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"content": "\u003cp>\u003cem>Updated Thursday, 4:45 p.m.\u003c/em>\u003c/p>\n\u003cp>California College of the Arts, like most Bay Area higher-education institutions, is shifting to online classes amid shelter-in-place orders to stem transmission of the novel coronavirus, and some students want their money back. [aside postID=arts_13855321]\u003c/p>\n\u003cp>California College of the Arts (CCA), along with Academy of Art University and the San Francisco Art Institute, this past week shuttered most administrative and instructional facilities, including specialized studios related to disciplines such as ceramics, welding and textiles. More than half of its residential students have left campus; largely international students stymied by travel restrictions are staying onsite, according to the college.\u003c/p>\n\u003cp>As class moves online for the rest of the semester, with studios and other resources expected to remain closed, students at CCA and other schools are questioning what they get for their tuition.\u003c/p>\n\u003cp>Echoing a similar call by University of California students, an online \u003ca href=\"https://www.change.org/p/cca-administration-give-cca-students-a-tuition-refund\">petition\u003c/a> launched Monday by CCA animation student Kym Gray for a “partial tuition refund” has garnered more than 600 signatures. Gray, 23, a junior, told KQED the campus shutdowns affect, say, printmaking and sculpture students as much as digitally-focused students without access to costly software and compatible computers. Many students, Gray said, are incurring additional expenses to continue schoolwork remotely, and some consider online instruction a diminished form of learning.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Gray said she’s fortunate to have scholarships and grants, and was more motivated to launch the petition by her concern for peers paying tuition out of pocket. Still, Gray depends on onsite access to digital tools she doesn’t have at home in Oakland, and knows people in fields such as ceramics and glass-blowing who’ve been forced to effectively halt important projects. “I know if I was a 3D animation student my software licenses would cost like $1,000 right now,” Gray said. “That’s part of your tuition.” She added, “I do love CCA—we just want every dollar’s worth.”\u003c/p>\n\u003cp>“We’re aware of the petition, and of similar petitions,” Brian Maxey, a CCA spokesperson, said in a statement Wednesday. “Our primary focus is on the safety and well-being of our community, followed by ensuring our students are able to continue their learning in ways that, while different than what any of us expected, still fulfill the requirements and authentic learning outcomes for them to receive credit for their classes and continue progress toward their degrees.”\u003c/p>\n\u003cp>On Thursday, after this article was published, CCA president Stephen Beal and provost Tammy Rae Carland released a statement saying students who move out of the residence halls for the rest of the semester will receive a credit for their housing costs prorated to Tuesday, March 17.\u003c/p>\n\u003cp>CCA is also soliciting donations to a \u003ca href=\"https://www.givecampus.com/campaigns/8206/donations/new\">student emergency fund\u003c/a>, saying in an announcement Thursday that many students have lost off-campus part-time jobs. The fund, administered through the CCA Cares Program, is intended to address food insecurity, household needs and health and wellness support, the college announced.\u003c/p>\n\u003cp>“Students are 100-percent justified in demanding to get money back for education they’re not able to receive,” David Skolnick, an assistant professor in the writing and literature department at CCA, said in an interview. “At the same time, if everyone got their tuition back it’d mean the school goes bankrupt and we all lose our jobs. … In this situation, everyone’s losing right now.”\u003c/p>\n\u003cp>California College of the Arts, founded in the East Bay in 1907, currently enrolls some 1,850 undergraduate and graduate students of art, architecture and design. It also operates the Wattis Institute for the Contemporary Arts. Currently the college spans two campuses in Oakland and San Francisco, but is in the process of consolidating, or “unifying,” in administration parlance, around its housing and instructional facilities at the foot of Potrero Hill.\u003c/p>\n\u003cp>Underlying the petition is long-mounting frustration with the growing cost of higher education, especially at private colleges in expensive regions such as CCA, where first-year undergraduate tuition and fees run $76,671. There’s also the debt burden that students bring to an uncertain job market. “This is an expensive college, and even in a normal year students don’t necessarily feel like they’re getting their money’s worth,” said Yuri Knighten, 25, a recent illustration graduate who’s still active with CCA’s independent student union and has helped circulate Gray’s petition.\u003c/p>\n\u003cp>Knighten cautioned, however, that CCA students should balance their call for refunds with concern for the financial stability of college faculty and staff, who have \u003ca href=\"https://www.kqed.org/arts/13855321/california-college-of-the-arts-campus-consolidation-spurs-union-effort\">unionized\u003c/a> in recent years over concerns with a rising cost of living and the ongoing campus consolidation in San Francisco. For now, according to Maxey and union members, staff who cannot from home and whose presence isn’t necessary on campus will continue to receive compensation. “Having been involved with the staff and adjunction union fights, I’m thinking of how to be in solidarity,” Knighten said.\u003c/p>\n\u003cp>A \u003ca href=\"https://www.change.org/p/howard-gillman-refund-student-housing-for-spring-quarter-at-uc-irvine\">petition\u003c/a> launched last week by Rosie Oganesian, a freshman at University of California Irvine, similarly calls for housing and meal plan refunds and tuition reductions. It has since been amended to include public colleges statewide, and has more than 7,000 signatures. UC leadership has ruled out tuition refunds, saying grades from online classes count towards the same diploma, while leaving decisions about some fees to individual college administrations.\u003c/p>\n\u003cp>UC faculty are also voicing concern about the digital pivot. “Most of us were not trained or hired to teach online courses, and online courses are not what the students enrolled and paid for,” reads an \u003ca href=\"https://docs.google.com/forms/d/16INzCI5ZR3ir0_E_Gby6WU2YYjq1JEtKGwijs5Lb66E/viewform?fbclid=IwAR1O7l09ukqoUlkhmwDp64W6Ru4YrBTNtUtc640JztFztgf61_88M3EtnJs&edit_requested=true\">open letter\u003c/a>, published Monday, with signatures from UC educators and supporters. (The letter firstly criticizes the recent firing of striking graduate students.) “The mandate is clearly to engage in ersatz education for the sake of sustaining a fiction of continuity.”\u003c/p>\n\u003cp>Class meetings are paused this week to allow faculty time to develop alternative coursework and learn new tools for remote teaching. “Zoom meetings to learn to use Zoom,” as Skolnick, the writing professor, put it. “No one believes this is a comparable learning experience,” he continued, noting the campus shutdown will most acutely affect students with a studio-based practice. “Still we now have to focus on the most basic learning outcomes, like a coherent four-page academic essay. … Other things, like oral presentation, will fall by the wayside.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“We’re an art school, so this isn’t an easy change to make,” said Maxey, the CCA spokesperson. “But that also means our faculty are incredibly creative.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>California College of the Arts (CCA), along with Academy of Art University and the San Francisco Art Institute, this past week shuttered most administrative and instructional facilities, including specialized studios related to disciplines such as ceramics, welding and textiles. More than half of its residential students have left campus; largely international students stymied by travel restrictions are staying onsite, according to the college.\u003c/p>\n\u003cp>As class moves online for the rest of the semester, with studios and other resources expected to remain closed, students at CCA and other schools are questioning what they get for their tuition.\u003c/p>\n\u003cp>Echoing a similar call by University of California students, an online \u003ca href=\"https://www.change.org/p/cca-administration-give-cca-students-a-tuition-refund\">petition\u003c/a> launched Monday by CCA animation student Kym Gray for a “partial tuition refund” has garnered more than 600 signatures. Gray, 23, a junior, told KQED the campus shutdowns affect, say, printmaking and sculpture students as much as digitally-focused students without access to costly software and compatible computers. Many students, Gray said, are incurring additional expenses to continue schoolwork remotely, and some consider online instruction a diminished form of learning.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Gray said she’s fortunate to have scholarships and grants, and was more motivated to launch the petition by her concern for peers paying tuition out of pocket. Still, Gray depends on onsite access to digital tools she doesn’t have at home in Oakland, and knows people in fields such as ceramics and glass-blowing who’ve been forced to effectively halt important projects. “I know if I was a 3D animation student my software licenses would cost like $1,000 right now,” Gray said. “That’s part of your tuition.” She added, “I do love CCA—we just want every dollar’s worth.”\u003c/p>\n\u003cp>“We’re aware of the petition, and of similar petitions,” Brian Maxey, a CCA spokesperson, said in a statement Wednesday. “Our primary focus is on the safety and well-being of our community, followed by ensuring our students are able to continue their learning in ways that, while different than what any of us expected, still fulfill the requirements and authentic learning outcomes for them to receive credit for their classes and continue progress toward their degrees.”\u003c/p>\n\u003cp>On Thursday, after this article was published, CCA president Stephen Beal and provost Tammy Rae Carland released a statement saying students who move out of the residence halls for the rest of the semester will receive a credit for their housing costs prorated to Tuesday, March 17.\u003c/p>\n\u003cp>CCA is also soliciting donations to a \u003ca href=\"https://www.givecampus.com/campaigns/8206/donations/new\">student emergency fund\u003c/a>, saying in an announcement Thursday that many students have lost off-campus part-time jobs. The fund, administered through the CCA Cares Program, is intended to address food insecurity, household needs and health and wellness support, the college announced.\u003c/p>\n\u003cp>“Students are 100-percent justified in demanding to get money back for education they’re not able to receive,” David Skolnick, an assistant professor in the writing and literature department at CCA, said in an interview. “At the same time, if everyone got their tuition back it’d mean the school goes bankrupt and we all lose our jobs. … In this situation, everyone’s losing right now.”\u003c/p>\n\u003cp>California College of the Arts, founded in the East Bay in 1907, currently enrolls some 1,850 undergraduate and graduate students of art, architecture and design. It also operates the Wattis Institute for the Contemporary Arts. Currently the college spans two campuses in Oakland and San Francisco, but is in the process of consolidating, or “unifying,” in administration parlance, around its housing and instructional facilities at the foot of Potrero Hill.\u003c/p>\n\u003cp>Underlying the petition is long-mounting frustration with the growing cost of higher education, especially at private colleges in expensive regions such as CCA, where first-year undergraduate tuition and fees run $76,671. There’s also the debt burden that students bring to an uncertain job market. “This is an expensive college, and even in a normal year students don’t necessarily feel like they’re getting their money’s worth,” said Yuri Knighten, 25, a recent illustration graduate who’s still active with CCA’s independent student union and has helped circulate Gray’s petition.\u003c/p>\n\u003cp>Knighten cautioned, however, that CCA students should balance their call for refunds with concern for the financial stability of college faculty and staff, who have \u003ca href=\"https://www.kqed.org/arts/13855321/california-college-of-the-arts-campus-consolidation-spurs-union-effort\">unionized\u003c/a> in recent years over concerns with a rising cost of living and the ongoing campus consolidation in San Francisco. For now, according to Maxey and union members, staff who cannot from home and whose presence isn’t necessary on campus will continue to receive compensation. “Having been involved with the staff and adjunction union fights, I’m thinking of how to be in solidarity,” Knighten said.\u003c/p>\n\u003cp>A \u003ca href=\"https://www.change.org/p/howard-gillman-refund-student-housing-for-spring-quarter-at-uc-irvine\">petition\u003c/a> launched last week by Rosie Oganesian, a freshman at University of California Irvine, similarly calls for housing and meal plan refunds and tuition reductions. It has since been amended to include public colleges statewide, and has more than 7,000 signatures. UC leadership has ruled out tuition refunds, saying grades from online classes count towards the same diploma, while leaving decisions about some fees to individual college administrations.\u003c/p>\n\u003cp>UC faculty are also voicing concern about the digital pivot. “Most of us were not trained or hired to teach online courses, and online courses are not what the students enrolled and paid for,” reads an \u003ca href=\"https://docs.google.com/forms/d/16INzCI5ZR3ir0_E_Gby6WU2YYjq1JEtKGwijs5Lb66E/viewform?fbclid=IwAR1O7l09ukqoUlkhmwDp64W6Ru4YrBTNtUtc640JztFztgf61_88M3EtnJs&edit_requested=true\">open letter\u003c/a>, published Monday, with signatures from UC educators and supporters. (The letter firstly criticizes the recent firing of striking graduate students.) “The mandate is clearly to engage in ersatz education for the sake of sustaining a fiction of continuity.”\u003c/p>\n\u003cp>Class meetings are paused this week to allow faculty time to develop alternative coursework and learn new tools for remote teaching. “Zoom meetings to learn to use Zoom,” as Skolnick, the writing professor, put it. “No one believes this is a comparable learning experience,” he continued, noting the campus shutdown will most acutely affect students with a studio-based practice. “Still we now have to focus on the most basic learning outcomes, like a coherent four-page academic essay. … Other things, like oral presentation, will fall by the wayside.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Bandcamp, the digital storefront and streaming music platform used by hundreds of thousands of artists and thousands of record labels, will forgo collecting its share of revenue from sales on the site made this Friday, March 20, \u003ca href=\"https://daily.bandcamp.com/features/bandcamp-covid-19-fundraiser\">the company announced\u003c/a> on Tuesday. The initiative will be active from 12:00 a.m. to 11:59 p.m Pacific time.\u003c/p>\n\u003cp>The global coronavirus outbreak has put many musicians in a state of extreme financial precarity as their main source of income, live performance, has been suspended while the world struggles to contain the pandemic. “For many artists, a single day of boosted sales can mean the difference between being able to pay rent or not,” Ethan Diamond, the CEO and co-founder of Bandcamp, writes. “Still, we consider this just a starting point. Musicians will continue to feel the effects of lost touring income for many months to come, so we’re also sharing some ideas below on how fans can support the artists they love and how artists can give fans new, creative ways to provide support.”\u003c/p>\n\u003cp>Typically, Bandcamp collects 15% of the revenue from sales of digital music made through its website and \u003ca href=\"https://apps.apple.com/us/app/bandcamp/id706408639\">app\u003c/a>, and 10% from sales of physical goods. It claims to have paid artists some $468 million since its \u003ca href=\"https://blog.bandcamp.com/2008/09/16/hello-cleveland/\">launch\u003c/a> in Sept. 2008, and $9.5 million over the past 30 days. Payments for sales of digital goods made through Bandcamp are typically paid to sellers within 48 hours, while the revenue from physical sales is transmitted directly to those artists’ or labels’ accounts.\u003c/p>\n\u003cp>In a postscript to Bandcamp’s announcement, Diamond reminds readers that the financial effects of the crisis will extend beyond musicians to those who make their living supporting them, “including record store owners and staff, tour managers, event producers, venue staff, lighting and sound professionals, janitors, photographers, bartenders, security guards, and more. We encourage you to find ways to reach out and support those affected in your local communities.”\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>While the Bay Area shelters in place to stop the spread of coronavirus, we’ve gotten word that \u003ca href=\"https://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener noreferrer\">BottleRock\u003c/a>, the Napa music, arts, food and wine event that kicks off festival season for the region, has been postponed from May 22–24 to October 2–4 at the Napa Valley Expo.\u003c/p>\n\u003cp>Organizers say that headliners Red Hot Chili Peppers, Stevie Nicks, Dave Matthews Band, Miley Cyrus, Khalid, Anderson .Paak & The Free Nationals and Zedd are confirmed for the new dates, and possible changes to the rest of the lineup will be announced in coming weeks.\u003c/p>\n\u003cp>Organizers also said that they’ll be getting in touch with ticket holders in the next few weeks about refunds and exchanges for those who can’t make the new dates.\u003c/p>\n\u003cp>With schools expected to stay closed through the end of the school year, and experts claiming that months of social distancing are needed to stop the spread of the virus, the move is a necessary health and safety precaution—for the artists, guests and numerous behind-the-scenes workers that make the event happen.\u003c/p>\n\u003cp>Follow KQED’s \u003ca href=\"https://www.kqed.org/science/1957877/live-updates-coronavirus-in-the-san-francisco-bay-area\" target=\"_blank\" rel=\"noopener noreferrer\">live coronavirus updates\u003c/a> here.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>While the Bay Area shelters in place to stop the spread of coronavirus, we’ve gotten word that \u003ca href=\"https://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener noreferrer\">BottleRock\u003c/a>, the Napa music, arts, food and wine event that kicks off festival season for the region, has been postponed from May 22–24 to October 2–4 at the Napa Valley Expo.\u003c/p>\n\u003cp>Organizers say that headliners Red Hot Chili Peppers, Stevie Nicks, Dave Matthews Band, Miley Cyrus, Khalid, Anderson .Paak & The Free Nationals and Zedd are confirmed for the new dates, and possible changes to the rest of the lineup will be announced in coming weeks.\u003c/p>\n\u003cp>Organizers also said that they’ll be getting in touch with ticket holders in the next few weeks about refunds and exchanges for those who can’t make the new dates.\u003c/p>\n\u003cp>With schools expected to stay closed through the end of the school year, and experts claiming that months of social distancing are needed to stop the spread of the virus, the move is a necessary health and safety precaution—for the artists, guests and numerous behind-the-scenes workers that make the event happen.\u003c/p>\n\u003cp>Follow KQED’s \u003ca href=\"https://www.kqed.org/science/1957877/live-updates-coronavirus-in-the-san-francisco-bay-area\" target=\"_blank\" rel=\"noopener noreferrer\">live coronavirus updates\u003c/a> here.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cem>This story was originally published on March 18, 2020 and updated on April 17 and May 18.\u003c/em>\u003c/p>\n\u003cp>For many, slowing the spread of coronavirus means stopping work entirely—and losing months of income.\u003c/p>\n\u003cp>[aside postID='arts_13876535,arts_13876314,arts_13876849' label='Livelihoods on the line']With the passing of \u003ca href=\"https://www.kqed.org/news/11774025/which-jobs-will-be-impacted-by-ab-5-californias-landmark-employment-measure\" target=\"_blank\" rel=\"noopener noreferrer\">AB 5\u003c/a>, California moved to extend employee protections to freelancers this year, but many creative professionals still work for themselves and don’t have typical salaried-worker safety nets like extended sick leave. Some self-employed people will not qualify for \u003ca href=\"https://www.edd.ca.gov/about_edd/coronavirus-2019.htm\" target=\"_blank\" rel=\"noopener noreferrer\">unemployment insurance\u003c/a>, particularly artists who rely on informal, direct cash payments or practice without a business license.\u003c/p>\n\u003cp>With those challenges in mind, we’ve rounded up a list of mutual aid funds that distribute emergency grants to artists, creative professionals and freelancers facing financial hardships.\u003c/p>\n\u003cp>Most of these funds also accept donations—many of which are tax deductible—from those among us who are more fortunate and looking to help. We also encourage you to donate directly to the low-income artists, service workers and freelancers in your community via PayPal, Cash App or Venmo.\u003c/p>\n\u003ch2>Funds for Creatives of All Disciplines\u003c/h2>\n\u003cp>\u003ca href=\"https://www.cciarts.org/EastBayOaklandRelief.htm\" target=\"_blank\" rel=\"noopener noreferrer\">East Bay/Oakland Relief Fund for Individuals in the Arts\u003c/a>\u003cbr>\nThe City of Oakland and several private funders have partnered on a relief fund for artists and cultural and nonprofit workers living in Alameda and Contra Costa Counties. The fund, totaling $625,000, distributes individual grants of up to $2,000. The Center for Cultural Innovation is administering the grants. To be eligible, individuals most not receive state unemployment insurance and cannot have a conflict of interest (familial or financial) with the Center for Cultural Innovation or any funders. Black, Indigenous, Latinx, immigrant and trans people and those with disabilities will be prioritized for the distribution of funds. Applications are due on June 5.\u003c/p>\n\u003cp>\u003ca href=\"http://2727.today/news\" target=\"_blank\" rel=\"noopener noreferrer\">COVID-19 Relief for Bay Area Artists\u003c/a>\u003cbr>\nThe art space 2727 California Street and The Hellerstein Foundation are giving out a limited number of $1,500 grants to Bay Area artists who’ve lost significant income due to the pandemic. People who’ve been sick with COVID-19, are caregivers, are ineligible for government benefits or are part of minority communities disproportionately impacted by the virus are prioritized. The Hellerstein Foundation is matching community contributions to the fund, which is accepting \u003ca href=\"https://charity.gofundme.com/o/en/campaign/covid-19-relief-for-bay-area-arts\" target=\"_blank\" rel=\"noopener noreferrer\">donations\u003c/a>. Grant applications are due May 22.\u003c/p>\n\u003cp>\u003ca href=\"https://berkeleyrelieffund.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Berkeley Relief Fund\u003c/a>\u003cbr>\nOpen to Berkeley residents, the Berkeley Relief Fund gives out grants of $10,000 to \u003ca href=\"https://www.cityofberkeley.info/covid19-business-grants/\" target=\"_blank\" rel=\"noopener noreferrer\">small businesses\u003c/a>, $25,000 to \u003ca href=\"https://www.cityofberkeley.info/covid19-arts-grants/\" target=\"_blank\" rel=\"noopener noreferrer\">arts nonprofits\u003c/a> and up to $15,000 to \u003ca href=\"https://www.cityofberkeley.info/covid19-housing-retention/\" target=\"_blank\" rel=\"noopener noreferrer\">individuals and families\u003c/a> in danger of losing their permanent housing. There is no specific grant for artists, but those who are renters may qualify for the housing retention grant. The City of Berkeley allocated $3 million for these grants and is hoping to match that amount with \u003ca href=\"https://www.ebcf.org/donate/donate-to-berkeley-relief-fund/\" target=\"_blank\" rel=\"noopener noreferrer\">donations\u003c/a> from the community.\u003c/p>\n\u003cp>\u003ca href=\"https://www.cciarts.org/EmergencyRelief.htm\" target=\"_blank\" rel=\"noopener noreferrer\">The San Francisco Arts & Artists Relief Fund\u003c/a>\u003cbr>\nThe San Francisco Arts Commission and Grants for the Arts launched a $1.5 million relief fund for individual artists and small arts organizations. It is not limited by artistic discipline, and individuals who are full-time residents of San Francisco and not eligible for unemployment can qualify. San Francisco-based organizations with operating budgets of under $2 million can also apply.\u003c/p>\n\u003cp>\u003ca href=\"https://medium.com/@safetynet/the-safety-net-fund-20040273d291\" target=\"_blank\" rel=\"noopener noreferrer\">The Safety Net Fund \u003c/a>\u003cbr>\nThe Safety Net Fund is offering financial support to artists who typically make their living offline, at in-person events and performances. To qualify, you must reside in the Bay Area (or near it, as some San Joaquin and Santa Cruz county zip codes are eligible), must provide proof of an artistic endeavor in the last six months, cannot be eligible for unemployment insurance from the state, and must have earned less than $1,000 of income in the last 30 days.\u003c/p>\n\u003cp>\u003ca href=\"https://creatorfund.ck.page/\" target=\"_blank\" rel=\"noopener noreferrer\">The Creator Fund\u003c/a>\u003cbr>\nThe Creator Fund from the email marketing company ConvertKit is offering financial assistance of up to $500 for artists and small business owners—the term “creator” is loosely defined. The mini grants can be used for groceries, childcare, rent, mortgage or medical expenses. On its website, the Creator Fund is realistic about its limitations to meet everyone’s needs, but still encourages people to apply.\u003c/p>\n\u003cp>\u003ca href=\"https://www.gofundme.com/f/bay-area-emergency-fund-artistsevent-production?member=3901878\" target=\"_blank\" rel=\"noopener noreferrer\">Bay Area Emergency Fund: Artists/Event Production\u003c/a>\u003cbr>\nThis fund for artists and event producers who make their living from live events is accepting donations, but so far doesn’t have an application process available. When the application goes live, it will require bank statements and proof of an event cancellation that resulted in loss of income. This is a need-based grant; those who need help with rent, medical care, utility bills and childcare will be prioritized.\u003c/p>\n\u003ch2>Funds for Performing Artists, Film and Television\u003c/h2>\n\u003cp>\u003ca href=\"https://www.theatrebayarea.org/page/COVID-19relief-fund\" target=\"_blank\" rel=\"noopener noreferrer\">COVID-19 Performing Arts Worker Relief Fund\u003c/a>\u003cbr>\nTheatre Bay Area organized a fund for theater workers facing a sudden loss of income due to coronavirus. While its website doesn’t specify how much aid is available, they encourage those seeking support to email to apply.\u003c/p>\n\u003cp>\u003ca href=\"https://actorsfund.org/services-and-programs/entertainment-assistance-program\" target=\"_blank\" rel=\"noopener noreferrer\">The Actors Fund’s Entertainment Assistance Program\u003c/a>\u003cbr>\nAny performing artist or entertainment industry professional is eligible for financial assistance from the Actors Fund as long as they either have a minimum of five years of industry experience (while making over $6,500 a year from their creative pursuit for three of those years), or 20 years of industry employment while earning at least $5,000 from it for 10 of those years. In addition to helping with rent or medical expenses, the Actors Fund offers information on affordable housing, health care services, landlord-tenant issues and more. Those interested must contact the Actors Fund directly to apply.\u003c/p>\n\u003ch2>Funds for Musicians and Nightlife Workers\u003c/h2>\n\u003cp>\u003ca href=\"https://www.thelewisprize.org/\" target=\"_blank\" rel=\"noopener noreferrer\">The Lewis Prize COVID-19 Community Response Fund\u003c/a>\u003cbr>\nMusic organizations that mentor young people may be eligible for the Lewis Prize COVID-19 Community Response Fund, which is giving out 20 grants of $25,000–$50,000 to organizations that offer what it calls “creative youth development music programs.” Grant applications open on April 20 and close on May 8, and funds will be distributed on June 16.\u003c/p>\n\u003cp>\u003ca href=\"https://sfqueernightlifefund.org/\" target=\"_blank\" rel=\"noopener noreferrer\">The SF Queer Nightlife Fund\u003c/a>\u003cbr>\nNightlife is a cornerstone of the LGBTQ+ community, so what happens when the dancers, drag queens, DJs, musicians and bartenders who rely on in-person work can no longer do that labor? Workers in the queer nightlife scene experiencing financial hardship can apply for help with food, rent, PG&E, phone, internet and medical expenses. Applications are due March 31.\u003c/p>\n\u003cp>\u003ca href=\"http://www.musiciansfoundation.org/get-support/eligibility/\" target=\"_blank\" rel=\"noopener noreferrer\">Musicians’ Foundation Grant\u003c/a>\u003cbr>\nIf you’ve been a working musician in the United States for the last five years, the Musicians’ Foundation Grant offers grants for emergency situations like medical care or personal or family crisis. The foundation will pay recipients’ expenses directly rather than writing them a check, and grants range between $500 and $3,000.\u003c/p>\n\u003cp>\u003ca href=\"https://www.grammy.com/musicares/client-services/emergency-financial-assistance\" target=\"_blank\" rel=\"noopener noreferrer\">MusiCares Emergency Financial Assistance\u003c/a>\u003cbr>\nMusicians and music industry professionals experiencing unexpected financial hardships can apply to the Recording Academy’s MusiCares program. To be eligible, you must have a documented history as an industry professional for at least five years, or have contributed to six commercially released recordings or videos. MusiCares can fund medical costs, addiction recovery treatment, psychotherapy and basic living expenses such as rent and utilities.\u003c/p>\n\u003cp>\u003ca href=\"https://blues.org/hart-fund/#about\" target=\"_blank\" rel=\"noopener noreferrer\">The Blues Foundation HART Fund\u003c/a>\u003cbr>\nThis one is specific to blues musicians. The HART Fund offers financial assistance for health-related expenses, and artists need to call or email directly to apply.\u003c/p>\n\u003ch2>Funds for Visual Artists\u003c/h2>\n\u003cp>\u003ca href=\"https://www.gottliebfoundation.org/emergency-grant\" target=\"_blank\" rel=\"noopener noreferrer\">The Adolph & Esther Gottlieb Emergency Grant\u003c/a>\u003cbr>\nIf you’re a sculptor, printmaker or painter with over ten years of experience, the Adolph & Esther Gottlieb Emergency Grant program offers larger grants of up to $15,000 for unforeseen expenses. The application specifies that it’s a one-time grant related to a specific emergency, such as fire, flood or medical needs.\u003c/p>\n\u003cp>\u003ca href=\"https://www.nyfa.org/Content/Show/Rauschenberg-Emergency-Grants\" target=\"_blank\" rel=\"noopener noreferrer\">Rauschenberg Emergency Grants\u003c/a>\u003cbr>\nProfessional visual artists, media artists and choreographers living anywhere in the United States can apply for Rauschenberg Emergency Grants of up to $5,000 to cover unforeseen expenses. Please note that a panel reviewing the applications will begin to meet in May and June, so this program isn’t the one for those with pressing, short-term needs.\u003c/p>\n\u003cp>\u003ca href=\"https://cerfplus.org/get-relief/apply-for-help/craft-emergency-relief-fund/eligibility/\" target=\"_blank\" rel=\"noopener noreferrer\">CERF+ Artists’ Safety Net\u003c/a>\u003cbr>\nArtists working in craft disciplines—including but not limited to clay, fiber, metal, wood, glass, concrete, plastic, synthetic fibers or recycled materials—can apply for emergency grants of up to $3,000 from the Craft Emergency Relief Fund. They must demonstrate that they’ve been making a sizable portion of their living from their craft for three years, or that they’ve been involved in traditional or folk art on an ongoing basis. Artists are asked to submit an inquiry form before they can apply.\u003c/p>\n\u003cp>\u003ca href=\"https://docs.google.com/document/d/e/2PACX-1vT-SQ2GcGX4gGduGz29HuK6FgzYiCj586nd1PkrWMIj97meycTIRyQZAAX7mgmeJHHgTdl3MgeP2239/pub\" target=\"_blank\" rel=\"noopener noreferrer\">Untitled, Art Emergency Fund\u003c/a>\u003cbr>\nArtists who either graduated from a Bay Area institution or have been working in the region for at least two years can apply to the Untitled, Art Emergency Fund, which gives out $250 grants to freelance, hourly and wage-working artists. The mini grants cover basic expenses such as rent, childcare and healthcare costs, and applications are due March 31.\u003c/p>\n\u003ch2>Funds for Writers and Authors\u003c/h2>\n\u003cp>\u003ca href=\"https://authorsleaguefund.org/apply/\" target=\"_blank\" rel=\"noopener noreferrer\">Authors League Fund\u003c/a>\u003cbr>\nJournalists, playwrights, poets and authors facing sudden loss of income or unforeseen medical expenses in the United States can apply for emergency grants from the Authors League Fund. The grants, however, prioritize experienced professionals who’ve either been published by traditional publishing houses or publications with national circulation, or have had their work produced by mid-sized or large theaters. The amount of the grant is not specified, and depends on the severity of the emergency.\u003c/p>\n\u003cp>\u003ca href=\"https://pen.org/writers-emergency-fund/\" target=\"_blank\" rel=\"noopener noreferrer\">PEN America Writers’ Emergency Fund\u003c/a>\u003cbr>\nPEN America gives out need-based grants of up to $2,000 for emergency expenses to writers and journalists, and has an additional program for those who are HIV positive. The organization expanded these programs because of coronavirus, and is giving out grants of $500–$1,000 to writers and authors who lost income due to the pandemic.\u003c/p>\n\u003ch2>Additional Funds\u003c/h2>\n\u003cp>\u003ca href=\"https://bayareaworkerssupport.org/grants\" target=\"_blank\" rel=\"noopener noreferrer\">Sex Worker ER Grant Fund\u003c/a>\u003cbr>\nSex workers who rely on in-person business can apply for $50–$200 microgrants to cover short-term expenses from Bay Area Workers Support (BAWS), a grassroots advocacy organization. BAWS also uses its social media profiles to amplify sex workers’ GoFundMe and other crowdfunding campaigns, and is accepting donations from allies.\u003c/p>\n\u003cp>\u003ca href=\"https://www.gofundme.com/f/covid19-relief-fund-for-lgbtqi-bipoc-folks\" target=\"_blank\" rel=\"noopener noreferrer\">COVID-19 Mutual Aid Fund for LGBTQI+ BIPOC Folks\u003c/a>\u003cbr>\nThis fundraiser on GoFundMe has a goal of $250,000, and organizers Amita Swadhin, Treva Ellison, Natalie Havlin, Carrie Hawks, Ren-yo Hwang and Alisa Zipursky are distributing the funds through $100 microgrants to black, indigenous and people of color in the LGBTQ+ community. The fund was created especially to help cover the living expenses of self-employed people and service workers, and isn’t limited by geographic location. Although applications for aid are closed, allies can still donate to provide additional support for grantees who have already been accepted.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Where to apply for, and how to support, emergency grants during coronavirus.",
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"title": "Emergency Funds for Freelancers, Creatives Losing Income During Coronavirus | KQED",
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"headline": "Emergency Funds for Freelancers, Creatives Losing Income During Coronavirus",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This story was originally published on March 18, 2020 and updated on April 17 and May 18.\u003c/em>\u003c/p>\n\u003cp>For many, slowing the spread of coronavirus means stopping work entirely—and losing months of income.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>With the passing of \u003ca href=\"https://www.kqed.org/news/11774025/which-jobs-will-be-impacted-by-ab-5-californias-landmark-employment-measure\" target=\"_blank\" rel=\"noopener noreferrer\">AB 5\u003c/a>, California moved to extend employee protections to freelancers this year, but many creative professionals still work for themselves and don’t have typical salaried-worker safety nets like extended sick leave. Some self-employed people will not qualify for \u003ca href=\"https://www.edd.ca.gov/about_edd/coronavirus-2019.htm\" target=\"_blank\" rel=\"noopener noreferrer\">unemployment insurance\u003c/a>, particularly artists who rely on informal, direct cash payments or practice without a business license.\u003c/p>\n\u003cp>With those challenges in mind, we’ve rounded up a list of mutual aid funds that distribute emergency grants to artists, creative professionals and freelancers facing financial hardships.\u003c/p>\n\u003cp>Most of these funds also accept donations—many of which are tax deductible—from those among us who are more fortunate and looking to help. We also encourage you to donate directly to the low-income artists, service workers and freelancers in your community via PayPal, Cash App or Venmo.\u003c/p>\n\u003ch2>Funds for Creatives of All Disciplines\u003c/h2>\n\u003cp>\u003ca href=\"https://www.cciarts.org/EastBayOaklandRelief.htm\" target=\"_blank\" rel=\"noopener noreferrer\">East Bay/Oakland Relief Fund for Individuals in the Arts\u003c/a>\u003cbr>\nThe City of Oakland and several private funders have partnered on a relief fund for artists and cultural and nonprofit workers living in Alameda and Contra Costa Counties. The fund, totaling $625,000, distributes individual grants of up to $2,000. The Center for Cultural Innovation is administering the grants. To be eligible, individuals most not receive state unemployment insurance and cannot have a conflict of interest (familial or financial) with the Center for Cultural Innovation or any funders. Black, Indigenous, Latinx, immigrant and trans people and those with disabilities will be prioritized for the distribution of funds. Applications are due on June 5.\u003c/p>\n\u003cp>\u003ca href=\"http://2727.today/news\" target=\"_blank\" rel=\"noopener noreferrer\">COVID-19 Relief for Bay Area Artists\u003c/a>\u003cbr>\nThe art space 2727 California Street and The Hellerstein Foundation are giving out a limited number of $1,500 grants to Bay Area artists who’ve lost significant income due to the pandemic. People who’ve been sick with COVID-19, are caregivers, are ineligible for government benefits or are part of minority communities disproportionately impacted by the virus are prioritized. The Hellerstein Foundation is matching community contributions to the fund, which is accepting \u003ca href=\"https://charity.gofundme.com/o/en/campaign/covid-19-relief-for-bay-area-arts\" target=\"_blank\" rel=\"noopener noreferrer\">donations\u003c/a>. Grant applications are due May 22.\u003c/p>\n\u003cp>\u003ca href=\"https://berkeleyrelieffund.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Berkeley Relief Fund\u003c/a>\u003cbr>\nOpen to Berkeley residents, the Berkeley Relief Fund gives out grants of $10,000 to \u003ca href=\"https://www.cityofberkeley.info/covid19-business-grants/\" target=\"_blank\" rel=\"noopener noreferrer\">small businesses\u003c/a>, $25,000 to \u003ca href=\"https://www.cityofberkeley.info/covid19-arts-grants/\" target=\"_blank\" rel=\"noopener noreferrer\">arts nonprofits\u003c/a> and up to $15,000 to \u003ca href=\"https://www.cityofberkeley.info/covid19-housing-retention/\" target=\"_blank\" rel=\"noopener noreferrer\">individuals and families\u003c/a> in danger of losing their permanent housing. There is no specific grant for artists, but those who are renters may qualify for the housing retention grant. The City of Berkeley allocated $3 million for these grants and is hoping to match that amount with \u003ca href=\"https://www.ebcf.org/donate/donate-to-berkeley-relief-fund/\" target=\"_blank\" rel=\"noopener noreferrer\">donations\u003c/a> from the community.\u003c/p>\n\u003cp>\u003ca href=\"https://www.cciarts.org/EmergencyRelief.htm\" target=\"_blank\" rel=\"noopener noreferrer\">The San Francisco Arts & Artists Relief Fund\u003c/a>\u003cbr>\nThe San Francisco Arts Commission and Grants for the Arts launched a $1.5 million relief fund for individual artists and small arts organizations. It is not limited by artistic discipline, and individuals who are full-time residents of San Francisco and not eligible for unemployment can qualify. San Francisco-based organizations with operating budgets of under $2 million can also apply.\u003c/p>\n\u003cp>\u003ca href=\"https://medium.com/@safetynet/the-safety-net-fund-20040273d291\" target=\"_blank\" rel=\"noopener noreferrer\">The Safety Net Fund \u003c/a>\u003cbr>\nThe Safety Net Fund is offering financial support to artists who typically make their living offline, at in-person events and performances. To qualify, you must reside in the Bay Area (or near it, as some San Joaquin and Santa Cruz county zip codes are eligible), must provide proof of an artistic endeavor in the last six months, cannot be eligible for unemployment insurance from the state, and must have earned less than $1,000 of income in the last 30 days.\u003c/p>\n\u003cp>\u003ca href=\"https://creatorfund.ck.page/\" target=\"_blank\" rel=\"noopener noreferrer\">The Creator Fund\u003c/a>\u003cbr>\nThe Creator Fund from the email marketing company ConvertKit is offering financial assistance of up to $500 for artists and small business owners—the term “creator” is loosely defined. The mini grants can be used for groceries, childcare, rent, mortgage or medical expenses. On its website, the Creator Fund is realistic about its limitations to meet everyone’s needs, but still encourages people to apply.\u003c/p>\n\u003cp>\u003ca href=\"https://www.gofundme.com/f/bay-area-emergency-fund-artistsevent-production?member=3901878\" target=\"_blank\" rel=\"noopener noreferrer\">Bay Area Emergency Fund: Artists/Event Production\u003c/a>\u003cbr>\nThis fund for artists and event producers who make their living from live events is accepting donations, but so far doesn’t have an application process available. When the application goes live, it will require bank statements and proof of an event cancellation that resulted in loss of income. This is a need-based grant; those who need help with rent, medical care, utility bills and childcare will be prioritized.\u003c/p>\n\u003ch2>Funds for Performing Artists, Film and Television\u003c/h2>\n\u003cp>\u003ca href=\"https://www.theatrebayarea.org/page/COVID-19relief-fund\" target=\"_blank\" rel=\"noopener noreferrer\">COVID-19 Performing Arts Worker Relief Fund\u003c/a>\u003cbr>\nTheatre Bay Area organized a fund for theater workers facing a sudden loss of income due to coronavirus. While its website doesn’t specify how much aid is available, they encourage those seeking support to email to apply.\u003c/p>\n\u003cp>\u003ca href=\"https://actorsfund.org/services-and-programs/entertainment-assistance-program\" target=\"_blank\" rel=\"noopener noreferrer\">The Actors Fund’s Entertainment Assistance Program\u003c/a>\u003cbr>\nAny performing artist or entertainment industry professional is eligible for financial assistance from the Actors Fund as long as they either have a minimum of five years of industry experience (while making over $6,500 a year from their creative pursuit for three of those years), or 20 years of industry employment while earning at least $5,000 from it for 10 of those years. In addition to helping with rent or medical expenses, the Actors Fund offers information on affordable housing, health care services, landlord-tenant issues and more. Those interested must contact the Actors Fund directly to apply.\u003c/p>\n\u003ch2>Funds for Musicians and Nightlife Workers\u003c/h2>\n\u003cp>\u003ca href=\"https://www.thelewisprize.org/\" target=\"_blank\" rel=\"noopener noreferrer\">The Lewis Prize COVID-19 Community Response Fund\u003c/a>\u003cbr>\nMusic organizations that mentor young people may be eligible for the Lewis Prize COVID-19 Community Response Fund, which is giving out 20 grants of $25,000–$50,000 to organizations that offer what it calls “creative youth development music programs.” Grant applications open on April 20 and close on May 8, and funds will be distributed on June 16.\u003c/p>\n\u003cp>\u003ca href=\"https://sfqueernightlifefund.org/\" target=\"_blank\" rel=\"noopener noreferrer\">The SF Queer Nightlife Fund\u003c/a>\u003cbr>\nNightlife is a cornerstone of the LGBTQ+ community, so what happens when the dancers, drag queens, DJs, musicians and bartenders who rely on in-person work can no longer do that labor? Workers in the queer nightlife scene experiencing financial hardship can apply for help with food, rent, PG&E, phone, internet and medical expenses. Applications are due March 31.\u003c/p>\n\u003cp>\u003ca href=\"http://www.musiciansfoundation.org/get-support/eligibility/\" target=\"_blank\" rel=\"noopener noreferrer\">Musicians’ Foundation Grant\u003c/a>\u003cbr>\nIf you’ve been a working musician in the United States for the last five years, the Musicians’ Foundation Grant offers grants for emergency situations like medical care or personal or family crisis. The foundation will pay recipients’ expenses directly rather than writing them a check, and grants range between $500 and $3,000.\u003c/p>\n\u003cp>\u003ca href=\"https://www.grammy.com/musicares/client-services/emergency-financial-assistance\" target=\"_blank\" rel=\"noopener noreferrer\">MusiCares Emergency Financial Assistance\u003c/a>\u003cbr>\nMusicians and music industry professionals experiencing unexpected financial hardships can apply to the Recording Academy’s MusiCares program. To be eligible, you must have a documented history as an industry professional for at least five years, or have contributed to six commercially released recordings or videos. MusiCares can fund medical costs, addiction recovery treatment, psychotherapy and basic living expenses such as rent and utilities.\u003c/p>\n\u003cp>\u003ca href=\"https://blues.org/hart-fund/#about\" target=\"_blank\" rel=\"noopener noreferrer\">The Blues Foundation HART Fund\u003c/a>\u003cbr>\nThis one is specific to blues musicians. The HART Fund offers financial assistance for health-related expenses, and artists need to call or email directly to apply.\u003c/p>\n\u003ch2>Funds for Visual Artists\u003c/h2>\n\u003cp>\u003ca href=\"https://www.gottliebfoundation.org/emergency-grant\" target=\"_blank\" rel=\"noopener noreferrer\">The Adolph & Esther Gottlieb Emergency Grant\u003c/a>\u003cbr>\nIf you’re a sculptor, printmaker or painter with over ten years of experience, the Adolph & Esther Gottlieb Emergency Grant program offers larger grants of up to $15,000 for unforeseen expenses. The application specifies that it’s a one-time grant related to a specific emergency, such as fire, flood or medical needs.\u003c/p>\n\u003cp>\u003ca href=\"https://www.nyfa.org/Content/Show/Rauschenberg-Emergency-Grants\" target=\"_blank\" rel=\"noopener noreferrer\">Rauschenberg Emergency Grants\u003c/a>\u003cbr>\nProfessional visual artists, media artists and choreographers living anywhere in the United States can apply for Rauschenberg Emergency Grants of up to $5,000 to cover unforeseen expenses. Please note that a panel reviewing the applications will begin to meet in May and June, so this program isn’t the one for those with pressing, short-term needs.\u003c/p>\n\u003cp>\u003ca href=\"https://cerfplus.org/get-relief/apply-for-help/craft-emergency-relief-fund/eligibility/\" target=\"_blank\" rel=\"noopener noreferrer\">CERF+ Artists’ Safety Net\u003c/a>\u003cbr>\nArtists working in craft disciplines—including but not limited to clay, fiber, metal, wood, glass, concrete, plastic, synthetic fibers or recycled materials—can apply for emergency grants of up to $3,000 from the Craft Emergency Relief Fund. They must demonstrate that they’ve been making a sizable portion of their living from their craft for three years, or that they’ve been involved in traditional or folk art on an ongoing basis. Artists are asked to submit an inquiry form before they can apply.\u003c/p>\n\u003cp>\u003ca href=\"https://docs.google.com/document/d/e/2PACX-1vT-SQ2GcGX4gGduGz29HuK6FgzYiCj586nd1PkrWMIj97meycTIRyQZAAX7mgmeJHHgTdl3MgeP2239/pub\" target=\"_blank\" rel=\"noopener noreferrer\">Untitled, Art Emergency Fund\u003c/a>\u003cbr>\nArtists who either graduated from a Bay Area institution or have been working in the region for at least two years can apply to the Untitled, Art Emergency Fund, which gives out $250 grants to freelance, hourly and wage-working artists. The mini grants cover basic expenses such as rent, childcare and healthcare costs, and applications are due March 31.\u003c/p>\n\u003ch2>Funds for Writers and Authors\u003c/h2>\n\u003cp>\u003ca href=\"https://authorsleaguefund.org/apply/\" target=\"_blank\" rel=\"noopener noreferrer\">Authors League Fund\u003c/a>\u003cbr>\nJournalists, playwrights, poets and authors facing sudden loss of income or unforeseen medical expenses in the United States can apply for emergency grants from the Authors League Fund. The grants, however, prioritize experienced professionals who’ve either been published by traditional publishing houses or publications with national circulation, or have had their work produced by mid-sized or large theaters. The amount of the grant is not specified, and depends on the severity of the emergency.\u003c/p>\n\u003cp>\u003ca href=\"https://pen.org/writers-emergency-fund/\" target=\"_blank\" rel=\"noopener noreferrer\">PEN America Writers’ Emergency Fund\u003c/a>\u003cbr>\nPEN America gives out need-based grants of up to $2,000 for emergency expenses to writers and journalists, and has an additional program for those who are HIV positive. The organization expanded these programs because of coronavirus, and is giving out grants of $500–$1,000 to writers and authors who lost income due to the pandemic.\u003c/p>\n\u003ch2>Additional Funds\u003c/h2>\n\u003cp>\u003ca href=\"https://bayareaworkerssupport.org/grants\" target=\"_blank\" rel=\"noopener noreferrer\">Sex Worker ER Grant Fund\u003c/a>\u003cbr>\nSex workers who rely on in-person business can apply for $50–$200 microgrants to cover short-term expenses from Bay Area Workers Support (BAWS), a grassroots advocacy organization. BAWS also uses its social media profiles to amplify sex workers’ GoFundMe and other crowdfunding campaigns, and is accepting donations from allies.\u003c/p>\n\u003cp>\u003ca href=\"https://www.gofundme.com/f/covid19-relief-fund-for-lgbtqi-bipoc-folks\" target=\"_blank\" rel=\"noopener noreferrer\">COVID-19 Mutual Aid Fund for LGBTQI+ BIPOC Folks\u003c/a>\u003cbr>\nThis fundraiser on GoFundMe has a goal of $250,000, and organizers Amita Swadhin, Treva Ellison, Natalie Havlin, Carrie Hawks, Ren-yo Hwang and Alisa Zipursky are distributing the funds through $100 microgrants to black, indigenous and people of color in the LGBTQ+ community. The fund was created especially to help cover the living expenses of self-employed people and service workers, and isn’t limited by geographic location. Although applications for aid are closed, allies can still donate to provide additional support for grantees who have already been accepted.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>With the new \u003ca href=\"https://www.kqed.org/science/1957877/live-updates-coronavirus-in-the-san-francisco-bay-area\" target=\"_blank\" rel=\"noopener noreferrer\">“shelter in place” order in six Bay Area counties\u003c/a>, even more people will spend their days working from home, avoiding public spaces and switching from a handshake to an elbow bump in the coming weeks. Social distancing can be a big adjustment, and staying connected is a key part of maintaining a sense of normalcy. [aside postid='arts_13876619']\u003c/p>\n\u003cp>With the help of our listeners, we’ve rounded up a number of podcasts that offer great companionship during these isolating times. With pods that heal, keep the important news coming and spotlight people doing great things in their communities, we’ve put them all in a \u003ca href=\"https://open.spotify.com/playlist/7p3CikC6ihfwFsdWXxpAyd?si=m5NLVZXsQquV_SYXc1eTZg\" target=\"_blank\" rel=\"noopener noreferrer\">Spotify playlist\u003c/a> you can follow at the bottom of the page.\u003c/p>\n\u003cp>Have a recommendation for a show you want to add? Drop a comment in this \u003ca href=\"https://twitter.com/KQED/status/1238657361046392833\" target=\"_blank\" rel=\"noopener noreferrer\">Twitter thread.\u003c/a>\u003c/p>\n\u003ch2>A show for healing\u003cbr>\n\u003cem>Truth Be Told\u003cbr>\n\u003c/em>\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-13876809 size-thumbnail\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/1440_0005_TBT_iTunesTile_01-160x160.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0005_TBT_iTunesTile_01-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0005_TBT_iTunesTile_01-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0005_TBT_iTunesTile_01-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0005_TBT_iTunesTile_01-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0005_TBT_iTunesTile_01.jpg 1440w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>KQED’s advice show for and by people of color, \u003ca href=\"https://www.kqed.org/podcasts/356/healing-for-black-america\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>\u003cem>Truth Be Told\u003c/em>\u003c/strong>\u003c/a>, is back for a second season with host Tonya Mosley, and the first episode dives into the question, “How are black Americans expected to overcome and thrive in this country without the necessary mechanisms of healing?” Mosley and her guest, author \u003ca href=\"https://www.kieselaymon.com/books\" target=\"_blank\" rel=\"noopener noreferrer\">Kiese Laymon\u003c/a>, talk about family, trauma and healing in today’s world. Plus, the show’s latest \u003ca href=\"https://open.spotify.com/playlist/58Wa6gLipwjf5ygR4BTJTw?si=i6qeFd0qTJqQnDrG2c7uXA\" target=\"_blank\" rel=\"noopener noreferrer\">Spotify playlist features extra loving music\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Other recommendations:\u003c/strong> \u003ca href=\"https://www.callyourgirlfriend.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Call Your Girlfriend\u003c/em>\u003c/a> and \u003ca href=\"https://podcasts.apple.com/us/podcast/oprahs-supersoul-conversations/id1264843400\" target=\"_blank\" rel=\"noopener noreferrer\">Oprah’s \u003cem>Super Soulful Conversations\u003c/em>\u003c/a>.\u003c/p>\n\u003ch2>\u003cstrong>For understanding history\u003c/strong>\u003cbr>\n\u003cstrong>\u003cem style=\"font-size: 24px\">The Kitchen Sisters Present: The Keepers\u003c/em>\u003c/strong>\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-13876810 size-thumbnail\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/fugitive_waves-160x160.png\" alt=\"\" width=\"160\" height=\"160\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/fugitive_waves-160x160.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/fugitive_waves-800x800.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/fugitive_waves-768x768.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/fugitive_waves.png 1000w\" sizes=\"(max-width: 160px) 100vw, 160px\">The first part of \u003cem>The Kitchen Sisters’\u003c/em> new two-part special, \u003cstrong>\u003cem>\u003ca href=\"http://www.kitchensisters.org/present/the-keepers-hour-1/\" target=\"_blank\" rel=\"noopener noreferrer\">The Keepers\u003c/a>\u003c/em>\u003c/strong>, shines a light on the people preserving history—archivists, librarians, historians and curators. Host Frances McDormand introduces us to the “guardians of history, large and small. Protectors of the free flow of information and ideas.”\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>Other podcasts with historical takes\u003c/strong>\u003cb>: \u003c/b>\u003cspan style=\"font-weight: 400\">\u003cem>\u003ca href=\"https://www.npr.org/podcasts/510333/throughline\" target=\"_blank\" rel=\"noopener noreferrer\">Throughline\u003c/a>\u003c/em> and \u003cem>\u003ca href=\"https://www.npr.org/2019/11/07/776908450/slow-burn-season-3-turns-its-investigative-eye-to-the-murders-of-biggie-and-tupa\" target=\"_blank\" rel=\"noopener noreferrer\">Slowburn: Biggie and Tupac\u003c/a>.\u003c/em>\u003c/span>\u003c/p>\n\u003ch2>\u003cstrong>\u003cbr>\nOn loving yourself and your community\u003c/strong>\u003cbr>\n\u003cstrong>\u003cem>Rightnowish\u003c/em>\u003c/strong>\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-13876811 size-thumbnail\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/1440_0007_Rightnowish_iTunesTile_01-160x160.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0007_Rightnowish_iTunesTile_01-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0007_Rightnowish_iTunesTile_01-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0007_Rightnowish_iTunesTile_01-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0007_Rightnowish_iTunesTile_01-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0007_Rightnowish_iTunesTile_01.jpg 1440w\" sizes=\"(max-width: 160px) 100vw, 160px\">“I don’t get paid to do this. I think it’s just personal fulfillment,” says artist \u003ca href=\"https://www.instagram.com/hellacrafty/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Yasmin Arreola\u003c/a> in an episode of \u003cem>\u003ca href=\"https://www.kqed.org/arts/13875501/yazmin-and-daniel-silva\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Rightnowish\u003c/strong>\u003c/a>\u003c/em>, a KQED arts and culture podcast hosted by Pendarvis Harshaw. The episode is all about showing up for yourself, your people and the larger community. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Other recommendations:\u003c/strong> \u003cem>\u003ca href=\"https://www.rebeleatersclub.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Rebel Eaters Club\u003c/a>\u003c/em> and \u003ca href=\"https://bythebookpod.com/about-us\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>By The Book\u003c/em>\u003c/a>.\u003c/span>\u003c/p>\n\u003ch2>\u003cstrong>\u003cbr>\nQuick listens\u003c/strong>\u003cbr>\n\u003cem>\u003cspan style=\"font-weight: 400\">\u003cstrong>Netflix is a Daily Joke\u003c/strong>\u003c/span>\u003c/em>\u003c/h2>\n\u003cp>\u003cem>\u003cspan style=\"font-weight: 400\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-13876784 size-thumbnail\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/268x0w-160x160.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/268x0w-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/268x0w.jpg 268w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/span>\u003c/em>\u003cspan style=\"font-weight: 400\">For when you need a quick laugh—or ten—\u003cem>\u003cstrong>\u003ca href=\"https://podcasts.apple.com/us/podcast/netflix-is-a-daily-joke/id1498522890\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix is a Daily Joke\u003c/a>\u003c/strong> \u003c/em>pulls one joke from a comedian on Netflix, keeping it under five minutes, and publishes daily. Hasan Minhaj’s joke on landlines is a must-listen. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Other shows that keep it short:\u003c/strong> \u003cem>\u003ca href=\"https://www.wnycstudios.org/podcasts/10-things-scare-me\" target=\"_blank\" rel=\"noopener noreferrer\">10 Things That Scare Me\u003c/a>\u003c/em> and \u003cem>\u003ca href=\"https://podcasts.apple.com/us/podcast/ghosted-stories/id1162344895\" target=\"_blank\" rel=\"noopener noreferrer\">Ghost Stories\u003c/a>\u003c/em>.\u003c/span>\u003c/p>\n\u003ch2>\u003cstrong>\u003cbr>\nFor staying informed\u003c/strong>\u003cbr>\n\u003cstrong>\u003cem style=\"font-size: 24px\">Bay Curious\u003c/em>\u003c/strong>\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-13876812 size-thumbnail\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/1440_0017_BayCurious_iTunesTile_01-160x160.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0017_BayCurious_iTunesTile_01-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0017_BayCurious_iTunesTile_01-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0017_BayCurious_iTunesTile_01-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0017_BayCurious_iTunesTile_01-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0017_BayCurious_iTunesTile_01.jpg 1440w\" sizes=\"(max-width: 160px) 100vw, 160px\">KQED’s \u003cem>\u003cstrong>\u003ca href=\"https://www.kqed.org/podcasts/baycurious\" target=\"_blank\" rel=\"noopener noreferrer\">Bay Curious\u003c/a> \u003c/strong>\u003c/em>explores listener questions about the Bay Area every week. In the latest episode, host Olivia Allen-Price answers questions about the novel coronavirus in the Bay Area, such as “How long does the virus last on a doorknob?” and “Will we be quarantined?”\u003c/span>\u003c/p>\n\u003cp>For more Bay Area coverage, check out KQED’s \u003cstrong>\u003ca href=\"https://www.kqed.org/podcasts/thebay\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Bay\u003c/em>\u003c/a> \u003c/strong>podcast. The latest episodes about the impact of coronavirus—such as “\u003ca href=\"https://www.kqed.org/news/11806105/working-from-home-not-an-option-for-gig-workers\" target=\"_blank\" rel=\"noopener noreferrer\">Working From Home? Not an Option for Gig Workers\u003c/a>” and “\u003ca href=\"https://www.kqed.org/news/11805713/the-disease-detectives-tracing-the-spread-of-the-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">The ‘Disease Detectives’ Tracing the Spread of the Coronavirus\u003c/a>“—\u003cspan style=\"font-weight: 400\">are essential listening. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Other podcasts to keep you in the loop:\u003c/strong> \u003cem>\u003ca href=\"https://www.vox.com/today-explained\" target=\"_blank\" rel=\"noopener noreferrer\">Today, Explained\u003c/a>\u003c/em> and \u003cem>\u003ca href=\"https://www.nytimes.com/2020/03/16/podcasts/the-daily/coronavirus-recession.html\" target=\"_blank\" rel=\"noopener noreferrer\">The Daily\u003c/a>.\u003c/em>\u003c/span>\u003c/p>\n\u003ch2>\u003cstrong>For the deep dive convos\u003c/strong>\u003cbr>\n\u003cstrong>\u003cem style=\"font-size: 24px\">Reply All \u003c/em>\u003c/strong>\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-13876792 size-thumbnail\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/ymy4k0rjwou4golqinlj-160x160.jpeg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/ymy4k0rjwou4golqinlj-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/ymy4k0rjwou4golqinlj.jpeg 600w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cem>\u003cstrong>\u003ca href=\"https://gimletmedia.com/shows/reply-all/o2h8bx\" target=\"_blank\" rel=\"noopener noreferrer\">Reply All\u003c/a>\u003c/strong>\u003c/em>, Gimlet’s “podcast about the internet” that’s actually about modern life, takes listeners on the search for a missing song when a California man is determined to find a tune from his youth that’s disappeared from the internet. Check out “\u003ca href=\"https://gimletmedia.com/shows/reply-all/o2h8bx\" target=\"_blank\" rel=\"noopener noreferrer\">#158 The Case of the Missing Hit.\u003c/a>“\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Other recommendations:\u003c/strong> \u003cem>\u003ca href=\"https://www.wnycstudios.org/podcasts/whiteguys\" target=\"_blank\" rel=\"noopener noreferrer\">Sooo Many White Guys\u003c/a>\u003c/em> and \u003cem>\u003ca href=\"https://www.wnycstudios.org/podcasts/snapjudgment\" target=\"_blank\" rel=\"noopener noreferrer\">Snap Judgment\u003c/a>\u003c/em>.\u003c/span>\u003c/p>\n\u003ch2>YOUR podcast recommendations\u003c/h2>\n\u003cp>https://twitter.com/KQED/status/1238657361046392833\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We asked you over the weekend about what podcasts you are listening to. We heard from readers who are into shows like \u003cem>\u003ca href=\"https://www.earhustlesq.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Ear Hustle\u003c/a>\u003c/em>,\u003ca href=\"https://podcasts.apple.com/us/podcast/spiritual-af-or-whatever/id1478665758\" target=\"_blank\" rel=\"noopener noreferrer\"> \u003cem>Spirtual AF. . . or Whatever\u003c/em>\u003c/a>, \u003cem>\u003ca href=\"https://www.wnycstudios.org/podcasts/dolly-partons-america\" target=\"_blank\" rel=\"noopener noreferrer\">Dolly Parton’s America\u003c/a> \u003c/em>and more. Check out the\u003ca href=\"https://twitter.com/KQED/status/1238657361046392833\"> Twitter post\u003c/a> for the more, and drop a comment with your favorites.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/user/zqvri1vy0dvgq798jqxt1ljh2/playlist/7p3CikC6ihfwFsdWXxpAyd\" width=\"380\" height=\"300\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>With the new \u003ca href=\"https://www.kqed.org/science/1957877/live-updates-coronavirus-in-the-san-francisco-bay-area\" target=\"_blank\" rel=\"noopener noreferrer\">“shelter in place” order in six Bay Area counties\u003c/a>, even more people will spend their days working from home, avoiding public spaces and switching from a handshake to an elbow bump in the coming weeks. Social distancing can be a big adjustment, and staying connected is a key part of maintaining a sense of normalcy. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>With the help of our listeners, we’ve rounded up a number of podcasts that offer great companionship during these isolating times. With pods that heal, keep the important news coming and spotlight people doing great things in their communities, we’ve put them all in a \u003ca href=\"https://open.spotify.com/playlist/7p3CikC6ihfwFsdWXxpAyd?si=m5NLVZXsQquV_SYXc1eTZg\" target=\"_blank\" rel=\"noopener noreferrer\">Spotify playlist\u003c/a> you can follow at the bottom of the page.\u003c/p>\n\u003cp>Have a recommendation for a show you want to add? Drop a comment in this \u003ca href=\"https://twitter.com/KQED/status/1238657361046392833\" target=\"_blank\" rel=\"noopener noreferrer\">Twitter thread.\u003c/a>\u003c/p>\n\u003ch2>A show for healing\u003cbr>\n\u003cem>Truth Be Told\u003cbr>\n\u003c/em>\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-13876809 size-thumbnail\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/1440_0005_TBT_iTunesTile_01-160x160.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0005_TBT_iTunesTile_01-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0005_TBT_iTunesTile_01-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0005_TBT_iTunesTile_01-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0005_TBT_iTunesTile_01-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0005_TBT_iTunesTile_01.jpg 1440w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>KQED’s advice show for and by people of color, \u003ca href=\"https://www.kqed.org/podcasts/356/healing-for-black-america\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>\u003cem>Truth Be Told\u003c/em>\u003c/strong>\u003c/a>, is back for a second season with host Tonya Mosley, and the first episode dives into the question, “How are black Americans expected to overcome and thrive in this country without the necessary mechanisms of healing?” Mosley and her guest, author \u003ca href=\"https://www.kieselaymon.com/books\" target=\"_blank\" rel=\"noopener noreferrer\">Kiese Laymon\u003c/a>, talk about family, trauma and healing in today’s world. Plus, the show’s latest \u003ca href=\"https://open.spotify.com/playlist/58Wa6gLipwjf5ygR4BTJTw?si=i6qeFd0qTJqQnDrG2c7uXA\" target=\"_blank\" rel=\"noopener noreferrer\">Spotify playlist features extra loving music\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Other recommendations:\u003c/strong> \u003ca href=\"https://www.callyourgirlfriend.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Call Your Girlfriend\u003c/em>\u003c/a> and \u003ca href=\"https://podcasts.apple.com/us/podcast/oprahs-supersoul-conversations/id1264843400\" target=\"_blank\" rel=\"noopener noreferrer\">Oprah’s \u003cem>Super Soulful Conversations\u003c/em>\u003c/a>.\u003c/p>\n\u003ch2>\u003cstrong>For understanding history\u003c/strong>\u003cbr>\n\u003cstrong>\u003cem style=\"font-size: 24px\">The Kitchen Sisters Present: The Keepers\u003c/em>\u003c/strong>\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-13876810 size-thumbnail\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/fugitive_waves-160x160.png\" alt=\"\" width=\"160\" height=\"160\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/fugitive_waves-160x160.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/fugitive_waves-800x800.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/fugitive_waves-768x768.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/fugitive_waves.png 1000w\" sizes=\"(max-width: 160px) 100vw, 160px\">The first part of \u003cem>The Kitchen Sisters’\u003c/em> new two-part special, \u003cstrong>\u003cem>\u003ca href=\"http://www.kitchensisters.org/present/the-keepers-hour-1/\" target=\"_blank\" rel=\"noopener noreferrer\">The Keepers\u003c/a>\u003c/em>\u003c/strong>, shines a light on the people preserving history—archivists, librarians, historians and curators. Host Frances McDormand introduces us to the “guardians of history, large and small. Protectors of the free flow of information and ideas.”\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>Other podcasts with historical takes\u003c/strong>\u003cb>: \u003c/b>\u003cspan style=\"font-weight: 400\">\u003cem>\u003ca href=\"https://www.npr.org/podcasts/510333/throughline\" target=\"_blank\" rel=\"noopener noreferrer\">Throughline\u003c/a>\u003c/em> and \u003cem>\u003ca href=\"https://www.npr.org/2019/11/07/776908450/slow-burn-season-3-turns-its-investigative-eye-to-the-murders-of-biggie-and-tupa\" target=\"_blank\" rel=\"noopener noreferrer\">Slowburn: Biggie and Tupac\u003c/a>.\u003c/em>\u003c/span>\u003c/p>\n\u003ch2>\u003cstrong>\u003cbr>\nOn loving yourself and your community\u003c/strong>\u003cbr>\n\u003cstrong>\u003cem>Rightnowish\u003c/em>\u003c/strong>\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-13876811 size-thumbnail\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/1440_0007_Rightnowish_iTunesTile_01-160x160.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0007_Rightnowish_iTunesTile_01-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0007_Rightnowish_iTunesTile_01-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0007_Rightnowish_iTunesTile_01-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0007_Rightnowish_iTunesTile_01-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0007_Rightnowish_iTunesTile_01.jpg 1440w\" sizes=\"(max-width: 160px) 100vw, 160px\">“I don’t get paid to do this. I think it’s just personal fulfillment,” says artist \u003ca href=\"https://www.instagram.com/hellacrafty/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Yasmin Arreola\u003c/a> in an episode of \u003cem>\u003ca href=\"https://www.kqed.org/arts/13875501/yazmin-and-daniel-silva\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Rightnowish\u003c/strong>\u003c/a>\u003c/em>, a KQED arts and culture podcast hosted by Pendarvis Harshaw. The episode is all about showing up for yourself, your people and the larger community. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Other recommendations:\u003c/strong> \u003cem>\u003ca href=\"https://www.rebeleatersclub.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Rebel Eaters Club\u003c/a>\u003c/em> and \u003ca href=\"https://bythebookpod.com/about-us\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>By The Book\u003c/em>\u003c/a>.\u003c/span>\u003c/p>\n\u003ch2>\u003cstrong>\u003cbr>\nQuick listens\u003c/strong>\u003cbr>\n\u003cem>\u003cspan style=\"font-weight: 400\">\u003cstrong>Netflix is a Daily Joke\u003c/strong>\u003c/span>\u003c/em>\u003c/h2>\n\u003cp>\u003cem>\u003cspan style=\"font-weight: 400\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-13876784 size-thumbnail\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/268x0w-160x160.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/268x0w-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/268x0w.jpg 268w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/span>\u003c/em>\u003cspan style=\"font-weight: 400\">For when you need a quick laugh—or ten—\u003cem>\u003cstrong>\u003ca href=\"https://podcasts.apple.com/us/podcast/netflix-is-a-daily-joke/id1498522890\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix is a Daily Joke\u003c/a>\u003c/strong> \u003c/em>pulls one joke from a comedian on Netflix, keeping it under five minutes, and publishes daily. Hasan Minhaj’s joke on landlines is a must-listen. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Other shows that keep it short:\u003c/strong> \u003cem>\u003ca href=\"https://www.wnycstudios.org/podcasts/10-things-scare-me\" target=\"_blank\" rel=\"noopener noreferrer\">10 Things That Scare Me\u003c/a>\u003c/em> and \u003cem>\u003ca href=\"https://podcasts.apple.com/us/podcast/ghosted-stories/id1162344895\" target=\"_blank\" rel=\"noopener noreferrer\">Ghost Stories\u003c/a>\u003c/em>.\u003c/span>\u003c/p>\n\u003ch2>\u003cstrong>\u003cbr>\nFor staying informed\u003c/strong>\u003cbr>\n\u003cstrong>\u003cem style=\"font-size: 24px\">Bay Curious\u003c/em>\u003c/strong>\u003c/h2>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-13876812 size-thumbnail\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/1440_0017_BayCurious_iTunesTile_01-160x160.jpg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0017_BayCurious_iTunesTile_01-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0017_BayCurious_iTunesTile_01-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0017_BayCurious_iTunesTile_01-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0017_BayCurious_iTunesTile_01-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/1440_0017_BayCurious_iTunesTile_01.jpg 1440w\" sizes=\"(max-width: 160px) 100vw, 160px\">KQED’s \u003cem>\u003cstrong>\u003ca href=\"https://www.kqed.org/podcasts/baycurious\" target=\"_blank\" rel=\"noopener noreferrer\">Bay Curious\u003c/a> \u003c/strong>\u003c/em>explores listener questions about the Bay Area every week. In the latest episode, host Olivia Allen-Price answers questions about the novel coronavirus in the Bay Area, such as “How long does the virus last on a doorknob?” and “Will we be quarantined?”\u003c/span>\u003c/p>\n\u003cp>For more Bay Area coverage, check out KQED’s \u003cstrong>\u003ca href=\"https://www.kqed.org/podcasts/thebay\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Bay\u003c/em>\u003c/a> \u003c/strong>podcast. The latest episodes about the impact of coronavirus—such as “\u003ca href=\"https://www.kqed.org/news/11806105/working-from-home-not-an-option-for-gig-workers\" target=\"_blank\" rel=\"noopener noreferrer\">Working From Home? Not an Option for Gig Workers\u003c/a>” and “\u003ca href=\"https://www.kqed.org/news/11805713/the-disease-detectives-tracing-the-spread-of-the-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">The ‘Disease Detectives’ Tracing the Spread of the Coronavirus\u003c/a>“—\u003cspan style=\"font-weight: 400\">are essential listening. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Other podcasts to keep you in the loop:\u003c/strong> \u003cem>\u003ca href=\"https://www.vox.com/today-explained\" target=\"_blank\" rel=\"noopener noreferrer\">Today, Explained\u003c/a>\u003c/em> and \u003cem>\u003ca href=\"https://www.nytimes.com/2020/03/16/podcasts/the-daily/coronavirus-recession.html\" target=\"_blank\" rel=\"noopener noreferrer\">The Daily\u003c/a>.\u003c/em>\u003c/span>\u003c/p>\n\u003ch2>\u003cstrong>For the deep dive convos\u003c/strong>\u003cbr>\n\u003cstrong>\u003cem style=\"font-size: 24px\">Reply All \u003c/em>\u003c/strong>\u003c/h2>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-13876792 size-thumbnail\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/ymy4k0rjwou4golqinlj-160x160.jpeg\" alt=\"\" width=\"160\" height=\"160\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/ymy4k0rjwou4golqinlj-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/ymy4k0rjwou4golqinlj.jpeg 600w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cem>\u003cstrong>\u003ca href=\"https://gimletmedia.com/shows/reply-all/o2h8bx\" target=\"_blank\" rel=\"noopener noreferrer\">Reply All\u003c/a>\u003c/strong>\u003c/em>, Gimlet’s “podcast about the internet” that’s actually about modern life, takes listeners on the search for a missing song when a California man is determined to find a tune from his youth that’s disappeared from the internet. Check out “\u003ca href=\"https://gimletmedia.com/shows/reply-all/o2h8bx\" target=\"_blank\" rel=\"noopener noreferrer\">#158 The Case of the Missing Hit.\u003c/a>“\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cstrong>Other recommendations:\u003c/strong> \u003cem>\u003ca href=\"https://www.wnycstudios.org/podcasts/whiteguys\" target=\"_blank\" rel=\"noopener noreferrer\">Sooo Many White Guys\u003c/a>\u003c/em> and \u003cem>\u003ca href=\"https://www.wnycstudios.org/podcasts/snapjudgment\" target=\"_blank\" rel=\"noopener noreferrer\">Snap Judgment\u003c/a>\u003c/em>.\u003c/span>\u003c/p>\n\u003ch2>YOUR podcast recommendations\u003c/h2>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003cspan style=\"font-weight: 400\">We asked you over the weekend about what podcasts you are listening to. We heard from readers who are into shows like \u003cem>\u003ca href=\"https://www.earhustlesq.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Ear Hustle\u003c/a>\u003c/em>,\u003ca href=\"https://podcasts.apple.com/us/podcast/spiritual-af-or-whatever/id1478665758\" target=\"_blank\" rel=\"noopener noreferrer\"> \u003cem>Spirtual AF. . . or Whatever\u003c/em>\u003c/a>, \u003cem>\u003ca href=\"https://www.wnycstudios.org/podcasts/dolly-partons-america\" target=\"_blank\" rel=\"noopener noreferrer\">Dolly Parton’s America\u003c/a> \u003c/em>and more. Check out the\u003ca href=\"https://twitter.com/KQED/status/1238657361046392833\"> Twitter post\u003c/a> for the more, and drop a comment with your favorites.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/user/zqvri1vy0dvgq798jqxt1ljh2/playlist/7p3CikC6ihfwFsdWXxpAyd\" width=\"380\" height=\"300\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Watch John Oliver Sum Up Everything You Need to Know About Coronavirus",
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"content": "\u003cp>In the six years it’s been on air, \u003cem>Last Week Tonight With John Oliver\u003c/em> has proven itself particularly adept at summing up complex issues in a way that’s consistently informative and—by some miracle—funny. Sunday’s coronavirus episode was the pinnacle of that, despite being presented on a jarringly stripped down set.\u003c/p>\n\u003cp>“This is weird, isn’t it?” Oliver began. “This is definitely weird. As you can clearly tell, this is not going to be our usual show this week. For a start, there is no audience, and also we’re not even in our usual studio. Partly because we do like to shake things up whenever we can, and also partly because our actual studio might be full of coronavirus.”\u003c/p>\n\u003cp>Oliver explained that confirmed cases of the illness were found in the CBS Broadcast Center and the \u003cem>Last Week Tonight\u003c/em> office building. He then launched into a 20-minute summary of everything Americans need to know about coronavirus right now.\u003c/p>\n\u003cp>The episode contained good advice on how to stay safe, a summary of “harmful bullshit” spread by misinformed people (including the president), pointers about how to help out in your community, and important warnings from \u003ca href=\"https://www.c-span.org/person/?anthonyfauci\" target=\"_blank\" rel=\"noopener noreferrer\">Dr. Anthony Fauci\u003c/a> that you may not have heard unless you watch C-Span. There were even 30 seconds set aside to feel “selfish anger” about whatever events you’re missing in the coming weeks.\u003c/p>\n\u003cp>Between the white background, lack of audience laughter and Oliver’s more serious moments, the episode occasionally veered into feeling borderline apocalyptic. “I know things are currently very scary,” he concluded. “And things are going to be weird for a while. For weeks and, honestly, more likely months… We’re going to need to look out for one another. … This is going to be an unsettling and potentially lonely time.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But yes, \u003cem>Last Week Tonight\u003c/em>‘s humor was still peppered throughout, thanks to a TikTok hamster, hashtag feminism and making light of the studio set up. “We’re currently taping this with a very limited crew on this white void set,” Oliver said at one point. “It kind of looks like the place movie characters go when they’ve just died—or where they shot the Cars For Kids commercial. Very much, by the way, the coronavirus of commercials, in that it is horrifically infectious and ruins people’s lives.”\u003c/p>\n\u003cp>In closing, Oliver said: “We will be back in some form, some time in the future. Until then, stay safe. Goodnight.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=_066dEkycr4\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"excerpt": "HBO's 'Last Week Tonight' felt a little apocalyptic on Sunday night, but the information in it was invaluable. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In the six years it’s been on air, \u003cem>Last Week Tonight With John Oliver\u003c/em> has proven itself particularly adept at summing up complex issues in a way that’s consistently informative and—by some miracle—funny. Sunday’s coronavirus episode was the pinnacle of that, despite being presented on a jarringly stripped down set.\u003c/p>\n\u003cp>“This is weird, isn’t it?” Oliver began. “This is definitely weird. As you can clearly tell, this is not going to be our usual show this week. For a start, there is no audience, and also we’re not even in our usual studio. Partly because we do like to shake things up whenever we can, and also partly because our actual studio might be full of coronavirus.”\u003c/p>\n\u003cp>Oliver explained that confirmed cases of the illness were found in the CBS Broadcast Center and the \u003cem>Last Week Tonight\u003c/em> office building. He then launched into a 20-minute summary of everything Americans need to know about coronavirus right now.\u003c/p>\n\u003cp>The episode contained good advice on how to stay safe, a summary of “harmful bullshit” spread by misinformed people (including the president), pointers about how to help out in your community, and important warnings from \u003ca href=\"https://www.c-span.org/person/?anthonyfauci\" target=\"_blank\" rel=\"noopener noreferrer\">Dr. Anthony Fauci\u003c/a> that you may not have heard unless you watch C-Span. There were even 30 seconds set aside to feel “selfish anger” about whatever events you’re missing in the coming weeks.\u003c/p>\n\u003cp>Between the white background, lack of audience laughter and Oliver’s more serious moments, the episode occasionally veered into feeling borderline apocalyptic. “I know things are currently very scary,” he concluded. “And things are going to be weird for a while. For weeks and, honestly, more likely months… We’re going to need to look out for one another. … This is going to be an unsettling and potentially lonely time.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But yes, \u003cem>Last Week Tonight\u003c/em>‘s humor was still peppered throughout, thanks to a TikTok hamster, hashtag feminism and making light of the studio set up. “We’re currently taping this with a very limited crew on this white void set,” Oliver said at one point. “It kind of looks like the place movie characters go when they’ve just died—or where they shot the Cars For Kids commercial. Very much, by the way, the coronavirus of commercials, in that it is horrifically infectious and ruins people’s lives.”\u003c/p>\n\u003cp>In closing, Oliver said: “We will be back in some form, some time in the future. Until then, stay safe. Goodnight.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_066dEkycr4'\n title='//www.youtube.com/embed/_066dEkycr4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>On Monday, the actor Idris Elba shared on Twitter that he has tested positive for COVID-19.\u003c/p>\n\u003cp>“This morning I tested positive for Covid 19,” the actor wrote. “I feel ok, I have no symptoms so far but have been isolated since I found out about my possible exposure to the virus. Stay home people and be pragmatic. I will keep you updated on how I’m doing 👊🏾👊🏾 No panic.”\u003c/p>\n\u003cp>https://twitter.com/idriselba/status/1239617034901524481\u003c/p>\n\u003cp>In an accompanying video, Elba added that he got tested “because I realized I was exposed to someone who also tested positive.” He also encouraged others feeling any symptoms to get tested, and offered a broad view of the pandemic in general.\u003c/p>\n\u003cp>“Look, we live in a divided world tight now, we can all feel it. It’s been bullshit,” the actor said. “But now’s the time for solidarity, now’s the time for thinking about each other. There are so many people whose lives who have affected, from those who have lost people that they love, to people who don’t even have it who’ve lost livelihoods.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Last week, fellow Hollywood actor Tom Hanks \u003ca href=\"https://www.kqed.org/arts/13876500/tom-hanks-wife-rita-wilson-test-positive-for-coronavirus\" rel=\"noopener noreferrer\" target=\"_blank\">announced\u003c/a> that he and his wife Rita Wilson also tested positive for the coronavirus. \u003c/p>\n\u003cp>Hanks’ son released a statement that Hanks and Wilson were feeling positive. Elba echoed the sentiment.\u003c/p>\n\u003cp>“I will keep you updated as to how I’m doing, but so far we’re feeling OK,” Elba said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Stay positive and don’t freak out.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>In an accompanying video, Elba added that he got tested “because I realized I was exposed to someone who also tested positive.” He also encouraged others feeling any symptoms to get tested, and offered a broad view of the pandemic in general.\u003c/p>\n\u003cp>“Look, we live in a divided world tight now, we can all feel it. It’s been bullshit,” the actor said. “But now’s the time for solidarity, now’s the time for thinking about each other. There are so many people whose lives who have affected, from those who have lost people that they love, to people who don’t even have it who’ve lost livelihoods.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Last week, fellow Hollywood actor Tom Hanks \u003ca href=\"https://www.kqed.org/arts/13876500/tom-hanks-wife-rita-wilson-test-positive-for-coronavirus\" rel=\"noopener noreferrer\" target=\"_blank\">announced\u003c/a> that he and his wife Rita Wilson also tested positive for the coronavirus. \u003c/p>\n\u003cp>Hanks’ son released a statement that Hanks and Wilson were feeling positive. Elba echoed the sentiment.\u003c/p>\n\u003cp>“I will keep you updated as to how I’m doing, but so far we’re feeling OK,” Elba said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Stay positive and don’t freak out.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cstrong>Updated at 1:55 a.m. ET Monday\u003c/strong>\u003c/p>\n\u003cp>In an effort to slow the spread of the coronavirus pandemic, the Centers for Disease Control and Prevention is now advising against gatherings of 50 people or more for the next eight weeks.\u003c/p>\n\u003cp>In \u003ca href=\"https://www.cdc.gov/coronavirus/2019-ncov/community/large-events/mass-gatherings-ready-for-covid-19.html\">a guidance announcement\u003c/a> issued on Sunday, the agency said it was warning against large events and mass gatherings that include “conferences, festivals, parades, concerts, sporting events, weddings, and other types of assemblies.”\u003c/p>\n\u003cp>The agency called on organizers, whether they are individuals or organizations, to cancel or postpone such events. However, it said the guidance did not apply to the daily operations of organizations like schools, institutes of higher learning or businesses.[aside postid='arts_13876160']\u003c/p>\n\u003cp>“This recommendation is made in an attempt to reduce introduction of the virus into new communities and to slow the spread of infection in communities already affected by the virus,” according to the guidance announcement. “This recommendation is not intended to supersede the advice of local public health officials.”\u003c/p>\n\u003cp>\u003cstrong>California orders seniors to stay home and bars to close\u003c/strong>\u003c/p>\n\u003cp>California Gov. Gavin Newsom on Sunday requested that all senior citizens and those with chronic conditions isolate themselves at home. Additionally, he called for the closure of all bars, wineries, nightclubs and breweries, as the country’s most populous state recorded \u003ca href=\"https://www.cdph.ca.gov/Programs/CID/DCDC/Pages/Immunization/nCoV2019.aspx\">335 confirmed cases\u003c/a> of the coronavirus and six deaths.\u003c/p>\n\u003cp>Restaurants are being asked to cut their occupancy in half in order to promote “social distancing,” Newsom said. The governor is also asking restaurants to prioritize takeout options for individuals who are isolating themselves.\u003c/p>\n\u003cp>“The most important thing is to focus on the vulnerable and prioritize their safety,” Newsom said. “We are guided by science, not the framework of hysteria.”\u003c/p>\n\u003cp>Los Angeles Mayor Gil Garcetti Sunday night ordered the city’s restaurants, bars, gyms and entertainment venues closed at midnight local time at least through March. The emergency decree exempted take-out and delivery.[aside postid='science_1957877']\u003c/p>\n\u003cp>\u003cstrong>New York City shuts schools, bars, restaurants\u003c/strong>\u003c/p>\n\u003cp>Starting Monday, the country’s largest public school system will shut its doors to more than 1.1 million students, New York City Mayor Bill de Blasio announced\u003ca href=\"https://twitter.com/NYCMayor/status/1239303034674352129?s=20\"> at a news conference\u003c/a> on Sunday evening.\u003c/p>\n\u003cp>The city-wide closure will be in place until at least Monday, April 20.\u003c/p>\n\u003cp>On Twitter, a somber de Blasio expressed concern for students and families who would be affected by the change, and addressed the steps he was taking to mitigate any challenges that arise.\u003c/p>\n\u003cp>“We know hundreds of thousands of kids depend on our schools for their meals,” he said. “We’ll have grab and go breakfast and lunch available at all school buildings starting tomorrow.”\u003c/p>\n\u003cp>The mayor also announced that he would be asking all bars and restaurants in the city to close starting at 9 a.m. on Tuesday, and instead limit their business to take-out and delivery.\u003c/p>\n\u003cp>“Tomorrow, I will sign an Executive Order limiting restaurants, bars and cafes to food take-out and delivery. Nightclubs, movie theaters, small theater houses and concert venues must all close,” de Blasio said in a statement.\u003c/p>\n\u003cp>As of Sunday, the \u003ca href=\"https://www.health.ny.gov/diseases/communicable/coronavirus/\">state had 729 cases\u003c/a> of the virus, according to the New York Department of Health.\u003c/p>\n\u003cp>\u003cstrong>Washington state doubles down on CDC guidance\u003c/strong>\u003c/p>\n\u003cp>Washington state, a coronavirus hotspot which saw the country’s first death, took its most drastic steps yet to limit the spread of the virus in public spaces.\u003c/p>\n\u003cp>Gov. Jay Inslee said on Sunday night that he would order the temporary closure of restaurants, bars, entertainment and recreation venues. Delivery and take-out will not be shut down, he said.\u003c/p>\n\u003cp>“These are very difficult decisions, but hours count here and very strong measures are necessary to slow the spread of the disease. I know there will be significant economic impacts to all our communities and we are looking at steps to help address those challenges,” Inslee said.\u003c/p>\n\u003cp>The governor is also banning gatherings of at least 50, in a mandate of CDC’s new guidance.\u003c/p>\n\u003cp>There are at least 42 deaths statewide, with 769 positive cases confirmed. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Illinois to shut down bars, restaurants\u003c/strong>\u003c/p>\n\u003cp>The CDC guidance came as states and cities across the country moved on Sunday to limit large gatherings in order to help halt the spread of an outbreak that has infected at least 3,499 people in the U.S. and resulted in 63 deaths, according to \u003ca href=\"https://coronavirus.jhu.edu/map.html\">tracking by Johns Hopkins University\u003c/a>.\u003c/p>\n\u003cp>Illinois Gov. J.B. Pritzker ordered all bars and restaurants to close through March 30 beginning on Monday.\u003c/p>\n\u003cp>“The time for persuasion and public appeals is over,” Pritzker said at a press conference on Sunday as St. Patrick’s Day revelers in Chicago were already hitting bars in large groups. “This is not a joke. No one is immune to this.”\u003c/p>\n\u003cp>There are \u003ca href=\"http://dph.illinois.gov/topics-services/diseases-and-conditions/diseases-a-z-list/coronavirus\">93 confirmed coronavirus cases\u003c/a> in the state, according to the Illinois Department of Public Health.\u003c/p>\n\u003cp>Pritzker said drive-throughs will be allowed to stay open and added that he’s working with establishments to keep kitchens open so that food can still be delivered to homes.\u003c/p>\n\u003cp>The order affects roughly 25,000 businesses across the state, sending home hundreds of thousands of workers, the local \u003ca href=\"https://chicago.cbslocal.com/2020/03/15/gov-pritzker-announces-closure-of-all-illinois-bars-and-restaurants-effective-monday-due-to-coronavirus-crisis/\">CBS Chicago reports\u003c/a>.\u003c/p>\n\u003cp>The Illinois Restaurant Association backed the governor’s decision, declaring safety its priority.\u003c/p>\n\u003cp>“We are currently working with other stakeholders to explore all possible avenues of economic and regulatory relief for our industry in the days and weeks ahead,” the group \u003ca href=\"https://www.illinoisrestaurants.org/news/491097/Updated-315-Coronavirus-Resources-State-Orders-Closing-of-In-Person-Dining-at-Restaurants.htm\">said in a statement\u003c/a>.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Updated at 1:55 a.m. ET Monday\u003c/strong>\u003c/p>\n\u003cp>In an effort to slow the spread of the coronavirus pandemic, the Centers for Disease Control and Prevention is now advising against gatherings of 50 people or more for the next eight weeks.\u003c/p>\n\u003cp>In \u003ca href=\"https://www.cdc.gov/coronavirus/2019-ncov/community/large-events/mass-gatherings-ready-for-covid-19.html\">a guidance announcement\u003c/a> issued on Sunday, the agency said it was warning against large events and mass gatherings that include “conferences, festivals, parades, concerts, sporting events, weddings, and other types of assemblies.”\u003c/p>\n\u003cp>The agency called on organizers, whether they are individuals or organizations, to cancel or postpone such events. However, it said the guidance did not apply to the daily operations of organizations like schools, institutes of higher learning or businesses.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“This recommendation is made in an attempt to reduce introduction of the virus into new communities and to slow the spread of infection in communities already affected by the virus,” according to the guidance announcement. “This recommendation is not intended to supersede the advice of local public health officials.”\u003c/p>\n\u003cp>\u003cstrong>California orders seniors to stay home and bars to close\u003c/strong>\u003c/p>\n\u003cp>California Gov. Gavin Newsom on Sunday requested that all senior citizens and those with chronic conditions isolate themselves at home. Additionally, he called for the closure of all bars, wineries, nightclubs and breweries, as the country’s most populous state recorded \u003ca href=\"https://www.cdph.ca.gov/Programs/CID/DCDC/Pages/Immunization/nCoV2019.aspx\">335 confirmed cases\u003c/a> of the coronavirus and six deaths.\u003c/p>\n\u003cp>Restaurants are being asked to cut their occupancy in half in order to promote “social distancing,” Newsom said. The governor is also asking restaurants to prioritize takeout options for individuals who are isolating themselves.\u003c/p>\n\u003cp>“The most important thing is to focus on the vulnerable and prioritize their safety,” Newsom said. “We are guided by science, not the framework of hysteria.”\u003c/p>\n\u003cp>Los Angeles Mayor Gil Garcetti Sunday night ordered the city’s restaurants, bars, gyms and entertainment venues closed at midnight local time at least through March. The emergency decree exempted take-out and delivery.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>New York City shuts schools, bars, restaurants\u003c/strong>\u003c/p>\n\u003cp>Starting Monday, the country’s largest public school system will shut its doors to more than 1.1 million students, New York City Mayor Bill de Blasio announced\u003ca href=\"https://twitter.com/NYCMayor/status/1239303034674352129?s=20\"> at a news conference\u003c/a> on Sunday evening.\u003c/p>\n\u003cp>The city-wide closure will be in place until at least Monday, April 20.\u003c/p>\n\u003cp>On Twitter, a somber de Blasio expressed concern for students and families who would be affected by the change, and addressed the steps he was taking to mitigate any challenges that arise.\u003c/p>\n\u003cp>“We know hundreds of thousands of kids depend on our schools for their meals,” he said. “We’ll have grab and go breakfast and lunch available at all school buildings starting tomorrow.”\u003c/p>\n\u003cp>The mayor also announced that he would be asking all bars and restaurants in the city to close starting at 9 a.m. on Tuesday, and instead limit their business to take-out and delivery.\u003c/p>\n\u003cp>“Tomorrow, I will sign an Executive Order limiting restaurants, bars and cafes to food take-out and delivery. Nightclubs, movie theaters, small theater houses and concert venues must all close,” de Blasio said in a statement.\u003c/p>\n\u003cp>As of Sunday, the \u003ca href=\"https://www.health.ny.gov/diseases/communicable/coronavirus/\">state had 729 cases\u003c/a> of the virus, according to the New York Department of Health.\u003c/p>\n\u003cp>\u003cstrong>Washington state doubles down on CDC guidance\u003c/strong>\u003c/p>\n\u003cp>Washington state, a coronavirus hotspot which saw the country’s first death, took its most drastic steps yet to limit the spread of the virus in public spaces.\u003c/p>\n\u003cp>Gov. Jay Inslee said on Sunday night that he would order the temporary closure of restaurants, bars, entertainment and recreation venues. Delivery and take-out will not be shut down, he said.\u003c/p>\n\u003cp>“These are very difficult decisions, but hours count here and very strong measures are necessary to slow the spread of the disease. I know there will be significant economic impacts to all our communities and we are looking at steps to help address those challenges,” Inslee said.\u003c/p>\n\u003cp>The governor is also banning gatherings of at least 50, in a mandate of CDC’s new guidance.\u003c/p>\n\u003cp>There are at least 42 deaths statewide, with 769 positive cases confirmed. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Illinois to shut down bars, restaurants\u003c/strong>\u003c/p>\n\u003cp>The CDC guidance came as states and cities across the country moved on Sunday to limit large gatherings in order to help halt the spread of an outbreak that has infected at least 3,499 people in the U.S. and resulted in 63 deaths, according to \u003ca href=\"https://coronavirus.jhu.edu/map.html\">tracking by Johns Hopkins University\u003c/a>.\u003c/p>\n\u003cp>Illinois Gov. J.B. Pritzker ordered all bars and restaurants to close through March 30 beginning on Monday.\u003c/p>\n\u003cp>“The time for persuasion and public appeals is over,” Pritzker said at a press conference on Sunday as St. Patrick’s Day revelers in Chicago were already hitting bars in large groups. “This is not a joke. No one is immune to this.”\u003c/p>\n\u003cp>There are \u003ca href=\"http://dph.illinois.gov/topics-services/diseases-and-conditions/diseases-a-z-list/coronavirus\">93 confirmed coronavirus cases\u003c/a> in the state, according to the Illinois Department of Public Health.\u003c/p>\n\u003cp>Pritzker said drive-throughs will be allowed to stay open and added that he’s working with establishments to keep kitchens open so that food can still be delivered to homes.\u003c/p>\n\u003cp>The order affects roughly 25,000 businesses across the state, sending home hundreds of thousands of workers, the local \u003ca href=\"https://chicago.cbslocal.com/2020/03/15/gov-pritzker-announces-closure-of-all-illinois-bars-and-restaurants-effective-monday-due-to-coronavirus-crisis/\">CBS Chicago reports\u003c/a>.\u003c/p>\n\u003cp>The Illinois Restaurant Association backed the governor’s decision, declaring safety its priority.\u003c/p>\n\u003cp>“We are currently working with other stakeholders to explore all possible avenues of economic and regulatory relief for our industry in the days and weeks ahead,” the group \u003ca href=\"https://www.illinoisrestaurants.org/news/491097/Updated-315-Coronavirus-Resources-State-Orders-Closing-of-In-Person-Dining-at-Restaurants.htm\">said in a statement\u003c/a>.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" rel=\"noopener noreferrer\" target=\"_blank\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=CDC+Recommends+Against+Gatherings+Of+50+Or+More%2C+As+States+Close+Bars+And+Restaurants&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>At first, the cancellations came in a trickle.\u003c/p>\n\u003cp>A performance of the Mozart Requiem in Washington, D.C., Bach’s St. Matthew Passion in Seattle. Local jazz nights in New York City.\u003c/p>\n\u003cp>Then, almost at once, it seemed like the entire March calendars of musicians across the country were wiped clean. Within hours Wednesday, thousands of dollars in expected income vanished.\u003c/p>\n\u003cp>“My schedule for the next few months has been completely decimated,” said Seth Kibel, a woodwind player in the D.C. area who plays at swing dances and retirement homes — which he says were the first gigs to go.[aside postid='arts_13876160']\u003c/p>\n\u003cp>As panic over the coronavirus sweeps the globe, much of the focus is on the broader economic effects on businesses or venues that have to cancel events. But the coronavirus’ toll on working musicians is immediate and sometimes debilitating.\u003c/p>\n\u003cp>When people speak of the gig economy, they’re often thinking of Uber drivers or Instacart shoppers. But for freelance musicians, their patchwork of gigs pays the bills. And in the face of shuttered concert halls and a self-quarantining public, that patchwork is falling apart.\u003c/p>\n\u003cp>Tenor Zach Finkelstein, who lives in Washington state, says he’s already seen three cancellations and expects more. By May, he says, he estimates he’ll have lost about $10,000 in fees.\u003c/p>\n\u003cp>“A traveling soloist is going to be riding the poverty line, and this is peak time for classical singer travel,” he said. “Even missing one contract for $1,500-$2,000 has the potential to torpedo a career. Missing two or three is probably going to bankrupt most singers. The only people that will survive that financially are those with a day job, or a spouse with a day job, or a rich family.”\u003c/p>\n\u003cp>The median income for musicians in the U.S. was around $20,000 in 2016, according to Alan Krueger’s \u003cem>Rockonomics\u003c/em>, which examined the economics of the music industry. Live performances, Krueger wrote, are the most common source of a musician’s income.\u003c/p>\n\u003cp>Many venues have been canceling performances out of an abundance of caution. Some have been forced to do so, because their city or state has banned gatherings of more than a few hundred people. The new ban on travel from Europe has also had an impact.\u003c/p>\n\u003cp>“My concert next week was cancelled because the conductor won’t make it in to Minneapolis due to the travel ban,” said singer Clara Presser.\u003c/p>\n\u003cp>It’s not just performers themselves who are feeling the pain. Los Angeles-based recording engineer Christian Amonson said he leads a team whose livelihoods depend on large gatherings like concerts and recitals. When the first cancellation came in, Amonson said, he thought, “There goes $3,000.” Then a second email, “That’s $7,000.” Then another $1,500.\u003c/p>\n\u003cp>“And these are only some for the next week and a half,” Amonson said. “What about later in the month? What about April? We rely on these projects to pay salaries, keep the lights on, and make debt payments.”[aside postid='science_1957877']\u003c/p>\n\u003cp>“We’re all hurting,” said Claudio Rivera, a drum technician in St. Paul, Minn. “This is systemic, from backline techs to merch people to drivers to stagehands and everything in between.”\u003c/p>\n\u003cp>Several artist organizations are offering emergency grants to artists who have lost work. A new\u003ca href=\"https://covid19freelanceartistresource.wordpress.com/?fbclid=IwAR0OfYQflWLqrF2dAXh0AFDaSnu9yHAJZzlhkcrbxyPQ58JLaCLBxqy_yww\"> website\u003c/a>, “COVID-19 Freelance Artist Resources,” points artists in the right direction. But it’s unclear how far these emergency grants will go. \u003c/p>\n\u003cp>And some organizations, like Westmoreland Congregational United Church of Christ in Bethesda, Md., will continue to pay its hired singers despite canceled calls. Music Director Alec Davis said he made the proposal, which Westmoreland approved quickly. “Westmoreland is very social justice minded, so they appreciated the problem immediately,” Davis said.\u003c/p>\n\u003cp>But that’s an anomaly; most canceled gigs mean canceled incomes. In a \u003ca href=\"https://www.musicalartists.org/agma-statement-on-need-for-economic-relief-for-artists/\">statement\u003c/a> Thursday, the American Guild of Musical Artists asked federal, state and city governments to “pass immediate, substantial economic relief” for the arts organizations. \u003c/p>\n\u003cp>“Congress and state and local governments must not turn their backs on the artists, singers, dancers, stage managers, orchestra members, stagehands, and all those involved in putting on a production,” AGMA leadership wrote. “Local governments know how the arts benefit and uplift their economies, their communities, and the civic life of their cities and states. They cannot drag their feet at this precarious time.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" rel=\"noopener noreferrer\" target=\"_blank\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Musicians+Were+Depending+On+Those+Jazz+Nights+And+Senior+Living+Gigs&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As panic over the coronavirus sweeps the globe, much of the focus is on the broader economic effects on businesses or venues that have to cancel events. But the coronavirus’ toll on working musicians is immediate and sometimes debilitating.\u003c/p>\n\u003cp>When people speak of the gig economy, they’re often thinking of Uber drivers or Instacart shoppers. But for freelance musicians, their patchwork of gigs pays the bills. And in the face of shuttered concert halls and a self-quarantining public, that patchwork is falling apart.\u003c/p>\n\u003cp>Tenor Zach Finkelstein, who lives in Washington state, says he’s already seen three cancellations and expects more. By May, he says, he estimates he’ll have lost about $10,000 in fees.\u003c/p>\n\u003cp>“A traveling soloist is going to be riding the poverty line, and this is peak time for classical singer travel,” he said. “Even missing one contract for $1,500-$2,000 has the potential to torpedo a career. Missing two or three is probably going to bankrupt most singers. The only people that will survive that financially are those with a day job, or a spouse with a day job, or a rich family.”\u003c/p>\n\u003cp>The median income for musicians in the U.S. was around $20,000 in 2016, according to Alan Krueger’s \u003cem>Rockonomics\u003c/em>, which examined the economics of the music industry. Live performances, Krueger wrote, are the most common source of a musician’s income.\u003c/p>\n\u003cp>Many venues have been canceling performances out of an abundance of caution. Some have been forced to do so, because their city or state has banned gatherings of more than a few hundred people. The new ban on travel from Europe has also had an impact.\u003c/p>\n\u003cp>“My concert next week was cancelled because the conductor won’t make it in to Minneapolis due to the travel ban,” said singer Clara Presser.\u003c/p>\n\u003cp>It’s not just performers themselves who are feeling the pain. Los Angeles-based recording engineer Christian Amonson said he leads a team whose livelihoods depend on large gatherings like concerts and recitals. When the first cancellation came in, Amonson said, he thought, “There goes $3,000.” Then a second email, “That’s $7,000.” Then another $1,500.\u003c/p>\n\u003cp>“And these are only some for the next week and a half,” Amonson said. “What about later in the month? What about April? We rely on these projects to pay salaries, keep the lights on, and make debt payments.”\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We’re all hurting,” said Claudio Rivera, a drum technician in St. Paul, Minn. “This is systemic, from backline techs to merch people to drivers to stagehands and everything in between.”\u003c/p>\n\u003cp>Several artist organizations are offering emergency grants to artists who have lost work. A new\u003ca href=\"https://covid19freelanceartistresource.wordpress.com/?fbclid=IwAR0OfYQflWLqrF2dAXh0AFDaSnu9yHAJZzlhkcrbxyPQ58JLaCLBxqy_yww\"> website\u003c/a>, “COVID-19 Freelance Artist Resources,” points artists in the right direction. But it’s unclear how far these emergency grants will go. \u003c/p>\n\u003cp>And some organizations, like Westmoreland Congregational United Church of Christ in Bethesda, Md., will continue to pay its hired singers despite canceled calls. Music Director Alec Davis said he made the proposal, which Westmoreland approved quickly. “Westmoreland is very social justice minded, so they appreciated the problem immediately,” Davis said.\u003c/p>\n\u003cp>But that’s an anomaly; most canceled gigs mean canceled incomes. In a \u003ca href=\"https://www.musicalartists.org/agma-statement-on-need-for-economic-relief-for-artists/\">statement\u003c/a> Thursday, the American Guild of Musical Artists asked federal, state and city governments to “pass immediate, substantial economic relief” for the arts organizations. \u003c/p>\n\u003cp>“Congress and state and local governments must not turn their backs on the artists, singers, dancers, stage managers, orchestra members, stagehands, and all those involved in putting on a production,” AGMA leadership wrote. “Local governments know how the arts benefit and uplift their economies, their communities, and the civic life of their cities and states. They cannot drag their feet at this precarious time.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" rel=\"noopener noreferrer\" target=\"_blank\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Musicians+Were+Depending+On+Those+Jazz+Nights+And+Senior+Living+Gigs&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>A couple of nights ago, I ventured out to the \u003ca href=\"https://www.roxie.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Roxie\u003c/a> movie theater in San Francisco’s Mission District to catch a screening of\u003ca href=\"https://www.imdb.com/title/tt5974030/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem> The Jesus Rolls\u003c/em>\u003c/a>, starring John Turturro. It felt liberating, at this moment of hyper-hygiene-awareness, to see a film whose protagonist is oblivious to the concept of personal space and \u003ca href=\"https://www.youtube.com/watch?v=rLAmpku4fyg\" target=\"_blank\" rel=\"noopener noreferrer\">licks his bowling ball\u003c/a> before rolling a strike.\u003c/p>\n\u003cp>When I sat down, I noticed that my nearest neighbor was sitting very far away from me, due to the Roxie’s then-newly-instituted-policy to limit contact between patrons by restricting sales to a third of capacity.\u003c/p>\n\u003cp>“There are people that still want to come out to the movies,” Lex Sloan, the Roxie’s executive director, told me over the phone the next day. “The inspiration was just the idea that the six-foot-distance will help keep you safe. And so we grabbed a tape measure and measured the seats.”\u003c/p>\n\u003cfigure id=\"attachment_13818321\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13818321\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/12/Night-1-e1514587755890-800x451.jpg\" alt=\"The Roxie Theater in San Francisco by night. The indie theater has seen an uptick in business in recent months, thanks, in part to the dirt-cheap subscription service, MoviePass.\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Night-1-e1514587755890-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Night-1-e1514587755890-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Night-1-e1514587755890-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Night-1-e1514587755890-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Night-1-e1514587755890-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Night-1-e1514587755890-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Night-1-e1514587755890-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Night-1-e1514587755890-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Night-1-e1514587755890-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Night-1-e1514587755890.jpg 1704w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Roxie Theater in San Francisco by night. \u003ccite>(Courtesy of Roxie Theater)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>With an order Friday \u003ca href=\"https://www.sfdph.org/dph/alerts/files/Order-Prohibiting-Large-Gatherings(Order%20C19-05b)-031320.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">barring all gatherings in San Francisco venues with a capacity of 100 or more\u003c/a>, and with social distancing under COVID-19 applying to even the supermarket checkout or waiting for the bus, some live events spaces are figuring out how to share their work even as they struggle to stay open.\u003c/p>\n\u003cp>Enabling patrons to keep at a safe distance from one another by reducing seat sales is one solution.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Another is livestreaming, or broadcasting performances online.\u003c/p>\n\u003cp>\u003ca href=\"https://www.cityarts.net/\" target=\"_blank\" rel=\"noopener noreferrer\">City Arts and Lectures\u003c/a> and \u003ca href=\"http://www.leftcoastensemble.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Left Coast Chamber Ensemble\u003c/a> are among the local cultural presenters to have experimented with this format for the very first time over the past week.\u003c/p>\n\u003cp>I caught the March 12 livestream of a City Arts and Lectures event featuring writers Robin Sloan and Anna Wiener. The conversation began with a nod to the weirdness of the situation.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"City Arts & Lectures presents Anna Wiener in conversation with Robin Sloan\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/Lri9kcova3U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>“This is a very unconventional City Arts and Lectures interview,” Sloan said. “Because in response to public health concerns about the spread of the novel coronavirus, Anna and I are actually sitting together onstage in a totally empty theater.”\u003c/p>\n\u003cp>City Arts co-director Kate Goldstein-Breyer said around 200 people tuned into the livestream, which her organization offered for free to both ticket holders and anyone else who felt like tuning in. By midday on Saturday, the video had garnered 670 views.\u003c/p>\n\u003cp>“We’re trying to give them the same conversation they would have experienced in the theater, albeit in a different form,” Goldstein-Breyer said. “One that is concerned with their health.”\u003c/p>\n\u003cp>Left Coast Chamber Ensemble performed its March 9 concert at the \u003ca href=\"https://sfcm.edu/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Conservatory of Music\u003c/a> via YouTube instead of live, as previously planned. The musical group’s artistic director, Anna Presler, called the livestreamed event a “very strange experience.” She said it took the musicians a while to decide if they should take the customary bow at the end or not. They ultimately decided yes.\u003c/p>\n\u003cp>“There’s no escaping that a live performance is so much more entrancing and wonderful, for everyone involved, than one done at a safe distance,” Presler said. “But under the circumstances, the broadcast was the best we could do.”\u003c/p>\n\u003cp>Presler said some patrons reported piping the concert into their homes over dinner and a bottle of wine. “They said they had a really nice evening.”\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Left Coast Ensemble\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/ba3MVhuIRaw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>It’s one thing to transfer relatively sedentary live experiences like talking heads and chamber music to video, but quite another to do the same for a fully staged musical or play.\u003c/p>\n\u003cp>Nevertheless, a growing number of theater companies, including the \u003ca href=\"https://hammertheatre.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Hammer Theatre Center\u003c/a> and Naatak Theatre in San Jose, San Francisco’s \u003ca href=\"https://www.act-sf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">American Conservatory Theater\u003c/a> and \u003ca href=\"https://www.berkeleyrep.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Berkeley Repertory Theatre\u003c/a>, are taking up the challenge.\u003c/p>\n\u003cp>Berkeley Repertory Theatre was about halfway through its run of \u003cem>Culture Clash (Still) in America\u003c/em> when it had to cancel all remaining performances owing to safety concerns around COVID-19.[aside postid='arts_13876160']\u003c/p>\n\u003cp>Managing director Susie Medak said her company scrambled to put together a presentable recording of the show in collaboration with the streaming service \u003ca href=\"https://www.broadwayhd.com/\" target=\"_blank\" rel=\"noopener noreferrer\">BroadwayHD\u003c/a>.\u003c/p>\n\u003cp>“I wish that we could do the six-camera shoots like the \u003ca href=\"http://ntlive.nationaltheatre.org.uk/\" target=\"_blank\" rel=\"noopener noreferrer\">National Theatre Live\u003c/a> does,” she said. “Not only is it cost-prohibitive to us, but we also really don’t have the capacity to do that right now and under these circumstances.”\u003c/p>\n\u003cp>Ticket buyers will be sent a code which they can use to watch the Culture Clash show, as well as another upcoming production, likely starting sometime next week. Medak said patrons will also have access to the entire BroadwayHD archive for a month. (ACT and the Hammer Theatre are also offering a similar access code arrangement for recordings of their productions.)\u003c/p>\n\u003cp>But Medak said Berkeley Rep is still committed to making \u003cem>live\u003c/em> theater. “This is a stop-gap measure that helps us continue to support the artists,” she said. “And to fulfill the obligations we feel to our audiences.”\u003c/p>\n\u003cp>But just how obliged audiences feel to arts groups at this time is an open question.\u003c/p>\n\u003caside class=\"pullquote alignright\">‘We are in extraordinary and challenging times. It’s now more important than ever that we recognize the role art plays in our economy and our daily lives.’\u003c/aside>\n\u003cp>Every group contacted for this story reported losing money as a result of seeking alternative ways of delivering their content to audiences beyond their habitual live performance spaces.\u003c/p>\n\u003cp>“We aren’t going to be making money on this; we’re spending money,” said City Arts’ Goldstein-Breyer. “But we are trying to minimize the impact on people who would have been working these shows. So we are still paying front of house staff for our theater, even though we don’t actually need a custodian and we don’t actually need ushers.”\u003c/p>\n\u003cp>Many cultural presenters are trying to cut their losses by asking ticket holders not to file for refunds, in order to support the theater or arts organization.\u003c/p>\n\u003cp>So far, these requests have been getting a mixed response.\u003c/p>\n\u003cp>“There’s the option to donate your tickets back to the theater and that can be a tax-deductible donation,” said ACT executive director Jennifer Bielstein. The company is offering videos of two of its shows, \u003cem>Gloria\u003c/em> and \u003cem>Toni Stone\u003c/em>, also in collaboration with BroadwayHD. “We’re hoping that people will do that, because I know a lot of small businesses such as ourselves are taking a tremendous hit because of this.”\u003c/p>\n\u003cp>Bielstein estimates around 60 percent of ACT ticket holders have requested refunds or exchanges, while 40 percent have offered to donate the cost of their tickets back to the company.[aside postid='science_1957877']\u003c/p>\n\u003cp>As COVID-19 continues to deepen the economic strain on the region’s arts and culture community as a result of lost ticket and rental income, and other longer-term factors, cultural groups are turning to funders and state legislators for financial aid.\u003c/p>\n\u003cp>“We are in extraordinary and challenging times,” said Julie Baker, executive director for \u003ca href=\"https://www.californiansforthearts.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Californians for the Arts\u003c/a>, a statewide arts lobbying group. “It’s now more important than ever that we recognize the role art plays in our economy and our daily lives. We must all harness our partnerships with elected officials and private funders to ensure that this critical segment of the population can continue to contribute to our culture and our future. Right now, that means finding innovative ways for artists and arts organizations to deliver in a safe and compensated manner as we transition from live gatherings to virtual forums.”\u003c/p>\n\u003cp>The help cannot come soon enough.\u003c/p>\n\u003cp>Despite offering patrons antibacterial wipes at the box office and reducing seating capacity to give them more space, the Roxie couldn’t keep its doors open. The day after my visit to see \u003cem>The Jesus Rolls\u003c/em>, the movie theater announced a temporary COVID-19-related closure.\u003c/p>\n\u003cp>I’ll have to get used to the fact it could be quite a while before culture fans such as myself get to sit shoulder-to-shoulder in a darkened theater again.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"title": "Livestreaming Through the Pandemic: Shuttered Bay Area Venues Get Inventive | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A couple of nights ago, I ventured out to the \u003ca href=\"https://www.roxie.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Roxie\u003c/a> movie theater in San Francisco’s Mission District to catch a screening of\u003ca href=\"https://www.imdb.com/title/tt5974030/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem> The Jesus Rolls\u003c/em>\u003c/a>, starring John Turturro. It felt liberating, at this moment of hyper-hygiene-awareness, to see a film whose protagonist is oblivious to the concept of personal space and \u003ca href=\"https://www.youtube.com/watch?v=rLAmpku4fyg\" target=\"_blank\" rel=\"noopener noreferrer\">licks his bowling ball\u003c/a> before rolling a strike.\u003c/p>\n\u003cp>When I sat down, I noticed that my nearest neighbor was sitting very far away from me, due to the Roxie’s then-newly-instituted-policy to limit contact between patrons by restricting sales to a third of capacity.\u003c/p>\n\u003cp>“There are people that still want to come out to the movies,” Lex Sloan, the Roxie’s executive director, told me over the phone the next day. “The inspiration was just the idea that the six-foot-distance will help keep you safe. And so we grabbed a tape measure and measured the seats.”\u003c/p>\n\u003cfigure id=\"attachment_13818321\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13818321\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/12/Night-1-e1514587755890-800x451.jpg\" alt=\"The Roxie Theater in San Francisco by night. The indie theater has seen an uptick in business in recent months, thanks, in part to the dirt-cheap subscription service, MoviePass.\" width=\"800\" height=\"451\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Night-1-e1514587755890-800x451.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Night-1-e1514587755890-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Night-1-e1514587755890-768x433.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Night-1-e1514587755890-1020x575.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Night-1-e1514587755890-1180x665.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Night-1-e1514587755890-960x541.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Night-1-e1514587755890-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Night-1-e1514587755890-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Night-1-e1514587755890-520x293.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Night-1-e1514587755890.jpg 1704w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Roxie Theater in San Francisco by night. \u003ccite>(Courtesy of Roxie Theater)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>With an order Friday \u003ca href=\"https://www.sfdph.org/dph/alerts/files/Order-Prohibiting-Large-Gatherings(Order%20C19-05b)-031320.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">barring all gatherings in San Francisco venues with a capacity of 100 or more\u003c/a>, and with social distancing under COVID-19 applying to even the supermarket checkout or waiting for the bus, some live events spaces are figuring out how to share their work even as they struggle to stay open.\u003c/p>\n\u003cp>Enabling patrons to keep at a safe distance from one another by reducing seat sales is one solution.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Another is livestreaming, or broadcasting performances online.\u003c/p>\n\u003cp>\u003ca href=\"https://www.cityarts.net/\" target=\"_blank\" rel=\"noopener noreferrer\">City Arts and Lectures\u003c/a> and \u003ca href=\"http://www.leftcoastensemble.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Left Coast Chamber Ensemble\u003c/a> are among the local cultural presenters to have experimented with this format for the very first time over the past week.\u003c/p>\n\u003cp>I caught the March 12 livestream of a City Arts and Lectures event featuring writers Robin Sloan and Anna Wiener. The conversation began with a nod to the weirdness of the situation.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"City Arts & Lectures presents Anna Wiener in conversation with Robin Sloan\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/Lri9kcova3U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>“This is a very unconventional City Arts and Lectures interview,” Sloan said. “Because in response to public health concerns about the spread of the novel coronavirus, Anna and I are actually sitting together onstage in a totally empty theater.”\u003c/p>\n\u003cp>City Arts co-director Kate Goldstein-Breyer said around 200 people tuned into the livestream, which her organization offered for free to both ticket holders and anyone else who felt like tuning in. By midday on Saturday, the video had garnered 670 views.\u003c/p>\n\u003cp>“We’re trying to give them the same conversation they would have experienced in the theater, albeit in a different form,” Goldstein-Breyer said. “One that is concerned with their health.”\u003c/p>\n\u003cp>Left Coast Chamber Ensemble performed its March 9 concert at the \u003ca href=\"https://sfcm.edu/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Conservatory of Music\u003c/a> via YouTube instead of live, as previously planned. The musical group’s artistic director, Anna Presler, called the livestreamed event a “very strange experience.” She said it took the musicians a while to decide if they should take the customary bow at the end or not. They ultimately decided yes.\u003c/p>\n\u003cp>“There’s no escaping that a live performance is so much more entrancing and wonderful, for everyone involved, than one done at a safe distance,” Presler said. “But under the circumstances, the broadcast was the best we could do.”\u003c/p>\n\u003cp>Presler said some patrons reported piping the concert into their homes over dinner and a bottle of wine. “They said they had a really nice evening.”\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Left Coast Ensemble\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/ba3MVhuIRaw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>It’s one thing to transfer relatively sedentary live experiences like talking heads and chamber music to video, but quite another to do the same for a fully staged musical or play.\u003c/p>\n\u003cp>Nevertheless, a growing number of theater companies, including the \u003ca href=\"https://hammertheatre.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Hammer Theatre Center\u003c/a> and Naatak Theatre in San Jose, San Francisco’s \u003ca href=\"https://www.act-sf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">American Conservatory Theater\u003c/a> and \u003ca href=\"https://www.berkeleyrep.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Berkeley Repertory Theatre\u003c/a>, are taking up the challenge.\u003c/p>\n\u003cp>Berkeley Repertory Theatre was about halfway through its run of \u003cem>Culture Clash (Still) in America\u003c/em> when it had to cancel all remaining performances owing to safety concerns around COVID-19.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Managing director Susie Medak said her company scrambled to put together a presentable recording of the show in collaboration with the streaming service \u003ca href=\"https://www.broadwayhd.com/\" target=\"_blank\" rel=\"noopener noreferrer\">BroadwayHD\u003c/a>.\u003c/p>\n\u003cp>“I wish that we could do the six-camera shoots like the \u003ca href=\"http://ntlive.nationaltheatre.org.uk/\" target=\"_blank\" rel=\"noopener noreferrer\">National Theatre Live\u003c/a> does,” she said. “Not only is it cost-prohibitive to us, but we also really don’t have the capacity to do that right now and under these circumstances.”\u003c/p>\n\u003cp>Ticket buyers will be sent a code which they can use to watch the Culture Clash show, as well as another upcoming production, likely starting sometime next week. Medak said patrons will also have access to the entire BroadwayHD archive for a month. (ACT and the Hammer Theatre are also offering a similar access code arrangement for recordings of their productions.)\u003c/p>\n\u003cp>But Medak said Berkeley Rep is still committed to making \u003cem>live\u003c/em> theater. “This is a stop-gap measure that helps us continue to support the artists,” she said. “And to fulfill the obligations we feel to our audiences.”\u003c/p>\n\u003cp>But just how obliged audiences feel to arts groups at this time is an open question.\u003c/p>\n\u003caside class=\"pullquote alignright\">‘We are in extraordinary and challenging times. It’s now more important than ever that we recognize the role art plays in our economy and our daily lives.’\u003c/aside>\n\u003cp>Every group contacted for this story reported losing money as a result of seeking alternative ways of delivering their content to audiences beyond their habitual live performance spaces.\u003c/p>\n\u003cp>“We aren’t going to be making money on this; we’re spending money,” said City Arts’ Goldstein-Breyer. “But we are trying to minimize the impact on people who would have been working these shows. So we are still paying front of house staff for our theater, even though we don’t actually need a custodian and we don’t actually need ushers.”\u003c/p>\n\u003cp>Many cultural presenters are trying to cut their losses by asking ticket holders not to file for refunds, in order to support the theater or arts organization.\u003c/p>\n\u003cp>So far, these requests have been getting a mixed response.\u003c/p>\n\u003cp>“There’s the option to donate your tickets back to the theater and that can be a tax-deductible donation,” said ACT executive director Jennifer Bielstein. The company is offering videos of two of its shows, \u003cem>Gloria\u003c/em> and \u003cem>Toni Stone\u003c/em>, also in collaboration with BroadwayHD. “We’re hoping that people will do that, because I know a lot of small businesses such as ourselves are taking a tremendous hit because of this.”\u003c/p>\n\u003cp>Bielstein estimates around 60 percent of ACT ticket holders have requested refunds or exchanges, while 40 percent have offered to donate the cost of their tickets back to the company.\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As COVID-19 continues to deepen the economic strain on the region’s arts and culture community as a result of lost ticket and rental income, and other longer-term factors, cultural groups are turning to funders and state legislators for financial aid.\u003c/p>\n\u003cp>“We are in extraordinary and challenging times,” said Julie Baker, executive director for \u003ca href=\"https://www.californiansforthearts.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Californians for the Arts\u003c/a>, a statewide arts lobbying group. “It’s now more important than ever that we recognize the role art plays in our economy and our daily lives. We must all harness our partnerships with elected officials and private funders to ensure that this critical segment of the population can continue to contribute to our culture and our future. Right now, that means finding innovative ways for artists and arts organizations to deliver in a safe and compensated manner as we transition from live gatherings to virtual forums.”\u003c/p>\n\u003cp>The help cannot come soon enough.\u003c/p>\n\u003cp>Despite offering patrons antibacterial wipes at the box office and reducing seating capacity to give them more space, the Roxie couldn’t keep its doors open. The day after my visit to see \u003cem>The Jesus Rolls\u003c/em>, the movie theater announced a temporary COVID-19-related closure.\u003c/p>\n\u003cp>I’ll have to get used to the fact it could be quite a while before culture fans such as myself get to sit shoulder-to-shoulder in a darkened theater again.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Regardless of whether you like anything else about the FX sci fi thriller \u003ca href=\"https://www.fxnetworks.com/shows/devs\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Devs\u003c/em>\u003c/a>, its cold, ethereal, luminous vision of the San Francisco Bay Area in the near future captures the look and feel of our lives right now. From a strictly visual perspective, \u003cem>Devs\u003c/em> is a work of art.\u003c/p>\n\u003cp>Writer/director \u003ca href=\"https://en.wikipedia.org/wiki/Alex_Garland\" target=\"_blank\" rel=\"noopener noreferrer\">Alex Garland\u003c/a> (\u003cem>Ex Machina\u003c/em>, \u003cem>Annihilation\u003c/em>) has a degree in art history, and with this TV series, he reconstituted a team with a history of producing visually striking work: production designer \u003ca href=\"https://gersh.com/production/clients/mark-digby/\" target=\"_blank\" rel=\"noopener noreferrer\">Mark Digby\u003c/a>, set decorator \u003ca href=\"http://www.michelle-day.com\" target=\"_blank\" rel=\"noopener noreferrer\">Michelle Day\u003c/a>, cinematographer \u003ca href=\"https://luxartists.net/rob-hardy/\" target=\"_blank\" rel=\"noopener noreferrer\">Rob Hardy\u003c/a> and visual effects supervisor \u003ca href=\"http://www.andrew-whitehurst.net\" target=\"_blank\" rel=\"noopener noreferrer\">Andrew Whitehurst\u003c/a>. Together, they’ve created an ever so slightly fictional take on Silicon Valley, one drenched in light, color and contrast.\u003c/p>\n\u003cp>Naturally, there are establishing shots of San Francisco: foggy, silver, washed out, when it’s not glowing like a silicon chip at night. The series begins in the white, washed out apartment of software engineer \u003ca href=\"https://www.instagram.com/p/B9DGqaVH7jJ/\" target=\"_blank\" rel=\"noopener noreferrer\">Lily\u003c/a> (Sonoya Mizuno) and her boyfriend Sergei (Karl Glusman). Both live in the city and ride a company shuttle to work far, far away in some unnamed suburb to the south.\u003c/p>\n\u003cp>Amaya, the cultish tech company where they work, is set on a campus tucked inside a grove of redwoods — in real life \u003ca href=\"https://www.thecinemaholic.com/devs-filming-locations/\" target=\"_blank\" rel=\"noopener noreferrer\">shot at UC Santa Cruz\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13876669\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13876669\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/RS42015_DEVS_101_0059-qut.jpg\" alt=\"The crew of the FX TV series Devs shoots a scene on the campus of UC Santa Cruz\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/RS42015_DEVS_101_0059-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/RS42015_DEVS_101_0059-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/RS42015_DEVS_101_0059-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/RS42015_DEVS_101_0059-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/RS42015_DEVS_101_0059-qut-1020x680.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crew of the FX TV series Devs shoots a scene on the campus of UC Santa Cruz \u003ccite>(Courtesy of Raymond Liu/FX)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Why UC Santa Cruz? For a start, it was available. “\u003cb>\u003c/b>We would never be able to use the real [tech campuses], because they’re always in use by the companies. We needed somewhere that we were going to be for several months, shooting in and out, coming back,” said Digby, who admits the \u003cem>Devs\u003c/em> team was initially looking for a modern campus full of glass and steel, more akin to what you see in downtown San Francisco today.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But as with any visual production team, they adjusted to account for practical constraints and on-site inspiration. “I\u003cb>\u003c/b>t was a little bit out of left field,” Digby said of the slightly older, Brutalist buildings that dominate the UC Santa Cruz campus. Their characteristically massive, monolithic appearance, though, won the team over. “The minute we stepped foot in the area, we fell in love.”\u003c/p>\n\u003cp>So it was McHenry Library, Quarry Plaza and Science Hill provided the exteriors for Amaya’s public-facing office complex in \u003cem>Devs\u003c/em>. And from the inside, you could be looking at any Silicon Valley open floor office plan, featuring floor-to-ceiling glass and sweetly nerdy Millenials tapping away intently at their computer stations.\u003c/p>\n\u003cp>In this case, they look out on those bucolic, green redwoods. “\u003cb>\u003c/b>The redwoods embed you in California and the Bay Area,” Digby said.\u003c/p>\n\u003cp>Add a monumental, pop art statue of a little girl incongruously towering over the campus in a manner not unlike Robert Arneson’s \u003cem>Eggheads\u003c/em> at \u003ca href=\"https://www.kqed.org/arts/12413395/the-10-shocking-toilets-that-helped-put-uc-davis-on-the-art-world-map\" target=\"_blank\" rel=\"noopener noreferrer\">UC Davis\u003c/a>, and you have \u003cem>foreshadowing\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_13876668\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13876668\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/DEVS_SET_033.jpg\" alt=\"The quantum supercomputer at the heart of Devs, an eight episode FX series that streaming on Hulu in March.\" width=\"1600\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/DEVS_SET_033.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/DEVS_SET_033-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/DEVS_SET_033-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/DEVS_SET_033-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/DEVS_SET_033-1020x680.jpg 1020w\" sizes=\"(max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">The quantum supercomputer at the heart of Devs, an eight episode FX series that streaming on Hulu in March. \u003ccite>(Courtesy of Mia Mizuno/FX)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>What’s Inside the Box\u003c/h2>\n\u003cp>Because, of course, all is not well in this Garden of Eden. The company is running a secret operation that the world and most of its employees know nothing about.\u003c/p>\n\u003cp>Set off from the other buildings in a nearby meadow, there sits a computer-generated, concrete ziggurat that looks like a bunker or utility building from the World War II era. “It’s supposed to detract from any interest,” said Digby, “but it’s supposed to have scale. Also, from the outside, it’s supposed to juxtapose with what’s inside. W\u003cb>\u003c/b>hat’s inside is supposed to take your breath away.”\u003c/p>\n\u003cp>Inside sits a shimmering, gold jewel box of an office that is the heart of \u003cem>Devs\u003c/em>. Constructed and shot in a U.K. sound studio, it’s also an unabashed temple to technology as it might be in the near future. At the center of the cube, encased in glass, floats the innards of a quantum supercomputer that looks a lot like, for example, IBM’s Q System One.\u003c/p>\n\u003cfigure id=\"attachment_13876667\" class=\"wp-caption aligncenter\" style=\"max-width: 1919px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13876667\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/RS42014_GettyImages-1091456252-qut.jpeg\" alt=\"The quantum supercomputer at the center of the FX TV series Devs looks a lot like IBM's Q System One.\" width=\"1919\" height=\"2027\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/RS42014_GettyImages-1091456252-qut.jpeg 1919w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/RS42014_GettyImages-1091456252-qut-160x169.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/RS42014_GettyImages-1091456252-qut-800x845.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/RS42014_GettyImages-1091456252-qut-768x811.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/RS42014_GettyImages-1091456252-qut-1020x1077.jpeg 1020w\" sizes=\"(max-width: 1919px) 100vw, 1919px\">\u003cfigcaption class=\"wp-caption-text\">The quantum supercomputer at the center of the FX TV series Devs looks a lot like IBM’s Q System One. \u003ccite>(Courtesy of David Becker/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Which was the idea.\u003c/p>\n\u003cp>“They are amazing pieces of art. Once they’re taken out of their shields, they are these gold and glass and aluminum and silver masterpieces. You know, the machines that we use, the insides of computers, are absolutely beautiful. It can be Awesome!-inspiring. It’s a character in itself,” Digby said.\u003c/p>\n\u003cp>The supercomputer is also at the center of the \u003cem>Devs\u003c/em> story. Much as my first impression of the space was of the lobby of a boutique hotel, or a futuristic, black, gold and glass inversion of an Apple store, Digby explained that science inspired the visual look of the supercomputer’s home.\u003c/p>\n\u003cp>Sound waves, light waves, electromagnetic waves — nothing will be able to penetrate this bunker encased in concrete and lined with lead and gold. Or gold leaf: the team applied hundreds of squares of gold leaf to the walls, using a recurring fractal pattern called a \u003ca href=\"https://en.wikipedia.org/wiki/Menger_sponge\" target=\"_blank\" rel=\"noopener noreferrer\">Menger sponge\u003c/a>, a visual representation of the idea of boxes within boxes within boxes.\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=Fp9LMsI6uJ8]It’s a gilded, airless, isolated space that also looks and feels quasi-religious. The story circles around a metaphysical topic obsessed about in classic, \u003ca href=\"https://www.kqed.org/arts/13876008/devs-explores-modern-tech-driven-cultural-alienation-in-san-francisco\" target=\"_blank\" rel=\"noopener noreferrer\">over-heated\u003c/a> sci fi fashion by Amaya’s multibillionaire founder, Forest (Nick Offerman).\u003c/p>\n\u003cp>Does knowing the future allows us to change it to something more akin to our liking? Or are we compelled to act out the future laid before us in the magic mirror by artificial intelligence we built? It’s the old free will versus determinism debate some of you will remember from university philosophy classes.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Moody, self-doubting, passively trapped in a gilded box of our own making: sounds like Silicon Valley in 2020. Looks like it, too.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Regardless of whether you like anything else about the FX sci fi thriller \u003ca href=\"https://www.fxnetworks.com/shows/devs\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Devs\u003c/em>\u003c/a>, its cold, ethereal, luminous vision of the San Francisco Bay Area in the near future captures the look and feel of our lives right now. From a strictly visual perspective, \u003cem>Devs\u003c/em> is a work of art.\u003c/p>\n\u003cp>Writer/director \u003ca href=\"https://en.wikipedia.org/wiki/Alex_Garland\" target=\"_blank\" rel=\"noopener noreferrer\">Alex Garland\u003c/a> (\u003cem>Ex Machina\u003c/em>, \u003cem>Annihilation\u003c/em>) has a degree in art history, and with this TV series, he reconstituted a team with a history of producing visually striking work: production designer \u003ca href=\"https://gersh.com/production/clients/mark-digby/\" target=\"_blank\" rel=\"noopener noreferrer\">Mark Digby\u003c/a>, set decorator \u003ca href=\"http://www.michelle-day.com\" target=\"_blank\" rel=\"noopener noreferrer\">Michelle Day\u003c/a>, cinematographer \u003ca href=\"https://luxartists.net/rob-hardy/\" target=\"_blank\" rel=\"noopener noreferrer\">Rob Hardy\u003c/a> and visual effects supervisor \u003ca href=\"http://www.andrew-whitehurst.net\" target=\"_blank\" rel=\"noopener noreferrer\">Andrew Whitehurst\u003c/a>. Together, they’ve created an ever so slightly fictional take on Silicon Valley, one drenched in light, color and contrast.\u003c/p>\n\u003cp>Naturally, there are establishing shots of San Francisco: foggy, silver, washed out, when it’s not glowing like a silicon chip at night. The series begins in the white, washed out apartment of software engineer \u003ca href=\"https://www.instagram.com/p/B9DGqaVH7jJ/\" target=\"_blank\" rel=\"noopener noreferrer\">Lily\u003c/a> (Sonoya Mizuno) and her boyfriend Sergei (Karl Glusman). Both live in the city and ride a company shuttle to work far, far away in some unnamed suburb to the south.\u003c/p>\n\u003cp>Amaya, the cultish tech company where they work, is set on a campus tucked inside a grove of redwoods — in real life \u003ca href=\"https://www.thecinemaholic.com/devs-filming-locations/\" target=\"_blank\" rel=\"noopener noreferrer\">shot at UC Santa Cruz\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13876669\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13876669\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/RS42015_DEVS_101_0059-qut.jpg\" alt=\"The crew of the FX TV series Devs shoots a scene on the campus of UC Santa Cruz\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/RS42015_DEVS_101_0059-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/RS42015_DEVS_101_0059-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/RS42015_DEVS_101_0059-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/RS42015_DEVS_101_0059-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/RS42015_DEVS_101_0059-qut-1020x680.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The crew of the FX TV series Devs shoots a scene on the campus of UC Santa Cruz \u003ccite>(Courtesy of Raymond Liu/FX)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Why UC Santa Cruz? For a start, it was available. “\u003cb>\u003c/b>We would never be able to use the real [tech campuses], because they’re always in use by the companies. We needed somewhere that we were going to be for several months, shooting in and out, coming back,” said Digby, who admits the \u003cem>Devs\u003c/em> team was initially looking for a modern campus full of glass and steel, more akin to what you see in downtown San Francisco today.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But as with any visual production team, they adjusted to account for practical constraints and on-site inspiration. “I\u003cb>\u003c/b>t was a little bit out of left field,” Digby said of the slightly older, Brutalist buildings that dominate the UC Santa Cruz campus. Their characteristically massive, monolithic appearance, though, won the team over. “The minute we stepped foot in the area, we fell in love.”\u003c/p>\n\u003cp>So it was McHenry Library, Quarry Plaza and Science Hill provided the exteriors for Amaya’s public-facing office complex in \u003cem>Devs\u003c/em>. And from the inside, you could be looking at any Silicon Valley open floor office plan, featuring floor-to-ceiling glass and sweetly nerdy Millenials tapping away intently at their computer stations.\u003c/p>\n\u003cp>In this case, they look out on those bucolic, green redwoods. “\u003cb>\u003c/b>The redwoods embed you in California and the Bay Area,” Digby said.\u003c/p>\n\u003cp>Add a monumental, pop art statue of a little girl incongruously towering over the campus in a manner not unlike Robert Arneson’s \u003cem>Eggheads\u003c/em> at \u003ca href=\"https://www.kqed.org/arts/12413395/the-10-shocking-toilets-that-helped-put-uc-davis-on-the-art-world-map\" target=\"_blank\" rel=\"noopener noreferrer\">UC Davis\u003c/a>, and you have \u003cem>foreshadowing\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_13876668\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13876668\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/DEVS_SET_033.jpg\" alt=\"The quantum supercomputer at the heart of Devs, an eight episode FX series that streaming on Hulu in March.\" width=\"1600\" height=\"1067\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/DEVS_SET_033.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/DEVS_SET_033-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/DEVS_SET_033-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/DEVS_SET_033-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/DEVS_SET_033-1020x680.jpg 1020w\" sizes=\"(max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">The quantum supercomputer at the heart of Devs, an eight episode FX series that streaming on Hulu in March. \u003ccite>(Courtesy of Mia Mizuno/FX)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>What’s Inside the Box\u003c/h2>\n\u003cp>Because, of course, all is not well in this Garden of Eden. The company is running a secret operation that the world and most of its employees know nothing about.\u003c/p>\n\u003cp>Set off from the other buildings in a nearby meadow, there sits a computer-generated, concrete ziggurat that looks like a bunker or utility building from the World War II era. “It’s supposed to detract from any interest,” said Digby, “but it’s supposed to have scale. Also, from the outside, it’s supposed to juxtapose with what’s inside. W\u003cb>\u003c/b>hat’s inside is supposed to take your breath away.”\u003c/p>\n\u003cp>Inside sits a shimmering, gold jewel box of an office that is the heart of \u003cem>Devs\u003c/em>. Constructed and shot in a U.K. sound studio, it’s also an unabashed temple to technology as it might be in the near future. At the center of the cube, encased in glass, floats the innards of a quantum supercomputer that looks a lot like, for example, IBM’s Q System One.\u003c/p>\n\u003cfigure id=\"attachment_13876667\" class=\"wp-caption aligncenter\" style=\"max-width: 1919px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13876667\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/RS42014_GettyImages-1091456252-qut.jpeg\" alt=\"The quantum supercomputer at the center of the FX TV series Devs looks a lot like IBM's Q System One.\" width=\"1919\" height=\"2027\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/RS42014_GettyImages-1091456252-qut.jpeg 1919w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/RS42014_GettyImages-1091456252-qut-160x169.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/RS42014_GettyImages-1091456252-qut-800x845.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/RS42014_GettyImages-1091456252-qut-768x811.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/RS42014_GettyImages-1091456252-qut-1020x1077.jpeg 1020w\" sizes=\"(max-width: 1919px) 100vw, 1919px\">\u003cfigcaption class=\"wp-caption-text\">The quantum supercomputer at the center of the FX TV series Devs looks a lot like IBM’s Q System One. \u003ccite>(Courtesy of David Becker/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Which was the idea.\u003c/p>\n\u003cp>“They are amazing pieces of art. Once they’re taken out of their shields, they are these gold and glass and aluminum and silver masterpieces. You know, the machines that we use, the insides of computers, are absolutely beautiful. It can be Awesome!-inspiring. It’s a character in itself,” Digby said.\u003c/p>\n\u003cp>The supercomputer is also at the center of the \u003cem>Devs\u003c/em> story. Much as my first impression of the space was of the lobby of a boutique hotel, or a futuristic, black, gold and glass inversion of an Apple store, Digby explained that science inspired the visual look of the supercomputer’s home.\u003c/p>\n\u003cp>Sound waves, light waves, electromagnetic waves — nothing will be able to penetrate this bunker encased in concrete and lined with lead and gold. Or gold leaf: the team applied hundreds of squares of gold leaf to the walls, using a recurring fractal pattern called a \u003ca href=\"https://en.wikipedia.org/wiki/Menger_sponge\" target=\"_blank\" rel=\"noopener noreferrer\">Menger sponge\u003c/a>, a visual representation of the idea of boxes within boxes within boxes.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Fp9LMsI6uJ8'\n title='//www.youtube.com/embed/Fp9LMsI6uJ8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>It’s a gilded, airless, isolated space that also looks and feels quasi-religious. The story circles around a metaphysical topic obsessed about in classic, \u003ca href=\"https://www.kqed.org/arts/13876008/devs-explores-modern-tech-driven-cultural-alienation-in-san-francisco\" target=\"_blank\" rel=\"noopener noreferrer\">over-heated\u003c/a> sci fi fashion by Amaya’s multibillionaire founder, Forest (Nick Offerman).\u003c/p>\n\u003cp>Does knowing the future allows us to change it to something more akin to our liking? Or are we compelled to act out the future laid before us in the magic mirror by artificial intelligence we built? It’s the old free will versus determinism debate some of you will remember from university philosophy classes.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Moody, self-doubting, passively trapped in a gilded box of our own making: sounds like Silicon Valley in 2020. Looks like it, too.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"planet-money": {
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"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"order": 16
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},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
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