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"title": "Not Your Grandma's Big Band: 7th Street Reaches for the Edge of Jazz",
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"content": "\u003cp>Pretty much the only thing traditional about San Jose’s \u003ca href=\"https://www.7thstreetbigband.com/\">7th Street Big Band\u003c/a> is the instrumentation.\u003c/p>\n\u003cp>At a recent rehearsal, the group’s founder, band leader and drum set player Gabby Horlick, ticked off the personnel.\u003c/p>\n\u003cp>“Today we’ll have four trumpets, four trombones, five saxophones, a flute and a full rhythm section,” said Horlick. “We have a bunch of singers coming today, also.”\u003c/p>\n\u003cp>Horlick said people filter in and out of the band, but there’s usually about 20 members. They barely fit in Horlick’s living room, which she converts to a rehearsal space every other Sunday.\u003c/p>\n\u003cp>Now, if big band makes you think swing music, you might be disappointed with the sound of 7th Street.\u003c/p>\n\u003cfigure id=\"attachment_13862984\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13862984\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/RS38386_IMG_3054-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38386_IMG_3054-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38386_IMG_3054-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38386_IMG_3054-qut-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38386_IMG_3054-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38386_IMG_3054-qut-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38386_IMG_3054-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Besides playing the drums in the band, Gabby Horlick organizes band charts and gigs and helps lead rehearsals.\u003c/figcaption>\u003c/figure>\n\u003cp>“Our tagline is ‘we’re not your grandparents big band’,” said Horlick. “ We don’t really play “In the Mood” and “Sing Sing Sing” and these traditional big band songs.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside postID='arts_13863049,arts_13804037,arts_10885260' label='More San Jose Jazz']But, Horlick says, they do have the chops to play those songs and they’ve performed standards like those when the group first got together in 2013.\u003c/p>\n\u003cp>Like many musicians today, they feel free to draw from multiple musical traditions. Influences range from pop and funk to hip hop, as well as jazz. And they do covers, like Childish Gambino’s “Redbone”.\u003c/p>\n\u003cp>But the 7th Street Big Band plays a lot of original music, too. Their most streamed song on Spotify, from their 2018 album “Off Cinderella Lane” was written by their tenor saxophone player. It’s called “\u003ca href=\"https://open.spotify.com/track/5L3FLFDJCua5vqhtNe3j5s\" target=\"_blank\" rel=\"noopener\">One Man’s Trash\u003c/a>” and it’s another piece that bucks big band tradition with its heavy tinges of electronic dance music.\u003c/p>\n\u003cp>Most members of the band are recent grads from San Jose State. Hence the band name, a nod to one of the prominent streets adjacent to campus.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=czvmy1qYOis\u003c/p>\n\u003cp>24-year-old band member Brittany Biala studied jazz at San Jose State and graduated last year. Now she teaches music and plays saxophone with the group. Biala said this is not the first time she’s played with a big band.\u003c/p>\n\u003cp>“The typical big bands that I’ve been in definitely have an older generation of people who want to play mostly straight-ahead jazz, which is awesome,” says Biala. “But we definitely play some funkier versions. And we have a rapper.”\u003c/p>\n\u003cp>Biala says the band members, who are almost all in their 20s, enjoy each other’s company and that leads to more musical experimentation. And, of course, jazz is all about experimentation.\u003c/p>\n\u003cp>“It’s survived by mixing with so many genres,” says Biala. “And that’s how it always is turning into something new, creating something new, becoming something new.”\u003c/p>\n\u003cp>\u003cem>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The\u003cstrong> 7th Street Big Band\u003c/strong> performs as part of the \u003cstrong>San Jose Jazz Summer Fest\u003c/strong> on August 10, 2019 on the Swing Stage. For more information, click \u003ca href=\"https://summerfest.sanjosejazz.org/artists/7th-street-big-band\" target=\"_blank\" rel=\"noopener\">\u003cstrong>here\u003c/strong>\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"excerpt": "San Jose’s 7th Street Big Band redefines what big band jazz music sounds like with original music and varied musical influences.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Pretty much the only thing traditional about San Jose’s \u003ca href=\"https://www.7thstreetbigband.com/\">7th Street Big Band\u003c/a> is the instrumentation.\u003c/p>\n\u003cp>At a recent rehearsal, the group’s founder, band leader and drum set player Gabby Horlick, ticked off the personnel.\u003c/p>\n\u003cp>“Today we’ll have four trumpets, four trombones, five saxophones, a flute and a full rhythm section,” said Horlick. “We have a bunch of singers coming today, also.”\u003c/p>\n\u003cp>Horlick said people filter in and out of the band, but there’s usually about 20 members. They barely fit in Horlick’s living room, which she converts to a rehearsal space every other Sunday.\u003c/p>\n\u003cp>Now, if big band makes you think swing music, you might be disappointed with the sound of 7th Street.\u003c/p>\n\u003cfigure id=\"attachment_13862984\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13862984\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/RS38386_IMG_3054-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38386_IMG_3054-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38386_IMG_3054-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38386_IMG_3054-qut-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38386_IMG_3054-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38386_IMG_3054-qut-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38386_IMG_3054-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Besides playing the drums in the band, Gabby Horlick organizes band charts and gigs and helps lead rehearsals.\u003c/figcaption>\u003c/figure>\n\u003cp>“Our tagline is ‘we’re not your grandparents big band’,” said Horlick. “ We don’t really play “In the Mood” and “Sing Sing Sing” and these traditional big band songs.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>But, Horlick says, they do have the chops to play those songs and they’ve performed standards like those when the group first got together in 2013.\u003c/p>\n\u003cp>Like many musicians today, they feel free to draw from multiple musical traditions. Influences range from pop and funk to hip hop, as well as jazz. And they do covers, like Childish Gambino’s “Redbone”.\u003c/p>\n\u003cp>But the 7th Street Big Band plays a lot of original music, too. Their most streamed song on Spotify, from their 2018 album “Off Cinderella Lane” was written by their tenor saxophone player. It’s called “\u003ca href=\"https://open.spotify.com/track/5L3FLFDJCua5vqhtNe3j5s\" target=\"_blank\" rel=\"noopener\">One Man’s Trash\u003c/a>” and it’s another piece that bucks big band tradition with its heavy tinges of electronic dance music.\u003c/p>\n\u003cp>Most members of the band are recent grads from San Jose State. Hence the band name, a nod to one of the prominent streets adjacent to campus.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/czvmy1qYOis'\n title='//www.youtube.com/embed/czvmy1qYOis'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>24-year-old band member Brittany Biala studied jazz at San Jose State and graduated last year. Now she teaches music and plays saxophone with the group. Biala said this is not the first time she’s played with a big band.\u003c/p>\n\u003cp>“The typical big bands that I’ve been in definitely have an older generation of people who want to play mostly straight-ahead jazz, which is awesome,” says Biala. “But we definitely play some funkier versions. And we have a rapper.”\u003c/p>\n\u003cp>Biala says the band members, who are almost all in their 20s, enjoy each other’s company and that leads to more musical experimentation. And, of course, jazz is all about experimentation.\u003c/p>\n\u003cp>“It’s survived by mixing with so many genres,” says Biala. “And that’s how it always is turning into something new, creating something new, becoming something new.”\u003c/p>\n\u003cp>\u003cem>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The\u003cstrong> 7th Street Big Band\u003c/strong> performs as part of the \u003cstrong>San Jose Jazz Summer Fest\u003c/strong> on August 10, 2019 on the Swing Stage. For more information, click \u003ca href=\"https://summerfest.sanjosejazz.org/artists/7th-street-big-band\" target=\"_blank\" rel=\"noopener\">\u003cstrong>here\u003c/strong>\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "San Jose Jazz Summer Fest: In the Pocket at 30",
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"content": "\u003cp>This weekend, an estimated 40,000 people will descend on downtown San Jose for the 30th anniversary of the \u003ca href=\"https://summerfest.sanjosejazz.org\" target=\"_blank\" rel=\"noopener\">San Jose Jazz Summer Fest\u003c/a>. (And yes, extra security is expected.)\u003c/p>\n\u003cp>As you might expect, the original ambition was decidedly more modest in 1990. So says Artistic & Festival Director Bruce Labadie, there at the creation: “We decided to have it free and outdoors and, basically, was going to be made successful by selling beer.”\u003c/p>\n\u003cp>Of course, a few sponsorship deals helped, as did careful selection of eight headliners, including Bobby Hutcherson, Freddie Hubbard, and Poncho Sánchez. “10,000 people showed up over two days. It was amazing. So we knew it was going to be successful from the beginning.”\u003c/p>\n\u003cp>30 years later, the Summer Fest is much bigger: 14 stages instead of two, 150 acts, or so, instead of eight. But also, the organization itself is much bigger than its annual summer fest.\u003c/p>\n\u003cp>“There’s really nothing else like it in the Bay Area,” says jazz writer Andy Gilbert, who’s covered the organization for KQED over many years. “This takes over downtown San Jose, around the Plaza de Cesar Chavez. You’ve got outdoor stages. It’s a huge street party, with fantastic music.”\u003c/p>\n\u003cfigure id=\"attachment_13863066\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13863066\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/RS38405_Yes_2001deedeebridgewaterandy-qut.jpg\" alt=\"Dee Dee Bridgewater headlined the 2001 San Jose Jazz Summer Fest.\" width=\"1600\" height=\"1194\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38405_Yes_2001deedeebridgewaterandy-qut.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38405_Yes_2001deedeebridgewaterandy-qut-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38405_Yes_2001deedeebridgewaterandy-qut-800x597.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38405_Yes_2001deedeebridgewaterandy-qut-768x573.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38405_Yes_2001deedeebridgewaterandy-qut-1020x761.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38405_Yes_2001deedeebridgewaterandy-qut-1200x896.jpg 1200w\" sizes=\"(max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">Dee Dee Bridgewater headlined the 2001 San Jose Jazz Summer Fest. \u003ccite>(Photo: Courtesy of Andy Nozaka)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We’re also active year round. We do a couple hundred performances throughout all of San Jose throughout the year. We also do a Winter Fest and then we’re active in a lot of San Jose schools with different music education programs,” said Executive Director Brendan Rawson.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Marketing Director Massimo Chisessi adds, “San Jose Jazz has nurtured a local ecology of musicians here, through jams year-round. We also bring them work, gigs at local restaurants. One of the results is there’s a lot more interest now in live music (in downtown San Jose) than there was 30 years ago.”\u003c/p>\n\u003cp>[aside postID='arts_13857655,arts_13804037,arts_10885260' label='More San Jose Jazz']Rawson estimates half of the Summer Fest’s audience is local to Silicon Valley. The other half is split between the greater Bay Area and the world beyond, stretching as far afield as Los Angeles, Chicago and Atlanta.\u003c/p>\n\u003cp>Full disclosure: I grew up in a family full of talented jazz composers, and I love jazz. But like a lot of musical traditions, jazz’s audience is growing frailer and paler, and it’s dropped off the radio dial in many cities.\u003c/p>\n\u003cp>So I had to ask, how has San Jose Jazz survived and thrived? Short answer: like most jazz festivals, with a definition of jazz much more expansive than what insiders call “straight-ahead.” That, along with smooth jazz, makes up only 20 percent of what’s on the roster of San Jose Jazz today. The rest represents gospel, blues, funk, soul, hip hop, R&B, and of course, lots of salsa.\u003c/p>\n\u003cfigure id=\"attachment_13863068\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13863068\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/RS38408_SJJSummerfest_TromboneShortyandOrleansAvenue6_creditBruceFram-qut.jpg\" alt=\"Trombone Shorty and Orleans Avenue during the 2011 San Jose Jazz Summer Fest.\" width=\"1920\" height=\"1272\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38408_SJJSummerfest_TromboneShortyandOrleansAvenue6_creditBruceFram-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38408_SJJSummerfest_TromboneShortyandOrleansAvenue6_creditBruceFram-qut-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38408_SJJSummerfest_TromboneShortyandOrleansAvenue6_creditBruceFram-qut-800x530.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38408_SJJSummerfest_TromboneShortyandOrleansAvenue6_creditBruceFram-qut-768x509.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38408_SJJSummerfest_TromboneShortyandOrleansAvenue6_creditBruceFram-qut-1020x676.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38408_SJJSummerfest_TromboneShortyandOrleansAvenue6_creditBruceFram-qut-1200x795.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Trombone Shorty and Orleans Avenue during the 2011 San Jose Jazz Summer Fest. \u003ccite>(Photo: Courtesy of Bruce Fram)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“There’s nothing like seeing a band live onstage, because it’s infectious, it’s contagious, it’s … it’s music that you want to dance to!” said Betto Arcos of KPCC in Los Angeles, one of a host of curators who bring specialized rolodexes with them, along with bigger, broader audiences from the Bay Area and beyond.\u003c/p>\n\u003cp>“This year we’re bringing a band from Columbia (\u003ca href=\"http://www.la-33.com\" target=\"_blank\" rel=\"noopener\">Orquesta La 33\u003c/a>). This is like the top salsa band from Colombia has come into perform to the Jazz Fest,” Arcos adds.\u003c/p>\n\u003cp>Gilbert says San Jose Jazz’s commitment to Latin music has been genuine since the beginning. “Showing how that is woven in to the fabric of jazz. This year is no different.”\u003c/p>\n\u003cp>Labadie say the audiences who come to San Jose Jazz come with big, broad musical appetites, keen to take in the unfamiliar and cheer on the young and the local. Why not, when about 40 percent of music is free?\u003c/p>\n\u003ch2>Jazz is roots music\u003c/h2>\n\u003cp>“There’s a lot of these young artists that come of age in a hip hop generation, but they’re incredibly well-trained jazz artists, and you’re seeing them sort of in sort of informing and shaping a lot of popular music today,” Rawson says.\u003c/p>\n\u003cp>It’s fair to say San Jose Jazz has helped to “inform and shape” by giving an early chance to musicians coming up. Labadie has a lot of stories along these lines…\u003c/p>\n\u003cfigure id=\"attachment_13863069\" class=\"wp-caption aligncenter\" style=\"max-width: 1543px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13863069\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/RS38406_Yes_2002johnsantosandy-qut.jpg\" alt=\"John Santos with the Machete Ensemble at the 2002 San Jose Jazz Summer Fest.\" width=\"1543\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38406_Yes_2002johnsantosandy-qut.jpg 1543w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38406_Yes_2002johnsantosandy-qut-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38406_Yes_2002johnsantosandy-qut-800x622.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38406_Yes_2002johnsantosandy-qut-768x597.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38406_Yes_2002johnsantosandy-qut-1020x793.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38406_Yes_2002johnsantosandy-qut-1200x933.jpg 1200w\" sizes=\"(max-width: 1543px) 100vw, 1543px\">\u003cfigcaption class=\"wp-caption-text\">John Santos with the Machete Ensemble at the 2002 San Jose Jazz Summer Fest. \u003ccite>(Photo: Courtesy of Andy Nozaka)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Years ago, we had the \u003ca href=\"https://www.lulawashington.org\" target=\"_blank\" rel=\"noopener\">Lulu Washington Dance Company\u003c/a>, and the guy that promotes it, the husband of Lulu Washington, said, ‘Oh, my nephew is really a good player!’ I go, ‘Okay, whatever.’ Then I open \u003cem>Rolling Stone\u003c/em> and there he was. \u003ca href=\"https://www.kamasiwashington.com\" target=\"_blank\" rel=\"noopener\">Kamasi Washington\u003c/a>. He didn’t have an agent. We paid him a little bit of money, and then he was charging $50,000 right after that.”\u003c/p>\n\u003cp>“Same with Trombone Shorty, who we found. You know, played at the main stage, and became unaffordable a couple of years after we had him.”\u003c/p>\n\u003cp>Like anybody else, the organizers are partial to headliners. Rawson’s favorite? “I’m really excited that we’re having \u003ca href=\"http://diannereeves.com\" target=\"_blank\" rel=\"noopener\">Dianne Reeves\u003c/a> back. She was named an \u003ca href=\"https://www.arts.gov/honors/jazz/dianne-reeves\" target=\"_blank\" rel=\"noopener\">NEA Jazz Master\u003c/a> last year. She was with us in our second year of the festival. She’s this will be her fourth time appearing with us, and it’s always there’s really a sense of almost homecoming for a lot of our folks that come each year, and she’s just outstanding.”\u003c/p>\n\u003cp>San Jose Jazz doesn’t typically have performance recording rights. The local radio station \u003ca href=\"https://www.kcsm.org\" target=\"_blank\" rel=\"noopener\">KCSM\u003c/a> broadcasts some of the music live, and they do run a highlight show the following spring. There’s also some live streaming. But generally, you have to be in San Jose to experience Summer Fest in all its multi-faceted, musical glory.\u003c/p>\n\u003cp>\u003cem>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The \u003cstrong>San Jose Jazz Summer Fest\u003c/strong> runs August 9-11, 2019. For more information, click \u003ca href=\"https://summerfest.sanjosejazz.org/artists/7th-street-big-band\" target=\"_blank\" rel=\"noopener\">\u003cstrong>here\u003c/strong>\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This weekend, an estimated 40,000 people will descend on downtown San Jose for the 30th anniversary of the \u003ca href=\"https://summerfest.sanjosejazz.org\" target=\"_blank\" rel=\"noopener\">San Jose Jazz Summer Fest\u003c/a>. (And yes, extra security is expected.)\u003c/p>\n\u003cp>As you might expect, the original ambition was decidedly more modest in 1990. So says Artistic & Festival Director Bruce Labadie, there at the creation: “We decided to have it free and outdoors and, basically, was going to be made successful by selling beer.”\u003c/p>\n\u003cp>Of course, a few sponsorship deals helped, as did careful selection of eight headliners, including Bobby Hutcherson, Freddie Hubbard, and Poncho Sánchez. “10,000 people showed up over two days. It was amazing. So we knew it was going to be successful from the beginning.”\u003c/p>\n\u003cp>30 years later, the Summer Fest is much bigger: 14 stages instead of two, 150 acts, or so, instead of eight. But also, the organization itself is much bigger than its annual summer fest.\u003c/p>\n\u003cp>“There’s really nothing else like it in the Bay Area,” says jazz writer Andy Gilbert, who’s covered the organization for KQED over many years. “This takes over downtown San Jose, around the Plaza de Cesar Chavez. You’ve got outdoor stages. It’s a huge street party, with fantastic music.”\u003c/p>\n\u003cfigure id=\"attachment_13863066\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13863066\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/RS38405_Yes_2001deedeebridgewaterandy-qut.jpg\" alt=\"Dee Dee Bridgewater headlined the 2001 San Jose Jazz Summer Fest.\" width=\"1600\" height=\"1194\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38405_Yes_2001deedeebridgewaterandy-qut.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38405_Yes_2001deedeebridgewaterandy-qut-160x119.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38405_Yes_2001deedeebridgewaterandy-qut-800x597.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38405_Yes_2001deedeebridgewaterandy-qut-768x573.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38405_Yes_2001deedeebridgewaterandy-qut-1020x761.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38405_Yes_2001deedeebridgewaterandy-qut-1200x896.jpg 1200w\" sizes=\"(max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">Dee Dee Bridgewater headlined the 2001 San Jose Jazz Summer Fest. \u003ccite>(Photo: Courtesy of Andy Nozaka)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We’re also active year round. We do a couple hundred performances throughout all of San Jose throughout the year. We also do a Winter Fest and then we’re active in a lot of San Jose schools with different music education programs,” said Executive Director Brendan Rawson.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Marketing Director Massimo Chisessi adds, “San Jose Jazz has nurtured a local ecology of musicians here, through jams year-round. We also bring them work, gigs at local restaurants. One of the results is there’s a lot more interest now in live music (in downtown San Jose) than there was 30 years ago.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Rawson estimates half of the Summer Fest’s audience is local to Silicon Valley. The other half is split between the greater Bay Area and the world beyond, stretching as far afield as Los Angeles, Chicago and Atlanta.\u003c/p>\n\u003cp>Full disclosure: I grew up in a family full of talented jazz composers, and I love jazz. But like a lot of musical traditions, jazz’s audience is growing frailer and paler, and it’s dropped off the radio dial in many cities.\u003c/p>\n\u003cp>So I had to ask, how has San Jose Jazz survived and thrived? Short answer: like most jazz festivals, with a definition of jazz much more expansive than what insiders call “straight-ahead.” That, along with smooth jazz, makes up only 20 percent of what’s on the roster of San Jose Jazz today. The rest represents gospel, blues, funk, soul, hip hop, R&B, and of course, lots of salsa.\u003c/p>\n\u003cfigure id=\"attachment_13863068\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13863068\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/RS38408_SJJSummerfest_TromboneShortyandOrleansAvenue6_creditBruceFram-qut.jpg\" alt=\"Trombone Shorty and Orleans Avenue during the 2011 San Jose Jazz Summer Fest.\" width=\"1920\" height=\"1272\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38408_SJJSummerfest_TromboneShortyandOrleansAvenue6_creditBruceFram-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38408_SJJSummerfest_TromboneShortyandOrleansAvenue6_creditBruceFram-qut-160x106.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38408_SJJSummerfest_TromboneShortyandOrleansAvenue6_creditBruceFram-qut-800x530.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38408_SJJSummerfest_TromboneShortyandOrleansAvenue6_creditBruceFram-qut-768x509.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38408_SJJSummerfest_TromboneShortyandOrleansAvenue6_creditBruceFram-qut-1020x676.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38408_SJJSummerfest_TromboneShortyandOrleansAvenue6_creditBruceFram-qut-1200x795.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Trombone Shorty and Orleans Avenue during the 2011 San Jose Jazz Summer Fest. \u003ccite>(Photo: Courtesy of Bruce Fram)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“There’s nothing like seeing a band live onstage, because it’s infectious, it’s contagious, it’s … it’s music that you want to dance to!” said Betto Arcos of KPCC in Los Angeles, one of a host of curators who bring specialized rolodexes with them, along with bigger, broader audiences from the Bay Area and beyond.\u003c/p>\n\u003cp>“This year we’re bringing a band from Columbia (\u003ca href=\"http://www.la-33.com\" target=\"_blank\" rel=\"noopener\">Orquesta La 33\u003c/a>). This is like the top salsa band from Colombia has come into perform to the Jazz Fest,” Arcos adds.\u003c/p>\n\u003cp>Gilbert says San Jose Jazz’s commitment to Latin music has been genuine since the beginning. “Showing how that is woven in to the fabric of jazz. This year is no different.”\u003c/p>\n\u003cp>Labadie say the audiences who come to San Jose Jazz come with big, broad musical appetites, keen to take in the unfamiliar and cheer on the young and the local. Why not, when about 40 percent of music is free?\u003c/p>\n\u003ch2>Jazz is roots music\u003c/h2>\n\u003cp>“There’s a lot of these young artists that come of age in a hip hop generation, but they’re incredibly well-trained jazz artists, and you’re seeing them sort of in sort of informing and shaping a lot of popular music today,” Rawson says.\u003c/p>\n\u003cp>It’s fair to say San Jose Jazz has helped to “inform and shape” by giving an early chance to musicians coming up. Labadie has a lot of stories along these lines…\u003c/p>\n\u003cfigure id=\"attachment_13863069\" class=\"wp-caption aligncenter\" style=\"max-width: 1543px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13863069\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/08/RS38406_Yes_2002johnsantosandy-qut.jpg\" alt=\"John Santos with the Machete Ensemble at the 2002 San Jose Jazz Summer Fest.\" width=\"1543\" height=\"1200\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38406_Yes_2002johnsantosandy-qut.jpg 1543w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38406_Yes_2002johnsantosandy-qut-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38406_Yes_2002johnsantosandy-qut-800x622.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38406_Yes_2002johnsantosandy-qut-768x597.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38406_Yes_2002johnsantosandy-qut-1020x793.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/08/RS38406_Yes_2002johnsantosandy-qut-1200x933.jpg 1200w\" sizes=\"(max-width: 1543px) 100vw, 1543px\">\u003cfigcaption class=\"wp-caption-text\">John Santos with the Machete Ensemble at the 2002 San Jose Jazz Summer Fest. \u003ccite>(Photo: Courtesy of Andy Nozaka)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Years ago, we had the \u003ca href=\"https://www.lulawashington.org\" target=\"_blank\" rel=\"noopener\">Lulu Washington Dance Company\u003c/a>, and the guy that promotes it, the husband of Lulu Washington, said, ‘Oh, my nephew is really a good player!’ I go, ‘Okay, whatever.’ Then I open \u003cem>Rolling Stone\u003c/em> and there he was. \u003ca href=\"https://www.kamasiwashington.com\" target=\"_blank\" rel=\"noopener\">Kamasi Washington\u003c/a>. He didn’t have an agent. We paid him a little bit of money, and then he was charging $50,000 right after that.”\u003c/p>\n\u003cp>“Same with Trombone Shorty, who we found. You know, played at the main stage, and became unaffordable a couple of years after we had him.”\u003c/p>\n\u003cp>Like anybody else, the organizers are partial to headliners. Rawson’s favorite? “I’m really excited that we’re having \u003ca href=\"http://diannereeves.com\" target=\"_blank\" rel=\"noopener\">Dianne Reeves\u003c/a> back. She was named an \u003ca href=\"https://www.arts.gov/honors/jazz/dianne-reeves\" target=\"_blank\" rel=\"noopener\">NEA Jazz Master\u003c/a> last year. She was with us in our second year of the festival. She’s this will be her fourth time appearing with us, and it’s always there’s really a sense of almost homecoming for a lot of our folks that come each year, and she’s just outstanding.”\u003c/p>\n\u003cp>San Jose Jazz doesn’t typically have performance recording rights. The local radio station \u003ca href=\"https://www.kcsm.org\" target=\"_blank\" rel=\"noopener\">KCSM\u003c/a> broadcasts some of the music live, and they do run a highlight show the following spring. There’s also some live streaming. But generally, you have to be in San Jose to experience Summer Fest in all its multi-faceted, musical glory.\u003c/p>\n\u003cp>\u003cem>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The \u003cstrong>San Jose Jazz Summer Fest\u003c/strong> runs August 9-11, 2019. For more information, click \u003ca href=\"https://summerfest.sanjosejazz.org/artists/7th-street-big-band\" target=\"_blank\" rel=\"noopener\">\u003cstrong>here\u003c/strong>\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Treasure Island Music Festival On Indefinite Hiatus",
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"content": "\u003cp>\u003cem>Updated Monday, 3:30 p.m. \u003c/em>\u003c/p>\n\u003cp>Noise Pop and Another Planet Entertainment announced Monday that the 2019 edition of Treasure Island Music Festival is cancelled, saying in a statement that the anticipated annual event first launched in 2007 is “on hiatus for the foreseeable future.”\u003c/p>\n\u003cp>The multi-day music festival, focused on indie-rock and increasingly electronic and hip-hop programming, occurred for the first time in Oakland last year, at Middle Harbor Shoreline Park.\u003c/p>\n\u003cp>But last month the Bay Conservation and Development Commission ordered the Port of Oakland, which oversees Middle Harbor, to cease hosting events without the regulatory agency’s approval, throwing the future of events at the shoreline location into question. [aside postID=arts_13843462,arts_13862704]\u003c/p>\n\u003cp>According to minutes from a BCDC enforcement committee meeting in July, the Port has flaunted its obligation to seek permission before reducing public access to the park by hosting ticketed events. “BCDC staff has communicated the issue over the years with the Port,” the minutes read. “Nevertheless, these special events continue to occur without BCDC approval.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Save the Bay, a conservationist group, pressured BCDC after observing adverse effects on Middle Harbor following Treasure Island Music Festival last year.\u003c/p>\n\u003cp>As KQED \u003ca href=\"https://www.kqed.org/arts/13843462/ruffled-feathers-can-birds-and-music-festivals-share-middle-harbor-park\">previously reported\u003c/a>, in 2018 the Port of Oakland-owned and operated park hosted three music festivals attended by more than 4,000 people in addition to Treasure Island and Blurry Vision, which each drew more than 10,000 people across their two-day runs. Last year the Port collected more than $60,000 in rental fees for the events at Middle Harbor.\u003c/p>\n\u003cp>The Port’s contracts with event promoters including APE and Blurry Vision producer Goldenvoice, which KQED previously reviewed, included no park-specific environmental stipulations aside from standard cleanup, even though Middle Harbor Shoreline Park provides important wildlife habitat for migrating and endangered and threatened species of birds.\u003c/p>\n\u003cp>The spat between the Port and BCDC contributed to the festival cancellation. “With the new issues facing the site location…putting on a festival to the degree for which our fans have come to expect over the past decade is simply not possible,” Noise Pop and APE said in a statement.\u003c/p>\n\u003cp>Treasure Island’s move to Oakland was an attempted rebound. The festival’s 2016 installment was marred by a rainstorm, prompting many artists to cancel and leading to litigation from disgruntled and injured attendees. It took a year off in 2017 before resurfacing at Middle Harbor.\u003c/p>\n\u003cp>The festival organizers’ statement goes on to note other opportunities to support local musicians and events, including Outside Lands, Noise Pop Festival and “any of the hundreds of concerts both Another Planet Entertainment and Noise Pop bring to the greater Bay Area each year.”\u003c/p>\n\u003cp>A Port of Oakland spokesperson said in a statement that it notifies BCDC about concerts but acknowledged it has been “remiss in obtaining written approvals.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The spokesperson added, “We’re implementing controls to make sure we fulfill BCDC’s requirements for all future concerts.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Updated Monday, 3:30 p.m. \u003c/em>\u003c/p>\n\u003cp>Noise Pop and Another Planet Entertainment announced Monday that the 2019 edition of Treasure Island Music Festival is cancelled, saying in a statement that the anticipated annual event first launched in 2007 is “on hiatus for the foreseeable future.”\u003c/p>\n\u003cp>The multi-day music festival, focused on indie-rock and increasingly electronic and hip-hop programming, occurred for the first time in Oakland last year, at Middle Harbor Shoreline Park.\u003c/p>\n\u003cp>But last month the Bay Conservation and Development Commission ordered the Port of Oakland, which oversees Middle Harbor, to cease hosting events without the regulatory agency’s approval, throwing the future of events at the shoreline location into question. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>According to minutes from a BCDC enforcement committee meeting in July, the Port has flaunted its obligation to seek permission before reducing public access to the park by hosting ticketed events. “BCDC staff has communicated the issue over the years with the Port,” the minutes read. “Nevertheless, these special events continue to occur without BCDC approval.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Save the Bay, a conservationist group, pressured BCDC after observing adverse effects on Middle Harbor following Treasure Island Music Festival last year.\u003c/p>\n\u003cp>As KQED \u003ca href=\"https://www.kqed.org/arts/13843462/ruffled-feathers-can-birds-and-music-festivals-share-middle-harbor-park\">previously reported\u003c/a>, in 2018 the Port of Oakland-owned and operated park hosted three music festivals attended by more than 4,000 people in addition to Treasure Island and Blurry Vision, which each drew more than 10,000 people across their two-day runs. Last year the Port collected more than $60,000 in rental fees for the events at Middle Harbor.\u003c/p>\n\u003cp>The Port’s contracts with event promoters including APE and Blurry Vision producer Goldenvoice, which KQED previously reviewed, included no park-specific environmental stipulations aside from standard cleanup, even though Middle Harbor Shoreline Park provides important wildlife habitat for migrating and endangered and threatened species of birds.\u003c/p>\n\u003cp>The spat between the Port and BCDC contributed to the festival cancellation. “With the new issues facing the site location…putting on a festival to the degree for which our fans have come to expect over the past decade is simply not possible,” Noise Pop and APE said in a statement.\u003c/p>\n\u003cp>Treasure Island’s move to Oakland was an attempted rebound. The festival’s 2016 installment was marred by a rainstorm, prompting many artists to cancel and leading to litigation from disgruntled and injured attendees. It took a year off in 2017 before resurfacing at Middle Harbor.\u003c/p>\n\u003cp>The festival organizers’ statement goes on to note other opportunities to support local musicians and events, including Outside Lands, Noise Pop Festival and “any of the hundreds of concerts both Another Planet Entertainment and Noise Pop bring to the greater Bay Area each year.”\u003c/p>\n\u003cp>A Port of Oakland spokesperson said in a statement that it notifies BCDC about concerts but acknowledged it has been “remiss in obtaining written approvals.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The spokesperson added, “We’re implementing controls to make sure we fulfill BCDC’s requirements for all future concerts.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>It’s time for the weekend!\u003c/p>\n\u003cp>Looking for things to do? Listen to KQED Arts’ Gabe Meline and Sarah Hotchkiss discuss their critic’s picks for this weekend at the audio link above, or read about each event below. \u003c/p>\n\u003cp>\u003cstrong>BBQ’in While Black\u003c/strong>: The huge celebration at Lake Merritt returns on Sunday, July 21, even bigger than ever to reclaim black space along the shoreline. (Read KQED columnist \u003ca href=\"https://www.kqed.org/arts/13832886/were-still-here-bbqn-while-black-draws-out-oaklanders-in-force\" rel=\"noopener\" target=\"_blank\">Pendarvis Harshaw on last year’s celebration\u003c/a>.) \u003ca href=\"https://www.kqed.org/arts/13861227/grill-against-gentrification-at-bbqn-while-black\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>The San Francisco Art Book Fair\u003c/strong>: Three days, over 100 exhibitors, and thousands upon thousands of art books, zines, periodicals, monographs—it’s nuts. Friday–Sunday, July 19–21, at Minnesota Street Project in San Francsico. \u003ca href=\"https://sfartbookfair.com/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>‘Rates of Disappearance’\u003c/strong>: Artist Marshall Elliott’s sculpture about radioactivity, international signal codes, measurement and submarines at an apartment gallery in Vallejo is our small, out-of-the-way pick for the week. Opening reception is Saturday, July 20, at Brittany Gallery. \u003ca href=\"https://www.instagram.com/brittany.vallejo.art/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Hellman Summer Stomp\u003c/strong>: A fun, anything-goes band dedicated to the life and music of Warren Hellman, who made a pile of money in finance and used it to \u003ca href=\"https://www.kqed.org/arts/13810342/where-have-all-the-warren-hellmans-gone\" rel=\"noopener\" target=\"_blank\">found the Hardly Strictly Bluegrass Festival\u003c/a> in San Francisco—a free, non-corporate event for the people. Expect plenty of pickin’ and grinnin’ on Sunday, July 21, at the Sweetwater Music Hall in Mill Valley. \u003ca href=\"https://www.sweetwatermusichall.com/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>‘Haunted: Gothic Tales by Women’\u003c/strong>: SFMOMA’s Modern Cinema series returns with a slate of films based on gothic stories by women. Our recommendation is \u003cem>Interview With the Vampire\u003c/em>, which screens on Saturday, July 20, and stars the holy trinity of ’90s idols: Christian Slater, Tom Cruise, and Brad Pitt. \u003ca href=\"https://www.sfmoma.org/event/series/modern-cinema-gothic-film/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>40th Street Block Party\u003c/strong>: Who are The Coverups, you ask? The headlining band at this Oakland block party in Temescal is a kinda-secret side project of Billie Joe Armstrong from Green Day, playing classic punk and rock songs—the Replacements, the Misfits, David Bowie and many, many others. After \u003ca href=\"https://twitter.com/gmeline/status/972013256545001473\" rel=\"noopener\" target=\"_blank\">a string of shows at tiny, sweaty bars\u003c/a>, this is their first big outdoor show. That’s Saturday, July 20, in Oakland. \u003ca href=\"https://temescaldistrict.org/events/40th-street-block-party-2019/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s time for the weekend!\u003c/p>\n\u003cp>Looking for things to do? Listen to KQED Arts’ Gabe Meline and Sarah Hotchkiss discuss their critic’s picks for this weekend at the audio link above, or read about each event below. \u003c/p>\n\u003cp>\u003cstrong>BBQ’in While Black\u003c/strong>: The huge celebration at Lake Merritt returns on Sunday, July 21, even bigger than ever to reclaim black space along the shoreline. (Read KQED columnist \u003ca href=\"https://www.kqed.org/arts/13832886/were-still-here-bbqn-while-black-draws-out-oaklanders-in-force\" rel=\"noopener\" target=\"_blank\">Pendarvis Harshaw on last year’s celebration\u003c/a>.) \u003ca href=\"https://www.kqed.org/arts/13861227/grill-against-gentrification-at-bbqn-while-black\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>The San Francisco Art Book Fair\u003c/strong>: Three days, over 100 exhibitors, and thousands upon thousands of art books, zines, periodicals, monographs—it’s nuts. Friday–Sunday, July 19–21, at Minnesota Street Project in San Francsico. \u003ca href=\"https://sfartbookfair.com/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>‘Rates of Disappearance’\u003c/strong>: Artist Marshall Elliott’s sculpture about radioactivity, international signal codes, measurement and submarines at an apartment gallery in Vallejo is our small, out-of-the-way pick for the week. Opening reception is Saturday, July 20, at Brittany Gallery. \u003ca href=\"https://www.instagram.com/brittany.vallejo.art/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Hellman Summer Stomp\u003c/strong>: A fun, anything-goes band dedicated to the life and music of Warren Hellman, who made a pile of money in finance and used it to \u003ca href=\"https://www.kqed.org/arts/13810342/where-have-all-the-warren-hellmans-gone\" rel=\"noopener\" target=\"_blank\">found the Hardly Strictly Bluegrass Festival\u003c/a> in San Francisco—a free, non-corporate event for the people. Expect plenty of pickin’ and grinnin’ on Sunday, July 21, at the Sweetwater Music Hall in Mill Valley. \u003ca href=\"https://www.sweetwatermusichall.com/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>‘Haunted: Gothic Tales by Women’\u003c/strong>: SFMOMA’s Modern Cinema series returns with a slate of films based on gothic stories by women. Our recommendation is \u003cem>Interview With the Vampire\u003c/em>, which screens on Saturday, July 20, and stars the holy trinity of ’90s idols: Christian Slater, Tom Cruise, and Brad Pitt. \u003ca href=\"https://www.sfmoma.org/event/series/modern-cinema-gothic-film/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>40th Street Block Party\u003c/strong>: Who are The Coverups, you ask? The headlining band at this Oakland block party in Temescal is a kinda-secret side project of Billie Joe Armstrong from Green Day, playing classic punk and rock songs—the Replacements, the Misfits, David Bowie and many, many others. After \u003ca href=\"https://twitter.com/gmeline/status/972013256545001473\" rel=\"noopener\" target=\"_blank\">a string of shows at tiny, sweaty bars\u003c/a>, this is their first big outdoor show. That’s Saturday, July 20, in Oakland. \u003ca href=\"https://temescaldistrict.org/events/40th-street-block-party-2019/\" rel=\"noopener\" target=\"_blank\">Details here\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Beyoncé, 'Surviving R. Kelly' and 'Leaving Neverland' Get Emmy Nods",
"headTitle": "Beyoncé, ‘Surviving R. Kelly’ and ‘Leaving Neverland’ Get Emmy Nods | KQED",
"content": "\u003cp>NEW YORK (AP) — Beyoncé’s “Homecoming” film has scored six Emmy nominations, while documentaries on Michael Jackson, R. Kelly and the disastrous Fyre Festival also picked up nominations.\u003c/p>\n\u003cp>With Netflix’s “Homecoming: A Film by Beyoncé,” the pop star personally earned four of the six nominations Tuesday, including bids for producing, writing, co-directing and musical direction. In the outstanding variety special (pre-recorded) category, “Homecoming” will compete with “Springsteen on Broadway.”\u003c/p>\n\u003cp>“Homecoming” also earned nominations for costumes and production design.\u003c/p>\n\u003cp>HBO’s “Leaving Neverland,” a documentary where two men accused Jackson of molesting them as boys that sparked new scrutiny of years-old claims that the King of Pop preyed on children, earned five nominations, including outstanding documentary or nonfiction special (Jackson’s estate denied the allegations and Jackson long maintained his innocence when he was alive).\u003c/p>\n\u003cp>Lifetime’s “Surviving R. Kelly,” which looks at the R&B singer’s history and allegations that he has sexually abused women and girls, picked up a single nomination for outstanding informational series or special. Kelly, who was acquitted of child pornography charges in 2008, was hit with new criminal charges on the federal and state level following the airing of the docuseries.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Netflix’s “FYRE: The Greatest Party That Never Happened” followed the highly publicized and famously failed music bash in the Bahamas and received four nominations. Another documentary on the doomed festival called “Fyre Fraud,” which aired on Hulu, is nominated for outstanding writing for a nonfiction program, where Showtime’s “Wu-Tang Clan: Of Mics And Men” also earned a nomination.\u003c/p>\n\u003cp>“Aretha! A Grammy Celebration For The Queen of Soul,” which aired on CBS and featured Patti LaBelle, John Legend and others honoring the late legend, picked up two nominations.\u003c/p>\n\u003cp>Sara Bareilles — who has been nominated for multiple Grammys and Tonys and earned up her first Emmy nomination last year — shares a nomination this year for outstanding original music and lyrics with Josh Groban for their work on the 72nd annual Tony Awards. Mega-producer T Bone Burnett, who produced Bareilles’ latest album, scored a nomination for his musical score of HBO’s “True Detective.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Beyoncé, who has 23 Grammys, earned Emmy nominations in the past for her “Lemonade” visual project, her Super Bowl halftime show performance and her “On the Run” tour with Jay-Z. Her nominations this year include outstanding directing for a variety special, outstanding writing for a variety special and outstanding music direction. In the outstanding variety special (pre-recorded) category, she is nominated as an executive producer of “Homecoming.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>NEW YORK (AP) — Beyoncé’s “Homecoming” film has scored six Emmy nominations, while documentaries on Michael Jackson, R. Kelly and the disastrous Fyre Festival also picked up nominations.\u003c/p>\n\u003cp>With Netflix’s “Homecoming: A Film by Beyoncé,” the pop star personally earned four of the six nominations Tuesday, including bids for producing, writing, co-directing and musical direction. In the outstanding variety special (pre-recorded) category, “Homecoming” will compete with “Springsteen on Broadway.”\u003c/p>\n\u003cp>“Homecoming” also earned nominations for costumes and production design.\u003c/p>\n\u003cp>HBO’s “Leaving Neverland,” a documentary where two men accused Jackson of molesting them as boys that sparked new scrutiny of years-old claims that the King of Pop preyed on children, earned five nominations, including outstanding documentary or nonfiction special (Jackson’s estate denied the allegations and Jackson long maintained his innocence when he was alive).\u003c/p>\n\u003cp>Lifetime’s “Surviving R. Kelly,” which looks at the R&B singer’s history and allegations that he has sexually abused women and girls, picked up a single nomination for outstanding informational series or special. Kelly, who was acquitted of child pornography charges in 2008, was hit with new criminal charges on the federal and state level following the airing of the docuseries.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Netflix’s “FYRE: The Greatest Party That Never Happened” followed the highly publicized and famously failed music bash in the Bahamas and received four nominations. Another documentary on the doomed festival called “Fyre Fraud,” which aired on Hulu, is nominated for outstanding writing for a nonfiction program, where Showtime’s “Wu-Tang Clan: Of Mics And Men” also earned a nomination.\u003c/p>\n\u003cp>“Aretha! A Grammy Celebration For The Queen of Soul,” which aired on CBS and featured Patti LaBelle, John Legend and others honoring the late legend, picked up two nominations.\u003c/p>\n\u003cp>Sara Bareilles — who has been nominated for multiple Grammys and Tonys and earned up her first Emmy nomination last year — shares a nomination this year for outstanding original music and lyrics with Josh Groban for their work on the 72nd annual Tony Awards. Mega-producer T Bone Burnett, who produced Bareilles’ latest album, scored a nomination for his musical score of HBO’s “True Detective.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Beyoncé, who has 23 Grammys, earned Emmy nominations in the past for her “Lemonade” visual project, her Super Bowl halftime show performance and her “On the Run” tour with Jay-Z. Her nominations this year include outstanding directing for a variety special, outstanding writing for a variety special and outstanding music direction. In the outstanding variety special (pre-recorded) category, she is nominated as an executive producer of “Homecoming.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "summer-guide-2019-how-the-south-bay-plans-to-party-this-summer",
"title": "Summer Guide 2019: How the South Bay Plans to Party This Summer",
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"content": "\u003cp>Summertime is the right time in the South Bay for getting outdoors, whether your jam is a movie, concert, or strolling after dinner through the art galleries and museums of downtown. People north of the Peninsula may wonder what’s worth driving so far south to see, but let them wonder. We’re drawing big crowds from the neighborhoods nearby as it is.\u003c/p>\n\u003cfigure id=\"attachment_13857558\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13857558\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut.jpg\" alt=\"Henrietta (Maria Giere Marquis) is captivated by a look into the heavens.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-1200x800.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Henrietta (Maria Giere Marquis) is captivated by a look into the heavens. \u003ccite>(Photo: Courtesy of Taylor Sanders)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Silent Sky\u003c/h2>\n\u003cp>\u003ci>May 16–June 16 \u003c/i>\u003cbr>\n\u003cem>City Lights Theater Company, San Jose\u003c/em>\u003cbr>\n\u003ca style=\"font-style: italic\" href=\"http://cltc.org/silent-sky/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/p>\n\u003cp>The 2016 movie \u003cem>Hidden Figures\u003c/em> wasn’t the first to resurrect the previously underreported stories of lady giants of science. But now we’re definitely paying attention to what’s proving to be a rich and varied genre of entertainment, especially here in Silicon Valley. San Francisco playwright Lauren Gunderson’s \u003ca href=\"https://www.kqed.org/arts/13857555/silent-sky-shines-a-spotlight-on-a-woman-in-love-with-astronomy\" target=\"_blank\" rel=\"noopener\">\u003cem>Silent Sky\u003c/em>\u003c/a> focuses on a woman named Henrietta Swan Leavitt, whose scientific breakthroughs at the turn of the 20th century laid the ground for later revelations—like the idea that the universe is much bigger than our little solar system. The play is moving tribute to scientists of every stripe.\u003c/p>\n\u003cfigure id=\"attachment_13857666\" class=\"wp-caption aligncenter\" style=\"max-width: 638px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13857666\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/D60xfioW0AABYHA.jpg-large-2.jpeg\" alt=\"Future Win will be performing live at this year's subZERO Festival in San Jose.\" width=\"638\" height=\"479\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/D60xfioW0AABYHA.jpg-large-2.jpeg 638w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/D60xfioW0AABYHA.jpg-large-2-160x120.jpeg 160w\" sizes=\"(max-width: 638px) 100vw, 638px\">\u003cfigcaption class=\"wp-caption-text\">Future Win will perform live at this year’s subZERO Festival in San Jose. \u003ccite>(Courtesy of Future Win)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>SubZERO Festival\u003c/h2>\n\u003cp>\u003ci>June 7–8\u003c/i>\u003cbr>\n\u003cem>SoFA District, San Jose\u003c/em>\u003cbr>\n\u003ca style=\"font-style: italic\" href=\"https://www.subzerofestival.com\" target=\"_blank\" rel=\"noopener\">More information \u003c/a>\u003c/p>\n\u003cp>Produced by Two Fish Design, SubZERO is a “DIY, artistically bent, hi/lo-techno mashup where street meets geek.” Got it? Bands, dancers, visual artists and the people who love them will fill the streets of downtown San Jose with sound, as well as craft beer and food trucks. Also, there will be wood carving.\u003c/p>\n\u003cdiv class=\"mceTemp\">\u003c/div>\n\u003cp>[youtube https://www.youtube.com/watch?v=ilUCwLLdltQ]\u003c/p>\n\u003cp>[ad fullwidth]\u003cbr>\n\u003cstrong>Music in the Park\u003c/strong>\u003cbr>\n\u003cem>June 21–Aug. 23\u003cbr>\nPlaza de Caesar Chavez, San Jose\u003cbr>\n\u003ca href=\"https://sjdowntown.com/music-in-the-park/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>For Music in the Park, bring a blanket, sunglasses, a jacket (even San Jose can get chilly at night) and some pocket money for snacks. If you wear comfortable shoes, it’s an easy walk from the CalTrain station. This year’s line-up includes a range of artists, but they’re all chill, i.e. likely to please everybody in the family, from junior to grandma: The Delfonics, Ozomatli, Cuco and J Boog.\u003c/p>\n\u003cfigure id=\"attachment_13857659\" class=\"wp-caption aligncenter\" style=\"max-width: 2048px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13857659\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival.jpg\" alt=\"The Chidori Band performs at the Obon festival in San Jose's Japantown on July 9, 2016.\" width=\"2048\" height=\"1368\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-1200x802.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-1920x1282.jpg 1920w\" sizes=\"(max-width: 2048px) 100vw, 2048px\">\u003cfigcaption class=\"wp-caption-text\">The Chidori band performs at the Obon Festival in Japantown in San Jose on Saturday, July 9. \u003ccite>(James Tensuan/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>San Jose Obon Festival\u003c/h2>\n\u003cp>\u003cem>July 13–14\u003cbr>\nSan Jose Buddhist Church\u003cbr>\n\u003ca href=\"http://www.sjbetsuin.com\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>In Japan, the Obon festival is one of year’s most significant religious and cultural events. In San Jose, it’s also a delightful opportunity for the South Bay’s Japanese Americans to celebrate one of the\u003ca href=\"https://www.kqed.org/forum/201503271000/125-years-of-history-and-culture-in-san-joses-japantown\" target=\"_blank\" rel=\"noopener\"> last remaining Japantowns\u003c/a> in the United States. Also, who doesn’t want to watch \u003ca href=\"https://taiko.org\" target=\"_blank\" rel=\"noopener\">San Jose Taiko\u003c/a> and the \u003ca href=\"https://chidoriband.com\" target=\"_blank\" rel=\"noopener\">San Jose Chidori Band\u003c/a> perform while eating teriyaki and tempura?\u003c/p>\n\u003cfigure id=\"attachment_13857661\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13857661\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/SantaLuciaWhite.png\" alt=\"Ceremonial huipil, Santa Lucía Utatlán, 1930’s/1940’s\" width=\"1000\" height=\"730\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/SantaLuciaWhite.png 1000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/SantaLuciaWhite-160x117.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/SantaLuciaWhite-800x584.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/SantaLuciaWhite-768x561.png 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\">\u003cfigcaption class=\"wp-caption-text\">Ceremonial huipil, Santa Lucía Utatlán, 1930’s/1940’s \u003ccite>(Courtesy of Friends of the Ixchel Museum)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Mayan Traje: A Tradition in Transition\u003c/h2>\n\u003cp>\u003cem>July 21–Oct. 13\u003cbr>\nSan Jose Museum of Quilts and Textiles\u003cbr>\n\u003ca href=\"https://www.sjquiltmuseum.org/upcoming-exhibitions\" target=\"_blank\" rel=\"noopener\">More information \u003c/a>\u003c/em>\u003c/p>\n\u003cp id=\"yui_3_17_2_1_1558317826563_414\" class=\"\">The Maya of Guatemala are known worldwide for their distinctive \u003cem>trajes\u003c/em> (traditional clothing). These were once 100% village-specific, to the extent your hometown could be pegged based on the clothes you wore. Those days have faded, but there’s still a lot of Mayan pride in the tradition and a keen regard for the fact it’s considered “wearable art”. This exhibit focuses on contemporary clothing as well as historical samples dating back to the early 20th century, drawing from the rarely-displayed collection of the \u003ca href=\"http://www.ixchelfriends.org\" target=\"_blank\" rel=\"noopener\">Friends of the Ixchel Museum\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13816938\" class=\"wp-caption aligncenter\" style=\"max-width: 2400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13816938 size-full\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413.jpg\" alt=\"Gregory Porter is just one of a host of nationally known artists performing this year at the 30th annual San Jose Jazz Summer Fest.\" width=\"2400\" height=\"1734\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413.jpg 2400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-160x116.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-800x578.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-768x555.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-1020x737.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-1920x1387.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-1180x853.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-960x694.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-240x173.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-375x271.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-520x376.jpg 520w\" sizes=\"(max-width: 2400px) 100vw, 2400px\">\u003cfigcaption class=\"wp-caption-text\">Gregory Porter is just one of a host of nationally known artists performing this year at the 30th annual San Jose Jazz Summer Fest. \u003ccite>(Photo: Courtesy of Gregory Porter)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>San Jose Jazz Summer Fest\u003c/h2>\n\u003cp>\u003cem>Aug. 9–11\u003cbr>\nVarious venues, San Jose\u003cbr>\n\u003ca href=\"https://summerfest.sanjosejazz.org\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003cbr>\n\u003c/em>\u003c/p>\n\u003cp>My, how Summer Fest has grown. The 30 year-old San Jose institution now features 100+ performances in jazz, blues, Latin, R&B and more, at venues throughout downtown. This year, headliners include Dianne Reeves, Gregory Porter, Pink Martini, The O’Jays, Sons of Kemet, Monty Alexander and the Harlem-Kingston Express, Ivan Lins, and the Oakland Interfaith Gospel Choir. Don’t be intimidated! Just try to enjoy as much as you can. Venerable music critic Andy Gilbert suggests a couple South Bay acts, in case you want to support local jazz talent: San Jose vocalist \u003ca href=\"https://www.youtube.com/channel/UCel_i6Vb1cxU2tCSGz0bn7A\" target=\"_blank\" rel=\"noopener\">Amy Dabalos\u003c/a> (aka Amy D), and the \u003ca href=\"https://www.youtube.com/channel/UCN2aaLfyY7rar2gSksq08GQ\" target=\"_blank\" rel=\"noopener\">7th Street Big Band\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13858407\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/NinaSky.jpg\" alt=\"Nina Sky headline this year's Sonido Clash festival in East Side San Jose.\" width=\"750\" height=\"464\" class=\"size-full wp-image-13858407\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/NinaSky.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/NinaSky-160x99.jpg 160w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003cfigcaption class=\"wp-caption-text\">Nina Sky headline this year’s Sonido Clash festival in East Side San Jose.\u003c/figcaption>\u003c/figure>\n\u003ch2>Sonido Clash Music Fest\u003c/h2>\n\u003cp>\u003cem>Sept. 1\u003c/em>\u003cbr>\n\u003cem>School of Arts & Culture, Mexican Heritage Plaza\u003c/em>\u003cbr>\n\u003ca href=\"http://sonidoclash.com\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/p>\n\u003cp>This Latinx collective famous for “cumbia, soul, y más” never fails to deliver a pleasing, all-ages party mix on multiple stages. This year’s lineup includes Nina Sky, Katzo Oso, Ms Nina, Rudy Da Ana, San Cha, and many more. Also, word: this year, San Jose Jazz Summer Fest includes a Sonido Clash Stage. Really, there’s no excuse to miss these guys this summer.\u003c/p>\n\u003cfigure id=\"attachment_11911630\" class=\"wp-caption aligncenter\" style=\"max-width: 840px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11911630 size-full\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/08/Royal-Tenenbaums.jpg\" alt=\"'The Royal Tenenbaums' is one of a series of Wes Anderson films featured at History Park in San Jose this summer.\" width=\"840\" height=\"356\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/Royal-Tenenbaums.jpg 840w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/Royal-Tenenbaums-400x170.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/Royal-Tenenbaums-800x339.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/Royal-Tenenbaums-768x325.jpg 768w\" sizes=\"(max-width: 840px) 100vw, 840px\">\u003cfigcaption class=\"wp-caption-text\">‘The Royal Tenenbaums’ is one of a series of Wes Anderson films featured at History Park in San Jose this summer. \u003ccite>(Courtesy of the Roxie)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Flicks and Grooves\u003c/h2>\n\u003cp>\u003cem>May 10–Oct. 25\u003cbr>\nHistory Park, San Jose\u003cbr>\n\u003ca href=\"https://www.eventbrite.com/e/flicks-and-grooves-a-summertime-film-music-series-tickets-60093563466\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003cdel datetime=\"2019-06-20T22:04:36+00:00\">History San Jose hosts movies and music under the stars, and this year’s outdoor cinema lineup showcases the idiosyncratic genius of director \u003ca href=\"https://www.youtube.com/watch?v=nqfRmceGwUs\" target=\"_blank\" rel=\"noopener\">Wes Anderson\u003c/a> the second Friday of each month. Even if you’ve already seen all of Anderson’s films, they bear a second viewing, given the rich, detailed universes he creates. Though the series is already underway at press time, still to come are \u003cem>The Life Aquatic With Steve Zissou\u003c/em>, \u003cem>Rushmore\u003c/em>, \u003cem>The Grand Budapest Hotel\u003c/em>, \u003cem>The Royal Tenenbaums\u003c/em> and \u003cem>The Fantastic Mr. Fox\u003c/em>.\u003c/del>\u003c/p>\n\u003cp>\u003cstrong>UPDATE: the majority of Flicks and Grooves events have been canceled. \u003c/strong>\u003cem>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n",
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"title": "Summer Guide 2019: How the South Bay Plans to Party This Summer | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Summertime is the right time in the South Bay for getting outdoors, whether your jam is a movie, concert, or strolling after dinner through the art galleries and museums of downtown. People north of the Peninsula may wonder what’s worth driving so far south to see, but let them wonder. We’re drawing big crowds from the neighborhoods nearby as it is.\u003c/p>\n\u003cfigure id=\"attachment_13857558\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13857558\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut.jpg\" alt=\"Henrietta (Maria Giere Marquis) is captivated by a look into the heavens.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS37171_citylights_silentsky_mariagieremarquis-qut-1200x800.jpg 1200w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Henrietta (Maria Giere Marquis) is captivated by a look into the heavens. \u003ccite>(Photo: Courtesy of Taylor Sanders)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Silent Sky\u003c/h2>\n\u003cp>\u003ci>May 16–June 16 \u003c/i>\u003cbr>\n\u003cem>City Lights Theater Company, San Jose\u003c/em>\u003cbr>\n\u003ca style=\"font-style: italic\" href=\"http://cltc.org/silent-sky/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/p>\n\u003cp>The 2016 movie \u003cem>Hidden Figures\u003c/em> wasn’t the first to resurrect the previously underreported stories of lady giants of science. But now we’re definitely paying attention to what’s proving to be a rich and varied genre of entertainment, especially here in Silicon Valley. San Francisco playwright Lauren Gunderson’s \u003ca href=\"https://www.kqed.org/arts/13857555/silent-sky-shines-a-spotlight-on-a-woman-in-love-with-astronomy\" target=\"_blank\" rel=\"noopener\">\u003cem>Silent Sky\u003c/em>\u003c/a> focuses on a woman named Henrietta Swan Leavitt, whose scientific breakthroughs at the turn of the 20th century laid the ground for later revelations—like the idea that the universe is much bigger than our little solar system. The play is moving tribute to scientists of every stripe.\u003c/p>\n\u003cfigure id=\"attachment_13857666\" class=\"wp-caption aligncenter\" style=\"max-width: 638px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13857666\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/D60xfioW0AABYHA.jpg-large-2.jpeg\" alt=\"Future Win will be performing live at this year's subZERO Festival in San Jose.\" width=\"638\" height=\"479\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/D60xfioW0AABYHA.jpg-large-2.jpeg 638w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/D60xfioW0AABYHA.jpg-large-2-160x120.jpeg 160w\" sizes=\"(max-width: 638px) 100vw, 638px\">\u003cfigcaption class=\"wp-caption-text\">Future Win will perform live at this year’s subZERO Festival in San Jose. \u003ccite>(Courtesy of Future Win)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>SubZERO Festival\u003c/h2>\n\u003cp>\u003ci>June 7–8\u003c/i>\u003cbr>\n\u003cem>SoFA District, San Jose\u003c/em>\u003cbr>\n\u003ca style=\"font-style: italic\" href=\"https://www.subzerofestival.com\" target=\"_blank\" rel=\"noopener\">More information \u003c/a>\u003c/p>\n\u003cp>Produced by Two Fish Design, SubZERO is a “DIY, artistically bent, hi/lo-techno mashup where street meets geek.” Got it? Bands, dancers, visual artists and the people who love them will fill the streets of downtown San Jose with sound, as well as craft beer and food trucks. Also, there will be wood carving.\u003c/p>\n\u003cdiv class=\"mceTemp\">\u003c/div>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ilUCwLLdltQ'\n title='//www.youtube.com/embed/ilUCwLLdltQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cbr>\n\u003cstrong>Music in the Park\u003c/strong>\u003cbr>\n\u003cem>June 21–Aug. 23\u003cbr>\nPlaza de Caesar Chavez, San Jose\u003cbr>\n\u003ca href=\"https://sjdowntown.com/music-in-the-park/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>For Music in the Park, bring a blanket, sunglasses, a jacket (even San Jose can get chilly at night) and some pocket money for snacks. If you wear comfortable shoes, it’s an easy walk from the CalTrain station. This year’s line-up includes a range of artists, but they’re all chill, i.e. likely to please everybody in the family, from junior to grandma: The Delfonics, Ozomatli, Cuco and J Boog.\u003c/p>\n\u003cfigure id=\"attachment_13857659\" class=\"wp-caption aligncenter\" style=\"max-width: 2048px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13857659\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival.jpg\" alt=\"The Chidori Band performs at the Obon festival in San Jose's Japantown on July 9, 2016.\" width=\"2048\" height=\"1368\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-1200x802.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/RS20453_Chidori_festival-1920x1282.jpg 1920w\" sizes=\"(max-width: 2048px) 100vw, 2048px\">\u003cfigcaption class=\"wp-caption-text\">The Chidori band performs at the Obon Festival in Japantown in San Jose on Saturday, July 9. \u003ccite>(James Tensuan/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>San Jose Obon Festival\u003c/h2>\n\u003cp>\u003cem>July 13–14\u003cbr>\nSan Jose Buddhist Church\u003cbr>\n\u003ca href=\"http://www.sjbetsuin.com\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>In Japan, the Obon festival is one of year’s most significant religious and cultural events. In San Jose, it’s also a delightful opportunity for the South Bay’s Japanese Americans to celebrate one of the\u003ca href=\"https://www.kqed.org/forum/201503271000/125-years-of-history-and-culture-in-san-joses-japantown\" target=\"_blank\" rel=\"noopener\"> last remaining Japantowns\u003c/a> in the United States. Also, who doesn’t want to watch \u003ca href=\"https://taiko.org\" target=\"_blank\" rel=\"noopener\">San Jose Taiko\u003c/a> and the \u003ca href=\"https://chidoriband.com\" target=\"_blank\" rel=\"noopener\">San Jose Chidori Band\u003c/a> perform while eating teriyaki and tempura?\u003c/p>\n\u003cfigure id=\"attachment_13857661\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13857661\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/SantaLuciaWhite.png\" alt=\"Ceremonial huipil, Santa Lucía Utatlán, 1930’s/1940’s\" width=\"1000\" height=\"730\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/SantaLuciaWhite.png 1000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/SantaLuciaWhite-160x117.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/SantaLuciaWhite-800x584.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/SantaLuciaWhite-768x561.png 768w\" sizes=\"(max-width: 1000px) 100vw, 1000px\">\u003cfigcaption class=\"wp-caption-text\">Ceremonial huipil, Santa Lucía Utatlán, 1930’s/1940’s \u003ccite>(Courtesy of Friends of the Ixchel Museum)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Mayan Traje: A Tradition in Transition\u003c/h2>\n\u003cp>\u003cem>July 21–Oct. 13\u003cbr>\nSan Jose Museum of Quilts and Textiles\u003cbr>\n\u003ca href=\"https://www.sjquiltmuseum.org/upcoming-exhibitions\" target=\"_blank\" rel=\"noopener\">More information \u003c/a>\u003c/em>\u003c/p>\n\u003cp id=\"yui_3_17_2_1_1558317826563_414\" class=\"\">The Maya of Guatemala are known worldwide for their distinctive \u003cem>trajes\u003c/em> (traditional clothing). These were once 100% village-specific, to the extent your hometown could be pegged based on the clothes you wore. Those days have faded, but there’s still a lot of Mayan pride in the tradition and a keen regard for the fact it’s considered “wearable art”. This exhibit focuses on contemporary clothing as well as historical samples dating back to the early 20th century, drawing from the rarely-displayed collection of the \u003ca href=\"http://www.ixchelfriends.org\" target=\"_blank\" rel=\"noopener\">Friends of the Ixchel Museum\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13816938\" class=\"wp-caption aligncenter\" style=\"max-width: 2400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13816938 size-full\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413.jpg\" alt=\"Gregory Porter is just one of a host of nationally known artists performing this year at the 30th annual San Jose Jazz Summer Fest.\" width=\"2400\" height=\"1734\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413.jpg 2400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-160x116.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-800x578.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-768x555.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-1020x737.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-1920x1387.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-1180x853.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-960x694.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-240x173.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-375x271.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/12/Gregory-Porter-e1512606114413-520x376.jpg 520w\" sizes=\"(max-width: 2400px) 100vw, 2400px\">\u003cfigcaption class=\"wp-caption-text\">Gregory Porter is just one of a host of nationally known artists performing this year at the 30th annual San Jose Jazz Summer Fest. \u003ccite>(Photo: Courtesy of Gregory Porter)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>San Jose Jazz Summer Fest\u003c/h2>\n\u003cp>\u003cem>Aug. 9–11\u003cbr>\nVarious venues, San Jose\u003cbr>\n\u003ca href=\"https://summerfest.sanjosejazz.org\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003cbr>\n\u003c/em>\u003c/p>\n\u003cp>My, how Summer Fest has grown. The 30 year-old San Jose institution now features 100+ performances in jazz, blues, Latin, R&B and more, at venues throughout downtown. This year, headliners include Dianne Reeves, Gregory Porter, Pink Martini, The O’Jays, Sons of Kemet, Monty Alexander and the Harlem-Kingston Express, Ivan Lins, and the Oakland Interfaith Gospel Choir. Don’t be intimidated! Just try to enjoy as much as you can. Venerable music critic Andy Gilbert suggests a couple South Bay acts, in case you want to support local jazz talent: San Jose vocalist \u003ca href=\"https://www.youtube.com/channel/UCel_i6Vb1cxU2tCSGz0bn7A\" target=\"_blank\" rel=\"noopener\">Amy Dabalos\u003c/a> (aka Amy D), and the \u003ca href=\"https://www.youtube.com/channel/UCN2aaLfyY7rar2gSksq08GQ\" target=\"_blank\" rel=\"noopener\">7th Street Big Band\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13858407\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/NinaSky.jpg\" alt=\"Nina Sky headline this year's Sonido Clash festival in East Side San Jose.\" width=\"750\" height=\"464\" class=\"size-full wp-image-13858407\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/NinaSky.jpg 750w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/NinaSky-160x99.jpg 160w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003cfigcaption class=\"wp-caption-text\">Nina Sky headline this year’s Sonido Clash festival in East Side San Jose.\u003c/figcaption>\u003c/figure>\n\u003ch2>Sonido Clash Music Fest\u003c/h2>\n\u003cp>\u003cem>Sept. 1\u003c/em>\u003cbr>\n\u003cem>School of Arts & Culture, Mexican Heritage Plaza\u003c/em>\u003cbr>\n\u003ca href=\"http://sonidoclash.com\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/p>\n\u003cp>This Latinx collective famous for “cumbia, soul, y más” never fails to deliver a pleasing, all-ages party mix on multiple stages. This year’s lineup includes Nina Sky, Katzo Oso, Ms Nina, Rudy Da Ana, San Cha, and many more. Also, word: this year, San Jose Jazz Summer Fest includes a Sonido Clash Stage. Really, there’s no excuse to miss these guys this summer.\u003c/p>\n\u003cfigure id=\"attachment_11911630\" class=\"wp-caption aligncenter\" style=\"max-width: 840px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11911630 size-full\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/08/Royal-Tenenbaums.jpg\" alt=\"'The Royal Tenenbaums' is one of a series of Wes Anderson films featured at History Park in San Jose this summer.\" width=\"840\" height=\"356\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/Royal-Tenenbaums.jpg 840w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/Royal-Tenenbaums-400x170.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/Royal-Tenenbaums-800x339.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/08/Royal-Tenenbaums-768x325.jpg 768w\" sizes=\"(max-width: 840px) 100vw, 840px\">\u003cfigcaption class=\"wp-caption-text\">‘The Royal Tenenbaums’ is one of a series of Wes Anderson films featured at History Park in San Jose this summer. \u003ccite>(Courtesy of the Roxie)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Flicks and Grooves\u003c/h2>\n\u003cp>\u003cem>May 10–Oct. 25\u003cbr>\nHistory Park, San Jose\u003cbr>\n\u003ca href=\"https://www.eventbrite.com/e/flicks-and-grooves-a-summertime-film-music-series-tickets-60093563466\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003cdel datetime=\"2019-06-20T22:04:36+00:00\">History San Jose hosts movies and music under the stars, and this year’s outdoor cinema lineup showcases the idiosyncratic genius of director \u003ca href=\"https://www.youtube.com/watch?v=nqfRmceGwUs\" target=\"_blank\" rel=\"noopener\">Wes Anderson\u003c/a> the second Friday of each month. Even if you’ve already seen all of Anderson’s films, they bear a second viewing, given the rich, detailed universes he creates. Though the series is already underway at press time, still to come are \u003cem>The Life Aquatic With Steve Zissou\u003c/em>, \u003cem>Rushmore\u003c/em>, \u003cem>The Grand Budapest Hotel\u003c/em>, \u003cem>The Royal Tenenbaums\u003c/em> and \u003cem>The Fantastic Mr. Fox\u003c/em>.\u003c/del>\u003c/p>\n\u003cp>\u003cstrong>UPDATE: the majority of Flicks and Grooves events have been canceled. \u003c/strong>\u003cem>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"title": "Art + Soul: The Spirit of Oakland in the Heart of the City",
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"content": "\u003cp>Art + Soul brings the spirit of Oakland to the heart of the city, with vendors, dancers and musicians sprawling throughout downtown. This year, the city-sponsored festival is headlined by Grammy Award winners Fantastic Negrito and Estelle. Other stages feature lineups themed around blues, gospel, salsa music and the kinetic or circus arts. As usual, there’s ample family-friendly programming in store, and tickets start at a modest $12 for adults.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Art + Soul brings the spirit of Oakland to the heart of the city, with vendors, dancers and musicians sprawling throughout downtown. This year, the city-sponsored festival is headlined by Grammy Award winners Fantastic Negrito and Estelle. Other stages feature lineups themed around blues, gospel, salsa music and the kinetic or circus arts. As usual, there’s ample family-friendly programming in store, and tickets start at a modest $12 for adults.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Hot Summer Guide 2019: The Bay Area's Best Outdoor Concerts",
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"content": "\u003cp>Summer in the Bay Area has no shortage of outdoor concerts and music festivals—some practically in our backyards, and others worth a scenic road trip to a gorgeous vineyard or beachside park. Whether you’re into low-key community gatherings or large-scale productions with stacked lineups, we’ve got you covered with our list of this summer’s must-see shows.\u003c/p>\n\u003cfigure id=\"attachment_13857335\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857335\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-800x450.jpg\" alt=\"Carlos Santana performs at Madison Square Garden on April 13, 2016 in New York City.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Carlos Santana performs at Madison Square Garden on April 13, 2016 in New York City. \u003ccite>(Theo Wargo/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>BottleRock\u003c/strong>\u003cbr>\n\u003cem>May 24–26, 2019\u003cbr>\nNapa Valley Expo, Napa\u003cbr>\n\u003ca href=\"https://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>A wine-country summer staple, BottleRock returns with electro-pop band Imagine Dragons, rock’n’roll great Neil Young and indie-folk group Mumford & Sons as daily headliners. The rest of the lineup is even more eclectic, with highlights including guitar god Carlos Santana, super-producer Pharrell Williams and rapper Big Boi of Outkast. Local artists such as garage rock revivalist Shannon Shaw (plus her hand, Shannon and the Clams), Town legend Too Short and soul band Con Brio will rep the Bay.\u003c/p>\n\u003cfigure id=\"attachment_13857750\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857750\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-800x552.jpg\" alt=\"Musicians from the band Slightly Stoopid perform during day 1 of the Coachella Valley Music And Arts Festival held at the Empire Polo Field on April 25, 2008 in Indio, California. \" width=\"800\" height=\"552\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-768x530.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Musicians from the band Slightly Stoopid perform during day 1 of the Coachella Valley Music And Arts Festival held at the Empire Polo Field on April 25, 2008 in Indio, California. \u003ccite>(Kevin Winter/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>California Roots\u003c/strong>\u003cbr>\n\u003cem>May 24–26, 2019\u003cbr>\nMonterey County Fairgrounds, Monterey\u003cbr>\n\u003ca href=\"https://californiarootsfestival.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Sunshine, reggae and camping less than a mile from the beach? Say no more. This year’s California Roots Music and Arts Festival stars California bands Stick Figure and Slightly Stoopid, who both fuse elements of reggae, pop-punk and funk into their sound, as well as the Grammy-nominated Rebelution. For out-of-town guests who prefer not to stay in hotels, the festival offers on-site, luxury glamping. Attendees who prefer the much cheaper option of regular camping can pitch their tents at Laguna Seca, where a shuttle will take them to and from Cali Roots.\u003c/p>\n\u003cfigure id=\"attachment_13805318\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805318\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg\" alt=\"Thundercat performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Thundercat performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Live at Lagunitas\u003c/strong>\u003cbr>\n\u003cem>May 27–Oct. 7, 2019\u003cbr>\nLagunitas Brewery, Petaluma\u003cbr>\n\u003ca href=\"https://lagunitas.com/music\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The Lagunitas Brewery’s Petaluma Amphitheater has shaped up to be one of the North Bay’s most popular outdoor music venues, hosting a wide variety of up-and-coming and established artists. This summer’s highlights include the high-energy pop-punk band Fidlar on June 4, virtuoso bassist Thundercat on June 24 and folk-rock singer-songwriter James McMurtry on Aug. 5. Bonus for beer lovers: Lagunitas offers plenty of locally brewed beverages to choose from.\u003c/p>\n\u003cfigure id=\"attachment_13835712\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13835712 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/lumerians_table-01-800x450.jpeg\" alt=\"The members of Lumerians say their ideas often start in the kitchen.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-800x450.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-160x90.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-768x432.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1020x574.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1200x675.jpeg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1180x664.jpeg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-960x540.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-240x135.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-375x211.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-520x293.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01.jpeg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lumerians. \u003ccite>(Courtesy of Lumerians)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Huichica Music Festival\u003c/strong>\u003cbr>\n\u003cem>June 7–8, 2019\u003cbr>\nGundlach Bundschu Winery, Sonoma\u003cbr>\n\u003ca href=\"https://www.huichica.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>As mega-festivals such as Coachella get more popular every year, Huichica provides a low-key alternative for those who want to see great live music in a less crowded setting. Set against the stunning backdrop of a historic winery, this year’s Huichica features indie disco experimentalist Connan Mockasin, psych rockers Lumerians, SF treasure Chuck Prophet, indie rock outfit Real Estate and more.\u003c/p>\n\u003cfigure id=\"attachment_13839071\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839071\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/Sol_horiz2-800x571.jpg\" alt=\"Sol Development.\" width=\"800\" height=\"571\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-800x571.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1020x729.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1200x857.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1180x843.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-960x686.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-240x171.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-520x371.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2.jpg 1512w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sol Development. \u003ccite>(Jean Melesaine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Phono del Sol\u003c/strong>\u003cbr>\n\u003cem>June 15, 2019\u003cbr>\nPotrero del Sol Park, San Francisco\u003cbr>\n\u003ca href=\"https://www.phonodelsol.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Back from a year-long hiatus, the free festival Phono Del Sol boasts a stacked lineup of must-see Bay Area rising stars. Hip-hop band Sol Development, whose uplifting work features social-justice themes and a rollicking instrumental section, performs, as well as experimental singer and loop pedal wiz Spellling. Ah-Mer-Ah-Su, whose delicate electropop soundtracked \u003ca href=\"https://www.kqed.org/arts/13844019/ah-mer-ah-sus-major-soundtrack-feeds-the-spirit-of-trans-resistance\" target=\"_blank\" rel=\"noopener\">a recent documentary\u003c/a> about trans activist Miss Major, is also slated to grace the stage, plus feminist rapper Queens D.Light and psych band Salami Rose Joe Lewis, who recently toured with Toro y Moi.\u003c/p>\n\u003cfigure id=\"attachment_13854290\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854290\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-800x450.jpg\" alt=\"Mitski performs onstage during the 2017 Panorama Music Festival - Day 2 at Randall's Island on July 29, 2017 in New York City.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mitski performs during the 2017 Panorama Music Festival at Randall’s Island on July 29, 2017 in New York City. \u003ccite>(Nicholas Hunt/Getty Images for Panorama)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Stern Grove Festival\u003c/strong>\u003cbr>\n\u003cem>June 16–Aug. 18, 2019\u003cbr>\n19th Ave and Sloat Blvd., San Francisco\u003cbr>\n\u003ca href=\"http://www.sterngrove.org/#concerts\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>One of the Bay Area’s most beloved free concert series, Stern Grove features a slate of rising stars, local talent and all-time greats. Indie rocker Mitski, whose \u003cem>Be the Cowboy \u003c/em>was one of KQED Arts’ \u003ca href=\"https://www.kqed.org/arts/13846693/listen-kqed-arts-top-20-albums-of-2018\" target=\"_blank\" rel=\"noopener\">favorite 2018 albums\u003c/a>, performs July 14 (local singer-songwriter Madeline Kenney opens). The ’90s rap trio Digable Planets perform on June 16 with local bilingual hip-hop group Bang Data. July 7 presents a rare opportunity to see the San Francisco Symphony in a casual, outdoor setting, and the festival wraps up on Aug. 18 with a performance from soul music stars the Isley Brothers.\u003c/p>\n\u003cfigure id=\"attachment_11316316\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11316316\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/JW.MAIN_-800x450.jpg\" alt=\"John Waters at Burger Boogaloo 2015.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_.jpg 913w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">John Waters at Burger Boogaloo 2015. \u003ccite>(Wild About You Photography)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Burger Boogaloo\u003c/strong>\u003cbr>\n\u003cem>July 6–7, 2019\u003cbr>\nMosswood Park, Oakland\u003cbr>\n\u003ca href=\"http://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Now in its 10th year, Burger Boogaloo brings garage-punk weirdness to Oakland’s Mosswood Park, with filmmaker and counterculture icon John Waters as host. The festival provides a chance to catch old-school cult favorites such as the Jesus & Mary Chain, the Scientists and Dead Boys, plus newer acts such as Sheer Mag and Terry & Louie. Burger Boogaloo partners with the \u003ca href=\"http://homelessactioncenter.org/\" target=\"_blank\" rel=\"noopener\">Homeless Action Center\u003c/a> this year and encourages showgoers to donate to the nonprofit with their ticket purchase or at the festival.\u003c/p>\n\u003cfigure id=\"attachment_13857755\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857755\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-800x566.jpg\" alt=\"Alex Davis and Phunne Stone of The Family Stone performs at the UAA Funk Break on Day 2 of the IEBA 2015 Conference on October 12, 2015 in Nashville, Tennessee. \" width=\"800\" height=\"566\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-160x113.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-768x543.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alex Davis and Phunne Stone of The Family Stone performs at the UAA Funk Break on Day 2 of the IEBA 2015 Conference on October 12, 2015 in Nashville, Tennessee. \u003ccite>(Jason Davis/Getty Images for IEBA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>San Jose Jazz Summer Fest\u003c/strong>\u003cbr>\n\u003cem>Aug. 9–11, 2019\u003cbr>\nPlaza de Cezar Chavez, San Jose\u003cbr>\n\u003ca href=\"http://summerfest.sanjosejazz.org/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>The San Jose Jazz Summer Fest is one of the South Bay’s most highly anticipated live music events, with a lineup of jazz, soul and blues legends, mid-career artists and up-and-comers alike. One of this year’s headliners is the Family Stone, born out of the pioneering Oakland funk band, with Sly Stone’s daughter Phunne Stone as bandleader. Rock’n’roll-Hall-of-Famers the O’Jays are set to perform as well, in addition to Afrofuturist psychedelic jazz sensations Sons of Kemet, Grammy-winning jazz contralto Dianne Reeves and Oakland’s well-loved and uplifting Interfaith Gospel Choir.\u003c/p>\n\u003cfigure id=\"attachment_13805124\" class=\"wp-caption aligncenter\" style=\"max-width: 700px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13805124\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/5.OL_.jpg\" alt=\"Kacey Musgraves at Outside Lands in 2014.\" width=\"700\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_.jpg 700w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-240x171.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-520x371.jpg 520w\" sizes=\"(max-width: 700px) 100vw, 700px\">\u003cfigcaption class=\"wp-caption-text\">Kacey Musgraves at Outside Lands in 2014. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Outside Lands\u003c/strong>\u003cbr>\n\u003cem>Aug. 9–11, 2019\u003cbr>\nGolden Gate Park, San Francisco\u003cbr>\n\u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Paul Simon came out of retirement to headline this year’s Outside Lands, so you know it’s gonna be good. The long-running festival is one of the Bay Area’s largest and most popular, with Twenty One Pilots and Childish Gambino as 2019’s other big headliners. More acts to look forward to include country star Kacey Musgraves, Southern rap icon Lil Wayne, “Boo’d Up” singer Ella Mai and R&B and gospel legend Mavis Staples. Plus, up-and-coming Bay Area artists the Seshen, P-Lo and ALLBLACK also perform.\u003c/p>\n\u003cfigure id=\"attachment_13833809\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833809\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg\" alt=\"Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017.\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1200x750.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-520x325.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017. \u003ccite>(Samuel Reyes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Sonido Clash\u003c/strong>\u003cbr>\n\u003cem>Sept. 1, 2019\u003cbr>\nMexican Heritage Plaza, San Jose\u003cbr>\n\u003ca href=\"http://sonidoclash.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Sonido Clash celebrates left-of-center Chicanx and Latinx culture with live cumbia, twerk-worthy DJ sets, punk, indie and experimental bands, poetry readings and more. The fest was founded in 2016 by a party collective of the same name—one that’s been championing eclectic underground sounds in San Jose’s nightlife scene since the 2000s. Although this year’s festival lineup has yet to be announced, previous years have boasted self-described “Cholo goth” band Prayers, indie crooner Helado Negro and reggaeton producer Rosa Pistola.\u003c/p>\n\u003cfigure id=\"attachment_13840221\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840221\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_9400-800x533.jpg\" alt=\"Dj Fresh vs Traxamillion play Hiero Day in Oakland on Monday, September 3, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">DJ Fresh vs Traxamillion play Hiero Day in Oakland on Monday, September 3, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Hiero Day\u003c/strong>\u003cbr>\n\u003cem>Sept. 2, 2019\u003cbr>\nOakland\u003cbr>\n\u003ca href=\"https://www.hieroday.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Hiero Day is an Oakland staple, celebrating Bay Area rappers and R&B singers who hold it down for their community, as well as like-minded artists from across the country. The grassroots festival is curated by the influential hip-hop collective Hieroglyphics, who brought us hits like “You Never Know” and Souls of Mischief’s “93 Til Infinity.” The 2019 lineup hasn’t been released yet (that usually happens after the $19.93 tickets are sold out), but if the inclusion of Bun B, Goapele, Mistah Fab and Richie Rich in previous years is any indication, Hiero Day is always a good time for West Coast hip-hop lovers.\u003c/p>\n\n",
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"title": "Hot Summer Guide 2019: The Bay Area's Best Outdoor Concerts | KQED",
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"headline": "Hot Summer Guide 2019: The Bay Area's Best Outdoor Concerts",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Summer in the Bay Area has no shortage of outdoor concerts and music festivals—some practically in our backyards, and others worth a scenic road trip to a gorgeous vineyard or beachside park. Whether you’re into low-key community gatherings or large-scale productions with stacked lineups, we’ve got you covered with our list of this summer’s must-see shows.\u003c/p>\n\u003cfigure id=\"attachment_13857335\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857335\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-800x450.jpg\" alt=\"Carlos Santana performs at Madison Square Garden on April 13, 2016 in New York City.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/carlos-santana-GettyImages-521030302-1.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Carlos Santana performs at Madison Square Garden on April 13, 2016 in New York City. \u003ccite>(Theo Wargo/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>BottleRock\u003c/strong>\u003cbr>\n\u003cem>May 24–26, 2019\u003cbr>\nNapa Valley Expo, Napa\u003cbr>\n\u003ca href=\"https://www.bottlerocknapavalley.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>A wine-country summer staple, BottleRock returns with electro-pop band Imagine Dragons, rock’n’roll great Neil Young and indie-folk group Mumford & Sons as daily headliners. The rest of the lineup is even more eclectic, with highlights including guitar god Carlos Santana, super-producer Pharrell Williams and rapper Big Boi of Outkast. Local artists such as garage rock revivalist Shannon Shaw (plus her hand, Shannon and the Clams), Town legend Too Short and soul band Con Brio will rep the Bay.\u003c/p>\n\u003cfigure id=\"attachment_13857750\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857750\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-800x552.jpg\" alt=\"Musicians from the band Slightly Stoopid perform during day 1 of the Coachella Valley Music And Arts Festival held at the Empire Polo Field on April 25, 2008 in Indio, California. \" width=\"800\" height=\"552\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-80865787-768x530.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Musicians from the band Slightly Stoopid perform during day 1 of the Coachella Valley Music And Arts Festival held at the Empire Polo Field on April 25, 2008 in Indio, California. \u003ccite>(Kevin Winter/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>California Roots\u003c/strong>\u003cbr>\n\u003cem>May 24–26, 2019\u003cbr>\nMonterey County Fairgrounds, Monterey\u003cbr>\n\u003ca href=\"https://californiarootsfestival.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Sunshine, reggae and camping less than a mile from the beach? Say no more. This year’s California Roots Music and Arts Festival stars California bands Stick Figure and Slightly Stoopid, who both fuse elements of reggae, pop-punk and funk into their sound, as well as the Grammy-nominated Rebelution. For out-of-town guests who prefer not to stay in hotels, the festival offers on-site, luxury glamping. Attendees who prefer the much cheaper option of regular camping can pitch their tents at Laguna Seca, where a shuttle will take them to and from Cali Roots.\u003c/p>\n\u003cfigure id=\"attachment_13805318\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13805318\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg\" alt=\"Thundercat performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/Thundercat-performs-at-the-Outside-Lands-music-festival-in-San-Francisco-Aug.-11-2017-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Thundercat performs at the Outside Lands music festival in San Francisco, Aug. 12, 2017. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Live at Lagunitas\u003c/strong>\u003cbr>\n\u003cem>May 27–Oct. 7, 2019\u003cbr>\nLagunitas Brewery, Petaluma\u003cbr>\n\u003ca href=\"https://lagunitas.com/music\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The Lagunitas Brewery’s Petaluma Amphitheater has shaped up to be one of the North Bay’s most popular outdoor music venues, hosting a wide variety of up-and-coming and established artists. This summer’s highlights include the high-energy pop-punk band Fidlar on June 4, virtuoso bassist Thundercat on June 24 and folk-rock singer-songwriter James McMurtry on Aug. 5. Bonus for beer lovers: Lagunitas offers plenty of locally brewed beverages to choose from.\u003c/p>\n\u003cfigure id=\"attachment_13835712\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13835712 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/06/lumerians_table-01-800x450.jpeg\" alt=\"The members of Lumerians say their ideas often start in the kitchen.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-800x450.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-160x90.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-768x432.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1020x574.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1200x675.jpeg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-1180x664.jpeg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-960x540.jpeg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-240x135.jpeg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-375x211.jpeg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01-520x293.jpeg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/lumerians_table-01.jpeg 1280w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lumerians. \u003ccite>(Courtesy of Lumerians)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Huichica Music Festival\u003c/strong>\u003cbr>\n\u003cem>June 7–8, 2019\u003cbr>\nGundlach Bundschu Winery, Sonoma\u003cbr>\n\u003ca href=\"https://www.huichica.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>As mega-festivals such as Coachella get more popular every year, Huichica provides a low-key alternative for those who want to see great live music in a less crowded setting. Set against the stunning backdrop of a historic winery, this year’s Huichica features indie disco experimentalist Connan Mockasin, psych rockers Lumerians, SF treasure Chuck Prophet, indie rock outfit Real Estate and more.\u003c/p>\n\u003cfigure id=\"attachment_13839071\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13839071\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/08/Sol_horiz2-800x571.jpg\" alt=\"Sol Development.\" width=\"800\" height=\"571\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-800x571.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1020x729.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1200x857.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-1180x843.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-960x686.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-240x171.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2-520x371.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/08/Sol_horiz2.jpg 1512w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sol Development. \u003ccite>(Jean Melesaine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Phono del Sol\u003c/strong>\u003cbr>\n\u003cem>June 15, 2019\u003cbr>\nPotrero del Sol Park, San Francisco\u003cbr>\n\u003ca href=\"https://www.phonodelsol.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Back from a year-long hiatus, the free festival Phono Del Sol boasts a stacked lineup of must-see Bay Area rising stars. Hip-hop band Sol Development, whose uplifting work features social-justice themes and a rollicking instrumental section, performs, as well as experimental singer and loop pedal wiz Spellling. Ah-Mer-Ah-Su, whose delicate electropop soundtracked \u003ca href=\"https://www.kqed.org/arts/13844019/ah-mer-ah-sus-major-soundtrack-feeds-the-spirit-of-trans-resistance\" target=\"_blank\" rel=\"noopener\">a recent documentary\u003c/a> about trans activist Miss Major, is also slated to grace the stage, plus feminist rapper Queens D.Light and psych band Salami Rose Joe Lewis, who recently toured with Toro y Moi.\u003c/p>\n\u003cfigure id=\"attachment_13854290\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854290\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-800x450.jpg\" alt=\"Mitski performs onstage during the 2017 Panorama Music Festival - Day 2 at Randall's Island on July 29, 2017 in New York City.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-824332708.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Mitski performs during the 2017 Panorama Music Festival at Randall’s Island on July 29, 2017 in New York City. \u003ccite>(Nicholas Hunt/Getty Images for Panorama)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Stern Grove Festival\u003c/strong>\u003cbr>\n\u003cem>June 16–Aug. 18, 2019\u003cbr>\n19th Ave and Sloat Blvd., San Francisco\u003cbr>\n\u003ca href=\"http://www.sterngrove.org/#concerts\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>One of the Bay Area’s most beloved free concert series, Stern Grove features a slate of rising stars, local talent and all-time greats. Indie rocker Mitski, whose \u003cem>Be the Cowboy \u003c/em>was one of KQED Arts’ \u003ca href=\"https://www.kqed.org/arts/13846693/listen-kqed-arts-top-20-albums-of-2018\" target=\"_blank\" rel=\"noopener\">favorite 2018 albums\u003c/a>, performs July 14 (local singer-songwriter Madeline Kenney opens). The ’90s rap trio Digable Planets perform on June 16 with local bilingual hip-hop group Bang Data. July 7 presents a rare opportunity to see the San Francisco Symphony in a casual, outdoor setting, and the festival wraps up on Aug. 18 with a performance from soul music stars the Isley Brothers.\u003c/p>\n\u003cfigure id=\"attachment_11316316\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11316316\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/JW.MAIN_-800x450.jpg\" alt=\"John Waters at Burger Boogaloo 2015.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/JW.MAIN_.jpg 913w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">John Waters at Burger Boogaloo 2015. \u003ccite>(Wild About You Photography)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Burger Boogaloo\u003c/strong>\u003cbr>\n\u003cem>July 6–7, 2019\u003cbr>\nMosswood Park, Oakland\u003cbr>\n\u003ca href=\"http://burgerboogaloo.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Now in its 10th year, Burger Boogaloo brings garage-punk weirdness to Oakland’s Mosswood Park, with filmmaker and counterculture icon John Waters as host. The festival provides a chance to catch old-school cult favorites such as the Jesus & Mary Chain, the Scientists and Dead Boys, plus newer acts such as Sheer Mag and Terry & Louie. Burger Boogaloo partners with the \u003ca href=\"http://homelessactioncenter.org/\" target=\"_blank\" rel=\"noopener\">Homeless Action Center\u003c/a> this year and encourages showgoers to donate to the nonprofit with their ticket purchase or at the festival.\u003c/p>\n\u003cfigure id=\"attachment_13857755\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13857755\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-800x566.jpg\" alt=\"Alex Davis and Phunne Stone of The Family Stone performs at the UAA Funk Break on Day 2 of the IEBA 2015 Conference on October 12, 2015 in Nashville, Tennessee. \" width=\"800\" height=\"566\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-160x113.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/05/GettyImages-492407402-768x543.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Alex Davis and Phunne Stone of The Family Stone performs at the UAA Funk Break on Day 2 of the IEBA 2015 Conference on October 12, 2015 in Nashville, Tennessee. \u003ccite>(Jason Davis/Getty Images for IEBA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>San Jose Jazz Summer Fest\u003c/strong>\u003cbr>\n\u003cem>Aug. 9–11, 2019\u003cbr>\nPlaza de Cezar Chavez, San Jose\u003cbr>\n\u003ca href=\"http://summerfest.sanjosejazz.org/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>The San Jose Jazz Summer Fest is one of the South Bay’s most highly anticipated live music events, with a lineup of jazz, soul and blues legends, mid-career artists and up-and-comers alike. One of this year’s headliners is the Family Stone, born out of the pioneering Oakland funk band, with Sly Stone’s daughter Phunne Stone as bandleader. Rock’n’roll-Hall-of-Famers the O’Jays are set to perform as well, in addition to Afrofuturist psychedelic jazz sensations Sons of Kemet, Grammy-winning jazz contralto Dianne Reeves and Oakland’s well-loved and uplifting Interfaith Gospel Choir.\u003c/p>\n\u003cfigure id=\"attachment_13805124\" class=\"wp-caption aligncenter\" style=\"max-width: 700px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13805124\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/08/5.OL_.jpg\" alt=\"Kacey Musgraves at Outside Lands in 2014.\" width=\"700\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_.jpg 700w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-240x171.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-375x268.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/08/5.OL_-520x371.jpg 520w\" sizes=\"(max-width: 700px) 100vw, 700px\">\u003cfigcaption class=\"wp-caption-text\">Kacey Musgraves at Outside Lands in 2014. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Outside Lands\u003c/strong>\u003cbr>\n\u003cem>Aug. 9–11, 2019\u003cbr>\nGolden Gate Park, San Francisco\u003cbr>\n\u003ca href=\"https://www.sfoutsidelands.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Paul Simon came out of retirement to headline this year’s Outside Lands, so you know it’s gonna be good. The long-running festival is one of the Bay Area’s largest and most popular, with Twenty One Pilots and Childish Gambino as 2019’s other big headliners. More acts to look forward to include country star Kacey Musgraves, Southern rap icon Lil Wayne, “Boo’d Up” singer Ella Mai and R&B and gospel legend Mavis Staples. Plus, up-and-coming Bay Area artists the Seshen, P-Lo and ALLBLACK also perform.\u003c/p>\n\u003cfigure id=\"attachment_13833809\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13833809\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg\" alt=\"Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017.\" width=\"800\" height=\"500\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-800x500.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-768x480.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1020x638.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1200x750.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-1180x738.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-960x600.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-240x150.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-375x234.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/Sonido-Clash-Fest-17-Sister-Mantos-Cred-Samuel-Reyes-520x325.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Sister Mantos vocalist Oscar Miguel Santos performs at Second Annual Sonido Clash Festival, September 3, 2017. \u003ccite>(Samuel Reyes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Sonido Clash\u003c/strong>\u003cbr>\n\u003cem>Sept. 1, 2019\u003cbr>\nMexican Heritage Plaza, San Jose\u003cbr>\n\u003ca href=\"http://sonidoclash.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>Sonido Clash celebrates left-of-center Chicanx and Latinx culture with live cumbia, twerk-worthy DJ sets, punk, indie and experimental bands, poetry readings and more. The fest was founded in 2016 by a party collective of the same name—one that’s been championing eclectic underground sounds in San Jose’s nightlife scene since the 2000s. Although this year’s festival lineup has yet to be announced, previous years have boasted self-described “Cholo goth” band Prayers, indie crooner Helado Negro and reggaeton producer Rosa Pistola.\u003c/p>\n\u003cfigure id=\"attachment_13840221\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840221\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/09/MG_9400-800x533.jpg\" alt=\"Dj Fresh vs Traxamillion play Hiero Day in Oakland on Monday, September 3, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_9400-520x346.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">DJ Fresh vs Traxamillion play Hiero Day in Oakland on Monday, September 3, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Hiero Day\u003c/strong>\u003cbr>\n\u003cem>Sept. 2, 2019\u003cbr>\nOakland\u003cbr>\n\u003ca href=\"https://www.hieroday.com/\" target=\"_blank\" rel=\"noopener\">More information\u003c/a>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Hiero Day is an Oakland staple, celebrating Bay Area rappers and R&B singers who hold it down for their community, as well as like-minded artists from across the country. The grassroots festival is curated by the influential hip-hop collective Hieroglyphics, who brought us hits like “You Never Know” and Souls of Mischief’s “93 Til Infinity.” The 2019 lineup hasn’t been released yet (that usually happens after the $19.93 tickets are sold out), but if the inclusion of Bun B, Goapele, Mistah Fab and Richie Rich in previous years is any indication, Hiero Day is always a good time for West Coast hip-hop lovers.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Mitski, Digable Planets, More to Play Stern Grove 2019",
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"content": "\u003cp>\u003ca href=\"http://www.sterngrove.org/august-18-2019/\" target=\"_blank\" rel=\"noopener\">Stern Grove\u003c/a>, the free concert series, returns to San Francisco for its 82nd edition this year with pioneering conscious hip-hop trio \u003ca href=\"http://www.sterngrove.org/june-16-2019/\" target=\"_blank\" rel=\"noopener\">Digable Planets\u003c/a> and local hip–hop-soul band Bang Data kicking off the programming on June 16.\u003c/p>\n\u003cp>The free outdoor concerts continue weekly through August 18, and cater to a wide variety of tastes. Classical music lovers can catch the \u003ca href=\"http://www.sterngrove.org/july-7-2019/\" target=\"_blank\" rel=\"noopener\">San Francisco Symphony\u003c/a> performing Tchaikovsky, Mussorgsky, Elgar and Mendelssohn on July 7; the \u003ca href=\"http://www.sterngrove.org/july-28-2019/\" target=\"_blank\" rel=\"noopener\">San Francisco Ballet\u003c/a> performs on July 28.\u003c/p>\n\u003cp>Indie rocker \u003ca href=\"http://www.sterngrove.org/july-14-2019/\" target=\"_blank\" rel=\"noopener\">Mitski\u003c/a> (Mitski’s \u003cem>Be the Cowboy\u003c/em> made KQED Arts’ \u003ca href=\"https://www.kqed.org/arts/13846693/listen-kqed-arts-top-20-albums-of-2018\" target=\"_blank\" rel=\"noopener\">Top 20 Albums of 2018\u003c/a> list) performs on July 14 with Bay Area indie folk singer Madeline Kenney as the opener. Post-punk band \u003ca href=\"http://www.sterngrove.org/august-4-2019/\" target=\"_blank\" rel=\"noopener\">the Psychedelic Furs\u003c/a> play Aug. 4. Soul legends \u003ca href=\"http://www.sterngrove.org/august-18-2019/\" target=\"_blank\" rel=\"noopener\">the Isley Brothers\u003c/a> close out the festival on Aug. 18 for the Big Picnic, the fundraiser that supports the free events.\u003c/p>\n\u003cp>The full schedule:\u003c/p>\n\u003cp>\u003cstrong>June 16\u003c/strong>: Digable Planets, Bang Data\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>June 23\u003c/strong>: Los Van Van, Banda Sin Nombre\u003c/p>\n\u003cp>\u003cstrong>June 30\u003c/strong>: Galactic, Baby & the Luvies\u003c/p>\n\u003cp>\u003cstrong>July 7\u003c/strong>: San Francisco Symphony\u003c/p>\n\u003cp>\u003cstrong>July 14\u003c/strong>: Mitski, Madeline Kenney\u003c/p>\n\u003cp>\u003cstrong>July 21\u003c/strong>: Toots & the Maytals, Lee Fields & the Expressions\u003c/p>\n\u003cp>\u003cstrong>July 28\u003c/strong>: San Francisco Ballet\u003c/p>\n\u003cp>\u003cstrong>Aug. 4\u003c/strong>: The Psychedelic Furs, James\u003c/p>\n\u003cp>\u003cstrong>Aug. 11\u003c/strong>: Pink Martini, Barrio Manouche\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>It all goes down every Sunday of summer at the corner of 19th Avenue and Sloat Boulevard. Details \u003ca href=\"http://www.sterngrove.org/#concerts\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\n",
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"excerpt": "The lineup for the free outdoor concert series also includes Pink Martini, Los Van Van, Toots & the Maytals and more.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://www.sterngrove.org/august-18-2019/\" target=\"_blank\" rel=\"noopener\">Stern Grove\u003c/a>, the free concert series, returns to San Francisco for its 82nd edition this year with pioneering conscious hip-hop trio \u003ca href=\"http://www.sterngrove.org/june-16-2019/\" target=\"_blank\" rel=\"noopener\">Digable Planets\u003c/a> and local hip–hop-soul band Bang Data kicking off the programming on June 16.\u003c/p>\n\u003cp>The free outdoor concerts continue weekly through August 18, and cater to a wide variety of tastes. Classical music lovers can catch the \u003ca href=\"http://www.sterngrove.org/july-7-2019/\" target=\"_blank\" rel=\"noopener\">San Francisco Symphony\u003c/a> performing Tchaikovsky, Mussorgsky, Elgar and Mendelssohn on July 7; the \u003ca href=\"http://www.sterngrove.org/july-28-2019/\" target=\"_blank\" rel=\"noopener\">San Francisco Ballet\u003c/a> performs on July 28.\u003c/p>\n\u003cp>Indie rocker \u003ca href=\"http://www.sterngrove.org/july-14-2019/\" target=\"_blank\" rel=\"noopener\">Mitski\u003c/a> (Mitski’s \u003cem>Be the Cowboy\u003c/em> made KQED Arts’ \u003ca href=\"https://www.kqed.org/arts/13846693/listen-kqed-arts-top-20-albums-of-2018\" target=\"_blank\" rel=\"noopener\">Top 20 Albums of 2018\u003c/a> list) performs on July 14 with Bay Area indie folk singer Madeline Kenney as the opener. Post-punk band \u003ca href=\"http://www.sterngrove.org/august-4-2019/\" target=\"_blank\" rel=\"noopener\">the Psychedelic Furs\u003c/a> play Aug. 4. Soul legends \u003ca href=\"http://www.sterngrove.org/august-18-2019/\" target=\"_blank\" rel=\"noopener\">the Isley Brothers\u003c/a> close out the festival on Aug. 18 for the Big Picnic, the fundraiser that supports the free events.\u003c/p>\n\u003cp>The full schedule:\u003c/p>\n\u003cp>\u003cstrong>June 16\u003c/strong>: Digable Planets, Bang Data\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>June 23\u003c/strong>: Los Van Van, Banda Sin Nombre\u003c/p>\n\u003cp>\u003cstrong>June 30\u003c/strong>: Galactic, Baby & the Luvies\u003c/p>\n\u003cp>\u003cstrong>July 7\u003c/strong>: San Francisco Symphony\u003c/p>\n\u003cp>\u003cstrong>July 14\u003c/strong>: Mitski, Madeline Kenney\u003c/p>\n\u003cp>\u003cstrong>July 21\u003c/strong>: Toots & the Maytals, Lee Fields & the Expressions\u003c/p>\n\u003cp>\u003cstrong>July 28\u003c/strong>: San Francisco Ballet\u003c/p>\n\u003cp>\u003cstrong>Aug. 4\u003c/strong>: The Psychedelic Furs, James\u003c/p>\n\u003cp>\u003cstrong>Aug. 11\u003c/strong>: Pink Martini, Barrio Manouche\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>It all goes down every Sunday of summer at the corner of 19th Avenue and Sloat Boulevard. Details \u003ca href=\"http://www.sterngrove.org/#concerts\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "'Women Sound Off' Festival Spotlights Female Musicians and Entrepreneurs",
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"content": "\u003cp>The \u003ca href=\"https://womensoundoff.com/\" target=\"_blank\" rel=\"noopener\">Women Sound Off\u003c/a> festival, formerly known as Women in Music, is a weekend-long extravaganza coming to Oakland April 5–7. Evangeline Elder, manager of standout Bay Area R&B artist \u003ca href=\"https://www.kqed.org/arts/13720273/women-to-watch-rayana-jay\" target=\"_blank\" rel=\"noopener\">Rayana Jay\u003c/a>, and DJ Red Corvette started the homegrown event two years ago under the name Women in Music, and expanded the festival to include talks, panels and workshops for a variety of artists and entrepreneurs. (Disclosure: I spoke on panels at the fest in 2017 and ’18.)\u003c/p>\n\u003cp>The centerpiece of the event is a \u003ca href=\"https://womensoundoff.com/wso-fest-2019-concert\" target=\"_blank\" rel=\"noopener\">concert\u003c/a> at the New Parish on April 6, with R&B singer \u003ca href=\"https://soundcloud.com/mereba\" target=\"_blank\" rel=\"noopener\">Mereba\u003c/a> as headliner. Mereba’s pensive, storytelling-infused album \u003cem>The Jungle is the Only Way Out\u003c/em> dropped at the end of February, and features electro-R&B star 6lack. Singers \u003ca href=\"https://soundcloud.com/6swsh9\" target=\"_blank\" rel=\"noopener\">Swsh\u003c/a>, who captivates with a retro neo-soul style, and \u003ca href=\"https://soundcloud.com/thatsjeandeaux\" target=\"_blank\" rel=\"noopener\">Jean Deaux\u003c/a>, with her smoky, suspenseful voice, will perform as well, along with rappers \u003ca href=\"https://soundcloud.com/queens-d-light\" target=\"_blank\" rel=\"noopener\">Queens D.Light\u003c/a> and \u003ca href=\"https://soundcloud.com/thereallilkayla\" target=\"_blank\" rel=\"noopener\">Lil Kayla\u003c/a> and a host of other live acts and DJs.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/user/jpc8qqpdpq4medxiefhxk43cf/playlist/4Mzdku8urS70NFAsPrmuzF\" width=\"800\" height=\"500\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>The rest of the Women Sound Off weekend includes a vendor market with local artists; panels with subject lines like ‘Women of Color in Tech,’ ‘Money Talks’ and ‘Changing Women of Color Narratives’; and a bottomless mimosa and networking brunch.\u003c/p>\n\u003cp>It all goes down in Oakland April 5–7. Details \u003ca href=\"https://womensoundoff.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"datePublished": "2019-03-20T13:53:26-07:00",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The \u003ca href=\"https://womensoundoff.com/\" target=\"_blank\" rel=\"noopener\">Women Sound Off\u003c/a> festival, formerly known as Women in Music, is a weekend-long extravaganza coming to Oakland April 5–7. Evangeline Elder, manager of standout Bay Area R&B artist \u003ca href=\"https://www.kqed.org/arts/13720273/women-to-watch-rayana-jay\" target=\"_blank\" rel=\"noopener\">Rayana Jay\u003c/a>, and DJ Red Corvette started the homegrown event two years ago under the name Women in Music, and expanded the festival to include talks, panels and workshops for a variety of artists and entrepreneurs. (Disclosure: I spoke on panels at the fest in 2017 and ’18.)\u003c/p>\n\u003cp>The centerpiece of the event is a \u003ca href=\"https://womensoundoff.com/wso-fest-2019-concert\" target=\"_blank\" rel=\"noopener\">concert\u003c/a> at the New Parish on April 6, with R&B singer \u003ca href=\"https://soundcloud.com/mereba\" target=\"_blank\" rel=\"noopener\">Mereba\u003c/a> as headliner. Mereba’s pensive, storytelling-infused album \u003cem>The Jungle is the Only Way Out\u003c/em> dropped at the end of February, and features electro-R&B star 6lack. Singers \u003ca href=\"https://soundcloud.com/6swsh9\" target=\"_blank\" rel=\"noopener\">Swsh\u003c/a>, who captivates with a retro neo-soul style, and \u003ca href=\"https://soundcloud.com/thatsjeandeaux\" target=\"_blank\" rel=\"noopener\">Jean Deaux\u003c/a>, with her smoky, suspenseful voice, will perform as well, along with rappers \u003ca href=\"https://soundcloud.com/queens-d-light\" target=\"_blank\" rel=\"noopener\">Queens D.Light\u003c/a> and \u003ca href=\"https://soundcloud.com/thereallilkayla\" target=\"_blank\" rel=\"noopener\">Lil Kayla\u003c/a> and a host of other live acts and DJs.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/user/jpc8qqpdpq4medxiefhxk43cf/playlist/4Mzdku8urS70NFAsPrmuzF\" width=\"800\" height=\"500\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>The rest of the Women Sound Off weekend includes a vendor market with local artists; panels with subject lines like ‘Women of Color in Tech,’ ‘Money Talks’ and ‘Changing Women of Color Narratives’; and a bottomless mimosa and networking brunch.\u003c/p>\n\u003cp>It all goes down in Oakland April 5–7. Details \u003ca href=\"https://womensoundoff.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "at-noise-pop-2019-the-opening-acts-stole-the-show",
"title": "At Noise Pop 2019, the Opening Acts Stole the Show",
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"content": "\u003cp>Each year, \u003ca href=\"https://www.noisepop.com\" target=\"_blank\" rel=\"noopener\">Noise Pop Music and Arts Festival\u003c/a> turns the Bay Area into a musical playground where badge holders can catch as many Noise Pop-presented concerts as their hearts desire. With shows scattered throughout small venues and renowned concert halls in San Francisco, Oakland and Berkeley, the week-long shebang (which wrapped up on March 3) can be a custom-tailored experience for each attendee.\u003c/p>\n\u003cp>For its 26th year, Noise Pop featured more than 150 artists, including big-name acts like Beirut, Princess Nokia and Petit Biscuit. It also highlighted underground and local acts. In true Noise Pop tradition, the fest encourages music discovery by pairing acts in a way that allows different types of artists and fanbases to cross-pollinate.\u003c/p>\n\u003cp>While the headlining acts did not disappoint, this year’s opening acts stole the show. Describing herself as an “Afro-Latina, queer songbird,” Nicotine delivered a jaw-dropping, colorful performance with lounge-inspired music and spoken word that transported the UC Theatre crowd into a Prohibition-era speakeasy before headliner Yuna took the stage. Helado Negro had the crowd at Oakland’s Fox Theater swooning to his Spanish-infused indie pop. Before headliner Beirut took the stage, the audience demanded an Helado Negro encore. And though The She’s were first on the bill the night Albert Hammond Jr. headlined The Independent, an enthusiastic crowd showed up early to catch San Francisco’s favorite “all female rock ‘n’ roll quartet.”\u003c/p>\n\u003cp>With multiple concerts happening on the same night and a plethora of sold-out shows, it’s impossible to catch everything the festival has to offer. Below is a photo recap with this year’s highlights.\u003c/p>\n\u003cfigure id=\"attachment_13851982\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13851982\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_1041-800x533.jpg\" alt=\"The She's kick off night three of the 2019 Noise Pop Music and Arts Festival with a packed hometown set opening for Albert Hammond Jr. at The Independent on Wednesday, February 27, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1041.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1041-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1041-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The She’s kicked off night three of the 2019 Noise Pop Music and Arts Festival with a packed hometown set opening for Albert Hammond Jr. at The Independent on Wednesday, February 27, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13851981\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13851981\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_1003-800x533.jpg\" alt=\"The She's kick off night three of the 2019 Noise Pop Music and Arts Festival with a packed hometown set opening for Albert Hammond Jr. at The Independent on Wednesday, February 27, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1003.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1003-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The She’s kicked off night three of the 2019 Noise Pop Music and Arts Festival with a packed hometown set opening for Albert Hammond Jr. at The Independent on Wednesday, February 27, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13851985\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13851985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_1243-800x533.jpg\" alt=\"Electronic artist Will Wiesenfeld dazzles the crowd with witty stage banter and dance tunes during Baths set at Great American Music Hall on Wednesday, February 27, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1243.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1243-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1243-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Electronic artist Baths, aka Will Wiesenfeld, dazzled the crowd with witty stage banter and dance tunes at Great American Music Hall on Wednesday, February 27, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13851978\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13851978\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_0909-800x533.jpg\" alt=\"Electronic artist Will Wiesenfeld takes a moment to explore Great American Music Hall before Baths headlines on night three of the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0909.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0909-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0909-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Electronic artist Baths took a moment to explore Great American Music Hall before he headlined night three of the 2019 Noise Pop Music and Arts Festival. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852009\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852009\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_0584-800x533.jpg\" alt=\"Same Girls mix groovy funk notes with punk-rock vibes at Bottom of the Hill on night two of the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0584.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0584-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0584-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Same Girls brought punk-rock vibes to Bottom of the Hill on night two of the 2019 Noise Pop Music and Arts Festival on February 26, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852011\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852011\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_0622-800x533.jpg\" alt=\"Super Unison's Meghan O'Neil belts out powerful post-punk vocals on night two of the 2019 Noise Pop Music and Arts Festival at Bottom of the Hill.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0622.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0622-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0622-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Super Unison’s Meghan O’Neil belted out powerful vocals on night two of the 2019 Noise Pop Music and Arts Festival at Bottom of the Hill on February 26, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852013\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13852013 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_0696-800x503.jpg\" alt=\"King Woman’s Kristina Esfandiari returns to the Bay to perform a rose tinted set with her solo project Miserable on night two of the 2019 Noise Pop Music and Arts Festival at Bottom of the Hill.\" width=\"800\" height=\"503\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0696.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0696-160x101.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0696-768x483.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">King Woman’s Kristina Esfandiari returned to the Bay Area to perform with her solo project, Miserable, on night two of the 2019 Noise Pop Music and Arts Festival at Bottom of the Hill on February 26, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852006\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852006\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_0533-800x533.jpg\" alt=\"Kristina Esfandiari gears up for a headline set on night two of the 2019 Noise Pop Music and Arts Festival at Bottom of the Hill.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0533-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0533-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kristina Esfandiari geared up for a headlining set on night two of the 2019 Noise Pop Music and Arts Festival at Bottom of the Hill. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852015\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852015\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_1343-800x533.jpg\" alt=\"Spiritual Cramp takes a post soundcheck break outside of Oakland's Starline Social Club on day four of the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1343.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1343-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1343-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Spiritual Cramp took a post-soundcheck break outside of Oakland’s Starline Social Club on day four of the 2019 Noise Pop Music and Arts Festival on February 28, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852024\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852024\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_1558-800x533.jpg\" alt=\"Yuna sports a '90s inspired look backstage before performing sweet R&B tunes at The UC Theater in Berkeley on night five of the the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1558.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1558-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1558-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yuna sported a ’90s-inspired look backstage before performing sweet R&B tunes at The UC Theater in Berkeley on night five of the the 2019 Noise Pop Music and Arts Festival on March 1, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852027\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852027\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_1624-800x533.jpg\" alt=\"Saul Williams performs electric freestyle poetry at the Brava Theater on night five of the the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1624.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1624-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1624-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Saul Williams performed electric spoken-word poetry and freestyles at the Brava Theater on night five of the the 2019 Noise Pop Music and Arts Festival on March 1, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852032\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852032\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_1721-800x533.jpg\" alt=\"Slenderbodies perform a late night dance-driven set at 1015 Folsom on night five of the the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1721.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1721-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1721-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Slenderbodies performed a late-night, dance-driven set at 1015 Folsom on night five of the the 2019 Noise Pop Music and Arts Festival on March 1, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852050\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852050\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_1888-800x533.jpg\" alt=\"Helado Negro's Zach Condon smiles as he receives a standing ovation after his opening set at Oakland's Fox Theatre on the sixth night of the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1888.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1888-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1888-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Helado Negro’s Roberto Lange smiled as he received a standing ovation after his opening set at Oakland’s Fox Theatre on the sixth night of the 2019 Noise Pop Music and Arts Festival on March 2, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852055\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852055\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_1977-800x533.jpg\" alt=\"The crowd at the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1977.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1977-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1977-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at the 2019 Noise Pop Music and Arts Festival. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852052\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852052\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_1958-800x533.jpg\" alt=\"Beirut fuses indie-rock and world music seamlessly at Oakland's Fox Theatre on the sixth night of the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1958.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1958-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1958-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Beirut fused indie-rock and Eastern European folk music seamlessly at Oakland’s Fox Theatre on the sixth night of the 2019 Noise Pop Music and Arts Festival on March 2, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852059\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852059\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_2109-800x533.jpg\" alt=\"Princess Nokia gets up close and personal with her fans at The UC Theatre on the sixth night of the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_2109.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_2109-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_2109-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Princess Nokia got up close and personal with her fans at The UC Theatre on the sixth night of the 2019 Noise Pop Music and Arts Festival on March 2, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852058\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852058\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_2023-800x533.jpg\" alt=\"The crowd at the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_2023.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_2023-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_2023-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at the 2019 Noise Pop Music and Arts Festival. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852062\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852062\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_2226-800x533.jpg\" alt=\"Princess Nokia powers through technical difficulties with intimate a cappella versions of songs from 'A Girl Cried Red' at The UC Theatre on the sixth night of the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_2226.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_2226-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_2226-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Princess Nokia powered through technical difficulties with intimate a cappella versions of songs from ‘A Girl Cried Red’ at The UC Theatre on the sixth night of the 2019 Noise Pop Music and Arts Festival on March 2, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "Music discovery is still the highlight of the festival, now in its 26th year. ",
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"title": "At Noise Pop 2019, the Opening Acts Stole the Show | KQED",
"description": "Music discovery is still the highlight of the festival, now in its 26th year. ",
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"headline": "At Noise Pop 2019, the Opening Acts Stole the Show",
"datePublished": "2019-03-04T10:31:32-08:00",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Each year, \u003ca href=\"https://www.noisepop.com\" target=\"_blank\" rel=\"noopener\">Noise Pop Music and Arts Festival\u003c/a> turns the Bay Area into a musical playground where badge holders can catch as many Noise Pop-presented concerts as their hearts desire. With shows scattered throughout small venues and renowned concert halls in San Francisco, Oakland and Berkeley, the week-long shebang (which wrapped up on March 3) can be a custom-tailored experience for each attendee.\u003c/p>\n\u003cp>For its 26th year, Noise Pop featured more than 150 artists, including big-name acts like Beirut, Princess Nokia and Petit Biscuit. It also highlighted underground and local acts. In true Noise Pop tradition, the fest encourages music discovery by pairing acts in a way that allows different types of artists and fanbases to cross-pollinate.\u003c/p>\n\u003cp>While the headlining acts did not disappoint, this year’s opening acts stole the show. Describing herself as an “Afro-Latina, queer songbird,” Nicotine delivered a jaw-dropping, colorful performance with lounge-inspired music and spoken word that transported the UC Theatre crowd into a Prohibition-era speakeasy before headliner Yuna took the stage. Helado Negro had the crowd at Oakland’s Fox Theater swooning to his Spanish-infused indie pop. Before headliner Beirut took the stage, the audience demanded an Helado Negro encore. And though The She’s were first on the bill the night Albert Hammond Jr. headlined The Independent, an enthusiastic crowd showed up early to catch San Francisco’s favorite “all female rock ‘n’ roll quartet.”\u003c/p>\n\u003cp>With multiple concerts happening on the same night and a plethora of sold-out shows, it’s impossible to catch everything the festival has to offer. Below is a photo recap with this year’s highlights.\u003c/p>\n\u003cfigure id=\"attachment_13851982\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13851982\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_1041-800x533.jpg\" alt=\"The She's kick off night three of the 2019 Noise Pop Music and Arts Festival with a packed hometown set opening for Albert Hammond Jr. at The Independent on Wednesday, February 27, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1041.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1041-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1041-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The She’s kicked off night three of the 2019 Noise Pop Music and Arts Festival with a packed hometown set opening for Albert Hammond Jr. at The Independent on Wednesday, February 27, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13851981\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13851981\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_1003-800x533.jpg\" alt=\"The She's kick off night three of the 2019 Noise Pop Music and Arts Festival with a packed hometown set opening for Albert Hammond Jr. at The Independent on Wednesday, February 27, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1003.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1003-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1003-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The She’s kicked off night three of the 2019 Noise Pop Music and Arts Festival with a packed hometown set opening for Albert Hammond Jr. at The Independent on Wednesday, February 27, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13851985\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13851985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_1243-800x533.jpg\" alt=\"Electronic artist Will Wiesenfeld dazzles the crowd with witty stage banter and dance tunes during Baths set at Great American Music Hall on Wednesday, February 27, 2019.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1243.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1243-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1243-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Electronic artist Baths, aka Will Wiesenfeld, dazzled the crowd with witty stage banter and dance tunes at Great American Music Hall on Wednesday, February 27, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13851978\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13851978\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_0909-800x533.jpg\" alt=\"Electronic artist Will Wiesenfeld takes a moment to explore Great American Music Hall before Baths headlines on night three of the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0909.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0909-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0909-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Electronic artist Baths took a moment to explore Great American Music Hall before he headlined night three of the 2019 Noise Pop Music and Arts Festival. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852009\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852009\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_0584-800x533.jpg\" alt=\"Same Girls mix groovy funk notes with punk-rock vibes at Bottom of the Hill on night two of the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0584.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0584-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0584-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Same Girls brought punk-rock vibes to Bottom of the Hill on night two of the 2019 Noise Pop Music and Arts Festival on February 26, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852011\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852011\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_0622-800x533.jpg\" alt=\"Super Unison's Meghan O'Neil belts out powerful post-punk vocals on night two of the 2019 Noise Pop Music and Arts Festival at Bottom of the Hill.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0622.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0622-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0622-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Super Unison’s Meghan O’Neil belted out powerful vocals on night two of the 2019 Noise Pop Music and Arts Festival at Bottom of the Hill on February 26, 2018. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852013\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13852013 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_0696-800x503.jpg\" alt=\"King Woman’s Kristina Esfandiari returns to the Bay to perform a rose tinted set with her solo project Miserable on night two of the 2019 Noise Pop Music and Arts Festival at Bottom of the Hill.\" width=\"800\" height=\"503\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0696.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0696-160x101.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0696-768x483.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">King Woman’s Kristina Esfandiari returned to the Bay Area to perform with her solo project, Miserable, on night two of the 2019 Noise Pop Music and Arts Festival at Bottom of the Hill on February 26, 2019. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852006\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852006\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_0533-800x533.jpg\" alt=\"Kristina Esfandiari gears up for a headline set on night two of the 2019 Noise Pop Music and Arts Festival at Bottom of the Hill.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0533-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_0533-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Kristina Esfandiari geared up for a headlining set on night two of the 2019 Noise Pop Music and Arts Festival at Bottom of the Hill. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852015\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852015\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_1343-800x533.jpg\" alt=\"Spiritual Cramp takes a post soundcheck break outside of Oakland's Starline Social Club on day four of the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1343.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1343-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1343-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Spiritual Cramp took a post-soundcheck break outside of Oakland’s Starline Social Club on day four of the 2019 Noise Pop Music and Arts Festival on February 28, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852024\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852024\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_1558-800x533.jpg\" alt=\"Yuna sports a '90s inspired look backstage before performing sweet R&B tunes at The UC Theater in Berkeley on night five of the the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1558.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1558-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1558-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Yuna sported a ’90s-inspired look backstage before performing sweet R&B tunes at The UC Theater in Berkeley on night five of the the 2019 Noise Pop Music and Arts Festival on March 1, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852027\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852027\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_1624-800x533.jpg\" alt=\"Saul Williams performs electric freestyle poetry at the Brava Theater on night five of the the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1624.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1624-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1624-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Saul Williams performed electric spoken-word poetry and freestyles at the Brava Theater on night five of the the 2019 Noise Pop Music and Arts Festival on March 1, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852032\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852032\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_1721-800x533.jpg\" alt=\"Slenderbodies perform a late night dance-driven set at 1015 Folsom on night five of the the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1721.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1721-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1721-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Slenderbodies performed a late-night, dance-driven set at 1015 Folsom on night five of the the 2019 Noise Pop Music and Arts Festival on March 1, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852050\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852050\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_1888-800x533.jpg\" alt=\"Helado Negro's Zach Condon smiles as he receives a standing ovation after his opening set at Oakland's Fox Theatre on the sixth night of the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1888.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1888-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1888-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Helado Negro’s Roberto Lange smiled as he received a standing ovation after his opening set at Oakland’s Fox Theatre on the sixth night of the 2019 Noise Pop Music and Arts Festival on March 2, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852055\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852055\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_1977-800x533.jpg\" alt=\"The crowd at the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1977.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1977-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1977-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at the 2019 Noise Pop Music and Arts Festival. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852052\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852052\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_1958-800x533.jpg\" alt=\"Beirut fuses indie-rock and world music seamlessly at Oakland's Fox Theatre on the sixth night of the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1958.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1958-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_1958-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Beirut fused indie-rock and Eastern European folk music seamlessly at Oakland’s Fox Theatre on the sixth night of the 2019 Noise Pop Music and Arts Festival on March 2, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852059\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852059\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_2109-800x533.jpg\" alt=\"Princess Nokia gets up close and personal with her fans at The UC Theatre on the sixth night of the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_2109.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_2109-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_2109-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Princess Nokia got up close and personal with her fans at The UC Theatre on the sixth night of the 2019 Noise Pop Music and Arts Festival on March 2, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852058\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852058\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_2023-800x533.jpg\" alt=\"The crowd at the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_2023.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_2023-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_2023-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The crowd at the 2019 Noise Pop Music and Arts Festival. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13852062\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13852062\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/MG_2226-800x533.jpg\" alt=\"Princess Nokia powers through technical difficulties with intimate a cappella versions of songs from 'A Girl Cried Red' at The UC Theatre on the sixth night of the 2019 Noise Pop Music and Arts Festival.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_2226.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_2226-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/MG_2226-768x512.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Princess Nokia powered through technical difficulties with intimate a cappella versions of songs from ‘A Girl Cried Red’ at The UC Theatre on the sixth night of the 2019 Noise Pop Music and Arts Festival on March 2, 2019. \u003ccite>(Estefany Gonzalez )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "10 Bay Area Artists Not to Miss at Noise Pop 2019",
"headTitle": "10 Bay Area Artists Not to Miss at Noise Pop 2019 | KQED",
"content": "\u003cp>\u003ca href=\"https://noisepopfest.com/\" target=\"_blank\" rel=\"noopener\">Noise Pop\u003c/a> has been around since 1993, when the festival debuted as a $5 indie rock show at the Kennel Club (now the Independent). These days, the week-long, homegrown music showcase features dozens of artists working in a variety of genres, including rap, pop and electronic, and takes place at various venues on both sides of the Bay.\u003c/p>\n\u003cp>The festival kicks off on Feb. 25 and goes through March 3, with multiple shows happening each night. Beyond well-known acts like Beirut, Princess Nokia, Bob Mould and Yuna, we’ve rounded up 10 stellar Bay Area artists not to miss this year.\u003c/p>\n\u003ch2>Pllush\u003c/h2>\n\u003cp>Performing with Miserable, Same Girls and Super Unison.\u003cbr>\n\u003cstrong>Feb. 26, Bottom of the Hill. Details \u003ca href=\"http://www.stubmatic.com/bottomofthehill/event/9866\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3503424820/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Pllush emerged from the same fertile indie rock scene that produced standout Bay Area bands like Jay Som and Pardoner. Their 2018 album, \u003cem>Stranger to the Pain \u003c/em>(Father/Daughter Records), moves seamlessly from punchy garage-pop jam “Ortega” to gauzy shoegaze track “Big Train” and downcast post-punk meditation “Restart.” With lyrics about love and heartbreak, delicate harmonies that hit during maximal emotional catharsis and gritty instrumentation worthy of a mosh pit, Pllush’s unpolished, earnest approach has rendered them a band to watch this year.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp> \u003c/p>\n\u003ch2>Wizard Apprentice\u003c/h2>\n\u003cp>Performing with Baths, Briana Marela and There’s Talk.\u003cbr>\n\u003cstrong>Feb. 27, Great American Music Hall. Details \u003ca href=\"https://www.eventbrite.com/e/baths-gamh-w-briana-marela-wizard-apprentice-theres-talk-noise-pop-festival-2019-presents-tickets-51730251575?aff=ebdidfdostuff#tickets\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2838511816/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>You know all the embarrassing feelings of jealousy, insecurity and self-doubt that usually stay between you and your diary or therapist? Wizard Apprentice brings them into the light where listeners can acknowledge them, observe them and then finally let them go. The artist’s 2018 album, \u003cem>I Am Invisible \u003c/em>(Ratskin Records), is a collection of bedroom electronic tracks that are compositionally sparse, yet incredibly rich in their storytelling. Wizard Apprentice’s tracks drop all pretenses and cut straight to the heart of heavy emotional processing.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch2>Rose Droll\u003c/h2>\n\u003cp>Performing with Caroline Rose and Superet.\u003cbr>\n\u003cstrong>Feb. 28, The Independent. Details \u003ca href=\"http://www.ticketfly.com/event/1779484-caroline-rose-san-francisco/?utm_medium=1098158\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1784071394/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Versatile multi-instrumentalist Rose Droll can do a lot with a little, as evinced by her 2018 album \u003cem>Your Dog\u003c/em> (Father/Daughter Records). She mostly composed it in her room on acoustic guitar (and later added piano, glockenspiel and cello in the studio), and cobbled together a unique style of beat-driven folk instrumentation and throaty singing that often lapses into spoken word. \u003cem>Your Dog \u003c/em>made KQED Arts’ \u003ca href=\"https://www.kqed.org/arts/13847024/the-10-best-bay-area-albums-of-2018-rose-droll-your-dog\" target=\"_blank\" rel=\"noopener\">Best Bay Area Albums of 2018\u003c/a> list on the strength of its inventive approach.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch2>vverewolf\u003c/h2>\n\u003cp>Performing with Uffie, MPHD and Starfari.\u003cbr>\n\u003cstrong>March 1, The Independent. Details \u003ca href=\"https://www.eventbrite.com/e/uffie-mphd-starfari-vverevvolf-the-independent-tickets-52228742575\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3859730063/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Oakland pop duo vverewolf sound like they were raised on a diet of sugary cereal and Kesha, and they proudly rep their love for bubblegum pop in their work. The sparkling, synth-heavy tracks on their latest EP, \u003cem>Ugh!\u003c/em>, feel like injections of Unicorn Frappuccino straight into the blood stream. Still, there’s an emotional poignancy beneath the saccharine surface, especially on “The Other Side,” a frank, confessional track about depression and substance abuse.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch2>Tia Nomore and Queens D.Light\u003c/h2>\n\u003cp>Performing with Princess Nokia.\u003cbr>\n\u003cstrong>March 2, UC Theatre. Details \u003ca href=\"https://www.ticketfly.com/purchase/event/1795573?utm_medium=1098158&q=cdfa5d18-d78e-4f86-8a80-9f99f7beef2e&p=ac6989c9-999f-49f7-895a-3a9e69985752&ts=1550790229&c=ticketfly&e=003355a&rt=Safetynet&h=94bc9b93f5f0b0cbdcccdd0190fa127a\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1286267833/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=547962662/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2150569020/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Tia NoMore and Queens D.Light are two of the most dynamic voices in the Bay Area rap scene, and they couldn’t be more different. Queens’ dreamy meditations on sex and spirituality are what you want to bump when you’re lighting incense and painting or reading in your room (the perfect vibe for Pisces season, which is now upon us). Tia Nomore, on the other hand, delivers fiery tomboy raps in English and sometimes Japanese, and her penchant for beats with heavy slap recall the likes of Bay Area staples like Mac Dre and Mac Mall.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch2>Lara Sarkissian\u003c/h2>\n\u003cp>Performing with Yves Tumor and Watkins/Peacock.\u003cbr>\n\u003cstrong>March 2, The Chapel. Details \u003ca href=\"https://www.eventbrite.com/e/yves-tumor-lara-sarkissian-watkinspeacock-the-chapel-tickets-52417835156\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1895085439/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Lara Sarkissian is one half of Club Chai, the forward-thinking Oakland party and label that carved out a lane for experimental club music that caters to people who are queer, trans, immigrant, of color—or just appreciate beats that defy genres and borders. On her latest EP, \u003cem>Disruption\u003c/em>, Sarkissian draws from Armenian mythology, transporting it thousands of years into the future through heavily percussive tracks abuzz with textured synths.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch2>Trebuchet\u003c/h2>\n\u003cp>Performing with Ben Morrison of the Brothers Comatose, Andrew St. James and Television Spies.\u003cbr>\n\u003cstrong>March 2, Bottom of the Hill. Details \u003ca href=\"http://www.stubmatic.com/bottomofthehill/event/9868\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=49318725/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Who but Trebuchet’s Elliott Whitehurst could write a fluttering, ethereal folk album about calling off his wedding the night before it was supposed to happen? Throughout Trebuchet’s \u003cem>Volte-Face \u003c/em>(which made our\u003cem> \u003c/em>\u003ca href=\"https://www.kqed.org/arts/13817309/the-10-best-bay-area-albums-of-2017-trebuchet-volte-face\" target=\"_blank\" rel=\"noopener\">Best Bay Area Albums of 2017\u003c/a> list), Whitehurst meditates on a love that he “watched over-ripen” and ultimately chooses to walk away instead of living to please someone else. The resulting record makes poetry from a convoluted situation, with harmonies and string arrangements galore. (However, I’m still waiting for his ex’s version of \u003cem>Lemonade\u003c/em>.)\u003c/p>\n\u003cp> \u003c/p>\n\u003ch2>FR333\u003c/h2>\n\u003cp>Performing with Crumb, Video Age and Idhaz & Rose Cherami.\u003cbr>\n\u003cstrong>March 2, Starline Social Club. Details \u003ca href=\"https://www.eventbrite.com/e/sold-out-crumb-video-age-idhaz-rose-cherami-fr333-starline-social-club-tickets-53612898623?aff=ebdidfdostuff#tickets\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3024213588/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Oakland hip-hop duo FR333’s live shows might start with some ritualistic sage burning and end in a twerk-off, but the core of the performance is always about getting in touch with one’s inner confidence. Raw, vulnerable and sexy, FR333’s work empowers and inspires by looking inward and excavating the emotional depths of spiritual growth and sexuality. Vocalist MADlines (who recently wrote a KQED Arts \u003ca href=\"https://www.kqed.org/arts/13850633/breaking-free-from-toxic-love-madlines-story\" target=\"_blank\" rel=\"noopener\">essay\u003c/a> about self-love and leaving a toxic relationship) captivates with evocative metaphors and raspy inflections, while producer and multi-instrumentalist XOA’s intricate beatmaking creates a luxurious, velvety backdrop.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch2>The Total Bettys\u003c/h2>\n\u003cp>Performing with Partner, Dude York and Blushh.\u003cbr>\n\u003cstrong>March 3, Cafe du Nord. Details \u003ca href=\"https://www.eventbrite.com/e/partner-dude-york-blushh-the-total-bettys-cafe-du-nord-tickets-50423540166\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3369198218/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Breaking up in the queer world means you’ll probably still run into your ex on the patio at El Rio, and that they might remain friends with half of your friends. The Total Bettys have the balm for this particular type of heartache, which they hit on the nose with their tightly composed pop punk album \u003cem>This is Paradise\u003c/em>. With charged-up guitar riffs, a sturdy rhythm section and Maggie Grabmeier’s crestfallen vocals, the Total Bettys feel your angst and channel it on 11.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://noisepopfest.com/\" target=\"_blank\" rel=\"noopener\">Noise Pop\u003c/a> has been around since 1993, when the festival debuted as a $5 indie rock show at the Kennel Club (now the Independent). These days, the week-long, homegrown music showcase features dozens of artists working in a variety of genres, including rap, pop and electronic, and takes place at various venues on both sides of the Bay.\u003c/p>\n\u003cp>The festival kicks off on Feb. 25 and goes through March 3, with multiple shows happening each night. Beyond well-known acts like Beirut, Princess Nokia, Bob Mould and Yuna, we’ve rounded up 10 stellar Bay Area artists not to miss this year.\u003c/p>\n\u003ch2>Pllush\u003c/h2>\n\u003cp>Performing with Miserable, Same Girls and Super Unison.\u003cbr>\n\u003cstrong>Feb. 26, Bottom of the Hill. Details \u003ca href=\"http://www.stubmatic.com/bottomofthehill/event/9866\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3503424820/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Pllush emerged from the same fertile indie rock scene that produced standout Bay Area bands like Jay Som and Pardoner. Their 2018 album, \u003cem>Stranger to the Pain \u003c/em>(Father/Daughter Records), moves seamlessly from punchy garage-pop jam “Ortega” to gauzy shoegaze track “Big Train” and downcast post-punk meditation “Restart.” With lyrics about love and heartbreak, delicate harmonies that hit during maximal emotional catharsis and gritty instrumentation worthy of a mosh pit, Pllush’s unpolished, earnest approach has rendered them a band to watch this year.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003ch2>Wizard Apprentice\u003c/h2>\n\u003cp>Performing with Baths, Briana Marela and There’s Talk.\u003cbr>\n\u003cstrong>Feb. 27, Great American Music Hall. Details \u003ca href=\"https://www.eventbrite.com/e/baths-gamh-w-briana-marela-wizard-apprentice-theres-talk-noise-pop-festival-2019-presents-tickets-51730251575?aff=ebdidfdostuff#tickets\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2838511816/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>You know all the embarrassing feelings of jealousy, insecurity and self-doubt that usually stay between you and your diary or therapist? Wizard Apprentice brings them into the light where listeners can acknowledge them, observe them and then finally let them go. The artist’s 2018 album, \u003cem>I Am Invisible \u003c/em>(Ratskin Records), is a collection of bedroom electronic tracks that are compositionally sparse, yet incredibly rich in their storytelling. Wizard Apprentice’s tracks drop all pretenses and cut straight to the heart of heavy emotional processing.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch2>Rose Droll\u003c/h2>\n\u003cp>Performing with Caroline Rose and Superet.\u003cbr>\n\u003cstrong>Feb. 28, The Independent. Details \u003ca href=\"http://www.ticketfly.com/event/1779484-caroline-rose-san-francisco/?utm_medium=1098158\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1784071394/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Versatile multi-instrumentalist Rose Droll can do a lot with a little, as evinced by her 2018 album \u003cem>Your Dog\u003c/em> (Father/Daughter Records). She mostly composed it in her room on acoustic guitar (and later added piano, glockenspiel and cello in the studio), and cobbled together a unique style of beat-driven folk instrumentation and throaty singing that often lapses into spoken word. \u003cem>Your Dog \u003c/em>made KQED Arts’ \u003ca href=\"https://www.kqed.org/arts/13847024/the-10-best-bay-area-albums-of-2018-rose-droll-your-dog\" target=\"_blank\" rel=\"noopener\">Best Bay Area Albums of 2018\u003c/a> list on the strength of its inventive approach.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch2>vverewolf\u003c/h2>\n\u003cp>Performing with Uffie, MPHD and Starfari.\u003cbr>\n\u003cstrong>March 1, The Independent. Details \u003ca href=\"https://www.eventbrite.com/e/uffie-mphd-starfari-vverevvolf-the-independent-tickets-52228742575\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3859730063/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Oakland pop duo vverewolf sound like they were raised on a diet of sugary cereal and Kesha, and they proudly rep their love for bubblegum pop in their work. The sparkling, synth-heavy tracks on their latest EP, \u003cem>Ugh!\u003c/em>, feel like injections of Unicorn Frappuccino straight into the blood stream. Still, there’s an emotional poignancy beneath the saccharine surface, especially on “The Other Side,” a frank, confessional track about depression and substance abuse.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch2>Tia Nomore and Queens D.Light\u003c/h2>\n\u003cp>Performing with Princess Nokia.\u003cbr>\n\u003cstrong>March 2, UC Theatre. Details \u003ca href=\"https://www.ticketfly.com/purchase/event/1795573?utm_medium=1098158&q=cdfa5d18-d78e-4f86-8a80-9f99f7beef2e&p=ac6989c9-999f-49f7-895a-3a9e69985752&ts=1550790229&c=ticketfly&e=003355a&rt=Safetynet&h=94bc9b93f5f0b0cbdcccdd0190fa127a\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1286267833/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=547962662/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2150569020/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Tia NoMore and Queens D.Light are two of the most dynamic voices in the Bay Area rap scene, and they couldn’t be more different. Queens’ dreamy meditations on sex and spirituality are what you want to bump when you’re lighting incense and painting or reading in your room (the perfect vibe for Pisces season, which is now upon us). Tia Nomore, on the other hand, delivers fiery tomboy raps in English and sometimes Japanese, and her penchant for beats with heavy slap recall the likes of Bay Area staples like Mac Dre and Mac Mall.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch2>Lara Sarkissian\u003c/h2>\n\u003cp>Performing with Yves Tumor and Watkins/Peacock.\u003cbr>\n\u003cstrong>March 2, The Chapel. Details \u003ca href=\"https://www.eventbrite.com/e/yves-tumor-lara-sarkissian-watkinspeacock-the-chapel-tickets-52417835156\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1895085439/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Lara Sarkissian is one half of Club Chai, the forward-thinking Oakland party and label that carved out a lane for experimental club music that caters to people who are queer, trans, immigrant, of color—or just appreciate beats that defy genres and borders. On her latest EP, \u003cem>Disruption\u003c/em>, Sarkissian draws from Armenian mythology, transporting it thousands of years into the future through heavily percussive tracks abuzz with textured synths.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch2>Trebuchet\u003c/h2>\n\u003cp>Performing with Ben Morrison of the Brothers Comatose, Andrew St. James and Television Spies.\u003cbr>\n\u003cstrong>March 2, Bottom of the Hill. Details \u003ca href=\"http://www.stubmatic.com/bottomofthehill/event/9868\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=49318725/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Who but Trebuchet’s Elliott Whitehurst could write a fluttering, ethereal folk album about calling off his wedding the night before it was supposed to happen? Throughout Trebuchet’s \u003cem>Volte-Face \u003c/em>(which made our\u003cem> \u003c/em>\u003ca href=\"https://www.kqed.org/arts/13817309/the-10-best-bay-area-albums-of-2017-trebuchet-volte-face\" target=\"_blank\" rel=\"noopener\">Best Bay Area Albums of 2017\u003c/a> list), Whitehurst meditates on a love that he “watched over-ripen” and ultimately chooses to walk away instead of living to please someone else. The resulting record makes poetry from a convoluted situation, with harmonies and string arrangements galore. (However, I’m still waiting for his ex’s version of \u003cem>Lemonade\u003c/em>.)\u003c/p>\n\u003cp> \u003c/p>\n\u003ch2>FR333\u003c/h2>\n\u003cp>Performing with Crumb, Video Age and Idhaz & Rose Cherami.\u003cbr>\n\u003cstrong>March 2, Starline Social Club. Details \u003ca href=\"https://www.eventbrite.com/e/sold-out-crumb-video-age-idhaz-rose-cherami-fr333-starline-social-club-tickets-53612898623?aff=ebdidfdostuff#tickets\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3024213588/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>Oakland hip-hop duo FR333’s live shows might start with some ritualistic sage burning and end in a twerk-off, but the core of the performance is always about getting in touch with one’s inner confidence. Raw, vulnerable and sexy, FR333’s work empowers and inspires by looking inward and excavating the emotional depths of spiritual growth and sexuality. Vocalist MADlines (who recently wrote a KQED Arts \u003ca href=\"https://www.kqed.org/arts/13850633/breaking-free-from-toxic-love-madlines-story\" target=\"_blank\" rel=\"noopener\">essay\u003c/a> about self-love and leaving a toxic relationship) captivates with evocative metaphors and raspy inflections, while producer and multi-instrumentalist XOA’s intricate beatmaking creates a luxurious, velvety backdrop.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch2>The Total Bettys\u003c/h2>\n\u003cp>Performing with Partner, Dude York and Blushh.\u003cbr>\n\u003cstrong>March 3, Cafe du Nord. Details \u003ca href=\"https://www.eventbrite.com/e/partner-dude-york-blushh-the-total-bettys-cafe-du-nord-tickets-50423540166\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=3369198218/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Breaking up in the queer world means you’ll probably still run into your ex on the patio at El Rio, and that they might remain friends with half of your friends. The Total Bettys have the balm for this particular type of heartache, which they hit on the nose with their tightly composed pop punk album \u003cem>This is Paradise\u003c/em>. With charged-up guitar riffs, a sturdy rhythm section and Maggie Grabmeier’s crestfallen vocals, the Total Bettys feel your angst and channel it on 11.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
"title": "Freakonomics Radio",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
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},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"rss": "https://feeds.megaphone.fm/KQINC2275451163"
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
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"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
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"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
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"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
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