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"content": "\u003cp>As we all know, week-long vacations are life-enhancing, soul-enriching…and expensive as hell. The good news: living in the Bay Area means you’ve got no shortage of options for making your weekends into mini-getaways that \u003cem>don’t\u003c/em> rinse your wallet.\u003c/p>\n\u003cfigure>\u003cfigcaption>\u003ca target=\"_blank\" href=\"https://www.flickr.com/photos/51652977@N00/7373719302/in/photolist-ceAeRq-w89CS8-8UWGqt-8UZLco-8VM7d8-5ohd2b-qFi1PT-rvbnpG-86PiQH-86PkGc-8X8Bgw-qyWp2-qyXeR-qyXgJ-qyXhL-qyWjN-qyWkE-qyWj5-qyXoG-8U4VLb-rcYtN5-8VtvZb-8VvieK-8Wb3tP-8Xkueo-8Vv93K-8Vquzn-8Wtp43-8XeJ5X-8RsLAq-8WS8HM-8XhGnN-e5zHY5-8Xhs96-8V6jkk-e2vSs2-8Rx4Jf-8S5a11-67wGya-8RtqSf-67vj6a-8XksNu-8XaeCy-8TDoCF-8RwBJg-8WfP4S-8VFrcE-8UGZM2-8UL3vS-8RwGba\" rel=\"noopener\">A Big Sur vista\u003c/a> \u003ccite>(Albert de Bruijn/Flickr)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As one who is routinely \u003ca href=\"http://ww2.kqed.org/pop/wallet-friendly-weekender-big-sur\" target=\"_blank\" id=\"rssmi_more\" rel=\"noopener\"> …read more\u003c/a> \u003c/p>\n\u003cp>Source:: \u003ca href=\"http://ww2.kqed.org/pop/wallet-friendly-weekender-big-sur\" target=\"_blank\" title=\"GUIDE: How to Spend a Wallet-Friendly Weekend in Big Sur\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"disqusTitle": "Millennials Monthly: A Look Back at Other Maligned Generations",
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"content": "\u003cp>\u003cstrong>By Peggy O'Donnell\u003c/strong>\u003c/p>\n\u003cp>On a spring afternoon, a Republican political candidate told an audience in San Francisco about a recent rock concert at UC Berkeley.\u003c/p>\n\u003cp>“Three rock and roll bands played simultaneously. The smell of marijuana was thick throughout the hall. […] There were indications of other happenings that cannot be mentioned here,” he said, suggestively. The politician said he would make America great again, so to speak, and take a stand against the degeneracies of youth culture: casual sex and drug use, inexplicable tastes in entertainment and fashion, naive politics, laziness, and general lack of respect for their elders.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/tag/millennials/\">Millennials\u003c/a>, right?\u003c/p>\n\u003cfigure id=\"attachment_23353\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-23353\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/selfie-800x475.jpg\" alt=\"This is what all Millennials look like, right?\" width=\"800\" height=\"475\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/selfie-800x475.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/selfie-400x237.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/selfie-768x456.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/selfie.jpg 900w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">This is what all Millennials look like, right?\u003c/figcaption>\u003c/figure>\n\u003cp>Anyone who reads anything on the internet knows that millennials and their morals, thoughts, and actions are threatening the future of humanity. Two general categories of millennial thinkpieces abound:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>1) Millennials refuse to grow up (they turn workplaces into \u003ca href=\"http://www.nytimes.com/2016/03/20/fashion/millennials-mic-workplace.html?_r=0\">frat houses\u003c/a>; invented \u003ca href=\"http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3613286/\">hookup culture\u003c/a>; can’t commit to \u003ca href=\"http://nypost.com/2016/03/29/millennials-latest-mistake-embracing-the-starter-marriage/\">a marriage\u003c/a>, a \u003ca href=\"http://www.wsj.com/articles/how-employers-wrangle-restless-millennials-1430818203\">job\u003c/a>, or owning a \u003ca href=\"http://www.pressherald.com/2016/04/20/housing-market-eludes-millennials/\">home\u003c/a>; wear \u003ca href=\"http://www.nytimes.com/2016/03/06/magazine/the-politics-of-the-hoodie.html\">hoodies \u003c/a>and\u003ca href=\"http://nymag.com/thecut/2015/08/shop-jeen-erin-yogasundram.html\"> emoji t-shirts\u003c/a>; and fail to procreate).\u003c/p>\n\u003cp>2) Millennials won’t ever be able to grow up (they are \u003ca href=\"http://www.telegraph.co.uk/men/thinking-man/crybaby-millennials-need-to-stop-whinging-and-work-hard-like-the/\">whiny\u003c/a>, \u003ca href=\"http://time.com/3154186/millennials-selfish-entitled-helicopter-parenting/\">coddled\u003c/a>, \u003ca href=\"http://nation.time.com/millennials/\">narcissistic\u003c/a>, and \u003ca href=\"http://www.wsj.com/articles/SB122455219391652725\">entitled\u003c/a>).\u003c/p>\n\u003cp>Everyone seems concerned that the kids today aren’t alright.\u003c/p>\n\u003cp>But that politician so concerned about the scandalizing “happenings” at Berkeley? That was Ronald Reagan. The speech was in the midst of his 1966 campaign for California’s governorship, and the youths weren’t millennials at all. Reagan railed against the “beatniks, radicals, and filthy speech advocates” who had turned California’s flagship university into a “rallying point of communists and a center of sexual misconduct.” Once elected, Governor Reagan violently repressed political rallies and the Free Speech Movement. In the 1960s, the patron saint of today’s GOP \u003ca href=\"http://www.berkeley.edu/news/media/releases/2004/06/08_reagan.shtml\">built his career\u003c/a> on opposing and repressing young people’s differing ideas of morality, fun, love, and politics.\u003c/p>\n\u003cp>The kids, it would seem, have not been alright for a long time.\u003c/p>\n\u003cfigure id=\"attachment_23350\" class=\"wp-caption aligncenter\" style=\"max-width: 232px\">\u003cimg class=\"size-full wp-image-23350\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/232px-BeatGenerationLOC.jpg\" alt=\"Beatniks!\" width=\"232\" height=\"598\">\u003cfigcaption class=\"wp-caption-text\">Beatniks!\u003c/figcaption>\u003c/figure>\n\u003cp>Older generations have probably worried about the youth ruining everything since the dawn of civilization. In a quote \u003ca href=\"http://www.bartleby.com/73/195.html\">often attributed to Socrates\u003c/a>, the great philosopher of ancient Greece lamented, “the children now love luxury; they have bad manners and contempt for authority.”\u003c/p>\n\u003cp>In 18th and 19th century Britain and France, generational angst was directed toward \"dandies\": young, working- or middle-class men who dressed ostentatiously and elegantly to appear aristocratic, an identity older, established sectors of society didn’t think they deserved. With their clothing choices — as with hoodies-as-workwear in Silicon Valley — dandies questioned both the appearance and reality of social hierarchy, and were ridiculed for having done so.\u003c/p>\n\u003cfigure id=\"attachment_23349\" class=\"wp-caption aligncenter\" style=\"max-width: 448px\">\u003cimg class=\"size-full wp-image-23349\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/BrummellDighton1805.jpg\" alt='A \"dandy.\"' width=\"448\" height=\"969\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/BrummellDighton1805.jpg 448w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/BrummellDighton1805-400x865.jpg 400w\" sizes=\"(max-width: 448px) 100vw, 448px\">\u003cfigcaption class=\"wp-caption-text\">A \"dandy.\" \u003ccite>(Wikimedia Commons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The beatniks that earned Reagan’s ire at Berkeley were a late 1950s urban and intellectual youth culture that opposed “middle class values” like consumerism and homophobia, and advocated for gender and racial equality. By the mid-1960s, beatnik culture had morphed into hippie culture, which brought with it even more obvious sartorial (tie-dye and bell bottoms), cultural (Woodstock and LSD), and political (pro-Civil Rights, anti-Vietnam) challenges to societal norms. (And lest you think millennials’ hookup culture invented casual sex, please see 1967 and the Summer of Love.)\u003c/p>\n\u003cfigure id=\"attachment_23352\" class=\"wp-caption aligncenter\" style=\"max-width: 393px\">\u003cimg class=\"size-full wp-image-23352\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Hippies.jpg\" alt=\"Elders were pretty wary of this generation, too. \" width=\"393\" height=\"501\">\u003cfigcaption class=\"wp-caption-text\">Elders were pretty wary of this generation, too. \u003ccite>(Wikimedia Commons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Like millennials, beatniks and hippies were characterized by older generations as lazy, frivolous, morally lax, and — with their political and social demands — whiny. If you believe the critics, our self-centered millennial generation might be upset to know that even the criticisms of us are not new.\u003c/p>\n\u003cp>Gen X didn’t make it out of youth unscathed either. A 1990 \u003ca href=\"http://content.time.com/time/magazine/article/0,9171,155010,00.html\">\u003cem>Time Magazine\u003c/em>\u003c/a> cover story recounted their failings: “They have trouble making decisions. […] They have few heroes, no anthems, no style to call their own. They crave entertainment, but their attention span is as short as one zap of a TV dial. […] They postpone marriage [and] possess only a hazy sense of their own identity but a monumental preoccupation with all the problems the preceding generation will leave for them to fix.” In 1990, Gen X was the worst generation in history. But replace the words “TV dial,” and the same description could be a critique of millennials, the new worst generation in history. Give it time and they, too, will pass the torch.\u003c/p>\n\u003cfigure id=\"attachment_23351\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg class=\"size-full wp-image-23351\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/roof-600x450.jpg\" alt=\"Remember when these Gen X slackers supposedly marked the decline of Western civilization?\" width=\"600\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/roof-600x450.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/roof-600x450-400x300.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Remember when these Gen X slackers supposedly marked the decline of Western civilization?\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>So: Perhaps the only truly historically unique thing about millennials is that they’re living out their youth on the internet. In the heydays of their youth, dandies, beatniks, hippies, and Gen Xers were equally seen as the harbingers of humanity’s doom. But in the rosy gaze of history, they have been accepted as coherent youth cultures, with largely coherent — if kind of weird — fashions, morals, tastes, and politics. They brought little doom, and millennials won’t either. Probably.\u003c/p>\n\n",
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"excerpt": "This month, a look back at some of the maligned generation's predecessors -- from Ancient Greece to the beatniks. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>By Peggy O'Donnell\u003c/strong>\u003c/p>\n\u003cp>On a spring afternoon, a Republican political candidate told an audience in San Francisco about a recent rock concert at UC Berkeley.\u003c/p>\n\u003cp>“Three rock and roll bands played simultaneously. The smell of marijuana was thick throughout the hall. […] There were indications of other happenings that cannot be mentioned here,” he said, suggestively. The politician said he would make America great again, so to speak, and take a stand against the degeneracies of youth culture: casual sex and drug use, inexplicable tastes in entertainment and fashion, naive politics, laziness, and general lack of respect for their elders.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/tag/millennials/\">Millennials\u003c/a>, right?\u003c/p>\n\u003cfigure id=\"attachment_23353\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-23353\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/selfie-800x475.jpg\" alt=\"This is what all Millennials look like, right?\" width=\"800\" height=\"475\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/selfie-800x475.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/selfie-400x237.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/selfie-768x456.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/selfie.jpg 900w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">This is what all Millennials look like, right?\u003c/figcaption>\u003c/figure>\n\u003cp>Anyone who reads anything on the internet knows that millennials and their morals, thoughts, and actions are threatening the future of humanity. Two general categories of millennial thinkpieces abound:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>1) Millennials refuse to grow up (they turn workplaces into \u003ca href=\"http://www.nytimes.com/2016/03/20/fashion/millennials-mic-workplace.html?_r=0\">frat houses\u003c/a>; invented \u003ca href=\"http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3613286/\">hookup culture\u003c/a>; can’t commit to \u003ca href=\"http://nypost.com/2016/03/29/millennials-latest-mistake-embracing-the-starter-marriage/\">a marriage\u003c/a>, a \u003ca href=\"http://www.wsj.com/articles/how-employers-wrangle-restless-millennials-1430818203\">job\u003c/a>, or owning a \u003ca href=\"http://www.pressherald.com/2016/04/20/housing-market-eludes-millennials/\">home\u003c/a>; wear \u003ca href=\"http://www.nytimes.com/2016/03/06/magazine/the-politics-of-the-hoodie.html\">hoodies \u003c/a>and\u003ca href=\"http://nymag.com/thecut/2015/08/shop-jeen-erin-yogasundram.html\"> emoji t-shirts\u003c/a>; and fail to procreate).\u003c/p>\n\u003cp>2) Millennials won’t ever be able to grow up (they are \u003ca href=\"http://www.telegraph.co.uk/men/thinking-man/crybaby-millennials-need-to-stop-whinging-and-work-hard-like-the/\">whiny\u003c/a>, \u003ca href=\"http://time.com/3154186/millennials-selfish-entitled-helicopter-parenting/\">coddled\u003c/a>, \u003ca href=\"http://nation.time.com/millennials/\">narcissistic\u003c/a>, and \u003ca href=\"http://www.wsj.com/articles/SB122455219391652725\">entitled\u003c/a>).\u003c/p>\n\u003cp>Everyone seems concerned that the kids today aren’t alright.\u003c/p>\n\u003cp>But that politician so concerned about the scandalizing “happenings” at Berkeley? That was Ronald Reagan. The speech was in the midst of his 1966 campaign for California’s governorship, and the youths weren’t millennials at all. Reagan railed against the “beatniks, radicals, and filthy speech advocates” who had turned California’s flagship university into a “rallying point of communists and a center of sexual misconduct.” Once elected, Governor Reagan violently repressed political rallies and the Free Speech Movement. In the 1960s, the patron saint of today’s GOP \u003ca href=\"http://www.berkeley.edu/news/media/releases/2004/06/08_reagan.shtml\">built his career\u003c/a> on opposing and repressing young people’s differing ideas of morality, fun, love, and politics.\u003c/p>\n\u003cp>The kids, it would seem, have not been alright for a long time.\u003c/p>\n\u003cfigure id=\"attachment_23350\" class=\"wp-caption aligncenter\" style=\"max-width: 232px\">\u003cimg class=\"size-full wp-image-23350\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/232px-BeatGenerationLOC.jpg\" alt=\"Beatniks!\" width=\"232\" height=\"598\">\u003cfigcaption class=\"wp-caption-text\">Beatniks!\u003c/figcaption>\u003c/figure>\n\u003cp>Older generations have probably worried about the youth ruining everything since the dawn of civilization. In a quote \u003ca href=\"http://www.bartleby.com/73/195.html\">often attributed to Socrates\u003c/a>, the great philosopher of ancient Greece lamented, “the children now love luxury; they have bad manners and contempt for authority.”\u003c/p>\n\u003cp>In 18th and 19th century Britain and France, generational angst was directed toward \"dandies\": young, working- or middle-class men who dressed ostentatiously and elegantly to appear aristocratic, an identity older, established sectors of society didn’t think they deserved. With their clothing choices — as with hoodies-as-workwear in Silicon Valley — dandies questioned both the appearance and reality of social hierarchy, and were ridiculed for having done so.\u003c/p>\n\u003cfigure id=\"attachment_23349\" class=\"wp-caption aligncenter\" style=\"max-width: 448px\">\u003cimg class=\"size-full wp-image-23349\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/BrummellDighton1805.jpg\" alt='A \"dandy.\"' width=\"448\" height=\"969\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/BrummellDighton1805.jpg 448w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/BrummellDighton1805-400x865.jpg 400w\" sizes=\"(max-width: 448px) 100vw, 448px\">\u003cfigcaption class=\"wp-caption-text\">A \"dandy.\" \u003ccite>(Wikimedia Commons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The beatniks that earned Reagan’s ire at Berkeley were a late 1950s urban and intellectual youth culture that opposed “middle class values” like consumerism and homophobia, and advocated for gender and racial equality. By the mid-1960s, beatnik culture had morphed into hippie culture, which brought with it even more obvious sartorial (tie-dye and bell bottoms), cultural (Woodstock and LSD), and political (pro-Civil Rights, anti-Vietnam) challenges to societal norms. (And lest you think millennials’ hookup culture invented casual sex, please see 1967 and the Summer of Love.)\u003c/p>\n\u003cfigure id=\"attachment_23352\" class=\"wp-caption aligncenter\" style=\"max-width: 393px\">\u003cimg class=\"size-full wp-image-23352\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Hippies.jpg\" alt=\"Elders were pretty wary of this generation, too. \" width=\"393\" height=\"501\">\u003cfigcaption class=\"wp-caption-text\">Elders were pretty wary of this generation, too. \u003ccite>(Wikimedia Commons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Like millennials, beatniks and hippies were characterized by older generations as lazy, frivolous, morally lax, and — with their political and social demands — whiny. If you believe the critics, our self-centered millennial generation might be upset to know that even the criticisms of us are not new.\u003c/p>\n\u003cp>Gen X didn’t make it out of youth unscathed either. A 1990 \u003ca href=\"http://content.time.com/time/magazine/article/0,9171,155010,00.html\">\u003cem>Time Magazine\u003c/em>\u003c/a> cover story recounted their failings: “They have trouble making decisions. […] They have few heroes, no anthems, no style to call their own. They crave entertainment, but their attention span is as short as one zap of a TV dial. […] They postpone marriage [and] possess only a hazy sense of their own identity but a monumental preoccupation with all the problems the preceding generation will leave for them to fix.” In 1990, Gen X was the worst generation in history. But replace the words “TV dial,” and the same description could be a critique of millennials, the new worst generation in history. Give it time and they, too, will pass the torch.\u003c/p>\n\u003cfigure id=\"attachment_23351\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg class=\"size-full wp-image-23351\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/roof-600x450.jpg\" alt=\"Remember when these Gen X slackers supposedly marked the decline of Western civilization?\" width=\"600\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/roof-600x450.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/roof-600x450-400x300.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Remember when these Gen X slackers supposedly marked the decline of Western civilization?\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>So: Perhaps the only truly historically unique thing about millennials is that they’re living out their youth on the internet. In the heydays of their youth, dandies, beatniks, hippies, and Gen Xers were equally seen as the harbingers of humanity’s doom. But in the rosy gaze of history, they have been accepted as coherent youth cultures, with largely coherent — if kind of weird — fashions, morals, tastes, and politics. They brought little doom, and millennials won’t either. Probably.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Cy and David's Picks: Dollar Brand, 20 Years of Beethoven, and Getting a Bleach Job",
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"content": "\u003caside class=\"aligncenter\">\n\u003ch4>KQED’s Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.\u003c/h4>\n\u003cp>http://www.kqed.org/.stream/anon/radio/thedolist/2016/04/TDL20160429.mp3\u003c/p>\n\u003c/aside>\n\u003cp>\u003cstrong>April 29 -May 1: \u003c/strong> Pianist \u003ca href=\"http://abdullahibrahim.co.za/\" target=\"_blank\" rel=\"noopener\">Abdullah Ibrahim\u003c/a>, once nicknamed Dollar Brand, is a pioneer of Cape Jazz, as in Cape Town, South Africa, where he grew up. His song “Mannenberg” (you’ll know it when you hear it) became the unofficial anthem of the Anti-Apartheid movement.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=hiQ0uyqySBg\u003cbr>\nNelson Mandela called Ibrahim “South Africa’s Mozart.” He got his first recording gig after Duke Ellington saw him in Europe and championed his music. And he even led the Ellington Orchestra a few times in the 1960’s. He’s still making gorgeous music, so no excuse if you miss this 81 year old master at \u003ca href=\"https://www.sfjazz.org/\" target=\"_blank\" rel=\"noopener\">SFJAZZ\u003c/a> this weekend. We won’t get many more chances. Details \u003ca href=\"https://www.sfjazz.org/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>https://vimeo.com/57729188\u003c/p>\n\u003cp>\u003cstrong>April 30: \u003c/strong>\u003ca href=\"http://www.erikjekabson.com/bio/\" target=\"_blank\" rel=\"noopener\">Erik Jekabson\u003c/a> is one of the Bay Area’s indispensable session players. I caught him a few weeks ago backing Natalie Cressman in her gig at SFJAZZ, and he offered impeccable support and artfully shaped solos. He’s leading his Stringtet Saturday at the \u003ca href=\"http://musicallyminded.org/\" target=\"_blank\" rel=\"noopener\">Musically Minded Academy\u003c/a> in Oakland’s Rockridge, and you won’t find a more tasteful evening of jazz. Details \u003ca href=\"http://musicallyminded.org/events/category/professional_concerts/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=q6WsKQrAHVg\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>May 6 – May 29:\u003c/strong> There’s so much good theater right now in the Bay Area, but here’s another show you have to make time for, \u003cem>The Most Dangerous Highway in the World\u003c/em> by Kevin Artigue, the opening show for \u003ca href=\"http://www.goldenthread.org/2016-season/\" target=\"_blank\" rel=\"noopener\">Golden Thread’s \u003c/a>new season. The play is inspired by a \u003cem>New York Times\u003c/em> article about an Afghan boy who helps direct traffic with a plastic Pepsi bottle on a mountain highway in Afghanistan in return for tips from long haul truckers and American soldiers. Details \u003ca href=\"http://www.goldenthread.org/2016-season/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=pOB4YD7iZDA\u003c/p>\n\u003cp>\u003cstrong>May 4 – June 26:\u003c/strong> \u003ca href=\"http://cypressquartet.com/\" target=\"_blank\" rel=\"noopener\">The Cypress String Quartet\u003c/a> set out 20 years ago to play and record all of Beethoven’s string quartets (with a few detours for some modern composers). Now that they’re done, they’re disbanding. It’s not, said cellist Jennifer Kloetzel, that they aren’t still finding fresh insights into Beethoven’s amazing cycle of quartets: “My colleagues tease me and say Beethoven is like your boyfriend, because I’m so obsessed with how he dug very deep. I can perform one of these quartets hundreds of times and always find something new in it.”\u003c/p>\n\u003cp>But Kloetzel said she and the other members (Cecily Ward, violin; Tom Stone, violin; Ethan Filner, viola) have other projects they want to pursue. Still they’re going out like “Thelma and Louise, full speed ahead,” with a series of free concerts in every district of San Francisco, the quartet’s home, plus ticketed concerts in Napa, Berkeley and Palo Alto. Details for this lovely parting gift are \u003ca href=\"http://cypressquartet.com/calendar/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=8XW7fFUnggo\u003c/p>\n\u003cp>\u003cstrong>May 5: \u003c/strong>\u003ca href=\"http://www.oakarts.org/\" target=\"_blank\" rel=\"noopener\">The Oakland School for the Arts\u003c/a> had a world premiere earlier this year — they mounted the \u003ca href=\"http://ww2.kqed.org/arts/2016/03/01/oakland-school-premiering-webber-penned-school-of-rock-production/\" target=\"_blank\" rel=\"noopener\">very first amateur production of the Broadway hit School of Rock\u003c/a>. And now the 120 students in the OSA’s School of Vocal Music are putting on their own show. The theme is Identity, a big deal for any high-schooler. The difference is these kids can really sing, and dance. I caught a contingent of the Vocal Music students recently doing a song from the Broadway show \u003cem>Fun Home\u003c/em>, and they just about broke my heart. Details for their show at The Fox in Oakland are\u003ca href=\"https://www.facebook.com/events/788144131315539/\" target=\"_blank\" rel=\"noopener\"> here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=pmgBdqsOwLo\u003c/p>\n\u003cp>\u003cstrong>May 2\u003c/strong>: Echo Park’s \u003ca href=\"https://www.facebook.com/HelloBleached\" target=\"_blank\" rel=\"noopener\">Bleached \u003c/a>have been described as “Evil Go-Go’s, and their new album is \u003ca href=\"http://www.latimes.com/entertainment/music/la-ca-ms-bleached-20160403-1-story.html\" target=\"_blank\" rel=\"noopener\">\u003cem>Welcome the Worms\u003c/em>\u003c/a>, which I guess is a graveyard expression suggesting we all embrace the darkness of life. But you can hear a hint of sunnier West Coast pop peeking through the punk negativity. Sisters Jennifer and Jessica Clavin formerly of the Mika Miko, bassist Micayla Grace, and drummer Mark Jordan play with extraordinary energy. Definitely a \u003cstrong>Cheap Thrill.\u003c/strong> Details for Bleached’s \u003ca href=\"http://www.bottomofthehill.com/20160502.html#.VyEqivkrKJA\" target=\"_blank\" rel=\"noopener\">Bottom of the Hill gig are here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"headline": "Cy and David's Picks: Dollar Brand, 20 Years of Beethoven, and Getting a Bleach Job",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"aligncenter\">\n\u003ch4>KQED’s Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.\u003c/h4>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/aside>\n\u003cp>\u003cstrong>April 29 -May 1: \u003c/strong> Pianist \u003ca href=\"http://abdullahibrahim.co.za/\" target=\"_blank\" rel=\"noopener\">Abdullah Ibrahim\u003c/a>, once nicknamed Dollar Brand, is a pioneer of Cape Jazz, as in Cape Town, South Africa, where he grew up. His song “Mannenberg” (you’ll know it when you hear it) became the unofficial anthem of the Anti-Apartheid movement.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=hiQ0uyqySBg\u003cbr>\nNelson Mandela called Ibrahim “South Africa’s Mozart.” He got his first recording gig after Duke Ellington saw him in Europe and championed his music. And he even led the Ellington Orchestra a few times in the 1960’s. He’s still making gorgeous music, so no excuse if you miss this 81 year old master at \u003ca href=\"https://www.sfjazz.org/\" target=\"_blank\" rel=\"noopener\">SFJAZZ\u003c/a> this weekend. We won’t get many more chances. Details \u003ca href=\"https://www.sfjazz.org/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>April 30: \u003c/strong>\u003ca href=\"http://www.erikjekabson.com/bio/\" target=\"_blank\" rel=\"noopener\">Erik Jekabson\u003c/a> is one of the Bay Area’s indispensable session players. I caught him a few weeks ago backing Natalie Cressman in her gig at SFJAZZ, and he offered impeccable support and artfully shaped solos. He’s leading his Stringtet Saturday at the \u003ca href=\"http://musicallyminded.org/\" target=\"_blank\" rel=\"noopener\">Musically Minded Academy\u003c/a> in Oakland’s Rockridge, and you won’t find a more tasteful evening of jazz. Details \u003ca href=\"http://musicallyminded.org/events/category/professional_concerts/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/q6WsKQrAHVg'\n title='//www.youtube.com/embed/q6WsKQrAHVg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>May 6 – May 29:\u003c/strong> There’s so much good theater right now in the Bay Area, but here’s another show you have to make time for, \u003cem>The Most Dangerous Highway in the World\u003c/em> by Kevin Artigue, the opening show for \u003ca href=\"http://www.goldenthread.org/2016-season/\" target=\"_blank\" rel=\"noopener\">Golden Thread’s \u003c/a>new season. The play is inspired by a \u003cem>New York Times\u003c/em> article about an Afghan boy who helps direct traffic with a plastic Pepsi bottle on a mountain highway in Afghanistan in return for tips from long haul truckers and American soldiers. Details \u003ca href=\"http://www.goldenthread.org/2016-season/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/pOB4YD7iZDA'\n title='//www.youtube.com/embed/pOB4YD7iZDA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>May 4 – June 26:\u003c/strong> \u003ca href=\"http://cypressquartet.com/\" target=\"_blank\" rel=\"noopener\">The Cypress String Quartet\u003c/a> set out 20 years ago to play and record all of Beethoven’s string quartets (with a few detours for some modern composers). Now that they’re done, they’re disbanding. It’s not, said cellist Jennifer Kloetzel, that they aren’t still finding fresh insights into Beethoven’s amazing cycle of quartets: “My colleagues tease me and say Beethoven is like your boyfriend, because I’m so obsessed with how he dug very deep. I can perform one of these quartets hundreds of times and always find something new in it.”\u003c/p>\n\u003cp>But Kloetzel said she and the other members (Cecily Ward, violin; Tom Stone, violin; Ethan Filner, viola) have other projects they want to pursue. Still they’re going out like “Thelma and Louise, full speed ahead,” with a series of free concerts in every district of San Francisco, the quartet’s home, plus ticketed concerts in Napa, Berkeley and Palo Alto. Details for this lovely parting gift are \u003ca href=\"http://cypressquartet.com/calendar/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/8XW7fFUnggo'\n title='//www.youtube.com/embed/8XW7fFUnggo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>May 5: \u003c/strong>\u003ca href=\"http://www.oakarts.org/\" target=\"_blank\" rel=\"noopener\">The Oakland School for the Arts\u003c/a> had a world premiere earlier this year — they mounted the \u003ca href=\"http://ww2.kqed.org/arts/2016/03/01/oakland-school-premiering-webber-penned-school-of-rock-production/\" target=\"_blank\" rel=\"noopener\">very first amateur production of the Broadway hit School of Rock\u003c/a>. And now the 120 students in the OSA’s School of Vocal Music are putting on their own show. The theme is Identity, a big deal for any high-schooler. The difference is these kids can really sing, and dance. I caught a contingent of the Vocal Music students recently doing a song from the Broadway show \u003cem>Fun Home\u003c/em>, and they just about broke my heart. Details for their show at The Fox in Oakland are\u003ca href=\"https://www.facebook.com/events/788144131315539/\" target=\"_blank\" rel=\"noopener\"> here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/pmgBdqsOwLo'\n title='//www.youtube.com/embed/pmgBdqsOwLo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>May 2\u003c/strong>: Echo Park’s \u003ca href=\"https://www.facebook.com/HelloBleached\" target=\"_blank\" rel=\"noopener\">Bleached \u003c/a>have been described as “Evil Go-Go’s, and their new album is \u003ca href=\"http://www.latimes.com/entertainment/music/la-ca-ms-bleached-20160403-1-story.html\" target=\"_blank\" rel=\"noopener\">\u003cem>Welcome the Worms\u003c/em>\u003c/a>, which I guess is a graveyard expression suggesting we all embrace the darkness of life. But you can hear a hint of sunnier West Coast pop peeking through the punk negativity. Sisters Jennifer and Jessica Clavin formerly of the Mika Miko, bassist Micayla Grace, and drummer Mark Jordan play with extraordinary energy. Definitely a \u003cstrong>Cheap Thrill.\u003c/strong> Details for Bleached’s \u003ca href=\"http://www.bottomofthehill.com/20160502.html#.VyEqivkrKJA\" target=\"_blank\" rel=\"noopener\">Bottom of the Hill gig are here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cstrong>In association with the broadcast premiere of \u003ca href=\"http://www.kqed.org/tv/programs/index.jsp?pgmid=23409\" target=\"_blank\">\u003cem>Janis Joplin: Little Girl Blue\u003c/em>\u003c/a> on Tuesday, May 3, at 8 pm on KQED 9\u003c/strong>\u003c/p>\n\u003cp>Do your family albums contain vintage snaps of you or your parents — or perhaps your grandparents, or family friends — taken during the 1960s in the San Francisco Bay Area? Then we want to see them.\u003c/p>\n\u003cp>To celebrate the broadcast of \u003cem>American Masters\u003c/em>’ acclaimed film \u003ca href=\"http://ww2.kqed.org/arts/2016/04/28/american-masters-janis-joplin/\" target=\"_blank\">\u003cem>Janis Joplin: Little Girl Blue\u003c/em>\u003c/a> on May 3, we’re building a collective picture of the style, attitude and atmosphere of 1960s San Francisco and the wider Bay Area: a place Janis Joplin called home from 1963 until her untimely death age 27 in 1970. That's where you — and your family photos — come in.\u003c/p>\n\u003cfigure id=\"attachment_6761\" class=\"wp-caption aligncenter\" style=\"max-width: 1047px\">\u003cimg class=\"size-full wp-image-6761\" src=\"http://ww2.kqed.org/about/wp-content/uploads/sites/19/2016/04/Blosser_60s_crop.jpg\" alt=\"KQED staffer Heather Blosser sent us this picture of her parents (far right) with her as a toddler, taken in the 1960s\" width=\"1047\" height=\"894\" srcset=\"https://ww2.kqed.org/app/uploads/sites/19/2016/04/Blosser_60s_crop.jpg 1047w, https://ww2.kqed.org/app/uploads/sites/19/2016/04/Blosser_60s_crop-400x342.jpg 400w, https://ww2.kqed.org/app/uploads/sites/19/2016/04/Blosser_60s_crop-703x600.jpg 703w, https://ww2.kqed.org/app/uploads/sites/19/2016/04/Blosser_60s_crop-768x656.jpg 768w, https://ww2.kqed.org/app/uploads/sites/19/2016/04/Blosser_60s_crop-960x820.jpg 960w\" sizes=\"(max-width: 1047px) 100vw, 1047px\">\u003cfigcaption class=\"wp-caption-text\">KQED staffer Heather Blosser sent us this picture of her parents (far right) with her as a toddler, taken in the 1960s\u003c/figcaption>\u003c/figure>\n\u003cp>Think your family's got a great photo taken between 1960 and 1970 in the Bay Area? Take a photo of it (or if you're feeling fancy, maybe even scan it) and post it to Twitter, Instagram or \u003ca href=\"https://www.facebook.com/kqed\" target=\"_blank\">KQED's Facebook Page\u003c/a> with the hashtag \u003cstrong>#BayBackWhen\u003c/strong>. Don't forget to include a note about who's in it, and when and where it was taken, if you know it. We'll be collecting photos and reposting highlights to social media and our website!\u003c/p>\n\u003cp>\u003cem>Remember, by posting a photo you are agreeing that you have the right and permission necessary to post the photo (e.g., that you own the copyright in the photo and that you have everyone’s permission in the photo to post it). You agree that KQED may publish the photo on our website , social media pages or in other media and that you will hold KQED harmless from any and all claims and expenses (including legal expenses) arising from use of the photo and/or your failure to comply with the rules set out in this disclaimer.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>In association with the broadcast premiere of \u003ca href=\"http://www.kqed.org/tv/programs/index.jsp?pgmid=23409\" target=\"_blank\">\u003cem>Janis Joplin: Little Girl Blue\u003c/em>\u003c/a> on Tuesday, May 3, at 8 pm on KQED 9\u003c/strong>\u003c/p>\n\u003cp>Do your family albums contain vintage snaps of you or your parents — or perhaps your grandparents, or family friends — taken during the 1960s in the San Francisco Bay Area? Then we want to see them.\u003c/p>\n\u003cp>To celebrate the broadcast of \u003cem>American Masters\u003c/em>’ acclaimed film \u003ca href=\"http://ww2.kqed.org/arts/2016/04/28/american-masters-janis-joplin/\" target=\"_blank\">\u003cem>Janis Joplin: Little Girl Blue\u003c/em>\u003c/a> on May 3, we’re building a collective picture of the style, attitude and atmosphere of 1960s San Francisco and the wider Bay Area: a place Janis Joplin called home from 1963 until her untimely death age 27 in 1970. That's where you — and your family photos — come in.\u003c/p>\n\u003cfigure id=\"attachment_6761\" class=\"wp-caption aligncenter\" style=\"max-width: 1047px\">\u003cimg class=\"size-full wp-image-6761\" src=\"http://ww2.kqed.org/about/wp-content/uploads/sites/19/2016/04/Blosser_60s_crop.jpg\" alt=\"KQED staffer Heather Blosser sent us this picture of her parents (far right) with her as a toddler, taken in the 1960s\" width=\"1047\" height=\"894\" srcset=\"https://ww2.kqed.org/app/uploads/sites/19/2016/04/Blosser_60s_crop.jpg 1047w, https://ww2.kqed.org/app/uploads/sites/19/2016/04/Blosser_60s_crop-400x342.jpg 400w, https://ww2.kqed.org/app/uploads/sites/19/2016/04/Blosser_60s_crop-703x600.jpg 703w, https://ww2.kqed.org/app/uploads/sites/19/2016/04/Blosser_60s_crop-768x656.jpg 768w, https://ww2.kqed.org/app/uploads/sites/19/2016/04/Blosser_60s_crop-960x820.jpg 960w\" sizes=\"(max-width: 1047px) 100vw, 1047px\">\u003cfigcaption class=\"wp-caption-text\">KQED staffer Heather Blosser sent us this picture of her parents (far right) with her as a toddler, taken in the 1960s\u003c/figcaption>\u003c/figure>\n\u003cp>Think your family's got a great photo taken between 1960 and 1970 in the Bay Area? Take a photo of it (or if you're feeling fancy, maybe even scan it) and post it to Twitter, Instagram or \u003ca href=\"https://www.facebook.com/kqed\" target=\"_blank\">KQED's Facebook Page\u003c/a> with the hashtag \u003cstrong>#BayBackWhen\u003c/strong>. Don't forget to include a note about who's in it, and when and where it was taken, if you know it. We'll be collecting photos and reposting highlights to social media and our website!\u003c/p>\n\u003cp>\u003cem>Remember, by posting a photo you are agreeing that you have the right and permission necessary to post the photo (e.g., that you own the copyright in the photo and that you have everyone’s permission in the photo to post it). You agree that KQED may publish the photo on our website , social media pages or in other media and that you will hold KQED harmless from any and all claims and expenses (including legal expenses) arising from use of the photo and/or your failure to comply with the rules set out in this disclaimer.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Mourning Prince and celebrating Beyonce, as if we could talk about anything else.\u003c/p>\n\u003cp>[audio src=\"[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2016/05/LEMONADE03.mp3\" title=\"Let's Go Crazy Over Beyoncé's LEMONADE\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>This week, we mourn Prince and share some facts about his life you might not know:\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>https://giphy.com/gifs/originals-prince-parker-jackson-when-doves-cry-xT1XGB0FtCkxiFeiU8\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Then we make ourselves feel better by celebrating and analyzing Beyoncé's \u003cem>LEMONADE\u003c/em>:\u003c/p>\n\u003cp>http://ww2.kqed.org/pop/2016/04/23/beyonces-lemonade-isnt-the-first-time-shes-used-divorce-to-play-with-our-emotions/\u003c/p>\n\u003cp>http://ww2.kqed.org/pop/2016/04/24/beyonce-11-lemonade-lyrics-that-have-jay-z-researching-witness-protection-programs/\u003c/p>\n\u003cp>And we cap things off with a musical bridge between these two legends -- their joint Grammys performance from 2004:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=YOs_XbVZUiA\u003c/p>\n\u003cp>Until next week!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Then we make ourselves feel better by celebrating and analyzing Beyoncé's \u003cem>LEMONADE\u003c/em>:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>http://ww2.kqed.org/pop/2016/04/24/beyonce-11-lemonade-lyrics-that-have-jay-z-researching-witness-protection-programs/\u003c/p>\n\u003cp>And we cap things off with a musical bridge between these two legends -- their joint Grammys performance from 2004:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/YOs_XbVZUiA'\n title='//www.youtube.com/embed/YOs_XbVZUiA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Until next week!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Thought you were done being \u003ca href=\"http://ww2.kqed.org/pop/2016/04/21/lets-go-crazy-prince-and-the-subversive-power-of-party-music/\">emotional about Prince\u003c/a>? Not so fast.\u003c/p>\n\u003cp>D'Angelo, whose progressive, eclectic blend of soul, funk and R&B owes a tremendous debt to Prince's influence -- he's\u003ca href=\"http://daily.redbullmusicacademy.com/2014/12/dangelo-black-messiah-inspirations-interview\"> said as much in interviews for years\u003c/a> -- appeared on \u003cem>The Tonight Show \u003c/em>on April 26 to pay tribute to the icon.\u003c/p>\n\u003cp>https://twitter.com/questlove/status/725182139910754304\u003c/p>\n\u003cp>Performing a beautiful rendition of the Prince ballad \"Sometimes It Snows In April,\" D'Angelo had the support of \u003ca href=\"http://www.werprincess.com/#princess\">Princess\u003c/a>, the Prince tribute band comprised of comedian Maya Rudolph and singer-songwriter Gretchen Lieberum.\u003c/p>\n\u003cp>But aside from their voices, D'Angelo is alone in a spotlight at the piano, dressed in a vest that would have made his musical hero proud. So it's all the more heartbreaking when his voice begins to crack with emotion near the end of the song.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=6uzBHhPEWpE\u003c/p>\n\u003cp>One take-away: In case there was any doubt, real men definitely cry. And also: We're really lucky to have D'Angelo.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Performing a beautiful rendition of the Prince ballad \"Sometimes It Snows In April,\" D'Angelo had the support of \u003ca href=\"http://www.werprincess.com/#princess\">Princess\u003c/a>, the Prince tribute band comprised of comedian Maya Rudolph and singer-songwriter Gretchen Lieberum.\u003c/p>\n\u003cp>But aside from their voices, D'Angelo is alone in a spotlight at the piano, dressed in a vest that would have made his musical hero proud. So it's all the more heartbreaking when his voice begins to crack with emotion near the end of the song.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>The first time I saw Beach House was at the Swedish American Music Hall, in 2008. The space was cozy and intimate. There were folding chairs. I was able to snag a seat front-row center, where Victoria Legrand and Alex Scally brought their dreamy, otherworldly sound to life, and me to tears (albeit, with the help of a generous helping of whiskey). I've seen them five times since, and there's a reason behind this \u003ca href=\"https://www.youtube.com/watch?v=WSLXEdI5ZVs\" target=\"_blank\">devotion\u003c/a>; few other musicians inspire such a full-body fever dream response. A few songs in and I transform into that weirdo who's alone in a crowd, swaying and smiling with his eyes closed.\u003c/p>\n\u003cp>These days, word has gotten out about Beach House and their powerful live shows. The venues are bigger and the magic is spread more thinly. So it was exciting to hear the band announce their latest experiment: \u003ca href=\"http://www.beachhousebaltimore.com/installation/\">six \"installation\" shows\u003c/a> to take place in art galleries, community centers and other alternative venues, featuring no backup band, a mysterious \"design,\" and songs mostly culled from their first two albums (which don't get much play on their traditional tours) and their latest.\u003c/p>\n\u003caside class=\"pullquote alignright\">'The distress over not being able to Instagram any of it was palpable. The entire spectacle made me regret giving up weed years ago.'\u003c/aside>\n\u003cp>But there are conditions: Only 200 people will witness each show. Those lucky enough to snag a ticket are advised to bring a pillow, because everyone sits on the floor. Once you're inside the space, you're there for the duration. No applause. No photos.\u003c/p>\n\u003cp>So what's the point of all this? According to the band, the project's purpose is to recapture the \"pure, embryonic state of mind\" that comes with the initial spark of inspiration, but that gets lost somewhere between pre-studio conception and the stage.\u003c/p>\n\u003cp>Most people who showed up at the Mission District's \u003ca href=\"http://grayarea.org/theater/overview/\" target=\"_blank\">Gray Area Theater\u003c/a> to see what all this fuss is about were down for whatever might be coming, actual pillows from their beds in tow. We were led into a former, gutted theater, the only illumination coming from a multi-colored horizontal bar of light at the bottom of the stage. People stepped over each other in the dark to find a spot to sit. We all huddled together and waited.\u003c/p>\n\u003cfigure id=\"attachment_23324\" class=\"wp-caption alignleft\" style=\"max-width: 267px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/beachhouse-2015-promo-01-shawnbrackbill-1500x2248-300.jpg\">\u003cimg class=\"wp-image-23324 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/beachhouse-2015-promo-01-shawnbrackbill-1500x2248-300.jpg\" alt=\"Victoria Legrand and Alex Scally. (Photo: Sub Pop)\" width=\"267\" height=\"400\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Victoria Legrand and Alex Scally. (Photo: \u003ca href=\"https://www.subpop.com/artists/beach_house\">Sub Pop\u003c/a>)\u003c/figcaption>\u003c/figure>\n\u003cp>When showtime finally came, the smoke machines did their work and Legrand and Scally took the stage, although it was easy to miss them in the dark. Eventually, it became clear that a screen separated the duo from the audience. They began to project images of a variety of flowers and live footage onto themselves. Two display cabinets on either side lit up with rows of fiber-optic flowers. The distress over not being able to Instagram any of it was palpable. The entire spectacle made me regret giving up weed years ago.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>As for the music, the band relied heavily on their first and last albums. The night began with \"Saltwater,\" the first track on their debut, and ended with \"Somewhere Tonight,\" the last track on their most recent release, as if the point of the whole evening was to find their way back to their origins and remind themselves why they're in this band in the first place. The cramped space and smaller number of fans underscored this trip back in time, back to that Swedish American Hall show in 2008, before Beach House songs found themselves in flashy car commercials.\u003c/p>\n\u003cp>The sense is that, when you reach a certain level of fame, you lose control. The band no longer belongs to themselves, but to the masses who've latched onto their music. This project felt like their way of pressing the reset button and taking back what's rightfully theirs. No backing band, no sea of iPhones Snapchatting away, no audience participation -- just the two of them making the music they love, as if they were back in their mid-aughts bedrooms, with no one on the other side of the screen.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>After they left the stage, the 200 fans clapped and hollered for several minutes, in an attempt to prove that we deserved an encore. \"Just one song, please!\" begged one dude. A man working the event eventually came on the mic to say, \"We appreciate your enthusiasm, but the show is over.\" More evidence that this \"installation\" show was less about Beach House giving something to the fans, and more about taking something back.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The first time I saw Beach House was at the Swedish American Music Hall, in 2008. The space was cozy and intimate. There were folding chairs. I was able to snag a seat front-row center, where Victoria Legrand and Alex Scally brought their dreamy, otherworldly sound to life, and me to tears (albeit, with the help of a generous helping of whiskey). I've seen them five times since, and there's a reason behind this \u003ca href=\"https://www.youtube.com/watch?v=WSLXEdI5ZVs\" target=\"_blank\">devotion\u003c/a>; few other musicians inspire such a full-body fever dream response. A few songs in and I transform into that weirdo who's alone in a crowd, swaying and smiling with his eyes closed.\u003c/p>\n\u003cp>These days, word has gotten out about Beach House and their powerful live shows. The venues are bigger and the magic is spread more thinly. So it was exciting to hear the band announce their latest experiment: \u003ca href=\"http://www.beachhousebaltimore.com/installation/\">six \"installation\" shows\u003c/a> to take place in art galleries, community centers and other alternative venues, featuring no backup band, a mysterious \"design,\" and songs mostly culled from their first two albums (which don't get much play on their traditional tours) and their latest.\u003c/p>\n\u003caside class=\"pullquote alignright\">'The distress over not being able to Instagram any of it was palpable. The entire spectacle made me regret giving up weed years ago.'\u003c/aside>\n\u003cp>But there are conditions: Only 200 people will witness each show. Those lucky enough to snag a ticket are advised to bring a pillow, because everyone sits on the floor. Once you're inside the space, you're there for the duration. No applause. No photos.\u003c/p>\n\u003cp>So what's the point of all this? According to the band, the project's purpose is to recapture the \"pure, embryonic state of mind\" that comes with the initial spark of inspiration, but that gets lost somewhere between pre-studio conception and the stage.\u003c/p>\n\u003cp>Most people who showed up at the Mission District's \u003ca href=\"http://grayarea.org/theater/overview/\" target=\"_blank\">Gray Area Theater\u003c/a> to see what all this fuss is about were down for whatever might be coming, actual pillows from their beds in tow. We were led into a former, gutted theater, the only illumination coming from a multi-colored horizontal bar of light at the bottom of the stage. People stepped over each other in the dark to find a spot to sit. We all huddled together and waited.\u003c/p>\n\u003cfigure id=\"attachment_23324\" class=\"wp-caption alignleft\" style=\"max-width: 267px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/beachhouse-2015-promo-01-shawnbrackbill-1500x2248-300.jpg\">\u003cimg class=\"wp-image-23324 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/beachhouse-2015-promo-01-shawnbrackbill-1500x2248-300.jpg\" alt=\"Victoria Legrand and Alex Scally. (Photo: Sub Pop)\" width=\"267\" height=\"400\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Victoria Legrand and Alex Scally. (Photo: \u003ca href=\"https://www.subpop.com/artists/beach_house\">Sub Pop\u003c/a>)\u003c/figcaption>\u003c/figure>\n\u003cp>When showtime finally came, the smoke machines did their work and Legrand and Scally took the stage, although it was easy to miss them in the dark. Eventually, it became clear that a screen separated the duo from the audience. They began to project images of a variety of flowers and live footage onto themselves. Two display cabinets on either side lit up with rows of fiber-optic flowers. The distress over not being able to Instagram any of it was palpable. The entire spectacle made me regret giving up weed years ago.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>As for the music, the band relied heavily on their first and last albums. The night began with \"Saltwater,\" the first track on their debut, and ended with \"Somewhere Tonight,\" the last track on their most recent release, as if the point of the whole evening was to find their way back to their origins and remind themselves why they're in this band in the first place. The cramped space and smaller number of fans underscored this trip back in time, back to that Swedish American Hall show in 2008, before Beach House songs found themselves in flashy car commercials.\u003c/p>\n\u003cp>The sense is that, when you reach a certain level of fame, you lose control. The band no longer belongs to themselves, but to the masses who've latched onto their music. This project felt like their way of pressing the reset button and taking back what's rightfully theirs. No backing band, no sea of iPhones Snapchatting away, no audience participation -- just the two of them making the music they love, as if they were back in their mid-aughts bedrooms, with no one on the other side of the screen.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>After they left the stage, the 200 fans clapped and hollered for several minutes, in an attempt to prove that we deserved an encore. \"Just one song, please!\" begged one dude. A man working the event eventually came on the mic to say, \"We appreciate your enthusiasm, but the show is over.\" More evidence that this \"installation\" show was less about Beach House giving something to the fans, and more about taking something back.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/261294973&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>[contextly_sidebar id=\"g5dj8boKK2wejRcE1PIgL0tb8ij9pXF4\"]Beyonce is a big fan of \u003ca href=\"http://ww2.kqed.org/pop/2016/03/17/ann-friedman-on-everything-from-shine-theory-to-kim-kardashian/\">shine theory\u003c/a>, the if-you-shine-I-shine ideology that involves propping up other women, instead of seeing them as competition. In 2013, Nigerian writer Chimamanda Ngozi Achicie experienced a stratospheric rise to fame, thanks to a portion of \u003ca href=\"http://ww2.kqed.org/pop/2013/12/16/beyonce-and-chimamanda-ngozi-adichie-make-feminism-go-viral/\">her TED talk on feminism being sampled\u003c/a> in Beyoncé's \"Flawless.\" Adichie was already well-known in many lit circles, but, almost overnight, millions of people were chanting her words and carrying around copies of \u003cem>Americanah\u003c/em>.\u003c/p>\n\u003cp>With the release of \u003cem>LEMONADE\u003c/em>, Beyoncé continued this theme of spotlighting emerging artists by reciting poetry by Somali-British poet Warsan Shire as connective tissue between her songs throughout the visual album. Shire's name might be new to you, but she's been making waves within the poetry scene and all over social media for quite some time. At the age of 27, she's already been awarded the U.K.'s Brunel University prize for African Poetry and become London's first Young Poet Laureate and Queensland, Australia's poet-in-residence. A full-length collection is in the works, but, until then, there are two chapbooks available, \u003ci>Teaching My Mother How To Give Birth \u003c/i>and\u003ci> Her Blue Body\u003c/i>. You can buy them \u003ca href=\"http://www.amazon.com/Teaching-Mother-Give-Birth-Mouthmark/dp/1905233299\">here\u003c/a> and \u003ca href=\"http://www.amazon.com/Her-Blue-Body-Flap-Pamphlet/dp/1905233485\">here\u003c/a>.\u003c/p>\n\u003cp>A poem called \"For Women Who Are Difficult To Love” is quoted heavily within \u003cem>LEMONADE\u003c/em>. Watch a short film Shire produced around the poem:\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://player.vimeo.com/video/38766162\" width=\"640\" height=\"472\" frameborder=\"0\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>And this \u003cem>New Yorker\u003c/em> profile, which explains how Shire manages to \"write movingly about African migration to Europe and also tweet humorously about the VH1 reality show \u003cem>Love & Hip-Hop: Atlanta,\u003c/em>” is a must-read:\u003c/p>\n\u003cp>http://www.newyorker.com/culture/cultural-comment/the-writing-life-of-a-young-prolific-poet-warsan-shire\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And they say poetry is dead.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/261294973&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>Beyonce is a big fan of \u003ca href=\"http://ww2.kqed.org/pop/2016/03/17/ann-friedman-on-everything-from-shine-theory-to-kim-kardashian/\">shine theory\u003c/a>, the if-you-shine-I-shine ideology that involves propping up other women, instead of seeing them as competition. In 2013, Nigerian writer Chimamanda Ngozi Achicie experienced a stratospheric rise to fame, thanks to a portion of \u003ca href=\"http://ww2.kqed.org/pop/2013/12/16/beyonce-and-chimamanda-ngozi-adichie-make-feminism-go-viral/\">her TED talk on feminism being sampled\u003c/a> in Beyoncé's \"Flawless.\" Adichie was already well-known in many lit circles, but, almost overnight, millions of people were chanting her words and carrying around copies of \u003cem>Americanah\u003c/em>.\u003c/p>\n\u003cp>With the release of \u003cem>LEMONADE\u003c/em>, Beyoncé continued this theme of spotlighting emerging artists by reciting poetry by Somali-British poet Warsan Shire as connective tissue between her songs throughout the visual album. Shire's name might be new to you, but she's been making waves within the poetry scene and all over social media for quite some time. At the age of 27, she's already been awarded the U.K.'s Brunel University prize for African Poetry and become London's first Young Poet Laureate and Queensland, Australia's poet-in-residence. A full-length collection is in the works, but, until then, there are two chapbooks available, \u003ci>Teaching My Mother How To Give Birth \u003c/i>and\u003ci> Her Blue Body\u003c/i>. You can buy them \u003ca href=\"http://www.amazon.com/Teaching-Mother-Give-Birth-Mouthmark/dp/1905233299\">here\u003c/a> and \u003ca href=\"http://www.amazon.com/Her-Blue-Body-Flap-Pamphlet/dp/1905233485\">here\u003c/a>.\u003c/p>\n\u003cp>A poem called \"For Women Who Are Difficult To Love” is quoted heavily within \u003cem>LEMONADE\u003c/em>. Watch a short film Shire produced around the poem:\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://player.vimeo.com/video/38766162\" width=\"640\" height=\"472\" frameborder=\"0\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And this \u003cem>New Yorker\u003c/em> profile, which explains how Shire manages to \"write movingly about African migration to Europe and also tweet humorously about the VH1 reality show \u003cem>Love & Hip-Hop: Atlanta,\u003c/em>” is a must-read:\u003c/p>\n\u003cp>http://www.newyorker.com/culture/cultural-comment/the-writing-life-of-a-young-prolific-poet-warsan-shire\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And they say poetry is dead.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "What Do Haikus, Lesbians and Cats Have In Common? Ask Anna Pulley",
"title": "What Do Haikus, Lesbians and Cats Have In Common? Ask Anna Pulley",
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"content": "\u003cp>Like Walt Whitman, Steve Miller, and countless others before her, Oakland writer \u003ca href=\"http://com\" target=\"_blank\">Anna Pulley\u003c/a> is many things: A lesbian; a haiku aficionado; a whip-smart, pun-loving relationship and sex advice columnist.\u003c/p>\n\u003cp>She's also a human being who, not too long ago, was having a really tough year. In 2010, Pulley's fiancée dumped her. Within a matter of weeks, her father was diagnosed with cancer. Staring down depression and an accompanying case of writer's block, Pulley began digging herself out one very small step at a time: Five syllables, then seven, then five again.\u003c/p>\n\u003cp>The result is a book so funny, you'd never guess at its origins: \u003cem>The Lesbian Sex Haiku Book (With Cats!)\u003c/em>, out last week on Flatiron Books -- and celebrated with a \u003ca href=\"https://www.facebook.com/events/1560388467622852/\" target=\"_blank\">reading April 28 at Pegasus Books in Berkeley\u003c/a> -- is a hilarious and thoroughly relatable meditation on modern relationships, from the pitfalls of online dating to the realities of sex with a bad back. Self-deprecating jokes about Audre Lorde, performance fleece, and \u003cem>The L Word \u003c/em>abound. Oh, and the whole thing's illustrated with cats.\u003c/p>\n\u003cfigure id=\"attachment_22798\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-22798 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/bondagecat_w-800x731.jpg\" alt=\"bondagecat_w\" width=\"800\" height=\"731\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/bondagecat_w-800x731.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/bondagecat_w-400x365.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/bondagecat_w-768x701.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/bondagecat_w.jpg 900w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bondage Cat, by Kelsey Beyer\u003c/figcaption>\u003c/figure>\n\u003cp>The book, which contains nearly 500 haikus, can serve as educational material if you like -- what lesbians actually do in the bedroom remains, thanks to thoroughly unrealistic porn, something of a mystery to many. But its pure entertainment value is not to be underestimated, in large part thanks to its cheeky line-drawings of perturbed-looking felines, penned by illustrator (and Pulley's girlfriend) \u003ca href=\"http://kelseybeyer.com\">Kelsey Beyer\u003c/a>.\u003c/p>\n\u003cp>Ahead of the book's launch, we caught up with Pulley by phone to talk lesbian stereotypes, the haiku renaissance, and the challenges of publishing a book with one's partner.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>KQED Pop: You've mentioned that you think the haiku is having something of a revival in American culture at large right now. Where are you seeing that, and why do you think that's happening?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Anna Pulley: \u003c/strong>I think its popularity sort of comes and goes. It was popular in the '60s due to the Beats -- Jack Kerouac and Gary Snyder both popularized them. But then, just in the last 10 years or so, we've had a kind of splurge of books: \u003cem>Hipster Haiku\u003c/em>,\u003cem> Zombie Haiku, Werewolf Haiku. \u003c/em>\u003cstrong>\u003cbr>\n\u003c/strong>\u003c/p>\n\u003cp>I think Instagram is one huge reason people are paying attention right now. \u003ca href=\"http://www.nytimes.com/2015/11/08/business/media/web-poets-society-new-breed-succeeds-in-taking-verse-viral.html\" target=\"_blank\">Tyler Knott Greggson\u003c/a> writes haiku on Instagram and one of the Kardashians favorited one, so he sort of blew up overnight.\u003c/p>\n\u003caside class=\"pullquote alignright\">What a spirited flogging! Maybe next time no / GMO lecture?\u003c/aside>\n\u003cp>And then there's Twitter. I think because of our generation's sort of collective ADHD, our lack of attention span, [haiku] is appealing because they're short, digestible, and really easy to share.\u003c/p>\n\u003cfigure id=\"attachment_23169\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-23169\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-800x1031.jpg\" alt=\"Anna Pulley (right) and illustrator Kelsey Beyer\" width=\"800\" height=\"1031\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-800x1031.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-400x516.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-768x990.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-1180x1521.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-960x1238.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Anna Pulley (right) and illustrator Kelsey Beyer \u003ccite>(John Orvis)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>You touch on that in the book -- that your job was in social media during the time you started writing haikus frequently, that Twitter started played into your writing that way. \u003c/strong>\u003c/p>\n\u003cp>I think it definitely helped that I was doing social media, so I was very primed to have this short-form mentality. And then, you know, my life fell apart. I had writer's block, and I couldn't really claw my way out of it. Thinking in short, 17-syllable chunks was something I \u003cem>could\u003c/em> do.\u003c/p>\n\u003cp>The other thing that catalyzed it for me was falling in love with a married woman. [Laughs.] She lived across the country and we didn't get to see each other very often, so we had this message-based way of communicating with each other. We wrote hundreds of haikus back and forth, for years, communicating in this antiquated poetic form. And that really helped solidify the fact that I was going to be okay: I wasn't incapable of writing, and I wasn't this undesirable person.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-23172\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/B7aQWIMCcAAYFO8.jpg\" alt=\"B7aQWIMCcAAYFO8\" width=\"600\" height=\"802\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/B7aQWIMCcAAYFO8.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/B7aQWIMCcAAYFO8-400x535.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003cstrong>You play a lot in this book with stereotypes about lesbians -- and obviously, since you are gay, a lot of it just comes off as self-deprecating humor. But I'm curious if you were conscious, as you were writing, about where the line is between poking fun and perpetuating these kind of clichés? \u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Stereotypes are definitely something that have been on my mind. I was nervous I would be perpetuating stereotypes, that lesbians would be mad at me. But I also think that stereotypes are fascinating, and that they have a lot of subversive potential -- they force you to look at these underlying causes. Why does society think that lesbian bed death is a thing? There's been some research that shows lesbians have less \u003cem>frequent\u003c/em> sex, but it's longer. I think there are interesting questions within stereotypes about how we define ourselves as a community. \u003c/span>\u003c/p>\n\u003cp>\u003cstrong>It's also funny that probably one of the most common stereotypes is that lesbians are humorless, whereas this book... \u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And that was probably the biggest one that I was trying to counter. Obviously we can have a sense of humor, but historically, if you look at lesbians, we're probably protesting something as opposed to mocking it or celebrating it for its humor. \u003c/span>\u003c/p>\n\u003caside class=\"pullquote alignright\">It's like straight sex, but / with more slouchy blazers and / P!nk dance remixes.\u003c/aside>\n\u003cp>So then it's, okay, why do we have this legacy? Also, frankly, I embody a lot of lesbian stereotypes, and I think that's really funny. I'm not burdened by the fact that I own a truck, for instance.\u003c/p>\n\u003cfigure id=\"attachment_23173\" class=\"wp-caption aligncenter\" style=\"max-width: 659px\">\u003cimg class=\"size-full wp-image-23173\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/craigslistcat_w.jpg\" alt=\"Craigslist Cat. \" width=\"659\" height=\"540\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/craigslistcat_w.jpg 659w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/craigslistcat_w-400x328.jpg 400w\" sizes=\"(max-width: 659px) 100vw, 659px\">\u003cfigcaption class=\"wp-caption-text\">Craigslist Cat. \u003ccite>(Illustration by Kelsey Beyer)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Before this was a book, it was a blog post on The Toast, and I remember reading the comments when it went up -- everyone was just so stoked by the combination of cats and haikus and lesbians. Were you surprised by the reaction to that post?\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I was surprised as hell. That first post is actually what got us a book deal -- the publisher at FlatIron saw it and got in touch. I didn't have a book proposal, I didn't have an agent. It was completely shocking. But also, I think lesbians are starting to have their time in the limelight -- it's not that weird to be a queer person in 2016, so I think there is a sense of, \"maybe it's time to learn.\" You know, maybe it's time to learn about Tofurkey and whatnot. But yeah, after that post, I wrote pretty much the whole thing in four months. \u003c/span>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-23184\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/kitties.jpg\" alt=\"kitties\" width=\"471\" height=\"402\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/kitties.jpg 471w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/kitties-400x341.jpg 400w\" sizes=\"(max-width: 471px) 100vw, 471px\">\u003c/p>\n\u003cp>\u003cstrong>Tell me about having Kelsey illustrate the book -- what was it like to work on a book with your partner?\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Mostly great. We had a lot of fun together; creatively, we were very much on the same page. She was the one who came up with the cat concept to begin with. Wendy MacNaughton was going to illustrate the book but then she got too famous, so it was really helpful that I was dating an artist. Some of the haikus were written for her, or so she could draw certain things -- I'd be like, \"Right, this one's for you, I'll make a haiku about a long-haired butch and it'll involve John Stamos and it'll be great.\" Some of the financial stuff around the contract was tricky to iron out, to the point where we did wind up going to couples' therapy. Which is, of course, another lesbian stereotype. So that was also great. \u003c/span>\u003c/p>\n\u003cp>\u003cstrong>What's next for you two with promotion? Are you taking the cats on tour?\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[After the Bay Area events], I would love to go on a small-ish book tour to promote the lesbians and the cats -- New York, Chicago. And then \u003ca href=\"http://catconla.com/\">Cat Con\u003c/a> is happening in LA in June, so that should be...a whole other thing.\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>Is that, like, cat videos, or furries, or both?\u003c/strong>\u003c/p>\n\u003cp>I mean, can you have a cat festival without furries? I guess we'll find out.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Anna Pulley and Kelsey Beyer will appear at Pegasus Books in Berkeley this Thursday, April 28 at 7:30 pm. \u003ca href=\"https://www.facebook.com/events/1560388467622852/\" target=\"_blank\">More details here\u003c/a>. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Like Walt Whitman, Steve Miller, and countless others before her, Oakland writer \u003ca href=\"http://com\" target=\"_blank\">Anna Pulley\u003c/a> is many things: A lesbian; a haiku aficionado; a whip-smart, pun-loving relationship and sex advice columnist.\u003c/p>\n\u003cp>She's also a human being who, not too long ago, was having a really tough year. In 2010, Pulley's fiancée dumped her. Within a matter of weeks, her father was diagnosed with cancer. Staring down depression and an accompanying case of writer's block, Pulley began digging herself out one very small step at a time: Five syllables, then seven, then five again.\u003c/p>\n\u003cp>The result is a book so funny, you'd never guess at its origins: \u003cem>The Lesbian Sex Haiku Book (With Cats!)\u003c/em>, out last week on Flatiron Books -- and celebrated with a \u003ca href=\"https://www.facebook.com/events/1560388467622852/\" target=\"_blank\">reading April 28 at Pegasus Books in Berkeley\u003c/a> -- is a hilarious and thoroughly relatable meditation on modern relationships, from the pitfalls of online dating to the realities of sex with a bad back. Self-deprecating jokes about Audre Lorde, performance fleece, and \u003cem>The L Word \u003c/em>abound. Oh, and the whole thing's illustrated with cats.\u003c/p>\n\u003cfigure id=\"attachment_22798\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-22798 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/bondagecat_w-800x731.jpg\" alt=\"bondagecat_w\" width=\"800\" height=\"731\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/bondagecat_w-800x731.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/bondagecat_w-400x365.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/bondagecat_w-768x701.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/bondagecat_w.jpg 900w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bondage Cat, by Kelsey Beyer\u003c/figcaption>\u003c/figure>\n\u003cp>The book, which contains nearly 500 haikus, can serve as educational material if you like -- what lesbians actually do in the bedroom remains, thanks to thoroughly unrealistic porn, something of a mystery to many. But its pure entertainment value is not to be underestimated, in large part thanks to its cheeky line-drawings of perturbed-looking felines, penned by illustrator (and Pulley's girlfriend) \u003ca href=\"http://kelseybeyer.com\">Kelsey Beyer\u003c/a>.\u003c/p>\n\u003cp>Ahead of the book's launch, we caught up with Pulley by phone to talk lesbian stereotypes, the haiku renaissance, and the challenges of publishing a book with one's partner.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>KQED Pop: You've mentioned that you think the haiku is having something of a revival in American culture at large right now. Where are you seeing that, and why do you think that's happening?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Anna Pulley: \u003c/strong>I think its popularity sort of comes and goes. It was popular in the '60s due to the Beats -- Jack Kerouac and Gary Snyder both popularized them. But then, just in the last 10 years or so, we've had a kind of splurge of books: \u003cem>Hipster Haiku\u003c/em>,\u003cem> Zombie Haiku, Werewolf Haiku. \u003c/em>\u003cstrong>\u003cbr>\n\u003c/strong>\u003c/p>\n\u003cp>I think Instagram is one huge reason people are paying attention right now. \u003ca href=\"http://www.nytimes.com/2015/11/08/business/media/web-poets-society-new-breed-succeeds-in-taking-verse-viral.html\" target=\"_blank\">Tyler Knott Greggson\u003c/a> writes haiku on Instagram and one of the Kardashians favorited one, so he sort of blew up overnight.\u003c/p>\n\u003caside class=\"pullquote alignright\">What a spirited flogging! Maybe next time no / GMO lecture?\u003c/aside>\n\u003cp>And then there's Twitter. I think because of our generation's sort of collective ADHD, our lack of attention span, [haiku] is appealing because they're short, digestible, and really easy to share.\u003c/p>\n\u003cfigure id=\"attachment_23169\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-23169\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-800x1031.jpg\" alt=\"Anna Pulley (right) and illustrator Kelsey Beyer\" width=\"800\" height=\"1031\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-800x1031.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-400x516.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-768x990.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-1180x1521.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-960x1238.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Anna Pulley (right) and illustrator Kelsey Beyer \u003ccite>(John Orvis)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>You touch on that in the book -- that your job was in social media during the time you started writing haikus frequently, that Twitter started played into your writing that way. \u003c/strong>\u003c/p>\n\u003cp>I think it definitely helped that I was doing social media, so I was very primed to have this short-form mentality. And then, you know, my life fell apart. I had writer's block, and I couldn't really claw my way out of it. Thinking in short, 17-syllable chunks was something I \u003cem>could\u003c/em> do.\u003c/p>\n\u003cp>The other thing that catalyzed it for me was falling in love with a married woman. [Laughs.] She lived across the country and we didn't get to see each other very often, so we had this message-based way of communicating with each other. We wrote hundreds of haikus back and forth, for years, communicating in this antiquated poetic form. And that really helped solidify the fact that I was going to be okay: I wasn't incapable of writing, and I wasn't this undesirable person.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-23172\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/B7aQWIMCcAAYFO8.jpg\" alt=\"B7aQWIMCcAAYFO8\" width=\"600\" height=\"802\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/B7aQWIMCcAAYFO8.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/B7aQWIMCcAAYFO8-400x535.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003cstrong>You play a lot in this book with stereotypes about lesbians -- and obviously, since you are gay, a lot of it just comes off as self-deprecating humor. But I'm curious if you were conscious, as you were writing, about where the line is between poking fun and perpetuating these kind of clichés? \u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Stereotypes are definitely something that have been on my mind. I was nervous I would be perpetuating stereotypes, that lesbians would be mad at me. But I also think that stereotypes are fascinating, and that they have a lot of subversive potential -- they force you to look at these underlying causes. Why does society think that lesbian bed death is a thing? There's been some research that shows lesbians have less \u003cem>frequent\u003c/em> sex, but it's longer. I think there are interesting questions within stereotypes about how we define ourselves as a community. \u003c/span>\u003c/p>\n\u003cp>\u003cstrong>It's also funny that probably one of the most common stereotypes is that lesbians are humorless, whereas this book... \u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And that was probably the biggest one that I was trying to counter. Obviously we can have a sense of humor, but historically, if you look at lesbians, we're probably protesting something as opposed to mocking it or celebrating it for its humor. \u003c/span>\u003c/p>\n\u003caside class=\"pullquote alignright\">It's like straight sex, but / with more slouchy blazers and / P!nk dance remixes.\u003c/aside>\n\u003cp>So then it's, okay, why do we have this legacy? Also, frankly, I embody a lot of lesbian stereotypes, and I think that's really funny. I'm not burdened by the fact that I own a truck, for instance.\u003c/p>\n\u003cfigure id=\"attachment_23173\" class=\"wp-caption aligncenter\" style=\"max-width: 659px\">\u003cimg class=\"size-full wp-image-23173\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/craigslistcat_w.jpg\" alt=\"Craigslist Cat. \" width=\"659\" height=\"540\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/craigslistcat_w.jpg 659w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/craigslistcat_w-400x328.jpg 400w\" sizes=\"(max-width: 659px) 100vw, 659px\">\u003cfigcaption class=\"wp-caption-text\">Craigslist Cat. \u003ccite>(Illustration by Kelsey Beyer)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Before this was a book, it was a blog post on The Toast, and I remember reading the comments when it went up -- everyone was just so stoked by the combination of cats and haikus and lesbians. Were you surprised by the reaction to that post?\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I was surprised as hell. That first post is actually what got us a book deal -- the publisher at FlatIron saw it and got in touch. I didn't have a book proposal, I didn't have an agent. It was completely shocking. But also, I think lesbians are starting to have their time in the limelight -- it's not that weird to be a queer person in 2016, so I think there is a sense of, \"maybe it's time to learn.\" You know, maybe it's time to learn about Tofurkey and whatnot. But yeah, after that post, I wrote pretty much the whole thing in four months. \u003c/span>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-23184\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/kitties.jpg\" alt=\"kitties\" width=\"471\" height=\"402\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/kitties.jpg 471w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/kitties-400x341.jpg 400w\" sizes=\"(max-width: 471px) 100vw, 471px\">\u003c/p>\n\u003cp>\u003cstrong>Tell me about having Kelsey illustrate the book -- what was it like to work on a book with your partner?\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Mostly great. We had a lot of fun together; creatively, we were very much on the same page. She was the one who came up with the cat concept to begin with. Wendy MacNaughton was going to illustrate the book but then she got too famous, so it was really helpful that I was dating an artist. Some of the haikus were written for her, or so she could draw certain things -- I'd be like, \"Right, this one's for you, I'll make a haiku about a long-haired butch and it'll involve John Stamos and it'll be great.\" Some of the financial stuff around the contract was tricky to iron out, to the point where we did wind up going to couples' therapy. Which is, of course, another lesbian stereotype. So that was also great. \u003c/span>\u003c/p>\n\u003cp>\u003cstrong>What's next for you two with promotion? Are you taking the cats on tour?\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[After the Bay Area events], I would love to go on a small-ish book tour to promote the lesbians and the cats -- New York, Chicago. And then \u003ca href=\"http://catconla.com/\">Cat Con\u003c/a> is happening in LA in June, so that should be...a whole other thing.\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>Is that, like, cat videos, or furries, or both?\u003c/strong>\u003c/p>\n\u003cp>I mean, can you have a cat festival without furries? I guess we'll find out.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Anna Pulley and Kelsey Beyer will appear at Pegasus Books in Berkeley this Thursday, April 28 at 7:30 pm. \u003ca href=\"https://www.facebook.com/events/1560388467622852/\" target=\"_blank\">More details here\u003c/a>. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Beyoncé: 11 LEMONADE Lyrics That Have Jay Z Researching Witness Protection Programs",
"title": "Beyoncé: 11 LEMONADE Lyrics That Have Jay Z Researching Witness Protection Programs",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/261294973&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>The main takeaway from Beyoncé's \u003cem>LEMONADE\u003c/em> is that black girls rock really hard and Bey is the most interesting artist in the music industry right now. Another thing the visual album made abundantly clear: Jay Z should research witness protection programs because, after hearing all about his cheating ways, the BeyHive is abuzz and poised to sting him dead like Macaulay in \u003cem>My Girl\u003c/em>.\u003c/p>\n\u003cp>https://twitter.com/xcusemybeauty/status/724303975458054145\u003c/p>\n\u003cp>Here are some of the damning lyrics that got everyone riled up and proved that you should never ever...no, really, never...cheat on Beyoncé:\u003c/p>\n\u003cp style=\"text-align: center\">1. How did it come down to this?\u003cbr>\nGoing through your call list.\u003cbr>\nI don't wanna lose my pride, but I'ma f*ck me up a b*tch.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/obsessed.gif\" rel=\"attachment wp-att-23104\">\u003cimg class=\"aligncenter size-full wp-image-23104\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/obsessed.gif\" alt=\"obsessed\" width=\"499\" height=\"191\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">2. Who the f*ck do you think I is?\u003cbr>\nYou ain't married to no average b*tch, boy.\u003cbr>\nYou can watch my fat ass twist, boy.\u003cbr>\nAs I bounce to the next d*ck, boy.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/tumblr_lufw0gLnTT1qdlkgg.gif\" rel=\"attachment wp-att-23105\">\u003cimg class=\"aligncenter size-full wp-image-23105\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/tumblr_lufw0gLnTT1qdlkgg.gif\" alt=\"beyonce girl bye gif\" width=\"250\" height=\"141\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">3. And keep your money, I got my own.\u003cbr>\nGet a bigger smile on my face, being alone.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Oh-Madonna.gif\" rel=\"attachment wp-att-23106\">\u003cimg class=\"aligncenter size-full wp-image-23106\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Oh-Madonna.gif\" alt=\"beyonce money gif\" width=\"500\" height=\"360\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">4. I smell that fragrance on your Louie V, boy.\u003cbr>\nJust give my fat ass a big kiss, boy.\u003cbr>\nTonight I'm f*cking up all your shit, boy.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/rs_500x258-150219113945-giphy-52.gif\" rel=\"attachment wp-att-23109\">\u003cimg class=\"aligncenter size-full wp-image-23109\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/rs_500x258-150219113945-giphy-52.gif\" alt=\"beyonce mad gif\" width=\"500\" height=\"258\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">5. This is your final warning.\u003cbr>\nYou know I give you life.\u003cbr>\nIf you try this sh*t again,\u003cbr>\nYou gon' lose your wife.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/tumblr_m411tm0KQN1qma32qo2_400.gif\" rel=\"attachment wp-att-23110\">\u003cimg class=\"aligncenter size-full wp-image-23110\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/tumblr_m411tm0KQN1qma32qo2_400.gif\" alt=\"beyonce carmen mad gif\" width=\"340\" height=\"191\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">6. Headed to the club, I ain't thinking 'bout you.\u003cbr>\nMe and my ladies sip my D'USSÉ cup.\u003cbr>\nI don't give a f*ck, chucking my deuces up.\u003cbr>\nSuck on my balls, pause, I had enough.\u003cbr>\nI ain't thinking 'bout you.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/large.gif\" rel=\"attachment wp-att-23111\">\u003cimg class=\"aligncenter size-full wp-image-23111\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/large.gif\" alt=\"beyonce over gif\" width=\"500\" height=\"281\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">7. Middle fingers up, put them hands high.\u003cbr>\nWave it in his face, tell him, \"Boy, bye!\"\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/beyonceprettyhurts.gif\" rel=\"attachment wp-att-23112\">\u003cimg class=\"aligncenter size-full wp-image-23112\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/beyonceprettyhurts.gif\" alt=\"beyonce+pretty+hurts\" width=\"500\" height=\"230\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">8. Looking at my watch, he shoulda been home.\u003cbr>\nToday I regret the night I put that ring on.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/tumblr_nf52dbyJaP1sy4wkto1_500.gif\" rel=\"attachment wp-att-23113\">\u003cimg class=\"aligncenter size-full wp-image-23113\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/tumblr_nf52dbyJaP1sy4wkto1_500.gif\" alt=\"beyonce ring gif\" width=\"500\" height=\"215\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">9. My daddy warned me about men like you.\u003cbr>\nHe said, \"Baby girl, he's playing you.\u003cbr>\nHe's playing you.\u003cbr>\nCause when trouble comes in town\u003cbr>\nAnd men like me come around,\"\u003cbr>\nOh, my daddy said, \"Shoot.\"\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Beyonce-and-Nicki-Minaj-Feeling-Myself-Water-Guns.gif\" rel=\"attachment wp-att-23115\">\u003cimg class=\"aligncenter size-full wp-image-23115\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Beyonce-and-Nicki-Minaj-Feeling-Myself-Water-Guns.gif\" alt=\"beyonce nicki water gun gif\" width=\"556\" height=\"300\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">10. Pictures snatched out the frame.\u003cbr>\nB*tch, I scratched out your name and your face.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/yYad7.gif\" rel=\"attachment wp-att-23116\">\u003cimg class=\"aligncenter size-full wp-image-23116\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/yYad7.gif\" alt=\"beyonce gif bootylicious\" width=\"250\" height=\"330\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">11. He only want me when I'm not there.\u003cbr>\nHe better call Becky with the good hair.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/1jsvmw.gif\" rel=\"attachment wp-att-23114\">\u003cimg class=\"aligncenter size-full wp-image-23114\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/1jsvmw.gif\" alt=\"beyonce why don't you love me gif\" width=\"352\" height=\"259\">\u003c/a>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cem>Thirtsy for more LEMONADE? Read up:\u003c/em>\u003c/p>\n\u003cp>http://ww2.kqed.org/pop/2016/04/23/beyonces-lemonade-isnt-the-first-time-shes-used-divorce-to-play-with-our-emotions/\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>http://ww2.kqed.org/pop/2016/04/23/the-best-twitter-reactions-to-beyonces-visual-album-lemonade/\u003c/p>\n\n",
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"excerpt": "Dear Jay Z: You in danger, girl.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/261294973&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>The main takeaway from Beyoncé's \u003cem>LEMONADE\u003c/em> is that black girls rock really hard and Bey is the most interesting artist in the music industry right now. Another thing the visual album made abundantly clear: Jay Z should research witness protection programs because, after hearing all about his cheating ways, the BeyHive is abuzz and poised to sting him dead like Macaulay in \u003cem>My Girl\u003c/em>.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Here are some of the damning lyrics that got everyone riled up and proved that you should never ever...no, really, never...cheat on Beyoncé:\u003c/p>\n\u003cp style=\"text-align: center\">1. How did it come down to this?\u003cbr>\nGoing through your call list.\u003cbr>\nI don't wanna lose my pride, but I'ma f*ck me up a b*tch.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/obsessed.gif\" rel=\"attachment wp-att-23104\">\u003cimg class=\"aligncenter size-full wp-image-23104\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/obsessed.gif\" alt=\"obsessed\" width=\"499\" height=\"191\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">2. Who the f*ck do you think I is?\u003cbr>\nYou ain't married to no average b*tch, boy.\u003cbr>\nYou can watch my fat ass twist, boy.\u003cbr>\nAs I bounce to the next d*ck, boy.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/tumblr_lufw0gLnTT1qdlkgg.gif\" rel=\"attachment wp-att-23105\">\u003cimg class=\"aligncenter size-full wp-image-23105\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/tumblr_lufw0gLnTT1qdlkgg.gif\" alt=\"beyonce girl bye gif\" width=\"250\" height=\"141\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">3. And keep your money, I got my own.\u003cbr>\nGet a bigger smile on my face, being alone.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Oh-Madonna.gif\" rel=\"attachment wp-att-23106\">\u003cimg class=\"aligncenter size-full wp-image-23106\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Oh-Madonna.gif\" alt=\"beyonce money gif\" width=\"500\" height=\"360\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">4. I smell that fragrance on your Louie V, boy.\u003cbr>\nJust give my fat ass a big kiss, boy.\u003cbr>\nTonight I'm f*cking up all your shit, boy.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/rs_500x258-150219113945-giphy-52.gif\" rel=\"attachment wp-att-23109\">\u003cimg class=\"aligncenter size-full wp-image-23109\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/rs_500x258-150219113945-giphy-52.gif\" alt=\"beyonce mad gif\" width=\"500\" height=\"258\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">5. This is your final warning.\u003cbr>\nYou know I give you life.\u003cbr>\nIf you try this sh*t again,\u003cbr>\nYou gon' lose your wife.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/tumblr_m411tm0KQN1qma32qo2_400.gif\" rel=\"attachment wp-att-23110\">\u003cimg class=\"aligncenter size-full wp-image-23110\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/tumblr_m411tm0KQN1qma32qo2_400.gif\" alt=\"beyonce carmen mad gif\" width=\"340\" height=\"191\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">6. Headed to the club, I ain't thinking 'bout you.\u003cbr>\nMe and my ladies sip my D'USSÉ cup.\u003cbr>\nI don't give a f*ck, chucking my deuces up.\u003cbr>\nSuck on my balls, pause, I had enough.\u003cbr>\nI ain't thinking 'bout you.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/large.gif\" rel=\"attachment wp-att-23111\">\u003cimg class=\"aligncenter size-full wp-image-23111\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/large.gif\" alt=\"beyonce over gif\" width=\"500\" height=\"281\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">7. Middle fingers up, put them hands high.\u003cbr>\nWave it in his face, tell him, \"Boy, bye!\"\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/beyonceprettyhurts.gif\" rel=\"attachment wp-att-23112\">\u003cimg class=\"aligncenter size-full wp-image-23112\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/beyonceprettyhurts.gif\" alt=\"beyonce+pretty+hurts\" width=\"500\" height=\"230\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">8. Looking at my watch, he shoulda been home.\u003cbr>\nToday I regret the night I put that ring on.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/tumblr_nf52dbyJaP1sy4wkto1_500.gif\" rel=\"attachment wp-att-23113\">\u003cimg class=\"aligncenter size-full wp-image-23113\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/tumblr_nf52dbyJaP1sy4wkto1_500.gif\" alt=\"beyonce ring gif\" width=\"500\" height=\"215\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">9. My daddy warned me about men like you.\u003cbr>\nHe said, \"Baby girl, he's playing you.\u003cbr>\nHe's playing you.\u003cbr>\nCause when trouble comes in town\u003cbr>\nAnd men like me come around,\"\u003cbr>\nOh, my daddy said, \"Shoot.\"\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Beyonce-and-Nicki-Minaj-Feeling-Myself-Water-Guns.gif\" rel=\"attachment wp-att-23115\">\u003cimg class=\"aligncenter size-full wp-image-23115\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Beyonce-and-Nicki-Minaj-Feeling-Myself-Water-Guns.gif\" alt=\"beyonce nicki water gun gif\" width=\"556\" height=\"300\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">10. Pictures snatched out the frame.\u003cbr>\nB*tch, I scratched out your name and your face.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/yYad7.gif\" rel=\"attachment wp-att-23116\">\u003cimg class=\"aligncenter size-full wp-image-23116\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/yYad7.gif\" alt=\"beyonce gif bootylicious\" width=\"250\" height=\"330\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">11. He only want me when I'm not there.\u003cbr>\nHe better call Becky with the good hair.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/1jsvmw.gif\" rel=\"attachment wp-att-23114\">\u003cimg class=\"aligncenter size-full wp-image-23114\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/1jsvmw.gif\" alt=\"beyonce why don't you love me gif\" width=\"352\" height=\"259\">\u003c/a>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cem>Thirtsy for more LEMONADE? Read up:\u003c/em>\u003c/p>\u003c/p>\u003c/div>",
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"disqusTitle": "Beyoncé's LEMONADE Isn't the First Time She's Used Divorce to Play with Our Emotions",
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"content": "\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/261294973&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>[contextly_sidebar id=\"87VcCSNYf0uckIVqBivtSqA0Q5zsjYtd\"]So by now, you've either seen \u003cem>LEMONADE\u003c/em>, heard it or \u003ca href=\"http://ww2.kqed.org/pop/2016/04/23/the-best-twitter-reactions-to-beyonces-visual-album-lemonade/\" target=\"_blank\">just read all about it on Twitter\u003c/a>. In addition to being a bold feminist exploration and celebration of what it means to be a black woman in America, the visual album is also a raw look at distrust, infidelity, and the limits of love. Two-thirds of the album deal with grief and anger over being cheated on, and the specter of divorce looms large. While watching, one expected Beyoncé to surprise drop divorce papers right afterward.\u003c/p>\n\u003cp>If all of this feels familiar, it's because we've been here before with these two. The year was 2014. The couple were in the midst of their joint \u003cem>On the Run\u003c/em> tour. And Beyonce was not happy (or so she wanted us to believe).\u003c/p>\n\u003cp>Every night, she would appear on stage wearing a wedding gown and would tearfully sing a song called \"Resentment,\" which featured lyrics like \"I’ll always remember feeling like I was no good / Like I couldn’t do it for you like that wack bitch could” and “Been ridin’ with you for 12 years / I gotta look at her in her eyes and see she’s had half of me. She ain’t even half of me. That bitch will never be.” She also covered Lauryn Hill's \"Ex Factor\", mournfully singing its mantra of “It ain’t workin, it ain’t workin.” And Jay Z got in on the action too with a line from \"Song Cry\": “I can understand why you want a divorce now.”\u003c/p>\n\u003cp>Everyone was convinced a divorce was imminent and fans clamored to buy tickets to the tour to witness the most prominent marriage in the world crumble before their eyes. We had been there to see them strut their young love back in 2003 in the music video for Bey's debut single \"Crazy In Love,\" we were there when they revealed the Blue Ivy pregnancy at a live awards show, we watched them love up on each other on yachts every time they went on vacation. So it was only natural, in a twisted, parasitic way, to also be there for their undoing.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But it all ended up being a marketing scheme. They're still together two years later. And they're still together, despite the insane breakup rollercoaster that is \u003cem>LEMONADE\u003c/em>. While manipulating us with this same narrative twice seemed cheap to me at first, ultimately, there is crafty artistic brilliance underneath it all.\u003c/p>\n\u003cp>Back in 2014, \u003ca href=\"http://ww2.kqed.org/pop/2014/08/07/beyonce-and-jay-z-divorce-on-the-run-tour-san-francisco/\" target=\"_blank\">I wrote\u003c/a> the following and it still stands:\u003c/p>\n\u003cblockquote>\u003cp>This entire divorce thing is part publicity stunt, part performance art. Messing with the idea of their marriage and family for profit [is] a cynical move, but perhaps there are two marriages at work here, the one they live at home and the one they live for us on stage. Maybe they feel fine messing with our conception of them because, at the end of the day, we \u003cem>don’t\u003c/em> know them; it’s all fiction. And what makes better fiction than a plot twist or a heartbreaking betrayal? As much as we are obsessed with happily ever after, we sure do get bored of it pretty quickly.\u003c/p>\n\u003cp>Maybe the fantasy they package and present to us holds no real value in their day-to-day reality; maybe they are just playing characters in a modern day opera, putting on the show they know we want to see.\u003c/p>\u003c/blockquote>\n\u003cp>And \u003cem>LEMONADE\u003c/em> definitely delivered in that regard, putting on an operatic spectacle that'll be remembered as a defining moment in music history.\u003c/p>\n\u003cp>So is this the real life? Or is this just fantasy? Who knows and who cares, when it's this genius.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cem>Thirsty for more LEMONADE? Read up:\u003c/em>\u003c/p>\n\u003cp>http://ww2.kqed.org/pop/2016/04/24/beyonce-11-lemonade-lyrics-that-have-jay-z-researching-witness-protection-programs/\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>http://ww2.kqed.org/pop/2016/04/23/the-best-twitter-reactions-to-beyonces-visual-album-lemonade/\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But it all ended up being a marketing scheme. They're still together two years later. And they're still together, despite the insane breakup rollercoaster that is \u003cem>LEMONADE\u003c/em>. While manipulating us with this same narrative twice seemed cheap to me at first, ultimately, there is crafty artistic brilliance underneath it all.\u003c/p>\n\u003cp>Back in 2014, \u003ca href=\"http://ww2.kqed.org/pop/2014/08/07/beyonce-and-jay-z-divorce-on-the-run-tour-san-francisco/\" target=\"_blank\">I wrote\u003c/a> the following and it still stands:\u003c/p>\n\u003cblockquote>\u003cp>This entire divorce thing is part publicity stunt, part performance art. Messing with the idea of their marriage and family for profit [is] a cynical move, but perhaps there are two marriages at work here, the one they live at home and the one they live for us on stage. Maybe they feel fine messing with our conception of them because, at the end of the day, we \u003cem>don’t\u003c/em> know them; it’s all fiction. And what makes better fiction than a plot twist or a heartbreaking betrayal? As much as we are obsessed with happily ever after, we sure do get bored of it pretty quickly.\u003c/p>\n\u003cp>Maybe the fantasy they package and present to us holds no real value in their day-to-day reality; maybe they are just playing characters in a modern day opera, putting on the show they know we want to see.\u003c/p>\u003c/blockquote>\n\u003cp>And \u003cem>LEMONADE\u003c/em> definitely delivered in that regard, putting on an operatic spectacle that'll be remembered as a defining moment in music history.\u003c/p>\n\u003cp>So is this the real life? Or is this just fantasy? Who knows and who cares, when it's this genius.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cem>Thirsty for more LEMONADE? Read up:\u003c/em>\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/261294973&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>[contextly_sidebar id=\"2fCvmZr5zndH8CgFiSfoFFY6Ei3ntiG8\"]Beyoncé just caused innumerable heart palpitations, tears and hysterics with the release of her new visual album, \u003cem>LEMONADE\u003c/em>, which is basically an hour-long diss track against her \u003ca href=\"http://ww2.kqed.org/pop/2016/04/23/beyonces-lemonade-isnt-the-first-time-shes-used-divorce-to-play-with-our-emotions/\">no-good, cheating husband\u003c/a> Jay Z. But don't worry; she takes him back...\u003ca href=\"http://ww2.kqed.org/pop/2014/08/07/beyonce-and-jay-z-divorce-on-the-run-tour-san-francisco/\" target=\"_blank\">again\u003c/a>. So what did Twitter have to say about it all?\u003c/p>\n\u003cp>Things started off with anticipation tinged with purple-tinted grief:\u003c/p>\n\u003cp>https://twitter.com/mikewassmusic/status/724019587046473728\u003c/p>\n\u003cp>Immediately, we all got a loud-and-clear message about the state of Beyoncé and Jay Z's union:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/jennydeluxe/status/724042009212784640\u003c/p>\n\u003cp>https://twitter.com/dont_bhayden/status/724041504675778560\u003c/p>\n\u003cp>https://twitter.com/HotelFoxtrot/status/724042958454947840\u003c/p>\n\u003cp>https://twitter.com/Dee_Lockett/status/724043898813857792\u003c/p>\n\u003cp>https://twitter.com/Nettaaaaaaaa/status/724047796089831424\u003c/p>\n\u003cp>https://twitter.com/XLNB/status/724049425731977216\u003c/p>\n\u003cp>Beyoncé is not playing around:\u003c/p>\n\u003cp>https://twitter.com/MattBellassai/status/724044546804449281\u003c/p>\n\u003cp>https://twitter.com/Christian_Zamo/status/724044682867568641\u003c/p>\n\u003cp>https://twitter.com/xcusemybeauty/status/724050601328316416\u003c/p>\n\u003cp>But concern for their marriage couldn't top the feeling that we were all witnessing some miraculous sh*t:\u003c/p>\n\u003cp>https://twitter.com/MattBellassai/status/724042380559716352\u003c/p>\n\u003cp>A breakup has never looked so beautiful or been more intense:\u003c/p>\n\u003cp>https://twitter.com/JMatthiasFord/status/724043545544429573\u003c/p>\n\u003cp>https://twitter.com/billboard/status/724046177843445760\u003c/p>\n\u003cp>https://twitter.com/jennydeluxe/status/724044256348901377\u003c/p>\n\u003cp>Beyoncé's resilient kiss-off tracks inspired some:\u003c/p>\n\u003cp>https://twitter.com/brokeymcpoverty/status/724044757438214144\u003c/p>\n\u003cp>https://twitter.com/sydneymscott/status/724044787733663744\u003c/p>\n\u003cp>https://twitter.com/brokeymcpoverty/status/724049578383826944\u003c/p>\n\u003cp>https://twitter.com/brokeymcpoverty/status/724068072349421569\u003c/p>\n\u003cp>All of this airing of dirty laundry makes one wonder what the situation has been like over at chez Yoncé:\u003c/p>\n\u003cp>https://twitter.com/danimop/status/724045551759667200\u003c/p>\n\u003cp>https://twitter.com/BrettSVergara/status/724047935097458689\u003c/p>\n\u003cp>https://twitter.com/brokeymcpoverty/status/724048037711065088\u003c/p>\n\u003cp>https://twitter.com/Christian_Zamo/status/724047323370651648\u003c/p>\n\u003cp>The cultural implications of all of this could not be denied:\u003c/p>\n\u003cp>https://twitter.com/shakiraaevans/status/724046183426068480\u003c/p>\n\u003cp>https://twitter.com/ellievhall/status/724046494962065408\u003c/p>\n\u003cp>https://twitter.com/RaquelWillis_/status/724058856419151872\u003c/p>\n\u003cp>Then, out of nowhere, Beyoncé delivers a country song because she can:\u003c/p>\n\u003cp>https://twitter.com/caityweaver/status/724049176749813760\u003c/p>\n\u003cp>As if the country song, the visual album's very existence and all these divorce vibes weren't surprising enough, Jay Z makes a redemptive cameo in the very project that is all about how no good he is:\u003c/p>\n\u003cp>https://twitter.com/theshrillest/status/724051374724390912\u003c/p>\n\u003cp>They get back together because love conquers all or maybe because:\u003c/p>\n\u003cp>https://twitter.com/xcusemybeauty/status/724054730322780160\u003c/p>\n\u003cp>Looks like they're going to be alright, but that doesn't mean things will ever be the same:\u003c/p>\n\u003cp>https://twitter.com/jennydeluxe/status/724054184098693129\u003c/p>\n\u003cp>https://twitter.com/RebeccaSchinsky/status/724055055377285120\u003c/p>\n\u003cp>So what did everyone think and feel when it was all over?\u003c/p>\n\u003cp>https://twitter.com/courtenlow/status/724057974449295360\u003c/p>\n\u003cp>https://twitter.com/MattBellassai/status/724054955250835456\u003c/p>\n\u003cp>https://twitter.com/ryanoconn/status/724054023351848960\u003c/p>\n\u003cp>https://twitter.com/julp/status/724063715973189632\u003c/p>\n\u003cp>https://twitter.com/joshywinty/status/724059734895030272\u003c/p>\n\u003cp>https://twitter.com/courtenlow/status/724062226529677312\u003c/p>\n\u003cp>https://twitter.com/_beatricek/status/724058496476418050\u003c/p>\n\u003cp>https://twitter.com/anildash/status/724061126707830786\u003c/p>\n\u003cp>So, in summary:\u003c/p>\n\u003cp>https://twitter.com/cocoabutterbf/status/724054206366142464\u003c/p>\n\u003cp>\u003cem>Thirsty for more LEMONADE? 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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"masters-of-scale": {
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},
"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"pbs-newshour": {
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},
"perspectives": {
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"order": 14
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 5
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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