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"content": "\u003cp>Reality, as Robin Williams observed through the haze of 1970s smoke and fame, is a heckuva concept. On its bad days, reality bites (to cite another pop-culture reference), and on its good days it’s stranger than fiction. It’s the inspiration for reality TV, though that relationship has devolved into a barely nodding acquaintance.\u003c/p>\n\u003cp>Documentary filmmakers likewise start with real life, then massage and manipulate it into a story for our edification and entertainment. (It frequently comes with a chaser of social activism.) One of the strongest aspects of \u003ca href=\"http://ww2.kqed.org/trulyca/\" target=\"_blank\" rel=\"noopener\">Truly CA\u003c/a>, KQED’s long-running series of nonfiction works by and about Golden State characters, is that it presents an array of cinematic approaches and strategies that gently forces viewers to recognize the pervasiveness of subjective truth — the product of each filmmaker’s multitude of choices — in what is still perceived by some as an objective medium.\u003c/p>\n\u003cfigure id=\"attachment_11035275\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/10/LDOF640.jpg\" alt=\"Still from 'Last Day of Freedom.'\" width=\"640\" height=\"361\" class=\"size-full wp-image-11035275\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/10/LDOF640.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/10/LDOF640-400x226.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Last Day of Freedom.’ \u003ccite>(Courtesy: Dee Hibbert-Jones and Nomi Talisman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Now you may be attracted to documentaries for their content rather than their form, for the story rather than the storytelling, but experienced viewers recognize that one informs the other. Dee Hibbert-Jones and Nomi Talisman’s extraordinary \u003cem>\u003ca href=\"http://ww2.kqed.org/trulyca/last-day-of-freedom/\" target=\"_blank\" rel=\"noopener\">Last Day of Freedom\u003c/a>\u003c/em>, which began the Truly CA season on Oct. 25, uses spare animation and Fred Frith’s solo guitar to convey Bill Babbitt’s haunted memories of his brother Manny, a Vietnam vet tormented by PTSD. “They never got around to patching up that wound in his head,” Babbitt recalls in the course of a deeply personal and altogether riveting 27 minutes.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=seOHk4rCMZQ\u003c/p>\n\u003cp>The short documentary is generally underappreciated, although it operates from the irresistible premise that everybody possesses sufficient uniqueness and substance to sustain a five-minute film (at the very least). You’ll have your favorites among the five shorts airing Nov. 1 under the inviting rubric “State of Discovery,” though the hands-down creepiest is Yael Bridge and Helen Hood Scheer’s \u003cem>\u003ca href=\"http://ww2.kqed.org/trulyca/reborning/\" target=\"_blank\" rel=\"noopener\">Reborning\u003c/a>\u003c/em>, an open-ended introduction to a woman who handcrafts incredibly lifelike dolls for collectors. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Scheer’s equally non-judgmental \u003cem>\u003ca href=\"http://ww2.kqed.org/trulyca/full-time-ministry/\" target=\"_blank\" rel=\"noopener\">Full-time Ministry\u003c/a>\u003c/em> sketches a former ministry student (now a Fresno high school teacher) who infuses his ice sculptures with the gospel.\u003c/p>\n\u003cp>A great deal of skill and craft is brought to bear in \u003ca href=\"http://ww2.kqed.org/trulyca/slomo/\" target=\"_blank\" rel=\"noopener\">\u003cem>SLOMO\u003c/em>\u003c/a>, a 16-minute profile of a wealthy North Carolina doctor who chucked the rat race and took up rollerblading in Southern California nearly two decades ago. But filmmaker Josh Izenberg’s hubris — a heavy-handed shot of a hamster on a wheel is one of several offenses — overwhelms his subject’s humility.\u003c/p>\n\u003cp>Nick Brandestini’s hour-long \u003cem>\u003ca href=\"http://ww2.kqed.org/trulyca/darwin/\" target=\"_blank\" rel=\"noopener\">Darwin\u003c/a>\u003c/em> (Nov. 8), unseen by your otherwise-diligent correspondent, camps out with the tiny populace of an isolated Death Valley town (if that’s not too grandiose a word for this dwindling outpost of civilization).\u003c/p>\n\u003cfigure id=\"attachment_11035280\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/10/BIGJOY640.jpg\" alt=\"Still from 'Big Joy.'\" width=\"640\" height=\"461\" class=\"size-full wp-image-11035280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/10/BIGJOY640.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/10/BIGJOY640-400x288.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Big Joy.’ \u003ccite>(Credit: Dawn Lagsdon and Eric Slade/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Closer to home, Dawn Lodgson, Eric Slade and Stephen Silha’s \u003cem>\u003ca href=\"http://ww2.kqed.org/trulyca/big-joy/\" target=\"_blank\" rel=\"noopener\">Big Joy: The Adventures of James Broughton\u003c/a>\u003c/em> (Nov. 15) revives the spirit and philosophy of the late, great Bay Area experimental filmmaker, poet and inspiration. A hit at the 2013 Frameline festival, the film is an exuberantly offbeat portrait of a free spirit who brushed off the prejudices of the day against homosexuality and bisexuality. \u003c/p>\n\u003cfigure id=\"attachment_11035283\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/10/FirstFriday40.jpg\" alt=\"Still from 'First Friday.'\" width=\"640\" height=\"427\" class=\"size-full wp-image-11035283\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/10/FirstFriday40.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/10/FirstFriday40-400x267.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘First Friday.’ \u003ccite>(Courtesy: Mario Furloni and N’Jeri Eaton/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Bouncing a poet’s sensibility against the crashing reality of present-day Oakland, N’Jeri Eaton and Mario Furloni’s \u003cem>\u003ca href=\"http://ww2.kqed.org/trulyca/first-friday/\" target=\"_blank\" rel=\"noopener\">First Friday\u003c/a>\u003c/em> closes the season on Nov. 22 with a rush. Shot on the streets, and shot through with optimism, this vibrant, pulsing film uses First Friday — a social event intended to build community and promote the local arts scene — as a hub for the many residents working toward a better future for Oakland. What a concept, eh?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Season 11 of Truly CA runs Oct. 25 – Nov. 22 on KQED.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Reality, as Robin Williams observed through the haze of 1970s smoke and fame, is a heckuva concept. On its bad days, reality bites (to cite another pop-culture reference), and on its good days it’s stranger than fiction. It’s the inspiration for reality TV, though that relationship has devolved into a barely nodding acquaintance.\u003c/p>\n\u003cp>Documentary filmmakers likewise start with real life, then massage and manipulate it into a story for our edification and entertainment. (It frequently comes with a chaser of social activism.) One of the strongest aspects of \u003ca href=\"http://ww2.kqed.org/trulyca/\" target=\"_blank\" rel=\"noopener\">Truly CA\u003c/a>, KQED’s long-running series of nonfiction works by and about Golden State characters, is that it presents an array of cinematic approaches and strategies that gently forces viewers to recognize the pervasiveness of subjective truth — the product of each filmmaker’s multitude of choices — in what is still perceived by some as an objective medium.\u003c/p>\n\u003cfigure id=\"attachment_11035275\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/10/LDOF640.jpg\" alt=\"Still from 'Last Day of Freedom.'\" width=\"640\" height=\"361\" class=\"size-full wp-image-11035275\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/10/LDOF640.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/10/LDOF640-400x226.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Still from ‘Last Day of Freedom.’ \u003ccite>(Courtesy: Dee Hibbert-Jones and Nomi Talisman/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Now you may be attracted to documentaries for their content rather than their form, for the story rather than the storytelling, but experienced viewers recognize that one informs the other. Dee Hibbert-Jones and Nomi Talisman’s extraordinary \u003cem>\u003ca href=\"http://ww2.kqed.org/trulyca/last-day-of-freedom/\" target=\"_blank\" rel=\"noopener\">Last Day of Freedom\u003c/a>\u003c/em>, which began the Truly CA season on Oct. 25, uses spare animation and Fred Frith’s solo guitar to convey Bill Babbitt’s haunted memories of his brother Manny, a Vietnam vet tormented by PTSD. “They never got around to patching up that wound in his head,” Babbitt recalls in the course of a deeply personal and altogether riveting 27 minutes.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/seOHk4rCMZQ'\n title='//www.youtube.com/embed/seOHk4rCMZQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The short documentary is generally underappreciated, although it operates from the irresistible premise that everybody possesses sufficient uniqueness and substance to sustain a five-minute film (at the very least). You’ll have your favorites among the five shorts airing Nov. 1 under the inviting rubric “State of Discovery,” though the hands-down creepiest is Yael Bridge and Helen Hood Scheer’s \u003cem>\u003ca href=\"http://ww2.kqed.org/trulyca/reborning/\" target=\"_blank\" rel=\"noopener\">Reborning\u003c/a>\u003c/em>, an open-ended introduction to a woman who handcrafts incredibly lifelike dolls for collectors. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Hey, kids! Have you heard about the tech industry? Did you know that it has made a lot of people a whole bunch of money over the past decade? Did you know that many of those people are very young -- some of them still in their teens?\u003c/p>\n\u003cp>This is, ostensibly, the entire premise for a TV show currently in the works called \u003cem>In the Wild\u003c/em>, which promises to chronicle \"the almost-adult lives of the industry’s newest recruits as they learn how to live on their own for the first time while navigating the high stakes VC tech world,\" \u003ca href=\"http://deadline.com/2015/10/matt-reeves-20th-tv-overall-deal-in-the-wild-fox-drama-natalie-krinsky-1201587937/\" target=\"_blank\">according to \u003cem>Deadline\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>The series is brought to you by showrunner Matthew Reeves -- a co-creator, alongside J.J. Abrams, of the late, great love-triangle-and-drastic-haircut vehicle known as \u003cem>Felicity \u003c/em>-- and will be based in part on a story that California Sunday magazine published this past June, \u003ca href=\"https://stories.californiasunday.com/2015-06-07/real-teenagers-silicon-valley/\" target=\"_blank\">titled \u003c/a>\u003cem>\u003ca href=\"https://stories.californiasunday.com/2015-06-07/real-teenagers-silicon-valley/\" target=\"_blank\">The Real Teens of Silicon Valley\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>Now, that story was well-written, a sharp-eyed look at some of the youngest players in tech -- many of them high-school dropouts -- and the bubble-ensconced, frat-like San Francisco they inhabit. Tech writer Nellie Bowles documented these kids' more noxious behaviors as well as their potential for being taken advantage of and their lack of self-awareness, in many instances, with empathy and understanding. She deftly identified that \"There is something odd about this fetishization of teen talent and how far venture capitalists will go to get it, as well as how skeptical they can be of anyone over 25, given the fact that most billion-dollar startups today — Uber, WhatsApp, Slack — were founded by seasoned adults.\"\u003c/p>\n\u003cp>It's a good story, but somehow, I'm not seeing that nuance translating so easily into a TV show. For one, doesn't the fact that the entertainment industry even has the demand for yet another show about tech workers smack of fetishization? \u003ca href=\"https://www.amazon.com/gp/product/B00CDBX1PA/?ie=UTF8&redirect=true\" target=\"_blank\">Amazon's \u003cem>Betas\u003c/em>\u003c/a> lasted a whopping 11 episodes before getting canned, while the jury's still out on whether or not \u003ca href=\"http://ww2.kqed.org/arts/2015/06/04/is-94110-san-franciscos-techie-tv-drama-just-performance-art/\" target=\"_blank\">\u003cem>94110\u003c/em> is high-concept trolling or an actual show\u003c/a>. Meanwhile, \u003cem>Silicon Valley\u003c/em> is a success mainly, arguably, because Mike Judge is a genius of a talent, and has crafted \u003ca href=\"http://www.modernluxury.com/san-francisco/story/freaks-of-the-industry\" target=\"_blank\">a universe that reads to tech outsiders like mockery and to insiders like, well, in-jokes\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>More to the point: Is anyone else just a little bit perplexed by what seems like this mass assumption that we all find the lives of startup workers inherently fascinating? They're making money, yes, which is one ingredient for good drama. And this show, in particular, is focusing on the youth element -- always nice for ratings. But beyond that, truly, what gives? It's a profession that literally involves staring at a screen all day.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If you have an insatiable need for shows about tech bros, and would like to explain it to me, I'm all ears. Until then: Here's hoping Reeves finds the tech equivalent of a \u003ca href=\"http://ww2.kqed.org/pop/2014/04/29/felicitys-ben-or-noel-conundrum-how-the-side-you-took-predicted-your-entire-love-life/\" target=\"_blank\">Ben/Noel dichotomy\u003c/a> to play with. I ain't holdin' my breath.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Hey, kids! Have you heard about the tech industry? Did you know that it has made a lot of people a whole bunch of money over the past decade? Did you know that many of those people are very young -- some of them still in their teens?\u003c/p>\n\u003cp>This is, ostensibly, the entire premise for a TV show currently in the works called \u003cem>In the Wild\u003c/em>, which promises to chronicle \"the almost-adult lives of the industry’s newest recruits as they learn how to live on their own for the first time while navigating the high stakes VC tech world,\" \u003ca href=\"http://deadline.com/2015/10/matt-reeves-20th-tv-overall-deal-in-the-wild-fox-drama-natalie-krinsky-1201587937/\" target=\"_blank\">according to \u003cem>Deadline\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>The series is brought to you by showrunner Matthew Reeves -- a co-creator, alongside J.J. Abrams, of the late, great love-triangle-and-drastic-haircut vehicle known as \u003cem>Felicity \u003c/em>-- and will be based in part on a story that California Sunday magazine published this past June, \u003ca href=\"https://stories.californiasunday.com/2015-06-07/real-teenagers-silicon-valley/\" target=\"_blank\">titled \u003c/a>\u003cem>\u003ca href=\"https://stories.californiasunday.com/2015-06-07/real-teenagers-silicon-valley/\" target=\"_blank\">The Real Teens of Silicon Valley\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>Now, that story was well-written, a sharp-eyed look at some of the youngest players in tech -- many of them high-school dropouts -- and the bubble-ensconced, frat-like San Francisco they inhabit. Tech writer Nellie Bowles documented these kids' more noxious behaviors as well as their potential for being taken advantage of and their lack of self-awareness, in many instances, with empathy and understanding. She deftly identified that \"There is something odd about this fetishization of teen talent and how far venture capitalists will go to get it, as well as how skeptical they can be of anyone over 25, given the fact that most billion-dollar startups today — Uber, WhatsApp, Slack — were founded by seasoned adults.\"\u003c/p>\n\u003cp>It's a good story, but somehow, I'm not seeing that nuance translating so easily into a TV show. For one, doesn't the fact that the entertainment industry even has the demand for yet another show about tech workers smack of fetishization? \u003ca href=\"https://www.amazon.com/gp/product/B00CDBX1PA/?ie=UTF8&redirect=true\" target=\"_blank\">Amazon's \u003cem>Betas\u003c/em>\u003c/a> lasted a whopping 11 episodes before getting canned, while the jury's still out on whether or not \u003ca href=\"http://ww2.kqed.org/arts/2015/06/04/is-94110-san-franciscos-techie-tv-drama-just-performance-art/\" target=\"_blank\">\u003cem>94110\u003c/em> is high-concept trolling or an actual show\u003c/a>. Meanwhile, \u003cem>Silicon Valley\u003c/em> is a success mainly, arguably, because Mike Judge is a genius of a talent, and has crafted \u003ca href=\"http://www.modernluxury.com/san-francisco/story/freaks-of-the-industry\" target=\"_blank\">a universe that reads to tech outsiders like mockery and to insiders like, well, in-jokes\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cstrong>Update (January 29, 2016):\u003c/strong> It's official!!! Netflix just confirmed this poorly held secret by tweeting a Gilmore Girls meme.\u003c/p>\n\u003cp>https://twitter.com/netflix/status/693193719046995968\u003c/p>\n\u003cp>And Lauren Graham a.k.a. Lorelai a.k.a. small-time klepto also confirmed the good news:\u003c/p>\n\u003cp>https://twitter.com/thelaurengraham/status/693193513287049216\u003c/p>\n\u003cp>The brand new four-episode series tentatively titled \u003cem>Gilmore Girls: Seasons\u003c/em> begins filming next week!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Original post:\u003c/strong>\u003c/p>\n\u003cp>The day \u003cem>Gilmore Girls\u003c/em> fans have waited for is here at last! \u003ca href=\"http://tvline.com/2015/10/19/gilmore-girls-revival-netflix-new-episodes/\" target=\"_blank\">Netflix is bringing\u003c/a> the beloved series back for a limited run. I repeat, NETFLIX IS BRINGING \u003cem>GILMORE GIRLS\u003c/em> BACK!!!\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/10/gilmoregirlsgif.gif\">\u003cimg class=\"aligncenter size-full wp-image-18588\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/10/gilmoregirlsgif.gif\" alt=\"gilmoregirlsgif\" width=\"317\" height=\"183\">\u003c/a>\u003c/p>\n\u003cp>Word on the street is that it'll be in the form of four 90 minute mini-movies. And show-runner Amy Sherman-Palladino will return to pen the proper ending (due to contract drama, she did not work on the show's final (wack) season). This means that fans will finally get to hear the fabled last four words, which Sherman-Palladino knew would end the show from before it even made it on air.\u003c/p>\n\u003cp>Someone pinch me! Or, better yet, get me a paper bag to breathe into.\u003c/p>\n\u003cp>If you don't know what to do with all the\u003cem> Gilmore Girls\u003c/em> love coursing through your veins right now, consider binge watching the best episodes of the show:\u003c/p>\n\u003cp>\u003ca class=\"embedly-card\" href=\"http://ww2.kqed.org/pop/2014/10/01/gilmore-girls-netflix-10-best-episodes-binge-watch-marathon/\">Gilmore Girls On Netflix: 10 Best Episodes to Binge Watch\u003c/a>\u003c/p>\n\u003cp>Or read all about how I travelled almost 2,000 miles to see the cast reunite at this year's ATX Festival:\u003c/p>\n\u003cp>\u003ca class=\"embedly-card\" href=\"http://ww2.kqed.org/pop/2015/06/08/gilmore-girls-everything-you-missed-at-the-atx-festival-reunion/\">Gilmore Girls: Everything You Missed at the ATX Festival Reunion\u003c/a>\u003c/p>\n\u003cp>And, if you're one of the writers on this new mini-season, you can find my notes on what should and shouldn't happen here:\u003c/p>\n\u003cp>\u003ca class=\"embedly-card\" href=\"http://ww2.kqed.org/pop/2015/05/29/gilmore-girls-what-we-need-from-the-rumored-new-season-or-movie/\">Gilmore Girls: What the Rumored New Season or Movie Should & Shouldn't Do\u003c/a>\u003c/p>\n\u003cp>And this post would not be complete without this gif:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/08/tumblr_ml252mhGRm1qedlsro1_250.gif\">\u003cimg class=\"aligncenter size-full wp-image-7698\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/08/tumblr_ml252mhGRm1qedlsro1_250.gif\" alt=\"beyonce god is real\" width=\"245\" height=\"193\">\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Original post:\u003c/strong>\u003c/p>\n\u003cp>The day \u003cem>Gilmore Girls\u003c/em> fans have waited for is here at last! \u003ca href=\"http://tvline.com/2015/10/19/gilmore-girls-revival-netflix-new-episodes/\" target=\"_blank\">Netflix is bringing\u003c/a> the beloved series back for a limited run. I repeat, NETFLIX IS BRINGING \u003cem>GILMORE GIRLS\u003c/em> BACK!!!\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/10/gilmoregirlsgif.gif\">\u003cimg class=\"aligncenter size-full wp-image-18588\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/10/gilmoregirlsgif.gif\" alt=\"gilmoregirlsgif\" width=\"317\" height=\"183\">\u003c/a>\u003c/p>\n\u003cp>Word on the street is that it'll be in the form of four 90 minute mini-movies. And show-runner Amy Sherman-Palladino will return to pen the proper ending (due to contract drama, she did not work on the show's final (wack) season). This means that fans will finally get to hear the fabled last four words, which Sherman-Palladino knew would end the show from before it even made it on air.\u003c/p>\n\u003cp>Someone pinch me! Or, better yet, get me a paper bag to breathe into.\u003c/p>\n\u003cp>If you don't know what to do with all the\u003cem> Gilmore Girls\u003c/em> love coursing through your veins right now, consider binge watching the best episodes of the show:\u003c/p>\n\u003cp>\u003ca class=\"embedly-card\" href=\"http://ww2.kqed.org/pop/2014/10/01/gilmore-girls-netflix-10-best-episodes-binge-watch-marathon/\">Gilmore Girls On Netflix: 10 Best Episodes to Binge Watch\u003c/a>\u003c/p>\n\u003cp>Or read all about how I travelled almost 2,000 miles to see the cast reunite at this year's ATX Festival:\u003c/p>\n\u003cp>\u003ca class=\"embedly-card\" href=\"http://ww2.kqed.org/pop/2015/06/08/gilmore-girls-everything-you-missed-at-the-atx-festival-reunion/\">Gilmore Girls: Everything You Missed at the ATX Festival Reunion\u003c/a>\u003c/p>\n\u003cp>And, if you're one of the writers on this new mini-season, you can find my notes on what should and shouldn't happen here:\u003c/p>\n\u003cp>\u003ca class=\"embedly-card\" href=\"http://ww2.kqed.org/pop/2015/05/29/gilmore-girls-what-we-need-from-the-rumored-new-season-or-movie/\">Gilmore Girls: What the Rumored New Season or Movie Should & Shouldn't Do\u003c/a>\u003c/p>\n\u003cp>And this post would not be complete without this gif:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/08/tumblr_ml252mhGRm1qedlsro1_250.gif\">\u003cimg class=\"aligncenter size-full wp-image-7698\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/08/tumblr_ml252mhGRm1qedlsro1_250.gif\" alt=\"beyonce god is real\" width=\"245\" height=\"193\">\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>For the past 12 years, I've had a love/hate/love again relationship with \u003cem>America's Next Top Model\u003c/em>. It was pure head-over-ten-inch-heels love in the beginning. I learned how to not look super ugly in photographs. I worked on my signature walk. I mastered the art of smizing. But then Tyra and the judges started making decisions that made no sense (never bring up Saleisha's win to me because I will probably throw something or cry or both). I took to calling Ms. Banks Tyrant. For mental health reasons, I had to quit the show for some time.\u003c/p>\n\u003cp>I eventually made peace with the fact that \u003cem>ANTM\u003c/em> isn't really about who's the best at modeling. With a few exceptions (Analeigh and YaYa, I see you), most contestants don't really go on to do much. Once I stopped taking the competition so seriously and embraced it for what it is — a fun, cheesy visual morsel of escapism—I was back in love.\u003c/p>\n\u003cp>So I was pretty devastated when I found out (in a sad post office of all places!) that the current season would be the show's last. After spending the last day or so smizing into the sky and yelling WHY?!?, I am finally ready to move to the next stage of grief: thankful acceptance.\u003c/p>\n\u003cp>Here are 14 \u003cem>ANTM\u003c/em> moments from the last 22 seasons that will live in my heart forever and ever:\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-18513\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/10/denzel2.jpg\" alt=\"denzel2\" width=\"560\" height=\"375\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/10/denzel2.jpg 560w, https://ww2.kqed.org/app/uploads/sites/12/2015/10/denzel2-400x268.jpg 400w\" sizes=\"(max-width: 560px) 100vw, 560px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Denzel's weave beard. Yep, you read that corrently. Tyra gave this dude a weave...on his face! Later on in the season, he turned out to be \u003ca href=\"https://www.youtube.com/watch?v=SUDSaRXng9I\" target=\"_blank\">pretty homophobic\u003c/a> so he had it coming!\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/10/tumblr_mvx02kmmpo1r4ak4to1_250.gif\">\u003cimg class=\"aligncenter size-medium wp-image-18516\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/10/tumblr_mvx02kmmpo1r4ak4to1_250.gif\" alt=\"tumblr_mvx02kmmpo1r4ak4to1_250\" width=\"245\" height=\"184\">\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/10/tumblr_m7qz1xc6Jr1r1okmxo4_250.gif\">\u003cimg class=\"aligncenter size-full wp-image-18515\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/10/tumblr_m7qz1xc6Jr1r1okmxo4_250.gif\" alt=\"tumblr_m7qz1xc6Jr1r1okmxo4_250\" width=\"245\" height=\"184\">\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=lKd5heULJGY\u003c/p>\n\u003cp>Jade, the self-professed \"biracial butterfly\" / \"undiscovered supermodel,\" was the love-to-hate villain of her season. She was constantly feeling herself and nobody else. Her delusion and unshakable confidence were troubling and inspiring at the same time. I will always be thankful to Tyra for bringing her into my life.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=yhnL5Zi1zGM\u003c/p>\n\u003cp>There are two ways to announce an acting challenge. A. Just say \"Hey, your next challenge is acting!\" B. Pretend to collapse and freak everyone out. Which option do you think Tyra went for?\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=WrjDzgBxHNI\u003c/p>\n\u003cp>Actually, basically any time Tyra acted was pretty great, like when she pretended to be a deranged diva (Naomi shade, anyone?).\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/10/war.jpg.gif\">\u003cimg class=\"aligncenter size-full wp-image-18518\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/10/war.jpg.gif\" alt=\"war.jpg\" width=\"350\" height=\"250\">\u003c/a>\u003c/p>\n\u003cp>When Russian Natasha brought her tantrum-throwing American competitor down to Earth by reminding her that some people have war in their countries.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=sc54Vu22RYE\u003c/p>\n\u003cp>The models travel to an exotic location every season. During All Stars, they flew to Greece, where the contestants were forced to lie under the hot burning sun in a huge salad bowl of tomatoes, cucumbers and huge blocks of feta cheese, while dousing themselves in olive oil. Only a mad genius could come up with such a bizarre/brilliant concept. Bless you, Tyra and/or random under-appreciated \u003cem>ANTM\u003c/em> producer.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=gtFwT5IteLo\u003c/p>\n\u003cp>If hangry was personified into a minute and a half YouTube clip, it would be this one.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=IdUF53bHXGM\u003c/p>\n\u003cp>\u003cem>ANTM\u003c/em> tried to spice up their template a few times. Short girls! College girls! British girls! One of the contestants from the latter category couldn't stand the heat and stormed out of that kitchen in an expletive blaze of glory and waltzed right into \u003cem>Top Model\u003c/em> herstory.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=IxcCvtlPPgs\u003c/p>\n\u003cp>I don't like this moment one bit, but it's one I'll never forget. A contestant is taking the judges' feedback in and then faints backward really hard, spooking even Tyra.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=EfV5UZjpog0\u003c/p>\n\u003cp>Sobbing when anyone mentions your mom who's completely fine and just chilling at home is normal, right? For Victoria, it is.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ZCzNbeb4hYM\u003c/p>\n\u003cp>I still have PTSD from watching Shandi have to tell her boyfriend that she cheated on him with some hot Italian dude.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Yq8bxiN90ho\u003c/p>\n\u003cp>Tyra forced the models to write original songs and work in the term \"Potledom\" (Top Model smelled backwards). Despite that tall order, Allison produced a legit bop.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/10/p5kFddX.gif\">\u003cimg class=\"aligncenter size-full wp-image-18519\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/10/p5kFddX.gif\" alt=\"p5kFddX\" width=\"160\" height=\"200\">\u003c/a>\u003c/p>\n\u003cp>When Lisa peed in a diaper for no good reason.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=m6Shpn5WCFs\u003c/p>\n\u003cp>And obviously the single most important moment in \u003cem>ANTM\u003c/em> history—and maybe U.S. history in general—is when Tyra snapped and let Tiffany have it, launching more gifs than the Internet even knows what to do with.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Thanks for the memories, Tyra. We will miss you and \u003cem>ANTM\u003c/em> always.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>For the past 12 years, I've had a love/hate/love again relationship with \u003cem>America's Next Top Model\u003c/em>. It was pure head-over-ten-inch-heels love in the beginning. I learned how to not look super ugly in photographs. I worked on my signature walk. I mastered the art of smizing. But then Tyra and the judges started making decisions that made no sense (never bring up Saleisha's win to me because I will probably throw something or cry or both). I took to calling Ms. Banks Tyrant. For mental health reasons, I had to quit the show for some time.\u003c/p>\n\u003cp>I eventually made peace with the fact that \u003cem>ANTM\u003c/em> isn't really about who's the best at modeling. With a few exceptions (Analeigh and YaYa, I see you), most contestants don't really go on to do much. Once I stopped taking the competition so seriously and embraced it for what it is — a fun, cheesy visual morsel of escapism—I was back in love.\u003c/p>\n\u003cp>So I was pretty devastated when I found out (in a sad post office of all places!) that the current season would be the show's last. After spending the last day or so smizing into the sky and yelling WHY?!?, I am finally ready to move to the next stage of grief: thankful acceptance.\u003c/p>\n\u003cp>Here are 14 \u003cem>ANTM\u003c/em> moments from the last 22 seasons that will live in my heart forever and ever:\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-18513\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/10/denzel2.jpg\" alt=\"denzel2\" width=\"560\" height=\"375\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/10/denzel2.jpg 560w, https://ww2.kqed.org/app/uploads/sites/12/2015/10/denzel2-400x268.jpg 400w\" sizes=\"(max-width: 560px) 100vw, 560px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Denzel's weave beard. Yep, you read that corrently. Tyra gave this dude a weave...on his face! Later on in the season, he turned out to be \u003ca href=\"https://www.youtube.com/watch?v=SUDSaRXng9I\" target=\"_blank\">pretty homophobic\u003c/a> so he had it coming!\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/10/tumblr_mvx02kmmpo1r4ak4to1_250.gif\">\u003cimg class=\"aligncenter size-medium wp-image-18516\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/10/tumblr_mvx02kmmpo1r4ak4to1_250.gif\" alt=\"tumblr_mvx02kmmpo1r4ak4to1_250\" width=\"245\" height=\"184\">\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/10/tumblr_m7qz1xc6Jr1r1okmxo4_250.gif\">\u003cimg class=\"aligncenter size-full wp-image-18515\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/10/tumblr_m7qz1xc6Jr1r1okmxo4_250.gif\" alt=\"tumblr_m7qz1xc6Jr1r1okmxo4_250\" width=\"245\" height=\"184\">\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/lKd5heULJGY'\n title='//www.youtube.com/embed/lKd5heULJGY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Jade, the self-professed \"biracial butterfly\" / \"undiscovered supermodel,\" was the love-to-hate villain of her season. She was constantly feeling herself and nobody else. Her delusion and unshakable confidence were troubling and inspiring at the same time. I will always be thankful to Tyra for bringing her into my life.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/yhnL5Zi1zGM'\n title='//www.youtube.com/embed/yhnL5Zi1zGM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>There are two ways to announce an acting challenge. A. Just say \"Hey, your next challenge is acting!\" B. Pretend to collapse and freak everyone out. Which option do you think Tyra went for?\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/WrjDzgBxHNI'\n title='//www.youtube.com/embed/WrjDzgBxHNI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Actually, basically any time Tyra acted was pretty great, like when she pretended to be a deranged diva (Naomi shade, anyone?).\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/10/war.jpg.gif\">\u003cimg class=\"aligncenter size-full wp-image-18518\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/10/war.jpg.gif\" alt=\"war.jpg\" width=\"350\" height=\"250\">\u003c/a>\u003c/p>\n\u003cp>When Russian Natasha brought her tantrum-throwing American competitor down to Earth by reminding her that some people have war in their countries.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/sc54Vu22RYE'\n title='//www.youtube.com/embed/sc54Vu22RYE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The models travel to an exotic location every season. During All Stars, they flew to Greece, where the contestants were forced to lie under the hot burning sun in a huge salad bowl of tomatoes, cucumbers and huge blocks of feta cheese, while dousing themselves in olive oil. Only a mad genius could come up with such a bizarre/brilliant concept. Bless you, Tyra and/or random under-appreciated \u003cem>ANTM\u003c/em> producer.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gtFwT5IteLo'\n title='//www.youtube.com/embed/gtFwT5IteLo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>If hangry was personified into a minute and a half YouTube clip, it would be this one.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/IdUF53bHXGM'\n title='//www.youtube.com/embed/IdUF53bHXGM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>ANTM\u003c/em> tried to spice up their template a few times. Short girls! College girls! British girls! One of the contestants from the latter category couldn't stand the heat and stormed out of that kitchen in an expletive blaze of glory and waltzed right into \u003cem>Top Model\u003c/em> herstory.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/IxcCvtlPPgs'\n title='//www.youtube.com/embed/IxcCvtlPPgs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>I don't like this moment one bit, but it's one I'll never forget. A contestant is taking the judges' feedback in and then faints backward really hard, spooking even Tyra.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/EfV5UZjpog0'\n title='//www.youtube.com/embed/EfV5UZjpog0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Sobbing when anyone mentions your mom who's completely fine and just chilling at home is normal, right? For Victoria, it is.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ZCzNbeb4hYM'\n title='//www.youtube.com/embed/ZCzNbeb4hYM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>I still have PTSD from watching Shandi have to tell her boyfriend that she cheated on him with some hot Italian dude.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Yq8bxiN90ho'\n title='//www.youtube.com/embed/Yq8bxiN90ho'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Tyra forced the models to write original songs and work in the term \"Potledom\" (Top Model smelled backwards). Despite that tall order, Allison produced a legit bop.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/10/p5kFddX.gif\">\u003cimg class=\"aligncenter size-full wp-image-18519\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/10/p5kFddX.gif\" alt=\"p5kFddX\" width=\"160\" height=\"200\">\u003c/a>\u003c/p>\n\u003cp>When Lisa peed in a diaper for no good reason.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/m6Shpn5WCFs'\n title='//www.youtube.com/embed/m6Shpn5WCFs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>And obviously the single most important moment in \u003cem>ANTM\u003c/em> history—and maybe U.S. history in general—is when Tyra snapped and let Tiffany have it, launching more gifs than the Internet even knows what to do with.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Thanks for the memories, Tyra. We will miss you and \u003cem>ANTM\u003c/em> always.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "What Would Julia Child Do? Jacques Pépin Says: Add More Butter",
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"content": "\u003cp>\u003cstrong>Listen to Weekend Edition Saturday:\u003c/strong>\u003cbr>\nhttp://pd.npr.org/anon.npr-mp3/npr/wesat/2015/10/20151003_wesat_what_would_julia_child_do_jacques_pepin_says_add_more_butter.mp3\u003c/p>\n\u003cp>Jacques Pépin says his new cookbook, \u003cem>Jacques Pépin: Heart and Soul in the Kitchen\u003c/em>, is an invitation to join him for dinner at his house. Of course, you'll have to do all the cooking — but you can use his recipes.\u003c/p>\n\u003cp>Pépin will turn 80 years old this year. He says this is one of his last cookbooks, and it's timed to coincide what he says is his final PBS show, airing this fall: \u003ca href=\"http://ww2.kqed.org/jpepinheart/\" target=\"_blank\">\u003cem>Jacques Pépin: Heart and Soul.\u003c/em>\u003c/a>\u003c/p>\n\u003cp>NPR's Scott Simon recently spoke with Pépin about his extraordinary and wide-ranging 60-year career: He was a personal chef to Charles de Gaulle and a longtime friend and collaborator of Julia Child. In the 1960s he left a job at Le Pavillon, an iconic French restaurant in New York, to join Howard Johnson's — a chain associated more with turnpikes than fine dining — as head of research and development.\u003c/p>\n\u003cp>And Pépin still can surprise: His new cookbook includes a recipe for tuna tartare and bagel chips. How did it end up there?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"You know, I may be considered the quintessential French chef by many people, but I do what I like to do,\" Pépin tells Simon. \"And the way I cooked, I don't think that I was ever very chauvinistically French. And I do dishes which I like to eat and sometimes they are more French than others, but it really doesn't matter to me.\"\u003c/p>\n\u003cp>A transcript of their conversation, edited for clarity and brevity, is below.\u003c/p>\n\u003cp>\u003cstrong>I don't get the chance to ask a lot of people: What was Charles de Gaulle really like? I mean, did he like to have a burrito occasionally or something? \u003c/strong>\u003c/p>\n\u003cp>No burrito. Everything was very classic French. More like bourgeois French, like a leg of lamb properly roasted. ... scalloped potatoes with some cream and garlic baked in the oven. ... And grated cheese around maybe an apple tart or a caramel custard. Very simple, straightforward. Good food done with great-quality ingredients. You know, that's what's great food is all about.\u003c/p>\n\u003cp>\u003cstrong>You're a frugal man in the kitchen.\u003c/strong>\u003c/p>\n\u003cp>Yes.\u003c/p>\n\u003cp>\u003cstrong>Does that come from growing up during the war?\u003c/strong>\u003c/p>\n\u003cp>Probably, yes. I mean, this is ... you know, what I inherited from my mother. I am very miserly, yes, in the kitchen. During the war, we didn't have that much to eat. And the woman cooking is usually more economical than men's cooking. It's done in a different way. So certainly, that's my influence.\u003c/p>\n\u003cp>\u003cstrong>Well I ask because, tell us, please, what you do with old cheese.\u003c/strong>\u003c/p>\n\u003cp>Oh yes, old cheese, we do a \u003cem>fromage fort \u003c/em>[\u003ca href=\"http://www.foodandwine.com/recipes/fromage-fort\" target=\"_blank\">a French cheese spread\u003c/a> made by blending together pieces of assorted leftover cheeses, white wine, garlic and herbs.] ... It can include from Camembert to goat cheese or bleu cheese. ... My father would put it into a jar and put white wine on top of it and let it ferment it even more, with the rind and all....\u003c/p>\n\u003cp>If there is mold on top, I scrape it off, but I still use it. I scrape it off, cut everything, put it in the food processor, [add] a couple of cloves of garlic, some white wine, a lot of ground pepper, and we make into a paste that we call \u003cem>fromage fort\u003c/em>: strong cheese that you serve on bread with a salad. Or you put it on bread and put it under the broiler to beautifully glaze it, too.\u003c/p>\n\u003cp>And certainly it's very important, because cheese are very expensive. So if you have at least a few recipes like this, where you can use those leftovers ... you can continue serving cheeses when they are at their best, and using the leftover to do one dish or another. So that's part of the proper management of a kitchen, you know.\u003c/p>\n\u003cp>\u003cstrong>Mr. Pépin, what do you think of what they now call molecular cooking, or what you seem to call punctuation cuisine?\u003c/strong>\u003c/p>\n\u003cp>Well, punctuation cooking may be a bit different. But I call it — a great deal of those dishes where people have a little bottle and they do little dots and little comma and question marks all around, and basically there is no sauce to dip your bread in it. You don't really know what those things have to do with the food.\u003c/p>\n\u003cp>When I cook, I like people to be able to identify the food. I like people to feel comfortable. I want people to look at my food and start salivating and starting thinking of marriage of that food with a certain type of wine, and so forth. But in molecular cuisine — this is fine, I mean, up to a certain extent, a meal or two this way — but after a while I just want to go out and have a taco and a beer.\u003c/p>\n\u003cp>\u003cstrong>As I was reading your book, you know, Julia Child your friend and co-conspirator of many years, was famous for telling us, \"remember, nobody sees you in the kitchen.\" But you saw her in the kitchen all the time. \u003c/strong>\u003c/p>\n\u003cp>Oh, yes. We had a good time.\u003c/p>\n\u003cp>I mean, I met Julia in 1960. Six-oh. So I came to the U.S. at the end of 1959. And then I walked out of The Pavillon [an iconic French restaurant] in New York, and I met \u003ca href=\"http://topics.nytimes.com/top/reference/timestopics/people/c/craig_claiborne/index.html\">Craig Claiborne\u003c/a>, who just started at The \u003cem>New York Times\u003c/em> — he came to The Pavillon to do a piece on Pierre Franey and me at The Pavillon.\u003c/p>\n\u003cp>And through Craig I met Helen McCullough, who was the food editor of \u003cem>House Beautiful\u003c/em>. And she introduced me to James Beard, because she spoke with James Beard every day for like a couple of hours. And then in the spring of 1960, she said, \"I have that manuscript here, can you look at it? On French cooking? What do you think of it?\" And I said, well I think it's very good. And she said, \"Well the woman is from California. She's coming to New York next week — let's cook for her.\"\u003c/p>\n\u003cp>It's a big, tall woman with a terrible voice. And of course, that was Julia.\u003c/p>\n\u003cp>My point is that I was here like six months and I knew the trinity of cooking: Craig Claiborne, James Beard and Julia Child. So you can see that the food world was very, very small. Totally different than what it is now.\u003c/p>\n\u003cp>\u003cstrong>Do you hear her voice, that distinctive voice, every now and then, even now? \u003c/strong>\u003c/p>\n\u003cp>Oh yes, oh yes. Very often — when I don't put enough butter in the dish. There can be plenty more butter!\u003c/p>\n\u003cp>\u003cstrong>Mr. Pépin, as you approach 80, how are you feeling? \u003c/strong>\u003c/p>\n\u003cp>Uh ... tired, sometimes?\u003c/p>\n\u003cp>No, I feel OK. I mean, I feel good. I mean, I thank God that I'm still walking around and drinking a lot of wine.\u003c/p>\n\u003cp>\u003cstrong>I ask because you say that this is probably your last cookbook. \u003c/strong>\u003c/p>\n\u003cp>Well, yes and no. Last cookbook like this, which takes a long time to do.\u003c/p>\n\u003cp>But I still hope to do some little thing with my granddaughter. Maybe the lessons of a grandfather, showing her how to do simple things that we've done together. I have a great deal of fun cooking with her.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>So maybe a little book. Certainly some video will come with that, hopefully.\u003cbr>\n\u003cem>\u003cbr>\nCopyright 2015 \u003ca href=\"http://www.npr.org/\" target=\"_blank\">NPR\u003c/a>.\u003c/em> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Listen to Weekend Edition Saturday:\u003c/strong>\u003cbr>\nhttp://pd.npr.org/anon.npr-mp3/npr/wesat/2015/10/20151003_wesat_what_would_julia_child_do_jacques_pepin_says_add_more_butter.mp3\u003c/p>\n\u003cp>Jacques Pépin says his new cookbook, \u003cem>Jacques Pépin: Heart and Soul in the Kitchen\u003c/em>, is an invitation to join him for dinner at his house. Of course, you'll have to do all the cooking — but you can use his recipes.\u003c/p>\n\u003cp>Pépin will turn 80 years old this year. He says this is one of his last cookbooks, and it's timed to coincide what he says is his final PBS show, airing this fall: \u003ca href=\"http://ww2.kqed.org/jpepinheart/\" target=\"_blank\">\u003cem>Jacques Pépin: Heart and Soul.\u003c/em>\u003c/a>\u003c/p>\n\u003cp>NPR's Scott Simon recently spoke with Pépin about his extraordinary and wide-ranging 60-year career: He was a personal chef to Charles de Gaulle and a longtime friend and collaborator of Julia Child. In the 1960s he left a job at Le Pavillon, an iconic French restaurant in New York, to join Howard Johnson's — a chain associated more with turnpikes than fine dining — as head of research and development.\u003c/p>\n\u003cp>And Pépin still can surprise: His new cookbook includes a recipe for tuna tartare and bagel chips. How did it end up there?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"You know, I may be considered the quintessential French chef by many people, but I do what I like to do,\" Pépin tells Simon. \"And the way I cooked, I don't think that I was ever very chauvinistically French. And I do dishes which I like to eat and sometimes they are more French than others, but it really doesn't matter to me.\"\u003c/p>\n\u003cp>A transcript of their conversation, edited for clarity and brevity, is below.\u003c/p>\n\u003cp>\u003cstrong>I don't get the chance to ask a lot of people: What was Charles de Gaulle really like? I mean, did he like to have a burrito occasionally or something? \u003c/strong>\u003c/p>\n\u003cp>No burrito. Everything was very classic French. More like bourgeois French, like a leg of lamb properly roasted. ... scalloped potatoes with some cream and garlic baked in the oven. ... And grated cheese around maybe an apple tart or a caramel custard. Very simple, straightforward. Good food done with great-quality ingredients. You know, that's what's great food is all about.\u003c/p>\n\u003cp>\u003cstrong>You're a frugal man in the kitchen.\u003c/strong>\u003c/p>\n\u003cp>Yes.\u003c/p>\n\u003cp>\u003cstrong>Does that come from growing up during the war?\u003c/strong>\u003c/p>\n\u003cp>Probably, yes. I mean, this is ... you know, what I inherited from my mother. I am very miserly, yes, in the kitchen. During the war, we didn't have that much to eat. And the woman cooking is usually more economical than men's cooking. It's done in a different way. So certainly, that's my influence.\u003c/p>\n\u003cp>\u003cstrong>Well I ask because, tell us, please, what you do with old cheese.\u003c/strong>\u003c/p>\n\u003cp>Oh yes, old cheese, we do a \u003cem>fromage fort \u003c/em>[\u003ca href=\"http://www.foodandwine.com/recipes/fromage-fort\" target=\"_blank\">a French cheese spread\u003c/a> made by blending together pieces of assorted leftover cheeses, white wine, garlic and herbs.] ... It can include from Camembert to goat cheese or bleu cheese. ... My father would put it into a jar and put white wine on top of it and let it ferment it even more, with the rind and all....\u003c/p>\n\u003cp>If there is mold on top, I scrape it off, but I still use it. I scrape it off, cut everything, put it in the food processor, [add] a couple of cloves of garlic, some white wine, a lot of ground pepper, and we make into a paste that we call \u003cem>fromage fort\u003c/em>: strong cheese that you serve on bread with a salad. Or you put it on bread and put it under the broiler to beautifully glaze it, too.\u003c/p>\n\u003cp>And certainly it's very important, because cheese are very expensive. So if you have at least a few recipes like this, where you can use those leftovers ... you can continue serving cheeses when they are at their best, and using the leftover to do one dish or another. So that's part of the proper management of a kitchen, you know.\u003c/p>\n\u003cp>\u003cstrong>Mr. Pépin, what do you think of what they now call molecular cooking, or what you seem to call punctuation cuisine?\u003c/strong>\u003c/p>\n\u003cp>Well, punctuation cooking may be a bit different. But I call it — a great deal of those dishes where people have a little bottle and they do little dots and little comma and question marks all around, and basically there is no sauce to dip your bread in it. You don't really know what those things have to do with the food.\u003c/p>\n\u003cp>When I cook, I like people to be able to identify the food. I like people to feel comfortable. I want people to look at my food and start salivating and starting thinking of marriage of that food with a certain type of wine, and so forth. But in molecular cuisine — this is fine, I mean, up to a certain extent, a meal or two this way — but after a while I just want to go out and have a taco and a beer.\u003c/p>\n\u003cp>\u003cstrong>As I was reading your book, you know, Julia Child your friend and co-conspirator of many years, was famous for telling us, \"remember, nobody sees you in the kitchen.\" But you saw her in the kitchen all the time. \u003c/strong>\u003c/p>\n\u003cp>Oh, yes. We had a good time.\u003c/p>\n\u003cp>I mean, I met Julia in 1960. Six-oh. So I came to the U.S. at the end of 1959. And then I walked out of The Pavillon [an iconic French restaurant] in New York, and I met \u003ca href=\"http://topics.nytimes.com/top/reference/timestopics/people/c/craig_claiborne/index.html\">Craig Claiborne\u003c/a>, who just started at The \u003cem>New York Times\u003c/em> — he came to The Pavillon to do a piece on Pierre Franey and me at The Pavillon.\u003c/p>\n\u003cp>And through Craig I met Helen McCullough, who was the food editor of \u003cem>House Beautiful\u003c/em>. And she introduced me to James Beard, because she spoke with James Beard every day for like a couple of hours. And then in the spring of 1960, she said, \"I have that manuscript here, can you look at it? On French cooking? What do you think of it?\" And I said, well I think it's very good. And she said, \"Well the woman is from California. She's coming to New York next week — let's cook for her.\"\u003c/p>\n\u003cp>It's a big, tall woman with a terrible voice. And of course, that was Julia.\u003c/p>\n\u003cp>My point is that I was here like six months and I knew the trinity of cooking: Craig Claiborne, James Beard and Julia Child. So you can see that the food world was very, very small. Totally different than what it is now.\u003c/p>\n\u003cp>\u003cstrong>Do you hear her voice, that distinctive voice, every now and then, even now? \u003c/strong>\u003c/p>\n\u003cp>Oh yes, oh yes. Very often — when I don't put enough butter in the dish. There can be plenty more butter!\u003c/p>\n\u003cp>\u003cstrong>Mr. Pépin, as you approach 80, how are you feeling? \u003c/strong>\u003c/p>\n\u003cp>Uh ... tired, sometimes?\u003c/p>\n\u003cp>No, I feel OK. I mean, I feel good. I mean, I thank God that I'm still walking around and drinking a lot of wine.\u003c/p>\n\u003cp>\u003cstrong>I ask because you say that this is probably your last cookbook. \u003c/strong>\u003c/p>\n\u003cp>Well, yes and no. Last cookbook like this, which takes a long time to do.\u003c/p>\n\u003cp>But I still hope to do some little thing with my granddaughter. Maybe the lessons of a grandfather, showing her how to do simple things that we've done together. I have a great deal of fun cooking with her.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So maybe a little book. Certainly some video will come with that, hopefully.\u003cbr>\n\u003cem>\u003cbr>\nCopyright 2015 \u003ca href=\"http://www.npr.org/\" target=\"_blank\">NPR\u003c/a>.\u003c/em> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>True story: We haven't been this excited about a San Francisco-based reality show since \u003ca href=\"http://entertainment.time.com/2011/04/08/32-epic-moments-in-reality-tv-history/slide/the-real-world-puck-vs-pedro/\" target=\"_blank\">Puck was feuding with Pedro\u003c/a> back in 1994 (in a Russian Hill house whose rent has probably increased 200 percent since then).\u003c/p>\n\u003cp>In any event! \u003cem>\u003ca href=\"http://www.fuse.tv/shows/transcendent\" target=\"_blank\">Transcendent\u003c/a> \u003c/em>is a new \"docu-series\" that chronicles the lives of five mega-glam transwomen, all of whom work at the quintessentially San Franciscan dinner/cabaret experience, \u003ca href=\"http://asiasf.com/\" target=\"_blank\">AsiaSF\u003c/a>. The show premieres on Fuse tonight, and ahead of the big launch, the network has been rolling out videos to introduce each cast member -- \u003ca href=\"http://www.fuse.tv/shows/transcendent#videos\" target=\"_blank\">get to know 'em here\u003c/a>.\u003c/p>\n\u003cp>But our favorite teaser so far has to be this makeup tutorial, which is packed with strong feelings about bronzer and bangs, the importance of good lighting on a date, and plenty of good-natured sexual innuendo. Check it out below.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"http://player.theplatform.com/p/_r8IPC/VTgqZUqHro0s/embed/select/media/XlpRv5WQVseW?videoWidth=817&videoHeight=460\" width=\"817\" height=\"478\" frameborder=\"0\" seamless=\"seamless\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>True story: We haven't been this excited about a San Francisco-based reality show since \u003ca href=\"http://entertainment.time.com/2011/04/08/32-epic-moments-in-reality-tv-history/slide/the-real-world-puck-vs-pedro/\" target=\"_blank\">Puck was feuding with Pedro\u003c/a> back in 1994 (in a Russian Hill house whose rent has probably increased 200 percent since then).\u003c/p>\n\u003cp>In any event! \u003cem>\u003ca href=\"http://www.fuse.tv/shows/transcendent\" target=\"_blank\">Transcendent\u003c/a> \u003c/em>is a new \"docu-series\" that chronicles the lives of five mega-glam transwomen, all of whom work at the quintessentially San Franciscan dinner/cabaret experience, \u003ca href=\"http://asiasf.com/\" target=\"_blank\">AsiaSF\u003c/a>. The show premieres on Fuse tonight, and ahead of the big launch, the network has been rolling out videos to introduce each cast member -- \u003ca href=\"http://www.fuse.tv/shows/transcendent#videos\" target=\"_blank\">get to know 'em here\u003c/a>.\u003c/p>\n\u003cp>But our favorite teaser so far has to be this makeup tutorial, which is packed with strong feelings about bronzer and bangs, the importance of good lighting on a date, and plenty of good-natured sexual innuendo. Check it out below.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"http://player.theplatform.com/p/_r8IPC/VTgqZUqHro0s/embed/select/media/XlpRv5WQVseW?videoWidth=817&videoHeight=460\" width=\"817\" height=\"478\" frameborder=\"0\" seamless=\"seamless\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Nostalgia is a powerful drug, as we've \u003ca href=\"http://ww2.kqed.org/pop/2015/09/15/the-last-cassette-tape-factory-in-the-u-s-is-doing-better-than-ever/\" target=\"_blank\">previously discussed in this space\u003c/a> -- and, as any child of the ‘90s who has been compelled by some unseen force to click on literally any Buzzfeed-like list of \"things only children of the ‘90s understand\" can attest to, it's a powerful selling tool as well. It doesn't matter if your remake of a beloved movie is absolutely \u003cem>terrible\u003c/em>: People are gonna go see it.\u003c/p>\n\u003cp>You know what's easier than \u003ca href=\"http://www.avclub.com/article/sigourney-weaver-has-also-joined-cast-new-ghostbus-225909\" target=\"_blank\">rebooting a popular \u003c/a>\u003ca href=\"http://www.avclub.com/article/sigourney-weaver-has-also-joined-cast-new-ghostbus-225909\" target=\"_blank\">franchise\u003c/a> or building a whole new one around a perennially popular \u003ca href=\"http://ww2.kqed.org/pop/2015/05/13/look-away-80s-kids-jem-and-the-holograms-trailer-is-so-bad-even-william-shatner-is-pissed/\" target=\"_blank\">throwback brand\u003c/a>? Just plain giving the people what they want: Reruns of classic Nickelodeon shows from the ‘90s. Around the clock. On a multi-platform channel/alternative universe in which 9/11 hasn't happened yet, no one has cell phones, and those precious hours between the end of the school day and dinnertime stretch before you like so many lazy, possibility-filled fields of responsibility-free gold.\u003c/p>\n\u003cp>Yes, it's \u003ca href=\"http://www.thesplat.com/\" target=\"_blank\">The Splat\u003c/a>, a new programming block from Nickelodeon that consists of all your favorite throwback shows: \u003cem>All That, The Angry Beavers, Are You Afraid of the Dark?, CatDog, Clarissa Explains It All, Hey Arnold!, Hey Dude, Kenan & Kel, The Ren & Stimpy Show, Legends of the Hidden Temple, Rocko’s Modern Life, Rugrats, Salute Your Shorts,\u003c/em> and \u003cem>The Wild Thornberrys.\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=2Bj-h9EfeJ0\u003c/p>\n\u003cp>Said nostalgia-fest will take over TeenNick from 10 p.m. to 6 a.m. every night starting Oct. 5, and will also be online at \u003ca href=\"http://www.thesplat.com/\">TheSplat.com\u003c/a>, which is good, because not a single ‘90s kid we know actually has a regular TV. There will also be an \"emoji keyboard,\" so get ready for text-images of Melissa Joan Hart in wacky outfits, I guess?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Our personal favorite,\u003cem> The Adventures of Pete & Pete, \u003c/em>isn't part of the lineup for now -- but a Nickelodeon rep told t\u003ca href=\"http://www.avclub.com/article/nickelodeon-finally-reveals-what-splat-actually-wh-225837\" target=\"_blank\">he A.V. Club that could change.\u003c/a> Until then: We're just going to tamp down all of our unease about being blatantly pandered to as #millennials, the constant monetizing of our wistfulness and the sense of loss that comes with growing up, and not ruminate on what it says about this cultural moment that we currently have access to more incredibly sophisticated TV programming and unlimited entertainment options than ever and\u003cem> all anybody really wants is a whole damn channel that plays \u003c/em>Ren & Stimpy\u003cem> reruns around the clock. \u003c/em>\u003c/p>\n\u003cp>To these feelings we say: \u003cem>Sssshhh\u003c/em>. I'll start my homework after \u003cem>Legends of the Hidden Temple\u003c/em> is over.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=DTYZADhG-rQ\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Nostalgia is a powerful drug, as we've \u003ca href=\"http://ww2.kqed.org/pop/2015/09/15/the-last-cassette-tape-factory-in-the-u-s-is-doing-better-than-ever/\" target=\"_blank\">previously discussed in this space\u003c/a> -- and, as any child of the ‘90s who has been compelled by some unseen force to click on literally any Buzzfeed-like list of \"things only children of the ‘90s understand\" can attest to, it's a powerful selling tool as well. It doesn't matter if your remake of a beloved movie is absolutely \u003cem>terrible\u003c/em>: People are gonna go see it.\u003c/p>\n\u003cp>You know what's easier than \u003ca href=\"http://www.avclub.com/article/sigourney-weaver-has-also-joined-cast-new-ghostbus-225909\" target=\"_blank\">rebooting a popular \u003c/a>\u003ca href=\"http://www.avclub.com/article/sigourney-weaver-has-also-joined-cast-new-ghostbus-225909\" target=\"_blank\">franchise\u003c/a> or building a whole new one around a perennially popular \u003ca href=\"http://ww2.kqed.org/pop/2015/05/13/look-away-80s-kids-jem-and-the-holograms-trailer-is-so-bad-even-william-shatner-is-pissed/\" target=\"_blank\">throwback brand\u003c/a>? Just plain giving the people what they want: Reruns of classic Nickelodeon shows from the ‘90s. Around the clock. On a multi-platform channel/alternative universe in which 9/11 hasn't happened yet, no one has cell phones, and those precious hours between the end of the school day and dinnertime stretch before you like so many lazy, possibility-filled fields of responsibility-free gold.\u003c/p>\n\u003cp>Yes, it's \u003ca href=\"http://www.thesplat.com/\" target=\"_blank\">The Splat\u003c/a>, a new programming block from Nickelodeon that consists of all your favorite throwback shows: \u003cem>All That, The Angry Beavers, Are You Afraid of the Dark?, CatDog, Clarissa Explains It All, Hey Arnold!, Hey Dude, Kenan & Kel, The Ren & Stimpy Show, Legends of the Hidden Temple, Rocko’s Modern Life, Rugrats, Salute Your Shorts,\u003c/em> and \u003cem>The Wild Thornberrys.\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/2Bj-h9EfeJ0'\n title='//www.youtube.com/embed/2Bj-h9EfeJ0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Said nostalgia-fest will take over TeenNick from 10 p.m. to 6 a.m. every night starting Oct. 5, and will also be online at \u003ca href=\"http://www.thesplat.com/\">TheSplat.com\u003c/a>, which is good, because not a single ‘90s kid we know actually has a regular TV. There will also be an \"emoji keyboard,\" so get ready for text-images of Melissa Joan Hart in wacky outfits, I guess?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Our personal favorite,\u003cem> The Adventures of Pete & Pete, \u003c/em>isn't part of the lineup for now -- but a Nickelodeon rep told t\u003ca href=\"http://www.avclub.com/article/nickelodeon-finally-reveals-what-splat-actually-wh-225837\" target=\"_blank\">he A.V. Club that could change.\u003c/a> Until then: We're just going to tamp down all of our unease about being blatantly pandered to as #millennials, the constant monetizing of our wistfulness and the sense of loss that comes with growing up, and not ruminate on what it says about this cultural moment that we currently have access to more incredibly sophisticated TV programming and unlimited entertainment options than ever and\u003cem> all anybody really wants is a whole damn channel that plays \u003c/em>Ren & Stimpy\u003cem> reruns around the clock. \u003c/em>\u003c/p>\n\u003cp>To these feelings we say: \u003cem>Sssshhh\u003c/em>. I'll start my homework after \u003cem>Legends of the Hidden Temple\u003c/em> is over.\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/DTYZADhG-rQ'\n title='//www.youtube.com/embed/DTYZADhG-rQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The man who made a mark in Baby Boom America as a cub reporter has died: Actor Jack Larson, who played a sidekick to Superman's alter ego Clark Kent at the fictional Daily Planet newspaper, was 87.\u003c/p>\n\u003cp>The actor and playwright died at his home in the Los Angeles community of Brentwood, according to \u003ca href=\"http://losangeles.cbslocal.com/2015/09/21/actor-playwright-jack-larson-dies-at-87/\">CBS Los Angeles\u003c/a>, \u003cem>Variety \u003c/em>and multiple news outlets. A cause of death was not mentioned.\u003c/p>\n\u003cp>Larson rose to prominence in the 1950s, when \"The Adventures of Superman\" sidetracked his dreams of being a stage actor on Broadway. The runaway success of that show, starring George Reeves, made it hard for Larson to find new work; he eventually found success in writing plays and librettos.\u003c/p>\n\u003cp>\u003ca href=\"http://www.nytimes.com/2015/09/21/arts/television/jack-larson-a-playwright-better-known-as-jimmy-olsen-in-superman-dies-at-87.html\">The New York Times\u003c/a> reports:\u003c/p>\n\u003cblockquote>\u003cp>\"Although Mr. Larson was pleased that Jimmy Olsen developed into a comic role, his fears of being typecast were realized. After a particularly upsetting encounter with the producer Mervyn LeRoy, he was advised by the actor Montgomery Clift, with whom Mr. Larson was having a romantic relationship, to stop putting himself in those casting situations. So Mr. Larson gave up acting and made a new career.\"\u003c/p>\u003c/blockquote>\n\u003cp>That new career saw Larson write librettos and plays, including \"The Candied House\" (1966) and \"Chuck\" (1968), as well as helping produce films such as \"Perfect\" (1985) and \"Bright Lights, Big City\" (1988). On both plays and films, he often collaborated with his longtime partner, James Bridges.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In turning to writing, Larson was also returning to the thing that had first brought him to the world of theater, when his instructors at Pasadena Junior College encouraged him to write.\u003c/p>\n\u003cp>Born in Los Angeles in 1928, Larson grew up in the Los Angeles suburb of Montebello. His mother worked as a Western Union clerk, and his father drove a milk truck and bowled -- something he passed along to his son.\u003c/p>\n\u003cp>According to the \u003ca href=\"http://www.supermanhomepage.com/tv/tv.php?topic=cast-crew/jack-larson\">Superman Homepage\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>\"While he did not enjoy school, Larson did like to bowl. By the age of 14, he had become the California state champion for his age group and was good enough to think that he would eventually turn professional. But, in the fall of 1945, Larson enrolled in the Pasadena Junior College (now known as Pasadena City College), an event that would drastically change his life. Larson said, 'My instructors discovered that I had a gift for writing and motivated me to write plays, and to be in plays as well.'\"\u003c/p>\u003c/blockquote>\n\u003cp>When he first started auditioning for parts in film studio projects, Larson later recounted, he lost out on one early job (portraying a kid on a bike) to a young woman who would go on to be a star.\u003c/p>\n\u003cp>\"Marilyn Monroe got that part. It was her first part,\" he said in an interview for David Poland's \"\u003ca href=\"https://www.youtube.com/watch?v=AA7n8Xszg08\">Oral History of Hollywood\u003c/a>\" series. With a laugh, he added, \"We wonder how she got it. But they changed it from a boy on a bicycle to a girl on a bicycle.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In the 1990s, Larson appeared in episodes of \"Superboy\" and \"Lois and Clark: The New Adventures of Superman.\" In the latter, he portrayed an older version of Jimmy Olsen.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Jack+Larson%2C+Jimmy+Olsen+From+%27Superman%27+TV+Shows%2C+Dies&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\" alt=\"\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The man who made a mark in Baby Boom America as a cub reporter has died: Actor Jack Larson, who played a sidekick to Superman's alter ego Clark Kent at the fictional Daily Planet newspaper, was 87.\u003c/p>\n\u003cp>The actor and playwright died at his home in the Los Angeles community of Brentwood, according to \u003ca href=\"http://losangeles.cbslocal.com/2015/09/21/actor-playwright-jack-larson-dies-at-87/\">CBS Los Angeles\u003c/a>, \u003cem>Variety \u003c/em>and multiple news outlets. A cause of death was not mentioned.\u003c/p>\n\u003cp>Larson rose to prominence in the 1950s, when \"The Adventures of Superman\" sidetracked his dreams of being a stage actor on Broadway. The runaway success of that show, starring George Reeves, made it hard for Larson to find new work; he eventually found success in writing plays and librettos.\u003c/p>\n\u003cp>\u003ca href=\"http://www.nytimes.com/2015/09/21/arts/television/jack-larson-a-playwright-better-known-as-jimmy-olsen-in-superman-dies-at-87.html\">The New York Times\u003c/a> reports:\u003c/p>\n\u003cblockquote>\u003cp>\"Although Mr. Larson was pleased that Jimmy Olsen developed into a comic role, his fears of being typecast were realized. After a particularly upsetting encounter with the producer Mervyn LeRoy, he was advised by the actor Montgomery Clift, with whom Mr. Larson was having a romantic relationship, to stop putting himself in those casting situations. So Mr. Larson gave up acting and made a new career.\"\u003c/p>\u003c/blockquote>\n\u003cp>That new career saw Larson write librettos and plays, including \"The Candied House\" (1966) and \"Chuck\" (1968), as well as helping produce films such as \"Perfect\" (1985) and \"Bright Lights, Big City\" (1988). On both plays and films, he often collaborated with his longtime partner, James Bridges.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In turning to writing, Larson was also returning to the thing that had first brought him to the world of theater, when his instructors at Pasadena Junior College encouraged him to write.\u003c/p>\n\u003cp>Born in Los Angeles in 1928, Larson grew up in the Los Angeles suburb of Montebello. His mother worked as a Western Union clerk, and his father drove a milk truck and bowled -- something he passed along to his son.\u003c/p>\n\u003cp>According to the \u003ca href=\"http://www.supermanhomepage.com/tv/tv.php?topic=cast-crew/jack-larson\">Superman Homepage\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>\"While he did not enjoy school, Larson did like to bowl. By the age of 14, he had become the California state champion for his age group and was good enough to think that he would eventually turn professional. But, in the fall of 1945, Larson enrolled in the Pasadena Junior College (now known as Pasadena City College), an event that would drastically change his life. Larson said, 'My instructors discovered that I had a gift for writing and motivated me to write plays, and to be in plays as well.'\"\u003c/p>\u003c/blockquote>\n\u003cp>When he first started auditioning for parts in film studio projects, Larson later recounted, he lost out on one early job (portraying a kid on a bike) to a young woman who would go on to be a star.\u003c/p>\n\u003cp>\"Marilyn Monroe got that part. It was her first part,\" he said in an interview for David Poland's \"\u003ca href=\"https://www.youtube.com/watch?v=AA7n8Xszg08\">Oral History of Hollywood\u003c/a>\" series. With a laugh, he added, \"We wonder how she got it. But they changed it from a boy on a bicycle to a girl on a bicycle.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In the 1990s, Larson appeared in episodes of \"Superboy\" and \"Lois and Clark: The New Adventures of Superman.\" In the latter, he portrayed an older version of Jimmy Olsen.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Jack+Larson%2C+Jimmy+Olsen+From+%27Superman%27+TV+Shows%2C+Dies&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\" alt=\"\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Across the Bridge: North Bay Arts on Tap for Fall",
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"content": "\u003cp>\u003ca href=\"http://kqed.org/fallarts\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-400x400.png\" alt=\"FallArtsPreview-2015-400x400-2\" width=\"300\" height=\"300\" class=\"alignright size-thumbnail wp-image-10915302\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-32x32.png 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-64x64.png 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-96x96.png 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-128x128.png 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-75x75.png 75w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>In the North Bay’s arts scene, sometimes the setting is worth the price of admission. From a rustic 100-year-old barn on the side of a hill to a luxurious $140 million concert hall, discovery and enrichment in the North Bay happens in a wide variety of spaces, most of them scenic.\u003c/p>\n\u003cp>Below are our top picks for must-see events happening this fall, with the added bonus of unique venues — even a redwood-lined beach along the Russian River gets into the act.\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10949328\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/09/Buddy-Guy-Crop-400x286.jpg\" alt=\"Buddy Guy\" width=\"400\" height=\"286\" class=\"size-thumbnail wp-image-10949328\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/09/Buddy-Guy-Crop-400x286.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/09/Buddy-Guy-Crop.jpg 700w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Buddy Guy \u003ccite>(Photo: Courtesy of Russian River Jazz and Blues Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Buddy Guy\u003c/h3>\n\u003ch5>Sept. 13\u003cbr>\nRussian River Blues and Jazz Festival\u003cbr>\n\u003ca href=\"http://www.russianriverfestivals.com/\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/h5>\n\u003cp>During the Russian River Blues and Jazz Festival, Johnson’s Beach in Guerneville serves as a living time machine, evoking the “vacation wonderland” days of west Sonoma County — redwoods along the Russian River, cheap hot dogs, a real wooden boardwalk — and Buddy Guy serves as a living connection to the history of electric blues. Together, at the Russian River Blues Festival, the two make a perfect pair. When Guy played the Johnson’s Beach stage in 2011 (opening for the late B.B. King), his lightning guitar solos and eruptive voice soared over the crowd and the river, where sunbathers floated by on innertubes and kids stomped in the shallow waters. Expect similar alchemy when the 79-year-old legend returns this year with Taj Mahal and Jackie Greene.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10922862\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/bonnie-prince-billy-400x256.jpg\" alt='Bonnie \"Prince\" Billy' width=\"400\" height=\"256\" class=\"size-thumbnail wp-image-10922862\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/bonnie-prince-billy-400x256.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/bonnie-prince-billy.jpg 800w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Bonnie “Prince” Billy \u003ccite>(Photo: Courtesy of Gundlach-Bundschu Winery)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Bonnie “Prince” Billy\u003c/h3>\n\u003ch5>Sept. 27\u003cbr>\nGundlach-Bundschu Winery\u003cbr>\n\u003ca href=\"http://folkyeah.com/#/bpbsonoma2015/\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/h5>\n\u003cp>Whenever Will Oldham (a.k.a. Bonnie “Prince” Billy) comes to town, the cosmic-folk icon doesn’t play standard rock venues — his prior appearances in the North Bay have included a tiny saloon in Pt. Reyes Station, a community hall in Monte Rio, and a former church in Santa Rosa. On his current tour, he’s booked dates in Felton, Big Sur, Nevada City, and Sonoma, where he plays inside a rustic 100-year-old barn at Gundlach-Bundschu winery. Surrounded by farm machinery and old wooden paneling, Oldham should be in his element and thus in top form, playing songs from his days with the Palace Brothers up to his recent solo material.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10922865\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/Conor-Oberst-400x225.jpg\" alt=\"Conor Oberst\" width=\"400\" height=\"225\" class=\"size-thumbnail wp-image-10922865\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Conor-Oberst-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Conor-Oberst.jpg 800w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Conor Oberst \u003ccite>(Photo: Courtesy of Phoenix Theater)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Conor Oberst and M. Ward\u003c/h3>\n\u003ch5>Oct. 1\u003cbr>\nPhoenix Theater\u003cbr>\n\u003ca href=\"http://www.thephoenixtheater.com/event/934165-conor-oberst-m-ward-felice-petaluma/\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/h5>\n\u003cp>By day, the Phoenix Theater is a bustling nonprofit teen center under the abiding mentorship of longtime manager Tom Gaffey. By night, the hall hosts a mix of young local bands and national acts like the Red Hot Chili Peppers, Metallica, the Neville Brothers and even Hilary Duff. The theater’s booking has steadily improved in the past ten years, and this night with indie-folk icon Conor Oberst playing songs from both Bright Eyes and his solo career is a definite slam dunk. Pairing the wordy, poetic Oberst with the more plaintive, atmospheric M. Ward makes for a superb bill on its own, and adding the Felice Brothers as openers makes this a must-see show.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10922869\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/SinatraJr-400x283.jpg\" alt=\"Frank Sinatra Jr. \" width=\"400\" height=\"283\" class=\"size-thumbnail wp-image-10922869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/SinatraJr-400x283.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/SinatraJr.jpg 800w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Frank Sinatra Jr. \u003ccite>(Photo: Courtesy of Wells Fargo Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Frank Sinatra, Jr.\u003c/h3>\n\u003ch5>Oct. 8\u003cbr>\nWells Fargo Center\u003cbr>\n\u003ca href=\"http://tickets.wellsfargocenterarts.org/single/eventDetail.aspx?p=1818\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/h5>\n\u003cp>Come on. We must be kidding, right? Frank Sinatra, Jr.? The son of Ol’ Blue Eyes who landed such gigs as playing a district attorney on the ’70s TV show \u003cem>Adam-12\u003c/em>? But we’re not kidding, and the fact we point it out speaks to the public’s cynicism about the offspring of celebrities who attempt their own careers (we’re looking at you, \u003ca href=\"http://gawker.com/5731689/tom-hanks-son-is-a-frat-boy-rapper\" target=\"_blank\" rel=\"noopener\">Chet Haze\u003c/a>). As the conductor for his father’s touring orchestra, Frank Jr. assimilated his dad’s music nightly; combined with an eerily similar voice and a professional background that included working with Duke Ellington, he does the music justice. But beneath this tribute to his father is a weary sadness, one used to great effect in the recent Neil Hamburger film \u003cem>Entertainment\u003c/em>. Expect plenty of ring-a-ding-ding — and a little bit of emotional sting.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10922863\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/BrunoFerrandis-400x267.jpg\" alt=\"Conductor Bruno Ferrandis\" width=\"400\" height=\"267\" class=\"size-thumbnail wp-image-10922863\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/BrunoFerrandis-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/BrunoFerrandis.jpg 800w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Conductor Bruno Ferrandis \u003ccite>(Photo: Courtesy of Santa Rosa Symphony)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Santa Rosa Symphony, \u003cem>Twin Stars\u003c/em>\u003c/h3>\n\u003ch5>Oct. 10 – 12\u003cbr>\nGreen Music Center\u003cbr>\n\u003ca href=\"http://santarosasymphony.com/EventDetail?NPath=/Events/Twin%20Stars%20-%20October%2010,%2011%20and%2012\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/h5>\n\u003cp>Under the baton of Bruno Ferrandis, the Santa Rosa Symphony has ventured into brave waters, both by performing some of Ferrandis’ favorite modern composers (Ligeti is a personal favorite) and commissioning new works. As part of the symphony’s season opener, “Pax Universalis” is a world premiere by Arab-American composer Mohammed Fairouz; it’s followed by Mozart’s Piano Concerto No. 10 and Poulenc’s Concerto for Two Pianos, performed by twin sisters Christina and Michelle Naughton. Saint-Saens’ Symphony No. 3 rounds out the program, kicking off the symphony’s 88th season and its fourth year in residence at an acoustic marvel: the Green Music Center’s main hall.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10922868\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/MyMananaComes-400x208.jpg\" alt=\"Elizabeth Irwin\" width=\"400\" height=\"208\" class=\"size-thumbnail wp-image-10922868\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/MyMananaComes-400x208.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/MyMananaComes.jpg 500w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Elizabeth Irwin \u003ccite>(Photo: Courtesy of Marin Theatre Company )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>‘My Mañana Comes’\u003c/h3>\n\u003ch5>Oct. 29 – Nov. 22\u003cbr>\nMarin Theatre Company\u003cbr>\n\u003ca href=\"http://www.marintheatre.org/productions/my-ma%C3%B1ana-comes\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/h5>\n\u003cp>Between the debate over minimum-wage earnings at restaurants and photos shared on Facebook of non-tipping customer receipts, we’ve seen an increased humanization of those who wait our tables and clear our plates. Now, a new play by Elizabeth Irwin takes the discussion away from social media and into the footlights. \u003cem>My Mañana Comes\u003c/em> follows the tight connection of four busboys working in the back of an upscale New York City restaurant — two of them undocumented, all of them sharing a collegiality of hard work and inside jokes — and the unraveling of that connection when their boss decides to pay them only in tips. A hit in New York, \u003cem>My Mañana Comes\u003c/em> opens at the Marin Theatre Company for its Bay Area premiere.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10922866\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/Kinmont-400x414.jpg\" alt=\"Robert Kinmont, '8 Natural Handstands' (detail), 1969/2005.\" width=\"400\" height=\"414\" class=\"size-thumbnail wp-image-10922866\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Kinmont-400x414.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Kinmont-580x600.jpg 580w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Kinmont-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Kinmont.jpg 800w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Robert Kinmont, ‘8 Natural Handstands’ (detail), 1969/2005. \u003ccite>(Photo: Courtesy Alexander and Bonin Gallery, New York)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Robert Kinmont\u003c/h3>\n\u003ch5>Oct. 31–Jan. 24\u003cbr>\ndiRosa\u003cbr>\n\u003ca href=\"http://www.dirosaart.org/robert-kinmont/\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/h5>\n\u003cp>The North Bay commendably champions its own artistic legends, but even locals are forgiven if the name Robert Kinmont doesn’t ring a bell. After all, the Sonoma-based artist took a hiatus of nearly three decades to study Buddhism and work as a carpenter. Early works featured in his first Bay Area solo exhibition in over 45 years include the wry photo series \u003cem>8 Natural Handstands\u003c/em> (1969) and the wood-and-sage sculpture \u003cem>Sit on the Floor\u003c/em> (1971). But Kinmont’s sense of humor is especially on display in his later work, made after returning to art in 2005 — a copper stage hosting an argument between a pile of dirt and a pile of feathers; a large piece titled \u003cem>TWO EDUCATED 120-MILLION-YEAR-OLD BOULDERS TRYING TO ENCOURAGE 47 YOUNG WILLOWS TO BE PATIENT\u003c/em>. In diRosa’s rural setting especially, Kinmont’s work may have found its ideal site.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10922867\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/LaverneCox-400x239.jpg\" alt=\"Laverne Cox\" width=\"400\" height=\"239\" class=\"size-thumbnail wp-image-10922867\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/LaverneCox-400x239.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/LaverneCox.jpg 800w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Laverne Cox \u003ccite>(Courtesy of Sonoma State University)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Laverne Cox in Conversation\u003c/h3>\n\u003ch5>Nov. 12\u003cbr>\nGreen Music Center\u003cbr>\n\u003ca href=\"http://gmc.sonoma.edu/event/2784322-women-in-leadership-laverne-cox\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/h5>\n\u003cp>As Sophia on the television series \u003cem>Orange is the New Black\u003c/em>, Laverne Cox has already played a role in certain social evolutions: the series is distributed through the streaming service Netflix instead of conventional network or cable channels, and the show features a predominantly female cast of inmates in a women’s prison. Cox is also the first openly transgender actor to be nominated for a Primetime Emmy Award, and in 2014, she became the first transgender person on the cover of \u003cem>Time\u003c/em> magazine. Smart and eloquent, Cox appears at the Green Music Center in a moderated discussion of her life and career with a message of personal freedom that transcends the transgender community.\n\u003c/p>\u003c/div>\n\u003ch2>Briefly Noted\u003c/h2>\n\u003ch3>Kristin Chenoweth\u003c/h3>\n\u003ch5>Sept. 25\u003cbr>\nGreen Music Center\u003c/h5>\n\u003cp>The star of stage and screen performs her Broadway hits and own recordings.\u003cbr>\n\u003ca href=\"http://gmc.sonoma.edu/event/2613526-kristin-chenoweth\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/p>\n\u003ch3>Mill Valley Film Festival\u003c/h3>\n\u003ch5>Oct. 8–18\u003cbr>\nVarious Marin County Venues\u003c/h5>\n\u003cp>Annual festival whose lineup consistently features big stars and Oscar contenders.\u003cbr>\n\u003ca href=\"http://www.mvff.com/\">Tickets and information\u003c/a>\u003c/p>\n\u003ch3>‘Focus on Photography’\u003c/h3>\n\u003ch5>Sept. 3–Oct. 25\u003cbr>\nUniversity Art Gallery, Sonoma State University\u003c/h5>\n\u003cp>Work by Robert Mapplethorpe, Eadweard Muybridge, Carleton Watkins, Annie Leibovitz, Ansel Adams and others.\u003cbr>\n\u003ca href=\"http://www.sonoma.edu/newscenter/2015/08/ssu-art-gallery-presents-focus-on-photography.html\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/p>\n\u003ch3>Janeane Garofolo\u003c/h3>\n\u003ch5>Nov. 21\u003cbr>\nCity Winery\u003c/h5>\n\u003cp>Whip-smart comic whose underappreciated sardonic humor is featured in Netflix’s reboot of \u003cem>Wet Hot American Summer\u003c/em>.\u003cbr>\n\u003ca href=\"http://www.citywinery.com/napa/tickets/janeane-garofalo-early-show-11-21.html\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/p>\n\u003ch3>Mavis Staples and Joan Osborne\u003c/h3>\n\u003ch5>Sept. 27\u003cbr>\nUptown Theatre\u003c/h5>\n\u003cp>The gospel singer who’s made a string of excellent crossover albums appears with her sister-in-spirit.\u003cbr>\n\u003ca href=\"http://www.uptowntheatrenapa.com/event/mavis-staples-and-joan-osborne/\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "In the North Bay's arts scene, sometimes the setting is worth the price of admission.",
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"title": "Across the Bridge: North Bay Arts on Tap for Fall | KQED",
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"headline": "Across the Bridge: North Bay Arts on Tap for Fall",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://kqed.org/fallarts\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-400x400.png\" alt=\"FallArtsPreview-2015-400x400-2\" width=\"300\" height=\"300\" class=\"alignright size-thumbnail wp-image-10915302\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-32x32.png 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-64x64.png 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-96x96.png 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-128x128.png 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/FallArtsPreview-2015-400x400-2-75x75.png 75w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>In the North Bay’s arts scene, sometimes the setting is worth the price of admission. From a rustic 100-year-old barn on the side of a hill to a luxurious $140 million concert hall, discovery and enrichment in the North Bay happens in a wide variety of spaces, most of them scenic.\u003c/p>\n\u003cp>Below are our top picks for must-see events happening this fall, with the added bonus of unique venues — even a redwood-lined beach along the Russian River gets into the act.\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10949328\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/09/Buddy-Guy-Crop-400x286.jpg\" alt=\"Buddy Guy\" width=\"400\" height=\"286\" class=\"size-thumbnail wp-image-10949328\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/09/Buddy-Guy-Crop-400x286.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/09/Buddy-Guy-Crop.jpg 700w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Buddy Guy \u003ccite>(Photo: Courtesy of Russian River Jazz and Blues Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Buddy Guy\u003c/h3>\n\u003ch5>Sept. 13\u003cbr>\nRussian River Blues and Jazz Festival\u003cbr>\n\u003ca href=\"http://www.russianriverfestivals.com/\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/h5>\n\u003cp>During the Russian River Blues and Jazz Festival, Johnson’s Beach in Guerneville serves as a living time machine, evoking the “vacation wonderland” days of west Sonoma County — redwoods along the Russian River, cheap hot dogs, a real wooden boardwalk — and Buddy Guy serves as a living connection to the history of electric blues. Together, at the Russian River Blues Festival, the two make a perfect pair. When Guy played the Johnson’s Beach stage in 2011 (opening for the late B.B. King), his lightning guitar solos and eruptive voice soared over the crowd and the river, where sunbathers floated by on innertubes and kids stomped in the shallow waters. Expect similar alchemy when the 79-year-old legend returns this year with Taj Mahal and Jackie Greene.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10922862\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/bonnie-prince-billy-400x256.jpg\" alt='Bonnie \"Prince\" Billy' width=\"400\" height=\"256\" class=\"size-thumbnail wp-image-10922862\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/bonnie-prince-billy-400x256.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/bonnie-prince-billy.jpg 800w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Bonnie “Prince” Billy \u003ccite>(Photo: Courtesy of Gundlach-Bundschu Winery)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Bonnie “Prince” Billy\u003c/h3>\n\u003ch5>Sept. 27\u003cbr>\nGundlach-Bundschu Winery\u003cbr>\n\u003ca href=\"http://folkyeah.com/#/bpbsonoma2015/\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/h5>\n\u003cp>Whenever Will Oldham (a.k.a. Bonnie “Prince” Billy) comes to town, the cosmic-folk icon doesn’t play standard rock venues — his prior appearances in the North Bay have included a tiny saloon in Pt. Reyes Station, a community hall in Monte Rio, and a former church in Santa Rosa. On his current tour, he’s booked dates in Felton, Big Sur, Nevada City, and Sonoma, where he plays inside a rustic 100-year-old barn at Gundlach-Bundschu winery. Surrounded by farm machinery and old wooden paneling, Oldham should be in his element and thus in top form, playing songs from his days with the Palace Brothers up to his recent solo material.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10922865\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/Conor-Oberst-400x225.jpg\" alt=\"Conor Oberst\" width=\"400\" height=\"225\" class=\"size-thumbnail wp-image-10922865\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Conor-Oberst-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Conor-Oberst.jpg 800w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Conor Oberst \u003ccite>(Photo: Courtesy of Phoenix Theater)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Conor Oberst and M. Ward\u003c/h3>\n\u003ch5>Oct. 1\u003cbr>\nPhoenix Theater\u003cbr>\n\u003ca href=\"http://www.thephoenixtheater.com/event/934165-conor-oberst-m-ward-felice-petaluma/\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/h5>\n\u003cp>By day, the Phoenix Theater is a bustling nonprofit teen center under the abiding mentorship of longtime manager Tom Gaffey. By night, the hall hosts a mix of young local bands and national acts like the Red Hot Chili Peppers, Metallica, the Neville Brothers and even Hilary Duff. The theater’s booking has steadily improved in the past ten years, and this night with indie-folk icon Conor Oberst playing songs from both Bright Eyes and his solo career is a definite slam dunk. Pairing the wordy, poetic Oberst with the more plaintive, atmospheric M. Ward makes for a superb bill on its own, and adding the Felice Brothers as openers makes this a must-see show.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10922869\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/SinatraJr-400x283.jpg\" alt=\"Frank Sinatra Jr. \" width=\"400\" height=\"283\" class=\"size-thumbnail wp-image-10922869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/SinatraJr-400x283.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/SinatraJr.jpg 800w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Frank Sinatra Jr. \u003ccite>(Photo: Courtesy of Wells Fargo Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Frank Sinatra, Jr.\u003c/h3>\n\u003ch5>Oct. 8\u003cbr>\nWells Fargo Center\u003cbr>\n\u003ca href=\"http://tickets.wellsfargocenterarts.org/single/eventDetail.aspx?p=1818\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/h5>\n\u003cp>Come on. We must be kidding, right? Frank Sinatra, Jr.? The son of Ol’ Blue Eyes who landed such gigs as playing a district attorney on the ’70s TV show \u003cem>Adam-12\u003c/em>? But we’re not kidding, and the fact we point it out speaks to the public’s cynicism about the offspring of celebrities who attempt their own careers (we’re looking at you, \u003ca href=\"http://gawker.com/5731689/tom-hanks-son-is-a-frat-boy-rapper\" target=\"_blank\" rel=\"noopener\">Chet Haze\u003c/a>). As the conductor for his father’s touring orchestra, Frank Jr. assimilated his dad’s music nightly; combined with an eerily similar voice and a professional background that included working with Duke Ellington, he does the music justice. But beneath this tribute to his father is a weary sadness, one used to great effect in the recent Neil Hamburger film \u003cem>Entertainment\u003c/em>. Expect plenty of ring-a-ding-ding — and a little bit of emotional sting.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10922863\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/BrunoFerrandis-400x267.jpg\" alt=\"Conductor Bruno Ferrandis\" width=\"400\" height=\"267\" class=\"size-thumbnail wp-image-10922863\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/BrunoFerrandis-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/BrunoFerrandis.jpg 800w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Conductor Bruno Ferrandis \u003ccite>(Photo: Courtesy of Santa Rosa Symphony)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Santa Rosa Symphony, \u003cem>Twin Stars\u003c/em>\u003c/h3>\n\u003ch5>Oct. 10 – 12\u003cbr>\nGreen Music Center\u003cbr>\n\u003ca href=\"http://santarosasymphony.com/EventDetail?NPath=/Events/Twin%20Stars%20-%20October%2010,%2011%20and%2012\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/h5>\n\u003cp>Under the baton of Bruno Ferrandis, the Santa Rosa Symphony has ventured into brave waters, both by performing some of Ferrandis’ favorite modern composers (Ligeti is a personal favorite) and commissioning new works. As part of the symphony’s season opener, “Pax Universalis” is a world premiere by Arab-American composer Mohammed Fairouz; it’s followed by Mozart’s Piano Concerto No. 10 and Poulenc’s Concerto for Two Pianos, performed by twin sisters Christina and Michelle Naughton. Saint-Saens’ Symphony No. 3 rounds out the program, kicking off the symphony’s 88th season and its fourth year in residence at an acoustic marvel: the Green Music Center’s main hall.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10922868\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/MyMananaComes-400x208.jpg\" alt=\"Elizabeth Irwin\" width=\"400\" height=\"208\" class=\"size-thumbnail wp-image-10922868\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/MyMananaComes-400x208.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/MyMananaComes.jpg 500w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Elizabeth Irwin \u003ccite>(Photo: Courtesy of Marin Theatre Company )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>‘My Mañana Comes’\u003c/h3>\n\u003ch5>Oct. 29 – Nov. 22\u003cbr>\nMarin Theatre Company\u003cbr>\n\u003ca href=\"http://www.marintheatre.org/productions/my-ma%C3%B1ana-comes\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/h5>\n\u003cp>Between the debate over minimum-wage earnings at restaurants and photos shared on Facebook of non-tipping customer receipts, we’ve seen an increased humanization of those who wait our tables and clear our plates. Now, a new play by Elizabeth Irwin takes the discussion away from social media and into the footlights. \u003cem>My Mañana Comes\u003c/em> follows the tight connection of four busboys working in the back of an upscale New York City restaurant — two of them undocumented, all of them sharing a collegiality of hard work and inside jokes — and the unraveling of that connection when their boss decides to pay them only in tips. A hit in New York, \u003cem>My Mañana Comes\u003c/em> opens at the Marin Theatre Company for its Bay Area premiere.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10922866\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/Kinmont-400x414.jpg\" alt=\"Robert Kinmont, '8 Natural Handstands' (detail), 1969/2005.\" width=\"400\" height=\"414\" class=\"size-thumbnail wp-image-10922866\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Kinmont-400x414.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Kinmont-580x600.jpg 580w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Kinmont-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/Kinmont.jpg 800w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Robert Kinmont, ‘8 Natural Handstands’ (detail), 1969/2005. \u003ccite>(Photo: Courtesy Alexander and Bonin Gallery, New York)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Robert Kinmont\u003c/h3>\n\u003ch5>Oct. 31–Jan. 24\u003cbr>\ndiRosa\u003cbr>\n\u003ca href=\"http://www.dirosaart.org/robert-kinmont/\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/h5>\n\u003cp>The North Bay commendably champions its own artistic legends, but even locals are forgiven if the name Robert Kinmont doesn’t ring a bell. After all, the Sonoma-based artist took a hiatus of nearly three decades to study Buddhism and work as a carpenter. Early works featured in his first Bay Area solo exhibition in over 45 years include the wry photo series \u003cem>8 Natural Handstands\u003c/em> (1969) and the wood-and-sage sculpture \u003cem>Sit on the Floor\u003c/em> (1971). But Kinmont’s sense of humor is especially on display in his later work, made after returning to art in 2005 — a copper stage hosting an argument between a pile of dirt and a pile of feathers; a large piece titled \u003cem>TWO EDUCATED 120-MILLION-YEAR-OLD BOULDERS TRYING TO ENCOURAGE 47 YOUNG WILLOWS TO BE PATIENT\u003c/em>. In diRosa’s rural setting especially, Kinmont’s work may have found its ideal site.\n\u003c/p>\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_10922867\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/08/LaverneCox-400x239.jpg\" alt=\"Laverne Cox\" width=\"400\" height=\"239\" class=\"size-thumbnail wp-image-10922867\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/LaverneCox-400x239.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/08/LaverneCox.jpg 800w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Laverne Cox \u003ccite>(Courtesy of Sonoma State University)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Laverne Cox in Conversation\u003c/h3>\n\u003ch5>Nov. 12\u003cbr>\nGreen Music Center\u003cbr>\n\u003ca href=\"http://gmc.sonoma.edu/event/2784322-women-in-leadership-laverne-cox\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/h5>\n\u003cp>As Sophia on the television series \u003cem>Orange is the New Black\u003c/em>, Laverne Cox has already played a role in certain social evolutions: the series is distributed through the streaming service Netflix instead of conventional network or cable channels, and the show features a predominantly female cast of inmates in a women’s prison. Cox is also the first openly transgender actor to be nominated for a Primetime Emmy Award, and in 2014, she became the first transgender person on the cover of \u003cem>Time\u003c/em> magazine. Smart and eloquent, Cox appears at the Green Music Center in a moderated discussion of her life and career with a message of personal freedom that transcends the transgender community.\n\u003c/p>\u003c/div>\n\u003ch2>Briefly Noted\u003c/h2>\n\u003ch3>Kristin Chenoweth\u003c/h3>\n\u003ch5>Sept. 25\u003cbr>\nGreen Music Center\u003c/h5>\n\u003cp>The star of stage and screen performs her Broadway hits and own recordings.\u003cbr>\n\u003ca href=\"http://gmc.sonoma.edu/event/2613526-kristin-chenoweth\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/p>\n\u003ch3>Mill Valley Film Festival\u003c/h3>\n\u003ch5>Oct. 8–18\u003cbr>\nVarious Marin County Venues\u003c/h5>\n\u003cp>Annual festival whose lineup consistently features big stars and Oscar contenders.\u003cbr>\n\u003ca href=\"http://www.mvff.com/\">Tickets and information\u003c/a>\u003c/p>\n\u003ch3>‘Focus on Photography’\u003c/h3>\n\u003ch5>Sept. 3–Oct. 25\u003cbr>\nUniversity Art Gallery, Sonoma State University\u003c/h5>\n\u003cp>Work by Robert Mapplethorpe, Eadweard Muybridge, Carleton Watkins, Annie Leibovitz, Ansel Adams and others.\u003cbr>\n\u003ca href=\"http://www.sonoma.edu/newscenter/2015/08/ssu-art-gallery-presents-focus-on-photography.html\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/p>\n\u003ch3>Janeane Garofolo\u003c/h3>\n\u003ch5>Nov. 21\u003cbr>\nCity Winery\u003c/h5>\n\u003cp>Whip-smart comic whose underappreciated sardonic humor is featured in Netflix’s reboot of \u003cem>Wet Hot American Summer\u003c/em>.\u003cbr>\n\u003ca href=\"http://www.citywinery.com/napa/tickets/janeane-garofalo-early-show-11-21.html\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/p>\n\u003ch3>Mavis Staples and Joan Osborne\u003c/h3>\n\u003ch5>Sept. 27\u003cbr>\nUptown Theatre\u003c/h5>\n\u003cp>The gospel singer who’s made a string of excellent crossover albums appears with her sister-in-spirit.\u003cbr>\n\u003ca href=\"http://www.uptowntheatrenapa.com/event/mavis-staples-and-joan-osborne/\" target=\"_blank\" rel=\"noopener\">Tickets and information\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
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},
"fresh-air": {
"id": "fresh-air",
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"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
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},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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},
"link": "/radio/program/latino-usa",
"subscribe": {
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
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"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
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"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
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"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
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