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"content": "\u003cp>There’s a book you might have heard of by now. It’s called \u003cem>American Dirt\u003c/em>, and it’s the much-hyped new novel from author Jeanine Cummins that was released this week.\u003c/p>\n\u003cp>It’s the story of a Mexican woman named Lydia and her 8-year-old son Luca, who flee their home and undertake a harrowing journey to the U.S. border after gunmen from a local drug cartel kill most of their family. It’s been hailed as “a \u003cem>Grapes of Wrath\u003c/em> for our times.” In fact, that quote is on the cover of the book.\u003c/p>\n\u003cp>And that is one of the many problems with \u003cem>American Dirt\u003c/em>, according to several critics. There have been tweet threads and \u003ca href=\"https://medium.com/@davidbowles/non-mexican-crap-ff3b48a873b5\">essays\u003c/a>, all arguing that the book deploys harmful stereotypes. Even a hashtag — \u003ca href=\"https://twitter.com/search?q=my%20latino%20novel&src=typed_query\">My Latino Novel\u003c/a> — has popped up on Twitter, where people are writing their own parodies. But there is so much more to say about race and identity in publishing, about who gets to tell what stories and which of those voices are elevated in the mainstream culture.\u003c/p>\n\u003cp>[pullquote size='large' align='right' citation='Esmeralda Bermudez']“This is a wonderful, melodramatic telenovela, something I would love watching for cheap entertainment. … But this should not be called by anyone ‘the great immigrant novel, the story of our time.'”[/pullquote]\u003c/p>\n\u003cp>\u003cem>Los Angeles Times\u003c/em> writer Esmeralda Bermudez has been one of the most vocal critics of \u003cem>American Dirt\u003c/em>. “In 17 years of journalism, in interviewing thousands of immigrants, I’ve never come across anyone like \u003cem>American Dirt’s\u003c/em> main character,” Bermudez says.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“She’s this middle-class, bookstore-owning woman who left Mexico with a small fortune in her pocket, like she was going to go to France or something. With inheritance money. With an ATM to her mom’s life savings. And why did she leave? Because she was flirting with a drug lord who’s now trying to kill her. This is a wonderful, melodramatic telenovela, something I would love watching for cheap entertainment, like a narco-thriller on Netflix. But this should not be called by anyone ‘the great immigrant novel, the story of our time, \u003cem>The Grapes of Wrath\u003c/em>.’ Why? How did we get to a point in our industry, in the book industry, in society, that this is the low standard that we have?”\u003c/p>\n\u003cp>Writer Myriam Gurba, \u003ca href=\"https://tropicsofmeta.com/2019/12/12/pendeja-you-aint-steinbeck-my-bronca-with-fake-ass-social-justice-literature/\">another critic of the book\u003c/a>, pointed out a particular inauthenticity: “There is a scene where the main character encounters an ice rink. And she’s utterly shocked at the existence of this ice rink, as if she’s unaware that winter sports are played in Mexico. And I was laughing,” Gurba says. “I laughed out loud when I got to that section because I learned to ice skate in Mexico. I learned to ice skate at age 9 in Guadalajara.”\u003c/p>\n\u003cp>Bermudez, like many others speaking out against the book, says that despite the author’s intentions, it doesn’t reflect the truth of the migrant experience. “My grandfather, my aunt, my uncle were killed in El Salvador at a time of death squads. Death squads sponsored by the U.S. I was separated from my mom, I didn’t meet her until I was five because of all this violence. I wanted to see myself reflected in this book. It’s painful that not only did I not see myself, but I found all these things that constantly make us feel small.”\u003c/p>\n\u003cp>She says she understands that Americans who aren’t migrants themselves or come from migrant families may walk away from this book with a completely different feeling. “This book has left a lot of white readers with this very fuzzy feeling, like, ‘Oh my God’ about immigrants. And my skin is crawling. My skin is crawling.”\u003c/p>\n\u003cp>[pullquote size='large' align='right' citation='Esmeralda Bermudez']“I wanted to see myself reflected in this book. It’s painful that not only did I not see myself, but I found all these things that constantly make us feel small.”[/pullquote]\u003c/p>\n\u003cp>We recorded an interview with Cummins, the book’s author, last week — an interview that never aired because the criticism of \u003cem>American Dirt\u003c/em> started coming down hard, and the conversation about this book had to change. So we called Cummins back. She says she’s tried to avoid the criticism, especially on Twitter. When I share some of what’s being said, Cummins says, “I don’t know how to respond to this. … Not everyone has to love my book. I endeavored to be incredibly culturally sensitive, I did the work, I did five years of research. The whole intention in my heart when I wrote this book was to try to upend the stereotypes that I saw being very prevalent in our national dialogue. And I felt like there was room … for us to examine the humanity of the people involved.”\u003c/p>\n\u003cp>Cummins says she’s aware of her own privilege, her cultural blind spots, and the imbalances in the publishing industry. “And that’s not a problem that I can fix, nor is it a problem that I’m responsible for,” she says. “All I can do is write the book that I believe in. And I did that.”\u003c/p>\n\u003cp>You can find \u003ca href=\"https://www.npr.org/2020/01/24/799164276/american-dirt-author-jeanine-cummins-answers-vocal-critics\">the rest of my conversation with Cummins here.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was produced for radio by Lisa Weiner and Reena Advani, and adapted for the Web by Petra Mayer.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>We recorded an interview with Cummins, the book’s author, last week — an interview that never aired because the criticism of \u003cem>American Dirt\u003c/em> started coming down hard, and the conversation about this book had to change. So we called Cummins back. She says she’s tried to avoid the criticism, especially on Twitter. When I share some of what’s being said, Cummins says, “I don’t know how to respond to this. … Not everyone has to love my book. I endeavored to be incredibly culturally sensitive, I did the work, I did five years of research. The whole intention in my heart when I wrote this book was to try to upend the stereotypes that I saw being very prevalent in our national dialogue. And I felt like there was room … for us to examine the humanity of the people involved.”\u003c/p>\n\u003cp>Cummins says she’s aware of her own privilege, her cultural blind spots, and the imbalances in the publishing industry. “And that’s not a problem that I can fix, nor is it a problem that I’m responsible for,” she says. “All I can do is write the book that I believe in. And I did that.”\u003c/p>\n\u003cp>You can find \u003ca href=\"https://www.npr.org/2020/01/24/799164276/american-dirt-author-jeanine-cummins-answers-vocal-critics\">the rest of my conversation with Cummins here.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was produced for radio by Lisa Weiner and Reena Advani, and adapted for the Web by Petra Mayer.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2020 \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cspan style=\"font-weight: 400\">My introduction to the zodiac came from beloved Puerto Rican astrologer \u003ca href=\"https://www.npr.org/2019/11/03/775886911/puerto-rican-astrologer-walter-mercado-dies\" target=\"_blank\" rel=\"noopener noreferrer\">Walter Mercado\u003c/a>. With his enigmatic persona, colorful capes and extravagant jewelry that sparkled as he read the stars, Mercado hypnotized me from the TV screen as a young girl. At the time, all I knew about my birth chart was that my sun was in Gemini, and that many saw my sign as volatile, flip-flopping and two-faced. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Yet that stereotype never derailed me from faithfully watching Mercado on Spanish TV to find out what the stars had in store for Geminis like myself. It wasn’t until years later, when I started reading horoscopes in newspapers, magazines and online, that I began to understand that our sun sign is only a fraction of the astrological clues that can help us navigate who we are and how we relate to our friends, family and love interests.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13873769\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13873769\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Astrology-for-real-relationships-book-cover-800x956.jpg\" alt=\"'Astrology for Real Relationships' by Jessica Lanyadoo and T. Greenaway.\" width=\"800\" height=\"956\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Astrology-for-real-relationships-book-cover.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Astrology-for-real-relationships-book-cover-160x191.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Astrology-for-real-relationships-book-cover-768x918.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘Astrology for Real Relationships’ by Jessica Lanyadoo and T. Greenaway.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">In her new book, \u003c/span>\u003ca href=\"https://www.penguinrandomhouse.com/books/603459/astrology-for-real-relationships-by-jessica-lanyadoo-with-t-greenaway/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003ci>\u003cspan style=\"font-weight: 400\">Astrology for Real Relationships\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">: \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Understanding You, Me, and How We All Get Along\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400\">, Oakland astrologer and psychic medium \u003c/span>\u003ca href=\"http://www.lovelanyadoo.com/about\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">Jessica Lanyadoo\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> gives readers an easy-to-read breakdown in three key sections: friends and chosen family, hanging out and dating, and long-term relationships. For Lanyadoo, it was important to make the book inclusive to all, including those who live outside of the gender binary, and to forego the idea that men are from Mars and women are from Venus. \u003cem>Astrology for Real Relationships\u003c/em>, written in collaboration with journalist and editor T. Greenaway, takes an LGBTQ-friendly approach, and analyzes the sometimes confusing aspects of birth charts—like how each of the 12 houses affect our approaches to money, intimacy, self-care and more—in a straightforward way. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I wanted to create an astrological and very cute textbook that would hold space for the complexity of our own nature, and also the complexity of how we relate to people we choose to relate to,” Lanyadoo tells me in a recent interview. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Lanyadoo is well known in the Bay Area: she was the resident astrologer at the \u003c/span>\u003cem>\u003ca href=\"http://sfbgarchive.48hills.org/writer/jessica-lanyadoo/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">San Francisco Bay Guardian \u003c/span>\u003c/a>\u003c/em>from 2003 \u003cspan style=\"font-weight: 400\">until the weekly paper folded in 2014. Since, Lanyadoo has grown an international audience. She’s the host of the advice show \u003ca href=\"http://www.lovelanyadoo.com/ghost-of-a-podcast\" target=\"_blank\" rel=\"noopener noreferrer\">Ghost of a Podcast\u003c/a>, and writes horoscopes for the women’s lifestyle websites \u003ca href=\"https://www.girlboss.com/contributors/jessicalanyadoo\" target=\"_blank\" rel=\"noopener noreferrer\">Girlboss\u003c/a> here in the United States and \u003ca href=\"https://www.chatelaine.com/author/jessica-lanyadoo/\" target=\"_blank\" rel=\"noopener noreferrer\">Chatelaine\u003c/a> in Canada. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Before immersing myself in Lanyadoo’s book, I pulled up my birth chart on the \u003ca href=\"http://www.lovelanyadoo.com/ghost-of-a-podcast\" target=\"_blank\" rel=\"noopener noreferrer\">free generator\u003c/a> on her website\u003c/span>\u003cspan style=\"font-weight: 400\">. After finding out that I’m a quadruple Gemini, and three-times Sagittarius, I had questions—and with Lanyadoo’s help, I got clear answers. “The placement of the moon tells you about your emotions, the placement of Neptune tells you about your ideals, and where Mercury falls on your chart offers insight about your mind and your thoughts,” a passage in the book reads. [aside postid='pop_107634']\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Lanyadoo believes that aside influencing our interactions with others, the planets also rule our surroundings and what goes on in the world. When it comes to Pluto, the book explains that it is the planet that “governs our fight-or-flight mechanisms, destruction and healing, compulsive feelings, manic impulses, and the actions that come from them.” Considering the current state of our political climate, it is impossible to read this section and not think of the current administration in the White House. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I asked Lanyadoo what’s going on with Pluto at the moment. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“On the 12th of January we went though this massive and very important transit called Saturn in conjunction to Pluto,” Lanyadoo explains. “There will be a few other transits with Pluto happening in 2020. And, then, in 2021, we are going to the Pluto return to the United States of America. This is a massive transit, and yes, we are going through major Plutonian themes.” In other words, we as a society are going to be confronted with our wrongdoings and the work ahead to fix them. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The stars can also help us understand history, Lanyadoo says, and how it relates to the present. “The last time that planet Uranus was transiting through the sign Taurus, which is happening right now, was when we had Hitler,” she says. “And again, we are seeing a rise in authoritarianism.” [aside postid='arts_13872290']\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Yet \u003cem>Astrology for Real Relationships\u003c/em> is not all darkness and destruction, and in light of Valentine’s Day coming up, I ask Lanyadoo about what the planets have in store for us single folks and hopeless romantics.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I’m a big believer in following the flow of your life. If what you are trying to do is to fill a void, not a very successful motive,” she explains. “But if you are actually open to getting to know someone new, and willing to do the work and having healthy boundaries, then yes.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Astrology can help us figure things out, but Lanyadoo emphasizes the need to take care of our inner self first before anything else. She offers some guidance as to what is in store for 2020: “Venus is going retrograde from May 13 to June 25, not terribly long. But, we also have it happening from September through November 13 with Mars going retrograde.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">These two planets impact dating, she explains, because they affect the way we relate to others and the love we are choosing. “This [retrograde] can be a really powerful time for making the time to do an internal adjustment we need in order to get the external outcome we desire.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As with the customizable approach in her book, Lanyadoo reminds us, “Astrology is a tool.” \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">How we use it is up to us. \u003c/span>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-weight: 400\">My introduction to the zodiac came from beloved Puerto Rican astrologer \u003ca href=\"https://www.npr.org/2019/11/03/775886911/puerto-rican-astrologer-walter-mercado-dies\" target=\"_blank\" rel=\"noopener noreferrer\">Walter Mercado\u003c/a>. With his enigmatic persona, colorful capes and extravagant jewelry that sparkled as he read the stars, Mercado hypnotized me from the TV screen as a young girl. At the time, all I knew about my birth chart was that my sun was in Gemini, and that many saw my sign as volatile, flip-flopping and two-faced. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Yet that stereotype never derailed me from faithfully watching Mercado on Spanish TV to find out what the stars had in store for Geminis like myself. It wasn’t until years later, when I started reading horoscopes in newspapers, magazines and online, that I began to understand that our sun sign is only a fraction of the astrological clues that can help us navigate who we are and how we relate to our friends, family and love interests.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13873769\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13873769\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Astrology-for-real-relationships-book-cover-800x956.jpg\" alt=\"'Astrology for Real Relationships' by Jessica Lanyadoo and T. Greenaway.\" width=\"800\" height=\"956\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Astrology-for-real-relationships-book-cover.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Astrology-for-real-relationships-book-cover-160x191.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Astrology-for-real-relationships-book-cover-768x918.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">‘Astrology for Real Relationships’ by Jessica Lanyadoo and T. Greenaway.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">In her new book, \u003c/span>\u003ca href=\"https://www.penguinrandomhouse.com/books/603459/astrology-for-real-relationships-by-jessica-lanyadoo-with-t-greenaway/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003ci>\u003cspan style=\"font-weight: 400\">Astrology for Real Relationships\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">: \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">Understanding You, Me, and How We All Get Along\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400\">, Oakland astrologer and psychic medium \u003c/span>\u003ca href=\"http://www.lovelanyadoo.com/about\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">Jessica Lanyadoo\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> gives readers an easy-to-read breakdown in three key sections: friends and chosen family, hanging out and dating, and long-term relationships. For Lanyadoo, it was important to make the book inclusive to all, including those who live outside of the gender binary, and to forego the idea that men are from Mars and women are from Venus. \u003cem>Astrology for Real Relationships\u003c/em>, written in collaboration with journalist and editor T. Greenaway, takes an LGBTQ-friendly approach, and analyzes the sometimes confusing aspects of birth charts—like how each of the 12 houses affect our approaches to money, intimacy, self-care and more—in a straightforward way. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I wanted to create an astrological and very cute textbook that would hold space for the complexity of our own nature, and also the complexity of how we relate to people we choose to relate to,” Lanyadoo tells me in a recent interview. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Lanyadoo is well known in the Bay Area: she was the resident astrologer at the \u003c/span>\u003cem>\u003ca href=\"http://sfbgarchive.48hills.org/writer/jessica-lanyadoo/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cspan style=\"font-weight: 400\">San Francisco Bay Guardian \u003c/span>\u003c/a>\u003c/em>from 2003 \u003cspan style=\"font-weight: 400\">until the weekly paper folded in 2014. Since, Lanyadoo has grown an international audience. She’s the host of the advice show \u003ca href=\"http://www.lovelanyadoo.com/ghost-of-a-podcast\" target=\"_blank\" rel=\"noopener noreferrer\">Ghost of a Podcast\u003c/a>, and writes horoscopes for the women’s lifestyle websites \u003ca href=\"https://www.girlboss.com/contributors/jessicalanyadoo\" target=\"_blank\" rel=\"noopener noreferrer\">Girlboss\u003c/a> here in the United States and \u003ca href=\"https://www.chatelaine.com/author/jessica-lanyadoo/\" target=\"_blank\" rel=\"noopener noreferrer\">Chatelaine\u003c/a> in Canada. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Before immersing myself in Lanyadoo’s book, I pulled up my birth chart on the \u003ca href=\"http://www.lovelanyadoo.com/ghost-of-a-podcast\" target=\"_blank\" rel=\"noopener noreferrer\">free generator\u003c/a> on her website\u003c/span>\u003cspan style=\"font-weight: 400\">. After finding out that I’m a quadruple Gemini, and three-times Sagittarius, I had questions—and with Lanyadoo’s help, I got clear answers. “The placement of the moon tells you about your emotions, the placement of Neptune tells you about your ideals, and where Mercury falls on your chart offers insight about your mind and your thoughts,” a passage in the book reads. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Lanyadoo believes that aside influencing our interactions with others, the planets also rule our surroundings and what goes on in the world. When it comes to Pluto, the book explains that it is the planet that “governs our fight-or-flight mechanisms, destruction and healing, compulsive feelings, manic impulses, and the actions that come from them.” Considering the current state of our political climate, it is impossible to read this section and not think of the current administration in the White House. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I asked Lanyadoo what’s going on with Pluto at the moment. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“On the 12th of January we went though this massive and very important transit called Saturn in conjunction to Pluto,” Lanyadoo explains. “There will be a few other transits with Pluto happening in 2020. And, then, in 2021, we are going to the Pluto return to the United States of America. This is a massive transit, and yes, we are going through major Plutonian themes.” In other words, we as a society are going to be confronted with our wrongdoings and the work ahead to fix them. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The stars can also help us understand history, Lanyadoo says, and how it relates to the present. “The last time that planet Uranus was transiting through the sign Taurus, which is happening right now, was when we had Hitler,” she says. “And again, we are seeing a rise in authoritarianism.” \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Yet \u003cem>Astrology for Real Relationships\u003c/em> is not all darkness and destruction, and in light of Valentine’s Day coming up, I ask Lanyadoo about what the planets have in store for us single folks and hopeless romantics.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“I’m a big believer in following the flow of your life. If what you are trying to do is to fill a void, not a very successful motive,” she explains. “But if you are actually open to getting to know someone new, and willing to do the work and having healthy boundaries, then yes.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Astrology can help us figure things out, but Lanyadoo emphasizes the need to take care of our inner self first before anything else. She offers some guidance as to what is in store for 2020: “Venus is going retrograde from May 13 to June 25, not terribly long. But, we also have it happening from September through November 13 with Mars going retrograde.” \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">These two planets impact dating, she explains, because they affect the way we relate to others and the love we are choosing. “This [retrograde] can be a really powerful time for making the time to do an internal adjustment we need in order to get the external outcome we desire.”\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">As with the customizable approach in her book, Lanyadoo reminds us, “Astrology is a tool.” \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">How we use it is up to us. \u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "In 'Sexual Citizens,' Students Open Up About Sex, Power and Assault on Campus",
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"content": "\u003cp>\u003cem>Editor’s Note: This interview contains descriptions that some listeners and readers may find disturbing. \u003c/em>\u003c/p>\n\u003cp>Sex, power and assault are at the heart of a new study that looks at what it is that makes college the perfect storm for misunderstandings around sexual encounters.\u003c/p>\n\u003cp>Beginning in 2015, Professors Jennifer Hirsch and Shamus Khan interviewed more than 150 Columbia and Barnard College undergrads to learn about their sex lives. What they wanted out of sex, how troubling encounters unfolded, and how layers of misunderstandings led to assault.\u003c/p>\n\u003cp>In their new book, \u003cem>Sexual Citizens\u003c/em>, Hirsch and Khan make the case that prevention starts with education—and they offer new approaches for universities, parents and kids on how to tackle the problem and empower people to feel like they have the right to choose their sexual experiences.\u003c/p>\n\u003ch3>\u003cstrong>Interview Highlights\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>On why the students opened up to them about sex \u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Hirsch: So the research that we did that we share in \u003cem>Sexual Citizens\u003c/em> was part of a bigger project, The Sexual Health Initiative to Foster Transformation, which I co-directed with Claude Mellins. And so one of the ways that we worked with the students, we had a group of undergraduates who advised us and we also had a research team in the day-to-day data collection with students. And, so, some of the interviews I did, or Shamus did, but some of the interviews were done by this group of younger researchers. And we generally find in doing this kind of research that people are hungry to tell the stories of their lives.\u003c/p>\n\u003cp>Khan: I mean, we sent out this note as part of the broader project, just announcing the project. And students emailed back saying, I have a story to tell. And one of the things that we found was that people are often, you know, adults and young people’s lives are often producing so much silence around sex and sexuality that many of the young people we spoke to expressed it as a relief that someone finally sat down and listened to them about their sexual lives. …\u003c/p>\n\u003cp>Hirsch: There were so many of them that we had to hire another interviewer with experience in trauma-based research. I remember walking up Amsterdam after doing one of those interviews sobbing because the story [one woman] had told me about being assaulted and then trafficked was so intense. And yet she slung her backpack over her back and walked out of the interview room. I think, it seemed like she had a feeling of satisfaction that there was going to be somebody at the university who knew how she had suffered and was going to think about what that suffering would mean.\u003c/p>\n\u003cp>\u003cstrong>On consent and misinterpretation\u003c/strong>\u003c/p>\n\u003cp>Khan: So, so much of what we think about when we think about assault is predation, or sociopaths—that is people who are trying to assault someone. But what we found really frequently was that often people who assaulted others thought that they were having sex. They didn’t think that they were committing an assault. They didn’t think they were a predator. And, you know, we had one young man tell us a story, for example, and he said to us, I put on a tie so I knew I was going to have sex. [aside postid='arts_13872577']\u003c/p>\n\u003cp>And, you know, he felt like she really liked him. She’d invited him to this formal and she had gotten very drunk. And he described to us her going in and out of consciousness as he, in his words, had sex with her. Thinking that’s what in some ways he was obligated to do. And in that context, you know, it has to do with … men who often think about their own needs and desires, but who also think about, you know, sex as something that they accomplish—and not really considering what the other person was thinking or what the other person’s [plan] might be in that moment.\u003c/p>\n\u003cp>\u003cstrong>On enormous neglect and lack of awareness \u003c/strong>\u003c/p>\n\u003cp>Hirsch: There’s neglect and there’s also, in many cases, a lack of awareness of their own power. In the book, we tell the story of a freshman, Lucy, being assaulted by a Scott. Obviously, all of these are pseudonyms. …Lucy was a freshman, it was orientation week. She met Scott in a bar. They stumbled back to the fraternity … he led her upstairs to his room, started to take off her pants. She said no. He said to her, it’s okay—but it wasn’t okay. He raped her. And in that moment, obviously, he’s a senior. She’s a freshman. So it’s not just gender that has power, it’s also age. It’s control over the space. It’s control over alcohol. So there’s so many forms of power that produce those experiences, those moments of vulnerability to assault. And the most charitable interpretation that we could give for Scott’s behavior is that he was unaware of how much power he exerted in that moment.\u003c/p>\n\u003cp>\u003cstrong>On describing assaults as assaults\u003c/strong>\u003c/p>\n\u003cp>Khan: There are lots of reasons why people don’t describe assaults as assaults. We need to remember that most people are assaulted by somebody they know, not by strangers. And given that, given that they know the person, given that they’ve often had some kind of sexual contact with them before, naming something an assault isn’t just describing what happened to you. It actually fundamentally transforms your relationship with that person—and often your relationships with your shared friends. It’s like saying, you know what, my boyfriend or my girlfriend is a sexual predator, is somebody who did something terrible to me. And many people don’t want to do that. They don’t want to say that. …\u003c/p>\n\u003cp>We heard from many young women who told us that they were in a room with a man and they didn’t really want to be there anymore. And so they just performed oral sex on him to get out of there. And those young men didn’t force those women to have sex—but I think that they fundamentally didn’t realize what it was that the person they were with wanted to do.\u003c/p>\n\u003cp>We had other stories of a young woman who was asked to go out for a walk with her ex-boyfriend, who was very upset about the fact that his sister had just gotten a cancer diagnosis and she was thinking she was going to comfort a friend. And he ended up raping her up against a tree and dragging her to the ground. And she told us this story—chuckling, laughing about how she later found dirt on her body. And she didn’t describe this as a rape, but instead as a weird experience that she had. For these women, it’s not that they’re fundamentally denying the experience of their assault. It’s that they’re enmeshed in so many relationships that are important to them that they don’t want to call it what we see it as, which is assault.\u003c/p>\n\u003cp>\u003cstrong>On changing the conversation\u003c/strong>\u003c/p>\n\u003cp>Khan: We’re trying to change the conversation away from: Did it happen or didn’t it happen? Did she say no or did she not say no as vigorously? And instead to say: How do we prevent this in the first place? So, I think that adjudicating that situation with that woman in the room, with that young man, is nearly impossible. But I think what we outlined in \u003cem>Sexual Citizens\u003c/em> is a way to make sure that that situation is less likely to happen in the first place.\u003c/p>\n\u003cp>\u003cstrong>On race\u003c/strong>\u003c/p>\n\u003cp>Hirsch: So, yes, I think that the stories that black men shared with us about an acutely racialized fear of false accusation drove home the way gender is not the only form of power that shapes experiences of assault or accusation. And, so, there was a sense of racialized precarity. Black men, students, that we spoke with felt like they were marginal on campus, didn’t fully belong. Were less secure. And so the way they navigated consent reflected not just gender, but also race in … a really painful way.\u003c/p>\n\u003cp>Khan: As Jennifer has said so many times, racial justice is fundamentally an issue of preventing sexual assault. We may not think about those two things together, but it’s really important that we do. In addition to black men, every single black woman that we spoke to told us a story of unwanted, sexualized touching—every single one. It was profoundly disturbing when we analyzed our data that that occurred to us. And this reflected the ways in which black women’s experiences in college was something where their bodies were seen as accessible, things that people could touch without consent in ways that other students didn’t describe to us.\u003c/p>\n\u003cp>\u003cstrong>On LGBTQ rates of assault\u003c/strong>\u003c/p>\n\u003cp>Khan: I think there were a lot of reasons why LGBTQ students experienced assault at higher rates. One was that they didn’t accept as normal the kind of touching that happens at parties. So, you know, if you’re in a college basement, at a party rubbing up against each other and someone, you know, casually uses their hand and grabs your butt or something like that—a lot of LGBT students were like, this is not what I’m here for. I’m here for a different kind of experience. Whereas for heterosexual students, you know, there was sort of an understanding that this was part and parcel of being a college student. But there are other reasons why LGBT students also experienced assault at such high, high, high levels. And that’s because every single LGBTQ student that we talked to told us that they had sex ed that wasn’t at all relevant to their own sexual experiences, or sexual identities. And so, really, they just had to figure out sex on their own without any guidance from the communities and families that had raised them.\u003c/p>\n\u003cp>\u003cstrong>On solving the problem\u003c/strong>\u003c/p>\n\u003cp>Hirsch: Part of what solving the problem would look like is starting out when kids are young. Teaching them how to be respectful of other people’s bodies, right. It starts out in kindergarten. Sit criss-cross applesauce. Keep your hands on your own body. So those sort of early lessons in interpersonal respect, which are part of comprehensive sex education but are also part of just good education, are a fundamental first step.\u003c/p>\n\u003cp>Khan: And I think further steps are: comprehensive sex ed. You know, it wasn’t just LGBTQ students who described sex ed that really didn’t meet their needs. Most young people describe the sex ed that they received as a sexual-diseases course, or something that was incredibly fear-based. Here are the risks of pregnancy. Here are the risks of sexually transmitted infections. Here are the risks of sex—sex is something terrifying and really dangerous. And instead, we need to think about talking to young people about sex that’s something that will be really important in their lives. That’s going to be one of the ways in which they connect to some of those [that] are the most meaningful relationships that they’ll have. And to talk to young people about sex where they treat the other person that they’re having sex with as a human being—not just a toy that they’re going to be playing with. And if we don’t do that, what’s going to happen is that young people are going to learn about sex, but they’re going to learn about it from things like pornography.\u003c/p>\n\u003cp>\u003cstrong>On what parents can do\u003c/strong>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Hirsch: I think, as parents, we have a choice. We can have conversations with our children and, you know, the other children in our lives, about sex and values and how to treat people and what feels good. Or we can let our kids have their sexual values be formed by pornography and advertising.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=In+%27Sexual+Citizens%2C%27+Students+Open+Up+About+Sex%2C+Power+And+Assault+On+Campus&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Editor’s Note: This interview contains descriptions that some listeners and readers may find disturbing. \u003c/em>\u003c/p>\n\u003cp>Sex, power and assault are at the heart of a new study that looks at what it is that makes college the perfect storm for misunderstandings around sexual encounters.\u003c/p>\n\u003cp>Beginning in 2015, Professors Jennifer Hirsch and Shamus Khan interviewed more than 150 Columbia and Barnard College undergrads to learn about their sex lives. What they wanted out of sex, how troubling encounters unfolded, and how layers of misunderstandings led to assault.\u003c/p>\n\u003cp>In their new book, \u003cem>Sexual Citizens\u003c/em>, Hirsch and Khan make the case that prevention starts with education—and they offer new approaches for universities, parents and kids on how to tackle the problem and empower people to feel like they have the right to choose their sexual experiences.\u003c/p>\n\u003ch3>\u003cstrong>Interview Highlights\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>On why the students opened up to them about sex \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Hirsch: So the research that we did that we share in \u003cem>Sexual Citizens\u003c/em> was part of a bigger project, The Sexual Health Initiative to Foster Transformation, which I co-directed with Claude Mellins. And so one of the ways that we worked with the students, we had a group of undergraduates who advised us and we also had a research team in the day-to-day data collection with students. And, so, some of the interviews I did, or Shamus did, but some of the interviews were done by this group of younger researchers. And we generally find in doing this kind of research that people are hungry to tell the stories of their lives.\u003c/p>\n\u003cp>Khan: I mean, we sent out this note as part of the broader project, just announcing the project. And students emailed back saying, I have a story to tell. And one of the things that we found was that people are often, you know, adults and young people’s lives are often producing so much silence around sex and sexuality that many of the young people we spoke to expressed it as a relief that someone finally sat down and listened to them about their sexual lives. …\u003c/p>\n\u003cp>Hirsch: There were so many of them that we had to hire another interviewer with experience in trauma-based research. I remember walking up Amsterdam after doing one of those interviews sobbing because the story [one woman] had told me about being assaulted and then trafficked was so intense. And yet she slung her backpack over her back and walked out of the interview room. I think, it seemed like she had a feeling of satisfaction that there was going to be somebody at the university who knew how she had suffered and was going to think about what that suffering would mean.\u003c/p>\n\u003cp>\u003cstrong>On consent and misinterpretation\u003c/strong>\u003c/p>\n\u003cp>Khan: So, so much of what we think about when we think about assault is predation, or sociopaths—that is people who are trying to assault someone. But what we found really frequently was that often people who assaulted others thought that they were having sex. They didn’t think that they were committing an assault. They didn’t think they were a predator. And, you know, we had one young man tell us a story, for example, and he said to us, I put on a tie so I knew I was going to have sex. \u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And, you know, he felt like she really liked him. She’d invited him to this formal and she had gotten very drunk. And he described to us her going in and out of consciousness as he, in his words, had sex with her. Thinking that’s what in some ways he was obligated to do. And in that context, you know, it has to do with … men who often think about their own needs and desires, but who also think about, you know, sex as something that they accomplish—and not really considering what the other person was thinking or what the other person’s [plan] might be in that moment.\u003c/p>\n\u003cp>\u003cstrong>On enormous neglect and lack of awareness \u003c/strong>\u003c/p>\n\u003cp>Hirsch: There’s neglect and there’s also, in many cases, a lack of awareness of their own power. In the book, we tell the story of a freshman, Lucy, being assaulted by a Scott. Obviously, all of these are pseudonyms. …Lucy was a freshman, it was orientation week. She met Scott in a bar. They stumbled back to the fraternity … he led her upstairs to his room, started to take off her pants. She said no. He said to her, it’s okay—but it wasn’t okay. He raped her. And in that moment, obviously, he’s a senior. She’s a freshman. So it’s not just gender that has power, it’s also age. It’s control over the space. It’s control over alcohol. So there’s so many forms of power that produce those experiences, those moments of vulnerability to assault. And the most charitable interpretation that we could give for Scott’s behavior is that he was unaware of how much power he exerted in that moment.\u003c/p>\n\u003cp>\u003cstrong>On describing assaults as assaults\u003c/strong>\u003c/p>\n\u003cp>Khan: There are lots of reasons why people don’t describe assaults as assaults. We need to remember that most people are assaulted by somebody they know, not by strangers. And given that, given that they know the person, given that they’ve often had some kind of sexual contact with them before, naming something an assault isn’t just describing what happened to you. It actually fundamentally transforms your relationship with that person—and often your relationships with your shared friends. It’s like saying, you know what, my boyfriend or my girlfriend is a sexual predator, is somebody who did something terrible to me. And many people don’t want to do that. They don’t want to say that. …\u003c/p>\n\u003cp>We heard from many young women who told us that they were in a room with a man and they didn’t really want to be there anymore. And so they just performed oral sex on him to get out of there. And those young men didn’t force those women to have sex—but I think that they fundamentally didn’t realize what it was that the person they were with wanted to do.\u003c/p>\n\u003cp>We had other stories of a young woman who was asked to go out for a walk with her ex-boyfriend, who was very upset about the fact that his sister had just gotten a cancer diagnosis and she was thinking she was going to comfort a friend. And he ended up raping her up against a tree and dragging her to the ground. And she told us this story—chuckling, laughing about how she later found dirt on her body. And she didn’t describe this as a rape, but instead as a weird experience that she had. For these women, it’s not that they’re fundamentally denying the experience of their assault. It’s that they’re enmeshed in so many relationships that are important to them that they don’t want to call it what we see it as, which is assault.\u003c/p>\n\u003cp>\u003cstrong>On changing the conversation\u003c/strong>\u003c/p>\n\u003cp>Khan: We’re trying to change the conversation away from: Did it happen or didn’t it happen? Did she say no or did she not say no as vigorously? And instead to say: How do we prevent this in the first place? So, I think that adjudicating that situation with that woman in the room, with that young man, is nearly impossible. But I think what we outlined in \u003cem>Sexual Citizens\u003c/em> is a way to make sure that that situation is less likely to happen in the first place.\u003c/p>\n\u003cp>\u003cstrong>On race\u003c/strong>\u003c/p>\n\u003cp>Hirsch: So, yes, I think that the stories that black men shared with us about an acutely racialized fear of false accusation drove home the way gender is not the only form of power that shapes experiences of assault or accusation. And, so, there was a sense of racialized precarity. Black men, students, that we spoke with felt like they were marginal on campus, didn’t fully belong. Were less secure. And so the way they navigated consent reflected not just gender, but also race in … a really painful way.\u003c/p>\n\u003cp>Khan: As Jennifer has said so many times, racial justice is fundamentally an issue of preventing sexual assault. We may not think about those two things together, but it’s really important that we do. In addition to black men, every single black woman that we spoke to told us a story of unwanted, sexualized touching—every single one. It was profoundly disturbing when we analyzed our data that that occurred to us. And this reflected the ways in which black women’s experiences in college was something where their bodies were seen as accessible, things that people could touch without consent in ways that other students didn’t describe to us.\u003c/p>\n\u003cp>\u003cstrong>On LGBTQ rates of assault\u003c/strong>\u003c/p>\n\u003cp>Khan: I think there were a lot of reasons why LGBTQ students experienced assault at higher rates. One was that they didn’t accept as normal the kind of touching that happens at parties. So, you know, if you’re in a college basement, at a party rubbing up against each other and someone, you know, casually uses their hand and grabs your butt or something like that—a lot of LGBT students were like, this is not what I’m here for. I’m here for a different kind of experience. Whereas for heterosexual students, you know, there was sort of an understanding that this was part and parcel of being a college student. But there are other reasons why LGBT students also experienced assault at such high, high, high levels. And that’s because every single LGBTQ student that we talked to told us that they had sex ed that wasn’t at all relevant to their own sexual experiences, or sexual identities. And so, really, they just had to figure out sex on their own without any guidance from the communities and families that had raised them.\u003c/p>\n\u003cp>\u003cstrong>On solving the problem\u003c/strong>\u003c/p>\n\u003cp>Hirsch: Part of what solving the problem would look like is starting out when kids are young. Teaching them how to be respectful of other people’s bodies, right. It starts out in kindergarten. Sit criss-cross applesauce. Keep your hands on your own body. So those sort of early lessons in interpersonal respect, which are part of comprehensive sex education but are also part of just good education, are a fundamental first step.\u003c/p>\n\u003cp>Khan: And I think further steps are: comprehensive sex ed. You know, it wasn’t just LGBTQ students who described sex ed that really didn’t meet their needs. Most young people describe the sex ed that they received as a sexual-diseases course, or something that was incredibly fear-based. Here are the risks of pregnancy. Here are the risks of sexually transmitted infections. Here are the risks of sex—sex is something terrifying and really dangerous. And instead, we need to think about talking to young people about sex that’s something that will be really important in their lives. That’s going to be one of the ways in which they connect to some of those [that] are the most meaningful relationships that they’ll have. And to talk to young people about sex where they treat the other person that they’re having sex with as a human being—not just a toy that they’re going to be playing with. And if we don’t do that, what’s going to happen is that young people are going to learn about sex, but they’re going to learn about it from things like pornography.\u003c/p>\n\u003cp>\u003cstrong>On what parents can do\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Hirsch: I think, as parents, we have a choice. We can have conversations with our children and, you know, the other children in our lives, about sex and values and how to treat people and what feels good. Or we can let our kids have their sexual values be formed by pornography and advertising.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=In+%27Sexual+Citizens%2C%27+Students+Open+Up+About+Sex%2C+Power+And+Assault+On+Campus&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>On Tuesday morning, after \u003cem>Entertainment Weekly\u003c/em> published \u003ca href=\"https://ew.com/books/2020/01/21/hunger-games-prequel-exclusive-excerpt/\" target=\"_blank\" rel=\"noopener noreferrer\">an excerpt\u003c/a> of Suzanne Collins’ \u003cem>Hunger Games\u003c/em> prequel \u003cem>The Ballad of Songbirds and Snakes\u003c/em>, Twitter lit up, and for all the wrong reasons. Fans were devastated and infuriated to find out that the “hero” of this installment would be a young President Snow—Katniss Everdeen’s archenemy in the original trilogy.\u003c/p>\n\u003cp>https://twitter.com/sly4good/status/1219684094587670534\u003c/p>\n\u003cp>https://twitter.com/kristineholland/status/1219691465317605376\u003c/p>\n\u003cp>https://twitter.com/merlinereads/status/1219677025058926594\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The excerpt published by \u003cem>Entertainment Weekly\u003c/em> gives us a teenage Coriolanus Snow on the verge of graduation, popular with his classmates at the “Academy” and scholastically impressive. One of his final tasks before heading off to university is acting as a mentor to a tribute from District 12, in an early, less ostentatious version of the Hunger Games. He feels “horror” over being assigned a tribute from the poorest district.\u003c/p>\n\u003cp>This is all, for sure, a strange and disappointing creative direction from Collins that’s going to be incredibly difficult for fans to get over. After all, how are we supposed to root for a guy we know will to turn into a ruthless dictator who sends victors back into the Hunger Games for a second time, murders some of their families \u003cem>and\u003c/em> destroys District 12?\u003c/p>\n\u003cp>There is only one way to make it work, and here it is.\u003c/p>\n\u003cp>What if Snow’s mentee from District 12 is Haymitch Abernathy’s future mother? (Haymitch is, far and away, the character fans most wanted a backstory about, so this would at least be Haymitch-adjacent.) In the course of Mama Abernathy’s training with Snow, the two fall in love; she ultimately wins the Hunger Games, propelled by a desire to be with him again. Once she is back at home, they conduct a secret affair for many years. The relationship ultimately results in the birth of Haymitch and his brother. When the children are born, Snow’s parents, ashamed of their son’s offspring, (along with the highest echelons of Panem society) intervene and tear the happy couple apart. Haymitch and his brother never learn their father’s true identity.\u003c/p>\n\u003cp>Once isolated back in the capital, Snow’s heartbreak twists into vengeance. He decides that if he can’t have his sons, nobody can. He fixes it so Haymitch is selected for the 50th Hunger Games, sending his son to an almost certain death. When Haymitch wins against all odds, in a fit of rage, Snow murders Mama Abernathy, her other son and Haymitch’s girlfriend. (The original trilogy says these murders take place because Haymitch’s victory made the capital look foolish. The extremity of Snow’s rage actually makes more sense with the love story as a backdrop.) Later, Snow’s hatred of Katniss is compounded by the fact that Haymitch is her mentor.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In much the same way that \u003cem>Star Wars\u003c/em> fans only started to care about Darth Vader once they found out he was father to Luke and Leia, it would be much easier to engage with a President Snow prequel if he turns out to be Haymitch’s secret dad. Is it unlikely that I’ve just accidentally guessed the entire plot of \u003cem>The Ballad of Songbirds and Snakes\u003c/em>? Of course! Only one thing’s for sure right now—if there’s no Haymitch in this thing, the fans will riot.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The excerpt published by \u003cem>Entertainment Weekly\u003c/em> gives us a teenage Coriolanus Snow on the verge of graduation, popular with his classmates at the “Academy” and scholastically impressive. One of his final tasks before heading off to university is acting as a mentor to a tribute from District 12, in an early, less ostentatious version of the Hunger Games. He feels “horror” over being assigned a tribute from the poorest district.\u003c/p>\n\u003cp>This is all, for sure, a strange and disappointing creative direction from Collins that’s going to be incredibly difficult for fans to get over. After all, how are we supposed to root for a guy we know will to turn into a ruthless dictator who sends victors back into the Hunger Games for a second time, murders some of their families \u003cem>and\u003c/em> destroys District 12?\u003c/p>\n\u003cp>There is only one way to make it work, and here it is.\u003c/p>\n\u003cp>What if Snow’s mentee from District 12 is Haymitch Abernathy’s future mother? (Haymitch is, far and away, the character fans most wanted a backstory about, so this would at least be Haymitch-adjacent.) In the course of Mama Abernathy’s training with Snow, the two fall in love; she ultimately wins the Hunger Games, propelled by a desire to be with him again. Once she is back at home, they conduct a secret affair for many years. The relationship ultimately results in the birth of Haymitch and his brother. When the children are born, Snow’s parents, ashamed of their son’s offspring, (along with the highest echelons of Panem society) intervene and tear the happy couple apart. Haymitch and his brother never learn their father’s true identity.\u003c/p>\n\u003cp>Once isolated back in the capital, Snow’s heartbreak twists into vengeance. He decides that if he can’t have his sons, nobody can. He fixes it so Haymitch is selected for the 50th Hunger Games, sending his son to an almost certain death. When Haymitch wins against all odds, in a fit of rage, Snow murders Mama Abernathy, her other son and Haymitch’s girlfriend. (The original trilogy says these murders take place because Haymitch’s victory made the capital look foolish. The extremity of Snow’s rage actually makes more sense with the love story as a backdrop.) Later, Snow’s hatred of Katniss is compounded by the fact that Haymitch is her mentor.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In much the same way that \u003cem>Star Wars\u003c/em> fans only started to care about Darth Vader once they found out he was father to Luke and Leia, it would be much easier to engage with a President Snow prequel if he turns out to be Haymitch’s secret dad. Is it unlikely that I’ve just accidentally guessed the entire plot of \u003cem>The Ballad of Songbirds and Snakes\u003c/em>? Of course! Only one thing’s for sure right now—if there’s no Haymitch in this thing, the fans will riot.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Like many Russian immigrants who came to the Bay Area in the 1990s, my childhood was full of weekly pilgrimages to San Francisco’s Richmond District. On Sundays, my family and I would get dressed up to attend Russian Orthodox church on Geary Street, buy olivier salad and pickled cabbage by the pound at \u003ca href=\"https://www.newworldmarketsf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">New World Market\u003c/a> and take in the aromas of pirozhki and other baked goods at \u003ca href=\"http://cinderellabakery.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Cinderella Bakery\u003c/a>.\u003c/p>\n\u003cp>With bellies full, we’d stroll down Balboa Street to \u003ca href=\"https://www.globusbooks.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Globus Books\u003c/a>, the Russian bookstore that feels like a time capsule, with its Persian rugs, towering shelves of dusty tomes and a distinctive old-library scent. As a child, I delighted in Soviet-era picture books like \u003cem>Dyadya Fyodor\u003c/em>, about a precocious boy who runs away from home to live with a dog and cat. In my teen years, I explored intimidating stacks of classics by Dostoevsky and Bulgakov, and art books from the Hermitage Museum of my native Saint Petersburg. And in my early twenties, I tripped out on Victor Pelevin’s drug-addled, darkly funny Gen X novel \u003cem>Generation P \u003c/em>(the P standing for \u003cem>pizdetz\u003c/em>, or screwed).\u003c/p>\n\u003cp>Globus, opened in 1971, has remarkably stood the test of time, serving several generations of Russian immigrants, including those who came as Jewish refugees during the ’70s and ’80s, and the rest that followed after the collapse of the Soviet Union in 1991.\u003c/p>\n\u003cp>Yet as the Richmond District changes, and as the Russian community gets priced out along with other immigrant populations in San Francisco, the decidedly niche business has found itself in need of switching up its approach as it enters a new decade, hoping to preserve its older generation of customers while attracting younger readers and non-Russian speakers.\u003c/p>\n\u003cfigure id=\"attachment_13873164\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13873164\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/IMG_4241-800x533.jpg\" alt=\"Globus Books has been a cornerstone of the Bay Area's Russian community since 1971.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4241-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4241-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4241-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4241-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4241-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4241.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Globus Books has been a cornerstone of the Bay Area’s Russian community since 1971. \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For new owner Pavel Chepyzhov and managers Julie Kulyamzina and Zarina Zabrisky, that means embracing the diversity of the Bay Area’s Russian-speaking community, as well as people curious about Russian culture and literature.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“On one side you have Russian speakers who came from China after the second world war, and they are very different from the Russian speakers who are immigrating right now to Silicon Valley,” Chepyzhov offers, adding that Georgian and Armenian cultures also occupy a prominent place within the Bay Area’s Russian-speaking world. “They have a lot of books in common and Globus could be the place where they all could meet.”\u003c/span>\u003c/p>\n\u003cp>Books about Russian feminism and LGBTQ+ people have also recently made their way onto Globus’ shelves. And the store now has a growing English-language section on Russia and the former Soviet Union. (On my last visit, I picked up Lydia B. Zaverukha and Nina Bogdan’s visually stunning \u003cem>Russian San Francisco\u003c/em>, full of historical photos dating back to 1840.) One of the goals, Chepyzhov says, is to spread awareness about the culture beyond what Americans hear in the news.\u003c/p>\n\u003cp>“Unfortunately the Russian politics, of course, doesn’t get the best media for obvious reasons,” he says. “But I think talking about books and about culture—this is what we want to promote, this is what is appreciated in the U.S.”\u003c/p>\n\u003cp>Zabrisky, a writer known for her work with progressive activist group the Arts Resistance, is in charge of new event programming for the space, including author talks, readings and screenings coming later in the year. The first new event series is story time for toddlers, happening every Wednesday at 10:30am starting Feb. 5. It fulfills a core part of Globus’ mission to help Russian-speaking parents pass on their language and culture to the next generation.\u003c/p>\n\u003cp>“We’re in love with this bookstore, with its history, its accomplishments and what it is for the Russian community here,” says Kulyamzina.\u003c/p>\n\u003cp>She and Chepyzhov, both from Moscow, are antiquarian book specialists who spent the last several years frequenting Globus during trips to book fairs on the West Coast. Globus founder Vladimir Azar originally ran a publishing house focused on Russian immigrant authors, earning the shop a cult following among Russian-speaking bibliophiles around the world.\u003c/p>\n\u003cp>https://www.instagram.com/p/B5gdLgCpxse/\u003c/p>\n\u003cp>Last year, Chepyzhov learned that former owner Veronica Ahrens-Pulawski, who presided over Globus’ shelves since the early ’80s, was looking to retire and sell the business.\u003c/p>\n\u003cp>“It took me maybe 10 minutes to draft a plan in my head of how we could work together on that and try to keep Globus alive, and try to keep this business going,” he says, adding that Ahrens-Pulawski—whose dynamic personality has long been a draw for Globus’ loyal customer base—still helps out twice a week.\u003c/p>\n\u003cp>The new Globus team’s progressive vision is a rarity for the Russian-speaking immigrant community in the United States, which leans conservative; older generations who escaped communist rule have an aversion to anything that sounds remotely socialist. If San Francisco’s Russian newspaper \u003cem>Kstati\u003c/em> (full of right-wing op-eds written in the key of “well actually”) is any indication, it’s likely that many of San Francisco’s Russian-speaking immigrants voted in the 2016 election along similar lines to those in New York’s Brighton Beach, the biggest \u003ca href=\"https://www.brickunderground.com/live/how-did-your-neighborhood-vote\" target=\"_blank\" rel=\"noopener noreferrer\">patch of red\u003c/a> in mostly blue Brooklyn.\u003c/p>\n\u003cp>Yet Chepyzhov says there’s more than enough room for diverse voices and perspectives at Globus. “It’s one of our goals to show the alternative side of things,” he says.\u003c/p>\n\u003cfigure id=\"attachment_13873175\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13873175\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/IMG_4204-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4204-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4204-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4204-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4204-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4204-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4204.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Globus managers Julie Kulyamzina (left) and Zarina Zabrisky (right). \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>He points to portions of the Russian-speaking immigrant community that are rarely mentioned in the media—such as queer and trans asylum seekers escaping anti-gay laws. Reports of \u003ca href=\"https://time.com/5633588/anti-gay-purge-chechnya-victim/\" target=\"_blank\" rel=\"noopener noreferrer\">anti-gay purges\u003c/a> came out of Chechnya as recently as last year, prompting international protests in solidarity. And in the Russian Federation, a 2013 law banning “gay propaganda” diminished LGBTQ+ people’s civil rights protections while legitimizing already-rampant homophobia within the culture.\u003c/p>\n\u003cp>“We try to do our bit supporting LGBT causes here and in Russia,” says Chepyzhov. “We would like to represent these people as well.”\u003c/p>\n\u003cp>Chepyzhov still lives in Moscow and comes to San Francisco to run the store for months at a time throughout the year. While he was away the last few months, Zabrisky and Kulyamzina gave Globus’ shelves a makeover. Books by neo-fascist Russian political strategist Aleksandr Dugin, for instance, have gone into storage, while a biography of Barack Obama and a history of change-making women in Russian history are now prominently on display.\u003c/p>\n\u003cp>“We don’t want to be censors, but we don’t want to promote views that are harmful to society,” says Zabrisky.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“We don’t want to scare away the customers who’ve been coming in for decades, we still have books for them,” says Kulyamzina. “But we also want to attract a new generation.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Like many Russian immigrants who came to the Bay Area in the 1990s, my childhood was full of weekly pilgrimages to San Francisco’s Richmond District. On Sundays, my family and I would get dressed up to attend Russian Orthodox church on Geary Street, buy olivier salad and pickled cabbage by the pound at \u003ca href=\"https://www.newworldmarketsf.com/\" target=\"_blank\" rel=\"noopener noreferrer\">New World Market\u003c/a> and take in the aromas of pirozhki and other baked goods at \u003ca href=\"http://cinderellabakery.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Cinderella Bakery\u003c/a>.\u003c/p>\n\u003cp>With bellies full, we’d stroll down Balboa Street to \u003ca href=\"https://www.globusbooks.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Globus Books\u003c/a>, the Russian bookstore that feels like a time capsule, with its Persian rugs, towering shelves of dusty tomes and a distinctive old-library scent. As a child, I delighted in Soviet-era picture books like \u003cem>Dyadya Fyodor\u003c/em>, about a precocious boy who runs away from home to live with a dog and cat. In my teen years, I explored intimidating stacks of classics by Dostoevsky and Bulgakov, and art books from the Hermitage Museum of my native Saint Petersburg. And in my early twenties, I tripped out on Victor Pelevin’s drug-addled, darkly funny Gen X novel \u003cem>Generation P \u003c/em>(the P standing for \u003cem>pizdetz\u003c/em>, or screwed).\u003c/p>\n\u003cp>Globus, opened in 1971, has remarkably stood the test of time, serving several generations of Russian immigrants, including those who came as Jewish refugees during the ’70s and ’80s, and the rest that followed after the collapse of the Soviet Union in 1991.\u003c/p>\n\u003cp>Yet as the Richmond District changes, and as the Russian community gets priced out along with other immigrant populations in San Francisco, the decidedly niche business has found itself in need of switching up its approach as it enters a new decade, hoping to preserve its older generation of customers while attracting younger readers and non-Russian speakers.\u003c/p>\n\u003cfigure id=\"attachment_13873164\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13873164\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/IMG_4241-800x533.jpg\" alt=\"Globus Books has been a cornerstone of the Bay Area's Russian community since 1971.\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4241-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4241-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4241-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4241-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4241-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4241.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Globus Books has been a cornerstone of the Bay Area’s Russian community since 1971. \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For new owner Pavel Chepyzhov and managers Julie Kulyamzina and Zarina Zabrisky, that means embracing the diversity of the Bay Area’s Russian-speaking community, as well as people curious about Russian culture and literature.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“On one side you have Russian speakers who came from China after the second world war, and they are very different from the Russian speakers who are immigrating right now to Silicon Valley,” Chepyzhov offers, adding that Georgian and Armenian cultures also occupy a prominent place within the Bay Area’s Russian-speaking world. “They have a lot of books in common and Globus could be the place where they all could meet.”\u003c/span>\u003c/p>\n\u003cp>Books about Russian feminism and LGBTQ+ people have also recently made their way onto Globus’ shelves. And the store now has a growing English-language section on Russia and the former Soviet Union. (On my last visit, I picked up Lydia B. Zaverukha and Nina Bogdan’s visually stunning \u003cem>Russian San Francisco\u003c/em>, full of historical photos dating back to 1840.) One of the goals, Chepyzhov says, is to spread awareness about the culture beyond what Americans hear in the news.\u003c/p>\n\u003cp>“Unfortunately the Russian politics, of course, doesn’t get the best media for obvious reasons,” he says. “But I think talking about books and about culture—this is what we want to promote, this is what is appreciated in the U.S.”\u003c/p>\n\u003cp>Zabrisky, a writer known for her work with progressive activist group the Arts Resistance, is in charge of new event programming for the space, including author talks, readings and screenings coming later in the year. The first new event series is story time for toddlers, happening every Wednesday at 10:30am starting Feb. 5. It fulfills a core part of Globus’ mission to help Russian-speaking parents pass on their language and culture to the next generation.\u003c/p>\n\u003cp>“We’re in love with this bookstore, with its history, its accomplishments and what it is for the Russian community here,” says Kulyamzina.\u003c/p>\n\u003cp>She and Chepyzhov, both from Moscow, are antiquarian book specialists who spent the last several years frequenting Globus during trips to book fairs on the West Coast. Globus founder Vladimir Azar originally ran a publishing house focused on Russian immigrant authors, earning the shop a cult following among Russian-speaking bibliophiles around the world.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Last year, Chepyzhov learned that former owner Veronica Ahrens-Pulawski, who presided over Globus’ shelves since the early ’80s, was looking to retire and sell the business.\u003c/p>\n\u003cp>“It took me maybe 10 minutes to draft a plan in my head of how we could work together on that and try to keep Globus alive, and try to keep this business going,” he says, adding that Ahrens-Pulawski—whose dynamic personality has long been a draw for Globus’ loyal customer base—still helps out twice a week.\u003c/p>\n\u003cp>The new Globus team’s progressive vision is a rarity for the Russian-speaking immigrant community in the United States, which leans conservative; older generations who escaped communist rule have an aversion to anything that sounds remotely socialist. If San Francisco’s Russian newspaper \u003cem>Kstati\u003c/em> (full of right-wing op-eds written in the key of “well actually”) is any indication, it’s likely that many of San Francisco’s Russian-speaking immigrants voted in the 2016 election along similar lines to those in New York’s Brighton Beach, the biggest \u003ca href=\"https://www.brickunderground.com/live/how-did-your-neighborhood-vote\" target=\"_blank\" rel=\"noopener noreferrer\">patch of red\u003c/a> in mostly blue Brooklyn.\u003c/p>\n\u003cp>Yet Chepyzhov says there’s more than enough room for diverse voices and perspectives at Globus. “It’s one of our goals to show the alternative side of things,” he says.\u003c/p>\n\u003cfigure id=\"attachment_13873175\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13873175\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/IMG_4204-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4204-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4204-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4204-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4204-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4204-1200x675.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/IMG_4204.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Globus managers Julie Kulyamzina (left) and Zarina Zabrisky (right). \u003ccite>(Nastia Voynovskaya)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>He points to portions of the Russian-speaking immigrant community that are rarely mentioned in the media—such as queer and trans asylum seekers escaping anti-gay laws. Reports of \u003ca href=\"https://time.com/5633588/anti-gay-purge-chechnya-victim/\" target=\"_blank\" rel=\"noopener noreferrer\">anti-gay purges\u003c/a> came out of Chechnya as recently as last year, prompting international protests in solidarity. And in the Russian Federation, a 2013 law banning “gay propaganda” diminished LGBTQ+ people’s civil rights protections while legitimizing already-rampant homophobia within the culture.\u003c/p>\n\u003cp>“We try to do our bit supporting LGBT causes here and in Russia,” says Chepyzhov. “We would like to represent these people as well.”\u003c/p>\n\u003cp>Chepyzhov still lives in Moscow and comes to San Francisco to run the store for months at a time throughout the year. While he was away the last few months, Zabrisky and Kulyamzina gave Globus’ shelves a makeover. Books by neo-fascist Russian political strategist Aleksandr Dugin, for instance, have gone into storage, while a biography of Barack Obama and a history of change-making women in Russian history are now prominently on display.\u003c/p>\n\u003cp>“We don’t want to be censors, but we don’t want to promote views that are harmful to society,” says Zabrisky.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "The New York Public Library's Most Checked-Out Books of All Time",
"headTitle": "The New York Public Library’s Most Checked-Out Books of All Time | KQED",
"content": "\u003cp>The New York Public Library has been loaning books for a long time—the institution turns 125 this year.\u003c/p>\n\u003cp>To celebrate, the library dug into its records and calculated a list of the 10 books that have been checked out the most in its history.\u003c/p>\n\u003cp>The most-wanted book? \u003cem>The Snowy Day\u003c/em> by Ezra Jack Keats.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=FmZCQfeWjeQ\u003c/p>\n\u003cp>The Caldecott Medal-winning tale of a young boy’s encounter with snow has been checked out 485,583 times from the NYPL since it was published in 1962.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It shares qualities with many of the other most-borrowed titles: The beautifully illustrated book has been around a long time, it’s well-known and well-loved, and it’s available in numerous languages.\u003c/p>\n\u003cp>“It is such a relatable story, and pure magic for kids and adults alike,” Andrew Medlar, director of the library’s BookOps selection team, said \u003ca href=\"https://www.nypl.org/press/press-release/january-13-2020/classic-childrens-story-snowy-day-tops-new-york-public-librarys\">in a statement\u003c/a>. “It’s on people’s radar screens, they remember when they first heard it, and they want to share that experience with their kids. And the artwork is just gorgeous.”\u003c/p>\n\u003cp>Children’s books make up a large part of the list. That’s not too surprising—short books can be read faster and are returned more quickly. Even the more adult books on the list, such \u003cem>1984\u003c/em> and \u003cem>To Kill A Mockingbird\u003c/em>, are rather slim.\u003c/p>\n\u003cp>Only one nonfiction book appears on the list: \u003cem>How To Win Friends and Influence People\u003c/em> by Dale Carnegie. The self-help juggernaut was published in 1936.\u003c/p>\n\u003cp>The library also awarded an “honorable mention” to \u003cem>Goodnight Moon\u003c/em> by Margaret Wise Brown. That book might have been a contender for the all-time top spot, but NYPL children’s librarian Anne Carroll Moore so disliked the 1947 book that the library didn’t carry it until 1972. That late entry kept the book off the top 10 list—for now.\u003c/p>\n\u003cp>Here are the top 10:\u003c/p>\n\u003col>\n\u003cli>\u003cem>The Snowy Day\u003c/em> by Ezra Jack Keats: 485,583 checkouts\u003c/li>\n\u003cli>\u003cem>The Cat in the Hat\u003c/em> by Dr. Seuss: 469,650 checkouts\u003c/li>\n\u003cli>\u003cem>1984\u003c/em> by George Orwell: 441,770 checkouts\u003c/li>\n\u003cli>\u003cem>Where the Wild Things Are\u003c/em> by Maurice Sendak: 436,016 checkouts\u003c/li>\n\u003cli>\u003cem>To Kill a Mockingbird\u003c/em> by Harper Lee: 422,912 checkouts\u003c/li>\n\u003cli>\u003cem>Charlotte’s Web\u003c/em> by E.B. White: 337,948 checkouts\u003c/li>\n\u003cli>\u003cem>Fahrenheit 451\u003c/em> by Ray Bradbury: 316,404 checkouts\u003c/li>\n\u003cli>\u003cem>How to Win Friends and Influence People\u003c/em> by Dale Carnegie: 284,524 checkouts\u003c/li>\n\u003cli>\u003cem>Harry Potter and the Sorcerer’s Stone\u003c/em> by J.K. Rowling: 231,022 checkouts\u003c/li>\n\u003cli>\u003cem>The Very Hungry Caterpillar\u003c/em> by Eric Carle: 189,550 checkouts\u003c/li>\n\u003c/ol>\n\u003cfigure id=\"attachment_13873156\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13873156 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/1145742u-a29a6b477be13cb8884d94851d7e0c96ecc40d90-800x600.jpg\" alt=\"Children line up at the Chatham Square Library on Manhattan's Lower East Side in 1911.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1145742u-a29a6b477be13cb8884d94851d7e0c96ecc40d90-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1145742u-a29a6b477be13cb8884d94851d7e0c96ecc40d90-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1145742u-a29a6b477be13cb8884d94851d7e0c96ecc40d90-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1145742u-a29a6b477be13cb8884d94851d7e0c96ecc40d90-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1145742u-a29a6b477be13cb8884d94851d7e0c96ecc40d90-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1145742u-a29a6b477be13cb8884d94851d7e0c96ecc40d90.jpg 1400w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Children line up at the Chatham Square Library on Manhattan’s Lower East Side in 1911. \u003ccite>(The New York Public Library)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Only one book on the list is at all recent: the first Harry Potter novel, which was published in the U.S. in 1998. The library says the \u003cem>Sorcerer’s Stone \u003c/em>and Rowling’s subsequent tales of wizarding are always popular but that they experience regular spikes in circulation when new editions or movies come out.\u003c/p>\n\u003cp>From year to year, books on current events prove popular. The library’s \u003ca href=\"https://www.nypl.org/press/press-release/december-18-2019/new-york-public-library-shares-top-checkouts-2019-becoming\">top checkout of 2019\u003c/a> was \u003cem>Becoming\u003c/em>, Michelle Obama’s autobiography.\u003c/p>\n\u003cp>The all-time list includes many titles that people read, treasure and want to share with their children.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The books on this list have transcended generations and, much like the Library itself, are as relevant today as they were when they first arrived,” said NYPL President Anthony W. Marx. “This list tells us something about New Yorkers over the last 125 years—what moves them, what excites them, what stands the test of time.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org.\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003c/em>\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+New+York+Public+Library+Has+Calculated+Its+Most+Checked-Out+Books+Of+All+Time&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"excerpt": "The book list offers a valuable snapshot of American reading habits. \"The books on this list have transcended generations,\" the library's president said. ",
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"headline": "The New York Public Library's Most Checked-Out Books of All Time",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The New York Public Library has been loaning books for a long time—the institution turns 125 this year.\u003c/p>\n\u003cp>To celebrate, the library dug into its records and calculated a list of the 10 books that have been checked out the most in its history.\u003c/p>\n\u003cp>The most-wanted book? \u003cem>The Snowy Day\u003c/em> by Ezra Jack Keats.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/FmZCQfeWjeQ'\n title='//www.youtube.com/embed/FmZCQfeWjeQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The Caldecott Medal-winning tale of a young boy’s encounter with snow has been checked out 485,583 times from the NYPL since it was published in 1962.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It shares qualities with many of the other most-borrowed titles: The beautifully illustrated book has been around a long time, it’s well-known and well-loved, and it’s available in numerous languages.\u003c/p>\n\u003cp>“It is such a relatable story, and pure magic for kids and adults alike,” Andrew Medlar, director of the library’s BookOps selection team, said \u003ca href=\"https://www.nypl.org/press/press-release/january-13-2020/classic-childrens-story-snowy-day-tops-new-york-public-librarys\">in a statement\u003c/a>. “It’s on people’s radar screens, they remember when they first heard it, and they want to share that experience with their kids. And the artwork is just gorgeous.”\u003c/p>\n\u003cp>Children’s books make up a large part of the list. That’s not too surprising—short books can be read faster and are returned more quickly. Even the more adult books on the list, such \u003cem>1984\u003c/em> and \u003cem>To Kill A Mockingbird\u003c/em>, are rather slim.\u003c/p>\n\u003cp>Only one nonfiction book appears on the list: \u003cem>How To Win Friends and Influence People\u003c/em> by Dale Carnegie. The self-help juggernaut was published in 1936.\u003c/p>\n\u003cp>The library also awarded an “honorable mention” to \u003cem>Goodnight Moon\u003c/em> by Margaret Wise Brown. That book might have been a contender for the all-time top spot, but NYPL children’s librarian Anne Carroll Moore so disliked the 1947 book that the library didn’t carry it until 1972. That late entry kept the book off the top 10 list—for now.\u003c/p>\n\u003cp>Here are the top 10:\u003c/p>\n\u003col>\n\u003cli>\u003cem>The Snowy Day\u003c/em> by Ezra Jack Keats: 485,583 checkouts\u003c/li>\n\u003cli>\u003cem>The Cat in the Hat\u003c/em> by Dr. Seuss: 469,650 checkouts\u003c/li>\n\u003cli>\u003cem>1984\u003c/em> by George Orwell: 441,770 checkouts\u003c/li>\n\u003cli>\u003cem>Where the Wild Things Are\u003c/em> by Maurice Sendak: 436,016 checkouts\u003c/li>\n\u003cli>\u003cem>To Kill a Mockingbird\u003c/em> by Harper Lee: 422,912 checkouts\u003c/li>\n\u003cli>\u003cem>Charlotte’s Web\u003c/em> by E.B. White: 337,948 checkouts\u003c/li>\n\u003cli>\u003cem>Fahrenheit 451\u003c/em> by Ray Bradbury: 316,404 checkouts\u003c/li>\n\u003cli>\u003cem>How to Win Friends and Influence People\u003c/em> by Dale Carnegie: 284,524 checkouts\u003c/li>\n\u003cli>\u003cem>Harry Potter and the Sorcerer’s Stone\u003c/em> by J.K. Rowling: 231,022 checkouts\u003c/li>\n\u003cli>\u003cem>The Very Hungry Caterpillar\u003c/em> by Eric Carle: 189,550 checkouts\u003c/li>\n\u003c/ol>\n\u003cfigure id=\"attachment_13873156\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13873156 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/1145742u-a29a6b477be13cb8884d94851d7e0c96ecc40d90-800x600.jpg\" alt=\"Children line up at the Chatham Square Library on Manhattan's Lower East Side in 1911.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1145742u-a29a6b477be13cb8884d94851d7e0c96ecc40d90-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1145742u-a29a6b477be13cb8884d94851d7e0c96ecc40d90-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1145742u-a29a6b477be13cb8884d94851d7e0c96ecc40d90-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1145742u-a29a6b477be13cb8884d94851d7e0c96ecc40d90-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1145742u-a29a6b477be13cb8884d94851d7e0c96ecc40d90-1200x900.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/1145742u-a29a6b477be13cb8884d94851d7e0c96ecc40d90.jpg 1400w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Children line up at the Chatham Square Library on Manhattan’s Lower East Side in 1911. \u003ccite>(The New York Public Library)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Only one book on the list is at all recent: the first Harry Potter novel, which was published in the U.S. in 1998. The library says the \u003cem>Sorcerer’s Stone \u003c/em>and Rowling’s subsequent tales of wizarding are always popular but that they experience regular spikes in circulation when new editions or movies come out.\u003c/p>\n\u003cp>From year to year, books on current events prove popular. The library’s \u003ca href=\"https://www.nypl.org/press/press-release/december-18-2019/new-york-public-library-shares-top-checkouts-2019-becoming\">top checkout of 2019\u003c/a> was \u003cem>Becoming\u003c/em>, Michelle Obama’s autobiography.\u003c/p>\n\u003cp>The all-time list includes many titles that people read, treasure and want to share with their children.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The books on this list have transcended generations and, much like the Library itself, are as relevant today as they were when they first arrived,” said NYPL President Anthony W. Marx. “This list tells us something about New Yorkers over the last 125 years—what moves them, what excites them, what stands the test of time.”\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org.\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003c/em>\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+New+York+Public+Library+Has+Calculated+Its+Most+Checked-Out+Books+Of+All+Time&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>Queer Eye\u003c/em>‘s inimitable grooming expert Jonathan Van Ness has a brand new children’s book coming out. And it’s all about none other than a nonbinary guinea pig.\u003c/p>\n\u003cp>Inspired by Van Ness’s own gender identity, as well as a beloved childhood pet, \u003cem>\u003ca href=\"https://www.harpercollins.com/9780062941008/peanut-goes-for-the-gold/\" target=\"_blank\" rel=\"noopener noreferrer\">Peanut Goes For the Gold\u003c/a> \u003c/em>is illustrated by \u003ca href=\"https://www.gillian-reid.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Gillian Reid\u003c/a> and aimed at kids ages four through eight. Its title character is one fluffy nugget who finds joy in self-expression, personal flare and—\u003cem>of course!\u003c/em>—rhythmic gymnastics.\u003c/p>\n\u003cp>There have been an increasing number of wonderful \u003ca href=\"https://seattle.bibliocommons.com/list/share/114354577/940206117\" target=\"_blank\" rel=\"noopener noreferrer\">children’s books\u003c/a> about gender expression in the last few years, yet most have focused on the stories of trans girls and boys. \u003cem>Peanut Goes For The Gold\u003c/em> promises to stand next to the likes of \u003ca href=\"http://www.mayagonzalez.com/childrensbooks/call-me-tree/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Call Me Tree\u003c/em>\u003c/a> by Maya Christina Gonzalez, Theresa Thorn’s \u003ca href=\"https://us.macmillan.com/books/9781250302953\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>It Feels Good to Be Yourself\u003c/em>\u003c/a> and \u003ca href=\"https://www.penguinrandomhouse.com/books/258466/lizard-radio-by-pat-schmatz/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Lizard Radio\u003c/em>\u003c/a> by Pat Schmatz—books that provide comfort and inspiration to nonbinary youngsters.\u003c/p>\n\u003cp>Love you love or hate Van Ness (and sorry, grouches, for most of us it’s the former), they bring an infectious jubilance to everything they do, whether it’s \u003ca href=\"https://www.youtube.com/watch?v=xfdDGHHBpsE\" target=\"_blank\" rel=\"noopener noreferrer\">trimming beards\u003c/a>, \u003ca href=\"https://www.instagram.com/p/B6bK3m2AQtE/\" target=\"_blank\" rel=\"noopener noreferrer\">learning to ice skate\u003c/a> or \u003ca href=\"https://www.youtube.com/watch?v=XwkphfuXZos\" target=\"_blank\" rel=\"noopener noreferrer\">cheerleading with teenage girls\u003c/a>. \u003cem>Peanut Goes For the Gold\u003c/em> is sure to be no exception. The book comes out on March 31 via HarperCollins.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Queer Eye\u003c/em>‘s inimitable grooming expert Jonathan Van Ness has a brand new children’s book coming out. And it’s all about none other than a nonbinary guinea pig.\u003c/p>\n\u003cp>Inspired by Van Ness’s own gender identity, as well as a beloved childhood pet, \u003cem>\u003ca href=\"https://www.harpercollins.com/9780062941008/peanut-goes-for-the-gold/\" target=\"_blank\" rel=\"noopener noreferrer\">Peanut Goes For the Gold\u003c/a> \u003c/em>is illustrated by \u003ca href=\"https://www.gillian-reid.com/\" target=\"_blank\" rel=\"noopener noreferrer\">Gillian Reid\u003c/a> and aimed at kids ages four through eight. Its title character is one fluffy nugget who finds joy in self-expression, personal flare and—\u003cem>of course!\u003c/em>—rhythmic gymnastics.\u003c/p>\n\u003cp>There have been an increasing number of wonderful \u003ca href=\"https://seattle.bibliocommons.com/list/share/114354577/940206117\" target=\"_blank\" rel=\"noopener noreferrer\">children’s books\u003c/a> about gender expression in the last few years, yet most have focused on the stories of trans girls and boys. \u003cem>Peanut Goes For The Gold\u003c/em> promises to stand next to the likes of \u003ca href=\"http://www.mayagonzalez.com/childrensbooks/call-me-tree/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Call Me Tree\u003c/em>\u003c/a> by Maya Christina Gonzalez, Theresa Thorn’s \u003ca href=\"https://us.macmillan.com/books/9781250302953\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>It Feels Good to Be Yourself\u003c/em>\u003c/a> and \u003ca href=\"https://www.penguinrandomhouse.com/books/258466/lizard-radio-by-pat-schmatz/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Lizard Radio\u003c/em>\u003c/a> by Pat Schmatz—books that provide comfort and inspiration to nonbinary youngsters.\u003c/p>\n\u003cp>Love you love or hate Van Ness (and sorry, grouches, for most of us it’s the former), they bring an infectious jubilance to everything they do, whether it’s \u003ca href=\"https://www.youtube.com/watch?v=xfdDGHHBpsE\" target=\"_blank\" rel=\"noopener noreferrer\">trimming beards\u003c/a>, \u003ca href=\"https://www.instagram.com/p/B6bK3m2AQtE/\" target=\"_blank\" rel=\"noopener noreferrer\">learning to ice skate\u003c/a> or \u003ca href=\"https://www.youtube.com/watch?v=XwkphfuXZos\" target=\"_blank\" rel=\"noopener noreferrer\">cheerleading with teenage girls\u003c/a>. \u003cem>Peanut Goes For the Gold\u003c/em> is sure to be no exception. The book comes out on March 31 via HarperCollins.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Before 'Gretel & Hansel': Exploring the Real-Life History of the Fairytale",
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"content": "\u003cp>A new movie version of \u003cem>Hansel & Gretel\u003c/em> hits theaters this month and, unlike the children’s adaptations we’ve grown accustomed to, it is very much a horror film. \u003cem>Gretel & Hansel\u003c/em> is the logical evolution for a story that’s terrified children and adults alike since the 14th century. What’s more, it continues a long tradition of shifting the story’s narrative in order to reflect, and better suit, the era in which it reemerges.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=QZblQLhKcZQ\u003c/p>\n\u003cp>Perhaps unsurprisingly, this tale about siblings being abandoned by their parents in the forest, enticed to the home of a witch and then almost eaten by her, the roots of \u003cem>Hansel & Gretel\u003c/em> spring from shocking real-life horror.\u003c/p>\n\u003cp>The story’s origins have been traced back to the \u003ca href=\"https://en.wikipedia.org/wiki/Great_Famine_of_1315%E2%80%931317\" target=\"_blank\" rel=\"noopener noreferrer\">Great Famine\u003c/a> that started in 1315 and killed millions across Europe. At the time, conditions were so dire and starvation was so widespread that parents were known to \u003ca href=\"https://www.pookpress.co.uk/project/hansel-and-gretel-history/\" target=\"_blank\" rel=\"noopener noreferrer\">abandon their own children\u003c/a>, either to fend for themselves or simply to die. There were also rumors of cannibalism during the period as people struggled to survive. As such, when \u003cem>Hansel & Gretel\u003c/em> first circulated, there was nothing particularly fantastical about a story of “terribly hungry” disowned children nearly being eaten by a frightening stranger.\u003c/p>\n\u003cp>The tale proved so compelling that it was passed from generation to generation via oral traditions until the Brothers Grimm finally \u003ca href=\"https://study.com/academy/lesson/hansel-gretel-setting.html\" target=\"_blank\" rel=\"noopener noreferrer\">immortalized it\u003c/a> in print in 1812. It took less than 50 years, however, for their \u003ca href=\"https://nationalpost.com/life/parenting/something-wicked-this-way-comes-how-real-life-stepmothers-are-battling-centuries-of-fiction-to-overcome-stereotypes\" target=\"_blank\" rel=\"noopener noreferrer\">original version\u003c/a> to undergo some significant updates.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>By the time the \u003ca href=\"https://www.pitt.edu/~dash/grimm015a.html\" target=\"_blank\" rel=\"noopener noreferrer\">final Grimm edition\u003c/a> emerged in 1857, the idea of parents leaving their own children alone in the woods had simply become too taboo to retain—even in a tale that featured attempted cannibalism. As such, all subsequent editions transformed Hansel and Gretel’s coldly practical mother into an overtly abusive stepmother. And their father—already unsure of abandoning his kids in the original story—was presented in a more sympathetic light, thanks to added lines of dialogue, including, early on: “I do feel sorry for the poor children.”\u003c/p>\n\u003cp>Through the decades as we’ve continued to tell the story, small but key details like these have changed to reflect shifting cultural sensibilities. In the composer Engelbert Humperdinck’s 1893 opera \u003ca href=\"https://www.youtube.com/watch?v=JnMEI4aoUfo\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Hänsel und Gretel\u003c/em>\u003c/a>, for example, the children’s mother was still present and still cold (threatening the kids for not doing their chores and such) but she only sent them into the forest to pick strawberries. That’s quite the leap away from escorting them there to die.\u003c/p>\n\u003cp>By the time \u003ca href=\"https://www.youtube.com/watch?v=GT5Rq_QSk-Y\" target=\"_blank\" rel=\"noopener noreferrer\">Ray Harryhausen’s stop-motion rendition of \u003cem>Hansel & Gretel\u003c/em>\u003c/a> appeared in TV in 1951, the children were going into the forest entirely of their own accord, in order to forage for food to help their stressed-out single father. In this \u003cem>Hansel and Gretel\u003c/em>, the kids were simply performing a selfless deed for their family—and their bravery was rewarded with “gold, silver and precious jewels.” The lesson in this version was about familial bonds, not betrayal—a reflection of the family values of the early ’50s.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=GT5Rq_QSk-Y\u003c/p>\n\u003cp>In 1983, when Faerie Tale Theatre created \u003ca href=\"https://www.youtube.com/watch?v=S3FEZsyR0Eg\" target=\"_blank\" rel=\"noopener noreferrer\">a version for television\u003c/a>, the moral became even further simplified, with Shelley Duvall introducing the production as a story “about a little boy and girl who learn not to take candy from strangers”—a parable of the prevailing “stranger danger” message for youngsters in the 1980s.\u003c/p>\n\u003cp>The new millennium brought several surefire signals of filmmakers’ struggle to make \u003cem>Hansel & Gretel\u003c/em> make sense for modern audiences. A 2002 movie version starring Dakota Fanning and Taylor Momsen rounded down the story’s sharpest edges by introducing heavy-handed comedic elements and goofy new characters, including Howie Mandel as “The Sandman.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=TPP_Pz5YKMI\u003c/p>\n\u003cp>But that’s nothing compared to what happened in 2013. That year, the world ended up with both \u003ca href=\"https://www.imdb.com/title/tt1428538/?ref_=nv_sr_srsg_4\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Hansel & Gretel: Witch Hunters\u003c/em>\u003c/a> (a Jeremy Renner-starring vehicle in which the children are all grown up and hunting the source of their nightmares) and \u003ca href=\"https://www.imdb.com/title/tt2081194/?ref_=fn_al_tt_1\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Hansel & Gretel Get Baked\u003c/em>\u003c/a> (a stoner movie best forgotten entirely).\u003c/p>\n\u003cp>While movie adaptations were struggling, in 2014 Neil Gaiman and illustrator Lorenzo Mattotti successfully transformed \u003cem>Hansel & Gretel\u003c/em> into a current-day story about refugees surviving war. Their book collaboration succeeded in bringing a grim reality back to the story that had become almost entirely absent in the preceding decades. “In the early Grimms’ versions, there was famine,” \u003ca href=\"http://amanpour.blogs.cnn.com/2014/09/30/bestselling-author-neil-gaiman-recounts-visiting-syrian-refugees/\" target=\"_blank\" rel=\"noopener noreferrer\">Gaiman told CNN\u003c/a> at the time. “Talking to some of the Syrian refugees who ran out of food, telling me about getting permission from their imam to eat cats and dogs because all the other animals had gone—about eating grass, drinking swamp water—I thought, ‘This is \u003cem>Hansel & Gretel\u003c/em> now.’”\u003c/p>\n\u003cp>While we are undoubtedly far better off in 2020 than in the Great Famine of 1315 that originally birthed this story, it makes sense now for a new \u003cem>Hansel & Gretel\u003c/em> to be rooted in horror. With America in the midst of thousands of child separations at the border, a light-hearted narrative in which parents voluntarily abandon their children would be insensitive at best. And while the nation is far from famine, hunger is a real and present danger for \u003ca href=\"https://en.wikipedia.org/wiki/Poverty_in_the_United_States\" target=\"_blank\" rel=\"noopener noreferrer\">millions of American children\u003c/a> right now.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As long as the dark 700-year-old story of \u003cem>Hansel & Gretel\u003c/em> keeps being reinvented, it will always reflect the times. The fact that it’s returned to its medieval roots this year? That’s a development that should probably give us all pause.\u003c/p>\n\n",
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"excerpt": "The fairy tale of 'Hansel and Gretel' has been around since the early 1300s. In 2020, though, it can only be a horror story.",
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"title": "Before 'Gretel & Hansel': Exploring the Real-Life History of the Fairytale | KQED",
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"headline": "Before 'Gretel & Hansel': Exploring the Real-Life History of the Fairytale",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A new movie version of \u003cem>Hansel & Gretel\u003c/em> hits theaters this month and, unlike the children’s adaptations we’ve grown accustomed to, it is very much a horror film. \u003cem>Gretel & Hansel\u003c/em> is the logical evolution for a story that’s terrified children and adults alike since the 14th century. What’s more, it continues a long tradition of shifting the story’s narrative in order to reflect, and better suit, the era in which it reemerges.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/QZblQLhKcZQ'\n title='//www.youtube.com/embed/QZblQLhKcZQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Perhaps unsurprisingly, this tale about siblings being abandoned by their parents in the forest, enticed to the home of a witch and then almost eaten by her, the roots of \u003cem>Hansel & Gretel\u003c/em> spring from shocking real-life horror.\u003c/p>\n\u003cp>The story’s origins have been traced back to the \u003ca href=\"https://en.wikipedia.org/wiki/Great_Famine_of_1315%E2%80%931317\" target=\"_blank\" rel=\"noopener noreferrer\">Great Famine\u003c/a> that started in 1315 and killed millions across Europe. At the time, conditions were so dire and starvation was so widespread that parents were known to \u003ca href=\"https://www.pookpress.co.uk/project/hansel-and-gretel-history/\" target=\"_blank\" rel=\"noopener noreferrer\">abandon their own children\u003c/a>, either to fend for themselves or simply to die. There were also rumors of cannibalism during the period as people struggled to survive. As such, when \u003cem>Hansel & Gretel\u003c/em> first circulated, there was nothing particularly fantastical about a story of “terribly hungry” disowned children nearly being eaten by a frightening stranger.\u003c/p>\n\u003cp>The tale proved so compelling that it was passed from generation to generation via oral traditions until the Brothers Grimm finally \u003ca href=\"https://study.com/academy/lesson/hansel-gretel-setting.html\" target=\"_blank\" rel=\"noopener noreferrer\">immortalized it\u003c/a> in print in 1812. It took less than 50 years, however, for their \u003ca href=\"https://nationalpost.com/life/parenting/something-wicked-this-way-comes-how-real-life-stepmothers-are-battling-centuries-of-fiction-to-overcome-stereotypes\" target=\"_blank\" rel=\"noopener noreferrer\">original version\u003c/a> to undergo some significant updates.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>By the time the \u003ca href=\"https://www.pitt.edu/~dash/grimm015a.html\" target=\"_blank\" rel=\"noopener noreferrer\">final Grimm edition\u003c/a> emerged in 1857, the idea of parents leaving their own children alone in the woods had simply become too taboo to retain—even in a tale that featured attempted cannibalism. As such, all subsequent editions transformed Hansel and Gretel’s coldly practical mother into an overtly abusive stepmother. And their father—already unsure of abandoning his kids in the original story—was presented in a more sympathetic light, thanks to added lines of dialogue, including, early on: “I do feel sorry for the poor children.”\u003c/p>\n\u003cp>Through the decades as we’ve continued to tell the story, small but key details like these have changed to reflect shifting cultural sensibilities. In the composer Engelbert Humperdinck’s 1893 opera \u003ca href=\"https://www.youtube.com/watch?v=JnMEI4aoUfo\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Hänsel und Gretel\u003c/em>\u003c/a>, for example, the children’s mother was still present and still cold (threatening the kids for not doing their chores and such) but she only sent them into the forest to pick strawberries. That’s quite the leap away from escorting them there to die.\u003c/p>\n\u003cp>By the time \u003ca href=\"https://www.youtube.com/watch?v=GT5Rq_QSk-Y\" target=\"_blank\" rel=\"noopener noreferrer\">Ray Harryhausen’s stop-motion rendition of \u003cem>Hansel & Gretel\u003c/em>\u003c/a> appeared in TV in 1951, the children were going into the forest entirely of their own accord, in order to forage for food to help their stressed-out single father. In this \u003cem>Hansel and Gretel\u003c/em>, the kids were simply performing a selfless deed for their family—and their bravery was rewarded with “gold, silver and precious jewels.” The lesson in this version was about familial bonds, not betrayal—a reflection of the family values of the early ’50s.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/GT5Rq_QSk-Y'\n title='//www.youtube.com/embed/GT5Rq_QSk-Y'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In 1983, when Faerie Tale Theatre created \u003ca href=\"https://www.youtube.com/watch?v=S3FEZsyR0Eg\" target=\"_blank\" rel=\"noopener noreferrer\">a version for television\u003c/a>, the moral became even further simplified, with Shelley Duvall introducing the production as a story “about a little boy and girl who learn not to take candy from strangers”—a parable of the prevailing “stranger danger” message for youngsters in the 1980s.\u003c/p>\n\u003cp>The new millennium brought several surefire signals of filmmakers’ struggle to make \u003cem>Hansel & Gretel\u003c/em> make sense for modern audiences. A 2002 movie version starring Dakota Fanning and Taylor Momsen rounded down the story’s sharpest edges by introducing heavy-handed comedic elements and goofy new characters, including Howie Mandel as “The Sandman.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/TPP_Pz5YKMI'\n title='//www.youtube.com/embed/TPP_Pz5YKMI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>But that’s nothing compared to what happened in 2013. That year, the world ended up with both \u003ca href=\"https://www.imdb.com/title/tt1428538/?ref_=nv_sr_srsg_4\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Hansel & Gretel: Witch Hunters\u003c/em>\u003c/a> (a Jeremy Renner-starring vehicle in which the children are all grown up and hunting the source of their nightmares) and \u003ca href=\"https://www.imdb.com/title/tt2081194/?ref_=fn_al_tt_1\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Hansel & Gretel Get Baked\u003c/em>\u003c/a> (a stoner movie best forgotten entirely).\u003c/p>\n\u003cp>While movie adaptations were struggling, in 2014 Neil Gaiman and illustrator Lorenzo Mattotti successfully transformed \u003cem>Hansel & Gretel\u003c/em> into a current-day story about refugees surviving war. Their book collaboration succeeded in bringing a grim reality back to the story that had become almost entirely absent in the preceding decades. “In the early Grimms’ versions, there was famine,” \u003ca href=\"http://amanpour.blogs.cnn.com/2014/09/30/bestselling-author-neil-gaiman-recounts-visiting-syrian-refugees/\" target=\"_blank\" rel=\"noopener noreferrer\">Gaiman told CNN\u003c/a> at the time. “Talking to some of the Syrian refugees who ran out of food, telling me about getting permission from their imam to eat cats and dogs because all the other animals had gone—about eating grass, drinking swamp water—I thought, ‘This is \u003cem>Hansel & Gretel\u003c/em> now.’”\u003c/p>\n\u003cp>While we are undoubtedly far better off in 2020 than in the Great Famine of 1315 that originally birthed this story, it makes sense now for a new \u003cem>Hansel & Gretel\u003c/em> to be rooted in horror. With America in the midst of thousands of child separations at the border, a light-hearted narrative in which parents voluntarily abandon their children would be insensitive at best. And while the nation is far from famine, hunger is a real and present danger for \u003ca href=\"https://en.wikipedia.org/wiki/Poverty_in_the_United_States\" target=\"_blank\" rel=\"noopener noreferrer\">millions of American children\u003c/a> right now.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As long as the dark 700-year-old story of \u003cem>Hansel & Gretel\u003c/em> keeps being reinvented, it will always reflect the times. The fact that it’s returned to its medieval roots this year? That’s a development that should probably give us all pause.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Why Young Men Feel 'Cut Off From Their Hearts' According to Author Peggy Orenstein",
"headTitle": "Why Young Men Feel ‘Cut Off From Their Hearts’ According to Author Peggy Orenstein | KQED",
"content": "\u003cp>\u003cstrong>\u003cem>Editor’s note:\u003c/em>\u003c/strong>\u003cem> This interview contains a homophobic slur.\u003c/em>\u003c/p>\n\u003cp>Author Peggy Orenstein knows that talking to your son about sex isn’t easy: “I know for a lot of parents, you would rather poke yourself in the eye with a fork than speak directly to your son about sex—and probably he would rather poke himself in the eye with a fork as well,” she says.\u003c/p>\n\u003cp>But we don’t have “the luxury” to continue avoiding this conversation, she says. “If we don’t talk to our kids, the media is going to educate them for us, and we are not going to love the result.”\u003c/p>\n\u003cp>Orenstein spent 25 years chronicling the lives of adolescent and teen girls and never really expected to focus on boys. But then came the \u003ca href=\"https://www.npr.org/tags/570698249/-metoo\" target=\"_blank\" rel=\"noopener noreferrer\">#MeToo \u003c/a>movement, and Orenstein, whose previous books include \u003ca href=\"https://www.npr.org/books/titles/472213851/girls-sex-navigating-the-complicated-new-landscape\" target=\"_blank\" rel=\"noopener noreferrer\">Girls & Sex\u003c/a> and \u003ca href=\"https://www.npr.org/books/titles/137916708/cinderella-ate-my-daughter-dispatches-from-the-front-lines-of-the-new-girlie-gir\" target=\"_blank\" rel=\"noopener noreferrer\">Cinderella Ate My Daughter\u003c/a>, decided it was time to engage young men in conversations about gender and intimacy.\u003c/p>\n\u003cp>Her new book, \u003cem>Boys & Sex,\u003c/em> is based on extensive interviews with more than 100 college and college-bound boys and young men of diverse backgrounds between the ages of 16 and 22.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“When I was doing the girl book, the kind of core issue with girls was that they were being cut off from their bodies and not understanding their bodies’ response and their needs and their limits and their desires,” she says. “With boys, it felt like they were being cut off from their hearts.”\u003c/p>\n\u003cfigure id=\"attachment_13872604\" class=\"wp-caption alignright\" style=\"max-width: 289px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13872604\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Screen-Shot-2020-01-07-at-3.47.08-PM.png\" alt=\"'Young Men on Hookups, Love, Porn, Consent, and Navigating the New Masculinity,' by Peggy Orenstein\" width=\"289\" height=\"440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Screen-Shot-2020-01-07-at-3.47.08-PM.png 289w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Screen-Shot-2020-01-07-at-3.47.08-PM-160x244.png 160w\" sizes=\"(max-width: 289px) 100vw, 289px\">\u003cfigcaption class=\"wp-caption-text\">‘Young Men on Hookups, Love, Porn, Consent, and Navigating the New Masculinity,’ by Peggy Orenstein\u003c/figcaption>\u003c/figure>\n\u003cp>Orenstein notes that society doesn’t often give boys “permission or space” to discuss their interior lives. Maybe that’s why the young men she spoke to were so eager to open up: “When they had the chance [to talk], when somebody really gave it to them and wasn’t going to be judgmental about what they had to say, they went for it.”\u003c/p>\n\u003cp>Orenstein says the boys she spoke with felt constrained by traditional notions of masculinity. One interviewee confided that he preferred to partner with girls for school projects because, “It was OK to say you didn’t know what you were doing with a girl, and you couldn’t do that with a guy.”\u003c/p>\n\u003cp>“That idea of emotional vulnerability was so profound for boys,” Orenstein says. “Vulnerability is basically essential to human relationships, so when you cut boys off from the ability to be vulnerable, you’re doing them a huge disservice.”\u003c/p>\n\u003chr>\n\u003ch3>\u003cstrong>Interview highlights \u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>On how boys described an “ideal” man to her \u003c/strong>\u003c/p>\n\u003cp>They saw girls as equals and deserving of their place on the playing field and in class and in leadership, and they had female friends. So that had really changed. But I would ask them all the time to just give me a kind of lightning round of the ideal guy. And when we would do that, it was like they were channeling 1955. It was still all about stoicism, sexual conquest, dominance, aggression—or this weird combination of being both aggressive and chill—athleticism, wealth. It was really narrow. And they would talk a lot, particularly about … suppressing feelings. And a lot of guys would say to me that they had figured out … how to build a wall inside to block off any feelings except, maybe, happiness and anger. They would talk about training themselves not to feel or training themselves not to cry.\u003c/p>\n\u003cp>\u003cstrong>On boys’ use of homophobic epithets, such as f**\u003c/strong>\u003c/p>\n\u003cp>Boys used that word, that epithet for a gay person, a lot with each other. But what they would say to me—this is straight boys talking—is that they would never say that to a gay person. That they had gay friends, that they weren’t homophobic, but they use that word all the time. And it had become basically a slur on masculinity, not so much a statement of sexual orientation. But I think that word—that slur for gay—is what kind of draws the lines of the “man” box for boys.\u003c/p>\n\u003cp>And it is basically the fear of being called [that] that shuts down any objection to stepping up and standing out. So it polices boys, basically. And I also was really interested in “#nohomo.” \u003ca href=\"https://sociology.uoregon.edu/profile/cpascoe/\" target=\"_blank\" rel=\"noopener noreferrer\">C.J. Pascoe\u003c/a>, who is a sociologist in Oregon, had done a survey of the way boys use that hashtag on Twitter. And it wasn’t just a homophobic slur. It was also a protective shield that allowed them to express just really basic human ideas about affection and joy. So they would say, like, “I miss you, man. #nohomo,” or even something as innocuous as, “I like chocolate ice cream. #nohomo.” It was just a way that allowed them to be fully human.\u003c/p>\n\u003cp>\u003cstrong>On how internet porn has affected boys \u003c/strong>\u003c/p>\n\u003cp>What they’re getting in porn is a really distorted vision of what human sexuality is. They see image after image of sex as something men do to women, of female pleasure as a performance for male satisfaction, of distorted bodies—of a whole lot of things that frankly wouldn’t feel very good to most people. And without discussion with parents and without discussion by schools, that’s becoming the de facto sex educator for a lot of kids. …\u003c/p>\n\u003cp>One thing that research shows is that [porn] actually reduces their satisfaction in their partnered relationships. So they feel less satisfied with their partners’ bodies, with their own bodies, with their own performance. So right there, something to talk to boys about is, “It’s not going to be doing any favors once you get into the actual bedroom.” But it affects their ideas about what women should look like. It affects their ideas about how women should behave. It affects their ideas of what acts should be performed and the way that those acts should be performed. One of the boys [told] me that his girlfriend was a curvy African American girl, and he said that having spent hours and hours and hours looking at and reacting to what he called “all those skinny white women,” that he had a hard time being aroused by her body. And that was really disturbing him.\u003c/p>\n\u003cp>\u003cstrong>On the ambiguity of the term “hookup” \u003c/strong>\u003c/p>\n\u003cp>“Hookup” is an intentionally ambiguous term. It can mean anything. It might mean kissing. It might mean oral sex. It might mean intercourse. And, in truth, when you look into the research, about a third of college hookups fall into each of those categories. But that ambiguity allows young people to vastly overestimate what their peers are doing. And then \u003cem>that\u003c/em> can actually trigger a kind of anxiety and fear of missing out, or expectation of what you are supposed to be doing, that can make you engage in sex that maybe you don’t want to have, or push harder than you might otherwise push.\u003c/p>\n\u003cp>\u003cstrong>On learning that gay boys are better at communicating consent than straight boys \u003c/strong>\u003c/p>\n\u003cp>That was something that was a big surprise and a big takeaway for me—that gay boys were so much more willing and able and capable [of negotiating] the terms of their sexual experiences with their partners. And that’s partly because they sort of have to, because what’s going to happen is not necessarily obvious. But they were always so befuddled by the resistance among straight guys to doing that—if we’re talking about it, it means we’re going to have sex. And that’s great. Why would you think that was a bad thing? …\u003c/p>\n\u003cp>What Dan Savage, who is a columnist who writes about sex talk, says is, there are four magic words that gay guys use in a sexual encounter: “What are you into?” And the beauty of that phrase is that it’s a truly open-ended question. It’s not a yes or a no to a set of possibilities that is predetermined or decided by the other person, but it’s a conversation. And that’s ultimately what one is aiming for in this whole discussion of consent—to make sex a conversation that people can have not just for the legality of it, but so that it will be a more mutually gratifying experience for everybody involved.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Sam Briger and Thea Chaloner produced and edited the audio of this interview. Bridget Bentz, Molly Seavy-Nesper and Deborah Franklin adapted it for the Web.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\" target=\"_blank\" rel=\"noopener noreferrer\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Boys+%26+Sex%27+Reveals+That+Young+Men+Feel+%27Cut+Off+From+Their+Hearts%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>\u003cem>Editor’s note:\u003c/em>\u003c/strong>\u003cem> This interview contains a homophobic slur.\u003c/em>\u003c/p>\n\u003cp>Author Peggy Orenstein knows that talking to your son about sex isn’t easy: “I know for a lot of parents, you would rather poke yourself in the eye with a fork than speak directly to your son about sex—and probably he would rather poke himself in the eye with a fork as well,” she says.\u003c/p>\n\u003cp>But we don’t have “the luxury” to continue avoiding this conversation, she says. “If we don’t talk to our kids, the media is going to educate them for us, and we are not going to love the result.”\u003c/p>\n\u003cp>Orenstein spent 25 years chronicling the lives of adolescent and teen girls and never really expected to focus on boys. But then came the \u003ca href=\"https://www.npr.org/tags/570698249/-metoo\" target=\"_blank\" rel=\"noopener noreferrer\">#MeToo \u003c/a>movement, and Orenstein, whose previous books include \u003ca href=\"https://www.npr.org/books/titles/472213851/girls-sex-navigating-the-complicated-new-landscape\" target=\"_blank\" rel=\"noopener noreferrer\">Girls & Sex\u003c/a> and \u003ca href=\"https://www.npr.org/books/titles/137916708/cinderella-ate-my-daughter-dispatches-from-the-front-lines-of-the-new-girlie-gir\" target=\"_blank\" rel=\"noopener noreferrer\">Cinderella Ate My Daughter\u003c/a>, decided it was time to engage young men in conversations about gender and intimacy.\u003c/p>\n\u003cp>Her new book, \u003cem>Boys & Sex,\u003c/em> is based on extensive interviews with more than 100 college and college-bound boys and young men of diverse backgrounds between the ages of 16 and 22.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“When I was doing the girl book, the kind of core issue with girls was that they were being cut off from their bodies and not understanding their bodies’ response and their needs and their limits and their desires,” she says. “With boys, it felt like they were being cut off from their hearts.”\u003c/p>\n\u003cfigure id=\"attachment_13872604\" class=\"wp-caption alignright\" style=\"max-width: 289px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13872604\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Screen-Shot-2020-01-07-at-3.47.08-PM.png\" alt=\"'Young Men on Hookups, Love, Porn, Consent, and Navigating the New Masculinity,' by Peggy Orenstein\" width=\"289\" height=\"440\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Screen-Shot-2020-01-07-at-3.47.08-PM.png 289w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Screen-Shot-2020-01-07-at-3.47.08-PM-160x244.png 160w\" sizes=\"(max-width: 289px) 100vw, 289px\">\u003cfigcaption class=\"wp-caption-text\">‘Young Men on Hookups, Love, Porn, Consent, and Navigating the New Masculinity,’ by Peggy Orenstein\u003c/figcaption>\u003c/figure>\n\u003cp>Orenstein notes that society doesn’t often give boys “permission or space” to discuss their interior lives. Maybe that’s why the young men she spoke to were so eager to open up: “When they had the chance [to talk], when somebody really gave it to them and wasn’t going to be judgmental about what they had to say, they went for it.”\u003c/p>\n\u003cp>Orenstein says the boys she spoke with felt constrained by traditional notions of masculinity. One interviewee confided that he preferred to partner with girls for school projects because, “It was OK to say you didn’t know what you were doing with a girl, and you couldn’t do that with a guy.”\u003c/p>\n\u003cp>“That idea of emotional vulnerability was so profound for boys,” Orenstein says. “Vulnerability is basically essential to human relationships, so when you cut boys off from the ability to be vulnerable, you’re doing them a huge disservice.”\u003c/p>\n\u003chr>\n\u003ch3>\u003cstrong>Interview highlights \u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>On how boys described an “ideal” man to her \u003c/strong>\u003c/p>\n\u003cp>They saw girls as equals and deserving of their place on the playing field and in class and in leadership, and they had female friends. So that had really changed. But I would ask them all the time to just give me a kind of lightning round of the ideal guy. And when we would do that, it was like they were channeling 1955. It was still all about stoicism, sexual conquest, dominance, aggression—or this weird combination of being both aggressive and chill—athleticism, wealth. It was really narrow. And they would talk a lot, particularly about … suppressing feelings. And a lot of guys would say to me that they had figured out … how to build a wall inside to block off any feelings except, maybe, happiness and anger. They would talk about training themselves not to feel or training themselves not to cry.\u003c/p>\n\u003cp>\u003cstrong>On boys’ use of homophobic epithets, such as f**\u003c/strong>\u003c/p>\n\u003cp>Boys used that word, that epithet for a gay person, a lot with each other. But what they would say to me—this is straight boys talking—is that they would never say that to a gay person. That they had gay friends, that they weren’t homophobic, but they use that word all the time. And it had become basically a slur on masculinity, not so much a statement of sexual orientation. But I think that word—that slur for gay—is what kind of draws the lines of the “man” box for boys.\u003c/p>\n\u003cp>And it is basically the fear of being called [that] that shuts down any objection to stepping up and standing out. So it polices boys, basically. And I also was really interested in “#nohomo.” \u003ca href=\"https://sociology.uoregon.edu/profile/cpascoe/\" target=\"_blank\" rel=\"noopener noreferrer\">C.J. Pascoe\u003c/a>, who is a sociologist in Oregon, had done a survey of the way boys use that hashtag on Twitter. And it wasn’t just a homophobic slur. It was also a protective shield that allowed them to express just really basic human ideas about affection and joy. So they would say, like, “I miss you, man. #nohomo,” or even something as innocuous as, “I like chocolate ice cream. #nohomo.” It was just a way that allowed them to be fully human.\u003c/p>\n\u003cp>\u003cstrong>On how internet porn has affected boys \u003c/strong>\u003c/p>\n\u003cp>What they’re getting in porn is a really distorted vision of what human sexuality is. They see image after image of sex as something men do to women, of female pleasure as a performance for male satisfaction, of distorted bodies—of a whole lot of things that frankly wouldn’t feel very good to most people. And without discussion with parents and without discussion by schools, that’s becoming the de facto sex educator for a lot of kids. …\u003c/p>\n\u003cp>One thing that research shows is that [porn] actually reduces their satisfaction in their partnered relationships. So they feel less satisfied with their partners’ bodies, with their own bodies, with their own performance. So right there, something to talk to boys about is, “It’s not going to be doing any favors once you get into the actual bedroom.” But it affects their ideas about what women should look like. It affects their ideas about how women should behave. It affects their ideas of what acts should be performed and the way that those acts should be performed. One of the boys [told] me that his girlfriend was a curvy African American girl, and he said that having spent hours and hours and hours looking at and reacting to what he called “all those skinny white women,” that he had a hard time being aroused by her body. And that was really disturbing him.\u003c/p>\n\u003cp>\u003cstrong>On the ambiguity of the term “hookup” \u003c/strong>\u003c/p>\n\u003cp>“Hookup” is an intentionally ambiguous term. It can mean anything. It might mean kissing. It might mean oral sex. It might mean intercourse. And, in truth, when you look into the research, about a third of college hookups fall into each of those categories. But that ambiguity allows young people to vastly overestimate what their peers are doing. And then \u003cem>that\u003c/em> can actually trigger a kind of anxiety and fear of missing out, or expectation of what you are supposed to be doing, that can make you engage in sex that maybe you don’t want to have, or push harder than you might otherwise push.\u003c/p>\n\u003cp>\u003cstrong>On learning that gay boys are better at communicating consent than straight boys \u003c/strong>\u003c/p>\n\u003cp>That was something that was a big surprise and a big takeaway for me—that gay boys were so much more willing and able and capable [of negotiating] the terms of their sexual experiences with their partners. And that’s partly because they sort of have to, because what’s going to happen is not necessarily obvious. But they were always so befuddled by the resistance among straight guys to doing that—if we’re talking about it, it means we’re going to have sex. And that’s great. Why would you think that was a bad thing? …\u003c/p>\n\u003cp>What Dan Savage, who is a columnist who writes about sex talk, says is, there are four magic words that gay guys use in a sexual encounter: “What are you into?” And the beauty of that phrase is that it’s a truly open-ended question. It’s not a yes or a no to a set of possibilities that is predetermined or decided by the other person, but it’s a conversation. And that’s ultimately what one is aiming for in this whole discussion of consent—to make sex a conversation that people can have not just for the legality of it, but so that it will be a more mutually gratifying experience for everybody involved.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Sam Briger and Thea Chaloner produced and edited the audio of this interview. Bridget Bentz, Molly Seavy-Nesper and Deborah Franklin adapted it for the Web.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\" target=\"_blank\" rel=\"noopener noreferrer\">Fresh Air\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=%27Boys+%26+Sex%27+Reveals+That+Young+Men+Feel+%27Cut+Off+From+Their+Hearts%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Elizabeth Wurtzel, Controversial Author of 'Prozac Nation,' Dies at 52",
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"content": "\u003cp>\u003cstrong>Updated at 2:15 p.m. ET\u003c/strong>\u003c/p>\n\u003cp>Elizabeth Wurtzel, whose 1994 memoir \u003cem>Prozac Nation\u003c/em> became a mainstay on bestseller lists and inspired a national conversation about clinical depression, has died at the age of 52. David Lipsky, a friend of Wurtzel, confirmed to NPR that the writer died Tuesday of an aggressive case of breast cancer at a hospital in Manhattan.\u003c/p>\n\u003cp>The news comes as a blow to Wurtzel’s many readers, who were introduced to her brash, unapologetic style with \u003cem>Prozac Nation\u003c/em>, published while she was still in her mid-20s. The memoir traced her struggles with depression, growing up in a fractured family and spending a rocky tenure studying at Harvard—and in the process, it earned Wurtzel a raft of fans and critics, almost in equal measure.\u003c/p>\n\u003cp>But as the unapologetic writer would be the first to tell you, she embraced the book’s complicated reception, which can be neatly encapsulated by a \u003cem>New York Times\u003c/em> review \u003ca href=\"https://www.nytimes.com/1994/09/20/books/the-examined-life-is-not-worth-living-either.html\">at the time\u003c/a> that described it as “wrenching and comical,” “self-indulgent and self-aware”—redolent of Bob Dylan and Joan Didion while still in need of “some strict editing.”\u003c/p>\n\u003cp>That didn’t particularly faze Wurtzel, who acknowledged in a 2018 piece announcing her breast cancer diagnosis that “I was early for history.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I was on Prozac when it was still called fluoxetine. I wrote a \u003ca href=\"https://www.kirkusreviews.com/book-reviews/elizabeth-wurtzel/prozac-nation/\">twentynothing memoir\u003c/a> when there was no such thing. I got addicted to snorting Ritalin before there was Adderall,” she wrote in \u003ca href=\"https://www.theguardian.com/commentisfree/2018/jan/20/cancer-elizabeth-wurtzel\">The Guardian\u003c/a>. “I was a riot girl, I was a do-me feminist, and I posed topless giving the world the finger on the cover of my second book.”\u003c/p>\n\u003cp>And she’s not wrong about that timing. The widespread success in sales of Wurtzel’s memoir helped inspire a publishing trend that has seen a spate of popular memoirs from other young writers continuing through the present day.\u003c/p>\n\u003cp>Wurtzel followed up \u003cem>Prozac Nation\u003c/em> with an essay collection in the late 1990s titled \u003cem>Bitch: In Praise of Difficult Women\u003c/em>—whose cover did indeed feature her topless, flipping off the reader. Then came another memoir, \u003cem>More, Now, Again\u003c/em>, this time focusing on her plunge into drug addiction.\u003c/p>\n\u003cp>She also wrote numerous articles for \u003cem>The Wall Street Journal\u003c/em>, \u003cem>Elle\u003c/em>, \u003cem>New York\u003c/em> magazine and other publications.\u003c/p>\n\u003cp>“For a certain kind of young writer—particularly young, female writer in the 1990s—Elizabeth Wurtzel was exactly who you wanted to be and exactly who you were afraid to be,” Meghan Daum, a prolific author and essayist in her own right, tells NPR.\u003c/p>\n\u003cp>“She was writing about herself. She was doing so in a way that was really interesting and compelling, but it also got her labeled ‘confessional.’ And I think for a lot of us, that was something that we wanted to avoid even as we were writing about ourselves,” Daum adds. “So she was both a role model and a cautionary tale.”\u003c/p>\n\u003cp>For Wurtzel, at least, that liminal space between exhilarating and alarming was comfortable. So, when it came time to publicly speak about her breast cancer in 2018, her broader point in that piece was a familiar one: You’d better save your sorries—whether you’re discussing her books or her medical condition.\u003c/p>\n\u003cp>“Sorry for what? I’m not sorry about anything. I was never sorry when I said I was. Apologies are a courtesy,” she wrote. “I love to argue. I am in it for the headache. I don’t need you to be on my side—I’m on my side.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>NPR’s Rose Friedman contributed to this report\u003c/em>.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Elizabeth+Wurtzel%2C+Who+Stirred+Conversation+With+%27Prozac+Nation%2C%27+Dies+At+52&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Updated at 2:15 p.m. ET\u003c/strong>\u003c/p>\n\u003cp>Elizabeth Wurtzel, whose 1994 memoir \u003cem>Prozac Nation\u003c/em> became a mainstay on bestseller lists and inspired a national conversation about clinical depression, has died at the age of 52. David Lipsky, a friend of Wurtzel, confirmed to NPR that the writer died Tuesday of an aggressive case of breast cancer at a hospital in Manhattan.\u003c/p>\n\u003cp>The news comes as a blow to Wurtzel’s many readers, who were introduced to her brash, unapologetic style with \u003cem>Prozac Nation\u003c/em>, published while she was still in her mid-20s. The memoir traced her struggles with depression, growing up in a fractured family and spending a rocky tenure studying at Harvard—and in the process, it earned Wurtzel a raft of fans and critics, almost in equal measure.\u003c/p>\n\u003cp>But as the unapologetic writer would be the first to tell you, she embraced the book’s complicated reception, which can be neatly encapsulated by a \u003cem>New York Times\u003c/em> review \u003ca href=\"https://www.nytimes.com/1994/09/20/books/the-examined-life-is-not-worth-living-either.html\">at the time\u003c/a> that described it as “wrenching and comical,” “self-indulgent and self-aware”—redolent of Bob Dylan and Joan Didion while still in need of “some strict editing.”\u003c/p>\n\u003cp>That didn’t particularly faze Wurtzel, who acknowledged in a 2018 piece announcing her breast cancer diagnosis that “I was early for history.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I was on Prozac when it was still called fluoxetine. I wrote a \u003ca href=\"https://www.kirkusreviews.com/book-reviews/elizabeth-wurtzel/prozac-nation/\">twentynothing memoir\u003c/a> when there was no such thing. I got addicted to snorting Ritalin before there was Adderall,” she wrote in \u003ca href=\"https://www.theguardian.com/commentisfree/2018/jan/20/cancer-elizabeth-wurtzel\">The Guardian\u003c/a>. “I was a riot girl, I was a do-me feminist, and I posed topless giving the world the finger on the cover of my second book.”\u003c/p>\n\u003cp>And she’s not wrong about that timing. The widespread success in sales of Wurtzel’s memoir helped inspire a publishing trend that has seen a spate of popular memoirs from other young writers continuing through the present day.\u003c/p>\n\u003cp>Wurtzel followed up \u003cem>Prozac Nation\u003c/em> with an essay collection in the late 1990s titled \u003cem>Bitch: In Praise of Difficult Women\u003c/em>—whose cover did indeed feature her topless, flipping off the reader. Then came another memoir, \u003cem>More, Now, Again\u003c/em>, this time focusing on her plunge into drug addiction.\u003c/p>\n\u003cp>She also wrote numerous articles for \u003cem>The Wall Street Journal\u003c/em>, \u003cem>Elle\u003c/em>, \u003cem>New York\u003c/em> magazine and other publications.\u003c/p>\n\u003cp>“For a certain kind of young writer—particularly young, female writer in the 1990s—Elizabeth Wurtzel was exactly who you wanted to be and exactly who you were afraid to be,” Meghan Daum, a prolific author and essayist in her own right, tells NPR.\u003c/p>\n\u003cp>“She was writing about herself. She was doing so in a way that was really interesting and compelling, but it also got her labeled ‘confessional.’ And I think for a lot of us, that was something that we wanted to avoid even as we were writing about ourselves,” Daum adds. “So she was both a role model and a cautionary tale.”\u003c/p>\n\u003cp>For Wurtzel, at least, that liminal space between exhilarating and alarming was comfortable. So, when it came time to publicly speak about her breast cancer in 2018, her broader point in that piece was a familiar one: You’d better save your sorries—whether you’re discussing her books or her medical condition.\u003c/p>\n\u003cp>“Sorry for what? I’m not sorry about anything. I was never sorry when I said I was. Apologies are a courtesy,” she wrote. “I love to argue. I am in it for the headache. I don’t need you to be on my side—I’m on my side.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>NPR’s Rose Friedman contributed to this report\u003c/em>.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2020 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Elizabeth+Wurtzel%2C+Who+Stirred+Conversation+With+%27Prozac+Nation%2C%27+Dies+At+52&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>PBS’s \u003c/em>\u003ca href=\"https://www.pbs.org/wgbh/masterpiece/shows/sanditon/\">Sanditon\u003c/a>\u003cem>, the television series based on an unfinished novel by Jane Austen, comes to KQED Sunday, Jan. 12. Since it’s set in the Regency-era equivalent of a coastal spa, we asked Bay Area Austen expert Bianca Hernandez of the \u003c/em>\u003ca href=\"https://drunkausten.com/\">Drunk Austen\u003c/a>\u003cem> podcast to give us a primer.\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">S\u003c/span>elf-care is no modern invention. The upcoming PBS Masterpiece adaptation of Jane Austen’s \u003cem>Sanditon\u003c/em> highlights the Regency-era craze around being health-conscious. And though some of the advice from the early 1800s doesn’t hold up (we frown on drinking lead nowadays), it does include some tips that can make nice additions to your routine. \u003c/p>\n\u003cp>Read on to get in the mood for a trip to a Regency seaside resort.\u003c/p>\n\u003cfigure id=\"attachment_13872439\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13872439 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Sanditon_EP1_2-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP1_2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP1_2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP1_2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP1_2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP1_2-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP1_2-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The cast take in the seaside air in PBS’s ‘Sanditon,’ premiering Jan. 12 on KQED. (Masterpiece PBS)\u003c/figcaption>\u003c/figure>\n\u003ch2>Get to the sea\u003c/h2>\n\u003cp>\u003cem>“The sea air and sea bathing together were neatly infallible, one or the other of them being a match for every disorder, of the stomach, the lungs or the blood.”—‘Sanditon’\u003c/em>\u003c/p>\n\u003cp>Though some of the advice from the era doesn’t age well, taking a vacation is a timeless, tried-and-true way to clear one’s mind. During the Regency era, places like Bath and Brighton were a must for those suffering from ailments like gout and leprosy.\u003c/p>\n\u003cp>Sea air was thought to be rejuvenating, and sea-bathing, as seen in \u003cem>Sanditon\u003c/em>, was a real option for those in search of wellness. Though Sanditon itself is a fictional seaside resort, Brighton and Lyme were real seaside getaways during Austen’s time.\u003c/p>\n\u003cp>\u003cem> “Depend upon it my dear, it is exactly a case for the sea. Saline air and immersion will be the very thing.” – Mr. Parker, ‘Sanditon’\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=1jIHH9_C2bU\u003c/p>\n\u003cp>But our Regency heroines wouldn’t bring a beach towel and flip-flops to the water—a bathing machine (yes, that was a real thing) would be rented. On the beach, a lady would board the small covered wagon-like contraption, and once the machine traveled deep enough into the water, the lady would emerge wearing a bathing outfit that covered everything from the neck down. Some sea-weathered assistants would then help the lady down a small ladder or set of stairs and safely into the sea.\u003c/p>\n\u003cp>While boarding a wagon to take you into the ocean may sound a little like ordering an Uber to go around the corner, taking an invigorating dip is always a nice option to make you feel alive.\u003c/p>\n\u003cfigure id=\"attachment_13872442\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13872442\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Sanditon_EP4_1-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP4_1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP4_1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP4_1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP4_1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP4_1-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP4_1-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Otis Molyneux (Jyuddah James), Charlotte Heywood (Rose Williams) and Miss Lambe (Crystal Clarke) in PBS’s ‘Sanditon,’ which premieres Jan. 12 on KQED. \u003ccite>(Masterpiece PBS)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Drink up\u003c/h2>\n\u003cp>If bathing isn’t your speed, you can set the mood by drinking some Bath water. And by that I mean water from the other famous Regency place of healing, Bath. (Did you think I meant water from a bathtub?)\u003c/p>\n\u003cp>The natural hot water that bubbles out from under the city has been heralded for its healing powers since the Romans were there nearly 2,000 years ago. You can still take a walk around the Roman baths should you visit the city today, and can drink the sulfurous water from their springs (though you won’t want to swim in them, since we now know their lead pipes work against the whole “healing” idea). Thankfully, safe mineral water can also be readily found on store shelves today.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>If you want a little more of a kick, you can reach for the wine, but take heed. In the unfinished \u003cem>Sanditon\u003c/em>, Arthur Parker says he feels that wine in moderation benefits him (though it disagrees with him). Take his advice with a grain of salt, since he’s one of Austen’s contradictory characters.\u003c/p>\n\u003cp>\u003cem>“The more wine I drink (in moderation) the better I am.”—Arthur Parker, ‘Sanditon’\u003c/em>\u003c/p>\n\u003cp>Have a sweet tooth? Never fear: hot cocoa existed during the Regency era, though it would have been more like rich, spicy drinking chocolate than Swiss Miss. During a scene in Austen’s \u003cem>Sanditon\u003c/em>, Charlotte Heywood witnesses Arthur Parker pour a strong batch of cocoa for himself while explaining how agreeable it is. Whether you make your cocoa strong or weak, there’s probably good reason why the drink has stayed popular (though no one can promise it \u003cem>does\u003c/em> have health benefits).\u003c/p>\n\u003cfigure id=\"attachment_13872441\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13872441\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Sanditon_EP5_1-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP5_1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP5_1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP5_1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP5_1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP5_1-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP5_1-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lady Denham (Anne Reid) in PBS’s ‘Sanditon,’ premiering Jan. 12 on KQED. \u003ccite>(Masterpiece PBS)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Cover up\u003c/h2>\n\u003cp>Sunscreen as we know it didn’t exist during the Regency era, so that meant covering oneself to avoid sunburn. Luckily, having to cover up meant accessorizing!\u003c/p>\n\u003cp>If you’re looking to accessorize the Regency way, parasols would have been the most basic way to keep oneself shielded from the sun during a 19th-century day. If you want your hands to be free, then a bonnet is the way to go.\u003c/p>\n\u003cp>Bonnets are also much more versatile as an accessorizing option. In the Regency era, one would add ribbons and trim to spruce up a bonnet, or merely customize it to match a favorite outfit. Remember, a lot of travel to Regency resorts was about being seen (and partially about curing whatever ill brought one there).\u003c/p>\n\u003cfigure id=\"attachment_13872449\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13872449\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Capture-800x524.png\" alt=\"\" width=\"800\" height=\"524\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Capture-800x524.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Capture-160x105.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Capture-768x503.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Capture.png 893w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Charlotte Heywood (Rose Williams) and Sidney Parker (Theo James) in PBS’s ‘Sanditon.’ \u003ccite>(Masterpiece PBS)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Buy the shoes\u003c/h2>\n\u003cp>When not taking part in social intrigue, matchmaking or healing, one in Austen’s time would be very concerned about what to wear for the next ball. Dances were a prime time to either sneak a conversation with your paramour, or simply impress society.\u003c/p>\n\u003cp>In \u003cem>Sandition\u003c/em>, Charlotte Heywood finds herself longing for a divine pair of blue shoes ahead of the first ball of the season. With encouragement, she purchases them so she can dance the night away in style.\u003c/p>\n\u003cp>Being seen as fashionable was a very important part of visiting Regency resort towns. While we don’t face the exact social pressures people at that time would have, perhaps there is a lesson in there about treating yourself to something you want.\u003c/p>\n\u003cp>Whether you decide to take a vacation, imbibe some hot cocoa or just buy yourself a fashionable accessory, there are some useful lessons to be learned from Regency customs.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>‘Sanditon’ airs on KQED starting Jan. 12 at 9pm. \u003ca href=\"https://video.kqed.org/show/sanditon/\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>PBS’s \u003c/em>\u003ca href=\"https://www.pbs.org/wgbh/masterpiece/shows/sanditon/\">Sanditon\u003c/a>\u003cem>, the television series based on an unfinished novel by Jane Austen, comes to KQED Sunday, Jan. 12. Since it’s set in the Regency-era equivalent of a coastal spa, we asked Bay Area Austen expert Bianca Hernandez of the \u003c/em>\u003ca href=\"https://drunkausten.com/\">Drunk Austen\u003c/a>\u003cem> podcast to give us a primer.\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">S\u003c/span>elf-care is no modern invention. The upcoming PBS Masterpiece adaptation of Jane Austen’s \u003cem>Sanditon\u003c/em> highlights the Regency-era craze around being health-conscious. And though some of the advice from the early 1800s doesn’t hold up (we frown on drinking lead nowadays), it does include some tips that can make nice additions to your routine. \u003c/p>\n\u003cp>Read on to get in the mood for a trip to a Regency seaside resort.\u003c/p>\n\u003cfigure id=\"attachment_13872439\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13872439 size-medium\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Sanditon_EP1_2-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP1_2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP1_2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP1_2-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP1_2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP1_2-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP1_2-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The cast take in the seaside air in PBS’s ‘Sanditon,’ premiering Jan. 12 on KQED. (Masterpiece PBS)\u003c/figcaption>\u003c/figure>\n\u003ch2>Get to the sea\u003c/h2>\n\u003cp>\u003cem>“The sea air and sea bathing together were neatly infallible, one or the other of them being a match for every disorder, of the stomach, the lungs or the blood.”—‘Sanditon’\u003c/em>\u003c/p>\n\u003cp>Though some of the advice from the era doesn’t age well, taking a vacation is a timeless, tried-and-true way to clear one’s mind. During the Regency era, places like Bath and Brighton were a must for those suffering from ailments like gout and leprosy.\u003c/p>\n\u003cp>Sea air was thought to be rejuvenating, and sea-bathing, as seen in \u003cem>Sanditon\u003c/em>, was a real option for those in search of wellness. Though Sanditon itself is a fictional seaside resort, Brighton and Lyme were real seaside getaways during Austen’s time.\u003c/p>\n\u003cp>\u003cem> “Depend upon it my dear, it is exactly a case for the sea. Saline air and immersion will be the very thing.” – Mr. Parker, ‘Sanditon’\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/1jIHH9_C2bU'\n title='//www.youtube.com/embed/1jIHH9_C2bU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>But our Regency heroines wouldn’t bring a beach towel and flip-flops to the water—a bathing machine (yes, that was a real thing) would be rented. On the beach, a lady would board the small covered wagon-like contraption, and once the machine traveled deep enough into the water, the lady would emerge wearing a bathing outfit that covered everything from the neck down. Some sea-weathered assistants would then help the lady down a small ladder or set of stairs and safely into the sea.\u003c/p>\n\u003cp>While boarding a wagon to take you into the ocean may sound a little like ordering an Uber to go around the corner, taking an invigorating dip is always a nice option to make you feel alive.\u003c/p>\n\u003cfigure id=\"attachment_13872442\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13872442\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Sanditon_EP4_1-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP4_1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP4_1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP4_1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP4_1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP4_1-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP4_1-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Otis Molyneux (Jyuddah James), Charlotte Heywood (Rose Williams) and Miss Lambe (Crystal Clarke) in PBS’s ‘Sanditon,’ which premieres Jan. 12 on KQED. \u003ccite>(Masterpiece PBS)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Drink up\u003c/h2>\n\u003cp>If bathing isn’t your speed, you can set the mood by drinking some Bath water. And by that I mean water from the other famous Regency place of healing, Bath. (Did you think I meant water from a bathtub?)\u003c/p>\n\u003cp>The natural hot water that bubbles out from under the city has been heralded for its healing powers since the Romans were there nearly 2,000 years ago. You can still take a walk around the Roman baths should you visit the city today, and can drink the sulfurous water from their springs (though you won’t want to swim in them, since we now know their lead pipes work against the whole “healing” idea). Thankfully, safe mineral water can also be readily found on store shelves today.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>If you want a little more of a kick, you can reach for the wine, but take heed. In the unfinished \u003cem>Sanditon\u003c/em>, Arthur Parker says he feels that wine in moderation benefits him (though it disagrees with him). Take his advice with a grain of salt, since he’s one of Austen’s contradictory characters.\u003c/p>\n\u003cp>\u003cem>“The more wine I drink (in moderation) the better I am.”—Arthur Parker, ‘Sanditon’\u003c/em>\u003c/p>\n\u003cp>Have a sweet tooth? Never fear: hot cocoa existed during the Regency era, though it would have been more like rich, spicy drinking chocolate than Swiss Miss. During a scene in Austen’s \u003cem>Sanditon\u003c/em>, Charlotte Heywood witnesses Arthur Parker pour a strong batch of cocoa for himself while explaining how agreeable it is. Whether you make your cocoa strong or weak, there’s probably good reason why the drink has stayed popular (though no one can promise it \u003cem>does\u003c/em> have health benefits).\u003c/p>\n\u003cfigure id=\"attachment_13872441\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13872441\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Sanditon_EP5_1-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP5_1-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP5_1-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP5_1-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP5_1-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP5_1-1200x800.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Sanditon_EP5_1-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lady Denham (Anne Reid) in PBS’s ‘Sanditon,’ premiering Jan. 12 on KQED. \u003ccite>(Masterpiece PBS)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Cover up\u003c/h2>\n\u003cp>Sunscreen as we know it didn’t exist during the Regency era, so that meant covering oneself to avoid sunburn. Luckily, having to cover up meant accessorizing!\u003c/p>\n\u003cp>If you’re looking to accessorize the Regency way, parasols would have been the most basic way to keep oneself shielded from the sun during a 19th-century day. If you want your hands to be free, then a bonnet is the way to go.\u003c/p>\n\u003cp>Bonnets are also much more versatile as an accessorizing option. In the Regency era, one would add ribbons and trim to spruce up a bonnet, or merely customize it to match a favorite outfit. Remember, a lot of travel to Regency resorts was about being seen (and partially about curing whatever ill brought one there).\u003c/p>\n\u003cfigure id=\"attachment_13872449\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13872449\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2020/01/Capture-800x524.png\" alt=\"\" width=\"800\" height=\"524\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Capture-800x524.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Capture-160x105.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Capture-768x503.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2020/01/Capture.png 893w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Charlotte Heywood (Rose Williams) and Sidney Parker (Theo James) in PBS’s ‘Sanditon.’ \u003ccite>(Masterpiece PBS)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Buy the shoes\u003c/h2>\n\u003cp>When not taking part in social intrigue, matchmaking or healing, one in Austen’s time would be very concerned about what to wear for the next ball. Dances were a prime time to either sneak a conversation with your paramour, or simply impress society.\u003c/p>\n\u003cp>In \u003cem>Sandition\u003c/em>, Charlotte Heywood finds herself longing for a divine pair of blue shoes ahead of the first ball of the season. With encouragement, she purchases them so she can dance the night away in style.\u003c/p>\n\u003cp>Being seen as fashionable was a very important part of visiting Regency resort towns. While we don’t face the exact social pressures people at that time would have, perhaps there is a lesson in there about treating yourself to something you want.\u003c/p>\n\u003cp>Whether you decide to take a vacation, imbibe some hot cocoa or just buy yourself a fashionable accessory, there are some useful lessons to be learned from Regency customs.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" class=\"aligncenter size-medium wp-image-12127869\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cem>‘Sanditon’ airs on KQED starting Jan. 12 at 9pm. \u003ca href=\"https://video.kqed.org/show/sanditon/\" rel=\"noopener noreferrer\" target=\"_blank\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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"radiolab": {
"id": "radiolab",
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
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"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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},
"soldout": {
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