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"content": "\u003cp>Because of \u003ca href=\"http://ww2.kqed.org/pop/2015/02/02/watch-missy-elliotts-i-mean-katy-perrys-super-bowl-halftime-show/\">the Super Bowl halftime show\u003c/a>, you've probably listened to more Missy Elliott songs in the past two weeks than you have in the past two years. You've probably also revisited some of her music videos and wondered, \u003cem>Hey, whatever happened to that little girl who's killing that choreo?\u003c/em> Now, you have your answer!\u003c/p>\n\u003cp>Alyson Stoner is 21 and still dancing and acting (you can watch her in movies like \u003cem>Step Up!\u003c/em> and \u003cem>Cheaper by the Dozen\u003c/em>). When Missy took the halftime stage, fans noticed something was missing. \"I literally received thousands of twitter shout outs and texts about why I wasn’t performing with Missy,\" Stoner said. All the attention inspired Alyson to reunite some of Missy's former dancers for a tribute video. Thanks, Twitter!\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=bEOo311_yts\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-15079\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/Alyson-Stoner-Missy-Elliott-Gif.gif\" alt=\"Alyson-Stoner-Missy-Elliott-Gif\" width=\"500\" height=\"245\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>I'll tell you what I want, what I really really want: a proper Spice Girls reunion. But since Victoria Beckham is beyond over it, I'll have to settle for these four unreleased Spice Girls demos that just leaked (\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/08/tumblr_ml252mhGRm1qedlsro1_250.gif\">god is real\u003c/a>). The tracks are from the recording sessions that produced \u003cem>Forever\u003c/em>, the album the group released after Geri Halliwell ditched them right before a huge tour (\u003ca href=\"https://41.media.tumblr.com/fbbd7bfd2ddc16b05bd66e92585b400a/tumblr_nj7evpJgkC1u9t64fo1_540.jpg\">I will never ever get over this\u003c/a>). That album verged on unlistenable, even for this Spice Girl die hard, but these songs are actually pretty catchy!\u003c/p>\n\u003cp>So, without further ado, people of the world, every boy and every girl: spice up your life like it's the '90s, a.k.a. that innocent time when you didn't know \"2 Become 1\" \u003ca href=\"http://25.media.tumblr.com/00392ca2524a2695d551780344c16b07/tumblr_miytl7AXIt1qayu5no2_250.gif\">was about condoms\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=T_kBAH4jVr4\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=mP6aNfLWLIE\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=xtA5hVHzBLU\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=GtHITeqvrmc\u003c/p>\n\u003cp>Somewhere, Emma Stone, the celebrity representative for every Spice Girls fan, is losing it:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-15054\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/emma-stone-thinks-a-spice-girl-is-near.gif\" alt=\"emma-stone-thinks-a-spice-girl-is-near\" width=\"500\" height=\"281\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>I'll tell you what I want, what I really really want: a proper Spice Girls reunion. But since Victoria Beckham is beyond over it, I'll have to settle for these four unreleased Spice Girls demos that just leaked (\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/08/tumblr_ml252mhGRm1qedlsro1_250.gif\">god is real\u003c/a>). The tracks are from the recording sessions that produced \u003cem>Forever\u003c/em>, the album the group released after Geri Halliwell ditched them right before a huge tour (\u003ca href=\"https://41.media.tumblr.com/fbbd7bfd2ddc16b05bd66e92585b400a/tumblr_nj7evpJgkC1u9t64fo1_540.jpg\">I will never ever get over this\u003c/a>). That album verged on unlistenable, even for this Spice Girl die hard, but these songs are actually pretty catchy!\u003c/p>\n\u003cp>So, without further ado, people of the world, every boy and every girl: spice up your life like it's the '90s, a.k.a. that innocent time when you didn't know \"2 Become 1\" \u003ca href=\"http://25.media.tumblr.com/00392ca2524a2695d551780344c16b07/tumblr_miytl7AXIt1qayu5no2_250.gif\">was about condoms\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/T_kBAH4jVr4'\n title='//www.youtube.com/embed/T_kBAH4jVr4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>https://www.youtube.com/watch?v=mP6aNfLWLIE\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/xtA5hVHzBLU'\n title='//www.youtube.com/embed/xtA5hVHzBLU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "The Very Best Gifs from the 2015 Grammys",
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"content": "\u003cp>If a picture is worth a thousand words, then a gif must be worth at least a million (math!). With the advent of this bite-sized animated wonder, award shows have become less about who won what and more about who made what face. Here are the gifs from last night's Grammy Awards that will be finding their way into your texts and gchats soon.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter wp-image-14995 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/tumblr_njhg5phEJQ1sx94wlo1_400-1.gif\" alt=\"tumblr_njhg5phEJQ1sx94wlo1_400 (1)\" width=\"400\" height=\"226\">\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter wp-image-14994 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/2015-grammys-13-1423462853.gif\" alt=\"2015-grammys-13-1423462853\" width=\"500\" height=\"281\">\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter wp-image-14998 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/tumblr_njhh1f6Hvj1qanm80o1_540.gif\" alt=\"tumblr_njhh1f6Hvj1qanm80o1_540\" width=\"540\" height=\"303\">\u003c/p>\n\u003cp>So let's get right to the Taylor Swift dancing gifs because that's the real reason why people sit through four hours of this awards show.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-14999\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/giphy-1.gif\" alt=\"giphy (1)\" width=\"480\" height=\"258\">\u003c/p>\n\u003cp>Where was Taylor when Paul McCartney needed someone to emote with? Maybe, \u003ca href=\"http://www.huffingtonpost.com/chiara-cortese/that-time-kanye-west-disc_b_6474356.html\">like the youth of America\u003c/a>, she didn't know who he was.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-15007\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/giphy-5.gif\" alt=\"giphy (5)\" width=\"480\" height=\"263\">\u003c/p>\n\u003cp>Adele won a lot of awards.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-15011\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/Madonna-Grammys-Performance-2015-GIFs-Pictures.gif\" alt=\"Madonna-Grammys-Performance-2015-GIFs-Pictures\" width=\"400\" height=\"219\">\u003c/p>\n\u003cp>Madonna revisited the matador motif from \"Take A Bow\" (you know, that music video that awakened you sexually in elementary school) and proved that she's \u003ca href=\"https://38.media.tumblr.com/61542ed7097fc2abf76bf606f14e29dc/tumblr_mme8vnVpJe1qj4315o1_500.gif\">not a regular mom, she's a cool mom\u003c/a>.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-15002\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/2015-grammys-23-1423462871.gif\" alt=\"2015-grammys-23-1423462871\" width=\"500\" height=\"281\">\u003c/p>\n\u003cp>Kanye West starred in a reprise of \u003ca href=\"https://www.youtube.com/watch?v=oFSY4Mda_18\">his Beyonce-didn't-win?!? outrage from 2009\u003c/a>. This time, he was totally valid.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-15003\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/Beyonce-Reacts.gif\" alt=\"Beyonce-Reacts\" width=\"467\" height=\"205\">\u003c/p>\n\u003cp>Bey and Jay were like NOOOOOO and then YAAAASSSS.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-15005\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/giphy-3.gif\" alt=\"giphy (3)\" width=\"360\" height=\"201\">\u003c/p>\n\u003cp>We can't talk about Kanye without talking about Kim. Here she is wondering how she went from \u003ca href=\"http://s3-ec.buzzfed.com/static/2014-06/25/15/enhanced/webdr09/anigif_enhanced-19436-1403724800-12.gif\">being Paris Hilton's assistant\u003c/a> to being the only one sitting during a standing ovation in the front row at the Grammys.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-15001\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/2015-grammys-12-1423462852.gif\" alt=\"2015-grammys-12-1423462852\" width=\"500\" height=\"281\">\u003c/p>\n\u003cp>Pharrell was nervous about being awkward so he made it awkward by mentioning how awkward it was. He then tried to escape. Maybe he should have asked Kanye to take the stage for him?\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-15006\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/giphy-4.gif\" alt=\"giphy (4)\" width=\"480\" height=\"261\">\u003c/p>\n\u003cp>Sia must know how bored we are getting with her I-don't-show-my-face shtick so she called up the one person we could never dislike, Kristen Wiig. Well played.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-15010\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/rs_500x281-150209094336-prince.gif\" alt=\"rs_500x281-150209094336-prince\" width=\"500\" height=\"281\">\u003c/p>\n\u003cp>And Prince appeared from heaven to deliver some glorious sideeye.\u003c/p>\n\u003cp>https://vine.co/v/OUnzArbnYtb\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>We'll end this post the way we started it, with Taylor really going hard (bonus: Pharrell staring, judging, being amused in the background).\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If a picture is worth a thousand words, then a gif must be worth at least a million (math!). With the advent of this bite-sized animated wonder, award shows have become less about who won what and more about who made what face. Here are the gifs from last night's Grammy Awards that will be finding their way into your texts and gchats soon.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter wp-image-14995 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/tumblr_njhg5phEJQ1sx94wlo1_400-1.gif\" alt=\"tumblr_njhg5phEJQ1sx94wlo1_400 (1)\" width=\"400\" height=\"226\">\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter wp-image-14994 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/2015-grammys-13-1423462853.gif\" alt=\"2015-grammys-13-1423462853\" width=\"500\" height=\"281\">\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter wp-image-14998 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/tumblr_njhh1f6Hvj1qanm80o1_540.gif\" alt=\"tumblr_njhh1f6Hvj1qanm80o1_540\" width=\"540\" height=\"303\">\u003c/p>\n\u003cp>So let's get right to the Taylor Swift dancing gifs because that's the real reason why people sit through four hours of this awards show.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-14999\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/giphy-1.gif\" alt=\"giphy (1)\" width=\"480\" height=\"258\">\u003c/p>\n\u003cp>Where was Taylor when Paul McCartney needed someone to emote with? Maybe, \u003ca href=\"http://www.huffingtonpost.com/chiara-cortese/that-time-kanye-west-disc_b_6474356.html\">like the youth of America\u003c/a>, she didn't know who he was.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-15007\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/giphy-5.gif\" alt=\"giphy (5)\" width=\"480\" height=\"263\">\u003c/p>\n\u003cp>Adele won a lot of awards.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-15011\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/Madonna-Grammys-Performance-2015-GIFs-Pictures.gif\" alt=\"Madonna-Grammys-Performance-2015-GIFs-Pictures\" width=\"400\" height=\"219\">\u003c/p>\n\u003cp>Madonna revisited the matador motif from \"Take A Bow\" (you know, that music video that awakened you sexually in elementary school) and proved that she's \u003ca href=\"https://38.media.tumblr.com/61542ed7097fc2abf76bf606f14e29dc/tumblr_mme8vnVpJe1qj4315o1_500.gif\">not a regular mom, she's a cool mom\u003c/a>.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-15002\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/2015-grammys-23-1423462871.gif\" alt=\"2015-grammys-23-1423462871\" width=\"500\" height=\"281\">\u003c/p>\n\u003cp>Kanye West starred in a reprise of \u003ca href=\"https://www.youtube.com/watch?v=oFSY4Mda_18\">his Beyonce-didn't-win?!? outrage from 2009\u003c/a>. This time, he was totally valid.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-15003\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/Beyonce-Reacts.gif\" alt=\"Beyonce-Reacts\" width=\"467\" height=\"205\">\u003c/p>\n\u003cp>Bey and Jay were like NOOOOOO and then YAAAASSSS.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-15005\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/giphy-3.gif\" alt=\"giphy (3)\" width=\"360\" height=\"201\">\u003c/p>\n\u003cp>We can't talk about Kanye without talking about Kim. Here she is wondering how she went from \u003ca href=\"http://s3-ec.buzzfed.com/static/2014-06/25/15/enhanced/webdr09/anigif_enhanced-19436-1403724800-12.gif\">being Paris Hilton's assistant\u003c/a> to being the only one sitting during a standing ovation in the front row at the Grammys.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-15001\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/2015-grammys-12-1423462852.gif\" alt=\"2015-grammys-12-1423462852\" width=\"500\" height=\"281\">\u003c/p>\n\u003cp>Pharrell was nervous about being awkward so he made it awkward by mentioning how awkward it was. He then tried to escape. Maybe he should have asked Kanye to take the stage for him?\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-15006\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/giphy-4.gif\" alt=\"giphy (4)\" width=\"480\" height=\"261\">\u003c/p>\n\u003cp>Sia must know how bored we are getting with her I-don't-show-my-face shtick so she called up the one person we could never dislike, Kristen Wiig. Well played.\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-15010\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/rs_500x281-150209094336-prince.gif\" alt=\"rs_500x281-150209094336-prince\" width=\"500\" height=\"281\">\u003c/p>\n\u003cp>And Prince appeared from heaven to deliver some glorious sideeye.\u003c/p>\n\u003cp>https://vine.co/v/OUnzArbnYtb\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>We'll end this post the way we started it, with Taylor really going hard (bonus: Pharrell staring, judging, being amused in the background).\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>For those who don't appreciate ripped millionaires giving each other concussions, the halftime show serves as the main draw of every Super Bowl Sunday. Most of us have forgotten which team won in 2004, but we all remember Janet Jackson's wardrobe malfunction (in case you're wondering: nope, still haven't forgiven Justin Timberlake for letting Janet take all the heat). We also remember Beyonce killing it so hard that the lights went out and that time M.I.A. gave the finger. What will we remember from this year's halftime show? That Missy Elliott has risen at long last! Oh, and that some cool dancing sharks and Katy Perry were there too. In case you missed it or want to watch it again, \u003cstrong>click on the gif\u003c/strong> and behold U.S. history!\u003c/p>\n\u003cp>\u003ca href=\"http://video.vulture.com/video/Katy-Perry-at-the-Half-Time-Sho\">\u003cimg class=\"aligncenter size-full wp-image-14919\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/mycnlczmofm0hjvdfxne.gif\" alt=\"mycnlczmofm0hjvdfxne\" width=\"636\" height=\"358\">\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>For those who don't appreciate ripped millionaires giving each other concussions, the halftime show serves as the main draw of every Super Bowl Sunday. Most of us have forgotten which team won in 2004, but we all remember Janet Jackson's wardrobe malfunction (in case you're wondering: nope, still haven't forgiven Justin Timberlake for letting Janet take all the heat). We also remember Beyonce killing it so hard that the lights went out and that time M.I.A. gave the finger. What will we remember from this year's halftime show? That Missy Elliott has risen at long last! Oh, and that some cool dancing sharks and Katy Perry were there too. In case you missed it or want to watch it again, \u003cstrong>click on the gif\u003c/strong> and behold U.S. history!\u003c/p>\n\u003cp>\u003ca href=\"http://video.vulture.com/video/Katy-Perry-at-the-Half-Time-Sho\">\u003cimg class=\"aligncenter size-full wp-image-14919\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/02/mycnlczmofm0hjvdfxne.gif\" alt=\"mycnlczmofm0hjvdfxne\" width=\"636\" height=\"358\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cstrong>B\u003c/strong>\u003cb>y Adam Wenger\u003c/b>\u003c/p>\n\u003cp>Picking the right place to ring in the new year can be stressful, especially when dancing is part of the equation. Are you looking to get hyphy with the 18+ crowd, or do you want the full ballroom experience? Whatever your speed, options are aplenty.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cb>For The Raver \u003c/b>\u003c/p>\n\u003cp>\u003cb>Sea of Dreams \u003c/b>- Sea of Dreams doesn't take place at sea, which is probably a good thing because the Bay is really cold in December. The two-night mini festival features over a dozen artists, including Pretty Lights, Glitch Mob, and Flying Lotus. Put on your floaties and a good pair of shoes, and wade through the waves of electronic music.\u003c/p>\n\u003cp>\u003cb>Where\u003c/b>: Bill Graham Civic Auditorium\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>When\u003c/b>: December 30th from 8:00PM to midnight and December 31st from 8PM-3AM\u003c/p>\n\u003cp>More info \u003ca href=\"http://www.seaofdreamsnye.com/\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cb>Streets of San Francisco NYE\u003c/b> - Canadian duo Chromeo headlines the sixth annual edition of this one night electronic music festival. Despite what its name may suggest, Streets of San Francisco doesn't actually take place in the streets of San Francisco. It takes place at Fort Mason Center in the Marina. So expect bros, tank tops, and fist pumping.\u003c/p>\n\u003cp>\u003cb>Where\u003c/b>: Fort Mason Center\u003c/p>\n\u003cp>\u003cb>When\u003c/b>: 9:00PM - 2:00AM\u003c/p>\n\u003cp>More info \u003ca href=\"http://www.eventbrite.com/e/the-6th-annual-streets-of-san-francisco-nye-with-chromeo-dj-set-kill-paris-viceroy-traviswild-more-tickets-9850109944\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cb>POPNYE \u003c/b>- If 360 degree, full color laser shows are your thing, then hop on BART and head to Oracle Arena in Oakland to see Armin Van Buuren and other DJs with less European names keep the dance party going all night long. Heads up: Just going to the event website is intense, so prepare yourself for this one.\u003c/p>\n\u003cp>\u003cb>Where\u003c/b>: Oracle Arena\u003c/p>\n\u003cp>\u003cb>When\u003c/b>: 6:00PM - 2:00AM\u003c/p>\n\u003cp>More info \u003ca href=\"http://popnye.com/\">here\u003c/a>.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cb>For The Dapper Socialite \u003c/b>\u003c/p>\n\u003cp>\u003cb>Black and White NYE Ball\u003c/b> - While the Marriott isn't the ritziest hotel in the city, it plays host to one of the city's classiest NYE events. There's a red carpet, an open bar, and it's black-tie optional, which means someone will show up in jeans. But if you want to dress to the nines and dance like a maniac, and you don't have any weddings coming up, this could be your best bet.\u003c/p>\n\u003cp>\u003cb>Where\u003c/b>: JW Marriott, Union Square\u003c/p>\n\u003cp>\u003cb>When\u003c/b>: 8:00PM-1:30AM\u003c/p>\n\u003cp>More info \u003ca href=\"http://www.eventbrite.com/e/black-white-nye-ball-2015-tickets-12999524929\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cb>NYE SF City Hall\u003c/b> - On second thought, if you're trying to emulate the wedding environment, head to City Hall for a night of high class revelry, and a few DJs you've likely never heard of. Will Mayor Ed Lee be there? Probably not. But a lot of people who look like politicians will, because suits and dresses are mandatory.\u003c/p>\n\u003cp>\u003cb>Where\u003c/b>: San Francisco City Hall\u003c/p>\n\u003cp>\u003cb>When\u003c/b>: 8:00PM - 2:00AM\u003c/p>\n\u003cp>More info \u003ca href=\"http://www.nyecityhall.com/\">here\u003c/a>.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cb>For The Hipster\u003c/b>\u003c/p>\n\u003cp>\u003cb>New Year's Eve: Cut Copy Live\u003c/b> - Buying a flight to Australia for NYE is expensive. Buying a ticket to see Australian electronic duo Cut Copy isn't cheap, either. Their show at the Mezzanine sold out pretty quickly, so you'll have to pony up some cash on the \u003ca href=\"http://sfbay.craigslist.org/search/sss?sort=rel&query=cut+copy\">secondary market\u003c/a>.\u003c/p>\n\u003cp>\u003cb>Where\u003c/b>: Mezzanine\u003c/p>\n\u003cp>\u003cb>When\u003c/b>: 9:00PM - Whenever they kick you out.\u003c/p>\n\u003cp>More info \u003ca href=\"http://mezzaninesf.com/events/new-years-eve-with-cut-copy/\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cb>New Year's Eve 2015 with Mayer Hawthorne\u003c/b> - The Grammy-nominated artist may be a bit too mainstream for some, but he won't actually be singing at the event; he's set to DJ. Meaning: If you close your eyes and dance, you'll likely have no idea who's on stage mashing buttons, anyway.\u003c/p>\n\u003cp>\u003cb>Where\u003c/b>: Public Works\u003c/p>\n\u003cp>\u003cb>When\u003c/b>: 9:00PM - 3:00AM\u003c/p>\n\u003cp>More info \u003ca href=\"http://publicsf.com/events/new-years-eve-with-mayer-hawthorne-dj-set-11637\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cb>The Flaming Lips With a Little Help From Their Fwends\u003c/b> - That's not a typo. The Flaming Lips intentionally misspelled \"Friends\". That's how you know they're hip. Better yet, they're also a wonderfully talented band, one that has won multiple Grammys. Then again, so has Nelly, but that's beside the point.\u003c/p>\n\u003cp>\u003cb>Where\u003c/b>: The Warfield\u003c/p>\n\u003cp>\u003cb>When\u003c/b>: 8:00PM - Whenever they stop playing\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>More info \u003ca href=\"http://www.sfstation.com/the-flaming-lips-new-years-eve-2015-e941291\">here\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>When\u003c/b>: December 30th from 8:00PM to midnight and December 31st from 8PM-3AM\u003c/p>\n\u003cp>More info \u003ca href=\"http://www.seaofdreamsnye.com/\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cb>Streets of San Francisco NYE\u003c/b> - Canadian duo Chromeo headlines the sixth annual edition of this one night electronic music festival. Despite what its name may suggest, Streets of San Francisco doesn't actually take place in the streets of San Francisco. It takes place at Fort Mason Center in the Marina. So expect bros, tank tops, and fist pumping.\u003c/p>\n\u003cp>\u003cb>Where\u003c/b>: Fort Mason Center\u003c/p>\n\u003cp>\u003cb>When\u003c/b>: 9:00PM - 2:00AM\u003c/p>\n\u003cp>More info \u003ca href=\"http://www.eventbrite.com/e/the-6th-annual-streets-of-san-francisco-nye-with-chromeo-dj-set-kill-paris-viceroy-traviswild-more-tickets-9850109944\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cb>POPNYE \u003c/b>- If 360 degree, full color laser shows are your thing, then hop on BART and head to Oracle Arena in Oakland to see Armin Van Buuren and other DJs with less European names keep the dance party going all night long. Heads up: Just going to the event website is intense, so prepare yourself for this one.\u003c/p>\n\u003cp>\u003cb>Where\u003c/b>: Oracle Arena\u003c/p>\n\u003cp>\u003cb>When\u003c/b>: 6:00PM - 2:00AM\u003c/p>\n\u003cp>More info \u003ca href=\"http://popnye.com/\">here\u003c/a>.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cb>For The Dapper Socialite \u003c/b>\u003c/p>\n\u003cp>\u003cb>Black and White NYE Ball\u003c/b> - While the Marriott isn't the ritziest hotel in the city, it plays host to one of the city's classiest NYE events. There's a red carpet, an open bar, and it's black-tie optional, which means someone will show up in jeans. But if you want to dress to the nines and dance like a maniac, and you don't have any weddings coming up, this could be your best bet.\u003c/p>\n\u003cp>\u003cb>Where\u003c/b>: JW Marriott, Union Square\u003c/p>\n\u003cp>\u003cb>When\u003c/b>: 8:00PM-1:30AM\u003c/p>\n\u003cp>More info \u003ca href=\"http://www.eventbrite.com/e/black-white-nye-ball-2015-tickets-12999524929\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cb>NYE SF City Hall\u003c/b> - On second thought, if you're trying to emulate the wedding environment, head to City Hall for a night of high class revelry, and a few DJs you've likely never heard of. Will Mayor Ed Lee be there? Probably not. But a lot of people who look like politicians will, because suits and dresses are mandatory.\u003c/p>\n\u003cp>\u003cb>Where\u003c/b>: San Francisco City Hall\u003c/p>\n\u003cp>\u003cb>When\u003c/b>: 8:00PM - 2:00AM\u003c/p>\n\u003cp>More info \u003ca href=\"http://www.nyecityhall.com/\">here\u003c/a>.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cb>For The Hipster\u003c/b>\u003c/p>\n\u003cp>\u003cb>New Year's Eve: Cut Copy Live\u003c/b> - Buying a flight to Australia for NYE is expensive. Buying a ticket to see Australian electronic duo Cut Copy isn't cheap, either. Their show at the Mezzanine sold out pretty quickly, so you'll have to pony up some cash on the \u003ca href=\"http://sfbay.craigslist.org/search/sss?sort=rel&query=cut+copy\">secondary market\u003c/a>.\u003c/p>\n\u003cp>\u003cb>Where\u003c/b>: Mezzanine\u003c/p>\n\u003cp>\u003cb>When\u003c/b>: 9:00PM - Whenever they kick you out.\u003c/p>\n\u003cp>More info \u003ca href=\"http://mezzaninesf.com/events/new-years-eve-with-cut-copy/\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cb>New Year's Eve 2015 with Mayer Hawthorne\u003c/b> - The Grammy-nominated artist may be a bit too mainstream for some, but he won't actually be singing at the event; he's set to DJ. Meaning: If you close your eyes and dance, you'll likely have no idea who's on stage mashing buttons, anyway.\u003c/p>\n\u003cp>\u003cb>Where\u003c/b>: Public Works\u003c/p>\n\u003cp>\u003cb>When\u003c/b>: 9:00PM - 3:00AM\u003c/p>\n\u003cp>More info \u003ca href=\"http://publicsf.com/events/new-years-eve-with-mayer-hawthorne-dj-set-11637\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cb>The Flaming Lips With a Little Help From Their Fwends\u003c/b> - That's not a typo. The Flaming Lips intentionally misspelled \"Friends\". That's how you know they're hip. Better yet, they're also a wonderfully talented band, one that has won multiple Grammys. Then again, so has Nelly, but that's beside the point.\u003c/p>\n\u003cp>\u003cb>Where\u003c/b>: The Warfield\u003c/p>\n\u003cp>\u003cb>When\u003c/b>: 8:00PM - Whenever they stop playing\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>More info \u003ca href=\"http://www.sfstation.com/the-flaming-lips-new-years-eve-2015-e941291\">here\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cstrong>By Adam Wenger\u003c/strong>\u003c/p>\n\u003cp>\u003cem> On New Year's Eve, the Juan MacLean will open for Cut Copy at the Mezzanine. It'll mark the 12th straight year the veteran DJ has worked on the 31st. Seeing as he knows a thing or two about dance music and New Year's Eve, I asked him to curate a playlist for those who weren't able to score tickets to his sold out show. But first, here's a highlight of some of his reflections on New Year's Eve, the life of a DJ, and the one artist he always gets asked to play.\u003c/em>\u003c/p>\n\u003cp>Every DJ I know is always playing on New Year's Eve. It's just one of those things as a DJ. Honestly, there's quite a bit more money involved so I think it's pretty popular.\u003c/p>\n\u003cp>You get a front row view of how New Year's Eve plays out, especially if you're DJing at the turn of midnight (usually it just turns into mayhem after that).\u003c/p>\n\u003cp>My favorite club [in San Francisco] is Monarch. There's an amazing sound system. The vibe is great. People come to dance. It's just really fun.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>For a DJ, New Year's Eve is fun, but it's a lot of pressure because people have such high expectations. Because everyone is drinking so much, people can get angry if things aren't going the way they think they should be going.\u003c/p>\n\u003cp>One New Year's Eve, a guy came up to me and said I was the worst DJ he'd ever heard in his life. I think this was after I told him I couldn't play Lady Gaga. He was really mad that I was ruining his night.\u003c/p>\n\u003cp>I'm just amazed that, in the middle of the night of playing house music, people still come up and will ask. It always seems to be Beyonce. It's just such an inappropriate request.\u003c/p>\n\u003cp>For me, [the rise of dubstep] is a positive [thing]. If it brings more kids to something that is close to the dance music world, maybe at some point they'll get curious and venture out.\u003c/p>\n\u003cp>Poor Skrillex gets blamed for the downfall of the human race.\u003c/p>\n\u003cp>I usually play things a little differently on New Year's Eve. My DJ sets tend to be darker, deeper, but on New Year's Eve I feel a responsibility to play stuff that's a bit more fun -- classic songs that aren't even dance music songs, like an edit of a Michael Jackson or Prince song.\u003c/p>\n\u003cp>\u003cem>And without further ado, a NYE playlist from the Juan MacLean to you!\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://play.spotify.com/user/adwenger/playlist/1EGo6ttwnfX8NHhpFjPIA9\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For a DJ, New Year's Eve is fun, but it's a lot of pressure because people have such high expectations. Because everyone is drinking so much, people can get angry if things aren't going the way they think they should be going.\u003c/p>\n\u003cp>One New Year's Eve, a guy came up to me and said I was the worst DJ he'd ever heard in his life. I think this was after I told him I couldn't play Lady Gaga. He was really mad that I was ruining his night.\u003c/p>\n\u003cp>I'm just amazed that, in the middle of the night of playing house music, people still come up and will ask. It always seems to be Beyonce. It's just such an inappropriate request.\u003c/p>\n\u003cp>For me, [the rise of dubstep] is a positive [thing]. If it brings more kids to something that is close to the dance music world, maybe at some point they'll get curious and venture out.\u003c/p>\n\u003cp>Poor Skrillex gets blamed for the downfall of the human race.\u003c/p>\n\u003cp>I usually play things a little differently on New Year's Eve. My DJ sets tend to be darker, deeper, but on New Year's Eve I feel a responsibility to play stuff that's a bit more fun -- classic songs that aren't even dance music songs, like an edit of a Michael Jackson or Prince song.\u003c/p>\n\u003cp>\u003cem>And without further ado, a NYE playlist from the Juan MacLean to you!\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://play.spotify.com/user/adwenger/playlist/1EGo6ttwnfX8NHhpFjPIA9\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "The 15 Best Christmas Songs You’ve Never Heard",
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"content": "\u003cp>A few weeks ago, I \u003ca href=\"http://ww2.kqed.org/pop/secret-itunes-playlist-10-guilty-pleasure-songs-im-ashamed-to-love\" target=\"_blank\" rel=\"noopener noreferrer\">made a confession\u003c/a> about my music collection. And now I have another, not so shocking one: I \u003cem>love\u003c/em> Christmas music. I am generously helping to keep the novelty Christmas albums on store shelves by buying multiple copies each year. If radio stations played Christmas earlier than Thanksgiving week, I’d be the first to know. I’m not even above a good version of “White Christmas” in the middle of August to make me feel a glimmer of cold air on the horizon.\u003c/p>\n\u003cp>But I do understand that hearing \"Jingle Bells” six times in a day covered by the usual suspects—Michael Bublé to Nat King Cole to Mariah Carey—could turn most people into a Grinch. So I dug deep into my archives to give your poor, over-saturated ears a break with this unique mix of what might become your new holiday favorites:\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“What Will Santa Claus Say? (When He Finds Everybody Swingin’)” by Louis Prima\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"What Will Santa Claus Say - Louis Prima\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/Fc1KdI2wdJE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Louis Prima was a great trumpeter and band leader, so it only makes sense that Prima would know how to get people dancing at Christmas with this great little ditty.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“Santa, Teach Me to Dance” by Debbie & the Darnels\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"The Darnels - Santa Teach Me To Dance\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/4xPtOo40-4Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>A quick internet search reveals The Darnels were a '60s girl group, but I don’t know much more about this song’s origins. All I know is I heard it on a local radio station once on a road trip and I haven’t stopped humming the catchy doo-wop-esque tune since.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“It Must be Santa” by Bob Dylan\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"Bob Dylan - Must Be Santa (Official Video)\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/a8qE6WQmNus?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>I didn't used to associate Bob Dylan with Christmas. And then he came out with this accordion-driven tap-your-toes number in 2009. Listening to this song and not singing along with The Animaniacs-like lyrics is impossible. Warning: this song is advanced Christmas music; don’t put it on repeat unless you’re truly full of cheer, ready for all to hear.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“Please Daddy (Don’t Get Drunk this Christmas)” by the Decemberists (John Denver cover)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"Please Daddy (Don't Get Drunk This Christmas) by the Decemberists\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/19uFC3KqR8M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Every mix album needs a slightly maudlin, sad song that you don’t actually realize is sad until you look up the lyrics.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“Nutmeg” by John Legend and Stephen Colbert\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"John Legend & Stephen Colbert - Nutmeg\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/yYf2yFD-iIk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Obviously, Christmas music isn’t immune to subtle (and not-so-subtle) sexual innuendo. John Legend doesn’t go for subtle in this catchy, silly song from 2008’s \u003cem>A Colbert Christmas: The Greatest Gift of All,\u003c/em> and listeners should thank him for it.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“Christmastime (O Yeah)” by Barenaked Ladies\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"Barenaked Ladies - Christmastime (Oh Yeah)\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/Tj-ggmyVqog?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Barenaked Ladies get in on the Christmas music madness with their popular 2004 album \u003cem>Barenaked for the Holidays\u003c/em>, which features a fellow Canadian—that aforementioned omnipresent crooner Michael Bublé. Don’t let that detail deter you from listening to their quirky songs. This cut is one of my personal favorites, although their singing “Happy Birthday” to Jesus never fails to crack me up.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“Mary’s Boy Child” by Harry Belafonte\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=8N8aNhbnP-Y\u003c/p>\n\u003cp>I realize the King of Calypso isn’t exactly your first thought when you reach for Christmas music, but he should be. This song, first recorded in 1956, was a hit on the UK charts. It’s a beautiful song and one I think should be added to everyone’s lists.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“I Heard the Bells on Christmas Day” by Johnny Cash\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=oFBB8Yzaht0\u003c/p>\n\u003cp>Yes, I’m cheating a bit since Johnny Cash’s Christmas music is sometimes heard on the radio. However, this 1963 hit song based on the 1863 poem by Henry Wadsworth Longfellow deserves more play today as a quiet antidote to the many over-orchestrated songs that invade your ears each season.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“10,000 Watts” by Crystal Antlers\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"Crystal Antlers - 10,000 Watts\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/vnN05tOzS2E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Who doesn’t like a good rock out to the lyrics “Ho Ho Ho”? This Southern California band will make even the most reluctant teenager smile on Christmas Day.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“Yingle Bells” by Yogi Yorgesson\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"Yogi Yorgesson Yingle Bells\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/pfXkLvhoL7s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Yogi Yorgesson is the “comically exaggerated Swede” played by the entertainer Harry Stewart. It’s the only version of “Jingle Bells” I allow in my car. Thank you, Dr. Demento.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“Donde Esta Santa Claus?” by Augie Rios\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"AUGIE RIOS - Donde Esta Santa Claus? (1958)\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/mK77rxuXK5s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>I just recently heard this song for the first time, but I already think it will replace “Feliz Navidad” on my playlists. That's how adorable this 1958 song sung to his “Mamacita” is.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“Elohai, N'Tzor” by Pink Martini\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"Pink Martini - Elohai N'tzor\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/1kBQF-WAxc4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Leave it to Pink Martini, the multi-genre “little orchestra” band, to offer something unique. The song is based on a Jewish prayer and it’s a thoughtful, reflective tune.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“The Christmas Song” by the Raveonettes\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"The Raveonettes - The Christmas Song HQ/HD +lyrics\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/HrcPJ75zZso?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>I stole this song by the Danish indie rock duo from a friend’s party mix. It never fails to remind me in a weird way of one of my favorite movies—\u003cem>That Thing You Do.\u003c/em>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“Space Christmas” by ‘Allo Darling\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"Space Christmas (Demo Version)\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/PEBpH0CnfWY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>I listened to a ton of odd Spotify playlists so you wouldn’t have to wade through the random muck. And thank goodness I did because I discovered this breathy little gem of a song.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“My Dear Acquaintance (Happy New Year)” by Regina Spektor (Peggy Lee cover)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"Regina Spektor - My Dear Acquaintance (A Happy New Year)\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/SG8mbe2Ck3c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>No Christmas album is complete without a look ahead at the year to come. And I think these lyrics are what we especially need to hear in these darker months: “And a happy new year to all that is living / To all that is gentle, young, and forgiving.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>May these songs renew your holiday spirit!\u003c/p>\n\n",
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"excerpt": "Sick of Christmas songs by Michael Bublé, Nat King Cole and Mariah Carey? Here are some under-the-radar holiday tunes to give your poor, over-saturated ears a break.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A few weeks ago, I \u003ca href=\"http://ww2.kqed.org/pop/secret-itunes-playlist-10-guilty-pleasure-songs-im-ashamed-to-love\" target=\"_blank\" rel=\"noopener noreferrer\">made a confession\u003c/a> about my music collection. And now I have another, not so shocking one: I \u003cem>love\u003c/em> Christmas music. I am generously helping to keep the novelty Christmas albums on store shelves by buying multiple copies each year. If radio stations played Christmas earlier than Thanksgiving week, I’d be the first to know. I’m not even above a good version of “White Christmas” in the middle of August to make me feel a glimmer of cold air on the horizon.\u003c/p>\n\u003cp>But I do understand that hearing \"Jingle Bells” six times in a day covered by the usual suspects—Michael Bublé to Nat King Cole to Mariah Carey—could turn most people into a Grinch. So I dug deep into my archives to give your poor, over-saturated ears a break with this unique mix of what might become your new holiday favorites:\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“What Will Santa Claus Say? (When He Finds Everybody Swingin’)” by Louis Prima\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"What Will Santa Claus Say - Louis Prima\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/Fc1KdI2wdJE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Louis Prima was a great trumpeter and band leader, so it only makes sense that Prima would know how to get people dancing at Christmas with this great little ditty.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“Santa, Teach Me to Dance” by Debbie & the Darnels\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"The Darnels - Santa Teach Me To Dance\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/4xPtOo40-4Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>A quick internet search reveals The Darnels were a '60s girl group, but I don’t know much more about this song’s origins. All I know is I heard it on a local radio station once on a road trip and I haven’t stopped humming the catchy doo-wop-esque tune since.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“It Must be Santa” by Bob Dylan\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"Bob Dylan - Must Be Santa (Official Video)\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/a8qE6WQmNus?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>I didn't used to associate Bob Dylan with Christmas. And then he came out with this accordion-driven tap-your-toes number in 2009. Listening to this song and not singing along with The Animaniacs-like lyrics is impossible. Warning: this song is advanced Christmas music; don’t put it on repeat unless you’re truly full of cheer, ready for all to hear.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“Please Daddy (Don’t Get Drunk this Christmas)” by the Decemberists (John Denver cover)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"Please Daddy (Don't Get Drunk This Christmas) by the Decemberists\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/19uFC3KqR8M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Every mix album needs a slightly maudlin, sad song that you don’t actually realize is sad until you look up the lyrics.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“Nutmeg” by John Legend and Stephen Colbert\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"John Legend & Stephen Colbert - Nutmeg\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/yYf2yFD-iIk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Obviously, Christmas music isn’t immune to subtle (and not-so-subtle) sexual innuendo. John Legend doesn’t go for subtle in this catchy, silly song from 2008’s \u003cem>A Colbert Christmas: The Greatest Gift of All,\u003c/em> and listeners should thank him for it.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“Christmastime (O Yeah)” by Barenaked Ladies\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"Barenaked Ladies - Christmastime (Oh Yeah)\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/Tj-ggmyVqog?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Barenaked Ladies get in on the Christmas music madness with their popular 2004 album \u003cem>Barenaked for the Holidays\u003c/em>, which features a fellow Canadian—that aforementioned omnipresent crooner Michael Bublé. Don’t let that detail deter you from listening to their quirky songs. This cut is one of my personal favorites, although their singing “Happy Birthday” to Jesus never fails to crack me up.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“Mary’s Boy Child” by Harry Belafonte\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/8N8aNhbnP-Y'\n title='//www.youtube.com/embed/8N8aNhbnP-Y'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>I realize the King of Calypso isn’t exactly your first thought when you reach for Christmas music, but he should be. This song, first recorded in 1956, was a hit on the UK charts. It’s a beautiful song and one I think should be added to everyone’s lists.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“I Heard the Bells on Christmas Day” by Johnny Cash\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/oFBB8Yzaht0'\n title='//www.youtube.com/embed/oFBB8Yzaht0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Yes, I’m cheating a bit since Johnny Cash’s Christmas music is sometimes heard on the radio. However, this 1963 hit song based on the 1863 poem by Henry Wadsworth Longfellow deserves more play today as a quiet antidote to the many over-orchestrated songs that invade your ears each season.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“10,000 Watts” by Crystal Antlers\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"Crystal Antlers - 10,000 Watts\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/vnN05tOzS2E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Who doesn’t like a good rock out to the lyrics “Ho Ho Ho”? This Southern California band will make even the most reluctant teenager smile on Christmas Day.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“Yingle Bells” by Yogi Yorgesson\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"Yogi Yorgesson Yingle Bells\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/pfXkLvhoL7s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Yogi Yorgesson is the “comically exaggerated Swede” played by the entertainer Harry Stewart. It’s the only version of “Jingle Bells” I allow in my car. Thank you, Dr. Demento.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“Donde Esta Santa Claus?” by Augie Rios\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"AUGIE RIOS - Donde Esta Santa Claus? (1958)\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/mK77rxuXK5s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>I just recently heard this song for the first time, but I already think it will replace “Feliz Navidad” on my playlists. That's how adorable this 1958 song sung to his “Mamacita” is.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“Elohai, N'Tzor” by Pink Martini\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"Pink Martini - Elohai N'tzor\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/1kBQF-WAxc4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>Leave it to Pink Martini, the multi-genre “little orchestra” band, to offer something unique. The song is based on a Jewish prayer and it’s a thoughtful, reflective tune.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“The Christmas Song” by the Raveonettes\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"The Raveonettes - The Christmas Song HQ/HD +lyrics\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/HrcPJ75zZso?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>I stole this song by the Danish indie rock duo from a friend’s party mix. It never fails to remind me in a weird way of one of my favorite movies—\u003cem>That Thing You Do.\u003c/em>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“Space Christmas” by ‘Allo Darling\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"Space Christmas (Demo Version)\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/PEBpH0CnfWY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>I listened to a ton of odd Spotify playlists so you wouldn’t have to wade through the random muck. And thank goodness I did because I discovered this breathy little gem of a song.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>“My Dear Acquaintance (Happy New Year)” by Regina Spektor (Peggy Lee cover)\u003c/strong>\u003c/p>\n\u003cp>\u003ciframe title=\"Regina Spektor - My Dear Acquaintance (A Happy New Year)\" width=\"640\" height=\"480\" src=\"https://www.youtube.com/embed/SG8mbe2Ck3c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>No Christmas album is complete without a look ahead at the year to come. And I think these lyrics are what we especially need to hear in these darker months: “And a happy new year to all that is living / To all that is gentle, young, and forgiving.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>May these songs renew your holiday spirit!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>When Spotify first came on the scene, I listened to everything my heart desired (\u003cem>Jock Jams: Volume 2\u003c/em>, The Carpenters' greatest hits, solo music from all the Spice Girls minus Ginger). How sweet the sound of all the guiltiest pleasures I never had the courage to actually buy. Then the mocking gchats started coming in. Apparently, Spotify had been broadcasting it all to Facebook friends the whole time. A quick privacy setting switch took care of that problem, but Spotify never stopped keeping track of what I was listening to.\u003c/p>\n\u003cp>And now they're putting all that spying to use with \"Year in Music 2014,\" a personalized look at your listening habits of the last year, from top 5 artists, top 5 albums, the number of minutes you've spent on Spotify, the day you listen most, and on and on. It would be creepy, if we weren't already so used to having no privacy/weren't so susceptible to pretty graphs.\u003c/p>\n\u003cp>So, if you don't mind coming to the realization that you're not as cool as you thought (the \u003cem>Frozen\u003c/em> soundtrack makes a cameo in my top 5 albums of the year), \u003ca href=\"https://www.spotify-yearinmusic.com/\">check out your stats \u003c/a>now!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When Spotify first came on the scene, I listened to everything my heart desired (\u003cem>Jock Jams: Volume 2\u003c/em>, The Carpenters' greatest hits, solo music from all the Spice Girls minus Ginger). How sweet the sound of all the guiltiest pleasures I never had the courage to actually buy. Then the mocking gchats started coming in. Apparently, Spotify had been broadcasting it all to Facebook friends the whole time. A quick privacy setting switch took care of that problem, but Spotify never stopped keeping track of what I was listening to.\u003c/p>\n\u003cp>And now they're putting all that spying to use with \"Year in Music 2014,\" a personalized look at your listening habits of the last year, from top 5 artists, top 5 albums, the number of minutes you've spent on Spotify, the day you listen most, and on and on. It would be creepy, if we weren't already so used to having no privacy/weren't so susceptible to pretty graphs.\u003c/p>\n\u003cp>So, if you don't mind coming to the realization that you're not as cool as you thought (the \u003cem>Frozen\u003c/em> soundtrack makes a cameo in my top 5 albums of the year), \u003ca href=\"https://www.spotify-yearinmusic.com/\">check out your stats \u003c/a>now!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cstrong>By Maria Judnick\u003c/strong>\u003c/p>\n\u003cp>By now, you’ve probably seen \u003ca href=\"https://www.youtube.com/watch?v=CMCf5aVBQJA\">this viral video\u003c/a> of a guy dance-cleaning to the Sheena Easton song “Morning Train (9 to 5)” in his underwear, in the privacy of his home, when he thought no one was around. Sheena Easton’s song from 1980 isn’t exactly topping the Pop 40 Charts right now and might not be a song that the guy in this video – Jimmy Pope – wanted to confess to enjoying.\u003c/p>\n\u003cp>All of us, whether we want to admit it or not, have those guilty pleasure songs, the goofy, unpopular or reviled ones that remind us of our childhoods, our ex-boyfriends, or just the good times we’ve had.\u003c/p>\n\u003cp>We triple check that they don’t make the playlist before we throw on a party mix. We only sing them when we’re out running while on vacation in a new city, or in our cars, our phones safely cradled in the cup holder so we know for certain we aren’t butt-dialing someone. They’re the sort of songs you only share with people once you know they still have to love you.\u003c/p>\n\u003cp>So, here’s a confession. I have an entire secret iTunes playlist filled with these songs. And, in honor of Jimmy Pope’s brave front in the face of total internet embarrassment, my songs are no longer secret. I hope you spend the day dancing – or at least humming along awkwardly – to these 10 songs, \u003cem>especially\u003c/em> if people are watching.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Mandy Moore: “Only Hope” \u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/j8f8RHWMPyY\u003c/p>\n\u003cp>I enjoy a good Mandy Moore power ballad any day. I’ve earned two Master’s degrees in English and, yet, the moment I hear the first few bars of the theatrical piano intro for this song from \u003cem>A Walk to Remember, \u003c/em>the overly dramatic 2002 Nicholas Sparks film for high schoolers, I never fail to tear up just a little. Without giving too much away, think of this movie as the poor man’s \u003cem>The Fault in Our Stars.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>K-Ci and JoJo: “All My Life”\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/DXvMT_mVbqw\u003c/p>\n\u003cp>I slow danced with the first boy I ever had a crush on to this song in junior high. I will never forget those few breathless minutes as I swayed gracelessly in little half-circles, secretly hoping that the song would go on forever. And now, thanks to the power of the internet, it can.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Helen Reddy: “Candle on the Water”\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/DBZ2mV1GwuQ\u003c/p>\n\u003cp>\u003cspan style=\"line-height: 1.5\">I don’t even think I’ve ever seen the film this schmaltzy song comes from – Disney’s live action / animated gem \u003c/span>\u003cem style=\"line-height: 1.5\">Pete’s Dragon\u003c/em>\u003cspan style=\"line-height: 1.5\"> – but the minute my college roommate decided not to skip this song on her iTunes one day, I knew it would be added to my own secret list. And then, after she reluctantly showed me the dance she’d coordinated as a child to “Total Eclipse of the Heart,” I knew we’d be friends for life. Fun fact: This song was nominated for an Academy Award in 1977 (it lost to “You Light Up My Life,” another song that could easily make this playlist).\u003c/span>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Jamiroquai: “Virtual Insanity”\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/4JkIs37a2JE\u003c/p>\n\u003cp>Between Hootie & the Blowfish and Jamiroquai, I loved my fair share of bad pop in the '90s. But my love for Jamiroquai has actually grown in recent years, thanks to one brave regular at one of my favorite karaoke bars who has memorized Jamiroquai’s entire repertoire.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Gaylords: “TOOT TOOT ROOT”\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/Q9U-nqLVYYg\u003c/p>\n\u003cp>Most normal families play Christmas music on Christmas. My quirky family tends to favor blasting The Gaylords and polka music once the holiday wine really gets flowing. Needless to say, it takes a lot of grappa for my boyfriends to meet my family and more than a few listens to this album.\u003c/p>\n\u003cp>\u003cstrong>Rockapella: “Everything to Me” \u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/kax11cAOvBA\u003c/p>\n\u003cp>As a child of the '90s, it only makes sense that I would love the musical stylings of Rockapella, the a cappella group featured on the popular educational TV show \u003cem>Where in the World is Carmen Sandiego? \u003c/em>But even I can’t justify the sheer number of times I have listened to this 1992 album inspired by that show, no matter how often I insist Tito Puente’s contribution helps make the CD cool.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Ace of Base: “The Sign”\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/DNPjeIamsck\u003c/p>\n\u003cp>I still have no idea why my septuagenarian elementary school choir director one day decided that, instead of our usual program of Disney musicals and doo-wop hits, we would sing this song instead. But I’ll admit that this song (and her next pick, TLC’s “Waterfalls”) was my gateway to deciding I wanted to do more with music. And so a long and illustrious middle school and high school career as a musician in the jazz band began.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Blind Boys of Alabama: “People Get Ready”\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/2k3roW1-Nvo\u003c/p>\n\u003cp>The average audience member for a gospel music concert is probably someone in their mid-50s. I should know because I’ve seen the Blind Boys of Alabama perform twice now. As a devoted fan of all things jazz, blues, and gospel, it’s getting harder and harder to hide my love for this group. But, thanks to their 2004 collaboration with Ben Harper for the album \u003cem>There Will Be a Light\u003c/em>, I nearly feel justified taking this band off my secret list.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Psych: The Musical:\u003c/em> “Santa Barbara Skies”\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/O7hT0rTXvHU\u003c/p>\n\u003cp>This song combines two of my favorite guilty pleasures – half-sung, half-spoken musical lyrics and \u003cem>Psych\u003c/em>, the best comedy show to feature a fake psychic solving crimes in Southern California. I’m not even ashamed to admit I’ve memorized the lyrics to “Jamaican Inspector Man.”\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Carly Rae Jepson: “Call Me Maybe”\u003c/strong>\u003c/p>\n\u003cp>http://youtu.be/lEsPhTbJhuo\u003c/p>\n\u003cp>When Jepson’s song was released in 2012, this ear-worm became the song of the summer. And while my students sang along as they waited for class, I, too, bopped my head…but only in the background. After all, what student in their right mind wants to know their teacher likes the same song? And, what teacher in her right mind wants to admit it either?\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Leave your own guilty pleasures in the comments!\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>By Maria Judnick\u003c/strong>\u003c/p>\n\u003cp>By now, you’ve probably seen \u003ca href=\"https://www.youtube.com/watch?v=CMCf5aVBQJA\">this viral video\u003c/a> of a guy dance-cleaning to the Sheena Easton song “Morning Train (9 to 5)” in his underwear, in the privacy of his home, when he thought no one was around. Sheena Easton’s song from 1980 isn’t exactly topping the Pop 40 Charts right now and might not be a song that the guy in this video – Jimmy Pope – wanted to confess to enjoying.\u003c/p>\n\u003cp>All of us, whether we want to admit it or not, have those guilty pleasure songs, the goofy, unpopular or reviled ones that remind us of our childhoods, our ex-boyfriends, or just the good times we’ve had.\u003c/p>\n\u003cp>We triple check that they don’t make the playlist before we throw on a party mix. We only sing them when we’re out running while on vacation in a new city, or in our cars, our phones safely cradled in the cup holder so we know for certain we aren’t butt-dialing someone. They’re the sort of songs you only share with people once you know they still have to love you.\u003c/p>\n\u003cp>So, here’s a confession. I have an entire secret iTunes playlist filled with these songs. And, in honor of Jimmy Pope’s brave front in the face of total internet embarrassment, my songs are no longer secret. I hope you spend the day dancing – or at least humming along awkwardly – to these 10 songs, \u003cem>especially\u003c/em> if people are watching.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Mandy Moore: “Only Hope” \u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/j8f8RHWMPyY'\n title='//www.youtube.com/embed/j8f8RHWMPyY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>I enjoy a good Mandy Moore power ballad any day. I’ve earned two Master’s degrees in English and, yet, the moment I hear the first few bars of the theatrical piano intro for this song from \u003cem>A Walk to Remember, \u003c/em>the overly dramatic 2002 Nicholas Sparks film for high schoolers, I never fail to tear up just a little. Without giving too much away, think of this movie as the poor man’s \u003cem>The Fault in Our Stars.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>K-Ci and JoJo: “All My Life”\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/DXvMT_mVbqw'\n title='//www.youtube.com/embed/DXvMT_mVbqw'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>I slow danced with the first boy I ever had a crush on to this song in junior high. I will never forget those few breathless minutes as I swayed gracelessly in little half-circles, secretly hoping that the song would go on forever. And now, thanks to the power of the internet, it can.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Helen Reddy: “Candle on the Water”\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/DBZ2mV1GwuQ'\n title='//www.youtube.com/embed/DBZ2mV1GwuQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cspan style=\"line-height: 1.5\">I don’t even think I’ve ever seen the film this schmaltzy song comes from – Disney’s live action / animated gem \u003c/span>\u003cem style=\"line-height: 1.5\">Pete’s Dragon\u003c/em>\u003cspan style=\"line-height: 1.5\"> – but the minute my college roommate decided not to skip this song on her iTunes one day, I knew it would be added to my own secret list. And then, after she reluctantly showed me the dance she’d coordinated as a child to “Total Eclipse of the Heart,” I knew we’d be friends for life. Fun fact: This song was nominated for an Academy Award in 1977 (it lost to “You Light Up My Life,” another song that could easily make this playlist).\u003c/span>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Jamiroquai: “Virtual Insanity”\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4JkIs37a2JE'\n title='//www.youtube.com/embed/4JkIs37a2JE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Between Hootie & the Blowfish and Jamiroquai, I loved my fair share of bad pop in the '90s. But my love for Jamiroquai has actually grown in recent years, thanks to one brave regular at one of my favorite karaoke bars who has memorized Jamiroquai’s entire repertoire.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Gaylords: “TOOT TOOT ROOT”\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Q9U-nqLVYYg'\n title='//www.youtube.com/embed/Q9U-nqLVYYg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Most normal families play Christmas music on Christmas. My quirky family tends to favor blasting The Gaylords and polka music once the holiday wine really gets flowing. Needless to say, it takes a lot of grappa for my boyfriends to meet my family and more than a few listens to this album.\u003c/p>\n\u003cp>\u003cstrong>Rockapella: “Everything to Me” \u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/kax11cAOvBA'\n title='//www.youtube.com/embed/kax11cAOvBA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>As a child of the '90s, it only makes sense that I would love the musical stylings of Rockapella, the a cappella group featured on the popular educational TV show \u003cem>Where in the World is Carmen Sandiego? \u003c/em>But even I can’t justify the sheer number of times I have listened to this 1992 album inspired by that show, no matter how often I insist Tito Puente’s contribution helps make the CD cool.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Ace of Base: “The Sign”\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/DNPjeIamsck'\n title='//www.youtube.com/embed/DNPjeIamsck'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>I still have no idea why my septuagenarian elementary school choir director one day decided that, instead of our usual program of Disney musicals and doo-wop hits, we would sing this song instead. But I’ll admit that this song (and her next pick, TLC’s “Waterfalls”) was my gateway to deciding I wanted to do more with music. And so a long and illustrious middle school and high school career as a musician in the jazz band began.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Blind Boys of Alabama: “People Get Ready”\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/2k3roW1-Nvo'\n title='//www.youtube.com/embed/2k3roW1-Nvo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The average audience member for a gospel music concert is probably someone in their mid-50s. I should know because I’ve seen the Blind Boys of Alabama perform twice now. As a devoted fan of all things jazz, blues, and gospel, it’s getting harder and harder to hide my love for this group. But, thanks to their 2004 collaboration with Ben Harper for the album \u003cem>There Will Be a Light\u003c/em>, I nearly feel justified taking this band off my secret list.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Psych: The Musical:\u003c/em> “Santa Barbara Skies”\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/O7hT0rTXvHU'\n title='//www.youtube.com/embed/O7hT0rTXvHU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>This song combines two of my favorite guilty pleasures – half-sung, half-spoken musical lyrics and \u003cem>Psych\u003c/em>, the best comedy show to feature a fake psychic solving crimes in Southern California. I’m not even ashamed to admit I’ve memorized the lyrics to “Jamaican Inspector Man.”\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Carly Rae Jepson: “Call Me Maybe”\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/lEsPhTbJhuo'\n title='//www.youtube.com/embed/lEsPhTbJhuo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>When Jepson’s song was released in 2012, this ear-worm became the song of the summer. And while my students sang along as they waited for class, I, too, bopped my head…but only in the background. After all, what student in their right mind wants to know their teacher likes the same song? And, what teacher in her right mind wants to admit it either?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Leave your own guilty pleasures in the comments!\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "'90s Nostalgia: A Look at How Our Lives Do and Don't Matter",
"title": "'90s Nostalgia: A Look at How Our Lives Do and Don't Matter",
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"content": "\u003cfigure id=\"attachment_14103\" class=\"wp-caption aligncenter\" style=\"max-width: 563px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/riot-grrrl-zines.jpg\">\u003cimg class=\"wp-image-14103 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/riot-grrrl-zines.jpg\" alt=\"Riot Grrrl zines from ALIEN SHE. At Yerba Buena Center for the Arts. Photo by Laura Schadler.\" width=\"563\" height=\"563\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines.jpg 563w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-75x75.jpg 75w\" sizes=\"(max-width: 563px) 100vw, 563px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Riot Grrrl zines from ALIEN SHE, Yerba Buena Center for the Arts. Photo by Laura Schadler.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"http://www.npr.org/blogs/monkeysee/2012/04/18/150876971/nostalgia-is-anywhere-but-here\">Nostalgia\u003c/a> is a sentimental, incomplete idea. Our human patterns of emotion, recognition, self-awareness and desire seem far stranger and more difficult to understand than mere wistfulness. However, the ‘90s are certainly having their nostalgic moment right now.\u003c/p>\n\u003cp>From 1990 to 1999, I was 11-20, my entire adolescence comprised of the art, music, fashion, politics, ethos and aesthetic of that time. Its resurgence, Urban Outfitters babydoll dresses and Doc Martens notwithstanding, is unsurprisingly quite compelling to me. There's been talk lately of \u003ca href=\"http://www.newyorker.com/magazine/2012/04/23/the-forty-year-itch\">the cycles of nostalgia\u003c/a>, our romanticizing of the time right before we were born and/or for the time we came of age. I wonder if these cycles are looping us back around to something more existentially provocative, not merely a wish, but an attempt to understand the passage of time, our place within it, what matters, what lasts, and why.\u003c/p>\n\u003cp>Last night, I saw \u003ca href=\"http://floodmagazine.com/3585/watch-j-mascis-covers-mazzy-stars-fade-into-you/\">J Mascis\u003c/a> play a sold out show at The Independent. Granted, his encore was a Dinosaur Jr. song that sort of broke my heart, calling out to the 15-year-old parts of me still alive and well. But the bulk of his material was new, with the energy and intensity of a musician not relying on his previously established reputation. I leaned over to my friend and said, \"When his voice goes high like that, I feel my whole life.\" My \u003cem>whole\u003c/em> life...not just the past, but certainly my life given depth by the past, by where it now intrudes, evolves and somehow, mysteriously, becomes the present.\u003c/p>\n\u003cp>http://youtu.be/v4Xva7X69Os\u003c/p>\n\u003cp>We all think our time on Earth is the most important. Every generation believes theirs is the one that will get to see the apocalypse. It's that dire, that essential. Annie Dillard writes of this strange human belief in her gorgeous book, \u003cem>For the Time Being, \u003c/em>which ruminates on the misplaced confidence we have in our individual egos, as they exist amongst the incomprehensible vastness of all other people and all of history.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>“Are not our generations the crucial ones? For we have changed the world. Are not our heightened times the important ones?...Are we not especially significant because our century is?...No, we are not and it is not. These times of ours are ordinary times...Who can bear to hear this, or who will consider it?\"\u003c/em>\u003c/p>\n\u003cp>The really interesting part is when we have lived long enough to bear hearing it, to consider it, to see just the tiniest flicker of the larger context, alongside the blinding subjectivity of our daily existence. We can begin to see that our lives, the surrounding cultures and subcultures that build, inspire, and support those lives are beautiful, essential, unknowable and fleeting. Somewhere in the mix comes this attempt to look back, to orient ourselves. Where are we? This strange year, this singular present moment, this contemporary time that occasionally seems so unfamiliar, so futuristic. And where were we before? This is not nostalgia, this is the most profound navigation, an attempt at narrative.\u003c/p>\n\u003cp>Last weekend, I saw \u003ca href=\"http://ybca.org/curators-statement-alien-she\">ALIEN SHE\u003c/a> at Yerba Buena Center for the Arts, an exhibit that examines the lasting impact of Riot Grrrl through archival ephemera, as well as a collection of contemporary works by artists who draw their influence from Riot Grrrl. What an intimate and unmoored feeling it is, at age 35, to see the counter-culture of my youth, these early ingredients of my very self on display with placards offering up dates and explanations. Aside from not being able to touch anything, the museum might well have been my high school bedroom. And, in many ways, Riot Grrrl was about our high school bedrooms, the stories written there, the music born there, the sensations of being a girl felt there, the tangible creative results that manifested.\u003c/p>\n\u003cp>http://youtu.be/3kDzHDBjyZA\u003c/p>\n\u003cp>As a teenager, I wrote BITCH on my stomach and went to a party wearing a beret and ripped up stockings. I can't imagine I fully understood the complex combinations of powerful and sexy this outfit inspired in me or why that mattered. But I marvel now at how lucky I was to have the images and language of this particular type of feminism available to me. That snarl and cuteness were ways we could be, an invitation to inhabit contradiction. \u003ca href=\"http://vimeo.com/19060637\">\"Dude, babe, sir,\"\u003c/a> my sister and I joked, mimicking Kathleen Hanna's hilarious and deadpan railing against sexism in the music world on Mike Watt's \u003cem>Ball-Hog or Tugboat\u003c/em> album. It would be a long time before I'd hear the phrase \u003cem>third wave feminism\u003c/em> or even begin to comprehend why, as an adult woman, I'd wear fuchsia stockings to work and keep my last name when I got married.\u003c/p>\n\u003cp>With a spate of films, \u003ca href=\"http://www.feministpress.org/books/riot-grrrl-collection-0\">books\u003c/a>, \u003ca href=\"http://www.nyu.edu/library/bobst/research/fales/riotgrrrltest.html\">archives\u003c/a>, documentaries and exhibits, Riot Grrrl is getting examined and celebrated. Something so visceral cannot yet be a documentary-tidy closed case, right? The past still reverberates, is still relevant. Riot Grrrl politics still have a place; evolved or \u003ca href=\"http://bitchmagazine.org/post/beyonc%C3%A9-has-claimed-feminism-as-her-brand-but-whats-next\">updated\u003c/a>, but still...connected. Watching \u003ca href=\"http://ww2.kqed.org/pop/2013/12/19/kathleen-hanna-on-riot-grrrl-history-her-battle-with-lyme-disease-and-the-punk-singer/\">\u003cem>The Punk Singer\u003c/em>\u003c/a>, I nearly cried when Kathleen Hanna says she doesn't care if people believe \u003ca href=\"http://www.themarysue.com/time-magazine-apologizes-feminism/\">feminism is still important or not\u003c/a>, because she knows it is. 'Girls to the front,' was her rallying cry at the rowdy shows Bikini Kill used to play. She no longer says this \u003ca href=\"http://www.theguardian.com/music/2014/may/09/kathleen-hanna-the-julie-ruin-bikini-kill-interview\">because girls are at the front\u003c/a>. Yet, too, as Sarah Marcus, author of \u003cem>Girls to the Front\u003c/em>, \u003ca href=\"http://www.nytimes.com/2011/06/05/arts/music/the-riot-grrrl-movement-still-inspires.html?pagewanted=all&_r=1&\">says in the \u003cem>New York Times\u003c/em>\u003c/a>, “people are flocking to these reminiscences because there remains a tremendous hunger.”\u003c/p>\n\u003cp>Perhaps hunger is a better word than nostalgia. We seek to understand something while it's happening, and again when we believe it's over, more confident in our abilities to take stock. Yet a different sort of complexity is born when we attempt to weigh the retrospective. Looking back is so evocative, muddled with confusion, recognition, some stirring, some realization of how small we are even in our most important moments.\u003c/p>\n\u003cp>Still, the moments matter because they matter to us. The larger cultural realities help us with our autobiographies, and so are sometimes too difficult to stay objective about, and why should we? Like anthropologists, we might pick up and turn over the reasons for who we are. I wandered the Riot Grrrl exhibit, the fragments of it like a memory in 3D, vivid and fractured, sweet and illuminating to recall, but also not entirely finished or clear.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ca href=\"http://www.theguardian.com/music/2012/aug/03/j-mascis-dinosaur-jr-interview\">In an interview with \u003cem>The Guardian\u003c/em>\u003c/a>, the famously short-winded J Mascis, when asked if he considers the overall importance of Dinosaur Jr. in the scheme of things, says no. Because what is the scheme of things, exactly? These ordinary, extraordinary times are ours, these years, of all the millions of years there have been and will be. We do our best to understand. We collect these vital objects to display beneath plexiglass. We play our famous songs during encores. We listen, we look, we remember, we feel this longing. Yes, nostalgia too. We navigate our way through time, the origins of why we are who we are, always, to some degree, shrouded in mystery.\u003c/p>\n\n",
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"excerpt": "We pay homage to Riot Grrrl history in a museum. We sing along to a Dinosaur Jr. song at a J Mascis show. We try to understand the passage of time, our place within it, what matters, what lasts, and why.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_14103\" class=\"wp-caption aligncenter\" style=\"max-width: 563px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/riot-grrrl-zines.jpg\">\u003cimg class=\"wp-image-14103 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/riot-grrrl-zines.jpg\" alt=\"Riot Grrrl zines from ALIEN SHE. At Yerba Buena Center for the Arts. Photo by Laura Schadler.\" width=\"563\" height=\"563\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines.jpg 563w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/riot-grrrl-zines-75x75.jpg 75w\" sizes=\"(max-width: 563px) 100vw, 563px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Riot Grrrl zines from ALIEN SHE, Yerba Buena Center for the Arts. Photo by Laura Schadler.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"http://www.npr.org/blogs/monkeysee/2012/04/18/150876971/nostalgia-is-anywhere-but-here\">Nostalgia\u003c/a> is a sentimental, incomplete idea. Our human patterns of emotion, recognition, self-awareness and desire seem far stranger and more difficult to understand than mere wistfulness. However, the ‘90s are certainly having their nostalgic moment right now.\u003c/p>\n\u003cp>From 1990 to 1999, I was 11-20, my entire adolescence comprised of the art, music, fashion, politics, ethos and aesthetic of that time. Its resurgence, Urban Outfitters babydoll dresses and Doc Martens notwithstanding, is unsurprisingly quite compelling to me. There's been talk lately of \u003ca href=\"http://www.newyorker.com/magazine/2012/04/23/the-forty-year-itch\">the cycles of nostalgia\u003c/a>, our romanticizing of the time right before we were born and/or for the time we came of age. I wonder if these cycles are looping us back around to something more existentially provocative, not merely a wish, but an attempt to understand the passage of time, our place within it, what matters, what lasts, and why.\u003c/p>\n\u003cp>Last night, I saw \u003ca href=\"http://floodmagazine.com/3585/watch-j-mascis-covers-mazzy-stars-fade-into-you/\">J Mascis\u003c/a> play a sold out show at The Independent. Granted, his encore was a Dinosaur Jr. song that sort of broke my heart, calling out to the 15-year-old parts of me still alive and well. But the bulk of his material was new, with the energy and intensity of a musician not relying on his previously established reputation. I leaned over to my friend and said, \"When his voice goes high like that, I feel my whole life.\" My \u003cem>whole\u003c/em> life...not just the past, but certainly my life given depth by the past, by where it now intrudes, evolves and somehow, mysteriously, becomes the present.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/v4Xva7X69Os'\n title='//www.youtube.com/embed/v4Xva7X69Os'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>We all think our time on Earth is the most important. Every generation believes theirs is the one that will get to see the apocalypse. It's that dire, that essential. Annie Dillard writes of this strange human belief in her gorgeous book, \u003cem>For the Time Being, \u003c/em>which ruminates on the misplaced confidence we have in our individual egos, as they exist amongst the incomprehensible vastness of all other people and all of history.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>“Are not our generations the crucial ones? For we have changed the world. Are not our heightened times the important ones?...Are we not especially significant because our century is?...No, we are not and it is not. These times of ours are ordinary times...Who can bear to hear this, or who will consider it?\"\u003c/em>\u003c/p>\n\u003cp>The really interesting part is when we have lived long enough to bear hearing it, to consider it, to see just the tiniest flicker of the larger context, alongside the blinding subjectivity of our daily existence. We can begin to see that our lives, the surrounding cultures and subcultures that build, inspire, and support those lives are beautiful, essential, unknowable and fleeting. Somewhere in the mix comes this attempt to look back, to orient ourselves. Where are we? This strange year, this singular present moment, this contemporary time that occasionally seems so unfamiliar, so futuristic. And where were we before? This is not nostalgia, this is the most profound navigation, an attempt at narrative.\u003c/p>\n\u003cp>Last weekend, I saw \u003ca href=\"http://ybca.org/curators-statement-alien-she\">ALIEN SHE\u003c/a> at Yerba Buena Center for the Arts, an exhibit that examines the lasting impact of Riot Grrrl through archival ephemera, as well as a collection of contemporary works by artists who draw their influence from Riot Grrrl. What an intimate and unmoored feeling it is, at age 35, to see the counter-culture of my youth, these early ingredients of my very self on display with placards offering up dates and explanations. Aside from not being able to touch anything, the museum might well have been my high school bedroom. And, in many ways, Riot Grrrl was about our high school bedrooms, the stories written there, the music born there, the sensations of being a girl felt there, the tangible creative results that manifested.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3kDzHDBjyZA'\n title='//www.youtube.com/embed/3kDzHDBjyZA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>As a teenager, I wrote BITCH on my stomach and went to a party wearing a beret and ripped up stockings. I can't imagine I fully understood the complex combinations of powerful and sexy this outfit inspired in me or why that mattered. But I marvel now at how lucky I was to have the images and language of this particular type of feminism available to me. That snarl and cuteness were ways we could be, an invitation to inhabit contradiction. \u003ca href=\"http://vimeo.com/19060637\">\"Dude, babe, sir,\"\u003c/a> my sister and I joked, mimicking Kathleen Hanna's hilarious and deadpan railing against sexism in the music world on Mike Watt's \u003cem>Ball-Hog or Tugboat\u003c/em> album. It would be a long time before I'd hear the phrase \u003cem>third wave feminism\u003c/em> or even begin to comprehend why, as an adult woman, I'd wear fuchsia stockings to work and keep my last name when I got married.\u003c/p>\n\u003cp>With a spate of films, \u003ca href=\"http://www.feministpress.org/books/riot-grrrl-collection-0\">books\u003c/a>, \u003ca href=\"http://www.nyu.edu/library/bobst/research/fales/riotgrrrltest.html\">archives\u003c/a>, documentaries and exhibits, Riot Grrrl is getting examined and celebrated. Something so visceral cannot yet be a documentary-tidy closed case, right? The past still reverberates, is still relevant. Riot Grrrl politics still have a place; evolved or \u003ca href=\"http://bitchmagazine.org/post/beyonc%C3%A9-has-claimed-feminism-as-her-brand-but-whats-next\">updated\u003c/a>, but still...connected. Watching \u003ca href=\"http://ww2.kqed.org/pop/2013/12/19/kathleen-hanna-on-riot-grrrl-history-her-battle-with-lyme-disease-and-the-punk-singer/\">\u003cem>The Punk Singer\u003c/em>\u003c/a>, I nearly cried when Kathleen Hanna says she doesn't care if people believe \u003ca href=\"http://www.themarysue.com/time-magazine-apologizes-feminism/\">feminism is still important or not\u003c/a>, because she knows it is. 'Girls to the front,' was her rallying cry at the rowdy shows Bikini Kill used to play. She no longer says this \u003ca href=\"http://www.theguardian.com/music/2014/may/09/kathleen-hanna-the-julie-ruin-bikini-kill-interview\">because girls are at the front\u003c/a>. Yet, too, as Sarah Marcus, author of \u003cem>Girls to the Front\u003c/em>, \u003ca href=\"http://www.nytimes.com/2011/06/05/arts/music/the-riot-grrrl-movement-still-inspires.html?pagewanted=all&_r=1&\">says in the \u003cem>New York Times\u003c/em>\u003c/a>, “people are flocking to these reminiscences because there remains a tremendous hunger.”\u003c/p>\n\u003cp>Perhaps hunger is a better word than nostalgia. We seek to understand something while it's happening, and again when we believe it's over, more confident in our abilities to take stock. Yet a different sort of complexity is born when we attempt to weigh the retrospective. Looking back is so evocative, muddled with confusion, recognition, some stirring, some realization of how small we are even in our most important moments.\u003c/p>\n\u003cp>Still, the moments matter because they matter to us. The larger cultural realities help us with our autobiographies, and so are sometimes too difficult to stay objective about, and why should we? Like anthropologists, we might pick up and turn over the reasons for who we are. I wandered the Riot Grrrl exhibit, the fragments of it like a memory in 3D, vivid and fractured, sweet and illuminating to recall, but also not entirely finished or clear.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.theguardian.com/music/2012/aug/03/j-mascis-dinosaur-jr-interview\">In an interview with \u003cem>The Guardian\u003c/em>\u003c/a>, the famously short-winded J Mascis, when asked if he considers the overall importance of Dinosaur Jr. in the scheme of things, says no. Because what is the scheme of things, exactly? These ordinary, extraordinary times are ours, these years, of all the millions of years there have been and will be. We do our best to understand. We collect these vital objects to display beneath plexiglass. We play our famous songs during encores. We listen, we look, we remember, we feel this longing. Yes, nostalgia too. We navigate our way through time, the origins of why we are who we are, always, to some degree, shrouded in mystery.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Lorde Covers Jeremih's \"Don't Tell 'Em\", Feuds with Diplo over Taylor Swift's Butt ",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
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"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
"site": "radio",
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"link": "/radio/program/code-switch-life-kit",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"meta": {
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
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