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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>BottleRock returned to the Napa Valley Friday, with a headlining set by \u003ca href=\"https://ww2.kqed.org/pop/2015/10/22/i-would-sincerely-like-to-meet-a-person-who-enjoys-maroon-5/\" target=\"_blank\" rel=\"noopener\">your favorite band\u003c/a> Maroon 5 and a lineup that included Modest Mouse, Macklemore, Silversun Pickups and more. \u003c/p>\n\u003cp>Our photographer Estefany Gonzalez was on the scene; click on a photo below to activate a slideshow from the day.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "How Fyre's Organizers Used 'Influencers' to Market a Festival that Didn't Exist",
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"content": "\u003cp>Last fall, at the Web Summit tech conference in Lisbon, Portugal, the rapper Ja Rule \u003ca href=\"https://business.facebook.com/WebSummitHQ/posts/1215635168502525?business_id=10152715627857913\" target=\"_blank\" rel=\"noopener\">addressed\u003c/a> a small audience seated in front of the event’s music stage: “I’ll let my partner-in-crime here Billy McFarland give you all an introduction of what Fyre is.” At the time, Ja Rule and McFarland were promoting an app that would, we now know, share its name with one of the least-successful music events in recent memory, currently the subject of a \u003ca href=\"http://www.npr.org/sections/thetwo-way/2017/05/01/526392280/fyre-festival-hit-with-100-million-suit-organizer-says-we-were-a-little-naive\" target=\"_blank\" rel=\"noopener\">$100 million lawsuit\u003c/a>. The Fyre app, like McFarland’s other venture Magnesis (a rarefied “concierge” for the young, beautiful and hip), is directed at “young urban professionals” and “influencers” (brace yourself to see that word a \u003cem>lot\u003c/em>). The app allowed promoters, venues or just whomever to book artists for small, lucrative shows for small, well-heeled audiences — much like the concept that underpinned the event with which it now indelibly shares a name.\u003c/p>\n\u003cp>In the social media-driven present, these influencers are one-person marketing vehicles for all types of products, capitalizing on conventionally attractive faces and the enviable lifestyles they portray on their profiles. They were, as we see from the marketing deck for Fyre and the Fyre Festival \u003ca href=\"http://www.vanityfair.com/news/2017/05/fyre-festival-pitch-deck\" target=\"_blank\" rel=\"noopener\">obtained by \u003cem>Vanity Fair\u003c/em>\u003c/a>, the ostensible key to success for McFarland’s and Ja Rule’s disastrous music event.\u003c/p>\n\u003cp>The first 10 pages of the 43-page presentation focuses on the app, touting a roster of artists including Iggy Azalea, Queen Latifah, Lil Wayne, DJ Khaled and “hundreds of other notable artists, athletes and influencers.” It operates by allowing those looking to book artists on its roster to negotiate offers and payments and that talent to accept it, with Fyre taking a 10 percent commission from bookers.\u003c/p>\n\u003cp>The remaining 33 pages focus on the first edition of the Fyre Festival — yes, first. The deck explains Fyre Festival’s long-term vision: new event spaces, built from scratch — with the Trumpian phrase “through the purchase of significant land” — each year for the next five years, “referencing the five elements of the earth.” Its inaugural element? Water. (Irony alert: This despite there reportedly being precious little of it on hand for last week’s attendees).\u003c/p>\n\u003cp>“Come, seek, for searching is the foundation of fortune,” goes the \u003ca href=\"https://www.youtube.com/watch?v=j9BISHFOFXQ\" target=\"_blank\" rel=\"noopener\">\u003cem>Zoolander\u003c/em>-esque\u003c/a> tagline. “What if we reimagined what it means to attend a music festival,” one slide wonders. The next: “The actual experience exceeds all expectations and is something that’s hard to put into words,” a statement that, if you replace the word ‘exceeds,’ is woefully accurate in retrospect.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The plan was to build awareness and attendance by recruiting — you guessed it — influencers, who would promote it on their social media accounts. Dubbed “the Fyre Tribe,” each was given free tickets and flights to the festival in exchange for taking part in a coordinated marketing effort that had each — over 30 are listed, with links, in the deck — post an “ambiguous” orange slide on their Instagram with the hashtag #FyreFestival. In the aftermath of last week’s debacle, most scrubbed their accounts of the promotion, though at least eighteen remained live as of this writing (see \u003ca href=\"https://www.instagram.com/p/BN8ErpVhh39/?hl=en\" target=\"_blank\" rel=\"noopener\">here\u003c/a>, \u003ca href=\"https://www.instagram.com/p/BN8aY77Ah8h/\" target=\"_blank\" rel=\"noopener\">here\u003c/a> and \u003ca href=\"https://www.instagram.com/p/BN7uHEWDQsY/\" target=\"_blank\" rel=\"noopener\">here\u003c/a> for examples). Kendall Jenner, she of the lamentably \u003ca href=\"http://www.npr.org/sections/thetwo-way/2017/04/05/522750764/after-uproar-pepsi-halts-rollout-of-controversial-protest-themed-ad\" target=\"_blank\" rel=\"noopener\">anti-woke Pepsi ad debacle\u003c/a>, was central to the Fyre Festival promotional campaign too, announcing the festival’s first headliner, G.O.O.D. Music.\u003c/p>\n\u003cp>That each post we reviewed seemed to run afoul of Federal Trade Commission rules around paid promotion may come to haunt the Fyre Tribe, however. Last month \u003ca href=\"https://www.ftc.gov/news-events/press-releases/2017/04/ftc-staff-reminds-influencers-brands-clearly-disclose\" target=\"_blank\" rel=\"noopener\">the FTC sent out\u003c/a> “more than 90 letters reminding influencers and marketers that influencers should clearly and conspicuously disclose their relationships to brands when promoting or endorsing products through social media.” The letters “were sent in response to a sample of Instagram posts making endorsements or referencing brands.” (It also issued \u003ca href=\"https://www.ftc.gov/system/files/attachments/press-releases/ftc-staff-reminds-influencers-brands-clearly-disclose-relationship/influencer_template.pdf\" target=\"_blank\" rel=\"noopener\">a template letter\u003c/a> that begins “Dear {\u003cem>Influencer\u003c/em>}.”)\u003c/p>\n\u003cp>As mentioned, a suit against the festival’s organizers was filed just two days after the situation on the ground became public. The FTC tells NPR that, so far, all cases brought over paid (but undisclosed) social media marketing campaigns have been against companies, not individuals, though a class action suit brought by individuals outside the FTC seems to remain a possibility.\u003c/p>\n\u003cp>The deck concludes with a quote from the ancient poet Rumi: “Seek those who light your flames.” After a search for the originating poem, it \u003ca href=\"https://www.google.com/search?q=seek+those+who+fan+your+flames&oq=seek+those+who+fan+you&aqs=chrome.0.0j69i57j0l4.2340j0j7&sourceid=chrome&ie=UTF-8\" target=\"_blank\" rel=\"noopener\">seems\u003c/a> that — in keeping with the general timbre of Fyre — Rumi’s quote actually reads: “Seek those who \u003cem>fan\u003c/em> your flames.” Mission accomplished.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Updated May 2, 4:15 p.m.: \u003c/strong>This article has been clarified to reflect new information provided by the Federal Trade Commission on the legality of compensated social media promotions.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=How+Fyre%27s+Organizers+Used+%27Influencers%27+To+Market+A+Festival+That+Didn%27t+Exist&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Last fall, at the Web Summit tech conference in Lisbon, Portugal, the rapper Ja Rule \u003ca href=\"https://business.facebook.com/WebSummitHQ/posts/1215635168502525?business_id=10152715627857913\" target=\"_blank\" rel=\"noopener\">addressed\u003c/a> a small audience seated in front of the event’s music stage: “I’ll let my partner-in-crime here Billy McFarland give you all an introduction of what Fyre is.” At the time, Ja Rule and McFarland were promoting an app that would, we now know, share its name with one of the least-successful music events in recent memory, currently the subject of a \u003ca href=\"http://www.npr.org/sections/thetwo-way/2017/05/01/526392280/fyre-festival-hit-with-100-million-suit-organizer-says-we-were-a-little-naive\" target=\"_blank\" rel=\"noopener\">$100 million lawsuit\u003c/a>. The Fyre app, like McFarland’s other venture Magnesis (a rarefied “concierge” for the young, beautiful and hip), is directed at “young urban professionals” and “influencers” (brace yourself to see that word a \u003cem>lot\u003c/em>). The app allowed promoters, venues or just whomever to book artists for small, lucrative shows for small, well-heeled audiences — much like the concept that underpinned the event with which it now indelibly shares a name.\u003c/p>\n\u003cp>In the social media-driven present, these influencers are one-person marketing vehicles for all types of products, capitalizing on conventionally attractive faces and the enviable lifestyles they portray on their profiles. They were, as we see from the marketing deck for Fyre and the Fyre Festival \u003ca href=\"http://www.vanityfair.com/news/2017/05/fyre-festival-pitch-deck\" target=\"_blank\" rel=\"noopener\">obtained by \u003cem>Vanity Fair\u003c/em>\u003c/a>, the ostensible key to success for McFarland’s and Ja Rule’s disastrous music event.\u003c/p>\n\u003cp>The first 10 pages of the 43-page presentation focuses on the app, touting a roster of artists including Iggy Azalea, Queen Latifah, Lil Wayne, DJ Khaled and “hundreds of other notable artists, athletes and influencers.” It operates by allowing those looking to book artists on its roster to negotiate offers and payments and that talent to accept it, with Fyre taking a 10 percent commission from bookers.\u003c/p>\n\u003cp>The remaining 33 pages focus on the first edition of the Fyre Festival — yes, first. The deck explains Fyre Festival’s long-term vision: new event spaces, built from scratch — with the Trumpian phrase “through the purchase of significant land” — each year for the next five years, “referencing the five elements of the earth.” Its inaugural element? Water. (Irony alert: This despite there reportedly being precious little of it on hand for last week’s attendees).\u003c/p>\n\u003cp>“Come, seek, for searching is the foundation of fortune,” goes the \u003ca href=\"https://www.youtube.com/watch?v=j9BISHFOFXQ\" target=\"_blank\" rel=\"noopener\">\u003cem>Zoolander\u003c/em>-esque\u003c/a> tagline. “What if we reimagined what it means to attend a music festival,” one slide wonders. The next: “The actual experience exceeds all expectations and is something that’s hard to put into words,” a statement that, if you replace the word ‘exceeds,’ is woefully accurate in retrospect.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The plan was to build awareness and attendance by recruiting — you guessed it — influencers, who would promote it on their social media accounts. Dubbed “the Fyre Tribe,” each was given free tickets and flights to the festival in exchange for taking part in a coordinated marketing effort that had each — over 30 are listed, with links, in the deck — post an “ambiguous” orange slide on their Instagram with the hashtag #FyreFestival. In the aftermath of last week’s debacle, most scrubbed their accounts of the promotion, though at least eighteen remained live as of this writing (see \u003ca href=\"https://www.instagram.com/p/BN8ErpVhh39/?hl=en\" target=\"_blank\" rel=\"noopener\">here\u003c/a>, \u003ca href=\"https://www.instagram.com/p/BN8aY77Ah8h/\" target=\"_blank\" rel=\"noopener\">here\u003c/a> and \u003ca href=\"https://www.instagram.com/p/BN7uHEWDQsY/\" target=\"_blank\" rel=\"noopener\">here\u003c/a> for examples). Kendall Jenner, she of the lamentably \u003ca href=\"http://www.npr.org/sections/thetwo-way/2017/04/05/522750764/after-uproar-pepsi-halts-rollout-of-controversial-protest-themed-ad\" target=\"_blank\" rel=\"noopener\">anti-woke Pepsi ad debacle\u003c/a>, was central to the Fyre Festival promotional campaign too, announcing the festival’s first headliner, G.O.O.D. Music.\u003c/p>\n\u003cp>That each post we reviewed seemed to run afoul of Federal Trade Commission rules around paid promotion may come to haunt the Fyre Tribe, however. Last month \u003ca href=\"https://www.ftc.gov/news-events/press-releases/2017/04/ftc-staff-reminds-influencers-brands-clearly-disclose\" target=\"_blank\" rel=\"noopener\">the FTC sent out\u003c/a> “more than 90 letters reminding influencers and marketers that influencers should clearly and conspicuously disclose their relationships to brands when promoting or endorsing products through social media.” The letters “were sent in response to a sample of Instagram posts making endorsements or referencing brands.” (It also issued \u003ca href=\"https://www.ftc.gov/system/files/attachments/press-releases/ftc-staff-reminds-influencers-brands-clearly-disclose-relationship/influencer_template.pdf\" target=\"_blank\" rel=\"noopener\">a template letter\u003c/a> that begins “Dear {\u003cem>Influencer\u003c/em>}.”)\u003c/p>\n\u003cp>As mentioned, a suit against the festival’s organizers was filed just two days after the situation on the ground became public. The FTC tells NPR that, so far, all cases brought over paid (but undisclosed) social media marketing campaigns have been against companies, not individuals, though a class action suit brought by individuals outside the FTC seems to remain a possibility.\u003c/p>\n\u003cp>The deck concludes with a quote from the ancient poet Rumi: “Seek those who light your flames.” After a search for the originating poem, it \u003ca href=\"https://www.google.com/search?q=seek+those+who+fan+your+flames&oq=seek+those+who+fan+you&aqs=chrome.0.0j69i57j0l4.2340j0j7&sourceid=chrome&ie=UTF-8\" target=\"_blank\" rel=\"noopener\">seems\u003c/a> that — in keeping with the general timbre of Fyre — Rumi’s quote actually reads: “Seek those who \u003cem>fan\u003c/em> your flames.” Mission accomplished.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Updated May 2, 4:15 p.m.: \u003c/strong>This article has been clarified to reflect new information provided by the Federal Trade Commission on the legality of compensated social media promotions.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=How+Fyre%27s+Organizers+Used+%27Influencers%27+To+Market+A+Festival+That+Didn%27t+Exist&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In June of 1967, a music festival was held at the Monterey County Fairgrounds that would later come to be seen as a pivotal moment in rock ‘n’ roll. Everyone was there: Jimi Hendrix, Janis Joplin, The Who, The Grateful Dead, Otis Redding. Drawing attendees from all over the country, the Monterey International Pop Festival was emblematic of the Summer of Love, and its influence was lasting — music historians would later describe the impact it had not only on the festivals that followed, namely Woodstock two summers later, but on the music business at large.\u003c/p>\n\u003cp>Fifty years later, the Bay Area is gearing up to fete that fateful summer in ways large and small. (\u003ca href=\"https://ww2.kqed.org/arts/2017/04/12/de-young-summer-of-love-50th-anniversary/\" target=\"_blank\" rel=\"noopener\">Read our review of the de Young’s offering\u003c/a>\u003ca href=\"https://ww2.kqed.org/arts/2017/04/12/de-young-summer-of-love-50th-anniversary/\" target=\"_blank\" rel=\"noopener\">, which mostly brought up new questions for us, here.\u003c/a>) But as \u003ca href=\"https://ww2.kqed.org/arts/2017/02/17/san-franciscos-summer-of-love-concert-hits-major-hurdle/\" target=\"_blank\" rel=\"noopener\">plans to hold a free concert in Golden Gate Park have hit administrative hurdles,\u003c/a> a new musical centerpiece for the summer of 2017 may have emerged: \u003ca href=\"https://montereypopfestival50.com/\" target=\"_blank\" rel=\"noopener\">Monterey Pop 50\u003c/a>. Check out the full lineup below.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/unnamed-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13067490\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/unnamed-1.jpg\" alt=\"unnamed-1\" width=\"600\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/unnamed-1.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/unnamed-1-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/unnamed-1-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/unnamed-1-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/unnamed-1-520x693.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>The festival, organized by Another Planet Entertainment and Goldenvoice, will take place from June 16 through 18 at the Monterey County Fairgrounds. The lineup includes both veterans (like your cool uncle who runs a music venue up in Marin, Phil Lesh) and younger performers (like Nicki Bluhm, a musical descendant of all things Joni and Janis) who have “taken inspiration from talent and performances from the original version in 1967,” according to a press release. “Some performers will pay homage to those who came before them with a set of their own songs, as well as a nod to the artists from the original lineup.” The inclusion of Norah Jones, whose dad Ravi Shankar performed at the original, is a nice touch indeed.\u003c/p>\n\u003cp>Lou Adler, one of the organizers of the 1967 festival, had this to say: “The Monterey International Pop Festival cannot be duplicated but can be celebrated and will be, by the performers and the attendees at the 50th Anniversary festival.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>You heard the man: Never duplicated, often celebrated. \u003ca href=\"https://montereypopfestival50.com/tickets/\" target=\"_blank\" rel=\"noopener\">Tickets, price TBA, go on sale Friday, April 21 right here\u003c/a>.\u003c/p>\n\u003cp>\u003cspan style=\"text-decoration: underline\">\u003cstrong>Monterey Pop Festival 50\u003c/strong>\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Booker T. Stax Revue\u003cbr>\nCharles Bradley & His Extraordinaires\u003cbr>\nDr. Dog\u003cbr>\nEric Burdon & The Animals\u003cbr>\nFather John Misty\u003cbr>\nGary Clark Jr.\u003cbr>\nHiss Golden Messenger\u003cbr>\nJack Johnson\u003cbr>\nJackie Greene\u003cbr>\nJacob Banks\u003cbr>\nJamtown feat. Cisco Adler\u003cbr>\nDonavon Frankenreiter and G. Love\u003cbr>\nJim James\u003cbr>\nKurt Vile & The Violators\u003cbr>\nLanghorne Slim & The Law\u003cbr>\nLeon Bridges\u003cbr>\nNicki Bluhm & Dirty Dozen Brass Band\u003cbr>\nNorah Jones\u003cbr>\nNorth Mississippi Allstars\u003cbr>\nPhil Lesh & The Terrapin Family Band\u003cbr>\nRegina Spektor\u003cbr>\nSara Watkins\u003cbr>\nThe Head and the Heart\u003c/b>\u003c/p>\n\n",
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"excerpt": "It's been 50 years since Jimi Hendrix lit his guitar on fire in Monterey . Maybe Father John Misty will figure out a way to do it ironically?!",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In June of 1967, a music festival was held at the Monterey County Fairgrounds that would later come to be seen as a pivotal moment in rock ‘n’ roll. Everyone was there: Jimi Hendrix, Janis Joplin, The Who, The Grateful Dead, Otis Redding. Drawing attendees from all over the country, the Monterey International Pop Festival was emblematic of the Summer of Love, and its influence was lasting — music historians would later describe the impact it had not only on the festivals that followed, namely Woodstock two summers later, but on the music business at large.\u003c/p>\n\u003cp>Fifty years later, the Bay Area is gearing up to fete that fateful summer in ways large and small. (\u003ca href=\"https://ww2.kqed.org/arts/2017/04/12/de-young-summer-of-love-50th-anniversary/\" target=\"_blank\" rel=\"noopener\">Read our review of the de Young’s offering\u003c/a>\u003ca href=\"https://ww2.kqed.org/arts/2017/04/12/de-young-summer-of-love-50th-anniversary/\" target=\"_blank\" rel=\"noopener\">, which mostly brought up new questions for us, here.\u003c/a>) But as \u003ca href=\"https://ww2.kqed.org/arts/2017/02/17/san-franciscos-summer-of-love-concert-hits-major-hurdle/\" target=\"_blank\" rel=\"noopener\">plans to hold a free concert in Golden Gate Park have hit administrative hurdles,\u003c/a> a new musical centerpiece for the summer of 2017 may have emerged: \u003ca href=\"https://montereypopfestival50.com/\" target=\"_blank\" rel=\"noopener\">Monterey Pop 50\u003c/a>. Check out the full lineup below.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/unnamed-1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-13067490\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/unnamed-1.jpg\" alt=\"unnamed-1\" width=\"600\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/unnamed-1.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/unnamed-1-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/unnamed-1-240x320.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/unnamed-1-375x500.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/unnamed-1-520x693.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>The festival, organized by Another Planet Entertainment and Goldenvoice, will take place from June 16 through 18 at the Monterey County Fairgrounds. The lineup includes both veterans (like your cool uncle who runs a music venue up in Marin, Phil Lesh) and younger performers (like Nicki Bluhm, a musical descendant of all things Joni and Janis) who have “taken inspiration from talent and performances from the original version in 1967,” according to a press release. “Some performers will pay homage to those who came before them with a set of their own songs, as well as a nod to the artists from the original lineup.” The inclusion of Norah Jones, whose dad Ravi Shankar performed at the original, is a nice touch indeed.\u003c/p>\n\u003cp>Lou Adler, one of the organizers of the 1967 festival, had this to say: “The Monterey International Pop Festival cannot be duplicated but can be celebrated and will be, by the performers and the attendees at the 50th Anniversary festival.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>You heard the man: Never duplicated, often celebrated. \u003ca href=\"https://montereypopfestival50.com/tickets/\" target=\"_blank\" rel=\"noopener\">Tickets, price TBA, go on sale Friday, April 21 right here\u003c/a>.\u003c/p>\n\u003cp>\u003cspan style=\"text-decoration: underline\">\u003cstrong>Monterey Pop Festival 50\u003c/strong>\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>Booker T. Stax Revue\u003cbr>\nCharles Bradley & His Extraordinaires\u003cbr>\nDr. Dog\u003cbr>\nEric Burdon & The Animals\u003cbr>\nFather John Misty\u003cbr>\nGary Clark Jr.\u003cbr>\nHiss Golden Messenger\u003cbr>\nJack Johnson\u003cbr>\nJackie Greene\u003cbr>\nJacob Banks\u003cbr>\nJamtown feat. Cisco Adler\u003cbr>\nDonavon Frankenreiter and G. Love\u003cbr>\nJim James\u003cbr>\nKurt Vile & The Violators\u003cbr>\nLanghorne Slim & The Law\u003cbr>\nLeon Bridges\u003cbr>\nNicki Bluhm & Dirty Dozen Brass Band\u003cbr>\nNorah Jones\u003cbr>\nNorth Mississippi Allstars\u003cbr>\nPhil Lesh & The Terrapin Family Band\u003cbr>\nRegina Spektor\u003cbr>\nSara Watkins\u003cbr>\nThe Head and the Heart\u003c/b>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Still No Lineup, But Outside Lands 2017 Tickets Go On Sale This Thursday",
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"content": "\u003cp>Do you love Outside Lands? Do you love Outside Lands so much you’re certain you’ll be going, even before you know who’s playing? Have I got news for you!\u003c/p>\n\u003cp>Yes, early-bird three-day passes for \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener\">Outside Lands 2017\u003c/a> go on sale this Thursday, March 30 at 10am, and if you’re among the festival enthusiasts who can’t wait to spend the weekend of Aug. 11- 13 gettin’ #festy in Golden Gate Park — again, completely regardless of who’s on stage — you should probably get your clicking finger ready: \u003ca href=\"https://ww2.kqed.org/arts/2016/03/30/no-lineup-no-problem-outside-lands-tickets-go-on-sale-anyway/\" target=\"_blank\" rel=\"noopener\">Last year, when the music and food festival first took a cue from Coachella and put a limited quantity of tickets up for sale a full week before announcing the lineup\u003c/a>, said passes sold out within 24 hours.\u003c/p>\n\u003cp>There’s no reason to suspect this year, OSL’s 10th anniversary (meaning yes, that much time has passed since you were there for the infamous Radiohead Sound Problems of 2008) should be any different. The festival, the true jewel in Another Planet Entertainment’s crown, gets bigger every year — with a price tag to match. This year three-day general admission passes go for $355; the VIP option (slightly nicer bathrooms, shorter lines for drinks, invaluable sense of superiority) will be $765.\u003c/p>\n\u003cp>As for that lineup: If wild speculation is your thing, check out \u003ca href=\"http://sfist.com/2017/03/23/likely_outside_lands_performers_bas.php\" target=\"_blank\" rel=\"noopener\">predictions from SFist here\u003c/a>, or the \u003ca href=\"https://www.reddit.com/r/OutsideLands/comments/5xupmi/predictions_for_outside_lands_2017/\" target=\"_blank\" rel=\"noopener\">Outside Lands subreddit here\u003c/a>. Metallica, Lorde, The Weeknd, Arcade Fire, Father John Misty, Wiz Khalifa, and A Tribe Called Quest all seem to be strong maybes so far.\u003c/p>\n\u003cp>More to come as soon as there’s, you know, actual new information to share. In the meantime, head on over to \u003ca href=\"https://www.sfoutsidelands.com\" target=\"_blank\" rel=\"noopener\">sfoutsidelands.com\u003c/a> on Thursday at 10am to snag tickets to the thing, which will absolutely involve music and food. We’ll just be over here picking out this year’s \u003ca href=\"https://ww2.kqed.org/pop/2016/08/04/headed-to-outside-lands-us-too-lets-play-bingo/\" target=\"_blank\" rel=\"noopener\">culturally insensitive headwear\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Outside Lands 2017 will take place Aug. 11 – 13 in Golden Gate Park. \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener\">Tickets and more info here\u003c/a>. Read KQED Arts’ coverage of \u003ca href=\"https://ww2.kqed.org/arts/2016/08/07/outside-lands-2016-saturdays-music-highlights-and-photo-gallery/\" target=\"_blank\" rel=\"noopener\">the 2016 festival here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"excerpt": "The festival, which is sure to involve music, in a general sense, takes place Aug. 11-13 in Golden Gate Park. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Do you love Outside Lands? Do you love Outside Lands so much you’re certain you’ll be going, even before you know who’s playing? Have I got news for you!\u003c/p>\n\u003cp>Yes, early-bird three-day passes for \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener\">Outside Lands 2017\u003c/a> go on sale this Thursday, March 30 at 10am, and if you’re among the festival enthusiasts who can’t wait to spend the weekend of Aug. 11- 13 gettin’ #festy in Golden Gate Park — again, completely regardless of who’s on stage — you should probably get your clicking finger ready: \u003ca href=\"https://ww2.kqed.org/arts/2016/03/30/no-lineup-no-problem-outside-lands-tickets-go-on-sale-anyway/\" target=\"_blank\" rel=\"noopener\">Last year, when the music and food festival first took a cue from Coachella and put a limited quantity of tickets up for sale a full week before announcing the lineup\u003c/a>, said passes sold out within 24 hours.\u003c/p>\n\u003cp>There’s no reason to suspect this year, OSL’s 10th anniversary (meaning yes, that much time has passed since you were there for the infamous Radiohead Sound Problems of 2008) should be any different. The festival, the true jewel in Another Planet Entertainment’s crown, gets bigger every year — with a price tag to match. This year three-day general admission passes go for $355; the VIP option (slightly nicer bathrooms, shorter lines for drinks, invaluable sense of superiority) will be $765.\u003c/p>\n\u003cp>As for that lineup: If wild speculation is your thing, check out \u003ca href=\"http://sfist.com/2017/03/23/likely_outside_lands_performers_bas.php\" target=\"_blank\" rel=\"noopener\">predictions from SFist here\u003c/a>, or the \u003ca href=\"https://www.reddit.com/r/OutsideLands/comments/5xupmi/predictions_for_outside_lands_2017/\" target=\"_blank\" rel=\"noopener\">Outside Lands subreddit here\u003c/a>. Metallica, Lorde, The Weeknd, Arcade Fire, Father John Misty, Wiz Khalifa, and A Tribe Called Quest all seem to be strong maybes so far.\u003c/p>\n\u003cp>More to come as soon as there’s, you know, actual new information to share. In the meantime, head on over to \u003ca href=\"https://www.sfoutsidelands.com\" target=\"_blank\" rel=\"noopener\">sfoutsidelands.com\u003c/a> on Thursday at 10am to snag tickets to the thing, which will absolutely involve music and food. We’ll just be over here picking out this year’s \u003ca href=\"https://ww2.kqed.org/pop/2016/08/04/headed-to-outside-lands-us-too-lets-play-bingo/\" target=\"_blank\" rel=\"noopener\">culturally insensitive headwear\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Outside Lands 2017 will take place Aug. 11 – 13 in Golden Gate Park. \u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener\">Tickets and more info here\u003c/a>. Read KQED Arts’ coverage of \u003ca href=\"https://ww2.kqed.org/arts/2016/08/07/outside-lands-2016-saturdays-music-highlights-and-photo-gallery/\" target=\"_blank\" rel=\"noopener\">the 2016 festival here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Phono del Sol, the annual summer festival presented by local music blog The Bay Bridged and recording studio Tiny Telephone, announced its lineup today for the 2017 fest, which takes place Saturday, June 17, in San Francisco’s Potrero del Sol Park. See the full lineup below.\u003c/p>\n\u003cp>Psych-rock titans Thee Oh Sees (who came up in San Francisco, though they now call Los Angeles home) and punk rock four-piece The Coathangers, out of Atlanta, are the biggest names on this bill. But the local artists rounding out this poster are also (moreso?) worth getting excited about — in particular, a trio of East Bay women. \u003ca href=\"https://ww2.kqed.org/arts/2016/12/12/the-10-best-local-records-of-2016-jay-som-turn-into/\" target=\"_blank\" rel=\"noopener\">Jay Som\u003c/a>, Oakland’s buzziest indie-pop act right now, should receive a warm welcome at this homecoming show following her current national tour for new album \u003cem>Everybody Works\u003c/em>. Rayana Jay, from Richmond, is one of the fastest-rising local R&B acts in town thanks to her 2016 EP \u003cem>Sorry About Last Night\u003c/em>. And Madeline Kenney, who sings sweet, twangy shoegaze, is an up-and-coming Oaklander by way of Seattle. Folk-soul singer Sean Hayes, R&B act Bells Atlas, boundary-pushing rapper DUCKWRTH, punks Never Young, and weirdo doo-wop singer Tino Drima all also hail from the Bay.\u003c/p>\n\u003cp>https://vimeo.com/208258788\u003c/p>\n\u003cp>Tickets, which start at $29, are on sale now at the \u003ca href=\"http://www.phonodelsol.com/\" target=\"_blank\" rel=\"noopener\">festival’s website\u003c/a>. VIP passes go for $60. A full slate of food trucks and an afterparty lineup will be announced in the coming weeks.\u003c/p>\n\u003cp>\u003cspan style=\"text-decoration: underline\">\u003cstrong>Phono del Sol Music and Food Festival 2017\u003c/strong>\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Thee Oh Sees\u003cbr>\nThe Coathangers\u003cbr>\nJay Som\u003cbr>\nSean Hayes\u003cbr>\nDUCKWRTH\u003cbr>\nBells Atlas\u003cbr>\nNever Young\u003cbr>\nRayana Jay\u003cbr>\nMadeline Kenney\u003cbr>\nTino Drima\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The Phono del Sol Music and Food Festival takes Saturday, June 17 at Potrero del Sol Park in San Francisco. Tickets ($29 and up) and \u003ca href=\"http://phonodelsol.com\">more info here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Phono del Sol, the annual summer festival presented by local music blog The Bay Bridged and recording studio Tiny Telephone, announced its lineup today for the 2017 fest, which takes place Saturday, June 17, in San Francisco’s Potrero del Sol Park. See the full lineup below.\u003c/p>\n\u003cp>Psych-rock titans Thee Oh Sees (who came up in San Francisco, though they now call Los Angeles home) and punk rock four-piece The Coathangers, out of Atlanta, are the biggest names on this bill. But the local artists rounding out this poster are also (moreso?) worth getting excited about — in particular, a trio of East Bay women. \u003ca href=\"https://ww2.kqed.org/arts/2016/12/12/the-10-best-local-records-of-2016-jay-som-turn-into/\" target=\"_blank\" rel=\"noopener\">Jay Som\u003c/a>, Oakland’s buzziest indie-pop act right now, should receive a warm welcome at this homecoming show following her current national tour for new album \u003cem>Everybody Works\u003c/em>. Rayana Jay, from Richmond, is one of the fastest-rising local R&B acts in town thanks to her 2016 EP \u003cem>Sorry About Last Night\u003c/em>. And Madeline Kenney, who sings sweet, twangy shoegaze, is an up-and-coming Oaklander by way of Seattle. Folk-soul singer Sean Hayes, R&B act Bells Atlas, boundary-pushing rapper DUCKWRTH, punks Never Young, and weirdo doo-wop singer Tino Drima all also hail from the Bay.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Tickets, which start at $29, are on sale now at the \u003ca href=\"http://www.phonodelsol.com/\" target=\"_blank\" rel=\"noopener\">festival’s website\u003c/a>. VIP passes go for $60. A full slate of food trucks and an afterparty lineup will be announced in the coming weeks.\u003c/p>\n\u003cp>\u003cspan style=\"text-decoration: underline\">\u003cstrong>Phono del Sol Music and Food Festival 2017\u003c/strong>\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Thee Oh Sees\u003cbr>\nThe Coathangers\u003cbr>\nJay Som\u003cbr>\nSean Hayes\u003cbr>\nDUCKWRTH\u003cbr>\nBells Atlas\u003cbr>\nNever Young\u003cbr>\nRayana Jay\u003cbr>\nMadeline Kenney\u003cbr>\nTino Drima\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The Phono del Sol Music and Food Festival takes Saturday, June 17 at Potrero del Sol Park in San Francisco. Tickets ($29 and up) and \u003ca href=\"http://phonodelsol.com\">more info here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Burger Boogaloo 2017 Lineup: Iggy Pop, Buzzcocks, X and More",
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"content": "\u003cp>Beloved Bay Area weirdo John Waters will return for his third year as host at this summer’s Burger Boogaloo music festival, taking place July 1 and 2 in Oakland’s Mosswood Park.\u003c/p>\n\u003cp>The festival’s lineup, always a celebration of old-school punk and rockabilly, features some heavy hitters this year: the predictably unpredictable proto-punk forefather Iggy Pop, who marked 2016 with the new album \u003cem>Post Pop Depression\u003c/em> — and who’ll turn 70 in April — serves as headliner.\u003c/p>\n\u003cfigure id=\"attachment_12771541\" class=\"wp-caption alignright\" style=\"max-width: 350px\">\u003ca href=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/95-og.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12771541\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/95-og.jpg\" alt=\"John Waters, emcee\" width=\"350\" height=\"523\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/95-og.jpg 350w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/95-og-160x239.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/95-og-240x359.jpg 240w\" sizes=\"(max-width: 350px) 100vw, 350px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">John Waters, emcee\u003c/figcaption>\u003c/figure>\n\u003cp>Alongside him will be the seminal British punks Buzzcocks and L.A.’s first-wave scene-setter X (whose \u003ca href=\"https://ww2.kqed.org/news/2017/01/04/in-studio-with-john-doe-songs-from-the-reagan-era-still-resonate/\" target=\"_blank\" rel=\"noopener\">John Doe\u003c/a>, an East Bay resident, is working overtime these days as an author in addition to his solo country-folk career).\u003c/p>\n\u003cp>The rest of the lineup for the fifth annual fest includes Guitar Wolf, Nobunny, NRBQ, Personal & The Pizzas, Quintron & Ms. Pussycat, Shannon & the Clams, La Luz, Baby Shakes, Bloodshot Bill, Roy Loney, Jacuzzi Boys, Wounded Lion, Car Crash, and Glitter Wizard. Per tradition, other bands and performers will likely be announced closer to the festival date.\u003c/p>\n\u003cp>Tickets, which start at $69, are \u003ca href=\"http://www.ticketfly.com/purchase/event/1431334\" target=\"_blank\" rel=\"noopener\">currently onsale for the two-day \u003c/a>\u003ca href=\"http://www.ticketfly.com/purchase/event/1431334\" target=\"_blank\" rel=\"noopener\">p\u003c/a>\u003ca href=\"http://www.ticketfly.com/purchase/event/1431334\" target=\"_blank\" rel=\"noopener\">arty\u003c/a>; visit the \u003ca href=\"http://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener\">Burger Boogaloo website here\u003c/a> for details.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Beloved Bay Area weirdo John Waters will return for his third year as host at this summer’s Burger Boogaloo music festival, taking place July 1 and 2 in Oakland’s Mosswood Park.\u003c/p>\n\u003cp>The festival’s lineup, always a celebration of old-school punk and rockabilly, features some heavy hitters this year: the predictably unpredictable proto-punk forefather Iggy Pop, who marked 2016 with the new album \u003cem>Post Pop Depression\u003c/em> — and who’ll turn 70 in April — serves as headliner.\u003c/p>\n\u003cfigure id=\"attachment_12771541\" class=\"wp-caption alignright\" style=\"max-width: 350px\">\u003ca href=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/95-og.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12771541\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/02/95-og.jpg\" alt=\"John Waters, emcee\" width=\"350\" height=\"523\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/95-og.jpg 350w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/95-og-160x239.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/02/95-og-240x359.jpg 240w\" sizes=\"(max-width: 350px) 100vw, 350px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">John Waters, emcee\u003c/figcaption>\u003c/figure>\n\u003cp>Alongside him will be the seminal British punks Buzzcocks and L.A.’s first-wave scene-setter X (whose \u003ca href=\"https://ww2.kqed.org/news/2017/01/04/in-studio-with-john-doe-songs-from-the-reagan-era-still-resonate/\" target=\"_blank\" rel=\"noopener\">John Doe\u003c/a>, an East Bay resident, is working overtime these days as an author in addition to his solo country-folk career).\u003c/p>\n\u003cp>The rest of the lineup for the fifth annual fest includes Guitar Wolf, Nobunny, NRBQ, Personal & The Pizzas, Quintron & Ms. Pussycat, Shannon & the Clams, La Luz, Baby Shakes, Bloodshot Bill, Roy Loney, Jacuzzi Boys, Wounded Lion, Car Crash, and Glitter Wizard. Per tradition, other bands and performers will likely be announced closer to the festival date.\u003c/p>\n\u003cp>Tickets, which start at $69, are \u003ca href=\"http://www.ticketfly.com/purchase/event/1431334\" target=\"_blank\" rel=\"noopener\">currently onsale for the two-day \u003c/a>\u003ca href=\"http://www.ticketfly.com/purchase/event/1431334\" target=\"_blank\" rel=\"noopener\">p\u003c/a>\u003ca href=\"http://www.ticketfly.com/purchase/event/1431334\" target=\"_blank\" rel=\"noopener\">arty\u003c/a>; visit the \u003ca href=\"http://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener\">Burger Boogaloo website here\u003c/a> for details.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Festival season might seem far off, but if you already have food trucks and flower crowns on the brain, you’re in luck: The full lineup for the \u003ca href=\"http://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">2017 BottleRock Napa Valley Music Festival\u003c/a> was announced this morning. The three-day music, beer, wine and food binge will take place Friday, May 26 through Sunday, May 28, at the Napa Valley Expo, with headliners Foo Fighters, Tom Petty & the Heartbreakers, and Maroon 5.\u003c/p>\n\u003cp>Rounding out this year’s offerings are Macklemore & Ryan Lewis, Modest Mouse, Ben Harper, The Roots, and a few other dozen other bands that fall mostly into the alt-rock, folk and soul genres, with a legacy act or two (Warren G!) sprinkled in for good measure.\u003c/p>\n\u003cp>\u003ca href=\"http://www.bottlerocknapavalley.com/lineup-schedule/2017-artists/\" target=\"_blank\" rel=\"noopener\">View the full lineup here\u003c/a>. Three-day passes for the festival go on sale Wednesday, Jan. 4 at 10am PT, with \u003ca href=\"http://www.bottlerocknapavalley.com/tickets/\" target=\"_blank\" rel=\"noopener\">general admission starting at $309\u003c/a>; single-day tickets will likely be released in the coming weeks.\u003c/p>\n\u003cp>In the meantime, check out KQED Arts’ review of the 2016 festival \u003ca href=\"https://ww2.kqed.org/arts/2016/05/28/bottlerock-finds-it-footing-on-louboutin-heels-in-wine-country/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Festival season might seem far off, but if you already have food trucks and flower crowns on the brain, you’re in luck: The full lineup for the \u003ca href=\"http://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">2017 BottleRock Napa Valley Music Festival\u003c/a> was announced this morning. The three-day music, beer, wine and food binge will take place Friday, May 26 through Sunday, May 28, at the Napa Valley Expo, with headliners Foo Fighters, Tom Petty & the Heartbreakers, and Maroon 5.\u003c/p>\n\u003cp>Rounding out this year’s offerings are Macklemore & Ryan Lewis, Modest Mouse, Ben Harper, The Roots, and a few other dozen other bands that fall mostly into the alt-rock, folk and soul genres, with a legacy act or two (Warren G!) sprinkled in for good measure.\u003c/p>\n\u003cp>\u003ca href=\"http://www.bottlerocknapavalley.com/lineup-schedule/2017-artists/\" target=\"_blank\" rel=\"noopener\">View the full lineup here\u003c/a>. Three-day passes for the festival go on sale Wednesday, Jan. 4 at 10am PT, with \u003ca href=\"http://www.bottlerocknapavalley.com/tickets/\" target=\"_blank\" rel=\"noopener\">general admission starting at $309\u003c/a>; single-day tickets will likely be released in the coming weeks.\u003c/p>\n\u003cp>In the meantime, check out KQED Arts’ review of the 2016 festival \u003ca href=\"https://ww2.kqed.org/arts/2016/05/28/bottlerock-finds-it-footing-on-louboutin-heels-in-wine-country/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Noise Pop Fest Announces Initial Lineup: Vince Staples, Ty Segall, Deafheaven and More",
"headTitle": "Noise Pop Fest Announces Initial Lineup: Vince Staples, Ty Segall, Deafheaven and More | KQED",
"content": "\u003cp>Noise Pop, which began as a teeny, distinctly homegrown-feeling indie rock festival in 1993, has grown over the past decade into one of the Bay Area’s heaviest hitters in terms of promoters, booking the \u003ca href=\"https://ww2.kqed.org/arts/2016/10/17/photos-and-highlights-from-timf-10-a-rain-soaked-final-fest-on-the-island/\" target=\"_blank\" rel=\"noopener\">Treasure Island Music Festival\u003c/a> and the newly refurbished Swedish American Hall, as well as planning events like the (growing) annual 20th Street Block Party. But perhaps there’s no better indication of how the formerly tiny company has grown than the \u003ca href=\"http://lineup.noisepop.com/\" target=\"_blank\" rel=\"noopener\">lineup for the 2017 fest\u003c/a>, the first “phase” of which was rolled out today, Nov. 14.\u003c/p>\n\u003cp>Vince Staples, who sold out two different venues during last year’s fest, returns as a headliner; in 2015, \u003ca href=\"https://ww2.kqed.org/arts/2015/11/19/noise-pop-branches-into-jazz-and-hip-hop-with-2016s-initial-lineup/\" target=\"_blank\" rel=\"noopener\">Noise Pop’s Dawson Ludwig explained to KQED Arts how the fest came to embrace jazz and hip-hop these past few years\u003c/a>. This year’s inclusion of up-and-comer Adia Victoria — known for her “Gothic blues” — as well as Canadian electronic producers BadBadNotGood, known for their collaborations with Tyler, the Creator and Earl Sweatshirt et al., only serves to stretch that umbrella a little bit wider.\u003c/p>\n\u003cfigure id=\"attachment_12345530\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12345530\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-800x450.jpg\" alt=\"Vince Staples performs at the Social Hall in SF during Noise Pop 2016.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Vince Staples performs at the Social Hall in SF during Noise Pop 2016. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Other headliners from the initial announcement have obvious Bay Area cred: songwriter and multi-instrumentalist Ty Segall, prince of the Bay Area’s garage rock revival, makes an appearance, as do the city’s reigning black metal heads, Deafheaven (who were reportedly great sports in the rain at TIMF, for what that’s worth). A few more offhand recommendations from farther down the poster: old-school melodic noise rock from Blonde Redhead; terrifyingly smart hip-hop from clipping. (featuring Oakland native and \u003cem>Hamilton\u003c/em> star Daveed Diggs); the gleeful, defiant queer punk of PWR BTTM; and hazy, synthy dream-folk from Emma Ruth Rundle.\u003c/p>\n\u003cp>The festival runs Feb. 16–26, 2017. Early-bird badges ($145 and up)\u003ca href=\"https://www.ticketfly.com/purchase/event/1252843?utm_medium=bks\" target=\"_blank\" rel=\"noopener\"> go on sale here\u003c/a> Nov. 14; tickets for individual shows go on sale this Friday, Nov. 18, at 9am. For a full lineup — or, rather, the first chunk of at least three or four more announcements — \u003ca href=\"http://lineup.noisepop.com/\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "Clipping., PWR BTTM, Blonde Redhead and Emma Ruth Rundle round out our early recommendations for the 2017 festival, which kicks off in February. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Noise Pop, which began as a teeny, distinctly homegrown-feeling indie rock festival in 1993, has grown over the past decade into one of the Bay Area’s heaviest hitters in terms of promoters, booking the \u003ca href=\"https://ww2.kqed.org/arts/2016/10/17/photos-and-highlights-from-timf-10-a-rain-soaked-final-fest-on-the-island/\" target=\"_blank\" rel=\"noopener\">Treasure Island Music Festival\u003c/a> and the newly refurbished Swedish American Hall, as well as planning events like the (growing) annual 20th Street Block Party. But perhaps there’s no better indication of how the formerly tiny company has grown than the \u003ca href=\"http://lineup.noisepop.com/\" target=\"_blank\" rel=\"noopener\">lineup for the 2017 fest\u003c/a>, the first “phase” of which was rolled out today, Nov. 14.\u003c/p>\n\u003cp>Vince Staples, who sold out two different venues during last year’s fest, returns as a headliner; in 2015, \u003ca href=\"https://ww2.kqed.org/arts/2015/11/19/noise-pop-branches-into-jazz-and-hip-hop-with-2016s-initial-lineup/\" target=\"_blank\" rel=\"noopener\">Noise Pop’s Dawson Ludwig explained to KQED Arts how the fest came to embrace jazz and hip-hop these past few years\u003c/a>. This year’s inclusion of up-and-comer Adia Victoria — known for her “Gothic blues” — as well as Canadian electronic producers BadBadNotGood, known for their collaborations with Tyler, the Creator and Earl Sweatshirt et al., only serves to stretch that umbrella a little bit wider.\u003c/p>\n\u003cfigure id=\"attachment_12345530\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12345530\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-800x450.jpg\" alt=\"Vince Staples performs at the Social Hall in SF during Noise Pop 2016.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/VinceStaples-800x450-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Vince Staples performs at the Social Hall in SF during Noise Pop 2016. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Other headliners from the initial announcement have obvious Bay Area cred: songwriter and multi-instrumentalist Ty Segall, prince of the Bay Area’s garage rock revival, makes an appearance, as do the city’s reigning black metal heads, Deafheaven (who were reportedly great sports in the rain at TIMF, for what that’s worth). A few more offhand recommendations from farther down the poster: old-school melodic noise rock from Blonde Redhead; terrifyingly smart hip-hop from clipping. (featuring Oakland native and \u003cem>Hamilton\u003c/em> star Daveed Diggs); the gleeful, defiant queer punk of PWR BTTM; and hazy, synthy dream-folk from Emma Ruth Rundle.\u003c/p>\n\u003cp>The festival runs Feb. 16–26, 2017. Early-bird badges ($145 and up)\u003ca href=\"https://www.ticketfly.com/purchase/event/1252843?utm_medium=bks\" target=\"_blank\" rel=\"noopener\"> go on sale here\u003c/a> Nov. 14; tickets for individual shows go on sale this Friday, Nov. 18, at 9am. For a full lineup — or, rather, the first chunk of at least three or four more announcements — \u003ca href=\"http://lineup.noisepop.com/\" target=\"_blank\" rel=\"noopener\">see here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"pbs-newshour": {
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},
"perspectives": {
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
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