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"content": "\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-11126413\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px.png\" alt=\"Art_Nerd-HolidayGuide-2015-300px\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px.png 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px-32x32.png 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px-64x64.png 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px-96x96.png 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px-128x128.png 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px-75x75.png 75w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/p>\n\u003cp>Of all the great holiday traditions, there are only two that really matter: the annual outing to see \u003cem>The Nutcracker\u003c/em>, \u003cem>A Christmas Carol\u003c/em> or \u003cem>The Messiah\u003c/em>…and drinking.\u003c/p>\n\u003cp>Here at KQED Arts, we thought it would make a lot of sense to combine them. So we’ve created a bunch of tasty cocktails to help enhance your cultural pleasure this holiday season.\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11141407\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11141407\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/DSC03666-e1449526423637-400x465.jpg\" alt=\"The Nutcracker\" width=\"400\" height=\"465\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03666-e1449526423637-400x465.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03666-e1449526423637-516x600.jpg 516w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03666-e1449526423637-1015x1180.jpg 1015w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03666-e1449526423637-1920x2233.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03666-e1449526423637-1180x1372.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03666-e1449526423637-960x1117.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">The Nutcracker \u003ccite>(Photo: Jim Ratcliffe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The Nutcracker\u003c/h3>\n\u003cp>Gird yourself for another matinee appearance of the sugarplum fairy with this robust cocktail. A comforting drink with a dark underside, The Nutcracker captures the brooding fantasy of Tchaikovsky’s ballet in a tumbler. We matched rye whiskey with the burnt orange flavors of Amaro Nardini and black walnut bitters to create a nutty tribute to the perennial holiday favorite. Perfect as a pre-curtain libation, or surreptitiously sipped from a flask in your seat. Prost!\u003c/p>\n\u003cdiv class=\"recipe\" style=\"width: 620px;float: left\">\n\u003cp>\u003cb>Recipe:\u003c/b>\u003c/p>\n\u003ch5>1.5 oz rye whiskey\u003cbr>\n.5 oz simple syrup\u003cbr>\n5 dashes black walnut bitters\u003cbr>\n1 oz Amaro Nardini\u003cbr>\n.25 tsp nutmeg\u003c/h5>\n\u003ch5>Shake ingredients together with ice and serve in an old fashioned glass over an ice cube with a frozen walnut suspended in the middle.\u003c/h5>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11141406\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11141406\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/DSC03671-e1449526313599-400x563.jpg\" alt=\"The White Christmas\" width=\"400\" height=\"563\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03671-e1449526313599-400x563.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03671-e1449526313599-427x600.jpg 427w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03671-e1449526313599-839x1180.jpg 839w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03671-e1449526313599-1180x1659.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03671-e1449526313599-960x1350.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03671-e1449526313599.jpg 1831w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">The White Christmas \u003ccite>(Photo: Jim Ratcliffe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The White Christmas\u003c/h3>\n\u003cp>Why dream of a white Christmas when you can drink one? To evoke the velvety texture of Bing Crosby’s voice, we blended coconut milk, white rum and elderflower liquor, and then splashed in a dash of rosewater just for good measure. Dried coconut flakes turn each glass into a miniature snow globe for your winter reveries. Top with a Bing cherry (brandied) to complete the scene.\u003c/p>\n\u003cdiv class=\"recipe\" style=\"width: 620px;float: left\">\n\u003cp>\u003cb>Recipe:\u003c/b>\u003c/p>\n\u003ch5>0.75 oz coconut milk\u003cbr>\n1.5 oz white rum\u003cbr>\n1 oz Domaine Canton ginger liqueur\u003cbr>\n0.5 oz elderflower liqueur\u003cbr>\nDash of rosewater\u003c/h5>\n\u003ch5>Shake ingredients together with ice and serve in a coupe glass rimmed with dried coconut and half filled with crushed ice. Top with a Bing cherry.\u003c/h5>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11141405\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11141405\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/DSC03659-e1449526913570-400x409.jpg\" alt=\"The Grinch\" width=\"400\" height=\"409\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03659-e1449526913570-400x409.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03659-e1449526913570-587x600.jpg 587w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03659-e1449526913570-1155x1180.jpg 1155w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03659-e1449526913570-1920x1962.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03659-e1449526913570-1180x1206.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03659-e1449526913570-960x981.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03659-e1449526913570-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03659-e1449526913570-64x64.jpg 64w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">The Grinch \u003ccite>(Photo: Jim Ratcliffe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The Grinch\u003c/h3>\n\u003cp>While we considered fashioning this ode to Christmas’s greenest villain with eel, cactus and arsenic sauce, our hearts softened and we mixed a drink that would make every Who in Whoville sing. The more of this you have, the less grinchy you will be. Raise a glass in honor of a heart that grew three sizes that Christmas day.\u003c/p>\n\u003cdiv class=\"recipe\" style=\"width: 620px;float: left\">\n\u003cp>\u003cb>Recipe:\u003c/b>\u003c/p>\n\u003ch5>1.5 oz tequila\u003cbr>\n1 oz absinthe\u003cbr>\n2 kiwi fruit, peeled\u003cbr>\nHandful of mint\u003c/h5>\n\u003ch5>Blend all ingredients plus a few ice cubes in a Magic Bullet or similar food processor. Pour into a Martini glass and garnish with one shriveled, dried cranberry shaped into a heart and skewered on a swizzle stick.\u003c/h5>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11141408\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11141408\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/DSC03679-e1449527510979-400x473.jpg\" alt=\"The Jacob Marley\" width=\"400\" height=\"473\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03679-e1449527510979-400x473.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03679-e1449527510979-507x600.jpg 507w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03679-e1449527510979-998x1180.jpg 998w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03679-e1449527510979-1920x2270.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03679-e1449527510979-1180x1395.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03679-e1449527510979-960x1135.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">The Jacob Marley \u003ccite>(Photo: Jim Ratcliffe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The Jacob Marley\u003c/h3>\n\u003cp>Ebenezer Scrooge’s late business partner has been “as dead as a doornail” for more than 150 years. Although Marley’s ghost may be condemned to forever wander the Earth in chains, you can still conjure him with this boozy seance. Watch as the “louche effect” causes Marley’s spectral presence to materialize in your spirit glass! Shake your ice-filled tumbler and heed the death-rattle of his ghostly chains. God save us. Everyone. Repent and find some mistletoe before it’s too late.\u003c/p>\n\u003cdiv class=\"recipe\" style=\"width: 620px;float: left\">\n\u003cp>\u003cb>Recipe:\u003c/b>\u003c/p>\n\u003ch5>0.5 oz Benedictine\u003cbr>\n0.5 oz vodka\u003cbr>\n0.5 oz pastis\u003cbr>\n1.5 oz water\u003c/h5>\n\u003ch5>Pour the pastis into an old fashioned glass. Shake the vodka, water, Benedictine and a few ice cubes together. Then drip this blend into the glass of pastis slowly and watch the liquid become cloudy — that’s the louche effect in action. To evoke Marley’s ball and chain, add the ice and a Castelvetrano olive.\u003c/h5>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11141527\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11141527\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/DSC03700-e1449530390447-400x398.jpg\" alt=\"The Away in a Manger\" width=\"400\" height=\"398\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03700-e1449530390447-400x398.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03700-e1449530390447-603x600.jpg 603w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03700-e1449530390447-1180x1174.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03700-e1449530390447-1920x1910.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03700-e1449530390447-960x955.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03700-e1449530390447-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03700-e1449530390447-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03700-e1449530390447-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03700-e1449530390447-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03700-e1449530390447-75x75.jpg 75w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">The Away in a Manger \u003ccite>(Photo: Jim Ratcliffe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Away in a Manger\u003c/h3>\n\u003cp>If you choose to spend the next three weeks in hiding, you may enjoy this loyal companion.\u003c/p>\n\u003cdiv class=\"recipe\" style=\"width: 620px;float: left\">\n\u003cp>\u003cb>Recipe:\u003c/b>\u003c/p>\n\u003ch5>2 oz Wild Turkey bourbon\u003cbr>\nSome straw\u003c/h5>\n\u003ch5>Pour bourbon into a whiskey glass. Garnish with straw.\u003c/h5>\n\u003c/div>\n\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "Enhance your annual outing to see the 'Nutcracker,' 'Christmas Carol' and 'Messiah' with our holiday arts-themed libations.",
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"title": "Holiday Cocktails: Why Dream of a White Christmas? Drink One Instead! | KQED",
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"headline": "Holiday Cocktails: Why Dream of a White Christmas? Drink One Instead!",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-11126413\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px.png\" alt=\"Art_Nerd-HolidayGuide-2015-300px\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px.png 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px-32x32.png 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px-64x64.png 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px-96x96.png 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px-128x128.png 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px-75x75.png 75w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/p>\n\u003cp>Of all the great holiday traditions, there are only two that really matter: the annual outing to see \u003cem>The Nutcracker\u003c/em>, \u003cem>A Christmas Carol\u003c/em> or \u003cem>The Messiah\u003c/em>…and drinking.\u003c/p>\n\u003cp>Here at KQED Arts, we thought it would make a lot of sense to combine them. So we’ve created a bunch of tasty cocktails to help enhance your cultural pleasure this holiday season.\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11141407\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11141407\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/DSC03666-e1449526423637-400x465.jpg\" alt=\"The Nutcracker\" width=\"400\" height=\"465\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03666-e1449526423637-400x465.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03666-e1449526423637-516x600.jpg 516w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03666-e1449526423637-1015x1180.jpg 1015w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03666-e1449526423637-1920x2233.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03666-e1449526423637-1180x1372.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03666-e1449526423637-960x1117.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">The Nutcracker \u003ccite>(Photo: Jim Ratcliffe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The Nutcracker\u003c/h3>\n\u003cp>Gird yourself for another matinee appearance of the sugarplum fairy with this robust cocktail. A comforting drink with a dark underside, The Nutcracker captures the brooding fantasy of Tchaikovsky’s ballet in a tumbler. We matched rye whiskey with the burnt orange flavors of Amaro Nardini and black walnut bitters to create a nutty tribute to the perennial holiday favorite. Perfect as a pre-curtain libation, or surreptitiously sipped from a flask in your seat. Prost!\u003c/p>\n\u003cdiv class=\"recipe\" style=\"width: 620px;float: left\">\n\u003cp>\u003cb>Recipe:\u003c/b>\u003c/p>\n\u003ch5>1.5 oz rye whiskey\u003cbr>\n.5 oz simple syrup\u003cbr>\n5 dashes black walnut bitters\u003cbr>\n1 oz Amaro Nardini\u003cbr>\n.25 tsp nutmeg\u003c/h5>\n\u003ch5>Shake ingredients together with ice and serve in an old fashioned glass over an ice cube with a frozen walnut suspended in the middle.\u003c/h5>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11141406\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11141406\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/DSC03671-e1449526313599-400x563.jpg\" alt=\"The White Christmas\" width=\"400\" height=\"563\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03671-e1449526313599-400x563.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03671-e1449526313599-427x600.jpg 427w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03671-e1449526313599-839x1180.jpg 839w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03671-e1449526313599-1180x1659.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03671-e1449526313599-960x1350.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03671-e1449526313599.jpg 1831w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">The White Christmas \u003ccite>(Photo: Jim Ratcliffe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The White Christmas\u003c/h3>\n\u003cp>Why dream of a white Christmas when you can drink one? To evoke the velvety texture of Bing Crosby’s voice, we blended coconut milk, white rum and elderflower liquor, and then splashed in a dash of rosewater just for good measure. Dried coconut flakes turn each glass into a miniature snow globe for your winter reveries. Top with a Bing cherry (brandied) to complete the scene.\u003c/p>\n\u003cdiv class=\"recipe\" style=\"width: 620px;float: left\">\n\u003cp>\u003cb>Recipe:\u003c/b>\u003c/p>\n\u003ch5>0.75 oz coconut milk\u003cbr>\n1.5 oz white rum\u003cbr>\n1 oz Domaine Canton ginger liqueur\u003cbr>\n0.5 oz elderflower liqueur\u003cbr>\nDash of rosewater\u003c/h5>\n\u003ch5>Shake ingredients together with ice and serve in a coupe glass rimmed with dried coconut and half filled with crushed ice. Top with a Bing cherry.\u003c/h5>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11141405\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11141405\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/DSC03659-e1449526913570-400x409.jpg\" alt=\"The Grinch\" width=\"400\" height=\"409\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03659-e1449526913570-400x409.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03659-e1449526913570-587x600.jpg 587w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03659-e1449526913570-1155x1180.jpg 1155w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03659-e1449526913570-1920x1962.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03659-e1449526913570-1180x1206.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03659-e1449526913570-960x981.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03659-e1449526913570-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03659-e1449526913570-64x64.jpg 64w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">The Grinch \u003ccite>(Photo: Jim Ratcliffe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The Grinch\u003c/h3>\n\u003cp>While we considered fashioning this ode to Christmas’s greenest villain with eel, cactus and arsenic sauce, our hearts softened and we mixed a drink that would make every Who in Whoville sing. The more of this you have, the less grinchy you will be. Raise a glass in honor of a heart that grew three sizes that Christmas day.\u003c/p>\n\u003cdiv class=\"recipe\" style=\"width: 620px;float: left\">\n\u003cp>\u003cb>Recipe:\u003c/b>\u003c/p>\n\u003ch5>1.5 oz tequila\u003cbr>\n1 oz absinthe\u003cbr>\n2 kiwi fruit, peeled\u003cbr>\nHandful of mint\u003c/h5>\n\u003ch5>Blend all ingredients plus a few ice cubes in a Magic Bullet or similar food processor. Pour into a Martini glass and garnish with one shriveled, dried cranberry shaped into a heart and skewered on a swizzle stick.\u003c/h5>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11141408\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11141408\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/DSC03679-e1449527510979-400x473.jpg\" alt=\"The Jacob Marley\" width=\"400\" height=\"473\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03679-e1449527510979-400x473.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03679-e1449527510979-507x600.jpg 507w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03679-e1449527510979-998x1180.jpg 998w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03679-e1449527510979-1920x2270.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03679-e1449527510979-1180x1395.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03679-e1449527510979-960x1135.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">The Jacob Marley \u003ccite>(Photo: Jim Ratcliffe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The Jacob Marley\u003c/h3>\n\u003cp>Ebenezer Scrooge’s late business partner has been “as dead as a doornail” for more than 150 years. Although Marley’s ghost may be condemned to forever wander the Earth in chains, you can still conjure him with this boozy seance. Watch as the “louche effect” causes Marley’s spectral presence to materialize in your spirit glass! Shake your ice-filled tumbler and heed the death-rattle of his ghostly chains. God save us. Everyone. Repent and find some mistletoe before it’s too late.\u003c/p>\n\u003cdiv class=\"recipe\" style=\"width: 620px;float: left\">\n\u003cp>\u003cb>Recipe:\u003c/b>\u003c/p>\n\u003ch5>0.5 oz Benedictine\u003cbr>\n0.5 oz vodka\u003cbr>\n0.5 oz pastis\u003cbr>\n1.5 oz water\u003c/h5>\n\u003ch5>Pour the pastis into an old fashioned glass. Shake the vodka, water, Benedictine and a few ice cubes together. Then drip this blend into the glass of pastis slowly and watch the liquid become cloudy — that’s the louche effect in action. To evoke Marley’s ball and chain, add the ice and a Castelvetrano olive.\u003c/h5>\n\u003c/div>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11141527\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11141527\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/DSC03700-e1449530390447-400x398.jpg\" alt=\"The Away in a Manger\" width=\"400\" height=\"398\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03700-e1449530390447-400x398.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03700-e1449530390447-603x600.jpg 603w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03700-e1449530390447-1180x1174.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03700-e1449530390447-1920x1910.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03700-e1449530390447-960x955.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03700-e1449530390447-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03700-e1449530390447-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03700-e1449530390447-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03700-e1449530390447-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/DSC03700-e1449530390447-75x75.jpg 75w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">The Away in a Manger \u003ccite>(Photo: Jim Ratcliffe)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Away in a Manger\u003c/h3>\n\u003cp>If you choose to spend the next three weeks in hiding, you may enjoy this loyal companion.\u003c/p>\n\u003cdiv class=\"recipe\" style=\"width: 620px;float: left\">\n\u003cp>\u003cb>Recipe:\u003c/b>\u003c/p>\n\u003ch5>2 oz Wild Turkey bourbon\u003cbr>\nSome straw\u003c/h5>\n\u003ch5>Pour bourbon into a whiskey glass. Garnish with straw.\u003c/h5>\n\u003c/div>\n\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Chances are you’ve already seen a fair share of Christmas commercials this year -- and many of them weren’t sandwiched into 30-second spots during a \u003cem>Law & Order: SVU \u003c/em>marathon. The first Christmas spots of the season were popping up on the Internet well before Thanksgiving, and then rolled out across Facebook, many with captions close to (if not in fact): “Ooo I got the feels.”\u003c/p>\n\u003cp>In other words: If you found yourself looking for Kleenex about 45 seconds into a two-minute ad -- either the lonely man on the moon, or children that set up a Christmas tree for a sad neighbor, or a cat that tries to save a family’s holiday -- you're not alone. Especially if you watched a sad commercial, found yourself teary-eyed, and then, when the ad was over, you too shared it on Facebook or Twitter.\u003c/p>\n\u003cfigure id=\"attachment_19334\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/john-lewis-christmas-advert-2015-screencap.png\">\u003cimg class=\"size-thumbnail wp-image-19334\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/john-lewis-christmas-advert-2015-screencap-400x241.png\" alt=\"John Lewis' "man on the moon" tearjerker. \" width=\"400\" height=\"241\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/12/john-lewis-christmas-advert-2015-screencap-400x241.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/12/john-lewis-christmas-advert-2015-screencap.png 736w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">John Lewis' \"man on the moon\" tearjerker.\u003c/figcaption>\u003c/figure>\n\u003cp>But why do we find these tearjerkers so irresistible? Why isn’t anyone sharing the \u003ca href=\"https://www.youtube.com/watch?v=718DpmQrPbg\" target=\"_blank\">classic commercial of Santa on his Norelco-razor sled?\u003c/a> Or Folger’s commercial of \u003ca href=\"https://www.youtube.com/watch?v=I4kNl7cQdcU\" target=\"_blank\">Peter coming home for Christmas?\u003c/a> And why have advertisers moved away from ads of good tidings and towards a cryfest?\u003c/p>\n\u003cp>Turns out advertisers \u003cem>want\u003c/em> to make you cry -- sadness sells, and it sells a lot. In fact, it even has its own term: sadvertising. A quick Google search turns up over half a million results for sadvertising, which \u003ca href=\"https://www.techopedia.com/definition/30252/sadvertising\" target=\"_blank\">Technopedia defines\u003c/a> as “using a certain set of strategies to play on people's emotions and touch off feelings of sadness, melancholy or wistfulness,” in order to make a beeline to your heart strings, and in turn your purse strings.\u003c/p>\n\u003cp>But why do tears equal dollars?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>When neuroeconomist \u003ca href=\"http://www.fastcompany.com/3027699/how-our-brains-decide-what-we-share-online\" target=\"_blank\">Paul Zak conducted a study\u003c/a> where he showed a sad video of a father and son and then looked at the viewer’s brain, \u003ca href=\"http://(http://www.plosone.org/article/fetchObject.action?uri=info%3Adoi%2F10.1371%2Fjournal.pone.0001128&representation=PDF\" target=\"_blank\">he discovered two neurochemicals\u003c/a> were being produced: “As [the viewers] experienced the story, the participants produced cortisol, known as the \"stress hormone” [which made them pay attention]; and oxytocin, a hormone that promotes connection and empathy.” And it’s particularly this release of oxytocin that advertisers take note of; the study goes on to state “oxytocin’s ability to help us create understanding and empathy may also make us more generous and trusting.” This translates into trusting the brand that causes a rise in your oxytocin levels, and in turn you give them your money.\u003c/p>\n\u003cfigure id=\"attachment_19335\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/maxresdefault.jpg\">\u003cimg class=\"size-thumbnail wp-image-19335\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/maxresdefault-400x225.jpg\" alt=\"Does this sad cat make you want to shop at Sainsbury's?\" width=\"400\" height=\"225\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/12/maxresdefault-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/12/maxresdefault-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/12/maxresdefault-1440x810.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/12/maxresdefault.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2015/12/maxresdefault-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/12/maxresdefault-960x540.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Does this sad cat make you want to shop at Sainsbury's?\u003c/figcaption>\u003c/figure>\n\u003cp>Now, what about the ends of these sadvertisements? The man doesn’t stay lonely on the moon, the children do cheer up the sad neighbor, and the cat does save a family’s holiday. You’re left with feelings of hope, joy, cheer -- and other Christmas-like emotions. And that’s on purpose too.\u003c/p>\n\u003cp>Jonah Berger, a professor at the University of Pennsylvania, is an expert on why things go viral, and the author of \u003cem>Contagious: Why Things Catch On. \u003c/em>He shared this discovery in \u003ca href=\"http://www.huffingtonpost.com/arianna-huffington/jonah-berger-contagious-why-things-catch-on_b_6656058.html\" target=\"_blank\">a Q&A with the Huffington Post\u003c/a>: “The more positive a news story is, the more likely it is to be shared. Certain negative emotions like anger or anxiety also increase sharing, but overall, positive things are more likely to be shared.” So now the advertisers have invoked two powerful emotions from you: sadness and happiness, where your sorrow builds a positive brand identity, and your rise of happiness at the end of the commercial makes you want to share it with others.\u003c/p>\n\u003cp>If you’ve managed to escape the sadvertisements this season, Eonline has compiled \u003ca href=\"http://www.eonline.com/news/720702/8-emotional-holiday-ads-that-are-making-us-cry-right-now\" target=\"_blank\">a list of their eight favorites\u003c/a>. But it’s really all about the granddaddy of them all: John Lewis, a British department store that’s been trying to make you cry since 2007.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=wuz2ILq4UeA\u003c/p>\n\u003cp>They’ve really outdone themselves this year, tying together everything that makes someone cry: a lonely elderly man, a child with a pure heart and determination to make his day better, and of course, the perfect soundtrack to set off the entire thing with a sense of melancholy tinged with hope -- and all in two minutes and 10 seconds. Quite a feat. And it has over 20 million views on YouTube, so it’s obviously working.\u003c/p>\n\u003cp>The trend shows signs of spreading beyond the holidays, too: Remember the \u003ca href=\"http://(https://www.youtube.com/watch?v=xAsjRRMMg_Q\" target=\"_blank\">tearjerker Budweiser commercial of Super Bowl 2015\u003c/a>, where the puppy goes on a quest to find his long-lost Clydesdale friend? The next day everyone from your coworkers to the TODAY Show was talking about the ad.\u003c/p>\n\u003cp>As the advertising market continues to compete for the attention of viewers across a multitude of visual platforms, and each try to stand out from the pack, it’s likely the competition to make you cry the hardest won’t be going away anytime soon.\u003c/p>\n\u003cp>So -- next time you see someone share a clip with “Ooo I got the feels,” think about if those two minutes are worth the extra time it'll take you to break out the Kleenex. If not? Keep scrolling.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Chances are you’ve already seen a fair share of Christmas commercials this year -- and many of them weren’t sandwiched into 30-second spots during a \u003cem>Law & Order: SVU \u003c/em>marathon. The first Christmas spots of the season were popping up on the Internet well before Thanksgiving, and then rolled out across Facebook, many with captions close to (if not in fact): “Ooo I got the feels.”\u003c/p>\n\u003cp>In other words: If you found yourself looking for Kleenex about 45 seconds into a two-minute ad -- either the lonely man on the moon, or children that set up a Christmas tree for a sad neighbor, or a cat that tries to save a family’s holiday -- you're not alone. Especially if you watched a sad commercial, found yourself teary-eyed, and then, when the ad was over, you too shared it on Facebook or Twitter.\u003c/p>\n\u003cfigure id=\"attachment_19334\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/john-lewis-christmas-advert-2015-screencap.png\">\u003cimg class=\"size-thumbnail wp-image-19334\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/john-lewis-christmas-advert-2015-screencap-400x241.png\" alt=\"John Lewis' "man on the moon" tearjerker. \" width=\"400\" height=\"241\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/12/john-lewis-christmas-advert-2015-screencap-400x241.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/12/john-lewis-christmas-advert-2015-screencap.png 736w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">John Lewis' \"man on the moon\" tearjerker.\u003c/figcaption>\u003c/figure>\n\u003cp>But why do we find these tearjerkers so irresistible? Why isn’t anyone sharing the \u003ca href=\"https://www.youtube.com/watch?v=718DpmQrPbg\" target=\"_blank\">classic commercial of Santa on his Norelco-razor sled?\u003c/a> Or Folger’s commercial of \u003ca href=\"https://www.youtube.com/watch?v=I4kNl7cQdcU\" target=\"_blank\">Peter coming home for Christmas?\u003c/a> And why have advertisers moved away from ads of good tidings and towards a cryfest?\u003c/p>\n\u003cp>Turns out advertisers \u003cem>want\u003c/em> to make you cry -- sadness sells, and it sells a lot. In fact, it even has its own term: sadvertising. A quick Google search turns up over half a million results for sadvertising, which \u003ca href=\"https://www.techopedia.com/definition/30252/sadvertising\" target=\"_blank\">Technopedia defines\u003c/a> as “using a certain set of strategies to play on people's emotions and touch off feelings of sadness, melancholy or wistfulness,” in order to make a beeline to your heart strings, and in turn your purse strings.\u003c/p>\n\u003cp>But why do tears equal dollars?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>When neuroeconomist \u003ca href=\"http://www.fastcompany.com/3027699/how-our-brains-decide-what-we-share-online\" target=\"_blank\">Paul Zak conducted a study\u003c/a> where he showed a sad video of a father and son and then looked at the viewer’s brain, \u003ca href=\"http://(http://www.plosone.org/article/fetchObject.action?uri=info%3Adoi%2F10.1371%2Fjournal.pone.0001128&representation=PDF\" target=\"_blank\">he discovered two neurochemicals\u003c/a> were being produced: “As [the viewers] experienced the story, the participants produced cortisol, known as the \"stress hormone” [which made them pay attention]; and oxytocin, a hormone that promotes connection and empathy.” And it’s particularly this release of oxytocin that advertisers take note of; the study goes on to state “oxytocin’s ability to help us create understanding and empathy may also make us more generous and trusting.” This translates into trusting the brand that causes a rise in your oxytocin levels, and in turn you give them your money.\u003c/p>\n\u003cfigure id=\"attachment_19335\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/maxresdefault.jpg\">\u003cimg class=\"size-thumbnail wp-image-19335\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/12/maxresdefault-400x225.jpg\" alt=\"Does this sad cat make you want to shop at Sainsbury's?\" width=\"400\" height=\"225\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/12/maxresdefault-400x225.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/12/maxresdefault-800x450.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/12/maxresdefault-1440x810.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/12/maxresdefault.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2015/12/maxresdefault-1180x664.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/12/maxresdefault-960x540.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Does this sad cat make you want to shop at Sainsbury's?\u003c/figcaption>\u003c/figure>\n\u003cp>Now, what about the ends of these sadvertisements? The man doesn’t stay lonely on the moon, the children do cheer up the sad neighbor, and the cat does save a family’s holiday. You’re left with feelings of hope, joy, cheer -- and other Christmas-like emotions. And that’s on purpose too.\u003c/p>\n\u003cp>Jonah Berger, a professor at the University of Pennsylvania, is an expert on why things go viral, and the author of \u003cem>Contagious: Why Things Catch On. \u003c/em>He shared this discovery in \u003ca href=\"http://www.huffingtonpost.com/arianna-huffington/jonah-berger-contagious-why-things-catch-on_b_6656058.html\" target=\"_blank\">a Q&A with the Huffington Post\u003c/a>: “The more positive a news story is, the more likely it is to be shared. Certain negative emotions like anger or anxiety also increase sharing, but overall, positive things are more likely to be shared.” So now the advertisers have invoked two powerful emotions from you: sadness and happiness, where your sorrow builds a positive brand identity, and your rise of happiness at the end of the commercial makes you want to share it with others.\u003c/p>\n\u003cp>If you’ve managed to escape the sadvertisements this season, Eonline has compiled \u003ca href=\"http://www.eonline.com/news/720702/8-emotional-holiday-ads-that-are-making-us-cry-right-now\" target=\"_blank\">a list of their eight favorites\u003c/a>. But it’s really all about the granddaddy of them all: John Lewis, a British department store that’s been trying to make you cry since 2007.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/wuz2ILq4UeA'\n title='//www.youtube.com/embed/wuz2ILq4UeA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>They’ve really outdone themselves this year, tying together everything that makes someone cry: a lonely elderly man, a child with a pure heart and determination to make his day better, and of course, the perfect soundtrack to set off the entire thing with a sense of melancholy tinged with hope -- and all in two minutes and 10 seconds. Quite a feat. And it has over 20 million views on YouTube, so it’s obviously working.\u003c/p>\n\u003cp>The trend shows signs of spreading beyond the holidays, too: Remember the \u003ca href=\"http://(https://www.youtube.com/watch?v=xAsjRRMMg_Q\" target=\"_blank\">tearjerker Budweiser commercial of Super Bowl 2015\u003c/a>, where the puppy goes on a quest to find his long-lost Clydesdale friend? The next day everyone from your coworkers to the TODAY Show was talking about the ad.\u003c/p>\n\u003cp>As the advertising market continues to compete for the attention of viewers across a multitude of visual platforms, and each try to stand out from the pack, it’s likely the competition to make you cry the hardest won’t be going away anytime soon.\u003c/p>\n\u003cp>So -- next time you see someone share a clip with “Ooo I got the feels,” think about if those two minutes are worth the extra time it'll take you to break out the Kleenex. If not? Keep scrolling.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Just yesterday, our friends at the California Report posed the question: \u003ca href=\"http://ww2.kqed.org/news/2015/12/06/where-is-all-the-hanukkah-music\" target=\"_blank\">Where are all the good Hanukkah songs?\u003c/a>\u003c/p>\n\u003cp>After all, some of the world's best-loved Christmas songs -- “Let It Snow!,” “Winter Wonderland,” “White Christmas,” and “Rudolph the Red-Nosed Reindeer,” to name a few -- were written by Jews. But when it comes to Hanukkah, the pickins are mighty slim: You have traditional hymns (like \"Rock of Ages\") and you have parodies (like Adam Sandler's \"Hanukkah Song\"). Yawn. Pass the sour cream.\u003c/p>\n\u003cp>Enter the fierce, funky life-giving force that is Sharon Jones!\u003c/p>\n\u003cp>The singer-bandleader, who \u003ca href=\"http://www.npr.org/2014/01/12/261424325/no-music-no-headphones-sharon-jones-on-getting-through-cancer\" target=\"_blank\">bounced back from cancer last year\u003c/a> to deliver \u003cem>Give the People What They Want\u003c/em> -- perhaps her most spirited record to date -- dropped a video for \"8 Days (of Hanukkah)\" on Dec. 7. The tune reimagines the Festival of Lights as the Festival of Love, complete with an irresistible horn riff, lyrics about buying brisket from the local kosher butcher, and animated, dancing dreidels, thanks to artist-director Rich Terrana. Give it a watch below.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=VT2_7aq3ytE\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The tune is available on the band's recent record, \u003cem>\u003ca href=\"http://www.rollingstone.com/music/albumreviews/sharon-jones-the-dap-kings-its-a-holiday-soul-party-20151029\" target=\"_blank\">It's A Holiday Soul Party\u003c/a>\u003c/em>. Fingers crossed they'll play it on \u003cem>Colbert\u003c/em> this Friday too.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Just yesterday, our friends at the California Report posed the question: \u003ca href=\"http://ww2.kqed.org/news/2015/12/06/where-is-all-the-hanukkah-music\" target=\"_blank\">Where are all the good Hanukkah songs?\u003c/a>\u003c/p>\n\u003cp>After all, some of the world's best-loved Christmas songs -- “Let It Snow!,” “Winter Wonderland,” “White Christmas,” and “Rudolph the Red-Nosed Reindeer,” to name a few -- were written by Jews. But when it comes to Hanukkah, the pickins are mighty slim: You have traditional hymns (like \"Rock of Ages\") and you have parodies (like Adam Sandler's \"Hanukkah Song\"). Yawn. Pass the sour cream.\u003c/p>\n\u003cp>Enter the fierce, funky life-giving force that is Sharon Jones!\u003c/p>\n\u003cp>The singer-bandleader, who \u003ca href=\"http://www.npr.org/2014/01/12/261424325/no-music-no-headphones-sharon-jones-on-getting-through-cancer\" target=\"_blank\">bounced back from cancer last year\u003c/a> to deliver \u003cem>Give the People What They Want\u003c/em> -- perhaps her most spirited record to date -- dropped a video for \"8 Days (of Hanukkah)\" on Dec. 7. The tune reimagines the Festival of Lights as the Festival of Love, complete with an irresistible horn riff, lyrics about buying brisket from the local kosher butcher, and animated, dancing dreidels, thanks to artist-director Rich Terrana. Give it a watch below.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/VT2_7aq3ytE'\n title='//www.youtube.com/embed/VT2_7aq3ytE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The tune is available on the band's recent record, \u003cem>\u003ca href=\"http://www.rollingstone.com/music/albumreviews/sharon-jones-the-dap-kings-its-a-holiday-soul-party-20151029\" target=\"_blank\">It's A Holiday Soul Party\u003c/a>\u003c/em>. Fingers crossed they'll play it on \u003cem>Colbert\u003c/em> this Friday too.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp> Holly Woodlawn, the transgender actress made famous by Andy Warhol and Paul Morrissey in their 1970s films \u003cem>Trash\u003c/em> and \u003cem>Women in Revolt\u003c/em>, has died.\u003c/p>\n\u003cp>Woodlawn died Sunday in Los Angeles after a battle with cancer, said her former caretaker and friend Mariela Huerta. She was 69.\u003c/p>\n\u003cp>Born Harold Danhakl, she took on the name Holly Woodlawn after running away from home at age 15 and hitchhiking to New York City, where she became one of Warhol’s drag queen “superstars.” Her story was immortalized in the first lines of the Lou Reed song “Walk on the Wild Side.”\u003c/p>\n\u003cp>It began: “Holly came from Miami, F.L.A. Hitchhiked her way across the U.S.A. Plucked her eyebrows on the way. Shaved her legs and then he was a she. She says, ‘Hey, babe, take a walk on the wild side.’ ”\u003c/p>\n\u003cp>Woodlawn explained in a 2007 interview with the British newspaper \u003cem>The Guardian\u003c/em> that she didn’t get to know Reed until after the song was released in 1972.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Woodlawn received critical acclaim for her film roles, but she couldn’t find mainstream success. Her cult status helped her make a comeback in such 1990s independent films as \u003cem>Twin Falls Idaho\u003c/em> and \u003cem>Billy’s Hollywood Screen Kiss\u003c/em>. More recently, she appeared in the TV comedy \u003cem>Transparent\u003c/em>.\u003c/p>\n\u003cp>Of her time as a Warhol superstar, she told \u003cem>the Guardian\u003c/em>: “I felt like Elizabeth Taylor! Little did I realize that not only would there be no money, but that your star would flicker for two seconds and that was it. But it was worth it, the drugs, the parties, it was fabulous.”\u003c/p>\n\u003cp>Huerta said Woodlawn had no survivor. Plans for a memorial service were pending.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2015 The Associated Press. All rights reserved.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp> Holly Woodlawn, the transgender actress made famous by Andy Warhol and Paul Morrissey in their 1970s films \u003cem>Trash\u003c/em> and \u003cem>Women in Revolt\u003c/em>, has died.\u003c/p>\n\u003cp>Woodlawn died Sunday in Los Angeles after a battle with cancer, said her former caretaker and friend Mariela Huerta. She was 69.\u003c/p>\n\u003cp>Born Harold Danhakl, she took on the name Holly Woodlawn after running away from home at age 15 and hitchhiking to New York City, where she became one of Warhol’s drag queen “superstars.” Her story was immortalized in the first lines of the Lou Reed song “Walk on the Wild Side.”\u003c/p>\n\u003cp>It began: “Holly came from Miami, F.L.A. Hitchhiked her way across the U.S.A. Plucked her eyebrows on the way. Shaved her legs and then he was a she. She says, ‘Hey, babe, take a walk on the wild side.’ ”\u003c/p>\n\u003cp>Woodlawn explained in a 2007 interview with the British newspaper \u003cem>The Guardian\u003c/em> that she didn’t get to know Reed until after the song was released in 1972.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Woodlawn received critical acclaim for her film roles, but she couldn’t find mainstream success. Her cult status helped her make a comeback in such 1990s independent films as \u003cem>Twin Falls Idaho\u003c/em> and \u003cem>Billy’s Hollywood Screen Kiss\u003c/em>. More recently, she appeared in the TV comedy \u003cem>Transparent\u003c/em>.\u003c/p>\n\u003cp>Of her time as a Warhol superstar, she told \u003cem>the Guardian\u003c/em>: “I felt like Elizabeth Taylor! Little did I realize that not only would there be no money, but that your star would flicker for two seconds and that was it. But it was worth it, the drugs, the parties, it was fabulous.”\u003c/p>\n\u003cp>Huerta said Woodlawn had no survivor. Plans for a memorial service were pending.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2015 The Associated Press. All rights reserved.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Here's That 24/7 Reindeer Cam No One Asked For",
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"content": "\u003cp>Can you feel it in the air? The joy, the family togetherness, the overwhelming sense of being slowly smothered to death by the soft, sticky trap of bloated American consumerism?\u003c/p>\n\u003cp>Yes, the holidays bring out the best in so many of us, and the good folks at Animal Planet are no exception. In order to promote their new show, \u003cem>\u003ca href=\"http://www.animalplanet.com/tv-shows/wild-winter-nights/?_ga=1.256142670.490190573.1449256638\" target=\"_blank\">Wild Winter Nights\u003c/a>\u003c/em>, the network has set up some seasonally appropriate, 24-hour, livestreamed coverage of everyone's favorite Christmas-y animal: reindeer. AROUND-THE-CLOCK REINDEER.\u003c/p>\n\u003cp>Introducing the \u003ca href=\"http://www.apl.tv/reindeer.htm\" target=\"_blank\">Reindeer Cam\u003c/a>, a thrill-seeker's reality show of sorts that follows the adventures of the reindeer living at the Como Park Zoo and Conservatory in Saint Paul, Minnesota. And by adventures, I mean the reindeer just kind of standing around. Sometimes they lie down; sometimes they get fed. Sometimes they go offscreen entirely. (Suggestive!)\u003c/p>\n\u003cp>And if you're in the mood for some Christmas music but just can't seem to find any big box stores or supermarkets that are sufficiently meeting this need, you're doubly in luck -- the aforementioned animals can be seen standing around to a neverending instrumental loop of sleigh bells, winter wonderlands, and chestnuts roasting on open fires.\u003c/p>\n\u003cp>If, over the course of viewing such scintillating content, you find yourself overwhelmed with the desire to talk to other Reindeer Cam enthusiasts, you can zip on over to the discussion board, where commenters are pondering questions such as \"why does it look like nighttime when it's afternoon?\" (Answer from another commenter: \"Probably just shadows cast by clouds and trees.\")\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Anyway, for a very small percentage of the population, this is probably super exciting, so I'm happy for you. As for the rest of us? Here's the highlight reel. (Lots of messing around with branches!)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"513\" height=\"315\" src=\"http://www.animalplanet.com/embed?page=49690\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\n",
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"datePublished": "2015-12-04T15:00:41-08:00",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Can you feel it in the air? The joy, the family togetherness, the overwhelming sense of being slowly smothered to death by the soft, sticky trap of bloated American consumerism?\u003c/p>\n\u003cp>Yes, the holidays bring out the best in so many of us, and the good folks at Animal Planet are no exception. In order to promote their new show, \u003cem>\u003ca href=\"http://www.animalplanet.com/tv-shows/wild-winter-nights/?_ga=1.256142670.490190573.1449256638\" target=\"_blank\">Wild Winter Nights\u003c/a>\u003c/em>, the network has set up some seasonally appropriate, 24-hour, livestreamed coverage of everyone's favorite Christmas-y animal: reindeer. AROUND-THE-CLOCK REINDEER.\u003c/p>\n\u003cp>Introducing the \u003ca href=\"http://www.apl.tv/reindeer.htm\" target=\"_blank\">Reindeer Cam\u003c/a>, a thrill-seeker's reality show of sorts that follows the adventures of the reindeer living at the Como Park Zoo and Conservatory in Saint Paul, Minnesota. And by adventures, I mean the reindeer just kind of standing around. Sometimes they lie down; sometimes they get fed. Sometimes they go offscreen entirely. (Suggestive!)\u003c/p>\n\u003cp>And if you're in the mood for some Christmas music but just can't seem to find any big box stores or supermarkets that are sufficiently meeting this need, you're doubly in luck -- the aforementioned animals can be seen standing around to a neverending instrumental loop of sleigh bells, winter wonderlands, and chestnuts roasting on open fires.\u003c/p>\n\u003cp>If, over the course of viewing such scintillating content, you find yourself overwhelmed with the desire to talk to other Reindeer Cam enthusiasts, you can zip on over to the discussion board, where commenters are pondering questions such as \"why does it look like nighttime when it's afternoon?\" (Answer from another commenter: \"Probably just shadows cast by clouds and trees.\")\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Anyway, for a very small percentage of the population, this is probably super exciting, so I'm happy for you. As for the rest of us? Here's the highlight reel. (Lots of messing around with branches!)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"513\" height=\"315\" src=\"http://www.animalplanet.com/embed?page=49690\" scrolling=\"yes\" class=\"iframe-class\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-11126413\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px.png\" alt=\"Art_Nerd-HolidayGuide-2015-300px\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px.png 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px-32x32.png 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px-64x64.png 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px-96x96.png 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px-128x128.png 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px-75x75.png 75w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/p>\n\u003cp>When you buy something — say a lovingly glazed ceramic cup — do you enjoy gazing deeply into the eyes of the person who made said cup as you fork over your hard-earned cash monies? Do you want to support small, locally-owned businesses instead of the big-box stores with questionable labor practices? Well then I say to you: way to be a conscious shopper!\u003c/p>\n\u003cp>If you’re on the hunt for hand-crafted/artisanal/custom/bespoke items, below is a list of places where you can find those lovely things, check off your holiday shopping lists and actually feel good (well, less bad) about all the money you just spent.\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11128888\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11128888 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/AtelierDion400-400x275.jpg\" alt=\"Cups by Atelier Dion, one of the Temescal Alleys holiday artisans.\" width=\"400\" height=\"275\">\u003cfigcaption class=\"wp-caption-text\">Cups by Atelier Dion, one of the Temescal Alleys holiday artisans. \u003ccite>(Courtesy: Atelier Dion)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Temescal Alleys Holiday Artisan Fair\u003c/h3>\n\u003ch5>Sunday, Dec. 6, 11am-4pm\u003cbr>\n49th St. (between Telegraph Ave. and Clarke St.), Oakland\u003cbr>\n\u003ca href=\"http://www.temescalalleys.com/events.html\" target=\"_blank\" rel=\"noopener\">FREE\u003c/a>\u003c/h5>\n\u003cp>This weekend, stop by the quaint Temescal Alleys just off Telegraph Ave and 49th St for a day-long fair featuring local guest vendors among the existing shops. In the mood to peruse ceramics, textiles, jewelry, home decor or moon calendars? This is your one-stop shop for all of the above. Plus, Doña Tomás provides nachos and the alleys’ forthcoming Rose’s Taproom pours beer.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11128890\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11128890 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/misfit400-400x267.jpg\" alt=\"misfit400\" width=\"400\" height=\"267\">\u003cfigcaption class=\"wp-caption-text\">Great deals on handmade giftables! \u003ccite>(Courtesy: Root Division)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Misfit Toy Factory & Creative Marketplace\u003c/h3>\n\u003ch5>Saturday, Dec. 12, 6:30-10:30pm\u003cbr>\nRoot Division, 1131 Mission St., San Francisco\u003cbr>\n\u003ca href=\"https://rootdivision.org/exhibition-rd-gallery/misfit-toy-factory-creative-marketplace\" target=\"_blank\" rel=\"noopener\">FREE\u003c/a>\u003c/h5>\n\u003cp>More interested in watching the art objects you’re about to buy come together in front of you by their makers? Root Division’s annual Misfit Toy Factory brings over 40 Bay Area artists into their gallery for the on-site fabrication of affordable ($20-$60) “small sculptures, handmade wares and giftables,” which I assume means things you can give as gifts. This year, in the new and bigger Root Division, an additional “Creative Marketplace” features preexisting goods, also know as stuff not made onsite.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11128891\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11128891 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/WinterShop400-400x226.jpg\" alt=\"WinterShop400\" width=\"400\" height=\"226\">\u003cfigcaption class=\"wp-caption-text\">A pop-up store you won’t want to miss. \u003ccite>(Courtesy: WinterShop)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>WinterShop\u003c/h3>\n\u003ch5>Dec. 12, 4-8pm & Dec. 13, 11am-5pm\u003cbr>\n1015 Pacific Ave., San Francisco\u003cbr>\n\u003ca href=\"http://wintershop.info/\" target=\"_blank\" rel=\"noopener\">FREE\u003c/a>\u003c/h5>\n\u003cp>Perfectly timed to fulfill your last-minute shopping needs, WinterShop is a two-day pop-up retail space in San Francisco’s Nob Hill featuring wares by some pretty notable local designers and artists: Ari Bird, Alyssa Block Studio, Mia Christopher, Chelsey Dyer, Maker & Mineral, Savnnah Rusher, Lana Williams and Chelsea Wong. If you still haven’t found the perfect ceramic cup for your best friend, chances are it’s here for you to pick up, along with some original artwork, apparel and (oft-affordable) zines.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11128889\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11128889 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/CaseForMaking400-400x266.jpg\" alt=\"Just some of the many items available at the Outer Sunset shop, Case for Making.\" width=\"400\" height=\"266\">\u003cfigcaption class=\"wp-caption-text\">Just some of the many items available at the Outer Sunset shop, Case for Making. \u003ccite>(Courtesy: Case for Making)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Case for Making\u003c/h3>\n\u003ch5>Open daily, 11am-6pm\u003cbr>\n4037 Judah St., San Francisco\u003c/h5>\n\u003cp>Still haven’t found the perfect gift for that special someone among all the lovingly-glazed ceramic cups and Victorian baubles? I think it’s time to make something yourself. Stock up on beautiful and inspiring art supplies at the Outer Sunset’s Case for Making, where they carry everything from German oil sticks to Italian glue sticks. And if all else fails: they even have gift cards.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11130175\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11130175\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/MAdd-hattercrop-400x310.jpg\" alt=\"The Mad Hatter's in charge at 'Teatime with Alice & Friends', daiily on the Father Christmas Stage at the Great Dickens Christmas Fair.\" width=\"400\" height=\"310\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/MAdd-hattercrop-400x310.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/MAdd-hattercrop.jpg 740w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">The Mad Hatter’s in charge at ‘Teatime with Alice & Friends’, daily on the Father Christmas Stage at the Great Dickens Christmas Fair. \u003ccite>(Photo: Rich Yee)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The Great Dickens Christmas Fair\u003c/h3>\n\u003ch5>Weekends through Dec. 20\u003cbr>\nCow Palace Exhibition Halls, San Francisco\u003cbr>\n\u003ca href=\"http://www.dickensfair.com/\" target=\"_blank\" rel=\"noopener\">Tickets $8-$30\u003c/a>\u003c/h5>\n\u003cp>To be fair (ha!), this is more than just a shopping destination. The Great Dickens Christmas Fair is an experience akin to stepping inside a snowglobe. On weekends from Nov. 21 to Dec. 20, the Cow Palace transforms into a Dickensian version of Victorian London, with hundreds of costumed players performing in music halls, pubs, dance floors and shops. Costumes (even just a bonnet or a hat!) are encouraged to help visitors get in the festive mood, so long as you don’t dress up like of Dickens’ principle characters.\u003c/p>\n\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-11126413\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px.png\" alt=\"Art_Nerd-HolidayGuide-2015-300px\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px.png 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px-32x32.png 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px-64x64.png 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px-96x96.png 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px-128x128.png 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Art_Nerd-HolidayGuide-2015-300px-75x75.png 75w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/p>\n\u003cp>When you buy something — say a lovingly glazed ceramic cup — do you enjoy gazing deeply into the eyes of the person who made said cup as you fork over your hard-earned cash monies? Do you want to support small, locally-owned businesses instead of the big-box stores with questionable labor practices? Well then I say to you: way to be a conscious shopper!\u003c/p>\n\u003cp>If you’re on the hunt for hand-crafted/artisanal/custom/bespoke items, below is a list of places where you can find those lovely things, check off your holiday shopping lists and actually feel good (well, less bad) about all the money you just spent.\u003c/p>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11128888\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11128888 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/AtelierDion400-400x275.jpg\" alt=\"Cups by Atelier Dion, one of the Temescal Alleys holiday artisans.\" width=\"400\" height=\"275\">\u003cfigcaption class=\"wp-caption-text\">Cups by Atelier Dion, one of the Temescal Alleys holiday artisans. \u003ccite>(Courtesy: Atelier Dion)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Temescal Alleys Holiday Artisan Fair\u003c/h3>\n\u003ch5>Sunday, Dec. 6, 11am-4pm\u003cbr>\n49th St. (between Telegraph Ave. and Clarke St.), Oakland\u003cbr>\n\u003ca href=\"http://www.temescalalleys.com/events.html\" target=\"_blank\" rel=\"noopener\">FREE\u003c/a>\u003c/h5>\n\u003cp>This weekend, stop by the quaint Temescal Alleys just off Telegraph Ave and 49th St for a day-long fair featuring local guest vendors among the existing shops. In the mood to peruse ceramics, textiles, jewelry, home decor or moon calendars? This is your one-stop shop for all of the above. Plus, Doña Tomás provides nachos and the alleys’ forthcoming Rose’s Taproom pours beer.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11128890\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11128890 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/misfit400-400x267.jpg\" alt=\"misfit400\" width=\"400\" height=\"267\">\u003cfigcaption class=\"wp-caption-text\">Great deals on handmade giftables! \u003ccite>(Courtesy: Root Division)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Misfit Toy Factory & Creative Marketplace\u003c/h3>\n\u003ch5>Saturday, Dec. 12, 6:30-10:30pm\u003cbr>\nRoot Division, 1131 Mission St., San Francisco\u003cbr>\n\u003ca href=\"https://rootdivision.org/exhibition-rd-gallery/misfit-toy-factory-creative-marketplace\" target=\"_blank\" rel=\"noopener\">FREE\u003c/a>\u003c/h5>\n\u003cp>More interested in watching the art objects you’re about to buy come together in front of you by their makers? Root Division’s annual Misfit Toy Factory brings over 40 Bay Area artists into their gallery for the on-site fabrication of affordable ($20-$60) “small sculptures, handmade wares and giftables,” which I assume means things you can give as gifts. This year, in the new and bigger Root Division, an additional “Creative Marketplace” features preexisting goods, also know as stuff not made onsite.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11128891\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11128891 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/WinterShop400-400x226.jpg\" alt=\"WinterShop400\" width=\"400\" height=\"226\">\u003cfigcaption class=\"wp-caption-text\">A pop-up store you won’t want to miss. \u003ccite>(Courtesy: WinterShop)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>WinterShop\u003c/h3>\n\u003ch5>Dec. 12, 4-8pm & Dec. 13, 11am-5pm\u003cbr>\n1015 Pacific Ave., San Francisco\u003cbr>\n\u003ca href=\"http://wintershop.info/\" target=\"_blank\" rel=\"noopener\">FREE\u003c/a>\u003c/h5>\n\u003cp>Perfectly timed to fulfill your last-minute shopping needs, WinterShop is a two-day pop-up retail space in San Francisco’s Nob Hill featuring wares by some pretty notable local designers and artists: Ari Bird, Alyssa Block Studio, Mia Christopher, Chelsey Dyer, Maker & Mineral, Savnnah Rusher, Lana Williams and Chelsea Wong. If you still haven’t found the perfect ceramic cup for your best friend, chances are it’s here for you to pick up, along with some original artwork, apparel and (oft-affordable) zines.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11128889\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11128889 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/CaseForMaking400-400x266.jpg\" alt=\"Just some of the many items available at the Outer Sunset shop, Case for Making.\" width=\"400\" height=\"266\">\u003cfigcaption class=\"wp-caption-text\">Just some of the many items available at the Outer Sunset shop, Case for Making. \u003ccite>(Courtesy: Case for Making)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Case for Making\u003c/h3>\n\u003ch5>Open daily, 11am-6pm\u003cbr>\n4037 Judah St., San Francisco\u003c/h5>\n\u003cp>Still haven’t found the perfect gift for that special someone among all the lovingly-glazed ceramic cups and Victorian baubles? I think it’s time to make something yourself. Stock up on beautiful and inspiring art supplies at the Outer Sunset’s Case for Making, where they carry everything from German oil sticks to Italian glue sticks. And if all else fails: they even have gift cards.\u003c/p>\n\u003c/div>\n\u003cdiv class=\"callout noborder\">\n\u003cfigure id=\"attachment_11130175\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11130175\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/MAdd-hattercrop-400x310.jpg\" alt=\"The Mad Hatter's in charge at 'Teatime with Alice & Friends', daiily on the Father Christmas Stage at the Great Dickens Christmas Fair.\" width=\"400\" height=\"310\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/MAdd-hattercrop-400x310.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/MAdd-hattercrop.jpg 740w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">The Mad Hatter’s in charge at ‘Teatime with Alice & Friends’, daily on the Father Christmas Stage at the Great Dickens Christmas Fair. \u003ccite>(Photo: Rich Yee)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>The Great Dickens Christmas Fair\u003c/h3>\n\u003ch5>Weekends through Dec. 20\u003cbr>\nCow Palace Exhibition Halls, San Francisco\u003cbr>\n\u003ca href=\"http://www.dickensfair.com/\" target=\"_blank\" rel=\"noopener\">Tickets $8-$30\u003c/a>\u003c/h5>\n\u003cp>To be fair (ha!), this is more than just a shopping destination. The Great Dickens Christmas Fair is an experience akin to stepping inside a snowglobe. On weekends from Nov. 21 to Dec. 20, the Cow Palace transforms into a Dickensian version of Victorian London, with hundreds of costumed players performing in music halls, pubs, dance floors and shops. Costumes (even just a bonnet or a hat!) are encouraged to help visitors get in the festive mood, so long as you don’t dress up like of Dickens’ principle characters.\u003c/p>\n\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Yep, you read that right. \u003cdel>Everyone's favorite\u003c/del> Many people's third- or fourth-favorite Beatle is having a yard sale, and we're all invited!\u003cstrong>*\u003c/strong>\u003c/p>\n\u003cp>More accurately: Those with piles of cash lying around and an abiding love for British Invasion memorabilia should consider checking out an auction taking place Dec. 3 - 5 in Beverly Hills, in which \u003ca href=\"http://www.latimes.com/entertainment/music/posts/la-et-ms-ringo-starr-beatles-auction-juliens-charity-20151202-story.html\" target=\"_blank\">Ringo Starr and his wife, actress Barbara Bach, will unload a veritable trove of Beatlemaniac treasure\u003c/a>.\u003c/p>\n\u003cp>Up for grabs are more than 1200 items, including the \u003ca href=\"http://www.julienslive.com/view-auctions/catalog/id/163/lot/70811/?url=%2Fview-auctions%2Fcatalog%2Fid%2F163%2F%3Fpage%3D1%26key%3Ddrums%26cat%3D%26xclosed%3Dno%26items%3D100\" target=\"_blank\">three-piece drum kit\u003c/a> Starr used in live performances from May 1963 to February 1964, as well as on the studio recordings of \"Can't Buy Me Love,\" \"I Want to Hold Your Hand,\" \"She Loves You,\" and other Beatles classics. (You'll need a cool $300,000 - $500,000 to take that one home.) A\u003ca href=\"http://www.julienslive.com/view-auctions/catalog/id/163/lot/71339/?url=%2Fview-auctions%2Fcatalog%2Fid%2F163%2F%3Fpage%3D1%26key%3Dguitar%26cat%3D%26xclosed%3Dno%26items%3D100\" target=\"_blank\"> guitar Starr gave George Harrison as a gift\u003c/a> is listed at $100,000 - $200,000, while one John Lennon used in 1964 and '65 comes in at $600,000 - $800,000.\u003c/p>\n\u003cp>Also of note: The drummer's own original copy of the White Album -- the first off the production line -- which has been in a bank vault for 35 years. Appraisers expect that one to hit $200,000 at the very least, meaning it will break standing auction records for vinyl.\u003c/p>\n\u003cp>In the more affordable range: A bunch of Bach's jewelry, and accessories like \u003ca href=\"http://www.julienslive.com/view-auctions/catalog/id/163/lot/70190/?url=%2Fview-auctions%2Fcatalog%2Fid%2F163%2F%3Fpage%3D3\" target=\"_blank\">this throw pillow\u003c/a>. No matter how much you have (or haven't) to spend, you can feel good about your purchase: Funds will go to the couple's \u003ca href=\"http://www.ringostarrart.com/the-lotus-foundation/\" target=\"_blank\">Lotus Foundation\u003c/a>, which directs money toward causes ranging from homeless and substance abuse to cerebral palsy research.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>*Before you jump down my throat: Ringo Starr is great and I firmly believe he's underrated. He might even be my second-favorite Beatle. I didn't grow up watching \u003cem>\u003ca href=\"http://www.imdb.com/title/tt0098910/\" target=\"_blank\">Shining Time Station\u003c/a>\u003c/em> for nothing.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Every Oscar season, the focus falls on the top actor races, how many times Meryl Streep has been nominated, and what people might wear to the ceremony. Meanwhile, the award for best documentary of the year is often overlooked; the announcement often coincides with the time during the Oscar party \u003ca href=\"http://ww2.kqed.org/pop/oscars-2016-watch-all-the-trailers-from-the-documentary-shortlist-citizenfour\" target=\"_blank\" id=\"rssmi_more\" rel=\"noopener\"> …read more\u003c/a> \u003c/p>\n\u003cp>Source:: \u003ca href=\"http://ww2.kqed.org/pop/oscars-2016-watch-all-the-trailers-from-the-documentary-shortlist-citizenfour\" target=\"_blank\" title=\"Oscars 2016: Watch All the Trailers from the Documentary Shortlist\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Oh, Moz.\u003c/p>\n\u003cp>In what's unfortunately just the latest crazy brick in a long, increasingly offensive road paved by your loony uncle Morrissey (everyone has that one relative who's militantly vegan, writes emo poetry, and used to front the Smiths, amirite), \u003ca href=\"http://pitchfork.com/news/62343-morrissey-says-tsa-stands-for-thorough-sexual-assault-unlikely-that-isis-would-stoop-so-low/\" target=\"_blank\">the singer said today that TSA agents at the San Francisco International Airport are worse human beings than those who make up ISIS\u003c/a>, the terrorist organization responsible for thousands upon thousands of deaths, as well as systemic human trafficking, sexual slavery, and myriad other forms of brutalization and abuse.\u003c/p>\n\u003cp>Super cool comparison!\u003c/p>\n\u003cp>The singer was referring to his experience passing through security at SFO this past July, when \u003ca href=\"http://ww2.kqed.org/pop/2015/07/30/morrissey-says-he-was-sexually-assaulted-by-security-at-san-francisco-airport/\" target=\"_blank\">he alleges a TSA agent sexually assaulted him \u003c/a>over the course of a security screening. The TSA has since denied that claim, citing security camera footage as evidence that \"the supervised officer followed standard operating procedures.\" (And yeah, \u003ca href=\"https://www.youtube.com/watch?v=qGje-Z_gx44\" target=\"_blank\">that video has made its way to YouTube\u003c/a>, but you can't really tell what's going on.)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=qGje-Z_gx44\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"TSA have ignored my official and legal and constitutional complaint. From this we gather that TSA stands for Thorough Sexual Assault,\" wrote the batsh*t-crazy lyricist Dec. 1 on the \u003ca href=\"https://www.youtube.com/watch?v=qGje-Z_gx44\" target=\"_blank\">fansite True To You\u003c/a>. \"If you are traveling through San Francisco International Airport you must be ready for a full sexual attack by people who claim to have your interests at heart. It is unlikely that ISIS would stoop so low.\"\u003c/p>\n\u003cp>So. This shouldn't need to be spelled out, but let's say, just for argument's sake, that this officer really did grope Moz. Crudely and egregiously. That's terrible. But it's not nearly as terrible as ISIS. And the comparison, which I can only imagine was made purely for shock value, ain't cute. It's disgusting. Not only does it show a stunning lack of sensitivity to the fact that the world is still reeling from the trauma of last month's attacks in Paris, it's also massively disrespectful to the more than 4 million people who have fled their native Syria during ISIS' brutal reign, as well as the thousands who have died at the organization's hands.\u003c/p>\n\u003cp>Unfortunately, this is far from the first time Morrissey's loon-speak has veered into awful and\u003ca href=\"http://gawker.com/5630157/washed-up-morrissey-still-racist-still-worshipped?trending_test_two_f&utm_expid=66866090-68.hhyw_lmCRuCTCg0I2RHHtw.5&utm_referrer=https%3A%2F%2Fwww.google.com%2F\" target=\"_blank\"> outright racist territory\u003c/a>. He previously said the 2011 attacks in Norway that took 77 lives were \u003ca href=\"http://www.theguardian.com/music/2011/jul/28/morrissey-norway-attacks-mcdonalds-kfc\" target=\"_blank\">nothing compared to the slaughter of animals for fast food\u003c/a>, has appeared to \u003ca href=\"http://imagine2050.newcomm.org/2009/12/03/morrissey-loses-a-fan/\" target=\"_blank\">fetishize skinhead imagery\u003c/a>, and straight-up \u003ca href=\"http://www.theguardian.com/music/2010/sep/03/morrissey-china-subspecies-racism\" target=\"_blank\">called Chinese people a subspecies\u003c/a>.\u003c/p>\n\u003cp>So why is this new load of bullsh*t even notable? Well, for one, it's based on events that allegedly took place in San Francisco -- and it also managed to make me feel sorry for TSA agents at large, which is impressive in and of itself.\u003c/p>\n\u003cp>But more importantly: Morrissey gets away with this BS mostly because he's a renowned, deeply beloved songwriter. His accomplishments in music have sealed him in the type of canon that tends to work like Teflon for these kinds of offenses...up to a point. Where that point lies, precisely, is at the discretion of individual fans. But at a time when the world is (rightfully) turning its back on Bill Cosby, and we're having long-overdue discussions about the \u003ca href=\"http://www.vulture.com/2015/11/is-it-okay-to-listen-to-r-kelly.html\" target=\"_blank\">ramifications of liking R. Kelly\u003c/a>, it seems only fair to think long and hard about what you're supporting if you buy a ticket to \u003ca href=\"http://sfmasonic.com/event/morrissey/\" target=\"_blank\">Moz's show at the Masonic this Dec. 29\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>That is, if he even makes it here: The singer also has a long history of \u003ca href=\"http://consequenceofsound.net/2014/06/heres-every-tour-morrissey-has-ever-canceled/\" target=\"_blank\">canceling shows and entire tours\u003c/a> the same way you might bail on a friend's birthday gathering at a bar all the way across town (It's cold! You're tired!). And, truly, if his SFO experience serves as just one more reason for Morrissey to stay away from the Bay Area altogether, that'd be just fine by me.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Oh, Moz.\u003c/p>\n\u003cp>In what's unfortunately just the latest crazy brick in a long, increasingly offensive road paved by your loony uncle Morrissey (everyone has that one relative who's militantly vegan, writes emo poetry, and used to front the Smiths, amirite), \u003ca href=\"http://pitchfork.com/news/62343-morrissey-says-tsa-stands-for-thorough-sexual-assault-unlikely-that-isis-would-stoop-so-low/\" target=\"_blank\">the singer said today that TSA agents at the San Francisco International Airport are worse human beings than those who make up ISIS\u003c/a>, the terrorist organization responsible for thousands upon thousands of deaths, as well as systemic human trafficking, sexual slavery, and myriad other forms of brutalization and abuse.\u003c/p>\n\u003cp>Super cool comparison!\u003c/p>\n\u003cp>The singer was referring to his experience passing through security at SFO this past July, when \u003ca href=\"http://ww2.kqed.org/pop/2015/07/30/morrissey-says-he-was-sexually-assaulted-by-security-at-san-francisco-airport/\" target=\"_blank\">he alleges a TSA agent sexually assaulted him \u003c/a>over the course of a security screening. The TSA has since denied that claim, citing security camera footage as evidence that \"the supervised officer followed standard operating procedures.\" (And yeah, \u003ca href=\"https://www.youtube.com/watch?v=qGje-Z_gx44\" target=\"_blank\">that video has made its way to YouTube\u003c/a>, but you can't really tell what's going on.)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/qGje-Z_gx44'\n title='//www.youtube.com/embed/qGje-Z_gx44'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"TSA have ignored my official and legal and constitutional complaint. From this we gather that TSA stands for Thorough Sexual Assault,\" wrote the batsh*t-crazy lyricist Dec. 1 on the \u003ca href=\"https://www.youtube.com/watch?v=qGje-Z_gx44\" target=\"_blank\">fansite True To You\u003c/a>. \"If you are traveling through San Francisco International Airport you must be ready for a full sexual attack by people who claim to have your interests at heart. It is unlikely that ISIS would stoop so low.\"\u003c/p>\n\u003cp>So. This shouldn't need to be spelled out, but let's say, just for argument's sake, that this officer really did grope Moz. Crudely and egregiously. That's terrible. But it's not nearly as terrible as ISIS. And the comparison, which I can only imagine was made purely for shock value, ain't cute. It's disgusting. Not only does it show a stunning lack of sensitivity to the fact that the world is still reeling from the trauma of last month's attacks in Paris, it's also massively disrespectful to the more than 4 million people who have fled their native Syria during ISIS' brutal reign, as well as the thousands who have died at the organization's hands.\u003c/p>\n\u003cp>Unfortunately, this is far from the first time Morrissey's loon-speak has veered into awful and\u003ca href=\"http://gawker.com/5630157/washed-up-morrissey-still-racist-still-worshipped?trending_test_two_f&utm_expid=66866090-68.hhyw_lmCRuCTCg0I2RHHtw.5&utm_referrer=https%3A%2F%2Fwww.google.com%2F\" target=\"_blank\"> outright racist territory\u003c/a>. He previously said the 2011 attacks in Norway that took 77 lives were \u003ca href=\"http://www.theguardian.com/music/2011/jul/28/morrissey-norway-attacks-mcdonalds-kfc\" target=\"_blank\">nothing compared to the slaughter of animals for fast food\u003c/a>, has appeared to \u003ca href=\"http://imagine2050.newcomm.org/2009/12/03/morrissey-loses-a-fan/\" target=\"_blank\">fetishize skinhead imagery\u003c/a>, and straight-up \u003ca href=\"http://www.theguardian.com/music/2010/sep/03/morrissey-china-subspecies-racism\" target=\"_blank\">called Chinese people a subspecies\u003c/a>.\u003c/p>\n\u003cp>So why is this new load of bullsh*t even notable? Well, for one, it's based on events that allegedly took place in San Francisco -- and it also managed to make me feel sorry for TSA agents at large, which is impressive in and of itself.\u003c/p>\n\u003cp>But more importantly: Morrissey gets away with this BS mostly because he's a renowned, deeply beloved songwriter. His accomplishments in music have sealed him in the type of canon that tends to work like Teflon for these kinds of offenses...up to a point. Where that point lies, precisely, is at the discretion of individual fans. But at a time when the world is (rightfully) turning its back on Bill Cosby, and we're having long-overdue discussions about the \u003ca href=\"http://www.vulture.com/2015/11/is-it-okay-to-listen-to-r-kelly.html\" target=\"_blank\">ramifications of liking R. Kelly\u003c/a>, it seems only fair to think long and hard about what you're supporting if you buy a ticket to \u003ca href=\"http://sfmasonic.com/event/morrissey/\" target=\"_blank\">Moz's show at the Masonic this Dec. 29\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>That is, if he even makes it here: The singer also has a long history of \u003ca href=\"http://consequenceofsound.net/2014/06/heres-every-tour-morrissey-has-ever-canceled/\" target=\"_blank\">canceling shows and entire tours\u003c/a> the same way you might bail on a friend's birthday gathering at a bar all the way across town (It's cold! You're tired!). And, truly, if his SFO experience serves as just one more reason for Morrissey to stay away from the Bay Area altogether, that'd be just fine by me.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>On Monday night, ABC will air a special at 7 p.m. called \u003cem>It’s Your 50th Christmas, Charlie Brown,\u003c/em> to mark the half-century since \u003cem>A Charlie Brown Christmas \u003c/em>first aired in 1965. Then at 8, it will air the special itself.\u003c/p>\n\u003cp>[contextly_sidebar id=”Xb1zRVabgdx7TjqNYtpKpOUNoGELDhGD”]\u003c/p>\n\u003cp>There’s so much about \u003cem>A Charlie Brown Christmas \u003c/em>that you’d never see on network television holiday specials now, I suspect. A special that, if not \u003cem>for\u003c/em> children, is certainly intended to be accessible \u003cem>by \u003c/em>children would never use that “guzzling Irish coffee in a bar on a snow-blanketed night in New York when you just got stood up but you feel weirdly OK about it” Vince Guaraldi music. Mass-marketed entertainment doesn’t tend to trust kids’ capacity to appreciate either stripped-down scores or the natural blues of winter that much. The kids’ chorus singing would be replaced by a Demi Lovato version of “The Little Drummer Boy” or something like that. Pardon the cynicism, but … wouldn’t it?\u003c/p>\n\u003cp>Watching the special now, its bleakness is palpable and bracing. It opens with Charlie Brown defining his problem in part as, in these words, “I’m not happy. I don’t feel the way I’m supposed to feel.” Straight-up dread, straight-up emotional emptiness. When Linus — who is, in many ways, the \u003cem>nice \u003c/em>one — tells him, “Of all the Charlie Browns in the world, you’re the Charlie Browniest,” it feels like the kind of improvisational brutality in which kids really do specialize.\u003c/p>\n\u003cp>And that’s not his only problem. Charlie Brown says things like, “I know nobody likes me. Why do we have to have a holiday season to emphasize it?” \u003cem>I know nobody likes me\u003c/em>. That’s unvarnished, and while the special will end with everyone telling him “Merry Christmas,” you will not really see much evidence in the next 20-plus minutes that they do, in fact, like him. He’s sad, for real, and he lives in that feeling, and he uses the word “depressed” to describe it. As with most things in Charlie Brown’s life, it is a load that will be temporarily lifted, but never resolved.\u003c/p>\n\u003cfigure id=\"attachment_11123075\" class=\"wp-caption alignright\" style=\"max-width: 883px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/11/141030_5120-172bc4e766e47e2c54e183265a71aff657aa934d.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/11/141030_5120-172bc4e766e47e2c54e183265a71aff657aa934d.jpg\" alt=\"Kristen Bell hosts a retrospective called It's Your 50th Christmas, Charlie Brown, Monday night on ABC.\" width=\"883\" height=\"662\" class=\"size-full wp-image-11123075\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/141030_5120-172bc4e766e47e2c54e183265a71aff657aa934d.jpg 883w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/141030_5120-172bc4e766e47e2c54e183265a71aff657aa934d-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/141030_5120-172bc4e766e47e2c54e183265a71aff657aa934d-800x600.jpg 800w\" sizes=\"(max-width: 883px) 100vw, 883px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kristen Bell hosts a retrospective called It’s Your 50th Christmas, Charlie Brown, Monday night on ABC. \u003ccite>(Photo: Nicole Wilder/ABC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>He’s so desperate for help, in fact, that he continues to pay Lucy five cents to think poorly of him in more sophisticated language. Her solution to his need for “involvement” is to make him the director of the Christmas play, a doomed scenario from the start, no?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But of course, it’s also unlikely that a special would end with a character reading Scripture with the earnestness of Linus. (It might be unlikely for a character to exist with the earnestness of Linus in the first place.) But as common as it is for viewers to remark on the religious content of the special, that content doesn’t exist in a vacuum. It doesn’t exist to say, “It’s a religious holiday, and therefore you should spurn its secular aspects.” Quite the contrary: Linus’ reading inspires Charlie Brown to redouble his efforts to decorate his sad little tree. And it inspires his friends to follow him and, when he becomes overwhelmed with sadness about said sad little tree, to help him.\u003c/p>\n\u003cp>So as much as \u003cem>A Charlie Brown Christmas \u003c/em>is about the significance of the religious tradition as what Christmas is “really about,” it sees that tradition at least in part as a gateway to, and an inspiration for, other actions. It doesn’t only suggest Christmas is \u003cem>really \u003c/em>about the Bible story; it suggests Christmas is also really about friends, dogs, cooperating, the beauty of humble things, singing out loud, and hope. It’s just not about writing your Christmas list and asking for, as Sally does, “10s and 20s.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The only thing you really can’t recapture from 1965 is scarcity. It was once the case that Christmas specials could be seen only at Christmas. Now, you and your family can watch Charlie Brown anytime you want, anywhere you want. It’s convenience at the expense of a certain kind of preciousness, to be sure. But if you still want to be the kind of person who watches things when they happen to be on, Monday night is the night for that sad little tree. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit \u003ca href=\"http://www.npr.org/\" target=\"_blank\" rel=\"noopener\">npr.org\u003c/a>.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27A+Charlie+Brown+Christmas%27+At+50&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Monday night, ABC will air a special at 7 p.m. called \u003cem>It’s Your 50th Christmas, Charlie Brown,\u003c/em> to mark the half-century since \u003cem>A Charlie Brown Christmas \u003c/em>first aired in 1965. Then at 8, it will air the special itself.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>There’s so much about \u003cem>A Charlie Brown Christmas \u003c/em>that you’d never see on network television holiday specials now, I suspect. A special that, if not \u003cem>for\u003c/em> children, is certainly intended to be accessible \u003cem>by \u003c/em>children would never use that “guzzling Irish coffee in a bar on a snow-blanketed night in New York when you just got stood up but you feel weirdly OK about it” Vince Guaraldi music. Mass-marketed entertainment doesn’t tend to trust kids’ capacity to appreciate either stripped-down scores or the natural blues of winter that much. The kids’ chorus singing would be replaced by a Demi Lovato version of “The Little Drummer Boy” or something like that. Pardon the cynicism, but … wouldn’t it?\u003c/p>\n\u003cp>Watching the special now, its bleakness is palpable and bracing. It opens with Charlie Brown defining his problem in part as, in these words, “I’m not happy. I don’t feel the way I’m supposed to feel.” Straight-up dread, straight-up emotional emptiness. When Linus — who is, in many ways, the \u003cem>nice \u003c/em>one — tells him, “Of all the Charlie Browns in the world, you’re the Charlie Browniest,” it feels like the kind of improvisational brutality in which kids really do specialize.\u003c/p>\n\u003cp>And that’s not his only problem. Charlie Brown says things like, “I know nobody likes me. Why do we have to have a holiday season to emphasize it?” \u003cem>I know nobody likes me\u003c/em>. That’s unvarnished, and while the special will end with everyone telling him “Merry Christmas,” you will not really see much evidence in the next 20-plus minutes that they do, in fact, like him. He’s sad, for real, and he lives in that feeling, and he uses the word “depressed” to describe it. As with most things in Charlie Brown’s life, it is a load that will be temporarily lifted, but never resolved.\u003c/p>\n\u003cfigure id=\"attachment_11123075\" class=\"wp-caption alignright\" style=\"max-width: 883px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/11/141030_5120-172bc4e766e47e2c54e183265a71aff657aa934d.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/11/141030_5120-172bc4e766e47e2c54e183265a71aff657aa934d.jpg\" alt=\"Kristen Bell hosts a retrospective called It's Your 50th Christmas, Charlie Brown, Monday night on ABC.\" width=\"883\" height=\"662\" class=\"size-full wp-image-11123075\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/141030_5120-172bc4e766e47e2c54e183265a71aff657aa934d.jpg 883w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/141030_5120-172bc4e766e47e2c54e183265a71aff657aa934d-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/141030_5120-172bc4e766e47e2c54e183265a71aff657aa934d-800x600.jpg 800w\" sizes=\"(max-width: 883px) 100vw, 883px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kristen Bell hosts a retrospective called It’s Your 50th Christmas, Charlie Brown, Monday night on ABC. \u003ccite>(Photo: Nicole Wilder/ABC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>He’s so desperate for help, in fact, that he continues to pay Lucy five cents to think poorly of him in more sophisticated language. Her solution to his need for “involvement” is to make him the director of the Christmas play, a doomed scenario from the start, no?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But of course, it’s also unlikely that a special would end with a character reading Scripture with the earnestness of Linus. (It might be unlikely for a character to exist with the earnestness of Linus in the first place.) But as common as it is for viewers to remark on the religious content of the special, that content doesn’t exist in a vacuum. It doesn’t exist to say, “It’s a religious holiday, and therefore you should spurn its secular aspects.” Quite the contrary: Linus’ reading inspires Charlie Brown to redouble his efforts to decorate his sad little tree. And it inspires his friends to follow him and, when he becomes overwhelmed with sadness about said sad little tree, to help him.\u003c/p>\n\u003cp>So as much as \u003cem>A Charlie Brown Christmas \u003c/em>is about the significance of the religious tradition as what Christmas is “really about,” it sees that tradition at least in part as a gateway to, and an inspiration for, other actions. It doesn’t only suggest Christmas is \u003cem>really \u003c/em>about the Bible story; it suggests Christmas is also really about friends, dogs, cooperating, the beauty of humble things, singing out loud, and hope. It’s just not about writing your Christmas list and asking for, as Sally does, “10s and 20s.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The only thing you really can’t recapture from 1965 is scarcity. It was once the case that Christmas specials could be seen only at Christmas. Now, you and your family can watch Charlie Brown anytime you want, anywhere you want. It’s convenience at the expense of a certain kind of preciousness, to be sure. But if you still want to be the kind of person who watches things when they happen to be on, Monday night is the night for that sad little tree. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit \u003ca href=\"http://www.npr.org/\" target=\"_blank\" rel=\"noopener\">npr.org\u003c/a>.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27A+Charlie+Brown+Christmas%27+At+50&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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"radiolab": {
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"reveal": {
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},
"rightnowish": {
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"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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},
"science-friday": {
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"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"snap-judgment": {
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"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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},
"soldout": {
"id": "soldout",
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