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"content": "\u003cp>We here on the KQED Arts team aren’t paid to be sports experts, but most of us have been following the Golden State Warriors for the entirety of this season — and we’re just as excited about \u003ca href=\"http://ww2.kqed.org/news/2016/04/13/in-warriors-season-of-records-seventy-three-would-be-the-biggest\" target=\"_blank\" rel=\"noopener\">Wednesday night’s possible record-setting win\u003c/a> as any dedicated Warrior fan.\u003c/p>\n\u003cp>But being that we’re also fans of art, we decided to contribute to the experience of watching the game by creating GIFs featuring some of our favorite players. Feel free to share these during and after the (hopefully) momentous occasion.\u003c/p>\n\u003cp>\u003ci>All GIFs created at \u003ca href=\"http://giphy.com/\" target=\"_blank\" rel=\"noopener\">GIPHY.com \u003c/a>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Steph Curry\u003c/b>\u003c/p>\n\u003cp>\u003cb>Draymond Green\u003c/b>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>Klay Thompson\u003c/b>\u003c/p>\n\u003cp>\u003cb>Andre Iguodala\u003c/b>\u003c/p>\n\u003cp>And as a bonus, here’s the theme song for tonight: “Splash” by by Ron Lennon & J.Wells. (Last year we touted \u003ca href=\"http://ww2.kqed.org/arts/2015/06/16/heres-your-e-40-warriors-anthem-for-the-nba-finals/\" target=\"_blank\" rel=\"noopener\">E-40’s theme for the Dubs\u003c/a>).\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=5BxfvxdmRDc\u003c/p>\n\n",
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"content": "\u003cp>The \u003ca href=\"https://recordsetter.com/world-record/global-lightsaber-battle/45244\" target=\"_blank\" rel=\"noopener\">world record-breaking\u003c/a> Light Battle Tour, which drew large crowds during its stop in the Embarcadero’s Sue Bierman Park \u003ca href=\"http://www.ktvu.com/news/58937866-story\" target=\"_blank\" rel=\"noopener\">last December\u003c/a>, will now be known as \u003ca href=\"https://catsinspacetour.com/\" target=\"_blank\" rel=\"noopener\">Cats in Space Tour\u003c/a> after a legal settlement with trademark holder Lucasfilm, according to an \u003ca href=\"https://catsinspacetour.com/blogs/news/118143171-statement-re-legal-settlement-with-lucasfilm-cats-in-space-launch\" target=\"_blank\" rel=\"noopener\">announcement\u003c/a> on the event’s website.\u003c/p>\n\u003cp>According to the post, the \u003ca href=\"http://ww2.kqed.org/news/2012/10/30/disney-buys-lucasfilm-and-makes-a-star-wars-sequel\" target=\"_blank\" rel=\"noopener\">Disney-helmed Lucasfilm\u003c/a> first approached Canadian non-profit \u003ca href=\"http://www.newmindspace.com/\" target=\"_blank\" rel=\"noopener\">Newmindspace\u003c/a> with a cease-and-desist in January over the use of the words the words “lightsaber,” “Jedi,” “Sith,” and “The Force.” Then in March, they followed up with another notice over the similarity of the name “Light Battle Tour” to the company’s trademark.\u003c/p>\n\u003cp>As per the settlement, event coordinators re-branded the event to “Cats in Space Tour,” but assure attendees that previous registrations will still be honored and that the event shall proceed as usual. The battle between Space Cats and Space Mice rages on, with the inclusion of the weapon that is clearly not a lightsaber, but a “cat blade”.\u003c/p>\n\u003cfigure id=\"attachment_11488074\" class=\"wp-caption alignnone\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11488074\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/04/cat-blade-600x600.jpg\" alt=\"Registration for the Cats in Space Tour run from $10 to $25 per person and include memorabilia and a dollar donation to Make-A-Wish. \" width=\"600\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/cat-blade-600x600.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/cat-blade-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/cat-blade-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/cat-blade-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/cat-blade-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/cat-blade-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/cat-blade-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/cat-blade-75x75.jpg 75w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/cat-blade.jpg 900w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Registration for the Cats in Space Tour run from $10 to $25 per person and include memorabilia and a dollar donation to Make-A-Wish. \u003ccite>(Photo: Courtesy of Cats in Space Tour. )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Cats in Space is a fun, playful series of Space Battles where participants can fight with fantasy weapons, laser guns, and more, while enjoying original artwork on T-shirts that benefit charity,” co-founder Kevin Bracken states in the post.\u003c/p>\n\u003cp>\u003ca href=\"http://www.newmindspace.com/\" target=\"_blank\" rel=\"noopener\">Newmindspace\u003c/a>, which has been organizing large-scale events in 2005, first launched their Light Battle Tour events in 2007 at the \u003ca href=\"https://www.youtube.com/watch?v=DCV4EK7hVkU\" target=\"_blank\" rel=\"noopener\">Royal Ontario Museum\u003c/a> in Toronto and has since expanded to over ten cities across the United States.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The Cats in Space Tour kicks off in Downtown San Jose’s St. James Park on Saturday, Apr. 30. \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The \u003ca href=\"https://recordsetter.com/world-record/global-lightsaber-battle/45244\" target=\"_blank\" rel=\"noopener\">world record-breaking\u003c/a> Light Battle Tour, which drew large crowds during its stop in the Embarcadero’s Sue Bierman Park \u003ca href=\"http://www.ktvu.com/news/58937866-story\" target=\"_blank\" rel=\"noopener\">last December\u003c/a>, will now be known as \u003ca href=\"https://catsinspacetour.com/\" target=\"_blank\" rel=\"noopener\">Cats in Space Tour\u003c/a> after a legal settlement with trademark holder Lucasfilm, according to an \u003ca href=\"https://catsinspacetour.com/blogs/news/118143171-statement-re-legal-settlement-with-lucasfilm-cats-in-space-launch\" target=\"_blank\" rel=\"noopener\">announcement\u003c/a> on the event’s website.\u003c/p>\n\u003cp>According to the post, the \u003ca href=\"http://ww2.kqed.org/news/2012/10/30/disney-buys-lucasfilm-and-makes-a-star-wars-sequel\" target=\"_blank\" rel=\"noopener\">Disney-helmed Lucasfilm\u003c/a> first approached Canadian non-profit \u003ca href=\"http://www.newmindspace.com/\" target=\"_blank\" rel=\"noopener\">Newmindspace\u003c/a> with a cease-and-desist in January over the use of the words the words “lightsaber,” “Jedi,” “Sith,” and “The Force.” Then in March, they followed up with another notice over the similarity of the name “Light Battle Tour” to the company’s trademark.\u003c/p>\n\u003cp>As per the settlement, event coordinators re-branded the event to “Cats in Space Tour,” but assure attendees that previous registrations will still be honored and that the event shall proceed as usual. The battle between Space Cats and Space Mice rages on, with the inclusion of the weapon that is clearly not a lightsaber, but a “cat blade”.\u003c/p>\n\u003cfigure id=\"attachment_11488074\" class=\"wp-caption alignnone\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11488074\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/04/cat-blade-600x600.jpg\" alt=\"Registration for the Cats in Space Tour run from $10 to $25 per person and include memorabilia and a dollar donation to Make-A-Wish. \" width=\"600\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/cat-blade-600x600.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/cat-blade-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/cat-blade-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/cat-blade-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/cat-blade-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/cat-blade-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/cat-blade-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/cat-blade-75x75.jpg 75w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/cat-blade.jpg 900w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Registration for the Cats in Space Tour run from $10 to $25 per person and include memorabilia and a dollar donation to Make-A-Wish. \u003ccite>(Photo: Courtesy of Cats in Space Tour. )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Cats in Space is a fun, playful series of Space Battles where participants can fight with fantasy weapons, laser guns, and more, while enjoying original artwork on T-shirts that benefit charity,” co-founder Kevin Bracken states in the post.\u003c/p>\n\u003cp>\u003ca href=\"http://www.newmindspace.com/\" target=\"_blank\" rel=\"noopener\">Newmindspace\u003c/a>, which has been organizing large-scale events in 2005, first launched their Light Battle Tour events in 2007 at the \u003ca href=\"https://www.youtube.com/watch?v=DCV4EK7hVkU\" target=\"_blank\" rel=\"noopener\">Royal Ontario Museum\u003c/a> in Toronto and has since expanded to over ten cities across the United States.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The Cats in Space Tour kicks off in Downtown San Jose’s St. James Park on Saturday, Apr. 30. \u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Lost In Translation: Study Finds Interpretation Of Emojis Can Vary Widely",
"title": "Lost In Translation: Study Finds Interpretation Of Emojis Can Vary Widely",
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"content": "\u003cp>Emojis were supposed to be the great equalizer: a language all its own capable of transcending borders and cultural differences.\u003c/p>\n\u003cp>Not so fast, say a group of researchers who \u003ca href=\"http://grouplens.org/site-content/uploads/Emoji_Interpretation.pdf\">found that different people had vastly different interpretations of some popular emojis\u003c/a>. The researchers published their findings for GroupLens, a research lab based out of the Department of Computer Science and Engineering at the University of Minnesota, Twin Cities.\u003c/p>\n\u003cp>\"I think some people thought that they could use [emojis] with little risk and what we found is that it actually is at high risk of miscommunication,\" Hannah Miller, a Ph.D. student at the University of Minnesota and one of the authors of the study, said in a phone interview.\u003c/p>\n\u003cp>For example, the researchers found that when people receive the \"face with tears of joy\" emoji — \u003ca href=\"http://blog.oxforddictionaries.com/2015/11/word-of-the-year-2015-emoji/\">which Oxford Dictionaries declared its word of the year\u003c/a> — some interpret it positively, while others will interpret it negatively.\u003c/p>\n\u003cp>\"We find that only 4.5 percent of emoji symbols we examined have consistently low variance in their sentiment interpretations,\" the researchers write. \"Conversely, in 25 percent of the cases where participants rated the same rendering, they did not agree on whether the sentiment was positive, neutral, or negative.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>This, the researchers found, only gets more complicated when you're texting across platforms, because the same emojis are rendered differently on an iPhone than they are on a Samsung Galaxy, for example.\u003c/p>\n\u003cp>Via Miller, here's how \"grinning face with smiling eyes\" would look on each platform and how the study's subjects interpreted it:\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_22322\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/sentimentavg-grinningfacewsmilingeyes-1024x411_custom-8c652f86c97ccad8823571bb49075f90cdec29df-s800-c85.png\" rel=\"attachment wp-att-22322\">\u003cimg class=\"size-full wp-image-22322\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/sentimentavg-grinningfacewsmilingeyes-1024x411_custom-8c652f86c97ccad8823571bb49075f90cdec29df-s800-c85.png\" alt='(Photo: <a href=\"http://grouplens.org/blog/investigating-the-potential-for-miscommunication-using-emoji/\">grouplens</a>)' width=\"800\" height=\"321\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/sentimentavg-grinningfacewsmilingeyes-1024x411_custom-8c652f86c97ccad8823571bb49075f90cdec29df-s800-c85.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/sentimentavg-grinningfacewsmilingeyes-1024x411_custom-8c652f86c97ccad8823571bb49075f90cdec29df-s800-c85-400x161.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/sentimentavg-grinningfacewsmilingeyes-1024x411_custom-8c652f86c97ccad8823571bb49075f90cdec29df-s800-c85-768x308.png 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">This graphic shows how the same emoji is interpreted on different platforms.\u003cbr>(Photo: \u003ca href=\"http://grouplens.org/blog/investigating-the-potential-for-miscommunication-using-emoji/\">grouplens\u003c/a>)\u003c/figcaption>\u003c/figure>\n\u003cp>And here is an example of how that may work out in a real-life conversation:\u003c/p>\n\u003cfigure id=\"attachment_22321\" class=\"wp-caption aligncenter\" style=\"max-width: 768px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/acrosstextconversation-cropped-1-768x404_custom-6cbe3f89950c9fcf00e6ffb7fea06df90c7d0fb4-s800-c85.png\" rel=\"attachment wp-att-22321\">\u003cimg class=\"size-full wp-image-22321\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/acrosstextconversation-cropped-1-768x404_custom-6cbe3f89950c9fcf00e6ffb7fea06df90c7d0fb4-s800-c85.png\" alt='How a real-life conversation could go when people interpret an emoticon differently.(Photo: <a href=\"http://grouplens.org/blog/investigating-the-potential-for-miscommunication-using-emoji/\">grouplens</a>)' width=\"768\" height=\"403\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/acrosstextconversation-cropped-1-768x404_custom-6cbe3f89950c9fcf00e6ffb7fea06df90c7d0fb4-s800-c85.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/acrosstextconversation-cropped-1-768x404_custom-6cbe3f89950c9fcf00e6ffb7fea06df90c7d0fb4-s800-c85-400x210.png 400w\" sizes=\"(max-width: 768px) 100vw, 768px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">How a real-life conversation could go when people interpret an emoticon differently.(Photo: \u003ca href=\"http://grouplens.org/blog/investigating-the-potential-for-miscommunication-using-emoji/\">grouplens\u003c/a>)\u003c/figcaption>\u003c/figure>\n\u003cp>Jacob Thebault-Spieker, a PhD student at the University of Minnesota and another of the study's authors, said maybe part of the confusion comes from the newness of the language.\u003c/p>\n\u003cp>\"The understanding that we have from theory suggests that people build shared meaning of communication and interaction over time,\" he said. \"These are new. People are building up their new norms within a group of friends or within a geographic region or perhaps even within a culture and those things may start to even out over time.\"\u003c/p>\n\u003cp>One thing that could help, said Miller, is a dictionary or in this case \u003ca href=\"http://emojipedia.org/\">emojipedia.com\u003c/a>, the authority on the meaning of emojis.\u003c/p>\n\u003cp>If that doesn't work, you can stick to old fashioned emoticons 🙁\u003c/p>\n\u003cp>Those are less likely to be misconstrued.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>We'll leave you with a graphic from the paper that ranks how misconstrued emojis are across platforms. From left to right, it shows most misconstrued to least misconstrued:\u003c/p>\n\u003cfigure id=\"attachment_22320\" class=\"wp-caption aligncenter\" style=\"max-width: 716px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/across-platform_custom-87fd4dd677dd92b5f5d1f08bc77de4a4bc68fbcd-s800-c85.png\" rel=\"attachment wp-att-22320\">\u003cimg class=\"size-full wp-image-22320\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/across-platform_custom-87fd4dd677dd92b5f5d1f08bc77de4a4bc68fbcd-s800-c85.png\" alt='A graphic ranking misconstrued emojis across platforms. (Photo: <a href=\"http://grouplens.org/blog/investigating-the-potential-for-miscommunication-using-emoji/\">grouplens</a>)' width=\"716\" height=\"307\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/across-platform_custom-87fd4dd677dd92b5f5d1f08bc77de4a4bc68fbcd-s800-c85.png 716w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/across-platform_custom-87fd4dd677dd92b5f5d1f08bc77de4a4bc68fbcd-s800-c85-400x172.png 400w\" sizes=\"(max-width: 716px) 100vw, 716px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A graphic ranking misconstrued emojis across platforms.\u003cbr>(Photo: \u003ca href=\"http://grouplens.org/blog/investigating-the-potential-for-miscommunication-using-emoji/\">grouplens\u003c/a>)\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Lost+In+Translation%3A+Study+Finds+Interpretation+Of+Emojis+Can+Vary+Widely+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\" alt=\"\">\u003c/em>\u003c/div>\n\n",
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"excerpt": "That sweaty smiley face emoji may be positive to some of your friends and negative to others. And depending on who you're texting it may appear entirely different on their device.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Emojis were supposed to be the great equalizer: a language all its own capable of transcending borders and cultural differences.\u003c/p>\n\u003cp>Not so fast, say a group of researchers who \u003ca href=\"http://grouplens.org/site-content/uploads/Emoji_Interpretation.pdf\">found that different people had vastly different interpretations of some popular emojis\u003c/a>. The researchers published their findings for GroupLens, a research lab based out of the Department of Computer Science and Engineering at the University of Minnesota, Twin Cities.\u003c/p>\n\u003cp>\"I think some people thought that they could use [emojis] with little risk and what we found is that it actually is at high risk of miscommunication,\" Hannah Miller, a Ph.D. student at the University of Minnesota and one of the authors of the study, said in a phone interview.\u003c/p>\n\u003cp>For example, the researchers found that when people receive the \"face with tears of joy\" emoji — \u003ca href=\"http://blog.oxforddictionaries.com/2015/11/word-of-the-year-2015-emoji/\">which Oxford Dictionaries declared its word of the year\u003c/a> — some interpret it positively, while others will interpret it negatively.\u003c/p>\n\u003cp>\"We find that only 4.5 percent of emoji symbols we examined have consistently low variance in their sentiment interpretations,\" the researchers write. \"Conversely, in 25 percent of the cases where participants rated the same rendering, they did not agree on whether the sentiment was positive, neutral, or negative.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This, the researchers found, only gets more complicated when you're texting across platforms, because the same emojis are rendered differently on an iPhone than they are on a Samsung Galaxy, for example.\u003c/p>\n\u003cp>Via Miller, here's how \"grinning face with smiling eyes\" would look on each platform and how the study's subjects interpreted it:\u003c/p>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_22322\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/sentimentavg-grinningfacewsmilingeyes-1024x411_custom-8c652f86c97ccad8823571bb49075f90cdec29df-s800-c85.png\" rel=\"attachment wp-att-22322\">\u003cimg class=\"size-full wp-image-22322\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/sentimentavg-grinningfacewsmilingeyes-1024x411_custom-8c652f86c97ccad8823571bb49075f90cdec29df-s800-c85.png\" alt='(Photo: <a href=\"http://grouplens.org/blog/investigating-the-potential-for-miscommunication-using-emoji/\">grouplens</a>)' width=\"800\" height=\"321\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/sentimentavg-grinningfacewsmilingeyes-1024x411_custom-8c652f86c97ccad8823571bb49075f90cdec29df-s800-c85.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/sentimentavg-grinningfacewsmilingeyes-1024x411_custom-8c652f86c97ccad8823571bb49075f90cdec29df-s800-c85-400x161.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/sentimentavg-grinningfacewsmilingeyes-1024x411_custom-8c652f86c97ccad8823571bb49075f90cdec29df-s800-c85-768x308.png 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">This graphic shows how the same emoji is interpreted on different platforms.\u003cbr>(Photo: \u003ca href=\"http://grouplens.org/blog/investigating-the-potential-for-miscommunication-using-emoji/\">grouplens\u003c/a>)\u003c/figcaption>\u003c/figure>\n\u003cp>And here is an example of how that may work out in a real-life conversation:\u003c/p>\n\u003cfigure id=\"attachment_22321\" class=\"wp-caption aligncenter\" style=\"max-width: 768px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/acrosstextconversation-cropped-1-768x404_custom-6cbe3f89950c9fcf00e6ffb7fea06df90c7d0fb4-s800-c85.png\" rel=\"attachment wp-att-22321\">\u003cimg class=\"size-full wp-image-22321\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/acrosstextconversation-cropped-1-768x404_custom-6cbe3f89950c9fcf00e6ffb7fea06df90c7d0fb4-s800-c85.png\" alt='How a real-life conversation could go when people interpret an emoticon differently.(Photo: <a href=\"http://grouplens.org/blog/investigating-the-potential-for-miscommunication-using-emoji/\">grouplens</a>)' width=\"768\" height=\"403\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/acrosstextconversation-cropped-1-768x404_custom-6cbe3f89950c9fcf00e6ffb7fea06df90c7d0fb4-s800-c85.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/acrosstextconversation-cropped-1-768x404_custom-6cbe3f89950c9fcf00e6ffb7fea06df90c7d0fb4-s800-c85-400x210.png 400w\" sizes=\"(max-width: 768px) 100vw, 768px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">How a real-life conversation could go when people interpret an emoticon differently.(Photo: \u003ca href=\"http://grouplens.org/blog/investigating-the-potential-for-miscommunication-using-emoji/\">grouplens\u003c/a>)\u003c/figcaption>\u003c/figure>\n\u003cp>Jacob Thebault-Spieker, a PhD student at the University of Minnesota and another of the study's authors, said maybe part of the confusion comes from the newness of the language.\u003c/p>\n\u003cp>\"The understanding that we have from theory suggests that people build shared meaning of communication and interaction over time,\" he said. \"These are new. People are building up their new norms within a group of friends or within a geographic region or perhaps even within a culture and those things may start to even out over time.\"\u003c/p>\n\u003cp>One thing that could help, said Miller, is a dictionary or in this case \u003ca href=\"http://emojipedia.org/\">emojipedia.com\u003c/a>, the authority on the meaning of emojis.\u003c/p>\n\u003cp>If that doesn't work, you can stick to old fashioned emoticons 🙁\u003c/p>\n\u003cp>Those are less likely to be misconstrued.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>We'll leave you with a graphic from the paper that ranks how misconstrued emojis are across platforms. From left to right, it shows most misconstrued to least misconstrued:\u003c/p>\n\u003cfigure id=\"attachment_22320\" class=\"wp-caption aligncenter\" style=\"max-width: 716px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/across-platform_custom-87fd4dd677dd92b5f5d1f08bc77de4a4bc68fbcd-s800-c85.png\" rel=\"attachment wp-att-22320\">\u003cimg class=\"size-full wp-image-22320\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/across-platform_custom-87fd4dd677dd92b5f5d1f08bc77de4a4bc68fbcd-s800-c85.png\" alt='A graphic ranking misconstrued emojis across platforms. (Photo: <a href=\"http://grouplens.org/blog/investigating-the-potential-for-miscommunication-using-emoji/\">grouplens</a>)' width=\"716\" height=\"307\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/across-platform_custom-87fd4dd677dd92b5f5d1f08bc77de4a4bc68fbcd-s800-c85.png 716w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/across-platform_custom-87fd4dd677dd92b5f5d1f08bc77de4a4bc68fbcd-s800-c85-400x172.png 400w\" sizes=\"(max-width: 716px) 100vw, 716px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A graphic ranking misconstrued emojis across platforms.\u003cbr>(Photo: \u003ca href=\"http://grouplens.org/blog/investigating-the-potential-for-miscommunication-using-emoji/\">grouplens\u003c/a>)\u003c/figcaption>\u003c/figure>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Lost+In+Translation%3A+Study+Finds+Interpretation+Of+Emojis+Can+Vary+Widely+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\" alt=\"\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Better Late Than Never: Olympic Champion Greg Louganis Gets His Wheaties Box",
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"content": "\u003cp>In his competitive diving career, four-time Olympic diving gold medalist and five-time world champion Greg Louganis has been all over the world. Now he'll be in one place that's eluded him for years: your kitchen table.\u003c/p>\n\u003cp>Wheaties announced that Louganis — who is \u003ca href=\"http://greglouganis.com/category/activist/\">openly gay and HIV-positive\u003c/a> — along with two other former Olympians, hurdler Edwin Moses and swimmer Janet Evans, will be featured on the cereal boxes as part of the revamped \"legends\" series.\u003c/p>\n\u003cp>In a 2015 HBO documentary called \u003cem>Back on Board: Greg Louganis,\u003c/em> the diver said he understood that he wasn't featured on the Wheaties box during the prime of his career in the 1980s because he didn't fit the company's requirement of a \"wholesome image,\" as he was rumored to be gay. He came out publicly about his sexual identity and HIV-positive status in 1995.\u003c/p>\n\u003cp>Louganis says he is glad to finally be getting the recognition.\u003c/p>\n\u003cfigure id=\"attachment_108487\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2016/04/evans_custom-2121964c31ad0f4327bdd3db4373a7251c24b80f-400x618.jpg\" alt=\"Janet Evans is one of the greatest women's distance swimmers in U.S. history..\" width=\"400\" height=\"618\" class=\"size-thumbnail wp-image-108487\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2016/04/evans_custom-2121964c31ad0f4327bdd3db4373a7251c24b80f-400x618.jpg 400w, https://ww2.kqed.org/app/uploads/sites/24/2016/04/evans_custom-2121964c31ad0f4327bdd3db4373a7251c24b80f-800x1236.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2016/04/evans_custom-2121964c31ad0f4327bdd3db4373a7251c24b80f-768x1187.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2016/04/evans_custom-2121964c31ad0f4327bdd3db4373a7251c24b80f-1440x2225.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/24/2016/04/evans_custom-2121964c31ad0f4327bdd3db4373a7251c24b80f-1180x1823.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/24/2016/04/evans_custom-2121964c31ad0f4327bdd3db4373a7251c24b80f-960x1483.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Janet Evans is one of the greatest women's distance swimmers in U.S. history.. \u003ccite>(Courtesy Of General Mills)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"[It's] so incredible to be honored with the likes of Edwin Moses — we were in our first Olympic games in 1976 together,\" Louganis told NPR's \u003cem>All Things Considered\u003c/em>. \"Janet Evans — we trained at Mission Viejo together — I watched her grow up.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Louganis became the only man to sweep the \u003ca href=\"http://www.olympic.org/gregory-louganis\">Olympic diving events\u003c/a> in back-to-back games when he won gold medals in both springboard and platform diving in the '84 and '88 Olympics. He's now a role model for other athletes including British Olympic diver Tom Daley, who came out as gay when he was around 20 years old.\u003c/p>\n\u003cp>\"I would have always wanted someone like him as a role model on the front of a cereal box,\" Daley told NPR's Ari Shapiro. \"He's a great model and forever will be the greatest diver to walk this earth.\"\u003c/p>\n\u003cp>General Mills spokesman Mike Siemienas told NPR he couldn't provide an answer as to why Louganis wasn't on the box previously because no one who was involved in those decisions still worked at the company. Siemienas said a committee is responsible for determining which athletes are on the boxes.\u003c/p>\n\u003cfigure id=\"attachment_108488\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2016/04/edwin_custom-b94f08722c2d731521067ca48d5a09ba94dad083-400x618.jpg\" alt=\"Edwin Moses was a three-time world champion in the 400-meter hurdles.\" width=\"400\" height=\"618\" class=\"size-thumbnail wp-image-108488\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2016/04/edwin_custom-b94f08722c2d731521067ca48d5a09ba94dad083-400x618.jpg 400w, https://ww2.kqed.org/app/uploads/sites/24/2016/04/edwin_custom-b94f08722c2d731521067ca48d5a09ba94dad083-800x1236.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2016/04/edwin_custom-b94f08722c2d731521067ca48d5a09ba94dad083-768x1187.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2016/04/edwin_custom-b94f08722c2d731521067ca48d5a09ba94dad083-1440x2225.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/24/2016/04/edwin_custom-b94f08722c2d731521067ca48d5a09ba94dad083-1180x1823.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/24/2016/04/edwin_custom-b94f08722c2d731521067ca48d5a09ba94dad083-960x1483.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Edwin Moses was a three-time world champion in the 400-meter hurdles. \u003ccite>(Courtesy Of General Mills)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Wheaties unveiled the \"legends\" cereal boxes after the documentary detailing Louganis' athletic career and experiences as a gay man sparked a petition on \u003ca href=\"https://www.change.org/p/general-mills-put-greg-louganis-on-the-wheaties-box\">Change.org\u003c/a> to get the diver on the iconic Wheaties cereal box. Created by Julie Sondgerath, who had never met Louganis, the petition garnered nearly 45,000 signatures.\u003c/p>\n\u003cp>Wheaties told NPR that the petition did not factor into the decision to put Louganis on a Wheaties box.\u003c/p>\n\u003cp>\"We were aware of the petition, as we see this all the time from fans wanting their favorite athlete on the box,\" Siemienas said. \"But appearing on a Wheaties box is not a popularity contest. Wheaties chooses athletes based on their achievements on and off their field of play.\"\u003c/p>\n\u003cp>As for Louganis, he says that he appreciates the honor more now than he would have in the 1980s.\u003c/p>\n\u003cp>\"Back in '95, I wasn't expected to live very long because we thought of HIV-AIDS as a death sentence, so to be here today, now 56, the box means so much more to me than it would have then because I feel like I'm being embraced as a whole person, not just for my athletic achievements.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Copyright 2016 \u003ca href=\"http://www.npr.org/\" target=\"_blank\">NPR\u003c/a>.\u003c/em> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In his competitive diving career, four-time Olympic diving gold medalist and five-time world champion Greg Louganis has been all over the world. Now he'll be in one place that's eluded him for years: your kitchen table.\u003c/p>\n\u003cp>Wheaties announced that Louganis — who is \u003ca href=\"http://greglouganis.com/category/activist/\">openly gay and HIV-positive\u003c/a> — along with two other former Olympians, hurdler Edwin Moses and swimmer Janet Evans, will be featured on the cereal boxes as part of the revamped \"legends\" series.\u003c/p>\n\u003cp>In a 2015 HBO documentary called \u003cem>Back on Board: Greg Louganis,\u003c/em> the diver said he understood that he wasn't featured on the Wheaties box during the prime of his career in the 1980s because he didn't fit the company's requirement of a \"wholesome image,\" as he was rumored to be gay. He came out publicly about his sexual identity and HIV-positive status in 1995.\u003c/p>\n\u003cp>Louganis says he is glad to finally be getting the recognition.\u003c/p>\n\u003cfigure id=\"attachment_108487\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2016/04/evans_custom-2121964c31ad0f4327bdd3db4373a7251c24b80f-400x618.jpg\" alt=\"Janet Evans is one of the greatest women's distance swimmers in U.S. history..\" width=\"400\" height=\"618\" class=\"size-thumbnail wp-image-108487\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2016/04/evans_custom-2121964c31ad0f4327bdd3db4373a7251c24b80f-400x618.jpg 400w, https://ww2.kqed.org/app/uploads/sites/24/2016/04/evans_custom-2121964c31ad0f4327bdd3db4373a7251c24b80f-800x1236.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2016/04/evans_custom-2121964c31ad0f4327bdd3db4373a7251c24b80f-768x1187.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2016/04/evans_custom-2121964c31ad0f4327bdd3db4373a7251c24b80f-1440x2225.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/24/2016/04/evans_custom-2121964c31ad0f4327bdd3db4373a7251c24b80f-1180x1823.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/24/2016/04/evans_custom-2121964c31ad0f4327bdd3db4373a7251c24b80f-960x1483.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Janet Evans is one of the greatest women's distance swimmers in U.S. history.. \u003ccite>(Courtesy Of General Mills)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"[It's] so incredible to be honored with the likes of Edwin Moses — we were in our first Olympic games in 1976 together,\" Louganis told NPR's \u003cem>All Things Considered\u003c/em>. \"Janet Evans — we trained at Mission Viejo together — I watched her grow up.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Louganis became the only man to sweep the \u003ca href=\"http://www.olympic.org/gregory-louganis\">Olympic diving events\u003c/a> in back-to-back games when he won gold medals in both springboard and platform diving in the '84 and '88 Olympics. He's now a role model for other athletes including British Olympic diver Tom Daley, who came out as gay when he was around 20 years old.\u003c/p>\n\u003cp>\"I would have always wanted someone like him as a role model on the front of a cereal box,\" Daley told NPR's Ari Shapiro. \"He's a great model and forever will be the greatest diver to walk this earth.\"\u003c/p>\n\u003cp>General Mills spokesman Mike Siemienas told NPR he couldn't provide an answer as to why Louganis wasn't on the box previously because no one who was involved in those decisions still worked at the company. Siemienas said a committee is responsible for determining which athletes are on the boxes.\u003c/p>\n\u003cfigure id=\"attachment_108488\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2016/04/edwin_custom-b94f08722c2d731521067ca48d5a09ba94dad083-400x618.jpg\" alt=\"Edwin Moses was a three-time world champion in the 400-meter hurdles.\" width=\"400\" height=\"618\" class=\"size-thumbnail wp-image-108488\" srcset=\"https://ww2.kqed.org/app/uploads/sites/24/2016/04/edwin_custom-b94f08722c2d731521067ca48d5a09ba94dad083-400x618.jpg 400w, https://ww2.kqed.org/app/uploads/sites/24/2016/04/edwin_custom-b94f08722c2d731521067ca48d5a09ba94dad083-800x1236.jpg 800w, https://ww2.kqed.org/app/uploads/sites/24/2016/04/edwin_custom-b94f08722c2d731521067ca48d5a09ba94dad083-768x1187.jpg 768w, https://ww2.kqed.org/app/uploads/sites/24/2016/04/edwin_custom-b94f08722c2d731521067ca48d5a09ba94dad083-1440x2225.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/24/2016/04/edwin_custom-b94f08722c2d731521067ca48d5a09ba94dad083-1180x1823.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/24/2016/04/edwin_custom-b94f08722c2d731521067ca48d5a09ba94dad083-960x1483.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Edwin Moses was a three-time world champion in the 400-meter hurdles. \u003ccite>(Courtesy Of General Mills)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Wheaties unveiled the \"legends\" cereal boxes after the documentary detailing Louganis' athletic career and experiences as a gay man sparked a petition on \u003ca href=\"https://www.change.org/p/general-mills-put-greg-louganis-on-the-wheaties-box\">Change.org\u003c/a> to get the diver on the iconic Wheaties cereal box. Created by Julie Sondgerath, who had never met Louganis, the petition garnered nearly 45,000 signatures.\u003c/p>\n\u003cp>Wheaties told NPR that the petition did not factor into the decision to put Louganis on a Wheaties box.\u003c/p>\n\u003cp>\"We were aware of the petition, as we see this all the time from fans wanting their favorite athlete on the box,\" Siemienas said. \"But appearing on a Wheaties box is not a popularity contest. Wheaties chooses athletes based on their achievements on and off their field of play.\"\u003c/p>\n\u003cp>As for Louganis, he says that he appreciates the honor more now than he would have in the 1980s.\u003c/p>\n\u003cp>\"Back in '95, I wasn't expected to live very long because we thought of HIV-AIDS as a death sentence, so to be here today, now 56, the box means so much more to me than it would have then because I feel like I'm being embraced as a whole person, not just for my athletic achievements.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Copyright 2016 \u003ca href=\"http://www.npr.org/\" target=\"_blank\">NPR\u003c/a>.\u003c/em> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Sex, Drugs, and Equal Pay: ‘Wimmen’s Comix’ Get Their Due",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>Underground comics enjoyed a golden age in the late ‘60s and early ‘70s, and the heady, weed-scented thrum of San Francisco was its heartbeat. R. Crumb’s gleefully filthy \u003cem>Zap Comix\u003c/em> premiered in 1968 with a sensibility that worshiped free love, satire and irreverence, and cartoonists like \u003cem>The Fabulous Furry Freak Brothers\u003c/em>’ Gilbert Shelton decided to move west to join in on the fun.\u003c/p>\n\u003cp>Trina Robbins, then a young cartoonist who’d already established herself in New York while drawing comics for underground newspapers, had no sense that her path should be any different when she arrived in the Bay Area in 1970.\u003c/p>\n\u003cfigure id=\"attachment_22252\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-22252 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/trina-edit-800x600.gif\" alt=\"trina-edit\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/trina-edit-800x600.gif 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/trina-edit-400x300.gif 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/trina-edit-768x576.gif 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Trina Robbins at home in San Francisco.\u003c/figcaption>\u003c/figure>\n\u003cp>“It was all so new and exciting. San Francisco was the mecca of the new underground comics scene,” recalls Robbins, now 77, during an interview at the artwork-filled Duboce Triangle home where she’s lived since 1975. “Unfortunately, when I got here, I discovered that the underground comics scene was a boys’ club.”\u003c/p>\n\u003cp>Her male contemporaries were polite in person, she says, but never quite invited her to their parties -- let alone asked her to collaborate on books with them. “It was ‘no girls allowed.’ I had to do something.”\u003c/p>\n\u003cp>So Robbins rounded up every female artist she could find in the Bay Area, and together, they threw their own damn party.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-22087\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Screen-Shot-2016-04-08-at-9.02.42-PM.png\" alt=\"Screen Shot 2016-04-08 at 9.02.42 PM\" width=\"497\" height=\"714\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/Screen-Shot-2016-04-08-at-9.02.42-PM.png 497w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Screen-Shot-2016-04-08-at-9.02.42-PM-400x575.png 400w\" sizes=\"(max-width: 497px) 100vw, 497px\">\u003c/p>\n\u003cp>\u003cem>It Ain’t Me, Babe\u003c/em>, published in July of 1970 by Ron Turner's Last Gasp imprint, was the first collection of comics entirely by women -- some of them women who had never drawn professionally before.\u003c/p>\n\u003cp>Nearly 50 years later, that pioneering 50-cent comic book full of stories about women, for women -- a comic book that helped upend the myth that “girls don’t like comics,” after it sold 40,000 copies in three printings -- serves as the perfect kickoff to \u003cem>The Complete Wimmen’s Comix\u003c/em>, a hefty new two-volume, full-color tome published in January by Fantagraphics.\u003c/p>\n\u003cfigure id=\"attachment_22099\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-22099\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/the-wimmen-1975-800x794.jpg\" alt=\"The women of Wimmen's Comix at a gallery show of their work in 1975, with Last Gasp publisher Ron Turner.\" width=\"800\" height=\"794\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/the-wimmen-1975-800x794.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/the-wimmen-1975-400x397.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/the-wimmen-1975-768x762.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/the-wimmen-1975-1180x1171.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/the-wimmen-1975-960x953.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/the-wimmen-1975-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/the-wimmen-1975-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/the-wimmen-1975-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/the-wimmen-1975-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/the-wimmen-1975-75x75.jpg 75w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/the-wimmen-1975.jpg 1353w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The women of Wimmen's Comix at a gallery show of their work in 1975, with Last Gasp publisher Ron Turner.\u003c/figcaption>\u003c/figure>\n\u003cp>The anthology contains all 17 issues of \u003cem>Wimmen’s Comix\u003c/em>, a serialized collection of comics that grew out of \u003cem>It Ain’t Me, Babe\u003c/em> and ran from 1972 to 1992, with a group of 10 women artists in the Bay Area taking turns as editor. Most of these issues have been out of print for decades, so this anthology will actually give them a second life.\u003c/p>\n\u003cp>Robbins, who penned the book's introduction, will appear at Green Apple Books on the Park in San Francisco this Tuesday, April 12 alongside fellow founding artists Lee Marrs, Sharon Rudahl, Caryn Leschen and Kay Rudin to discuss the book, their work, and its impact.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-22090\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/teenage-abortion-800x721.jpg\" alt=\"teenage-abortion\" width=\"800\" height=\"721\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/teenage-abortion-800x721.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/teenage-abortion-400x361.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/teenage-abortion-768x693.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/teenage-abortion-1440x1299.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/teenage-abortion-1920x1731.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/teenage-abortion-1180x1064.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/teenage-abortion-960x866.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>“We dealt with topics the guys would never, ever deal with,” says Robbins, pointing to first-person stories about back-alley abortions, domestic violence, and equal pay at work. Of course, the women characters of \u003cem>Wimmen’s Comix\u003c/em> have their share of happily casual sex, drugs, and rock ‘n’ roll as well. Conspicuously absent: the preposterously proportioned, overly sexualized and ornamental women so often found in comics by men.\u003c/p>\n\u003cp>“In the early ‘70s, many of the guys’ comics were very misogynistic,” says Robbins. “When I would criticize [their comics] depicting rape as funny, they'd say 'Oh, you just don't have a sense of humor.' So much of our [inspiration] was just saying, ‘Women have to have a voice.’ We have to be able to speak out if we want things to improve.”\u003c/p>\n\u003cfigure id=\"attachment_22207\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-22207\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/wimmens-comix-no-3-1-800x1135.jpg\" alt=\"Lee Marrs\" width=\"800\" height=\"1135\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/wimmens-comix-no-3-1-800x1135.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/wimmens-comix-no-3-1-400x568.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/wimmens-comix-no-3-1-768x1090.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/wimmens-comix-no-3-1.jpg 874w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lee Marrs\u003c/figcaption>\u003c/figure>\n\u003cp>Founding artist Lee Marrs would become well-known for her character and series \u003cem>\u003ca href=\"http://comixjoint.com/pudgegirlblimp.html\" target=\"_blank\" rel=\"noopener\">Pudge, Girl Blimp\u003c/a> -- \u003c/em>in which our protagonist is an awkward, overweight teenage runaway from the Midwest who lands in San Francisco and begins experimenting with drugs, sex, and commune life. Marrs often drew her happily gorging on food.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\"You could draw anything you wanted, you could write anything you wanted. It was a liberating experience -- underground comics seemed wonderful,\" says Marrs, whom Robbins introduced to the underground scene around 1971. \"The fact that there was absolutely no money in it wasn't really clear yet.\"\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_22091\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-22091\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/lee-marrs-wimmens-comix-800x1162.jpg\" alt=\""All In a Day's Work," by Lee Marrs.\" width=\"800\" height=\"1162\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/lee-marrs-wimmens-comix.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/lee-marrs-wimmens-comix-400x581.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/lee-marrs-wimmens-comix-768x1116.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">\"All In a Day's Work,\" by Lee Marrs.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Originally a political cartoonist who aspired to work for a major newspaper, Marrs found fairly soon after college that not one editor would return her calls. She did graphics work instead, and helped found Berkeley's independent journalism organization the Alternative Feature Service. But \"there were just no women political cartoonists in the United States,\" recalls Marrs, now 70, adding that she chalks her freelance successes in that arena up to \"having an ambisexual name.\"\u003c/span>\u003c/p>\n\u003cp>With \u003cem>Wimmen's Comix\u003c/em>, there were no cliques, no unspoken rules: Each issue had a loose theme (Outlaws, The Occult, Disastrous Relationships -- even a 3-D edition.) In each issue, roughly half the book was reserved for any woman who wanted in; the collective solicited contributions on the back page. And every month the editors would meet at someone's house to sift through the submissions.\u003c/p>\n\u003cp>\"It was a lot of work,\" recalls Marrs. \"But \u003cem>Wimmen's Comix\u003c/em> meetings were also where I was introduced to getting stoned [from] brownies. Those made the meetings go really quickly.\"\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-22086\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Screen-Shot-2016-04-08-at-9.00.09-PM.png\" alt=\"Screen Shot 2016-04-08 at 9.00.09 PM\" width=\"508\" height=\"711\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/Screen-Shot-2016-04-08-at-9.00.09-PM.png 508w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Screen-Shot-2016-04-08-at-9.00.09-PM-400x560.png 400w\" sizes=\"(max-width: 508px) 100vw, 508px\">\u003c/p>\n\u003cp>Of course, the collective had barely published three issues before they started getting pushback -- from all sides. Alongside commentary from the comics’ creators, the anthology contains excerpts of brutally hilarious hate mail the women received at their P.O. box in Berkeley.\u003c/p>\n\u003cp>“Dear FBI,” begins one letter. “You can’t fool us. Who are you kidding? We see thru your trying to undermine the women’s/Lesbian Movement. We expose you for the dirty filthy infiltrators you are.” There were those in the women’s lib movement who were angry at the spelling of “Wimmen,” Robbins explains -- they wanted the word “men” out of it entirely. (That particular letter was signed “Moonbeam, Labyris [and] Sparkling Star.”)\u003c/p>\n\u003cfigure id=\"attachment_22201\" class=\"wp-caption aligncenter\" style=\"max-width: 786px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-22201\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/wimmenscomix.png\" alt=\"Self-portraits of the founding members of Wimmen's Comix, as appeared in issue #1.\" width=\"786\" height=\"604\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/wimmenscomix.png 786w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/wimmenscomix-400x307.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/wimmenscomix-768x590.png 768w\" sizes=\"(max-width: 786px) 100vw, 786px\">\u003cfigcaption class=\"wp-caption-text\">Self-portraits of the founding members of Wimmen's Comix, as they appeared in issue #1.\u003c/figcaption>\u003c/figure>\n\u003cp>Then there were more concrete hurdles, like the 1973 Supreme Court obscenity ruling that left some booksellers fearful of comics that could be interpreted as pornography, and led \u003cem>Ms. Magazine\u003c/em> to reject \u003cem>Wimmen’s Comix\u003c/em> bid for ad space entirely.\u003c/p>\n\u003cp>In short, the anthology is more than a snapshot of a marginalized community demanding acknowledgment. It’s documentation of a dynamic, often messy movement -- missteps, growing pains and all.\u003c/p>\n\u003cp>The lack of diversity among editors and contributors, for example, is tough to ignore in 2016. “It was all straight, white women,” admits Robbins matter-of-factly. While the submissions became distinctly more professional with each passing year, their creators were still by and large homogenous.\u003c/p>\n\u003cp>“We were called hetero-sexists because we didn’t have any lesbians...until Roberta Gregory sent something in 1974,\" says Robbins, recalling that milestone issue.\u003c/p>\n\u003cp>\"But, \" she insists, \"we just never got any submissions from women of color.” Edna Jundis, a Filipina woman whose work appeared in a handful of issues and drew one cover, was the lone exception Robbins could recall.\u003c/p>\n\u003cfigure id=\"attachment_22193\" class=\"wp-caption aligncenter\" style=\"max-width: 300px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-22193\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Wimmenscomics02.jpg\" alt=\"Wimmen's Comix cover art by Edna Jundis.\" width=\"300\" height=\"432\">\u003cfigcaption class=\"wp-caption-text\">Wimmen's Comix cover art by Edna Jundis.\u003c/figcaption>\u003c/figure>\n\u003cp>As comics grew into the mainstream as an art form over the course of the '90s and early aughts, so did female artists' representation in the field.\u003c/p>\n\u003cp>After a second wave of editors took the lead, later editions of \u003cem>Wimmen's Comix\u003c/em> featured work by a young \u003ca href=\"https://www.drawnandquarterly.com/author/lynda-barry\" target=\"_blank\" rel=\"noopener\">Lynda Barry\u003c/a>; Alison Bechdel, whose graphic memoir \u003cem>Fun Home\u003c/em> is currently a smash-hit Broadway show touted as the first mainstream musical about a lesbian; and Phoebe Gloeckner, whose semi-autobiographical novel \u003cem>The Diary of a Teenage Girl\u003c/em> was made into a critically acclaimed film last year.\u003c/p>\n\u003cfigure id=\"attachment_22204\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-22204\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/landscape-1457739015-wimmens-comix431bechdel-800x400.jpg\" alt=\"Long before 'Fun Home,' Alison Bechdel penned the strip 'Dykes to Watch Out For.'\" width=\"800\" height=\"400\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/landscape-1457739015-wimmens-comix431bechdel-800x400.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/landscape-1457739015-wimmens-comix431bechdel-400x200.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/landscape-1457739015-wimmens-comix431bechdel-768x384.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/landscape-1457739015-wimmens-comix431bechdel-1440x720.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/landscape-1457739015-wimmens-comix431bechdel-1180x590.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/landscape-1457739015-wimmens-comix431bechdel-960x480.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/landscape-1457739015-wimmens-comix431bechdel.jpg 1600w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Long before 'Fun Home,' Alison Bechdel penned the strip 'Dykes to Watch Out For.'\u003c/figcaption>\u003c/figure>\n\u003cp>Then, of course, there are the young women artists still on their way up -- women who frequently contact Trina Robbins and Lee Marrs via email and Facebook, who travel to meet them at comics conventions.\u003c/p>\n\u003cp>\"It's\u003cspan style=\"font-weight: 400\"> been really inspiring over the years,\" says Marrs. \"To hear that they’ve been inspired to actually do this work by things they saw us do first -- it really gives you a lift on the low days, when you’re thinking about the presidential campaigns and whatnot.\"\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_22095\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-22095\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/CVlWrPkXAAAsv7V.jpg\" alt='\"Men,\" by Carol Tyler' width=\"600\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/CVlWrPkXAAAsv7V.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/CVlWrPkXAAAsv7V-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/CVlWrPkXAAAsv7V-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/CVlWrPkXAAAsv7V-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/CVlWrPkXAAAsv7V-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/CVlWrPkXAAAsv7V-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/CVlWrPkXAAAsv7V-75x75.jpg 75w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">\"Men,\" by Carol Tyler\u003c/figcaption>\u003c/figure>\n\u003cp>And on days like the one earlier this year, when the Angoulême International Comics Festival announced its 30 nominees for the grand prize, the highest honor in comics, and \u003ca href=\"http://ww2.kqed.org/arts/2016/01/06/daniel-clowes-boycotting-comic-award-contest-bereft-of-female-nominees/\" target=\"_blank\" rel=\"noopener\">not one of them was a woman?\u003c/a> (Festival CEO Franck Bondoux said, by way of explanation, that \"there are few women in the history of comics art.\")\u003c/p>\n\u003cp>\"Unbelievable nonsense. It's like they're wearing blinders. The Angoulême guys are Neanderthals,\" says Robbins. \"Actually, Neanderthals do have some intelligence. They're dinosaurs.\"\u003c/p>\n\u003cp>And, like dinosaurs, she points out, the old men currently in charge of that prize won't be around forever. Unfortunately, neither will she. \"I don't know if I'll live to see a day when they're all gone and I'm cackling, still surviving.\"\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-22197\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/wimminslipcase.png\" alt=\"wimminslipcase\" width=\"400\" height=\"547\">\u003c/p>\n\u003cp>In the meantime: \u003ca href=\"http://www.trinarobbins.com/Trina_Robbins/Welcome.html\" target=\"_blank\" rel=\"noopener\">From her blog\u003c/a> to the books she's penned about \u003ca href=\"http://www.trinarobbins.com/Trina_Robbins/Lily_Ren%C3%A9e.html\" target=\"_blank\" rel=\"noopener\">other comics pioneers\u003c/a>, Robbins has devoted her life to celebrating the talented and successful women in her field -- loudly. There are just so many, says the artist, adding that she hopes this anthology will be studied in university classrooms long after she's gone.\u003c/p>\n\u003cp>And if anyone had told Trina Robbins what the next 45 years would bring, on that day in 1970 when she got fed up with the boys' club and decided to call a bunch of girls up instead?\u003c/p>\n\u003cp>\"I would be stunned.\"\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Artists Trina Robbins, Sharon Rudahl, Lee Marrs, Caryn Leschen, and Kay Rudin will discuss\u003c/em> The Complete Wimmen's Comix\u003cem> at \u003ca href=\"http://www.greenapplebooks.com/event/9th-ave-complete-wimmens-comix\" target=\"_blank\" rel=\"noopener\">Green Apple Books on the Park\u003c/a> in San Francisco this Tuesday, April 12 at 7:30 pm. \u003ca href=\"https://www.facebook.com/events/1691317574418205/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"excerpt": "With a new anthology and an appearance at Green Apple Books on the Park, San Francisco's pioneers of underground feminist comics celebrate 45 years of bucking the boys' club.",
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"title": "Sex, Drugs, and Equal Pay: ‘Wimmen’s Comix’ Get Their Due | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Underground comics enjoyed a golden age in the late ‘60s and early ‘70s, and the heady, weed-scented thrum of San Francisco was its heartbeat. R. Crumb’s gleefully filthy \u003cem>Zap Comix\u003c/em> premiered in 1968 with a sensibility that worshiped free love, satire and irreverence, and cartoonists like \u003cem>The Fabulous Furry Freak Brothers\u003c/em>’ Gilbert Shelton decided to move west to join in on the fun.\u003c/p>\n\u003cp>Trina Robbins, then a young cartoonist who’d already established herself in New York while drawing comics for underground newspapers, had no sense that her path should be any different when she arrived in the Bay Area in 1970.\u003c/p>\n\u003cfigure id=\"attachment_22252\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"wp-image-22252 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/trina-edit-800x600.gif\" alt=\"trina-edit\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/trina-edit-800x600.gif 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/trina-edit-400x300.gif 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/trina-edit-768x576.gif 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Trina Robbins at home in San Francisco.\u003c/figcaption>\u003c/figure>\n\u003cp>“It was all so new and exciting. San Francisco was the mecca of the new underground comics scene,” recalls Robbins, now 77, during an interview at the artwork-filled Duboce Triangle home where she’s lived since 1975. “Unfortunately, when I got here, I discovered that the underground comics scene was a boys’ club.”\u003c/p>\n\u003cp>Her male contemporaries were polite in person, she says, but never quite invited her to their parties -- let alone asked her to collaborate on books with them. “It was ‘no girls allowed.’ I had to do something.”\u003c/p>\n\u003cp>So Robbins rounded up every female artist she could find in the Bay Area, and together, they threw their own damn party.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-22087\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Screen-Shot-2016-04-08-at-9.02.42-PM.png\" alt=\"Screen Shot 2016-04-08 at 9.02.42 PM\" width=\"497\" height=\"714\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/Screen-Shot-2016-04-08-at-9.02.42-PM.png 497w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Screen-Shot-2016-04-08-at-9.02.42-PM-400x575.png 400w\" sizes=\"(max-width: 497px) 100vw, 497px\">\u003c/p>\n\u003cp>\u003cem>It Ain’t Me, Babe\u003c/em>, published in July of 1970 by Ron Turner's Last Gasp imprint, was the first collection of comics entirely by women -- some of them women who had never drawn professionally before.\u003c/p>\n\u003cp>Nearly 50 years later, that pioneering 50-cent comic book full of stories about women, for women -- a comic book that helped upend the myth that “girls don’t like comics,” after it sold 40,000 copies in three printings -- serves as the perfect kickoff to \u003cem>The Complete Wimmen’s Comix\u003c/em>, a hefty new two-volume, full-color tome published in January by Fantagraphics.\u003c/p>\n\u003cfigure id=\"attachment_22099\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-22099\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/the-wimmen-1975-800x794.jpg\" alt=\"The women of Wimmen's Comix at a gallery show of their work in 1975, with Last Gasp publisher Ron Turner.\" width=\"800\" height=\"794\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/the-wimmen-1975-800x794.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/the-wimmen-1975-400x397.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/the-wimmen-1975-768x762.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/the-wimmen-1975-1180x1171.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/the-wimmen-1975-960x953.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/the-wimmen-1975-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/the-wimmen-1975-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/the-wimmen-1975-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/the-wimmen-1975-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/the-wimmen-1975-75x75.jpg 75w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/the-wimmen-1975.jpg 1353w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The women of Wimmen's Comix at a gallery show of their work in 1975, with Last Gasp publisher Ron Turner.\u003c/figcaption>\u003c/figure>\n\u003cp>The anthology contains all 17 issues of \u003cem>Wimmen’s Comix\u003c/em>, a serialized collection of comics that grew out of \u003cem>It Ain’t Me, Babe\u003c/em> and ran from 1972 to 1992, with a group of 10 women artists in the Bay Area taking turns as editor. Most of these issues have been out of print for decades, so this anthology will actually give them a second life.\u003c/p>\n\u003cp>Robbins, who penned the book's introduction, will appear at Green Apple Books on the Park in San Francisco this Tuesday, April 12 alongside fellow founding artists Lee Marrs, Sharon Rudahl, Caryn Leschen and Kay Rudin to discuss the book, their work, and its impact.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-22090\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/teenage-abortion-800x721.jpg\" alt=\"teenage-abortion\" width=\"800\" height=\"721\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/teenage-abortion-800x721.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/teenage-abortion-400x361.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/teenage-abortion-768x693.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/teenage-abortion-1440x1299.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/teenage-abortion-1920x1731.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/teenage-abortion-1180x1064.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/teenage-abortion-960x866.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>“We dealt with topics the guys would never, ever deal with,” says Robbins, pointing to first-person stories about back-alley abortions, domestic violence, and equal pay at work. Of course, the women characters of \u003cem>Wimmen’s Comix\u003c/em> have their share of happily casual sex, drugs, and rock ‘n’ roll as well. Conspicuously absent: the preposterously proportioned, overly sexualized and ornamental women so often found in comics by men.\u003c/p>\n\u003cp>“In the early ‘70s, many of the guys’ comics were very misogynistic,” says Robbins. “When I would criticize [their comics] depicting rape as funny, they'd say 'Oh, you just don't have a sense of humor.' So much of our [inspiration] was just saying, ‘Women have to have a voice.’ We have to be able to speak out if we want things to improve.”\u003c/p>\n\u003cfigure id=\"attachment_22207\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-22207\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/wimmens-comix-no-3-1-800x1135.jpg\" alt=\"Lee Marrs\" width=\"800\" height=\"1135\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/wimmens-comix-no-3-1-800x1135.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/wimmens-comix-no-3-1-400x568.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/wimmens-comix-no-3-1-768x1090.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/wimmens-comix-no-3-1.jpg 874w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lee Marrs\u003c/figcaption>\u003c/figure>\n\u003cp>Founding artist Lee Marrs would become well-known for her character and series \u003cem>\u003ca href=\"http://comixjoint.com/pudgegirlblimp.html\" target=\"_blank\" rel=\"noopener\">Pudge, Girl Blimp\u003c/a> -- \u003c/em>in which our protagonist is an awkward, overweight teenage runaway from the Midwest who lands in San Francisco and begins experimenting with drugs, sex, and commune life. Marrs often drew her happily gorging on food.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\"You could draw anything you wanted, you could write anything you wanted. It was a liberating experience -- underground comics seemed wonderful,\" says Marrs, whom Robbins introduced to the underground scene around 1971. \"The fact that there was absolutely no money in it wasn't really clear yet.\"\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_22091\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-22091\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/lee-marrs-wimmens-comix-800x1162.jpg\" alt=\""All In a Day's Work," by Lee Marrs.\" width=\"800\" height=\"1162\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/lee-marrs-wimmens-comix.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/lee-marrs-wimmens-comix-400x581.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/lee-marrs-wimmens-comix-768x1116.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">\"All In a Day's Work,\" by Lee Marrs.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Originally a political cartoonist who aspired to work for a major newspaper, Marrs found fairly soon after college that not one editor would return her calls. She did graphics work instead, and helped found Berkeley's independent journalism organization the Alternative Feature Service. But \"there were just no women political cartoonists in the United States,\" recalls Marrs, now 70, adding that she chalks her freelance successes in that arena up to \"having an ambisexual name.\"\u003c/span>\u003c/p>\n\u003cp>With \u003cem>Wimmen's Comix\u003c/em>, there were no cliques, no unspoken rules: Each issue had a loose theme (Outlaws, The Occult, Disastrous Relationships -- even a 3-D edition.) In each issue, roughly half the book was reserved for any woman who wanted in; the collective solicited contributions on the back page. And every month the editors would meet at someone's house to sift through the submissions.\u003c/p>\n\u003cp>\"It was a lot of work,\" recalls Marrs. \"But \u003cem>Wimmen's Comix\u003c/em> meetings were also where I was introduced to getting stoned [from] brownies. Those made the meetings go really quickly.\"\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-22086\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Screen-Shot-2016-04-08-at-9.00.09-PM.png\" alt=\"Screen Shot 2016-04-08 at 9.00.09 PM\" width=\"508\" height=\"711\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/Screen-Shot-2016-04-08-at-9.00.09-PM.png 508w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Screen-Shot-2016-04-08-at-9.00.09-PM-400x560.png 400w\" sizes=\"(max-width: 508px) 100vw, 508px\">\u003c/p>\n\u003cp>Of course, the collective had barely published three issues before they started getting pushback -- from all sides. Alongside commentary from the comics’ creators, the anthology contains excerpts of brutally hilarious hate mail the women received at their P.O. box in Berkeley.\u003c/p>\n\u003cp>“Dear FBI,” begins one letter. “You can’t fool us. Who are you kidding? We see thru your trying to undermine the women’s/Lesbian Movement. We expose you for the dirty filthy infiltrators you are.” There were those in the women’s lib movement who were angry at the spelling of “Wimmen,” Robbins explains -- they wanted the word “men” out of it entirely. (That particular letter was signed “Moonbeam, Labyris [and] Sparkling Star.”)\u003c/p>\n\u003cfigure id=\"attachment_22201\" class=\"wp-caption aligncenter\" style=\"max-width: 786px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-22201\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/wimmenscomix.png\" alt=\"Self-portraits of the founding members of Wimmen's Comix, as appeared in issue #1.\" width=\"786\" height=\"604\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/wimmenscomix.png 786w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/wimmenscomix-400x307.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/wimmenscomix-768x590.png 768w\" sizes=\"(max-width: 786px) 100vw, 786px\">\u003cfigcaption class=\"wp-caption-text\">Self-portraits of the founding members of Wimmen's Comix, as they appeared in issue #1.\u003c/figcaption>\u003c/figure>\n\u003cp>Then there were more concrete hurdles, like the 1973 Supreme Court obscenity ruling that left some booksellers fearful of comics that could be interpreted as pornography, and led \u003cem>Ms. Magazine\u003c/em> to reject \u003cem>Wimmen’s Comix\u003c/em> bid for ad space entirely.\u003c/p>\n\u003cp>In short, the anthology is more than a snapshot of a marginalized community demanding acknowledgment. It’s documentation of a dynamic, often messy movement -- missteps, growing pains and all.\u003c/p>\n\u003cp>The lack of diversity among editors and contributors, for example, is tough to ignore in 2016. “It was all straight, white women,” admits Robbins matter-of-factly. While the submissions became distinctly more professional with each passing year, their creators were still by and large homogenous.\u003c/p>\n\u003cp>“We were called hetero-sexists because we didn’t have any lesbians...until Roberta Gregory sent something in 1974,\" says Robbins, recalling that milestone issue.\u003c/p>\n\u003cp>\"But, \" she insists, \"we just never got any submissions from women of color.” Edna Jundis, a Filipina woman whose work appeared in a handful of issues and drew one cover, was the lone exception Robbins could recall.\u003c/p>\n\u003cfigure id=\"attachment_22193\" class=\"wp-caption aligncenter\" style=\"max-width: 300px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-22193\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Wimmenscomics02.jpg\" alt=\"Wimmen's Comix cover art by Edna Jundis.\" width=\"300\" height=\"432\">\u003cfigcaption class=\"wp-caption-text\">Wimmen's Comix cover art by Edna Jundis.\u003c/figcaption>\u003c/figure>\n\u003cp>As comics grew into the mainstream as an art form over the course of the '90s and early aughts, so did female artists' representation in the field.\u003c/p>\n\u003cp>After a second wave of editors took the lead, later editions of \u003cem>Wimmen's Comix\u003c/em> featured work by a young \u003ca href=\"https://www.drawnandquarterly.com/author/lynda-barry\" target=\"_blank\" rel=\"noopener\">Lynda Barry\u003c/a>; Alison Bechdel, whose graphic memoir \u003cem>Fun Home\u003c/em> is currently a smash-hit Broadway show touted as the first mainstream musical about a lesbian; and Phoebe Gloeckner, whose semi-autobiographical novel \u003cem>The Diary of a Teenage Girl\u003c/em> was made into a critically acclaimed film last year.\u003c/p>\n\u003cfigure id=\"attachment_22204\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-22204\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/landscape-1457739015-wimmens-comix431bechdel-800x400.jpg\" alt=\"Long before 'Fun Home,' Alison Bechdel penned the strip 'Dykes to Watch Out For.'\" width=\"800\" height=\"400\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/landscape-1457739015-wimmens-comix431bechdel-800x400.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/landscape-1457739015-wimmens-comix431bechdel-400x200.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/landscape-1457739015-wimmens-comix431bechdel-768x384.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/landscape-1457739015-wimmens-comix431bechdel-1440x720.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/landscape-1457739015-wimmens-comix431bechdel-1180x590.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/landscape-1457739015-wimmens-comix431bechdel-960x480.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/landscape-1457739015-wimmens-comix431bechdel.jpg 1600w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Long before 'Fun Home,' Alison Bechdel penned the strip 'Dykes to Watch Out For.'\u003c/figcaption>\u003c/figure>\n\u003cp>Then, of course, there are the young women artists still on their way up -- women who frequently contact Trina Robbins and Lee Marrs via email and Facebook, who travel to meet them at comics conventions.\u003c/p>\n\u003cp>\"It's\u003cspan style=\"font-weight: 400\"> been really inspiring over the years,\" says Marrs. \"To hear that they’ve been inspired to actually do this work by things they saw us do first -- it really gives you a lift on the low days, when you’re thinking about the presidential campaigns and whatnot.\"\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_22095\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-22095\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/CVlWrPkXAAAsv7V.jpg\" alt='\"Men,\" by Carol Tyler' width=\"600\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/CVlWrPkXAAAsv7V.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/CVlWrPkXAAAsv7V-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/CVlWrPkXAAAsv7V-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/CVlWrPkXAAAsv7V-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/CVlWrPkXAAAsv7V-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/CVlWrPkXAAAsv7V-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/CVlWrPkXAAAsv7V-75x75.jpg 75w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">\"Men,\" by Carol Tyler\u003c/figcaption>\u003c/figure>\n\u003cp>And on days like the one earlier this year, when the Angoulême International Comics Festival announced its 30 nominees for the grand prize, the highest honor in comics, and \u003ca href=\"http://ww2.kqed.org/arts/2016/01/06/daniel-clowes-boycotting-comic-award-contest-bereft-of-female-nominees/\" target=\"_blank\" rel=\"noopener\">not one of them was a woman?\u003c/a> (Festival CEO Franck Bondoux said, by way of explanation, that \"there are few women in the history of comics art.\")\u003c/p>\n\u003cp>\"Unbelievable nonsense. It's like they're wearing blinders. The Angoulême guys are Neanderthals,\" says Robbins. \"Actually, Neanderthals do have some intelligence. They're dinosaurs.\"\u003c/p>\n\u003cp>And, like dinosaurs, she points out, the old men currently in charge of that prize won't be around forever. Unfortunately, neither will she. \"I don't know if I'll live to see a day when they're all gone and I'm cackling, still surviving.\"\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-22197\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/wimminslipcase.png\" alt=\"wimminslipcase\" width=\"400\" height=\"547\">\u003c/p>\n\u003cp>In the meantime: \u003ca href=\"http://www.trinarobbins.com/Trina_Robbins/Welcome.html\" target=\"_blank\" rel=\"noopener\">From her blog\u003c/a> to the books she's penned about \u003ca href=\"http://www.trinarobbins.com/Trina_Robbins/Lily_Ren%C3%A9e.html\" target=\"_blank\" rel=\"noopener\">other comics pioneers\u003c/a>, Robbins has devoted her life to celebrating the talented and successful women in her field -- loudly. There are just so many, says the artist, adding that she hopes this anthology will be studied in university classrooms long after she's gone.\u003c/p>\n\u003cp>And if anyone had told Trina Robbins what the next 45 years would bring, on that day in 1970 when she got fed up with the boys' club and decided to call a bunch of girls up instead?\u003c/p>\n\u003cp>\"I would be stunned.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Artists Trina Robbins, Sharon Rudahl, Lee Marrs, Caryn Leschen, and Kay Rudin will discuss\u003c/em> The Complete Wimmen's Comix\u003cem> at \u003ca href=\"http://www.greenapplebooks.com/event/9th-ave-complete-wimmens-comix\" target=\"_blank\" rel=\"noopener\">Green Apple Books on the Park\u003c/a> in San Francisco this Tuesday, April 12 at 7:30 pm. \u003ca href=\"https://www.facebook.com/events/1691317574418205/\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Dark Horse Presidential Candidate Andrew W.K. Launches 'The Party Party'",
"title": "Dark Horse Presidential Candidate Andrew W.K. Launches 'The Party Party'",
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"content": "\u003cp>Still on the fence about Hill vs. Bernie? Love Trump's stance on immigration, but Ted Cruz's hairline speaks more directly to your heart and soul?\u003c/p>\n\u003cp>Well don't look now, but there's a new kid in town, and it's none other than the Mayor of Partyville himself: rocker-turned-motivational speaker-and-\u003ca href=\"http://www.villagevoice.com/topic/ask-andrew-wk-6365558\" target=\"_blank\">advice-columnist\u003c/a> Andrew W.K.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=bERtaqXtBpI\u003c/p>\n\u003cp>The famous human (who is still best known for his 2001 single \"Party Hard,\" off the album \u003cem>I Get Wet) \u003c/em>rolled out a new website this week to go with an all-new political party he insists is 100 percent real.\u003c/p>\n\u003cp>\u003ca href=\"http://www.thepartyparty.us/\" target=\"_blank\">The Party Party\u003c/a>, according to a screed on its website, aims to be \"an all-inclusive alternative to the two-party model.\" To wit:\u003c/p>\n\u003cblockquote>\u003cp>The Party Party is simple in its mission: To free the American people from the dysfunction that is our two party system. At best, partisan politics has created an insurmountable divide that has separated the people into two categories of Democrat and Republican. The Party Party aims to provide an alternative to the divisive labeling of our current system. Most people have become too caught up in the bickering of our news cycles to realize that we ultimately desire the exact same things: reliable access to education, healthcare, and a sense of social equality.\u003c/p>\n\u003cp>If enough people are willing to liberate themselves from choosing left or right, a third voice can emerge with a much more powerful message. A message that will open the eyes of our representatives and help them see that this “Us versus Them” mentality has kept our country from providing its people with a REAL sense of freedom. If we open our hearts and approach the problems we face with an open mind, real change can be achieved. We hope you will join us on this journey.\u003c/p>\u003c/blockquote>\n\u003cp>The Party Purveyor gave a similarly\u003ca href=\"http://www.rollingstone.com/politics/news/andrew-w-k-on-getting-his-party-party-on-the-2016-ballot-20160407\" target=\"_blank\"> vague interview to Rolling Stone\u003c/a> as well. When asked for his platform, he stated, \"The only thing that I want to achieve at this point — the total vision for this adventure — is a sense of uplifting optimism, trying to see beyond anything that pushes us apart, tears us apart, and not necessarily discourage one another from engaging in argument and debate or fighting for your particular points of view, but to somehow foster a mindset and a state of being that allows all of that to happen and to still feel some type of camaraderie.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>So basically, good vibes and not fighting and stuff. Personally, I'm not particularly moved by these words to affiliate myself with the Party Party, especially without concrete details on a platform.\u003c/p>\n\u003cp>Then again, when the likely GOP nominee's entire plan is \"Make America Great Again,\" maybe it's open season? And vague positivity is certainly preferable to publicly espousing, you know, hatred and divisiveness.\u003c/p>\n\u003cfigure id=\"attachment_22021\" class=\"wp-caption aligncenter\" style=\"max-width: 796px\">\u003cimg class=\"size-full wp-image-22021\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/63d57a65ab9a2a435762f03964fe651f.png\" alt=\"Someone get me this party wall clock for my birthday please. It's June 1st.\" width=\"796\" height=\"512\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/63d57a65ab9a2a435762f03964fe651f.png 796w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/63d57a65ab9a2a435762f03964fe651f-400x257.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/63d57a65ab9a2a435762f03964fe651f-768x494.png 768w\" sizes=\"(max-width: 796px) 100vw, 796px\">\u003cfigcaption class=\"wp-caption-text\">Someone get me this party wall clock for my birthday please. It's June 1st.\u003c/figcaption>\u003c/figure>\n\u003cp>Also, compared to those of both the Republican and Democratic frontrunners, it should be said that Andrew W.K.'s online \u003ca href=\"http://www.andrewwk.com/store#!/Party-Gear/c/271402/inview=product58361084&offset=0&sort=normal\" target=\"_blank\">merchandise store\u003c/a> has already won my vote.\u003c/p>\n\u003cp>Regardless of your political leanings: Think for yourselves, my fellow Americans. And when it's time to party, I think we can all agree that one should always party hard.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=WccfbPQNMbg\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"excerpt": "The \"Party Hard\" musician has long been committed to the act of partying. Why not make it a political party as well?",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Still on the fence about Hill vs. Bernie? Love Trump's stance on immigration, but Ted Cruz's hairline speaks more directly to your heart and soul?\u003c/p>\n\u003cp>Well don't look now, but there's a new kid in town, and it's none other than the Mayor of Partyville himself: rocker-turned-motivational speaker-and-\u003ca href=\"http://www.villagevoice.com/topic/ask-andrew-wk-6365558\" target=\"_blank\">advice-columnist\u003c/a> Andrew W.K.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/bERtaqXtBpI'\n title='//www.youtube.com/embed/bERtaqXtBpI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The famous human (who is still best known for his 2001 single \"Party Hard,\" off the album \u003cem>I Get Wet) \u003c/em>rolled out a new website this week to go with an all-new political party he insists is 100 percent real.\u003c/p>\n\u003cp>\u003ca href=\"http://www.thepartyparty.us/\" target=\"_blank\">The Party Party\u003c/a>, according to a screed on its website, aims to be \"an all-inclusive alternative to the two-party model.\" To wit:\u003c/p>\n\u003cblockquote>\u003cp>The Party Party is simple in its mission: To free the American people from the dysfunction that is our two party system. At best, partisan politics has created an insurmountable divide that has separated the people into two categories of Democrat and Republican. The Party Party aims to provide an alternative to the divisive labeling of our current system. Most people have become too caught up in the bickering of our news cycles to realize that we ultimately desire the exact same things: reliable access to education, healthcare, and a sense of social equality.\u003c/p>\n\u003cp>If enough people are willing to liberate themselves from choosing left or right, a third voice can emerge with a much more powerful message. A message that will open the eyes of our representatives and help them see that this “Us versus Them” mentality has kept our country from providing its people with a REAL sense of freedom. If we open our hearts and approach the problems we face with an open mind, real change can be achieved. We hope you will join us on this journey.\u003c/p>\u003c/blockquote>\n\u003cp>The Party Purveyor gave a similarly\u003ca href=\"http://www.rollingstone.com/politics/news/andrew-w-k-on-getting-his-party-party-on-the-2016-ballot-20160407\" target=\"_blank\"> vague interview to Rolling Stone\u003c/a> as well. When asked for his platform, he stated, \"The only thing that I want to achieve at this point — the total vision for this adventure — is a sense of uplifting optimism, trying to see beyond anything that pushes us apart, tears us apart, and not necessarily discourage one another from engaging in argument and debate or fighting for your particular points of view, but to somehow foster a mindset and a state of being that allows all of that to happen and to still feel some type of camaraderie.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So basically, good vibes and not fighting and stuff. Personally, I'm not particularly moved by these words to affiliate myself with the Party Party, especially without concrete details on a platform.\u003c/p>\n\u003cp>Then again, when the likely GOP nominee's entire plan is \"Make America Great Again,\" maybe it's open season? And vague positivity is certainly preferable to publicly espousing, you know, hatred and divisiveness.\u003c/p>\n\u003cfigure id=\"attachment_22021\" class=\"wp-caption aligncenter\" style=\"max-width: 796px\">\u003cimg class=\"size-full wp-image-22021\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/63d57a65ab9a2a435762f03964fe651f.png\" alt=\"Someone get me this party wall clock for my birthday please. It's June 1st.\" width=\"796\" height=\"512\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/63d57a65ab9a2a435762f03964fe651f.png 796w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/63d57a65ab9a2a435762f03964fe651f-400x257.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/63d57a65ab9a2a435762f03964fe651f-768x494.png 768w\" sizes=\"(max-width: 796px) 100vw, 796px\">\u003cfigcaption class=\"wp-caption-text\">Someone get me this party wall clock for my birthday please. It's June 1st.\u003c/figcaption>\u003c/figure>\n\u003cp>Also, compared to those of both the Republican and Democratic frontrunners, it should be said that Andrew W.K.'s online \u003ca href=\"http://www.andrewwk.com/store#!/Party-Gear/c/271402/inview=product58361084&offset=0&sort=normal\" target=\"_blank\">merchandise store\u003c/a> has already won my vote.\u003c/p>\n\u003cp>Regardless of your political leanings: Think for yourselves, my fellow Americans. And when it's time to party, I think we can all agree that one should always party hard.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/WccfbPQNMbg'\n title='//www.youtube.com/embed/WccfbPQNMbg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Cy and David's Picks: The Racial Politics of Sugar, a Magic Dragon, and The Residents Return",
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"content": "\u003caside class=\"aligncenter\">\n\u003ch4>KQED’s Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.\u003c/h4>\n\u003cp>http://www.kqed.org/.stream/anon/radio/thedolist/2016/04/TDL20160408.mp3\u003cbr>\n\u003c/p>\u003c/aside>\n\u003cp>https://www.youtube.com/watch?v=V1MOH_o7_fE&nohtml5=False\u003c/p>\n\u003cp>\u003cstrong>April 8 & 9:\u003c/strong> Both David and I are a little embarassed to say we both love John Van der Putt, a London born comic and magician, who was a finalist on America’s Got Talent in 2015. His thing is that he wears a really dopey dragon suit, and works under the name Piff the Magic Dragon, with a sidekick — a chihuahua in a matching dragon costume. That’s the embarrassing part. But he has a dry wit and does mind-boggling closeup magic as good as anything Ricky Jay — \u003ca href=\"http://www.pbs.org/wnet/americanmasters/ricky-jay-about-deceptive-practice/3577/\" target=\"_blank\" rel=\"noopener\">an American Master\u003c/a> — has done . It’s also worth checking out his early routines in the British troupe \u003ca href=\"https://vimeo.com/14915804\" target=\"_blank\" rel=\"noopener\">standnotamazed.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11473904\" class=\"wp-caption aligncenter\" style=\"max-width: 387px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11473904\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/04/db50ce_7614ed8677274151a59968deaffb4676-e1460076647368.png\" alt=\"Ensemble Alcatraz\" width=\"387\" height=\"300\">\u003cfigcaption class=\"wp-caption-text\">Ensemble Alcatraz \u003ccite>(Photo: Courtesy of Ensemble Alcatraz)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>April 9:\u003c/strong> Ensemble Alcatraz is reuniting. This quintet of medieval music specialists named for the San Francisco Bay Island and the albatross of Iberian folklore was born in the early ’80s, and helped make the Bay Area a center for scholarship in early music. Oh, and they play and sing beautifully. This concert will draw on two sources from the medieval Iberian peninsula: \u003cem>The Cantigas de Santa Maria of Alfonso El Sabio\u003c/em> and \u003cem>The Cantigas de Amigo\u003c/em>. They’re basically folk songs from the troubadour traditions of Iberia about an erotic relationship with the divine, among other things. Harpist Cheryl Ann Fulton says the acoustics are exceptional at the space used for the always wonderful \u003ca href=\"http://liveatmissionblue.com/\" target=\"_blank\" rel=\"noopener\">Live at Mission Blue Series \u003c/a>in Brisbane. Details \u003ca href=\"http://liveatmissionblue.com/alcatraz/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cp>[vimeo 109534009 w=640&h=360]\u003c/p>\n\u003c/aside>\n\u003cp>\u003cstrong>April 14-23:\u003c/strong> Benoît Charest wrote the “gypsy jazz” score for the \u003cem>Triplets of Belleville\u003c/em>, a French animated film that was a pretty big hit back in 2003 — as much for the music as the wacky story, about an elderly woman rescuing her Tour de France riding grandson from the French Mafia. Now Charest will lead what he calls Le Terrible Orchestre de Belleville in a performance of the music at the SF Opera Lab with live sound effects as the film plays. A bicycle wheel apparently plays an important role in the music, so all you Bay Area bicycle commuters should make time for the show. Details \u003ca href=\"http://sfopera.com/sfoperalab/season-one/triplets/#!\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11473908\" class=\"wp-caption aligncenter\" style=\"max-width: 377px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-11473908\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/04/The-anti-Saccharrites.jpg\" alt=\"The Anti-Saccharrites by James Gillray\" width=\"377\" height=\"285\">\u003cfigcaption class=\"wp-caption-text\">The Anti-Saccharrites by James Gillray \u003ccite>(Photo: Courtesy The Cantor Museum)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Continuing through August 15:\u003c/strong> \u003cem>Blood in the Sugar Bowl\u003c/em> is a show at the Cantor Museum about the about the racial politics of sugar in the 17th and 18th centuries. Sugar cane fields in the Caribbean were worked by slaves; a part of the rum, sugar and slave trade that built the New England economy. Graduate students at Stanford put this show together with materials from the Cantor’s collection, including drawings, paintings, and sugar bowls that may never look quite as elegant once you read the story of how the sugar got there. Details for this free show at the Cantor on the Stanford Univ. campus are \u003ca href=\"https://museum.stanford.edu/view/exhibition_sched_new.html\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=youCXyaSlNQ\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>April 10:\u003c/strong> \u003cem>Shadowland\u003c/em> is the third installment in a rock-opera trilogy of sorts, by\u003ca href=\"https://www.facebook.com/TheOfficialResidents/\" target=\"_blank\" rel=\"noopener\"> the Residents\u003c/a>, that trio of anonymous avant-garde performers who defy all categories. This final installment of the \u003cem>Randy, Chuck & Bob Trilogy\u003c/em> is about birth and reincarnation, but over its 40 years together The Residents and their music have always defied labels easy or complex. A screening of a documentary about The Residents, \u003cem>The Theory of Obscurity,\u003c/em> precedes the concert at the Regency Ballroom in San Francisco, which you’ll details on \u003ca href=\"http://www.theregencyballroom.com/events/detail/306214\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"aligncenter\">\n\u003ch4>KQED’s Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.\u003c/h4>\n\u003cp>http://www.kqed.org/.stream/anon/radio/thedolist/2016/04/TDL20160408.mp3\u003cbr>\n\u003c/p>\u003c/aside>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/V1MOH_o7_fE'\n title='//www.youtube.com/embed/V1MOH_o7_fE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>April 8 & 9:\u003c/strong> Both David and I are a little embarassed to say we both love John Van der Putt, a London born comic and magician, who was a finalist on America’s Got Talent in 2015. His thing is that he wears a really dopey dragon suit, and works under the name Piff the Magic Dragon, with a sidekick — a chihuahua in a matching dragon costume. That’s the embarrassing part. But he has a dry wit and does mind-boggling closeup magic as good as anything Ricky Jay — \u003ca href=\"http://www.pbs.org/wnet/americanmasters/ricky-jay-about-deceptive-practice/3577/\" target=\"_blank\" rel=\"noopener\">an American Master\u003c/a> — has done . It’s also worth checking out his early routines in the British troupe \u003ca href=\"https://vimeo.com/14915804\" target=\"_blank\" rel=\"noopener\">standnotamazed.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11473904\" class=\"wp-caption aligncenter\" style=\"max-width: 387px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11473904\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/04/db50ce_7614ed8677274151a59968deaffb4676-e1460076647368.png\" alt=\"Ensemble Alcatraz\" width=\"387\" height=\"300\">\u003cfigcaption class=\"wp-caption-text\">Ensemble Alcatraz \u003ccite>(Photo: Courtesy of Ensemble Alcatraz)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>April 9:\u003c/strong> Ensemble Alcatraz is reuniting. This quintet of medieval music specialists named for the San Francisco Bay Island and the albatross of Iberian folklore was born in the early ’80s, and helped make the Bay Area a center for scholarship in early music. Oh, and they play and sing beautifully. This concert will draw on two sources from the medieval Iberian peninsula: \u003cem>The Cantigas de Santa Maria of Alfonso El Sabio\u003c/em> and \u003cem>The Cantigas de Amigo\u003c/em>. They’re basically folk songs from the troubadour traditions of Iberia about an erotic relationship with the divine, among other things. Harpist Cheryl Ann Fulton says the acoustics are exceptional at the space used for the always wonderful \u003ca href=\"http://liveatmissionblue.com/\" target=\"_blank\" rel=\"noopener\">Live at Mission Blue Series \u003c/a>in Brisbane. Details \u003ca href=\"http://liveatmissionblue.com/alcatraz/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/aside>\n\u003cp>\u003cstrong>April 14-23:\u003c/strong> Benoît Charest wrote the “gypsy jazz” score for the \u003cem>Triplets of Belleville\u003c/em>, a French animated film that was a pretty big hit back in 2003 — as much for the music as the wacky story, about an elderly woman rescuing her Tour de France riding grandson from the French Mafia. Now Charest will lead what he calls Le Terrible Orchestre de Belleville in a performance of the music at the SF Opera Lab with live sound effects as the film plays. A bicycle wheel apparently plays an important role in the music, so all you Bay Area bicycle commuters should make time for the show. Details \u003ca href=\"http://sfopera.com/sfoperalab/season-one/triplets/#!\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11473908\" class=\"wp-caption aligncenter\" style=\"max-width: 377px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-11473908\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/04/The-anti-Saccharrites.jpg\" alt=\"The Anti-Saccharrites by James Gillray\" width=\"377\" height=\"285\">\u003cfigcaption class=\"wp-caption-text\">The Anti-Saccharrites by James Gillray \u003ccite>(Photo: Courtesy The Cantor Museum)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Continuing through August 15:\u003c/strong> \u003cem>Blood in the Sugar Bowl\u003c/em> is a show at the Cantor Museum about the about the racial politics of sugar in the 17th and 18th centuries. Sugar cane fields in the Caribbean were worked by slaves; a part of the rum, sugar and slave trade that built the New England economy. Graduate students at Stanford put this show together with materials from the Cantor’s collection, including drawings, paintings, and sugar bowls that may never look quite as elegant once you read the story of how the sugar got there. Details for this free show at the Cantor on the Stanford Univ. campus are \u003ca href=\"https://museum.stanford.edu/view/exhibition_sched_new.html\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Anyone who reads this blog with any regularity or has spent more than four minutes with me knows that I love \u003cem>Gilmore Girls\u003c/em> to an unhealthy degree. The kind of love that inspired me to travel nearly two thousand miles to witness \u003ca href=\"http://ww2.kqed.org/pop/2015/06/08/gilmore-girls-everything-you-missed-at-the-atx-festival-reunion/\" target=\"_blank\">the cast reunion at the ATX festival\u003c/a>, the kind of passion that led me to \u003ca href=\"https://www.instagram.com/p/T9S80CqL_n/?taken-by=excusemybeauty\" target=\"_blank\">craft a shrinky-dink necklace of Lorelai and Rory's faces\u003c/a>, \u003ca href=\"http://ww2.kqed.org/pop/2014/10/01/gilmore-girls-netflix-10-best-episodes-binge-watch-marathon/\" target=\"_blank\">rank the top 10 episodes\u003c/a>, \u003ca href=\"https://www.instagram.com/p/6ob3zDKL3h/?taken-by=excusemybeauty\" target=\"_blank\">make a pilgrimage to the set\u003c/a> in LA, and empathically \u003ca href=\"http://ww2.kqed.org/pop/2015/05/29/gilmore-girls-what-we-need-from-the-rumored-new-season-or-movie/\" target=\"_blank\">declare what should and shouldn’t happen\u003c/a> in\u003ca href=\"http://ww2.kqed.org/pop/2015/05/29/gilmore-girls-what-we-need-from-the-rumored-new-season-or-movie/\" target=\"_blank\"> \u003c/a>the revival. So that primal scream you heard an hour ago was me reacting to \u003cem>Entertainment Weekly\u003c/em> unveiling the first official photos from said revival. It’s my duty to overanalyze them. Let me find my magnifying glass.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/giphy-9.gif\" rel=\"attachment wp-att-19772\">\u003cimg class=\"aligncenter size-full wp-image-19772\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/giphy-9.gif\" alt=\"latoya magnifying glass\" width=\"320\" height=\"180\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">Found it! Let’s give these pics a look.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/rew-cvr-1410gg.jpg\" rel=\"attachment wp-att-21995\">\u003cimg class=\"aligncenter size-full wp-image-21995\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/rew-cvr-1410gg.jpg\" alt=\"rew-cvr-1410gg\" width=\"612\" height=\"816\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/rew-cvr-1410gg.jpg 612w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/rew-cvr-1410gg-400x533.jpg 400w\" sizes=\"(max-width: 612px) 100vw, 612px\">\u003c/a>\u003c/p>\n\u003cp>Aww! Our girls haven't changed one bit! They still love coffee and each other. And I'm assuming they still do all their scenes without actual coffee in their cups, much like in this photo.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/3.jpeg\" rel=\"attachment wp-att-21997\">\u003cimg class=\"aligncenter size-full wp-image-21997\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/3.jpeg\" alt=\"3\" width=\"459\" height=\"612\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/3.jpeg 459w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/3-400x533.jpeg 400w\" sizes=\"(max-width: 459px) 100vw, 459px\">\u003c/a>\u003c/p>\n\u003cp>Now we're talking! Real coffee! Did Lorelai reupholster the lumpy living room couch? Emily is going to hate this even more than the last one.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/1.jpg\" rel=\"attachment wp-att-21999\">\u003cimg class=\"aligncenter size-full wp-image-21999\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/1.jpg\" alt=\"1\" width=\"612\" height=\"459\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/1.jpg 612w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/1-400x300.jpg 400w\" sizes=\"(max-width: 612px) 100vw, 612px\">\u003c/a>\u003c/p>\n\u003cp>OMG. Chez Gilmore got a fresh coat of paint! Maybe Kirk created a house painting business for a day before moving on to yet another profession? Would Luke Danes deign (see what I did there?) to live in a robin's egg-colored house? Does this mean they never really got back together?!?\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/6.jpeg\" rel=\"attachment wp-att-22002\">\u003cimg class=\"aligncenter size-full wp-image-22002\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/6.jpeg\" alt=\"6\" width=\"612\" height=\"459\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/6.jpeg 612w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/6-400x300.jpeg 400w\" sizes=\"(max-width: 612px) 100vw, 612px\">\u003c/a>\u003c/p>\n\u003cp>PHEW!!! Look at that sexual hand-holding! In the words of Beyonce, \u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/12/tumblr_ml252mhGRm1qedlsro1_250.gif\" target=\"_blank\">god is real\u003c/a>. Luke's wardrobe is unchanged, as we knew it would be. Lorelai seems more stylish. Maybe she's finally raking in enough cash money from the Dragonfly to chuck the bedazzled-butt sweats and spring for more cute, flirty print dresses. Good things happen to good people. She deserves all the nice things in the world because she raised Rory all on her own (thanks for nothing, Christopher!) and is such a loyal friend and...*voice cracks* *cries quietly for a long time while Googling pictures of Lauren Graham*\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/img_6966.jpg\" rel=\"attachment wp-att-21994\">\u003cimg class=\"aligncenter size-full wp-image-21994\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/img_6966.jpg\" alt=\"img_6966\" width=\"1254\" height=\"705\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_6966.jpg 1254w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_6966-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_6966-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_6966-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_6966-1180x663.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_6966-960x540.jpg 960w\" sizes=\"(max-width: 1254px) 100vw, 1254px\">\u003c/a>\u003c/p>\n\u003cp>Okay, there is a lot to unpack here.\u003c/p>\n\u003cp>1. Get it, Miss Patty! Love the hair.\u003c/p>\n\u003cp>2. Hi, Babette! I hope Maury still plays piano for you and carries you around.\u003c/p>\n\u003cp>3. Stars Hollow is staging a musical because it was only a matter of time. Is it beach themed or did Lorelai and Rory move to Venice Beach to hang out with Jess' deadbeat dad?\u003c/p>\n\u003cp>4. Look! One of Lane's twins! He's holding a beach chair, so I guess the beach theme is real. OR! All the disappointments in Lane's life (her mentally abusive mother, her absent father, her layabout baby daddy, Dave Rygalski just leaving for \u003cem>The OC\u003c/em> in the midst of their hot and heavy love affair, the fact that she only had sex once and hated it \u003cem>and\u003c/em> got knocked up in the process, the fact that her \"best friend\" only hangs out with her when she has something to complain about, etc. etc. etc.) catch up with her, sending her into a deep spiral that leaves her unable to care for both twins so she gives one to Rory and he joins her and Lorelai in their move to Venice Beach.\u003c/p>\n\u003cp>What? I have a vivid imagination and stranger things have happened on this show (*cough*Luke's secret daughter*cough*).\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/7.jpeg\" rel=\"attachment wp-att-22003\">\u003cimg class=\"aligncenter size-full wp-image-22003\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/7.jpeg\" alt=\"7\" width=\"612\" height=\"459\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/7.jpeg 612w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/7-400x300.jpeg 400w\" sizes=\"(max-width: 612px) 100vw, 612px\">\u003c/a>\u003c/p>\n\u003cp>What. A. Boss. Still suffers zero fools. Still lives in the same mansion, if that staircase is any indication. In light of the passing of Edward Herrmann, we know Emily will be single and mingling. I hope the D.A.R. holds a \u003cem>Bachelorette\u003c/em>-themed event, where Emily judges and scorns 20 eligible men, only to keep the final rose for herself. I'd also be open to her running for the Senate and eviscerating crooked politicos. Oh, who am I kidding, she could literally just sit in that chair for all four mini-movies and I would be like yaaaassss.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/image003.jpg\" rel=\"attachment wp-att-21996\">\u003cbr>\n\u003c/a> \u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/5.jpeg\" rel=\"attachment wp-att-22001\">\u003cimg class=\"aligncenter size-full wp-image-22001\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/5.jpeg\" alt=\"5\" width=\"612\" height=\"459\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/5.jpeg 612w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/5-400x300.jpeg 400w\" sizes=\"(max-width: 612px) 100vw, 612px\">\u003c/a>\u003c/p>\n\u003cp>So Rory didn't morph into Christiane Amanpour, like she had hoped, but teaching or guest lecturing at her high school alma mater, Chilton, works too. Based on the irregular handwriting on the chalkboard (which is odd because we all know Rory's handwriting is immaculate), she's schooling these kids on \u003cem>Jane Eyre\u003c/em>. Here's hoping she finds a way to incorporate an anecdote about how, one time, this really hot guy stole her book and wrote in the margins and charmed her into dumping her nice, but kind of dumb and super controlling boyfriend for a whirlwind year of dating that left her with a fractured wrist and a broken heart.\u003c/p>\n\u003cp>That's when Jess will show up really frantic, like he did at her dorm that one time, and profess his love again, but, unlike last time, Rory is down and they reclaim their title as the hottest couple in modern history. Make it so, Amy Sherman-Palladino! Also, I hope Paris poisoned the headmaster and has assumed his position at Chilton. And I hope that Madeline and Louise are the Sex-Ed teachers.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Alright, this magnifying glass is starting to hurt my eye so that's all for now. There's unfortunately no official word on when we'll get to actually watch \u003cem>Gilmore Girls: Seasons\u003c/em>, but that just leaves us with plenty of time to trade predictions in the comments below! Have at it!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Anyone who reads this blog with any regularity or has spent more than four minutes with me knows that I love \u003cem>Gilmore Girls\u003c/em> to an unhealthy degree. The kind of love that inspired me to travel nearly two thousand miles to witness \u003ca href=\"http://ww2.kqed.org/pop/2015/06/08/gilmore-girls-everything-you-missed-at-the-atx-festival-reunion/\" target=\"_blank\">the cast reunion at the ATX festival\u003c/a>, the kind of passion that led me to \u003ca href=\"https://www.instagram.com/p/T9S80CqL_n/?taken-by=excusemybeauty\" target=\"_blank\">craft a shrinky-dink necklace of Lorelai and Rory's faces\u003c/a>, \u003ca href=\"http://ww2.kqed.org/pop/2014/10/01/gilmore-girls-netflix-10-best-episodes-binge-watch-marathon/\" target=\"_blank\">rank the top 10 episodes\u003c/a>, \u003ca href=\"https://www.instagram.com/p/6ob3zDKL3h/?taken-by=excusemybeauty\" target=\"_blank\">make a pilgrimage to the set\u003c/a> in LA, and empathically \u003ca href=\"http://ww2.kqed.org/pop/2015/05/29/gilmore-girls-what-we-need-from-the-rumored-new-season-or-movie/\" target=\"_blank\">declare what should and shouldn’t happen\u003c/a> in\u003ca href=\"http://ww2.kqed.org/pop/2015/05/29/gilmore-girls-what-we-need-from-the-rumored-new-season-or-movie/\" target=\"_blank\"> \u003c/a>the revival. So that primal scream you heard an hour ago was me reacting to \u003cem>Entertainment Weekly\u003c/em> unveiling the first official photos from said revival. It’s my duty to overanalyze them. Let me find my magnifying glass.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/giphy-9.gif\" rel=\"attachment wp-att-19772\">\u003cimg class=\"aligncenter size-full wp-image-19772\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/01/giphy-9.gif\" alt=\"latoya magnifying glass\" width=\"320\" height=\"180\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">Found it! Let’s give these pics a look.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/rew-cvr-1410gg.jpg\" rel=\"attachment wp-att-21995\">\u003cimg class=\"aligncenter size-full wp-image-21995\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/rew-cvr-1410gg.jpg\" alt=\"rew-cvr-1410gg\" width=\"612\" height=\"816\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/rew-cvr-1410gg.jpg 612w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/rew-cvr-1410gg-400x533.jpg 400w\" sizes=\"(max-width: 612px) 100vw, 612px\">\u003c/a>\u003c/p>\n\u003cp>Aww! Our girls haven't changed one bit! They still love coffee and each other. And I'm assuming they still do all their scenes without actual coffee in their cups, much like in this photo.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/3.jpeg\" rel=\"attachment wp-att-21997\">\u003cimg class=\"aligncenter size-full wp-image-21997\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/3.jpeg\" alt=\"3\" width=\"459\" height=\"612\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/3.jpeg 459w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/3-400x533.jpeg 400w\" sizes=\"(max-width: 459px) 100vw, 459px\">\u003c/a>\u003c/p>\n\u003cp>Now we're talking! Real coffee! Did Lorelai reupholster the lumpy living room couch? Emily is going to hate this even more than the last one.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/1.jpg\" rel=\"attachment wp-att-21999\">\u003cimg class=\"aligncenter size-full wp-image-21999\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/1.jpg\" alt=\"1\" width=\"612\" height=\"459\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/1.jpg 612w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/1-400x300.jpg 400w\" sizes=\"(max-width: 612px) 100vw, 612px\">\u003c/a>\u003c/p>\n\u003cp>OMG. Chez Gilmore got a fresh coat of paint! Maybe Kirk created a house painting business for a day before moving on to yet another profession? Would Luke Danes deign (see what I did there?) to live in a robin's egg-colored house? Does this mean they never really got back together?!?\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/6.jpeg\" rel=\"attachment wp-att-22002\">\u003cimg class=\"aligncenter size-full wp-image-22002\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/6.jpeg\" alt=\"6\" width=\"612\" height=\"459\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/6.jpeg 612w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/6-400x300.jpeg 400w\" sizes=\"(max-width: 612px) 100vw, 612px\">\u003c/a>\u003c/p>\n\u003cp>PHEW!!! Look at that sexual hand-holding! In the words of Beyonce, \u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/12/tumblr_ml252mhGRm1qedlsro1_250.gif\" target=\"_blank\">god is real\u003c/a>. Luke's wardrobe is unchanged, as we knew it would be. Lorelai seems more stylish. Maybe she's finally raking in enough cash money from the Dragonfly to chuck the bedazzled-butt sweats and spring for more cute, flirty print dresses. Good things happen to good people. She deserves all the nice things in the world because she raised Rory all on her own (thanks for nothing, Christopher!) and is such a loyal friend and...*voice cracks* *cries quietly for a long time while Googling pictures of Lauren Graham*\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/img_6966.jpg\" rel=\"attachment wp-att-21994\">\u003cimg class=\"aligncenter size-full wp-image-21994\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/img_6966.jpg\" alt=\"img_6966\" width=\"1254\" height=\"705\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_6966.jpg 1254w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_6966-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_6966-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_6966-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_6966-1180x663.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_6966-960x540.jpg 960w\" sizes=\"(max-width: 1254px) 100vw, 1254px\">\u003c/a>\u003c/p>\n\u003cp>Okay, there is a lot to unpack here.\u003c/p>\n\u003cp>1. Get it, Miss Patty! Love the hair.\u003c/p>\n\u003cp>2. Hi, Babette! I hope Maury still plays piano for you and carries you around.\u003c/p>\n\u003cp>3. Stars Hollow is staging a musical because it was only a matter of time. Is it beach themed or did Lorelai and Rory move to Venice Beach to hang out with Jess' deadbeat dad?\u003c/p>\n\u003cp>4. Look! One of Lane's twins! He's holding a beach chair, so I guess the beach theme is real. OR! All the disappointments in Lane's life (her mentally abusive mother, her absent father, her layabout baby daddy, Dave Rygalski just leaving for \u003cem>The OC\u003c/em> in the midst of their hot and heavy love affair, the fact that she only had sex once and hated it \u003cem>and\u003c/em> got knocked up in the process, the fact that her \"best friend\" only hangs out with her when she has something to complain about, etc. etc. etc.) catch up with her, sending her into a deep spiral that leaves her unable to care for both twins so she gives one to Rory and he joins her and Lorelai in their move to Venice Beach.\u003c/p>\n\u003cp>What? I have a vivid imagination and stranger things have happened on this show (*cough*Luke's secret daughter*cough*).\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/7.jpeg\" rel=\"attachment wp-att-22003\">\u003cimg class=\"aligncenter size-full wp-image-22003\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/7.jpeg\" alt=\"7\" width=\"612\" height=\"459\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/7.jpeg 612w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/7-400x300.jpeg 400w\" sizes=\"(max-width: 612px) 100vw, 612px\">\u003c/a>\u003c/p>\n\u003cp>What. A. Boss. Still suffers zero fools. Still lives in the same mansion, if that staircase is any indication. In light of the passing of Edward Herrmann, we know Emily will be single and mingling. I hope the D.A.R. holds a \u003cem>Bachelorette\u003c/em>-themed event, where Emily judges and scorns 20 eligible men, only to keep the final rose for herself. I'd also be open to her running for the Senate and eviscerating crooked politicos. Oh, who am I kidding, she could literally just sit in that chair for all four mini-movies and I would be like yaaaassss.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/image003.jpg\" rel=\"attachment wp-att-21996\">\u003cbr>\n\u003c/a> \u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/5.jpeg\" rel=\"attachment wp-att-22001\">\u003cimg class=\"aligncenter size-full wp-image-22001\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/5.jpeg\" alt=\"5\" width=\"612\" height=\"459\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/5.jpeg 612w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/5-400x300.jpeg 400w\" sizes=\"(max-width: 612px) 100vw, 612px\">\u003c/a>\u003c/p>\n\u003cp>So Rory didn't morph into Christiane Amanpour, like she had hoped, but teaching or guest lecturing at her high school alma mater, Chilton, works too. Based on the irregular handwriting on the chalkboard (which is odd because we all know Rory's handwriting is immaculate), she's schooling these kids on \u003cem>Jane Eyre\u003c/em>. Here's hoping she finds a way to incorporate an anecdote about how, one time, this really hot guy stole her book and wrote in the margins and charmed her into dumping her nice, but kind of dumb and super controlling boyfriend for a whirlwind year of dating that left her with a fractured wrist and a broken heart.\u003c/p>\n\u003cp>That's when Jess will show up really frantic, like he did at her dorm that one time, and profess his love again, but, unlike last time, Rory is down and they reclaim their title as the hottest couple in modern history. Make it so, Amy Sherman-Palladino! Also, I hope Paris poisoned the headmaster and has assumed his position at Chilton. And I hope that Madeline and Louise are the Sex-Ed teachers.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Alright, this magnifying glass is starting to hurt my eye so that's all for now. There's unfortunately no official word on when we'll get to actually watch \u003cem>Gilmore Girls: Seasons\u003c/em>, but that just leaves us with plenty of time to trade predictions in the comments below! Have at it!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>We dig into the tragic history of one of the most famous American families, the gross double standard surrounding Kehlani's cheating scandal, and why superhero movies are super annoying.\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2016/04/kennedycurse.mp3\" title=\"The Kennedy Curse: A Family-Sized Portion of Murphy's Law\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>This week, we talk about how the reaction to Kehlani's supposed cheating revealed a familiar double standard:\u003c/p>\n\u003cp>https://www.washingtonpost.com/news/arts-and-entertainment/wp/2016/03/30/kehlanis-suicide-attempt-internet-bullies-and-chris-brown/\u003c/p>\n\u003cp>We dig into the tragic history of one of the most famous families in American history:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/giphy.gif\" rel=\"attachment wp-att-21979\">\u003cimg class=\"aligncenter size-full wp-image-21979\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/giphy.gif\" alt=\"wicked witch oz crystal ball\" width=\"380\" height=\"280\">\u003c/a>\u003c/p>\n\u003cp>Specifically the fate of Rosemary Kennedy:\u003c/p>\n\u003cp>https://ww2.kqed.org/pop/2016/08/15/rosemary-kennedy-the-tragic-story-of-why-jfks-sister-disappeared-from-public-view/\u003c/p>\n\u003cp>Carly talks about why she finds superhero movies super annoying:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/giphy-1.gif\" rel=\"attachment wp-att-21980\">\u003cimg class=\"aligncenter size-full wp-image-21980\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/giphy-1.gif\" alt=\"avengers eyeroll scarlett\" width=\"500\" height=\"211\">\u003c/a>\u003c/p>\n\u003cp>And we cap things off with Kate Bush's \"Running Up That Hill\":\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=wp43OdtAAkM\u003c/p>\n\u003cp>Until next week!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Carly talks about why she finds superhero movies super annoying:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/giphy-1.gif\" rel=\"attachment wp-att-21980\">\u003cimg class=\"aligncenter size-full wp-image-21980\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/giphy-1.gif\" alt=\"avengers eyeroll scarlett\" width=\"500\" height=\"211\">\u003c/a>\u003c/p>\n\u003cp>And we cap things off with Kate Bush's \"Running Up That Hill\":\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/wp43OdtAAkM'\n title='//www.youtube.com/embed/wp43OdtAAkM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Until next week!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Oakland rapper and political activist Boots Riley is one of seven film-makers receiving thousands in funding from the San Francisco Film Society (SFFS) for their projects.\u003c/p>\n\u003cp>The SFFS announced on Tuesday the winners of the \u003ca href=\"http://blog.sffs.org/home/2016/4/spring-2016-sffs-krf-filmmaking-grant-winners-announced.html\" target=\"_blank\" rel=\"noopener\">Spring 2016 Kenneth Rainin Foundation Filmmaking Grants\u003c/a>, which are awarded twice a year to “socially-minded narrative feature films that will elevate the Bay Area’s filmmaking culture.” The society says the program is “the largest granting body for independent narrative feature films in the United States” and it has funded over 50 projects, providing more than $3.5 million to filmmakers since its launch in 2009.\u003c/p>\n\u003cp>Riley, who co-founded the influential Oakland rap group \u003ca href=\"http://www.thisisthecoup.com/\" target=\"_blank\" rel=\"noopener\">the Coup\u003c/a> in 1991, and his producers received $25,000 for their project \u003ci>Sorry to Bother You,\u003c/i> which was summarized in their application as such:\u003c/p>\n\u003cblockquote>\u003cp>A black telemarketer discovers a magical way to make his voice overdubbed by a white actor, propelling him into the upper echelon of a macabre universe where he’s selected to lead a species of genetically manipulated horse-people, called the Equisapiens.\u003c/p>\u003c/blockquote>\n\u003cp>The film’s name is the same as his band’s \u003ca href=\"https://www.youtube.com/watch?v=uaFQw52wJug&list=PLJ7QPuvv91Jtv4Xyw6XnpuqrmJC_WSyQ6\" target=\"_blank\" rel=\"noopener\">most recent album\u003c/a>, which was released in 2012.\u003c/p>\n\u003cp>Other winners include writer/director Olivia Newman, who won $25,000 for her feature project \u003ci>First Match.\u003c/i> The film is an expansion of a 14 minute-long short with the same name she made while was a student at Columbia University in 2012. It aired on KQED’s \u003ci>\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/films/first-match/\" target=\"_blank\" rel=\"noopener\">Film School Shorts\u003c/a>\u003c/i> in 2014.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>For a complete list of grant winners, visit \u003ca href=\"http://blog.sffs.org/home/2016/4/spring-2016-sffs-krf-filmmaking-grant-winners-announced.html\" target=\"_blank\" rel=\"noopener\">the SFFS website\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Watch Newman’s \u003cb>First Match\u003c/b> below:\u003c/i>\u003c/p>\n\u003caside class=\"aligncenter\">[vimeo 152339147 w=640&h=360]\u003c/aside>\n\n",
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"title": "Boots Riley Among Filmmakers Receiving Big Grants from SF Film Society | KQED",
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"headline": "Boots Riley Among Filmmakers Receiving Big Grants from SF Film Society",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Oakland rapper and political activist Boots Riley is one of seven film-makers receiving thousands in funding from the San Francisco Film Society (SFFS) for their projects.\u003c/p>\n\u003cp>The SFFS announced on Tuesday the winners of the \u003ca href=\"http://blog.sffs.org/home/2016/4/spring-2016-sffs-krf-filmmaking-grant-winners-announced.html\" target=\"_blank\" rel=\"noopener\">Spring 2016 Kenneth Rainin Foundation Filmmaking Grants\u003c/a>, which are awarded twice a year to “socially-minded narrative feature films that will elevate the Bay Area’s filmmaking culture.” The society says the program is “the largest granting body for independent narrative feature films in the United States” and it has funded over 50 projects, providing more than $3.5 million to filmmakers since its launch in 2009.\u003c/p>\n\u003cp>Riley, who co-founded the influential Oakland rap group \u003ca href=\"http://www.thisisthecoup.com/\" target=\"_blank\" rel=\"noopener\">the Coup\u003c/a> in 1991, and his producers received $25,000 for their project \u003ci>Sorry to Bother You,\u003c/i> which was summarized in their application as such:\u003c/p>\n\u003cblockquote>\u003cp>A black telemarketer discovers a magical way to make his voice overdubbed by a white actor, propelling him into the upper echelon of a macabre universe where he’s selected to lead a species of genetically manipulated horse-people, called the Equisapiens.\u003c/p>\u003c/blockquote>\n\u003cp>The film’s name is the same as his band’s \u003ca href=\"https://www.youtube.com/watch?v=uaFQw52wJug&list=PLJ7QPuvv91Jtv4Xyw6XnpuqrmJC_WSyQ6\" target=\"_blank\" rel=\"noopener\">most recent album\u003c/a>, which was released in 2012.\u003c/p>\n\u003cp>Other winners include writer/director Olivia Newman, who won $25,000 for her feature project \u003ci>First Match.\u003c/i> The film is an expansion of a 14 minute-long short with the same name she made while was a student at Columbia University in 2012. It aired on KQED’s \u003ci>\u003ca href=\"http://blogs.kqed.org/filmschoolshorts/films/first-match/\" target=\"_blank\" rel=\"noopener\">Film School Shorts\u003c/a>\u003c/i> in 2014.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For a complete list of grant winners, visit \u003ca href=\"http://blog.sffs.org/home/2016/4/spring-2016-sffs-krf-filmmaking-grant-winners-announced.html\" target=\"_blank\" rel=\"noopener\">the SFFS website\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Watch Newman’s \u003cb>First Match\u003c/b> below:\u003c/i>\u003c/p>\n\u003caside class=\"aligncenter\">\u003c/p>\u003c/div>",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"radiolab": {
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},
"rightnowish": {
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"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
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