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"content": "\u003cp>Attending a live music event is thirsty work. Audiences drink a lot of water, leaving thousands of empty disposable plastic water bottles behind at the end of the night.\u003c/p>\n\u003cp>After years of shipping the mounting piles of bottles to recycling plants, some entertainment industry players, like \u003ca href=\"https://themidwaysf.com/\" target=\"_blank\" rel=\"noopener\">The Midway\u003c/a>, a music venue and gallery space in San Francisco, are starting to take a different approach to dealing with plastic waste: It allows people to bring in and refill their own water bottles. And in January, it switched from selling water in single-use plastic bottles at $4 each to resealable aluminum bottles at $6.\u003c/p>\n\u003cp>The move comes as the California Legislature is considering two bills aimed at drastically reducing plastic waste: \u003ca href=\"http://leginfo.legislature.ca.gov/faces/billTextClient.xhtml?bill_id=201920200SB54\" target=\"_blank\" rel=\"noopener\">Senate Bill 54\u003c/a> and \u003ca href=\"http://leginfo.legislature.ca.gov/faces/billNavClient.xhtml?bill_id=201920200AB1080\" target=\"_blank\" rel=\"noopener\">Assembly Bill 1080\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11745394\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11745394\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/Kelsey-Issel-800x600.jpg\" alt=\"Kelsey Issel, art director at The Midway and its parent company, Non Plus Ultra\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Kelsey-Issel-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Kelsey-Issel-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Kelsey-Issel-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Kelsey-Issel-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Kelsey-Issel-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Kelsey-Issel-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Kelsey-Issel-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Kelsey-Issel-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Kelsey-Issel-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Kelsey-Issel-536x402.jpg 536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Kelsey-Issel.jpg 2048w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kelsey Issel, art director at The Midway and its parent company, Non Plus Ultra \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We started to look at the numbers, and they were staggering,” said Kelsey Issel, art program director of The Midway and its parent company, \u003ca href=\"https://nonplusultrainc.com/\" target=\"_blank\" rel=\"noopener\">Non Plus Ultra\u003c/a>. “Around 25,000 water bottles just on New Year’s Eve alone.”\u003c/p>\n\u003cp>Since ditching plastic, The Midway has cut its water bottle consumption by two-thirds, Issel said. She said plans are afoot to extend the plastic water sales ban to other Non Plus Ultra venues in San Francisco, such as \u003ca href=\"https://thesanfranciscomint.com/\" target=\"_blank\" rel=\"noopener\">the San Francisco Mint\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“We’re really noticing the dramatic reduction in waste,” Issel said.\u003c/p>\n\u003cfigure id=\"attachment_11745390\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11745390\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/Recology-2-800x600.jpg\" alt=\"A wall of plastic products waiting to be shipped off at the Recology recycling plant on Pier 96 in San Francisco.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-2-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-2-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-2-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-2-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-2-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-2-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-2-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-2-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-2-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-2-536x402.jpg 536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-2.jpg 2048w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A wall of plastic products waiting to be shipped off at the Recology recycling plant on Pier 96 in San Francisco. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>People use 500 billion plastic bottles a year, according to a 2017 packaging trends report by market research firm \u003ca href=\"https://go.euromonitor.com/00-EV-APAC2017-AUSPACK_Landing-Page.html\" target=\"_blank\" rel=\"noopener\">Euromonitor International\u003c/a>. Along with plastic straws, clamshells and bags, they’re a huge environmental hazard. \u003ca href=\"https://edition.cnn.com/2019/04/01/europe/sperm-whale-plastic-stomach-italy-scli-intl/index.html\" target=\"_blank\" rel=\"noopener\">Stories of sea life washing up on beaches\u003c/a> around the world with plastics in their stomachs are becoming more commonplace.\u003c/p>\n\u003cp>And the recycling market for this material isn’t what it once was, now that China, which used to recycle about half of the world’s plastic, has slashed imports.\u003c/p>\n\u003cp>“When China said no more, it left countries and cities scrambling to figure out what they’re going to do with all their plastics,” said Robert Reed, spokesman for \u003ca href=\"https://www.recology.com/\" target=\"_blank\" rel=\"noopener\">Recology\u003c/a>, San Francisco’s recycling company.\u003c/p>\n\u003cp>Along with many forms of plastic, Recology also processes aluminum cans, which are easier to recycle than other beverage containers, Reed said.\u003c/p>\n\u003cfigure id=\"attachment_11745389\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11745389\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed-800x600.jpg\" alt=\"Recology spokesman Robert Reed poses at the Recology plant on Pier 96 in San Francisco. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed-536x402.jpg 536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed.jpg 2048w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Recology spokesman Robert Reed poses at the Recology plant on Pier 96 in San Francisco. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“There’s a worldwide market for aluminum cans,” Reed said. “Very limited markets for the plastic.”\u003c/p>\n\u003cp>\u003ca href=\"http://thefillmore.com/\" target=\"_blank\" rel=\"noopener\">The Fillmore\u003c/a>, another music venue in San Francisco, switched from plastic bottles to aluminum cans in early May. General manager Amie Bailey-Knobler is happy about the company’s change, part of a larger environmental effort by its parent company, \u003ca href=\"https://www.livenation.com/\" target=\"_blank\" rel=\"noopener\">Live Nation.\u003c/a>\u003cb>\u003c/b>\u003c/p>\n\u003cp>The Fillmore is part of the \u003ca href=\"https://greenbusinessca.org/\" target=\"_blank\" rel=\"noopener\">California Green Business Network, too\u003c/a>. Like The Midway, it allows patrons to bring in their own water bottles. The venue also provides filling stations and compostable cups for those who don’t have their own bottles or want to buy a can of water at the bar.\u003c/p>\n\u003cp>But Bailey-Knobler said hard metal surfaces can be a safety hazard at some events.\u003c/p>\n\u003cp>“Bands don’t want canteens (metal water containers) or stuff like that in a crowd if there’s a mosh pit kind of situation or something,” Bailey-Knobler said.\u003c/p>\n\u003cp>Another issue is cost: Cans are more than four times the price of plastic bottles, Bailey-Knobler said.\u003c/p>\n\u003cp>The Fillmore, which is owned by a large entertainment corporation, said it can absorb the cost, but it’s harder for a small local player like The Midway.\u003c/p>\n\u003cfigure id=\"attachment_11745396\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11745396\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups-800x600.jpg\" alt=\"Compostable cups at The Fillmore in San Francisco.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups-536x402.jpg 536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups.jpg 2016w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Compostable cups at The Fillmore in San Francisco. \u003ccite>(Courtesy of The Fillmore)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s a significant loss,” Issel said of her company’s switch to aluminum containers.\u003c/p>\n\u003cp>But Non Plus Ultra is willing to take the hit because of its commitment to reducing waste, said Issel. She hopes profit margins will improve as more eco-friendly manufacturers enter the market to meet consumer demand.\u003c/p>\n\u003cp>“\u003cb>\u003c/b>So we imagine that not only will the price go down, but it will also be easier for us to get,” Issel said.\u003c/p>\n\u003cp>Scott DeFife, vice president of government affairs for the \u003ca href=\"https://www.plasticsindustry.org/\" target=\"_blank\" rel=\"noopener\">Plastics Industry Association,\u003c/a> said his organization applauds these efforts to reduce unnecessary waste. The association also supported San Francisco’s \u003ca href=\"https://sfenvironment.org/reduceplastic\" target=\"_blank\" rel=\"noopener\">plastic straw restrictions\u003c/a> that go into effect July 1.\u003c/p>\n\u003cp>“We don’t want to see this in the environment anymore than anyone else,” said DeFife.\u003c/p>\n\u003cp>And, he said, more efficient systems are needed to process the debris that concertgoers leave behind.\u003c/p>\n\u003cp>“If you’re going to have that many people using disposable packaging, you’re going to need additional waste management infrastructure to capture all of the material,” DeFife said.\u003c/p>\n\u003cp>At the cavernous Recology recycling plant on San Francisco’s waterfront, Robert Reed watched as a hailstorm of plastic bottles pelted down from the rafters into a giant metal cage below.\u003c/p>\n\u003cp>“There’s just dozens of them falling down every few seconds,” Reed said. “It gives you a sense of how fast they get consumed in San Francisco.”\u003c/p>\n\u003cp>Reed said recycling and composting continue to be important in the fight against the ever-growing piles of trash. But what’s even more important right now is reducing the overall waste footprint.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Do simple things so we don’t make so much garbage,” he said. “Like buying produce loose at the farmers market instead of wrapped in Saran wrap at the store. And bringing your own bottle the next time you go hear live music.”\u003c/p>\n\n",
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"title": "Bay Area Entertainment Venues Join the Battle Against Plastic Waste | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Attending a live music event is thirsty work. Audiences drink a lot of water, leaving thousands of empty disposable plastic water bottles behind at the end of the night.\u003c/p>\n\u003cp>After years of shipping the mounting piles of bottles to recycling plants, some entertainment industry players, like \u003ca href=\"https://themidwaysf.com/\" target=\"_blank\" rel=\"noopener\">The Midway\u003c/a>, a music venue and gallery space in San Francisco, are starting to take a different approach to dealing with plastic waste: It allows people to bring in and refill their own water bottles. And in January, it switched from selling water in single-use plastic bottles at $4 each to resealable aluminum bottles at $6.\u003c/p>\n\u003cp>The move comes as the California Legislature is considering two bills aimed at drastically reducing plastic waste: \u003ca href=\"http://leginfo.legislature.ca.gov/faces/billTextClient.xhtml?bill_id=201920200SB54\" target=\"_blank\" rel=\"noopener\">Senate Bill 54\u003c/a> and \u003ca href=\"http://leginfo.legislature.ca.gov/faces/billNavClient.xhtml?bill_id=201920200AB1080\" target=\"_blank\" rel=\"noopener\">Assembly Bill 1080\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11745394\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11745394\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/Kelsey-Issel-800x600.jpg\" alt=\"Kelsey Issel, art director at The Midway and its parent company, Non Plus Ultra\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Kelsey-Issel-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Kelsey-Issel-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Kelsey-Issel-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Kelsey-Issel-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Kelsey-Issel-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Kelsey-Issel-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Kelsey-Issel-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Kelsey-Issel-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Kelsey-Issel-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Kelsey-Issel-536x402.jpg 536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Kelsey-Issel.jpg 2048w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kelsey Issel, art director at The Midway and its parent company, Non Plus Ultra \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We started to look at the numbers, and they were staggering,” said Kelsey Issel, art program director of The Midway and its parent company, \u003ca href=\"https://nonplusultrainc.com/\" target=\"_blank\" rel=\"noopener\">Non Plus Ultra\u003c/a>. “Around 25,000 water bottles just on New Year’s Eve alone.”\u003c/p>\n\u003cp>Since ditching plastic, The Midway has cut its water bottle consumption by two-thirds, Issel said. She said plans are afoot to extend the plastic water sales ban to other Non Plus Ultra venues in San Francisco, such as \u003ca href=\"https://thesanfranciscomint.com/\" target=\"_blank\" rel=\"noopener\">the San Francisco Mint\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We’re really noticing the dramatic reduction in waste,” Issel said.\u003c/p>\n\u003cfigure id=\"attachment_11745390\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11745390\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/Recology-2-800x600.jpg\" alt=\"A wall of plastic products waiting to be shipped off at the Recology recycling plant on Pier 96 in San Francisco.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-2-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-2-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-2-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-2-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-2-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-2-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-2-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-2-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-2-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-2-536x402.jpg 536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-2.jpg 2048w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A wall of plastic products waiting to be shipped off at the Recology recycling plant on Pier 96 in San Francisco. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>People use 500 billion plastic bottles a year, according to a 2017 packaging trends report by market research firm \u003ca href=\"https://go.euromonitor.com/00-EV-APAC2017-AUSPACK_Landing-Page.html\" target=\"_blank\" rel=\"noopener\">Euromonitor International\u003c/a>. Along with plastic straws, clamshells and bags, they’re a huge environmental hazard. \u003ca href=\"https://edition.cnn.com/2019/04/01/europe/sperm-whale-plastic-stomach-italy-scli-intl/index.html\" target=\"_blank\" rel=\"noopener\">Stories of sea life washing up on beaches\u003c/a> around the world with plastics in their stomachs are becoming more commonplace.\u003c/p>\n\u003cp>And the recycling market for this material isn’t what it once was, now that China, which used to recycle about half of the world’s plastic, has slashed imports.\u003c/p>\n\u003cp>“When China said no more, it left countries and cities scrambling to figure out what they’re going to do with all their plastics,” said Robert Reed, spokesman for \u003ca href=\"https://www.recology.com/\" target=\"_blank\" rel=\"noopener\">Recology\u003c/a>, San Francisco’s recycling company.\u003c/p>\n\u003cp>Along with many forms of plastic, Recology also processes aluminum cans, which are easier to recycle than other beverage containers, Reed said.\u003c/p>\n\u003cfigure id=\"attachment_11745389\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11745389\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed-800x600.jpg\" alt=\"Recology spokesman Robert Reed poses at the Recology plant on Pier 96 in San Francisco. \" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed-536x402.jpg 536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Recology-3-Robert-Reed.jpg 2048w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Recology spokesman Robert Reed poses at the Recology plant on Pier 96 in San Francisco. \u003ccite>(Chloe Veltman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“There’s a worldwide market for aluminum cans,” Reed said. “Very limited markets for the plastic.”\u003c/p>\n\u003cp>\u003ca href=\"http://thefillmore.com/\" target=\"_blank\" rel=\"noopener\">The Fillmore\u003c/a>, another music venue in San Francisco, switched from plastic bottles to aluminum cans in early May. General manager Amie Bailey-Knobler is happy about the company’s change, part of a larger environmental effort by its parent company, \u003ca href=\"https://www.livenation.com/\" target=\"_blank\" rel=\"noopener\">Live Nation.\u003c/a>\u003cb>\u003c/b>\u003c/p>\n\u003cp>The Fillmore is part of the \u003ca href=\"https://greenbusinessca.org/\" target=\"_blank\" rel=\"noopener\">California Green Business Network, too\u003c/a>. Like The Midway, it allows patrons to bring in their own water bottles. The venue also provides filling stations and compostable cups for those who don’t have their own bottles or want to buy a can of water at the bar.\u003c/p>\n\u003cp>But Bailey-Knobler said hard metal surfaces can be a safety hazard at some events.\u003c/p>\n\u003cp>“Bands don’t want canteens (metal water containers) or stuff like that in a crowd if there’s a mosh pit kind of situation or something,” Bailey-Knobler said.\u003c/p>\n\u003cp>Another issue is cost: Cans are more than four times the price of plastic bottles, Bailey-Knobler said.\u003c/p>\n\u003cp>The Fillmore, which is owned by a large entertainment corporation, said it can absorb the cost, but it’s harder for a small local player like The Midway.\u003c/p>\n\u003cfigure id=\"attachment_11745396\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11745396\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups-800x600.jpg\" alt=\"Compostable cups at The Fillmore in San Francisco.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups-536x402.jpg 536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/Fillmore-compostable-cups.jpg 2016w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Compostable cups at The Fillmore in San Francisco. \u003ccite>(Courtesy of The Fillmore)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It’s a significant loss,” Issel said of her company’s switch to aluminum containers.\u003c/p>\n\u003cp>But Non Plus Ultra is willing to take the hit because of its commitment to reducing waste, said Issel. She hopes profit margins will improve as more eco-friendly manufacturers enter the market to meet consumer demand.\u003c/p>\n\u003cp>“\u003cb>\u003c/b>So we imagine that not only will the price go down, but it will also be easier for us to get,” Issel said.\u003c/p>\n\u003cp>Scott DeFife, vice president of government affairs for the \u003ca href=\"https://www.plasticsindustry.org/\" target=\"_blank\" rel=\"noopener\">Plastics Industry Association,\u003c/a> said his organization applauds these efforts to reduce unnecessary waste. The association also supported San Francisco’s \u003ca href=\"https://sfenvironment.org/reduceplastic\" target=\"_blank\" rel=\"noopener\">plastic straw restrictions\u003c/a> that go into effect July 1.\u003c/p>\n\u003cp>“We don’t want to see this in the environment anymore than anyone else,” said DeFife.\u003c/p>\n\u003cp>And, he said, more efficient systems are needed to process the debris that concertgoers leave behind.\u003c/p>\n\u003cp>“If you’re going to have that many people using disposable packaging, you’re going to need additional waste management infrastructure to capture all of the material,” DeFife said.\u003c/p>\n\u003cp>At the cavernous Recology recycling plant on San Francisco’s waterfront, Robert Reed watched as a hailstorm of plastic bottles pelted down from the rafters into a giant metal cage below.\u003c/p>\n\u003cp>“There’s just dozens of them falling down every few seconds,” Reed said. “It gives you a sense of how fast they get consumed in San Francisco.”\u003c/p>\n\u003cp>Reed said recycling and composting continue to be important in the fight against the ever-growing piles of trash. But what’s even more important right now is reducing the overall waste footprint.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Do simple things so we don’t make so much garbage,” he said. “Like buying produce loose at the farmers market instead of wrapped in Saran wrap at the store. And bringing your own bottle the next time you go hear live music.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>Updated May 13, 1 p.m.\u003c/em>\u003c/p>\n\u003cp>“Desperate Housewives” star Felicity Huffman pleaded guilty on Monday to participating in the college admissions cheating scheme.\u003c/p>\n\u003cp>The 56-year-old actress entered the plea to a charge of conspiracy to commit mail fraud and honest services mail fraud. Huffman stood with her hands clasped in front of her and responded, “Yes, your honor,” when asked whether she understood the charges. Her brother, Moore Huffman Jr., watched from the front row. Her husband, 69-year-old “Shameless” actor William H. Macy, didn’t attend the hearing.\u003c/p>\n\u003cp>Huffman became the highest-profile person so far to admit to taking part in a college admissions bribery scheme that has also ensnared prominent college coaches and figures from the business world in the investigation named “Operation Varsity Blues.”\u003c/p>\n\u003cp>The case has put the career of Huffman, an Emmy-winning star, in turmoil and laid bare the elite’s ability to influence the education system. Huffman is among 14 parents who have agreed to plead guilty to charges in what authorities have called the biggest college admissions cheating scandal ever prosecuted in the U.S.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[pullquote size='small' align='right' citation='Felicity Huffman']‘I am in full acceptance of my guilt, and with deep regret and shame over what I have done …’[/pullquote]The parents are accused of paying an admissions consultant to bribe coaches in exchange for helping their children get into school as athletic recruits. The consultant, Rick Singer, also paid off entrance exam administrators to allow a proctor to take tests for students or fix their answers, authorities say.\u003c/p>\n\u003cp>Huffman paid Singer $15,000 to have a proctor correct her older daughter’s SAT answers and considered going through with the scheme for her younger daughter before deciding not to, authorities say.\u003c/p>\n\u003cp>Investigators have said Macy was with her when Singer explained how he could arrange for the cheating because he “controlled” a test center. Both Huffman and Macy agreed to plan, authorities say, but Macy has not been charged. Prosecutors have not explained why.\u003c/p>\n\u003cp>Huffman has apologized and said her daughter, 18, was unaware of her actions.\u003c/p>\n\u003cp>“I am in full acceptance of my guilt, and with deep regret and shame over what I have done, I accept full responsibility for my actions and will accept the consequences that stem from those actions,” the actress said in an emailed statement last month.\u003c/p>\n\u003cp>Huffman has agreed to plead guilty to a charge of conspiracy to commit mail fraud and honest services mail fraud. Prosecutors had said they would seek a four-month sentence, but the judge could also choose not to send her to prison. Sentencing is set for Sept. 13.\u003c/p>\n\u003cp>Experts differ on the long-term impact the scandal will have on Huffman’s career.\u003c/p>\n\u003cp>[aside tag='college-admissions-scandal' label='More on the College Admissions Scandal']\u003c/p>\n\u003cp>After Huffman agreed to plead guilty, Netflix officials said a film starring her, “Otherhood,” would not be released as planned in April and a new date would be determined. A limited Netflix series featuring Huffman on the Central Park Five case is expected to debut this month.\u003c/p>\n\u003cp>Los Angeles businessman Devin Sloane, who authorities say paid $250,000 to get his son into the University of Southern California as a fake water polo recruit, also pleaded guilty on Monday.\u003c/p>\n\u003cp>Sloane, who founded a drinking and wastewater systems company, bought water polo gear online and worked with a graphic designer to create a bogus photo of his son playing the sport for the teen’s application, officials say.\u003c/p>\n\u003cp>Some parents accused of participating in the scam have decided to fight the charges.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Fellow actress Lori Loughlin and her fashion designer husband, Mossimo Giannulli, have pleaded not guilty to paying $500,000 in bribes to get their daughters into USC as crew recruits even though neither of them is a rower.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Updated May 13, 1 p.m.\u003c/em>\u003c/p>\n\u003cp>“Desperate Housewives” star Felicity Huffman pleaded guilty on Monday to participating in the college admissions cheating scheme.\u003c/p>\n\u003cp>The 56-year-old actress entered the plea to a charge of conspiracy to commit mail fraud and honest services mail fraud. Huffman stood with her hands clasped in front of her and responded, “Yes, your honor,” when asked whether she understood the charges. Her brother, Moore Huffman Jr., watched from the front row. Her husband, 69-year-old “Shameless” actor William H. Macy, didn’t attend the hearing.\u003c/p>\n\u003cp>Huffman became the highest-profile person so far to admit to taking part in a college admissions bribery scheme that has also ensnared prominent college coaches and figures from the business world in the investigation named “Operation Varsity Blues.”\u003c/p>\n\u003cp>The case has put the career of Huffman, an Emmy-winning star, in turmoil and laid bare the elite’s ability to influence the education system. Huffman is among 14 parents who have agreed to plead guilty to charges in what authorities have called the biggest college admissions cheating scandal ever prosecuted in the U.S.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The parents are accused of paying an admissions consultant to bribe coaches in exchange for helping their children get into school as athletic recruits. The consultant, Rick Singer, also paid off entrance exam administrators to allow a proctor to take tests for students or fix their answers, authorities say.\u003c/p>\n\u003cp>Huffman paid Singer $15,000 to have a proctor correct her older daughter’s SAT answers and considered going through with the scheme for her younger daughter before deciding not to, authorities say.\u003c/p>\n\u003cp>Investigators have said Macy was with her when Singer explained how he could arrange for the cheating because he “controlled” a test center. Both Huffman and Macy agreed to plan, authorities say, but Macy has not been charged. Prosecutors have not explained why.\u003c/p>\n\u003cp>Huffman has apologized and said her daughter, 18, was unaware of her actions.\u003c/p>\n\u003cp>“I am in full acceptance of my guilt, and with deep regret and shame over what I have done, I accept full responsibility for my actions and will accept the consequences that stem from those actions,” the actress said in an emailed statement last month.\u003c/p>\n\u003cp>Huffman has agreed to plead guilty to a charge of conspiracy to commit mail fraud and honest services mail fraud. Prosecutors had said they would seek a four-month sentence, but the judge could also choose not to send her to prison. Sentencing is set for Sept. 13.\u003c/p>\n\u003cp>Experts differ on the long-term impact the scandal will have on Huffman’s career.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After Huffman agreed to plead guilty, Netflix officials said a film starring her, “Otherhood,” would not be released as planned in April and a new date would be determined. A limited Netflix series featuring Huffman on the Central Park Five case is expected to debut this month.\u003c/p>\n\u003cp>Los Angeles businessman Devin Sloane, who authorities say paid $250,000 to get his son into the University of Southern California as a fake water polo recruit, also pleaded guilty on Monday.\u003c/p>\n\u003cp>Sloane, who founded a drinking and wastewater systems company, bought water polo gear online and worked with a graphic designer to create a bogus photo of his son playing the sport for the teen’s application, officials say.\u003c/p>\n\u003cp>Some parents accused of participating in the scam have decided to fight the charges.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Fellow actress Lori Loughlin and her fashion designer husband, Mossimo Giannulli, have pleaded not guilty to paying $500,000 in bribes to get their daughters into USC as crew recruits even though neither of them is a rower.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "3 Free Things to Do This Mother's Day Weekend in the Bay Area",
"headTitle": "3 Free Things to Do This Mother’s Day Weekend in the Bay Area | KQED",
"content": "\u003cp>Looking for free things to do in the Bay Area this weekend (perhaps for Mother’s Day)? Read on for some inspiration:\u003c/p>\n\u003ch3>Visit the Ferry Building for Mother’s Day\u003c/h3>\n\u003cfigure id=\"attachment_11746032\" class=\"wp-caption alignnone\" style=\"max-width: 2048px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11746032\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/59476250_2469769243053974_8015250375609155584_o.jpg\" alt=\"\" width=\"2048\" height=\"1164\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/59476250_2469769243053974_8015250375609155584_o.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/59476250_2469769243053974_8015250375609155584_o-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/59476250_2469769243053974_8015250375609155584_o-800x455.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/59476250_2469769243053974_8015250375609155584_o-1020x580.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/59476250_2469769243053974_8015250375609155584_o-1200x682.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/59476250_2469769243053974_8015250375609155584_o-1920x1091.jpg 1920w\" sizes=\"(max-width: 2048px) 100vw, 2048px\">\u003cfigcaption class=\"wp-caption-text\">Flowers at the San Francisco Ferry Building \u003ccite>(San Francisco Ferry Building via Facebook)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Wandering the Ferry Building’s sights (and smells) is pleasant enough on a regular day, but this weekend you’ll find special craft stations in its halls for Mother’s Day. Activities for kids include card crafting and flower pot decoration. The CUESA \u003ca href=\"https://cuesa.org/markets/ferry-plaza-farmers-market\">Ferry Plaza Farmers Market\u003c/a> will also be outside the Ferry Building Saturday 8 a.m. — 2 p.m (the same folks who are also bringing a special \u003ca href=\"https://cuesa.org/article/farmers-market-treats-mothers-day\">Mother’s Day farmers market to Oakland’s Jack London Square\u003c/a>.)\u003c/p>\n\u003cp>\u003cem>Saturday, May 11 (9 a.m. — 3 p.m)\u003cbr>\n\u003ca href=\"https://www.facebook.com/events/2284902808417182/\">Details\u003c/a>\u003c/em>\u003c/p>\n\u003ch3>Explore the Stanford Powwow\u003c/h3>\n\u003cfigure id=\"attachment_11746196\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11746196\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS37032_18489774_10154868125346137_3172288997224422170_o-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS37032_18489774_10154868125346137_3172288997224422170_o-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS37032_18489774_10154868125346137_3172288997224422170_o-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS37032_18489774_10154868125346137_3172288997224422170_o-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS37032_18489774_10154868125346137_3172288997224422170_o-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS37032_18489774_10154868125346137_3172288997224422170_o-qut-1200x800.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Stanford Powwow celebrations \u003ccite>(Stanford Powwow via Facebook)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A storied celebration of Native American cultures, the \u003ca href=\"http://powwow.stanford.edu/\">48th Annual Stanford Powwow and Art Market\u003c/a> will offer dance, music and artistry on the Stanford University campus \u003cem>— \u003c/em>with more than 100 stalls and vendors. In addition to the performances and contests, there will also be a Fun Run/Walk on Saturday at 8 a.m. which, like all the outdoor activities at this event, will take place rain or shine. Overnight camping on-site is also available.\u003c/p>\n\u003cp>\u003cem>Friday, May 10 through Sunday, May 12 (times vary, \u003ca href=\"http://powwow.stanford.edu/\">consult program\u003c/a>)\u003c/em>\u003cbr>\n\u003cem>\u003ca href=\"http://powwow.stanford.edu/\">Details \u003c/a>\u003c/em>\u003c/p>\n\u003ch3>Wander the Downtown Alameda Spring Festival\u003c/h3>\n\u003cfigure id=\"attachment_11746035\" class=\"wp-caption alignnone\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11746035\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/18588742_1571184502915446_5876539699889118504_o.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/18588742_1571184502915446_5876539699889118504_o.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/18588742_1571184502915446_5876539699889118504_o-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/18588742_1571184502915446_5876539699889118504_o-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/18588742_1571184502915446_5876539699889118504_o-1020x574.jpg 1020w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Attendees at the 2017 Alameda Spring Festival \u003ccite>(Downtown Alameda Business Association on Facebook)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This Mother’s Day tradition is back for its 19th year, taking over Alameda’s historic Park Street district for the weekend. Organizers are promising over 150 arts and crafts vendors, live musical performances across three stages (including bluegrass, jazz and funk) plus a Kids’ Zone with bounce house, face painting and a climbing wall. There’s also \u003ca href=\"https://downtownalameda.com/events/spring-festival/#moreInfo\">free bike parking\u003c/a> available.\u003c/p>\n\u003cp>\u003cem>Saturday, May 11 and Sunday, May 12(10 a.m. — 6 p.m.)\u003c/em>\u003cbr>\n\u003ca href=\"https://downtownalameda.com/events/spring-festival/\">\u003cem>Details\u003c/em>\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Looking for free things to do in the Bay Area this weekend (perhaps for Mother’s Day)? Read on for some inspiration:\u003c/p>\n\u003ch3>Visit the Ferry Building for Mother’s Day\u003c/h3>\n\u003cfigure id=\"attachment_11746032\" class=\"wp-caption alignnone\" style=\"max-width: 2048px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11746032\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/59476250_2469769243053974_8015250375609155584_o.jpg\" alt=\"\" width=\"2048\" height=\"1164\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/59476250_2469769243053974_8015250375609155584_o.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/59476250_2469769243053974_8015250375609155584_o-160x91.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/59476250_2469769243053974_8015250375609155584_o-800x455.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/59476250_2469769243053974_8015250375609155584_o-1020x580.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/59476250_2469769243053974_8015250375609155584_o-1200x682.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/59476250_2469769243053974_8015250375609155584_o-1920x1091.jpg 1920w\" sizes=\"(max-width: 2048px) 100vw, 2048px\">\u003cfigcaption class=\"wp-caption-text\">Flowers at the San Francisco Ferry Building \u003ccite>(San Francisco Ferry Building via Facebook)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Wandering the Ferry Building’s sights (and smells) is pleasant enough on a regular day, but this weekend you’ll find special craft stations in its halls for Mother’s Day. Activities for kids include card crafting and flower pot decoration. The CUESA \u003ca href=\"https://cuesa.org/markets/ferry-plaza-farmers-market\">Ferry Plaza Farmers Market\u003c/a> will also be outside the Ferry Building Saturday 8 a.m. — 2 p.m (the same folks who are also bringing a special \u003ca href=\"https://cuesa.org/article/farmers-market-treats-mothers-day\">Mother’s Day farmers market to Oakland’s Jack London Square\u003c/a>.)\u003c/p>\n\u003cp>\u003cem>Saturday, May 11 (9 a.m. — 3 p.m)\u003cbr>\n\u003ca href=\"https://www.facebook.com/events/2284902808417182/\">Details\u003c/a>\u003c/em>\u003c/p>\n\u003ch3>Explore the Stanford Powwow\u003c/h3>\n\u003cfigure id=\"attachment_11746196\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11746196\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS37032_18489774_10154868125346137_3172288997224422170_o-qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS37032_18489774_10154868125346137_3172288997224422170_o-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS37032_18489774_10154868125346137_3172288997224422170_o-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS37032_18489774_10154868125346137_3172288997224422170_o-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS37032_18489774_10154868125346137_3172288997224422170_o-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS37032_18489774_10154868125346137_3172288997224422170_o-qut-1200x800.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Stanford Powwow celebrations \u003ccite>(Stanford Powwow via Facebook)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A storied celebration of Native American cultures, the \u003ca href=\"http://powwow.stanford.edu/\">48th Annual Stanford Powwow and Art Market\u003c/a> will offer dance, music and artistry on the Stanford University campus \u003cem>— \u003c/em>with more than 100 stalls and vendors. In addition to the performances and contests, there will also be a Fun Run/Walk on Saturday at 8 a.m. which, like all the outdoor activities at this event, will take place rain or shine. Overnight camping on-site is also available.\u003c/p>\n\u003cp>\u003cem>Friday, May 10 through Sunday, May 12 (times vary, \u003ca href=\"http://powwow.stanford.edu/\">consult program\u003c/a>)\u003c/em>\u003cbr>\n\u003cem>\u003ca href=\"http://powwow.stanford.edu/\">Details \u003c/a>\u003c/em>\u003c/p>\n\u003ch3>Wander the Downtown Alameda Spring Festival\u003c/h3>\n\u003cfigure id=\"attachment_11746035\" class=\"wp-caption alignnone\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11746035\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/18588742_1571184502915446_5876539699889118504_o.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/18588742_1571184502915446_5876539699889118504_o.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/18588742_1571184502915446_5876539699889118504_o-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/18588742_1571184502915446_5876539699889118504_o-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/18588742_1571184502915446_5876539699889118504_o-1020x574.jpg 1020w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">Attendees at the 2017 Alameda Spring Festival \u003ccite>(Downtown Alameda Business Association on Facebook)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This Mother’s Day tradition is back for its 19th year, taking over Alameda’s historic Park Street district for the weekend. Organizers are promising over 150 arts and crafts vendors, live musical performances across three stages (including bluegrass, jazz and funk) plus a Kids’ Zone with bounce house, face painting and a climbing wall. There’s also \u003ca href=\"https://downtownalameda.com/events/spring-festival/#moreInfo\">free bike parking\u003c/a> available.\u003c/p>\n\u003cp>\u003cem>Saturday, May 11 and Sunday, May 12(10 a.m. — 6 p.m.)\u003c/em>\u003cbr>\n\u003ca href=\"https://downtownalameda.com/events/spring-festival/\">\u003cem>Details\u003c/em>\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>A senior fire official testified Wednesday in the Ghost Ship trial that whoever changes a building's use is responsible for compliance with safety codes intended to save lives in the event of a blaze. \u003c/p>\n\u003cp>Cesar Avila, former assistant fire marshal with the City of Oakland, described the differing safety standards for buildings designated assembly, residential and storage, and explained how a change of use can trigger more stringent requirements. \u003c/p>\n\u003cp>[aside tag='ghost-ship-trial' label='More Ghost Ship Trial Coverage']\u003c/p>\n\u003cp>\"Sometimes we refer to the [fire] code as being written in blood and ashes,\" he said.\u003c/p>\n\u003cp>The highly technical testimony led to a question from Alameda County prosecutor Casey Bates about who shoulders the responsibility for code compliance. Avila responded that whoever changes the use, whether tenant or landlord, is required to make improvements reflecting relevant safety standards. \u003c/p>\n\u003cp>Avila appeared in court on the third day of witness testimony in the criminal trial stemming from the 2016 Ghost Ship warehouse fire that killed 36. Master tenant Derick Almena and Max Harris, who's been described as second in command or creative director, each face 36 counts of involuntary manslaughter. \u003c/p>\n\u003cp>Bates has previously argued that Almena and Harris converted the Fruitvale district warehouse into an unpermitted residence and music venue with willful disregard for fire safety, while the defendants' attorneys have attempted to shift blame to city officials for ignoring dangerous conditions. \u003c/p>\n\u003cp>The defense attorneys have also said the fire broke out not because of code deficiencies, but because of a band of arsonists in dark clothing, alluding to a conflict between the warehouse and a neighbor.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Avila said buildings designated multi-unit residential require illuminated exit signs and two means of escape, and that an exit leading to a lot surrounded by a fence with a locked gate doesn't qualify. Assembly and residential buildings also require integrated fire suppression and alarm systems, he said. \u003c/p>\n\u003cp>He also said it's \"absolutely not\" permissible to have indoor recreational-vehicles used residentially. \"A mobile home or RV is not a room,\" he said. \"You could have fuel, fumes [and] propane tanks attached to the RV. ... You could have oil in the car that could help fire spread.\" \u003c/p>\n\u003cp>During cross-examination, Harris' defense attorney Curtis Briggs stressed that his client moved in to Ghost Ship after the bulk of the interior construction. Briggs asked Avila if Harris had access to the city database indicating the permitted use of the building, and the witness said no. \u003c/p>\n\u003cp>In an unusual exchange, Briggs also called Avila's attention to the courtroom's lack of fire sprinklers and exit signs, asking how trial-goers would know how to escape in the event of a fire. Avila responded that because buildings such as the courthouse predate modern fire codes, different standards apply. \u003c/p>\n\u003cp>During cross-examination by Almena's attorney Tony Serra, Avila said he found no records of the Ghost Ship warehouse being inspected prior to the fire. \u003c/p>\n\u003cp>In the afternoon, the prosecution called Jennifer Turner to the witness stand. Turner said she rented a space in Ghost Ship for fewer than two months in late 2014 after responding to a Craigslist advertisement for housing in a \"psychedelic pirate ship.\"\u003c/p>\n\u003cp>During a tour of the space, Turner said Almena and another tenant \"explicitly\" told her to publicly describe Ghost Ship as a 24-hour artists' studio with public access, not a residence. Turner is expected to continue testifying that she moved out because of safety concerns.\u003c/p>\n\u003cp>Serra told reporters that he'll show the building owners, the Ng family, knew about the change of use, and emphasized that ultimately the jury must decide who had responsibility for safety at Ghost Ship.\u003c/p>\n\u003cp>\"You watch, we're going to raise reasonable doubt that it was arson,\" Serra added. \"All the fire codes in the world aren't going to take into account what you have to do when there's an arson.\" \u003c/p>\n\u003cp>The jury also heard testimony Wednesday from Judy Melinek, a forensic pathologist who conducted autopsies on eight Ghost Ship fire victims and determined they died of smoke inhalation. \u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Avila said buildings designated multi-unit residential require illuminated exit signs and two means of escape, and that an exit leading to a lot surrounded by a fence with a locked gate doesn't qualify. Assembly and residential buildings also require integrated fire suppression and alarm systems, he said. \u003c/p>\n\u003cp>He also said it's \"absolutely not\" permissible to have indoor recreational-vehicles used residentially. \"A mobile home or RV is not a room,\" he said. \"You could have fuel, fumes [and] propane tanks attached to the RV. ... You could have oil in the car that could help fire spread.\" \u003c/p>\n\u003cp>During cross-examination, Harris' defense attorney Curtis Briggs stressed that his client moved in to Ghost Ship after the bulk of the interior construction. Briggs asked Avila if Harris had access to the city database indicating the permitted use of the building, and the witness said no. \u003c/p>\n\u003cp>In an unusual exchange, Briggs also called Avila's attention to the courtroom's lack of fire sprinklers and exit signs, asking how trial-goers would know how to escape in the event of a fire. Avila responded that because buildings such as the courthouse predate modern fire codes, different standards apply. \u003c/p>\n\u003cp>During cross-examination by Almena's attorney Tony Serra, Avila said he found no records of the Ghost Ship warehouse being inspected prior to the fire. \u003c/p>\n\u003cp>In the afternoon, the prosecution called Jennifer Turner to the witness stand. Turner said she rented a space in Ghost Ship for fewer than two months in late 2014 after responding to a Craigslist advertisement for housing in a \"psychedelic pirate ship.\"\u003c/p>\n\u003cp>During a tour of the space, Turner said Almena and another tenant \"explicitly\" told her to publicly describe Ghost Ship as a 24-hour artists' studio with public access, not a residence. Turner is expected to continue testifying that she moved out because of safety concerns.\u003c/p>\n\u003cp>Serra told reporters that he'll show the building owners, the Ng family, knew about the change of use, and emphasized that ultimately the jury must decide who had responsibility for safety at Ghost Ship.\u003c/p>\n\u003cp>\"You watch, we're going to raise reasonable doubt that it was arson,\" Serra added. \"All the fire codes in the world aren't going to take into account what you have to do when there's an arson.\" \u003c/p>\n\u003cp>The jury also heard testimony Wednesday from Judy Melinek, a forensic pathologist who conducted autopsies on eight Ghost Ship fire victims and determined they died of smoke inhalation. \u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"disqusTitle": "Ghost Ship Trial Witness Testifies About 'Explosive' Spread of Deadly Fire",
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"content": "\u003cp>\u003cem>Updated Wednesday, May 8, at 9 a.m.\u003c/em>\u003c/p>\n\u003cp>A man who volunteered as a greeter and oversaw donations the night of a 2016 electronic music party at an Oakland warehouse that caught fire, killing 36, testified Tuesday that the blaze spread quickly, forcing him and others to flee.\u003c/p>\n\u003cp>[aside tag='ghost-ship-trial' label='More Coverage of the Ghost Ship Trial']\u003c/p>\n\u003cp>\"Within five seconds it exploded into an inferno,\" Ryan O'Keefe said of the fire, which he first noticed at 11:15 p.m. on Dec. 2, 2016, at the warehouse known as the Ghost Ship. Answering questions from Alameda County Deputy District Attorney Autrey James, O'Keefe said he was specifically referring to the silent, rapid spread of the blaze, not an actual audible explosion.\u003c/p>\n\u003cp>Master tenant Derick Almena and Max Harris, who has sometimes been referred to as a second-in-command or creative director, each face 36 counts of involuntary manslaughter.\u003c/p>\n\u003cp>O'Keefe said the fire began in the rear of the building and \"spread up and then across the ceiling.\" He said he and three others were forced to flee through a front door, near where they had been welcoming guests. He said they fled due to \"extremely viscous\" smoke that had a \"sparkle-like profile.\"\u003c/p>\n\u003cp>O'Keefe said the smoke filled the building so fast he didn't have time to grab his wallet, laptop and beer.\u003c/p>\n\u003cp>He said he could hear lightbulbs popping in succession from the rear of the building. He said his lip had been burned by smoke.\u003c/p>\n\u003cp>James asked if he had heard fire alarms, to which O'Keefe answered no. James also asked if he had seen anybody enter with Molotov cocktails or whether he had seen seven to 10 people on the lower floor. O'Keefe said no to the questions.\u003c/p>\n\u003cp>The defense said in opening statements last week that they will present evidence that arson was the cause of the fire. They said some witnesses will testify that they heard a fight or scuffle, bottles breaking or popping, and approximately seven to 10 people fleeing through a side entrance just before the fire began.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Defense attorney Curtis Briggs said during lunch recess outside court Tuesday that O'Keefe's recollection of how quickly the fire spread validates the defense's arson theory — that an accelerant was responsible for its rapid growth.\u003c/p>\n\u003cp>O'Keefe also said he had been at a 2016 Thanksgiving gathering at the Ghost Ship, which took place on the second floor of the warehouse. Asked by defense attorney Tyler Smith if he had considered the warehouse during that gathering to be \"unsafe,\" a \"death trap\" or a \"tinderbox,\" O'Keefe responded no.\u003c/p>\n\u003cp>O'Keefe also recalled seeing fire extinguishers near a downstairs bathroom the night of the fire.\u003c/p>\n\u003cp>The prosecution called as its first witness Tuesday forensic pathologist Dr. Thomas Rogers, who performed autopsies on eight of the victims of the blaze.\u003c/p>\n\u003cp>Rogers, who performs autopsies for Alameda and San Mateo counties, said all eight had died from smoke inhalation and had elevated, potentially lethal levels of carbon monoxide in their blood. The defense did not cross-examine Rogers.\u003c/p>\n\u003cp>The prosecution has argued that Almena and Harris illegally converted the commercial warehouse into a residential art space, stuffed from floor to ceiling with flammable building materials, and didn't install the proper safety equipment, such as sprinklers, fire alarms and well-lit exits.\u003c/p>\n\u003cp>Rodney Griffin, who said he had once considered Almena “a brother” prior to a falling out, testified Tuesday that he had been in the warehouse prior to signing of the lease at Almena’s request to evaluate what it would take to get the empty building up to speed.\u003c/p>\n\u003cp>Griffin, who is not a licensed contractor, but has over 20 years of experience in construction trades, said he told Almena it would take about $3,000 to build a set of stairs toward the front of the building and about $2,000 to install fire doors.\u003c/p>\n\u003cp>Almena responded that the amount was “too much money, and could probably be built for less.”\u003c/p>\n\u003cp>Six months following Almena signing the lease, Griffin said he visited the warehouse and told Almena the warehouse was “very dangerous” and called it a “death trap,” at which Almena laughed. Griffin repeated what Almena told him at the time, \"Ha. Ha. We should call it the Satya Yuga death trap.\" The warehouse had also been known as the Satya Yuga collective at the time.\u003c/p>\n\u003cp>He said three motor homes had been parked inside along with some vintage camper trailers. Griffin said Almena had moved in “so many” art works, pianos, organs, old speakers, tapestries, fabrics and wood, some he said was used to separate living areas.\u003c/p>\n\u003cp>Griffin also said he grew concerned after it appeared the warehouse had been \"fire bombed\" in September 2014. He said he visited a fire station approximately one city block away from the warehouse and told the station chief about the conditions there.\u003c/p>\n\u003cp>Griffin testified the station chief told him there had been numerous reports and that they were aware of the situation.\u003c/p>\n\u003cp>Griffin testified he felt the issue wouldn't \"be properly addressed\" and said he felt his concerns would be \"brushed off.\"\u003c/p>\n\u003cp>\u003c/p>\n",
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"excerpt": "'Within five seconds it exploded into an inferno,' Ryan O'Keefe said of the blaze he first noticed about 11:15 p.m. on Dec. 2, 2016.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Updated Wednesday, May 8, at 9 a.m.\u003c/em>\u003c/p>\n\u003cp>A man who volunteered as a greeter and oversaw donations the night of a 2016 electronic music party at an Oakland warehouse that caught fire, killing 36, testified Tuesday that the blaze spread quickly, forcing him and others to flee.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"Within five seconds it exploded into an inferno,\" Ryan O'Keefe said of the fire, which he first noticed at 11:15 p.m. on Dec. 2, 2016, at the warehouse known as the Ghost Ship. Answering questions from Alameda County Deputy District Attorney Autrey James, O'Keefe said he was specifically referring to the silent, rapid spread of the blaze, not an actual audible explosion.\u003c/p>\n\u003cp>Master tenant Derick Almena and Max Harris, who has sometimes been referred to as a second-in-command or creative director, each face 36 counts of involuntary manslaughter.\u003c/p>\n\u003cp>O'Keefe said the fire began in the rear of the building and \"spread up and then across the ceiling.\" He said he and three others were forced to flee through a front door, near where they had been welcoming guests. He said they fled due to \"extremely viscous\" smoke that had a \"sparkle-like profile.\"\u003c/p>\n\u003cp>O'Keefe said the smoke filled the building so fast he didn't have time to grab his wallet, laptop and beer.\u003c/p>\n\u003cp>He said he could hear lightbulbs popping in succession from the rear of the building. He said his lip had been burned by smoke.\u003c/p>\n\u003cp>James asked if he had heard fire alarms, to which O'Keefe answered no. James also asked if he had seen anybody enter with Molotov cocktails or whether he had seen seven to 10 people on the lower floor. O'Keefe said no to the questions.\u003c/p>\n\u003cp>The defense said in opening statements last week that they will present evidence that arson was the cause of the fire. They said some witnesses will testify that they heard a fight or scuffle, bottles breaking or popping, and approximately seven to 10 people fleeing through a side entrance just before the fire began.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Defense attorney Curtis Briggs said during lunch recess outside court Tuesday that O'Keefe's recollection of how quickly the fire spread validates the defense's arson theory — that an accelerant was responsible for its rapid growth.\u003c/p>\n\u003cp>O'Keefe also said he had been at a 2016 Thanksgiving gathering at the Ghost Ship, which took place on the second floor of the warehouse. Asked by defense attorney Tyler Smith if he had considered the warehouse during that gathering to be \"unsafe,\" a \"death trap\" or a \"tinderbox,\" O'Keefe responded no.\u003c/p>\n\u003cp>O'Keefe also recalled seeing fire extinguishers near a downstairs bathroom the night of the fire.\u003c/p>\n\u003cp>The prosecution called as its first witness Tuesday forensic pathologist Dr. Thomas Rogers, who performed autopsies on eight of the victims of the blaze.\u003c/p>\n\u003cp>Rogers, who performs autopsies for Alameda and San Mateo counties, said all eight had died from smoke inhalation and had elevated, potentially lethal levels of carbon monoxide in their blood. The defense did not cross-examine Rogers.\u003c/p>\n\u003cp>The prosecution has argued that Almena and Harris illegally converted the commercial warehouse into a residential art space, stuffed from floor to ceiling with flammable building materials, and didn't install the proper safety equipment, such as sprinklers, fire alarms and well-lit exits.\u003c/p>\n\u003cp>Rodney Griffin, who said he had once considered Almena “a brother” prior to a falling out, testified Tuesday that he had been in the warehouse prior to signing of the lease at Almena’s request to evaluate what it would take to get the empty building up to speed.\u003c/p>\n\u003cp>Griffin, who is not a licensed contractor, but has over 20 years of experience in construction trades, said he told Almena it would take about $3,000 to build a set of stairs toward the front of the building and about $2,000 to install fire doors.\u003c/p>\n\u003cp>Almena responded that the amount was “too much money, and could probably be built for less.”\u003c/p>\n\u003cp>Six months following Almena signing the lease, Griffin said he visited the warehouse and told Almena the warehouse was “very dangerous” and called it a “death trap,” at which Almena laughed. Griffin repeated what Almena told him at the time, \"Ha. Ha. We should call it the Satya Yuga death trap.\" The warehouse had also been known as the Satya Yuga collective at the time.\u003c/p>\n\u003cp>He said three motor homes had been parked inside along with some vintage camper trailers. Griffin said Almena had moved in “so many” art works, pianos, organs, old speakers, tapestries, fabrics and wood, some he said was used to separate living areas.\u003c/p>\n\u003cp>Griffin also said he grew concerned after it appeared the warehouse had been \"fire bombed\" in September 2014. He said he visited a fire station approximately one city block away from the warehouse and told the station chief about the conditions there.\u003c/p>\n\u003cp>Griffin testified the station chief told him there had been numerous reports and that they were aware of the situation.\u003c/p>\n\u003cp>Griffin testified he felt the issue wouldn't \"be properly addressed\" and said he felt his concerns would be \"brushed off.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"disqusTitle": "Lease Co-Signer, Mother of Fire Victim First to Testify in Ghost Ship Trial",
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"content": "\u003cp>\u003cem>Updated 7:06 p.m.\u003c/em>\u003c/p>\n\u003cp>One of the original co-signers of the lease for an Oakland warehouse that caught fire in 2016, killing 36 people, testified Monday that he grew concerned over changes to the building, and tried to get out of the agreement within weeks of signing.\u003c/p>\n\u003cp>And in a surprise announcement, after testimony wrapped up Monday, Alameda County Deputy District Attorney Autrey James told the court that electrician Robert Jacobitz, who was scheduled to testify this week, died Sunday. He had performed electrical work at the warehouse known as the Ghost Ship, according to reports.\u003c/p>\n\u003cp>[aside tag='ghost-ship-trial' label='More Ghost Ship Trial Coverage']\u003c/p>\n\u003cp>Nicholas \"Nico\" Bouchard, the second witness called to testify in the trial of two men each charged with 36 counts of involuntary manslaughter, said he grew concerned over changes master tenant Derick Almena began making after they had signed the lease in November 2013. That included a 20-by-20-foot hole cut into the second floor in place of an old conveyor belt that people used to hoist pianos and organs.\u003c/p>\n\u003cp>The prosecution has argued that Almena and Harris filled the illegally converted warehouse with flammable building materials from floor to ceiling and hadn't implemented safety measures required of such a building.\u003c/p>\n\u003cp>Both Almena and Max Harris, often referred to as second-in-command or creative director, both face charges in the deadly fire that broke out on Dec. 2, 2016.\u003c/p>\n\u003cp>Bouchard cited he was concerned about the lack of smoke alarms, sprinklers and fire extinguishers inside the warehouse. He said about half of the electrical outlets in the building weren't operational.\u003c/p>\n\u003cp>Bouchard said he had been consulting with his mother regarding safety upgrades and also cited a meeting in Emeryville with Almena where they voiced these concerns. He said Almena \"scoffed and laughed at us and called us too mainstream.\"\u003c/p>\n\u003cp>Bouchard said Almena, \"liked to do things not by the books and \"as DIY as possible.\"\u003c/p>\n\u003cp>After the meeting, Bouchard said he went away for a weekend to Harbin Hot Springs in Northern California, and when he returned he said he was \"done,\" or wanted to get out of the lease.\u003c/p>\n\u003cp>Following questions from James, the Alameda County Deputy district attorney, Bouchard said he sent an email to Eva Ng, daughter of landlord Chor Ng, saying he was leaving the premises, and was dropping off his keys. He also advised Ng that she should evict Almena. Bouchard said he moved out of the warehouse within two to three weeks of signing the lease.\u003c/p>\n\u003cp>Bouchard said he was worried he would be stuck with the full liability of the lease due to Almena's changes. In later meetings, Bouchard said Almena wanted to work with him on a music festival project but said he wouldn't work with Almena because he \"had become aggressive at that point\" and \"had a bad reputation.\" Bouchard also said in those visits after he moved out that Almena was \"heavily using speed.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The day's testimonies began dramatically with Carol Cidlik, mother of one of the victims. She cried as she identified a photo of her daughter, Nicole Siegrist, also nicknamed Denalda. She said she received texts throughout the day her daughter died.\u003c/p>\n\u003cp>James, the prosecutor, showed texts between the two, a final one from Siegrist that read, \"I'm gonna die now.\" The defense had objected to the testimony before the jury was called to the courtroom, calling the text \"inflammatory\" and that it was \"tugging at the heartstrings.\"\u003c/p>\n\u003cp>Defense attorney Tyler Smith, who represents Harris, said the \"true reason is to appeal to the emotions of the jurors.\"\u003c/p>\n\u003cp>Judge Trina Thompson allowed testimony from Cidlik if it referred specifically to the time and location from where the text was sent.\u003c/p>\n\u003cp>Cidlik, who lives in Hawaii, said she had received the final text at 11:23 p.m. California time, the time at which the fire had broken out. Defense attorneys did not cross-examine Cidlik.\u003c/p>\n\u003cp>Elizabeth Mazzola, who lived at the Ghost Ship for about a month and escaped the night of the fire, was the final witness Monday and answered questions from James regarding the state of the warehouse.\u003c/p>\n\u003cp>Mazzola, who was subletting a living space on the first floor, said she saw a wall of flame as the fire broke out, and said she couldn’t recall any sprinklers, smoke detectors or emergency lights as she fled out the main pathway and out the front door of the warehouse. She said she wasn’t sure if she saw exit signs.\u003c/p>\n\u003cp>James also asked if she had seen any strangers in the area where the fire broke out to which she answered, “there was no one back there.”\u003c/p>\n\u003cp>The defense has argued, in a relatively new theory, that the warehouse was a target of arson and that no amount of safety measures could have prevented the fire. The defense said in opening statements last week that at least three witnesses will testify they saw strangers near the ignition point of the fire, heard a scuffle or fight and heard bottles popping. They said witnesses will testify that several people fled from the building through a side door just before the fire started.\u003c/p>\n\u003cp>Smith, the defense attorney, asked if Mazzola had only observed the area immediately after the fire started, not before. Mazzola said that was correct.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Nicholas \"Nico\" Bouchard, the second witness called to testify in the trial of two men each charged with 36 counts of involuntary manslaughter, said he grew concerned over changes master tenant Derick Almena began making after they had signed the lease in November 2013. That included a 20-by-20-foot hole cut into the second floor in place of an old conveyor belt that people used to hoist pianos and organs.\u003c/p>\n\u003cp>The prosecution has argued that Almena and Harris filled the illegally converted warehouse with flammable building materials from floor to ceiling and hadn't implemented safety measures required of such a building.\u003c/p>\n\u003cp>Both Almena and Max Harris, often referred to as second-in-command or creative director, both face charges in the deadly fire that broke out on Dec. 2, 2016.\u003c/p>\n\u003cp>Bouchard cited he was concerned about the lack of smoke alarms, sprinklers and fire extinguishers inside the warehouse. He said about half of the electrical outlets in the building weren't operational.\u003c/p>\n\u003cp>Bouchard said he had been consulting with his mother regarding safety upgrades and also cited a meeting in Emeryville with Almena where they voiced these concerns. He said Almena \"scoffed and laughed at us and called us too mainstream.\"\u003c/p>\n\u003cp>Bouchard said Almena, \"liked to do things not by the books and \"as DIY as possible.\"\u003c/p>\n\u003cp>After the meeting, Bouchard said he went away for a weekend to Harbin Hot Springs in Northern California, and when he returned he said he was \"done,\" or wanted to get out of the lease.\u003c/p>\n\u003cp>Following questions from James, the Alameda County Deputy district attorney, Bouchard said he sent an email to Eva Ng, daughter of landlord Chor Ng, saying he was leaving the premises, and was dropping off his keys. He also advised Ng that she should evict Almena. Bouchard said he moved out of the warehouse within two to three weeks of signing the lease.\u003c/p>\n\u003cp>Bouchard said he was worried he would be stuck with the full liability of the lease due to Almena's changes. In later meetings, Bouchard said Almena wanted to work with him on a music festival project but said he wouldn't work with Almena because he \"had become aggressive at that point\" and \"had a bad reputation.\" Bouchard also said in those visits after he moved out that Almena was \"heavily using speed.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Book lovers of all ages gathered in downtown Berkeley for the Bay Area \u003ca href=\"https://www.baybookfest.org/\" target=\"_blank\" rel=\"noopener\">Book Festival\u003c/a>, a weekend-long event dedicated to literary nerds and curious minds alike. Now in its fifth year, the festival attracts big name authors across several genres, and is known for its focus on social justice issues.\u003c/p>\n\u003cp>This year's program includes a free outdoor fair with 200 literary exhibits by bookstores, publishers and authors, along with a selection of paid indoor programs.\u003c/p>\n\u003cp>Attendants highlighted the interactivity of the event, which brought authors, publishers and the public in the same space.\u003c/p>\n\u003cp>Sunday's \u003ca href=\"https://www.baybookfest.org/schedule/\" target=\"_blank\" rel=\"noopener\">events\u003c/a> include sessions on Native American authors, climate change and writing about conflict.\u003c/p>\n\u003cfigure id=\"attachment_11745164\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11745164 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Author Heather Jacks with her book ‘Sister Stories,’ about the Sisters of Perpetual Indulgence. \u003ccite>(Shia Levitt/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11745165\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11745165 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-800x1067.jpg\" alt=\"\" width=\"800\" height=\"1067\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-800x1067.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-160x213.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-1020x1360.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-900x1200.jpg 900w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-1122x1496.jpg 1122w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-840x1120.jpg 840w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-687x916.jpg 687w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-414x552.jpg 414w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-354x472.jpg 354w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280.jpg 1440w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Patrice Kennedy, a middle school teacher from Vallejo holds a book she got at the festival. Kennedy says she is especially appreciative of books with children of color on the cover. \u003ccite>(Shia Levitt/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11745163\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11745163\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut-800x617.jpg\" alt=\"\" width=\"800\" height=\"617\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut-800x617.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut-160x123.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut-1020x786.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut-1200x925.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland residents Tandy Solomon (right) and Li Han Chan were among the attendees at the festival on Saturday. \"It is this convivial atmosphere in which to discuss ideas and art and the issues of the day,\" Solomon said. \u003ccite>(Shia Levitt/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11745166\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11745166\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Bay Area Book Festival has set up a free outdoor fair at Martin Luther King Jr. Civic Center Park, in downtown Berkeley. \u003ccite>(Shia Levitt/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Book lovers of all ages gathered in downtown Berkeley for the Bay Area \u003ca href=\"https://www.baybookfest.org/\" target=\"_blank\" rel=\"noopener\">Book Festival\u003c/a>, a weekend-long event dedicated to literary nerds and curious minds alike. Now in its fifth year, the festival attracts big name authors across several genres, and is known for its focus on social justice issues.\u003c/p>\n\u003cp>This year's program includes a free outdoor fair with 200 literary exhibits by bookstores, publishers and authors, along with a selection of paid indoor programs.\u003c/p>\n\u003cp>Attendants highlighted the interactivity of the event, which brought authors, publishers and the public in the same space.\u003c/p>\n\u003cp>Sunday's \u003ca href=\"https://www.baybookfest.org/schedule/\" target=\"_blank\" rel=\"noopener\">events\u003c/a> include sessions on Native American authors, climate change and writing about conflict.\u003c/p>\n\u003cfigure id=\"attachment_11745164\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11745164 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Author Heather Jacks with her book ‘Sister Stories,’ about the Sisters of Perpetual Indulgence. \u003ccite>(Shia Levitt/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11745165\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11745165 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-800x1067.jpg\" alt=\"\" width=\"800\" height=\"1067\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-800x1067.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-160x213.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-1020x1360.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-900x1200.jpg 900w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-1122x1496.jpg 1122w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-840x1120.jpg 840w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-687x916.jpg 687w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-414x552.jpg 414w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-354x472.jpg 354w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280.jpg 1440w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Patrice Kennedy, a middle school teacher from Vallejo holds a book she got at the festival. Kennedy says she is especially appreciative of books with children of color on the cover. \u003ccite>(Shia Levitt/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11745163\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11745163\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut-800x617.jpg\" alt=\"\" width=\"800\" height=\"617\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut-800x617.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut-160x123.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut-1020x786.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut-1200x925.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland residents Tandy Solomon (right) and Li Han Chan were among the attendees at the festival on Saturday. \"It is this convivial atmosphere in which to discuss ideas and art and the issues of the day,\" Solomon said. \u003ccite>(Shia Levitt/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11745166\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11745166\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Bay Area Book Festival has set up a free outdoor fair at Martin Luther King Jr. Civic Center Park, in downtown Berkeley. \u003ccite>(Shia Levitt/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "The Voice of Your Mornings Signs Off: Goodbye to KQED's Matt Elmore",
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"content": "\u003cp>You probably don't know his face, but you'll definitely recognize his voice.\u003c/p>\n\u003cp>Since 2011, Matt Elmore has been your KQED Public Radio morning drive announcer. Now, after those eight years — and 32 years total at KQED — he's retiring from our airwaves.\u003c/p>\n\u003cp>Matt's message for the millions of people in the Bay Area who've listened to his voice over the years?\u003c/p>\n\u003cp>https://twitter.com/KQED/status/1124109647307202561\u003c/p>\n\u003cp>\"I want to thank you for your listenership, your companionship over the years, really — because we do this together, each and every day,\" he said.\u003c/p>\n\u003cp>\"I want to thank you for putting up with me, for being generous with your comments (and your criticisms!), and thank you especially for supporting the station, so that you allow us to do the job that we do each and every day, for you.\"\u003c/p>\n\u003cp>Our announcement of Matt's departure on social media has been met with an outpouring of good wishes, and appreciation for the role Matt's voice has played in people's morning routines. In some cases, they've been listening to him since childhood.\u003c/p>\n\u003cp>[audio src=\"https://www.kqed.org/.stream/anon/radio/RDnews/2019/05/ElmoreFinalOut.mp3\" Title=\"Listen to Matt Elmore's Last KQED Air Break\" program=\"KQED\"]\u003c/p>\n\u003cp>\u003cem>\"I cried this morning on my ride to work when [Joe McConnell] said goodbye and thank you to Matt. You will be missed!!\"\u003c/em> (marikajean via Instagram)\u003c/p>\n\u003cp>\u003cem>\"The voice of my entire morning life! Been listening since I was a tiny kid.\"\u003c/em> (iamtrue88, via Instagram)\u003c/p>\n\u003cp>\u003cem>\"Whoa! Good for you (sucks for us). Thank you for helping me start the day with your lovely voice and consistency. Enjoy your new job of doing whatever you want.\"\u003c/em> (goglix via Instagram)\u003c/p>\n\u003cfigure id=\"attachment_11744949\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"size-full wp-image-11744949\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36942_matt-elmore-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36942_matt-elmore-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36942_matt-elmore-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36942_matt-elmore-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36942_matt-elmore-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36942_matt-elmore-qut-1200x900.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Matt Elmore's last broadcast, captured by KQED's morning anchor Brian Watt \u003ccite>(Brian Watt/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>\"Happy for him, but also sad af. This guy was a significant part of my childhood growing up in the Bay Area. Nobody will ever top him.\"\u003c/em> (@ffs_stop_that via Twitter)\u003c/p>\n\u003cp>\u003cem>\"Didn’t own a TV during my MFA and listened to KQED pretty much every morning. Will miss your voice and hope that you’ll be heard again - perhaps as the voice of a wise animated character!\"\u003c/em> (Sonia Tiwari, via Facebook)\u003c/p>\n\u003cp>Matt started at KQED in 1987, as a part-time weekend announcer/operator, at a time when KQED still played classical music records. Even then, his voice was already familiar to many radio listeners around California, after stints at Paso Robles's KKAL and KCBX in San Luis Obispo.\u003c/p>\n\u003cp>https://twitter.com/scottshafer/status/1124113903544258560\u003c/p>\n\u003cp>“It was my honor to be one of his broadcast partners for a few years,\" said KQED's Morning Edition anchor, Brian Watt. \"Even on the craziest mornings, the sight of him on the other side of the glass let me know that everything was going to be all right.\"\u003c/p>\n\u003cp>\"When I got my first job at KQED in 1994, Matt was one of the smartest and kindest people as I was getting started as a reporter and producer,” said KQED Chief Content Officer Holly Kernan. “He was the one you could approach with any question. He’s been the voice of KQED now for decades and I will miss him dearly.\"\u003c/p>\n\u003cp>Got a message for Matt? Send it to us via \u003ca href=\"https://www.facebook.com/watch/?v=378131579702570\">Facebook\u003c/a>, \u003ca href=\"https://www.instagram.com/p/Bw-xZhUBVDl/\">Instagram\u003c/a> or \u003ca href=\"https://twitter.com/KQED/status/1124109647307202561\">Twitter\u003c/a>!\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>\"I cried this morning on my ride to work when [Joe McConnell] said goodbye and thank you to Matt. You will be missed!!\"\u003c/em> (marikajean via Instagram)\u003c/p>\n\u003cp>\u003cem>\"The voice of my entire morning life! Been listening since I was a tiny kid.\"\u003c/em> (iamtrue88, via Instagram)\u003c/p>\n\u003cp>\u003cem>\"Whoa! Good for you (sucks for us). Thank you for helping me start the day with your lovely voice and consistency. Enjoy your new job of doing whatever you want.\"\u003c/em> (goglix via Instagram)\u003c/p>\n\u003cfigure id=\"attachment_11744949\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"size-full wp-image-11744949\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36942_matt-elmore-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36942_matt-elmore-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36942_matt-elmore-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36942_matt-elmore-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36942_matt-elmore-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36942_matt-elmore-qut-1200x900.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Matt Elmore's last broadcast, captured by KQED's morning anchor Brian Watt \u003ccite>(Brian Watt/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>\"Happy for him, but also sad af. This guy was a significant part of my childhood growing up in the Bay Area. Nobody will ever top him.\"\u003c/em> (@ffs_stop_that via Twitter)\u003c/p>\n\u003cp>\u003cem>\"Didn’t own a TV during my MFA and listened to KQED pretty much every morning. Will miss your voice and hope that you’ll be heard again - perhaps as the voice of a wise animated character!\"\u003c/em> (Sonia Tiwari, via Facebook)\u003c/p>\n\u003cp>Matt started at KQED in 1987, as a part-time weekend announcer/operator, at a time when KQED still played classical music records. Even then, his voice was already familiar to many radio listeners around California, after stints at Paso Robles's KKAL and KCBX in San Luis Obispo.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>“It was my honor to be one of his broadcast partners for a few years,\" said KQED's Morning Edition anchor, Brian Watt. \"Even on the craziest mornings, the sight of him on the other side of the glass let me know that everything was going to be all right.\"\u003c/p>\n\u003cp>\"When I got my first job at KQED in 1994, Matt was one of the smartest and kindest people as I was getting started as a reporter and producer,” said KQED Chief Content Officer Holly Kernan. “He was the one you could approach with any question. He’s been the voice of KQED now for decades and I will miss him dearly.\"\u003c/p>\n\u003cp>Got a message for Matt? Send it to us via \u003ca href=\"https://www.facebook.com/watch/?v=378131579702570\">Facebook\u003c/a>, \u003ca href=\"https://www.instagram.com/p/Bw-xZhUBVDl/\">Instagram\u003c/a> or \u003ca href=\"https://twitter.com/KQED/status/1124109647307202561\">Twitter\u003c/a>!\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"soldout": {
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"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
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