window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_13877415": {
"type": "attachments",
"id": "arts_13877415",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13877415",
"found": true
},
"parent": 13877373,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/CampJened_SteveHonigsbaum_MST_14_COVER-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/CampJened_SteveHonigsbaum_MST_14_COVER-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/CampJened_SteveHonigsbaum_MST_14_COVER-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/CampJened_SteveHonigsbaum_MST_14_COVER.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/CampJened_SteveHonigsbaum_MST_14_COVER-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/CampJened_SteveHonigsbaum_MST_14_COVER-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/CampJened_SteveHonigsbaum_MST_14_COVER-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/CampJened_SteveHonigsbaum_MST_14_COVER-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1585093366,
"modified": 1585093399,
"caption": "A scene at Camp Jened from 'Crip Camp: A Disability Revolution.'",
"description": "A scene at Camp Jened from 'Crip Camp: A Disability Revolution.'",
"title": "CampJened_SteveHonigsbaum_MST_14_COVER",
"credit": "Steve Honigsbaum",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13877287": {
"type": "attachments",
"id": "arts_13877287",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13877287",
"found": true
},
"parent": 13877254,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/GettyImages-462328107-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/GettyImages-462328107-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/GettyImages-462328107-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/GettyImages-462328107.jpg",
"width": 1908,
"height": 1271
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/GettyImages-462328107-1020x679.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 679
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/GettyImages-462328107-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/GettyImages-462328107-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
}
},
"publishDate": 1584992571,
"modified": 1584992646,
"caption": "Tom Hanks and Rita Wilson attend HBO's Post 2014 Golden Globe Awards Party. ",
"description": "Tom Hanks and Rita Wilson attend HBO's Post 2014 Golden Globe Awards Party. ",
"title": "Tom Hanks and Rita Wilson attend HBO's Post 2014 Golden Globe Awards Party.",
"credit": "Mike Windle/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13877270": {
"type": "attachments",
"id": "arts_13877270",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13877270",
"found": true
},
"parent": 13877269,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/gettyimages-1189641921_wide-4bfefbcd567dba1499eb5ff94720d558283cf68b-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/gettyimages-1189641921_wide-4bfefbcd567dba1499eb5ff94720d558283cf68b-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/gettyimages-1189641921_wide-4bfefbcd567dba1499eb5ff94720d558283cf68b-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/gettyimages-1189641921_wide-4bfefbcd567dba1499eb5ff94720d558283cf68b-e1584990705446.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/gettyimages-1189641921_wide-4bfefbcd567dba1499eb5ff94720d558283cf68b-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/gettyimages-1189641921_wide-4bfefbcd567dba1499eb5ff94720d558283cf68b-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/gettyimages-1189641921_wide-4bfefbcd567dba1499eb5ff94720d558283cf68b-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/gettyimages-1189641921_wide-4bfefbcd567dba1499eb5ff94720d558283cf68b-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1584990583,
"modified": 1584990735,
"caption": "Chinese movie theaters are beginning to reopen as the rate of COVID-19 cases declines.",
"description": "Chinese movie theaters are beginning to reopen as the rate of COVID-19 cases declines.",
"title": "Chinese movie theaters are beginning to reopen as the rate of COVID-19 cases declines.",
"credit": "Greg Baker/AFP via Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13876950": {
"type": "attachments",
"id": "arts_13876950",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13876950",
"found": true
},
"parent": 13876949,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/trolls-world-tour-fc1dfff4fb387e9e768ae7cf1200a8bd68a16c35-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/trolls-world-tour-fc1dfff4fb387e9e768ae7cf1200a8bd68a16c35-160x120.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 120
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/trolls-world-tour-fc1dfff4fb387e9e768ae7cf1200a8bd68a16c35-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/trolls-world-tour-fc1dfff4fb387e9e768ae7cf1200a8bd68a16c35-e1584483529820.jpg",
"width": 1920,
"height": 1440
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/trolls-world-tour-fc1dfff4fb387e9e768ae7cf1200a8bd68a16c35-1020x765.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 765
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/trolls-world-tour-fc1dfff4fb387e9e768ae7cf1200a8bd68a16c35-1920x1440.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1440
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/trolls-world-tour-fc1dfff4fb387e9e768ae7cf1200a8bd68a16c35-800x600.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 600
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/trolls-world-tour-fc1dfff4fb387e9e768ae7cf1200a8bd68a16c35-768x576.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 576
}
},
"publishDate": 1584483306,
"modified": 1584483573,
"caption": "'Trolls World Tour' starring Anna Kendrick and Justin Timberlake will be the first film by Comcast NBCUniversal to be released to theaters and on-demand at the same time amid the coronavirus pandemic.",
"description": "'Trolls World Tour' starring Anna Kendrick and Justin Timberlake will be the first film by Comcast NBCUniversal to be released to theaters and on-demand at the same time amid the coronavirus pandemic.",
"title": "'Trolls World Tour' starring Anna Kendrick and Justin Timberlake will be the first film by Comcast NBCUniversal to be released to theaters and on-demand at the same time amid the coronavirus pandemic.",
"credit": "DreamWorks Animation/AP",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13876804": {
"type": "attachments",
"id": "arts_13876804",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13876804",
"found": true
},
"parent": 13876750,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/SFStreams_COVERb-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/SFStreams_COVERb-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/SFStreams_COVERb-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/SFStreams_COVERb.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/SFStreams_COVERb-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/SFStreams_COVERb-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/SFStreams_COVERb-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/SFStreams_COVERb-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1584391756,
"modified": 1584391786,
"caption": "Images from films set around the Bay Area, now streaming on digital platforms.",
"description": "Images from films set around the Bay Area, now streaming on digital platforms.",
"title": "SFStreams_COVERb",
"credit": "Collage by Sarah Hotchkiss",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13876796": {
"type": "attachments",
"id": "arts_13876796",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13876796",
"found": true
},
"parent": 13876785,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/artsdesklist1_wide-191a183b8d90ad23257cd36aed28798e0c655469-s1100-c85-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/artsdesklist1_wide-191a183b8d90ad23257cd36aed28798e0c655469-s1100-c85-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/artsdesklist1_wide-191a183b8d90ad23257cd36aed28798e0c655469-s1100-c85-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/artsdesklist1_wide-191a183b8d90ad23257cd36aed28798e0c655469-s1100-c85.jpg",
"width": 1100,
"height": 618
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/artsdesklist1_wide-191a183b8d90ad23257cd36aed28798e0c655469-s1100-c85-1020x573.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 573
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/artsdesklist1_wide-191a183b8d90ad23257cd36aed28798e0c655469-s1100-c85-800x449.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 449
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/artsdesklist1_wide-191a183b8d90ad23257cd36aed28798e0c655469-s1100-c85-768x431.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 431
}
},
"publishDate": 1584389381,
"modified": 1584389416,
"caption": null,
"description": null,
"title": "artsdesklist1_wide-191a183b8d90ad23257cd36aed28798e0c655469-s1100-c85",
"credit": "AP/Sigur Rós and Evan Agostini/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13876753": {
"type": "attachments",
"id": "arts_13876753",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13876753",
"found": true
},
"parent": 13876747,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/IdrisElba-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/IdrisElba-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/IdrisElba.jpg",
"width": 684,
"height": 385
}
},
"publishDate": 1584383815,
"modified": 1584383849,
"caption": "Idris Elba attends the \"Fast & Furious: Hobbs & Shaw\" Special Screening at The Curzon Mayfair on July 23, 2019 in London, England. ",
"description": "Idris Elba attends the \"Fast & Furious: Hobbs & Shaw\" Special Screening at The Curzon Mayfair on July 23, 2019 in London, England. ",
"title": "IdrisElba",
"credit": "Joe Maher/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13852058": {
"type": "attachments",
"id": "arts_13852058",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13852058",
"found": true
},
"parent": 13852108,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/MG_2023-160x107.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 107
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/MG_2023-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/MG_2023.jpg",
"width": 800,
"height": 533
},
"guest-author-50": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/MG_2023-50x50.jpg",
"width": 50,
"mimeType": "image/jpeg",
"height": 50
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/MG_2023-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/MG_2023-800x533.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 533
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/MG_2023-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/MG_2023-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/MG_2023-768x512.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 512
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2019/03/MG_2023-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1551659059,
"modified": 1551670165,
"caption": "The crowd at the 2019 Noise Pop Music and Arts Festival.",
"description": "The crowd at the 2019 Noise Pop Music and Arts Festival.",
"title": "The crowd at the 2019 Noise Pop Music and Arts Festival.",
"credit": "Estefany Gonzalez ",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13876154": {
"type": "attachments",
"id": "arts_13876154",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13876154",
"found": true
},
"parent": 0,
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/DaviesSymphonyHall.Piano_-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/DaviesSymphonyHall.Piano_-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/DaviesSymphonyHall.Piano_.jpg",
"width": 759,
"height": 427
}
},
"publishDate": 1583612299,
"modified": 1711493085,
"caption": "Davies Symphony Hall, home to the San Francisco Symphony.",
"description": "Davies Symphony Hall, home to the San Francisco Symphony, is one of several venues to cancel performances due to the coronavirus.",
"title": "DaviesSymphonyHall.Piano",
"credit": "SF Symphony / Joel Puliatti",
"status": "inherit",
"altTag": "Davies Symphony Hall, home to the San Francisco Symphony, is one of several venues to cancel performances due to the coronavirus.",
"isLoading": false,
"fetchFailed": false
},
"arts_13876601": {
"type": "attachments",
"id": "arts_13876601",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13876601",
"found": true
},
"parent": 13876600,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/cs_082_13009301583460779_wide-6e454d92010a1ceaff42f47227d4bde87ebb2938-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/cs_082_13009301583460779_wide-6e454d92010a1ceaff42f47227d4bde87ebb2938-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/cs_082_13009301583460779_wide-6e454d92010a1ceaff42f47227d4bde87ebb2938-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/cs_082_13009301583460779_wide-6e454d92010a1ceaff42f47227d4bde87ebb2938-e1584056663994.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/cs_082_13009301583460779_wide-6e454d92010a1ceaff42f47227d4bde87ebb2938-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/cs_082_13009301583460779_wide-6e454d92010a1ceaff42f47227d4bde87ebb2938-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/cs_082_13009301583460779_wide-6e454d92010a1ceaff42f47227d4bde87ebb2938-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/cs_082_13009301583460779_wide-6e454d92010a1ceaff42f47227d4bde87ebb2938-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1584056066,
"modified": 1584056707,
"caption": "Autumn (Sidney Flanigan) embarks on a journey to New York in 'Never Rarely Sometimes Always.'",
"description": "Autumn (Sidney Flanigan) embarks on a journey to New York in 'Never Rarely Sometimes Always.'",
"title": "Autumn (Sidney Flanigan) embarks on a journey to New York in 'Never Rarely Sometimes Always.'",
"credit": "Focus Features",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13876545": {
"type": "attachments",
"id": "arts_13876545",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13876545",
"found": true
},
"parent": 13876539,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/10_COVER-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/10_COVER-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/10_COVER-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/10_COVER.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/10_COVER-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/10_COVER-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/10_COVER-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/10_COVER-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1584046978,
"modified": 1584047199,
"caption": "Mick Jagger as Joseph Cassidy and Cales Bang as James Figueras in 'The Burnt Orange Heresy.'",
"description": "Mick Jagger as Joseph Cassidy and Cales Bang as James Figueras in 'The Burnt Orange Heresy.'",
"title": "10_COVER",
"credit": "Photo by Jose Haro; courtesy Sony Pictures Classics",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_13876502": {
"type": "attachments",
"id": "arts_13876502",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "13876502",
"found": true
},
"parent": 13876500,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/Hanks.Coronavirus-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/Hanks.Coronavirus-160x90.jpg",
"width": 160,
"mimeType": "image/jpeg",
"height": 90
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/Hanks.Coronavirus-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/Hanks.Coronavirus.jpg",
"width": 1500,
"height": 844
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/Hanks.Coronavirus-1020x574.jpg",
"width": 1020,
"mimeType": "image/jpeg",
"height": 574
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/Hanks.Coronavirus-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2020/03/Hanks.Coronavirus-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
}
},
"publishDate": 1584026615,
"modified": 1584026641,
"caption": "Tom Hanks and Rita Wilson at the Oscars in February. The couple, who are in Australia where Hanks is preparing for a film shoot, announced Thursday they have tested positive for the coronavirus.",
"description": "Tom Hanks and Rita Wilson at the Oscars in February. The couple, who are in Australia where Hanks is preparing for a film shoot, announced Thursday they have tested positive for the coronavirus.",
"title": "Hanks.Coronavirus",
"credit": "Jordan Strauss/Invision/AP",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_13877269": {
"type": "authors",
"id": "byline_arts_13877269",
"meta": {
"override": true
},
"slug": "byline_arts_13877269",
"name": "Bob Mondello",
"isLoading": false
},
"byline_arts_13876949": {
"type": "authors",
"id": "byline_arts_13876949",
"meta": {
"override": true
},
"slug": "byline_arts_13876949",
"name": "Brakkton Booker",
"isLoading": false
},
"byline_arts_13876785": {
"type": "authors",
"id": "byline_arts_13876785",
"meta": {
"override": true
},
"slug": "byline_arts_13876785",
"name": "NPR Staff",
"isLoading": false
},
"byline_arts_13876716": {
"type": "authors",
"id": "byline_arts_13876716",
"meta": {
"override": true
},
"slug": "byline_arts_13876716",
"name": "Emma Bowman",
"isLoading": false
},
"byline_arts_13876600": {
"type": "authors",
"id": "byline_arts_13876600",
"meta": {
"override": true
},
"slug": "byline_arts_13876600",
"name": "Ella Taylor",
"isLoading": false
},
"byline_arts_13876500": {
"type": "authors",
"id": "byline_arts_13876500",
"meta": {
"override": true
},
"slug": "byline_arts_13876500",
"name": "Scott Neuman",
"isLoading": false
},
"mfox": {
"type": "authors",
"id": "22",
"meta": {
"index": "authors_1716337520",
"id": "22",
"found": true
},
"name": "Michael Fox",
"firstName": "Michael",
"lastName": "Fox",
"slug": "mfox",
"email": "foxonfilm@yahoo.com",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Michael Fox has written about film for dozens of publications since 1987. He is a founding member of the San Francisco Bay Area Film Critics Circle.",
"avatar": "https://secure.gravatar.com/avatar/d9849d6c659c41414795c471d907bb97b396e2a32b88e20e6ff66f65fbdd6dcd?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"Contributor",
"contributor"
]
}
],
"headData": {
"title": "Michael Fox | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/d9849d6c659c41414795c471d907bb97b396e2a32b88e20e6ff66f65fbdd6dcd?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/d9849d6c659c41414795c471d907bb97b396e2a32b88e20e6ff66f65fbdd6dcd?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/mfox"
},
"shotchkiss": {
"type": "authors",
"id": "61",
"meta": {
"index": "authors_1716337520",
"id": "61",
"found": true
},
"name": "Sarah Hotchkiss",
"firstName": "Sarah",
"lastName": "Hotchkiss",
"slug": "shotchkiss",
"email": "shotchkiss@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Senior Editor",
"bio": "Sarah Hotchkiss is a San Francisco \u003ca href=\"http://www.sarahhotchkiss.com\">artist\u003c/a> and arts writer. In 2019, she received the Dorothea & Leo Rabkin Foundation grant for visual art journalism and in 2020 she received a Society of Professional Journalists, Northern California award for excellence in arts and culture reporting.",
"avatar": "https://secure.gravatar.com/avatar/bc662df144b3d27fd8b1b6f1c2a420d34e91e53154d411bb7ad353cc8b6cea8d?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"Contributor",
"administrator"
]
},
{
"site": "artschool",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"editor"
]
},
{
"site": "pop",
"roles": [
"administrator"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "spark",
"roles": [
"editor"
]
},
{
"site": "checkplease",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Sarah Hotchkiss | KQED",
"description": "Senior Editor",
"ogImgSrc": "https://secure.gravatar.com/avatar/bc662df144b3d27fd8b1b6f1c2a420d34e91e53154d411bb7ad353cc8b6cea8d?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/bc662df144b3d27fd8b1b6f1c2a420d34e91e53154d411bb7ad353cc8b6cea8d?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/shotchkiss"
},
"gmeline": {
"type": "authors",
"id": "185",
"meta": {
"index": "authors_1716337520",
"id": "185",
"found": true
},
"name": "Gabe Meline",
"firstName": "Gabe",
"lastName": "Meline",
"slug": "gmeline",
"email": "gmeline@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"arts"
],
"title": "Senior Editor, KQED Arts & Culture",
"bio": "Gabe Meline entered journalism at age 15 making photocopied zines, and has since earned awards from the Edward R. Murrow Awards, the Society for Professional Journalists, the Online Journalism Awards, the Association of Alternative Newsweeklies and the California Newspaper Publishers Association. Prior to KQED, he was the editor of the \u003cem>North Bay Bohemian\u003c/em> and a touring musician. He lives with his wife and daughter in his hometown of Santa Rosa, CA.",
"avatar": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "",
"roles": [
"editor"
]
},
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "artschool",
"roles": [
"editor"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "pop",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"administrator"
]
},
{
"site": "liveblog",
"roles": [
"editor"
]
},
{
"site": "hiphop",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Gabe Meline | KQED",
"description": "Senior Editor, KQED Arts & Culture",
"ogImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/5bebe57be0d8bc2dd318934feb47299e2d2d10cba28d09d8d7afb389a2ce2bdd?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/gmeline"
},
"ralexandra": {
"type": "authors",
"id": "11242",
"meta": {
"index": "authors_1716337520",
"id": "11242",
"found": true
},
"name": "Rae Alexandra",
"firstName": "Rae",
"lastName": "Alexandra",
"slug": "ralexandra",
"email": "ralexandra@kqed.org",
"display_author_email": true,
"staff_mastheads": [],
"title": "Reporter/Producer",
"bio": "Rae Alexandra is a Reporter/Producer for KQED Arts & Culture, and the creator/author of the \u003ca href=\"https://www.kqed.org/arts/program/rebel-girls-from-bay-area-history\">Rebel Girls From Bay Area History\u003c/a> and \u003ca href=\"https://www.kqed.org/bizarrebayarea\">Bizarre Bay Area\u003c/a> series. Her debut book, \u003ca href=\"https://citylights.com/politics-current-events-history/unsung-heroines35-women-who-changed/\">Unsung Heroines: 35 Women Who Changed the Bay Area\u003c/a> was published by City Lights in March 2026. In 2023, Rae was awarded an SPJ Excellence in Journalism Award for Arts & Culture. Rae was born and raised in Wales and subsequently — even after two decades in Northern California — still uses phrases that regularly baffle her coworkers.",
"avatar": "https://secure.gravatar.com/avatar/edfee8176c80cc0a382b051190f5341997df378a934a5774dcb0977732dfd401?s=600&d=blank&r=g",
"twitter": null,
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"subscriber"
]
},
{
"site": "news",
"roles": [
"subscriber"
]
},
{
"site": "pop",
"roles": [
"subscriber"
]
},
{
"site": "bayareabites",
"roles": [
"subscriber"
]
},
{
"site": "science",
"roles": [
"subscriber"
]
}
],
"headData": {
"title": "Rae Alexandra | KQED",
"description": "Reporter/Producer",
"ogImgSrc": "https://secure.gravatar.com/avatar/edfee8176c80cc0a382b051190f5341997df378a934a5774dcb0977732dfd401?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/edfee8176c80cc0a382b051190f5341997df378a934a5774dcb0977732dfd401?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/ralexandra"
}
},
"pagesReducer": {
"arts_category_movies": {
"type": "terms",
"id": "arts_74",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "74",
"score": 12.5629425
},
"featImg": null,
"name": "Movies",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Movies Archives | KQED Arts",
"ogDescription": null
},
"ttid": 75,
"slug": "movies",
"isLoading": false,
"title": "Movies",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 103
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=movies",
"seeMore": false,
"paginated": true,
"page": 103
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_13877373": {
"type": "posts",
"id": "arts_13877373",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13877373",
"score": null,
"sort": [
1585094444000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1585094444,
"format": "standard",
"title": "‘Crip Camp’ Recalls Coming of Age Through Activism",
"headTitle": "‘Crip Camp’ Recalls Coming of Age Through Activism | KQED",
"content": "\u003cp>Jim LeBrecht was a life-of-the-party 15-year-old with spina bifida when he got off the bus at Camp Jened. The three-hour ride from his New York City home to the Catskills camp, then in its 20th year of catering specifically to children with disabilities, was fun and strange and, in ways he couldn’t imagine, the first step on a journey that coincided with a societal transformation.\u003c/p>\n\u003cp>LeBrecht’s winning personality and self-aware perspective enroll us immediately in \u003cem>Crip Camp\u003c/em>, the disarming, infuriating and essential documentary co-directed by the longtime East Bay sound designer and local ace Nicole Newnham (\u003cem>The Rape of Europa\u003c/em>). It’s the film we didn’t know we needed, filling a great gap in the history of the civil rights movement that I, at least, didn’t realize existed.\u003c/p>\n\u003cfigure id=\"attachment_13877412\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200.jpg\" alt=\"\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13877412\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200-1020x680.jpg 1020w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Directors Nicole Newnham and Jim LeBrecht. \u003ccite>(Sacha Maric)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Crip Camp\u003c/em> opened the Sundance Film Festival in January, reconnecting the festival with its politically conscious roots, and premieres Wednesday, March 25 on Netflix. A celebratory community screening was planned for SFFILM in April, until the coronavirus forced the festival’s cancellation. You can still cheer and yell at the screen, albeit from the “comfort” of your own home. (You can also yell at the federal government, though you may want to open your window à la a certain \u003ca href=\"https://youtu.be/AS4aiA17YsM\" rel=\"noopener noreferrer\" target=\"_blank\">Howard Beale\u003c/a>.)\u003c/p>\n\u003cp>LeBrecht’s recounting of his various awakenings at hippie-happy Camp Jened in the summer of ’71—romantic and sexual, included—establishes \u003cem>Crip Camp\u003c/em> at the outset as a coming-of-age story, with all the joy, awkwardness, gratifying nostalgia and life lessons one anticipates. It’s a smart strategy in a couple of ways: Through one man’s eyes, we view that period and, more importantly, what it was like to live and to be perceived as “disabled.” We’re in the room, not peering through a window, with people who are alive and irreverent and sensitive and horny and, well, people. \u003c/p>\n\u003cp>Another benefit of this approach is it allows \u003cem>Crip Camp\u003c/em> to avoid earnestness, and the deadly air of a “message film.” Serious subjects are discussed—dependence and independence, the lack of privacy—but they are framed as personal issues, even if every camper deals with them on a daily basis back home.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>Crip Camp\u003c/em> works wonderfully as a consciousness-raising saga for the first 20 minutes or so, but summer camp (like all good things) has to end. Jimmy LeBrecht returns to high school, goes to the Left Coast (well, San Diego) for college, discovers the Bay Area’s weirdness—a Camp Jened alumnus performs on the Mabuhay Gardens stage in an arresting piece of archival footage—and innovation (Berkeley’s Center for Independent Living gets a shout-out and more), and takes a job after graduation as Berkeley Rep’s resident sound designer.\u003c/p>\n\u003cfigure id=\"attachment_13877414\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER.jpg\" alt=\"\" width=\"1920\" height=\"1080\" class=\"size-full wp-image-13877414\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-1020x574.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Judy Heumann at a rally. \u003ccite>(HolLynn D'Lil)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>LeBrecht joined Disability in Action in the early ’70s and became an outspoken activist in college. But he humbly and wisely relinquishes the \u003cem>Crip Camp\u003c/em> spotlight to disability advocates like Judy Heumann, a Camp Jened alum who spearheaded the occupation of HEW’s San Francisco office in 1977. Originally a simple protest aimed at pressuring newly appointed and exasperatingly lackadaisical Health, Education and Welfare Secretary Joseph Califano to sign regulations expanding the rights of people with disabilities, it evolved into a major action that lasted more than three weeks. \u003c/p>\n\u003cp>The prime purpose of documentaries, for most people, is education. By that measure, \u003cem>Crip Camp\u003c/em> scores early and often. How had I never heard of the HEW demonstration? Is there a plaque commemorating this milestone in Bay Area activism, or any other acknowledgement?\u003c/p>\n\u003cp>I was baffled by my ignorance of this event, and outraged at the indifference of federal officials to peaceful, reasonable demands. It’s possible that my fury was exacerbated by the current administration’s stonewalling on the coronavirus crisis, which is to say that a good historical documentary is never (just) about the past.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Crip Camp\u003c/em> starts out as a summer frolic with an edge, but it expands into something far, far greater. It’s a major work that continues the long tradition of timeless Bay Area social-issue documentaries, and deserves a place on the shelf alongside, to cite just a few, \u003cem>The Times of Harvey Milk\u003c/em>, \u003cem>Freedom on My Mind\u003c/em>, \u003cem>The Weather Underground\u003c/em> and \u003cem>Brother Outsider: The Life of Bayard Rustin\u003c/em>.\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 772,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 12
},
"modified": 1705021021,
"excerpt": "Jim Lebrecht's summer frolic turned into something much, much bigger.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Jim Lebrecht's summer frolic turned into something much, much bigger.",
"title": "‘Crip Camp’ Recalls Coming of Age Through Activism | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "‘Crip Camp’ Recalls Coming of Age Through Activism",
"datePublished": "2020-03-24T17:00:44-07:00",
"dateModified": "2024-01-11T16:57:01-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "now-playing-crip-camp-recalls-coming-of-age-through-activism",
"status": "publish",
"templateType": "standard",
"excludeFromSiteSearch": "Include",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13877373/now-playing-crip-camp-recalls-coming-of-age-through-activism",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Jim LeBrecht was a life-of-the-party 15-year-old with spina bifida when he got off the bus at Camp Jened. The three-hour ride from his New York City home to the Catskills camp, then in its 20th year of catering specifically to children with disabilities, was fun and strange and, in ways he couldn’t imagine, the first step on a journey that coincided with a societal transformation.\u003c/p>\n\u003cp>LeBrecht’s winning personality and self-aware perspective enroll us immediately in \u003cem>Crip Camp\u003c/em>, the disarming, infuriating and essential documentary co-directed by the longtime East Bay sound designer and local ace Nicole Newnham (\u003cem>The Rape of Europa\u003c/em>). It’s the film we didn’t know we needed, filling a great gap in the history of the civil rights movement that I, at least, didn’t realize existed.\u003c/p>\n\u003cfigure id=\"attachment_13877412\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200.jpg\" alt=\"\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13877412\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/200123_SM_NETFLIX_SUNDANCE_2020_CRIP_CAMP_0072_R_1200-1020x680.jpg 1020w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Directors Nicole Newnham and Jim LeBrecht. \u003ccite>(Sacha Maric)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Crip Camp\u003c/em> opened the Sundance Film Festival in January, reconnecting the festival with its politically conscious roots, and premieres Wednesday, March 25 on Netflix. A celebratory community screening was planned for SFFILM in April, until the coronavirus forced the festival’s cancellation. You can still cheer and yell at the screen, albeit from the “comfort” of your own home. (You can also yell at the federal government, though you may want to open your window à la a certain \u003ca href=\"https://youtu.be/AS4aiA17YsM\" rel=\"noopener noreferrer\" target=\"_blank\">Howard Beale\u003c/a>.)\u003c/p>\n\u003cp>LeBrecht’s recounting of his various awakenings at hippie-happy Camp Jened in the summer of ’71—romantic and sexual, included—establishes \u003cem>Crip Camp\u003c/em> at the outset as a coming-of-age story, with all the joy, awkwardness, gratifying nostalgia and life lessons one anticipates. It’s a smart strategy in a couple of ways: Through one man’s eyes, we view that period and, more importantly, what it was like to live and to be perceived as “disabled.” We’re in the room, not peering through a window, with people who are alive and irreverent and sensitive and horny and, well, people. \u003c/p>\n\u003cp>Another benefit of this approach is it allows \u003cem>Crip Camp\u003c/em> to avoid earnestness, and the deadly air of a “message film.” Serious subjects are discussed—dependence and independence, the lack of privacy—but they are framed as personal issues, even if every camper deals with them on a daily basis back home.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Crip Camp\u003c/em> works wonderfully as a consciousness-raising saga for the first 20 minutes or so, but summer camp (like all good things) has to end. Jimmy LeBrecht returns to high school, goes to the Left Coast (well, San Diego) for college, discovers the Bay Area’s weirdness—a Camp Jened alumnus performs on the Mabuhay Gardens stage in an arresting piece of archival footage—and innovation (Berkeley’s Center for Independent Living gets a shout-out and more), and takes a job after graduation as Berkeley Rep’s resident sound designer.\u003c/p>\n\u003cfigure id=\"attachment_13877414\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER.jpg\" alt=\"\" width=\"1920\" height=\"1080\" class=\"size-full wp-image-13877414\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/01078_HolLynnDLil_504-early-rally_folder-0-image-13_REF_COVER-1020x574.jpg 1020w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Judy Heumann at a rally. \u003ccite>(HolLynn D'Lil)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>LeBrecht joined Disability in Action in the early ’70s and became an outspoken activist in college. But he humbly and wisely relinquishes the \u003cem>Crip Camp\u003c/em> spotlight to disability advocates like Judy Heumann, a Camp Jened alum who spearheaded the occupation of HEW’s San Francisco office in 1977. Originally a simple protest aimed at pressuring newly appointed and exasperatingly lackadaisical Health, Education and Welfare Secretary Joseph Califano to sign regulations expanding the rights of people with disabilities, it evolved into a major action that lasted more than three weeks. \u003c/p>\n\u003cp>The prime purpose of documentaries, for most people, is education. By that measure, \u003cem>Crip Camp\u003c/em> scores early and often. How had I never heard of the HEW demonstration? Is there a plaque commemorating this milestone in Bay Area activism, or any other acknowledgement?\u003c/p>\n\u003cp>I was baffled by my ignorance of this event, and outraged at the indifference of federal officials to peaceful, reasonable demands. It’s possible that my fury was exacerbated by the current administration’s stonewalling on the coronavirus crisis, which is to say that a good historical documentary is never (just) about the past.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Crip Camp\u003c/em> starts out as a summer frolic with an edge, but it expands into something far, far greater. It’s a major work that continues the long tradition of timeless Bay Area social-issue documentaries, and deserves a place on the shelf alongside, to cite just a few, \u003cem>The Times of Harvey Milk\u003c/em>, \u003cem>Freedom on My Mind\u003c/em>, \u003cem>The Weather Underground\u003c/em> and \u003cem>Brother Outsider: The Life of Bayard Rustin\u003c/em>.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13877373/now-playing-crip-camp-recalls-coming-of-age-through-activism",
"authors": [
"22"
],
"categories": [
"arts_74"
],
"tags": [
"arts_9693",
"arts_13672",
"arts_1006",
"arts_3324",
"arts_585"
],
"featImg": "arts_13877415",
"label": "arts"
},
"arts_13877254": {
"type": "posts",
"id": "arts_13877254",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13877254",
"score": null,
"sort": [
1584991963000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1584991963,
"format": "standard",
"title": "Tom Hanks and Rita Wilson Just Gave Us a Ray of Hope (and Some Good Advice)",
"headTitle": "Tom Hanks and Rita Wilson Just Gave Us a Ray of Hope (and Some Good Advice) | KQED",
"content": "\u003cp>When national treasure Tom Hanks and his wonderful wife Rita Wilson tested positive for the coronavirus, it felt symbolic. Not just of the indiscriminate nature of the illness, but also the gravity of what America is facing. “It doesn’t matter how rich or successful or beloved you are,” the event told us, “coronavirus is coming for you.”\u003c/p>\n\u003cp>It’s been less than two weeks since the couple was admitted to Gold Coast University Hospital in Australia but they have emerged from quarantine with positive news.\u003c/p>\n\u003cp>https://twitter.com/tomhanks/status/1241919151829954566\u003c/p>\n\u003cp>Tom Hanks telling us all to stay indoors right when we’re starting to get antsy is like your dad casually reminding you of all the punishments that’ll come your way if you break curfew: it’s just not worth it, so don’t be a jackass. (A message that, while fairly obvious, is being roundly ignored by far \u003ca href=\"https://www.cnn.com/2020/03/23/us/california-stay-at-home-beach-goers/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">too many idiots\u003c/a>.)\u003c/p>\n\u003cp>The real hope though, came via Rita Wilson’s Instagram. The actress posted a clip of herself rapping along to Naughty By Nature’s “Hip Hop Hooray” without missing a beat. Proof that she’s definitely gotten her breath back after battling coronavirus, and a much-needed break in all this month’s bad news.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Take it away, Rita!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.instagram.com/p/B-BqChYnY6F/\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 239,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 7
},
"modified": 1705021033,
"excerpt": "Breathe a sigh of relief: Tom Hanks and Rita Wilson have recovered from coronavirus.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Breathe a sigh of relief: Tom Hanks and Rita Wilson have recovered from coronavirus.",
"title": "Tom Hanks and Rita Wilson Just Gave Us a Ray of Hope (and Some Good Advice) | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Tom Hanks and Rita Wilson Just Gave Us a Ray of Hope (and Some Good Advice)",
"datePublished": "2020-03-23T12:32:43-07:00",
"dateModified": "2024-01-11T16:57:13-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "tom-hanks-and-rita-wilson-just-gave-us-a-ray-of-hope-and-some-good-advice",
"status": "publish",
"templateType": "standard",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13877254/tom-hanks-and-rita-wilson-just-gave-us-a-ray-of-hope-and-some-good-advice",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When national treasure Tom Hanks and his wonderful wife Rita Wilson tested positive for the coronavirus, it felt symbolic. Not just of the indiscriminate nature of the illness, but also the gravity of what America is facing. “It doesn’t matter how rich or successful or beloved you are,” the event told us, “coronavirus is coming for you.”\u003c/p>\n\u003cp>It’s been less than two weeks since the couple was admitted to Gold Coast University Hospital in Australia but they have emerged from quarantine with positive news.\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1241919151829954566"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Tom Hanks telling us all to stay indoors right when we’re starting to get antsy is like your dad casually reminding you of all the punishments that’ll come your way if you break curfew: it’s just not worth it, so don’t be a jackass. (A message that, while fairly obvious, is being roundly ignored by far \u003ca href=\"https://www.cnn.com/2020/03/23/us/california-stay-at-home-beach-goers/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">too many idiots\u003c/a>.)\u003c/p>\n\u003cp>The real hope though, came via Rita Wilson’s Instagram. The actress posted a clip of herself rapping along to Naughty By Nature’s “Hip Hop Hooray” without missing a beat. Proof that she’s definitely gotten her breath back after battling coronavirus, and a much-needed break in all this month’s bad news.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Take it away, Rita!\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "instagramLink",
"attributes": {
"named": {
"instagramUrl": "https://www.instagram.com/p/B-BqChYnY6F/"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13877254/tom-hanks-and-rita-wilson-just-gave-us-a-ray-of-hope-and-some-good-advice",
"authors": [
"11242"
],
"categories": [
"arts_74",
"arts_235"
],
"tags": [
"arts_10126",
"arts_2098",
"arts_2882"
],
"featImg": "arts_13877287",
"label": "arts"
},
"arts_13877269": {
"type": "posts",
"id": "arts_13877269",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13877269",
"score": null,
"sort": [
1584990826000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1584990826,
"format": "standard",
"title": "China Reopens Movie Theaters For the First Time Since January",
"headTitle": "China Reopens Movie Theaters For the First Time Since January | KQED",
"content": "\u003cp>There’s some hopeful news for the film industry coming from China.\u003c/p>\n\u003cp>As the number of new cases of the coronavirus declines in China, the Chinese government is allowing a few movie theaters to reopen for the first time since the country’s theaters were shuttered by decree in January.\u003c/p>\n\u003cp>According to the entertainment news website Deadline, about 500 have reopened (less than 5% of Chinese exhibitors), mostly in Xinjiang and in far-flung provinces across the country.\u003c/p>\n\u003cp>They’re showing older Chinese titles at present—last year’s sci-fi blockbuster \u003cem>The Wandering Earth\u003c/em>, for instance. And Hollywood studios have been approached about sending such time-tested hits as the first \u003cem>Harry Potter\u003c/em> film in coming weeks as the industry ramps up. This will allow theaters to limit attendance and allow social distancing in auditoriums.\u003c/p>\n\u003cp>Social distancing was easy this past weekend, as many theaters had just one or two patrons. But this first wave of openings is mostly to test the water with audiences. The hope is that as Chinese patrons become more comfortable with going out, more theaters can open in April.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Baby steps, but it qualifies as a bright spot at a time when nearly all the rest of the world’s cinemas are dark.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=China+Reopens+Movie+Theaters+For+1st+Time+Since+January&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 225,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 8
},
"modified": 1705021034,
"excerpt": "There's a bit of hopeful news for the film industry coming from China.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "There's a bit of hopeful news for the film industry coming from China.",
"title": "China Reopens Movie Theaters For the First Time Since January | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "China Reopens Movie Theaters For the First Time Since January",
"datePublished": "2020-03-23T12:13:46-07:00",
"dateModified": "2024-01-11T16:57:14-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "china-reopens-movie-theaters-for-the-first-time-since-january",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=820211092&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Mon, 23 Mar 2020 14:09:45 -0400",
"nprLastModifiedDate": "Mon, 23 Mar 2020 15:08:38 -0400",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/sections/coronavirus-live-updates/2020/03/23/820211092/china-re-opens-movie-theaters-for-first-time-since-january?ft=nprml&f=820211092",
"nprImageAgency": "AFP via Getty Images",
"nprStoryId": "820211092",
"nprByline": "Bob Mondello",
"sticky": false,
"nprImageCredit": "Greg Baker",
"nprRetrievedStory": "1",
"nprPubDate": "Mon, 23 Mar 2020 15:08:00 -0400",
"path": "/arts/13877269/china-reopens-movie-theaters-for-the-first-time-since-january",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>There’s some hopeful news for the film industry coming from China.\u003c/p>\n\u003cp>As the number of new cases of the coronavirus declines in China, the Chinese government is allowing a few movie theaters to reopen for the first time since the country’s theaters were shuttered by decree in January.\u003c/p>\n\u003cp>According to the entertainment news website Deadline, about 500 have reopened (less than 5% of Chinese exhibitors), mostly in Xinjiang and in far-flung provinces across the country.\u003c/p>\n\u003cp>They’re showing older Chinese titles at present—last year’s sci-fi blockbuster \u003cem>The Wandering Earth\u003c/em>, for instance. And Hollywood studios have been approached about sending such time-tested hits as the first \u003cem>Harry Potter\u003c/em> film in coming weeks as the industry ramps up. This will allow theaters to limit attendance and allow social distancing in auditoriums.\u003c/p>\n\u003cp>Social distancing was easy this past weekend, as many theaters had just one or two patrons. But this first wave of openings is mostly to test the water with audiences. The hope is that as Chinese patrons become more comfortable with going out, more theaters can open in April.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Baby steps, but it qualifies as a bright spot at a time when nearly all the rest of the world’s cinemas are dark.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=China+Reopens+Movie+Theaters+For+1st+Time+Since+January&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13877269/china-reopens-movie-theaters-for-the-first-time-since-january",
"authors": [
"byline_arts_13877269"
],
"categories": [
"arts_74"
],
"tags": [
"arts_5391",
"arts_10126",
"arts_9598"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13877270",
"label": "arts_137"
},
"arts_13876949": {
"type": "posts",
"id": "arts_13876949",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13876949",
"score": null,
"sort": [
1584483745000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1584483745,
"format": "standard",
"title": "As Coronavirus Shuts Down Theaters, Universal Shifts Films to On-Demand",
"headTitle": "As Coronavirus Shuts Down Theaters, Universal Shifts Films to On-Demand | KQED",
"content": "\u003cp>With the coronavirus pandemic continuing to affect nearly every facet of life, including some governors moving to temporarily shutter movie theaters, Comcast NBCUniversal announced a potentially industry-altering change: It will allow customers to view new films at home through video on demand the same day as their theatrical release.\u003c/p>\n\u003cp>\u003cem>Trolls World Tour, \u003c/em>slated to open in the U.S. on April 10, will be the first to kick off the new initiative.\u003c/p>\n\u003cp>The company also announced that some movies currently in theaters will be available to be streamed at home beginning Friday. \u003cem>The Invisible Man\u003c/em> and \u003cem>Emma—\u003c/em>along with \u003cem>The Hunt, \u003c/em>which debuted last week\u003cem>—\u003c/em>will be available for a two-day digital rental for $19.99 in the U.S. and the equivalent price in overseas markets.\u003c/p>\n\u003cp>“Rather than delaying these films or releasing them into a challenged distribution landscape, we wanted to provide an option for people to view these titles in the home that is both accessible and affordable,” Jeff Shell, the CEO of \u003ca href=\"https://corporate.comcast.com/press/releases/comcast-nbcuniversal-moves-to-make-current-movies-available-in-the-home\" target=\"_blank\" rel=\"noopener noreferrer\">NBCUniversal, said in a statement.\u003c/a>\u003c/p>\n\u003cp>The move by Comcast NBCUniversal will likely be viewed as a major setback for multiplexes, which have long relied on studios’ months-long waiting periods after a theatrical release to make films available on at-home streaming.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The coronavirus is forcing widespread changes across the entertainment industry as many \u003ca href=\"https://www.npr.org/2020/03/12/815200313/what-governors-are-doing-to-tackle-spreading-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">governors across the country\u003c/a> move to close theaters to curb the spread of the disease.\u003c/p>\n\u003cp>The nation’s largest theater chains also announced closures.\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/RegalMovies/status/1239671395149385728\" target=\"_blank\" rel=\"noopener noreferrer\">Regal Cinemas\u003c/a> said “as a precaution amid the current circumstances” all of its theaters will remain closed until further notice, beginning Tuesday. AMC Theatres \u003ca href=\"https://twitter.com/RegalMovies/status/1239671395149385728\" target=\"_blank\" rel=\"noopener noreferrer\">said Tuesday\u003c/a> that its cinemas will be closed “for at least 6-12 weeks.”\u003c/p>\n\u003cp>The decision by Comcast Universal follows \u003ca href=\"https://thewaltdisneycompany.com/the-walt-disney-company-will-make-frozen-2-available-on-disney-three-months-early-beginning-sunday-march-15/\" target=\"_blank\" rel=\"noopener noreferrer\">a similar decision by Disney\u003c/a>, which pushed its blockbuster film \u003cem>Frozen II\u003c/em> to its Disney+ streaming platform on Sunday, three months ahead of schedule. Disney said it was “surprising families with some fun and joy during this challenging period.”\u003c/p>\n\u003cp>As people around the world are encouraged to stay home, other types of performances are also happening remotely. Music stars are also moving to provide fans with at-home viewing options.\u003c/p>\n\u003cp>R&B crooner John Legend, who is one of the celebrity coaches on NBC’s singing competition \u003cem>The Voice, \u003c/em>\u003ca href=\"https://twitter.com/johnlegend/status/1239666268627546112\" target=\"_blank\" rel=\"noopener noreferrer\">announced he is performing\u003c/a> a concert at home on Tuesday.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>This follows a similar \u003ca href=\"https://www.instagram.com/p/B90Ft_knpuT/\" target=\"_blank\" rel=\"noopener noreferrer\">at-home “mini” concert streamed\u003c/a> by Chris Martin, frontman of the British rock band Coldplay on Monday.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=As+Coronavirus+Shuts+Down+Theaters%2C+Universal+Shifts+Some+Films+To+On-Demand&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 436,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 14
},
"modified": 1705021068,
"excerpt": "'Trolls World Tour' in April will be Comcast NBCUniversal's first film available at home on the same day as its global release. The company said some films in theaters will begin streaming Friday. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "'Trolls World Tour' in April will be Comcast NBCUniversal's first film available at home on the same day as its global release. The company said some films in theaters will begin streaming Friday. ",
"title": "As Coronavirus Shuts Down Theaters, Universal Shifts Films to On-Demand | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "As Coronavirus Shuts Down Theaters, Universal Shifts Films to On-Demand",
"datePublished": "2020-03-17T15:22:25-07:00",
"dateModified": "2024-01-11T16:57:48-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "as-coronavirus-shuts-down-theaters-universal-shifts-films-to-on-demand",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=817136846&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprStoryDate": "Tue, 17 Mar 2020 12:58:22 -0400",
"nprLastModifiedDate": "Tue, 17 Mar 2020 13:54:20 -0400",
"featuredImageType": "standard",
"nprHtmlLink": "https://www.npr.org/2020/03/17/817136846/as-coronavirus-shuts-down-theaters-universal-shifts-some-films-to-on-demand?ft=nprml&f=817136846",
"nprImageAgency": "AP",
"nprStoryId": "817136846",
"nprByline": "Brakkton Booker",
"sticky": false,
"nprImageCredit": "DreamWorks Animation",
"nprRetrievedStory": "1",
"nprPubDate": "Tue, 17 Mar 2020 13:54:00 -0400",
"path": "/arts/13876949/as-coronavirus-shuts-down-theaters-universal-shifts-films-to-on-demand",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>With the coronavirus pandemic continuing to affect nearly every facet of life, including some governors moving to temporarily shutter movie theaters, Comcast NBCUniversal announced a potentially industry-altering change: It will allow customers to view new films at home through video on demand the same day as their theatrical release.\u003c/p>\n\u003cp>\u003cem>Trolls World Tour, \u003c/em>slated to open in the U.S. on April 10, will be the first to kick off the new initiative.\u003c/p>\n\u003cp>The company also announced that some movies currently in theaters will be available to be streamed at home beginning Friday. \u003cem>The Invisible Man\u003c/em> and \u003cem>Emma—\u003c/em>along with \u003cem>The Hunt, \u003c/em>which debuted last week\u003cem>—\u003c/em>will be available for a two-day digital rental for $19.99 in the U.S. and the equivalent price in overseas markets.\u003c/p>\n\u003cp>“Rather than delaying these films or releasing them into a challenged distribution landscape, we wanted to provide an option for people to view these titles in the home that is both accessible and affordable,” Jeff Shell, the CEO of \u003ca href=\"https://corporate.comcast.com/press/releases/comcast-nbcuniversal-moves-to-make-current-movies-available-in-the-home\" target=\"_blank\" rel=\"noopener noreferrer\">NBCUniversal, said in a statement.\u003c/a>\u003c/p>\n\u003cp>The move by Comcast NBCUniversal will likely be viewed as a major setback for multiplexes, which have long relied on studios’ months-long waiting periods after a theatrical release to make films available on at-home streaming.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The coronavirus is forcing widespread changes across the entertainment industry as many \u003ca href=\"https://www.npr.org/2020/03/12/815200313/what-governors-are-doing-to-tackle-spreading-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">governors across the country\u003c/a> move to close theaters to curb the spread of the disease.\u003c/p>\n\u003cp>The nation’s largest theater chains also announced closures.\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/RegalMovies/status/1239671395149385728\" target=\"_blank\" rel=\"noopener noreferrer\">Regal Cinemas\u003c/a> said “as a precaution amid the current circumstances” all of its theaters will remain closed until further notice, beginning Tuesday. AMC Theatres \u003ca href=\"https://twitter.com/RegalMovies/status/1239671395149385728\" target=\"_blank\" rel=\"noopener noreferrer\">said Tuesday\u003c/a> that its cinemas will be closed “for at least 6-12 weeks.”\u003c/p>\n\u003cp>The decision by Comcast Universal follows \u003ca href=\"https://thewaltdisneycompany.com/the-walt-disney-company-will-make-frozen-2-available-on-disney-three-months-early-beginning-sunday-march-15/\" target=\"_blank\" rel=\"noopener noreferrer\">a similar decision by Disney\u003c/a>, which pushed its blockbuster film \u003cem>Frozen II\u003c/em> to its Disney+ streaming platform on Sunday, three months ahead of schedule. Disney said it was “surprising families with some fun and joy during this challenging period.”\u003c/p>\n\u003cp>As people around the world are encouraged to stay home, other types of performances are also happening remotely. Music stars are also moving to provide fans with at-home viewing options.\u003c/p>\n\u003cp>R&B crooner John Legend, who is one of the celebrity coaches on NBC’s singing competition \u003cem>The Voice, \u003c/em>\u003ca href=\"https://twitter.com/johnlegend/status/1239666268627546112\" target=\"_blank\" rel=\"noopener noreferrer\">announced he is performing\u003c/a> a concert at home on Tuesday.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>This follows a similar \u003ca href=\"https://www.instagram.com/p/B90Ft_knpuT/\" target=\"_blank\" rel=\"noopener noreferrer\">at-home “mini” concert streamed\u003c/a> by Chris Martin, frontman of the British rock band Coldplay on Monday.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=As+Coronavirus+Shuts+Down+Theaters%2C+Universal+Shifts+Some+Films+To+On-Demand&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13876949/as-coronavirus-shuts-down-theaters-universal-shifts-films-to-on-demand",
"authors": [
"byline_arts_13876949"
],
"categories": [
"arts_74"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13876950",
"label": "arts_137"
},
"arts_13876750": {
"type": "posts",
"id": "arts_13876750",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13876750",
"score": null,
"sort": [
1584392029000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 140
},
"blocks": [],
"publishDate": 1584392029,
"format": "standard",
"title": "Now Playing! Tour San Francisco on Your Home Screen",
"headTitle": "Now Playing! Tour San Francisco on Your Home Screen | KQED",
"content": "\u003cp>Our favorite movie theaters are closed, necessarily but depressingly, though the month will come when they reopen. (And the concession stands will sell out of popcorn and Junior Mints within hours, I predict.) Until that glorious day, we’re reliant on home entertainment—chess and Monopoly are OK if you wash your hands regularly, but no Twister, please!—which for most people, my little joke notwithstanding, means watching images on a screen. And that means streaming.\u003c/p>\n\u003cp>[aside postID='arts_13874442' hero='https://ww2.kqed.org/app/uploads/sites/2/2020/02/Happy-1020x651.jpg']\u003c/p>\n\u003cp>With our favorite haunts largely off-limits, I dove into the platforms in search of San Francisco-set films that would (virtually) put us back on the streets. Perhaps it’s not surprising that I was mostly drawn to paranoid thrillers which are scarily relevant right now and may be too horrifying to “enjoy” in the not-too-distant future. If you don’t find fear cathartic, well, I promise to amass a list of comedies for the next installment.\u003c/p>\n\u003cp>\u003cb>\u003cem>D.O.A.\u003c/em>, 1949\u003c/b>\u003cbr>\n\u003ca href=\"https://www.amazon.com/D-Edmond-OBrien/dp/B07CJTSNY5/\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime\u003c/a>\u003cbr>\nPoisoned in a San Francisco bar while on holiday, doomed small-town accountant Edmond O’Brien races to discover the hand behind his fate in this pitiless noir.\u003c/p>\n\u003cp>\u003cb>\u003cem>Zodiac\u003c/em>, 2007\u003c/b>\u003cbr>\n\u003ca href=\"https://www.amazon.com/gp/video/detail/B07D6Z4Z43/\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime\u003c/a>\u003cbr>\nDeath is delivered by another phantom in David Fincher’s moody, manipulative movie about the hunt for the killer who spread terror once upon a time in Northern California.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>\u003cem>Dirty Harry\u003c/em>, 1971\u003c/b>\u003cbr>\n\u003ca href=\"https://www.netflix.com/title/445522\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix\u003c/a>\u003cbr>\nIf you’re in need of a happy ending, where “justice” prevails, revel in Clint Eastwood’s reactionary, renegade S.F. cop with a gift for catchphrases. Don Siegel’s exploitative film tapped into the law-and-order zeitgeist in 1971 and spawned four sequels, but it’s not a very good movie.\u003c/p>\n\u003cp>\u003cb>\u003cem>The Birds\u003c/em>, 1963\u003c/b>\u003cbr>\n\u003ca href=\"https://www.amazon.com/Birds-Tippi-Hedren/dp/B000I8H7RI/\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon\u003c/a>\u003cbr>\nNature comes a-knock-knock-knocking on Bodega Bay doors in Alfred Hitchcock’s perfect, and perfectly brilliant, classic.\u003c/p>\n\u003cp>\u003cb>\u003cem>We Were Here: The AIDS Years in San Francisco\u003c/em>, 2011\u003c/b>\u003cbr>\n\u003ca href=\"https://www.kanopy.com/product/we-were-here-history-aids-san-francisco\" target=\"_blank\" rel=\"noopener noreferrer\">Kanopy\u003c/a>\u003cbr>\nDavid Weissman’s powerhouse documentary finds inspiration in the gutsy response of ordinary San Franciscans to the devastatingly lethal virus.\u003c/p>\n\u003cp>\u003cb>\u003cem>Invasion of the Body Snatchers\u003c/em>, 1978\u003c/b>\u003cbr>\n\u003ca href=\"https://www.amazon.com/Invasion-Body-Snatchers-Donald-Sutherland/dp/B079FVP9X6/\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime\u003c/a>\u003cbr>\nPhilip Kaufman reimagined Don Siegel’s McCarthy-era indictment of groupthink as a New Age bad trip in (where else?) post-hippie San Francisco. Imagine seeing it in a S.F. theater when it opened, a month after Jonestown.\u003c/p>\n\u003cp>OK, that’s enough dark fare (for now). Let Robin Williams, and the sunshine, in.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>\u003cem>Mrs. Doubtfire\u003c/em>, 1993\u003c/b>\u003cbr>\n\u003ca href=\"https://www.hbo.com/movies/mrs-doubtfire\" target=\"_blank\" rel=\"noopener noreferrer\">HBO\u003c/a>\u003cbr>\nWilliams’ stardom gave him leverage, which he used to prod studios into shooting his movies in San Francisco. (It gave local folks lots of work, in addition to reducing the star’s commute to the set.) This flick is still paying dividends, attracting visitors from all over to the city and the house where it was shot. Well, it did. And it will again.\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 504,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 13
},
"modified": 1705021075,
"excerpt": "Thrillers, documentaries and the always wonderful 'Mrs. Doubtfire' transport you around the Bay Area while you're stuck indoors.",
"headData": {
"twImgId": "",
"twTitle": "7 San Francisco Movies You Can Stream Right Now",
"socialTitle": "7 San Francisco Movies You Can Stream Right Now %%page%% %%sep%% KQED",
"ogTitle": "7 San Francisco Movies You Can Stream Right Now",
"ogImgId": "",
"twDescription": "",
"description": "Thrillers, documentaries and the always wonderful 'Mrs. Doubtfire' transport you around the Bay Area while you're stuck indoors.",
"title": "7 San Francisco Movies You Can Stream Right Now | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Now Playing! Tour San Francisco on Your Home Screen",
"datePublished": "2020-03-16T13:53:49-07:00",
"dateModified": "2024-01-11T16:57:55-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "now-playing-tour-san-francisco-on-your-home-screen",
"status": "publish",
"templateType": "standard",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13876750/now-playing-tour-san-francisco-on-your-home-screen",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Our favorite movie theaters are closed, necessarily but depressingly, though the month will come when they reopen. (And the concession stands will sell out of popcorn and Junior Mints within hours, I predict.) Until that glorious day, we’re reliant on home entertainment—chess and Monopoly are OK if you wash your hands regularly, but no Twister, please!—which for most people, my little joke notwithstanding, means watching images on a screen. And that means streaming.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13874442",
"hero": "https://ww2.kqed.org/app/uploads/sites/2/2020/02/Happy-1020x651.jpg",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>With our favorite haunts largely off-limits, I dove into the platforms in search of San Francisco-set films that would (virtually) put us back on the streets. Perhaps it’s not surprising that I was mostly drawn to paranoid thrillers which are scarily relevant right now and may be too horrifying to “enjoy” in the not-too-distant future. If you don’t find fear cathartic, well, I promise to amass a list of comedies for the next installment.\u003c/p>\n\u003cp>\u003cb>\u003cem>D.O.A.\u003c/em>, 1949\u003c/b>\u003cbr>\n\u003ca href=\"https://www.amazon.com/D-Edmond-OBrien/dp/B07CJTSNY5/\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime\u003c/a>\u003cbr>\nPoisoned in a San Francisco bar while on holiday, doomed small-town accountant Edmond O’Brien races to discover the hand behind his fate in this pitiless noir.\u003c/p>\n\u003cp>\u003cb>\u003cem>Zodiac\u003c/em>, 2007\u003c/b>\u003cbr>\n\u003ca href=\"https://www.amazon.com/gp/video/detail/B07D6Z4Z43/\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime\u003c/a>\u003cbr>\nDeath is delivered by another phantom in David Fincher’s moody, manipulative movie about the hunt for the killer who spread terror once upon a time in Northern California.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>\u003cem>Dirty Harry\u003c/em>, 1971\u003c/b>\u003cbr>\n\u003ca href=\"https://www.netflix.com/title/445522\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix\u003c/a>\u003cbr>\nIf you’re in need of a happy ending, where “justice” prevails, revel in Clint Eastwood’s reactionary, renegade S.F. cop with a gift for catchphrases. Don Siegel’s exploitative film tapped into the law-and-order zeitgeist in 1971 and spawned four sequels, but it’s not a very good movie.\u003c/p>\n\u003cp>\u003cb>\u003cem>The Birds\u003c/em>, 1963\u003c/b>\u003cbr>\n\u003ca href=\"https://www.amazon.com/Birds-Tippi-Hedren/dp/B000I8H7RI/\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon\u003c/a>\u003cbr>\nNature comes a-knock-knock-knocking on Bodega Bay doors in Alfred Hitchcock’s perfect, and perfectly brilliant, classic.\u003c/p>\n\u003cp>\u003cb>\u003cem>We Were Here: The AIDS Years in San Francisco\u003c/em>, 2011\u003c/b>\u003cbr>\n\u003ca href=\"https://www.kanopy.com/product/we-were-here-history-aids-san-francisco\" target=\"_blank\" rel=\"noopener noreferrer\">Kanopy\u003c/a>\u003cbr>\nDavid Weissman’s powerhouse documentary finds inspiration in the gutsy response of ordinary San Franciscans to the devastatingly lethal virus.\u003c/p>\n\u003cp>\u003cb>\u003cem>Invasion of the Body Snatchers\u003c/em>, 1978\u003c/b>\u003cbr>\n\u003ca href=\"https://www.amazon.com/Invasion-Body-Snatchers-Donald-Sutherland/dp/B079FVP9X6/\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime\u003c/a>\u003cbr>\nPhilip Kaufman reimagined Don Siegel’s McCarthy-era indictment of groupthink as a New Age bad trip in (where else?) post-hippie San Francisco. Imagine seeing it in a S.F. theater when it opened, a month after Jonestown.\u003c/p>\n\u003cp>OK, that’s enough dark fare (for now). Let Robin Williams, and the sunshine, in.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cb>\u003cem>Mrs. Doubtfire\u003c/em>, 1993\u003c/b>\u003cbr>\n\u003ca href=\"https://www.hbo.com/movies/mrs-doubtfire\" target=\"_blank\" rel=\"noopener noreferrer\">HBO\u003c/a>\u003cbr>\nWilliams’ stardom gave him leverage, which he used to prod studios into shooting his movies in San Francisco. (It gave local folks lots of work, in addition to reducing the star’s commute to the set.) This flick is still paying dividends, attracting visitors from all over to the city and the house where it was shot. Well, it did. And it will again.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13876750/now-playing-tour-san-francisco-on-your-home-screen",
"authors": [
"22"
],
"programs": [
"arts_140"
],
"categories": [
"arts_74"
],
"tags": [
"arts_10341",
"arts_1118",
"arts_1006",
"arts_1334",
"arts_585"
],
"featImg": "arts_13876804",
"label": "arts_140"
},
"arts_13876785": {
"type": "posts",
"id": "arts_13876785",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13876785",
"score": null,
"sort": [
1584389502000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1584389502,
"format": "standard",
"title": "Here's How We Cope When We're Stressed: Ideas From NPR's Arts Desk",
"headTitle": "Here’s How We Cope When We’re Stressed: Ideas From NPR’s Arts Desk | KQED",
"content": "\u003cp>What helps you feel better when life is stressful and scary?\u003c/p>\n\u003cp>We asked members of the NPR Arts Desk, and their answers include a Norwegian knitting marathon,\u003cem> America’s Next Top Model, \u003c/em>British crime dramas and peanut soup.\u003c/p>\n\u003cp>Find 17 tried-and-true ideas below and stay tuned to the \u003ca href=\"https://www.npr.org/podcasts/510282/pop-culture-happy-hour\" target=\"_blank\" rel=\"noopener noreferrer\">Pop Culture Happy Hour podcast\u003c/a> for an episode about this very topic.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>America’s Next Top Model\u003c/strong>\u003c/em>\u003cstrong>\u003cbr>\n\u003c/strong>I hesitate to truly recommend\u003cem> America’s Next Top Model\u003c/em>, because it is not good. But what I can promise is very low stakes. Rarely has the show resulted in a major career for anyone, so win or lose, mostly they’re there to participate in the show itself. And while I might not be able to relate to living on a desert island, I can relate to not liking a picture of yourself or being in distress over a terrible haircut. I cannot tell a lie: It’s one of my go-to comfort watches. (Available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B018YLD706/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://www.hulu.com/series/302c282e-7c22-4a22-a97e-8c05f1958e86\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu,\u003c/a> \u003ca href=\"https://itunes.apple.com/us/tv-season/finale-pt-2-americas-next-top-model-is/id1020461813?i=1064864722\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes,\u003c/a> \u003ca href=\"https://www.youtube.com/playlist?list=ELesSZKEooraraxtcwMwIBCQ\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube\u003c/a>)\u003cbr>\n—\u003cem> Linda Holmes, host, Pop Culture Happy Hour\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Room With A View\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Helena Bonham Carter’s impressive hair extensions lead an all-star British cast that includes Dame Maggie Smith, Dame Judi Dench and—this movie is so old—Daniel Day-Lewis as an awkward third-tier love interest. This 1985 adaptation of E.M. Forster’s \u003ca href=\"https://www.npr.org/books/titles/815975027/room-with-a-view\" target=\"_blank\" rel=\"noopener noreferrer\">fabulous Edwardian novel\u003c/a> maintains its author’s decorous sensuality, particularly in a great all-male nude bathing scene that manages to be both riotously family friendly and also slyly cognizant of the author’s (repressed) queerness. “This is not what we were led to expect!” Truer words were never spoken. (Available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B015IVLL7Q/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://play.google.com/store/movies/details?id=YAvGlWTYvLc\" target=\"_blank\" rel=\"noopener noreferrer\">GooglePlay,\u003c/a> \u003ca href=\"https://www.hulu.com/movie/a-room-with-a-view-1c6bf99d-7d1d-4a4e-91ee-2d50b50e2943?entity_id=1c6bf99d-7d1d-4a4e-91ee-2d50b50e2943\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu, \u003c/a>\u003ca href=\"https://itunes.apple.com/us/movie/a-room-with-a-view/id1036043140\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes,\u003c/a> \u003ca href=\"https://www.youtube.com/watch?v=YAvGlWTYvLc\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube\u003c/a>)\u003cbr>\n—\u003cem> Neda Ulaby, reporter\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=JFIPjRFuaHA&has_verified=1\u003c/p>\n\u003cp>\u003cem>\u003cstrong>What’s Wrong With Secretary Kim?\u003c/strong>\u003c/em>\u003cstrong>\u003cbr>\n\u003c/strong>In times like these, I like to soothe myself with a soapy binge-watch. My aunts have included K-dramas in their self-care routines for years, so I recently decided to take the plunge. Now I can’t stop watching \u003cem>What’s Wrong With Secretary Kim?\u003c/em>, a South Korean series that has a calming mix of humor, romance and addictive soap opera melodrama. Loyal secretary Kim Mi-so tells her narcissistic boss Lee Young-joon that she’s quitting, which sets off a series of events that—of course—cause our leads to fall in love. Park Min-young and Park Seo-joon have electric chemistry, and what’s better than watching two unbelievably beautiful people navigate ridiculous obstacles to eventually fall in love? (Available on \u003ca href=\"https://www.hulu.com/series/62cf6cb0-3485-46ad-a0b6-75e542937f70\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu\u003c/a>)\u003cbr>\n\u003cem>— Jessica Reedy, producer, Pop Culture Happy Hour\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>“Route One” by Sigur Rós\u003cbr>\n\u003c/strong>You can turn to YouTube to watch people skateboard off rooftops, or you can turn to YouTube to travel 1,332 km around Iceland’s Ring Road while Sigur Rós music plays—it’s your choice, really. The latter will take you a mere 24 hours, a feat the band (with the help of the Icelandic National Broadcasting Service) accomplished through the use of generative music software; basically, they fed stems of Sigur Rós songs to the software to generate an ever-changing new composition. Titled \u003cem>Route One\u003c/em>, it’s truly hypnotic; the visuals are gorgeous and it’s easy to drop in and out while always hearing something new. Here are parts \u003ca href=\"https://www.youtube.com/watch?v=G54tllj-SKI\" target=\"_blank\" rel=\"noopener noreferrer\">1,\u003c/a> \u003ca href=\"https://www.youtube.com/watch?v=szbGc7ymFhQ\" target=\"_blank\" rel=\"noopener noreferrer\">2\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=aV7YutDr5Nw\" target=\"_blank\" rel=\"noopener noreferrer\">3\u003c/a>.\u003cbr>\n—\u003cem> Stephen Thompson, panelist, Pop Culture Happy Hour and NPR Music editor\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=G54tllj-SKI\u003c/p>\n\u003cp>\u003ca href=\"https://tv.nrk.no/serie/national-knitting-eve\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>“National Knitting Night”\u003c/strong>\u003c/a>\u003cstrong>\u003cbr>\n\u003c/strong>If 24 hours with Sigur Rós (see above) seems a tad … long (you know, whatever), you can also spend a fraction of those 24 hours watching a bunch of good-natured Norwegians try to produce a sweater—”from sheep’s back to human’s back”—in something short of the world-record time. (That’d be 4 hours, 51 minutes and 14 seconds, \u003cem>obviously\u003c/em>.) It’s called \u003ca href=\"https://tv.nrk.no/serie/national-knitting-eve\" target=\"_blank\" rel=\"noopener noreferrer\">“National Knitting Night,”\u003c/a> available through NRK TV, and it’s extraordinarily soothing company. And, when you think about it, kind of like sports!\u003cbr>\n—\u003cem> Stephen Thompson, panelist, Pop Culture Happy Hour and NPR Music editor\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Get A Life, Chloe Brown\u003c/em>\u003c/strong>\u003cstrong> by Talia Hibbert\u003cbr>\n\u003c/strong>Romance is possibly the most supremely comforting genre of them all—it is a rock-ribbed rule that a romance must have a Happy Ever After, so no matter which way the roller coaster twists you, you know you’ll come safely to a halt in the end. And \u003ca href=\"https://www.npr.org/books/titles/775206804/get-a-life-chloe-brown\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Get a Life\u003c/em>, \u003cem>Chloe Brown\u003c/em>\u003c/a> has plenty of twists and turns on the way to that happy ending. Chloe herself isn’t the type of heroine you often see in romance novels—she’s plus-size and dealing with serious chronic illness that Hibbert depicts with compassion and bone-aching realism. Chloe is also a computer nerd who loves to make lists, and after a near-miss car accident, she makes herself a “Get a Life” list. Will getting a life somehow involve her smokin’ hot apartment superintendent “Red” Morgan, who has long red hair, a motorcycle, and is secretly a talented painter? YOU BET. Chloe and Red have chemistry that practically burns up the page, the supporting cast (including Chloe’s sequel-bait sisters) are funny and well-rounded, and the conflicts and obstacles feel organic. This is one for the re-read pile.\u003cbr>\n—\u003cem> Petra Mayer, editor, NPR Books\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Parks and Recreation\u003c/strong>\u003c/em>\u003cstrong>\u003cbr>\n\u003c/strong>Lately, I’ve been thinking a lot about \u003cem>Parks and Recreation \u003c/em>and Amy Poehler’s character, the indefatigable Leslie Knope. Knope is a well-meaning bureaucrat, though not always the brightest bulb—who fervently believes that the government of her small Indiana town could make things better for everybody. Unfortunately, she is surrounded by a hapless crew of oddballs who keep making that task tougher and tougher. Bingeing old \u003cem>Parks and Rec\u003c/em> episodes not only gives you a look at ace performers like Chris Pratt, Nick Offerman, Aziz Ansari, Aubrey Plaza and Retta before they became superstars, it’s also a wonderful comedy centered on a super dysfunctional work family trying to make government a little better. And who doesn’t need a message like that today? (Available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B01A3QX7X2/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://www.hulu.com/series/93dc18da-96d9-4841-b125-40f901f7e7eb\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu,\u003c/a> \u003ca href=\"https://www.netflix.com/title/70143842?source=35\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix,\u003c/a> \u003ca href=\"https://tv.youtube.com/browse/parks-and-recreation-UCaUnHzySKszH_UxJEfWEn0Q?utm_source=onebox\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube\u003c/a>)\u003cbr>\n—\u003cem> Eric Deggans, TV critic\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ActknnwERUs\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Talking Heads\u003c/strong>\u003c/em>\u003cstrong> by Alan Bennett\u003cbr>\n\u003c/strong>Not the band (though their \u003ca href=\"https://www.youtube.com/watch?v=HldHtBxNK6k\" target=\"_blank\" rel=\"noopener noreferrer\">“Naïve Melody (This Must Be The Place)”\u003c/a> is a great song to listen to when you want to relax). No, these are a series of extended monologues by the British writer Alan Bennett, assayed by the likes of Maggie Smith, Julie Walters, Patricia Routledge, Eileen Atkins and Bennett himself. You can find them \u003ca href=\"https://www.youtube.com/playlist?list=PLxmwGyQNoPEKJ7gfk4QRMlZY0hQy4wbn5\" target=\"_blank\" rel=\"noopener noreferrer\">on YouTube\u003c/a>. Bennett is basically a worn, warm cardigan in human form, and his monologues feature unreliable narrators talking themselves into tiny epiphanies in their front rooms. They’re small and circumscribed but brilliantly specific and, often, bittersweet.\u003cbr>\n—\u003cem> Glen Weldon, panelist, Pop Culture Happy Hour\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>“Rhapsody in Blue” by George Gershwin\u003cbr>\n\u003c/strong>In trying times, I always listen to George Gershwin’s “Rhapsody in Blue.” Its jolly rhythms and busy, beautiful variations on themes lift my spirits, absorb me out of present problems (as all great art is able to do), and take me back to my 8-year-old days in my parents’ apartment on 103rd Street and Broadway in Manhattan: I would stand on a hassock, pencil in hand, and conduct our 78 rpm recording of Paul Whiteman And His Orchestra with Gershwin as piano soloist, performing the “\u003ca href=\"https://www.youtube.com/watch?v=Cq3J6fCUfto\" target=\"_blank\" rel=\"noopener noreferrer\">Rhapsody.\u003c/a>” The feelings of power and pleasure in those moments come right back to me when I hear it in troubled times.\u003cbr>\n—\u003cem> Susan Stamberg, special correspondent\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>“Brave Faces Everyone” by\u003c/strong> \u003cstrong>Spanish Love Songs\u003cbr>\n\u003c/strong>You know \u003ca href=\"http://klipd.com/watch/burn-after-reading/brad-pitt-treadmill-scene\" target=\"_blank\" rel=\"noopener noreferrer\">that scene\u003c/a> in \u003cem>Burn After Reading\u003c/em> where Brad Pitt is running on the treadmill with his headphones on and he’s pumping his fists and you’re supposed to think he’s a jackass? Well, joke’s on you; doing that actually rules and feels great—especially if you’re listening to the latest Spanish Love Songs record \u003ca href=\"https://open.spotify.com/album/7GP702lI6EeRJnruJPoznv\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Brave Faces Everyone\u003c/em>.\u003c/a> It’s an absolutely thrilling album about facing imminent doom (the second best chorus goes: “Don’t you know you were born to die poor, man”), the kind of doom that you can’t quite run away from because it’s everywhere, so you might as well pump your fists in the sky because it feels great—who cares if you look dumb.\u003cbr>\n\u003cem>— Andrew Limbong, reporter\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=HYbAW0JlwdQ\u003c/p>\n\u003cp>\u003cstrong>British TV crime dramas\u003cbr>\n\u003c/strong>Not exactly calming, but great escapism. \u003cem>Happy Valley, Bodyguard, Broadchurch,\u003c/em> \u003cem>Grantchester, Line of Duty\u003c/em>. Gritty realism might be a stretch, but the sharp writing, flawed-but-endearing characters, plots, cheeky humor and all-around suspenseful atmosphere of these shows make it easy to slip into their worlds and stay there for hours—or at least until their final seasons. Always start at the beginning. (\u003cem>Happy Valley\u003c/em> available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B072LGV8ZV/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://play.google.com/store/tv/show?id=A7XQbRQ3mqM&cdid=tvseason-Gct2SdUGeF9fAI8Aug271A&gdid=tvepisode-fO33KL1rh0U\" target=\"_blank\" rel=\"noopener noreferrer\">Google Play, \u003c/a>\u003ca href=\"https://itunes.apple.com/us/tv-season/episode-6/id1227764545?i=1229965074\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes,\u003c/a> \u003ca href=\"https://www.netflix.com/title/80007225?source=35\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix,\u003c/a> \u003ca href=\"https://www.youtube.com/watch?v=fO33KL1rh0U\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube;\u003c/a>\u003cem> Bodyguard\u003c/em> available on \u003ca href=\"https://www.netflix.com/title/80235864?source=35\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix;\u003c/a> \u003cem>Broadchurch\u003c/em> available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B074T38KHJ/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://play.google.com/store/tv/show?id=hjoALWXeBsM&cdid=tvseason-rs2aF4n1qrJeHBcpa4HIqw&gdid=tvepisode-GSu5ntBXZU4\" target=\"_blank\" rel=\"noopener noreferrer\">Google Play,\u003c/a> \u003ca href=\"https://itunes.apple.com/us/tv-season/episode-8/id1209491967?i=1209497002\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes, \u003c/a>\u003ca href=\"https://www.netflix.com/title/70302484?source=35\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix, \u003c/a>\u003ca href=\"https://www.youtube.com/watch?v=GSu5ntBXZU4\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube;\u003c/a> \u003cem>Grantchester\u003c/em> available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B07V96HMZG/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://play.google.com/store/tv/show?id=bUMWuin_wjo&cdid=tvseason-Ri3diUPY8F-x6w0Gt4sX7w&gdid=tvepisode-ftJ9TKX3wZs\" target=\"_blank\" rel=\"noopener noreferrer\">Google Play, \u003c/a>\u003ca href=\"https://itunes.apple.com/us/tv-season/episode-7/id1232011864?i=1248009358\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes,\u003c/a> \u003ca href=\"https://www.pbs.org/wgbh/masterpiece/episodes/grantchester-s1-e1/\" target=\"_blank\" rel=\"noopener noreferrer\">PBS, \u003c/a>\u003ca href=\"https://www.youtube.com/watch?v=ftJ9TKX3wZs\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube;\u003c/a> \u003cem>Line of Duty\u003c/em> available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B07RRGPTVJ/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://play.google.com/store/tv/show?id=367W_LaDsj4&cdid=tvseason-WPoANXuJ_XVTCvLhvkKu7Q&gdid=tvepisode-t4VB8Mmt8ls\" target=\"_blank\" rel=\"noopener noreferrer\">Google Play,\u003c/a> \u003ca href=\"https://www.hulu.com/series/0efc0f95-c575-46da-b28f-a30a13d86b37\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu,\u003c/a> \u003ca href=\"https://itunes.apple.com/us/tv-season/episode-6/id1239948393?i=1240562203\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes,\u003c/a> \u003ca href=\"https://tv.youtube.com/browse/line-of-duty-UCaAelRWU4cE05Hojwt6pOiQ?utm_source=onebox\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube\u003c/a>.)\u003cbr>\n—\u003cem> Elizabeth Blair, reporter\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Old school real-time strategy games\u003cbr>\n\u003c/strong>You start with a town center and a villager or two. You send them off to build, or chop down trees, or farm, or mine ore, and gradually (the \u003cem>gradually\u003c/em> is what makes it relaxing!) you can start building armies and navies and upgrading your town. You watch it all happen from above, and there’s something incredibly peaceful about pulling back and seeing so many industrious little workers toiling away happily. (If you’ve spent any time in management, I don’t need to tell you how joyous the sight of people \u003cem>just doing the damn jobs you told them to do \u003c/em>can be.) Inevitably, because even pixelated humans are human, war comes—enemy troops descend on you, or you descend on your enemies. Some delight in this later stage of the game, as they relish the strategy and tactics of combat—but me, I’m happiest when a new game begins, and a tiny little dude with a tiny little wheelbarrow looks up at me expectantly, just wanting to be \u003cem>of use\u003c/em>. (You can find games like Age of the Empires, Battle for Middle Earth and Starcraft on \u003ca href=\"https://store.steampowered.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Steam\u003c/a>.)\u003cbr>\n—\u003cem> Glen Weldon, panelist, Pop Culture Happy Hour\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>The music from \u003c/strong>\u003cem>\u003cstrong>City of Angels, Golden Boy\u003c/strong>\u003c/em>\u003cstrong> and\u003c/strong>\u003cem>\u003cstrong> Raisin\u003cbr>\n\u003c/strong>\u003c/em>Broadway musicals nurtured me in my youth. Though I’m now an unrepentant Sondheimite, I fondly remember the scores of other composers and lyricists that kept me going between his shows—especially the jazzily obscure musicals that never seem to get revived these days. The glory of the Web is that they’re all at your fingertips. Say, Cy (\u003cem>Sweet Charity\u003c/em>) Coleman’s swinging detective musical-noir in \u003ca href=\"https://www.youtube.com/watch?v=M5QhFKE2GO8&list=PL445ADD730F46C816\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>City of Angels\u003c/em>,\u003c/a> or the sultry stylings that the creators of \u003cem>Bye Bye Birdie\u003c/em> fashioned for Sammy Davis Jr. in their boxing-ring musical \u003ca href=\"https://www.youtube.com/watch?v=OGqr3M-fajI&list=PLq01lsXqwzONpf-GYKwsgQrIqkwymyRGk\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Golden Boy\u003c/em>.\u003c/a> And I’ve a special sweet spot in my heart for the musical \u003ca href=\"https://www.youtube.com/watch?v=6TPt4NzZreg&list=OLAK5uy_njf_RNyAufq1YFmp4K6qHhK3LjAGgZb0w\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Raisin\u003c/em>,\u003c/a> based on Lorraine Hansberry’s \u003cem>A Raisin in the Sun\u003c/em>, that premiered at Washington’s Arena Stage and featured one of the the most delectable jazz scores I’ve ever heard.\u003cbr>\n\u003cem>— Bob Mondello, film critic\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Cheers\u003cbr>\n\u003c/strong>\u003c/em>Sure, we all know \u003cem>Cheers\u003c/em>, but that’s its appeal—sometimes you want to go \u003ca href=\"https://www.youtube.com/watch?v=h-mi0r0LpXo\" target=\"_blank\" rel=\"noopener noreferrer\">“Where everybody knows your name…”\u003c/a> I return to it time and again for its recognizable sitcom tropes and familiar comedic rhythms—you’d be hard-pressed to find a show as packed with still-hilarious set-pieces and pingponging patter. Whether you tuned in each week from 1982 to 1993, or during reruns, or, now in a many-seasons-long binge, you’ll come to care deeply about these Boston bar knuckleheads as your own surrogate family and friends. I can’t think of anything more comforting than that. (Plus, once you hit the end of its 11 seasons, just keep going—with another 11 seasons of its spinoff, \u003ca href=\"https://www.imdb.com/title/tt0106004/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Frasier\u003c/em>\u003c/a>!) (Available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B00CV36NKU/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://www.cbs.com/shows/cheers/video/DXMbCNIG050KaYm2Tl82QQAyP6WO8E65/cheers-one-for-the-road-part-3/?searchReferral=google\" target=\"_blank\" rel=\"noopener noreferrer\">CBS,\u003c/a> \u003ca href=\"https://www.hulu.com/series/6db3756a-27a8-4c55-a285-c695e28fd977\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu,\u003c/a>\u003ca href=\"https://itunes.apple.com/us/tv-season/one-for-the-road-pt-3/id476989385?i=477043997\" target=\"_blank\" rel=\"noopener noreferrer\"> iTunes,\u003c/a> \u003ca href=\"https://www.netflix.com/title/70152640?source=35\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix\u003c/a> and\u003ca href=\"https://www.youtube.com/watch?v=x8H4Xkb9qhU\" target=\"_blank\" rel=\"noopener noreferrer\"> YouTube\u003c/a>)\u003cbr>\n—\u003cem> Mike Katzif, producer, \u003c/em>Pop Culture Happy Hour\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ncc77oxnx5A\u003c/p>\n\u003cp>\u003cstrong>West African Peanut Soup\u003cbr>\n\u003c/strong>I was in college when Mark Bittman posted \u003ca href=\"https://cooking.nytimes.com/recipes/1012581-west-african-peanut-soup-with-chicken\" target=\"_blank\" rel=\"noopener noreferrer\">this recipe\u003c/a> for West African chicken stew. I cooked pretty much everything he wrote back then, and while most recipes have faded in my memory this one stuck because it is\u003cem> magic.\u003c/em> I cannot explain why this combination of things you likely already have in your kitchen (peanut butter, garlic, a can of tomatoes, a chicken thigh in the back of your freezer, maybe?) and a few fresh veggies (kale, sweet potatoes) has become one of my all time favorite comfort meals, but it has. I make this soup when people are sick, or are having babies. I make it when the news is scary. I make it when the kale looks nice at the farmer’s market. I make it when I just have nothing else to do. It’s gluten- and dairy-free, so it works for a variety of diets and restrictions. (I’m sure you could make it vegetarian—just leave out the chicken. Maybe add some chickpeas.) It feels healthy and it comes together fast. When I made it yesterday, I didn’t have peanuts, and I used Japanese white sweet potatoes and added fish sauce. Go crazy!\u003cbr>\n—\u003cem> Rose Friedman, editor\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Graveyard Keeper\u003c/strong>\u003c/em>\u003cstrong>\u003cbr>\n\u003c/strong>Really, any farming-type simulator game will do here—\u003cem>Stardew Valley, \u003c/em>granddaddy of them all \u003cem>Harvest Moon,\u003c/em> even \u003cem>Minecraft,\u003c/em> if the occasional zombie or spider doesn’t stress you out too much, and you like mining as much as farming—as long as it’s got soothingly repetitive action and lulling music. Plant endless crops? Yes! Dig lots of holes? Yes! Befriend local villagers? A thousand times yes! But what if you want that sweet, sweet farming sim action, and the times are just too grim to truly enjoy bringing endless sacks of flour to the Harvest Sprites? My friends, you need \u003cem>Graveyard Keeper.\u003c/em> You play as the maintenance man for a Medievalish graveyard, clearing stumps and weeds, improving your land, prettifying the graves, building relationships with the locals—all the activities common to farming sims. But also, you might be turning the regularly delivered bodies into mystery meat to sell at the tavern, and staging witch-burnings to get in good with the local inquisitor (while making a profit off mystery meat burgers you sell to the crowds). Fair warning—there are long periods in \u003cem>Graveyard Keeper\u003c/em> where you’re just grinding to get to the next level. But sometimes, that’s what you need to make the real world go away. And the music is \u003cem>really\u003c/em> soothing. (Available on \u003ca href=\"https://store.steampowered.com/app/599140/Graveyard_Keeper/\" target=\"_blank\" rel=\"noopener noreferrer\">Steam\u003c/a>, \u003ca href=\"https://www.microsoft.com/en-us/p/graveyard-keeper/c11gzgmkrtcv?activetab=pivot:overviewtab\" target=\"_blank\" rel=\"noopener noreferrer\">Xbox\u003c/a> and \u003ca href=\"https://www.nintendo.com/games/detail/graveyard-keeper-switch/\" target=\"_blank\" rel=\"noopener noreferrer\">Switch\u003c/a>)\u003cbr>\n—\u003cem> Petra Mayer, editor, NPR Books\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>\u003cstrong>The Art of Solitude \u003c/strong>\u003c/em>\u003cstrong>by Stephen Batchelor\u003cbr>\n\u003c/strong>I can’t think of a better time to read about how artists and writers have approached the idea of solitude—a concept that can range from loneliness to ecstasy. In \u003ca href=\"https://www.npr.org/books/titles/816253306/the-art-of-solitude-a-meditation-on-being-alone-with-others-in-this-world\" target=\"_blank\" rel=\"noopener noreferrer\">this short book (or audiobook),\u003c/a> Batchelor, a longtime Buddhist teacher, mixes in his own stories of being alone and at ease.\u003cbr>\n—\u003cem> Ted Robbins, editor\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Here%27s+How+We+Cope+When+We%27re+Stressed%3A+Ideas+From+NPR%27s+Arts+Desk&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 2700,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 23
},
"modified": 1705021077,
"excerpt": "A Norwegian knitting marathon.'America's Next Top Model.' British crime dramas. Real-time strategy games. Peanut soup. These are some things that help us feel better—maybe they'll work for you, too?",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "A Norwegian knitting marathon.'America's Next Top Model.' British crime dramas. Real-time strategy games. Peanut soup. These are some things that help us feel better—maybe they'll work for you, too?",
"title": "Here's How We Cope When We're Stressed: Ideas From NPR's Arts Desk | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Here's How We Cope When We're Stressed: Ideas From NPR's Arts Desk",
"datePublished": "2020-03-16T13:11:42-07:00",
"dateModified": "2024-01-11T16:57:57-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "heres-how-we-cope-when-were-stressed-ideas-from-nprs-arts-desk",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=815380618&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprByline": "NPR Staff",
"nprStoryDate": "Mon, 16 Mar 2020 10:12:00 -0400",
"nprLastModifiedDate": "Mon, 16 Mar 2020 12:44:52 -0400",
"featuredImageType": "standard",
"sticky": false,
"nprHtmlLink": "https://www.npr.org/2020/03/16/815380618/heres-how-we-cope-when-we-re-stressed-ideas-from-npr-s-arts-desk?ft=nprml&f=815380618",
"nprStoryId": "815380618",
"nprRetrievedStory": "1",
"nprPubDate": "Mon, 16 Mar 2020 12:44:00 -0400",
"path": "/arts/13876785/heres-how-we-cope-when-were-stressed-ideas-from-nprs-arts-desk",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>What helps you feel better when life is stressful and scary?\u003c/p>\n\u003cp>We asked members of the NPR Arts Desk, and their answers include a Norwegian knitting marathon,\u003cem> America’s Next Top Model, \u003c/em>British crime dramas and peanut soup.\u003c/p>\n\u003cp>Find 17 tried-and-true ideas below and stay tuned to the \u003ca href=\"https://www.npr.org/podcasts/510282/pop-culture-happy-hour\" target=\"_blank\" rel=\"noopener noreferrer\">Pop Culture Happy Hour podcast\u003c/a> for an episode about this very topic.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>America’s Next Top Model\u003c/strong>\u003c/em>\u003cstrong>\u003cbr>\n\u003c/strong>I hesitate to truly recommend\u003cem> America’s Next Top Model\u003c/em>, because it is not good. But what I can promise is very low stakes. Rarely has the show resulted in a major career for anyone, so win or lose, mostly they’re there to participate in the show itself. And while I might not be able to relate to living on a desert island, I can relate to not liking a picture of yourself or being in distress over a terrible haircut. I cannot tell a lie: It’s one of my go-to comfort watches. (Available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B018YLD706/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://www.hulu.com/series/302c282e-7c22-4a22-a97e-8c05f1958e86\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu,\u003c/a> \u003ca href=\"https://itunes.apple.com/us/tv-season/finale-pt-2-americas-next-top-model-is/id1020461813?i=1064864722\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes,\u003c/a> \u003ca href=\"https://www.youtube.com/playlist?list=ELesSZKEooraraxtcwMwIBCQ\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube\u003c/a>)\u003cbr>\n—\u003cem> Linda Holmes, host, Pop Culture Happy Hour\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>A Room With A View\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Helena Bonham Carter’s impressive hair extensions lead an all-star British cast that includes Dame Maggie Smith, Dame Judi Dench and—this movie is so old—Daniel Day-Lewis as an awkward third-tier love interest. This 1985 adaptation of E.M. Forster’s \u003ca href=\"https://www.npr.org/books/titles/815975027/room-with-a-view\" target=\"_blank\" rel=\"noopener noreferrer\">fabulous Edwardian novel\u003c/a> maintains its author’s decorous sensuality, particularly in a great all-male nude bathing scene that manages to be both riotously family friendly and also slyly cognizant of the author’s (repressed) queerness. “This is not what we were led to expect!” Truer words were never spoken. (Available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B015IVLL7Q/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://play.google.com/store/movies/details?id=YAvGlWTYvLc\" target=\"_blank\" rel=\"noopener noreferrer\">GooglePlay,\u003c/a> \u003ca href=\"https://www.hulu.com/movie/a-room-with-a-view-1c6bf99d-7d1d-4a4e-91ee-2d50b50e2943?entity_id=1c6bf99d-7d1d-4a4e-91ee-2d50b50e2943\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu, \u003c/a>\u003ca href=\"https://itunes.apple.com/us/movie/a-room-with-a-view/id1036043140\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes,\u003c/a> \u003ca href=\"https://www.youtube.com/watch?v=YAvGlWTYvLc\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube\u003c/a>)\u003cbr>\n—\u003cem> Neda Ulaby, reporter\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/JFIPjRFuaHA'\n title='//www.youtube.com/embed/JFIPjRFuaHA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>\u003cstrong>What’s Wrong With Secretary Kim?\u003c/strong>\u003c/em>\u003cstrong>\u003cbr>\n\u003c/strong>In times like these, I like to soothe myself with a soapy binge-watch. My aunts have included K-dramas in their self-care routines for years, so I recently decided to take the plunge. Now I can’t stop watching \u003cem>What’s Wrong With Secretary Kim?\u003c/em>, a South Korean series that has a calming mix of humor, romance and addictive soap opera melodrama. Loyal secretary Kim Mi-so tells her narcissistic boss Lee Young-joon that she’s quitting, which sets off a series of events that—of course—cause our leads to fall in love. Park Min-young and Park Seo-joon have electric chemistry, and what’s better than watching two unbelievably beautiful people navigate ridiculous obstacles to eventually fall in love? (Available on \u003ca href=\"https://www.hulu.com/series/62cf6cb0-3485-46ad-a0b6-75e542937f70\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu\u003c/a>)\u003cbr>\n\u003cem>— Jessica Reedy, producer, Pop Culture Happy Hour\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>“Route One” by Sigur Rós\u003cbr>\n\u003c/strong>You can turn to YouTube to watch people skateboard off rooftops, or you can turn to YouTube to travel 1,332 km around Iceland’s Ring Road while Sigur Rós music plays—it’s your choice, really. The latter will take you a mere 24 hours, a feat the band (with the help of the Icelandic National Broadcasting Service) accomplished through the use of generative music software; basically, they fed stems of Sigur Rós songs to the software to generate an ever-changing new composition. Titled \u003cem>Route One\u003c/em>, it’s truly hypnotic; the visuals are gorgeous and it’s easy to drop in and out while always hearing something new. Here are parts \u003ca href=\"https://www.youtube.com/watch?v=G54tllj-SKI\" target=\"_blank\" rel=\"noopener noreferrer\">1,\u003c/a> \u003ca href=\"https://www.youtube.com/watch?v=szbGc7ymFhQ\" target=\"_blank\" rel=\"noopener noreferrer\">2\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=aV7YutDr5Nw\" target=\"_blank\" rel=\"noopener noreferrer\">3\u003c/a>.\u003cbr>\n—\u003cem> Stephen Thompson, panelist, Pop Culture Happy Hour and NPR Music editor\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/G54tllj-SKI'\n title='//www.youtube.com/embed/G54tllj-SKI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003ca href=\"https://tv.nrk.no/serie/national-knitting-eve\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>“National Knitting Night”\u003c/strong>\u003c/a>\u003cstrong>\u003cbr>\n\u003c/strong>If 24 hours with Sigur Rós (see above) seems a tad … long (you know, whatever), you can also spend a fraction of those 24 hours watching a bunch of good-natured Norwegians try to produce a sweater—”from sheep’s back to human’s back”—in something short of the world-record time. (That’d be 4 hours, 51 minutes and 14 seconds, \u003cem>obviously\u003c/em>.) It’s called \u003ca href=\"https://tv.nrk.no/serie/national-knitting-eve\" target=\"_blank\" rel=\"noopener noreferrer\">“National Knitting Night,”\u003c/a> available through NRK TV, and it’s extraordinarily soothing company. And, when you think about it, kind of like sports!\u003cbr>\n—\u003cem> Stephen Thompson, panelist, Pop Culture Happy Hour and NPR Music editor\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Get A Life, Chloe Brown\u003c/em>\u003c/strong>\u003cstrong> by Talia Hibbert\u003cbr>\n\u003c/strong>Romance is possibly the most supremely comforting genre of them all—it is a rock-ribbed rule that a romance must have a Happy Ever After, so no matter which way the roller coaster twists you, you know you’ll come safely to a halt in the end. And \u003ca href=\"https://www.npr.org/books/titles/775206804/get-a-life-chloe-brown\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Get a Life\u003c/em>, \u003cem>Chloe Brown\u003c/em>\u003c/a> has plenty of twists and turns on the way to that happy ending. Chloe herself isn’t the type of heroine you often see in romance novels—she’s plus-size and dealing with serious chronic illness that Hibbert depicts with compassion and bone-aching realism. Chloe is also a computer nerd who loves to make lists, and after a near-miss car accident, she makes herself a “Get a Life” list. Will getting a life somehow involve her smokin’ hot apartment superintendent “Red” Morgan, who has long red hair, a motorcycle, and is secretly a talented painter? YOU BET. Chloe and Red have chemistry that practically burns up the page, the supporting cast (including Chloe’s sequel-bait sisters) are funny and well-rounded, and the conflicts and obstacles feel organic. This is one for the re-read pile.\u003cbr>\n—\u003cem> Petra Mayer, editor, NPR Books\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Parks and Recreation\u003c/strong>\u003c/em>\u003cstrong>\u003cbr>\n\u003c/strong>Lately, I’ve been thinking a lot about \u003cem>Parks and Recreation \u003c/em>and Amy Poehler’s character, the indefatigable Leslie Knope. Knope is a well-meaning bureaucrat, though not always the brightest bulb—who fervently believes that the government of her small Indiana town could make things better for everybody. Unfortunately, she is surrounded by a hapless crew of oddballs who keep making that task tougher and tougher. Bingeing old \u003cem>Parks and Rec\u003c/em> episodes not only gives you a look at ace performers like Chris Pratt, Nick Offerman, Aziz Ansari, Aubrey Plaza and Retta before they became superstars, it’s also a wonderful comedy centered on a super dysfunctional work family trying to make government a little better. And who doesn’t need a message like that today? (Available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B01A3QX7X2/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://www.hulu.com/series/93dc18da-96d9-4841-b125-40f901f7e7eb\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu,\u003c/a> \u003ca href=\"https://www.netflix.com/title/70143842?source=35\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix,\u003c/a> \u003ca href=\"https://tv.youtube.com/browse/parks-and-recreation-UCaUnHzySKszH_UxJEfWEn0Q?utm_source=onebox\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube\u003c/a>)\u003cbr>\n—\u003cem> Eric Deggans, TV critic\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ActknnwERUs'\n title='//www.youtube.com/embed/ActknnwERUs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>\u003cstrong>Talking Heads\u003c/strong>\u003c/em>\u003cstrong> by Alan Bennett\u003cbr>\n\u003c/strong>Not the band (though their \u003ca href=\"https://www.youtube.com/watch?v=HldHtBxNK6k\" target=\"_blank\" rel=\"noopener noreferrer\">“Naïve Melody (This Must Be The Place)”\u003c/a> is a great song to listen to when you want to relax). No, these are a series of extended monologues by the British writer Alan Bennett, assayed by the likes of Maggie Smith, Julie Walters, Patricia Routledge, Eileen Atkins and Bennett himself. You can find them \u003ca href=\"https://www.youtube.com/playlist?list=PLxmwGyQNoPEKJ7gfk4QRMlZY0hQy4wbn5\" target=\"_blank\" rel=\"noopener noreferrer\">on YouTube\u003c/a>. Bennett is basically a worn, warm cardigan in human form, and his monologues feature unreliable narrators talking themselves into tiny epiphanies in their front rooms. They’re small and circumscribed but brilliantly specific and, often, bittersweet.\u003cbr>\n—\u003cem> Glen Weldon, panelist, Pop Culture Happy Hour\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>“Rhapsody in Blue” by George Gershwin\u003cbr>\n\u003c/strong>In trying times, I always listen to George Gershwin’s “Rhapsody in Blue.” Its jolly rhythms and busy, beautiful variations on themes lift my spirits, absorb me out of present problems (as all great art is able to do), and take me back to my 8-year-old days in my parents’ apartment on 103rd Street and Broadway in Manhattan: I would stand on a hassock, pencil in hand, and conduct our 78 rpm recording of Paul Whiteman And His Orchestra with Gershwin as piano soloist, performing the “\u003ca href=\"https://www.youtube.com/watch?v=Cq3J6fCUfto\" target=\"_blank\" rel=\"noopener noreferrer\">Rhapsody.\u003c/a>” The feelings of power and pleasure in those moments come right back to me when I hear it in troubled times.\u003cbr>\n—\u003cem> Susan Stamberg, special correspondent\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>“Brave Faces Everyone” by\u003c/strong> \u003cstrong>Spanish Love Songs\u003cbr>\n\u003c/strong>You know \u003ca href=\"http://klipd.com/watch/burn-after-reading/brad-pitt-treadmill-scene\" target=\"_blank\" rel=\"noopener noreferrer\">that scene\u003c/a> in \u003cem>Burn After Reading\u003c/em> where Brad Pitt is running on the treadmill with his headphones on and he’s pumping his fists and you’re supposed to think he’s a jackass? Well, joke’s on you; doing that actually rules and feels great—especially if you’re listening to the latest Spanish Love Songs record \u003ca href=\"https://open.spotify.com/album/7GP702lI6EeRJnruJPoznv\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Brave Faces Everyone\u003c/em>.\u003c/a> It’s an absolutely thrilling album about facing imminent doom (the second best chorus goes: “Don’t you know you were born to die poor, man”), the kind of doom that you can’t quite run away from because it’s everywhere, so you might as well pump your fists in the sky because it feels great—who cares if you look dumb.\u003cbr>\n\u003cem>— Andrew Limbong, reporter\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/HYbAW0JlwdQ'\n title='//www.youtube.com/embed/HYbAW0JlwdQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>British TV crime dramas\u003cbr>\n\u003c/strong>Not exactly calming, but great escapism. \u003cem>Happy Valley, Bodyguard, Broadchurch,\u003c/em> \u003cem>Grantchester, Line of Duty\u003c/em>. Gritty realism might be a stretch, but the sharp writing, flawed-but-endearing characters, plots, cheeky humor and all-around suspenseful atmosphere of these shows make it easy to slip into their worlds and stay there for hours—or at least until their final seasons. Always start at the beginning. (\u003cem>Happy Valley\u003c/em> available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B072LGV8ZV/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://play.google.com/store/tv/show?id=A7XQbRQ3mqM&cdid=tvseason-Gct2SdUGeF9fAI8Aug271A&gdid=tvepisode-fO33KL1rh0U\" target=\"_blank\" rel=\"noopener noreferrer\">Google Play, \u003c/a>\u003ca href=\"https://itunes.apple.com/us/tv-season/episode-6/id1227764545?i=1229965074\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes,\u003c/a> \u003ca href=\"https://www.netflix.com/title/80007225?source=35\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix,\u003c/a> \u003ca href=\"https://www.youtube.com/watch?v=fO33KL1rh0U\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube;\u003c/a>\u003cem> Bodyguard\u003c/em> available on \u003ca href=\"https://www.netflix.com/title/80235864?source=35\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix;\u003c/a> \u003cem>Broadchurch\u003c/em> available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B074T38KHJ/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://play.google.com/store/tv/show?id=hjoALWXeBsM&cdid=tvseason-rs2aF4n1qrJeHBcpa4HIqw&gdid=tvepisode-GSu5ntBXZU4\" target=\"_blank\" rel=\"noopener noreferrer\">Google Play,\u003c/a> \u003ca href=\"https://itunes.apple.com/us/tv-season/episode-8/id1209491967?i=1209497002\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes, \u003c/a>\u003ca href=\"https://www.netflix.com/title/70302484?source=35\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix, \u003c/a>\u003ca href=\"https://www.youtube.com/watch?v=GSu5ntBXZU4\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube;\u003c/a> \u003cem>Grantchester\u003c/em> available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B07V96HMZG/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://play.google.com/store/tv/show?id=bUMWuin_wjo&cdid=tvseason-Ri3diUPY8F-x6w0Gt4sX7w&gdid=tvepisode-ftJ9TKX3wZs\" target=\"_blank\" rel=\"noopener noreferrer\">Google Play, \u003c/a>\u003ca href=\"https://itunes.apple.com/us/tv-season/episode-7/id1232011864?i=1248009358\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes,\u003c/a> \u003ca href=\"https://www.pbs.org/wgbh/masterpiece/episodes/grantchester-s1-e1/\" target=\"_blank\" rel=\"noopener noreferrer\">PBS, \u003c/a>\u003ca href=\"https://www.youtube.com/watch?v=ftJ9TKX3wZs\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube;\u003c/a> \u003cem>Line of Duty\u003c/em> available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B07RRGPTVJ/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://play.google.com/store/tv/show?id=367W_LaDsj4&cdid=tvseason-WPoANXuJ_XVTCvLhvkKu7Q&gdid=tvepisode-t4VB8Mmt8ls\" target=\"_blank\" rel=\"noopener noreferrer\">Google Play,\u003c/a> \u003ca href=\"https://www.hulu.com/series/0efc0f95-c575-46da-b28f-a30a13d86b37\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu,\u003c/a> \u003ca href=\"https://itunes.apple.com/us/tv-season/episode-6/id1239948393?i=1240562203\" target=\"_blank\" rel=\"noopener noreferrer\">iTunes,\u003c/a> \u003ca href=\"https://tv.youtube.com/browse/line-of-duty-UCaAelRWU4cE05Hojwt6pOiQ?utm_source=onebox\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube\u003c/a>.)\u003cbr>\n—\u003cem> Elizabeth Blair, reporter\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Old school real-time strategy games\u003cbr>\n\u003c/strong>You start with a town center and a villager or two. You send them off to build, or chop down trees, or farm, or mine ore, and gradually (the \u003cem>gradually\u003c/em> is what makes it relaxing!) you can start building armies and navies and upgrading your town. You watch it all happen from above, and there’s something incredibly peaceful about pulling back and seeing so many industrious little workers toiling away happily. (If you’ve spent any time in management, I don’t need to tell you how joyous the sight of people \u003cem>just doing the damn jobs you told them to do \u003c/em>can be.) Inevitably, because even pixelated humans are human, war comes—enemy troops descend on you, or you descend on your enemies. Some delight in this later stage of the game, as they relish the strategy and tactics of combat—but me, I’m happiest when a new game begins, and a tiny little dude with a tiny little wheelbarrow looks up at me expectantly, just wanting to be \u003cem>of use\u003c/em>. (You can find games like Age of the Empires, Battle for Middle Earth and Starcraft on \u003ca href=\"https://store.steampowered.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Steam\u003c/a>.)\u003cbr>\n—\u003cem> Glen Weldon, panelist, Pop Culture Happy Hour\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>The music from \u003c/strong>\u003cem>\u003cstrong>City of Angels, Golden Boy\u003c/strong>\u003c/em>\u003cstrong> and\u003c/strong>\u003cem>\u003cstrong> Raisin\u003cbr>\n\u003c/strong>\u003c/em>Broadway musicals nurtured me in my youth. Though I’m now an unrepentant Sondheimite, I fondly remember the scores of other composers and lyricists that kept me going between his shows—especially the jazzily obscure musicals that never seem to get revived these days. The glory of the Web is that they’re all at your fingertips. Say, Cy (\u003cem>Sweet Charity\u003c/em>) Coleman’s swinging detective musical-noir in \u003ca href=\"https://www.youtube.com/watch?v=M5QhFKE2GO8&list=PL445ADD730F46C816\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>City of Angels\u003c/em>,\u003c/a> or the sultry stylings that the creators of \u003cem>Bye Bye Birdie\u003c/em> fashioned for Sammy Davis Jr. in their boxing-ring musical \u003ca href=\"https://www.youtube.com/watch?v=OGqr3M-fajI&list=PLq01lsXqwzONpf-GYKwsgQrIqkwymyRGk\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Golden Boy\u003c/em>.\u003c/a> And I’ve a special sweet spot in my heart for the musical \u003ca href=\"https://www.youtube.com/watch?v=6TPt4NzZreg&list=OLAK5uy_njf_RNyAufq1YFmp4K6qHhK3LjAGgZb0w\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Raisin\u003c/em>,\u003c/a> based on Lorraine Hansberry’s \u003cem>A Raisin in the Sun\u003c/em>, that premiered at Washington’s Arena Stage and featured one of the the most delectable jazz scores I’ve ever heard.\u003cbr>\n\u003cem>— Bob Mondello, film critic\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Cheers\u003cbr>\n\u003c/strong>\u003c/em>Sure, we all know \u003cem>Cheers\u003c/em>, but that’s its appeal—sometimes you want to go \u003ca href=\"https://www.youtube.com/watch?v=h-mi0r0LpXo\" target=\"_blank\" rel=\"noopener noreferrer\">“Where everybody knows your name…”\u003c/a> I return to it time and again for its recognizable sitcom tropes and familiar comedic rhythms—you’d be hard-pressed to find a show as packed with still-hilarious set-pieces and pingponging patter. Whether you tuned in each week from 1982 to 1993, or during reruns, or, now in a many-seasons-long binge, you’ll come to care deeply about these Boston bar knuckleheads as your own surrogate family and friends. I can’t think of anything more comforting than that. (Plus, once you hit the end of its 11 seasons, just keep going—with another 11 seasons of its spinoff, \u003ca href=\"https://www.imdb.com/title/tt0106004/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Frasier\u003c/em>\u003c/a>!) (Available on \u003ca href=\"https://www.amazon.com/gp/video/detail/B00CV36NKU/ref=atv_dl_rdr\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Prime,\u003c/a> \u003ca href=\"https://www.cbs.com/shows/cheers/video/DXMbCNIG050KaYm2Tl82QQAyP6WO8E65/cheers-one-for-the-road-part-3/?searchReferral=google\" target=\"_blank\" rel=\"noopener noreferrer\">CBS,\u003c/a> \u003ca href=\"https://www.hulu.com/series/6db3756a-27a8-4c55-a285-c695e28fd977\" target=\"_blank\" rel=\"noopener noreferrer\">Hulu,\u003c/a>\u003ca href=\"https://itunes.apple.com/us/tv-season/one-for-the-road-pt-3/id476989385?i=477043997\" target=\"_blank\" rel=\"noopener noreferrer\"> iTunes,\u003c/a> \u003ca href=\"https://www.netflix.com/title/70152640?source=35\" target=\"_blank\" rel=\"noopener noreferrer\">Netflix\u003c/a> and\u003ca href=\"https://www.youtube.com/watch?v=x8H4Xkb9qhU\" target=\"_blank\" rel=\"noopener noreferrer\"> YouTube\u003c/a>)\u003cbr>\n—\u003cem> Mike Katzif, producer, \u003c/em>Pop Culture Happy Hour\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ncc77oxnx5A'\n title='//www.youtube.com/embed/ncc77oxnx5A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>West African Peanut Soup\u003cbr>\n\u003c/strong>I was in college when Mark Bittman posted \u003ca href=\"https://cooking.nytimes.com/recipes/1012581-west-african-peanut-soup-with-chicken\" target=\"_blank\" rel=\"noopener noreferrer\">this recipe\u003c/a> for West African chicken stew. I cooked pretty much everything he wrote back then, and while most recipes have faded in my memory this one stuck because it is\u003cem> magic.\u003c/em> I cannot explain why this combination of things you likely already have in your kitchen (peanut butter, garlic, a can of tomatoes, a chicken thigh in the back of your freezer, maybe?) and a few fresh veggies (kale, sweet potatoes) has become one of my all time favorite comfort meals, but it has. I make this soup when people are sick, or are having babies. I make it when the news is scary. I make it when the kale looks nice at the farmer’s market. I make it when I just have nothing else to do. It’s gluten- and dairy-free, so it works for a variety of diets and restrictions. (I’m sure you could make it vegetarian—just leave out the chicken. Maybe add some chickpeas.) It feels healthy and it comes together fast. When I made it yesterday, I didn’t have peanuts, and I used Japanese white sweet potatoes and added fish sauce. Go crazy!\u003cbr>\n—\u003cem> Rose Friedman, editor\u003c/em>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Graveyard Keeper\u003c/strong>\u003c/em>\u003cstrong>\u003cbr>\n\u003c/strong>Really, any farming-type simulator game will do here—\u003cem>Stardew Valley, \u003c/em>granddaddy of them all \u003cem>Harvest Moon,\u003c/em> even \u003cem>Minecraft,\u003c/em> if the occasional zombie or spider doesn’t stress you out too much, and you like mining as much as farming—as long as it’s got soothingly repetitive action and lulling music. Plant endless crops? Yes! Dig lots of holes? Yes! Befriend local villagers? A thousand times yes! But what if you want that sweet, sweet farming sim action, and the times are just too grim to truly enjoy bringing endless sacks of flour to the Harvest Sprites? My friends, you need \u003cem>Graveyard Keeper.\u003c/em> You play as the maintenance man for a Medievalish graveyard, clearing stumps and weeds, improving your land, prettifying the graves, building relationships with the locals—all the activities common to farming sims. But also, you might be turning the regularly delivered bodies into mystery meat to sell at the tavern, and staging witch-burnings to get in good with the local inquisitor (while making a profit off mystery meat burgers you sell to the crowds). Fair warning—there are long periods in \u003cem>Graveyard Keeper\u003c/em> where you’re just grinding to get to the next level. But sometimes, that’s what you need to make the real world go away. And the music is \u003cem>really\u003c/em> soothing. (Available on \u003ca href=\"https://store.steampowered.com/app/599140/Graveyard_Keeper/\" target=\"_blank\" rel=\"noopener noreferrer\">Steam\u003c/a>, \u003ca href=\"https://www.microsoft.com/en-us/p/graveyard-keeper/c11gzgmkrtcv?activetab=pivot:overviewtab\" target=\"_blank\" rel=\"noopener noreferrer\">Xbox\u003c/a> and \u003ca href=\"https://www.nintendo.com/games/detail/graveyard-keeper-switch/\" target=\"_blank\" rel=\"noopener noreferrer\">Switch\u003c/a>)\u003cbr>\n—\u003cem> Petra Mayer, editor, NPR Books\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003cstrong>The Art of Solitude \u003c/strong>\u003c/em>\u003cstrong>by Stephen Batchelor\u003cbr>\n\u003c/strong>I can’t think of a better time to read about how artists and writers have approached the idea of solitude—a concept that can range from loneliness to ecstasy. In \u003ca href=\"https://www.npr.org/books/titles/816253306/the-art-of-solitude-a-meditation-on-being-alone-with-others-in-this-world\" target=\"_blank\" rel=\"noopener noreferrer\">this short book (or audiobook),\u003c/a> Batchelor, a longtime Buddhist teacher, mixes in his own stories of being alone and at ease.\u003cbr>\n—\u003cem> Ted Robbins, editor\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Here%27s+How+We+Cope+When+We%27re+Stressed%3A+Ideas+From+NPR%27s+Arts+Desk&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13876785/heres-how-we-cope-when-were-stressed-ideas-from-nprs-arts-desk",
"authors": [
"byline_arts_13876785"
],
"categories": [
"arts_73",
"arts_74",
"arts_69",
"arts_75",
"arts_990"
],
"tags": [
"arts_585"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13876796",
"label": "arts_137"
},
"arts_13876747": {
"type": "posts",
"id": "arts_13876747",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13876747",
"score": null,
"sort": [
1584383983000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1584383983,
"format": "standard",
"title": "Idris Elba Tests Positive for Coronavirus",
"headTitle": "Idris Elba Tests Positive for Coronavirus | KQED",
"content": "\u003cp>On Monday, the actor Idris Elba shared on Twitter that he has tested positive for COVID-19.\u003c/p>\n\u003cp>“This morning I tested positive for Covid 19,” the actor wrote. “I feel ok, I have no symptoms so far but have been isolated since I found out about my possible exposure to the virus. Stay home people and be pragmatic. I will keep you updated on how I’m doing 👊🏾👊🏾 No panic.”\u003c/p>\n\u003cp>https://twitter.com/idriselba/status/1239617034901524481\u003c/p>\n\u003cp>In an accompanying video, Elba added that he got tested “because I realized I was exposed to someone who also tested positive.” He also encouraged others feeling any symptoms to get tested, and offered a broad view of the pandemic in general.\u003c/p>\n\u003cp>“Look, we live in a divided world tight now, we can all feel it. It’s been bullshit,” the actor said. “But now’s the time for solidarity, now’s the time for thinking about each other. There are so many people whose lives who have affected, from those who have lost people that they love, to people who don’t even have it who’ve lost livelihoods.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Last week, fellow Hollywood actor Tom Hanks \u003ca href=\"https://www.kqed.org/arts/13876500/tom-hanks-wife-rita-wilson-test-positive-for-coronavirus\" rel=\"noopener noreferrer\" target=\"_blank\">announced\u003c/a> that he and his wife Rita Wilson also tested positive for the coronavirus. \u003c/p>\n\u003cp>Hanks’ son released a statement that Hanks and Wilson were feeling positive. Elba echoed the sentiment.\u003c/p>\n\u003cp>“I will keep you updated as to how I’m doing, but so far we’re feeling OK,” Elba said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Stay positive and don’t freak out.”\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 280,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 10
},
"modified": 1705021081,
"excerpt": "'Now's the time for solidarity, now's the time for thinking about each other,' the actor said.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "'Now's the time for solidarity, now's the time for thinking about each other,' the actor said.",
"title": "Idris Elba Tests Positive for Coronavirus | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Idris Elba Tests Positive for Coronavirus",
"datePublished": "2020-03-16T11:39:43-07:00",
"dateModified": "2024-01-11T16:58:01-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "idris-elba-test-positive-for-coronavirus",
"status": "publish",
"templateType": "standard",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13876747/idris-elba-test-positive-for-coronavirus",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Monday, the actor Idris Elba shared on Twitter that he has tested positive for COVID-19.\u003c/p>\n\u003cp>“This morning I tested positive for Covid 19,” the actor wrote. “I feel ok, I have no symptoms so far but have been isolated since I found out about my possible exposure to the virus. Stay home people and be pragmatic. I will keep you updated on how I’m doing 👊🏾👊🏾 No panic.”\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "1239617034901524481"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>In an accompanying video, Elba added that he got tested “because I realized I was exposed to someone who also tested positive.” He also encouraged others feeling any symptoms to get tested, and offered a broad view of the pandemic in general.\u003c/p>\n\u003cp>“Look, we live in a divided world tight now, we can all feel it. It’s been bullshit,” the actor said. “But now’s the time for solidarity, now’s the time for thinking about each other. There are so many people whose lives who have affected, from those who have lost people that they love, to people who don’t even have it who’ve lost livelihoods.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Last week, fellow Hollywood actor Tom Hanks \u003ca href=\"https://www.kqed.org/arts/13876500/tom-hanks-wife-rita-wilson-test-positive-for-coronavirus\" rel=\"noopener noreferrer\" target=\"_blank\">announced\u003c/a> that he and his wife Rita Wilson also tested positive for the coronavirus. \u003c/p>\n\u003cp>Hanks’ son released a statement that Hanks and Wilson were feeling positive. Elba echoed the sentiment.\u003c/p>\n\u003cp>“I will keep you updated as to how I’m doing, but so far we’re feeling OK,” Elba said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Stay positive and don’t freak out.”\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13876747/idris-elba-test-positive-for-coronavirus",
"authors": [
"185"
],
"categories": [
"arts_74",
"arts_235"
],
"tags": [
"arts_10126",
"arts_10278",
"arts_977",
"arts_9598"
],
"featImg": "arts_13876753",
"label": "arts"
},
"arts_13876716": {
"type": "posts",
"id": "arts_13876716",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13876716",
"score": null,
"sort": [
1584371529000
]
},
"guestAuthors": [],
"slug": "cdc-recommends-against-gatherings-of-50-or-more-states-close-bars-restaurants",
"title": "CDC Recommends Against Gatherings of 50 or More; States Close Bars, Restaurants",
"publishDate": 1584371529,
"format": "standard",
"headTitle": "CDC Recommends Against Gatherings of 50 or More; States Close Bars, Restaurants | KQED",
"labelTerm": {},
"content": "\u003cp>\u003cstrong>Updated at 1:55 a.m. ET Monday\u003c/strong>\u003c/p>\n\u003cp>In an effort to slow the spread of the coronavirus pandemic, the Centers for Disease Control and Prevention is now advising against gatherings of 50 people or more for the next eight weeks.\u003c/p>\n\u003cp>In \u003ca href=\"https://www.cdc.gov/coronavirus/2019-ncov/community/large-events/mass-gatherings-ready-for-covid-19.html\">a guidance announcement\u003c/a> issued on Sunday, the agency said it was warning against large events and mass gatherings that include “conferences, festivals, parades, concerts, sporting events, weddings, and other types of assemblies.”\u003c/p>\n\u003cp>The agency called on organizers, whether they are individuals or organizations, to cancel or postpone such events. However, it said the guidance did not apply to the daily operations of organizations like schools, institutes of higher learning or businesses.[aside postid='arts_13876160']\u003c/p>\n\u003cp>“This recommendation is made in an attempt to reduce introduction of the virus into new communities and to slow the spread of infection in communities already affected by the virus,” according to the guidance announcement. “This recommendation is not intended to supersede the advice of local public health officials.”\u003c/p>\n\u003cp>\u003cstrong>California orders seniors to stay home and bars to close\u003c/strong>\u003c/p>\n\u003cp>California Gov. Gavin Newsom on Sunday requested that all senior citizens and those with chronic conditions isolate themselves at home. Additionally, he called for the closure of all bars, wineries, nightclubs and breweries, as the country’s most populous state recorded \u003ca href=\"https://www.cdph.ca.gov/Programs/CID/DCDC/Pages/Immunization/nCoV2019.aspx\">335 confirmed cases\u003c/a> of the coronavirus and six deaths.\u003c/p>\n\u003cp>Restaurants are being asked to cut their occupancy in half in order to promote “social distancing,” Newsom said. The governor is also asking restaurants to prioritize takeout options for individuals who are isolating themselves.\u003c/p>\n\u003cp>“The most important thing is to focus on the vulnerable and prioritize their safety,” Newsom said. “We are guided by science, not the framework of hysteria.”\u003c/p>\n\u003cp>Los Angeles Mayor Gil Garcetti Sunday night ordered the city’s restaurants, bars, gyms and entertainment venues closed at midnight local time at least through March. The emergency decree exempted take-out and delivery.[aside postid='science_1957877']\u003c/p>\n\u003cp>\u003cstrong>New York City shuts schools, bars, restaurants\u003c/strong>\u003c/p>\n\u003cp>Starting Monday, the country’s largest public school system will shut its doors to more than 1.1 million students, New York City Mayor Bill de Blasio announced\u003ca href=\"https://twitter.com/NYCMayor/status/1239303034674352129?s=20\"> at a news conference\u003c/a> on Sunday evening.\u003c/p>\n\u003cp>The city-wide closure will be in place until at least Monday, April 20.\u003c/p>\n\u003cp>On Twitter, a somber de Blasio expressed concern for students and families who would be affected by the change, and addressed the steps he was taking to mitigate any challenges that arise.\u003c/p>\n\u003cp>“We know hundreds of thousands of kids depend on our schools for their meals,” he said. “We’ll have grab and go breakfast and lunch available at all school buildings starting tomorrow.”\u003c/p>\n\u003cp>The mayor also announced that he would be asking all bars and restaurants in the city to close starting at 9 a.m. on Tuesday, and instead limit their business to take-out and delivery.\u003c/p>\n\u003cp>“Tomorrow, I will sign an Executive Order limiting restaurants, bars and cafes to food take-out and delivery. Nightclubs, movie theaters, small theater houses and concert venues must all close,” de Blasio said in a statement.\u003c/p>\n\u003cp>As of Sunday, the \u003ca href=\"https://www.health.ny.gov/diseases/communicable/coronavirus/\">state had 729 cases\u003c/a> of the virus, according to the New York Department of Health.\u003c/p>\n\u003cp>\u003cstrong>Washington state doubles down on CDC guidance\u003c/strong>\u003c/p>\n\u003cp>Washington state, a coronavirus hotspot which saw the country’s first death, took its most drastic steps yet to limit the spread of the virus in public spaces.\u003c/p>\n\u003cp>Gov. Jay Inslee said on Sunday night that he would order the temporary closure of restaurants, bars, entertainment and recreation venues. Delivery and take-out will not be shut down, he said.\u003c/p>\n\u003cp>“These are very difficult decisions, but hours count here and very strong measures are necessary to slow the spread of the disease. I know there will be significant economic impacts to all our communities and we are looking at steps to help address those challenges,” Inslee said.\u003c/p>\n\u003cp>The governor is also banning gatherings of at least 50, in a mandate of CDC’s new guidance.\u003c/p>\n\u003cp>There are at least 42 deaths statewide, with 769 positive cases confirmed. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Illinois to shut down bars, restaurants\u003c/strong>\u003c/p>\n\u003cp>The CDC guidance came as states and cities across the country moved on Sunday to limit large gatherings in order to help halt the spread of an outbreak that has infected at least 3,499 people in the U.S. and resulted in 63 deaths, according to \u003ca href=\"https://coronavirus.jhu.edu/map.html\">tracking by Johns Hopkins University\u003c/a>.\u003c/p>\n\u003cp>Illinois Gov. J.B. Pritzker ordered all bars and restaurants to close through March 30 beginning on Monday.\u003c/p>\n\u003cp>“The time for persuasion and public appeals is over,” Pritzker said at a press conference on Sunday as St. Patrick’s Day revelers in Chicago were already hitting bars in large groups. “This is not a joke. No one is immune to this.”\u003c/p>\n\u003cp>There are \u003ca href=\"http://dph.illinois.gov/topics-services/diseases-and-conditions/diseases-a-z-list/coronavirus\">93 confirmed coronavirus cases\u003c/a> in the state, according to the Illinois Department of Public Health.\u003c/p>\n\u003cp>Pritzker said drive-throughs will be allowed to stay open and added that he’s working with establishments to keep kitchens open so that food can still be delivered to homes.\u003c/p>\n\u003cp>The order affects roughly 25,000 businesses across the state, sending home hundreds of thousands of workers, the local \u003ca href=\"https://chicago.cbslocal.com/2020/03/15/gov-pritzker-announces-closure-of-all-illinois-bars-and-restaurants-effective-monday-due-to-coronavirus-crisis/\">CBS Chicago reports\u003c/a>.\u003c/p>\n\u003cp>The Illinois Restaurant Association backed the governor’s decision, declaring safety its priority.\u003c/p>\n\u003cp>“We are currently working with other stakeholders to explore all possible avenues of economic and regulatory relief for our industry in the days and weeks ahead,” the group \u003ca href=\"https://www.illinoisrestaurants.org/news/491097/Updated-315-Coronavirus-Resources-State-Orders-Closing-of-In-Person-Dining-at-Restaurants.htm\">said in a statement\u003c/a>.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" rel=\"noopener noreferrer\" target=\"_blank\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=CDC+Recommends+Against+Gatherings+Of+50+Or+More%2C+As+States+Close+Bars+And+Restaurants&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "The guidance applies to \"conferences, festivals, parades, concerts, sporting events\" and others.",
"status": "publish",
"parent": 0,
"modified": 1726764105,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 35,
"wordCount": 955
},
"headData": {
"title": "CDC Recommends Against Gatherings of 50 or More; States Close Bars, Restaurants | KQED",
"description": "The guidance applies to "conferences, festivals, parades, concerts, sporting events" and others.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "CDC Recommends Against Gatherings of 50 or More; States Close Bars, Restaurants",
"datePublished": "2020-03-16T08:12:09-07:00",
"dateModified": "2024-09-19T09:41:45-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"source": "Coronavirus",
"sourceUrl": "https://www.kqed.org/coronavirus",
"sticky": false,
"nprImageCredit": "Brad Lee",
"nprByline": "Emma Bowman",
"nprImageAgency": "AFP via Getty Images",
"nprStoryId": "816245252",
"nprApiLink": "http://api.npr.org/query?id=816245252&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprHtmlLink": "https://www.npr.org/2020/03/15/816245252/cdc-recommends-suspending-gatherings-of-50-or-more-people-for-the-next-8-weeks?ft=nprml&f=816245252",
"nprRetrievedStory": "1",
"nprPubDate": "Mon, 16 Mar 2020 01:58:00 -0400",
"nprStoryDate": "Sun, 15 Mar 2020 21:03:00 -0400",
"nprLastModifiedDate": "Mon, 16 Mar 2020 01:58:14 -0400",
"templateType": "standard",
"featuredImageType": "standard",
"path": "/arts/13876716/cdc-recommends-against-gatherings-of-50-or-more-states-close-bars-restaurants",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Updated at 1:55 a.m. ET Monday\u003c/strong>\u003c/p>\n\u003cp>In an effort to slow the spread of the coronavirus pandemic, the Centers for Disease Control and Prevention is now advising against gatherings of 50 people or more for the next eight weeks.\u003c/p>\n\u003cp>In \u003ca href=\"https://www.cdc.gov/coronavirus/2019-ncov/community/large-events/mass-gatherings-ready-for-covid-19.html\">a guidance announcement\u003c/a> issued on Sunday, the agency said it was warning against large events and mass gatherings that include “conferences, festivals, parades, concerts, sporting events, weddings, and other types of assemblies.”\u003c/p>\n\u003cp>The agency called on organizers, whether they are individuals or organizations, to cancel or postpone such events. However, it said the guidance did not apply to the daily operations of organizations like schools, institutes of higher learning or businesses.\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13876160",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“This recommendation is made in an attempt to reduce introduction of the virus into new communities and to slow the spread of infection in communities already affected by the virus,” according to the guidance announcement. “This recommendation is not intended to supersede the advice of local public health officials.”\u003c/p>\n\u003cp>\u003cstrong>California orders seniors to stay home and bars to close\u003c/strong>\u003c/p>\n\u003cp>California Gov. Gavin Newsom on Sunday requested that all senior citizens and those with chronic conditions isolate themselves at home. Additionally, he called for the closure of all bars, wineries, nightclubs and breweries, as the country’s most populous state recorded \u003ca href=\"https://www.cdph.ca.gov/Programs/CID/DCDC/Pages/Immunization/nCoV2019.aspx\">335 confirmed cases\u003c/a> of the coronavirus and six deaths.\u003c/p>\n\u003cp>Restaurants are being asked to cut their occupancy in half in order to promote “social distancing,” Newsom said. The governor is also asking restaurants to prioritize takeout options for individuals who are isolating themselves.\u003c/p>\n\u003cp>“The most important thing is to focus on the vulnerable and prioritize their safety,” Newsom said. “We are guided by science, not the framework of hysteria.”\u003c/p>\n\u003cp>Los Angeles Mayor Gil Garcetti Sunday night ordered the city’s restaurants, bars, gyms and entertainment venues closed at midnight local time at least through March. The emergency decree exempted take-out and delivery.\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "science_1957877",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>New York City shuts schools, bars, restaurants\u003c/strong>\u003c/p>\n\u003cp>Starting Monday, the country’s largest public school system will shut its doors to more than 1.1 million students, New York City Mayor Bill de Blasio announced\u003ca href=\"https://twitter.com/NYCMayor/status/1239303034674352129?s=20\"> at a news conference\u003c/a> on Sunday evening.\u003c/p>\n\u003cp>The city-wide closure will be in place until at least Monday, April 20.\u003c/p>\n\u003cp>On Twitter, a somber de Blasio expressed concern for students and families who would be affected by the change, and addressed the steps he was taking to mitigate any challenges that arise.\u003c/p>\n\u003cp>“We know hundreds of thousands of kids depend on our schools for their meals,” he said. “We’ll have grab and go breakfast and lunch available at all school buildings starting tomorrow.”\u003c/p>\n\u003cp>The mayor also announced that he would be asking all bars and restaurants in the city to close starting at 9 a.m. on Tuesday, and instead limit their business to take-out and delivery.\u003c/p>\n\u003cp>“Tomorrow, I will sign an Executive Order limiting restaurants, bars and cafes to food take-out and delivery. Nightclubs, movie theaters, small theater houses and concert venues must all close,” de Blasio said in a statement.\u003c/p>\n\u003cp>As of Sunday, the \u003ca href=\"https://www.health.ny.gov/diseases/communicable/coronavirus/\">state had 729 cases\u003c/a> of the virus, according to the New York Department of Health.\u003c/p>\n\u003cp>\u003cstrong>Washington state doubles down on CDC guidance\u003c/strong>\u003c/p>\n\u003cp>Washington state, a coronavirus hotspot which saw the country’s first death, took its most drastic steps yet to limit the spread of the virus in public spaces.\u003c/p>\n\u003cp>Gov. Jay Inslee said on Sunday night that he would order the temporary closure of restaurants, bars, entertainment and recreation venues. Delivery and take-out will not be shut down, he said.\u003c/p>\n\u003cp>“These are very difficult decisions, but hours count here and very strong measures are necessary to slow the spread of the disease. I know there will be significant economic impacts to all our communities and we are looking at steps to help address those challenges,” Inslee said.\u003c/p>\n\u003cp>The governor is also banning gatherings of at least 50, in a mandate of CDC’s new guidance.\u003c/p>\n\u003cp>There are at least 42 deaths statewide, with 769 positive cases confirmed. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Illinois to shut down bars, restaurants\u003c/strong>\u003c/p>\n\u003cp>The CDC guidance came as states and cities across the country moved on Sunday to limit large gatherings in order to help halt the spread of an outbreak that has infected at least 3,499 people in the U.S. and resulted in 63 deaths, according to \u003ca href=\"https://coronavirus.jhu.edu/map.html\">tracking by Johns Hopkins University\u003c/a>.\u003c/p>\n\u003cp>Illinois Gov. J.B. Pritzker ordered all bars and restaurants to close through March 30 beginning on Monday.\u003c/p>\n\u003cp>“The time for persuasion and public appeals is over,” Pritzker said at a press conference on Sunday as St. Patrick’s Day revelers in Chicago were already hitting bars in large groups. “This is not a joke. No one is immune to this.”\u003c/p>\n\u003cp>There are \u003ca href=\"http://dph.illinois.gov/topics-services/diseases-and-conditions/diseases-a-z-list/coronavirus\">93 confirmed coronavirus cases\u003c/a> in the state, according to the Illinois Department of Public Health.\u003c/p>\n\u003cp>Pritzker said drive-throughs will be allowed to stay open and added that he’s working with establishments to keep kitchens open so that food can still be delivered to homes.\u003c/p>\n\u003cp>The order affects roughly 25,000 businesses across the state, sending home hundreds of thousands of workers, the local \u003ca href=\"https://chicago.cbslocal.com/2020/03/15/gov-pritzker-announces-closure-of-all-illinois-bars-and-restaurants-effective-monday-due-to-coronavirus-crisis/\">CBS Chicago reports\u003c/a>.\u003c/p>\n\u003cp>The Illinois Restaurant Association backed the governor’s decision, declaring safety its priority.\u003c/p>\n\u003cp>“We are currently working with other stakeholders to explore all possible avenues of economic and regulatory relief for our industry in the days and weeks ahead,” the group \u003ca href=\"https://www.illinoisrestaurants.org/news/491097/Updated-315-Coronavirus-Resources-State-Orders-Closing-of-In-Person-Dining-at-Restaurants.htm\">said in a statement\u003c/a>.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" rel=\"noopener noreferrer\" target=\"_blank\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=CDC+Recommends+Against+Gatherings+Of+50+Or+More%2C+As+States+Close+Bars+And+Restaurants&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13876716/cdc-recommends-against-gatherings-of-50-or-more-states-close-bars-restaurants",
"authors": [
"byline_arts_13876716"
],
"programs": [
"arts_140"
],
"categories": [
"arts_74",
"arts_69",
"arts_235",
"arts_967"
],
"tags": [
"arts_10331",
"arts_10126",
"arts_10278",
"arts_10328",
"arts_9598"
],
"featImg": "arts_13852058",
"label": "source_arts_13876716"
},
"arts_13876160": {
"type": "posts",
"id": "arts_13876160",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13876160",
"score": null,
"sort": [
1584140436000
]
},
"guestAuthors": [],
"slug": "canceled-by-coronavirus-a-list-of-bay-area-concerts-cultural-events-museums-more",
"title": "Canceled by Coronavirus: A List of Bay Area Concerts, Cultural Events, Museums, More",
"publishDate": 1584140436,
"format": "standard",
"headTitle": "Canceled by Coronavirus: A List of Bay Area Concerts, Cultural Events, Museums, More | KQED",
"labelTerm": {},
"content": "\u003cp>Updated: March 17, 6:30am\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Note\u003c/strong>: \u003cstrong>This list is no longer being updated as of March 17\u003c/strong>. Because of new restrictions and shelter-in-place orders, it is safe to assume that every concert, performance, museum or cultural event in the Bay Area has been canceled or closed for the time being.\u003c/em>\u003c/p>\n\u003cp>\u003cem>On March 17, a \u003ca href=\"https://www.kqed.org/news/11806988/sheltering-in-place-what-you-need-to-know\" rel=\"noopener noreferrer\" target=\"_blank\">shelter-in-place order took effect for six Bay Area counties\u003c/a>, requiring people to stay at home and leave only for essential activities.\u003c/em>\u003c/p>\n\u003cp>\u003cem>On March 16, the CDC \u003ca href=\"https://www.kqed.org/arts/13876716/cdc-recommends-against-gatherings-of-50-or-more-states-close-bars-restaurants\" rel=\"noopener noreferrer\" target=\"_blank\">warned against gatherings of 50 people or more\u003c/a>, including “conferences, festivals, parades, concerts, sporting events, weddings, and other types of assemblies.” Governor Gavin Newsom also \u003ca href=\"https://www.kqed.org/news/11806871/newsom-calls-for-closure-of-all-bars-in-an-effort-to-increase-social-distancing\" rel=\"noopener noreferrer\" target=\"_blank\">called for the closure\u003c/a> of all bars, wineries, nightclubs and breweries.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Stay up to date on full coronavirus coverage \u003ca href=\"https://www.kqed.org/coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>Concern over the spread of the coronavirus has caused the cancellation of many concerts, performances and other cultural events in the Bay Area.[aside postid=\"science_1957877\"]\u003c/p>\n\u003cp>Below, see a list of cultural events, concerts and performances canceled or postponed due to coronavirus concerns. Many venues have enacted flexible refund and ticket-exchange policies. Click through the venue or event name for details, and for updated information about reopening.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"https://www.act-sf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cstrong>American Conservatory Theater\u003c/strong>\u003c/a>\u003cbr>\nAll performances of ‘Toni Stone’ (Geary Theater) and ‘Gloria’ (Strand Theater) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcv.org/events-calendar/venue-profiles/knuth-hall-sf-state-university-creative-arts-building\" target=\"_blank\" rel=\"noopener noreferrer\">‘Ain’t I a Woman’\u003c/a>\u003c/strong> (March 15)\u003cbr>\nPerformance by Core Ensemble canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theoaklandarena.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Ana Gabriel\u003c/a>\u003c/strong>\u003cbr>\nMarch 19 concert at Oakland Arena postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theoaklandarena.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Andre Rieu\u003c/a>\u003c/strong>\u003cbr>\nMarch 22 concert at Oakland Arena postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://asianart.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Asian Art Museum\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 27\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.mlb.com/athletics\" rel=\"noopener noreferrer\" target=\"_blank\">Oakland A’s\u003c/a>\u003c/strong>\u003cbr>\nSpring training canceled; entire MLB season delayed at least two weeks\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.augusthallsf.com/\" rel=\"noopener noreferrer\" target=\"_blank\">August Hall\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March 27 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cinemasf.com/balboa\" rel=\"noopener noreferrer\" target=\"_blank\">Balboa Theatre\u003c/a>\u003c/strong>\u003cbr>\nClosed and all movie screenings canceled until further notice\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://bampfa.org/news/new-info-bampfa-update-covid-19\" rel=\"noopener noreferrer\" target=\"_blank\">BAMPFA\u003c/a>\u003c/strong>\u003cbr>\nAll film screenings, tours and public programs canceled through March 29\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.baybookfest.org/2020cancellation/\" rel=\"noopener noreferrer\" target=\"_blank\">Bay Area Book Festival\u003c/a>\u003c/strong> (May 2 and 3)\u003cbr>\nPostponed to May 1-2, 2021\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://gradlectures.berkeley.edu/\" target=\"_blank\" rel=\"noopener noreferrer\">Berkeley Graduate Lectures\u003c/a>\u003c/strong>\u003cbr>\nAll lectures canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.berkeleyrep.org/?gclsrc=aw.ds&gclid=Cj0KCQjwu6fzBRC6ARIsAJUwa2SSGnQum2eM6ybkE8IFauSDY_ugwioEz44pG-2t0TkGpUXzvuyXNocaAlwYEALw_wcB&gclsrc=aw.ds\" rel=\"noopener noreferrer\" target=\"_blank\">Berkeley Repertory Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances of \u003cem>Culture Clash (Still) in America\u003c/em> canceled; \u003cem>School Girls; Or, The African Mean Girls Play\u003c/em>, originally slated to start on March 19, on hiatus through April 5\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Bill Graham Civic Auditorium\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003ca href=\"https://live.stanford.edu/venues/bing-concert-hall\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Bing Concert Hall\u003c/strong>\u003c/a>\u003cbr>\nMost shows canceled through April 15, including Cecile McLorin Salvant (March 13)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.calacademy.org/a-message-to-our-academy-community-on-covid-19\" rel=\"noopener noreferrer\" target=\"_blank\">California Academy of Sciences\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://californiahistoricalsociety.org/\" rel=\"noopener noreferrer\" target=\"_blank\">California Historical Society\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://museum.stanford.edu/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Cantor Arts Center and Anderson Collection\u003c/strong> \u003c/a>\u003cbr>\nClosed to the public through April 15\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.catchlight.io/\" target=\"_blank\" rel=\"noopener noreferrer\">CatchLight Visual Storytelling Summit\u003c/a>\u003c/strong> (May 17–18)\u003cbr>\nPostponed to late October 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.chasecenter.com/news/5h4k5TxZF2QdDYpa6MTNLa\" rel=\"noopener noreferrer\" target=\"_blank\">Celine Dion\u003c/a>\u003c/strong> (March 12)\u003cbr>\nConcert at Chase Center postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://centerfornewmusic.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Center for New Music\u003c/a>\u003c/strong>\u003cbr>\nAll public events suspended through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://twitter.com/MattHaneySF/status/1237792593619996672\" target=\"_blank\" rel=\"noopener noreferrer\">Chase Center\u003c/a>\u003c/strong>\u003cbr>\nNBA season postponed, Warriors games off; all concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfcherryblossom.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Cherry Blossom Festival, Japantown SF\u003c/a>\u003c/strong> (April 11-12 and April 17-19)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.cinequest.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Cinequest Film Festival\u003c/strong>\u003c/a> (March 3–15)\u003cbr>\nMarch 8-15 events postponed to August 16–30\u003c/p>\n\u003cp>\u003ca href=\"http://circuscenter.org/blog/2020/03/07/covid-19--march-13-14-cabaret-cancelled\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Circus Center Cabaret\u003c/strong>\u003c/a> (March 13_14)\u003cbr>\nCanceled; looking to reschedule\u003c/p>\n\u003cp>\u003ca href=\"https://www.cirquedusoleil.com/\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cstrong>Cirque du Soleil: Axel\u003c/strong>\u003c/a> (March 24-28)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cityarts.net/\" target=\"_blank\" rel=\"noopener noreferrer\">City Arts & Lectures\u003c/a>\u003c/strong>\u003cbr>\nCertain scheduled events to be held with no audience and livestreamed: Anna Wiener (March 12), Peggy Orenstein (March 19), and Robert Reich (March 23)\u003c/p>\n\u003cp>\u003ca href=\"https://www.commonwealthclub.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Commonwealth Club\u003c/strong>\u003c/a>\u003cbr>\nAll in-person events canceled through March 22 for San Francisco, Marin County and Silicon Valley\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.thecjm.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Contemporary Jewish Museum\u003c/a>\u003c/strong>\u003cbr>\nAll public programs and tours canceled through March 22; museum remains open\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://counterpulse.org/\" rel=\"noopener noreferrer\" target=\"_blank\">CounterPulse\u003c/a>\u003c/strong>\u003cbr>\nAll performances and public events through May 31 canceled or postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/events/d41d8cd9/2nd-annual-daly-city-rock-roll-flea-market/2391757860910159/\" target=\"_blank\" rel=\"noopener noreferrer\">Daly City Rock & Roll Flea Market\u003c/a>\u003c/strong> (March 15)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://odc.dance/AroundTown\" rel=\"noopener noreferrer\" target=\"_blank\">‘Dance Downtown’ at ODC\u003c/a>\u003c/strong>\u003cbr>\nMarch 27 gala canceled; all Spring performances postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://deyoung.famsf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">de Young Museum\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theexit.org/\" rel=\"noopener noreferrer\" target=\"_blank\">EXIT Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March, including Burlesque Extravaganza (March 18–21)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.exploratorium.edu/\" rel=\"noopener noreferrer\" target=\"_blank\">The Exploratorium\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through the end of March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.feinsteinssf.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Feinstein’s at the Nikko\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through April 6\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://thefillmore.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The Fillmore\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March 18 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://thefoxoakland.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Fox Theater, Oakland\u003c/a>\u003c/strong>\u003cbr>\nAll concerts canceled through March 30, including Wilco, Melanie Martinez, Ilana Glazer, Third Eye Blind and others\u003c/p>\n\u003cp>\u003ca href=\"https://www.gdconf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Game Developers Conference\u003c/strong>\u003c/a> (March 16–20)\u003cbr>\nPostponed; working to reschedule for August 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.mlb.com/giants\" rel=\"noopener noreferrer\" target=\"_blank\">San Francisco Giants\u003c/a>\u003c/strong>\u003cbr>\nSpring training canceled; entire MLB season delayed at least two weeks\u003c/p>\n\u003cp>\u003ca href=\"https://www.goldengatepark150.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Golden Gate Park 150th Anniversary Celebration\u003c/strong>\u003c/a> (April 4)\u003cbr>\nPostponed; to be rescheduled for a later date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://goldengatepark.com/golden-gate-park-senior-center.html\" target=\"_blank\" rel=\"noopener noreferrer\">Golden Gate Park Senior Center\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 23\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://gmc.sonoma.edu/covid-19-update/\" rel=\"noopener noreferrer\" target=\"_blank\">Green Music Center\u003c/a>\u003c/strong>\u003cbr>\nAll performances through April 11 canceled\u003c/p>\n\u003cp>\u003ca href=\"https://wwd.com/fashion-news/fashion-scoops/gucci-cancels-cruise-2021-show-in-san-francisco-1203526819/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Gucci Cruise Fashion Show\u003c/strong>\u003c/a> (May 18)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13876404/hamilton-canceled-in-san-francisco-due-to-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>‘Hamilton’ at the Orpheum Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.harrypottertheplay.com/san-francisco/coronavirus-update/\" target=\"_blank\" rel=\"noopener noreferrer\">‘Harry Potter and the Cursed Child’\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://www.shipyardartists.com/open-studios/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Hunter’s Point Shipyard Artists\u003c/strong>\u003c/a>\u003cbr>\nAnnual spring open studios rescheduled to May 16–17\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcinematheque.org/screenings/i-hate-the-internet-techno-dystopian-malaise-and-visions-of-rebellion/\" target=\"_blank\" rel=\"noopener noreferrer\">‘I Hate the Internet: Techno-Dystopian Malaise and Visions of Rebellion’\u003c/a>\u003c/strong> (March 12)\u003cbr>\nPostponed; to be rescheduled at future date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sanjosetheaters.org/event/the-illusionists-live-from-broadway/\" target=\"_blank\" rel=\"noopener noreferrer\">The Illusionists – Live From Broadway\u003c/a>\u003c/strong> (March 24 and 25)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The Independent\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003ca href=\"http://intloceanfilmfest.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>International Ocean Film Festival\u003c/strong>\u003c/a> (March 12–15)\u003cbr>\nPostponed to later in 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://iccnc.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Islamic Cultural Center of Northern California\u003c/a>\u003c/strong>\u003cbr>\nAll public events canceled through March 23, including Nowruz celebration on March 14\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.jcceastbay.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Jewish Community Center East Bay\u003c/a> \u003c/strong>\u003cbr>\nAll large events (50 people or more) though March 27 canceled or rescheduled\u003c/p>\n\u003cp>\u003ca href=\"https://www.jccsf.org/staying-healthy-together/\">\u003cstrong>San Francisco Jewish Community Center\u003c/strong> \u003c/a>\u003cbr>\nPurim Festival (March 8) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcv.org/events-calendar/venue-profiles/knuth-hall-sf-state-university-creative-arts-building\" target=\"_blank\" rel=\"noopener noreferrer\">Knuth Music Hall, SF State\u003c/a>\u003c/strong>\u003cbr>\nPerformances on March 16, 18 and 19 canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.broadwaysf.com/Online/default.asp\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>‘The Last Ship’ at the Golden Gate Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"http://www.leftcoastensemble.org/fairytale\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Left Coast Chamber Ensemble\u003c/strong>\u003c/a>\u003cbr>\n‘Fairytale Pieces’ (March 8 and 9) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://legionofhonor.famsf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Legion of Honor\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/lesbianswhotech/photos/a.656630677683654/3341946979151997/?type=3&theater\" target=\"_blank\" rel=\"noopener noreferrer\">Lesbians Who Tech\u003c/a>\u003c/strong> (April 23–25)\u003cbr>\nRescheduled for August, 2020\u003c/p>\n\u003cp>\u003ca href=\"http://www.lindyinthepark.com/\">\u003cstrong>Lindy in the Park\u003c/strong>\u003c/a>\u003cbr>\nMarch 8 and 15 events canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.lhtsf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Lorraine Hansberry Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘Intimate Apparel’ (March 13–29) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://lutherburbankcenter.org/healthandsafetyupdate/\" rel=\"noopener noreferrer\" target=\"_blank\">Luther Burbank Center\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March canceled or postponed, including Wilco, Brittany Howard, Laura Dern and more\u003c/p>\n\u003cp>\u003ca href=\"https://maclaarte.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>MACLA\u003c/strong>\u003c/a>\u003cbr>\nAll public programs postponed, including \u003cem>We Have Iré\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.marintheatre.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Marin Theatre Co.\u003c/a>\u003c/strong>\u003cbr>\nAll upcoming performances of ‘Love’ and ‘Natural Shocks’ canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.aztecadancers.com/mexica-new-year\" target=\"_blank\" rel=\"noopener noreferrer\">Mexica New Year Ceremony & Celebration San Jose\u003c/a>\u003c/strong> (March 14)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.nctcsf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>New Conservatory Theatre Center\u003c/strong>\u003c/a>\u003cbr>\nAll performances, including \u003cem>The Book of Mountains and Seas\u003c/em>, canceled through March 21\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The New Parish\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://museumca.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Oakland Museum of California\u003c/a>\u003c/strong>\u003cbr>\nMuseum closed to the public through March 27; 50th Anniversary Gala (March 14) canceled as well\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://odc.dance/tripletake\" target=\"_blank\" rel=\"noopener noreferrer\">ODC/RAWDance\u003c/a>\u003c/strong>\u003cbr>\n‘Triple Take’ (March 12–15) postponed to later this year; exact date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://offthegrid.com/blog/supporting-local-communities-through-implementation-of-covid-19-prevention-best-practices/\" target=\"_blank\" rel=\"noopener noreferrer\">Off the Grid\u003c/a>\u003c/strong>\u003cbr>\nEvent at Fort Mason on March 13 and 20 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.operasj.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Opera San Jose\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘The Magic Flute’ (April 18–May 3) canceled\u003c/p>\n\u003cp>\u003ca href=\"http://www.cspaloalto.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Palo Alto Christian Science Church\u003c/strong>\u003c/a>\u003cbr>\nJames Welch concert (March 8) postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://pearljam.com/tour\" target=\"_blank\" rel=\"noopener noreferrer\">Pearl Jam\u003c/a>\u003c/strong> (April 18–19)\u003cbr>\nEntire tour canceled, including April 18–19 dates at Oakland Arena\u003c/p>\n\u003cp>\u003ca href=\"https://peninsulasymphony.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Peninsula Symphony\u003c/strong>\u003c/a>\u003cbr>\nMarch 13 and 14 ‘Violins of Hope’ concerts postponed; to be rescheduled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://philharmonia.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Philharmonia Baroque Orchestra\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘Romantic Reflections’ (March 11-15) canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/photo.php?fbid=10157788026750552&set=a.211581100551&type=3&theater\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Rebecca Solnit\u003c/strong>\u003c/a>\u003cbr>\nAll stops on book tour through March 25 canceled, including at Booksmith SF (March 16)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/events/94291513455\" target=\"_blank\" rel=\"noopener noreferrer\">Rebel Girls Trivia Happy Hour with KQED\u003c/a>\u003c/strong> (March 16)\u003cbr>\nPostponed to future date TBA\u003c/p>\n\u003cp>\u003ca href=\"https://www.rebootideasfestival.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Reboot Ideas Festival\u003c/strong>\u003c/a> (March 26–29)\u003cbr>\nPostponed; working to reschedule\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.roxie.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Roxie Theater\u003c/a>\u003c/strong>\u003cbr>\nCLosed to the public and all screenings canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://salesforcetransitcenter.com/events/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Salesforce Park\u003c/strong>\u003c/a>\u003cbr>\nAll group activities in the park suspended; park itself remains open\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfballet.org/a-message-regarding-the-covid-19-virus/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Ballet\u003c/strong>\u003c/a>\u003cbr>\nComplete run of \u003cem>A Midsummer Night’s Dream\u003c/em> (March 7–15) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfbcgala.weebly.com/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Boys Chorus\u003c/a>\u003c/strong>\u003cbr>\nAnnual gala (March 14) rescheduled to May 16\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfca.org/2019-2020-season/\" rel=\"noopener noreferrer\" target=\"_blank\">San Francisco Choral Artists\u003c/a>\u003c/strong>\u003cbr>\n‘Joyful Voices, Stomping Feet’ performances canceled for March 8 (SF), March 14 (Palo Alto) and March 15 (Oakland)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfgmc.org/welcome/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Gay Men’s Chorus\u003c/a> \u003c/strong>\u003cbr>\nPerformances of ‘Penned in Pink’ (March 26 and 28) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfneofuturists.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Neo-Futurists\u003c/a>\u003c/strong>\u003cbr>\nPerformances of \u003cem>The Infinite Wrench\u003c/em> (March 13 and 14) and \u003cem>Infinite Bitch\u003c/em> (March 19–21) canceled\u003c/p>\n\u003cp>\u003ca href=\"https://sfpl.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Public Library\u003c/strong>\u003c/a>\u003cbr>\nAll branches closed and programs canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfrecpark.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Recreation and Parks\u003c/a>\u003c/strong>\u003cbr>\nAll senior programming canceled through March 21; lawn bowling and summer resource fair canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfsymphony.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Symphony\u003c/strong>\u003c/a>\u003cbr>\nConcerts canceled through April 6, including James Galway, Michael Tilson Thomas and more; tour of New York and Europe (March 17–April 7) also canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/SaintPatricksDaySF/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco St. Patrick’s Day Parade\u003c/strong>\u003c/a> (March 14)\u003cbr>\nPostponed to later in 2020\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/SJChamberOrchestra/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Jose Chamber Orchestra\u003c/strong>\u003c/a>\u003cbr>\nMarch 29 ‘Inferno’ concert canceled; to be rescheduled at later date\u003c/p>\n\u003cp>\u003ca href=\"https://www.cdm.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Jose Children’s Discovery Museum\u003c/strong>\u003c/a>\u003cbr>\nClosed through March 10\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.nhl.com/sharks\" rel=\"noopener noreferrer\" target=\"_blank\">San Jose Sharks\u003c/a>\u003c/strong>\u003cbr>\nNHL season put on pause; all games suspended\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.srsymphony.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Santa Rosa Symphony\u003c/a>\u003c/strong>\u003cbr>\n‘Showcasing Contemporary Women’ program (March 21-23) canceled; Youth Ensemble concert (March 15) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sffilm.org/\" rel=\"noopener noreferrer\" target=\"_blank\">SFFILM\u003c/a>\u003c/strong> (April 8-21)\u003cbr>\nEntire 2020 festival canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfjazz.org/visit/health/\" rel=\"noopener noreferrer\" target=\"_blank\">SFJAZZ\u003c/a>\u003c/strong>\u003cbr>\nAll concerts and programming through April 5 postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfmoma.org/\" target=\"_blank\" rel=\"noopener noreferrer\">SFMOMA\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 27\u003c/p>\n\u003cp>\u003ca href=\"https://live.stanford.edu/calendar/all/all/all/all/all\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Stanford Live\u003c/strong>\u003c/a>\u003cbr>\nAll large-scale concerts canceled through April 15\u003c/p>\n\u003cp>\u003ca href=\"https://stanfordtheatre.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Stanford Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll movie screenings temporarily suspended\u003c/p>\n\u003cp>\u003ca href=\"https://www.sundaystreetssf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Sunday Streets: Mission District\u003c/strong>\u003c/a> (March 8)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.exploratorium.edu/visit/covid19\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Tactile Dome at the Exploratorium\u003c/strong>\u003c/a>\u003cbr>\nExhibit closed indefinitely\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theatreworks.org/covid19/\" rel=\"noopener noreferrer\" target=\"_blank\">TheatreWorks Silicon Valley\u003c/a>\u003c/strong>\u003cbr>\nAll upcoming performances of ‘They Promised Her the Moon’ and ‘Ragtime’ canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.tonyrobbins.com/news/upw-san-jose-is-postponed/\" target=\"_blank\" rel=\"noopener noreferrer\">UPW San Jose with Tony Robbins\u003c/a>\u003c/strong> (March 12–15)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cinemasf.com/vogue\" rel=\"noopener noreferrer\" target=\"_blank\">Vogue Theatre\u003c/a>\u003c/strong>\u003cbr>\nClosed and all movie screenings canceled until further notice\u003c/p>\n\u003cp>\u003ca href=\"https://www.waltdisney.org/visitor-update\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Walt Disney Museum\u003c/strong>\u003c/a>\u003cbr>\nClosed through March 20\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/MattHaneySF/status/1237792593619996672\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Warriors\u003c/strong>\u003c/a>\u003cbr>\nNBA season put on pause, all games suspended\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.wattis.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Wattis Institute\u003c/a>\u003c/strong>\u003cbr>\nHồng-Ân Trương talk (March 12) and Astria Suparak’s illustrated lecture (March 19) postponed until further notice\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://winchestermysteryhouse.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Winchester Mystery House\u003c/a>\u003c/strong>\u003cbr>\nClosed through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://womensoundoff.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Women Sound Off\u003c/a>\u003c/strong> (slated for April 3–5)\u003cbr>\nPostponed to October 2–4\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://blog.ycombinator.com/yc-w20-online-demo-day-now-on-march-16/\" target=\"_blank\" rel=\"noopener noreferrer\">Y Combinator Demo Day\u003c/a>\u003c/strong> (March 23)\u003cbr>\nMoved to March 16, now entirely online\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ybca.org/\" rel=\"noopener noreferrer\" target=\"_blank\">YBCA\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.yoshis.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Yoshi’s\u003c/a>\u003c/strong>\u003cbr>\nAll shows will have reduced capacity through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.zspace.org/covid-19prep\" rel=\"noopener noreferrer\" target=\"_blank\">Z Space\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://calperformances.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Zellerbach Hall\u003c/a>\u003c/strong>\u003cbr>\nAll Cal Performances events are still on, but ticketholders may exchange for other dates or request refunds for shows through March 29\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Submit info about canceled events \u003ca href=\"mailto:gmeline@kqed.org?subject=Coronavirus%20Cancelation\">here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003cem>For information on how to keep yourself safe from the coronavirus, \u003ca href=\"https://www.kqed.org/science/1957469/what-californians-need-to-know-about-the-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">click here\u003c/a>, and see KQED’s \u003ca href=\"https://www.kqed.org/science/1957877/live-updates-coronavirus-in-the-san-francisco-bay-area\" target=\"_blank\" rel=\"noopener noreferrer\">live updates\u003c/a> for the latest news.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
"blocks": [],
"excerpt": "See which Bay Area events and concerts have been canceled or postponed due to coronavirus concerns.",
"status": "publish",
"parent": 0,
"modified": 1726764133,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 124,
"wordCount": 1758
},
"headData": {
"title": "Canceled by Coronavirus: A List of Bay Area Concerts, Cultural Events, Museums, More | KQED",
"description": "See which Bay Area events and concerts have been canceled or postponed due to coronavirus concerns.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Canceled by Coronavirus: A List of Bay Area Concerts, Cultural Events, Museums, More",
"datePublished": "2020-03-13T16:00:36-07:00",
"dateModified": "2024-09-19T09:42:13-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"source": "Coronavirus",
"sourceUrl": "https://www.kqed.org/coronavirus",
"sticky": false,
"templateType": "standard",
"featuredImageType": "standard",
"path": "/arts/13876160/canceled-by-coronavirus-a-list-of-bay-area-concerts-cultural-events-museums-more",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Updated: March 17, 6:30am\u003c/p>\n\u003cp>\u003cem>\u003cstrong>Note\u003c/strong>: \u003cstrong>This list is no longer being updated as of March 17\u003c/strong>. Because of new restrictions and shelter-in-place orders, it is safe to assume that every concert, performance, museum or cultural event in the Bay Area has been canceled or closed for the time being.\u003c/em>\u003c/p>\n\u003cp>\u003cem>On March 17, a \u003ca href=\"https://www.kqed.org/news/11806988/sheltering-in-place-what-you-need-to-know\" rel=\"noopener noreferrer\" target=\"_blank\">shelter-in-place order took effect for six Bay Area counties\u003c/a>, requiring people to stay at home and leave only for essential activities.\u003c/em>\u003c/p>\n\u003cp>\u003cem>On March 16, the CDC \u003ca href=\"https://www.kqed.org/arts/13876716/cdc-recommends-against-gatherings-of-50-or-more-states-close-bars-restaurants\" rel=\"noopener noreferrer\" target=\"_blank\">warned against gatherings of 50 people or more\u003c/a>, including “conferences, festivals, parades, concerts, sporting events, weddings, and other types of assemblies.” Governor Gavin Newsom also \u003ca href=\"https://www.kqed.org/news/11806871/newsom-calls-for-closure-of-all-bars-in-an-effort-to-increase-social-distancing\" rel=\"noopener noreferrer\" target=\"_blank\">called for the closure\u003c/a> of all bars, wineries, nightclubs and breweries.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Stay up to date on full coronavirus coverage \u003ca href=\"https://www.kqed.org/coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">here\u003c/a>. \u003c/strong>\u003c/p>\n\u003cp>Concern over the spread of the coronavirus has caused the cancellation of many concerts, performances and other cultural events in the Bay Area.\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "science_1957877",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Below, see a list of cultural events, concerts and performances canceled or postponed due to coronavirus concerns. Many venues have enacted flexible refund and ticket-exchange policies. Click through the venue or event name for details, and for updated information about reopening.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003ca href=\"https://www.act-sf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cstrong>American Conservatory Theater\u003c/strong>\u003c/a>\u003cbr>\nAll performances of ‘Toni Stone’ (Geary Theater) and ‘Gloria’ (Strand Theater) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcv.org/events-calendar/venue-profiles/knuth-hall-sf-state-university-creative-arts-building\" target=\"_blank\" rel=\"noopener noreferrer\">‘Ain’t I a Woman’\u003c/a>\u003c/strong> (March 15)\u003cbr>\nPerformance by Core Ensemble canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theoaklandarena.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Ana Gabriel\u003c/a>\u003c/strong>\u003cbr>\nMarch 19 concert at Oakland Arena postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theoaklandarena.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Andre Rieu\u003c/a>\u003c/strong>\u003cbr>\nMarch 22 concert at Oakland Arena postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://asianart.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Asian Art Museum\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 27\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.mlb.com/athletics\" rel=\"noopener noreferrer\" target=\"_blank\">Oakland A’s\u003c/a>\u003c/strong>\u003cbr>\nSpring training canceled; entire MLB season delayed at least two weeks\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.augusthallsf.com/\" rel=\"noopener noreferrer\" target=\"_blank\">August Hall\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March 27 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cinemasf.com/balboa\" rel=\"noopener noreferrer\" target=\"_blank\">Balboa Theatre\u003c/a>\u003c/strong>\u003cbr>\nClosed and all movie screenings canceled until further notice\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://bampfa.org/news/new-info-bampfa-update-covid-19\" rel=\"noopener noreferrer\" target=\"_blank\">BAMPFA\u003c/a>\u003c/strong>\u003cbr>\nAll film screenings, tours and public programs canceled through March 29\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.baybookfest.org/2020cancellation/\" rel=\"noopener noreferrer\" target=\"_blank\">Bay Area Book Festival\u003c/a>\u003c/strong> (May 2 and 3)\u003cbr>\nPostponed to May 1-2, 2021\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://gradlectures.berkeley.edu/\" target=\"_blank\" rel=\"noopener noreferrer\">Berkeley Graduate Lectures\u003c/a>\u003c/strong>\u003cbr>\nAll lectures canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.berkeleyrep.org/?gclsrc=aw.ds&gclid=Cj0KCQjwu6fzBRC6ARIsAJUwa2SSGnQum2eM6ybkE8IFauSDY_ugwioEz44pG-2t0TkGpUXzvuyXNocaAlwYEALw_wcB&gclsrc=aw.ds\" rel=\"noopener noreferrer\" target=\"_blank\">Berkeley Repertory Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances of \u003cem>Culture Clash (Still) in America\u003c/em> canceled; \u003cem>School Girls; Or, The African Mean Girls Play\u003c/em>, originally slated to start on March 19, on hiatus through April 5\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Bill Graham Civic Auditorium\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003ca href=\"https://live.stanford.edu/venues/bing-concert-hall\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Bing Concert Hall\u003c/strong>\u003c/a>\u003cbr>\nMost shows canceled through April 15, including Cecile McLorin Salvant (March 13)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.calacademy.org/a-message-to-our-academy-community-on-covid-19\" rel=\"noopener noreferrer\" target=\"_blank\">California Academy of Sciences\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://californiahistoricalsociety.org/\" rel=\"noopener noreferrer\" target=\"_blank\">California Historical Society\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://museum.stanford.edu/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Cantor Arts Center and Anderson Collection\u003c/strong> \u003c/a>\u003cbr>\nClosed to the public through April 15\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.catchlight.io/\" target=\"_blank\" rel=\"noopener noreferrer\">CatchLight Visual Storytelling Summit\u003c/a>\u003c/strong> (May 17–18)\u003cbr>\nPostponed to late October 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.chasecenter.com/news/5h4k5TxZF2QdDYpa6MTNLa\" rel=\"noopener noreferrer\" target=\"_blank\">Celine Dion\u003c/a>\u003c/strong> (March 12)\u003cbr>\nConcert at Chase Center postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://centerfornewmusic.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Center for New Music\u003c/a>\u003c/strong>\u003cbr>\nAll public events suspended through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://twitter.com/MattHaneySF/status/1237792593619996672\" target=\"_blank\" rel=\"noopener noreferrer\">Chase Center\u003c/a>\u003c/strong>\u003cbr>\nNBA season postponed, Warriors games off; all concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfcherryblossom.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Cherry Blossom Festival, Japantown SF\u003c/a>\u003c/strong> (April 11-12 and April 17-19)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.cinequest.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Cinequest Film Festival\u003c/strong>\u003c/a> (March 3–15)\u003cbr>\nMarch 8-15 events postponed to August 16–30\u003c/p>\n\u003cp>\u003ca href=\"http://circuscenter.org/blog/2020/03/07/covid-19--march-13-14-cabaret-cancelled\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Circus Center Cabaret\u003c/strong>\u003c/a> (March 13_14)\u003cbr>\nCanceled; looking to reschedule\u003c/p>\n\u003cp>\u003ca href=\"https://www.cirquedusoleil.com/\" rel=\"noopener noreferrer\" target=\"_blank\">\u003cstrong>Cirque du Soleil: Axel\u003c/strong>\u003c/a> (March 24-28)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cityarts.net/\" target=\"_blank\" rel=\"noopener noreferrer\">City Arts & Lectures\u003c/a>\u003c/strong>\u003cbr>\nCertain scheduled events to be held with no audience and livestreamed: Anna Wiener (March 12), Peggy Orenstein (March 19), and Robert Reich (March 23)\u003c/p>\n\u003cp>\u003ca href=\"https://www.commonwealthclub.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Commonwealth Club\u003c/strong>\u003c/a>\u003cbr>\nAll in-person events canceled through March 22 for San Francisco, Marin County and Silicon Valley\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.thecjm.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Contemporary Jewish Museum\u003c/a>\u003c/strong>\u003cbr>\nAll public programs and tours canceled through March 22; museum remains open\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://counterpulse.org/\" rel=\"noopener noreferrer\" target=\"_blank\">CounterPulse\u003c/a>\u003c/strong>\u003cbr>\nAll performances and public events through May 31 canceled or postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/events/d41d8cd9/2nd-annual-daly-city-rock-roll-flea-market/2391757860910159/\" target=\"_blank\" rel=\"noopener noreferrer\">Daly City Rock & Roll Flea Market\u003c/a>\u003c/strong> (March 15)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://odc.dance/AroundTown\" rel=\"noopener noreferrer\" target=\"_blank\">‘Dance Downtown’ at ODC\u003c/a>\u003c/strong>\u003cbr>\nMarch 27 gala canceled; all Spring performances postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://deyoung.famsf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">de Young Museum\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theexit.org/\" rel=\"noopener noreferrer\" target=\"_blank\">EXIT Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March, including Burlesque Extravaganza (March 18–21)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.exploratorium.edu/\" rel=\"noopener noreferrer\" target=\"_blank\">The Exploratorium\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through the end of March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.feinsteinssf.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Feinstein’s at the Nikko\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through April 6\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://thefillmore.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The Fillmore\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March 18 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://thefoxoakland.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Fox Theater, Oakland\u003c/a>\u003c/strong>\u003cbr>\nAll concerts canceled through March 30, including Wilco, Melanie Martinez, Ilana Glazer, Third Eye Blind and others\u003c/p>\n\u003cp>\u003ca href=\"https://www.gdconf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Game Developers Conference\u003c/strong>\u003c/a> (March 16–20)\u003cbr>\nPostponed; working to reschedule for August 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.mlb.com/giants\" rel=\"noopener noreferrer\" target=\"_blank\">San Francisco Giants\u003c/a>\u003c/strong>\u003cbr>\nSpring training canceled; entire MLB season delayed at least two weeks\u003c/p>\n\u003cp>\u003ca href=\"https://www.goldengatepark150.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Golden Gate Park 150th Anniversary Celebration\u003c/strong>\u003c/a> (April 4)\u003cbr>\nPostponed; to be rescheduled for a later date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://goldengatepark.com/golden-gate-park-senior-center.html\" target=\"_blank\" rel=\"noopener noreferrer\">Golden Gate Park Senior Center\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 23\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://gmc.sonoma.edu/covid-19-update/\" rel=\"noopener noreferrer\" target=\"_blank\">Green Music Center\u003c/a>\u003c/strong>\u003cbr>\nAll performances through April 11 canceled\u003c/p>\n\u003cp>\u003ca href=\"https://wwd.com/fashion-news/fashion-scoops/gucci-cancels-cruise-2021-show-in-san-francisco-1203526819/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Gucci Cruise Fashion Show\u003c/strong>\u003c/a> (May 18)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13876404/hamilton-canceled-in-san-francisco-due-to-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>‘Hamilton’ at the Orpheum Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.harrypottertheplay.com/san-francisco/coronavirus-update/\" target=\"_blank\" rel=\"noopener noreferrer\">‘Harry Potter and the Cursed Child’\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://www.shipyardartists.com/open-studios/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Hunter’s Point Shipyard Artists\u003c/strong>\u003c/a>\u003cbr>\nAnnual spring open studios rescheduled to May 16–17\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcinematheque.org/screenings/i-hate-the-internet-techno-dystopian-malaise-and-visions-of-rebellion/\" target=\"_blank\" rel=\"noopener noreferrer\">‘I Hate the Internet: Techno-Dystopian Malaise and Visions of Rebellion’\u003c/a>\u003c/strong> (March 12)\u003cbr>\nPostponed; to be rescheduled at future date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sanjosetheaters.org/event/the-illusionists-live-from-broadway/\" target=\"_blank\" rel=\"noopener noreferrer\">The Illusionists – Live From Broadway\u003c/a>\u003c/strong> (March 24 and 25)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The Independent\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003ca href=\"http://intloceanfilmfest.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>International Ocean Film Festival\u003c/strong>\u003c/a> (March 12–15)\u003cbr>\nPostponed to later in 2020\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://iccnc.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Islamic Cultural Center of Northern California\u003c/a>\u003c/strong>\u003cbr>\nAll public events canceled through March 23, including Nowruz celebration on March 14\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.jcceastbay.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Jewish Community Center East Bay\u003c/a> \u003c/strong>\u003cbr>\nAll large events (50 people or more) though March 27 canceled or rescheduled\u003c/p>\n\u003cp>\u003ca href=\"https://www.jccsf.org/staying-healthy-together/\">\u003cstrong>San Francisco Jewish Community Center\u003c/strong> \u003c/a>\u003cbr>\nPurim Festival (March 8) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfcv.org/events-calendar/venue-profiles/knuth-hall-sf-state-university-creative-arts-building\" target=\"_blank\" rel=\"noopener noreferrer\">Knuth Music Hall, SF State\u003c/a>\u003c/strong>\u003cbr>\nPerformances on March 16, 18 and 19 canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.broadwaysf.com/Online/default.asp\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>‘The Last Ship’ at the Golden Gate Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"http://www.leftcoastensemble.org/fairytale\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Left Coast Chamber Ensemble\u003c/strong>\u003c/a>\u003cbr>\n‘Fairytale Pieces’ (March 8 and 9) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://legionofhonor.famsf.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Legion of Honor\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.facebook.com/lesbianswhotech/photos/a.656630677683654/3341946979151997/?type=3&theater\" target=\"_blank\" rel=\"noopener noreferrer\">Lesbians Who Tech\u003c/a>\u003c/strong> (April 23–25)\u003cbr>\nRescheduled for August, 2020\u003c/p>\n\u003cp>\u003ca href=\"http://www.lindyinthepark.com/\">\u003cstrong>Lindy in the Park\u003c/strong>\u003c/a>\u003cbr>\nMarch 8 and 15 events canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.lhtsf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Lorraine Hansberry Theatre\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘Intimate Apparel’ (March 13–29) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://lutherburbankcenter.org/healthandsafetyupdate/\" rel=\"noopener noreferrer\" target=\"_blank\">Luther Burbank Center\u003c/a>\u003c/strong>\u003cbr>\nAll shows through March canceled or postponed, including Wilco, Brittany Howard, Laura Dern and more\u003c/p>\n\u003cp>\u003ca href=\"https://maclaarte.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>MACLA\u003c/strong>\u003c/a>\u003cbr>\nAll public programs postponed, including \u003cem>We Have Iré\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.marintheatre.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Marin Theatre Co.\u003c/a>\u003c/strong>\u003cbr>\nAll upcoming performances of ‘Love’ and ‘Natural Shocks’ canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.aztecadancers.com/mexica-new-year\" target=\"_blank\" rel=\"noopener noreferrer\">Mexica New Year Ceremony & Celebration San Jose\u003c/a>\u003c/strong> (March 14)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.nctcsf.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>New Conservatory Theatre Center\u003c/strong>\u003c/a>\u003cbr>\nAll performances, including \u003cem>The Book of Mountains and Seas\u003c/em>, canceled through March 21\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://apeconcerts.com/\" rel=\"noopener noreferrer\" target=\"_blank\">The New Parish\u003c/a>\u003c/strong>\u003cbr>\nAll concerts through March postponed or canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://museumca.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Oakland Museum of California\u003c/a>\u003c/strong>\u003cbr>\nMuseum closed to the public through March 27; 50th Anniversary Gala (March 14) canceled as well\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://odc.dance/tripletake\" target=\"_blank\" rel=\"noopener noreferrer\">ODC/RAWDance\u003c/a>\u003c/strong>\u003cbr>\n‘Triple Take’ (March 12–15) postponed to later this year; exact date TBA\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://offthegrid.com/blog/supporting-local-communities-through-implementation-of-covid-19-prevention-best-practices/\" target=\"_blank\" rel=\"noopener noreferrer\">Off the Grid\u003c/a>\u003c/strong>\u003cbr>\nEvent at Fort Mason on March 13 and 20 canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.operasj.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Opera San Jose\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘The Magic Flute’ (April 18–May 3) canceled\u003c/p>\n\u003cp>\u003ca href=\"http://www.cspaloalto.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Palo Alto Christian Science Church\u003c/strong>\u003c/a>\u003cbr>\nJames Welch concert (March 8) postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://pearljam.com/tour\" target=\"_blank\" rel=\"noopener noreferrer\">Pearl Jam\u003c/a>\u003c/strong> (April 18–19)\u003cbr>\nEntire tour canceled, including April 18–19 dates at Oakland Arena\u003c/p>\n\u003cp>\u003ca href=\"https://peninsulasymphony.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Peninsula Symphony\u003c/strong>\u003c/a>\u003cbr>\nMarch 13 and 14 ‘Violins of Hope’ concerts postponed; to be rescheduled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://philharmonia.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Philharmonia Baroque Orchestra\u003c/a>\u003c/strong>\u003cbr>\nAll performances of ‘Romantic Reflections’ (March 11-15) canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/photo.php?fbid=10157788026750552&set=a.211581100551&type=3&theater\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Rebecca Solnit\u003c/strong>\u003c/a>\u003cbr>\nAll stops on book tour through March 25 canceled, including at Booksmith SF (March 16)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.kqed.org/events/94291513455\" target=\"_blank\" rel=\"noopener noreferrer\">Rebel Girls Trivia Happy Hour with KQED\u003c/a>\u003c/strong> (March 16)\u003cbr>\nPostponed to future date TBA\u003c/p>\n\u003cp>\u003ca href=\"https://www.rebootideasfestival.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Reboot Ideas Festival\u003c/strong>\u003c/a> (March 26–29)\u003cbr>\nPostponed; working to reschedule\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.roxie.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Roxie Theater\u003c/a>\u003c/strong>\u003cbr>\nCLosed to the public and all screenings canceled through March 31\u003c/p>\n\u003cp>\u003ca href=\"https://salesforcetransitcenter.com/events/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Salesforce Park\u003c/strong>\u003c/a>\u003cbr>\nAll group activities in the park suspended; park itself remains open\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfballet.org/a-message-regarding-the-covid-19-virus/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Ballet\u003c/strong>\u003c/a>\u003cbr>\nComplete run of \u003cem>A Midsummer Night’s Dream\u003c/em> (March 7–15) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfbcgala.weebly.com/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Boys Chorus\u003c/a>\u003c/strong>\u003cbr>\nAnnual gala (March 14) rescheduled to May 16\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfca.org/2019-2020-season/\" rel=\"noopener noreferrer\" target=\"_blank\">San Francisco Choral Artists\u003c/a>\u003c/strong>\u003cbr>\n‘Joyful Voices, Stomping Feet’ performances canceled for March 8 (SF), March 14 (Palo Alto) and March 15 (Oakland)\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfgmc.org/welcome/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Gay Men’s Chorus\u003c/a> \u003c/strong>\u003cbr>\nPerformances of ‘Penned in Pink’ (March 26 and 28) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfneofuturists.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Neo-Futurists\u003c/a>\u003c/strong>\u003cbr>\nPerformances of \u003cem>The Infinite Wrench\u003c/em> (March 13 and 14) and \u003cem>Infinite Bitch\u003c/em> (March 19–21) canceled\u003c/p>\n\u003cp>\u003ca href=\"https://sfpl.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Public Library\u003c/strong>\u003c/a>\u003cbr>\nAll branches closed and programs canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sfrecpark.org/\" target=\"_blank\" rel=\"noopener noreferrer\">San Francisco Recreation and Parks\u003c/a>\u003c/strong>\u003cbr>\nAll senior programming canceled through March 21; lawn bowling and summer resource fair canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfsymphony.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco Symphony\u003c/strong>\u003c/a>\u003cbr>\nConcerts canceled through April 6, including James Galway, Michael Tilson Thomas and more; tour of New York and Europe (March 17–April 7) also canceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/SaintPatricksDaySF/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Francisco St. Patrick’s Day Parade\u003c/strong>\u003c/a> (March 14)\u003cbr>\nPostponed to later in 2020\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/SJChamberOrchestra/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Jose Chamber Orchestra\u003c/strong>\u003c/a>\u003cbr>\nMarch 29 ‘Inferno’ concert canceled; to be rescheduled at later date\u003c/p>\n\u003cp>\u003ca href=\"https://www.cdm.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>San Jose Children’s Discovery Museum\u003c/strong>\u003c/a>\u003cbr>\nClosed through March 10\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.nhl.com/sharks\" rel=\"noopener noreferrer\" target=\"_blank\">San Jose Sharks\u003c/a>\u003c/strong>\u003cbr>\nNHL season put on pause; all games suspended\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.srsymphony.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Santa Rosa Symphony\u003c/a>\u003c/strong>\u003cbr>\n‘Showcasing Contemporary Women’ program (March 21-23) canceled; Youth Ensemble concert (March 15) canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://sffilm.org/\" rel=\"noopener noreferrer\" target=\"_blank\">SFFILM\u003c/a>\u003c/strong> (April 8-21)\u003cbr>\nEntire 2020 festival canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfjazz.org/visit/health/\" rel=\"noopener noreferrer\" target=\"_blank\">SFJAZZ\u003c/a>\u003c/strong>\u003cbr>\nAll concerts and programming through April 5 postponed\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.sfmoma.org/\" target=\"_blank\" rel=\"noopener noreferrer\">SFMOMA\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 27\u003c/p>\n\u003cp>\u003ca href=\"https://live.stanford.edu/calendar/all/all/all/all/all\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Stanford Live\u003c/strong>\u003c/a>\u003cbr>\nAll large-scale concerts canceled through April 15\u003c/p>\n\u003cp>\u003ca href=\"https://stanfordtheatre.org/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Stanford Theatre\u003c/strong>\u003c/a>\u003cbr>\nAll movie screenings temporarily suspended\u003c/p>\n\u003cp>\u003ca href=\"https://www.sundaystreetssf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Sunday Streets: Mission District\u003c/strong>\u003c/a> (March 8)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003ca href=\"https://www.exploratorium.edu/visit/covid19\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Tactile Dome at the Exploratorium\u003c/strong>\u003c/a>\u003cbr>\nExhibit closed indefinitely\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.theatreworks.org/covid19/\" rel=\"noopener noreferrer\" target=\"_blank\">TheatreWorks Silicon Valley\u003c/a>\u003c/strong>\u003cbr>\nAll upcoming performances of ‘They Promised Her the Moon’ and ‘Ragtime’ canceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.tonyrobbins.com/news/upw-san-jose-is-postponed/\" target=\"_blank\" rel=\"noopener noreferrer\">UPW San Jose with Tony Robbins\u003c/a>\u003c/strong> (March 12–15)\u003cbr>\nCanceled\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.cinemasf.com/vogue\" rel=\"noopener noreferrer\" target=\"_blank\">Vogue Theatre\u003c/a>\u003c/strong>\u003cbr>\nClosed and all movie screenings canceled until further notice\u003c/p>\n\u003cp>\u003ca href=\"https://www.waltdisney.org/visitor-update\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Walt Disney Museum\u003c/strong>\u003c/a>\u003cbr>\nClosed through March 20\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/MattHaneySF/status/1237792593619996672\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>Warriors\u003c/strong>\u003c/a>\u003cbr>\nNBA season put on pause, all games suspended\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.wattis.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Wattis Institute\u003c/a>\u003c/strong>\u003cbr>\nHồng-Ân Trương talk (March 12) and Astria Suparak’s illustrated lecture (March 19) postponed until further notice\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://winchestermysteryhouse.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Winchester Mystery House\u003c/a>\u003c/strong>\u003cbr>\nClosed through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://womensoundoff.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Women Sound Off\u003c/a>\u003c/strong> (slated for April 3–5)\u003cbr>\nPostponed to October 2–4\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://blog.ycombinator.com/yc-w20-online-demo-day-now-on-march-16/\" target=\"_blank\" rel=\"noopener noreferrer\">Y Combinator Demo Day\u003c/a>\u003c/strong> (March 23)\u003cbr>\nMoved to March 16, now entirely online\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://ybca.org/\" rel=\"noopener noreferrer\" target=\"_blank\">YBCA\u003c/a>\u003c/strong>\u003cbr>\nClosed to the public through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://www.yoshis.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Yoshi’s\u003c/a>\u003c/strong>\u003cbr>\nAll shows will have reduced capacity through March\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"http://www.zspace.org/covid-19prep\" rel=\"noopener noreferrer\" target=\"_blank\">Z Space\u003c/a>\u003c/strong>\u003cbr>\nAll performances canceled through March 31\u003c/p>\n\u003cp>\u003cstrong>\u003ca href=\"https://calperformances.org/\" target=\"_blank\" rel=\"noopener noreferrer\">Zellerbach Hall\u003c/a>\u003c/strong>\u003cbr>\nAll Cal Performances events are still on, but ticketholders may exchange for other dates or request refunds for shows through March 29\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>Submit info about canceled events \u003ca href=\"mailto:gmeline@kqed.org?subject=Coronavirus%20Cancelation\">here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003cem>For information on how to keep yourself safe from the coronavirus, \u003ca href=\"https://www.kqed.org/science/1957469/what-californians-need-to-know-about-the-coronavirus\" target=\"_blank\" rel=\"noopener noreferrer\">click here\u003c/a>, and see KQED’s \u003ca href=\"https://www.kqed.org/science/1957877/live-updates-coronavirus-in-the-san-francisco-bay-area\" target=\"_blank\" rel=\"noopener noreferrer\">live updates\u003c/a> for the latest news.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13876160/canceled-by-coronavirus-a-list-of-bay-area-concerts-cultural-events-museums-more",
"authors": [
"185"
],
"categories": [
"arts_966",
"arts_76",
"arts_74",
"arts_69",
"arts_235",
"arts_967",
"arts_70"
],
"tags": [
"arts_1398",
"arts_10126",
"arts_11014",
"arts_10127",
"arts_1118",
"arts_9598",
"arts_1643",
"arts_1367",
"arts_2309"
],
"featImg": "arts_13876154",
"label": "source_arts_13876160"
},
"arts_13876600": {
"type": "posts",
"id": "arts_13876600",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13876600",
"score": null,
"sort": [
1584057232000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 137
},
"blocks": [],
"publishDate": 1584057232,
"format": "standard",
"title": "'Never Rarely Sometimes Always' Captures the Fortitude of Young Women",
"headTitle": "‘Never Rarely Sometimes Always’ Captures the Fortitude of Young Women | KQED",
"content": "\u003cp>Late in Eliza Hittman’s \u003cem>Never Rarely Sometimes Always\u003c/em>, 17-year-old Autumn (Sidney Flanigan), who is pregnant and in all kinds of trouble, calls her mother from a public bathroom far from her Pennsylvania coal-town home. Her mother asks where she is in a quavering child’s voice. After a pause Autumn hangs up, inspects herself in the bathroom mirror, and squares her shoulders.\u003c/p>\n\u003cp>If you saw Hittman’s \u003ca href=\"https://www.npr.org/2014/03/20/291137541/a-teen-on-the-hunt-and-maybe-in-over-her-head\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>It Felt Like Love\u003c/em>\u003c/a> (2013) or her \u003ca href=\"https://www.npr.org/2017/08/24/545479122/-beach-rats-a-young-man-on-a-collision-course-with-himself\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Beach Rats\u003c/em>\u003c/a> (2017), you’ll know that the writer-director has little use for exposition. Her scripts are as spare as her soundtracks, so we can’t be sure whether this is a coming-of-age moment for Autumn. To the extent that \u003cem>Never Rarely Sometimes Always\u003c/em> (the title is drawn from a standard questionnaire administered by abortion providers) is a social issue movie, it’s “about” reproductive rights in the same way that the formally similar recent film \u003ca href=\"https://www.kqed.org/arts/13874000/the-assistant-helps-explain-how-predatory-behavior-stays-hidden\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Assistant\u003c/em>\u003c/a> is “about” sexual assault. Meaning that Hittman attends with near-reverent care to the subjective experience of a traumatized soul who’s struggling to take charge of her own destiny. An exacting but artfully suggestive realist, the director offers many mirror shots of Autumn to let us into the interior life of a proud, obstinate young woman confronting a neglectful or hostile adult world.\u003c/p>\n\u003cp>Flanigan, a Buffalo musician in her first acting role, serves up a held-in Autumn whose dull eyes and sullen glower barely conceal the tumult seething inside her. Certain that she wants to terminate her pregnancy but lacking support and money, she turns to a testing clinic that turns out to be an anti-abortion center where, through ineptitude or ulterior motive, she is fed inaccurate information about how far along she is.\u003c/p>\n\u003cp>Tagging along behind her devoted cousin Skylar (Talia Ryder), Autumn heads for New York City, where the camera holds tight on the two girls as they stumble through numerous obstacles in search of safety and self-definition.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=hjw_QTKr2rc\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Where Skylar is practical and fun-loving, Autumn is introverted, intense, socially unskilled. Hittman is powerfully attuned to the unquestioning solidarity and indomitable moxie of teenaged girls, the wordless ways in which they fight and make up—quite literally in fact, when, after a quarrel, Skylar applies concealer under her cousin’s eyes. Without a word of apology or defensive self-justification, the two are good to go even though they have nowhere to spend the night.\u003c/p>\n\u003cp>Yet \u003cem>Never Rarely\u003c/em> also made me wonder how neo-realism can tip over into partisan over-determinism, distortion, or plain miserabilism? Riveting when it stays within Autumn’s point of view, the film wields a heavy hand with the bigger picture of family, authority and most of all, men-in-general. The pro-lifers are soft-spoken liars, the abortion clinic staff uniformly kind and sensitive. Autumn’s mother, played with hauntingly ineffectual anxiety by singer-songwriter Sharon Van Etten, is a cipher, pathetically dependent on her boor of a husband (Ryan Eggold), who is not Autumn’s father in any sense and is one of several suspects in her pregnancy.\u003c/p>\n\u003cp>Hittman’s films are littered with hopelessly checked-out parents, crudely drawn figures of authority who are either all friend or all enemy, savagely predatory men. While Autumn might be forgiven for viewing the outside world through this jaundiced prism, I’m not sure Hittman can. Her legitimate subject is the hair-raising vulnerability—and robust fortitude—of young women today. But she tends to put the entire male species on trial and have them come up wanting.\u003c/p>\n\u003cp>As a parent and teacher as well as a critic, it worries me when a young woman filmmaker paints a landscape peopled (unless you count the beleaguered gay teen in \u003cem>Beach Rats\u003c/em>) by woman-hating men. The closest to a decent male in Autumn’s orbit is the harmlessly horny young doofus (a very good Théodore Pellerin) who has his eye on pretty Skylar. Watching \u003cem>Never Rarely Sometimes Always\u003c/em>, I was reminded of a young stranger who, when my own daughter had had too much to drink at a bar, put her and her best friend in his car and dropped them safely off at our home.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>So, you know: \u003cem>sometimes\u003c/em>.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+Young+Woman+Faces+A+Choice+In+The+Sobering+%27Never+Rarely+Sometimes+Always%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 750,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 11
},
"modified": 1705021102,
"excerpt": "Writer-director Eliza Hittman's tale of a traumatized teen (Sidney Flanigan), who travels to New York for an abortion is best when it hews closest to her point-of-view.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Writer-director Eliza Hittman's tale of a traumatized teen (Sidney Flanigan), who travels to New York for an abortion is best when it hews closest to her point-of-view.",
"title": "'Never Rarely Sometimes Always' Captures the Fortitude of Young Women | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "'Never Rarely Sometimes Always' Captures the Fortitude of Young Women",
"datePublished": "2020-03-12T16:53:52-07:00",
"dateModified": "2024-01-11T16:58:22-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "never-rarely-sometimes-always-captures-the-fortitude-of-young-women",
"status": "publish",
"nprApiLink": "http://api.npr.org/query?id=814639945&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"templateType": "standard",
"nprByline": "Ella Taylor",
"nprStoryDate": "Thu, 12 Mar 2020 17:00:36 -0400",
"nprLastModifiedDate": "Thu, 12 Mar 2020 17:00:36 -0400",
"featuredImageType": "standard",
"sticky": false,
"nprHtmlLink": "https://www.npr.org/2020/03/12/814639945/a-young-woman-faces-a-choice-in-the-sobering-never-rarely-sometimes-always?ft=nprml&f=814639945",
"nprImageAgency": "Focus Features",
"nprStoryId": "814639945",
"nprRetrievedStory": "1",
"nprPubDate": "Thu, 12 Mar 2020 17:00:00 -0400",
"path": "/arts/13876600/never-rarely-sometimes-always-captures-the-fortitude-of-young-women",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Late in Eliza Hittman’s \u003cem>Never Rarely Sometimes Always\u003c/em>, 17-year-old Autumn (Sidney Flanigan), who is pregnant and in all kinds of trouble, calls her mother from a public bathroom far from her Pennsylvania coal-town home. Her mother asks where she is in a quavering child’s voice. After a pause Autumn hangs up, inspects herself in the bathroom mirror, and squares her shoulders.\u003c/p>\n\u003cp>If you saw Hittman’s \u003ca href=\"https://www.npr.org/2014/03/20/291137541/a-teen-on-the-hunt-and-maybe-in-over-her-head\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>It Felt Like Love\u003c/em>\u003c/a> (2013) or her \u003ca href=\"https://www.npr.org/2017/08/24/545479122/-beach-rats-a-young-man-on-a-collision-course-with-himself\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Beach Rats\u003c/em>\u003c/a> (2017), you’ll know that the writer-director has little use for exposition. Her scripts are as spare as her soundtracks, so we can’t be sure whether this is a coming-of-age moment for Autumn. To the extent that \u003cem>Never Rarely Sometimes Always\u003c/em> (the title is drawn from a standard questionnaire administered by abortion providers) is a social issue movie, it’s “about” reproductive rights in the same way that the formally similar recent film \u003ca href=\"https://www.kqed.org/arts/13874000/the-assistant-helps-explain-how-predatory-behavior-stays-hidden\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>The Assistant\u003c/em>\u003c/a> is “about” sexual assault. Meaning that Hittman attends with near-reverent care to the subjective experience of a traumatized soul who’s struggling to take charge of her own destiny. An exacting but artfully suggestive realist, the director offers many mirror shots of Autumn to let us into the interior life of a proud, obstinate young woman confronting a neglectful or hostile adult world.\u003c/p>\n\u003cp>Flanigan, a Buffalo musician in her first acting role, serves up a held-in Autumn whose dull eyes and sullen glower barely conceal the tumult seething inside her. Certain that she wants to terminate her pregnancy but lacking support and money, she turns to a testing clinic that turns out to be an anti-abortion center where, through ineptitude or ulterior motive, she is fed inaccurate information about how far along she is.\u003c/p>\n\u003cp>Tagging along behind her devoted cousin Skylar (Talia Ryder), Autumn heads for New York City, where the camera holds tight on the two girls as they stumble through numerous obstacles in search of safety and self-definition.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/hjw_QTKr2rc'\n title='//www.youtube.com/embed/hjw_QTKr2rc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Where Skylar is practical and fun-loving, Autumn is introverted, intense, socially unskilled. Hittman is powerfully attuned to the unquestioning solidarity and indomitable moxie of teenaged girls, the wordless ways in which they fight and make up—quite literally in fact, when, after a quarrel, Skylar applies concealer under her cousin’s eyes. Without a word of apology or defensive self-justification, the two are good to go even though they have nowhere to spend the night.\u003c/p>\n\u003cp>Yet \u003cem>Never Rarely\u003c/em> also made me wonder how neo-realism can tip over into partisan over-determinism, distortion, or plain miserabilism? Riveting when it stays within Autumn’s point of view, the film wields a heavy hand with the bigger picture of family, authority and most of all, men-in-general. The pro-lifers are soft-spoken liars, the abortion clinic staff uniformly kind and sensitive. Autumn’s mother, played with hauntingly ineffectual anxiety by singer-songwriter Sharon Van Etten, is a cipher, pathetically dependent on her boor of a husband (Ryan Eggold), who is not Autumn’s father in any sense and is one of several suspects in her pregnancy.\u003c/p>\n\u003cp>Hittman’s films are littered with hopelessly checked-out parents, crudely drawn figures of authority who are either all friend or all enemy, savagely predatory men. While Autumn might be forgiven for viewing the outside world through this jaundiced prism, I’m not sure Hittman can. Her legitimate subject is the hair-raising vulnerability—and robust fortitude—of young women today. But she tends to put the entire male species on trial and have them come up wanting.\u003c/p>\n\u003cp>As a parent and teacher as well as a critic, it worries me when a young woman filmmaker paints a landscape peopled (unless you count the beleaguered gay teen in \u003cem>Beach Rats\u003c/em>) by woman-hating men. The closest to a decent male in Autumn’s orbit is the harmlessly horny young doofus (a very good Théodore Pellerin) who has his eye on pretty Skylar. Watching \u003cem>Never Rarely Sometimes Always\u003c/em>, I was reminded of a young stranger who, when my own daughter had had too much to drink at a bar, put her and her best friend in his car and dropped them safely off at our home.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>So, you know: \u003cem>sometimes\u003c/em>.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=A+Young+Woman+Faces+A+Choice+In+The+Sobering+%27Never+Rarely+Sometimes+Always%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13876600/never-rarely-sometimes-always-captures-the-fortitude-of-young-women",
"authors": [
"byline_arts_13876600"
],
"categories": [
"arts_74",
"arts_75"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13876601",
"label": "arts_137"
},
"arts_13876539": {
"type": "posts",
"id": "arts_13876539",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13876539",
"score": null,
"sort": [
1584050883000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1584050883,
"format": "standard",
"title": "The Unethical Art Critic is the Amoral Heart of 'Burnt Orange Heresy'",
"headTitle": "The Unethical Art Critic is the Amoral Heart of ‘Burnt Orange Heresy’ | KQED",
"content": "\u003cp>There’s a familiar trope in Hollywood depictions of the art world, similar in spirit to the ever popular \u003ca href=\"https://www.theatlantic.com/entertainment/archive/2018/08/sharp-objects-female-journalists-in-culture/567898/\" rel=\"noopener noreferrer\" target=\"_blank\">Unethical Female Journalist\u003c/a> (she sleeps with sources). In movies, the Unethical Art Critic/Curator (the two positions are interchangeable and often occupied simultaneously) is motivated solely by greed and power, and achieves status through lies, underhanded dealings and sometimes murder. Does he or she love art or respect artists? Seemingly no, or only so far as to acknowledge them as the means by which they make their ascents.\u003c/p>\n\u003cp>At the risk of being typecast, the Danish actor Claes Bang has now gifted audiences with two delightfully amoral depictions of an Unethical Art Critic/Curator, first as a museum director in 2017’s \u003ci>\u003ca href=\"https://www.kqed.org/arts/13814048/the-square-is-ruben-ostlunds-sanctuary-of-trust-and-caring\" rel=\"noopener noreferrer\" target=\"_blank\">The Square\u003c/a>\u003c/i> and now as James Figueras, a morally compromised critic in \u003ci>The Burnt Orange Heresy\u003c/i>, directed by Giuseppe Capotondi and based on a 1971 noir novel by Charles Willeford.\u003c/p>\n\u003cp>Capotondi transposes Willeford’s story of a professional art critic “as contemporary as the glaring Florida sun” from Palm Beach to Milan, and his characters exist in a modern, jetsetting milieu: Mick Jagger plays swaggering art dealer Joseph Cassidy, Donald Sutherland is the reclusive artist Jerome Debney and Elizabeth Debicki is a visitor from the States as Figueras’ romantic interest Berenice Hollis.\u003c/p>\n\u003cfigure id=\"attachment_13876544\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/2_1200.jpg\" alt=\"\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13876544\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/2_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/2_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/2_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/2_1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/2_1200-1020x680.jpg 1020w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Elizabeth Debicki as Berenice Hollis has a pure-heart-to-pure-heart with Donald Sutherland as Jerome Debney. \u003ccite>(Photo by Jose Haro; courtesy of Sony Pictures Classics)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Most of the action takes place at Cassidy’s “summer cottage” on Lake Cuomo, an expansive palazzo where Debney has holed up after a studio fire claimed his life’s work. From the outset, there are schemes afoot. Cassidy wants a Debney painting. Figueras wants a career. Hollis is too tall and svelte to be an ordinary American human. Was that fire really an accident? \u003c/p>\n\u003cp>Figueras’ Unethical Art Critic is unsympathetic from the start, when we see him rehearsing a lecture he delivers to American tourists about the “power of the critic”—also the title of his book, copies for sale on the back table. He tells a story about an abstract expressionist painting, the image projected behind him, in an effort to convince the tourists unmoved by its nonrepresentational brushstrokes of its inherent, art historical value. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The keyword here is “story.” With a now-swayed audience, he reveals the entire narrative is a fabrication, claiming to have painted the image himself, on the fly, without a thought or care in the world. “And that’s why you should be careful with someone like me,” he concludes to applause. (The fact that his story involves twin siblings, the Holocaust and a suicide note renders the manipulation extra icky.) Hollis, witness to the performance, nonetheless goes home with him, making the first of many inexplicably bad decisions when it comes to this man. \u003c/p>\n\u003cfigure id=\"attachment_13876546\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/11_1200.jpg\" alt=\"\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13876546\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/11_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/11_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/11_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/11_1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/11_1200-1020x680.jpg 1020w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">James Figueras and Berenice Hollis enjoy a stroll along Lake Cuomo. I yell, ‘Run away!’ \u003ccite>(Photo by Jose Haro; courtesy Sony Pictures Classics)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ci>The Burnt Orange Heresy\u003c/i> is not a knowing satire of the contemporary art scene in the vein of \u003ci>The Square\u003c/i>, nor is it an art heist thriller in the vein of \u003ci>The Thomas Crown Affair\u003c/i>, though it does contain an art heist (and a forgery!). It is a noir: cynical, fatalistic and populated by morally bankrupt characters. The pure of heart don’t stand a chance.\u003c/p>\n\u003cp>As much as I may take personal umbrage with the trope of the Unethical Art Critic, \u003ci>The Burnt Orange Heresy\u003c/i> does contain a) some satisfying twists; b) fun ideas for conceptual art; and c) Donald Sutherland stealing every one of his scenes. What’s perplexing and ultimately distracting is Hollis’ helplessness, and her attraction to a man any modern woman would instantly recognize as Bad News (and not in a fun way). I caught myself yelling at her throughout. \u003c/p>\n\u003cfigure id=\"attachment_13876548\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/4._1200.jpg\" alt=\"\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13876548\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/4._1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/4._1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/4._1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/4._1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/4._1200-1020x680.jpg 1020w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Joseph Cassidy hands Berenice Hollis an aperitivo! \u003ccite>(Photo by Jose Haro; courtesy Sony Pictures Classics)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Is Hollis a \u003ca href=\"https://en.wikipedia.org/wiki/This_Sweet_Sickness\" rel=\"noopener noreferrer\" target=\"_blank\">Patricia Highsmith character\u003c/a> who somehow fell through space and time into the world of international art intrigue? Perhaps this is a symptom of the original source material, the era of its writing, or of the noir genre itself. (I’m trying to give screenwriter Scott Smith the benefit of the doubt here, but really.) \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>This film has a serious title that makes it seem a bit more substantial than it actually is. It turns out to be borrowed from one of Debney’s paintings. When \u003ca href=\"https://slate.com/human-interest/2017/06/actors-say-the-title-of-the-movie-theyre-in-the-video-compilation.html\" rel=\"noopener noreferrer\" target=\"_blank\">Hollis asks\u003c/a> the artist what the words mean, he says it’s “for the critics, those ravenous dogs, they can wear themselves chewing out on it, searching for meaning where there is none.” Aha! Then we remember burnt orange is also the color of an aperitivo—a light, thirst-quenching cocktail meant to whet your appetite for the real meal ahead. As Hollis would say with her Midwest folksy charm, “If the shoe fits.” \u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 851,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 12
},
"modified": 1705021107,
"excerpt": "Actor Claes Bang, at the risk of being typecast, stars in this noir set amid the international art scene. ",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Actor Claes Bang, at the risk of being typecast, stars in this noir set amid the international art scene. ",
"title": "The Unethical Art Critic is the Amoral Heart of 'Burnt Orange Heresy' | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "The Unethical Art Critic is the Amoral Heart of 'Burnt Orange Heresy'",
"datePublished": "2020-03-12T15:08:03-07:00",
"dateModified": "2024-01-11T16:58:27-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "the-unethical-art-critic-is-the-amoral-heart-of-burnt-orange-heresy",
"status": "publish",
"templateType": "standard",
"featuredImageType": "standard",
"sticky": false,
"path": "/arts/13876539/the-unethical-art-critic-is-the-amoral-heart-of-burnt-orange-heresy",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>There’s a familiar trope in Hollywood depictions of the art world, similar in spirit to the ever popular \u003ca href=\"https://www.theatlantic.com/entertainment/archive/2018/08/sharp-objects-female-journalists-in-culture/567898/\" rel=\"noopener noreferrer\" target=\"_blank\">Unethical Female Journalist\u003c/a> (she sleeps with sources). In movies, the Unethical Art Critic/Curator (the two positions are interchangeable and often occupied simultaneously) is motivated solely by greed and power, and achieves status through lies, underhanded dealings and sometimes murder. Does he or she love art or respect artists? Seemingly no, or only so far as to acknowledge them as the means by which they make their ascents.\u003c/p>\n\u003cp>At the risk of being typecast, the Danish actor Claes Bang has now gifted audiences with two delightfully amoral depictions of an Unethical Art Critic/Curator, first as a museum director in 2017’s \u003ci>\u003ca href=\"https://www.kqed.org/arts/13814048/the-square-is-ruben-ostlunds-sanctuary-of-trust-and-caring\" rel=\"noopener noreferrer\" target=\"_blank\">The Square\u003c/a>\u003c/i> and now as James Figueras, a morally compromised critic in \u003ci>The Burnt Orange Heresy\u003c/i>, directed by Giuseppe Capotondi and based on a 1971 noir novel by Charles Willeford.\u003c/p>\n\u003cp>Capotondi transposes Willeford’s story of a professional art critic “as contemporary as the glaring Florida sun” from Palm Beach to Milan, and his characters exist in a modern, jetsetting milieu: Mick Jagger plays swaggering art dealer Joseph Cassidy, Donald Sutherland is the reclusive artist Jerome Debney and Elizabeth Debicki is a visitor from the States as Figueras’ romantic interest Berenice Hollis.\u003c/p>\n\u003cfigure id=\"attachment_13876544\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/2_1200.jpg\" alt=\"\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13876544\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/2_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/2_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/2_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/2_1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/2_1200-1020x680.jpg 1020w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Elizabeth Debicki as Berenice Hollis has a pure-heart-to-pure-heart with Donald Sutherland as Jerome Debney. \u003ccite>(Photo by Jose Haro; courtesy of Sony Pictures Classics)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Most of the action takes place at Cassidy’s “summer cottage” on Lake Cuomo, an expansive palazzo where Debney has holed up after a studio fire claimed his life’s work. From the outset, there are schemes afoot. Cassidy wants a Debney painting. Figueras wants a career. Hollis is too tall and svelte to be an ordinary American human. Was that fire really an accident? \u003c/p>\n\u003cp>Figueras’ Unethical Art Critic is unsympathetic from the start, when we see him rehearsing a lecture he delivers to American tourists about the “power of the critic”—also the title of his book, copies for sale on the back table. He tells a story about an abstract expressionist painting, the image projected behind him, in an effort to convince the tourists unmoved by its nonrepresentational brushstrokes of its inherent, art historical value. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The keyword here is “story.” With a now-swayed audience, he reveals the entire narrative is a fabrication, claiming to have painted the image himself, on the fly, without a thought or care in the world. “And that’s why you should be careful with someone like me,” he concludes to applause. (The fact that his story involves twin siblings, the Holocaust and a suicide note renders the manipulation extra icky.) Hollis, witness to the performance, nonetheless goes home with him, making the first of many inexplicably bad decisions when it comes to this man. \u003c/p>\n\u003cfigure id=\"attachment_13876546\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/11_1200.jpg\" alt=\"\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13876546\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/11_1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/11_1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/11_1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/11_1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/11_1200-1020x680.jpg 1020w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">James Figueras and Berenice Hollis enjoy a stroll along Lake Cuomo. I yell, ‘Run away!’ \u003ccite>(Photo by Jose Haro; courtesy Sony Pictures Classics)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ci>The Burnt Orange Heresy\u003c/i> is not a knowing satire of the contemporary art scene in the vein of \u003ci>The Square\u003c/i>, nor is it an art heist thriller in the vein of \u003ci>The Thomas Crown Affair\u003c/i>, though it does contain an art heist (and a forgery!). It is a noir: cynical, fatalistic and populated by morally bankrupt characters. The pure of heart don’t stand a chance.\u003c/p>\n\u003cp>As much as I may take personal umbrage with the trope of the Unethical Art Critic, \u003ci>The Burnt Orange Heresy\u003c/i> does contain a) some satisfying twists; b) fun ideas for conceptual art; and c) Donald Sutherland stealing every one of his scenes. What’s perplexing and ultimately distracting is Hollis’ helplessness, and her attraction to a man any modern woman would instantly recognize as Bad News (and not in a fun way). I caught myself yelling at her throughout. \u003c/p>\n\u003cfigure id=\"attachment_13876548\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/03/4._1200.jpg\" alt=\"\" width=\"1200\" height=\"800\" class=\"size-full wp-image-13876548\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/4._1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/4._1200-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/4._1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/4._1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/03/4._1200-1020x680.jpg 1020w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Joseph Cassidy hands Berenice Hollis an aperitivo! \u003ccite>(Photo by Jose Haro; courtesy Sony Pictures Classics)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Is Hollis a \u003ca href=\"https://en.wikipedia.org/wiki/This_Sweet_Sickness\" rel=\"noopener noreferrer\" target=\"_blank\">Patricia Highsmith character\u003c/a> who somehow fell through space and time into the world of international art intrigue? Perhaps this is a symptom of the original source material, the era of its writing, or of the noir genre itself. (I’m trying to give screenwriter Scott Smith the benefit of the doubt here, but really.) \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>This film has a serious title that makes it seem a bit more substantial than it actually is. It turns out to be borrowed from one of Debney’s paintings. When \u003ca href=\"https://slate.com/human-interest/2017/06/actors-say-the-title-of-the-movie-theyre-in-the-video-compilation.html\" rel=\"noopener noreferrer\" target=\"_blank\">Hollis asks\u003c/a> the artist what the words mean, he says it’s “for the critics, those ravenous dogs, they can wear themselves chewing out on it, searching for meaning where there is none.” Aha! Then we remember burnt orange is also the color of an aperitivo—a light, thirst-quenching cocktail meant to whet your appetite for the real meal ahead. As Hollis would say with her Midwest folksy charm, “If the shoe fits.” \u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13876539/the-unethical-art-critic-is-the-amoral-heart-of-burnt-orange-heresy",
"authors": [
"61"
],
"categories": [
"arts_74"
],
"tags": [
"arts_1118",
"arts_596",
"arts_769",
"arts_585"
],
"featImg": "arts_13876545",
"label": "arts"
},
"arts_13876500": {
"type": "posts",
"id": "arts_13876500",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "13876500",
"score": null,
"sort": [
1584026927000
]
},
"guestAuthors": [],
"slug": "tom-hanks-wife-rita-wilson-test-positive-for-coronavirus",
"title": "Tom Hanks, Wife Rita Wilson Test Positive For Coronavirus",
"publishDate": 1584026927,
"format": "standard",
"headTitle": "Tom Hanks, Wife Rita Wilson Test Positive For Coronavirus | KQED",
"labelTerm": {},
"content": "\u003cp>Actor Tom Hanks announced on social media Thursday that he and his wife, fellow actor Rita Wilson, have tested positive for the novel coronavirus that has infected tens of thousands worldwide since December.\u003c/p>\n\u003cp>On Instagram and in a tweet on Thursday local time, Hanks, who is in Australia for preproduction on an as-yet untitled film about Elvis Presley, said he and Wilson “felt a bit tired, like we had colds, and some body aches.”\u003c/p>\n\u003cp>“Rita had some chills that came and went. Slight fevers too,” Hanks wrote. “To play things right, as is needed in the world right now, we were tested for the Coronavirus, and were found to be positive.”\u003c/p>\n\u003cp>“Well, now, What to do next? The Medical Officials have protocols that must be followed. We Hanks’ will be tested, observed, and isolated for as long as public health and safety requires. Not much more to it than a one-day-at-a-time approach, no?” he wrote.[aside postid='science_1957877']\u003c/p>\n\u003cp>Hanks, a two-time Oscar winner, and Wilson are both 63, which places them in \u003ca href=\"https://www.worldometers.info/coronavirus/coronavirus-age-sex-demographics/\">a somewhat elevated risk category\u003c/a> from the disease COVID-19 that is caused by the coronavirus, which tends to be more serious in older individuals.\u003c/p>\n\u003cp>Although the disease has \u003ca href=\"https://hgis.uw.edu/virus/\">killed more than 4,500 people\u003c/a> worldwide since it was first identified in December in central China, most people who become infected show either mild or no symptoms. According to the \u003ca href=\"https://www.who.int/emergencies/diseases/novel-coronavirus-2019/situation-reports\">World Health Organization’s latest situation report\u003c/a>, dated March 11, there are a total of 112 confirmed cases of novel coronavirus infection in Australia, which has seen three deaths from the disease.\u003c/p>\n\u003cp>Hanks and Wilson had been on Australia’s Gold Coast, Queensland, preparing for the film shoot in which Hanks is set to play Presley’s longtime manager, Colonel Tom Parker, when the actor made the announcement.\u003c/p>\n\u003cp>\u003ca href=\"https://www.smh.com.au/culture/movies/tom-hanks-and-wife-rita-wilson-diagnosed-with-coronavirus-in-australia-20200312-p549dj.html\">The Sydney Morning Herald\u003c/a> quoted “a number of crew members” on the film who said that all production had been shut down.[aside postid='arts_13876160']\u003c/p>\n\u003cp>A statement from Warner Bros., which is producing the film, sent to \u003ca href=\"https://deadline.com/2020/03/tom-hanks-rita-wilson-test-positive-coronavirus-elvis-presley-movie-1202880431/\">Deadline.com\u003c/a> said the studio had “been made aware that a company member from our Elvis feature film … has tested positive for COVID-19 (coronavirus).”\u003c/p>\n\u003cp>“We are working closely with the appropriate Australian health agencies to identify and contact anyone who may have come in direct contact with the individual,” the statement said. “The health and safety of our company members is always our top priority, and we are taking precautions to protect everyone who works on our productions around the world.”\u003c/p>\n\u003cp>“The individual who tested positive for COVID-19 is currently receiving treatment,” the statement added. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" rel=\"noopener noreferrer\" target=\"_blank\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Tom+Hanks%2C+Wife+Rita+Wilson+Test+Positive+For+Coronavirus&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": "The two-time Oscar winner and wife Wilson are both 63, which places them in an elevated risk category.",
"status": "publish",
"parent": 0,
"modified": 1726764162,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 13,
"wordCount": 473
},
"headData": {
"title": "Tom Hanks, Wife Rita Wilson Test Positive For Coronavirus | KQED",
"description": "The two-time Oscar winner and wife Wilson are both 63, which places them in an elevated risk category.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Tom Hanks, Wife Rita Wilson Test Positive For Coronavirus",
"datePublished": "2020-03-12T08:28:47-07:00",
"dateModified": "2024-09-19T09:42:42-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"source": "Coronavirus",
"sourceUrl": "https://www.kqed.org/coronavirus",
"sticky": false,
"nprByline": "Scott Neuman",
"nprStoryId": "814807838",
"nprApiLink": "http://api.npr.org/query?id=814807838&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004",
"nprHtmlLink": "https://www.npr.org/2020/03/12/814807838/tom-hanks-wife-rita-wilson-test-positive-for-coronavirus?ft=nprml&f=814807838",
"nprRetrievedStory": "1",
"nprPubDate": "Thu, 12 Mar 2020 10:35:00 -0400",
"nprStoryDate": "Thu, 12 Mar 2020 04:23:00 -0400",
"nprLastModifiedDate": "Thu, 12 Mar 2020 10:35:45 -0400",
"templateType": "standard",
"featuredImageType": "standard",
"path": "/arts/13876500/tom-hanks-wife-rita-wilson-test-positive-for-coronavirus",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Actor Tom Hanks announced on social media Thursday that he and his wife, fellow actor Rita Wilson, have tested positive for the novel coronavirus that has infected tens of thousands worldwide since December.\u003c/p>\n\u003cp>On Instagram and in a tweet on Thursday local time, Hanks, who is in Australia for preproduction on an as-yet untitled film about Elvis Presley, said he and Wilson “felt a bit tired, like we had colds, and some body aches.”\u003c/p>\n\u003cp>“Rita had some chills that came and went. Slight fevers too,” Hanks wrote. “To play things right, as is needed in the world right now, we were tested for the Coronavirus, and were found to be positive.”\u003c/p>\n\u003cp>“Well, now, What to do next? The Medical Officials have protocols that must be followed. We Hanks’ will be tested, observed, and isolated for as long as public health and safety requires. Not much more to it than a one-day-at-a-time approach, no?” he wrote.\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "science_1957877",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Hanks, a two-time Oscar winner, and Wilson are both 63, which places them in \u003ca href=\"https://www.worldometers.info/coronavirus/coronavirus-age-sex-demographics/\">a somewhat elevated risk category\u003c/a> from the disease COVID-19 that is caused by the coronavirus, which tends to be more serious in older individuals.\u003c/p>\n\u003cp>Although the disease has \u003ca href=\"https://hgis.uw.edu/virus/\">killed more than 4,500 people\u003c/a> worldwide since it was first identified in December in central China, most people who become infected show either mild or no symptoms. According to the \u003ca href=\"https://www.who.int/emergencies/diseases/novel-coronavirus-2019/situation-reports\">World Health Organization’s latest situation report\u003c/a>, dated March 11, there are a total of 112 confirmed cases of novel coronavirus infection in Australia, which has seen three deaths from the disease.\u003c/p>\n\u003cp>Hanks and Wilson had been on Australia’s Gold Coast, Queensland, preparing for the film shoot in which Hanks is set to play Presley’s longtime manager, Colonel Tom Parker, when the actor made the announcement.\u003c/p>\n\u003cp>\u003ca href=\"https://www.smh.com.au/culture/movies/tom-hanks-and-wife-rita-wilson-diagnosed-with-coronavirus-in-australia-20200312-p549dj.html\">The Sydney Morning Herald\u003c/a> quoted “a number of crew members” on the film who said that all production had been shut down.\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "aside",
"attributes": {
"named": {
"postid": "arts_13876160",
"label": ""
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A statement from Warner Bros., which is producing the film, sent to \u003ca href=\"https://deadline.com/2020/03/tom-hanks-rita-wilson-test-positive-coronavirus-elvis-presley-movie-1202880431/\">Deadline.com\u003c/a> said the studio had “been made aware that a company member from our Elvis feature film … has tested positive for COVID-19 (coronavirus).”\u003c/p>\n\u003cp>“We are working closely with the appropriate Australian health agencies to identify and contact anyone who may have come in direct contact with the individual,” the statement said. “The health and safety of our company members is always our top priority, and we are taking precautions to protect everyone who works on our productions around the world.”\u003c/p>\n\u003cp>“The individual who tested positive for COVID-19 is currently receiving treatment,” the statement added. \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" rel=\"noopener noreferrer\" target=\"_blank\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Tom+Hanks%2C+Wife+Rita+Wilson+Test+Positive+For+Coronavirus&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/13876500/tom-hanks-wife-rita-wilson-test-positive-for-coronavirus",
"authors": [
"byline_arts_13876500"
],
"categories": [
"arts_74",
"arts_235"
],
"tags": [
"arts_10126",
"arts_9598"
],
"affiliates": [
"arts_137"
],
"featImg": "arts_13876502",
"label": "source_arts_13876500"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"racesGenElection2026PresidentialReducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=movies": {
"isFetching": false,
"latestQuery": {
"from": 1224,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 3264,
"relation": "eq"
},
"items": [
"arts_13877373",
"arts_13877254",
"arts_13877269",
"arts_13876949",
"arts_13876750",
"arts_13876785",
"arts_13876747",
"arts_13876716",
"arts_13876160",
"arts_13876600",
"arts_13876539",
"arts_13876500"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_movies": {
"isLoading": true
},
"arts_74": {
"type": "terms",
"id": "arts_74",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "74",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Movies",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Movies Archives | KQED Arts",
"ogDescription": null
},
"ttid": 75,
"slug": "movies",
"isLoading": false,
"link": "/arts/category/movies"
},
"source_arts_13876716": {
"type": "terms",
"id": "source_arts_13876716",
"meta": {
"override": true
},
"name": "Coronavirus",
"link": "https://www.kqed.org/coronavirus",
"isLoading": false
},
"source_arts_13876160": {
"type": "terms",
"id": "source_arts_13876160",
"meta": {
"override": true
},
"name": "Coronavirus",
"link": "https://www.kqed.org/coronavirus",
"isLoading": false
},
"source_arts_13876500": {
"type": "terms",
"id": "source_arts_13876500",
"meta": {
"override": true
},
"name": "Coronavirus",
"link": "https://www.kqed.org/coronavirus",
"isLoading": false
},
"arts_9693": {
"type": "terms",
"id": "arts_9693",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "9693",
"found": true
},
"relationships": {},
"featImg": null,
"name": "disability",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "disability Archives | KQED Arts",
"ogDescription": null
},
"ttid": 9705,
"slug": "disability",
"isLoading": false,
"link": "/arts/tag/disability"
},
"arts_13672": {
"type": "terms",
"id": "arts_13672",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "13672",
"found": true
},
"relationships": {},
"name": "Documentaries",
"slug": "documentaries",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Documentaries | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 13684,
"isLoading": false,
"link": "/arts/tag/documentaries"
},
"arts_1006": {
"type": "terms",
"id": "arts_1006",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1006",
"found": true
},
"relationships": {},
"featImg": null,
"name": "guide",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "guide Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1023,
"slug": "guide",
"isLoading": false,
"link": "/arts/tag/guide"
},
"arts_3324": {
"type": "terms",
"id": "arts_3324",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "3324",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Netflix",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Netflix Archives | KQED Arts",
"ogDescription": null
},
"ttid": 3336,
"slug": "netflix",
"isLoading": false,
"link": "/arts/tag/netflix"
},
"arts_585": {
"type": "terms",
"id": "arts_585",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "585",
"found": true
},
"relationships": {},
"featImg": null,
"name": "thedolist",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "thedolist Archives | KQED Arts",
"ogDescription": null
},
"ttid": 590,
"slug": "thedolist",
"isLoading": false,
"link": "/arts/tag/thedolist"
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"arts_10126": {
"type": "terms",
"id": "arts_10126",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10126",
"found": true
},
"relationships": {},
"featImg": null,
"name": "coronavirus",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "coronavirus Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10138,
"slug": "coronavirus",
"isLoading": false,
"link": "/arts/tag/coronavirus"
},
"arts_2098": {
"type": "terms",
"id": "arts_2098",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2098",
"found": true
},
"relationships": {},
"featImg": null,
"name": "instagram",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "instagram Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2110,
"slug": "instagram",
"isLoading": false,
"link": "/arts/tag/instagram"
},
"arts_2882": {
"type": "terms",
"id": "arts_2882",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2882",
"found": true
},
"relationships": {},
"featImg": null,
"name": "tom hanks",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "tom hanks Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2894,
"slug": "tom-hanks",
"isLoading": false,
"link": "/arts/tag/tom-hanks"
},
"arts_5391": {
"type": "terms",
"id": "arts_5391",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "5391",
"found": true
},
"relationships": {},
"featImg": null,
"name": "china",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "china Archives | KQED Arts",
"ogDescription": null
},
"ttid": 5403,
"slug": "china",
"isLoading": false,
"link": "/arts/tag/china"
},
"arts_9598": {
"type": "terms",
"id": "arts_9598",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "9598",
"found": true
},
"relationships": {},
"featImg": null,
"name": "health",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "health Archives | KQED Arts",
"ogDescription": null
},
"ttid": 9610,
"slug": "health",
"isLoading": false,
"link": "/arts/tag/health"
},
"arts_137": {
"type": "terms",
"id": "arts_137",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "137",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-npr-lg1.png",
"name": "NPR",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "NPR Archives | KQED Arts",
"ogDescription": null
},
"ttid": 138,
"slug": "npr",
"isLoading": false,
"link": "/arts/affiliate/npr"
},
"arts_140": {
"type": "terms",
"id": "arts_140",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "140",
"found": true
},
"relationships": {},
"name": "The Do List",
"slug": "the-do-list",
"taxonomy": "program",
"description": null,
"featImg": "https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/The-Do-LIst-logo-2014-horizontal-015.png",
"headData": {
"title": "The Do List Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 141,
"isLoading": false,
"link": "/arts/program/the-do-list"
},
"arts_10341": {
"type": "terms",
"id": "arts_10341",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10341",
"found": true
},
"relationships": {},
"featImg": null,
"name": "dolist",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "dolist Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10353,
"slug": "dolist",
"isLoading": false,
"link": "/arts/tag/dolist"
},
"arts_1118": {
"type": "terms",
"id": "arts_1118",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1118",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1135,
"slug": "featured",
"isLoading": false,
"link": "/arts/tag/featured"
},
"arts_1334": {
"type": "terms",
"id": "arts_1334",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1334",
"found": true
},
"relationships": {},
"featImg": null,
"name": "the do list",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "the do list Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1346,
"slug": "the-do-list",
"isLoading": false,
"link": "/arts/tag/the-do-list"
},
"arts_73": {
"type": "terms",
"id": "arts_73",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "73",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Books",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Books Archives | KQED Arts",
"ogDescription": null
},
"ttid": 74,
"slug": "literature",
"isLoading": false,
"link": "/arts/category/literature"
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_75": {
"type": "terms",
"id": "arts_75",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "75",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Pop Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Pop Culture Archives | KQED Arts",
"ogDescription": null
},
"ttid": 76,
"slug": "popculture",
"isLoading": false,
"link": "/arts/category/popculture"
},
"arts_990": {
"type": "terms",
"id": "arts_990",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "990",
"found": true
},
"relationships": {},
"featImg": null,
"name": "TV",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "TV Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1008,
"slug": "tv",
"isLoading": false,
"link": "/arts/category/tv"
},
"arts_10278": {
"type": "terms",
"id": "arts_10278",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10278",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured-arts",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured-arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10290,
"slug": "featured-arts",
"isLoading": false,
"link": "/arts/tag/featured-arts"
},
"arts_977": {
"type": "terms",
"id": "arts_977",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "977",
"found": true
},
"relationships": {},
"name": "Film",
"slug": "film",
"taxonomy": "tag",
"description": null,
"featImg": null,
"headData": {
"title": "Film Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 995,
"isLoading": false,
"link": "/arts/tag/film"
},
"arts_967": {
"type": "terms",
"id": "arts_967",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "967",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Theater",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Theater Archives | KQED Arts",
"ogDescription": null
},
"ttid": 985,
"slug": "theater",
"isLoading": false,
"link": "/arts/category/theater"
},
"arts_10331": {
"type": "terms",
"id": "arts_10331",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10331",
"found": true
},
"relationships": {},
"featImg": null,
"name": "closures",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "closures Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10343,
"slug": "closures",
"isLoading": false,
"link": "/arts/tag/closures"
},
"arts_10328": {
"type": "terms",
"id": "arts_10328",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10328",
"found": true
},
"relationships": {},
"featImg": null,
"name": "gavin newsom",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "gavin newsom Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10340,
"slug": "gavin-newsom",
"isLoading": false,
"link": "/arts/tag/gavin-newsom"
},
"arts_966": {
"type": "terms",
"id": "arts_966",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "966",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Dance",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Dance Archives | KQED Arts",
"ogDescription": null
},
"ttid": 984,
"slug": "dance",
"isLoading": false,
"link": "/arts/category/dance"
},
"arts_76": {
"type": "terms",
"id": "arts_76",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "76",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Fashion/Design",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Fashion/Design Archives | KQED Arts",
"ogDescription": null
},
"ttid": 77,
"slug": "design",
"isLoading": false,
"link": "/arts/category/design"
},
"arts_70": {
"type": "terms",
"id": "arts_70",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "70",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Visual Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Visual Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 71,
"slug": "visualarts",
"isLoading": false,
"link": "/arts/category/visualarts"
},
"arts_1398": {
"type": "terms",
"id": "arts_1398",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1398",
"found": true
},
"relationships": {},
"featImg": null,
"name": "California",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "California Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1410,
"slug": "california",
"isLoading": false,
"link": "/arts/tag/california"
},
"arts_11014": {
"type": "terms",
"id": "arts_11014",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "11014",
"found": true
},
"relationships": {},
"featImg": null,
"name": "COVID",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "COVID Archives | KQED Arts",
"ogDescription": null
},
"ttid": 11026,
"slug": "covid",
"isLoading": false,
"link": "/arts/tag/covid"
},
"arts_10127": {
"type": "terms",
"id": "arts_10127",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "10127",
"found": true
},
"relationships": {},
"featImg": null,
"name": "covid-19",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "covid-19 Archives | KQED Arts",
"ogDescription": null
},
"ttid": 10139,
"slug": "covid-19",
"isLoading": false,
"link": "/arts/tag/covid-19"
},
"arts_1643": {
"type": "terms",
"id": "arts_1643",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1643",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Francisco Ballet",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Francisco Ballet Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1655,
"slug": "san-francisco-ballet",
"isLoading": false,
"link": "/arts/tag/san-francisco-ballet"
},
"arts_1367": {
"type": "terms",
"id": "arts_1367",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1367",
"found": true
},
"relationships": {},
"featImg": null,
"name": "San Francisco Symphony",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "San Francisco Symphony Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1379,
"slug": "san-francisco-symphony",
"isLoading": false,
"link": "/arts/tag/san-francisco-symphony"
},
"arts_2309": {
"type": "terms",
"id": "arts_2309",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "2309",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Stanford",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Stanford Archives | KQED Arts",
"ogDescription": null
},
"ttid": 2321,
"slug": "stanford",
"isLoading": false,
"link": "/arts/tag/stanford"
},
"arts_596": {
"type": "terms",
"id": "arts_596",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "596",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ntv",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ntv Archives | KQED Arts",
"ogDescription": null
},
"ttid": 602,
"slug": "ntv",
"isLoading": false,
"link": "/arts/tag/ntv"
},
"arts_769": {
"type": "terms",
"id": "arts_769",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "769",
"found": true
},
"relationships": {},
"featImg": null,
"name": "review",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "review Archives | KQED Arts",
"ogDescription": null
},
"ttid": 787,
"slug": "review",
"isLoading": false,
"link": "/arts/tag/review"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
},
"requestOutcomesReducer": {
"notFound": []
},
"navPromosReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": true,
"promos": {
"news": {
"name": "2026 Voter Guide",
"link": "/voterguide",
"imageURL": "https://cdn.kqed.org/wp-content/uploads/2026/10/Nav-News-Nov2026ElectionCoverage@2x-7bd4aad4.png",
"description": "Get informed in minutes with our Voter Guide for California’s November 3 election."
},
"podcasts-radio": {},
"video-tv": {},
"events": {},
"support": {}
}
}
}