window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_13930405": {
"type": "attachments",
"id": "arts_13930405",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13930405",
"found": true
},
"parent": 13930404,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/06/img_8197_custom-014e72b5287e950b26a79c9a43ee781ffa7baa67-scaled-e1686590618813-1038x576.jpe",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/06/img_8197_custom-014e72b5287e950b26a79c9a43ee781ffa7baa67-scaled-e1686590618813-160x125.jpe",
"width": 160,
"mimeType": "image/jpeg",
"height": 125
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/06/img_8197_custom-014e72b5287e950b26a79c9a43ee781ffa7baa67-scaled-e1686590618813-672x372.jpe",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/06/img_8197_custom-014e72b5287e950b26a79c9a43ee781ffa7baa67-scaled-e1686590618813.jpe",
"width": 1920,
"height": 1502
},
"2048x2048": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/06/img_8197_custom-014e72b5287e950b26a79c9a43ee781ffa7baa67-2048x1602.jpe",
"width": 2048,
"mimeType": "image/jpeg",
"height": 1602
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/06/img_8197_custom-014e72b5287e950b26a79c9a43ee781ffa7baa67-scaled-e1686590618813-1020x798.jpe",
"width": 1020,
"mimeType": "image/jpeg",
"height": 798
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/06/img_8197_custom-014e72b5287e950b26a79c9a43ee781ffa7baa67-scaled-e1686590618813-1536x1202.jpe",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1202
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/06/img_8197_custom-014e72b5287e950b26a79c9a43ee781ffa7baa67-1920x1502.jpe",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1502
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/06/img_8197_custom-014e72b5287e950b26a79c9a43ee781ffa7baa67-scaled-e1686590618813-800x626.jpe",
"width": 800,
"mimeType": "image/jpeg",
"height": 626
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/06/img_8197_custom-014e72b5287e950b26a79c9a43ee781ffa7baa67-scaled-e1686590618813-768x601.jpe",
"width": 768,
"mimeType": "image/jpeg",
"height": 601
}
},
"publishDate": 1686590100,
"modified": 1686590749,
"caption": "D'Arcy Drollinger, the country's first drag laureate, poses with the Pride flag outside San Francisco City Hall on June 2, 2023.",
"description": null,
"title": "D'Arcy Drollinger, the country's first drag laureate, poses with the Pride flag outside San Francisco City Hall on June 2, 2023.",
"credit": "Chloe Veltman/ NPR",
"status": "inherit",
"altTag": "A drag performer wearing long blond wig and a skin tight pink and white dress and suit jacket stands on a balcony overlooking San Francisco Civic Center. She is standing next to a rainbow flag.",
"isLoading": false,
"fetchFailed": false
},
"arts_13929629": {
"type": "attachments",
"id": "arts_13929629",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13929629",
"found": true
},
"parent": 13929572,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/RS65830_017_KQED_HeklinaMemorialCastro_05232023-qut-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/RS65830_017_KQED_HeklinaMemorialCastro_05232023-qut-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/RS65830_017_KQED_HeklinaMemorialCastro_05232023-qut-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/RS65830_017_KQED_HeklinaMemorialCastro_05232023-qut.jpg",
"width": 1920,
"height": 1280
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/RS65830_017_KQED_HeklinaMemorialCastro_05232023-qut-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/RS65830_017_KQED_HeklinaMemorialCastro_05232023-qut-1536x1024.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1024
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/RS65830_017_KQED_HeklinaMemorialCastro_05232023-qut-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/RS65830_017_KQED_HeklinaMemorialCastro_05232023-qut-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
}
},
"publishDate": 1684962811,
"modified": 1684962827,
"caption": "Drag king Vera! performs during a memorial for Heklina outside of the Castro Theatre in San Francisco on May 23, 2023.",
"description": null,
"title": "RS65830_017_KQED_HeklinaMemorialCastro_05232023-qut",
"credit": "Beth LaBerge/KQED",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
},
"arts_13929354": {
"type": "attachments",
"id": "arts_13929354",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13929354",
"found": true
},
"parent": 13929331,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/Sister-Roma-arrives-at-San-Francisco-City-Hall-for-the-Drag-Up-Fight-Back-march-on-Saturday-April-8-2023-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/Sister-Roma-arrives-at-San-Francisco-City-Hall-for-the-Drag-Up-Fight-Back-march-on-Saturday-April-8-2023-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/Sister-Roma-arrives-at-San-Francisco-City-Hall-for-the-Drag-Up-Fight-Back-march-on-Saturday-April-8-2023-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/Sister-Roma-arrives-at-San-Francisco-City-Hall-for-the-Drag-Up-Fight-Back-march-on-Saturday-April-8-2023.jpg",
"width": 1620,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/Sister-Roma-arrives-at-San-Francisco-City-Hall-for-the-Drag-Up-Fight-Back-march-on-Saturday-April-8-2023-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/Sister-Roma-arrives-at-San-Francisco-City-Hall-for-the-Drag-Up-Fight-Back-march-on-Saturday-April-8-2023-1536x1024.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1024
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/Sister-Roma-arrives-at-San-Francisco-City-Hall-for-the-Drag-Up-Fight-Back-march-on-Saturday-April-8-2023-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/Sister-Roma-arrives-at-San-Francisco-City-Hall-for-the-Drag-Up-Fight-Back-march-on-Saturday-April-8-2023-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
}
},
"publishDate": 1684447421,
"modified": 1684447744,
"caption": "Sister Roma at the Drag Up! Fight Back! march at San Francisco City Hall on April 8, 2023.",
"description": null,
"title": "Sister-Roma-arrives-at-San-Francisco-City-Hall-for-the-Drag-Up-Fight-Back-march-on-Saturday-April-8-2023",
"credit": "Estefany Gonzalez",
"status": "inherit",
"altTag": "A drag queen nun wears a feather boa and white makeup.",
"isLoading": false,
"fetchFailed": false
},
"arts_13929146": {
"type": "attachments",
"id": "arts_13929146",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13929146",
"found": true
},
"parent": 13929138,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-1038x576.jpeg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-160x95.jpeg",
"width": 160,
"mimeType": "image/jpeg",
"height": 95
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-672x372.jpeg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-scaled.jpeg",
"width": 2560,
"height": 1527
},
"2048x2048": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-2048x1221.jpeg",
"width": 2048,
"mimeType": "image/jpeg",
"height": 1221
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-1020x608.jpeg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 608
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-1536x916.jpeg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 916
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-1920x1145.jpeg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1145
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-800x477.jpeg",
"width": 800,
"mimeType": "image/jpeg",
"height": 477
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/05/Mama-Celeste-and-Beatrix-Lahaine-by-Fred-Rowe-Oaklash-2022-768x458.jpeg",
"width": 768,
"mimeType": "image/jpeg",
"height": 458
}
},
"publishDate": 1684176888,
"modified": 1694126505,
"caption": "Mama Celeste and Beatrix Lahaine, founders of Oaklash, pose at 2022's festival. ",
"description": null,
"title": "Mama Celeste and Beatrix Lahaine by Fred Rowe, Oaklash 2022",
"credit": "Fred Rowe",
"status": "inherit",
"altTag": "two colorfully dressed drag performers pose for the camera while people fill the street behind them at a drag festival",
"isLoading": false,
"fetchFailed": false
},
"arts_13928178": {
"type": "attachments",
"id": "arts_13928178",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13928178",
"found": true
},
"parent": 13928177,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/04/GettyImages-1474017535-scaled-e1682358349188-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/04/GettyImages-1474017535-scaled-e1682358349188-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/04/GettyImages-1474017535-scaled-e1682358349188-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/04/GettyImages-1474017535-scaled-e1682358349188.jpg",
"width": 1920,
"height": 1280
},
"2048x2048": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/04/GettyImages-1474017535-2048x1365.jpg",
"width": 2048,
"mimeType": "image/jpeg",
"height": 1365
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/04/GettyImages-1474017535-scaled-e1682358349188-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/04/GettyImages-1474017535-scaled-e1682358349188-1536x1024.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1024
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/04/GettyImages-1474017535-1920x1280.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1280
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/04/GettyImages-1474017535-scaled-e1682358349188-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/04/GettyImages-1474017535-scaled-e1682358349188-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
}
},
"publishDate": 1682358199,
"modified": 1682358428,
"caption": "Lizzo performs in London, March 2023.",
"description": null,
"title": "Lizzo performs in London, March 2023.",
"credit": "Jim Dyson/Getty Images",
"status": "inherit",
"altTag": "A plus-size Black woman performs onstage wearing a sheer bodysuit with neon yellow details.",
"isLoading": false,
"fetchFailed": false
},
"arts_13915269": {
"type": "attachments",
"id": "arts_13915269",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13915269",
"found": true
},
"parent": 13956246,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56925_024_KQED_SFTransMarch_06242022-qut-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56925_024_KQED_SFTransMarch_06242022-qut-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56925_024_KQED_SFTransMarch_06242022-qut-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56925_024_KQED_SFTransMarch_06242022-qut.jpg",
"width": 1920,
"height": 1278
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56925_024_KQED_SFTransMarch_06242022-qut-1020x679.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 679
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56925_024_KQED_SFTransMarch_06242022-qut-1536x1022.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1022
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56925_024_KQED_SFTransMarch_06242022-qut-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56925_024_KQED_SFTransMarch_06242022-qut-768x511.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 511
}
},
"publishDate": 1656345266,
"modified": 1713545923,
"caption": "Honey Mahogany speaks during a rally after the Trans March in San Francisco on June 24, 2022.",
"description": null,
"title": "RS56925_024_KQED_SFTransMarch_06242022-qut",
"credit": "Beth LaBerge/KQED",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
},
"arts_11161564": {
"type": "attachments",
"id": "arts_11161564",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11161564",
"found": true
},
"parent": 11161452,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/12/wmheklinabyjoseaguzmancolon1-e1450078611662-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/12/wmheklinabyjoseaguzmancolon1-e1450078611662-400x243.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 243
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/12/wmheklinabyjoseaguzmancolon1-e1450078611662-960x584.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 584
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/12/wmheklinabyjoseaguzmancolon1-e1450078611662-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/12/wmheklinabyjoseaguzmancolon1-e1450078611662.jpg",
"width": 3733,
"height": 2269
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/12/wmheklinabyjoseaguzmancolon1-e1450078611662-1180x717.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 717
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/12/wmheklinabyjoseaguzmancolon1-e1450078611662-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/12/wmheklinabyjoseaguzmancolon1-e1450078611662-800x486.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 486
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/12/wmheklinabyjoseaguzmancolon1-e1450078611662-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/12/wmheklinabyjoseaguzmancolon1-e1450078611662-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/12/wmheklinabyjoseaguzmancolon1-e1450078611662-1920x1167.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1167
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/12/wmheklinabyjoseaguzmancolon1-e1450078611662-1180x717.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 717
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/12/wmheklinabyjoseaguzmancolon1-e1450078611662-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/12/wmheklinabyjoseaguzmancolon1-e1450078611662-768x467.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 467
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2015/12/wmheklinabyjoseaguzmancolon1-e1450078611662-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1450078457,
"modified": 1680557687,
"caption": "Heklina.",
"description": null,
"title": "wmheklinabyjoseaguzmancolon1",
"credit": "Jose Guzman-Colon",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
},
"arts_13926098": {
"type": "attachments",
"id": "arts_13926098",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13926098",
"found": true
},
"parent": 13926077,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/03/pexels-shvets-production-7176325-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/03/pexels-shvets-production-7176325-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/03/pexels-shvets-production-7176325-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/03/pexels-shvets-production-7176325-scaled.jpg",
"width": 2560,
"height": 1707
},
"2048x2048": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/03/pexels-shvets-production-7176325-2048x1365.jpg",
"width": 2048,
"mimeType": "image/jpeg",
"height": 1365
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/03/pexels-shvets-production-7176325-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/03/pexels-shvets-production-7176325-1536x1024.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1024
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/03/pexels-shvets-production-7176325-1920x1280.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1280
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/03/pexels-shvets-production-7176325-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2023/03/pexels-shvets-production-7176325-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
}
},
"publishDate": 1678469846,
"modified": 1678470417,
"caption": "Anti-trans laws and rhetoric are reaching a fever pitch. The effects are devastating for trans people and the therapists who support them, even in a sanctuary state for gender-affirming healthcare like California.",
"description": null,
"title": "pexels-shvets-production-7176325",
"credit": "Shvets Production/Pexels",
"status": "inherit",
"altTag": "A close-up photo of one person holding another's hand to comfort them.",
"isLoading": false,
"fetchFailed": false
},
"arts_13920120": {
"type": "attachments",
"id": "arts_13920120",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13920120",
"found": true
},
"parent": 0,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/10/LisaFrankenstein_COVER-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/10/LisaFrankenstein_COVER-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/10/LisaFrankenstein_COVER.jpg",
"width": 900,
"height": 507
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/10/LisaFrankenstein_COVER-800x451.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 451
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/10/LisaFrankenstein_COVER-768x433.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 433
}
},
"publishDate": 1665091042,
"modified": 1665091106,
"caption": "Detail of an image of drag performer Lisa Frankenstein by Aaron Wojack.",
"description": null,
"title": "LisaFrankenstein_COVER",
"credit": "Courtesy of the artist",
"status": "inherit",
"altTag": "Performer in white curly wig and yellow blazer with wide-eyed look",
"isLoading": false,
"fetchFailed": false
},
"arts_13919910": {
"type": "attachments",
"id": "arts_13919910",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13919910",
"found": true
},
"parent": 13919897,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/09/juanitamore1-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/09/juanitamore1-160x114.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 114
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/09/juanitamore1-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/09/juanitamore1.jpg",
"width": 1920,
"height": 1370
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/09/juanitamore1-1020x728.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 728
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/09/juanitamore1-1536x1096.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1096
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/09/juanitamore1-800x571.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 571
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/09/juanitamore1-768x548.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 548
}
},
"publishDate": 1664561413,
"modified": 1664576589,
"caption": "'Juanita: 30 Years of MORE!' at SFAC celebrates Juanita MORE!'s (center) career in drag, philanthropy and activism. The show was curated by Marcel Pardo Ariza (right) and features custom couture designed by Juanita MORE!'s drag mother and friend, Mr. David Glamamore (left). ",
"description": null,
"title": "juanitamore1",
"credit": "Nastia Voynovskaya/KQED",
"status": "inherit",
"altTag": null,
"isLoading": false,
"fetchFailed": false
},
"arts_13918923": {
"type": "attachments",
"id": "arts_13918923",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13918923",
"found": true
},
"parent": 13916388,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/09/GettyImages-1350543137-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/09/GettyImages-1350543137-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/09/GettyImages-1350543137-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/09/GettyImages-1350543137-e1662679187908.jpg",
"width": 1920,
"height": 1280
},
"2048x2048": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/09/GettyImages-1350543137-2048x1365.jpg",
"width": 2048,
"mimeType": "image/jpeg",
"height": 1365
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/09/GettyImages-1350543137-1020x680.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 680
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/09/GettyImages-1350543137-1536x1024.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 1024
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/09/GettyImages-1350543137-1920x1280.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1280
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/09/GettyImages-1350543137-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/09/GettyImages-1350543137-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
}
},
"publishDate": 1662679171,
"modified": 1662679323,
"caption": "Dressed as Maleficent, Stefanie Brizuela of Santa Cruz watches over the final day of Outside Lands on Halloween 2021.",
"description": null,
"title": "Dressed as Maleficent, Stefanie Brizuela of Santa Cruz watches over the final day of Outside Lands on Halloween 2021.",
"credit": "Brontë Wittpenn/San Francisco Chronicle via Getty Images",
"status": "inherit",
"altTag": "A woman wearing black goat-like horns on her head and elaborate black wings stands firmly before a tree.",
"isLoading": false,
"fetchFailed": false
},
"arts_13908282": {
"type": "attachments",
"id": "arts_13908282",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13908282",
"found": true
},
"parent": 13908279,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/Composite2-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/Composite2-160x92.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 92
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/Composite2-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/Composite2.jpg",
"width": 1920,
"height": 1098
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/Composite2-1020x583.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 583
},
"1536x1536": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/Composite2-1536x878.jpg",
"width": 1536,
"mimeType": "image/jpeg",
"height": 878
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/Composite2-800x458.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 458
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2022/01/Composite2-768x439.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 439
}
},
"publishDate": 1642546775,
"modified": 1642549454,
"caption": "Top row, left to right: Papi Churro, Heaven On Earth, Pearl Teese, Kochina Rude, Tito Soto, Lisa Frankenstein, Tyson Check-in, Meatflap and Phoebe Cakes. Bottom row, left to right: Frida Mont and Vera. ",
"description": null,
"title": "Composite2",
"credit": "Chantel Beam",
"status": "inherit",
"altTag": "A group photo of drag performers of different genders dressed in black and gold.",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_13930404": {
"type": "authors",
"id": "byline_arts_13930404",
"meta": {
"override": true
},
"slug": "byline_arts_13930404",
"name": "Chloe Veltman",
"isLoading": false
},
"shotchkiss": {
"type": "authors",
"id": "61",
"meta": {
"index": "authors_1716337520",
"id": "61",
"found": true
},
"name": "Sarah Hotchkiss",
"firstName": "Sarah",
"lastName": "Hotchkiss",
"slug": "shotchkiss",
"email": "shotchkiss@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Senior Editor",
"bio": "Sarah Hotchkiss is a San Francisco \u003ca href=\"http://www.sarahhotchkiss.com\">artist\u003c/a> and arts writer. In 2019, she received the Dorothea & Leo Rabkin Foundation grant for visual art journalism and in 2020 she received a Society of Professional Journalists, Northern California award for excellence in arts and culture reporting.",
"avatar": "https://secure.gravatar.com/avatar/bc662df144b3d27fd8b1b6f1c2a420d34e91e53154d411bb7ad353cc8b6cea8d?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"Contributor",
"administrator"
]
},
{
"site": "artschool",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "pop",
"roles": [
"administrator"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "spark",
"roles": [
"editor"
]
},
{
"site": "checkplease",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Sarah Hotchkiss | KQED",
"description": "Senior Editor",
"ogImgSrc": "https://secure.gravatar.com/avatar/bc662df144b3d27fd8b1b6f1c2a420d34e91e53154d411bb7ad353cc8b6cea8d?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/bc662df144b3d27fd8b1b6f1c2a420d34e91e53154d411bb7ad353cc8b6cea8d?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/shotchkiss"
},
"kqedarts": {
"type": "authors",
"id": "92",
"meta": {
"index": "authors_1716337520",
"id": "92",
"found": true
},
"name": "KQED Arts",
"firstName": "KQED",
"lastName": "Arts",
"slug": "kqedarts",
"email": "arts@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Staff",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": "https://www.instagram.com/kqed_arts/",
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"contributor"
]
},
{
"site": "pop",
"roles": [
"contributor"
]
},
{
"site": "science",
"roles": [
"author"
]
},
{
"site": "food",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "KQED Arts | KQED",
"description": "KQED Staff",
"ogImgSrc": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/kqedarts"
},
"gmeline": {
"type": "authors",
"id": "185",
"meta": {
"index": "authors_1716337520",
"id": "185",
"found": true
},
"name": "Gabe Meline",
"firstName": "Gabe",
"lastName": "Meline",
"slug": "gmeline",
"email": "gmeline@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Senior Editor, KQED Arts & Culture",
"bio": "Gabe Meline entered journalism at age 15 making photocopied zines, and has since earned awards from the Edward R. Murrow Awards, the Society for Professional Journalists, the Online Journalism Awards, the Association of Alternative Newsweeklies and the California Newspaper Publishers Association. Prior to KQED, he was the editor of the \u003cem>North Bay Bohemian\u003c/em> and a touring musician. He lives with his wife and daughter in his hometown of Santa Rosa, CA.",
"avatar": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "artschool",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "pop",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
},
{
"site": "liveblog",
"roles": [
"editor"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Gabe Meline | KQED",
"description": "Senior Editor, KQED Arts & Culture",
"ogImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/gmeline"
},
"ralexandra": {
"type": "authors",
"id": "11242",
"meta": {
"index": "authors_1716337520",
"id": "11242",
"found": true
},
"name": "Rae Alexandra",
"firstName": "Rae",
"lastName": "Alexandra",
"slug": "ralexandra",
"email": "ralexandra@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Reporter/Producer",
"bio": "Rae Alexandra is a Reporter/Producer for KQED Arts & Culture, and the creator/author of the \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\">Rebel Girls From Bay Area History\u003c/a> and \u003ca href=\"https://www.kqed.org/bizarrebayarea\">Bizarre Bay Area\u003c/a> series. Her debut book, \u003ca href=\"https://citylights.com/politics-current-events-history/unsung-heroines35-women-who-changed/\">Unsung Heroines: 35 Women Who Changed the Bay Area\u003c/a> was published by City Lights in March 2026. In 2023, Rae was awarded an SPJ Excellence in Journalism Award for Arts & Culture. Rae was born and raised in Wales and subsequently — even after two decades in Northern California — still uses phrases that regularly baffle her coworkers.",
"avatar": "https://secure.gravatar.com/avatar/edfee8176c80cc0a382b051190f5341997df378a934a5774dcb0977732dfd401?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "pop",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "science",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Rae Alexandra | KQED",
"description": "Reporter/Producer",
"ogImgSrc": "https://secure.gravatar.com/avatar/edfee8176c80cc0a382b051190f5341997df378a934a5774dcb0977732dfd401?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/edfee8176c80cc0a382b051190f5341997df378a934a5774dcb0977732dfd401?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ralexandra"
},
"dcronin": {
"type": "authors",
"id": "11362",
"meta": {
"index": "authors_1716337520",
"id": "11362",
"found": true
},
"name": "Dana Cronin",
"firstName": "Dana",
"lastName": "Cronin",
"slug": "dcronin",
"email": "dcronin@KQED.org",
"display_author_email": true,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Dana Cronin is a reporter for KQED News. She loves writing stories about climate change, environmental issues, food and agriculture. She's reported across the country, from Colorado to Washington D.C. to Illinois, and has won numerous awards for her coverage. Her work is regularly featured on national broadcasts, including NPR’s Morning Edition, All Things Considered, PBS Newshour and Science Friday. She lives in Oakland and has an avocado tree in her back yard.",
"avatar": "https://secure.gravatar.com/avatar/bcf89e3455ff7235f96ab6fa7258dd95?s=600&d=blank&r=g",
"twitter": "DanaHCronin",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"author"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "science",
"roles": [
"author"
]
},
{
"site": "liveblog",
"roles": [
"author"
]
}
],
"headData": {
"title": "Dana Cronin | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/bcf89e3455ff7235f96ab6fa7258dd95?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/bcf89e3455ff7235f96ab6fa7258dd95?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/dcronin"
},
"nvoynovskaya": {
"type": "authors",
"id": "11387",
"meta": {
"index": "authors_1716337520",
"id": "11387",
"found": true
},
"name": "Nastia Voynovskaya",
"firstName": "Nastia",
"lastName": "Voynovskaya",
"slug": "nvoynovskaya",
"email": "nvoynovskaya@kqed.org",
"display_author_email": false,
"staff_mastheads": [
"arts"
],
"title": "Editor and reporter",
"bio": "Nastia Voynovskaya is a reporter and editor at KQED Arts & Culture. She's been covering the arts in the Bay Area for over a decade, with a focus on music, queer culture, labor issues and grassroots organizing. She has edited KQED story series such as Trans Bay: A History of San Francisco's Gender-Diverse Community, and co-created KQED's Bay Area hip-hop history project, That's My Word. Nastia's work has been recognized by the Society of Professional Journalists and San Francisco Press Club. She holds a BA in comparative literature from UC Berkeley.",
"avatar": "https://secure.gravatar.com/avatar/5025ee460e5a85d69ca20ea6c6f2f80d7e17795c828f61ea3aecfcd924e9042e?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": "https://www.instagram.com/nananastia/",
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "pop",
"roles": [
"administrator"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "podcasts",
"roles": [
"editor"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Nastia Voynovskaya | KQED",
"description": "Editor and reporter",
"ogImgSrc": "https://secure.gravatar.com/avatar/5025ee460e5a85d69ca20ea6c6f2f80d7e17795c828f61ea3aecfcd924e9042e?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/5025ee460e5a85d69ca20ea6c6f2f80d7e17795c828f61ea3aecfcd924e9042e?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/nvoynovskaya"
},
"blaberge": {
"type": "authors",
"id": "11667",
"meta": {
"index": "authors_1716337520",
"id": "11667",
"found": true
},
"name": "Beth LaBerge",
"firstName": "Beth",
"lastName": "LaBerge",
"slug": "blaberge",
"email": "blaberge@KQED.org",
"display_author_email": true,
"staff_mastheads": [
"news"
],
"title": "Photographer, News",
"bio": "Beth LaBerge is a visual journalist for \u003ca href=\"https://www.kqed.org/news\">KQED News\u003c/a>.",
"avatar": "https://secure.gravatar.com/avatar/ce49ecd7a1306685637b45a1f6f5dedfc4ae9481966eb596fea5160466dd6319?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": "https://www.instagram.com/bethlaberge/",
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"editor",
"manage_categories"
]
},
{
"site": "news",
"roles": [
"editor",
"edit_plugins",
"manage_categories"
]
},
{
"site": "science",
"roles": [
"editor",
"contributor",
"author",
"manage_categories"
]
},
{
"site": "perspectives",
"roles": [
"editor"
]
},
{
"site": "liveblog",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Beth LaBerge | KQED",
"description": "Photographer, News",
"ogImgSrc": "https://secure.gravatar.com/avatar/ce49ecd7a1306685637b45a1f6f5dedfc4ae9481966eb596fea5160466dd6319?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/ce49ecd7a1306685637b45a1f6f5dedfc4ae9481966eb596fea5160466dd6319?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/blaberge"
},
"ccabreralomeli": {
"type": "authors",
"id": "11708",
"meta": {
"index": "authors_1716337520",
"id": "11708",
"found": true
},
"name": "Carlos Cabrera-Lomelí",
"firstName": "Carlos",
"lastName": "Cabrera-Lomelí",
"slug": "ccabreralomeli",
"email": "ccabreralomeli@KQED.org",
"display_author_email": true,
"staff_mastheads": [
"news"
],
"title": "Community Reporter",
"bio": "Carlos Cabrera-Lomelí is a community reporter with KQED's digital engagement team. He also reports and co-produces for KQED's bilingual news hub KQED en Español. He grew up in San Francisco's Mission District and has previously worked with Univision, 48 Hills and REFORMA in Mexico City.",
"avatar": "https://secure.gravatar.com/avatar/c309be9665e484f887b818c89e273ecc673004f426f36b24d00a4d813a2e0518?s=600&d=blank&r=g",
"twitter": "@LomeliCabrera",
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "about",
"roles": [
"editor"
]
},
{
"site": "science",
"roles": [
"editor"
]
},
{
"site": "perspectives",
"roles": [
"editor"
]
},
{
"site": "elections",
"roles": [
"editor"
]
},
{
"site": "liveblog",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Carlos Cabrera-Lomelí | KQED",
"description": "Community Reporter",
"ogImgSrc": "https://secure.gravatar.com/avatar/c309be9665e484f887b818c89e273ecc673004f426f36b24d00a4d813a2e0518?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/c309be9665e484f887b818c89e273ecc673004f426f36b24d00a4d813a2e0518?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ccabreralomeli"
},
"emilianovilla": {
"type": "authors",
"id": "11752",
"meta": {
"index": "authors_1716337520",
"id": "11752",
"found": true
},
"name": "Emiliano Villa",
"firstName": "Emiliano",
"lastName": "Villa",
"slug": "emilianovilla",
"email": "evilla@kqed.org",
"display_author_email": true,
"staff_mastheads": [],
"title": "KQED Education Staff",
"bio": "Emiliano Villa is a multimedia journalist seeped in Oakland culture. Through their training at YR Media, they discovered their love for journalism and realized the power of youth media in addressing inequity. This passion led them to join YR's newsroom, reporting on politics, arts, and queer culture through a youth perspective. Their work has been featured on NPR, SF Chronicle, and the NY Times. When they aren't creating, Emiliano enjoys nature and dancing their heart out to pop music.",
"avatar": "https://secure.gravatar.com/avatar/1b7b4ba50c7d726845f5f18c6b77b0ba?s=600&d=mm&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": []
},
{
"site": "news",
"roles": []
},
{
"site": "education",
"roles": []
},
{
"site": "perspectives",
"roles": []
}
],
"headData": {
"title": "Emiliano Villa | KQED",
"description": "KQED Education Staff",
"ogImgSrc": "https://secure.gravatar.com/avatar/1b7b4ba50c7d726845f5f18c6b77b0ba?s=600&d=mm&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/1b7b4ba50c7d726845f5f18c6b77b0ba?s=600&d=mm&r=g"
},
"isLoading": false,
"link": "/author/emilianovilla"
},
"jlara": {
"type": "authors",
"id": "11761",
"meta": {
"index": "authors_1716337520",
"id": "11761",
"found": true
},
"name": "Juan Carlos Lara",
"firstName": "Juan Carlos",
"lastName": "Lara",
"slug": "jlara",
"email": "jlara@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/19e2052b9b05657c5ff2af2121846e9c?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"editor"
]
},
{
"site": "liveblog",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Juan Carlos Lara | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/19e2052b9b05657c5ff2af2121846e9c?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/19e2052b9b05657c5ff2af2121846e9c?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/jlara"
},
"vesposito": {
"type": "authors",
"id": "11934",
"meta": {
"index": "authors_1716337520",
"id": "11934",
"found": true
},
"name": "Veronica Esposito",
"firstName": "Veronica",
"lastName": "Esposito",
"slug": "vesposito",
"email": "ladoppiavitadinica@gmail.com",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Veronica Esposito is a Licensed Marriage and Family Therapist, as well as a freelance journalist covering the arts, lifestyle, and social justice for venues including The Guardian, KQED, World Literature Today, and many others. Her writing has appeared in dozens of venues, and she has published four books. As a therapist, she specializes in supporting and advocating for trans individuals, and more generally helps clients process and overcome traumatic histories, manage life transitions, and tell their own story.",
"avatar": "https://secure.gravatar.com/avatar/503a7126ebd8cb299fb632f755dac767?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"author"
]
}
],
"headData": {
"title": "Veronica Esposito | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/503a7126ebd8cb299fb632f755dac767?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/503a7126ebd8cb299fb632f755dac767?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/vesposito"
}
},
"pagesReducer": {
"arts_tag_drag": {
"type": "terms",
"id": "arts_1556",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1556",
"score": 9.30273
},
"featImg": null,
"name": "drag",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "drag Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1568,
"slug": "drag",
"isLoading": false,
"title": "drag",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 3
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?tag=drag",
"seeMore": false,
"paginated": true,
"page": 3
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_13930404": {
"type": "posts",
"id": "arts_13930404",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13930404",
"score": null,
"sort": [
1686593065000
]
},
"guestAuthors": [],
"slug": "drag-laureate-darcy-drollinger-pride-san-francisco-oasis-nightclub",
"title": "D’Arcy Drollinger, Nation’s First Drag Laureate, Boosts SF Pride",
"publishDate": 1686593065,
"format": "standard",
"headTitle": "D’Arcy Drollinger, Nation’s First Drag Laureate, Boosts SF Pride | KQED",
"labelTerm": {
"term": 137,
"site": "arts"
},
"content": "\u003cp>Getting \u003ca href=\"https://www.darcydrollinger.com/\">D’Arcy Drollinger\u003c/a> ready for her first official appearance as San Francisco drag laureate was a production.\u003c/p>\n\u003cp>The artist, night club owner and newly appointed government official stood in the living room of her San Francisco apartment as two helpers grappled with a set of bejeweled, custom-made artificial nails and wedged her into a pair of white patent stilettos and a tight, pink skirt suit. Finally, Drollinger stepped out of the house, and into a very busy schedule.\u003c/p>\n\u003cp>“I am speaking at the San Francisco Arts Commission,” Drollinger said. “I’m also on the same day speaking at the Entertainment Commission. I’m also going to speak at a high school. I’ll be in the parade with the mayor.”\u003c/p>\n\u003cp>The word “laureate” is most often attached to the winner of a Nobel Prize, or a poet whose job it is to mark official occasions in verse. But a “drag laureate” is something new.\u003c/p>\n\u003cfigure id=\"attachment_13930406\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930406\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/img_8177-6fe6530fb505ac502334efa0bfce0d2a859571d2-scaled-e1686590792900-800x600.jpe\" alt=\"A drag queen in a blond wig sits before a stage makeup mirror, lipstick in hand. She is pouting.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8177-6fe6530fb505ac502334efa0bfce0d2a859571d2-scaled-e1686590792900-800x600.jpe 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8177-6fe6530fb505ac502334efa0bfce0d2a859571d2-scaled-e1686590792900-1020x765.jpe 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8177-6fe6530fb505ac502334efa0bfce0d2a859571d2-scaled-e1686590792900-160x120.jpe 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8177-6fe6530fb505ac502334efa0bfce0d2a859571d2-scaled-e1686590792900-768x576.jpe 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8177-6fe6530fb505ac502334efa0bfce0d2a859571d2-scaled-e1686590792900-1536x1152.jpe 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8177-6fe6530fb505ac502334efa0bfce0d2a859571d2-scaled-e1686590792900.jpe 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">D’Arcy Drollinger applies lipstick at her apartment in preparation for her inaugural appearance as San Francisco drag laureate. \u003ccite>(Chloe Veltman/ NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The city’s LGBTQ task-force proposed the creation of the \u003ca href=\"https://sf.gov/drag-laureate-program\">drag laureate position\u003c/a> around three years ago during the darkest days of the COVID-19 pandemic.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“We’ve been through a really hard time,” said San Francisco Mayor London Breed a few days ahead of the flag-raising ceremony that’s the kick-off to the city’s annual \u003ca href=\"https://sfpride.org/\">Pride celebration\u003c/a>. And so to city officials, a drag laureate seemed to be — if not a cure, at least something of a panacea, thanks to “the creativity, the joy that a drag laureate brings.”\u003c/p>\n\u003cp>[aside postid='arts_13883181']Breed said one of Drollinger’s selling points as a candidate for the job, which comes with an 18-month term and $55,000 stipend, was her track record as a spreader of sparkle.\u003c/p>\n\u003cp>The nightclub owner pivoted during lockdown to run a food delivery service — “Meals on Heels” — out of \u003ca href=\"https://www.sfoasis.com/\">Oasis\u003c/a>, the drag club she owns in downtown San Francisco. Performers in drag from Oasis delivered meals and cocktails to local residents, with a side order of curb-side lip-synching.\u003c/p>\n\u003cp>“It brought a lot of love and excitement,” Breed said of Drollinger’s drag performance-infused food delivery service.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=oBWRRwJk-jc\u003c/p>\n\u003cp>But Breed said the recent attacks against drag performers, as well as a \u003ca href=\"https://www.npr.org/2023/02/08/1151731736/at-least-10-state-legislatures-trying-restrict-criminalize-drag-shows\">rise in anti-drag legislation\u003c/a> in different parts of the country, now make the appointment of a drag laureate particularly crucial.\u003c/p>\n\u003cp>“In some of those communities where something like this wouldn’t be considered acceptable behavior, there’s a kid that’s thinking, ‘Oh my goodness: she’s like me. I can be myself without fear,'” Breed said.\u003c/p>\n\u003cp>LGBTQ activists around the country are working to fight a slew of anti-drag laws currently under consideration in various states.\u003c/p>\n\u003cp>“It’s scary right now,” said Kylo Freeman, CEO and founder of \u003ca href=\"https://www.forthem.com/\">For Them\u003c/a>, a trans-owned brand that makes apparel for transgender people, and the force behind “Drag is Divine,” an advertising campaign that aims to raise awareness and funding to help fight anti-drag laws. “The backlash is real.”\u003c/p>\n\u003cfigure id=\"attachment_13930407\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930407\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/for-them-campaign-poster_custom-e3a730771e0d2f0f7a6a3ba1bc625714e3432712-800x350.jpg\" alt='A drag king and queen recline together in a tropical green space. Next to them is the text: \"So hot they started a culture war for us.\"' width=\"800\" height=\"350\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/for-them-campaign-poster_custom-e3a730771e0d2f0f7a6a3ba1bc625714e3432712-800x350.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/for-them-campaign-poster_custom-e3a730771e0d2f0f7a6a3ba1bc625714e3432712-1020x446.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/for-them-campaign-poster_custom-e3a730771e0d2f0f7a6a3ba1bc625714e3432712-160x70.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/for-them-campaign-poster_custom-e3a730771e0d2f0f7a6a3ba1bc625714e3432712-768x336.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/for-them-campaign-poster_custom-e3a730771e0d2f0f7a6a3ba1bc625714e3432712-1536x672.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/for-them-campaign-poster_custom-e3a730771e0d2f0f7a6a3ba1bc625714e3432712.jpg 1916w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A “Drag is Divine” advertising campaign poster. \u003ccite>(For Them)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Freeman said they’re excited to see local governments highlight drag culture in such a visible way. In West Hollywood, \u003ca href=\"https://www.weho.org/community/arts-and-culture/drag-laureate\">officials plan to appoint a drag laureate\u003c/a> later this month.\u003c/p>\n\u003cp>[aside postid='arts_13835007']“I think it’s a real step forward to have these roles in place, giving us folks that can speak on behalf of the community at a large scale,” Freeman said.\u003c/p>\n\u003cp>But \u003ca href=\"https://legistar.council.nyc.gov/LegislationDetail.aspx?ID=5656533&GUID=5C982F50-33A6-4C4D-A4C3-1AA2F5CE2754\">plans to create a drag laureate in New York\u003c/a>, where Freeman is based, have stalled. And Freeman said they don’t see similar positions cropping up in parts of the country that are less friendly to LGBTQ people anytime soon.\u003c/p>\n\u003cp>“We are so politicized right now,” Freeman said. “And I think we’ve forgotten that this is just a human rights issue.”\u003c/p>\n\u003cp>At the San Francisco Pride kickoff, Drollinger not only assisted the mayor in the traditional unfurling of the Pride flag outside City Hall — she also posed for photos, dispensed hugs and made her first official speech as drag laureate.\u003c/p>\n\u003cfigure id=\"attachment_13930408\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930408\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/img_8204-1976b30214ae7bb4a80a9e172d007c02399ef15e-scaled-e1686591138390-800x600.jpe\" alt=\"A drag queen in a pink and white suit stands at a podium and speaks, with a Black woman in a white suit to her right, and a white man in a grey suit to her lift. A series of flag poles are visible lined up behind her.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8204-1976b30214ae7bb4a80a9e172d007c02399ef15e-scaled-e1686591138390-800x600.jpe 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8204-1976b30214ae7bb4a80a9e172d007c02399ef15e-scaled-e1686591138390-1020x765.jpe 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8204-1976b30214ae7bb4a80a9e172d007c02399ef15e-scaled-e1686591138390-160x120.jpe 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8204-1976b30214ae7bb4a80a9e172d007c02399ef15e-scaled-e1686591138390-768x576.jpe 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8204-1976b30214ae7bb4a80a9e172d007c02399ef15e-scaled-e1686591138390-1536x1152.jpe 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8204-1976b30214ae7bb4a80a9e172d007c02399ef15e-scaled-e1686591138390.jpe 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">D’Arcy Drollinger delivers her inaugural speech as drag laureate flanked by California State Senator Scott Wiener, left, and San Francisco Mayor London Breed. \u003ccite>(Chloe Veltman/ NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Drag is many things,” said Drollinger before the crowd of assembled dignitaries and members of the local LGBTQ community. “Drag is art. Drag is activism. Drag is joy. Drag is instrumental to bringing people together. Drag is fabulous.”\u003c/p>\n\u003cp>[aside postid='arts_13834837']Afterward, Drollinger cheerfully admitted to not feeling quite prepared to meet the demands of her new job. For instance, being on one’s feet at long-winded civic functions isn’t super compatible with the wearing of three-inch stilettos.\u003c/p>\n\u003cp>“I’ll have to rethink my heels,” she said.\u003c/p>\n\u003cp>But the nation’s first ever drag laureate said she’s willing to improvise: “Sometimes you have to lip sync to whatever song gets turned on.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Audio and digital stories edited by \u003c/em>\u003ca href=\"https://www.npr.org/people/1091803881/jennifer-vanasco\">\u003cem>Jennifer Vanasco\u003c/em>\u003c/a>\u003cem>. Audio produced by \u003c/em>\u003ca href=\"https://www.npr.org/people/766798576/isabella-gomez-sarmiento\">\u003cem>Isabella Gomez-Sarmiento\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR.\u003c/a>\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Nation%27s+first+%27drag+laureate%27+kicks+off+Pride+in+San+Francisco&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"blocks": [],
"excerpt": "The club owner, artist and newly elected government official is setting an example for potential drag laureates everywhere.",
"status": "publish",
"parent": 0,
"modified": 1726771103,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 25,
"wordCount": 940
},
"headData": {
"title": "Drag Laureate D’Arcy Drollinger Boosts San Francisco Pride | KQED",
"description": "The club owner, artist and newly elected government official is setting an example for potential drag laureates everywhere.",
"ogTitle": "D'Arcy Drollinger, Nation's First Drag Laureate, Boosts SF Pride",
"ogDescription": "",
"ogImgId": "",
"twTitle": "D'Arcy Drollinger, Nation's First Drag Laureate, Boosts SF Pride",
"twDescription": "",
"twImgId": "",
"socialTitle": "Drag Laureate D’Arcy Drollinger Boosts San Francisco Pride %%page%% %%sep%% KQED",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "D’Arcy Drollinger, Nation’s First Drag Laureate, Boosts SF Pride",
"datePublished": "2023-06-12T11:04:25-07:00",
"dateModified": "2024-09-19T11:38:23-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprImageCredit": "Chloe Veltman",
"nprByline": "Chloe Veltman",
"nprImageAgency": "NPR",
"nprStoryId": "1180901952",
"nprApiLink": "http://api.npr.org/query?id=1180901952&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprHtmlLink": "https://www.npr.org/2023/06/12/1180901952/pride-san-francisco-drag-laureate?ft=nprml&f=1180901952",
"nprRetrievedStory": "1",
"nprPubDate": "Mon, 12 Jun 2023 09:56:00 -0400",
"nprStoryDate": "Mon, 12 Jun 2023 05:00:32 -0400",
"nprLastModifiedDate": "Mon, 12 Jun 2023 09:56:30 -0400",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"showOnAuthorArchivePages": "No",
"articleAge": "0",
"path": "/arts/13930404/drag-laureate-darcy-drollinger-pride-san-francisco-oasis-nightclub",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Getting \u003ca href=\"https://www.darcydrollinger.com/\">D’Arcy Drollinger\u003c/a> ready for her first official appearance as San Francisco drag laureate was a production.\u003c/p>\n\u003cp>The artist, night club owner and newly appointed government official stood in the living room of her San Francisco apartment as two helpers grappled with a set of bejeweled, custom-made artificial nails and wedged her into a pair of white patent stilettos and a tight, pink skirt suit. Finally, Drollinger stepped out of the house, and into a very busy schedule.\u003c/p>\n\u003cp>“I am speaking at the San Francisco Arts Commission,” Drollinger said. “I’m also on the same day speaking at the Entertainment Commission. I’m also going to speak at a high school. I’ll be in the parade with the mayor.”\u003c/p>\n\u003cp>The word “laureate” is most often attached to the winner of a Nobel Prize, or a poet whose job it is to mark official occasions in verse. But a “drag laureate” is something new.\u003c/p>\n\u003cfigure id=\"attachment_13930406\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930406\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/img_8177-6fe6530fb505ac502334efa0bfce0d2a859571d2-scaled-e1686590792900-800x600.jpe\" alt=\"A drag queen in a blond wig sits before a stage makeup mirror, lipstick in hand. She is pouting.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8177-6fe6530fb505ac502334efa0bfce0d2a859571d2-scaled-e1686590792900-800x600.jpe 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8177-6fe6530fb505ac502334efa0bfce0d2a859571d2-scaled-e1686590792900-1020x765.jpe 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8177-6fe6530fb505ac502334efa0bfce0d2a859571d2-scaled-e1686590792900-160x120.jpe 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8177-6fe6530fb505ac502334efa0bfce0d2a859571d2-scaled-e1686590792900-768x576.jpe 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8177-6fe6530fb505ac502334efa0bfce0d2a859571d2-scaled-e1686590792900-1536x1152.jpe 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8177-6fe6530fb505ac502334efa0bfce0d2a859571d2-scaled-e1686590792900.jpe 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">D’Arcy Drollinger applies lipstick at her apartment in preparation for her inaugural appearance as San Francisco drag laureate. \u003ccite>(Chloe Veltman/ NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The city’s LGBTQ task-force proposed the creation of the \u003ca href=\"https://sf.gov/drag-laureate-program\">drag laureate position\u003c/a> around three years ago during the darkest days of the COVID-19 pandemic.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We’ve been through a really hard time,” said San Francisco Mayor London Breed a few days ahead of the flag-raising ceremony that’s the kick-off to the city’s annual \u003ca href=\"https://sfpride.org/\">Pride celebration\u003c/a>. And so to city officials, a drag laureate seemed to be — if not a cure, at least something of a panacea, thanks to “the creativity, the joy that a drag laureate brings.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13883181",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Breed said one of Drollinger’s selling points as a candidate for the job, which comes with an 18-month term and $55,000 stipend, was her track record as a spreader of sparkle.\u003c/p>\n\u003cp>The nightclub owner pivoted during lockdown to run a food delivery service — “Meals on Heels” — out of \u003ca href=\"https://www.sfoasis.com/\">Oasis\u003c/a>, the drag club she owns in downtown San Francisco. Performers in drag from Oasis delivered meals and cocktails to local residents, with a side order of curb-side lip-synching.\u003c/p>\n\u003cp>“It brought a lot of love and excitement,” Breed said of Drollinger’s drag performance-infused food delivery service.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/oBWRRwJk-jc'\n title='//www.youtube.com/embed/oBWRRwJk-jc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>But Breed said the recent attacks against drag performers, as well as a \u003ca href=\"https://www.npr.org/2023/02/08/1151731736/at-least-10-state-legislatures-trying-restrict-criminalize-drag-shows\">rise in anti-drag legislation\u003c/a> in different parts of the country, now make the appointment of a drag laureate particularly crucial.\u003c/p>\n\u003cp>“In some of those communities where something like this wouldn’t be considered acceptable behavior, there’s a kid that’s thinking, ‘Oh my goodness: she’s like me. I can be myself without fear,'” Breed said.\u003c/p>\n\u003cp>LGBTQ activists around the country are working to fight a slew of anti-drag laws currently under consideration in various states.\u003c/p>\n\u003cp>“It’s scary right now,” said Kylo Freeman, CEO and founder of \u003ca href=\"https://www.forthem.com/\">For Them\u003c/a>, a trans-owned brand that makes apparel for transgender people, and the force behind “Drag is Divine,” an advertising campaign that aims to raise awareness and funding to help fight anti-drag laws. “The backlash is real.”\u003c/p>\n\u003cfigure id=\"attachment_13930407\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930407\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/for-them-campaign-poster_custom-e3a730771e0d2f0f7a6a3ba1bc625714e3432712-800x350.jpg\" alt='A drag king and queen recline together in a tropical green space. Next to them is the text: \"So hot they started a culture war for us.\"' width=\"800\" height=\"350\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/for-them-campaign-poster_custom-e3a730771e0d2f0f7a6a3ba1bc625714e3432712-800x350.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/for-them-campaign-poster_custom-e3a730771e0d2f0f7a6a3ba1bc625714e3432712-1020x446.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/for-them-campaign-poster_custom-e3a730771e0d2f0f7a6a3ba1bc625714e3432712-160x70.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/for-them-campaign-poster_custom-e3a730771e0d2f0f7a6a3ba1bc625714e3432712-768x336.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/for-them-campaign-poster_custom-e3a730771e0d2f0f7a6a3ba1bc625714e3432712-1536x672.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/for-them-campaign-poster_custom-e3a730771e0d2f0f7a6a3ba1bc625714e3432712.jpg 1916w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A “Drag is Divine” advertising campaign poster. \u003ccite>(For Them)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Freeman said they’re excited to see local governments highlight drag culture in such a visible way. In West Hollywood, \u003ca href=\"https://www.weho.org/community/arts-and-culture/drag-laureate\">officials plan to appoint a drag laureate\u003c/a> later this month.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13835007",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>“I think it’s a real step forward to have these roles in place, giving us folks that can speak on behalf of the community at a large scale,” Freeman said.\u003c/p>\n\u003cp>But \u003ca href=\"https://legistar.council.nyc.gov/LegislationDetail.aspx?ID=5656533&GUID=5C982F50-33A6-4C4D-A4C3-1AA2F5CE2754\">plans to create a drag laureate in New York\u003c/a>, where Freeman is based, have stalled. And Freeman said they don’t see similar positions cropping up in parts of the country that are less friendly to LGBTQ people anytime soon.\u003c/p>\n\u003cp>“We are so politicized right now,” Freeman said. “And I think we’ve forgotten that this is just a human rights issue.”\u003c/p>\n\u003cp>At the San Francisco Pride kickoff, Drollinger not only assisted the mayor in the traditional unfurling of the Pride flag outside City Hall — she also posed for photos, dispensed hugs and made her first official speech as drag laureate.\u003c/p>\n\u003cfigure id=\"attachment_13930408\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13930408\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/06/img_8204-1976b30214ae7bb4a80a9e172d007c02399ef15e-scaled-e1686591138390-800x600.jpe\" alt=\"A drag queen in a pink and white suit stands at a podium and speaks, with a Black woman in a white suit to her right, and a white man in a grey suit to her lift. A series of flag poles are visible lined up behind her.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8204-1976b30214ae7bb4a80a9e172d007c02399ef15e-scaled-e1686591138390-800x600.jpe 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8204-1976b30214ae7bb4a80a9e172d007c02399ef15e-scaled-e1686591138390-1020x765.jpe 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8204-1976b30214ae7bb4a80a9e172d007c02399ef15e-scaled-e1686591138390-160x120.jpe 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8204-1976b30214ae7bb4a80a9e172d007c02399ef15e-scaled-e1686591138390-768x576.jpe 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8204-1976b30214ae7bb4a80a9e172d007c02399ef15e-scaled-e1686591138390-1536x1152.jpe 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/06/img_8204-1976b30214ae7bb4a80a9e172d007c02399ef15e-scaled-e1686591138390.jpe 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">D’Arcy Drollinger delivers her inaugural speech as drag laureate flanked by California State Senator Scott Wiener, left, and San Francisco Mayor London Breed. \u003ccite>(Chloe Veltman/ NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Drag is many things,” said Drollinger before the crowd of assembled dignitaries and members of the local LGBTQ community. “Drag is art. Drag is activism. Drag is joy. Drag is instrumental to bringing people together. Drag is fabulous.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13834837",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Afterward, Drollinger cheerfully admitted to not feeling quite prepared to meet the demands of her new job. For instance, being on one’s feet at long-winded civic functions isn’t super compatible with the wearing of three-inch stilettos.\u003c/p>\n\u003cp>“I’ll have to rethink my heels,” she said.\u003c/p>\n\u003cp>But the nation’s first ever drag laureate said she’s willing to improvise: “Sometimes you have to lip sync to whatever song gets turned on.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Audio and digital stories edited by \u003c/em>\u003ca href=\"https://www.npr.org/people/1091803881/jennifer-vanasco\">\u003cem>Jennifer Vanasco\u003c/em>\u003c/a>\u003cem>. Audio produced by \u003c/em>\u003ca href=\"https://www.npr.org/people/766798576/isabella-gomez-sarmiento\">\u003cem>Isabella Gomez-Sarmiento\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2023 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR.\u003c/a>\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Nation%27s+first+%27drag+laureate%27+kicks+off+Pride+in+San+Francisco&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13930404/drag-laureate-darcy-drollinger-pride-san-francisco-oasis-nightclub",
"authors": [
"byline_arts_13930404"
],
"categories": [
"arts_1",
"arts_235"
],
"tags": [
"arts_1556",
"arts_10278",
"arts_3226",
"arts_4953",
"arts_10555",
"arts_1300"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13930405",
"label": "arts_137"
},
"arts_13929572": {
"type": "posts",
"id": "arts_13929572",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13929572",
"score": null,
"sort": [
1684965553000
]
},
"guestAuthors": [],
"slug": "heklina-castro-memorial",
"title": "The Castro Honored Heklina with Drag, Music and Cackles",
"publishDate": 1684965553,
"format": "audio",
"headTitle": "The Castro Honored Heklina with Drag, Music and Cackles | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Heklina first arrived in San Francisco in the early ’90s, “with no real plan,” as she put in a \u003ca href=\"https://www.youtube.com/watch?v=61qbUimYg9g&t=823s\">KQED documentary from 2015\u003c/a>. “Immediately, I fell in love with it, and I felt right at home.” [aside postid='arts_13927233']\u003c/p>\n\u003cp>And on Tuesday evening, San Francisco returned that love to Heklina, who helped transform drag and elevate queer nightlife in the Bay Area over the past three decades. Heklina died unexpectedly on April 3 in London, where she had traveled to star in the drag parody \u003ci>Mommie Queerest\u003c/i> at the Soho Theatre alongside her close friend Peaches Christ.\u003c/p>\n\u003cp>Friends of Heklina organized a memorial at the Castro Theatre, its iconic marquee emblazoned with Heklina’s name. Tickets sold out weeks in advance, so organizers closed down the entire block outside the theater, from Market to 18th Street, to bring in jumbotrons that live-streamed the memorial to a crowd of hundreds of well-wishers and admirers.\u003c/p>\n\u003cfigure id=\"attachment_13929606\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929606\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/RS65859_051_KQED_HeklinaMemorialCastro_05232023-qut.jpg\" alt=\"Two drag artists speak with microphones to a large crowd in front of San Francisco's Castro Theater.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65859_051_KQED_HeklinaMemorialCastro_05232023-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65859_051_KQED_HeklinaMemorialCastro_05232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65859_051_KQED_HeklinaMemorialCastro_05232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65859_051_KQED_HeklinaMemorialCastro_05232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65859_051_KQED_HeklinaMemorialCastro_05232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65859_051_KQED_HeklinaMemorialCastro_05232023-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Sister Roma (left) and Dulce De Leche (right) speak during a memorial for Heklina outside the Castro Theatre in San Francisco on May 23, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Heklina was not just a talented and versatile performer, she also dedicated herself to making more spaces available for drag in San Francisco. In 1996, she created the long-running show Trannyshack at The Stud (which she later renamed Mother), offering a platform for funny, rebellious and experimental new performers. Heklina also co-founded the popular SoMa club and cabaret Oasis in 2015 alongside D’Arcy Drollinger. Although she sold her ownership stake in 2019, she remained a beloved fixture there. Most recently, she hosted the popular Daytime Realness party at El Rio in the Mission.\u003c/p>\n\u003cfigure id=\"attachment_13929614\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929614\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/RS65812_001_KQED_HeklinaMemorialCastro_05232023-qut.jpg\" alt=\"Two drag performers, dressed up in very colorful wigs and puffy dresses, smile at the camera.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65812_001_KQED_HeklinaMemorialCastro_05232023-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65812_001_KQED_HeklinaMemorialCastro_05232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65812_001_KQED_HeklinaMemorialCastro_05232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65812_001_KQED_HeklinaMemorialCastro_05232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65812_001_KQED_HeklinaMemorialCastro_05232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65812_001_KQED_HeklinaMemorialCastro_05232023-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Pippi Lovestocking (left) and Mutha Chucka pose for a photo outside the Castro Theatre in San Francisco on May 23, 2023, before a memorial for Heklina, who died in April. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Many remember Heklina for her firecracker personality, which she owned in her drag. “I just feel like I’m living a very, perhaps to most people, abnormal life. I make a living doing something that is … not considered normal,” Heklina said in 2015. “When you’re walking down the street in makeup and a dress and high heels and all that stuff, you do get an attitude change. You become much more bold, [because] people yell things at you and you just have to be ready to take everything on.”\u003c/p>\n\u003cfigure id=\"attachment_13929627\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929627\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/RS65865_056_KQED_HeklinaMemorialCastro_05232023-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65865_056_KQED_HeklinaMemorialCastro_05232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65865_056_KQED_HeklinaMemorialCastro_05232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65865_056_KQED_HeklinaMemorialCastro_05232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65865_056_KQED_HeklinaMemorialCastro_05232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65865_056_KQED_HeklinaMemorialCastro_05232023-qut-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65865_056_KQED_HeklinaMemorialCastro_05232023-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">During a memorial for Heklina, photos of her play onscreen outside of the Castro Theatre in San Francisco on May 23, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At the memorial hosted by LOL McFiercen and Dulce De Leche, Heklina’s longtime friend Nancy French took the stage to lead a moment of silence, but quickly changed her mind. “A basic moment of silence is not going to work,” French said. “It’s so basic, she would have hated it.”\u003c/p>\n\u003cp>French asked the crowd to join her in a “community cackle,” referring to Heklina’s loud and distinct laugh. With that, Castro Street filled with hundreds of cackles.\u003c/p>\n\u003cfigure id=\"attachment_13929607\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929607\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/RS65862_054_KQED_HeklinaMemorialCastro_05232023-qut.jpg\" alt=\"A crowd of hundreds, of all ages, stands outside on San Francisco's Castro Street and laughs, many with smiles on their faces. In the background, there are balloons in the shape of the letters that spell out "Heklina."\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65862_054_KQED_HeklinaMemorialCastro_05232023-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65862_054_KQED_HeklinaMemorialCastro_05232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65862_054_KQED_HeklinaMemorialCastro_05232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65862_054_KQED_HeklinaMemorialCastro_05232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65862_054_KQED_HeklinaMemorialCastro_05232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65862_054_KQED_HeklinaMemorialCastro_05232023-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Hundreds join Heklina’s friend Nancy French in a ‘community cackle’ outside the Castro Theatre in San Francisco on May 23, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jennifer Hofmann, 53, of San Francisco, stood outside the Castro Theatre to pay her respects for Heklina. “[Heklina] helped me grow up to figure out who I was in San Francisco,” she said, noting how meaningful it was for her to see Heklina perform at Trannyshack in the ’90s.\u003c/p>\n\u003cp>“She made it OK that drag wasn’t perfect. She made it OK that you could make ugly drag and people would love that and throw dollars at you, too,” Hoffman said. “As long as you had something to say and were willing to get up on stage and do it, you were always welcome.”\u003c/p>\n\u003cp>“She welcomed everyone,” Hoffman continued. “She sassed everyone. If you got sassed by Heklina, you felt like you’ve made it.”\u003c/p>\n\u003cfigure id=\"attachment_13929611\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929611\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/RS65857_049_KQED_HeklinaMemorialCastro_05232023-qut.jpg\" alt=\"A drag performer holds a microphone in one hand, and with the other, holds a marker and draws a beauty mark on the face of a woman standing in the crowd outside the Castro Theater.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65857_049_KQED_HeklinaMemorialCastro_05232023-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65857_049_KQED_HeklinaMemorialCastro_05232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65857_049_KQED_HeklinaMemorialCastro_05232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65857_049_KQED_HeklinaMemorialCastro_05232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65857_049_KQED_HeklinaMemorialCastro_05232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65857_049_KQED_HeklinaMemorialCastro_05232023-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Co-host LOL McFiercen paints a beauty mark on Linda Lee’s face in honor of Heklina during a memorial outside of the Castro Theatre in San Francisco on May 23, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Darwin Bell, 57, moved to San Francisco in 1987, and Heklina was first drag queen he ever saw perform. “It was very punk rock,” he said of that first show.\u003c/p>\n\u003cp>Heklina embraced more transgressive forms of drag, he recalled, adding that he hopes that San Francisco doesn’t lose that edge without her around. Bell and his friends went to so many shows featuring or organized by Heklina that they would joke among themselves, “At the end of the world, there’s going to be Cher, roaches and Heklina.”\u003c/p>\n\u003cp>“I never even thought there would be world without Heklina,” he said. “She was always kind of bitter and funny and mean, and I just never thought there would be a world without her.”\u003c/p>\n\u003cfigure id=\"attachment_13929613\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929613\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/RS65852_042_KQED_HeklinaMemorialCastro_05232023-qut.jpg\" alt=\"A large crowd stands on Castro Street in front of Castro Theater, and in the middle of the crowed, a young couple hugs and kisses.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65852_042_KQED_HeklinaMemorialCastro_05232023-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65852_042_KQED_HeklinaMemorialCastro_05232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65852_042_KQED_HeklinaMemorialCastro_05232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65852_042_KQED_HeklinaMemorialCastro_05232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65852_042_KQED_HeklinaMemorialCastro_05232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65852_042_KQED_HeklinaMemorialCastro_05232023-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Despite the strong winds, a crowd of hundreds gathers outside of the Castro Theatre to watch drag performances in honor of Heklina. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Inside, the Castro Theatre’s 1,407 seats filled up. Close friends of Heklina, including D’Arcy Drollinger and Peaches Christ, took the stage to share some of their fondest memories — infused with Heklina’s relentless humor and love for San Francisco.\u003c/p>\n\u003cfigure id=\"attachment_13929618\" class=\"wp-caption aligncenter\" style=\"max-width: 2392px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929618\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/DArcy-Drollinger-Sister-Roma-and-Peaches-Christ-2.jpg\" alt=\"Three drag artists stand on a stage. All are wearing very elaborate dresses and big wigs.\" width=\"2392\" height=\"1594\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/DArcy-Drollinger-Sister-Roma-and-Peaches-Christ-2.jpg 2392w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/DArcy-Drollinger-Sister-Roma-and-Peaches-Christ-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/DArcy-Drollinger-Sister-Roma-and-Peaches-Christ-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/DArcy-Drollinger-Sister-Roma-and-Peaches-Christ-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/DArcy-Drollinger-Sister-Roma-and-Peaches-Christ-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/DArcy-Drollinger-Sister-Roma-and-Peaches-Christ-2-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/DArcy-Drollinger-Sister-Roma-and-Peaches-Christ-2-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/DArcy-Drollinger-Sister-Roma-and-Peaches-Christ-2-1920x1279.jpg 1920w\" sizes=\"(max-width: 2392px) 100vw, 2392px\">\u003cfigcaption class=\"wp-caption-text\">Dozens of Heklina’s closest friends and collaborators spoke and performed inside the Castro Theatre, including D’Arcy Drollinger, Sister Roma and Peaches Christ (left to right). \u003ccite>(Gooch)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13929617\" class=\"wp-caption aligncenter\" style=\"max-width: 2446px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929617\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Fauxique-1.jpg\" alt='A large group of drag performers dance and sing on a stage. In the middle of them is a drag queen with a very large wig and a ribbon that reads \"Fauxnique.\"' width=\"2446\" height=\"1631\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Fauxique-1.jpg 2446w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Fauxique-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Fauxique-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Fauxique-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Fauxique-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Fauxique-1-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Fauxique-1-2048x1366.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Fauxique-1-1920x1280.jpg 1920w\" sizes=\"(max-width: 2446px) 100vw, 2446px\">\u003cfigcaption class=\"wp-caption-text\">During her performance, Fauxnique brought out many other drag performers who collaborated with Heklina. \u003ccite>(Gooch)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After the memorial, Margey DeCuir, a San Francisco resident who watched the livestream on Castro Street, wrote to KQED to share that for her, Heklina’s memorial not only honored her life, but represented “the strength and loyalty of the queer community, to come and gather in grief.”\u003c/p>\n\u003cp>“Heklina touched lives globally,” she wrote, “and her memorial was a much needed embrace within the community.”\u003c/p>\n\u003cfigure id=\"attachment_13929605\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929605\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/024_KQED_HeklinaMemorialCastro_05232023.jpg\" alt=\"Two people share a deep hug and smile while they stand outdoors in San Francisco's Castro Street, surrounded by a large crowd.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/024_KQED_HeklinaMemorialCastro_05232023.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/024_KQED_HeklinaMemorialCastro_05232023-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/024_KQED_HeklinaMemorialCastro_05232023-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/024_KQED_HeklinaMemorialCastro_05232023-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/024_KQED_HeklinaMemorialCastro_05232023-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/024_KQED_HeklinaMemorialCastro_05232023-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Alexander Tom hugs friend Margey DeCuir (left) during a memorial for Heklina outside of the Castro Theatre in San Francisco on May 23, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>This article includes reporting from KQED’s \u003ca href=\"https://www.kqed.org/author/nvoynovskaya\">Nastia Voynovskaya\u003c/a>.\u003c/em>\u003cbr>\n[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"blocks": [],
"excerpt": "Hundreds spilled out of the sold-out Castro Theatre for a street party in homage to the beloved drag queen.",
"status": "publish",
"parent": 0,
"modified": 1726771109,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 18,
"wordCount": 1095
},
"headData": {
"title": "The Castro Honored Heklina with Drag, Music and Cackles | KQED",
"description": "Hundreds spilled out of the sold-out Castro Theatre for a street party in homage to the beloved drag queen.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Castro Honored Heklina with Drag, Music and Cackles",
"datePublished": "2023-05-24T14:59:13-07:00",
"dateModified": "2024-09-19T11:38:29-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"audioUrl": "https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-41c5-bcaf-aaef00f5a073/cdc2ce02-787f-4d0f-9735-b00c0137933c/audio.mp3",
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"showOnAuthorArchivePages": "No",
"articleAge": "0",
"path": "/arts/13929572/heklina-castro-memorial",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Heklina first arrived in San Francisco in the early ’90s, “with no real plan,” as she put in a \u003ca href=\"https://www.youtube.com/watch?v=61qbUimYg9g&t=823s\">KQED documentary from 2015\u003c/a>. “Immediately, I fell in love with it, and I felt right at home.” \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13927233",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And on Tuesday evening, San Francisco returned that love to Heklina, who helped transform drag and elevate queer nightlife in the Bay Area over the past three decades. Heklina died unexpectedly on April 3 in London, where she had traveled to star in the drag parody \u003ci>Mommie Queerest\u003c/i> at the Soho Theatre alongside her close friend Peaches Christ.\u003c/p>\n\u003cp>Friends of Heklina organized a memorial at the Castro Theatre, its iconic marquee emblazoned with Heklina’s name. Tickets sold out weeks in advance, so organizers closed down the entire block outside the theater, from Market to 18th Street, to bring in jumbotrons that live-streamed the memorial to a crowd of hundreds of well-wishers and admirers.\u003c/p>\n\u003cfigure id=\"attachment_13929606\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929606\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/RS65859_051_KQED_HeklinaMemorialCastro_05232023-qut.jpg\" alt=\"Two drag artists speak with microphones to a large crowd in front of San Francisco's Castro Theater.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65859_051_KQED_HeklinaMemorialCastro_05232023-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65859_051_KQED_HeklinaMemorialCastro_05232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65859_051_KQED_HeklinaMemorialCastro_05232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65859_051_KQED_HeklinaMemorialCastro_05232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65859_051_KQED_HeklinaMemorialCastro_05232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65859_051_KQED_HeklinaMemorialCastro_05232023-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Sister Roma (left) and Dulce De Leche (right) speak during a memorial for Heklina outside the Castro Theatre in San Francisco on May 23, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Heklina was not just a talented and versatile performer, she also dedicated herself to making more spaces available for drag in San Francisco. In 1996, she created the long-running show Trannyshack at The Stud (which she later renamed Mother), offering a platform for funny, rebellious and experimental new performers. Heklina also co-founded the popular SoMa club and cabaret Oasis in 2015 alongside D’Arcy Drollinger. Although she sold her ownership stake in 2019, she remained a beloved fixture there. Most recently, she hosted the popular Daytime Realness party at El Rio in the Mission.\u003c/p>\n\u003cfigure id=\"attachment_13929614\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929614\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/RS65812_001_KQED_HeklinaMemorialCastro_05232023-qut.jpg\" alt=\"Two drag performers, dressed up in very colorful wigs and puffy dresses, smile at the camera.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65812_001_KQED_HeklinaMemorialCastro_05232023-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65812_001_KQED_HeklinaMemorialCastro_05232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65812_001_KQED_HeklinaMemorialCastro_05232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65812_001_KQED_HeklinaMemorialCastro_05232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65812_001_KQED_HeklinaMemorialCastro_05232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65812_001_KQED_HeklinaMemorialCastro_05232023-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Pippi Lovestocking (left) and Mutha Chucka pose for a photo outside the Castro Theatre in San Francisco on May 23, 2023, before a memorial for Heklina, who died in April. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Many remember Heklina for her firecracker personality, which she owned in her drag. “I just feel like I’m living a very, perhaps to most people, abnormal life. I make a living doing something that is … not considered normal,” Heklina said in 2015. “When you’re walking down the street in makeup and a dress and high heels and all that stuff, you do get an attitude change. You become much more bold, [because] people yell things at you and you just have to be ready to take everything on.”\u003c/p>\n\u003cfigure id=\"attachment_13929627\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929627\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/RS65865_056_KQED_HeklinaMemorialCastro_05232023-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65865_056_KQED_HeklinaMemorialCastro_05232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65865_056_KQED_HeklinaMemorialCastro_05232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65865_056_KQED_HeklinaMemorialCastro_05232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65865_056_KQED_HeklinaMemorialCastro_05232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65865_056_KQED_HeklinaMemorialCastro_05232023-qut-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65865_056_KQED_HeklinaMemorialCastro_05232023-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">During a memorial for Heklina, photos of her play onscreen outside of the Castro Theatre in San Francisco on May 23, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At the memorial hosted by LOL McFiercen and Dulce De Leche, Heklina’s longtime friend Nancy French took the stage to lead a moment of silence, but quickly changed her mind. “A basic moment of silence is not going to work,” French said. “It’s so basic, she would have hated it.”\u003c/p>\n\u003cp>French asked the crowd to join her in a “community cackle,” referring to Heklina’s loud and distinct laugh. With that, Castro Street filled with hundreds of cackles.\u003c/p>\n\u003cfigure id=\"attachment_13929607\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929607\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/RS65862_054_KQED_HeklinaMemorialCastro_05232023-qut.jpg\" alt=\"A crowd of hundreds, of all ages, stands outside on San Francisco's Castro Street and laughs, many with smiles on their faces. In the background, there are balloons in the shape of the letters that spell out "Heklina."\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65862_054_KQED_HeklinaMemorialCastro_05232023-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65862_054_KQED_HeklinaMemorialCastro_05232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65862_054_KQED_HeklinaMemorialCastro_05232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65862_054_KQED_HeklinaMemorialCastro_05232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65862_054_KQED_HeklinaMemorialCastro_05232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65862_054_KQED_HeklinaMemorialCastro_05232023-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Hundreds join Heklina’s friend Nancy French in a ‘community cackle’ outside the Castro Theatre in San Francisco on May 23, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Jennifer Hofmann, 53, of San Francisco, stood outside the Castro Theatre to pay her respects for Heklina. “[Heklina] helped me grow up to figure out who I was in San Francisco,” she said, noting how meaningful it was for her to see Heklina perform at Trannyshack in the ’90s.\u003c/p>\n\u003cp>“She made it OK that drag wasn’t perfect. She made it OK that you could make ugly drag and people would love that and throw dollars at you, too,” Hoffman said. “As long as you had something to say and were willing to get up on stage and do it, you were always welcome.”\u003c/p>\n\u003cp>“She welcomed everyone,” Hoffman continued. “She sassed everyone. If you got sassed by Heklina, you felt like you’ve made it.”\u003c/p>\n\u003cfigure id=\"attachment_13929611\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929611\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/RS65857_049_KQED_HeklinaMemorialCastro_05232023-qut.jpg\" alt=\"A drag performer holds a microphone in one hand, and with the other, holds a marker and draws a beauty mark on the face of a woman standing in the crowd outside the Castro Theater.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65857_049_KQED_HeklinaMemorialCastro_05232023-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65857_049_KQED_HeklinaMemorialCastro_05232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65857_049_KQED_HeklinaMemorialCastro_05232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65857_049_KQED_HeklinaMemorialCastro_05232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65857_049_KQED_HeklinaMemorialCastro_05232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65857_049_KQED_HeklinaMemorialCastro_05232023-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Co-host LOL McFiercen paints a beauty mark on Linda Lee’s face in honor of Heklina during a memorial outside of the Castro Theatre in San Francisco on May 23, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Darwin Bell, 57, moved to San Francisco in 1987, and Heklina was first drag queen he ever saw perform. “It was very punk rock,” he said of that first show.\u003c/p>\n\u003cp>Heklina embraced more transgressive forms of drag, he recalled, adding that he hopes that San Francisco doesn’t lose that edge without her around. Bell and his friends went to so many shows featuring or organized by Heklina that they would joke among themselves, “At the end of the world, there’s going to be Cher, roaches and Heklina.”\u003c/p>\n\u003cp>“I never even thought there would be world without Heklina,” he said. “She was always kind of bitter and funny and mean, and I just never thought there would be a world without her.”\u003c/p>\n\u003cfigure id=\"attachment_13929613\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929613\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/RS65852_042_KQED_HeklinaMemorialCastro_05232023-qut.jpg\" alt=\"A large crowd stands on Castro Street in front of Castro Theater, and in the middle of the crowed, a young couple hugs and kisses.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65852_042_KQED_HeklinaMemorialCastro_05232023-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65852_042_KQED_HeklinaMemorialCastro_05232023-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65852_042_KQED_HeklinaMemorialCastro_05232023-qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65852_042_KQED_HeklinaMemorialCastro_05232023-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65852_042_KQED_HeklinaMemorialCastro_05232023-qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/RS65852_042_KQED_HeklinaMemorialCastro_05232023-qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Despite the strong winds, a crowd of hundreds gathers outside of the Castro Theatre to watch drag performances in honor of Heklina. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Inside, the Castro Theatre’s 1,407 seats filled up. Close friends of Heklina, including D’Arcy Drollinger and Peaches Christ, took the stage to share some of their fondest memories — infused with Heklina’s relentless humor and love for San Francisco.\u003c/p>\n\u003cfigure id=\"attachment_13929618\" class=\"wp-caption aligncenter\" style=\"max-width: 2392px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929618\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/DArcy-Drollinger-Sister-Roma-and-Peaches-Christ-2.jpg\" alt=\"Three drag artists stand on a stage. All are wearing very elaborate dresses and big wigs.\" width=\"2392\" height=\"1594\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/DArcy-Drollinger-Sister-Roma-and-Peaches-Christ-2.jpg 2392w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/DArcy-Drollinger-Sister-Roma-and-Peaches-Christ-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/DArcy-Drollinger-Sister-Roma-and-Peaches-Christ-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/DArcy-Drollinger-Sister-Roma-and-Peaches-Christ-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/DArcy-Drollinger-Sister-Roma-and-Peaches-Christ-2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/DArcy-Drollinger-Sister-Roma-and-Peaches-Christ-2-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/DArcy-Drollinger-Sister-Roma-and-Peaches-Christ-2-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/DArcy-Drollinger-Sister-Roma-and-Peaches-Christ-2-1920x1279.jpg 1920w\" sizes=\"(max-width: 2392px) 100vw, 2392px\">\u003cfigcaption class=\"wp-caption-text\">Dozens of Heklina’s closest friends and collaborators spoke and performed inside the Castro Theatre, including D’Arcy Drollinger, Sister Roma and Peaches Christ (left to right). \u003ccite>(Gooch)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_13929617\" class=\"wp-caption aligncenter\" style=\"max-width: 2446px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929617\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Fauxique-1.jpg\" alt='A large group of drag performers dance and sing on a stage. In the middle of them is a drag queen with a very large wig and a ribbon that reads \"Fauxnique.\"' width=\"2446\" height=\"1631\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Fauxique-1.jpg 2446w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Fauxique-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Fauxique-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Fauxique-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Fauxique-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Fauxique-1-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Fauxique-1-2048x1366.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Fauxique-1-1920x1280.jpg 1920w\" sizes=\"(max-width: 2446px) 100vw, 2446px\">\u003cfigcaption class=\"wp-caption-text\">During her performance, Fauxnique brought out many other drag performers who collaborated with Heklina. \u003ccite>(Gooch)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After the memorial, Margey DeCuir, a San Francisco resident who watched the livestream on Castro Street, wrote to KQED to share that for her, Heklina’s memorial not only honored her life, but represented “the strength and loyalty of the queer community, to come and gather in grief.”\u003c/p>\n\u003cp>“Heklina touched lives globally,” she wrote, “and her memorial was a much needed embrace within the community.”\u003c/p>\n\u003cfigure id=\"attachment_13929605\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13929605\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/024_KQED_HeklinaMemorialCastro_05232023.jpg\" alt=\"Two people share a deep hug and smile while they stand outdoors in San Francisco's Castro Street, surrounded by a large crowd.\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/024_KQED_HeklinaMemorialCastro_05232023.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/024_KQED_HeklinaMemorialCastro_05232023-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/024_KQED_HeklinaMemorialCastro_05232023-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/024_KQED_HeklinaMemorialCastro_05232023-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/024_KQED_HeklinaMemorialCastro_05232023-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/024_KQED_HeklinaMemorialCastro_05232023-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Alexander Tom hugs friend Margey DeCuir (left) during a memorial for Heklina outside of the Castro Theatre in San Francisco on May 23, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>This article includes reporting from KQED’s \u003ca href=\"https://www.kqed.org/author/nvoynovskaya\">Nastia Voynovskaya\u003c/a>.\u003c/em>\u003cbr>\n\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13929572/heklina-castro-memorial",
"authors": [
"11708",
"11362",
"11667"
],
"categories": [
"arts_1",
"arts_235",
"arts_1564"
],
"tags": [
"arts_3547",
"arts_6476",
"arts_14786",
"arts_1556",
"arts_10278",
"arts_10422",
"arts_1328",
"arts_2215",
"arts_3226",
"arts_10555",
"arts_822"
],
"featImg": "arts_13929629",
"label": "arts"
},
"arts_13929331": {
"type": "posts",
"id": "arts_13929331",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13929331",
"score": null,
"sort": [
1684451892000
]
},
"guestAuthors": [],
"slug": "sisters-perpetual-indulgence-pride-la-dodgers-mlb-roma",
"title": "The Dodgers 'Caved' to Far-Right Homophobes, Says Sister Roma",
"publishDate": 1684451892,
"format": "standard",
"headTitle": "The Dodgers ‘Caved’ to Far-Right Homophobes, Says Sister Roma | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>\u003cstrong>Update, May 23, 2023: \u003c/strong>After public outcry, on May 22 the \u003ca href=\"https://www.latimes.com/sports/story/2023-05-22/dodgers-apologize-invite-sisters-perpetual-indulgence-pride-night\">Dodgers apologized and re-invited\u003c/a> the Sisters of Perpetual Indulgence to their June 11 Pride Night. “This is a true testament to the power of truth over lies, knowledge over ignorance, and love over hate,” \u003ca href=\"https://www.instagram.com/p/CskkvQFuEWL/?hl=en\">Sister Roma wrote on Instagram\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Original story:\u003c/strong>\u003c/p>\n\u003cp>On Wednesday, the Los Angeles Dodgers \u003ca href=\"https://twitter.com/Dodgers/status/1658908923213262848/photo/1\">posted an announcement\u003c/a> about the \u003ca href=\"https://www.thesisters.org/\">Sisters of Perpetual Indulgence\u003c/a> that almost read like satire. After outcry from the Catholic League and Sen. Marco Rubio — who \u003ca href=\"https://www.rubio.senate.gov/public/index.cfm/2023/5/rubio-to-mlb-dodgers-aren-t-inclusive-and-welcoming-to-christians\">called the Sisters an “anti-Catholic group” in a letter\u003c/a> to Major League Baseball Commissioner Rob Manfred — the Dodgers were formally disinviting the Sisters from their 10th annual Pride Night, and rescinding a Community Hero Award to the group due to “the strong feelings of people who have been offended.”\u003c/p>\n\u003cp>Backlash from the Sisters and their many supporters was immediate, especially given the rising tide of anti-LGBTQ+ legislation, and the \u003ca href=\"https://www.kqed.org/arts/13927432/drag-up-fight-back-protest-san-francisco-trans-lgbtq\">criminalization of drag performance\u003c/a> in red states. Sister Roma, one of the more prominent San Francisco nuns, spoke with KQED’s Juan Carlos Lara about this fraught moment for LGBTQ+ rights and what queer people, trans people and allies can do to fight back. \u003cem>— Nastia Voynovskaya \u003c/em>[aside postid='news_11946030']\u003c/p>\n\u003cp>\u003ci>This interview has been edited for length and clarity\u003c/i>.\u003c/p>\n\u003cp>\u003cb>Juan Carlos Lara: \u003c/b>What was your initial reaction to the news that the Dodgers were rescinding their invitation and award to the Sisters’ LA chapter?\u003c/p>\n\u003cp>\u003cstrong>Sister Roma:\u003c/strong> I was completely shocked and disappointed. The Dodgers had made such a great decision to recognize a time-tested, honored and beloved queer organization that started here in San Francisco in 1979. And then for them to so quickly cave to the far-rightwing extremists, the pseudo-Christian websites and people on Twitter who basically just weaponized their religion as a way to practice discrimination, oppression and hate.\u003c/p>\n\u003cp>They literally caved in to Marco Rubio, of all people, in Florida — which, I mean, let’s be honest, Florida is pretty much \u003ca href=\"https://www.scientificamerican.com/article/fascisms-history-offers-lessons-about-todays-attacks-on-education/\">turning into a fascist state\u003c/a>. He had to stick his nose in it and protest. It was just ridiculous how quickly it blew up. People who don’t understand who the Sisters are complained to the Dodgers. And they caved in.\u003c/p>\n\u003cfigure id=\"attachment_13929356\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929356\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/D7A7432-1020x680-1-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/D7A7432-1020x680-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/D7A7432-1020x680-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/D7A7432-1020x680-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/D7A7432-1020x680-1.jpg 1020w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">From left, Alex U. Inn, Juanita MORE!, Sister Roma and Honey Mahogany speak at the ‘Drag Up! Fight Back!’ rally at Union Square in San Francisco on Saturday, April 8, 2023. \u003ccite>(Estefany Gonzalez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>What do you think is at the core of this backlash? And what do you think the right is getting wrong about the Sisters of Perpetual Indulgence?\u003c/b>\u003c/p>\n\u003cp>Luckily here in San Francisco, most people are familiar with the Sisters. Since our inception, the Sisters have been leaders and protectors of the queer community, but also all civil rights. We have always stood for women, people of color, the trans community. You’ll see us out on the holidays feeding hungry, unhoused people. You’ll see us sitting and ministering with the sick and hospices. We support queer art. We donate 95% of the hundreds of thousands of dollars that we raise directly back to the community. We are pretty well recognized here, and we have orders all over the world, and sisters in their communities are becoming well known.\u003c/p>\n\u003cp>I would have thought that Los Angeles — it’s supposed to be a strong, liberal part of our blue state. And for those people to have such knee-jerk reactions — they see the name, they see the makeup. Immediately, people jump on the bandwagon that we’re mocking nuns, we’re making fun of Catholics or mocking religion, and we’re mocking God. None of that is true. We really are nuns. We do the work of nuns.\u003c/p>\n\u003cp>The things that the sisters have an issue with is people who take the scripture and choose to interpret it in a way to discriminate against people who they disagree with and don’t like. Basically, a drag queen, a queer person, a trans person — they are weaponizing their religion against us, and they’re taking their personal beliefs to the polls. And as we can see across Florida, Tennessee, Texas, they’re \u003ca href=\"https://www.aclu.org/legislative-attacks-on-lgbtq-rights\">passing legislation\u003c/a> that is basically outlawing and criminalizing queer people, trans people and drag queens. Those are the people that the Dodgers decided to listen to. It’s insane.\u003c/p>\n\u003cfigure id=\"attachment_13929359\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929359\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1323156398-800x517.jpg\" alt=\"A man with a spiked, rainbow beard wears Dodgers gear. \" width=\"800\" height=\"517\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1323156398-800x517.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1323156398-1020x659.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1323156398-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1323156398-768x497.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1323156398.jpg 1024w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jeff Carta celebrates LGBTQ+ Pride Night hosted by LA Pride and the Dodgers at Dodger Stadium on June 11, 2021 in Los Angeles, California. \u003ccite>( Jerritt Clark/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Given the backlash, do you think queer and trans people benefit from events like the LA Dodgers’ Pride Night? What do you think is the the significance of these events?\u003cb>\u003c/b>\u003c/b>\u003c/p>\n\u003cp>Oh, it’s impossible to underestimate the importance of high-profile Pride events. To be honest with you, some of our community has become very complacent. There’s even a little bit of a snide attitude towards Pride because we’ve become so used to the fact that we’ve had Pride in San Francisco for, like, 50 years. People really take it for granted.\u003c/p>\n\u003cp>Yes, there may be corporatization of Pride, there may be a lot of pink-washing. People stick a rainbow on their product. That is true. But it can also be true at the same time that we have huge, large public gatherings where we celebrate our uniqueness, our queerness, our transness, where we come together as a community, we show the world that we’re not the awful things that they’re using to describe us. We’re not all sick and dying of AIDS. We’re not all perverts, we’re not all groomers. None of that is true. We are a beautiful, vibrant, colorful community. We’re filled with love. We’re proud of who we are. We’re proud of the accomplishments we’ve made. And it’s really important for the Dodgers to recognize and celebrate the queer community, a lot of whom are Dodgers fans. This is very hurtful to so many people, including the Sisters in Los Angeles.\u003c/p>\n\u003cfigure id=\"attachment_13929360\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929360\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1323156225-800x526.jpg\" alt=\"\" width=\"800\" height=\"526\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1323156225-800x526.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1323156225-1020x670.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1323156225-160x105.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1323156225-768x505.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1323156225.jpg 1024w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dodgers fans celebrate LGBTQ+ Pride Night hosted by LA Pride and the Dodgers at Dodger Stadium on June 11, 2021 in Los Angeles, California. \u003ccite>(Jerritt Clark/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>The situation brings to mind the \u003ca href=\"https://www.nytimes.com/2023/04/25/business/bud-light-dylan-mulvaney.html\">recent backlash against Bud Light\u003c/a> after their ad featured a trans person, Dylan Mulvaney. After all of this backlash came in, Bud Light didn’t stand behind Mulvaney. Like you said, there’s a lot of benefit from having these very public celebrations, but do you think there’s harm when these groups reel back in response to backlash?\u003c/b>\u003c/p>\n\u003cp>We like to believe that the majority of Americans honestly at their core feel the same way we do. We believe in civil rights. We believe all people are created equal. And when we start to see companies like Bud Light and the LA Dodgers respond to that kind of hate, it’s a real red flag. While we think they’re the minority, they’re obviously in power and they’re having an impact with very real and dangerous results.\u003c/p>\n\u003cp>When some organization like the Dodgers extends this fabulous invitation and then disinvites the Sisters, that shows that there is a real lack of true understanding, first of all, of who the Sisters are. It makes it feel disingenuous.\u003c/p>\n\u003cp>So what is their motivation? The Dodgers have been doing this for 10 years. Luckily, here in San Francisco, the Giants have been doing projects since the ’90s, and I have talked to the Giants and I know for a fact that the Giants are 1000% committed to continuing their Pride Night celebration. And we’re planning something very special to celebrate and remember Heklina, one of our drag icons we lost this year. [aside postid='arts_13927233']\u003c/p>\n\u003cp>\u003cb>Some groups like the \u003ca href=\"https://lalgbtcenter.org/about-the-center/press-releases/statement-the-los-angeles-lgbt-center-removes-itself-from-the-dodgers-pride-night-following-the-exclusion-of-the-sisters-of-perpetual-indulgence\">LA LGBT Center\u003c/a> and an \u003ca href=\"https://www.latimes.com/sports/dodgers/story/2023-05-17/dodgers-wont-honor-sisters-perpetual-indulgence-lgbtq-pride-night\">LA County Supervisor\u003c/a> have already said that they’re not planning to attend Pride Night anymore, given the Dodgers recent decision. Are you hoping that other groups follow suit? What are you hoping happens to their Pride Night right now?\u003c/b>\u003c/p>\n\u003cp>Honestly, we need more people to step up and speak out. I’ve seen a lot of people talking about, “Should I sell my ticket? I’m not going. No one should go.” And I do also understand the people who want to celebrate this night because they see it as a victory for our community, regardless.\u003c/p>\n\u003cp>I can’t tell anybody what to do. But definitely let your voices be heard. If you support the Sisters and you think the Dodgers, as much as you love them, have made a mistake, let them know. Perhaps something could even happen at the game. Maybe people should dress up in nun drag and put on some wild makeup and some wigs, and they should have a whole cheering section. That would be amazing. We’ll see. [ad fullwidth]\u003c/p>\n\u003cp>\u003cb>What do you think people who identify as queer, and people who hope to be allies, should be doing to combat this rise in hate?\u003c/b>\u003c/p>\n\u003cp>Well, it’s really important to actually step back and see what their true motivation is, and the truth behind these lies. You have to understand who the queer community is, who the trans community is. And if you’re a true ally, which we need now more than ever, learn how to talk about the truth. Because there’s a lot of mistruths.\u003c/p>\n\u003cp>People are using words to describe trans and queer people and drag queens today like “groomer” and “pedophile,” and immediately they’re othering us. They’re dehumanizing us. They’re making it us versus them. And they are trying to criminalize us. And the end result is, once you’re not a human and you’re a criminal, they can exterminate us. There is really a larger plan here — and I’m not trying to be sensationalist — to actually eradicate queer and trans people. We’ve seen it happen in other countries around the world. It’s happening here. There’s a very fascist movement.\u003c/p>\n\u003cp>Look, they overturned Roe v. Wade. Every woman in this country woke up in the morning with less rights than they had than when they went to bed. It’s frightening to see what’s going on. People need to wake up. We need to come together. And we need to support the blue wave that needs to push back against this red wave that we’re seeing.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"blocks": [],
"excerpt": "After the Dodgers disinvited the Sisters of Perpetual Indulgence from the team's Pride Night, 'I was completely shocked and disappointed,' said Sister Roma.",
"status": "publish",
"parent": 0,
"modified": 1741366868,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 27,
"wordCount": 1836
},
"headData": {
"title": "The Dodgers 'Caved' to Far-Right Homophobes, Says Sister Roma | KQED",
"description": "After the Dodgers disinvited the Sisters of Perpetual Indulgence from the team's Pride Night, 'I was completely shocked and disappointed,' said Sister Roma.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Dodgers 'Caved' to Far-Right Homophobes, Says Sister Roma",
"datePublished": "2023-05-18T16:18:12-07:00",
"dateModified": "2025-03-07T09:01:08-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13929331/sisters-perpetual-indulgence-pride-la-dodgers-mlb-roma",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Update, May 23, 2023: \u003c/strong>After public outcry, on May 22 the \u003ca href=\"https://www.latimes.com/sports/story/2023-05-22/dodgers-apologize-invite-sisters-perpetual-indulgence-pride-night\">Dodgers apologized and re-invited\u003c/a> the Sisters of Perpetual Indulgence to their June 11 Pride Night. “This is a true testament to the power of truth over lies, knowledge over ignorance, and love over hate,” \u003ca href=\"https://www.instagram.com/p/CskkvQFuEWL/?hl=en\">Sister Roma wrote on Instagram\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Original story:\u003c/strong>\u003c/p>\n\u003cp>On Wednesday, the Los Angeles Dodgers \u003ca href=\"https://twitter.com/Dodgers/status/1658908923213262848/photo/1\">posted an announcement\u003c/a> about the \u003ca href=\"https://www.thesisters.org/\">Sisters of Perpetual Indulgence\u003c/a> that almost read like satire. After outcry from the Catholic League and Sen. Marco Rubio — who \u003ca href=\"https://www.rubio.senate.gov/public/index.cfm/2023/5/rubio-to-mlb-dodgers-aren-t-inclusive-and-welcoming-to-christians\">called the Sisters an “anti-Catholic group” in a letter\u003c/a> to Major League Baseball Commissioner Rob Manfred — the Dodgers were formally disinviting the Sisters from their 10th annual Pride Night, and rescinding a Community Hero Award to the group due to “the strong feelings of people who have been offended.”\u003c/p>\n\u003cp>Backlash from the Sisters and their many supporters was immediate, especially given the rising tide of anti-LGBTQ+ legislation, and the \u003ca href=\"https://www.kqed.org/arts/13927432/drag-up-fight-back-protest-san-francisco-trans-lgbtq\">criminalization of drag performance\u003c/a> in red states. Sister Roma, one of the more prominent San Francisco nuns, spoke with KQED’s Juan Carlos Lara about this fraught moment for LGBTQ+ rights and what queer people, trans people and allies can do to fight back. \u003cem>— Nastia Voynovskaya \u003c/em>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "news_11946030",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>This interview has been edited for length and clarity\u003c/i>.\u003c/p>\n\u003cp>\u003cb>Juan Carlos Lara: \u003c/b>What was your initial reaction to the news that the Dodgers were rescinding their invitation and award to the Sisters’ LA chapter?\u003c/p>\n\u003cp>\u003cstrong>Sister Roma:\u003c/strong> I was completely shocked and disappointed. The Dodgers had made such a great decision to recognize a time-tested, honored and beloved queer organization that started here in San Francisco in 1979. And then for them to so quickly cave to the far-rightwing extremists, the pseudo-Christian websites and people on Twitter who basically just weaponized their religion as a way to practice discrimination, oppression and hate.\u003c/p>\n\u003cp>They literally caved in to Marco Rubio, of all people, in Florida — which, I mean, let’s be honest, Florida is pretty much \u003ca href=\"https://www.scientificamerican.com/article/fascisms-history-offers-lessons-about-todays-attacks-on-education/\">turning into a fascist state\u003c/a>. He had to stick his nose in it and protest. It was just ridiculous how quickly it blew up. People who don’t understand who the Sisters are complained to the Dodgers. And they caved in.\u003c/p>\n\u003cfigure id=\"attachment_13929356\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929356\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/D7A7432-1020x680-1-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/D7A7432-1020x680-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/D7A7432-1020x680-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/D7A7432-1020x680-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/D7A7432-1020x680-1.jpg 1020w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">From left, Alex U. Inn, Juanita MORE!, Sister Roma and Honey Mahogany speak at the ‘Drag Up! Fight Back!’ rally at Union Square in San Francisco on Saturday, April 8, 2023. \u003ccite>(Estefany Gonzalez/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>What do you think is at the core of this backlash? And what do you think the right is getting wrong about the Sisters of Perpetual Indulgence?\u003c/b>\u003c/p>\n\u003cp>Luckily here in San Francisco, most people are familiar with the Sisters. Since our inception, the Sisters have been leaders and protectors of the queer community, but also all civil rights. We have always stood for women, people of color, the trans community. You’ll see us out on the holidays feeding hungry, unhoused people. You’ll see us sitting and ministering with the sick and hospices. We support queer art. We donate 95% of the hundreds of thousands of dollars that we raise directly back to the community. We are pretty well recognized here, and we have orders all over the world, and sisters in their communities are becoming well known.\u003c/p>\n\u003cp>I would have thought that Los Angeles — it’s supposed to be a strong, liberal part of our blue state. And for those people to have such knee-jerk reactions — they see the name, they see the makeup. Immediately, people jump on the bandwagon that we’re mocking nuns, we’re making fun of Catholics or mocking religion, and we’re mocking God. None of that is true. We really are nuns. We do the work of nuns.\u003c/p>\n\u003cp>The things that the sisters have an issue with is people who take the scripture and choose to interpret it in a way to discriminate against people who they disagree with and don’t like. Basically, a drag queen, a queer person, a trans person — they are weaponizing their religion against us, and they’re taking their personal beliefs to the polls. And as we can see across Florida, Tennessee, Texas, they’re \u003ca href=\"https://www.aclu.org/legislative-attacks-on-lgbtq-rights\">passing legislation\u003c/a> that is basically outlawing and criminalizing queer people, trans people and drag queens. Those are the people that the Dodgers decided to listen to. It’s insane.\u003c/p>\n\u003cfigure id=\"attachment_13929359\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929359\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1323156398-800x517.jpg\" alt=\"A man with a spiked, rainbow beard wears Dodgers gear. \" width=\"800\" height=\"517\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1323156398-800x517.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1323156398-1020x659.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1323156398-160x103.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1323156398-768x497.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1323156398.jpg 1024w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Jeff Carta celebrates LGBTQ+ Pride Night hosted by LA Pride and the Dodgers at Dodger Stadium on June 11, 2021 in Los Angeles, California. \u003ccite>( Jerritt Clark/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Given the backlash, do you think queer and trans people benefit from events like the LA Dodgers’ Pride Night? What do you think is the the significance of these events?\u003cb>\u003c/b>\u003c/b>\u003c/p>\n\u003cp>Oh, it’s impossible to underestimate the importance of high-profile Pride events. To be honest with you, some of our community has become very complacent. There’s even a little bit of a snide attitude towards Pride because we’ve become so used to the fact that we’ve had Pride in San Francisco for, like, 50 years. People really take it for granted.\u003c/p>\n\u003cp>Yes, there may be corporatization of Pride, there may be a lot of pink-washing. People stick a rainbow on their product. That is true. But it can also be true at the same time that we have huge, large public gatherings where we celebrate our uniqueness, our queerness, our transness, where we come together as a community, we show the world that we’re not the awful things that they’re using to describe us. We’re not all sick and dying of AIDS. We’re not all perverts, we’re not all groomers. None of that is true. We are a beautiful, vibrant, colorful community. We’re filled with love. We’re proud of who we are. We’re proud of the accomplishments we’ve made. And it’s really important for the Dodgers to recognize and celebrate the queer community, a lot of whom are Dodgers fans. This is very hurtful to so many people, including the Sisters in Los Angeles.\u003c/p>\n\u003cfigure id=\"attachment_13929360\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929360\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/GettyImages-1323156225-800x526.jpg\" alt=\"\" width=\"800\" height=\"526\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1323156225-800x526.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1323156225-1020x670.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1323156225-160x105.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1323156225-768x505.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/GettyImages-1323156225.jpg 1024w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Dodgers fans celebrate LGBTQ+ Pride Night hosted by LA Pride and the Dodgers at Dodger Stadium on June 11, 2021 in Los Angeles, California. \u003ccite>(Jerritt Clark/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>The situation brings to mind the \u003ca href=\"https://www.nytimes.com/2023/04/25/business/bud-light-dylan-mulvaney.html\">recent backlash against Bud Light\u003c/a> after their ad featured a trans person, Dylan Mulvaney. After all of this backlash came in, Bud Light didn’t stand behind Mulvaney. Like you said, there’s a lot of benefit from having these very public celebrations, but do you think there’s harm when these groups reel back in response to backlash?\u003c/b>\u003c/p>\n\u003cp>We like to believe that the majority of Americans honestly at their core feel the same way we do. We believe in civil rights. We believe all people are created equal. And when we start to see companies like Bud Light and the LA Dodgers respond to that kind of hate, it’s a real red flag. While we think they’re the minority, they’re obviously in power and they’re having an impact with very real and dangerous results.\u003c/p>\n\u003cp>When some organization like the Dodgers extends this fabulous invitation and then disinvites the Sisters, that shows that there is a real lack of true understanding, first of all, of who the Sisters are. It makes it feel disingenuous.\u003c/p>\n\u003cp>So what is their motivation? The Dodgers have been doing this for 10 years. Luckily, here in San Francisco, the Giants have been doing projects since the ’90s, and I have talked to the Giants and I know for a fact that the Giants are 1000% committed to continuing their Pride Night celebration. And we’re planning something very special to celebrate and remember Heklina, one of our drag icons we lost this year. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13927233",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>Some groups like the \u003ca href=\"https://lalgbtcenter.org/about-the-center/press-releases/statement-the-los-angeles-lgbt-center-removes-itself-from-the-dodgers-pride-night-following-the-exclusion-of-the-sisters-of-perpetual-indulgence\">LA LGBT Center\u003c/a> and an \u003ca href=\"https://www.latimes.com/sports/dodgers/story/2023-05-17/dodgers-wont-honor-sisters-perpetual-indulgence-lgbtq-pride-night\">LA County Supervisor\u003c/a> have already said that they’re not planning to attend Pride Night anymore, given the Dodgers recent decision. Are you hoping that other groups follow suit? What are you hoping happens to their Pride Night right now?\u003c/b>\u003c/p>\n\u003cp>Honestly, we need more people to step up and speak out. I’ve seen a lot of people talking about, “Should I sell my ticket? I’m not going. No one should go.” And I do also understand the people who want to celebrate this night because they see it as a victory for our community, regardless.\u003c/p>\n\u003cp>I can’t tell anybody what to do. But definitely let your voices be heard. If you support the Sisters and you think the Dodgers, as much as you love them, have made a mistake, let them know. Perhaps something could even happen at the game. Maybe people should dress up in nun drag and put on some wild makeup and some wigs, and they should have a whole cheering section. That would be amazing. We’ll see. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>What do you think people who identify as queer, and people who hope to be allies, should be doing to combat this rise in hate?\u003c/b>\u003c/p>\n\u003cp>Well, it’s really important to actually step back and see what their true motivation is, and the truth behind these lies. You have to understand who the queer community is, who the trans community is. And if you’re a true ally, which we need now more than ever, learn how to talk about the truth. Because there’s a lot of mistruths.\u003c/p>\n\u003cp>People are using words to describe trans and queer people and drag queens today like “groomer” and “pedophile,” and immediately they’re othering us. They’re dehumanizing us. They’re making it us versus them. And they are trying to criminalize us. And the end result is, once you’re not a human and you’re a criminal, they can exterminate us. There is really a larger plan here — and I’m not trying to be sensationalist — to actually eradicate queer and trans people. We’ve seen it happen in other countries around the world. It’s happening here. There’s a very fascist movement.\u003c/p>\n\u003cp>Look, they overturned Roe v. Wade. Every woman in this country woke up in the morning with less rights than they had than when they went to bed. It’s frightening to see what’s going on. People need to wake up. We need to come together. And we need to support the blue wave that needs to push back against this red wave that we’re seeing.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13929331/sisters-perpetual-indulgence-pride-la-dodgers-mlb-roma",
"authors": [
"11761",
"11387"
],
"categories": [
"arts_1",
"arts_235"
],
"tags": [
"arts_1556",
"arts_10342",
"arts_10278",
"arts_3226",
"arts_5158",
"arts_2200"
],
"featImg": "arts_13929354",
"label": "arts"
},
"arts_13929138": {
"type": "posts",
"id": "arts_13929138",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13929138",
"score": null,
"sort": [
1684180162000
]
},
"guestAuthors": [],
"slug": "in-oakland-a-drag-fest-for-the-community-by-the-community",
"title": "In Oakland, a Drag Fest for the Community, by the Community",
"publishDate": 1684180162,
"format": "standard",
"headTitle": "In Oakland, a Drag Fest for the Community, by the Community | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cp>For \u003ca href=\"https://www.instagram.com/beatrixlahaine/\">Beatrix Lahaine\u003c/a> and \u003ca href=\"https://www.instagram.com/mamacelestefanclub/\" target=\"_blank\" rel=\"noopener\">Mama Celeste\u003c/a>, drag has been about community from the start. Nearly a decade ago, both performers started participating in Bay Area nightlife to build queer connections. They soon found their place in San Francisco’s drag scene, with its subversive, no-rules style.\u003c/p>\n\u003cp>But when the fun turned into too many late nights out — “This was before Uber,” says Lahaine, “and I didn’t wanna take the late night bus” — they decided to bring it home over the bridge to the East Bay.\u003c/p>\n\u003cp>[aside postid='arts_13835533']In 2018, the duo founded \u003ca href=\"https://www.oaklash.com/\">Oaklash\u003c/a> as one night of drag shows. Now, their celebration has grown into a whole month of events designed to uplift local drag artists and provide them with resources to keep performing. For its sixth annual event this year, the Bay Area’s drag festival includes a series of panels and workshops — \u003ca href=\"https://www.eventbrite.com/e/black-brown-king-workshop-registration-620400553757\" target=\"_blank\" rel=\"noopener\">like one on May 17 for Black and brown drag kings\u003c/a> — all leading up to its main weekend of “nonstop” drag, from May 19–21.\u003c/p>\n\u003cp>Oaklash kicks off with Backlash at Thee Stork Club on Friday night, hosted by \u003ca href=\"https://www.instagram.com/kochinarude/\" target=\"_blank\" rel=\"noopener\">Kochina Rude\u003c/a> and featuring live sets by queer and trans musicians and bands.\u003c/p>\n\u003cfigure id=\"attachment_13929152\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-scaled.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929152\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-800x478.jpeg\" alt=\"a Black drag performer in a bright blue wig and red outfit performs in the street as a crowd looks on, smiling and cheering\" width=\"800\" height=\"478\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-800x478.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-1020x610.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-160x96.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-768x459.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-1536x919.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-2048x1225.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-1920x1148.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Drag performer Bionka Simone at Oaklash 2022. \u003ccite>(Fred Rowe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Saturday brings an all-ages block party to Old Oakland with two stages of live drag performances, DJs, and more at 9th & Washington. Performers come from the Bay and beyond — including \u003ca href=\"https://www.instagram.com/nicki_jizz/\" target=\"_blank\" rel=\"noopener\">Nicki Jizz\u003c/a>, recently crowned \u003ca href=\"https://twitter.com/SalinaEstitties/status/1657985795842805765\">Drag Queen of the Year\u003c/a> and host of SF Oasis’ \u003ca href=\"https://www.instagram.com/reparationssf/\" target=\"_blank\" rel=\"noopener\">Reparations drag show\u003c/a>, as well as \u003ca href=\"https://www.instagram.com/getjaxed/?hl=en\" target=\"_blank\" rel=\"noopener\">Jax\u003c/a> and\u003ca href=\"https://www.instagram.com/naomismalls/\"> Naomi Smalls\u003c/a> of \u003cem>RuPaul’s Drag Race\u003c/em>. It’s all followed by an Afterkii at the Continental Club, hosted by \u003ca href=\"https://www.instagram.com/princesspanocha/\" target=\"_blank\" rel=\"noopener\">Princess Panocha\u003c/a> and going until late.\u003c/p>\n\u003cp>Oaklash gets a fairytale ending with an adults-only takeover of \u003ca href=\"https://www.kqed.org/news/11948422/the-future-looks-bright-for-childrens-fairyland-as-it-seeks-to-better-reflect-oaklands-cultural-rainbow\">Children’s Fairyland\u003c/a> on Sunday night. “Who needs Disneyland?” says Lahaine. “We have actual drag at Fairyland, the one that started it all!”\u003c/p>\n\u003cp>At each event, say organizers, equity will take center stage: “It speaks to the authentic community nature of our event that we’re not the ones making all the decisions,” says Mama Celeste. The organization’s board has built the festival around a \u003ca href=\"https://www.oaklash.com/equity\">Cultural Equity Framework\u003c/a>, designed to mirror Oakland’s revolutionary and inclusive spirit. All talent was selected by other Bay Area artists — and they’re all being paid. Several focus on providing tough-to-find resources. For example, Oaklash hosted a workshop about lip syncing, a skill many performers aren’t even taught, as they’re simply expected to learn by watching, says Mama Celeste.\u003c/p>\n\u003cfigure id=\"attachment_13929153\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-scaled.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929153\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-800x533.jpeg\" alt=\"a drag performer in high heel red boots laughs as she performs outside for a crowd\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1536x1024.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-2048x1365.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1920x1280.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Mahlae Balenciaga performs at Oaklash 2022. \u003ccite>(Fred Rowe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We put out open calls for these workshops because we don’t want to decide what’s important for the community; we want the community to tell us what’s important.” All Oaklash events are ASL interpreted. Last year, the organization created the \u003ca href=\"https://48hills.org/2022/10/newly-established-oaklash-disability-fund-wants-to-make-drag-accessible-to-all/\">Oaklash Disability Fund\u003c/a> to make drag even more accessible to all.\u003c/p>\n\u003cp>With the scale of the festival growing each year, logistics can get crazy, says Beatrix. But the community’s enthusiasm keeps organizers going. “The Bay Area really supports new ideas and people who are trying new things,” says Beatrix. “I feel like there’s this ‘I can do that’ attitude that’s very accepting. Like, ‘If you want to do it, do it!’”\u003c/p>\n\u003cp>It’s this love that’s helped Oaklash evolve and thrive, says Mama Celeste: “It’s why we create these safe, welcoming, accessible, loving, heart-filled spaces — queer people deserve to forget about the rest of the world for a second and just kiki and party and have the most fun in their lives.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Oaklash hosts a series of workshops throughout May, leading up to a weekend of drag May 19–21. Highlights include the Oaklash Block Party in Old Oakland (9th and Broadway) and the Grand Finale at Children’s Fairyland (699 Bellevue Ave). \u003ca href=\"https://www.eventbrite.com/e/oaklash-2023-registration-526910382137\">Find tickets\u003c/a> and \u003ca href=\"https://www.oaklash.com/\">more info here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "In Oaklash's sixth year, the celebration brings accessible parties to Thee Stork Club, Fairyland and the streets. ",
"status": "publish",
"parent": 0,
"modified": 1726758670,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 14,
"wordCount": 713
},
"headData": {
"title": "In Oakland, a Drag Fest for the Community, by the Community | KQED",
"description": "In Oaklash's sixth year, the celebration brings accessible parties to Thee Stork Club, Fairyland and the streets. ",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"socialTitle": "In Oakland, a Drag Fest for the Community, by the Community | KQED",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "In Oakland, a Drag Fest for the Community, by the Community",
"datePublished": "2023-05-15T12:49:22-07:00",
"dateModified": "2024-09-19T08:11:10-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprStoryId": "kqed-13929138",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"showOnAuthorArchivePages": "No",
"articleAge": "0",
"path": "/arts/13929138/in-oakland-a-drag-fest-for-the-community-by-the-community",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>For \u003ca href=\"https://www.instagram.com/beatrixlahaine/\">Beatrix Lahaine\u003c/a> and \u003ca href=\"https://www.instagram.com/mamacelestefanclub/\" target=\"_blank\" rel=\"noopener\">Mama Celeste\u003c/a>, drag has been about community from the start. Nearly a decade ago, both performers started participating in Bay Area nightlife to build queer connections. They soon found their place in San Francisco’s drag scene, with its subversive, no-rules style.\u003c/p>\n\u003cp>But when the fun turned into too many late nights out — “This was before Uber,” says Lahaine, “and I didn’t wanna take the late night bus” — they decided to bring it home over the bridge to the East Bay.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13835533",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>In 2018, the duo founded \u003ca href=\"https://www.oaklash.com/\">Oaklash\u003c/a> as one night of drag shows. Now, their celebration has grown into a whole month of events designed to uplift local drag artists and provide them with resources to keep performing. For its sixth annual event this year, the Bay Area’s drag festival includes a series of panels and workshops — \u003ca href=\"https://www.eventbrite.com/e/black-brown-king-workshop-registration-620400553757\" target=\"_blank\" rel=\"noopener\">like one on May 17 for Black and brown drag kings\u003c/a> — all leading up to its main weekend of “nonstop” drag, from May 19–21.\u003c/p>\n\u003cp>Oaklash kicks off with Backlash at Thee Stork Club on Friday night, hosted by \u003ca href=\"https://www.instagram.com/kochinarude/\" target=\"_blank\" rel=\"noopener\">Kochina Rude\u003c/a> and featuring live sets by queer and trans musicians and bands.\u003c/p>\n\u003cfigure id=\"attachment_13929152\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-scaled.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929152\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-800x478.jpeg\" alt=\"a Black drag performer in a bright blue wig and red outfit performs in the street as a crowd looks on, smiling and cheering\" width=\"800\" height=\"478\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-800x478.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-1020x610.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-160x96.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-768x459.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-1536x919.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-2048x1225.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Bionka-Simone-by-Fred-Rowe-Oaklash-2022-1920x1148.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Drag performer Bionka Simone at Oaklash 2022. \u003ccite>(Fred Rowe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Saturday brings an all-ages block party to Old Oakland with two stages of live drag performances, DJs, and more at 9th & Washington. Performers come from the Bay and beyond — including \u003ca href=\"https://www.instagram.com/nicki_jizz/\" target=\"_blank\" rel=\"noopener\">Nicki Jizz\u003c/a>, recently crowned \u003ca href=\"https://twitter.com/SalinaEstitties/status/1657985795842805765\">Drag Queen of the Year\u003c/a> and host of SF Oasis’ \u003ca href=\"https://www.instagram.com/reparationssf/\" target=\"_blank\" rel=\"noopener\">Reparations drag show\u003c/a>, as well as \u003ca href=\"https://www.instagram.com/getjaxed/?hl=en\" target=\"_blank\" rel=\"noopener\">Jax\u003c/a> and\u003ca href=\"https://www.instagram.com/naomismalls/\"> Naomi Smalls\u003c/a> of \u003cem>RuPaul’s Drag Race\u003c/em>. It’s all followed by an Afterkii at the Continental Club, hosted by \u003ca href=\"https://www.instagram.com/princesspanocha/\" target=\"_blank\" rel=\"noopener\">Princess Panocha\u003c/a> and going until late.\u003c/p>\n\u003cp>Oaklash gets a fairytale ending with an adults-only takeover of \u003ca href=\"https://www.kqed.org/news/11948422/the-future-looks-bright-for-childrens-fairyland-as-it-seeks-to-better-reflect-oaklands-cultural-rainbow\">Children’s Fairyland\u003c/a> on Sunday night. “Who needs Disneyland?” says Lahaine. “We have actual drag at Fairyland, the one that started it all!”\u003c/p>\n\u003cp>At each event, say organizers, equity will take center stage: “It speaks to the authentic community nature of our event that we’re not the ones making all the decisions,” says Mama Celeste. The organization’s board has built the festival around a \u003ca href=\"https://www.oaklash.com/equity\">Cultural Equity Framework\u003c/a>, designed to mirror Oakland’s revolutionary and inclusive spirit. All talent was selected by other Bay Area artists — and they’re all being paid. Several focus on providing tough-to-find resources. For example, Oaklash hosted a workshop about lip syncing, a skill many performers aren’t even taught, as they’re simply expected to learn by watching, says Mama Celeste.\u003c/p>\n\u003cfigure id=\"attachment_13929153\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-scaled.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13929153\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-800x533.jpeg\" alt=\"a drag performer in high heel red boots laughs as she performs outside for a crowd\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-768x512.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1536x1024.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-2048x1365.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/05/Mahlae-Balenciaga-by-Fred-Rowe-Oaklash-2022-1920x1280.jpeg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Mahlae Balenciaga performs at Oaklash 2022. \u003ccite>(Fred Rowe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We put out open calls for these workshops because we don’t want to decide what’s important for the community; we want the community to tell us what’s important.” All Oaklash events are ASL interpreted. Last year, the organization created the \u003ca href=\"https://48hills.org/2022/10/newly-established-oaklash-disability-fund-wants-to-make-drag-accessible-to-all/\">Oaklash Disability Fund\u003c/a> to make drag even more accessible to all.\u003c/p>\n\u003cp>With the scale of the festival growing each year, logistics can get crazy, says Beatrix. But the community’s enthusiasm keeps organizers going. “The Bay Area really supports new ideas and people who are trying new things,” says Beatrix. “I feel like there’s this ‘I can do that’ attitude that’s very accepting. Like, ‘If you want to do it, do it!’”\u003c/p>\n\u003cp>It’s this love that’s helped Oaklash evolve and thrive, says Mama Celeste: “It’s why we create these safe, welcoming, accessible, loving, heart-filled spaces — queer people deserve to forget about the rest of the world for a second and just kiki and party and have the most fun in their lives.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Oaklash hosts a series of workshops throughout May, leading up to a weekend of drag May 19–21. Highlights include the Oaklash Block Party in Old Oakland (9th and Broadway) and the Grand Finale at Children’s Fairyland (699 Bellevue Ave). \u003ca href=\"https://www.eventbrite.com/e/oaklash-2023-registration-526910382137\">Find tickets\u003c/a> and \u003ca href=\"https://www.oaklash.com/\">more info here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13929138/in-oakland-a-drag-fest-for-the-community-by-the-community",
"authors": [
"11752"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1"
],
"tags": [
"arts_11374",
"arts_1556",
"arts_10278",
"arts_1143",
"arts_1334",
"arts_585",
"arts_699"
],
"featImg": "arts_13929146",
"label": "arts_140"
},
"arts_13928177": {
"type": "posts",
"id": "arts_13928177",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13928177",
"score": null,
"sort": [
1682359187000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1682359187,
"format": "standard",
"title": "Lizzo Brings Drag Queens on Stage, Protesting Tennessee Law",
"headTitle": "Lizzo Brings Drag Queens on Stage, Protesting Tennessee Law | KQED",
"content": "\u003cp>In a concert Friday night in Knoxville, Tennessee, Lizzo filled the stage with drag queens in a glittery protest against the state’s legislation designed to restrict drag performances in public.\u003c/p>\n\u003cp>While performing at Thompson-Boling Arena, the Grammy-winning “Juice” singer brought out a number of drag performers, including \u003ca href=\"https://www.instagram.com/ageofaquaria/?hl=en\">Aquaria\u003c/a>, \u003ca href=\"https://www.instagram.com/thekandymuse/?hl=en\">Kandy Muse\u003c/a>, \u003ca href=\"https://asiaoharaland.com/\">Asia O’Hara\u003c/a> and \u003ca href=\"https://www.instagram.com/vanessavanjie/?hl=en\">Vanessa Vanjie Mateo\u003c/a>. On Saturday, Lizzo posted videos on Instagram from the show, including comments to the crowd that referenced the pending law.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@lizzo/video/7225417041551904042\" data-video-id=\"7225417041551904042\">\n\u003csection>\u003ca title=\"@lizzo\" href=\"https://www.tiktok.com/@lizzo?refer=embed\" target=\"_blank\" rel=\"noopener\">@lizzo\u003c/a> my prom totally sucked😌 I hope I made it an unforgettable special night!!! \u003ca title=\"special2our\" href=\"https://www.tiktok.com/tag/special2our?refer=embed\" target=\"_blank\" rel=\"noopener\">#special2our\u003c/a> \u003ca title=\"♬ Birthday Girl - Lizzo\" href=\"https://www.tiktok.com/music/Birthday-Girl-7120288239969110018?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ Birthday Girl – Lizzo\u003c/a>\u003c/section>\n\u003cp>[tiktok]\u003c/p>\u003c/blockquote>\n\u003cp>In February, Republican Gov. Bill Lee signed the legislation against “adult cabaret” in public or in front of minors. A federal judge temporarily blocked the law in late March, saying it was too vaguely written. Civil rights groups have criticized the law as a violation of free speech.\u003c/p>\n\u003cp>The Tennessee law is part of a wider Republican effort to restrict drag shows and other LGBTQ+ public gatherings.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928188 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/04/Screen-Shot-2023-04-24-at-11.02.06-AM-800x497.png\" alt=\"\" width=\"800\" height=\"497\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/04/Screen-Shot-2023-04-24-at-11.02.06-AM-800x497.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/04/Screen-Shot-2023-04-24-at-11.02.06-AM-1020x634.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/04/Screen-Shot-2023-04-24-at-11.02.06-AM-160x99.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/04/Screen-Shot-2023-04-24-at-11.02.06-AM-768x478.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/04/Screen-Shot-2023-04-24-at-11.02.06-AM-1536x955.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/04/Screen-Shot-2023-04-24-at-11.02.06-AM-1920x1194.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/04/Screen-Shot-2023-04-24-at-11.02.06-AM.png 1994w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“In light of recent and tragic events and current events, I was told by people on the internet, ‘Cancel your shows in Tennessee,’ ‘Don’t go to Tennessee,’” Lizzo said during the Friday concert. “Their reason was valid, but why would I not come to the people who need to hear this message the most?”\u003c/p>\n\u003cp>“Why would I not create a safe space in Tennessee where we can celebrate drag entertainers and celebrate our differences?” added Lizzo.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7za9LsiQqU4\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Copyright 2023 Associated Press. To see more, \u003ca href=\"https://apnews.com/\" rel=\"noopener\">visit AP\u003c/a>.\u003c/em>\u003c/p>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 282,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 11
},
"modified": 1705005597,
"excerpt": "“Why would I not create a safe space in Tennessee where we can celebrate drag entertainers?” Lizzo commented.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "“Why would I not create a safe space in Tennessee where we can celebrate drag entertainers?” Lizzo commented.",
"title": "Lizzo Brings Drag Queens on Stage, Protesting Tennessee Law | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Lizzo Brings Drag Queens on Stage, Protesting Tennessee Law",
"datePublished": "2023-04-24T10:59:47-07:00",
"dateModified": "2024-01-11T12:39:57-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "lizzo-brings-drag-queens-on-stage-protesting-tennessee-law",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"articleAge": "0",
"path": "/arts/13928177/lizzo-brings-drag-queens-on-stage-protesting-tennessee-law",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In a concert Friday night in Knoxville, Tennessee, Lizzo filled the stage with drag queens in a glittery protest against the state’s legislation designed to restrict drag performances in public.\u003c/p>\n\u003cp>While performing at Thompson-Boling Arena, the Grammy-winning “Juice” singer brought out a number of drag performers, including \u003ca href=\"https://www.instagram.com/ageofaquaria/?hl=en\">Aquaria\u003c/a>, \u003ca href=\"https://www.instagram.com/thekandymuse/?hl=en\">Kandy Muse\u003c/a>, \u003ca href=\"https://asiaoharaland.com/\">Asia O’Hara\u003c/a> and \u003ca href=\"https://www.instagram.com/vanessavanjie/?hl=en\">Vanessa Vanjie Mateo\u003c/a>. On Saturday, Lizzo posted videos on Instagram from the show, including comments to the crowd that referenced the pending law.\u003c/p>\n\u003cblockquote class=\"tiktok-embed\" style=\"max-width: 605px;min-width: 325px\" cite=\"https://www.tiktok.com/@lizzo/video/7225417041551904042\" data-video-id=\"7225417041551904042\">\n\u003csection>\u003ca title=\"@lizzo\" href=\"https://www.tiktok.com/@lizzo?refer=embed\" target=\"_blank\" rel=\"noopener\">@lizzo\u003c/a> my prom totally sucked😌 I hope I made it an unforgettable special night!!! \u003ca title=\"special2our\" href=\"https://www.tiktok.com/tag/special2our?refer=embed\" target=\"_blank\" rel=\"noopener\">#special2our\u003c/a> \u003ca title=\"♬ Birthday Girl - Lizzo\" href=\"https://www.tiktok.com/music/Birthday-Girl-7120288239969110018?refer=embed\" target=\"_blank\" rel=\"noopener\">♬ Birthday Girl – Lizzo\u003c/a>\u003c/section>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "tiktok",
"attributes": {
"named": {
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/blockquote>\n\u003cp>In February, Republican Gov. Bill Lee signed the legislation against “adult cabaret” in public or in front of minors. A federal judge temporarily blocked the law in late March, saying it was too vaguely written. Civil rights groups have criticized the law as a violation of free speech.\u003c/p>\n\u003cp>The Tennessee law is part of a wider Republican effort to restrict drag shows and other LGBTQ+ public gatherings.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13928188 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2023/04/Screen-Shot-2023-04-24-at-11.02.06-AM-800x497.png\" alt=\"\" width=\"800\" height=\"497\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/04/Screen-Shot-2023-04-24-at-11.02.06-AM-800x497.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/04/Screen-Shot-2023-04-24-at-11.02.06-AM-1020x634.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/04/Screen-Shot-2023-04-24-at-11.02.06-AM-160x99.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/04/Screen-Shot-2023-04-24-at-11.02.06-AM-768x478.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/04/Screen-Shot-2023-04-24-at-11.02.06-AM-1536x955.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/04/Screen-Shot-2023-04-24-at-11.02.06-AM-1920x1194.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/04/Screen-Shot-2023-04-24-at-11.02.06-AM.png 1994w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“In light of recent and tragic events and current events, I was told by people on the internet, ‘Cancel your shows in Tennessee,’ ‘Don’t go to Tennessee,’” Lizzo said during the Friday concert. “Their reason was valid, but why would I not come to the people who need to hear this message the most?”\u003c/p>\n\u003cp>“Why would I not create a safe space in Tennessee where we can celebrate drag entertainers and celebrate our differences?” added Lizzo.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7za9LsiQqU4'\n title='//www.youtube.com/embed/7za9LsiQqU4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>\u003cem>Copyright 2023 Associated Press. To see more, \u003ca href=\"https://apnews.com/\" rel=\"noopener\">visit AP\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13928177/lizzo-brings-drag-queens-on-stage-protesting-tennessee-law",
"authors": [
"92"
],
"categories": [
"arts_1",
"arts_69",
"arts_75"
],
"tags": [
"arts_1556",
"arts_3226",
"arts_2968",
"arts_2447"
],
"featImg": "arts_13928178",
"label": "arts"
},
"arts_13927432": {
"type": "posts",
"id": "arts_13927432",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13927432",
"score": null,
"sort": [
1680807609000
]
},
"guestAuthors": [],
"slug": "drag-up-fight-back-protest-san-francisco-trans-lgbtq",
"title": "Upcoming ‘Drag Up! Fight Back!’ Rally Protests a Deluge of Anti-LGBTQ+ Laws",
"publishDate": 1680807609,
"format": "standard",
"headTitle": "Upcoming ‘Drag Up! Fight Back!’ Rally Protests a Deluge of Anti-LGBTQ+ Laws | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cp>In 1966, San Francisco drag queens and trans women who frequented Compton’s Cafeteria were fed up with police harassment. In those days, it was common for cops to brutalize gender nonconforming people and arrest them for crimes like “female impersonation.” One night, when police showed up at Compton’s and grabbed a trans woman’s arm, the patrons fought back — coffee cups went flying, purses clunked officers’ heads and a newsstand went ablaze.\u003c/p>\n\u003cp>This rebellion, and the one at New York’s Stonewall Inn three years later in 1969, set the stage for the modern-day LGBTQ+ rights movement. [aside postid='arts_11838357']\u003c/p>\n\u003cp>These days, in the age of rainbow corporate advertising at Pride, many (at least, in the Bay Area) have forgotten that queer visibility in mainstream spaces has not always been a given. But with \u003ca href=\"https://www.aclu.org/legislative-attacks-on-lgbtq-rights\">451 anti-LGBTQ+ bills\u003c/a> — most of them targeting trans rights — in statehouses nationwide this year alone, the conditions that led to the riot at Compton’s Cafeteria no longer feel like echoes from the distant past.\u003c/p>\n\u003cp>Tennessee’s anti-drag law, the first of its kind in the nation, was \u003ca href=\"https://www.politico.com/news/2023/04/01/federal-judge-temporarily-blocks-tennessees-anti-drag-law-00090047\">temporarily blocked by a federal judge\u003c/a>, and its fate will be decided in court. Using the archaic language of the Compton’s Cafeteria days, it categorizes “male or female impersonators” as inherently explicit — akin to strippers, no matter the content of their performance — and bans them from performing on public property or in places where minors could be present. LGBTQ+ advocates have called the law overly broad, raising fears that it could become a pretext for policing gender nonconforming people’s right to simply exist in public — an eerie callback to norms from over half a century ago.\u003c/p>\n\u003cp>“It’s a sliding slope,” says Honey Mahogany, the San Francisco Democratic Party chair and \u003ca href=\"https://www.kqed.org/arts/13901451/the-worlds-first-transgender-district-creates-a-support-system-in-san-francisco\">Transgender Cultural District\u003c/a> co-founder who first rose to prominence as a drag performer before entering politics.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Along with Alex U. Inn, \u003ca href=\"https://www.kqed.org/arts/13919897/san-francisco-arts-commission-juanita-more-30-years\">Juanita MORE!\u003c/a>, Oasis nightclub owner D’Arcy Drollinger and Sister Roma of the Sisters of Perpetual Indulgence, Mahogany is part of a coalition of drag activists organizing an upcoming march and rally called \u003ca href=\"https://www.mobilize.us/activateamerica/event/557263/\">Drag Up! Fight Back!\u003c/a> The protest kicks off this Saturday, April 8, at 11 a.m. outside San Francisco City Hall, and will move towards Union Square, where the day will finish with performances.\u003c/p>\n\u003cfigure id=\"attachment_13899475\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899475\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/010_SanFrancisco_PeoplesMarch_06272021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/010_SanFrancisco_PeoplesMarch_06272021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/010_SanFrancisco_PeoplesMarch_06272021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/010_SanFrancisco_PeoplesMarch_06272021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/010_SanFrancisco_PeoplesMarch_06272021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/010_SanFrancisco_PeoplesMarch_06272021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/010_SanFrancisco_PeoplesMarch_06272021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">(From left) John Weber, Alex U. Inn, Juanita MORE! and Leandro Gonzales lead the People’s March and Rally in San Francisco on June 27, 2021. Inn and MORE! are two key organizers of Drag Up! Fight Back! \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The LGBTQ community is not taking this lying down,” Mahogany says. “Drag queens will not be silenced and we will not go back to the closet. We will not be relegated to just the back of a dark room in a club. We are here, part of the community.”\u003c/p>\n\u003cp>She and other advocates don’t buy rightwing lawmakers’ guise of protecting children by restricting drag — a freedom of expression protected by the First Amendment. “It’s an art form,” she says. “And like all arts, it can be provocative, it can be explicit. And it can also be child appropriate. We’ve seen that play out through Drag Story Hour in many really wonderful ways that have been both affirming for the community and also affirming for a lot of those kids.”\u003c/p>\n\u003cp>[aside postid='arts_13926077']Drag Up! Fight Back! anticipates thousands of attendees, and has garnered support from lawmakers like State Senator Scott Wiener. He says that while these attacks on LGBTQ+ rights are playing out mostly in red states, Californians shouldn’t be complacent. “If the Republicans take over both the Congress and the presidency in the future, they will absolutely pass these laws into effect nationally,” he says. “We’re already seeing this with abortion, that they’re trying to effectively ban abortion pills nationwide. They will do the same with respect to LGBTQ people. This is our fight and it’s our fight everywhere.”\u003c/p>\n\u003cp>Outside of attending Saturday’s march, Wiener says Californians can help by supporting frontline LGBTQ+ organizations in other states. He and Mahogany both pointed to the importance of electing pro-LGBTQ+ political candidates. Mahogany says the San Francisco Democratic Party recently phone-banked to turn out voters for a federal judges’ race in Wisconsin.\u003c/p>\n\u003cp>“That is going to have huge consequences for the people of Wisconsin because when these types of laws and bills are passed, we know that we have a judge who is going to be impartial and enforce our Constitution,” Mahogany says.\u003c/p>\n\u003cp>Drag Up! Fight Back! comes during a particularly difficult week for the LGBTQ+ arts community. Just days ago, on Monday, San Francisco drag icon \u003ca href=\"https://www.kqed.org/arts/13927233/heklina-dies-drag-legend-san-francsico\">Heklina unexpectedly died\u003c/a> while on tour in London. Though many are mourning, Mahogany says Heklina’s defiant spirit is also a source of motivation.\u003c/p>\n\u003cp>“If we don’t stand up now, then Heklinas of the future won’t be able to do what she has been able to achieve,” she says. “We’re fighting for all of the people that came before us. And I think it makes us even more determined to have our voice heard.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13835025\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/06/Compact_Logo_Break-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-768x75.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-375x37.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-520x51.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.mobilize.us/activateamerica/event/557263/\">Drag Up! Fight Back!\u003c/a> begins at San Francisco City Hall on April 8 at 11 a.m. The march moves to Union Square where it will continue with a rally and performances until 3 p.m. \u003ca href=\"https://www.instagram.com/honeymahogany/\">Follow Honey Mahogany on Instagram\u003c/a>.\u003c/em>\u003c/p>\n\n",
"blocks": [],
"excerpt": "On April 8 at San Francisco City Hall, Honey Mahogany, Juanita MORE! and others will lead a demonstration.",
"status": "publish",
"parent": 0,
"modified": 1726700596,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 17,
"wordCount": 963
},
"headData": {
"title": "‘Drag Up! Fight Back!’ Event Protests Anti-LGBTQ+ Laws | KQED",
"description": "On April 8 at San Francisco City Hall, Honey Mahogany, Juanita MORE! and others will lead a demonstration.",
"ogTitle": "Upcoming ‘Drag Up! Fight Back!’ Rally Protests a Deluge of Anti-LGBTQ+ Laws",
"ogDescription": "",
"ogImgId": "",
"twTitle": "Upcoming ‘Drag Up! Fight Back!’ Rally Protests a Deluge of Anti-LGBTQ+ Laws",
"twDescription": "",
"twImgId": "",
"socialTitle": "‘Drag Up! Fight Back!’ Event Protests Anti-LGBTQ+ Laws %%page%% %%sep%% KQED",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Upcoming ‘Drag Up! Fight Back!’ Rally Protests a Deluge of Anti-LGBTQ+ Laws",
"datePublished": "2023-04-06T12:00:09-07:00",
"dateModified": "2024-09-18T16:03:16-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"audioUrl": "https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-4[…]f-aaef00f5a073/16bbe610-1b1e-4917-a515-afdc012cc29e/audio.mp3",
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13927432/drag-up-fight-back-protest-san-francisco-trans-lgbtq",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In 1966, San Francisco drag queens and trans women who frequented Compton’s Cafeteria were fed up with police harassment. In those days, it was common for cops to brutalize gender nonconforming people and arrest them for crimes like “female impersonation.” One night, when police showed up at Compton’s and grabbed a trans woman’s arm, the patrons fought back — coffee cups went flying, purses clunked officers’ heads and a newsstand went ablaze.\u003c/p>\n\u003cp>This rebellion, and the one at New York’s Stonewall Inn three years later in 1969, set the stage for the modern-day LGBTQ+ rights movement. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_11838357",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>These days, in the age of rainbow corporate advertising at Pride, many (at least, in the Bay Area) have forgotten that queer visibility in mainstream spaces has not always been a given. But with \u003ca href=\"https://www.aclu.org/legislative-attacks-on-lgbtq-rights\">451 anti-LGBTQ+ bills\u003c/a> — most of them targeting trans rights — in statehouses nationwide this year alone, the conditions that led to the riot at Compton’s Cafeteria no longer feel like echoes from the distant past.\u003c/p>\n\u003cp>Tennessee’s anti-drag law, the first of its kind in the nation, was \u003ca href=\"https://www.politico.com/news/2023/04/01/federal-judge-temporarily-blocks-tennessees-anti-drag-law-00090047\">temporarily blocked by a federal judge\u003c/a>, and its fate will be decided in court. Using the archaic language of the Compton’s Cafeteria days, it categorizes “male or female impersonators” as inherently explicit — akin to strippers, no matter the content of their performance — and bans them from performing on public property or in places where minors could be present. LGBTQ+ advocates have called the law overly broad, raising fears that it could become a pretext for policing gender nonconforming people’s right to simply exist in public — an eerie callback to norms from over half a century ago.\u003c/p>\n\u003cp>“It’s a sliding slope,” says Honey Mahogany, the San Francisco Democratic Party chair and \u003ca href=\"https://www.kqed.org/arts/13901451/the-worlds-first-transgender-district-creates-a-support-system-in-san-francisco\">Transgender Cultural District\u003c/a> co-founder who first rose to prominence as a drag performer before entering politics.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Along with Alex U. Inn, \u003ca href=\"https://www.kqed.org/arts/13919897/san-francisco-arts-commission-juanita-more-30-years\">Juanita MORE!\u003c/a>, Oasis nightclub owner D’Arcy Drollinger and Sister Roma of the Sisters of Perpetual Indulgence, Mahogany is part of a coalition of drag activists organizing an upcoming march and rally called \u003ca href=\"https://www.mobilize.us/activateamerica/event/557263/\">Drag Up! Fight Back!\u003c/a> The protest kicks off this Saturday, April 8, at 11 a.m. outside San Francisco City Hall, and will move towards Union Square, where the day will finish with performances.\u003c/p>\n\u003cfigure id=\"attachment_13899475\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13899475\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/06/010_SanFrancisco_PeoplesMarch_06272021-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/010_SanFrancisco_PeoplesMarch_06272021-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/010_SanFrancisco_PeoplesMarch_06272021-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/010_SanFrancisco_PeoplesMarch_06272021-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/010_SanFrancisco_PeoplesMarch_06272021-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/010_SanFrancisco_PeoplesMarch_06272021-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/06/010_SanFrancisco_PeoplesMarch_06272021.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">(From left) John Weber, Alex U. Inn, Juanita MORE! and Leandro Gonzales lead the People’s March and Rally in San Francisco on June 27, 2021. Inn and MORE! are two key organizers of Drag Up! Fight Back! \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The LGBTQ community is not taking this lying down,” Mahogany says. “Drag queens will not be silenced and we will not go back to the closet. We will not be relegated to just the back of a dark room in a club. We are here, part of the community.”\u003c/p>\n\u003cp>She and other advocates don’t buy rightwing lawmakers’ guise of protecting children by restricting drag — a freedom of expression protected by the First Amendment. “It’s an art form,” she says. “And like all arts, it can be provocative, it can be explicit. And it can also be child appropriate. We’ve seen that play out through Drag Story Hour in many really wonderful ways that have been both affirming for the community and also affirming for a lot of those kids.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13926077",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Drag Up! Fight Back! anticipates thousands of attendees, and has garnered support from lawmakers like State Senator Scott Wiener. He says that while these attacks on LGBTQ+ rights are playing out mostly in red states, Californians shouldn’t be complacent. “If the Republicans take over both the Congress and the presidency in the future, they will absolutely pass these laws into effect nationally,” he says. “We’re already seeing this with abortion, that they’re trying to effectively ban abortion pills nationwide. They will do the same with respect to LGBTQ people. This is our fight and it’s our fight everywhere.”\u003c/p>\n\u003cp>Outside of attending Saturday’s march, Wiener says Californians can help by supporting frontline LGBTQ+ organizations in other states. He and Mahogany both pointed to the importance of electing pro-LGBTQ+ political candidates. Mahogany says the San Francisco Democratic Party recently phone-banked to turn out voters for a federal judges’ race in Wisconsin.\u003c/p>\n\u003cp>“That is going to have huge consequences for the people of Wisconsin because when these types of laws and bills are passed, we know that we have a judge who is going to be impartial and enforce our Constitution,” Mahogany says.\u003c/p>\n\u003cp>Drag Up! Fight Back! comes during a particularly difficult week for the LGBTQ+ arts community. Just days ago, on Monday, San Francisco drag icon \u003ca href=\"https://www.kqed.org/arts/13927233/heklina-dies-drag-legend-san-francsico\">Heklina unexpectedly died\u003c/a> while on tour in London. Though many are mourning, Mahogany says Heklina’s defiant spirit is also a source of motivation.\u003c/p>\n\u003cp>“If we don’t stand up now, then Heklinas of the future won’t be able to do what she has been able to achieve,” she says. “We’re fighting for all of the people that came before us. And I think it makes us even more determined to have our voice heard.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13835025\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/06/Compact_Logo_Break-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-768x75.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-375x37.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-520x51.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.mobilize.us/activateamerica/event/557263/\">Drag Up! Fight Back!\u003c/a> begins at San Francisco City Hall on April 8 at 11 a.m. The march moves to Union Square where it will continue with a rally and performances until 3 p.m. \u003ca href=\"https://www.instagram.com/honeymahogany/\">Follow Honey Mahogany on Instagram\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13927432/drag-up-fight-back-protest-san-francisco-trans-lgbtq",
"authors": [
"11387"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1",
"arts_235"
],
"tags": [
"arts_1556",
"arts_7620",
"arts_10278",
"arts_3226",
"arts_585"
],
"featImg": "arts_13915269",
"label": "arts_140"
},
"arts_13927233": {
"type": "posts",
"id": "arts_13927233",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13927233",
"score": null,
"sort": [
1680558814000
]
},
"guestAuthors": [],
"slug": "heklina-dies-drag-legend-san-francsico",
"title": "Heklina, San Francisco Drag Legend, Has Died in London",
"publishDate": 1680558814,
"format": "standard",
"headTitle": "Heklina, San Francisco Drag Legend, Has Died in London | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Heklina, the San Francisco drag legend and longtime performer at clubs around the city, has died in London, according to multiple reports.\u003c/p>\n\u003cp>In \u003ca href=\"https://www.facebook.com/joshuagrannell/posts/pfbid02KjDojuS1c3sNoGwranKLk9FKkfunAZYLBj3GD3qJhiKW5t7kmqVRsCDfdqoUWHWel\">a Facebook post\u003c/a> on Monday, friend and colleague Peaches Christ wrote, “I am shocked and horrified to bring this news to you. … This morning, in London, England, I went to collect my dear friend Heklina, who is co-starring with me in a ‘Mommie Queerest’ show here, and found her dead. I do not know the cause of death yet. I know this is shocking news and I am beyond stunned.”\u003c/p>\n\u003cp>London’s Soho Theatre, where Peaches Christ and Heklina had been performing together in “Mommie Queerest,” also \u003ca href=\"https://twitter.com/sohotheatre/status/1642989190072680451\">posted a message\u003c/a> of being “in shock and incredibly saddened with news of Heklina’s passing. Our thoughts are with Peaches, Mommie Queerest company, Heklina’s family, friends + their wider community.”\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Watch a short documentary on Heklina here\u003c/strong>:\u003c/em>\u003cbr>\nhttps://www.youtube.com/watch?v=61qbUimYg9g\u003c/p>\n\u003cp>Heklina co-founded popular drag club Oasis, regularly performed at El Rio and The Stud, and was the creator and hostess of the long-running show Trannyshack (later called Mother). Heklina appeared regularly in drag parodies of popular television shows like \u003cem>Sex in the City\u003c/em>, \u003cem>Golden Girls\u003c/em> and \u003cem>Roseanne\u003c/em>, and produced and hosted a party called Daytime Realness — with the tagline “Dancing, Drag & Disorder” — most recently at El Rio just weeks ago, on March 19.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“We at El Rio are absolutely devastated to hear of the passing of Heklina,” wrote El Rio co-owner Lynne Angel in an email to KQED. “She was a huge part of our extended family and we will miss her terribly. The mark she made on the San Francisco drag and performance scene is incomparable. We were blessed to work with her often and she was a joy to witness both on stage and off. May she be surrounded by cats, ’80s New Wave and football butts eternally. Rest in Power to one of the best.”\u003c/p>\n\u003cp>Heklina was born in Minneapolis, and was raised in New York, New England and Iceland. After a stint in the Navy, Heklina moved to San Francisco; in an interview segment from a KQED documentary in 2015, Heklina recalled that “immediately I fell in love with it, and I felt right at home.”\u003c/p>\n\u003cfigure id=\"attachment_12242568\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12242568\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/10/heklina-2015-800x533.jpg\" alt=\"Heklina\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/heklina-2015-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/heklina-2015-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/heklina-2015-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/heklina-2015-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/heklina-2015-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/heklina-2015-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/heklina-2015-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/heklina-2015-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/heklina-2015-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/heklina-2015-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Heklina, pictured here in a promotional photo for one of many events at Oasis. \u003ccite>(Nick Ice)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I met Heklina around 1995 — which now feels like many generations past, just a year before she started her weekly party T-Shack at The Stud,” veteran drag performer Juanita MORE! wrote in an email to KQED. “I performed on the second week of the club, not caring or taking any consideration about what the theme was — and that’s how our friendship rolled. … We respected and knew what each other was great at doing. We cracked each other up all the time. The sound of her laugh will be missed greatly by everyone.”\u003c/p>\n\u003cp>[aside postID='arts_10134691']Artist and filmmaker Leo Herrera started working for Heklina as a photographer shortly after he first moved to San Francisco in 2003; Herrera was 21 at the time. By then, Trannyshack had become a San Francisco drag institution, and Heklina took Herrera under her wing. “Trannyshack brought drag back to its transgressive roots, and its roots of political resistance,” Herrera said. “There was a lot of healing that happened in the spaces that Heklina created, especially for folks that had come out of the AIDS crisis, and had moved from really homophobic places, like it was for me and my brother.”\u003c/p>\n\u003cp>Herrera says Heklina influenced a generation of artists — both drag performers and others like him who’ve gone on to make an impact in other fields. “I think a lot of us always strived to get her approval because it was really hard to. But once you got one of her deep cackles, you knew you had done something right.”\u003c/p>\n\u003cp>https://twitter.com/sfoasis/status/1643009770927042560\u003c/p>\n\u003cp>News of Heklina’s passing devastated the drag community in San Francisco and beyond. “I kept thinking it was an April Fool’s joke, it doesn’t make sense. I spoke to her the day before yesterday when she was heading to England from Iceland,” Oasis owner D’Arcy Drollinger told the \u003ca href=\"https://datebook.sfchronicle.com/entertainment/drag-performer-heklina-reported-dead-in-london\">\u003ci>San Francisco Chronicle\u003c/i>\u003c/a>. “But it is confirmed, it is real.”\u003c/p>\n\u003cp>By Monday afternoon, a tearful crowd gathered for an informal memorial at Oasis, which Heklina co-owned until 2019. “She was a powerhouse. And she also had a soft side, and a vulnerable side, that I was lucky enough to get to know,” booking manager Carissa Hatchel, who performs as Snaxx, told KQED. “She was a very complicated person, and was very, very important to so many people in the community for so many decades now.”\u003c/p>\n\u003cp>“I started drag about eight years ago, and Heklina was one of the first queens I ever saw,” said Oasis performer Nicki Jizz. “She was unfiltered, she was unapologetically Heklina. She said whatever came to her mind. She didn’t care what anyone thought — which is a great trait for a drag performer.”\u003c/p>\n\u003cp>In a statement, State Senator Scott Wiener said he first saw Heklina perform in the 1990s, and was “devastated” by the news.\u003c/p>\n\u003cp>“Heklina was an icon in the truest sense — funny, caring, outrageous, and brave,” Wiener wrote. “I’ve rarely worked with someone as fierce, creative, and dedicated. … She was the soul of San Francisco, and it’s hard to imagine the city without her.”\u003c/p>\n\u003cp>Herrera echoed the sentiments of many on Monday that Heklina was synonymous with the best of drag tradition.\u003c/p>\n\u003cp>“A successful artist embodies their medium, so when we think of a brush or an instrument, we think of their name,” he said. “And I think for many of us, when we hear drag, we’re going to think of Heklina. She embodied the oldest and most powerful kind of drag that was about survival and political freedom, and I think we’re all going to miss that very much.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/author/scottshafer\">Scott Shafer\u003c/a> contributed to this report. \u003c/em>\u003c/p>\n\n",
"blocks": [],
"excerpt": "Heklina was a well-known drag performer on stages at San Francisco clubs like Oasis, El Rio and The Stud.",
"status": "publish",
"parent": 0,
"modified": 1726758835,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 21,
"wordCount": 1086
},
"headData": {
"title": "Heklina, San Francisco Drag Legend, Has Died in London | KQED",
"description": "Heklina was a well-known drag performer on stages at San Francisco clubs like Oasis, El Rio and The Stud.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Heklina, San Francisco Drag Legend, Has Died in London",
"datePublished": "2023-04-03T14:53:34-07:00",
"dateModified": "2024-09-19T08:13:55-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"WpOldSlug": "heklina-san-francisco-drag-legend-has-reportedly-died-in-london",
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13927233/heklina-dies-drag-legend-san-francsico",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Heklina, the San Francisco drag legend and longtime performer at clubs around the city, has died in London, according to multiple reports.\u003c/p>\n\u003cp>In \u003ca href=\"https://www.facebook.com/joshuagrannell/posts/pfbid02KjDojuS1c3sNoGwranKLk9FKkfunAZYLBj3GD3qJhiKW5t7kmqVRsCDfdqoUWHWel\">a Facebook post\u003c/a> on Monday, friend and colleague Peaches Christ wrote, “I am shocked and horrified to bring this news to you. … This morning, in London, England, I went to collect my dear friend Heklina, who is co-starring with me in a ‘Mommie Queerest’ show here, and found her dead. I do not know the cause of death yet. I know this is shocking news and I am beyond stunned.”\u003c/p>\n\u003cp>London’s Soho Theatre, where Peaches Christ and Heklina had been performing together in “Mommie Queerest,” also \u003ca href=\"https://twitter.com/sohotheatre/status/1642989190072680451\">posted a message\u003c/a> of being “in shock and incredibly saddened with news of Heklina’s passing. Our thoughts are with Peaches, Mommie Queerest company, Heklina’s family, friends + their wider community.”\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Watch a short documentary on Heklina here\u003c/strong>:\u003c/em>\u003cbr>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/61qbUimYg9g'\n title='//www.youtube.com/embed/61qbUimYg9g'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Heklina co-founded popular drag club Oasis, regularly performed at El Rio and The Stud, and was the creator and hostess of the long-running show Trannyshack (later called Mother). Heklina appeared regularly in drag parodies of popular television shows like \u003cem>Sex in the City\u003c/em>, \u003cem>Golden Girls\u003c/em> and \u003cem>Roseanne\u003c/em>, and produced and hosted a party called Daytime Realness — with the tagline “Dancing, Drag & Disorder” — most recently at El Rio just weeks ago, on March 19.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We at El Rio are absolutely devastated to hear of the passing of Heklina,” wrote El Rio co-owner Lynne Angel in an email to KQED. “She was a huge part of our extended family and we will miss her terribly. The mark she made on the San Francisco drag and performance scene is incomparable. We were blessed to work with her often and she was a joy to witness both on stage and off. May she be surrounded by cats, ’80s New Wave and football butts eternally. Rest in Power to one of the best.”\u003c/p>\n\u003cp>Heklina was born in Minneapolis, and was raised in New York, New England and Iceland. After a stint in the Navy, Heklina moved to San Francisco; in an interview segment from a KQED documentary in 2015, Heklina recalled that “immediately I fell in love with it, and I felt right at home.”\u003c/p>\n\u003cfigure id=\"attachment_12242568\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12242568\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/10/heklina-2015-800x533.jpg\" alt=\"Heklina\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/heklina-2015-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/heklina-2015-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/heklina-2015-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/heklina-2015-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/heklina-2015-1920x1280.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/heklina-2015-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/heklina-2015-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/heklina-2015-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/heklina-2015-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/10/heklina-2015-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Heklina, pictured here in a promotional photo for one of many events at Oasis. \u003ccite>(Nick Ice)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I met Heklina around 1995 — which now feels like many generations past, just a year before she started her weekly party T-Shack at The Stud,” veteran drag performer Juanita MORE! wrote in an email to KQED. “I performed on the second week of the club, not caring or taking any consideration about what the theme was — and that’s how our friendship rolled. … We respected and knew what each other was great at doing. We cracked each other up all the time. The sound of her laugh will be missed greatly by everyone.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_10134691",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Artist and filmmaker Leo Herrera started working for Heklina as a photographer shortly after he first moved to San Francisco in 2003; Herrera was 21 at the time. By then, Trannyshack had become a San Francisco drag institution, and Heklina took Herrera under her wing. “Trannyshack brought drag back to its transgressive roots, and its roots of political resistance,” Herrera said. “There was a lot of healing that happened in the spaces that Heklina created, especially for folks that had come out of the AIDS crisis, and had moved from really homophobic places, like it was for me and my brother.”\u003c/p>\n\u003cp>Herrera says Heklina influenced a generation of artists — both drag performers and others like him who’ve gone on to make an impact in other fields. “I think a lot of us always strived to get her approval because it was really hard to. But once you got one of her deep cackles, you knew you had done something right.”\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1643009770927042560"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>News of Heklina’s passing devastated the drag community in San Francisco and beyond. “I kept thinking it was an April Fool’s joke, it doesn’t make sense. I spoke to her the day before yesterday when she was heading to England from Iceland,” Oasis owner D’Arcy Drollinger told the \u003ca href=\"https://datebook.sfchronicle.com/entertainment/drag-performer-heklina-reported-dead-in-london\">\u003ci>San Francisco Chronicle\u003c/i>\u003c/a>. “But it is confirmed, it is real.”\u003c/p>\n\u003cp>By Monday afternoon, a tearful crowd gathered for an informal memorial at Oasis, which Heklina co-owned until 2019. “She was a powerhouse. And she also had a soft side, and a vulnerable side, that I was lucky enough to get to know,” booking manager Carissa Hatchel, who performs as Snaxx, told KQED. “She was a very complicated person, and was very, very important to so many people in the community for so many decades now.”\u003c/p>\n\u003cp>“I started drag about eight years ago, and Heklina was one of the first queens I ever saw,” said Oasis performer Nicki Jizz. “She was unfiltered, she was unapologetically Heklina. She said whatever came to her mind. She didn’t care what anyone thought — which is a great trait for a drag performer.”\u003c/p>\n\u003cp>In a statement, State Senator Scott Wiener said he first saw Heklina perform in the 1990s, and was “devastated” by the news.\u003c/p>\n\u003cp>“Heklina was an icon in the truest sense — funny, caring, outrageous, and brave,” Wiener wrote. “I’ve rarely worked with someone as fierce, creative, and dedicated. … She was the soul of San Francisco, and it’s hard to imagine the city without her.”\u003c/p>\n\u003cp>Herrera echoed the sentiments of many on Monday that Heklina was synonymous with the best of drag tradition.\u003c/p>\n\u003cp>“A successful artist embodies their medium, so when we think of a brush or an instrument, we think of their name,” he said. “And I think for many of us, when we hear drag, we’re going to think of Heklina. She embodied the oldest and most powerful kind of drag that was about survival and political freedom, and I think we’re all going to miss that very much.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/author/scottshafer\">Scott Shafer\u003c/a> contributed to this report. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13927233/heklina-dies-drag-legend-san-francsico",
"authors": [
"11387",
"185"
],
"categories": [
"arts_1",
"arts_69",
"arts_235",
"arts_1564",
"arts_967"
],
"tags": [
"arts_1556",
"arts_10342",
"arts_1328",
"arts_3226",
"arts_10555"
],
"featImg": "arts_11161564",
"label": "arts"
},
"arts_13926077": {
"type": "posts",
"id": "arts_13926077",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13926077",
"score": null,
"sort": [
1678471512000
]
},
"guestAuthors": [],
"slug": "anti-trans-bills-lgbtq-therapists",
"title": "As a Therapist, I See the Damage of Anti-Trans Hate Firsthand",
"publishDate": 1678471512,
"format": "standard",
"headTitle": "As a Therapist, I See the Damage of Anti-Trans Hate Firsthand | KQED",
"labelTerm": {},
"content": "\u003cp>[dropcap]D[/dropcap]uring Pride last summer, I was having lunch with a friend of mine, a trans man who’s been living his truth for decades. The Proud Boys’ \u003ca href=\"https://www.kqed.org/news/11916918/sheriffs-investigating-hate-crime-after-alleged-proud-boys-disrupt-drag-queen-story-hour-with-homophobic-slurs\">attack on the San Lorenzo library’s Drag Queen Story Hour\u003c/a> had just happened earlier that day, and he was telling me how frightened it made him. I was honestly taken aback: My friend, a very sizable man most people don’t read as trans, had never said anything like this to me in all our years of friendship. It was telling that, even in the Bay Area, he no longer felt safe.\u003c/p>\n\u003cp>At that point I wouldn’t have imagined that, less than a year later, a high-profile speaker at last week’s Conservative Political Action Conference would call for what amounts to \u003ca href=\"https://www.latimes.com/opinion/story/2023-03-08/transgender-cpac-michael-knowles-rolling-stone-ron-desantis\">the eradication of trans people\u003c/a>. It’s clear that my friend was not afraid because of an isolated incident, but rather because of a pattern of bullying and abuse that has been directed at trans people for years, and is reaching a fever pitch.\u003c/p>\n\u003cp>In the pages of \u003ca href=\"https://www.hrc.org/press-releases/human-rights-campaign-glaad-100-organizations-advocates-call-out-biased-harmful-new-york-times-coverage-of-transgender-people-in-joint-letter\">\u003cem>The New York Times\u003c/em>\u003c/a> and comments on TikTok, anti-trans rhetoric has become a full-blown moral panic, spreading complete falsehoods about trans people and the lifesaving medicine we use to be our true selves. And on top of the cruel cultural backlash, to date, \u003ca href=\"https://www.aclu.org/legislative-attacks-on-lgbtq-rights\">nearly 400 bills have been introduced in state legislatures in 2023\u003c/a> seeking to criminalize or otherwise restrict the lives of transgender and gender-nonconforming (GNC) people. This represents a significant increase over 2021 and 2022, years that set records for legislation aimed at the trans community.\u003c/p>\n\u003cp>Taken together, these unprecedented attacks on transgender medical care, rights and culture have had enormous impacts on trans and GNC people, as well as the mental health providers who serve them. Reported rates of depression, anxiety and suicidality among trans people have sharply increased, and advocates say this is a \u003ca href=\"https://www.theguardian.com/us-news/2022/dec/16/us-trans-non-binary-youth-suicide-mental-health\">direct result of recent hateful legislation\u003c/a>. The mental health clinicians who serve these communities in red states are experiencing increased burnout, and personal attacks against these professionals have led them to fear for their own safety.\u003c/p>\n\u003cp>The same is happening here. As a transgender therapist dedicated to serving my community (in addition to my many cisgender clients), I have seen myself and many of my colleagues struggle to cope with the new onslaughts against trans people. Although the Bay Area — an ultra-liberal bubble within a \u003ca href=\"https://www.kqed.org/news/11929233/california-becomes-first-sanctuary-state-for-transgender-youth-seeking-medical-care\">sanctuary state for trans medical care\u003c/a> — is often thought of as insulated from these assaults, the fact is that these laws are already having real and detrimental impacts on trans people here, and the therapists who support them.\u003c/p>\n\u003cfigure id=\"attachment_13915276\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13915276\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Trans March makes its way along Market Street to a rally on Turk and Taylor in San Francisco on June 24, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[dropcap]S[/dropcap]usanna Moore, a Bay Area clinical psychologist who began serving trans people in 2009, has seen the enormous good that therapy can do for her young clients. “It’s a real privilege to empathize with someone who is trying to feel at home in a self that is not well held by the wider society,” Moore said. “Therapy is also a place where the parents can see their kids really cherished for who they are. That helps the parents stay with their best selves and keep protecting, supporting and nurturing their kids.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>As the climate around trans people has deteriorated, Moore has seen it restrict futures and take away hope from her clients. For instance, a couple of years ago, when the legislative assault against trans people was just beginning, Moore had a teenage client tell her that they chose not to “look into any colleges back East because they’re trying to kill me there.”\u003c/p>\n\u003cp>Another teenage client had decreased their social anxiety due to gender-affirming medical care, but is now struggling again. “I tried to reassure him about California laws, but he just looked at me like, ‘Yeah, what if they change?’” Moore revealed.\u003c/p>\n\u003cp>There’s good reason for trans people to be anxious about the legal landscape. Legislation targeting trans people has been varied and extreme: The Florida State Senate recently \u003ca href=\"https://www.businessinsider.com/florida-anti-trans-bill-court-custody-kids-gender-affirming-care-2023-3\">proposed a new law that would take transgender children away from parents\u003c/a> who validate their identity. Virginia introduced a policy to essentially force educators to \u003ca href=\"https://www.virginiamercury.com/2022/10/04/youngkin-attorney-general-expect-schools-to-follow-transgender-policies/\">misgender and deadname their trans students\u003c/a>. Multiple states are again \u003ca href=\"https://www.usatoday.com/story/news/nation/2023/03/08/arkansas-senate-transgender-bathroom-bill/11431418002/\">proposing bathroom bans\u003c/a>, for the first time since the disastrous failure of North Carolina’s bathroom ban in 2016. States are \u003ca href=\"https://www.citybeat.com/news/trans-ohioans-are-still-being-denied-gender-marker-corrections-to-their-birth-certificates-14722104\">eroding\u003c/a> and \u003ca href=\"https://www.wkrg.com/state-regional/florida/florida-lawmakers-want-to-ban-transgender-residents-from-changing-birth-certificates/\">attempting to eliminate\u003c/a> the ability of trans people to get proper identity documentation. The list goes on.\u003c/p>\n\u003cp>In this era of anti-trans panic, even constitutionally protected freedoms of expression are fair game: The nation’s \u003ca href=\"https://www.npr.org/2023/03/06/1161452175/anti-drag-show-bill-tennessee-trans-rights-minor-care-anti-lgbtq-laws\">first anti-drag law is now on the books\u003c/a> in Tennessee. Although most drag performers do not identify as transgender, many see drag as an integral part of trans culture, and many of the anti-drag statutes are written so broadly that they may be construed as criminalizing the existence of trans people. [pullquote size='large']Although the Bay Area is often thought of as insulated from these assaults, the fact is that these laws are already having real and detrimental impacts on trans people here.[/pullquote]\u003c/p>\n\u003cp>The attack on the San Lorenzo Drag Queen Story Hour that so shook up my friend is becoming normalized, as \u003ca href=\"https://www.splcenter.org/hatewatch/2022/07/13/proud-boys-aid-right-wing-assault-lgbtq-community-and-reproductive-justice\">paramilitary thugs\u003c/a> across America now \u003ca href=\"https://www.reuters.com/world/us/after-club-q-attack-lgbt-venues-grapple-with-safety-concerns-2022-11-23/\">routinely brandish weapons\u003c/a> and \u003ca href=\"https://www.washingtonpost.com/nation/2022/06/12/idaho-patriot-front-arrested/\">threaten the lives of individuals\u003c/a> who are simply wearing some flamboyant dresses and makeup.\u003c/p>\n\u003cp>[dropcap]T[/dropcap]herapeutic placement specialist Shayna Abraham, who specializes in connecting high-risk minors throughout Northern California with residential care for severe cases of suicidality, depression and eating disorders, said the legislative and cultural attacks have had a very concrete, detrimental impact on her work. Abraham told me that before Utah enacted its recent anti-trans legislation — including an \u003ca href=\"https://www.npr.org/2023/02/11/1156306026/utahs-new-law-bans-gender-affirming-care-for-transgender-youth\">outright ban on gender-affirming medical care for minors\u003c/a> earlier this year — she would frequently refer trans kids for residential treatment in the state’s many high-quality clinics. Now that option is unsafe for her trans clients.\u003c/p>\n\u003cp>“Utah is the best example because there are so many programs,” said Abraham. “My clients and their families will say, ‘I know I need help but I can’t go to Utah.’ It limits a lot of the parents’ options when they have to rule out certain states because they aren’t safe.”\u003c/p>\n\u003cp>Abraham also drew parallels between the legislative assault on women’s rights and that against trans people, fearing for cisgender women whom she might have once referred to clinics in certain states. “I’m also concerned for my families who have girls. I’m thinking, ‘Where is it safe to be a woman in this country?’” [aside postid='arts_13915237,news_11937191']\u003c/p>\n\u003cp>Trisha Wallis, a licensed clinical social worker and clinical psychologist who has served trans clients throughout the Bay Area since 2014, similarly drew parallels between the current legislative assault on trans people and what she witnessed as an abortion rights activist in the early 2000s. “I watched many doctors get targeted, watched clinic staff be harassed, myself included,” she said. “This has a similar type of feeling to it. It’s that same sort of ‘I’m going to protect the children,’ but it’s not coming from a very principled place.”\u003c/p>\n\u003cp>While Wallis has seen some California medical providers double down on their support of trans minors, others have stepped back amid the growing backlash — she’s gotten hate mail herself. She feels growing concern that trans kids in California will face restricted access to necessary medical care. Moore has also seen increased fear among medical doctors providing gender-affirming care to minors.\u003c/p>\n\u003cp>“It makes me worry for the ability of people to have a choice and have access to care,” Wallis said.\u003c/p>\n\u003cp>Transgender medicine is considered essential, evidence-based medical care by the \u003ca href=\"https://www.endocrine.org/advocacy/position-statements/transgender-health\">Endocrine Society\u003c/a>, \u003ca href=\"https://www.aap.org/en/news-room/news-releases/aap/2018/aap-policy-statement-urges-support-and-care-of-transgender-and-gender-diverse-children-and-adolescents/\">American Academy of Pediatrics\u003c/a>, \u003ca href=\"https://www.apa.org/topics/lgbtq/gender-affirmative-care\">American Psychological Association\u003c/a>, \u003ca href=\"https://www.ama-assn.org/press-center/press-releases/ama-states-stop-interfering-health-care-transgender-children\">American Medical Association\u003c/a>, and \u003ca href=\"http://chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/https://www.psychiatry.org/File%20Library/About-APA/Organization-Documents-Policies/Policies/Position-Transgender-Gender-Diverse-Youth.pdf\">American Psychiatric Association\u003c/a> among dozens of other organizations. Thousands of pages of high-quality research going back decades have documented significant, positive impacts on the lives of transgender people who access this medical care.\u003c/p>\n\u003cp>\u003ca href=\"https://abcnews.go.com/US/map-gender-affirming-care-targeted-us/story?id=97443087\">At least eight states\u003c/a> have banned lifesaving medical care for trans minors, with more bans likely coming. Several other states are currently debating bans on such medical care that could extend to the ages of 21 or even 26, or eliminate such medicine entirely.\u003c/p>\n\u003cp>“Part of my role as I see it is helping people to have hope again, and for me a lot of this landscape feels hopeless,” said Abraham.\u003c/p>\n\u003cp>[dropcap]T[/dropcap]rans activists are widely in agreement that the assault on the trans community is likely to get much worse in 2024, as transgender people will be enormously demonized during the congressional and presidential elections. In spite of the dire outlook for trans rights, Bay Area therapists and their clients strive to remain resilient.\u003c/p>\n\u003cp>“It comes back down to my values of love and equity and justice. That keeps me going because it’s just the right thing to do,” Wallis said.\u003c/p>\n\u003cp>Similarly, Moore remains inspired by her work, knowing what she does is invaluable for both trans people and their families. “Despite everything, there is still magic there, and there is joy, and I do believe that helps us get through the hard times.” [aside postid='arts_13881725']\u003c/p>\n\u003cp>I have seen firsthand the difference that good therapists can make in the lives of trans people. Our work has always been crucial in lifting up this extremely marginalized community, and right now it is sorely needed. Our calling to serve people with empathy, kindness and hope has been politicized and turned into a dangerous pursuit by opportunists with hate in their hearts.\u003c/p>\n\u003cp>I simply want the opportunity to live in safety and help improve the lives of other people — whether trans or cis — free from the bullying, stigmatization and abuse that has been a constant in my life since childhood.\u003c/p>\n\u003cp>In 2023, in America, that really shouldn’t be too much to ask.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Veronica Esposito is a writer, transgender advocate and associate marriage and family therapist specializing in supporting transgender clients. \u003c/em>\u003c/p>\n\n",
"blocks": [],
"excerpt": "Anti-trans laws and rhetoric are reaching a fever pitch, and have devastating effects even in California.",
"status": "publish",
"parent": 0,
"modified": 1732650924,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 30,
"wordCount": 1773
},
"headData": {
"title": "As a Therapist, I See the Damage of Anti-Trans Hate Firsthand | KQED",
"description": "Anti-trans laws and rhetoric are reaching a fever pitch, and have devastating effects even in California.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "As a Therapist, I See the Damage of Anti-Trans Hate Firsthand",
"datePublished": "2023-03-10T10:05:12-08:00",
"dateModified": "2024-11-26T11:55:24-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"source": "Commentary",
"sourceUrl": "https://www.kqed.org/arts/category/commentary",
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"showOnAuthorArchivePages": "No",
"articleAge": "0",
"path": "/arts/13926077/anti-trans-bills-lgbtq-therapists",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">D\u003c/span>\u003c/p>\u003cp>uring Pride last summer, I was having lunch with a friend of mine, a trans man who’s been living his truth for decades. The Proud Boys’ \u003ca href=\"https://www.kqed.org/news/11916918/sheriffs-investigating-hate-crime-after-alleged-proud-boys-disrupt-drag-queen-story-hour-with-homophobic-slurs\">attack on the San Lorenzo library’s Drag Queen Story Hour\u003c/a> had just happened earlier that day, and he was telling me how frightened it made him. I was honestly taken aback: My friend, a very sizable man most people don’t read as trans, had never said anything like this to me in all our years of friendship. It was telling that, even in the Bay Area, he no longer felt safe.\u003c/p>\n\u003cp>At that point I wouldn’t have imagined that, less than a year later, a high-profile speaker at last week’s Conservative Political Action Conference would call for what amounts to \u003ca href=\"https://www.latimes.com/opinion/story/2023-03-08/transgender-cpac-michael-knowles-rolling-stone-ron-desantis\">the eradication of trans people\u003c/a>. It’s clear that my friend was not afraid because of an isolated incident, but rather because of a pattern of bullying and abuse that has been directed at trans people for years, and is reaching a fever pitch.\u003c/p>\n\u003cp>In the pages of \u003ca href=\"https://www.hrc.org/press-releases/human-rights-campaign-glaad-100-organizations-advocates-call-out-biased-harmful-new-york-times-coverage-of-transgender-people-in-joint-letter\">\u003cem>The New York Times\u003c/em>\u003c/a> and comments on TikTok, anti-trans rhetoric has become a full-blown moral panic, spreading complete falsehoods about trans people and the lifesaving medicine we use to be our true selves. And on top of the cruel cultural backlash, to date, \u003ca href=\"https://www.aclu.org/legislative-attacks-on-lgbtq-rights\">nearly 400 bills have been introduced in state legislatures in 2023\u003c/a> seeking to criminalize or otherwise restrict the lives of transgender and gender-nonconforming (GNC) people. This represents a significant increase over 2021 and 2022, years that set records for legislation aimed at the trans community.\u003c/p>\n\u003cp>Taken together, these unprecedented attacks on transgender medical care, rights and culture have had enormous impacts on trans and GNC people, as well as the mental health providers who serve them. Reported rates of depression, anxiety and suicidality among trans people have sharply increased, and advocates say this is a \u003ca href=\"https://www.theguardian.com/us-news/2022/dec/16/us-trans-non-binary-youth-suicide-mental-health\">direct result of recent hateful legislation\u003c/a>. The mental health clinicians who serve these communities in red states are experiencing increased burnout, and personal attacks against these professionals have led them to fear for their own safety.\u003c/p>\n\u003cp>The same is happening here. As a transgender therapist dedicated to serving my community (in addition to my many cisgender clients), I have seen myself and many of my colleagues struggle to cope with the new onslaughts against trans people. Although the Bay Area — an ultra-liberal bubble within a \u003ca href=\"https://www.kqed.org/news/11929233/california-becomes-first-sanctuary-state-for-transgender-youth-seeking-medical-care\">sanctuary state for trans medical care\u003c/a> — is often thought of as insulated from these assaults, the fact is that these laws are already having real and detrimental impacts on trans people here, and the therapists who support them.\u003c/p>\n\u003cfigure id=\"attachment_13915276\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13915276\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut-1536x1022.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/06/RS56915_014_KQED_SFTransMarch_06242022-qut.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Trans March makes its way along Market Street to a rally on Turk and Taylor in San Francisco on June 24, 2022. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">S\u003c/span>\u003c/p>\u003cp>usanna Moore, a Bay Area clinical psychologist who began serving trans people in 2009, has seen the enormous good that therapy can do for her young clients. “It’s a real privilege to empathize with someone who is trying to feel at home in a self that is not well held by the wider society,” Moore said. “Therapy is also a place where the parents can see their kids really cherished for who they are. That helps the parents stay with their best selves and keep protecting, supporting and nurturing their kids.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As the climate around trans people has deteriorated, Moore has seen it restrict futures and take away hope from her clients. For instance, a couple of years ago, when the legislative assault against trans people was just beginning, Moore had a teenage client tell her that they chose not to “look into any colleges back East because they’re trying to kill me there.”\u003c/p>\n\u003cp>Another teenage client had decreased their social anxiety due to gender-affirming medical care, but is now struggling again. “I tried to reassure him about California laws, but he just looked at me like, ‘Yeah, what if they change?’” Moore revealed.\u003c/p>\n\u003cp>There’s good reason for trans people to be anxious about the legal landscape. Legislation targeting trans people has been varied and extreme: The Florida State Senate recently \u003ca href=\"https://www.businessinsider.com/florida-anti-trans-bill-court-custody-kids-gender-affirming-care-2023-3\">proposed a new law that would take transgender children away from parents\u003c/a> who validate their identity. Virginia introduced a policy to essentially force educators to \u003ca href=\"https://www.virginiamercury.com/2022/10/04/youngkin-attorney-general-expect-schools-to-follow-transgender-policies/\">misgender and deadname their trans students\u003c/a>. Multiple states are again \u003ca href=\"https://www.usatoday.com/story/news/nation/2023/03/08/arkansas-senate-transgender-bathroom-bill/11431418002/\">proposing bathroom bans\u003c/a>, for the first time since the disastrous failure of North Carolina’s bathroom ban in 2016. States are \u003ca href=\"https://www.citybeat.com/news/trans-ohioans-are-still-being-denied-gender-marker-corrections-to-their-birth-certificates-14722104\">eroding\u003c/a> and \u003ca href=\"https://www.wkrg.com/state-regional/florida/florida-lawmakers-want-to-ban-transgender-residents-from-changing-birth-certificates/\">attempting to eliminate\u003c/a> the ability of trans people to get proper identity documentation. The list goes on.\u003c/p>\n\u003cp>In this era of anti-trans panic, even constitutionally protected freedoms of expression are fair game: The nation’s \u003ca href=\"https://www.npr.org/2023/03/06/1161452175/anti-drag-show-bill-tennessee-trans-rights-minor-care-anti-lgbtq-laws\">first anti-drag law is now on the books\u003c/a> in Tennessee. Although most drag performers do not identify as transgender, many see drag as an integral part of trans culture, and many of the anti-drag statutes are written so broadly that they may be construed as criminalizing the existence of trans people. \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "Although the Bay Area is often thought of as insulated from these assaults, the fact is that these laws are already having real and detrimental impacts on trans people here.",
"name": "pullquote",
"attributes": {
"named": {
"size": "large",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The attack on the San Lorenzo Drag Queen Story Hour that so shook up my friend is becoming normalized, as \u003ca href=\"https://www.splcenter.org/hatewatch/2022/07/13/proud-boys-aid-right-wing-assault-lgbtq-community-and-reproductive-justice\">paramilitary thugs\u003c/a> across America now \u003ca href=\"https://www.reuters.com/world/us/after-club-q-attack-lgbt-venues-grapple-with-safety-concerns-2022-11-23/\">routinely brandish weapons\u003c/a> and \u003ca href=\"https://www.washingtonpost.com/nation/2022/06/12/idaho-patriot-front-arrested/\">threaten the lives of individuals\u003c/a> who are simply wearing some flamboyant dresses and makeup.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">T\u003c/span>\u003c/p>\u003cp>herapeutic placement specialist Shayna Abraham, who specializes in connecting high-risk minors throughout Northern California with residential care for severe cases of suicidality, depression and eating disorders, said the legislative and cultural attacks have had a very concrete, detrimental impact on her work. Abraham told me that before Utah enacted its recent anti-trans legislation — including an \u003ca href=\"https://www.npr.org/2023/02/11/1156306026/utahs-new-law-bans-gender-affirming-care-for-transgender-youth\">outright ban on gender-affirming medical care for minors\u003c/a> earlier this year — she would frequently refer trans kids for residential treatment in the state’s many high-quality clinics. Now that option is unsafe for her trans clients.\u003c/p>\n\u003cp>“Utah is the best example because there are so many programs,” said Abraham. “My clients and their families will say, ‘I know I need help but I can’t go to Utah.’ It limits a lot of the parents’ options when they have to rule out certain states because they aren’t safe.”\u003c/p>\n\u003cp>Abraham also drew parallels between the legislative assault on women’s rights and that against trans people, fearing for cisgender women whom she might have once referred to clinics in certain states. “I’m also concerned for my families who have girls. I’m thinking, ‘Where is it safe to be a woman in this country?’” \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13915237,news_11937191",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Trisha Wallis, a licensed clinical social worker and clinical psychologist who has served trans clients throughout the Bay Area since 2014, similarly drew parallels between the current legislative assault on trans people and what she witnessed as an abortion rights activist in the early 2000s. “I watched many doctors get targeted, watched clinic staff be harassed, myself included,” she said. “This has a similar type of feeling to it. It’s that same sort of ‘I’m going to protect the children,’ but it’s not coming from a very principled place.”\u003c/p>\n\u003cp>While Wallis has seen some California medical providers double down on their support of trans minors, others have stepped back amid the growing backlash — she’s gotten hate mail herself. She feels growing concern that trans kids in California will face restricted access to necessary medical care. Moore has also seen increased fear among medical doctors providing gender-affirming care to minors.\u003c/p>\n\u003cp>“It makes me worry for the ability of people to have a choice and have access to care,” Wallis said.\u003c/p>\n\u003cp>Transgender medicine is considered essential, evidence-based medical care by the \u003ca href=\"https://www.endocrine.org/advocacy/position-statements/transgender-health\">Endocrine Society\u003c/a>, \u003ca href=\"https://www.aap.org/en/news-room/news-releases/aap/2018/aap-policy-statement-urges-support-and-care-of-transgender-and-gender-diverse-children-and-adolescents/\">American Academy of Pediatrics\u003c/a>, \u003ca href=\"https://www.apa.org/topics/lgbtq/gender-affirmative-care\">American Psychological Association\u003c/a>, \u003ca href=\"https://www.ama-assn.org/press-center/press-releases/ama-states-stop-interfering-health-care-transgender-children\">American Medical Association\u003c/a>, and \u003ca href=\"http://chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/https://www.psychiatry.org/File%20Library/About-APA/Organization-Documents-Policies/Policies/Position-Transgender-Gender-Diverse-Youth.pdf\">American Psychiatric Association\u003c/a> among dozens of other organizations. Thousands of pages of high-quality research going back decades have documented significant, positive impacts on the lives of transgender people who access this medical care.\u003c/p>\n\u003cp>\u003ca href=\"https://abcnews.go.com/US/map-gender-affirming-care-targeted-us/story?id=97443087\">At least eight states\u003c/a> have banned lifesaving medical care for trans minors, with more bans likely coming. Several other states are currently debating bans on such medical care that could extend to the ages of 21 or even 26, or eliminate such medicine entirely.\u003c/p>\n\u003cp>“Part of my role as I see it is helping people to have hope again, and for me a lot of this landscape feels hopeless,” said Abraham.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">T\u003c/span>\u003c/p>\u003cp>rans activists are widely in agreement that the assault on the trans community is likely to get much worse in 2024, as transgender people will be enormously demonized during the congressional and presidential elections. In spite of the dire outlook for trans rights, Bay Area therapists and their clients strive to remain resilient.\u003c/p>\n\u003cp>“It comes back down to my values of love and equity and justice. That keeps me going because it’s just the right thing to do,” Wallis said.\u003c/p>\n\u003cp>Similarly, Moore remains inspired by her work, knowing what she does is invaluable for both trans people and their families. “Despite everything, there is still magic there, and there is joy, and I do believe that helps us get through the hard times.” \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13881725",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I have seen firsthand the difference that good therapists can make in the lives of trans people. Our work has always been crucial in lifting up this extremely marginalized community, and right now it is sorely needed. Our calling to serve people with empathy, kindness and hope has been politicized and turned into a dangerous pursuit by opportunists with hate in their hearts.\u003c/p>\n\u003cp>I simply want the opportunity to live in safety and help improve the lives of other people — whether trans or cis — free from the bullying, stigmatization and abuse that has been a constant in my life since childhood.\u003c/p>\n\u003cp>In 2023, in America, that really shouldn’t be too much to ask.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Veronica Esposito is a writer, transgender advocate and associate marriage and family therapist specializing in supporting transgender clients. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13926077/anti-trans-bills-lgbtq-therapists",
"authors": [
"11934"
],
"categories": [
"arts_1",
"arts_2303"
],
"tags": [
"arts_16989",
"arts_14452",
"arts_1556",
"arts_10342",
"arts_10278",
"arts_3226",
"arts_4773",
"arts_702"
],
"featImg": "arts_13926098",
"label": "source_arts_13926077"
},
"arts_13920105": {
"type": "posts",
"id": "arts_13920105",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13920105",
"score": null,
"sort": [
1665091317000
]
},
"guestAuthors": [],
"slug": "celebrating-sunset-seaside-drag-at-baker-beach",
"title": "Celebrating Sunset Seaside Drag at Baker Beach",
"publishDate": 1665091317,
"format": "standard",
"headTitle": "Celebrating Sunset Seaside Drag at Baker Beach | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cp>It doesn’t get much more gloriously San Francisco than this: as the sun slowly sets with the Golden Gate Bridge in the background, two drag performers elicit whoops and cheers to the tune of Kate Bush’s “Running Up That Hill.” It’s \u003ca href=\"https://www.goldenhourdrag.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Golden Hour Drag\u003c/a>, a show that takes place every Friday, Saturday and Sunday at Baker Beach.\u003c/p>\n\u003cp>Hosted by a rotating cast of local drag luminaries, including \u003ca href=\"https://www.instagram.com/nicki_jizz/\" target=\"_blank\" rel=\"noopener noreferrer\">Nicki Jizz\u003c/a>, \u003ca href=\"https://www.instagram.com/itsmaryvice/\" target=\"_blank\" rel=\"noopener noreferrer\">Mary Vice\u003c/a>, \u003ca href=\"https://www.instagram.com/yourdeadsister/\" target=\"_blank\" rel=\"noopener noreferrer\">Die Anna\u003c/a>, \u003ca href=\"https://www.instagram.com/veritas_22/\" target=\"_blank\" rel=\"noopener noreferrer\">Vera!\u003c/a> and “sand witch” \u003ca href=\"https://www.instagram.com/itsmaryvice/\" target=\"_blank\" rel=\"noopener noreferrer\">Syzygy\u003c/a>, Golden Hour stages drag shows against one of the most stunning settings the Bay Area has to offer, and gives it a run for its money.\u003c/p>\n\u003cfigure id=\"attachment_13920110\" class=\"wp-caption aligncenter\" style=\"max-width: 1128px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13920110\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/10/GoldenHourFlag.jpeg\" alt=\"Flag on beach with image of drag performer, Golden Gate Bridge behind\" width=\"1128\" height=\"846\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/GoldenHourFlag.jpeg 1128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/GoldenHourFlag-800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/GoldenHourFlag-1020x765.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/GoldenHourFlag-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/GoldenHourFlag-768x576.jpeg 768w\" sizes=\"(max-width: 1128px) 100vw, 1128px\">\u003cfigcaption class=\"wp-caption-text\">Wojack’s photographs will join the performances that inspired them for three shows. \u003ccite>(Courtesy Aaron Wojack)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For shows on Oct. 8, Oct. 16 and Oct. 21, an added layer of artistry joins the sunset seaside performances. San Francisco photographer \u003ca href=\"https://aaronwojack.com/GoldenHour\" target=\"_blank\" rel=\"noopener noreferrer\">Aaron Wojack\u003c/a> started documenting the scene’s artists and their audiences in the before-times, capturing the neon hues of the sky, incredible costumes and moments of drama as the fog rolled in.\u003c/p>\n\u003cp>Now he’s presenting a selection of these images as a half-dozen flags alongside three October shows, the first of which is hosted by \u003ca href=\"https://www.instagram.com/iamtranslucent/\" target=\"_blank\" rel=\"noopener noreferrer\">TRANSLUCENT\u003c/a> and features \u003ca href=\"https://www.instagram.com/bratalie33/\" target=\"_blank\" rel=\"noopener noreferrer\">Kitty Litter\u003c/a> at Lobos Creek. Wojack recommends viewers bring a jacket, something to sit on and their own desired refreshments. And of course, they should have cash or Venmo ready (it’s a drag show, after all).\u003c/p>\n\u003cp>\u003cem>Golden Hour Drag takes place every Friday at the Baker Beach Sand Ladder, and Saturdays and Sundays at Lobos Creek. Shows take place 3–6:30 p.m., with performances starting at 5:30 p.m. \u003ca href=\"https://www.goldenhourdrag.com/shows\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "Dramatic photos of past performances join Golden Hour Drag for three October dates.",
"status": "publish",
"parent": 0,
"modified": 1726700617,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 7,
"wordCount": 296
},
"headData": {
"title": "Celebrating Sunset Seaside Drag at Baker Beach | KQED",
"description": "Dramatic photos of past performances join Golden Hour Drag for three October dates.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Celebrating Sunset Seaside Drag at Baker Beach",
"datePublished": "2022-10-06T14:21:57-07:00",
"dateModified": "2024-09-18T16:03:37-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"path": "/arts/13920105/celebrating-sunset-seaside-drag-at-baker-beach",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It doesn’t get much more gloriously San Francisco than this: as the sun slowly sets with the Golden Gate Bridge in the background, two drag performers elicit whoops and cheers to the tune of Kate Bush’s “Running Up That Hill.” It’s \u003ca href=\"https://www.goldenhourdrag.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Golden Hour Drag\u003c/a>, a show that takes place every Friday, Saturday and Sunday at Baker Beach.\u003c/p>\n\u003cp>Hosted by a rotating cast of local drag luminaries, including \u003ca href=\"https://www.instagram.com/nicki_jizz/\" target=\"_blank\" rel=\"noopener noreferrer\">Nicki Jizz\u003c/a>, \u003ca href=\"https://www.instagram.com/itsmaryvice/\" target=\"_blank\" rel=\"noopener noreferrer\">Mary Vice\u003c/a>, \u003ca href=\"https://www.instagram.com/yourdeadsister/\" target=\"_blank\" rel=\"noopener noreferrer\">Die Anna\u003c/a>, \u003ca href=\"https://www.instagram.com/veritas_22/\" target=\"_blank\" rel=\"noopener noreferrer\">Vera!\u003c/a> and “sand witch” \u003ca href=\"https://www.instagram.com/itsmaryvice/\" target=\"_blank\" rel=\"noopener noreferrer\">Syzygy\u003c/a>, Golden Hour stages drag shows against one of the most stunning settings the Bay Area has to offer, and gives it a run for its money.\u003c/p>\n\u003cfigure id=\"attachment_13920110\" class=\"wp-caption aligncenter\" style=\"max-width: 1128px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13920110\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/10/GoldenHourFlag.jpeg\" alt=\"Flag on beach with image of drag performer, Golden Gate Bridge behind\" width=\"1128\" height=\"846\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/GoldenHourFlag.jpeg 1128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/GoldenHourFlag-800x600.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/GoldenHourFlag-1020x765.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/GoldenHourFlag-160x120.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/10/GoldenHourFlag-768x576.jpeg 768w\" sizes=\"(max-width: 1128px) 100vw, 1128px\">\u003cfigcaption class=\"wp-caption-text\">Wojack’s photographs will join the performances that inspired them for three shows. \u003ccite>(Courtesy Aaron Wojack)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For shows on Oct. 8, Oct. 16 and Oct. 21, an added layer of artistry joins the sunset seaside performances. San Francisco photographer \u003ca href=\"https://aaronwojack.com/GoldenHour\" target=\"_blank\" rel=\"noopener noreferrer\">Aaron Wojack\u003c/a> started documenting the scene’s artists and their audiences in the before-times, capturing the neon hues of the sky, incredible costumes and moments of drama as the fog rolled in.\u003c/p>\n\u003cp>Now he’s presenting a selection of these images as a half-dozen flags alongside three October shows, the first of which is hosted by \u003ca href=\"https://www.instagram.com/iamtranslucent/\" target=\"_blank\" rel=\"noopener noreferrer\">TRANSLUCENT\u003c/a> and features \u003ca href=\"https://www.instagram.com/bratalie33/\" target=\"_blank\" rel=\"noopener noreferrer\">Kitty Litter\u003c/a> at Lobos Creek. Wojack recommends viewers bring a jacket, something to sit on and their own desired refreshments. And of course, they should have cash or Venmo ready (it’s a drag show, after all).\u003c/p>\n\u003cp>\u003cem>Golden Hour Drag takes place every Friday at the Baker Beach Sand Ladder, and Saturdays and Sundays at Lobos Creek. Shows take place 3–6:30 p.m., with performances starting at 5:30 p.m. \u003ca href=\"https://www.goldenhourdrag.com/shows\" target=\"_blank\" rel=\"noopener noreferrer\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13920105/celebrating-sunset-seaside-drag-at-baker-beach",
"authors": [
"61"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1",
"arts_70"
],
"tags": [
"arts_1556",
"arts_822",
"arts_585"
],
"featImg": "arts_13920120",
"label": "arts_140"
},
"arts_13919897": {
"type": "posts",
"id": "arts_13919897",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13919897",
"score": null,
"sort": [
1664564303000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 140
},
"blocks": [],
"publishDate": 1664564303,
"format": "audio",
"title": "A New SFAC Exhibit Celebrates Juanita MORE!’s Dazzling 30 Years in Drag",
"headTitle": "A New SFAC Exhibit Celebrates Juanita MORE!’s Dazzling 30 Years in Drag | KQED",
"content": "\u003cp>There are fashion queens, sex-positive entertainers and political provocateurs, but few drag performers embody all the dimensions of the artform as seamlessly and with as much panache as \u003ca href=\"https://juanitamore.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Juanita MORE!\u003c/a>.\u003c/p>\n\u003cp>A true San Francisco icon, she’s been practicing the art of drag for 30 years, and her impact extends far beyond her glamor. Over the past three decades, she’s raised over $1 million for queer housing and healthcare, campaigned for political causes and thrown too many parties to count. To celebrate, the San Francisco Arts Commission (SFAC) Main Gallery has a new exhibition dedicated to her life and work called \u003ca href=\"https://www.sfartscommission.org/our-role-impact/press-room/press-release/juanita-30-years-more-new-exhibition-celebrating-30th\" target=\"_blank\" rel=\"noopener noreferrer\">\u003ci>Juanita: 30 Years of MORE!\u003c/i>\u003c/a>, on view Sept. 30-Nov. 12.\u003c/p>\n\u003cp>“Often we don’t see a lot of exhibitions about key figures in the queer and trans communities while they’re still alive, while they’re still doing the work,” says curator Marcel Pardo Ariza. “It’s important that we find the space to highlight folks who are gathering people together through art, though dancing, through meals together in a way that we find incredibly nurturing.” [aside postid='food_1337260']\u003c/p>\n\u003cp>For the exhibition, MORE! opened her treasure troves of gowns, her personal archives and her art collection, and worked with Pardo Ariza to tell a story—her autobiography, but also a story of queer San Francisco.\u003c/p>\n\u003cp>That story begins on Halloween 1992, when MORE!’s drag mother, Glamamore, dressed her in leopard print and sent her out on the town. That first night in drag, MORE! had such a ball that she wanted to do it again. “I ran around and partied my ass off that first year and just had fun,” she says.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>She could lip sync and entertain on par with the top divas in the city, and soon, her impact grew beyond the bar and club scene. “Something clicked and I said, ‘Oh, I need to use this energy that’s coming at me and give back for something good,” MORE! says.\u003c/p>\n\u003cp>The AIDS epidemic had ravaged the LGBTQ+ community in the ’80s, and although treatment became available in the ’90s, the deadly crisis persisted. MORE! threw her first benefit for TARC, the \u003ca href=\"https://www.poz.com/article/Tenderloin-HIV-Closes-21753-2492\" target=\"_blank\" rel=\"noopener noreferrer\">Tenderloin AIDS Resource Center\u003c/a>. And in the 30 years since, she has thrown dozens of events that raised funds for organizations such as the \u003ca href=\"https://theqfoundation.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Q Foundation\u003c/a>, which provides housing support for people living with HIV/AIDS; the \u003ca href=\"https://transgenderlawcenter.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Transgender Law Center\u003c/a>, a trans-led legal organization; and \u003ca href=\"https://www.queerlifespace.org/our-mission\" target=\"_blank\" rel=\"noopener noreferrer\">Queer LifeSpace\u003c/a>, an affordable mental health counseling center.\u003c/p>\n\u003cfigure id=\"attachment_13919913\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13919913\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/juanitamore3-800x533.jpg\" alt=\"Juanita MORE! wears a leopard gown with big shoulders and a blond wig in front of a large, colorful poster with tropical designs and a multicolored, layered silk gown.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore3-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore3.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Juanita MORE! poses with her San Francisco Pride 2022 poster and Mr. David Couture gown, on display at the SFAC Main Gallery. \u003ccite>(Nastia Voynovskaya/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Glitzy parties—like her annual Pride celebration—are often how MORE! inspires people to give to good causes, but her activism doesn’t stop there. She can be seen rallying for political issues (recently, she spoke out against the recall of progressive District Attorney Chesa Boudin). And her personal website has basically become a one-stop shop for Bay Area residents who want to become more civically engaged. She authors her own \u003ca href=\"https://juanitamore.com/vote\" target=\"_blank\" rel=\"noopener noreferrer\">voter guides\u003c/a> (the 2022 midterm edition is coming soon), rounds up \u003ca href=\"https://juanitamore.com/events\" target=\"_blank\" rel=\"noopener noreferrer\">queer events\u003c/a> and publishes lists of \u003ca href=\"https://juanitamore.com/mentalhealthresources\" target=\"_blank\" rel=\"noopener noreferrer\">LGBTQ+ mental health resources\u003c/a> and \u003ca href=\"https://juanitamore.com/queer-bizness\" target=\"_blank\" rel=\"noopener noreferrer\">small businesses\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13919916\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13919916\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/juanitamore6-800x507.jpg\" alt=\"\" width=\"800\" height=\"507\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore6-800x507.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore6-1020x646.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore6-160x101.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore6-768x486.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore6-1536x973.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore6.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The entryway of ‘Juanita: 30 Years of MORE!’ features dozens of portraits of MORE! from various eras and by different artists. \u003ccite>(Nastia Voynovskaya/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Even with MORE!’s hectic schedule of campaigning and entertaining, impeccable attention to detail—from the coif of her wig to the last rhinestone on her heel—has been a defining feature of her brand. Glamamore, known as \u003ca href=\"https://www.instagram.com/mr.davidglamamore/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Mr. David\u003c/a> when not in drag, has been MORE!’s \u003ca href=\"https://48hills.org/2016/05/mr-david-gives-us-definitive-sf-style/\" target=\"_blank\" rel=\"noopener noreferrer\">principal fashion designer\u003c/a> for her entire career. She’s never worn anything other than custom garments made specially for her.\u003c/p>\n\u003cp>The sumptuous couture Mr. David created for MORE! over the past 30 years—sometimes on a tight budget, but always with Paris Fashion Week-worthy skill—makes for a mesmerizing display inside the SFAC gallery, which also features event posters, awards, portraits of MORE! and her own original (and often erotic) photography.\u003c/p>\n\u003cfigure id=\"attachment_13919914\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13919914\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/juanitamore5-800x549.jpg\" alt=\"Colorful hats feature silk bunny ears, turquoise feathers, translucent veils and more.\" width=\"800\" height=\"549\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore5-800x549.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore5-1020x700.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore5-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore5-768x527.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore5-1536x1054.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore5.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A display of Juanita MORE!’s many hats, designed by Mr. David Couture. \u003ccite>(Nastia Voynovskaya/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“What I really enjoy is we can do anything—she can wear anything, she can pull off any look,” Mr. David says at the exhibition preview, standing next to the regal, balloon-sleeved gown, cape and headdress he made for MORE! for SF Pride 2019. He’s made clothing for stars like Cher and Deee-Lite’s Lady Miss Kier, but it’s his collaboration with MORE! that’s been the most rewarding. “It’s this constant challenge. ‘We have $30, let’s make a ball gown.’ It’s not expensive things, but how do we make what we have look very extravagant? It’s enticing, our whole dynamic. I inspire her, she inspires me. We’re on this spiral together.”\u003c/p>\n\u003cp>That collaborative spirit extended to how MORE! approached the exhibition at SFAC. For her and curator Pardo Ariza, preserving history is part of a higher purpose to leave a legacy for the next generation of queer and trans youth, and to pay homage to the intergenerational community of artists who’ve made Juanita MORE! so original.\u003c/p>\n\u003cp>“I think the thing that I love the most is that I’ve never claimed to be the one who created Juanita by myself,” MORE! says. “I was the vehicle that brought it to life. But there were a lot of people collaborating to make this thing that we created as fun or crazy or pretty as possible. … I’m a big champion of artists and have collaborated with so many artists, and that’s just always brought me so much joy.”\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13835025\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/06/Compact_Logo_Break-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-768x75.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-375x37.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-520x51.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfartscommission.org/our-role-impact/press-room/press-release/juanita-30-years-more-new-exhibition-celebrating-30th\" target=\"_blank\" rel=\"noopener noreferrer\">Juanita: 30 Years of MORE!\u003c/a> \u003cem>is on view in the SFAC Main Gallery in the War Memorial Veterans Building Sept. 30-Nov. 12, with an opening reception on Sept. 30 at 6pm. Events will continue throughout the run of the show, with a \u003ca href=\"https://sfartscommission.org/calendar/more-imposters\" target=\"_blank\" rel=\"noopener noreferrer\">drag performance on Oct. 6\u003c/a>, a \u003ca href=\"https://sfartscommission.org/calendar/naked-dinner-life-drawing-class\" target=\"_blank\" rel=\"noopener noreferrer\">nude figure drawing class on Oct. 12\u003c/a> and \u003ca href=\"https://sfartscommission.org/calendar/juanita-more-birthday-bash\" target=\"_blank\" rel=\"noopener noreferrer\">Juanita MORE!’s birthday bash on Oct. 28\u003c/a>.\u003c/em>\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1079,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 16
},
"modified": 1705006313,
"excerpt": "The impeccably dressed SF icon has raised over $1 million for queer housing, healthcare and other causes.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The impeccably dressed SF icon has raised over $1 million for queer housing, healthcare and other causes.",
"title": "A New SFAC Exhibit Celebrates Juanita MORE!’s Dazzling 30 Years in Drag | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "A New SFAC Exhibit Celebrates Juanita MORE!’s Dazzling 30 Years in Drag",
"datePublished": "2022-09-30T11:58:23-07:00",
"dateModified": "2024-01-11T12:51:53-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "san-francisco-arts-commission-juanita-more-30-years",
"status": "publish",
"templateType": "standard",
"audioUrl": "https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-41c5-bcaf-aaef00f5a073/2bfd5fb7-6cfa-4714-abe2-af4001490845/audio.mp3",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13919897/san-francisco-arts-commission-juanita-more-30-years",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>There are fashion queens, sex-positive entertainers and political provocateurs, but few drag performers embody all the dimensions of the artform as seamlessly and with as much panache as \u003ca href=\"https://juanitamore.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Juanita MORE!\u003c/a>.\u003c/p>\n\u003cp>A true San Francisco icon, she’s been practicing the art of drag for 30 years, and her impact extends far beyond her glamor. Over the past three decades, she’s raised over $1 million for queer housing and healthcare, campaigned for political causes and thrown too many parties to count. To celebrate, the San Francisco Arts Commission (SFAC) Main Gallery has a new exhibition dedicated to her life and work called \u003ca href=\"https://www.sfartscommission.org/our-role-impact/press-room/press-release/juanita-30-years-more-new-exhibition-celebrating-30th\" target=\"_blank\" rel=\"noopener noreferrer\">\u003ci>Juanita: 30 Years of MORE!\u003c/i>\u003c/a>, on view Sept. 30-Nov. 12.\u003c/p>\n\u003cp>“Often we don’t see a lot of exhibitions about key figures in the queer and trans communities while they’re still alive, while they’re still doing the work,” says curator Marcel Pardo Ariza. “It’s important that we find the space to highlight folks who are gathering people together through art, though dancing, through meals together in a way that we find incredibly nurturing.” \u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "food_1337260",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For the exhibition, MORE! opened her treasure troves of gowns, her personal archives and her art collection, and worked with Pardo Ariza to tell a story—her autobiography, but also a story of queer San Francisco.\u003c/p>\n\u003cp>That story begins on Halloween 1992, when MORE!’s drag mother, Glamamore, dressed her in leopard print and sent her out on the town. That first night in drag, MORE! had such a ball that she wanted to do it again. “I ran around and partied my ass off that first year and just had fun,” she says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>She could lip sync and entertain on par with the top divas in the city, and soon, her impact grew beyond the bar and club scene. “Something clicked and I said, ‘Oh, I need to use this energy that’s coming at me and give back for something good,” MORE! says.\u003c/p>\n\u003cp>The AIDS epidemic had ravaged the LGBTQ+ community in the ’80s, and although treatment became available in the ’90s, the deadly crisis persisted. MORE! threw her first benefit for TARC, the \u003ca href=\"https://www.poz.com/article/Tenderloin-HIV-Closes-21753-2492\" target=\"_blank\" rel=\"noopener noreferrer\">Tenderloin AIDS Resource Center\u003c/a>. And in the 30 years since, she has thrown dozens of events that raised funds for organizations such as the \u003ca href=\"https://theqfoundation.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Q Foundation\u003c/a>, which provides housing support for people living with HIV/AIDS; the \u003ca href=\"https://transgenderlawcenter.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Transgender Law Center\u003c/a>, a trans-led legal organization; and \u003ca href=\"https://www.queerlifespace.org/our-mission\" target=\"_blank\" rel=\"noopener noreferrer\">Queer LifeSpace\u003c/a>, an affordable mental health counseling center.\u003c/p>\n\u003cfigure id=\"attachment_13919913\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13919913\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/juanitamore3-800x533.jpg\" alt=\"Juanita MORE! wears a leopard gown with big shoulders and a blond wig in front of a large, colorful poster with tropical designs and a multicolored, layered silk gown.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore3-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore3-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore3-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore3.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Juanita MORE! poses with her San Francisco Pride 2022 poster and Mr. David Couture gown, on display at the SFAC Main Gallery. \u003ccite>(Nastia Voynovskaya/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Glitzy parties—like her annual Pride celebration—are often how MORE! inspires people to give to good causes, but her activism doesn’t stop there. She can be seen rallying for political issues (recently, she spoke out against the recall of progressive District Attorney Chesa Boudin). And her personal website has basically become a one-stop shop for Bay Area residents who want to become more civically engaged. She authors her own \u003ca href=\"https://juanitamore.com/vote\" target=\"_blank\" rel=\"noopener noreferrer\">voter guides\u003c/a> (the 2022 midterm edition is coming soon), rounds up \u003ca href=\"https://juanitamore.com/events\" target=\"_blank\" rel=\"noopener noreferrer\">queer events\u003c/a> and publishes lists of \u003ca href=\"https://juanitamore.com/mentalhealthresources\" target=\"_blank\" rel=\"noopener noreferrer\">LGBTQ+ mental health resources\u003c/a> and \u003ca href=\"https://juanitamore.com/queer-bizness\" target=\"_blank\" rel=\"noopener noreferrer\">small businesses\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_13919916\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13919916\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/juanitamore6-800x507.jpg\" alt=\"\" width=\"800\" height=\"507\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore6-800x507.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore6-1020x646.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore6-160x101.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore6-768x486.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore6-1536x973.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore6.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The entryway of ‘Juanita: 30 Years of MORE!’ features dozens of portraits of MORE! from various eras and by different artists. \u003ccite>(Nastia Voynovskaya/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Even with MORE!’s hectic schedule of campaigning and entertaining, impeccable attention to detail—from the coif of her wig to the last rhinestone on her heel—has been a defining feature of her brand. Glamamore, known as \u003ca href=\"https://www.instagram.com/mr.davidglamamore/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Mr. David\u003c/a> when not in drag, has been MORE!’s \u003ca href=\"https://48hills.org/2016/05/mr-david-gives-us-definitive-sf-style/\" target=\"_blank\" rel=\"noopener noreferrer\">principal fashion designer\u003c/a> for her entire career. She’s never worn anything other than custom garments made specially for her.\u003c/p>\n\u003cp>The sumptuous couture Mr. David created for MORE! over the past 30 years—sometimes on a tight budget, but always with Paris Fashion Week-worthy skill—makes for a mesmerizing display inside the SFAC gallery, which also features event posters, awards, portraits of MORE! and her own original (and often erotic) photography.\u003c/p>\n\u003cfigure id=\"attachment_13919914\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13919914\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/juanitamore5-800x549.jpg\" alt=\"Colorful hats feature silk bunny ears, turquoise feathers, translucent veils and more.\" width=\"800\" height=\"549\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore5-800x549.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore5-1020x700.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore5-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore5-768x527.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore5-1536x1054.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/juanitamore5.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A display of Juanita MORE!’s many hats, designed by Mr. David Couture. \u003ccite>(Nastia Voynovskaya/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“What I really enjoy is we can do anything—she can wear anything, she can pull off any look,” Mr. David says at the exhibition preview, standing next to the regal, balloon-sleeved gown, cape and headdress he made for MORE! for SF Pride 2019. He’s made clothing for stars like Cher and Deee-Lite’s Lady Miss Kier, but it’s his collaboration with MORE! that’s been the most rewarding. “It’s this constant challenge. ‘We have $30, let’s make a ball gown.’ It’s not expensive things, but how do we make what we have look very extravagant? It’s enticing, our whole dynamic. I inspire her, she inspires me. We’re on this spiral together.”\u003c/p>\n\u003cp>That collaborative spirit extended to how MORE! approached the exhibition at SFAC. For her and curator Pardo Ariza, preserving history is part of a higher purpose to leave a legacy for the next generation of queer and trans youth, and to pay homage to the intergenerational community of artists who’ve made Juanita MORE! so original.\u003c/p>\n\u003cp>“I think the thing that I love the most is that I’ve never claimed to be the one who created Juanita by myself,” MORE! says. “I was the vehicle that brought it to life. But there were a lot of people collaborating to make this thing that we created as fun or crazy or pretty as possible. … I’m a big champion of artists and have collaborated with so many artists, and that’s just always brought me so much joy.”\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-13835025\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/06/Compact_Logo_Break-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-768x75.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-375x37.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/06/Compact_Logo_Break-520x51.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfartscommission.org/our-role-impact/press-room/press-release/juanita-30-years-more-new-exhibition-celebrating-30th\" target=\"_blank\" rel=\"noopener noreferrer\">Juanita: 30 Years of MORE!\u003c/a> \u003cem>is on view in the SFAC Main Gallery in the War Memorial Veterans Building Sept. 30-Nov. 12, with an opening reception on Sept. 30 at 6pm. Events will continue throughout the run of the show, with a \u003ca href=\"https://sfartscommission.org/calendar/more-imposters\" target=\"_blank\" rel=\"noopener noreferrer\">drag performance on Oct. 6\u003c/a>, a \u003ca href=\"https://sfartscommission.org/calendar/naked-dinner-life-drawing-class\" target=\"_blank\" rel=\"noopener noreferrer\">nude figure drawing class on Oct. 12\u003c/a> and \u003ca href=\"https://sfartscommission.org/calendar/juanita-more-birthday-bash\" target=\"_blank\" rel=\"noopener noreferrer\">Juanita MORE!’s birthday bash on Oct. 28\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13919897/san-francisco-arts-commission-juanita-more-30-years",
"authors": [
"11387"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1"
],
"tags": [
"arts_1556",
"arts_10278",
"arts_2215",
"arts_3226",
"arts_18754",
"arts_4640",
"arts_1300",
"arts_585"
],
"featImg": "arts_13919910",
"label": "arts_140"
},
"arts_13916388": {
"type": "posts",
"id": "arts_13916388",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13916388",
"score": null,
"sort": [
1663018011000
]
},
"guestAuthors": [],
"slug": "bay-area-halloween-events-guide-2022-sf-oakland-san-jose-sausalito",
"title": "Things That Go Bump in the Bay: 9 Halloween Events for 2022",
"publishDate": 1663018011,
"format": "standard",
"headTitle": "Things That Go Bump in the Bay: 9 Halloween Events for 2022 | KQED",
"labelTerm": {},
"content": "\u003cp>We know, we know. There’s too much to be done already. There’s a hay maze on the horizon and pumpkins to spend four hours picking out, only to carve them up into oblivion. There are costumes to plan and candy to buy and decorations to hang and your local neighborhood Spirit store to run amok in. But once all of that’s done, you have to actually pick some events to go to. Which is where this handy guide comes in.\u003c/p>\n\u003cp>There is something for everyone this year, whether you’re a screaming (drag) queen, a movie buff, a rock ’n’ roller, or a pet with a wardrobe. Altogether now! \u003cem>It’s creepy and it’s kooky / Mysterious and spooky / It’s all together ooky / Bay Area Halloween!\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13918559\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13918559\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/Screen-Shot-2022-09-01-at-1.16.43-PM-800x485.png\" alt=\"A woman wearing a corset, knee high socks and rat-like face paint sits next to a figure in a black cloak and rat mask, holding a scythe.\" width=\"800\" height=\"485\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-01-at-1.16.43-PM-800x485.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-01-at-1.16.43-PM-1020x619.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-01-at-1.16.43-PM-160x97.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-01-at-1.16.43-PM-768x466.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-01-at-1.16.43-PM-1536x931.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-01-at-1.16.43-PM.png 1814w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">This year’s Halloween Meltdown will include a haunted house and a costume contest. Contestants—like these two from last year—are encouraged to get as weird as possible. \u003ccite>(Grant Kerber/ Halloween Meltdown)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://halloweenmeltdown.net/\" target=\"_blank\" rel=\"noopener noreferrer\">Halloween Meltdown\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Mosswood Park, Oakland\u003c/em>\u003cbr>\n\u003cem>Oct. 8 and 9, 12–10pm\u003c/em>\u003c/p>\n\u003cp>Most people will come to the Halloween Meltdown for the music: sets from \u003ca href=\"https://www.kqed.org/arts/13916142/halloween-meltdown-line-up-mosswood-john-waters-amyl-shannon\" target=\"_blank\" rel=\"noopener noreferrer\">Amyl and the Sniffers, Lydia Lunch, Josie Cotton and many more\u003c/a>. But for a smaller, creepier bunch, the weekend will be all about the costume contest (there was a $500 prize last year!) and much-anticipated on-site haunted house. Artist and horror enthusiast \u003ca href=\"https://www.robfletcherisneat.com/aboutrobfletcherart\" target=\"_blank\" rel=\"noopener noreferrer\">Rob Fletcher\u003c/a> has been meticulously designing the tented attraction for months.\u003c/p>\n\u003cp>“The Haunt is going to be a throwback to 1960s and ’70s-style dark carnival rides, but very much centered around trash culture,” Fletcher tells KQED Arts. “There will be gore. There will be vulgarity. There will be lobsters! If all goes according to plan, it should be total chaos.”\u003c/p>\n\u003cfigure id=\"attachment_13918547\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13918547\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/Screen-Shot-2022-09-01-at-11.13.17-AM-800x536.png\" alt=\"A beautiful woman with long dark hair points at something on the horizon. To her side, a hunched over man with distorted features and bulging eyes.\" width=\"800\" height=\"536\">\u003cfigcaption class=\"wp-caption-text\">Patsy Ruth Miller and Lon Chaney star as Esmeralda and Quasimodo in 1923’s ‘The Hunchback of Notre Dame.’\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sfjazz.org/tickets/productions/the-hunchback-of-notre-dame/\" target=\"_blank\" rel=\"noopener noreferrer\">‘The Hunchback of Notre Dame’\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Grace Cathedral, San Francisco\u003c/em>\u003cbr>\n\u003cem>Oct. 31, 7:30pm\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>You’d be hard pressed to find a better venue than Grace Cathedral for a screening of 1923’s \u003cem>Hunchback of Notre Dame\u003c/em>—save for the real life Parisian cathedral, of course. Everything about Wallace Worsley’s silent masterpiece is epic: its detailed replica of the real-life Notre-Dame, the thousands of extras used on set and, best of all, Lon Chaney bringing pathos (and not a little athleticism) to a monstrous visage.\u003c/p>\n\u003cp>As an \u003ca href=\"https://www.sfjazz.org/smartseat/?performanceNumber=15609#/\" target=\"_blank\" rel=\"noopener noreferrer\">SFJazz presentation\u003c/a>, organist and composer \u003ca href=\"https://www.dorothypapadakos.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Dorothy Papadakos\u003c/a> will live score the horror classic. Papadakos has been passionate about using her musical prowess to bring old classics to life for years now, with previous presentations of \u003cem>Phantom of the Opera\u003c/em>, \u003cem>Dr. Jekyll and Mr. Hyde\u003c/em> and \u003cem>Nosferatu\u003c/em>. Papadakos will even provide a brief history of the film before she takes her seat behind the 7,500-pipes of Grace’s 88-year-old Aeolian-Skinner organ.\u003c/p>\n\u003cfigure id=\"attachment_13918776\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13918776\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/Unhinged_1280x960_2022-800x600.jpg\" alt=\"An artist's rendering of the Winchester Mystery House is depicted from above, with green light streaming from its many windows. A woman's green eyes hover above its roof. A clawed hand reaches up from underneath.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Unhinged_1280x960_2022-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Unhinged_1280x960_2022-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Unhinged_1280x960_2022-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Unhinged_1280x960_2022-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Unhinged_1280x960_2022.jpg 1280w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Winchester Mystery House’s ‘Unhinged: Nightshades Curse’ event will blur the lines between fiction and reality within the wall’s of San Jose’s weirdest house. \u003ccite>(Courtesy of Winchester Mystery House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://winchestermysteryhouse.com/unhinged/\" target=\"_blank\" rel=\"noopener noreferrer\">Winchester Mystery House—Unhinged: Nightshades Curse\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Winchester Mystery House, San Jose\u003c/em>\u003cbr>\n\u003cem>Sept. 13—Oct. 31 (16 select dates)\u003c/em>\u003c/p>\n\u003cp>There’s plenty to be creeped out by in the Winchester Mystery House on any given day. The seance room full of one-way doors. The preponderance of the number 13 in the windows and decorative features. That damn door on the second floor that would send you plummeting to death or serious injury if you walked through it. But for Halloween, the Mystery House is ramping things up even further with 16 immersive evenings that step beyond the \u003ca href=\"https://en.wikipedia.org/wiki/Sarah_Winchester\" target=\"_blank\" rel=\"noopener noreferrer\">Sarah Winchester\u003c/a> legend.\u003c/p>\n\u003cp>The \u003cem>Nightshade’s Curse\u003c/em> event is set in 1949. A fictitious carnival owner and paranormal investigator named Madame Nightshade has temporarily taken over the property to ghost hunt within the house. Meanwhile, her small carnival has set up on the grounds to entertain guests with games and tricks, plus food offerings and a bar. There will be self-guided tours of the labyrinthian home throughout the evening, and not all routes will be the same. A word of warning before you go: Guests shouldn’t be surprised to run into a ghost or two…\u003c/p>\n\u003cfigure id=\"attachment_13918563\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13918563\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/GettyImages-1049883642-800x533.jpg\" alt=\"Two dogs sit side-by-side on an outdoor step. They are draped in sheets with eyes and nose holes cut out so they look like cartoon ghosts. They are surrounded by pumpkins.\" width=\"800\" height=\"533\">\u003cfigcaption class=\"wp-caption-text\">This is what Halloween is all about, people. Dogs dressed as ghosts. \u003ccite>(Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sausalito.gov/departments/parks-and-recreation/events/halloween-sausalito\" target=\"_blank\" rel=\"noopener noreferrer\">Howl’O’Ween Dog Costume Contest\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Robin Sweeny Park, Sausalito\u003c/em>\u003cbr>\n\u003cem>Oct. 31, 6:30pm\u003c/em>\u003c/p>\n\u003cp>There are two things that we all absolutely, fundamentally deserve on Halloween. The first is candy. The second is dogs wearing costumes. That’s it. Everything else is incidental. (I said what I said.)\u003c/p>\n\u003cp>There’s a lot going on in Sausalito this Halloween for kids, grown-ups and pets. A parade starts at 6pm at the Station 1 Firehouse and ends at a special Trick or Treat Lane. The City Hall Game Room hosts a haunted house. But the most important thing of all is that the Howl’O’Ween Dog Costume Contest is happening. It’s free to enter and there are three prize categories: best little dog (under 35 lbs.), best big dog (over 35 lbs.) and best couple (human and dog). In all, perfect for those who like their Halloween to be more heartwarming than bone-chilling.\u003c/p>\n\u003cp>(And if you can’t wait that long to see dogs in outfits, you might also want to stop by the \u003ca href=\"https://www.eventbrite.com/e/paws-for-a-cause-dog-festival-halloween-costume-contest-tickets-349013196867\" target=\"_blank\" rel=\"noopener noreferrer\">Paws For a Cause Dog Festival and Halloween Costume Contest\u003c/a> at San Francisco’s Marina Green, Oct. 15, 11am–4pm.)\u003c/p>\n\u003cfigure id=\"attachment_13918779\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13918779\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/GettyImages-511722458-800x533.jpg\" alt=\"A stalking cap, handcuffs, magnifying glass, pipe, key and piece of rolled up paper lie on top of an old sepia-toned map.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/GettyImages-511722458-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/GettyImages-511722458-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/GettyImages-511722458-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/GettyImages-511722458-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/GettyImages-511722458-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/GettyImages-511722458-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/GettyImages-511722458-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Camron-Stanford House needs your assistance in solving a murder mystery… \u003ccite>(Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.cshouse.org/visit\" target=\"_blank\" rel=\"noopener noreferrer\">Murder in Old Oakland: A Victorian Whodunit Game\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Camron-Stanford House, Oakland\u003c/em>\u003cbr>\n\u003cem>Oct. 21, 7pm\u003c/em>\u003c/p>\n\u003cp>October is always a good time to visit the Camron-Stanford House. Every year, this Lake Merritt gem puts on its creepiest finery and gets into the Halloween spirit, Victorian-style. (Which, as we all know, is the scariest kind, on account of the Victorian obsession with trying to conjure dead people every five minutes.)\u003c/p>\n\u003cp>This year is no different. Camron-Stanford is offering a new exhibit, \u003cem>Ghoulish & Ghastly: 19th Century Monsters in Popular Culture\u003c/em> starting Oct. 2, as well as \u003ca href=\"https://www.cshouse.org/events/the-haunted-garden-2022\" target=\"_blank\" rel=\"noopener noreferrer\">the Haunted Garden\u003c/a>, an annual, family-friendly Halloween party on Oct. 30. In addition this year, amateur sleuths are invited to come to the house and help solve a murder in a \u003cem>Clue\u003c/em>-style game that encourages Victorian cosplay.\u003c/p>\n\u003cp>This Oct. 21 whodunit will begin in 1890 at a memorial reception for a recently murdered wealthy Oakland man. The evening’s hosts, Franklina and William will offer clues to help you catch the killer before they get the chance to strike again. Adding to the fun? The game includes characters based on real people from Oakland history, so everyone will learn a little something too.\u003c/p>\n\u003cfigure id=\"attachment_13918983\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13918983\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/Screen-Shot-2022-09-09-at-1.54.12-PM-800x561.png\" alt=\"A conductor in action, arm flexed out before him, before a black background. He is wearing a casual black t-shirt, rather than a suit.\" width=\"800\" height=\"561\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-09-at-1.54.12-PM-800x561.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-09-at-1.54.12-PM-1020x715.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-09-at-1.54.12-PM-160x112.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-09-at-1.54.12-PM-768x538.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-09-at-1.54.12-PM-1536x1077.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-09-at-1.54.12-PM-1920x1346.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-09-at-1.54.12-PM.png 1994w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco Symphony’s music director Esa-Pekka Salonen, in action. \u003ccite>(Minna Hatinen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sfsymphony.org/\" target=\"_blank\" rel=\"noopener noreferrer\">The SF Symphony Explores Myth, Magic and Horror\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Zellerbach Hall, Berkeley and Davies Symphony Hall, San Francisco \u003c/em>\u003cbr>\n\u003cem>Oct. 21–29, times vary\u003c/em>\u003c/p>\n\u003cp>SF Symphony’s Music Director \u003ca href=\"https://www.esapekkasalonen.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Esa-Pekka Salonen\u003c/a> is conducting special programs scattered throughout October that lean into themes of magic, myth and horror—and there are three distinct Halloween highlights.\u003c/p>\n\u003cp>The first is Modest Mussorgsky’s “\u003ca href=\"https://secure.calperformances.org/17600\" target=\"_blank\" rel=\"noopener noreferrer\">Night on Bald Mountain\u003c/a>” (Oct. 21) performed at Berkeley’s Zellerbach Hall. The plot includes witches, demons, serpents, dark spirits and even Satan himself. Then, back in San Francisco, Salonen leads three nights (Oct. 27–29) combining \u003ca href=\"https://www.sfsymphony.org/Buy-Tickets/2022-23/Frankenstein-Psycho\" target=\"_blank\" rel=\"noopener noreferrer\">H.K. Gruber’s \u003cem>Frankenstein!!\u003c/em> and Bernard Herrmann’s suite from \u003cem>Psycho\u003c/em>\u003c/a>. Finally, and for those who need something a little more kid-friendly, there’s \u003ca href=\"https://www.sfsymphony.org/Buy-Tickets/2022-23/Hocus-Pocus\" target=\"_blank\" rel=\"noopener noreferrer\">a special presentation of \u003cem>Hocus Pocus\u003c/em>\u003c/a> on Oct. 25, with the symphony live scoring the proceedings.\u003c/p>\n\u003cp>Who says orchestras have to be stuffy?\u003c/p>\n\u003cfigure id=\"attachment_13917779\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13917779\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Screen-Shot-2022-08-17-at-5.15.41-PM-800x534.png\" alt=\"A drag queen with exaggerated facial features stands in a cave-like setting wearing a black lace high-collared gown. Behind her are multiple mannequin torsos, one of which is wearing tassled pasties.\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-17-at-5.15.41-PM-800x534.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-17-at-5.15.41-PM-1020x680.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-17-at-5.15.41-PM-160x107.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-17-at-5.15.41-PM-768x512.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-17-at-5.15.41-PM-1536x1025.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-17-at-5.15.41-PM.png 1838w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">From the twisted brain of Peaches Christ (and friends): ‘Into the Dark: The Summoning.’ \u003ccite>(Courtesy of: 'The Summoning')\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.intothedarksf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cb data-stringify-type=\"bold\">Into the Dark: The Summoning\u003c/b>\u003c/a>\u003c/h2>\n\u003cp>\u003cem>The San Francisco Mint, San Francisco\u003c/em>\u003cbr>\n\u003cem>Oct. 7–Nov. 5\u003c/em>\u003c/p>\n\u003cp>The official description for this drag-fueled, \u003ca href=\"https://www.youtube.com/watch?v=LLSQUyXWlkE&t=142s\" target=\"_blank\" rel=\"noopener noreferrer\">Peaches Christ\u003c/a>-starring haunted house experience is so magnificent, it bears repeating in its original form:\u003c/p>\n\u003cblockquote>\u003cp>Guests will participate in a real live seance that rips a hole into the supernatural world and takes them on a terrifying adventure! Prepare to come face-to-face with demonic spirits while you attempt to retrieve the severed head of an unethical vampire queen.\u003c/p>\u003c/blockquote>\n\u003cp>(Because presumably, unethical vampire queens are the worst kinds of vampire queens…)\u003c/p>\n\u003cp>Everything about \u003cem>The Summoning\u003c/em> promises to be extra-extra. Groups of 11 guests at a time will be guided through the experience, which will include (*deep breath*): nudity, gore, “4-D effects,” mazes, theatrical segments and a cast of 78. (\u003cem>Seventy-eight!\u003c/em>) Peaches and friends ask that you leave your high heels and Halloween masks at home, but feel free to grab a drink at the on-site ’80s goth pop-up bar afterwards. It’s called (*checks notes*) Fang Bang. Like I said: \u003cem>extra\u003c/em>-extra.\u003c/p>\n\u003cfigure id=\"attachment_13918788\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13918788\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/Screen-Shot-2022-09-06-at-5.42.03-PM-800x435.png\" alt=\"The side view of a hunched over vulture perching ominously. Behind the bird, a cartoon rendition of a glowing yellow moon, orange sky and flying bats.\" width=\"800\" height=\"435\">\u003cfigcaption class=\"wp-caption-text\">Boo at the Zoo is coming for you… \u003ccite>(Courtesy of Oakland Zoo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Boo at the Zoo\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.oaklandzoo.org/centennial/events\" target=\"_blank\" rel=\"noopener noreferrer\">Oakland Zoo\u003c/a> / \u003ca href=\"https://www.sfzoo.org/boo-at-the-zoo-featuring-sloth-oween/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Zoo\u003c/a>\u003c/em>\u003cbr>\n\u003cem>Oct. 22–31 / Oct. 23–30\u003c/em>\u003c/p>\n\u003cp>Both Oakland and San Francisco are holding kid-thrilling Boo at the Zoo events this year.\u003c/p>\n\u003cp>Oakland Zoo is offering a fun-filled animal-themed scavenger hunt across its grounds. Costumes are encouraged; choosing to use the zoo’s collection of snakes, scorpions, spiders and other delightful creepy crawlies as inspiration is optional.\u003c/p>\n\u003cp>San Francisco Zoo is holding a costume parade and contest at noon on event days, and is also offering a self-guided, sloth-themed jaunt around a variety of haunted houses on the zoo’s grounds. Houses include “Count Dracu-sloth’s Fortress” and the “House of Franken-sloth.” Get ready to squee!\u003c/p>\n\u003cp>A heads up: Both of these events usually sell out fast, so families are encouraged to book in advance.\u003c/p>\n\u003cfigure id=\"attachment_13919010\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13919010\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/19-130-800x450.jpg\" alt=\"A teenage girl, green light glowing across her eyes, looks at something off in the distance with great horror.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/19-130-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/19-130-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/19-130-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/19-130-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/19-130.jpg 1280w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Winona Ryder in ‘Beetlejuice’.\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://drafthouse.com/sf\" target=\"_blank\" rel=\"noopener noreferrer\">Horror at the Alamo\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Alamo Drafthouse, San Francisco\u003c/em>\u003cbr>\n\u003cem>Oct. 1–31\u003c/em>\u003c/p>\n\u003cp>[aside postid='arts_13904911']Truth be told, the Alamo is never \u003cem>not\u003c/em> doing Halloween, thanks to Terror Tuesdays, Weird Wednesdays and a general commitment to digging up old horror movies and putting them back on the big screen. But while the Mission movie theater is always a reliable source of jump scares, it’s ramping up the horror content for the entire month of October.\u003c/p>\n\u003cp>You can expect classics, including \u003ca href=\"https://drafthouse.com/sf/show/psycho-1960\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Psycho\u003c/em> on Oct. 24\u003c/a> and Werner Herzog’s 1979 remake of \u003ca href=\"https://drafthouse.com/sf/show/terror-tuesday-nosferatu\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Nosferatu\u003c/em>\u003c/a> on Oct. 18. (The 1922 vampire original is showing \u003ca href=\"https://drafthouse.com/sf/show/nosferatu-with-invincible-czars\" target=\"_blank\" rel=\"noopener noreferrer\">with a live score by Invincible Czars\u003c/a> on Sept. 21.) There is kitsch, including Andy Warhol’s \u003cem>Flesh For Frankenstein\u003c/em> on Oct. 5, \u003ca href=\"https://drafthouse.com/sf/show/bride-of-chucky1\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Bride of Chucky\u003c/em> on Oct. 10\u003c/a>, and a special Halloween-night screening of \u003cem>\u003ca href=\"https://drafthouse.com/sf/event/graveyard-shift-trick-r-treat\" target=\"_blank\" rel=\"noopener noreferrer\">Trick ’r Treat\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>And if parents need something that younger eyeballs can feast upon, look for \u003ca href=\"https://drafthouse.com/sf/event/movie-party-ghostbusters-1984\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Ghostbusters\u003c/em> on Oct. 4\u003c/a> and \u003ca href=\"https://drafthouse.com/sf/event/movie-party-beetlejuice\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Beetlejuice \u003c/em>on Oct. 12\u003c/a>—both of which will be full-blown parties. The \u003cem>Ghostbusters\u003c/em> one will include Slimer slime, Stay Puft marshmallows, and glow necklaces “you can wave around anytime the Ghostbusters use their proton packs.” May “\u003cem>I ain’t ’fraid o’ no ghost\u003c/em>” be your mantra for the evening.\u003c/p>\n\n",
"blocks": [],
"excerpt": "The Bay Area pulls out the stops for Halloween this year with haunted houses, pet costume contests, concerts and more!",
"status": "publish",
"parent": 0,
"modified": 1784411557,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 39,
"wordCount": 1951
},
"headData": {
"title": "Your 2022 Guide to Halloween in the Bay Area | KQED",
"description": "The Bay Area pulls out the stops for Halloween this year with haunted houses, pet costume contests, concerts and more!",
"ogTitle": "Things That Go Bump in the Bay: 9 Halloween Events for 2022",
"ogDescription": "",
"ogImgId": "",
"twTitle": "Things That Go Bump in the Bay: 9 Halloween Events for 2022",
"twDescription": "",
"twImgId": "",
"socialTitle": "Your 2022 Guide to Halloween in the Bay Area %%page%% %%sep%% KQED",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Things That Go Bump in the Bay: 9 Halloween Events for 2022",
"datePublished": "2022-09-12T14:26:51-07:00",
"dateModified": "2026-07-18T14:52:37-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"primaryCategory": {
"termId": 1,
"slug": "arts",
"name": "Arts"
},
"source": "Fall Arts Guide 2022",
"sourceUrl": "https://www.kqed.org/fallarts2022",
"audioUrl": "https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-4[…]f-aaef00f5a073/1f82da8c-54ea-45e0-968b-af310174c2e3/audio.mp3",
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"excludeFromSiteSearch": "Include",
"articleAge": "0",
"path": "/arts/13916388/bay-area-halloween-events-guide-2022-sf-oakland-san-jose-sausalito",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>We know, we know. There’s too much to be done already. There’s a hay maze on the horizon and pumpkins to spend four hours picking out, only to carve them up into oblivion. There are costumes to plan and candy to buy and decorations to hang and your local neighborhood Spirit store to run amok in. But once all of that’s done, you have to actually pick some events to go to. Which is where this handy guide comes in.\u003c/p>\n\u003cp>There is something for everyone this year, whether you’re a screaming (drag) queen, a movie buff, a rock ’n’ roller, or a pet with a wardrobe. Altogether now! \u003cem>It’s creepy and it’s kooky / Mysterious and spooky / It’s all together ooky / Bay Area Halloween!\u003c/em>\u003c/p>\n\u003cfigure id=\"attachment_13918559\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13918559\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/Screen-Shot-2022-09-01-at-1.16.43-PM-800x485.png\" alt=\"A woman wearing a corset, knee high socks and rat-like face paint sits next to a figure in a black cloak and rat mask, holding a scythe.\" width=\"800\" height=\"485\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-01-at-1.16.43-PM-800x485.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-01-at-1.16.43-PM-1020x619.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-01-at-1.16.43-PM-160x97.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-01-at-1.16.43-PM-768x466.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-01-at-1.16.43-PM-1536x931.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-01-at-1.16.43-PM.png 1814w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">This year’s Halloween Meltdown will include a haunted house and a costume contest. Contestants—like these two from last year—are encouraged to get as weird as possible. \u003ccite>(Grant Kerber/ Halloween Meltdown)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://halloweenmeltdown.net/\" target=\"_blank\" rel=\"noopener noreferrer\">Halloween Meltdown\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Mosswood Park, Oakland\u003c/em>\u003cbr>\n\u003cem>Oct. 8 and 9, 12–10pm\u003c/em>\u003c/p>\n\u003cp>Most people will come to the Halloween Meltdown for the music: sets from \u003ca href=\"https://www.kqed.org/arts/13916142/halloween-meltdown-line-up-mosswood-john-waters-amyl-shannon\" target=\"_blank\" rel=\"noopener noreferrer\">Amyl and the Sniffers, Lydia Lunch, Josie Cotton and many more\u003c/a>. But for a smaller, creepier bunch, the weekend will be all about the costume contest (there was a $500 prize last year!) and much-anticipated on-site haunted house. Artist and horror enthusiast \u003ca href=\"https://www.robfletcherisneat.com/aboutrobfletcherart\" target=\"_blank\" rel=\"noopener noreferrer\">Rob Fletcher\u003c/a> has been meticulously designing the tented attraction for months.\u003c/p>\n\u003cp>“The Haunt is going to be a throwback to 1960s and ’70s-style dark carnival rides, but very much centered around trash culture,” Fletcher tells KQED Arts. “There will be gore. There will be vulgarity. There will be lobsters! If all goes according to plan, it should be total chaos.”\u003c/p>\n\u003cfigure id=\"attachment_13918547\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13918547\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/Screen-Shot-2022-09-01-at-11.13.17-AM-800x536.png\" alt=\"A beautiful woman with long dark hair points at something on the horizon. To her side, a hunched over man with distorted features and bulging eyes.\" width=\"800\" height=\"536\">\u003cfigcaption class=\"wp-caption-text\">Patsy Ruth Miller and Lon Chaney star as Esmeralda and Quasimodo in 1923’s ‘The Hunchback of Notre Dame.’\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sfjazz.org/tickets/productions/the-hunchback-of-notre-dame/\" target=\"_blank\" rel=\"noopener noreferrer\">‘The Hunchback of Notre Dame’\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Grace Cathedral, San Francisco\u003c/em>\u003cbr>\n\u003cem>Oct. 31, 7:30pm\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>You’d be hard pressed to find a better venue than Grace Cathedral for a screening of 1923’s \u003cem>Hunchback of Notre Dame\u003c/em>—save for the real life Parisian cathedral, of course. Everything about Wallace Worsley’s silent masterpiece is epic: its detailed replica of the real-life Notre-Dame, the thousands of extras used on set and, best of all, Lon Chaney bringing pathos (and not a little athleticism) to a monstrous visage.\u003c/p>\n\u003cp>As an \u003ca href=\"https://www.sfjazz.org/smartseat/?performanceNumber=15609#/\" target=\"_blank\" rel=\"noopener noreferrer\">SFJazz presentation\u003c/a>, organist and composer \u003ca href=\"https://www.dorothypapadakos.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Dorothy Papadakos\u003c/a> will live score the horror classic. Papadakos has been passionate about using her musical prowess to bring old classics to life for years now, with previous presentations of \u003cem>Phantom of the Opera\u003c/em>, \u003cem>Dr. Jekyll and Mr. Hyde\u003c/em> and \u003cem>Nosferatu\u003c/em>. Papadakos will even provide a brief history of the film before she takes her seat behind the 7,500-pipes of Grace’s 88-year-old Aeolian-Skinner organ.\u003c/p>\n\u003cfigure id=\"attachment_13918776\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13918776\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/Unhinged_1280x960_2022-800x600.jpg\" alt=\"An artist's rendering of the Winchester Mystery House is depicted from above, with green light streaming from its many windows. A woman's green eyes hover above its roof. A clawed hand reaches up from underneath.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Unhinged_1280x960_2022-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Unhinged_1280x960_2022-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Unhinged_1280x960_2022-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Unhinged_1280x960_2022-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Unhinged_1280x960_2022.jpg 1280w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Winchester Mystery House’s ‘Unhinged: Nightshades Curse’ event will blur the lines between fiction and reality within the wall’s of San Jose’s weirdest house. \u003ccite>(Courtesy of Winchester Mystery House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://winchestermysteryhouse.com/unhinged/\" target=\"_blank\" rel=\"noopener noreferrer\">Winchester Mystery House—Unhinged: Nightshades Curse\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Winchester Mystery House, San Jose\u003c/em>\u003cbr>\n\u003cem>Sept. 13—Oct. 31 (16 select dates)\u003c/em>\u003c/p>\n\u003cp>There’s plenty to be creeped out by in the Winchester Mystery House on any given day. The seance room full of one-way doors. The preponderance of the number 13 in the windows and decorative features. That damn door on the second floor that would send you plummeting to death or serious injury if you walked through it. But for Halloween, the Mystery House is ramping things up even further with 16 immersive evenings that step beyond the \u003ca href=\"https://en.wikipedia.org/wiki/Sarah_Winchester\" target=\"_blank\" rel=\"noopener noreferrer\">Sarah Winchester\u003c/a> legend.\u003c/p>\n\u003cp>The \u003cem>Nightshade’s Curse\u003c/em> event is set in 1949. A fictitious carnival owner and paranormal investigator named Madame Nightshade has temporarily taken over the property to ghost hunt within the house. Meanwhile, her small carnival has set up on the grounds to entertain guests with games and tricks, plus food offerings and a bar. There will be self-guided tours of the labyrinthian home throughout the evening, and not all routes will be the same. A word of warning before you go: Guests shouldn’t be surprised to run into a ghost or two…\u003c/p>\n\u003cfigure id=\"attachment_13918563\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13918563\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/GettyImages-1049883642-800x533.jpg\" alt=\"Two dogs sit side-by-side on an outdoor step. They are draped in sheets with eyes and nose holes cut out so they look like cartoon ghosts. They are surrounded by pumpkins.\" width=\"800\" height=\"533\">\u003cfigcaption class=\"wp-caption-text\">This is what Halloween is all about, people. Dogs dressed as ghosts. \u003ccite>(Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sausalito.gov/departments/parks-and-recreation/events/halloween-sausalito\" target=\"_blank\" rel=\"noopener noreferrer\">Howl’O’Ween Dog Costume Contest\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Robin Sweeny Park, Sausalito\u003c/em>\u003cbr>\n\u003cem>Oct. 31, 6:30pm\u003c/em>\u003c/p>\n\u003cp>There are two things that we all absolutely, fundamentally deserve on Halloween. The first is candy. The second is dogs wearing costumes. That’s it. Everything else is incidental. (I said what I said.)\u003c/p>\n\u003cp>There’s a lot going on in Sausalito this Halloween for kids, grown-ups and pets. A parade starts at 6pm at the Station 1 Firehouse and ends at a special Trick or Treat Lane. The City Hall Game Room hosts a haunted house. But the most important thing of all is that the Howl’O’Ween Dog Costume Contest is happening. It’s free to enter and there are three prize categories: best little dog (under 35 lbs.), best big dog (over 35 lbs.) and best couple (human and dog). In all, perfect for those who like their Halloween to be more heartwarming than bone-chilling.\u003c/p>\n\u003cp>(And if you can’t wait that long to see dogs in outfits, you might also want to stop by the \u003ca href=\"https://www.eventbrite.com/e/paws-for-a-cause-dog-festival-halloween-costume-contest-tickets-349013196867\" target=\"_blank\" rel=\"noopener noreferrer\">Paws For a Cause Dog Festival and Halloween Costume Contest\u003c/a> at San Francisco’s Marina Green, Oct. 15, 11am–4pm.)\u003c/p>\n\u003cfigure id=\"attachment_13918779\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13918779\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/GettyImages-511722458-800x533.jpg\" alt=\"A stalking cap, handcuffs, magnifying glass, pipe, key and piece of rolled up paper lie on top of an old sepia-toned map.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/GettyImages-511722458-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/GettyImages-511722458-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/GettyImages-511722458-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/GettyImages-511722458-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/GettyImages-511722458-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/GettyImages-511722458-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/GettyImages-511722458-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Camron-Stanford House needs your assistance in solving a murder mystery… \u003ccite>(Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.cshouse.org/visit\" target=\"_blank\" rel=\"noopener noreferrer\">Murder in Old Oakland: A Victorian Whodunit Game\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Camron-Stanford House, Oakland\u003c/em>\u003cbr>\n\u003cem>Oct. 21, 7pm\u003c/em>\u003c/p>\n\u003cp>October is always a good time to visit the Camron-Stanford House. Every year, this Lake Merritt gem puts on its creepiest finery and gets into the Halloween spirit, Victorian-style. (Which, as we all know, is the scariest kind, on account of the Victorian obsession with trying to conjure dead people every five minutes.)\u003c/p>\n\u003cp>This year is no different. Camron-Stanford is offering a new exhibit, \u003cem>Ghoulish & Ghastly: 19th Century Monsters in Popular Culture\u003c/em> starting Oct. 2, as well as \u003ca href=\"https://www.cshouse.org/events/the-haunted-garden-2022\" target=\"_blank\" rel=\"noopener noreferrer\">the Haunted Garden\u003c/a>, an annual, family-friendly Halloween party on Oct. 30. In addition this year, amateur sleuths are invited to come to the house and help solve a murder in a \u003cem>Clue\u003c/em>-style game that encourages Victorian cosplay.\u003c/p>\n\u003cp>This Oct. 21 whodunit will begin in 1890 at a memorial reception for a recently murdered wealthy Oakland man. The evening’s hosts, Franklina and William will offer clues to help you catch the killer before they get the chance to strike again. Adding to the fun? The game includes characters based on real people from Oakland history, so everyone will learn a little something too.\u003c/p>\n\u003cfigure id=\"attachment_13918983\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13918983\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/Screen-Shot-2022-09-09-at-1.54.12-PM-800x561.png\" alt=\"A conductor in action, arm flexed out before him, before a black background. He is wearing a casual black t-shirt, rather than a suit.\" width=\"800\" height=\"561\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-09-at-1.54.12-PM-800x561.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-09-at-1.54.12-PM-1020x715.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-09-at-1.54.12-PM-160x112.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-09-at-1.54.12-PM-768x538.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-09-at-1.54.12-PM-1536x1077.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-09-at-1.54.12-PM-1920x1346.png 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Screen-Shot-2022-09-09-at-1.54.12-PM.png 1994w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco Symphony’s music director Esa-Pekka Salonen, in action. \u003ccite>(Minna Hatinen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sfsymphony.org/\" target=\"_blank\" rel=\"noopener noreferrer\">The SF Symphony Explores Myth, Magic and Horror\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Zellerbach Hall, Berkeley and Davies Symphony Hall, San Francisco \u003c/em>\u003cbr>\n\u003cem>Oct. 21–29, times vary\u003c/em>\u003c/p>\n\u003cp>SF Symphony’s Music Director \u003ca href=\"https://www.esapekkasalonen.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Esa-Pekka Salonen\u003c/a> is conducting special programs scattered throughout October that lean into themes of magic, myth and horror—and there are three distinct Halloween highlights.\u003c/p>\n\u003cp>The first is Modest Mussorgsky’s “\u003ca href=\"https://secure.calperformances.org/17600\" target=\"_blank\" rel=\"noopener noreferrer\">Night on Bald Mountain\u003c/a>” (Oct. 21) performed at Berkeley’s Zellerbach Hall. The plot includes witches, demons, serpents, dark spirits and even Satan himself. Then, back in San Francisco, Salonen leads three nights (Oct. 27–29) combining \u003ca href=\"https://www.sfsymphony.org/Buy-Tickets/2022-23/Frankenstein-Psycho\" target=\"_blank\" rel=\"noopener noreferrer\">H.K. Gruber’s \u003cem>Frankenstein!!\u003c/em> and Bernard Herrmann’s suite from \u003cem>Psycho\u003c/em>\u003c/a>. Finally, and for those who need something a little more kid-friendly, there’s \u003ca href=\"https://www.sfsymphony.org/Buy-Tickets/2022-23/Hocus-Pocus\" target=\"_blank\" rel=\"noopener noreferrer\">a special presentation of \u003cem>Hocus Pocus\u003c/em>\u003c/a> on Oct. 25, with the symphony live scoring the proceedings.\u003c/p>\n\u003cp>Who says orchestras have to be stuffy?\u003c/p>\n\u003cfigure id=\"attachment_13917779\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13917779\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/08/Screen-Shot-2022-08-17-at-5.15.41-PM-800x534.png\" alt=\"A drag queen with exaggerated facial features stands in a cave-like setting wearing a black lace high-collared gown. Behind her are multiple mannequin torsos, one of which is wearing tassled pasties.\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-17-at-5.15.41-PM-800x534.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-17-at-5.15.41-PM-1020x680.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-17-at-5.15.41-PM-160x107.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-17-at-5.15.41-PM-768x512.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-17-at-5.15.41-PM-1536x1025.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/08/Screen-Shot-2022-08-17-at-5.15.41-PM.png 1838w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">From the twisted brain of Peaches Christ (and friends): ‘Into the Dark: The Summoning.’ \u003ccite>(Courtesy of: 'The Summoning')\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.intothedarksf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cb data-stringify-type=\"bold\">Into the Dark: The Summoning\u003c/b>\u003c/a>\u003c/h2>\n\u003cp>\u003cem>The San Francisco Mint, San Francisco\u003c/em>\u003cbr>\n\u003cem>Oct. 7–Nov. 5\u003c/em>\u003c/p>\n\u003cp>The official description for this drag-fueled, \u003ca href=\"https://www.youtube.com/watch?v=LLSQUyXWlkE&t=142s\" target=\"_blank\" rel=\"noopener noreferrer\">Peaches Christ\u003c/a>-starring haunted house experience is so magnificent, it bears repeating in its original form:\u003c/p>\n\u003cblockquote>\u003cp>Guests will participate in a real live seance that rips a hole into the supernatural world and takes them on a terrifying adventure! Prepare to come face-to-face with demonic spirits while you attempt to retrieve the severed head of an unethical vampire queen.\u003c/p>\u003c/blockquote>\n\u003cp>(Because presumably, unethical vampire queens are the worst kinds of vampire queens…)\u003c/p>\n\u003cp>Everything about \u003cem>The Summoning\u003c/em> promises to be extra-extra. Groups of 11 guests at a time will be guided through the experience, which will include (*deep breath*): nudity, gore, “4-D effects,” mazes, theatrical segments and a cast of 78. (\u003cem>Seventy-eight!\u003c/em>) Peaches and friends ask that you leave your high heels and Halloween masks at home, but feel free to grab a drink at the on-site ’80s goth pop-up bar afterwards. It’s called (*checks notes*) Fang Bang. Like I said: \u003cem>extra\u003c/em>-extra.\u003c/p>\n\u003cfigure id=\"attachment_13918788\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13918788\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/Screen-Shot-2022-09-06-at-5.42.03-PM-800x435.png\" alt=\"The side view of a hunched over vulture perching ominously. Behind the bird, a cartoon rendition of a glowing yellow moon, orange sky and flying bats.\" width=\"800\" height=\"435\">\u003cfigcaption class=\"wp-caption-text\">Boo at the Zoo is coming for you… \u003ccite>(Courtesy of Oakland Zoo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Boo at the Zoo\u003c/h2>\n\u003cp>\u003cem>\u003ca href=\"https://www.oaklandzoo.org/centennial/events\" target=\"_blank\" rel=\"noopener noreferrer\">Oakland Zoo\u003c/a> / \u003ca href=\"https://www.sfzoo.org/boo-at-the-zoo-featuring-sloth-oween/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Zoo\u003c/a>\u003c/em>\u003cbr>\n\u003cem>Oct. 22–31 / Oct. 23–30\u003c/em>\u003c/p>\n\u003cp>Both Oakland and San Francisco are holding kid-thrilling Boo at the Zoo events this year.\u003c/p>\n\u003cp>Oakland Zoo is offering a fun-filled animal-themed scavenger hunt across its grounds. Costumes are encouraged; choosing to use the zoo’s collection of snakes, scorpions, spiders and other delightful creepy crawlies as inspiration is optional.\u003c/p>\n\u003cp>San Francisco Zoo is holding a costume parade and contest at noon on event days, and is also offering a self-guided, sloth-themed jaunt around a variety of haunted houses on the zoo’s grounds. Houses include “Count Dracu-sloth’s Fortress” and the “House of Franken-sloth.” Get ready to squee!\u003c/p>\n\u003cp>A heads up: Both of these events usually sell out fast, so families are encouraged to book in advance.\u003c/p>\n\u003cfigure id=\"attachment_13919010\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13919010\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/09/19-130-800x450.jpg\" alt=\"A teenage girl, green light glowing across her eyes, looks at something off in the distance with great horror.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/19-130-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/19-130-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/19-130-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/19-130-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/19-130.jpg 1280w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Winona Ryder in ‘Beetlejuice’.\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://drafthouse.com/sf\" target=\"_blank\" rel=\"noopener noreferrer\">Horror at the Alamo\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Alamo Drafthouse, San Francisco\u003c/em>\u003cbr>\n\u003cem>Oct. 1–31\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13904911",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>Truth be told, the Alamo is never \u003cem>not\u003c/em> doing Halloween, thanks to Terror Tuesdays, Weird Wednesdays and a general commitment to digging up old horror movies and putting them back on the big screen. But while the Mission movie theater is always a reliable source of jump scares, it’s ramping up the horror content for the entire month of October.\u003c/p>\n\u003cp>You can expect classics, including \u003ca href=\"https://drafthouse.com/sf/show/psycho-1960\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Psycho\u003c/em> on Oct. 24\u003c/a> and Werner Herzog’s 1979 remake of \u003ca href=\"https://drafthouse.com/sf/show/terror-tuesday-nosferatu\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Nosferatu\u003c/em>\u003c/a> on Oct. 18. (The 1922 vampire original is showing \u003ca href=\"https://drafthouse.com/sf/show/nosferatu-with-invincible-czars\" target=\"_blank\" rel=\"noopener noreferrer\">with a live score by Invincible Czars\u003c/a> on Sept. 21.) There is kitsch, including Andy Warhol’s \u003cem>Flesh For Frankenstein\u003c/em> on Oct. 5, \u003ca href=\"https://drafthouse.com/sf/show/bride-of-chucky1\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Bride of Chucky\u003c/em> on Oct. 10\u003c/a>, and a special Halloween-night screening of \u003cem>\u003ca href=\"https://drafthouse.com/sf/event/graveyard-shift-trick-r-treat\" target=\"_blank\" rel=\"noopener noreferrer\">Trick ’r Treat\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And if parents need something that younger eyeballs can feast upon, look for \u003ca href=\"https://drafthouse.com/sf/event/movie-party-ghostbusters-1984\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Ghostbusters\u003c/em> on Oct. 4\u003c/a> and \u003ca href=\"https://drafthouse.com/sf/event/movie-party-beetlejuice\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Beetlejuice \u003c/em>on Oct. 12\u003c/a>—both of which will be full-blown parties. The \u003cem>Ghostbusters\u003c/em> one will include Slimer slime, Stay Puft marshmallows, and glow necklaces “you can wave around anytime the Ghostbusters use their proton packs.” May “\u003cem>I ain’t ’fraid o’ no ghost\u003c/em>” be your mantra for the evening.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13916388/bay-area-halloween-events-guide-2022-sf-oakland-san-jose-sausalito",
"authors": [
"11242"
],
"categories": [
"arts_1"
],
"tags": [
"arts_14353",
"arts_1556",
"arts_18294",
"arts_18457",
"arts_10278",
"arts_1626",
"arts_1206",
"arts_12528",
"arts_1694",
"arts_1143",
"arts_585"
],
"featImg": "arts_13918923",
"label": "source_arts_13916388"
},
"arts_13908279": {
"type": "posts",
"id": "arts_13908279",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13908279",
"score": null,
"sort": [
1642552832000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 140
},
"blocks": [],
"publishDate": 1642552832,
"format": "standard",
"title": "SF Drag Performers Compete for the Crown at the High Princx Pageant",
"headTitle": "SF Drag Performers Compete for the Crown at the High Princx Pageant | KQED",
"content": "\u003cp>While Bay Area fans root for San Francisco’s \u003ca href=\"https://datebook.sfchronicle.com/movies-tv/s-f-s-lady-camden-twirls-from-smuin-ballet-to-rupauls-drag-race-season-14\" target=\"_blank\" rel=\"noopener noreferrer\">Lady Camden\u003c/a> on the new season of \u003cem>RuPaul’s Drag Race\u003c/em>, there’s another competition heating up at home: \u003ca href=\"https://www.eventbrite.com/e/princess-presents-the-high-princx-pageant-tickets-229844901287?aff=ebdsoporgprofile\" target=\"_blank\" rel=\"noopener noreferrer\">The High Princx Pageant\u003c/a>. Over two weekends at the LGBTQ+ club \u003ca href=\"https://www.sfoasis.com/events\" target=\"_blank\" rel=\"noopener noreferrer\">Oasis\u003c/a>, drag performers of all genders and styles will be battling it out on stage for cash prizes and the chance to be crowned San Francisco drag royalty.\u003c/p>\n\u003cp>The pageant features eight formidable contestants with five or more years of experience in the art form, including 2021 SF Drag King Contest winner \u003ca href=\"https://www.instagram.com/kingmeatflap/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Meatflap\u003c/a>, whose winning number at that particular competition was raunchy yet heartfelt, and ended on a poignant message about trans mental health. Fellow drag kings \u003ca href=\"https://www.instagram.com/veritas_22/\" target=\"_blank\" rel=\"noopener noreferrer\">Vera\u003c/a> (a mainstay of Rebel Kings of Oakland), \u003ca href=\"https://www.instagram.com/papichurroatx/\" target=\"_blank\" rel=\"noopener noreferrer\">Papi Churro\u003c/a> and \u003ca href=\"https://www.instagram.com/diewies/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Tyson Check-In\u003c/a> will be competing, as well as high-femme performers \u003ca href=\"https://www.instagram.com/lafridxmont/\" target=\"_blank\" rel=\"noopener noreferrer\">Frida Mont\u003c/a>, \u003ca href=\"https://www.instagram.com/theriseofheavenonearth/\" target=\"_blank\" rel=\"noopener noreferrer\">Heaven On Earth\u003c/a>, \u003ca href=\"https://www.instagram.com/pearlteese/\" target=\"_blank\" rel=\"noopener noreferrer\">Pearl Teese\u003c/a> and \u003ca href=\"https://www.instagram.com/shehaslayers/\" target=\"_blank\" rel=\"noopener noreferrer\">Phoebe Cakes\u003c/a>.\u003c/p>\n\u003cp>Beyond their love for glamor and camp, Bay Area drag artists have a reputation for their creativity and soul. Even labels like “queen” or “king” don’t capture the range of gender expressions and otherworldly personas that regularly pop up on the Oasis stage. These performers back up an exquisite sense of style with just as much substance, and use drag to tell stories with personal and societal importance. It’s safe to say the High Princx Pageant numbers will be more than just sparkly.\u003c/p>\n\u003cp>The pageant kicks off on Jan. 22, and the opening night will feature three categories: Creative Presentation: Magic!, Question and Answer and one-on-one lip sync battles judged by Dida Ritz (who appeared on \u003cem>RuPaul’s Drag Race\u003c/em> season 4). Drag performers Bionka Simone, Nicki Jizz, Leigh Crow and Trixxie Carr will judge the contestants on the 22nd, and the competition continues on Jan. 29 with judges Peaches Christ, performer and fashion designer-to-the-drag-stars Glamamore, San Francisco Democratic Party chair Honey Mahogany, Oasis owner D’Arcy Drollinger and Miss Rahni.\u003c/p>\n\u003cp>Kochina Rude, Lisa Frankenstein and Tito Soto are the hosts, and \u003ca href=\"https://www.eventbrite.com/e/princess-presents-the-high-princx-pageant-tickets-229844901287?aff=ebdsoporgprofile\" target=\"_blank\" rel=\"noopener noreferrer\">ticket information\u003c/a> can be found on the Oasis website.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 361,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 7
},
"modified": 1705007301,
"excerpt": "Eight of the Bay’s best drag performers will battle it out on the Oasis stage over two weekends. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Eight of the Bay’s best drag performers will battle it out on the Oasis stage over two weekends. ",
"title": "SF Drag Performers Compete for the Crown at the High Princx Pageant | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "SF Drag Performers Compete for the Crown at the High Princx Pageant",
"datePublished": "2022-01-18T16:40:32-08:00",
"dateModified": "2024-01-11T13:08:21-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "sf-drag-performers-compete-for-the-crown-at-the-high-princx-pageant",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13908279/sf-drag-performers-compete-for-the-crown-at-the-high-princx-pageant",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>While Bay Area fans root for San Francisco’s \u003ca href=\"https://datebook.sfchronicle.com/movies-tv/s-f-s-lady-camden-twirls-from-smuin-ballet-to-rupauls-drag-race-season-14\" target=\"_blank\" rel=\"noopener noreferrer\">Lady Camden\u003c/a> on the new season of \u003cem>RuPaul’s Drag Race\u003c/em>, there’s another competition heating up at home: \u003ca href=\"https://www.eventbrite.com/e/princess-presents-the-high-princx-pageant-tickets-229844901287?aff=ebdsoporgprofile\" target=\"_blank\" rel=\"noopener noreferrer\">The High Princx Pageant\u003c/a>. Over two weekends at the LGBTQ+ club \u003ca href=\"https://www.sfoasis.com/events\" target=\"_blank\" rel=\"noopener noreferrer\">Oasis\u003c/a>, drag performers of all genders and styles will be battling it out on stage for cash prizes and the chance to be crowned San Francisco drag royalty.\u003c/p>\n\u003cp>The pageant features eight formidable contestants with five or more years of experience in the art form, including 2021 SF Drag King Contest winner \u003ca href=\"https://www.instagram.com/kingmeatflap/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Meatflap\u003c/a>, whose winning number at that particular competition was raunchy yet heartfelt, and ended on a poignant message about trans mental health. Fellow drag kings \u003ca href=\"https://www.instagram.com/veritas_22/\" target=\"_blank\" rel=\"noopener noreferrer\">Vera\u003c/a> (a mainstay of Rebel Kings of Oakland), \u003ca href=\"https://www.instagram.com/papichurroatx/\" target=\"_blank\" rel=\"noopener noreferrer\">Papi Churro\u003c/a> and \u003ca href=\"https://www.instagram.com/diewies/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Tyson Check-In\u003c/a> will be competing, as well as high-femme performers \u003ca href=\"https://www.instagram.com/lafridxmont/\" target=\"_blank\" rel=\"noopener noreferrer\">Frida Mont\u003c/a>, \u003ca href=\"https://www.instagram.com/theriseofheavenonearth/\" target=\"_blank\" rel=\"noopener noreferrer\">Heaven On Earth\u003c/a>, \u003ca href=\"https://www.instagram.com/pearlteese/\" target=\"_blank\" rel=\"noopener noreferrer\">Pearl Teese\u003c/a> and \u003ca href=\"https://www.instagram.com/shehaslayers/\" target=\"_blank\" rel=\"noopener noreferrer\">Phoebe Cakes\u003c/a>.\u003c/p>\n\u003cp>Beyond their love for glamor and camp, Bay Area drag artists have a reputation for their creativity and soul. Even labels like “queen” or “king” don’t capture the range of gender expressions and otherworldly personas that regularly pop up on the Oasis stage. These performers back up an exquisite sense of style with just as much substance, and use drag to tell stories with personal and societal importance. It’s safe to say the High Princx Pageant numbers will be more than just sparkly.\u003c/p>\n\u003cp>The pageant kicks off on Jan. 22, and the opening night will feature three categories: Creative Presentation: Magic!, Question and Answer and one-on-one lip sync battles judged by Dida Ritz (who appeared on \u003cem>RuPaul’s Drag Race\u003c/em> season 4). Drag performers Bionka Simone, Nicki Jizz, Leigh Crow and Trixxie Carr will judge the contestants on the 22nd, and the competition continues on Jan. 29 with judges Peaches Christ, performer and fashion designer-to-the-drag-stars Glamamore, San Francisco Democratic Party chair Honey Mahogany, Oasis owner D’Arcy Drollinger and Miss Rahni.\u003c/p>\n\u003cp>Kochina Rude, Lisa Frankenstein and Tito Soto are the hosts, and \u003ca href=\"https://www.eventbrite.com/e/princess-presents-the-high-princx-pageant-tickets-229844901287?aff=ebdsoporgprofile\" target=\"_blank\" rel=\"noopener noreferrer\">ticket information\u003c/a> can be found on the Oasis website.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13908279/sf-drag-performers-compete-for-the-crown-at-the-high-princx-pageant",
"authors": [
"11387"
],
"programs": [
"arts_140"
],
"categories": [
"arts_1"
],
"tags": [
"arts_1556",
"arts_10278",
"arts_10555",
"arts_1334"
],
"featImg": "arts_13908282",
"label": "arts_140"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?tag=drag": {
"isFetching": false,
"latestQuery": {
"from": 24,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 71,
"relation": "eq"
},
"items": [
"arts_13930404",
"arts_13929572",
"arts_13929331",
"arts_13929138",
"arts_13928177",
"arts_13927432",
"arts_13927233",
"arts_13926077",
"arts_13920105",
"arts_13919897",
"arts_13916388",
"arts_13908279"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_tag_drag": {
"isLoading": true
},
"arts_1556": {
"type": "terms",
"id": "arts_1556",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1556",
"found": true
},
"relationships": {},
"featImg": null,
"name": "drag",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "drag Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1568,
"slug": "drag",
"isLoading": false,
"link": "/arts/tag/drag"
},
"source_arts_13926077": {
"type": "terms",
"id": "source_arts_13926077",
"meta": {
"override": true
},
"name": "Commentary",
"link": "https://www.kqed.org/arts/category/commentary",
"isLoading": false
},
"source_arts_13916388": {
"type": "terms",
"id": "source_arts_13916388",
"meta": {
"override": true
},
"name": "Fall Arts Guide 2022",
"link": "https://www.kqed.org/fallarts2022",
"isLoading": false
},
"arts_1": {
"type": "terms",
"id": "arts_1",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1,
"slug": "arts",
"isLoading": false,
"link": "/arts/category/arts"
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"arts_10278": {
"type": "terms",
"id": "arts_10278",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10278",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured-arts",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured-arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10290,
"slug": "featured-arts",
"isLoading": false,
"link": "/arts/tag/featured-arts"
},
"arts_3226": {
"type": "terms",
"id": "arts_3226",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3226",
"found": true
},
"relationships": {},
"name": "LGBTQ+",
"slug": "lgbtq",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "LGBTQ+ | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 3238,
"isLoading": false,
"link": "/arts/tag/lgbtq"
},
"arts_4953": {
"type": "terms",
"id": "arts_4953",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4953",
"found": true
},
"relationships": {},
"featImg": null,
"name": "london breed",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "london breed Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4965,
"slug": "london-breed",
"isLoading": false,
"link": "/arts/tag/london-breed"
},
"arts_10555": {
"type": "terms",
"id": "arts_10555",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10555",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Oasis",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Oasis Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10567,
"slug": "oasis",
"isLoading": false,
"link": "/arts/tag/oasis"
},
"arts_1300": {
"type": "terms",
"id": "arts_1300",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1300",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Francisco Arts Commission",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Francisco Arts Commission Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1312,
"slug": "san-francisco-arts-commission",
"isLoading": false,
"link": "/arts/tag/san-francisco-arts-commission"
},
"arts_137": {
"type": "terms",
"id": "arts_137",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "137",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-npr-lg1.png",
"name": "NPR",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "NPR Archives | KQED Arts",
"ogDescription": null
},
"ttid": 138,
"slug": "npr",
"isLoading": false,
"link": "/arts/affiliate/npr"
},
"arts_1564": {
"type": "terms",
"id": "arts_1564",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1564",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Remembrance",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Remembrance Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1576,
"slug": "remembrance",
"isLoading": false,
"link": "/arts/category/remembrance"
},
"arts_3547": {
"type": "terms",
"id": "arts_3547",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3547",
"found": true
},
"relationships": {},
"featImg": null,
"name": "castro",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "castro Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3559,
"slug": "castro",
"isLoading": false,
"link": "/arts/tag/castro"
},
"arts_6476": {
"type": "terms",
"id": "arts_6476",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "6476",
"found": true
},
"relationships": {},
"featImg": null,
"name": "castro theatre",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "castro theatre Archives | KQED Arts",
"ogDescription": null
},
"ttid": 6488,
"slug": "castro-theatre",
"isLoading": false,
"link": "/arts/tag/castro-theatre"
},
"arts_14786": {
"type": "terms",
"id": "arts_14786",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "14786",
"found": true
},
"relationships": {},
"featImg": null,
"name": "d'arcy dollinger",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "d'arcy dollinger Archives | KQED Arts",
"ogDescription": null
},
"ttid": 14798,
"slug": "darcy-dollinger",
"isLoading": false,
"link": "/arts/tag/darcy-dollinger"
},
"arts_10422": {
"type": "terms",
"id": "arts_10422",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10422",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured-news",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured-news Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10434,
"slug": "featured-news",
"isLoading": false,
"link": "/arts/tag/featured-news"
},
"arts_1328": {
"type": "terms",
"id": "arts_1328",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1328",
"found": true
},
"relationships": {},
"featImg": null,
"name": "heklina",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "heklina Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1340,
"slug": "heklina",
"isLoading": false,
"link": "/arts/tag/heklina"
},
"arts_2215": {
"type": "terms",
"id": "arts_2215",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2215",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Juanita More",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Juanita More Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2227,
"slug": "juanita-more",
"isLoading": false,
"link": "/arts/tag/juanita-more"
},
"arts_822": {
"type": "terms",
"id": "arts_822",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "822",
"found": true
},
"relationships": {},
"featImg": null,
"name": "photography",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "photography Archives | KQED Arts",
"ogDescription": null
},
"ttid": 840,
"slug": "photography",
"isLoading": false,
"link": "/arts/tag/photography"
},
"arts_10342": {
"type": "terms",
"id": "arts_10342",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10342",
"found": true
},
"relationships": {},
"featImg": null,
"name": "editorspick",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "editorspick Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10354,
"slug": "editorspick",
"isLoading": false,
"link": "/arts/tag/editorspick"
},
"arts_5158": {
"type": "terms",
"id": "arts_5158",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5158",
"found": true
},
"relationships": {},
"name": "Pride",
"slug": "pride",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Pride | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 5170,
"isLoading": false,
"link": "/arts/tag/pride"
},
"arts_2200": {
"type": "terms",
"id": "arts_2200",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2200",
"found": true
},
"relationships": {},
"featImg": null,
"name": "sisters of perpetual indulgence",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "sisters of perpetual indulgence Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2212,
"slug": "sisters-of-perpetual-indulgence",
"isLoading": false,
"link": "/arts/tag/sisters-of-perpetual-indulgence"
},
"arts_140": {
"type": "terms",
"id": "arts_140",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "140",
"found": true
},
"relationships": {},
"name": "The Do List",
"slug": "the-do-list",
"taxonomy": "program",
"description": null,
"featImg": "https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/The-Do-LIst-logo-2014-horizontal-015.png",
"headData": {
"title": "The Do List Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 141,
"isLoading": false,
"link": "/arts/program/the-do-list"
},
"arts_11374": {
"type": "terms",
"id": "arts_11374",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "11374",
"found": true
},
"relationships": {},
"featImg": null,
"name": "arts-featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "arts-featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 11386,
"slug": "arts-featured",
"isLoading": false,
"link": "/arts/tag/arts-featured"
},
"arts_1143": {
"type": "terms",
"id": "arts_1143",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1143",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Oakland",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Oakland Archives | KQED Arts",
"ogDescription": null
},
"ttid": 692,
"slug": "oakland",
"isLoading": false,
"link": "/arts/tag/oakland"
},
"arts_1334": {
"type": "terms",
"id": "arts_1334",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1334",
"found": true
},
"relationships": {},
"featImg": null,
"name": "the do list",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "the do list Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1346,
"slug": "the-do-list",
"isLoading": false,
"link": "/arts/tag/the-do-list"
},
"arts_585": {
"type": "terms",
"id": "arts_585",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "585",
"found": true
},
"relationships": {},
"featImg": null,
"name": "thedolist",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "thedolist Archives | KQED Arts",
"ogDescription": null
},
"ttid": 590,
"slug": "thedolist",
"isLoading": false,
"link": "/arts/tag/thedolist"
},
"arts_699": {
"type": "terms",
"id": "arts_699",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "699",
"found": true
},
"relationships": {},
"featImg": null,
"name": "thedolist-featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "thedolist-featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 710,
"slug": "thedolist-featured",
"isLoading": false,
"link": "/arts/tag/thedolist-featured"
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_75": {
"type": "terms",
"id": "arts_75",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "75",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Pop Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Pop Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 76,
"slug": "popculture",
"isLoading": false,
"link": "/arts/category/popculture"
},
"arts_2968": {
"type": "terms",
"id": "arts_2968",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2968",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Lizzo",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Lizzo Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2980,
"slug": "lizzo",
"isLoading": false,
"link": "/arts/tag/lizzo"
},
"arts_2447": {
"type": "terms",
"id": "arts_2447",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2447",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Tennessee.",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Tennessee. Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2459,
"slug": "tennessee",
"isLoading": false,
"link": "/arts/tag/tennessee"
},
"arts_7620": {
"type": "terms",
"id": "arts_7620",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "7620",
"found": true
},
"relationships": {},
"featImg": null,
"name": "dragtivism",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "dragtivism Archives | KQED Arts",
"ogDescription": null
},
"ttid": 7632,
"slug": "dragtivism",
"isLoading": false,
"link": "/arts/tag/dragtivism"
},
"arts_967": {
"type": "terms",
"id": "arts_967",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "967",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Theater",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Theater Archives | KQED Arts",
"ogDescription": null
},
"ttid": 985,
"slug": "theater",
"isLoading": false,
"link": "/arts/category/theater"
},
"arts_2303": {
"type": "terms",
"id": "arts_2303",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2303",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Commentary",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Commentary Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2315,
"slug": "commentary",
"isLoading": false,
"link": "/arts/category/commentary"
},
"arts_16989": {
"type": "terms",
"id": "arts_16989",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "16989",
"found": true
},
"relationships": {},
"featImg": null,
"name": "arts commentary",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "arts commentary Archives | KQED Arts",
"ogDescription": null
},
"ttid": 17001,
"slug": "arts-commentary",
"isLoading": false,
"link": "/arts/tag/arts-commentary"
},
"arts_14452": {
"type": "terms",
"id": "arts_14452",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "14452",
"found": true
},
"relationships": {},
"featImg": null,
"name": "artscommentary",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "artscommentary Archives | KQED Arts",
"ogDescription": null
},
"ttid": 14464,
"slug": "artscommentary",
"isLoading": false,
"link": "/arts/tag/artscommentary"
},
"arts_4773": {
"type": "terms",
"id": "arts_4773",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4773",
"found": true
},
"relationships": {},
"featImg": null,
"name": "mental health",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "mental health Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4785,
"slug": "mental-health",
"isLoading": false,
"link": "/arts/tag/mental-health"
},
"arts_702": {
"type": "terms",
"id": "arts_702",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "702",
"found": true
},
"relationships": {},
"featImg": null,
"name": "transgender",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "transgender Archives | KQED Arts",
"ogDescription": null
},
"ttid": 713,
"slug": "transgender",
"isLoading": false,
"link": "/arts/tag/transgender"
},
"arts_70": {
"type": "terms",
"id": "arts_70",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "70",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Visual Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Visual Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 71,
"slug": "visualarts",
"isLoading": false,
"link": "/arts/category/visualarts"
},
"arts_18754": {
"type": "terms",
"id": "arts_18754",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "18754",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Marcel Pardo Ariza",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Marcel Pardo Ariza Archives | KQED Arts",
"ogDescription": null
},
"ttid": 18766,
"slug": "marcel-pardo-ariza",
"isLoading": false,
"link": "/arts/tag/marcel-pardo-ariza"
},
"arts_4640": {
"type": "terms",
"id": "arts_4640",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "4640",
"found": true
},
"relationships": {},
"featImg": null,
"name": "queer",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "queer Archives | KQED Arts",
"ogDescription": null
},
"ttid": 4652,
"slug": "queer",
"isLoading": false,
"link": "/arts/tag/queer"
},
"arts_14353": {
"type": "terms",
"id": "arts_14353",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "14353",
"found": true
},
"relationships": {},
"featImg": null,
"name": "bizarrebayarea",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "bizarrebayarea Archives | KQED Arts",
"ogDescription": null
},
"ttid": 14365,
"slug": "bizarrebayarea",
"isLoading": false,
"link": "/arts/tag/bizarrebayarea"
},
"arts_18294": {
"type": "terms",
"id": "arts_18294",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "18294",
"found": true
},
"relationships": {},
"featImg": null,
"name": "fall arts 2022",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "fall arts 2022 Archives | KQED Arts",
"ogDescription": null
},
"ttid": 18306,
"slug": "fall-arts-2022",
"isLoading": false,
"link": "/arts/tag/fall-arts-2022"
},
"arts_18457": {
"type": "terms",
"id": "arts_18457",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "18457",
"found": true
},
"relationships": {},
"featImg": null,
"name": "fallarts2022",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "fallarts2022 Archives | KQED Arts",
"ogDescription": null
},
"ttid": 18469,
"slug": "fallarts2022",
"isLoading": false,
"link": "/arts/tag/fallarts2022"
},
"arts_1626": {
"type": "terms",
"id": "arts_1626",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1626",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Grace Cathedral",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Grace Cathedral Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1638,
"slug": "grace-cathedral",
"isLoading": false,
"link": "/arts/tag/grace-cathedral"
},
"arts_1206": {
"type": "terms",
"id": "arts_1206",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1206",
"found": true
},
"relationships": {},
"featImg": null,
"name": "halloween",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "halloween Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1218,
"slug": "halloween",
"isLoading": false,
"link": "/arts/tag/halloween"
},
"arts_12528": {
"type": "terms",
"id": "arts_12528",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "12528",
"found": true
},
"relationships": {},
"featImg": null,
"name": "haunted",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "haunted Archives | KQED Arts",
"ogDescription": null
},
"ttid": 12540,
"slug": "haunted",
"isLoading": false,
"link": "/arts/tag/haunted"
},
"arts_1694": {
"type": "terms",
"id": "arts_1694",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1694",
"found": true
},
"relationships": {},
"featImg": null,
"name": "music festivals",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "music festivals Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1706,
"slug": "music-festivals",
"isLoading": false,
"link": "/arts/tag/music-festivals"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
}
}