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"content": "\u003cp>It’s odd to view the O.J. Simpson trial in a renewed cultural spotlight today, 22 years after the murders and 21 years after the verdicts, almost in defiance of our tendency to observe round-number anniversaries. But between FX’s \u003cem>The People vs. O.J. Simpson: American Crime Story \u003c/em>earlier this year and now Ezra Edelman’s 7 1/2-hour documentary \u003cem>O.J.: Made In America\u003c/em>, we are not observing a milestone, but attempting an almost convulsive reckoning with every open or tenuously bound wound the case touched and still touches: racism and sexism, certainly. Class distinctions, especially where they intersect with race. Domestic violence and police brutality as two of our most stubborn examples of a sometimes fatally broken criminal justice system. Extreme wealth and extraordinary celebrity as weapons of distortion and defense.\u003c/p>\n\u003cp>Through sheer repetition, so many words are shibboleths if you were old enough to watch the news in the ’90s: Nicole, Ron, O.J., A.C., Clark, Darden, Cochran, Fuhrman, Ito, Kato, Rockingham, Bundy. Other elements, perhaps half-forgotten, tumble out when the documentary jogs your memory: Paula Barbieri, Bruno Magli, that \u003cem>Saturday Night Live \u003c/em>sketch where all the defense attorneys are dressed as increasingly outlandish “African” caricatures. But Edelman’s eye for detail is so sharp that the film contains, along with its revelations, a contextualizing wisdom that gives it the feel of sociological exploratory surgery: painful and awful, but fascinating and ultimately in service of a much clearer picture.\u003c/p>\n\u003cp>In five parts — each is about 90 minutes without commercials and will run two hours during airings beginning on June 11 on ABC and continuing on ESPN beginning June 14 — the film shows Edelman’s seriousness simply in the scope of its attention. It spends a full chapter on Simpson’s college football career, his Heisman trophy, his rise to the pros, his transition into sportscasting and acting, and, crucially, his entrée into a heavily white circle of friends and business associates. (Says one of Simpson bringing Sidney Poitier to play golf at the Arcola Country Club, where Simpson was the first black member, “Even the bigots thought that was terrific.”)\u003c/p>\n\u003cp>The second chapter is about the two violent histories that would collide so explosively at his trial: his history of domestic violence against Nicole and the history of violence by the police (and sometimes by others) against black people in Los Angeles — particularly, but not exclusively, black men. The third and fourth chapters concern the murders, the investigation, the Bronco chase, and most of the trial. The fifth largely concerns itself with what happened after Simpson was acquitted, only to eventually go to prison over a plot to gather some guys (who brought at least one gun) and go take back sports memorabilia he thought had been stolen from him.\u003c/p>\n\u003cfigure id=\"attachment_11665310\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/oj_pic7441m-edit_slide-f25f7c91e5cd3a49ae5e179f9f38e64c72951d75-1180x786.jpg\" alt=\"O.J. Simpson at the Buffalo Bills' Rich Stadium press conference circa 1975\" width=\"640\" height=\"426\" class=\"size-large wp-image-11665310\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/oj_pic7441m-edit_slide-f25f7c91e5cd3a49ae5e179f9f38e64c72951d75-1180x786.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/oj_pic7441m-edit_slide-f25f7c91e5cd3a49ae5e179f9f38e64c72951d75-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/oj_pic7441m-edit_slide-f25f7c91e5cd3a49ae5e179f9f38e64c72951d75-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/oj_pic7441m-edit_slide-f25f7c91e5cd3a49ae5e179f9f38e64c72951d75-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/oj_pic7441m-edit_slide-f25f7c91e5cd3a49ae5e179f9f38e64c72951d75-1920x1279.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/oj_pic7441m-edit_slide-f25f7c91e5cd3a49ae5e179f9f38e64c72951d75-960x640.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">O.J. Simpson at the Buffalo Bills’ Rich Stadium press conference circa 1975. \u003ccite>(Photo: Mickey Osterreicher via ESPN)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Edelman draws, as only a man who has nearly eight hours to speak to you can, the connections between the story of O.J. Simpson and the history that was all around him — that’s what \u003cem>Made In America \u003c/em>means. There are strands connecting his case to Rodney King, obviously, but also to other cases of violence against black people in Los Angeles, not to mention the migration of black people into LA in the ’40s and ’50s to begin with. Edelman places Simpson’s collegiate celebrity in the context of rising activism among black athletes in the late 1960s — activism Simpson wanted no part of, according to Dr. Harry Edwards, the sociologist who quotes him as offering the now-famous words, “I’m not black, I’m O.J.” Those weren’t just playful words: Edwards says Simpson offered them specifically as his reason for not getting involved in civil rights activism. Everywhere Edelman turns in his examination of Simpson’s life, he finds something that resonated in the story that came to define that life even more than football. And it’s safe to say O.J. Simpson never expected to be defined by anything more than by football.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Edelman’s direction is confident throughout the project (which also got a theatrical release to qualify it for Oscars), and his expansive focus is complemented by a structural rigor that prevents pure sprawl. Other characters emerge with stories of their own. There’s Ron Shipp, a friend of Simpson’s who chose to testify against him and was subjected to a cross-examination he says was so brutal it convinced others not to do the same. There are civil rights activists who came to different conclusions about whether this was really properly viewed as a civil rights case. There’s Barry Scheck, the defense’s DNA expert, who strains to make understood his belief that what he believes as to guilt or innocence (or evidence-planting) is simply not the right question to ask a defense lawyer. There’s a juror who says the group barely deliberated because they’d simply been locked up too long, and another who suggests the prosecution could have won her vote if they had “come correct.” Every huge story is a patchwork of smaller stories, and what an excellent documentarian can do is both tell those stories and explain how they assembled themselves into this seemingly opaque sequence in which everyone involved seems to have done things that are hard to understand.\u003c/p>\n\u003cp>Perhaps most perplexing, though, are some of Edelman’s interviews with friends and former friends of Simpson’s, like Mike Gilbert, the ex-agent who now claims Simpson acknowledged guilt to him. Gilbert also seems to have been one of the people Simpson suspected of stealing from him, which led to that bizarre sports-memorabilia incident that put Simpson back in jail in 2008, convicted of kidnapping and armed robbery. One telling moment: the point at which Gilbert says he concluded Simpson was guilty was well before Ron Goldman’s family obtained a wrongful death judgment, but says he still helped haul valuables out of the house to hide them from becoming seized assets. Why? Why would Gilbert help a man he tearfully says he’d come to believe had slit the throats of two innocent people? Why help that man hide his football stuff so that the family of the man you think he killed couldn’t have even the satisfaction of collecting on their judgment?\u003c/p>\n\u003cp>Perhaps to understand, you have to see the remarkable sequence in which radio host Wendy Williams starts off not even being willing to say it’s good to have a post-acquittal Simpson on her show and then ends up applauding him, accepting a hug and kiss from him, and admitting she likes him by the time he’s through with her. Charisma is powerful and dangerous and almost literally intoxicating. It’s cheap to gripe about celebrity as if it’s a created, inorganic pollutant when celebrity, in many cases, while it’s goosed by money, is rooted in the weird gravity of personality. And everyone who’s dealt with him seemingly agrees that O.J. Simpson had, and perhaps has, that personality. (Even Marcia Clark recounts running into him years later with a strange, almost warm chuckle.)\u003c/p>\n\u003cp>It is only in that last chapter, when he decamps to Florida and starts making goofy, low-rent videos, that he begins to unravel in earnest. And, maybe not coincidentally, it’s after his image collapses that he’s locked up. Not for murder, but for being dumb enough to try his hand at armed robbery with a bunch of loosely affiliated accomplices while surveillance cameras are running.\u003c/p>\n\u003cp>Documentary film is analogous to painting on a canvas, perhaps, but also to sculpting from marble. It is a thousand meaningful sacrifices of perfectly good material. While Edelman doesn’t have Simpson on camera, or Chris Darden, or some of the other folks you’d want to hear from, he has members of the defense team, Ron Goldman’s dad, Nicole Brown’s sister, Mark Fuhrman, Marcia Clark, Gil Garcetti, and all kinds of journalists and commentators and scholars. From all these people, and from the barrels of archival footage he seems to have examined, he’s pulled the details that, when assembled, avoid the feeling of manipulation that comes from so many polemical documentaries while maintaining the feeling great journalism gives you that you are, against perhaps your own expectations, learning new things about events you thought you’d memorized to the point of exhaustion.\u003c/p>\n\u003cp>As a work of filmmaking, \u003cem>O.J.: Made In America \u003c/em>is distinguished by its good judgment. In particular, rather than cover every jot and tittle of the highly theatrical televised trial, it places that trial’s important moments in the context of the pressures that created them and the pressures they, in turn, created. Darden’s complicated role comes into sharper focus as a black juror explains how insulting she found it when he suddenly showed up, as if she wouldn’t notice they’d added a black lawyer for her benefit. Clark’s revulsion at being stuck with Fuhrman as a witness builds to her admission that, essentially, she was glad to feel confident he \u003cem>couldn’t \u003c/em>have planted the evidence, because she had no such confidence that he \u003cem>wouldn’t \u003c/em>have planted the evidence.\u003c/p>\n\u003cfigure id=\"attachment_11665312\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/gettyimages-51974027_custom-09ba8b0cf2d712e454a349c79b630b2dfd850d85-1180x786.jpg\" alt=\"California Department Of Justice criminalist Renee Montgomery points to blood spots found on the leather glove at O. J. Simpson's Rockingham estate during redirect examination in the O.J. Simpson double-murder criminal trial on May 24, 1995, in Los Angeles.\" width=\"640\" height=\"426\" class=\"size-large wp-image-11665312\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/gettyimages-51974027_custom-09ba8b0cf2d712e454a349c79b630b2dfd850d85-1180x786.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/gettyimages-51974027_custom-09ba8b0cf2d712e454a349c79b630b2dfd850d85-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/gettyimages-51974027_custom-09ba8b0cf2d712e454a349c79b630b2dfd850d85-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/gettyimages-51974027_custom-09ba8b0cf2d712e454a349c79b630b2dfd850d85-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/gettyimages-51974027_custom-09ba8b0cf2d712e454a349c79b630b2dfd850d85-1920x1279.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/gettyimages-51974027_custom-09ba8b0cf2d712e454a349c79b630b2dfd850d85-960x639.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">California Department Of Justice criminalist Renee Montgomery points to blood spots found on the leather glove at O. J. Simpson’s Rockingham estate during redirect examination in the O.J. Simpson double-murder criminal trial on May 24, 1995, in Los Angeles. \u003ccite>(Photo: Vince Bucci/AFP/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There are those who receive any attention to this story as necessarily sensational. The word “sensational,” in its “scandalous” meaning, is sometimes used against entire sets of facts, as if a real thing that happens in the real world can be too “sensational” to be spoken of, simply because it’s shocking or, frankly, fascinating in the wrong way. The story of O.J. Simpson certainly is shocking. But Edelman does not intend the momentary, hushed pleasures of a lurid crime tale. He is making an argument that inside the story of how O.J. Simpson was acquitted — or maybe enveloping it — is the story of how police departments lose the trust of their communities. He is making an argument that inside and outside the murders is a story of what can happen when powerful men aren’t punished for violence against their wives. He is making an argument about the effects of one person’s charisma on other people’s consciences. He is making an argument about the way money can be used to fight prejudice or create it — how with injustice, money can be the disease or the cure. And he is making an argument, ultimately, that although an attraction to spectacle may have given this story its initial flash, its lasting power comes from real things that people care about, with good reason.\u003c/p>\n\u003cp>Over Memorial Day weekend, \u003cem>The New York Times \u003c/em>studied violence just in Chicago, and found six gun deaths in three days. Murder is, if not routine, certainly not in and of itself an act that would resonate across decades. A murder trial that is carried gavel-to-gavel doesn’t get that treatment simply because it is the loss of two lives at someone else’s hands. This one had a famous defendant people had spent 25 years rooting for in football, watching in movies, watching on television. His decision to defy the authority of a widely loathed police department by driving down the freeway when he was supposed to turn himself in seems to have endeared him particularly to those who felt that the police acted outside that authority every day anyway, and at least somebody was in a position to tell them he’d pull over when he was good and ready — and they seemed powerless or even afraid to say no to him.\u003c/p>\n\u003cp>In this telling, there were prosecution missteps, there was a key police witness in whose credibility even the prosecutor lost all confidence, there were flaws in the evidence collection that were exploited by a defense team with bottomless resources and considerable talent. But it was always going to be both a terrible case from which to generalize about the justice system and a great case to use as a cultural inflection point.\u003c/p>\n\u003cp>More than 20 years later, the Simpson trial — the Simpson story — is a vexing, interlocking tower of what-ifs that get bigger and broader as you go: What if they’d brought Darden on earlier, or not at all? What if Darden didn’t let F. Lee Bailey goad him into having Simpson try on the gloves? What if the glove at Rockingham had been collected by a police officer without a history of using racial slurs? What if LAPD officers hadn’t beaten Rodney King? What if they had been convicted? What if there were no riots? What if there were no racism? What if we lived in a completely different society with a completely different history than the one we have?\u003c/p>\n\u003cfigure id=\"attachment_11665313\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/ap_95100302198_custom-30a0a15fe05e97c90e6451878bf3d6d33f4786c6-1180x812.jpg\" alt=\"O.J. Simpson reacts as he is found not guilty of murdering his ex-wife, Nicole Brown Simpson, and her friend Ron Goldman at the Criminal Courts Building in Los Angeles on Oct. 3, 1995. At left is defense lawyer F. Lee Bailey and at right, defense attorney Johnnie Cochran Jr.\" width=\"640\" height=\"440\" class=\"size-large wp-image-11665313\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/ap_95100302198_custom-30a0a15fe05e97c90e6451878bf3d6d33f4786c6-1180x812.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/ap_95100302198_custom-30a0a15fe05e97c90e6451878bf3d6d33f4786c6-400x275.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/ap_95100302198_custom-30a0a15fe05e97c90e6451878bf3d6d33f4786c6-800x551.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/ap_95100302198_custom-30a0a15fe05e97c90e6451878bf3d6d33f4786c6-768x529.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/ap_95100302198_custom-30a0a15fe05e97c90e6451878bf3d6d33f4786c6-1920x1322.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/ap_95100302198_custom-30a0a15fe05e97c90e6451878bf3d6d33f4786c6-960x661.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/ap_95100302198_custom-30a0a15fe05e97c90e6451878bf3d6d33f4786c6.jpg 1964w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">O.J. Simpson reacts as he is found not guilty of murdering his ex-wife, Nicole Brown Simpson, and her friend Ron Goldman at the Criminal Courts Building in Los Angeles on Oct. 3, 1995. At left is defense lawyer F. Lee Bailey and at right, defense attorney Johnnie Cochran Jr. \u003ccite>(Photo: Myung J. Chun)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And, not for nothing, assuming you believe the police reports and his no-contest plea and the Polaroids of Nicole’s bruises she hid in a safe-deposit box with her will: What if Simpson had gone to jail earlier for beating his wife? What if that could have actually saved her life and Ron Goldman’s?\u003c/p>\n\u003cp>And that’s not to even mention some of the what-ifs that stand on that boundary line between “if only” and “thank goodness”: What if we’d had the Internet? What if we’d had Twitter? In light of Roy Firestone’s obsequious archival ESPN interview with Simpson blowing off the domestic violence issue, what if we’d had Deadspin? (Nothing — \u003cem>nothing —\u003c/em> will make you understand Deadspin’s upside better than that clip, by the way, in which Firestone tells Simpson, post-domestic-violence-conviction, that they’re there to discuss “how things can get distorted to such a point that you are portrayed as the bad guy.”) And, given that TMZ \u003ca href=\"http://www.thesmokinggun.com/documents/crime/gossip-site-paid-165000-oj-tape\">reportedly bought and publicized audiotapes of the memorabilia robbery in 2008\u003c/a>, what if we’d had TMZ back in 1989? Would everything be different now? Better? Worse?\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Ezra Edelman’s \u003cem>O.J.: Made In America \u003c/em>is a film of great patience and discipline. It is bracing in its wisdom and unforgettable in its details. It’s the story of where we were in the summer of 1994, in so many of the ways that still matter the most now. And its curiosity isn’t in examining how O.J. Simpson is explained by the fact that he was made in America, it’s in examining how America is explained by having made O.J. Simpson. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27O.J.%3A+Made+In+America%27+Is+About+America%2C+Not+O.J.&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s odd to view the O.J. Simpson trial in a renewed cultural spotlight today, 22 years after the murders and 21 years after the verdicts, almost in defiance of our tendency to observe round-number anniversaries. But between FX’s \u003cem>The People vs. O.J. Simpson: American Crime Story \u003c/em>earlier this year and now Ezra Edelman’s 7 1/2-hour documentary \u003cem>O.J.: Made In America\u003c/em>, we are not observing a milestone, but attempting an almost convulsive reckoning with every open or tenuously bound wound the case touched and still touches: racism and sexism, certainly. Class distinctions, especially where they intersect with race. Domestic violence and police brutality as two of our most stubborn examples of a sometimes fatally broken criminal justice system. Extreme wealth and extraordinary celebrity as weapons of distortion and defense.\u003c/p>\n\u003cp>Through sheer repetition, so many words are shibboleths if you were old enough to watch the news in the ’90s: Nicole, Ron, O.J., A.C., Clark, Darden, Cochran, Fuhrman, Ito, Kato, Rockingham, Bundy. Other elements, perhaps half-forgotten, tumble out when the documentary jogs your memory: Paula Barbieri, Bruno Magli, that \u003cem>Saturday Night Live \u003c/em>sketch where all the defense attorneys are dressed as increasingly outlandish “African” caricatures. But Edelman’s eye for detail is so sharp that the film contains, along with its revelations, a contextualizing wisdom that gives it the feel of sociological exploratory surgery: painful and awful, but fascinating and ultimately in service of a much clearer picture.\u003c/p>\n\u003cp>In five parts — each is about 90 minutes without commercials and will run two hours during airings beginning on June 11 on ABC and continuing on ESPN beginning June 14 — the film shows Edelman’s seriousness simply in the scope of its attention. It spends a full chapter on Simpson’s college football career, his Heisman trophy, his rise to the pros, his transition into sportscasting and acting, and, crucially, his entrée into a heavily white circle of friends and business associates. (Says one of Simpson bringing Sidney Poitier to play golf at the Arcola Country Club, where Simpson was the first black member, “Even the bigots thought that was terrific.”)\u003c/p>\n\u003cp>The second chapter is about the two violent histories that would collide so explosively at his trial: his history of domestic violence against Nicole and the history of violence by the police (and sometimes by others) against black people in Los Angeles — particularly, but not exclusively, black men. The third and fourth chapters concern the murders, the investigation, the Bronco chase, and most of the trial. The fifth largely concerns itself with what happened after Simpson was acquitted, only to eventually go to prison over a plot to gather some guys (who brought at least one gun) and go take back sports memorabilia he thought had been stolen from him.\u003c/p>\n\u003cfigure id=\"attachment_11665310\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/oj_pic7441m-edit_slide-f25f7c91e5cd3a49ae5e179f9f38e64c72951d75-1180x786.jpg\" alt=\"O.J. Simpson at the Buffalo Bills' Rich Stadium press conference circa 1975\" width=\"640\" height=\"426\" class=\"size-large wp-image-11665310\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/oj_pic7441m-edit_slide-f25f7c91e5cd3a49ae5e179f9f38e64c72951d75-1180x786.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/oj_pic7441m-edit_slide-f25f7c91e5cd3a49ae5e179f9f38e64c72951d75-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/oj_pic7441m-edit_slide-f25f7c91e5cd3a49ae5e179f9f38e64c72951d75-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/oj_pic7441m-edit_slide-f25f7c91e5cd3a49ae5e179f9f38e64c72951d75-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/oj_pic7441m-edit_slide-f25f7c91e5cd3a49ae5e179f9f38e64c72951d75-1920x1279.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/oj_pic7441m-edit_slide-f25f7c91e5cd3a49ae5e179f9f38e64c72951d75-960x640.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">O.J. Simpson at the Buffalo Bills’ Rich Stadium press conference circa 1975. \u003ccite>(Photo: Mickey Osterreicher via ESPN)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Edelman draws, as only a man who has nearly eight hours to speak to you can, the connections between the story of O.J. Simpson and the history that was all around him — that’s what \u003cem>Made In America \u003c/em>means. There are strands connecting his case to Rodney King, obviously, but also to other cases of violence against black people in Los Angeles, not to mention the migration of black people into LA in the ’40s and ’50s to begin with. Edelman places Simpson’s collegiate celebrity in the context of rising activism among black athletes in the late 1960s — activism Simpson wanted no part of, according to Dr. Harry Edwards, the sociologist who quotes him as offering the now-famous words, “I’m not black, I’m O.J.” Those weren’t just playful words: Edwards says Simpson offered them specifically as his reason for not getting involved in civil rights activism. Everywhere Edelman turns in his examination of Simpson’s life, he finds something that resonated in the story that came to define that life even more than football. And it’s safe to say O.J. Simpson never expected to be defined by anything more than by football.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Edelman’s direction is confident throughout the project (which also got a theatrical release to qualify it for Oscars), and his expansive focus is complemented by a structural rigor that prevents pure sprawl. Other characters emerge with stories of their own. There’s Ron Shipp, a friend of Simpson’s who chose to testify against him and was subjected to a cross-examination he says was so brutal it convinced others not to do the same. There are civil rights activists who came to different conclusions about whether this was really properly viewed as a civil rights case. There’s Barry Scheck, the defense’s DNA expert, who strains to make understood his belief that what he believes as to guilt or innocence (or evidence-planting) is simply not the right question to ask a defense lawyer. There’s a juror who says the group barely deliberated because they’d simply been locked up too long, and another who suggests the prosecution could have won her vote if they had “come correct.” Every huge story is a patchwork of smaller stories, and what an excellent documentarian can do is both tell those stories and explain how they assembled themselves into this seemingly opaque sequence in which everyone involved seems to have done things that are hard to understand.\u003c/p>\n\u003cp>Perhaps most perplexing, though, are some of Edelman’s interviews with friends and former friends of Simpson’s, like Mike Gilbert, the ex-agent who now claims Simpson acknowledged guilt to him. Gilbert also seems to have been one of the people Simpson suspected of stealing from him, which led to that bizarre sports-memorabilia incident that put Simpson back in jail in 2008, convicted of kidnapping and armed robbery. One telling moment: the point at which Gilbert says he concluded Simpson was guilty was well before Ron Goldman’s family obtained a wrongful death judgment, but says he still helped haul valuables out of the house to hide them from becoming seized assets. Why? Why would Gilbert help a man he tearfully says he’d come to believe had slit the throats of two innocent people? Why help that man hide his football stuff so that the family of the man you think he killed couldn’t have even the satisfaction of collecting on their judgment?\u003c/p>\n\u003cp>Perhaps to understand, you have to see the remarkable sequence in which radio host Wendy Williams starts off not even being willing to say it’s good to have a post-acquittal Simpson on her show and then ends up applauding him, accepting a hug and kiss from him, and admitting she likes him by the time he’s through with her. Charisma is powerful and dangerous and almost literally intoxicating. It’s cheap to gripe about celebrity as if it’s a created, inorganic pollutant when celebrity, in many cases, while it’s goosed by money, is rooted in the weird gravity of personality. And everyone who’s dealt with him seemingly agrees that O.J. Simpson had, and perhaps has, that personality. (Even Marcia Clark recounts running into him years later with a strange, almost warm chuckle.)\u003c/p>\n\u003cp>It is only in that last chapter, when he decamps to Florida and starts making goofy, low-rent videos, that he begins to unravel in earnest. And, maybe not coincidentally, it’s after his image collapses that he’s locked up. Not for murder, but for being dumb enough to try his hand at armed robbery with a bunch of loosely affiliated accomplices while surveillance cameras are running.\u003c/p>\n\u003cp>Documentary film is analogous to painting on a canvas, perhaps, but also to sculpting from marble. It is a thousand meaningful sacrifices of perfectly good material. While Edelman doesn’t have Simpson on camera, or Chris Darden, or some of the other folks you’d want to hear from, he has members of the defense team, Ron Goldman’s dad, Nicole Brown’s sister, Mark Fuhrman, Marcia Clark, Gil Garcetti, and all kinds of journalists and commentators and scholars. From all these people, and from the barrels of archival footage he seems to have examined, he’s pulled the details that, when assembled, avoid the feeling of manipulation that comes from so many polemical documentaries while maintaining the feeling great journalism gives you that you are, against perhaps your own expectations, learning new things about events you thought you’d memorized to the point of exhaustion.\u003c/p>\n\u003cp>As a work of filmmaking, \u003cem>O.J.: Made In America \u003c/em>is distinguished by its good judgment. In particular, rather than cover every jot and tittle of the highly theatrical televised trial, it places that trial’s important moments in the context of the pressures that created them and the pressures they, in turn, created. Darden’s complicated role comes into sharper focus as a black juror explains how insulting she found it when he suddenly showed up, as if she wouldn’t notice they’d added a black lawyer for her benefit. Clark’s revulsion at being stuck with Fuhrman as a witness builds to her admission that, essentially, she was glad to feel confident he \u003cem>couldn’t \u003c/em>have planted the evidence, because she had no such confidence that he \u003cem>wouldn’t \u003c/em>have planted the evidence.\u003c/p>\n\u003cfigure id=\"attachment_11665312\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/gettyimages-51974027_custom-09ba8b0cf2d712e454a349c79b630b2dfd850d85-1180x786.jpg\" alt=\"California Department Of Justice criminalist Renee Montgomery points to blood spots found on the leather glove at O. J. Simpson's Rockingham estate during redirect examination in the O.J. Simpson double-murder criminal trial on May 24, 1995, in Los Angeles.\" width=\"640\" height=\"426\" class=\"size-large wp-image-11665312\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/gettyimages-51974027_custom-09ba8b0cf2d712e454a349c79b630b2dfd850d85-1180x786.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/gettyimages-51974027_custom-09ba8b0cf2d712e454a349c79b630b2dfd850d85-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/gettyimages-51974027_custom-09ba8b0cf2d712e454a349c79b630b2dfd850d85-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/gettyimages-51974027_custom-09ba8b0cf2d712e454a349c79b630b2dfd850d85-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/gettyimages-51974027_custom-09ba8b0cf2d712e454a349c79b630b2dfd850d85-1920x1279.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/gettyimages-51974027_custom-09ba8b0cf2d712e454a349c79b630b2dfd850d85-960x639.jpg 960w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">California Department Of Justice criminalist Renee Montgomery points to blood spots found on the leather glove at O. J. Simpson’s Rockingham estate during redirect examination in the O.J. Simpson double-murder criminal trial on May 24, 1995, in Los Angeles. \u003ccite>(Photo: Vince Bucci/AFP/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>There are those who receive any attention to this story as necessarily sensational. The word “sensational,” in its “scandalous” meaning, is sometimes used against entire sets of facts, as if a real thing that happens in the real world can be too “sensational” to be spoken of, simply because it’s shocking or, frankly, fascinating in the wrong way. The story of O.J. Simpson certainly is shocking. But Edelman does not intend the momentary, hushed pleasures of a lurid crime tale. He is making an argument that inside the story of how O.J. Simpson was acquitted — or maybe enveloping it — is the story of how police departments lose the trust of their communities. He is making an argument that inside and outside the murders is a story of what can happen when powerful men aren’t punished for violence against their wives. He is making an argument about the effects of one person’s charisma on other people’s consciences. He is making an argument about the way money can be used to fight prejudice or create it — how with injustice, money can be the disease or the cure. And he is making an argument, ultimately, that although an attraction to spectacle may have given this story its initial flash, its lasting power comes from real things that people care about, with good reason.\u003c/p>\n\u003cp>Over Memorial Day weekend, \u003cem>The New York Times \u003c/em>studied violence just in Chicago, and found six gun deaths in three days. Murder is, if not routine, certainly not in and of itself an act that would resonate across decades. A murder trial that is carried gavel-to-gavel doesn’t get that treatment simply because it is the loss of two lives at someone else’s hands. This one had a famous defendant people had spent 25 years rooting for in football, watching in movies, watching on television. His decision to defy the authority of a widely loathed police department by driving down the freeway when he was supposed to turn himself in seems to have endeared him particularly to those who felt that the police acted outside that authority every day anyway, and at least somebody was in a position to tell them he’d pull over when he was good and ready — and they seemed powerless or even afraid to say no to him.\u003c/p>\n\u003cp>In this telling, there were prosecution missteps, there was a key police witness in whose credibility even the prosecutor lost all confidence, there were flaws in the evidence collection that were exploited by a defense team with bottomless resources and considerable talent. But it was always going to be both a terrible case from which to generalize about the justice system and a great case to use as a cultural inflection point.\u003c/p>\n\u003cp>More than 20 years later, the Simpson trial — the Simpson story — is a vexing, interlocking tower of what-ifs that get bigger and broader as you go: What if they’d brought Darden on earlier, or not at all? What if Darden didn’t let F. Lee Bailey goad him into having Simpson try on the gloves? What if the glove at Rockingham had been collected by a police officer without a history of using racial slurs? What if LAPD officers hadn’t beaten Rodney King? What if they had been convicted? What if there were no riots? What if there were no racism? What if we lived in a completely different society with a completely different history than the one we have?\u003c/p>\n\u003cfigure id=\"attachment_11665313\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/ap_95100302198_custom-30a0a15fe05e97c90e6451878bf3d6d33f4786c6-1180x812.jpg\" alt=\"O.J. Simpson reacts as he is found not guilty of murdering his ex-wife, Nicole Brown Simpson, and her friend Ron Goldman at the Criminal Courts Building in Los Angeles on Oct. 3, 1995. At left is defense lawyer F. Lee Bailey and at right, defense attorney Johnnie Cochran Jr.\" width=\"640\" height=\"440\" class=\"size-large wp-image-11665313\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/ap_95100302198_custom-30a0a15fe05e97c90e6451878bf3d6d33f4786c6-1180x812.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/ap_95100302198_custom-30a0a15fe05e97c90e6451878bf3d6d33f4786c6-400x275.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/ap_95100302198_custom-30a0a15fe05e97c90e6451878bf3d6d33f4786c6-800x551.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/ap_95100302198_custom-30a0a15fe05e97c90e6451878bf3d6d33f4786c6-768x529.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/ap_95100302198_custom-30a0a15fe05e97c90e6451878bf3d6d33f4786c6-1920x1322.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/ap_95100302198_custom-30a0a15fe05e97c90e6451878bf3d6d33f4786c6-960x661.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/ap_95100302198_custom-30a0a15fe05e97c90e6451878bf3d6d33f4786c6.jpg 1964w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">O.J. Simpson reacts as he is found not guilty of murdering his ex-wife, Nicole Brown Simpson, and her friend Ron Goldman at the Criminal Courts Building in Los Angeles on Oct. 3, 1995. At left is defense lawyer F. Lee Bailey and at right, defense attorney Johnnie Cochran Jr. \u003ccite>(Photo: Myung J. Chun)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And, not for nothing, assuming you believe the police reports and his no-contest plea and the Polaroids of Nicole’s bruises she hid in a safe-deposit box with her will: What if Simpson had gone to jail earlier for beating his wife? What if that could have actually saved her life and Ron Goldman’s?\u003c/p>\n\u003cp>And that’s not to even mention some of the what-ifs that stand on that boundary line between “if only” and “thank goodness”: What if we’d had the Internet? What if we’d had Twitter? In light of Roy Firestone’s obsequious archival ESPN interview with Simpson blowing off the domestic violence issue, what if we’d had Deadspin? (Nothing — \u003cem>nothing —\u003c/em> will make you understand Deadspin’s upside better than that clip, by the way, in which Firestone tells Simpson, post-domestic-violence-conviction, that they’re there to discuss “how things can get distorted to such a point that you are portrayed as the bad guy.”) And, given that TMZ \u003ca href=\"http://www.thesmokinggun.com/documents/crime/gossip-site-paid-165000-oj-tape\">reportedly bought and publicized audiotapes of the memorabilia robbery in 2008\u003c/a>, what if we’d had TMZ back in 1989? Would everything be different now? Better? Worse?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Ezra Edelman’s \u003cem>O.J.: Made In America \u003c/em>is a film of great patience and discipline. It is bracing in its wisdom and unforgettable in its details. It’s the story of where we were in the summer of 1994, in so many of the ways that still matter the most now. And its curiosity isn’t in examining how O.J. Simpson is explained by the fact that he was made in America, it’s in examining how America is explained by having made O.J. Simpson. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27O.J.%3A+Made+In+America%27+Is+About+America%2C+Not+O.J.&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Artist Who Painted \"Trump with Micro Penis\" Stars in Funny Or Die Video",
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"content": "\u003cp>Illma Gore, the San Francisco-raised artist who caused a \u003ca href=\"http://ww2.kqed.org/arts/2016/03/29/license-to-illma-naked-trump-portrait-gets-artist-banned-from-facebook-ebay/\" target=\"_blank\" rel=\"noopener\">stir earlier this year with her portrait\u003c/a> of Donald Trump with a “micro penis,” is featured in a video on the comedy website Funny Or Die released Wednesday.\u003c/p>\n\u003cp>In the video, titled “How to Draw Trump’s Penis,” Gore spoofs the creation of her infamous painting of the presumptive Republican presidential nominee that resulted in a firestorm of controversy after she posted it to Facebook in early February. Though the painting was shared over 260,000 times in less than a month, it also led to Gore being banned from Facebook and eBay, as well as daily death threats from Trump supporters. \u003c/p>\n\u003cp>The backlash reached its peak near the end of April of this year when \u003ca href=\"http://www.theguardian.com/us-news/2016/may/07/donald-trump-penis-painting-ilma-gore\" target=\"_blank\" rel=\"noopener\">Gore says she was randomly punched in the face\u003c/a> by a man who identified himself as a Trump supporter before driving off. \u003c/p>\n\u003cp>Though the attack was far from funny, Gore decided to come back at her critics this week with her hilarious video, which you can watch below (\u003cb>WARNING:\u003c/b> Video contains images not appropriate for children): \u003c/p>\n\u003cdiv style=\"text-align:left;font-size:x-small;margin-top:0;width:640px\">\u003c/div>\n\u003cp>Though Gore and her Trump portrait have received a lot of attention, he’s not the only presumptive presidential nominee to be portrayed naked in painting: artist \u003ca href=\"http://sarah-sole.com/index.php\" target=\"_blank\" rel=\"noopener\">Sarah Cole\u003c/a> has drawn attention for her \u003ca href=\"http://www.huffingtonpost.com/entry/sarah-sole-hillary-clinton-paintings_us_564130dfe4b0411d30724467\" target=\"_blank\" rel=\"noopener\">portrayal of Hillary Clinton naked\u003c/a>, \u003ca href=\"http://sarah-sole.com/images/Paintings/MyPrivateHillary_AcrylicOnCanvas_72x48_2015_Sarah_Sole.jpg\" target=\"_blank\" rel=\"noopener\">holding a wine bottle\u003c/a>. But in Cole’s case, she actually considers herself a fan of Clinton.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Illma Gore, the San Francisco-raised artist who caused a \u003ca href=\"http://ww2.kqed.org/arts/2016/03/29/license-to-illma-naked-trump-portrait-gets-artist-banned-from-facebook-ebay/\" target=\"_blank\" rel=\"noopener\">stir earlier this year with her portrait\u003c/a> of Donald Trump with a “micro penis,” is featured in a video on the comedy website Funny Or Die released Wednesday.\u003c/p>\n\u003cp>In the video, titled “How to Draw Trump’s Penis,” Gore spoofs the creation of her infamous painting of the presumptive Republican presidential nominee that resulted in a firestorm of controversy after she posted it to Facebook in early February. Though the painting was shared over 260,000 times in less than a month, it also led to Gore being banned from Facebook and eBay, as well as daily death threats from Trump supporters. \u003c/p>\n\u003cp>The backlash reached its peak near the end of April of this year when \u003ca href=\"http://www.theguardian.com/us-news/2016/may/07/donald-trump-penis-painting-ilma-gore\" target=\"_blank\" rel=\"noopener\">Gore says she was randomly punched in the face\u003c/a> by a man who identified himself as a Trump supporter before driving off. \u003c/p>\n\u003cp>Though the attack was far from funny, Gore decided to come back at her critics this week with her hilarious video, which you can watch below (\u003cb>WARNING:\u003c/b> Video contains images not appropriate for children): \u003c/p>\n\u003cdiv style=\"text-align:left;font-size:x-small;margin-top:0;width:640px\">\u003c/div>\n\u003cp>Though Gore and her Trump portrait have received a lot of attention, he’s not the only presumptive presidential nominee to be portrayed naked in painting: artist \u003ca href=\"http://sarah-sole.com/index.php\" target=\"_blank\" rel=\"noopener\">Sarah Cole\u003c/a> has drawn attention for her \u003ca href=\"http://www.huffingtonpost.com/entry/sarah-sole-hillary-clinton-paintings_us_564130dfe4b0411d30724467\" target=\"_blank\" rel=\"noopener\">portrayal of Hillary Clinton naked\u003c/a>, \u003ca href=\"http://sarah-sole.com/images/Paintings/MyPrivateHillary_AcrylicOnCanvas_72x48_2015_Sarah_Sole.jpg\" target=\"_blank\" rel=\"noopener\">holding a wine bottle\u003c/a>. But in Cole’s case, she actually considers herself a fan of Clinton.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Unlikely Headbanger, 82, Goes from Singing Karaoke to 'America's Got Talent'",
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"content": "\u003cp>He flew jets for the Navy and helped fix the Hubble Space Telescope for NASA. But at 82, retiree John Hetlinger is making waves for his full-throttle take on a famous heavy metal song. Hetlinger’s gusto has taken him from karaoke night to an appearance on \u003cem>America’s Got Talent\u003c/em>.\u003c/p>\n\u003cp>Earlier Tuesday, Hetlinger also became an unlikely star for the \u003ca href=\"https://www.facebook.com/BornAndBredMetalhead/\" target=\"_blank\" rel=\"noopener\">Born and Bred Metalhead\u003c/a> Facebook page: A video of the octogenarian throwing himself into Drowning Pool’s 2001 song “Bodies” — the same song he performs on \u003cem>America’s Got Talent\u003c/em> — drew more than a million views in just seven hours Tuesday.\u003c/p>\n\u003cp>That’s far more people than the number who viewed Hetlinger’s own posting of the video back in 2014, when he gave it the caption, “karaoke at The Glenn 80 yr old man sings Drowning Pool ‘Bodies’!” We’ll warn you: The video ends with a bit of entirely earned profanity.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=q5C2QUrxFRo\u003c/p>\n\u003cp>Part of the fun of that video is watching a crowd of patrons at an outdoor karaoke bar being served a full range of dissonance — cognitive and sonic — as the man in the pleated dress shorts, with the leather belt and what looks to be a toucan on his (tucked-in) shirt, hurls himself into a face-melting version of the song that’s accompanied everything from pro wrestling matches to Guantanamo Bay detentions.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>On a bigger stage for Tuesday night’s performance on \u003cem>America’s Got Talent\u003c/em>, the same effect takes hold, with Hetlinger, now in long pants but otherwise looking unchanged at 82, dives into the song’s opening chant — “Let the bodies hit the floor” — and the audience, along with Simon Cowell and the judges, gape at Hetlinger’s powerful version of the song.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=BfR5O2PXzfc\u003c/p>\n\u003cp>We don’t have any inside info on how Hetlinger does on the show. But we’ll say this: It’s no coincidence that Hetlinger rhymes with headbanger.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As for what took him so long to take the stage, Hetlinger explained to Cowell that he only started doing karaoke after he retired. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Unlikely+Headbanger%2C+82%2C+Goes+From+Singing+Karaoke+To+%27America%27s+Got+Talent%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>He flew jets for the Navy and helped fix the Hubble Space Telescope for NASA. But at 82, retiree John Hetlinger is making waves for his full-throttle take on a famous heavy metal song. Hetlinger’s gusto has taken him from karaoke night to an appearance on \u003cem>America’s Got Talent\u003c/em>.\u003c/p>\n\u003cp>Earlier Tuesday, Hetlinger also became an unlikely star for the \u003ca href=\"https://www.facebook.com/BornAndBredMetalhead/\" target=\"_blank\" rel=\"noopener\">Born and Bred Metalhead\u003c/a> Facebook page: A video of the octogenarian throwing himself into Drowning Pool’s 2001 song “Bodies” — the same song he performs on \u003cem>America’s Got Talent\u003c/em> — drew more than a million views in just seven hours Tuesday.\u003c/p>\n\u003cp>That’s far more people than the number who viewed Hetlinger’s own posting of the video back in 2014, when he gave it the caption, “karaoke at The Glenn 80 yr old man sings Drowning Pool ‘Bodies’!” We’ll warn you: The video ends with a bit of entirely earned profanity.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/q5C2QUrxFRo'\n title='//www.youtube.com/embed/q5C2QUrxFRo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Part of the fun of that video is watching a crowd of patrons at an outdoor karaoke bar being served a full range of dissonance — cognitive and sonic — as the man in the pleated dress shorts, with the leather belt and what looks to be a toucan on his (tucked-in) shirt, hurls himself into a face-melting version of the song that’s accompanied everything from pro wrestling matches to Guantanamo Bay detentions.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>On a bigger stage for Tuesday night’s performance on \u003cem>America’s Got Talent\u003c/em>, the same effect takes hold, with Hetlinger, now in long pants but otherwise looking unchanged at 82, dives into the song’s opening chant — “Let the bodies hit the floor” — and the audience, along with Simon Cowell and the judges, gape at Hetlinger’s powerful version of the song.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/BfR5O2PXzfc'\n title='//www.youtube.com/embed/BfR5O2PXzfc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>We don’t have any inside info on how Hetlinger does on the show. But we’ll say this: It’s no coincidence that Hetlinger rhymes with headbanger.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As for what took him so long to take the stage, Hetlinger explained to Cowell that he only started doing karaoke after he retired. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Unlikely+Headbanger%2C+82%2C+Goes+From+Singing+Karaoke+To+%27America%27s+Got+Talent%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Escaping child stardom with your sanity, self-worth and sense of reality intact is -- as Britney Spears, Lindsay Lohan, and \u003ca href=\"http://www.broadwayworld.com/bwwtv/article/ActorMusician-Corey-Feldman-Releases-Highly-Anticipated-Double-Album-Angelic-2-The-Core-20160602\" target=\"_blank\">Corey Feldman\u003c/a> could tell you -- nothing short of a triumph. It's probably not a coincidence that the former child actors who seem the most well-adjusted in adulthood are just that: \u003cem>former\u003c/em> actors.\u003c/p>\n\u003cp>Case in point? Danica McKellar, the ultimate girl next door, who stole America's tender, pubescent hearts as Winnie Cooper in \u003cem>The Wonder Years\u003c/em> from 1988 to 1993. McKellar, now 41, has authored four books for kids and teens about math -- with a special focus on convincing young women, who are still sorely underrepresented in math- and science-related careers, that math is cool.\u003c/p>\n\u003cp>In the video below, the latest in NOVA's \"Secret Lives of Scientists\" series, McKellar explains how being good at math helped the former child star reinvent herself once she got to college, and in so doing provided an invaluable source of self-esteem.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=9KLMhhqCsbU\u003c/p>\n\u003cp>To most, of course, she will always continue to be Winnie Cooper. As a certified\u003cem> Wonder Years\u003c/em> expert myself, I can tell you that this is partly because the role of Winnie Cooper was really quite well-drawn for a teenage love interest; both the writing and McKellar's performance hold up nicely more than 20 years after the show went off the air. (The whole series is on Netflix; the first four seasons are goddamn perfect; go watch \"The Accident,\" season 4 episode 20, then come back and tell me if it doesn't make you cry\u003cem> I dare you.)\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But hey: self-esteem based on advanced calculus skills is pretty cool too. Maybe women really can have it all.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Escaping child stardom with your sanity, self-worth and sense of reality intact is -- as Britney Spears, Lindsay Lohan, and \u003ca href=\"http://www.broadwayworld.com/bwwtv/article/ActorMusician-Corey-Feldman-Releases-Highly-Anticipated-Double-Album-Angelic-2-The-Core-20160602\" target=\"_blank\">Corey Feldman\u003c/a> could tell you -- nothing short of a triumph. It's probably not a coincidence that the former child actors who seem the most well-adjusted in adulthood are just that: \u003cem>former\u003c/em> actors.\u003c/p>\n\u003cp>Case in point? Danica McKellar, the ultimate girl next door, who stole America's tender, pubescent hearts as Winnie Cooper in \u003cem>The Wonder Years\u003c/em> from 1988 to 1993. McKellar, now 41, has authored four books for kids and teens about math -- with a special focus on convincing young women, who are still sorely underrepresented in math- and science-related careers, that math is cool.\u003c/p>\n\u003cp>In the video below, the latest in NOVA's \"Secret Lives of Scientists\" series, McKellar explains how being good at math helped the former child star reinvent herself once she got to college, and in so doing provided an invaluable source of self-esteem.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/9KLMhhqCsbU'\n title='//www.youtube.com/embed/9KLMhhqCsbU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>To most, of course, she will always continue to be Winnie Cooper. As a certified\u003cem> Wonder Years\u003c/em> expert myself, I can tell you that this is partly because the role of Winnie Cooper was really quite well-drawn for a teenage love interest; both the writing and McKellar's performance hold up nicely more than 20 years after the show went off the air. (The whole series is on Netflix; the first four seasons are goddamn perfect; go watch \"The Accident,\" season 4 episode 20, then come back and tell me if it doesn't make you cry\u003cem> I dare you.)\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>When you’re Tim Heidecker, and you’re responsible for some of the strangest comedic television to ever air, releasing a sincere rock record must be an uphill battle. Who would take it seriously? Especially when your previous musical projects include an album dedicated to 2012 presidential candidate Hermann Cain and a country group who only sings about drinking urine?\u003c/p>\n\u003cp>Heidecker, who has been playing music longer than he’s been making funny videos, is in the thick of the fight at the moment. Rado Records has just released his solo record, \u003cem>In Glendale\u003c/em> — an album of “somewhat earnest” songs, according to his press release. There are few silly tracks on it (one is called “Cleaning up the Dog Sh*t”), but it’s mostly about his normal life in Glendale with his wife and daughter. Inspired by Ray Davies’ work with the Kinks, Heidecker thought he’d create his own musical documentaries on American life.\u003c/p>\n\u003cp>“I generally don’t have much to say about stuff in a non-comedic way, so when I do have something to say, I take advantage of it,” Heidecker explains.\u003c/p>\n\u003cp>This Thursday, Heidecker and his 10-piece band come to the Independent in San Francisco to play tracks from his new record, along with some old favorites from his other groups (let’s all hope they play the \u003ca href=\"http://www.avclub.com/article/heres-tim-heideckers-new-song-about-drinking-his-o-99622\" target=\"_blank\" rel=\"noopener\">Yellow River Boys “Hot Piss.” \u003c/a>(NSFW)). Before he came town, I spoke with Heidecker over the phone about his long love affair with music and why he finally made an honest record (that still manages to be funny).\u003c/p>\n\u003cp>\u003ci>This interview was edited for length and clarity.\u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=-tPX06wJh4g\u003c/p>\n\u003cp>\u003cb>You grew up in Allentown, Penn. Was it a music town?\u003c/b>\u003c/p>\n\u003cp>Not really. There was a club in nearby Bethlehem called Scarlet’s, which was all-ages. There were two guys who ran this club who let 16-year-olds come and they didn’t have alcohol or anything, but they’d let everyone dance to Nirvana or the Cure or whatever was popular. And they’d have band nights, so we’d play there.\u003c/p>\n\u003cp>There was actually a lot of hardcore and punk music that I was never really into, and there was some serious white power-skinhead sh*t going on there that was really dicey.\u003c/p>\n\u003cp>\u003cb>So there must’ve been some pretty intense situations?\u003c/b>\u003c/p>\n\u003cp>Yeah. In fact my friends and I wrote a letter about the skinhead problem that — I believe — was published in the local newspaper that was about how upset we were about the problems they were causing at shows. So we were little Social Justice Warriors back then.\u003c/p>\n\u003cfigure id=\"attachment_11633856\" class=\"wp-caption alignright\" style=\"max-width: 405px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11633856\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Tim-Heidecker-405x600.jpg\" alt=\"Tim Heidecker arrives to 'Tim And Eric'$ Billion Dollar Movie' in 2012. \" width=\"405\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-Heidecker-405x600.jpg 405w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-Heidecker-400x592.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-Heidecker-768x1137.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-Heidecker-797x1180.jpg 797w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-Heidecker.jpg 800w\" sizes=\"(max-width: 405px) 100vw, 405px\">\u003cfigcaption class=\"wp-caption-text\">Tim Heidecker arrives to ‘Tim And Eric’$ Billion Dollar Movie’ in 2012. \u003ccite>(Photo: Alberto E. Rodriguez/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Your first band was called Time And Other Things. Was it a joke band or was it sincere?\u003c/b>\u003c/p>\n\u003cp>Totally sincere. We thought we were Morrissey meets Robert Smith meets Lennon and McCartney. It wasn’t emo, because that wasn’t around when I was in high school, but we were very emotive, emotional teenagers. [Laughs]\u003c/p>\n\u003cp>\u003cb>Did you wear makeup when on stage?\u003c/b>\u003c/p>\n\u003cp>No, nothing like that. But we wrote Doors-y kinds of songs about darkness and Pink Floyd-style “I’m losing my mind” types of songs.\u003c/p>\n\u003cp>\u003cb>Shaggy’s Belt Buckle was the next band?\u003c/b>\u003c/p>\n\u003cp>Yeah, Shaggy’s Belt Buckle was another group made up of my good friend Phil and my cousin Joel. That was a little more of a comedy group. The songs were sillier, and we were a little influenced by Ween and Spinal Tap. Humor started percolating in the songwriting.\u003c/p>\n\u003cp>\u003cb>Was this your first comedic project?\u003c/b>\u003c/p>\n\u003cp>Sure, though in terms of professional standards this was along the lines of hosting puppet shows in my basement — it wasn’t more advanced than that. We were in high school so we didn’t have the facilities or the outreach — we certainly didn’t have the Internet. We were just making Tascam 4-track tape demos, which I don’t think I even have.\u003c/p>\n\u003cp>\u003cb>Do you remember any of the songs or their themes?\u003c/b>\u003c/p>\n\u003cp>I do recall a lyric about Ed Meese. And that’s about it. [Laughs]\u003c/p>\n\u003cfigure id=\"attachment_11633855\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11633855\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Tim-Eric-Red-800x450.jpg\" alt='Tim Heidecker and Eric Wareheim of Tim & Eric perform during \"The Big Live Comedy Show\" in 2013. ' width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-Eric-Red-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-Eric-Red-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-Eric-Red-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-Eric-Red.jpg 883w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tim Heidecker and Eric Wareheim of Tim & Eric perform during “The Big Live Comedy Show” in 2013. \u003ccite>(Photo: Mark Davis/Getty Images for YouTube)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>For this solo record, what was your process like? Did you have a bigger concept in mind?\u003c/b>\u003c/p>\n\u003cp>Most things I end up putting out, I try to have be a little more than a random collection of songs. There’s usually an overall theme or concept behind it. So this one started when I was writing songs that were a little more informed by my real life. A few of them I had been building up on my computer, which is how I usually make rough demos of stuff. But those songs fueled the idea that I could write more in this style, where it’s more about what I’m observing or experiencing. It thought it would be cool to write something that wasn’t a goof or a parody of anything, just a straight reporting of things. Then I filled it out songs that were in the same vein that I had been working on.\u003c/p>\n\u003cp>It’s an album that’s sort of about me and L.A. and California. Having lived here for a while and being a fan of certain records that are indicative of a place, I thought I’d have something to say about it. Then I was encouraged by some people in the music business — Jonathan Rado, who is in a band called Foxygen, and Chris Swanson of Jagjaguwar Records. They told me I should just put out the record under my own name and have it be somewhat straight.\u003c/p>\n\u003cp>\u003cb>Do you wish you could play music all the time?\u003c/b>\u003c/p>\n\u003cp>I think the appeal of life in a touring band would fade quickly when doing 150 dates a year. There’s certain economic realities to it, too: I have a ten-piece band, so if you start doing the math on how that breaks down to what everyone is making a night, it gets a little tricky after a while. And I love my full-time job probably just as much or even more so. Part of putting a record out is getting out there and making sure people hear it by playing live, but I wouldn’t want to do it more than I am right now.\u003c/p>\n\u003cfigure id=\"attachment_11633858\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11633858\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Tim-GRegg-TurkingtonCROP-800x450.jpg\" alt=\"Tim Heidecker and Gregg Turkington attend the 2016 Adult Swim Upfront Party\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-GRegg-TurkingtonCROP.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-GRegg-TurkingtonCROP-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-GRegg-TurkingtonCROP-768x432.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tim Heidecker and Gregg Turkington attend the 2016 Adult Swim Upfront Party \u003ccite>(Photo: Jamie McCarthy/Getty Images for Adult Swim)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>You usually play characters in your projects — even on your podcast \u003ci>On Cinema,\u003c/i> you use your own name but you’re playing a character. Do you have a character for your live shows?\u003c/b>\u003c/p>\n\u003cp>I’ve been playing around with the idea but I don’t have it figured out yet. I hoping by doing it a few nights in a row, I will get into a groove. I feel like if you’re coming to this show, you’re a little more open to me being relaxed and not hiding behind a persona. There’s an uncomfortability that exists at these music shows, at least for the first few minutes, because people are confused and don’t know how to behave — if they’re supposed to laugh or not. But that eventually thaws out and they relax.\u003c/p>\n\u003cp>We just play these songs. I’m not in a costume or anything; [laughs] I’m just myself. But I’m still gonna make fun of somebody in the band and I’m going to yell at somebody in the front row for talking. If I’m losing the audience, I’ll probably turn on my “entertainer skills” and make something happen out of nothing.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ci>Tim Heidecker and His Ten Piece Band play the Independent in San Francisco on June 2 at 8pm. For tickets and more information, go \u003ca href=\"https://www.ticketfly.com/purchase/event/1080749?q=ecf08bf6-4a91-434a-b874-9424f589a996&p=45f91669-929a-4393-b979-069f3691f454&ts=1464743004&c=ticketfly&e=0010a&rt=Safetynet&h=10b7bed9c992b3539be912ede9ac17c6\" target=\"_blank\" rel=\"noopener\">to ticketfly.com\u003c/a>. \u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When you’re Tim Heidecker, and you’re responsible for some of the strangest comedic television to ever air, releasing a sincere rock record must be an uphill battle. Who would take it seriously? Especially when your previous musical projects include an album dedicated to 2012 presidential candidate Hermann Cain and a country group who only sings about drinking urine?\u003c/p>\n\u003cp>Heidecker, who has been playing music longer than he’s been making funny videos, is in the thick of the fight at the moment. Rado Records has just released his solo record, \u003cem>In Glendale\u003c/em> — an album of “somewhat earnest” songs, according to his press release. There are few silly tracks on it (one is called “Cleaning up the Dog Sh*t”), but it’s mostly about his normal life in Glendale with his wife and daughter. Inspired by Ray Davies’ work with the Kinks, Heidecker thought he’d create his own musical documentaries on American life.\u003c/p>\n\u003cp>“I generally don’t have much to say about stuff in a non-comedic way, so when I do have something to say, I take advantage of it,” Heidecker explains.\u003c/p>\n\u003cp>This Thursday, Heidecker and his 10-piece band come to the Independent in San Francisco to play tracks from his new record, along with some old favorites from his other groups (let’s all hope they play the \u003ca href=\"http://www.avclub.com/article/heres-tim-heideckers-new-song-about-drinking-his-o-99622\" target=\"_blank\" rel=\"noopener\">Yellow River Boys “Hot Piss.” \u003c/a>(NSFW)). Before he came town, I spoke with Heidecker over the phone about his long love affair with music and why he finally made an honest record (that still manages to be funny).\u003c/p>\n\u003cp>\u003ci>This interview was edited for length and clarity.\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/-tPX06wJh4g'\n title='//www.youtube.com/embed/-tPX06wJh4g'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cb>You grew up in Allentown, Penn. Was it a music town?\u003c/b>\u003c/p>\n\u003cp>Not really. There was a club in nearby Bethlehem called Scarlet’s, which was all-ages. There were two guys who ran this club who let 16-year-olds come and they didn’t have alcohol or anything, but they’d let everyone dance to Nirvana or the Cure or whatever was popular. And they’d have band nights, so we’d play there.\u003c/p>\n\u003cp>There was actually a lot of hardcore and punk music that I was never really into, and there was some serious white power-skinhead sh*t going on there that was really dicey.\u003c/p>\n\u003cp>\u003cb>So there must’ve been some pretty intense situations?\u003c/b>\u003c/p>\n\u003cp>Yeah. In fact my friends and I wrote a letter about the skinhead problem that — I believe — was published in the local newspaper that was about how upset we were about the problems they were causing at shows. So we were little Social Justice Warriors back then.\u003c/p>\n\u003cfigure id=\"attachment_11633856\" class=\"wp-caption alignright\" style=\"max-width: 405px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11633856\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Tim-Heidecker-405x600.jpg\" alt=\"Tim Heidecker arrives to 'Tim And Eric'$ Billion Dollar Movie' in 2012. \" width=\"405\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-Heidecker-405x600.jpg 405w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-Heidecker-400x592.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-Heidecker-768x1137.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-Heidecker-797x1180.jpg 797w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-Heidecker.jpg 800w\" sizes=\"(max-width: 405px) 100vw, 405px\">\u003cfigcaption class=\"wp-caption-text\">Tim Heidecker arrives to ‘Tim And Eric’$ Billion Dollar Movie’ in 2012. \u003ccite>(Photo: Alberto E. Rodriguez/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>Your first band was called Time And Other Things. Was it a joke band or was it sincere?\u003c/b>\u003c/p>\n\u003cp>Totally sincere. We thought we were Morrissey meets Robert Smith meets Lennon and McCartney. It wasn’t emo, because that wasn’t around when I was in high school, but we were very emotive, emotional teenagers. [Laughs]\u003c/p>\n\u003cp>\u003cb>Did you wear makeup when on stage?\u003c/b>\u003c/p>\n\u003cp>No, nothing like that. But we wrote Doors-y kinds of songs about darkness and Pink Floyd-style “I’m losing my mind” types of songs.\u003c/p>\n\u003cp>\u003cb>Shaggy’s Belt Buckle was the next band?\u003c/b>\u003c/p>\n\u003cp>Yeah, Shaggy’s Belt Buckle was another group made up of my good friend Phil and my cousin Joel. That was a little more of a comedy group. The songs were sillier, and we were a little influenced by Ween and Spinal Tap. Humor started percolating in the songwriting.\u003c/p>\n\u003cp>\u003cb>Was this your first comedic project?\u003c/b>\u003c/p>\n\u003cp>Sure, though in terms of professional standards this was along the lines of hosting puppet shows in my basement — it wasn’t more advanced than that. We were in high school so we didn’t have the facilities or the outreach — we certainly didn’t have the Internet. We were just making Tascam 4-track tape demos, which I don’t think I even have.\u003c/p>\n\u003cp>\u003cb>Do you remember any of the songs or their themes?\u003c/b>\u003c/p>\n\u003cp>I do recall a lyric about Ed Meese. And that’s about it. [Laughs]\u003c/p>\n\u003cfigure id=\"attachment_11633855\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11633855\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Tim-Eric-Red-800x450.jpg\" alt='Tim Heidecker and Eric Wareheim of Tim & Eric perform during \"The Big Live Comedy Show\" in 2013. ' width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-Eric-Red-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-Eric-Red-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-Eric-Red-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-Eric-Red.jpg 883w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tim Heidecker and Eric Wareheim of Tim & Eric perform during “The Big Live Comedy Show” in 2013. \u003ccite>(Photo: Mark Davis/Getty Images for YouTube)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>For this solo record, what was your process like? Did you have a bigger concept in mind?\u003c/b>\u003c/p>\n\u003cp>Most things I end up putting out, I try to have be a little more than a random collection of songs. There’s usually an overall theme or concept behind it. So this one started when I was writing songs that were a little more informed by my real life. A few of them I had been building up on my computer, which is how I usually make rough demos of stuff. But those songs fueled the idea that I could write more in this style, where it’s more about what I’m observing or experiencing. It thought it would be cool to write something that wasn’t a goof or a parody of anything, just a straight reporting of things. Then I filled it out songs that were in the same vein that I had been working on.\u003c/p>\n\u003cp>It’s an album that’s sort of about me and L.A. and California. Having lived here for a while and being a fan of certain records that are indicative of a place, I thought I’d have something to say about it. Then I was encouraged by some people in the music business — Jonathan Rado, who is in a band called Foxygen, and Chris Swanson of Jagjaguwar Records. They told me I should just put out the record under my own name and have it be somewhat straight.\u003c/p>\n\u003cp>\u003cb>Do you wish you could play music all the time?\u003c/b>\u003c/p>\n\u003cp>I think the appeal of life in a touring band would fade quickly when doing 150 dates a year. There’s certain economic realities to it, too: I have a ten-piece band, so if you start doing the math on how that breaks down to what everyone is making a night, it gets a little tricky after a while. And I love my full-time job probably just as much or even more so. Part of putting a record out is getting out there and making sure people hear it by playing live, but I wouldn’t want to do it more than I am right now.\u003c/p>\n\u003cfigure id=\"attachment_11633858\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11633858\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/05/Tim-GRegg-TurkingtonCROP-800x450.jpg\" alt=\"Tim Heidecker and Gregg Turkington attend the 2016 Adult Swim Upfront Party\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-GRegg-TurkingtonCROP.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-GRegg-TurkingtonCROP-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/05/Tim-GRegg-TurkingtonCROP-768x432.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tim Heidecker and Gregg Turkington attend the 2016 Adult Swim Upfront Party \u003ccite>(Photo: Jamie McCarthy/Getty Images for Adult Swim)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>You usually play characters in your projects — even on your podcast \u003ci>On Cinema,\u003c/i> you use your own name but you’re playing a character. Do you have a character for your live shows?\u003c/b>\u003c/p>\n\u003cp>I’ve been playing around with the idea but I don’t have it figured out yet. I hoping by doing it a few nights in a row, I will get into a groove. I feel like if you’re coming to this show, you’re a little more open to me being relaxed and not hiding behind a persona. There’s an uncomfortability that exists at these music shows, at least for the first few minutes, because people are confused and don’t know how to behave — if they’re supposed to laugh or not. But that eventually thaws out and they relax.\u003c/p>\n\u003cp>We just play these songs. I’m not in a costume or anything; [laughs] I’m just myself. But I’m still gonna make fun of somebody in the band and I’m going to yell at somebody in the front row for talking. If I’m losing the audience, I’ll probably turn on my “entertainer skills” and make something happen out of nothing.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>Tim Heidecker and His Ten Piece Band play the Independent in San Francisco on June 2 at 8pm. For tickets and more information, go \u003ca href=\"https://www.ticketfly.com/purchase/event/1080749?q=ecf08bf6-4a91-434a-b874-9424f589a996&p=45f91669-929a-4393-b979-069f3691f454&ts=1464743004&c=ticketfly&e=0010a&rt=Safetynet&h=10b7bed9c992b3539be912ede9ac17c6\" target=\"_blank\" rel=\"noopener\">to ticketfly.com\u003c/a>. \u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Ex-'Glee' Star Mark Salling Indicted on Child-Porn Charges",
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"content": "\u003cp>Mark Salling, who played bad-boy Noah “Puck” Puckerman on the Fox musical dramedy \u003cem>Glee\u003c/em>, was charged Friday with receiving and possessing child pornography.\u003c/p>\n\u003cp>The 33-year-old actor was charged with two counts, according to the U.S. Attorney’s Office.\u003c/p>\n\u003cp>Federal officials said he has agreed to surrender to authorities next Friday, at which time he’s also expected to be arraigned in federal court.\u003c/p>\n\u003cp>His publicist did not immediately respond to phone and email messages.\u003c/p>\n\u003cp>Salling was arrested at his home in Shadow Hills last December after Los Angeles police officers and federal agents seized a laptop, hard drive and flash drive they say contained images and videos depicting child pornography.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>He was charged with one count of using the Internet to obtain a pornographic still image and video of young girls and a second count of possessing two other child porn videos that also featured young girls.\u003c/p>\n\u003cp>If convicted, he could face as much as 20 years in prison on each of the charges.\u003c/p>\n\u003cp>“Those who download and possess child pornography create a market that causes more children to be harmed,” U.S. Attorney Eileen M. Decker said in a statement announcing the indictments. “Young victims are harmed every time an image is generated, every time it is distributed and every time it is viewed.”\u003c/p>\n\u003cp>Although best known for his long-running role on \u003cem>Glee\u003c/em>, which aired from 2009 to 2015, Salling is also a musician. He released his debut album, \u003cem>Pipe Dreams\u003c/em>, in 2010.\u003c/p>\n\u003cp>He shared a Screen Actors Guild award with the \u003cem>Glee\u003c/em> cast in 2010 when the show was honored for outstanding TV comedy ensemble.\u003c/p>\n\u003cp>_____\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Mark Salling, who played bad-boy Noah “Puck” Puckerman on the Fox musical dramedy \u003cem>Glee\u003c/em>, was charged Friday with receiving and possessing child pornography.\u003c/p>\n\u003cp>The 33-year-old actor was charged with two counts, according to the U.S. Attorney’s Office.\u003c/p>\n\u003cp>Federal officials said he has agreed to surrender to authorities next Friday, at which time he’s also expected to be arraigned in federal court.\u003c/p>\n\u003cp>His publicist did not immediately respond to phone and email messages.\u003c/p>\n\u003cp>Salling was arrested at his home in Shadow Hills last December after Los Angeles police officers and federal agents seized a laptop, hard drive and flash drive they say contained images and videos depicting child pornography.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>He was charged with one count of using the Internet to obtain a pornographic still image and video of young girls and a second count of possessing two other child porn videos that also featured young girls.\u003c/p>\n\u003cp>If convicted, he could face as much as 20 years in prison on each of the charges.\u003c/p>\n\u003cp>“Those who download and possess child pornography create a market that causes more children to be harmed,” U.S. Attorney Eileen M. Decker said in a statement announcing the indictments. “Young victims are harmed every time an image is generated, every time it is distributed and every time it is viewed.”\u003c/p>\n\u003cp>Although best known for his long-running role on \u003cem>Glee\u003c/em>, which aired from 2009 to 2015, Salling is also a musician. He released his debut album, \u003cem>Pipe Dreams\u003c/em>, in 2010.\u003c/p>\n\u003cp>He shared a Screen Actors Guild award with the \u003cem>Glee\u003c/em> cast in 2010 when the show was honored for outstanding TV comedy ensemble.\u003c/p>\n\u003cp>_____\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "The Real 'Full House' Home Is Up For Sale! Take a Look Inside",
"title": "The Real 'Full House' Home Is Up For Sale! Take a Look Inside",
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"content": "\u003cp>[contextly_sidebar id=\"iBaXq5UiPBm83yfAgvj2qTDMheFHRKtt\"]Hey, can I borrow $4.15 million? I left my trust fund in a past lifetime. You see, I need the cash because \u003ca href=\"http://vanguardproperties.com/RESI-446051.php\">the 1883 Victorian \u003c/a>that served as the exterior for the \u003cem>Full House \u003c/em>home is up for sale. It's a piece of television history (and my childhood) and I kind of need to live in it.\u003c/p>\n\u003cp style=\"text-align: center\">...\u003c/p>\n\u003cp>I'm going to take your silence as a hard pass on lending me millions so I'll settle for taking a photo tour:\u003c/p>\n\u003cfigure id=\"attachment_25375\" class=\"wp-caption aligncenter\" style=\"max-width: 362px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_1.jpg\">\u003cimg class=\"size-full wp-image-25375\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_1.jpg\" alt=\"Photo: Vanguard Properties\" width=\"362\" height=\"500\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>There she is! A fresh new coat of paint and a tree that's really grown since the first season of \u003cem>Full House\u003c/em>. Way to reach for the stars, tree!\u003c/p>\n\u003cfigure id=\"attachment_25374\" class=\"wp-caption aligncenter\" style=\"max-width: 397px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_2.jpg\">\u003cimg class=\"size-full wp-image-25374\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_2.jpg\" alt=\"Photo: Vanguard Properties\" width=\"397\" height=\"499\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>SFGate \u003ca href=\"http://www.sfgate.com/realestate/article/Famous-Full-House-home-hits-the-market-for-7947743.php\">says\u003c/a>, \"The home's off-white exterior that appeared in 'Full House' has been painted a dark purple and the famous red door is gone, but anyone would probably agree the richer paint color looks far more elegant.\" Nope. Anyone would probably \u003cem>not\u003c/em> agree. #JusticefortheRedDoor!\u003c/p>\n\u003cfigure id=\"attachment_25373\" class=\"wp-caption aligncenter\" style=\"max-width: 372px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_3.jpg\">\u003cimg class=\"size-full wp-image-25373\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_3.jpg\" alt=\"Photo: Vanguard Properties\" width=\"372\" height=\"499\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Okay, fine, the doors are \"elegant.\" Nostalgia has a tendency to get me riled up.\u003c/p>\n\u003cfigure id=\"attachment_25372\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_4.jpg\">\u003cimg class=\"size-full wp-image-25372\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_4.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_4.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_4-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Wow. This is definitely...a look. Potato sack chic.\u003c/p>\n\u003cfigure id=\"attachment_25370\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_6.jpg\">\u003cimg class=\"size-full wp-image-25370\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_6.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_6.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_6-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>A little stuffy for Netflix and Chill, but it'll do.\u003c/p>\n\u003cfigure id=\"attachment_25368\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_8.jpg\">\u003cimg class=\"size-full wp-image-25368\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_8.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_8.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_8-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>No butt shall be left chairless! Also, what exactly is going on in that painting? Umbilical cord drama?\u003c/p>\n\u003cfigure id=\"attachment_25366\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_10.jpg\">\u003cimg class=\"size-full wp-image-25366\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_10.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_10.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_10-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Ohhh, okay, \u003cem>this\u003c/em> is where the Netflix and Chill goes down. Got it.\u003c/p>\n\u003cfigure id=\"attachment_25364\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_12.jpg\">\u003cimg class=\"size-full wp-image-25364\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_12.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_12.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_12-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Hanging framed paintings in front of books is an interesting choice.\u003c/p>\n\u003cfigure id=\"attachment_25361\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_15.jpg\">\u003cimg class=\"size-full wp-image-25361\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_15.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_15.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_15-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Huge sink means you can wait even longer to wash your dishes. Oh, who am I kidding, that's what the dishwasher or maid is for. And I spy with my little eye a fully-stocked wine cellar. Let the generous pours wash over us all!\u003c/p>\n\u003cfigure id=\"attachment_25360\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_16.jpg\">\u003cimg class=\"size-full wp-image-25360\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_16.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_16.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_16-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Put your shoes on while sitting on this love seat at the foot of the bed...\u003c/p>\n\u003cfigure id=\"attachment_25359\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_17.jpg\">\u003cimg class=\"size-full wp-image-25359\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_17.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_17.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_17-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>...or put your shoes on while sitting in front of the bedroom fireplace. Up to you. Being filthy rich is all about meaningless, endless options.\u003c/p>\n\u003cfigure id=\"attachment_25356\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_20.jpg\">\u003cimg class=\"size-full wp-image-25356\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_20.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_20.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_20-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Woah! Mallard-obsessed Bunny from \u003cem>Sex and the City\u003c/em> strikes again!\u003c/p>\n\u003cfigure id=\"attachment_25353\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_23.jpg\">\u003cimg class=\"size-full wp-image-25353\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_23.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_23.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_23-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>If I'm handing over $4.15 million, the least the former owner could do is leave the tension rod behind for my dirty shower curtain. Geez.\u003c/p>\n\u003cfigure id=\"attachment_25351\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_25.jpg\">\u003cimg class=\"size-full wp-image-25351\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_25.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_25.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_25-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Every mansion needs a useless room no one wants to hang out in.\u003c/p>\n\u003cfigure id=\"attachment_25349\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_27.jpg\">\u003cimg class=\"size-full wp-image-25349\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_27.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_27.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_27-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Ahh, a little slice of Versailles, minus all the riff raff.\u003c/p>\n\u003cfigure id=\"attachment_25348\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_28.jpg\">\u003cimg class=\"size-full wp-image-25348\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_28.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_28.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_28-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>A perfect place to erect a statue of yourself or your accountant.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And this ends our journey through this pop culture landmark. Again, lend me some money or buy this pad yourself and let me be your Kato Kaelin. Either way.\u003c/p>\n\n",
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"excerpt": "Want to own a piece of television history? That'll be $4.15 million.",
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"title": "The Real 'Full House' Home Is Up For Sale! Take a Look Inside | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>Hey, can I borrow $4.15 million? I left my trust fund in a past lifetime. You see, I need the cash because \u003ca href=\"http://vanguardproperties.com/RESI-446051.php\">the 1883 Victorian \u003c/a>that served as the exterior for the \u003cem>Full House \u003c/em>home is up for sale. It's a piece of television history (and my childhood) and I kind of need to live in it.\u003c/p>\n\u003cp style=\"text-align: center\">...\u003c/p>\n\u003cp>I'm going to take your silence as a hard pass on lending me millions so I'll settle for taking a photo tour:\u003c/p>\n\u003cfigure id=\"attachment_25375\" class=\"wp-caption aligncenter\" style=\"max-width: 362px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_1.jpg\">\u003cimg class=\"size-full wp-image-25375\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_1.jpg\" alt=\"Photo: Vanguard Properties\" width=\"362\" height=\"500\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>There she is! A fresh new coat of paint and a tree that's really grown since the first season of \u003cem>Full House\u003c/em>. Way to reach for the stars, tree!\u003c/p>\n\u003cfigure id=\"attachment_25374\" class=\"wp-caption aligncenter\" style=\"max-width: 397px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_2.jpg\">\u003cimg class=\"size-full wp-image-25374\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_2.jpg\" alt=\"Photo: Vanguard Properties\" width=\"397\" height=\"499\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>SFGate \u003ca href=\"http://www.sfgate.com/realestate/article/Famous-Full-House-home-hits-the-market-for-7947743.php\">says\u003c/a>, \"The home's off-white exterior that appeared in 'Full House' has been painted a dark purple and the famous red door is gone, but anyone would probably agree the richer paint color looks far more elegant.\" Nope. Anyone would probably \u003cem>not\u003c/em> agree. #JusticefortheRedDoor!\u003c/p>\n\u003cfigure id=\"attachment_25373\" class=\"wp-caption aligncenter\" style=\"max-width: 372px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_3.jpg\">\u003cimg class=\"size-full wp-image-25373\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_3.jpg\" alt=\"Photo: Vanguard Properties\" width=\"372\" height=\"499\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Okay, fine, the doors are \"elegant.\" Nostalgia has a tendency to get me riled up.\u003c/p>\n\u003cfigure id=\"attachment_25372\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_4.jpg\">\u003cimg class=\"size-full wp-image-25372\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_4.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_4.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_4-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Wow. This is definitely...a look. Potato sack chic.\u003c/p>\n\u003cfigure id=\"attachment_25370\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_6.jpg\">\u003cimg class=\"size-full wp-image-25370\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_6.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_6.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_6-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>A little stuffy for Netflix and Chill, but it'll do.\u003c/p>\n\u003cfigure id=\"attachment_25368\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_8.jpg\">\u003cimg class=\"size-full wp-image-25368\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_8.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_8.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_8-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>No butt shall be left chairless! Also, what exactly is going on in that painting? Umbilical cord drama?\u003c/p>\n\u003cfigure id=\"attachment_25366\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_10.jpg\">\u003cimg class=\"size-full wp-image-25366\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_10.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_10.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_10-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Ohhh, okay, \u003cem>this\u003c/em> is where the Netflix and Chill goes down. Got it.\u003c/p>\n\u003cfigure id=\"attachment_25364\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_12.jpg\">\u003cimg class=\"size-full wp-image-25364\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_12.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_12.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_12-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Hanging framed paintings in front of books is an interesting choice.\u003c/p>\n\u003cfigure id=\"attachment_25361\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_15.jpg\">\u003cimg class=\"size-full wp-image-25361\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_15.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_15.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_15-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Huge sink means you can wait even longer to wash your dishes. Oh, who am I kidding, that's what the dishwasher or maid is for. And I spy with my little eye a fully-stocked wine cellar. Let the generous pours wash over us all!\u003c/p>\n\u003cfigure id=\"attachment_25360\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_16.jpg\">\u003cimg class=\"size-full wp-image-25360\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_16.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_16.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_16-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Put your shoes on while sitting on this love seat at the foot of the bed...\u003c/p>\n\u003cfigure id=\"attachment_25359\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_17.jpg\">\u003cimg class=\"size-full wp-image-25359\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_17.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_17.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_17-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>...or put your shoes on while sitting in front of the bedroom fireplace. Up to you. Being filthy rich is all about meaningless, endless options.\u003c/p>\n\u003cfigure id=\"attachment_25356\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_20.jpg\">\u003cimg class=\"size-full wp-image-25356\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_20.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_20.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_20-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Woah! Mallard-obsessed Bunny from \u003cem>Sex and the City\u003c/em> strikes again!\u003c/p>\n\u003cfigure id=\"attachment_25353\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_23.jpg\">\u003cimg class=\"size-full wp-image-25353\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_23.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_23.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_23-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>If I'm handing over $4.15 million, the least the former owner could do is leave the tension rod behind for my dirty shower curtain. Geez.\u003c/p>\n\u003cfigure id=\"attachment_25351\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_25.jpg\">\u003cimg class=\"size-full wp-image-25351\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_25.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_25.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_25-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Every mansion needs a useless room no one wants to hang out in.\u003c/p>\n\u003cfigure id=\"attachment_25349\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_27.jpg\">\u003cimg class=\"size-full wp-image-25349\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_27.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_27.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_27-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>Ahh, a little slice of Versailles, minus all the riff raff.\u003c/p>\n\u003cfigure id=\"attachment_25348\" class=\"wp-caption aligncenter\" style=\"max-width: 750px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_28.jpg\">\u003cimg class=\"size-full wp-image-25348\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/315034_28.jpg\" alt=\"Photo: Vanguard Properties\" width=\"750\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_28.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/05/315034_28-400x267.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Vanguard Properties\u003c/figcaption>\u003c/figure>\n\u003cp>A perfect place to erect a statue of yourself or your accountant.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And this ends our journey through this pop culture landmark. Again, lend me some money or buy this pad yourself and let me be your Kato Kaelin. Either way.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Chechen strongman Ramzan Kadyrov and HBO host John Oliver are locked in a public spat over a lost cat.\u003c/p>\n\u003cp>First, Kadyrov — the leader of the Russian republic of Chechnya whose forces have been \u003ca href=\"https://www.hrw.org/news/2016/04/13/dispatches-price-dissent-chechnya\">accused of torture\u003c/a> — asked his 1.8 million Instagram followers for help finding his missing cat.\u003c/p>\n\u003cp>“We have completely lost our cat,” the staunch ally of Russian President Vladmir Putin posted, according to \u003ca href=\"http://www.theguardian.com/world/2016/may/20/chechen-leader-kadyrov-instagram-cat\" target=\"_blank\" rel=\"noopener\">a translation from \u003cem>The Guardian\u003c/em>\u003c/a>. “We have begun to seriously worry.” He appealed to his followers for any information about the feline’s whereabouts.\u003c/p>\n\u003cp>https://www.instagram.com/p/BFd2vWNiRul/\u003c/p>\n\u003cp>Then, Oliver picked up the news for a segment on his satirical current events show, \u003cem>Last Week Tonight with John Oliver\u003c/em>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Oliver pokes fun at Kadyrov’s prolific Instagram feed, which, \u003ca href=\"http://www.npr.org/sections/thetwo-way/2016/05/21/478968296/chechen-strongman-takes-to-instagram-to-search-for-his-lost-cat\" target=\"_blank\" rel=\"noopener\">as we reported\u003c/a>, runs the gamut from mundane to completely outrageous — including a video \u003ca href=\"https://www.instagram.com/p/71FvV0iRjq/\" target=\"_blank\" rel=\"noopener\">where he apparently wrestles a crocodile\u003c/a>, and a \u003ca href=\"https://www.instagram.com/p/3G06hziRmd/\" target=\"_blank\" rel=\"noopener\">trailer for a Hollywood-style action film\u003c/a> in which he stars. Kadyrov’s workout routine (mainly weightlifting and boxing) \u003ca href=\"https://www.instagram.com/p/BByQeDtiRgW/\" target=\"_blank\" rel=\"noopener\">is also a regular feature\u003c/a>.\u003c/p>\n\u003cp>“Kadyrov is basically like a can of Monster energy drink come to life,” Oliver says. “And honestly, I cannot recommend his Instagram feed enough.” He continues:\u003c/p>\n\u003cblockquote>\n\u003cp>“It almost makes you forget he was once accused of beating a prisoner with a shovel handle before executing him. Almost, but not quite.”\u003c/p>\n\u003c/blockquote>\n\u003cp>Oliver’s conclusion: “For the good of the Chechen people and stability in the whole region, we have to find this f*****’s cat.” He urges viewers to join a campaign called #FindKadyrovsCat — basically designed to taunt the strongman by flooding him with pictures of random cats asking if they belong to him.\u003c/p>\n\u003cp>For example:\u003c/p>\n\u003cp>https://twitter.com/iamjohnoliver/status/734728962119770112\u003c/p>\n\u003cp>Oliver also points out that in picture after picture on his account, Kadyrov is wearing T-shirts adorned with images of Putin, like this one:\u003c/p>\n\u003cp>https://www.instagram.com/p/_UWFKhiRlI/\u003c/p>\n\u003cp>In response, the apparently incensed authoritarian leader altered Oliver’s picture to remove the cat and replace it with a Putin T-shirt.\u003c/p>\n\u003cp>https://www.instagram.com/p/BFwpvHMiRqM/\u003c/p>\n\u003cp>“I’m tired of jokes. I want to care for cats in Chechnya. By the way, Putin is our leader!” text on the photo reads.\u003c/p>\n\u003cp>Kadyrov says Oliver’s campaign prompted a big response. “I receive lots of photos. Some people say that they saw the cat in Vladivostok, Japan, Iceland, New Zealand, and even in the Oval Office of the White House!” the caption reads. He adds: “I am grateful to all, but this is NOT my cat.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And Kadyrov downplayed concerns about the missing cat’s well-being, saying the cat leaves the house “in spring from time to time.” He explains:\u003c/p>\n\u003cblockquote>\n\u003cp>“He also needs to meet with friends, mingle and share news. By cat rumors he has in our district a familiar she-cat with which he’s going to start a family. I’m sure that after spring affairs, the cat will return to native walls. Perhaps, he’ll bring his sweet love with him.”\u003c/p>\n\u003c/blockquote>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=When+The+Cat%27s+Away%3A+Chechen+Strongman+Spars+With+John+Oliver+Over+Lost+Feline&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Chechen strongman Ramzan Kadyrov and HBO host John Oliver are locked in a public spat over a lost cat.\u003c/p>\n\u003cp>First, Kadyrov — the leader of the Russian republic of Chechnya whose forces have been \u003ca href=\"https://www.hrw.org/news/2016/04/13/dispatches-price-dissent-chechnya\">accused of torture\u003c/a> — asked his 1.8 million Instagram followers for help finding his missing cat.\u003c/p>\n\u003cp>“We have completely lost our cat,” the staunch ally of Russian President Vladmir Putin posted, according to \u003ca href=\"http://www.theguardian.com/world/2016/may/20/chechen-leader-kadyrov-instagram-cat\" target=\"_blank\" rel=\"noopener\">a translation from \u003cem>The Guardian\u003c/em>\u003c/a>. “We have begun to seriously worry.” He appealed to his followers for any information about the feline’s whereabouts.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Oliver pokes fun at Kadyrov’s prolific Instagram feed, which, \u003ca href=\"http://www.npr.org/sections/thetwo-way/2016/05/21/478968296/chechen-strongman-takes-to-instagram-to-search-for-his-lost-cat\" target=\"_blank\" rel=\"noopener\">as we reported\u003c/a>, runs the gamut from mundane to completely outrageous — including a video \u003ca href=\"https://www.instagram.com/p/71FvV0iRjq/\" target=\"_blank\" rel=\"noopener\">where he apparently wrestles a crocodile\u003c/a>, and a \u003ca href=\"https://www.instagram.com/p/3G06hziRmd/\" target=\"_blank\" rel=\"noopener\">trailer for a Hollywood-style action film\u003c/a> in which he stars. Kadyrov’s workout routine (mainly weightlifting and boxing) \u003ca href=\"https://www.instagram.com/p/BByQeDtiRgW/\" target=\"_blank\" rel=\"noopener\">is also a regular feature\u003c/a>.\u003c/p>\n\u003cp>“Kadyrov is basically like a can of Monster energy drink come to life,” Oliver says. “And honestly, I cannot recommend his Instagram feed enough.” He continues:\u003c/p>\n\u003cblockquote>\n\u003cp>“It almost makes you forget he was once accused of beating a prisoner with a shovel handle before executing him. Almost, but not quite.”\u003c/p>\n\u003c/blockquote>\n\u003cp>Oliver’s conclusion: “For the good of the Chechen people and stability in the whole region, we have to find this f*****’s cat.” He urges viewers to join a campaign called #FindKadyrovsCat — basically designed to taunt the strongman by flooding him with pictures of random cats asking if they belong to him.\u003c/p>\n\u003cp>For example:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>“I’m tired of jokes. I want to care for cats in Chechnya. By the way, Putin is our leader!” text on the photo reads.\u003c/p>\n\u003cp>Kadyrov says Oliver’s campaign prompted a big response. “I receive lots of photos. Some people say that they saw the cat in Vladivostok, Japan, Iceland, New Zealand, and even in the Oval Office of the White House!” the caption reads. He adds: “I am grateful to all, but this is NOT my cat.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And Kadyrov downplayed concerns about the missing cat’s well-being, saying the cat leaves the house “in spring from time to time.” He explains:\u003c/p>\n\u003cblockquote>\n\u003cp>“He also needs to meet with friends, mingle and share news. By cat rumors he has in our district a familiar she-cat with which he’s going to start a family. I’m sure that after spring affairs, the cat will return to native walls. Perhaps, he’ll bring his sweet love with him.”\u003c/p>\n\u003c/blockquote>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=When+The+Cat%27s+Away%3A+Chechen+Strongman+Spars+With+John+Oliver+Over+Lost+Feline&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>She called him “Mr. Cosby” and considered him a trusted friend and mentor.\u003c/p>\n\u003cp>But 20 minutes after Bill Cosby offered her three blue pills and told her to take them with the wine he had set out, Andrea Constand’s legs began to wobble “like jelly,” her eyes went blurry and her head began to throb.\u003c/p>\n\u003cp>Cosby helped her to a couch in his living room, where she later realized he violated her as she lay helplessly in a stupor, she told police in 2005.\u003c/p>\n\u003cp>[contextly_sidebar id=”xneQF7bLBpdeanaPIZsmFGV9z9uvDrDc”]\u003c/p>\n\u003cp>On Tuesday, a judge ordered the 78-year-old Cosby to stand trial on sexual assault charges on the strength of Constand’s decade-old police statement, sparing the former Temple University employee the need to testify at the preliminary hearing.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Cosby could get 10 years in prison if convicted in the case, the only criminal charges brought against the comedian out of the barrage of allegations that he drugged and molested dozens of women over five decades. He is free on $1 million bail.\u003c/p>\n\u003cp>A trial date was not immediately set.\u003c/p>\n\u003cp>Cosby, looking less frail than he did when he was arrested five months ago, seemed unfazed by District Judge Elizabeth McHugh’s decision.\u003c/p>\n\u003cp>“Mr. Cosby is not guilty of any crime, and not one single fact presented by the commonwealth rebuts this truth,” his lawyers said in a statement afterward.\u003c/p>\n\u003cp>The hearing was not the face-to-face confrontation between accuser and accused that some had anticipated: Constand, who is now a massage therapist in Toronto, was not in the courtroom, and the judge ruled that she did not have to testify at this stage. Instead, prosecutors had portions of her 2005 police statement read into the record.\u003c/p>\n\u003cp>While authorities in recent months have paraphrased her account and quoted fragments, this was apparently the first time that large sections of her statement — or Cosby’s, for that matter — were made public.\u003c/p>\n\u003cp>Constand told police that the comedian penetrated her with his fingers and fondled her at his suburban Philadelphia mansion in 2004 after giving her what he said was herbal medication. After taking the pills, she said, “everything was blurry and dizzy.”\u003c/p>\n\u003cp>“I told him, ‘I can’t even talk, Mr. Cosby.’ I started to panic,” she told police.\u003c/p>\n\u003cp>She said she awoke with her bra askew and did not remember undoing it.\u003c/p>\n\u003cp>Cosby’s lawyers argued unsuccessfully that having a police officer read Constand’s statement instead of putting her on the stand would be third-hand testimony and would deprive him of his right to confront his accuser. But reading a police statement into the record is common practice at preliminary hearings in Pennsylvania.\u003c/p>\n\u003cp>The defense also argued that Constand was having a relationship with a married man and that they had engaged in “petting” during her two or three earlier visits to his home.\u003c/p>\n\u003cp>In his own 2005 statement to police, excerpts of which were also read in court, Cosby said Constand never said “no” as he put his hand down her pants. He told police the pills were over-the-counter Benadryl that he takes to help him sleep.\u003c/p>\n\u003cp>Cosby attorney Brian McMonagle also questioned why Constand continued to see the comedian and even returned to the house to meet with him after the alleged assault.\u003c/p>\n\u003cp>In addition, the defense seized on discrepancies in the three police statements Constand gave, including her shifting memory of precisely when the encounter occurred.\u003c/p>\n\u003cp>Cosby settled with Constand for an undisclosed sum in 2006 after testifying behind closed doors about his extramarital affairs, his use of quaaludes to seduce women and his efforts to hide payments to former lovers from his wife.\u003c/p>\n\u003cp>But prosecutors reopened the criminal case last year after dozens of women leveled similar allegations and after Cosby’s sealed testimony in Constand’s lawsuit was made public.\u003c/p>\n\u003cp>Cosby’s lawyers are trying to get the case thrown out, arguing that a previous prosecutor made a binding promise a decade ago that the comic would never be charged.\u003c/p>\n\u003cp>He is also fighting defamation lawsuits across the country for allegedly branding his accusers liars and is trying to get his homeowner insurance to pay his legal bills.\u003c/p>\n\u003cp>The Associated Press does not normally identify people who say they were victims of sex crimes unless they agree to be named publicly, which Constand has done.\u003c/p>\n\u003cp>_____\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>She called him “Mr. Cosby” and considered him a trusted friend and mentor.\u003c/p>\n\u003cp>But 20 minutes after Bill Cosby offered her three blue pills and told her to take them with the wine he had set out, Andrea Constand’s legs began to wobble “like jelly,” her eyes went blurry and her head began to throb.\u003c/p>\n\u003cp>Cosby helped her to a couch in his living room, where she later realized he violated her as she lay helplessly in a stupor, she told police in 2005.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>On Tuesday, a judge ordered the 78-year-old Cosby to stand trial on sexual assault charges on the strength of Constand’s decade-old police statement, sparing the former Temple University employee the need to testify at the preliminary hearing.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Cosby could get 10 years in prison if convicted in the case, the only criminal charges brought against the comedian out of the barrage of allegations that he drugged and molested dozens of women over five decades. He is free on $1 million bail.\u003c/p>\n\u003cp>A trial date was not immediately set.\u003c/p>\n\u003cp>Cosby, looking less frail than he did when he was arrested five months ago, seemed unfazed by District Judge Elizabeth McHugh’s decision.\u003c/p>\n\u003cp>“Mr. Cosby is not guilty of any crime, and not one single fact presented by the commonwealth rebuts this truth,” his lawyers said in a statement afterward.\u003c/p>\n\u003cp>The hearing was not the face-to-face confrontation between accuser and accused that some had anticipated: Constand, who is now a massage therapist in Toronto, was not in the courtroom, and the judge ruled that she did not have to testify at this stage. Instead, prosecutors had portions of her 2005 police statement read into the record.\u003c/p>\n\u003cp>While authorities in recent months have paraphrased her account and quoted fragments, this was apparently the first time that large sections of her statement — or Cosby’s, for that matter — were made public.\u003c/p>\n\u003cp>Constand told police that the comedian penetrated her with his fingers and fondled her at his suburban Philadelphia mansion in 2004 after giving her what he said was herbal medication. After taking the pills, she said, “everything was blurry and dizzy.”\u003c/p>\n\u003cp>“I told him, ‘I can’t even talk, Mr. Cosby.’ I started to panic,” she told police.\u003c/p>\n\u003cp>She said she awoke with her bra askew and did not remember undoing it.\u003c/p>\n\u003cp>Cosby’s lawyers argued unsuccessfully that having a police officer read Constand’s statement instead of putting her on the stand would be third-hand testimony and would deprive him of his right to confront his accuser. But reading a police statement into the record is common practice at preliminary hearings in Pennsylvania.\u003c/p>\n\u003cp>The defense also argued that Constand was having a relationship with a married man and that they had engaged in “petting” during her two or three earlier visits to his home.\u003c/p>\n\u003cp>In his own 2005 statement to police, excerpts of which were also read in court, Cosby said Constand never said “no” as he put his hand down her pants. He told police the pills were over-the-counter Benadryl that he takes to help him sleep.\u003c/p>\n\u003cp>Cosby attorney Brian McMonagle also questioned why Constand continued to see the comedian and even returned to the house to meet with him after the alleged assault.\u003c/p>\n\u003cp>In addition, the defense seized on discrepancies in the three police statements Constand gave, including her shifting memory of precisely when the encounter occurred.\u003c/p>\n\u003cp>Cosby settled with Constand for an undisclosed sum in 2006 after testifying behind closed doors about his extramarital affairs, his use of quaaludes to seduce women and his efforts to hide payments to former lovers from his wife.\u003c/p>\n\u003cp>But prosecutors reopened the criminal case last year after dozens of women leveled similar allegations and after Cosby’s sealed testimony in Constand’s lawsuit was made public.\u003c/p>\n\u003cp>Cosby’s lawyers are trying to get the case thrown out, arguing that a previous prosecutor made a binding promise a decade ago that the comic would never be charged.\u003c/p>\n\u003cp>He is also fighting defamation lawsuits across the country for allegedly branding his accusers liars and is trying to get his homeowner insurance to pay his legal bills.\u003c/p>\n\u003cp>The Associated Press does not normally identify people who say they were victims of sex crimes unless they agree to be named publicly, which Constand has done.\u003c/p>\n\u003cp>_____\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "If '30 Rock' Is Hillary Clinton, Then 'Kimmy Schmidt' Is Bernie Sanders",
"title": "If '30 Rock' Is Hillary Clinton, Then 'Kimmy Schmidt' Is Bernie Sanders",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>Outside her rabid fan base, Tina Fey is best known for her flawless impersonation of vice-presidential nominee Sarah Palin, don’tchaknow. But binge-watch enough Netflix and/or C-SPAN Benghazi hearings — perhaps under the influence of \u003ca class=\"markup--anchor markup--p-anchor\" href=\"https://www.youtube.com/watch?v=A6yttOfIvOw\" rel=\"nofollow\">pinot noir\u003c/a> — and you’ll notice additional Tina Fey-ian political connections.\u003c/p>\n\u003cp id=\"1ceb\" class=\"graf--p graf-after--p\">If\u003cem class=\"markup--em markup--p-em\"> 30 Rock\u003c/em> is the Hillary Clinton of Tina Fey sitcoms — corporate, liberal, still struggling with race--then \u003cem class=\"markup--em markup--p-em\">Unbreakable Kimmy Schmidt \u003c/em>is the Bernie Sanders — populist, radical, and, well…still struggling with race.\u003c/p>\n\u003cp id=\"09c0\" class=\"graf--p graf-after--p\">\u003cem class=\"markup--em markup--p-em\">30 Rock\u003c/em> centers squarely around White Feminist™ Liz Lemon, who spends her days navigating a cynical, male-dominated world and routinely resolving the bizarre, petty problems of her coworkers, much like what Hillary had to do in her years as Senator and Secretary of State.\u003c/p>\n\u003cp class=\"graf--p graf-after--p\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-8.gif\">\u003cimg class=\"aligncenter wp-image-25078 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-8.gif\" alt=\"liz lemon 30 rock gif\" width=\"694\" height=\"381\">\u003c/a>\u003c/p>\n\u003cp class=\"graf--p graf-after--p\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-9.gif\">\u003cimg class=\"aligncenter wp-image-25077 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-9.gif\" alt=\"hillary clinton gif\" width=\"480\" height=\"300\">\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp class=\"graf--p graf-after--p\">\u003cem class=\"markup--em markup--p-em\">30 Rock \u003c/em>is the adopted New Yorker, who knows how to work the system and maybe just moved to the Empire State to snag a high-profile gig in television...or a Senate seat. While \u003cem class=\"markup--em markup--p-em\">30 Rock\u003c/em> rarely ventures outside the confines of its titular office, \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt \u003c/em>romps around New York City, elbow to elbow with the people, trading in authenticity and quirk like a certain wispy-haired septuagenarian.\u003c/p>\n\u003cp class=\"graf--p graf-after--p\">Class divisions are a frequent punchline on both\u003cem class=\"markup--em markup--p-em\"> 30 Rock\u003c/em> and \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt\u003c/em>. Three of \u003cem class=\"markup--em markup--p-em\">30 Rock\u003c/em>’s major characters — Jack, Tracy, and Jenna— have transcended their economically humble origins to the (frequently mocked) life of one-percenters. Despite rapid social mobility in their personal lives, these three are doing little to radically overhaul the systems that benefit them and shut out others, similar to a certain presidential candidate \u003ca class=\"markup--anchor markup--p-anchor\" href=\"http://fortune.com/2016/02/15/hillary-clinton-net-worth-finances/\" rel=\"nofollow\">whose net worth is over $30 million.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=FbDmJrZZcI0\u003c/p>\n\u003cp id=\"fd6d\" class=\"graf--p graf-after--figure\">While \u003cem class=\"markup--em markup--p-em\">30 Rock’s\u003c/em> characters were primarily upwardly mobile, as of season two, \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt\u003c/em>’s core crew remains broke. Kimmy and her roommate Titus bounce between typical New York gigs: Uber driver, baby-sitter, Santa’s helper, dinner theater werewolf. Kimmy and Titus’ similarly working-class landlady, Lillian, ferociously defends her neighborhood against impending gentrification. In the new season of\u003cem class=\"markup--em markup--p-em\"> Kimmy Schmidt\u003c/em>, Lillian becomes aggravated when her neighbors mistake her for a kindly old lady, instead of the hell-raiser she is. She chains herself to bulldozers, intimidates invading hipsters, and bludgeons unsuspecting SUVs. Take note of these tactics in the event of \u003ca href=\"http://www.cnn.com/2016/03/29/politics/susan-sarandon-donald-trump-hillary-clinton-bernie-sanders/\">the revolution Susan Sarandon speaks of\u003c/a>.\u003c/p>\n\u003cfigure id=\"cfb3\" class=\"graf--figure graf--iframe graf-after--p\">\n\u003cdiv class=\"iframeContainer\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-10.gif\">\u003cimg class=\"aligncenter size-full wp-image-25081\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-10.gif\" alt=\"lillian kimmy schmidt gif\" width=\"400\" height=\"225\">\u003c/a>\u003c/div>\n\u003c/figure>\n\u003cp id=\"eb0a\" class=\"graf--p graf-after--figure\">As conscious as both \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt\u003c/em> and Bernie Sanders are around class struggles, race is more loaded. On the campaign trail, both \u003ca class=\"markup--anchor markup--p-anchor\" href=\"http://www.msnbc.com/msnbc/bernie-sanders-ghetto-gaffe-highlights-campaigns-struggle-race\" rel=\"nofollow\">Sanders\u003c/a> and \u003ca class=\"markup--anchor markup--p-anchor\" href=\"http://www.thenation.com/article/hillary-clinton-does-not-deserve-black-peoples-votes/\" rel=\"nofollow\">Clinton\u003c/a> have often stumbled in addressing their policies and histories around racial justice.\u003c/p>\n\u003cp id=\"8a45\" class=\"graf--p graf-after--p\">\u003cem class=\"markup--em markup--p-em\">30 Rock\u003c/em> and \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt \u003c/em>frequently flail when attempting provocative plot lines around race. On \u003cem class=\"markup--em markup--p-em\">30 Rock, \u003c/em>Tracy often encapsulated every possible stereotype of a black, heterosexual man (though he was slyly undercut by erudite posse, Grizz and Dot-Com). The show also delved into blackface…multiple times. On the latest season of \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt,\u003c/em> Titus takes on the persona of a geisha for a one-man show; Kimmy’s good-at-math GED class paramour, Dong Nguyen, feels like a passive cliché at times; and Jacqueline's (played by the inescapably white Jane Krasowski) continued attempts to reconnect with her Native American heritage fall flat.\u003c/p>\n\u003cp class=\"graf--p graf-after--p\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-11.gif\">\u003cimg class=\"aligncenter size-full wp-image-25083\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-11.gif\" alt=\"kimmy white nonsense titus gif\" width=\"500\" height=\"281\">\u003c/a>\u003c/p>\n\u003cp id=\"608f\" class=\"graf--p graf-after--figure\">Whether in the next season or on the campaign trail, Tina, Hillary (\u003ca class=\"markup--anchor markup--p-anchor\" href=\"http://www.npr.org/2016/04/07/473428472/bill-clinton-gets-into-heated-exchange-with-black-lives-matter-protester\" rel=\"nofollow\">plus Bill\u003c/a>), and Bernie all have the opportunity to shine when it comes to racial issues. Rather than belittling activists, Sanders and Clinton can take a lesson from Fey’s comedy, in which the funniest plot lines always “punch up.” In season one of \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt\u003c/em>, for instance, Titus realizes that his fellow New Yorkers treat him better in his werewolf costume than as a Black man.\u003c/p>\n\u003cp class=\"graf--p graf-after--figure\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-13.gif\">\u003cimg class=\"aligncenter size-full wp-image-25084\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-13.gif\" alt=\"kimmy schmidt werewolf gif\" width=\"268\" height=\"194\">\u003c/a>\u003c/p>\n\u003cp id=\"32dd\" class=\"graf--p graf-after--figure\">Comedians and politicians alike must name and mock the absurdity of racism, from the writers’ room in 30 Rockefeller Plaza to a fried-Twinkie-saturated rural Iowan campaign stop. Though Tina Fey’s shows occasionally fumble, both \u003cem class=\"markup--em markup--p-em\">30 Rock\u003c/em> and \u003cem class=\"markup--em markup--p-em\">Unbreakable Kimmy Schmidt\u003c/em> are far better alternatives to the garbage fire that is \u003cem class=\"markup--em markup--p-em\">The Apprentice.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp class=\"graf--p graf-after--figure\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-12.gif\">\u003cimg class=\"aligncenter size-full wp-image-25085\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-12.gif\" alt=\"tina fey 30 rock gif\" width=\"444\" height=\"250\">\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Outside her rabid fan base, Tina Fey is best known for her flawless impersonation of vice-presidential nominee Sarah Palin, don’tchaknow. But binge-watch enough Netflix and/or C-SPAN Benghazi hearings — perhaps under the influence of \u003ca class=\"markup--anchor markup--p-anchor\" href=\"https://www.youtube.com/watch?v=A6yttOfIvOw\" rel=\"nofollow\">pinot noir\u003c/a> — and you’ll notice additional Tina Fey-ian political connections.\u003c/p>\n\u003cp id=\"1ceb\" class=\"graf--p graf-after--p\">If\u003cem class=\"markup--em markup--p-em\"> 30 Rock\u003c/em> is the Hillary Clinton of Tina Fey sitcoms — corporate, liberal, still struggling with race--then \u003cem class=\"markup--em markup--p-em\">Unbreakable Kimmy Schmidt \u003c/em>is the Bernie Sanders — populist, radical, and, well…still struggling with race.\u003c/p>\n\u003cp id=\"09c0\" class=\"graf--p graf-after--p\">\u003cem class=\"markup--em markup--p-em\">30 Rock\u003c/em> centers squarely around White Feminist™ Liz Lemon, who spends her days navigating a cynical, male-dominated world and routinely resolving the bizarre, petty problems of her coworkers, much like what Hillary had to do in her years as Senator and Secretary of State.\u003c/p>\n\u003cp class=\"graf--p graf-after--p\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-8.gif\">\u003cimg class=\"aligncenter wp-image-25078 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-8.gif\" alt=\"liz lemon 30 rock gif\" width=\"694\" height=\"381\">\u003c/a>\u003c/p>\n\u003cp class=\"graf--p graf-after--p\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-9.gif\">\u003cimg class=\"aligncenter wp-image-25077 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-9.gif\" alt=\"hillary clinton gif\" width=\"480\" height=\"300\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp class=\"graf--p graf-after--p\">\u003cem class=\"markup--em markup--p-em\">30 Rock \u003c/em>is the adopted New Yorker, who knows how to work the system and maybe just moved to the Empire State to snag a high-profile gig in television...or a Senate seat. While \u003cem class=\"markup--em markup--p-em\">30 Rock\u003c/em> rarely ventures outside the confines of its titular office, \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt \u003c/em>romps around New York City, elbow to elbow with the people, trading in authenticity and quirk like a certain wispy-haired septuagenarian.\u003c/p>\n\u003cp class=\"graf--p graf-after--p\">Class divisions are a frequent punchline on both\u003cem class=\"markup--em markup--p-em\"> 30 Rock\u003c/em> and \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt\u003c/em>. Three of \u003cem class=\"markup--em markup--p-em\">30 Rock\u003c/em>’s major characters — Jack, Tracy, and Jenna— have transcended their economically humble origins to the (frequently mocked) life of one-percenters. Despite rapid social mobility in their personal lives, these three are doing little to radically overhaul the systems that benefit them and shut out others, similar to a certain presidential candidate \u003ca class=\"markup--anchor markup--p-anchor\" href=\"http://fortune.com/2016/02/15/hillary-clinton-net-worth-finances/\" rel=\"nofollow\">whose net worth is over $30 million.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/FbDmJrZZcI0'\n title='//www.youtube.com/embed/FbDmJrZZcI0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp id=\"fd6d\" class=\"graf--p graf-after--figure\">While \u003cem class=\"markup--em markup--p-em\">30 Rock’s\u003c/em> characters were primarily upwardly mobile, as of season two, \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt\u003c/em>’s core crew remains broke. Kimmy and her roommate Titus bounce between typical New York gigs: Uber driver, baby-sitter, Santa’s helper, dinner theater werewolf. Kimmy and Titus’ similarly working-class landlady, Lillian, ferociously defends her neighborhood against impending gentrification. In the new season of\u003cem class=\"markup--em markup--p-em\"> Kimmy Schmidt\u003c/em>, Lillian becomes aggravated when her neighbors mistake her for a kindly old lady, instead of the hell-raiser she is. She chains herself to bulldozers, intimidates invading hipsters, and bludgeons unsuspecting SUVs. Take note of these tactics in the event of \u003ca href=\"http://www.cnn.com/2016/03/29/politics/susan-sarandon-donald-trump-hillary-clinton-bernie-sanders/\">the revolution Susan Sarandon speaks of\u003c/a>.\u003c/p>\n\u003cfigure id=\"cfb3\" class=\"graf--figure graf--iframe graf-after--p\">\n\u003cdiv class=\"iframeContainer\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-10.gif\">\u003cimg class=\"aligncenter size-full wp-image-25081\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-10.gif\" alt=\"lillian kimmy schmidt gif\" width=\"400\" height=\"225\">\u003c/a>\u003c/div>\n\u003c/figure>\n\u003cp id=\"eb0a\" class=\"graf--p graf-after--figure\">As conscious as both \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt\u003c/em> and Bernie Sanders are around class struggles, race is more loaded. On the campaign trail, both \u003ca class=\"markup--anchor markup--p-anchor\" href=\"http://www.msnbc.com/msnbc/bernie-sanders-ghetto-gaffe-highlights-campaigns-struggle-race\" rel=\"nofollow\">Sanders\u003c/a> and \u003ca class=\"markup--anchor markup--p-anchor\" href=\"http://www.thenation.com/article/hillary-clinton-does-not-deserve-black-peoples-votes/\" rel=\"nofollow\">Clinton\u003c/a> have often stumbled in addressing their policies and histories around racial justice.\u003c/p>\n\u003cp id=\"8a45\" class=\"graf--p graf-after--p\">\u003cem class=\"markup--em markup--p-em\">30 Rock\u003c/em> and \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt \u003c/em>frequently flail when attempting provocative plot lines around race. On \u003cem class=\"markup--em markup--p-em\">30 Rock, \u003c/em>Tracy often encapsulated every possible stereotype of a black, heterosexual man (though he was slyly undercut by erudite posse, Grizz and Dot-Com). The show also delved into blackface…multiple times. On the latest season of \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt,\u003c/em> Titus takes on the persona of a geisha for a one-man show; Kimmy’s good-at-math GED class paramour, Dong Nguyen, feels like a passive cliché at times; and Jacqueline's (played by the inescapably white Jane Krasowski) continued attempts to reconnect with her Native American heritage fall flat.\u003c/p>\n\u003cp class=\"graf--p graf-after--p\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-11.gif\">\u003cimg class=\"aligncenter size-full wp-image-25083\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-11.gif\" alt=\"kimmy white nonsense titus gif\" width=\"500\" height=\"281\">\u003c/a>\u003c/p>\n\u003cp id=\"608f\" class=\"graf--p graf-after--figure\">Whether in the next season or on the campaign trail, Tina, Hillary (\u003ca class=\"markup--anchor markup--p-anchor\" href=\"http://www.npr.org/2016/04/07/473428472/bill-clinton-gets-into-heated-exchange-with-black-lives-matter-protester\" rel=\"nofollow\">plus Bill\u003c/a>), and Bernie all have the opportunity to shine when it comes to racial issues. Rather than belittling activists, Sanders and Clinton can take a lesson from Fey’s comedy, in which the funniest plot lines always “punch up.” In season one of \u003cem class=\"markup--em markup--p-em\">Kimmy Schmidt\u003c/em>, for instance, Titus realizes that his fellow New Yorkers treat him better in his werewolf costume than as a Black man.\u003c/p>\n\u003cp class=\"graf--p graf-after--figure\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-13.gif\">\u003cimg class=\"aligncenter size-full wp-image-25084\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-13.gif\" alt=\"kimmy schmidt werewolf gif\" width=\"268\" height=\"194\">\u003c/a>\u003c/p>\n\u003cp id=\"32dd\" class=\"graf--p graf-after--figure\">Comedians and politicians alike must name and mock the absurdity of racism, from the writers’ room in 30 Rockefeller Plaza to a fried-Twinkie-saturated rural Iowan campaign stop. Though Tina Fey’s shows occasionally fumble, both \u003cem class=\"markup--em markup--p-em\">30 Rock\u003c/em> and \u003cem class=\"markup--em markup--p-em\">Unbreakable Kimmy Schmidt\u003c/em> are far better alternatives to the garbage fire that is \u003cem class=\"markup--em markup--p-em\">The Apprentice.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp class=\"graf--p graf-after--figure\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-12.gif\">\u003cimg class=\"aligncenter size-full wp-image-25085\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/giphy-12.gif\" alt=\"tina fey 30 rock gif\" width=\"444\" height=\"250\">\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Bill Cosby has lost a bid to delay a key hearing Tuesday in his criminal sex-assault case.\u003c/p>\n\u003cp>The Pennsylvania Supreme Court has refused to grant a delay while Cosby tries again to have the case thrown out.\u003c/p>\n\u003cp>The 78-year-old entertainer is appealing a ruling that upheld charges based on his 2004 encounter with a Temple University employee.\u003c/p>\n\u003cp>Cosby believes he has a deal with a former prosecutor that he could never be charged in the case. He says that’s why he testified in the woman’s civil lawsuit.\u003c/p>\n\u003cp>The Supreme Court order Monday does not say if the appeal is still being considered. But the order denies Cosby’s bid to postpone Tuesday’s preliminary hearing.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The hearing will determine if prosecutors have enough evidence to send the case to trial.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved.\u003c/p>\n\n",
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"disqusTitle": "Bob the Drag Queen on Winning Drag Race, Rising Above Haters and Putting Purse First",
"title": "Bob the Drag Queen on Winning Drag Race, Rising Above Haters and Putting Purse First",
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"content": "\u003cp>From political activism and self-care to why he's cool with Paula Deen and why Barbara Walters is a gangsta.\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2016/05/Bob.mp3\" title=\"Bob the Drag Queen on Winning Drag Race, Rising Above Haters and Putting Purse First\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>This week, we've been blessed from on high by Ru-sus herself and are joined by the newly crowned \u003cem>RuPaul’s Drag Race\u003c/em> champion, first name Bob, last name The Drag Queen!\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7Bt7ew02968\u003c/p>\n\u003cp>Bob does not hold back on topics ranging from political activism and self-care to why he's cool with Paula Deen and why Barbara Walters is a gangsta.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/tumblr_mkt0q5Kvmg1rn94dto1_500.gif\">\u003cimg class=\"aligncenter wp-image-24990 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/tumblr_mkt0q5Kvmg1rn94dto1_500.gif\" alt=\"barbara walters nicki minaj gif\" width=\"500\" height=\"227\">\u003c/a>\u003c/p>\n\u003cp>And we cap things off with Bob's debut single \"Purse First\" because duh:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=zuogbfF6VR8\u003c/p>\n\u003cp>If you're in love with Bob after listening to our episode (highly likely), \u003ca href=\"http://store.peacheschrist.com/products/171-the-drag-queens-of-comedy-2016.aspx\">nab some tickets\u003c/a> to see him perform on May 28, 2016 at The Castro Theatre as part of The Drag Queens of Comedy!\u003c/p>\n\u003cp>http://store.peacheschrist.com/products/171-the-drag-queens-of-comedy-2016.aspx\u003c/p>\n\u003cp>Until next week!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp>This week, we've been blessed from on high by Ru-sus herself and are joined by the newly crowned \u003cem>RuPaul’s Drag Race\u003c/em> champion, first name Bob, last name The Drag Queen!\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7Bt7ew02968'\n title='//www.youtube.com/embed/7Bt7ew02968'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Bob does not hold back on topics ranging from political activism and self-care to why he's cool with Paula Deen and why Barbara Walters is a gangsta.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/tumblr_mkt0q5Kvmg1rn94dto1_500.gif\">\u003cimg class=\"aligncenter wp-image-24990 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/05/tumblr_mkt0q5Kvmg1rn94dto1_500.gif\" alt=\"barbara walters nicki minaj gif\" width=\"500\" height=\"227\">\u003c/a>\u003c/p>\n\u003cp>And we cap things off with Bob's debut single \"Purse First\" because duh:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/zuogbfF6VR8'\n title='//www.youtube.com/embed/zuogbfF6VR8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>If you're in love with Bob after listening to our episode (highly likely), \u003ca href=\"http://store.peacheschrist.com/products/171-the-drag-queens-of-comedy-2016.aspx\">nab some tickets\u003c/a> to see him perform on May 28, 2016 at The Castro Theatre as part of The Drag Queens of Comedy!\u003c/p>\n\u003cp>http://store.peacheschrist.com/products/171-the-drag-queens-of-comedy-2016.aspx\u003c/p>\n\u003cp>Until next week!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"soldout": {
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"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
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