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"title": "Lizzo's 'Truth Hurts' Saga: Can You Sue Over a Copied Tweet?",
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"content": "\u003cp>Without a doubt, the most quoted line from Lizzo’s No. 1 hit “Truth Hurts” is its scorching opener: “Just took a DNA test, turns out I’m 100 percent that bitch.” Gina Rodriguez \u003ca href=\"https://www.youtube.com/watch?v=MIMLMXW1JdE\" target=\"_blank\" rel=\"noopener\">sings along to it\u003c/a> in her latest Netflix rom-com; it’s fueled a long-running \u003ca href=\"https://www.youtube.com/watch?v=TXvRCGrbRMw\" target=\"_blank\" rel=\"noopener\">TikTok meme\u003c/a>; fans put it in their Instagram captions and scream it back to Lizzo during \u003ca href=\"https://datebook.sfchronicle.com/music/lizzo-brings-a-little-love-and-a-whole-lot-of-ass-shaking-to-san-francisco\" target=\"_blank\" rel=\"noopener\">sold-out stops\u003c/a> of her current tour.\u003c/p>\n\u003cp>Here’s the thing: Lizzo didn’t write the line.\u003c/p>\n\u003cp>Instead, it traces back to a viral 2017 tweet by British singer Mina Lioness, whom Lizzo is now \u003ca href=\"https://www.thefader.com/2019/10/28/mina-lioness-lizzo-song-writer-truth-hurts-credit-interview\" target=\"_blank\" rel=\"noopener\">crediting as a co-writer\u003c/a> on the track. After first \u003ca href=\"https://twitter.com/lizzo/status/962053400337641473\" target=\"_blank\" rel=\"noopener\">denying\u003c/a> that Lioness’ tweet was the inspiration, Lizzo conceded that she’d seen a meme that used the phrase. As tweets go viral and continue to influence pop culture, the saga points to the misconceptions many people have about social media and intellectual property. [aside postid='arts_13863015']\u003c/p>\n\u003cp>Contrary to popular belief, tweets are subject to copyright, but only if they possess enough of a \u003cem>degree of originality\u003c/em>—which would be determined by a court if Lioness were to pursue legal action, which she \u003ca href=\"https://twitter.com/MinaLioness/status/1166701225657737217\" target=\"_blank\" rel=\"noopener\">threatened\u003c/a> before Lizzo gave her songwriting credit. (Currently, Lizzo is embattled in a \u003ca href=\"https://pitchfork.com/thepitch/who-wrote-lizzos-truth-hurts-who-knows/\" target=\"_blank\" rel=\"noopener\">separate lawsuit\u003c/a> against Jeremiah Raisen, Justin Raisen and Justin Rothman over “Truth Hurts” authorship.)\u003c/p>\n\u003cp>“The court would look at: what was the intent?” says Lisa Alter, a copyright lawyer \u003cspan style=\"font-weight: 400\">whose clients include numerous Grammy winners and Rock & Roll Hall of Fame inductees\u003c/span>. “Was it used in its entirety? Was it used in a transformative use, which is a subjective, case-by-case evaluation to determine whether it was fair use? Is Lizzo getting commercial benefit from it? … You can’t predict which way a court would come out on that question.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>So is the “100 percent that bitch” line original enough to win a copyright suit? Experts aren’t so sure. Ben Depoorter, a copyright law professor from UC Hastings, points out a major barrier: short phrases are excluded from copyright protection as a way to ensure that intellectual property law isn’t used to stifle free speech. “\u003cspan style=\"font-weight: 400\">Even if it’s particularly novel, ingenious or interesting wordplay, a short sentence in and of itself does not entitle you to copyright protection,” he says. (Still, Lizzo recently filed an application\u003ca href=\"https://www.theguardian.com/lifeandstyle/2019/sep/04/lizzo-is-100-that-bitch-but-can-she-trademark-it\" target=\"_blank\" rel=\"noopener\"> to trademark\u003c/a> the phrase “100 percent that bitch” to use on merch.)\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Alter says that Lizzo’s decision to give Lioness songwriting credit could have been a preemptive strike against a potential lawsuit—and from judgment in the court of public opinion. “Mina was saying in her statements that she didn’t have the resources, she’s a poor girl from London,” Alter says. “Lizzo [may have] wanted to ensure that in the public opinion she was doing an equitable thing.”\u003c/span>\u003c/p>\n\u003cp>As the barrier between pop culture and social media becomes more permeable, tweets and social media posts increasingly become fodder for commercial works. For instance, when Beyoncé credited Vampire Weekend’s Ezra Koenig as a songwriter on “Hold Up” from \u003cem>Lemonade\u003c/em>, she also gave a songwriting credit to the members of the Yeah Yeah Yeahs, whose lyrics from “Maps” Koenig interpolated in a tweet that later became the Beyoncé lyric.\u003c/p>\n\u003cp>“Songs become tweets, tweets become songs – it’s the way of the world,” Koenig tweeted in 2016.\u003c/p>\n\u003cp>https://twitter.com/arzE/status/724660731396808704?s=20\u003c/p>\n\u003cp>But as far as artists who believe they can take freely from social media posts? “There’s this perception of social media being free, so the rules of copyright don’t apply, and that’s just not the case,” Alter says.\u003c/p>\n\u003cp>Even though tweets are often shared as \u003ca href=\"https://www.vulture.com/2019/02/fuck-jerry-instagram-comedians-unfollow-campaign-elliot-tebele.html\" target=\"_blank\" rel=\"noopener\">decontextualized screen shots, often with the author’s name cropped out\u003c/a>, Alter advises artists and musicians to track down the source of their inspiration and give credit when possible. “[The ‘Truth Hurts’ lyric] clearly was something that was identified with someone who is a performer,” says Alter. “Mina is a performer in her own right, she is findable. And to the extent that there was any question on Lizzo’s part that this was a creation of Mina’s, she should have reached out to her before using it. But that’s to be on the safest side.”\u003c/p>\n\u003cp>Still, for many, attempting to recoup damages from a stolen tweet is a risky, costly and time-consuming endeavor. And as long as social media provides a platform for creators with few resources to grow followings, their content is at risk of being co-opted by brands or more successful artists.\u003c/p>\n\u003cp>There is a positive side to this, though, Depoorter points out: Though the law may not always work in social media users’ favor, the ability to shame someone on Twitter certainly does.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The law doesn’t do a lot of lifting,” he says. “But the social aspects of being called out for doing something unfair even though it’s not illegal are quite severe.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Without a doubt, the most quoted line from Lizzo’s No. 1 hit “Truth Hurts” is its scorching opener: “Just took a DNA test, turns out I’m 100 percent that bitch.” Gina Rodriguez \u003ca href=\"https://www.youtube.com/watch?v=MIMLMXW1JdE\" target=\"_blank\" rel=\"noopener\">sings along to it\u003c/a> in her latest Netflix rom-com; it’s fueled a long-running \u003ca href=\"https://www.youtube.com/watch?v=TXvRCGrbRMw\" target=\"_blank\" rel=\"noopener\">TikTok meme\u003c/a>; fans put it in their Instagram captions and scream it back to Lizzo during \u003ca href=\"https://datebook.sfchronicle.com/music/lizzo-brings-a-little-love-and-a-whole-lot-of-ass-shaking-to-san-francisco\" target=\"_blank\" rel=\"noopener\">sold-out stops\u003c/a> of her current tour.\u003c/p>\n\u003cp>Here’s the thing: Lizzo didn’t write the line.\u003c/p>\n\u003cp>Instead, it traces back to a viral 2017 tweet by British singer Mina Lioness, whom Lizzo is now \u003ca href=\"https://www.thefader.com/2019/10/28/mina-lioness-lizzo-song-writer-truth-hurts-credit-interview\" target=\"_blank\" rel=\"noopener\">crediting as a co-writer\u003c/a> on the track. After first \u003ca href=\"https://twitter.com/lizzo/status/962053400337641473\" target=\"_blank\" rel=\"noopener\">denying\u003c/a> that Lioness’ tweet was the inspiration, Lizzo conceded that she’d seen a meme that used the phrase. As tweets go viral and continue to influence pop culture, the saga points to the misconceptions many people have about social media and intellectual property. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Contrary to popular belief, tweets are subject to copyright, but only if they possess enough of a \u003cem>degree of originality\u003c/em>—which would be determined by a court if Lioness were to pursue legal action, which she \u003ca href=\"https://twitter.com/MinaLioness/status/1166701225657737217\" target=\"_blank\" rel=\"noopener\">threatened\u003c/a> before Lizzo gave her songwriting credit. (Currently, Lizzo is embattled in a \u003ca href=\"https://pitchfork.com/thepitch/who-wrote-lizzos-truth-hurts-who-knows/\" target=\"_blank\" rel=\"noopener\">separate lawsuit\u003c/a> against Jeremiah Raisen, Justin Raisen and Justin Rothman over “Truth Hurts” authorship.)\u003c/p>\n\u003cp>“The court would look at: what was the intent?” says Lisa Alter, a copyright lawyer \u003cspan style=\"font-weight: 400\">whose clients include numerous Grammy winners and Rock & Roll Hall of Fame inductees\u003c/span>. “Was it used in its entirety? Was it used in a transformative use, which is a subjective, case-by-case evaluation to determine whether it was fair use? Is Lizzo getting commercial benefit from it? … You can’t predict which way a court would come out on that question.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>So is the “100 percent that bitch” line original enough to win a copyright suit? Experts aren’t so sure. Ben Depoorter, a copyright law professor from UC Hastings, points out a major barrier: short phrases are excluded from copyright protection as a way to ensure that intellectual property law isn’t used to stifle free speech. “\u003cspan style=\"font-weight: 400\">Even if it’s particularly novel, ingenious or interesting wordplay, a short sentence in and of itself does not entitle you to copyright protection,” he says. (Still, Lizzo recently filed an application\u003ca href=\"https://www.theguardian.com/lifeandstyle/2019/sep/04/lizzo-is-100-that-bitch-but-can-she-trademark-it\" target=\"_blank\" rel=\"noopener\"> to trademark\u003c/a> the phrase “100 percent that bitch” to use on merch.)\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Alter says that Lizzo’s decision to give Lioness songwriting credit could have been a preemptive strike against a potential lawsuit—and from judgment in the court of public opinion. “Mina was saying in her statements that she didn’t have the resources, she’s a poor girl from London,” Alter says. “Lizzo [may have] wanted to ensure that in the public opinion she was doing an equitable thing.”\u003c/span>\u003c/p>\n\u003cp>As the barrier between pop culture and social media becomes more permeable, tweets and social media posts increasingly become fodder for commercial works. For instance, when Beyoncé credited Vampire Weekend’s Ezra Koenig as a songwriter on “Hold Up” from \u003cem>Lemonade\u003c/em>, she also gave a songwriting credit to the members of the Yeah Yeah Yeahs, whose lyrics from “Maps” Koenig interpolated in a tweet that later became the Beyoncé lyric.\u003c/p>\n\u003cp>“Songs become tweets, tweets become songs – it’s the way of the world,” Koenig tweeted in 2016.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>But as far as artists who believe they can take freely from social media posts? “There’s this perception of social media being free, so the rules of copyright don’t apply, and that’s just not the case,” Alter says.\u003c/p>\n\u003cp>Even though tweets are often shared as \u003ca href=\"https://www.vulture.com/2019/02/fuck-jerry-instagram-comedians-unfollow-campaign-elliot-tebele.html\" target=\"_blank\" rel=\"noopener\">decontextualized screen shots, often with the author’s name cropped out\u003c/a>, Alter advises artists and musicians to track down the source of their inspiration and give credit when possible. “[The ‘Truth Hurts’ lyric] clearly was something that was identified with someone who is a performer,” says Alter. “Mina is a performer in her own right, she is findable. And to the extent that there was any question on Lizzo’s part that this was a creation of Mina’s, she should have reached out to her before using it. But that’s to be on the safest side.”\u003c/p>\n\u003cp>Still, for many, attempting to recoup damages from a stolen tweet is a risky, costly and time-consuming endeavor. And as long as social media provides a platform for creators with few resources to grow followings, their content is at risk of being co-opted by brands or more successful artists.\u003c/p>\n\u003cp>There is a positive side to this, though, Depoorter points out: Though the law may not always work in social media users’ favor, the ability to shame someone on Twitter certainly does.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The law doesn’t do a lot of lifting,” he says. “But the social aspects of being called out for doing something unfair even though it’s not illegal are quite severe.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Actor and comedian \u003ca href=\"https://www.imdb.com/name/nm0936762/?ref_=ttfc_fc_cl_t9\">John Witherspoon\u003c/a>, whose first roles were on 1970s TV shows such as \u003cem>Barnaby Jones\u003c/em> and \u003cem>The Richard Pryor Show\u003c/em> but who was best known for his role as the crotchety dad in the \u003cem>Friday\u003c/em> films, has died at 77.\u003c/p>\n\u003cp>https://twitter.com/John_POPS_Spoon/status/1189409257671680000\u003c/p>\n\u003cp>Witherspoon’s family confirmed his death in Los Angeles on Wednesday.\u003c/p>\n\u003cp>“It is with deepest sorrow that we can confirm our beloved husband and father, John Witherspoon, one of the hardest working men in show business, died today at his home in Sherman Oaks at the age of 77,” the family said in a \u003ca href=\"https://deadline.com/2019/10/john-witherspoon-dead-obituary-comedian-friday-star-77-1202772258/\">statement\u003c/a>.\u003c/p>\n\u003cp>Witherspoon, who was born John Weatherspoon in Detroit in 1942, started his career as a stand-up comic and continued to play clubs throughout his life. In 1979, he got his first television role, on \u003cem>Barnaby Jones\u003c/em>, playing a counselor at a camp for drug-addicted children alongside a young Sean Penn in Penn’s first credited role.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/TedOnTV/status/921484263438118913\u003c/p>\n\u003cp>Later, Witherspoon appeared in \u003cem>Good Times, What’s Happening!!\u003c/em> and \u003cem>The Incredible Hulk\u003c/em>, among others. He became a regular on \u003cem>The Richard Pryor Show. \u003c/em>Years later, he had recurring roles in \u003cem>The Wayans Bros.\u003c/em> and \u003cem>The Tracy Morgan Show.\u003c/em>\u003c/p>\n\u003cp>He voiced Robert “Granddad” Freeman in the animated sitcom \u003cem>The Boondocks, \u003c/em>which wrapped in 2014. However, in May, Witherspoon \u003ca href=\"https://www.complex.com/pop-culture/2019/06/boondocks-reportedly-returning-for-season-5-says-john-witherspoon\">said the show and his character were set for a revival.\u003c/a>\u003c/p>\n\u003cp>His feature films included \u003cem>Hollywood Shuffle, Boomerang, Vampire in Brooklyn, I’m Gonna Git You Sucka, Bird, The Meteor Man\u003c/em> and all three of the \u003cem>Friday\u003c/em> comedies starring Ice Cube and Chris Tucker — \u003cem>Friday\u003c/em> (1995), \u003cem>Next Friday\u003c/em> (2000) and \u003cem>Friday After Next\u003c/em> (2002).\u003c/p>\n\u003cp>Ice Cube tweeted that “Life won’t be as funny without him.”\u003c/p>\n\u003cp>https://twitter.com/icecube/status/1189427587455406081\u003c/p>\n\u003cp>Witherspoon is survived by his wife, Angela, and two sons, JD and Alexander. The family was “in shock” over his death and asked for privacy.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“John used to say ‘I’m no big deal,’ but he was huge deal to us,” the family said in a statement. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Film+And+Television+Comic+John+Witherspoon+Dies+At+77&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Witherspoon’s family confirmed his death in Los Angeles on Wednesday.\u003c/p>\n\u003cp>“It is with deepest sorrow that we can confirm our beloved husband and father, John Witherspoon, one of the hardest working men in show business, died today at his home in Sherman Oaks at the age of 77,” the family said in a \u003ca href=\"https://deadline.com/2019/10/john-witherspoon-dead-obituary-comedian-friday-star-77-1202772258/\">statement\u003c/a>.\u003c/p>\n\u003cp>Witherspoon, who was born John Weatherspoon in Detroit in 1942, started his career as a stand-up comic and continued to play clubs throughout his life. In 1979, he got his first television role, on \u003cem>Barnaby Jones\u003c/em>, playing a counselor at a camp for drug-addicted children alongside a young Sean Penn in Penn’s first credited role.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Later, Witherspoon appeared in \u003cem>Good Times, What’s Happening!!\u003c/em> and \u003cem>The Incredible Hulk\u003c/em>, among others. He became a regular on \u003cem>The Richard Pryor Show. \u003c/em>Years later, he had recurring roles in \u003cem>The Wayans Bros.\u003c/em> and \u003cem>The Tracy Morgan Show.\u003c/em>\u003c/p>\n\u003cp>He voiced Robert “Granddad” Freeman in the animated sitcom \u003cem>The Boondocks, \u003c/em>which wrapped in 2014. However, in May, Witherspoon \u003ca href=\"https://www.complex.com/pop-culture/2019/06/boondocks-reportedly-returning-for-season-5-says-john-witherspoon\">said the show and his character were set for a revival.\u003c/a>\u003c/p>\n\u003cp>His feature films included \u003cem>Hollywood Shuffle, Boomerang, Vampire in Brooklyn, I’m Gonna Git You Sucka, Bird, The Meteor Man\u003c/em> and all three of the \u003cem>Friday\u003c/em> comedies starring Ice Cube and Chris Tucker — \u003cem>Friday\u003c/em> (1995), \u003cem>Next Friday\u003c/em> (2000) and \u003cem>Friday After Next\u003c/em> (2002).\u003c/p>\n\u003cp>Ice Cube tweeted that “Life won’t be as funny without him.”\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Witherspoon is survived by his wife, Angela, and two sons, JD and Alexander. The family was “in shock” over his death and asked for privacy.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“John used to say ‘I’m no big deal,’ but he was huge deal to us,” the family said in a statement. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Film+And+Television+Comic+John+Witherspoon+Dies+At+77&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Shooting Victim in Lul G's Murder Trial Was Close Friend of SOB x RBE",
"headTitle": "Shooting Victim in Lul G’s Murder Trial Was Close Friend of SOB x RBE | KQED",
"content": "\u003cp>Last month, Lul G (George Harris), a former member of Vallejo rap group SOB x RBE, was arrested for murder. Through public records, KQED has discovered that the Def Jam signee is accused of shooting and killing 26-year-old Rashied Flowers, a Vallejo resident who knew Harris personally and was friends with his former SOB x RBE collaborators.\u003c/p>\n\u003cp>According to the Fairfield Police Department, the shooting took place on July 24 at a large, suburban house in the Vintage Green Valley neighborhood of Fairfield, a Solano County city 50 miles northeast of San Francisco. A Fairfield PD spokesperson told KQED that Flowers was suffering from a gunshot wound when three “uncooperative witnesses” brought him into a local hospital and reported to officers that the shooting took place at a park in the nearby town of Cordelia. An investigation by Fairfield police determined the incident actually occurred at a house in Fairfield, and, after obtaining a search warrant for the residence, officers found evidence they say points to Harris as the suspect.\u003c/p>\n\u003cp>Fairfield PD obtained an arrest warrant for Harris, and an FBI Criminal Apprehension Team located the 20-year-old rapper at a Holiday Inn Express in Las Vegas. He was arrested on Sept. 10 under the charge of “fugitive from another state,” a Las Vegas Metropolitan Police Department arrest report shows.\u003c/p>\n\u003cp>Harris’ lawyer, Claire White, told KQED that Harris was not fleeing from law enforcement, but traveling for work. “He’s all over the country all the time,” she said. “He was in Las Vegas in the normal course of business. To his knowledge, there were no warrants out for him.” She declined to comment further about the details of the case.\u003c/p>\n\u003cp>Once Harris entered police custody in Las Vegas, the Solano County Sheriff arrested him on murder charges on Sept. 21 and extradited him to the Stanton Correctional Facility in Fairfield, where he is being held without bail. He has pled not guilty to the charges.\u003c/p>\n\u003ch2>Who Was Rashied Flowers?\u003c/h2>\n\u003cp>Rashied Flowers appears to have been an acquaintance of Harris, and kept an active presence in the Vallejo rap scene. On Instagram, Flowers shared videos of himself backstage at SOB x RBE concerts when Harris was still part of the group, and they followed each other on the app. Flowers made regular appearances in \u003ca href=\"https://www.thizzler.com/blog/2017/11/17/davie1800-the-v-music-video.html\" target=\"_blank\" rel=\"noopener\">music videos\u003c/a> by Vallejo artists. \u003ca href=\"https://youtu.be/_dwhE2foywI\" target=\"_blank\" rel=\"noopener\">TYSG L.O.T.S.\u003c/a>, a rapper from his city, released a tribute song to Flowers called “RIP Sheed,” where he described him as funny, stylish, the life of the party and a loving dad.\u003c/p>\n\u003cp>In late September, weeks after Harris’ arrest, SOB x RBE performed at the rap festival Rolling Loud in Oakland, where group member Slimmy B wore a memorial T-shirt with\u003ca href=\"https://www.instagram.com/p/B2-ADw7nlVI/\" target=\"_blank\" rel=\"noopener\"> Flowers’ portrait\u003c/a>. (One of Flowers’ \u003ca href=\"https://www.instagram.com/p/Bx5W8TNgbMV/\" target=\"_blank\" rel=\"noopener\">last Instagram posts\u003c/a> showed him at the San Francisco International Airport with Slimmy B.) On stage, Slimmy B made pointed comments that seemed to allude to the killing. “A couple months ago, I lost one of my best friends to some gay a– s— from a gay a– n—-, right,” he said, asking for the audience to honor Flowers with a moment of silence. “Long live my n—- Shied, man,” added fellow group member Young T.O. as photos of Flowers flashed on the screen behind the performers.\u003c/p>\n\u003cp>When reached by KQED, SOB x RBE’s manager Stretch said Harris has been out of the group since 2018 and declined to comment further. Though Harris left SOB x RBE after signing a solo deal with Def Jam, he was part of the foursome when they rose to national prominence with the singles “Lane Changing” and “Anti,” and collaborated with Kendrick Lamar on “Paramedic!” for the \u003cem>Black Panther\u003c/em> soundtrack. It’s unclear whether Harris is still signed to Def Jam; his photo and name are no longer included in the \u003ca href=\"https://www.defjam.com/artists\" target=\"_blank\" rel=\"noopener\">label’s roster\u003c/a> on their website, and a Def Jam representative did not return KQED’s multiple requests for comment.\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=oBwU2UY24oE?start=1430]\u003c/p>\n\u003ch2>Next Steps in Lul G’s Trial\u003c/h2>\n\u003cp>In a Solano County courtroom on Oct. 21, Harris wore a gray-and-white striped prison uniform and a stoic expression. Appearing briefly for a felony readiness conference—the final step before a case goes to trial—he faced Judge William Pendergast in handcuffs.\u003c/p>\n\u003cp>In the gallery, a handful of observers who appeared to be family and friends looked on, including two young women in tears. White requested the readiness hearing be postponed to Nov. 21 to allow the defense more time to gather evidence. If the Nov. 21 hearing goes forward as planned, the court will set dates for the jury trial.\u003c/p>\n\u003cp>“Mr. Harris is supported by his friends and family,” said White. “Obviously, these are incredibly difficult moments for him and those close to him, and he’s trying to stay strong. He’s really appreciative for the support his fans have shown, and he looks forward to his day in court.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Last month, Lul G (George Harris), a former member of Vallejo rap group SOB x RBE, was arrested for murder. Through public records, KQED has discovered that the Def Jam signee is accused of shooting and killing 26-year-old Rashied Flowers, a Vallejo resident who knew Harris personally and was friends with his former SOB x RBE collaborators.\u003c/p>\n\u003cp>According to the Fairfield Police Department, the shooting took place on July 24 at a large, suburban house in the Vintage Green Valley neighborhood of Fairfield, a Solano County city 50 miles northeast of San Francisco. A Fairfield PD spokesperson told KQED that Flowers was suffering from a gunshot wound when three “uncooperative witnesses” brought him into a local hospital and reported to officers that the shooting took place at a park in the nearby town of Cordelia. An investigation by Fairfield police determined the incident actually occurred at a house in Fairfield, and, after obtaining a search warrant for the residence, officers found evidence they say points to Harris as the suspect.\u003c/p>\n\u003cp>Fairfield PD obtained an arrest warrant for Harris, and an FBI Criminal Apprehension Team located the 20-year-old rapper at a Holiday Inn Express in Las Vegas. He was arrested on Sept. 10 under the charge of “fugitive from another state,” a Las Vegas Metropolitan Police Department arrest report shows.\u003c/p>\n\u003cp>Harris’ lawyer, Claire White, told KQED that Harris was not fleeing from law enforcement, but traveling for work. “He’s all over the country all the time,” she said. “He was in Las Vegas in the normal course of business. To his knowledge, there were no warrants out for him.” She declined to comment further about the details of the case.\u003c/p>\n\u003cp>Once Harris entered police custody in Las Vegas, the Solano County Sheriff arrested him on murder charges on Sept. 21 and extradited him to the Stanton Correctional Facility in Fairfield, where he is being held without bail. He has pled not guilty to the charges.\u003c/p>\n\u003ch2>Who Was Rashied Flowers?\u003c/h2>\n\u003cp>Rashied Flowers appears to have been an acquaintance of Harris, and kept an active presence in the Vallejo rap scene. On Instagram, Flowers shared videos of himself backstage at SOB x RBE concerts when Harris was still part of the group, and they followed each other on the app. Flowers made regular appearances in \u003ca href=\"https://www.thizzler.com/blog/2017/11/17/davie1800-the-v-music-video.html\" target=\"_blank\" rel=\"noopener\">music videos\u003c/a> by Vallejo artists. \u003ca href=\"https://youtu.be/_dwhE2foywI\" target=\"_blank\" rel=\"noopener\">TYSG L.O.T.S.\u003c/a>, a rapper from his city, released a tribute song to Flowers called “RIP Sheed,” where he described him as funny, stylish, the life of the party and a loving dad.\u003c/p>\n\u003cp>In late September, weeks after Harris’ arrest, SOB x RBE performed at the rap festival Rolling Loud in Oakland, where group member Slimmy B wore a memorial T-shirt with\u003ca href=\"https://www.instagram.com/p/B2-ADw7nlVI/\" target=\"_blank\" rel=\"noopener\"> Flowers’ portrait\u003c/a>. (One of Flowers’ \u003ca href=\"https://www.instagram.com/p/Bx5W8TNgbMV/\" target=\"_blank\" rel=\"noopener\">last Instagram posts\u003c/a> showed him at the San Francisco International Airport with Slimmy B.) On stage, Slimmy B made pointed comments that seemed to allude to the killing. “A couple months ago, I lost one of my best friends to some gay a– s— from a gay a– n—-, right,” he said, asking for the audience to honor Flowers with a moment of silence. “Long live my n—- Shied, man,” added fellow group member Young T.O. as photos of Flowers flashed on the screen behind the performers.\u003c/p>\n\u003cp>When reached by KQED, SOB x RBE’s manager Stretch said Harris has been out of the group since 2018 and declined to comment further. Though Harris left SOB x RBE after signing a solo deal with Def Jam, he was part of the foursome when they rose to national prominence with the singles “Lane Changing” and “Anti,” and collaborated with Kendrick Lamar on “Paramedic!” for the \u003cem>Black Panther\u003c/em> soundtrack. It’s unclear whether Harris is still signed to Def Jam; his photo and name are no longer included in the \u003ca href=\"https://www.defjam.com/artists\" target=\"_blank\" rel=\"noopener\">label’s roster\u003c/a> on their website, and a Def Jam representative did not return KQED’s multiple requests for comment.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/oBwU2UY24oE?start=1430'\n title='//www.youtube.com/embed/oBwU2UY24oE?start=1430'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003ch2>Next Steps in Lul G’s Trial\u003c/h2>\n\u003cp>In a Solano County courtroom on Oct. 21, Harris wore a gray-and-white striped prison uniform and a stoic expression. Appearing briefly for a felony readiness conference—the final step before a case goes to trial—he faced Judge William Pendergast in handcuffs.\u003c/p>\n\u003cp>In the gallery, a handful of observers who appeared to be family and friends looked on, including two young women in tears. White requested the readiness hearing be postponed to Nov. 21 to allow the defense more time to gather evidence. If the Nov. 21 hearing goes forward as planned, the court will set dates for the jury trial.\u003c/p>\n\u003cp>“Mr. Harris is supported by his friends and family,” said White. “Obviously, these are incredibly difficult moments for him and those close to him, and he’s trying to stay strong. He’s really appreciative for the support his fans have shown, and he looks forward to his day in court.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Contra Costa County prosecutors say they are investigating possible juror misconduct that may have led to a mistrial in a high-profile sexual assault case involving a Bay Area dance instructor.\u003c/p>\n\u003cp>The Contra Costa County district attorney’s office says one of the jurors may have had preconceived notions about the facts in the trial of Viktor Kabaniaev before hearing any of the evidence, and discussed their feelings outside the courtroom with other potential jurors.\u003c/p>\n\u003cp>The highly-respected ballet coach is accused of 14 acts of sexual assault against at least two of his female students, who were children at the time. The case will undergo a retrial in Contra Costa County Superior Court since the previous jury was unable to reach a verdict last week.\u003c/p>\n\u003cp>“The right for a criminal trial to be decided by an impartial jury is fundamental to our democracy, and essential for any victims hoping to seek justice,” said Contra Costa County District Attorney’s office spokesman, Scott Alonso. “If a juror brings their own personal bias or speculative beliefs into the jury box, it can taint the case and the potential for a just outcome.”\u003c/p>\n\u003cp>Kabaniaev’s defense attorney, Kenneth Wine, said the case was not a close one; the previous jury was ultimately evenly divided in its verdict. He said the prosecution should show more respect for jurors’ vote.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Each juror deserves their vote to be counted and respected,” Wine said. “The D.A. should tread lightly, lest they appear to be threatening jurors who disagree with them. To do so strikes at the core of our jury system.”\u003c/p>\n\u003cp>The next court date for Kabaniaev’s retrial is set for Nov. 22.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Contra Costa County prosecutors say they are investigating possible juror misconduct that may have led to a mistrial in a high-profile sexual assault case involving a Bay Area dance instructor.\u003c/p>\n\u003cp>The Contra Costa County district attorney’s office says one of the jurors may have had preconceived notions about the facts in the trial of Viktor Kabaniaev before hearing any of the evidence, and discussed their feelings outside the courtroom with other potential jurors.\u003c/p>\n\u003cp>The highly-respected ballet coach is accused of 14 acts of sexual assault against at least two of his female students, who were children at the time. The case will undergo a retrial in Contra Costa County Superior Court since the previous jury was unable to reach a verdict last week.\u003c/p>\n\u003cp>“The right for a criminal trial to be decided by an impartial jury is fundamental to our democracy, and essential for any victims hoping to seek justice,” said Contra Costa County District Attorney’s office spokesman, Scott Alonso. “If a juror brings their own personal bias or speculative beliefs into the jury box, it can taint the case and the potential for a just outcome.”\u003c/p>\n\u003cp>Kabaniaev’s defense attorney, Kenneth Wine, said the case was not a close one; the previous jury was ultimately evenly divided in its verdict. He said the prosecution should show more respect for jurors’ vote.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>As a respite for Bay Area residents affected by mandatory evacuations, power outages and diminished air quality due to the Kincade Fire, select San Francisco cultural institutions are offering free admission. \u003c/p>\n\u003cp>The \u003ca href=\"https://www.sfmoma.org/\">San Francisco Museum of Modern Art\u003c/a> announced Monday that its permanent collection galleries on the second floor are open free to the public. The bottom floor galleries, currently exhibiting JR’s animated mural \u003cem>The Chronicles of San Francisco\u003c/em>, remain free as usual. \u003c/p>\n\u003cp>“We hope that these galleries can offer a place for reflection as we all find ways to cope with the impact of the fire and smoke,” reads SFMOMA’s statement. Adult tickets are normally $25. The free admission does not apply to the newly-opened contemporary group show \u003cem>Soft Power\u003c/em>. \u003c/p>\n\u003cp>The \u003ca href=\"https://www.calacademy.org/\">California Academy of Sciences\u003c/a> also announced Monday that the San Francisco natural history museum and research institution is offering free admission to current mandatory fire evacuees with proof of address Tuesday-Friday. Adult tickets normally cost $35.95. \u003c/p>\n\u003cp>In the East Bay, meanwhile, fire season has actually reduced access to some arts institutions. The \u003ca href=\"https://bampfa.org/\">Berkeley Art Museum and Pacific Film Archive\u003c/a> reopened Tuesday after closing and cancelling all programming due to power outages this past weekend. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The de Young and Legion of Honor museums in San Francisco have not announced fire-related admission details, but they remain open to Bay Area residents \u003ca href=\"https://deyoung.famsf.org/press-room/de-young-legion-honor-museums-announce-free-saturday-admission-all-san-francisco\" rel=\"noopener\" target=\"_blank\">for free on Saturdays\u003c/a>. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>This post will be updated with more details of fire-related Bay Area museum access. \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As a respite for Bay Area residents affected by mandatory evacuations, power outages and diminished air quality due to the Kincade Fire, select San Francisco cultural institutions are offering free admission. \u003c/p>\n\u003cp>The \u003ca href=\"https://www.sfmoma.org/\">San Francisco Museum of Modern Art\u003c/a> announced Monday that its permanent collection galleries on the second floor are open free to the public. The bottom floor galleries, currently exhibiting JR’s animated mural \u003cem>The Chronicles of San Francisco\u003c/em>, remain free as usual. \u003c/p>\n\u003cp>“We hope that these galleries can offer a place for reflection as we all find ways to cope with the impact of the fire and smoke,” reads SFMOMA’s statement. Adult tickets are normally $25. The free admission does not apply to the newly-opened contemporary group show \u003cem>Soft Power\u003c/em>. \u003c/p>\n\u003cp>The \u003ca href=\"https://www.calacademy.org/\">California Academy of Sciences\u003c/a> also announced Monday that the San Francisco natural history museum and research institution is offering free admission to current mandatory fire evacuees with proof of address Tuesday-Friday. Adult tickets normally cost $35.95. \u003c/p>\n\u003cp>In the East Bay, meanwhile, fire season has actually reduced access to some arts institutions. The \u003ca href=\"https://bampfa.org/\">Berkeley Art Museum and Pacific Film Archive\u003c/a> reopened Tuesday after closing and cancelling all programming due to power outages this past weekend. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>James Kim was working in the podcast industry when, frustrated by the lack of stories geared towards queer people of color, he decided to create his own. The result is \u003ca href=\"https://www.stitcher.com/podcast/james-kim-4/moonface\">Moonface\u003c/a>, a six-episode fictional podcast that tells an intimate story set in the suburban city of Downey, in Southeast Los Angeles County.\u003c/p>\n\u003cp>Like the podcast’s main character Paul, Kim was raised by Korean immigrants who wanted him to be American. In the podcast, Paul still lives with his mom, and hasn’t told her he’s gay. Kim also lived with his parents as an adult, and didn’t come out to them until he was in his early twenties.\u003c/p>\n\u003cp>The California Report Magazine’s host Sasha Khokha spoke with Kim shortly before the release of Moonface.\u003c/p>\n\u003cp>This conversation has been edited for length and clarity.\u003c/p>\n\u003cfigure id=\"attachment_11781817\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11781817\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/10/07.-James-Kim-photo-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/07.-James-Kim-photo-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/07.-James-Kim-photo-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/07.-James-Kim-photo-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/07.-James-Kim-photo-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/07.-James-Kim-photo-1920x1281.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/07.-James-Kim-photo.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">James Kim, the creator of the semi-autobiographical fiction podcast Moonface.\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003cstrong>On Creating an Autobiographical Fiction Podcast\u003c/strong>\u003c/h3>\n\u003cp>Four or five years ago, there were not a lot of fiction podcasts out there geared towards queer people of color that told really small intimate stories. I wanted to tell those kinds of stories. I was working as a entertainment producer at the time and all these ideas are out there, but no one’s making them.\u003c/p>\n\u003cp>Here’s this medium where you have free rein, there’s no gatekeepers, and anyone can step into the space. So me trying to step into the space, having never written any sort of fiction at all, I knew I had to start with something that I knew deeply and personally. So I ended up writing something that was very closely related to my own personal experiences.\u003c/p>\n\u003ch3>\u003cstrong>On Communicating with his Korean-speaking Mother\u003c/strong>\u003c/h3>\n\u003cp>I was told by my parents that before I entered kindergarten I was able to speak Korean fluently. I talked to my parents about it and they didn’t want to take me to any sort of Korean language schools because they really wanted me to assimilate.\u003c/p>\n\u003cp>They came from Korea and immigrated here, and sacrificed a lot for me to have a better life. I guess in the process I started to reject Korean and so now with my parents, my mom doesn’t speak English well, and I don’t speak Korean well.\u003c/p>\n\u003cp>It’s getting much better, but there is that struggle of trying to have basic conversations and we’re just not able to communicate.\u003c/p>\n\u003cfigure id=\"attachment_11781822\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11781822\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/10/04.-MOONFACE-photo-2-credit-Chava-Sanchez-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/04.-MOONFACE-photo-2-credit-Chava-Sanchez-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/04.-MOONFACE-photo-2-credit-Chava-Sanchez-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/04.-MOONFACE-photo-2-credit-Chava-Sanchez-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/04.-MOONFACE-photo-2-credit-Chava-Sanchez-1200x801.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/04.-MOONFACE-photo-2-credit-Chava-Sanchez.jpg 1782w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">(Chava Sanchez)\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003cstrong>On Telling His Parents He is Gay\u003c/strong>\u003c/h3>\n\u003cp>When I was moving to Texas and I was in my early to mid 20’s, I kind of had this thought, “I’ve never had this conversation before. I don’t know how they’re going to handle this.”\u003c/p>\n\u003cp>We don’t talk about anything personal, we just don’t. So I didn’t know how they were gonna react and it was like 11 at night, and my mom’s in the kitchen and she’s helping me pack to leave for Texas. I just told her, “Mom, I’m gay.” And she’s just like, “Yeah, okay, okay, you know that’s your choice, your life.”\u003c/p>\n\u003cp>And she just kind of left it at that. It’s a weird relationship where, my mom is very open and very accepting of it and, and my dad is still processing the whole situation.\u003c/p>\n\u003ch3>\u003cstrong>On Living with his Parents as an Adult\u003c/strong>\u003c/h3>\n\u003cp>It’s kind of a situation that a lot of folks in their 20s find themselves in these days. I just wanted to make something where characters in the show aren’t ashamed of living at home. It’s a situation where it’s not just financial.\u003c/p>\n\u003cp>With immigrant families, you’re almost expected to live at home because they want you to help out. When your parents are getting older, they want someone to be there to take care of them. Even though I’ve moved out to my own house I’m going back to Downey every single weekend because I’m trying to take care of my parents and help them out.\u003c/p>\n\u003cfigure id=\"attachment_11781818\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11781818\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/10/03.-MOONFACE-photo-1-credit-Chava-Sanchez-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/03.-MOONFACE-photo-1-credit-Chava-Sanchez-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/03.-MOONFACE-photo-1-credit-Chava-Sanchez-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/03.-MOONFACE-photo-1-credit-Chava-Sanchez-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/03.-MOONFACE-photo-1-credit-Chava-Sanchez-1200x801.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/03.-MOONFACE-photo-1-credit-Chava-Sanchez.jpg 1782w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">(Chava Sanchez)\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003cstrong>On Downey, his Hometown\u003c/strong>\u003c/h3>\n\u003cp>I wanted to make Downey a central character because\u003cbr>\nwhen you grow up there you very much hate it. It’s 20 miles outside of everything amazing in Los Angeles. It’s 20 miles away from Hollywood. It’s 20 miles away from the beach. It’s 20 miles away from Disneyland, but in Downey there is nothing.\u003c/p>\n\u003cp>[aside tag=\"lgbtq, art\" label=\"More Related Stories\"]\u003c/p>\n\u003cp>Growing up, it was that suburban ‘I want to get out of here’ kind of vibe. A lot of people my age have this strange but also awesome pride about living in that city. I think it’s because it has a rich history of the Apollo program and \u003ca href=\"https://en.wikipedia.org/wiki/The_Carpenters\">The Carpenters\u003c/a> are from there, and you have the oldest operating McDonald’s there — all these cultural landmarks that have happened in the city, and that made it so great, and it’s just been forgotten.\u003c/p>\n\u003ch3>\u003cstrong>On Making Stories About Queer People of Color\u003c/strong>\u003c/h3>\n\u003cp>I set out to make this podcast for myself. I just want to make something that I purely, deeply enjoy. And if I make something like that and other people enjoy it, great. If nobody enjoys it but \u003cem>I\u003c/em> still enjoy it, then I’m still happy because it’s something that I can say I’m proud of.\u003c/p>\n\u003cp>I’m also including myself into a larger community that I feel like I belong to, which is queer people of color. Seeing those stories told in a very artful and intimate way, I want to make more queer stories that are high art and are treated with respect.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[ad fullwidth]\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>James Kim was working in the podcast industry when, frustrated by the lack of stories geared towards queer people of color, he decided to create his own. The result is \u003ca href=\"https://www.stitcher.com/podcast/james-kim-4/moonface\">Moonface\u003c/a>, a six-episode fictional podcast that tells an intimate story set in the suburban city of Downey, in Southeast Los Angeles County.\u003c/p>\n\u003cp>Like the podcast’s main character Paul, Kim was raised by Korean immigrants who wanted him to be American. In the podcast, Paul still lives with his mom, and hasn’t told her he’s gay. Kim also lived with his parents as an adult, and didn’t come out to them until he was in his early twenties.\u003c/p>\n\u003cp>The California Report Magazine’s host Sasha Khokha spoke with Kim shortly before the release of Moonface.\u003c/p>\n\u003cp>This conversation has been edited for length and clarity.\u003c/p>\n\u003cfigure id=\"attachment_11781817\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11781817\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/10/07.-James-Kim-photo-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/07.-James-Kim-photo-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/07.-James-Kim-photo-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/07.-James-Kim-photo-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/07.-James-Kim-photo-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/07.-James-Kim-photo-1920x1281.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/07.-James-Kim-photo.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">James Kim, the creator of the semi-autobiographical fiction podcast Moonface.\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003cstrong>On Creating an Autobiographical Fiction Podcast\u003c/strong>\u003c/h3>\n\u003cp>Four or five years ago, there were not a lot of fiction podcasts out there geared towards queer people of color that told really small intimate stories. I wanted to tell those kinds of stories. I was working as a entertainment producer at the time and all these ideas are out there, but no one’s making them.\u003c/p>\n\u003cp>Here’s this medium where you have free rein, there’s no gatekeepers, and anyone can step into the space. So me trying to step into the space, having never written any sort of fiction at all, I knew I had to start with something that I knew deeply and personally. So I ended up writing something that was very closely related to my own personal experiences.\u003c/p>\n\u003ch3>\u003cstrong>On Communicating with his Korean-speaking Mother\u003c/strong>\u003c/h3>\n\u003cp>I was told by my parents that before I entered kindergarten I was able to speak Korean fluently. I talked to my parents about it and they didn’t want to take me to any sort of Korean language schools because they really wanted me to assimilate.\u003c/p>\n\u003cp>They came from Korea and immigrated here, and sacrificed a lot for me to have a better life. I guess in the process I started to reject Korean and so now with my parents, my mom doesn’t speak English well, and I don’t speak Korean well.\u003c/p>\n\u003cp>It’s getting much better, but there is that struggle of trying to have basic conversations and we’re just not able to communicate.\u003c/p>\n\u003cfigure id=\"attachment_11781822\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11781822\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/10/04.-MOONFACE-photo-2-credit-Chava-Sanchez-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/04.-MOONFACE-photo-2-credit-Chava-Sanchez-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/04.-MOONFACE-photo-2-credit-Chava-Sanchez-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/04.-MOONFACE-photo-2-credit-Chava-Sanchez-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/04.-MOONFACE-photo-2-credit-Chava-Sanchez-1200x801.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/04.-MOONFACE-photo-2-credit-Chava-Sanchez.jpg 1782w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">(Chava Sanchez)\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003cstrong>On Telling His Parents He is Gay\u003c/strong>\u003c/h3>\n\u003cp>When I was moving to Texas and I was in my early to mid 20’s, I kind of had this thought, “I’ve never had this conversation before. I don’t know how they’re going to handle this.”\u003c/p>\n\u003cp>We don’t talk about anything personal, we just don’t. So I didn’t know how they were gonna react and it was like 11 at night, and my mom’s in the kitchen and she’s helping me pack to leave for Texas. I just told her, “Mom, I’m gay.” And she’s just like, “Yeah, okay, okay, you know that’s your choice, your life.”\u003c/p>\n\u003cp>And she just kind of left it at that. It’s a weird relationship where, my mom is very open and very accepting of it and, and my dad is still processing the whole situation.\u003c/p>\n\u003ch3>\u003cstrong>On Living with his Parents as an Adult\u003c/strong>\u003c/h3>\n\u003cp>It’s kind of a situation that a lot of folks in their 20s find themselves in these days. I just wanted to make something where characters in the show aren’t ashamed of living at home. It’s a situation where it’s not just financial.\u003c/p>\n\u003cp>With immigrant families, you’re almost expected to live at home because they want you to help out. When your parents are getting older, they want someone to be there to take care of them. Even though I’ve moved out to my own house I’m going back to Downey every single weekend because I’m trying to take care of my parents and help them out.\u003c/p>\n\u003cfigure id=\"attachment_11781818\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11781818\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2019/10/03.-MOONFACE-photo-1-credit-Chava-Sanchez-800x534.jpg\" alt=\"\" width=\"800\" height=\"534\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/03.-MOONFACE-photo-1-credit-Chava-Sanchez-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/03.-MOONFACE-photo-1-credit-Chava-Sanchez-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/03.-MOONFACE-photo-1-credit-Chava-Sanchez-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/03.-MOONFACE-photo-1-credit-Chava-Sanchez-1200x801.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/10/2019/10/03.-MOONFACE-photo-1-credit-Chava-Sanchez.jpg 1782w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">(Chava Sanchez)\u003c/figcaption>\u003c/figure>\n\u003ch3>\u003cstrong>On Downey, his Hometown\u003c/strong>\u003c/h3>\n\u003cp>I wanted to make Downey a central character because\u003cbr>\nwhen you grow up there you very much hate it. It’s 20 miles outside of everything amazing in Los Angeles. It’s 20 miles away from Hollywood. It’s 20 miles away from the beach. It’s 20 miles away from Disneyland, but in Downey there is nothing.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Growing up, it was that suburban ‘I want to get out of here’ kind of vibe. A lot of people my age have this strange but also awesome pride about living in that city. I think it’s because it has a rich history of the Apollo program and \u003ca href=\"https://en.wikipedia.org/wiki/The_Carpenters\">The Carpenters\u003c/a> are from there, and you have the oldest operating McDonald’s there — all these cultural landmarks that have happened in the city, and that made it so great, and it’s just been forgotten.\u003c/p>\n\u003ch3>\u003cstrong>On Making Stories About Queer People of Color\u003c/strong>\u003c/h3>\n\u003cp>I set out to make this podcast for myself. I just want to make something that I purely, deeply enjoy. And if I make something like that and other people enjoy it, great. If nobody enjoys it but \u003cem>I\u003c/em> still enjoy it, then I’m still happy because it’s something that I can say I’m proud of.\u003c/p>\n\u003cp>I’m also including myself into a larger community that I feel like I belong to, which is queer people of color. Seeing those stories told in a very artful and intimate way, I want to make more queer stories that are high art and are treated with respect.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>",
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"content": "\u003cp>Oakland native Timothy B. has been putting paint where it ain’t for some time now—and the center of his work is family.\u003c/p>\n\u003cp>He was born in 1992, the same year his father, Timothy Bluitt Sr., was sent to prison. A former high-ranking member of the East Oakland street organization the \u003ca href=\"https://en.wikipedia.org/wiki/Felix_Mitchell\" target=\"_blank\" rel=\"noopener noreferrer\">69 Mob\u003c/a>, the elder Timothy served nearly a quarter century behind bars. During that time, Oakland changed a lot, and so did the Bluitt family: Timothy’s mom, Dana Bluitt, worked her ass off to make sure the family wasn’t broken, and instead, made uniquely strong.\u003c/p>\n\u003cp>Meanwhile, Timothy B. grew into an incredible artist.\u003c/p>\n\u003cfigure id=\"attachment_13868877\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13868877\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/TimothyB.Family.jpg\" alt=\"Timothy Bluitt Sr., Dana Bluitt and Timothy Bluitt Jr. \" width=\"640\" height=\"849\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/TimothyB.Family.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/TimothyB.Family-160x212.jpg 160w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Timothy Bluitt Sr., Dana Bluitt and Timothy Bluitt Jr. \u003ccite>(Courtesy the Bluitt Family)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In April of this year, when Timothy B. and Natty Rebel of the \u003ca href=\"https://www.thebamp.org/\">Bay Area Mural Program\u003c/a> co-created a mural dedicated to the late rapper and entrepreneur \u003ca href=\"https://www.kqed.org/arts/13854043/when-nipsey-hussle-brought-his-marathon-mindset-to-oakland\" target=\"_blank\" rel=\"noopener noreferrer\">Nipsey Hussle\u003c/a>, the community came together in a way that’s rarely seen in the arts scene. On top of your usual artsy types, middle-aged folks broke stride in their jog to look at the piece, nonprofit workers in slacks got in glimpses as they went home from their jobs and former d-boys parked candy-coated muscle cars nearby to take flicks in front of the fresh paint.\u003c/p>\n\u003cfigure id=\"attachment_13868505\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13868505\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/IMG_4611-800x600.jpg\" alt=\"Timothy B. and Natty Rebel of the Bay Area Mural Project\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/IMG_4611-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/IMG_4611-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/IMG_4611-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/IMG_4611-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/IMG_4611-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/IMG_4611-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/IMG_4611.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Timothy B. and Natty Rebel of the Bay Area Mural Project. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For this week’s episode of \u003cem>Rightnowish\u003c/em>, I sat down with Timothy to talk about how Oakland is diverse, but it’s also very divided. How’d Timothy manage to bring out the different flavors of the community? What do his parents think about Timothy’s growth? What does the family’s story say about what’s going on right now … ish?\u003c/p>\n\u003cp>Listen to this week’s episode to hear all about it.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Oakland native Timothy B. has been putting paint where it ain’t for some time now—and the center of his work is family.\u003c/p>\n\u003cp>He was born in 1992, the same year his father, Timothy Bluitt Sr., was sent to prison. A former high-ranking member of the East Oakland street organization the \u003ca href=\"https://en.wikipedia.org/wiki/Felix_Mitchell\" target=\"_blank\" rel=\"noopener noreferrer\">69 Mob\u003c/a>, the elder Timothy served nearly a quarter century behind bars. During that time, Oakland changed a lot, and so did the Bluitt family: Timothy’s mom, Dana Bluitt, worked her ass off to make sure the family wasn’t broken, and instead, made uniquely strong.\u003c/p>\n\u003cp>Meanwhile, Timothy B. grew into an incredible artist.\u003c/p>\n\u003cfigure id=\"attachment_13868877\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13868877\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/TimothyB.Family.jpg\" alt=\"Timothy Bluitt Sr., Dana Bluitt and Timothy Bluitt Jr. \" width=\"640\" height=\"849\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/TimothyB.Family.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/TimothyB.Family-160x212.jpg 160w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Timothy Bluitt Sr., Dana Bluitt and Timothy Bluitt Jr. \u003ccite>(Courtesy the Bluitt Family)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In April of this year, when Timothy B. and Natty Rebel of the \u003ca href=\"https://www.thebamp.org/\">Bay Area Mural Program\u003c/a> co-created a mural dedicated to the late rapper and entrepreneur \u003ca href=\"https://www.kqed.org/arts/13854043/when-nipsey-hussle-brought-his-marathon-mindset-to-oakland\" target=\"_blank\" rel=\"noopener noreferrer\">Nipsey Hussle\u003c/a>, the community came together in a way that’s rarely seen in the arts scene. On top of your usual artsy types, middle-aged folks broke stride in their jog to look at the piece, nonprofit workers in slacks got in glimpses as they went home from their jobs and former d-boys parked candy-coated muscle cars nearby to take flicks in front of the fresh paint.\u003c/p>\n\u003cfigure id=\"attachment_13868505\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13868505\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/10/IMG_4611-800x600.jpg\" alt=\"Timothy B. and Natty Rebel of the Bay Area Mural Project\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/IMG_4611-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/IMG_4611-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/IMG_4611-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/IMG_4611-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/IMG_4611-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/IMG_4611-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/10/IMG_4611.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Timothy B. and Natty Rebel of the Bay Area Mural Project. \u003ccite>(Pendarvis Harshaw)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For this week’s episode of \u003cem>Rightnowish\u003c/em>, I sat down with Timothy to talk about how Oakland is diverse, but it’s also very divided. How’d Timothy manage to bring out the different flavors of the community? What do his parents think about Timothy’s growth? What does the family’s story say about what’s going on right now … ish?\u003c/p>\n\u003cp>Listen to this week’s episode to hear all about it.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Richard “Ric” Ambrose has resigned as executive director of \u003ca href=\"http://richmondartcenter.org/\">Richmond Art Center\u003c/a>, the organization announced Wednesday in an email signed by board president Patricia Guthrie. \u003c/p>\n\u003cp>“Ambrose has played a pivotal role in stabilizing and growing the organization, and we want to thank him for his exceptional service and dedication to our community-focused mission,” the announcement reads.\u003c/p>\n\u003cp>Ambrose, who’s led the organization since 2012, said in a phone call Thursday that he’ll remain until Friday, Nov. 22 to help find an interim director. “I feel that I’ve accomplished my goals,” he said, noting Richmond Art Center recently completed a five-year strategic plan. “I’m also an artist so I want to spend more time drawing, and I’ll be considering other exciting opportunities.” \u003c/p>\n\u003cp>The announcement credits Ambrose with expanding Richmond Art Center’s remote and on-site arts education and instruction programs, boosting the budget and attendance and mounting exhibitions by Bay Area artists including Richard Diebenkorn, Joan Brown and David Parker. \u003c/p>\n\u003cp>A year ago Ambrose also secured a 50-year lease with the City of Richmond for its Civic Center Plaza site. The city contributes 22 percent of Richmond Art Center’s budget, which has grown from approximately $500,000 to $1.6 million since 2012, Ambrose said. The art center offers a range of free programming as well as scholarship opportunities for its studio art classes. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Ambrose said he is proudest of improving Richmond Art Center’s community engagement during his tenure. “When I started we had good exhibitions and studio programs, but we didn’t have a real presence in the community,” he said. “So we launched a third arm in schools and partnered with a number of nonprofits—making a whole new infrastructure from scratch.” \u003c/p>\n\u003cp>Ambrose, who has a background in curating and teaching and is a practicing artist represented by Hespe Gallery in San Francisco, previously led the Pacific Art League in Palo Alto.\u003c/p>\n\u003cp>“During this transition period, it is our priority to find the best individual to lead, while still maintaining a stable and effective organization,” the Thursday board announcement reads. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Founded in 1936, Richmond Art Center offers studio art classes, exhibitions and events, and calls itself the largest visual arts center in the East Bay. \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Richard “Ric” Ambrose has resigned as executive director of \u003ca href=\"http://richmondartcenter.org/\">Richmond Art Center\u003c/a>, the organization announced Wednesday in an email signed by board president Patricia Guthrie. \u003c/p>\n\u003cp>“Ambrose has played a pivotal role in stabilizing and growing the organization, and we want to thank him for his exceptional service and dedication to our community-focused mission,” the announcement reads.\u003c/p>\n\u003cp>Ambrose, who’s led the organization since 2012, said in a phone call Thursday that he’ll remain until Friday, Nov. 22 to help find an interim director. “I feel that I’ve accomplished my goals,” he said, noting Richmond Art Center recently completed a five-year strategic plan. “I’m also an artist so I want to spend more time drawing, and I’ll be considering other exciting opportunities.” \u003c/p>\n\u003cp>The announcement credits Ambrose with expanding Richmond Art Center’s remote and on-site arts education and instruction programs, boosting the budget and attendance and mounting exhibitions by Bay Area artists including Richard Diebenkorn, Joan Brown and David Parker. \u003c/p>\n\u003cp>A year ago Ambrose also secured a 50-year lease with the City of Richmond for its Civic Center Plaza site. The city contributes 22 percent of Richmond Art Center’s budget, which has grown from approximately $500,000 to $1.6 million since 2012, Ambrose said. The art center offers a range of free programming as well as scholarship opportunities for its studio art classes. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Ambrose said he is proudest of improving Richmond Art Center’s community engagement during his tenure. “When I started we had good exhibitions and studio programs, but we didn’t have a real presence in the community,” he said. “So we launched a third arm in schools and partnered with a number of nonprofits—making a whole new infrastructure from scratch.” \u003c/p>\n\u003cp>Ambrose, who has a background in curating and teaching and is a practicing artist represented by Hespe Gallery in San Francisco, previously led the Pacific Art League in Palo Alto.\u003c/p>\n\u003cp>“During this transition period, it is our priority to find the best individual to lead, while still maintaining a stable and effective organization,” the Thursday board announcement reads. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Founded in 1936, Richmond Art Center offers studio art classes, exhibitions and events, and calls itself the largest visual arts center in the East Bay. \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>At the place where music, technology and politics converge, you’ll find… discord. A group of more than 380 musicians — including well-known indie artists like Ted Leo, Deerhoof, Damon & Naomi, Zola Jesus, Downtown Boys and Sheer Mag — pledged in an open letter on Thursday to cut all business ties with Amazon over the work of its gargantuan Amazon Web Services (AWS) subsidiary.\u003c/p>\n\u003cp>[aside postID='arts_13849625' label='Stories For You']\u003c/p>\n\u003cp>The letter, organized in part by the activist group \u003ca href=\"https://www.fightforthefuture.org/\">Fight For The Future\u003c/a> and the public introduction to \u003ca href=\"https://twitter.com/nomusicforice\">No Music For ICE\u003c/a>, was spurred by AWS’ plans for a music festival called Intersect. The letter demands that AWS cancel all contracts with independent business and government agencies, such as Immigration and Customs Enforcement and Customs and Border Patrol, over human rights abuses it alleges they have committed. It also demands Amazon end work on “projects that encourage racial profiling and discrimination,” such as facial recognition technology. (A form of this tech has been deployed broadly in China, where it’s reportedly used \u003ca href=\"https://www.nytimes.com/2019/04/14/technology/china-surveillance-artificial-intelligence-racial-profiling.html\">to target\u003c/a> members of the Uighur community and to arrest suspects \u003ca href=\"https://www.npr.org/sections/therecord/2018/05/23/613692526/thanks-to-ai-a-3rd-person-is-arrested-following-a-pop-superstars-concert\">outside of concerts\u003c/a>.) Amazon’s connection to ICE is through the database services it provides to Palantir, a data analytics company which has contracts with the agency. “We will not allow Amazon to exploit our creativity to promote its brand while it enables attacks on immigrants, communities of color, workers, and local economies. We call on all artists who believe in basic rights and human dignity to join us,” it\u003ca href=\"https://www.fightforthefuture.org/news/2019-10-24-no-music-for-ice-open-letter-from-musicians-to/\"> reads\u003c/a>.\u003c/p>\n\u003cp>[aside postID='arts_13852882' label='Apple Isn't Paying Artists Who Perform at Its Stores']\u003c/p>\n\u003cp>Today’s letter comes one week after Black Madonna, a highly regarded and internationally popular DJ, expressed surprise at Amazon’s involvement in a festival she had been booked to play. “If you were shocked I’d play for Amazon, well that makes two of us,” she\u003ca href=\"https://twitter.com/blackmadonnachi/status/1184959032978821120\"> wrote\u003c/a> on Twitter. Black Madonna claimed that the ownership of the festival, scheduled for Dec. 6 and 7 in Las Vegas, was not made clear at the time she signed the performance contract. After the DJ had burned “some bridges,” as she wrote, AWS agreed to release her from the contract.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Regardless, the festival’s\u003ca href=\"https://intersect.aws/lineup/#/artists/alphabetical\"> current lineup\u003c/a> is formidable, including mainstream acts like Foo Fighters, Spoon and Beck, lauded and laureled artists like Kacey Musgraves, Brandi Carlile and Thundercat, and younger talents Japanese Breakfast, Jpegmafia and Sudan Archives.\u003c/p>\n\u003cp>Amazon did not respond to a request for comment on the letter, or confirm whether or not any of the scheduled performers have canceled their contracts since its publication.\u003c/p>\n\u003cp>The letter is the latest public challenge to tech companies’ relationships with agencies such as ICE and CBP. Last year, 650 employees of business software company Salesforce petitioned Marc Benioff, its CEO, to cancel its contract with CBP. In August, more than 1,000 employees of Google\u003ca href=\"https://www.npr.org/2019/08/20/752670444/employees-demand-google-publicly-commit-to-not-work-with-ice\"> did the same\u003c/a>. This past July, Amazon Web Services itself was\u003ca href=\"https://www.washingtonpost.com/business/2019/07/12/no-tech-ice-protesters-demand-amazon-cut-ties-with-federal-immigration-enforcement/\"> protested\u003c/a>, outside of the Javits Center in New York where it was holding its AWS Summit, over the same issue.\u003c/p>\n\u003cp>[aside postID='arts_13859794' label='Trump's 'Extreme Vetting' Hurts the Arts, Discourages Cultural Exchange, Experts Say']\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Amazon Web Services bills itself as a “cloud platform” which provides the infrastructure — the highway part of the information superhighway — for things like the music that you hear when clicking play on Spotify, the show you’re watching on Netflix, or the airline tickets you’re thinking of purchasing on Expedia. (Spotify, for what it’s worth, is now in the midst of\u003ca href=\"https://www.cnbc.com/2018/03/20/spotify-will-spend-nearly-450-million-on-google-cloud-over-3-years.html\"> migrating\u003c/a> to Google’s cloud platform.) But the scale of AWS means it has essentially become a backbone — or, at least, a healthy number of the vertebrae — supporting the internet. That includes the databases of agencies like the Transportation Security Administration and CBP. In 2018, the research group Synergy\u003ca href=\"https://www.srgresearch.com/articles/cloud-revenues-continue-grow-50-top-four-providers-tighten-grip-market\"> classified\u003c/a> the company’s market share as being “in a league of its own.” As of the most recent financial quarter, AWS was\u003ca href=\"https://ir.aboutamazon.com/news-releases/news-release-details/amazoncom-announces-second-quarter-sales-20-634-billion\"> worth more\u003c/a> to Amazon than its retail segment, bringing in over $600 million in net income above Amazon.com in North America.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Regardless, the festival’s\u003ca href=\"https://intersect.aws/lineup/#/artists/alphabetical\"> current lineup\u003c/a> is formidable, including mainstream acts like Foo Fighters, Spoon and Beck, lauded and laureled artists like Kacey Musgraves, Brandi Carlile and Thundercat, and younger talents Japanese Breakfast, Jpegmafia and Sudan Archives.\u003c/p>\n\u003cp>Amazon did not respond to a request for comment on the letter, or confirm whether or not any of the scheduled performers have canceled their contracts since its publication.\u003c/p>\n\u003cp>The letter is the latest public challenge to tech companies’ relationships with agencies such as ICE and CBP. Last year, 650 employees of business software company Salesforce petitioned Marc Benioff, its CEO, to cancel its contract with CBP. In August, more than 1,000 employees of Google\u003ca href=\"https://www.npr.org/2019/08/20/752670444/employees-demand-google-publicly-commit-to-not-work-with-ice\"> did the same\u003c/a>. This past July, Amazon Web Services itself was\u003ca href=\"https://www.washingtonpost.com/business/2019/07/12/no-tech-ice-protesters-demand-amazon-cut-ties-with-federal-immigration-enforcement/\"> protested\u003c/a>, outside of the Javits Center in New York where it was holding its AWS Summit, over the same issue.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>In my house, we keep a basket of face masks near our front door. We’ve kept them there since 2017, when the Tubbs Fire \u003ca href=\"https://www.kqed.org/arts/series/up-from-the-ashes\" target=\"_blank\" rel=\"noopener noreferrer\">blazed through my city\u003c/a> of Santa Rosa, and since 2018, when the Camp Fire rained ash down on us. Both times, the air in town was thick with smoke.\u003c/p>\n\u003cp>Just yesterday, I looked at the face masks near the front door, and thought, hopefully, “Maybe we can put those away.”\u003c/p>\n\u003cp>You probably already know what happened next: late in the night, the \u003ca href=\"https://www.kqed.org/news/11782251/kincade-fire-sonoma-county-geyserville-healdsburg\" target=\"_blank\" rel=\"noopener noreferrer\">Kincade Fire broke out on Geyser Peak\u003c/a> in Sonoma County, and spread rapidly from 100 acres, to 300 acres, to 10,000 acres. And, if you’re like me, you were glued to your phone, following reports from the area, distressed and unable to sleep.\u003c/p>\n\u003cp>https://twitter.com/DanielleVenton/status/1187411370326708224\u003c/p>\n\u003cp>Smoke, ash, power outages, refreshing fire maps in the middle of the night—this is the reality of what we now casually call “fire season” here in Sonoma County. And with each new fire comes painful memories, raw nerves and buried trauma. It’s not enough to get our emergency kits ready and make plans for evacuation, like our local news outlets \u003ca href=\"https://twitter.com/KQED/status/1187394325904125952\" target=\"_blank\" rel=\"noopener noreferrer\">dutifully remind us\u003c/a> to do. Preparing for fire season also means planning mentally, emotionally, psychologically, and resisting the constant low hum of panic.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>That sort of panic is why, last night, emergency operations were flooded with calls from county residents reporting the fire as \u003ca href=\"https://twitter.com/wittmershaus/status/1187261204026146816\" target=\"_blank\" rel=\"noopener noreferrer\">much closer\u003c/a> than it really was. From Santa Rosa, looking in the northeast direction at a giant plume of orange and yellow, I myself had the same rush of recollection to 2017 when Fountaingrove and much of Wikiup in the hills burned completely.\u003c/p>\n\u003cp>The sensation was unsettling: I knew from news reports that the fire was 24 miles away, but with memories of my \u003ca href=\"https://www.kqed.org/arts/13814248/one-month-later\" target=\"_blank\" rel=\"noopener noreferrer\">childhood home turned to ash\u003c/a> and family friends \u003ca href=\"https://www.kqed.org/arts/13814248/one-month-later\" target=\"_blank\" rel=\"noopener noreferrer\">not making it out\u003c/a> of the blaze in time, it sure felt closer. Because the \u003cem>feeling\u003c/em> is still close.\u003c/p>\n\u003cp>https://twitter.com/gmeline/status/1187257556210610176\u003c/p>\n\u003cp>We use a lot of phrases to describe this feeling. “Fire PTSD.” “Ripping an open wound.” “Triggering.” Or, most commonly, people call it “the new normal”—though, I can tell you, it sure doesn’t seem normal.\u003c/p>\n\u003cp>I can also tell you that you’re not alone if you’re feeling this way every October. My best advice is to call on friends, and to talk through not just your feelings but the information at hand. If all you do is follow news reports on Twitter, naturally your sense of dread will increase. Friends can convey the same information about wind direction, response teams and other conditions in a way that’s encouraging instead of anxiety-inducing.\u003c/p>\n\u003cp>Also, consider calling or texting the \u003ca href=\"https://www.samhsa.gov/find-help/disaster-distress-helpline\" target=\"_blank\" rel=\"noopener noreferrer\">National Disaster Distress Hotline\u003c/a>, which offers 24-hour, bilingual counseling to people going though emotional distress related to disasters. To talk with a trained crisis counselor, call 1-800-985-5990. (For Spanish, press 2.) To text with a crisis counselor, text “TalkWithUs” (for Spanish, “Hablamos”) to 66746.\u003c/p>\n\u003cp>Additionally, evacuation centers are often staffed with psychologists, like \u003ca href=\"https://twitter.com/mkimreporter/status/1187419840685867009\" target=\"_blank\" rel=\"noopener noreferrer\">the one in Healdsburg today\u003c/a>. You don’t need to have a burned-down home to stop by for a helpful visit with one of them.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Remember: it always feels better to talk about it with someone.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In my house, we keep a basket of face masks near our front door. We’ve kept them there since 2017, when the Tubbs Fire \u003ca href=\"https://www.kqed.org/arts/series/up-from-the-ashes\" target=\"_blank\" rel=\"noopener noreferrer\">blazed through my city\u003c/a> of Santa Rosa, and since 2018, when the Camp Fire rained ash down on us. Both times, the air in town was thick with smoke.\u003c/p>\n\u003cp>Just yesterday, I looked at the face masks near the front door, and thought, hopefully, “Maybe we can put those away.”\u003c/p>\n\u003cp>You probably already know what happened next: late in the night, the \u003ca href=\"https://www.kqed.org/news/11782251/kincade-fire-sonoma-county-geyserville-healdsburg\" target=\"_blank\" rel=\"noopener noreferrer\">Kincade Fire broke out on Geyser Peak\u003c/a> in Sonoma County, and spread rapidly from 100 acres, to 300 acres, to 10,000 acres. And, if you’re like me, you were glued to your phone, following reports from the area, distressed and unable to sleep.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Smoke, ash, power outages, refreshing fire maps in the middle of the night—this is the reality of what we now casually call “fire season” here in Sonoma County. And with each new fire comes painful memories, raw nerves and buried trauma. It’s not enough to get our emergency kits ready and make plans for evacuation, like our local news outlets \u003ca href=\"https://twitter.com/KQED/status/1187394325904125952\" target=\"_blank\" rel=\"noopener noreferrer\">dutifully remind us\u003c/a> to do. Preparing for fire season also means planning mentally, emotionally, psychologically, and resisting the constant low hum of panic.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>That sort of panic is why, last night, emergency operations were flooded with calls from county residents reporting the fire as \u003ca href=\"https://twitter.com/wittmershaus/status/1187261204026146816\" target=\"_blank\" rel=\"noopener noreferrer\">much closer\u003c/a> than it really was. From Santa Rosa, looking in the northeast direction at a giant plume of orange and yellow, I myself had the same rush of recollection to 2017 when Fountaingrove and much of Wikiup in the hills burned completely.\u003c/p>\n\u003cp>The sensation was unsettling: I knew from news reports that the fire was 24 miles away, but with memories of my \u003ca href=\"https://www.kqed.org/arts/13814248/one-month-later\" target=\"_blank\" rel=\"noopener noreferrer\">childhood home turned to ash\u003c/a> and family friends \u003ca href=\"https://www.kqed.org/arts/13814248/one-month-later\" target=\"_blank\" rel=\"noopener noreferrer\">not making it out\u003c/a> of the blaze in time, it sure felt closer. Because the \u003cem>feeling\u003c/em> is still close.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>We use a lot of phrases to describe this feeling. “Fire PTSD.” “Ripping an open wound.” “Triggering.” Or, most commonly, people call it “the new normal”—though, I can tell you, it sure doesn’t seem normal.\u003c/p>\n\u003cp>I can also tell you that you’re not alone if you’re feeling this way every October. My best advice is to call on friends, and to talk through not just your feelings but the information at hand. If all you do is follow news reports on Twitter, naturally your sense of dread will increase. Friends can convey the same information about wind direction, response teams and other conditions in a way that’s encouraging instead of anxiety-inducing.\u003c/p>\n\u003cp>Also, consider calling or texting the \u003ca href=\"https://www.samhsa.gov/find-help/disaster-distress-helpline\" target=\"_blank\" rel=\"noopener noreferrer\">National Disaster Distress Hotline\u003c/a>, which offers 24-hour, bilingual counseling to people going though emotional distress related to disasters. To talk with a trained crisis counselor, call 1-800-985-5990. (For Spanish, press 2.) To text with a crisis counselor, text “TalkWithUs” (for Spanish, “Hablamos”) to 66746.\u003c/p>\n\u003cp>Additionally, evacuation centers are often staffed with psychologists, like \u003ca href=\"https://twitter.com/mkimreporter/status/1187419840685867009\" target=\"_blank\" rel=\"noopener noreferrer\">the one in Healdsburg today\u003c/a>. You don’t need to have a burned-down home to stop by for a helpful visit with one of them.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Remember: it always feels better to talk about it with someone.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Dance Coach's Molestation Case Headed to Retrial Following Hung Jury",
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"content": "\u003cp>A sexual assault case against a renowned ballet coach is heading to retrial in an East Bay Court after the jury couldn’t reach a decision following two days of deliberations.\u003c/p>\n\u003cp>Three of Viktor Kabaniaev’s ex-students testified against their former coach, who was arrested in January 2018 and charged with 14 counts involving sex crimes against minors.\u003c/p>\n\u003cp>One woman said he raped her for the first time when she was only 12 years old, and forced her to have sex with him dozens of times thereafter. The other two accused Kabaniaev of molesting them.\u003c/p>\n\u003cp>Among these people was a new, third alleged victim, who came forward publicly for the first time as the trial unfolded to give her testimony.\u003c/p>\n\u003cp>Additional witnesses for the prosecution also took the stand during the two-week trial in Martinez, including the father of the alleged rape victim.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“My daughter was assaulted over a long period of time,” the man said on the witness stand. He broke down a couple of times during his testimony.\u003c/span>\u003c/p>\n\u003cp>Despite the government’s case against the 56-year-old Kabaniaev, six of the 12 jurors remained unconvinced.\u003c/p>\n\u003cp>“My client\u003cb>\u003c/b> is delighted that six jurors believed his version of the facts,” said defense attorney Kenneth Wine in a phone interview. “He’s ready to fight on.”\u003c/p>\n\u003cp>The trial will now start over with a new jury.\u003c/p>\n\u003cp>“I am a bit disappointed with the jury’s decision,” said Miko Fogarty, a former student of Kabaniaev’s who shared her testimony during the trial, alleging that\u003cspan style=\"font-weight: 400\"> Kabaniaev molested her when she was 13. “But I am still hopeful for the retrial.”\u003c/span>\u003c/p>\n\u003cp>Scott Alonso, a spokesman for the Contra Costa County District Attorney’s Office, said his office expects a date for the retrial to be set next week.\u003c/p>\n\u003cp>“We are deeply concerned with the jury’s outcome,” Alonso said in a written statement. “The women that came forward, including a new, third victim on the record, demonstrated immense courage in speaking publicly about these horrible crimes. Sexual assault victims deserve justice in this case. We will proceed with a new trial.”\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Kabaniaev has been behind bars since his arrest nearly two years ago. If found guilty, he could face up to a life sentence. \u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Listen to KQED’s 28-minute audio documentary about the long and complex journey of one of Kabaniaev’s alleged victims \u003ca href=\"https://www.kqed.org/news/11696615/ballet-star-moves-past-pain-for-a-new-stage-science\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A sexual assault case against a renowned ballet coach is heading to retrial in an East Bay Court after the jury couldn’t reach a decision following two days of deliberations.\u003c/p>\n\u003cp>Three of Viktor Kabaniaev’s ex-students testified against their former coach, who was arrested in January 2018 and charged with 14 counts involving sex crimes against minors.\u003c/p>\n\u003cp>One woman said he raped her for the first time when she was only 12 years old, and forced her to have sex with him dozens of times thereafter. The other two accused Kabaniaev of molesting them.\u003c/p>\n\u003cp>Among these people was a new, third alleged victim, who came forward publicly for the first time as the trial unfolded to give her testimony.\u003c/p>\n\u003cp>Additional witnesses for the prosecution also took the stand during the two-week trial in Martinez, including the father of the alleged rape victim.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“My daughter was assaulted over a long period of time,” the man said on the witness stand. He broke down a couple of times during his testimony.\u003c/span>\u003c/p>\n\u003cp>Despite the government’s case against the 56-year-old Kabaniaev, six of the 12 jurors remained unconvinced.\u003c/p>\n\u003cp>“My client\u003cb>\u003c/b> is delighted that six jurors believed his version of the facts,” said defense attorney Kenneth Wine in a phone interview. “He’s ready to fight on.”\u003c/p>\n\u003cp>The trial will now start over with a new jury.\u003c/p>\n\u003cp>“I am a bit disappointed with the jury’s decision,” said Miko Fogarty, a former student of Kabaniaev’s who shared her testimony during the trial, alleging that\u003cspan style=\"font-weight: 400\"> Kabaniaev molested her when she was 13. “But I am still hopeful for the retrial.”\u003c/span>\u003c/p>\n\u003cp>Scott Alonso, a spokesman for the Contra Costa County District Attorney’s Office, said his office expects a date for the retrial to be set next week.\u003c/p>\n\u003cp>“We are deeply concerned with the jury’s outcome,” Alonso said in a written statement. “The women that came forward, including a new, third victim on the record, demonstrated immense courage in speaking publicly about these horrible crimes. Sexual assault victims deserve justice in this case. We will proceed with a new trial.”\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Kabaniaev has been behind bars since his arrest nearly two years ago. If found guilty, he could face up to a life sentence. \u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Listen to KQED’s 28-minute audio documentary about the long and complex journey of one of Kabaniaev’s alleged victims \u003ca href=\"https://www.kqed.org/news/11696615/ballet-star-moves-past-pain-for-a-new-stage-science\" target=\"_blank\" rel=\"noopener\">here\u003c/a>. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"headTitle": "‘She Makes Me Shine,’ Dorothy Nyong’o Accepts Award For Fueling Lupita’s Passion for Art | KQED",
"content": "\u003cp>As Lupita Nyong’o accepted an award from the Harlem School of Arts — and entered the stage to Beyoncé’s anthemic hit “Brown Skin Girl” — the actress mainly had two people to thank for fueling her passion for the arts as a child: her parents.\u003c/p>\n\u003cp>“I was thinking about (the Harlem School of Arts) and what it does for children and its students (and) I didn’t have an institution where I’m in from in Nairobi, Kenya. And so the only way my interest in the arts thrived was because I had parents who valued those interests,” she said Monday night at the school’s annual Mask Ball in New York City. “And my mother in particular, she really nurtured my artistic spirit.”\u003c/p>\n\u003cp>So it was only appropriate that the Oscar winner’s mother, Dorothy Nyong’o, also received the Visionary Lineage Award alongside her daughter at The Plaza Hotel.\u003c/p>\n\u003cp>“I really didn’t do much,” Dorothy Nyong’o said to laughs from the audience, which included staff and students from the Harlem School of Arts, board members, donors and more.\u003c/p>\n\u003cp>Dorothy Nyong’o said she noticed her daughter’s interest in the arts as a child and so she looked “for opportunities to nurture that.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“My job was really to facilitate it and I’d like to encourage parents to do it. Sometimes we make the mistake of trying to make our children what we think we want,” she said.\u003c/p>\n\u003cp>Dorothy Nyong’o won over the audience with more sweet words for her 36-year-old daughter, who has appeared in films such as “Black Panther,” ″Star Wars,” ″Us” and “12 Years a Slave,” for which she won an Academy Award.\u003c/p>\n\u003cp>“I’m proud of her. She makes me shine.”\u003c/p>\n\u003cp>Lupita Nyong’o, who earned a Tony nomination for her lead role in Broadway’s “Eclipsed,” thanked her mom for all of her support, explaining that when she was a teenager her mother “drove to rehearsals after a long day at work” and sat “in the car for five or so hours … and she never complained.”\u003c/p>\n\u003cp>“The Daily Show” host Trevor Noah introduced the Nyong’os to the stage, and they left the stage as “Brown Skin Girl” — a song celebrating dark-skinned women where Beyoncé namedrops Lupita’s name — blasted in the background.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Other honorees at Monday’s benefit — which raised more than $100,000 in text message donations and featured performances from students, alumni and staff — included Essence Communications CEO Michelle Ebanks and JP Morgan Chase executive Racquel Oden.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>As Lupita Nyong’o accepted an award from the Harlem School of Arts — and entered the stage to Beyoncé’s anthemic hit “Brown Skin Girl” — the actress mainly had two people to thank for fueling her passion for the arts as a child: her parents.\u003c/p>\n\u003cp>“I was thinking about (the Harlem School of Arts) and what it does for children and its students (and) I didn’t have an institution where I’m in from in Nairobi, Kenya. And so the only way my interest in the arts thrived was because I had parents who valued those interests,” she said Monday night at the school’s annual Mask Ball in New York City. “And my mother in particular, she really nurtured my artistic spirit.”\u003c/p>\n\u003cp>So it was only appropriate that the Oscar winner’s mother, Dorothy Nyong’o, also received the Visionary Lineage Award alongside her daughter at The Plaza Hotel.\u003c/p>\n\u003cp>“I really didn’t do much,” Dorothy Nyong’o said to laughs from the audience, which included staff and students from the Harlem School of Arts, board members, donors and more.\u003c/p>\n\u003cp>Dorothy Nyong’o said she noticed her daughter’s interest in the arts as a child and so she looked “for opportunities to nurture that.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"soldout": {
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"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
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