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"content": "\u003cp>Merle Haggard, a legend in country music and one of the inventors of the Bakersfield (CA) sound and Outlaw Country has died at the age of 79 on his birthday.\u003c/p>\n\u003cp>Haggard was born in Bakersfield, where his family had moved from Oklahoma. He spent time in juvenile detention centers and later at San Quentin, before releasing his first song in 1963. He had 40 #1 hits, won dozens of music awards, and was inducted into the Country Music Hall of Fame in 1994.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=loT_pYzi3Vw&nohtml5=False\u003c/p>\n\u003cp>Haggard had deep roots in California. Along with Buck Owens, Haggard and his band The Strangers developed the Bakersfield sound in the 1950s, a honky-tonk style that contrasted sharply with the slicker sound of country music made in Nashville. His song “I’m an Okie from Muskogee” became a conservative anthem in the late ’60s, and then California Governor Ronald Reagan cleared Haggard’s criminal record with a pardon in 1972.\u003c/p>\n\u003cp>Bakersfield named a street for Haggard in 2008, and he’d been living for years \u003ca href=\"http://www.sfgate.com/entertainment/article/Country-star-Merle-Haggard-stands-tall-3167174.php\" target=\"_blank\" rel=\"noopener\">in Northern California, near Shasta Lake.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=-iYY2FQHFwE\u003c/p>\n\u003cp>Haggard was a lifelong smoker, and doctors took out a parts of both lungs in 2009, after he was diagnosed with lung cancer. But Haggard kept recording and touring, his gravelly voice a bit weaker, perhaps.\u003c/p>\n\u003cp>He was hospitalized with pneumonia earlier this year, and had to cancel a series of tour dates this month, including some with Willie Nelson. Still Haggard had reportedly bought a new tour bus recently, over objections from his family.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=A6c6eUeoa9Q&nohtml5=False\u003c/p>\n\n",
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"excerpt": "The outlaw country star, who helped create the Bakersfield country scene, died on his 79th birthday",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Merle Haggard, a legend in country music and one of the inventors of the Bakersfield (CA) sound and Outlaw Country has died at the age of 79 on his birthday.\u003c/p>\n\u003cp>Haggard was born in Bakersfield, where his family had moved from Oklahoma. He spent time in juvenile detention centers and later at San Quentin, before releasing his first song in 1963. He had 40 #1 hits, won dozens of music awards, and was inducted into the Country Music Hall of Fame in 1994.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/loT_pYzi3Vw'\n title='//www.youtube.com/embed/loT_pYzi3Vw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Haggard had deep roots in California. Along with Buck Owens, Haggard and his band The Strangers developed the Bakersfield sound in the 1950s, a honky-tonk style that contrasted sharply with the slicker sound of country music made in Nashville. His song “I’m an Okie from Muskogee” became a conservative anthem in the late ’60s, and then California Governor Ronald Reagan cleared Haggard’s criminal record with a pardon in 1972.\u003c/p>\n\u003cp>Bakersfield named a street for Haggard in 2008, and he’d been living for years \u003ca href=\"http://www.sfgate.com/entertainment/article/Country-star-Merle-Haggard-stands-tall-3167174.php\" target=\"_blank\" rel=\"noopener\">in Northern California, near Shasta Lake.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/-iYY2FQHFwE'\n title='//www.youtube.com/embed/-iYY2FQHFwE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Haggard was a lifelong smoker, and doctors took out a parts of both lungs in 2009, after he was diagnosed with lung cancer. But Haggard kept recording and touring, his gravelly voice a bit weaker, perhaps.\u003c/p>\n\u003cp>He was hospitalized with pneumonia earlier this year, and had to cancel a series of tour dates this month, including some with Willie Nelson. Still Haggard had reportedly bought a new tour bus recently, over objections from his family.\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/A6c6eUeoa9Q'\n title='//www.youtube.com/embed/A6c6eUeoa9Q'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Another Planet Entertainment rolled out the very lengthy lineup for the 9th annual Outside Lands music festival this morning, and it is \u003ca href=\"http://lineup.sfoutsidelands.com/\" target=\"_blank\">a doozy\u003c/a>. Rumored headliners Radiohead and LCD Soundsystem are indeed now officially confirmed headliners for the fest, which takes place Aug. 5-7 in Golden Gate Park. Meanwhile, the traditional Sunday night \"legacy act\" spot went to none other than Lionel Richie -- who, for the young'uns, put out a hit record called \"Hello\" four years before Adele was born.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=84RxK4N1wfE\u003c/p>\n\u003cp>If you aren't among the people who \u003ca href=\"http://ww2.kqed.org/arts/2016/03/30/no-lineup-no-problem-outside-lands-tickets-go-on-sale-anyway/\" target=\"_blank\">doled out $350 to buy early-bird tickets before even seeing the lineup\u003c/a>, you can peruse the whole bill below at your leisure in order to make an educated decision. But first, a few quick notes that are not about the headliners (you may already be experiencing \u003ca href=\"https://twitter.com/CapitolAlert/status/717431829519687682\" target=\"_blank\">some feelings\u003c/a> around those):\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>Dr. Teeth and the Electric Mayhem.\u003c/strong> AKA the Muppets' house band. I knew the Muppets were on something of a reboot bonanza this year (in fact I keep pretty close tabs on most things Muppet-related, shut up), but even I didn't see this one coming. It's only a shame this addition couldn't have been better coordinated with last year's Elton John set, for a reprise of this classic.\u003c/li>\n\u003c/ul>\n\u003cp>https://www.youtube.com/watch?v=aGnasEZY0F0\u003c/p>\n\u003cul>\n\u003cli>It's been my impression that APE has been trying to make up for last year's fiasco with \u003cstrong>Fantastic Negrito\u003c/strong> (the artist's set was cancelled due to \u003ca href=\"http://www.eastbayexpress.com/CultureSpyBlog/archives/2015/08/09/fantastic-negrito-detained-by-sfpd-on-questionable-grounds-at-outside-lands\" target=\"_blank\">him being detained, purportedly rather roughly, by SFPD officers\u003c/a> after a member of his crew allegedly scalped tickets) for, well, the past year -- they threw him an admission-free show at the Independent, etc. -- so his inclusion in this lineup is no surprise. Which is not to say it's isn't deserved: I caught a live set of his last month and the band's only gotten better. Something tells me they'll be getting VIP treatment this time around.\u003c/li>\n\u003cli>\u003cstrong>Kamasi Washington\u003c/strong>, people. \u003ca href=\"http://ww2.kqed.org/news/2015/05/25/kamasi-washingtons-the-epic-lives-up-to-its-title\" target=\"_blank\">Kamasi Washington\u003c/a>.\u003c/li>\n\u003cli>Hope Oakland's own shining star \u003cstrong>Kehlani\u003c/strong> is\u003ca href=\"https://www.washingtonpost.com/news/arts-and-entertainment/wp/2016/03/30/kehlanis-suicide-attempt-internet-bullies-and-chris-brown/\" target=\"_blank\"> in good health by August\u003c/a> following her recent hospitalization. We're rooting for her.\u003c/li>\n\u003cli>\u003cstrong>Vulfpeck\u003c/strong> is amazing. Deeply weird, hilarious, vastly underrated. Here:\u003c/li>\n\u003c/ul>\n\u003cp>https://www.youtube.com/watch?v=r4G0nbpLySI\u003c/p>\n\u003cul>\n\u003cli>Without tallying, I want to say the gender breakdown is slightly less upsetting than usual? (To clarify: This is not just an Outside Lands problem, it's a festival problem; it's a music industry problem.) Regardless, Peaches, Grimes, Lana del Rey, and \u003cb>Hiatus Kaiyote -- \u003c/b>whose live show at another festival also recently blew me away -- will all be interesting to see in this setting.\u003c/li>\n\u003cli>\u003cstrong>Bay Area artists:\u003c/strong> Kehlani, Rogue Wave, Con Brio, Fantastic Negrito, um, Third Eye Blind.\u003c/li>\n\u003c/ul>\n\u003cp>Apparently the fest will be rolling out its sizable comedy and food offerings at a later date, so stay tuned for more weird branded cross-promos like, I dunno, maybe Anderson .Paak throwing cold-pressed juice at people. Here's the full music lineup, in the meantime.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Outside Lands 2016\u003c/strong>\u003c/p>\n\u003cp>RADIOHEAD\u003cbr>\nLCD SOUNDSYSTEM\u003cbr>\nLIONEL RICHIE\u003cbr>\nLANA DEL REY\u003cbr>\nJ COLE\u003cbr>\nDURAN DURAN\u003cbr>\nZEDD\u003cbr>\nRYAN ADAMS\u003cbr>\nMAJOR LAZER\u003cbr>\nAIR\u003cbr>\nSUFJAN STEVENS\u003cbr>\nCHANCE THE RAPPER\u003cbr>\nBEACH HOUSE\u003cbr>\nMIGUEL\u003cbr>\nHALSEY\u003cbr>\nBIG GRAMS (BIG BOI + PHANTOGRAM)\u003cbr>\nGRIMES\u003cbr>\nJASON ISBELL\u003cbr>\nMIIKE SNOW\u003cbr>\nTHIRD EYE BLIND\u003cbr>\nKEHLANI\u003cbr>\nTHE LAST SHADOW PUPPETS\u003cbr>\nGRIZ\u003cbr>\nBRANDI CARLILE\u003cbr>\nTHOMAS JACK\u003cbr>\nNATHANIEL RATELIFF & THE NIGHT SWEATS\u003cbr>\nFOALS\u003cbr>\nLORD HURON\u003cbr>\nJAUZ\u003cbr>\nTHE CLAYPOOL LENNON DELIRIUM\u003cbr>\nST. LUCIA\u003cbr>\nYEARS & YEARS\u003cbr>\nVINCE STAPLES\u003cbr>\nPOLIÇA\u003cbr>\nLETTUCE\u003cbr>\nIBEYI\u003cbr>\nHIATUS KAIYOTE\u003cbr>\nPEACHES\u003cbr>\nANDERSON .PAAK & THE FREE NATIONALS\u003cbr>\nSNAKEHIPS\u003cbr>\nOH WONDER\u003cbr>\nKAMASI WASHINGTON\u003cbr>\nJACK GARRATT\u003cbr>\nRÜFÜS DU SOL\u003cbr>\nRA RA RIOT\u003cbr>\nTOKIMONSTA\u003cbr>\nTHE KNOCKS\u003cbr>\nWET\u003cbr>\nJIDENNA\u003cbr>\nDIIV\u003cbr>\nNATALIE LAFOURCADE\u003cbr>\nLÅPSLEY\u003cbr>\nTHE WOMBATS\u003cbr>\nROGUE WAVE\u003cbr>\nTHE OH HELLOS\u003cbr>\nMARIAN HILL\u003cbr>\nCON BRIO\u003cbr>\nKEVIN MORBY\u003cbr>\nCAVEMAN\u003cbr>\nFANTASTIC NEGRITO\u003cbr>\nFRANCES\u003cbr>\nLEWIS DEL MAR\u003cbr>\nVULFPECK\u003cbr>\nMOON TAXI\u003cbr>\nJULIEN BAKER\u003cbr>\nLANY\u003cbr>\nHÆLOS\u003cbr>\nDECLAN MCKENNA\u003cbr>\nCLOVES\u003cbr>\nHERON OBLIVION\u003cbr>\nWHITNEY\u003cbr>\nMETHYL ETHEL\u003cbr>\nalso featuring THE MUPPETS’ DR. TEETH AND THE ELECTRIC MAYHEM\u003c/p>\n\u003cp>Get tickets (or just stare longingly at the prices) \u003ca href=\"http://www.sfoutsidelands.com/tickets#\" target=\"_blank\">over here, starting April 7. \u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"excerpt": "Plus: Peaches, Kamasi Washington, Hiatus Kaiyote, and hopefully a non-canceled set from Fantastic Negrito.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Another Planet Entertainment rolled out the very lengthy lineup for the 9th annual Outside Lands music festival this morning, and it is \u003ca href=\"http://lineup.sfoutsidelands.com/\" target=\"_blank\">a doozy\u003c/a>. Rumored headliners Radiohead and LCD Soundsystem are indeed now officially confirmed headliners for the fest, which takes place Aug. 5-7 in Golden Gate Park. Meanwhile, the traditional Sunday night \"legacy act\" spot went to none other than Lionel Richie -- who, for the young'uns, put out a hit record called \"Hello\" four years before Adele was born.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/84RxK4N1wfE'\n title='//www.youtube.com/embed/84RxK4N1wfE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>If you aren't among the people who \u003ca href=\"http://ww2.kqed.org/arts/2016/03/30/no-lineup-no-problem-outside-lands-tickets-go-on-sale-anyway/\" target=\"_blank\">doled out $350 to buy early-bird tickets before even seeing the lineup\u003c/a>, you can peruse the whole bill below at your leisure in order to make an educated decision. But first, a few quick notes that are not about the headliners (you may already be experiencing \u003ca href=\"https://twitter.com/CapitolAlert/status/717431829519687682\" target=\"_blank\">some feelings\u003c/a> around those):\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>Dr. Teeth and the Electric Mayhem.\u003c/strong> AKA the Muppets' house band. I knew the Muppets were on something of a reboot bonanza this year (in fact I keep pretty close tabs on most things Muppet-related, shut up), but even I didn't see this one coming. It's only a shame this addition couldn't have been better coordinated with last year's Elton John set, for a reprise of this classic.\u003c/li>\n\u003c/ul>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/aGnasEZY0F0'\n title='//www.youtube.com/embed/aGnasEZY0F0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cul>\n\u003cli>It's been my impression that APE has been trying to make up for last year's fiasco with \u003cstrong>Fantastic Negrito\u003c/strong> (the artist's set was cancelled due to \u003ca href=\"http://www.eastbayexpress.com/CultureSpyBlog/archives/2015/08/09/fantastic-negrito-detained-by-sfpd-on-questionable-grounds-at-outside-lands\" target=\"_blank\">him being detained, purportedly rather roughly, by SFPD officers\u003c/a> after a member of his crew allegedly scalped tickets) for, well, the past year -- they threw him an admission-free show at the Independent, etc. -- so his inclusion in this lineup is no surprise. Which is not to say it's isn't deserved: I caught a live set of his last month and the band's only gotten better. Something tells me they'll be getting VIP treatment this time around.\u003c/li>\n\u003cli>\u003cstrong>Kamasi Washington\u003c/strong>, people. \u003ca href=\"http://ww2.kqed.org/news/2015/05/25/kamasi-washingtons-the-epic-lives-up-to-its-title\" target=\"_blank\">Kamasi Washington\u003c/a>.\u003c/li>\n\u003cli>Hope Oakland's own shining star \u003cstrong>Kehlani\u003c/strong> is\u003ca href=\"https://www.washingtonpost.com/news/arts-and-entertainment/wp/2016/03/30/kehlanis-suicide-attempt-internet-bullies-and-chris-brown/\" target=\"_blank\"> in good health by August\u003c/a> following her recent hospitalization. We're rooting for her.\u003c/li>\n\u003cli>\u003cstrong>Vulfpeck\u003c/strong> is amazing. Deeply weird, hilarious, vastly underrated. Here:\u003c/li>\n\u003c/ul>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/r4G0nbpLySI'\n title='//www.youtube.com/embed/r4G0nbpLySI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cul>\n\u003cli>Without tallying, I want to say the gender breakdown is slightly less upsetting than usual? (To clarify: This is not just an Outside Lands problem, it's a festival problem; it's a music industry problem.) Regardless, Peaches, Grimes, Lana del Rey, and \u003cb>Hiatus Kaiyote -- \u003c/b>whose live show at another festival also recently blew me away -- will all be interesting to see in this setting.\u003c/li>\n\u003cli>\u003cstrong>Bay Area artists:\u003c/strong> Kehlani, Rogue Wave, Con Brio, Fantastic Negrito, um, Third Eye Blind.\u003c/li>\n\u003c/ul>\n\u003cp>Apparently the fest will be rolling out its sizable comedy and food offerings at a later date, so stay tuned for more weird branded cross-promos like, I dunno, maybe Anderson .Paak throwing cold-pressed juice at people. Here's the full music lineup, in the meantime.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Outside Lands 2016\u003c/strong>\u003c/p>\n\u003cp>RADIOHEAD\u003cbr>\nLCD SOUNDSYSTEM\u003cbr>\nLIONEL RICHIE\u003cbr>\nLANA DEL REY\u003cbr>\nJ COLE\u003cbr>\nDURAN DURAN\u003cbr>\nZEDD\u003cbr>\nRYAN ADAMS\u003cbr>\nMAJOR LAZER\u003cbr>\nAIR\u003cbr>\nSUFJAN STEVENS\u003cbr>\nCHANCE THE RAPPER\u003cbr>\nBEACH HOUSE\u003cbr>\nMIGUEL\u003cbr>\nHALSEY\u003cbr>\nBIG GRAMS (BIG BOI + PHANTOGRAM)\u003cbr>\nGRIMES\u003cbr>\nJASON ISBELL\u003cbr>\nMIIKE SNOW\u003cbr>\nTHIRD EYE BLIND\u003cbr>\nKEHLANI\u003cbr>\nTHE LAST SHADOW PUPPETS\u003cbr>\nGRIZ\u003cbr>\nBRANDI CARLILE\u003cbr>\nTHOMAS JACK\u003cbr>\nNATHANIEL RATELIFF & THE NIGHT SWEATS\u003cbr>\nFOALS\u003cbr>\nLORD HURON\u003cbr>\nJAUZ\u003cbr>\nTHE CLAYPOOL LENNON DELIRIUM\u003cbr>\nST. LUCIA\u003cbr>\nYEARS & YEARS\u003cbr>\nVINCE STAPLES\u003cbr>\nPOLIÇA\u003cbr>\nLETTUCE\u003cbr>\nIBEYI\u003cbr>\nHIATUS KAIYOTE\u003cbr>\nPEACHES\u003cbr>\nANDERSON .PAAK & THE FREE NATIONALS\u003cbr>\nSNAKEHIPS\u003cbr>\nOH WONDER\u003cbr>\nKAMASI WASHINGTON\u003cbr>\nJACK GARRATT\u003cbr>\nRÜFÜS DU SOL\u003cbr>\nRA RA RIOT\u003cbr>\nTOKIMONSTA\u003cbr>\nTHE KNOCKS\u003cbr>\nWET\u003cbr>\nJIDENNA\u003cbr>\nDIIV\u003cbr>\nNATALIE LAFOURCADE\u003cbr>\nLÅPSLEY\u003cbr>\nTHE WOMBATS\u003cbr>\nROGUE WAVE\u003cbr>\nTHE OH HELLOS\u003cbr>\nMARIAN HILL\u003cbr>\nCON BRIO\u003cbr>\nKEVIN MORBY\u003cbr>\nCAVEMAN\u003cbr>\nFANTASTIC NEGRITO\u003cbr>\nFRANCES\u003cbr>\nLEWIS DEL MAR\u003cbr>\nVULFPECK\u003cbr>\nMOON TAXI\u003cbr>\nJULIEN BAKER\u003cbr>\nLANY\u003cbr>\nHÆLOS\u003cbr>\nDECLAN MCKENNA\u003cbr>\nCLOVES\u003cbr>\nHERON OBLIVION\u003cbr>\nWHITNEY\u003cbr>\nMETHYL ETHEL\u003cbr>\nalso featuring THE MUPPETS’ DR. TEETH AND THE ELECTRIC MAYHEM\u003c/p>\n\u003cp>Get tickets (or just stare longingly at the prices) \u003ca href=\"http://www.sfoutsidelands.com/tickets#\" target=\"_blank\">over here, starting April 7. \u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "VIDEO: Sneak Peek at Jay Z & Beyonce Collaborator's Puppet Show, More",
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"content": "\u003cp>\u003cb>Now through Saturday, Apr. 23: \u003cem>\u003ca href=\"http://zspace.org/new-work/house-tour\" target=\"_blank\" rel=\"noopener\">A House Tour of the Infamous Porter Family Mansion with Tour Guide Ludlow Londonderry\u003c/a> at \u003c/em>\u003c/b>\u003cstrong>Z Space, San Francisco\u003c/strong>\u003cbr>\nThe world premiere of a surreal, interactive comedy by national award-winning San Francisco playwright Peter Sinn Nachtrieb inspired in part by tours of kitsch historic mansions like Hearst Castle and the Winchester Mystery House. Stars Danny Scheie in a role written specifically for the Bay Area veteran actor.\u003c/p>\n\u003cp>\u003cstrong>Also at Z Space, Wednesday, Apr. 6 – Tuesday, Apr. 12: \u003cem>\u003ca href=\"http://zspace.org/new-work/birdheart\" target=\"_blank\" rel=\"noopener\">Birdheart\u003c/a>\u003c/em>\u003c/strong>\u003cbr>\nMaster puppeteer Julian Crouch \u003cspan style=\"font-weight: 400\">(who did the \u003c/span>\u003cspan style=\"font-weight: 400\">Tony-nominated scenic design for \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Hedwig and the Angry Inch\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">)\u003c/span>\u003cspan style=\"font-weight: 400\"> and Lascivious Biddies rock band member, SF native, and Jay Z/Beyonce collaborator Saskia Lane join forces for a \u003c/span>\u003cspan style=\"font-weight: 400\">quirky table-top puppet show that weaves a beautiful story \u003c/span>\u003cspan style=\"font-weight: 400\">from ordinary things: crumpled brown paper, found objects, shadows and a mound of sand.\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ESHFuipJsUM\u003c/p>\n\u003cp>\u003cb>Now through Sunday, Apr. 10: Capacitor presents \u003cem>\u003ca href=\"http://www.capacitor.org/when-we-were-small/\" target=\"_blank\" rel=\"noopener\">When We Were Small\u003c/a>\u003c/em>\u003c/b> \u003cstrong>at\u003c/strong> \u003cb>Fort Mason Center for Arts & Culture, San Francisco\u003cbr>\n\u003c/b>The Bay Area-based performing arts company presents a new show at the intersection of dance and circus arts looking at what it’s like to experience the world when you’re two years old.\u003c/p>\n\u003cp>\u003cb>Now through Saturday,\u003c/b>\u003cb> Dec. 31: History San Jose presents \u003cem>\u003ca href=\"http://historysanjose.org/wp/event/tattooed-tenacious-inked-women-in-californias-history-exhibit/\" target=\"_blank\" rel=\"noopener\">Tattooed & Tenacious: Inked Women in California’s History\u003c/a> \u003c/em>\u003c/b>\u003cb>at the Pasetta House, History Park, San Jose\u003cbr>\n\u003c/b>A quirky and fascinating exhibition of photos, art work and artifacts relating to the little-known culture of female tattoo wearers and artists in the Golden State.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Saturday, Apr. 9 and Sunday, Apr. 10: Early music supergroups from England — \u003ca href=\"http://calperformances.org/performances/2015-16/early-music/tallis-scholars.php\" target=\"_blank\" rel=\"noopener\">The Tallis Scholars\u003c/a> and \u003ca href=\"http://sfems.org/?page_id=7325\" target=\"_blank\" rel=\"noopener\">Stile Antico\u003c/a>, First Congregational Church, Berkeley\u003c/strong>\u003cbr>\nBinge out on Renaissance hits over a single weekend with a pair of concerts by two of the world’s foremost early music ensembles: Cal Performances presents the august British vocal ensemble The Tallis Scholars (Apr. 9) and the San Francisco Early Music Society hosts a visit from hip, young Stile Antico, also from England (Apr. 10).\u003c/p>\n\u003cp>\u003cstrong>Tuesday, Apr. 5: \u003c/strong>\u003cb>\u003ca href=\"http://www.sfartscommission.org/event/celebration-honoring-2016-mayors-art-award-recipient-armistead-maupin/\" target=\"_blank\" rel=\"noopener\">Armistead Maupin in conversation with Jewelle Gomez\u003c/a> at Herbst Theatre, San Francisco\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">The \u003ci>Tales of the City\u003c/i>\u003c/span>\u003cspan style=\"font-weight: 400\"> author appears in conversation with writer Jewelle Gomez to celebrate his receipt of the \u003c/span>\u003cspan style=\"font-weight: 400\">\u003ca href=\"http://www.sfartscommission.org/2016/02/mayor-lee-announces-armistead-maupin-as-recipient-of-2016-mayors-art-award/\">2016 Mayor’s Art Award\u003c/a>, \u003c/span>\u003cspan style=\"font-weight: 400\">San Francisco’s highest artistic prize. Maupin is the first author to win this accolade. The event is free.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb> \u003c/b>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>Now through Saturday, Apr. 23: \u003cem>\u003ca href=\"http://zspace.org/new-work/house-tour\" target=\"_blank\" rel=\"noopener\">A House Tour of the Infamous Porter Family Mansion with Tour Guide Ludlow Londonderry\u003c/a> at \u003c/em>\u003c/b>\u003cstrong>Z Space, San Francisco\u003c/strong>\u003cbr>\nThe world premiere of a surreal, interactive comedy by national award-winning San Francisco playwright Peter Sinn Nachtrieb inspired in part by tours of kitsch historic mansions like Hearst Castle and the Winchester Mystery House. Stars Danny Scheie in a role written specifically for the Bay Area veteran actor.\u003c/p>\n\u003cp>\u003cstrong>Also at Z Space, Wednesday, Apr. 6 – Tuesday, Apr. 12: \u003cem>\u003ca href=\"http://zspace.org/new-work/birdheart\" target=\"_blank\" rel=\"noopener\">Birdheart\u003c/a>\u003c/em>\u003c/strong>\u003cbr>\nMaster puppeteer Julian Crouch \u003cspan style=\"font-weight: 400\">(who did the \u003c/span>\u003cspan style=\"font-weight: 400\">Tony-nominated scenic design for \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Hedwig and the Angry Inch\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">)\u003c/span>\u003cspan style=\"font-weight: 400\"> and Lascivious Biddies rock band member, SF native, and Jay Z/Beyonce collaborator Saskia Lane join forces for a \u003c/span>\u003cspan style=\"font-weight: 400\">quirky table-top puppet show that weaves a beautiful story \u003c/span>\u003cspan style=\"font-weight: 400\">from ordinary things: crumpled brown paper, found objects, shadows and a mound of sand.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ESHFuipJsUM'\n title='//www.youtube.com/embed/ESHFuipJsUM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cb>Now through Sunday, Apr. 10: Capacitor presents \u003cem>\u003ca href=\"http://www.capacitor.org/when-we-were-small/\" target=\"_blank\" rel=\"noopener\">When We Were Small\u003c/a>\u003c/em>\u003c/b> \u003cstrong>at\u003c/strong> \u003cb>Fort Mason Center for Arts & Culture, San Francisco\u003cbr>\n\u003c/b>The Bay Area-based performing arts company presents a new show at the intersection of dance and circus arts looking at what it’s like to experience the world when you’re two years old.\u003c/p>\n\u003cp>\u003cb>Now through Saturday,\u003c/b>\u003cb> Dec. 31: History San Jose presents \u003cem>\u003ca href=\"http://historysanjose.org/wp/event/tattooed-tenacious-inked-women-in-californias-history-exhibit/\" target=\"_blank\" rel=\"noopener\">Tattooed & Tenacious: Inked Women in California’s History\u003c/a> \u003c/em>\u003c/b>\u003cb>at the Pasetta House, History Park, San Jose\u003cbr>\n\u003c/b>A quirky and fascinating exhibition of photos, art work and artifacts relating to the little-known culture of female tattoo wearers and artists in the Golden State.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Saturday, Apr. 9 and Sunday, Apr. 10: Early music supergroups from England — \u003ca href=\"http://calperformances.org/performances/2015-16/early-music/tallis-scholars.php\" target=\"_blank\" rel=\"noopener\">The Tallis Scholars\u003c/a> and \u003ca href=\"http://sfems.org/?page_id=7325\" target=\"_blank\" rel=\"noopener\">Stile Antico\u003c/a>, First Congregational Church, Berkeley\u003c/strong>\u003cbr>\nBinge out on Renaissance hits over a single weekend with a pair of concerts by two of the world’s foremost early music ensembles: Cal Performances presents the august British vocal ensemble The Tallis Scholars (Apr. 9) and the San Francisco Early Music Society hosts a visit from hip, young Stile Antico, also from England (Apr. 10).\u003c/p>\n\u003cp>\u003cstrong>Tuesday, Apr. 5: \u003c/strong>\u003cb>\u003ca href=\"http://www.sfartscommission.org/event/celebration-honoring-2016-mayors-art-award-recipient-armistead-maupin/\" target=\"_blank\" rel=\"noopener\">Armistead Maupin in conversation with Jewelle Gomez\u003c/a> at Herbst Theatre, San Francisco\u003cbr>\n\u003c/b>\u003cspan style=\"font-weight: 400\">The \u003ci>Tales of the City\u003c/i>\u003c/span>\u003cspan style=\"font-weight: 400\"> author appears in conversation with writer Jewelle Gomez to celebrate his receipt of the \u003c/span>\u003cspan style=\"font-weight: 400\">\u003ca href=\"http://www.sfartscommission.org/2016/02/mayor-lee-announces-armistead-maupin-as-recipient-of-2016-mayors-art-award/\">2016 Mayor’s Art Award\u003c/a>, \u003c/span>\u003cspan style=\"font-weight: 400\">San Francisco’s highest artistic prize. Maupin is the first author to win this accolade. The event is free.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb> \u003c/b>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Reminder: Street Harassment Is Real, Constant, and Extremely Unpleasant",
"title": "Reminder: Street Harassment Is Real, Constant, and Extremely Unpleasant",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>Of all the sub-species of pseudo-journalism our current media landscape has birthed, the Blog Post Noting a Thing Happening On a Famous Person's Twitter Account is among my least favorite. \u003ca href=\"http://ww2.kqed.org/pop/2016/01/26/its-official-neil-degrasse-tyson-and-b-o-b-are-in-a-rap-beef-about-the-shape-of-the-earth/\" target=\"_blank\">I've written 'em\u003c/a>, you've read 'em; Kanye's account alone is responsible for god knows how many clicks, dollars of ad revenue, and minutes of time that could have been spent curing cancer or writing the next great American novel or you know what, let's not think about this too hard right now. It's Monday.\u003c/p>\n\u003cp>But one particular post caught my eye today, when \u003ca href=\"http://www.avclub.com/article/comedian-jen-kirkman-retweets-womens-tales-harassm-234769\" target=\"_blank\">The AV Club\u003c/a> directed readers to comedian \u003ca href=\"https://twitter.com/JenKirkman\" target=\"_blank\">Jen Kirkman's Twitter\u003c/a> feed. Kirkman -- who in addition to being a very funny person has long been outspoken about sexism within her industry and beyond -- invited women to share their stories of street harassment, then appears to have spent most of her day retweeting them.\u003c/p>\n\u003cp>https://twitter.com/TaylorMorley/status/716976886597877760\u003c/p>\n\u003cp>The 140-character-or-less anecdotes are nothing new, of course: They're everything from 9-year-old girls being told to smile because they'll look prettier to stories of straight-up sexual assault. Unless you currently live in a secluded cabin on Walden Pond, you are probably aware of this thing called street harassment that has happened, and in fact happens with some regularity, to literally every female human you know. Truly. I would bet my life's savings on this (I'm a writer, remember; joke's on you!).\u003c/p>\n\u003cp>The act of scrolling through Kirkman's feed, then, is not exactly a learning experience. The feeling is more like being crushed to death by one thousand tiny, sharp pebbles -- a lot of them thrown out car windows by strangers, or lobbed at you by the people who sign your paycheck. Maybe it's more fun if you think of it as a video game: Try to avoid all the tiny, sharp pebbles! But also, haha, good luck, the world is \u003cem>made of them.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/JesBolduc/status/716969290470174720\u003c/p>\n\u003cp>And here is where I admit that, though I greatly admire Kirkman's use of her celebrity platform, this turn of internet-events would not have piqued my interest quite so acutely had I not experienced a weird and uncomfortable thing this past weekend -- a thing I am now going to tell you about despite both an urge to couch it in caveats (like \"I realize this story isn't that bad compared to a lot of stories\") and a good deal of trepidation regarding the comments I will get from the street harasser's basement-dwelling cousin, the internet troll. (See how this works? The fun never ends.)\u003c/p>\n\u003cp>So. Sunday afternoon, around 5 pm, I was walking home from the grocery store wearing jeans, a hoodie, and a mild hangover, struggling with multiple heavy bags. As I finished walking across a street a few blocks from my house, the man in the car stopped at the crosswalk stuck his head out the window and hollered at me. I turned around to see if it was someone I knew. It was not. It was just a man hollering at me. He wanted to let me know he found me attractive and would like to spend some time with me, though not in those exact words. Cool. I kept walking.\u003c/p>\n\u003cp>About a block and a half later, this same car pulled up to round a different corner, in a different direction than it had been going before. This time, my new friend stuck half his body out the window in order to holler at me more effectively. Upon realizing it was the same person, I made eye contact, made a not-happy face, said \u003cem>\"Seriously!?\"\u003c/em> and kept walking.\u003c/p>\n\u003cp>Thirty seconds later, I became aware that someone was running up behind me. I turned to find that this man had exited his car -- left it running? no one parks that quickly around 16th and Dolores -- and was now planning to convince me to talk to and/or sleep with him by walking alongside me, putting his face inches from mine, and continuing to tell me his thoughts about my appearance.\u003c/p>\n\u003cfigure id=\"attachment_21844\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-21844\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/img_8196-800x533.jpg\" alt=\"Paste by Philadelphia artist Tatyana Fazlalizadeh\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_8196-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_8196-400x267.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_8196-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_8196-1440x960.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_8196-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_8196-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_8196-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Paste by Philadelphia artist Tatyana Fazlalizadeh.\u003c/figcaption>\u003c/figure>\n\u003cp>Here is where, as any female-bodied person will tell you, a few different things take place over the course of about 10 seconds. One is you scan the surrounding area. It was broad daylight, and the Mission was full of people leaving Dolores Park after a beautiful Sunday afternoon. He would have had to be insane to try something -- though, with the car-leaving and all, insanity did seem like a possibility. More importantly, if something happened, there were lots of people around to see it.\u003c/p>\n\u003cp>The other thing you do is probably what bothers me most: Surprisingly little. For a variety of reasons, not limited to but including a fear of this person physically hurting me if I did not respond in a way he appreciated, while I tried to calculate precisely when it might be necessary to drop my bags and free up my hands, my outward reaction to all of this was to laugh and say no, sorry, no, thanks, no, I'm not single, and keep moving. This is true -- I am not single -- but it also bothers me beyond words to rely on that as an escape route from harassment; it's infuriating that it's one of the few \"no\"s men will actually hear. So, factor in a moment of deep resentment and a tinge of self-loathing about that.\u003c/p>\n\u003cp>https://twitter.com/oddlyshannon/status/716971679990333442\u003c/p>\n\u003cp>After about a minute of walking with me, trying to get my number, asking if I instead had a sister or any friends for him (definitely! here are their phone numbers!) and -- as a parting thought, a coup de grâce, really -- \u003cem>telling me to follow him on Instagram\u003c/em>, he went away. Five minutes later, I was home, making dinner, perfectly fine. I wasn't exactly traumatized by this event, but still couldn't help replaying the entire thing in my head.\u003c/p>\n\u003cp>What was his ideal end result to that interaction, and just how likely did he find said conclusion? How could I have handled it differently? Did I just miss a teaching moment? Will I ever just scream \u003cem>\"Get the f*\u003c/em>\u003cem>ck away from me!\"\u003c/em>? And maybe most importantly: Why am \u003cem>I\u003c/em> the one mulling over how to modify my behavior in the first place?\u003c/p>\n\u003cp>I am also intrigued by the possibility that I was just the unwitting target of a really avant-garde guerrilla marketing technique by an up-and-coming social media star in the making.\u003c/p>\n\u003cp>Regardless: Thanks, Jen Kirkman, for the reminder that while we may be accustomed to such interactions, it's not actually totally natural to live in a world that is constantly chucking small sharp objects at you. Believe me, I'm tired of reading about it. I've pretty much only written this post on the topic, but I'm also already tired of writing about it.\u003c/p>\n\u003cp>Unfortunately, logic will tell you that such blog posts shall only cease when the world offers us some better material. Talk to your sons, people. I hope everyone has a lovely walk home.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"excerpt": "Comedian Jen Kirkman asks women to share their stories of street harassment, receives a sadly unsurprising deluge.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Of all the sub-species of pseudo-journalism our current media landscape has birthed, the Blog Post Noting a Thing Happening On a Famous Person's Twitter Account is among my least favorite. \u003ca href=\"http://ww2.kqed.org/pop/2016/01/26/its-official-neil-degrasse-tyson-and-b-o-b-are-in-a-rap-beef-about-the-shape-of-the-earth/\" target=\"_blank\">I've written 'em\u003c/a>, you've read 'em; Kanye's account alone is responsible for god knows how many clicks, dollars of ad revenue, and minutes of time that could have been spent curing cancer or writing the next great American novel or you know what, let's not think about this too hard right now. It's Monday.\u003c/p>\n\u003cp>But one particular post caught my eye today, when \u003ca href=\"http://www.avclub.com/article/comedian-jen-kirkman-retweets-womens-tales-harassm-234769\" target=\"_blank\">The AV Club\u003c/a> directed readers to comedian \u003ca href=\"https://twitter.com/JenKirkman\" target=\"_blank\">Jen Kirkman's Twitter\u003c/a> feed. Kirkman -- who in addition to being a very funny person has long been outspoken about sexism within her industry and beyond -- invited women to share their stories of street harassment, then appears to have spent most of her day retweeting them.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>The 140-character-or-less anecdotes are nothing new, of course: They're everything from 9-year-old girls being told to smile because they'll look prettier to stories of straight-up sexual assault. Unless you currently live in a secluded cabin on Walden Pond, you are probably aware of this thing called street harassment that has happened, and in fact happens with some regularity, to literally every female human you know. Truly. I would bet my life's savings on this (I'm a writer, remember; joke's on you!).\u003c/p>\n\u003cp>The act of scrolling through Kirkman's feed, then, is not exactly a learning experience. The feeling is more like being crushed to death by one thousand tiny, sharp pebbles -- a lot of them thrown out car windows by strangers, or lobbed at you by the people who sign your paycheck. Maybe it's more fun if you think of it as a video game: Try to avoid all the tiny, sharp pebbles! But also, haha, good luck, the world is \u003cem>made of them.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>And here is where I admit that, though I greatly admire Kirkman's use of her celebrity platform, this turn of internet-events would not have piqued my interest quite so acutely had I not experienced a weird and uncomfortable thing this past weekend -- a thing I am now going to tell you about despite both an urge to couch it in caveats (like \"I realize this story isn't that bad compared to a lot of stories\") and a good deal of trepidation regarding the comments I will get from the street harasser's basement-dwelling cousin, the internet troll. (See how this works? The fun never ends.)\u003c/p>\n\u003cp>So. Sunday afternoon, around 5 pm, I was walking home from the grocery store wearing jeans, a hoodie, and a mild hangover, struggling with multiple heavy bags. As I finished walking across a street a few blocks from my house, the man in the car stopped at the crosswalk stuck his head out the window and hollered at me. I turned around to see if it was someone I knew. It was not. It was just a man hollering at me. He wanted to let me know he found me attractive and would like to spend some time with me, though not in those exact words. Cool. I kept walking.\u003c/p>\n\u003cp>About a block and a half later, this same car pulled up to round a different corner, in a different direction than it had been going before. This time, my new friend stuck half his body out the window in order to holler at me more effectively. Upon realizing it was the same person, I made eye contact, made a not-happy face, said \u003cem>\"Seriously!?\"\u003c/em> and kept walking.\u003c/p>\n\u003cp>Thirty seconds later, I became aware that someone was running up behind me. I turned to find that this man had exited his car -- left it running? no one parks that quickly around 16th and Dolores -- and was now planning to convince me to talk to and/or sleep with him by walking alongside me, putting his face inches from mine, and continuing to tell me his thoughts about my appearance.\u003c/p>\n\u003cfigure id=\"attachment_21844\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-21844\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/img_8196-800x533.jpg\" alt=\"Paste by Philadelphia artist Tatyana Fazlalizadeh\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_8196-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_8196-400x267.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_8196-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_8196-1440x960.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_8196-1920x1280.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_8196-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/img_8196-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Paste by Philadelphia artist Tatyana Fazlalizadeh.\u003c/figcaption>\u003c/figure>\n\u003cp>Here is where, as any female-bodied person will tell you, a few different things take place over the course of about 10 seconds. One is you scan the surrounding area. It was broad daylight, and the Mission was full of people leaving Dolores Park after a beautiful Sunday afternoon. He would have had to be insane to try something -- though, with the car-leaving and all, insanity did seem like a possibility. More importantly, if something happened, there were lots of people around to see it.\u003c/p>\n\u003cp>The other thing you do is probably what bothers me most: Surprisingly little. For a variety of reasons, not limited to but including a fear of this person physically hurting me if I did not respond in a way he appreciated, while I tried to calculate precisely when it might be necessary to drop my bags and free up my hands, my outward reaction to all of this was to laugh and say no, sorry, no, thanks, no, I'm not single, and keep moving. This is true -- I am not single -- but it also bothers me beyond words to rely on that as an escape route from harassment; it's infuriating that it's one of the few \"no\"s men will actually hear. So, factor in a moment of deep resentment and a tinge of self-loathing about that.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>After about a minute of walking with me, trying to get my number, asking if I instead had a sister or any friends for him (definitely! here are their phone numbers!) and -- as a parting thought, a coup de grâce, really -- \u003cem>telling me to follow him on Instagram\u003c/em>, he went away. Five minutes later, I was home, making dinner, perfectly fine. I wasn't exactly traumatized by this event, but still couldn't help replaying the entire thing in my head.\u003c/p>\n\u003cp>What was his ideal end result to that interaction, and just how likely did he find said conclusion? How could I have handled it differently? Did I just miss a teaching moment? Will I ever just scream \u003cem>\"Get the f*\u003c/em>\u003cem>ck away from me!\"\u003c/em>? And maybe most importantly: Why am \u003cem>I\u003c/em> the one mulling over how to modify my behavior in the first place?\u003c/p>\n\u003cp>I am also intrigued by the possibility that I was just the unwitting target of a really avant-garde guerrilla marketing technique by an up-and-coming social media star in the making.\u003c/p>\n\u003cp>Regardless: Thanks, Jen Kirkman, for the reminder that while we may be accustomed to such interactions, it's not actually totally natural to live in a world that is constantly chucking small sharp objects at you. Believe me, I'm tired of reading about it. I've pretty much only written this post on the topic, but I'm also already tired of writing about it.\u003c/p>\n\u003cp>Unfortunately, logic will tell you that such blog posts shall only cease when the world offers us some better material. Talk to your sons, people. I hope everyone has a lovely walk home.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "audio-diary-mother-daughter-survive-cancer-with-the-help-of-steppin",
"title": "Audio: Mother & Daughter Survive Cancer with the Help of Steppin'",
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"content": "\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/series/participate/\" target=\"_blank\" rel=\"attachment wp-att-11316580 noopener\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-11316580\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400.jpg\" alt=\"pARTicipate-button-400x400\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-75x75.jpg 75w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>Paula Miller has been hearing about steppin’ for years. Last year, the retired social worker made the jump and joined Ron Brown’s class in Antioch.\u003c/p>\n\u003cp>“Now that I’m in this part of my life, recovering from cancer, stepping seems like a perfect thing to do,” says Miller. “I’m discovering my body and feeling all the muscles awakening.”\u003c/p>\n\u003cp>Steppin’ is a type of partner dance that hails from Chicago. The form is accompanied by old-school R&B and is popular among African-American communities. “Steppin’ is everywhere, in Southern California, Texas, Georgia and all over the Bay,” says Miller. “I want to be ready to go to all of these steppin’ events. They’re just everywhere.”\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Listen to Miller talk about how steppin’ helped her and her daughter recover from cancer:\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/256354190″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>In 2014, Miller’s daughter called to tell her she’d been diagnosed with breast cancer. “I immediately flew back out to California to take care of her,” Miller says. Then, six months later, Miller herself was diagnosed with breast cancer. “My daughter went from patient to caretaker and I went from caretaker to patient,” Miller says. “We both became each other’s caretaker.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Watch Mitzi Mock’s video for KQED Arts about the history, basics and pleasure of steppin’:\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Steppin' Keeps Social Dance Alive | KQED Arts\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/o038-PkJ0YU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Bouncing back from cancer\u003c/strong>\u003c/p>\n\u003cp>Miller ended her chemotherapy treatment in May 2015. But the treatment gave her memory loss and left her physically depleted. Her therapist recommended a regimen of weight bearing exercise, like walking. But Miller came up with another idea. “I thought, steppin’ can take the place of walking!” Miller says. \u003cspan style=\"line-height: 1.5\">“Sometimes I’m tired and the fatigue level is very high. But because the stepping is so fun, I just don’t want to stop.”\u003c/span>\u003c/p>\n\u003cp>Miller and her daughter joined the steppin’ class together. Currently, her daughter is taking a break from the class to act in a play, but she still dances in the living room with her mom to remember the steps.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Few people in Miller’s steppin’ class know about her condition. “I’m so happy I joined the steppin’ class,” Miller says. “Getting into steppin’ has opened my world up to a whole new family. Everyone is so welcoming and patient, even though they don’t know my story.”\u003c/p>\n\u003cfigure id=\"attachment_11456111\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11456111\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/04/PaulaMiller_3-800x450.jpg\" alt=\"Paula Miller spinning at her steppin' class\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/PaulaMiller_3-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/PaulaMiller_3-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/PaulaMiller_3-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/PaulaMiller_3-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/PaulaMiller_3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/PaulaMiller_3-960x540.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Paula Miller spinning at her steppin’ class \u003ccite>(Photo: Mitzi Mock)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003caside class=\"callout aligncenter\">\u003cstrong>pARTicipate with us! \u003c/strong>We need your help to make this project bloom. If you have an artistic hobby that you’re passionate about, or know about an artist or organization involved in community art-making, we want to hear from you in any or all of the following ways:\n\u003cul>\n\u003cli>Share an image or video of you (and your friends) participating in your activity\u003c/li>\n\u003cli>Tell us the story of how you got involved in your practice, what it is you do and why it means so much to you\u003c/li>\n\u003cli>Send us information about arts organizations or individual coaches who are helping to bring creativity to your community\u003c/li>\n\u003c/ul>\n\u003cp>\u003cspan style=\"font-weight: 400\">You can reach us in the following ways:\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Email: \u003c/span>\u003ca href=\"mailto:cveltman@kqed.org\">\u003cspan style=\"font-weight: 400\">cveltman@kqed.org\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">Twitter: @KQEDarts and #KQEDparticipate\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Facebook: KQED Arts\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Instagram: @KQEDofficial and #KQEDparticipate\u003c/span>\u003c/p>\n\u003c/aside>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/series/participate/\" target=\"_blank\" rel=\"attachment wp-att-11316580 noopener\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-11316580\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400.jpg\" alt=\"pARTicipate-button-400x400\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/pARTicipate-button-400x400-75x75.jpg 75w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>Paula Miller has been hearing about steppin’ for years. Last year, the retired social worker made the jump and joined Ron Brown’s class in Antioch.\u003c/p>\n\u003cp>“Now that I’m in this part of my life, recovering from cancer, stepping seems like a perfect thing to do,” says Miller. “I’m discovering my body and feeling all the muscles awakening.”\u003c/p>\n\u003cp>Steppin’ is a type of partner dance that hails from Chicago. The form is accompanied by old-school R&B and is popular among African-American communities. “Steppin’ is everywhere, in Southern California, Texas, Georgia and all over the Bay,” says Miller. “I want to be ready to go to all of these steppin’ events. They’re just everywhere.”\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Listen to Miller talk about how steppin’ helped her and her daughter recover from cancer:\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/256354190″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/256354190″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>In 2014, Miller’s daughter called to tell her she’d been diagnosed with breast cancer. “I immediately flew back out to California to take care of her,” Miller says. Then, six months later, Miller herself was diagnosed with breast cancer. “My daughter went from patient to caretaker and I went from caretaker to patient,” Miller says. “We both became each other’s caretaker.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Watch Mitzi Mock’s video for KQED Arts about the history, basics and pleasure of steppin’:\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Steppin' Keeps Social Dance Alive | KQED Arts\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/o038-PkJ0YU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Bouncing back from cancer\u003c/strong>\u003c/p>\n\u003cp>Miller ended her chemotherapy treatment in May 2015. But the treatment gave her memory loss and left her physically depleted. Her therapist recommended a regimen of weight bearing exercise, like walking. But Miller came up with another idea. “I thought, steppin’ can take the place of walking!” Miller says. \u003cspan style=\"line-height: 1.5\">“Sometimes I’m tired and the fatigue level is very high. But because the stepping is so fun, I just don’t want to stop.”\u003c/span>\u003c/p>\n\u003cp>Miller and her daughter joined the steppin’ class together. Currently, her daughter is taking a break from the class to act in a play, but she still dances in the living room with her mom to remember the steps.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Few people in Miller’s steppin’ class know about her condition. “I’m so happy I joined the steppin’ class,” Miller says. “Getting into steppin’ has opened my world up to a whole new family. Everyone is so welcoming and patient, even though they don’t know my story.”\u003c/p>\n\u003cfigure id=\"attachment_11456111\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11456111\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/04/PaulaMiller_3-800x450.jpg\" alt=\"Paula Miller spinning at her steppin' class\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/PaulaMiller_3-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/PaulaMiller_3-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/PaulaMiller_3-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/PaulaMiller_3-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/PaulaMiller_3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/PaulaMiller_3-960x540.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Paula Miller spinning at her steppin’ class \u003ccite>(Photo: Mitzi Mock)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003caside class=\"callout aligncenter\">\u003cstrong>pARTicipate with us! \u003c/strong>We need your help to make this project bloom. If you have an artistic hobby that you’re passionate about, or know about an artist or organization involved in community art-making, we want to hear from you in any or all of the following ways:\n\u003cul>\n\u003cli>Share an image or video of you (and your friends) participating in your activity\u003c/li>\n\u003cli>Tell us the story of how you got involved in your practice, what it is you do and why it means so much to you\u003c/li>\n\u003cli>Send us information about arts organizations or individual coaches who are helping to bring creativity to your community\u003c/li>\n\u003c/ul>\n\u003cp>\u003cspan style=\"font-weight: 400\">You can reach us in the following ways:\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Email: \u003c/span>\u003ca href=\"mailto:cveltman@kqed.org\">\u003cspan style=\"font-weight: 400\">cveltman@kqed.org\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">Twitter: @KQEDarts and #KQEDparticipate\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Facebook: KQED Arts\u003c/span>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Instagram: @KQEDofficial and #KQEDparticipate\u003c/span>\u003c/p>\n\u003c/aside>\n\n\u003c/div>\u003c/p>",
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"title": "3 Reasons Why Louis C.K.'s 'Horace and Pete' Might be the Best Series of Our Time",
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"content": "\u003cp>If there’s any show that can be said to symbolize our present “golden era” of TV, it’s \u003cem>\u003ca href=\"https://louisck.net/show/horace-and-pete\" target=\"_blank\" rel=\"noopener\">Horace and Pete\u003c/a>\u003c/em>, the comedian Louis C.K.’s new series set in a Brooklyn bar. C.K. unveiled the 10th and final episode this weekend. This is is an odd thing to say when you consider the fact that C.K. released the series via his website without the need of a network, and that \u003cem>Horace and Pete\u003c/em> feels more like a docudrama or an episodic piece of theater than anything I’ve ever witnessed on a small screen.\u003c/p>\n\u003cp>Nevertheless, here are three reasons why \u003cem>Horace and Pete\u003c/em> is brilliant:\u003c/p>\n\u003cp>\u003cstrong>1. It tells a story that feels old and new all at once.\u003c/strong>\u003cbr>\nI read a tongue-in-cheek elevator pitch-style description of the show in \u003ca href=\"http://www.newyorker.com/culture/culture-desk/horace-and-pete-is-louis-c-k-s-most-audacious-independent-creation-yet\" target=\"_blank\" rel=\"noopener\">The New Yorker\u003c/a> which I thought was right on the nose when it said Horace and Pete was “\u003cem>Cheers\u003c/em> meets \u003cem>The Iceman Cometh\u003c/em>.” And with its story about a group of blood relations destined to repeat their cycle of woes into perpetuity, a tragic hero who ultimately falls despite striving to do the right thing (C.K.’s role as bar co-owner Horace), and “chorus” of barflies, the series veers into the terrain of Greek tragedy.\u003c/p>\n\u003cp>Yet at the same time, the plot bubbles and spews with today’s headlines; Donald Trump’s campaign is an intermittent discussion point throughout. And it grapples in an explosive but still non-heavy-handed way with the issues of our time.\u003c/p>\n\u003cp>One of the most thoughtful scenes, for example, presents a side of transgender politics I’ve never given much thought to before: the question of whether it’s ethical for a transgender person to keep silent about their former gender identity to a person they’re sleeping with. Horace, who’s resolutely straight, has a happy one-night stand with a beautiful alcoholic. In the morning over eggs and coffee — well, Horace has coffee; his date Rhonda (played by Karen Pittman) asks for something a little stronger and her gracious host obliges — the conversation takes a left turn when Horace finds out Rhonda used to be a guy. At least, the possibility of a sex change is strongly inferred, though never explicitly stated. As non-judgmental as Horace is about people who make a habit of drinking whiskey before breakfast, he gets flustered and accusatory at the thought he’s somehow been “duped” into a “homosexual” encounter. Fascinating stuff.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=CbUMqNBO-W8\">https://www.youtube.com/watch?v=CbUMqNBO-W8\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>2. It refuses to conform to tried-and-tested formats.\u003c/strong>\u003cbr>\nThe series exists in a liminal space at the intersection of TV, theater, documentary and feature film and strikes an unusual balance between the structural and content mores of these formats. Louis C.K. has created what feels like an entirely fresh way to tell a story by carefully weaving together elements from different traditions.\u003c/p>\n\u003cp>The series has the cuts and close-ups of a TV serial. It brings in the actualities of the documentary format. And it has the epic, sweeping quality of a movie. The theatricality of the series is what interests me the most though, like C.K.’s penchant for splicing the action with long monologues. My favorite of these is a bonkers-foulmouthed explanation of the famous Biblical story of \u003cem>Sodom and Gomorrah \u003c/em>told by Kurt Metzger playing one of the bar’s regular customers.\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=1wbfWfwh6HE\">https://www.youtube.com/watch?v=1wbfWfwh6HE\u003c/a>\u003c/p>\n\u003cp>There’s even an intermission to break up the longer episodes and the entire cast takes a bow at the end of the final show.\u003c/p>\n\u003cp>Oh, and even though \u003cem>Horace and Pete\u003c/em> is the work of one of the funniest comedians around today, there are few opportunities for laughter. Unless you count comedy in the sense of the great cosmic joke of which all humankind is a part. C.K. knows all about that, and with this series captures its essence in a bottle.\u003c/p>\n\u003cp>\u003cstrong>3. It features some of the most prescient writing and best performances I’ve ever seen in any format. Period.\u003c/strong>\u003cbr>\nWhat’s masterful about \u003cem>Horace and Pete\u003c/em> is the casting and the writing. It seems like the two are so closely intertwined (viz Metzger’s \u003cem>Sodom\u003c/em> monologue mentioned above, which, judging by the reactions of the other cast members in the scene, strikes me as having been partly or fully improvised) that I need to tackle them both at once.\u003c/p>\n\u003cp>The blend of standup comedians and dramatic actors is an unusual and powerful one. And each performer brings pathos, shadows and moments of levity to his or her role. I cannot speak highly enough of C.K., Steve Buscemi, and Edie Falco as the bar-owning brothers and their sister. Here we have a trio who show us plenty of fallibility and ugliness while at the same commanding our respect.\u003c/p>\n\u003cp>And how tightly wound and carefully controlled the writing feels: C.K. reveals dramatic information to us incrementally, doling out hard-to-digest news about the family’s troubled past in lean teaspoonfuls of strong medicine. Yet despite the economy of the dramaturgy, abetted by the claustrophobic indoor setting of the Brooklyn bar with its flat lighting and ugly furniture, C.K. somehow makes his drama feel airy and spacious.\u003c/p>\n\u003cp>Witness the final episode, which begins suddenly and without explanation in 1976. Here, the principal performers whom we’ve grown to know and love in the present-day setting — C. K., Buscemi, Falco — play their forebears. The scenes are without a doubt the nastiest and most suffocating of the whole series. But then we jump forward to 2016, to find Amy Sedaris, in the role of a sweetly unhinged wannabe bartender, lightening things up. When she skips over to the bar’s old jukebox and puts Simon and Garfunkel’s famous song “America,” about a journey to find meaning in a country that’s lost its way, it’s as if a feather duster had temporarily fluffed away all the creepy-crawlies from a cobwebby corner.\u003c/p>\n\u003cp>Speaking of which, Paul Simon’s ghostly little theme song for the series, with its sparsely-chorded guitar riff and far-off lament of a vocal line, captures the “high lonesome sound” of the great roots musicians that have been singing about this country’s dashed hopes and failures since the dawn of the Republic. The tune, together with this formidable series, leaves us feeling emotionally drained yet strangely complete.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Paul Simon - Louis CK's Horace and Pete theme song\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/yWpYtjil6Js?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If there’s any show that can be said to symbolize our present “golden era” of TV, it’s \u003cem>\u003ca href=\"https://louisck.net/show/horace-and-pete\" target=\"_blank\" rel=\"noopener\">Horace and Pete\u003c/a>\u003c/em>, the comedian Louis C.K.’s new series set in a Brooklyn bar. C.K. unveiled the 10th and final episode this weekend. This is is an odd thing to say when you consider the fact that C.K. released the series via his website without the need of a network, and that \u003cem>Horace and Pete\u003c/em> feels more like a docudrama or an episodic piece of theater than anything I’ve ever witnessed on a small screen.\u003c/p>\n\u003cp>Nevertheless, here are three reasons why \u003cem>Horace and Pete\u003c/em> is brilliant:\u003c/p>\n\u003cp>\u003cstrong>1. It tells a story that feels old and new all at once.\u003c/strong>\u003cbr>\nI read a tongue-in-cheek elevator pitch-style description of the show in \u003ca href=\"http://www.newyorker.com/culture/culture-desk/horace-and-pete-is-louis-c-k-s-most-audacious-independent-creation-yet\" target=\"_blank\" rel=\"noopener\">The New Yorker\u003c/a> which I thought was right on the nose when it said Horace and Pete was “\u003cem>Cheers\u003c/em> meets \u003cem>The Iceman Cometh\u003c/em>.” And with its story about a group of blood relations destined to repeat their cycle of woes into perpetuity, a tragic hero who ultimately falls despite striving to do the right thing (C.K.’s role as bar co-owner Horace), and “chorus” of barflies, the series veers into the terrain of Greek tragedy.\u003c/p>\n\u003cp>Yet at the same time, the plot bubbles and spews with today’s headlines; Donald Trump’s campaign is an intermittent discussion point throughout. And it grapples in an explosive but still non-heavy-handed way with the issues of our time.\u003c/p>\n\u003cp>One of the most thoughtful scenes, for example, presents a side of transgender politics I’ve never given much thought to before: the question of whether it’s ethical for a transgender person to keep silent about their former gender identity to a person they’re sleeping with. Horace, who’s resolutely straight, has a happy one-night stand with a beautiful alcoholic. In the morning over eggs and coffee — well, Horace has coffee; his date Rhonda (played by Karen Pittman) asks for something a little stronger and her gracious host obliges — the conversation takes a left turn when Horace finds out Rhonda used to be a guy. At least, the possibility of a sex change is strongly inferred, though never explicitly stated. As non-judgmental as Horace is about people who make a habit of drinking whiskey before breakfast, he gets flustered and accusatory at the thought he’s somehow been “duped” into a “homosexual” encounter. Fascinating stuff.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=CbUMqNBO-W8\">https://www.youtube.com/watch?v=CbUMqNBO-W8\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>2. It refuses to conform to tried-and-tested formats.\u003c/strong>\u003cbr>\nThe series exists in a liminal space at the intersection of TV, theater, documentary and feature film and strikes an unusual balance between the structural and content mores of these formats. Louis C.K. has created what feels like an entirely fresh way to tell a story by carefully weaving together elements from different traditions.\u003c/p>\n\u003cp>The series has the cuts and close-ups of a TV serial. It brings in the actualities of the documentary format. And it has the epic, sweeping quality of a movie. The theatricality of the series is what interests me the most though, like C.K.’s penchant for splicing the action with long monologues. My favorite of these is a bonkers-foulmouthed explanation of the famous Biblical story of \u003cem>Sodom and Gomorrah \u003c/em>told by Kurt Metzger playing one of the bar’s regular customers.\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=1wbfWfwh6HE\">https://www.youtube.com/watch?v=1wbfWfwh6HE\u003c/a>\u003c/p>\n\u003cp>There’s even an intermission to break up the longer episodes and the entire cast takes a bow at the end of the final show.\u003c/p>\n\u003cp>Oh, and even though \u003cem>Horace and Pete\u003c/em> is the work of one of the funniest comedians around today, there are few opportunities for laughter. Unless you count comedy in the sense of the great cosmic joke of which all humankind is a part. C.K. knows all about that, and with this series captures its essence in a bottle.\u003c/p>\n\u003cp>\u003cstrong>3. It features some of the most prescient writing and best performances I’ve ever seen in any format. Period.\u003c/strong>\u003cbr>\nWhat’s masterful about \u003cem>Horace and Pete\u003c/em> is the casting and the writing. It seems like the two are so closely intertwined (viz Metzger’s \u003cem>Sodom\u003c/em> monologue mentioned above, which, judging by the reactions of the other cast members in the scene, strikes me as having been partly or fully improvised) that I need to tackle them both at once.\u003c/p>\n\u003cp>The blend of standup comedians and dramatic actors is an unusual and powerful one. And each performer brings pathos, shadows and moments of levity to his or her role. I cannot speak highly enough of C.K., Steve Buscemi, and Edie Falco as the bar-owning brothers and their sister. Here we have a trio who show us plenty of fallibility and ugliness while at the same commanding our respect.\u003c/p>\n\u003cp>And how tightly wound and carefully controlled the writing feels: C.K. reveals dramatic information to us incrementally, doling out hard-to-digest news about the family’s troubled past in lean teaspoonfuls of strong medicine. Yet despite the economy of the dramaturgy, abetted by the claustrophobic indoor setting of the Brooklyn bar with its flat lighting and ugly furniture, C.K. somehow makes his drama feel airy and spacious.\u003c/p>\n\u003cp>Witness the final episode, which begins suddenly and without explanation in 1976. Here, the principal performers whom we’ve grown to know and love in the present-day setting — C. K., Buscemi, Falco — play their forebears. The scenes are without a doubt the nastiest and most suffocating of the whole series. But then we jump forward to 2016, to find Amy Sedaris, in the role of a sweetly unhinged wannabe bartender, lightening things up. When she skips over to the bar’s old jukebox and puts Simon and Garfunkel’s famous song “America,” about a journey to find meaning in a country that’s lost its way, it’s as if a feather duster had temporarily fluffed away all the creepy-crawlies from a cobwebby corner.\u003c/p>\n\u003cp>Speaking of which, Paul Simon’s ghostly little theme song for the series, with its sparsely-chorded guitar riff and far-off lament of a vocal line, captures the “high lonesome sound” of the great roots musicians that have been singing about this country’s dashed hopes and failures since the dawn of the Republic. The tune, together with this formidable series, leaves us feeling emotionally drained yet strangely complete.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>San Francisco is still a terrifically irreverent city, despite the near-deafening chorus of those who would have you believe otherwise, and -- if you know where to look -- there are still pockets of weirdo magic tucked all over the map.\u003c/p>\n\u003cp>The Financial District is not usually one of those places. Here is a little story about the FiDi: When I worked in the FiDi, I would hurry home from the office each evening like I was escaping the jaws of death.\u003c/p>\n\u003cp>There is one day per year, however, when the continuous gray of the office buildings is interrupted by a bang of color and noise, in what I'm going to argue here is the most San Franciscan holiday of them all. Forget Bay to Breakers. All hail St. Stupid's Day.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-medium wp-image-21718\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/slide_218353_835462_free-800x532.jpg\" alt=\"slide_218353_835462_free\" width=\"800\" height=\"532\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/03/slide_218353_835462_free-800x532.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/slide_218353_835462_free-400x266.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/slide_218353_835462_free-768x511.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/slide_218353_835462_free-1180x785.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/slide_218353_835462_free-960x638.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/slide_218353_835462_free.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>The annual St. Stupid's Day Parade, held each year on April 1st, is a march through the most typically serious, businesslike part of our fair city -- and it's a celebration whose entire objective is to take the wind out of all things serious and businesslike.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Now in its 38th year, the parade was founded by retired SF Mime Troupe mainstay Ed Holmes, aka Bishop Joey of the First Church of the Last Laugh. \u003ca href=\"http://www.saintstupid.com/faq.html\" target=\"_blank\">The church's website\u003c/a>, if you're in need of a laugh, offers a helpful FAQ section with tidbits like \"...the one thing that unites the species across all differences of color, creed, nationality, zip code and beverage preference is stupidity.\" Can't argue with that.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Xr6LyMD0x2E\u003c/p>\n\u003cp>As for the parade itself: Since it falls on a weekday, it will start around noon at the foot of Market Street (Justin Herman Plaza), then continue throughout the Financial District with stops at the Stock Exchange (where participants are encouraged to bring and trade one's solo socks, \"the sock exchange,\" GET IT?) -- the \"Banker's Heart\" sculpture (where paraders are encouraged to throw pennies), the \"Tomb of Stupid\" (the office building at 101 California), the Federal Reserve Headquarters (bring losing lottery tickets to toss), and more.\u003c/p>\n\u003cp>No tickets, no VIP bullsh*t, no nothin. Just good old-fashioned debauchery. Costumes, instruments and accessories -- especially those that mock \"the business of religion or the religion of business\" -- are highly encouraged.\u003c/p>\n\u003cp>And if you're one of the many hapless souls in the city who's a freak at heart but has to suffer in a businessperson costume all day? Your attendance is \u003cem>extra\u003c/em> encouraged -- nay, required. Please leave your cufflinks and company card at the door.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco is still a terrifically irreverent city, despite the near-deafening chorus of those who would have you believe otherwise, and -- if you know where to look -- there are still pockets of weirdo magic tucked all over the map.\u003c/p>\n\u003cp>The Financial District is not usually one of those places. Here is a little story about the FiDi: When I worked in the FiDi, I would hurry home from the office each evening like I was escaping the jaws of death.\u003c/p>\n\u003cp>There is one day per year, however, when the continuous gray of the office buildings is interrupted by a bang of color and noise, in what I'm going to argue here is the most San Franciscan holiday of them all. Forget Bay to Breakers. All hail St. Stupid's Day.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-medium wp-image-21718\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/slide_218353_835462_free-800x532.jpg\" alt=\"slide_218353_835462_free\" width=\"800\" height=\"532\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/03/slide_218353_835462_free-800x532.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/slide_218353_835462_free-400x266.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/slide_218353_835462_free-768x511.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/slide_218353_835462_free-1180x785.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/slide_218353_835462_free-960x638.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/slide_218353_835462_free.jpg 1200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>The annual St. Stupid's Day Parade, held each year on April 1st, is a march through the most typically serious, businesslike part of our fair city -- and it's a celebration whose entire objective is to take the wind out of all things serious and businesslike.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Now in its 38th year, the parade was founded by retired SF Mime Troupe mainstay Ed Holmes, aka Bishop Joey of the First Church of the Last Laugh. \u003ca href=\"http://www.saintstupid.com/faq.html\" target=\"_blank\">The church's website\u003c/a>, if you're in need of a laugh, offers a helpful FAQ section with tidbits like \"...the one thing that unites the species across all differences of color, creed, nationality, zip code and beverage preference is stupidity.\" Can't argue with that.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Xr6LyMD0x2E'\n title='//www.youtube.com/embed/Xr6LyMD0x2E'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>As for the parade itself: Since it falls on a weekday, it will start around noon at the foot of Market Street (Justin Herman Plaza), then continue throughout the Financial District with stops at the Stock Exchange (where participants are encouraged to bring and trade one's solo socks, \"the sock exchange,\" GET IT?) -- the \"Banker's Heart\" sculpture (where paraders are encouraged to throw pennies), the \"Tomb of Stupid\" (the office building at 101 California), the Federal Reserve Headquarters (bring losing lottery tickets to toss), and more.\u003c/p>\n\u003cp>No tickets, no VIP bullsh*t, no nothin. Just good old-fashioned debauchery. Costumes, instruments and accessories -- especially those that mock \"the business of religion or the religion of business\" -- are highly encouraged.\u003c/p>\n\u003cp>And if you're one of the many hapless souls in the city who's a freak at heart but has to suffer in a businessperson costume all day? Your attendance is \u003cem>extra\u003c/em> encouraged -- nay, required. Please leave your cufflinks and company card at the door.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The EquiTable app creator chats with us about everything from racism in the Bay Area to why playing Bone Thugs-N-Harmony will not get you to second base.\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2016/03/LunaMalbroux.mp3\" title=\"Luna Malbroux on Her Wage Gap App and Why It's Tricky to Be Black and into BDSM\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>This week, we're joined by \u003cspan style=\"font-weight: 400\"> \u003ca href=\"http://www.lunaisfunny.com/\" target=\"_blank\">Luna Malbroux\u003c/a>, a diversity consultant for schools and workplaces by day, a hilarious comedian by night, an app creator sometime in between, and also potentially the love child of Tyler Perry and Oprah Winfrey. \u003c/span>\u003c/p>\n\u003cp>We talk to Luna about EquiTable, her app that uses comedy to raise awareness around the wage gap:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=r2ybupRgffE\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>We then switch gears to get the lowdown on why it's complicated for some black people to explore BDSM:\u003c/p>\n\u003cp>http://fusion.net/story/281403/bdsm-while-black/\u003c/p>\n\u003cp>We pay homage to the still-relevant Samantha Jones:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/giphy.gif\" rel=\"attachment wp-att-21690\">\u003cimg class=\"size-full wp-image-21690 aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/giphy.gif\" alt=\"giphy\" width=\"400\" height=\"272\">\u003c/a>\u003c/p>\n\u003cp>And we cap things off with a song of Luna's choice: FKA Twigs' \"Two Weeks\":\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=3yDP9MKVhZc\u003c/p>\n\u003cp>Until next week!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>This week, we're joined by \u003cspan style=\"font-weight: 400\"> \u003ca href=\"http://www.lunaisfunny.com/\" target=\"_blank\">Luna Malbroux\u003c/a>, a diversity consultant for schools and workplaces by day, a hilarious comedian by night, an app creator sometime in between, and also potentially the love child of Tyler Perry and Oprah Winfrey. \u003c/span>\u003c/p>\n\u003cp>We talk to Luna about EquiTable, her app that uses comedy to raise awareness around the wage gap:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/r2ybupRgffE'\n title='//www.youtube.com/embed/r2ybupRgffE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>We then switch gears to get the lowdown on why it's complicated for some black people to explore BDSM:\u003c/p>\n\u003cp>http://fusion.net/story/281403/bdsm-while-black/\u003c/p>\n\u003cp>We pay homage to the still-relevant Samantha Jones:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/giphy.gif\" rel=\"attachment wp-att-21690\">\u003cimg class=\"size-full wp-image-21690 aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/giphy.gif\" alt=\"giphy\" width=\"400\" height=\"272\">\u003c/a>\u003c/p>\n\u003cp>And we cap things off with a song of Luna's choice: FKA Twigs' \"Two Weeks\":\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3yDP9MKVhZc'\n title='//www.youtube.com/embed/3yDP9MKVhZc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Until next week!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>A year and two days ago, \u003ca href=\"http://ww2.kqed.org/pop/2015/03/27/tom-hanks-recreates-his-filmography-and-mariah-carey-does-car-karaoke-thanks-to-james-corden/\" target=\"_blank\">Mariah Carey's car karaoke segment\u003c/a> with James Cordon aired and changed the late night game. And it wouldn't have been possible without her, according to Cordon, who recently \u003ca href=\"http://www.ew.com/article/2016/03/16/james-corden-carpool-karaoke-burning-questions\" target=\"_blank\">told \u003cem>Entertainment Weekly\u003c/em>\u003c/a>, \"The person that was hardest to convince to do Carpool was basically everyone before Mariah Carey said yes. No one would do it.”\u003c/p>\n\u003cp>Since then, everyone who's anyone on the music scene has ridden shotgun and sung along to their own songs and other classics, most notably Adele, \u003ca href=\"http://ww2.kqed.org/pop/2016/01/13/watch-adele-nail-a-spice-girls-classic-and-nicki-minajs-monster-verse/\" target=\"_blank\">who killed Nicki Minaj's verse\u003c/a> from Kanye's \"Monster.\" So how could Jennifer Lopez possibly come close to topping that? Prank texting Leo Dicaprio...AND GETTING A RESPONSE! That's how. She also passionately sings in Spanish and teaches Cordon how to music video pose. Watch and try not to smile:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=qQIsdod0LWo\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A year and two days ago, \u003ca href=\"http://ww2.kqed.org/pop/2015/03/27/tom-hanks-recreates-his-filmography-and-mariah-carey-does-car-karaoke-thanks-to-james-corden/\" target=\"_blank\">Mariah Carey's car karaoke segment\u003c/a> with James Cordon aired and changed the late night game. And it wouldn't have been possible without her, according to Cordon, who recently \u003ca href=\"http://www.ew.com/article/2016/03/16/james-corden-carpool-karaoke-burning-questions\" target=\"_blank\">told \u003cem>Entertainment Weekly\u003c/em>\u003c/a>, \"The person that was hardest to convince to do Carpool was basically everyone before Mariah Carey said yes. No one would do it.”\u003c/p>\n\u003cp>Since then, everyone who's anyone on the music scene has ridden shotgun and sung along to their own songs and other classics, most notably Adele, \u003ca href=\"http://ww2.kqed.org/pop/2016/01/13/watch-adele-nail-a-spice-girls-classic-and-nicki-minajs-monster-verse/\" target=\"_blank\">who killed Nicki Minaj's verse\u003c/a> from Kanye's \"Monster.\" So how could Jennifer Lopez possibly come close to topping that? Prank texting Leo Dicaprio...AND GETTING A RESPONSE! That's how. She also passionately sings in Spanish and teaches Cordon how to music video pose. Watch and try not to smile:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/qQIsdod0LWo'\n title='//www.youtube.com/embed/qQIsdod0LWo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Sex And 'An African City': A Steamy Ghanaian Show You Don't Want To Miss",
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"content": "\u003cp>Imagine \u003cem>Sex and the City\u003c/em>, but instead of New York City, the action takes place in Accra, Ghana.\u003c/p>\n\u003cp>This remix is called \u003cem>An African City\u003c/em>, a Ghanaian series that debuted on YouTube two years ago. The girlfriends are five \u003ca href=\"https://www.youtube.com/watch?v=LfnIpZjvPlY\">fashionable\u003c/a> African women raised abroad who have returned home to continue high-powered careers, look for love and have sex. Lots of sex.\u003c/p>\n\u003cp>The very first episode opens with passengers deplaning at Ghana's Kotoka International Airport at dusk. Among them is the show's main character, Nana Yaa, who's returning to \"the continent\" after growing up in New York since age 7.\u003c/p>\n\u003cp>Dressed in a white tank top, dark denim jeans and a perfectly tailored black jacket perched atop her shoulders, Nana Yaa strides over to the customs agent. But before she has time to take her passport from her designer handbag, he tells her she's in the wrong line.\u003c/p>\n\u003cp>\"The line for the non-Ghanaians is at the other side,\" he says.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>She pushes her passport through the opening in the bulletproof glass with that \"I told you so\" cock of the head and declares in broken Twi, a local language, \"I \u003cem>am\u003c/em> Ghanaian.\"\u003c/p>\n\u003cp>Christabel Nsiah-Buadi is a journalist and writer living in Los Angeles who identifies as a British-born Ghanaian. She has watched \u003cem>An African City\u003c/em> and says that airport scene drew her right in.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=kg7hUuWKe2U\u003c/p>\n\u003cp>\"I cracked up because that's exactly what happened to me,\" Nsiah-Buadi says. \"You identify as Ghanaian and someone who you know you look like is saying to you, 'No, no, no, you don't belong in this line, you belong in that line.' \"\u003c/p>\n\u003cp>Nsiah-Buadi explains that these kinds of assumptions, based on how you're dressed or the language you speak, can immediately shatter the romantic illusion of coming back \"home.\"\u003c/p>\n\u003cp>The show's creator, Nicole Amarteifio, who was born in Ghana and raised in New York, says she wrote \u003cem>An African City\u003c/em> for women just like Nsiah-Buadi: Africans who came of age abroad, in the U.S. or Britain.\u003c/p>\n\u003cp>\"I felt that they couldn't really relate to Nollywood,\" says Amarteifio, referring to West Africa's film capital, located in Nigeria. \"But there was a lot about Hollywood they could relate to, so that gap between Nollywood and Hollywood, I was trying to fill it for that audience.\"\u003c/p>\n\u003cp>Amarteifio says she hoped to tell a story about Africa that had nothing to do with war, poverty and famine. She wanted to capture the present: a moment when young professionals, like herself, are coming back to start businesses, work for NGOs or as executives for international companies. She holds a bachelor's degree from Brandeis and a master's from Georgetown, and came back to Ghana as a social media strategist for the World Bank.\u003c/p>\n\u003cp>She says the way to tell that story — her story — came to her while lounging on her couch in Accra, watching an episode of \u003cem>Sex and the City\u003c/em>. \"What would the show be like set in Accra?\" she wondered. \"That would be the way to fight the \u003ca href=\"https://www.ted.com/talks/chimamanda_adichie_the_danger_of_a_single_story?language=en\">single story\u003c/a>,\" she says.\u003c/p>\n\u003cp>\u003cem>An African City\u003c/em>'s \"Carrie Bradshaw\" is Nana Yaa, a journalist with her own radio show. And, like Bradshaw, Nana Yaa acts as narrator, cluing us into her love drama and that of her best girlfriends: Ngozi, Makena, Sade and Zainab.\u003c/p>\n\u003cfigure id=\"attachment_21642\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/nanayaa_custom-144c19bd098bdcbb78e4ed28b8a575b195577162-s400-c85.jpg\" rel=\"attachment wp-att-21642\">\u003cimg class=\"size-full wp-image-21642\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/nanayaa_custom-144c19bd098bdcbb78e4ed28b8a575b195577162-s400-c85.jpg\" alt=\"Nana Yaa, An African City‘s protagonist, is played by New York-based actress MaameYaa Boafo. (Photo: Emmanuel Bobbie/An African City Ltd.)\" width=\"400\" height=\"600\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Nana Yaa, An African City‘s protagonist, is played by New York-based actress MaameYaa Boafo. (Photo: Emmanuel Bobbie/An African City Ltd.)\u003c/figcaption>\u003c/figure>\n\u003cp>These women and the men they date are Africa's 1 percent. They're highly educated and come from families with connections. Nana Yaa's father is the minister of energy in Ghana, and Sade's dad is the pastor of a megachurch in Nigeria. The ladies dress fabulously and are always perfectly coiffed and accessorized.\u003c/p>\n\u003cp>\"They're very privileged young women,\" says Nsiah-Buadi, the LA-based fan of the show. \"On that level, that's not realistic, to me anyway. Maybe to someone else, but that's not the life that I live.\"\u003c/p>\n\u003cp>Nsiah-Buadi says the characters's bourgie ways can irritate her at times, like when they talk down to waiters and manicurists, or blame their missing bras on \"the help.\"\u003c/p>\n\u003cp>Nsiah-Buadi chatted about the show recently with her friend and fellow Ghanaian Essie Blankson-Turner, an entrepreneur living in Los Angeles. Blankson-Turner says overall, the show's good outweighs the bad. \"I like seeing Ghanaian women on the screen, I like the fact that our stories are being told, and I like the fact that I can relate to it in some aspect,\" she says.\u003c/p>\n\u003cp>\"I love the fact that they're gorgeous,\" says Nsiah-Buadi.\u003c/p>\n\u003cp>\"Yes!\" replies Blankson-Turner.\u003c/p>\n\u003cp>\"I love the fact that they get to wear the most amazing clothes,\" adds Nsiah-Buadi.\u003c/p>\n\u003cp>\"All the time!\" returns Blankson-Turner, laughing.\u003c/p>\n\u003cp>\"I'm literally, like, I want that lipstick, I want those earrings. I mean, even that — how often do we get to do that?\" says Nsiah-Buadi.\u003c/p>\n\u003cp>And both women add: When do you ever get to see African women talk about sex so openly and see them enjoy it on screen? They told me that's just not acceptable, broadly speaking, in the larger conservative — and predominantly Christian — Ghanaian culture, where you know better than to talk about such things publicly.\u003c/p>\n\u003cfigure id=\"attachment_21640\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/sade_custom-6c3e8d3470735137189ffbb3d0246c3cf2ddbb61-s800-c85.jpg\" rel=\"attachment wp-att-21640\">\u003cimg class=\"size-full wp-image-21640\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/sade_custom-6c3e8d3470735137189ffbb3d0246c3cf2ddbb61-s800-c85.jpg\" alt=\"Sade of <em>An African City</em> is played by Ghanaian-American actress Nana Mensah. (Photo: Emmanuel Bobbie/An African City Ltd.)\" width=\"800\" height=\"532\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/03/sade_custom-6c3e8d3470735137189ffbb3d0246c3cf2ddbb61-s800-c85.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/sade_custom-6c3e8d3470735137189ffbb3d0246c3cf2ddbb61-s800-c85-400x266.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/sade_custom-6c3e8d3470735137189ffbb3d0246c3cf2ddbb61-s800-c85-768x511.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Sade of \u003cem>An African City\u003c/em> is played by Ghanaian-American actress Nana Mensah. (Photo: Emmanuel Bobbie/An African City Ltd.)\u003c/figcaption>\u003c/figure>\n\u003cp>Instead, Sade (the sexually liberated, Samantha Jones-esque character in \u003cem>An African City\u003c/em>) lets it all hang out. In one scene, the girls are lounging poolside, counseling their friend Makena on the best way to ask her boyfriend to use a condom. Sade whips out a stack to show she's always prepared.\u003c/p>\n\u003cp>\"Trojans, Durex, Fiesta, Rockdoms — pick your poison, baby!\" she says to Makena, who asks if Sade really uses all of those condoms. \"Indeed,\" Sade replies matter-of-factly. \"Take as many as you want, but leave the Rockdoms for me. I'm seeing Kwame later tonight.\"\u003c/p>\n\u003cp>Sade is played by actress Nana Mensah, whose parents immigrated from Ghana to America's East Coast, where she was raised. Mensah says she loves it when other first-generation women come up to her and say they identify with the show. And she adds that she's heard positive responses to her character, Sade, from both contemporaries and women her mom's age.\u003c/p>\n\u003cp>\"Somebody even said, 'Can Sade do a spinoff?' \" laughs Mensah. \"Yeah ... that sounds like a lot of work.\"\u003c/p>\n\u003cp>A spinoff is not in\u003cem> An\u003c/em> \u003cem>African City\u003c/em>'s future. But the show that started as a free Web series on YouTube, backed by $75,000 out of creator Amarteifio's World Bank-job savings, is now a money-making venture. You can buy an online subscription for Season 2, and the show's got licensing deals with networks in Africa.\u003c/p>\n\u003cp>Mensah hopes that in future seasons her character, Sade, will stop obsessing over the married men she's bedding and start using that degree from Harvard Business School. \"Get your own man, Sade, come on!\" she says. \"I'm feeling a little bit ready to let that go. I'd like to focus on more of Sade's work life, maybe?\"\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Nicole Amarteifio says she's not sure what's next for her characters, but she knows one thing \u003cem>won't\u003c/em> be changing: She's not going to take any of the steam out of the scenes.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Sex+And+%27An+African+City%27%3A+A+Steamy+Ghanaian+Show+You+Don%27t+Want+To+Miss&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\" alt=\"\">\u003c/em>\u003c/div>\n\n",
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"excerpt": "Five African women who came of age abroad make their way back to Accra, Ghana, as adult professionals looking for love — and end up grappling with where they fit into this place they call \"home.\"",
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"description": "Five African women who came of age abroad make their way back to Accra, Ghana, as adult professionals looking for love — and end up grappling with where they fit into this place they call "home."",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Imagine \u003cem>Sex and the City\u003c/em>, but instead of New York City, the action takes place in Accra, Ghana.\u003c/p>\n\u003cp>This remix is called \u003cem>An African City\u003c/em>, a Ghanaian series that debuted on YouTube two years ago. The girlfriends are five \u003ca href=\"https://www.youtube.com/watch?v=LfnIpZjvPlY\">fashionable\u003c/a> African women raised abroad who have returned home to continue high-powered careers, look for love and have sex. Lots of sex.\u003c/p>\n\u003cp>The very first episode opens with passengers deplaning at Ghana's Kotoka International Airport at dusk. Among them is the show's main character, Nana Yaa, who's returning to \"the continent\" after growing up in New York since age 7.\u003c/p>\n\u003cp>Dressed in a white tank top, dark denim jeans and a perfectly tailored black jacket perched atop her shoulders, Nana Yaa strides over to the customs agent. But before she has time to take her passport from her designer handbag, he tells her she's in the wrong line.\u003c/p>\n\u003cp>\"The line for the non-Ghanaians is at the other side,\" he says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>She pushes her passport through the opening in the bulletproof glass with that \"I told you so\" cock of the head and declares in broken Twi, a local language, \"I \u003cem>am\u003c/em> Ghanaian.\"\u003c/p>\n\u003cp>Christabel Nsiah-Buadi is a journalist and writer living in Los Angeles who identifies as a British-born Ghanaian. She has watched \u003cem>An African City\u003c/em> and says that airport scene drew her right in.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/kg7hUuWKe2U'\n title='//www.youtube.com/embed/kg7hUuWKe2U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\"I cracked up because that's exactly what happened to me,\" Nsiah-Buadi says. \"You identify as Ghanaian and someone who you know you look like is saying to you, 'No, no, no, you don't belong in this line, you belong in that line.' \"\u003c/p>\n\u003cp>Nsiah-Buadi explains that these kinds of assumptions, based on how you're dressed or the language you speak, can immediately shatter the romantic illusion of coming back \"home.\"\u003c/p>\n\u003cp>The show's creator, Nicole Amarteifio, who was born in Ghana and raised in New York, says she wrote \u003cem>An African City\u003c/em> for women just like Nsiah-Buadi: Africans who came of age abroad, in the U.S. or Britain.\u003c/p>\n\u003cp>\"I felt that they couldn't really relate to Nollywood,\" says Amarteifio, referring to West Africa's film capital, located in Nigeria. \"But there was a lot about Hollywood they could relate to, so that gap between Nollywood and Hollywood, I was trying to fill it for that audience.\"\u003c/p>\n\u003cp>Amarteifio says she hoped to tell a story about Africa that had nothing to do with war, poverty and famine. She wanted to capture the present: a moment when young professionals, like herself, are coming back to start businesses, work for NGOs or as executives for international companies. She holds a bachelor's degree from Brandeis and a master's from Georgetown, and came back to Ghana as a social media strategist for the World Bank.\u003c/p>\n\u003cp>She says the way to tell that story — her story — came to her while lounging on her couch in Accra, watching an episode of \u003cem>Sex and the City\u003c/em>. \"What would the show be like set in Accra?\" she wondered. \"That would be the way to fight the \u003ca href=\"https://www.ted.com/talks/chimamanda_adichie_the_danger_of_a_single_story?language=en\">single story\u003c/a>,\" she says.\u003c/p>\n\u003cp>\u003cem>An African City\u003c/em>'s \"Carrie Bradshaw\" is Nana Yaa, a journalist with her own radio show. And, like Bradshaw, Nana Yaa acts as narrator, cluing us into her love drama and that of her best girlfriends: Ngozi, Makena, Sade and Zainab.\u003c/p>\n\u003cfigure id=\"attachment_21642\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/nanayaa_custom-144c19bd098bdcbb78e4ed28b8a575b195577162-s400-c85.jpg\" rel=\"attachment wp-att-21642\">\u003cimg class=\"size-full wp-image-21642\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/nanayaa_custom-144c19bd098bdcbb78e4ed28b8a575b195577162-s400-c85.jpg\" alt=\"Nana Yaa, An African City‘s protagonist, is played by New York-based actress MaameYaa Boafo. (Photo: Emmanuel Bobbie/An African City Ltd.)\" width=\"400\" height=\"600\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Nana Yaa, An African City‘s protagonist, is played by New York-based actress MaameYaa Boafo. (Photo: Emmanuel Bobbie/An African City Ltd.)\u003c/figcaption>\u003c/figure>\n\u003cp>These women and the men they date are Africa's 1 percent. They're highly educated and come from families with connections. Nana Yaa's father is the minister of energy in Ghana, and Sade's dad is the pastor of a megachurch in Nigeria. The ladies dress fabulously and are always perfectly coiffed and accessorized.\u003c/p>\n\u003cp>\"They're very privileged young women,\" says Nsiah-Buadi, the LA-based fan of the show. \"On that level, that's not realistic, to me anyway. Maybe to someone else, but that's not the life that I live.\"\u003c/p>\n\u003cp>Nsiah-Buadi says the characters's bourgie ways can irritate her at times, like when they talk down to waiters and manicurists, or blame their missing bras on \"the help.\"\u003c/p>\n\u003cp>Nsiah-Buadi chatted about the show recently with her friend and fellow Ghanaian Essie Blankson-Turner, an entrepreneur living in Los Angeles. Blankson-Turner says overall, the show's good outweighs the bad. \"I like seeing Ghanaian women on the screen, I like the fact that our stories are being told, and I like the fact that I can relate to it in some aspect,\" she says.\u003c/p>\n\u003cp>\"I love the fact that they're gorgeous,\" says Nsiah-Buadi.\u003c/p>\n\u003cp>\"Yes!\" replies Blankson-Turner.\u003c/p>\n\u003cp>\"I love the fact that they get to wear the most amazing clothes,\" adds Nsiah-Buadi.\u003c/p>\n\u003cp>\"All the time!\" returns Blankson-Turner, laughing.\u003c/p>\n\u003cp>\"I'm literally, like, I want that lipstick, I want those earrings. I mean, even that — how often do we get to do that?\" says Nsiah-Buadi.\u003c/p>\n\u003cp>And both women add: When do you ever get to see African women talk about sex so openly and see them enjoy it on screen? They told me that's just not acceptable, broadly speaking, in the larger conservative — and predominantly Christian — Ghanaian culture, where you know better than to talk about such things publicly.\u003c/p>\n\u003cfigure id=\"attachment_21640\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/sade_custom-6c3e8d3470735137189ffbb3d0246c3cf2ddbb61-s800-c85.jpg\" rel=\"attachment wp-att-21640\">\u003cimg class=\"size-full wp-image-21640\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/03/sade_custom-6c3e8d3470735137189ffbb3d0246c3cf2ddbb61-s800-c85.jpg\" alt=\"Sade of <em>An African City</em> is played by Ghanaian-American actress Nana Mensah. (Photo: Emmanuel Bobbie/An African City Ltd.)\" width=\"800\" height=\"532\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/03/sade_custom-6c3e8d3470735137189ffbb3d0246c3cf2ddbb61-s800-c85.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/sade_custom-6c3e8d3470735137189ffbb3d0246c3cf2ddbb61-s800-c85-400x266.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/03/sade_custom-6c3e8d3470735137189ffbb3d0246c3cf2ddbb61-s800-c85-768x511.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Sade of \u003cem>An African City\u003c/em> is played by Ghanaian-American actress Nana Mensah. (Photo: Emmanuel Bobbie/An African City Ltd.)\u003c/figcaption>\u003c/figure>\n\u003cp>Instead, Sade (the sexually liberated, Samantha Jones-esque character in \u003cem>An African City\u003c/em>) lets it all hang out. In one scene, the girls are lounging poolside, counseling their friend Makena on the best way to ask her boyfriend to use a condom. Sade whips out a stack to show she's always prepared.\u003c/p>\n\u003cp>\"Trojans, Durex, Fiesta, Rockdoms — pick your poison, baby!\" she says to Makena, who asks if Sade really uses all of those condoms. \"Indeed,\" Sade replies matter-of-factly. \"Take as many as you want, but leave the Rockdoms for me. I'm seeing Kwame later tonight.\"\u003c/p>\n\u003cp>Sade is played by actress Nana Mensah, whose parents immigrated from Ghana to America's East Coast, where she was raised. Mensah says she loves it when other first-generation women come up to her and say they identify with the show. And she adds that she's heard positive responses to her character, Sade, from both contemporaries and women her mom's age.\u003c/p>\n\u003cp>\"Somebody even said, 'Can Sade do a spinoff?' \" laughs Mensah. \"Yeah ... that sounds like a lot of work.\"\u003c/p>\n\u003cp>A spinoff is not in\u003cem> An\u003c/em> \u003cem>African City\u003c/em>'s future. But the show that started as a free Web series on YouTube, backed by $75,000 out of creator Amarteifio's World Bank-job savings, is now a money-making venture. You can buy an online subscription for Season 2, and the show's got licensing deals with networks in Africa.\u003c/p>\n\u003cp>Mensah hopes that in future seasons her character, Sade, will stop obsessing over the married men she's bedding and start using that degree from Harvard Business School. \"Get your own man, Sade, come on!\" she says. \"I'm feeling a little bit ready to let that go. I'd like to focus on more of Sade's work life, maybe?\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Nicole Amarteifio says she's not sure what's next for her characters, but she knows one thing \u003cem>won't\u003c/em> be changing: She's not going to take any of the steam out of the scenes.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Sex+And+%27An+African+City%27%3A+A+Steamy+Ghanaian+Show+You+Don%27t+Want+To+Miss&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\" alt=\"\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "DIY Artists Paint the Town Strange, with Some Help From George R.R. Martin",
"headTitle": "DIY Artists Paint the Town Strange, with Some Help From George R.R. Martin | KQED",
"content": "\u003cp>When you step into the House of Eternal Return, it feels a bit like walking into your family home — and finding yourself lost in a PeeWee’s Playhouse on steroids. Or amphetamines. Or better yet, some undiscovered alien narcotic.\u003c/p>\n\u003cp>Set up in the industrial district of Santa Fe, N.M., the new permanent art exhibition is a far cry from the fine arts galleries and museums for which Santa Fe is known. Think of it instead as a kind of art amusement park, built by an arts collective called Meow Wolf and largely funded by a surprising benefactor: George R.R. Martin.\u003c/p>\n\u003cp>But before we get ahead of ourselves, let’s start with the tour: When I arrive around 10 the night before the exhibition opens, dozens of Meow Wolf’s 135 artists are scrambling to put the finishing touches on their meticulously crafted installations.\u003c/p>\n\u003cp>One of those installations, a two-story Victorian house built from scratch, marks the entrance to the exhibition. All around it are uncanny reminders of the Seligs — the fictional family ostensibly lived here. I’m told the family has curiously disappeared after a break in the space-time continuum, and like all visitors, I’m set loose by the artists to explore the interdimensional mystery.\u003c/p>\n\u003cp>“It’s not art that you stand back from and look at,” says Chadney Everett, the painter and former film prop-maker who designed the house. “It’s art that you interact with and you experience in a very visceral way.”\u003c/p>\n\u003cfigure id=\"attachment_11444590\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/03/lkimg_16532_slide-392abba3bf84b41efcea84438f22cc0bf2bffc67-1180x787.jpg\" alt='\"The Aquarium\", by Matt King — with fish sculpted by Sarah Bradle' width=\"640\" height=\"427\" class=\"size-large wp-image-11444590\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_16532_slide-392abba3bf84b41efcea84438f22cc0bf2bffc67-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_16532_slide-392abba3bf84b41efcea84438f22cc0bf2bffc67-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_16532_slide-392abba3bf84b41efcea84438f22cc0bf2bffc67-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_16532_slide-392abba3bf84b41efcea84438f22cc0bf2bffc67-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_16532_slide-392abba3bf84b41efcea84438f22cc0bf2bffc67-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_16532_slide-392abba3bf84b41efcea84438f22cc0bf2bffc67-960x640.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">“The Aquarium”, by Matt King — with fish sculpted by Sarah Bradle \u003ccite>(Photo: Lindsey Kennedy/Courtesy of Meow Wolf)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Like most of the people I meet here, he’s got a cultlike dedication to Meow Wolf’s vision of immersive, interactive art — and to making it accessible to everyone. Despite suffering from a herniated disk, he’s been putting in 14 hours a day to finish.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“It’s been really hard, but it’s so worth it. We’re gonna be open in a couple days, and then I’ll rest and fix my spine,” he laughs.\u003c/p>\n\u003cp>I opt to crawl through the family fireplace into a series of prehistoric caves, with a glowing, 12-foot mastodon skeleton at their center. Sculptor Matt Crimmins turned its rib cage into a radiant makeshift marimba.\u003c/p>\n\u003cp>“We’re still trying to work out the kinks, but it’s getting there,” he says.\u003c/p>\n\u003cp>The same could be said of Meow Wolf as a whole. Founding member Vince Kadlubek explains that when the collective started eight years ago, it was just a small band of creative 20-somethings who felt out of place in Santa Fe’s high-brow art establishment.\u003c/p>\n\u003cp>“We kind of always felt like we were on the outside looking in.”\u003c/p>\n\u003cp>So, they started their own DIY venue in a defunct barbershop. As the collective grew in size and popularity, Kadlubek says, their immersive shows grew more elaborate.\u003c/p>\n\u003cp>But they still didn’t have a large space of their own.\u003c/p>\n\u003cp>“We all knew that it could work, but we just didn’t have the heavy hitter,” Kadlubek says. “We needed somebody to take a risk on us.”\u003c/p>\n\u003cp>That’s where George R.R. Martin comes in. The mastermind behind A\u003cem> Song of Ice and Fire\u003c/em> — the massively popular book series that spawned the massively popular \u003cem>Game of Thrones\u003c/em> TV series — has become something of a latter-day Medici in his adopted hometown of Santa Fe. He has already reopened an old art house movie theater and converted a vacant high school into artist studios.\u003c/p>\n\u003cp>Martin didn’t plan on buying an old bowling alley — but when Meow Wolf showed him the space and told him what they planned to do with it, he couldn’t resist.\u003c/p>\n\u003cp>“They explained this vision of a Victorian house, unmoored in time and space with a haunted forest and a magical cave system, and portals to other worlds,” Martin says. “And of course, it pushed all my buttons. I love that kind of stuff.”\u003c/p>\n\u003cp>Martin bought and leased the place to Meow Wolf for 10 years, and spent an additional $2.5 million in renovations. That was enough to help Meow Wolf raise more money from investors to build their art complex, which includes a nonprofit education center for children and a makerspace, offering artists training and access to expensive equipment.\u003c/p>\n\u003cfigure id=\"attachment_11444591\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/03/lkimg_2766-84f7ee075450744239e379fac002735b7cf34a69-1180x885.jpg\" alt=\"A wood mosaic wall and door, created by Lance Ryan McGoldrick.\" width=\"640\" height=\"480\" class=\"size-large wp-image-11444591\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_2766-84f7ee075450744239e379fac002735b7cf34a69-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_2766-84f7ee075450744239e379fac002735b7cf34a69-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_2766-84f7ee075450744239e379fac002735b7cf34a69-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_2766-84f7ee075450744239e379fac002735b7cf34a69-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_2766-84f7ee075450744239e379fac002735b7cf34a69-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_2766-84f7ee075450744239e379fac002735b7cf34a69-960x720.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">A wood mosaic wall and door, created by Lance Ryan McGoldrick. \u003ccite>(Photo: Lindsey Kennedy/Courtesy of Meow Wolf)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the process, Meow Wolf has gone from DIY collective to a for-profit company. Now, in addition to solving problems like how to cut a bus in half or rig animatronic eyeballs to follow passersby, Meow Wolf must focus on ticket sales, too. The group’s future depends on its ability to bring in enough new and repeat visitors to sustain and grow the business.\u003c/p>\n\u003cp>Artist Megan Ronniger says the complex brings something unique to the city’s art ecosystem.\u003c/p>\n\u003cp>“You’ve got these large institutions, museums and universities, you’ve got your commercial galleries, and then you have the experimental spaces. And they’re all hopefully informing one another,” she says.\u003c/p>\n\u003cp>With investors and city officials and one internationally famous fantasy author backing them, Meow Wolf is playing in a different league than it did in in its early days.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Perhaps for that reason, when I leave the House of Eternal Return — as I’d expect of any art establishment worth its salt — I exit through the gift shop. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=DIY+Artists+Paint+The+Town+Strange%2C+With+Some+Help+From+George+R.R.+Martin&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When you step into the House of Eternal Return, it feels a bit like walking into your family home — and finding yourself lost in a PeeWee’s Playhouse on steroids. Or amphetamines. Or better yet, some undiscovered alien narcotic.\u003c/p>\n\u003cp>Set up in the industrial district of Santa Fe, N.M., the new permanent art exhibition is a far cry from the fine arts galleries and museums for which Santa Fe is known. Think of it instead as a kind of art amusement park, built by an arts collective called Meow Wolf and largely funded by a surprising benefactor: George R.R. Martin.\u003c/p>\n\u003cp>But before we get ahead of ourselves, let’s start with the tour: When I arrive around 10 the night before the exhibition opens, dozens of Meow Wolf’s 135 artists are scrambling to put the finishing touches on their meticulously crafted installations.\u003c/p>\n\u003cp>One of those installations, a two-story Victorian house built from scratch, marks the entrance to the exhibition. All around it are uncanny reminders of the Seligs — the fictional family ostensibly lived here. I’m told the family has curiously disappeared after a break in the space-time continuum, and like all visitors, I’m set loose by the artists to explore the interdimensional mystery.\u003c/p>\n\u003cp>“It’s not art that you stand back from and look at,” says Chadney Everett, the painter and former film prop-maker who designed the house. “It’s art that you interact with and you experience in a very visceral way.”\u003c/p>\n\u003cfigure id=\"attachment_11444590\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/03/lkimg_16532_slide-392abba3bf84b41efcea84438f22cc0bf2bffc67-1180x787.jpg\" alt='\"The Aquarium\", by Matt King — with fish sculpted by Sarah Bradle' width=\"640\" height=\"427\" class=\"size-large wp-image-11444590\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_16532_slide-392abba3bf84b41efcea84438f22cc0bf2bffc67-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_16532_slide-392abba3bf84b41efcea84438f22cc0bf2bffc67-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_16532_slide-392abba3bf84b41efcea84438f22cc0bf2bffc67-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_16532_slide-392abba3bf84b41efcea84438f22cc0bf2bffc67-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_16532_slide-392abba3bf84b41efcea84438f22cc0bf2bffc67-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_16532_slide-392abba3bf84b41efcea84438f22cc0bf2bffc67-960x640.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">“The Aquarium”, by Matt King — with fish sculpted by Sarah Bradle \u003ccite>(Photo: Lindsey Kennedy/Courtesy of Meow Wolf)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Like most of the people I meet here, he’s got a cultlike dedication to Meow Wolf’s vision of immersive, interactive art — and to making it accessible to everyone. Despite suffering from a herniated disk, he’s been putting in 14 hours a day to finish.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It’s been really hard, but it’s so worth it. We’re gonna be open in a couple days, and then I’ll rest and fix my spine,” he laughs.\u003c/p>\n\u003cp>I opt to crawl through the family fireplace into a series of prehistoric caves, with a glowing, 12-foot mastodon skeleton at their center. Sculptor Matt Crimmins turned its rib cage into a radiant makeshift marimba.\u003c/p>\n\u003cp>“We’re still trying to work out the kinks, but it’s getting there,” he says.\u003c/p>\n\u003cp>The same could be said of Meow Wolf as a whole. Founding member Vince Kadlubek explains that when the collective started eight years ago, it was just a small band of creative 20-somethings who felt out of place in Santa Fe’s high-brow art establishment.\u003c/p>\n\u003cp>“We kind of always felt like we were on the outside looking in.”\u003c/p>\n\u003cp>So, they started their own DIY venue in a defunct barbershop. As the collective grew in size and popularity, Kadlubek says, their immersive shows grew more elaborate.\u003c/p>\n\u003cp>But they still didn’t have a large space of their own.\u003c/p>\n\u003cp>“We all knew that it could work, but we just didn’t have the heavy hitter,” Kadlubek says. “We needed somebody to take a risk on us.”\u003c/p>\n\u003cp>That’s where George R.R. Martin comes in. The mastermind behind A\u003cem> Song of Ice and Fire\u003c/em> — the massively popular book series that spawned the massively popular \u003cem>Game of Thrones\u003c/em> TV series — has become something of a latter-day Medici in his adopted hometown of Santa Fe. He has already reopened an old art house movie theater and converted a vacant high school into artist studios.\u003c/p>\n\u003cp>Martin didn’t plan on buying an old bowling alley — but when Meow Wolf showed him the space and told him what they planned to do with it, he couldn’t resist.\u003c/p>\n\u003cp>“They explained this vision of a Victorian house, unmoored in time and space with a haunted forest and a magical cave system, and portals to other worlds,” Martin says. “And of course, it pushed all my buttons. I love that kind of stuff.”\u003c/p>\n\u003cp>Martin bought and leased the place to Meow Wolf for 10 years, and spent an additional $2.5 million in renovations. That was enough to help Meow Wolf raise more money from investors to build their art complex, which includes a nonprofit education center for children and a makerspace, offering artists training and access to expensive equipment.\u003c/p>\n\u003cfigure id=\"attachment_11444591\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/03/lkimg_2766-84f7ee075450744239e379fac002735b7cf34a69-1180x885.jpg\" alt=\"A wood mosaic wall and door, created by Lance Ryan McGoldrick.\" width=\"640\" height=\"480\" class=\"size-large wp-image-11444591\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_2766-84f7ee075450744239e379fac002735b7cf34a69-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_2766-84f7ee075450744239e379fac002735b7cf34a69-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_2766-84f7ee075450744239e379fac002735b7cf34a69-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_2766-84f7ee075450744239e379fac002735b7cf34a69-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_2766-84f7ee075450744239e379fac002735b7cf34a69-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/03/lkimg_2766-84f7ee075450744239e379fac002735b7cf34a69-960x720.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">A wood mosaic wall and door, created by Lance Ryan McGoldrick. \u003ccite>(Photo: Lindsey Kennedy/Courtesy of Meow Wolf)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In the process, Meow Wolf has gone from DIY collective to a for-profit company. Now, in addition to solving problems like how to cut a bus in half or rig animatronic eyeballs to follow passersby, Meow Wolf must focus on ticket sales, too. The group’s future depends on its ability to bring in enough new and repeat visitors to sustain and grow the business.\u003c/p>\n\u003cp>Artist Megan Ronniger says the complex brings something unique to the city’s art ecosystem.\u003c/p>\n\u003cp>“You’ve got these large institutions, museums and universities, you’ve got your commercial galleries, and then you have the experimental spaces. And they’re all hopefully informing one another,” she says.\u003c/p>\n\u003cp>With investors and city officials and one internationally famous fantasy author backing them, Meow Wolf is playing in a different league than it did in in its early days.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Perhaps for that reason, when I leave the House of Eternal Return — as I’d expect of any art establishment worth its salt — I exit through the gift shop. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=DIY+Artists+Paint+The+Town+Strange%2C+With+Some+Help+From+George+R.R.+Martin&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"order": 9
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"id": "fresh-air",
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"airtime": "SUN 7:30pm-8pm",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"order": 15
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"order": 18
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
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"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"source": "American Public Media"
},
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"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
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"meta": {
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"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"morning-edition": {
"id": "morning-edition",
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"order": 11
},
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"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"link": "/radio/program/on-the-media",
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},
"pbs-newshour": {
"id": "pbs-newshour",
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"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
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"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
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},
"perspectives": {
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"order": 14
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"planet-money": {
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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},
"link": "/radio/program/planet-money",
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"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
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},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 5
},
"link": "/podcasts/politicalbreakdown",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
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