window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_13870391": {
"type": "attachments",
"id": "arts_13870391",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13870391",
"found": true
},
"parent": 13870385,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/maxresdefault-1-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/maxresdefault-1-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/maxresdefault-1-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/maxresdefault-1.jpg",
"width": 1280,
"height": 720
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/maxresdefault-1-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/maxresdefault-1-1200x675.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 675
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/maxresdefault-1-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/maxresdefault-1-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1574755103,
"modified": 1574755213,
"caption": "Prince in the original 1982 video for '1999'.",
"description": "Prince in the original 1982 video for '1999'.",
"title": "Prince in the original 1982 video for '1999'.",
"credit": "YouTube",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13870277": {
"type": "attachments",
"id": "arts_13870277",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13870277",
"found": true
},
"parent": 13870266,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/SesameStreet.Car_-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/SesameStreet.Car_-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/SesameStreet.Car_-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/SesameStreet.Car_.jpg",
"width": 1439,
"height": 809
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/SesameStreet.Car_-1020x573.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 573
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/SesameStreet.Car_-1200x675.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 675
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/SesameStreet.Car_-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/SesameStreet.Car_-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1574456720,
"modified": 1574456754,
"caption": "The Sesame Street Jeep in San Francisco, circa 1969.",
"description": "The Sesame Street Jeep in San Francisco, circa 1969.",
"title": "SesameStreet.Car",
"credit": "KQED",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13870248": {
"type": "attachments",
"id": "arts_13870248",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13870248",
"found": true
},
"parent": 13870245,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/TomHanksFredRogers_Main-160x106.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 106
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/TomHanksFredRogers_Main-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/TomHanksFredRogers_Main.jpg",
"width": 800,
"height": 532
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/TomHanksFredRogers_Main-800x532.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 532
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/TomHanksFredRogers_Main-768x511.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 511
}
},
"publishDate": 1574384625,
"modified": 1574384657,
"caption": "Tom Hanks stars as the beloved children's performer Fred Rogers in 'A Beautiful Day in the Neighborhood.'\n",
"description": "Tom Hanks stars as the beloved children's performer Fred Rogers in 'A Beautiful Day in the Neighborhood.'\n",
"title": "TomHanksFredRogers_Main",
"credit": "Lacey Terrell/Sony Pictures",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13880948": {
"type": "attachments",
"id": "arts_13880948",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13880948",
"found": true
},
"parent": 13863206,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/maxresdefault-1020x574-1020x574-1-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/maxresdefault-1020x574-1020x574-1-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/maxresdefault-1020x574-1020x574-1.jpg",
"width": 1020,
"height": 574
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/maxresdefault-1020x574-1020x574-1-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/maxresdefault-1020x574-1020x574-1-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/maxresdefault-1020x574-1020x574-1-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1590188819,
"modified": 1590188841,
"caption": "TV fights were popularized on 'Jerry Springer,' but the mental health concerns for those who appear on reality TV are now far more complicated than what happens on-screen.",
"description": "TV fights were popularized on 'Jerry Springer,' but the mental health concerns for those who appear on reality TV are now far more complicated than what happens on-screen.",
"title": "maxresdefault-1020x574-1020x574",
"credit": "The Jerry Springer Show/NBC",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13870035": {
"type": "attachments",
"id": "arts_13870035",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13870035",
"found": true
},
"parent": 13869074,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/GettyImages-515575596-1020x683_Resized-1020x576.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/GettyImages-515575596-1020x683_Resized-160x101.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 101
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/GettyImages-515575596-1020x683_Resized-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/GettyImages-515575596-1020x683_Resized.jpg",
"width": 1020,
"height": 644
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/GettyImages-515575596-1020x683_Resized-1020x644.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 644
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/GettyImages-515575596-1020x683_Resized-800x505.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 505
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/GettyImages-515575596-1020x683_Resized-768x485.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 485
}
},
"publishDate": 1574119448,
"modified": 1574119465,
"caption": "At the 1973 Academy Awards, Sacheen Littlefeather refuses the Academy Award for Best Actor on behalf of Marlon Brando who won for his role in The Godfather. She carries a letter from Brando in which he explains he refused the award in protest of American treatment of the Native Americans.",
"description": "Sacheen Littlefeather turns down an Academy Award on behalf of Marlon Brando, 1973.",
"title": "Sacheen Littlefeather Refuses Marlon Brando's Academy Award",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13870023": {
"type": "attachments",
"id": "arts_13870023",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13870023",
"found": true
},
"parent": 13870020,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/GettyImages-486015758-1024x576.jpg",
"width": 1024,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/GettyImages-486015758-160x106.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 106
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/GettyImages-486015758-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/GettyImages-486015758.jpg",
"width": 1024,
"height": 681
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/GettyImages-486015758-1020x678.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 678
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/GettyImages-486015758-800x532.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 532
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/GettyImages-486015758-768x511.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 511
}
},
"publishDate": 1574114229,
"modified": 1574114324,
"caption": "Kanye West at the MTV Video Music Awards, Los Angeles, 2015. ",
"description": "Kanye West at the MTV Video Music Awards, Los Angeles, 2015. ",
"title": "Kanye West at the MTV Video Music Awards, Los Angeles, 2015.",
"credit": "Kevork Djansezian/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13872221": {
"type": "attachments",
"id": "arts_13872221",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13872221",
"found": true
},
"parent": 0,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/12/stelladog-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/12/stelladog-160x97.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 97
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/12/stelladog-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/12/stelladog.jpg",
"width": 1920,
"height": 1168
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/12/stelladog-1020x621.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 621
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/12/stelladog-1200x730.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 730
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/12/stelladog-1920x1168.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1168
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/12/stelladog-800x487.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 487
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/12/stelladog-768x467.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 467
}
},
"publishDate": 1577755679,
"modified": 1577755679,
"caption": null,
"description": null,
"title": "stelladog",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13870633": {
"type": "attachments",
"id": "arts_13870633",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13870633",
"found": true
},
"parent": 13869901,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/BruceMars.Pexels-1-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/BruceMars.Pexels-1-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/BruceMars.Pexels-1-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/BruceMars.Pexels-1.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/BruceMars.Pexels-1-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/BruceMars.Pexels-1-1200x675.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 675
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/BruceMars.Pexels-1-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/BruceMars.Pexels-1-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/BruceMars.Pexels-1-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1575323906,
"modified": 1575323941,
"caption": "The best podcasts for holiday travel take you to new places you've never been.",
"description": "The best podcasts for holiday travel take you to new places you've never been.",
"title": "BruceMars.Pexels",
"credit": "Bruce Mars/Pexels",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13869881": {
"type": "attachments",
"id": "arts_13869881",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13869881",
"found": true
},
"parent": 13869877,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/GettyImages-1187109785-1024x576.jpg",
"width": 1024,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/GettyImages-1187109785-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/GettyImages-1187109785-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/GettyImages-1187109785.jpg",
"width": 1024,
"height": 683
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/GettyImages-1187109785-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/GettyImages-1187109785-800x534.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 534
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/GettyImages-1187109785-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
}
},
"publishDate": 1573763209,
"modified": 1573763289,
"caption": "Executive Producer Reese Witherspoon arrives at the premiere of Apple TV+'s 'Truth Be Told,' November 2019, Beverly Hills. ",
"description": "Executive Producer Reese Witherspoon arrives at the premiere of Apple TV+'s 'Truth Be Told,' November 2019, Beverly Hills. ",
"title": "Executive Producer Reese Witherspoon arrives at the premiere of Apple TV+'s 'Truth Be Told,' November 2019, Beverly Hills.",
"credit": "Jerod Harris/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13869778": {
"type": "attachments",
"id": "arts_13869778",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13869778",
"found": true
},
"parent": 13868706,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/hardtimes-1020x510_175dpi-160x80.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 80
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/hardtimes-1020x510_175dpi-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/hardtimes-1020x510_175dpi.jpg",
"width": 1020,
"height": 510
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/hardtimes-1020x510_175dpi-1020x510.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 510
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/hardtimes-1020x510_175dpi-800x400.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 400
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/hardtimes-1020x510_175dpi-768x384.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 384
}
},
"publishDate": 1573602979,
"modified": 1573602997,
"caption": "(L) 'The Hard Times: The First 40 Years' is on sale now, (R) Founder Matt Saincome.",
"description": "(L) 'The Hard Times: The First 40 Years' is on sale now, (R) Founder Matt Saincome.",
"title": "hardtimes-1020x510_175dpi",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13869713": {
"type": "attachments",
"id": "arts_13869713",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13869713",
"found": true
},
"parent": 13869710,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/fka-twigs_ed_shot_01_0018_f2_cropfinal-credit-matthew-stone-_wide_800-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/fka-twigs_ed_shot_01_0018_f2_cropfinal-credit-matthew-stone-_wide_800-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/fka-twigs_ed_shot_01_0018_f2_cropfinal-credit-matthew-stone-_wide_800.jpg",
"width": 800,
"height": 449
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/fka-twigs_ed_shot_01_0018_f2_cropfinal-credit-matthew-stone-_wide_800-800x449.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 449
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/fka-twigs_ed_shot_01_0018_f2_cropfinal-credit-matthew-stone-_wide_800-768x431.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 431
}
},
"publishDate": 1573582122,
"modified": 1573582139,
"caption": "Four years between albums is not a very long time, says FKA twigs, if that artist writes all the lyrics and melodies and produces their own music.",
"description": "Four years between albums is not a very long time, says FKA twigs, if that artist writes all the lyrics and melodies and produces their own music.",
"title": "fka-twigs_ed_shot_01_0018_f2_cropfinal-credit---matthew-stone-_wide_800",
"credit": "Matthew Stone/Courtesy of the artist",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13869589": {
"type": "attachments",
"id": "arts_13869589",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13869589",
"found": true
},
"parent": 13869588,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/slow-burn-01_wide-23c087cd9173dfb22b08cad2aac463f101efcbf1-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/slow-burn-01_wide-23c087cd9173dfb22b08cad2aac463f101efcbf1-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/slow-burn-01_wide-23c087cd9173dfb22b08cad2aac463f101efcbf1-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/slow-burn-01_wide-23c087cd9173dfb22b08cad2aac463f101efcbf1.jpg",
"width": 1560,
"height": 877
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/slow-burn-01_wide-23c087cd9173dfb22b08cad2aac463f101efcbf1-1020x573.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 573
},
"complete_open_graph": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/slow-burn-01_wide-23c087cd9173dfb22b08cad2aac463f101efcbf1-1200x675.jpg",
"width": 1200,
"mimeType": "image/jpeg",
"height": 675
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/slow-burn-01_wide-23c087cd9173dfb22b08cad2aac463f101efcbf1-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/11/slow-burn-01_wide-23c087cd9173dfb22b08cad2aac463f101efcbf1-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1573154257,
"modified": 1573154895,
"caption": "Joel Anderson is the new host for season three of Slate's podcast 'Slow Burn.'",
"description": "Joel Anderson is the new host for season three of Slate's podcast 'Slow Burn.'",
"title": "Joel Anderson is the new host for season three of Slate's podcast 'Slow Burn.'",
"credit": " Lisa Larson-Walker/Slate",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_13870385": {
"type": "authors",
"id": "byline_arts_13870385",
"meta": {
"override": true
},
"slug": "byline_arts_13870385",
"name": "Michel Martin, Robert Baldwin III",
"isLoading": false
},
"byline_arts_13870245": {
"type": "authors",
"id": "byline_arts_13870245",
"meta": {
"override": true
},
"slug": "byline_arts_13870245",
"name": "Ella Taylor",
"isLoading": false
},
"byline_arts_13870020": {
"type": "authors",
"id": "byline_arts_13870020",
"meta": {
"override": true
},
"slug": "byline_arts_13870020",
"name": "Tom Huizenga",
"isLoading": false
},
"byline_arts_13869877": {
"type": "authors",
"id": "byline_arts_13869877",
"meta": {
"override": true
},
"slug": "byline_arts_13869877",
"name": "Terry Gross",
"isLoading": false
},
"byline_arts_13869710": {
"type": "authors",
"id": "byline_arts_13869710",
"meta": {
"override": true
},
"slug": "byline_arts_13869710",
"name": "Audie Cornish, Hiba Ahmad, Christina Cala",
"isLoading": false
},
"byline_arts_13869588": {
"type": "authors",
"id": "byline_arts_13869588",
"meta": {
"override": true
},
"slug": "byline_arts_13869588",
"name": "Sydney Harper",
"isLoading": false
},
"gmeline": {
"type": "authors",
"id": "185",
"meta": {
"index": "authors_1716337520",
"id": "185",
"found": true
},
"name": "Gabe Meline",
"firstName": "Gabe",
"lastName": "Meline",
"slug": "gmeline",
"email": "gmeline@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Senior Editor, KQED Arts & Culture",
"bio": "Gabe Meline entered journalism at age 15 making photocopied zines, and has since earned awards from the Edward R. Murrow Awards, the Society for Professional Journalists, the Online Journalism Awards, the Association of Alternative Newsweeklies and the California Newspaper Publishers Association. Prior to KQED, he was the editor of the \u003cem>North Bay Bohemian\u003c/em> and a touring musician. He lives with his wife and daughter in his hometown of Santa Rosa, CA.",
"avatar": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "artschool",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "pop",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
},
{
"site": "liveblog",
"roles": [
"editor"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Gabe Meline | KQED",
"description": "Senior Editor, KQED Arts & Culture",
"ogImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/gmeline"
},
"carlysevern": {
"type": "authors",
"id": "3243",
"meta": {
"index": "authors_1716337520",
"id": "3243",
"found": true
},
"name": "Carly Severn",
"firstName": "Carly",
"lastName": "Severn",
"slug": "carlysevern",
"email": "csevern@kqed.org",
"display_author_email": false,
"staff_mastheads": [
"news"
],
"title": "Senior Editor, Audience News ",
"bio": "Carly is KQED's Senior Editor of Audience News on the Digital News team, and has reported for the California Report Magazine, Bay Curious and KQED Arts. She's formerly the host of \u003ca href=\"http://ww2.kqed.org/pop/category/the-cooler/\" rel=\"noopener noreferrer\">The Cooler\u003c/a> podcast.",
"avatar": "https://secure.gravatar.com/avatar/2d8d6765f186e64c798cf7f0c8088a41?s=600&d=blank&r=g",
"twitter": "teacupinthebay",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"administrator"
]
},
{
"site": "pop",
"roles": [
"editor"
]
},
{
"site": "futureofyou",
"roles": [
"editor"
]
},
{
"site": "about",
"roles": [
"administrator"
]
},
{
"site": "mindshift",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "stateofhealth",
"roles": [
"editor"
]
},
{
"site": "science",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"contributor"
]
},
{
"site": "forum",
"roles": [
"editor"
]
},
{
"site": "perspectives",
"roles": [
"administrator"
]
},
{
"site": "liveblog",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Carly Severn | KQED",
"description": "Senior Editor, Audience News ",
"ogImgSrc": "https://secure.gravatar.com/avatar/2d8d6765f186e64c798cf7f0c8088a41?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/2d8d6765f186e64c798cf7f0c8088a41?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/carlysevern"
},
"ralexandra": {
"type": "authors",
"id": "11242",
"meta": {
"index": "authors_1716337520",
"id": "11242",
"found": true
},
"name": "Rae Alexandra",
"firstName": "Rae",
"lastName": "Alexandra",
"slug": "ralexandra",
"email": "ralexandra@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Reporter/Producer",
"bio": "Rae Alexandra is a Reporter/Producer for KQED Arts & Culture, and the creator/author of the \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\">Rebel Girls From Bay Area History\u003c/a> and \u003ca href=\"https://www.kqed.org/bizarrebayarea\">Bizarre Bay Area\u003c/a> series. Her debut book, \u003ca href=\"https://citylights.com/politics-current-events-history/unsung-heroines35-women-who-changed/\">Unsung Heroines: 35 Women Who Changed the Bay Area\u003c/a> was published by City Lights in March 2026. In 2023, Rae was awarded an SPJ Excellence in Journalism Award for Arts & Culture. Rae was born and raised in Wales and subsequently — even after two decades in Northern California — still uses phrases that regularly baffle her coworkers.",
"avatar": "https://secure.gravatar.com/avatar/edfee8176c80cc0a382b051190f5341997df378a934a5774dcb0977732dfd401?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "pop",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "science",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Rae Alexandra | KQED",
"description": "Reporter/Producer",
"ogImgSrc": "https://secure.gravatar.com/avatar/edfee8176c80cc0a382b051190f5341997df378a934a5774dcb0977732dfd401?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/edfee8176c80cc0a382b051190f5341997df378a934a5774dcb0977732dfd401?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ralexandra"
},
"kmoghadam": {
"type": "authors",
"id": "11637",
"meta": {
"index": "authors_1716337520",
"id": "11637",
"found": true
},
"name": "Kyana Moghadam",
"firstName": "Kyana",
"lastName": "Moghadam",
"slug": "kmoghadam",
"email": "kmoghadam@kqed.org",
"display_author_email": false,
"staff_mastheads": [
"news"
],
"title": "Senior Producer ",
"bio": "Kyana Moghadam is a senior producer at KQED. Prior to joining KQED, she was an audio producer and editor with Al Jazeera, Jetty Studios, VOX Media, Democracy Now!, and Global Press.",
"avatar": "https://secure.gravatar.com/avatar/cdbd6cb0b9e99deaa9eb618abdba56f265d374a2c614710aebeb4e58decbc5f0?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": "https://www.linkedin.com/in/kyanamoghadam/",
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"administrator"
]
},
{
"site": "pop",
"roles": [
"editor"
]
},
{
"site": "about",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"editor"
]
},
{
"site": "perspectives",
"roles": [
"editor"
]
},
{
"site": "podcasts",
"roles": [
"administrator"
]
}
],
"headData": {
"title": "Kyana Moghadam | KQED",
"description": "Senior Producer ",
"ogImgSrc": "https://secure.gravatar.com/avatar/cdbd6cb0b9e99deaa9eb618abdba56f265d374a2c614710aebeb4e58decbc5f0?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/cdbd6cb0b9e99deaa9eb618abdba56f265d374a2c614710aebeb4e58decbc5f0?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/kmoghadam"
}
},
"pagesReducer": {
"arts_category_popculture": {
"type": "terms",
"id": "arts_75",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "75",
"score": 14.403581
},
"featImg": null,
"name": "Pop Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Pop Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 76,
"slug": "popculture",
"isLoading": false,
"title": "Pop Culture",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 132
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=popculture",
"seeMore": false,
"paginated": true,
"page": 132
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_13870385": {
"type": "posts",
"id": "arts_13870385",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13870385",
"score": null,
"sort": [
1574777018000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1574777018,
"format": "standard",
"title": "Prince's '1999' is Remastered, Reissued and Packed With 35 New Songs",
"headTitle": "Prince’s ‘1999’ is Remastered, Reissued and Packed With 35 New Songs | KQED",
"content": "\u003cp>It’s been 37 years since \u003ca href=\"https://www.npr.org/tags/475156774/prince\">Prince\u003c/a> released \u003cem>1999\u003c/em>, but this week, the Prince estate will reissue a remastered version of the iconic album—this time with 35 previously unreleased tracks. During his lifetime, Prince was notoriously protective of his music, both released and unreleased. Notably, he had a long-term public battle with Warner Brothers over rights to his masters and sued \u003ca href=\"https://www.independent.co.uk/arts-entertainment/music/news/prince-sues-bootlegging-facebook-fans-for-22-million-in-piracy-lawsuit-9088733.html\">Facebook users\u003c/a> for posting links to unauthorized music. To learn about the estate’s decision to release the record after his death, NPR’s Michel Martin spoke with Michael Howe, the archivist for the Prince vault.\u003c/p>\n\u003chr>\n\u003ch3>Interview Highlights\u003c/h3>\n\u003cp>\u003cstrong>On the role of “Prince’s archivist:”\u003c/strong>\u003c/p>\n\u003cp>The overarching thrust of the job is to organize and preserve Prince’s audiovisual legacy—his vault—and the extension of that is to be the A&R guy for everything that comes out of the vault. So I’m responsible, to some degree, for contextualizing and preserving Prince’s life work. It’s a pretty daunting proposition, as you might imagine.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=i_o69a9ZFFA\u003c/p>\n\u003cp>\u003cstrong>On the rationale for releasing these songs right now:\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I think the idea is to shine a light on the entirety of Prince’s creative legacy. There were at least a couple of times during his life where he mentioned that he thought the contents of his vault, or some portion thereof, would be released at some point after he was gone. So using that guiding principle, we use our best judgment to present the things that we think are appropriate for specific creative eras of his life.\u003c/p>\n\u003cp>\u003cstrong>On the fan response to releasing the songs:\u003c/strong>\u003c/p>\n\u003cp>I haven’t gotten any direct pushback. I know that the Prince fan community has very strong opinions and it’s very, very large. I’m sure there are some people who think, philosophically, that a lot of these things should probably stay in the vault. But I think the overwhelming majority of fans and musicians and people—who are interested in the history and artistry of a guy who was on the Mt. Rushmore of music—really should and deserve to be heard.\u003c/p>\n\u003cp>\u003cstrong>On the rumor that Prince has enough unreleased songs for an album every year until the 22nd century:\u003c/strong>\u003c/p>\n\u003cp>I would say that’s probably true, yeah. It’s an enormous amount of work that he left behind that he didn’t release, not all of which, obviously, will end up emerging. But there’s a tremendous amount of stuff that correlates with particular creative periods in his life. The way we decided to proceed on this one, as we do with everything, the guiding principle is to approach these things with the completeness and respect and integrity that Prince himself would demand and that his body of work deserves.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=vAdboa7jWZo\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>1999 Remastered \u003cem>is out Nov. 29 via \u003c/em>\u003ca href=\"https://store.prince.com/dept/1999-remastered\">\u003cem>The Prince Estate\u003c/em>\u003c/a>\u003cem> and Warner Bros.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Prince%27s+%271999%27+Sees+Another+Life+%E2%80%94+This+Time+With+35+New+Songs+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 520,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 12
},
"modified": 1705021772,
"excerpt": "Prince archivist Michael Howe says: \"The guiding principle is to approach these things with the completeness and respect and integrity that Prince himself would demand.\"",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Prince archivist Michael Howe says: "The guiding principle is to approach these things with the completeness and respect and integrity that Prince himself would demand."",
"title": "Prince's '1999' is Remastered, Reissued and Packed With 35 New Songs | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Prince's '1999' is Remastered, Reissued and Packed With 35 New Songs",
"datePublished": "2019-11-26T06:03:38-08:00",
"dateModified": "2024-01-11T17:09:32-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "princes-1999-is-remastered-reissued-and-packed-with-35-new-songs",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=782469032&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Sun, 24 Nov 2019 17:23:00 -0500",
"nprLastModifiedDate": "Mon, 25 Nov 2019 11:27:40 -0500",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/2019/11/24/782469032/prince-archivist-to-re-release-1999?ft=nprml&f=782469032",
"nprAudio": "https://ondemand.npr.org/anon.npr-mp3/npr/atc/2019/11/20191124_atc_prince_archivist_to_re-release_1999.mp3?orgId=1&topicId=1106&d=313&p=2&story=782469032&ft=nprml&f=782469032",
"nprImageAgency": "Courtesy of the artist.",
"nprAudioM3u": "http://api.npr.org/m3u/1782469033-742a7c.m3u?orgId=1&topicId=1106&d=313&p=2&story=782469032&ft=nprml&f=782469032",
"nprStoryId": "782469032",
"nprByline": "Michel Martin, Robert Baldwin III",
"sticky": false,
"audioTrackLength": 313,
"nprImageCredit": "Allan Beaulieu",
"nprRetrievedStory": "1",
"nprPubDate": "Mon, 25 Nov 2019 11:27:00 -0500",
"path": "/arts/13870385/princes-1999-is-remastered-reissued-and-packed-with-35-new-songs",
"audioUrl": "https://ondemand.npr.org/anon.npr-mp3/npr/atc/2019/11/20191124_atc_prince_archivist_to_re-release_1999.mp3?orgId=1&topicId=1106&d=313&p=2&story=782469032&ft=nprml&f=782469032",
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s been 37 years since \u003ca href=\"https://www.npr.org/tags/475156774/prince\">Prince\u003c/a> released \u003cem>1999\u003c/em>, but this week, the Prince estate will reissue a remastered version of the iconic album—this time with 35 previously unreleased tracks. During his lifetime, Prince was notoriously protective of his music, both released and unreleased. Notably, he had a long-term public battle with Warner Brothers over rights to his masters and sued \u003ca href=\"https://www.independent.co.uk/arts-entertainment/music/news/prince-sues-bootlegging-facebook-fans-for-22-million-in-piracy-lawsuit-9088733.html\">Facebook users\u003c/a> for posting links to unauthorized music. To learn about the estate’s decision to release the record after his death, NPR’s Michel Martin spoke with Michael Howe, the archivist for the Prince vault.\u003c/p>\n\u003chr>\n\u003ch3>Interview Highlights\u003c/h3>\n\u003cp>\u003cstrong>On the role of “Prince’s archivist:”\u003c/strong>\u003c/p>\n\u003cp>The overarching thrust of the job is to organize and preserve Prince’s audiovisual legacy—his vault—and the extension of that is to be the A&R guy for everything that comes out of the vault. So I’m responsible, to some degree, for contextualizing and preserving Prince’s life work. It’s a pretty daunting proposition, as you might imagine.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/i_o69a9ZFFA'\n title='//www.youtube.com/embed/i_o69a9ZFFA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>On the rationale for releasing these songs right now:\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I think the idea is to shine a light on the entirety of Prince’s creative legacy. There were at least a couple of times during his life where he mentioned that he thought the contents of his vault, or some portion thereof, would be released at some point after he was gone. So using that guiding principle, we use our best judgment to present the things that we think are appropriate for specific creative eras of his life.\u003c/p>\n\u003cp>\u003cstrong>On the fan response to releasing the songs:\u003c/strong>\u003c/p>\n\u003cp>I haven’t gotten any direct pushback. I know that the Prince fan community has very strong opinions and it’s very, very large. I’m sure there are some people who think, philosophically, that a lot of these things should probably stay in the vault. But I think the overwhelming majority of fans and musicians and people—who are interested in the history and artistry of a guy who was on the Mt. Rushmore of music—really should and deserve to be heard.\u003c/p>\n\u003cp>\u003cstrong>On the rumor that Prince has enough unreleased songs for an album every year until the 22nd century:\u003c/strong>\u003c/p>\n\u003cp>I would say that’s probably true, yeah. It’s an enormous amount of work that he left behind that he didn’t release, not all of which, obviously, will end up emerging. But there’s a tremendous amount of stuff that correlates with particular creative periods in his life. The way we decided to proceed on this one, as we do with everything, the guiding principle is to approach these things with the completeness and respect and integrity that Prince himself would demand and that his body of work deserves.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/vAdboa7jWZo'\n title='//www.youtube.com/embed/vAdboa7jWZo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>1999 Remastered \u003cem>is out Nov. 29 via \u003c/em>\u003ca href=\"https://store.prince.com/dept/1999-remastered\">\u003cem>The Prince Estate\u003c/em>\u003c/a>\u003cem> and Warner Bros.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Prince%27s+%271999%27+Sees+Another+Life+%E2%80%94+This+Time+With+35+New+Songs+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13870385/princes-1999-is-remastered-reissued-and-packed-with-35-new-songs",
"authors": [
"byline_arts_13870385"
],
"categories": [
"arts_69",
"arts_75"
],
"tags": [
"arts_925",
"arts_1424",
"arts_9293"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13870391",
"label": "arts_137"
},
"arts_13870266": {
"type": "posts",
"id": "arts_13870266",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13870266",
"score": null,
"sort": [
1574460056000
]
},
"guestAuthors": [],
"slug": "watch-the-sesame-street-jeep-driving-through-san-francisco-in-1969",
"title": "Watch the 'Sesame Street' Jeep Driving Through San Francisco in 1969",
"publishDate": 1574460056,
"format": "video",
"headTitle": "Watch the ‘Sesame Street’ Jeep Driving Through San Francisco in 1969 | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>It’s the 50th anniversary of \u003cem>Sesame Street\u003c/em>‘s debut this month, and to celebrate, we dug deep in our archives here at KQED—\u003cem>really\u003c/em> deep.\u003c/p>\n\u003cp>In 1969, it turns out, a special \u003cem>Sesame Street\u003c/em>-decorated Jeep was employed to promote the new children’s television show. Watch in our archival footage above as it drives through the streets of San Francisco, down Van Ness and along the Marina, turning heads and getting the word out about \u003cem>Sesame Street\u003c/em>.\u003c/p>\n\u003cp>Kids might not have known the show yet, but they certainly reacted to the colorful car driving though the city, crowding around with gleeful excitement. It was the beginning, clearly, of something special.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "For the debut of 'Sesame Street' in 1969, a colorful car drove around to promote the new children's television show.",
"status": "publish",
"parent": 0,
"modified": 1726764849,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 5,
"wordCount": 118
},
"headData": {
"title": "Watch the 'Sesame Street' Jeep Driving Through San Francisco in 1969 | KQED",
"description": "For the debut of 'Sesame Street' in 1969, a colorful car drove around to promote the new children's television show.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Watch the 'Sesame Street' Jeep Driving Through San Francisco in 1969",
"datePublished": "2019-11-22T14:00:56-08:00",
"dateModified": "2024-09-19T09:54:09-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"videoEmbed": "https://www.youtube.com/watch?v=UgcpKVL5elk",
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"path": "/arts/13870266/watch-the-sesame-street-jeep-driving-through-san-francisco-in-1969",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s the 50th anniversary of \u003cem>Sesame Street\u003c/em>‘s debut this month, and to celebrate, we dug deep in our archives here at KQED—\u003cem>really\u003c/em> deep.\u003c/p>\n\u003cp>In 1969, it turns out, a special \u003cem>Sesame Street\u003c/em>-decorated Jeep was employed to promote the new children’s television show. Watch in our archival footage above as it drives through the streets of San Francisco, down Van Ness and along the Marina, turning heads and getting the word out about \u003cem>Sesame Street\u003c/em>.\u003c/p>\n\u003cp>Kids might not have known the show yet, but they certainly reacted to the colorful car driving though the city, crowding around with gleeful excitement. It was the beginning, clearly, of something special.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13870266/watch-the-sesame-street-jeep-driving-through-san-francisco-in-1969",
"authors": [
"185"
],
"categories": [
"arts_7862",
"arts_75",
"arts_990"
],
"tags": [
"arts_7705",
"arts_2640",
"arts_7955",
"arts_4565",
"arts_1146",
"arts_1191"
],
"featImg": "arts_13870277",
"label": "arts"
},
"arts_13870245": {
"type": "posts",
"id": "arts_13870245",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13870245",
"score": null,
"sort": [
1574434826000
]
},
"guestAuthors": [],
"slug": "a-beautiful-day-in-the-neighborhood-can-you-say-sincere-and-heartening",
"title": "'A Beautiful Day In The Neighborhood': Can You Say 'Sincere' And 'Heartening?'",
"publishDate": 1574434826,
"format": "standard",
"headTitle": "‘A Beautiful Day In The Neighborhood’: Can You Say ‘Sincere’ And ‘Heartening?’ | KQED",
"labelTerm": {
"term": 137,
"site": "arts"
},
"content": "\u003cp>On the face of it, director Marielle Heller’s exhilaratingly impolite indie resume doesn’t make her an intuitive fit for a movie about the nicest man in the world — let alone a big studio picture starring nice Tom Hanks.\u003c/p>\n\u003cp>Heller’s 2015 feature debut, \u003cem>The Diary of a Teenage Girl\u003c/em>, was voiced by a sorry-not-sorry young woman who initiates an affair with her mother’s boyfriend. In her second, last year’s \u003cem>Can You Ever Forgive Me?\u003c/em>, Heller cast the beloved Melissa McCarthy as the robustly unlikable real-life literary forger Lee Israel. Next to Mister Rogers — in the eyes of many, a saint and a children’s hero — these two seem not to stack up.\u003c/p>\n\u003cp>Heller is not much into saints, but she delights in ill-fitting outliers. And Fred Rogers, in his slow and soft-voiced way, was a willing anachronism to the brash new late-sixties world that greeted the arrival on PBS of his earnestly old-fangled children’s television show, \u003cem>Mr. Rogers’ Neighborhood\u003c/em>. Rogers’ real-life buddy, journalist Tom Junod (Matthew Rhys plays Junod’s cinematic stand-in “Lloyd Vogel” in Heller’s film) lovingly described the kid-show-host as “a rather peculiar man.”\u003c/p>\n\u003cp> [aside tag='fred-rogers, mister-rogers, fredrogers, misterrogers' label='Learning from Mister Rogers']\u003c/p>\n\u003cp>So he was, and how much more so he seems now, in today’s quarrelsome noise. Rogers was a Presbyterian minister and theologian whose on-set uniform was a comfy cardigan, tie, and sneakers. Turned off by the shrieking pie-in-the face cartoons that were standard children’s television fare, he slowed the pace way down, listened to children’s darkest fears and anxieties without wishing them away, and showed them how to manage those fears. The roots of his empathy in his own troubled childhood were beautifully told in Morgan Neville’s lovely 2018 documentary, \u003cem>Won’t You Be My Neighbor?\u003c/em>, which became the top-grossing biographical documentary ever.\u003c/p>\n\u003cp>\u003cem>A Beautiful Day\u003c/em> is not that story; it’s not really Fred’s story at all. The movie is a kind of procedural that shows how Rogers worked — persnickety and willfully distractible, he drove his adoring crew round the bend — on and off the set the set of his show, in this case to free an unhappy man of an enormous psychological burden he’d carried all his life. Inspired by Junod’s 1998 \u003cem>Esquire\u003c/em> cover, the film turns on the unexpected friendship that grew between the two men out of an assignment that the hard-hitting news reporter was forced into by his hard-nosed editor. (Were he alive today, I’m sure Fred would join me in saying: So nice to see you again, Christine Lahti!). Sensitively played by Rhys (\u003cem>The Americans\u003c/em>), Lloyd is a glum and grumpy fellow despite his glitzy job and new fatherhood with a supportive wife (Susan Kelechi Watson).\u003c/p>\n\u003cp>Within minutes of their first phone call, Rogers (Tom Hanks) senses that Lloyd is in unresolved emotional trouble. The movie’s running joke, and its tenderly serious point, is Fred’s gently firm switch of the spotlight back on his resistant interlocutor, reframing the questions Lloyd is wrongly asking. Heller sprinkles the action with realist scenes of Lloyd’s current struggles with his absentee father (Chris Cooper), a feckless drunk trying ham-fistedly to make amends. But the film is also a fantasy, and in lesser hands than Heller’s, the visual devices that carry us through \u003cem>A Beautiful Day\u003c/em> — toy-filled miniature models of The Neighborhood and the cities both men travel through — might register as unbearably coy.\u003c/p>\n\u003cp>In fact the sets feel organic to Rogers’ central belief that in order to become fully functioning adults, everyone — especially the suffering children that he and Lloyd once were — should remember what it felt like to be a child. Lloyd, who has built an impregnable fort around his pain and rage toward his father, finds himself imaginatively folded into the puppet-littered sets Rogers has built for his younger audience. Some of this is played for laughs, others to warm the heart. But lest you think Heller gilds the lily, Junod’s article is there to verify some of the movie’s seemingly improbable moments, among them a scene in which Fred is serenaded with one of his own songs by passengers in his subway car. Even if you think Rogers’ psychological model is simplistic, you can’t help but climb aboard.\u003c/p>\n\u003cp>Operating with a shrewd mix of imitation and interpretation, Hanks deepens Fred Rogers from a man-child with a prankish sense of humor into a healer whose struggles with his own demons (as an overweight child he was bullied and called “Fat Freddie”) have led him to empathize with, as Lloyd puts it, “broken people like me.” Hanks’s sincere performance argues for a heartening lack of space between Rogers’ public and private personas, between himself and his puppets. He understood the darkness in children’s lives and gave them — and all the damaged Lloyds and Freds of this world — a way to grow into adults who understand that being good is endlessly renewable hard work. Welcome to a much-needed neighborhood.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Marielle Heller's new film isn't Fred Rogers' story — it's the story of two damaged outsiders (Tom Hanks and Matthew Rhys) finding a connection that overcomes the darkness in their childhoods. ",
"status": "publish",
"parent": 0,
"modified": 1765919903,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 11,
"wordCount": 922
},
"headData": {
"title": "'A Beautiful Day In The Neighborhood': Can You Say 'Sincere' And 'Heartening?' | KQED",
"description": "Marielle Heller's new film isn't Fred Rogers' story — it's the story of two damaged outsiders (Tom Hanks and Matthew Rhys) finding a connection that overcomes the darkness in their childhoods. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "'A Beautiful Day In The Neighborhood': Can You Say 'Sincere' And 'Heartening?'",
"datePublished": "2019-11-22T07:00:26-08:00",
"dateModified": "2025-12-16T13:18:23-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"primaryCategory": {
"termId": 74,
"slug": "movies",
"name": "Movies"
},
"sticky": false,
"nprImageCredit": "Lacey Terrell",
"nprByline": "Ella Taylor",
"nprImageAgency": "Sony Pictures",
"nprStoryId": "779323085",
"nprApiLink": "http://api.npr.org/query?id=779323085&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprHtmlLink": "https://www.npr.org/2019/11/21/779323085/a-beautiful-day-in-the-neighborhood-can-you-say-sincere-and-heartening?ft=nprml&f=779323085",
"nprRetrievedStory": "1",
"nprPubDate": "Thu, 21 Nov 2019 17:00:00 -0500",
"nprStoryDate": "Thu, 21 Nov 2019 17:00:51 -0500",
"nprLastModifiedDate": "Thu, 21 Nov 2019 17:00:51 -0500",
"path": "/arts/13870245/a-beautiful-day-in-the-neighborhood-can-you-say-sincere-and-heartening",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On the face of it, director Marielle Heller’s exhilaratingly impolite indie resume doesn’t make her an intuitive fit for a movie about the nicest man in the world — let alone a big studio picture starring nice Tom Hanks.\u003c/p>\n\u003cp>Heller’s 2015 feature debut, \u003cem>The Diary of a Teenage Girl\u003c/em>, was voiced by a sorry-not-sorry young woman who initiates an affair with her mother’s boyfriend. In her second, last year’s \u003cem>Can You Ever Forgive Me?\u003c/em>, Heller cast the beloved Melissa McCarthy as the robustly unlikable real-life literary forger Lee Israel. Next to Mister Rogers — in the eyes of many, a saint and a children’s hero — these two seem not to stack up.\u003c/p>\n\u003cp>Heller is not much into saints, but she delights in ill-fitting outliers. And Fred Rogers, in his slow and soft-voiced way, was a willing anachronism to the brash new late-sixties world that greeted the arrival on PBS of his earnestly old-fangled children’s television show, \u003cem>Mr. Rogers’ Neighborhood\u003c/em>. Rogers’ real-life buddy, journalist Tom Junod (Matthew Rhys plays Junod’s cinematic stand-in “Lloyd Vogel” in Heller’s film) lovingly described the kid-show-host as “a rather peculiar man.”\u003c/p>\n\u003cp> \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"tag": "fred-rogers, mister-rogers, fredrogers, misterrogers",
"label": "Learning from Mister Rogers "
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So he was, and how much more so he seems now, in today’s quarrelsome noise. Rogers was a Presbyterian minister and theologian whose on-set uniform was a comfy cardigan, tie, and sneakers. Turned off by the shrieking pie-in-the face cartoons that were standard children’s television fare, he slowed the pace way down, listened to children’s darkest fears and anxieties without wishing them away, and showed them how to manage those fears. The roots of his empathy in his own troubled childhood were beautifully told in Morgan Neville’s lovely 2018 documentary, \u003cem>Won’t You Be My Neighbor?\u003c/em>, which became the top-grossing biographical documentary ever.\u003c/p>\n\u003cp>\u003cem>A Beautiful Day\u003c/em> is not that story; it’s not really Fred’s story at all. The movie is a kind of procedural that shows how Rogers worked — persnickety and willfully distractible, he drove his adoring crew round the bend — on and off the set the set of his show, in this case to free an unhappy man of an enormous psychological burden he’d carried all his life. Inspired by Junod’s 1998 \u003cem>Esquire\u003c/em> cover, the film turns on the unexpected friendship that grew between the two men out of an assignment that the hard-hitting news reporter was forced into by his hard-nosed editor. (Were he alive today, I’m sure Fred would join me in saying: So nice to see you again, Christine Lahti!). Sensitively played by Rhys (\u003cem>The Americans\u003c/em>), Lloyd is a glum and grumpy fellow despite his glitzy job and new fatherhood with a supportive wife (Susan Kelechi Watson).\u003c/p>\n\u003cp>Within minutes of their first phone call, Rogers (Tom Hanks) senses that Lloyd is in unresolved emotional trouble. The movie’s running joke, and its tenderly serious point, is Fred’s gently firm switch of the spotlight back on his resistant interlocutor, reframing the questions Lloyd is wrongly asking. Heller sprinkles the action with realist scenes of Lloyd’s current struggles with his absentee father (Chris Cooper), a feckless drunk trying ham-fistedly to make amends. But the film is also a fantasy, and in lesser hands than Heller’s, the visual devices that carry us through \u003cem>A Beautiful Day\u003c/em> — toy-filled miniature models of The Neighborhood and the cities both men travel through — might register as unbearably coy.\u003c/p>\n\u003cp>In fact the sets feel organic to Rogers’ central belief that in order to become fully functioning adults, everyone — especially the suffering children that he and Lloyd once were — should remember what it felt like to be a child. Lloyd, who has built an impregnable fort around his pain and rage toward his father, finds himself imaginatively folded into the puppet-littered sets Rogers has built for his younger audience. Some of this is played for laughs, others to warm the heart. But lest you think Heller gilds the lily, Junod’s article is there to verify some of the movie’s seemingly improbable moments, among them a scene in which Fred is serenaded with one of his own songs by passengers in his subway car. Even if you think Rogers’ psychological model is simplistic, you can’t help but climb aboard.\u003c/p>\n\u003cp>Operating with a shrewd mix of imitation and interpretation, Hanks deepens Fred Rogers from a man-child with a prankish sense of humor into a healer whose struggles with his own demons (as an overweight child he was bullied and called “Fat Freddie”) have led him to empathize with, as Lloyd puts it, “broken people like me.” Hanks’s sincere performance argues for a heartening lack of space between Rogers’ public and private personas, between himself and his puppets. He understood the darkness in children’s lives and gave them — and all the damaged Lloyds and Freds of this world — a way to grow into adults who understand that being good is endlessly renewable hard work. Welcome to a much-needed neighborhood.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13870245/a-beautiful-day-in-the-neighborhood-can-you-say-sincere-and-heartening",
"authors": [
"byline_arts_13870245"
],
"categories": [
"arts_74",
"arts_235",
"arts_75"
],
"tags": [
"arts_3785",
"arts_2882"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13870248",
"label": "arts_137"
},
"arts_13863206": {
"type": "posts",
"id": "arts_13863206",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13863206",
"score": null,
"sort": [
1574384422000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1574384422,
"format": "standard",
"title": "How Reality TV Became the Most Life-Threatening Genre in the World",
"headTitle": "How Reality TV Became the Most Life-Threatening Genre in the World | KQED",
"content": "\u003cp>Former \u003cem>American Idol\u003c/em> and \u003cem>Fear Factor\u003c/em> contestant, \u003ca href=\"https://en.wikipedia.org/wiki/Antonella_Barba\" target=\"_blank\" rel=\"noopener noreferrer\">Antonella Barba\u003c/a>, was sentenced to three years and nine months in prison this week after being caught with nearly two pounds of fentanyl. During the trial, \u003ca href=\"https://pagesix.com/2019/11/20/american-idol-star-antonella-barba-blames-show-for-drug-arrest/\" target=\"_blank\" rel=\"noopener noreferrer\">her attorney stated\u003c/a> that: “The \u003cem>American Idol\u003c/em> experience brought about a detrimental change in Ms. Barba’s life.”\u003c/p>\n\u003cp>It may not have altered the outcome of her trial, but there is ample evidence to suggest that participating in reality TV competitions can be terrible for your health. Substance abuse has proven to be a recurring issue. \u003ca href=\"https://en.wikipedia.org/wiki/Todd_Herzog\">\u003cem>Survivor China\u003c/em>\u003c/a> winner Todd Herzog reportedly didn’t drink before the show, but has since battled alcoholism; \u003cem>Big Brother\u003c/em> winner \u003ca href=\"https://www.thefix.com/content/15-reality-stars-busted-drugs\">Adam Jasinski\u003c/a> developed an addiction and was caught attempting to sell oxycodone; and \u003ca href=\"https://www.thefix.com/content/15-reality-stars-busted-drugs\">\u003cem>Storage Wars\u003c/em>‘ Mark Balelo\u003c/a> killed himself two days after being arrested for meth possession.\u003c/p>\n\u003cp>From \u003cem>America’s Next Top Model \u003c/em>alone\u003cem>,\u003c/em> \u003ca href=\"https://www.etonline.com/news/160363_6_horrible_things_that_happened_to_top_model_contestants_after_the_show_ended\">Jael Strauss\u003c/a> developed a major meth habit; \u003ca href=\"https://www.etonline.com/news/160363_6_horrible_things_that_happened_to_top_model_contestants_after_the_show_ended\">Lisa D’Amato\u003c/a> ended up on \u003cem>Celebrity Rehab\u003c/em> thanks to amphetamines, cocaine, mushrooms and alcohol dependency; and Renee Alway, six years after her elimination, \u003ca href=\"https://abcnews.go.com/Entertainment/renee-alway-americas-top-model-prison/story?id=28236042\">landed herself a 12-year prison\u003c/a> sentence for multiple burglaries, car thefts and weapons charges stemming from a heroin addiction. Alway says that after the show, “It was just closed door after closed door… I couldn’t get past the reality TV stigma that had been put on me… and then there’s the pressure of the fans. ‘Where are you?’ ‘What happened?’ It’s almost like a setup for failure.”\u003c/p>\n\u003cp>https://youtu.be/qy3c4dNzEJ0?t=203\u003c/p>\n\u003cp>Reality TV is now such a ubiquitous genre, it’s easy to forget that, especially for regular people with zero media training, the whirlwind of having one’s life put under a microscope and dissected on social media can be far more than anxiety-inducing—it can be literally life-endangering. The list of post-reality TV suicides is sobering, to say the least.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Two Season 14 \u003cem>Bachelor\u003c/em> contestants, \u003ca href=\"https://bachelor-nation.fandom.com/wiki/Alexa_McAllister\">Alexa McAllister\u003c/a> and \u003ca href=\"https://en.wikipedia.org/wiki/Gia_Allemand\">Gia Allemand\u003c/a>, committed suicide after the show, as did \u003ca href=\"https://www.usmagazine.com/celebrity-news/news/bachelorette-contestant-julien-hugs-suicide-note-read-aloud-at-funeral-20101311/\">Julien Hug\u003c/a> who appeared on \u003cem>The Bachelorette\u003c/em> in 2009. \u003cem>Kitchen Nightmares’\u003c/em> \u003ca href=\"https://www.imdb.com/news/ni4642572\">Joseph Cerniglia\u003c/a> jumped off a bridge, while \u003cem>Hell’s Kitchen\u003c/em> contestant \u003ca href=\"https://hellskitchen.fandom.com/wiki/Rachel_Brown\">Rachel Brown\u003c/a> and \u003cem>MasterChef\u003c/em>’s \u003ca href=\"https://www.cnn.com/2013/10/13/showbiz/masterchef-joshua-marks-suicide/index.html\">Joshua Marks\u003c/a> shot themselves. \u003cem>The Voice\u003c/em>’s \u003ca href=\"https://woldcnews.com/1515526/anthony-riley-former-voice-contestant-dies-of-apparent-suicide/\">Anthony Riley\u003c/a> and \u003cem>X Factor\u003c/em> contestant \u003ca href=\"https://en.wikipedia.org/wiki/Simone_Battle\">Simone Battle\u003c/a> both hanged themselves. \u003ca href=\"https://www.youtube.com/watch?v=qtOesRewO9c\">Paula Goodspeed\u003c/a> took an overdose in front of Paula Abdul’s house after being rejected from \u003cem>American Idol\u003c/em>. And before \u003cem>Real Housewives of Beverly Hills\u003c/em>‘ \u003ca href=\"https://www.eonline.com/fr/news/258422/timeline-of-a-tragedy-real-housewives-russell-armstrong-was-always-depressed\">Russell Armstrong\u003c/a> killed himself in 2011, he said that being on TV “took our manageable problems and made them worse.”\u003c/p>\n\u003cp>In the UK, \u003cem>Love Island\u003c/em> contestants have been the subject of much concern, after two, \u003ca href=\"https://en.wikipedia.org/wikihttps://en.wikipedia.org/wiki/Mike_Thalassitis/Mike_Thalassitis\">Mike Thalassitis\u003c/a> and \u003ca href=\"https://en.wikipedia.org/wiki/Sophie_Gradon\">Sophie Gradon\u003c/a>, took their own lives. Gradon’s boyfriend \u003ca href=\"https://www.bbc.com/news/uk-england-tyne-47623086\">Aaron Armstrong\u003c/a> followed suit less than three weeks after she died. And he’s not the only spouse to have suffered—after appearing on \u003cem>Megan Wants A Millionaire\u003c/em>, \u003ca href=\"https://en.wikipedia.org/wiki/Murder_of_Jasmine_Fiore\">Ryan Jenkins\u003c/a> murdered his girlfriend, Jasmine Fiore, then hanged himself.\u003c/p>\n\u003cp>Serious issues were established decades ago around the well-being of individuals who appear on reality TV. In 1995, 32-year-old \u003ca href=\"https://en.wikipedia.org/wiki/Murder_of_Scott_Amedure\">Scott Amedure\u003c/a> was murdered after sharing fantasies about his friend Jonathan Schmitz on \u003cem>The Jenny Jones Show. \u003c/em>Schmitz had been told that he was there to meet a secret admirer, whom he had assumed would be a woman. Three days after the friends appeared on the show, Schmitz killed Amedure with a shotgun.\u003c/p>\n\u003cp>Five years later, Nancy Campbell-Panitz was beaten to death by her ex-husband, Ralf Panitz, after the pair appeared in a \u003cem>Jerry Springer\u003c/em> episode titled “Secret Mistresses Confronted.” Panitz was convicted of \u003ca href=\"https://www.cbsnews.com/news/jerry-springer-murder-conviction/\">second degree murder\u003c/a>. That same year, the talk show \u003ca href=\"https://en.wikipedia.org/wiki/Forgive_or_Forget\">\u003cem>Forgive Or Forget\u003c/em>\u003c/a>, hosted by Robin Givens, featured a 17-year-old named \u003ca href=\"https://www.theguardian.com/g2/story/0,3604,347943,00.html\">Charlene Burkey\u003c/a>, who was pregnant with her third child. Her boyfriend Larry Kieper appeared alongside her, skipping out on a court date related to weapons possession charges to do so. The night before the show aired, Burkey was shot twice in the head. Two friends of Kieper’s were arrested and charged with her murder.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=3EvUzzbzFNc\u003c/p>\n\u003cp>Both the families of Amedure and Campbell-Panitz sued the TV networks responsible for \u003cem>Jones\u003c/em> and \u003cem>Springer\u003c/em>. But after a Court of Appeals verdict overturned a $30 million dollar award to Scott Amedure’s family, stating that TV shows have no legal duty to protect their guests, Campbell-Panitz’s son dropped his lawsuit. Both shows continued for many years, and the controversial format was adopted by other countries around the world.\u003c/p>\n\u003cp>Just this year, in May, a 63-year-old man named \u003ca href=\"https://www.yahoo.com/entertainment/talk-show-guest-died-by-suicide-after-failing-liedetector-test-onair-and-being-dumped-by-his-girlfriend-123837728.html\">Steve Dymond took his own life\u003c/a> a week after appearing on Britain’s premier tabloid talk show. During his appearance on \u003cem>The Jeremy Kyle Show \u003c/em>(somewhere in tone between \u003cem>Jerry Springer\u003c/em> and \u003cem>Dr. Phil\u003c/em>)\u003cem>, \u003c/em>Dymond had been given a polygraph test that concluded that he had been unfaithful to his fiancé. She promptly broke up with him. During the highly-publicized inquest into his death, it was revealed that two hours before being sent home from the studio, Dymond told a researcher for the show that \u003ca href=\"https://www.theguardian.com/uk-news/2019/oct/07/jeremy-kyle-show-guest-said-i-wish-i-was-dead-coroner-told\" target=\"_blank\" rel=\"noopener noreferrer\">he wished he was dead\u003c/a>.\u003c/p>\n\u003cp>In response to the furor following Dymond’s death, Carla Wright, an ex-TV researcher on \u003cem>The Trisha Goddard Show—\u003c/em>which ran from 1998 to 2009 in the UK, and between 2012 and 2014 in the US—\u003ca href=\"https://www.theguardian.com/commentisfree/2019/may/15/jeremy-kyle-cruelty-guests-death-show-tv\">admitted in \u003cem>The Guardian\u003c/em>\u003c/a> that little regard was given to the welfare of the guests on these kinds of shows. “We pounced on them, with their lives in crisis,” she wrote, “and told them this was a chance to make positive change… For compliance, we would do a mental health check asking about medication, diagnosis and suicide attempts. Depression and anxiety were okay, as far as we were concerned.”\u003c/p>\n\u003cp>One \u003cem>Love Island\u003c/em> contestant, \u003ca href=\"https://twitter.com/_domlever?lang=en\">Dom Lever\u003c/a>, confirmed on Twitter after his time on the show that, “You get a psychological evaluation before and after you go on the show, but hands down, once you are done on the show, you don’t get any support unless you’re number one.”\u003c/p>\n\u003cp>As the public chews up and spits out contestant after contestant on a neverending assembly line of shows, it’s increasingly apparent that not enough is being done to safeguard the health and safety of those participating. These shows have always been guilty pleasures for most of us. But what happens when the guilt starts to outweigh the pleasure?\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>If the networks expect us to keep tuning in, they need to do far more to protect the people that appear on them. Frankly, that should have started decades ago.\u003c/p>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1176,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 16
},
"modified": 1705021792,
"excerpt": "As Antonella Barba goes to prison, a look back at the many former reality TV contestants who've faced death, drug use, suicide and mental illness.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "As Antonella Barba goes to prison, a look back at the many former reality TV contestants who've faced death, drug use, suicide and mental illness.",
"title": "How Reality TV Became the Most Life-Threatening Genre in the World | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "How Reality TV Became the Most Life-Threatening Genre in the World",
"datePublished": "2019-11-21T17:00:22-08:00",
"dateModified": "2024-01-11T17:09:52-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "how-reality-tv-became-the-most-life-threatening-genre-in-the-world",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"articleAge": "0",
"path": "/arts/13863206/how-reality-tv-became-the-most-life-threatening-genre-in-the-world",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Former \u003cem>American Idol\u003c/em> and \u003cem>Fear Factor\u003c/em> contestant, \u003ca href=\"https://en.wikipedia.org/wiki/Antonella_Barba\" target=\"_blank\" rel=\"noopener noreferrer\">Antonella Barba\u003c/a>, was sentenced to three years and nine months in prison this week after being caught with nearly two pounds of fentanyl. During the trial, \u003ca href=\"https://pagesix.com/2019/11/20/american-idol-star-antonella-barba-blames-show-for-drug-arrest/\" target=\"_blank\" rel=\"noopener noreferrer\">her attorney stated\u003c/a> that: “The \u003cem>American Idol\u003c/em> experience brought about a detrimental change in Ms. Barba’s life.”\u003c/p>\n\u003cp>It may not have altered the outcome of her trial, but there is ample evidence to suggest that participating in reality TV competitions can be terrible for your health. Substance abuse has proven to be a recurring issue. \u003ca href=\"https://en.wikipedia.org/wiki/Todd_Herzog\">\u003cem>Survivor China\u003c/em>\u003c/a> winner Todd Herzog reportedly didn’t drink before the show, but has since battled alcoholism; \u003cem>Big Brother\u003c/em> winner \u003ca href=\"https://www.thefix.com/content/15-reality-stars-busted-drugs\">Adam Jasinski\u003c/a> developed an addiction and was caught attempting to sell oxycodone; and \u003ca href=\"https://www.thefix.com/content/15-reality-stars-busted-drugs\">\u003cem>Storage Wars\u003c/em>‘ Mark Balelo\u003c/a> killed himself two days after being arrested for meth possession.\u003c/p>\n\u003cp>From \u003cem>America’s Next Top Model \u003c/em>alone\u003cem>,\u003c/em> \u003ca href=\"https://www.etonline.com/news/160363_6_horrible_things_that_happened_to_top_model_contestants_after_the_show_ended\">Jael Strauss\u003c/a> developed a major meth habit; \u003ca href=\"https://www.etonline.com/news/160363_6_horrible_things_that_happened_to_top_model_contestants_after_the_show_ended\">Lisa D’Amato\u003c/a> ended up on \u003cem>Celebrity Rehab\u003c/em> thanks to amphetamines, cocaine, mushrooms and alcohol dependency; and Renee Alway, six years after her elimination, \u003ca href=\"https://abcnews.go.com/Entertainment/renee-alway-americas-top-model-prison/story?id=28236042\">landed herself a 12-year prison\u003c/a> sentence for multiple burglaries, car thefts and weapons charges stemming from a heroin addiction. Alway says that after the show, “It was just closed door after closed door… I couldn’t get past the reality TV stigma that had been put on me… and then there’s the pressure of the fans. ‘Where are you?’ ‘What happened?’ It’s almost like a setup for failure.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/qy3c4dNzEJ0'\n title='//www.youtube.com/embed/qy3c4dNzEJ0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Reality TV is now such a ubiquitous genre, it’s easy to forget that, especially for regular people with zero media training, the whirlwind of having one’s life put under a microscope and dissected on social media can be far more than anxiety-inducing—it can be literally life-endangering. The list of post-reality TV suicides is sobering, to say the least.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Two Season 14 \u003cem>Bachelor\u003c/em> contestants, \u003ca href=\"https://bachelor-nation.fandom.com/wiki/Alexa_McAllister\">Alexa McAllister\u003c/a> and \u003ca href=\"https://en.wikipedia.org/wiki/Gia_Allemand\">Gia Allemand\u003c/a>, committed suicide after the show, as did \u003ca href=\"https://www.usmagazine.com/celebrity-news/news/bachelorette-contestant-julien-hugs-suicide-note-read-aloud-at-funeral-20101311/\">Julien Hug\u003c/a> who appeared on \u003cem>The Bachelorette\u003c/em> in 2009. \u003cem>Kitchen Nightmares’\u003c/em> \u003ca href=\"https://www.imdb.com/news/ni4642572\">Joseph Cerniglia\u003c/a> jumped off a bridge, while \u003cem>Hell’s Kitchen\u003c/em> contestant \u003ca href=\"https://hellskitchen.fandom.com/wiki/Rachel_Brown\">Rachel Brown\u003c/a> and \u003cem>MasterChef\u003c/em>’s \u003ca href=\"https://www.cnn.com/2013/10/13/showbiz/masterchef-joshua-marks-suicide/index.html\">Joshua Marks\u003c/a> shot themselves. \u003cem>The Voice\u003c/em>’s \u003ca href=\"https://woldcnews.com/1515526/anthony-riley-former-voice-contestant-dies-of-apparent-suicide/\">Anthony Riley\u003c/a> and \u003cem>X Factor\u003c/em> contestant \u003ca href=\"https://en.wikipedia.org/wiki/Simone_Battle\">Simone Battle\u003c/a> both hanged themselves. \u003ca href=\"https://www.youtube.com/watch?v=qtOesRewO9c\">Paula Goodspeed\u003c/a> took an overdose in front of Paula Abdul’s house after being rejected from \u003cem>American Idol\u003c/em>. And before \u003cem>Real Housewives of Beverly Hills\u003c/em>‘ \u003ca href=\"https://www.eonline.com/fr/news/258422/timeline-of-a-tragedy-real-housewives-russell-armstrong-was-always-depressed\">Russell Armstrong\u003c/a> killed himself in 2011, he said that being on TV “took our manageable problems and made them worse.”\u003c/p>\n\u003cp>In the UK, \u003cem>Love Island\u003c/em> contestants have been the subject of much concern, after two, \u003ca href=\"https://en.wikipedia.org/wikihttps://en.wikipedia.org/wiki/Mike_Thalassitis/Mike_Thalassitis\">Mike Thalassitis\u003c/a> and \u003ca href=\"https://en.wikipedia.org/wiki/Sophie_Gradon\">Sophie Gradon\u003c/a>, took their own lives. Gradon’s boyfriend \u003ca href=\"https://www.bbc.com/news/uk-england-tyne-47623086\">Aaron Armstrong\u003c/a> followed suit less than three weeks after she died. And he’s not the only spouse to have suffered—after appearing on \u003cem>Megan Wants A Millionaire\u003c/em>, \u003ca href=\"https://en.wikipedia.org/wiki/Murder_of_Jasmine_Fiore\">Ryan Jenkins\u003c/a> murdered his girlfriend, Jasmine Fiore, then hanged himself.\u003c/p>\n\u003cp>Serious issues were established decades ago around the well-being of individuals who appear on reality TV. In 1995, 32-year-old \u003ca href=\"https://en.wikipedia.org/wiki/Murder_of_Scott_Amedure\">Scott Amedure\u003c/a> was murdered after sharing fantasies about his friend Jonathan Schmitz on \u003cem>The Jenny Jones Show. \u003c/em>Schmitz had been told that he was there to meet a secret admirer, whom he had assumed would be a woman. Three days after the friends appeared on the show, Schmitz killed Amedure with a shotgun.\u003c/p>\n\u003cp>Five years later, Nancy Campbell-Panitz was beaten to death by her ex-husband, Ralf Panitz, after the pair appeared in a \u003cem>Jerry Springer\u003c/em> episode titled “Secret Mistresses Confronted.” Panitz was convicted of \u003ca href=\"https://www.cbsnews.com/news/jerry-springer-murder-conviction/\">second degree murder\u003c/a>. That same year, the talk show \u003ca href=\"https://en.wikipedia.org/wiki/Forgive_or_Forget\">\u003cem>Forgive Or Forget\u003c/em>\u003c/a>, hosted by Robin Givens, featured a 17-year-old named \u003ca href=\"https://www.theguardian.com/g2/story/0,3604,347943,00.html\">Charlene Burkey\u003c/a>, who was pregnant with her third child. Her boyfriend Larry Kieper appeared alongside her, skipping out on a court date related to weapons possession charges to do so. The night before the show aired, Burkey was shot twice in the head. Two friends of Kieper’s were arrested and charged with her murder.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3EvUzzbzFNc'\n title='//www.youtube.com/embed/3EvUzzbzFNc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Both the families of Amedure and Campbell-Panitz sued the TV networks responsible for \u003cem>Jones\u003c/em> and \u003cem>Springer\u003c/em>. But after a Court of Appeals verdict overturned a $30 million dollar award to Scott Amedure’s family, stating that TV shows have no legal duty to protect their guests, Campbell-Panitz’s son dropped his lawsuit. Both shows continued for many years, and the controversial format was adopted by other countries around the world.\u003c/p>\n\u003cp>Just this year, in May, a 63-year-old man named \u003ca href=\"https://www.yahoo.com/entertainment/talk-show-guest-died-by-suicide-after-failing-liedetector-test-onair-and-being-dumped-by-his-girlfriend-123837728.html\">Steve Dymond took his own life\u003c/a> a week after appearing on Britain’s premier tabloid talk show. During his appearance on \u003cem>The Jeremy Kyle Show \u003c/em>(somewhere in tone between \u003cem>Jerry Springer\u003c/em> and \u003cem>Dr. Phil\u003c/em>)\u003cem>, \u003c/em>Dymond had been given a polygraph test that concluded that he had been unfaithful to his fiancé. She promptly broke up with him. During the highly-publicized inquest into his death, it was revealed that two hours before being sent home from the studio, Dymond told a researcher for the show that \u003ca href=\"https://www.theguardian.com/uk-news/2019/oct/07/jeremy-kyle-show-guest-said-i-wish-i-was-dead-coroner-told\" target=\"_blank\" rel=\"noopener noreferrer\">he wished he was dead\u003c/a>.\u003c/p>\n\u003cp>In response to the furor following Dymond’s death, Carla Wright, an ex-TV researcher on \u003cem>The Trisha Goddard Show—\u003c/em>which ran from 1998 to 2009 in the UK, and between 2012 and 2014 in the US—\u003ca href=\"https://www.theguardian.com/commentisfree/2019/may/15/jeremy-kyle-cruelty-guests-death-show-tv\">admitted in \u003cem>The Guardian\u003c/em>\u003c/a> that little regard was given to the welfare of the guests on these kinds of shows. “We pounced on them, with their lives in crisis,” she wrote, “and told them this was a chance to make positive change… For compliance, we would do a mental health check asking about medication, diagnosis and suicide attempts. Depression and anxiety were okay, as far as we were concerned.”\u003c/p>\n\u003cp>One \u003cem>Love Island\u003c/em> contestant, \u003ca href=\"https://twitter.com/_domlever?lang=en\">Dom Lever\u003c/a>, confirmed on Twitter after his time on the show that, “You get a psychological evaluation before and after you go on the show, but hands down, once you are done on the show, you don’t get any support unless you’re number one.”\u003c/p>\n\u003cp>As the public chews up and spits out contestant after contestant on a neverending assembly line of shows, it’s increasingly apparent that not enough is being done to safeguard the health and safety of those participating. These shows have always been guilty pleasures for most of us. But what happens when the guilt starts to outweigh the pleasure?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>If the networks expect us to keep tuning in, they need to do far more to protect the people that appear on them. Frankly, that should have started decades ago.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13863206/how-reality-tv-became-the-most-life-threatening-genre-in-the-world",
"authors": [
"11242"
],
"categories": [
"arts_2303",
"arts_75",
"arts_990"
],
"tags": [
"arts_2767",
"arts_1118",
"arts_9268",
"arts_2792"
],
"featImg": "arts_13880948",
"label": "arts"
},
"arts_13869074": {
"type": "posts",
"id": "arts_13869074",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13869074",
"score": null,
"sort": [
1574118010000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1574118010,
"format": "standard",
"title": "Brando, Fonda and Beyond: How Celebs Rallied Around the Alcatraz Occupation",
"headTitle": "Brando, Fonda and Beyond: How Celebs Rallied Around the Alcatraz Occupation | KQED",
"content": "\u003cp>It was a moment that would become seared into American cultural history. Sacheen Littlefeather, an Apache and the President of the National Native American Affirmative Image Committee, stepped onto the 1973 Academy Awards stage, and very politely refused to take Marlon Brando’s Best Actor Oscar for \u003cem>The Godfather\u003c/em>, from a bemused-looking Roger Moore.\u003c/p>\n\u003cp>When Littlefeather calmly explained that Brando was unable to “accept this very generous award” because of “the treatment of American Indians today by the film industry and on television in movie re-runs,” boos immediately erupted in some corners of the room. Littlefeather stayed calm, offering a simple “Excuse me,” before audience cheers drowned out the objections.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=2QUacU0I4yU\u003c/p>\n\u003cp>It had been two years since the “\u003ca href=\"https://www.history.com/news/native-american-activists-occupy-alcatraz-island-45-years-ago\" target=\"_blank\" rel=\"noopener noreferrer\">Indians of All Tribes\u003c/a>” had ceased their 19-month occupation of Alcatraz, but Brando had visited the island during that period and become so deeply concerned about the Native American cause, he remained outspoken on their behalf for the rest of his life.\u003c/p>\n\u003cp>[aside postid='arts_13889944']“I don’t think that people generally realize what the motion picture industry has done to the American Indian,” \u003ca href=\"https://www.youtube.com/watch?v=LAPDQ5MlLxE\" target=\"_blank\" rel=\"noopener noreferrer\">Brando told Dick Cavett\u003c/a> in 1973. “How deeply these people are injured… Children… seeing Indians represented as savage, vicious, ugly, nasty, treacherous, drunken. They grow up with only a negative image of themselves and it lasts a lifetime.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Brando’s engagement was a perfect example of how support for Indigenous rights underwent a momentous and visible shift during one of the most socially turbulent times in recent American history. “For centuries, most Americans and their government believed Indians were an obstacle to national progress or, by the mid-twentieth century, anachronisms which had no place in the modern world,” writes Sherry L. Smith in \u003ca href=\"https://www.amazon.com/Hippies-Indians-Fight-Red-Power/dp/0199855595\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Hippies, Indians and the Fight For Red Power\u003c/em>\u003c/a>. “Extinguishing all remnants of native life characterized federal policy by the 1950s. By the 1960s, they found support outside their communities.”\u003c/p>\n\u003cp>A major factor in garnering that support was the Alcatraz occupation and the celebrities who went out of their way to draw attention to it and offer financial support. Creedence Clearwater Revival, for example, donated $10,000 that, among other things, enabled activists to buy a boat (reportedly dubbed “\u003ca href=\"https://www.history.com/news/native-american-activists-occupy-alcatraz-island-45-years-ago\" target=\"_blank\" rel=\"noopener noreferrer\">The Clearwater\u003c/a>“) to get supplies to and from the island.\u003c/p>\n\u003cp>Jane Fonda also \u003ca href=\"https://books.google.com/books?id=vHHbsjThmKAC&pg=PA258&lpg=PA258&dq=jane+fonda+donated+generators+to+alcatraz&source=bl&ots=_LWUGlGHM8&sig=ACfU3U1cVED2zNFNKWvXfFauMLAX_i_kcA&hl=en&sa=X&ved=2ahUKEwjzwfrkpdnlAhXJGDQIHbuuBA8Q6AEwDnoECAoQAQ#v=onepage&q=jane%20fonda%20donated%20generators%20to%20alcatraz&f=false\" target=\"_blank\" rel=\"noopener noreferrer\">spent a night on Alcatraz\u003c/a>, reportedly bringing her own sleeping bag, smoking weed with the occupiers, and donating a rototiller for gardening, as well as six generators—much needed at the time, after Alcatraz’s power was cut by the \u003ca href=\"https://www.gsa.gov/blog/2016/06/17/Celebrating-67-Years-of-American-Service\" target=\"_blank\" rel=\"noopener noreferrer\">General Services Administration\u003c/a>.\u003c/p>\n\u003cp>[aside postid='arts_13882943']“She got on the Indian bandwagon, but did not come to Alcatraz empty-handed like a lot of big shots,” a Blackfoot activist named \u003ca href=\"https://books.google.com/books?id=vHHbsjThmKAC&pg=PA258&lpg=PA258&dq=jane+fonda+donated+generators+to+alcatraz&source=bl&ots=_LWUGlGHM8&sig=ACfU3U1cVED2zNFNKWvXfFauMLAX_i_kcA&hl=en&sa=X&ved=2ahUKEwjzwfrkpdnlAhXJGDQIHbuuBA8Q6AEwDnoECAoQAQ#v=onepage&q=jane%20fonda%20donated%20generators%20to%20alcatraz&f=false\" target=\"_blank\" rel=\"noopener noreferrer\">Morris later noted\u003c/a> of Fonda. “She was an answer to the Alcatraz Indian prayers, giving us some light and refrigeration.”\u003c/p>\n\u003cp>Fonda subsequently visited Sacramento’s State Assembly to support a resolution to turn Alcatraz into a Native American cultural center. The measure passed but was later defeated in the Senate.\u003c/p>\n\u003cp>Because of this kind of celebrity involvement, prominent talk shows got on board too. Dick Cavett talked about the occupation, and Grace Thorpe, the negotiator and PR person for the Alcatraz protesters was a guest on the \u003cem>Merv Griffin Show\u003c/em>. Griffin also filmed a short segment on the island.\u003c/p>\n\u003cp>While most of the occupation’s famous supporters made perfect sense—a visit from comedian and civil rights activist Dick Gregory shocked no-one, Gregory having previously gone to jail for supporting \u003ca href=\"https://newsmaven.io/indiancountrytoday/archive/dick-gregory-friend-of-indian-country-walks-on-cBcL_NPYfkWwoLtcs7wMOg/\" target=\"_blank\" rel=\"noopener noreferrer\">“fish-in” protests\u003c/a> by Pacific-Northwest tribes—others were more surprising.\u003c/p>\n\u003cfigure id=\"attachment_13869598\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13869598\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/11/MPW-92135.jpg\" alt=\"'Flap' starred Anthony Quinn and referenced the Alcatraz occupation in its promotional materials.\" width=\"300\" height=\"589\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/MPW-92135.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/MPW-92135-160x314.jpg 160w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">‘Flap’ starred Anthony Quinn and referenced the Alcatraz occupation in its promotional materials.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.imdb.com/name/nm0000063/?ref_=nv_sr_1?ref_=nv_sr_1\" target=\"_blank\" rel=\"noopener noreferrer\">Anthony Quinn \u003c/a>took a break from filming \u003cem>Flap \u003c/em>near Stockton, to make a high profile visit to the island. As an actor of Mexican-Irish descent who played Indigenous people throughout his movie career, Quinn’s position was, by 2019 standards, a problematic one. \u003cem>Flap\u003c/em> itself was based on a book titled \u003cem>Nobody Loves a Drunken Indian, \u003c/em>written by \u003ca href=\"https://www.fantasticfiction.com/h/clair-huffaker/\" target=\"_blank\" rel=\"noopener noreferrer\">Clair Huffaker\u003c/a>, a white man who traditionally wrote about the Old West.\u003c/p>\n\u003cp>But the movie took major steps to sympathize with the plight of marginalized Native people and set Quinn’s Flapping Eagle character up as a hero facing impossible odds. Promotion for the movie capitalized on the Alcatraz occupation, with posters that read: “A warning to the Mayor: \u003cem>Flap\u003c/em> is here! The Indians have already claimed Alcatraz. City Hall may be next. You have been warned.”\u003c/p>\n\u003cp>After his Alcatraz visit, Quinn, who financially contributed to Native American causes, \u003ca href=\"https://books.google.com/books?id=ovASzp51gmcC&pg=PA96&lpg=PA96&dq=Hippies,+Indians+and+the+Fight+For+Red+Power+anthony+quinn&source=bl&ots=3p9I_pi8uS&sig=ACfU3U065XJCFs0ntmTWH5gjCqcyHkN8tA&hl=en&sa=X&ved=2ahUKEwiDx8GhyOXlAhWVvJ4KHYuyD8gQ6AEwCXoECAkQAQ#v=onepage&q=Hippies%2C%20Indians%20and%20the%20Fight%20For%20Red%20Power%20anthony%20quinn&f=false\" target=\"_blank\" rel=\"noopener noreferrer\">told a press conference\u003c/a> he was \u003ca href=\"https://cdnc.ucr.edu/?a=d&d=DS19691215.2.39&e=-------en--20--1--txt-txIN--------1\" target=\"_blank\" rel=\"noopener noreferrer\">impressed\u003c/a> by the occupiers’ aims. “Alcatraz is a small price,” he said, “for all the sins we committed and indignities we forced on the Indians.”\u003c/p>\n\u003cp>Back on the mainland, the counterculture was rallying too. On December 12, 1969, a benefit for the occupiers took place at Stanford’s Memorial Chapel, headlined by \u003ca href=\"https://en.wikipedia.org/wiki/Buffy_Sainte-Marie\" target=\"_blank\" rel=\"noopener noreferrer\">Buffy Sainte-Marie\u003c/a>. (The singer went on to be the first Indigenous person to win an Academy Award, for writing 1982’s “\u003ca href=\"https://www.youtube.com/watch?v=rLCk066o9sU\" target=\"_blank\" rel=\"noopener noreferrer\">Up Where We Belong\u003c/a>.”)\u003c/p>\n\u003cp>In addition, Berkeley’s Malvina Reynolds (most famous for writing the hit “\u003ca href=\"https://www.youtube.com/watch?v=XUwUp-D_VV0\" target=\"_blank\" rel=\"noopener noreferrer\">Little Boxes\u003c/a>“) donated $1,000 in royalties from her song “Alcatraz (Pelican Island)” towards the San Francisco American Indian Center, which had \u003ca href=\"https://news.sfsu.edu/news-story/professor-lead-re-establishment-american-indian-cultural-center\" target=\"_blank\" rel=\"noopener noreferrer\">burned down\u003c/a> shortly before the occupation began. “Alcatraz isn’t good enough for them,” Reynolds noted at the time, “but it certainly is a first step.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=1FPjQbXvazY\u003c/p>\n\u003cp>As noted in \u003cem>Hippies, Indians and the Fight For Red Power, \u003c/em>much of the progress made for Native visibility in the ’70s may not have occurred without the protesters’ time on the island, and the high profile support it prompted. “In terms of capturing national and even international attention,” the book states. “Alcatraz stands out as a critical turning point for Indian reform. It provided the opportunity and the focus for non-Indian supporters to find a place and a purpose to which they could contribute.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For both activists and progressively-minded celebrities, it stands as a rousing and inspiring example to this day.\u003c/p>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1099,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 20
},
"modified": 1705021808,
"excerpt": "The Alcatraz occupation marked a major turning point in the public perception of Native American activism—and support from actors like Marlon Brando, Jane Fonda and Anthony Quinn was a factor in that.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The Alcatraz occupation marked a major turning point in the public perception of Native American activism—and support from actors like Marlon Brando, Jane Fonda and Anthony Quinn was a factor in that.",
"title": "Brando, Fonda and Beyond: How Celebs Rallied Around the Alcatraz Occupation | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Brando, Fonda and Beyond: How Celebs Rallied Around the Alcatraz Occupation",
"datePublished": "2019-11-18T15:00:10-08:00",
"dateModified": "2024-01-11T17:10:08-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "brando-fonda-and-beyond-how-celebs-rallied-around-the-alcatraz-occupation",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13869074/brando-fonda-and-beyond-how-celebs-rallied-around-the-alcatraz-occupation",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It was a moment that would become seared into American cultural history. Sacheen Littlefeather, an Apache and the President of the National Native American Affirmative Image Committee, stepped onto the 1973 Academy Awards stage, and very politely refused to take Marlon Brando’s Best Actor Oscar for \u003cem>The Godfather\u003c/em>, from a bemused-looking Roger Moore.\u003c/p>\n\u003cp>When Littlefeather calmly explained that Brando was unable to “accept this very generous award” because of “the treatment of American Indians today by the film industry and on television in movie re-runs,” boos immediately erupted in some corners of the room. Littlefeather stayed calm, offering a simple “Excuse me,” before audience cheers drowned out the objections.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/2QUacU0I4yU'\n title='//www.youtube.com/embed/2QUacU0I4yU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It had been two years since the “\u003ca href=\"https://www.history.com/news/native-american-activists-occupy-alcatraz-island-45-years-ago\" target=\"_blank\" rel=\"noopener noreferrer\">Indians of All Tribes\u003c/a>” had ceased their 19-month occupation of Alcatraz, but Brando had visited the island during that period and become so deeply concerned about the Native American cause, he remained outspoken on their behalf for the rest of his life.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13889944",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>“I don’t think that people generally realize what the motion picture industry has done to the American Indian,” \u003ca href=\"https://www.youtube.com/watch?v=LAPDQ5MlLxE\" target=\"_blank\" rel=\"noopener noreferrer\">Brando told Dick Cavett\u003c/a> in 1973. “How deeply these people are injured… Children… seeing Indians represented as savage, vicious, ugly, nasty, treacherous, drunken. They grow up with only a negative image of themselves and it lasts a lifetime.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Brando’s engagement was a perfect example of how support for Indigenous rights underwent a momentous and visible shift during one of the most socially turbulent times in recent American history. “For centuries, most Americans and their government believed Indians were an obstacle to national progress or, by the mid-twentieth century, anachronisms which had no place in the modern world,” writes Sherry L. Smith in \u003ca href=\"https://www.amazon.com/Hippies-Indians-Fight-Red-Power/dp/0199855595\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Hippies, Indians and the Fight For Red Power\u003c/em>\u003c/a>. “Extinguishing all remnants of native life characterized federal policy by the 1950s. By the 1960s, they found support outside their communities.”\u003c/p>\n\u003cp>A major factor in garnering that support was the Alcatraz occupation and the celebrities who went out of their way to draw attention to it and offer financial support. Creedence Clearwater Revival, for example, donated $10,000 that, among other things, enabled activists to buy a boat (reportedly dubbed “\u003ca href=\"https://www.history.com/news/native-american-activists-occupy-alcatraz-island-45-years-ago\" target=\"_blank\" rel=\"noopener noreferrer\">The Clearwater\u003c/a>“) to get supplies to and from the island.\u003c/p>\n\u003cp>Jane Fonda also \u003ca href=\"https://books.google.com/books?id=vHHbsjThmKAC&pg=PA258&lpg=PA258&dq=jane+fonda+donated+generators+to+alcatraz&source=bl&ots=_LWUGlGHM8&sig=ACfU3U1cVED2zNFNKWvXfFauMLAX_i_kcA&hl=en&sa=X&ved=2ahUKEwjzwfrkpdnlAhXJGDQIHbuuBA8Q6AEwDnoECAoQAQ#v=onepage&q=jane%20fonda%20donated%20generators%20to%20alcatraz&f=false\" target=\"_blank\" rel=\"noopener noreferrer\">spent a night on Alcatraz\u003c/a>, reportedly bringing her own sleeping bag, smoking weed with the occupiers, and donating a rototiller for gardening, as well as six generators—much needed at the time, after Alcatraz’s power was cut by the \u003ca href=\"https://www.gsa.gov/blog/2016/06/17/Celebrating-67-Years-of-American-Service\" target=\"_blank\" rel=\"noopener noreferrer\">General Services Administration\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13882943",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>“She got on the Indian bandwagon, but did not come to Alcatraz empty-handed like a lot of big shots,” a Blackfoot activist named \u003ca href=\"https://books.google.com/books?id=vHHbsjThmKAC&pg=PA258&lpg=PA258&dq=jane+fonda+donated+generators+to+alcatraz&source=bl&ots=_LWUGlGHM8&sig=ACfU3U1cVED2zNFNKWvXfFauMLAX_i_kcA&hl=en&sa=X&ved=2ahUKEwjzwfrkpdnlAhXJGDQIHbuuBA8Q6AEwDnoECAoQAQ#v=onepage&q=jane%20fonda%20donated%20generators%20to%20alcatraz&f=false\" target=\"_blank\" rel=\"noopener noreferrer\">Morris later noted\u003c/a> of Fonda. “She was an answer to the Alcatraz Indian prayers, giving us some light and refrigeration.”\u003c/p>\n\u003cp>Fonda subsequently visited Sacramento’s State Assembly to support a resolution to turn Alcatraz into a Native American cultural center. The measure passed but was later defeated in the Senate.\u003c/p>\n\u003cp>Because of this kind of celebrity involvement, prominent talk shows got on board too. Dick Cavett talked about the occupation, and Grace Thorpe, the negotiator and PR person for the Alcatraz protesters was a guest on the \u003cem>Merv Griffin Show\u003c/em>. Griffin also filmed a short segment on the island.\u003c/p>\n\u003cp>While most of the occupation’s famous supporters made perfect sense—a visit from comedian and civil rights activist Dick Gregory shocked no-one, Gregory having previously gone to jail for supporting \u003ca href=\"https://newsmaven.io/indiancountrytoday/archive/dick-gregory-friend-of-indian-country-walks-on-cBcL_NPYfkWwoLtcs7wMOg/\" target=\"_blank\" rel=\"noopener noreferrer\">“fish-in” protests\u003c/a> by Pacific-Northwest tribes—others were more surprising.\u003c/p>\n\u003cfigure id=\"attachment_13869598\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13869598\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/11/MPW-92135.jpg\" alt=\"'Flap' starred Anthony Quinn and referenced the Alcatraz occupation in its promotional materials.\" width=\"300\" height=\"589\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/MPW-92135.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/MPW-92135-160x314.jpg 160w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003cfigcaption class=\"wp-caption-text\">‘Flap’ starred Anthony Quinn and referenced the Alcatraz occupation in its promotional materials.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.imdb.com/name/nm0000063/?ref_=nv_sr_1?ref_=nv_sr_1\" target=\"_blank\" rel=\"noopener noreferrer\">Anthony Quinn \u003c/a>took a break from filming \u003cem>Flap \u003c/em>near Stockton, to make a high profile visit to the island. As an actor of Mexican-Irish descent who played Indigenous people throughout his movie career, Quinn’s position was, by 2019 standards, a problematic one. \u003cem>Flap\u003c/em> itself was based on a book titled \u003cem>Nobody Loves a Drunken Indian, \u003c/em>written by \u003ca href=\"https://www.fantasticfiction.com/h/clair-huffaker/\" target=\"_blank\" rel=\"noopener noreferrer\">Clair Huffaker\u003c/a>, a white man who traditionally wrote about the Old West.\u003c/p>\n\u003cp>But the movie took major steps to sympathize with the plight of marginalized Native people and set Quinn’s Flapping Eagle character up as a hero facing impossible odds. Promotion for the movie capitalized on the Alcatraz occupation, with posters that read: “A warning to the Mayor: \u003cem>Flap\u003c/em> is here! The Indians have already claimed Alcatraz. City Hall may be next. You have been warned.”\u003c/p>\n\u003cp>After his Alcatraz visit, Quinn, who financially contributed to Native American causes, \u003ca href=\"https://books.google.com/books?id=ovASzp51gmcC&pg=PA96&lpg=PA96&dq=Hippies,+Indians+and+the+Fight+For+Red+Power+anthony+quinn&source=bl&ots=3p9I_pi8uS&sig=ACfU3U065XJCFs0ntmTWH5gjCqcyHkN8tA&hl=en&sa=X&ved=2ahUKEwiDx8GhyOXlAhWVvJ4KHYuyD8gQ6AEwCXoECAkQAQ#v=onepage&q=Hippies%2C%20Indians%20and%20the%20Fight%20For%20Red%20Power%20anthony%20quinn&f=false\" target=\"_blank\" rel=\"noopener noreferrer\">told a press conference\u003c/a> he was \u003ca href=\"https://cdnc.ucr.edu/?a=d&d=DS19691215.2.39&e=-------en--20--1--txt-txIN--------1\" target=\"_blank\" rel=\"noopener noreferrer\">impressed\u003c/a> by the occupiers’ aims. “Alcatraz is a small price,” he said, “for all the sins we committed and indignities we forced on the Indians.”\u003c/p>\n\u003cp>Back on the mainland, the counterculture was rallying too. On December 12, 1969, a benefit for the occupiers took place at Stanford’s Memorial Chapel, headlined by \u003ca href=\"https://en.wikipedia.org/wiki/Buffy_Sainte-Marie\" target=\"_blank\" rel=\"noopener noreferrer\">Buffy Sainte-Marie\u003c/a>. (The singer went on to be the first Indigenous person to win an Academy Award, for writing 1982’s “\u003ca href=\"https://www.youtube.com/watch?v=rLCk066o9sU\" target=\"_blank\" rel=\"noopener noreferrer\">Up Where We Belong\u003c/a>.”)\u003c/p>\n\u003cp>In addition, Berkeley’s Malvina Reynolds (most famous for writing the hit “\u003ca href=\"https://www.youtube.com/watch?v=XUwUp-D_VV0\" target=\"_blank\" rel=\"noopener noreferrer\">Little Boxes\u003c/a>“) donated $1,000 in royalties from her song “Alcatraz (Pelican Island)” towards the San Francisco American Indian Center, which had \u003ca href=\"https://news.sfsu.edu/news-story/professor-lead-re-establishment-american-indian-cultural-center\" target=\"_blank\" rel=\"noopener noreferrer\">burned down\u003c/a> shortly before the occupation began. “Alcatraz isn’t good enough for them,” Reynolds noted at the time, “but it certainly is a first step.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/1FPjQbXvazY'\n title='//www.youtube.com/embed/1FPjQbXvazY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>As noted in \u003cem>Hippies, Indians and the Fight For Red Power, \u003c/em>much of the progress made for Native visibility in the ’70s may not have occurred without the protesters’ time on the island, and the high profile support it prompted. “In terms of capturing national and even international attention,” the book states. “Alcatraz stands out as a critical turning point for Indian reform. It provided the opportunity and the focus for non-Indian supporters to find a place and a purpose to which they could contribute.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For both activists and progressively-minded celebrities, it stands as a rousing and inspiring example to this day.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13869074/brando-fonda-and-beyond-how-celebs-rallied-around-the-alcatraz-occupation",
"authors": [
"11242"
],
"categories": [
"arts_7862",
"arts_74",
"arts_235",
"arts_75"
],
"tags": [
"arts_3701",
"arts_1118",
"arts_2388",
"arts_9200",
"arts_3178",
"arts_3698"
],
"featImg": "arts_13870035",
"label": "arts"
},
"arts_13870020": {
"type": "posts",
"id": "arts_13870020",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13870020",
"score": null,
"sort": [
1574114867000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1574114867,
"format": "standard",
"title": "Kanye West Announces an Opera About Babylonian King, Nebuchadnezzar",
"headTitle": "Kanye West Announces an Opera About Babylonian King, Nebuchadnezzar | KQED",
"content": "\u003cp>In a career—and personal life—loaded with enough drama to fuel an opera, \u003ca href=\"https://www.npr.org/artists/14889532/kanye-west\">Kanye West\u003c/a> is finally presenting one. Or at least that’s what he tweeted Sunday, announcing a performance of \u003cem>Nebuchadnezzar\u003c/em>, “A Kanye West Opera” at the Hollywood Bowl on Nov. 24.\u003c/p>\n\u003cp>Little is known about the opera’s content other than its title, referring to the real life Biblical character who ruled over the Babylonian empire from c. 605 BC – c. 562 BC. West’s tweet gave a few more clues. The invitation artwork, etched with a golden image of the Babylonian king, states: “Music with Sunday Service, Peter Collins & Infinities Song.” (For what it’s worth, the Hollywood Bowl confirmed the event to \u003cem>NPR\u003c/em>.)\u003c/p>\n\u003cp>https://twitter.com/kanyewest/status/1196204600090513408?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1196204600090513408&ref_url=https%3A%2F%2Fwww.npr.org%2Fsections%2Fdeceptivecadence%2F2019%2F11%2F18%2F780479625%2Fkanye-west-announces-an-opera-which-isnt-as-crazy-as-it-sounds\u003c/p>\n\u003cp>Classical music buffs will note that Nebuchadnezzar has received the operatic treatment before, most notably in \u003ca href=\"https://www.npr.org/programs/attheopera/archives/010324.ato.html\">\u003cem>Nabucco\u003c/em>\u003c/a> (an Italian version of the king’s name), an emotionally charged early work by \u003ca href=\"https://www.npr.org/artists/16927552/giuseppe-verdi\">Giuseppe Verdi\u003c/a> from 1841. In Verdi’s portrayal, Nabucco is a complex man whose exile of Jews from their homeland, combined with political foibles, triggers a complete nervous breakdown.\u003c/p>\n\u003cp>A flawed leader with visions of grandeur who becomes mentally unstable is a plot line that West \u003cem>might\u003c/em> relate to. Last year on \u003ca href=\"https://www.youtube.com/watch?v=kJUc7Rz7QiU\">\u003cem>Jimmy Kimmel Live\u003c/em>\u003c/a>, West spoke openly about being bi-polar saying, “I don’t know anyone, you know, that f–ked up as much as I have that’s still as successful.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Regardless of the content of \u003cem>Nebuchadnezzar\u003c/em>, and before opera purists start wringing their hands, West can call his creation an opera if he chooses. The 400-year-old art form has proven itself terrifically adaptable and resilient. From cast-of-hundreds standards like Verdi’s \u003ca href=\"https://www.npr.org/2011/06/03/136888669/love-triangles-and-pyramids-verdis-aida\">\u003cem>Aida\u003c/em>\u003c/a> (which in some productions has included elephants) to single character, avant-garde monodramas such as \u003ca href=\"https://www.npr.org/artists/90295693/morton-feldman\">Morton Feldman\u003c/a>‘s \u003ca href=\"https://www.youtube.com/watch?v=0exs9F-888s\">\u003cem>Neither\u003c/em>\u003c/a>, opera comes in all shapes and sizes. As it should.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003c/em>\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Kanye+West+Announces+An+Opera+%28Which+Isn%27t+As+Crazy+As+It+Sounds%29&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 379,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 7
},
"modified": 1705021810,
"excerpt": "Before any opera purists start wringing their hands, let's remember that the 400-year-old art form has proven itself terrifically adaptable and resilient.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Before any opera purists start wringing their hands, let's remember that the 400-year-old art form has proven itself terrifically adaptable and resilient.",
"title": "Kanye West Announces an Opera About Babylonian King, Nebuchadnezzar | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Kanye West Announces an Opera About Babylonian King, Nebuchadnezzar",
"datePublished": "2019-11-18T14:07:47-08:00",
"dateModified": "2024-01-11T17:10:10-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "kanye-west-announces-an-opera-about-babylonian-king-nebuchadnezzar",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=780479625&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Mon, 18 Nov 2019 13:12:00 -0500",
"nprLastModifiedDate": "Mon, 18 Nov 2019 13:38:52 -0500",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/sections/deceptivecadence/2019/11/18/780479625/kanye-west-announces-an-opera-which-isnt-as-crazy-as-it-sounds?ft=nprml&f=780479625",
"nprImageAgency": "Getty Images",
"nprStoryId": "780479625",
"nprByline": "Tom Huizenga",
"sticky": false,
"nprImageCredit": "Julien Hekimian",
"nprRetrievedStory": "1",
"nprPubDate": "Mon, 18 Nov 2019 13:38:00 -0500",
"path": "/arts/13870020/kanye-west-announces-an-opera-about-babylonian-king-nebuchadnezzar",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In a career—and personal life—loaded with enough drama to fuel an opera, \u003ca href=\"https://www.npr.org/artists/14889532/kanye-west\">Kanye West\u003c/a> is finally presenting one. Or at least that’s what he tweeted Sunday, announcing a performance of \u003cem>Nebuchadnezzar\u003c/em>, “A Kanye West Opera” at the Hollywood Bowl on Nov. 24.\u003c/p>\n\u003cp>Little is known about the opera’s content other than its title, referring to the real life Biblical character who ruled over the Babylonian empire from c. 605 BC – c. 562 BC. West’s tweet gave a few more clues. The invitation artwork, etched with a golden image of the Babylonian king, states: “Music with Sunday Service, Peter Collins & Infinities Song.” (For what it’s worth, the Hollywood Bowl confirmed the event to \u003cem>NPR\u003c/em>.)\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1196204600090513408"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Classical music buffs will note that Nebuchadnezzar has received the operatic treatment before, most notably in \u003ca href=\"https://www.npr.org/programs/attheopera/archives/010324.ato.html\">\u003cem>Nabucco\u003c/em>\u003c/a> (an Italian version of the king’s name), an emotionally charged early work by \u003ca href=\"https://www.npr.org/artists/16927552/giuseppe-verdi\">Giuseppe Verdi\u003c/a> from 1841. In Verdi’s portrayal, Nabucco is a complex man whose exile of Jews from their homeland, combined with political foibles, triggers a complete nervous breakdown.\u003c/p>\n\u003cp>A flawed leader with visions of grandeur who becomes mentally unstable is a plot line that West \u003cem>might\u003c/em> relate to. Last year on \u003ca href=\"https://www.youtube.com/watch?v=kJUc7Rz7QiU\">\u003cem>Jimmy Kimmel Live\u003c/em>\u003c/a>, West spoke openly about being bi-polar saying, “I don’t know anyone, you know, that f–ked up as much as I have that’s still as successful.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Regardless of the content of \u003cem>Nebuchadnezzar\u003c/em>, and before opera purists start wringing their hands, West can call his creation an opera if he chooses. The 400-year-old art form has proven itself terrifically adaptable and resilient. From cast-of-hundreds standards like Verdi’s \u003ca href=\"https://www.npr.org/2011/06/03/136888669/love-triangles-and-pyramids-verdis-aida\">\u003cem>Aida\u003c/em>\u003c/a> (which in some productions has included elephants) to single character, avant-garde monodramas such as \u003ca href=\"https://www.npr.org/artists/90295693/morton-feldman\">Morton Feldman\u003c/a>‘s \u003ca href=\"https://www.youtube.com/watch?v=0exs9F-888s\">\u003cem>Neither\u003c/em>\u003c/a>, opera comes in all shapes and sizes. As it should.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003c/em>\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Kanye+West+Announces+An+Opera+%28Which+Isn%27t+As+Crazy+As+It+Sounds%29&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13870020/kanye-west-announces-an-opera-about-babylonian-king-nebuchadnezzar",
"authors": [
"byline_arts_13870020"
],
"categories": [
"arts_69",
"arts_75",
"arts_967"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13870023",
"label": "arts_137"
},
"arts_13869528": {
"type": "posts",
"id": "arts_13869528",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13869528",
"score": null,
"sort": [
1573920047000
]
},
"guestAuthors": [],
"slug": "a-dog-in-san-diego-just-learned-to-talk-using-a-soundboard-but-still",
"title": "A Dog in San Diego Just Learned to Talk (Using a Soundboard, But Still...)",
"publishDate": 1573920047,
"format": "standard",
"headTitle": "A Dog in San Diego Just Learned to Talk (Using a Soundboard, But Still…) | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Dog behaviorists and trainers have spent years deciphering the language of dogs. From the meaning behind butts in the air (play time!) to them lying on the ground belly-up (submission), every good pup parent learns the basics to better understand their pooches.\u003c/p>\n\u003cp>Amazingly, a 26-year-old speech-language pathologist named Christina Hunger has gone several steps further by training her dog Stella to communicate, using a specially-made soundboard. Hunger got the idea from teaching toddlers to talk using outside devices, and says that Stella now communicates much like a 2-year-old human.\u003c/p>\n\u003cp>Here’s Stella, concerned about activity outside their house, telling Hunger to go and check things out:\u003c/p>\n\u003cp>https://www.instagram.com/p/B4VfYtFhJLV/\u003c/p>\n\u003cp>Stella, now 18 months old, has been in training since she was an eight-week-old puppy. Since then, the Catahoula-Blue Heeler mix has acquired the ability to communicate about what she wants, what she just did, and how she is feeling. Hunger \u003ca href=\"https://people.com/pets/dog-learning-to-talk-by-using-a-custom-soundboard-to-speak-im-in-constant-amazement/\" target=\"_blank\" rel=\"noopener noreferrer\">told \u003cem>People\u003c/em>\u003c/a> that she’s “in constant amazement and shock” over how much Stella has learned, and how quickly the dog is figuring out how to construct phrases.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In a \u003ca href=\"https://www.hungerforwords.com/post/a-day-in-the-life-of-stella\" target=\"_blank\" rel=\"noopener noreferrer\">July blog post\u003c/a>, Hunger explained: “Stella is predictable with her language in the sense that she uses words relevant to what’s happening or what just happened. When we came back from the dog park, she said ‘park.’ She didn’t say ‘beach’ or ‘walk.’ Her language is unpredictable at the same time because she is constantly generating novel word combinations, using language to communicate in different ways, and surpassing communication limitations I once thought she might have.”\u003c/p>\n\u003cp>There are pros and cons to all of this, of course. On the one hand, Stella can tell Hunger that she loves her, and also when she is happy.\u003c/p>\n\u003cp>https://www.instagram.com/p/B0blt67hwIW/\u003c/p>\n\u003cp>And she can let Hunger know when things aren’t quite right:\u003c/p>\n\u003cp>https://www.instagram.com/p/B1eN6AnnH2E/\u003c/p>\n\u003cp>On the other hand, she can now make frequent, impossible-to-say-no-to requests for play, time outside, walks and visits to the beach.\u003c/p>\n\u003cp>https://www.instagram.com/p/B0bl-0zh78t/\u003c/p>\n\u003cp>How could anyone say no to this?\u003c/p>\n\u003cp>https://www.instagram.com/p/B4QAxF1ht3K/\u003c/p>\n\u003cp>Hunger is now assisting her parents in teaching their Boxer-Border Collie mix, Maisie, to communicate using the same methods as Stella.\u003c/p>\n\u003cp>https://www.instagram.com/p/B0oojDQBzss/\u003c/p>\n\u003cp>Given the lengths that Americans go to for their dogs every single day, Hunger and Stella’s soundboard might well be the next frontier of dog training. Not to mention a major boost for dog-human relations. That is, if we can handle all the scritches on demand…\u003c/p>\n\u003cp>https://www.instagram.com/p/B2O-RRunw8N/\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
"blocks": [],
"excerpt": "An 18-month-old dog named Stella has been trained by her speech-language pathologist owner to communicate via a custom-made soundboard.",
"status": "publish",
"parent": 0,
"modified": 1726764884,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 13,
"wordCount": 475
},
"headData": {
"title": "A Dog in San Diego Just Learned to Talk (Using a Soundboard, But Still...) | KQED",
"description": "An 18-month-old dog named Stella has been trained by her speech-language pathologist owner to communicate via a custom-made soundboard.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "A Dog in San Diego Just Learned to Talk (Using a Soundboard, But Still...)",
"datePublished": "2019-11-16T08:00:47-08:00",
"dateModified": "2024-09-19T09:54:44-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"path": "/arts/13869528/a-dog-in-san-diego-just-learned-to-talk-using-a-soundboard-but-still",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Dog behaviorists and trainers have spent years deciphering the language of dogs. From the meaning behind butts in the air (play time!) to them lying on the ground belly-up (submission), every good pup parent learns the basics to better understand their pooches.\u003c/p>\n\u003cp>Amazingly, a 26-year-old speech-language pathologist named Christina Hunger has gone several steps further by training her dog Stella to communicate, using a specially-made soundboard. Hunger got the idea from teaching toddlers to talk using outside devices, and says that Stella now communicates much like a 2-year-old human.\u003c/p>\n\u003cp>Here’s Stella, concerned about activity outside their house, telling Hunger to go and check things out:\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "instagramLink",
"attributes": {
"named": {
"instagramUrl": "https://www.instagram.com/p/B4VfYtFhJLV/"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Stella, now 18 months old, has been in training since she was an eight-week-old puppy. Since then, the Catahoula-Blue Heeler mix has acquired the ability to communicate about what she wants, what she just did, and how she is feeling. Hunger \u003ca href=\"https://people.com/pets/dog-learning-to-talk-by-using-a-custom-soundboard-to-speak-im-in-constant-amazement/\" target=\"_blank\" rel=\"noopener noreferrer\">told \u003cem>People\u003c/em>\u003c/a> that she’s “in constant amazement and shock” over how much Stella has learned, and how quickly the dog is figuring out how to construct phrases.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In a \u003ca href=\"https://www.hungerforwords.com/post/a-day-in-the-life-of-stella\" target=\"_blank\" rel=\"noopener noreferrer\">July blog post\u003c/a>, Hunger explained: “Stella is predictable with her language in the sense that she uses words relevant to what’s happening or what just happened. When we came back from the dog park, she said ‘park.’ She didn’t say ‘beach’ or ‘walk.’ Her language is unpredictable at the same time because she is constantly generating novel word combinations, using language to communicate in different ways, and surpassing communication limitations I once thought she might have.”\u003c/p>\n\u003cp>There are pros and cons to all of this, of course. On the one hand, Stella can tell Hunger that she loves her, and also when she is happy.\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "instagramLink",
"attributes": {
"named": {
"instagramUrl": "https://www.instagram.com/p/B0blt67hwIW/"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>And she can let Hunger know when things aren’t quite right:\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "instagramLink",
"attributes": {
"named": {
"instagramUrl": "https://www.instagram.com/p/B1eN6AnnH2E/"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On the other hand, she can now make frequent, impossible-to-say-no-to requests for play, time outside, walks and visits to the beach.\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "instagramLink",
"attributes": {
"named": {
"instagramUrl": "https://www.instagram.com/p/B0bl-0zh78t/"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>How could anyone say no to this?\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "instagramLink",
"attributes": {
"named": {
"instagramUrl": "https://www.instagram.com/p/B4QAxF1ht3K/"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Hunger is now assisting her parents in teaching their Boxer-Border Collie mix, Maisie, to communicate using the same methods as Stella.\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "instagramLink",
"attributes": {
"named": {
"instagramUrl": "https://www.instagram.com/p/B0oojDQBzss/"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Given the lengths that Americans go to for their dogs every single day, Hunger and Stella’s soundboard might well be the next frontier of dog training. Not to mention a major boost for dog-human relations. That is, if we can handle all the scritches on demand…\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "instagramLink",
"attributes": {
"named": {
"instagramUrl": "https://www.instagram.com/p/B2O-RRunw8N/"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13869528/a-dog-in-san-diego-just-learned-to-talk-using-a-soundboard-but-still",
"authors": [
"11242"
],
"categories": [
"arts_75"
],
"tags": [
"arts_9124",
"arts_8819",
"arts_2098",
"arts_9155",
"arts_2391"
],
"featImg": "arts_13872221",
"label": "arts"
},
"arts_13869901": {
"type": "posts",
"id": "arts_13869901",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13869901",
"score": null,
"sort": [
1573847863000
]
},
"guestAuthors": [],
"slug": "6-podcasts-to-get-you-through-holiday-travel-this-year",
"title": "7 Podcasts to Get You Through Holiday Travel This Year",
"publishDate": 1573847863,
"format": "image",
"headTitle": "7 Podcasts to Get You Through Holiday Travel This Year | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Wondering about the best podcasts for trips, long drives or (let’s face it) airport delays?\u003c/p>\n\u003cp>With the holidays fast approaching, chances are you’ll find yourself hitting the road or sky, and in need of binge-worthy audio to entertain you. Never fear: below, we’ve collected seven of the most immersive, compelling and (sorry) \u003cem>transporting\u003c/em> podcast episodes to recently come out of KQED.\u003c/p>\n\u003cp>Cue up these picks on your podcast platform of choice—or scroll to the end to download the Spotify playlist—and you’ll never be bored while stuck in traffic or delayed at the airport.\u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/news/11782405/tunnels-under-san-francisco-inside-the-dark-dangerous-world-of-the-sewers\">Secret Tunnels Under San Francisco? \u003c/a>\u003cbr>\nFrom \u003cem>Bay Curious\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869970\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>Every episode of \u003cem>Bay Curious\u003c/em> is sparked by audience curiosity about local conundrums–and they’ve received a \u003cem>lot\u003c/em> of questions about whether there’s a network of mystery tunnels under San Francisco. This dark-and-dirty episode takes listeners to a place it’s likely they will never actually visit; a very real labyrinth that sprawls deep underground—AKA the city’s vast sewer system.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Listen to the episode to explore this underworld with the \u003cem>Bay Curious\u003c/em> team. Between lethal gases, fast-flowing rivers of sewage and the risk of getting lost in the darkness, you’ll probably be glad to take this tour \u003cem>virtually\u003c/em> via your headphones, rather than IRL.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/news/11782405/tunnels-under-san-francisco-inside-the-dark-dangerous-world-of-the-sewers\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/secret-tunnels-under-san-francisco/id1172473406?i=1000455577910\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/news/11777723/blind-beekeeper-relies-on-the-sound-of-the-swarm-to-keep-her-hives-happy\">Blind Beekeeper Relies on Sound to Keep Her Hives Happy\u003c/a>\u003cbr>\nFrom \u003cem>The California Report Magazine\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-13869926 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/RS39379_beekeeper2-qut-1020x679.jpg\" alt=\"\" width=\"1020\" height=\"679\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39379_beekeeper2-qut-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39379_beekeeper2-qut-1020x679-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39379_beekeeper2-qut-1020x679-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39379_beekeeper2-qut-1020x679-768x511.jpg 768w\" sizes=\"(max-width: 1020px) 100vw, 1020px\">\u003c/p>\n\u003cp>“I didn’t think I could be a good beekeeper without being able to see.” This special episode from \u003cem>The California Report Magazine\u003c/em>’s weekly podcast immerses the listener in the world of Aerial: a Bay area nurse who lost her sight after using tampered eyedrops. Navigating her new reality, she found purpose and meaning in the hobby she’d enjoyed since she was a teen: beekeeping.\u003c/p>\n\u003cp>Listen as Aerial explains how she knows whether her swarm—she calls them “her girls”—are happy, and how to hear their “waggle dance” (the movement bees make to tell others where to find pollen). After experiencing this episode, you’ll never hear bees again the same way.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/news/11777723/blind-beekeeper-relies-on-the-sound-of-the-swarm-to-keep-her-hives-happy\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/blind-beekeeper-relies-on-sound-to-keep-her-hives-happy/id1314750545?i=1000452376183\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/pop/102783/queer-eyes-jonathan-van-ness-on-turning-red-states-pink-one-makeover-at-a-time\">\u003cem>Queer Eye\u003c/em>‘s Jonathan Van Ness on Turning Red States Pink\u003c/a>\u003cbr>\nFrom \u003cem>The Cooler\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869925\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/Jonathan-Van-Ness.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/Jonathan-Van-Ness.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/Jonathan-Van-Ness-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/Jonathan-Van-Ness-768x432.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>The most engrossing podcast interviews are the ones where you feel you’ve been teleported into the room with the people in question—and this 2018 interview with the infamously personable \u003cem>Queer Eye\u003c/em> star Jonathan Van Ness on KQED’s pop culture podcast \u003cem>The Cooler\u003c/em> is no exception.\u003c/p>\n\u003cp>In a conversation that ranges from raucous to heartfelt and intimate, Van Ness talks to hosts Emmanuel Hapsis, Jamedra Brown-Fleischman and Carly Severn about growing up gay in a small town, dealing with online trolls, the healing power of figure skating and a particularly controversial moment from \u003cem>Queer Eye\u003c/em>’s second season.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/pop/102783/queer-eyes-jonathan-van-ness-on-turning-red-states-pink-one-makeover-at-a-time\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/queer-eyes-jonathan-van-ness-on-turning-red-states-pink/id1041117499?i=1000407027183\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/podcasts/42/joy-may-16th\">Joy\u003c/a>\u003cbr>\nfrom \u003cem>Truth Be Told \u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869927\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960.jpg\" alt=\"\" width=\"1920\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960-160x80.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960-800x400.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960-768x384.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960-1020x510.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960-1200x600.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>Is it OK to feel joy when it feels like the world is burning? In the first episode of KQED’s advice show made by people of color for people of color, host Tonya Mosley brings us to her hometown of Detroit, Michigan—the “epicenter of pleasure in the midst of turmoil,” as she calls it. Mosley sits down with her grandmother Ernestine Mosley and \u003cem>New York Times\u003c/em> bestselling author Adrienne Maree Brown for some hard questions, deep laughs, and much-needed affirmations about why it’s not only OK to feel joy, but it’s absolutely necessary.\u003c/p>\n\u003cp>And stay tuned: \u003cem>Truth Be Told\u003c/em> returns for a second season in early 2020!\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/podcasts/42/joy-may-16th\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/joy-episode-1/id1462216572?i=1000438248776\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/news/11780279/native-american-occupation-at-alcatraz-50-years\">‘We’re Still Here’\u003c/a>\u003cbr>\nFrom\u003cem> The Bay\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869928\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/IMG_2671-1-1020x765.jpg\" alt=\"\" width=\"1020\" height=\"765\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/IMG_2671-1-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/IMG_2671-1-1020x765-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/IMG_2671-1-1020x765-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/IMG_2671-1-1020x765-768x576.jpg 768w\" sizes=\"(max-width: 1020px) 100vw, 1020px\">\u003c/p>\n\u003cp>In this episode of\u003cem> The Bay\u003c/em>, KQED reporter Alice Woelfle follows along with Native people from across the West Coast in a ceremonial canoe journey around Alcatraz Island. First, we hear the building of a tule boat, then the sound of paddle hitting the water as members of different tribes, territories, communities and families embark on their paddle around the island before returning to shore to be greeted by Ohlone elders.\u003c/p>\n\u003cp>The paddle commemorated the 50-year anniversary of the occupation of Alcatraz, a movement which lasted 19 months and brought widespread visibility for American Indian civil rights.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/news/11780279/native-american-occupation-at-alcatraz-50-years\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/were-still-here-canoe-journey-to-alcatraz-to-remember/id1350043452?i=1000453734022\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/arts/13859970/rightnowish-miko-marks-and-the-oakland-rollers\">Oakland’s Rollerskating Country Singer\u003c/a>\u003cbr>\nFrom \u003cem>Rightnowish\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869929\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/oakland-rollers-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/oakland-rollers-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/oakland-rollers-800x450-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/oakland-rollers-800x450-768x432.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Where do country singing and roller skating collide? On a small cul-de-sac on the southern side of Lake Merritt in Oakland, according to musician Miko Marks.\u003c/p>\n\u003cp>“As soon as I put these skates on, I feel like I’m a kid again,” Marks says in this episode of \u003cem>Rightnowish\u003c/em>, KQED’s new arts and culture podcast hosted by Pendarvis Harshaw. After nearly a decade of touring the nation as a country singer, Marks’s love for roller skating completely transformed her sense of play—and her music. Put on your skates (and your headphones!) and listen to the full episode to hear more about Marks’s new sound and new take on life with wheels.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/arts/13859970/rightnowish-miko-marks-and-the-oakland-rollers\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/oaklands-rollerskating-country-singer/id1482187648?i=1000455674283\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/mindshift/54326/childhood-as-resume-building-why-play-needs-a-comeback\">Childhood as ‘Resume-Building’: Why Play Needs A Comeback\u003c/a>\u003cbr>\nFrom \u003cem>MindShift\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869973\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/DSC5859-1.jpg\" alt=\"\" width=\"1920\" height=\"1281\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1-1200x801.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>Remember when you were a kid and there was a designated time just for playing? Free play—the kind of play where kids independently choose the activities and the rules—may be a thing of the past, according to this \u003cem>MindShift\u003c/em> episode. “We’re just seeing an out-of-balance life for kids,” says Scott Bedley, a fourth grade teacher, about the pressure for students to succeed academically from a very young age. “There is a learning value behind play if you just allow it to happen.”\u003c/p>\n\u003cp>Head back to the classroom with the \u003cem>MindShift\u003c/em> team to explore what play looks like today, and why it’s in need of a major comeback.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/mindshift/54326/childhood-as-resume-building-why-play-needs-a-comeback\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/childhood-as-resume-building-why-play-needs-a-comeback/id1078765985?i=1000448438239\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/playlist/6qS3AzC3Gv7nrON2PrezAS\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\n",
"blocks": [],
"excerpt": "Dreading Thanksgiving travel? Here are six essential listening recommendations to while away the hours.",
"status": "publish",
"parent": 0,
"modified": 1726764893,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 34,
"wordCount": 1144
},
"headData": {
"title": "7 Podcasts to Get You Through Holiday Travel This Year | KQED",
"description": "Dreading Thanksgiving travel? Here are six essential listening recommendations to while away the hours.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "7 Podcasts to Get You Through Holiday Travel This Year",
"datePublished": "2019-11-15T11:57:43-08:00",
"dateModified": "2024-09-19T09:54:53-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13869901/6-podcasts-to-get-you-through-holiday-travel-this-year",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Wondering about the best podcasts for trips, long drives or (let’s face it) airport delays?\u003c/p>\n\u003cp>With the holidays fast approaching, chances are you’ll find yourself hitting the road or sky, and in need of binge-worthy audio to entertain you. Never fear: below, we’ve collected seven of the most immersive, compelling and (sorry) \u003cem>transporting\u003c/em> podcast episodes to recently come out of KQED.\u003c/p>\n\u003cp>Cue up these picks on your podcast platform of choice—or scroll to the end to download the Spotify playlist—and you’ll never be bored while stuck in traffic or delayed at the airport.\u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/news/11782405/tunnels-under-san-francisco-inside-the-dark-dangerous-world-of-the-sewers\">Secret Tunnels Under San Francisco? \u003c/a>\u003cbr>\nFrom \u003cem>Bay Curious\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869970\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39796_Tunnel_02-qut-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>Every episode of \u003cem>Bay Curious\u003c/em> is sparked by audience curiosity about local conundrums–and they’ve received a \u003cem>lot\u003c/em> of questions about whether there’s a network of mystery tunnels under San Francisco. This dark-and-dirty episode takes listeners to a place it’s likely they will never actually visit; a very real labyrinth that sprawls deep underground—AKA the city’s vast sewer system.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Listen to the episode to explore this underworld with the \u003cem>Bay Curious\u003c/em> team. Between lethal gases, fast-flowing rivers of sewage and the risk of getting lost in the darkness, you’ll probably be glad to take this tour \u003cem>virtually\u003c/em> via your headphones, rather than IRL.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/news/11782405/tunnels-under-san-francisco-inside-the-dark-dangerous-world-of-the-sewers\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/secret-tunnels-under-san-francisco/id1172473406?i=1000455577910\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/news/11777723/blind-beekeeper-relies-on-the-sound-of-the-swarm-to-keep-her-hives-happy\">Blind Beekeeper Relies on Sound to Keep Her Hives Happy\u003c/a>\u003cbr>\nFrom \u003cem>The California Report Magazine\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-13869926 size-full\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/RS39379_beekeeper2-qut-1020x679.jpg\" alt=\"\" width=\"1020\" height=\"679\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39379_beekeeper2-qut-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39379_beekeeper2-qut-1020x679-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39379_beekeeper2-qut-1020x679-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/RS39379_beekeeper2-qut-1020x679-768x511.jpg 768w\" sizes=\"(max-width: 1020px) 100vw, 1020px\">\u003c/p>\n\u003cp>“I didn’t think I could be a good beekeeper without being able to see.” This special episode from \u003cem>The California Report Magazine\u003c/em>’s weekly podcast immerses the listener in the world of Aerial: a Bay area nurse who lost her sight after using tampered eyedrops. Navigating her new reality, she found purpose and meaning in the hobby she’d enjoyed since she was a teen: beekeeping.\u003c/p>\n\u003cp>Listen as Aerial explains how she knows whether her swarm—she calls them “her girls”—are happy, and how to hear their “waggle dance” (the movement bees make to tell others where to find pollen). After experiencing this episode, you’ll never hear bees again the same way.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/news/11777723/blind-beekeeper-relies-on-the-sound-of-the-swarm-to-keep-her-hives-happy\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/blind-beekeeper-relies-on-sound-to-keep-her-hives-happy/id1314750545?i=1000452376183\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/pop/102783/queer-eyes-jonathan-van-ness-on-turning-red-states-pink-one-makeover-at-a-time\">\u003cem>Queer Eye\u003c/em>‘s Jonathan Van Ness on Turning Red States Pink\u003c/a>\u003cbr>\nFrom \u003cem>The Cooler\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869925\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/Jonathan-Van-Ness.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/Jonathan-Van-Ness.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/Jonathan-Van-Ness-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/Jonathan-Van-Ness-768x432.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>The most engrossing podcast interviews are the ones where you feel you’ve been teleported into the room with the people in question—and this 2018 interview with the infamously personable \u003cem>Queer Eye\u003c/em> star Jonathan Van Ness on KQED’s pop culture podcast \u003cem>The Cooler\u003c/em> is no exception.\u003c/p>\n\u003cp>In a conversation that ranges from raucous to heartfelt and intimate, Van Ness talks to hosts Emmanuel Hapsis, Jamedra Brown-Fleischman and Carly Severn about growing up gay in a small town, dealing with online trolls, the healing power of figure skating and a particularly controversial moment from \u003cem>Queer Eye\u003c/em>’s second season.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/pop/102783/queer-eyes-jonathan-van-ness-on-turning-red-states-pink-one-makeover-at-a-time\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/queer-eyes-jonathan-van-ness-on-turning-red-states-pink/id1041117499?i=1000407027183\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/podcasts/42/joy-may-16th\">Joy\u003c/a>\u003cbr>\nfrom \u003cem>Truth Be Told \u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869927\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960.jpg\" alt=\"\" width=\"1920\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960-160x80.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960-800x400.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960-768x384.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960-1020x510.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/EventBrite_TBT.R-1920x960-1200x600.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>Is it OK to feel joy when it feels like the world is burning? In the first episode of KQED’s advice show made by people of color for people of color, host Tonya Mosley brings us to her hometown of Detroit, Michigan—the “epicenter of pleasure in the midst of turmoil,” as she calls it. Mosley sits down with her grandmother Ernestine Mosley and \u003cem>New York Times\u003c/em> bestselling author Adrienne Maree Brown for some hard questions, deep laughs, and much-needed affirmations about why it’s not only OK to feel joy, but it’s absolutely necessary.\u003c/p>\n\u003cp>And stay tuned: \u003cem>Truth Be Told\u003c/em> returns for a second season in early 2020!\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/podcasts/42/joy-may-16th\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/joy-episode-1/id1462216572?i=1000438248776\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/news/11780279/native-american-occupation-at-alcatraz-50-years\">‘We’re Still Here’\u003c/a>\u003cbr>\nFrom\u003cem> The Bay\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869928\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/IMG_2671-1-1020x765.jpg\" alt=\"\" width=\"1020\" height=\"765\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/IMG_2671-1-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/IMG_2671-1-1020x765-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/IMG_2671-1-1020x765-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/IMG_2671-1-1020x765-768x576.jpg 768w\" sizes=\"(max-width: 1020px) 100vw, 1020px\">\u003c/p>\n\u003cp>In this episode of\u003cem> The Bay\u003c/em>, KQED reporter Alice Woelfle follows along with Native people from across the West Coast in a ceremonial canoe journey around Alcatraz Island. First, we hear the building of a tule boat, then the sound of paddle hitting the water as members of different tribes, territories, communities and families embark on their paddle around the island before returning to shore to be greeted by Ohlone elders.\u003c/p>\n\u003cp>The paddle commemorated the 50-year anniversary of the occupation of Alcatraz, a movement which lasted 19 months and brought widespread visibility for American Indian civil rights.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/news/11780279/native-american-occupation-at-alcatraz-50-years\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/were-still-here-canoe-journey-to-alcatraz-to-remember/id1350043452?i=1000453734022\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/arts/13859970/rightnowish-miko-marks-and-the-oakland-rollers\">Oakland’s Rollerskating Country Singer\u003c/a>\u003cbr>\nFrom \u003cem>Rightnowish\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869929\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/oakland-rollers-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/oakland-rollers-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/oakland-rollers-800x450-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/oakland-rollers-800x450-768x432.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Where do country singing and roller skating collide? On a small cul-de-sac on the southern side of Lake Merritt in Oakland, according to musician Miko Marks.\u003c/p>\n\u003cp>“As soon as I put these skates on, I feel like I’m a kid again,” Marks says in this episode of \u003cem>Rightnowish\u003c/em>, KQED’s new arts and culture podcast hosted by Pendarvis Harshaw. After nearly a decade of touring the nation as a country singer, Marks’s love for roller skating completely transformed her sense of play—and her music. Put on your skates (and your headphones!) and listen to the full episode to hear more about Marks’s new sound and new take on life with wheels.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/arts/13859970/rightnowish-miko-marks-and-the-oakland-rollers\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/oaklands-rollerskating-country-singer/id1482187648?i=1000455674283\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3>\u003ca href=\"https://www.kqed.org/mindshift/54326/childhood-as-resume-building-why-play-needs-a-comeback\">Childhood as ‘Resume-Building’: Why Play Needs A Comeback\u003c/a>\u003cbr>\nFrom \u003cem>MindShift\u003c/em>\u003c/h3>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13869973\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2019/11/DSC5859-1.jpg\" alt=\"\" width=\"1920\" height=\"1281\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/11/DSC5859-1-1200x801.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003c/p>\n\u003cp>Remember when you were a kid and there was a designated time just for playing? Free play—the kind of play where kids independently choose the activities and the rules—may be a thing of the past, according to this \u003cem>MindShift\u003c/em> episode. “We’re just seeing an out-of-balance life for kids,” says Scott Bedley, a fourth grade teacher, about the pressure for students to succeed academically from a very young age. “There is a learning value behind play if you just allow it to happen.”\u003c/p>\n\u003cp>Head back to the classroom with the \u003cem>MindShift\u003c/em> team to explore what play looks like today, and why it’s in need of a major comeback.\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"https://www.kqed.org/mindshift/54326/childhood-as-resume-building-why-play-needs-a-comeback\">Listen at kqed.org\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"https://podcasts.apple.com/us/podcast/childhood-as-resume-building-why-play-needs-a-comeback/id1078765985?i=1000448438239\">Listen on Apple Podcasts\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>\u003cem>(Also available on NPR One, Spotify or wherever you get your podcasts)\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/playlist/6qS3AzC3Gv7nrON2PrezAS\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13869901/6-podcasts-to-get-you-through-holiday-travel-this-year",
"authors": [
"3243",
"11637"
],
"categories": [
"arts_2303",
"arts_76",
"arts_7862",
"arts_74",
"arts_69",
"arts_235",
"arts_75",
"arts_990",
"arts_70"
],
"tags": [
"arts_3388",
"arts_2767",
"arts_3247",
"arts_746",
"arts_3837",
"arts_12987",
"arts_6062",
"arts_7085"
],
"featImg": "arts_13870633",
"label": "arts"
},
"arts_13869877": {
"type": "posts",
"id": "arts_13869877",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13869877",
"score": null,
"sort": [
1573768823000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1573768823,
"format": "standard",
"title": "'From Book to Script to Screen,' Reese Witherspoon is Making Roles For Women",
"headTitle": "‘From Book to Script to Screen,’ Reese Witherspoon is Making Roles For Women | KQED",
"content": "\u003cp>Actor Reese Witherspoon became famous in her 20s after starring in films like \u003cem>Election \u003c/em>and \u003cem>Legally Blonde\u003c/em>, but by the time she entered her 30s, the film landscape had shifted. DVD sales had shrunk and smaller, female-centered movies were in short supply. It was nearly impossible to find good leading roles for women.\u003c/p>\n\u003cp>Witherspoon began asking different movie studios what projects they were developing for women. “With the exclusion of one studio, everybody said ‘Nothing. Nothing with a female lead,’ ” she says.\u003c/p>\n\u003cp>So Witherspoon decided to start a production company and began adapting books with complex female characters into films and TV shows. The idea was to create better parts for women—and to help female authors get their stories sold.\u003c/p>\n\u003cp>Witherspoon’s company spearheaded the adaptation of \u003ca href=\"https://www.npr.org/2014/09/30/352688538/gone-girl-a-missing-wife-and-a-cloud-of-suspicion\">\u003cem>Gone Girl\u003c/em>\u003c/a>\u003cem>, \u003c/em>\u003ca href=\"https://www.npr.org/2014/12/05/367996411/a-wild-trek-made-a-bit-too-neatly\">\u003cem>Wild \u003c/em>\u003c/a>and \u003ca href=\"https://www.npr.org/2019/06/06/730275468/with-1-huge-lie-revealed-big-little-lies-season-2-takes-a-slow-burn-strategy\">\u003cem>Big Little Lies\u003c/em>\u003c/a>\u003cem>, \u003c/em>among other titles. Looking back, Witherspoon describes her shift into producing as “betting on myself.”\u003c/p>\n\u003cp>“I know what to do,” she says. “I know every producer in Hollywood. I know how to get a movie from book to script to screen, and I know how to market it.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Now Witherspoon’s current company, Hello Sunshine, is bringing a new project to screen. She’s an executive producer and co-star of the Apple TV+ series, \u003ca href=\"https://www.npr.org/2019/10/31/774850935/tv-review-the-morning-show-from-apple-tv\">\u003cem>The Morning Show\u003c/em>\u003c/a>\u003cem>, \u003c/em>which centers on a morning news show that’s shaken up when its male anchor is fired after being accused of sexual misconduct.\u003c/p>\n\u003cp>Witherspoon acknowledges certain parallels between the misconduct portrayed in the series and the allegations against real-life TV hosts \u003ca href=\"https://www.npr.org/2019/10/09/768527936/matt-lauer-accused-of-rape-in-new-book-former-nbc-star-denies-false-stories\">Matt Lauer\u003c/a>, \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/04/19/524736631/bill-oreilly-is-out-at-fox-news\">Bill O’Reilly\u003c/a> and \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/11/20/565542031/charlie-rose-is-accused-of-sexual-harassment-by-eight-women\">Charlie Rose.\u003c/a>\u003c/p>\n\u003cp>“We thought it would have been remiss if we didn’t address [those issues] in our show,” she says. “Sometimes the world is so crazy, TV shows and movies are a great way to try and understand where we’re at.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=eA7D4_qU9jo\u003c/p>\n\u003chr>\n\u003ch3>\u003cstrong>Interview highlights \u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>On the \u003c/strong>\u003ca href=\"https://www.npr.org/tags/570698249/-metoo\">\u003cstrong>#MeToo\u003c/strong>\u003c/a>\u003cstrong> movement, and being shocked to learn of the extent of sexual misconduct in Hollywood\u003c/strong>\u003c/p>\n\u003cp>I didn’t have any idea what other people’s experiences were. I’d only had my own experiences, and I definitely dealt with harassment. And I had dealt with that privately and in my own way with my family when I was young, when I was really young and starting in the business. I didn’t have any understanding of the widespread abuse that women were experiencing—and not just women, many, many people were experiencing.\u003c/p>\n\u003cp>It really took that moment in time for all of us to start talking. Because you have to remember, as an actress for hire, usually I was the only woman on a set for, I would say, the majority of my 30-year career. I’ve been the only woman in a cast or one of a handful of women in a crew or a cast. So when all of that started happening, women started to gather and really start talking to each other and sharing stories. And I have to say, I was blown away. I did not know the kind of experiences that people were having. And I was in shock. I think a lot of us were in shock. …\u003c/p>\n\u003cp>I’m enormously grateful to the women who spoke up about their experiences and really opened our hearts and our minds and our eyes to what was happening with such regularity, and the journalists who worked so hard to break these stories, despite whatever corporate interference they were having. I’m just enormously grateful to \u003ca href=\"https://www.npr.org/2019/10/15/770249717/ronan-farrow-catch-and-kill-tactics-protected-both-weinstein-and-trump\">Ronan \u003c/a>[Farrow] and \u003ca href=\"https://www.npr.org/2019/09/10/759384251/she-said-reveals-the-people-and-practices-that-protected-weinstein\">Jodi \u003c/a>\u003ca href=\"https://www.npr.org/2019/09/10/759384251/she-said-reveals-the-people-and-practices-that-protected-weinstein\">[Kantor]\u003c/a> \u003ca href=\"https://www.npr.org/2019/09/10/759384251/she-said-reveals-the-people-and-practices-that-protected-weinstein\">and Megan\u003c/a>\u003ca href=\"https://www.npr.org/2019/09/10/759384251/she-said-reveals-the-people-and-practices-that-protected-weinstein\"> [Twohey]\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>On figuring out how and when she wants to share her own experiences with sexual harassment and assault\u003c/strong>\u003c/p>\n\u003cp>I haven’t ever really spoken about it. I’ve been asked about it a lot, which really brings up a lot of questions for me about how do you decide when you want to talk about it, how you want to talk about it? … This is just me, my personal experience. How can I use that not to garner sympathy but to actually promote change and highlight industry standards that are not good enough?\u003c/p>\n\u003cp>It was very powerful to me to share my story with a like-minded group of women with the Time’s Up movement. We talked about ways that we could really encourage change. How could we raise money for women in other industries so that they would have legal help?\u003c/p>\n\u003cp>I had specific experiences and I dealt with them with a therapist. It’s been ongoing, honestly. The whole thing brought up a lot of feelings for me, and it was a really emotional experience that I don’t feel resolved about, and I think I will probably talk about it, but right now I don’t have all the right words.\u003c/p>\n\u003cp>\u003cstrong>On why her mid-30s were a turning point in her career \u003c/strong>\u003c/p>\n\u003cp>People always say, “After you won the Oscar, did your whole career change?” There wasn’t suddenly this huge influx of scripts. … There’s not a secret safe they’re keeping the great scripts and they unlock you when you win awards! I was lucky to do a couple of great movies in my 30s, but not a lot. …\u003c/p>\n\u003cp>\u003cem>Wild \u003c/em>was a big deal for me, because first of all, I love \u003ca href=\"https://www.npr.org/2013/09/08/219754257/the-wild-story-of-cheryl-strayed-and-her-long-lost-half-sister\">Cheryl Strayed\u003c/a>‘s writing, her memoir’s beautiful, but it’s also woman vs. nature, which I had never really seen on film. And so many women are so deeply connected to nature, yet it’s not something we’ve explored. We’ve seen every iteration of a man vs. a bear, vs. the Wild West, on hiking adventures, but I haven’t seen a lot of a woman alone on film as well, and what is that singular journey for a woman to find herself alone in the wilderness?\u003c/p>\n\u003cp>\u003cstrong>On singing for her role as \u003c/strong>\u003ca href=\"https://freshairarchive.org/segments/jumping-through-ring-fire\">\u003cstrong>June Carter Cash\u003c/strong>\u003c/a>\u003cstrong> in \u003c/strong>\u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=5015873\">\u003cstrong>\u003cem>Walk the Line \u003c/em>\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>When I was a little girl, I wanted to be a country music singer. So I trained for probably 5, 6 years with vocal coaches. I grew up in Nashville, Tenn., so I grew up with a lot of country music singers and their kids and was just immersed … I wanted to be just like \u003ca href=\"https://www.npr.org/2018/12/09/673738768/dream-it-on-through-dolly-parton-on-her-new-album-inspiring-young-people-and-mor\">Dolly Parton\u003c/a> when I was little. I wanted to write and I wanted to sing my own songs, and I took piano lessons and I took singing lessons.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=cmpkP-P5sbM\u003c/p>\n\u003cp>When I was about 13, I went and I started studying Broadway at camps in upstate New York and they would have all these experts come in. … They had an acting expert, a dance expert and a singing expert, and the singing coach said, “You really should not put a lot of energy into your singing career.” So I got intimidated and they said, “But your acting is great and you should really pursue that.” So that’s when I kind of tacked left, when I was 13, and started working on acting and concentrating.\u003c/p>\n\u003cp>So when this opportunity came up to play June Carter, I was terrified and I’d been told I wasn’t any good. So I worked for five months with coach Roger Love and with the producer \u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=122526723\">T-Bone Burnett\u003c/a> to cut the tracks before we ever walked on set. We recorded all the music so that we could blend live tracks and recorded tracks together. But then we had to actually go and shoot the movie and I had to sing in front of audiences of hundreds of people with \u003ca href=\"https://www.npr.org/2014/01/21/264524233/phoenix-to-self-why-am-i-talking-about-this-joaquin-shut-up\">Joaquin Phoenix \u003c/a>onstage with a band, and it was terrifying—terrifying, but thrilling.\u003c/p>\n\u003cp>\u003cstrong>On loving acting \u003c/strong>\u003c/p>\n\u003cp>It’s my number one passion. … I talk a lot about producing … but every day I’m on set feels like such an enormous privilege to be a storyteller in this world. And I started as a little girl, as a storyteller, and I will be a storyteller ’till the day I die. I just love it. It’s my favorite thing to do at dinner parties, too, so invite me over, Terry … I just love spinning a story. It’s really what I was born to do.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Ann Marie Baldonado and Seth Kelley produced and edited the audio of this interview. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the Web.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27From+Book+To+Script+To+Screen%2C%27+Reese+Witherspoon+Is+Making+Roles+For+Women&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1477,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 28
},
"modified": 1705021821,
"excerpt": "Frustrated by the lack of leading roles for female actors, Witherspoon decided to start her own production company. Her new project, 'The Morning Show,' takes on sexual harassment in the news industry.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Frustrated by the lack of leading roles for female actors, Witherspoon decided to start her own production company. Her new project, 'The Morning Show,' takes on sexual harassment in the news industry.",
"title": "'From Book to Script to Screen,' Reese Witherspoon is Making Roles For Women | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "'From Book to Script to Screen,' Reese Witherspoon is Making Roles For Women",
"datePublished": "2019-11-14T14:00:23-08:00",
"dateModified": "2024-01-11T17:10:21-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "from-book-to-script-to-screen-reese-witherspoon-is-making-roles-for-women",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=778863995&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Thu, 14 Nov 2019 11:56:29 -0500",
"nprLastModifiedDate": "Thu, 14 Nov 2019 11:57:43 -0500",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/2019/11/14/778863995/from-book-to-script-to-screen-reese-witherspoon-is-making-roles-for-women?ft=nprml&f=778863995",
"nprAudio": "https://ondemand.npr.org/anon.npr-mp3/npr/fa/2019/11/20191114_fa_01.mp3?orgId=427869011&topicId=1138&d=2533&p=13&story=778863995&ft=nprml&f=778863995",
"nprImageAgency": "Getty Images for Turner Image",
"nprAudioM3u": "http://api.npr.org/m3u/1779374393-85a0e0.m3u?orgId=427869011&topicId=1138&d=2533&p=13&story=778863995&ft=nprml&f=778863995",
"nprStoryId": "778863995",
"nprByline": "Terry Gross",
"sticky": false,
"audioTrackLength": 2534,
"nprImageCredit": "Emma McIntyre",
"nprRetrievedStory": "1",
"nprPubDate": "Thu, 14 Nov 2019 13:30:00 -0500",
"path": "/arts/13869877/from-book-to-script-to-screen-reese-witherspoon-is-making-roles-for-women",
"audioUrl": "https://ondemand.npr.org/anon.npr-mp3/npr/fa/2019/11/20191114_fa_01.mp3?orgId=427869011&topicId=1138&d=2533&p=13&story=778863995&ft=nprml&f=778863995",
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Actor Reese Witherspoon became famous in her 20s after starring in films like \u003cem>Election \u003c/em>and \u003cem>Legally Blonde\u003c/em>, but by the time she entered her 30s, the film landscape had shifted. DVD sales had shrunk and smaller, female-centered movies were in short supply. It was nearly impossible to find good leading roles for women.\u003c/p>\n\u003cp>Witherspoon began asking different movie studios what projects they were developing for women. “With the exclusion of one studio, everybody said ‘Nothing. Nothing with a female lead,’ ” she says.\u003c/p>\n\u003cp>So Witherspoon decided to start a production company and began adapting books with complex female characters into films and TV shows. The idea was to create better parts for women—and to help female authors get their stories sold.\u003c/p>\n\u003cp>Witherspoon’s company spearheaded the adaptation of \u003ca href=\"https://www.npr.org/2014/09/30/352688538/gone-girl-a-missing-wife-and-a-cloud-of-suspicion\">\u003cem>Gone Girl\u003c/em>\u003c/a>\u003cem>, \u003c/em>\u003ca href=\"https://www.npr.org/2014/12/05/367996411/a-wild-trek-made-a-bit-too-neatly\">\u003cem>Wild \u003c/em>\u003c/a>and \u003ca href=\"https://www.npr.org/2019/06/06/730275468/with-1-huge-lie-revealed-big-little-lies-season-2-takes-a-slow-burn-strategy\">\u003cem>Big Little Lies\u003c/em>\u003c/a>\u003cem>, \u003c/em>among other titles. Looking back, Witherspoon describes her shift into producing as “betting on myself.”\u003c/p>\n\u003cp>“I know what to do,” she says. “I know every producer in Hollywood. I know how to get a movie from book to script to screen, and I know how to market it.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Now Witherspoon’s current company, Hello Sunshine, is bringing a new project to screen. She’s an executive producer and co-star of the Apple TV+ series, \u003ca href=\"https://www.npr.org/2019/10/31/774850935/tv-review-the-morning-show-from-apple-tv\">\u003cem>The Morning Show\u003c/em>\u003c/a>\u003cem>, \u003c/em>which centers on a morning news show that’s shaken up when its male anchor is fired after being accused of sexual misconduct.\u003c/p>\n\u003cp>Witherspoon acknowledges certain parallels between the misconduct portrayed in the series and the allegations against real-life TV hosts \u003ca href=\"https://www.npr.org/2019/10/09/768527936/matt-lauer-accused-of-rape-in-new-book-former-nbc-star-denies-false-stories\">Matt Lauer\u003c/a>, \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/04/19/524736631/bill-oreilly-is-out-at-fox-news\">Bill O’Reilly\u003c/a> and \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/11/20/565542031/charlie-rose-is-accused-of-sexual-harassment-by-eight-women\">Charlie Rose.\u003c/a>\u003c/p>\n\u003cp>“We thought it would have been remiss if we didn’t address [those issues] in our show,” she says. “Sometimes the world is so crazy, TV shows and movies are a great way to try and understand where we’re at.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/eA7D4_qU9jo'\n title='//www.youtube.com/embed/eA7D4_qU9jo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003chr>\n\u003ch3>\u003cstrong>Interview highlights \u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>On the \u003c/strong>\u003ca href=\"https://www.npr.org/tags/570698249/-metoo\">\u003cstrong>#MeToo\u003c/strong>\u003c/a>\u003cstrong> movement, and being shocked to learn of the extent of sexual misconduct in Hollywood\u003c/strong>\u003c/p>\n\u003cp>I didn’t have any idea what other people’s experiences were. I’d only had my own experiences, and I definitely dealt with harassment. And I had dealt with that privately and in my own way with my family when I was young, when I was really young and starting in the business. I didn’t have any understanding of the widespread abuse that women were experiencing—and not just women, many, many people were experiencing.\u003c/p>\n\u003cp>It really took that moment in time for all of us to start talking. Because you have to remember, as an actress for hire, usually I was the only woman on a set for, I would say, the majority of my 30-year career. I’ve been the only woman in a cast or one of a handful of women in a crew or a cast. So when all of that started happening, women started to gather and really start talking to each other and sharing stories. And I have to say, I was blown away. I did not know the kind of experiences that people were having. And I was in shock. I think a lot of us were in shock. …\u003c/p>\n\u003cp>I’m enormously grateful to the women who spoke up about their experiences and really opened our hearts and our minds and our eyes to what was happening with such regularity, and the journalists who worked so hard to break these stories, despite whatever corporate interference they were having. I’m just enormously grateful to \u003ca href=\"https://www.npr.org/2019/10/15/770249717/ronan-farrow-catch-and-kill-tactics-protected-both-weinstein-and-trump\">Ronan \u003c/a>[Farrow] and \u003ca href=\"https://www.npr.org/2019/09/10/759384251/she-said-reveals-the-people-and-practices-that-protected-weinstein\">Jodi \u003c/a>\u003ca href=\"https://www.npr.org/2019/09/10/759384251/she-said-reveals-the-people-and-practices-that-protected-weinstein\">[Kantor]\u003c/a> \u003ca href=\"https://www.npr.org/2019/09/10/759384251/she-said-reveals-the-people-and-practices-that-protected-weinstein\">and Megan\u003c/a>\u003ca href=\"https://www.npr.org/2019/09/10/759384251/she-said-reveals-the-people-and-practices-that-protected-weinstein\"> [Twohey]\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>On figuring out how and when she wants to share her own experiences with sexual harassment and assault\u003c/strong>\u003c/p>\n\u003cp>I haven’t ever really spoken about it. I’ve been asked about it a lot, which really brings up a lot of questions for me about how do you decide when you want to talk about it, how you want to talk about it? … This is just me, my personal experience. How can I use that not to garner sympathy but to actually promote change and highlight industry standards that are not good enough?\u003c/p>\n\u003cp>It was very powerful to me to share my story with a like-minded group of women with the Time’s Up movement. We talked about ways that we could really encourage change. How could we raise money for women in other industries so that they would have legal help?\u003c/p>\n\u003cp>I had specific experiences and I dealt with them with a therapist. It’s been ongoing, honestly. The whole thing brought up a lot of feelings for me, and it was a really emotional experience that I don’t feel resolved about, and I think I will probably talk about it, but right now I don’t have all the right words.\u003c/p>\n\u003cp>\u003cstrong>On why her mid-30s were a turning point in her career \u003c/strong>\u003c/p>\n\u003cp>People always say, “After you won the Oscar, did your whole career change?” There wasn’t suddenly this huge influx of scripts. … There’s not a secret safe they’re keeping the great scripts and they unlock you when you win awards! I was lucky to do a couple of great movies in my 30s, but not a lot. …\u003c/p>\n\u003cp>\u003cem>Wild \u003c/em>was a big deal for me, because first of all, I love \u003ca href=\"https://www.npr.org/2013/09/08/219754257/the-wild-story-of-cheryl-strayed-and-her-long-lost-half-sister\">Cheryl Strayed\u003c/a>‘s writing, her memoir’s beautiful, but it’s also woman vs. nature, which I had never really seen on film. And so many women are so deeply connected to nature, yet it’s not something we’ve explored. We’ve seen every iteration of a man vs. a bear, vs. the Wild West, on hiking adventures, but I haven’t seen a lot of a woman alone on film as well, and what is that singular journey for a woman to find herself alone in the wilderness?\u003c/p>\n\u003cp>\u003cstrong>On singing for her role as \u003c/strong>\u003ca href=\"https://freshairarchive.org/segments/jumping-through-ring-fire\">\u003cstrong>June Carter Cash\u003c/strong>\u003c/a>\u003cstrong> in \u003c/strong>\u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=5015873\">\u003cstrong>\u003cem>Walk the Line \u003c/em>\u003c/strong>\u003c/a>\u003c/p>\n\u003cp>When I was a little girl, I wanted to be a country music singer. So I trained for probably 5, 6 years with vocal coaches. I grew up in Nashville, Tenn., so I grew up with a lot of country music singers and their kids and was just immersed … I wanted to be just like \u003ca href=\"https://www.npr.org/2018/12/09/673738768/dream-it-on-through-dolly-parton-on-her-new-album-inspiring-young-people-and-mor\">Dolly Parton\u003c/a> when I was little. I wanted to write and I wanted to sing my own songs, and I took piano lessons and I took singing lessons.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/cmpkP-P5sbM'\n title='//www.youtube.com/embed/cmpkP-P5sbM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>When I was about 13, I went and I started studying Broadway at camps in upstate New York and they would have all these experts come in. … They had an acting expert, a dance expert and a singing expert, and the singing coach said, “You really should not put a lot of energy into your singing career.” So I got intimidated and they said, “But your acting is great and you should really pursue that.” So that’s when I kind of tacked left, when I was 13, and started working on acting and concentrating.\u003c/p>\n\u003cp>So when this opportunity came up to play June Carter, I was terrified and I’d been told I wasn’t any good. So I worked for five months with coach Roger Love and with the producer \u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=122526723\">T-Bone Burnett\u003c/a> to cut the tracks before we ever walked on set. We recorded all the music so that we could blend live tracks and recorded tracks together. But then we had to actually go and shoot the movie and I had to sing in front of audiences of hundreds of people with \u003ca href=\"https://www.npr.org/2014/01/21/264524233/phoenix-to-self-why-am-i-talking-about-this-joaquin-shut-up\">Joaquin Phoenix \u003c/a>onstage with a band, and it was terrifying—terrifying, but thrilling.\u003c/p>\n\u003cp>\u003cstrong>On loving acting \u003c/strong>\u003c/p>\n\u003cp>It’s my number one passion. … I talk a lot about producing … but every day I’m on set feels like such an enormous privilege to be a storyteller in this world. And I started as a little girl, as a storyteller, and I will be a storyteller ’till the day I die. I just love it. It’s my favorite thing to do at dinner parties, too, so invite me over, Terry … I just love spinning a story. It’s really what I was born to do.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Ann Marie Baldonado and Seth Kelley produced and edited the audio of this interview. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the Web.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27From+Book+To+Script+To+Screen%2C%27+Reese+Witherspoon+Is+Making+Roles+For+Women&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13869877/from-book-to-script-to-screen-reese-witherspoon-is-making-roles-for-women",
"authors": [
"byline_arts_13869877"
],
"categories": [
"arts_74",
"arts_75",
"arts_990"
],
"tags": [
"arts_2798",
"arts_9222",
"arts_11323",
"arts_1962",
"arts_5676"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13869881",
"label": "arts_137"
},
"arts_13868706": {
"type": "posts",
"id": "arts_13868706",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13868706",
"score": null,
"sort": [
1573602318000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1573602318,
"format": "standard",
"title": "With New Book, 'The Hard Times' Expands Its Punk Satire Empire",
"headTitle": "With New Book, ‘The Hard Times’ Expands Its Punk Satire Empire | KQED",
"content": "\u003cp>In 2016, Matt Saincome left a reputable job as \u003cem>SF Weekly\u003c/em>‘s music editor to launch a website rooted in a decidedly niche concept: what would happen if punk rock had its own version of \u003cem>The Onion\u003c/em>? At first, \u003ca href=\"https://thehardtimes.net/\" target=\"_blank\" rel=\"noopener\">\u003cem>The Hard Times\u003c/em>\u003c/a> seemed like an obscure endeavor. But over the past three years, the satire site has gone on to garner a global audience, expand into \u003ca href=\"https://thehardtimes.net/live-events/\" target=\"_blank\" rel=\"noopener\">live events\u003c/a> and \u003ca href=\"https://thehardtimes.net/podcasts/\" target=\"_blank\" rel=\"noopener\">a podcast\u003c/a> and earn praise from \u003cem>The Onion \u003c/em>itself.\u003c/p>\n\u003cp>What makes \u003cem>The Hard Times\u003c/em> so successful is its combination of satirical stories that get into the nitty-gritty of punk politics, and spoofs of news stories with wide appeal. The website’s most popular article of all time, for example, is titled: “\u003ca href=\"https://thehardtimes.net/blog/didnt-vaccinate-kids-one-lived-turned-fine/\" target=\"_blank\" rel=\"noopener\">I Didn’t Vaccinate My Kids and the One Who Lived Turned Out Fine\u003c/a>.”\u003c/p>\n\u003cp>In the midst of a tour in support of hilarious new book \u003ca href=\"https://thehardtimes.net/book/\" target=\"_blank\" rel=\"noopener\">\u003cem>The Hard Times: The First 40 Years\u003c/em>\u003c/a>, KQED Arts caught up with Matt Saincome—who was born and raised in the East Bay town of Danville—to talk Bay Area punk, creating a business out of thin air and the sheer volume of people who still think \u003cem>Hard Times\u003c/em> stories are real.\u003c/p>\n\u003cp>\u003cstrong>What inspired you to start \u003cem>The Hard Times\u003c/em> in the first place? \u003c/strong>\u003c/p>\n\u003cp>I already had a punk comedy zine called \u003cem>Punks! Punks! Punks!\u003c/em> and I went to journalism school and learned some news writing skills. My friends told me to look up \u003cem>The Onion \u003c/em>and I fell in love with it, but \u003cem>The Onion\u003c/em>‘s everyman had a wife, a couple kids and a job. I wanted to create a satire magazine for people who had a band, shitty roommates and depression. That was the life my friends and I were living, and there was no satire outlet representing that culture.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>How did growing up in the Bay influence all this?\u003c/strong>\u003c/p>\n\u003cp>I grew up on [bands like] Rancid, Operation Ivy and Monster Squad and spent a lot of my formative years going to—and being banned from—\u003ca href=\"http://www.924gilman.org/\" target=\"_blank\" rel=\"noopener\">924 Gilman\u003c/a>. The Bay Area has a rich history of punks who take themselves far too seriously, so that was just too tempting to start poking fun at. Anyone who has been an active member of the DIY punk scene for over five years, but still can’t spot the toxic ideologies and hypocritical scene leaders, shouldn’t be allowed to operate a motor vehicle.\u003c/p>\n\u003cfigure id=\"attachment_13868734\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13868734\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.07.42-PM-800x546.png\" alt=\"https://thehardtimes.net/\" width=\"800\" height=\"546\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.07.42-PM-800x546.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.07.42-PM-160x109.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.07.42-PM-768x524.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.07.42-PM.png 973w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">https://thehardtimes.net/\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Ever since “\u003ca href=\"https://thehardtimes.net/blog/fun-date-night-ideas-youll-never-experience-date-musicians/\" target=\"_blank\" rel=\"noopener\">Fun Date Night Ideas You’ll Never Experience Because You Date Band Dudes\u003c/a>” came out, it’s been a staple on my social media feed. It resonates with so many people I know. \u003c/strong>\u003c/p>\n\u003cp>Oh, dude. One time we booked a band and they were rude to our booker all night. Eventually, they even started flipping him off. He walked up to them and said, “Guys, is something wrong? We did our best to promote the show.” And they explained that before they left for tour, all of their girlfriends saw that article, shared it in a group chat, and now they were all in unison upset with the band. It was causing a bunch of fights, so they were pissed at us.\u003c/p>\n\u003cp>\u003cstrong>Is that the funniest response you’ve ever had to a \u003cem>Hard Times\u003c/em> piece?\u003c/strong>\u003c/p>\n\u003cp>The funniest was probably \u003ca href=\"https://twitter.com/MattSaincome/status/1175972367903805440/photo/1\" target=\"_blank\" rel=\"noopener\">this letter\u003c/a> I received from [residential and commercial flooring publication] \u003cem>Floor Trends\u003c/em> magazine threatening legal action if I didn’t take \u003ca href=\"https://thehardtimes.net/music/nofxs-linoleum-wins-25th-consecutive-song-of-the-year-award-from-floor-trends-magazine/\" target=\"_blank\" rel=\"noopener\">this\u003c/a> down:\u003c/p>\n\u003cfigure id=\"attachment_13868735\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13868735\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.12.33-PM-800x536.png\" alt=\"https://thehardtimes.net/\" width=\"800\" height=\"536\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.12.33-PM-800x536.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.12.33-PM-160x107.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.12.33-PM-768x515.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.12.33-PM.png 980w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">https://thehardtimes.net/\u003c/figcaption>\u003c/figure>\n\u003cp>[The letter reads in part: “This is a serious matter and we trust we will have your immediate attention. Please contact me no later than Monday to confirm the article, any related images and all references to \u003cem>Floor Trends\u003c/em> on your website, social media accounts or any other media you have control over, have been removed.” Saincome replied succinctly with a: “Go f–k yourself.”]\u003c/p>\n\u003cp>\u003cstrong>Do bands ever get that annoyed with you? \u003c/strong>\u003c/p>\n\u003cp>A few, but 99% are positive. People are thrilled to be on \u003cem>Hard Times\u003c/em>. I’ve seen huge musicians tweet excitedly that they’ve “made it” when they finally get a \u003cem>Hard Times\u003c/em> article. Even when it’s negative, they celebrate. It’s great to see. Alien Ant Farm was pissed though!\u003c/p>\n\u003cfigure id=\"attachment_13868736\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13868736\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.26.15-PM-800x537.png\" alt=\"The offending Alien Ant Farm story.\" width=\"800\" height=\"537\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.26.15-PM-800x537.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.26.15-PM-160x107.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.26.15-PM-768x515.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.26.15-PM.png 976w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The offending Alien Ant Farm story. \u003ccite>(https://thehardtimes.net/)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>How often do people think \u003cem>Hard Times\u003c/em> articles are real?\u003c/strong>\u003c/p>\n\u003cp>Every. Single. Day.\u003c/p>\n\u003cp>\u003cstrong>If you had any advice to people wanting to create a brand from scratch, what would it be?\u003c/strong>\u003c/p>\n\u003cp>Every founder story is bullshit. It’s probably 45% timing and luck, 45% environmental class privilege stuff that makes you less risk averse, and only 10% all that visionary hustle porn stuff you see in TV and movies. Sometimes that 10% can win out, but I had the 90% advantage. I think sometimes people see founders and assume that the thing they saw on Instagram about waking up at 4am and reading 10 books a day must be real. It’s not.\u003c/p>\n\u003cp>\u003cstrong>You’re \u003ca href=\"https://en.wikipedia.org/wiki/Straight_edge\" target=\"_blank\" rel=\"noopener\">straight edge\u003c/a>. There’s an old stereotype that says straight edgers don’t have a sense of humor. Is all of this an elaborate ploy to prove the world wrong?\u003c/strong>\u003c/p>\n\u003cp>It’s actually a long con for me to collect the IP addresses of suspected future edge breakers so I can get my straight edge revenge.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>New book,\u003c/em> The Hard Times: The First 40 Years \u003cem>is out now.\u003c/em>\u003cem> Matt Saincome and website co-founder Bill Conway will be appearing at \u003ca href=\"https://www.facebook.com/events/542681669820794/\" target=\"_blank\" rel=\"noopener\">Green Apple Books on the Park\u003c/a>, San Francisco, on Wednesday, Nov. 13.\u003c/em>\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 970,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 23
},
"modified": 1705021832,
"excerpt": "Matt Saincome's seemingly niche publication has grown to resonate with disaffected members of DIY scenes worldwide. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Matt Saincome's seemingly niche publication has grown to resonate with disaffected members of DIY scenes worldwide. ",
"title": "With New Book, 'The Hard Times' Expands Its Punk Satire Empire | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "With New Book, 'The Hard Times' Expands Its Punk Satire Empire",
"datePublished": "2019-11-12T15:45:18-08:00",
"dateModified": "2024-01-11T17:10:32-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "with-new-book-the-hard-times-expands-its-punk-satire-empire",
"status": "publish",
"templateType": "standard",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13868706/with-new-book-the-hard-times-expands-its-punk-satire-empire",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In 2016, Matt Saincome left a reputable job as \u003cem>SF Weekly\u003c/em>‘s music editor to launch a website rooted in a decidedly niche concept: what would happen if punk rock had its own version of \u003cem>The Onion\u003c/em>? At first, \u003ca href=\"https://thehardtimes.net/\" target=\"_blank\" rel=\"noopener\">\u003cem>The Hard Times\u003c/em>\u003c/a> seemed like an obscure endeavor. But over the past three years, the satire site has gone on to garner a global audience, expand into \u003ca href=\"https://thehardtimes.net/live-events/\" target=\"_blank\" rel=\"noopener\">live events\u003c/a> and \u003ca href=\"https://thehardtimes.net/podcasts/\" target=\"_blank\" rel=\"noopener\">a podcast\u003c/a> and earn praise from \u003cem>The Onion \u003c/em>itself.\u003c/p>\n\u003cp>What makes \u003cem>The Hard Times\u003c/em> so successful is its combination of satirical stories that get into the nitty-gritty of punk politics, and spoofs of news stories with wide appeal. The website’s most popular article of all time, for example, is titled: “\u003ca href=\"https://thehardtimes.net/blog/didnt-vaccinate-kids-one-lived-turned-fine/\" target=\"_blank\" rel=\"noopener\">I Didn’t Vaccinate My Kids and the One Who Lived Turned Out Fine\u003c/a>.”\u003c/p>\n\u003cp>In the midst of a tour in support of hilarious new book \u003ca href=\"https://thehardtimes.net/book/\" target=\"_blank\" rel=\"noopener\">\u003cem>The Hard Times: The First 40 Years\u003c/em>\u003c/a>, KQED Arts caught up with Matt Saincome—who was born and raised in the East Bay town of Danville—to talk Bay Area punk, creating a business out of thin air and the sheer volume of people who still think \u003cem>Hard Times\u003c/em> stories are real.\u003c/p>\n\u003cp>\u003cstrong>What inspired you to start \u003cem>The Hard Times\u003c/em> in the first place? \u003c/strong>\u003c/p>\n\u003cp>I already had a punk comedy zine called \u003cem>Punks! Punks! Punks!\u003c/em> and I went to journalism school and learned some news writing skills. My friends told me to look up \u003cem>The Onion \u003c/em>and I fell in love with it, but \u003cem>The Onion\u003c/em>‘s everyman had a wife, a couple kids and a job. I wanted to create a satire magazine for people who had a band, shitty roommates and depression. That was the life my friends and I were living, and there was no satire outlet representing that culture.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>How did growing up in the Bay influence all this?\u003c/strong>\u003c/p>\n\u003cp>I grew up on [bands like] Rancid, Operation Ivy and Monster Squad and spent a lot of my formative years going to—and being banned from—\u003ca href=\"http://www.924gilman.org/\" target=\"_blank\" rel=\"noopener\">924 Gilman\u003c/a>. The Bay Area has a rich history of punks who take themselves far too seriously, so that was just too tempting to start poking fun at. Anyone who has been an active member of the DIY punk scene for over five years, but still can’t spot the toxic ideologies and hypocritical scene leaders, shouldn’t be allowed to operate a motor vehicle.\u003c/p>\n\u003cfigure id=\"attachment_13868734\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13868734\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.07.42-PM-800x546.png\" alt=\"https://thehardtimes.net/\" width=\"800\" height=\"546\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.07.42-PM-800x546.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.07.42-PM-160x109.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.07.42-PM-768x524.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.07.42-PM.png 973w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">https://thehardtimes.net/\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Ever since “\u003ca href=\"https://thehardtimes.net/blog/fun-date-night-ideas-youll-never-experience-date-musicians/\" target=\"_blank\" rel=\"noopener\">Fun Date Night Ideas You’ll Never Experience Because You Date Band Dudes\u003c/a>” came out, it’s been a staple on my social media feed. It resonates with so many people I know. \u003c/strong>\u003c/p>\n\u003cp>Oh, dude. One time we booked a band and they were rude to our booker all night. Eventually, they even started flipping him off. He walked up to them and said, “Guys, is something wrong? We did our best to promote the show.” And they explained that before they left for tour, all of their girlfriends saw that article, shared it in a group chat, and now they were all in unison upset with the band. It was causing a bunch of fights, so they were pissed at us.\u003c/p>\n\u003cp>\u003cstrong>Is that the funniest response you’ve ever had to a \u003cem>Hard Times\u003c/em> piece?\u003c/strong>\u003c/p>\n\u003cp>The funniest was probably \u003ca href=\"https://twitter.com/MattSaincome/status/1175972367903805440/photo/1\" target=\"_blank\" rel=\"noopener\">this letter\u003c/a> I received from [residential and commercial flooring publication] \u003cem>Floor Trends\u003c/em> magazine threatening legal action if I didn’t take \u003ca href=\"https://thehardtimes.net/music/nofxs-linoleum-wins-25th-consecutive-song-of-the-year-award-from-floor-trends-magazine/\" target=\"_blank\" rel=\"noopener\">this\u003c/a> down:\u003c/p>\n\u003cfigure id=\"attachment_13868735\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13868735\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.12.33-PM-800x536.png\" alt=\"https://thehardtimes.net/\" width=\"800\" height=\"536\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.12.33-PM-800x536.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.12.33-PM-160x107.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.12.33-PM-768x515.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.12.33-PM.png 980w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">https://thehardtimes.net/\u003c/figcaption>\u003c/figure>\n\u003cp>[The letter reads in part: “This is a serious matter and we trust we will have your immediate attention. Please contact me no later than Monday to confirm the article, any related images and all references to \u003cem>Floor Trends\u003c/em> on your website, social media accounts or any other media you have control over, have been removed.” Saincome replied succinctly with a: “Go f–k yourself.”]\u003c/p>\n\u003cp>\u003cstrong>Do bands ever get that annoyed with you? \u003c/strong>\u003c/p>\n\u003cp>A few, but 99% are positive. People are thrilled to be on \u003cem>Hard Times\u003c/em>. I’ve seen huge musicians tweet excitedly that they’ve “made it” when they finally get a \u003cem>Hard Times\u003c/em> article. Even when it’s negative, they celebrate. It’s great to see. Alien Ant Farm was pissed though!\u003c/p>\n\u003cfigure id=\"attachment_13868736\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13868736\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.26.15-PM-800x537.png\" alt=\"The offending Alien Ant Farm story.\" width=\"800\" height=\"537\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.26.15-PM-800x537.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.26.15-PM-160x107.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.26.15-PM-768x515.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/Screen-Shot-2019-10-23-at-2.26.15-PM.png 976w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The offending Alien Ant Farm story. \u003ccite>(https://thehardtimes.net/)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>How often do people think \u003cem>Hard Times\u003c/em> articles are real?\u003c/strong>\u003c/p>\n\u003cp>Every. Single. Day.\u003c/p>\n\u003cp>\u003cstrong>If you had any advice to people wanting to create a brand from scratch, what would it be?\u003c/strong>\u003c/p>\n\u003cp>Every founder story is bullshit. It’s probably 45% timing and luck, 45% environmental class privilege stuff that makes you less risk averse, and only 10% all that visionary hustle porn stuff you see in TV and movies. Sometimes that 10% can win out, but I had the 90% advantage. I think sometimes people see founders and assume that the thing they saw on Instagram about waking up at 4am and reading 10 books a day must be real. It’s not.\u003c/p>\n\u003cp>\u003cstrong>You’re \u003ca href=\"https://en.wikipedia.org/wiki/Straight_edge\" target=\"_blank\" rel=\"noopener\">straight edge\u003c/a>. There’s an old stereotype that says straight edgers don’t have a sense of humor. Is all of this an elaborate ploy to prove the world wrong?\u003c/strong>\u003c/p>\n\u003cp>It’s actually a long con for me to collect the IP addresses of suspected future edge breakers so I can get my straight edge revenge.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>New book,\u003c/em> The Hard Times: The First 40 Years \u003cem>is out now.\u003c/em>\u003cem> Matt Saincome and website co-founder Bill Conway will be appearing at \u003ca href=\"https://www.facebook.com/events/542681669820794/\" target=\"_blank\" rel=\"noopener\">Green Apple Books on the Park\u003c/a>, San Francisco, on Wednesday, Nov. 13.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13868706/with-new-book-the-hard-times-expands-its-punk-satire-empire",
"authors": [
"11242"
],
"categories": [
"arts_73",
"arts_968",
"arts_69",
"arts_75"
],
"tags": [
"arts_549",
"arts_913"
],
"featImg": "arts_13869778",
"label": "arts"
},
"arts_13869710": {
"type": "posts",
"id": "arts_13869710",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13869710",
"score": null,
"sort": [
1573582334000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1573582334,
"format": "standard",
"title": "'I Found The Key': FKA Twigs Learns To Write For Her Voice On 'Magdalene'",
"headTitle": "‘I Found The Key’: FKA Twigs Learns To Write For Her Voice On ‘Magdalene’ | KQED",
"content": "\u003cp>When the genre-defying British artist FKA twigs was 26, she came out with her debut album. Originally a dancer, twigs paired her experimental, highly-produced sound with artistic choreography and sweeping visuals. At 31, she’s back with her follow-up, \u003cem>Magdalene\u003c/em>.\u003c/p>\n\u003cp>Twigs started working on the album about four years ago, and she brought all that accumulated experience to the table. From the good — starting a \u003ca href=\"https://wwd.com/eye/lifestyle/fka-twigs-pajama-sets-mysticism-11057655/\">clothing line\u003c/a> and starring in an \u003ca href=\"https://www.adweek.com/brand-marketing/spike-jonze-and-fka-twigs-made-a-jaw-dropping-short-film-for-apples-homepod/\">Apple commercial\u003c/a> — to the not so good — a health scare and a high profile relationship that ended in a breakup.\u003c/p>\n\u003cp>“The truth is I’m so grateful to have gone through such intense pain and confusion, emotionally and physically. It’s been beautiful,” she says. “During that time, I’ve really deciphered who I am and what I want.”\u003c/p>\n\u003cp>FKA twigs spoke with NPR’s Audie Cornish about producing her new album, \u003cem>Magdalene\u003c/em>, the influence of her classical training and the embracing double-standards that people set for women. Listen to the story in the audio player above, and read on for a transcript of their conversation.\u003c/p>\n\u003cp>\u003cem>This interview has been edited for length and clarity.\u003c/em>\u003c/p>\n\u003chr>\n\u003cp>\u003cstrong>Audie Cornish: Do you mind me asking about your process?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>FKA twigs:\u003c/strong> I always feel sort of strange talking about my process, because truly each time is completely different. [For “Cellophane”] I went on the mic and pretty much sang the whole thing in one take, and the vocal that’s there is the vocal I did in that hour. It wasn’t altered or anything, that’s just how it was.\u003c/p>\n\u003cp>I think on this album, although it’s taken a long time, I’d say nothing really felt unpleasurably labored to me, even if there were a lot of intricate details that I had to go back to — to refine and perfect. As maybe some songwriters and producers would agree, [sometimes] you’re just trying to so hard that you’re fixing it and breaking it, and fixing it and breaking it until you’re not sure where you are with the music. But luckily on this album, that didn’t really happen.\u003c/p>\n\u003cp>\u003cstrong>Your visual style has always been very dramatic. You’ve always had an incredible sense of style that’s reflective of punk and other influences. I was reading that, growing up, you were obsessed with ballet and operas.\u003c/strong>\u003c/p>\n\u003cp>I started studying classical ballet when I was 7 or 8-years-old, and I think that really turned me on to classical music. Then when I was about 11 or 12, I met a wonderful singing teacher called Dorothy. I would sing in Latin with her. I studied with her until I was 14 or 15.\u003c/p>\n\u003cp>\u003cstrong>I wondered how it informed your songwriting, because your songs, especially on this album, are very vulnerable. I could easily feel the influence of someone who has listened to a lot of fallen heroines; Opera made sense when I heard it. \u003c/strong>\u003c/p>\n\u003cp>It’s interesting that you say fallen heroines, because for me it’s the strongest I’ve ever sounded.\u003c/p>\n\u003cp>\u003cstrong>Really?\u003c/strong>\u003c/p>\n\u003cp>To me, when I listen to the record I really feel it all sort of came together and like “It’s going to be okay.” But that’s the interesting thing about music; I guess it’s not mine anymore. That’s the beautiful thing, it just depends what place the listener is in and what they want to take.\u003c/p>\n\u003cp>\u003cstrong>I think I also want to focus more specifically on physical pain, because you are a dancer and have been a dancer. Your performance and visuals are very physical. I know that when I went through a physical ailment, it really made me reckon with myself and my body. Given that this record is called \u003c/strong>\u003cem>\u003cstrong>Magdalene\u003c/strong>\u003c/em>\u003cstrong>, I guess I wanted to explore \u003c/strong>\u003cem>\u003cstrong>that\u003c/strong>\u003c/em>\u003cstrong> even more than the heartbreak side. \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>So the opening of the title song is the idea: “A woman’s prerogative / A woman’s time to embrace / She must put herself first.” I feel like that’s a lesson you learn when you go through something physical in particular. \u003c/strong>\u003c/p>\n\u003cp>I think, for me, it relates to the unpaid and unacknowledged emotional labor that women put into the world on a daily basis. Certainly ever since I was young, I was taught to nurture, and taught to be aware of myself socially, and aware of my emotions and [to] mother.\u003c/p>\n\u003cp>Connecting with Mary Magdalene over the past couple of years, spiritually, I started to explore the concept of the virgin-whore, which is the idea that, as a woman, you can be pure, and you can be innocent, and you can be like a fresh flower — but at the same time, you can be dangerous, and seductive, and all-knowing and healing. It’s been incredibly exciting for me to know that that’s okay and it exists and I am as much sacred as I am sensual.\u003c/p>\n\u003cp>\u003cstrong>And that there’s nothing wrong with either.\u003c/strong>\u003c/p>\n\u003cp>Yeah, that’s the whole point: You don’t have to choose. But I am both, and that is stunning.\u003c/p>\n\u003cp>\u003cstrong>I was reading in a statement that you said “Throughout my life I’ve practiced my way to being the best I could be. It didn’t work this time. I had to tear down every process I’d ever relied on. Go deeper. Rebuild. Start again.” Where are you now, in that process?\u003c/strong>\u003c/p>\n\u003cp>Right now, I’m completely back into practice mode, which is my safe place. I do acknowledge that sometimes that isn’t enough and there’s a realm beyond practice which you can’t control, and that’s what I learned in making \u003cem>Magdalene\u003c/em>.\u003c/p>\n\u003cp>\u003cem>Hiba Ahmed and Christina Cala produced and edited the audio of this interview. Cyrena Touros adapted it for the Web.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1027,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 25
},
"modified": 1705021838,
"excerpt": "On songs like \"Cellophane,\" the British artist steps out of her self-imposed cage and tests the limits of her tremendous soprano. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "On songs like "Cellophane," the British artist steps out of her self-imposed cage and tests the limits of her tremendous soprano. ",
"title": "'I Found The Key': FKA Twigs Learns To Write For Her Voice On 'Magdalene' | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "'I Found The Key': FKA Twigs Learns To Write For Her Voice On 'Magdalene'",
"datePublished": "2019-11-12T10:12:14-08:00",
"dateModified": "2024-01-11T17:10:38-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "i-found-the-key-fka-twigs-learns-to-write-for-her-voice-on-magdalene",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=776186866&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprStoryDate": "Fri, 08 Nov 2019 10:00:00 -0500",
"nprLastModifiedDate": "Fri, 08 Nov 2019 16:43:49 -0500",
"nprHtmlLink": "https://www.npr.org/2019/11/08/776186866/i-found-the-key-fka-twigs-learns-to-write-for-her-voice-on-magdalene?ft=nprml&f=776186866",
"nprAudio": "https://ondemand.npr.org/anon.npr-mp3/npr/atc/2019/11/20191108_atc_i_found_the_key_fka_twigs_learns_to_write_for_her_voice_on_magdalene.mp3?orgId=1&topicId=1105&d=481&p=2&story=776186866&ft=nprml&f=776186866",
"nprImageAgency": "Courtesy of the artist",
"nprAudioM3u": "http://api.npr.org/m3u/1777753507-aa4fe3.m3u?orgId=1&topicId=1105&d=481&p=2&story=776186866&ft=nprml&f=776186866",
"nprStoryId": "776186866",
"nprByline": "Audie Cornish, Hiba Ahmad, Christina Cala",
"sticky": false,
"audioTrackLength": 481,
"nprImageCredit": "Matthew Stone",
"nprRetrievedStory": "1",
"nprPubDate": "Fri, 08 Nov 2019 18:30:00 -0500",
"path": "/arts/13869710/i-found-the-key-fka-twigs-learns-to-write-for-her-voice-on-magdalene",
"audioUrl": "https://ondemand.npr.org/anon.npr-mp3/npr/atc/2019/11/20191108_atc_i_found_the_key_fka_twigs_learns_to_write_for_her_voice_on_magdalene.mp3?orgId=1&topicId=1105&d=481&p=2&story=776186866&ft=nprml&f=776186866",
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When the genre-defying British artist FKA twigs was 26, she came out with her debut album. Originally a dancer, twigs paired her experimental, highly-produced sound with artistic choreography and sweeping visuals. At 31, she’s back with her follow-up, \u003cem>Magdalene\u003c/em>.\u003c/p>\n\u003cp>Twigs started working on the album about four years ago, and she brought all that accumulated experience to the table. From the good — starting a \u003ca href=\"https://wwd.com/eye/lifestyle/fka-twigs-pajama-sets-mysticism-11057655/\">clothing line\u003c/a> and starring in an \u003ca href=\"https://www.adweek.com/brand-marketing/spike-jonze-and-fka-twigs-made-a-jaw-dropping-short-film-for-apples-homepod/\">Apple commercial\u003c/a> — to the not so good — a health scare and a high profile relationship that ended in a breakup.\u003c/p>\n\u003cp>“The truth is I’m so grateful to have gone through such intense pain and confusion, emotionally and physically. It’s been beautiful,” she says. “During that time, I’ve really deciphered who I am and what I want.”\u003c/p>\n\u003cp>FKA twigs spoke with NPR’s Audie Cornish about producing her new album, \u003cem>Magdalene\u003c/em>, the influence of her classical training and the embracing double-standards that people set for women. Listen to the story in the audio player above, and read on for a transcript of their conversation.\u003c/p>\n\u003cp>\u003cem>This interview has been edited for length and clarity.\u003c/em>\u003c/p>\n\u003chr>\n\u003cp>\u003cstrong>Audie Cornish: Do you mind me asking about your process?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>FKA twigs:\u003c/strong> I always feel sort of strange talking about my process, because truly each time is completely different. [For “Cellophane”] I went on the mic and pretty much sang the whole thing in one take, and the vocal that’s there is the vocal I did in that hour. It wasn’t altered or anything, that’s just how it was.\u003c/p>\n\u003cp>I think on this album, although it’s taken a long time, I’d say nothing really felt unpleasurably labored to me, even if there were a lot of intricate details that I had to go back to — to refine and perfect. As maybe some songwriters and producers would agree, [sometimes] you’re just trying to so hard that you’re fixing it and breaking it, and fixing it and breaking it until you’re not sure where you are with the music. But luckily on this album, that didn’t really happen.\u003c/p>\n\u003cp>\u003cstrong>Your visual style has always been very dramatic. You’ve always had an incredible sense of style that’s reflective of punk and other influences. I was reading that, growing up, you were obsessed with ballet and operas.\u003c/strong>\u003c/p>\n\u003cp>I started studying classical ballet when I was 7 or 8-years-old, and I think that really turned me on to classical music. Then when I was about 11 or 12, I met a wonderful singing teacher called Dorothy. I would sing in Latin with her. I studied with her until I was 14 or 15.\u003c/p>\n\u003cp>\u003cstrong>I wondered how it informed your songwriting, because your songs, especially on this album, are very vulnerable. I could easily feel the influence of someone who has listened to a lot of fallen heroines; Opera made sense when I heard it. \u003c/strong>\u003c/p>\n\u003cp>It’s interesting that you say fallen heroines, because for me it’s the strongest I’ve ever sounded.\u003c/p>\n\u003cp>\u003cstrong>Really?\u003c/strong>\u003c/p>\n\u003cp>To me, when I listen to the record I really feel it all sort of came together and like “It’s going to be okay.” But that’s the interesting thing about music; I guess it’s not mine anymore. That’s the beautiful thing, it just depends what place the listener is in and what they want to take.\u003c/p>\n\u003cp>\u003cstrong>I think I also want to focus more specifically on physical pain, because you are a dancer and have been a dancer. Your performance and visuals are very physical. I know that when I went through a physical ailment, it really made me reckon with myself and my body. Given that this record is called \u003c/strong>\u003cem>\u003cstrong>Magdalene\u003c/strong>\u003c/em>\u003cstrong>, I guess I wanted to explore \u003c/strong>\u003cem>\u003cstrong>that\u003c/strong>\u003c/em>\u003cstrong> even more than the heartbreak side. \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>So the opening of the title song is the idea: “A woman’s prerogative / A woman’s time to embrace / She must put herself first.” I feel like that’s a lesson you learn when you go through something physical in particular. \u003c/strong>\u003c/p>\n\u003cp>I think, for me, it relates to the unpaid and unacknowledged emotional labor that women put into the world on a daily basis. Certainly ever since I was young, I was taught to nurture, and taught to be aware of myself socially, and aware of my emotions and [to] mother.\u003c/p>\n\u003cp>Connecting with Mary Magdalene over the past couple of years, spiritually, I started to explore the concept of the virgin-whore, which is the idea that, as a woman, you can be pure, and you can be innocent, and you can be like a fresh flower — but at the same time, you can be dangerous, and seductive, and all-knowing and healing. It’s been incredibly exciting for me to know that that’s okay and it exists and I am as much sacred as I am sensual.\u003c/p>\n\u003cp>\u003cstrong>And that there’s nothing wrong with either.\u003c/strong>\u003c/p>\n\u003cp>Yeah, that’s the whole point: You don’t have to choose. But I am both, and that is stunning.\u003c/p>\n\u003cp>\u003cstrong>I was reading in a statement that you said “Throughout my life I’ve practiced my way to being the best I could be. It didn’t work this time. I had to tear down every process I’d ever relied on. Go deeper. Rebuild. Start again.” Where are you now, in that process?\u003c/strong>\u003c/p>\n\u003cp>Right now, I’m completely back into practice mode, which is my safe place. I do acknowledge that sometimes that isn’t enough and there’s a realm beyond practice which you can’t control, and that’s what I learned in making \u003cem>Magdalene\u003c/em>.\u003c/p>\n\u003cp>\u003cem>Hiba Ahmed and Christina Cala produced and edited the audio of this interview. Cyrena Touros adapted it for the Web.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13869710/i-found-the-key-fka-twigs-learns-to-write-for-her-voice-on-magdalene",
"authors": [
"byline_arts_13869710"
],
"categories": [
"arts_69",
"arts_75"
],
"tags": [
"arts_596"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13869713",
"label": "arts_137"
},
"arts_13869588": {
"type": "posts",
"id": "arts_13869588",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13869588",
"score": null,
"sort": [
1573154989000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1573154989,
"format": "standard",
"title": "'Slow Burn' Season 3 is Taking on the Murders of Biggie and Tupac",
"headTitle": "‘Slow Burn’ Season 3 is Taking on the Murders of Biggie and Tupac | KQED",
"content": "\u003cp>Slate’s wildly popular investigative podcast, \u003ca href=\"https://podcasts.apple.com/us/podcast/slow-burn/id1315040130\">\u003cem>Slow Burn\u003c/em>\u003c/a>, is back for its third season, which dives into the murders of two of the biggest hip-hop stars of the 1990s—\u003ca href=\"https://www.npr.org/artists/88479205/tupac-shakur\">Tupac Shakur\u003c/a> and \u003ca href=\"https://www.npr.org/artists/88479887/the-notorious-b-i-g\">The Notorious B.I.G.\u003c/a>\u003c/p>\n\u003cp>Although the subject might seem like a left turn (\u003cem>Slow Burn\u003c/em>‘s first two seasons focused on the Watergate scandal and Bill Clinton’s impeachment, respectively), it fits into the show’s commitment to carefully covering the biggest stories of the past 50 years.\u003c/p>\n\u003cp>In their heyday, Tupac and “Biggie” were at the center of a feud between East Coast and West Coast rappers. Tupac was killed in September 1996 in a Las Vegas drive-by shooting, and although there have been multiple police and journalistic investigations, no one was ever convicted for the crime. Six months later, The Notorious B.I.G. was gunned down in Los Angeles, and his murder also went unsolved. Naturally, rumors have swirled about a potential connection between each rapper’s death and their legendary feud.\u003c/p>\n\u003cp>\u003cem>Slow Burn\u003c/em> has set a strong precedent of diving past surface level on its subjects, and season three is no exception. “We had a sense of what generally animated the beef, but we didn’t know the stories underneath that,” season three host Joel Anderson says. “So that’s what we’re trying to do with this podcast—talking to people that were there at the time, figuring out all these lovely little relationships and incidents that led up to their deaths.”\u003c/p>\n\u003cp>The first episode shifts the mainstream narrative: Pac and Biggie were initially friends, Anderson says. They met at a party in LA and Pac took Biggie under his wing, but that friendship shattered when Pac was shot five times upon entering a studio in New York. Pac, who survived, noticed that members of Biggie’s crew, Junior M.A.F.I.A., were on-site and believed it was a setup.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Joel Anderson says there’s no evidence to suggest that Biggie was involved in this shooting, but Pac thought otherwise. He and other West Coast rappers released a string of songs dissing Biggie and his label, Bad Boy Records. In turn, Biggie released songs such as “Who Shot Ya” that many interpreted as replies.\u003c/p>\n\u003cp>Anderson says that the loss of these two artists speaks volumes about the state of black people in America, even today.\u003c/p>\n\u003cp>“You have two guys, two of the brightest stars to emerge out of the hip-hop era in that time, and they’re gone, just like that,” Anderson says. “And if those two guys can get killed and nothing can happen, then what does that say for the rest of us? As you see, it’s not like we’ve been able to solve that problem.”\u003c/p>\n\u003cp>\u003cem>The first two episodes of \u003c/em>\u003ca href=\"https://podcasts.apple.com/us/podcast/slow-burn/id1315040130\">Slow Burn\u003c/a>\u003cem> season three from Slate are out now. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Digital intern Mano Sundaresan and digital editor Cyrena Touros\u003c/em> \u003cem>contributed to this story\u003c/em>.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Slow+Burn%27+Season+3+Turns+Its+Investigative+Eye+To+The+Murders+Of+Biggie+And+Tupac&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 528,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 12
},
"modified": 1705021848,
"excerpt": "The new season foregrounds conversations over conspiracy to shed new light on the murders of '90s hip-hop's biggest stars: Tupac Shakur and The Notorious B.I.G.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The new season foregrounds conversations over conspiracy to shed new light on the murders of '90s hip-hop's biggest stars: Tupac Shakur and The Notorious B.I.G.",
"title": "'Slow Burn' Season 3 is Taking on the Murders of Biggie and Tupac | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "'Slow Burn' Season 3 is Taking on the Murders of Biggie and Tupac",
"datePublished": "2019-11-07T11:29:49-08:00",
"dateModified": "2024-01-11T17:10:48-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "slow-burn-season-3-is-taking-on-the-murders-of-biggie-and-tupac",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=776908450&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Thu, 07 Nov 2019 05:04:00 -0500",
"nprLastModifiedDate": "Thu, 07 Nov 2019 08:33:36 -0500",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/2019/11/07/776908450/slow-burn-season-3-turns-its-investigative-eye-to-the-murders-of-biggie-and-tupa?ft=nprml&f=776908450",
"nprAudio": "https://ondemand.npr.org/anon.npr-mp3/npr/me/2019/11/20191107_me_slow_burn_season_3_turns_its_investigative_eye_to_the_murders_of_biggie_and_tupac.mp3?orgId=1&topicId=1106&d=426&p=3&story=776908450&ft=nprml&f=776908450",
"nprImageAgency": "Slate",
"nprAudioM3u": "http://api.npr.org/m3u/1777133442-7d89f8.m3u?orgId=1&topicId=1106&d=426&p=3&story=776908450&ft=nprml&f=776908450",
"nprStoryId": "776908450",
"nprByline": "Sydney Harper",
"sticky": false,
"audioTrackLength": 427,
"nprImageCredit": "Lisa Larson-Walker",
"nprRetrievedStory": "1",
"nprPubDate": "Thu, 07 Nov 2019 08:33:00 -0500",
"path": "/arts/13869588/slow-burn-season-3-is-taking-on-the-murders-of-biggie-and-tupac",
"audioUrl": "https://ondemand.npr.org/anon.npr-mp3/npr/me/2019/11/20191107_me_slow_burn_season_3_turns_its_investigative_eye_to_the_murders_of_biggie_and_tupac.mp3?orgId=1&topicId=1106&d=426&p=3&story=776908450&ft=nprml&f=776908450",
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Slate’s wildly popular investigative podcast, \u003ca href=\"https://podcasts.apple.com/us/podcast/slow-burn/id1315040130\">\u003cem>Slow Burn\u003c/em>\u003c/a>, is back for its third season, which dives into the murders of two of the biggest hip-hop stars of the 1990s—\u003ca href=\"https://www.npr.org/artists/88479205/tupac-shakur\">Tupac Shakur\u003c/a> and \u003ca href=\"https://www.npr.org/artists/88479887/the-notorious-b-i-g\">The Notorious B.I.G.\u003c/a>\u003c/p>\n\u003cp>Although the subject might seem like a left turn (\u003cem>Slow Burn\u003c/em>‘s first two seasons focused on the Watergate scandal and Bill Clinton’s impeachment, respectively), it fits into the show’s commitment to carefully covering the biggest stories of the past 50 years.\u003c/p>\n\u003cp>In their heyday, Tupac and “Biggie” were at the center of a feud between East Coast and West Coast rappers. Tupac was killed in September 1996 in a Las Vegas drive-by shooting, and although there have been multiple police and journalistic investigations, no one was ever convicted for the crime. Six months later, The Notorious B.I.G. was gunned down in Los Angeles, and his murder also went unsolved. Naturally, rumors have swirled about a potential connection between each rapper’s death and their legendary feud.\u003c/p>\n\u003cp>\u003cem>Slow Burn\u003c/em> has set a strong precedent of diving past surface level on its subjects, and season three is no exception. “We had a sense of what generally animated the beef, but we didn’t know the stories underneath that,” season three host Joel Anderson says. “So that’s what we’re trying to do with this podcast—talking to people that were there at the time, figuring out all these lovely little relationships and incidents that led up to their deaths.”\u003c/p>\n\u003cp>The first episode shifts the mainstream narrative: Pac and Biggie were initially friends, Anderson says. They met at a party in LA and Pac took Biggie under his wing, but that friendship shattered when Pac was shot five times upon entering a studio in New York. Pac, who survived, noticed that members of Biggie’s crew, Junior M.A.F.I.A., were on-site and believed it was a setup.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Joel Anderson says there’s no evidence to suggest that Biggie was involved in this shooting, but Pac thought otherwise. He and other West Coast rappers released a string of songs dissing Biggie and his label, Bad Boy Records. In turn, Biggie released songs such as “Who Shot Ya” that many interpreted as replies.\u003c/p>\n\u003cp>Anderson says that the loss of these two artists speaks volumes about the state of black people in America, even today.\u003c/p>\n\u003cp>“You have two guys, two of the brightest stars to emerge out of the hip-hop era in that time, and they’re gone, just like that,” Anderson says. “And if those two guys can get killed and nothing can happen, then what does that say for the rest of us? As you see, it’s not like we’ve been able to solve that problem.”\u003c/p>\n\u003cp>\u003cem>The first two episodes of \u003c/em>\u003ca href=\"https://podcasts.apple.com/us/podcast/slow-burn/id1315040130\">Slow Burn\u003c/a>\u003cem> season three from Slate are out now. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Digital intern Mano Sundaresan and digital editor Cyrena Touros\u003c/em> \u003cem>contributed to this story\u003c/em>.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Slow+Burn%27+Season+3+Turns+Its+Investigative+Eye+To+The+Murders+Of+Biggie+And+Tupac&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13869588/slow-burn-season-3-is-taking-on-the-murders-of-biggie-and-tupac",
"authors": [
"byline_arts_13869588"
],
"categories": [
"arts_69",
"arts_75"
],
"tags": [
"arts_831",
"arts_3837",
"arts_6903",
"arts_4269"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13869589",
"label": "arts_137"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=popculture": {
"isFetching": false,
"latestQuery": {
"from": 1572,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 2976,
"relation": "eq"
},
"items": [
"arts_13870385",
"arts_13870266",
"arts_13870245",
"arts_13863206",
"arts_13869074",
"arts_13870020",
"arts_13869528",
"arts_13869901",
"arts_13869877",
"arts_13868706",
"arts_13869710",
"arts_13869588"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_popculture": {
"isLoading": true
},
"arts_75": {
"type": "terms",
"id": "arts_75",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "75",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Pop Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Pop Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 76,
"slug": "popculture",
"isLoading": false,
"link": "/arts/category/popculture"
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_925": {
"type": "terms",
"id": "arts_925",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "925",
"found": true
},
"relationships": {},
"featImg": null,
"name": "pop",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "pop Archives | KQED Arts",
"ogDescription": null
},
"ttid": 943,
"slug": "pop",
"isLoading": false,
"link": "/arts/tag/pop"
},
"arts_1424": {
"type": "terms",
"id": "arts_1424",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1424",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Prince",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Prince Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1436,
"slug": "prince",
"isLoading": false,
"link": "/arts/tag/prince"
},
"arts_9293": {
"type": "terms",
"id": "arts_9293",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "9293",
"found": true
},
"relationships": {},
"featImg": null,
"name": "reissues",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "reissues Archives | KQED Arts",
"ogDescription": null
},
"ttid": 9305,
"slug": "reissues",
"isLoading": false,
"link": "/arts/tag/reissues"
},
"arts_137": {
"type": "terms",
"id": "arts_137",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "137",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-npr-lg1.png",
"name": "NPR",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "NPR Archives | KQED Arts",
"ogDescription": null
},
"ttid": 138,
"slug": "npr",
"isLoading": false,
"link": "/arts/affiliate/npr"
},
"arts_7862": {
"type": "terms",
"id": "arts_7862",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "7862",
"found": true
},
"relationships": {},
"featImg": null,
"name": "History",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "History Archives | KQED Arts",
"ogDescription": null
},
"ttid": 7874,
"slug": "history",
"isLoading": false,
"link": "/arts/category/history"
},
"arts_990": {
"type": "terms",
"id": "arts_990",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "990",
"found": true
},
"relationships": {},
"featImg": null,
"name": "TV",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "TV Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1008,
"slug": "tv",
"isLoading": false,
"link": "/arts/category/tv"
},
"arts_7705": {
"type": "terms",
"id": "arts_7705",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "7705",
"found": true
},
"relationships": {},
"featImg": null,
"name": "archives",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "archives Archives | KQED Arts",
"ogDescription": null
},
"ttid": 7717,
"slug": "archives",
"isLoading": false,
"link": "/arts/tag/archives"
},
"arts_2640": {
"type": "terms",
"id": "arts_2640",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2640",
"found": true
},
"relationships": {},
"featImg": null,
"name": "history",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "history Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2652,
"slug": "history",
"isLoading": false,
"link": "/arts/tag/history"
},
"arts_7955": {
"type": "terms",
"id": "arts_7955",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "7955",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Jim Henson",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Jim Henson Archives | KQED Arts",
"ogDescription": null
},
"ttid": 7967,
"slug": "jim-henson",
"isLoading": false,
"link": "/arts/tag/jim-henson"
},
"arts_4565": {
"type": "terms",
"id": "arts_4565",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4565",
"found": true
},
"relationships": {},
"featImg": null,
"name": "pbs",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "pbs Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4577,
"slug": "pbs",
"isLoading": false,
"link": "/arts/tag/pbs"
},
"arts_1146": {
"type": "terms",
"id": "arts_1146",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1146",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Francisco",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Francisco Archives | KQED Arts",
"ogDescription": null
},
"ttid": 701,
"slug": "san-francisco",
"isLoading": false,
"link": "/arts/tag/san-francisco"
},
"arts_1191": {
"type": "terms",
"id": "arts_1191",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1191",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Sesame Street",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"socialTitle": "Sesame Street in the Bay: Fun & Learning for the Bay's Little Ones",
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Learn with Elmo, Grover & friends in sunny San Francisco! KQED shares Sesame Street's Bay Area adventures, songs, and educational resources.",
"metaRobotsNoIndex": "index",
"title": "Sesame Street in the Bay: Fun & Learning for the Bay's Little Ones",
"ogDescription": null
},
"ttid": 1203,
"slug": "sesame-street",
"isLoading": false,
"link": "/arts/tag/sesame-street"
},
"arts_74": {
"type": "terms",
"id": "arts_74",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "74",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Movies",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Movies Archives | KQED Arts",
"ogDescription": null
},
"ttid": 75,
"slug": "movies",
"isLoading": false,
"link": "/arts/category/movies"
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"arts_3785": {
"type": "terms",
"id": "arts_3785",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3785",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Mister Rogers",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Mister Rogers Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3797,
"slug": "mister-rogers",
"isLoading": false,
"link": "/arts/tag/mister-rogers"
},
"arts_2882": {
"type": "terms",
"id": "arts_2882",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2882",
"found": true
},
"relationships": {},
"featImg": null,
"name": "tom hanks",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "tom hanks Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2894,
"slug": "tom-hanks",
"isLoading": false,
"link": "/arts/tag/tom-hanks"
},
"arts_2303": {
"type": "terms",
"id": "arts_2303",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2303",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Commentary",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Commentary Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2315,
"slug": "commentary",
"isLoading": false,
"link": "/arts/category/commentary"
},
"arts_2767": {
"type": "terms",
"id": "arts_2767",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2767",
"found": true
},
"relationships": {},
"featImg": null,
"name": "commentary",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "commentary Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2779,
"slug": "commentary",
"isLoading": false,
"link": "/arts/tag/commentary"
},
"arts_1118": {
"type": "terms",
"id": "arts_1118",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1118",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1135,
"slug": "featured",
"isLoading": false,
"link": "/arts/tag/featured"
},
"arts_9268": {
"type": "terms",
"id": "arts_9268",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "9268",
"found": true
},
"relationships": {},
"featImg": null,
"name": "the bachelor",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "the bachelor Archives | KQED Arts",
"ogDescription": null
},
"ttid": 9280,
"slug": "the-bachelor",
"isLoading": false,
"link": "/arts/tag/the-bachelor"
},
"arts_2792": {
"type": "terms",
"id": "arts_2792",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2792",
"found": true
},
"relationships": {},
"featImg": null,
"name": "tv",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "tv Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2804,
"slug": "tv",
"isLoading": false,
"link": "/arts/tag/tv"
},
"arts_3701": {
"type": "terms",
"id": "arts_3701",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3701",
"found": true
},
"relationships": {},
"featImg": null,
"name": "academy awards",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "academy awards Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3713,
"slug": "academy-awards",
"isLoading": false,
"link": "/arts/tag/academy-awards"
},
"arts_2388": {
"type": "terms",
"id": "arts_2388",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2388",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Jane Fonda",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Jane Fonda Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2400,
"slug": "jane-fonda",
"isLoading": false,
"link": "/arts/tag/jane-fonda"
},
"arts_9200": {
"type": "terms",
"id": "arts_9200",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "9200",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Marlon Brando",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Marlon Brando Archives | KQED Arts",
"ogDescription": null
},
"ttid": 9212,
"slug": "marlon-brando",
"isLoading": false,
"link": "/arts/tag/marlon-brando"
},
"arts_3178": {
"type": "terms",
"id": "arts_3178",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3178",
"found": true
},
"relationships": {},
"featImg": null,
"name": "native american",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "native american Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3190,
"slug": "native-american",
"isLoading": false,
"link": "/arts/tag/native-american"
},
"arts_3698": {
"type": "terms",
"id": "arts_3698",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3698",
"found": true
},
"relationships": {},
"featImg": null,
"name": "oscars",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "oscars Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3710,
"slug": "oscars",
"isLoading": false,
"link": "/arts/tag/oscars"
},
"arts_967": {
"type": "terms",
"id": "arts_967",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "967",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Theater",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Theater Archives | KQED Arts",
"ogDescription": null
},
"ttid": 985,
"slug": "theater",
"isLoading": false,
"link": "/arts/category/theater"
},
"arts_9124": {
"type": "terms",
"id": "arts_9124",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "9124",
"found": true
},
"relationships": {},
"name": "Animals",
"slug": "animals",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Animals | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 9136,
"isLoading": false,
"link": "/arts/tag/animals"
},
"arts_8819": {
"type": "terms",
"id": "arts_8819",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "8819",
"found": true
},
"relationships": {},
"featImg": null,
"name": "dogs",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "dogs Archives | KQED Arts",
"ogDescription": null
},
"ttid": 8831,
"slug": "dogs",
"isLoading": false,
"link": "/arts/tag/dogs"
},
"arts_2098": {
"type": "terms",
"id": "arts_2098",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2098",
"found": true
},
"relationships": {},
"featImg": null,
"name": "instagram",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "instagram Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2110,
"slug": "instagram",
"isLoading": false,
"link": "/arts/tag/instagram"
},
"arts_9155": {
"type": "terms",
"id": "arts_9155",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "9155",
"found": true
},
"relationships": {},
"featImg": null,
"name": "san diego",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "san diego Archives | KQED Arts",
"ogDescription": null
},
"ttid": 9167,
"slug": "san-diego",
"isLoading": false,
"link": "/arts/tag/san-diego"
},
"arts_2391": {
"type": "terms",
"id": "arts_2391",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2391",
"found": true
},
"relationships": {},
"featImg": null,
"name": "the internet",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "the internet Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2403,
"slug": "the-internet",
"isLoading": false,
"link": "/arts/tag/the-internet"
},
"arts_76": {
"type": "terms",
"id": "arts_76",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "76",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Fashion/Design",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Fashion/Design Archives | KQED Arts",
"ogDescription": null
},
"ttid": 77,
"slug": "design",
"isLoading": false,
"link": "/arts/category/design"
},
"arts_70": {
"type": "terms",
"id": "arts_70",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "70",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Visual Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Visual Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 71,
"slug": "visualarts",
"isLoading": false,
"link": "/arts/category/visualarts"
},
"arts_3388": {
"type": "terms",
"id": "arts_3388",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3388",
"found": true
},
"relationships": {},
"featImg": null,
"name": "christmas",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "christmas Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3400,
"slug": "christmas",
"isLoading": false,
"link": "/arts/tag/christmas"
},
"arts_3247": {
"type": "terms",
"id": "arts_3247",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3247",
"found": true
},
"relationships": {},
"featImg": null,
"name": "holidays",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "holidays Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3259,
"slug": "holidays",
"isLoading": false,
"link": "/arts/tag/holidays"
},
"arts_746": {
"type": "terms",
"id": "arts_746",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "746",
"found": true
},
"relationships": {},
"featImg": null,
"name": "news",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "news Archives | KQED Arts",
"ogDescription": null
},
"ttid": 764,
"slug": "news-2",
"isLoading": false,
"link": "/arts/tag/news-2"
},
"arts_3837": {
"type": "terms",
"id": "arts_3837",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3837",
"found": true
},
"relationships": {},
"featImg": null,
"name": "podcasts",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "podcasts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3849,
"slug": "podcasts",
"isLoading": false,
"link": "/arts/tag/podcasts"
},
"arts_12987": {
"type": "terms",
"id": "arts_12987",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "12987",
"found": true
},
"relationships": {},
"featImg": null,
"name": "radio",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "radio Archives | KQED Arts",
"ogDescription": null
},
"ttid": 12999,
"slug": "radio",
"isLoading": false,
"link": "/arts/tag/radio"
},
"arts_6062": {
"type": "terms",
"id": "arts_6062",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6062",
"found": true
},
"relationships": {},
"featImg": null,
"name": "thanksgiving",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "thanksgiving Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6074,
"slug": "thanksgiving",
"isLoading": false,
"link": "/arts/tag/thanksgiving"
},
"arts_7085": {
"type": "terms",
"id": "arts_7085",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "7085",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Travel",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Travel Archives | KQED Arts",
"ogDescription": null
},
"ttid": 7097,
"slug": "travel",
"isLoading": false,
"link": "/arts/tag/travel"
},
"arts_2798": {
"type": "terms",
"id": "arts_2798",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2798",
"found": true
},
"relationships": {},
"name": "#MeToo",
"slug": "metoo",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "#MeToo | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 2810,
"isLoading": false,
"link": "/arts/tag/metoo"
},
"arts_9222": {
"type": "terms",
"id": "arts_9222",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "9222",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Apple TV+",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Apple TV+ Archives | KQED Arts",
"ogDescription": null
},
"ttid": 9234,
"slug": "apple-tv",
"isLoading": false,
"link": "/arts/tag/apple-tv"
},
"arts_11323": {
"type": "terms",
"id": "arts_11323",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "11323",
"found": true
},
"relationships": {},
"featImg": null,
"name": "celebrities",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "celebrities Archives | KQED Arts",
"ogDescription": null
},
"ttid": 11335,
"slug": "celebrities",
"isLoading": false,
"link": "/arts/tag/celebrities"
},
"arts_1962": {
"type": "terms",
"id": "arts_1962",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1962",
"found": true
},
"relationships": {},
"featImg": null,
"name": "feminism",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "feminism Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1974,
"slug": "feminism",
"isLoading": false,
"link": "/arts/tag/feminism"
},
"arts_5676": {
"type": "terms",
"id": "arts_5676",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5676",
"found": true
},
"relationships": {},
"featImg": null,
"name": "sexual harassment",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "sexual harassment Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5688,
"slug": "sexual-harassment",
"isLoading": false,
"link": "/arts/tag/sexual-harassment"
},
"arts_73": {
"type": "terms",
"id": "arts_73",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "73",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Books",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Books Archives | KQED Arts",
"ogDescription": null
},
"ttid": 74,
"slug": "literature",
"isLoading": false,
"link": "/arts/category/literature"
},
"arts_968": {
"type": "terms",
"id": "arts_968",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "968",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Comedy",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Comedy Archives | KQED Arts",
"ogDescription": null
},
"ttid": 986,
"slug": "comedy",
"isLoading": false,
"link": "/arts/category/comedy"
},
"arts_549": {
"type": "terms",
"id": "arts_549",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "549",
"found": true
},
"relationships": {},
"featImg": null,
"name": "comedy",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "comedy Archives | KQED Arts",
"ogDescription": null
},
"ttid": 550,
"slug": "comedy",
"isLoading": false,
"link": "/arts/tag/comedy"
},
"arts_913": {
"type": "terms",
"id": "arts_913",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "913",
"found": true
},
"relationships": {},
"featImg": null,
"name": "punk",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "punk Archives | KQED Arts",
"ogDescription": null
},
"ttid": 931,
"slug": "punk",
"isLoading": false,
"link": "/arts/tag/punk"
},
"arts_596": {
"type": "terms",
"id": "arts_596",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "596",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ntv",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ntv Archives | KQED Arts",
"ogDescription": null
},
"ttid": 602,
"slug": "ntv",
"isLoading": false,
"link": "/arts/tag/ntv"
},
"arts_831": {
"type": "terms",
"id": "arts_831",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "831",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Hip Hop",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"socialTitle": "Fresh Off the Streets: Get Amped by the Bay's Hottest Hip-Hop Stories",
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "Discover rising stars, hidden gems, and live events that'll keep your head nodding. Find your next favorite local hip hop artist right here.",
"metaRobotsNoIndex": "index",
"title": "Fresh Off the Streets: Get Amped by the Bay's Hottest Hip-Hop Stories",
"ogDescription": null
},
"ttid": 849,
"slug": "hip-hop",
"isLoading": false,
"link": "/arts/tag/hip-hop"
},
"arts_6903": {
"type": "terms",
"id": "arts_6903",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6903",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Tupac",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Tupac Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6915,
"slug": "tupac",
"isLoading": false,
"link": "/arts/tag/tupac"
},
"arts_4269": {
"type": "terms",
"id": "arts_4269",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4269",
"found": true
},
"relationships": {},
"featImg": null,
"name": "tupac shakur",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "tupac shakur Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4281,
"slug": "tupac-shakur",
"isLoading": false,
"link": "/arts/tag/tupac-shakur"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
}
}
