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"disqusTitle": "'RuPaul's Drag Race All Stars 2' Announced! Here are the Queens That Need to Be Cast",
"title": "'RuPaul's Drag Race All Stars 2' Announced! Here are the Queens That Need to Be Cast",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>[contextly_sidebar id=\"3h82iwVPLifuv5Ky3hizOmCD98N3PHIN\"]Every spring, drag queen enthusiasts huddle around television and laptop screens on Monday nights for \u003cem>RuPaul's Drag Race\u003c/em>, a reality show that, over the course of seven seasons, has morphed into a kind of SuperBowl/World Series/Olympics/Stanley Cup?/I'm running out of sports metaphors. Point being, the stakes are high and fans of the show take the competition very seriously.\u003c/p>\n\u003cp>So today's announcement of a second season of All Stars is major, to say the least. The premiere won't arrive until 2016, but that doesn't mean we can't make a wish list of the queens we hope to watch compete for the crown a second time. Take note, RuPaul!\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Willam\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/giphy-1.gif\">\u003cimg class=\"aligncenter size-full wp-image-17198\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/giphy-1.gif\" alt=\"willam belli drag race\" width=\"400\" height=\"275\">\u003c/a>\u003c/p>\n\u003cp>#BringBackWillam lit up Twitter yesterday, after Willam mentioned that he hadn't been approached to be a part of the show. And there's a good reason for the rally cry hashtag. Willam is arguably the most successful drag queen to come out of the show. She has a string of \u003ca href=\"https://www.youtube.com/watch?v=s0kqobQRcUo\" target=\"_blank\">parody singles\u003c/a>, a \u003ca href=\"http://store.americanapparel.net/meet-the-queens_cat1750904\" target=\"_blank\">campaign\u003c/a> with American Apparel, and \u003ca href=\"https://www.youtube.com/watch?v=dFNH3sS3htc\" target=\"_blank\">a hilarious web series\u003c/a>. Bringing her back is a no-brainer, especially considering her sudden disqualification (the rumor is she broke the rules by receiving conjugal visits from her man). She was robbed of a top 3 spot and it's time to make it right!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Alaska\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/image-6.gif\">\u003cimg class=\"aligncenter size-full wp-image-17189\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/image-6.gif\" alt=\"alaska drag race\" width=\"400\" height=\"225\">\u003c/a>\u003c/p>\n\u003cp>A lot of fans initially underestimated Alaska because, on the surface, she seemed like a bootleg version of her then boyfriend Sharon Needles, who won the previous season. But Alaska quickly made a name for herself as the unconventional comedy queen to beat and coined an infectious catchphrase in the process (Hiiiiiiiiieeeeeee!). More ear-piercing greetings please!\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Adore Delano\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tumblr_n4ra70eeC01qlvwnco1_500.gif\">\u003cimg class=\"aligncenter size-full wp-image-17190\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tumblr_n4ra70eeC01qlvwnco1_500.gif\" alt=\"adore drag race\" width=\"500\" height=\"281\">\u003c/a>\u003c/p>\n\u003cp>It isn't a party until Adore shows up. The former \u003cem>American Idol\u003c/em> contestant wasn't considered strong competition in the beginning of her season because she had a \"hog body\" and was less polished than some of the pageant girls, but she proved everyone wrong with a second place finish. Since \u003cem>Drag Race\u003c/em>, she has become the highest charting drag queen on the Billboard charts (even besting mama Ru!). Her single \u003ca href=\"https://www.youtube.com/watch?v=wmV62-f-xnU\" target=\"_blank\">\"I Adore U\"\u003c/a> is easily better than most pop songs you will hear on the radio. That's just one reason this queen deserves an encore!\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Alyssa Edwards\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tumblr_nq4oilbxlY1qb4m0io1_250.gif\">\u003cimg class=\"aligncenter size-full wp-image-17193\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tumblr_nq4oilbxlY1qb4m0io1_250.gif\" alt=\"alyssa tongue drag race\" width=\"191\" height=\"191\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/tumblr_nq4oilbxlY1qb4m0io1_250.gif 191w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/tumblr_nq4oilbxlY1qb4m0io1_250-32x32.gif 32w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/tumblr_nq4oilbxlY1qb4m0io1_250-64x64.gif 64w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/tumblr_nq4oilbxlY1qb4m0io1_250-96x96.gif 96w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/tumblr_nq4oilbxlY1qb4m0io1_250-128x128.gif 128w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/tumblr_nq4oilbxlY1qb4m0io1_250-75x75.gif 75w\" sizes=\"(max-width: 191px) 100vw, 191px\">\u003c/a>\u003c/p>\n\u003cp>This queen was such a breakout star that there were rumors she was getting her own show, a \u003cem>Dance Moms\u003c/em> spin on her Texas dance studio. That sadly never came to pass, but Alyssa is still on our minds. This season's winner \u003ca href=\"https://www.youtube.com/watch?v=YvAcoBGxkN0\" target=\"_blank\">Violet Chatchki impersonated her\u003c/a> for Snatch Game, an honor usually only bestowed on celebrities like \u003ca href=\"https://s-media-cache-ak0.pinimg.com/originals/41/ec/3b/41ec3b8f75af8c2501313513f2105c98.gif\" target=\"_blank\">Anna Nicole Smith\u003c/a>. And we impersonate her every time we \u003ca href=\"https://www.youtube.com/watch?v=h3SxqJAyVr0\" target=\"_blank\">tongue pop\u003c/a> to make a point. Bring back \u003ca href=\"http://25.media.tumblr.com/078592625577ccd41621ee8ca941ae3b/tumblr_mlkdodmM5q1ql5yr7o1_500.gif\" target=\"_blank\">the back rolls\u003c/a>! (I'm sorry in advance for sucking you into the gif above and making you late to whatever you're doing next).\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Katya\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/Katya.gif\">\u003cimg class=\"aligncenter size-full wp-image-17191\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/Katya.gif\" alt=\"Katya drag race\" width=\"500\" height=\"282\">\u003c/a>\u003c/p>\n\u003cp>Last season was rough. Many at the finale party I attended weren't really rooting for anyone or, worse, didn't care. Some of that is due to the elimination of Katya, the fake Russian full of one-liners and splits. At the reunion, the love for Katya was clear; she was crowned Miss Congeniality and RuPaul even pretended to crown her the overall winner, despite her not actually being in the top 3. Let's do that for real this time.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Latrice\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tumblr_ng8mk24K341qlvwnco1_500.gif\">\u003cimg class=\"aligncenter size-full wp-image-17192\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tumblr_ng8mk24K341qlvwnco1_500.gif\" alt=\"latrice drag race\" width=\"500\" height=\"281\">\u003c/a>\u003c/p>\n\u003cp>Yeah, I know she already had her chance on the first season of All Stars, but we can all agree she was robbed by that wack team set-up. We demand justice! And more Latrice gifs to use in our texts!\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Laganja Estranja\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tumblr_inline_nb1kxb5Wmk1qz7j5g.gif\">\u003cimg class=\"aligncenter size-full wp-image-17194\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tumblr_inline_nb1kxb5Wmk1qz7j5g.gif\" alt=\"laganja drag race\" width=\"500\" height=\"280\">\u003c/a>\u003c/p>\n\u003cp>I can't believe I'm writing this. Laganja was the embodiment of cringe-worthy on her season, doing the most to make an impression and failing miserably. But with time (and a water-shooting-out-of-your-nose funny \u003ca href=\"https://www.youtube.com/watch?v=TDlbg01xXiY\" target=\"_blank\">roast by Alaska\u003c/a>), her antics and awkward verbal tics (Okuuuuurrrr???) have become iconic. We all laughed at her back then, but maybe this time she can be in on the joke and laugh with us. Pitting her against her former friend Adore and her drag mother Alyssa Edwards will surely provide some fireworks too.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Tatiana\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/dr2_5_252TatiHairSwoop.gif\">\u003cimg class=\"aligncenter size-full wp-image-17195\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/dr2_5_252TatiHairSwoop.gif\" alt=\"tatiana drag race\" width=\"252\" height=\"187\">\u003c/a>\u003c/p>\n\u003cp>You newly indoctrinated \u003cem>Drag Race\u003c/em> fans might not remember Tatiana, a young queen from season 2, which aired five whole years ago, but you should brush up on your herstory because Tati was a force to be reckoned with. When eventual winner Tyra Sanchez (why, Ru, why?!) was singing Beyonce songs in the most obnoxious way possible, Tati was the one who \u003ca href=\"https://www.youtube.com/watch?v=0R7MIjqAPL4\" target=\"_blank\">called her out\u003c/a>. She also held her own against Raven, who basically bullied her the entire season. And who can forget the politeness contest between Tati and Ru exchanging Thank yous back and forth until the end of time? \u003cem>All Stars 2\u003c/em> is the perfect excuse to check in and see how her drag has evolved.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Max\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/13-Max-status.gif\">\u003cimg class=\"aligncenter size-full wp-image-17196\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/13-Max-status.gif\" alt=\"max drag race\" width=\"560\" height=\"315\">\u003c/a>\u003c/p>\n\u003cp>The fake posh accent. The grey hair. The top-tier fashion looks. Max definitely brought a fresh take on drag before being booted pretty early on and being forgotten in the wake of #JusticeforTrixie. If her \u003ca 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target=\"_blank\">super weird topless swan song\u003c/a> isn't enough to garner a spot on \u003cem>All Stars 2\u003c/em>, I don't know what is.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Phi Phi\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tumblr_m6e9jhpxmx1qduy64.gif\">\u003cimg class=\"aligncenter size-full wp-image-17197\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tumblr_m6e9jhpxmx1qduy64.gif\" alt=\"phi phi drag race\" width=\"500\" height=\"240\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Someone has to go home first.\u003c/p>\n\n",
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"excerpt": "RuPaul is bringing back the best queens from past seasons for another round of All Stars. These girls better be there!",
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"description": "RuPaul is bringing back the best queens from past seasons for another round of All Stars. These girls better be there!",
"title": "'RuPaul's Drag Race All Stars 2' Announced! Here are the Queens That Need to Be Cast | KQED",
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"headline": "'RuPaul's Drag Race All Stars 2' Announced! Here are the Queens That Need to Be Cast",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>Every spring, drag queen enthusiasts huddle around television and laptop screens on Monday nights for \u003cem>RuPaul's Drag Race\u003c/em>, a reality show that, over the course of seven seasons, has morphed into a kind of SuperBowl/World Series/Olympics/Stanley Cup?/I'm running out of sports metaphors. Point being, the stakes are high and fans of the show take the competition very seriously.\u003c/p>\n\u003cp>So today's announcement of a second season of All Stars is major, to say the least. The premiere won't arrive until 2016, but that doesn't mean we can't make a wish list of the queens we hope to watch compete for the crown a second time. Take note, RuPaul!\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Willam\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/giphy-1.gif\">\u003cimg class=\"aligncenter size-full wp-image-17198\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/giphy-1.gif\" alt=\"willam belli drag race\" width=\"400\" height=\"275\">\u003c/a>\u003c/p>\n\u003cp>#BringBackWillam lit up Twitter yesterday, after Willam mentioned that he hadn't been approached to be a part of the show. And there's a good reason for the rally cry hashtag. Willam is arguably the most successful drag queen to come out of the show. She has a string of \u003ca href=\"https://www.youtube.com/watch?v=s0kqobQRcUo\" target=\"_blank\">parody singles\u003c/a>, a \u003ca href=\"http://store.americanapparel.net/meet-the-queens_cat1750904\" target=\"_blank\">campaign\u003c/a> with American Apparel, and \u003ca href=\"https://www.youtube.com/watch?v=dFNH3sS3htc\" target=\"_blank\">a hilarious web series\u003c/a>. Bringing her back is a no-brainer, especially considering her sudden disqualification (the rumor is she broke the rules by receiving conjugal visits from her man). She was robbed of a top 3 spot and it's time to make it right!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Alaska\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/image-6.gif\">\u003cimg class=\"aligncenter size-full wp-image-17189\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/image-6.gif\" alt=\"alaska drag race\" width=\"400\" height=\"225\">\u003c/a>\u003c/p>\n\u003cp>A lot of fans initially underestimated Alaska because, on the surface, she seemed like a bootleg version of her then boyfriend Sharon Needles, who won the previous season. But Alaska quickly made a name for herself as the unconventional comedy queen to beat and coined an infectious catchphrase in the process (Hiiiiiiiiieeeeeee!). More ear-piercing greetings please!\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Adore Delano\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tumblr_n4ra70eeC01qlvwnco1_500.gif\">\u003cimg class=\"aligncenter size-full wp-image-17190\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tumblr_n4ra70eeC01qlvwnco1_500.gif\" alt=\"adore drag race\" width=\"500\" height=\"281\">\u003c/a>\u003c/p>\n\u003cp>It isn't a party until Adore shows up. The former \u003cem>American Idol\u003c/em> contestant wasn't considered strong competition in the beginning of her season because she had a \"hog body\" and was less polished than some of the pageant girls, but she proved everyone wrong with a second place finish. Since \u003cem>Drag Race\u003c/em>, she has become the highest charting drag queen on the Billboard charts (even besting mama Ru!). Her single \u003ca href=\"https://www.youtube.com/watch?v=wmV62-f-xnU\" target=\"_blank\">\"I Adore U\"\u003c/a> is easily better than most pop songs you will hear on the radio. That's just one reason this queen deserves an encore!\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Alyssa Edwards\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tumblr_nq4oilbxlY1qb4m0io1_250.gif\">\u003cimg class=\"aligncenter size-full wp-image-17193\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tumblr_nq4oilbxlY1qb4m0io1_250.gif\" alt=\"alyssa tongue drag race\" width=\"191\" height=\"191\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/tumblr_nq4oilbxlY1qb4m0io1_250.gif 191w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/tumblr_nq4oilbxlY1qb4m0io1_250-32x32.gif 32w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/tumblr_nq4oilbxlY1qb4m0io1_250-64x64.gif 64w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/tumblr_nq4oilbxlY1qb4m0io1_250-96x96.gif 96w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/tumblr_nq4oilbxlY1qb4m0io1_250-128x128.gif 128w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/tumblr_nq4oilbxlY1qb4m0io1_250-75x75.gif 75w\" sizes=\"(max-width: 191px) 100vw, 191px\">\u003c/a>\u003c/p>\n\u003cp>This queen was such a breakout star that there were rumors she was getting her own show, a \u003cem>Dance Moms\u003c/em> spin on her Texas dance studio. That sadly never came to pass, but Alyssa is still on our minds. This season's winner \u003ca href=\"https://www.youtube.com/watch?v=YvAcoBGxkN0\" target=\"_blank\">Violet Chatchki impersonated her\u003c/a> for Snatch Game, an honor usually only bestowed on celebrities like \u003ca href=\"https://s-media-cache-ak0.pinimg.com/originals/41/ec/3b/41ec3b8f75af8c2501313513f2105c98.gif\" target=\"_blank\">Anna Nicole Smith\u003c/a>. And we impersonate her every time we \u003ca href=\"https://www.youtube.com/watch?v=h3SxqJAyVr0\" target=\"_blank\">tongue pop\u003c/a> to make a point. Bring back \u003ca href=\"http://25.media.tumblr.com/078592625577ccd41621ee8ca941ae3b/tumblr_mlkdodmM5q1ql5yr7o1_500.gif\" target=\"_blank\">the back rolls\u003c/a>! (I'm sorry in advance for sucking you into the gif above and making you late to whatever you're doing next).\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Katya\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/Katya.gif\">\u003cimg class=\"aligncenter size-full wp-image-17191\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/Katya.gif\" alt=\"Katya drag race\" width=\"500\" height=\"282\">\u003c/a>\u003c/p>\n\u003cp>Last season was rough. Many at the finale party I attended weren't really rooting for anyone or, worse, didn't care. Some of that is due to the elimination of Katya, the fake Russian full of one-liners and splits. At the reunion, the love for Katya was clear; she was crowned Miss Congeniality and RuPaul even pretended to crown her the overall winner, despite her not actually being in the top 3. Let's do that for real this time.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Latrice\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tumblr_ng8mk24K341qlvwnco1_500.gif\">\u003cimg class=\"aligncenter size-full wp-image-17192\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tumblr_ng8mk24K341qlvwnco1_500.gif\" alt=\"latrice drag race\" width=\"500\" height=\"281\">\u003c/a>\u003c/p>\n\u003cp>Yeah, I know she already had her chance on the first season of All Stars, but we can all agree she was robbed by that wack team set-up. We demand justice! And more Latrice gifs to use in our texts!\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Laganja Estranja\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tumblr_inline_nb1kxb5Wmk1qz7j5g.gif\">\u003cimg class=\"aligncenter size-full wp-image-17194\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tumblr_inline_nb1kxb5Wmk1qz7j5g.gif\" alt=\"laganja drag race\" width=\"500\" height=\"280\">\u003c/a>\u003c/p>\n\u003cp>I can't believe I'm writing this. Laganja was the embodiment of cringe-worthy on her season, doing the most to make an impression and failing miserably. But with time (and a water-shooting-out-of-your-nose funny \u003ca href=\"https://www.youtube.com/watch?v=TDlbg01xXiY\" target=\"_blank\">roast by Alaska\u003c/a>), her antics and awkward verbal tics (Okuuuuurrrr???) have become iconic. We all laughed at her back then, but maybe this time she can be in on the joke and laugh with us. Pitting her against her former friend Adore and her drag mother Alyssa Edwards will surely provide some fireworks too.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Tatiana\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/dr2_5_252TatiHairSwoop.gif\">\u003cimg class=\"aligncenter size-full wp-image-17195\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/dr2_5_252TatiHairSwoop.gif\" alt=\"tatiana drag race\" width=\"252\" height=\"187\">\u003c/a>\u003c/p>\n\u003cp>You newly indoctrinated \u003cem>Drag Race\u003c/em> fans might not remember Tatiana, a young queen from season 2, which aired five whole years ago, but you should brush up on your herstory because Tati was a force to be reckoned with. When eventual winner Tyra Sanchez (why, Ru, why?!) was singing Beyonce songs in the most obnoxious way possible, Tati was the one who \u003ca href=\"https://www.youtube.com/watch?v=0R7MIjqAPL4\" target=\"_blank\">called her out\u003c/a>. She also held her own against Raven, who basically bullied her the entire season. And who can forget the politeness contest between Tati and Ru exchanging Thank yous back and forth until the end of time? \u003cem>All Stars 2\u003c/em> is the perfect excuse to check in and see how her drag has evolved.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Max\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/13-Max-status.gif\">\u003cimg class=\"aligncenter size-full wp-image-17196\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/13-Max-status.gif\" alt=\"max drag race\" width=\"560\" height=\"315\">\u003c/a>\u003c/p>\n\u003cp>The fake posh accent. The grey hair. The top-tier fashion looks. Max definitely brought a fresh take on drag before being booted pretty early on and being forgotten in the wake of #JusticeforTrixie. If her \u003ca 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target=\"_blank\">super weird topless swan song\u003c/a> isn't enough to garner a spot on \u003cem>All Stars 2\u003c/em>, I don't know what is.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Phi Phi\u003c/strong>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tumblr_m6e9jhpxmx1qduy64.gif\">\u003cimg class=\"aligncenter size-full wp-image-17197\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/tumblr_m6e9jhpxmx1qduy64.gif\" alt=\"phi phi drag race\" width=\"500\" height=\"240\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Someone has to go home first.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Adman to Stand-Up: Jim Gaffigan's Transition Took a Few Good Naps",
"headTitle": "Adman to Stand-Up: Jim Gaffigan’s Transition Took a Few Good Naps | KQED",
"content": "\u003cp>\u003cem>As part of a series called\u003c/em> \u003ca href=\"http://www.npr.org/series/274340198/my-big-break\" target=\"_blank\" rel=\"noopener\">My Big Break\u003c/a>\u003cem>, \u003c/em>All Things Considered\u003cem> is collecting stories of triumph, big and small. These are the moments when everything seems to click, and people leap forward into their careers\u003c/em>\u003cem>.\u003c/em>\u003c/p>\n\u003cp>On stage, Jim Gaffigan comes off as an everyday kind of guy. Bearded, pale, the comedian riffs on the mundane stuff — like Hot Pockets, donuts and family vacations to Disneyland.\u003c/p>\n\u003cp>Still, don’t let that fool you: In the cutthroat world of comedy, he’s made it. He’s about to hit the the road with a \u003ca href=\"http://www.jimgaffigan.com/tour-dates\" target=\"_blank\" rel=\"noopener\">national tour\u003c/a>, and \u003cem>The Jim Gaffigan Show\u003c/em> just premiered on TV Land this week.\u003c/p>\n\u003cp>It’s something of a fulfillment of the ambitious dreams he’s harbored since he was young; as a kid, he had a romantic notion of getting into the entertainment industry. But for a long time, those hopes of hitting it big seemed so far away.\u003c/p>\n\u003cp>“I grew up in a small town in Indiana, where there was no one that had a cousin in the entertainment industry,” Gaffigan says. “The closest thing to the entertainment industry was the marching band. I think it was a very successful marching band, to be fair to them.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>When Gaffigan moved to New York City after college, he was still a long way from the spotlight. He was stuck in a cubicle as an account manager.\u003c/p>\n\u003cp>“I was working in advertising while I was developing stand-up — essentially bombing,” he recalls.\u003c/p>\n\u003cp>He would work his 9-to-5 job, then go to an acting class and do a stand-up gig at a local club. When he got into work the next morning, he’d be so tired from the previous night that he would take naps in his cubicle.\u003c/p>\n\u003cp>Luckily for him, his colleagues thought his napping just habits made him “eccentric.” But his bosses were a different matter. It was only a matter of time before management noticed.\u003c/p>\n\u003cp>“They had to wake me up to fire me,” he says. “My boss had to shake me. … She was like, ‘I’m going to have to lay you off.’ ”\u003c/p>\n\u003cp>It turns out that getting fired was the best thing that could’ve happened to him. His money was saved up, and he had some experience on stage and lots of material to work with.\u003c/p>\n\u003cp>So he pursued stand-up full-time. Still, Gaffigan says it was a long road to success.\u003c/p>\n\u003cp>“I think I’d been doing stand-up for seven or eight years,” he says. “And I was not really getting much success or traction. And I would audition for things and the person that I would be auditioning for would literally leave the room. Just a lot of bad luck.”\u003c/p>\n\u003cp>He knew that an appearance on a late-night talk show would turn things around. Gaffigan grew up watching David Letterman, and he’d always looked up to the longtime host. So he auditioned for a spot on the \u003cem>Late Show\u003c/em> — and made the cut.\u003c/p>\n\u003cp>When he finally made his debut in January 1999, Gaffigan found himself performing in front of the whole country.\u003c/p>\n\u003cp>“My big break was appearing on [Letterman’s show]. It was a big deal,” Gaffigan says. “And the weird thing is, because Letterman thought I was good, everyone changed their mind. It changed the narrative surrounding me, completely. … It’s just a strange transformation. Someone essentially turns on a light switch, and it just changes.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>We want to hear about your big break. Send us an email at mybigbreak@npr.org.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=From+Adman+To+Stand-Up%3A+Jim+Gaffigan%27s+Transition+Took+A+Few+Good+Naps&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"excerpt": "The comedian once worked in advertising — until he got caught dozing on the job. So, he took his savings and stepped on stage. Still, it was years before he hit his big break: a gig on the \u003cem>Late Show\u003c/em>.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>As part of a series called\u003c/em> \u003ca href=\"http://www.npr.org/series/274340198/my-big-break\" target=\"_blank\" rel=\"noopener\">My Big Break\u003c/a>\u003cem>, \u003c/em>All Things Considered\u003cem> is collecting stories of triumph, big and small. These are the moments when everything seems to click, and people leap forward into their careers\u003c/em>\u003cem>.\u003c/em>\u003c/p>\n\u003cp>On stage, Jim Gaffigan comes off as an everyday kind of guy. Bearded, pale, the comedian riffs on the mundane stuff — like Hot Pockets, donuts and family vacations to Disneyland.\u003c/p>\n\u003cp>Still, don’t let that fool you: In the cutthroat world of comedy, he’s made it. He’s about to hit the the road with a \u003ca href=\"http://www.jimgaffigan.com/tour-dates\" target=\"_blank\" rel=\"noopener\">national tour\u003c/a>, and \u003cem>The Jim Gaffigan Show\u003c/em> just premiered on TV Land this week.\u003c/p>\n\u003cp>It’s something of a fulfillment of the ambitious dreams he’s harbored since he was young; as a kid, he had a romantic notion of getting into the entertainment industry. But for a long time, those hopes of hitting it big seemed so far away.\u003c/p>\n\u003cp>“I grew up in a small town in Indiana, where there was no one that had a cousin in the entertainment industry,” Gaffigan says. “The closest thing to the entertainment industry was the marching band. I think it was a very successful marching band, to be fair to them.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>When Gaffigan moved to New York City after college, he was still a long way from the spotlight. He was stuck in a cubicle as an account manager.\u003c/p>\n\u003cp>“I was working in advertising while I was developing stand-up — essentially bombing,” he recalls.\u003c/p>\n\u003cp>He would work his 9-to-5 job, then go to an acting class and do a stand-up gig at a local club. When he got into work the next morning, he’d be so tired from the previous night that he would take naps in his cubicle.\u003c/p>\n\u003cp>Luckily for him, his colleagues thought his napping just habits made him “eccentric.” But his bosses were a different matter. It was only a matter of time before management noticed.\u003c/p>\n\u003cp>“They had to wake me up to fire me,” he says. “My boss had to shake me. … She was like, ‘I’m going to have to lay you off.’ ”\u003c/p>\n\u003cp>It turns out that getting fired was the best thing that could’ve happened to him. His money was saved up, and he had some experience on stage and lots of material to work with.\u003c/p>\n\u003cp>So he pursued stand-up full-time. Still, Gaffigan says it was a long road to success.\u003c/p>\n\u003cp>“I think I’d been doing stand-up for seven or eight years,” he says. “And I was not really getting much success or traction. And I would audition for things and the person that I would be auditioning for would literally leave the room. Just a lot of bad luck.”\u003c/p>\n\u003cp>He knew that an appearance on a late-night talk show would turn things around. Gaffigan grew up watching David Letterman, and he’d always looked up to the longtime host. So he auditioned for a spot on the \u003cem>Late Show\u003c/em> — and made the cut.\u003c/p>\n\u003cp>When he finally made his debut in January 1999, Gaffigan found himself performing in front of the whole country.\u003c/p>\n\u003cp>“My big break was appearing on [Letterman’s show]. It was a big deal,” Gaffigan says. “And the weird thing is, because Letterman thought I was good, everyone changed their mind. It changed the narrative surrounding me, completely. … It’s just a strange transformation. Someone essentially turns on a light switch, and it just changes.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>We want to hear about your big break. Send us an email at mybigbreak@npr.org.\u003c/em> \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=From+Adman+To+Stand-Up%3A+Jim+Gaffigan%27s+Transition+Took+A+Few+Good+Naps&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "TV Rays of Sunshine: What to Turn On When Things Get Dark This Fall",
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"content": "\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/series/fall-arts-preview-2014/\" target=\"_blank\" rel=\"noopener\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/FallArtsPreview-300x250-3.png\" alt=\"FAll arts preview 2014\" width=\"300\" height=\"250\" class=\"alignright size-full wp-image-10136791\">\u003c/a>Let me guess — you don’t own a TV. Well, isn’t that special? The other 300 million of us don’t have a problem with plopping down on the couch and bathing in the warm glow of an LCD screen for a few hours. And boy o boy are there going to be some fun shows to watch this fall!\u003c/p>\n\u003cp>Looking at the list of upcoming shows, I found myself categorizing them by what I perceive as current trends in television: shows based on comic books, series produced by successful comedians, dramas featuring movie stars, retro (“Let’s make a show look like the 1960s!”) and crime/mystery (the ol’ standby.) Looking over the list and the little bits of info I could find on the plots of the shows, here are my picks (and I am quite the armchair critic):\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10141551\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/Gotham2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/Gotham2-400x258.jpg\" alt=\"<i>Gotham</i>\" width=\"400\" height=\"258\" class=\"size-thumbnail wp-image-10141551\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Gotham2-400x258.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Gotham2-300x194.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Gotham2.jpg 600w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">\u003ci>Gotham\u003c/i>\u003c/figcaption>\u003c/figure>\n\u003ch3>Comic Book: \u003ci>Gotham\u003c/i>\u003c/h3>\n\u003ch5>Sept. 22\u003cbr>\nFox\u003cbr>\n\u003ca href=\"http://www.fox.com/gotham/\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/h5>\n\u003cp>Who doesn’t love Batman? C’mon, everybody out there loves some form of Batman, be it Tim Burton’s or Christopher Nolan’s version, or even just the campy TV show from ancient times (**POW**). Batman is as American as apple pie and racial tension; it’s practically a hallowed institution here. That aside, a show based on Pre-Batman Gotham sounds like a good time, especially one about an actual cop — Commissioner Gordon before he was commissioner — trying to solve the murder of little Bruce Wayne’s parents. The fact that the producers are telling a story in a world that’s already established and is overflowing with dark imagery, it’s going to be hard to mess this one up, but you never know…\u003c/p>\n\u003ch4>Runner Up: \u003ci>The Flash\u003c/i>\u003c/h4>\n\u003cp> I remember the ’90s version of this being great and thanks to renewed interest (probably due to a character on \u003ci>The Big Bang Theory\u003c/i> being a big fan), they’re giving the story another shot. If you listened to the \u003ca target=\"_blank\" rel=\"noopener\">\u003ci>Best Show on WFMU\u003c/i>\u003c/a>, you would know that there was a campaign to get the actor who played Barry Allen (AKA The Flash) back in the ’90s, John Wesley Shipp, a part on the show and it looks like it succeeded; Shipp will be playing Allen’s father.\u003c/p>\u003c/div>\n\u003cp>https://www.youtube.com/watch?v=0d1zpt6k5OI\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10141548\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/Last-Man-on-Earth.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/Last-Man-on-Earth-400x225.jpg\" alt=\"<i>Last Man on Earth</i>\" width=\"400\" height=\"225\" class=\"size-thumbnail wp-image-10141548\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Last-Man-on-Earth-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Last-Man-on-Earth-300x168.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Last-Man-on-Earth.jpg 800w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">\u003ci>Last Man on Earth\u003c/i>\u003c/figcaption>\u003c/figure>\n\u003ch3>Comedy: \u003ci>Last Man On Earth\u003c/i>\u003c/h3>\n\u003ch5>2015 (scheduled to start midseason)\u003cbr>\nFox\u003cbr>\n\u003ca href=\"http://www.fox.com/last-man-on-earth/\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/h5>\n\u003cp>I could write about something that will actually be airing this fall (and I will), but this show has so much potential I’d be doing you a disservice if I write about anything else. First off, it’s Will Forte’s return to TV after killing it in \u003ci>Nebraska\u003c/i> and the criminally underrated \u003ci>MacGruber\u003c/i>. (Before this, much of what Forte did for TV was voice work.) Secondly, it has Phil Lord and Christopher Miller attached, who are also known as the masterminds behind such recent hits like \u003ci>21 Jumpstreet\u003c/i> and \u003ci>The Lego Movie.\u003c/i> And these guys aren’t TV novices either; they helmed \u003ci>Brooklyn Nine-Nine\u003c/i>‘s pilot episode, and that show has gone on to win some serious awards.\u003c/p>\n\u003ch4>Runner Up: \u003ci>Mulaney\u003c/i>\u003c/h4>\n\u003cp> Wow, judging by the trailer, there are going to be a lot of similarities to \u003ci>Seinfeld\u003c/i>, which I doubt anyone will mind, but I wouldn’t be doing my job if I didn’t say something. The show has a lot of potential based on John Mulaney’s joke-writing prowess alone; he was the writer behind many of the best recent \u003ci>Saturday Night Live\u003c/i> sketches, including Bill Hader’s bits as “Stefon.”\n\u003c/p>\u003c/div>\n\u003cp>https://www.youtube.com/watch?v=K_xNvdptsXY\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10141550\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/Madam-Secretary.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/Madam-Secretary-400x266.jpg\" alt=\"Madam Secretary\" width=\"400\" height=\"266\" class=\"size-thumbnail wp-image-10141550\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Madam-Secretary-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Madam-Secretary-300x199.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Madam-Secretary.jpg 596w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">\u003ci>Madam Secretary\u003c/i>\u003c/figcaption>\u003c/figure>\n\u003ch3>Drama: \u003ci>Madam Secretary\u003c/i>\u003c/h3>\n\u003ch5>Sept. 21\u003cbr>\nCBS\u003cbr>\n\u003ca href=\"http://www.cbs.com/shows/madam-secretary/\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/h5>\n\u003cp>It looks like CBS really wants \u003ci>Madam Secretary\u003c/i> to be a hit, as the network is scheduling a second airing of the show on premiere night, which is a rare action to be taken by a broadcast network (it’s commonplace for cable networks). Though the cast is notable — Tea Leoni totally fits the part — it’s the experienced writer at the helm of the show, Barbara Hall, that will deserve respect if the show takes off. Hall’s resume includes \u003ci>Homeland\u003c/i>, \u003ci>Northern Exposure\u003c/i>, and even \u003ci>Newhart\u003c/i>, and it’s obvious she’s brought that level of quality to the writing on \u003ci>Madam Secretary.\u003c/i> Do yourself a favor and watch the extended trailer. \u003c/p>\n\u003ch4>Runner Up: \u003ci>Empire\u003c/i>\u003c/h4>\n\u003cp> If you’re a music fan like me, this is another show to be excited about coming to Fox in 2015. Terence Howard playing a gangster-turned-music-mogul who finds out he has ALS (topical!) and only three years to live. He is forced to choose which one of his three sons to take over his music company. Sign me up.\n\u003c/p>\u003c/div>\n\u003cp>https://www.youtube.com/watch?v=W3U4f6lsp4E\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10141562\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/Mission-Control.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/Mission-Control-400x225.jpg\" alt=\"<i>Mission Control</i>\" width=\"400\" height=\"225\" class=\"size-thumbnail wp-image-10141562\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Mission-Control-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Mission-Control-300x168.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Mission-Control.jpg 800w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">\u003ci>Mission Control\u003c/i>\u003c/figcaption>\u003c/figure>\n\u003ch3>Retro: \u003ci>Mission Control\u003c/i>\u003c/h3>\n\u003ch5>2015 (scheduled to start mid-season)\u003cbr>\nNBC\u003cbr>\n\u003ca href=\"http://www.nbc.com/mission-control\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/h5>\n\u003cp>I was surprised to find that there aren’t as many shows being set in olden times as there have been in recent years, thanks to the game-changing \u003ci>Mad Men.\u003c/i> I’m guessing the high amount of flops and expensive set costs have left a bad taste in the mouths of studio execs. But there are good reasons to take a shot on \u003ci>Mission Control\u003c/i> and it’s not just the made-for-TV Krysten Ritter. Not only is this show being produced by Will Farrell and Adam Mckay’s company Gary Sanchez, but its writing is being credited to David Hornsby, also known as “Cricket” on \u003ci>It’s Always Sunny In Philadelphia\u003c/i>. Hornsby was not only a recurring character, but one of the first writers for the long-running FX comedy, having join the team when they were just doing shorts.\u003c/p>\n\u003ch4>Runner Up: \u003ci>The Odd Couple\u003c/i>\u003c/h4>\n\u003cp> It’s weird that they’re trying to reboot such an iconic show but the stars are two consistently entertaining actors — Matthew Perry and Tom Lennon — and I bet they were matched up for a reason.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10141564\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/Wayward-Pines.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/Wayward-Pines-400x205.jpg\" alt=\"<i>Wayward Pines</i>\" width=\"400\" height=\"205\" class=\"size-thumbnail wp-image-10141564\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Wayward-Pines-400x205.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Wayward-Pines-300x154.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Wayward-Pines.jpg 779w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">\u003ci>Wayward Pines\u003c/i>\u003c/figcaption>\u003c/figure>\n\u003ch3>Crime/Mystery: \u003ci>Wayward Pines\u003c/i>\u003c/h3>\n\u003ch5>2015 (scheduled to start midseason)\u003cbr>\nFox\u003cbr>\n\u003ca href=\"http://www.fox.com/wayward-pines/\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/h5>\n\u003cp>Sure, M. Night Shyamalan has been striking out with the movies recently, but the trailer for this looks like pure \u003ci>Twin Peaks\u003c/i> worship, and how can that be a bad thing? Throw in Matt Dillon and Juliette Lewis, and you’re going to try to tell me you’re not intrigued?\u003c/p>\n\u003ch4>Runner Up: \u003ci>Secrets and Lies\u003c/i>\u003c/h4>\n\u003cp> I’ve been noticing that American production companies have been poaching a lot of shows from Australia — \u003ci>Wilfred\u003c/i>, \u003ci>Review\u003c/i>, all of Chris Lilly’s stuff — and bringing them back to the states. Some of them are quite successful, and even the ones that are breaking audience records are still great — \u003ci>Review\u003c/i> is criminally underrated — so it seems that this is a model that works and can be trusted. This show about a man who finds his 5-year-old neighbor dying, only to become the main suspect in the boy’s murder is screaming with potential, thanks to a star-saturated cast that includes Ryan Phillipe and Juliette Lewis (again!).\n\u003c/p>\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "Batman prequels, SNL standouts breaking out on their own and more movie stars than you can shake a stick at, we've listed our best educated guesses for the shows to watch this fall.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/series/fall-arts-preview-2014/\" target=\"_blank\" rel=\"noopener\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/FallArtsPreview-300x250-3.png\" alt=\"FAll arts preview 2014\" width=\"300\" height=\"250\" class=\"alignright size-full wp-image-10136791\">\u003c/a>Let me guess — you don’t own a TV. Well, isn’t that special? The other 300 million of us don’t have a problem with plopping down on the couch and bathing in the warm glow of an LCD screen for a few hours. And boy o boy are there going to be some fun shows to watch this fall!\u003c/p>\n\u003cp>Looking at the list of upcoming shows, I found myself categorizing them by what I perceive as current trends in television: shows based on comic books, series produced by successful comedians, dramas featuring movie stars, retro (“Let’s make a show look like the 1960s!”) and crime/mystery (the ol’ standby.) Looking over the list and the little bits of info I could find on the plots of the shows, here are my picks (and I am quite the armchair critic):\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10141551\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/Gotham2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/Gotham2-400x258.jpg\" alt=\"<i>Gotham</i>\" width=\"400\" height=\"258\" class=\"size-thumbnail wp-image-10141551\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Gotham2-400x258.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Gotham2-300x194.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Gotham2.jpg 600w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">\u003ci>Gotham\u003c/i>\u003c/figcaption>\u003c/figure>\n\u003ch3>Comic Book: \u003ci>Gotham\u003c/i>\u003c/h3>\n\u003ch5>Sept. 22\u003cbr>\nFox\u003cbr>\n\u003ca href=\"http://www.fox.com/gotham/\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/h5>\n\u003cp>Who doesn’t love Batman? C’mon, everybody out there loves some form of Batman, be it Tim Burton’s or Christopher Nolan’s version, or even just the campy TV show from ancient times (**POW**). Batman is as American as apple pie and racial tension; it’s practically a hallowed institution here. That aside, a show based on Pre-Batman Gotham sounds like a good time, especially one about an actual cop — Commissioner Gordon before he was commissioner — trying to solve the murder of little Bruce Wayne’s parents. The fact that the producers are telling a story in a world that’s already established and is overflowing with dark imagery, it’s going to be hard to mess this one up, but you never know…\u003c/p>\n\u003ch4>Runner Up: \u003ci>The Flash\u003c/i>\u003c/h4>\n\u003cp> I remember the ’90s version of this being great and thanks to renewed interest (probably due to a character on \u003ci>The Big Bang Theory\u003c/i> being a big fan), they’re giving the story another shot. If you listened to the \u003ca target=\"_blank\" rel=\"noopener\">\u003ci>Best Show on WFMU\u003c/i>\u003c/a>, you would know that there was a campaign to get the actor who played Barry Allen (AKA The Flash) back in the ’90s, John Wesley Shipp, a part on the show and it looks like it succeeded; Shipp will be playing Allen’s father.\u003c/p>\u003c/div>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/0d1zpt6k5OI'\n title='//www.youtube.com/embed/0d1zpt6k5OI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10141548\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/Last-Man-on-Earth.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/Last-Man-on-Earth-400x225.jpg\" alt=\"<i>Last Man on Earth</i>\" width=\"400\" height=\"225\" class=\"size-thumbnail wp-image-10141548\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Last-Man-on-Earth-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Last-Man-on-Earth-300x168.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Last-Man-on-Earth.jpg 800w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">\u003ci>Last Man on Earth\u003c/i>\u003c/figcaption>\u003c/figure>\n\u003ch3>Comedy: \u003ci>Last Man On Earth\u003c/i>\u003c/h3>\n\u003ch5>2015 (scheduled to start midseason)\u003cbr>\nFox\u003cbr>\n\u003ca href=\"http://www.fox.com/last-man-on-earth/\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/h5>\n\u003cp>I could write about something that will actually be airing this fall (and I will), but this show has so much potential I’d be doing you a disservice if I write about anything else. First off, it’s Will Forte’s return to TV after killing it in \u003ci>Nebraska\u003c/i> and the criminally underrated \u003ci>MacGruber\u003c/i>. (Before this, much of what Forte did for TV was voice work.) Secondly, it has Phil Lord and Christopher Miller attached, who are also known as the masterminds behind such recent hits like \u003ci>21 Jumpstreet\u003c/i> and \u003ci>The Lego Movie.\u003c/i> And these guys aren’t TV novices either; they helmed \u003ci>Brooklyn Nine-Nine\u003c/i>‘s pilot episode, and that show has gone on to win some serious awards.\u003c/p>\n\u003ch4>Runner Up: \u003ci>Mulaney\u003c/i>\u003c/h4>\n\u003cp> Wow, judging by the trailer, there are going to be a lot of similarities to \u003ci>Seinfeld\u003c/i>, which I doubt anyone will mind, but I wouldn’t be doing my job if I didn’t say something. The show has a lot of potential based on John Mulaney’s joke-writing prowess alone; he was the writer behind many of the best recent \u003ci>Saturday Night Live\u003c/i> sketches, including Bill Hader’s bits as “Stefon.”\n\u003c/p>\u003c/div>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/K_xNvdptsXY'\n title='//www.youtube.com/embed/K_xNvdptsXY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10141550\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/Madam-Secretary.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/Madam-Secretary-400x266.jpg\" alt=\"Madam Secretary\" width=\"400\" height=\"266\" class=\"size-thumbnail wp-image-10141550\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Madam-Secretary-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Madam-Secretary-300x199.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Madam-Secretary.jpg 596w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">\u003ci>Madam Secretary\u003c/i>\u003c/figcaption>\u003c/figure>\n\u003ch3>Drama: \u003ci>Madam Secretary\u003c/i>\u003c/h3>\n\u003ch5>Sept. 21\u003cbr>\nCBS\u003cbr>\n\u003ca href=\"http://www.cbs.com/shows/madam-secretary/\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/h5>\n\u003cp>It looks like CBS really wants \u003ci>Madam Secretary\u003c/i> to be a hit, as the network is scheduling a second airing of the show on premiere night, which is a rare action to be taken by a broadcast network (it’s commonplace for cable networks). Though the cast is notable — Tea Leoni totally fits the part — it’s the experienced writer at the helm of the show, Barbara Hall, that will deserve respect if the show takes off. Hall’s resume includes \u003ci>Homeland\u003c/i>, \u003ci>Northern Exposure\u003c/i>, and even \u003ci>Newhart\u003c/i>, and it’s obvious she’s brought that level of quality to the writing on \u003ci>Madam Secretary.\u003c/i> Do yourself a favor and watch the extended trailer. \u003c/p>\n\u003ch4>Runner Up: \u003ci>Empire\u003c/i>\u003c/h4>\n\u003cp> If you’re a music fan like me, this is another show to be excited about coming to Fox in 2015. Terence Howard playing a gangster-turned-music-mogul who finds out he has ALS (topical!) and only three years to live. He is forced to choose which one of his three sons to take over his music company. Sign me up.\n\u003c/p>\u003c/div>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/W3U4f6lsp4E'\n title='//www.youtube.com/embed/W3U4f6lsp4E'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10141562\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/Mission-Control.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/Mission-Control-400x225.jpg\" alt=\"<i>Mission Control</i>\" width=\"400\" height=\"225\" class=\"size-thumbnail wp-image-10141562\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Mission-Control-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Mission-Control-300x168.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Mission-Control.jpg 800w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">\u003ci>Mission Control\u003c/i>\u003c/figcaption>\u003c/figure>\n\u003ch3>Retro: \u003ci>Mission Control\u003c/i>\u003c/h3>\n\u003ch5>2015 (scheduled to start mid-season)\u003cbr>\nNBC\u003cbr>\n\u003ca href=\"http://www.nbc.com/mission-control\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/h5>\n\u003cp>I was surprised to find that there aren’t as many shows being set in olden times as there have been in recent years, thanks to the game-changing \u003ci>Mad Men.\u003c/i> I’m guessing the high amount of flops and expensive set costs have left a bad taste in the mouths of studio execs. But there are good reasons to take a shot on \u003ci>Mission Control\u003c/i> and it’s not just the made-for-TV Krysten Ritter. Not only is this show being produced by Will Farrell and Adam Mckay’s company Gary Sanchez, but its writing is being credited to David Hornsby, also known as “Cricket” on \u003ci>It’s Always Sunny In Philadelphia\u003c/i>. Hornsby was not only a recurring character, but one of the first writers for the long-running FX comedy, having join the team when they were just doing shorts.\u003c/p>\n\u003ch4>Runner Up: \u003ci>The Odd Couple\u003c/i>\u003c/h4>\n\u003cp> It’s weird that they’re trying to reboot such an iconic show but the stars are two consistently entertaining actors — Matthew Perry and Tom Lennon — and I bet they were matched up for a reason.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10141564\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/Wayward-Pines.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/09/Wayward-Pines-400x205.jpg\" alt=\"<i>Wayward Pines</i>\" width=\"400\" height=\"205\" class=\"size-thumbnail wp-image-10141564\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Wayward-Pines-400x205.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Wayward-Pines-300x154.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/09/Wayward-Pines.jpg 779w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">\u003ci>Wayward Pines\u003c/i>\u003c/figcaption>\u003c/figure>\n\u003ch3>Crime/Mystery: \u003ci>Wayward Pines\u003c/i>\u003c/h3>\n\u003ch5>2015 (scheduled to start midseason)\u003cbr>\nFox\u003cbr>\n\u003ca href=\"http://www.fox.com/wayward-pines/\" target=\"_blank\" rel=\"noopener\">More Information\u003c/a>\u003c/h5>\n\u003cp>Sure, M. Night Shyamalan has been striking out with the movies recently, but the trailer for this looks like pure \u003ci>Twin Peaks\u003c/i> worship, and how can that be a bad thing? Throw in Matt Dillon and Juliette Lewis, and you’re going to try to tell me you’re not intrigued?\u003c/p>\n\u003ch4>Runner Up: \u003ci>Secrets and Lies\u003c/i>\u003c/h4>\n\u003cp> I’ve been noticing that American production companies have been poaching a lot of shows from Australia — \u003ci>Wilfred\u003c/i>, \u003ci>Review\u003c/i>, all of Chris Lilly’s stuff — and bringing them back to the states. Some of them are quite successful, and even the ones that are breaking audience records are still great — \u003ci>Review\u003c/i> is criminally underrated — so it seems that this is a model that works and can be trusted. This show about a man who finds his 5-year-old neighbor dying, only to become the main suspect in the boy’s murder is screaming with potential, thanks to a star-saturated cast that includes Ryan Phillipe and Juliette Lewis (again!).\n\u003c/p>\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Serious issues demand to be taken seriously. That’s what I was taught from an early age, despite the best efforts of Lenny Bruce and Abbie Hoffman, and it’s the unquestioned aphorism that drives newscasts, newspapers and documentaries. But \u003cem>The Daily Show\u003c/em> and \u003cem>The Colbert Report\u003c/em> proved that it’s possible to inform and inspire a swath of the population through witty, barbed dissections of current events. The latter will never replace the former, of course, but it’s an invaluable compliment.\u003c/p>\n\u003cp>Building on the idea that comedy opens people’s ears—to ugly realities and uncomfortable truths, Bay Area producers David Munro and Xandra Castleton made \u003ci>Stand Up Planet\u003c/i>, a one-hour documentary following an Indian-American comic as he searches for comedic talent in some of the poorest areas in the world. \u003c/p>\n\u003cp>On one level, \u003cem>Stand Up Planet\u003c/em> is an enlightened travelogue in which charismatic comic and host Hasan Minhaj ventures to India and South Africa in search of local comedians with the guts to take on social issues and the talent to get laughs. An important secondary goal is bringing a couple of those comedians to Los Angeles to perform at the Laugh Factory. In addition to offering a personal and career boon for the two aspiring talents, the gig could demonstrate that a given culture’s problems and humor can be deeply understood by another. Suffering may be universal, but so is empathy; is comedy?\u003c/p>\n\u003cfigure id=\"attachment_10135789\" class=\"wp-caption alignright\" style=\"max-width: 1024px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/05/Castleton_Munro_byTommyLau_02-1-1024x682.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/05/Castleton_Munro_byTommyLau_02-1-1024x682.jpg\" alt=\"Stand Up Planet co-creators, Xandra Castleton & David Munro\" width=\"1024\" height=\"682\" class=\"size-full wp-image-10135789\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/05/Castleton_Munro_byTommyLau_02-1-1024x682.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/05/Castleton_Munro_byTommyLau_02-1-1024x682-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/05/Castleton_Munro_byTommyLau_02-1-1024x682-300x199.jpg 300w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Stand Up Planet co-creators, Xandra Castleton & David Munro \u003ccite>(Tommy Lau )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Traditional social issue documentaries leave out the ‘life goes on’ part, where people laugh and love, and just focus to an extreme on the problem,” Munro explains. “I think they not only leave out a big part of the story, but make people tune out when it’s presented that way. You can’t keep living if all there is is poverty and hopelessness.”\u003c/p>\n\u003cp>The producers looked at a lot of comics before settling on the likable, intelligent Minhaj (from MTV’s \u003cem>Failosophy\u003c/em>) as Stand Up Planet’s host, guide and ringleader. It happened to be pilot season in L.A., and Minhaj had various options. He chose \u003ci>Stand Up Planet\u003c/i>, in part, because he recognized that he was increasingly drawing on his own life for his stand-up act.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“He was in a time of discovery for his own work, and [the program] was an experience that would broaden his scope,” Munro says. “And also connect some dots, to go back to India and go through this Ralph Ellison experience. ‘What if my family hadn’t left? Would I have been a comedian? A computer engineer?’ It closed a circle, in a way, and opened one up.”\u003c/p>\n\u003cp>Minhaj’s trip to Mumbai uncovers a handful of courageous, outspoken English-language comics who primarily perform in small venues such as restaurants. Their audience largely consists of young, educated elites, but that’s an influential segment of the population. On the street, bulky comic Tanmay Bhat takes Minhat on a neighborhood tour to illustrate the reality behind one of his most trenchant bits: 54 percent of Indians defecate outdoors. Every day, 1,600 children die of sanitation-related illnesses.\u003c/p>\n\u003cp>In Johannesburg, Minhaj and the filmmakers encounter black stars who launched their careers with daring sketch-comedy shows that made fun of the tendency to blame now-banned apartheid for every ill. \u003c/p>\n\u003cp>“Everyone was walking on eggshells, no one wanted to touch the third rail of flat-out truth,” Munro says. “The comics were willing to. Some of the stuff they did on the TV show caught a lot of flak from the government.”\u003c/p>\n\u003cp>\u003cem>Stand Up Planet\u003c/em> goes to great pains to avoid condescending to the native comics and populations, which should be commended. At the same time, Munro says he sees the progression and history of American comedy mirrored in India and South Africa.\u003c/p>\n\u003cp>“Before stand-up, just like in this country, mass-appeal mainstream comedy tends to be broad, almost like vaudeville,” he explains. “So what we saw in these countries was an accelerated evolution of what happened here. The performers start out as filler (on a long bill) and slowly become the main draw.”\u003c/p>\n\u003cp>One of the surprising thing about \u003cem>Stand Up Planet\u003c/em> is when the scouted talent that were invited to L.A. at Minhaj’s invitation are treated to a private visit with Bill Cosby, which rocks their world.\u003c/p>\n\u003cp>“The way it works for me is as the passing of the torch, that dangerous comedy is not a new invention,” Munro says. “It’s going to the mountain,” Castleton concurs. “All these comics grew up watching \u003cem>The Cosby Show\u003c/em>.”\u003c/p>\n\u003cp>The show also had a huge impact in South Africa, simply by depicting that a black man and his wife could be professionals and live in a nice house. According to Munro, the inmates on Robben Island used to write in sand, recounting what happened the night before on \u003cem>The Cosby Show\u003c/em>.\u003c/p>\n\u003cp>In other words, never discount the power of comedy. \u003cem>Stand Up Planet\u003c/em> carries on the fight with a contemporary voice and ample laughs.\u003c/p>\n\u003cp>\u003ci>Stand Up Planet\u003c/i> has its broadcast premiere Wednesday, May 14 on Link TV, Pivot and KCET.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For more information, visit \u003ca href=\"http://www.standupplanet.org/\" target=\"”_blank”\" rel=\"noopener\"> www.standupplanet.org.\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Serious issues demand to be taken seriously. That’s what I was taught from an early age, despite the best efforts of Lenny Bruce and Abbie Hoffman, and it’s the unquestioned aphorism that drives newscasts, newspapers and documentaries. But \u003cem>The Daily Show\u003c/em> and \u003cem>The Colbert Report\u003c/em> proved that it’s possible to inform and inspire a swath of the population through witty, barbed dissections of current events. The latter will never replace the former, of course, but it’s an invaluable compliment.\u003c/p>\n\u003cp>Building on the idea that comedy opens people’s ears—to ugly realities and uncomfortable truths, Bay Area producers David Munro and Xandra Castleton made \u003ci>Stand Up Planet\u003c/i>, a one-hour documentary following an Indian-American comic as he searches for comedic talent in some of the poorest areas in the world. \u003c/p>\n\u003cp>On one level, \u003cem>Stand Up Planet\u003c/em> is an enlightened travelogue in which charismatic comic and host Hasan Minhaj ventures to India and South Africa in search of local comedians with the guts to take on social issues and the talent to get laughs. An important secondary goal is bringing a couple of those comedians to Los Angeles to perform at the Laugh Factory. In addition to offering a personal and career boon for the two aspiring talents, the gig could demonstrate that a given culture’s problems and humor can be deeply understood by another. Suffering may be universal, but so is empathy; is comedy?\u003c/p>\n\u003cfigure id=\"attachment_10135789\" class=\"wp-caption alignright\" style=\"max-width: 1024px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/05/Castleton_Munro_byTommyLau_02-1-1024x682.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/05/Castleton_Munro_byTommyLau_02-1-1024x682.jpg\" alt=\"Stand Up Planet co-creators, Xandra Castleton & David Munro\" width=\"1024\" height=\"682\" class=\"size-full wp-image-10135789\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/05/Castleton_Munro_byTommyLau_02-1-1024x682.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/05/Castleton_Munro_byTommyLau_02-1-1024x682-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/05/Castleton_Munro_byTommyLau_02-1-1024x682-300x199.jpg 300w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Stand Up Planet co-creators, Xandra Castleton & David Munro \u003ccite>(Tommy Lau )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Traditional social issue documentaries leave out the ‘life goes on’ part, where people laugh and love, and just focus to an extreme on the problem,” Munro explains. “I think they not only leave out a big part of the story, but make people tune out when it’s presented that way. You can’t keep living if all there is is poverty and hopelessness.”\u003c/p>\n\u003cp>The producers looked at a lot of comics before settling on the likable, intelligent Minhaj (from MTV’s \u003cem>Failosophy\u003c/em>) as Stand Up Planet’s host, guide and ringleader. It happened to be pilot season in L.A., and Minhaj had various options. He chose \u003ci>Stand Up Planet\u003c/i>, in part, because he recognized that he was increasingly drawing on his own life for his stand-up act.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“He was in a time of discovery for his own work, and [the program] was an experience that would broaden his scope,” Munro says. “And also connect some dots, to go back to India and go through this Ralph Ellison experience. ‘What if my family hadn’t left? Would I have been a comedian? A computer engineer?’ It closed a circle, in a way, and opened one up.”\u003c/p>\n\u003cp>Minhaj’s trip to Mumbai uncovers a handful of courageous, outspoken English-language comics who primarily perform in small venues such as restaurants. Their audience largely consists of young, educated elites, but that’s an influential segment of the population. On the street, bulky comic Tanmay Bhat takes Minhat on a neighborhood tour to illustrate the reality behind one of his most trenchant bits: 54 percent of Indians defecate outdoors. Every day, 1,600 children die of sanitation-related illnesses.\u003c/p>\n\u003cp>In Johannesburg, Minhaj and the filmmakers encounter black stars who launched their careers with daring sketch-comedy shows that made fun of the tendency to blame now-banned apartheid for every ill. \u003c/p>\n\u003cp>“Everyone was walking on eggshells, no one wanted to touch the third rail of flat-out truth,” Munro says. “The comics were willing to. Some of the stuff they did on the TV show caught a lot of flak from the government.”\u003c/p>\n\u003cp>\u003cem>Stand Up Planet\u003c/em> goes to great pains to avoid condescending to the native comics and populations, which should be commended. At the same time, Munro says he sees the progression and history of American comedy mirrored in India and South Africa.\u003c/p>\n\u003cp>“Before stand-up, just like in this country, mass-appeal mainstream comedy tends to be broad, almost like vaudeville,” he explains. “So what we saw in these countries was an accelerated evolution of what happened here. The performers start out as filler (on a long bill) and slowly become the main draw.”\u003c/p>\n\u003cp>One of the surprising thing about \u003cem>Stand Up Planet\u003c/em> is when the scouted talent that were invited to L.A. at Minhaj’s invitation are treated to a private visit with Bill Cosby, which rocks their world.\u003c/p>\n\u003cp>“The way it works for me is as the passing of the torch, that dangerous comedy is not a new invention,” Munro says. “It’s going to the mountain,” Castleton concurs. “All these comics grew up watching \u003cem>The Cosby Show\u003c/em>.”\u003c/p>\n\u003cp>The show also had a huge impact in South Africa, simply by depicting that a black man and his wife could be professionals and live in a nice house. According to Munro, the inmates on Robben Island used to write in sand, recounting what happened the night before on \u003cem>The Cosby Show\u003c/em>.\u003c/p>\n\u003cp>In other words, never discount the power of comedy. \u003cem>Stand Up Planet\u003c/em> carries on the fight with a contemporary voice and ample laughs.\u003c/p>\n\u003cp>\u003ci>Stand Up Planet\u003c/i> has its broadcast premiere Wednesday, May 14 on Link TV, Pivot and KCET.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>For more information, visit \u003ca href=\"http://www.standupplanet.org/\" target=\"”_blank”\" rel=\"noopener\"> www.standupplanet.org.\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The TV series \u003ci>Glee\u003c/i> recently popularized the musical genre of teenagers engaging in conventionally un-hip competitive performance, complicated by social stratification and acute adolescent drama. But you could say they stole the routine. Long before the stuck-up Cheerios of \u003ci>Glee\u003c/i>, there were the stuck up cheerleaders of \u003ca href=\"http://www.imdb.com/title/tt0204946/\">\u003ci>Bring it On\u003c/i>\u003c/a>.\u003c/p>\n\u003cp>In the 2000 teen flick, Kirsten Dunst stars as a head cheerleader who must decide if the championship is worth choreographic plagiarism. The film, like \u003ci>Glee\u003c/i> is yummy with high school dishiness, ambition and deceit.\u003c/p>\n\u003cp>But if we’re talking moves and grooves and attitudes, the super clever \u003ci>Bring It On, The Musical\u003c/i> has them both beat. In an unprecedented screen-to-stage occurrence, this new Broadway-bound \u003ci>movical\u003c/i> has a more complex and more engaging plot than its progenitor.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/bringiton4.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003cbr>Photo: Craig Schwartz\u003c/p>\n\u003cp>Our current appetite for all things retro has made ’80s movies ripe for screen-to-stage adaptations. These guilty pleasure flicks are now campy musicals: \u003ci>Xanadu, the Musical\u003c/i>, \u003ci>Legally Blonde, the Musical\u003c/i>, \u003ci>Urban Cowboy\u003c/i>, \u003ci>9 to 5\u003c/i>, \u003ci>Saturday Night Fever\u003c/i> and on and on and on. (\u003ci>Ghost, The Musical\u003c/i> coming in 2012).\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Turns out, \u003ci>Bring it On, The Musical\u003c/i> is not simply a gimmick. It’s much more than a shortcut to box office success via brand recognition.\u003c/p>\n\u003cp>True, the talent is recognizable: \u003ci>Bring it On\u003c/i> has a book by Jeff Whitty (\u003ci>Avenue Q\u003c/i>); music by Pulitzer Prize and Tony Award-winning composer Tom Kitt (\u003ci>Next to Normal\u003c/i>) and Lin-Manuel Miranda (\u003ci>In The Heights\u003c/i>), and lyrics by Miranda and \u003ci>High Fidelity’s\u003c/i> Amanda Green.\u003c/p>\n\u003cp>Combined, this dream team produced a savvy musical that achieves what \u003ci>Glee\u003c/i> only achieved during its first season: a winking way to have its cake and eat it too. That is, this largely tongue-in-cheek show blends sharp satire with sincerity. \u003ci>Bring it On\u003c/i> 2011 mocks its genre even while it serves up quality music and movement. There’s romance and betrayal and high-flying synchronized cheering. And it wouldn’t be a high school musical without underdog versus mean girl catfights.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/bringiton1.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003cbr>Taylor Louderman and Adrienne Warren, Photo: Craig Schwartz\u003c/p>\n\u003cp>In the film, Dunst’s cheerleading squad is teeming with popularity, entitlement and blondes. Their formidable competition is a squad from an inner city school (black girls). The bring-it-on standoff between the blondes and the blacks is actually a small part of the movie. The East Compton Clovers are righteous and sassy, but mostly generic underprivileged students.\u003c/p>\n\u003cp>The stage version puts the minorities at the center of the plot, setting the story in their school and giving these kids actual dimension. With this change of focus, the story is flipped on its ear.\u003c/p>\n\u003cp>\u003c/p>\u003cp>Taylor Louderman plays Campbell, the Kirsten Dunst role. The cheerleading captain at her old school, Campbell is inexplicably transferred to a new school due to abrupt redistricting. Like a fish out of water and down the rabbit hole, she becomes the outsider who is teased and hopelessly mocked.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/bringiton3.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003cbr>Ryann Redmond and Nicolas Womack, Photo: Craig Schwartz\u003c/p>\n\u003cp>Adrienne Warren plays Danielle, the ringleader of the girl gang, a group that embraces outsiders — including a terrific Gregory Haney as the tranny diva La Cienega. Even the chubby outsider Bridgid, (a wonderfully odd-ball performance by Ryann Redmond) is accepted at her new school. But Danielle’s clique have a hip hop \u003ci>crew\u003c/i> not a cheerleading \u003ci>squad\u003c/i>. \u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/bringiton4.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003cbr>Gregory Haney, Photo: Craig Schwartz\u003c/p>\n\u003cp>As she adjusts to the new social order, Campbell tries to figure out the mystery of the fishy redistricting, and strives to convince the crew to form a competitive cheerleading squad. Warren and Louderman are both dynamic performers; we watch their relationship go from enemies to frenemies to friends. \u003c/p>\n\u003cp>Elle Mclemore gives a scrumptious performance as the villain-in-sheep’s clothes, Eva. She transforms from an innocent brunette to a blonde be-atch in her evil plan to conquer the world of competitive cheerleading.\u003c/p>\n\u003cp>With sly spoofery, the musical pays homage to classics like \u003ci>Grease\u003c/i>,\u003ci>All About Eve\u003c/i>, Hitchcock and \u003ci>Single White Female\u003c/i>. 2011’s \u003ci>Bring It On\u003c/i>updates the film’s decade-old (ancient!) teen culture with hip-hop and Facebook. While the dance sequences/cheerleading routines are full of action and energy and altitude, they tend to involve more synchronized body tossing than dance chops. And while hip hop may be all that, as far as musical theater goes, it’s nothing to sing all the way home about.\u003c/p>\n\u003cp>Even so, \u003ci>Bring It On\u003c/i> 2011 is the Bring it On that \u003cb>Bring it On\u003c/b>2000 should have been. And like \u003ci>The Producers\u003c/i> and \u003ci>Hairspray\u003c/i> before it, it probably should be made into the movie of the play of the movie.\u003c/p>\n\u003cp>\u003ci>Bring It On\u003c/i> runs through Jan. 7, 2012 at The Orpheum Theatre in San Francisco. For \u003ca href=\"http://www.shnsf.com/shows/BringItOn\">tickets and information\u003c/a> visit shnsf.com or call 888-SHN-1799.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\n\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The TV series \u003ci>Glee\u003c/i> recently popularized the musical genre of teenagers engaging in conventionally un-hip competitive performance, complicated by social stratification and acute adolescent drama. But you could say they stole the routine. Long before the stuck-up Cheerios of \u003ci>Glee\u003c/i>, there were the stuck up cheerleaders of \u003ca href=\"http://www.imdb.com/title/tt0204946/\">\u003ci>Bring it On\u003c/i>\u003c/a>.\u003c/p>\n\u003cp>In the 2000 teen flick, Kirsten Dunst stars as a head cheerleader who must decide if the championship is worth choreographic plagiarism. The film, like \u003ci>Glee\u003c/i> is yummy with high school dishiness, ambition and deceit.\u003c/p>\n\u003cp>But if we’re talking moves and grooves and attitudes, the super clever \u003ci>Bring It On, The Musical\u003c/i> has them both beat. In an unprecedented screen-to-stage occurrence, this new Broadway-bound \u003ci>movical\u003c/i> has a more complex and more engaging plot than its progenitor.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/bringiton4.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003cbr>Photo: Craig Schwartz\u003c/p>\n\u003cp>Our current appetite for all things retro has made ’80s movies ripe for screen-to-stage adaptations. These guilty pleasure flicks are now campy musicals: \u003ci>Xanadu, the Musical\u003c/i>, \u003ci>Legally Blonde, the Musical\u003c/i>, \u003ci>Urban Cowboy\u003c/i>, \u003ci>9 to 5\u003c/i>, \u003ci>Saturday Night Fever\u003c/i> and on and on and on. (\u003ci>Ghost, The Musical\u003c/i> coming in 2012).\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Turns out, \u003ci>Bring it On, The Musical\u003c/i> is not simply a gimmick. It’s much more than a shortcut to box office success via brand recognition.\u003c/p>\n\u003cp>True, the talent is recognizable: \u003ci>Bring it On\u003c/i> has a book by Jeff Whitty (\u003ci>Avenue Q\u003c/i>); music by Pulitzer Prize and Tony Award-winning composer Tom Kitt (\u003ci>Next to Normal\u003c/i>) and Lin-Manuel Miranda (\u003ci>In The Heights\u003c/i>), and lyrics by Miranda and \u003ci>High Fidelity’s\u003c/i> Amanda Green.\u003c/p>\n\u003cp>Combined, this dream team produced a savvy musical that achieves what \u003ci>Glee\u003c/i> only achieved during its first season: a winking way to have its cake and eat it too. That is, this largely tongue-in-cheek show blends sharp satire with sincerity. \u003ci>Bring it On\u003c/i> 2011 mocks its genre even while it serves up quality music and movement. There’s romance and betrayal and high-flying synchronized cheering. And it wouldn’t be a high school musical without underdog versus mean girl catfights.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/bringiton1.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003cbr>Taylor Louderman and Adrienne Warren, Photo: Craig Schwartz\u003c/p>\n\u003cp>In the film, Dunst’s cheerleading squad is teeming with popularity, entitlement and blondes. Their formidable competition is a squad from an inner city school (black girls). The bring-it-on standoff between the blondes and the blacks is actually a small part of the movie. The East Compton Clovers are righteous and sassy, but mostly generic underprivileged students.\u003c/p>\n\u003cp>The stage version puts the minorities at the center of the plot, setting the story in their school and giving these kids actual dimension. With this change of focus, the story is flipped on its ear.\u003c/p>\n\u003cp>\u003c/p>\u003cp>Taylor Louderman plays Campbell, the Kirsten Dunst role. The cheerleading captain at her old school, Campbell is inexplicably transferred to a new school due to abrupt redistricting. Like a fish out of water and down the rabbit hole, she becomes the outsider who is teased and hopelessly mocked.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/bringiton3.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003cbr>Ryann Redmond and Nicolas Womack, Photo: Craig Schwartz\u003c/p>\n\u003cp>Adrienne Warren plays Danielle, the ringleader of the girl gang, a group that embraces outsiders — including a terrific Gregory Haney as the tranny diva La Cienega. Even the chubby outsider Bridgid, (a wonderfully odd-ball performance by Ryann Redmond) is accepted at her new school. But Danielle’s clique have a hip hop \u003ci>crew\u003c/i> not a cheerleading \u003ci>squad\u003c/i>. \u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/bringiton4.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003cbr>Gregory Haney, Photo: Craig Schwartz\u003c/p>\n\u003cp>As she adjusts to the new social order, Campbell tries to figure out the mystery of the fishy redistricting, and strives to convince the crew to form a competitive cheerleading squad. Warren and Louderman are both dynamic performers; we watch their relationship go from enemies to frenemies to friends. \u003c/p>\n\u003cp>Elle Mclemore gives a scrumptious performance as the villain-in-sheep’s clothes, Eva. She transforms from an innocent brunette to a blonde be-atch in her evil plan to conquer the world of competitive cheerleading.\u003c/p>\n\u003cp>With sly spoofery, the musical pays homage to classics like \u003ci>Grease\u003c/i>,\u003ci>All About Eve\u003c/i>, Hitchcock and \u003ci>Single White Female\u003c/i>. 2011’s \u003ci>Bring It On\u003c/i>updates the film’s decade-old (ancient!) teen culture with hip-hop and Facebook. While the dance sequences/cheerleading routines are full of action and energy and altitude, they tend to involve more synchronized body tossing than dance chops. And while hip hop may be all that, as far as musical theater goes, it’s nothing to sing all the way home about.\u003c/p>\n\u003cp>Even so, \u003ci>Bring It On\u003c/i> 2011 is the Bring it On that \u003cb>Bring it On\u003c/b>2000 should have been. And like \u003ci>The Producers\u003c/i> and \u003ci>Hairspray\u003c/i> before it, it probably should be made into the movie of the play of the movie.\u003c/p>\n\u003cp>\u003ci>Bring It On\u003c/i> runs through Jan. 7, 2012 at The Orpheum Theatre in San Francisco. For \u003ca href=\"http://www.shnsf.com/shows/BringItOn\">tickets and information\u003c/a> visit shnsf.com or call 888-SHN-1799.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\n\u003c/p>\n\u003c/div>\u003c/p>",
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"title": "Survivor: South Bronx",
"headTitle": "Survivor: South Bronx | KQED",
"content": "\u003cp>The other day I saw an ad for the twelfth season of \u003ca href=\"http://www.cbs.com/primetime/survivor12\">\u003cb>Survivor\u003c/b>\u003c/a> based in Panama. This time there’s a “twist” and every week a member of the “tribe” will get sent to something called Exile Island. For the span of a television season, a swarthy group of sixteen middle class, mostly Caucasian, participants will pretend to live as if they were truly destitute. They will have to actually — gasp! — fend for themselves AND play group games for the chance to win a million US dollars.\u003c/p>\n\u003cp>I can see marketing material for potential participants now: Yes, you too, can learn to live like you were truly poor AND have a chance at winning a million dollars! That’s not surviving. That’s like going on a poverty vacation. Furthermore, in some circles that’s called “detox”. Here’s a reality check: those who are really poor just stay that way; they don’t win nothin’.\u003c/p>\n\u003cp>And why do these folks have to go all the way to Panama? If it’s supposed to be REALITY TV why not make it interesting? Why not drop them off in the middle of the South Bronx? Without any money. Or clothes. Better yet, why not drop them in the favelas of Rio de Janeiro? Or the slums of Calcutta? Or the shantytowns/townships outside Johannesburg where AIDS has ravaged whole populations? Now that’s REAL surviving. Day One’s task could consist of contestants running around trying not to get shot as they found a way to clothe themselves and begged for money and food. But I guess America’s viewing public wouldn’t want to see something like that; it would hit too close too home. They would rather watch an artificial environment of abjectness be created than witness the real thing.\u003c/p>\n\u003cp>If one of our intrepid, Machiavellian contestants could make it out of one of these places alive, they would deserve the million dollars. Which raises the question: what is TRUE survival? Is it being shipped via private jet courtesy of CBS studios to some tropical paradise and hanging out for several weeks while cameras watched your every move? Is it getting voted off and making rounds on the talk show circuit and then, if you’re lucky, landing a bit part in some B-minus comedy alongside an old SNL cast member? Is it actually winning the million dollars and, after thirty percent of it gets taken away by the government, getting to buy a new S.U.V., getting some massages and eating your weight in McDonald’s? Is that survival? I think not.\u003c/p>\n\u003cp>Is this the best we can come up with? On one channel you have model wannabes eating worms and swimming around vats of cow innards trying to fish out sheep testicles with their teeth for a million dollars while on another channel you have some surgically-enhanced narcissists trying to score a lifemate as well as a million dollars. True survival is living with starvation, disease, poverty, crime, a disability, overwhelming social and cultural obstacles etc. and living to see the next day without succumbing to the perils and addictions around you. The person who deserves that million dollars is someone who makes it out of these communities intact. Not some office manager or stock broker or performance artist who took some time off of their day job so that they could yuck it up on national television.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Shows like \u003cb>Survivor\u003c/b> are a true example of all the ridiculous ways in which the bourgeoisie like to amuse themselves. Their lives aren’t really all that bad so they seek ways in which to make it more “exciting”. Is \u003cb>Survivor\u003c/b> the gladiatorial spectacle of our day? Is it a slice of voyeuristic suffering for the masses so that we are appeased enough not to analyze the current social and political issues? Is reality TV the new opium of the masses?\u003c/p>\n\u003cp>If you were really starving and if you were really homeless, you wouldn’t have a need to go through it for entertainment purposes. If you were from an actual slum living in these conditions, you wouldn’t need to be thrown on some island in order to prove how you could “survive”. If our forefathers hadn’t destroyed ninety percent of the indigenous culture when they settled this land maybe these people wouldn’t have to go all the way to Panama to experience the dynamics of being in a tribe; the \u003cb>Survivor: South Bronx\u003c/b> edition would have people placed in actual gangs.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Moreover, \u003cb>Survivor\u003c/b> celebrates the absolute worst in people. Instead of encouraging contestants to band together in the face of adversity and build a solid, supportive community, they are pitted against one another in true \u003cb>Lord of the Flies\u003c/b> style. \u003cb>Survivor\u003c/b> is a microcosm of avarice, which is not only celebrated but also rewarded. You get a million dollars for being the biggest back-stabbing jerk you can be! I propose a another “twist”, I propose a million dollars be rewarded to the viewer who survives yet another ridiculous season of \u003cb>Survivor\u003c/b>.\u003c/p>\n\n",
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"excerpt": "The other day I saw an ad for the twelfth season of \u003ca href=\"http://www.cbs.com/primetime/survivor12\">\u003cb>Survivor\u003c/b>\u003c/a> based in Panama. This time there's a \"twist\" and every week a member of the \"tribe\" will get sent to something called Exile Island. For the span of a television season, a swarthy group of sixteen middle class, mostly Caucasian, participants will pretend to live as if they were truly destitute. They will have to actually -- gasp! -- fend for themselves AND play group games for the chance to win a million US dollars.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The other day I saw an ad for the twelfth season of \u003ca href=\"http://www.cbs.com/primetime/survivor12\">\u003cb>Survivor\u003c/b>\u003c/a> based in Panama. This time there’s a “twist” and every week a member of the “tribe” will get sent to something called Exile Island. For the span of a television season, a swarthy group of sixteen middle class, mostly Caucasian, participants will pretend to live as if they were truly destitute. They will have to actually — gasp! — fend for themselves AND play group games for the chance to win a million US dollars.\u003c/p>\n\u003cp>I can see marketing material for potential participants now: Yes, you too, can learn to live like you were truly poor AND have a chance at winning a million dollars! That’s not surviving. That’s like going on a poverty vacation. Furthermore, in some circles that’s called “detox”. Here’s a reality check: those who are really poor just stay that way; they don’t win nothin’.\u003c/p>\n\u003cp>And why do these folks have to go all the way to Panama? If it’s supposed to be REALITY TV why not make it interesting? Why not drop them off in the middle of the South Bronx? Without any money. Or clothes. Better yet, why not drop them in the favelas of Rio de Janeiro? Or the slums of Calcutta? Or the shantytowns/townships outside Johannesburg where AIDS has ravaged whole populations? Now that’s REAL surviving. Day One’s task could consist of contestants running around trying not to get shot as they found a way to clothe themselves and begged for money and food. But I guess America’s viewing public wouldn’t want to see something like that; it would hit too close too home. They would rather watch an artificial environment of abjectness be created than witness the real thing.\u003c/p>\n\u003cp>If one of our intrepid, Machiavellian contestants could make it out of one of these places alive, they would deserve the million dollars. Which raises the question: what is TRUE survival? Is it being shipped via private jet courtesy of CBS studios to some tropical paradise and hanging out for several weeks while cameras watched your every move? Is it getting voted off and making rounds on the talk show circuit and then, if you’re lucky, landing a bit part in some B-minus comedy alongside an old SNL cast member? Is it actually winning the million dollars and, after thirty percent of it gets taken away by the government, getting to buy a new S.U.V., getting some massages and eating your weight in McDonald’s? Is that survival? I think not.\u003c/p>\n\u003cp>Is this the best we can come up with? On one channel you have model wannabes eating worms and swimming around vats of cow innards trying to fish out sheep testicles with their teeth for a million dollars while on another channel you have some surgically-enhanced narcissists trying to score a lifemate as well as a million dollars. True survival is living with starvation, disease, poverty, crime, a disability, overwhelming social and cultural obstacles etc. and living to see the next day without succumbing to the perils and addictions around you. The person who deserves that million dollars is someone who makes it out of these communities intact. Not some office manager or stock broker or performance artist who took some time off of their day job so that they could yuck it up on national television.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Shows like \u003cb>Survivor\u003c/b> are a true example of all the ridiculous ways in which the bourgeoisie like to amuse themselves. Their lives aren’t really all that bad so they seek ways in which to make it more “exciting”. Is \u003cb>Survivor\u003c/b> the gladiatorial spectacle of our day? Is it a slice of voyeuristic suffering for the masses so that we are appeased enough not to analyze the current social and political issues? Is reality TV the new opium of the masses?\u003c/p>\n\u003cp>If you were really starving and if you were really homeless, you wouldn’t have a need to go through it for entertainment purposes. If you were from an actual slum living in these conditions, you wouldn’t need to be thrown on some island in order to prove how you could “survive”. If our forefathers hadn’t destroyed ninety percent of the indigenous culture when they settled this land maybe these people wouldn’t have to go all the way to Panama to experience the dynamics of being in a tribe; the \u003cb>Survivor: South Bronx\u003c/b> edition would have people placed in actual gangs.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Moreover, \u003cb>Survivor\u003c/b> celebrates the absolute worst in people. Instead of encouraging contestants to band together in the face of adversity and build a solid, supportive community, they are pitted against one another in true \u003cb>Lord of the Flies\u003c/b> style. \u003cb>Survivor\u003c/b> is a microcosm of avarice, which is not only celebrated but also rewarded. You get a million dollars for being the biggest back-stabbing jerk you can be! I propose a another “twist”, I propose a million dollars be rewarded to the viewer who survives yet another ridiculous season of \u003cb>Survivor\u003c/b>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>I don’t get much time to watch TV. Don’t get me wrong, I love TV. I love daytime TV, I love celebrity gossip TV, I love VH1 countdowns, I love Seinfeld reruns, I love just about anything except prime time TV, because that usually blows. And that’s a good thing, because by the time we get the kid to bed, do the dishes, return e-mails and whatnot, we’re lucky if we can catch one late-night Simpsons before we conk out. That is, if we’re both not into the books we’re currently reading. Or if there’s not an Us Weekly magazine lying around to capture my attention like a little cat toy with a bell inside. Oooh, pictures of Paris Hilton — ding-a-ling-a-ling…\u003c/p>\n\u003cp>[aside tag='fashion, dance' count=5 title='Fashion Coverage' sites='arts, news']\u003c/p>\n\u003cp>The thing I love the most about TV these days is the DVD releases of seasons of shows that I never got to watch when they were on. Especially all those killer HBO shows like Six Feet Under (oh, wherefore art thou Season Five, I’m dying out here!) and Curb Your Enthusiasm. I am currently obsessed with Season One of Lost, but as I am only halfway through it (and jonesing til the weekend when we can dive back in and stay up til 1 a.m. with reckless abandon), that gushing review will have to wait. But let me tell you one other fantastic thing about TV: \u003cb>Project Runway\u003c/b>.\u003c/p>\n\u003cp>The advantage of getting hooked on a Bravo series is that they are usually on late at night, after the kids go to bed, and they rerun the current episode ad nauseum for the entire week so you never feel like you’re gonna get screwed if you miss one. Since I would never invest in a Tivo, this is extremely generous of Bravo. Season Two of \u003cb>Project Runway\u003c/b> just started, and trust me, now is the time to dive in and get hooked. It totally rules.\u003c/p>\n\u003cp>[pullquote size=small align=right citation=\"Jason Herring, Avid Fan\"]The advantage of getting hooked on a Bravo series is that they are usually on late at night, after the kids go to bed, and they rerun the current episode ad nauseum for the entire week so you never feel like you’re gonna get screwed if you miss one.[/pullquote]\u003c/p>\n\u003cp>I stumbled upon \u003cb>Project Runway\u003c/b> last time around just by accident, and was completely sucked in by the format of it. Unlike most reality shows, which consist of beautiful people either trying to sing, eat gross stuff, win a bunch of money or get married, this one is about ART. The participants on this show are aspiring (or already successful) fashion designers competing for the chance to show their designs at Fashion Week and win some cash to start their own line. So, assuming you like fashion (which I do, even though my hips and thighs preclude me from ever participating in such nonsense), and assuming you like arts & crafts and really quirky funny people, \u003cb>Project Runway\u003c/b> is for you.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Even though the show is hosted by annoying but endearing supermodel Heidi Klum, with her chirpy, Germanic catch phrase “Either you’re in, or you’re out,” and judged by such middling luminaries as designer Michael Kors, the bitchy editor of Elle magazine, and soggy guest judges like Diane von Furstenberg, the contestants are usually incredibly creative and driven people. Most of the show is spent watching them work furiously in the Parsons School of Design fashion workroom under the watchful eye of Parsons fashion guru Tim Gunn, who basically storms in shouting “15 minutes people!” or stands behind them as they work and says really evil things like “I don’t see where you’re going with this,” just to totally stress them out. I love Tim Gunn. Meanwhile these poor souls are designing clothes with crazy limitations set on them like: use only materials found in a grocery store! Or: must double as a functional swimsuit and an evening gown!\u003c/p>\n\u003cp>The contestants on Season One were so captivating in their confidence, their sense of style, and their work ethics that I was entranced by them, especially Austin Scarlett, the swishy femme boy with full face make-up and attitude to burn. And Kara Saun, the no-nonsense hot mama designer from LA who looked like she was gonna win until — she CHEATED! By commissioning a bunch of fancy shoes for her final show that were not part of her budget! And the winner of last season, Jay McCarroll, whose running catty commentary throughout the season, coupled with his wacky hats, pudgy build, and amazing designs, really kept it all together. I’m so glad he won.\u003c/p>\n\u003cp>This year appears to be just as cool, if not better, than last year. My front-runner so far has got to be Santino, who in my opinion is HOT HOT HOT, and even if he’s knock-down drag out gay, I am glad to have a contestant I can lust after. He is about 8 feet tall with greasy black hair and a weird biker/rocker/gypsy look that I find thoroughly delicious. There’s even a bit of nail-biting action as the simpy contestant who got cut first last year, Daniel the tailor, is back for another beating.\u003c/p>\n\u003cp>In addition to the designers, there are of course, as always in fashion — models! These models get cut from the show as the designers get cut, and although they don’t get much camera time (thank god), they do add a bit of pathos to the proceedings, since they’re so damn skinny and stupid. Hooray for models.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>So please do yourself a favor and check it out. New episodes air Wednesdays at 10 pm on Bravo. And every other day and hour after that til the next one airs. Thanks, Bravo. You’re in. You may leave the runway.\u003c/p>\n\n",
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"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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"order": 8
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},
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
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"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"order": 9
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"hidden-brain": {
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"airtime": "SUN 7pm-8pm",
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"airtime": "SUN 7:30pm-8pm",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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