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Five Takeaways From the 2022 Emmy Awards

A white woman with long blond hair smiles warmly at the handsome white man sitting next to her. In front of them, martini glasses.

Showtime's 'American Gigolo' Sequel Lacks the Highfalutin Glitz of the Original

Does Controversy Sell Movie Tickets? The Cast of 'Don't Worry Darling' Might Find Out

A white middle-aged man with a large build stands behind a gathered audience, stage off in the distance. He is wearing a smart black suit and tie.

Why Brendan Fraser's Hollywood Comeback Story is Both Warming Hearts and Raising Ire

A middle aged white woman with red hair pulled back stands on a red carpet wearing glamorous diamond earrings and a gown with sheer sleeves.

J.K. Rowling's New Book, About a Transphobe Who Faces Wrath Online, Raises Eyebrows

'I'm Not Broken' is About Being Broken—and Building a New Life

Two very glamorous Black women stand side by side. One is pregnant and wears a low cut red sequined gown; the other wears a black gown with sheer sides.

That Wasn't Beyoncé at the U.S. Open—It was Laverne Cox, and She's Flattered

Gen Z is Driving Sales of Romance Books to the Top of Bestseller Lists

A white woman with short red hair sits on a couch next to a bald Black man with pointy ears.

'Three Thousand Years of Longing' Will Leave You Charmed, But Wishing for More

A group of people stand holding signs that show Salman Rushdie alongside a quote from him: "If we are not confident of our freedom, then we are not free." In front of them is a large sign depicting Rushdie speaking. A red caption on the photo reads #StandWithSalman.

Exiled Writers Reflect on Freedom of Speech in America in Light of Rushdie Attack

A woman sits at a desk, behind a microphone, hands clasped together on the desk before her. She is wearing spectacles and has long black hair with blunt bangs.

The Rise of the 'Morally Dubious Podcaster' in Pop Culture

An Arabic man sits behind the wheel of a car, wearing a yellow t-shirt and backwards baseball cap.

Mohammed Amer's New Series Explores the Tragedy and Comedy in the Refugee Experience

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