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"disqusTitle": "Art Howe Rips 'Moneyball' and Billy Beane",
"title": "Art Howe Rips 'Moneyball' and Billy Beane",
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"content": "\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM2.jpg\">\u003cimg class=\"alignright size-medium wp-image-41265\" title=\"moneyballSM\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM2-300x179.jpg\" alt=\"\" width=\"300\" height=\"179\">\u003c/a>Former A's manager Art Howe has been on the offensive over his portrayal in the film \u003cem>Moneyball\u003c/em>, based on the book of the same name.\u003c/p>\n\u003cp>If you've seen the film, you know that Howe, portrayed by Philip Seymour Hoffman, is depicted as intransigent about accepting the cutting-edge statistical theories of GM Billy Beane and his assistant. The name of that character was changed at the request of Beane's real-life second, Paul DePodesta, during the 2002 season the film covers. But not so for Howe. The film also depicts the former manager as preoccupied with his contract, and suggests that Beane frequently went behind Howe's back in coaching players during that 103-win year.\u003c/p>\n\u003caside class=\"pullquote alignleft\">\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/news/2011/09/27/moneyball-producer-rachael-horovitz-answers-6-questions/\">Moneyball producer Rachael Horovitz answers 7 questions\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/news/2011/09/20/at-the-moneyball-premiere/\">Report from the Moneyball Oakland premiere\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/news/2012/01/24/an-as-fan-recalls-being-an-extra-on-set-of-moneyball/\">An A's fan recalls being an extra on the set\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Howe went on KNBR yesterday to discuss the matter with Gary Radnich and Larry Krueger. In the interview, Howe complains about several scenes in the movie that never happened in real-life. When Radnich makes the point that Moneyball is, after all, a movie, Howe says:\u003c/p>\n\u003cp>\"I understand that, but they didn't have to malign my character the way they did. The thing that really concerns me, Gary, is all the millions of people that will be watching that movie who really don't know Art Howe, and this is the impression they're going to have of me.\"\u003c/p>\n\u003cp>\"Where do you think that came from?\" Radnich asks, \"if you don't know Michael Lewis, the author. It had to come from Billy, did it not?\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"That's the way it kind of looks. I don't know for sure, but I wouldn't be surprised.\"\u003c/p>\n\u003cp>Later on, Howe says he would expect an apology from Beane if he ever ran into him, and that \"he knows who I am and what I did for the organization for seven years...He knows there was a lot of injustice done here, and I would hope he'd be man enough to step up and call me and say, 'Hey Art, I'm really sorry about this.'\" Howe said he didn't expect that to happen, however. He also said Beane once apologized to him in private for the way Beane treated him.\u003c/p>\n\u003cp>\u003ca href=\"http://www.knbr.com/portals/3/podcasts/garyradnich/092711arthurhowe.mp3\">\u003cstrong>Listen here\u003c/strong>\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.mercurynews.com/athletics/ci_18992953\">Beane fired back\u003c/a>, briefly, yesterday, telling the Bay Area News Group, \"I was wondering who was going to be the first guy to think I produced, wrote or directed this movie. Now I have my answer. (Howe's) comments are completely misguided.\"\u003c/p>\n\u003cp>More criticism from Howe...\u003c/p>\n\u003cp>From \u003ca href=\"http://sports.yahoo.com/mlb/blog/big_league_stew/post/Art-Howe-isn-t-happy-about-his-portrayal-in-Mon?urn=mlb-wp20913\">Big League Stew's blog\u003c/a> on Yahoo! Sports last Sunday:\u003c/p>\n\u003cblockquote>\u003cp>Here's Howe on SiriusXM's Mad Dog Radio:\u003c/p>\n\u003cp>\"Considering the book wasn't real favorable to me to start with I figured it would be something like this but to be honest with you it is very disappointing to know that you spent seven years in an organization and gave your heart and soul to it and helped them go to the postseason your last three years there and win over 100 games your last two seasons and this is the way evidently your boss [Beane] feels about you.\u003c/p>\n\u003cp>\"They never called me to get my slant on things as far as the movie was concerned. So, I mean, it's coming from someone. I don't know who it is but maybe it is Hollywood to make it sell, I guess. I don't know. It's disappointing. I spent my whole career trying to build a good reputation and I think I did that but this movie certainly doesn't help it. And it is definitely unfair and untrue. If you ask any player that ever played for me they would say that they never saw this side of me, ever. \"\u003c/p>\n\u003cp>And what about his portrayal in the book?\u003c/p>\n\u003cp>\"[Lewis] came in my office for about 10 minutes one day and that's all the time he spent with me. And put yourself in my position. He's asking me about my boss. Now, what can you say? [laughs] He ran some things by me and I verified some things and gave my slant to different things but they never got into the book, my slants.\"\u003c/p>\u003c/blockquote>\n\u003cp>Here's a \u003ca href=\"http://blog.chron.com/ultimateastros/2011/09/28/art-howe-livid-over-his-portrayal-in-moneyball/\">long interview Howe did\u003c/a> with a Houston Chronicle blog in which he takes issue with a number of things in the film:\u003c/p>\n\u003cblockquote>\u003cp>Was the contract an issue? I know that was a big thing in the movie and almost how they introduced you in the movie.\u003c/p>\n\u003cp>A: That was fictitious. They didn’t do their homework as far as the movie was concerned because I was on a two-year contract through 2003. I had another year after that. My agent always took care of my contract; I never negotiated with Billy, especially not in the hallway of the clubhouse. Never happened.\u003c/p>\n\u003cp>Do you feel that this (movie and book) affects your name in baseball circles?\u003c/p>\n\u003cp>A: It certainly doesn’t help it the way I was portrayed. I think the book hurt me and now the movie. I want people who don’t know Art Howe – that’s the problem with the movie – I’ve spent my whole career trying to build a good reputation and be a good baseball man and someone who people like to play for and all of the above. Then in two hours, people who don’t know me – and Brad Pitt’s a big name, people are going to see his movies – and all these people across the country are going to go in and get this perception of me that’s totally unfair and untruthful. So I’m very upset.\u003c/p>\u003c/blockquote>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>And quotes from an interview with the Chronicle yesterday:\u003c/p>\n\u003cul>\n\u003cli>\"They couldn't have demeaned me more. It's disgusting. I'm hurt by it. My reputation is altered by it. People who don't know me are going to think that's the real Art Howe.\"\u003c/li>\n\u003cli>\"I wish they'd communicated with me,\" Howe said of the filmmakers.\u003c/li>\n\u003cli>\"I don't know how you can get away with saying it's a true movie. I like how in the movie, it's Billy Beane who's the one who tells Mike Magnante he's being released, and he tells Magnante, 'Thank you so much for everything, Mike.' Give me a break. I'm the one who had to tell Magnante, and he was less than a week away from getting his full pension. I like Mike, I tried hard to get him those days, I told them to put him on the DL to get him the time; it wouldn't have cost them anything.\"\u003c/li>\n\u003c/ul>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM2.jpg\">\u003cimg class=\"alignright size-medium wp-image-41265\" title=\"moneyballSM\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM2-300x179.jpg\" alt=\"\" width=\"300\" height=\"179\">\u003c/a>Former A's manager Art Howe has been on the offensive over his portrayal in the film \u003cem>Moneyball\u003c/em>, based on the book of the same name.\u003c/p>\n\u003cp>If you've seen the film, you know that Howe, portrayed by Philip Seymour Hoffman, is depicted as intransigent about accepting the cutting-edge statistical theories of GM Billy Beane and his assistant. The name of that character was changed at the request of Beane's real-life second, Paul DePodesta, during the 2002 season the film covers. But not so for Howe. The film also depicts the former manager as preoccupied with his contract, and suggests that Beane frequently went behind Howe's back in coaching players during that 103-win year.\u003c/p>\n\u003caside class=\"pullquote alignleft\">\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/news/2011/09/27/moneyball-producer-rachael-horovitz-answers-6-questions/\">Moneyball producer Rachael Horovitz answers 7 questions\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/news/2011/09/20/at-the-moneyball-premiere/\">Report from the Moneyball Oakland premiere\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/news/2012/01/24/an-as-fan-recalls-being-an-extra-on-set-of-moneyball/\">An A's fan recalls being an extra on the set\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Howe went on KNBR yesterday to discuss the matter with Gary Radnich and Larry Krueger. In the interview, Howe complains about several scenes in the movie that never happened in real-life. When Radnich makes the point that Moneyball is, after all, a movie, Howe says:\u003c/p>\n\u003cp>\"I understand that, but they didn't have to malign my character the way they did. The thing that really concerns me, Gary, is all the millions of people that will be watching that movie who really don't know Art Howe, and this is the impression they're going to have of me.\"\u003c/p>\n\u003cp>\"Where do you think that came from?\" Radnich asks, \"if you don't know Michael Lewis, the author. It had to come from Billy, did it not?\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"That's the way it kind of looks. I don't know for sure, but I wouldn't be surprised.\"\u003c/p>\n\u003cp>Later on, Howe says he would expect an apology from Beane if he ever ran into him, and that \"he knows who I am and what I did for the organization for seven years...He knows there was a lot of injustice done here, and I would hope he'd be man enough to step up and call me and say, 'Hey Art, I'm really sorry about this.'\" Howe said he didn't expect that to happen, however. He also said Beane once apologized to him in private for the way Beane treated him.\u003c/p>\n\u003cp>\u003ca href=\"http://www.knbr.com/portals/3/podcasts/garyradnich/092711arthurhowe.mp3\">\u003cstrong>Listen here\u003c/strong>\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.mercurynews.com/athletics/ci_18992953\">Beane fired back\u003c/a>, briefly, yesterday, telling the Bay Area News Group, \"I was wondering who was going to be the first guy to think I produced, wrote or directed this movie. Now I have my answer. (Howe's) comments are completely misguided.\"\u003c/p>\n\u003cp>More criticism from Howe...\u003c/p>\n\u003cp>From \u003ca href=\"http://sports.yahoo.com/mlb/blog/big_league_stew/post/Art-Howe-isn-t-happy-about-his-portrayal-in-Mon?urn=mlb-wp20913\">Big League Stew's blog\u003c/a> on Yahoo! Sports last Sunday:\u003c/p>\n\u003cblockquote>\u003cp>Here's Howe on SiriusXM's Mad Dog Radio:\u003c/p>\n\u003cp>\"Considering the book wasn't real favorable to me to start with I figured it would be something like this but to be honest with you it is very disappointing to know that you spent seven years in an organization and gave your heart and soul to it and helped them go to the postseason your last three years there and win over 100 games your last two seasons and this is the way evidently your boss [Beane] feels about you.\u003c/p>\n\u003cp>\"They never called me to get my slant on things as far as the movie was concerned. So, I mean, it's coming from someone. I don't know who it is but maybe it is Hollywood to make it sell, I guess. I don't know. It's disappointing. I spent my whole career trying to build a good reputation and I think I did that but this movie certainly doesn't help it. And it is definitely unfair and untrue. If you ask any player that ever played for me they would say that they never saw this side of me, ever. \"\u003c/p>\n\u003cp>And what about his portrayal in the book?\u003c/p>\n\u003cp>\"[Lewis] came in my office for about 10 minutes one day and that's all the time he spent with me. And put yourself in my position. He's asking me about my boss. Now, what can you say? [laughs] He ran some things by me and I verified some things and gave my slant to different things but they never got into the book, my slants.\"\u003c/p>\u003c/blockquote>\n\u003cp>Here's a \u003ca href=\"http://blog.chron.com/ultimateastros/2011/09/28/art-howe-livid-over-his-portrayal-in-moneyball/\">long interview Howe did\u003c/a> with a Houston Chronicle blog in which he takes issue with a number of things in the film:\u003c/p>\n\u003cblockquote>\u003cp>Was the contract an issue? I know that was a big thing in the movie and almost how they introduced you in the movie.\u003c/p>\n\u003cp>A: That was fictitious. They didn’t do their homework as far as the movie was concerned because I was on a two-year contract through 2003. I had another year after that. My agent always took care of my contract; I never negotiated with Billy, especially not in the hallway of the clubhouse. Never happened.\u003c/p>\n\u003cp>Do you feel that this (movie and book) affects your name in baseball circles?\u003c/p>\n\u003cp>A: It certainly doesn’t help it the way I was portrayed. I think the book hurt me and now the movie. I want people who don’t know Art Howe – that’s the problem with the movie – I’ve spent my whole career trying to build a good reputation and be a good baseball man and someone who people like to play for and all of the above. Then in two hours, people who don’t know me – and Brad Pitt’s a big name, people are going to see his movies – and all these people across the country are going to go in and get this perception of me that’s totally unfair and untruthful. So I’m very upset.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And quotes from an interview with the Chronicle yesterday:\u003c/p>\n\u003cul>\n\u003cli>\"They couldn't have demeaned me more. It's disgusting. I'm hurt by it. My reputation is altered by it. People who don't know me are going to think that's the real Art Howe.\"\u003c/li>\n\u003cli>\"I wish they'd communicated with me,\" Howe said of the filmmakers.\u003c/li>\n\u003cli>\"I don't know how you can get away with saying it's a true movie. I like how in the movie, it's Billy Beane who's the one who tells Mike Magnante he's being released, and he tells Magnante, 'Thank you so much for everything, Mike.' Give me a break. I'm the one who had to tell Magnante, and he was less than a week away from getting his full pension. I like Mike, I tried hard to get him those days, I told them to put him on the DL to get him the time; it wouldn't have cost them anything.\"\u003c/li>\n\u003c/ul>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Moneyball Producer Rachael Horovitz Answers 7 Questions",
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"content": "\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM1.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM1-300x179.jpg\" alt=\"\" title=\"moneyballSM\" width=\"300\" height=\"179\" class=\"alignleft size-medium wp-image-41070\">\u003c/a>Last weekend, \u003cem>Moneyball\u003c/em>, adapted from Michael Lewis' book about Oakland A's GM Billy Beane's early adoption of statistical analysis, was \u003ca href=\"http://movies.yahoo.com/mv/boxoffice/\">No. 2 at the box office\u003c/a>, surpassed only by the re-release of \u003cem>The Lion King\u003c/em>. The film also has a \u003ca href=\"http://www.rottentomatoes.com/m/moneyball/\">94% rating on Rotten Tomatoes\u003c/a>, the \u003ca href=\"http://www.rottentomatoes.com/m/moneyball/\">fifth-best rated movie\u003c/a> on the entire site.\u003c/p>\n\u003cp>Last week I interviewed \u003ca href=\"http://www.imdb.com/name/nm0395267/\">Rachael Horovitz\u003c/a>, the \u003cem>Moneyball\u003c/em> producer who was on the project from the start. Below is an edited transcript. (Disclaimer: We knew each other in grade school. But that was before her movie career was in full swing.) \u003c/p>\n\u003cblockquote>\n\u003cp>\u003cstrong>Talk about your role on the movie...\u003c/strong>\u003c/p>\n\u003cp>The project originated with me. I had been a studio executive for a long time and I quit to make my own movies. When you're an executive, you have one boss, one buyer, and if that guy doesn't want to do your idea, you can't go anywhere else. So there were movies that I didn't get to make that I really wanted to.\u003c/p>\n\u003cp>So I quit and had a two-week vacation, and this book was one of the books I read during that time. It totally jump-started my producing career. I thought this is exactly the kind of movie I want to make, and I'll just keep pounding the pavement until I can get someone to back me. \u003c/p>\n\u003cp>Sony loved the pitch. They were fans of the book but they hadn't considered it as a movie until we started talking. Warner Bros also responded but I ended up with Sony. The thing about the project that's been so extraordinary -- everyone who's gotten involved has fallen in love with it, and we're all very different people.\u003c/p>\n\u003cp>I'm going to be thinking about it for a long time, what is it that all of these very different people love about the story. Everyone I know who has read the book has fallen in love with it. And everyone who read it to get involved with the film felt very personally connected to it. \u003c!--more-->\u003c/p>\n\u003cp>\u003cstrong>At first blush, when you read the book, you might not necessarily detect a narrative you can extrapolate that would play on-screen. Tell me what you saw in the book that could translate into a compelling movie...\u003c/strong>\u003c/p>\n\u003cp>I saw first of all a real movie character in Billy Beane, and that to me is almost always where it starts when I'm looking at a movie -- do you want to spend two hours with this person? I felt that his predicament was extremely human and relatable. None of us on the filmmaking side has worked in baseball, but we all completely related to the predicament. Scenes like Billy trying to decide whether to go to Stanford or to the Mets, I saw those in movie images. \u003c/p>\n\u003cp>\u003cstrong>It's been reported that the \u003ca href=\"http://blogs.indiewire.com/womenandhollywood/archives/2011/09/23/moneyball_producer_rachael_horovitz_a_lesson_in_perseverance/#\">film took a long time to bring to the screen\u003c/a>. Why is that?\u003c/strong>\u003c/p>\n\u003cp>Good screenwriting looks easy, but it is damn hard. I've worked on two kinds of movies over the years –- movies that are total auteur, like from [directors] Alexander Payne or Wes Anderson, and ones that are quote, \"within the system.\" A Wes Anderson story, for instance, always starts in Wes' brain. The types of films that are made from within the system, there are committees, and they usually doesn't have a filmmaker from Day 1. \u003c/p>\n\u003cp>I would often watch my father [playwright Israel Horovitz] get hired onto movies, and they were harder to write than movies or plays that started in his head, because there were other people who had a vote. \u003c/p>\n\u003cp>But the reason that this particular book was difficult to adapt is because you want to somehow recreate the experience of reading the book, which goes in and out of time, explanation of \u003ca href=\"http://en.wikipedia.org/wiki/Sabermetrics\">sabermetrics\u003c/a>, and a lot of the historical context. It was a harder script to get down than most. \u003c/p>\n\u003cp>\u003cstrong>Did you get to work with Billy Beane?\u003c/strong>\u003c/p>\n\u003cp>We worked with him throughout the process. The whole A's organization was supportive of getting the details right. As far as the facts of Billy's life, he was always available for us to ask questions. \u003c/p>\n\u003cp>\u003cstrong>Why was \u003ca href=\"http://articles.latimes.com/2011/sep/20/sports/la-sp-plaschke-20110921\">Paul DePodesta's name and character changed\u003c/a>? \u003c/strong>\u003c/p>\n\u003cp>He opted to do that so we respectfully changed his name. I can't tell you exactly why; there's a \u003ca href=\"http://sports.yahoo.com/mlb/news?slug=ti-depodestamoneyball080510\">nice interview with him online\u003c/a> where he talks about it. I never met him so I don't know first-hand. I think everybody should have the right to do that. \u003c/p>\n\u003cp>\u003cstrong>How did having an esteemed playwright for a father influence you? \u003c/strong>\u003c/p>\n\u003cp>Too much. It 's something I'm very aware of now, thinking how did I end up in the movie business. Being a parent, I just see the ways you influence your kids without being aware. Growing up in my house, it was all about movies and plays and that was the emphasis. \u003c/p>\n\u003cp>\u003cstrong>So do you have regrets that you wound up in the movie business?\u003c/strong>\u003c/p>\n\u003cp>If I could start over I'd go to medical school. But that's just being in your 40s. ..\n\u003c/p>\u003c/blockquote>\n\u003cp>You can watch \u003ca href=\"http://movies.yahoo.com/movie/1810166670/info\">clips from Moneyball\u003c/a> at Yahoo! Movies.\u003c/p>\n\u003cp>Related:\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/news/2011/09/20/at-the-moneyball-premiere/\">At the Moneyball Premiere...\u003c/a> (News Fix)\u003c/li>\n\u003c/ul>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM1.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM1-300x179.jpg\" alt=\"\" title=\"moneyballSM\" width=\"300\" height=\"179\" class=\"alignleft size-medium wp-image-41070\">\u003c/a>Last weekend, \u003cem>Moneyball\u003c/em>, adapted from Michael Lewis' book about Oakland A's GM Billy Beane's early adoption of statistical analysis, was \u003ca href=\"http://movies.yahoo.com/mv/boxoffice/\">No. 2 at the box office\u003c/a>, surpassed only by the re-release of \u003cem>The Lion King\u003c/em>. The film also has a \u003ca href=\"http://www.rottentomatoes.com/m/moneyball/\">94% rating on Rotten Tomatoes\u003c/a>, the \u003ca href=\"http://www.rottentomatoes.com/m/moneyball/\">fifth-best rated movie\u003c/a> on the entire site.\u003c/p>\n\u003cp>Last week I interviewed \u003ca href=\"http://www.imdb.com/name/nm0395267/\">Rachael Horovitz\u003c/a>, the \u003cem>Moneyball\u003c/em> producer who was on the project from the start. Below is an edited transcript. (Disclaimer: We knew each other in grade school. But that was before her movie career was in full swing.) \u003c/p>\n\u003cblockquote>\n\u003cp>\u003cstrong>Talk about your role on the movie...\u003c/strong>\u003c/p>\n\u003cp>The project originated with me. I had been a studio executive for a long time and I quit to make my own movies. When you're an executive, you have one boss, one buyer, and if that guy doesn't want to do your idea, you can't go anywhere else. So there were movies that I didn't get to make that I really wanted to.\u003c/p>\n\u003cp>So I quit and had a two-week vacation, and this book was one of the books I read during that time. It totally jump-started my producing career. I thought this is exactly the kind of movie I want to make, and I'll just keep pounding the pavement until I can get someone to back me. \u003c/p>\n\u003cp>Sony loved the pitch. They were fans of the book but they hadn't considered it as a movie until we started talking. Warner Bros also responded but I ended up with Sony. The thing about the project that's been so extraordinary -- everyone who's gotten involved has fallen in love with it, and we're all very different people.\u003c/p>\n\u003cp>I'm going to be thinking about it for a long time, what is it that all of these very different people love about the story. Everyone I know who has read the book has fallen in love with it. And everyone who read it to get involved with the film felt very personally connected to it. \u003c!--more-->\u003c/p>\n\u003cp>\u003cstrong>At first blush, when you read the book, you might not necessarily detect a narrative you can extrapolate that would play on-screen. Tell me what you saw in the book that could translate into a compelling movie...\u003c/strong>\u003c/p>\n\u003cp>I saw first of all a real movie character in Billy Beane, and that to me is almost always where it starts when I'm looking at a movie -- do you want to spend two hours with this person? I felt that his predicament was extremely human and relatable. None of us on the filmmaking side has worked in baseball, but we all completely related to the predicament. Scenes like Billy trying to decide whether to go to Stanford or to the Mets, I saw those in movie images. \u003c/p>\n\u003cp>\u003cstrong>It's been reported that the \u003ca href=\"http://blogs.indiewire.com/womenandhollywood/archives/2011/09/23/moneyball_producer_rachael_horovitz_a_lesson_in_perseverance/#\">film took a long time to bring to the screen\u003c/a>. Why is that?\u003c/strong>\u003c/p>\n\u003cp>Good screenwriting looks easy, but it is damn hard. I've worked on two kinds of movies over the years –- movies that are total auteur, like from [directors] Alexander Payne or Wes Anderson, and ones that are quote, \"within the system.\" A Wes Anderson story, for instance, always starts in Wes' brain. The types of films that are made from within the system, there are committees, and they usually doesn't have a filmmaker from Day 1. \u003c/p>\n\u003cp>I would often watch my father [playwright Israel Horovitz] get hired onto movies, and they were harder to write than movies or plays that started in his head, because there were other people who had a vote. \u003c/p>\n\u003cp>But the reason that this particular book was difficult to adapt is because you want to somehow recreate the experience of reading the book, which goes in and out of time, explanation of \u003ca href=\"http://en.wikipedia.org/wiki/Sabermetrics\">sabermetrics\u003c/a>, and a lot of the historical context. It was a harder script to get down than most. \u003c/p>\n\u003cp>\u003cstrong>Did you get to work with Billy Beane?\u003c/strong>\u003c/p>\n\u003cp>We worked with him throughout the process. The whole A's organization was supportive of getting the details right. As far as the facts of Billy's life, he was always available for us to ask questions. \u003c/p>\n\u003cp>\u003cstrong>Why was \u003ca href=\"http://articles.latimes.com/2011/sep/20/sports/la-sp-plaschke-20110921\">Paul DePodesta's name and character changed\u003c/a>? \u003c/strong>\u003c/p>\n\u003cp>He opted to do that so we respectfully changed his name. I can't tell you exactly why; there's a \u003ca href=\"http://sports.yahoo.com/mlb/news?slug=ti-depodestamoneyball080510\">nice interview with him online\u003c/a> where he talks about it. I never met him so I don't know first-hand. I think everybody should have the right to do that. \u003c/p>\n\u003cp>\u003cstrong>How did having an esteemed playwright for a father influence you? \u003c/strong>\u003c/p>\n\u003cp>Too much. It 's something I'm very aware of now, thinking how did I end up in the movie business. Being a parent, I just see the ways you influence your kids without being aware. Growing up in my house, it was all about movies and plays and that was the emphasis. \u003c/p>\n\u003cp>\u003cstrong>So do you have regrets that you wound up in the movie business?\u003c/strong>\u003c/p>\n\u003cp>If I could start over I'd go to medical school. But that's just being in your 40s. ..\n\u003c/p>\u003c/blockquote>\n\u003cp>You can watch \u003ca href=\"http://movies.yahoo.com/movie/1810166670/info\">clips from Moneyball\u003c/a> at Yahoo! Movies.\u003c/p>\n\u003cp>Related:\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/news/2011/09/20/at-the-moneyball-premiere/\">At the Moneyball Premiere...\u003c/a> (News Fix)\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv>\n\u003cp>Rachael Myrow here, host of the California Report, with a handful of links to cool and/or important stories outside the Bay Area local readers should check out.\u003c/p>\n\u003cdiv>\n\u003cdiv>\n\u003cul>\n\u003cli>\u003ca title=\"Record dodgeball game at UC Irvine\" href=\"http://www.latimes.com/news/local/la-me-0922-dodgeball-pictures,0,2819492.photogallery\" target=\"_top\">Record dodgeball game at UC Irvine\u003c/a> (Los Angeles Times)\u003c/li>\n\u003cli>\u003ca title=\"FBI joins forces with LAPD on gang slayings\" href=\"http://www.latimes.com/news/local/la-me-gang-homicides-20110922,0,1079623.story\" target=\"_top\">FBI joins forces with LAPD on gang slayings\u003c/a> (Los Angeles Times)\u003c/li>\n\u003cli>\u003ca title=\"http://www.nytimes.com/2011/09/22/technology/idea-of-whitman-at-hp-distresses-the-tech-world.html?emc=tnt&tntemail0=y\" href=\"http://www.nytimes.com/2011/09/22/technology/idea-of-whitman-at-hp-distresses-the-tech-world.html?emc=tnt&tntemail0=y\">Idea of Whitman at H.P. Distresses the Tech World\u003c/a> (New York Times)\u003cstrong>\u003c/strong>\u003c/li>\n\u003cli>\u003ca title=\"http://www.nytimes.com/2011/09/22/garden/for-kids-a-diy-web-site.html?emc=tnt&tntemail0=y\" href=\"http://www.nytimes.com/2011/09/22/garden/for-kids-a-diy-web-site.html?emc=tnt&tntemail0=y\">For Kids, a D.I.Y. Web Site\u003c/a> (New York Times)\u003c/li>\n\u003cli>\u003ca href=\"http://online.wsj.com/article/SB10001424053111904563904576585163584175074.html?KEYWORDS=California\">Select Cities See Brain Gain\u003c/a> (Wall Street Journal)\u003c/li>\n\u003c/ul>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>\u003cem>Tout\u003c/em>-Oakland turned out at the Paramount Theater last night for the premiere of \u003cem>Moneyball\u003c/em>. Or at least \u003cem>à demi \u003c/em> Oakland. I was there too and pegged the audience as part local, part Hollywood. \u003c/p>\n\u003cp>Donations from Listeners Like You did not pay for my ticket; I scored a seat from one of the film's producers, the sister of a childhood friend. Others I talked to enjoyed similar degrees-of-separation status: \"I'm here because my daughter and Michael Lewis' daughter go to school together,\" one guy told me, citing the author of the movie's source material.\u003c/p>\n\u003cfigure id=\"attachment_40434\" class=\"wp-caption alignleft\" style=\"max-width: 326px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM.jpg\" alt=\"\" title=\"moneyballSM\" width=\"326\" height=\"195\" class=\"size-full wp-image-40434\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Jon Brooks/KQED\u003c/figcaption>\u003c/figure>\n\u003cp>Some hard-cores did, however, represent. \"I'm an A's season-ticket holder and have been since 1988 and couldn't miss the chance to see the world premiere of a movie about Oakland in Oakland,\" Cathy Connelly of Alameda shouted into my mic, in order to be heard amid an absolute crush of premiere-goers. How much were the tickets? \"$100 dollars.\" Did you read the book? \"Yes I did, my whole family did.\" Are you a big Billy Beane fan? \"I am a big Billy Beane fan.\" \"How about Brad Pitt? \"Not as much Brad Pitt.\"\u003c/p>\n\u003cp>\"I read the book when it came out,\" said one free-cocktail-sipper, a twenty-something female. \"And that's what made me fall in love with the team. Hatteberg, Bradford, all those big names, all those great human-interest stories, it had me sucked in.\" \u003c/p>\n\u003cp>\"I'd like to comment on John Fisher,\" interrupted a guy with something very much on his mind. \"He should be ashamed of himself.\" Fisher is the A's co-owner, and the \u003ca href=\"http://www.ktvu.com/news/27109618/detail.html\">team wants to move to San Jose\u003c/a>. \"Keep the A's in Oakland,\" was my interviewee's message. \"If any city in America could use a baseball team, it's Oakland. Get over your ego. This is not about money.\" (Dude it is, I thought. It's even the \u003cem>name\u003c/em> of the movie.) \u003c!--more-->\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Other folks didn't exactly know the team from A's to Z. \"I'm here because my boyfriend works for them,\" said one woman. \"I don't know anything about baseball. I didn't read the book.\" Your boyfriend works for the team and you don't know anything about baseball? \"We just started dating.\" Okay. Good luck with that. \u003c/p>\n\u003cp>The house was about 80 percent capacity, a lot better than the A's are doing at O.co, or \u003ca href=\"http://ww2.kqed.org/news/2011/04/29/new-oakland-stadium-name-overstock-com-coliseum-met-with-rampant-disrespect/\">whatever they're calling it\u003c/a>. My seat was sandwiched between two groups from L.A. The woman to my left worked for the lab that processed the movie print, and a trio of guys to my right discussed someone involved in the optioning of the book. \"She called him and said, 'can you explain Moneyball to me,'\" one of them recounted to mirthless insider laughter. \u003c/p>\n\u003cp>The on-stage introductions were next, in ascending order of star power: my ticket benefactor, the producer Rachael Horovitz, followed by Michael Lewis, Philip Seymour Hoffman, an extremely slimmed down Jonah Hill (still bankable now sans tummy?) and....\u003cem>Brad Pitt\u003c/em>! Waves of handsome swept over the audience. \"Hey, he's actually better-looking in person!\" I thought from my third-row seat. And it's true. He really is. \u003c/p>\n\u003cp>The film was good. Some funny stuff, and you really want those A's to win. The crowd ate it up, though the politics of the moment occasionally did intrude. Shouts of discontent about the possible A's exodus emerged seemingly at random from the dark. And when Billy Beane/Brad Pitt remarked on-screen that the A's stadium was a \"dump,\" someone loudly booed. \u003c/p>\n\u003cp>The lights went up to big applause. I turned around in my seat and who did I see just two rows behind me? The man himself: Billy Beane. He had been introduced pre-movie as someone who \"didn't want to be here.\" But honestly he looked as happy as, say, a November 2010 Brian Sabean. I thought about pointing at him and shouting, \"Hey Brad Pitt!\" but I didn't feel like a punch in the nose with a BART ride home ahead of me.\u003c/p>\n\u003cp>Plus I like Billy Beane. \u003cem>Moneyball\u003c/em> the concept is literally counter-intuitive. The book and film tell the tale of how the A's general manager, a failed baseball player despite can't-miss raves from the scouts, turns his own wrenching experience into a successful numbers-based approach to finding deficiencies in the baseball marketplace, thus allowing his low-payroll team to compete with the likes of the Yankees. But it's also counter-intuitive from a \u003cem>narrative\u003c/em> standpoint -- a story where the beancounters are the heroes and the go-with-your-guts guys -- the \"intangibles\" crowd -- are the benighted boobs. Plotwise, it's as if a flunked Jedi warrior shows up at Yoda's doorstep saying, \"the Force doesn't work, and I've got the stats to prove it.\" \u003c/p>\n\u003cp>Would you -- do you -- root for that character? Another way of putting it: One might say that Billy Beane and his ilk are the people who brought you the romance of the spreadsheet. They're the guys who view the base-on-balls as a majestic act of rationality, rather than a missed opportunity to blast one 600 feet. \u003cem>Field of Dreams\u003c/em> becomes \u003cem>Field of Reams (of Data)\u003c/em>...\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Some may never forgive him for that. But he got big applause last night in Oakland, on-screen and off. \u003c/p>\n\n",
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"description": "Tout-Oakland turned out at the Paramount Theater last night for the premiere of Moneyball. Or at least à demi Oakland. I was there too and pegged the audience as part local, part Hollywood.\r\n\r\nDonations from Listeners Like You did not pay for my ticket; I scored a seat from one of the film's producers, the sister of a childhood friend. Others I talked to enjoyed similar degrees-of-separation status: "I'm here because my daughter and Michael Lewis' daughter go to school together," one guy told me, citing the author of the movie's source material.",
"title": "At the Moneyball Premiere... | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Tout\u003c/em>-Oakland turned out at the Paramount Theater last night for the premiere of \u003cem>Moneyball\u003c/em>. Or at least \u003cem>à demi \u003c/em> Oakland. I was there too and pegged the audience as part local, part Hollywood. \u003c/p>\n\u003cp>Donations from Listeners Like You did not pay for my ticket; I scored a seat from one of the film's producers, the sister of a childhood friend. Others I talked to enjoyed similar degrees-of-separation status: \"I'm here because my daughter and Michael Lewis' daughter go to school together,\" one guy told me, citing the author of the movie's source material.\u003c/p>\n\u003cfigure id=\"attachment_40434\" class=\"wp-caption alignleft\" style=\"max-width: 326px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM.jpg\" alt=\"\" title=\"moneyballSM\" width=\"326\" height=\"195\" class=\"size-full wp-image-40434\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Jon Brooks/KQED\u003c/figcaption>\u003c/figure>\n\u003cp>Some hard-cores did, however, represent. \"I'm an A's season-ticket holder and have been since 1988 and couldn't miss the chance to see the world premiere of a movie about Oakland in Oakland,\" Cathy Connelly of Alameda shouted into my mic, in order to be heard amid an absolute crush of premiere-goers. How much were the tickets? \"$100 dollars.\" Did you read the book? \"Yes I did, my whole family did.\" Are you a big Billy Beane fan? \"I am a big Billy Beane fan.\" \"How about Brad Pitt? \"Not as much Brad Pitt.\"\u003c/p>\n\u003cp>\"I read the book when it came out,\" said one free-cocktail-sipper, a twenty-something female. \"And that's what made me fall in love with the team. Hatteberg, Bradford, all those big names, all those great human-interest stories, it had me sucked in.\" \u003c/p>\n\u003cp>\"I'd like to comment on John Fisher,\" interrupted a guy with something very much on his mind. \"He should be ashamed of himself.\" Fisher is the A's co-owner, and the \u003ca href=\"http://www.ktvu.com/news/27109618/detail.html\">team wants to move to San Jose\u003c/a>. \"Keep the A's in Oakland,\" was my interviewee's message. \"If any city in America could use a baseball team, it's Oakland. Get over your ego. This is not about money.\" (Dude it is, I thought. It's even the \u003cem>name\u003c/em> of the movie.) \u003c!--more-->\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Other folks didn't exactly know the team from A's to Z. \"I'm here because my boyfriend works for them,\" said one woman. \"I don't know anything about baseball. I didn't read the book.\" Your boyfriend works for the team and you don't know anything about baseball? \"We just started dating.\" Okay. Good luck with that. \u003c/p>\n\u003cp>The house was about 80 percent capacity, a lot better than the A's are doing at O.co, or \u003ca href=\"http://ww2.kqed.org/news/2011/04/29/new-oakland-stadium-name-overstock-com-coliseum-met-with-rampant-disrespect/\">whatever they're calling it\u003c/a>. My seat was sandwiched between two groups from L.A. The woman to my left worked for the lab that processed the movie print, and a trio of guys to my right discussed someone involved in the optioning of the book. \"She called him and said, 'can you explain Moneyball to me,'\" one of them recounted to mirthless insider laughter. \u003c/p>\n\u003cp>The on-stage introductions were next, in ascending order of star power: my ticket benefactor, the producer Rachael Horovitz, followed by Michael Lewis, Philip Seymour Hoffman, an extremely slimmed down Jonah Hill (still bankable now sans tummy?) and....\u003cem>Brad Pitt\u003c/em>! Waves of handsome swept over the audience. \"Hey, he's actually better-looking in person!\" I thought from my third-row seat. And it's true. He really is. \u003c/p>\n\u003cp>The film was good. Some funny stuff, and you really want those A's to win. The crowd ate it up, though the politics of the moment occasionally did intrude. Shouts of discontent about the possible A's exodus emerged seemingly at random from the dark. And when Billy Beane/Brad Pitt remarked on-screen that the A's stadium was a \"dump,\" someone loudly booed. \u003c/p>\n\u003cp>The lights went up to big applause. I turned around in my seat and who did I see just two rows behind me? The man himself: Billy Beane. He had been introduced pre-movie as someone who \"didn't want to be here.\" But honestly he looked as happy as, say, a November 2010 Brian Sabean. I thought about pointing at him and shouting, \"Hey Brad Pitt!\" but I didn't feel like a punch in the nose with a BART ride home ahead of me.\u003c/p>\n\u003cp>Plus I like Billy Beane. \u003cem>Moneyball\u003c/em> the concept is literally counter-intuitive. The book and film tell the tale of how the A's general manager, a failed baseball player despite can't-miss raves from the scouts, turns his own wrenching experience into a successful numbers-based approach to finding deficiencies in the baseball marketplace, thus allowing his low-payroll team to compete with the likes of the Yankees. But it's also counter-intuitive from a \u003cem>narrative\u003c/em> standpoint -- a story where the beancounters are the heroes and the go-with-your-guts guys -- the \"intangibles\" crowd -- are the benighted boobs. Plotwise, it's as if a flunked Jedi warrior shows up at Yoda's doorstep saying, \"the Force doesn't work, and I've got the stats to prove it.\" \u003c/p>\n\u003cp>Would you -- do you -- root for that character? Another way of putting it: One might say that Billy Beane and his ilk are the people who brought you the romance of the spreadsheet. They're the guys who view the base-on-balls as a majestic act of rationality, rather than a missed opportunity to blast one 600 feet. \u003cem>Field of Dreams\u003c/em> becomes \u003cem>Field of Reams (of Data)\u003c/em>...\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Some may never forgive him for that. But he got big applause last night in Oakland, on-screen and off. \u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Central Subway Artist Once Killed Dog on Video",
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"content": "\u003cfigure id=\"attachment_40241\" class=\"wp-caption alignright\" style=\"max-width: 230px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/Tom-otternessSM.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/Tom-otternessSM.jpg\" alt=\"\" title=\"Tom-otternessSM\" width=\"230\" height=\"240\" class=\"size-full wp-image-40241\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Artist Tom Otterness (Photo: Dmadeo)\u003c/figcaption>\u003c/figure>\n\u003cp>The Examiner today writes about \u003ca href=\"http://www.sfexaminer.com/local/2011/09/sculptor-who-killed-dog-set-make-san-francisco-central-subway-art\">\u003cstrong>artist Tom Otterness and a $750,000 contract he has received related to the Central Subway\u003c/strong>\u003c/a>. \u003c/p>\n\u003cblockquote>\u003cp>In June, the board of directors of the San Francisco Municipal Transportation Agency approved a contract with Otterness for 59 bronze sculptures to fill three levels of the proposed subway’s Moscone station.\n\u003c/p>\u003c/blockquote>\n\u003cp>But I buried the lead. This commission is controversial -- or is about to become so -- because of a 1977 video Otterness made in which he shot a dog to death. This happened in New York City, where I was a teenager at the time, and I can tell you it was a big deal.\u003c/p>\n\u003cp>But since then, Otterness has gone on to a successful career as a \u003ca href=\"http://www.tomostudio.com/index02.html\">sculptor\u003c/a>. From \u003ca href=\"http://en.wikipedia.org/wiki/Tom_Otterness\">Wikipedia\u003c/a>: \u003c/p>\n\u003cblockquote>\u003cp>Tom Otterness (b. 1952 in Wichita, Kansas) is an American sculptor whose works adorn parks, plazas, subway stations, libraries, courthouses and museums in New York---most notably in Rockefeller Park in Battery Park City[1] and in the 14th Street/8th Avenue subway station---and other cities around the world. He was the first artist ever to have contributed a balloon to the Macy's Thanksgiving Day Parade.[2] “…he made a giant Humpty Dumpty suspended in an upside-down tumble, as though he might have jumped from one of the swanky Central Park West rooftops…”[3]...\u003c/p>\n\u003cp>Known primarily as a public artist, Otterness has exhibited in popular exhibitions in locations across the United States and around the world, including New York City, Indianapolis, Beverly Hills, the Hague, Munich, Paris, Valencia and Venice. His studio is located in the Gowanus neighborhood in Brooklyn.\u003c/p>\u003c/blockquote>\n\u003cp> \u003c!--more-->\u003c/p>\n\u003cp>But a lot of people haven't forgotten the canine snuff film. Here's the art critic Gary Indiana in New York magazine in 2005 \u003ca href=\"http://nymag.com/nymetro/arts/features/10557/\">\u003cstrong>recounting his years as a critic for the Village Voice covering the East Village art scene\u003c/strong>\u003c/a>.\" Writing about a show focusing on early 80s work in the neighborhood, he writes:\u003c/p>\n\u003cblockquote>\u003cp>...I’m repulsed by this show’s inclusion of Tom Otterness, a sculptor of limitless nonentity despite his demonstrated skill at conning public-art commissions and taste-impaired collectors into making him rich. Mr. Otterness, once upon a time, adopted a dog and then shot it to death for the fun of recording his infantile, sadistic depravity on film. I’d like the New Museum’s visitors to keep that in mind while looking at this creep’s work. Mr. Otterness isn’t one of those special exceptions deserving the adage “Lousy person, terrific artist.” Lousy both.\u003c/p>\u003c/blockquote>\n\u003cp>In 2008, the dog shooting became an issue when Otterness created a public sculpture in Brooklyn. The \u003ca href=\"http://www.brooklyneagle.com/categories/category.php?category_id=27&id=19895\">Brooklyn Daily Eagle contacted him\u003c/a> to talk about the controversy, prompting him to send an apology:\u003c/p>\n\u003cblockquote>\u003cp>The Brooklyn Eagle contacted the artist’s studio about the issue Monday, and received the following response via email:\u003c/p>\n\u003cp>“Thirty years ago when I was 25 years old, I made a film in which I shot a dog. It was an indefensible act that I am deeply sorry for. Many of us have experienced profound emotional turmoil and despair. Few have made the mistake I made. I hope people can find it in their hearts to forgive me -- Tom Otterness.”\u003c/p>\u003c/blockquote>\n\u003cp>The local blog \u003ca href=\"http://mcbrooklyn.blogspot.com/2008/04/tom-otterness-apologizes-for-shooting.html\">mcbrooklyn\u003c/a> received something similar from the artist:\u003c/p>\n\u003cblockquote>\u003cp>As you must understand this is a very difficult and painful situation for me. Thirty years ago when I was 25 years old, I made a film in which I shot a dog. It was an indefensible act that I am deeply sorry for. Many of us have experienced profound emotional turmoil and despair. Few have made the mistake I made. I hope people can find it in their hearts to forgive me.\u003c/p>\n\u003cp>Tom Otterness\u003c/p>\u003c/blockquote>\n\u003cp>Otterness was \u003ca href=\"http://www.observer.com/2011/barking-big-money-tom-otterness-now-takes-shots-capitalism-not-dogs\">\u003cstrong>profiled in the New York Observer\u003c/strong>\u003c/a> earlier this year. The dog issue -- it came up: \u003c/p>\n\u003cblockquote>\u003cp>One of the masterminds of the show was described in the publicity materials as “already notorious for having executed his dog on video tape.” This was Tom Otterness. In 1977, a few years after moving to New York from Wichita, Mr. Otterness shot and killed his dog on camera for a video called “Shot Dog Film.” The piece was too much even for many of his anarchic contemporaries. When The Observer visited the artist’s Gowanus studio, he anticipated our question.\u003c/p>\n\u003cp>“Oh, let me guess,” he said. “Go ahead. Ask.”\u003c/p>\n\u003cp>Why did he kill his dog for the sake of video art?\u003c/p>\n\u003cp>“What the f*** do I do with this?” he said. He grew visibly upset. “Certainly the scene it was part of- it was in the context of the times and the scene I was in.” He began again. “It is something I’ve grown to understand that nothing really excuses that kind of action. I had a very convoluted logic as to what effect I meant to have with that video. Whatever I had in mind, it was really inexcusable to take a life in service of that.”\u003c/p>\n\u003cp>A foot-tall bronze statue of a dog, done in Mr. Otterness’ comic, through-a-glass-darkly style, sat on a desk facing its creator, not quite smiling.\u003c/p>\u003c/blockquote>\n\u003cp>Some New Yorkers are still mad. Here's an \u003ca href=\"http://www.gopetition.com/petitions/stop-dog-killer-from-creating-sculpture-for-ny-public-l.html\">online petition\u003c/a> against Otterness receiving a $750,000 commission to \"\u003ca href=\"http://www.downtownexpress.com/?p=1843\">sculpt bronze lions at the Battery Park Branch of New York Public Library\u003c/a>.\" It's been signed by more than 11,000 people. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>So what does San Francisco have to say about all this? From the Examiner today:\u003c/p>\n\u003cblockquote>\u003cp>“Tom Otterness is a world-renowned sculptor who has been commissioned by government agencies around the world to create major permanent public art projects,” Susan Pontious, director of the San Francisco Arts Commission’s public art program, said in a statement. “The Central Subway Artist Selection Panel chose Otterness based on the strength of his proposal and his impressive portfolio of past sculptural work.\"\n\u003c/p>\u003c/blockquote>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_40241\" class=\"wp-caption alignright\" style=\"max-width: 230px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/Tom-otternessSM.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/Tom-otternessSM.jpg\" alt=\"\" title=\"Tom-otternessSM\" width=\"230\" height=\"240\" class=\"size-full wp-image-40241\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Artist Tom Otterness (Photo: Dmadeo)\u003c/figcaption>\u003c/figure>\n\u003cp>The Examiner today writes about \u003ca href=\"http://www.sfexaminer.com/local/2011/09/sculptor-who-killed-dog-set-make-san-francisco-central-subway-art\">\u003cstrong>artist Tom Otterness and a $750,000 contract he has received related to the Central Subway\u003c/strong>\u003c/a>. \u003c/p>\n\u003cblockquote>\u003cp>In June, the board of directors of the San Francisco Municipal Transportation Agency approved a contract with Otterness for 59 bronze sculptures to fill three levels of the proposed subway’s Moscone station.\n\u003c/p>\u003c/blockquote>\n\u003cp>But I buried the lead. This commission is controversial -- or is about to become so -- because of a 1977 video Otterness made in which he shot a dog to death. This happened in New York City, where I was a teenager at the time, and I can tell you it was a big deal.\u003c/p>\n\u003cp>But since then, Otterness has gone on to a successful career as a \u003ca href=\"http://www.tomostudio.com/index02.html\">sculptor\u003c/a>. From \u003ca href=\"http://en.wikipedia.org/wiki/Tom_Otterness\">Wikipedia\u003c/a>: \u003c/p>\n\u003cblockquote>\u003cp>Tom Otterness (b. 1952 in Wichita, Kansas) is an American sculptor whose works adorn parks, plazas, subway stations, libraries, courthouses and museums in New York---most notably in Rockefeller Park in Battery Park City[1] and in the 14th Street/8th Avenue subway station---and other cities around the world. He was the first artist ever to have contributed a balloon to the Macy's Thanksgiving Day Parade.[2] “…he made a giant Humpty Dumpty suspended in an upside-down tumble, as though he might have jumped from one of the swanky Central Park West rooftops…”[3]...\u003c/p>\n\u003cp>Known primarily as a public artist, Otterness has exhibited in popular exhibitions in locations across the United States and around the world, including New York City, Indianapolis, Beverly Hills, the Hague, Munich, Paris, Valencia and Venice. His studio is located in the Gowanus neighborhood in Brooklyn.\u003c/p>\u003c/blockquote>\n\u003cp> \u003c!--more-->\u003c/p>\n\u003cp>But a lot of people haven't forgotten the canine snuff film. Here's the art critic Gary Indiana in New York magazine in 2005 \u003ca href=\"http://nymag.com/nymetro/arts/features/10557/\">\u003cstrong>recounting his years as a critic for the Village Voice covering the East Village art scene\u003c/strong>\u003c/a>.\" Writing about a show focusing on early 80s work in the neighborhood, he writes:\u003c/p>\n\u003cblockquote>\u003cp>...I’m repulsed by this show’s inclusion of Tom Otterness, a sculptor of limitless nonentity despite his demonstrated skill at conning public-art commissions and taste-impaired collectors into making him rich. Mr. Otterness, once upon a time, adopted a dog and then shot it to death for the fun of recording his infantile, sadistic depravity on film. I’d like the New Museum’s visitors to keep that in mind while looking at this creep’s work. Mr. Otterness isn’t one of those special exceptions deserving the adage “Lousy person, terrific artist.” Lousy both.\u003c/p>\u003c/blockquote>\n\u003cp>In 2008, the dog shooting became an issue when Otterness created a public sculpture in Brooklyn. The \u003ca href=\"http://www.brooklyneagle.com/categories/category.php?category_id=27&id=19895\">Brooklyn Daily Eagle contacted him\u003c/a> to talk about the controversy, prompting him to send an apology:\u003c/p>\n\u003cblockquote>\u003cp>The Brooklyn Eagle contacted the artist’s studio about the issue Monday, and received the following response via email:\u003c/p>\n\u003cp>“Thirty years ago when I was 25 years old, I made a film in which I shot a dog. It was an indefensible act that I am deeply sorry for. Many of us have experienced profound emotional turmoil and despair. Few have made the mistake I made. I hope people can find it in their hearts to forgive me -- Tom Otterness.”\u003c/p>\u003c/blockquote>\n\u003cp>The local blog \u003ca href=\"http://mcbrooklyn.blogspot.com/2008/04/tom-otterness-apologizes-for-shooting.html\">mcbrooklyn\u003c/a> received something similar from the artist:\u003c/p>\n\u003cblockquote>\u003cp>As you must understand this is a very difficult and painful situation for me. Thirty years ago when I was 25 years old, I made a film in which I shot a dog. It was an indefensible act that I am deeply sorry for. Many of us have experienced profound emotional turmoil and despair. Few have made the mistake I made. I hope people can find it in their hearts to forgive me.\u003c/p>\n\u003cp>Tom Otterness\u003c/p>\u003c/blockquote>\n\u003cp>Otterness was \u003ca href=\"http://www.observer.com/2011/barking-big-money-tom-otterness-now-takes-shots-capitalism-not-dogs\">\u003cstrong>profiled in the New York Observer\u003c/strong>\u003c/a> earlier this year. The dog issue -- it came up: \u003c/p>\n\u003cblockquote>\u003cp>One of the masterminds of the show was described in the publicity materials as “already notorious for having executed his dog on video tape.” This was Tom Otterness. In 1977, a few years after moving to New York from Wichita, Mr. Otterness shot and killed his dog on camera for a video called “Shot Dog Film.” The piece was too much even for many of his anarchic contemporaries. When The Observer visited the artist’s Gowanus studio, he anticipated our question.\u003c/p>\n\u003cp>“Oh, let me guess,” he said. “Go ahead. Ask.”\u003c/p>\n\u003cp>Why did he kill his dog for the sake of video art?\u003c/p>\n\u003cp>“What the f*** do I do with this?” he said. He grew visibly upset. “Certainly the scene it was part of- it was in the context of the times and the scene I was in.” He began again. “It is something I’ve grown to understand that nothing really excuses that kind of action. I had a very convoluted logic as to what effect I meant to have with that video. Whatever I had in mind, it was really inexcusable to take a life in service of that.”\u003c/p>\n\u003cp>A foot-tall bronze statue of a dog, done in Mr. Otterness’ comic, through-a-glass-darkly style, sat on a desk facing its creator, not quite smiling.\u003c/p>\u003c/blockquote>\n\u003cp>Some New Yorkers are still mad. Here's an \u003ca href=\"http://www.gopetition.com/petitions/stop-dog-killer-from-creating-sculpture-for-ny-public-l.html\">online petition\u003c/a> against Otterness receiving a $750,000 commission to \"\u003ca href=\"http://www.downtownexpress.com/?p=1843\">sculpt bronze lions at the Battery Park Branch of New York Public Library\u003c/a>.\" It's been signed by more than 11,000 people. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>So what does San Francisco have to say about all this? From the Examiner today:\u003c/p>\n\u003cblockquote>\u003cp>“Tom Otterness is a world-renowned sculptor who has been commissioned by government agencies around the world to create major permanent public art projects,” Susan Pontious, director of the San Francisco Arts Commission’s public art program, said in a statement. “The Central Subway Artist Selection Panel chose Otterness based on the strength of his proposal and his impressive portfolio of past sculptural work.\"\n\u003c/p>\u003c/blockquote>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Photos: Historical Figures Represented in Massive \"Remember Them\" Monument in Oakland",
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"content": "\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/rememberthemSM.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/rememberthemSM.jpg\" alt=\"\" title=\"rememberthemSM\" width=\"500\" height=\"296\" class=\"aligncenter size-full wp-image-39376\">\u003c/a>\u003c/p>\n\u003cp>The first three sections of artist Mario Chiodo's massive monument, inspired by the Sept 11 attack, were \u003ca href=\"http://www.mercurynews.com/breaking-news/ci_18838208\">unveiled\u003c/a> at Kaiser Memorial Park in Oakland yesterday. Sixty thousand pounds of bronze will go into the creation of \"\u003ca href=\"http://www.remember-them.org/\">Remember Them\u003c/a>,\" a four-piece sculpture that will eventually depict 25 historical figures, including FDR, Frederick Douglass, Malcolm X, Oskar Schindler, Susan B. Anthony, Cesar Chavez, Gandhi, Martin Luther King, Jr., and Maya Angelou. Chiodo plans to finish the sculpture next year, if the Oakland Chamber of Commerce, which is footing the bill, can raise the $2 million still needed.\u003c/p>\n\u003cp>The sculpture is 52 feet wide and 21 feet high, covering 1,000 square feet. \u003c/p>\n\u003cp>\u003cem>Update 11:10 a.m.\u003c/em> Our reporter at the scene, Caitlin Esch, says conflicting press releases have muddled some of the reporting on this. In addition to the 14 internationally known figures now represented, eight local luminaries are also depicted.\u003c/p>\n\u003cp>The fourth sculpture, still being worked on, will add 11 international figures and six more locals. That'll make 39 total individuals represented. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Some of the local heroes now included:\u003ca href=\"http://en.wikipedia.org/wiki/Henry_J._Kaiser\"> Henry J. Kaiser\u003c/a>, \u003ca href=\"http://en.wikipedia.org/wiki/Marcus_Foster\">Marcus Foster\u003c/a>, \u003ca href=\"http://abclocal.go.com/kgo/story?section=news/local/east_bay&id=6835326\">Mother Mary Ann Wright\u003c/a>, and \u003ca href=\"http://korematsuinstitute.org/aboutfred/\">Fred Korimatsu\u003c/a>. \u003c/p>\n\u003cp>The names of the six locals still to come have not yet been released. \u003ca href=\"http://www.baseball-reference.com/players/h/henderi01.shtml\">Rickey Henderson\u003c/a>, anyone?\u003c/p>\n\u003cp>Here's a \u003ca href=\"http://www.remember-them.org/portfolio.htm\">\u003cstrong>guide to and photo closeups of each of the international figures\u003c/strong>\u003c/a> that will eventualy be represented. Here are some photos of the \u003ca href=\"http://www.remember-them.org/photos.htm\">sculpting process\u003c/a>. \u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>More photos on Flickr \u003ca href=\"http://www.flickr.com/search/?w=all&q=%22remember+them%22+oakland&m=text\">\u003cstrong>here\u003c/strong>\u003c/a> and \u003ca href=\"http://www.flickr.com/photos/localcolorist/sets/72157627488433451/with/6121984235/\">\u003cstrong>here\u003c/strong>\u003c/a>. Some good individual photos \u003ca href=\"http://www.flickr.com/photos/localcolorist/6122550456/\">\u003cstrong>here\u003c/strong>\u003c/a>, \u003ca href=\"http://www.flickr.com/photos/localcolorist/6122524254/\">\u003cstrong>here\u003c/strong>\u003c/a>, \u003ca href=\"http://www.flickr.com/photos/localcolorist/6122544932/\">\u003cstrong>here\u003c/strong>\u003c/a>, and below.\u003c/p>\n\u003cfigure id=\"attachment_39389\" class=\"wp-caption aligncenter\" style=\"max-width: 346px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/rubybridgesSM1.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/rubybridgesSM1.jpg\" alt=\"\" title=\"rubybridgesSM\" width=\"346\" height=\"230\" class=\"size-full wp-image-39389\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Figure of Ruby Bridges (Photo: Caitlin Esch/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>More photos\u003c/em>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://www.flickr.com/photos/in2jazz/6122890155/\">Group shot\u003c/a>: Oskar Schinder, Frederick Douglass, Cesar Chavez, Ralph Abernathy, Martin Luther King Jr., Coretta Scott King, Helen Keller\u003c/li>\n\u003cli>\u003ca href=\"http://www.flickr.com/photos/localcolorist/6122575936/\">Gandhi\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://www.flickr.com/photos/localcolorist/6122572676/\">FDR\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://www.flickr.com/photos/localcolorist/6121992615/\">Maya Angelou\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>Here's a 2009 \u003ca href=\"http://www.youtube.com/watch?v=Rndgv1hw5RE\">interview\u003c/a> with Chiodo discussing the project:\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe width=\"420\" height=\"345\" src=\"http://www.youtube.com/embed/Rndgv1hw5RE\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And more coverage from \u003ca href=\"http://oaklandlocal.com/article/remember-them-be-unveiled-today-uptown-oakland-today-sept-6\">Oakland Local\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Some of the local heroes now included:\u003ca href=\"http://en.wikipedia.org/wiki/Henry_J._Kaiser\"> Henry J. Kaiser\u003c/a>, \u003ca href=\"http://en.wikipedia.org/wiki/Marcus_Foster\">Marcus Foster\u003c/a>, \u003ca href=\"http://abclocal.go.com/kgo/story?section=news/local/east_bay&id=6835326\">Mother Mary Ann Wright\u003c/a>, and \u003ca href=\"http://korematsuinstitute.org/aboutfred/\">Fred Korimatsu\u003c/a>. \u003c/p>\n\u003cp>The names of the six locals still to come have not yet been released. \u003ca href=\"http://www.baseball-reference.com/players/h/henderi01.shtml\">Rickey Henderson\u003c/a>, anyone?\u003c/p>\n\u003cp>Here's a \u003ca href=\"http://www.remember-them.org/portfolio.htm\">\u003cstrong>guide to and photo closeups of each of the international figures\u003c/strong>\u003c/a> that will eventualy be represented. Here are some photos of the \u003ca href=\"http://www.remember-them.org/photos.htm\">sculpting process\u003c/a>. \u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>More photos on Flickr \u003ca href=\"http://www.flickr.com/search/?w=all&q=%22remember+them%22+oakland&m=text\">\u003cstrong>here\u003c/strong>\u003c/a> and \u003ca href=\"http://www.flickr.com/photos/localcolorist/sets/72157627488433451/with/6121984235/\">\u003cstrong>here\u003c/strong>\u003c/a>. Some good individual photos \u003ca href=\"http://www.flickr.com/photos/localcolorist/6122550456/\">\u003cstrong>here\u003c/strong>\u003c/a>, \u003ca href=\"http://www.flickr.com/photos/localcolorist/6122524254/\">\u003cstrong>here\u003c/strong>\u003c/a>, \u003ca href=\"http://www.flickr.com/photos/localcolorist/6122544932/\">\u003cstrong>here\u003c/strong>\u003c/a>, and below.\u003c/p>\n\u003cfigure id=\"attachment_39389\" class=\"wp-caption aligncenter\" style=\"max-width: 346px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/rubybridgesSM1.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/rubybridgesSM1.jpg\" alt=\"\" title=\"rubybridgesSM\" width=\"346\" height=\"230\" class=\"size-full wp-image-39389\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Figure of Ruby Bridges (Photo: Caitlin Esch/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>More photos\u003c/em>\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://www.flickr.com/photos/in2jazz/6122890155/\">Group shot\u003c/a>: Oskar Schinder, Frederick Douglass, Cesar Chavez, Ralph Abernathy, Martin Luther King Jr., Coretta Scott King, Helen Keller\u003c/li>\n\u003cli>\u003ca href=\"http://www.flickr.com/photos/localcolorist/6122575936/\">Gandhi\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://www.flickr.com/photos/localcolorist/6122572676/\">FDR\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://www.flickr.com/photos/localcolorist/6121992615/\">Maya Angelou\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>Here's a 2009 \u003ca href=\"http://www.youtube.com/watch?v=Rndgv1hw5RE\">interview\u003c/a> with Chiodo discussing the project:\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe width=\"420\" height=\"345\" src=\"http://www.youtube.com/embed/Rndgv1hw5RE\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>And more coverage from \u003ca href=\"http://oaklandlocal.com/article/remember-them-be-unveiled-today-uptown-oakland-today-sept-6\">Oakland Local\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Parking enforcement:\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://sanfrancisco.cbslocal.com/2011/09/01/san-francisco-labor-day-parking-rules-ways-to-avoid-a-ticket/\">San Francisco parking rules\u003c/a> (KCBS)\n\u003c/li>\u003cli>Oakland \u003ca href=\"http://www.oaklandnet.com/government/fwawebsite/parking/parking_enforce.htm\">street sweeping\u003c/a> and \u003ca href=\"http://www.oaklandnet.com/government/fwawebsite/parking/parking_mc&r.htm\">parking meters\u003c/a> - enforcement holiday\n\u003c/li>\u003cli>\u003ca href=\"http://www.sanjoseca.gov/transportation/parking_meters.htm\">San Jose parking meters\u003c/a> - not enforced\n\u003c/li>\u003c/ul>\n\u003cp>Transit:\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://www.bart.gov/news/articles/2011/news20110831a.aspx\">BART\u003c/a> - Sunday service on Labor Day\n\u003c/li>\u003cli>\u003ca href=\"http://www.sfmta.com/cms/mroutes/schedules.htm\">Muni\u003c/a> - holiday schedule\n\u003c/li>\u003cli>\u003ca href=\"http://transit.511.org/schedules/holiday.aspx\">511.org\u003c/a> has a master list of holiday schedules for various Bay Area transit systems\n\u003c/li>\u003c/ul>\n\u003cp>Events listings:\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://events.sfgate.com/san-francisco-ca/events/labor+day+san+francisco\">SF Gate\u003c/a>\n\u003c/li>\u003cli>\u003ca href=\"http://www.citysearch.com/list/103461\">Things to do in San Francisco Bay Area Labor Day\u003c/a> (CitySearch)\n\u003c/li>\u003cli>\u003ca href=\"http://www.huffingtonpost.com/2011/09/01/san-francisco-weekend-agenda-labor-day_n_945854.html\">Huffington Post San Francisco\u003c/a>\n\u003c/li>\u003c/ul>\n\u003cp>\u003cstrong>SFMTA WEEKEND TRANSIT AND TRAFFIC ADVISORY\u003c/strong>\u003c/p>\n\u003cp>Il Giro Di San Francisco\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>On Monday, from 8 a.m. to 3 p.m., San Francisco will host the annual Il Giro Di San Francisco, a bicycle race. The race route begins and ends at Levi Strauss Plaza, Battery Street at Union Street. \u003c/p>\n\u003cp>From 6 a.m. to 6 p.m., street closures will be required along the circuit course: from Union Street south on Battery Street, east on Green Street, south on Front Street, west on Vallejo, north on Sansome, east on Greenwich, and south on Battery.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>No Muni routes will be affected.\u003c/p>\n\n",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
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"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
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"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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