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"content": "\u003cp>I discovered punk as a preteen in the early nineties. It was about the same time that my family signed up for AOL. This lucky convergence meant that I frequently stayed up all night on weekends doing internet searches (because I don’t think Google was a verb yet) on the word “punk.” I spent hours studying fan sites hosted by \u003ca href=\"http://geocities.yahoo.com/\">GeoCities\u003c/a> and featuring animated gifs of mohawks headbanging. Yahoo is shutting GeoCities down later this year, and I imagine most of those punk fan sites disappeared long ago. Internet fandom is a little more overwhelming now: no web-savvy kid would type “punk” into Google and expect to end up with lovingly pieced together sites created by obsessed fans (You don’t. You get Wikipedia and YouTube.).\u003c/p>\n\u003cp>But that doesn’t mean there’s not homegrown stuff out there. Take \u003cb>\u003ca href=\"http://mondovision.tv/\">mondovision.tv\u003c/a>\u003c/b>, for instance. \u003cb>Mondo Vision\u003c/b> bills itself as San Francisco’s only punk videozine, which seems like a pretty safe claim. In their five episodes so far, they’ve interviewed people on the street and bands in basements, people at shows, and — in one notable instance in episode four — a band in a dumpster in Oakland. The video quality ranges from good to incomprehensibly bad, but the editing is great: not always smooth, but always quick-witted.\u003c/p>\n\u003cp>In addition to scenes of live shows and interviews with bands, each episode also has a loose theme. The hosts talk with people about their favorite live shows, the end of the world (is the apocalypse imminent, and if so, do you care?), and gentrification. The answers, like the questions, range from thoughtful to ridiculous. \u003cb>Mondo Vision\u003c/b> isn’t afraid to look silly or earnest, and it pulls off both, able to switch gears on a dime.\u003c/p>\n\u003cp>It provides a glimpse into a scene its creators are a part of: made up mostly of young creative people who care about their music and their world, even if for some it’s the small world of Oakland punk houses and outdoor shows. A topic throughout the show is the shortage of all-ages venues in San Francisco. In earlier episodes teenagers say the scene comes in waves, depending on where they’re allowed to play in the city. By later episodes, there’s an active fundraising drive to create a \u003ca href=\"http://www.sfallages.org\">non-profit all-ages venue\u003c/a>.\u003c/p>\n\u003cp>\u003cb>Mondo Vision\u003c/b>, like the bands, record labels, and houses that are a part of the Bay Area punk scene, is a labor of love. One of the best parts about \u003cb>Mondo Vision\u003c/b> is that it’s documenting people and places that are real, here, now.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>I discovered punk as a preteen in the early nineties. It was about the same time that my family signed up for AOL. This lucky convergence meant that I frequently stayed up all night on weekends doing internet searches (because I don’t think Google was a verb yet) on the word “punk.” I spent hours studying fan sites hosted by \u003ca href=\"http://geocities.yahoo.com/\">GeoCities\u003c/a> and featuring animated gifs of mohawks headbanging. Yahoo is shutting GeoCities down later this year, and I imagine most of those punk fan sites disappeared long ago. Internet fandom is a little more overwhelming now: no web-savvy kid would type “punk” into Google and expect to end up with lovingly pieced together sites created by obsessed fans (You don’t. You get Wikipedia and YouTube.).\u003c/p>\n\u003cp>But that doesn’t mean there’s not homegrown stuff out there. Take \u003cb>\u003ca href=\"http://mondovision.tv/\">mondovision.tv\u003c/a>\u003c/b>, for instance. \u003cb>Mondo Vision\u003c/b> bills itself as San Francisco’s only punk videozine, which seems like a pretty safe claim. In their five episodes so far, they’ve interviewed people on the street and bands in basements, people at shows, and — in one notable instance in episode four — a band in a dumpster in Oakland. The video quality ranges from good to incomprehensibly bad, but the editing is great: not always smooth, but always quick-witted.\u003c/p>\n\u003cp>In addition to scenes of live shows and interviews with bands, each episode also has a loose theme. The hosts talk with people about their favorite live shows, the end of the world (is the apocalypse imminent, and if so, do you care?), and gentrification. The answers, like the questions, range from thoughtful to ridiculous. \u003cb>Mondo Vision\u003c/b> isn’t afraid to look silly or earnest, and it pulls off both, able to switch gears on a dime.\u003c/p>\n\u003cp>It provides a glimpse into a scene its creators are a part of: made up mostly of young creative people who care about their music and their world, even if for some it’s the small world of Oakland punk houses and outdoor shows. A topic throughout the show is the shortage of all-ages venues in San Francisco. In earlier episodes teenagers say the scene comes in waves, depending on where they’re allowed to play in the city. By later episodes, there’s an active fundraising drive to create a \u003ca href=\"http://www.sfallages.org\">non-profit all-ages venue\u003c/a>.\u003c/p>\n\u003cp>\u003cb>Mondo Vision\u003c/b>, like the bands, record labels, and houses that are a part of the Bay Area punk scene, is a labor of love. One of the best parts about \u003cb>Mondo Vision\u003c/b> is that it’s documenting people and places that are real, here, now.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Every Monday, the KQED Arts blog features a new \u003cb>Video of the Week\u003c/b> to start the work week off right.\u003c/p>\n\u003cp>Everytime I would get into trouble in elementary school — for being late, cursing, or writing the answers to a test on the underside of my shoe — I was forced to stay after school and clean the chalkboards. Part of this task was going outside and clapping the erasers. Chalk got on my clothes and in my hair and mouth. As a result, I’ve kind of always hated the stuff, but this video is turning things around. Watch as steamboats turn into eyes, teeth turn into houses, and diamonds turn into trees in this music video directed by Lucinda Schreiber and Yanni Kronenberg.\u003c/p>\n\u003cp>If you have any crazy sexy cool videos of your own, share them with us and we’ll consider them for future installments of Video of the Week!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>The biggest cultural smackdown in San Francisco for years has ended, but with no clear winner. In one corner, Gap founder Donald Fisher has been forced to abandon his plan to build a \u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2009/07/02/MNJL18HMBA.DTL&tsp=1\">monumental new gallery in the Presidio\u003c/a>, but he hasn’t had to give up on his vanity art project completely. Let’s face it, anyone looking to spend $100 million on a showcase for a billion-dollar art collection is unlikely to have too much trouble finding an alternate location. Meanwhile, the venerable \u003ca href=\"http://www.presidiobowl.com/\">Presidio Bowling Center\u003c/a>, which was facing destruction to make way for Don’s mega art shack, has escaped the wrecking ball for now, but \u003ca href=\"http://www.sfexaminer.com/local/Bowling-alley-may-not-be-spared-51536157.html\" target=\"offsite\" rel=\"noopener\">its long-term future is still far from secure\u003c/a>.\u003c/p>\n\u003cp>You may think I’m overstating the cultural signifigance of this battle royal, and you’re probably right. The Fisherarium was never going to make much of an impact on the arts scene of an area already well served with internationally renowned exhibition spaces. But the Presidio Bowling Center is a different matter. It’s pretty much the only place to roll in San Francisco, and losing it would leave a deep gap (no pun intended) in the city’s leisure landscape.\u003c/p>\n\u003cp>Of course, my perspective on the importance of bowling may be a little skewed. Like most adult immigrants to the United States, my early impressions of this great nation were formed via a steady diet of exported films and TV shows where bowling looms very large indeed. From \u003ca href=\"http://www.youtube.com/watch?v=A20j3PEl3Hk\">The Flintstones\u003c/a> to \u003ca href=\"http://www.youtube.com/watch?v=bT9Tw3CwocQ\">Bowling for Columbine\u003c/a>, from \u003ca href=\"http://www.youtube.com/watch?v=BNnuddpGQnE\">The Deer Hunter\u003c/a> to \u003ca href=\"http://www.youtube.com/watch?v=cz2ET5K6zY0\">The Big Lebowski\u003c/a>, bowling alleys aren’t just handy settings for characters to talk and high five, but also a representation of something quintessentially American. It’s no coincidence that the serial killer hero in \u003ca href=\"http://www.youtube.com/watch?v=ABem30Xsh7Q&NR\">Dexter\u003c/a> is a regular bowler: what better way for a homicidal psychopath to look like a regular joe? \u003c/p>\n\u003cp>\u003cb>The Big Lebowski\u003c/b> was a particular reference point for my pre-arrival preconceptions about California. That may sound surprising, but, for all the surreal weirdness of its plot and characters, the movie is set in places that are almost banal in their ordinariness: suburban houses, diners, parking lots, and, of course, the bowling alley. So it was a shock to arrive here and find myself in a city so poorly served for 10-pin action. Sure, there are plenty of lanes close by: the \u003ca href=\"http://www.seabowl.com/\">Sea Bowl\u003c/a> in Pacifica, the \u003ca href=\"http://www.classicbowling.com/\">Classic Bowling Center\u003c/a> in Daly City (which has hosted the “San Francisco” leg of \u003ca href=\"http://www.lebowskifest.com/\">Lebowski Fest\u003c/a> for the past two years), the \u003ca href=\"http://www.albanybowl.biz/\">Albany Bowl\u003c/a> in the East Bay, and more. But in San Francisco itself there’s only the Presidio. (OK, technically there’s a bowling alley in the \u003ca href=\"http://www.skatebowl.com/Bowling_Center/bowling.htm\">Yerba Buena Center\u003c/a>, but it’s tiny and so lifeless that the ice rink next door feels warm by comparison. For the purposes of this discussion, it doesn’t count.)\u003c/p>\n\u003cp>So is the city of San Francisco set to lose its bowling mecca, a place so dedicated to strikes, spares, and odd-colored shoes that it stays open 365 days a year, serves around 40 different types of beer, and even openly sells corn dogs? Presidio Bowling Center has been battling to stay alive ever since the Fisher gallery plan was announced in 2007 and things still don’t look great, despite the recent collapse of the art museum project. It has been operating on a month-to-month basis since its long-term lease ran out in April this year, and owner Victor Meyerhoff is meeting with the Presidio Trust on August 13 to discuss the center’s future. “The Presidio [Trust] has said a bowling center at the Main Post is not in its long-term plans,” Meyerhoff states bluntly. “I believe our meeting will address how long we will be able to stay in our current location and also discuss the possibility of a move to Crissy Field.” The Presidio Trust’s plans should be finalized by the end of the year.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Presidio Bowling Center is open daily from 9am to midnight, and late until 2am on Fridays and Saturdays, at least for now. For more information, visit \u003ca href=\"http://www.presidiobowl.com/9.html\">presidiobowl.com\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The biggest cultural smackdown in San Francisco for years has ended, but with no clear winner. In one corner, Gap founder Donald Fisher has been forced to abandon his plan to build a \u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2009/07/02/MNJL18HMBA.DTL&tsp=1\">monumental new gallery in the Presidio\u003c/a>, but he hasn’t had to give up on his vanity art project completely. Let’s face it, anyone looking to spend $100 million on a showcase for a billion-dollar art collection is unlikely to have too much trouble finding an alternate location. Meanwhile, the venerable \u003ca href=\"http://www.presidiobowl.com/\">Presidio Bowling Center\u003c/a>, which was facing destruction to make way for Don’s mega art shack, has escaped the wrecking ball for now, but \u003ca href=\"http://www.sfexaminer.com/local/Bowling-alley-may-not-be-spared-51536157.html\" target=\"offsite\" rel=\"noopener\">its long-term future is still far from secure\u003c/a>.\u003c/p>\n\u003cp>You may think I’m overstating the cultural signifigance of this battle royal, and you’re probably right. The Fisherarium was never going to make much of an impact on the arts scene of an area already well served with internationally renowned exhibition spaces. But the Presidio Bowling Center is a different matter. It’s pretty much the only place to roll in San Francisco, and losing it would leave a deep gap (no pun intended) in the city’s leisure landscape.\u003c/p>\n\u003cp>Of course, my perspective on the importance of bowling may be a little skewed. Like most adult immigrants to the United States, my early impressions of this great nation were formed via a steady diet of exported films and TV shows where bowling looms very large indeed. From \u003ca href=\"http://www.youtube.com/watch?v=A20j3PEl3Hk\">The Flintstones\u003c/a> to \u003ca href=\"http://www.youtube.com/watch?v=bT9Tw3CwocQ\">Bowling for Columbine\u003c/a>, from \u003ca href=\"http://www.youtube.com/watch?v=BNnuddpGQnE\">The Deer Hunter\u003c/a> to \u003ca href=\"http://www.youtube.com/watch?v=cz2ET5K6zY0\">The Big Lebowski\u003c/a>, bowling alleys aren’t just handy settings for characters to talk and high five, but also a representation of something quintessentially American. It’s no coincidence that the serial killer hero in \u003ca href=\"http://www.youtube.com/watch?v=ABem30Xsh7Q&NR\">Dexter\u003c/a> is a regular bowler: what better way for a homicidal psychopath to look like a regular joe? \u003c/p>\n\u003cp>\u003cb>The Big Lebowski\u003c/b> was a particular reference point for my pre-arrival preconceptions about California. That may sound surprising, but, for all the surreal weirdness of its plot and characters, the movie is set in places that are almost banal in their ordinariness: suburban houses, diners, parking lots, and, of course, the bowling alley. So it was a shock to arrive here and find myself in a city so poorly served for 10-pin action. Sure, there are plenty of lanes close by: the \u003ca href=\"http://www.seabowl.com/\">Sea Bowl\u003c/a> in Pacifica, the \u003ca href=\"http://www.classicbowling.com/\">Classic Bowling Center\u003c/a> in Daly City (which has hosted the “San Francisco” leg of \u003ca href=\"http://www.lebowskifest.com/\">Lebowski Fest\u003c/a> for the past two years), the \u003ca href=\"http://www.albanybowl.biz/\">Albany Bowl\u003c/a> in the East Bay, and more. But in San Francisco itself there’s only the Presidio. (OK, technically there’s a bowling alley in the \u003ca href=\"http://www.skatebowl.com/Bowling_Center/bowling.htm\">Yerba Buena Center\u003c/a>, but it’s tiny and so lifeless that the ice rink next door feels warm by comparison. For the purposes of this discussion, it doesn’t count.)\u003c/p>\n\u003cp>So is the city of San Francisco set to lose its bowling mecca, a place so dedicated to strikes, spares, and odd-colored shoes that it stays open 365 days a year, serves around 40 different types of beer, and even openly sells corn dogs? Presidio Bowling Center has been battling to stay alive ever since the Fisher gallery plan was announced in 2007 and things still don’t look great, despite the recent collapse of the art museum project. It has been operating on a month-to-month basis since its long-term lease ran out in April this year, and owner Victor Meyerhoff is meeting with the Presidio Trust on August 13 to discuss the center’s future. “The Presidio [Trust] has said a bowling center at the Main Post is not in its long-term plans,” Meyerhoff states bluntly. “I believe our meeting will address how long we will be able to stay in our current location and also discuss the possibility of a move to Crissy Field.” The Presidio Trust’s plans should be finalized by the end of the year.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"masters-of-scale": {
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},
"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"pbs-newshour": {
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},
"perspectives": {
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"order": 14
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 5
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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