(max-width: 964px) 100vw, 964px\">\u003cfigcaption class=\"wp-caption-text\">Theresa Anderson Glisson, via Facebook: “Here’s my family photo from my hippie days……cousins, aunts, uncles, parents, grandparents, brother and sisters. I’m the cool one in front with the dog.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551583\" class=\"wp-caption aligncenter\" style=\"max-width: 591px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11551583 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Julieta-Zambrano-Villa-12.jpg\" alt=\"Julieta Zambrano Villa, via Facebook\" width=\"591\" height=\"527\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Julieta-Zambrano-Villa-12.jpg 591w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Julieta-Zambrano-Villa-12-400x357.jpg 400w\" sizes=\"(max-width: 591px) 100vw, 591px\">\u003cfigcaption class=\"wp-caption-text\">Julieta Zambrano Villa, via Facebook\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551584\" class=\"wp-caption aligncenter\" style=\"max-width: 720px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551584\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Maureen-Hurley.jpg\" alt=\"Maureen Hurley, via Facebook: "Mo Hurley & Bob Hamilton, with my brother Guy Franklin and cousin David Dinsmore, partying like rockstars in San Rafael. I'm fairly certain the punch was spiked. Look at the little kid's expression."\" width=\"720\" height=\"713\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-400x396.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-606x600.jpg 606w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-150x150.jpg 150w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Maureen Hurley, via Facebook: “Mo Hurley & Bob Hamilton, with my brother Guy Franklin and cousin David Dinsmore, partying like rockstars in San Rafael. I’m fairly certain the punch was spiked. Look at the little kid’s expression.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545757\" class=\"wp-caption aligncenter\" style=\"max-width: 641px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11545757 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1.jpg\" alt='Cheri Mendieta, via Facebook: \"1967 free concert Golden Gate park, sisterly love with brother Bill Rook.\"' width=\"641\" height=\"707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1.jpg 641w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1-400x441.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1-544x600.jpg 544w\" sizes=\"(max-width: 641px) 100vw, 641px\">\u003cfigcaption class=\"wp-caption-text\">Cheri Mendieta, via Facebook: “1967 free concert Golden Gate park, sisterly love with brother Bill Rook.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545611\" class=\"wp-caption aligncenter\" style=\"max-width: 603px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545611\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul.jpg\" alt='Molly Robinson Couto, via Facebook: \"This is my dad (far right), my Uncle Al, middle, and their friend Paul Nord, hanging out at Strawberry Canyon pool, 1961\"' width=\"603\" height=\"599\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul.jpg 603w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-400x397.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-150x150.jpg 150w\" sizes=\"(max-width: 603px) 100vw, 603px\">\u003cfigcaption class=\"wp-caption-text\">From Molly Robinson Couto, via Facebook: “This is my dad (far right), my Uncle Al, middle, and their friend Paul Nord, hanging out at Strawberry Canyon pool [Berkeley], 1961”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545732\" class=\"wp-caption aligncenter\" style=\"max-width: 358px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11545732 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-HS-graduation-1967.jpg\" alt='Susan Sarra, via Facebook: \"My high school graduation, 1967\"' width=\"358\" height=\"395\">\u003cfigcaption class=\"wp-caption-text\">From Susan Sarra, via Facebook: “My high school graduation, 1967. Lovin’ the dress.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548063\" class=\"wp-caption aligncenter\" style=\"max-width: 644px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11548063\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister.jpg\" alt=\"Gary Lucas, via Facebook: "One day I was at a stop sign with a Janis song blaring on the radio, when suddenly she crossed the street in front of me. Hearing my radio, she turned and gave me a big Janis Joplin wave.This is a photo of me with my littIe sister in about '67 somewhere in the Haight. "Hey Lana Jean," I hollered as I was pulling out of our small New Mexico farm town. "You wanna go to San Francisco?" We turned on, tuned in, and dropped out -- meaning we accepted the epistemological demand of adult learners to be self-authoring. Our intention was to transcend the captivity of socialization. Innately, Humans are makers of meaning. We shape our experiences. Reality just doesn't happen, up to us, pre-formed. We have the responsibility of making our own meaning."\" width=\"644\" height=\"630\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister.jpg 644w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-400x391.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-613x600.jpg 613w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-64x64.jpg 64w\" sizes=\"(max-width: 644px) 100vw, 644px\">\u003cfigcaption class=\"wp-caption-text\">Gary Lucas, via Facebook: “One day I was at a stop sign with a Janis song blaring on the radio, when suddenly she crossed the street in front of me. Hearing my radio, she turned and gave me a big Janis Joplin wave.This is a photo of me with my littIe sister in about ’67 somewhere in the Haight. “Hey Lana Jean,” I hollered as I was pulling out of our small New Mexico farm town. “You wanna go to San Francisco?” We turned on, tuned in, and dropped out — meaning we accepted the epistemological demand of adult learners to be self-authoring. Our intention was to transcend the captivity of socialization. Innately, Humans are makers of meaning. We shape our experiences. Reality just doesn’t happen, up to us, pre-formed. We have the responsibility of making our own meaning.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545744\" class=\"wp-caption aligncenter\" style=\"max-width: 507px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545744\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Loretta-Norton-Billie-Jean-King-late-60s.jpg\" alt='Loretta Norton, via Facebook: \"Billy Jean King at party in the late 60s. I am at left playing guitar.\"' width=\"507\" height=\"445\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Loretta-Norton-Billie-Jean-King-late-60s.jpg 507w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Loretta-Norton-Billie-Jean-King-late-60s-400x351.jpg 400w\" sizes=\"(max-width: 507px) 100vw, 507px\">\u003cfigcaption class=\"wp-caption-text\">Loretta Norton, via Facebook: “Billy Jean King at party in the late 60s. I am at left playing guitar.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545760\" class=\"wp-caption aligncenter\" style=\"max-width: 851px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545760\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat.jpg\" alt='Deborah Wall McGraw, via Facebook: \"San Francisco, 1968\"' width=\"851\" height=\"681\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat.jpg 851w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat-400x320.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat-750x600.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat-768x615.jpg 768w\" sizes=\"(max-width: 851px) 100vw, 851px\">\u003cfigcaption class=\"wp-caption-text\">Deborah Wall McGraw, via Facebook: “San Francisco, 1968”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545765\" class=\"wp-caption aligncenter\" style=\"max-width: 635px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545765\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield.jpg\" alt='Scott Klinepier, via Instagram: \"Me in 1969, Kentfield\"' width=\"635\" height=\"631\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield.jpg 635w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-400x397.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-604x600.jpg 604w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-150x150.jpg 150w\" sizes=\"(max-width: 635px) 100vw, 635px\">\u003cfigcaption class=\"wp-caption-text\">Scott Klinepier, via Instagram: “Me in 1969, Kentfield”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545885\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545885\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2.jpg\" alt='Shannon Barter, via Instagram: \"Me and the fam, Montara 1969.\"' width=\"640\" height=\"799\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2-400x499.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2-481x600.jpg 481w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Shannon Barter, via Instagram: “Me and the fam, Montara 1969.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545751\" class=\"wp-caption aligncenter\" style=\"max-width: 938px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545751\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965.jpg\" alt='Trish Grima, via Facebook: \"Oakland 1965 (in front of old Laurel School)\"' width=\"938\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965.jpg 938w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-400x409.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-586x600.jpg 586w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-768x786.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-32x32.jpg 32w\" sizes=\"(max-width: 938px) 100vw, 938px\">\u003cfigcaption class=\"wp-caption-text\">Trish Grima, via Facebook: “Oakland 1965 (in front of old Laurel School)”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545762\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545762\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969.jpg\" alt='Steve Quinlan, via Facebook: \"Robert & Tomiko Quinlan. Fairfield,1969.\"' width=\"960\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-600x600.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-150x150.jpg 150w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Steve Quinlan, via Facebook: “Robert & Tomiko Quinlan. Fairfield,1969.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545736\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545736\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA.jpg\" alt='Melanie Hofmann, via Facebook: \"Graduation ceremony of students at Pinel School (Martinez, CA), Curry Creek, Clayton, CA\"' width=\"960\" height=\"637\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA-400x265.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA-800x531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA-768x510.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Melanie Hofmann, via Facebook: “Graduation ceremony of students at Pinel School (Martinez, CA), Curry Creek, Clayton, CA”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545763\" class=\"wp-caption aligncenter\" style=\"max-width: 682px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545763\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom.jpg\" alt=\"Susan Sarra Kelly, via Facebook: "Christmas '69. Me & my Mom"\" width=\"682\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom.jpg 682w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom-400x563.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom-426x600.jpg 426w\" sizes=\"(max-width: 682px) 100vw, 682px\">\u003cfigcaption class=\"wp-caption-text\">Susan Sarra Kelly, via Facebook: “Christmas ’69. Me & my Mom”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545737\" class=\"wp-caption aligncenter\" style=\"max-width: 626px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545737\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968.jpg\" alt=\"Ivee Broussard, via Facebook: "Once upon a time in the Excelsior District of San Francisco, people got *very* dressed up to go to Sunday mass. I love my mother's (Anita) pillbox hat, wrist length gloves, and pointy shoes, and my father's (Ivan) Sinatra look. 1968, Church of the Epiphany."\" width=\"626\" height=\"661\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968.jpg 626w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968-400x422.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968-568x600.jpg 568w\" sizes=\"(max-width: 626px) 100vw, 626px\">\u003cfigcaption class=\"wp-caption-text\">Ivee Broussard, via Facebook: “Once upon a time in the Excelsior District of San Francisco, people got *very* dressed up to go to Sunday mass. I love my mother’s (Anita) pillbox hat, wrist length gloves, and pointy shoes, and my father’s (Ivan) Sinatra look. 1968, Church of the Epiphany.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545759\" class=\"wp-caption aligncenter\" style=\"max-width: 643px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545759\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Marisol-Colon-Santoni.jpg\" alt='Marisol Colon Santoni, via Facebook: \"17th Street [San Francisco] with Eureka Market in background, 1962. Pictured are my Mom and brother.\"' width=\"643\" height=\"598\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Marisol-Colon-Santoni.jpg 643w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Marisol-Colon-Santoni-400x372.jpg 400w\" sizes=\"(max-width: 643px) 100vw, 643px\">\u003cfigcaption class=\"wp-caption-text\">Marisol Colon Santoni, via Facebook: “17th Street [San Francisco] with Eureka Market in background, 1962. Pictured are my Mom and brother.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545755\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545755\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969.jpg\" alt='Russ Dugoni, via Facebook: \"Groovy! 1969 family pic.\"' width=\"960\" height=\"540\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969-768x432.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Russ Dugoni, via Facebook: “Groovy! 1969 family pic.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545738\" class=\"wp-caption aligncenter\" style=\"max-width: 347px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545738\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Ali-Madigan-FB-San-Pablo-1969.jpg\" alt=\"Ali Madigan, via Facebook: "San Pablo 1969. Me, riding the pony, with my 3 siblings & 2 neighbor kids. You can just see the tail end of mom's VW bus on the right. Now famous for being the quintessential "Hippie" van, for our family of 7 it was the "mini van" of the day."\" width=\"347\" height=\"448\">\u003cfigcaption class=\"wp-caption-text\">Ali Madigan, via Facebook: “San Pablo 1969. Me, riding the pony, with my three siblings and two neighbor kids. You can just see the tail end of Mom’s VW bus on the right. Now famous for being the quintessential “Hippie” van, for our family of seven it was the “minivan” of the day.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545752\" class=\"wp-caption aligncenter\" style=\"max-width: 621px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545752\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968.jpg\" alt='Deborah Wall McGraw, via Facebook: \"A concert in the Bay Area, 1968\"' width=\"621\" height=\"634\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968.jpg 621w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-400x408.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-588x600.jpg 588w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-64x64.jpg 64w\" sizes=\"(max-width: 621px) 100vw, 621px\">\u003cfigcaption class=\"wp-caption-text\">Deborah Wall McGraw, via Facebook: “A concert in the Bay Area, 1968”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545745\" class=\"wp-caption aligncenter\" style=\"max-width: 604px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545745\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jan-Rosen-FB-Saratoga-1962.jpg\" alt='Jan Rosen, via Facebook: \"Saratoga 1962\"' width=\"604\" height=\"386\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jan-Rosen-FB-Saratoga-1962.jpg 604w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jan-Rosen-FB-Saratoga-1962-400x256.jpg 400w\" sizes=\"(max-width: 604px) 100vw, 604px\">\u003cfigcaption class=\"wp-caption-text\">Jan Rosen, via Facebook: “Saratoga 1962”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545746\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545746\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang.jpg\" alt='Katherine Murray, via Facebook: \"Half Moon Bay in our new 1965 Mustang.\"' width=\"960\" height=\"954\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-400x398.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-604x600.jpg 604w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-768x763.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-150x150.jpg 150w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Katherine Murray, via Facebook: “Half Moon Bay in our new 1965 Mustang.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545748\" class=\"wp-caption aligncenter\" style=\"max-width: 554px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545748\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962.jpg\" alt='Christine Suppes, via Facebook: \"Dad coming home from work one summer evening down on the Peninsula in 1962, in front of an old California bay tree in our yard. We lived outdoors as little kids all summer long, and I almost never wore shoes!\"' width=\"554\" height=\"742\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962.jpg 554w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962-400x536.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962-448x600.jpg 448w\" sizes=\"(max-width: 554px) 100vw, 554px\">\u003cfigcaption class=\"wp-caption-text\">Christine Suppes, via Facebook: “Dad coming home from work one summer evening down on the Peninsula in 1962, in front of an old California bay tree in our yard. We lived outdoors as little kids all summer long, and I almost never wore shoes!”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545754\" class=\"wp-caption aligncenter\" style=\"max-width: 734px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545754\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964.jpg\" alt='Jacqueline Dever, via Facebook: \"Bolinas Beach, with Stinson in the background.\"' width=\"734\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964.jpg 734w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964-400x523.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964-459x600.jpg 459w\" sizes=\"(max-width: 734px) 100vw, 734px\">\u003cfigcaption class=\"wp-caption-text\">Jacqueline Dever, via Facebook: “Bolinas Beach, with Stinson in the background.”\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>[ad floatright]\u003c/p>\n",
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"title": "PHOTOS: The 1960s San Francisco Bay Area, Seen Though Family Albums | KQED",
"description": "To celebrate the broadcast premiere of Janis Joplin: Little Girl Blue on Tuesday, May 3 on KQED 9, we asked our social media fans to delve into their family albums and show us their snapshots taken during the Sixties in the San Francisco Bay Area: a place Joplin called home until her untimely death age 27 in 1970. And they did not disappoint. Scroll down to enjoy just some of the many, many evocative photographs we received via the #BayBackWhen hashtag. Many thanks to all those who contributed to this collective picture of the style, attitude and atmosphere of an unforgettable period of Bay Area history! (Click here",
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"headline": "PHOTOS: The 1960s San Francisco Bay Area, Seen Though Family Albums",
"datePublished": "2016-05-02T22:13:39-07:00",
"dateModified": "2024-09-19T16:21:19-07:00",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>To celebrate the broadcast premiere of \u003ca href=\"arts/2016/04/28/american-masters-janis-joplin/\" target=\"_blank\" rel=\"noopener\">\u003cem>Janis Joplin: Little Girl Blue\u003c/em>\u003c/a> on Tuesday, May 3 on KQED 9, \u003ca href=\"https://ww2.kqed.org/about/2016/04/28/baybackwhen-we-want-your-vintage-family-photographs-from-the-1960s/\">we asked our social media fans\u003c/a> to delve into their family albums and show us their snapshots taken during the Sixties in the San Francisco Bay Area: a place Joplin called home until her untimely death age 27 in 1970. And they did \u003cem>not\u003c/em> disappoint.\u003c/p>\n\u003cp>Scroll down to enjoy just some of the many, many evocative photographs we received via the #BayBackWhen hashtag. Many thanks to all those who contributed to this collective picture of the style, attitude and atmosphere of an unforgettable period of Bay Area history!\u003c/p>\n\u003cp style=\"text-align: left\">\u003cstrong>(Click \u003ca href=\"arts/2016/04/28/american-masters-janis-joplin/\" target=\"_blank\" rel=\"noopener\">here\u003c/a> for more information on \u003cem>\u003ca href=\"http://www.kqed.org/tv/programs/index.jsp?pgmid=23409\" target=\"_blank\" rel=\"noopener\">Janis Joplin: Little Girl Blue\u003c/a>, \u003c/em>including interviews, \u003ca href=\"http://ww2.kqed.org/arts/2016/04/29/bonus-video-clips-and-excerpts-from-janis-little-girl-blue/\" target=\"_blank\" rel=\"noopener\">bonus video clips\u003c/a> and \u003ca href=\"http://ww2.kqed.org/arts/2016/04/28/american-masters-janis-joplin/\" target=\"_blank\" rel=\"noopener\">more\u003c/a>.)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11545718\" class=\"wp-caption aligncenter\" style=\"max-width: 742px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545718\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish.jpg\" alt='Joan Rudloff, via Facebook: Pictured at San Francisco General Hospital \"in 1970 or so\"' width=\"742\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish.jpg 742w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish-400x518.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish-464x600.jpg 464w\" sizes=\"(max-width: 742px) 100vw, 742px\">\u003cfigcaption class=\"wp-caption-text\">Joan Rudloff, via Facebook: Pictured at San Francisco General Hospital “in 1970 or so”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551586\" class=\"wp-caption aligncenter\" style=\"max-width: 720px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551586\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz.jpg\" alt=\"Loriz Gomez, via Facebook: "'61, 62? Santa Cruz. Sis in law Sharon, my brothers, my niece the baby and sis Robina and I. Crazy family!"\" width=\"720\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz-400x533.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz-450x600.jpg 450w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Loriz Gomez, via Facebook: “’61, 62? Santa Cruz. Sis in law Sharon, my brothers, my niece the baby and sis Robina and I. Crazy family!”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545612\" class=\"wp-caption aligncenter\" style=\"max-width: 536px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545612\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley.jpg\" alt=\"Molly Robinson Couto, via Facebook: "Me holding my older sister's hand during a protest march in downtown Berkeley in around 1968. My mom is just behind my sister, and her best friend is behind her next to another family friend."\" width=\"536\" height=\"608\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley.jpg 536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley-400x454.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley-529x600.jpg 529w\" sizes=\"(max-width: 536px) 100vw, 536px\">\u003cfigcaption class=\"wp-caption-text\">Molly Robinson Couto, via Facebook: “Me holding my older sister’s hand during a protest march in downtown Berkeley in around 1968. My mom is just behind my sister, and her best friend is behind her next to another family friend.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551585\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551585\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965.jpg\" alt='Xochitl Selena Martinez, via Facebook: \"The Sinaloa nightclub in North Beach, S.F. me as a child, my mom, aunts and extended family 1965.\"' width=\"960\" height=\"628\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965-400x262.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965-800x523.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965-768x502.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Xochitl Selena Martinez, via Facebook: “The Sinaloa nightclub in North Beach, S.F. me as a child, my mom, aunts and extended family 1965.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545734\" class=\"wp-caption aligncenter\" style=\"max-width: 734px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545734\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002.jpg\" alt='From Mary Elizabeth Ferla-Brown, via Facebook: \"My dad , Jim Ferla [exact date unknown.] He passed away in 2002 and I always keep it in my wallet.\"' width=\"734\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002.jpg 734w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002-400x523.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002-459x600.jpg 459w\" sizes=\"(max-width: 734px) 100vw, 734px\">\u003cfigcaption class=\"wp-caption-text\">From Mary Elizabeth Ferla-Brown, via Facebook: “My dad , Jim Ferla [exact date unknown.] He passed away in 2002 and I always keep it in my wallet.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548842\" class=\"wp-caption aligncenter\" style=\"max-width: 1334px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11548842 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans.jpg\" alt='\"This picture was taken in 1969, Monterey. The Dovan clan had been one of the first Vietnamese families to emigrate to the US. The patriarch, Hien Dovan was offered a teaching post at the Language Institute on the West Coast and came over during the Eisenhower administration in 1957; his family soon followed. At school the young Dovans were thought to be either Koreans (because of the recent Korean War), Chinese or Japanese because at that time very few people had ever heard of Vietnam.”' width=\"1334\" height=\"910\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans.jpg 1334w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-400x273.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-800x546.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-768x524.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-1180x805.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-960x655.jpg 960w\" sizes=\"(max-width: 1334px) 100vw, 1334px\">\u003cfigcaption class=\"wp-caption-text\">Minh Steven Dovan: “This picture was taken in 1969, Monterey. The Dovan clan had been one of the first Vietnamese families to emigrate to the US. The patriarch, Hien Dovan was offered a teaching post at the Language Institute on the West Coast and came over during the Eisenhower administration in 1957; his family soon followed. At school the young Dovans were thought to be either Koreans (because of the recent Korean War), Chinese or Japanese because at that time very few people had ever heard of Vietnam.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545750\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545750\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968.jpg\" alt='Jacqueline Haber, via Facebook: \"Miss Martinez & Miss McNulty, San Franciscans picnicking on Mt. Tam, 1968!\"' width=\"960\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-600x600.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-150x150.jpg 150w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Jacqueline Haber, via Facebook: “Miss Martinez & Miss McNulty, San Franciscans picnicking on Mt. Tam, 1968!”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551587\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551587\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9.jpg\" alt='Stephanie Byrne Fiedler, via Facebook: \"Peace March in San Francisco - probably 1968 or 1969.\"' width=\"960\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9-768x512.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Stephanie Byrne Fiedler, via Facebook: “Peace March in San Francisco – probably 1968 or 1969.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548061\" class=\"wp-caption aligncenter\" style=\"max-width: 700px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11548061\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-68-Avalon.jpg\" alt=\"Gary Lucas, via Facebook: "I was there the night Janis and the Angels closed down the Avalon. It was the best party in town. This is a photo of three Haight Street Freaks back in about '68. I'm the one in the middle. We were driven by a psychological compulsion to search for an order of complexity greater than what had been previously experienced. Believing it was my duty to advance Humanitarian Values and to protect the earth, I brought my ability to transcend with me and San Francisco validated it."\" width=\"700\" height=\"489\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-68-Avalon.jpg 700w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-68-Avalon-400x279.jpg 400w\" sizes=\"(max-width: 700px) 100vw, 700px\">\u003cfigcaption class=\"wp-caption-text\">Gary Lucas, via Facebook: “I was there the night Janis and the Angels closed down the Avalon. It was the best party in town. This is a photo of three Haight Street Freaks back in about ’68. I’m the one in the middle. We were driven by a psychological compulsion to search for an order of complexity greater than what had been previously experienced. Believing it was my duty to advance Humanitarian Values and to protect the earth, I brought my ability to transcend with me and San Francisco validated it.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548064\" class=\"wp-caption aligncenter\" style=\"max-width: 964px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11548064\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB.jpg\" alt=\"Theresa Anderson Glisson, via Facebook: "Here's my family photo from my hippie days......cousins, aunts, uncles, parents, grandparents, brother and sisters. I'm the cool one in front with the dog."\" width=\"964\" height=\"810\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB.jpg 964w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-400x336.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-714x600.jpg 714w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-768x645.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-960x807.jpg 960w\" sizes=\"(max-width: 964px) 100vw, 964px\">\u003cfigcaption class=\"wp-caption-text\">Theresa Anderson Glisson, via Facebook: “Here’s my family photo from my hippie days……cousins, aunts, uncles, parents, grandparents, brother and sisters. I’m the cool one in front with the dog.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551583\" class=\"wp-caption aligncenter\" style=\"max-width: 591px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11551583 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Julieta-Zambrano-Villa-12.jpg\" alt=\"Julieta Zambrano Villa, via Facebook\" width=\"591\" height=\"527\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Julieta-Zambrano-Villa-12.jpg 591w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Julieta-Zambrano-Villa-12-400x357.jpg 400w\" sizes=\"(max-width: 591px) 100vw, 591px\">\u003cfigcaption class=\"wp-caption-text\">Julieta Zambrano Villa, via Facebook\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551584\" class=\"wp-caption aligncenter\" style=\"max-width: 720px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551584\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Maureen-Hurley.jpg\" alt=\"Maureen Hurley, via Facebook: "Mo Hurley & Bob Hamilton, with my brother Guy Franklin and cousin David Dinsmore, partying like rockstars in San Rafael. I'm fairly certain the punch was spiked. Look at the little kid's expression."\" width=\"720\" height=\"713\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-400x396.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-606x600.jpg 606w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-150x150.jpg 150w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Maureen Hurley, via Facebook: “Mo Hurley & Bob Hamilton, with my brother Guy Franklin and cousin David Dinsmore, partying like rockstars in San Rafael. I’m fairly certain the punch was spiked. Look at the little kid’s expression.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545757\" class=\"wp-caption aligncenter\" style=\"max-width: 641px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11545757 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1.jpg\" alt='Cheri Mendieta, via Facebook: \"1967 free concert Golden Gate park, sisterly love with brother Bill Rook.\"' width=\"641\" height=\"707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1.jpg 641w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1-400x441.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1-544x600.jpg 544w\" sizes=\"(max-width: 641px) 100vw, 641px\">\u003cfigcaption class=\"wp-caption-text\">Cheri Mendieta, via Facebook: “1967 free concert Golden Gate park, sisterly love with brother Bill Rook.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545611\" class=\"wp-caption aligncenter\" style=\"max-width: 603px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545611\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul.jpg\" alt='Molly Robinson Couto, via Facebook: \"This is my dad (far right), my Uncle Al, middle, and their friend Paul Nord, hanging out at Strawberry Canyon pool, 1961\"' width=\"603\" height=\"599\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul.jpg 603w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-400x397.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-150x150.jpg 150w\" sizes=\"(max-width: 603px) 100vw, 603px\">\u003cfigcaption class=\"wp-caption-text\">From Molly Robinson Couto, via Facebook: “This is my dad (far right), my Uncle Al, middle, and their friend Paul Nord, hanging out at Strawberry Canyon pool [Berkeley], 1961”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545732\" class=\"wp-caption aligncenter\" style=\"max-width: 358px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11545732 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-HS-graduation-1967.jpg\" alt='Susan Sarra, via Facebook: \"My high school graduation, 1967\"' width=\"358\" height=\"395\">\u003cfigcaption class=\"wp-caption-text\">From Susan Sarra, via Facebook: “My high school graduation, 1967. Lovin’ the dress.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548063\" class=\"wp-caption aligncenter\" style=\"max-width: 644px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11548063\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister.jpg\" alt=\"Gary Lucas, via Facebook: "One day I was at a stop sign with a Janis song blaring on the radio, when suddenly she crossed the street in front of me. Hearing my radio, she turned and gave me a big Janis Joplin wave.This is a photo of me with my littIe sister in about '67 somewhere in the Haight. "Hey Lana Jean," I hollered as I was pulling out of our small New Mexico farm town. "You wanna go to San Francisco?" We turned on, tuned in, and dropped out -- meaning we accepted the epistemological demand of adult learners to be self-authoring. Our intention was to transcend the captivity of socialization. Innately, Humans are makers of meaning. We shape our experiences. Reality just doesn't happen, up to us, pre-formed. We have the responsibility of making our own meaning."\" width=\"644\" height=\"630\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister.jpg 644w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-400x391.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-613x600.jpg 613w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-64x64.jpg 64w\" sizes=\"(max-width: 644px) 100vw, 644px\">\u003cfigcaption class=\"wp-caption-text\">Gary Lucas, via Facebook: “One day I was at a stop sign with a Janis song blaring on the radio, when suddenly she crossed the street in front of me. Hearing my radio, she turned and gave me a big Janis Joplin wave.This is a photo of me with my littIe sister in about ’67 somewhere in the Haight. “Hey Lana Jean,” I hollered as I was pulling out of our small New Mexico farm town. “You wanna go to San Francisco?” We turned on, tuned in, and dropped out — meaning we accepted the epistemological demand of adult learners to be self-authoring. Our intention was to transcend the captivity of socialization. Innately, Humans are makers of meaning. We shape our experiences. Reality just doesn’t happen, up to us, pre-formed. We have the responsibility of making our own meaning.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545744\" class=\"wp-caption aligncenter\" style=\"max-width: 507px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545744\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Loretta-Norton-Billie-Jean-King-late-60s.jpg\" alt='Loretta Norton, via Facebook: \"Billy Jean King at party in the late 60s. I am at left playing guitar.\"' width=\"507\" height=\"445\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Loretta-Norton-Billie-Jean-King-late-60s.jpg 507w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Loretta-Norton-Billie-Jean-King-late-60s-400x351.jpg 400w\" sizes=\"(max-width: 507px) 100vw, 507px\">\u003cfigcaption class=\"wp-caption-text\">Loretta Norton, via Facebook: “Billy Jean King at party in the late 60s. I am at left playing guitar.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545760\" class=\"wp-caption aligncenter\" style=\"max-width: 851px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545760\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat.jpg\" alt='Deborah Wall McGraw, via Facebook: \"San Francisco, 1968\"' width=\"851\" height=\"681\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat.jpg 851w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat-400x320.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat-750x600.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat-768x615.jpg 768w\" sizes=\"(max-width: 851px) 100vw, 851px\">\u003cfigcaption class=\"wp-caption-text\">Deborah Wall McGraw, via Facebook: “San Francisco, 1968”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545765\" class=\"wp-caption aligncenter\" style=\"max-width: 635px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545765\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield.jpg\" alt='Scott Klinepier, via Instagram: \"Me in 1969, Kentfield\"' width=\"635\" height=\"631\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield.jpg 635w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-400x397.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-604x600.jpg 604w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-150x150.jpg 150w\" sizes=\"(max-width: 635px) 100vw, 635px\">\u003cfigcaption class=\"wp-caption-text\">Scott Klinepier, via Instagram: “Me in 1969, Kentfield”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545885\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545885\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2.jpg\" alt='Shannon Barter, via Instagram: \"Me and the fam, Montara 1969.\"' width=\"640\" height=\"799\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2-400x499.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2-481x600.jpg 481w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Shannon Barter, via Instagram: “Me and the fam, Montara 1969.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545751\" class=\"wp-caption aligncenter\" style=\"max-width: 938px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545751\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965.jpg\" alt='Trish Grima, via Facebook: \"Oakland 1965 (in front of old Laurel School)\"' width=\"938\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965.jpg 938w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-400x409.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-586x600.jpg 586w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-768x786.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-32x32.jpg 32w\" sizes=\"(max-width: 938px) 100vw, 938px\">\u003cfigcaption class=\"wp-caption-text\">Trish Grima, via Facebook: “Oakland 1965 (in front of old Laurel School)”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545762\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545762\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969.jpg\" alt='Steve Quinlan, via Facebook: \"Robert & Tomiko Quinlan. Fairfield,1969.\"' width=\"960\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-600x600.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-150x150.jpg 150w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Steve Quinlan, via Facebook: “Robert & Tomiko Quinlan. Fairfield,1969.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545736\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545736\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA.jpg\" alt='Melanie Hofmann, via Facebook: \"Graduation ceremony of students at Pinel School (Martinez, CA), Curry Creek, Clayton, CA\"' width=\"960\" height=\"637\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA-400x265.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA-800x531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA-768x510.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Melanie Hofmann, via Facebook: “Graduation ceremony of students at Pinel School (Martinez, CA), Curry Creek, Clayton, CA”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545763\" class=\"wp-caption aligncenter\" style=\"max-width: 682px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545763\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom.jpg\" alt=\"Susan Sarra Kelly, via Facebook: "Christmas '69. Me & my Mom"\" width=\"682\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom.jpg 682w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom-400x563.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom-426x600.jpg 426w\" sizes=\"(max-width: 682px) 100vw, 682px\">\u003cfigcaption class=\"wp-caption-text\">Susan Sarra Kelly, via Facebook: “Christmas ’69. Me & my Mom”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545737\" class=\"wp-caption aligncenter\" style=\"max-width: 626px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545737\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968.jpg\" alt=\"Ivee Broussard, via Facebook: "Once upon a time in the Excelsior District of San Francisco, people got *very* dressed up to go to Sunday mass. I love my mother's (Anita) pillbox hat, wrist length gloves, and pointy shoes, and my father's (Ivan) Sinatra look. 1968, Church of the Epiphany."\" width=\"626\" height=\"661\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968.jpg 626w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968-400x422.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968-568x600.jpg 568w\" sizes=\"(max-width: 626px) 100vw, 626px\">\u003cfigcaption class=\"wp-caption-text\">Ivee Broussard, via Facebook: “Once upon a time in the Excelsior District of San Francisco, people got *very* dressed up to go to Sunday mass. I love my mother’s (Anita) pillbox hat, wrist length gloves, and pointy shoes, and my father’s (Ivan) Sinatra look. 1968, Church of the Epiphany.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545759\" class=\"wp-caption aligncenter\" style=\"max-width: 643px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545759\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Marisol-Colon-Santoni.jpg\" alt='Marisol Colon Santoni, via Facebook: \"17th Street [San Francisco] with Eureka Market in background, 1962. Pictured are my Mom and brother.\"' width=\"643\" height=\"598\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Marisol-Colon-Santoni.jpg 643w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Marisol-Colon-Santoni-400x372.jpg 400w\" sizes=\"(max-width: 643px) 100vw, 643px\">\u003cfigcaption class=\"wp-caption-text\">Marisol Colon Santoni, via Facebook: “17th Street [San Francisco] with Eureka Market in background, 1962. Pictured are my Mom and brother.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545755\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545755\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969.jpg\" alt='Russ Dugoni, via Facebook: \"Groovy! 1969 family pic.\"' width=\"960\" height=\"540\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969-768x432.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Russ Dugoni, via Facebook: “Groovy! 1969 family pic.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545738\" class=\"wp-caption aligncenter\" style=\"max-width: 347px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545738\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Ali-Madigan-FB-San-Pablo-1969.jpg\" alt=\"Ali Madigan, via Facebook: "San Pablo 1969. Me, riding the pony, with my 3 siblings & 2 neighbor kids. You can just see the tail end of mom's VW bus on the right. Now famous for being the quintessential "Hippie" van, for our family of 7 it was the "mini van" of the day."\" width=\"347\" height=\"448\">\u003cfigcaption class=\"wp-caption-text\">Ali Madigan, via Facebook: “San Pablo 1969. Me, riding the pony, with my three siblings and two neighbor kids. You can just see the tail end of Mom’s VW bus on the right. Now famous for being the quintessential “Hippie” van, for our family of seven it was the “minivan” of the day.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545752\" class=\"wp-caption aligncenter\" style=\"max-width: 621px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545752\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968.jpg\" alt='Deborah Wall McGraw, via Facebook: \"A concert in the Bay Area, 1968\"' width=\"621\" height=\"634\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968.jpg 621w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-400x408.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-588x600.jpg 588w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-64x64.jpg 64w\" sizes=\"(max-width: 621px) 100vw, 621px\">\u003cfigcaption class=\"wp-caption-text\">Deborah Wall McGraw, via Facebook: “A concert in the Bay Area, 1968”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545745\" class=\"wp-caption aligncenter\" style=\"max-width: 604px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545745\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jan-Rosen-FB-Saratoga-1962.jpg\" alt='Jan Rosen, via Facebook: \"Saratoga 1962\"' width=\"604\" height=\"386\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jan-Rosen-FB-Saratoga-1962.jpg 604w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jan-Rosen-FB-Saratoga-1962-400x256.jpg 400w\" sizes=\"(max-width: 604px) 100vw, 604px\">\u003cfigcaption class=\"wp-caption-text\">Jan Rosen, via Facebook: “Saratoga 1962”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545746\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545746\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang.jpg\" alt='Katherine Murray, via Facebook: \"Half Moon Bay in our new 1965 Mustang.\"' width=\"960\" height=\"954\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-400x398.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-604x600.jpg 604w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-768x763.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-150x150.jpg 150w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Katherine Murray, via Facebook: “Half Moon Bay in our new 1965 Mustang.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545748\" class=\"wp-caption aligncenter\" style=\"max-width: 554px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545748\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962.jpg\" alt='Christine Suppes, via Facebook: \"Dad coming home from work one summer evening down on the Peninsula in 1962, in front of an old California bay tree in our yard. We lived outdoors as little kids all summer long, and I almost never wore shoes!\"' width=\"554\" height=\"742\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962.jpg 554w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962-400x536.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962-448x600.jpg 448w\" sizes=\"(max-width: 554px) 100vw, 554px\">\u003cfigcaption class=\"wp-caption-text\">Christine Suppes, via Facebook: “Dad coming home from work one summer evening down on the Peninsula in 1962, in front of an old California bay tree in our yard. We lived outdoors as little kids all summer long, and I almost never wore shoes!”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545754\" class=\"wp-caption aligncenter\" style=\"max-width: 734px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545754\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964.jpg\" alt='Jacqueline Dever, via Facebook: \"Bolinas Beach, with Stinson in the background.\"' width=\"734\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964.jpg 734w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964-400x523.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964-459x600.jpg 459w\" sizes=\"(max-width: 734px) 100vw, 734px\">\u003cfigcaption class=\"wp-caption-text\">Jacqueline Dever, via Facebook: “Bolinas Beach, with Stinson in the background.”\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "23 Things You Might Not Know about Prince",
"title": "23 Things You Might Not Know about Prince",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/261294973&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>[contextly_sidebar id=\"DMdnsu96wdRWd1HqZtVj9mn9wn5CflOo\"]It's been a week since Prince left this world, but I still find myself gazing adoringly\u003ca href=\"http://ww2.kqed.org/pop/2016/04/21/every-animated-gif-of-prince-youll-ever-need/\"> at animated gifs of him\u003c/a>, listening to his music, watching videos of him, and reading about his life. In the course of all of this, I've learned a lot about Prince and his career that I didn't know before. Here are some things you might not know about the Purple One:\u003c/p>\n\u003cp>1. Prince's childhood nickname was \"Skipper.\"\u003c/p>\n\u003cp>2. He wrote his first song at the age of seven. It was called \"Funk Machine.\"\u003c/p>\n\u003cp>3. When he was 10, Prince danced on stage with James Brown.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>4. Before he hit the big time, Prince used to stand outside of his local McDonald's and smell the food because he couldn't afford to eat.\u003c/p>\n\u003cp>5. Despite being 5'2\", he was known to be an incredible basketball player.\u003c/p>\n\u003cp>6. He played every single instrument on his debut album.\u003c/p>\n\u003cp>7. Prince could play 27 different musical instruments.\u003c/p>\n\u003cp>8. He played electric guitar on Madonna's \"Like a Prayer.\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=79fzeNUqQbQ\u003c/p>\n\u003cp>And synths on Stevie Nicks' \"Stand Back.\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=-gSKeCvSCpw\u003c/p>\n\u003cp>9. We all know that Prince is responsible for Sinead O'Connor's \"Nothing Compares 2 U,\" but did you know that he also wrote \"Manic Monday\" by the Bangles?\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=SsmVgoXDq2w\u003c/p>\n\u003cp>10. One of his favorite meals during the \u003cem>Purple Rain\u003c/em> era was spaghetti paired with orange juice.\u003c/p>\n\u003cp>11. Prince originally wanted Vanity 6 to be called The Hookers and Vanity to be called Vagina (pronounced Va-geena).\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=bfLZfyphg0M\u003c/p>\n\u003cp>12. Smoke machines were allegedly used so heavily on the sets of his music videos for \"1999\" and \"Little Red Corvette\" that a bunch of people got diarrhea from breathing in all the mineral oil in the air.\u003c/p>\n\u003cp>13. Michael Jackson's \"Bad\" was almost a duet with Prince, until Prince objected to the first four words: \"Your butt is mine.\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=T9ZN9nKQqe0\u003c/p>\n\u003cp>14. Prince almost released an entire album as Camille, his female alter ego.\u003c/p>\n\u003cp>15. He produced an album called \u003cem>A Hollywood Affair \u003c/em>with Kim Basinger, but the project was scrapped because she wasn't the best singer. That doesn't mean you can't still listen to it though:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=oWBXdoeg6Bs&list=PL3BwO8tCn0ZwmDwbhMlvPlN6W73V4Gqab\u003c/p>\n\u003cp>16. A week before its release, Prince yanked all copies of \u003cem>The Black Album\u003c/em> because he came to believe that \"the dark side of him\" created \"something evil.\"\u003c/p>\n\u003cp>17. Prince hated swearing so much that he beckoned Sinead O'Connor to his mansion to tell her to stop using bad language in her interviews. She promptly told him to \"F*ck off.\" They proceeded to get into a crazy fist fight, which involved chasing each other around a car and spitting and punching at each other.\u003c/p>\n\u003cp>http://www.dailymail.co.uk/embed/video/1001803.html\u003c/p>\n\u003cp>18. Back in 1994, kids were playing a CD-ROM game titled \"\u003ca href=\"http://www.pastemagazine.com/articles/2016/04/princes-cd-rom-game-prince-interactive.html\">Prince Interactive\u003c/a>,\" which included two unreleased songs, interview clips and the opportunity to explore his recording studio.\u003c/p>\n\u003cp>19. Prince was a Jehovah's Witnesses and went door to door to discuss his religion.\u003c/p>\n\u003cp>20. His faith dictated that he could never discuss his charitable work. Now that he has passed, stories of his involvement with \u003ca href=\"http://www.yeswecode.org/\" target=\"_blank\">YesWeCode\u003c/a>, a movement to get underprivileged kids involved in the tech world, and \u003ca href=\"https://en.wikipedia.org/wiki/Green_for_All\">Green For All\u003c/a>, a project that supplies solar panels in Oakland and beyond.\u003c/p>\n\u003cp>21. After turning down Kevin Smith's request to feature a Prince song in \u003ci>Jay and Silent Bob Strike Back\u003c/i>, Prince convinced Smith to film a movie of Prince and his band performing music from \u003cem>The Rainbow Children\u003c/em>. It soon became clear that Prince intended the project to be a Jehovah's Witness recruitment film, filled with messages like \"Jesus Christ is the son of God.\" Kevin Smith decided to duck out.\u003c/p>\n\u003cp>22. Prince didn't take himself too seriously. After David Chappelle famously dressed up as him on his show, Prince, in turn, used Chappelle's image as the cover of his 2013 single \u003cem>Breakfast Can Wait. \u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg.jpg\">\u003cimg class=\"aligncenter wp-image-23496 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg.jpg\" alt=\"Breakfast Can Wait Prince Cover - P - 2013.jpg\" width=\"550\" height=\"550\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg.jpg 550w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-150x150.jpg 150w\" sizes=\"(max-width: 550px) 100vw, 550px\">\u003c/a>\u003c/p>\n\u003cp>23. In recent years, Prince only watched two things on television: the news and Zooey Deschanel's \u003cem>New Girl\u003c/em>. He emailed Zooey to tell her this and eventually starred in an episode and recorded a single with her called “FALLINLOVE2NITE\":\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=XFpBEWFR0jI\u003c/p>\n\u003cp>\u003cem>Want even more little-known facts about Prince? Check out this episode of The Cooler:\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>http://ww2.kqed.org/pop/2016/04/28/lets-go-crazy-over-beyonces-lemonade/\u003c/p>\n\n",
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"excerpt": "It's never too late to learn more about the Purple One.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/261294973&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>It's been a week since Prince left this world, but I still find myself gazing adoringly\u003ca href=\"http://ww2.kqed.org/pop/2016/04/21/every-animated-gif-of-prince-youll-ever-need/\"> at animated gifs of him\u003c/a>, listening to his music, watching videos of him, and reading about his life. In the course of all of this, I've learned a lot about Prince and his career that I didn't know before. Here are some things you might not know about the Purple One:\u003c/p>\n\u003cp>1. Prince's childhood nickname was \"Skipper.\"\u003c/p>\n\u003cp>2. He wrote his first song at the age of seven. It was called \"Funk Machine.\"\u003c/p>\n\u003cp>3. When he was 10, Prince danced on stage with James Brown.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>4. Before he hit the big time, Prince used to stand outside of his local McDonald's and smell the food because he couldn't afford to eat.\u003c/p>\n\u003cp>5. Despite being 5'2\", he was known to be an incredible basketball player.\u003c/p>\n\u003cp>6. He played every single instrument on his debut album.\u003c/p>\n\u003cp>7. Prince could play 27 different musical instruments.\u003c/p>\n\u003cp>8. He played electric guitar on Madonna's \"Like a Prayer.\"\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/79fzeNUqQbQ'\n title='//www.youtube.com/embed/79fzeNUqQbQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>And synths on Stevie Nicks' \"Stand Back.\"\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/-gSKeCvSCpw'\n title='//www.youtube.com/embed/-gSKeCvSCpw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>9. We all know that Prince is responsible for Sinead O'Connor's \"Nothing Compares 2 U,\" but did you know that he also wrote \"Manic Monday\" by the Bangles?\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/SsmVgoXDq2w'\n title='//www.youtube.com/embed/SsmVgoXDq2w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>10. One of his favorite meals during the \u003cem>Purple Rain\u003c/em> era was spaghetti paired with orange juice.\u003c/p>\n\u003cp>11. Prince originally wanted Vanity 6 to be called The Hookers and Vanity to be called Vagina (pronounced Va-geena).\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/bfLZfyphg0M'\n title='//www.youtube.com/embed/bfLZfyphg0M'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>12. Smoke machines were allegedly used so heavily on the sets of his music videos for \"1999\" and \"Little Red Corvette\" that a bunch of people got diarrhea from breathing in all the mineral oil in the air.\u003c/p>\n\u003cp>13. Michael Jackson's \"Bad\" was almost a duet with Prince, until Prince objected to the first four words: \"Your butt is mine.\"\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/T9ZN9nKQqe0'\n title='//www.youtube.com/embed/T9ZN9nKQqe0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>14. Prince almost released an entire album as Camille, his female alter ego.\u003c/p>\n\u003cp>15. He produced an album called \u003cem>A Hollywood Affair \u003c/em>with Kim Basinger, but the project was scrapped because she wasn't the best singer. That doesn't mean you can't still listen to it though:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/oWBXdoeg6Bs'\n title='//www.youtube.com/embed/oWBXdoeg6Bs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>16. A week before its release, Prince yanked all copies of \u003cem>The Black Album\u003c/em> because he came to believe that \"the dark side of him\" created \"something evil.\"\u003c/p>\n\u003cp>17. Prince hated swearing so much that he beckoned Sinead O'Connor to his mansion to tell her to stop using bad language in her interviews. She promptly told him to \"F*ck off.\" They proceeded to get into a crazy fist fight, which involved chasing each other around a car and spitting and punching at each other.\u003c/p>\n\u003cp>http://www.dailymail.co.uk/embed/video/1001803.html\u003c/p>\n\u003cp>18. Back in 1994, kids were playing a CD-ROM game titled \"\u003ca href=\"http://www.pastemagazine.com/articles/2016/04/princes-cd-rom-game-prince-interactive.html\">Prince Interactive\u003c/a>,\" which included two unreleased songs, interview clips and the opportunity to explore his recording studio.\u003c/p>\n\u003cp>19. Prince was a Jehovah's Witnesses and went door to door to discuss his religion.\u003c/p>\n\u003cp>20. His faith dictated that he could never discuss his charitable work. Now that he has passed, stories of his involvement with \u003ca href=\"http://www.yeswecode.org/\" target=\"_blank\">YesWeCode\u003c/a>, a movement to get underprivileged kids involved in the tech world, and \u003ca href=\"https://en.wikipedia.org/wiki/Green_for_All\">Green For All\u003c/a>, a project that supplies solar panels in Oakland and beyond.\u003c/p>\n\u003cp>21. After turning down Kevin Smith's request to feature a Prince song in \u003ci>Jay and Silent Bob Strike Back\u003c/i>, Prince convinced Smith to film a movie of Prince and his band performing music from \u003cem>The Rainbow Children\u003c/em>. It soon became clear that Prince intended the project to be a Jehovah's Witness recruitment film, filled with messages like \"Jesus Christ is the son of God.\" Kevin Smith decided to duck out.\u003c/p>\n\u003cp>22. Prince didn't take himself too seriously. After David Chappelle famously dressed up as him on his show, Prince, in turn, used Chappelle's image as the cover of his 2013 single \u003cem>Breakfast Can Wait. \u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg.jpg\">\u003cimg class=\"aligncenter wp-image-23496 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg.jpg\" alt=\"Breakfast Can Wait Prince Cover - P - 2013.jpg\" width=\"550\" height=\"550\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg.jpg 550w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-150x150.jpg 150w\" sizes=\"(max-width: 550px) 100vw, 550px\">\u003c/a>\u003c/p>\n\u003cp>23. In recent years, Prince only watched two things on television: the news and Zooey Deschanel's \u003cem>New Girl\u003c/em>. He emailed Zooey to tell her this and eventually starred in an episode and recorded a single with her called “FALLINLOVE2NITE\":\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/XFpBEWFR0jI'\n title='//www.youtube.com/embed/XFpBEWFR0jI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>Want even more little-known facts about Prince? Check out this episode of The Cooler:\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003ca href=\"https://en.wikipedia.org/wiki/Charles_Gatewood\" target=\"_blank\" rel=\"noopener\">Charles Gatewood\u003c/a>, an \u003ca href=\"http://laughingsquid.com/charles-gatewood-1942-2016-legendary-underground-photographer-author-and-artist/\" target=\"_blank\" rel=\"noopener\">award-winning photographer\u003c/a> who shot both celebrities and counter culture figures, including the Hell’s Angels and erotic performance artists like Annie Sprinkle, died Thursday from injuries after he fell off his third-story balcony several weeks before. He was 73.\u003c/p>\n\u003cp>Born in Illinois in 1942 and raised mostly in Missouri, Gatewood began pursuing a career in photography \u003ca href=\"http://www.broadwayworld.com/bwwart/article/Remembering-Famed-Photographer-Charles-Gatewood-20160429#\" target=\"_blank\" rel=\"noopener\">while in his first year of graduate school\u003c/a> at the University of Missouri. While living in Stockholm, Sweden, attending school and traveling around Europe, Gatewood landed a job with AB Text & Bilder, a Swedish news wire, as a darkroom technician. The position provided him a press pass and equipment, which he used to photograph jazz concerts and other events.\u003c/p>\n\u003cfigure id=\"attachment_11537074\" class=\"wp-caption alignright\" style=\"max-width: 413px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/04/Bob-Dylan-by-Gatewood-413x600.jpg\" alt=\"Dylan With Sunglasses and Cigarette\" width=\"413\" height=\"600\" class=\"size-medium wp-image-11537074\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Bob-Dylan-by-Gatewood-413x600.jpg 413w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Bob-Dylan-by-Gatewood-400x582.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Bob-Dylan-by-Gatewood.jpg 584w\" sizes=\"(max-width: 413px) 100vw, 413px\">\u003cfigcaption class=\"wp-caption-text\">Dylan With Sunglasses and Cigarette \u003ccite>(Photo: Charles Gatewood)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 1966, Gatewood had his first big break when he photographed Bob Dylan at a press conference. The photograph, titled “Dylan With Sunglasses and Cigarette” was picked up for syndication and published around the world. \u003c/p>\n\u003cp>“Taking the Bob Dylan photo gave me faith I could actually be a professional photographer,” \u003ca href=\"http://hifructose.com/2016/04/28/legendary-photographer-charles-gatewood-1942-2016/\" target=\"_blank\" rel=\"noopener\">Gatewood would later say\u003c/a>.\u003c/p>\n\u003cp>Gatewood went on to shoot several celebrities and other notable figures over the next 50 years, including Beat writers William S. Burroughs and Allen Ginsburg; musicians such as Ella Fitzgerald, Rod Stewart and David Bowie; and even legendary civil rights activists such as Martin Luther King Jr. His work would appear in publications such as the \u003cem>New York Times\u003c/em>, \u003cem>Time\u003c/em> and \u003cem>Rolling Stone\u003c/em>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But celebrities weren’t his only subjects — Gatewood was a dedicated documentarian of underground subcultures. He entrenched himself in subjects others would see as dark and off-limits, such as the debauchery of 1970s New Orleans during Mardi Gras and the sex positive communities in San Francisco, which helped bring those previously underground groups into the mainstream. He would later say that he wanted to “take photographs that kill.”\u003c/p>\n\u003cfigure id=\"attachment_11537082\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/04/Page-Burroughs-by-Gatewood.jpg\" alt=\"Guitarist Jimmy Page and author William S. Burroughs\" width=\"640\" height=\"480\" class=\"size-full wp-image-11537082\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Page-Burroughs-by-Gatewood.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Page-Burroughs-by-Gatewood-400x300.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Guitarist Jimmy Page and author William S. Burroughs \u003ccite>(Photo: Charles Gatewood)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gatewood moved to San Francisco in 1987, and would cover events such as the Folsom Street Fair and Burning Man. From 1998 to 2010, Gatewood would do most of his work for \u003ci>Skin and Ink\u003c/i> magazine, and later concentrated on photo collages that he created in his apartment.\u003c/p>\n\u003cp>After the fall from his third-floor balcony, Gatewood was hospitalized for several weeks. When he finally died on April 28, he was surrounded by friends.\u003c/p>\n\u003cp>“Well, Charles took the last train out at 12:30 this morning,” Last Gasp publisher Ron Turner, one of Gatewood’s last portrait subjects, wrote on \u003ca href=\"https://www.facebook.com/ronald.e.turner/posts/10154282528739155?pnref=story\" target=\"_blank\" rel=\"noopener\">Facebook\u003c/a> after Gatewood died. “I marveled at Charles’ wakefulness yesterday evening. It was as if he was taking in as much as he could, like a child being ushered out of the amusement park as it was shutting down. I treasure the smile I got from him as I left.”\u003c/p>\n\u003cp>UC Berkeley’s Bancroft Library recently bought Gatewood’s massive photo archive and there are plans for a retrospective in 2017. A memorial was being organized as of Thursday, which is expected to be held at the Center for Sex and Culture in San Francisco.\u003c/p>\n\u003cp>\u003ci>Watch a perspective of Gatewood and his work below. \u003cstrong>Warning:\u003c/strong> some images are NSFW.\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=lhq9IgeG_Nk \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://en.wikipedia.org/wiki/Charles_Gatewood\" target=\"_blank\" rel=\"noopener\">Charles Gatewood\u003c/a>, an \u003ca href=\"http://laughingsquid.com/charles-gatewood-1942-2016-legendary-underground-photographer-author-and-artist/\" target=\"_blank\" rel=\"noopener\">award-winning photographer\u003c/a> who shot both celebrities and counter culture figures, including the Hell’s Angels and erotic performance artists like Annie Sprinkle, died Thursday from injuries after he fell off his third-story balcony several weeks before. He was 73.\u003c/p>\n\u003cp>Born in Illinois in 1942 and raised mostly in Missouri, Gatewood began pursuing a career in photography \u003ca href=\"http://www.broadwayworld.com/bwwart/article/Remembering-Famed-Photographer-Charles-Gatewood-20160429#\" target=\"_blank\" rel=\"noopener\">while in his first year of graduate school\u003c/a> at the University of Missouri. While living in Stockholm, Sweden, attending school and traveling around Europe, Gatewood landed a job with AB Text & Bilder, a Swedish news wire, as a darkroom technician. The position provided him a press pass and equipment, which he used to photograph jazz concerts and other events.\u003c/p>\n\u003cfigure id=\"attachment_11537074\" class=\"wp-caption alignright\" style=\"max-width: 413px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/04/Bob-Dylan-by-Gatewood-413x600.jpg\" alt=\"Dylan With Sunglasses and Cigarette\" width=\"413\" height=\"600\" class=\"size-medium wp-image-11537074\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Bob-Dylan-by-Gatewood-413x600.jpg 413w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Bob-Dylan-by-Gatewood-400x582.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Bob-Dylan-by-Gatewood.jpg 584w\" sizes=\"(max-width: 413px) 100vw, 413px\">\u003cfigcaption class=\"wp-caption-text\">Dylan With Sunglasses and Cigarette \u003ccite>(Photo: Charles Gatewood)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 1966, Gatewood had his first big break when he photographed Bob Dylan at a press conference. The photograph, titled “Dylan With Sunglasses and Cigarette” was picked up for syndication and published around the world. \u003c/p>\n\u003cp>“Taking the Bob Dylan photo gave me faith I could actually be a professional photographer,” \u003ca href=\"http://hifructose.com/2016/04/28/legendary-photographer-charles-gatewood-1942-2016/\" target=\"_blank\" rel=\"noopener\">Gatewood would later say\u003c/a>.\u003c/p>\n\u003cp>Gatewood went on to shoot several celebrities and other notable figures over the next 50 years, including Beat writers William S. Burroughs and Allen Ginsburg; musicians such as Ella Fitzgerald, Rod Stewart and David Bowie; and even legendary civil rights activists such as Martin Luther King Jr. His work would appear in publications such as the \u003cem>New York Times\u003c/em>, \u003cem>Time\u003c/em> and \u003cem>Rolling Stone\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But celebrities weren’t his only subjects — Gatewood was a dedicated documentarian of underground subcultures. He entrenched himself in subjects others would see as dark and off-limits, such as the debauchery of 1970s New Orleans during Mardi Gras and the sex positive communities in San Francisco, which helped bring those previously underground groups into the mainstream. He would later say that he wanted to “take photographs that kill.”\u003c/p>\n\u003cfigure id=\"attachment_11537082\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/04/Page-Burroughs-by-Gatewood.jpg\" alt=\"Guitarist Jimmy Page and author William S. Burroughs\" width=\"640\" height=\"480\" class=\"size-full wp-image-11537082\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Page-Burroughs-by-Gatewood.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Page-Burroughs-by-Gatewood-400x300.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Guitarist Jimmy Page and author William S. Burroughs \u003ccite>(Photo: Charles Gatewood)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gatewood moved to San Francisco in 1987, and would cover events such as the Folsom Street Fair and Burning Man. From 1998 to 2010, Gatewood would do most of his work for \u003ci>Skin and Ink\u003c/i> magazine, and later concentrated on photo collages that he created in his apartment.\u003c/p>\n\u003cp>After the fall from his third-floor balcony, Gatewood was hospitalized for several weeks. When he finally died on April 28, he was surrounded by friends.\u003c/p>\n\u003cp>“Well, Charles took the last train out at 12:30 this morning,” Last Gasp publisher Ron Turner, one of Gatewood’s last portrait subjects, wrote on \u003ca href=\"https://www.facebook.com/ronald.e.turner/posts/10154282528739155?pnref=story\" target=\"_blank\" rel=\"noopener\">Facebook\u003c/a> after Gatewood died. “I marveled at Charles’ wakefulness yesterday evening. It was as if he was taking in as much as he could, like a child being ushered out of the amusement park as it was shutting down. I treasure the smile I got from him as I left.”\u003c/p>\n\u003cp>UC Berkeley’s Bancroft Library recently bought Gatewood’s massive photo archive and there are plans for a retrospective in 2017. A memorial was being organized as of Thursday, which is expected to be held at the Center for Sex and Culture in San Francisco.\u003c/p>\n\u003cp>\u003ci>Watch a perspective of Gatewood and his work below. \u003cstrong>Warning:\u003c/strong> some images are NSFW.\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=lhq9IgeG_Nk \u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"source": "American Public Media"
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"masters-of-scale": {
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},
"mindshift": {
"id": "mindshift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"morning-edition": {
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"on-the-media": {
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"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"link": "/radio/program/on-the-media",
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},
"pbs-newshour": {
"id": "pbs-newshour",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
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},
"link": "/radio/program/pbs-newshour",
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"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
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},
"perspectives": {
"id": "perspectives",
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"order": 14
},
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"planet-money": {
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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},
"link": "/radio/program/planet-money",
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"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
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},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 5
},
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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"source": "PRI"
},
"link": "/radio/program/pri-the-world",
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"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
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