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"slug": "oakland-museum-of-california-to-undergo-20m-renovation-to-exterior-courtyard",
"title": "Oakland Museum of California to Undergo $20m Renovation to Exterior, Courtyard",
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"headTitle": "Oakland Museum of California to Undergo $20m Renovation to Exterior, Courtyard | KQED",
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"content": "\u003cp>In 2015, when an estimated one million Golden State Warriors fans overtook the area south of Lake Merritt to celebrate Oakland’s newly-crowned basketball champions, many of them passed by the tall, concrete exterior walls of the Oakland Museum of California without even noticing the cultural institution within. [aside postID=arts_13854867,arts_13844595,arts_13827876]\u003c/p>\n\u003cp>For museum director Lori Fogarty, it was a revelation: The parade revealed to her the art, history and science museum’s need to physically reflect its community engagement mission by opening up its brutalist concrete edifice—especially on the corner facing 12th Street and Lake Merritt. \u003c/p>\n\u003cp>Now \u003ca href=\"https://museumca.org/\">Oakland Museum of California\u003c/a> (OMCA) is preparing to do just that, dramatically renovating its 7.7 acre grounds with a mind to accessibility as well as overhauling landscaping and outdoor sculptures.\u003c/p>\n\u003cp>The idea, Fogarty said during a recent tour, is to make the structure porous enough that pedestrians approaching Lake Merritt from Laney College or Chinatown intuitively navigate through the museum’s terraced gardens, and to connect with the long-awaited redevelopment of the adjacent Henry J. Kaiser Convention Center and its 1,500-seat Calvin Simmons Theater. \u003c/p>\n\u003cfigure id=\"attachment_13865198\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/OMCA-From-12th-Street-800x450.jpg\" alt=\"Currently Oakland Museum of California has little visibility from 12th Street.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13865198\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA-From-12th-Street-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA-From-12th-Street-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA-From-12th-Street-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA-From-12th-Street-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA-From-12th-Street-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA-From-12th-Street.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Currently Oakland Museum of California has little visibility from 12th Street. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s about opening up the museum to the surrounding community,” Fogarty said of the project expected to reach completion by next fall. “We want this to be considered a public park.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The museum’s central courtyard is currently arrayed with planters, sculptures and multilevel walkways. “But a lot of people don’t know the gardens are here,” Fogarty said. The plan includes three, 20 foot wide openings in what are now featureless walls on the northeast corner facing the lake, and an outdoor stage for programming such as the Friday Nights series.\u003c/p>\n\u003cp>A new, wheelchair-accessible ramp will similarly lead from 10th Street to the museum cafe through what’s currently a windowless slab of concrete. (Right now the cafe attracts few besides OMCA staff, county workers, and jurors and lawyers from the neighboring courthouse.) Cafe and gardens access will not require a museum ticket, and Fogarty hopes to expand their hours.\u003c/p>\n\u003cfigure id=\"attachment_13865200\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/OMCA_10th-Street-800x463.jpg\" alt=\"A new, wheelchair-accessible ramp will lead from 10th Street to the museum cafe through what is now a windowless slab of concrete.\" width=\"800\" height=\"463\" class=\"size-medium wp-image-13865200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_10th-Street-800x463.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_10th-Street-160x93.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_10th-Street-768x444.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_10th-Street-1020x590.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_10th-Street-1200x694.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_10th-Street.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A new, wheelchair-accessible ramp will lead from 10th Street to the museum cafe through what is now a windowless slab of concrete. \u003ccite>(Courtesy OMCA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The renovation, led by Hood Design Studio and Mark Cavagnero Associates, is projected to cost $18-$20 million and is scheduled to finish by fall 2020; construction is not expected to disrupt gallery access. OMCA has raised most of the money, Fogarty said, as part of an ongoing $85 million capital campaign aimed largely at boosting the museum’s resources for acquisitions and programming.\u003c/p>\n\u003cp>OMCA opened in 1969 as a free “museum for the people” with multiple entrances. Fogarty said early designs by architect Kevin Roche included 12th St. openings. Mentioning demonstrations at the courthouse at the time, particularly rallies supporting embattled Black Panther leader Huey Newton, she speculated that the corner was ultimately enclosed due to “security concerns.” \u003c/p>\n\u003cp>The City of Oakland, which owns the museum property, is supporting the project through new markets tax credits. Earlier this year Oakland City Council approved $20 million in tax credits to be divided between the museum and Orton Development’s \u003ca href=\"https://www.kqed.org/arts/13861121/kaiser-auditorium-redevelopment-proceeds-with-permanent-affordability-for-arts-groups\" rel=\"noopener\" target=\"_blank\">Kaiser Convention Center renovation\u003c/a>, although Fogarty said she does now know the exact amount OMCA will receive. \u003c/p>\n\u003cfigure id=\"attachment_13865202\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/OMCA_Stage-Night-800x439.jpg\" alt=\"Rendering shows an outdoor stage for programming such as OMCA's Friday Nights series.\" width=\"800\" height=\"439\" class=\"size-medium wp-image-13865202\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_Stage-Night-800x439.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_Stage-Night-160x88.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_Stage-Night-768x422.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_Stage-Night-1020x560.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_Stage-Night-1200x659.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_Stage-Night.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rendering shows an outdoor stage for programming such as OMCA’s Friday Nights series. \u003ccite>(Courtesy OMCA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The details bring into focus a new look for the south end of Lake Merritt, where the Kaiser Convention Center is also \u003ca href=\"https://www.kqed.org/arts/13861121/kaiser-auditorium-redevelopment-proceeds-with-permanent-affordability-for-arts-groups\">slated to reopen as mostly office space\u003c/a> by fall 2020. Fogarty said the driveway between the museum and the landmark Kaiser building, which Orton plans to rechristen the “Oakland Civic,” will be closed to vehicles; Hood Design is the landscaping contractor on both projects. \u003c/p>\n\u003cp>The museum renovation also involves rotating its outdoor sculptures. Nine of 23 sculptures will be sold, placed in storage or returned to lenders, and six new pieces will be installed. Among the objects slated for removal is one of three pieces by Berkeley sculptor Stephen De Staebler as well as large-scale sculptures by artists including Fletcher Benton and Michael Bigger. \u003c/p>\n\u003cp>Incoming works, meanwhile, include abstract ceramicist Peter Voulkos’ 1969 cast bronze sculpture \u003cem>Mr. Ishi\u003c/em> as well as works by Betty Gold, John Mason and Jun Kaneko. Bruce Beasley’s \u003cem>Foray III\u003c/em> will be swapped for \u003cem>Pillars of Cypress\u003c/em>. Other notable objects exhibited outdoors are Tony Labat’s painted steel \u003cem>Big Peace IV\u003c/em> and Viola Frey’s glazed ceramic figure \u003cem>American Nude Series (Woman with Elbow on Raised Knee)\u003c/em>. According to Fogarty, the outdoor collection will also be augmented by interpretative plaques. \u003c/p>\n\u003cfigure id=\"attachment_13865203\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/Site-Plan-800x450.jpg\" alt='Oakland Museum of California opened in 1969 as a free \"museum for the people.\"' width=\"800\" height=\"450\" class=\"size-medium wp-image-13865203\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Site-Plan-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Site-Plan-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Site-Plan-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Site-Plan-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Site-Plan-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Site-Plan.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland Museum of California opened in 1969 as a free “museum for the people.” \u003ccite>(Courtesy OMCA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The landscaping plan from Hood Design involves theming each outdoor terrace around one of five California ecoregions emphasizing native flora. (The mature oak, redwood and olive trees will remain.) “We’re a museum of California art, history and natural sciences and these are not native plants,” Fogarty said. \u003c/p>\n\u003cp>Fogarty went on to say that for decades until the museum cut operational ties to the City of Oakland in 2010, the landscaping was managed by the public works department. “So right now we have a kind of low-maintenance homogeneity,” she said. \u003c/p>\n\u003cp>Hood Design, in a presentation, has described visitors moving from the study of art and cultural and natural history in OMCA’s galleries to contemplating nature itself outdoors. \u003c/p>\n\u003cp>Oakland Museum of California reopened its galleries in 2010 after a $58 million renovation that was also led by Mark Cavagnero Associates. The project expanded OMCA’s exhibition and programming spaces and transformed the museum’s skylit canopy entrance from Oak Street.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>(Editor’s Note: This story has been updated to reflect a corrected list provided by the Oakland Museum of California of sculptures to be removed.)\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In 2015, when an estimated one million Golden State Warriors fans overtook the area south of Lake Merritt to celebrate Oakland’s newly-crowned basketball champions, many of them passed by the tall, concrete exterior walls of the Oakland Museum of California without even noticing the cultural institution within. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For museum director Lori Fogarty, it was a revelation: The parade revealed to her the art, history and science museum’s need to physically reflect its community engagement mission by opening up its brutalist concrete edifice—especially on the corner facing 12th Street and Lake Merritt. \u003c/p>\n\u003cp>Now \u003ca href=\"https://museumca.org/\">Oakland Museum of California\u003c/a> (OMCA) is preparing to do just that, dramatically renovating its 7.7 acre grounds with a mind to accessibility as well as overhauling landscaping and outdoor sculptures.\u003c/p>\n\u003cp>The idea, Fogarty said during a recent tour, is to make the structure porous enough that pedestrians approaching Lake Merritt from Laney College or Chinatown intuitively navigate through the museum’s terraced gardens, and to connect with the long-awaited redevelopment of the adjacent Henry J. Kaiser Convention Center and its 1,500-seat Calvin Simmons Theater. \u003c/p>\n\u003cfigure id=\"attachment_13865198\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/OMCA-From-12th-Street-800x450.jpg\" alt=\"Currently Oakland Museum of California has little visibility from 12th Street.\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13865198\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA-From-12th-Street-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA-From-12th-Street-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA-From-12th-Street-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA-From-12th-Street-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA-From-12th-Street-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA-From-12th-Street.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Currently Oakland Museum of California has little visibility from 12th Street. \u003ccite>(Sam Lefebvre/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s about opening up the museum to the surrounding community,” Fogarty said of the project expected to reach completion by next fall. “We want this to be considered a public park.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The museum’s central courtyard is currently arrayed with planters, sculptures and multilevel walkways. “But a lot of people don’t know the gardens are here,” Fogarty said. The plan includes three, 20 foot wide openings in what are now featureless walls on the northeast corner facing the lake, and an outdoor stage for programming such as the Friday Nights series.\u003c/p>\n\u003cp>A new, wheelchair-accessible ramp will similarly lead from 10th Street to the museum cafe through what’s currently a windowless slab of concrete. (Right now the cafe attracts few besides OMCA staff, county workers, and jurors and lawyers from the neighboring courthouse.) Cafe and gardens access will not require a museum ticket, and Fogarty hopes to expand their hours.\u003c/p>\n\u003cfigure id=\"attachment_13865200\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/OMCA_10th-Street-800x463.jpg\" alt=\"A new, wheelchair-accessible ramp will lead from 10th Street to the museum cafe through what is now a windowless slab of concrete.\" width=\"800\" height=\"463\" class=\"size-medium wp-image-13865200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_10th-Street-800x463.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_10th-Street-160x93.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_10th-Street-768x444.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_10th-Street-1020x590.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_10th-Street-1200x694.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_10th-Street.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A new, wheelchair-accessible ramp will lead from 10th Street to the museum cafe through what is now a windowless slab of concrete. \u003ccite>(Courtesy OMCA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The renovation, led by Hood Design Studio and Mark Cavagnero Associates, is projected to cost $18-$20 million and is scheduled to finish by fall 2020; construction is not expected to disrupt gallery access. OMCA has raised most of the money, Fogarty said, as part of an ongoing $85 million capital campaign aimed largely at boosting the museum’s resources for acquisitions and programming.\u003c/p>\n\u003cp>OMCA opened in 1969 as a free “museum for the people” with multiple entrances. Fogarty said early designs by architect Kevin Roche included 12th St. openings. Mentioning demonstrations at the courthouse at the time, particularly rallies supporting embattled Black Panther leader Huey Newton, she speculated that the corner was ultimately enclosed due to “security concerns.” \u003c/p>\n\u003cp>The City of Oakland, which owns the museum property, is supporting the project through new markets tax credits. Earlier this year Oakland City Council approved $20 million in tax credits to be divided between the museum and Orton Development’s \u003ca href=\"https://www.kqed.org/arts/13861121/kaiser-auditorium-redevelopment-proceeds-with-permanent-affordability-for-arts-groups\" rel=\"noopener\" target=\"_blank\">Kaiser Convention Center renovation\u003c/a>, although Fogarty said she does now know the exact amount OMCA will receive. \u003c/p>\n\u003cfigure id=\"attachment_13865202\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/OMCA_Stage-Night-800x439.jpg\" alt=\"Rendering shows an outdoor stage for programming such as OMCA's Friday Nights series.\" width=\"800\" height=\"439\" class=\"size-medium wp-image-13865202\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_Stage-Night-800x439.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_Stage-Night-160x88.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_Stage-Night-768x422.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_Stage-Night-1020x560.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_Stage-Night-1200x659.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/OMCA_Stage-Night.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Rendering shows an outdoor stage for programming such as OMCA’s Friday Nights series. \u003ccite>(Courtesy OMCA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The details bring into focus a new look for the south end of Lake Merritt, where the Kaiser Convention Center is also \u003ca href=\"https://www.kqed.org/arts/13861121/kaiser-auditorium-redevelopment-proceeds-with-permanent-affordability-for-arts-groups\">slated to reopen as mostly office space\u003c/a> by fall 2020. Fogarty said the driveway between the museum and the landmark Kaiser building, which Orton plans to rechristen the “Oakland Civic,” will be closed to vehicles; Hood Design is the landscaping contractor on both projects. \u003c/p>\n\u003cp>The museum renovation also involves rotating its outdoor sculptures. Nine of 23 sculptures will be sold, placed in storage or returned to lenders, and six new pieces will be installed. Among the objects slated for removal is one of three pieces by Berkeley sculptor Stephen De Staebler as well as large-scale sculptures by artists including Fletcher Benton and Michael Bigger. \u003c/p>\n\u003cp>Incoming works, meanwhile, include abstract ceramicist Peter Voulkos’ 1969 cast bronze sculpture \u003cem>Mr. Ishi\u003c/em> as well as works by Betty Gold, John Mason and Jun Kaneko. Bruce Beasley’s \u003cem>Foray III\u003c/em> will be swapped for \u003cem>Pillars of Cypress\u003c/em>. Other notable objects exhibited outdoors are Tony Labat’s painted steel \u003cem>Big Peace IV\u003c/em> and Viola Frey’s glazed ceramic figure \u003cem>American Nude Series (Woman with Elbow on Raised Knee)\u003c/em>. According to Fogarty, the outdoor collection will also be augmented by interpretative plaques. \u003c/p>\n\u003cfigure id=\"attachment_13865203\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/Site-Plan-800x450.jpg\" alt='Oakland Museum of California opened in 1969 as a free \"museum for the people.\"' width=\"800\" height=\"450\" class=\"size-medium wp-image-13865203\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Site-Plan-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Site-Plan-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Site-Plan-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Site-Plan-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Site-Plan-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/Site-Plan.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland Museum of California opened in 1969 as a free “museum for the people.” \u003ccite>(Courtesy OMCA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The landscaping plan from Hood Design involves theming each outdoor terrace around one of five California ecoregions emphasizing native flora. (The mature oak, redwood and olive trees will remain.) “We’re a museum of California art, history and natural sciences and these are not native plants,” Fogarty said. \u003c/p>\n\u003cp>Fogarty went on to say that for decades until the museum cut operational ties to the City of Oakland in 2010, the landscaping was managed by the public works department. “So right now we have a kind of low-maintenance homogeneity,” she said. \u003c/p>\n\u003cp>Hood Design, in a presentation, has described visitors moving from the study of art and cultural and natural history in OMCA’s galleries to contemplating nature itself outdoors. \u003c/p>\n\u003cp>Oakland Museum of California reopened its galleries in 2010 after a $58 million renovation that was also led by Mark Cavagnero Associates. The project expanded OMCA’s exhibition and programming spaces and transformed the museum’s skylit canopy entrance from Oak Street.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>(Editor’s Note: This story has been updated to reflect a corrected list provided by the Oakland Museum of California of sculptures to be removed.)\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"info": "Chris Thile steps to the mic as the host of Live from Here (formerly A Prairie Home Companion), a live public radio variety show. Download Chris’s Song of the Week plus other highlights from the broadcast. Produced by American Public Media.",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 13
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
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"our-body-politic": {
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"title": "Our Body Politic",
"info": "Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.",
"airtime": "SAT 6pm-7pm, SUN 1am-2am",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw",
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"order": 15
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"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
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"politicalbreakdown": {
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"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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