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I was just a 9-year-old kid growing up in Compton, California, with a dream and this is the dream that I had.”\u003c/p>\n\u003cp>They were among a number of black actors recognized by TV academy voters, who have started to keep pace with TV’s growing diversity — in sharp contrast to moviedom’s Academy Awards, which were slammed as “Oscars So White” this year.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Viola Davis, the \u003cem>How to Get Away with Murder\u003c/em> star who last year became the first woman of color to win a best drama actress trophy, was nominated again. So was \u003cem>Empire\u003c/em> star Taraji P. Henson.\u003c/p>\n\u003cp>Each of the major acting categories included at least one minority nominee. But there were no major nods for the stars of \u003cem>Fresh Off the Boat\u003c/em> or other Asian-American actors, or for Latinos, which has been a recurrent Emmy pattern.\u003c/p>\n\u003cp>Networks have reason for concern as well. In the increasingly crowded TV universe, traditional broadcasts again lost Emmy ground to emerging platforms, including streaming services Netflix and Amazon, both of which boosted their tallies. Even HBO, which again earned the most bids led by “Game of Thrones,” marked a retreat in what had been its ever-growing dominance: its haul dropped from 126 nods last year to 94 this time.\u003cbr>\n\u003cem>\u003cbr>\nGame of Thrones\u003c/em> and \u003cem>Mr. Robot\u003c/em> will compete with \u003cem>Better Call Saul\u003c/em>, \u003cem>Homeland\u003c/em>, \u003cem>House of Cards\u003c/em>, \u003cem>The Americans\u003c/em> and \u003cem>Downton Abbey\u003c/em>, the last a nod for its farewell season. But the final season of \u003cem>The Good Wife\u003c/em> was not recognized, and star Julianna Margulies also was snubbed.\u003c/p>\n\u003cp>For Stephen Colbert, it was the inaugural season of his CBS late-night show that was overlooked, while network colleague James Corden earned a best variety talk series bid for his “Late Late Show.”\u003c/p>\n\u003cp>Aziz Ansari received a lead comedy acting bid for his series \u003cem>Master of None\u003c/em>, a first for an Indian-American actor, and the show received a best comedy series nomination. Rami Malek, of Egyptian descent, earned a top drama acting nod for his role as a renegade hacker in another freshman, \u003cem>Mr. Robot\u003c/em>, which also will compete for drama honors.\u003c/p>\n\u003cp>\u003cem>The Americans\u003c/em>, which gained in attention last season, also earned bids for its stars, Keri Russell and Matthew Rhys.\u003c/p>\n\u003cp>Besides Russell, Davis and Henson, lead drama actress bids went to Claire Danes for \u003cem>Homeland \u003c/em>and Tatiana Maslany for \u003cem>Orphan Black\u003c/em>.\u003c/p>\n\u003cp>Malek and Rhys will be competing with Kevin Spacey for \u003cem>House of Cards\u003c/em>, Kyle Chandler for \u003cem>Bloodline\u003c/em>, Bob Odenkirk for \u003cem>Better Call Saul\u003c/em> and Liev Schreiber for \u003cem>Ray Donovan\u003c/em>.\u003c/p>\n\u003cp>The ensemble cast of \u003cem>Game of Thrones\u003c/em> found leading bids elusive. Peter Dinklage, named last year’s best supporting actor, will defend his title, with a nod also going to Kit Harington, who plays fan favorite Jon Snow. Emilia Clarke, Lena Headey and Maisie Williams earned supporting actress bids in a year that the show’s female characters gained the upper hand.\u003c/p>\n\u003cp>On the comedy side, \u003cem>Veep\u003c/em>, \u003cem>black-ish\u003c/em> and \u003cem>Master of None\u003c/em> will tussle for the trophy with five-time champ \u003cem>Modern Family\u003c/em>, \u003cem>Transparent\u003c/em>, \u003cem>Silicon Valley\u003c/em> and \u003cem>Unbreakable Kimmy Schmidt\u003c/em>.\u003c/p>\n\u003cp>A top acting nod for \u003cem>Veep\u003c/em> star Julia Louis-Dreyfus, who plays a U.S. vice president now elevated to the Oval Office, gives her the chance to score her fifth consecutive win and set a record.\u003c/p>\n\u003cp>She and Ross will be competing with Ellie Kemper in \u003cem>Unbreakable Kimmy Schmidt\u003c/em>, Laurie Metcalf in \u003cem>Getting On\u003c/em>, Amy Schumer in \u003cem>Inside Amy Schumer\u003c/em> and Lily Tomlin in \u003cem>Grace and Frankie\u003c/em>.\u003c/p>\n\u003cp>\u003cem>Black-ish\u003c/em> star Anderson, who got his second nod, will be competing with last year’s winner, Jeffrey Tambor of \u003cem>Transparent\u003c/em>, along with Ansari, Will Forte for \u003cem>The Last Man on Earth\u003c/em>, William H. Macy for \u003cem>Shameless\u003c/em> and Thomas Middleditch for \u003cem>Silicon Valley\u003c/em>.\u003c/p>\n\u003cp>\u003cem>The People v. O.J. Simpson: American Crime Story\u003c/em>, which recounted the football legend’s sensational, racially charged trial for the slayings of his ex-wife, Nicole Brown Simpson, and her friend, Ron Goldman, is a best limited series nominee and earned a number of acting awards for its cast’s portrayal of well-known figures.\u003c/p>\n\u003cp>Lead nominations went to Cuba Gooding Jr. as Simpson, Courtney B. Vance as defense attorney Johnnie Cochran and Sarah Paulson as prosecutor Marcia Clark. Supporting bids were given to Sterling K. Brown as prosecutor Christopher Darden, David Schwimmer as Simpson friend Robert Kardashian — patriarch of the now-famous family — and John Travolta as defense attorney Robert Shapiro.\u003c/p>\n\u003cp>Gooding and Vance will compete with Bryan Cranston as President Lyndon B. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Power-and-blood fantasy saga \u003cem>Game of Thrones\u003c/em> ruled the Emmy Award nominations Thursday with a leading 23 bids, including best drama, while a real-life epic of murder and celebrity, \u003cem>The People v. O.J. Simpson\u003c/em>, was close behind with 22 nods.\u003c/p>\n\u003cp>\u003cem>Game of Thrones\u003c/em>, which won a record 12 Emmys last fall including best drama, gets the chance to claim its second top award. \u003cem>Veep\u003c/em>, last year’s best comedy series winner, also will get another shot at holding office and, with 17 nominations, was the comedy leader.\u003c/p>\n\u003cp>Breakthrough nominations include a best comedy series nod for sophomore \u003cem>black-ish\u003c/em>, which brought the African-American family sitcom back to network TV, with bids as well for its stars, Anthony Anderson — who helped announce the awards live on Thursday and read his show’s name with glee — and his co-star Tracee Ellis Ross.\u003c/p>\n\u003cp>“I’m on cloud nine right now,” Anderson said afterward. “When hope becomes reality, that’s what it is. I was just a 9-year-old kid growing up in Compton, California, with a dream and this is the dream that I had.”\u003c/p>\n\u003cp>They were among a number of black actors recognized by TV academy voters, who have started to keep pace with TV’s growing diversity — in sharp contrast to moviedom’s Academy Awards, which were slammed as “Oscars So White” this year.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Viola Davis, the \u003cem>How to Get Away with Murder\u003c/em> star who last year became the first woman of color to win a best drama actress trophy, was nominated again. So was \u003cem>Empire\u003c/em> star Taraji P. Henson.\u003c/p>\n\u003cp>Each of the major acting categories included at least one minority nominee. But there were no major nods for the stars of \u003cem>Fresh Off the Boat\u003c/em> or other Asian-American actors, or for Latinos, which has been a recurrent Emmy pattern.\u003c/p>\n\u003cp>Networks have reason for concern as well. In the increasingly crowded TV universe, traditional broadcasts again lost Emmy ground to emerging platforms, including streaming services Netflix and Amazon, both of which boosted their tallies. Even HBO, which again earned the most bids led by “Game of Thrones,” marked a retreat in what had been its ever-growing dominance: its haul dropped from 126 nods last year to 94 this time.\u003cbr>\n\u003cem>\u003cbr>\nGame of Thrones\u003c/em> and \u003cem>Mr. Robot\u003c/em> will compete with \u003cem>Better Call Saul\u003c/em>, \u003cem>Homeland\u003c/em>, \u003cem>House of Cards\u003c/em>, \u003cem>The Americans\u003c/em> and \u003cem>Downton Abbey\u003c/em>, the last a nod for its farewell season. But the final season of \u003cem>The Good Wife\u003c/em> was not recognized, and star Julianna Margulies also was snubbed.\u003c/p>\n\u003cp>For Stephen Colbert, it was the inaugural season of his CBS late-night show that was overlooked, while network colleague James Corden earned a best variety talk series bid for his “Late Late Show.”\u003c/p>\n\u003cp>Aziz Ansari received a lead comedy acting bid for his series \u003cem>Master of None\u003c/em>, a first for an Indian-American actor, and the show received a best comedy series nomination. Rami Malek, of Egyptian descent, earned a top drama acting nod for his role as a renegade hacker in another freshman, \u003cem>Mr. Robot\u003c/em>, which also will compete for drama honors.\u003c/p>\n\u003cp>\u003cem>The Americans\u003c/em>, which gained in attention last season, also earned bids for its stars, Keri Russell and Matthew Rhys.\u003c/p>\n\u003cp>Besides Russell, Davis and Henson, lead drama actress bids went to Claire Danes for \u003cem>Homeland \u003c/em>and Tatiana Maslany for \u003cem>Orphan Black\u003c/em>.\u003c/p>\n\u003cp>Malek and Rhys will be competing with Kevin Spacey for \u003cem>House of Cards\u003c/em>, Kyle Chandler for \u003cem>Bloodline\u003c/em>, Bob Odenkirk for \u003cem>Better Call Saul\u003c/em> and Liev Schreiber for \u003cem>Ray Donovan\u003c/em>.\u003c/p>\n\u003cp>The ensemble cast of \u003cem>Game of Thrones\u003c/em> found leading bids elusive. Peter Dinklage, named last year’s best supporting actor, will defend his title, with a nod also going to Kit Harington, who plays fan favorite Jon Snow. Emilia Clarke, Lena Headey and Maisie Williams earned supporting actress bids in a year that the show’s female characters gained the upper hand.\u003c/p>\n\u003cp>On the comedy side, \u003cem>Veep\u003c/em>, \u003cem>black-ish\u003c/em> and \u003cem>Master of None\u003c/em> will tussle for the trophy with five-time champ \u003cem>Modern Family\u003c/em>, \u003cem>Transparent\u003c/em>, \u003cem>Silicon Valley\u003c/em> and \u003cem>Unbreakable Kimmy Schmidt\u003c/em>.\u003c/p>\n\u003cp>A top acting nod for \u003cem>Veep\u003c/em> star Julia Louis-Dreyfus, who plays a U.S. vice president now elevated to the Oval Office, gives her the chance to score her fifth consecutive win and set a record.\u003c/p>\n\u003cp>She and Ross will be competing with Ellie Kemper in \u003cem>Unbreakable Kimmy Schmidt\u003c/em>, Laurie Metcalf in \u003cem>Getting On\u003c/em>, Amy Schumer in \u003cem>Inside Amy Schumer\u003c/em> and Lily Tomlin in \u003cem>Grace and Frankie\u003c/em>.\u003c/p>\n\u003cp>\u003cem>Black-ish\u003c/em> star Anderson, who got his second nod, will be competing with last year’s winner, Jeffrey Tambor of \u003cem>Transparent\u003c/em>, along with Ansari, Will Forte for \u003cem>The Last Man on Earth\u003c/em>, William H. Macy for \u003cem>Shameless\u003c/em> and Thomas Middleditch for \u003cem>Silicon Valley\u003c/em>.\u003c/p>\n\u003cp>\u003cem>The People v. O.J. Simpson: American Crime Story\u003c/em>, which recounted the football legend’s sensational, racially charged trial for the slayings of his ex-wife, Nicole Brown Simpson, and her friend, Ron Goldman, is a best limited series nominee and earned a number of acting awards for its cast’s portrayal of well-known figures.\u003c/p>\n\u003cp>Lead nominations went to Cuba Gooding Jr. as Simpson, Courtney B. Vance as defense attorney Johnnie Cochran and Sarah Paulson as prosecutor Marcia Clark. Supporting bids were given to Sterling K. Brown as prosecutor Christopher Darden, David Schwimmer as Simpson friend Robert Kardashian — patriarch of the now-famous family — and John Travolta as defense attorney Robert Shapiro.\u003c/p>\n\u003cp>Gooding and Vance will compete with Bryan Cranston as President Lyndon B. Johnson in \u003cem>All The Way\u003c/em>, Benedict Cumberbatch in \u003cem>Sherlock: The Abominable Bride (Masterpiece)\u003c/em>, Idris Elba in \u003cem>Luther\u003c/em> and Tom Hiddleston in \u003cem>The Night Manager\u003c/em>.\u003c/p>\n\u003cp>In a phone interview, Paulson said that despite joy over her recognition she was happiest to learn that Brown was nominated for his portrayal of Darden.\u003c/p>\n\u003cp>“I jumped up and down …. more about that than about my own,” Paulson said. “I owe my performance whatever it is to him.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The 68th prime-time Emmy show will be broadcast live on ABC from 8-11 p.m. EDT on Sept. 18, hosted by Jimmy Kimmel.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In the days since last week's horrific violence, we've seen \u003ca href=\"https://ww2.kqed.org/pop/2016/07/08/snoop-dogg-just-held-a-press-conference-with-the-lapd-and-other-musician-responses-to-a-truly-awful-week/\" target=\"_blank\">many celebrities speak out\u003c/a> to express anger, solidarity, or prayers for peace.\u003c/p>\n\u003cp>Now, a who's-who of A-listers have come together for a video in partnership with Mic.com, titled \"23 Ways You Could Be Killed If You Are Black in America.\" In it, Beyoncé, Pink, Chris Rock, Janelle Monae, Rihanna, and other stars solemnly read off the commonplace activities in which black victims of police violence were partaking when they were shot -- followed by a photo of the victim and their name. Oakland's own Oscar Grant III, in case you've forgotten, was simply \"taking a commuter train.\" The sheer volume of names and smiling faces, paired with activities like \"laughing,\" is nothing short of chilling by the video's end.\u003c/p>\n\u003cp>The list ends with a plea from Keys to make your voice heard to President Obama and Congress by clicking over to the website of Keys' nonprofit, \u003ca href=\"http://weareheremovement.com/\" target=\"_blank\">weareheremovement.com\u003c/a>.\u003c/p>\n\u003cp>Watch the video below.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=U_VaNhI4CLo\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cp>Jennifer Aniston is one of those celebrities who provokes endless speculation not because of her outlandish debutante-like behavior, but because of her seeming normality: She's drop-dead gorgeous and fabulously wealthy, yes, but she's also something of a permanent girl next door. She got famous on one of America's most beloved sitcoms, for starters. And then there's her role in the celebrity love triangle that rocked the mid-aughts -- she the jilted good girl to Angelina Jolie's edgy, black swan temptress.\u003c/p>\n\u003cp>This is all, of course, utter bullsh*t perpetrated mostly by tabloids' bottom lines. It does, however, provide some context for why the media has been fixated since time immemorial on whether or not Jennifer Aniston\u003ca href=\"http://www.intouchweekly.com/posts/jennifer-aniston-pregnant-105227\" target=\"_blank\"> is pregnant\u003c/a>, thinking about becoming pregnant, \u003ca href=\"http://www.dailymail.co.uk/tvshowbiz/article-2313617/Jennifer-Aniston-relying-cupping-boost-fertility.html\" target=\"_blank\">sad that she is not pregnant\u003c/a>, or some variation thereof. It's your nagging Aunt Gertie reminding you over the phone from Florida that you're not getting any younger, you know -- only on a world stage. Seems fun!\u003c/p>\n\u003cp>https://twitter.com/KateHarding/status/743152115770597379\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>Well, she's apparently had enough. \u003ca href=\"http://www.huffingtonpost.com/entry/for-the-record_us_57855586e4b03fc3ee4e626f\" target=\"_blank\">Aniston just penned an open letter in the \u003c/a>\u003cem>Huffington Post\u003c/em> decrying the media's objectification of women, alongside journalists' fixation on her childfree existence and when it will end.\u003c/p>\n\u003cblockquote>\u003cp>If I am some kind of symbol to some people out there, then clearly I am an example of the lens through which we, as a society, view our mothers, daughters, sisters, wives, female friends and colleagues. The objectification and scrutiny we put women through is absurd and disturbing. The way I am portrayed by the media is simply a reflection of how we see and portray women in general, measured against some warped standard of beauty. ...\u003c/p>\n\u003cp>The message that girls are not pretty unless they’re incredibly thin, that they’re not worthy of our attention unless they look like a supermodel or an actress on the cover of a magazine is something we’re all willingly buying into. This conditioning is something girls then carry into womanhood. We use celebrity “news” to perpetuate this dehumanizing view of females, focused solely on one’s physical appearance, which tabloids turn into a sporting event of speculation. Is she pregnant? Is she eating too much? Has she let herself go? Is her marriage on the rocks because the camera detects some physical “imperfection”?\u003c/p>\u003c/blockquote>\n\u003cp>And:\u003c/p>\n\u003cblockquote>\u003cp>I have grown tired of being part of this narrative. Yes, I may become a mother some day, and since I’m laying it all out there, if I ever do, I will be the first to let you know. But I’m not in pursuit of motherhood because I feel incomplete in some way, as our celebrity news culture would lead us all to believe. I resent being made to feel “less than” because my body is changing and/or I had a burger for lunch and was photographed from a weird angle and therefore deemed one of two things: “pregnant” or “fat.”\u003c/p>\u003c/blockquote>\n\u003cp>If you've ever spent five minutes reading an \u003cem>Us Weekly\u003c/em> \"article\" featuring photos of Aniston or another celebrity with circles drawn over their body parts, take five minutes and \u003ca href=\"http://www.huffingtonpost.com/entry/for-the-record_us_57855586e4b03fc3ee4e626f\" target=\"_blank\">read the whole thing here.\u003c/a> All in all, it's a compelling yet (sorry) highly relatable message for Aniston to send.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Truth be told, the only thing I find to be slightly off the mark in this piece is the implication that she ever eats burgers for lunch. Sorry, Jen. Otherwise: Go on with your bad (gorgeous, 47-year-old) self. I'm not holding my breath, but Aunt Gertie really should find a better hobby.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Jennifer Aniston is one of those celebrities who provokes endless speculation not because of her outlandish debutante-like behavior, but because of her seeming normality: She's drop-dead gorgeous and fabulously wealthy, yes, but she's also something of a permanent girl next door. She got famous on one of America's most beloved sitcoms, for starters. And then there's her role in the celebrity love triangle that rocked the mid-aughts -- she the jilted good girl to Angelina Jolie's edgy, black swan temptress.\u003c/p>\n\u003cp>This is all, of course, utter bullsh*t perpetrated mostly by tabloids' bottom lines. It does, however, provide some context for why the media has been fixated since time immemorial on whether or not Jennifer Aniston\u003ca href=\"http://www.intouchweekly.com/posts/jennifer-aniston-pregnant-105227\" target=\"_blank\"> is pregnant\u003c/a>, thinking about becoming pregnant, \u003ca href=\"http://www.dailymail.co.uk/tvshowbiz/article-2313617/Jennifer-Aniston-relying-cupping-boost-fertility.html\" target=\"_blank\">sad that she is not pregnant\u003c/a>, or some variation thereof. It's your nagging Aunt Gertie reminding you over the phone from Florida that you're not getting any younger, you know -- only on a world stage. Seems fun!\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp> \u003c/p>\n\u003cp>Well, she's apparently had enough. \u003ca href=\"http://www.huffingtonpost.com/entry/for-the-record_us_57855586e4b03fc3ee4e626f\" target=\"_blank\">Aniston just penned an open letter in the \u003c/a>\u003cem>Huffington Post\u003c/em> decrying the media's objectification of women, alongside journalists' fixation on her childfree existence and when it will end.\u003c/p>\n\u003cblockquote>\u003cp>If I am some kind of symbol to some people out there, then clearly I am an example of the lens through which we, as a society, view our mothers, daughters, sisters, wives, female friends and colleagues. The objectification and scrutiny we put women through is absurd and disturbing. The way I am portrayed by the media is simply a reflection of how we see and portray women in general, measured against some warped standard of beauty. ...\u003c/p>\n\u003cp>The message that girls are not pretty unless they’re incredibly thin, that they’re not worthy of our attention unless they look like a supermodel or an actress on the cover of a magazine is something we’re all willingly buying into. This conditioning is something girls then carry into womanhood. We use celebrity “news” to perpetuate this dehumanizing view of females, focused solely on one’s physical appearance, which tabloids turn into a sporting event of speculation. Is she pregnant? Is she eating too much? Has she let herself go? Is her marriage on the rocks because the camera detects some physical “imperfection”?\u003c/p>\u003c/blockquote>\n\u003cp>And:\u003c/p>\n\u003cblockquote>\u003cp>I have grown tired of being part of this narrative. Yes, I may become a mother some day, and since I’m laying it all out there, if I ever do, I will be the first to let you know. But I’m not in pursuit of motherhood because I feel incomplete in some way, as our celebrity news culture would lead us all to believe. I resent being made to feel “less than” because my body is changing and/or I had a burger for lunch and was photographed from a weird angle and therefore deemed one of two things: “pregnant” or “fat.”\u003c/p>\u003c/blockquote>\n\u003cp>If you've ever spent five minutes reading an \u003cem>Us Weekly\u003c/em> \"article\" featuring photos of Aniston or another celebrity with circles drawn over their body parts, take five minutes and \u003ca href=\"http://www.huffingtonpost.com/entry/for-the-record_us_57855586e4b03fc3ee4e626f\" target=\"_blank\">read the whole thing here.\u003c/a> All in all, it's a compelling yet (sorry) highly relatable message for Aniston to send.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Truth be told, the only thing I find to be slightly off the mark in this piece is the implication that she ever eats burgers for lunch. Sorry, Jen. Otherwise: Go on with your bad (gorgeous, 47-year-old) self. I'm not holding my breath, but Aunt Gertie really should find a better hobby.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>You watch hundreds of hours of television, they call you a lazy slob. A computer does it, and it’s a technological success story.\u003c/p>\n\u003cp>That is the case for \u003ca href=\"http://web.mit.edu/vondrick/prediction.pdf\" target=\"_blank\" rel=\"noopener\">a new algorithm\u003c/a> from MIT’s Computer Science and Artificial Intelligence Laboratory. Researchers fed the program 600 hours of YouTube videos and television shows like \u003cem>The Office\u003c/em>, \u003cem>Desperate Housewives\u003c/em> and \u003cem>Scrubs\u003c/em> to see if it could learn about and predict certain human interactions — hugs, kisses, high-fives and handshakes.\u003c/p>\n\u003cp>The algorithm uses an artificial intelligence technique called “\u003ca href=\"http://www.npr.org/sections/13.7/2016/05/24/479272650/the-future-of-ai-is-something-different-this-time\" target=\"_blank\" rel=\"noopener\">deep learning\u003c/a>” to create its own understanding of the patterns that make up human interaction. Given raw, unlabeled data, the machine is asked to figure out on its own what is important and what is not. It’s a mechanism that humans naturally develop over the course of their lives by picking up clues in the social interactions of those around them.\u003c/p>\n\u003cp>“Humans don’t need to have someone give us thousands of examples of things saying, ‘This is a kiss.’ We just need a few examples,” says \u003ca href=\"http://web.mit.edu/vondrick/\" target=\"_blank\" rel=\"noopener\">Carl Vondrick\u003c/a>, a doctoral candidate at MIT and one of the researchers on the project. “So what’s powerful about this is that it can learn its own rules.”\u003c/p>\n\u003cp>To test the computer, they showed it a video of people who are one second away from doing one of the four interactions. The computer creates several possible future scenarios, and uses what it has learned to guess what will happen.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The computer guessed correctly 43 percent of the time; humans were correct 71 percent of the time in the same test. Vondrick believes that the system will be even more successful the more content it consumes — 600 hours is only 25 days.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=AR3hY9iB5-I\u003c/p>\n\u003cp>Vondrick hopes to give the system much more video to learn from, and to ask it to predict more complex interactions. If it becomes advanced enough, the technology could be used to create intelligent security cameras that could automatically call an ambulance if someone is about to get injured, or the police as a crime is taking place.\u003c/p>\n\u003cp>This technology could also bring us closer to robots that interact with us like \u003ca href=\"http://www.smithsonianmag.com/history/recapping-the-jetsons-episode-08-roseys-boyfriend-120640948/?no-ist\" target=\"_blank\" rel=\"noopener\">The Jetsons’ maid, Rosey\u003c/a>.\u003c/p>\n\u003cp>“If you want a robot to interact in your home, it needs some basic ability to predict the future,” Vondrick says. “For example, if you were about to sit down in a chair, you don’t want the robot to pull the chair out away from you as you’re sitting down.”\u003c/p>\n\u003cp>Vondrick’s team \u003ca href=\"http://people.csail.mit.edu/torralba/publications/evt_pred_eccv2010.pdf\" target=\"_blank\" rel=\"noopener\">isn’t the first\u003c/a> to create a \u003ca href=\"https://www.ri.cmu.edu/pub_files/2014/3/egpaper_final.pdf\" target=\"_blank\" rel=\"noopener\">video prediction\u003c/a> algorithm, but theirs is the most accurate to date.\u003c/p>\n\u003cp>“It’s not hugely different from some other things that people have done, but they’ve gotten substantially better results out of it than people have in this area before,” says \u003ca href=\"http://homes.cs.washington.edu/~pedrod/\" target=\"_blank\" rel=\"noopener\">Pedro Domingos\u003c/a>, a professor at the University of Washington and an expert in machine learning.\u003c/p>\n\u003cp>One of the reasons the computer was so successful is that it uses what Vondrick calls “visual representations.” In the past, some video prediction algorithms have attempted to create a pixel-by-pixel representation of possible future scenarios, which Vondrick says is a difficult task.\u003c/p>\n\u003cp>“It’s hard for even a professional painter to paint something realistic,” he says. “So we were arguing that it wasn’t necessary to actually render the full future. Instead you could try to predict an abstract version of the image.”\u003c/p>\n\u003cp>The abstract images allow the computer to picture objects and actions more generally. For example, it can tell that an image contains a face or a chair, rather than a collection of colors to interpret. Domingos says it’s the same \u003ca href=\"https://research.facebook.com/publications/deepface-closing-the-gap-to-human-level-performance-in-face-verification/\" target=\"_blank\" rel=\"noopener\">basic technology Facebook uses\u003c/a> to guess which of your friends should be tagged in your photos.\u003c/p>\n\u003cp>In a second experiment, the computer is shown an image and is asked to predict what object will appear five seconds later. For example, if it sees someone approaching a sink, it might guess that the person will soon be using soap. The computer performed 30 percent better than previous attempts, but it was still right only 11 percent of the time.\u003c/p>\n\u003cp>Domingos says the MIT team’s algorithm is among a handful that are moving computers closer to being able to understand images in the way that humans can, which is a harder task than it may seem.\u003c/p>\n\u003cp>“We human beings tend to take vision for granted,” Domingos says. “But evolution spent 500 million years developing vision, and a third of your brain is devoted to vision … all sorts of stuff is happening in [each image,] it’s really hard to extract the objects and the people and the action.”\u003c/p>\n\u003cp>So if a computer is going to learn about human interaction from videos, why go with the social fumbling of \u003ca href=\"http://www.imdb.com/character/ch0009719/\" target=\"_blank\" rel=\"noopener\">Michael Scott\u003c/a> (\u003cem>The Office\u003c/em>) or the machinations of \u003ca href=\"http://www.imdb.com/character/ch0015608/?ref_=fn_al_ch_1\" target=\"_blank\" rel=\"noopener\">Edie Britt\u003c/a> (\u003cem>Desperate Housewives\u003c/em>)?\u003c/p>\n\u003cp>“We just wanted to use random videos from YouTube,” Vondrick said. “The reason for television is that it’s easy for us to get access to that data, and it’s somewhat realistic in terms of describing everyday situations.”\u003c/p>\n\u003cp>Vondrick plans to expose the algorithm to years’ worth of television, with the hopes that it will become even more sophisticated over time. Who knows, maybe it will become even more refined than \u003ca href=\"https://www.youtube.com/watch?v=6pwpNoRuuPY\" target=\"_blank\" rel=\"noopener\">the sitcoms themselves\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Riley Beggin is an intern with NPR’s investigations unit.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+Computer+Binge-Watched+TV+And+Learned+To+Predict+What+Happens+Next&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>You watch hundreds of hours of television, they call you a lazy slob. A computer does it, and it’s a technological success story.\u003c/p>\n\u003cp>That is the case for \u003ca href=\"http://web.mit.edu/vondrick/prediction.pdf\" target=\"_blank\" rel=\"noopener\">a new algorithm\u003c/a> from MIT’s Computer Science and Artificial Intelligence Laboratory. Researchers fed the program 600 hours of YouTube videos and television shows like \u003cem>The Office\u003c/em>, \u003cem>Desperate Housewives\u003c/em> and \u003cem>Scrubs\u003c/em> to see if it could learn about and predict certain human interactions — hugs, kisses, high-fives and handshakes.\u003c/p>\n\u003cp>The algorithm uses an artificial intelligence technique called “\u003ca href=\"http://www.npr.org/sections/13.7/2016/05/24/479272650/the-future-of-ai-is-something-different-this-time\" target=\"_blank\" rel=\"noopener\">deep learning\u003c/a>” to create its own understanding of the patterns that make up human interaction. Given raw, unlabeled data, the machine is asked to figure out on its own what is important and what is not. It’s a mechanism that humans naturally develop over the course of their lives by picking up clues in the social interactions of those around them.\u003c/p>\n\u003cp>“Humans don’t need to have someone give us thousands of examples of things saying, ‘This is a kiss.’ We just need a few examples,” says \u003ca href=\"http://web.mit.edu/vondrick/\" target=\"_blank\" rel=\"noopener\">Carl Vondrick\u003c/a>, a doctoral candidate at MIT and one of the researchers on the project. “So what’s powerful about this is that it can learn its own rules.”\u003c/p>\n\u003cp>To test the computer, they showed it a video of people who are one second away from doing one of the four interactions. The computer creates several possible future scenarios, and uses what it has learned to guess what will happen.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The computer guessed correctly 43 percent of the time; humans were correct 71 percent of the time in the same test. Vondrick believes that the system will be even more successful the more content it consumes — 600 hours is only 25 days.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/AR3hY9iB5-I'\n title='//www.youtube.com/embed/AR3hY9iB5-I'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Vondrick hopes to give the system much more video to learn from, and to ask it to predict more complex interactions. If it becomes advanced enough, the technology could be used to create intelligent security cameras that could automatically call an ambulance if someone is about to get injured, or the police as a crime is taking place.\u003c/p>\n\u003cp>This technology could also bring us closer to robots that interact with us like \u003ca href=\"http://www.smithsonianmag.com/history/recapping-the-jetsons-episode-08-roseys-boyfriend-120640948/?no-ist\" target=\"_blank\" rel=\"noopener\">The Jetsons’ maid, Rosey\u003c/a>.\u003c/p>\n\u003cp>“If you want a robot to interact in your home, it needs some basic ability to predict the future,” Vondrick says. “For example, if you were about to sit down in a chair, you don’t want the robot to pull the chair out away from you as you’re sitting down.”\u003c/p>\n\u003cp>Vondrick’s team \u003ca href=\"http://people.csail.mit.edu/torralba/publications/evt_pred_eccv2010.pdf\" target=\"_blank\" rel=\"noopener\">isn’t the first\u003c/a> to create a \u003ca href=\"https://www.ri.cmu.edu/pub_files/2014/3/egpaper_final.pdf\" target=\"_blank\" rel=\"noopener\">video prediction\u003c/a> algorithm, but theirs is the most accurate to date.\u003c/p>\n\u003cp>“It’s not hugely different from some other things that people have done, but they’ve gotten substantially better results out of it than people have in this area before,” says \u003ca href=\"http://homes.cs.washington.edu/~pedrod/\" target=\"_blank\" rel=\"noopener\">Pedro Domingos\u003c/a>, a professor at the University of Washington and an expert in machine learning.\u003c/p>\n\u003cp>One of the reasons the computer was so successful is that it uses what Vondrick calls “visual representations.” In the past, some video prediction algorithms have attempted to create a pixel-by-pixel representation of possible future scenarios, which Vondrick says is a difficult task.\u003c/p>\n\u003cp>“It’s hard for even a professional painter to paint something realistic,” he says. “So we were arguing that it wasn’t necessary to actually render the full future. Instead you could try to predict an abstract version of the image.”\u003c/p>\n\u003cp>The abstract images allow the computer to picture objects and actions more generally. For example, it can tell that an image contains a face or a chair, rather than a collection of colors to interpret. Domingos says it’s the same \u003ca href=\"https://research.facebook.com/publications/deepface-closing-the-gap-to-human-level-performance-in-face-verification/\" target=\"_blank\" rel=\"noopener\">basic technology Facebook uses\u003c/a> to guess which of your friends should be tagged in your photos.\u003c/p>\n\u003cp>In a second experiment, the computer is shown an image and is asked to predict what object will appear five seconds later. For example, if it sees someone approaching a sink, it might guess that the person will soon be using soap. The computer performed 30 percent better than previous attempts, but it was still right only 11 percent of the time.\u003c/p>\n\u003cp>Domingos says the MIT team’s algorithm is among a handful that are moving computers closer to being able to understand images in the way that humans can, which is a harder task than it may seem.\u003c/p>\n\u003cp>“We human beings tend to take vision for granted,” Domingos says. “But evolution spent 500 million years developing vision, and a third of your brain is devoted to vision … all sorts of stuff is happening in [each image,] it’s really hard to extract the objects and the people and the action.”\u003c/p>\n\u003cp>So if a computer is going to learn about human interaction from videos, why go with the social fumbling of \u003ca href=\"http://www.imdb.com/character/ch0009719/\" target=\"_blank\" rel=\"noopener\">Michael Scott\u003c/a> (\u003cem>The Office\u003c/em>) or the machinations of \u003ca href=\"http://www.imdb.com/character/ch0015608/?ref_=fn_al_ch_1\" target=\"_blank\" rel=\"noopener\">Edie Britt\u003c/a> (\u003cem>Desperate Housewives\u003c/em>)?\u003c/p>\n\u003cp>“We just wanted to use random videos from YouTube,” Vondrick said. “The reason for television is that it’s easy for us to get access to that data, and it’s somewhat realistic in terms of describing everyday situations.”\u003c/p>\n\u003cp>Vondrick plans to expose the algorithm to years’ worth of television, with the hopes that it will become even more sophisticated over time. Who knows, maybe it will become even more refined than \u003ca href=\"https://www.youtube.com/watch?v=6pwpNoRuuPY\" target=\"_blank\" rel=\"noopener\">the sitcoms themselves\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Riley Beggin is an intern with NPR’s investigations unit.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+Computer+Binge-Watched+TV+And+Learned+To+Predict+What+Happens+Next&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Why Everyone You Know Is Suddenly Obsessed With Pokémon Go",
"title": "Why Everyone You Know Is Suddenly Obsessed With Pokémon Go",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>Around the world, hundreds of thousands of grown adults are playing \u003ca href=\"http://www.pokemon.com/us/pokemon-video-games/pokemon-go/\" target=\"_blank\">Pokémon Go\u003c/a>: walking around, staring at their phones, repeatedly swiping the screen to throw a fake ball to catch a fake animal in a fake version of reality.\u003c/p>\n\u003cp>If you're \u003cem>not\u003c/em> one of these people, you probably already hate Pokémon Go. You've been oversaturated with Pokémon Go everywhere you turn, with screengrabs of Pokémon Go all over your Facebook timeline and in-jokes about Pokémon Go on your Instagram feed. You're weary of it before you're even able to learn what it is.\u003c/p>\n\u003cfigure id=\"attachment_29708\" class=\"wp-caption aligncenter\" style=\"max-width: 400px\">\u003cimg src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/Poke.Volvo_-400x514.jpg\" alt=\"Chances are you've seen screengrabs like this one over the last two days.\" width=\"400\" height=\"514\" class=\"size-thumbnail wp-image-29708\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/Poke.Volvo_-400x514.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Poke.Volvo_.jpg 750w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Chances are you've seen screengrabs like this one over the last two days.\u003c/figcaption>\u003c/figure>\n\u003cp>Besides, you've seen all those headlines. Pokémon Go makes you \u003ca href=\"http://gizmodo.com/sore-legs-become-pandemic-as-pokemon-go-players-acciden-1783402931\" target=\"_blank\">exhausted\u003c/a>, makes you \u003ca href=\"http://factually.gizmodo.com/no-a-man-didnt-cause-a-major-traffic-accident-while-pl-1783425087\" target=\"_blank\">crash your car\u003c/a>, makes you a \u003ca href=\"http://arstechnica.com/gaming/2016/07/armed-muggers-use-pokemon-go-to-find-victims/\" target=\"_blank\">target for muggers\u003c/a> and even makes you \u003ca href=\"http://money.cnn.com/2016/07/09/technology/pokemon-go-dead-body/\" target=\"_blank\">discover dead bodies\u003c/a>. There have been \u003ca href=\"https://theawl.com/the-seventeen-remaining-pokemon-go-headlines-d6adb2d98687#.oq76tko7x\" target=\"_blank\">more clickbait headlines\u003c/a> about Pokémon Go this week than about Millennials. (And that's \u003ca href=\"https://ww2.kqed.org/pop/tag/millennials/\" target=\"_blank\">saying something\u003c/a>.)\u003c/p>\n\u003cfigure id=\"attachment_29669\" class=\"wp-caption aligncenter\" style=\"max-width: 873px\">\u003cimg class=\"size-full wp-image-29669\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/pokemongotrends.jpg\" alt='Searches for \"Pokémon Go\" over the last month, according to Google Trends.' width=\"873\" height=\"476\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemongotrends.jpg 873w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemongotrends-400x218.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemongotrends-800x436.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemongotrends-768x419.jpg 768w\" sizes=\"(max-width: 873px) 100vw, 873px\">\u003cfigcaption class=\"wp-caption-text\">Searches for \"Pokémon Go\" over the last month. \u003ccite>(Google Trends)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Usually, I'm with you! I am that insufferable breed of person who loudly recuses himself from ultra-popular phenomena on the grounds that \u003cem>it sucks, man\u003c/em>, without ever giving it a try. (I never saw \u003cem>Avatar\u003c/em>, but I hate \u003cem>Avatar\u003c/em>. That sort of thing.) Yet I know that this is obnoxious, and I know I can do better. So with the \"new me\" in mind, I steeled my too-cool-for-school resolve and I downloaded Pokémon Go.\u003c/p>\n\u003cp>I played it for two days, and can now safely say that I understand. Let me help you understand, too.\u003c/p>\n\u003cfigure id=\"attachment_29692\" class=\"wp-caption aligncenter\" style=\"max-width: 1100px\">\u003cimg class=\"size-full wp-image-29692\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/Pokemon.Juilliard.jpg\" alt=\"Two kids play Pokémon Go in the park. Note the absence of other players. That would soon change.\" width=\"1100\" height=\"733\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Juilliard.jpg 1100w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Juilliard-400x267.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Juilliard-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Juilliard-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Juilliard-960x640.jpg 960w\" sizes=\"(max-width: 1100px) 100vw, 1100px\">\u003cfigcaption class=\"wp-caption-text\">Two kids play Pokémon Go in the park. Note the absence of other players. That would soon change. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>What Is Pokémon Go, and Why Is Everyone Playing It?\u003c/h2>\n\u003cp>Pokémon Go is a augmented-reality game you play on your phone, downloadable as an app. In order to play it, you have to actually walk around outside, staring at your phone. As you walk around, your character on the screen walks around a map of your actual environment, showing streets and parks and creeks and the like. Using GPS and a mapping system similar to Google Street view, the game puts you in a half-reality of your actual city and a strange world of weird little animals.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/pokemon.screengrab.jpg\" alt=\"pokemon.screengrab\" width=\"400\" height=\"711\" class=\"aligncenter size-full wp-image-29702\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemon.screengrab.jpg 720w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemon.screengrab-400x711.jpg 400w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>Those animals are Pokémon, which, as anyone alive in the 1990s remembers, starred in a hugely popular franchise of TV shows, card games, video games and movies. In Pokémon Go, the goal is that you've \"gotta catch 'em all\" -- capturing myriad breeds of Pokémon whenever, and wherever, they appear. The only way to find them is to walk around the real world until they pop up on your map. When they do, your phone's camera opens, and the Pokémon are suddenly standing in your stairwell, your BART station, you friend's leg, or wherever your camera happens to be pointing. Then you swipe a Pokéball at it and voilá -- it's caught.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-thumbnail wp-image-29690\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/Pokemon.Rattata-400x711.jpg\" alt=\"Pokemon.Rattata\" width=\"400\" height=\"711\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Rattata-400x711.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Rattata.jpg 750w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>Those are the basics, at least. There are refill stations called Pokéstops in the game, located at notable landmarks around town like schools, plazas and benches, and there are huge towers called Gyms, control of which players can battle using the Pokémon they've caught. These places attract a lot of people, and that's part of why the game is so great on a social level.\u003c/p>\n\u003cp>Much of the activity in Pokémon Go is programmed to happen in big outdoor public spaces like city centers and parks. So after launching our character, my daughter and I went to the park down the block. We immediately met another family, powering up at the same Pokéstop. Five minutes in and we'd already had a friendly conversation with complete strangers, right there on the sidewalk, while cars whizzed by and people back in their homes argued on the internet.\u003c/p>\n\u003cfigure id=\"attachment_29689\" class=\"wp-caption aligncenter\" style=\"max-width: 1100px\">\u003cimg class=\"size-full wp-image-29689\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/POkemon.PikachuShirt.jpg\" alt=\"A family playing Pokémon Go talks with other players.\" width=\"1100\" height=\"771\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.PikachuShirt.jpg 1100w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.PikachuShirt-400x280.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.PikachuShirt-800x561.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.PikachuShirt-768x538.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.PikachuShirt-960x673.jpg 960w\" sizes=\"(max-width: 1100px) 100vw, 1100px\">\u003cfigcaption class=\"wp-caption-text\">A family playing Pokémon Go talks with other players. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Here's How It's Good for Humanity (I'm Serious)\u003c/h2>\n\u003cp>Beyond the game itself of catching Pokémon, Pokémon Go is designed to get players out into the world. And, let's be honest: a lot of people are shut-ins who spend hours on the internet instead of getting out into the world. Modern culture, and especially modern \u003cem>gaming\u003c/em> culture, is definitely not known for being outdoorsy.\u003c/p>\n\u003cp>Pokémon Go forces people to get out -- and, invariably, talk to each other face-to-face. Often, to laugh and joke with each other.\u003c/p>\n\u003cp>When my daughter and I ran into the family at that first Pokéstop, we couldn't believe it: we found someone else playing the game!\u003c/p>\n\u003cp>We were so naïve. EVERYONE is playing this game.\u003c/p>\n\u003cfigure id=\"attachment_29688\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-29688\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/POkemon.Crowd_-800x491.jpg\" alt=\"A crowd of people play Pokémon Go.\" width=\"800\" height=\"491\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Crowd_-800x491.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Crowd_-400x245.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Crowd_-768x471.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Crowd_-960x589.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Crowd_.jpg 1100w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A crowd of people play Pokémon Go. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Our next voyage to catch Pokémon took us to a large local park. We quickly found 20 other people walking around with their phones, playing Pokémon Go. We shared tips and strategies, and then formed a posse with a couple of them and walked a half-mile to another park, catching Pokémon and running into other players along the way.\u003c/p>\n\u003cp>At the second park, we ran into another dozen people playing it, battling each other for control of a Gym. On the screen, these people fought each other. In person, they were laughing, joking, and high-fiving each other after battles. \u003cem>Everyone\u003c/em> was talking to each other.\u003c/p>\n\u003cp>I know I'm over-romanticizing it here, but it was just a certain feeling that I can't put into words, other than to say that after the past week -- full of people arguing bitterly on Facebook about gun control and #BlackLivesMatter and \"Shillary\" or whatever -- it was very, very reassuring to see people come together, face-to-face, away from the keyboards that tend to turn them into jerks, to share a moment of compassion and humanity. Even if it was over a \u003ca href=\"http://pokemon.wikia.com/wiki/Psyduck\" target=\"_blank\">silly cartoon duck with a constant headache who can control the weather\u003c/a>. You know?\u003c/p>\n\u003cp>Already, informal reports have suggested that the game \u003ca href=\"http://www.attn.com/stories/9779/pokemon-go-affecting-players-mental-health\" target=\"_blank\">improves people's mental health\u003c/a>. Those suffering from severe depression \u003ca href=\"http://www.attn.com/stories/9779/pokemon-go-affecting-players-mental-health\" target=\"_blank\">report how liberating it is\u003c/a> to have a reason to get out of bed, get dressed, and go out into the world. I personally witnessed a shy-looking guy and a phone-wielding girl hit it off over Pokémon Go at one of the Pokéstops, and I don't want to be \u003ca href=\"http://gizmodo.com/did-you-get-laid-playing-pokemon-go-1783444839\" target=\"_blank\">too crass about it\u003c/a>, but there's no question that the love life of a lot of formerly reclusive people got a \u003cem>lot\u003c/em> more promising over the weekend.\u003c/p>\n\u003cfigure id=\"attachment_29691\" class=\"wp-caption aligncenter\" style=\"max-width: 1100px\">\u003cimg class=\"size-full wp-image-29691\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/POkemon.Closeup.jpg\" alt=\"Two kids try to capture a Pokémon in Pokémon Go.\" width=\"1100\" height=\"619\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Closeup.jpg 1100w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Closeup-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Closeup-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Closeup-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Closeup-960x540.jpg 960w\" sizes=\"(max-width: 1100px) 100vw, 1100px\">\u003cfigcaption class=\"wp-caption-text\">Two kids try to capture a Pokémon in Pokémon Go. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Isn't It Addictive, Though?\u003c/h2>\n\u003cp>Don't believe all the stories you read about Pokémon Go. The one about the guy who caused a multi-vehicle car crash while trying to catch Pikachu has \u003ca href=\"http://www.snopes.com/man-stops-to-catch-pikachu/\" target=\"_blank\">already been debunked by Snopes\u003c/a>.\u003c/p>\n\u003cp>I \u003cem>will\u003c/em> tell you, however, that if you're playing it with a child, be on guard.\u003c/p>\n\u003cp>After downloading the game for my six-year-old daughter, we went out and within one minute caught Squirtle. For me, it was fun: the Pokémon appeared on top of our neighbor's trash can, my daughter swiped the little Pokéball to throw it in Squirtle's direction, and we captured it. My daughter, on the other hand, turned into an immediate addict.\u003c/p>\n\u003cp>After catching a couple more Pokémon, it was time to go to the grocery store.\u003c/p>\n\u003cp>\"But I wanna go downtown and catch all the Pokémon!\" she protested.\u003c/p>\n\u003cp>\"No,\" I said, \"we have to go shopping.\"\u003c/p>\n\u003cp>\"But then everyone else will catch all the Pokémon!\" she howled.\u003c/p>\n\u003cp>\"It doesn't work that way,\" I said. \"We need to go to the store.\"\u003c/p>\n\u003cp>\"But will there be Pokémon there?!\"\u003c/p>\n\u003cp>You get the idea.\u003c/p>\n\u003cfigure id=\"attachment_29675\" class=\"wp-caption aligncenter\" style=\"max-width: 578px\">\u003cimg class=\"size-full wp-image-29675\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/pokemonplus.jpg\" alt=\"Pokémon Go Plus is coming soon (and will easily make a million dollars).\" width=\"578\" height=\"240\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemonplus.jpg 578w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemonplus-400x166.jpg 400w\" sizes=\"(max-width: 578px) 100vw, 578px\">\u003cfigcaption class=\"wp-caption-text\">Pokémon Go Plus is coming soon (and will easily make a million dollars).\u003c/figcaption>\u003c/figure>\n\u003cp>As for myself -- a non-gamer, remember -- I got hooked too. On the drive home from a party last night, I had my daughter open the app \"just to see if it works while driving,\" I said. But when she mentioned she saw a Pokémon on the side of the road, I impulsively pulled over, looked around to see if there were other cars in the area, and backed up a little bit so we could catch it. Yes. I did that.\u003c/p>\n\u003cp>We got home. It was past her bedtime, but that didn't stop me. \"Let's just go down the block and see if we can catch any more,\" I suggested. \"We're almost on Level 6!\" I texted my wife saying we'd be a little bit late. We walked around. We didn't catch anything.\u003c/p>\n\u003cp>While I put my daughter to bed, I sneaked a quick look at the game and saw a rainshower of pink in the distance. Someone had left a lure at a Pokéstop just two blocks from our house! There'd be so many Pokémon there! And it was set to expire in 30 minutes! My daughter could get out of bed and put on some slippers! Gotta catch 'em a -----\u003c/p>\n\u003cp>It was then that I realized I just needed to \u003cem>close the damn game\u003c/em>. I haven't opened it since.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-29687\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/POkemon.Congrats.jpg\" alt=\"POkemon.Congrats\" width=\"750\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Congrats.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Congrats-400x284.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/p>\n\u003ch2>Resources for Playing\u003c/h2>\n\u003cp>If you're interested, it's probably best to start playing Pokémon Go sooner than later. In two weeks' time, judging by the half-life of these types of phenomena, everyone will be \"so over\" Pokémon Go; the Gyms will all be controlled by super-strong Pokémon, the serious players will turn aggro in person instead of accommodating, and there'll be more reports about the negative side-effects of the game (while I was writing this post, in fact, the inevitable report about how Pokémon Go can \u003ca href=\"https://www.buzzfeed.com/josephbernstein/heres-all-the-data-pokemon-go-is-collecting-from-your-phone?utm_term=.tv4WXaAkB#.nr4OP37NX\" target=\"_blank\">access all your personal info and read all your emails\u003c/a> emerged). Soon, it won't be fun anymore.\u003c/p>\n\u003cp>But if you want to start now? Funny thing about Pokémon Go: it doesn't come with any instructions on how to play. Here are a few guides to help.\u003c/p>\n\u003cp>\u003ca href=\"http://kotaku.com/how-to-play-pokemon-go-1783354400\">How to Play Pokémon Go\u003c/a>\u003cbr>\nVia Kotaku, a very clear and simple explainer for the beginner.\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=OqIdsLEJaLw\" target=\"_blank\">How to Pick Pikachu as Your Starter in Pokémon Go\u003c/a>\u003cbr>\nGame Informer breaks down the easiest way to capture Pikachu, a.k.a. the Pokémon that everyone wants.\u003c/p>\n\u003cp>\u003ca href=\"http://www.pokemon.com/us/pokemon-video-games/pokemon-go/\" target=\"_blank\">Pokémon Go Plus\u003c/a>\u003cbr>\nThis wristband accessory is coming soon, and will make playing it easier (and make players less annoying to non-players).\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ca href=\"http://www.polygon.com/2016/7/9/12136310/pokemon-go-tips-how-to-play-beginners\" target=\"_blank\">Six Pokémon Go Tips for the Ultimate Beginner\u003c/a>\u003cbr>\nPolygon gives a pretty good starter kit here.\u003c/p>\n\n",
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"excerpt": "It's not about the game itself, but how it gets people out of their houses to interact with the world — and each other.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Around the world, hundreds of thousands of grown adults are playing \u003ca href=\"http://www.pokemon.com/us/pokemon-video-games/pokemon-go/\" target=\"_blank\">Pokémon Go\u003c/a>: walking around, staring at their phones, repeatedly swiping the screen to throw a fake ball to catch a fake animal in a fake version of reality.\u003c/p>\n\u003cp>If you're \u003cem>not\u003c/em> one of these people, you probably already hate Pokémon Go. You've been oversaturated with Pokémon Go everywhere you turn, with screengrabs of Pokémon Go all over your Facebook timeline and in-jokes about Pokémon Go on your Instagram feed. You're weary of it before you're even able to learn what it is.\u003c/p>\n\u003cfigure id=\"attachment_29708\" class=\"wp-caption aligncenter\" style=\"max-width: 400px\">\u003cimg src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/Poke.Volvo_-400x514.jpg\" alt=\"Chances are you've seen screengrabs like this one over the last two days.\" width=\"400\" height=\"514\" class=\"size-thumbnail wp-image-29708\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/Poke.Volvo_-400x514.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Poke.Volvo_.jpg 750w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Chances are you've seen screengrabs like this one over the last two days.\u003c/figcaption>\u003c/figure>\n\u003cp>Besides, you've seen all those headlines. Pokémon Go makes you \u003ca href=\"http://gizmodo.com/sore-legs-become-pandemic-as-pokemon-go-players-acciden-1783402931\" target=\"_blank\">exhausted\u003c/a>, makes you \u003ca href=\"http://factually.gizmodo.com/no-a-man-didnt-cause-a-major-traffic-accident-while-pl-1783425087\" target=\"_blank\">crash your car\u003c/a>, makes you a \u003ca href=\"http://arstechnica.com/gaming/2016/07/armed-muggers-use-pokemon-go-to-find-victims/\" target=\"_blank\">target for muggers\u003c/a> and even makes you \u003ca href=\"http://money.cnn.com/2016/07/09/technology/pokemon-go-dead-body/\" target=\"_blank\">discover dead bodies\u003c/a>. There have been \u003ca href=\"https://theawl.com/the-seventeen-remaining-pokemon-go-headlines-d6adb2d98687#.oq76tko7x\" target=\"_blank\">more clickbait headlines\u003c/a> about Pokémon Go this week than about Millennials. (And that's \u003ca href=\"https://ww2.kqed.org/pop/tag/millennials/\" target=\"_blank\">saying something\u003c/a>.)\u003c/p>\n\u003cfigure id=\"attachment_29669\" class=\"wp-caption aligncenter\" style=\"max-width: 873px\">\u003cimg class=\"size-full wp-image-29669\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/pokemongotrends.jpg\" alt='Searches for \"Pokémon Go\" over the last month, according to Google Trends.' width=\"873\" height=\"476\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemongotrends.jpg 873w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemongotrends-400x218.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemongotrends-800x436.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemongotrends-768x419.jpg 768w\" sizes=\"(max-width: 873px) 100vw, 873px\">\u003cfigcaption class=\"wp-caption-text\">Searches for \"Pokémon Go\" over the last month. \u003ccite>(Google Trends)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Usually, I'm with you! I am that insufferable breed of person who loudly recuses himself from ultra-popular phenomena on the grounds that \u003cem>it sucks, man\u003c/em>, without ever giving it a try. (I never saw \u003cem>Avatar\u003c/em>, but I hate \u003cem>Avatar\u003c/em>. That sort of thing.) Yet I know that this is obnoxious, and I know I can do better. So with the \"new me\" in mind, I steeled my too-cool-for-school resolve and I downloaded Pokémon Go.\u003c/p>\n\u003cp>I played it for two days, and can now safely say that I understand. Let me help you understand, too.\u003c/p>\n\u003cfigure id=\"attachment_29692\" class=\"wp-caption aligncenter\" style=\"max-width: 1100px\">\u003cimg class=\"size-full wp-image-29692\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/Pokemon.Juilliard.jpg\" alt=\"Two kids play Pokémon Go in the park. Note the absence of other players. That would soon change.\" width=\"1100\" height=\"733\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Juilliard.jpg 1100w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Juilliard-400x267.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Juilliard-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Juilliard-768x512.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Juilliard-960x640.jpg 960w\" sizes=\"(max-width: 1100px) 100vw, 1100px\">\u003cfigcaption class=\"wp-caption-text\">Two kids play Pokémon Go in the park. Note the absence of other players. That would soon change. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>What Is Pokémon Go, and Why Is Everyone Playing It?\u003c/h2>\n\u003cp>Pokémon Go is a augmented-reality game you play on your phone, downloadable as an app. In order to play it, you have to actually walk around outside, staring at your phone. As you walk around, your character on the screen walks around a map of your actual environment, showing streets and parks and creeks and the like. Using GPS and a mapping system similar to Google Street view, the game puts you in a half-reality of your actual city and a strange world of weird little animals.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/pokemon.screengrab.jpg\" alt=\"pokemon.screengrab\" width=\"400\" height=\"711\" class=\"aligncenter size-full wp-image-29702\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemon.screengrab.jpg 720w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemon.screengrab-400x711.jpg 400w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>Those animals are Pokémon, which, as anyone alive in the 1990s remembers, starred in a hugely popular franchise of TV shows, card games, video games and movies. In Pokémon Go, the goal is that you've \"gotta catch 'em all\" -- capturing myriad breeds of Pokémon whenever, and wherever, they appear. The only way to find them is to walk around the real world until they pop up on your map. When they do, your phone's camera opens, and the Pokémon are suddenly standing in your stairwell, your BART station, you friend's leg, or wherever your camera happens to be pointing. Then you swipe a Pokéball at it and voilá -- it's caught.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-thumbnail wp-image-29690\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/Pokemon.Rattata-400x711.jpg\" alt=\"Pokemon.Rattata\" width=\"400\" height=\"711\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Rattata-400x711.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/Pokemon.Rattata.jpg 750w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>Those are the basics, at least. There are refill stations called Pokéstops in the game, located at notable landmarks around town like schools, plazas and benches, and there are huge towers called Gyms, control of which players can battle using the Pokémon they've caught. These places attract a lot of people, and that's part of why the game is so great on a social level.\u003c/p>\n\u003cp>Much of the activity in Pokémon Go is programmed to happen in big outdoor public spaces like city centers and parks. So after launching our character, my daughter and I went to the park down the block. We immediately met another family, powering up at the same Pokéstop. Five minutes in and we'd already had a friendly conversation with complete strangers, right there on the sidewalk, while cars whizzed by and people back in their homes argued on the internet.\u003c/p>\n\u003cfigure id=\"attachment_29689\" class=\"wp-caption aligncenter\" style=\"max-width: 1100px\">\u003cimg class=\"size-full wp-image-29689\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/POkemon.PikachuShirt.jpg\" alt=\"A family playing Pokémon Go talks with other players.\" width=\"1100\" height=\"771\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.PikachuShirt.jpg 1100w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.PikachuShirt-400x280.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.PikachuShirt-800x561.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.PikachuShirt-768x538.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.PikachuShirt-960x673.jpg 960w\" sizes=\"(max-width: 1100px) 100vw, 1100px\">\u003cfigcaption class=\"wp-caption-text\">A family playing Pokémon Go talks with other players. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Here's How It's Good for Humanity (I'm Serious)\u003c/h2>\n\u003cp>Beyond the game itself of catching Pokémon, Pokémon Go is designed to get players out into the world. And, let's be honest: a lot of people are shut-ins who spend hours on the internet instead of getting out into the world. Modern culture, and especially modern \u003cem>gaming\u003c/em> culture, is definitely not known for being outdoorsy.\u003c/p>\n\u003cp>Pokémon Go forces people to get out -- and, invariably, talk to each other face-to-face. Often, to laugh and joke with each other.\u003c/p>\n\u003cp>When my daughter and I ran into the family at that first Pokéstop, we couldn't believe it: we found someone else playing the game!\u003c/p>\n\u003cp>We were so naïve. EVERYONE is playing this game.\u003c/p>\n\u003cfigure id=\"attachment_29688\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-29688\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/POkemon.Crowd_-800x491.jpg\" alt=\"A crowd of people play Pokémon Go.\" width=\"800\" height=\"491\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Crowd_-800x491.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Crowd_-400x245.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Crowd_-768x471.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Crowd_-960x589.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Crowd_.jpg 1100w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A crowd of people play Pokémon Go. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Our next voyage to catch Pokémon took us to a large local park. We quickly found 20 other people walking around with their phones, playing Pokémon Go. We shared tips and strategies, and then formed a posse with a couple of them and walked a half-mile to another park, catching Pokémon and running into other players along the way.\u003c/p>\n\u003cp>At the second park, we ran into another dozen people playing it, battling each other for control of a Gym. On the screen, these people fought each other. In person, they were laughing, joking, and high-fiving each other after battles. \u003cem>Everyone\u003c/em> was talking to each other.\u003c/p>\n\u003cp>I know I'm over-romanticizing it here, but it was just a certain feeling that I can't put into words, other than to say that after the past week -- full of people arguing bitterly on Facebook about gun control and #BlackLivesMatter and \"Shillary\" or whatever -- it was very, very reassuring to see people come together, face-to-face, away from the keyboards that tend to turn them into jerks, to share a moment of compassion and humanity. Even if it was over a \u003ca href=\"http://pokemon.wikia.com/wiki/Psyduck\" target=\"_blank\">silly cartoon duck with a constant headache who can control the weather\u003c/a>. You know?\u003c/p>\n\u003cp>Already, informal reports have suggested that the game \u003ca href=\"http://www.attn.com/stories/9779/pokemon-go-affecting-players-mental-health\" target=\"_blank\">improves people's mental health\u003c/a>. Those suffering from severe depression \u003ca href=\"http://www.attn.com/stories/9779/pokemon-go-affecting-players-mental-health\" target=\"_blank\">report how liberating it is\u003c/a> to have a reason to get out of bed, get dressed, and go out into the world. I personally witnessed a shy-looking guy and a phone-wielding girl hit it off over Pokémon Go at one of the Pokéstops, and I don't want to be \u003ca href=\"http://gizmodo.com/did-you-get-laid-playing-pokemon-go-1783444839\" target=\"_blank\">too crass about it\u003c/a>, but there's no question that the love life of a lot of formerly reclusive people got a \u003cem>lot\u003c/em> more promising over the weekend.\u003c/p>\n\u003cfigure id=\"attachment_29691\" class=\"wp-caption aligncenter\" style=\"max-width: 1100px\">\u003cimg class=\"size-full wp-image-29691\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/POkemon.Closeup.jpg\" alt=\"Two kids try to capture a Pokémon in Pokémon Go.\" width=\"1100\" height=\"619\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Closeup.jpg 1100w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Closeup-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Closeup-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Closeup-768x432.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Closeup-960x540.jpg 960w\" sizes=\"(max-width: 1100px) 100vw, 1100px\">\u003cfigcaption class=\"wp-caption-text\">Two kids try to capture a Pokémon in Pokémon Go. \u003ccite>(Gabe Meline)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Isn't It Addictive, Though?\u003c/h2>\n\u003cp>Don't believe all the stories you read about Pokémon Go. The one about the guy who caused a multi-vehicle car crash while trying to catch Pikachu has \u003ca href=\"http://www.snopes.com/man-stops-to-catch-pikachu/\" target=\"_blank\">already been debunked by Snopes\u003c/a>.\u003c/p>\n\u003cp>I \u003cem>will\u003c/em> tell you, however, that if you're playing it with a child, be on guard.\u003c/p>\n\u003cp>After downloading the game for my six-year-old daughter, we went out and within one minute caught Squirtle. For me, it was fun: the Pokémon appeared on top of our neighbor's trash can, my daughter swiped the little Pokéball to throw it in Squirtle's direction, and we captured it. My daughter, on the other hand, turned into an immediate addict.\u003c/p>\n\u003cp>After catching a couple more Pokémon, it was time to go to the grocery store.\u003c/p>\n\u003cp>\"But I wanna go downtown and catch all the Pokémon!\" she protested.\u003c/p>\n\u003cp>\"No,\" I said, \"we have to go shopping.\"\u003c/p>\n\u003cp>\"But then everyone else will catch all the Pokémon!\" she howled.\u003c/p>\n\u003cp>\"It doesn't work that way,\" I said. \"We need to go to the store.\"\u003c/p>\n\u003cp>\"But will there be Pokémon there?!\"\u003c/p>\n\u003cp>You get the idea.\u003c/p>\n\u003cfigure id=\"attachment_29675\" class=\"wp-caption aligncenter\" style=\"max-width: 578px\">\u003cimg class=\"size-full wp-image-29675\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/pokemonplus.jpg\" alt=\"Pokémon Go Plus is coming soon (and will easily make a million dollars).\" width=\"578\" height=\"240\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemonplus.jpg 578w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/pokemonplus-400x166.jpg 400w\" sizes=\"(max-width: 578px) 100vw, 578px\">\u003cfigcaption class=\"wp-caption-text\">Pokémon Go Plus is coming soon (and will easily make a million dollars).\u003c/figcaption>\u003c/figure>\n\u003cp>As for myself -- a non-gamer, remember -- I got hooked too. On the drive home from a party last night, I had my daughter open the app \"just to see if it works while driving,\" I said. But when she mentioned she saw a Pokémon on the side of the road, I impulsively pulled over, looked around to see if there were other cars in the area, and backed up a little bit so we could catch it. Yes. I did that.\u003c/p>\n\u003cp>We got home. It was past her bedtime, but that didn't stop me. \"Let's just go down the block and see if we can catch any more,\" I suggested. \"We're almost on Level 6!\" I texted my wife saying we'd be a little bit late. We walked around. We didn't catch anything.\u003c/p>\n\u003cp>While I put my daughter to bed, I sneaked a quick look at the game and saw a rainshower of pink in the distance. Someone had left a lure at a Pokéstop just two blocks from our house! There'd be so many Pokémon there! And it was set to expire in 30 minutes! My daughter could get out of bed and put on some slippers! Gotta catch 'em a -----\u003c/p>\n\u003cp>It was then that I realized I just needed to \u003cem>close the damn game\u003c/em>. I haven't opened it since.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-29687\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/07/POkemon.Congrats.jpg\" alt=\"POkemon.Congrats\" width=\"750\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Congrats.jpg 750w, https://ww2.kqed.org/app/uploads/sites/12/2016/07/POkemon.Congrats-400x284.jpg 400w\" sizes=\"(max-width: 750px) 100vw, 750px\">\u003c/p>\n\u003ch2>Resources for Playing\u003c/h2>\n\u003cp>If you're interested, it's probably best to start playing Pokémon Go sooner than later. In two weeks' time, judging by the half-life of these types of phenomena, everyone will be \"so over\" Pokémon Go; the Gyms will all be controlled by super-strong Pokémon, the serious players will turn aggro in person instead of accommodating, and there'll be more reports about the negative side-effects of the game (while I was writing this post, in fact, the inevitable report about how Pokémon Go can \u003ca href=\"https://www.buzzfeed.com/josephbernstein/heres-all-the-data-pokemon-go-is-collecting-from-your-phone?utm_term=.tv4WXaAkB#.nr4OP37NX\" target=\"_blank\">access all your personal info and read all your emails\u003c/a> emerged). Soon, it won't be fun anymore.\u003c/p>\n\u003cp>But if you want to start now? Funny thing about Pokémon Go: it doesn't come with any instructions on how to play. Here are a few guides to help.\u003c/p>\n\u003cp>\u003ca href=\"http://kotaku.com/how-to-play-pokemon-go-1783354400\">How to Play Pokémon Go\u003c/a>\u003cbr>\nVia Kotaku, a very clear and simple explainer for the beginner.\u003c/p>\n\u003cp>\u003ca href=\"https://www.youtube.com/watch?v=OqIdsLEJaLw\" target=\"_blank\">How to Pick Pikachu as Your Starter in Pokémon Go\u003c/a>\u003cbr>\nGame Informer breaks down the easiest way to capture Pikachu, a.k.a. the Pokémon that everyone wants.\u003c/p>\n\u003cp>\u003ca href=\"http://www.pokemon.com/us/pokemon-video-games/pokemon-go/\" target=\"_blank\">Pokémon Go Plus\u003c/a>\u003cbr>\nThis wristband accessory is coming soon, and will make playing it easier (and make players less annoying to non-players).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>USS Enterprise helmsman Hikaru Sulu is portrayed as gay in “Star Trek Beyond,” but George Takei, who originated the role, isn’t pleased.\u003c/p>\n\u003cp>A scene in the upcoming film plainly presents Sulu, played by John Cho, with a male spouse raising an infant daughter. Cho told Australia’s Herald Sun that he liked that the approach doesn’t “make a big thing” out of it.\u003c/p>\n\u003cp>But Takei, who came out in 2005, called the decision “unfortunate.” The 79-year-old actor told The Hollywood Reporter that he didn’t like the character being altered. Takei instead urged the filmmakers to create a new gay character.\u003c/p>\n\u003cp>Screenplay writer Simon Pegg and director Justin Lin say they intended to pay homage to Takei as an LGBT activist. In a statement Friday, Pegg said he “respectfully (disagreed)” with Takei.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>Alcatraz has been the setting of many Hollywood blockbusters from \u003ci>Escape from Alcatraz\u003c/i> to \u003ci>The Rock\u003c/i>. But a serialized, made-for-video opera? Now that’s surely a first.\u003c/p>\n\u003cp>On a recent evening in June, the former federal penitentiary was the site of a film shoot for \u003ca href=\"http://www.operavireo.org/\" target=\"_blank\" rel=\"noopener\">\u003ci>Vireo: The Spiritual Biography of a Witch’s Accuser\u003c/i> \u003c/a>— a 12-episode opera created by Bay Area native composer and musician \u003ca href=\"http://www.lisabielawa.net/\" target=\"_blank\" rel=\"noopener\">Lisa Bielawa\u003c/a> in collaboration with playwright Erik Ehn and director Charles Otte. On set for Episode 9, a chorus of vocalists sang out a dirge-like lament accompanied by hurdy gurdy from one of the cell blocks. Down the corridor, in the decrepit prison hospital, a string quartet played along with the sound of bells. Meanwhile, in a third room, a straightjacketed teen girl with a skull scepter confronted her doppelgänger.\u003c/p>\n\u003cfigure id=\"attachment_11753786\" class=\"wp-caption aligncenter\" style=\"max-width: 3272px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11753786 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/07/PRESS-Vireo-Acatraz_2016-06-21_0495-Edit-e1467245971954.jpg\" alt=\"Rowen Sabala as the title character in Lisa Bielawa’s new serialized, made-for-video opera ‘Vireo’. The latest episode was shot on Alcatraz\" width=\"3272\" height=\"1852\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/PRESS-Vireo-Acatraz_2016-06-21_0495-Edit-e1467245971954.jpg 3272w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/PRESS-Vireo-Acatraz_2016-06-21_0495-Edit-e1467245971954-400x226.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/PRESS-Vireo-Acatraz_2016-06-21_0495-Edit-e1467245971954-800x453.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/PRESS-Vireo-Acatraz_2016-06-21_0495-Edit-e1467245971954-768x435.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/PRESS-Vireo-Acatraz_2016-06-21_0495-Edit-e1467245971954-1180x668.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/PRESS-Vireo-Acatraz_2016-06-21_0495-Edit-e1467245971954-1920x1087.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/PRESS-Vireo-Acatraz_2016-06-21_0495-Edit-e1467245971954-960x543.jpg 960w\" sizes=\"(max-width: 3272px) 100vw, 3272px\">\u003cfigcaption class=\"wp-caption-text\">Rowen Sabala as the title character in Lisa Bielawa’s new serialized, made-for-video opera ‘Vireo’. The latest episode was shot on Alcatraz \u003ccite>(Photo: David Soderlund)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The unusual project is being filmed in 10-to-12 minute episodes — perfect for the ever shortening attention spans of a new generation. Shot in Southern California, New York, and San Francisco, the series will be broadcast next year on public television and online, and seeks to bring opera to a broader audience by using a digital streaming model a la Netflix and Amazon.\u003c/p>\n\u003cp>\u003cem>Vireo\u003c/em> follows the convoluted adventures of the titular character, a teenage girl played by 18-year old soprano Rowen Sabala. The young woman hears and sees things, and is ultimately accused of being a witch. She exists simultaneously in contemporary Sweden, 16th century France, and the Vienna of 1893, and is, apparently, possessed by a witch, played by the blind mezzo-soprano Laurie Rubin.\u003c/p>\n\u003cp>\u003cstrong>Recasting stories of female hysteria\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Bielawa is best known as the long-time vocalist for the world-renowned \u003ca href=\"http://www.philipglass.com/\" target=\"_blank\" rel=\"noopener\">Philip Glass Ensemble\u003c/a> and, locally, as artistic director of the precocious \u003ca href=\"http://sfgirlschorus.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Girls Chorus\u003c/a>. She grew up in the Bay Area and has also undertaken ambitious projects locally, such as a work she composed for massive musical forces at Crissy Field.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Crissy Broadcast\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/H76AibG52XE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>The origin story of \u003ci>Vireo\u003c/i> goes back to the composer’s time as an undergraduate in literature at Yale, where she wrote a senior thesis about studies by men of female hysteria. The topic haunted Bielawa, and she collaborated with Ehn on a traditional three act opera in 1994. “I sent him stacks and stacks of photocopies of primary source material from several centuries,” says Bielawa. “He wove it all into a libretto with the name \u003ci>Vireo\u003c/i>.” (Vireo is a type of songbird.)\u003c/p>\n\u003cp>Bielawa shopped the piece around to opera companies throughout the country, but came up short. The project was shelved for 20 years. Bielawa eventually resurrected \u003cem>Vireo\u003c/em> as part of her residency at Cal State Fullerton’s \u003ca href=\"http://www.grandcentralartcenter.com/\" target=\"_blank\" rel=\"noopener\">Grand Central Art Center\u003c/a> (GCAC) in Orange County in 2012.\u003c/p>\n\u003cp>\u003cb>Opera for the Netflix generation\u003c/b>\u003c/p>\n\u003cp>The idea to write an opera in episodes as one might approach a sitcom or telenovela came from Netflix. Specifically, the TV series \u003ca href=\"http://www.imdb.com/title/tt0367279/\" target=\"_blank\" rel=\"noopener\">\u003ci>Arrested Development\u003c/i>\u003c/a>, which Bielawa loves for its lampooning of life in Orange County’s Newport Beach with absurdist wordplay and dark wit.\u003c/p>\n\u003cp>In the summer of 2012, when Bielawa and GCAC director and chief curator John Spiak were casting around together locally for a new project, the pair realized they were both fans of \u003ci>Arrested Development\u003c/i>, and Spiak reminded Bielawa that the series takes place in the Orange County area.\u003c/p>\n\u003cp>“I looked around me and realized that one way to make innovative work that engaged with the community was to recognize that many of the smartest and most creative people around were involved in this evolving new form,” Bielawa says. “The way to make an opera that was native to SoCal was to embrace its flagship format, the episodic series.”\u003c/p>\n\u003cp>\u003cb>Taking TV opera in a fresh direction\u003c/b>\u003c/p>\n\u003cp>Opera on television is nothing new. Gian Carlo Menotti’s beloved \u003ca href=\"https://en.wikipedia.org/wiki/Amahl_and_the_Night_Visitors\" target=\"_blank\" rel=\"noopener\">\u003ci>Amahl and the Night Visitors\u003c/i>\u003c/a> was specifically composed for NBC in 1951 as a Christmas special, and Benjamin Britten’s less well-known \u003ca href=\"https://en.wikipedia.org/wiki/Owen_Wingrave\" target=\"_blank\" rel=\"noopener\">\u003ci>Owen Wingrave\u003c/i> \u003c/a>was composed for television broadcast on the BBC some 20 years later.\u003c/p>\n\u003cfigure id=\"attachment_11752745\" class=\"wp-caption aligncenter\" style=\"max-width: 5010px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11752745 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/PRESS-Vireo-Acatraz_2016-06-22_0551-Edit-e1467226939630.jpg\" alt=\"American Contemporary Music Ensemble\" width=\"5010\" height=\"2820\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/PRESS-Vireo-Acatraz_2016-06-22_0551-Edit-e1467226939630.jpg 5010w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/PRESS-Vireo-Acatraz_2016-06-22_0551-Edit-e1467226939630-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/PRESS-Vireo-Acatraz_2016-06-22_0551-Edit-e1467226939630-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/PRESS-Vireo-Acatraz_2016-06-22_0551-Edit-e1467226939630-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/PRESS-Vireo-Acatraz_2016-06-22_0551-Edit-e1467226939630-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/PRESS-Vireo-Acatraz_2016-06-22_0551-Edit-e1467226939630-1920x1081.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/PRESS-Vireo-Acatraz_2016-06-22_0551-Edit-e1467226939630-960x540.jpg 960w\" sizes=\"(max-width: 5010px) 100vw, 5010px\">\u003cfigcaption class=\"wp-caption-text\">Members of the American Contemporary Music Ensemble (ACME) in the hospital of Alcatraz. \u003ccite>(Photo: David Soderlund)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Running at almost three hours — if you were to watch all 12 episodes back-to-back, that is — \u003ci>Vireo\u003c/i> is just about the same length as the average opera. (Or it will be, once the project is finished, which is expected to happen before the end of next year.) But unlike the other two televised operas mentioned above, which are still occasionally performed on stage, \u003ci>Vireo \u003c/i>doesn’t fit into a traditional live opera setting. The episodic piece takes place in multiple time periods simultaneously. This time-bending is quite tricky to represent in a live performance. Also, \u003ci>Vireo \u003c/i>features a dizzying number of collaborators like the \u003ca href=\"http://www.kronosquartet.org/\" target=\"_blank\" rel=\"noopener\">Kronos Quartet\u003c/a>, the \u003ca href=\"http://www.acmemusic.org/\" target=\"_blank\" rel=\"noopener\">American Contemporary Music Ensemble\u003c/a> (ACME), the Bay Area choral group \u003ca href=\"http://www.cappellasf.org/\" target=\"_blank\" rel=\"noopener\">Cappella SF\u003c/a>, and even a marching band from a high school in Indio.\u003c/p>\n\u003cp>What the episodic, web-based format of \u003ci>Vireo \u003c/i>does provide for fans of opera is choice: the viewer can decide to snack on a single episode, take in a few at once, or binge-watch the whole thing in one go. “Each episode stands alone as a work of art, and yet also presents itself as part of a larger narrative,” says Otte, who worked on the globe-trotting remount of Philip Glass’ seminal opera \u003ci>\u003ca href=\"https://en.wikipedia.org/wiki/Einstein_on_the_Beach\" target=\"_blank\" rel=\"noopener\">Einstein on the Beach\u003c/a>.\u003c/i> (The production made a stop at Cal Performances in Berkeley in Oct. 2012.)\u003c/p>\n\u003cp>\u003cb>Success not a given\u003c/b>\u003c/p>\n\u003cp>As with all operas, there are a lot of moving parts and production costs are often high. The budget for \u003cem>Vireo\u003c/em> is $600,000. Although the project receives funding from a few foundations and grant programs (most prominently the community television organization \u003ca href=\"https://www.kcet.org/\" target=\"_blank\" rel=\"noopener\">KCET \u003c/a>and Grand Central Art Center), Bielawa and her team still need at least $260,000 to make it through to the end of the series. And success is certainly not a given. According to a 2015 study conducted by the opera industry organization \u003ca href=\"https://www.operaamerica.org/\" target=\"_blank\" rel=\"noopener\">Opera America\u003c/a>, of the nearly 600 new operas premiered over the past two decades, only 11 percent have received a second production.\u003c/p>\n\u003cp>As a web-based work released in serial format, \u003ci>Vireo\u003c/i> faces its own specific set of challenges. For one thing, the technical and artistic hurdles of producing a serialized opera with tons of collaborators in unusual locations like Alcatraz are immense. Then there’s the esoteric, highly brainy subject matter: the (mis)treatment of female hysteria is hardly the stuff of an evening’s light entertainment. It remains to be seen if the characters manage to connect with the video audience, many of whom may be viewing the episodes on the shrunken screens of laptops, tablets and even smartphones.\u003c/p>\n\u003cp>But Bielawa is fearless and clearly has talent. \u003ci>Vireo\u003c/i> has already won a major prize from the \u003ca href=\"http://www.ascapfoundation.org/\" target=\"_blank\" rel=\"noopener\">American Society of Composers, Authors and Publishers Foundation\u003c/a> (ASCAP), a professional membership organization of songwriters, composers and music publishers, for its curious hybrid structure.\u003c/p>\n\u003cp>But \u003ci>Vireo \u003c/i>isn’t just a point of innovation for an art form that has long struggled to stay relevant. Bielawa is one of very few successful female opera composers in a field dominated by men. As such, she is aware that her work is also unusual in content; her heroine is not simply an exotic Carmen or Madame Butterfly. “I’m working with these very young women who are playing these important and complex lead roles,” Bielawa says. “One of my motivations is to insist on roles for women in opera that have depth and breadth of character.”\u003c/p>\n\u003cp>Watch the first two episodes of \u003cem>Vireo\u003c/em>:\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Vireo: The Spiritual Biography of a Witch's Accuser | Artbound | Season 6, Episode 6 | KCET\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/4bRxIpgdj6w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Alcatraz has been the setting of many Hollywood blockbusters from \u003ci>Escape from Alcatraz\u003c/i> to \u003ci>The Rock\u003c/i>. But a serialized, made-for-video opera? Now that’s surely a first.\u003c/p>\n\u003cp>On a recent evening in June, the former federal penitentiary was the site of a film shoot for \u003ca href=\"http://www.operavireo.org/\" target=\"_blank\" rel=\"noopener\">\u003ci>Vireo: The Spiritual Biography of a Witch’s Accuser\u003c/i> \u003c/a>— a 12-episode opera created by Bay Area native composer and musician \u003ca href=\"http://www.lisabielawa.net/\" target=\"_blank\" rel=\"noopener\">Lisa Bielawa\u003c/a> in collaboration with playwright Erik Ehn and director Charles Otte. On set for Episode 9, a chorus of vocalists sang out a dirge-like lament accompanied by hurdy gurdy from one of the cell blocks. Down the corridor, in the decrepit prison hospital, a string quartet played along with the sound of bells. Meanwhile, in a third room, a straightjacketed teen girl with a skull scepter confronted her doppelgänger.\u003c/p>\n\u003cfigure id=\"attachment_11753786\" class=\"wp-caption aligncenter\" style=\"max-width: 3272px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11753786 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/07/PRESS-Vireo-Acatraz_2016-06-21_0495-Edit-e1467245971954.jpg\" alt=\"Rowen Sabala as the title character in Lisa Bielawa’s new serialized, made-for-video opera ‘Vireo’. The latest episode was shot on Alcatraz\" width=\"3272\" height=\"1852\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/PRESS-Vireo-Acatraz_2016-06-21_0495-Edit-e1467245971954.jpg 3272w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/PRESS-Vireo-Acatraz_2016-06-21_0495-Edit-e1467245971954-400x226.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/PRESS-Vireo-Acatraz_2016-06-21_0495-Edit-e1467245971954-800x453.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/PRESS-Vireo-Acatraz_2016-06-21_0495-Edit-e1467245971954-768x435.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/PRESS-Vireo-Acatraz_2016-06-21_0495-Edit-e1467245971954-1180x668.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/PRESS-Vireo-Acatraz_2016-06-21_0495-Edit-e1467245971954-1920x1087.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/07/PRESS-Vireo-Acatraz_2016-06-21_0495-Edit-e1467245971954-960x543.jpg 960w\" sizes=\"(max-width: 3272px) 100vw, 3272px\">\u003cfigcaption class=\"wp-caption-text\">Rowen Sabala as the title character in Lisa Bielawa’s new serialized, made-for-video opera ‘Vireo’. The latest episode was shot on Alcatraz \u003ccite>(Photo: David Soderlund)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The unusual project is being filmed in 10-to-12 minute episodes — perfect for the ever shortening attention spans of a new generation. Shot in Southern California, New York, and San Francisco, the series will be broadcast next year on public television and online, and seeks to bring opera to a broader audience by using a digital streaming model a la Netflix and Amazon.\u003c/p>\n\u003cp>\u003cem>Vireo\u003c/em> follows the convoluted adventures of the titular character, a teenage girl played by 18-year old soprano Rowen Sabala. The young woman hears and sees things, and is ultimately accused of being a witch. She exists simultaneously in contemporary Sweden, 16th century France, and the Vienna of 1893, and is, apparently, possessed by a witch, played by the blind mezzo-soprano Laurie Rubin.\u003c/p>\n\u003cp>\u003cstrong>Recasting stories of female hysteria\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Bielawa is best known as the long-time vocalist for the world-renowned \u003ca href=\"http://www.philipglass.com/\" target=\"_blank\" rel=\"noopener\">Philip Glass Ensemble\u003c/a> and, locally, as artistic director of the precocious \u003ca href=\"http://sfgirlschorus.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Girls Chorus\u003c/a>. She grew up in the Bay Area and has also undertaken ambitious projects locally, such as a work she composed for massive musical forces at Crissy Field.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Crissy Broadcast\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/H76AibG52XE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>The origin story of \u003ci>Vireo\u003c/i> goes back to the composer’s time as an undergraduate in literature at Yale, where she wrote a senior thesis about studies by men of female hysteria. The topic haunted Bielawa, and she collaborated with Ehn on a traditional three act opera in 1994. “I sent him stacks and stacks of photocopies of primary source material from several centuries,” says Bielawa. “He wove it all into a libretto with the name \u003ci>Vireo\u003c/i>.” (Vireo is a type of songbird.)\u003c/p>\n\u003cp>Bielawa shopped the piece around to opera companies throughout the country, but came up short. The project was shelved for 20 years. Bielawa eventually resurrected \u003cem>Vireo\u003c/em> as part of her residency at Cal State Fullerton’s \u003ca href=\"http://www.grandcentralartcenter.com/\" target=\"_blank\" rel=\"noopener\">Grand Central Art Center\u003c/a> (GCAC) in Orange County in 2012.\u003c/p>\n\u003cp>\u003cb>Opera for the Netflix generation\u003c/b>\u003c/p>\n\u003cp>The idea to write an opera in episodes as one might approach a sitcom or telenovela came from Netflix. Specifically, the TV series \u003ca href=\"http://www.imdb.com/title/tt0367279/\" target=\"_blank\" rel=\"noopener\">\u003ci>Arrested Development\u003c/i>\u003c/a>, which Bielawa loves for its lampooning of life in Orange County’s Newport Beach with absurdist wordplay and dark wit.\u003c/p>\n\u003cp>In the summer of 2012, when Bielawa and GCAC director and chief curator John Spiak were casting around together locally for a new project, the pair realized they were both fans of \u003ci>Arrested Development\u003c/i>, and Spiak reminded Bielawa that the series takes place in the Orange County area.\u003c/p>\n\u003cp>“I looked around me and realized that one way to make innovative work that engaged with the community was to recognize that many of the smartest and most creative people around were involved in this evolving new form,” Bielawa says. “The way to make an opera that was native to SoCal was to embrace its flagship format, the episodic series.”\u003c/p>\n\u003cp>\u003cb>Taking TV opera in a fresh direction\u003c/b>\u003c/p>\n\u003cp>Opera on television is nothing new. Gian Carlo Menotti’s beloved \u003ca href=\"https://en.wikipedia.org/wiki/Amahl_and_the_Night_Visitors\" target=\"_blank\" rel=\"noopener\">\u003ci>Amahl and the Night Visitors\u003c/i>\u003c/a> was specifically composed for NBC in 1951 as a Christmas special, and Benjamin Britten’s less well-known \u003ca href=\"https://en.wikipedia.org/wiki/Owen_Wingrave\" target=\"_blank\" rel=\"noopener\">\u003ci>Owen Wingrave\u003c/i> \u003c/a>was composed for television broadcast on the BBC some 20 years later.\u003c/p>\n\u003cfigure id=\"attachment_11752745\" class=\"wp-caption aligncenter\" style=\"max-width: 5010px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11752745 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/06/PRESS-Vireo-Acatraz_2016-06-22_0551-Edit-e1467226939630.jpg\" alt=\"American Contemporary Music Ensemble\" width=\"5010\" height=\"2820\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/PRESS-Vireo-Acatraz_2016-06-22_0551-Edit-e1467226939630.jpg 5010w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/PRESS-Vireo-Acatraz_2016-06-22_0551-Edit-e1467226939630-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/PRESS-Vireo-Acatraz_2016-06-22_0551-Edit-e1467226939630-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/PRESS-Vireo-Acatraz_2016-06-22_0551-Edit-e1467226939630-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/PRESS-Vireo-Acatraz_2016-06-22_0551-Edit-e1467226939630-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/PRESS-Vireo-Acatraz_2016-06-22_0551-Edit-e1467226939630-1920x1081.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/06/PRESS-Vireo-Acatraz_2016-06-22_0551-Edit-e1467226939630-960x540.jpg 960w\" sizes=\"(max-width: 5010px) 100vw, 5010px\">\u003cfigcaption class=\"wp-caption-text\">Members of the American Contemporary Music Ensemble (ACME) in the hospital of Alcatraz. \u003ccite>(Photo: David Soderlund)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Running at almost three hours — if you were to watch all 12 episodes back-to-back, that is — \u003ci>Vireo\u003c/i> is just about the same length as the average opera. (Or it will be, once the project is finished, which is expected to happen before the end of next year.) But unlike the other two televised operas mentioned above, which are still occasionally performed on stage, \u003ci>Vireo \u003c/i>doesn’t fit into a traditional live opera setting. The episodic piece takes place in multiple time periods simultaneously. This time-bending is quite tricky to represent in a live performance. Also, \u003ci>Vireo \u003c/i>features a dizzying number of collaborators like the \u003ca href=\"http://www.kronosquartet.org/\" target=\"_blank\" rel=\"noopener\">Kronos Quartet\u003c/a>, the \u003ca href=\"http://www.acmemusic.org/\" target=\"_blank\" rel=\"noopener\">American Contemporary Music Ensemble\u003c/a> (ACME), the Bay Area choral group \u003ca href=\"http://www.cappellasf.org/\" target=\"_blank\" rel=\"noopener\">Cappella SF\u003c/a>, and even a marching band from a high school in Indio.\u003c/p>\n\u003cp>What the episodic, web-based format of \u003ci>Vireo \u003c/i>does provide for fans of opera is choice: the viewer can decide to snack on a single episode, take in a few at once, or binge-watch the whole thing in one go. “Each episode stands alone as a work of art, and yet also presents itself as part of a larger narrative,” says Otte, who worked on the globe-trotting remount of Philip Glass’ seminal opera \u003ci>\u003ca href=\"https://en.wikipedia.org/wiki/Einstein_on_the_Beach\" target=\"_blank\" rel=\"noopener\">Einstein on the Beach\u003c/a>.\u003c/i> (The production made a stop at Cal Performances in Berkeley in Oct. 2012.)\u003c/p>\n\u003cp>\u003cb>Success not a given\u003c/b>\u003c/p>\n\u003cp>As with all operas, there are a lot of moving parts and production costs are often high. The budget for \u003cem>Vireo\u003c/em> is $600,000. Although the project receives funding from a few foundations and grant programs (most prominently the community television organization \u003ca href=\"https://www.kcet.org/\" target=\"_blank\" rel=\"noopener\">KCET \u003c/a>and Grand Central Art Center), Bielawa and her team still need at least $260,000 to make it through to the end of the series. And success is certainly not a given. According to a 2015 study conducted by the opera industry organization \u003ca href=\"https://www.operaamerica.org/\" target=\"_blank\" rel=\"noopener\">Opera America\u003c/a>, of the nearly 600 new operas premiered over the past two decades, only 11 percent have received a second production.\u003c/p>\n\u003cp>As a web-based work released in serial format, \u003ci>Vireo\u003c/i> faces its own specific set of challenges. For one thing, the technical and artistic hurdles of producing a serialized opera with tons of collaborators in unusual locations like Alcatraz are immense. Then there’s the esoteric, highly brainy subject matter: the (mis)treatment of female hysteria is hardly the stuff of an evening’s light entertainment. It remains to be seen if the characters manage to connect with the video audience, many of whom may be viewing the episodes on the shrunken screens of laptops, tablets and even smartphones.\u003c/p>\n\u003cp>But Bielawa is fearless and clearly has talent. \u003ci>Vireo\u003c/i> has already won a major prize from the \u003ca href=\"http://www.ascapfoundation.org/\" target=\"_blank\" rel=\"noopener\">American Society of Composers, Authors and Publishers Foundation\u003c/a> (ASCAP), a professional membership organization of songwriters, composers and music publishers, for its curious hybrid structure.\u003c/p>\n\u003cp>But \u003ci>Vireo \u003c/i>isn’t just a point of innovation for an art form that has long struggled to stay relevant. Bielawa is one of very few successful female opera composers in a field dominated by men. As such, she is aware that her work is also unusual in content; her heroine is not simply an exotic Carmen or Madame Butterfly. “I’m working with these very young women who are playing these important and complex lead roles,” Bielawa says. “One of my motivations is to insist on roles for women in opera that have depth and breadth of character.”\u003c/p>\n\u003cp>Watch the first two episodes of \u003cem>Vireo\u003c/em>:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Smithsonian Sets Phasers to Restore on Original Starship Enterprise",
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"content": "\u003cp>Sorry to disappoint Trekkies who still believe, but the actual USS Enterprise did not really take up much space.\u003c/p>\n\u003cp>That famous starship of Mr. Spock and Capt. James Tiberius Kirk in the original \u003cem>Star Trek \u003c/em>TV series — which turns 50 this year — was a model. Quite a large one, to be fair: 11 feet long and about 200 lbs., made out of blow-molded plastic and wood. But not life-sized.\u003c/p>\n\u003cp>And for more than a decade, it hung in the gift shop of the Smithsonian’s National Air and Space museum in Washington, D.C.\u003c/p>\n\u003cp>“From a conservator’s standpoint, that is probably one of the worst places to put an artifact,” says Malcolm Collum, the chief conservator of the National Air and Space Museum.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"http://www.npr.org/player/embed/1383489/1383490\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\">\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Collum lead the team that has been painstakingly restoring the Enterprise over the last year and half. Conservators used a portable x-ray machine — borrowed from the National Zoo — to piece together the internal structure of the ship.\u003c/p>\n\u003cp>Though the model has been restored a few times before, the goal this time was to bring the starship back to its TV glory days — circa 1967.\u003c/p>\n\u003cp>“It’s an iconic artifact, so we’re really treating this as something that is — it needs to be preserved and treated as authentically as possible,” Collum says.\u003c/p>\n\u003cp>The previous restoration in the 1990s, completed in collaboration with the museum, was controversial for its more interpretive coloring.\u003c/p>\n\u003cp>Collum says one thing they had to get right this time was the color: green, not grey or white as it appeared on the screen.\u003c/p>\n\u003cp>“In reality it looks very green and that’s usually the thing that people balk at when they first see it,” Collum says.\u003c/p>\n\u003cp>That look was designed with purpose.\u003c/p>\n\u003cp>“The folks that built the model knew that they had to put on certain colors that would read well in the studio, but they couldn’t use blues because they were using a blue screen background,” he says.\u003c/p>\n\u003cp>The detailing of the ship, however, only extends halfway — the Enterprise was only filmed from its starboard side. When the series needed to show the port side, editors just reversed the film and added different decals.\u003c/p>\n\u003cp>“We really want to convey to the audience that this is a studio model,” Collum says. “It’s not only the iconic spaceship that was on the television series, but it is a physically functioning studio prop that had to be lit, it had to be properly supported, the wires had to be hidden.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>On Tues., June 28, the USS Enterprise will reach its final frontier beside other famous and historical aircraft in the Boeing Milestones of Flight Hall at the Smithsonian Air and Space Museum. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Smithsonian+Sets+Phasers+To+Restore+On+Original+Starship+Enterprise&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Sorry to disappoint Trekkies who still believe, but the actual USS Enterprise did not really take up much space.\u003c/p>\n\u003cp>That famous starship of Mr. Spock and Capt. James Tiberius Kirk in the original \u003cem>Star Trek \u003c/em>TV series — which turns 50 this year — was a model. Quite a large one, to be fair: 11 feet long and about 200 lbs., made out of blow-molded plastic and wood. But not life-sized.\u003c/p>\n\u003cp>And for more than a decade, it hung in the gift shop of the Smithsonian’s National Air and Space museum in Washington, D.C.\u003c/p>\n\u003cp>“From a conservator’s standpoint, that is probably one of the worst places to put an artifact,” says Malcolm Collum, the chief conservator of the National Air and Space Museum.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"http://www.npr.org/player/embed/1383489/1383490\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Collum lead the team that has been painstakingly restoring the Enterprise over the last year and half. Conservators used a portable x-ray machine — borrowed from the National Zoo — to piece together the internal structure of the ship.\u003c/p>\n\u003cp>Though the model has been restored a few times before, the goal this time was to bring the starship back to its TV glory days — circa 1967.\u003c/p>\n\u003cp>“It’s an iconic artifact, so we’re really treating this as something that is — it needs to be preserved and treated as authentically as possible,” Collum says.\u003c/p>\n\u003cp>The previous restoration in the 1990s, completed in collaboration with the museum, was controversial for its more interpretive coloring.\u003c/p>\n\u003cp>Collum says one thing they had to get right this time was the color: green, not grey or white as it appeared on the screen.\u003c/p>\n\u003cp>“In reality it looks very green and that’s usually the thing that people balk at when they first see it,” Collum says.\u003c/p>\n\u003cp>That look was designed with purpose.\u003c/p>\n\u003cp>“The folks that built the model knew that they had to put on certain colors that would read well in the studio, but they couldn’t use blues because they were using a blue screen background,” he says.\u003c/p>\n\u003cp>The detailing of the ship, however, only extends halfway — the Enterprise was only filmed from its starboard side. When the series needed to show the port side, editors just reversed the film and added different decals.\u003c/p>\n\u003cp>“We really want to convey to the audience that this is a studio model,” Collum says. “It’s not only the iconic spaceship that was on the television series, but it is a physically functioning studio prop that had to be lit, it had to be properly supported, the wires had to be hidden.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>On Tues., June 28, the USS Enterprise will reach its final frontier beside other famous and historical aircraft in the Boeing Milestones of Flight Hall at the Smithsonian Air and Space Museum. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Smithsonian+Sets+Phasers+To+Restore+On+Original+Starship+Enterprise&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Chad from 'The Bachelorette' Continues a Troubling Trend of Violence as Entertainment",
"title": "Chad from 'The Bachelorette' Continues a Troubling Trend of Violence as Entertainment",
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"content": "\u003cp>\u003cspan style=\"font-weight: 400\">[contextly_sidebar id=\"qee8J4J9SS07LJnoPTQF5EOAaQyKIcuY\"]After 20 seasons, \u003cem>The Bachelor/Bachelorette\u003c/em> franchise is a well-oiled machine. Each season comes with a few guarantees: no person of color will make it to the final four; the promos for future episodes will be unfairly misleading; and there will be a villain.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">On the current season of \u003cem>The \u003c/em>\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bachelorette\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, that person was Chad Johnson, a 28-year-old luxury real estate agent from Tulsa. Jacked on protein powder and the literal piles of meat made available during cocktail parties, Chad was incapable of controlling his temper in front of the cameras. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">On their very first \"date,\" he called JoJo Fletcher, the woman he was supposed to be impressing, \"naggy.\" Then, when Evan Bass, a wispy erectile dysfunction specialist, decided to roast Chad during a competition, Chad responded by grabbing Evan’s shirt and pulling it so hard that it ripped. \u003c/span>After that, he punched a door. But Evan wasn't the only one he had beef with: \"I'm going to cut everyone here's legs off and arms off and there's going to be torsos and I'm going to throw them in the pool and I'm going to f*ck up this entire damn thing.\"\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Eventually, ABC brought security into the house, a guy with a mere fraction of Johnson’s muscle mass. Whenever JoJo or anyone else confronted Chad for his troubling behavior, Johnson would use some bizarre circular logic to reason that he only made violent threats because the guys just wouldn’t stop picking on him and, well, what else is he supposed to do besides threaten them with physical violence?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And after all that, JoJo \u003cem>still\u003c/em> kept him around for another episode. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“He was probably a dream character for the producers,” says Dr. Melissa Camacho, an associate professor of mass media at San Francisco State University. But the behavior of people like Chad doesn’t worry her as much as the audience’s tolerance level. “To me, the larger question is why the audience would find this acceptable.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Chad is just one bully in a long line of reality show bullies. They’re the characters that the audience loves to hate, even if they’re physically and verbally abusive. This apparent inability to see the abuse as anything more than entertainment deeply concerns Camacho. “Are we suggesting that these types of violent episodes on a reality show are things that we’re not supposed to take seriously as audiences because it’s just a reality show? At what point do we say that this is violence?”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It was certainly violence when \u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=m5cVlW5Q6J8\">\u003cspan style=\"font-weight: 400\">Stephen Williams slapped Irene McGee on \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Real World: Seattle\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400\"> in 1998. When McGee decided to leave the show early, she called Stephen a homosexual on her way out. Stephen, who at the time was outwardly homophobic and deeply closeted, freaked out, pulled open the door of her car, and smacked her in the face. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Camacho points out that MTV has a no-violence policy on its shows and removes contestants who cross that line. In this case, viewers actually got to see producers take action on camera. Still, they gave the roommates the option of letting Stephen stay in the house, which they did — as long as he took anger management classes. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">MTV used to be quick to act, but these days, it seems like the network picks and chooses which stars it removes from its most popular shows. On the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Jersey Shore\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=B8eYbyriti8\">\u003cspan style=\"font-weight: 400\">Sammi and J-Woww traded blows\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> in season two but both stayed cast members for four more seasons. And on \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Teen Mom\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, Amber Portwood faced domestic violence charges for \u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=1ZqSgkQLiGo\">\u003cspan style=\"font-weight: 400\">attacking her fiance\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> (in front of their child) only after the footage aired. She eventually went to prison (for unrelated charges). As of 2016, she’s still on the show. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For Camacho, one of her most memorable reality show moments came from the second season of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Top Chef\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. After a night of drinking, four of the contestants, including Cliff Crooks, decided to shave their heads and the head of Marcel Vigneron, who was asleep at the time. Cliff \u003c/span>\u003ca href=\"http://www.dailymotion.com/video/x1pse2_top-chef-head-shaving-official_shortfilms\">\u003cspan style=\"font-weight: 400\">is shown on camera trying to hold Marcel down\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. “Everyone knew that it wasn’t meant to be a quote unquote violent event,” Camacho says. “But they were like: You put your hands on somebody. That’s assault.” Crooks was disqualified from the show, on camera.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Unfortunately, not all programs are so discerning, and some — like \u003cem>The Bachelorette\u003c/em> — may actually capitalize on such behavior. One of the scariest hostilities in reality history happened on the usually innocuous \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Amazing Race\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. The CBS adventure series was thrown for a loop when they cast Jonathan Baker and Victoria Fuller in its sixth season. The couple bickered from the start, but it wasn’t until a few episodes in that the full extent of Jonathan’s temper was revealed. After losing a footrace, he shoved Victoria, blaming her for their second-place finish. In another episode, Jonathan raised his hand as though to hit his wife, but stopped himself just in time. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Jonathan and Victoria remained on \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Amazing Race\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> until they lost. Afterward, Jonathan\u003c/span>\u003ca href=\"http://www.ew.com/article/2004/12/22/amazing-race-contestant-im-not-abusive-husband\">\u003cspan style=\"font-weight: 400\"> went on the defensive:\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> “We went in being the villains. \u003c/span>\u003cspan style=\"font-weight: 400\">We went in playing it over the top, and CBS kind of helped it along with their storyline.” Other networks decided to capitalize on them too; a few years later, the couple were invited onto the reality star edition of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Fear Factor\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, and they lived up to their hype. Ever the sore losers, Victoria pushed Jonny Fairplay of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Survivor\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> infamy. Never one to be upstaged, Jonathan then attacked host Joe Rogan after they traded insults. Jonathan \u003c/span>\u003ca href=\"http://nypost.com/2006/05/31/fear-fight-controversial-racer-clashes-with-reality-show-host-joe-rogan/\">\u003cspan style=\"font-weight: 400\">claims\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> that Rogan and Fairplay had taunted his wife, and he was merely defending her. (Jonathan and Victoria are now divorced.)\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Fans of\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\"> The Bachelorette\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> may have wondered if producers were perhaps forcing JoJo to string Chad along for the juicy plot line. Fortunately, the speculation was short-lived, as JoJo finally dumped him after a two-on-one date in episode four. Of course, the network still let his exit bleed into episode five, filming his return to the house for one last manufactured confrontation, probably because they thought maybe this time he’d blow, and partly so they could milk one more episode’s worth of ratings out of him. He didn’t snap, even when Evan asked him to replace his torn shirt, and Chad finally left. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Later that night, Johnson was a guest on ABC’s \u003cem>Jimmy Kimmel Live\u003c/em>. And later this summer, viewers will get even more Chad on the alcohol-soaked spinoff \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bachelor in Paradise\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, where he’ll rejoin Evan Bass and more of the men who felt unsafe around Johnson and whose limbs he threatened to tear off. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Maybe nothing will happen. Or maybe Chad will actually act on some of his threats. Either way, millions of people will be watching. Sometimes, it's easier to stomach a guy like Chad than the grim reality we see on the news.\u003c/span>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“I think people are so saturated with information about violence in all its forms,” Camacho says, “that, when it comes to entertainment media, people just don’t want to have that kind of conversation.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003cp>\u003c/p>\u003cp>After 20 seasons, \u003cem>The Bachelor/Bachelorette\u003c/em> franchise is a well-oiled machine. Each season comes with a few guarantees: no person of color will make it to the final four; the promos for future episodes will be unfairly misleading; and there will be a villain.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">On the current season of \u003cem>The \u003c/em>\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bachelorette\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, that person was Chad Johnson, a 28-year-old luxury real estate agent from Tulsa. Jacked on protein powder and the literal piles of meat made available during cocktail parties, Chad was incapable of controlling his temper in front of the cameras. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">On their very first \"date,\" he called JoJo Fletcher, the woman he was supposed to be impressing, \"naggy.\" Then, when Evan Bass, a wispy erectile dysfunction specialist, decided to roast Chad during a competition, Chad responded by grabbing Evan’s shirt and pulling it so hard that it ripped. \u003c/span>After that, he punched a door. But Evan wasn't the only one he had beef with: \"I'm going to cut everyone here's legs off and arms off and there's going to be torsos and I'm going to throw them in the pool and I'm going to f*ck up this entire damn thing.\"\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Eventually, ABC brought security into the house, a guy with a mere fraction of Johnson’s muscle mass. Whenever JoJo or anyone else confronted Chad for his troubling behavior, Johnson would use some bizarre circular logic to reason that he only made violent threats because the guys just wouldn’t stop picking on him and, well, what else is he supposed to do besides threaten them with physical violence?\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And after all that, JoJo \u003cem>still\u003c/em> kept him around for another episode. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“He was probably a dream character for the producers,” says Dr. Melissa Camacho, an associate professor of mass media at San Francisco State University. But the behavior of people like Chad doesn’t worry her as much as the audience’s tolerance level. “To me, the larger question is why the audience would find this acceptable.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Chad is just one bully in a long line of reality show bullies. They’re the characters that the audience loves to hate, even if they’re physically and verbally abusive. This apparent inability to see the abuse as anything more than entertainment deeply concerns Camacho. “Are we suggesting that these types of violent episodes on a reality show are things that we’re not supposed to take seriously as audiences because it’s just a reality show? At what point do we say that this is violence?”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It was certainly violence when \u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=m5cVlW5Q6J8\">\u003cspan style=\"font-weight: 400\">Stephen Williams slapped Irene McGee on \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Real World: Seattle\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400\"> in 1998. When McGee decided to leave the show early, she called Stephen a homosexual on her way out. Stephen, who at the time was outwardly homophobic and deeply closeted, freaked out, pulled open the door of her car, and smacked her in the face. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Camacho points out that MTV has a no-violence policy on its shows and removes contestants who cross that line. In this case, viewers actually got to see producers take action on camera. Still, they gave the roommates the option of letting Stephen stay in the house, which they did — as long as he took anger management classes. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">MTV used to be quick to act, but these days, it seems like the network picks and chooses which stars it removes from its most popular shows. On the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Jersey Shore\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, \u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=B8eYbyriti8\">\u003cspan style=\"font-weight: 400\">Sammi and J-Woww traded blows\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> in season two but both stayed cast members for four more seasons. And on \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Teen Mom\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, Amber Portwood faced domestic violence charges for \u003c/span>\u003ca href=\"https://www.youtube.com/watch?v=1ZqSgkQLiGo\">\u003cspan style=\"font-weight: 400\">attacking her fiance\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> (in front of their child) only after the footage aired. She eventually went to prison (for unrelated charges). As of 2016, she’s still on the show. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For Camacho, one of her most memorable reality show moments came from the second season of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Top Chef\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. After a night of drinking, four of the contestants, including Cliff Crooks, decided to shave their heads and the head of Marcel Vigneron, who was asleep at the time. Cliff \u003c/span>\u003ca href=\"http://www.dailymotion.com/video/x1pse2_top-chef-head-shaving-official_shortfilms\">\u003cspan style=\"font-weight: 400\">is shown on camera trying to hold Marcel down\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. “Everyone knew that it wasn’t meant to be a quote unquote violent event,” Camacho says. “But they were like: You put your hands on somebody. That’s assault.” Crooks was disqualified from the show, on camera.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Unfortunately, not all programs are so discerning, and some — like \u003cem>The Bachelorette\u003c/em> — may actually capitalize on such behavior. One of the scariest hostilities in reality history happened on the usually innocuous \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Amazing Race\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. The CBS adventure series was thrown for a loop when they cast Jonathan Baker and Victoria Fuller in its sixth season. The couple bickered from the start, but it wasn’t until a few episodes in that the full extent of Jonathan’s temper was revealed. After losing a footrace, he shoved Victoria, blaming her for their second-place finish. In another episode, Jonathan raised his hand as though to hit his wife, but stopped himself just in time. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Jonathan and Victoria remained on \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Amazing Race\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> until they lost. Afterward, Jonathan\u003c/span>\u003ca href=\"http://www.ew.com/article/2004/12/22/amazing-race-contestant-im-not-abusive-husband\">\u003cspan style=\"font-weight: 400\"> went on the defensive:\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> “We went in being the villains. \u003c/span>\u003cspan style=\"font-weight: 400\">We went in playing it over the top, and CBS kind of helped it along with their storyline.” Other networks decided to capitalize on them too; a few years later, the couple were invited onto the reality star edition of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Fear Factor\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, and they lived up to their hype. Ever the sore losers, Victoria pushed Jonny Fairplay of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Survivor\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> infamy. Never one to be upstaged, Jonathan then attacked host Joe Rogan after they traded insults. Jonathan \u003c/span>\u003ca href=\"http://nypost.com/2006/05/31/fear-fight-controversial-racer-clashes-with-reality-show-host-joe-rogan/\">\u003cspan style=\"font-weight: 400\">claims\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> that Rogan and Fairplay had taunted his wife, and he was merely defending her. (Jonathan and Victoria are now divorced.)\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Fans of\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\"> The Bachelorette\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> may have wondered if producers were perhaps forcing JoJo to string Chad along for the juicy plot line. Fortunately, the speculation was short-lived, as JoJo finally dumped him after a two-on-one date in episode four. Of course, the network still let his exit bleed into episode five, filming his return to the house for one last manufactured confrontation, probably because they thought maybe this time he’d blow, and partly so they could milk one more episode’s worth of ratings out of him. He didn’t snap, even when Evan asked him to replace his torn shirt, and Chad finally left. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Later that night, Johnson was a guest on ABC’s \u003cem>Jimmy Kimmel Live\u003c/em>. And later this summer, viewers will get even more Chad on the alcohol-soaked spinoff \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Bachelor in Paradise\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, where he’ll rejoin Evan Bass and more of the men who felt unsafe around Johnson and whose limbs he threatened to tear off. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Maybe nothing will happen. Or maybe Chad will actually act on some of his threats. Either way, millions of people will be watching. Sometimes, it's easier to stomach a guy like Chad than the grim reality we see on the news.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I think people are so saturated with information about violence in all its forms,” Camacho says, “that, when it comes to entertainment media, people just don’t want to have that kind of conversation.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "WATCH: Jesse Williams On Black Lives, Equal Rights And Freedom",
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"content": "\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"http://www.bet.com/video/betawards/2016/acceptance-speeches/jesse-williams-receives-humanitarian-award.share.responsive-true.html\" width=\"100%\" height=\"535\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>[contextly_sidebar id=\"aWsmIHOpZj22g3OFlTbGyfo2hTCeCeQs\"]At the BET Awards on Sunday night, after receiving the network's humanitarian award, Jesse Williams began with the usual litany of thanks. Standing with a slight hunch over a too-short microphone, he celebrated his parents and his wife.\u003c/p>\n\u003cp>With that out of the way, the \u003cem>real \u003c/em>speech began.\u003c/p>\n\u003cp>\"This award, this is not for me,\" the activist and \u003cem>Grey's Anatomy\u003c/em> star said. He honored activists, civil rights attorneys, parents, teachers, and \"the students that are realizing that a system built to divide and impoverish and destroy us cannot stand if we do.\" He particularly celebrated black women.\u003c/p>\n\u003cp>He condemned police brutality against people of color: \"What we've been doing is looking at the data, and we know that police somehow manage to de-escalate, disarm and not kill white people every day. So what's gonna happen is we are going to have equal rights and justice in our own country, or we will restructure their function, and ours.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The crowd rose in a standing ovation.\u003c/p>\n\u003cp>\"I got more, y'all,\" Williams said.\u003c/p>\n\u003cp>\"I don't want to hear anymore about how far we've come when paid public servants can pull a drive-by on a 12-year-old playing alone in a park in broad daylight, killing him on television and then going home to make a sandwich,\" he said, invoking the name of not just \u003ca href=\"http://www.npr.org/sections/thetwo-way/2016/04/25/475583746/cleveland-to-pay-6-million-to-settle-tamir-rice-lawsuit\" target=\"_blank\">Tamir Rice\u003c/a> but also \u003ca href=\"https://soundcloud.com/afternoonshiftwbez/judge-dismisses-all-charges-against-cpd-detective-in-rekia-boyd-shooting-death\" target=\"_blank\">Rekia Boyd\u003c/a> and \u003ca href=\"http://www.npr.org/sections/thetwo-way/2015/07/13/422703725/nyc-settles-with-family-of-eric-garner-for-5-9-million\" target=\"_blank\">Eric Garner\u003c/a> and \u003ca href=\"http://www.npr.org/sections/thetwo-way/2016/03/23/471551331/former-trooper-pleads-not-guilty-to-perjury-over-arrest-of-sandra-bland\" target=\"_blank\">Sandra Bland\u003c/a> and \u003ca href=\"http://kutv.com/news/local/judge-dismisses-darrien-hunt-fatal-police-shooting-suit-appeal-possible\" target=\"_blank\">Darrien Hunt\u003c/a>.\u003c/p>\n\u003cp>Then he told a room packed with black celebrities that just making money \"isn't gonna stop this.\" He continued:\u003c/p>\n\u003cblockquote>\u003cp>\"There has been no war that we have not fought and died on the front lines of. There has been no job we haven't done. There's no tax they haven't levied against us. And we've paid all of them. But freedom is somehow always conditional here. 'You're free,' they keep telling us. 'But she would have been alive if she hadn't acted so — \u003cem>free\u003c/em>.'\u003c/p>\n\u003cp>\"Now, freedom is always coming in the hereafter. But you know what, though? The hereafter is a hustle. We want it now.\"\u003c/p>\u003c/blockquote>\n\u003cp>He excoriated those who criticize black activists but don't call out oppression and brutality. And he had sharp words for those who profit off black culture without promoting black equality.\u003c/p>\n\u003cp>\"We've been floating this country on credit for centuries, yo, and we're done watching and waiting while this invention called whiteness uses and abuses us, burying black people out of sight and out of mind, while extracting our culture, our dollars, our entertainment like oil — black gold. Ghettoizing and demeaning our creations then stealing them, gentrifying our genius and then trying us on like costumes before discarding our bodies like rinds of strange fruit,\" Williams said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>You can watch \u003ca href=\"http://www.bet.com/video/betawards/2016/acceptance-speeches/jesse-williams-receives-humanitarian-award.html\" target=\"_blank\">the whole video\u003c/a> above.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=WATCH%3A+Jesse+Williams+On+Black+Lives%2C+Equal+Rights+And+Freedom&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"excerpt": "As he accepted BET's Humanitarian Award, the actor spoke about police brutality, oppression and the appropriation of black culture. \"We've been floating this country on credit for centuries,\" he said.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"http://www.bet.com/video/betawards/2016/acceptance-speeches/jesse-williams-receives-humanitarian-award.share.responsive-true.html\" width=\"100%\" height=\"535\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>At the BET Awards on Sunday night, after receiving the network's humanitarian award, Jesse Williams began with the usual litany of thanks. Standing with a slight hunch over a too-short microphone, he celebrated his parents and his wife.\u003c/p>\n\u003cp>With that out of the way, the \u003cem>real \u003c/em>speech began.\u003c/p>\n\u003cp>\"This award, this is not for me,\" the activist and \u003cem>Grey's Anatomy\u003c/em> star said. He honored activists, civil rights attorneys, parents, teachers, and \"the students that are realizing that a system built to divide and impoverish and destroy us cannot stand if we do.\" He particularly celebrated black women.\u003c/p>\n\u003cp>He condemned police brutality against people of color: \"What we've been doing is looking at the data, and we know that police somehow manage to de-escalate, disarm and not kill white people every day. So what's gonna happen is we are going to have equal rights and justice in our own country, or we will restructure their function, and ours.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The crowd rose in a standing ovation.\u003c/p>\n\u003cp>\"I got more, y'all,\" Williams said.\u003c/p>\n\u003cp>\"I don't want to hear anymore about how far we've come when paid public servants can pull a drive-by on a 12-year-old playing alone in a park in broad daylight, killing him on television and then going home to make a sandwich,\" he said, invoking the name of not just \u003ca href=\"http://www.npr.org/sections/thetwo-way/2016/04/25/475583746/cleveland-to-pay-6-million-to-settle-tamir-rice-lawsuit\" target=\"_blank\">Tamir Rice\u003c/a> but also \u003ca href=\"https://soundcloud.com/afternoonshiftwbez/judge-dismisses-all-charges-against-cpd-detective-in-rekia-boyd-shooting-death\" target=\"_blank\">Rekia Boyd\u003c/a> and \u003ca href=\"http://www.npr.org/sections/thetwo-way/2015/07/13/422703725/nyc-settles-with-family-of-eric-garner-for-5-9-million\" target=\"_blank\">Eric Garner\u003c/a> and \u003ca href=\"http://www.npr.org/sections/thetwo-way/2016/03/23/471551331/former-trooper-pleads-not-guilty-to-perjury-over-arrest-of-sandra-bland\" target=\"_blank\">Sandra Bland\u003c/a> and \u003ca href=\"http://kutv.com/news/local/judge-dismisses-darrien-hunt-fatal-police-shooting-suit-appeal-possible\" target=\"_blank\">Darrien Hunt\u003c/a>.\u003c/p>\n\u003cp>Then he told a room packed with black celebrities that just making money \"isn't gonna stop this.\" He continued:\u003c/p>\n\u003cblockquote>\u003cp>\"There has been no war that we have not fought and died on the front lines of. There has been no job we haven't done. There's no tax they haven't levied against us. And we've paid all of them. But freedom is somehow always conditional here. 'You're free,' they keep telling us. 'But she would have been alive if she hadn't acted so — \u003cem>free\u003c/em>.'\u003c/p>\n\u003cp>\"Now, freedom is always coming in the hereafter. But you know what, though? The hereafter is a hustle. We want it now.\"\u003c/p>\u003c/blockquote>\n\u003cp>He excoriated those who criticize black activists but don't call out oppression and brutality. And he had sharp words for those who profit off black culture without promoting black equality.\u003c/p>\n\u003cp>\"We've been floating this country on credit for centuries, yo, and we're done watching and waiting while this invention called whiteness uses and abuses us, burying black people out of sight and out of mind, while extracting our culture, our dollars, our entertainment like oil — black gold. Ghettoizing and demeaning our creations then stealing them, gentrifying our genius and then trying us on like costumes before discarding our bodies like rinds of strange fruit,\" Williams said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>You can watch \u003ca href=\"http://www.bet.com/video/betawards/2016/acceptance-speeches/jesse-williams-receives-humanitarian-award.html\" target=\"_blank\">the whole video\u003c/a> above.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=WATCH%3A+Jesse+Williams+On+Black+Lives%2C+Equal+Rights+And+Freedom&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Justin Timberlake Finally Gets Called Out, 12 Years after Nipplegate",
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"content": "\u003cp>[contextly_sidebar id=\"DTeLk36yQMgO2Zg2fdDQmQFL2wpaixAx\"]Justin Timberlake means a lot of things to people. Maybe he was your first crush back in the NSYNC days. Maybe he emboldened you to try out \u003ca href=\"http://esq.h-cdn.co/assets/cm/15/07/54da4e972127b_-_justin-timberlake-wi-0608-lg-18970743.jpg\">an all-denim look\u003c/a> or \u003ca href=\"http://cdn-wpmsa.defymedia.com/wp-content/uploads/sites/3/2015/01/justin-timberlake-ramen-noodles-birthday-collage.jpg\">an edgy Ramen noodle hairstyle\u003c/a>. Or maybe he taught you a lesson about the Teflon nature of white male privilege and how, for some, nothing bad sticks.\u003c/p>\n\u003cp>But times are a-changing. Last night at the BET Awards, Jesse Williams delivered a speech that will blast your understanding of what getting goosebumps feels like to all-new stratospheric levels.\u003c/p>\n\u003cp>If you don't have time to \u003ca href=\"http://ww2.kqed.org/pop/2016/06/27/watch-jesse-williams-on-black-lives-equal-rights-and-freedom/\">watch it in full\u003c/a>, make time. If that's not possible for some reason (nosy boss, bad internet connection, what have you), here are some choice lines that'll give you an idea of what we're working with here:\u003c/p>\n\u003cul>\n\u003cli>\u003ci>\"Police somehow manage to deescalate, disarm and not kill white people everyday. So what's going to happen is we are going to have equal rights and justice in our own country or we will restructure their function and ours.\"\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cul>\n\u003cli>\u003ci>\"The burden of the brutalized is not to comfort the bystander. That's not our job, alright - stop with all that. If you have a critique for the resistance, for our resistance, then you better have an established record of critique of our oppression. If you have no interest in equal rights for black people, then do not make suggestions to those who do. Sit down.\"\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cul>\n\u003cli>\u003ci>\"We've been floating this country on credit for centuries, yo, and we're done watching and waiting while this invention called whiteness uses and abuses us, burying black people out of sight and out of mind while extracting our culture, our dollars, our entertainment like oil - black gold, ghettoizing and demeaning our creations then stealing them, gentrifying our genius and then trying us on like costumes before discarding our bodies like rinds of strange fruit. Just because we're magic doesn't mean we're not real.\"\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>Justin Timberlake was presumably watching at home and felt moved, as anyone should. He decided to tweet from his glass house.\u003c/p>\n\u003cp>https://twitter.com/jtimberlake/status/747257470314131456\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Seems harmless. Jesse does deserve props for that speech. But there is an absurd lack of self-awareness at work here. One of the major points of Jesse's speech is that black art is so often devalued, only to be appropriated by white people and reevaluated as suddenly worthy. No one knows this better than Justin Timberlake, who has made a career out of \u003ca href=\"https://www.youtube.com/watch?v=RXl4DB34yTk\">co-opting black culture \u003c/a>and gaining the kind of success that is rarely afforded to those who originated it.\u003c/p>\n\u003cp>Twitter helpfully pointed this out for him:\u003c/p>\n\u003cp>https://twitter.com/MrErnestOwens/status/747273043379052544\u003c/p>\n\u003cp>This is where Justin should have logged off. But no:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/sweet-soul_1.png\">\u003cimg src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/sweet-soul_1-800x339.png\" alt=\"sweet soul_1\" width=\"800\" height=\"339\" class=\"aligncenter size-medium wp-image-33628\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/sweet-soul_1-800x339.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/sweet-soul_1-400x170.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/sweet-soul_1-768x326.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/sweet-soul_1-960x407.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/sweet-soul_1.png 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>A one-two punch of condescension (\"sweet soul\"? really?!) and #AllLivesMatter / #We'reAllAfrican sentiment? Plus, a sardonic \"bye\" send-off? Justin, you are not Beyonce and people on Twitter speaking truth are not Felicia.\u003c/p>\n\u003cp>https://twitter.com/CerromeRussell/status/747404875445768192?ref_src=twsrc%5Etfw\u003c/p>\n\u003cp>https://twitter.com/Felonious_munk/status/747283831753838592?ref_src=twsrc%5Etfw\u003c/p>\n\u003cp>https://twitter.com/Princesskeshia1/status/747358805281873924?ref_src=twsrc%5Etfw\u003c/p>\n\u003cp>Yes, Justin, we are all human beings and \u003cem>should\u003c/em> be treated equally, but that's not our current reality. When someone from a marginalized group expresses his or her feelings on their lived experience, it is not appropriate to step in and say something that makes their message about you. Sometimes the best way to be an ally is to know when to stop talking and start listening.\u003c/p>\n\u003cp>For over a decade, Justin has gotten away with being mediocre (\u003ca href=\"https://www.youtube.com/watch?v=p5RobDomh5U\">his last single\u003c/a>, which is horrible, went straight to #1) and being a coward (lest we forget how he left Janet Jackson out to dry, after ripping her Super Bowl Halftime outfit). Judging by the response to \u003ca href=\"http://ww2.kqed.org/pop/2016/02/04/nipplegate-revisited-why-america-owes-janet-jackson-a-huge-apology/\">an essay I wrote earlier this year about Nipplegate\u003c/a>, it seems like many \u003cem>have\u003c/em> forgotten. For those who missed it, here's something to chew on:\u003c/p>\n\u003cblockquote>\u003cp>\u003cem>When he sings, “Better have you naked by the end of this song,” he was supposed to pull Janet’s bustier to reveal a red lace bra, but both pieces ended up ripping off.\u003c/em>\u003c/p>\n\u003cp>\u003cem>Then everyone got insanely mad at Justin for messing up. Oh, wait, sorry, I forgot about the patriarchy for a second. Let me try that again: then everyone got insanely mad at Janet for having breasts and no one ever really mentioned Justin again. For example, The Washington Post’s Tony Kornheiser wrote, “What Janet Jackson did was bizarre, deliberately flopping out of her costume like that.” Justin’s grabbing hand is entirely erased from the scene.\u003c/em>\u003c/p>\n\u003cp>\u003cem>The senseless sexism didn’t end there. Janet was disinvited from that year’s Grammys. Meanwhile, Justin was not only allowed to attend, but also performed. Janet was blacklisted from radio and music video channels for the next several years, leading to multiple album flops, while Justin got to be goofy on SNL and become a movie star.\u003c/em>\u003c/p>\u003c/blockquote>\n\u003cp>And what's worse is that Justin let Janet take all the heat, more concerned with making it as a solo artist than doing the right thing. Granted, the way America so easily absolved him of any wrongdoing wasn't really up to him and speaks to a national legacy of racism and sexism that's far bigger than one single boy band member. But what was up to him was whether or not he used his privilege to highlight the unfair advantage he enjoys in this world and the hypocrisy of it all.\u003c/p>\n\u003cp>If Twitter had been around back in 2004, maybe Janet and Justin's career trajectories would have taken different courses. Maybe so many wouldn't have kept quiet as Justin moonwalked away from the mess he helped create, using Janet's brother's appropriated dance moves to boot. There's no way to know.\u003c/p>\n\u003cp>Today, Justin apologized for his tweet and says he feels \"misunderstood.\" So does Janet. So do many African Americans. So do most people who aren't straight white dudes.\u003c/p>\n\u003cp>It's time for Justin to take a seat and some of his own medicine, the same dose he prescribed for Britney, another woman he used and then discarded to get to where he is today: Cry me a river.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/giphy-1.gif\">\u003cimg class=\"aligncenter size-full wp-image-28050\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/giphy-1.gif\" alt=\"justin cry me a river gif\" width=\"595\" height=\"335\">\u003c/a>\u003c/p>\n\u003cp>\u003cem>To learn more about how troubling Nipplegate really was, listen to this episode of The Cooler:\u003c/em>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/245551173&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cem>Or read all about it:\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>http://ww2.kqed.org/pop/2016/02/04/nipplegate-revisited-why-america-owes-janet-jackson-a-huge-apology/\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>Justin Timberlake means a lot of things to people. Maybe he was your first crush back in the NSYNC days. Maybe he emboldened you to try out \u003ca href=\"http://esq.h-cdn.co/assets/cm/15/07/54da4e972127b_-_justin-timberlake-wi-0608-lg-18970743.jpg\">an all-denim look\u003c/a> or \u003ca href=\"http://cdn-wpmsa.defymedia.com/wp-content/uploads/sites/3/2015/01/justin-timberlake-ramen-noodles-birthday-collage.jpg\">an edgy Ramen noodle hairstyle\u003c/a>. Or maybe he taught you a lesson about the Teflon nature of white male privilege and how, for some, nothing bad sticks.\u003c/p>\n\u003cp>But times are a-changing. Last night at the BET Awards, Jesse Williams delivered a speech that will blast your understanding of what getting goosebumps feels like to all-new stratospheric levels.\u003c/p>\n\u003cp>If you don't have time to \u003ca href=\"http://ww2.kqed.org/pop/2016/06/27/watch-jesse-williams-on-black-lives-equal-rights-and-freedom/\">watch it in full\u003c/a>, make time. If that's not possible for some reason (nosy boss, bad internet connection, what have you), here are some choice lines that'll give you an idea of what we're working with here:\u003c/p>\n\u003cul>\n\u003cli>\u003ci>\"Police somehow manage to deescalate, disarm and not kill white people everyday. So what's going to happen is we are going to have equal rights and justice in our own country or we will restructure their function and ours.\"\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cul>\n\u003cli>\u003ci>\"The burden of the brutalized is not to comfort the bystander. That's not our job, alright - stop with all that. If you have a critique for the resistance, for our resistance, then you better have an established record of critique of our oppression. If you have no interest in equal rights for black people, then do not make suggestions to those who do. Sit down.\"\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cul>\n\u003cli>\u003ci>\"We've been floating this country on credit for centuries, yo, and we're done watching and waiting while this invention called whiteness uses and abuses us, burying black people out of sight and out of mind while extracting our culture, our dollars, our entertainment like oil - black gold, ghettoizing and demeaning our creations then stealing them, gentrifying our genius and then trying us on like costumes before discarding our bodies like rinds of strange fruit. Just because we're magic doesn't mean we're not real.\"\u003c/i>\u003c/li>\n\u003c/ul>\n\u003cp>Justin Timberlake was presumably watching at home and felt moved, as anyone should. He decided to tweet from his glass house.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Seems harmless. Jesse does deserve props for that speech. But there is an absurd lack of self-awareness at work here. One of the major points of Jesse's speech is that black art is so often devalued, only to be appropriated by white people and reevaluated as suddenly worthy. No one knows this better than Justin Timberlake, who has made a career out of \u003ca href=\"https://www.youtube.com/watch?v=RXl4DB34yTk\">co-opting black culture \u003c/a>and gaining the kind of success that is rarely afforded to those who originated it.\u003c/p>\n\u003cp>Twitter helpfully pointed this out for him:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>This is where Justin should have logged off. But no:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/sweet-soul_1.png\">\u003cimg src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/sweet-soul_1-800x339.png\" alt=\"sweet soul_1\" width=\"800\" height=\"339\" class=\"aligncenter size-medium wp-image-33628\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/sweet-soul_1-800x339.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/sweet-soul_1-400x170.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/sweet-soul_1-768x326.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/sweet-soul_1-960x407.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/sweet-soul_1.png 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003c/p>\n\u003cp>A one-two punch of condescension (\"sweet soul\"? really?!) and #AllLivesMatter / #We'reAllAfrican sentiment? Plus, a sardonic \"bye\" send-off? Justin, you are not Beyonce and people on Twitter speaking truth are not Felicia.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Yes, Justin, we are all human beings and \u003cem>should\u003c/em> be treated equally, but that's not our current reality. When someone from a marginalized group expresses his or her feelings on their lived experience, it is not appropriate to step in and say something that makes their message about you. Sometimes the best way to be an ally is to know when to stop talking and start listening.\u003c/p>\n\u003cp>For over a decade, Justin has gotten away with being mediocre (\u003ca href=\"https://www.youtube.com/watch?v=p5RobDomh5U\">his last single\u003c/a>, which is horrible, went straight to #1) and being a coward (lest we forget how he left Janet Jackson out to dry, after ripping her Super Bowl Halftime outfit). Judging by the response to \u003ca href=\"http://ww2.kqed.org/pop/2016/02/04/nipplegate-revisited-why-america-owes-janet-jackson-a-huge-apology/\">an essay I wrote earlier this year about Nipplegate\u003c/a>, it seems like many \u003cem>have\u003c/em> forgotten. For those who missed it, here's something to chew on:\u003c/p>\n\u003cblockquote>\u003cp>\u003cem>When he sings, “Better have you naked by the end of this song,” he was supposed to pull Janet’s bustier to reveal a red lace bra, but both pieces ended up ripping off.\u003c/em>\u003c/p>\n\u003cp>\u003cem>Then everyone got insanely mad at Justin for messing up. Oh, wait, sorry, I forgot about the patriarchy for a second. Let me try that again: then everyone got insanely mad at Janet for having breasts and no one ever really mentioned Justin again. For example, The Washington Post’s Tony Kornheiser wrote, “What Janet Jackson did was bizarre, deliberately flopping out of her costume like that.” Justin’s grabbing hand is entirely erased from the scene.\u003c/em>\u003c/p>\n\u003cp>\u003cem>The senseless sexism didn’t end there. Janet was disinvited from that year’s Grammys. Meanwhile, Justin was not only allowed to attend, but also performed. Janet was blacklisted from radio and music video channels for the next several years, leading to multiple album flops, while Justin got to be goofy on SNL and become a movie star.\u003c/em>\u003c/p>\u003c/blockquote>\n\u003cp>And what's worse is that Justin let Janet take all the heat, more concerned with making it as a solo artist than doing the right thing. Granted, the way America so easily absolved him of any wrongdoing wasn't really up to him and speaks to a national legacy of racism and sexism that's far bigger than one single boy band member. But what was up to him was whether or not he used his privilege to highlight the unfair advantage he enjoys in this world and the hypocrisy of it all.\u003c/p>\n\u003cp>If Twitter had been around back in 2004, maybe Janet and Justin's career trajectories would have taken different courses. Maybe so many wouldn't have kept quiet as Justin moonwalked away from the mess he helped create, using Janet's brother's appropriated dance moves to boot. There's no way to know.\u003c/p>\n\u003cp>Today, Justin apologized for his tweet and says he feels \"misunderstood.\" So does Janet. So do many African Americans. So do most people who aren't straight white dudes.\u003c/p>\n\u003cp>It's time for Justin to take a seat and some of his own medicine, the same dose he prescribed for Britney, another woman he used and then discarded to get to where he is today: Cry me a river.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/giphy-1.gif\">\u003cimg class=\"aligncenter size-full wp-image-28050\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/giphy-1.gif\" alt=\"justin cry me a river gif\" width=\"595\" height=\"335\">\u003c/a>\u003c/p>\n\u003cp>\u003cem>To learn more about how troubling Nipplegate really was, listen to this episode of The Cooler:\u003c/em>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/245551173&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003cem>Or read all about it:\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "The History of Abortion on Network TV, and What It Means for Women Today",
"title": "The History of Abortion on Network TV, and What It Means for Women Today",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp class=\"p1\">\u003cspan class=\"s1\">This morning, those of us who believe in a woman's right to choose have something to celebrate: the Supreme Court has \u003ca href=\"http://www.npr.org/sections/thetwo-way/2016/06/27/483686616/supreme-court-strikes-down-abortion-restrictions-in-texas\">struck down abortion restrictions in Texas\u003c/a>. But victory has become an unfamiliar sensation, as of late. At the end of March, Indiana Governor Mike Pence signed one of \u003ca href=\"https://iga.in.gov/legislative/2016/bills/house/1337#digest-heading\">\u003cspan class=\"s2\">the most restrictive abortion laws in the country\u003c/span>\u003c/a>, a bill so extreme even some \u003ca href=\"http://www.npr.org/sections/thetwo-way/2016/03/25/471842196/indiana-governor-signs-new-abortion-restrictions-into-law\">\u003cspan class=\"s2\">pro-life lawmakers opposed it\u003c/span>\u003c/a>. Around the same time, Donald Trump suggested (and then recanted) that women \u003ca href=\"http://www.nytimes.com/2016/03/31/us/politics/donald-trump-abortion.html?_r=0\">\u003cspan class=\"s2\">who receive abortions should be subject “to some kind of punishment\u003c/span>\u003c/a>.” The last few years have seen the curtailing of abortion rights across the US, from Tennessee to Texas, North Dakota, and most recently \u003ca href=\"https://www.washingtonpost.com/news/morning-mix/wp/2016/04/23/this-is-our-proper-function-oklahoma-advances-measure-to-revoke-licenses-of-doctors-that-perform-abortions/\">\u003cspan class=\"s2\">Oklahoma\u003c/span>\u003c/a>. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">I’ve watched these explosive conversations and laws unfold across the country with horror, as women’s bodies are used and abused by the political process. Missing from many of these political conversations are women’s voices and missing from the media landscape, from television to film, are representations of women who choose to have abortions, whatever their reasons may be. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">When TV shows attempt to stay neutral on the issue of abortion, in order to avoid offending an imagined conservative audience, they in fact take an anti-choice stance. Plot lines in which abortion is not considered as a reasonable option reinforce the spectacle and stigma around the procedure. That's why it's so important when shows like \u003ci>Scandal\u003c/i> offer diverse representations of reproductive choices, helping to normalize the scope of possibilities available to women.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Abortion’s absence in entertainment television is nothing new. \u003cem>Broadly\u003c/em>'s Briana Fasone \u003ca href=\"https://broadly.vice.com/en_us/article/far-from-reality-tv-the-changing-story-of-abortion-on-television\">writes\u003c/a> that, \u003cspan class=\"s2\">“until the 1960s, abortion, which was illegal in 44 states in nearly all situations that didn’t threaten the life of the mother, was absent as a plot line in television\u003c/span>\u003c/span>\u003cspan class=\"s3\">.” \u003c/span>\u003cspan class=\"s1\">Fasone \u003cspan class=\"s2\">details this early history of abortion on \u003c/span>TV, which included news reports, a controversial episode of \u003ci>The Defenders\u003c/i>, and a Walter Cronkite special. Moreover, pregnancy itself has often been invisible on network television. For decades, women’s pregnant bodies have been largely hidden behind drapey clothes (see: \u003ca href=\"http://www.avclub.com/article/more-than-60-years-ago-a-pregnant-lucille-ball-cou-100629\">\u003cspan class=\"s2\">Lucille Ball\u003c/span>\u003c/a>), tight camera framing, and even the occasional giant popcorn bowl. (I’m looking at you, \u003ci>Scandal\u003c/i>.) \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Even more obscure are storylines that engage and carry through with abortion in primetime network programming -- the most expensive and conservative landscape in television -- especially when the procedure involves a main character. Here, \u003ci>Scandal\u003c/i> made history in its mid-season winter finale, “Baby, It’s Cold Outside,” showcasing its central character choosing, without fanfare, to have an abortion. Olivia (Kerry Washington) wasn’t the first character to make this choice on television, but she is one of a very select few. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">In the early 1960s, an abortion plot on \u003ci>The Defenders\u003c/i>, which supported the rights of women to choose, caused an uproar at CBS. The show lost sponsors. Affiliates in many major markets refused to air the episode. Then, in 1972, there was the Bea Arthur sitcom \u003ci>Maude\u003c/i>.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/16991917_849842870001_img-100603-maude-rue-still-182846995684.jpg\">\u003cimg class=\"alignright wp-image-28023\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/16991917_849842870001_img-100603-maude-rue-still-182846995684.jpg\" alt=\"maude abortion\" width=\"300\" height=\"225\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/16991917_849842870001_img-100603-maude-rue-still-182846995684.jpg 480w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/16991917_849842870001_img-100603-maude-rue-still-182846995684-400x300.jpg 400w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>In 1972 -- in line with the shifting tide signaled by the Roe v. Wade decision (1973) -- Bea Arthur’s character Maude\u003ci> \u003c/i>had an abortion. Although she was \u003ca href=\"http://talkingpointsmemo.com/cafe/cristina-yang-grey-s-anatomy-abortion\">\u003cspan class=\"s2\">not the first character to have an abortion on TV\u003c/span>\u003c/a> (shout out to soap operas!), she was the first character to do so in primetime television. Over 30 years later, Maude remains mostly alone in the history of primetime abortions, Dr. Christina Yang (Sandra Oh) on \u003ci>Grey’s Anatomy\u003c/i> and Becky (Madison Burges) on \u003ci>Friday Night Lights \u003c/i>are two exceptions. (Within this select group, most women on TV who have abortions are, according to KQED's own Lisa Aliferis, “\u003ca href=\"http://ww2.kqed.org/stateofhealth/2015/12/17/fictionalized-abortion-on-tv-no-mirror-for-real-life/\">\u003cspan class=\"s2\">younger, whiter, wealthier and less likely to be raising children than the average American woman who has an abortion.\u003c/span>\u003c/a>”)\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Often when TV does depict abortion, it's a big and controversial deal. For instance, when Becky has an abortion on \u003ci>Friday Night Lights\u003c/i>, the whole town becomes hysterical. Becky’s decision even results in Tami Taylor (Connie Britton) being forced by the town to step down from her job as school principal.\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=tFxvFF42LEM\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">While accidental pregnancies are a regular plot twist on network TV, it’s far more common for characters to go ahead and have the baby. This trope wraps sex into the productivity of the nuclear family (television’s bread and butter). You might recognize this plot line from \u003ci>Friends\u003c/i> (Ross and Rachel have Emma) or, more recently,\u003ci> The Mindy Project\u003c/i>.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Just last year, Mindy Kaling said that her sitcom \u003ca href=\"http://www.slate.com/blogs/xx_factor/2014/09/04/abortion_on_the_mindy_project_mindy_kaling_says_it_won_t_happen.html\">\u003cspan class=\"s2\">wouldn’t depict abortion because it is too serious\u003c/span>\u003c/a> (see \u003ca href=\"http://ww2.kqed.org/pop/2014/06/13/obvious-child-why-america-is-finally-ready-for-the-first-pro-choice-rom-com/\">\u003ci>Obvious Child\u003c/i>\u003c/a> for a great counter-argument about how to talk about abortion with humor and warmth). Thus, when Mindy got pregnant during the sitcom’s third season, she kept the baby, like many female characters before her. The show did not give her space to consider any other decision.\u003c/span>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=r2GN3wdfqbA\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Then in November 2015, Olivia Pope had an abortion in a primetime show watched by millions of dedicated fans. Of Olivia’s abortion, \u003ca href=\"http://www.theatlantic.com/entertainment/archive/2015/11/scandal-olivia-pope-abortion/417048/\">\u003cspan class=\"s2\">Lenika Cruz wrote in \u003ci>The Atlantic\u003c/i>,\u003c/span>\u003c/a> “the camera didn’t ogle, but it didn’t shy away from Olivia’s wide-eyed gaze either. The message? This is normal. This is acceptable. This is Olivia’s choice, and hers alone.” The audacity, she concludes, wasn’t the abortion itself, but that it wasn’t made into a spectacle.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Olivia’s decision to resist patriarchal control over her body also has a broader meaning, given that her boyfriend is the President of the United States: in making her decision without him, she also denies the government any role or say in what she does with her body. Her choice, quite literally, argues that government has no place interfering in women’s bodies and our right to choose our own destiny, for ourselves and any potential children. If anything, taking this a step further, it also argues that government ought to protect this right and stop prohibiting safe access to care, something recent abortion laws have certainly not done. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">In one portion, the new Indiana law reads, “i\u003c/span>\u003cspan class=\"s4\">nformation submitted with respect to the disposition of a miscarried or aborted fetus that may be used to identify the parent or parents of a miscarried fetus or a \u003ci>pregnant\u003c/i> who had an abortion.\u003c/span>\u003cspan class=\"s1\">” There are several other typos in the bill, so this phrasing may be an accident. Even so, the implications are chilling: that a pregnant woman is no longer an autonomous being -- no longer a woman, even -- but simply a vessel for childbirth. It is a typo that feels too closely in line with the times, in which abortion and even miscarriages are stigmatized and criminalized. Donald Trump’s assertion that a woman who gets an abortion ought to be punished sounds outlandish. But, it is not so far afield from what we’ve already seen happen across the United States. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">The erasure of abortion on primetime TV, and television’s tendency to treat it as a spectacle when it does happen, is part and parcel of this violence towards women, which denies us both the choice and ability to decide what we do with our own bodies. This erasure reaffirms the idea that abortions are not normal, modeling once again that they are outside the scope of polite or appropriate TV content.\u003c/span>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">By depriving imaginary women the opportunity to make active decisions about their own bodies, so too does television limit the ways in which we imagine ourselves and the choices available to us. We deserve to see a real range of reproductive choices represented -- much like Olivia Pope’s -- in order to normalize women’s right to decide what happens to our own bodies. \u003c/span>\u003c/p>\n\n",
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"excerpt": "A look at how abortion has been handled on television, from a '60s episode of 'The Defenders' to Olivia Pope.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp class=\"p1\">\u003cspan class=\"s1\">This morning, those of us who believe in a woman's right to choose have something to celebrate: the Supreme Court has \u003ca href=\"http://www.npr.org/sections/thetwo-way/2016/06/27/483686616/supreme-court-strikes-down-abortion-restrictions-in-texas\">struck down abortion restrictions in Texas\u003c/a>. But victory has become an unfamiliar sensation, as of late. At the end of March, Indiana Governor Mike Pence signed one of \u003ca href=\"https://iga.in.gov/legislative/2016/bills/house/1337#digest-heading\">\u003cspan class=\"s2\">the most restrictive abortion laws in the country\u003c/span>\u003c/a>, a bill so extreme even some \u003ca href=\"http://www.npr.org/sections/thetwo-way/2016/03/25/471842196/indiana-governor-signs-new-abortion-restrictions-into-law\">\u003cspan class=\"s2\">pro-life lawmakers opposed it\u003c/span>\u003c/a>. Around the same time, Donald Trump suggested (and then recanted) that women \u003ca href=\"http://www.nytimes.com/2016/03/31/us/politics/donald-trump-abortion.html?_r=0\">\u003cspan class=\"s2\">who receive abortions should be subject “to some kind of punishment\u003c/span>\u003c/a>.” The last few years have seen the curtailing of abortion rights across the US, from Tennessee to Texas, North Dakota, and most recently \u003ca href=\"https://www.washingtonpost.com/news/morning-mix/wp/2016/04/23/this-is-our-proper-function-oklahoma-advances-measure-to-revoke-licenses-of-doctors-that-perform-abortions/\">\u003cspan class=\"s2\">Oklahoma\u003c/span>\u003c/a>. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">I’ve watched these explosive conversations and laws unfold across the country with horror, as women’s bodies are used and abused by the political process. Missing from many of these political conversations are women’s voices and missing from the media landscape, from television to film, are representations of women who choose to have abortions, whatever their reasons may be. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">When TV shows attempt to stay neutral on the issue of abortion, in order to avoid offending an imagined conservative audience, they in fact take an anti-choice stance. Plot lines in which abortion is not considered as a reasonable option reinforce the spectacle and stigma around the procedure. That's why it's so important when shows like \u003ci>Scandal\u003c/i> offer diverse representations of reproductive choices, helping to normalize the scope of possibilities available to women.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Abortion’s absence in entertainment television is nothing new. \u003cem>Broadly\u003c/em>'s Briana Fasone \u003ca href=\"https://broadly.vice.com/en_us/article/far-from-reality-tv-the-changing-story-of-abortion-on-television\">writes\u003c/a> that, \u003cspan class=\"s2\">“until the 1960s, abortion, which was illegal in 44 states in nearly all situations that didn’t threaten the life of the mother, was absent as a plot line in television\u003c/span>\u003c/span>\u003cspan class=\"s3\">.” \u003c/span>\u003cspan class=\"s1\">Fasone \u003cspan class=\"s2\">details this early history of abortion on \u003c/span>TV, which included news reports, a controversial episode of \u003ci>The Defenders\u003c/i>, and a Walter Cronkite special. Moreover, pregnancy itself has often been invisible on network television. For decades, women’s pregnant bodies have been largely hidden behind drapey clothes (see: \u003ca href=\"http://www.avclub.com/article/more-than-60-years-ago-a-pregnant-lucille-ball-cou-100629\">\u003cspan class=\"s2\">Lucille Ball\u003c/span>\u003c/a>), tight camera framing, and even the occasional giant popcorn bowl. (I’m looking at you, \u003ci>Scandal\u003c/i>.) \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Even more obscure are storylines that engage and carry through with abortion in primetime network programming -- the most expensive and conservative landscape in television -- especially when the procedure involves a main character. Here, \u003ci>Scandal\u003c/i> made history in its mid-season winter finale, “Baby, It’s Cold Outside,” showcasing its central character choosing, without fanfare, to have an abortion. Olivia (Kerry Washington) wasn’t the first character to make this choice on television, but she is one of a very select few. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">In the early 1960s, an abortion plot on \u003ci>The Defenders\u003c/i>, which supported the rights of women to choose, caused an uproar at CBS. The show lost sponsors. Affiliates in many major markets refused to air the episode. Then, in 1972, there was the Bea Arthur sitcom \u003ci>Maude\u003c/i>.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/16991917_849842870001_img-100603-maude-rue-still-182846995684.jpg\">\u003cimg class=\"alignright wp-image-28023\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/16991917_849842870001_img-100603-maude-rue-still-182846995684.jpg\" alt=\"maude abortion\" width=\"300\" height=\"225\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/16991917_849842870001_img-100603-maude-rue-still-182846995684.jpg 480w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/16991917_849842870001_img-100603-maude-rue-still-182846995684-400x300.jpg 400w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>In 1972 -- in line with the shifting tide signaled by the Roe v. Wade decision (1973) -- Bea Arthur’s character Maude\u003ci> \u003c/i>had an abortion. Although she was \u003ca href=\"http://talkingpointsmemo.com/cafe/cristina-yang-grey-s-anatomy-abortion\">\u003cspan class=\"s2\">not the first character to have an abortion on TV\u003c/span>\u003c/a> (shout out to soap operas!), she was the first character to do so in primetime television. Over 30 years later, Maude remains mostly alone in the history of primetime abortions, Dr. Christina Yang (Sandra Oh) on \u003ci>Grey’s Anatomy\u003c/i> and Becky (Madison Burges) on \u003ci>Friday Night Lights \u003c/i>are two exceptions. (Within this select group, most women on TV who have abortions are, according to KQED's own Lisa Aliferis, “\u003ca href=\"http://ww2.kqed.org/stateofhealth/2015/12/17/fictionalized-abortion-on-tv-no-mirror-for-real-life/\">\u003cspan class=\"s2\">younger, whiter, wealthier and less likely to be raising children than the average American woman who has an abortion.\u003c/span>\u003c/a>”)\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Often when TV does depict abortion, it's a big and controversial deal. For instance, when Becky has an abortion on \u003ci>Friday Night Lights\u003c/i>, the whole town becomes hysterical. Becky’s decision even results in Tami Taylor (Connie Britton) being forced by the town to step down from her job as school principal.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/tFxvFF42LEM'\n title='//www.youtube.com/embed/tFxvFF42LEM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp class=\"p1\">\u003cspan class=\"s1\">While accidental pregnancies are a regular plot twist on network TV, it’s far more common for characters to go ahead and have the baby. This trope wraps sex into the productivity of the nuclear family (television’s bread and butter). You might recognize this plot line from \u003ci>Friends\u003c/i> (Ross and Rachel have Emma) or, more recently,\u003ci> The Mindy Project\u003c/i>.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Just last year, Mindy Kaling said that her sitcom \u003ca href=\"http://www.slate.com/blogs/xx_factor/2014/09/04/abortion_on_the_mindy_project_mindy_kaling_says_it_won_t_happen.html\">\u003cspan class=\"s2\">wouldn’t depict abortion because it is too serious\u003c/span>\u003c/a> (see \u003ca href=\"http://ww2.kqed.org/pop/2014/06/13/obvious-child-why-america-is-finally-ready-for-the-first-pro-choice-rom-com/\">\u003ci>Obvious Child\u003c/i>\u003c/a> for a great counter-argument about how to talk about abortion with humor and warmth). Thus, when Mindy got pregnant during the sitcom’s third season, she kept the baby, like many female characters before her. The show did not give her space to consider any other decision.\u003c/span>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/r2GN3wdfqbA'\n title='//www.youtube.com/embed/r2GN3wdfqbA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp class=\"p1\">\u003cspan class=\"s1\">Then in November 2015, Olivia Pope had an abortion in a primetime show watched by millions of dedicated fans. Of Olivia’s abortion, \u003ca href=\"http://www.theatlantic.com/entertainment/archive/2015/11/scandal-olivia-pope-abortion/417048/\">\u003cspan class=\"s2\">Lenika Cruz wrote in \u003ci>The Atlantic\u003c/i>,\u003c/span>\u003c/a> “the camera didn’t ogle, but it didn’t shy away from Olivia’s wide-eyed gaze either. The message? This is normal. This is acceptable. This is Olivia’s choice, and hers alone.” The audacity, she concludes, wasn’t the abortion itself, but that it wasn’t made into a spectacle.\u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">Olivia’s decision to resist patriarchal control over her body also has a broader meaning, given that her boyfriend is the President of the United States: in making her decision without him, she also denies the government any role or say in what she does with her body. Her choice, quite literally, argues that government has no place interfering in women’s bodies and our right to choose our own destiny, for ourselves and any potential children. If anything, taking this a step further, it also argues that government ought to protect this right and stop prohibiting safe access to care, something recent abortion laws have certainly not done. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">In one portion, the new Indiana law reads, “i\u003c/span>\u003cspan class=\"s4\">nformation submitted with respect to the disposition of a miscarried or aborted fetus that may be used to identify the parent or parents of a miscarried fetus or a \u003ci>pregnant\u003c/i> who had an abortion.\u003c/span>\u003cspan class=\"s1\">” There are several other typos in the bill, so this phrasing may be an accident. Even so, the implications are chilling: that a pregnant woman is no longer an autonomous being -- no longer a woman, even -- but simply a vessel for childbirth. It is a typo that feels too closely in line with the times, in which abortion and even miscarriages are stigmatized and criminalized. Donald Trump’s assertion that a woman who gets an abortion ought to be punished sounds outlandish. But, it is not so far afield from what we’ve already seen happen across the United States. \u003c/span>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">The erasure of abortion on primetime TV, and television’s tendency to treat it as a spectacle when it does happen, is part and parcel of this violence towards women, which denies us both the choice and ability to decide what we do with our own bodies. This erasure reaffirms the idea that abortions are not normal, modeling once again that they are outside the scope of polite or appropriate TV content.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp class=\"p1\">\u003cspan class=\"s1\">By depriving imaginary women the opportunity to make active decisions about their own bodies, so too does television limit the ways in which we imagine ourselves and the choices available to us. We deserve to see a real range of reproductive choices represented -- much like Olivia Pope’s -- in order to normalize women’s right to decide what happens to our own bodies. \u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"soldout": {
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