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"content": "\u003cp>The San Jose Jazz Summer Fest returns smaller and safer this weekend, Aug. 13–15, after pulling the plug on last year’s event due to the pandemic.\u003c/p>\n\u003cp>The long-running jazz festival has shrunk its physical scope if not its musical one, reducing 2019’s 14 stages to six, three of them outdoors and three indoors.\u003c/p>\n\u003cp>The diverse range of headliners on the main stage at Plaza de César Chávez includes Prince protégé Judith Hill, Oakland-born soul singer Goapele, and Chicago rap legend Common, whose appearance reflects the festival’s increasing embrace of hip-hop.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=2AChGszRGwI\u003c/p>\n\u003cp>Among the notable smaller venues is the Montgomery Theater, which will host two tribute performances: one for Doug Carn and another for Chick Corea. The work of organist Carn has experienced a revival thanks to his foundational contribution to the freshly popular 1970s spiritual jazz movement. Carn himself demonstrates his mastery of the jazz organ this weekend while jamming with a cast of Bay Area luminaries.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside postID='arts_13886749']Jazz fusion pioneer Corea passed away in March. San Jose Jazz’s in-house band the SJZ Collective will play a selection of Corea’s works in celebration of the 23-time Grammy Award winner’s long and eventful career.\u003c/p>\n\u003cp>Around the corner and a few blocks away from festival grounds is the Latin Tropical stage, formerly known as the Salsa stage, access to which will be free to the public. Notable performers include Bay Area Cuban music classicists Septeto Los Amigos, the all-female salsa band Las Chikas and timba specialists Rumbankete.\u003c/p>\n\u003cp>In light of the spread of the Delta variant of the coronavirus, the festival is taking several precautions including mask requirements for all indoor venues, proof of vaccination or negative COVID test for entry and limited seating for indoor concerts.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12904247\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>San Jose Jazz Summer Fest runs Aug. 13–15. \u003ca href=\"https://summerfest.sanjosejazz.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cp>Offspring drummer Pete Parada received an \u003ca href=\"https://www.instagram.com/p/CSE_rkVnIgL/\" target=\"_blank\" rel=\"noopener noreferrer\">outpouring of support\u003c/a> earlier this week after he announced he would be unable to tour for the foreseeable future. In an emotional Instagram post, Parada said that a medical condition he has been living with since childhood—\u003ca href=\"https://www.ninds.nih.gov/Disorders/Patient-Caregiver-Education/Fact-Sheets/Guillain-Barr%C3%A9-Syndrome-Fact-Sheet\" target=\"_blank\" rel=\"noopener noreferrer\">Guillain-Barré Syndrome\u003c/a> (GBS)—prevented him from receiving a COVID-19 vaccine, and that his band now considered him “unsafe” to work with. GBS is a rare and incurable condition that causes the body’s immune system to attack its nerves.\u003c/p>\n\u003cp>“Given my personal history and the side-effect profile of these jabs,” Parada wrote, “my doctor has advised me not to get a shot at this time. Unfortunately for me (and my family—who is hoping to keep me around a bit longer), the risks far outweigh the benefits.”\u003c/p>\n\u003cp>Recent figures suggest there may an increased risk of suffering a bout of GBS after receiving the Johnson & Johnson COVID-19 vaccine. “There have been 100 preliminary reports of GBS following vaccination,” the \u003ca href=\"https://www.fda.gov/news-events/press-announcements/coronavirus-covid-19-update-july-13-2021\" target=\"_blank\" rel=\"noopener noreferrer\">FDA reports\u003c/a>, “after approximately 12.5 million doses administered.” However, there is \u003ca href=\"https://health.clevelandclinic.org/guillain-barre-syndrome-and-covid-vaccine/\" target=\"_blank\" rel=\"noopener noreferrer\">no evidence\u003c/a> that the Pfizer or Moderna vaccines carry increased risks for GBS patients.\u003c/p>\n\u003cp>https://www.instagram.com/p/CSE_rkVnIgL/\u003c/p>\n\u003cp>“Since I am unable to comply with what is increasingly becoming an industry mandate,” Parada wrote, “it has recently been decided that I am unsafe to be around, in the studio, and on tour. I mention this because you won’t be seeing me at these upcoming shows. I also want to share my story so that anyone else experiencing the agony and isolation of getting left behind right now knows they’re not entirely alone.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>By Wednesday, Parada’s post had been liked almost 18,000 times, and prompted comments of love, support and vaccine-related outrage. One fan wrote, “The fear, the manipulation and coercion around [vaccines] are truly what is frightening.” Five Finger Death Punch drummer Charlie Engen commented that it was “sickening you even have to explain yourself.” Bad Wolves vocalist Tommy Vext called Parada’s predicament “a fucking disgrace,” and opined that “this all feels like the beginnings of a medical apartheid.”\u003c/p>\n\u003cp>Those are strong words in a live-music landscape that is still accommodating unvaccinated people. Parada’s announcement (and the outpouring that it prompted) directly followed a weekend in which 100,000 fans a day—including the unvaccinated—descended on the Lollapalooza festival in Chicago. Ticket holders without vaccines were permitted at the event with proof of a negative COVID test.\u003c/p>\n\u003cp>https://twitter.com/lollapalooza/status/1420865743269339143\u003c/p>\n\u003cp>The weekend before, Miami’s Rolling Loud Festival attracted daily crowds of 75,000 and had zero COVID-related restrictions for entry. “Fans will have the choice, whether or not they want to be vaccinated or mask,” festival co-founder \u003ca href=\"https://www.miamiherald.com/news/local/community/miami-dade/miami-gardens/article252927603.html\" target=\"_blank\" rel=\"noopener noreferrer\">Tariq Cheriff told the \u003cem>Miami Herald\u003c/em>\u003c/a>. “That’s basically what we believe in. You got the choice and that’s it.”\u003c/p>\n\u003cp>[aside postID='arts_13900368,arts_13900770']While some of America’s most popular festivals—including Coachella, Burning Man and SXSW—have opted to postpone until 2022, many others are still forging ahead this year. COVID restrictions for attendees at each event vary and are at the discretion of the organizers. So, for example, while Napa’s \u003ca href=\"https://www.bottlerocknapavalley.com/health-safety/\" target=\"_blank\" rel=\"noopener noreferrer\">BottleRock\u003c/a> will require proof of vaccination or a negative COVID test, \u003ca href=\"https://www.sfoutsidelands.com/health-and-safety/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> is—for the moment, at least—merely saying it “will follow the recommended health and safety guidelines put forth by the authorities.” \u003ca href=\"https://www.sterngrove.org/covid\" target=\"_blank\" rel=\"noopener noreferrer\">Stern Grove\u003c/a> says it will have a reservation-only policy and a perimeter, but no requirement to show vaccine status at this time. It is unclear what restrictions will be in place for performers.\u003c/p>\n\u003cp>As for music venues, in California at least, the National Independent Venue Association (NIVA) reports that most of the music venues checking vaccine cards are also accepting negative COVID tests.\u003c/p>\n\u003cp>While Parada claimed that his decision to not get vaccinated was a medical one, he also shared clear anti-vax opinions later in his post. “I do not find it ethical or wise,” he wrote, “to allow those with the most power (government, corporations, organizations, employers) to dictate medical procedures to those with the least power.” Parada continued: “If it looks like half the population is having a shockingly different reaction to these jabs than was expected—it’s probably because their life experiences have actually been shockingly different.”\u003c/p>\n\u003cp>As the music industry scrambles to bring back live music, the very least fans and musicians should be doing before heading out to venues is getting vaccinated and/or checking their COVID status regularly with tests. Even then, an abundance of caution should still be exercised. The Netherlands’ Verknipt festival, which took place in mid-July, offers a cautionary example. The two-day outdoor festival required proof of vaccine or a negative test to enter, but still led to \u003ca href=\"https://www.cnbc.com/2021/07/15/music-festival-in-holland-leads-to-over-1000-covid-infections.html\" target=\"_blank\" rel=\"noopener noreferrer\">1,050 COVID infections\u003c/a>—5% of attendees caught the virus.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Make no mistake, the social and personal freedoms we have successfully wrangled back in recent months are a direct result of the vaccine rollout. What most threatens those freedoms now is the highly transmissible delta variant which, data proves, vaccines protect against. (“The rate of breakthrough cases reported among those fully vaccinated is well below 1% in all reporting states,” according to the \u003ca href=\"https://www.nytimes.com/2021/08/03/well/live/covid-delta-variant-vaccine-symptoms.html\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>New York Times\u003c/em>\u003c/a>.) The larger barriers to the freedom of immunocompromised people aren’t COVID safety measures—they’re the dangers posed by a virus that spreads further and faster the less people are vaccinated.\u003c/p>\n\n",
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"excerpt": "Offspring drummer Pete Parada just sparked a conversation about vaccines and consent—but the issue is bigger than any one person.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Offspring drummer Pete Parada received an \u003ca href=\"https://www.instagram.com/p/CSE_rkVnIgL/\" target=\"_blank\" rel=\"noopener noreferrer\">outpouring of support\u003c/a> earlier this week after he announced he would be unable to tour for the foreseeable future. In an emotional Instagram post, Parada said that a medical condition he has been living with since childhood—\u003ca href=\"https://www.ninds.nih.gov/Disorders/Patient-Caregiver-Education/Fact-Sheets/Guillain-Barr%C3%A9-Syndrome-Fact-Sheet\" target=\"_blank\" rel=\"noopener noreferrer\">Guillain-Barré Syndrome\u003c/a> (GBS)—prevented him from receiving a COVID-19 vaccine, and that his band now considered him “unsafe” to work with. GBS is a rare and incurable condition that causes the body’s immune system to attack its nerves.\u003c/p>\n\u003cp>“Given my personal history and the side-effect profile of these jabs,” Parada wrote, “my doctor has advised me not to get a shot at this time. Unfortunately for me (and my family—who is hoping to keep me around a bit longer), the risks far outweigh the benefits.”\u003c/p>\n\u003cp>Recent figures suggest there may an increased risk of suffering a bout of GBS after receiving the Johnson & Johnson COVID-19 vaccine. “There have been 100 preliminary reports of GBS following vaccination,” the \u003ca href=\"https://www.fda.gov/news-events/press-announcements/coronavirus-covid-19-update-july-13-2021\" target=\"_blank\" rel=\"noopener noreferrer\">FDA reports\u003c/a>, “after approximately 12.5 million doses administered.” However, there is \u003ca href=\"https://health.clevelandclinic.org/guillain-barre-syndrome-and-covid-vaccine/\" target=\"_blank\" rel=\"noopener noreferrer\">no evidence\u003c/a> that the Pfizer or Moderna vaccines carry increased risks for GBS patients.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“Since I am unable to comply with what is increasingly becoming an industry mandate,” Parada wrote, “it has recently been decided that I am unsafe to be around, in the studio, and on tour. I mention this because you won’t be seeing me at these upcoming shows. I also want to share my story so that anyone else experiencing the agony and isolation of getting left behind right now knows they’re not entirely alone.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>By Wednesday, Parada’s post had been liked almost 18,000 times, and prompted comments of love, support and vaccine-related outrage. One fan wrote, “The fear, the manipulation and coercion around [vaccines] are truly what is frightening.” Five Finger Death Punch drummer Charlie Engen commented that it was “sickening you even have to explain yourself.” Bad Wolves vocalist Tommy Vext called Parada’s predicament “a fucking disgrace,” and opined that “this all feels like the beginnings of a medical apartheid.”\u003c/p>\n\u003cp>Those are strong words in a live-music landscape that is still accommodating unvaccinated people. Parada’s announcement (and the outpouring that it prompted) directly followed a weekend in which 100,000 fans a day—including the unvaccinated—descended on the Lollapalooza festival in Chicago. Ticket holders without vaccines were permitted at the event with proof of a negative COVID test.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>The weekend before, Miami’s Rolling Loud Festival attracted daily crowds of 75,000 and had zero COVID-related restrictions for entry. “Fans will have the choice, whether or not they want to be vaccinated or mask,” festival co-founder \u003ca href=\"https://www.miamiherald.com/news/local/community/miami-dade/miami-gardens/article252927603.html\" target=\"_blank\" rel=\"noopener noreferrer\">Tariq Cheriff told the \u003cem>Miami Herald\u003c/em>\u003c/a>. “That’s basically what we believe in. You got the choice and that’s it.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>While some of America’s most popular festivals—including Coachella, Burning Man and SXSW—have opted to postpone until 2022, many others are still forging ahead this year. COVID restrictions for attendees at each event vary and are at the discretion of the organizers. So, for example, while Napa’s \u003ca href=\"https://www.bottlerocknapavalley.com/health-safety/\" target=\"_blank\" rel=\"noopener noreferrer\">BottleRock\u003c/a> will require proof of vaccination or a negative COVID test, \u003ca href=\"https://www.sfoutsidelands.com/health-and-safety/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands\u003c/a> is—for the moment, at least—merely saying it “will follow the recommended health and safety guidelines put forth by the authorities.” \u003ca href=\"https://www.sterngrove.org/covid\" target=\"_blank\" rel=\"noopener noreferrer\">Stern Grove\u003c/a> says it will have a reservation-only policy and a perimeter, but no requirement to show vaccine status at this time. It is unclear what restrictions will be in place for performers.\u003c/p>\n\u003cp>As for music venues, in California at least, the National Independent Venue Association (NIVA) reports that most of the music venues checking vaccine cards are also accepting negative COVID tests.\u003c/p>\n\u003cp>While Parada claimed that his decision to not get vaccinated was a medical one, he also shared clear anti-vax opinions later in his post. “I do not find it ethical or wise,” he wrote, “to allow those with the most power (government, corporations, organizations, employers) to dictate medical procedures to those with the least power.” Parada continued: “If it looks like half the population is having a shockingly different reaction to these jabs than was expected—it’s probably because their life experiences have actually been shockingly different.”\u003c/p>\n\u003cp>As the music industry scrambles to bring back live music, the very least fans and musicians should be doing before heading out to venues is getting vaccinated and/or checking their COVID status regularly with tests. Even then, an abundance of caution should still be exercised. The Netherlands’ Verknipt festival, which took place in mid-July, offers a cautionary example. The two-day outdoor festival required proof of vaccine or a negative test to enter, but still led to \u003ca href=\"https://www.cnbc.com/2021/07/15/music-festival-in-holland-leads-to-over-1000-covid-infections.html\" target=\"_blank\" rel=\"noopener noreferrer\">1,050 COVID infections\u003c/a>—5% of attendees caught the virus.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Make no mistake, the social and personal freedoms we have successfully wrangled back in recent months are a direct result of the vaccine rollout. What most threatens those freedoms now is the highly transmissible delta variant which, data proves, vaccines protect against. (“The rate of breakthrough cases reported among those fully vaccinated is well below 1% in all reporting states,” according to the \u003ca href=\"https://www.nytimes.com/2021/08/03/well/live/covid-delta-variant-vaccine-symptoms.html\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>New York Times\u003c/em>\u003c/a>.) The larger barriers to the freedom of immunocompromised people aren’t COVID safety measures—they’re the dangers posed by a virus that spreads further and faster the less people are vaccinated.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Composer Gabriela Lena Frank thinks of the climate crisis in terms of butterflies and worms.\u003c/p>\n\u003cp>“Growing up in Berkeley, I remember putting my hands in the dirt in the garden that we had and insects would come out,” Frank says in a Zoom call. “That’s not just my imagination. Science says 60 percent of our insect life, and our bird population, is down. I remember going back and looking at old photo albums, my mom taking photos of me in the garden, and there were butterflies all around and it was just—it was different.”\u003c/p>\n\u003cp>Frank is an accomplished composer and educator in high demand. Her works have been performed by the Kronos Quartet and Yo-Yo Ma’s Silk Road Ensemble, and her festival appearances are booked years in advance—she has a waiting list that reaches into 2026. \u003c/p>\n\u003cp>Frank is best known for imaginative fusions of Peruvian sounds with Western instruments in pieces like \u003cem>Ritmos Anchinos\u003c/em> and \u003cem>Leyendas: An Andean Walkabout\u003c/em>, multicultural collisions that express her own mixed heritage. Even as she kept busy with regular trips to Peru for anthropological work and running her own music education non-profit, she couldn’t shake her memories of butterfly-filled gardens. She couldn’t ignore that the land around her farm-slash-academy outside of Boonville, in Mendocino County, was changing before her eyes. \u003c/p>\n\u003cp>“I’m going to say 2018 is when I really woke up, when Paradise burned a couple hours from us, a county over,” says Frank. “I had musicians here at my academy, and we were literally breathing in its demise. It was just inescapable.” \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>She became, in her words, “intimate with grief.” Now she’s channeling that grief into her elegy for the climate crisis, \u003cem>Contested Eden\u003c/em>, which premieres in an online stream on Saturday, July 31, to open this year’s all-virtual Cabrillo Festival of Contemporary Music. \u003c/p>\n\u003cfigure id=\"attachment_13900423\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/07/CabrilloFest-Contested-Eden-Dance-credit-Crystal-Birns-013-800x533.jpg\" alt=\"Dancers kick up ash and dust among burned trees in the mountains\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13900423\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/07/CabrilloFest-Contested-Eden-Dance-credit-Crystal-Birns-013-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/07/CabrilloFest-Contested-Eden-Dance-credit-Crystal-Birns-013-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/07/CabrilloFest-Contested-Eden-Dance-credit-Crystal-Birns-013-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/07/CabrilloFest-Contested-Eden-Dance-credit-Crystal-Birns-013-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/07/CabrilloFest-Contested-Eden-Dance-credit-Crystal-Birns-013-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/07/CabrilloFest-Contested-Eden-Dance-credit-Crystal-Birns-013.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dancers choreographed by Molly Katzman perform as part of the streamed premiere of ‘Contested Eden.’ \u003ccite>(Crystal Birns)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Cabrillo, after going through \u003ca href=\"https://www.kqed.org/news/11835949/most-beautiful-place-on-earth-the-citizen-firefighters-who-stayed-behind-to-save-their-santa-cruz-mountain-paradise\" rel=\"noopener noreferrer\" target=\"_blank\">their own difficult troubles with fires\u003c/a>, came to me a few months ago and asked, ‘Would you be open to doing something about the California fires?’” Frank recalls. ”They caught me by surprise, and I instantly just busted out crying. I lost my professional demeanor. I said yes before I even had an idea.”\u003c/p>\n\u003cp>It was also Cabrillo’s idea to add a visual component to Frank’s piece. \u003cem>Contested Eden\u003c/em> will be accompanied by a pre-recorded dance, choreographed by Molly Katzman, performed on the blackened terrain left by the 2020 wildfires in the Santa Cruz mountains. \u003c/p>\n\u003cp>Frank wanted to express, through music, how the threat of fires has come to rule her and her neighbors’ lives. “Every year, my husband and I … we’re in fire preparation mode 24 hours a day, seven days a week,” Frank says. “We’ve been cutting down trees, we installed about 40,000 gallons of water and tanks, we ripped off the cedar shingles on our main house, put on stucco. That cost me like two symphonies.” \u003c/p>\n\u003cp>\u003cem>Contested Eden\u003c/em> is about the fragility of life during the climate crisis; Frank calls it a secular elegy, split into two movements. “The first movement is essentially a prayer, and it goes super intimate. It can be played with a string quartet, just four players.“\u003c/p>\n\u003cp>The second movement, titled “in extremis,” brings in the full orchestra. “It builds up this big orchestral swell. And then it breaks, and as it breaks apart, you’re left with this one singing violin line up at the top. Then, over the next six minutes, it takes its time to wind its way down this one melodic arch before I pass it to the violas, to the cellos, to the basses. During this whole time, all these random bits of music are thrown up against it.”\u003c/p>\n\u003cp>The passage represents the psychological wounds of contingent living, where even “the smallest human error, like a flat tire, can set off the biggest fire ever in Mendocino County.” Some of those random bits of music are quotations from Frank’s previous works, snippets of melody taken out of context, like charred pages from a book landing in a backyard, miles away. \u003c/p>\n\u003cp>“It’s not even necessarily beautiful to listen to,” Frank says. “But that’s life in extremis. You’re just trying to keep going, and bits of you are coming out that don’t make sense.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Contested Eden’ premieres Saturday, July 31, as part of the Cabrillo Festival of Contemporary Music’s virtual festival. Tickets are free to the public. \u003ca href=\"https://cabrillomusic.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Composer Gabriela Lena Frank thinks of the climate crisis in terms of butterflies and worms.\u003c/p>\n\u003cp>“Growing up in Berkeley, I remember putting my hands in the dirt in the garden that we had and insects would come out,” Frank says in a Zoom call. “That’s not just my imagination. Science says 60 percent of our insect life, and our bird population, is down. I remember going back and looking at old photo albums, my mom taking photos of me in the garden, and there were butterflies all around and it was just—it was different.”\u003c/p>\n\u003cp>Frank is an accomplished composer and educator in high demand. Her works have been performed by the Kronos Quartet and Yo-Yo Ma’s Silk Road Ensemble, and her festival appearances are booked years in advance—she has a waiting list that reaches into 2026. \u003c/p>\n\u003cp>Frank is best known for imaginative fusions of Peruvian sounds with Western instruments in pieces like \u003cem>Ritmos Anchinos\u003c/em> and \u003cem>Leyendas: An Andean Walkabout\u003c/em>, multicultural collisions that express her own mixed heritage. Even as she kept busy with regular trips to Peru for anthropological work and running her own music education non-profit, she couldn’t shake her memories of butterfly-filled gardens. She couldn’t ignore that the land around her farm-slash-academy outside of Boonville, in Mendocino County, was changing before her eyes. \u003c/p>\n\u003cp>“I’m going to say 2018 is when I really woke up, when Paradise burned a couple hours from us, a county over,” says Frank. “I had musicians here at my academy, and we were literally breathing in its demise. It was just inescapable.” \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>She became, in her words, “intimate with grief.” Now she’s channeling that grief into her elegy for the climate crisis, \u003cem>Contested Eden\u003c/em>, which premieres in an online stream on Saturday, July 31, to open this year’s all-virtual Cabrillo Festival of Contemporary Music. \u003c/p>\n\u003cfigure id=\"attachment_13900423\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/07/CabrilloFest-Contested-Eden-Dance-credit-Crystal-Birns-013-800x533.jpg\" alt=\"Dancers kick up ash and dust among burned trees in the mountains\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13900423\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/07/CabrilloFest-Contested-Eden-Dance-credit-Crystal-Birns-013-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/07/CabrilloFest-Contested-Eden-Dance-credit-Crystal-Birns-013-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/07/CabrilloFest-Contested-Eden-Dance-credit-Crystal-Birns-013-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/07/CabrilloFest-Contested-Eden-Dance-credit-Crystal-Birns-013-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/07/CabrilloFest-Contested-Eden-Dance-credit-Crystal-Birns-013-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/07/CabrilloFest-Contested-Eden-Dance-credit-Crystal-Birns-013.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dancers choreographed by Molly Katzman perform as part of the streamed premiere of ‘Contested Eden.’ \u003ccite>(Crystal Birns)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Cabrillo, after going through \u003ca href=\"https://www.kqed.org/news/11835949/most-beautiful-place-on-earth-the-citizen-firefighters-who-stayed-behind-to-save-their-santa-cruz-mountain-paradise\" rel=\"noopener noreferrer\" target=\"_blank\">their own difficult troubles with fires\u003c/a>, came to me a few months ago and asked, ‘Would you be open to doing something about the California fires?’” Frank recalls. ”They caught me by surprise, and I instantly just busted out crying. I lost my professional demeanor. I said yes before I even had an idea.”\u003c/p>\n\u003cp>It was also Cabrillo’s idea to add a visual component to Frank’s piece. \u003cem>Contested Eden\u003c/em> will be accompanied by a pre-recorded dance, choreographed by Molly Katzman, performed on the blackened terrain left by the 2020 wildfires in the Santa Cruz mountains. \u003c/p>\n\u003cp>Frank wanted to express, through music, how the threat of fires has come to rule her and her neighbors’ lives. “Every year, my husband and I … we’re in fire preparation mode 24 hours a day, seven days a week,” Frank says. “We’ve been cutting down trees, we installed about 40,000 gallons of water and tanks, we ripped off the cedar shingles on our main house, put on stucco. That cost me like two symphonies.” \u003c/p>\n\u003cp>\u003cem>Contested Eden\u003c/em> is about the fragility of life during the climate crisis; Frank calls it a secular elegy, split into two movements. “The first movement is essentially a prayer, and it goes super intimate. It can be played with a string quartet, just four players.“\u003c/p>\n\u003cp>The second movement, titled “in extremis,” brings in the full orchestra. “It builds up this big orchestral swell. And then it breaks, and as it breaks apart, you’re left with this one singing violin line up at the top. Then, over the next six minutes, it takes its time to wind its way down this one melodic arch before I pass it to the violas, to the cellos, to the basses. During this whole time, all these random bits of music are thrown up against it.”\u003c/p>\n\u003cp>The passage represents the psychological wounds of contingent living, where even “the smallest human error, like a flat tire, can set off the biggest fire ever in Mendocino County.” Some of those random bits of music are quotations from Frank’s previous works, snippets of melody taken out of context, like charred pages from a book landing in a backyard, miles away. \u003c/p>\n\u003cp>“It’s not even necessarily beautiful to listen to,” Frank says. “But that’s life in extremis. You’re just trying to keep going, and bits of you are coming out that don’t make sense.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Contested Eden’ premieres Saturday, July 31, as part of the Cabrillo Festival of Contemporary Music’s virtual festival. Tickets are free to the public. \u003ca href=\"https://cabrillomusic.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The lineup for the Stern Grove Festival has been announced for 2021. After a year off, the summertime series will feature free outdoor concerts by Thundercat, Perfume Genius, Tower of Power with Too Short, Thievery Corporation, Ledisi, St. Paul and the Broken Bones, Joan Jett, X, Fitz and the Tantrums, and the San Francisco Symphony as headliners. \u003c/p>\n\u003cp>One big change this year: while concerts at Stern Grove will still be free, attendees must \u003ca href=\"https://www.sterngrove.org/\" rel=\"noopener noreferrer\" target=\"_blank\">register in advance\u003c/a> to reserve their spot. Reservations for the June 20 concert with Ledisi open today, June 8, at 2pm; other reservation openings will follow, twelve days before their respective concerts. \u003c/p>\n\u003cp>As should become apparent when audiences in the idyllic meadow \u003ca href=\"https://youtu.be/UBOjtlaRUpc?t=33\" rel=\"noopener noreferrer\" target=\"_blank\">shout Too Short’s favorite word\u003c/a>, this lineup is perhaps the festival’s most stylistically diverse yet. “We’re even going to push a few more boundaries than we usually do,” said Executive Director Bob Fiedler in a statement. “Whether it’s punk rock, hip-hop, crossover jazz, or the good old Symphony on the Fourth of July, we hope that everyone can find something they love in this year’s lineup.”\u003c/p>\n\u003cp>As for local artists, they’re well-represented in the opening slots by the likes of La Doña, DJ Shortkut, Honey Mahogany, the Avengers and others. \u003c/p>\n\u003cp>Other changes for 2021? Concerts at Stern Grove will be available to stream live on Stern Grove’s website, and \u003ca href=\"https://www.sterngrove.org/covid\" rel=\"noopener noreferrer\" target=\"_blank\">additional protocols for COVID safety\u003c/a> will be enacted. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The full lineup is below. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>June 20: Ledisi, The Seshen, La Doña, LadyRyan\u003cbr>\nJune 27: Perfume Genius, Madame Gandhi, Honey Mahogany, LadyRyan\u003cbr>\nJuly 4: San Francisco Symphony\u003cbr>\nJuly 11: Thievery Corporation, Dessa, DJ Shortkut\u003cbr>\nJuly 18: St. Paul & The Broken Bones, The Dip, DJ Omar\u003cbr>\nJuly 25: X, The Avengers, DJ Omar\u003cbr>\nAugust 1: Joan Jett & the Blackhearts\u003cbr>\nAugust 8: Thundercat, Cassowary, DJ Shortkut\u003cbr>\nAugust 15: Fitz & The Tantrums, Devon Gilfillian, DJ Omar\u003cbr>\nAugust 29: The Big Picnic featuring Tower of Power, Too $hort, DJ Shortkut\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The lineup for the Stern Grove Festival has been announced for 2021. After a year off, the summertime series will feature free outdoor concerts by Thundercat, Perfume Genius, Tower of Power with Too Short, Thievery Corporation, Ledisi, St. Paul and the Broken Bones, Joan Jett, X, Fitz and the Tantrums, and the San Francisco Symphony as headliners. \u003c/p>\n\u003cp>One big change this year: while concerts at Stern Grove will still be free, attendees must \u003ca href=\"https://www.sterngrove.org/\" rel=\"noopener noreferrer\" target=\"_blank\">register in advance\u003c/a> to reserve their spot. Reservations for the June 20 concert with Ledisi open today, June 8, at 2pm; other reservation openings will follow, twelve days before their respective concerts. \u003c/p>\n\u003cp>As should become apparent when audiences in the idyllic meadow \u003ca href=\"https://youtu.be/UBOjtlaRUpc?t=33\" rel=\"noopener noreferrer\" target=\"_blank\">shout Too Short’s favorite word\u003c/a>, this lineup is perhaps the festival’s most stylistically diverse yet. “We’re even going to push a few more boundaries than we usually do,” said Executive Director Bob Fiedler in a statement. “Whether it’s punk rock, hip-hop, crossover jazz, or the good old Symphony on the Fourth of July, we hope that everyone can find something they love in this year’s lineup.”\u003c/p>\n\u003cp>As for local artists, they’re well-represented in the opening slots by the likes of La Doña, DJ Shortkut, Honey Mahogany, the Avengers and others. \u003c/p>\n\u003cp>Other changes for 2021? Concerts at Stern Grove will be available to stream live on Stern Grove’s website, and \u003ca href=\"https://www.sterngrove.org/covid\" rel=\"noopener noreferrer\" target=\"_blank\">additional protocols for COVID safety\u003c/a> will be enacted. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cspan style=\"font-weight: 400\">This June 24–27, \u003ca href=\"https://www.oaklandblackpride.org/pride-2021\" target=\"_blank\" rel=\"noopener noreferrer\">Oakland Black Pride\u003c/a> will be holding the inaugural Inside/OUT! Black Pride Celebration, a four-day series of events including virtual workshops and limited-capacity in-person events at various Oakland businesses. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Honoring the legacies of Marsha P. Johnson and Sylvia Rivera, two trans women of color who shaped the early gay rights movement, Inside/OUT! is a Black-led Pride Month event that celebrates the contributions of Black members of the LGBTQ+ community. The celebration will include a kickball tournament; a \u003ca href=\"https://www.eventbrite.com/e/queer-expo-tickets-156458229777\" target=\"_blank\" rel=\"noopener noreferrer\">Queer Expo\u003c/a> at The Loom with over 50 primarily LGBTQ+ and BIPOC vendors and nonprofits; a \u003ca href=\"https://www.eventbrite.com/e/insideout-pride-2021-skate-for-pride-fundraiser-hosted-by-durand-bernarr-tickets-154894749365\" target=\"_blank\" rel=\"noopener noreferrer\">Skate for Pride\u003c/a> roller skating party hosted by Grammy award-winning musician Durand Bernarr; a Queer Pub Crawl at select Oakland bars and restaurants including Oeste, Sobre Mesa, Kingston 11 and more. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The four-day series will culminate in a \u003ca href=\"https://www.eventbrite.com/e/slayers-ball-tickets-156459742301\" target=\"_blank\" rel=\"noopener noreferrer\">Slayer’s Ball\u003c/a> grand finale at the Bridge Yard by the waterfront, with music by Soulovely DJs, Nina Sol and Astu. There will also be a series of panels and workshops focused on advancing the health and financial stability of Oakland’s queer community, featuring an inclusive economics panel for Black and Indigenous-led LGBTQ businesses, a daily fitness and nutrition class hosted by Brown & Healthy and more. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Oakland Black Pride is an Oakland-based nonprofit organization that was founded to support Black members of the LGBTQ+ community in low- and middle-income income areas of Oakland and the regional Bay Area. “At Oakland Black Pride, we take great joy and responsibility in mobilizing to create pathways for queer Black people to express themselves freely, live healthy lives and have equal opportunities for professional advancement,” said executive director Olaywa K. Austin. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">General admission to most events are free to the public, but registration is required. You can view the full schedule forInside/OUT! \u003c/span>\u003ca href=\"https://www.oaklandblackpride.org/pride-2021\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">here\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">This June 24–27, \u003ca href=\"https://www.oaklandblackpride.org/pride-2021\" target=\"_blank\" rel=\"noopener noreferrer\">Oakland Black Pride\u003c/a> will be holding the inaugural Inside/OUT! Black Pride Celebration, a four-day series of events including virtual workshops and limited-capacity in-person events at various Oakland businesses. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Honoring the legacies of Marsha P. Johnson and Sylvia Rivera, two trans women of color who shaped the early gay rights movement, Inside/OUT! is a Black-led Pride Month event that celebrates the contributions of Black members of the LGBTQ+ community. The celebration will include a kickball tournament; a \u003ca href=\"https://www.eventbrite.com/e/queer-expo-tickets-156458229777\" target=\"_blank\" rel=\"noopener noreferrer\">Queer Expo\u003c/a> at The Loom with over 50 primarily LGBTQ+ and BIPOC vendors and nonprofits; a \u003ca href=\"https://www.eventbrite.com/e/insideout-pride-2021-skate-for-pride-fundraiser-hosted-by-durand-bernarr-tickets-154894749365\" target=\"_blank\" rel=\"noopener noreferrer\">Skate for Pride\u003c/a> roller skating party hosted by Grammy award-winning musician Durand Bernarr; a Queer Pub Crawl at select Oakland bars and restaurants including Oeste, Sobre Mesa, Kingston 11 and more. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The four-day series will culminate in a \u003ca href=\"https://www.eventbrite.com/e/slayers-ball-tickets-156459742301\" target=\"_blank\" rel=\"noopener noreferrer\">Slayer’s Ball\u003c/a> grand finale at the Bridge Yard by the waterfront, with music by Soulovely DJs, Nina Sol and Astu. There will also be a series of panels and workshops focused on advancing the health and financial stability of Oakland’s queer community, featuring an inclusive economics panel for Black and Indigenous-led LGBTQ businesses, a daily fitness and nutrition class hosted by Brown & Healthy and more. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Oakland Black Pride is an Oakland-based nonprofit organization that was founded to support Black members of the LGBTQ+ community in low- and middle-income income areas of Oakland and the regional Bay Area. “At Oakland Black Pride, we take great joy and responsibility in mobilizing to create pathways for queer Black people to express themselves freely, live healthy lives and have equal opportunities for professional advancement,” said executive director Olaywa K. Austin. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">General admission to most events are free to the public, but registration is required. You can view the full schedule forInside/OUT! \u003c/span>\u003ca href=\"https://www.oaklandblackpride.org/pride-2021\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">here\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "BottleRock Lineup: Stevie Nicks, Guns N' Roses, Megan Thee Stallion, Miley Cyrus, More for 2021",
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"content": "\u003cp>The BottleRock lineup for 2021 includes Guns N’ Roses, Stevie Nicks, Foo Fighters, Miley Cyrus, Megan Thee Stallion, G-Eazy, Run The Jewels and more performing across three days in Napa.\u003c/p>\n\u003cp>Like most music festivals last year, BottleRock had been postponed multiple times due to the pandemic. Certain high-profile acts who had been slated to play the 2020 festival, such as Dave Matthews Band, Red Hot Chili Peppers and Anderson .Paak, are not part of the 2021 lineup. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/05/Bottlerocklineup2021-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\" class=\"aligncenter size-medium wp-image-13897234\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Bottlerocklineup2021-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Bottlerocklineup2021-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Bottlerocklineup2021-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Bottlerocklineup2021-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Bottlerocklineup2021-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Bottlerocklineup2021-2048x2048.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Bottlerocklineup2021-1920x1920.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Unlike \u003ca href=\"https://twitter.com/supermarke/status/1393371484660244482\" rel=\"noopener noreferrer\" target=\"_blank\">many other festival lineups\u003c/a> announced in 2021, BottleRock’s slate includes several prominent women performing in headlining and top slots, such as Stevie Nicks, Megan Thee Stallion, Miley Cyrus, Maren Morris, Brandi Carlile, Jessie Reyez and others. \u003c/p>\n\u003cp>Three-day tickets for the Napa festival, rescheduled for Sept. 3–5, 2021 from its usual May dates, start at $369. Tickets can be \u003ca href=\"https://bottlerocknapavalley.lyte.com/111531/\" rel=\"noopener noreferrer\" target=\"_blank\">requested now\u003c/a>, with an automated system that informs buyers when they become available. Ticket holders for the 2020 festival may either use them for this year’s event or request a refund. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Festival organizers have indicated that for safety purposes, COVID-19 protocols and guidelines—however they may stand come September—will be followed.\u003c/p>\n\u003cp>More details are on \u003ca href=\"https://www.bottlerocknapavalley.com/\" rel=\"noopener noreferrer\" target=\"_blank\">BottleRock’s site\u003c/a>. Full lineup below. \u003c/p>\n\u003cp>\u003cstrong>BottleRock 2021 Lineup \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Guns N’ Roses, Stevie Nicks, Foo Fighters, Miley Cyrus, Megan Thee Stallion, G-Eazy, Run The Jewels, Brandi Carlile, Cage The Elephant, Portugal. The Man, Young the Giant, Maren Morris, Black Pumas, Future Islands, James Murphy (DJ Set), Jimmy Eat World, FINNEAS, Polo G, Jack Harlow, Milky Chance, Jessie Reyez, Dominic Fike, Chromeo, Walk Off The Earth, Olivia O’Brien, MAX, Mavis Staples, Jon Batiste, Digable Planets, Kota the Friend, MOD SUN, Turkuaz w/Jerry Harrison & Adrian Belew: Remain in Light, Village People, Gracie Abrams, Matt Nathanson, Watchhouse, Hobo Johnson & The LoveMakers, Lawrence, Hamilton Leithauser, Absofacto, Joywave, Big Freedia, MUNA, Atlas Genius, White Reaper, Mondo Cozmo, Ripe, Meg Myers, North Mississippi Allstars, Spafford, DeVotchKa, BabyJake, Donna Missal, Reignwolf, JJ Wilde, 99 Neighbors, Smith & Thell, Full Moonalice, Suki Waterhouse, DJ Z-Trip (Silent Disco), Black Joe Lewis & The Honeybears, The Last Bandoleros, Valley, Six60, In the Valley Below, Oliver Riot, The Alive, Crimson Apple, HOKO, Molly Moore, Chris Pierce, Pacific Radio, Buffalo Gospel, S8NT ELEKTRIC, Peter Harper, Lily Meola, Sam Johnson, OTTTO, Grass Child, Obsidian Son, The Silverado Pickups and Napa Valley Youth Symphony.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The BottleRock lineup for 2021 includes Guns N’ Roses, Stevie Nicks, Foo Fighters, Miley Cyrus, Megan Thee Stallion, G-Eazy, Run The Jewels and more performing across three days in Napa.\u003c/p>\n\u003cp>Like most music festivals last year, BottleRock had been postponed multiple times due to the pandemic. Certain high-profile acts who had been slated to play the 2020 festival, such as Dave Matthews Band, Red Hot Chili Peppers and Anderson .Paak, are not part of the 2021 lineup. \u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/05/Bottlerocklineup2021-800x800.jpg\" alt=\"\" width=\"800\" height=\"800\" class=\"aligncenter size-medium wp-image-13897234\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Bottlerocklineup2021-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Bottlerocklineup2021-1020x1020.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Bottlerocklineup2021-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Bottlerocklineup2021-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Bottlerocklineup2021-1536x1536.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Bottlerocklineup2021-2048x2048.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/05/Bottlerocklineup2021-1920x1920.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Unlike \u003ca href=\"https://twitter.com/supermarke/status/1393371484660244482\" rel=\"noopener noreferrer\" target=\"_blank\">many other festival lineups\u003c/a> announced in 2021, BottleRock’s slate includes several prominent women performing in headlining and top slots, such as Stevie Nicks, Megan Thee Stallion, Miley Cyrus, Maren Morris, Brandi Carlile, Jessie Reyez and others. \u003c/p>\n\u003cp>Three-day tickets for the Napa festival, rescheduled for Sept. 3–5, 2021 from its usual May dates, start at $369. Tickets can be \u003ca href=\"https://bottlerocknapavalley.lyte.com/111531/\" rel=\"noopener noreferrer\" target=\"_blank\">requested now\u003c/a>, with an automated system that informs buyers when they become available. Ticket holders for the 2020 festival may either use them for this year’s event or request a refund. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Festival organizers have indicated that for safety purposes, COVID-19 protocols and guidelines—however they may stand come September—will be followed.\u003c/p>\n\u003cp>More details are on \u003ca href=\"https://www.bottlerocknapavalley.com/\" rel=\"noopener noreferrer\" target=\"_blank\">BottleRock’s site\u003c/a>. Full lineup below. \u003c/p>\n\u003cp>\u003cstrong>BottleRock 2021 Lineup \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Guns N’ Roses, Stevie Nicks, Foo Fighters, Miley Cyrus, Megan Thee Stallion, G-Eazy, Run The Jewels, Brandi Carlile, Cage The Elephant, Portugal. The Man, Young the Giant, Maren Morris, Black Pumas, Future Islands, James Murphy (DJ Set), Jimmy Eat World, FINNEAS, Polo G, Jack Harlow, Milky Chance, Jessie Reyez, Dominic Fike, Chromeo, Walk Off The Earth, Olivia O’Brien, MAX, Mavis Staples, Jon Batiste, Digable Planets, Kota the Friend, MOD SUN, Turkuaz w/Jerry Harrison & Adrian Belew: Remain in Light, Village People, Gracie Abrams, Matt Nathanson, Watchhouse, Hobo Johnson & The LoveMakers, Lawrence, Hamilton Leithauser, Absofacto, Joywave, Big Freedia, MUNA, Atlas Genius, White Reaper, Mondo Cozmo, Ripe, Meg Myers, North Mississippi Allstars, Spafford, DeVotchKa, BabyJake, Donna Missal, Reignwolf, JJ Wilde, 99 Neighbors, Smith & Thell, Full Moonalice, Suki Waterhouse, DJ Z-Trip (Silent Disco), Black Joe Lewis & The Honeybears, The Last Bandoleros, Valley, Six60, In the Valley Below, Oliver Riot, The Alive, Crimson Apple, HOKO, Molly Moore, Chris Pierce, Pacific Radio, Buffalo Gospel, S8NT ELEKTRIC, Peter Harper, Lily Meola, Sam Johnson, OTTTO, Grass Child, Obsidian Son, The Silverado Pickups and Napa Valley Youth Symphony.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Burger Boogaloo to Return as Mosswood Meltdown in 2022; Bikini Kill Headline",
"headTitle": "Burger Boogaloo to Return as Mosswood Meltdown in 2022; Bikini Kill Headline | KQED",
"content": "\u003cp>As the live music scene comes back to life in the Bay Area, rock festival \u003ca href=\"https://www.eventbrite.com/e/mosswood-meltdown-tickets-65083832495\" target=\"_blank\" rel=\"noopener noreferrer\">Mosswood Meltdown\u003c/a> has announced a return in Oakland in July 2022 with Bikini Kill as headliners.\u003c/p>\n\u003cp>[aside postid='arts_13883674']The legendary riot grrrl band \u003ca href=\"https://www.kqed.org/arts/13855938/watch-bikini-kills-first-reunion-show-in-l-a\" target=\"_blank\" rel=\"noopener noreferrer\">reunited\u003c/a> in 2019 after a 22-year break, prompting happy tears from fans who grew up on their proudly feminist punk rock in the ’90s. Oakland’s own Shannon Shaw joins Bikini Kill on the bill with her blend of punk, soul and country, and multi-hyphenate author, dancer and musician Brontez Purnell will perform as well.\u003c/p>\n\u003cp>[UPDATE, Feb. 16: Kim Gordon, the Linda Lindas and more have been added to the festival. Full lineup below.]\u003c/p>\n\u003cp>This edition marks the festival’s first year since 2019; while on hiatus due to the pandemic in 2020, organizers changed its name from Burger Boogaloo after \u003ca href=\"https://www.kqed.org/arts/13883674/burger-boogaloo-festival-cuts-ties-with-record-label-after-sex-abuse-allegations\" target=\"_blank\" rel=\"noopener noreferrer\">cutting ties\u003c/a> with Burger Records. The change was part of the fallout surrounding the Southern California music label after numerous women, including some prominent artists, accused its musicians of grooming and sexual abuse.\u003c/p>\n\u003cp>Shortly afterward, Burger Records attempted to rebrand by hiring a woman as its interim president and announcing an all-female imprint called BRGRRRL. But the move didn’t go over well with its detractors, and the label disbanded last summer. Meanwhile, Total Trash Productions, the producer of the festival, denounced the label and clarified that it was only affiliated with the event in name.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside postid='arts_13897650']In its announcement of Mosswood Meltdown, Total Trash Productions issued a statement acknowledging this fraught history. “While Total Trash Productions has always independently produced the festival and Burger Records only played a promotional role, we do not want to discount the problems of safety and inclusion that have plagued the music scene for far too long,” they wrote. “Instead, we would like to be part of the solution. We are committed to becoming a leader in event safety and are working to expand our policies beyond the accepted standards.”\u003c/p>\n\u003cp>Organizers said their safety plan will be announced in the coming months, and in the meantime they’re soliciting community feedback at safety@totaltrashproductions.com.\u003c/p>\n\u003cp>The full daily lineup:\u003c/p>\n\u003cp>\u003cstrong>July 2\u003c/strong>\u003cbr>\nKim Gordon, The Dirtbombs, Shannon Shaw, Bleached, Flipper, Twompsax, Carbonas, SNõõPER, Rubinoos\u003c/p>\n\u003cp>\u003cstrong>July 3\u003c/strong>\u003cbr>\nBikini Kill, Hunx and His Punx, Pansy Division, The Linda Lindas, The Fevers, Podium, Brontez Purnell, Fatty Cakes and the Puff Pastries\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Mosswood Meltdown takes place July 2–3, 2022, in Mosswood Park with John Waters as host. \u003ca href=\"https://www.eventbrite.com/e/mosswood-meltdown-tickets-65083832495\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As the live music scene comes back to life in the Bay Area, rock festival \u003ca href=\"https://www.eventbrite.com/e/mosswood-meltdown-tickets-65083832495\" target=\"_blank\" rel=\"noopener noreferrer\">Mosswood Meltdown\u003c/a> has announced a return in Oakland in July 2022 with Bikini Kill as headliners.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The legendary riot grrrl band \u003ca href=\"https://www.kqed.org/arts/13855938/watch-bikini-kills-first-reunion-show-in-l-a\" target=\"_blank\" rel=\"noopener noreferrer\">reunited\u003c/a> in 2019 after a 22-year break, prompting happy tears from fans who grew up on their proudly feminist punk rock in the ’90s. Oakland’s own Shannon Shaw joins Bikini Kill on the bill with her blend of punk, soul and country, and multi-hyphenate author, dancer and musician Brontez Purnell will perform as well.\u003c/p>\n\u003cp>[UPDATE, Feb. 16: Kim Gordon, the Linda Lindas and more have been added to the festival. Full lineup below.]\u003c/p>\n\u003cp>This edition marks the festival’s first year since 2019; while on hiatus due to the pandemic in 2020, organizers changed its name from Burger Boogaloo after \u003ca href=\"https://www.kqed.org/arts/13883674/burger-boogaloo-festival-cuts-ties-with-record-label-after-sex-abuse-allegations\" target=\"_blank\" rel=\"noopener noreferrer\">cutting ties\u003c/a> with Burger Records. The change was part of the fallout surrounding the Southern California music label after numerous women, including some prominent artists, accused its musicians of grooming and sexual abuse.\u003c/p>\n\u003cp>Shortly afterward, Burger Records attempted to rebrand by hiring a woman as its interim president and announcing an all-female imprint called BRGRRRL. But the move didn’t go over well with its detractors, and the label disbanded last summer. Meanwhile, Total Trash Productions, the producer of the festival, denounced the label and clarified that it was only affiliated with the event in name.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>In its announcement of Mosswood Meltdown, Total Trash Productions issued a statement acknowledging this fraught history. “While Total Trash Productions has always independently produced the festival and Burger Records only played a promotional role, we do not want to discount the problems of safety and inclusion that have plagued the music scene for far too long,” they wrote. “Instead, we would like to be part of the solution. We are committed to becoming a leader in event safety and are working to expand our policies beyond the accepted standards.”\u003c/p>\n\u003cp>Organizers said their safety plan will be announced in the coming months, and in the meantime they’re soliciting community feedback at safety@totaltrashproductions.com.\u003c/p>\n\u003cp>The full daily lineup:\u003c/p>\n\u003cp>\u003cstrong>July 2\u003c/strong>\u003cbr>\nKim Gordon, The Dirtbombs, Shannon Shaw, Bleached, Flipper, Twompsax, Carbonas, SNõõPER, Rubinoos\u003c/p>\n\u003cp>\u003cstrong>July 3\u003c/strong>\u003cbr>\nBikini Kill, Hunx and His Punx, Pansy Division, The Linda Lindas, The Fevers, Podium, Brontez Purnell, Fatty Cakes and the Puff Pastries\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Mosswood Meltdown takes place July 2–3, 2022, in Mosswood Park with John Waters as host. \u003ca href=\"https://www.eventbrite.com/e/mosswood-meltdown-tickets-65083832495\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Hundreds of Fyre Festival Ticket Holders Poised to Win Payout in Class-Action Suit",
"headTitle": "Hundreds of Fyre Festival Ticket Holders Poised to Win Payout in Class-Action Suit | KQED",
"content": "\u003cp>Attendees of the \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/04/28/526019457/paradise-lost-luxury-music-festival-turns-out-to-be-half-built-scene-of-chaos\" target=\"_blank\" rel=\"noopener noreferrer\">infamous Fyre Festival\u003c/a> didn’t exactly get what they paid for in 2017, when they arrived in the Bahamas for a luxury music festival only to find themselves stranded without basic provisions, let alone first-class accommodations.\u003c/p>\n\u003cp>Some four years later, hundreds of ticket holders are poised to receive more than $7,000 each after settling a class-action lawsuit with event organizers.\u003c/p>\n\u003cp>The settlement was reached Tuesday in U.S. Bankruptcy Court in the Southern District of New York, court documents show, with an early May deadline to object. The plaintiff is named as Gregory Messer, the Chapter 7 trustee of the estate of Fyre Festival LLC.\u003c/p>\n\u003cp>[aside postid='pop_108743'] It adds up to $2 million, and was announced as part of the festival’s ongoing bankruptcy proceedings. As it stands, the \u003ca href=\"https://www.nytimes.com/2021/04/15/arts/music/fyre-festival-settlement.html\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>New York Times\u003c/em>\u003c/a> reports, 277 ticket holders will each receive a payout of $7,220, with an approval hearing scheduled for May 13. (The exact amount of the payout may change depending on how ongoing bankruptcy proceedings progress.)\u003c/p>\n\u003cp>“Billy [McFarland] went to jail, ticket holders can get some money back, and some very entertaining documentaries were made,” Ben Meiselas, a partner at California-based Geragos & Geragos who represented the ticket holders, told \u003cem>the Times\u003c/em>. “Now that’s justice.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7_omekVr9fE\u003c/p>\n\u003cp>Indeed, the 2017 festival-that-wasn’t has left a trail of lawsuits, criminal charges and \u003ca href=\"https://www.npr.org/2019/01/18/686262708/fighting-fyre-with-fyre-fraud-two-documentaries-about-the-same-disaster\" target=\"_blank\" rel=\"noopener noreferrer\">dramatic documentaries\u003c/a> in its wake.\u003c/p>\n\u003cp>McFarland, who organized and promoted the event, \u003ca href=\"https://www.npr.org/sections/thetwo-way/2018/03/06/591366152/fyre-festival-promoter-billy-mcfarland-pleads-guilty-to-fraud\" target=\"_blank\" rel=\"noopener noreferrer\">pled guilty\u003c/a> in 2018 to two counts of wire fraud related to the festival. He was \u003ca href=\"https://www.justice.gov/usao-sdny/pr/william-mcfarland-sentenced-6-years-prison-manhattan-federal-court-engaging-multiple\" target=\"_blank\" rel=\"noopener noreferrer\">sentenced\u003c/a> to six years in prison and three on probation for engaging in what prosecutors described as “multiple fraudulent schemes” and making false statements to law enforcement.\u003c/p>\n\u003cp>McFarland and his company, Fyre Media, have faced some \u003ca href=\"https://www.npr.org/sections/thetwo-way/2018/03/06/591366152/fyre-festival-promoter-billy-mcfarland-pleads-guilty-to-fraud\" target=\"_blank\" rel=\"noopener noreferrer\">dozen\u003c/a> lawsuits in the festival’s aftermath. As NPR \u003ca href=\"https://www.npr.org/2018/07/24/631945121/sec-settles-fraud-charges-against-fyre-festival-founder\" target=\"_blank\" rel=\"noopener noreferrer\">reported\u003c/a> in 2018:\u003c/p>\n\u003cblockquote>\u003cp>McFarland had hawked a “life-changing,” paradisiacal music festival for well-heeled patrons intended to take place in the Bahamas in late April and early May 2017. Instead, the festival—which carried ticket prices of up to $12,000 apiece—collapsed in chaos, launching a parade of \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/04/28/526019457/paradise-lost-luxury-music-festival-turns-out-to-be-half-built-scene-of-chaos\" target=\"_blank\" rel=\"noopener noreferrer\">#dumpsterfyre\u003c/a> jokes and scads of schadenfreudic social media commentary, as hopeful festival-goers and vendors alike realized that they had been bilked.\u003c/p>\u003c/blockquote>\n\u003cp>Organizers offered an \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/05/01/526392280/fyre-festival-hit-with-100-million-suit-organizer-says-we-were-a-little-naive\" target=\"_blank\" rel=\"noopener noreferrer\">apology\u003c/a> in the immediate wake of the event, admitting it “fell dramatically short of even the most modest expectations” and providing a form attendees could fill out to apply for a refund.\u003c/p>\n\u003cp>But for many, a refund was not enough.\u003c/p>\n\u003cp>The original class-action suit was \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/05/01/526392280/fyre-festival-hit-with-100-million-suit-organizer-says-we-were-a-little-naive\" target=\"_blank\" rel=\"noopener noreferrer\">filed in April 2017\u003c/a> against Fyre Media, McFarland and rapper Ja Rule, who was advertised as the festival’s co-founder, and sought $100 million in damages. The plaintiff is named as Daniel Jung, acting individually and as a representative of “a class of similarly-situated persons.”\u003c/p>\n\u003cp>The 21-page \u003ca href=\"https://www.documentcloud.org/documents/3688226-Fyre-Fest-Lawsuit.html\" target=\"_blank\" rel=\"noopener noreferrer\">complaint\u003c/a> said refunds were inadequate, writing, “Class Members’ damages in being lured to a deserted island and left to fend for themselves—a situation tantamount to false imprisonment—exceed the face value of their ticket packages by many orders of magnitude.”\u003c/p>\n\u003cp>It accuses organizers of knowingly lying about the festival’s accommodations and safety, reaching out to celebrities and performers to discourage them from coming while continuing to sell ticket packages, which started at $1,200.\u003c/p>\n\u003cp>The festival was promoted—including by many \u003ca href=\"https://www.reuters.com/article/bankruptcy-jenner/in-brief-kendall-jenner-to-pay-90000-in-fyre-festival-settlement-idUSL1N2D300N\">social media influencers\u003c/a>—as a posh musical festival on a private island once owned by drug kingpin Pablo Escobar, complete with luxurious accommodations and first-class culinary experiences.\u003c/p>\n\u003cp>Instead, attendees arrived to find unsecured FEMA tents, \u003ca href=\"https://twitter.com/trev4president/status/857776562615308288?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">widely panned\u003c/a> food rations and no festival or medical staff to offer assistance. The island was neither private nor formerly owned by Escobar, attorneys noted.\u003c/p>\n\u003cp>[aside postid='arts_13148571'] “The festival’s lack of adequate food, water, shelter and medical care created a dangerous and panicked situation among attendees—suddenly finding themselves stranded on a remote island without basic provisions—that was closer to \u003cem>The Hunger Games\u003c/em> or \u003cem>Lord of the Flies\u003c/em> than Coachella,” they wrote, adding that efforts to escape were hampered by attendees’ reliance on organizers for transportation and the fact that the event had been billed as “cashless.”\u003c/p>\n\u003cp>Several other lawsuits involving the failed festival have been settled already.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In 2018, a North Carolina judge awarded \u003ca href=\"https://www.npr.org/2018/07/24/631945121/sec-settles-fraud-charges-against-fyre-festival-founder\" target=\"_blank\" rel=\"noopener noreferrer\">$5 million in damages\u003c/a> to two attendees who had sued McFarland; Ja Rule was initially named in that suit but was removed from the claim after settling with the two. And last May, \u003ca href=\"https://www.reuters.com/article/bankruptcy-jenner/in-brief-kendall-jenner-to-pay-90000-in-fyre-festival-settlement-idUSL1N2D300N\" target=\"_blank\" rel=\"noopener noreferrer\">Kendall Jenner\u003c/a> agreed to pay $90,000 for promoting the festival in a social media post.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Hundreds+Of+Fyre+Festival+Ticket+Holders+Poised+To+Win+Payout+In+Class-Action+Suit+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Attendees of the \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/04/28/526019457/paradise-lost-luxury-music-festival-turns-out-to-be-half-built-scene-of-chaos\" target=\"_blank\" rel=\"noopener noreferrer\">infamous Fyre Festival\u003c/a> didn’t exactly get what they paid for in 2017, when they arrived in the Bahamas for a luxury music festival only to find themselves stranded without basic provisions, let alone first-class accommodations.\u003c/p>\n\u003cp>Some four years later, hundreds of ticket holders are poised to receive more than $7,000 each after settling a class-action lawsuit with event organizers.\u003c/p>\n\u003cp>The settlement was reached Tuesday in U.S. Bankruptcy Court in the Southern District of New York, court documents show, with an early May deadline to object. The plaintiff is named as Gregory Messer, the Chapter 7 trustee of the estate of Fyre Festival LLC.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp> It adds up to $2 million, and was announced as part of the festival’s ongoing bankruptcy proceedings. As it stands, the \u003ca href=\"https://www.nytimes.com/2021/04/15/arts/music/fyre-festival-settlement.html\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>New York Times\u003c/em>\u003c/a> reports, 277 ticket holders will each receive a payout of $7,220, with an approval hearing scheduled for May 13. (The exact amount of the payout may change depending on how ongoing bankruptcy proceedings progress.)\u003c/p>\n\u003cp>“Billy [McFarland] went to jail, ticket holders can get some money back, and some very entertaining documentaries were made,” Ben Meiselas, a partner at California-based Geragos & Geragos who represented the ticket holders, told \u003cem>the Times\u003c/em>. “Now that’s justice.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7_omekVr9fE'\n title='//www.youtube.com/embed/7_omekVr9fE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Indeed, the 2017 festival-that-wasn’t has left a trail of lawsuits, criminal charges and \u003ca href=\"https://www.npr.org/2019/01/18/686262708/fighting-fyre-with-fyre-fraud-two-documentaries-about-the-same-disaster\" target=\"_blank\" rel=\"noopener noreferrer\">dramatic documentaries\u003c/a> in its wake.\u003c/p>\n\u003cp>McFarland, who organized and promoted the event, \u003ca href=\"https://www.npr.org/sections/thetwo-way/2018/03/06/591366152/fyre-festival-promoter-billy-mcfarland-pleads-guilty-to-fraud\" target=\"_blank\" rel=\"noopener noreferrer\">pled guilty\u003c/a> in 2018 to two counts of wire fraud related to the festival. He was \u003ca href=\"https://www.justice.gov/usao-sdny/pr/william-mcfarland-sentenced-6-years-prison-manhattan-federal-court-engaging-multiple\" target=\"_blank\" rel=\"noopener noreferrer\">sentenced\u003c/a> to six years in prison and three on probation for engaging in what prosecutors described as “multiple fraudulent schemes” and making false statements to law enforcement.\u003c/p>\n\u003cp>McFarland and his company, Fyre Media, have faced some \u003ca href=\"https://www.npr.org/sections/thetwo-way/2018/03/06/591366152/fyre-festival-promoter-billy-mcfarland-pleads-guilty-to-fraud\" target=\"_blank\" rel=\"noopener noreferrer\">dozen\u003c/a> lawsuits in the festival’s aftermath. As NPR \u003ca href=\"https://www.npr.org/2018/07/24/631945121/sec-settles-fraud-charges-against-fyre-festival-founder\" target=\"_blank\" rel=\"noopener noreferrer\">reported\u003c/a> in 2018:\u003c/p>\n\u003cblockquote>\u003cp>McFarland had hawked a “life-changing,” paradisiacal music festival for well-heeled patrons intended to take place in the Bahamas in late April and early May 2017. Instead, the festival—which carried ticket prices of up to $12,000 apiece—collapsed in chaos, launching a parade of \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/04/28/526019457/paradise-lost-luxury-music-festival-turns-out-to-be-half-built-scene-of-chaos\" target=\"_blank\" rel=\"noopener noreferrer\">#dumpsterfyre\u003c/a> jokes and scads of schadenfreudic social media commentary, as hopeful festival-goers and vendors alike realized that they had been bilked.\u003c/p>\u003c/blockquote>\n\u003cp>Organizers offered an \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/05/01/526392280/fyre-festival-hit-with-100-million-suit-organizer-says-we-were-a-little-naive\" target=\"_blank\" rel=\"noopener noreferrer\">apology\u003c/a> in the immediate wake of the event, admitting it “fell dramatically short of even the most modest expectations” and providing a form attendees could fill out to apply for a refund.\u003c/p>\n\u003cp>But for many, a refund was not enough.\u003c/p>\n\u003cp>The original class-action suit was \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/05/01/526392280/fyre-festival-hit-with-100-million-suit-organizer-says-we-were-a-little-naive\" target=\"_blank\" rel=\"noopener noreferrer\">filed in April 2017\u003c/a> against Fyre Media, McFarland and rapper Ja Rule, who was advertised as the festival’s co-founder, and sought $100 million in damages. The plaintiff is named as Daniel Jung, acting individually and as a representative of “a class of similarly-situated persons.”\u003c/p>\n\u003cp>The 21-page \u003ca href=\"https://www.documentcloud.org/documents/3688226-Fyre-Fest-Lawsuit.html\" target=\"_blank\" rel=\"noopener noreferrer\">complaint\u003c/a> said refunds were inadequate, writing, “Class Members’ damages in being lured to a deserted island and left to fend for themselves—a situation tantamount to false imprisonment—exceed the face value of their ticket packages by many orders of magnitude.”\u003c/p>\n\u003cp>It accuses organizers of knowingly lying about the festival’s accommodations and safety, reaching out to celebrities and performers to discourage them from coming while continuing to sell ticket packages, which started at $1,200.\u003c/p>\n\u003cp>The festival was promoted—including by many \u003ca href=\"https://www.reuters.com/article/bankruptcy-jenner/in-brief-kendall-jenner-to-pay-90000-in-fyre-festival-settlement-idUSL1N2D300N\">social media influencers\u003c/a>—as a posh musical festival on a private island once owned by drug kingpin Pablo Escobar, complete with luxurious accommodations and first-class culinary experiences.\u003c/p>\n\u003cp>Instead, attendees arrived to find unsecured FEMA tents, \u003ca href=\"https://twitter.com/trev4president/status/857776562615308288?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">widely panned\u003c/a> food rations and no festival or medical staff to offer assistance. The island was neither private nor formerly owned by Escobar, attorneys noted.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp> “The festival’s lack of adequate food, water, shelter and medical care created a dangerous and panicked situation among attendees—suddenly finding themselves stranded on a remote island without basic provisions—that was closer to \u003cem>The Hunger Games\u003c/em> or \u003cem>Lord of the Flies\u003c/em> than Coachella,” they wrote, adding that efforts to escape were hampered by attendees’ reliance on organizers for transportation and the fact that the event had been billed as “cashless.”\u003c/p>\n\u003cp>Several other lawsuits involving the failed festival have been settled already.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In 2018, a North Carolina judge awarded \u003ca href=\"https://www.npr.org/2018/07/24/631945121/sec-settles-fraud-charges-against-fyre-festival-founder\" target=\"_blank\" rel=\"noopener noreferrer\">$5 million in damages\u003c/a> to two attendees who had sued McFarland; Ja Rule was initially named in that suit but was removed from the claim after settling with the two. And last May, \u003ca href=\"https://www.reuters.com/article/bankruptcy-jenner/in-brief-kendall-jenner-to-pay-90000-in-fyre-festival-settlement-idUSL1N2D300N\" target=\"_blank\" rel=\"noopener noreferrer\">Kendall Jenner\u003c/a> agreed to pay $90,000 for promoting the festival in a social media post.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Hundreds+Of+Fyre+Festival+Ticket+Holders+Poised+To+Win+Payout+In+Class-Action+Suit+&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Black Joy is revolutionary, and it shows up in all these small, simple but emphatic ways—like dance. Whether it’s a shoulder bop or a fully choreographed routine, the joy in dance is about freely owning your movements, and it’s an integral part of the Black experience. Black dances are always evolving. Across the country, each region has its own signature style, but each style stays true to the instinctual need to be expressive and jubilant. This Black History Month, \u003ca href=\"https://www.kqed.org/if-cities-could-dance\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>If Cities Could Dance\u003c/em>\u003c/a> celebrates a few dance traditions and styles of the Black diaspora in this mixtape video (embedded above). From the bateys in Puerto Rico to train cars in the Bay Area, if the spirit moves, Black dance happens anywhere and everywhere.\u003c/p>\n\u003cp>We also created this \u003ca href=\"https://youtube.com/playlist?list=PLeGdTT0--8KhUX2blSApVB_aqILHiPB6R\" target=\"_blank\" rel=\"noopener noreferrer\">If Cities Could Dance Black History playlist \u003c/a>with videos from four seasons of the award-winning series. Below are a few of our fans’ favorite episodes.\u003c/p>\n\u003ch3 class=\"routes-Site-routes-Post-components-Post-components-PostTitle-___PostTitle__title\">\u003ca href=\"https://www.kqed.org/arts/13900185/if-cities-could-dance-philadelphia-house\" target=\"_blank\" rel=\"noopener noreferrer\">Philadelphia’s House Dancers Preserve the Soul of the Scene\u003c/a>\u003c/h3>\n\u003cp>A tight-knit, intergenerational community revives Philly’s soulful and inclusive house scene.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Meet Philadelphia’s Soulful House Dancers | If Cities Could Dance\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/01dOePGSSw8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003ch3 class=\"routes-Site-routes-Post-components-Post-components-PostTitle-___PostTitle__title\">\u003ca href=\"https://www.kqed.org/arts/13899186/if-cities-could-dance-east-st-louis\" target=\"_blank\" rel=\"noopener noreferrer\">Katherine Dunham and the Dances of the African Diaspora Changing Lives\u003c/a>\u003c/h3>\n\u003cp>The international dance icon brought dances from the African diaspora to stages around the world, then made a home in East St. Louis.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"How Katherine Dunham and Dance from the African Diaspora Change Lives | If Cities Could Dance\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/7k7SLEaTh7U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003ch3 class=\"routes-Site-routes-Post-components-Post-components-PostTitle-___PostTitle__title\">\u003ca href=\"https://www.kqed.org/arts/13896487/if-cities-could-dance-jam-skating\" target=\"_blank\" rel=\"noopener noreferrer\">How Black Roller Skaters Are Carrying Forward LA’s Iconic Scene\u003c/a>\u003c/h3>\n\u003cp>Today’s jam skaters draw from a community built over generations at Venice Beach and rinks across the city.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"How Black Roller Skaters Are Carrying Forward LA's Iconic Scene | If Cities Could Dance\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/WSnfuU_80iE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003ch3 class=\"routes-Site-routes-Post-components-Post-components-PostTitle-___PostTitle__title\">\u003ca href=\"https://www.kqed.org/arts/13885940/if-cities-could-dance-atlanta\" target=\"_blank\" rel=\"noopener noreferrer\">J-Setting: The Acrobatic Dance That Traveled From Southern HBCUs to the Clubs of Atlanta\u003c/a>\u003c/h3>\n\u003cp>The Dance Champz of Atlanta are evolving this dance beyond its roots in HBCUs and LGBTQ+ club battles.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"J-Setting: The Acrobatic Dance Energizing Atlanta's Dance Floors and Beyond | If Cities Could Dance\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/sc8DeElgwGw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003ch3 class=\"routes-Site-routes-Post-components-Post-components-PostTitle-___PostTitle__title\">\u003ca href=\"https://www.kqed.org/arts/13883253/if-cities-could-dance-houston-zydeco\" target=\"_blank\" rel=\"noopener noreferrer\">Zydeco Dance in Houston: Black Cowboys, Trail Rides and Creole Roots\u003c/a>\u003c/h3>\n\u003cp>Waves of migration brought southwest Louisiana’s Creole culture to Houston’s Frenchtown, where zydeco now draws crowds of dancers young and old.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Zydeco Dance in Houston: Black Cowboys, Trail Rides and Creole Roots | If Cities Could Dance\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/mgv8tQ-15MA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003ch3 class=\"routes-Site-routes-Post-components-Post-components-PostTitle-___PostTitle__title\">\u003ca href=\"https://www.kqed.org/arts/13891300/reclaiming-the-legacy-of-oaklands-boogaloo-dance-culture\" target=\"_blank\" rel=\"noopener noreferrer\">Reclaiming the Legacy of Oakland’s Boogaloo Dance Culture\u003c/a>\u003c/h3>\n\u003cp>Originators of the 1970s art form are passing its funk-driven, freestyle moves to a new generation.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Oakland Boogaloo: The Funk Freestyle Dance that Defined the Town’s Culture | If Cities Could Dance\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/IUdS6kxw2aI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003ch3 class=\"routes-Site-routes-Post-components-Post-components-PostTitle-___PostTitle__title\">\u003ca href=\"https://www.kqed.org/arts/13879679/dont-mute-dc-how-go-go-music-inspires-the-beat-ya-feet-dance-movement\" target=\"_blank\" rel=\"noopener noreferrer\">Don’t Mute DC: How Go-Go Music Inspires the Beat Ya Feet Dance Movement\u003c/a>\u003c/h3>\n\u003cp>A new generation of dancers are bringing Beat Ya Feet back to the streets of D.C. in celebration of the city’s rich black history. Now streaming on \u003ca href=\"https://www.youtube.com/c/pbsvoices/featured\" target=\"_blank\" rel=\"noopener noreferrer\">PBS Voices\u003c/a>.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Why Go-Go Music and Beat Ya Feet are 100% Washington, DC\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/m14kt5Nj9XQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003ch3 class=\"routes-Site-routes-Post-components-Post-components-PostTitle-___PostTitle__title\">\u003ca href=\"https://www.kqed.org/arts/13881446/if-cities-could-dance-bomba\" target=\"_blank\" rel=\"noopener noreferrer\">For the Ancestors: Bomba is Puerto Rico’s Afro-Latino Dance of Resistance\u003c/a>\u003c/h3>\n\u003cp>Once marginalized and near-forgotten, bomba is experiencing a resurgence in popularity and relevance with younger dancers.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Puerto Rico's Bomba, A Dance of The African Diaspora | If Cities Could Dance\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/z0vzkGKEWX4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003ch3 class=\"routes-Site-routes-Post-components-Post-components-PostTitle-___PostTitle__title\">\u003ca href=\"https://www.kqed.org/arts/13856811/if-cities-could-dance-memphis\" target=\"_blank\" rel=\"noopener noreferrer\">Memphis Jookin: A Ballet for the Streets\u003c/a>\u003c/h3>\n\u003cp>Watch jookin legends and emerging stars in the scene slide, ankle break and spin through their city. Now streaming on \u003ca href=\"https://www.youtube.com/c/pbsvoices/featured\" target=\"_blank\" rel=\"noopener noreferrer\">PBS Voices\u003c/a>.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Memphis Jookin: A Ballet for the Streets\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/KmDbwZWmU7o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003ch3 class=\"routes-Site-routes-Post-components-Post-components-PostTitle-___PostTitle__title\">\u003ca href=\"https://www.kqed.org/arts/13854195/if-cities-could-dance-chicago\" target=\"_blank\" rel=\"noopener noreferrer\">Chicago Footwork: A Lightning-Fast Dance of Resistance\u003c/a>\u003c/h3>\n\u003cp>Meet some of Chicago’s footworkers who challenge the city’s legacy of segregation.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Chicago Footwork: A Lightning-Fast Dance of Resistance | If Cities Could Dance\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/0iQYF7QvAdY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"headline": "Black Dancers Carry Joy Across the Diaspora",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Black Joy is revolutionary, and it shows up in all these small, simple but emphatic ways—like dance. Whether it’s a shoulder bop or a fully choreographed routine, the joy in dance is about freely owning your movements, and it’s an integral part of the Black experience. Black dances are always evolving. Across the country, each region has its own signature style, but each style stays true to the instinctual need to be expressive and jubilant. This Black History Month, \u003ca href=\"https://www.kqed.org/if-cities-could-dance\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>If Cities Could Dance\u003c/em>\u003c/a> celebrates a few dance traditions and styles of the Black diaspora in this mixtape video (embedded above). From the bateys in Puerto Rico to train cars in the Bay Area, if the spirit moves, Black dance happens anywhere and everywhere.\u003c/p>\n\u003cp>We also created this \u003ca href=\"https://youtube.com/playlist?list=PLeGdTT0--8KhUX2blSApVB_aqILHiPB6R\" target=\"_blank\" rel=\"noopener noreferrer\">If Cities Could Dance Black History playlist \u003c/a>with videos from four seasons of the award-winning series. Below are a few of our fans’ favorite episodes.\u003c/p>\n\u003ch3 class=\"routes-Site-routes-Post-components-Post-components-PostTitle-___PostTitle__title\">\u003ca href=\"https://www.kqed.org/arts/13900185/if-cities-could-dance-philadelphia-house\" target=\"_blank\" rel=\"noopener noreferrer\">Philadelphia’s House Dancers Preserve the Soul of the Scene\u003c/a>\u003c/h3>\n\u003cp>A tight-knit, intergenerational community revives Philly’s soulful and inclusive house scene.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Meet Philadelphia’s Soulful House Dancers | If Cities Could Dance\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/01dOePGSSw8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003ch3 class=\"routes-Site-routes-Post-components-Post-components-PostTitle-___PostTitle__title\">\u003ca href=\"https://www.kqed.org/arts/13899186/if-cities-could-dance-east-st-louis\" target=\"_blank\" rel=\"noopener noreferrer\">Katherine Dunham and the Dances of the African Diaspora Changing Lives\u003c/a>\u003c/h3>\n\u003cp>The international dance icon brought dances from the African diaspora to stages around the world, then made a home in East St. Louis.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"How Katherine Dunham and Dance from the African Diaspora Change Lives | If Cities Could Dance\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/7k7SLEaTh7U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003ch3 class=\"routes-Site-routes-Post-components-Post-components-PostTitle-___PostTitle__title\">\u003ca href=\"https://www.kqed.org/arts/13896487/if-cities-could-dance-jam-skating\" target=\"_blank\" rel=\"noopener noreferrer\">How Black Roller Skaters Are Carrying Forward LA’s Iconic Scene\u003c/a>\u003c/h3>\n\u003cp>Today’s jam skaters draw from a community built over generations at Venice Beach and rinks across the city.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"How Black Roller Skaters Are Carrying Forward LA's Iconic Scene | If Cities Could Dance\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/WSnfuU_80iE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003ch3 class=\"routes-Site-routes-Post-components-Post-components-PostTitle-___PostTitle__title\">\u003ca href=\"https://www.kqed.org/arts/13885940/if-cities-could-dance-atlanta\" target=\"_blank\" rel=\"noopener noreferrer\">J-Setting: The Acrobatic Dance That Traveled From Southern HBCUs to the Clubs of Atlanta\u003c/a>\u003c/h3>\n\u003cp>The Dance Champz of Atlanta are evolving this dance beyond its roots in HBCUs and LGBTQ+ club battles.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"J-Setting: The Acrobatic Dance Energizing Atlanta's Dance Floors and Beyond | If Cities Could Dance\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/sc8DeElgwGw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003ch3 class=\"routes-Site-routes-Post-components-Post-components-PostTitle-___PostTitle__title\">\u003ca href=\"https://www.kqed.org/arts/13883253/if-cities-could-dance-houston-zydeco\" target=\"_blank\" rel=\"noopener noreferrer\">Zydeco Dance in Houston: Black Cowboys, Trail Rides and Creole Roots\u003c/a>\u003c/h3>\n\u003cp>Waves of migration brought southwest Louisiana’s Creole culture to Houston’s Frenchtown, where zydeco now draws crowds of dancers young and old.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Zydeco Dance in Houston: Black Cowboys, Trail Rides and Creole Roots | If Cities Could Dance\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/mgv8tQ-15MA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003ch3 class=\"routes-Site-routes-Post-components-Post-components-PostTitle-___PostTitle__title\">\u003ca href=\"https://www.kqed.org/arts/13891300/reclaiming-the-legacy-of-oaklands-boogaloo-dance-culture\" target=\"_blank\" rel=\"noopener noreferrer\">Reclaiming the Legacy of Oakland’s Boogaloo Dance Culture\u003c/a>\u003c/h3>\n\u003cp>Originators of the 1970s art form are passing its funk-driven, freestyle moves to a new generation.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Oakland Boogaloo: The Funk Freestyle Dance that Defined the Town’s Culture | If Cities Could Dance\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/IUdS6kxw2aI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003ch3 class=\"routes-Site-routes-Post-components-Post-components-PostTitle-___PostTitle__title\">\u003ca href=\"https://www.kqed.org/arts/13879679/dont-mute-dc-how-go-go-music-inspires-the-beat-ya-feet-dance-movement\" target=\"_blank\" rel=\"noopener noreferrer\">Don’t Mute DC: How Go-Go Music Inspires the Beat Ya Feet Dance Movement\u003c/a>\u003c/h3>\n\u003cp>A new generation of dancers are bringing Beat Ya Feet back to the streets of D.C. in celebration of the city’s rich black history. Now streaming on \u003ca href=\"https://www.youtube.com/c/pbsvoices/featured\" target=\"_blank\" rel=\"noopener noreferrer\">PBS Voices\u003c/a>.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Why Go-Go Music and Beat Ya Feet are 100% Washington, DC\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/m14kt5Nj9XQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003ch3 class=\"routes-Site-routes-Post-components-Post-components-PostTitle-___PostTitle__title\">\u003ca href=\"https://www.kqed.org/arts/13881446/if-cities-could-dance-bomba\" target=\"_blank\" rel=\"noopener noreferrer\">For the Ancestors: Bomba is Puerto Rico’s Afro-Latino Dance of Resistance\u003c/a>\u003c/h3>\n\u003cp>Once marginalized and near-forgotten, bomba is experiencing a resurgence in popularity and relevance with younger dancers.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Puerto Rico's Bomba, A Dance of The African Diaspora | If Cities Could Dance\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/z0vzkGKEWX4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003ch3 class=\"routes-Site-routes-Post-components-Post-components-PostTitle-___PostTitle__title\">\u003ca href=\"https://www.kqed.org/arts/13856811/if-cities-could-dance-memphis\" target=\"_blank\" rel=\"noopener noreferrer\">Memphis Jookin: A Ballet for the Streets\u003c/a>\u003c/h3>\n\u003cp>Watch jookin legends and emerging stars in the scene slide, ankle break and spin through their city. Now streaming on \u003ca href=\"https://www.youtube.com/c/pbsvoices/featured\" target=\"_blank\" rel=\"noopener noreferrer\">PBS Voices\u003c/a>.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Memphis Jookin: A Ballet for the Streets\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/KmDbwZWmU7o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003ch3 class=\"routes-Site-routes-Post-components-Post-components-PostTitle-___PostTitle__title\">\u003ca href=\"https://www.kqed.org/arts/13854195/if-cities-could-dance-chicago\" target=\"_blank\" rel=\"noopener noreferrer\">Chicago Footwork: A Lightning-Fast Dance of Resistance\u003c/a>\u003c/h3>\n\u003cp>Meet some of Chicago’s footworkers who challenge the city’s legacy of segregation.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Chicago Footwork: A Lightning-Fast Dance of Resistance | If Cities Could Dance\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/0iQYF7QvAdY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>In 2018, Oakland professor and poet \u003ca href=\"http://www.danielsummerhill.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Daniel Summerhill\u003c/a> led a 10-week writing workshop through the nonprofit \u003ca href=\"http://www.chapter510.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Chapter 510\u003c/a> for a small group of youth poets eager to explore the theme of Black Joy. This exploration resulted in the Nomadic Press anthology \u003ca href=\"https://www.nomadicpress.org/store/blackjoy\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Black Joy: An Anthology of Black Boy Poems\u003c/em>\u003c/a>, a moving compendium of what it means to be authentically yourself in a tumultuous time.\u003c/p>\n\u003cp>The art of telling a personal story through verse is one that likely predates the written word, and Oakland’s penchant for poetry has influenced generations of such storytellers. Through organizations such as Chapter 510, Youth Speaks, and the Oakland Public Library, young poets hone their voices and shape their narratives as part of a welcoming community that’s hungry for their work. Summerhill and his students connected with this rich legacy of expression with an examination of identity and self-worth.\u003c/p>\n\u003cp>Now, as a part of California Humanities’ Art of Storytelling series, Summerhill will reunite with two of his students for a \u003ca href=\"https://calhum.org/event/artofstorytellingonline_blackjoy/\" target=\"_blank\" rel=\"noopener noreferrer\">virtual panel and poetry performance on Sept. 24\u003c/a>. Hear what it means to be Black, gifted, and even jubilant — despite the obstacles. The reading features Oakland’s 2019 Youth Poet Laureate, \u003ca href=\"https://www.samuelgetachew.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Samuel Getachew\u003c/a>, and his anthology co-contributor and \u003ca href=\"https://www.hiddengeniusproject.org/elijah-hynson-oak5/\" target=\"_blank\" rel=\"noopener noreferrer\">Hidden Genius project alumnus Elijah Hynson\u003c/a>. Also featuring appearances by mentor wordsmiths, including \u003ca href=\"http://www.citylights.com/book/?GCOI=87286100115800&fa=author&person_id=17661\" target=\"_blank\" rel=\"noopener noreferrer\">Tongo Eisen-Martin\u003c/a> (\u003cem>Heaven is All Goodbyes\u003c/em>), \u003ca href=\"https://www.dariussimpsonspeaks.com/shop\" target=\"_blank\" rel=\"noopener noreferrer\">Darius Simpson\u003c/a> (\u003cem>Conversion Theory\u003c/em>), and \u003ca href=\"https://www.nomadicpress.org/vernonkeeveiii\" target=\"_blank\" rel=\"noopener noreferrer\">Vernon Keeve III\u003c/a> (\u003cem>Southern Migrant Mixtape\u003c/em>).\u003c/p>\n\u003cp>The reading takes place on Thursday, Sept. 24, from 5:30 to 6:45 p.m. \u003ca href=\"https://calhum.org/event/artofstorytellingonline_blackjoy/\" target=\"_blank\" rel=\"noopener noreferrer\">More details and free registration here.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In 2018, Oakland professor and poet \u003ca href=\"http://www.danielsummerhill.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Daniel Summerhill\u003c/a> led a 10-week writing workshop through the nonprofit \u003ca href=\"http://www.chapter510.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Chapter 510\u003c/a> for a small group of youth poets eager to explore the theme of Black Joy. This exploration resulted in the Nomadic Press anthology \u003ca href=\"https://www.nomadicpress.org/store/blackjoy\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Black Joy: An Anthology of Black Boy Poems\u003c/em>\u003c/a>, a moving compendium of what it means to be authentically yourself in a tumultuous time.\u003c/p>\n\u003cp>The art of telling a personal story through verse is one that likely predates the written word, and Oakland’s penchant for poetry has influenced generations of such storytellers. Through organizations such as Chapter 510, Youth Speaks, and the Oakland Public Library, young poets hone their voices and shape their narratives as part of a welcoming community that’s hungry for their work. Summerhill and his students connected with this rich legacy of expression with an examination of identity and self-worth.\u003c/p>\n\u003cp>Now, as a part of California Humanities’ Art of Storytelling series, Summerhill will reunite with two of his students for a \u003ca href=\"https://calhum.org/event/artofstorytellingonline_blackjoy/\" target=\"_blank\" rel=\"noopener noreferrer\">virtual panel and poetry performance on Sept. 24\u003c/a>. Hear what it means to be Black, gifted, and even jubilant — despite the obstacles. The reading features Oakland’s 2019 Youth Poet Laureate, \u003ca href=\"https://www.samuelgetachew.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Samuel Getachew\u003c/a>, and his anthology co-contributor and \u003ca href=\"https://www.hiddengeniusproject.org/elijah-hynson-oak5/\" target=\"_blank\" rel=\"noopener noreferrer\">Hidden Genius project alumnus Elijah Hynson\u003c/a>. Also featuring appearances by mentor wordsmiths, including \u003ca href=\"http://www.citylights.com/book/?GCOI=87286100115800&fa=author&person_id=17661\" target=\"_blank\" rel=\"noopener noreferrer\">Tongo Eisen-Martin\u003c/a> (\u003cem>Heaven is All Goodbyes\u003c/em>), \u003ca href=\"https://www.dariussimpsonspeaks.com/shop\" target=\"_blank\" rel=\"noopener noreferrer\">Darius Simpson\u003c/a> (\u003cem>Conversion Theory\u003c/em>), and \u003ca href=\"https://www.nomadicpress.org/vernonkeeveiii\" target=\"_blank\" rel=\"noopener noreferrer\">Vernon Keeve III\u003c/a> (\u003cem>Southern Migrant Mixtape\u003c/em>).\u003c/p>\n\u003cp>The reading takes place on Thursday, Sept. 24, from 5:30 to 6:45 p.m. \u003ca href=\"https://calhum.org/event/artofstorytellingonline_blackjoy/\" target=\"_blank\" rel=\"noopener noreferrer\">More details and free registration here.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "'Paint Us in a Beautiful Light': Photographing Black Joy",
"headTitle": "‘Paint Us in a Beautiful Light’: Photographing Black Joy | KQED",
"content": "\u003cp>The Instagram page curated Amir Abdul-Shakur, aka \u003ca href=\"https://www.instagram.com/amirthephotographer/\" target=\"_blank\" rel=\"noopener noreferrer\">Amir The Photographer\u003c/a>, looks like a community yearbook. His shots are mostly portraits of Black folks in Oakland, and show each individual in their own radiant light.\u003c/p>\n\u003cp>His images, some of protests and others of parties, all seem to have an underlying joyous sentiment.\u003c/p>\n\u003cfigure id=\"attachment_13884147\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13884147\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/image_from_ios-800x800.jpg\" alt=\"Photographer Amir Abdul-Shakur\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/image_from_ios-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/image_from_ios-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/image_from_ios-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/image_from_ios.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Photographer Amir Abdul-Shakur \u003ccite>(Nancy Abdul-Shakur)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One image that caught my eye earlier this summer was a shot of Fitness owner \u003ca href=\"https://www.instagram.com/p/CB7SPA9h7cC/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">Joli Zahra Drevitch.\u003c/a> The framing, the lighting, the strength in the posture of the subject– it all gave me a sense of joy.\u003c/p>\n\u003cp>After talking to Amir about the intended purpose of his photos, it seems like he’s meeting his intentions: highlighting Black joy.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC7672608757&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Below are lightly edited excerpts of my conversation with Amir Abdul-Shakur.\u003c/strong>\u003c/p>\n\u003cp>\u003cb>Amir: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. My thesis is to try to paint us in a beautiful light. it’s always been about elevating Black people and showing the beauty and, unfortunately, humanizing us.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen:\u003c/b> \u003cspan style=\"font-weight: 400\">Was there a moment, was there something that pushed you over the top? You’re like, yo, I got to start doing this right now?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Amir: \u003c/b>Around \u003cspan style=\"font-weight: 400\">2016 or 2017 my family was a part of a PBS documentary called \u003c/span>\u003ca href=\"https://www.pbs.org/show/talk-race-america/\">\u003cspan style=\"font-weight: 400\">The Talk: Race in America\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, which focuses on law enforcement and how parents of color and particularly Black parents, mixed folks have conversations about law enforcement with their with their children. \u003c/span>And so we got a camera, because from there we thought we’re going to do a family channel and do vlogging. Fast forward to 2018, and the Black Joy Parade comes about. And I’m like, I got this brand new camera, got no shots on it and just take it out. And so I went out there, shot some images, then one grew to two, two and so forth.\u003c/p>\n\u003cp>\u003cb>Pen: \u003c/b>\u003cspan style=\"font-weight: 400\">I imagine that given your identity as a Black man, your partner’s identity as a Latina woman, you’re both Muslim. I imagine you have a lot to talk about with your son. How do you address everything? All of it? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Amir:\u003c/b> \u003cspan style=\"font-weight: 400\">We try to keep it real as much as possible.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen: \u003c/b>\u003cspan style=\"font-weight: 400\">Gotcha. Does he understand what’s going on currently? With addressing police brutality and–. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Amir: \u003c/b> \u003cspan style=\"font-weight: 400\">Absolutely. For an eight-year-old, he’s very, very much in tune with what’s going on. Cause, I mean, this the work that we do in general just kind of is privy to that, even as far as police brutality… \u003c/span>\u003cspan style=\"font-weight: 400\">Our family we’re dealing with a very personal kind of tragedy. On June 2nd in Vallejo, a young man named Sean Monterrosa was killed by law enforcement. And so my wife, Nancy, was his mentor for almost three years. So when he was murdered, it really hit my family hard and we still are dealing with that. So he knows about what’s going on. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13884190\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13884190 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/95056049_152005526335795_6898500916941249726_n-800x530.jpg\" alt=\"A throwback photo of Amir Abdul-Shakur, Nancy Abdul-Shakur and their son, Zaire.\" width=\"800\" height=\"530\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/95056049_152005526335795_6898500916941249726_n-800x530.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/95056049_152005526335795_6898500916941249726_n-1020x676.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/95056049_152005526335795_6898500916941249726_n-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/95056049_152005526335795_6898500916941249726_n-768x509.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/95056049_152005526335795_6898500916941249726_n.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A throwback photo of Amir Abdul-Shakur, Nancy Abdul-Shakur and their son, Zaire. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Amir: \u003c/b>\u003cspan style=\"font-weight: 400\"> This is this is a very difficult time to be Black and to be a parent. It’s a very scary time, it’s a very troubling time, it’s a very revolutionary time. Yeah. I can’t really describe anything like it, to be in a pandemic and then a racial pandemic. And then to have these conversations and to be you know, in the house cooped up and just trying to make sense of it. \u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Instagram page curated Amir Abdul-Shakur, aka \u003ca href=\"https://www.instagram.com/amirthephotographer/\" target=\"_blank\" rel=\"noopener noreferrer\">Amir The Photographer\u003c/a>, looks like a community yearbook. His shots are mostly portraits of Black folks in Oakland, and show each individual in their own radiant light.\u003c/p>\n\u003cp>His images, some of protests and others of parties, all seem to have an underlying joyous sentiment.\u003c/p>\n\u003cfigure id=\"attachment_13884147\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13884147\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/image_from_ios-800x800.jpg\" alt=\"Photographer Amir Abdul-Shakur\" width=\"800\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/image_from_ios-800x800.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/image_from_ios-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/image_from_ios-768x768.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/image_from_ios.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Photographer Amir Abdul-Shakur \u003ccite>(Nancy Abdul-Shakur)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>One image that caught my eye earlier this summer was a shot of Fitness owner \u003ca href=\"https://www.instagram.com/p/CB7SPA9h7cC/?utm_source=ig_web_copy_link\" target=\"_blank\" rel=\"noopener noreferrer\">Joli Zahra Drevitch.\u003c/a> The framing, the lighting, the strength in the posture of the subject– it all gave me a sense of joy.\u003c/p>\n\u003cp>After talking to Amir about the intended purpose of his photos, it seems like he’s meeting his intentions: highlighting Black joy.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm?e=KQINC7672608757&light=true\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Below are lightly edited excerpts of my conversation with Amir Abdul-Shakur.\u003c/strong>\u003c/p>\n\u003cp>\u003cb>Amir: \u003c/b>\u003cspan style=\"font-weight: 400\">Yeah. My thesis is to try to paint us in a beautiful light. it’s always been about elevating Black people and showing the beauty and, unfortunately, humanizing us.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen:\u003c/b> \u003cspan style=\"font-weight: 400\">Was there a moment, was there something that pushed you over the top? You’re like, yo, I got to start doing this right now?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Amir: \u003c/b>Around \u003cspan style=\"font-weight: 400\">2016 or 2017 my family was a part of a PBS documentary called \u003c/span>\u003ca href=\"https://www.pbs.org/show/talk-race-america/\">\u003cspan style=\"font-weight: 400\">The Talk: Race in America\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, which focuses on law enforcement and how parents of color and particularly Black parents, mixed folks have conversations about law enforcement with their with their children. \u003c/span>And so we got a camera, because from there we thought we’re going to do a family channel and do vlogging. Fast forward to 2018, and the Black Joy Parade comes about. And I’m like, I got this brand new camera, got no shots on it and just take it out. And so I went out there, shot some images, then one grew to two, two and so forth.\u003c/p>\n\u003cp>\u003cb>Pen: \u003c/b>\u003cspan style=\"font-weight: 400\">I imagine that given your identity as a Black man, your partner’s identity as a Latina woman, you’re both Muslim. I imagine you have a lot to talk about with your son. How do you address everything? All of it? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Amir:\u003c/b> \u003cspan style=\"font-weight: 400\">We try to keep it real as much as possible.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Pen: \u003c/b>\u003cspan style=\"font-weight: 400\">Gotcha. Does he understand what’s going on currently? With addressing police brutality and–. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Amir: \u003c/b> \u003cspan style=\"font-weight: 400\">Absolutely. For an eight-year-old, he’s very, very much in tune with what’s going on. Cause, I mean, this the work that we do in general just kind of is privy to that, even as far as police brutality… \u003c/span>\u003cspan style=\"font-weight: 400\">Our family we’re dealing with a very personal kind of tragedy. On June 2nd in Vallejo, a young man named Sean Monterrosa was killed by law enforcement. And so my wife, Nancy, was his mentor for almost three years. So when he was murdered, it really hit my family hard and we still are dealing with that. So he knows about what’s going on. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13884190\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13884190 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/07/95056049_152005526335795_6898500916941249726_n-800x530.jpg\" alt=\"A throwback photo of Amir Abdul-Shakur, Nancy Abdul-Shakur and their son, Zaire.\" width=\"800\" height=\"530\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/95056049_152005526335795_6898500916941249726_n-800x530.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/95056049_152005526335795_6898500916941249726_n-1020x676.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/95056049_152005526335795_6898500916941249726_n-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/95056049_152005526335795_6898500916941249726_n-768x509.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/07/95056049_152005526335795_6898500916941249726_n.jpg 1080w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A throwback photo of Amir Abdul-Shakur, Nancy Abdul-Shakur and their son, Zaire. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Amir: \u003c/b>\u003cspan style=\"font-weight: 400\"> This is this is a very difficult time to be Black and to be a parent. It’s a very scary time, it’s a very troubling time, it’s a very revolutionary time. Yeah. I can’t really describe anything like it, to be in a pandemic and then a racial pandemic. And then to have these conversations and to be you know, in the house cooped up and just trying to make sense of it. \u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "BottleRock Music Festival Postponed to 2021 as COVID Numbers Rise",
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"content": "\u003cp>After initially postponing its May 2020 dates to October of this year, \u003ca href=\"https://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener noreferrer\">BottleRock Napa Valley\u003c/a> announced today that the music, arts and culinary festival will take place on May 28—30, 2021 at the Napa Valley Expo. Headliners Stevie Nicks, Red Hot Chili Peppers and Dave Matthews Band will still perform, and all 2020 passes will be honored for the new dates. Ticket holders can also request refunds.\u003c/p>\n\u003cp>The move comes as COVID-19 cases continue to rise across California. Earlier this week, the state scaled back some of its reopening efforts with an order to close all indoor bars and restaurants. New COVID-19 cases in California exceeded \u003ca href=\"https://www.nytimes.com/2020/07/16/us/california-coronavirus-cases.html\" target=\"_blank\" rel=\"noopener noreferrer\">10,000 a day\u003c/a> for the first time on Tuesday.\u003c/p>\n\u003cp>\u003ca href=\"https://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Burger Boogaloo\u003c/a>, the punk and garage rock festival hosted in Oakland’s Mosswood Park every year, also rescheduled for the second time this week. Featuring Bikini Kill and the Circle Jerks, the festival was originally postponed from July 2020 to October 2020, and is now postponed again to July 2021. Likewise, the \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands Music and Arts Festival\u003c/a>, which draws tens of thousands of fans to San Francisco’s Golden Gate Park every August, moved its dates to August 2021 with Lizzo, Tame Impala and the Strokes as headliners. Refunds are available to Outside Lands and Burger Boogaloo ticket holders as well.\u003c/p>\n\u003cp>\u003cem>—Nastia Voynovskaya (\u003ca href=\"https://twitter.com/nananastia\" target=\"_blank\" rel=\"noopener noreferrer\">@nananastia\u003c/a>)\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After initially postponing its May 2020 dates to October of this year, \u003ca href=\"https://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener noreferrer\">BottleRock Napa Valley\u003c/a> announced today that the music, arts and culinary festival will take place on May 28—30, 2021 at the Napa Valley Expo. Headliners Stevie Nicks, Red Hot Chili Peppers and Dave Matthews Band will still perform, and all 2020 passes will be honored for the new dates. Ticket holders can also request refunds.\u003c/p>\n\u003cp>The move comes as COVID-19 cases continue to rise across California. Earlier this week, the state scaled back some of its reopening efforts with an order to close all indoor bars and restaurants. New COVID-19 cases in California exceeded \u003ca href=\"https://www.nytimes.com/2020/07/16/us/california-coronavirus-cases.html\" target=\"_blank\" rel=\"noopener noreferrer\">10,000 a day\u003c/a> for the first time on Tuesday.\u003c/p>\n\u003cp>\u003ca href=\"https://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Burger Boogaloo\u003c/a>, the punk and garage rock festival hosted in Oakland’s Mosswood Park every year, also rescheduled for the second time this week. Featuring Bikini Kill and the Circle Jerks, the festival was originally postponed from July 2020 to October 2020, and is now postponed again to July 2021. Likewise, the \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Outside Lands Music and Arts Festival\u003c/a>, which draws tens of thousands of fans to San Francisco’s Golden Gate Park every August, moved its dates to August 2021 with Lizzo, Tame Impala and the Strokes as headliners. Refunds are available to Outside Lands and Burger Boogaloo ticket holders as well.\u003c/p>\n\u003cp>\u003cem>—Nastia Voynovskaya (\u003ca href=\"https://twitter.com/nananastia\" target=\"_blank\" rel=\"noopener noreferrer\">@nananastia\u003c/a>)\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"order": 9
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"id": "fresh-air",
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"airtime": "SUN 7:30pm-8pm",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"order": 15
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"order": 18
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
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"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"source": "American Public Media"
},
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"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
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"meta": {
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"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"morning-edition": {
"id": "morning-edition",
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"order": 11
},
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"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"link": "/radio/program/on-the-media",
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},
"pbs-newshour": {
"id": "pbs-newshour",
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"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
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"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
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},
"perspectives": {
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"order": 14
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"planet-money": {
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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},
"link": "/radio/program/planet-money",
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"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
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},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 5
},
"link": "/podcasts/politicalbreakdown",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
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