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"slug": "photos-the-1960s-san-francisco-bay-area-seen-though-family-albums",
"title": "PHOTOS: The 1960s San Francisco Bay Area, Seen Though Family Albums",
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"content": "\u003cp>To celebrate the broadcast premiere of \u003ca href=\"arts/2016/04/28/american-masters-janis-joplin/\" target=\"_blank\" rel=\"noopener\">\u003cem>Janis Joplin: Little Girl Blue\u003c/em>\u003c/a> on Tuesday, May 3 on KQED 9, \u003ca href=\"https://ww2.kqed.org/about/2016/04/28/baybackwhen-we-want-your-vintage-family-photographs-from-the-1960s/\">we asked our social media fans\u003c/a> to delve into their family albums and show us their snapshots taken during the Sixties in the San Francisco Bay Area: a place Joplin called home until her untimely death age 27 in 1970. And they did \u003cem>not\u003c/em> disappoint.\u003c/p>\n\u003cp>Scroll down to enjoy just some of the many, many evocative photographs we received via the #BayBackWhen hashtag. Many thanks to all those who contributed to this collective picture of the style, attitude and atmosphere of an unforgettable period of Bay Area history!\u003c/p>\n\u003cp style=\"text-align: left\">\u003cstrong>(Click \u003ca href=\"arts/2016/04/28/american-masters-janis-joplin/\" target=\"_blank\" rel=\"noopener\">here\u003c/a> for more information on \u003cem>\u003ca href=\"http://www.kqed.org/tv/programs/index.jsp?pgmid=23409\" target=\"_blank\" rel=\"noopener\">Janis Joplin: Little Girl Blue\u003c/a>, \u003c/em>including interviews, \u003ca href=\"http://ww2.kqed.org/arts/2016/04/29/bonus-video-clips-and-excerpts-from-janis-little-girl-blue/\" target=\"_blank\" rel=\"noopener\">bonus video clips\u003c/a> and \u003ca href=\"http://ww2.kqed.org/arts/2016/04/28/american-masters-janis-joplin/\" target=\"_blank\" rel=\"noopener\">more\u003c/a>.)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11545718\" class=\"wp-caption aligncenter\" style=\"max-width: 742px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545718\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish.jpg\" alt='Joan Rudloff, via Facebook: Pictured at San Francisco General Hospital \"in 1970 or so\"' width=\"742\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish.jpg 742w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish-400x518.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish-464x600.jpg 464w\" sizes=\"(max-width: 742px) 100vw, 742px\">\u003cfigcaption class=\"wp-caption-text\">Joan Rudloff, via Facebook: Pictured at San Francisco General Hospital “in 1970 or so”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551586\" class=\"wp-caption aligncenter\" style=\"max-width: 720px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551586\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz.jpg\" alt=\"Loriz Gomez, via Facebook: "'61, 62? Santa Cruz. Sis in law Sharon, my brothers, my niece the baby and sis Robina and I. Crazy family!"\" width=\"720\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz-400x533.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz-450x600.jpg 450w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Loriz Gomez, via Facebook: “’61, 62? Santa Cruz. Sis in law Sharon, my brothers, my niece the baby and sis Robina and I. Crazy family!”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545612\" class=\"wp-caption aligncenter\" style=\"max-width: 536px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545612\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley.jpg\" alt=\"Molly Robinson Couto, via Facebook: "Me holding my older sister's hand during a protest march in downtown Berkeley in around 1968. My mom is just behind my sister, and her best friend is behind her next to another family friend."\" width=\"536\" height=\"608\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley.jpg 536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley-400x454.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley-529x600.jpg 529w\" sizes=\"(max-width: 536px) 100vw, 536px\">\u003cfigcaption class=\"wp-caption-text\">Molly Robinson Couto, via Facebook: “Me holding my older sister’s hand during a protest march in downtown Berkeley in around 1968. My mom is just behind my sister, and her best friend is behind her next to another family friend.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551585\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551585\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965.jpg\" alt='Xochitl Selena Martinez, via Facebook: \"The Sinaloa nightclub in North Beach, S.F. me as a child, my mom, aunts and extended family 1965.\"' width=\"960\" height=\"628\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965-400x262.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965-800x523.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965-768x502.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Xochitl Selena Martinez, via Facebook: “The Sinaloa nightclub in North Beach, S.F. me as a child, my mom, aunts and extended family 1965.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545734\" class=\"wp-caption aligncenter\" style=\"max-width: 734px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545734\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002.jpg\" alt='From Mary Elizabeth Ferla-Brown, via Facebook: \"My dad , Jim Ferla [exact date unknown.] He passed away in 2002 and I always keep it in my wallet.\"' width=\"734\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002.jpg 734w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002-400x523.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002-459x600.jpg 459w\" sizes=\"(max-width: 734px) 100vw, 734px\">\u003cfigcaption class=\"wp-caption-text\">From Mary Elizabeth Ferla-Brown, via Facebook: “My dad , Jim Ferla [exact date unknown.] He passed away in 2002 and I always keep it in my wallet.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548842\" class=\"wp-caption aligncenter\" style=\"max-width: 1334px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11548842 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans.jpg\" alt='\"This picture was taken in 1969, Monterey. The Dovan clan had been one of the first Vietnamese families to emigrate to the US. The patriarch, Hien Dovan was offered a teaching post at the Language Institute on the West Coast and came over during the Eisenhower administration in 1957; his family soon followed. At school the young Dovans were thought to be either Koreans (because of the recent Korean War), Chinese or Japanese because at that time very few people had ever heard of Vietnam.”' width=\"1334\" height=\"910\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans.jpg 1334w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-400x273.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-800x546.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-768x524.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-1180x805.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-960x655.jpg 960w\" sizes=\"(max-width: 1334px) 100vw, 1334px\">\u003cfigcaption class=\"wp-caption-text\">Minh Steven Dovan: “This picture was taken in 1969, Monterey. The Dovan clan had been one of the first Vietnamese families to emigrate to the US. The patriarch, Hien Dovan was offered a teaching post at the Language Institute on the West Coast and came over during the Eisenhower administration in 1957; his family soon followed. At school the young Dovans were thought to be either Koreans (because of the recent Korean War), Chinese or Japanese because at that time very few people had ever heard of Vietnam.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545750\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545750\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968.jpg\" alt='Jacqueline Haber, via Facebook: \"Miss Martinez & Miss McNulty, San Franciscans picnicking on Mt. Tam, 1968!\"' width=\"960\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-600x600.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-150x150.jpg 150w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Jacqueline Haber, via Facebook: “Miss Martinez & Miss McNulty, San Franciscans picnicking on Mt. Tam, 1968!”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551587\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551587\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9.jpg\" alt='Stephanie Byrne Fiedler, via Facebook: \"Peace March in San Francisco - probably 1968 or 1969.\"' width=\"960\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9-768x512.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Stephanie Byrne Fiedler, via Facebook: “Peace March in San Francisco – probably 1968 or 1969.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548061\" class=\"wp-caption aligncenter\" style=\"max-width: 700px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11548061\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-68-Avalon.jpg\" alt=\"Gary Lucas, via Facebook: "I was there the night Janis and the Angels closed down the Avalon. It was the best party in town. This is a photo of three Haight Street Freaks back in about '68. I'm the one in the middle. We were driven by a psychological compulsion to search for an order of complexity greater than what had been previously experienced. Believing it was my duty to advance Humanitarian Values and to protect the earth, I brought my ability to transcend with me and San Francisco validated it."\" width=\"700\" height=\"489\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-68-Avalon.jpg 700w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-68-Avalon-400x279.jpg 400w\" sizes=\"(max-width: 700px) 100vw, 700px\">\u003cfigcaption class=\"wp-caption-text\">Gary Lucas, via Facebook: “I was there the night Janis and the Angels closed down the Avalon. It was the best party in town. This is a photo of three Haight Street Freaks back in about ’68. I’m the one in the middle. We were driven by a psychological compulsion to search for an order of complexity greater than what had been previously experienced. Believing it was my duty to advance Humanitarian Values and to protect the earth, I brought my ability to transcend with me and San Francisco validated it.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548064\" class=\"wp-caption aligncenter\" style=\"max-width: 964px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11548064\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB.jpg\" alt=\"Theresa Anderson Glisson, via Facebook: "Here's my family photo from my hippie days......cousins, aunts, uncles, parents, grandparents, brother and sisters. I'm the cool one in front with the dog."\" width=\"964\" height=\"810\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB.jpg 964w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-400x336.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-714x600.jpg 714w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-768x645.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-960x807.jpg 960w\" sizes=\"(max-width: 964px) 100vw, 964px\">\u003cfigcaption class=\"wp-caption-text\">Theresa Anderson Glisson, via Facebook: “Here’s my family photo from my hippie days……cousins, aunts, uncles, parents, grandparents, brother and sisters. I’m the cool one in front with the dog.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551583\" class=\"wp-caption aligncenter\" style=\"max-width: 591px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11551583 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Julieta-Zambrano-Villa-12.jpg\" alt=\"Julieta Zambrano Villa, via Facebook\" width=\"591\" height=\"527\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Julieta-Zambrano-Villa-12.jpg 591w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Julieta-Zambrano-Villa-12-400x357.jpg 400w\" sizes=\"(max-width: 591px) 100vw, 591px\">\u003cfigcaption class=\"wp-caption-text\">Julieta Zambrano Villa, via Facebook\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551584\" class=\"wp-caption aligncenter\" style=\"max-width: 720px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551584\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Maureen-Hurley.jpg\" alt=\"Maureen Hurley, via Facebook: "Mo Hurley & Bob Hamilton, with my brother Guy Franklin and cousin David Dinsmore, partying like rockstars in San Rafael. I'm fairly certain the punch was spiked. Look at the little kid's expression."\" width=\"720\" height=\"713\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-400x396.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-606x600.jpg 606w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-150x150.jpg 150w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Maureen Hurley, via Facebook: “Mo Hurley & Bob Hamilton, with my brother Guy Franklin and cousin David Dinsmore, partying like rockstars in San Rafael. I’m fairly certain the punch was spiked. Look at the little kid’s expression.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545757\" class=\"wp-caption aligncenter\" style=\"max-width: 641px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11545757 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1.jpg\" alt='Cheri Mendieta, via Facebook: \"1967 free concert Golden Gate park, sisterly love with brother Bill Rook.\"' width=\"641\" height=\"707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1.jpg 641w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1-400x441.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1-544x600.jpg 544w\" sizes=\"(max-width: 641px) 100vw, 641px\">\u003cfigcaption class=\"wp-caption-text\">Cheri Mendieta, via Facebook: “1967 free concert Golden Gate park, sisterly love with brother Bill Rook.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545611\" class=\"wp-caption aligncenter\" style=\"max-width: 603px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545611\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul.jpg\" alt='Molly Robinson Couto, via Facebook: \"This is my dad (far right), my Uncle Al, middle, and their friend Paul Nord, hanging out at Strawberry Canyon pool, 1961\"' width=\"603\" height=\"599\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul.jpg 603w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-400x397.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-150x150.jpg 150w\" sizes=\"(max-width: 603px) 100vw, 603px\">\u003cfigcaption class=\"wp-caption-text\">From Molly Robinson Couto, via Facebook: “This is my dad (far right), my Uncle Al, middle, and their friend Paul Nord, hanging out at Strawberry Canyon pool [Berkeley], 1961”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545732\" class=\"wp-caption aligncenter\" style=\"max-width: 358px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11545732 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-HS-graduation-1967.jpg\" alt='Susan Sarra, via Facebook: \"My high school graduation, 1967\"' width=\"358\" height=\"395\">\u003cfigcaption class=\"wp-caption-text\">From Susan Sarra, via Facebook: “My high school graduation, 1967. Lovin’ the dress.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548063\" class=\"wp-caption aligncenter\" style=\"max-width: 644px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11548063\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister.jpg\" alt=\"Gary Lucas, via Facebook: "One day I was at a stop sign with a Janis song blaring on the radio, when suddenly she crossed the street in front of me. Hearing my radio, she turned and gave me a big Janis Joplin wave.This is a photo of me with my littIe sister in about '67 somewhere in the Haight. "Hey Lana Jean," I hollered as I was pulling out of our small New Mexico farm town. "You wanna go to San Francisco?" We turned on, tuned in, and dropped out -- meaning we accepted the epistemological demand of adult learners to be self-authoring. Our intention was to transcend the captivity of socialization. Innately, Humans are makers of meaning. We shape our experiences. Reality just doesn't happen, up to us, pre-formed. We have the responsibility of making our own meaning."\" width=\"644\" height=\"630\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister.jpg 644w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-400x391.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-613x600.jpg 613w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-64x64.jpg 64w\" sizes=\"(max-width: 644px) 100vw, 644px\">\u003cfigcaption class=\"wp-caption-text\">Gary Lucas, via Facebook: “One day I was at a stop sign with a Janis song blaring on the radio, when suddenly she crossed the street in front of me. Hearing my radio, she turned and gave me a big Janis Joplin wave.This is a photo of me with my littIe sister in about ’67 somewhere in the Haight. “Hey Lana Jean,” I hollered as I was pulling out of our small New Mexico farm town. “You wanna go to San Francisco?” We turned on, tuned in, and dropped out — meaning we accepted the epistemological demand of adult learners to be self-authoring. Our intention was to transcend the captivity of socialization. Innately, Humans are makers of meaning. We shape our experiences. Reality just doesn’t happen, up to us, pre-formed. We have the responsibility of making our own meaning.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545744\" class=\"wp-caption aligncenter\" style=\"max-width: 507px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545744\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Loretta-Norton-Billie-Jean-King-late-60s.jpg\" alt='Loretta Norton, via Facebook: \"Billy Jean King at party in the late 60s. I am at left playing guitar.\"' width=\"507\" height=\"445\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Loretta-Norton-Billie-Jean-King-late-60s.jpg 507w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Loretta-Norton-Billie-Jean-King-late-60s-400x351.jpg 400w\" sizes=\"(max-width: 507px) 100vw, 507px\">\u003cfigcaption class=\"wp-caption-text\">Loretta Norton, via Facebook: “Billy Jean King at party in the late 60s. I am at left playing guitar.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545760\" class=\"wp-caption aligncenter\" style=\"max-width: 851px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545760\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat.jpg\" alt='Deborah Wall McGraw, via Facebook: \"San Francisco, 1968\"' width=\"851\" height=\"681\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat.jpg 851w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat-400x320.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat-750x600.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat-768x615.jpg 768w\" sizes=\"(max-width: 851px) 100vw, 851px\">\u003cfigcaption class=\"wp-caption-text\">Deborah Wall McGraw, via Facebook: “San Francisco, 1968”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545765\" class=\"wp-caption aligncenter\" style=\"max-width: 635px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545765\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield.jpg\" alt='Scott Klinepier, via Instagram: \"Me in 1969, Kentfield\"' width=\"635\" height=\"631\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield.jpg 635w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-400x397.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-604x600.jpg 604w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-150x150.jpg 150w\" sizes=\"(max-width: 635px) 100vw, 635px\">\u003cfigcaption class=\"wp-caption-text\">Scott Klinepier, via Instagram: “Me in 1969, Kentfield”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545885\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545885\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2.jpg\" alt='Shannon Barter, via Instagram: \"Me and the fam, Montara 1969.\"' width=\"640\" height=\"799\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2-400x499.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2-481x600.jpg 481w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Shannon Barter, via Instagram: “Me and the fam, Montara 1969.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545751\" class=\"wp-caption aligncenter\" style=\"max-width: 938px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545751\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965.jpg\" alt='Trish Grima, via Facebook: \"Oakland 1965 (in front of old Laurel School)\"' width=\"938\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965.jpg 938w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-400x409.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-586x600.jpg 586w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-768x786.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-32x32.jpg 32w\" sizes=\"(max-width: 938px) 100vw, 938px\">\u003cfigcaption class=\"wp-caption-text\">Trish Grima, via Facebook: “Oakland 1965 (in front of old Laurel School)”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545762\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545762\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969.jpg\" alt='Steve Quinlan, via Facebook: \"Robert & Tomiko Quinlan. Fairfield,1969.\"' width=\"960\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-600x600.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-150x150.jpg 150w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Steve Quinlan, via Facebook: “Robert & Tomiko Quinlan. Fairfield,1969.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545736\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545736\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA.jpg\" alt='Melanie Hofmann, via Facebook: \"Graduation ceremony of students at Pinel School (Martinez, CA), Curry Creek, Clayton, CA\"' width=\"960\" height=\"637\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA-400x265.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA-800x531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA-768x510.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Melanie Hofmann, via Facebook: “Graduation ceremony of students at Pinel School (Martinez, CA), Curry Creek, Clayton, CA”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545763\" class=\"wp-caption aligncenter\" style=\"max-width: 682px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545763\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom.jpg\" alt=\"Susan Sarra Kelly, via Facebook: "Christmas '69. Me & my Mom"\" width=\"682\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom.jpg 682w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom-400x563.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom-426x600.jpg 426w\" sizes=\"(max-width: 682px) 100vw, 682px\">\u003cfigcaption class=\"wp-caption-text\">Susan Sarra Kelly, via Facebook: “Christmas ’69. Me & my Mom”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545737\" class=\"wp-caption aligncenter\" style=\"max-width: 626px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545737\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968.jpg\" alt=\"Ivee Broussard, via Facebook: "Once upon a time in the Excelsior District of San Francisco, people got *very* dressed up to go to Sunday mass. I love my mother's (Anita) pillbox hat, wrist length gloves, and pointy shoes, and my father's (Ivan) Sinatra look. 1968, Church of the Epiphany."\" width=\"626\" height=\"661\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968.jpg 626w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968-400x422.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968-568x600.jpg 568w\" sizes=\"(max-width: 626px) 100vw, 626px\">\u003cfigcaption class=\"wp-caption-text\">Ivee Broussard, via Facebook: “Once upon a time in the Excelsior District of San Francisco, people got *very* dressed up to go to Sunday mass. I love my mother’s (Anita) pillbox hat, wrist length gloves, and pointy shoes, and my father’s (Ivan) Sinatra look. 1968, Church of the Epiphany.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545759\" class=\"wp-caption aligncenter\" style=\"max-width: 643px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545759\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Marisol-Colon-Santoni.jpg\" alt='Marisol Colon Santoni, via Facebook: \"17th Street [San Francisco] with Eureka Market in background, 1962. Pictured are my Mom and brother.\"' width=\"643\" height=\"598\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Marisol-Colon-Santoni.jpg 643w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Marisol-Colon-Santoni-400x372.jpg 400w\" sizes=\"(max-width: 643px) 100vw, 643px\">\u003cfigcaption class=\"wp-caption-text\">Marisol Colon Santoni, via Facebook: “17th Street [San Francisco] with Eureka Market in background, 1962. Pictured are my Mom and brother.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545755\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545755\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969.jpg\" alt='Russ Dugoni, via Facebook: \"Groovy! 1969 family pic.\"' width=\"960\" height=\"540\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969-768x432.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Russ Dugoni, via Facebook: “Groovy! 1969 family pic.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545738\" class=\"wp-caption aligncenter\" style=\"max-width: 347px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545738\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Ali-Madigan-FB-San-Pablo-1969.jpg\" alt=\"Ali Madigan, via Facebook: "San Pablo 1969. Me, riding the pony, with my 3 siblings & 2 neighbor kids. You can just see the tail end of mom's VW bus on the right. Now famous for being the quintessential "Hippie" van, for our family of 7 it was the "mini van" of the day."\" width=\"347\" height=\"448\">\u003cfigcaption class=\"wp-caption-text\">Ali Madigan, via Facebook: “San Pablo 1969. Me, riding the pony, with my three siblings and two neighbor kids. You can just see the tail end of Mom’s VW bus on the right. Now famous for being the quintessential “Hippie” van, for our family of seven it was the “minivan” of the day.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545752\" class=\"wp-caption aligncenter\" style=\"max-width: 621px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545752\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968.jpg\" alt='Deborah Wall McGraw, via Facebook: \"A concert in the Bay Area, 1968\"' width=\"621\" height=\"634\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968.jpg 621w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-400x408.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-588x600.jpg 588w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-64x64.jpg 64w\" sizes=\"(max-width: 621px) 100vw, 621px\">\u003cfigcaption class=\"wp-caption-text\">Deborah Wall McGraw, via Facebook: “A concert in the Bay Area, 1968”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545745\" class=\"wp-caption aligncenter\" style=\"max-width: 604px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545745\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jan-Rosen-FB-Saratoga-1962.jpg\" alt='Jan Rosen, via Facebook: \"Saratoga 1962\"' width=\"604\" height=\"386\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jan-Rosen-FB-Saratoga-1962.jpg 604w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jan-Rosen-FB-Saratoga-1962-400x256.jpg 400w\" sizes=\"(max-width: 604px) 100vw, 604px\">\u003cfigcaption class=\"wp-caption-text\">Jan Rosen, via Facebook: “Saratoga 1962”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545746\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545746\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang.jpg\" alt='Katherine Murray, via Facebook: \"Half Moon Bay in our new 1965 Mustang.\"' width=\"960\" height=\"954\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-400x398.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-604x600.jpg 604w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-768x763.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-150x150.jpg 150w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Katherine Murray, via Facebook: “Half Moon Bay in our new 1965 Mustang.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545748\" class=\"wp-caption aligncenter\" style=\"max-width: 554px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545748\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962.jpg\" alt='Christine Suppes, via Facebook: \"Dad coming home from work one summer evening down on the Peninsula in 1962, in front of an old California bay tree in our yard. We lived outdoors as little kids all summer long, and I almost never wore shoes!\"' width=\"554\" height=\"742\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962.jpg 554w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962-400x536.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962-448x600.jpg 448w\" sizes=\"(max-width: 554px) 100vw, 554px\">\u003cfigcaption class=\"wp-caption-text\">Christine Suppes, via Facebook: “Dad coming home from work one summer evening down on the Peninsula in 1962, in front of an old California bay tree in our yard. We lived outdoors as little kids all summer long, and I almost never wore shoes!”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545754\" class=\"wp-caption aligncenter\" style=\"max-width: 734px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545754\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964.jpg\" alt='Jacqueline Dever, via Facebook: \"Bolinas Beach, with Stinson in the background.\"' width=\"734\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964.jpg 734w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964-400x523.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964-459x600.jpg 459w\" sizes=\"(max-width: 734px) 100vw, 734px\">\u003cfigcaption class=\"wp-caption-text\">Jacqueline Dever, via Facebook: “Bolinas Beach, with Stinson in the background.”\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>[ad floatright]\u003c/p>\n",
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"title": "PHOTOS: The 1960s San Francisco Bay Area, Seen Though Family Albums | KQED",
"description": "To celebrate the broadcast premiere of Janis Joplin: Little Girl Blue on Tuesday, May 3 on KQED 9, we asked our social media fans to delve into their family albums and show us their snapshots taken during the Sixties in the San Francisco Bay Area: a place Joplin called home until her untimely death age 27 in 1970. And they did not disappoint. Scroll down to enjoy just some of the many, many evocative photographs we received via the #BayBackWhen hashtag. Many thanks to all those who contributed to this collective picture of the style, attitude and atmosphere of an unforgettable period of Bay Area history! (Click here",
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"headline": "PHOTOS: The 1960s San Francisco Bay Area, Seen Though Family Albums",
"datePublished": "2016-05-02T22:13:39-07:00",
"dateModified": "2024-09-19T16:21:19-07:00",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>To celebrate the broadcast premiere of \u003ca href=\"arts/2016/04/28/american-masters-janis-joplin/\" target=\"_blank\" rel=\"noopener\">\u003cem>Janis Joplin: Little Girl Blue\u003c/em>\u003c/a> on Tuesday, May 3 on KQED 9, \u003ca href=\"https://ww2.kqed.org/about/2016/04/28/baybackwhen-we-want-your-vintage-family-photographs-from-the-1960s/\">we asked our social media fans\u003c/a> to delve into their family albums and show us their snapshots taken during the Sixties in the San Francisco Bay Area: a place Joplin called home until her untimely death age 27 in 1970. And they did \u003cem>not\u003c/em> disappoint.\u003c/p>\n\u003cp>Scroll down to enjoy just some of the many, many evocative photographs we received via the #BayBackWhen hashtag. Many thanks to all those who contributed to this collective picture of the style, attitude and atmosphere of an unforgettable period of Bay Area history!\u003c/p>\n\u003cp style=\"text-align: left\">\u003cstrong>(Click \u003ca href=\"arts/2016/04/28/american-masters-janis-joplin/\" target=\"_blank\" rel=\"noopener\">here\u003c/a> for more information on \u003cem>\u003ca href=\"http://www.kqed.org/tv/programs/index.jsp?pgmid=23409\" target=\"_blank\" rel=\"noopener\">Janis Joplin: Little Girl Blue\u003c/a>, \u003c/em>including interviews, \u003ca href=\"http://ww2.kqed.org/arts/2016/04/29/bonus-video-clips-and-excerpts-from-janis-little-girl-blue/\" target=\"_blank\" rel=\"noopener\">bonus video clips\u003c/a> and \u003ca href=\"http://ww2.kqed.org/arts/2016/04/28/american-masters-janis-joplin/\" target=\"_blank\" rel=\"noopener\">more\u003c/a>.)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11545718\" class=\"wp-caption aligncenter\" style=\"max-width: 742px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545718\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish.jpg\" alt='Joan Rudloff, via Facebook: Pictured at San Francisco General Hospital \"in 1970 or so\"' width=\"742\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish.jpg 742w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish-400x518.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Joan-Rudloff-FB-SF-General-1970-ish-464x600.jpg 464w\" sizes=\"(max-width: 742px) 100vw, 742px\">\u003cfigcaption class=\"wp-caption-text\">Joan Rudloff, via Facebook: Pictured at San Francisco General Hospital “in 1970 or so”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551586\" class=\"wp-caption aligncenter\" style=\"max-width: 720px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551586\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz.jpg\" alt=\"Loriz Gomez, via Facebook: "'61, 62? Santa Cruz. Sis in law Sharon, my brothers, my niece the baby and sis Robina and I. Crazy family!"\" width=\"720\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz-400x533.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Lori-Gomez-FB-post-1961-2-Santa-Cruz-450x600.jpg 450w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Loriz Gomez, via Facebook: “’61, 62? Santa Cruz. Sis in law Sharon, my brothers, my niece the baby and sis Robina and I. Crazy family!”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545612\" class=\"wp-caption aligncenter\" style=\"max-width: 536px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545612\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley.jpg\" alt=\"Molly Robinson Couto, via Facebook: "Me holding my older sister's hand during a protest march in downtown Berkeley in around 1968. My mom is just behind my sister, and her best friend is behind her next to another family friend."\" width=\"536\" height=\"608\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley.jpg 536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley-400x454.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1968-holding-older-sis-hand-protest-march-dt-Berkeley-529x600.jpg 529w\" sizes=\"(max-width: 536px) 100vw, 536px\">\u003cfigcaption class=\"wp-caption-text\">Molly Robinson Couto, via Facebook: “Me holding my older sister’s hand during a protest march in downtown Berkeley in around 1968. My mom is just behind my sister, and her best friend is behind her next to another family friend.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551585\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551585\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965.jpg\" alt='Xochitl Selena Martinez, via Facebook: \"The Sinaloa nightclub in North Beach, S.F. me as a child, my mom, aunts and extended family 1965.\"' width=\"960\" height=\"628\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965-400x262.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965-800x523.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Xochitl-Selena-Martinez-FB-1965-768x502.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Xochitl Selena Martinez, via Facebook: “The Sinaloa nightclub in North Beach, S.F. me as a child, my mom, aunts and extended family 1965.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545734\" class=\"wp-caption aligncenter\" style=\"max-width: 734px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545734\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002.jpg\" alt='From Mary Elizabeth Ferla-Brown, via Facebook: \"My dad , Jim Ferla [exact date unknown.] He passed away in 2002 and I always keep it in my wallet.\"' width=\"734\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002.jpg 734w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002-400x523.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/MaryElizabeth-Ferla-Brown-FB-dad-Jim-passed-away-2002-459x600.jpg 459w\" sizes=\"(max-width: 734px) 100vw, 734px\">\u003cfigcaption class=\"wp-caption-text\">From Mary Elizabeth Ferla-Brown, via Facebook: “My dad , Jim Ferla [exact date unknown.] He passed away in 2002 and I always keep it in my wallet.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548842\" class=\"wp-caption aligncenter\" style=\"max-width: 1334px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11548842 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans.jpg\" alt='\"This picture was taken in 1969, Monterey. The Dovan clan had been one of the first Vietnamese families to emigrate to the US. The patriarch, Hien Dovan was offered a teaching post at the Language Institute on the West Coast and came over during the Eisenhower administration in 1957; his family soon followed. At school the young Dovans were thought to be either Koreans (because of the recent Korean War), Chinese or Japanese because at that time very few people had ever heard of Vietnam.”' width=\"1334\" height=\"910\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans.jpg 1334w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-400x273.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-800x546.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-768x524.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-1180x805.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jessica-Cruz-Dovans-960x655.jpg 960w\" sizes=\"(max-width: 1334px) 100vw, 1334px\">\u003cfigcaption class=\"wp-caption-text\">Minh Steven Dovan: “This picture was taken in 1969, Monterey. The Dovan clan had been one of the first Vietnamese families to emigrate to the US. The patriarch, Hien Dovan was offered a teaching post at the Language Institute on the West Coast and came over during the Eisenhower administration in 1957; his family soon followed. At school the young Dovans were thought to be either Koreans (because of the recent Korean War), Chinese or Japanese because at that time very few people had ever heard of Vietnam.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545750\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545750\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968.jpg\" alt='Jacqueline Haber, via Facebook: \"Miss Martinez & Miss McNulty, San Franciscans picnicking on Mt. Tam, 1968!\"' width=\"960\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-600x600.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Haber-FB-1968-150x150.jpg 150w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Jacqueline Haber, via Facebook: “Miss Martinez & Miss McNulty, San Franciscans picnicking on Mt. Tam, 1968!”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551587\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551587\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9.jpg\" alt='Stephanie Byrne Fiedler, via Facebook: \"Peace March in San Francisco - probably 1968 or 1969.\"' width=\"960\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Stephanie-Byrne-Fiedler-FB-post-1968-9-768x512.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Stephanie Byrne Fiedler, via Facebook: “Peace March in San Francisco – probably 1968 or 1969.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548061\" class=\"wp-caption aligncenter\" style=\"max-width: 700px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11548061\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-68-Avalon.jpg\" alt=\"Gary Lucas, via Facebook: "I was there the night Janis and the Angels closed down the Avalon. It was the best party in town. This is a photo of three Haight Street Freaks back in about '68. I'm the one in the middle. We were driven by a psychological compulsion to search for an order of complexity greater than what had been previously experienced. Believing it was my duty to advance Humanitarian Values and to protect the earth, I brought my ability to transcend with me and San Francisco validated it."\" width=\"700\" height=\"489\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-68-Avalon.jpg 700w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-68-Avalon-400x279.jpg 400w\" sizes=\"(max-width: 700px) 100vw, 700px\">\u003cfigcaption class=\"wp-caption-text\">Gary Lucas, via Facebook: “I was there the night Janis and the Angels closed down the Avalon. It was the best party in town. This is a photo of three Haight Street Freaks back in about ’68. I’m the one in the middle. We were driven by a psychological compulsion to search for an order of complexity greater than what had been previously experienced. Believing it was my duty to advance Humanitarian Values and to protect the earth, I brought my ability to transcend with me and San Francisco validated it.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548064\" class=\"wp-caption aligncenter\" style=\"max-width: 964px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11548064\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB.jpg\" alt=\"Theresa Anderson Glisson, via Facebook: "Here's my family photo from my hippie days......cousins, aunts, uncles, parents, grandparents, brother and sisters. I'm the cool one in front with the dog."\" width=\"964\" height=\"810\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB.jpg 964w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-400x336.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-714x600.jpg 714w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-768x645.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Theresa-Anderson-Glisson-FB-960x807.jpg 960w\" sizes=\"(max-width: 964px) 100vw, 964px\">\u003cfigcaption class=\"wp-caption-text\">Theresa Anderson Glisson, via Facebook: “Here’s my family photo from my hippie days……cousins, aunts, uncles, parents, grandparents, brother and sisters. I’m the cool one in front with the dog.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551583\" class=\"wp-caption aligncenter\" style=\"max-width: 591px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11551583 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Julieta-Zambrano-Villa-12.jpg\" alt=\"Julieta Zambrano Villa, via Facebook\" width=\"591\" height=\"527\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Julieta-Zambrano-Villa-12.jpg 591w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Julieta-Zambrano-Villa-12-400x357.jpg 400w\" sizes=\"(max-width: 591px) 100vw, 591px\">\u003cfigcaption class=\"wp-caption-text\">Julieta Zambrano Villa, via Facebook\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11551584\" class=\"wp-caption aligncenter\" style=\"max-width: 720px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11551584\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Maureen-Hurley.jpg\" alt=\"Maureen Hurley, via Facebook: "Mo Hurley & Bob Hamilton, with my brother Guy Franklin and cousin David Dinsmore, partying like rockstars in San Rafael. I'm fairly certain the punch was spiked. Look at the little kid's expression."\" width=\"720\" height=\"713\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley.jpg 720w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-400x396.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-606x600.jpg 606w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Maureen-Hurley-150x150.jpg 150w\" sizes=\"(max-width: 720px) 100vw, 720px\">\u003cfigcaption class=\"wp-caption-text\">Maureen Hurley, via Facebook: “Mo Hurley & Bob Hamilton, with my brother Guy Franklin and cousin David Dinsmore, partying like rockstars in San Rafael. I’m fairly certain the punch was spiked. Look at the little kid’s expression.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545757\" class=\"wp-caption aligncenter\" style=\"max-width: 641px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11545757 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1.jpg\" alt='Cheri Mendieta, via Facebook: \"1967 free concert Golden Gate park, sisterly love with brother Bill Rook.\"' width=\"641\" height=\"707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1.jpg 641w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1-400x441.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Cheri-Mendieta-FB-1967-GG-Park-1-544x600.jpg 544w\" sizes=\"(max-width: 641px) 100vw, 641px\">\u003cfigcaption class=\"wp-caption-text\">Cheri Mendieta, via Facebook: “1967 free concert Golden Gate park, sisterly love with brother Bill Rook.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545611\" class=\"wp-caption aligncenter\" style=\"max-width: 603px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545611\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul.jpg\" alt='Molly Robinson Couto, via Facebook: \"This is my dad (far right), my Uncle Al, middle, and their friend Paul Nord, hanging out at Strawberry Canyon pool, 1961\"' width=\"603\" height=\"599\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul.jpg 603w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-400x397.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Molly-Robinson-Couto-FB-1961-Strawberry-Canyon-Pool-Dad-far-right-Uncle-Al-and-friend-Paul-150x150.jpg 150w\" sizes=\"(max-width: 603px) 100vw, 603px\">\u003cfigcaption class=\"wp-caption-text\">From Molly Robinson Couto, via Facebook: “This is my dad (far right), my Uncle Al, middle, and their friend Paul Nord, hanging out at Strawberry Canyon pool [Berkeley], 1961”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545732\" class=\"wp-caption aligncenter\" style=\"max-width: 358px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11545732 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-HS-graduation-1967.jpg\" alt='Susan Sarra, via Facebook: \"My high school graduation, 1967\"' width=\"358\" height=\"395\">\u003cfigcaption class=\"wp-caption-text\">From Susan Sarra, via Facebook: “My high school graduation, 1967. Lovin’ the dress.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11548063\" class=\"wp-caption aligncenter\" style=\"max-width: 644px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11548063\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister.jpg\" alt=\"Gary Lucas, via Facebook: "One day I was at a stop sign with a Janis song blaring on the radio, when suddenly she crossed the street in front of me. Hearing my radio, she turned and gave me a big Janis Joplin wave.This is a photo of me with my littIe sister in about '67 somewhere in the Haight. "Hey Lana Jean," I hollered as I was pulling out of our small New Mexico farm town. "You wanna go to San Francisco?" We turned on, tuned in, and dropped out -- meaning we accepted the epistemological demand of adult learners to be self-authoring. Our intention was to transcend the captivity of socialization. Innately, Humans are makers of meaning. We shape our experiences. Reality just doesn't happen, up to us, pre-formed. We have the responsibility of making our own meaning."\" width=\"644\" height=\"630\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister.jpg 644w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-400x391.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-613x600.jpg 613w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Gary-Lucas-FB-67-Sister-64x64.jpg 64w\" sizes=\"(max-width: 644px) 100vw, 644px\">\u003cfigcaption class=\"wp-caption-text\">Gary Lucas, via Facebook: “One day I was at a stop sign with a Janis song blaring on the radio, when suddenly she crossed the street in front of me. Hearing my radio, she turned and gave me a big Janis Joplin wave.This is a photo of me with my littIe sister in about ’67 somewhere in the Haight. “Hey Lana Jean,” I hollered as I was pulling out of our small New Mexico farm town. “You wanna go to San Francisco?” We turned on, tuned in, and dropped out — meaning we accepted the epistemological demand of adult learners to be self-authoring. Our intention was to transcend the captivity of socialization. Innately, Humans are makers of meaning. We shape our experiences. Reality just doesn’t happen, up to us, pre-formed. We have the responsibility of making our own meaning.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545744\" class=\"wp-caption aligncenter\" style=\"max-width: 507px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545744\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Loretta-Norton-Billie-Jean-King-late-60s.jpg\" alt='Loretta Norton, via Facebook: \"Billy Jean King at party in the late 60s. I am at left playing guitar.\"' width=\"507\" height=\"445\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Loretta-Norton-Billie-Jean-King-late-60s.jpg 507w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Loretta-Norton-Billie-Jean-King-late-60s-400x351.jpg 400w\" sizes=\"(max-width: 507px) 100vw, 507px\">\u003cfigcaption class=\"wp-caption-text\">Loretta Norton, via Facebook: “Billy Jean King at party in the late 60s. I am at left playing guitar.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545760\" class=\"wp-caption aligncenter\" style=\"max-width: 851px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545760\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat.jpg\" alt='Deborah Wall McGraw, via Facebook: \"San Francisco, 1968\"' width=\"851\" height=\"681\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat.jpg 851w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat-400x320.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat-750x600.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-hat-768x615.jpg 768w\" sizes=\"(max-width: 851px) 100vw, 851px\">\u003cfigcaption class=\"wp-caption-text\">Deborah Wall McGraw, via Facebook: “San Francisco, 1968”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545765\" class=\"wp-caption aligncenter\" style=\"max-width: 635px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545765\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield.jpg\" alt='Scott Klinepier, via Instagram: \"Me in 1969, Kentfield\"' width=\"635\" height=\"631\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield.jpg 635w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-400x397.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-604x600.jpg 604w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Scott-Klinepier-IG-1969-Kentfield-150x150.jpg 150w\" sizes=\"(max-width: 635px) 100vw, 635px\">\u003cfigcaption class=\"wp-caption-text\">Scott Klinepier, via Instagram: “Me in 1969, Kentfield”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545885\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545885\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2.jpg\" alt='Shannon Barter, via Instagram: \"Me and the fam, Montara 1969.\"' width=\"640\" height=\"799\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2-400x499.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Shannon-Barter-IG-2-481x600.jpg 481w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Shannon Barter, via Instagram: “Me and the fam, Montara 1969.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545751\" class=\"wp-caption aligncenter\" style=\"max-width: 938px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545751\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965.jpg\" alt='Trish Grima, via Facebook: \"Oakland 1965 (in front of old Laurel School)\"' width=\"938\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965.jpg 938w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-400x409.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-586x600.jpg 586w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-768x786.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Trish-Gima-FB-Oakland-1965-32x32.jpg 32w\" sizes=\"(max-width: 938px) 100vw, 938px\">\u003cfigcaption class=\"wp-caption-text\">Trish Grima, via Facebook: “Oakland 1965 (in front of old Laurel School)”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545762\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545762\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969.jpg\" alt='Steve Quinlan, via Facebook: \"Robert & Tomiko Quinlan. Fairfield,1969.\"' width=\"960\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-600x600.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Steve-Quinlan-FB-Robert-Tomiko-Quinlan-Fairfield-1969-150x150.jpg 150w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Steve Quinlan, via Facebook: “Robert & Tomiko Quinlan. Fairfield,1969.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545736\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545736\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA.jpg\" alt='Melanie Hofmann, via Facebook: \"Graduation ceremony of students at Pinel School (Martinez, CA), Curry Creek, Clayton, CA\"' width=\"960\" height=\"637\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA-400x265.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA-800x531.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Melanie-Hofmann-FB-Graduation-ceremony-of-students-at-Pinel-School-Martinez-CA-768x510.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Melanie Hofmann, via Facebook: “Graduation ceremony of students at Pinel School (Martinez, CA), Curry Creek, Clayton, CA”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545763\" class=\"wp-caption aligncenter\" style=\"max-width: 682px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545763\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom.jpg\" alt=\"Susan Sarra Kelly, via Facebook: "Christmas '69. Me & my Mom"\" width=\"682\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom.jpg 682w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom-400x563.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Susan-Sarra-Kelly-FB-Christmas-69-with-mom-426x600.jpg 426w\" sizes=\"(max-width: 682px) 100vw, 682px\">\u003cfigcaption class=\"wp-caption-text\">Susan Sarra Kelly, via Facebook: “Christmas ’69. Me & my Mom”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545737\" class=\"wp-caption aligncenter\" style=\"max-width: 626px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545737\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968.jpg\" alt=\"Ivee Broussard, via Facebook: "Once upon a time in the Excelsior District of San Francisco, people got *very* dressed up to go to Sunday mass. I love my mother's (Anita) pillbox hat, wrist length gloves, and pointy shoes, and my father's (Ivan) Sinatra look. 1968, Church of the Epiphany."\" width=\"626\" height=\"661\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968.jpg 626w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968-400x422.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Ivee-Broussard-FB-POST-Excelsior-1968-568x600.jpg 568w\" sizes=\"(max-width: 626px) 100vw, 626px\">\u003cfigcaption class=\"wp-caption-text\">Ivee Broussard, via Facebook: “Once upon a time in the Excelsior District of San Francisco, people got *very* dressed up to go to Sunday mass. I love my mother’s (Anita) pillbox hat, wrist length gloves, and pointy shoes, and my father’s (Ivan) Sinatra look. 1968, Church of the Epiphany.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545759\" class=\"wp-caption aligncenter\" style=\"max-width: 643px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545759\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Marisol-Colon-Santoni.jpg\" alt='Marisol Colon Santoni, via Facebook: \"17th Street [San Francisco] with Eureka Market in background, 1962. Pictured are my Mom and brother.\"' width=\"643\" height=\"598\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Marisol-Colon-Santoni.jpg 643w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Marisol-Colon-Santoni-400x372.jpg 400w\" sizes=\"(max-width: 643px) 100vw, 643px\">\u003cfigcaption class=\"wp-caption-text\">Marisol Colon Santoni, via Facebook: “17th Street [San Francisco] with Eureka Market in background, 1962. Pictured are my Mom and brother.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545755\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545755\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969.jpg\" alt='Russ Dugoni, via Facebook: \"Groovy! 1969 family pic.\"' width=\"960\" height=\"540\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Russ-Dugoni-FB-1969-768x432.jpg 768w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Russ Dugoni, via Facebook: “Groovy! 1969 family pic.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545738\" class=\"wp-caption aligncenter\" style=\"max-width: 347px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545738\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Ali-Madigan-FB-San-Pablo-1969.jpg\" alt=\"Ali Madigan, via Facebook: "San Pablo 1969. Me, riding the pony, with my 3 siblings & 2 neighbor kids. You can just see the tail end of mom's VW bus on the right. Now famous for being the quintessential "Hippie" van, for our family of 7 it was the "mini van" of the day."\" width=\"347\" height=\"448\">\u003cfigcaption class=\"wp-caption-text\">Ali Madigan, via Facebook: “San Pablo 1969. Me, riding the pony, with my three siblings and two neighbor kids. You can just see the tail end of Mom’s VW bus on the right. Now famous for being the quintessential “Hippie” van, for our family of seven it was the “minivan” of the day.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545752\" class=\"wp-caption aligncenter\" style=\"max-width: 621px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545752\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968.jpg\" alt='Deborah Wall McGraw, via Facebook: \"A concert in the Bay Area, 1968\"' width=\"621\" height=\"634\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968.jpg 621w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-400x408.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-588x600.jpg 588w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Deborash-Wall-McGraw-FB-1968-64x64.jpg 64w\" sizes=\"(max-width: 621px) 100vw, 621px\">\u003cfigcaption class=\"wp-caption-text\">Deborah Wall McGraw, via Facebook: “A concert in the Bay Area, 1968”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545745\" class=\"wp-caption aligncenter\" style=\"max-width: 604px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545745\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jan-Rosen-FB-Saratoga-1962.jpg\" alt='Jan Rosen, via Facebook: \"Saratoga 1962\"' width=\"604\" height=\"386\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jan-Rosen-FB-Saratoga-1962.jpg 604w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jan-Rosen-FB-Saratoga-1962-400x256.jpg 400w\" sizes=\"(max-width: 604px) 100vw, 604px\">\u003cfigcaption class=\"wp-caption-text\">Jan Rosen, via Facebook: “Saratoga 1962”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545746\" class=\"wp-caption aligncenter\" style=\"max-width: 960px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545746\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang.jpg\" alt='Katherine Murray, via Facebook: \"Half Moon Bay in our new 1965 Mustang.\"' width=\"960\" height=\"954\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-400x398.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-604x600.jpg 604w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-768x763.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Katherine-Murray-FB-Half-Moon-Bay-in-our-new-1965-Mustang-150x150.jpg 150w\" sizes=\"(max-width: 960px) 100vw, 960px\">\u003cfigcaption class=\"wp-caption-text\">Katherine Murray, via Facebook: “Half Moon Bay in our new 1965 Mustang.”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545748\" class=\"wp-caption aligncenter\" style=\"max-width: 554px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545748\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962.jpg\" alt='Christine Suppes, via Facebook: \"Dad coming home from work one summer evening down on the Peninsula in 1962, in front of an old California bay tree in our yard. We lived outdoors as little kids all summer long, and I almost never wore shoes!\"' width=\"554\" height=\"742\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962.jpg 554w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962-400x536.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Christine-Suppes-FB-1962-448x600.jpg 448w\" sizes=\"(max-width: 554px) 100vw, 554px\">\u003cfigcaption class=\"wp-caption-text\">Christine Suppes, via Facebook: “Dad coming home from work one summer evening down on the Peninsula in 1962, in front of an old California bay tree in our yard. We lived outdoors as little kids all summer long, and I almost never wore shoes!”\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11545754\" class=\"wp-caption aligncenter\" style=\"max-width: 734px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11545754\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964.jpg\" alt='Jacqueline Dever, via Facebook: \"Bolinas Beach, with Stinson in the background.\"' width=\"734\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964.jpg 734w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964-400x523.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Jacqueline-Dever-Bolinas-1964-459x600.jpg 459w\" sizes=\"(max-width: 734px) 100vw, 734px\">\u003cfigcaption class=\"wp-caption-text\">Jacqueline Dever, via Facebook: “Bolinas Beach, with Stinson in the background.”\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/261294973&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>[contextly_sidebar id=\"DMdnsu96wdRWd1HqZtVj9mn9wn5CflOo\"]It's been a week since Prince left this world, but I still find myself gazing adoringly\u003ca href=\"http://ww2.kqed.org/pop/2016/04/21/every-animated-gif-of-prince-youll-ever-need/\"> at animated gifs of him\u003c/a>, listening to his music, watching videos of him, and reading about his life. In the course of all of this, I've learned a lot about Prince and his career that I didn't know before. Here are some things you might not know about the Purple One:\u003c/p>\n\u003cp>1. Prince's childhood nickname was \"Skipper.\"\u003c/p>\n\u003cp>2. He wrote his first song at the age of seven. It was called \"Funk Machine.\"\u003c/p>\n\u003cp>3. When he was 10, Prince danced on stage with James Brown.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>4. Before he hit the big time, Prince used to stand outside of his local McDonald's and smell the food because he couldn't afford to eat.\u003c/p>\n\u003cp>5. Despite being 5'2\", he was known to be an incredible basketball player.\u003c/p>\n\u003cp>6. He played every single instrument on his debut album.\u003c/p>\n\u003cp>7. Prince could play 27 different musical instruments.\u003c/p>\n\u003cp>8. He played electric guitar on Madonna's \"Like a Prayer.\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=79fzeNUqQbQ\u003c/p>\n\u003cp>And synths on Stevie Nicks' \"Stand Back.\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=-gSKeCvSCpw\u003c/p>\n\u003cp>9. We all know that Prince is responsible for Sinead O'Connor's \"Nothing Compares 2 U,\" but did you know that he also wrote \"Manic Monday\" by the Bangles?\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=SsmVgoXDq2w\u003c/p>\n\u003cp>10. One of his favorite meals during the \u003cem>Purple Rain\u003c/em> era was spaghetti paired with orange juice.\u003c/p>\n\u003cp>11. Prince originally wanted Vanity 6 to be called The Hookers and Vanity to be called Vagina (pronounced Va-geena).\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=bfLZfyphg0M\u003c/p>\n\u003cp>12. Smoke machines were allegedly used so heavily on the sets of his music videos for \"1999\" and \"Little Red Corvette\" that a bunch of people got diarrhea from breathing in all the mineral oil in the air.\u003c/p>\n\u003cp>13. Michael Jackson's \"Bad\" was almost a duet with Prince, until Prince objected to the first four words: \"Your butt is mine.\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=T9ZN9nKQqe0\u003c/p>\n\u003cp>14. Prince almost released an entire album as Camille, his female alter ego.\u003c/p>\n\u003cp>15. He produced an album called \u003cem>A Hollywood Affair \u003c/em>with Kim Basinger, but the project was scrapped because she wasn't the best singer. That doesn't mean you can't still listen to it though:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=oWBXdoeg6Bs&list=PL3BwO8tCn0ZwmDwbhMlvPlN6W73V4Gqab\u003c/p>\n\u003cp>16. A week before its release, Prince yanked all copies of \u003cem>The Black Album\u003c/em> because he came to believe that \"the dark side of him\" created \"something evil.\"\u003c/p>\n\u003cp>17. Prince hated swearing so much that he beckoned Sinead O'Connor to his mansion to tell her to stop using bad language in her interviews. She promptly told him to \"F*ck off.\" They proceeded to get into a crazy fist fight, which involved chasing each other around a car and spitting and punching at each other.\u003c/p>\n\u003cp>http://www.dailymail.co.uk/embed/video/1001803.html\u003c/p>\n\u003cp>18. Back in 1994, kids were playing a CD-ROM game titled \"\u003ca href=\"http://www.pastemagazine.com/articles/2016/04/princes-cd-rom-game-prince-interactive.html\">Prince Interactive\u003c/a>,\" which included two unreleased songs, interview clips and the opportunity to explore his recording studio.\u003c/p>\n\u003cp>19. Prince was a Jehovah's Witnesses and went door to door to discuss his religion.\u003c/p>\n\u003cp>20. His faith dictated that he could never discuss his charitable work. Now that he has passed, stories of his involvement with \u003ca href=\"http://www.yeswecode.org/\" target=\"_blank\">YesWeCode\u003c/a>, a movement to get underprivileged kids involved in the tech world, and \u003ca href=\"https://en.wikipedia.org/wiki/Green_for_All\">Green For All\u003c/a>, a project that supplies solar panels in Oakland and beyond.\u003c/p>\n\u003cp>21. After turning down Kevin Smith's request to feature a Prince song in \u003ci>Jay and Silent Bob Strike Back\u003c/i>, Prince convinced Smith to film a movie of Prince and his band performing music from \u003cem>The Rainbow Children\u003c/em>. It soon became clear that Prince intended the project to be a Jehovah's Witness recruitment film, filled with messages like \"Jesus Christ is the son of God.\" Kevin Smith decided to duck out.\u003c/p>\n\u003cp>22. Prince didn't take himself too seriously. After David Chappelle famously dressed up as him on his show, Prince, in turn, used Chappelle's image as the cover of his 2013 single \u003cem>Breakfast Can Wait. \u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg.jpg\">\u003cimg class=\"aligncenter wp-image-23496 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg.jpg\" alt=\"Breakfast Can Wait Prince Cover - P - 2013.jpg\" width=\"550\" height=\"550\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg.jpg 550w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-150x150.jpg 150w\" sizes=\"(max-width: 550px) 100vw, 550px\">\u003c/a>\u003c/p>\n\u003cp>23. In recent years, Prince only watched two things on television: the news and Zooey Deschanel's \u003cem>New Girl\u003c/em>. He emailed Zooey to tell her this and eventually starred in an episode and recorded a single with her called “FALLINLOVE2NITE\":\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=XFpBEWFR0jI\u003c/p>\n\u003cp>\u003cem>Want even more little-known facts about Prince? Check out this episode of The Cooler:\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>http://ww2.kqed.org/pop/2016/04/28/lets-go-crazy-over-beyonces-lemonade/\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/261294973&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>It's been a week since Prince left this world, but I still find myself gazing adoringly\u003ca href=\"http://ww2.kqed.org/pop/2016/04/21/every-animated-gif-of-prince-youll-ever-need/\"> at animated gifs of him\u003c/a>, listening to his music, watching videos of him, and reading about his life. In the course of all of this, I've learned a lot about Prince and his career that I didn't know before. Here are some things you might not know about the Purple One:\u003c/p>\n\u003cp>1. Prince's childhood nickname was \"Skipper.\"\u003c/p>\n\u003cp>2. He wrote his first song at the age of seven. It was called \"Funk Machine.\"\u003c/p>\n\u003cp>3. When he was 10, Prince danced on stage with James Brown.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>4. Before he hit the big time, Prince used to stand outside of his local McDonald's and smell the food because he couldn't afford to eat.\u003c/p>\n\u003cp>5. Despite being 5'2\", he was known to be an incredible basketball player.\u003c/p>\n\u003cp>6. He played every single instrument on his debut album.\u003c/p>\n\u003cp>7. Prince could play 27 different musical instruments.\u003c/p>\n\u003cp>8. He played electric guitar on Madonna's \"Like a Prayer.\"\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/79fzeNUqQbQ'\n title='//www.youtube.com/embed/79fzeNUqQbQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>And synths on Stevie Nicks' \"Stand Back.\"\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/-gSKeCvSCpw'\n title='//www.youtube.com/embed/-gSKeCvSCpw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>9. We all know that Prince is responsible for Sinead O'Connor's \"Nothing Compares 2 U,\" but did you know that he also wrote \"Manic Monday\" by the Bangles?\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/SsmVgoXDq2w'\n title='//www.youtube.com/embed/SsmVgoXDq2w'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>10. One of his favorite meals during the \u003cem>Purple Rain\u003c/em> era was spaghetti paired with orange juice.\u003c/p>\n\u003cp>11. Prince originally wanted Vanity 6 to be called The Hookers and Vanity to be called Vagina (pronounced Va-geena).\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/bfLZfyphg0M'\n title='//www.youtube.com/embed/bfLZfyphg0M'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>12. Smoke machines were allegedly used so heavily on the sets of his music videos for \"1999\" and \"Little Red Corvette\" that a bunch of people got diarrhea from breathing in all the mineral oil in the air.\u003c/p>\n\u003cp>13. Michael Jackson's \"Bad\" was almost a duet with Prince, until Prince objected to the first four words: \"Your butt is mine.\"\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/T9ZN9nKQqe0'\n title='//www.youtube.com/embed/T9ZN9nKQqe0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>14. Prince almost released an entire album as Camille, his female alter ego.\u003c/p>\n\u003cp>15. He produced an album called \u003cem>A Hollywood Affair \u003c/em>with Kim Basinger, but the project was scrapped because she wasn't the best singer. That doesn't mean you can't still listen to it though:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/oWBXdoeg6Bs'\n title='//www.youtube.com/embed/oWBXdoeg6Bs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>16. A week before its release, Prince yanked all copies of \u003cem>The Black Album\u003c/em> because he came to believe that \"the dark side of him\" created \"something evil.\"\u003c/p>\n\u003cp>17. Prince hated swearing so much that he beckoned Sinead O'Connor to his mansion to tell her to stop using bad language in her interviews. She promptly told him to \"F*ck off.\" They proceeded to get into a crazy fist fight, which involved chasing each other around a car and spitting and punching at each other.\u003c/p>\n\u003cp>http://www.dailymail.co.uk/embed/video/1001803.html\u003c/p>\n\u003cp>18. Back in 1994, kids were playing a CD-ROM game titled \"\u003ca href=\"http://www.pastemagazine.com/articles/2016/04/princes-cd-rom-game-prince-interactive.html\">Prince Interactive\u003c/a>,\" which included two unreleased songs, interview clips and the opportunity to explore his recording studio.\u003c/p>\n\u003cp>19. Prince was a Jehovah's Witnesses and went door to door to discuss his religion.\u003c/p>\n\u003cp>20. His faith dictated that he could never discuss his charitable work. Now that he has passed, stories of his involvement with \u003ca href=\"http://www.yeswecode.org/\" target=\"_blank\">YesWeCode\u003c/a>, a movement to get underprivileged kids involved in the tech world, and \u003ca href=\"https://en.wikipedia.org/wiki/Green_for_All\">Green For All\u003c/a>, a project that supplies solar panels in Oakland and beyond.\u003c/p>\n\u003cp>21. After turning down Kevin Smith's request to feature a Prince song in \u003ci>Jay and Silent Bob Strike Back\u003c/i>, Prince convinced Smith to film a movie of Prince and his band performing music from \u003cem>The Rainbow Children\u003c/em>. It soon became clear that Prince intended the project to be a Jehovah's Witness recruitment film, filled with messages like \"Jesus Christ is the son of God.\" Kevin Smith decided to duck out.\u003c/p>\n\u003cp>22. Prince didn't take himself too seriously. After David Chappelle famously dressed up as him on his show, Prince, in turn, used Chappelle's image as the cover of his 2013 single \u003cem>Breakfast Can Wait. \u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg.jpg\">\u003cimg class=\"aligncenter wp-image-23496 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg.jpg\" alt=\"Breakfast Can Wait Prince Cover - P - 2013.jpg\" width=\"550\" height=\"550\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg.jpg 550w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/Breakfast-Can-Wait-Prince-Cover-P-2013.jpg-150x150.jpg 150w\" sizes=\"(max-width: 550px) 100vw, 550px\">\u003c/a>\u003c/p>\n\u003cp>23. In recent years, Prince only watched two things on television: the news and Zooey Deschanel's \u003cem>New Girl\u003c/em>. He emailed Zooey to tell her this and eventually starred in an episode and recorded a single with her called “FALLINLOVE2NITE\":\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/XFpBEWFR0jI'\n title='//www.youtube.com/embed/XFpBEWFR0jI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>Want even more little-known facts about Prince? Check out this episode of The Cooler:\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003ca href=\"https://en.wikipedia.org/wiki/Charles_Gatewood\" target=\"_blank\" rel=\"noopener\">Charles Gatewood\u003c/a>, an \u003ca href=\"http://laughingsquid.com/charles-gatewood-1942-2016-legendary-underground-photographer-author-and-artist/\" target=\"_blank\" rel=\"noopener\">award-winning photographer\u003c/a> who shot both celebrities and counter culture figures, including the Hell’s Angels and erotic performance artists like Annie Sprinkle, died Thursday from injuries after he fell off his third-story balcony several weeks before. He was 73.\u003c/p>\n\u003cp>Born in Illinois in 1942 and raised mostly in Missouri, Gatewood began pursuing a career in photography \u003ca href=\"http://www.broadwayworld.com/bwwart/article/Remembering-Famed-Photographer-Charles-Gatewood-20160429#\" target=\"_blank\" rel=\"noopener\">while in his first year of graduate school\u003c/a> at the University of Missouri. While living in Stockholm, Sweden, attending school and traveling around Europe, Gatewood landed a job with AB Text & Bilder, a Swedish news wire, as a darkroom technician. The position provided him a press pass and equipment, which he used to photograph jazz concerts and other events.\u003c/p>\n\u003cfigure id=\"attachment_11537074\" class=\"wp-caption alignright\" style=\"max-width: 413px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/04/Bob-Dylan-by-Gatewood-413x600.jpg\" alt=\"Dylan With Sunglasses and Cigarette\" width=\"413\" height=\"600\" class=\"size-medium wp-image-11537074\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Bob-Dylan-by-Gatewood-413x600.jpg 413w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Bob-Dylan-by-Gatewood-400x582.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Bob-Dylan-by-Gatewood.jpg 584w\" sizes=\"(max-width: 413px) 100vw, 413px\">\u003cfigcaption class=\"wp-caption-text\">Dylan With Sunglasses and Cigarette \u003ccite>(Photo: Charles Gatewood)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 1966, Gatewood had his first big break when he photographed Bob Dylan at a press conference. The photograph, titled “Dylan With Sunglasses and Cigarette” was picked up for syndication and published around the world. \u003c/p>\n\u003cp>“Taking the Bob Dylan photo gave me faith I could actually be a professional photographer,” \u003ca href=\"http://hifructose.com/2016/04/28/legendary-photographer-charles-gatewood-1942-2016/\" target=\"_blank\" rel=\"noopener\">Gatewood would later say\u003c/a>.\u003c/p>\n\u003cp>Gatewood went on to shoot several celebrities and other notable figures over the next 50 years, including Beat writers William S. Burroughs and Allen Ginsburg; musicians such as Ella Fitzgerald, Rod Stewart and David Bowie; and even legendary civil rights activists such as Martin Luther King Jr. His work would appear in publications such as the \u003cem>New York Times\u003c/em>, \u003cem>Time\u003c/em> and \u003cem>Rolling Stone\u003c/em>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But celebrities weren’t his only subjects — Gatewood was a dedicated documentarian of underground subcultures. He entrenched himself in subjects others would see as dark and off-limits, such as the debauchery of 1970s New Orleans during Mardi Gras and the sex positive communities in San Francisco, which helped bring those previously underground groups into the mainstream. He would later say that he wanted to “take photographs that kill.”\u003c/p>\n\u003cfigure id=\"attachment_11537082\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/04/Page-Burroughs-by-Gatewood.jpg\" alt=\"Guitarist Jimmy Page and author William S. Burroughs\" width=\"640\" height=\"480\" class=\"size-full wp-image-11537082\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Page-Burroughs-by-Gatewood.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Page-Burroughs-by-Gatewood-400x300.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Guitarist Jimmy Page and author William S. Burroughs \u003ccite>(Photo: Charles Gatewood)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gatewood moved to San Francisco in 1987, and would cover events such as the Folsom Street Fair and Burning Man. From 1998 to 2010, Gatewood would do most of his work for \u003ci>Skin and Ink\u003c/i> magazine, and later concentrated on photo collages that he created in his apartment.\u003c/p>\n\u003cp>After the fall from his third-floor balcony, Gatewood was hospitalized for several weeks. When he finally died on April 28, he was surrounded by friends.\u003c/p>\n\u003cp>“Well, Charles took the last train out at 12:30 this morning,” Last Gasp publisher Ron Turner, one of Gatewood’s last portrait subjects, wrote on \u003ca href=\"https://www.facebook.com/ronald.e.turner/posts/10154282528739155?pnref=story\" target=\"_blank\" rel=\"noopener\">Facebook\u003c/a> after Gatewood died. “I marveled at Charles’ wakefulness yesterday evening. It was as if he was taking in as much as he could, like a child being ushered out of the amusement park as it was shutting down. I treasure the smile I got from him as I left.”\u003c/p>\n\u003cp>UC Berkeley’s Bancroft Library recently bought Gatewood’s massive photo archive and there are plans for a retrospective in 2017. A memorial was being organized as of Thursday, which is expected to be held at the Center for Sex and Culture in San Francisco.\u003c/p>\n\u003cp>\u003ci>Watch a perspective of Gatewood and his work below. \u003cstrong>Warning:\u003c/strong> some images are NSFW.\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=lhq9IgeG_Nk \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://en.wikipedia.org/wiki/Charles_Gatewood\" target=\"_blank\" rel=\"noopener\">Charles Gatewood\u003c/a>, an \u003ca href=\"http://laughingsquid.com/charles-gatewood-1942-2016-legendary-underground-photographer-author-and-artist/\" target=\"_blank\" rel=\"noopener\">award-winning photographer\u003c/a> who shot both celebrities and counter culture figures, including the Hell’s Angels and erotic performance artists like Annie Sprinkle, died Thursday from injuries after he fell off his third-story balcony several weeks before. He was 73.\u003c/p>\n\u003cp>Born in Illinois in 1942 and raised mostly in Missouri, Gatewood began pursuing a career in photography \u003ca href=\"http://www.broadwayworld.com/bwwart/article/Remembering-Famed-Photographer-Charles-Gatewood-20160429#\" target=\"_blank\" rel=\"noopener\">while in his first year of graduate school\u003c/a> at the University of Missouri. While living in Stockholm, Sweden, attending school and traveling around Europe, Gatewood landed a job with AB Text & Bilder, a Swedish news wire, as a darkroom technician. The position provided him a press pass and equipment, which he used to photograph jazz concerts and other events.\u003c/p>\n\u003cfigure id=\"attachment_11537074\" class=\"wp-caption alignright\" style=\"max-width: 413px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/04/Bob-Dylan-by-Gatewood-413x600.jpg\" alt=\"Dylan With Sunglasses and Cigarette\" width=\"413\" height=\"600\" class=\"size-medium wp-image-11537074\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Bob-Dylan-by-Gatewood-413x600.jpg 413w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Bob-Dylan-by-Gatewood-400x582.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Bob-Dylan-by-Gatewood.jpg 584w\" sizes=\"(max-width: 413px) 100vw, 413px\">\u003cfigcaption class=\"wp-caption-text\">Dylan With Sunglasses and Cigarette \u003ccite>(Photo: Charles Gatewood)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In 1966, Gatewood had his first big break when he photographed Bob Dylan at a press conference. The photograph, titled “Dylan With Sunglasses and Cigarette” was picked up for syndication and published around the world. \u003c/p>\n\u003cp>“Taking the Bob Dylan photo gave me faith I could actually be a professional photographer,” \u003ca href=\"http://hifructose.com/2016/04/28/legendary-photographer-charles-gatewood-1942-2016/\" target=\"_blank\" rel=\"noopener\">Gatewood would later say\u003c/a>.\u003c/p>\n\u003cp>Gatewood went on to shoot several celebrities and other notable figures over the next 50 years, including Beat writers William S. Burroughs and Allen Ginsburg; musicians such as Ella Fitzgerald, Rod Stewart and David Bowie; and even legendary civil rights activists such as Martin Luther King Jr. His work would appear in publications such as the \u003cem>New York Times\u003c/em>, \u003cem>Time\u003c/em> and \u003cem>Rolling Stone\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But celebrities weren’t his only subjects — Gatewood was a dedicated documentarian of underground subcultures. He entrenched himself in subjects others would see as dark and off-limits, such as the debauchery of 1970s New Orleans during Mardi Gras and the sex positive communities in San Francisco, which helped bring those previously underground groups into the mainstream. He would later say that he wanted to “take photographs that kill.”\u003c/p>\n\u003cfigure id=\"attachment_11537082\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/04/Page-Burroughs-by-Gatewood.jpg\" alt=\"Guitarist Jimmy Page and author William S. Burroughs\" width=\"640\" height=\"480\" class=\"size-full wp-image-11537082\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Page-Burroughs-by-Gatewood.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/04/Page-Burroughs-by-Gatewood-400x300.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Guitarist Jimmy Page and author William S. Burroughs \u003ccite>(Photo: Charles Gatewood)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gatewood moved to San Francisco in 1987, and would cover events such as the Folsom Street Fair and Burning Man. From 1998 to 2010, Gatewood would do most of his work for \u003ci>Skin and Ink\u003c/i> magazine, and later concentrated on photo collages that he created in his apartment.\u003c/p>\n\u003cp>After the fall from his third-floor balcony, Gatewood was hospitalized for several weeks. When he finally died on April 28, he was surrounded by friends.\u003c/p>\n\u003cp>“Well, Charles took the last train out at 12:30 this morning,” Last Gasp publisher Ron Turner, one of Gatewood’s last portrait subjects, wrote on \u003ca href=\"https://www.facebook.com/ronald.e.turner/posts/10154282528739155?pnref=story\" target=\"_blank\" rel=\"noopener\">Facebook\u003c/a> after Gatewood died. “I marveled at Charles’ wakefulness yesterday evening. It was as if he was taking in as much as he could, like a child being ushered out of the amusement park as it was shutting down. I treasure the smile I got from him as I left.”\u003c/p>\n\u003cp>UC Berkeley’s Bancroft Library recently bought Gatewood’s massive photo archive and there are plans for a retrospective in 2017. A memorial was being organized as of Thursday, which is expected to be held at the Center for Sex and Culture in San Francisco.\u003c/p>\n\u003cp>\u003ci>Watch a perspective of Gatewood and his work below. \u003cstrong>Warning:\u003c/strong> some images are NSFW.\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=lhq9IgeG_Nk \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>As we all know, week-long vacations are life-enhancing, soul-enriching…and expensive as hell. The good news: living in the Bay Area means you’ve got no shortage of options for making your weekends into mini-getaways that \u003cem>don’t\u003c/em> rinse your wallet.\u003c/p>\n\u003cfigure>\u003cfigcaption>\u003ca target=\"_blank\" href=\"https://www.flickr.com/photos/51652977@N00/7373719302/in/photolist-ceAeRq-w89CS8-8UWGqt-8UZLco-8VM7d8-5ohd2b-qFi1PT-rvbnpG-86PiQH-86PkGc-8X8Bgw-qyWp2-qyXeR-qyXgJ-qyXhL-qyWjN-qyWkE-qyWj5-qyXoG-8U4VLb-rcYtN5-8VtvZb-8VvieK-8Wb3tP-8Xkueo-8Vv93K-8Vquzn-8Wtp43-8XeJ5X-8RsLAq-8WS8HM-8XhGnN-e5zHY5-8Xhs96-8V6jkk-e2vSs2-8Rx4Jf-8S5a11-67wGya-8RtqSf-67vj6a-8XksNu-8XaeCy-8TDoCF-8RwBJg-8WfP4S-8VFrcE-8UGZM2-8UL3vS-8RwGba\" rel=\"noopener\">A Big Sur vista\u003c/a> \u003ccite>(Albert de Bruijn/Flickr)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As one who is routinely \u003ca href=\"http://ww2.kqed.org/pop/wallet-friendly-weekender-big-sur\" target=\"_blank\" id=\"rssmi_more\" rel=\"noopener\"> …read more\u003c/a> \u003c/p>\n\u003cp>Source:: \u003ca href=\"http://ww2.kqed.org/pop/wallet-friendly-weekender-big-sur\" target=\"_blank\" title=\"GUIDE: How to Spend a Wallet-Friendly Weekend in Big Sur\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "\u003cp>As we all know, week-long vacations are life-enhancing, soul-enriching…and expensive as hell. The good news: living in the Bay Area means you've got no shortage of options for making your weekends into mini-getaways that \u003cem>don't\u003c/em> rinse your wallet.\u003c/p>\n\u003cfigure>\u003cbr>\u003cfigcaption>\u003ca target=\"_blank\" href=\"https://www.flickr.com/photos/51652977@N00/7373719302/in/photolist-ceAeRq-w89CS8-8UWGqt-8UZLco-8VM7d8-5ohd2b-qFi1PT-rvbnpG-86PiQH-86PkGc-8X8Bgw-qyWp2-qyXeR-qyXgJ-qyXhL-qyWjN-qyWkE-qyWj5-qyXoG-8U4VLb-rcYtN5-8VtvZb-8VvieK-8Wb3tP-8Xkueo-8Vv93K-8Vquzn-8Wtp43-8XeJ5X-8RsLAq-8WS8HM-8XhGnN-e5zHY5-8Xhs96-8V6jkk-e2vSs2-8Rx4Jf-8S5a11-67wGya-8RtqSf-67vj6a-8XksNu-8XaeCy-8TDoCF-8RwBJg-8WfP4S-8VFrcE-8UGZM2-8UL3vS-8RwGba\" rel=\"noopener\">A Big Sur vista\u003c/a> \u003ccite>(Albert de Bruijn/Flickr)\u003c/cite>\u003c/figcaption>\u003c/figure>\u003cp>As one who is routinely \u003ca href=\"http://ww2.kqed.org/pop/wallet-friendly-weekender-big-sur\" target=\"_blank\" id=\"rssmi_more\" rel=\"noopener\"> ...read more\u003c/a>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As we all know, week-long vacations are life-enhancing, soul-enriching…and expensive as hell. The good news: living in the Bay Area means you’ve got no shortage of options for making your weekends into mini-getaways that \u003cem>don’t\u003c/em> rinse your wallet.\u003c/p>\n\u003cfigure>\u003cfigcaption>\u003ca target=\"_blank\" href=\"https://www.flickr.com/photos/51652977@N00/7373719302/in/photolist-ceAeRq-w89CS8-8UWGqt-8UZLco-8VM7d8-5ohd2b-qFi1PT-rvbnpG-86PiQH-86PkGc-8X8Bgw-qyWp2-qyXeR-qyXgJ-qyXhL-qyWjN-qyWkE-qyWj5-qyXoG-8U4VLb-rcYtN5-8VtvZb-8VvieK-8Wb3tP-8Xkueo-8Vv93K-8Vquzn-8Wtp43-8XeJ5X-8RsLAq-8WS8HM-8XhGnN-e5zHY5-8Xhs96-8V6jkk-e2vSs2-8Rx4Jf-8S5a11-67wGya-8RtqSf-67vj6a-8XksNu-8XaeCy-8TDoCF-8RwBJg-8WfP4S-8VFrcE-8UGZM2-8UL3vS-8RwGba\" rel=\"noopener\">A Big Sur vista\u003c/a> \u003ccite>(Albert de Bruijn/Flickr)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As one who is routinely \u003ca href=\"http://ww2.kqed.org/pop/wallet-friendly-weekender-big-sur\" target=\"_blank\" id=\"rssmi_more\" rel=\"noopener\"> …read more\u003c/a> \u003c/p>\n\u003cp>Source:: \u003ca href=\"http://ww2.kqed.org/pop/wallet-friendly-weekender-big-sur\" target=\"_blank\" title=\"GUIDE: How to Spend a Wallet-Friendly Weekend in Big Sur\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cstrong>By Peggy O'Donnell\u003c/strong>\u003c/p>\n\u003cp>On a spring afternoon, a Republican political candidate told an audience in San Francisco about a recent rock concert at UC Berkeley.\u003c/p>\n\u003cp>“Three rock and roll bands played simultaneously. The smell of marijuana was thick throughout the hall. […] There were indications of other happenings that cannot be mentioned here,” he said, suggestively. The politician said he would make America great again, so to speak, and take a stand against the degeneracies of youth culture: casual sex and drug use, inexplicable tastes in entertainment and fashion, naive politics, laziness, and general lack of respect for their elders.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/tag/millennials/\">Millennials\u003c/a>, right?\u003c/p>\n\u003cfigure id=\"attachment_23353\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-23353\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/selfie-800x475.jpg\" alt=\"This is what all Millennials look like, right?\" width=\"800\" height=\"475\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/selfie-800x475.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/selfie-400x237.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/selfie-768x456.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/selfie.jpg 900w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">This is what all Millennials look like, right?\u003c/figcaption>\u003c/figure>\n\u003cp>Anyone who reads anything on the internet knows that millennials and their morals, thoughts, and actions are threatening the future of humanity. Two general categories of millennial thinkpieces abound:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>1) Millennials refuse to grow up (they turn workplaces into \u003ca href=\"http://www.nytimes.com/2016/03/20/fashion/millennials-mic-workplace.html?_r=0\">frat houses\u003c/a>; invented \u003ca href=\"http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3613286/\">hookup culture\u003c/a>; can’t commit to \u003ca href=\"http://nypost.com/2016/03/29/millennials-latest-mistake-embracing-the-starter-marriage/\">a marriage\u003c/a>, a \u003ca href=\"http://www.wsj.com/articles/how-employers-wrangle-restless-millennials-1430818203\">job\u003c/a>, or owning a \u003ca href=\"http://www.pressherald.com/2016/04/20/housing-market-eludes-millennials/\">home\u003c/a>; wear \u003ca href=\"http://www.nytimes.com/2016/03/06/magazine/the-politics-of-the-hoodie.html\">hoodies \u003c/a>and\u003ca href=\"http://nymag.com/thecut/2015/08/shop-jeen-erin-yogasundram.html\"> emoji t-shirts\u003c/a>; and fail to procreate).\u003c/p>\n\u003cp>2) Millennials won’t ever be able to grow up (they are \u003ca href=\"http://www.telegraph.co.uk/men/thinking-man/crybaby-millennials-need-to-stop-whinging-and-work-hard-like-the/\">whiny\u003c/a>, \u003ca href=\"http://time.com/3154186/millennials-selfish-entitled-helicopter-parenting/\">coddled\u003c/a>, \u003ca href=\"http://nation.time.com/millennials/\">narcissistic\u003c/a>, and \u003ca href=\"http://www.wsj.com/articles/SB122455219391652725\">entitled\u003c/a>).\u003c/p>\n\u003cp>Everyone seems concerned that the kids today aren’t alright.\u003c/p>\n\u003cp>But that politician so concerned about the scandalizing “happenings” at Berkeley? That was Ronald Reagan. The speech was in the midst of his 1966 campaign for California’s governorship, and the youths weren’t millennials at all. Reagan railed against the “beatniks, radicals, and filthy speech advocates” who had turned California’s flagship university into a “rallying point of communists and a center of sexual misconduct.” Once elected, Governor Reagan violently repressed political rallies and the Free Speech Movement. In the 1960s, the patron saint of today’s GOP \u003ca href=\"http://www.berkeley.edu/news/media/releases/2004/06/08_reagan.shtml\">built his career\u003c/a> on opposing and repressing young people’s differing ideas of morality, fun, love, and politics.\u003c/p>\n\u003cp>The kids, it would seem, have not been alright for a long time.\u003c/p>\n\u003cfigure id=\"attachment_23350\" class=\"wp-caption aligncenter\" style=\"max-width: 232px\">\u003cimg class=\"size-full wp-image-23350\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/232px-BeatGenerationLOC.jpg\" alt=\"Beatniks!\" width=\"232\" height=\"598\">\u003cfigcaption class=\"wp-caption-text\">Beatniks!\u003c/figcaption>\u003c/figure>\n\u003cp>Older generations have probably worried about the youth ruining everything since the dawn of civilization. In a quote \u003ca href=\"http://www.bartleby.com/73/195.html\">often attributed to Socrates\u003c/a>, the great philosopher of ancient Greece lamented, “the children now love luxury; they have bad manners and contempt for authority.”\u003c/p>\n\u003cp>In 18th and 19th century Britain and France, generational angst was directed toward \"dandies\": young, working- or middle-class men who dressed ostentatiously and elegantly to appear aristocratic, an identity older, established sectors of society didn’t think they deserved. With their clothing choices — as with hoodies-as-workwear in Silicon Valley — dandies questioned both the appearance and reality of social hierarchy, and were ridiculed for having done so.\u003c/p>\n\u003cfigure id=\"attachment_23349\" class=\"wp-caption aligncenter\" style=\"max-width: 448px\">\u003cimg class=\"size-full wp-image-23349\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/BrummellDighton1805.jpg\" alt='A \"dandy.\"' width=\"448\" height=\"969\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/BrummellDighton1805.jpg 448w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/BrummellDighton1805-400x865.jpg 400w\" sizes=\"(max-width: 448px) 100vw, 448px\">\u003cfigcaption class=\"wp-caption-text\">A \"dandy.\" \u003ccite>(Wikimedia Commons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The beatniks that earned Reagan’s ire at Berkeley were a late 1950s urban and intellectual youth culture that opposed “middle class values” like consumerism and homophobia, and advocated for gender and racial equality. By the mid-1960s, beatnik culture had morphed into hippie culture, which brought with it even more obvious sartorial (tie-dye and bell bottoms), cultural (Woodstock and LSD), and political (pro-Civil Rights, anti-Vietnam) challenges to societal norms. (And lest you think millennials’ hookup culture invented casual sex, please see 1967 and the Summer of Love.)\u003c/p>\n\u003cfigure id=\"attachment_23352\" class=\"wp-caption aligncenter\" style=\"max-width: 393px\">\u003cimg class=\"size-full wp-image-23352\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Hippies.jpg\" alt=\"Elders were pretty wary of this generation, too. \" width=\"393\" height=\"501\">\u003cfigcaption class=\"wp-caption-text\">Elders were pretty wary of this generation, too. \u003ccite>(Wikimedia Commons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Like millennials, beatniks and hippies were characterized by older generations as lazy, frivolous, morally lax, and — with their political and social demands — whiny. If you believe the critics, our self-centered millennial generation might be upset to know that even the criticisms of us are not new.\u003c/p>\n\u003cp>Gen X didn’t make it out of youth unscathed either. A 1990 \u003ca href=\"http://content.time.com/time/magazine/article/0,9171,155010,00.html\">\u003cem>Time Magazine\u003c/em>\u003c/a> cover story recounted their failings: “They have trouble making decisions. […] They have few heroes, no anthems, no style to call their own. They crave entertainment, but their attention span is as short as one zap of a TV dial. […] They postpone marriage [and] possess only a hazy sense of their own identity but a monumental preoccupation with all the problems the preceding generation will leave for them to fix.” In 1990, Gen X was the worst generation in history. But replace the words “TV dial,” and the same description could be a critique of millennials, the new worst generation in history. Give it time and they, too, will pass the torch.\u003c/p>\n\u003cfigure id=\"attachment_23351\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg class=\"size-full wp-image-23351\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/roof-600x450.jpg\" alt=\"Remember when these Gen X slackers supposedly marked the decline of Western civilization?\" width=\"600\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/roof-600x450.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/roof-600x450-400x300.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Remember when these Gen X slackers supposedly marked the decline of Western civilization?\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>So: Perhaps the only truly historically unique thing about millennials is that they’re living out their youth on the internet. In the heydays of their youth, dandies, beatniks, hippies, and Gen Xers were equally seen as the harbingers of humanity’s doom. But in the rosy gaze of history, they have been accepted as coherent youth cultures, with largely coherent — if kind of weird — fashions, morals, tastes, and politics. They brought little doom, and millennials won’t either. Probably.\u003c/p>\n\n",
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"excerpt": "This month, a look back at some of the maligned generation's predecessors -- from Ancient Greece to the beatniks. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>By Peggy O'Donnell\u003c/strong>\u003c/p>\n\u003cp>On a spring afternoon, a Republican political candidate told an audience in San Francisco about a recent rock concert at UC Berkeley.\u003c/p>\n\u003cp>“Three rock and roll bands played simultaneously. The smell of marijuana was thick throughout the hall. […] There were indications of other happenings that cannot be mentioned here,” he said, suggestively. The politician said he would make America great again, so to speak, and take a stand against the degeneracies of youth culture: casual sex and drug use, inexplicable tastes in entertainment and fashion, naive politics, laziness, and general lack of respect for their elders.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/tag/millennials/\">Millennials\u003c/a>, right?\u003c/p>\n\u003cfigure id=\"attachment_23353\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-23353\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/selfie-800x475.jpg\" alt=\"This is what all Millennials look like, right?\" width=\"800\" height=\"475\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/selfie-800x475.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/selfie-400x237.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/selfie-768x456.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/selfie.jpg 900w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">This is what all Millennials look like, right?\u003c/figcaption>\u003c/figure>\n\u003cp>Anyone who reads anything on the internet knows that millennials and their morals, thoughts, and actions are threatening the future of humanity. Two general categories of millennial thinkpieces abound:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>1) Millennials refuse to grow up (they turn workplaces into \u003ca href=\"http://www.nytimes.com/2016/03/20/fashion/millennials-mic-workplace.html?_r=0\">frat houses\u003c/a>; invented \u003ca href=\"http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3613286/\">hookup culture\u003c/a>; can’t commit to \u003ca href=\"http://nypost.com/2016/03/29/millennials-latest-mistake-embracing-the-starter-marriage/\">a marriage\u003c/a>, a \u003ca href=\"http://www.wsj.com/articles/how-employers-wrangle-restless-millennials-1430818203\">job\u003c/a>, or owning a \u003ca href=\"http://www.pressherald.com/2016/04/20/housing-market-eludes-millennials/\">home\u003c/a>; wear \u003ca href=\"http://www.nytimes.com/2016/03/06/magazine/the-politics-of-the-hoodie.html\">hoodies \u003c/a>and\u003ca href=\"http://nymag.com/thecut/2015/08/shop-jeen-erin-yogasundram.html\"> emoji t-shirts\u003c/a>; and fail to procreate).\u003c/p>\n\u003cp>2) Millennials won’t ever be able to grow up (they are \u003ca href=\"http://www.telegraph.co.uk/men/thinking-man/crybaby-millennials-need-to-stop-whinging-and-work-hard-like-the/\">whiny\u003c/a>, \u003ca href=\"http://time.com/3154186/millennials-selfish-entitled-helicopter-parenting/\">coddled\u003c/a>, \u003ca href=\"http://nation.time.com/millennials/\">narcissistic\u003c/a>, and \u003ca href=\"http://www.wsj.com/articles/SB122455219391652725\">entitled\u003c/a>).\u003c/p>\n\u003cp>Everyone seems concerned that the kids today aren’t alright.\u003c/p>\n\u003cp>But that politician so concerned about the scandalizing “happenings” at Berkeley? That was Ronald Reagan. The speech was in the midst of his 1966 campaign for California’s governorship, and the youths weren’t millennials at all. Reagan railed against the “beatniks, radicals, and filthy speech advocates” who had turned California’s flagship university into a “rallying point of communists and a center of sexual misconduct.” Once elected, Governor Reagan violently repressed political rallies and the Free Speech Movement. In the 1960s, the patron saint of today’s GOP \u003ca href=\"http://www.berkeley.edu/news/media/releases/2004/06/08_reagan.shtml\">built his career\u003c/a> on opposing and repressing young people’s differing ideas of morality, fun, love, and politics.\u003c/p>\n\u003cp>The kids, it would seem, have not been alright for a long time.\u003c/p>\n\u003cfigure id=\"attachment_23350\" class=\"wp-caption aligncenter\" style=\"max-width: 232px\">\u003cimg class=\"size-full wp-image-23350\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/232px-BeatGenerationLOC.jpg\" alt=\"Beatniks!\" width=\"232\" height=\"598\">\u003cfigcaption class=\"wp-caption-text\">Beatniks!\u003c/figcaption>\u003c/figure>\n\u003cp>Older generations have probably worried about the youth ruining everything since the dawn of civilization. In a quote \u003ca href=\"http://www.bartleby.com/73/195.html\">often attributed to Socrates\u003c/a>, the great philosopher of ancient Greece lamented, “the children now love luxury; they have bad manners and contempt for authority.”\u003c/p>\n\u003cp>In 18th and 19th century Britain and France, generational angst was directed toward \"dandies\": young, working- or middle-class men who dressed ostentatiously and elegantly to appear aristocratic, an identity older, established sectors of society didn’t think they deserved. With their clothing choices — as with hoodies-as-workwear in Silicon Valley — dandies questioned both the appearance and reality of social hierarchy, and were ridiculed for having done so.\u003c/p>\n\u003cfigure id=\"attachment_23349\" class=\"wp-caption aligncenter\" style=\"max-width: 448px\">\u003cimg class=\"size-full wp-image-23349\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/BrummellDighton1805.jpg\" alt='A \"dandy.\"' width=\"448\" height=\"969\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/BrummellDighton1805.jpg 448w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/BrummellDighton1805-400x865.jpg 400w\" sizes=\"(max-width: 448px) 100vw, 448px\">\u003cfigcaption class=\"wp-caption-text\">A \"dandy.\" \u003ccite>(Wikimedia Commons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The beatniks that earned Reagan’s ire at Berkeley were a late 1950s urban and intellectual youth culture that opposed “middle class values” like consumerism and homophobia, and advocated for gender and racial equality. By the mid-1960s, beatnik culture had morphed into hippie culture, which brought with it even more obvious sartorial (tie-dye and bell bottoms), cultural (Woodstock and LSD), and political (pro-Civil Rights, anti-Vietnam) challenges to societal norms. (And lest you think millennials’ hookup culture invented casual sex, please see 1967 and the Summer of Love.)\u003c/p>\n\u003cfigure id=\"attachment_23352\" class=\"wp-caption aligncenter\" style=\"max-width: 393px\">\u003cimg class=\"size-full wp-image-23352\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/Hippies.jpg\" alt=\"Elders were pretty wary of this generation, too. \" width=\"393\" height=\"501\">\u003cfigcaption class=\"wp-caption-text\">Elders were pretty wary of this generation, too. \u003ccite>(Wikimedia Commons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Like millennials, beatniks and hippies were characterized by older generations as lazy, frivolous, morally lax, and — with their political and social demands — whiny. If you believe the critics, our self-centered millennial generation might be upset to know that even the criticisms of us are not new.\u003c/p>\n\u003cp>Gen X didn’t make it out of youth unscathed either. A 1990 \u003ca href=\"http://content.time.com/time/magazine/article/0,9171,155010,00.html\">\u003cem>Time Magazine\u003c/em>\u003c/a> cover story recounted their failings: “They have trouble making decisions. […] They have few heroes, no anthems, no style to call their own. They crave entertainment, but their attention span is as short as one zap of a TV dial. […] They postpone marriage [and] possess only a hazy sense of their own identity but a monumental preoccupation with all the problems the preceding generation will leave for them to fix.” In 1990, Gen X was the worst generation in history. But replace the words “TV dial,” and the same description could be a critique of millennials, the new worst generation in history. Give it time and they, too, will pass the torch.\u003c/p>\n\u003cfigure id=\"attachment_23351\" class=\"wp-caption aligncenter\" style=\"max-width: 600px\">\u003cimg class=\"size-full wp-image-23351\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/roof-600x450.jpg\" alt=\"Remember when these Gen X slackers supposedly marked the decline of Western civilization?\" width=\"600\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/roof-600x450.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/roof-600x450-400x300.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Remember when these Gen X slackers supposedly marked the decline of Western civilization?\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>So: Perhaps the only truly historically unique thing about millennials is that they’re living out their youth on the internet. In the heydays of their youth, dandies, beatniks, hippies, and Gen Xers were equally seen as the harbingers of humanity’s doom. But in the rosy gaze of history, they have been accepted as coherent youth cultures, with largely coherent — if kind of weird — fashions, morals, tastes, and politics. They brought little doom, and millennials won’t either. Probably.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "cy-and-davids-picks-dollar-brand-20-years-of-beethoven-and-getting-a-bleach-job",
"title": "Cy and David's Picks: Dollar Brand, 20 Years of Beethoven, and Getting a Bleach Job",
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"headTitle": "Cy and David’s Picks: Dollar Brand, 20 Years of Beethoven, and Getting a Bleach Job | KQED",
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"content": "\u003caside class=\"aligncenter\">\n\u003ch4>KQED’s Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.\u003c/h4>\n\u003cp>http://www.kqed.org/.stream/anon/radio/thedolist/2016/04/TDL20160429.mp3\u003c/p>\n\u003c/aside>\n\u003cp>\u003cstrong>April 29 -May 1: \u003c/strong> Pianist \u003ca href=\"http://abdullahibrahim.co.za/\" target=\"_blank\" rel=\"noopener\">Abdullah Ibrahim\u003c/a>, once nicknamed Dollar Brand, is a pioneer of Cape Jazz, as in Cape Town, South Africa, where he grew up. His song “Mannenberg” (you’ll know it when you hear it) became the unofficial anthem of the Anti-Apartheid movement.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=hiQ0uyqySBg\u003cbr>\nNelson Mandela called Ibrahim “South Africa’s Mozart.” He got his first recording gig after Duke Ellington saw him in Europe and championed his music. And he even led the Ellington Orchestra a few times in the 1960’s. He’s still making gorgeous music, so no excuse if you miss this 81 year old master at \u003ca href=\"https://www.sfjazz.org/\" target=\"_blank\" rel=\"noopener\">SFJAZZ\u003c/a> this weekend. We won’t get many more chances. Details \u003ca href=\"https://www.sfjazz.org/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>https://vimeo.com/57729188\u003c/p>\n\u003cp>\u003cstrong>April 30: \u003c/strong>\u003ca href=\"http://www.erikjekabson.com/bio/\" target=\"_blank\" rel=\"noopener\">Erik Jekabson\u003c/a> is one of the Bay Area’s indispensable session players. I caught him a few weeks ago backing Natalie Cressman in her gig at SFJAZZ, and he offered impeccable support and artfully shaped solos. He’s leading his Stringtet Saturday at the \u003ca href=\"http://musicallyminded.org/\" target=\"_blank\" rel=\"noopener\">Musically Minded Academy\u003c/a> in Oakland’s Rockridge, and you won’t find a more tasteful evening of jazz. Details \u003ca href=\"http://musicallyminded.org/events/category/professional_concerts/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=q6WsKQrAHVg\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>May 6 – May 29:\u003c/strong> There’s so much good theater right now in the Bay Area, but here’s another show you have to make time for, \u003cem>The Most Dangerous Highway in the World\u003c/em> by Kevin Artigue, the opening show for \u003ca href=\"http://www.goldenthread.org/2016-season/\" target=\"_blank\" rel=\"noopener\">Golden Thread’s \u003c/a>new season. The play is inspired by a \u003cem>New York Times\u003c/em> article about an Afghan boy who helps direct traffic with a plastic Pepsi bottle on a mountain highway in Afghanistan in return for tips from long haul truckers and American soldiers. Details \u003ca href=\"http://www.goldenthread.org/2016-season/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=pOB4YD7iZDA\u003c/p>\n\u003cp>\u003cstrong>May 4 – June 26:\u003c/strong> \u003ca href=\"http://cypressquartet.com/\" target=\"_blank\" rel=\"noopener\">The Cypress String Quartet\u003c/a> set out 20 years ago to play and record all of Beethoven’s string quartets (with a few detours for some modern composers). Now that they’re done, they’re disbanding. It’s not, said cellist Jennifer Kloetzel, that they aren’t still finding fresh insights into Beethoven’s amazing cycle of quartets: “My colleagues tease me and say Beethoven is like your boyfriend, because I’m so obsessed with how he dug very deep. I can perform one of these quartets hundreds of times and always find something new in it.”\u003c/p>\n\u003cp>But Kloetzel said she and the other members (Cecily Ward, violin; Tom Stone, violin; Ethan Filner, viola) have other projects they want to pursue. Still they’re going out like “Thelma and Louise, full speed ahead,” with a series of free concerts in every district of San Francisco, the quartet’s home, plus ticketed concerts in Napa, Berkeley and Palo Alto. Details for this lovely parting gift are \u003ca href=\"http://cypressquartet.com/calendar/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=8XW7fFUnggo\u003c/p>\n\u003cp>\u003cstrong>May 5: \u003c/strong>\u003ca href=\"http://www.oakarts.org/\" target=\"_blank\" rel=\"noopener\">The Oakland School for the Arts\u003c/a> had a world premiere earlier this year — they mounted the \u003ca href=\"http://ww2.kqed.org/arts/2016/03/01/oakland-school-premiering-webber-penned-school-of-rock-production/\" target=\"_blank\" rel=\"noopener\">very first amateur production of the Broadway hit School of Rock\u003c/a>. And now the 120 students in the OSA’s School of Vocal Music are putting on their own show. The theme is Identity, a big deal for any high-schooler. The difference is these kids can really sing, and dance. I caught a contingent of the Vocal Music students recently doing a song from the Broadway show \u003cem>Fun Home\u003c/em>, and they just about broke my heart. Details for their show at The Fox in Oakland are\u003ca href=\"https://www.facebook.com/events/788144131315539/\" target=\"_blank\" rel=\"noopener\"> here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=pmgBdqsOwLo\u003c/p>\n\u003cp>\u003cstrong>May 2\u003c/strong>: Echo Park’s \u003ca href=\"https://www.facebook.com/HelloBleached\" target=\"_blank\" rel=\"noopener\">Bleached \u003c/a>have been described as “Evil Go-Go’s, and their new album is \u003ca href=\"http://www.latimes.com/entertainment/music/la-ca-ms-bleached-20160403-1-story.html\" target=\"_blank\" rel=\"noopener\">\u003cem>Welcome the Worms\u003c/em>\u003c/a>, which I guess is a graveyard expression suggesting we all embrace the darkness of life. But you can hear a hint of sunnier West Coast pop peeking through the punk negativity. Sisters Jennifer and Jessica Clavin formerly of the Mika Miko, bassist Micayla Grace, and drummer Mark Jordan play with extraordinary energy. Definitely a \u003cstrong>Cheap Thrill.\u003c/strong> Details for Bleached’s \u003ca href=\"http://www.bottomofthehill.com/20160502.html#.VyEqivkrKJA\" target=\"_blank\" rel=\"noopener\">Bottom of the Hill gig are here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"aligncenter\">\n\u003ch4>KQED’s Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.\u003c/h4>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/aside>\n\u003cp>\u003cstrong>April 29 -May 1: \u003c/strong> Pianist \u003ca href=\"http://abdullahibrahim.co.za/\" target=\"_blank\" rel=\"noopener\">Abdullah Ibrahim\u003c/a>, once nicknamed Dollar Brand, is a pioneer of Cape Jazz, as in Cape Town, South Africa, where he grew up. His song “Mannenberg” (you’ll know it when you hear it) became the unofficial anthem of the Anti-Apartheid movement.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=hiQ0uyqySBg\u003cbr>\nNelson Mandela called Ibrahim “South Africa’s Mozart.” He got his first recording gig after Duke Ellington saw him in Europe and championed his music. And he even led the Ellington Orchestra a few times in the 1960’s. He’s still making gorgeous music, so no excuse if you miss this 81 year old master at \u003ca href=\"https://www.sfjazz.org/\" target=\"_blank\" rel=\"noopener\">SFJAZZ\u003c/a> this weekend. We won’t get many more chances. Details \u003ca href=\"https://www.sfjazz.org/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>April 30: \u003c/strong>\u003ca href=\"http://www.erikjekabson.com/bio/\" target=\"_blank\" rel=\"noopener\">Erik Jekabson\u003c/a> is one of the Bay Area’s indispensable session players. I caught him a few weeks ago backing Natalie Cressman in her gig at SFJAZZ, and he offered impeccable support and artfully shaped solos. He’s leading his Stringtet Saturday at the \u003ca href=\"http://musicallyminded.org/\" target=\"_blank\" rel=\"noopener\">Musically Minded Academy\u003c/a> in Oakland’s Rockridge, and you won’t find a more tasteful evening of jazz. Details \u003ca href=\"http://musicallyminded.org/events/category/professional_concerts/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/q6WsKQrAHVg'\n title='//www.youtube.com/embed/q6WsKQrAHVg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>May 6 – May 29:\u003c/strong> There’s so much good theater right now in the Bay Area, but here’s another show you have to make time for, \u003cem>The Most Dangerous Highway in the World\u003c/em> by Kevin Artigue, the opening show for \u003ca href=\"http://www.goldenthread.org/2016-season/\" target=\"_blank\" rel=\"noopener\">Golden Thread’s \u003c/a>new season. The play is inspired by a \u003cem>New York Times\u003c/em> article about an Afghan boy who helps direct traffic with a plastic Pepsi bottle on a mountain highway in Afghanistan in return for tips from long haul truckers and American soldiers. Details \u003ca href=\"http://www.goldenthread.org/2016-season/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/pOB4YD7iZDA'\n title='//www.youtube.com/embed/pOB4YD7iZDA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>May 4 – June 26:\u003c/strong> \u003ca href=\"http://cypressquartet.com/\" target=\"_blank\" rel=\"noopener\">The Cypress String Quartet\u003c/a> set out 20 years ago to play and record all of Beethoven’s string quartets (with a few detours for some modern composers). Now that they’re done, they’re disbanding. It’s not, said cellist Jennifer Kloetzel, that they aren’t still finding fresh insights into Beethoven’s amazing cycle of quartets: “My colleagues tease me and say Beethoven is like your boyfriend, because I’m so obsessed with how he dug very deep. I can perform one of these quartets hundreds of times and always find something new in it.”\u003c/p>\n\u003cp>But Kloetzel said she and the other members (Cecily Ward, violin; Tom Stone, violin; Ethan Filner, viola) have other projects they want to pursue. Still they’re going out like “Thelma and Louise, full speed ahead,” with a series of free concerts in every district of San Francisco, the quartet’s home, plus ticketed concerts in Napa, Berkeley and Palo Alto. Details for this lovely parting gift are \u003ca href=\"http://cypressquartet.com/calendar/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/8XW7fFUnggo'\n title='//www.youtube.com/embed/8XW7fFUnggo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>May 5: \u003c/strong>\u003ca href=\"http://www.oakarts.org/\" target=\"_blank\" rel=\"noopener\">The Oakland School for the Arts\u003c/a> had a world premiere earlier this year — they mounted the \u003ca href=\"http://ww2.kqed.org/arts/2016/03/01/oakland-school-premiering-webber-penned-school-of-rock-production/\" target=\"_blank\" rel=\"noopener\">very first amateur production of the Broadway hit School of Rock\u003c/a>. And now the 120 students in the OSA’s School of Vocal Music are putting on their own show. The theme is Identity, a big deal for any high-schooler. The difference is these kids can really sing, and dance. I caught a contingent of the Vocal Music students recently doing a song from the Broadway show \u003cem>Fun Home\u003c/em>, and they just about broke my heart. Details for their show at The Fox in Oakland are\u003ca href=\"https://www.facebook.com/events/788144131315539/\" target=\"_blank\" rel=\"noopener\"> here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/pmgBdqsOwLo'\n title='//www.youtube.com/embed/pmgBdqsOwLo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>May 2\u003c/strong>: Echo Park’s \u003ca href=\"https://www.facebook.com/HelloBleached\" target=\"_blank\" rel=\"noopener\">Bleached \u003c/a>have been described as “Evil Go-Go’s, and their new album is \u003ca href=\"http://www.latimes.com/entertainment/music/la-ca-ms-bleached-20160403-1-story.html\" target=\"_blank\" rel=\"noopener\">\u003cem>Welcome the Worms\u003c/em>\u003c/a>, which I guess is a graveyard expression suggesting we all embrace the darkness of life. But you can hear a hint of sunnier West Coast pop peeking through the punk negativity. Sisters Jennifer and Jessica Clavin formerly of the Mika Miko, bassist Micayla Grace, and drummer Mark Jordan play with extraordinary energy. Definitely a \u003cstrong>Cheap Thrill.\u003c/strong> Details for Bleached’s \u003ca href=\"http://www.bottomofthehill.com/20160502.html#.VyEqivkrKJA\" target=\"_blank\" rel=\"noopener\">Bottom of the Hill gig are here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "#BayBackWhen: We Want Your Vintage Family Photographs From the 1960s!",
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"headTitle": "On KQED Insider | About KQED",
"content": "\u003cp>\u003cstrong>In association with the broadcast premiere of \u003ca href=\"http://www.kqed.org/tv/programs/index.jsp?pgmid=23409\" target=\"_blank\">\u003cem>Janis Joplin: Little Girl Blue\u003c/em>\u003c/a> on Tuesday, May 3, at 8 pm on KQED 9\u003c/strong>\u003c/p>\n\u003cp>Do your family albums contain vintage snaps of you or your parents — or perhaps your grandparents, or family friends — taken during the 1960s in the San Francisco Bay Area? Then we want to see them.\u003c/p>\n\u003cp>To celebrate the broadcast of \u003cem>American Masters\u003c/em>’ acclaimed film \u003ca href=\"http://ww2.kqed.org/arts/2016/04/28/american-masters-janis-joplin/\" target=\"_blank\">\u003cem>Janis Joplin: Little Girl Blue\u003c/em>\u003c/a> on May 3, we’re building a collective picture of the style, attitude and atmosphere of 1960s San Francisco and the wider Bay Area: a place Janis Joplin called home from 1963 until her untimely death age 27 in 1970. That's where you — and your family photos — come in.\u003c/p>\n\u003cfigure id=\"attachment_6761\" class=\"wp-caption aligncenter\" style=\"max-width: 1047px\">\u003cimg class=\"size-full wp-image-6761\" src=\"http://ww2.kqed.org/about/wp-content/uploads/sites/19/2016/04/Blosser_60s_crop.jpg\" alt=\"KQED staffer Heather Blosser sent us this picture of her parents (far right) with her as a toddler, taken in the 1960s\" width=\"1047\" height=\"894\" srcset=\"https://ww2.kqed.org/app/uploads/sites/19/2016/04/Blosser_60s_crop.jpg 1047w, https://ww2.kqed.org/app/uploads/sites/19/2016/04/Blosser_60s_crop-400x342.jpg 400w, https://ww2.kqed.org/app/uploads/sites/19/2016/04/Blosser_60s_crop-703x600.jpg 703w, https://ww2.kqed.org/app/uploads/sites/19/2016/04/Blosser_60s_crop-768x656.jpg 768w, https://ww2.kqed.org/app/uploads/sites/19/2016/04/Blosser_60s_crop-960x820.jpg 960w\" sizes=\"(max-width: 1047px) 100vw, 1047px\">\u003cfigcaption class=\"wp-caption-text\">KQED staffer Heather Blosser sent us this picture of her parents (far right) with her as a toddler, taken in the 1960s\u003c/figcaption>\u003c/figure>\n\u003cp>Think your family's got a great photo taken between 1960 and 1970 in the Bay Area? Take a photo of it (or if you're feeling fancy, maybe even scan it) and post it to Twitter, Instagram or \u003ca href=\"https://www.facebook.com/kqed\" target=\"_blank\">KQED's Facebook Page\u003c/a> with the hashtag \u003cstrong>#BayBackWhen\u003c/strong>. Don't forget to include a note about who's in it, and when and where it was taken, if you know it. We'll be collecting photos and reposting highlights to social media and our website!\u003c/p>\n\u003cp>\u003cem>Remember, by posting a photo you are agreeing that you have the right and permission necessary to post the photo (e.g., that you own the copyright in the photo and that you have everyone’s permission in the photo to post it). You agree that KQED may publish the photo on our website , social media pages or in other media and that you will hold KQED harmless from any and all claims and expenses (including legal expenses) arising from use of the photo and/or your failure to comply with the rules set out in this disclaimer.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>In association with the broadcast premiere of \u003ca href=\"http://www.kqed.org/tv/programs/index.jsp?pgmid=23409\" target=\"_blank\">\u003cem>Janis Joplin: Little Girl Blue\u003c/em>\u003c/a> on Tuesday, May 3, at 8 pm on KQED 9\u003c/strong>\u003c/p>\n\u003cp>Do your family albums contain vintage snaps of you or your parents — or perhaps your grandparents, or family friends — taken during the 1960s in the San Francisco Bay Area? Then we want to see them.\u003c/p>\n\u003cp>To celebrate the broadcast of \u003cem>American Masters\u003c/em>’ acclaimed film \u003ca href=\"http://ww2.kqed.org/arts/2016/04/28/american-masters-janis-joplin/\" target=\"_blank\">\u003cem>Janis Joplin: Little Girl Blue\u003c/em>\u003c/a> on May 3, we’re building a collective picture of the style, attitude and atmosphere of 1960s San Francisco and the wider Bay Area: a place Janis Joplin called home from 1963 until her untimely death age 27 in 1970. That's where you — and your family photos — come in.\u003c/p>\n\u003cfigure id=\"attachment_6761\" class=\"wp-caption aligncenter\" style=\"max-width: 1047px\">\u003cimg class=\"size-full wp-image-6761\" src=\"http://ww2.kqed.org/about/wp-content/uploads/sites/19/2016/04/Blosser_60s_crop.jpg\" alt=\"KQED staffer Heather Blosser sent us this picture of her parents (far right) with her as a toddler, taken in the 1960s\" width=\"1047\" height=\"894\" srcset=\"https://ww2.kqed.org/app/uploads/sites/19/2016/04/Blosser_60s_crop.jpg 1047w, https://ww2.kqed.org/app/uploads/sites/19/2016/04/Blosser_60s_crop-400x342.jpg 400w, https://ww2.kqed.org/app/uploads/sites/19/2016/04/Blosser_60s_crop-703x600.jpg 703w, https://ww2.kqed.org/app/uploads/sites/19/2016/04/Blosser_60s_crop-768x656.jpg 768w, https://ww2.kqed.org/app/uploads/sites/19/2016/04/Blosser_60s_crop-960x820.jpg 960w\" sizes=\"(max-width: 1047px) 100vw, 1047px\">\u003cfigcaption class=\"wp-caption-text\">KQED staffer Heather Blosser sent us this picture of her parents (far right) with her as a toddler, taken in the 1960s\u003c/figcaption>\u003c/figure>\n\u003cp>Think your family's got a great photo taken between 1960 and 1970 in the Bay Area? Take a photo of it (or if you're feeling fancy, maybe even scan it) and post it to Twitter, Instagram or \u003ca href=\"https://www.facebook.com/kqed\" target=\"_blank\">KQED's Facebook Page\u003c/a> with the hashtag \u003cstrong>#BayBackWhen\u003c/strong>. Don't forget to include a note about who's in it, and when and where it was taken, if you know it. We'll be collecting photos and reposting highlights to social media and our website!\u003c/p>\n\u003cp>\u003cem>Remember, by posting a photo you are agreeing that you have the right and permission necessary to post the photo (e.g., that you own the copyright in the photo and that you have everyone’s permission in the photo to post it). You agree that KQED may publish the photo on our website , social media pages or in other media and that you will hold KQED harmless from any and all claims and expenses (including legal expenses) arising from use of the photo and/or your failure to comply with the rules set out in this disclaimer.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Mourning Prince and celebrating Beyonce, as if we could talk about anything else.\u003c/p>\n\u003cp>[audio src=\"[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2016/05/LEMONADE03.mp3\" title=\"Let's Go Crazy Over Beyoncé's LEMONADE\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>This week, we mourn Prince and share some facts about his life you might not know:\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>https://giphy.com/gifs/originals-prince-parker-jackson-when-doves-cry-xT1XGB0FtCkxiFeiU8\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Then we make ourselves feel better by celebrating and analyzing Beyoncé's \u003cem>LEMONADE\u003c/em>:\u003c/p>\n\u003cp>http://ww2.kqed.org/pop/2016/04/23/beyonces-lemonade-isnt-the-first-time-shes-used-divorce-to-play-with-our-emotions/\u003c/p>\n\u003cp>http://ww2.kqed.org/pop/2016/04/24/beyonce-11-lemonade-lyrics-that-have-jay-z-researching-witness-protection-programs/\u003c/p>\n\u003cp>And we cap things off with a musical bridge between these two legends -- their joint Grammys performance from 2004:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=YOs_XbVZUiA\u003c/p>\n\u003cp>Until next week!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>http://ww2.kqed.org/pop/2016/04/24/beyonce-11-lemonade-lyrics-that-have-jay-z-researching-witness-protection-programs/\u003c/p>\n\u003cp>And we cap things off with a musical bridge between these two legends -- their joint Grammys performance from 2004:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/YOs_XbVZUiA'\n title='//www.youtube.com/embed/YOs_XbVZUiA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Until next week!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Thought you were done being \u003ca href=\"http://ww2.kqed.org/pop/2016/04/21/lets-go-crazy-prince-and-the-subversive-power-of-party-music/\">emotional about Prince\u003c/a>? Not so fast.\u003c/p>\n\u003cp>D'Angelo, whose progressive, eclectic blend of soul, funk and R&B owes a tremendous debt to Prince's influence -- he's\u003ca href=\"http://daily.redbullmusicacademy.com/2014/12/dangelo-black-messiah-inspirations-interview\"> said as much in interviews for years\u003c/a> -- appeared on \u003cem>The Tonight Show \u003c/em>on April 26 to pay tribute to the icon.\u003c/p>\n\u003cp>https://twitter.com/questlove/status/725182139910754304\u003c/p>\n\u003cp>Performing a beautiful rendition of the Prince ballad \"Sometimes It Snows In April,\" D'Angelo had the support of \u003ca href=\"http://www.werprincess.com/#princess\">Princess\u003c/a>, the Prince tribute band comprised of comedian Maya Rudolph and singer-songwriter Gretchen Lieberum.\u003c/p>\n\u003cp>But aside from their voices, D'Angelo is alone in a spotlight at the piano, dressed in a vest that would have made his musical hero proud. So it's all the more heartbreaking when his voice begins to crack with emotion near the end of the song.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=6uzBHhPEWpE\u003c/p>\n\u003cp>One take-away: In case there was any doubt, real men definitely cry. And also: We're really lucky to have D'Angelo.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cp>The first time I saw Beach House was at the Swedish American Music Hall, in 2008. The space was cozy and intimate. There were folding chairs. I was able to snag a seat front-row center, where Victoria Legrand and Alex Scally brought their dreamy, otherworldly sound to life, and me to tears (albeit, with the help of a generous helping of whiskey). I've seen them five times since, and there's a reason behind this \u003ca href=\"https://www.youtube.com/watch?v=WSLXEdI5ZVs\" target=\"_blank\">devotion\u003c/a>; few other musicians inspire such a full-body fever dream response. A few songs in and I transform into that weirdo who's alone in a crowd, swaying and smiling with his eyes closed.\u003c/p>\n\u003cp>These days, word has gotten out about Beach House and their powerful live shows. The venues are bigger and the magic is spread more thinly. So it was exciting to hear the band announce their latest experiment: \u003ca href=\"http://www.beachhousebaltimore.com/installation/\">six \"installation\" shows\u003c/a> to take place in art galleries, community centers and other alternative venues, featuring no backup band, a mysterious \"design,\" and songs mostly culled from their first two albums (which don't get much play on their traditional tours) and their latest.\u003c/p>\n\u003caside class=\"pullquote alignright\">'The distress over not being able to Instagram any of it was palpable. The entire spectacle made me regret giving up weed years ago.'\u003c/aside>\n\u003cp>But there are conditions: Only 200 people will witness each show. Those lucky enough to snag a ticket are advised to bring a pillow, because everyone sits on the floor. Once you're inside the space, you're there for the duration. No applause. No photos.\u003c/p>\n\u003cp>So what's the point of all this? According to the band, the project's purpose is to recapture the \"pure, embryonic state of mind\" that comes with the initial spark of inspiration, but that gets lost somewhere between pre-studio conception and the stage.\u003c/p>\n\u003cp>Most people who showed up at the Mission District's \u003ca href=\"http://grayarea.org/theater/overview/\" target=\"_blank\">Gray Area Theater\u003c/a> to see what all this fuss is about were down for whatever might be coming, actual pillows from their beds in tow. We were led into a former, gutted theater, the only illumination coming from a multi-colored horizontal bar of light at the bottom of the stage. People stepped over each other in the dark to find a spot to sit. We all huddled together and waited.\u003c/p>\n\u003cfigure id=\"attachment_23324\" class=\"wp-caption alignleft\" style=\"max-width: 267px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/beachhouse-2015-promo-01-shawnbrackbill-1500x2248-300.jpg\">\u003cimg class=\"wp-image-23324 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/beachhouse-2015-promo-01-shawnbrackbill-1500x2248-300.jpg\" alt=\"Victoria Legrand and Alex Scally. (Photo: Sub Pop)\" width=\"267\" height=\"400\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Victoria Legrand and Alex Scally. (Photo: \u003ca href=\"https://www.subpop.com/artists/beach_house\">Sub Pop\u003c/a>)\u003c/figcaption>\u003c/figure>\n\u003cp>When showtime finally came, the smoke machines did their work and Legrand and Scally took the stage, although it was easy to miss them in the dark. Eventually, it became clear that a screen separated the duo from the audience. They began to project images of a variety of flowers and live footage onto themselves. Two display cabinets on either side lit up with rows of fiber-optic flowers. The distress over not being able to Instagram any of it was palpable. The entire spectacle made me regret giving up weed years ago.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>As for the music, the band relied heavily on their first and last albums. The night began with \"Saltwater,\" the first track on their debut, and ended with \"Somewhere Tonight,\" the last track on their most recent release, as if the point of the whole evening was to find their way back to their origins and remind themselves why they're in this band in the first place. The cramped space and smaller number of fans underscored this trip back in time, back to that Swedish American Hall show in 2008, before Beach House songs found themselves in flashy car commercials.\u003c/p>\n\u003cp>The sense is that, when you reach a certain level of fame, you lose control. The band no longer belongs to themselves, but to the masses who've latched onto their music. This project felt like their way of pressing the reset button and taking back what's rightfully theirs. No backing band, no sea of iPhones Snapchatting away, no audience participation -- just the two of them making the music they love, as if they were back in their mid-aughts bedrooms, with no one on the other side of the screen.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>After they left the stage, the 200 fans clapped and hollered for several minutes, in an attempt to prove that we deserved an encore. \"Just one song, please!\" begged one dude. A man working the event eventually came on the mic to say, \"We appreciate your enthusiasm, but the show is over.\" More evidence that this \"installation\" show was less about Beach House giving something to the fans, and more about taking something back.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The first time I saw Beach House was at the Swedish American Music Hall, in 2008. The space was cozy and intimate. There were folding chairs. I was able to snag a seat front-row center, where Victoria Legrand and Alex Scally brought their dreamy, otherworldly sound to life, and me to tears (albeit, with the help of a generous helping of whiskey). I've seen them five times since, and there's a reason behind this \u003ca href=\"https://www.youtube.com/watch?v=WSLXEdI5ZVs\" target=\"_blank\">devotion\u003c/a>; few other musicians inspire such a full-body fever dream response. A few songs in and I transform into that weirdo who's alone in a crowd, swaying and smiling with his eyes closed.\u003c/p>\n\u003cp>These days, word has gotten out about Beach House and their powerful live shows. The venues are bigger and the magic is spread more thinly. So it was exciting to hear the band announce their latest experiment: \u003ca href=\"http://www.beachhousebaltimore.com/installation/\">six \"installation\" shows\u003c/a> to take place in art galleries, community centers and other alternative venues, featuring no backup band, a mysterious \"design,\" and songs mostly culled from their first two albums (which don't get much play on their traditional tours) and their latest.\u003c/p>\n\u003caside class=\"pullquote alignright\">'The distress over not being able to Instagram any of it was palpable. The entire spectacle made me regret giving up weed years ago.'\u003c/aside>\n\u003cp>But there are conditions: Only 200 people will witness each show. Those lucky enough to snag a ticket are advised to bring a pillow, because everyone sits on the floor. Once you're inside the space, you're there for the duration. No applause. No photos.\u003c/p>\n\u003cp>So what's the point of all this? According to the band, the project's purpose is to recapture the \"pure, embryonic state of mind\" that comes with the initial spark of inspiration, but that gets lost somewhere between pre-studio conception and the stage.\u003c/p>\n\u003cp>Most people who showed up at the Mission District's \u003ca href=\"http://grayarea.org/theater/overview/\" target=\"_blank\">Gray Area Theater\u003c/a> to see what all this fuss is about were down for whatever might be coming, actual pillows from their beds in tow. We were led into a former, gutted theater, the only illumination coming from a multi-colored horizontal bar of light at the bottom of the stage. People stepped over each other in the dark to find a spot to sit. We all huddled together and waited.\u003c/p>\n\u003cfigure id=\"attachment_23324\" class=\"wp-caption alignleft\" style=\"max-width: 267px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/beachhouse-2015-promo-01-shawnbrackbill-1500x2248-300.jpg\">\u003cimg class=\"wp-image-23324 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/beachhouse-2015-promo-01-shawnbrackbill-1500x2248-300.jpg\" alt=\"Victoria Legrand and Alex Scally. (Photo: Sub Pop)\" width=\"267\" height=\"400\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Victoria Legrand and Alex Scally. (Photo: \u003ca href=\"https://www.subpop.com/artists/beach_house\">Sub Pop\u003c/a>)\u003c/figcaption>\u003c/figure>\n\u003cp>When showtime finally came, the smoke machines did their work and Legrand and Scally took the stage, although it was easy to miss them in the dark. Eventually, it became clear that a screen separated the duo from the audience. They began to project images of a variety of flowers and live footage onto themselves. Two display cabinets on either side lit up with rows of fiber-optic flowers. The distress over not being able to Instagram any of it was palpable. The entire spectacle made me regret giving up weed years ago.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>As for the music, the band relied heavily on their first and last albums. The night began with \"Saltwater,\" the first track on their debut, and ended with \"Somewhere Tonight,\" the last track on their most recent release, as if the point of the whole evening was to find their way back to their origins and remind themselves why they're in this band in the first place. The cramped space and smaller number of fans underscored this trip back in time, back to that Swedish American Hall show in 2008, before Beach House songs found themselves in flashy car commercials.\u003c/p>\n\u003cp>The sense is that, when you reach a certain level of fame, you lose control. The band no longer belongs to themselves, but to the masses who've latched onto their music. This project felt like their way of pressing the reset button and taking back what's rightfully theirs. No backing band, no sea of iPhones Snapchatting away, no audience participation -- just the two of them making the music they love, as if they were back in their mid-aughts bedrooms, with no one on the other side of the screen.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>After they left the stage, the 200 fans clapped and hollered for several minutes, in an attempt to prove that we deserved an encore. \"Just one song, please!\" begged one dude. A man working the event eventually came on the mic to say, \"We appreciate your enthusiasm, but the show is over.\" More evidence that this \"installation\" show was less about Beach House giving something to the fans, and more about taking something back.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/261294973&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>[contextly_sidebar id=\"g5dj8boKK2wejRcE1PIgL0tb8ij9pXF4\"]Beyonce is a big fan of \u003ca href=\"http://ww2.kqed.org/pop/2016/03/17/ann-friedman-on-everything-from-shine-theory-to-kim-kardashian/\">shine theory\u003c/a>, the if-you-shine-I-shine ideology that involves propping up other women, instead of seeing them as competition. In 2013, Nigerian writer Chimamanda Ngozi Achicie experienced a stratospheric rise to fame, thanks to a portion of \u003ca href=\"http://ww2.kqed.org/pop/2013/12/16/beyonce-and-chimamanda-ngozi-adichie-make-feminism-go-viral/\">her TED talk on feminism being sampled\u003c/a> in Beyoncé's \"Flawless.\" Adichie was already well-known in many lit circles, but, almost overnight, millions of people were chanting her words and carrying around copies of \u003cem>Americanah\u003c/em>.\u003c/p>\n\u003cp>With the release of \u003cem>LEMONADE\u003c/em>, Beyoncé continued this theme of spotlighting emerging artists by reciting poetry by Somali-British poet Warsan Shire as connective tissue between her songs throughout the visual album. Shire's name might be new to you, but she's been making waves within the poetry scene and all over social media for quite some time. At the age of 27, she's already been awarded the U.K.'s Brunel University prize for African Poetry and become London's first Young Poet Laureate and Queensland, Australia's poet-in-residence. A full-length collection is in the works, but, until then, there are two chapbooks available, \u003ci>Teaching My Mother How To Give Birth \u003c/i>and\u003ci> Her Blue Body\u003c/i>. You can buy them \u003ca href=\"http://www.amazon.com/Teaching-Mother-Give-Birth-Mouthmark/dp/1905233299\">here\u003c/a> and \u003ca href=\"http://www.amazon.com/Her-Blue-Body-Flap-Pamphlet/dp/1905233485\">here\u003c/a>.\u003c/p>\n\u003cp>A poem called \"For Women Who Are Difficult To Love” is quoted heavily within \u003cem>LEMONADE\u003c/em>. Watch a short film Shire produced around the poem:\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://player.vimeo.com/video/38766162\" width=\"640\" height=\"472\" frameborder=\"0\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>And this \u003cem>New Yorker\u003c/em> profile, which explains how Shire manages to \"write movingly about African migration to Europe and also tweet humorously about the VH1 reality show \u003cem>Love & Hip-Hop: Atlanta,\u003c/em>” is a must-read:\u003c/p>\n\u003cp>http://www.newyorker.com/culture/cultural-comment/the-writing-life-of-a-young-prolific-poet-warsan-shire\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And they say poetry is dead.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And this \u003cem>New Yorker\u003c/em> profile, which explains how Shire manages to \"write movingly about African migration to Europe and also tweet humorously about the VH1 reality show \u003cem>Love & Hip-Hop: Atlanta,\u003c/em>” is a must-read:\u003c/p>\n\u003cp>http://www.newyorker.com/culture/cultural-comment/the-writing-life-of-a-young-prolific-poet-warsan-shire\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And they say poetry is dead.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "What Do Haikus, Lesbians and Cats Have In Common? Ask Anna Pulley",
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"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>Like Walt Whitman, Steve Miller, and countless others before her, Oakland writer \u003ca href=\"http://com\" target=\"_blank\">Anna Pulley\u003c/a> is many things: A lesbian; a haiku aficionado; a whip-smart, pun-loving relationship and sex advice columnist.\u003c/p>\n\u003cp>She's also a human being who, not too long ago, was having a really tough year. In 2010, Pulley's fiancée dumped her. Within a matter of weeks, her father was diagnosed with cancer. Staring down depression and an accompanying case of writer's block, Pulley began digging herself out one very small step at a time: Five syllables, then seven, then five again.\u003c/p>\n\u003cp>The result is a book so funny, you'd never guess at its origins: \u003cem>The Lesbian Sex Haiku Book (With Cats!)\u003c/em>, out last week on Flatiron Books -- and celebrated with a \u003ca href=\"https://www.facebook.com/events/1560388467622852/\" target=\"_blank\">reading April 28 at Pegasus Books in Berkeley\u003c/a> -- is a hilarious and thoroughly relatable meditation on modern relationships, from the pitfalls of online dating to the realities of sex with a bad back. Self-deprecating jokes about Audre Lorde, performance fleece, and \u003cem>The L Word \u003c/em>abound. Oh, and the whole thing's illustrated with cats.\u003c/p>\n\u003cfigure id=\"attachment_22798\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-22798 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/bondagecat_w-800x731.jpg\" alt=\"bondagecat_w\" width=\"800\" height=\"731\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/bondagecat_w-800x731.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/bondagecat_w-400x365.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/bondagecat_w-768x701.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/bondagecat_w.jpg 900w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bondage Cat, by Kelsey Beyer\u003c/figcaption>\u003c/figure>\n\u003cp>The book, which contains nearly 500 haikus, can serve as educational material if you like -- what lesbians actually do in the bedroom remains, thanks to thoroughly unrealistic porn, something of a mystery to many. But its pure entertainment value is not to be underestimated, in large part thanks to its cheeky line-drawings of perturbed-looking felines, penned by illustrator (and Pulley's girlfriend) \u003ca href=\"http://kelseybeyer.com\">Kelsey Beyer\u003c/a>.\u003c/p>\n\u003cp>Ahead of the book's launch, we caught up with Pulley by phone to talk lesbian stereotypes, the haiku renaissance, and the challenges of publishing a book with one's partner.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>KQED Pop: You've mentioned that you think the haiku is having something of a revival in American culture at large right now. Where are you seeing that, and why do you think that's happening?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Anna Pulley: \u003c/strong>I think its popularity sort of comes and goes. It was popular in the '60s due to the Beats -- Jack Kerouac and Gary Snyder both popularized them. But then, just in the last 10 years or so, we've had a kind of splurge of books: \u003cem>Hipster Haiku\u003c/em>,\u003cem> Zombie Haiku, Werewolf Haiku. \u003c/em>\u003cstrong>\u003cbr>\n\u003c/strong>\u003c/p>\n\u003cp>I think Instagram is one huge reason people are paying attention right now. \u003ca href=\"http://www.nytimes.com/2015/11/08/business/media/web-poets-society-new-breed-succeeds-in-taking-verse-viral.html\" target=\"_blank\">Tyler Knott Greggson\u003c/a> writes haiku on Instagram and one of the Kardashians favorited one, so he sort of blew up overnight.\u003c/p>\n\u003caside class=\"pullquote alignright\">What a spirited flogging! Maybe next time no / GMO lecture?\u003c/aside>\n\u003cp>And then there's Twitter. I think because of our generation's sort of collective ADHD, our lack of attention span, [haiku] is appealing because they're short, digestible, and really easy to share.\u003c/p>\n\u003cfigure id=\"attachment_23169\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-23169\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-800x1031.jpg\" alt=\"Anna Pulley (right) and illustrator Kelsey Beyer\" width=\"800\" height=\"1031\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-800x1031.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-400x516.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-768x990.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-1180x1521.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-960x1238.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Anna Pulley (right) and illustrator Kelsey Beyer \u003ccite>(John Orvis)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>You touch on that in the book -- that your job was in social media during the time you started writing haikus frequently, that Twitter started played into your writing that way. \u003c/strong>\u003c/p>\n\u003cp>I think it definitely helped that I was doing social media, so I was very primed to have this short-form mentality. And then, you know, my life fell apart. I had writer's block, and I couldn't really claw my way out of it. Thinking in short, 17-syllable chunks was something I \u003cem>could\u003c/em> do.\u003c/p>\n\u003cp>The other thing that catalyzed it for me was falling in love with a married woman. [Laughs.] She lived across the country and we didn't get to see each other very often, so we had this message-based way of communicating with each other. We wrote hundreds of haikus back and forth, for years, communicating in this antiquated poetic form. And that really helped solidify the fact that I was going to be okay: I wasn't incapable of writing, and I wasn't this undesirable person.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-23172\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/B7aQWIMCcAAYFO8.jpg\" alt=\"B7aQWIMCcAAYFO8\" width=\"600\" height=\"802\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/B7aQWIMCcAAYFO8.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/B7aQWIMCcAAYFO8-400x535.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003cstrong>You play a lot in this book with stereotypes about lesbians -- and obviously, since you are gay, a lot of it just comes off as self-deprecating humor. But I'm curious if you were conscious, as you were writing, about where the line is between poking fun and perpetuating these kind of clichés? \u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Stereotypes are definitely something that have been on my mind. I was nervous I would be perpetuating stereotypes, that lesbians would be mad at me. But I also think that stereotypes are fascinating, and that they have a lot of subversive potential -- they force you to look at these underlying causes. Why does society think that lesbian bed death is a thing? There's been some research that shows lesbians have less \u003cem>frequent\u003c/em> sex, but it's longer. I think there are interesting questions within stereotypes about how we define ourselves as a community. \u003c/span>\u003c/p>\n\u003cp>\u003cstrong>It's also funny that probably one of the most common stereotypes is that lesbians are humorless, whereas this book... \u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And that was probably the biggest one that I was trying to counter. Obviously we can have a sense of humor, but historically, if you look at lesbians, we're probably protesting something as opposed to mocking it or celebrating it for its humor. \u003c/span>\u003c/p>\n\u003caside class=\"pullquote alignright\">It's like straight sex, but / with more slouchy blazers and / P!nk dance remixes.\u003c/aside>\n\u003cp>So then it's, okay, why do we have this legacy? Also, frankly, I embody a lot of lesbian stereotypes, and I think that's really funny. I'm not burdened by the fact that I own a truck, for instance.\u003c/p>\n\u003cfigure id=\"attachment_23173\" class=\"wp-caption aligncenter\" style=\"max-width: 659px\">\u003cimg class=\"size-full wp-image-23173\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/craigslistcat_w.jpg\" alt=\"Craigslist Cat. \" width=\"659\" height=\"540\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/craigslistcat_w.jpg 659w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/craigslistcat_w-400x328.jpg 400w\" sizes=\"(max-width: 659px) 100vw, 659px\">\u003cfigcaption class=\"wp-caption-text\">Craigslist Cat. \u003ccite>(Illustration by Kelsey Beyer)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Before this was a book, it was a blog post on The Toast, and I remember reading the comments when it went up -- everyone was just so stoked by the combination of cats and haikus and lesbians. Were you surprised by the reaction to that post?\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I was surprised as hell. That first post is actually what got us a book deal -- the publisher at FlatIron saw it and got in touch. I didn't have a book proposal, I didn't have an agent. It was completely shocking. But also, I think lesbians are starting to have their time in the limelight -- it's not that weird to be a queer person in 2016, so I think there is a sense of, \"maybe it's time to learn.\" You know, maybe it's time to learn about Tofurkey and whatnot. But yeah, after that post, I wrote pretty much the whole thing in four months. \u003c/span>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-23184\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/kitties.jpg\" alt=\"kitties\" width=\"471\" height=\"402\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/kitties.jpg 471w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/kitties-400x341.jpg 400w\" sizes=\"(max-width: 471px) 100vw, 471px\">\u003c/p>\n\u003cp>\u003cstrong>Tell me about having Kelsey illustrate the book -- what was it like to work on a book with your partner?\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Mostly great. We had a lot of fun together; creatively, we were very much on the same page. She was the one who came up with the cat concept to begin with. Wendy MacNaughton was going to illustrate the book but then she got too famous, so it was really helpful that I was dating an artist. Some of the haikus were written for her, or so she could draw certain things -- I'd be like, \"Right, this one's for you, I'll make a haiku about a long-haired butch and it'll involve John Stamos and it'll be great.\" Some of the financial stuff around the contract was tricky to iron out, to the point where we did wind up going to couples' therapy. Which is, of course, another lesbian stereotype. So that was also great. \u003c/span>\u003c/p>\n\u003cp>\u003cstrong>What's next for you two with promotion? Are you taking the cats on tour?\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[After the Bay Area events], I would love to go on a small-ish book tour to promote the lesbians and the cats -- New York, Chicago. And then \u003ca href=\"http://catconla.com/\">Cat Con\u003c/a> is happening in LA in June, so that should be...a whole other thing.\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>Is that, like, cat videos, or furries, or both?\u003c/strong>\u003c/p>\n\u003cp>I mean, can you have a cat festival without furries? I guess we'll find out.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Anna Pulley and Kelsey Beyer will appear at Pegasus Books in Berkeley this Thursday, April 28 at 7:30 pm. \u003ca href=\"https://www.facebook.com/events/1560388467622852/\" target=\"_blank\">More details here\u003c/a>. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Like Walt Whitman, Steve Miller, and countless others before her, Oakland writer \u003ca href=\"http://com\" target=\"_blank\">Anna Pulley\u003c/a> is many things: A lesbian; a haiku aficionado; a whip-smart, pun-loving relationship and sex advice columnist.\u003c/p>\n\u003cp>She's also a human being who, not too long ago, was having a really tough year. In 2010, Pulley's fiancée dumped her. Within a matter of weeks, her father was diagnosed with cancer. Staring down depression and an accompanying case of writer's block, Pulley began digging herself out one very small step at a time: Five syllables, then seven, then five again.\u003c/p>\n\u003cp>The result is a book so funny, you'd never guess at its origins: \u003cem>The Lesbian Sex Haiku Book (With Cats!)\u003c/em>, out last week on Flatiron Books -- and celebrated with a \u003ca href=\"https://www.facebook.com/events/1560388467622852/\" target=\"_blank\">reading April 28 at Pegasus Books in Berkeley\u003c/a> -- is a hilarious and thoroughly relatable meditation on modern relationships, from the pitfalls of online dating to the realities of sex with a bad back. Self-deprecating jokes about Audre Lorde, performance fleece, and \u003cem>The L Word \u003c/em>abound. Oh, and the whole thing's illustrated with cats.\u003c/p>\n\u003cfigure id=\"attachment_22798\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-22798 size-medium\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/bondagecat_w-800x731.jpg\" alt=\"bondagecat_w\" width=\"800\" height=\"731\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/bondagecat_w-800x731.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/bondagecat_w-400x365.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/bondagecat_w-768x701.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/bondagecat_w.jpg 900w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bondage Cat, by Kelsey Beyer\u003c/figcaption>\u003c/figure>\n\u003cp>The book, which contains nearly 500 haikus, can serve as educational material if you like -- what lesbians actually do in the bedroom remains, thanks to thoroughly unrealistic porn, something of a mystery to many. But its pure entertainment value is not to be underestimated, in large part thanks to its cheeky line-drawings of perturbed-looking felines, penned by illustrator (and Pulley's girlfriend) \u003ca href=\"http://kelseybeyer.com\">Kelsey Beyer\u003c/a>.\u003c/p>\n\u003cp>Ahead of the book's launch, we caught up with Pulley by phone to talk lesbian stereotypes, the haiku renaissance, and the challenges of publishing a book with one's partner.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>KQED Pop: You've mentioned that you think the haiku is having something of a revival in American culture at large right now. Where are you seeing that, and why do you think that's happening?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Anna Pulley: \u003c/strong>I think its popularity sort of comes and goes. It was popular in the '60s due to the Beats -- Jack Kerouac and Gary Snyder both popularized them. But then, just in the last 10 years or so, we've had a kind of splurge of books: \u003cem>Hipster Haiku\u003c/em>,\u003cem> Zombie Haiku, Werewolf Haiku. \u003c/em>\u003cstrong>\u003cbr>\n\u003c/strong>\u003c/p>\n\u003cp>I think Instagram is one huge reason people are paying attention right now. \u003ca href=\"http://www.nytimes.com/2015/11/08/business/media/web-poets-society-new-breed-succeeds-in-taking-verse-viral.html\" target=\"_blank\">Tyler Knott Greggson\u003c/a> writes haiku on Instagram and one of the Kardashians favorited one, so he sort of blew up overnight.\u003c/p>\n\u003caside class=\"pullquote alignright\">What a spirited flogging! Maybe next time no / GMO lecture?\u003c/aside>\n\u003cp>And then there's Twitter. I think because of our generation's sort of collective ADHD, our lack of attention span, [haiku] is appealing because they're short, digestible, and really easy to share.\u003c/p>\n\u003cfigure id=\"attachment_23169\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-23169\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-800x1031.jpg\" alt=\"Anna Pulley (right) and illustrator Kelsey Beyer\" width=\"800\" height=\"1031\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-800x1031.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-400x516.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-768x990.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-1180x1521.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169-960x1238.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/culture2-1-a60aba166e8b5169.jpg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Anna Pulley (right) and illustrator Kelsey Beyer \u003ccite>(John Orvis)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>You touch on that in the book -- that your job was in social media during the time you started writing haikus frequently, that Twitter started played into your writing that way. \u003c/strong>\u003c/p>\n\u003cp>I think it definitely helped that I was doing social media, so I was very primed to have this short-form mentality. And then, you know, my life fell apart. I had writer's block, and I couldn't really claw my way out of it. Thinking in short, 17-syllable chunks was something I \u003cem>could\u003c/em> do.\u003c/p>\n\u003cp>The other thing that catalyzed it for me was falling in love with a married woman. [Laughs.] She lived across the country and we didn't get to see each other very often, so we had this message-based way of communicating with each other. We wrote hundreds of haikus back and forth, for years, communicating in this antiquated poetic form. And that really helped solidify the fact that I was going to be okay: I wasn't incapable of writing, and I wasn't this undesirable person.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-23172\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/B7aQWIMCcAAYFO8.jpg\" alt=\"B7aQWIMCcAAYFO8\" width=\"600\" height=\"802\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/B7aQWIMCcAAYFO8.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/B7aQWIMCcAAYFO8-400x535.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003cstrong>You play a lot in this book with stereotypes about lesbians -- and obviously, since you are gay, a lot of it just comes off as self-deprecating humor. But I'm curious if you were conscious, as you were writing, about where the line is between poking fun and perpetuating these kind of clichés? \u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Stereotypes are definitely something that have been on my mind. I was nervous I would be perpetuating stereotypes, that lesbians would be mad at me. But I also think that stereotypes are fascinating, and that they have a lot of subversive potential -- they force you to look at these underlying causes. Why does society think that lesbian bed death is a thing? There's been some research that shows lesbians have less \u003cem>frequent\u003c/em> sex, but it's longer. I think there are interesting questions within stereotypes about how we define ourselves as a community. \u003c/span>\u003c/p>\n\u003cp>\u003cstrong>It's also funny that probably one of the most common stereotypes is that lesbians are humorless, whereas this book... \u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And that was probably the biggest one that I was trying to counter. Obviously we can have a sense of humor, but historically, if you look at lesbians, we're probably protesting something as opposed to mocking it or celebrating it for its humor. \u003c/span>\u003c/p>\n\u003caside class=\"pullquote alignright\">It's like straight sex, but / with more slouchy blazers and / P!nk dance remixes.\u003c/aside>\n\u003cp>So then it's, okay, why do we have this legacy? Also, frankly, I embody a lot of lesbian stereotypes, and I think that's really funny. I'm not burdened by the fact that I own a truck, for instance.\u003c/p>\n\u003cfigure id=\"attachment_23173\" class=\"wp-caption aligncenter\" style=\"max-width: 659px\">\u003cimg class=\"size-full wp-image-23173\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/craigslistcat_w.jpg\" alt=\"Craigslist Cat. \" width=\"659\" height=\"540\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/craigslistcat_w.jpg 659w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/craigslistcat_w-400x328.jpg 400w\" sizes=\"(max-width: 659px) 100vw, 659px\">\u003cfigcaption class=\"wp-caption-text\">Craigslist Cat. \u003ccite>(Illustration by Kelsey Beyer)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Before this was a book, it was a blog post on The Toast, and I remember reading the comments when it went up -- everyone was just so stoked by the combination of cats and haikus and lesbians. Were you surprised by the reaction to that post?\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I was surprised as hell. That first post is actually what got us a book deal -- the publisher at FlatIron saw it and got in touch. I didn't have a book proposal, I didn't have an agent. It was completely shocking. But also, I think lesbians are starting to have their time in the limelight -- it's not that weird to be a queer person in 2016, so I think there is a sense of, \"maybe it's time to learn.\" You know, maybe it's time to learn about Tofurkey and whatnot. But yeah, after that post, I wrote pretty much the whole thing in four months. \u003c/span>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-23184\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/04/kitties.jpg\" alt=\"kitties\" width=\"471\" height=\"402\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/04/kitties.jpg 471w, https://ww2.kqed.org/app/uploads/sites/12/2016/04/kitties-400x341.jpg 400w\" sizes=\"(max-width: 471px) 100vw, 471px\">\u003c/p>\n\u003cp>\u003cstrong>Tell me about having Kelsey illustrate the book -- what was it like to work on a book with your partner?\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Mostly great. We had a lot of fun together; creatively, we were very much on the same page. She was the one who came up with the cat concept to begin with. Wendy MacNaughton was going to illustrate the book but then she got too famous, so it was really helpful that I was dating an artist. Some of the haikus were written for her, or so she could draw certain things -- I'd be like, \"Right, this one's for you, I'll make a haiku about a long-haired butch and it'll involve John Stamos and it'll be great.\" Some of the financial stuff around the contract was tricky to iron out, to the point where we did wind up going to couples' therapy. Which is, of course, another lesbian stereotype. So that was also great. \u003c/span>\u003c/p>\n\u003cp>\u003cstrong>What's next for you two with promotion? Are you taking the cats on tour?\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[After the Bay Area events], I would love to go on a small-ish book tour to promote the lesbians and the cats -- New York, Chicago. And then \u003ca href=\"http://catconla.com/\">Cat Con\u003c/a> is happening in LA in June, so that should be...a whole other thing.\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>Is that, like, cat videos, or furries, or both?\u003c/strong>\u003c/p>\n\u003cp>I mean, can you have a cat festival without furries? I guess we'll find out.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Anna Pulley and Kelsey Beyer will appear at Pegasus Books in Berkeley this Thursday, April 28 at 7:30 pm. \u003ca href=\"https://www.facebook.com/events/1560388467622852/\" target=\"_blank\">More details here\u003c/a>. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"soldout": {
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"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
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