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"content": "\u003cp>\u003cspan style=\"font-weight: 400\">“Many of you may know this, but I love the Bay Area,” Dave Chappelle told the audience when he first took the stage at the Chase Center for the San Francisco premiere of his film, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Untitled\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. “This is where I learned my craft, and Punchline is the first place I came after I left comedy the first time. I want to thank you all for being here tonight.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">His anticipated appearance came halfway through the show, after his film finished playing, to a largely receptive crowd of 19,000 people.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The documentary takes place during the COVID-19 pandemic’s deadly apex in the summer of 2020. It follows Chappelle, his family and his celebrity friends as they host a series of comedy shows in a Yellow Springs, Ohio, cornfield in hopes of raising the township’s morale.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The film, which will be shown in 10 North American cities, including the opening in San Francisco on Thursday night, is a mix of humor, poetry and music. It features A-list cameos, racial politics, casual family mingling, generational mentorship, complicated interactions with local government officials and lots of nose-swabbing and pro-vaccination messaging. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Fan favorites like Michelle Wolf, Donnell Rawlings, Questlove, Trevor Noah, Jon Stewart, Tiffany Haddish, David Letterman, Erykah Badu and Ali Wong make appearances. And beyond the celebrities, we hear from anonymous locals at a virtual town hall meeting, coffee shop owners and Chappelle’s wife and children—all in a way I have yet to see him do in the past.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It’s a snapshot of a precarious time and place—middle America amid a global health crisis, during a growing movement for racial justice—and how one comedian attempts to bring his people together to provide a therapeutic outlet for the public. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">At its worst, the film exists as a slightly redundant reminder of the most uncertain and unravelling moments of this pandemic. At its best, it represents a genuine blueprint for how those with social, economic and political clout—like Chappelle and his peers—can provide real spiritual relief for a community in need.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The documentary ends as abruptly as COVID arrived, with the makeshift venue in the film being torn down because of a surge in case numbers. A few of the guest comedians test positive and have to immediately bow out during the making of the film. That’s after multiple weeks of non-stop performances, which the film says produced over $9 million in local revenue.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And yet, it’s all much bigger than a single documentary can deliver, which has arrived at perhaps the worst possible intersection in Chappelle’s storied career, when many national organizations and prominent figures have harshly criticized the comedian’s recent Netflix special for its insensitivity towards the trans community. It’s not something that can be simply overlooked.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Underneath the polarized debates on social media, Black LGBTQ+ people are leading nuanced conversations about how Chappelle has missed the mark by pitting race issues against gender issues, and largely ignoring queer and trans people of color. In the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">San Francisco Chronicle\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, UC Berkeley law professor Russell K. Robinson \u003c/span>\u003ca href=\"https://www.sfchronicle.com/opinion/openforum/article/Call-out-Dave-Chappelle-s-transphobia-but-16590293.php\">\u003cspan style=\"font-weight: 400\">lays out the hardships that LGBTQ+ Black people face\u003c/span>\u003c/a>, and the statistics are undeniable\u003cspan style=\"font-weight: 400\">. Yet even while critiquing Chappelle, he urges us not to ignore the comedian’s points about white gay racism. [aside postid='arts_13904228']\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">There is also Carolyn Wysinger, the board president of San Francisco Pride,\u003c/span>\u003ca href=\"https://www.sfgate.com/culture-columns/article/sf-pride-president-on-dave-chappelle-16575189.php\"> \u003cspan style=\"font-weight: 400\">who wrote a poignant, critical response\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> to \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Closer\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I would like to affirm my personal support for the demands made by the Black trans community members who led last week’s Netflix walkout,” Wysinger wrote for SFGATE. “If Netflix is going to continue streaming a program that clearly gives permission to the world to publicly expose harmful beliefs, tropes, and stereotypes of the Black LGBTQ+ community, then Netflix owes that same community the opportunity to tell their stories and combat the hate.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">At its core, this conflict is an issue of representation, visibility, awareness, humanization and safety. If Chappelle can retain his global platform to make jokes and share his views about topics of his choice, then LGBTQ+ artists must also receive the same exposure, audience and promotion to express their opinions and truths, too.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Yet, Thursday night wasn’t about Chappelle and his fractured relationship to the trans and LGBTQ+ community.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It wasn’t even fully about comedy. In fact—besides the opening act from the night’s host, Jeff Ross, followed by a stand-up performance from Bay Area-raised comedian, Luenell Campbell—there was very little traditional comedy to be had. (Chappelle himself didn’t even perform a full routine, although he did make impromptu jokes during transitions between acts.)\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Instead, the night surprisingly became a necessary moment for gathering, remembering, laughter and levity. Despite the thick tension surrounding him, Chappelle and his special guests managed to create a sense of joy and familial unity that formed the basis of his film, and which he clearly has a gift for.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We didn’t get Talib Kweli or John Mayer, though. Rather, Bay Area fans were treated to medicinal doses of Goapele and Raphael Saadiq, and the raw energy of Too $hort, Lil’ Jon, and E-40 sharing a stage. (Sadly, cameras were not allowed.) After each legendary individual’s performance, they stood side by side behind Chappelle while he delivered some closing words. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“Take care of one another, look out for one another,” he urged the crowd with sincerity. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13840957\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840957\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/09/MG_0970-1-800x533.jpg\" alt=\"E-40 plays Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0970-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0970-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0970-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0970-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0970-1-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0970-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0970-1-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0970-1-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0970-1-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0970-1-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0970-1-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">E-40 plays Rolling Loud Bay Area on Sunday, September 16, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Throughout the evening, he jokingly alluded to being “cancelled” but also said he didn’t care, as if the controversy was just in the media and not the reality of the matter. The truth of that is certainly doubtful, since there seems to be an undeniable outcry and sense of hurt coming from many LGBTQ+ viewers of color, and that must be acknowledged. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In doubling down, I don’t believe Chappelle is going about the situation in the best way, and his documentary—which he says has been pulled from various festivals and venues—is certainly debuting at an unfavorable time for him. But I also don’t believe pulling his specials or cancelling appearances, as some critics have called for, does anyone good. I attended his premiere specifically to hear him directly, and to feel the energy he was projecting into the crowd. And my takeaway, from my personal experience and from what I felt all around me—from people of all ages, cultures, genders, heights, styles, economic backgrounds and so forth—was a feeling of unison, if only for those few hours we sat together. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Perhaps more than attending a film screening or wading in the ocean of commentary on this subject, shifting our collective attention towards voices beyond those in mainstream media—like San Francisco-based trans poet,\u003c/span>\u003ca href=\"https://calcalamia.com/\"> \u003cspan style=\"font-weight: 400\">Cal Calamia\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, as one example—would inform our public’s awareness more meaningfully. Comedy has opened a conversation that mainstream America hasn’t yet had—at least not in my lifetime—and I’m here for it. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I admit that for too long I have only been focused on Chappelle’s point of view, like many young, straight men of color from my generation who were raised on his comedy. I don’t think I’m exaggerating when I say he has been the single most revered comic among the men of color in my life, and has in many ways informed our sense of society, racism, politics, humor and expression at large. But as I sit with myself and my thoughts after watching his documentary, and after seeing other childhood icons like Too $hort hold the stage with him and each other in such genuine fashion, I understand that I owe it to other communities, too, to shift my seat and begin to tune in more deeply to the voices I haven’t fully had the privilege to hear yet. [aside postid='arts_13905208']\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I am not tuning Dave Chappelle out completely. But I am turning up the volume on other voices in the room. Both of these realities can be true.\u003c/span>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Because what \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Untitled\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> implicitly argues is that if we pull up a chair—even literally in the middle of an empty field—and put together a lineup of impassioned humans with a singular goal, something spectacular is bound to happen. Now, it’s time for the majority of us to sit back and listen.\u003c/span>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">“Many of you may know this, but I love the Bay Area,” Dave Chappelle told the audience when he first took the stage at the Chase Center for the San Francisco premiere of his film, \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Untitled\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">. “This is where I learned my craft, and Punchline is the first place I came after I left comedy the first time. I want to thank you all for being here tonight.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">His anticipated appearance came halfway through the show, after his film finished playing, to a largely receptive crowd of 19,000 people.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The documentary takes place during the COVID-19 pandemic’s deadly apex in the summer of 2020. It follows Chappelle, his family and his celebrity friends as they host a series of comedy shows in a Yellow Springs, Ohio, cornfield in hopes of raising the township’s morale.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The film, which will be shown in 10 North American cities, including the opening in San Francisco on Thursday night, is a mix of humor, poetry and music. It features A-list cameos, racial politics, casual family mingling, generational mentorship, complicated interactions with local government officials and lots of nose-swabbing and pro-vaccination messaging. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Fan favorites like Michelle Wolf, Donnell Rawlings, Questlove, Trevor Noah, Jon Stewart, Tiffany Haddish, David Letterman, Erykah Badu and Ali Wong make appearances. And beyond the celebrities, we hear from anonymous locals at a virtual town hall meeting, coffee shop owners and Chappelle’s wife and children—all in a way I have yet to see him do in the past.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It’s a snapshot of a precarious time and place—middle America amid a global health crisis, during a growing movement for racial justice—and how one comedian attempts to bring his people together to provide a therapeutic outlet for the public. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">At its worst, the film exists as a slightly redundant reminder of the most uncertain and unravelling moments of this pandemic. At its best, it represents a genuine blueprint for how those with social, economic and political clout—like Chappelle and his peers—can provide real spiritual relief for a community in need.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The documentary ends as abruptly as COVID arrived, with the makeshift venue in the film being torn down because of a surge in case numbers. A few of the guest comedians test positive and have to immediately bow out during the making of the film. That’s after multiple weeks of non-stop performances, which the film says produced over $9 million in local revenue.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And yet, it’s all much bigger than a single documentary can deliver, which has arrived at perhaps the worst possible intersection in Chappelle’s storied career, when many national organizations and prominent figures have harshly criticized the comedian’s recent Netflix special for its insensitivity towards the trans community. It’s not something that can be simply overlooked.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Underneath the polarized debates on social media, Black LGBTQ+ people are leading nuanced conversations about how Chappelle has missed the mark by pitting race issues against gender issues, and largely ignoring queer and trans people of color. In the \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">San Francisco Chronicle\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">, UC Berkeley law professor Russell K. Robinson \u003c/span>\u003ca href=\"https://www.sfchronicle.com/opinion/openforum/article/Call-out-Dave-Chappelle-s-transphobia-but-16590293.php\">\u003cspan style=\"font-weight: 400\">lays out the hardships that LGBTQ+ Black people face\u003c/span>\u003c/a>, and the statistics are undeniable\u003cspan style=\"font-weight: 400\">. Yet even while critiquing Chappelle, he urges us not to ignore the comedian’s points about white gay racism. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">There is also Carolyn Wysinger, the board president of San Francisco Pride,\u003c/span>\u003ca href=\"https://www.sfgate.com/culture-columns/article/sf-pride-president-on-dave-chappelle-16575189.php\"> \u003cspan style=\"font-weight: 400\">who wrote a poignant, critical response\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> to \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">The Closer\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I would like to affirm my personal support for the demands made by the Black trans community members who led last week’s Netflix walkout,” Wysinger wrote for SFGATE. “If Netflix is going to continue streaming a program that clearly gives permission to the world to publicly expose harmful beliefs, tropes, and stereotypes of the Black LGBTQ+ community, then Netflix owes that same community the opportunity to tell their stories and combat the hate.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">At its core, this conflict is an issue of representation, visibility, awareness, humanization and safety. If Chappelle can retain his global platform to make jokes and share his views about topics of his choice, then LGBTQ+ artists must also receive the same exposure, audience and promotion to express their opinions and truths, too.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Yet, Thursday night wasn’t about Chappelle and his fractured relationship to the trans and LGBTQ+ community.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It wasn’t even fully about comedy. In fact—besides the opening act from the night’s host, Jeff Ross, followed by a stand-up performance from Bay Area-raised comedian, Luenell Campbell—there was very little traditional comedy to be had. (Chappelle himself didn’t even perform a full routine, although he did make impromptu jokes during transitions between acts.)\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Instead, the night surprisingly became a necessary moment for gathering, remembering, laughter and levity. Despite the thick tension surrounding him, Chappelle and his special guests managed to create a sense of joy and familial unity that formed the basis of his film, and which he clearly has a gift for.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We didn’t get Talib Kweli or John Mayer, though. Rather, Bay Area fans were treated to medicinal doses of Goapele and Raphael Saadiq, and the raw energy of Too $hort, Lil’ Jon, and E-40 sharing a stage. (Sadly, cameras were not allowed.) After each legendary individual’s performance, they stood side by side behind Chappelle while he delivered some closing words. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“Take care of one another, look out for one another,” he urged the crowd with sincerity. \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13840957\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13840957\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/09/MG_0970-1-800x533.jpg\" alt=\"E-40 plays Rolling Loud Bay Area on Sunday, September 16, 2018.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0970-1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0970-1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0970-1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0970-1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0970-1-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0970-1.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0970-1-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0970-1-960x640.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0970-1-240x160.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0970-1-375x250.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/09/MG_0970-1-520x347.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">E-40 plays Rolling Loud Bay Area on Sunday, September 16, 2018. \u003ccite>(Estefany Gonzalez)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Throughout the evening, he jokingly alluded to being “cancelled” but also said he didn’t care, as if the controversy was just in the media and not the reality of the matter. The truth of that is certainly doubtful, since there seems to be an undeniable outcry and sense of hurt coming from many LGBTQ+ viewers of color, and that must be acknowledged. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In doubling down, I don’t believe Chappelle is going about the situation in the best way, and his documentary—which he says has been pulled from various festivals and venues—is certainly debuting at an unfavorable time for him. But I also don’t believe pulling his specials or cancelling appearances, as some critics have called for, does anyone good. I attended his premiere specifically to hear him directly, and to feel the energy he was projecting into the crowd. And my takeaway, from my personal experience and from what I felt all around me—from people of all ages, cultures, genders, heights, styles, economic backgrounds and so forth—was a feeling of unison, if only for those few hours we sat together. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Perhaps more than attending a film screening or wading in the ocean of commentary on this subject, shifting our collective attention towards voices beyond those in mainstream media—like San Francisco-based trans poet,\u003c/span>\u003ca href=\"https://calcalamia.com/\"> \u003cspan style=\"font-weight: 400\">Cal Calamia\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">, as one example—would inform our public’s awareness more meaningfully. Comedy has opened a conversation that mainstream America hasn’t yet had—at least not in my lifetime—and I’m here for it. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I admit that for too long I have only been focused on Chappelle’s point of view, like many young, straight men of color from my generation who were raised on his comedy. I don’t think I’m exaggerating when I say he has been the single most revered comic among the men of color in my life, and has in many ways informed our sense of society, racism, politics, humor and expression at large. But as I sit with myself and my thoughts after watching his documentary, and after seeing other childhood icons like Too $hort hold the stage with him and each other in such genuine fashion, I understand that I owe it to other communities, too, to shift my seat and begin to tune in more deeply to the voices I haven’t fully had the privilege to hear yet. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I am not tuning Dave Chappelle out completely. But I am turning up the volume on other voices in the room. Both of these realities can be true.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Because what \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Untitled\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> implicitly argues is that if we pull up a chair—even literally in the middle of an empty field—and put together a lineup of impassioned humans with a singular goal, something spectacular is bound to happen. Now, it’s time for the majority of us to sit back and listen.\u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The signs were there back in August. When Buster Posey—the greatest catcher in the history of the San Francisco Giants—was asked about his future with the team, he was non-committal. Posey simply said, “I’ll get to the end of the season and kind of assess at that point, talk to my wife and see where we are.”\u003c/p>\n\u003cp>[aside postid='news_11891544']For most Giants fans, it didn’t even register. Posey has long felt so unequivocally \u003cem>ours\u003c/em> that his departure hasn’t just seemed unthinkable to fans—it’s something most of us never even stopped to consider. The Giants are the only MLB team Posey has ever played for, and he has shown an unshakeable commitment to them since he arrived at age 22 in 2009. That commitment has been delivered right back to him by the fans.\u003c/p>\n\u003cp>In his retirement announcement, held at Oracle Park on Thursday afternoon, Posey said: “The last week to 10 days, I’ve been thinking, ‘How do you thank a fan base?’ And the Giants fanbase is more than just fans, it’s a community. That sense of community is something that we could feel in the ballpark each night. I hope it’s worked the other way.”\u003c/p>\n\u003cp>Posey was the last player we had left who’d helped win all three of the \u003ca href=\"https://www.kqed.org/ourturbulentdecade/2010-once-considered-underdogs-bay-area-sports-teams-ruled-the-2010s\" target=\"_blank\" rel=\"noopener noreferrer\">Giants’ World Series titles in 2010, 2012 and 2014\u003c/a>. Posey had distinguished himself in all three by \u003cem>not\u003c/em> being one of the big personalities on the team. Instead, he was the respectable lynchpin at the center of the whirlwind—always calm, collected and controlled, no matter what was happening around him. And, over the years, as his wildcard teammates peeled off and defected (Brian Wilson and Sergio Romo to the Dodgers, Tim Lincecum to the Angels, Madison Bumgarner to the Diamondbacks, etc.) Posey has remained right here in San Francisco. Ol’ faithful.\u003c/p>\n\u003cp>https://twitter.com/MLBONFOX/status/1456020054030667777\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Still, he gave us another hint that the end might be nigh, after the Giants had their World Series hopes dashed by the Dodgers on Oct. 14. After that game, Posey said, “I’m definitely going to take some time with my wife and talk with her. Be able to be a full-time dad of four kids for the first time in a while. Take it slow and see how things progress.”\u003c/p>\n\u003cp>With hindsight, we probably should’ve seen the writing on the wall. Posey has always been just as much of a family man as he was a dedicated ball player. After he married his high school sweetheart Kristen in 2009, the happy couple welcomed twins Addison and Lee in 2011. They adopted twin girls in 2020, and Posey sat out the short pandemic season, prioritizing his babies’ health over the danger of potentially contracting COVID-19 on the field. His younger girls, Ada and Livvi, were already up against it, having been born eight weeks premature. \u003cem>USA Today\u003c/em> called Posey’s decision to stay home “a tremendous sacrifice.” But he himself noted, “From a family standpoint, making a decision to protect children—our children—it was relatively easy.”\u003c/p>\n\u003cp>[aside postid='news_11745241']Posey and his wife’s commitment to children stretches far beyond their own family. In 2016, they established \u003ca href=\"https://bp28.org/mission/\" target=\"_blank\" rel=\"noopener noreferrer\">BP28\u003c/a>, a charity that raises funds and awareness for pediatric cancer. The organization has so far raised $5.5 million for treatment and research, and has established partnerships with UCSF Benioff Children’s Hospital, North Carolina’s V Foundation and the Texas Children’s Hospital.\u003c/p>\n\u003cp>We can look at \u003ca href=\"https://www.mlb.com/player/buster-posey-457763\" target=\"_blank\" rel=\"noopener noreferrer\">Posey’s astonishing baseball stats\u003c/a> all day (and we should—it’s very satisfying), but it’s clear that this man has important goals off the field as well. Important enough to walk away from a $22 million option to stay on with the Giants. Since news leaked, late on Wednesday, that Posey was about to announce his retirement, fan responses have been sad, sure. But most of them have been rooted in pride and respect. That’s the result of Posey’s commitment to the San Francisco Giants on the field, and the compassionate way he lives his life off it. It’s born from his skills as a ballplayer, but also of his supreme likability as a human.\u003c/p>\n\u003cp>Fans might not want to see him go, but the gratitude held for Posey and what he did in the course of his career with the Giants is palpable today.\u003c/p>\n\u003cp>https://twitter.com/BaySean/status/1456019375215955971\u003c/p>\n\u003cp>https://twitter.com/crawnikflip/status/1456027919684354056\u003c/p>\n\u003cp>https://twitter.com/bayarealuke/status/1456016637564309506\u003c/p>\n\u003cp>https://twitter.com/McCoveyChron/status/1456019630154080259\u003c/p>\n\u003cp>https://twitter.com/JohnLynchWTRF/status/1456020001631113232\u003c/p>\n\u003cp>https://twitter.com/thatguytylor/status/1456043068675661828\u003c/p>\n\u003cp>https://twitter.com/DaltonJ_Johnson/status/1456016432135802883\u003c/p>\n\u003cp>https://twitter.com/Jared_Carrabis/status/1456015579261898764\u003c/p>\n\u003cp>https://twitter.com/annkillion/status/1456037503933116420\u003c/p>\n\u003cp>https://twitter.com/MLBJesus/status/1456015451423711233\u003c/p>\n\u003cp>Posey’s former teammate \u003ca href=\"https://www.nbcsports.com/bayarea/giants/buster-poseys-reaction-game-162-hinted-retirement-sergio-romo\" target=\"_blank\" rel=\"noopener noreferrer\">Sergio Romo shared in an interview\u003c/a> on Wednesday that he’d recently noticed a shift in Posey’s demeanor on the field. “This was something that was like, ‘Wow, I wouldn’t be surprised if he decided to walk home and do the family thing,’” Romo said. “Here he is. He is deciding to do the family thing. In a sense, it wasn’t surprising, but it is surprising from a fan standpoint because the guy has a lot of baseball left, in my opinion.”\u003c/p>\n\u003cp>[aside postid='news_10608660']Tellingly, during Thursday’s press conference, Posey’s long list of thanks to everyone who’d helped him achieve his “lifelong dream of becoming a professional baseball player” started with his family. He struggled to hold back tears while talking about the love and support Kristen has offered him throughout his career. He told his children, “Being your dad is the greatest joy in my life.” Then he thanked his parents, “for teaching me the responsibility for caring for other people.”\u003c/p>\n\u003cp>Throughout his speech, though he referenced the Giants’ considerable achievements during his tenure, Posey’s focus remained on family. When thanking his teammates, he mentioned the “Good men, good husbands and good fathers” he had played alongside. And when he talked about baseball itself, he did so through the lens of what it means to the families and friends that attend the games.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“Baseball is a vessel that can be used to make wonderful memories,” Posey said, “but ultimately it’s not what defines you.”\u003c/p>\n\u003cfigure id=\"attachment_13905866\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13905866\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/GettyImages-1345603474-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/GettyImages-1345603474-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/GettyImages-1345603474-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/GettyImages-1345603474-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/GettyImages-1345603474-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/GettyImages-1345603474-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/GettyImages-1345603474-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/GettyImages-1345603474-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Buster Posey during Game 1 of the National League Division Series against the Dodgers, at Oracle Park. Oct. 8, 2021. \u003ccite>(Ezra Shaw/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The signs were there back in August. When Buster Posey—the greatest catcher in the history of the San Francisco Giants—was asked about his future with the team, he was non-committal. Posey simply said, “I’ll get to the end of the season and kind of assess at that point, talk to my wife and see where we are.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>For most Giants fans, it didn’t even register. Posey has long felt so unequivocally \u003cem>ours\u003c/em> that his departure hasn’t just seemed unthinkable to fans—it’s something most of us never even stopped to consider. The Giants are the only MLB team Posey has ever played for, and he has shown an unshakeable commitment to them since he arrived at age 22 in 2009. That commitment has been delivered right back to him by the fans.\u003c/p>\n\u003cp>In his retirement announcement, held at Oracle Park on Thursday afternoon, Posey said: “The last week to 10 days, I’ve been thinking, ‘How do you thank a fan base?’ And the Giants fanbase is more than just fans, it’s a community. That sense of community is something that we could feel in the ballpark each night. I hope it’s worked the other way.”\u003c/p>\n\u003cp>Posey was the last player we had left who’d helped win all three of the \u003ca href=\"https://www.kqed.org/ourturbulentdecade/2010-once-considered-underdogs-bay-area-sports-teams-ruled-the-2010s\" target=\"_blank\" rel=\"noopener noreferrer\">Giants’ World Series titles in 2010, 2012 and 2014\u003c/a>. Posey had distinguished himself in all three by \u003cem>not\u003c/em> being one of the big personalities on the team. Instead, he was the respectable lynchpin at the center of the whirlwind—always calm, collected and controlled, no matter what was happening around him. And, over the years, as his wildcard teammates peeled off and defected (Brian Wilson and Sergio Romo to the Dodgers, Tim Lincecum to the Angels, Madison Bumgarner to the Diamondbacks, etc.) Posey has remained right here in San Francisco. Ol’ faithful.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Still, he gave us another hint that the end might be nigh, after the Giants had their World Series hopes dashed by the Dodgers on Oct. 14. After that game, Posey said, “I’m definitely going to take some time with my wife and talk with her. Be able to be a full-time dad of four kids for the first time in a while. Take it slow and see how things progress.”\u003c/p>\n\u003cp>With hindsight, we probably should’ve seen the writing on the wall. Posey has always been just as much of a family man as he was a dedicated ball player. After he married his high school sweetheart Kristen in 2009, the happy couple welcomed twins Addison and Lee in 2011. They adopted twin girls in 2020, and Posey sat out the short pandemic season, prioritizing his babies’ health over the danger of potentially contracting COVID-19 on the field. His younger girls, Ada and Livvi, were already up against it, having been born eight weeks premature. \u003cem>USA Today\u003c/em> called Posey’s decision to stay home “a tremendous sacrifice.” But he himself noted, “From a family standpoint, making a decision to protect children—our children—it was relatively easy.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Posey and his wife’s commitment to children stretches far beyond their own family. In 2016, they established \u003ca href=\"https://bp28.org/mission/\" target=\"_blank\" rel=\"noopener noreferrer\">BP28\u003c/a>, a charity that raises funds and awareness for pediatric cancer. The organization has so far raised $5.5 million for treatment and research, and has established partnerships with UCSF Benioff Children’s Hospital, North Carolina’s V Foundation and the Texas Children’s Hospital.\u003c/p>\n\u003cp>We can look at \u003ca href=\"https://www.mlb.com/player/buster-posey-457763\" target=\"_blank\" rel=\"noopener noreferrer\">Posey’s astonishing baseball stats\u003c/a> all day (and we should—it’s very satisfying), but it’s clear that this man has important goals off the field as well. Important enough to walk away from a $22 million option to stay on with the Giants. Since news leaked, late on Wednesday, that Posey was about to announce his retirement, fan responses have been sad, sure. But most of them have been rooted in pride and respect. That’s the result of Posey’s commitment to the San Francisco Giants on the field, and the compassionate way he lives his life off it. It’s born from his skills as a ballplayer, but also of his supreme likability as a human.\u003c/p>\n\u003cp>Fans might not want to see him go, but the gratitude held for Posey and what he did in the course of his career with the Giants is palpable today.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Posey’s former teammate \u003ca href=\"https://www.nbcsports.com/bayarea/giants/buster-poseys-reaction-game-162-hinted-retirement-sergio-romo\" target=\"_blank\" rel=\"noopener noreferrer\">Sergio Romo shared in an interview\u003c/a> on Wednesday that he’d recently noticed a shift in Posey’s demeanor on the field. “This was something that was like, ‘Wow, I wouldn’t be surprised if he decided to walk home and do the family thing,’” Romo said. “Here he is. He is deciding to do the family thing. In a sense, it wasn’t surprising, but it is surprising from a fan standpoint because the guy has a lot of baseball left, in my opinion.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Tellingly, during Thursday’s press conference, Posey’s long list of thanks to everyone who’d helped him achieve his “lifelong dream of becoming a professional baseball player” started with his family. He struggled to hold back tears while talking about the love and support Kristen has offered him throughout his career. He told his children, “Being your dad is the greatest joy in my life.” Then he thanked his parents, “for teaching me the responsibility for caring for other people.”\u003c/p>\n\u003cp>Throughout his speech, though he referenced the Giants’ considerable achievements during his tenure, Posey’s focus remained on family. When thanking his teammates, he mentioned the “Good men, good husbands and good fathers” he had played alongside. And when he talked about baseball itself, he did so through the lens of what it means to the families and friends that attend the games.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Baseball is a vessel that can be used to make wonderful memories,” Posey said, “but ultimately it’s not what defines you.”\u003c/p>\n\u003cfigure id=\"attachment_13905866\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13905866\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/11/GettyImages-1345603474-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/GettyImages-1345603474-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/GettyImages-1345603474-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/GettyImages-1345603474-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/GettyImages-1345603474-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/GettyImages-1345603474-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/GettyImages-1345603474-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/11/GettyImages-1345603474-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Buster Posey during Game 1 of the National League Division Series against the Dodgers, at Oracle Park. Oct. 8, 2021. \u003ccite>(Ezra Shaw/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\n\u003c/div>\u003c/p>",
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"title": "Mort Sahl, Revolutionary Political Satirist, Dies at 94 in Mill Valley",
"headTitle": "Mort Sahl, Revolutionary Political Satirist, Dies at 94 in Mill Valley | KQED",
"content": "\u003cfigure id=\"attachment_13905301\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/MortSahl.fullsize-1020x1266.jpg\" alt=\"Comedian Mort Sahl cracks a joke at a press conference in London on July 10, 1961.\" width=\"640\" height=\"794\" class=\"size-large wp-image-13905301\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/MortSahl.fullsize-1020x1266.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/MortSahl.fullsize-800x993.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/MortSahl.fullsize-160x199.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/MortSahl.fullsize-768x953.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/MortSahl.fullsize-1238x1536.jpg 1238w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/MortSahl.fullsize.jpg 1400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Comedian Mort Sahl cracks a joke at a press conference in London on July 10, 1961.\u003cbr> \u003ccite>(Keystone/Hulton Archive/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Satirist Mort Sahl, who helped revolutionize stand-up comedy during the Cold War with his running commentary on politicians and current events and became a favorite of a new, restive generation of Americans, died Tuesday. He was 94.\u003c/p>\n\u003cp>His friend Lucy Mercer said that he died “peacefully” at his home in Mill Valley, California. The cause was “old age,” she said.\u003c/p>\n\u003cp>During an era when many comedians dressed in tuxedos and told mother-in-law jokes, Sahl faced his audiences in the ’50s and ’60s wearing slacks, a sweater and an unbuttoned collar and carrying a rolled-up newspaper on which he had pasted notes for his act. Reading news items as if seated across from you at the kitchen table, he made his inevitably cutting comments, often joining the laughter with a horsey bellow of his own and ending his routines by inquiring: “Is there any group I haven’t offended yet?”\u003c/p>\n\u003cp>“Every comedian who is not doing wife jokes has to thank him for that,” actor-comedian Albert Brooks told The Associated Press in 2007. “He really was the first, even before Lenny Bruce, in terms of talking about stuff, not just doing punch lines.”\u003c/p>\n\u003cp>Sahl took pride in having mocked every president from Dwight Eisenhower to Donald Trump, although he acknowledged he privately admired Democrat John F. Kennedy and counted Republican Ronald Reagan among his closest friends. Of President George W. Bush, he observed: “He’s born again, you know. Which would raise the inevitable question: If you were given the unusual opportunity to be born again, why would you come back as George Bush?”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Sahl became famous in 1953 at San Francisco’s hungry i (the i stood for intellectual), the perfect place for a comedian of his type. The city was a meeting ground for beatniks and college activists, and they crowded into the tiny club to hear someone who spoke to their disdain for the status quo. Word spread quickly about the young comedian with the distinctive style. Soon Sahl was earning $7,500 a week at nightclubs across the nation and appearing on television with Steve Allen and Jack Paar. He \u003ca href=\"http://content.time.com/time/covers/0,16641,19600815,00.html\" rel=\"noopener noreferrer\" target=\"_blank\">made the cover of Time magazine\u003c/a> in 1960 and was profiled in The New Yorker.\u003c/p>\n\u003cfigure id=\"attachment_13905300\" class=\"wp-caption aligncenter\" style=\"max-width: 485px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/MortSahl1960.jpg\" alt=\"Mort Sahl's albums for the Verve label, including 'Mort Sahl 1960 or Look Forward in Anger,' shared a sensibility with the label's jazz artists.\" width=\"485\" height=\"476\" class=\"size-full wp-image-13905300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/MortSahl1960.jpg 485w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/MortSahl1960-160x157.jpg 160w\" sizes=\"(max-width: 485px) 100vw, 485px\">\u003cfigcaption class=\"wp-caption-text\">Mort Sahl’s albums for the Verve label, including ‘Mort Sahl 1960 or Look Forward in Anger,’ shared a sensibility with the label’s jazz artists. \u003ccite>(Verve Records/MGM)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A new generation of comedians, including Bill Cosby, George Carlin and the team of Mike Nichols and Elaine May, was inspired by Sahl. David Letterman continued the iconoclastic tradition, and more recently Jon Stewart, Stephen Colbert and John Oliver. Woody Allen would liken his work to the jazz of Charlie Parker and reviewers compared him to Will Rogers, who had tweaked politicians in a gentler manner.\u003c/p>\n\u003cp>“I don’t have the image of myself as a comedian,” Sahl himself said. “I never said I was one. I just sort of tell the truth and everybody breaks up along the way.”\u003c/p>\n\u003cp>Sahl was cast as a wisecracking GI in two war movies, \u003cem>In Love and War\u003c/em> (1958) and \u003cem>All the Young Men\u003c/em> (1960). He starred in his own TV special. His comedy albums on the jazz record label Verve became best sellers. At the Academy Awards in 1959, he was co-host along with Bob Hope, Laurence Olivier, Jerry Lewis and others. Fearing he would seem to be joining the establishment, Sahl cracked: “We’ve just lost the college crowd; all across the country they’re yelling, ‘Sellout!’”\u003c/p>\n\u003cp>[aside label='More Mort Sahl' link1='https://www.npr.org/templates/story/story.php?storyId=93736024,Mort Sahl on Fresh Air']In the 1980s he frequently ridiculed his friend Reagan, but he said the president was never offended.\u003c/p>\n\u003cp>“If you’re his friend, it doesn’t matter if you’re an escaped con,” Sahl once said of Reagan. Democrats, he added, were often not as forgiving. In the 1990s, Sahl had fallen out of favor with them when he complained that President Bill Clinton’s only lasting legacy would be his affair with White House intern Monica Lewinsky.\u003c/p>\n\u003cp>“A lot of people I have met in the Democratic Party are extremely expedient,” he said. “Once it’s over, they don’t want to know you. Of course, that’s not generic to the Democrats.”\u003c/p>\n\u003cp>Sahl thought so highly of Kennedy, however, that he even wrote jokes for him on the campaign trail, including one which inspired JFK’s quip at his own expense — about a telegram from his wealthy father. “Don’t buy a single more vote than is necessary. I’ll be d—ed if I’m going to pay for a landslide.”\u003c/p>\n\u003cp>But when Kennedy was assassinated in 1963, Sahl was devastated and the tragedy foreshadowed a decline in the comedian’s fortunes that lasted for years. He quickly became convinced that Kennedy had been killed as part of a CIA plot and he accused the government of staging a massive cover-up. He devoted much of his monologues to reading long passages from the report by the government’s Warren Commission, which had been appointed to investigate the assassination. Audiences stopped laughing and his bookings plummeted.\u003c/p>\n\u003cp>Sahl also suffered a personal tragedy in 1996 when his only child, Morton Jr., died at age 19. Ten years later, the subject was so raw that mention of his son’s name could bring him to tears.\u003c/p>\n\u003cp>“My kid was like a more human version of me,” he once said.\u003c/p>\n\u003cfigure id=\"attachment_13905302\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/1000-800x581.jpg\" alt='Comedian Mort Sahl poses for photographs at the 80th Birthday \"Sahl-ute\" honoring him, in Los Angeles on June 28, 2007. Sahl, who helped revolutionize stand-up comedy during the Cold War with his running commentary on politicians and current events died Tuesday, Oct. 26. 2021. He was 94. His friend Lucy Mercer said that he died \"peacefully\" at his home in Mill Valley, Calif. ' width=\"800\" height=\"581\" class=\"size-medium wp-image-13905302\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/1000-800x581.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/1000-160x116.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/1000-768x558.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/1000.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Comedian Mort Sahl poses for photographs at the 80th Birthday “Sahl-ute” honoring him, in Los Angeles on June 28, 2007. Sahl, who helped revolutionize stand-up comedy during the Cold War with his running commentary on politicians and current events died Tuesday, Oct. 26. 2021. He was 94. His friend Lucy Mercer said that he died “peacefully” at his home in Mill Valley, Calif. \u003ccite>(AP Photo/Ann Johansson, File)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Through the tough times, he continued to work the college circuit and small clubs. Although he never regained his former stature, he eventually returned to making a comfortable living with comedy\u003c/p>\n\u003cp>He continued to carry his newspaper on stage with him, although as the 21st century dawned he joked that he should probably have replaced it with a laptop.\u003c/p>\n\u003cp>At age 80 he also began teaching a class in critical thinking at Southern California’s prestigious Claremont McKenna College.\u003c/p>\n\u003cp>It was a return to the academic life Sahl had known decades earlier when he earned a degree in urban planning from the University of Southern California in 1950.\u003c/p>\n\u003cp>Putting plans for graduate study on hold, he decided to make money writing jokes for comedians. He took to the stage himself, he once said, when he discovered the ones he was writing for were “too dumb” to get the material.\u003c/p>\n\u003cp>Morton Lyon Sahl was born on May 11, 1927, in Montreal, to a Canadian mother and a New York father who managed a tobacco shop. The family moved to the United States where Sahl’s father, Harry, worked for the Department of Justice in various cities.\u003c/p>\n\u003cp>They eventually settled in Los Angeles, where young Morton joined his high school ROTC program and excelled at speech. His mother said he had started to talk at 7 months and by age 10 already spoke like a man of 30.\u003c/p>\n\u003cp>After high school, Sahl joined the Air Force, spending 31 months at a remote Alaskan airfield where he edited the post newspaper, Poop from the Group. Discharged in 1947, he entered college.\u003c/p>\n\u003cp>He took on a number of jobs before his girlfriend, Sue Berber, persuaded him to audition for the hungry i in 1953.\u003c/p>\n\u003cp>The couple married two years later but divorced in 1957. Sahl married his second wife, former Playboy Playmate China Lee, in 1967. They also divorced.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Late Associated Press writer Bob Thomas contributed biographical information to this report. AP National Writer Hillel Italie and retired Associated Press writer John Rogers also contributed.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13905301\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/MortSahl.fullsize-1020x1266.jpg\" alt=\"Comedian Mort Sahl cracks a joke at a press conference in London on July 10, 1961.\" width=\"640\" height=\"794\" class=\"size-large wp-image-13905301\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/MortSahl.fullsize-1020x1266.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/MortSahl.fullsize-800x993.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/MortSahl.fullsize-160x199.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/MortSahl.fullsize-768x953.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/MortSahl.fullsize-1238x1536.jpg 1238w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/MortSahl.fullsize.jpg 1400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Comedian Mort Sahl cracks a joke at a press conference in London on July 10, 1961.\u003cbr> \u003ccite>(Keystone/Hulton Archive/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Satirist Mort Sahl, who helped revolutionize stand-up comedy during the Cold War with his running commentary on politicians and current events and became a favorite of a new, restive generation of Americans, died Tuesday. He was 94.\u003c/p>\n\u003cp>His friend Lucy Mercer said that he died “peacefully” at his home in Mill Valley, California. The cause was “old age,” she said.\u003c/p>\n\u003cp>During an era when many comedians dressed in tuxedos and told mother-in-law jokes, Sahl faced his audiences in the ’50s and ’60s wearing slacks, a sweater and an unbuttoned collar and carrying a rolled-up newspaper on which he had pasted notes for his act. Reading news items as if seated across from you at the kitchen table, he made his inevitably cutting comments, often joining the laughter with a horsey bellow of his own and ending his routines by inquiring: “Is there any group I haven’t offended yet?”\u003c/p>\n\u003cp>“Every comedian who is not doing wife jokes has to thank him for that,” actor-comedian Albert Brooks told The Associated Press in 2007. “He really was the first, even before Lenny Bruce, in terms of talking about stuff, not just doing punch lines.”\u003c/p>\n\u003cp>Sahl took pride in having mocked every president from Dwight Eisenhower to Donald Trump, although he acknowledged he privately admired Democrat John F. Kennedy and counted Republican Ronald Reagan among his closest friends. Of President George W. Bush, he observed: “He’s born again, you know. Which would raise the inevitable question: If you were given the unusual opportunity to be born again, why would you come back as George Bush?”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Sahl became famous in 1953 at San Francisco’s hungry i (the i stood for intellectual), the perfect place for a comedian of his type. The city was a meeting ground for beatniks and college activists, and they crowded into the tiny club to hear someone who spoke to their disdain for the status quo. Word spread quickly about the young comedian with the distinctive style. Soon Sahl was earning $7,500 a week at nightclubs across the nation and appearing on television with Steve Allen and Jack Paar. He \u003ca href=\"http://content.time.com/time/covers/0,16641,19600815,00.html\" rel=\"noopener noreferrer\" target=\"_blank\">made the cover of Time magazine\u003c/a> in 1960 and was profiled in The New Yorker.\u003c/p>\n\u003cfigure id=\"attachment_13905300\" class=\"wp-caption aligncenter\" style=\"max-width: 485px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/MortSahl1960.jpg\" alt=\"Mort Sahl's albums for the Verve label, including 'Mort Sahl 1960 or Look Forward in Anger,' shared a sensibility with the label's jazz artists.\" width=\"485\" height=\"476\" class=\"size-full wp-image-13905300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/MortSahl1960.jpg 485w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/MortSahl1960-160x157.jpg 160w\" sizes=\"(max-width: 485px) 100vw, 485px\">\u003cfigcaption class=\"wp-caption-text\">Mort Sahl’s albums for the Verve label, including ‘Mort Sahl 1960 or Look Forward in Anger,’ shared a sensibility with the label’s jazz artists. \u003ccite>(Verve Records/MGM)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A new generation of comedians, including Bill Cosby, George Carlin and the team of Mike Nichols and Elaine May, was inspired by Sahl. David Letterman continued the iconoclastic tradition, and more recently Jon Stewart, Stephen Colbert and John Oliver. Woody Allen would liken his work to the jazz of Charlie Parker and reviewers compared him to Will Rogers, who had tweaked politicians in a gentler manner.\u003c/p>\n\u003cp>“I don’t have the image of myself as a comedian,” Sahl himself said. “I never said I was one. I just sort of tell the truth and everybody breaks up along the way.”\u003c/p>\n\u003cp>Sahl was cast as a wisecracking GI in two war movies, \u003cem>In Love and War\u003c/em> (1958) and \u003cem>All the Young Men\u003c/em> (1960). He starred in his own TV special. His comedy albums on the jazz record label Verve became best sellers. At the Academy Awards in 1959, he was co-host along with Bob Hope, Laurence Olivier, Jerry Lewis and others. Fearing he would seem to be joining the establishment, Sahl cracked: “We’ve just lost the college crowd; all across the country they’re yelling, ‘Sellout!’”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>In the 1980s he frequently ridiculed his friend Reagan, but he said the president was never offended.\u003c/p>\n\u003cp>“If you’re his friend, it doesn’t matter if you’re an escaped con,” Sahl once said of Reagan. Democrats, he added, were often not as forgiving. In the 1990s, Sahl had fallen out of favor with them when he complained that President Bill Clinton’s only lasting legacy would be his affair with White House intern Monica Lewinsky.\u003c/p>\n\u003cp>“A lot of people I have met in the Democratic Party are extremely expedient,” he said. “Once it’s over, they don’t want to know you. Of course, that’s not generic to the Democrats.”\u003c/p>\n\u003cp>Sahl thought so highly of Kennedy, however, that he even wrote jokes for him on the campaign trail, including one which inspired JFK’s quip at his own expense — about a telegram from his wealthy father. “Don’t buy a single more vote than is necessary. I’ll be d—ed if I’m going to pay for a landslide.”\u003c/p>\n\u003cp>But when Kennedy was assassinated in 1963, Sahl was devastated and the tragedy foreshadowed a decline in the comedian’s fortunes that lasted for years. He quickly became convinced that Kennedy had been killed as part of a CIA plot and he accused the government of staging a massive cover-up. He devoted much of his monologues to reading long passages from the report by the government’s Warren Commission, which had been appointed to investigate the assassination. Audiences stopped laughing and his bookings plummeted.\u003c/p>\n\u003cp>Sahl also suffered a personal tragedy in 1996 when his only child, Morton Jr., died at age 19. Ten years later, the subject was so raw that mention of his son’s name could bring him to tears.\u003c/p>\n\u003cp>“My kid was like a more human version of me,” he once said.\u003c/p>\n\u003cfigure id=\"attachment_13905302\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/1000-800x581.jpg\" alt='Comedian Mort Sahl poses for photographs at the 80th Birthday \"Sahl-ute\" honoring him, in Los Angeles on June 28, 2007. Sahl, who helped revolutionize stand-up comedy during the Cold War with his running commentary on politicians and current events died Tuesday, Oct. 26. 2021. He was 94. His friend Lucy Mercer said that he died \"peacefully\" at his home in Mill Valley, Calif. ' width=\"800\" height=\"581\" class=\"size-medium wp-image-13905302\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/1000-800x581.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/1000-160x116.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/1000-768x558.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/1000.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Comedian Mort Sahl poses for photographs at the 80th Birthday “Sahl-ute” honoring him, in Los Angeles on June 28, 2007. Sahl, who helped revolutionize stand-up comedy during the Cold War with his running commentary on politicians and current events died Tuesday, Oct. 26. 2021. He was 94. His friend Lucy Mercer said that he died “peacefully” at his home in Mill Valley, Calif. \u003ccite>(AP Photo/Ann Johansson, File)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Through the tough times, he continued to work the college circuit and small clubs. Although he never regained his former stature, he eventually returned to making a comfortable living with comedy\u003c/p>\n\u003cp>He continued to carry his newspaper on stage with him, although as the 21st century dawned he joked that he should probably have replaced it with a laptop.\u003c/p>\n\u003cp>At age 80 he also began teaching a class in critical thinking at Southern California’s prestigious Claremont McKenna College.\u003c/p>\n\u003cp>It was a return to the academic life Sahl had known decades earlier when he earned a degree in urban planning from the University of Southern California in 1950.\u003c/p>\n\u003cp>Putting plans for graduate study on hold, he decided to make money writing jokes for comedians. He took to the stage himself, he once said, when he discovered the ones he was writing for were “too dumb” to get the material.\u003c/p>\n\u003cp>Morton Lyon Sahl was born on May 11, 1927, in Montreal, to a Canadian mother and a New York father who managed a tobacco shop. The family moved to the United States where Sahl’s father, Harry, worked for the Department of Justice in various cities.\u003c/p>\n\u003cp>They eventually settled in Los Angeles, where young Morton joined his high school ROTC program and excelled at speech. His mother said he had started to talk at 7 months and by age 10 already spoke like a man of 30.\u003c/p>\n\u003cp>After high school, Sahl joined the Air Force, spending 31 months at a remote Alaskan airfield where he edited the post newspaper, Poop from the Group. Discharged in 1947, he entered college.\u003c/p>\n\u003cp>He took on a number of jobs before his girlfriend, Sue Berber, persuaded him to audition for the hungry i in 1953.\u003c/p>\n\u003cp>The couple married two years later but divorced in 1957. Sahl married his second wife, former Playboy Playmate China Lee, in 1967. They also divorced.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg\" alt=\"\" width=\"400\" height=\"39\" class=\"aligncenter size-full wp-image-12904247\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-160x16.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-240x23.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Q.Logo_.Break_-400x39-375x37.jpg 375w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>As questions linger about safety protocols on the movie set where Alec Baldwin killed a cinematographer with a prop gun he’d been told was safe, Hollywood professionals say they’re baffled by the circumstances and production crews have quickly stepped up safety measures.\u003c/p>\n\u003cp>Jeffrey Wright, who has worked on projects including the James Bond franchise and the upcoming movie \u003cem>The Batman\u003c/em>, was acting with a weapon on the set of \u003cem>Westworld\u003c/em> when news broke of the shooting Thursday at a New Mexico ranch. “We were all pretty shocked. And it informed what we did from that moment on,” he said in an interview Sunday at the Newport Beach Film Festival.\u003c/p>\n\u003cp>“I don’t recall ever being handed a weapon that was not cleared in front of me—meaning chamber open, barrel shown to me, light flashed inside the barrel to make sure that it’s cleared,” Wright said. “Clearly, that was a mismanaged set.”\u003c/p>\n\u003cp>The shooting on the set of the film \u003cem>Rust\u003c/em> killed 42-year-old Halyna Hutchins and wounded director Joel Souza, who was standing behind her.\u003c/p>\n\u003cp>The gun Baldwin used was one of three that a firearms specialist, or “armorer,” had set on a cart outside the building where a scene was being rehearsed, according to court records. Assistant director Dave Halls grabbed a gun off a cart and handed it to Baldwin, indicating that the weapon was safe by yelling “cold gun,” court papers say. But it was loaded with live rounds, according to the records.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Baldwin, 63, who is known for his roles in \u003cem>30 Rock\u003c/em> and \u003cem>The Hunt for Red October\u003c/em> and his impression of former President Donald Trump on \u003cem>Saturday Night Live\u003c/em>, has described the killing as a “tragic accident.”\u003c/p>\n\u003cp>\u003cem>The Umbrella Academy\u003c/em> actor Justin Min, also at the Newport festival, said “it’s been a very somber time” in recent days on set as he’s been filming the indie thriller, \u003cem>Detained\u003c/em>.\u003c/p>\n\u003cp>“After that—I mean we have obviously already been careful, but it’s just another level of precaution,” Min said.\u003c/p>\n\u003cp>A prop maker and licensed pyrotechnician who worked with Halls, the assistant director, on another production said she had raised safety concerns about him in the past.\u003c/p>\n\u003cp>[aside postid='arts_13905062']Maggie Goll said in a statement that she filed an internal complaint with the executive producers of Hulu’s \u003cem>Into the Dark\u003c/em> series in 2019 over concerns about Halls’ behavior on set. Goll said in a phone interview Sunday that Halls disregarded safety protocols for weapons and pyrotechnics and tried to continue filming after the supervising pyrotechnician lost consciousness on set.\u003c/p>\n\u003cp>Halls has not returned phone calls and email messages seeking comment. Rust Movie Productions has not answered repeated emails seeking comment.\u003c/p>\n\u003cp>The fatal shooting and previous experiences point to larger safety issues that need to be addressed, Goll said, adding that crew member safety and wellbeing are top issues in ongoing contract negotiations between a union that represents film and TV workers and a major producers’ group.\u003c/p>\n\u003cp>“This situation is not about Dave Halls. … It’s in no way one person’s fault,” she said. “It’s a bigger conversation about safety on set and what we are trying to achieve with that culture.”\u003c/p>\n\u003cp>A vigil for Hutchins was held Sunday in Southern California, where attendees exchanged tearful hugs and speakers echoed calls for heightened safety standards.\u003c/p>\n\u003cp>Actor Rosanna Arquette joined many in Hollywood in calling for a move away from using real weapons, whether armed with blanks or bullets.\u003c/p>\n\u003cp>“I hope this wakes people up. Because there should be no live round anything ever on a movie. We have enough CGI, we have enough—it’s absurd,” she said. “All of us are shaken to the core in the industry about this.”\u003c/p>\n\u003cp>Actor Ray Liotta agreed with Wright that the checks on firearms are usually extensive.\u003c/p>\n\u003cp>“They always—that I know of—they check it so you can see,” Liotta said. “They give it to the person you’re pointing the gun at, they do it to the producer, they show whoever is there that it doesn’t work.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Baldwin, who is a producer on \u003cem>Rust\u003c/em>, met with Hutchins’ husband and 9-year-old son Saturday at a hotel in Santa Fe where the actor had been staying during filming. Baldwin and Hutchins’ husband can be seen embracing in a photo published by the \u003cem>New York Post\u003c/em>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Baldwin, 63, who is known for his roles in \u003cem>30 Rock\u003c/em> and \u003cem>The Hunt for Red October\u003c/em> and his impression of former President Donald Trump on \u003cem>Saturday Night Live\u003c/em>, has described the killing as a “tragic accident.”\u003c/p>\n\u003cp>\u003cem>The Umbrella Academy\u003c/em> actor Justin Min, also at the Newport festival, said “it’s been a very somber time” in recent days on set as he’s been filming the indie thriller, \u003cem>Detained\u003c/em>.\u003c/p>\n\u003cp>“After that—I mean we have obviously already been careful, but it’s just another level of precaution,” Min said.\u003c/p>\n\u003cp>A prop maker and licensed pyrotechnician who worked with Halls, the assistant director, on another production said she had raised safety concerns about him in the past.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Maggie Goll said in a statement that she filed an internal complaint with the executive producers of Hulu’s \u003cem>Into the Dark\u003c/em> series in 2019 over concerns about Halls’ behavior on set. Goll said in a phone interview Sunday that Halls disregarded safety protocols for weapons and pyrotechnics and tried to continue filming after the supervising pyrotechnician lost consciousness on set.\u003c/p>\n\u003cp>Halls has not returned phone calls and email messages seeking comment. Rust Movie Productions has not answered repeated emails seeking comment.\u003c/p>\n\u003cp>The fatal shooting and previous experiences point to larger safety issues that need to be addressed, Goll said, adding that crew member safety and wellbeing are top issues in ongoing contract negotiations between a union that represents film and TV workers and a major producers’ group.\u003c/p>\n\u003cp>“This situation is not about Dave Halls. … It’s in no way one person’s fault,” she said. “It’s a bigger conversation about safety on set and what we are trying to achieve with that culture.”\u003c/p>\n\u003cp>A vigil for Hutchins was held Sunday in Southern California, where attendees exchanged tearful hugs and speakers echoed calls for heightened safety standards.\u003c/p>\n\u003cp>Actor Rosanna Arquette joined many in Hollywood in calling for a move away from using real weapons, whether armed with blanks or bullets.\u003c/p>\n\u003cp>“I hope this wakes people up. Because there should be no live round anything ever on a movie. We have enough CGI, we have enough—it’s absurd,” she said. “All of us are shaken to the core in the industry about this.”\u003c/p>\n\u003cp>Actor Ray Liotta agreed with Wright that the checks on firearms are usually extensive.\u003c/p>\n\u003cp>“They always—that I know of—they check it so you can see,” Liotta said. “They give it to the person you’re pointing the gun at, they do it to the producer, they show whoever is there that it doesn’t work.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Baldwin, who is a producer on \u003cem>Rust\u003c/em>, met with Hutchins’ husband and 9-year-old son Saturday at a hotel in Santa Fe where the actor had been staying during filming. Baldwin and Hutchins’ husband can be seen embracing in a photo published by the \u003cem>New York Post\u003c/em>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "A Prop Gun Fired by Alec Baldwin Killed a Crew Member on Set, Sheriff Says",
"headTitle": "A Prop Gun Fired by Alec Baldwin Killed a Crew Member on Set, Sheriff Says | KQED",
"content": "\u003cp>Actor Alec Baldwin discharged a prop firearm on a movie set near Santa Fe, killing the film’s director of photography and injuring the director, according to the sheriff’s office of Santa Fe County, N.M.\u003c/p>\n\u003cp>\u003ca href=\"https://www.npr.org/2021/10/22/1048377659/halyna-hutchins-cinematographer-killed-on-a-film-set-is-honored-by-colleagues\" target=\"_blank\" rel=\"noopener noreferrer\">Halyna Hutchins\u003c/a>, 42, was airlifted Thursday afternoon, to the University of New Mexico hospital, where she was pronounced dead. Director Joel Souza, 48, was being cared for at Christus St. Vincent Medical Center as of Thursday evening.\u003c/p>\n\u003cp>Deputies responded about 2 p.m. to the \u003cem>Rust\u003c/em> movie set at the Bonanza Creek Ranch after 911 calls came in of a person being shot on set, Juan Rios, a spokesman for the sheriff said.\u003c/p>\n\u003cp>“According to investigators, it appears that the scene being filmed involved the use of a prop firearm when it was discharged,” sheriff’s spokesman Rios told the \u003cem>Albuquerque Journal\u003c/em>. “\u003ca href=\"https://www.npr.org/2021/10/22/1048395324/alec-baldwin-rust-movie-shooting-prop-gun-halyna-hutchins\" target=\"_blank\" rel=\"noopener noreferrer\">Detectives are investigating\u003c/a> how and what type of projectile was discharged.”\u003c/p>\n\u003cp>The investigation is ongoing and authorities say no charges have been filed in this incident, the sheriff’s office said. Detectives are continuing to interview witnesses.\u003c/p>\n\u003cfigure id=\"attachment_13905063\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13905063\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Screen-Shot-2021-10-21-at-11.17.02-PM-800x448.png\" alt=\"\" width=\"800\" height=\"448\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Screen-Shot-2021-10-21-at-11.17.02-PM-800x448.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Screen-Shot-2021-10-21-at-11.17.02-PM-1020x572.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Screen-Shot-2021-10-21-at-11.17.02-PM-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Screen-Shot-2021-10-21-at-11.17.02-PM-768x430.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Screen-Shot-2021-10-21-at-11.17.02-PM-1536x861.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Screen-Shot-2021-10-21-at-11.17.02-PM.png 1674w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Santa Fe County Sheriff’s Officers respond to the scene of the shooting. \u003ccite>(Luis Sanchez-Saturno/Santa Fe New Mexican via AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Production has so far been halted on the Western movie, which is being directed by Souza with Baldwin producing and starring.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>A spokesperson for Baldwin said only there was an accident on the set involving the misfire of a prop gun with blanks.\u003c/p>\n\u003cp>A publicist and manager contacted by NPR for further comment didn’t immediately respond.\u003c/p>\n\u003cp>The \u003ca href=\"https://www.santafenewmexican.com/news/local_news/sheriffs-office-alec-baldwins-prop-firearm-kills-one-injures-another/article_9612afc6-32c5-11ec-9e2e-e3cc47b69ce5.html\" target=\"_blank\" rel=\"noopener noreferrer\">Santa Fe New Mexican reported\u003c/a> Baldwin was seen Thursday outside the sheriff’s office in tears, but attempts to get a comment from him were unsuccessful.\u003c/p>\n\u003ch2>Unions call for a continued investigation\u003c/h2>\n\u003cp>SAG-AFTRA President Fran Drescher and National Executive Director Duncan Crabtree-Ireland \u003ca href=\"https://www.sagaftra.org/statement-regarding-accident-set-rust\" target=\"_blank\" rel=\"noopener noreferrer\">said in a statement\u003c/a> that the union was “devastated” by the tragic incident.\u003c/p>\n\u003cp>“This is still an active investigation and we do not yet have all the facts,” they said in a statement. “We will continue to work with production, the other unions and the authorities to investigate this incident and to understand how to prevent such a thing from happening again.”\u003c/p>\n\u003cp>The Cinematographers Guild, of which Hutchins was a member, said the group was mourning her loss.\u003c/p>\n\u003cp>The Guild’s National President, John Lindley, and National Executive Director, Rebecca Rhine \u003ca href=\"https://deadline.com/2021/10/alec-baldwin-movie-fatal-shooting-director-crew-member-dead-rust-1234860500/\" target=\"_blank\" rel=\"noopener noreferrer\">said in a statement shared with \u003cem>Deadline\u003c/em>\u003c/a>: “The details are unclear at this moment, but we are working to learn more, and we support a full investigation into this tragic event.”\u003c/p>\n\u003cp>Hutchins, who was originally from Ukraine, graduated from the AFI conservatory in 2015. She was selected as one of American Cinematographer’s Rising Stars of 2019, \u003ca href=\"http://www.halynahutchinsdp.com/bio\" target=\"_blank\" rel=\"noopener noreferrer\">according to her website\u003c/a>.\u003c/p>\n\u003cp>On her Instagram account, Hutchins shared video of her riding a horse during the filming of \u003cem>Rust\u003c/em> and a group photo of the crew on set, in which Baldwin is included.\u003c/p>\n\u003cp>https://www.instagram.com/p/CVOR_F9jZ0c/\u003c/p>\n\u003cp>Her recent work includes the superhero action film \u003cem>Archenemy\u003c/em>, starring Joe Manganiello, and \u003cem>Blindfire\u003c/em>.\u003c/p>\n\u003cp>Filming for \u003cem>Rust\u003c/em> was set to continue into early November, according to a news release from the New Mexico Film Office.\u003c/p>\n\u003cp>The movie is about a 13-year-old boy who is left to fend for himself and his younger brother following the death of their parents in 1880s Kansas, according to the Internet Movie Database website. The teen goes on the run with his long-estranged grandfather (played by Baldwin) after the boy is sentenced to hang for the accidental killing of a local rancher.\u003c/p>\n\u003cp>\u003ca href=\"https://www.npr.org/2021/10/22/1048295916/props-gun-death-injuries-rust-movie-set-rare\" target=\"_blank\" rel=\"noopener noreferrer\">Incidents on movie or television sets\u003c/a> in which someone is killed or injured by a prop firearm are rare.\u003c/p>\n\u003cp>One such incident came in 1993, when Brandon Lee, 28, son of the late martial-arts star Bruce Lee, died after being hit by a .44-caliber slug while filming a death scene for the movie \u003cem>The Crow\u003c/em>. The gun was supposed to have fired a blank, but an autopsy turned up a bullet lodged near his spine.\u003c/p>\n\u003cp>[aside postid='arts_13905008']The accident on \u003cem>Rust\u003c/em> occurred on the same day that \u003ca href=\"https://www.instagram.com/rubyrose/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Ruby Rose posted a statement to their Instagram Stories\u003c/a> stating that their working environment on CW’s \u003cem>Batwoman\u003c/em> had been unsafe. Rose claimed that, in addition to being forced to go back to work too soon after an on-set injury and subsequent surgery, one stunt left her with a cut so close to her eye she feared being blinded.\u003c/p>\n\u003cp>Rose said that one “crew member got third degree burns over his whole body,” and that a P.A. “was left quadriplegic, and they tried to blame it on her being on her phone.”\u003c/p>\n\u003cp>Just last week, the International Alliance of Theatrical Stage Employees \u003ca href=\"https://www.npr.org/2021/10/17/1046905246/iatse-vice-president-believes-tentative-deal-will-be-overwhelmingly-ratified\" target=\"_blank\" rel=\"noopener noreferrer\">(IATSE) struck a deal with Hollywood studios\u003c/a> for better working conditions for production workers on movie and TV sets. The deal averted a labor strike.\u003c/p>\n\u003cp>\u003cem>KQED’s Rae Alexandra contributed reporting.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org/\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Actor Alec Baldwin discharged a prop firearm on a movie set near Santa Fe, killing the film’s director of photography and injuring the director, according to the sheriff’s office of Santa Fe County, N.M.\u003c/p>\n\u003cp>\u003ca href=\"https://www.npr.org/2021/10/22/1048377659/halyna-hutchins-cinematographer-killed-on-a-film-set-is-honored-by-colleagues\" target=\"_blank\" rel=\"noopener noreferrer\">Halyna Hutchins\u003c/a>, 42, was airlifted Thursday afternoon, to the University of New Mexico hospital, where she was pronounced dead. Director Joel Souza, 48, was being cared for at Christus St. Vincent Medical Center as of Thursday evening.\u003c/p>\n\u003cp>Deputies responded about 2 p.m. to the \u003cem>Rust\u003c/em> movie set at the Bonanza Creek Ranch after 911 calls came in of a person being shot on set, Juan Rios, a spokesman for the sheriff said.\u003c/p>\n\u003cp>“According to investigators, it appears that the scene being filmed involved the use of a prop firearm when it was discharged,” sheriff’s spokesman Rios told the \u003cem>Albuquerque Journal\u003c/em>. “\u003ca href=\"https://www.npr.org/2021/10/22/1048395324/alec-baldwin-rust-movie-shooting-prop-gun-halyna-hutchins\" target=\"_blank\" rel=\"noopener noreferrer\">Detectives are investigating\u003c/a> how and what type of projectile was discharged.”\u003c/p>\n\u003cp>The investigation is ongoing and authorities say no charges have been filed in this incident, the sheriff’s office said. Detectives are continuing to interview witnesses.\u003c/p>\n\u003cfigure id=\"attachment_13905063\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13905063\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/Screen-Shot-2021-10-21-at-11.17.02-PM-800x448.png\" alt=\"\" width=\"800\" height=\"448\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Screen-Shot-2021-10-21-at-11.17.02-PM-800x448.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Screen-Shot-2021-10-21-at-11.17.02-PM-1020x572.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Screen-Shot-2021-10-21-at-11.17.02-PM-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Screen-Shot-2021-10-21-at-11.17.02-PM-768x430.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Screen-Shot-2021-10-21-at-11.17.02-PM-1536x861.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/Screen-Shot-2021-10-21-at-11.17.02-PM.png 1674w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Santa Fe County Sheriff’s Officers respond to the scene of the shooting. \u003ccite>(Luis Sanchez-Saturno/Santa Fe New Mexican via AP)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Production has so far been halted on the Western movie, which is being directed by Souza with Baldwin producing and starring.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A spokesperson for Baldwin said only there was an accident on the set involving the misfire of a prop gun with blanks.\u003c/p>\n\u003cp>A publicist and manager contacted by NPR for further comment didn’t immediately respond.\u003c/p>\n\u003cp>The \u003ca href=\"https://www.santafenewmexican.com/news/local_news/sheriffs-office-alec-baldwins-prop-firearm-kills-one-injures-another/article_9612afc6-32c5-11ec-9e2e-e3cc47b69ce5.html\" target=\"_blank\" rel=\"noopener noreferrer\">Santa Fe New Mexican reported\u003c/a> Baldwin was seen Thursday outside the sheriff’s office in tears, but attempts to get a comment from him were unsuccessful.\u003c/p>\n\u003ch2>Unions call for a continued investigation\u003c/h2>\n\u003cp>SAG-AFTRA President Fran Drescher and National Executive Director Duncan Crabtree-Ireland \u003ca href=\"https://www.sagaftra.org/statement-regarding-accident-set-rust\" target=\"_blank\" rel=\"noopener noreferrer\">said in a statement\u003c/a> that the union was “devastated” by the tragic incident.\u003c/p>\n\u003cp>“This is still an active investigation and we do not yet have all the facts,” they said in a statement. “We will continue to work with production, the other unions and the authorities to investigate this incident and to understand how to prevent such a thing from happening again.”\u003c/p>\n\u003cp>The Cinematographers Guild, of which Hutchins was a member, said the group was mourning her loss.\u003c/p>\n\u003cp>The Guild’s National President, John Lindley, and National Executive Director, Rebecca Rhine \u003ca href=\"https://deadline.com/2021/10/alec-baldwin-movie-fatal-shooting-director-crew-member-dead-rust-1234860500/\" target=\"_blank\" rel=\"noopener noreferrer\">said in a statement shared with \u003cem>Deadline\u003c/em>\u003c/a>: “The details are unclear at this moment, but we are working to learn more, and we support a full investigation into this tragic event.”\u003c/p>\n\u003cp>Hutchins, who was originally from Ukraine, graduated from the AFI conservatory in 2015. She was selected as one of American Cinematographer’s Rising Stars of 2019, \u003ca href=\"http://www.halynahutchinsdp.com/bio\" target=\"_blank\" rel=\"noopener noreferrer\">according to her website\u003c/a>.\u003c/p>\n\u003cp>On her Instagram account, Hutchins shared video of her riding a horse during the filming of \u003cem>Rust\u003c/em> and a group photo of the crew on set, in which Baldwin is included.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Her recent work includes the superhero action film \u003cem>Archenemy\u003c/em>, starring Joe Manganiello, and \u003cem>Blindfire\u003c/em>.\u003c/p>\n\u003cp>Filming for \u003cem>Rust\u003c/em> was set to continue into early November, according to a news release from the New Mexico Film Office.\u003c/p>\n\u003cp>The movie is about a 13-year-old boy who is left to fend for himself and his younger brother following the death of their parents in 1880s Kansas, according to the Internet Movie Database website. The teen goes on the run with his long-estranged grandfather (played by Baldwin) after the boy is sentenced to hang for the accidental killing of a local rancher.\u003c/p>\n\u003cp>\u003ca href=\"https://www.npr.org/2021/10/22/1048295916/props-gun-death-injuries-rust-movie-set-rare\" target=\"_blank\" rel=\"noopener noreferrer\">Incidents on movie or television sets\u003c/a> in which someone is killed or injured by a prop firearm are rare.\u003c/p>\n\u003cp>One such incident came in 1993, when Brandon Lee, 28, son of the late martial-arts star Bruce Lee, died after being hit by a .44-caliber slug while filming a death scene for the movie \u003cem>The Crow\u003c/em>. The gun was supposed to have fired a blank, but an autopsy turned up a bullet lodged near his spine.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The accident on \u003cem>Rust\u003c/em> occurred on the same day that \u003ca href=\"https://www.instagram.com/rubyrose/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Ruby Rose posted a statement to their Instagram Stories\u003c/a> stating that their working environment on CW’s \u003cem>Batwoman\u003c/em> had been unsafe. Rose claimed that, in addition to being forced to go back to work too soon after an on-set injury and subsequent surgery, one stunt left her with a cut so close to her eye she feared being blinded.\u003c/p>\n\u003cp>Rose said that one “crew member got third degree burns over his whole body,” and that a P.A. “was left quadriplegic, and they tried to blame it on her being on her phone.”\u003c/p>\n\u003cp>Just last week, the International Alliance of Theatrical Stage Employees \u003ca href=\"https://www.npr.org/2021/10/17/1046905246/iatse-vice-president-believes-tentative-deal-will-be-overwhelmingly-ratified\" target=\"_blank\" rel=\"noopener noreferrer\">(IATSE) struck a deal with Hollywood studios\u003c/a> for better working conditions for production workers on movie and TV sets. The deal averted a labor strike.\u003c/p>\n\u003cp>\u003cem>KQED’s Rae Alexandra contributed reporting.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org/\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cstrong>Update, Oct. 21, 1pm: \u003c/strong>A Department of Building Inspection spokesperson tells KQED that two inspectors visited the Chase Center and found it to be code compliant.\u003c/p>\n\u003cp>\u003cstrong>Original post:\u003c/strong>\u003c/p>\n\u003cp>The Phish concert at the Chase Center on Sunday, Oct. 17, ended in tragedy when \u003ca href=\"https://www.kqed.org/arts/13904786/man-falls-to-death-at-phish-concert-at-chase-center-2-others-injured\" target=\"_blank\" rel=\"noopener noreferrer\">one audience member died in a fall from a balcony\u003c/a>, and two others were injured in a separate fall less than an hour later.\u003c/p>\n\u003cp>The San Francisco Police Department tells KQED that it believes the first man, 47-year-old Ryan Prosser, leapt from an upper level of the arena. Police say they don’t believe the second man jumped intentionally, and multiple witnesses have described the incident as an accident. [aside postid='arts_13904786']\u003c/p>\n\u003cp>Now, some concertgoers are questioning whether the building is safe, and the city is investigating.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>According to public records, a person filed a complaint to the Department of Building Inspection on Oct. 18, describing steep staircases leading into low guardrails in the arena’s balcony sections, calling the layout “unsafe.” The name of the complainant was redacted in the report. As required for every complaint, the Department of Building Inspection will inspect the arena.\u003c/p>\n\u003cp>The Chase Center’s layout alarmed San Francisco physician Sara Sani, who was in the audience at the Oct. 17 concert and, before EMTs arrived, provided first aid to the man who survived his fall at 9:45pm.\u003c/p>\n\u003cp>“I went to the head of the person who had fallen and asked him some questions to see how he was doing and where he had injuries, and [I] stabilized his neck,” Sani tells KQED. “He was totally lucid and said his back hurt and that he couldn’t move his left leg.”\u003c/p>\n\u003cp>On stage \u003ca href=\"https://youtu.be/6mlyPUYE-bQ\" target=\"_blank\" rel=\"noopener noreferrer\">in Eugene, Oregon on Tuesday\u003c/a>, Phish’s Trey Anastasio identified the man as Keith Thompson, the husband of Carrie Thompson, the event manager for the band’s Sacramento concert last week. “We’re sending our love to everybody involved,” he said.\u003c/p>\n\u003cp>https://youtu.be/6mlyPUYE-bQ\u003c/p>\n\u003cp>Sani says Thompson’s brother had witnessed the fall and told her the fallen man slipped, tried to avoid some people and tumbled down.\u003c/p>\n\u003cp>“The rows are so steep that when he began to fall, there was no stopping,” a witness, Dan Fitzsimmons, told the \u003ca href=\"https://www.sfchronicle.com/bayarea/article/S-F-s-Chase-Center-assures-fans-arena-is-safe-16546252.php\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>San Francisco Chronicle\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Evan Reeves, who suffered a broken leg after Thompson landed on him, \u003ca href=\"https://sanfrancisco.cbslocal.com/2021/10/20/phish-fan-fall-upper-deck-chase-center-san-francisco/\" target=\"_blank\" rel=\"noopener noreferrer\">told KPIX\u003c/a> that he had moved down to a lower section before the incident because he didn’t feel safe dancing in the upper seats.\u003c/p>\n\u003cp>“To me, that’s a real structural concern,” Sani says. “It’s a public venue. People are going to have accidents whether they’re drinking or not. I’m worried people are going to fall and get injured and possibly die again if they don’t do something about that structural setup.”\u003c/p>\n\u003cp>Sani says she waited with the man for 5–10 minutes until EMTs arrived. “There wasn’t official medical personnel for quite a while, and you would hope and expect that they’d show up quickly at a big venue like that,” she says. “People can definitely have life-threatening injuries that can kill them quickly in any kind of fall.”\u003c/p>\n\u003cp>Sani says she was so rattled by the incident that she contacted the San Francisco Department of Public Health.\u003c/p>\n\u003cp>[pullquote citation='San Francisco physician Sara Sani' size='large']“I’m worried people are going to fall and get injured and possibly die again if they don’t do something about that structural setup.”[/pullquote]\u003c/p>\n\u003cp>KQED asked the Chase Center’s representatives whether the venue would make any kind of safety modifications in the wake of the two tragedies.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Chase Center is a safe, state-of-the-art arena that was built and is operated in accordance with all applicable safety requirements governing facilities of its kind,” wrote spokesperson Kimberly Veale in an email. “We went through a rigorous process with the Department of Building Inspection to obtain our requisite permits to open Chase Center. Further, DBI is conducting (and we are looking forward to) an additional inspection similar to the one the venue previously passed.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Update, Oct. 21, 1pm: \u003c/strong>A Department of Building Inspection spokesperson tells KQED that two inspectors visited the Chase Center and found it to be code compliant.\u003c/p>\n\u003cp>\u003cstrong>Original post:\u003c/strong>\u003c/p>\n\u003cp>The Phish concert at the Chase Center on Sunday, Oct. 17, ended in tragedy when \u003ca href=\"https://www.kqed.org/arts/13904786/man-falls-to-death-at-phish-concert-at-chase-center-2-others-injured\" target=\"_blank\" rel=\"noopener noreferrer\">one audience member died in a fall from a balcony\u003c/a>, and two others were injured in a separate fall less than an hour later.\u003c/p>\n\u003cp>The San Francisco Police Department tells KQED that it believes the first man, 47-year-old Ryan Prosser, leapt from an upper level of the arena. Police say they don’t believe the second man jumped intentionally, and multiple witnesses have described the incident as an accident. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>According to public records, a person filed a complaint to the Department of Building Inspection on Oct. 18, describing steep staircases leading into low guardrails in the arena’s balcony sections, calling the layout “unsafe.” The name of the complainant was redacted in the report. As required for every complaint, the Department of Building Inspection will inspect the arena.\u003c/p>\n\u003cp>The Chase Center’s layout alarmed San Francisco physician Sara Sani, who was in the audience at the Oct. 17 concert and, before EMTs arrived, provided first aid to the man who survived his fall at 9:45pm.\u003c/p>\n\u003cp>“I went to the head of the person who had fallen and asked him some questions to see how he was doing and where he had injuries, and [I] stabilized his neck,” Sani tells KQED. “He was totally lucid and said his back hurt and that he couldn’t move his left leg.”\u003c/p>\n\u003cp>On stage \u003ca href=\"https://youtu.be/6mlyPUYE-bQ\" target=\"_blank\" rel=\"noopener noreferrer\">in Eugene, Oregon on Tuesday\u003c/a>, Phish’s Trey Anastasio identified the man as Keith Thompson, the husband of Carrie Thompson, the event manager for the band’s Sacramento concert last week. “We’re sending our love to everybody involved,” he said.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/6mlyPUYE-bQ'\n title='//www.youtube.com/embed/6mlyPUYE-bQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Sani says Thompson’s brother had witnessed the fall and told her the fallen man slipped, tried to avoid some people and tumbled down.\u003c/p>\n\u003cp>“The rows are so steep that when he began to fall, there was no stopping,” a witness, Dan Fitzsimmons, told the \u003ca href=\"https://www.sfchronicle.com/bayarea/article/S-F-s-Chase-Center-assures-fans-arena-is-safe-16546252.php\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>San Francisco Chronicle\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Evan Reeves, who suffered a broken leg after Thompson landed on him, \u003ca href=\"https://sanfrancisco.cbslocal.com/2021/10/20/phish-fan-fall-upper-deck-chase-center-san-francisco/\" target=\"_blank\" rel=\"noopener noreferrer\">told KPIX\u003c/a> that he had moved down to a lower section before the incident because he didn’t feel safe dancing in the upper seats.\u003c/p>\n\u003cp>“To me, that’s a real structural concern,” Sani says. “It’s a public venue. People are going to have accidents whether they’re drinking or not. I’m worried people are going to fall and get injured and possibly die again if they don’t do something about that structural setup.”\u003c/p>\n\u003cp>Sani says she waited with the man for 5–10 minutes until EMTs arrived. “There wasn’t official medical personnel for quite a while, and you would hope and expect that they’d show up quickly at a big venue like that,” she says. “People can definitely have life-threatening injuries that can kill them quickly in any kind of fall.”\u003c/p>\n\u003cp>Sani says she was so rattled by the incident that she contacted the San Francisco Department of Public Health.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>KQED asked the Chase Center’s representatives whether the venue would make any kind of safety modifications in the wake of the two tragedies.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Chase Center is a safe, state-of-the-art arena that was built and is operated in accordance with all applicable safety requirements governing facilities of its kind,” wrote spokesperson Kimberly Veale in an email. “We went through a rigorous process with the Department of Building Inspection to obtain our requisite permits to open Chase Center. Further, DBI is conducting (and we are looking forward to) an additional inspection similar to the one the venue previously passed.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Netflix Workers Walking Out Today in Support of Trans, Nonbinary Employees",
"headTitle": "Netflix Workers Walking Out Today in Support of Trans, Nonbinary Employees | KQED",
"content": "\u003cp>The weeks-long fight inside Netflix comes to a head today, when employees at the company are expected to walk out, demanding the company better support its trans and nonbinary employees.\u003c/p>\n\u003cp>Netflix co-CEO Ted Sarandos didn’t respond to the walkout directly in a recently published \u003ca href=\"https://www.wsj.com/articles/netflix-co-ceo-says-he-screwed-up-when-defending-dave-chappelle-special-11634696007?st=me99ln8s1oi4y2u&reflink=article_copyURL_share\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Wall Street Journal\u003c/em>\u003c/a> interview, but said, “I’m firmly committed to continue to support artistic freedom for the creators who work with Netflix and increase representation behind the screen and on camera.”\u003c/p>\n\u003cp>But ahead of today’s walkout, a Netflix spokesperson issued a statement that says: “We value our trans colleagues and allies, and understand the deep hurt that’s been caused. We respect the decision of any employee who chooses to walk out, and recognize we have much more work to do both within Netflix and in our content.”\u003c/p>\n\u003cp>[aside postid='arts_13904228']The incident that incited the employee action may have been the company’s handling of Dave Chappelle’s new special, \u003cem>The Closer, \u003c/em>which contains some jokes at the expense of transgender people. But B. Pagels-Minor says the dispute runs deeper.\u003c/p>\n\u003cp>Pagels-Minor is the employee Netflix \u003ca href=\"https://www.npr.org/2021/10/15/1046542295/netflix-fires-employee-as-internal-conflicts-over-latest-dave-chappelle-special-\" target=\"_blank\" rel=\"noopener noreferrer\">recently fired\u003c/a>, alleging that they leaked “confidential, commercially sensitive information” outside the company. The company says that data made its way into a \u003ca href=\"https://www.bloomberg.com/news/articles/2021-10-13/netflix-staff-raised-concerns-about-dave-chappelle-special-before-release?sref=NtpXApny\" target=\"_blank\" rel=\"noopener noreferrer\">Bloomberg article\u003c/a> revealing data about various metrics and expenditures—details the notoriously tight-lipped company usually keeps under wraps.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I collected the data, but I did not leak the data,” says Pagels-Minor, who spoke to NPR. They said they shared the information internally among coworkers, but not to anyone outside the company, and added that when they were terminated, they weren’t offered an opportunity to prove their case.\u003c/p>\n\u003cp>“It was just like: ‘Hey, you’re the person. You’re gone,'” Pagels-Minor says.\u003c/p>\n\u003cp>In a statement, a Netflix spokesperson said that a discrepancy in Pagels-Minor’s account had gone unexplained, and that they had wiped their electronic devices, “making any further investigation impossible.”\u003c/p>\n\u003cp>Pagels-Minor—who started at Netflix as a senior data product manager for membership and finance engineering, before moving on to work at the company’s game launch department—says there wasn’t any investigation to begin with.\u003c/p>\n\u003cp>Pagels-Minor co-led the Employee Resource Group for transgender and non-binary employees, known as Trans*, and was part of one for Black employees, known as Black@. They said the walkout began as a proposal for a day when trans and nonbinary employees would take paid time off as a result of the exhaustion incurred from the Chappelle news cycle, with any other employees invited to join in support. But then Pagels-Minor saw how executives weren’t engaging with questions about the controversy, and started organizing a full blown walkout, along with drafting a list of employee demands.\u003c/p>\n\u003cp>A rally in support of the walkout is also \u003ca href=\"https://www.instagram.com/p/CVLL3hRlUsg/?utm_source=ig_embed&ig_rid=9d877908-171e-4ff2-a6d9-6077df0ea8c6\" target=\"_blank\" rel=\"noopener noreferrer\">planned for today\u003c/a>.\u003c/p>\n\u003cp>The list of demands, first reported by \u003ca href=\"https://www.theverge.com/2021/10/18/22733098/netflix-trans-employees-demands-dave-chappelle-walkout\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Verge\u003c/em>\u003c/a>, includes hiring trans and nonbinary people to executive positions, creating a fund to support trans and nonbinary talent, and adding disclaimers “that specifically flag transphobic language, misogyny, homophobia, hate speech, etc. as required.” It doesn’t ask for anything to be removed from the platform, nor does it mention Chappelle. Instead, it asks for the promotion of trans-affirming content alongside any content deemed anti-trans.\u003c/p>\n\u003cp>[aside postid='pop_112556']Such demands are part of a growing trend of white-collar workers in tech speaking up about the direction of their companies, says Alan Hyde, professor of labor and employment law at Rutgers Law School, and author of \u003cem>Working in Silicon Valley: Economic and Legal Analysis of a High-Velocity Labor Market. \u003c/em>\u003c/p>\n\u003cp>“They want to have a say in the kinds of businesses their company does, the kind of workplace culture they have, who the clients are. So these have been important demands in motivating worker unrest over the years,” Hyde says, pointing to \u003ca href=\"https://www.npr.org/2020/06/01/867215427/facebook-employees-revolt-over-zuckerbergs-hands-off-approach-to-trump\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook\u003c/a>, \u003ca href=\"https://www.npr.org/2021/10/15/1046386968/apple-fires-appletoo-leader-amid-leak-investigation?utm_content=buffer56c26&utm_medium=social&utm_source=twitter.com&utm_campaign=buffer\" target=\"_blank\" rel=\"noopener noreferrer\">Apple\u003c/a> and \u003ca href=\"https://www.npr.org/2021/01/08/954710407/at-google-hundreds-of-workers-formed-a-labor-union-why-to-protect-ourselves\" target=\"_blank\" rel=\"noopener noreferrer\">Google\u003c/a> as recent examples.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The usual course of these actions, he explains, is that employees make a lot of noise, the company might change one or two details, then things simmer back down to normal. But in the context of this year, when there’s been a \u003ca href=\"https://www.npr.org/2021/10/14/1046140341/striketober-is-here-with-workers-increasingly-vocal-about-what-they-want\" target=\"_blank\" rel=\"noopener noreferrer\">tremendous surge of labor activity \u003c/a>at firms like John Deere, Kellogg and Kaiser Permanente, Hyde admits, “I’m not sure we’ve seen this movie before.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Netflix+employees+are+staging+a+walkout+today+as+a+fired+organizer+speaks+out&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The weeks-long fight inside Netflix comes to a head today, when employees at the company are expected to walk out, demanding the company better support its trans and nonbinary employees.\u003c/p>\n\u003cp>Netflix co-CEO Ted Sarandos didn’t respond to the walkout directly in a recently published \u003ca href=\"https://www.wsj.com/articles/netflix-co-ceo-says-he-screwed-up-when-defending-dave-chappelle-special-11634696007?st=me99ln8s1oi4y2u&reflink=article_copyURL_share\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Wall Street Journal\u003c/em>\u003c/a> interview, but said, “I’m firmly committed to continue to support artistic freedom for the creators who work with Netflix and increase representation behind the screen and on camera.”\u003c/p>\n\u003cp>But ahead of today’s walkout, a Netflix spokesperson issued a statement that says: “We value our trans colleagues and allies, and understand the deep hurt that’s been caused. We respect the decision of any employee who chooses to walk out, and recognize we have much more work to do both within Netflix and in our content.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The incident that incited the employee action may have been the company’s handling of Dave Chappelle’s new special, \u003cem>The Closer, \u003c/em>which contains some jokes at the expense of transgender people. But B. Pagels-Minor says the dispute runs deeper.\u003c/p>\n\u003cp>Pagels-Minor is the employee Netflix \u003ca href=\"https://www.npr.org/2021/10/15/1046542295/netflix-fires-employee-as-internal-conflicts-over-latest-dave-chappelle-special-\" target=\"_blank\" rel=\"noopener noreferrer\">recently fired\u003c/a>, alleging that they leaked “confidential, commercially sensitive information” outside the company. The company says that data made its way into a \u003ca href=\"https://www.bloomberg.com/news/articles/2021-10-13/netflix-staff-raised-concerns-about-dave-chappelle-special-before-release?sref=NtpXApny\" target=\"_blank\" rel=\"noopener noreferrer\">Bloomberg article\u003c/a> revealing data about various metrics and expenditures—details the notoriously tight-lipped company usually keeps under wraps.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I collected the data, but I did not leak the data,” says Pagels-Minor, who spoke to NPR. They said they shared the information internally among coworkers, but not to anyone outside the company, and added that when they were terminated, they weren’t offered an opportunity to prove their case.\u003c/p>\n\u003cp>“It was just like: ‘Hey, you’re the person. You’re gone,'” Pagels-Minor says.\u003c/p>\n\u003cp>In a statement, a Netflix spokesperson said that a discrepancy in Pagels-Minor’s account had gone unexplained, and that they had wiped their electronic devices, “making any further investigation impossible.”\u003c/p>\n\u003cp>Pagels-Minor—who started at Netflix as a senior data product manager for membership and finance engineering, before moving on to work at the company’s game launch department—says there wasn’t any investigation to begin with.\u003c/p>\n\u003cp>Pagels-Minor co-led the Employee Resource Group for transgender and non-binary employees, known as Trans*, and was part of one for Black employees, known as Black@. They said the walkout began as a proposal for a day when trans and nonbinary employees would take paid time off as a result of the exhaustion incurred from the Chappelle news cycle, with any other employees invited to join in support. But then Pagels-Minor saw how executives weren’t engaging with questions about the controversy, and started organizing a full blown walkout, along with drafting a list of employee demands.\u003c/p>\n\u003cp>A rally in support of the walkout is also \u003ca href=\"https://www.instagram.com/p/CVLL3hRlUsg/?utm_source=ig_embed&ig_rid=9d877908-171e-4ff2-a6d9-6077df0ea8c6\" target=\"_blank\" rel=\"noopener noreferrer\">planned for today\u003c/a>.\u003c/p>\n\u003cp>The list of demands, first reported by \u003ca href=\"https://www.theverge.com/2021/10/18/22733098/netflix-trans-employees-demands-dave-chappelle-walkout\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Verge\u003c/em>\u003c/a>, includes hiring trans and nonbinary people to executive positions, creating a fund to support trans and nonbinary talent, and adding disclaimers “that specifically flag transphobic language, misogyny, homophobia, hate speech, etc. as required.” It doesn’t ask for anything to be removed from the platform, nor does it mention Chappelle. Instead, it asks for the promotion of trans-affirming content alongside any content deemed anti-trans.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Such demands are part of a growing trend of white-collar workers in tech speaking up about the direction of their companies, says Alan Hyde, professor of labor and employment law at Rutgers Law School, and author of \u003cem>Working in Silicon Valley: Economic and Legal Analysis of a High-Velocity Labor Market. \u003c/em>\u003c/p>\n\u003cp>“They want to have a say in the kinds of businesses their company does, the kind of workplace culture they have, who the clients are. So these have been important demands in motivating worker unrest over the years,” Hyde says, pointing to \u003ca href=\"https://www.npr.org/2020/06/01/867215427/facebook-employees-revolt-over-zuckerbergs-hands-off-approach-to-trump\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook\u003c/a>, \u003ca href=\"https://www.npr.org/2021/10/15/1046386968/apple-fires-appletoo-leader-amid-leak-investigation?utm_content=buffer56c26&utm_medium=social&utm_source=twitter.com&utm_campaign=buffer\" target=\"_blank\" rel=\"noopener noreferrer\">Apple\u003c/a> and \u003ca href=\"https://www.npr.org/2021/01/08/954710407/at-google-hundreds-of-workers-formed-a-labor-union-why-to-protect-ourselves\" target=\"_blank\" rel=\"noopener noreferrer\">Google\u003c/a> as recent examples.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The usual course of these actions, he explains, is that employees make a lot of noise, the company might change one or two details, then things simmer back down to normal. But in the context of this year, when there’s been a \u003ca href=\"https://www.npr.org/2021/10/14/1046140341/striketober-is-here-with-workers-increasingly-vocal-about-what-they-want\" target=\"_blank\" rel=\"noopener noreferrer\">tremendous surge of labor activity \u003c/a>at firms like John Deere, Kellogg and Kaiser Permanente, Hyde admits, “I’m not sure we’ve seen this movie before.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Netflix+employees+are+staging+a+walkout+today+as+a+fired+organizer+speaks+out&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cstrong>Update, Oct. 20, 4:58pm: \u003c/strong>The San Francisco Police Department identified the man who died Oct. 17 at Chase Center as 47-year-old Ryan Prosser. An SFPD spokesperson says there was evidence that he jumped from an upper level of the venue. The second fall at the venue appeared to have been an accident, police and witnesses say. \u003ca href=\"https://www.kqed.org/arts/13904860/chase-center-under-inspection-after-deadly-fall-at-phish-show\" target=\"_blank\" rel=\"noopener noreferrer\">The San Francisco Department of Building Inspection plans to inspect the venue\u003c/a>. [aside postid='arts_13904860']\u003c/p>\n\u003cp>\u003cstrong>Original post: \u003c/strong>\u003c/p>\n\u003cp>A man fell to his death at the Phish concert at Chase Center on Sunday, and two other people were injured in a separate fall less than an hour later.\u003c/p>\n\u003cp>A San Francisco Police Department spokesperson tells KQED that at 8:55pm on Oct. 17, numerous people alerted officers about a person in need of medical attention. When police arrived, they found a man injured from a possible fall and called medics.\u003c/p>\n\u003cp>“Medics arrived and immediately provided medical treatment, but despite the efforts of the emergency responders the victim succumbed to his injuries and was declared deceased,” Officer Robert Rueca wrote in an email.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Rueca added that the Office of the Chief Medical Examiner is investigating the cause of death, and that police found no evidence of foul play. Police have not released the name of the deceased.\u003c/p>\n\u003cp>Almost an hour later, at 9:45pm, officers and medics responded to another report of a man falling at the concert. That man, and a second man he landed on, were taken to the hospital with non-life threatening injuries.\u003c/p>\n\u003cp>On social media, concert attendees who witnessed the tragedies reflected on the traumatic experience. “The sound and scene were incredible and horrifying,” \u003ca href=\"https://www.reddit.com/r/phish/comments/qao0eo/jumper_landed_5_feet_behind_me_im_really_not_ok/\" target=\"_blank\" rel=\"noopener noreferrer\">wrote a Reddit user\u003c/a> going by @delete_if_u_r_sure, referring to the first incident. He wrote that he and his son were two rows away from where the deceased man landed.\u003c/p>\n\u003cp>“Today, I feel for the community and especially for the family/friends of the jumper and all the people in 115-117 who got some undeserved wartime-like images – many while tripping,” he added.\u003c/p>\n\u003cp>A concertgoer named Juliet Biton \u003ca href=\"https://www.sfchronicle.com/sf/article/One-dead-one-seriously-injured-after-Phish-16543193.php\" target=\"_blank\" rel=\"noopener noreferrer\">told \u003cem>San Francisco Chronicle\u003c/em>\u003c/a> that within two minutes of one of the incidents, Chase Center personnel cleared out the area and put black tarp over the seats so that medics could attend to the injured.\u003c/p>\n\u003cp>Phish’s representative declined to comment, and the band has not posted about the incident on social media as of Monday afternoon.\u003c/p>\n\u003cp>Chase Center deferred questions to the police department. “We extend our heartfelt condolences to the guest’s loved ones,” the venue’s spokesperson wrote. “We are working with the local authorities to determine exactly what happened.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This is a developing story and may be updated. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Update, Oct. 20, 4:58pm: \u003c/strong>The San Francisco Police Department identified the man who died Oct. 17 at Chase Center as 47-year-old Ryan Prosser. An SFPD spokesperson says there was evidence that he jumped from an upper level of the venue. The second fall at the venue appeared to have been an accident, police and witnesses say. \u003ca href=\"https://www.kqed.org/arts/13904860/chase-center-under-inspection-after-deadly-fall-at-phish-show\" target=\"_blank\" rel=\"noopener noreferrer\">The San Francisco Department of Building Inspection plans to inspect the venue\u003c/a>. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Original post: \u003c/strong>\u003c/p>\n\u003cp>A man fell to his death at the Phish concert at Chase Center on Sunday, and two other people were injured in a separate fall less than an hour later.\u003c/p>\n\u003cp>A San Francisco Police Department spokesperson tells KQED that at 8:55pm on Oct. 17, numerous people alerted officers about a person in need of medical attention. When police arrived, they found a man injured from a possible fall and called medics.\u003c/p>\n\u003cp>“Medics arrived and immediately provided medical treatment, but despite the efforts of the emergency responders the victim succumbed to his injuries and was declared deceased,” Officer Robert Rueca wrote in an email.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Rueca added that the Office of the Chief Medical Examiner is investigating the cause of death, and that police found no evidence of foul play. Police have not released the name of the deceased.\u003c/p>\n\u003cp>Almost an hour later, at 9:45pm, officers and medics responded to another report of a man falling at the concert. That man, and a second man he landed on, were taken to the hospital with non-life threatening injuries.\u003c/p>\n\u003cp>On social media, concert attendees who witnessed the tragedies reflected on the traumatic experience. “The sound and scene were incredible and horrifying,” \u003ca href=\"https://www.reddit.com/r/phish/comments/qao0eo/jumper_landed_5_feet_behind_me_im_really_not_ok/\" target=\"_blank\" rel=\"noopener noreferrer\">wrote a Reddit user\u003c/a> going by @delete_if_u_r_sure, referring to the first incident. He wrote that he and his son were two rows away from where the deceased man landed.\u003c/p>\n\u003cp>“Today, I feel for the community and especially for the family/friends of the jumper and all the people in 115-117 who got some undeserved wartime-like images – many while tripping,” he added.\u003c/p>\n\u003cp>A concertgoer named Juliet Biton \u003ca href=\"https://www.sfchronicle.com/sf/article/One-dead-one-seriously-injured-after-Phish-16543193.php\" target=\"_blank\" rel=\"noopener noreferrer\">told \u003cem>San Francisco Chronicle\u003c/em>\u003c/a> that within two minutes of one of the incidents, Chase Center personnel cleared out the area and put black tarp over the seats so that medics could attend to the injured.\u003c/p>\n\u003cp>Phish’s representative declined to comment, and the band has not posted about the incident on social media as of Monday afternoon.\u003c/p>\n\u003cp>Chase Center deferred questions to the police department. “We extend our heartfelt condolences to the guest’s loved ones,” the venue’s spokesperson wrote. “We are working with the local authorities to determine exactly what happened.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This is a developing story and may be updated. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "A Half-Shredded Banksy Piece is Auctioned for $25.4 Million, a Record for the Artist",
"headTitle": "A Half-Shredded Banksy Piece is Auctioned for $25.4 Million, a Record for the Artist | KQED",
"content": "\u003cp>Sold!\u003c/p>\n\u003cp>Banksy’s world-renowned shredded painting, \u003ca href=\"https://www.npr.org/2021/09/07/1034962331/banksy-shredder-girl-with-balloon-love-is-in-the-bin-auction-sothebys\" target=\"_blank\" rel=\"noopener noreferrer\">“Love is in the Bin,”\u003c/a> has fetched $25.4 million at a Sotheby’s auction, according to the auction house \u003ca href=\"https://www.sothebys.com/en/buy/auction/2021/contemporary-art-evening-auction-2/love-is-in-the-bin-2\" target=\"_blank\" rel=\"noopener noreferrer\">website\u003c/a>.\u003c/p>\n\u003cp>Nine people battled for the piece for around 10 minutes before an anonymous collector, represented by Nick Buckley Wood, won the auction, BBC News reports. The sale is a record for Banksy, beating out \u003ca href=\"https://www.christies.com/en/lot/lot-6309459\" target=\"_blank\" rel=\"noopener noreferrer\">a piece\u003c/a> that was sold for around $22 million in March, with proceeds benefiting a UK charity.\u003c/p>\n\u003cp>“Love is in the Bin” made history with its creation mid-auction in 2018. The original piece, an image of a girl holding a balloon that was aptly titled \u003ca href=\"https://www.npr.org/2018/10/06/655252676/we-just-got-banksy-ed-girl-with-balloon-sells-for-1-4m-before-self-destructing\" target=\"_blank\" rel=\"noopener noreferrer\">“Girl With Balloon,” \u003c/a>garnered $1.4 million at auction but the crowd was shocked when a shredder built within the frame activated as soon as the sale was complete, partly shredding the piece.\u003c/p>\n\u003cp>It was an unforgettable moment in the art world, and the first time that a work of art had actually been created during an auction, according to Sotheby’s.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Auction officials have maintained that they had no idea what Banksy had planned for the 2018 auction. They were, simply put, “Banksyed,” Oliver Barker, auctioneer and chairman of Sotheby’s Europe, said in a \u003ca href=\"https://sothebys-com.brightspotcdn.com/54/44/8b5ebd5140cc9b7488b457ac4cd8/sothebys-press-release-banksys-love-is-in-the-bin.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">news release\u003c/a>.\u003c/p>\n\u003cp>[aside postID='arts_13898181,arts_13883386,pop_108995']Banksy himself confirmed as much in an \u003ca href=\"https://www.instagram.com/p/BpDMo26h3Cu/\" target=\"_blank\" rel=\"noopener noreferrer\">Instagram post\u003c/a> where he stated plainly that the piece really was shredded and that the auction house was not “in on it.”\u003c/p>\n\u003cp>After Sotheby’s announced last month that “Love is in the Bin” would soon be up for sale, the piece was taken on a brief global tour before returning home to London. The auction house estimated then that it would go for $5 million to $8 million, a pretty substantial return for a piece of art that was purchased for only a fraction of that price.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>On Thursday, “Love is in the Bin” went back up for sale in the very same room where it was created three years ago, according to Sotheby’s. But unlike then, this week’s auction was uneventful—no artwork was created or destroyed during the proceedings. It seemed to be a source of relief for Barker at least, who remarked, after all was said and done, that he was glad the work was “still there,” according to BBC News.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+half-shredded+Banksy+piece+is+auctioned+for+%2425.4+million%2C+a+record+for+the+artist&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Sold!\u003c/p>\n\u003cp>Banksy’s world-renowned shredded painting, \u003ca href=\"https://www.npr.org/2021/09/07/1034962331/banksy-shredder-girl-with-balloon-love-is-in-the-bin-auction-sothebys\" target=\"_blank\" rel=\"noopener noreferrer\">“Love is in the Bin,”\u003c/a> has fetched $25.4 million at a Sotheby’s auction, according to the auction house \u003ca href=\"https://www.sothebys.com/en/buy/auction/2021/contemporary-art-evening-auction-2/love-is-in-the-bin-2\" target=\"_blank\" rel=\"noopener noreferrer\">website\u003c/a>.\u003c/p>\n\u003cp>Nine people battled for the piece for around 10 minutes before an anonymous collector, represented by Nick Buckley Wood, won the auction, BBC News reports. The sale is a record for Banksy, beating out \u003ca href=\"https://www.christies.com/en/lot/lot-6309459\" target=\"_blank\" rel=\"noopener noreferrer\">a piece\u003c/a> that was sold for around $22 million in March, with proceeds benefiting a UK charity.\u003c/p>\n\u003cp>“Love is in the Bin” made history with its creation mid-auction in 2018. The original piece, an image of a girl holding a balloon that was aptly titled \u003ca href=\"https://www.npr.org/2018/10/06/655252676/we-just-got-banksy-ed-girl-with-balloon-sells-for-1-4m-before-self-destructing\" target=\"_blank\" rel=\"noopener noreferrer\">“Girl With Balloon,” \u003c/a>garnered $1.4 million at auction but the crowd was shocked when a shredder built within the frame activated as soon as the sale was complete, partly shredding the piece.\u003c/p>\n\u003cp>It was an unforgettable moment in the art world, and the first time that a work of art had actually been created during an auction, according to Sotheby’s.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Auction officials have maintained that they had no idea what Banksy had planned for the 2018 auction. They were, simply put, “Banksyed,” Oliver Barker, auctioneer and chairman of Sotheby’s Europe, said in a \u003ca href=\"https://sothebys-com.brightspotcdn.com/54/44/8b5ebd5140cc9b7488b457ac4cd8/sothebys-press-release-banksys-love-is-in-the-bin.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">news release\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Banksy himself confirmed as much in an \u003ca href=\"https://www.instagram.com/p/BpDMo26h3Cu/\" target=\"_blank\" rel=\"noopener noreferrer\">Instagram post\u003c/a> where he stated plainly that the piece really was shredded and that the auction house was not “in on it.”\u003c/p>\n\u003cp>After Sotheby’s announced last month that “Love is in the Bin” would soon be up for sale, the piece was taken on a brief global tour before returning home to London. The auction house estimated then that it would go for $5 million to $8 million, a pretty substantial return for a piece of art that was purchased for only a fraction of that price.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>On Thursday, “Love is in the Bin” went back up for sale in the very same room where it was created three years ago, according to Sotheby’s. But unlike then, this week’s auction was uneventful—no artwork was created or destroyed during the proceedings. It seemed to be a source of relief for Barker at least, who remarked, after all was said and done, that he was glad the work was “still there,” according to BBC News.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+half-shredded+Banksy+piece+is+auctioned+for+%2425.4+million%2C+a+record+for+the+artist&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "‘Ghostship’ Party Changes Name After Fire Survivors Speak Out",
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"content": "\u003cp>Alexandrea Archuleta was at home in Denver on Wednesday when she saw a sponsored post on Instagram for an EDM boat party in Alameda called “Ghostship! The Halloween Cruise” from a promoter called \u003ca href=\"https://www.discolabevents.com/\" target=\"_blank\" rel=\"noopener noreferrer\">DiscoLab Events\u003c/a>. “It was just instant alarm and trigger. It’s kind of unbelievable, in a way,” said the musician.\u003c/p>\n\u003cp>She relocated from Oakland to Colorado to get away from the trauma of surviving the 2016 warehouse fire that killed \u003ca href=\"https://www.kqed.org/ghostshipmemorial\" target=\"_blank\" rel=\"noopener noreferrer\">36 musicians and partygoers\u003c/a>, many of whom were her musical collaborators and close friends.\u003c/p>\n\u003cp>Archuleta and several other people from the Oakland music scene began to comment on and private message the party’s Instagram account, attempting to ask them to change the name out of respect for survivors and victims. The account, whose owners are unknown, began deleting critical comments and blocking people who spoke out.\u003c/p>\n\u003cp>“We’re not trying to shut down the party, we’re just trying to have the name changed,” said Archuleta. “This community doesn’t need that kind of disconnected, tone-deaf reminder of something we have to remember every year and every day.” [aside postid='arts_13816362']\u003c/p>\n\u003cp>“There’s people still mourning, hella people and hella families,” said DJ and event promoter Guerrilla Davis, who was blocked by the Ghostship Events account.\u003c/p>\n\u003cp>He pointed out that the name of the event was offensive not only to victims and survivors, but to the people who lost their housing and art spaces in the aftermath of the fire. In response to the tragedy, \u003ca href=\"https://www.kqed.org/ourturbulentdecade/2016-evictions-and-the-ghost-ship-fire-pushed-oakland-artists-into-the-margins\" target=\"_blank\" rel=\"noopener noreferrer\">the city began cracking down on unpermitted live-work warehouses\u003c/a> occupied by artists, often because they lacked other affordable places to live and create. As a result, Oakland lost many of the underground venues that nurtured experimental art and music.\u003c/p>\n\u003cp>“A lot of people got displaced,” Davis said. “The \u003ca href=\"https://www.kqed.org/arts/13839638/fire-inspection-at-oakland-art-space-prompts-renegade-show-at-lake-merritt\" target=\"_blank\" rel=\"noopener noreferrer\">first art show\u003c/a> I had in the Bay got shut down because of the warehouse enforcement.”\u003c/p>\n\u003cp>As more people began to sound off on Instagram, the Ghostship Events account posted a statement at around 4pm Wednesday saying that it was too late to change the name. “We want to take a moment to honor the lost friends and family with a moment of silence, announcement, and memorial wall on the ship. With 16 days left before the event, the community wants us to change the name instead of making these people known to a group of people that has no idea of the fire,” the account wrote.\u003c/p>\n\u003cp>Survivors and friends of the victims grew more incensed. “I feel like that’s bullshit,” says Grompi Green, a DJ and event producer who knew several of the victims. “I don’t think it takes that much effort to change a name.”\u003c/p>\n\u003cp>About two hours later, the statement was deleted, and the Ghostship Events account became \u003ca href=\"https://www.instagram.com/hallowship/\" target=\"_blank\" rel=\"noopener noreferrer\">Hallowship Events\u003c/a>. Still, the old promotional materials and ticket website with the Ghostship name remain up, and no apology or further acknowledgement has been posted publicly. In an email to KQED, the promoter said new flyers were forthcoming.\u003c/p>\n\u003cp>“We, like many bay area natives, were un aware of this tragic event,” DiscoLab Events wrote to KQED via email. The owner of the account refused to disclose their identity. “The event was announced in July this year and we received positive feedback up until a couple days ago. … We do need a couple days to create new content and hope the community can be patient.”\u003c/p>\n\u003cp>DiscoLabs Events’ claims of ignorance surprised most of the people interviewed for this story. The warehouse fire made international headlines, and received local and national news coverage up until earlier this year, as the \u003ca href=\"https://www.kqed.org/news/11863824/ghost-ship-fire-defendant-derick-almena-to-serve-sentence-at-home\" target=\"_blank\" rel=\"noopener noreferrer\">trial of master tenant Derick Almena concluded in March\u003c/a>. A Google search of the words “ghost ship” yields results about the fire on the first page.\u003c/p>\n\u003cp>This is also not the first controversy concerning use of the name. In 2017, \u003ca href=\"https://sfist.com/2017/07/26/popular_pier_70_halloween_party_gho/\" target=\"_blank\" rel=\"noopener noreferrer\">a popular, different Halloween party\u003c/a> changed its name out of respect for the victims. And in 2019, authors Ayelet Waldman and Michael Chabon scrapped \u003ca href=\"https://www.kqed.org/arts/13871408/proposed-ghost-ship-tv-show-from-michael-chabon-and-ayelet-waldman-draws-ire\" target=\"_blank\" rel=\"noopener noreferrer\">plans for a CBS TV drama series about the tragedy\u003c/a> after people accused them of using the story for personal gain.\u003c/p>\n\u003cp>“We googled ghostship cruise and the movie popped up. Nothing of the fire came up. Just the movie and other cruise companies,” the DiscoLab party promoter told KQED.\u003c/p>\n\u003cp>Survivors KQED spoke with said they appreciate the name change and are still waiting for a real apology. “Last time I saw it, it seemed like they were giving lots of excuses,” says Dean Bonilla, who was placed on a missing persons list in 2016 because they were headed to the party when the fire erupted. “They never actually gave an apology, and they weren’t actually accountable to what they did.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Alexandrea Archuleta was at home in Denver on Wednesday when she saw a sponsored post on Instagram for an EDM boat party in Alameda called “Ghostship! The Halloween Cruise” from a promoter called \u003ca href=\"https://www.discolabevents.com/\" target=\"_blank\" rel=\"noopener noreferrer\">DiscoLab Events\u003c/a>. “It was just instant alarm and trigger. It’s kind of unbelievable, in a way,” said the musician.\u003c/p>\n\u003cp>She relocated from Oakland to Colorado to get away from the trauma of surviving the 2016 warehouse fire that killed \u003ca href=\"https://www.kqed.org/ghostshipmemorial\" target=\"_blank\" rel=\"noopener noreferrer\">36 musicians and partygoers\u003c/a>, many of whom were her musical collaborators and close friends.\u003c/p>\n\u003cp>Archuleta and several other people from the Oakland music scene began to comment on and private message the party’s Instagram account, attempting to ask them to change the name out of respect for survivors and victims. The account, whose owners are unknown, began deleting critical comments and blocking people who spoke out.\u003c/p>\n\u003cp>“We’re not trying to shut down the party, we’re just trying to have the name changed,” said Archuleta. “This community doesn’t need that kind of disconnected, tone-deaf reminder of something we have to remember every year and every day.” \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“There’s people still mourning, hella people and hella families,” said DJ and event promoter Guerrilla Davis, who was blocked by the Ghostship Events account.\u003c/p>\n\u003cp>He pointed out that the name of the event was offensive not only to victims and survivors, but to the people who lost their housing and art spaces in the aftermath of the fire. In response to the tragedy, \u003ca href=\"https://www.kqed.org/ourturbulentdecade/2016-evictions-and-the-ghost-ship-fire-pushed-oakland-artists-into-the-margins\" target=\"_blank\" rel=\"noopener noreferrer\">the city began cracking down on unpermitted live-work warehouses\u003c/a> occupied by artists, often because they lacked other affordable places to live and create. As a result, Oakland lost many of the underground venues that nurtured experimental art and music.\u003c/p>\n\u003cp>“A lot of people got displaced,” Davis said. “The \u003ca href=\"https://www.kqed.org/arts/13839638/fire-inspection-at-oakland-art-space-prompts-renegade-show-at-lake-merritt\" target=\"_blank\" rel=\"noopener noreferrer\">first art show\u003c/a> I had in the Bay got shut down because of the warehouse enforcement.”\u003c/p>\n\u003cp>As more people began to sound off on Instagram, the Ghostship Events account posted a statement at around 4pm Wednesday saying that it was too late to change the name. “We want to take a moment to honor the lost friends and family with a moment of silence, announcement, and memorial wall on the ship. With 16 days left before the event, the community wants us to change the name instead of making these people known to a group of people that has no idea of the fire,” the account wrote.\u003c/p>\n\u003cp>Survivors and friends of the victims grew more incensed. “I feel like that’s bullshit,” says Grompi Green, a DJ and event producer who knew several of the victims. “I don’t think it takes that much effort to change a name.”\u003c/p>\n\u003cp>About two hours later, the statement was deleted, and the Ghostship Events account became \u003ca href=\"https://www.instagram.com/hallowship/\" target=\"_blank\" rel=\"noopener noreferrer\">Hallowship Events\u003c/a>. Still, the old promotional materials and ticket website with the Ghostship name remain up, and no apology or further acknowledgement has been posted publicly. In an email to KQED, the promoter said new flyers were forthcoming.\u003c/p>\n\u003cp>“We, like many bay area natives, were un aware of this tragic event,” DiscoLab Events wrote to KQED via email. The owner of the account refused to disclose their identity. “The event was announced in July this year and we received positive feedback up until a couple days ago. … We do need a couple days to create new content and hope the community can be patient.”\u003c/p>\n\u003cp>DiscoLabs Events’ claims of ignorance surprised most of the people interviewed for this story. The warehouse fire made international headlines, and received local and national news coverage up until earlier this year, as the \u003ca href=\"https://www.kqed.org/news/11863824/ghost-ship-fire-defendant-derick-almena-to-serve-sentence-at-home\" target=\"_blank\" rel=\"noopener noreferrer\">trial of master tenant Derick Almena concluded in March\u003c/a>. A Google search of the words “ghost ship” yields results about the fire on the first page.\u003c/p>\n\u003cp>This is also not the first controversy concerning use of the name. In 2017, \u003ca href=\"https://sfist.com/2017/07/26/popular_pier_70_halloween_party_gho/\" target=\"_blank\" rel=\"noopener noreferrer\">a popular, different Halloween party\u003c/a> changed its name out of respect for the victims. And in 2019, authors Ayelet Waldman and Michael Chabon scrapped \u003ca href=\"https://www.kqed.org/arts/13871408/proposed-ghost-ship-tv-show-from-michael-chabon-and-ayelet-waldman-draws-ire\" target=\"_blank\" rel=\"noopener noreferrer\">plans for a CBS TV drama series about the tragedy\u003c/a> after people accused them of using the story for personal gain.\u003c/p>\n\u003cp>“We googled ghostship cruise and the movie popped up. Nothing of the fire came up. Just the movie and other cruise companies,” the DiscoLab party promoter told KQED.\u003c/p>\n\u003cp>Survivors KQED spoke with said they appreciate the name change and are still waiting for a real apology. “Last time I saw it, it seemed like they were giving lots of excuses,” says Dean Bonilla, who was placed on a missing persons list in 2016 because they were headed to the party when the fire erupted. “They never actually gave an apology, and they weren’t actually accountable to what they did.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "William Shatner Boldly Went Into Space This Morning. Here's What He Saw",
"headTitle": "William Shatner Boldly Went Into Space This Morning. Here’s What He Saw | KQED",
"content": "\u003cdiv class=\"storyMajorUpdateDate\">\u003cstrong>Updated October 13, 2021 at 11:08 AM ET\u003c/strong>\u003c/div>\n\u003cp>Blue Origin’s second human spaceflight has returned to Earth after taking a brief flight to the edge of space this morning.\u003c/p>\n\u003cp>[aside postid='arts_11276235']Among the four passengers on board—there is no pilot—was William Shatner, the actor who first played the space-traveling Captain Kirk in the \u003cem>Star Trek\u003c/em> franchise.\u003c/p>\n\u003cp>“The covering of blue. This sheet, this blanket, this comforter that we have around. We think, oh, that’s blue sky,” an emotional Shatner said after returning to Earth.\u003c/p>\n\u003cp>“Then suddenly you shoot through it all of a sudden, as though you’re whipping a sheet off you when you’re asleep, and you’re looking into blackness, into black ugliness.”\u003c/p>\n\u003cp>At age 90, Shatner is now the \u003ca href=\"https://www.blueorigin.com/news/shatner-powers-announced-ns18\" target=\"_blank\" rel=\"noopener noreferrer\">oldest person\u003c/a> to fly into space.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/BBCWorld/status/1448311843068448772\u003c/p>\n\u003cp>“I do not know what I may appear to the world, but to myself I seem to have been only like a boy playing on the seashore, diverting myself in now & then finding a smoother pebble or a prettier shell than ordinary, whilst the great ocean of truth lay all undiscovered before me,” he said \u003ca href=\"https://twitter.com/WilliamShatner/status/1448300996015181842?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">in a tweet\u003c/a> after landing.\u003c/p>\n\u003cp>The rocket, New Shepard, took off around 9:50 a.m. CT from a launch site near Van Horn, Texas.\u003c/p>\n\u003cp>Joining Shatner on the flight was a Blue Origin employee and two paying customers.\u003c/p>\n\u003cp>https://twitter.com/Super70sSports/status/1448312848933867528\u003c/p>\n\u003cp>Billionaire Amazon founder Jeff Bezos, who owns Blue Origin, was on site for the launch and shook the hands of all four passengers as they boarded New Shepard. The rocket is named after American astronaut Alan Shepard.\u003c/p>\n\u003cp>The entire suborbital journey lasted about 10 minutes. On part of the trip the four passengers experienced weightlessness.\u003c/p>\n\u003cp>The capsule topped out at an apogee altitude of 351,000 feet (about 66 miles up). It then fell back to earth, landing under a canopy of parachutes in the west Texas desert.\u003c/p>\n\u003cfigure id=\"attachment_13904610\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13904610\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/GettyImages-1346387303-800x480.jpg\" alt=\"\" width=\"800\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/GettyImages-1346387303-800x480.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/GettyImages-1346387303-1020x613.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/GettyImages-1346387303-160x96.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/GettyImages-1346387303-768x461.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/GettyImages-1346387303.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">William Shatner (and three other civilians) finally hurtling towards space, the final frontier. \u003ccite>(Mario Tama/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Blue Origin launched its first human spaceflight \u003ca href=\"https://www.npr.org/2021/07/20/1018279093/jeff-bezos-blue-origin-space-flight\" target=\"_blank\" rel=\"noopener noreferrer\">in July\u003c/a>, with Bezos and three others onboard.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[aside postid='arts_13900587']Wednesday’s flight came about two weeks after 21 current and former Blue Origin employees \u003ca href=\"https://www.lioness.co/post/bezos-wants-to-create-a-better-future-in-space-his-company-blue-origin-is-stuck-in-a-toxic-past\" target=\"_blank\" rel=\"noopener noreferrer\">wrote an essay\u003c/a> accusing top executives at the space company of fostering a toxic workplace that permits sexual harassment and sometimes compromises on safety. Blue Origin denied the allegations.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=William+Shatner+boldly+went+into+space+for+real+this+morning.+Here%27s+what+he+saw&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cdiv class=\"storyMajorUpdateDate\">\u003cstrong>Updated October 13, 2021 at 11:08 AM ET\u003c/strong>\u003c/div>\n\u003cp>Blue Origin’s second human spaceflight has returned to Earth after taking a brief flight to the edge of space this morning.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Among the four passengers on board—there is no pilot—was William Shatner, the actor who first played the space-traveling Captain Kirk in the \u003cem>Star Trek\u003c/em> franchise.\u003c/p>\n\u003cp>“The covering of blue. This sheet, this blanket, this comforter that we have around. We think, oh, that’s blue sky,” an emotional Shatner said after returning to Earth.\u003c/p>\n\u003cp>“Then suddenly you shoot through it all of a sudden, as though you’re whipping a sheet off you when you’re asleep, and you’re looking into blackness, into black ugliness.”\u003c/p>\n\u003cp>At age 90, Shatner is now the \u003ca href=\"https://www.blueorigin.com/news/shatner-powers-announced-ns18\" target=\"_blank\" rel=\"noopener noreferrer\">oldest person\u003c/a> to fly into space.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>“I do not know what I may appear to the world, but to myself I seem to have been only like a boy playing on the seashore, diverting myself in now & then finding a smoother pebble or a prettier shell than ordinary, whilst the great ocean of truth lay all undiscovered before me,” he said \u003ca href=\"https://twitter.com/WilliamShatner/status/1448300996015181842?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">in a tweet\u003c/a> after landing.\u003c/p>\n\u003cp>The rocket, New Shepard, took off around 9:50 a.m. CT from a launch site near Van Horn, Texas.\u003c/p>\n\u003cp>Joining Shatner on the flight was a Blue Origin employee and two paying customers.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Billionaire Amazon founder Jeff Bezos, who owns Blue Origin, was on site for the launch and shook the hands of all four passengers as they boarded New Shepard. The rocket is named after American astronaut Alan Shepard.\u003c/p>\n\u003cp>The entire suborbital journey lasted about 10 minutes. On part of the trip the four passengers experienced weightlessness.\u003c/p>\n\u003cp>The capsule topped out at an apogee altitude of 351,000 feet (about 66 miles up). It then fell back to earth, landing under a canopy of parachutes in the west Texas desert.\u003c/p>\n\u003cfigure id=\"attachment_13904610\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13904610\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/10/GettyImages-1346387303-800x480.jpg\" alt=\"\" width=\"800\" height=\"480\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/GettyImages-1346387303-800x480.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/GettyImages-1346387303-1020x613.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/GettyImages-1346387303-160x96.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/GettyImages-1346387303-768x461.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/10/GettyImages-1346387303.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">William Shatner (and three other civilians) finally hurtling towards space, the final frontier. \u003ccite>(Mario Tama/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Blue Origin launched its first human spaceflight \u003ca href=\"https://www.npr.org/2021/07/20/1018279093/jeff-bezos-blue-origin-space-flight\" target=\"_blank\" rel=\"noopener noreferrer\">in July\u003c/a>, with Bezos and three others onboard.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Wednesday’s flight came about two weeks after 21 current and former Blue Origin employees \u003ca href=\"https://www.lioness.co/post/bezos-wants-to-create-a-better-future-in-space-his-company-blue-origin-is-stuck-in-a-toxic-past\" target=\"_blank\" rel=\"noopener noreferrer\">wrote an essay\u003c/a> accusing top executives at the space company of fostering a toxic workplace that permits sexual harassment and sometimes compromises on safety. Blue Origin denied the allegations.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=William+Shatner+boldly+went+into+space+for+real+this+morning.+Here%27s+what+he+saw&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Goodbye, Columbus? Here's What Indigenous Peoples' Day Means to Native Americans",
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"content": "\u003cp>President Biden \u003ca href=\"https://www.whitehouse.gov/briefing-room/presidential-actions/2021/10/08/a-proclamation-indigenous-peoples-day-2021/\" target=\"_blank\" rel=\"noopener noreferrer\">issued a proclamation\u003c/a> on Friday to observe this Oct. 11 as a day to honor Native Americans, their resilience and their contributions to American society throughout history, even as they faced assimilation, discrimination and genocide spanning generations. The move shifts focus from Columbus Day, the federal holiday celebrating Christopher Columbus, which shares the same date as Indigenous Peoples’ Day this year.\u003c/p>\n\u003cp>Dylan Baca, a 19-year-old Arizonan who was instrumental in helping broker the proclamation, is overwhelmed by the gravity of Biden’s action.\u003c/p>\n\u003cp>[aside postid='news_11891751']“I still don’t think I’ve fully absorbed what that has meant,” he said. “This is a profound thing the president has done, and it’s going to mean a lot to so many people.”\u003c/p>\n\u003cp>Four years ago, the Native leader started an organization alongside Arizona state Sen. Jamescita Peshlakai, Indigenous Peoples’ Initiative, with a \u003ca href=\"https://www.indigenouspeoplesinitiative.org/mission-statement\" target=\"_blank\" rel=\"noopener noreferrer\">similar mission\u003c/a>: to tell a more positive and more accurate tale of Native Americans by replacing Columbus Day with Indigenous Peoples’ Day.\u003c/p>\n\u003ch3>What is Indigenous Peoples’ Day?\u003c/h3>\n\u003cp>Indigenous Peoples’ Day advocates say the recognition helps correct a “whitewashed” American history that has glorified Europeans like Italian explorer Christopher Columbus who have committed violence against Indigenous communities. Native Americans have long criticized the inaccuracies and harmful narratives of Columbus’ legacy that credited him with his “discovery” of the Americas when Indigenous people were there first.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“It is difficult to grapple with the complete accomplishments of individuals and also the costs of what those accomplishments came at,” said Mandy Van Heuvelen, the cultural interpreter coordinator at the Smithsonian’s National Museum of the American Indian.\u003c/p>\n\u003cp>There are no set rules on how one should appreciate the day, said Van Heuvelen, a member of the Cheyenne River Sioux Tribe from South Dakota. It’s all about reflection, recognition, celebration and an education.\u003c/p>\n\u003cp>“It can be a day of reflection of our history in the United States, the role Native people have played in it, the impacts that history has had on native people and communities, and also a day to gain some understanding of the diversity of Indigenous peoples,” she said.\u003c/p>\n\u003cp>The idea was first proposed by Indigenous peoples at a United Nations conference in 1977 held to address discrimination against Natives\u003cstrong>, \u003c/strong>as \u003ca href=\"https://www.npr.org/2019/10/14/769083847/columbus-day-or-indigenous-peoples-day\" target=\"_blank\" rel=\"noopener noreferrer\">NPR has reported\u003c/a>. But South Dakota became the first state to replace Columbus Day with Indigenous Peoples day in 1989, officially celebrating it the following year.\u003c/p>\n\u003cp>[aside postid='news_11841688']Biden’s proclamation signifies a formal adoption of a day that a growing number of states and cities have come to acknowledge. Last week, \u003ca href=\"https://www.npr.org/live-updates/texas-abortion-malaria-vaccine#boston-opts-to-celebrate-indigenous-people-instead-of-columbus\" target=\"_blank\" rel=\"noopener noreferrer\">Boston joined\u003c/a> Arizona, Oregon, Texas, Louisiana, Washington, D.C., and several other states in dedicating a second Monday in October to Indigenous Peoples’ Day. Native Americans have borne the brunt of the work to make that happen.\u003c/p>\n\u003cp>Many state and local governments have gone a step further. More than a dozen states and well over 100 cities celebrate the day, with many of them having altogether dropped the holiday honoring Columbus to replace it with Indigenous Peoples’ Day.\u003c/p>\n\u003cp>What might seem to some like a simple name change can lead to real social progress for Indigenous Americans, said Van Heuvelen.\u003c/p>\n\u003cp>“What these changes accomplish, piece by piece, is visibility for Native people in the United States,” she said. “Until Native people are or are fully seen in our society and in everyday life, we can’t accomplish those bigger changes. As long as Native people remain invisible, it’s much more easier for people to look past those real issues and those real concerns within those communities.”\u003c/p>\n\u003ch3>What about Columbus Day?\u003c/h3>\n\u003cp>Columbus Day \u003ca href=\"https://www.whitehouse.gov/briefing-room/presidential-actions/2021/10/08/a-proclamation-on-columbus-day-2021/\" target=\"_blank\" rel=\"noopener noreferrer\">remains a federal holiday\u003c/a> that gives federal government employees the day off from work.\u003c/p>\n\u003cp>The day was first founded as a way to appreciate the mistreatment of Italian Americans, and Congress eventually \u003ca href=\"https://www.npr.org/sections/codeswitch/2013/10/14/232120128/how-columbus-sailed-into-u-s-history-thanks-to-italians\" target=\"_blank\" rel=\"noopener noreferrer\">made it a federal holiday\u003c/a> in 1934.\u003c/p>\n\u003cp>“Italian American culture is important, and I think there are other times and places to recognize that. But I think it’s also important to also recognize the history of Columbus Day itself,” said Baca. “Should we recognize a man whose labors killed children, killed women and decimated the Native American population here? I don’t think that is something that we want to be honored.”\u003c/p>\n\u003cp>Monday marks Oregon’s first statewide recognition of Indigenous Peoples’ Day, in place of Columbus Day, after its legislature passed a bill brought by its Indigenous lawmakers. Rep. Tawna Sanchez, one of those lawmakers, says the movement to recognize the day is an ideal time to capitalize on the momentum of political recognition.\u003c/p>\n\u003cp>[aside postid='news_11621763']“I don’t know that we’ll ever get to a place where people have their land back or have the recognition of who they are, to the degree that we that we need to or should. But the fact that people are paying attention at this very moment—that’s important, because we will have a greater opportunity to educate people and help them understand why we are where we are right now,” she said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“History is always written by the conqueror,” said Sanchez. “How do we actually tell the truth about what happened and where we sit this very moment? How do we go forward from here?”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Goodbye%2C+Columbus%3F+Here%27s+what+Indigenous+Peoples%27+Day+means+to+Native+Americans&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“I still don’t think I’ve fully absorbed what that has meant,” he said. “This is a profound thing the president has done, and it’s going to mean a lot to so many people.”\u003c/p>\n\u003cp>Four years ago, the Native leader started an organization alongside Arizona state Sen. Jamescita Peshlakai, Indigenous Peoples’ Initiative, with a \u003ca href=\"https://www.indigenouspeoplesinitiative.org/mission-statement\" target=\"_blank\" rel=\"noopener noreferrer\">similar mission\u003c/a>: to tell a more positive and more accurate tale of Native Americans by replacing Columbus Day with Indigenous Peoples’ Day.\u003c/p>\n\u003ch3>What is Indigenous Peoples’ Day?\u003c/h3>\n\u003cp>Indigenous Peoples’ Day advocates say the recognition helps correct a “whitewashed” American history that has glorified Europeans like Italian explorer Christopher Columbus who have committed violence against Indigenous communities. Native Americans have long criticized the inaccuracies and harmful narratives of Columbus’ legacy that credited him with his “discovery” of the Americas when Indigenous people were there first.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“It is difficult to grapple with the complete accomplishments of individuals and also the costs of what those accomplishments came at,” said Mandy Van Heuvelen, the cultural interpreter coordinator at the Smithsonian’s National Museum of the American Indian.\u003c/p>\n\u003cp>There are no set rules on how one should appreciate the day, said Van Heuvelen, a member of the Cheyenne River Sioux Tribe from South Dakota. It’s all about reflection, recognition, celebration and an education.\u003c/p>\n\u003cp>“It can be a day of reflection of our history in the United States, the role Native people have played in it, the impacts that history has had on native people and communities, and also a day to gain some understanding of the diversity of Indigenous peoples,” she said.\u003c/p>\n\u003cp>The idea was first proposed by Indigenous peoples at a United Nations conference in 1977 held to address discrimination against Natives\u003cstrong>, \u003c/strong>as \u003ca href=\"https://www.npr.org/2019/10/14/769083847/columbus-day-or-indigenous-peoples-day\" target=\"_blank\" rel=\"noopener noreferrer\">NPR has reported\u003c/a>. But South Dakota became the first state to replace Columbus Day with Indigenous Peoples day in 1989, officially celebrating it the following year.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Biden’s proclamation signifies a formal adoption of a day that a growing number of states and cities have come to acknowledge. Last week, \u003ca href=\"https://www.npr.org/live-updates/texas-abortion-malaria-vaccine#boston-opts-to-celebrate-indigenous-people-instead-of-columbus\" target=\"_blank\" rel=\"noopener noreferrer\">Boston joined\u003c/a> Arizona, Oregon, Texas, Louisiana, Washington, D.C., and several other states in dedicating a second Monday in October to Indigenous Peoples’ Day. Native Americans have borne the brunt of the work to make that happen.\u003c/p>\n\u003cp>Many state and local governments have gone a step further. More than a dozen states and well over 100 cities celebrate the day, with many of them having altogether dropped the holiday honoring Columbus to replace it with Indigenous Peoples’ Day.\u003c/p>\n\u003cp>What might seem to some like a simple name change can lead to real social progress for Indigenous Americans, said Van Heuvelen.\u003c/p>\n\u003cp>“What these changes accomplish, piece by piece, is visibility for Native people in the United States,” she said. “Until Native people are or are fully seen in our society and in everyday life, we can’t accomplish those bigger changes. As long as Native people remain invisible, it’s much more easier for people to look past those real issues and those real concerns within those communities.”\u003c/p>\n\u003ch3>What about Columbus Day?\u003c/h3>\n\u003cp>Columbus Day \u003ca href=\"https://www.whitehouse.gov/briefing-room/presidential-actions/2021/10/08/a-proclamation-on-columbus-day-2021/\" target=\"_blank\" rel=\"noopener noreferrer\">remains a federal holiday\u003c/a> that gives federal government employees the day off from work.\u003c/p>\n\u003cp>The day was first founded as a way to appreciate the mistreatment of Italian Americans, and Congress eventually \u003ca href=\"https://www.npr.org/sections/codeswitch/2013/10/14/232120128/how-columbus-sailed-into-u-s-history-thanks-to-italians\" target=\"_blank\" rel=\"noopener noreferrer\">made it a federal holiday\u003c/a> in 1934.\u003c/p>\n\u003cp>“Italian American culture is important, and I think there are other times and places to recognize that. But I think it’s also important to also recognize the history of Columbus Day itself,” said Baca. “Should we recognize a man whose labors killed children, killed women and decimated the Native American population here? I don’t think that is something that we want to be honored.”\u003c/p>\n\u003cp>Monday marks Oregon’s first statewide recognition of Indigenous Peoples’ Day, in place of Columbus Day, after its legislature passed a bill brought by its Indigenous lawmakers. Rep. Tawna Sanchez, one of those lawmakers, says the movement to recognize the day is an ideal time to capitalize on the momentum of political recognition.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“I don’t know that we’ll ever get to a place where people have their land back or have the recognition of who they are, to the degree that we that we need to or should. But the fact that people are paying attention at this very moment—that’s important, because we will have a greater opportunity to educate people and help them understand why we are where we are right now,” she said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“History is always written by the conqueror,” said Sanchez. “How do we actually tell the truth about what happened and where we sit this very moment? How do we go forward from here?”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Goodbye%2C+Columbus%3F+Here%27s+what+Indigenous+Peoples%27+Day+means+to+Native+Americans&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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