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"content": "\u003cp>This week, we’re doing things a little differently. Instead of one notable \u003cb>Video of the Week\u003c/b>, we’ll be sharing one per day. Each clip will be a music video featuring an over-the-top, campy female singer.\u003c/p>\n\u003cp>Now, I know what you’re thinking. Yes, at first glance, Lady Gaga seems like yet another vacuous fembot because we’re used to people like Britney Spears and Paris Hilton who are more famous for sex tapes and \u003ca href=\"http://www.dvorak.org/blog/wp-content/uploads/2009/03/britney_spears_shaving-hair-bald.jpg\" target=\"offsite\" rel=\"noopener\">publicity stunts\u003c/a> than actual creativity or talent. But, trust me on this one: Lady Gaga is different (she’s actually smart and can sing). Her whole musical persona is an act of performance art (from her \u003ca href=\"http://www.celebrity-gossip.net/images/photos/lady-gaga-muppet-marvelous.jpg\" target=\"offsite\" rel=\"noopener\">bizzare\u003c/a> \u003ca href=\"http://4.bp.blogspot.com/_s4Xdu16e-dE/ScIheDOD6-I/AAAAAAAABBM/aV7gjRlZWl8/s400/1757203558_3797225497.jpg\" target=\"offsite\" rel=\"noopener\">fashion\u003c/a> \u003ca href=\"http://www.heatworld.com/img/upload/500x400/1000076993.jpg\" target=\"offsite\" rel=\"noopener\">choices\u003c/a> to bringing her own \u003ca href=\"http://wbli.com/images/2009/04/lady%20gaga%20brings%20her%20teacup%20everywhere_o.jpg\" target=\"offsite\" rel=\"noopener\">tea cup\u003c/a> everywhere) and a critique of pop culture and fame whoredom. She’s becoming the very thing she derides. If you still don’t believe me, watch her music video for “Paparazzi.” There’s wheelchair choreography!\u003c/p>\n\u003cp>Note: This is the edited version. If you don’t mind a few ruffled feathers, here’s the \u003ca href=\"http://www.youtube.com/watch?v=QQJ9Vi8GLok\" target=\"offsite\" rel=\"noopener\">original cut\u003c/a>.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=MOrycPC9sOM&hl=en&fs=1&color1=0x402061&color2=0x9461ca]\u003c/p>\n\u003cp>If you have any crazy sexy cool videos of your own, share them with us and we’ll consider them for future installments of \u003cb>Video of the Week\u003c/b>!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>This week, we’re doing things a little differently. Instead of one notable \u003cb>Video of the Week\u003c/b>, we’ll be sharing one per day. Each clip will be a music video featuring an over-the-top, campy female singer.\u003c/p>\n\u003cp>You’re probably among the almost 3 million people who’ve seen the literal version of Bonnie Tyler’s 1983 music video for “Total Eclipse of the Heart,” which ventures to explain a random army of Fonzies, blind possessed choir boys, and more. But there’s also a chance that you’ve been living under a rock or in whatever cave Osama has been hiding in. Just in case you’ve missed this hilarious clip or just want to see it again, feast below.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=lj-x9ygQEGA&hl=en&fs=1&color1=0x006699&color2=0x54abd6]\u003c/p>\n\u003cp>If you have any crazy sexy cool videos of your own, share them with us and we’ll consider them for future installments of \u003cb>Video of the Week\u003c/b>!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>You’ve seen this picture. It’s been making the rounds online. It’s the money shot from \u003ci>Mega Shark Vs. Giant Octopus\u003c/i>.\u003c/p>\n\u003cp>Yes, there’s a movie called \u003ci>Mega Shark Vs. Giant Octopus\u003c/i>. And I’ve watched it, all the way from start to finish. I actually bought the DVD. And I’m here to tell you: Wow, what a waste of time. Why the hell did I just do that?\u003c/p>\n\u003cp>Your generous KQED donation dollars at work, people!\u003c/p>\n\u003cp>Wait. I remember. I was trying to find something dumb and fun and locally relevant to suggest you watch with friends and alcohol over the coming long holiday weekend. And \u003ci>Mega Shark Vs. Giant Octopus\u003c/i> might just fit that bill, as long as you don’t skimp on the friends and the alcohol. Watching it alone and sober would be pretty depressing.\u003c/p>\n\u003cp>It stars a barely passable but pleasant enough Deborah Gibson (that’s what we call her now) and a pompous, pony-tailed Lorenzo Lamas, among others. The others include a mega shark and a giant octopus. It’s from a company known as The Asylum, which is also responsible for \u003ci>Transmorphers\u003c/i>, \u003ci>The Day the Earth Stopped\u003c/i> and \u003ci>Snakes on a Train\u003c/i>. “\u003ca href=\"http://www.film.com/features/story/snakes-train-i-am-omega/28659008\">Mockbusters\u003c/a>,” they’ve been called. That’s a good one.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>As for \u003ci>Mega Shark Vs. Giant Octopus\u003c/i>, well, it might be said to be in the tradition of \u003ci>King Kong vs. Godzilla\u003c/i>, \u003ci>Alien vs. Predator\u003c/i>, \u003ci>Monsters vs. Aliens\u003c/i> (also of local interest) and even, on an abstract level, \u003ci>The Squid and the Whale\u003c/i>.\u003c/p>\n\u003cp>And of course it also harkens back to \u003ci>It Came From Beneath the Sea\u003c/i>, from 1955 — a simpler time, when there were no mega sharks to speak of, but there were giant octopi, and they too would bring their wrath to bear on the Golden Gate Bridge. (Here’s a clip, with charming French subtitles: “Le monstre attaque le Golden Gate.”)\u003c/p>\n\u003cp>http://youtu.be/uJqXEhMdlg4\u003c/p>\n\u003cp>You might wonder: What does a giant octopus or a mega shark have to be wrathful about? In 1955, it was atomic testing. In 2009 it’s global warming. Bottom line: it’s us. “Maybe this is our comeuppance,” as Deborah Gibson’s character puts it.\u003c/p>\n\u003cp>That reminded me of the opening narration from \u003ci>It Came From Beneath the Sea\u003c/i>: “The mind of man had thought of everything — except that which was beyond his comprehension. BWWAH-HA HA HA HA!”\u003c/p>\n\u003cp>Actually, the maniacal laugh’s not in there. But it’s implied.\u003c/p>\n\u003cp>Other good lines from \u003ci>It Came From Beneath the Sea\u003c/i> include “Doctor, what kind of a sea beast would be that large?” and “Red alert for Operation Sea Beast! Get traffic off the Golden Gate Bridge!”\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2009/07/it-came.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2009/07/it-came.jpg\" alt=\"it-came\" width=\"500\" height=\"370\" class=\"aligncenter size-full wp-image-128667\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2009/07/it-came.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2009/07/it-came-400x296.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2009/07/it-came-300x222.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>Other good lines from \u003ci>Mega Shark Vs. Giant Octopus\u003c/i> include “You know I’m right, Dick. There’s something big out there. Something really big.” and “Those guys have been frozen in ice for millions of years. Wouldn’t you be a little horny?”\u003c/p>\n\u003cp>Right: back to the money shot. Although I might be the only person you know who actually bought the DVD of \u003ci>Mega Shark Vs. Giant Octopus\u003c/i>, I’m certainly not alone in remembering the history of movie havoc on the Golden Gate Bridge. (Did you know Alfred Hitchcock meant to end \u003ci>The Birds\u003c/i> on a shot of the bridge covered with birds? That would have been something, but he couldn’t afford it.)\u003c/p>\n\u003cp>In recent years, the havoc seems to have become more frequent. Early last month, in the film blog for London’s Guardian newspaper, Henry Barnes asked, “Is it just because New York’s skyline is off limits?”\u003c/p>\n\u003cp>“In comparison the Golden Gate Bridge is a politically safe setting for a director’s worst case scenario,” Barnes wrote. “It’s far from New York (and close to Hollywood), instantly recognizable to an international audience and emotionally evocative to an American one. Unlike the Statue of Liberty, it’s a genuine American construct, built during the Great Depression and therefore symbolic of the country’s resilience — a visual metaphor for American unity, there to be smashed whenever a director needs to fast-track an audience into alienation and panic.” \u003ca href=\"http://www.guardian.co.uk/film/filmblog/2009/jun/09/golden-gate-bridge-sci-fi-films\">Read the full article.\u003c/a>\u003c/p>\n\u003cp>That might be the most thoughtful thing anyone will ever write underneath a picture of the money shot from \u003ci>Mega Shark Vs. Giant Octopus\u003c/i>.\u003c/p>\n\u003cp>A week or so later, our fair city’s own 7×7 magazine got in on the game, with its own blog post, “\u003ca href=\"http://www.7x7.com/blogs/screen-shots/dear-hollywood-stop-destroying-golden-gate-bridge\">Dear Hollywood, Stop Destroying the Golden Gate Bridge\u003c/a>,” and a list of famous examples (look again for \u003ci>Monsters vs. Aliens\u003c/i>). Then Empire ran a slide show called “The Golden Gate Bridge in the Movies.”\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2009/07/monsters-vs-aliens.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2009/07/monsters-vs-aliens.jpg\" alt=\"monsters-vs-aliens\" width=\"500\" height=\"240\" class=\"aligncenter size-full wp-image-128668\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2009/07/monsters-vs-aliens.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2009/07/monsters-vs-aliens-400x192.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2009/07/monsters-vs-aliens-300x144.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>SF Weekly did something like that too, a while back, with “\u003ca href=\"http://www.sfweekly.com/slideshow/view/265938/\">The 10 Best Movies That Wreck San Francisco\u003c/a>.” But that was before \u003ci>Mega Shark Vs. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>You’ve seen this picture. It’s been making the rounds online. It’s the money shot from \u003ci>Mega Shark Vs. Giant Octopus\u003c/i>.\u003c/p>\n\u003cp>Yes, there’s a movie called \u003ci>Mega Shark Vs. Giant Octopus\u003c/i>. And I’ve watched it, all the way from start to finish. I actually bought the DVD. And I’m here to tell you: Wow, what a waste of time. Why the hell did I just do that?\u003c/p>\n\u003cp>Your generous KQED donation dollars at work, people!\u003c/p>\n\u003cp>Wait. I remember. I was trying to find something dumb and fun and locally relevant to suggest you watch with friends and alcohol over the coming long holiday weekend. And \u003ci>Mega Shark Vs. Giant Octopus\u003c/i> might just fit that bill, as long as you don’t skimp on the friends and the alcohol. Watching it alone and sober would be pretty depressing.\u003c/p>\n\u003cp>It stars a barely passable but pleasant enough Deborah Gibson (that’s what we call her now) and a pompous, pony-tailed Lorenzo Lamas, among others. The others include a mega shark and a giant octopus. It’s from a company known as The Asylum, which is also responsible for \u003ci>Transmorphers\u003c/i>, \u003ci>The Day the Earth Stopped\u003c/i> and \u003ci>Snakes on a Train\u003c/i>. “\u003ca href=\"http://www.film.com/features/story/snakes-train-i-am-omega/28659008\">Mockbusters\u003c/a>,” they’ve been called. That’s a good one.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>As for \u003ci>Mega Shark Vs. Giant Octopus\u003c/i>, well, it might be said to be in the tradition of \u003ci>King Kong vs. Godzilla\u003c/i>, \u003ci>Alien vs. Predator\u003c/i>, \u003ci>Monsters vs. Aliens\u003c/i> (also of local interest) and even, on an abstract level, \u003ci>The Squid and the Whale\u003c/i>.\u003c/p>\n\u003cp>And of course it also harkens back to \u003ci>It Came From Beneath the Sea\u003c/i>, from 1955 — a simpler time, when there were no mega sharks to speak of, but there were giant octopi, and they too would bring their wrath to bear on the Golden Gate Bridge. (Here’s a clip, with charming French subtitles: “Le monstre attaque le Golden Gate.”)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/uJqXEhMdlg4'\n title='//www.youtube.com/embed/uJqXEhMdlg4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>You might wonder: What does a giant octopus or a mega shark have to be wrathful about? In 1955, it was atomic testing. In 2009 it’s global warming. Bottom line: it’s us. “Maybe this is our comeuppance,” as Deborah Gibson’s character puts it.\u003c/p>\n\u003cp>That reminded me of the opening narration from \u003ci>It Came From Beneath the Sea\u003c/i>: “The mind of man had thought of everything — except that which was beyond his comprehension. BWWAH-HA HA HA HA!”\u003c/p>\n\u003cp>Actually, the maniacal laugh’s not in there. But it’s implied.\u003c/p>\n\u003cp>Other good lines from \u003ci>It Came From Beneath the Sea\u003c/i> include “Doctor, what kind of a sea beast would be that large?” and “Red alert for Operation Sea Beast! Get traffic off the Golden Gate Bridge!”\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2009/07/it-came.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2009/07/it-came.jpg\" alt=\"it-came\" width=\"500\" height=\"370\" class=\"aligncenter size-full wp-image-128667\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2009/07/it-came.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2009/07/it-came-400x296.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2009/07/it-came-300x222.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>Other good lines from \u003ci>Mega Shark Vs. Giant Octopus\u003c/i> include “You know I’m right, Dick. There’s something big out there. Something really big.” and “Those guys have been frozen in ice for millions of years. Wouldn’t you be a little horny?”\u003c/p>\n\u003cp>Right: back to the money shot. Although I might be the only person you know who actually bought the DVD of \u003ci>Mega Shark Vs. Giant Octopus\u003c/i>, I’m certainly not alone in remembering the history of movie havoc on the Golden Gate Bridge. (Did you know Alfred Hitchcock meant to end \u003ci>The Birds\u003c/i> on a shot of the bridge covered with birds? That would have been something, but he couldn’t afford it.)\u003c/p>\n\u003cp>In recent years, the havoc seems to have become more frequent. Early last month, in the film blog for London’s Guardian newspaper, Henry Barnes asked, “Is it just because New York’s skyline is off limits?”\u003c/p>\n\u003cp>“In comparison the Golden Gate Bridge is a politically safe setting for a director’s worst case scenario,” Barnes wrote. “It’s far from New York (and close to Hollywood), instantly recognizable to an international audience and emotionally evocative to an American one. Unlike the Statue of Liberty, it’s a genuine American construct, built during the Great Depression and therefore symbolic of the country’s resilience — a visual metaphor for American unity, there to be smashed whenever a director needs to fast-track an audience into alienation and panic.” \u003ca href=\"http://www.guardian.co.uk/film/filmblog/2009/jun/09/golden-gate-bridge-sci-fi-films\">Read the full article.\u003c/a>\u003c/p>\n\u003cp>That might be the most thoughtful thing anyone will ever write underneath a picture of the money shot from \u003ci>Mega Shark Vs. Giant Octopus\u003c/i>.\u003c/p>\n\u003cp>A week or so later, our fair city’s own 7×7 magazine got in on the game, with its own blog post, “\u003ca href=\"http://www.7x7.com/blogs/screen-shots/dear-hollywood-stop-destroying-golden-gate-bridge\">Dear Hollywood, Stop Destroying the Golden Gate Bridge\u003c/a>,” and a list of famous examples (look again for \u003ci>Monsters vs. Aliens\u003c/i>). Then Empire ran a slide show called “The Golden Gate Bridge in the Movies.”\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2009/07/monsters-vs-aliens.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2009/07/monsters-vs-aliens.jpg\" alt=\"monsters-vs-aliens\" width=\"500\" height=\"240\" class=\"aligncenter size-full wp-image-128668\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2009/07/monsters-vs-aliens.jpg 500w, https://cdn.kqed.org/wp-content/uploads/sites/2/2009/07/monsters-vs-aliens-400x192.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2009/07/monsters-vs-aliens-300x144.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>SF Weekly did something like that too, a while back, with “\u003ca href=\"http://www.sfweekly.com/slideshow/view/265938/\">The 10 Best Movies That Wreck San Francisco\u003c/a>.” But that was before \u003ci>Mega Shark Vs. Giant Octopus\u003c/i>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As awful as it is, \u003ci>Mega Shark Vs. Giant Octopus\u003c/i> nonetheless upholds some perverse, self-destructive point of local pride. Huzzah! Plus, it does at least manage more narrative coherence than \u003ci>Transformers: Revenge of the Fallen\u003c/i>. As for \u003ci>Transmorphers\u003c/i>, I can’t speak to that; I haven’t yet seen it. Maybe next weekend?\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"officialWebsiteLink": "/californiareport",
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"order": 8
},
"link": "/californiareport",
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},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
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"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"rss": "https://feeds.megaphone.fm/KQINC2275451163"
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"source": "WaitWhat"
},
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
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