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"content": "\u003cp>\u003cem>Updated Wednesday, May 8, at 9 a.m.\u003c/em>\u003c/p>\n\u003cp>A man who volunteered as a greeter and oversaw donations the night of a 2016 electronic music party at an Oakland warehouse that caught fire, killing 36, testified Tuesday that the blaze spread quickly, forcing him and others to flee.\u003c/p>\n\u003cp>[aside tag='ghost-ship-trial' label='More Coverage of the Ghost Ship Trial']\u003c/p>\n\u003cp>\"Within five seconds it exploded into an inferno,\" Ryan O'Keefe said of the fire, which he first noticed at 11:15 p.m. on Dec. 2, 2016, at the warehouse known as the Ghost Ship. Answering questions from Alameda County Deputy District Attorney Autrey James, O'Keefe said he was specifically referring to the silent, rapid spread of the blaze, not an actual audible explosion.\u003c/p>\n\u003cp>Master tenant Derick Almena and Max Harris, who has sometimes been referred to as a second-in-command or creative director, each face 36 counts of involuntary manslaughter.\u003c/p>\n\u003cp>O'Keefe said the fire began in the rear of the building and \"spread up and then across the ceiling.\" He said he and three others were forced to flee through a front door, near where they had been welcoming guests. He said they fled due to \"extremely viscous\" smoke that had a \"sparkle-like profile.\"\u003c/p>\n\u003cp>O'Keefe said the smoke filled the building so fast he didn't have time to grab his wallet, laptop and beer.\u003c/p>\n\u003cp>He said he could hear lightbulbs popping in succession from the rear of the building. He said his lip had been burned by smoke.\u003c/p>\n\u003cp>James asked if he had heard fire alarms, to which O'Keefe answered no. James also asked if he had seen anybody enter with Molotov cocktails or whether he had seen seven to 10 people on the lower floor. O'Keefe said no to the questions.\u003c/p>\n\u003cp>The defense said in opening statements last week that they will present evidence that arson was the cause of the fire. They said some witnesses will testify that they heard a fight or scuffle, bottles breaking or popping, and approximately seven to 10 people fleeing through a side entrance just before the fire began.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Defense attorney Curtis Briggs said during lunch recess outside court Tuesday that O'Keefe's recollection of how quickly the fire spread validates the defense's arson theory — that an accelerant was responsible for its rapid growth.\u003c/p>\n\u003cp>O'Keefe also said he had been at a 2016 Thanksgiving gathering at the Ghost Ship, which took place on the second floor of the warehouse. Asked by defense attorney Tyler Smith if he had considered the warehouse during that gathering to be \"unsafe,\" a \"death trap\" or a \"tinderbox,\" O'Keefe responded no.\u003c/p>\n\u003cp>O'Keefe also recalled seeing fire extinguishers near a downstairs bathroom the night of the fire.\u003c/p>\n\u003cp>The prosecution called as its first witness Tuesday forensic pathologist Dr. Thomas Rogers, who performed autopsies on eight of the victims of the blaze.\u003c/p>\n\u003cp>Rogers, who performs autopsies for Alameda and San Mateo counties, said all eight had died from smoke inhalation and had elevated, potentially lethal levels of carbon monoxide in their blood. The defense did not cross-examine Rogers.\u003c/p>\n\u003cp>The prosecution has argued that Almena and Harris illegally converted the commercial warehouse into a residential art space, stuffed from floor to ceiling with flammable building materials, and didn't install the proper safety equipment, such as sprinklers, fire alarms and well-lit exits.\u003c/p>\n\u003cp>Rodney Griffin, who said he had once considered Almena “a brother” prior to a falling out, testified Tuesday that he had been in the warehouse prior to signing of the lease at Almena’s request to evaluate what it would take to get the empty building up to speed.\u003c/p>\n\u003cp>Griffin, who is not a licensed contractor, but has over 20 years of experience in construction trades, said he told Almena it would take about $3,000 to build a set of stairs toward the front of the building and about $2,000 to install fire doors.\u003c/p>\n\u003cp>Almena responded that the amount was “too much money, and could probably be built for less.”\u003c/p>\n\u003cp>Six months following Almena signing the lease, Griffin said he visited the warehouse and told Almena the warehouse was “very dangerous” and called it a “death trap,” at which Almena laughed. Griffin repeated what Almena told him at the time, \"Ha. Ha. We should call it the Satya Yuga death trap.\" The warehouse had also been known as the Satya Yuga collective at the time.\u003c/p>\n\u003cp>He said three motor homes had been parked inside along with some vintage camper trailers. Griffin said Almena had moved in “so many” art works, pianos, organs, old speakers, tapestries, fabrics and wood, some he said was used to separate living areas.\u003c/p>\n\u003cp>Griffin also said he grew concerned after it appeared the warehouse had been \"fire bombed\" in September 2014. He said he visited a fire station approximately one city block away from the warehouse and told the station chief about the conditions there.\u003c/p>\n\u003cp>Griffin testified the station chief told him there had been numerous reports and that they were aware of the situation.\u003c/p>\n\u003cp>Griffin testified he felt the issue wouldn't \"be properly addressed\" and said he felt his concerns would be \"brushed off.\"\u003c/p>\n\u003cp>\u003c/p>\n",
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"excerpt": "'Within five seconds it exploded into an inferno,' Ryan O'Keefe said of the blaze he first noticed about 11:15 p.m. on Dec. 2, 2016.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"Within five seconds it exploded into an inferno,\" Ryan O'Keefe said of the fire, which he first noticed at 11:15 p.m. on Dec. 2, 2016, at the warehouse known as the Ghost Ship. Answering questions from Alameda County Deputy District Attorney Autrey James, O'Keefe said he was specifically referring to the silent, rapid spread of the blaze, not an actual audible explosion.\u003c/p>\n\u003cp>Master tenant Derick Almena and Max Harris, who has sometimes been referred to as a second-in-command or creative director, each face 36 counts of involuntary manslaughter.\u003c/p>\n\u003cp>O'Keefe said the fire began in the rear of the building and \"spread up and then across the ceiling.\" He said he and three others were forced to flee through a front door, near where they had been welcoming guests. He said they fled due to \"extremely viscous\" smoke that had a \"sparkle-like profile.\"\u003c/p>\n\u003cp>O'Keefe said the smoke filled the building so fast he didn't have time to grab his wallet, laptop and beer.\u003c/p>\n\u003cp>He said he could hear lightbulbs popping in succession from the rear of the building. He said his lip had been burned by smoke.\u003c/p>\n\u003cp>James asked if he had heard fire alarms, to which O'Keefe answered no. James also asked if he had seen anybody enter with Molotov cocktails or whether he had seen seven to 10 people on the lower floor. O'Keefe said no to the questions.\u003c/p>\n\u003cp>The defense said in opening statements last week that they will present evidence that arson was the cause of the fire. They said some witnesses will testify that they heard a fight or scuffle, bottles breaking or popping, and approximately seven to 10 people fleeing through a side entrance just before the fire began.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Defense attorney Curtis Briggs said during lunch recess outside court Tuesday that O'Keefe's recollection of how quickly the fire spread validates the defense's arson theory — that an accelerant was responsible for its rapid growth.\u003c/p>\n\u003cp>O'Keefe also said he had been at a 2016 Thanksgiving gathering at the Ghost Ship, which took place on the second floor of the warehouse. Asked by defense attorney Tyler Smith if he had considered the warehouse during that gathering to be \"unsafe,\" a \"death trap\" or a \"tinderbox,\" O'Keefe responded no.\u003c/p>\n\u003cp>O'Keefe also recalled seeing fire extinguishers near a downstairs bathroom the night of the fire.\u003c/p>\n\u003cp>The prosecution called as its first witness Tuesday forensic pathologist Dr. Thomas Rogers, who performed autopsies on eight of the victims of the blaze.\u003c/p>\n\u003cp>Rogers, who performs autopsies for Alameda and San Mateo counties, said all eight had died from smoke inhalation and had elevated, potentially lethal levels of carbon monoxide in their blood. The defense did not cross-examine Rogers.\u003c/p>\n\u003cp>The prosecution has argued that Almena and Harris illegally converted the commercial warehouse into a residential art space, stuffed from floor to ceiling with flammable building materials, and didn't install the proper safety equipment, such as sprinklers, fire alarms and well-lit exits.\u003c/p>\n\u003cp>Rodney Griffin, who said he had once considered Almena “a brother” prior to a falling out, testified Tuesday that he had been in the warehouse prior to signing of the lease at Almena’s request to evaluate what it would take to get the empty building up to speed.\u003c/p>\n\u003cp>Griffin, who is not a licensed contractor, but has over 20 years of experience in construction trades, said he told Almena it would take about $3,000 to build a set of stairs toward the front of the building and about $2,000 to install fire doors.\u003c/p>\n\u003cp>Almena responded that the amount was “too much money, and could probably be built for less.”\u003c/p>\n\u003cp>Six months following Almena signing the lease, Griffin said he visited the warehouse and told Almena the warehouse was “very dangerous” and called it a “death trap,” at which Almena laughed. Griffin repeated what Almena told him at the time, \"Ha. Ha. We should call it the Satya Yuga death trap.\" The warehouse had also been known as the Satya Yuga collective at the time.\u003c/p>\n\u003cp>He said three motor homes had been parked inside along with some vintage camper trailers. Griffin said Almena had moved in “so many” art works, pianos, organs, old speakers, tapestries, fabrics and wood, some he said was used to separate living areas.\u003c/p>\n\u003cp>Griffin also said he grew concerned after it appeared the warehouse had been \"fire bombed\" in September 2014. He said he visited a fire station approximately one city block away from the warehouse and told the station chief about the conditions there.\u003c/p>\n\u003cp>Griffin testified the station chief told him there had been numerous reports and that they were aware of the situation.\u003c/p>\n\u003cp>Griffin testified he felt the issue wouldn't \"be properly addressed\" and said he felt his concerns would be \"brushed off.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>Updated 7:06 p.m.\u003c/em>\u003c/p>\n\u003cp>One of the original co-signers of the lease for an Oakland warehouse that caught fire in 2016, killing 36 people, testified Monday that he grew concerned over changes to the building, and tried to get out of the agreement within weeks of signing.\u003c/p>\n\u003cp>And in a surprise announcement, after testimony wrapped up Monday, Alameda County Deputy District Attorney Autrey James told the court that electrician Robert Jacobitz, who was scheduled to testify this week, died Sunday. He had performed electrical work at the warehouse known as the Ghost Ship, according to reports.\u003c/p>\n\u003cp>[aside tag='ghost-ship-trial' label='More Ghost Ship Trial Coverage']\u003c/p>\n\u003cp>Nicholas \"Nico\" Bouchard, the second witness called to testify in the trial of two men each charged with 36 counts of involuntary manslaughter, said he grew concerned over changes master tenant Derick Almena began making after they had signed the lease in November 2013. That included a 20-by-20-foot hole cut into the second floor in place of an old conveyor belt that people used to hoist pianos and organs.\u003c/p>\n\u003cp>The prosecution has argued that Almena and Harris filled the illegally converted warehouse with flammable building materials from floor to ceiling and hadn't implemented safety measures required of such a building.\u003c/p>\n\u003cp>Both Almena and Max Harris, often referred to as second-in-command or creative director, both face charges in the deadly fire that broke out on Dec. 2, 2016.\u003c/p>\n\u003cp>Bouchard cited he was concerned about the lack of smoke alarms, sprinklers and fire extinguishers inside the warehouse. He said about half of the electrical outlets in the building weren't operational.\u003c/p>\n\u003cp>Bouchard said he had been consulting with his mother regarding safety upgrades and also cited a meeting in Emeryville with Almena where they voiced these concerns. He said Almena \"scoffed and laughed at us and called us too mainstream.\"\u003c/p>\n\u003cp>Bouchard said Almena, \"liked to do things not by the books and \"as DIY as possible.\"\u003c/p>\n\u003cp>After the meeting, Bouchard said he went away for a weekend to Harbin Hot Springs in Northern California, and when he returned he said he was \"done,\" or wanted to get out of the lease.\u003c/p>\n\u003cp>Following questions from James, the Alameda County Deputy district attorney, Bouchard said he sent an email to Eva Ng, daughter of landlord Chor Ng, saying he was leaving the premises, and was dropping off his keys. He also advised Ng that she should evict Almena. Bouchard said he moved out of the warehouse within two to three weeks of signing the lease.\u003c/p>\n\u003cp>Bouchard said he was worried he would be stuck with the full liability of the lease due to Almena's changes. In later meetings, Bouchard said Almena wanted to work with him on a music festival project but said he wouldn't work with Almena because he \"had become aggressive at that point\" and \"had a bad reputation.\" Bouchard also said in those visits after he moved out that Almena was \"heavily using speed.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The day's testimonies began dramatically with Carol Cidlik, mother of one of the victims. She cried as she identified a photo of her daughter, Nicole Siegrist, also nicknamed Denalda. She said she received texts throughout the day her daughter died.\u003c/p>\n\u003cp>James, the prosecutor, showed texts between the two, a final one from Siegrist that read, \"I'm gonna die now.\" The defense had objected to the testimony before the jury was called to the courtroom, calling the text \"inflammatory\" and that it was \"tugging at the heartstrings.\"\u003c/p>\n\u003cp>Defense attorney Tyler Smith, who represents Harris, said the \"true reason is to appeal to the emotions of the jurors.\"\u003c/p>\n\u003cp>Judge Trina Thompson allowed testimony from Cidlik if it referred specifically to the time and location from where the text was sent.\u003c/p>\n\u003cp>Cidlik, who lives in Hawaii, said she had received the final text at 11:23 p.m. California time, the time at which the fire had broken out. Defense attorneys did not cross-examine Cidlik.\u003c/p>\n\u003cp>Elizabeth Mazzola, who lived at the Ghost Ship for about a month and escaped the night of the fire, was the final witness Monday and answered questions from James regarding the state of the warehouse.\u003c/p>\n\u003cp>Mazzola, who was subletting a living space on the first floor, said she saw a wall of flame as the fire broke out, and said she couldn’t recall any sprinklers, smoke detectors or emergency lights as she fled out the main pathway and out the front door of the warehouse. She said she wasn’t sure if she saw exit signs.\u003c/p>\n\u003cp>James also asked if she had seen any strangers in the area where the fire broke out to which she answered, “there was no one back there.”\u003c/p>\n\u003cp>The defense has argued, in a relatively new theory, that the warehouse was a target of arson and that no amount of safety measures could have prevented the fire. The defense said in opening statements last week that at least three witnesses will testify they saw strangers near the ignition point of the fire, heard a scuffle or fight and heard bottles popping. They said witnesses will testify that several people fled from the building through a side door just before the fire started.\u003c/p>\n\u003cp>Smith, the defense attorney, asked if Mazzola had only observed the area immediately after the fire started, not before. Mazzola said that was correct.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Nicholas \"Nico\" Bouchard, the second witness called to testify in the trial of two men each charged with 36 counts of involuntary manslaughter, said he grew concerned over changes master tenant Derick Almena began making after they had signed the lease in November 2013. That included a 20-by-20-foot hole cut into the second floor in place of an old conveyor belt that people used to hoist pianos and organs.\u003c/p>\n\u003cp>The prosecution has argued that Almena and Harris filled the illegally converted warehouse with flammable building materials from floor to ceiling and hadn't implemented safety measures required of such a building.\u003c/p>\n\u003cp>Both Almena and Max Harris, often referred to as second-in-command or creative director, both face charges in the deadly fire that broke out on Dec. 2, 2016.\u003c/p>\n\u003cp>Bouchard cited he was concerned about the lack of smoke alarms, sprinklers and fire extinguishers inside the warehouse. He said about half of the electrical outlets in the building weren't operational.\u003c/p>\n\u003cp>Bouchard said he had been consulting with his mother regarding safety upgrades and also cited a meeting in Emeryville with Almena where they voiced these concerns. He said Almena \"scoffed and laughed at us and called us too mainstream.\"\u003c/p>\n\u003cp>Bouchard said Almena, \"liked to do things not by the books and \"as DIY as possible.\"\u003c/p>\n\u003cp>After the meeting, Bouchard said he went away for a weekend to Harbin Hot Springs in Northern California, and when he returned he said he was \"done,\" or wanted to get out of the lease.\u003c/p>\n\u003cp>Following questions from James, the Alameda County Deputy district attorney, Bouchard said he sent an email to Eva Ng, daughter of landlord Chor Ng, saying he was leaving the premises, and was dropping off his keys. He also advised Ng that she should evict Almena. Bouchard said he moved out of the warehouse within two to three weeks of signing the lease.\u003c/p>\n\u003cp>Bouchard said he was worried he would be stuck with the full liability of the lease due to Almena's changes. In later meetings, Bouchard said Almena wanted to work with him on a music festival project but said he wouldn't work with Almena because he \"had become aggressive at that point\" and \"had a bad reputation.\" Bouchard also said in those visits after he moved out that Almena was \"heavily using speed.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The day's testimonies began dramatically with Carol Cidlik, mother of one of the victims. She cried as she identified a photo of her daughter, Nicole Siegrist, also nicknamed Denalda. She said she received texts throughout the day her daughter died.\u003c/p>\n\u003cp>James, the prosecutor, showed texts between the two, a final one from Siegrist that read, \"I'm gonna die now.\" The defense had objected to the testimony before the jury was called to the courtroom, calling the text \"inflammatory\" and that it was \"tugging at the heartstrings.\"\u003c/p>\n\u003cp>Defense attorney Tyler Smith, who represents Harris, said the \"true reason is to appeal to the emotions of the jurors.\"\u003c/p>\n\u003cp>Judge Trina Thompson allowed testimony from Cidlik if it referred specifically to the time and location from where the text was sent.\u003c/p>\n\u003cp>Cidlik, who lives in Hawaii, said she had received the final text at 11:23 p.m. California time, the time at which the fire had broken out. Defense attorneys did not cross-examine Cidlik.\u003c/p>\n\u003cp>Elizabeth Mazzola, who lived at the Ghost Ship for about a month and escaped the night of the fire, was the final witness Monday and answered questions from James regarding the state of the warehouse.\u003c/p>\n\u003cp>Mazzola, who was subletting a living space on the first floor, said she saw a wall of flame as the fire broke out, and said she couldn’t recall any sprinklers, smoke detectors or emergency lights as she fled out the main pathway and out the front door of the warehouse. She said she wasn’t sure if she saw exit signs.\u003c/p>\n\u003cp>James also asked if she had seen any strangers in the area where the fire broke out to which she answered, “there was no one back there.”\u003c/p>\n\u003cp>The defense has argued, in a relatively new theory, that the warehouse was a target of arson and that no amount of safety measures could have prevented the fire. The defense said in opening statements last week that at least three witnesses will testify they saw strangers near the ignition point of the fire, heard a scuffle or fight and heard bottles popping. They said witnesses will testify that several people fled from the building through a side door just before the fire started.\u003c/p>\n\u003cp>Smith, the defense attorney, asked if Mazzola had only observed the area immediately after the fire started, not before. Mazzola said that was correct.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Book lovers of all ages gathered in downtown Berkeley for the Bay Area \u003ca href=\"https://www.baybookfest.org/\" target=\"_blank\" rel=\"noopener\">Book Festival\u003c/a>, a weekend-long event dedicated to literary nerds and curious minds alike. Now in its fifth year, the festival attracts big name authors across several genres, and is known for its focus on social justice issues.\u003c/p>\n\u003cp>This year's program includes a free outdoor fair with 200 literary exhibits by bookstores, publishers and authors, along with a selection of paid indoor programs.\u003c/p>\n\u003cp>Attendants highlighted the interactivity of the event, which brought authors, publishers and the public in the same space.\u003c/p>\n\u003cp>Sunday's \u003ca href=\"https://www.baybookfest.org/schedule/\" target=\"_blank\" rel=\"noopener\">events\u003c/a> include sessions on Native American authors, climate change and writing about conflict.\u003c/p>\n\u003cfigure id=\"attachment_11745164\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11745164 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Author Heather Jacks with her book ‘Sister Stories,’ about the Sisters of Perpetual Indulgence. \u003ccite>(Shia Levitt/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11745165\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11745165 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-800x1067.jpg\" alt=\"\" width=\"800\" height=\"1067\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-800x1067.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-160x213.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-1020x1360.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-900x1200.jpg 900w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-1122x1496.jpg 1122w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-840x1120.jpg 840w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-687x916.jpg 687w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-414x552.jpg 414w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-354x472.jpg 354w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280.jpg 1440w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Patrice Kennedy, a middle school teacher from Vallejo holds a book she got at the festival. Kennedy says she is especially appreciative of books with children of color on the cover. \u003ccite>(Shia Levitt/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11745163\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11745163\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut-800x617.jpg\" alt=\"\" width=\"800\" height=\"617\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut-800x617.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut-160x123.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut-1020x786.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut-1200x925.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland residents Tandy Solomon (right) and Li Han Chan were among the attendees at the festival on Saturday. \"It is this convivial atmosphere in which to discuss ideas and art and the issues of the day,\" Solomon said. \u003ccite>(Shia Levitt/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11745166\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11745166\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Bay Area Book Festival has set up a free outdoor fair at Martin Luther King Jr. Civic Center Park, in downtown Berkeley. \u003ccite>(Shia Levitt/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Book lovers of all ages gathered in downtown Berkeley for the Bay Area \u003ca href=\"https://www.baybookfest.org/\" target=\"_blank\" rel=\"noopener\">Book Festival\u003c/a>, a weekend-long event dedicated to literary nerds and curious minds alike. Now in its fifth year, the festival attracts big name authors across several genres, and is known for its focus on social justice issues.\u003c/p>\n\u003cp>This year's program includes a free outdoor fair with 200 literary exhibits by bookstores, publishers and authors, along with a selection of paid indoor programs.\u003c/p>\n\u003cp>Attendants highlighted the interactivity of the event, which brought authors, publishers and the public in the same space.\u003c/p>\n\u003cp>Sunday's \u003ca href=\"https://www.baybookfest.org/schedule/\" target=\"_blank\" rel=\"noopener\">events\u003c/a> include sessions on Native American authors, climate change and writing about conflict.\u003c/p>\n\u003cfigure id=\"attachment_11745164\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11745164 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36951_746B8893-06CE-4853-929F-EBE997B20ABE-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Author Heather Jacks with her book ‘Sister Stories,’ about the Sisters of Perpetual Indulgence. \u003ccite>(Shia Levitt/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11745165\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-11745165 size-medium\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-800x1067.jpg\" alt=\"\" width=\"800\" height=\"1067\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-800x1067.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-160x213.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-1020x1360.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-900x1200.jpg 900w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-1122x1496.jpg 1122w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-840x1120.jpg 840w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-687x916.jpg 687w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-414x552.jpg 414w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280-354x472.jpg 354w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36952_6698514A-A197-45BB-992D-2A7BC468F39F-qut-e1557024559280.jpg 1440w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Patrice Kennedy, a middle school teacher from Vallejo holds a book she got at the festival. Kennedy says she is especially appreciative of books with children of color on the cover. \u003ccite>(Shia Levitt/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11745163\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11745163\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut-800x617.jpg\" alt=\"\" width=\"800\" height=\"617\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut-800x617.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut-160x123.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut-1020x786.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut-1200x925.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36950_655AB0AF-874A-428F-A46A-7060A4CD40DA-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Oakland residents Tandy Solomon (right) and Li Han Chan were among the attendees at the festival on Saturday. \"It is this convivial atmosphere in which to discuss ideas and art and the issues of the day,\" Solomon said. \u003ccite>(Shia Levitt/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11745166\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-11745166\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-1200x900.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-1832x1374.jpg 1832w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-1376x1032.jpg 1376w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-1044x783.jpg 1044w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-632x474.jpg 632w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36949_64C44D08-F3E8-4575-BAC7-407E1245843C-qut-536x402.jpg 536w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Bay Area Book Festival has set up a free outdoor fair at Martin Luther King Jr. Civic Center Park, in downtown Berkeley. \u003ccite>(Shia Levitt/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>You probably don't know his face, but you'll definitely recognize his voice.\u003c/p>\n\u003cp>Since 2011, Matt Elmore has been your KQED Public Radio morning drive announcer. Now, after those eight years — and 32 years total at KQED — he's retiring from our airwaves.\u003c/p>\n\u003cp>Matt's message for the millions of people in the Bay Area who've listened to his voice over the years?\u003c/p>\n\u003cp>https://twitter.com/KQED/status/1124109647307202561\u003c/p>\n\u003cp>\"I want to thank you for your listenership, your companionship over the years, really — because we do this together, each and every day,\" he said.\u003c/p>\n\u003cp>\"I want to thank you for putting up with me, for being generous with your comments (and your criticisms!), and thank you especially for supporting the station, so that you allow us to do the job that we do each and every day, for you.\"\u003c/p>\n\u003cp>Our announcement of Matt's departure on social media has been met with an outpouring of good wishes, and appreciation for the role Matt's voice has played in people's morning routines. In some cases, they've been listening to him since childhood.\u003c/p>\n\u003cp>[audio src=\"https://www.kqed.org/.stream/anon/radio/RDnews/2019/05/ElmoreFinalOut.mp3\" Title=\"Listen to Matt Elmore's Last KQED Air Break\" program=\"KQED\"]\u003c/p>\n\u003cp>\u003cem>\"I cried this morning on my ride to work when [Joe McConnell] said goodbye and thank you to Matt. You will be missed!!\"\u003c/em> (marikajean via Instagram)\u003c/p>\n\u003cp>\u003cem>\"The voice of my entire morning life! Been listening since I was a tiny kid.\"\u003c/em> (iamtrue88, via Instagram)\u003c/p>\n\u003cp>\u003cem>\"Whoa! Good for you (sucks for us). Thank you for helping me start the day with your lovely voice and consistency. Enjoy your new job of doing whatever you want.\"\u003c/em> (goglix via Instagram)\u003c/p>\n\u003cfigure id=\"attachment_11744949\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg class=\"size-full wp-image-11744949\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36942_matt-elmore-qut.jpg\" alt=\"\" width=\"1920\" height=\"1440\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36942_matt-elmore-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36942_matt-elmore-qut-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36942_matt-elmore-qut-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36942_matt-elmore-qut-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/10/2019/05/RS36942_matt-elmore-qut-1200x900.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Matt Elmore's last broadcast, captured by KQED's morning anchor Brian Watt \u003ccite>(Brian Watt/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>\"Happy for him, but also sad af. This guy was a significant part of my childhood growing up in the Bay Area. Nobody will ever top him.\"\u003c/em> (@ffs_stop_that via Twitter)\u003c/p>\n\u003cp>\u003cem>\"Didn’t own a TV during my MFA and listened to KQED pretty much every morning. Will miss your voice and hope that you’ll be heard again - perhaps as the voice of a wise animated character!\"\u003c/em> (Sonia Tiwari, via Facebook)\u003c/p>\n\u003cp>Matt started at KQED in 1987, as a part-time weekend announcer/operator, at a time when KQED still played classical music records. Even then, his voice was already familiar to many radio listeners around California, after stints at Paso Robles's KKAL and KCBX in San Luis Obispo.\u003c/p>\n\u003cp>https://twitter.com/scottshafer/status/1124113903544258560\u003c/p>\n\u003cp>“It was my honor to be one of his broadcast partners for a few years,\" said KQED's Morning Edition anchor, Brian Watt. \"Even on the craziest mornings, the sight of him on the other side of the glass let me know that everything was going to be all right.\"\u003c/p>\n\u003cp>\"When I got my first job at KQED in 1994, Matt was one of the smartest and kindest people as I was getting started as a reporter and producer,” said KQED Chief Content Officer Holly Kernan. “He was the one you could approach with any question. He’s been the voice of KQED now for decades and I will miss him dearly.\"\u003c/p>\n\u003cp>Got a message for Matt? Send it to us via \u003ca href=\"https://www.facebook.com/watch/?v=378131579702570\">Facebook\u003c/a>, \u003ca href=\"https://www.instagram.com/p/Bw-xZhUBVDl/\">Instagram\u003c/a> or \u003ca href=\"https://twitter.com/KQED/status/1124109647307202561\">Twitter\u003c/a>!\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\"I want to thank you for your listenership, your companionship over the years, really — because we do this together, each and every day,\" he said.\u003c/p>\n\u003cp>\"I want to thank you for putting up with me, for being generous with your comments (and your criticisms!), and thank you especially for supporting the station, so that you allow us to do the job that we do each and every day, for you.\"\u003c/p>\n\u003cp>Our announcement of Matt's departure on social media has been met with an outpouring of good wishes, and appreciation for the role Matt's voice has played in people's morning routines. In some cases, they've been listening to him since childhood.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>“It was my honor to be one of his broadcast partners for a few years,\" said KQED's Morning Edition anchor, Brian Watt. \"Even on the craziest mornings, the sight of him on the other side of the glass let me know that everything was going to be all right.\"\u003c/p>\n\u003cp>\"When I got my first job at KQED in 1994, Matt was one of the smartest and kindest people as I was getting started as a reporter and producer,” said KQED Chief Content Officer Holly Kernan. “He was the one you could approach with any question. He’s been the voice of KQED now for decades and I will miss him dearly.\"\u003c/p>\n\u003cp>Got a message for Matt? Send it to us via \u003ca href=\"https://www.facebook.com/watch/?v=378131579702570\">Facebook\u003c/a>, \u003ca href=\"https://www.instagram.com/p/Bw-xZhUBVDl/\">Instagram\u003c/a> or \u003ca href=\"https://twitter.com/KQED/status/1124109647307202561\">Twitter\u003c/a>!\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Looking for free things to do in the Bay Area this weekend? Want to get outdoors? Feel free to borrow our ideas:\u003c/p>\n\u003ch3>Cinco de Mayo in San Francisco — or Oakland\u003c/h3>\n\u003cfigure id=\"attachment_11744742\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11744742\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36929_DSC_8731-qut.jpg\" alt=\"\" width=\"1920\" height=\"1277\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36929_DSC_8731-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36929_DSC_8731-qut-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36929_DSC_8731-qut-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36929_DSC_8731-qut-1020x678.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36929_DSC_8731-qut-1200x798.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Performers at SF’s 2017 Cinco de Mayo Festival \u003ccite>(Katia Fuentes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There’s no shortage of Cinco de Mayo events around the Bay this weekend, including the Mission District’s\u003ca href=\"https://www.facebook.com/San-Francisco-Cinco-de-Mayo-Festival-272816169453168/\"> long-standing festival in San Francisco\u003c/a> on Saturday, attended by 6,000 each year.\u003c/p>\n\u003cp>For East Bay folks, Oakland is hosting its \u003ca href=\"https://www.facebook.com/events/1317129708412191/\">second-ever Cinco de Mayo party in Jack London Square\u003c/a>, which boasts lowrider cars, wrestling, traditional Aztec performance and dancing horses. You can also check out Mercado Latinx, showcasing Latinx vendors offering locally-made food, art and design.\u003c/p>\n\u003cp>\u003cem>Saturday, May 4 (10.00 a.m. — 6 p.m in San Francisco, 12.00 p.m. — 7 p.m in Oakland)\u003cbr>\n\u003ca href=\"http://mncsf.org/sfcincodemayo/\">San Francisco details\u003c/a>\u003cbr>\n\u003ca href=\"https://jacklondonsquare.com/event/Cinco-de-Mayo/2145523752/\">Oakland details\u003c/a>\u003c/em>\u003c/p>\n\u003ch3>Yerba Buena Gardens Festival in Downtown San Francisco\u003c/h3>\n\u003cfigure id=\"attachment_11744737\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11744737\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36928_yb-qut.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36928_yb-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36928_yb-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36928_yb-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36928_yb-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36928_yb-qut-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Yerba Buena Gardens Festival \u003ccite>(Yerba Buena Gardens Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Saturday is the opening day of this months-long festival, with regular live performances in the downtown oasis of Yerba Buena Gardens. This weekend’s kickoff is a \u003ca href=\"https://ybgfestival.org/event/charlie-palmieri-tribute/\">tribute to Charlie Palmieri\u003c/a>, the bandleader who was an integral force on the New York Latin music scene from the 1940s onward – performed by a combination of NYC and Bay Area musicians. (Don’t be too gloomy if you miss Saturday’s festivities – \u003ca href=\"https://ybgfestival.org/\">the festival runs through October\u003c/a>.)\u003c/p>\n\u003cp>\u003cem>Saturday, May 4 (1.00 p.m. — 2:30 p.m.)\u003c/em>\u003cbr>\n\u003ca href=\"https://ybgfestival.org/event/charlie-palmieri-tribute/\">\u003cem>Details\u003c/em>\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch3>A La Carte & Art Festival in the South Bay\u003c/h3>\n\u003cfigure id=\"attachment_11744744\" class=\"wp-caption alignnone\" style=\"max-width: 1800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11744744\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36930_festival-crowd-2018-300dpi-qut.jpg\" alt=\"\" width=\"1800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36930_festival-crowd-2018-300dpi-qut.jpg 1800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36930_festival-crowd-2018-300dpi-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36930_festival-crowd-2018-300dpi-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36930_festival-crowd-2018-300dpi-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36930_festival-crowd-2018-300dpi-qut-1200x800.jpg 1200w\" sizes=\"(max-width: 1800px) 100vw, 1800px\">\u003cfigcaption class=\"wp-caption-text\">The A la Carte and Art Festival in Mountain View \u003ccite>(Bradley Wittke)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At least Mountain View’s weather is meant to break into the 70s this weekend. If you’re looking for warmth, this strollable festival of performances, food and exhibits along downtown’s Castro Street might be up your alley. Organizers are promising \u003ca href=\"http://alacarte.miramarevents.com/experience/entertainment.html\">live music\u003c/a>, a \u003ca href=\"http://alacarte.miramarevents.com/featured-exhibits/classic-car-show.html\">classic car show\u003c/a>, a juried \u003ca href=\"http://alacarte.miramarevents.com/featured-exhibits/arts-and-crafts.html\">arts and crafts display\u003c/a> featuring 200 West Coast artists, a \u003ca href=\"http://alacarte.miramarevents.com/experience/kids-fun-zone.html\">kids’ activity zone\u003c/a> and, apparently, the chance to have your picture taken with the \u003ca href=\"http://alacarte.miramarevents.com/featured-exhibits/us-open-trophy-tour.html\">U.S. Open Trophy\u003c/a>.\u003c/p>\n\u003cp>\u003cem>Saturday May 4 and Sunday May 5 (10 a.m. — 6 p.m.)\u003c/em>\u003cbr>\n\u003cem>\u003ca href=\"http://alacarte.miramarevents.com/\">Details \u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Looking for free things to do in the Bay Area this weekend? Want to get outdoors? Feel free to borrow our ideas:\u003c/p>\n\u003ch3>Cinco de Mayo in San Francisco — or Oakland\u003c/h3>\n\u003cfigure id=\"attachment_11744742\" class=\"wp-caption alignnone\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11744742\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36929_DSC_8731-qut.jpg\" alt=\"\" width=\"1920\" height=\"1277\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36929_DSC_8731-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36929_DSC_8731-qut-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36929_DSC_8731-qut-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36929_DSC_8731-qut-1020x678.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36929_DSC_8731-qut-1200x798.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Performers at SF’s 2017 Cinco de Mayo Festival \u003ccite>(Katia Fuentes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There’s no shortage of Cinco de Mayo events around the Bay this weekend, including the Mission District’s\u003ca href=\"https://www.facebook.com/San-Francisco-Cinco-de-Mayo-Festival-272816169453168/\"> long-standing festival in San Francisco\u003c/a> on Saturday, attended by 6,000 each year.\u003c/p>\n\u003cp>For East Bay folks, Oakland is hosting its \u003ca href=\"https://www.facebook.com/events/1317129708412191/\">second-ever Cinco de Mayo party in Jack London Square\u003c/a>, which boasts lowrider cars, wrestling, traditional Aztec performance and dancing horses. You can also check out Mercado Latinx, showcasing Latinx vendors offering locally-made food, art and design.\u003c/p>\n\u003cp>\u003cem>Saturday, May 4 (10.00 a.m. — 6 p.m in San Francisco, 12.00 p.m. — 7 p.m in Oakland)\u003cbr>\n\u003ca href=\"http://mncsf.org/sfcincodemayo/\">San Francisco details\u003c/a>\u003cbr>\n\u003ca href=\"https://jacklondonsquare.com/event/Cinco-de-Mayo/2145523752/\">Oakland details\u003c/a>\u003c/em>\u003c/p>\n\u003ch3>Yerba Buena Gardens Festival in Downtown San Francisco\u003c/h3>\n\u003cfigure id=\"attachment_11744737\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11744737\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36928_yb-qut.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36928_yb-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36928_yb-qut-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36928_yb-qut-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36928_yb-qut-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36928_yb-qut-1200x675.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">The Yerba Buena Gardens Festival \u003ccite>(Yerba Buena Gardens Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Saturday is the opening day of this months-long festival, with regular live performances in the downtown oasis of Yerba Buena Gardens. This weekend’s kickoff is a \u003ca href=\"https://ybgfestival.org/event/charlie-palmieri-tribute/\">tribute to Charlie Palmieri\u003c/a>, the bandleader who was an integral force on the New York Latin music scene from the 1940s onward – performed by a combination of NYC and Bay Area musicians. (Don’t be too gloomy if you miss Saturday’s festivities – \u003ca href=\"https://ybgfestival.org/\">the festival runs through October\u003c/a>.)\u003c/p>\n\u003cp>\u003cem>Saturday, May 4 (1.00 p.m. — 2:30 p.m.)\u003c/em>\u003cbr>\n\u003ca href=\"https://ybgfestival.org/event/charlie-palmieri-tribute/\">\u003cem>Details\u003c/em>\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch3>A La Carte & Art Festival in the South Bay\u003c/h3>\n\u003cfigure id=\"attachment_11744744\" class=\"wp-caption alignnone\" style=\"max-width: 1800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11744744\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/05/RS36930_festival-crowd-2018-300dpi-qut.jpg\" alt=\"\" width=\"1800\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36930_festival-crowd-2018-300dpi-qut.jpg 1800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36930_festival-crowd-2018-300dpi-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36930_festival-crowd-2018-300dpi-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36930_festival-crowd-2018-300dpi-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/05/RS36930_festival-crowd-2018-300dpi-qut-1200x800.jpg 1200w\" sizes=\"(max-width: 1800px) 100vw, 1800px\">\u003cfigcaption class=\"wp-caption-text\">The A la Carte and Art Festival in Mountain View \u003ccite>(Bradley Wittke)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At least Mountain View’s weather is meant to break into the 70s this weekend. If you’re looking for warmth, this strollable festival of performances, food and exhibits along downtown’s Castro Street might be up your alley. Organizers are promising \u003ca href=\"http://alacarte.miramarevents.com/experience/entertainment.html\">live music\u003c/a>, a \u003ca href=\"http://alacarte.miramarevents.com/featured-exhibits/classic-car-show.html\">classic car show\u003c/a>, a juried \u003ca href=\"http://alacarte.miramarevents.com/featured-exhibits/arts-and-crafts.html\">arts and crafts display\u003c/a> featuring 200 West Coast artists, a \u003ca href=\"http://alacarte.miramarevents.com/experience/kids-fun-zone.html\">kids’ activity zone\u003c/a> and, apparently, the chance to have your picture taken with the \u003ca href=\"http://alacarte.miramarevents.com/featured-exhibits/us-open-trophy-tour.html\">U.S. Open Trophy\u003c/a>.\u003c/p>\n\u003cp>\u003cem>Saturday May 4 and Sunday May 5 (10 a.m. — 6 p.m.)\u003c/em>\u003cbr>\n\u003cem>\u003ca href=\"http://alacarte.miramarevents.com/\">Details \u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"disqusTitle": "Defense in Ghost Ship Trial Asserts Evidence Will Show Arson as Cause of Deadly Fire",
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"content": "\u003cp>The defense in the trial of two men charged with 36 counts each of involuntary manslaughter in the deadly December 2016 Ghost Ship fire wrapped up opening statements Wednesday, reasserting that evidence will show arson was the cause of the blaze.\u003c/p>\n\u003cp>The East Oakland warehouse, nicknamed \"Ghost Ship,\" caught fire on the Friday evening of Dec 2, 2016, during an electronic music party, killing 35 concertgoers and one resident.\u003c/p>\n\u003cp>[aside tag='ghost-ship-trial' label='More Coverage of the Ghost Ship Trial']\u003c/p>\n\u003cp>Defense attorney Tony Serra, who represents master tenant Derick Almena, said witnesses will testify that people were seen fleeing from the building through a side entrance just before the fire started. The statements echoed those made Tuesday by defense attorney Curtis Briggs, who represents the other defendant, Max Harris.\u003c/p>\n\u003cp>Serra said witnesses reported hearing \"popping,\" or breaking glass, in the area where the fire began in the rear of the warehouse on the first floor. Serra said evidence that will be presented is circumstantial, but that the popping could have been Molotov cocktails or bottles filled with gasoline.\u003c/p>\n\u003cp>\"There's no way my client could have predicted that,\" Serra said. \"There's nothing he could do to prevent that.\"\u003c/p>\n\u003cp>Investigators never determined the cause of the fire.\u003c/p>\n\u003cp>Serra also said Almena had made a number of improvements to the site, putting money made right back into the premises to make the building safe and secure. He said Almena installed a rear door in the warehouse, ran 100-foot garden hoses along both sides of the building in case of a fire, made an exit sign, required fire extinguishers and implemented a policy of \"no smoking, no candles and no incense.\"\u003c/p>\n\u003cp>Alameda County prosecutor Casey Bates said Tuesday during opening statements that Almena and Harris, who is often referred to as second in command or creative director, had converted the commercial warehouse into a residential and performance space stuffed from floor to ceiling with flammable materials. Bates showed images of living spaces with walls made out of pianos or old doors and windows.\u003c/p>\n\u003cp>Bates said the Ghost Ship wasn't outfitted with the types of safety precautions required in such a converted warehouse, including sprinkler systems, fire alarms and well-lit, easily identifiable exits.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Bates said that as an arts space, people brought in wooden materials, solvents, paints, power tools and other equipment, making walls made out of non-traditional materials to create residential spaces. No sheetrock was used, which could have slowed a fire.\u003c/p>\n\u003cp>Serra also said Wednesday a number of agencies in the years leading up to the fire had passed through the building, including the Oakland Fire Department, Oakland Police Department, Alameda County Sheriff's Office and Child Protective Services. He said they had never found safety issues in the warehouse.\u003c/p>\n\u003cp>\"And they never told him that it was a fire hazard,\" Serra said outside court. \"They never red-tagged him. They never gave him an eviction notice. They didn’t give him any kind of notice that said ... if you don’t fix this up, get out.\"\u003c/p>\n\u003cp>During his opening statement, Serra said that CPS had been in the building at least six times before the fire, and while they weren't experts in fire prevention, he said they were trained in areas of safety and security and hadn't mentioned any hazards.\u003c/p>\n\u003cp>Serra also presented Almena as an individual not seeking profit, power or prestige at the Ghost Ship. He described Almena as \"100% artist\" and that the building was \"his vision, something beautiful. It was something that was awesome.\"\u003c/p>\n\u003cp>He said Almena had procured the building in order to display his art collection, acquired during his travels with his wife around the world. Serra called the Ghost Ship a museum full of religious art.\u003c/p>\n\u003cp>\"You could be looking at photos of the Louvre itself,\" Serra said as he presented two photos of the interior of the warehouse from some time before the fire.\u003c/p>\n\u003cp>Serra closed his statement by placing a blown-up photo of Almena, his wife and three kids on an easel before the jury.\u003c/p>\n\u003cp>\"Art and family were paramount,\" Serra said.\u003c/p>\n\u003cp>Outside court, following opening statements, Serra said: \"I wanted to show my client in his best light. I wanted to show that he is a skilled, consummate artist, and that he created Ghost Ship as an outreach forum to the community.\"\u003c/p>\n\u003cp>Testimony in the trial is expected to begin Monday, May 6, in Alameda County Superior Court in Oakland.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The defense in the trial of two men charged with 36 counts each of involuntary manslaughter in the deadly December 2016 Ghost Ship fire wrapped up opening statements Wednesday, reasserting that evidence will show arson was the cause of the blaze.\u003c/p>\n\u003cp>The East Oakland warehouse, nicknamed \"Ghost Ship,\" caught fire on the Friday evening of Dec 2, 2016, during an electronic music party, killing 35 concertgoers and one resident.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Defense attorney Tony Serra, who represents master tenant Derick Almena, said witnesses will testify that people were seen fleeing from the building through a side entrance just before the fire started. The statements echoed those made Tuesday by defense attorney Curtis Briggs, who represents the other defendant, Max Harris.\u003c/p>\n\u003cp>Serra said witnesses reported hearing \"popping,\" or breaking glass, in the area where the fire began in the rear of the warehouse on the first floor. Serra said evidence that will be presented is circumstantial, but that the popping could have been Molotov cocktails or bottles filled with gasoline.\u003c/p>\n\u003cp>\"There's no way my client could have predicted that,\" Serra said. \"There's nothing he could do to prevent that.\"\u003c/p>\n\u003cp>Investigators never determined the cause of the fire.\u003c/p>\n\u003cp>Serra also said Almena had made a number of improvements to the site, putting money made right back into the premises to make the building safe and secure. He said Almena installed a rear door in the warehouse, ran 100-foot garden hoses along both sides of the building in case of a fire, made an exit sign, required fire extinguishers and implemented a policy of \"no smoking, no candles and no incense.\"\u003c/p>\n\u003cp>Alameda County prosecutor Casey Bates said Tuesday during opening statements that Almena and Harris, who is often referred to as second in command or creative director, had converted the commercial warehouse into a residential and performance space stuffed from floor to ceiling with flammable materials. Bates showed images of living spaces with walls made out of pianos or old doors and windows.\u003c/p>\n\u003cp>Bates said the Ghost Ship wasn't outfitted with the types of safety precautions required in such a converted warehouse, including sprinkler systems, fire alarms and well-lit, easily identifiable exits.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Bates said that as an arts space, people brought in wooden materials, solvents, paints, power tools and other equipment, making walls made out of non-traditional materials to create residential spaces. No sheetrock was used, which could have slowed a fire.\u003c/p>\n\u003cp>Serra also said Wednesday a number of agencies in the years leading up to the fire had passed through the building, including the Oakland Fire Department, Oakland Police Department, Alameda County Sheriff's Office and Child Protective Services. He said they had never found safety issues in the warehouse.\u003c/p>\n\u003cp>\"And they never told him that it was a fire hazard,\" Serra said outside court. \"They never red-tagged him. They never gave him an eviction notice. They didn’t give him any kind of notice that said ... if you don’t fix this up, get out.\"\u003c/p>\n\u003cp>During his opening statement, Serra said that CPS had been in the building at least six times before the fire, and while they weren't experts in fire prevention, he said they were trained in areas of safety and security and hadn't mentioned any hazards.\u003c/p>\n\u003cp>Serra also presented Almena as an individual not seeking profit, power or prestige at the Ghost Ship. He described Almena as \"100% artist\" and that the building was \"his vision, something beautiful. It was something that was awesome.\"\u003c/p>\n\u003cp>He said Almena had procured the building in order to display his art collection, acquired during his travels with his wife around the world. Serra called the Ghost Ship a museum full of religious art.\u003c/p>\n\u003cp>\"You could be looking at photos of the Louvre itself,\" Serra said as he presented two photos of the interior of the warehouse from some time before the fire.\u003c/p>\n\u003cp>Serra closed his statement by placing a blown-up photo of Almena, his wife and three kids on an easel before the jury.\u003c/p>\n\u003cp>\"Art and family were paramount,\" Serra said.\u003c/p>\n\u003cp>Outside court, following opening statements, Serra said: \"I wanted to show my client in his best light. I wanted to show that he is a skilled, consummate artist, and that he created Ghost Ship as an outreach forum to the community.\"\u003c/p>\n\u003cp>Testimony in the trial is expected to begin Monday, May 6, in Alameda County Superior Court in Oakland.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The long-awaited opening statements in the trial of two men facing dozens of counts of involuntary manslaughter in the December 2016 Ghost Ship warehouse fire are expected to be held on Tuesday and Wednesday.\u003c/p>\n\u003cp>The warehouse, illegally converted into a living and event space, caught fire on Dec. 2, 2016, during an electronic music party, killing 35 concertgoers and one resident.\u003c/p>\n\u003cp>The two defendants, Derick Almena and Max Harris, each face 36 counts of involuntary manslaughter. If convicted, they could be sentenced to decades in prison.\u003c/p>\n\u003cp>Let’s take a look at the trial so far, and some of the key events that led up to it.\u003c/p>\n\u003ch2>The Prosecution, Defense and Criminal Trial\u003c/h2>\n\u003cp>The preliminary rounds of the criminal trial began April 2, and started with defense and prosecution arguments over what language may be used in the trial.\u003c/p>\n\u003cp>[aside tag='ghost-ship-trial' label='More Coverage of the Ghost Ship Trial']\u003c/p>\n\u003cp>Alameda County prosecutors argued that the defense should be \u003ca href=\"https://www.kqed.org/news/11737333/ghost-ship-trial-begins-opening-statements-expected-at-end-of-month\" target=\"_blank\" rel=\"noopener\">barred from using such terms\u003c/a> as “cover-up” and “scapegoat.” Prosecutors allege that Almena, the Ghost Ship's master tenant, and Harris, often described as his \"second in command,\" had created a fire trap in the building, filling it with recreational vehicles, pianos and other items, blocking exits and failing to take adequate safety precautions before allowing people in.\u003c/p>\n\u003cp>The defense, however, has argued that Almena and Harris are taking the rap for those who should be held responsible, including property owner Chor Ng and her son and daughter, Kai and Eva Ng. Defense attorneys also point to a series of apparent failures by Oakland fire, police and building inspectors, among other government officials, who could have intervened to shut down the Ghost Ship or to force the owners to bring it up to code.\u003c/p>\n\u003cp>The defense also argued that prosecutors should be \u003ca href=\"https://www.kqed.org/news/11737648/ghost-ship-trial-arguments-over-metaphors-anti-semitic-jokes-jury-site-visit\" target=\"_blank\" rel=\"noopener\">barred from using terms\u003c/a> such as “fire trap,” “tinderbox” and “death trap” to describe the state of the Ghost Ship before it caught fire. Defense attorney Tony Serra, who represents Almena, called the terms argumentative and could unfairly sway a jury against his client. Curtis Briggs, who represents Harris, argued that such terms would never be used by experts.\u003c/p>\n\u003cp>Prosecutors called the terms necessary to describe the state of the warehouse before the blaze.\u003c/p>\n\u003cp>Alameda County Superior Court Judge Trina Thompson ruled that the terms mentioned — cover-up, scapegoat, fire box and death trap, along with similar metaphors — would be restricted during opening statements, but allowed during testimony subject to objections.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Kai and Eva Ng appeared in court on April 4 to attend a hearing to determine whether certain evidence would be admissible regarding the warehouse. Both Ngs \u003ca href=\"https://www.kqed.org/news/11737853/son-daughter-of-ghost-ship-owner-refuse-to-answer-questions-in-court\" target=\"_blank\" rel=\"noopener\">refused to answer questions\u003c/a> from the prosecution or defense, invoking their Fifth Amendment right against self-incrimination.\u003c/p>\n\u003cp>On April 11, Judge Thompson quashed a defense subpoena for Oakland Mayor Libby Schaaf to testify, finding attorneys had failed to show she had personal knowledge of conditions in the warehouse prior to the fire.\u003c/p>\n\u003cp>The remainder of the month was largely taken up with jury selection, during which \u003ca href=\"https://www.sfgate.com/news/bayarea/article/320-Potential-Jurors-In-Ghost-Ship-Trial-Have-13757005.php\" target=\"_blank\" rel=\"noopener\">about 480 potential jurors filled out questionnaires\u003c/a>.\u003c/p>\n\u003cp>If the trial remains on schedule, testimony would begin next week. The trial could last for months.\u003c/p>\n\u003ch2>A Plea Deal Rejected\u003c/h2>\n\u003cp>Last Aug. 10, Alameda County Superior Court Judge James Cramer \u003ca href=\"https://www.kqed.org/news/11686316/judge-rejects-plea-deals-in-deadly-oakland-warehouse-fire\" target=\"_blank\" rel=\"noopener\">rejected a plea agreement\u003c/a> that called for Almena to be sentenced to nine years in prison and Harris to six years.\u003c/p>\n\u003cp>Cramer said he was declining to approve the agreement, which had been negotiated under the supervision of another judge, because he felt Almena had not acknowledged his responsibility or shown remorse for the fatal blaze. He pointed to a 30-page letter Almena had submitted to probation officers prior to sentencing in which Cramer said Almena cast himself as a \"victim and a witness.\"\u003c/p>\n\u003cp>In rejecting the deal — a decision that led to the case going to trial — Cramer cautioned victims' families that they may not get the answers they're seeking.\u003c/p>\n\u003cp>\"Each of you is suffering immeasurably. A trial won't solve that,\" he said. \"Those of you who want a trial to prove that the city or the Fire Department or the landlord is just as guilty as these two men are, you're not going to get that trial.\"\u003c/p>\n\u003cp>Victims' families have alleged in lawsuits that several Oakland city agencies failed in their duty to inspect the warehouse building or follow up on complaints about the premises. The lawsuits also claim PG&E failed to properly monitor, inspect and repair electrical equipment that provided power to the building. Warehouse owner Chor Ng is also a defendant in the civil cases.\u003c/p>\n\u003cp>\u003cem>This story includes reporting from The Associated Press.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The long-awaited opening statements in the trial of two men facing dozens of counts of involuntary manslaughter in the December 2016 Ghost Ship warehouse fire are expected to be held on Tuesday and Wednesday.\u003c/p>\n\u003cp>The warehouse, illegally converted into a living and event space, caught fire on Dec. 2, 2016, during an electronic music party, killing 35 concertgoers and one resident.\u003c/p>\n\u003cp>The two defendants, Derick Almena and Max Harris, each face 36 counts of involuntary manslaughter. If convicted, they could be sentenced to decades in prison.\u003c/p>\n\u003cp>Let’s take a look at the trial so far, and some of the key events that led up to it.\u003c/p>\n\u003ch2>The Prosecution, Defense and Criminal Trial\u003c/h2>\n\u003cp>The preliminary rounds of the criminal trial began April 2, and started with defense and prosecution arguments over what language may be used in the trial.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Alameda County prosecutors argued that the defense should be \u003ca href=\"https://www.kqed.org/news/11737333/ghost-ship-trial-begins-opening-statements-expected-at-end-of-month\" target=\"_blank\" rel=\"noopener\">barred from using such terms\u003c/a> as “cover-up” and “scapegoat.” Prosecutors allege that Almena, the Ghost Ship's master tenant, and Harris, often described as his \"second in command,\" had created a fire trap in the building, filling it with recreational vehicles, pianos and other items, blocking exits and failing to take adequate safety precautions before allowing people in.\u003c/p>\n\u003cp>The defense, however, has argued that Almena and Harris are taking the rap for those who should be held responsible, including property owner Chor Ng and her son and daughter, Kai and Eva Ng. Defense attorneys also point to a series of apparent failures by Oakland fire, police and building inspectors, among other government officials, who could have intervened to shut down the Ghost Ship or to force the owners to bring it up to code.\u003c/p>\n\u003cp>The defense also argued that prosecutors should be \u003ca href=\"https://www.kqed.org/news/11737648/ghost-ship-trial-arguments-over-metaphors-anti-semitic-jokes-jury-site-visit\" target=\"_blank\" rel=\"noopener\">barred from using terms\u003c/a> such as “fire trap,” “tinderbox” and “death trap” to describe the state of the Ghost Ship before it caught fire. Defense attorney Tony Serra, who represents Almena, called the terms argumentative and could unfairly sway a jury against his client. Curtis Briggs, who represents Harris, argued that such terms would never be used by experts.\u003c/p>\n\u003cp>Prosecutors called the terms necessary to describe the state of the warehouse before the blaze.\u003c/p>\n\u003cp>Alameda County Superior Court Judge Trina Thompson ruled that the terms mentioned — cover-up, scapegoat, fire box and death trap, along with similar metaphors — would be restricted during opening statements, but allowed during testimony subject to objections.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Kai and Eva Ng appeared in court on April 4 to attend a hearing to determine whether certain evidence would be admissible regarding the warehouse. Both Ngs \u003ca href=\"https://www.kqed.org/news/11737853/son-daughter-of-ghost-ship-owner-refuse-to-answer-questions-in-court\" target=\"_blank\" rel=\"noopener\">refused to answer questions\u003c/a> from the prosecution or defense, invoking their Fifth Amendment right against self-incrimination.\u003c/p>\n\u003cp>On April 11, Judge Thompson quashed a defense subpoena for Oakland Mayor Libby Schaaf to testify, finding attorneys had failed to show she had personal knowledge of conditions in the warehouse prior to the fire.\u003c/p>\n\u003cp>The remainder of the month was largely taken up with jury selection, during which \u003ca href=\"https://www.sfgate.com/news/bayarea/article/320-Potential-Jurors-In-Ghost-Ship-Trial-Have-13757005.php\" target=\"_blank\" rel=\"noopener\">about 480 potential jurors filled out questionnaires\u003c/a>.\u003c/p>\n\u003cp>If the trial remains on schedule, testimony would begin next week. The trial could last for months.\u003c/p>\n\u003ch2>A Plea Deal Rejected\u003c/h2>\n\u003cp>Last Aug. 10, Alameda County Superior Court Judge James Cramer \u003ca href=\"https://www.kqed.org/news/11686316/judge-rejects-plea-deals-in-deadly-oakland-warehouse-fire\" target=\"_blank\" rel=\"noopener\">rejected a plea agreement\u003c/a> that called for Almena to be sentenced to nine years in prison and Harris to six years.\u003c/p>\n\u003cp>Cramer said he was declining to approve the agreement, which had been negotiated under the supervision of another judge, because he felt Almena had not acknowledged his responsibility or shown remorse for the fatal blaze. He pointed to a 30-page letter Almena had submitted to probation officers prior to sentencing in which Cramer said Almena cast himself as a \"victim and a witness.\"\u003c/p>\n\u003cp>In rejecting the deal — a decision that led to the case going to trial — Cramer cautioned victims' families that they may not get the answers they're seeking.\u003c/p>\n\u003cp>\"Each of you is suffering immeasurably. A trial won't solve that,\" he said. \"Those of you who want a trial to prove that the city or the Fire Department or the landlord is just as guilty as these two men are, you're not going to get that trial.\"\u003c/p>\n\u003cp>Victims' families have alleged in lawsuits that several Oakland city agencies failed in their duty to inspect the warehouse building or follow up on complaints about the premises. The lawsuits also claim PG&E failed to properly monitor, inspect and repair electrical equipment that provided power to the building. Warehouse owner Chor Ng is also a defendant in the civil cases.\u003c/p>\n\u003cp>\u003cem>This story includes reporting from The Associated Press.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Phone addiction has become a full-on crisis, with \u003ca href=\"http://digitaldetox.org/retreats/\" target=\"_blank\" rel=\"noopener\">detox camps\u003c/a> and \u003ca href=\"https://www.cbc.ca/doczone/m_features/data-detox-apps\" target=\"_blank\" rel=\"noopener\">phone apps\u003c/a> designed to disconnect us from around-the-clock technology. Former techies are jumping into the mix, too, crafting encore careers as technology activists urging Silicon Valley companies to make their products less addictive.\u003c/p>\n\u003cp>Among the growing list of “thought leaders” is the nonprofit \u003ca href=\"https://humanetech.com\" target=\"_blank\" rel=\"noopener\">Center for Humane Technology\u003c/a>. On Tuesday, co-founder and director Tristan Harris shared his new agenda with journalists and supporters.\u003c/p>\n\u003cp>[pullquote size='small' align='right' citation='Tristan Harris of the Center for Humane Technology']‘We’re getting free social isolation, free downgrading of attention spans … free is the most expensive business model we’ve ever created.’[/pullquote]\u003c/p>\n\u003cp>“Instead of saying, let’s just compete for attention, let’s change the currency,” the ex-Googler said. “Let’s make the currency something closer to Time Well Spent.”\u003c/p>\n\u003cp>The \u003ca href=\"https://en.wikipedia.org/wiki/Time_Well_Spent\" target=\"_blank\" rel=\"noopener\">Time Well Spent\u003c/a> movement is one Harris helped to lead. It urged tech companies to consider how addictive technologies might impact people’s day-to-day lives.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>While Harris was vague about how he plans to move from thought to action in this latest endeavor, the Center for Humane Technology did release a new design kit to help tech companies better understand how a user’s emotional state — and ability to pay attention — might be impacted by new products.\u003c/p>\n\u003cp>In an interview, Harris said consumers need to rethink the current “free” business model of the tech industry.\u003c/p>\n\u003cp>“We’re getting free social isolation, free downgrading of attention spans … free is the most expensive business model we’ve ever created,” he said. He suggested that if users were willing to pay for social media subscriptions, companies might be encouraged to compete for something other than their attention.\u003c/p>\n\u003cp>In Mendocino, a different type of tech activism is underway at a digital detox facility called \u003ca href=\"https://campgrounded.org/\">Camp Grounded\u003c/a>. There, tech refugees trade in their cellphones and computers in exchange for activities like archery, crochet, and, “laughter yoga.”\u003c/p>\n\u003cp>Awaiting them when they return are a whole host of new self-control products and features meant to limit screen time. \u003ca href=\"https://chrome.google.com/webstore/detail/stayfocusd/laankejkbhbdhmipfmgcngdelahlfoji?hl=en\">StayFocusd\u003c/a> and \u003ca href=\"https://freedom.to/?utm_source=zapier.com&utm_medium=referral&utm_campaign=zapier\">Freedom\u003c/a> stop people from accessing “time-wasting websites” after a specified amount of daily use, while \u003ca href=\"https://www.mindfulbrowsing.org/?utm_source=zapier.com&utm_medium=referral&utm_campaign=zapier\">Mindful Browsing\u003c/a> gently urges people to do something more productive if they try to open, say, a social media app.\u003c/p>\n\u003cp>But is this tech detox helping?\u003c/p>\n\u003cp>In a \u003ca href=\"https://www.pewinternet.org/2018/08/22/how-teens-and-parents-navigate-screen-time-and-device-distractions/\">Pew Research Center survey last year\u003c/a>, 54% of teenagers in the U.S. said they spend too much time in front of screens, but researchers noted that didn’t mean they tried to limit their time on them: “There is little association between teens’ views of how much time they spend on various screens and whether or not they have tried to limit their time on those devices.”\u003c/p>\n\u003cp>Despite the allure of digital detox, it’s unclear whether giving up one’s phone for a weekend or checking how much time is spent online affects our use of technology moving forward.\u003c/p>\n\u003cp>Outside the tech industry, skeptical voices have emerged.\u003c/p>\n\u003cp>[aside tag='silicon-valley' label='More coverage of the Silicon Valley']\u003c/p>\n\u003cp>In an \u003ca href=\"https://lareviewofbooks.org/article/digital-detox-big-techs-phony-crisis-of-conscience/#!\">article in the Los Angeles Review of Books\u003c/a>, writer Grafton Tanner voiced doubt that the answer to tech addiction could be found from within the tech industry itself.\u003c/p>\n\u003cp>“Their solutions — designing ethical technologies and creating labor unions for the digital age — completely ignore the fact that technology has never succeeded in achieving utopia and probably never will,” he wrote.\u003c/p>\n\u003cp>Stanford University lecturer \u003ca href=\"http://www.jennyodell.com\" target=\"_blank\" rel=\"noopener\">Jenny Odell\u003c/a>, author of the new book “How to Do Nothing,” said she thinks the Center for Humane Technology is still trapped in the mindset that human lives are like products — ones that can be optimized.\u003c/p>\n\u003cp>“I feel like things like Time Well Spent — while they very well may free up time for someone and that probably would be helpful for them — doesn’t touch assumptions like time is money, and doesn’t touch the idea that a life can be optimized,” Odell said.\u003c/p>\n\u003cp>Odell urges people to be more present to the world around them as a replacement for the allure of their screens.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“It’s no longer about putting the phone down,” she said. “I’m just more interested in something else that happens to be right in front of me. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Phone addiction has become a full-on crisis, with \u003ca href=\"http://digitaldetox.org/retreats/\" target=\"_blank\" rel=\"noopener\">detox camps\u003c/a> and \u003ca href=\"https://www.cbc.ca/doczone/m_features/data-detox-apps\" target=\"_blank\" rel=\"noopener\">phone apps\u003c/a> designed to disconnect us from around-the-clock technology. Former techies are jumping into the mix, too, crafting encore careers as technology activists urging Silicon Valley companies to make their products less addictive.\u003c/p>\n\u003cp>Among the growing list of “thought leaders” is the nonprofit \u003ca href=\"https://humanetech.com\" target=\"_blank\" rel=\"noopener\">Center for Humane Technology\u003c/a>. On Tuesday, co-founder and director Tristan Harris shared his new agenda with journalists and supporters.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>While Harris was vague about how he plans to move from thought to action in this latest endeavor, the Center for Humane Technology did release a new design kit to help tech companies better understand how a user’s emotional state — and ability to pay attention — might be impacted by new products.\u003c/p>\n\u003cp>In an interview, Harris said consumers need to rethink the current “free” business model of the tech industry.\u003c/p>\n\u003cp>“We’re getting free social isolation, free downgrading of attention spans … free is the most expensive business model we’ve ever created,” he said. He suggested that if users were willing to pay for social media subscriptions, companies might be encouraged to compete for something other than their attention.\u003c/p>\n\u003cp>In Mendocino, a different type of tech activism is underway at a digital detox facility called \u003ca href=\"https://campgrounded.org/\">Camp Grounded\u003c/a>. There, tech refugees trade in their cellphones and computers in exchange for activities like archery, crochet, and, “laughter yoga.”\u003c/p>\n\u003cp>Awaiting them when they return are a whole host of new self-control products and features meant to limit screen time. \u003ca href=\"https://chrome.google.com/webstore/detail/stayfocusd/laankejkbhbdhmipfmgcngdelahlfoji?hl=en\">StayFocusd\u003c/a> and \u003ca href=\"https://freedom.to/?utm_source=zapier.com&utm_medium=referral&utm_campaign=zapier\">Freedom\u003c/a> stop people from accessing “time-wasting websites” after a specified amount of daily use, while \u003ca href=\"https://www.mindfulbrowsing.org/?utm_source=zapier.com&utm_medium=referral&utm_campaign=zapier\">Mindful Browsing\u003c/a> gently urges people to do something more productive if they try to open, say, a social media app.\u003c/p>\n\u003cp>But is this tech detox helping?\u003c/p>\n\u003cp>In a \u003ca href=\"https://www.pewinternet.org/2018/08/22/how-teens-and-parents-navigate-screen-time-and-device-distractions/\">Pew Research Center survey last year\u003c/a>, 54% of teenagers in the U.S. said they spend too much time in front of screens, but researchers noted that didn’t mean they tried to limit their time on them: “There is little association between teens’ views of how much time they spend on various screens and whether or not they have tried to limit their time on those devices.”\u003c/p>\n\u003cp>Despite the allure of digital detox, it’s unclear whether giving up one’s phone for a weekend or checking how much time is spent online affects our use of technology moving forward.\u003c/p>\n\u003cp>Outside the tech industry, skeptical voices have emerged.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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"order": 8
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},
"link": "https://www.cityarts.net",
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"order": 1
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"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
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"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
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"source": "NPR"
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"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
"id": "hyphenacion",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
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"order": 18
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
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},
"link": "/radio/program/latino-usa",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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