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"content": "\u003cp>On Nov. 7, the \u003ca href=\"http://www.numulosgatos.org/\" target=\"_blank\" rel=\"noopener\">New Museum Los Gatos\u003c/a> (NUMU) hosted over 500 people for the opening of \u003ca href=\"http://www.numulosgatos.org/it-takes-a-village\" target=\"_blank\" rel=\"noopener\">\u003cem>It Takes a Village: A trip back in time to Frontier Village, Santa’s Village, and Lost World\u003c/em>\u003c/a>. Presenting three lost-but-not-forgotten local theme parks, NUMU’s exhibition was not unlike a theme park on opening day.\u003c/p>\n\u003cfigure id=\"attachment_11068654\" class=\"wp-caption alignright\" style=\"max-width: 402px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11068654\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/11/MissWildWest.jpg\" alt=\"Miss Wild West, Chyrle Bacon, shows off some of the trick roping skills she shared as an entertainer at Frontier Village in San Jose between 1978 and 1980.\" width=\"402\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/MissWildWest.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/MissWildWest-400x638.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/MissWildWest-376x600.jpg 376w\" sizes=\"(max-width: 402px) 100vw, 402px\">\u003cfigcaption class=\"wp-caption-text\">Miss Wild West, Chyrle Bacon, shows off some of the trick roping skills she shared as an entertainer at Frontier Village in San Jose between 1978 and 1980. \u003ccite>(Photo: Adrienne Blaine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Whether it was learning to lasso with “the one and only” \u003ca href=\"http://cowgirlchyrle.com/aboutauthor/\" target=\"_blank\" rel=\"noopener\">Miss Wild West\u003c/a> of Frontier Village, mailing a letter to a perennial Santa’s Village or posing with exotic animal statues from Lost World, children and adults — but mostly the adults — were giddy with excitement at NUMU.\u003c/p>\n\u003cp>If you were a South Bay kid in the 1960s and ’70s, you were probably begging your parents to take you to Frontier Village in San Jose, or trying to convince them to stop at Santa’s Village and Lost World on your way to and from the beach.\u003c/p>\n\u003cp>Today, the most prominent remnant of these parks is probably the sign for Santa’s Village Road on Highway 17, which tends to confuse more than excite. Santa’s Village was more than just a quirky pit stop though; it was a part of the first franchised theme park in history.\u003c/p>\n\u003cp>After World War II, when McDonald’s was just starting to open franchises and Disneyland captured the imaginations of children and investors, undeveloped property in the South Bay seemed perfect for theme park development.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Later, investors would trade these unique parks for standardized suburban tract homes. One such development in San Jose bears the name of the park it replaced: Frontier Village.\u003c/p>\n\u003cp>Just as that park was ready to expand into a new decade (the 1980s), its land was sold to property developers. After nearly 20 years of operation, employees and visitors were not ready to let go. Every year, Frontier Village enthusiasts meet for a picnic to remember the good ol’ days.\u003c/p>\n\u003cfigure id=\"attachment_11068655\" class=\"wp-caption aligncenter\" style=\"max-width: 1100px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/11/FV-Hats.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11068655\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/11/FV-Hats.jpg\" alt=\"Cowboy hats hanging on low hooks for children to wear at NUMU's "It Takes a Village" exhibit. Photo by Adrienne Blaine.\" width=\"1100\" height=\"732\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/FV-Hats.jpg 1100w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/FV-Hats-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/FV-Hats-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/FV-Hats-960x639.jpg 960w\" sizes=\"(max-width: 1100px) 100vw, 1100px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Cowboy hats hanging on low hooks for children to wear at NUMU’s “It Takes a Village” exhibit. Photo by Adrienne Blaine. \u003ccite>(Photo: Adrienne Blaine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And although these parks have been missed, their ephemeral perfection preserves them in the memories of many locals — including those who were born long after they closed.\u003c/p>\n\u003cp>Nestled between the Santa Cruz Mountains and San Jose, the small town of Los Gatos is the perfect location for an exhibition that unites the three parks’ legacies. NUMU’s History Curator, Amy Long, said, “I’ve been blown away by the response. It’s really become something that I couldn’t have predicted.”\u003c/p>\n\u003cp>Long knew she was on to something when she saw that the Facebook page for \u003ca href=\"https://www.facebook.com/groups/frontiervillage/\" target=\"_blank\" rel=\"noopener\">Remembering Frontier Village\u003c/a> had over 12,000 fans. Through these online networks she was able to meet collectors and orchestrate the dynamic exhibition at NUMU, which features an antique auto from Frontier Village, the calendar clock from Santa’s Village and a large grizzly bear statue from Lost World, along with eclectic memorabilia and relevant historical documents.\u003c/p>\n\u003cfigure id=\"attachment_11068657\" class=\"wp-caption alignright\" style=\"max-width: 480px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11068657\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/11/FV-Memory.jpg\" alt=\"A memory from Frontier Village in San Jose posted in the NUMU 'It Takes a Village' exhibit.\" width=\"480\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/FV-Memory.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/FV-Memory-400x533.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/FV-Memory-450x600.jpg 450w\" sizes=\"(max-width: 480px) 100vw, 480px\">\u003cfigcaption class=\"wp-caption-text\">A memory from Frontier Village in San Jose posted in the NUMU ‘It Takes a Village’ exhibit. \u003ccite>(Photo: Adrienne Blaine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The most impressive part of the exhibition, however, is the wall where visitors can share their memories of these parks. Some remember specific rides: “I could NEVER keep my eyes open when entering the Dutchman’s Mine!” Others focus on the connections made: “If I hadn’t gone to F.V. to interview for a job. I’d never have met my future husband or have the great pleasure of working at such a great place.”\u003c/p>\n\u003cp>Baby Boomers at the opening expressed a desire to pass along these happy memories to their children and grandchildren. It makes one wonder what Generation X, Y and Z will preserve from their childhoods for future posterity.\u003c/p>\n\u003cp>As the defining landmarks of the area continue to disappear, what will we leave future generations? Engaging the community with memories of lost parks, NUMU makes us think about our own place in history — not with doom and gloom, but with a whimsical and wistful peek into a bygone era.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>It Takes a Village\u003c/em>\u003c/strong> is on view through April 3, 2016 at New Museum Los Gatos. For more information, visit \u003ca href=\"http://www.numulosgatos.org/\" target=\"_blank\" rel=\"noopener\">numulosgatos.org\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Nov. 7, the \u003ca href=\"http://www.numulosgatos.org/\" target=\"_blank\" rel=\"noopener\">New Museum Los Gatos\u003c/a> (NUMU) hosted over 500 people for the opening of \u003ca href=\"http://www.numulosgatos.org/it-takes-a-village\" target=\"_blank\" rel=\"noopener\">\u003cem>It Takes a Village: A trip back in time to Frontier Village, Santa’s Village, and Lost World\u003c/em>\u003c/a>. Presenting three lost-but-not-forgotten local theme parks, NUMU’s exhibition was not unlike a theme park on opening day.\u003c/p>\n\u003cfigure id=\"attachment_11068654\" class=\"wp-caption alignright\" style=\"max-width: 402px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11068654\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/11/MissWildWest.jpg\" alt=\"Miss Wild West, Chyrle Bacon, shows off some of the trick roping skills she shared as an entertainer at Frontier Village in San Jose between 1978 and 1980.\" width=\"402\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/MissWildWest.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/MissWildWest-400x638.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/MissWildWest-376x600.jpg 376w\" sizes=\"(max-width: 402px) 100vw, 402px\">\u003cfigcaption class=\"wp-caption-text\">Miss Wild West, Chyrle Bacon, shows off some of the trick roping skills she shared as an entertainer at Frontier Village in San Jose between 1978 and 1980. \u003ccite>(Photo: Adrienne Blaine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Whether it was learning to lasso with “the one and only” \u003ca href=\"http://cowgirlchyrle.com/aboutauthor/\" target=\"_blank\" rel=\"noopener\">Miss Wild West\u003c/a> of Frontier Village, mailing a letter to a perennial Santa’s Village or posing with exotic animal statues from Lost World, children and adults — but mostly the adults — were giddy with excitement at NUMU.\u003c/p>\n\u003cp>If you were a South Bay kid in the 1960s and ’70s, you were probably begging your parents to take you to Frontier Village in San Jose, or trying to convince them to stop at Santa’s Village and Lost World on your way to and from the beach.\u003c/p>\n\u003cp>Today, the most prominent remnant of these parks is probably the sign for Santa’s Village Road on Highway 17, which tends to confuse more than excite. Santa’s Village was more than just a quirky pit stop though; it was a part of the first franchised theme park in history.\u003c/p>\n\u003cp>After World War II, when McDonald’s was just starting to open franchises and Disneyland captured the imaginations of children and investors, undeveloped property in the South Bay seemed perfect for theme park development.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Later, investors would trade these unique parks for standardized suburban tract homes. One such development in San Jose bears the name of the park it replaced: Frontier Village.\u003c/p>\n\u003cp>Just as that park was ready to expand into a new decade (the 1980s), its land was sold to property developers. After nearly 20 years of operation, employees and visitors were not ready to let go. Every year, Frontier Village enthusiasts meet for a picnic to remember the good ol’ days.\u003c/p>\n\u003cfigure id=\"attachment_11068655\" class=\"wp-caption aligncenter\" style=\"max-width: 1100px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/11/FV-Hats.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11068655\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/11/FV-Hats.jpg\" alt=\"Cowboy hats hanging on low hooks for children to wear at NUMU's "It Takes a Village" exhibit. Photo by Adrienne Blaine.\" width=\"1100\" height=\"732\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/FV-Hats.jpg 1100w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/FV-Hats-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/FV-Hats-800x532.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/FV-Hats-960x639.jpg 960w\" sizes=\"(max-width: 1100px) 100vw, 1100px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Cowboy hats hanging on low hooks for children to wear at NUMU’s “It Takes a Village” exhibit. Photo by Adrienne Blaine. \u003ccite>(Photo: Adrienne Blaine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>And although these parks have been missed, their ephemeral perfection preserves them in the memories of many locals — including those who were born long after they closed.\u003c/p>\n\u003cp>Nestled between the Santa Cruz Mountains and San Jose, the small town of Los Gatos is the perfect location for an exhibition that unites the three parks’ legacies. NUMU’s History Curator, Amy Long, said, “I’ve been blown away by the response. It’s really become something that I couldn’t have predicted.”\u003c/p>\n\u003cp>Long knew she was on to something when she saw that the Facebook page for \u003ca href=\"https://www.facebook.com/groups/frontiervillage/\" target=\"_blank\" rel=\"noopener\">Remembering Frontier Village\u003c/a> had over 12,000 fans. Through these online networks she was able to meet collectors and orchestrate the dynamic exhibition at NUMU, which features an antique auto from Frontier Village, the calendar clock from Santa’s Village and a large grizzly bear statue from Lost World, along with eclectic memorabilia and relevant historical documents.\u003c/p>\n\u003cfigure id=\"attachment_11068657\" class=\"wp-caption alignright\" style=\"max-width: 480px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11068657\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/11/FV-Memory.jpg\" alt=\"A memory from Frontier Village in San Jose posted in the NUMU 'It Takes a Village' exhibit.\" width=\"480\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/FV-Memory.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/FV-Memory-400x533.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/FV-Memory-450x600.jpg 450w\" sizes=\"(max-width: 480px) 100vw, 480px\">\u003cfigcaption class=\"wp-caption-text\">A memory from Frontier Village in San Jose posted in the NUMU ‘It Takes a Village’ exhibit. \u003ccite>(Photo: Adrienne Blaine)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The most impressive part of the exhibition, however, is the wall where visitors can share their memories of these parks. Some remember specific rides: “I could NEVER keep my eyes open when entering the Dutchman’s Mine!” Others focus on the connections made: “If I hadn’t gone to F.V. to interview for a job. I’d never have met my future husband or have the great pleasure of working at such a great place.”\u003c/p>\n\u003cp>Baby Boomers at the opening expressed a desire to pass along these happy memories to their children and grandchildren. It makes one wonder what Generation X, Y and Z will preserve from their childhoods for future posterity.\u003c/p>\n\u003cp>As the defining landmarks of the area continue to disappear, what will we leave future generations? Engaging the community with memories of lost parks, NUMU makes us think about our own place in history — not with doom and gloom, but with a whimsical and wistful peek into a bygone era.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>It Takes a Village\u003c/em>\u003c/strong> is on view through April 3, 2016 at New Museum Los Gatos. For more information, visit \u003ca href=\"http://www.numulosgatos.org/\" target=\"_blank\" rel=\"noopener\">numulosgatos.org\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Maryam Masud has been drawing and doodling ever since she was a kid. And people are starting to take notice, thanks to her most recent series, \u003cem>\u003ca href=\"http://mozzified.com/2015/10/18/9-disney-princesses-reinterpreted-as-hijabi-2/\" target=\"_blank\">Colors of Islam\u003c/a>\u003c/em>, which imagines Disney characters wearing the hijab. A sort of surprising project, considering her Bangladeshi parents didn't want her watching too much Disney growing up.\u003c/p>\n\u003cfigure id=\"attachment_18910\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM.png\">\u003cimg class=\"wp-image-18910 size-thumbnail\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM-400x409.png\" alt=\"Artist, Maryam Masud\" width=\"400\" height=\"409\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM-400x409.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM-800x817.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM-960x981.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM-32x32.png 32w, https://ww2.kqed.org/app/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM-64x64.png 64w, https://ww2.kqed.org/app/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM.png 1116w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Artist Maryam Masud\u003c/figcaption>\u003c/figure>\n\u003cp>“[Disney movies] have a lot of messages that are subtle and are not exactly how people should be portrayed,” Masud says. “It's not like [my parents] stopped us from watching it if we wanted to, it was that they didn't necessarily encourage it.” This led Masud to other forms of entertainment such as Japanese anime.\u003c/p>\n\u003cp>As she learned about \u003ca href=\"http://ww2.kqed.org/pop/2015/10/28/subverting-gender-norms-through-cosplay-at-santa-rosas-toy-con/\" target=\"_blank\">cosplay culture\u003c/a>, Masud saw a lack of characters she could easily dress as. Many characters were white males, or women with a specific style of dress or physique. \u003cem>Colors of Islam \u003c/em>is her attempt at\u003cem> \u003c/em>remedying that exclusion by opening up the world of Disney.\u003c/p>\n\u003cp>Masud knows her characters extremely well. She can discuss them or the merits of \u003cem>Tangled\u003c/em> versus \u003cem>Frozen\u003c/em> at length. “People forget that Rapunzel is an astronomer. She's a fashion designer, a cook and a baker… She's a scholar.”\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/11/hijab-disney.png\">\u003cimg class=\"alignleft size-thumbnail wp-image-19040\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/11/hijab-disney-400x382.png\" alt=\"hijab-disney\" width=\"400\" height=\"382\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/11/hijab-disney-400x382.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/11/hijab-disney-32x32.png 32w, https://ww2.kqed.org/app/uploads/sites/12/2015/11/hijab-disney.png 574w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>Overall, Masud wants to preserve each character's essence. “Their character description is the exact same as it was, we're just adding the word Muslim to it.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It's up to the audience to think about the implications. “How does the word Muslim change the stories? Will they behave differently in society? How would society perceive them and how would their stories change?”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>She sees her work as a character re-interpretation that allows others to create their own stories. “I want every single person who looks at these pictures to reclaim it for themselves.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Maryam Masud has been drawing and doodling ever since she was a kid. And people are starting to take notice, thanks to her most recent series, \u003cem>\u003ca href=\"http://mozzified.com/2015/10/18/9-disney-princesses-reinterpreted-as-hijabi-2/\" target=\"_blank\">Colors of Islam\u003c/a>\u003c/em>, which imagines Disney characters wearing the hijab. A sort of surprising project, considering her Bangladeshi parents didn't want her watching too much Disney growing up.\u003c/p>\n\u003cfigure id=\"attachment_18910\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM.png\">\u003cimg class=\"wp-image-18910 size-thumbnail\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM-400x409.png\" alt=\"Artist, Maryam Masud\" width=\"400\" height=\"409\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM-400x409.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM-800x817.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM-960x981.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM-32x32.png 32w, https://ww2.kqed.org/app/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM-64x64.png 64w, https://ww2.kqed.org/app/uploads/sites/12/2015/11/Screen-Shot-2015-11-03-at-2.17.44-PM.png 1116w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Artist Maryam Masud\u003c/figcaption>\u003c/figure>\n\u003cp>“[Disney movies] have a lot of messages that are subtle and are not exactly how people should be portrayed,” Masud says. “It's not like [my parents] stopped us from watching it if we wanted to, it was that they didn't necessarily encourage it.” This led Masud to other forms of entertainment such as Japanese anime.\u003c/p>\n\u003cp>As she learned about \u003ca href=\"http://ww2.kqed.org/pop/2015/10/28/subverting-gender-norms-through-cosplay-at-santa-rosas-toy-con/\" target=\"_blank\">cosplay culture\u003c/a>, Masud saw a lack of characters she could easily dress as. Many characters were white males, or women with a specific style of dress or physique. \u003cem>Colors of Islam \u003c/em>is her attempt at\u003cem> \u003c/em>remedying that exclusion by opening up the world of Disney.\u003c/p>\n\u003cp>Masud knows her characters extremely well. She can discuss them or the merits of \u003cem>Tangled\u003c/em> versus \u003cem>Frozen\u003c/em> at length. “People forget that Rapunzel is an astronomer. She's a fashion designer, a cook and a baker… She's a scholar.”\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/11/hijab-disney.png\">\u003cimg class=\"alignleft size-thumbnail wp-image-19040\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/11/hijab-disney-400x382.png\" alt=\"hijab-disney\" width=\"400\" height=\"382\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/11/hijab-disney-400x382.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/11/hijab-disney-32x32.png 32w, https://ww2.kqed.org/app/uploads/sites/12/2015/11/hijab-disney.png 574w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>Overall, Masud wants to preserve each character's essence. “Their character description is the exact same as it was, we're just adding the word Muslim to it.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It's up to the audience to think about the implications. “How does the word Muslim change the stories? Will they behave differently in society? How would society perceive them and how would their stories change?”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>She sees her work as a character re-interpretation that allows others to create their own stories. “I want every single person who looks at these pictures to reclaim it for themselves.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>It's one of the great paradoxes of the Internet Age: Social media has allowed for an unprecedented level of intimacy between friends separated by thousands of miles, between celebrities and their fans, between \u003ca href=\"https://twitter.com/brandssayingbae\" target=\"_blank\">brands and their millennial consumers\u003c/a>. It's also total bullsh*t. No one's Facebook, Twitter or Instagram account is an even remotely accurate representation of their lives, because the overall point of social media is to craft likability; you post things you've determined other people might want to see. (Whether or not you are old enough to instinctively understand this surely influenced your level of surprise around \u003ca href=\"http://www.nytimes.com/2015/11/04/fashion/essena-oneill-instagram-star-recaptions-her-life.html\">this recent, viral \"story\"\u003c/a> about a teenage Instagram model telling it like it is.)\u003c/p>\n\u003cp>There's a veritable traffic jam of interesting case studies at this intersection of intimacy and bullsh*t. But today I'd like to pay homage to one in particular: The undercelebrated world of government social media accounts.\u003c/p>\n\u003cp>No, I'm not talking about \u003ca href=\"http://www.forbes.com/sites/emilycanal/2015/11/10/why-president-obama-joined-facebook-now/\" target=\"_blank\">President Obama getting a personal Facebook account\u003c/a>. Of course Obama got Facebook. No one cares. I'm talking here about what the conversation must have sounded like in the office the day the USDA Food Safety program decided it needed a social media presence through which to share tips for proper poultry preparation.\u003c/p>\n\u003cp>https://twitter.com/USDAFoodSafety/status/661603379752267776\u003c/p>\n\u003cp>A brief spin through this Twitter feed shows you the USDA Food Safety Social Media Person making very earnest work of what Social Media People are supposed to do: He or she jumps on trending topics, name-checks celebrities and the pop culture events du jour, and gets in line with holiday-themed and otherwise seasonally appropriate content.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/USDAFoodSafety/status/656853820933206016\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>https://twitter.com/USDAFoodSafety/status/650353482499772416\u003c/p>\n\u003cp>Underlying the patently insane tone of most of these tweets is this blanket assumption that every business, every organization that wants to be successful absolutely \u003cem>must\u003c/em> have social media accounts. That's where the kids are, after all -- might as well meet 'em where they live and teach 'em a thing or two about proper meat temperatures while you're at it!\u003c/p>\n\u003cp>https://twitter.com/USDAFoodSafety/status/632965186622726144\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>https://twitter.com/USDAFoodSafety/status/624025019446882304\u003c/p>\n\u003cp>The question of whether anyone has actually been saved from foodborne illness via tweet is, on the other hand, surely up for debate. Is a guy who doesn't know to wash his hands after handling raw chicken really a guy who's following USDA Food Safety on Twitter? Is an irony-appreciating millennial who might not otherwise be open to messaging about listeria going to sit up and pay attention because of the hashtag #Sharknado3?\u003c/p>\n\u003cp>The official Instagram account of the TSA, meanwhile, takes a more detached stance. This account delivers to its 374,000 loyal followers a mostly objective window into the assorted grab-bag of concealed knives, guns and narcotics the governmental body confiscates daily from travelers at airports all over the country.\u003c/p>\n\u003cp>https://instagram.com/p/7bFyS1l95S/?taken-by=tsa\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>https://instagram.com/p/5NlI6cl9wj/?taken-by=tsa\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>Also, portraits of cute drug-sniffing TSA dogs.\u003c/p>\n\u003cp>https://instagram.com/p/50Q69WF90s/?taken-by=tsa\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>Sometimes the photos are accompanied by tips and information about which items, exactly, \u003ci>are\u003c/i> kosher to carry onto an aircraft (hint: no knives, guns, or narcotics), but mostly this account seems to operate from a place of gleeful voyeurism: Someone thought they were gonna get \u003cem>that\u003c/em> onto a plane?\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>https://instagram.com/p/5sp2Ptl9y3/?taken-by=tsa\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>https://instagram.com/p/xnFiu3F99x/?taken-by=tsa\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>Connecting with customers is a key aim of social media, and these posts do that, to be sure -- but the wrench in these interactions is that federal agencies don't have customers. We're not choosing the USDA Food Safety regulations over some other available option; we don't compare prices and decide to get searched by the TSA, specifically, when we fly. \u003cem>So why do they care if we like them? \u003c/em>\u003c/p>\n\u003cp>Okay, so likability might be the wrong noun here -- we could say their primary motive is to simply humanize an otherwise sterile, standardized and thoroughly regimented chunk of government, and to show that they are in fact performing a useful function; in the case of the TSA, especially, you're talking about an organization with whom most of the American populace positively dreads interaction. Yes, they're helping to keep us safe. They're also basically the dentists of the government world -- ones that can get you thrown in jail. (Related: The U.S. Border Patrol's Twitter feed is \u003ca href=\"https://twitter.com/CustomsBorder/status/659541357829206016\" target=\"_blank\">similar, but methier\u003c/a>.)\u003c/p>\n\u003cp>https://instagram.com/p/2t26i8F92S/?taken-by=tsa\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>So: Is it working? Unlike brand loyalty, which can be measured by what products we actually purchase following a social media interaction, there's pretty much no way to track whetherJohn Doe is feeling more warmly toward his TSA agent during a full-body search at SFO than he did prior to following the agency on Instagram. And, again, it's not exactly going to affect the TSA's bottom line.\u003c/p>\n\u003cp>What we're left with, then, is a snapshot of a specific moment in our collective understanding of social media's purpose as it evolves. Side by side with landmark social movements like Black Lives Matter -- which arguably coalesced and gained steam predominantly in the online world, with an aim of affecting real change in the tangible one -- we have brick-and-mortar agencies that perform self-evident functions feeling obvious pressure to contribute something, \u003cem>anything,\u003c/em> to the jumble of self-promotion and online noise that is social media, regardless of the value. No matter if a Twitter feed makes sense for your organization: Does your organization even exist, if it doesn't tweet? It's a vignette that I think will become more telling with time, as the first generation that has never known a world without Twitter or Instagram comes of age, and as businesses (hopefully) learn to wield social media as a tool without \u003ca href=\"http://www.adweek.com/socialtimes/brands-auto-replies-twitter/496033\" target=\"_blank\">embarrassing themselves\u003c/a> (or us) anymore than they already have.\u003c/p>\n\u003cp>In the meantime, if they're going to post it, we're going to enjoy it. And hey: once we surgically remove our palms from our faces, we might even learn something.\u003c/p>\n\u003cp>https://twitter.com/USDAFoodSafety/status/593823470816997376\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It's one of the great paradoxes of the Internet Age: Social media has allowed for an unprecedented level of intimacy between friends separated by thousands of miles, between celebrities and their fans, between \u003ca href=\"https://twitter.com/brandssayingbae\" target=\"_blank\">brands and their millennial consumers\u003c/a>. It's also total bullsh*t. No one's Facebook, Twitter or Instagram account is an even remotely accurate representation of their lives, because the overall point of social media is to craft likability; you post things you've determined other people might want to see. (Whether or not you are old enough to instinctively understand this surely influenced your level of surprise around \u003ca href=\"http://www.nytimes.com/2015/11/04/fashion/essena-oneill-instagram-star-recaptions-her-life.html\">this recent, viral \"story\"\u003c/a> about a teenage Instagram model telling it like it is.)\u003c/p>\n\u003cp>There's a veritable traffic jam of interesting case studies at this intersection of intimacy and bullsh*t. But today I'd like to pay homage to one in particular: The undercelebrated world of government social media accounts.\u003c/p>\n\u003cp>No, I'm not talking about \u003ca href=\"http://www.forbes.com/sites/emilycanal/2015/11/10/why-president-obama-joined-facebook-now/\" target=\"_blank\">President Obama getting a personal Facebook account\u003c/a>. Of course Obama got Facebook. No one cares. I'm talking here about what the conversation must have sounded like in the office the day the USDA Food Safety program decided it needed a social media presence through which to share tips for proper poultry preparation.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Underlying the patently insane tone of most of these tweets is this blanket assumption that every business, every organization that wants to be successful absolutely \u003cem>must\u003c/em> have social media accounts. That's where the kids are, after all -- might as well meet 'em where they live and teach 'em a thing or two about proper meat temperatures while you're at it!\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>The question of whether anyone has actually been saved from foodborne illness via tweet is, on the other hand, surely up for debate. Is a guy who doesn't know to wash his hands after handling raw chicken really a guy who's following USDA Food Safety on Twitter? Is an irony-appreciating millennial who might not otherwise be open to messaging about listeria going to sit up and pay attention because of the hashtag #Sharknado3?\u003c/p>\n\u003cp>The official Instagram account of the TSA, meanwhile, takes a more detached stance. This account delivers to its 374,000 loyal followers a mostly objective window into the assorted grab-bag of concealed knives, guns and narcotics the governmental body confiscates daily from travelers at airports all over the country.\u003c/p>\n\u003cp>https://instagram.com/p/7bFyS1l95S/?taken-by=tsa\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>https://instagram.com/p/5NlI6cl9wj/?taken-by=tsa\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>Also, portraits of cute drug-sniffing TSA dogs.\u003c/p>\n\u003cp>https://instagram.com/p/50Q69WF90s/?taken-by=tsa\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>Sometimes the photos are accompanied by tips and information about which items, exactly, \u003ci>are\u003c/i> kosher to carry onto an aircraft (hint: no knives, guns, or narcotics), but mostly this account seems to operate from a place of gleeful voyeurism: Someone thought they were gonna get \u003cem>that\u003c/em> onto a plane?\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>https://instagram.com/p/5sp2Ptl9y3/?taken-by=tsa\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>https://instagram.com/p/xnFiu3F99x/?taken-by=tsa\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>Connecting with customers is a key aim of social media, and these posts do that, to be sure -- but the wrench in these interactions is that federal agencies don't have customers. We're not choosing the USDA Food Safety regulations over some other available option; we don't compare prices and decide to get searched by the TSA, specifically, when we fly. \u003cem>So why do they care if we like them? \u003c/em>\u003c/p>\n\u003cp>Okay, so likability might be the wrong noun here -- we could say their primary motive is to simply humanize an otherwise sterile, standardized and thoroughly regimented chunk of government, and to show that they are in fact performing a useful function; in the case of the TSA, especially, you're talking about an organization with whom most of the American populace positively dreads interaction. Yes, they're helping to keep us safe. They're also basically the dentists of the government world -- ones that can get you thrown in jail. (Related: The U.S. Border Patrol's Twitter feed is \u003ca href=\"https://twitter.com/CustomsBorder/status/659541357829206016\" target=\"_blank\">similar, but methier\u003c/a>.)\u003c/p>\n\u003cp>https://instagram.com/p/2t26i8F92S/?taken-by=tsa\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>So: Is it working? Unlike brand loyalty, which can be measured by what products we actually purchase following a social media interaction, there's pretty much no way to track whetherJohn Doe is feeling more warmly toward his TSA agent during a full-body search at SFO than he did prior to following the agency on Instagram. And, again, it's not exactly going to affect the TSA's bottom line.\u003c/p>\n\u003cp>What we're left with, then, is a snapshot of a specific moment in our collective understanding of social media's purpose as it evolves. Side by side with landmark social movements like Black Lives Matter -- which arguably coalesced and gained steam predominantly in the online world, with an aim of affecting real change in the tangible one -- we have brick-and-mortar agencies that perform self-evident functions feeling obvious pressure to contribute something, \u003cem>anything,\u003c/em> to the jumble of self-promotion and online noise that is social media, regardless of the value. No matter if a Twitter feed makes sense for your organization: Does your organization even exist, if it doesn't tweet? It's a vignette that I think will become more telling with time, as the first generation that has never known a world without Twitter or Instagram comes of age, and as businesses (hopefully) learn to wield social media as a tool without \u003ca href=\"http://www.adweek.com/socialtimes/brands-auto-replies-twitter/496033\" target=\"_blank\">embarrassing themselves\u003c/a> (or us) anymore than they already have.\u003c/p>\n\u003cp>In the meantime, if they're going to post it, we're going to enjoy it. And hey: once we surgically remove our palms from our faces, we might even learn something.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cp>We all knew \u003ca href=\"http://ww2.kqed.org/pop/2015/10/18/adele-finally-unveils-new-tear-jerking-music-from-highly-anticipated-25/\" target=\"_blank\">Adele's comeback single\u003c/a> would make us cry. But who could foresee that it would worm its way into unsuspecting brains, block all common sense and make people call up their exes! That's exactly what is happening, according to \u003ca href=\"https://www.whatsyourprice.com/blog/hello-its-me/\" target=\"_blank\">a new study\u003c/a> conducted by WhatsYourPrice.com (a dating website that involves paying for dates or something creepy like that).\u003c/p>\n\u003cp>A total of 41k singles were asked about the side-effects of \"Hello.\" A whopping 64% of women said the song inspired them to hit up an ex and try to mend the relationship. (Girl, no.) Only 17% of dudes did the same.\u003c/p>\n\u003cp>To all the folks who are thinking of calling an ex 'cause Adele made you sad, consider these points:\u003c/p>\n\u003cp>A. You broke up for a reason. Chances are that reason still applies.\u003c/p>\n\u003cp>B. Get a flip phone. It'll make dialing your ex a bit more cumbersome, buying you some time in which you might come to your senses.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/11/gallery-1445803058-ezgifcom-crop-1.gif\">\u003cimg class=\"aligncenter size-full wp-image-19013\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/11/gallery-1445803058-ezgifcom-crop-1.gif\" alt=\"adele phone gif\" width=\"640\" height=\"320\">\u003c/a>\u003c/p>\n\u003cp>C. Breakups are positive things! You either learn a lot about what you should/shouldn't accept as love or you write songs about it and make serious bank à la Adele or Gwen Stefani.\u003c/p>\n\u003cp>D. Speaking of Gwen, my prescription to you is: pair every \"Hello\" listen with a \u003ca href=\"http://ww2.kqed.org/pop/2015/10/17/gwen-stefani-mourns-gavin-with-new-breakup-single-used-to-love-you/\" target=\"_blank\">\"Used to Love You\"\u003c/a> listen. This will make you realize that, even though getting back with your ex sometimes seems like a rosy idea cause the holidays are approaching or your feet are cold at night or whatever, it will not end well! Gwen got back with Gavin in the early aughts, they had a bunch of blond children and then he cheated on her for THREE years with\u003ca href=\"http://www.dailymail.co.uk/news/article-3314447/Posing-Zuma-upswept-platinum-hair-wrapped-bandana-geeky-black-glasses-creepy-copycat-Facebook-pictures-posted-Gavin-Rossdale-Gwen-Stefani-s-ex-nanny-Mindy-Mann.html\" target=\"_blank\"> a doppelgänger nanny\u003c/a>! He even\u003ca href=\"http://www.dailymail.co.uk/tvshowbiz/article-3314768/Gavin-Rossdale-left-Gwen-Stefani-hospital-sleep-nanny-gave-birth-son-Apollo.html\" target=\"_blank\"> left Gwen at the hospital\u003c/a> post-childbirth to be with said woman. Your ex will do wack sh*t like this too! Date someone new or just be single. Trust.\u003c/p>\n\u003cp>E. I made a mixtape a while back that takes the listener through the different stages of breakup grief. If an Adele song can make you go against your better judgment and call an ex, you probably skipped one of them. Get back to it:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca class=\"embedly-card\" href=\"http://ww2.kqed.org/pop/2013/01/25/breakup-survival-guide-15-songs-for-the-brokenhearted/\">Breakup Survival Guide: 15 Songs for the Brokenhearted\u003c/a>\u003c/p>\n\n",
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"content": "\u003cdiv>\u003c/div>\n\u003cp>Remember that uplifting feeling that overcame your whole body when \u003ca target=\"_blank\" href=\"http://ww2.kqed.org/pop/2015/02/02/watch-missy-elliotts-i-mean-katy-perrys-super-bowl-halftime-show/\" rel=\"noopener\">Missy Elliott cameo’d\u003c/a> during Katy Perry’s Super Bowl halftime gig and stole the whole damn show? Well, multiply that by 10 and you’re in the ballpark of what you can expect to feel while watching the music video \u003ca href=\"http://ww2.kqed.org/pop/this-missy-elliott-wtf-where-they-from-video-is-the-comeback\" target=\"_blank\" id=\"rssmi_more\" rel=\"noopener\"> …read more\u003c/a> \u003c/p>\n\u003cp>Source:: \u003ca href=\"http://ww2.kqed.org/pop/this-missy-elliott-wtf-where-they-from-video-is-the-comeback\" target=\"_blank\" title=\"This Missy Elliott Video Is The Comeback We’ve Been Waiting For\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "\u003cdiv>\u003c/div>\n\u003cp>Remember that uplifting feeling that overcame your whole body when \u003ca target=\"_blank\" href=\"http://ww2.kqed.org/pop/2015/02/02/watch-missy-elliotts-i-mean-katy-perrys-super-bowl-halftime-show/\" rel=\"noopener\">Missy Elliott cameo'd\u003c/a> during Katy Perry's Super Bowl halftime gig and stole the whole damn show? Well, multiply that by 10 and you're in the ballpark of what you can expect to feel while watching the music video \u003ca href=\"http://ww2.kqed.org/pop/this-missy-elliott-wtf-where-they-from-video-is-the-comeback\" target=\"_blank\" id=\"rssmi_more\" rel=\"noopener\"> ...read more\u003c/a>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cdiv>\u003c/div>\n\u003cp>Remember that uplifting feeling that overcame your whole body when \u003ca target=\"_blank\" href=\"http://ww2.kqed.org/pop/2015/02/02/watch-missy-elliotts-i-mean-katy-perrys-super-bowl-halftime-show/\" rel=\"noopener\">Missy Elliott cameo’d\u003c/a> during Katy Perry’s Super Bowl halftime gig and stole the whole damn show? Well, multiply that by 10 and you’re in the ballpark of what you can expect to feel while watching the music video \u003ca href=\"http://ww2.kqed.org/pop/this-missy-elliott-wtf-where-they-from-video-is-the-comeback\" target=\"_blank\" id=\"rssmi_more\" rel=\"noopener\"> …read more\u003c/a> \u003c/p>\n\u003cp>Source:: \u003ca href=\"http://ww2.kqed.org/pop/this-missy-elliott-wtf-where-they-from-video-is-the-comeback\" target=\"_blank\" title=\"This Missy Elliott Video Is The Comeback We’ve Been Waiting For\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>We chat with an 8-year-old about everything from feminism and global warming to why Zayn quit One Direction.\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2015/11/Episode10.mp3\" title=\"The Kids Are All Right\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp style=\"text-align: center\">This week, it's all about the youths!\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/11/tumblr_inline_nlrltojOu11s2yx24.gif\">\u003cimg class=\"aligncenter size-full wp-image-18956\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/11/tumblr_inline_nlrltojOu11s2yx24.gif\" alt=\"whitney children houston\" width=\"360\" height=\"270\">\u003c/a>\u003c/p>\n\u003cp>We took a note from \u003cem>Time\u003c/em> and talked about the young people who have inspired us lately:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca class=\"embedly-card\" href=\"http://time.com/4081618/most-influential-teens-2015/\">The 30 Most Influential Teens of 2015\u003c/a>\u003c/p>\n\u003cp>We also discussed the new wave of consent education and took a trip down memory lane to revisit some of the least consent-conscious songs ever:\u003c/p>\n\u003cp>\u003ca class=\"embedly-card\" href=\"http://www.nytimes.com/2015/10/15/us/california-high-schools-sexual-consent-classes.html?_r=0\">Sex Ed Lesson: 'Yes Means Yes,' but It's Tricky\u003c/a>\u003c/p>\n\u003cp>Then, we were joined by an actual child (!!!) and talked about everything from feminism and global warming to why Zayn really left One Direction and Christina Aguilera's \u003cem>Burlesque\u003c/em>:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/11/tumblr_lrpa28FA6m1qe6zubo1_500.gif\">\u003cimg class=\"aligncenter size-full wp-image-18959\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/11/tumblr_lrpa28FA6m1qe6zubo1_500.gif\" alt=\"burlesque christina aguilera\" width=\"500\" height=\"200\">\u003c/a>\u003c/p>\n\u003cp>And we capped things off with a song of our young friend's choice: One Direction's \"Drag Me Down\":\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Jwgf3wmiA04\u003c/p>\n\u003cp>Until next week!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca class=\"embedly-card\" href=\"http://time.com/4081618/most-influential-teens-2015/\">The 30 Most Influential Teens of 2015\u003c/a>\u003c/p>\n\u003cp>We also discussed the new wave of consent education and took a trip down memory lane to revisit some of the least consent-conscious songs ever:\u003c/p>\n\u003cp>\u003ca class=\"embedly-card\" href=\"http://www.nytimes.com/2015/10/15/us/california-high-schools-sexual-consent-classes.html?_r=0\">Sex Ed Lesson: 'Yes Means Yes,' but It's Tricky\u003c/a>\u003c/p>\n\u003cp>Then, we were joined by an actual child (!!!) and talked about everything from feminism and global warming to why Zayn really left One Direction and Christina Aguilera's \u003cem>Burlesque\u003c/em>:\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/11/tumblr_lrpa28FA6m1qe6zubo1_500.gif\">\u003cimg class=\"aligncenter size-full wp-image-18959\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/11/tumblr_lrpa28FA6m1qe6zubo1_500.gif\" alt=\"burlesque christina aguilera\" width=\"500\" height=\"200\">\u003c/a>\u003c/p>\n\u003cp>And we capped things off with a song of our young friend's choice: One Direction's \"Drag Me Down\":\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Jwgf3wmiA04'\n title='//www.youtube.com/embed/Jwgf3wmiA04'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Until next week!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>MST3K\u003c/em> superfans: This is not a drill.\u003c/p>\n\u003cp>Joel Hodgson, aka the founder and better of the two hosts (\u003ca href=\"http://www.mst3kinfo.com/history/page9.html\" target=\"_blank\">wanna fight about it?\u003c/a>) of the beloved terrible movie and riffing-based comedy show \u003cem>Mystery Science Theater 3000\u003c/em>, sent a missive out into the universe yesterday, Nov. 10, by way of a \u003ca href=\"https://www.kickstarter.com/projects/mst3k/bringbackmst3k\" target=\"_blank\">Kickstarter\u003c/a>: If we raise $2,000,000, he says, we get our beloved \u003cem>MST3K\u003c/em> back on the air, in some form, for the first time since the show was canceled in 1999. He even gets kind of zen in his reasoning:\u003c/p>\n\u003cblockquote>\u003cp>\u003cb>MST3K is more than just movie riffing. \u003c/b>It's a stranger and denser recipe than just saying smart aleck things to a forgotten movie, but I think this is the secret ingredient: we believed that it's easiest to survive the cheesy movie that we're living in with friends who keep us from taking it all too seriously.\u003c/p>\n\u003cp>Now, I don’t want to get too maudlin about it, because being too serious is the enemy of comedy. We weren't trying to send a message: job #1 was always to make a funny show. But while we were doing that, I hope we also helped show the kids that society, and the stupid things we say and do to each other, are \"just a show, and you should really just relax.”\u003c/p>\u003c/blockquote>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://www.kickstarter.com/projects/mst3k/bringbackmst3k/widget/video.html\" width=\"640\" height=\"480\" frameborder=\"0\" scrolling=\"no\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003ca href=\"https://www.reddit.com/r/IAmA/comments/3sbhp7/iam_joel_hodgson_of_mystery_science_theater_3000/\" target=\"_blank\">Hodgson went on to do a Reddit AMA\u003c/a> in the afternoon in which he answered enough questions to occupy, you know, a guy stuck on a fictional planet for an undetermined amount of time. Questions such as: Will the cast be the same? (No. And sources say Joel/Mike will be Jonah Ray.)\u003c/p>\n\u003cp>In any event, the fundraiser has already garnered more than\u003ca href=\"https://www.kickstarter.com/projects/mst3k/bringbackmst3k\" target=\"_blank\"> half its goal\u003c/a> just 24 hours after launching. No, I do not care to disclose what percentage of that was donated by me. Suffice it to say this is the only '90s reboot to date that has me genuinely optimistic for something great. Meanwhile, over at the Atlantic, Megan Garber testifies as to \u003ca href=\"http://www.theatlantic.com/entertainment/archive/2015/11/the-triumphant-return-of-mystery-science-theater-3000/415323/\" target=\"_blank\">why the show always belonged in this era to begin with\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>We'll be keeping tabs on which network or online platform bites, as Hodgson says he hasn't exactly figured out particulars of, you know, actually releasing new episodes.\u003c/p>\n\u003cp>While we wait, though, All of \u003cem>Manos: The Hands of Fate\u003c/em> is on YouTube.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=yNBYuReUSyQ\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>MST3K\u003c/em> superfans: This is not a drill.\u003c/p>\n\u003cp>Joel Hodgson, aka the founder and better of the two hosts (\u003ca href=\"http://www.mst3kinfo.com/history/page9.html\" target=\"_blank\">wanna fight about it?\u003c/a>) of the beloved terrible movie and riffing-based comedy show \u003cem>Mystery Science Theater 3000\u003c/em>, sent a missive out into the universe yesterday, Nov. 10, by way of a \u003ca href=\"https://www.kickstarter.com/projects/mst3k/bringbackmst3k\" target=\"_blank\">Kickstarter\u003c/a>: If we raise $2,000,000, he says, we get our beloved \u003cem>MST3K\u003c/em> back on the air, in some form, for the first time since the show was canceled in 1999. He even gets kind of zen in his reasoning:\u003c/p>\n\u003cblockquote>\u003cp>\u003cb>MST3K is more than just movie riffing. \u003c/b>It's a stranger and denser recipe than just saying smart aleck things to a forgotten movie, but I think this is the secret ingredient: we believed that it's easiest to survive the cheesy movie that we're living in with friends who keep us from taking it all too seriously.\u003c/p>\n\u003cp>Now, I don’t want to get too maudlin about it, because being too serious is the enemy of comedy. We weren't trying to send a message: job #1 was always to make a funny show. But while we were doing that, I hope we also helped show the kids that society, and the stupid things we say and do to each other, are \"just a show, and you should really just relax.”\u003c/p>\u003c/blockquote>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://www.kickstarter.com/projects/mst3k/bringbackmst3k/widget/video.html\" width=\"640\" height=\"480\" frameborder=\"0\" scrolling=\"no\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003ca href=\"https://www.reddit.com/r/IAmA/comments/3sbhp7/iam_joel_hodgson_of_mystery_science_theater_3000/\" target=\"_blank\">Hodgson went on to do a Reddit AMA\u003c/a> in the afternoon in which he answered enough questions to occupy, you know, a guy stuck on a fictional planet for an undetermined amount of time. Questions such as: Will the cast be the same? (No. And sources say Joel/Mike will be Jonah Ray.)\u003c/p>\n\u003cp>In any event, the fundraiser has already garnered more than\u003ca href=\"https://www.kickstarter.com/projects/mst3k/bringbackmst3k\" target=\"_blank\"> half its goal\u003c/a> just 24 hours after launching. No, I do not care to disclose what percentage of that was donated by me. Suffice it to say this is the only '90s reboot to date that has me genuinely optimistic for something great. Meanwhile, over at the Atlantic, Megan Garber testifies as to \u003ca href=\"http://www.theatlantic.com/entertainment/archive/2015/11/the-triumphant-return-of-mystery-science-theater-3000/415323/\" target=\"_blank\">why the show always belonged in this era to begin with\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Hours after launching a Kickstarter campaign to revive a TV show that made it fun to watch horrible movies, \u003cem>Mystery Science Theater 3000\u003c/em> creator Joel Hodgson has raised more than $500,000 — a quarter of his $2 million goal.\u003c/p>\n\u003cp>If the fundraising campaign is successful, the \u003cem>Mystery Science Theater\u003c/em> team could start a new run of up to 12 feature-length episodes next July, depending on the amount of donations over the next month.\u003c/p>\n\u003cp>From \u003ca href=\"https://www.kickstarter.com/projects/mst3k/bringbackmst3k\" target=\"_blank\" rel=\"noopener\">Hodgson’s Kickstarter pitch\u003c/a>:\u003c/p>\n\u003cblockquote>\n\u003cp>“Our show has had a long, strange run. Across a UHF channel, a cable network, cancellation, a feature film, then another cable network, the show lasted for 12 years, two generations of hosts and puppeteers, 2 Emmy nominations and a total of 197 episodes before we got canceled again ‘for good’ in 1999. Sadly, it was just as Prince predicted.\u003c/p>\n\u003cp>“But maybe that’s not where it all ends.”\u003c/p>\n\u003c/blockquote>\n\u003cp>Known as MST3K, Hodgson’s show was famous for riffing on anything that happened on screen, from an unusual name in a film’s credits to clunky dialogue or unlikely filmmaking choices.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=nrlMibryPLY\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Citing the rise of riffing among TV viewers, Hodgson says, “sometimes it feels good to just sit back and watch the original movie riffing team take a whack at it.”\u003c/p>\n\u003cp>The push for a new season comes two years after the folks behind \u003cem>Mystery Science Theater 3000\u003c/em> released a 25th-anniversary DVD set.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>On that occasion, here’s how \u003ca href=\"http://www.npr.org/sections/monkeysee/2013/11/27/247520996/about-mystery-science-theater-a-bold-declaration-its-bold\" target=\"_blank\" rel=\"noopener\">NPR’s Monkey See blog\u003c/a> explained the show’s premise:\u003c/p>\n\u003cblockquote>\n\u003cp>“\u003cem>Mystery Science Theater 3000\u003c/em> was early performative badmouthing of old movies, long before we had Twitter to make fun of \u003cem>Scandal.\u003c/em> The gimmick was that Joel had been shot into space with nothing but old movies to entertain him, so he built wisecracking robots out of spare parts and they all watched and mocked movies together. (It’s not as sophisticated as it sounds.)”\u003c/p>\n\u003c/blockquote>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Mystery+Science+Theater+3000%27+Creator+Raises+%24500K+Toward+New+Season&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Hours after launching a Kickstarter campaign to revive a TV show that made it fun to watch horrible movies, \u003cem>Mystery Science Theater 3000\u003c/em> creator Joel Hodgson has raised more than $500,000 — a quarter of his $2 million goal.\u003c/p>\n\u003cp>If the fundraising campaign is successful, the \u003cem>Mystery Science Theater\u003c/em> team could start a new run of up to 12 feature-length episodes next July, depending on the amount of donations over the next month.\u003c/p>\n\u003cp>From \u003ca href=\"https://www.kickstarter.com/projects/mst3k/bringbackmst3k\" target=\"_blank\" rel=\"noopener\">Hodgson’s Kickstarter pitch\u003c/a>:\u003c/p>\n\u003cblockquote>\n\u003cp>“Our show has had a long, strange run. Across a UHF channel, a cable network, cancellation, a feature film, then another cable network, the show lasted for 12 years, two generations of hosts and puppeteers, 2 Emmy nominations and a total of 197 episodes before we got canceled again ‘for good’ in 1999. Sadly, it was just as Prince predicted.\u003c/p>\n\u003cp>“But maybe that’s not where it all ends.”\u003c/p>\n\u003c/blockquote>\n\u003cp>Known as MST3K, Hodgson’s show was famous for riffing on anything that happened on screen, from an unusual name in a film’s credits to clunky dialogue or unlikely filmmaking choices.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/nrlMibryPLY'\n title='//www.youtube.com/embed/nrlMibryPLY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Citing the rise of riffing among TV viewers, Hodgson says, “sometimes it feels good to just sit back and watch the original movie riffing team take a whack at it.”\u003c/p>\n\u003cp>The push for a new season comes two years after the folks behind \u003cem>Mystery Science Theater 3000\u003c/em> released a 25th-anniversary DVD set.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>On that occasion, here’s how \u003ca href=\"http://www.npr.org/sections/monkeysee/2013/11/27/247520996/about-mystery-science-theater-a-bold-declaration-its-bold\" target=\"_blank\" rel=\"noopener\">NPR’s Monkey See blog\u003c/a> explained the show’s premise:\u003c/p>\n\u003cblockquote>\n\u003cp>“\u003cem>Mystery Science Theater 3000\u003c/em> was early performative badmouthing of old movies, long before we had Twitter to make fun of \u003cem>Scandal.\u003c/em> The gimmick was that Joel had been shot into space with nothing but old movies to entertain him, so he built wisecracking robots out of spare parts and they all watched and mocked movies together. (It’s not as sophisticated as it sounds.)”\u003c/p>\n\u003c/blockquote>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit http://www.npr.org/.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Mystery+Science+Theater+3000%27+Creator+Raises+%24500K+Toward+New+Season&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"radiolab": {
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"reveal": {
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},
"rightnowish": {
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"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
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