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"content": "\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/netflixlogo.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/netflixlogo.jpg\" alt=\"\" title=\"netflixlogo\" width=\"94\" height=\"94\" class=\"alignleft size-full wp-image-38971\">\u003c/a>In July, after the infamous Netflix \u003ca href=\"http://www.bloomberg.com/news/2011-07-12/netflix-increases-prices-for-dvd-streaming-plans-by-60-.html\">price hike\u003c/a> for those customers who want the option of both streaming movies online and receiving DVDs in the mail, some \u003ca href=\"http://www.kqed.org/a/forum/R201107140900\">tech pundits\u003c/a> told KQED Radio's Michael Krasny that the Los Gatos company's new \u003ca href=\"http://blog.netflix.com/2011/07/netflix-introduces-new-plans-and.html\">pricing plan\u003c/a> was meant to incentivize customers to ditch the discs and go totally digital.\u003c/p>\n\u003cp>That may be a much harder sell now. The cable network Starz said today it won't renew a deal, expiring at the end of Feb, 2012, which gives Netflix customers streaming access to newly released films from the Sony and Disney catalogues. Starz is a pay cable network that owns the TV and online rights to those studios' movies. \u003c/p>\n\u003cp>From the \u003ca href=\"http://finance.yahoo.com/q?s=nflx&ql=1\">LA Times\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>Premium cable network Starz Entertainment will end its deal to provide movies to Netflix, a surprise decision that will deprive the popular online video service of its most valuable source of recently released movies...\u003c/p>\n\u003cp>Starz, which controls pay-cable rights to movies from Walt Disney Studios and Sony Pictures, signed its current agreement with Netflix in 2008. At that time, online video was watched by only a small number of tech-savvy young people and the estimated $30 million per year the cable network received was seen as new revenue that would have little impact on its traditional television business...\u003c/p>\n\u003cp>The only other recently released movies Netflix gets for its streaming service come from Paramount Pictures, Lionsgate and Metro-Goldwyn-Mayer via cable channel Epix. HBO, which has offerings from 20th Century Fox, Universal Pictures and Warner Bros., has refused to partner with Netflix.\n\u003c/p>\u003c/blockquote>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>Update 4:35 p.m. Our news intern Nick Fountain just talked to Gartner media analyst Mike McGuire about Starz' announcement: \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"One could be cynical and think that what we're seeing is a couple of folks negotiating in the press,\" McGuire said, noting the deal doesn't expire until next February. But if the relationship does end up severed, he said, \"with Sony and Disney removed from the mix, one has to wonder if there wont' be some issues for the customers of Netflix at seeing what could be important titles from those studios not being available to them. \u003c/p>\n\u003cp>\"But we're going to see more [developments] like this as these online services are having to battle with a lot of the incumbents over licensing and content rights.\"\u003c/p>\n\u003cp>McGuire said some of the immediate drop in Netflix shares today may be due to programmed trades, \"where people were saying if the Starz things go this way or that way, sell. But I think the savvy investors are going to wait to see what actually transpires between now and February, 2012.\u003c/p>\n\u003cp>On whether the Starz announcement was timed for the same day that Netflix is raising prices for some customers, McGuire said, \"Is that coincidental? Probably not.\"\u003c/p>\n\u003cp>Listen to the interview below:\u003c/p>\n\u003cp>\u003cstrong>Audio: Mike McGuire on Netflix - Starz Pt 1\u003c/strong>\u003cbr>\n[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/nflx1.mp3|titles=nflx1]\u003c/p>\n\u003cp>\u003cstrong>Mike McGuire on Netflix - Starz Pt 2\u003c/strong>\u003cbr>\n[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/nflx2.mp3|titles=nflx2]\u003c/p>\n\u003cp>\u003cstrong>Mike McGuire on Netflix - Starz Pt 3\u003c/strong>\u003cbr>\n[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/nflx3.mp3|titles=nflx3]\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>Here's the \u003ca href=\"http://finance.yahoo.com/q?s=nflx&ql=1\">press release\u003c/a> from Starz: \u003c/p>\n\u003cblockquote>\u003cp>Starz Entertainment has ended contract renewal negotiations with Netflix. When the agreement expires on February 28, 2012, Starz will cease to distribute its content on the Netflix streaming platform. This decision is a result of our strategy to protect the premium nature of our brand by preserving the appropriate pricing and packaging of our exclusive and highly valuable content. With our current studio rights and growing original programming presence, the network is in an excellent position to evaluate new opportunities and expand its overall business.\u003c/p>\u003c/blockquote>\n\u003cp>\u003ca href=\"http://finance.yahoo.com/q?s=nflx&ql=1\">Netflix shares\u003c/a> have dropped over eight percent after-hours since the news broke. \u003c/p>\n\u003cp>Ironically and either coincidentally or intentionally enough, \u003ca href=\"http://www.mercurynews.com/business-headlines/ci_18796676\">today is the day\u003c/a> that Netflix users get hit with the big \u003ca href=\"http://www.bloomberg.com/news/2011-07-12/netflix-increases-prices-for-dvd-streaming-plans-by-60-.html\">price hike\u003c/a> -- as much as 60 percent for dual streaming/mail customers. \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>AP has run this helpful article on how to navigate the new price scheme:\u003c/p>\n\u003cblockquote>\u003cp>\n\u003cem>How to prepare for Netflix price increase\u003c/em>\u003c/p>\n\u003cp>The toughest choice most Netflix customers usually face is figuring out which movie to put at the top of their queues.\u003c/p>\n\u003cp>But millions of Netflix subscribers will be wrestling with a new dilemma as they decide how to respond to price changes that will hit the video service's existing customers beginning Thursday.\u003c/p>\n\u003cp>The new system will impose substantially higher rates on customers who want to keep renting DVDs through the mail and enjoying the more immediate gratification of streaming video over high-speed Internet connections.\u003c/p>\n\u003cp>Here are a few factors for Netflix subscribers to consider:\u003c/p>\n\u003cp>Find out which day of the month Netflix bills you.\u003c/p>\n\u003cp>Click \"Your Account & Help\" on the top right, then look for the next billing date in the center. That is when the new rates take effect. For example, if Netflix doesn't charge you until the 22nd of each month, you still have another three weeks before being charged more to have both DVD rentals and Internet video. If you usually get billed on the second day of each month, you will need to make a change promptly to avoid being charged more.\u003c/p>\n\u003cp>Know the new prices.\u003c/p>\n\u003cp>For the first time since it introduced Internet streaming in 2007, Netflix is offering DVD-only plans. For $8 per month, customers can rent an unlimited number of DVDs per month, with a maximum of one disc out per time. DVD-only plans allowing two discs out at time will cost $12 per month and three DVDs at a time will go for $16 per month.\u003c/p>\n\u003cp>The cheapest package that combines Internet video and DVD rentals (one disc at a time) will cost $16 per month -- up from $10 per month under the old system.\u003c/p>\n\u003cp>The price for an Internet-streaming only plan remains $8 per month.\u003c/p>\n\u003cp>If you're among the customers who want to keep just one of Netflix's entertainment options, assess what you like to watch on the service and how you watch it.\u003c/p>\n\u003cp>Internet streaming is more convenient because there's no waiting for video to be delivered by the U.S. postal system. It also enables viewing on personal computers, tablet computers and phones, besides television sets. The negatives: It requires high-speed Internet access, which isn't cheap, and Netflix's streaming library is about one-fifth the size of the 100,000 selections in the DVD section.\u003c/p>\n\u003cp>DVDs remain the best way to see the latest movies after they have ended their run in theaters. In some cases, Netflix must wait four weeks after DVDs go on sale in stores before they can mail them to customers, but that's far better than Internet streaming where the wait can last several years.\u003c/p>\n\u003cp>Internet streaming is better for watching good documentaries (which sometimes are available at the same time as the DVDs), catching up on past seasons of TV shows and enjoying older movies.\u003c/p>\n\u003cp>If you like to watch series such as \"The Wire\" and \"Curb Your Enthusiasm\" that have previously been shown on HBO, stick with DVDs because those titles have never shown up in Netflix's streaming library.\u003c/p>\n\u003cp>Before abandoning Internet streaming, remember it is probably going to keep getting better because it is Netflix's top priority. Netflix has left no doubt that it intends to spend big bucks to make its streaming library more compelling.\u003c/p>\n\u003cp>Keep some perspective. Sure, a 60 percent increase sounds outrageous, but it's only $6 more per month to have your DVDs and Internet video, too. Most people could cover that cost by cutting out one or two visits to Starbucks or some other store each month. \u003c/p>\u003c/blockquote>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/netflixlogo.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/netflixlogo.jpg\" alt=\"\" title=\"netflixlogo\" width=\"94\" height=\"94\" class=\"alignleft size-full wp-image-38971\">\u003c/a>In July, after the infamous Netflix \u003ca href=\"http://www.bloomberg.com/news/2011-07-12/netflix-increases-prices-for-dvd-streaming-plans-by-60-.html\">price hike\u003c/a> for those customers who want the option of both streaming movies online and receiving DVDs in the mail, some \u003ca href=\"http://www.kqed.org/a/forum/R201107140900\">tech pundits\u003c/a> told KQED Radio's Michael Krasny that the Los Gatos company's new \u003ca href=\"http://blog.netflix.com/2011/07/netflix-introduces-new-plans-and.html\">pricing plan\u003c/a> was meant to incentivize customers to ditch the discs and go totally digital.\u003c/p>\n\u003cp>That may be a much harder sell now. The cable network Starz said today it won't renew a deal, expiring at the end of Feb, 2012, which gives Netflix customers streaming access to newly released films from the Sony and Disney catalogues. Starz is a pay cable network that owns the TV and online rights to those studios' movies. \u003c/p>\n\u003cp>From the \u003ca href=\"http://finance.yahoo.com/q?s=nflx&ql=1\">LA Times\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>Premium cable network Starz Entertainment will end its deal to provide movies to Netflix, a surprise decision that will deprive the popular online video service of its most valuable source of recently released movies...\u003c/p>\n\u003cp>Starz, which controls pay-cable rights to movies from Walt Disney Studios and Sony Pictures, signed its current agreement with Netflix in 2008. At that time, online video was watched by only a small number of tech-savvy young people and the estimated $30 million per year the cable network received was seen as new revenue that would have little impact on its traditional television business...\u003c/p>\n\u003cp>The only other recently released movies Netflix gets for its streaming service come from Paramount Pictures, Lionsgate and Metro-Goldwyn-Mayer via cable channel Epix. HBO, which has offerings from 20th Century Fox, Universal Pictures and Warner Bros., has refused to partner with Netflix.\n\u003c/p>\u003c/blockquote>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>Update 4:35 p.m. Our news intern Nick Fountain just talked to Gartner media analyst Mike McGuire about Starz' announcement: \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"One could be cynical and think that what we're seeing is a couple of folks negotiating in the press,\" McGuire said, noting the deal doesn't expire until next February. But if the relationship does end up severed, he said, \"with Sony and Disney removed from the mix, one has to wonder if there wont' be some issues for the customers of Netflix at seeing what could be important titles from those studios not being available to them. \u003c/p>\n\u003cp>\"But we're going to see more [developments] like this as these online services are having to battle with a lot of the incumbents over licensing and content rights.\"\u003c/p>\n\u003cp>McGuire said some of the immediate drop in Netflix shares today may be due to programmed trades, \"where people were saying if the Starz things go this way or that way, sell. But I think the savvy investors are going to wait to see what actually transpires between now and February, 2012.\u003c/p>\n\u003cp>On whether the Starz announcement was timed for the same day that Netflix is raising prices for some customers, McGuire said, \"Is that coincidental? Probably not.\"\u003c/p>\n\u003cp>Listen to the interview below:\u003c/p>\n\u003cp>\u003cstrong>Audio: Mike McGuire on Netflix - Starz Pt 1\u003c/strong>\u003cbr>\n\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>Here's the \u003ca href=\"http://finance.yahoo.com/q?s=nflx&ql=1\">press release\u003c/a> from Starz: \u003c/p>\n\u003cblockquote>\u003cp>Starz Entertainment has ended contract renewal negotiations with Netflix. When the agreement expires on February 28, 2012, Starz will cease to distribute its content on the Netflix streaming platform. This decision is a result of our strategy to protect the premium nature of our brand by preserving the appropriate pricing and packaging of our exclusive and highly valuable content. With our current studio rights and growing original programming presence, the network is in an excellent position to evaluate new opportunities and expand its overall business.\u003c/p>\u003c/blockquote>\n\u003cp>\u003ca href=\"http://finance.yahoo.com/q?s=nflx&ql=1\">Netflix shares\u003c/a> have dropped over eight percent after-hours since the news broke. \u003c/p>\n\u003cp>Ironically and either coincidentally or intentionally enough, \u003ca href=\"http://www.mercurynews.com/business-headlines/ci_18796676\">today is the day\u003c/a> that Netflix users get hit with the big \u003ca href=\"http://www.bloomberg.com/news/2011-07-12/netflix-increases-prices-for-dvd-streaming-plans-by-60-.html\">price hike\u003c/a> -- as much as 60 percent for dual streaming/mail customers. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>AP has run this helpful article on how to navigate the new price scheme:\u003c/p>\n\u003cblockquote>\u003cp>\n\u003cem>How to prepare for Netflix price increase\u003c/em>\u003c/p>\n\u003cp>The toughest choice most Netflix customers usually face is figuring out which movie to put at the top of their queues.\u003c/p>\n\u003cp>But millions of Netflix subscribers will be wrestling with a new dilemma as they decide how to respond to price changes that will hit the video service's existing customers beginning Thursday.\u003c/p>\n\u003cp>The new system will impose substantially higher rates on customers who want to keep renting DVDs through the mail and enjoying the more immediate gratification of streaming video over high-speed Internet connections.\u003c/p>\n\u003cp>Here are a few factors for Netflix subscribers to consider:\u003c/p>\n\u003cp>Find out which day of the month Netflix bills you.\u003c/p>\n\u003cp>Click \"Your Account & Help\" on the top right, then look for the next billing date in the center. That is when the new rates take effect. For example, if Netflix doesn't charge you until the 22nd of each month, you still have another three weeks before being charged more to have both DVD rentals and Internet video. If you usually get billed on the second day of each month, you will need to make a change promptly to avoid being charged more.\u003c/p>\n\u003cp>Know the new prices.\u003c/p>\n\u003cp>For the first time since it introduced Internet streaming in 2007, Netflix is offering DVD-only plans. For $8 per month, customers can rent an unlimited number of DVDs per month, with a maximum of one disc out per time. DVD-only plans allowing two discs out at time will cost $12 per month and three DVDs at a time will go for $16 per month.\u003c/p>\n\u003cp>The cheapest package that combines Internet video and DVD rentals (one disc at a time) will cost $16 per month -- up from $10 per month under the old system.\u003c/p>\n\u003cp>The price for an Internet-streaming only plan remains $8 per month.\u003c/p>\n\u003cp>If you're among the customers who want to keep just one of Netflix's entertainment options, assess what you like to watch on the service and how you watch it.\u003c/p>\n\u003cp>Internet streaming is more convenient because there's no waiting for video to be delivered by the U.S. postal system. It also enables viewing on personal computers, tablet computers and phones, besides television sets. The negatives: It requires high-speed Internet access, which isn't cheap, and Netflix's streaming library is about one-fifth the size of the 100,000 selections in the DVD section.\u003c/p>\n\u003cp>DVDs remain the best way to see the latest movies after they have ended their run in theaters. In some cases, Netflix must wait four weeks after DVDs go on sale in stores before they can mail them to customers, but that's far better than Internet streaming where the wait can last several years.\u003c/p>\n\u003cp>Internet streaming is better for watching good documentaries (which sometimes are available at the same time as the DVDs), catching up on past seasons of TV shows and enjoying older movies.\u003c/p>\n\u003cp>If you like to watch series such as \"The Wire\" and \"Curb Your Enthusiasm\" that have previously been shown on HBO, stick with DVDs because those titles have never shown up in Netflix's streaming library.\u003c/p>\n\u003cp>Before abandoning Internet streaming, remember it is probably going to keep getting better because it is Netflix's top priority. Netflix has left no doubt that it intends to spend big bucks to make its streaming library more compelling.\u003c/p>\n\u003cp>Keep some perspective. Sure, a 60 percent increase sounds outrageous, but it's only $6 more per month to have your DVDs and Internet video, too. Most people could cover that cost by cutting out one or two visits to Starbucks or some other store each month. \u003c/p>\u003c/blockquote>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cfigure id=\"attachment_38498\" class=\"wp-caption alignright\" style=\"max-width: 210px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/08/thebeatlesSM.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/08/thebeatlesSM.jpg\" alt=\"\" title=\"thebeatlesSM\" width=\"210\" height=\"210\" class=\"size-full wp-image-38498\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Library of Congress\u003c/figcaption>\u003c/figure>\n\u003cp>Today marks the \u003ca href=\"http://www.antimusic.com/news/11/aug/29Anniversary_of_the_Beatles_Last_Concert.shtml\">45th anniversary\u003c/a> of the Beatles' last live concert, held at Candlestick Park in 1966. Here's the \u003ca href=\"http://www.setlist.fm/setlist/the-beatles/1966/candlestick-park-san-francisco-ca-73d67e09.html\">set list\u003c/a> of 11 songs, from \"Rock and Roll Music\" to \"Long Tall Sally.\" At which point a strong gust of Candlestick wind blew Ringo off his drumset and over the left field fence, discouraging the band from ever touring again.\u003c/p>\n\u003cp>The real story from \u003ca href=\"http://www.beatlesbible.com/1966/08/29/candlestick-park-san-francisco-final-concert/\">\u003cstrong>The Beatles Bible\u003c/strong>\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>There was a big talk at Candlestick Park that this had got to end. At that San Francisco gig it seemed that this could possibly be the last time, but I never felt 100% certain till we got back to London. John wanted to give up more than the others. He said that he'd had enough.\u003cbr>\n --Ringo Starr\u003c/p>\n\u003cp>The Park's capacity was 42,500, but only 25,000 tickets were sold, leaving large sections of unsold seats. Fans paid between $4.50 and $6.50 for tickets, and The Beatles' fee was around $90,000. The show's promoter was local company Tempo Productions.\u003c/p>\n\u003cp>The Beatles took 65% of the gross, the city of San Francisco took 15% of paid admissions and were given 50 free tickets. This arrangement, coupled with low ticket sales and other unexpected expenses resulted in a financial loss for Tempo Productions...The stage was located just behind second base on the field, and was five feet high and surrounded by a six-foot high wire fence.\u003c/p>\n\u003c/blockquote>\n\u003cp>Some audio/video:\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe width=\"420\" height=\"345\" src=\"http://www.youtube.com/embed/WycD7ukA4JE\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe width=\"420\" height=\"345\" src=\"http://www.youtube.com/embed/b59tEMNUd5E\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe width=\"450\" height=\"283\" src=\"http://www.youtube.com/embed/vsnM4EmV8HI\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\n",
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"content": "\u003cp>\u003ca href=\"http://www.imdb.com/name/nm0085257/\">Dustin Lance Black\u003c/a>, who snagged an Oscar for Best Original Screenplay by writing \u003cem>Milk\u003c/em> starring Sean Penn, has turned his talent to Prop. 8, using courtroom transcripts and interviews to create a Broadway-bound play called “8.”\u003c/p>\n\u003cp>And befitting Black’s reputation, 8 has attracted several luminaries from television and film — including Sir Morgan Freeman, hunky Cheyenne Jackson (“Glee” and “30 Rock”) and Marisa “My Cousin Vinny” Tomei. Tony-Award-winner Joe Mantello will direct.\u003c/p>\n\u003cp>They and the rest of the cast will be at the Eugene O’Neill Theatre in NYC September 19th for a one-night reading — a fundraiser for the American Foundation for Equal Rights (AFER).\u003c/p>\n\u003cp>It’s an artistic echo of \u003ca href=\"http://www.youtube.com/watch?v=B_hyT7_Bx9o\">Prop 8: The Musical\u003c/a> starring Jack Black as Jesus.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" width=\"420\" height=\"345\" src=\"http://www.youtube.com/embed/Ug3YkVhkemg\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>There was also a much, much more earnest (and not at all funny or entertaining) verbatim re-enactment of the Prop. 8 trial, based on actual court transcripts. \u003c!--more-->\u003c/p>\n\u003cp>You may recall the trial was set to be televised live until the U.S. Supreme Court stepped in as the trial was getting underway to pull the plug. Except, the plug wasn’t pulled — and over objections of Prop. 8 backers courtroom cameras recorded the entire trial.\u003c/p>\n\u003cp>After retired Judge Vaughn Walker used an excerpt of the tapes in a college lecture that aired on C-Span, Prop. 8 proponents sued to force Walker (and everyone else who has copies) to turn over the tapes.\u003c/p>\n\u003cp>Prop. 8 opponents filed a cross motion, asking federal Judge James Ware to lift the protective order and release the tapes — arguing legal attacks on Judge Walker’s integrity (Ware rejected efforts to have Walker’s Prop 8 decision overturned because Walker is gay).\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Oral arguments on that motion will be heard August 29th in San Francisco.\u003c/p>\n\n",
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"content": "\u003cp>For those who haven't fallen off the bandwagon quite yet, The Snitch provides an \u003ca href=\"http://blogs.sfweekly.com/thesnitch/2011/08/the_franchise_episode_six_reca.php\">\u003cstrong>Episode Six recap\u003c/strong>\u003c/a> from \"The Franchise: A Season With the San Francisco Giants.\" And Showtime has put up a couple of fresh clips:\u003c/p>\n\u003cp>\u003ca href=\"http://www.youtube.com/watch?feature=player_embedded&v=S0MunT0NuXU#!\">Dodging the Spotlight with Tim Lincecum\u003c/a>\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe width=\"480\" height=\"300\" src=\"http://www.youtube.com/embed/9UlmwcEIWUw\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.youtube.com/watch?v=9UlmwcEIWUw&feature=player_embedded\">Brian Wilson loses his cool\u003c/a>\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe width=\"480\" height=\"300\" src=\"http://www.youtube.com/embed/S0MunT0NuXU\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003c!--more-->\u003cbr>\nAnd some clips from recent weeks:\n\u003cdiv style=\"text-align: center\">\u003ciframe width=\"480\" height=\"300\" src=\"http://www.youtube.com/embed/MPwElSGVsu4\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe width=\"480\" height=\"300\" src=\"http://www.youtube.com/embed/ZZF0LgsrhfI\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cfigure id=\"attachment_36658\" class=\"wp-caption alignright\" style=\"max-width: 200px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/08/levine081011.jpg\">\u003cimg class=\"size-medium wp-image-36658\" title=\"levine081011\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/08/levine081011-200x300.jpg\" alt=\"Philip Levine gives a reading in New York. David Shankbone/Wikimedia\" width=\"200\" height=\"300\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Philip Levine gives a reading in New York. David Shankbone/Wikimedia\u003c/figcaption>\u003c/figure>\n\u003cp>UPDATED: Listen to an extended version of Rachael Myrow's interview with new US poet laureate, Fresno State's Philip Levine. An edited version aired on this morning's \u003cem>\u003ca href=\"http://www.californiareport.org/archive/R201108110850/b\">The California Report\u003c/a>\u003c/em>.\u003c/p>\n\u003cp>[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/08/000951a9.mp3|titles=Interview-Levine]\u003c/p>\n\u003cp>\u003ca href=\"http://www.poemhunter.com/poem/the-simple-truth/\">The Simple Truth\u003c/a>: Philip Levine, a longtime poetry professor at Fresno State University, has been named \u003ca href=\"http://www.loc.gov/today/pr/2011/11-143.html\">the country's next poet laureate\u003c/a>. The Central Valley resident will take the baton, or pen, from \u003ca href=\"http://www.poets.org/poet.php/prmPID/123\">W.S. Merwin\u003c/a>.\u003c/p>\n\u003cp>It's a one year position for the 83-year-old who has won many of poetry's top prizes. The Fresno Bee has \u003ca href=\"http://www.bostonherald.com/entertainment/arts_culture/view.bg?&articleid=1357712&format=&page=1&listingType=arts#articleFull\">a great story\u003c/a> with Levine talking about the honor, which he had reportedly been considered for in past years:\u003c/p>\n\u003cblockquote>\u003cp>\"Actually, because of my age, I just assumed that I had been found wanting some years ago,\" Levine said Tuesday with a typical dose of self-deprecation. \"I didn’t even think about it much.\"\u003c/p>\n\u003cp>The job description includes giving an annual lecture, introducing poets in the library’s annual poetry series and raising \"the national consciousness to a greater appreciation of the reading and writing of poetry.\"\u003c/p>\n\u003cp>It does not involve actually writing any poems, a common misconception that again brings up a lighthearted Levine riff. \"I don’t know if they’d want me writing for official events,\" Levine said. \"A poem to Congress? No, thank you.\"\u003c/p>\u003c/blockquote>\n\u003cp>The story goes on to talk about his ties to Fresno:\u003c/p>\n\u003cblockquote>\u003cp>Levine was born in Detroit and started teaching at Fresno State in 1958. The university didn’t even have a creative writing program at the time. His close friend and fellow poet Peter Everwine, who taught with Levine for many years, said the poet laureate designation is a significant honor for Levine that caps a long and distinguished career. And it means more bragging rights for the university.\u003c/p>\u003c/blockquote>\n\u003cp>Besides bragging rights, Levine has inspired and mentored countless young poets at Fresno State. One of Levine's recent students, \u003ca href=\"http://mfafresno.wordpress.com/2011/07/26/kudos-sasha-pimentel-chacon/\">Sasha Pimentel Chacon\u003c/a>, was named a winner of the American Book Award last month for her first poetry collection, \u003cem>Insides She Swallowed\u003c/em>. She is one in a long line of Levine's former students at Fresno State who have won national poetry awards.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Tomorrow morning, on the \u003ca href=\"http://www.californiareport.org/\">California Report\u003c/a> you can hear a conversation between Levine and host Rachael Myrow about his poetry, the Central Valley and becoming the next poet laureate. Tune in at 6:50 or 8:50 AM for that.\u003c/p>\n\u003cp>If you can't wait, \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=4286683\">here \u003c/a>is an NPR profile of Levine from 2005, when his collection \u003cem>Breathe: Poems\u003c/em>, was released.\u003c/p>\n\u003cp>You can also listen to \u003ca href=\"http://writersalmanac.publicradio.org/author.php?auth_id=1259\">Garrison Keillor reading some of Levine's poems\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The AP \u003ca href=\"http://www.fredericksburg.com/News/FLS/2006/062006/06052006/195947\">ran a poetic article\u003c/a> about Levine and his attachment and interest in Fresno back in 2006.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.poemhunter.com/poem/the-simple-truth/\">The Simple Truth\u003c/a>: Philip Levine, a longtime poetry professor at Fresno State University, has been named \u003ca href=\"http://www.loc.gov/today/pr/2011/11-143.html\">the country's next poet laureate\u003c/a>. The Central Valley resident will take the baton, or pen, from \u003ca href=\"http://www.poets.org/poet.php/prmPID/123\">W.S. Merwin\u003c/a>.\u003c/p>\n\u003cp>It's a one year position for the 83-year-old who has won many of poetry's top prizes. The Fresno Bee has \u003ca href=\"http://www.bostonherald.com/entertainment/arts_culture/view.bg?&articleid=1357712&format=&page=1&listingType=arts#articleFull\">a great story\u003c/a> with Levine talking about the honor, which he had reportedly been considered for in past years:\u003c/p>\n\u003cblockquote>\u003cp>\"Actually, because of my age, I just assumed that I had been found wanting some years ago,\" Levine said Tuesday with a typical dose of self-deprecation. \"I didn’t even think about it much.\"\u003c/p>\n\u003cp>The job description includes giving an annual lecture, introducing poets in the library’s annual poetry series and raising \"the national consciousness to a greater appreciation of the reading and writing of poetry.\"\u003c/p>\n\u003cp>It does not involve actually writing any poems, a common misconception that again brings up a lighthearted Levine riff. \"I don’t know if they’d want me writing for official events,\" Levine said. \"A poem to Congress? No, thank you.\"\u003c/p>\u003c/blockquote>\n\u003cp>The story goes on to talk about his ties to Fresno:\u003c/p>\n\u003cblockquote>\u003cp>Levine was born in Detroit and started teaching at Fresno State in 1958. The university didn’t even have a creative writing program at the time. His close friend and fellow poet Peter Everwine, who taught with Levine for many years, said the poet laureate designation is a significant honor for Levine that caps a long and distinguished career. And it means more bragging rights for the university.\u003c/p>\u003c/blockquote>\n\u003cp>Besides bragging rights, Levine has inspired and mentored countless young poets at Fresno State. One of Levine's recent students, \u003ca href=\"http://mfafresno.wordpress.com/2011/07/26/kudos-sasha-pimentel-chacon/\">Sasha Pimentel Chacon\u003c/a>, was named a winner of the American Book Award last month for her first poetry collection, \u003cem>Insides She Swallowed\u003c/em>. She is one in a long line of Levine's former students at Fresno State who have won national poetry awards.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Tomorrow morning, on the \u003ca href=\"http://www.californiareport.org/\">California Report\u003c/a> you can hear a conversation between Levine and host Rachael Myrow about his poetry, the Central Valley and becoming the next poet laureate. Tune in at 6:50 or 8:50 AM for that.\u003c/p>\n\u003cp>If you can't wait, \u003ca href=\"http://www.npr.org/templates/story/story.php?storyId=4286683\">here \u003c/a>is an NPR profile of Levine from 2005, when his collection \u003cem>Breathe: Poems\u003c/em>, was released.\u003c/p>\n\u003cp>You can also listen to \u003ca href=\"http://writersalmanac.publicradio.org/author.php?auth_id=1259\">Garrison Keillor reading some of Levine's poems\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The AP \u003ca href=\"http://www.fredericksburg.com/News/FLS/2006/062006/06052006/195947\">ran a poetic article\u003c/a> about Levine and his attachment and interest in Fresno back in 2006.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Rachael Myrow here, host of the California Report, with a handful of links to cool and/or important stories outside the Bay Area local readers should check out.\u003c/p>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cul>\n\u003cli>\u003ca title=\"http://www.google.com/url?sa=X&q=http://blogs.laweekly.com/informer/2011/08/raw_milk_venice_raid.php&ct=ga&cad=CAEQAhgAIAAoATACOAJA9Jjn8QRIAVgBYgVlbi1VUw&cd=M3yGezIixjY&usg=AFQjCNEgvSGHLDFvP-y3y-tKZgwumZu5uw\" href=\"http://www.google.com/url?sa=X&q=http://blogs.laweekly.com/informer/2011/08/raw_milk_venice_raid.php&ct=ga&cad=CAEQAhgAIAAoATACOAJA9Jjn8QRIAVgBYgVlbi1VUw&cd=M3yGezIixjY&usg=AFQjCNEgvSGHLDFvP-y3y-tKZgwumZu5uw\">\u003c/a>\u003ca href=\"http://www.pe.com/localnews/riverside/stories/PE_News_Local_W_mtv05.3987f8d.html\">MTV to feature Riverside home and restaurant Tio's Tacos\u003c/a> (Riverside Press Enterprise)\u003c/li>\n\u003cli>\u003ca title=\"Fullerton police draw fire for silence in homeless man's death\" href=\"http://www.latimes.com/news/local/la-me-0804-fullerton-death-20110804,0,5949987.story\" target=\"_top\">\u003cstrong>\u003c/strong>\u003c/a>\u003ca title=\"Customers stalk Fresno State's sweet corn\" href=\"http://www.latimes.com/news/local/la-me-0805-fresno-sweet-corn-20110805,0,4448345.story\" target=\"_top\">Customers stalk Fresno State's sweet corn\u003c/a> (Los Angeles Times)\u003c/li>\n\u003cli>\u003ca title=\"Los Angeles getting tougher on street-corner animal sales\" href=\"http://www.latimes.com/news/local/la-me-0804-animal-sales-20110804,0,1876314.story\" target=\"_top\">\u003cstrong>\u003c/strong>\u003c/a>\u003ca title=\"LAPD, city seize guns at 6 L.A. animal shelters\" href=\"http://www.latimes.com/news/local/la-me-animal-services-guns-20110805,0,1698240.story\" target=\"_top\">LAPD, city seize guns at 6 L.A. animal shelters\u003c/a> (Los Angeles Times)\u003c/li>\n\u003cli>\u003ca title=\"http://www.nytimes.com/2011/08/04/health/04hiv.html?emc=tnt&tntemail0=y\" href=\"http://www.nytimes.com/2011/08/04/health/04hiv.html?emc=tnt&tntemail0=y\">\u003cstrong>\u003c/strong>\u003c/a>\u003ca title=\"http://www.nytimes.com/2011/08/05/us/05bclee.html?emc=tnt&tntemail0=y\" href=\"http://www.nytimes.com/2011/08/05/us/05bclee.html?emc=tnt&tntemail0=y\">Questions About Urging Interim Mayor to Run\u003c/a> (New York Times)\u003c/li>\n\u003cli>\u003ca title=\"http://www.nytimes.com/2011/08/02/us/02paper.html?emc=tnt&tntemail0=y\" href=\"http://www.nytimes.com/2011/08/02/us/02paper.html?emc=tnt&tntemail0=y\">\u003cstrong>\u003c/strong>\u003c/a>\u003ca href=\"http://www.times-standard.com/localnews/ci_18614832\">\u003c/a>\u003ca title=\"http://www.nytimes.com/2011/08/05/us/05bcjames.html?emc=tnt&tntemail0=y\" href=\"http://www.nytimes.com/2011/08/05/us/05bcjames.html?emc=tnt&tntemail0=y\">Jail Time Yields a Clash on Vegetarian Meals\u003c/a> (New York Times)\u003c/li>\n\u003c/ul>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Rachael Myrow here, host of the California Report, with a handful of links to cool and/or important stories outside the Bay Area local readers should check out.\u003c/p>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cdiv>\n\u003cul>\n\u003cli>\u003ca title=\"http://www.google.com/url?sa=X&q=http://blogs.laweekly.com/informer/2011/08/raw_milk_venice_raid.php&ct=ga&cad=CAEQAhgAIAAoATACOAJA9Jjn8QRIAVgBYgVlbi1VUw&cd=M3yGezIixjY&usg=AFQjCNEgvSGHLDFvP-y3y-tKZgwumZu5uw\" href=\"http://www.google.com/url?sa=X&q=http://blogs.laweekly.com/informer/2011/08/raw_milk_venice_raid.php&ct=ga&cad=CAEQAhgAIAAoATACOAJA9Jjn8QRIAVgBYgVlbi1VUw&cd=M3yGezIixjY&usg=AFQjCNEgvSGHLDFvP-y3y-tKZgwumZu5uw\">\u003c/a>\u003ca href=\"http://www.pe.com/localnews/riverside/stories/PE_News_Local_W_mtv05.3987f8d.html\">MTV to feature Riverside home and restaurant Tio's Tacos\u003c/a> (Riverside Press Enterprise)\u003c/li>\n\u003cli>\u003ca title=\"Fullerton police draw fire for silence in homeless man's death\" href=\"http://www.latimes.com/news/local/la-me-0804-fullerton-death-20110804,0,5949987.story\" target=\"_top\">\u003cstrong>\u003c/strong>\u003c/a>\u003ca title=\"Customers stalk Fresno State's sweet corn\" href=\"http://www.latimes.com/news/local/la-me-0805-fresno-sweet-corn-20110805,0,4448345.story\" target=\"_top\">Customers stalk Fresno State's sweet corn\u003c/a> (Los Angeles Times)\u003c/li>\n\u003cli>\u003ca title=\"Los Angeles getting tougher on street-corner animal sales\" href=\"http://www.latimes.com/news/local/la-me-0804-animal-sales-20110804,0,1876314.story\" target=\"_top\">\u003cstrong>\u003c/strong>\u003c/a>\u003ca title=\"LAPD, city seize guns at 6 L.A. animal shelters\" href=\"http://www.latimes.com/news/local/la-me-animal-services-guns-20110805,0,1698240.story\" target=\"_top\">LAPD, city seize guns at 6 L.A. animal shelters\u003c/a> (Los Angeles Times)\u003c/li>\n\u003cli>\u003ca title=\"http://www.nytimes.com/2011/08/04/health/04hiv.html?emc=tnt&tntemail0=y\" href=\"http://www.nytimes.com/2011/08/04/health/04hiv.html?emc=tnt&tntemail0=y\">\u003cstrong>\u003c/strong>\u003c/a>\u003ca title=\"http://www.nytimes.com/2011/08/05/us/05bclee.html?emc=tnt&tntemail0=y\" href=\"http://www.nytimes.com/2011/08/05/us/05bclee.html?emc=tnt&tntemail0=y\">Questions About Urging Interim Mayor to Run\u003c/a> (New York Times)\u003c/li>\n\u003cli>\u003ca title=\"http://www.nytimes.com/2011/08/02/us/02paper.html?emc=tnt&tntemail0=y\" href=\"http://www.nytimes.com/2011/08/02/us/02paper.html?emc=tnt&tntemail0=y\">\u003cstrong>\u003c/strong>\u003c/a>\u003ca href=\"http://www.times-standard.com/localnews/ci_18614832\">\u003c/a>\u003ca title=\"http://www.nytimes.com/2011/08/05/us/05bcjames.html?emc=tnt&tntemail0=y\" href=\"http://www.nytimes.com/2011/08/05/us/05bcjames.html?emc=tnt&tntemail0=y\">Jail Time Yields a Clash on Vegetarian Meals\u003c/a> (New York Times)\u003c/li>\n\u003c/ul>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Film \"Between Two Worlds\" Chronicles Vitriolic Israel Debate; Interview w/ Filmmakers; Clips",
"title": "Film \"Between Two Worlds\" Chronicles Vitriolic Israel Debate; Interview w/ Filmmakers; Clips",
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"content": "\u003cp>I once interviewed a normally outspoken media analyst who suddenly went off the record when speaking about people's reactions to the Israeli-Palestinian issue, because who needed the angry emails? \u003c/p>\n\u003cp>In my 15 years covering news online, I have learned that even a carefully neutral story related to the Israeli-Palestinian conflict can draw howls of protest from adherents on both sides of the issue.\u003c/p>\n\u003cfigure id=\"attachment_35988\" class=\"wp-caption alignleft\" style=\"max-width: 324px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/08/Castro_signs.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/08/Castro_signs.jpg\" alt=\"\" title=\"Castro_signs\" width=\"324\" height=\"182\" class=\"size-full wp-image-35988\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Snitow-Kaufman Productions\u003c/figcaption>\u003c/figure>\n\u003cp>The increasingly incendiary debate is the subject of \u003ca href=\"http://btwthemovie.org/\">\u003cem>Between Two Worlds\u003c/em>\u003c/a>, a documentary by Berkeley filmmakers Alan Snitow and Deborah Kaufman, shown at the Castro Theatre as part of the \u003ca href=\"http://www.sfjff.org/\">San Francisco Jewish Film Festival\u003c/a> last week. The film moves to Berkeley Rep's Roda Theatre on Wednesday, Aug 3; the Roxie in San Francisco, Aug 5 - 11; and the Blue Light in Cupertino, Aug 16. \u003c/p>\n\u003cp>\"Who speaks for Jews today?\" the documentary's festival blurb begins. \"In this personal essay, Snitow and Kaufman embark on an intimate, far-ranging exploration of the ideological fissures running through contemporary Jewish life. They turn their camera on recent flashpoints in American Jewish identity, including campus debates over divestment from Israel and the 2009 \u003ca href=\"http://www.sfjff.org/sites/default/files/docs/SFJFF_statement_on_RACHEL.pdf\">controversy (pdf)\u003c/a> stemming from SFJFF’s screening of (the documentary) \u003ca href=\"http://www.google.com/search?q=rachel+corrie\">\u003cem>Rachel\u003c/em>\u003c/a>. The filmmakers ask how each generation reshapes, reclaims or rejects its parents’ definition of community values.\"\u003c/p>\n\u003cp>Before the film festival screening, KQED's Cy Musiker interviewed Snitow and Kaufman about their work and the issues they hope it will raise. An edited transcript follows each audio clip below. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/08/BetweenTwo1.mp3|titles=BetweenTwo1]\u003c/p>\n\u003cblockquote>\u003cp>\u003cstrong>The film is inspired by this intense and divisive protest over the showing of the film \u003cem>Rachel\u003c/em> at the jewish film festival in 2009. But I'm guessing these are concerns that have been percolating with you for some years. When did these crystallize into the idea for a film?\u003c/strong> \u003c/p>\n\u003cp>\u003cem>Alan Snitow\u003c/em>\u003cbr>\nWe were working on the film several years before the Jewish Film Festival explosion, dealing with a variety of other issues, and then suddenly this whole brouhaha over whether or not you could say certain things or meet with certain people publicly inside the Jewish community boiled to the surface.\u003c/p>\n\u003cp>We had had no plans of filming there, but it just so quickly exploded in front of Peter Stein, the festival director, that we thought we'd better address the issue. \u003c/p>\n\u003cp>\u003cstrong>It was like a case study in this question. Can you explain this debate over American Jewish values and who defines them? \u003c/strong>\u003c/p>\n\u003cp>\u003cem>Alan Snitow\u003c/em>\u003cbr>\nThe whole film was aimed at dealing with the question of who has the right to speak for the Jewish community and what is permissible debate inside the community. This has been a battleground for many years, but it really hit a new high around 2009, when the sense was that we really have to crack down on this debate particularly as it affects Israel. \u003c/p>\n\u003cp>And we felt that we should address this because in fact this kind of crackdown has happened inside a a number of ethnic communities in the past and is happening not just on the issue of Israel inside the Jewish community. \u003c/p>\n\u003c/blockquote>\n\u003cp>[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/08/Between2Two.mp3|titles=Between2Two]\u003c/p>\n\u003cblockquote>\u003cp>\u003cstrong>On the origins of the film\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Deborah Kaufman\u003c/em>\u003cbr>\nThe film originally was going to be called Discontinuity because it was really about addressing questions of change when there's a lot of intermarriage, when we're revisiting historical questions about the Holocaust and the establishment of the state of Israel, all these things that are hot buttons within the Jewish community. \u003c/p>\n\u003cp>And particularly within our own families, where we came from backgrounds that were very engaged. My father was very involved as a Zionist, Alan's mother was a Communist. These are the secular faiths of American Jews that we wanted to explore. \u003c/p>\n\u003cp>But what happened was everything kept being drawn back toward arguments about Israel and the relationship of the American Jewish community to Israel. And as we got into our production, every argument kind of circled back to that. We wanted to explore that in a way that was respectful but at the same time critical. \u003c/p>\n\u003cp>\u003cstrong>And underlying everything was the fact that there was a real hostility to open debate both from the right and the left, and that was very visible at the film festival. \u003c/strong>\u003c/p>\n\u003cp>\u003cem>Alan Snitow\u003c/em>\u003cbr>\nBoth sides got together, the extremes, sort of silencing debate in the middle, at the Jewish film festival, and this has happened throughout. \u003c/p>\n\u003cp>One of the things we found out: Many, many people inside the Jewish community feel that they're not entitled to speak, that they're not legitimate, that they're not authentic enough , that they don't know Hebrew. All these kinds of things that undermine people's thinking, 'why don’t I have a real right to say something or what I think or ask questions?' \u003c/p>\n\u003cp>And we also found that's a feeling outside the Jewish community. There are a lot of people who don't want to get involved in this debate because it's too toxic or they don't want to be called an anti-Semite. Or they'd be showing their ignorance. \u003c/p>\n\u003cp>So we thought the purpose of the film had to be to raise these issues in a public way and say, look, the only way of making any kind of progress or dealing with change is to have them out in the open and really debate them. \u003c/p>\n\u003cp>I think people are somewhat justifiably afraid, because of the long history of victimization, of people attacking the existence of the state of Israel, of a minority community always sort of circling the wagons. There are long traditions of that sort. Recently this has, I think, expanded exponentially because now you have a very conservative government in Israel that is cracking down on debate inside Israel itself. \u003c/p>\n\u003cp>So how do American Jews, primarily a liberal community, deal with supporting Israel at the time when Israel is violating both internally with its down debate and in the occupied territories with the Palestinians many of the liberal values that American Jews have grown up with?\u003c/p>\n\u003cp>\u003cem>Deborah Kaufman\u003c/em>\u003cbr>\nThe Jewish community has long been a community of debate. So the fact that it has become so vicious -– it's an argument, not a debate; people are screaming at each other –- I think is significant because it shows that something's really changed internally. \u003c/p>\n\u003cp>You can say in part it's due to the Tea Party summer that happened in 2009 and the kind of general aura of bullying and vituperation that exists in the media and in our communities, but I think this question about the direction of Israel, particularly since the most right-wing government it's ever had, is challenging the American community to face its values and make some hard choices. And I think that's triggering a lot of the amplification of the argument and it's also triggering a kind of walking away by the younger generation that doesn't want to get involved with these toxic arguments anymore. That's also why we wanted to make this movie, to draw people back into the debate that we think should be happening in a more civil way.\n\u003c/p>\u003c/blockquote>\n\u003cp>[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/08/BetweenTwo3.mp3|titles=BetweenTwo3]\u003c/p>\n\u003cblockquote>\u003cp>\u003cstrong>One of the questions you ask is how does the Holocaust both inform and warp the dialogue about Jewish values. Can you explain how you deal with that in the film?\u003c/strong> \u003c/p>\n\u003cp>\u003cem>Alan Snitow\u003c/em>\u003cbr>\nThe Holocaust has become central to Jewish identity, really around the world but particularly in the United States. \u003c/p>\n\u003cp>What's happened is there's been a kind of trend toward competing victimizations among all ethnic groups in the U.S., and the Holocaust is a major claim of primacy about how our victimization is so severe. Using the claim of our victimization can lead to sort of strange hypocrisies every once in awhile. One of the leading organizations dealing with the history of the Holocaust, teaching lessons of the Holocaust, teaching tolerance around the Holocaust, can suddenly also find itself doing something like building a Holocaust museum on top of a Muslim cemetery in Jerusalem. \u003c/p>\n\u003cp>So in that case, there was a claim by the Museum of Tolerance that they were so legitimate because of the past victimization of the Jewish people that they could do something like this that is on the holy ground of another people. We think that this is something that is not just about Jews. All groups who base their identity on victimization rather than who they are and the positive sides of their histories will get into that kind of frame. \u003c/p>\n\u003cp>\u003cem>Deborah Kaufman\u003c/em>\u003cbr>\nThe Holocaust has become kind of a dominant form of identification for Jewish life in the United States. There's been millions of dollars poured into Holocaust memorials and museums; we're building them not just in the United States but abroad. \u003c/p>\n\u003cp>I think in this film we're trying to ask an important question: How is all this memorialization being used politically? What are the outcomes of this kind of effort to not just educate the next generation about what happened during WW II, but to make a statement about the primacy of our own victimization? Is it healthy? Where does it lead? And what we're finding is that it's kind of a tribal effort that's not about building alliances, but rather about facing the future alone. \u003c/p>\n\u003cp>The effort of the Simon Wiesenthal Center's Museum of Tolerance in Jerusalem, we found, was not greeted with a lot of warmth by all the residents in Jerusalem that we talked to. They were thinking that this was a very strange American effort that had no place there.\n\u003c/p>\u003c/blockquote>\n\u003cp>[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/08/BetweenTwo4.mp3|titles=BetweenTwo3]\u003c/p>\n\u003cblockquote>\u003cp>\u003cstrong>Your dad, Deborah, was a Zionist and smuggled munitions to Palestine, and your mom, Alan, was a socialist and a member of the Communist Party, working on civil rights issues with the American Jewish Congress. How do those stories tie in with these bigger themes?\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Deborah Kaufman\u003c/em>\u003cbr>\nWe wanted to explore our family histories because we felt our parents' ideologies were a kind of secular faith. The Jewish community is not just a religious community but one that has a lot of idealism and spirit and one that's had a lot of impact on the 20th century and our own generation. We wanted to look at our parents in order to anchor the conflicts of today in something of the past. \u003c/p>\n\u003cp>It turns out that my father was very active on the right wing and Alan's father on the left wing. Together they create a kind of whole of the picture of the diversity of the secular faiths of the Jewish community in America. \u003c/p>\n\u003cp>\u003cem>Alan Snitow\u003c/em>\u003cbr>\nThere's always been this debate going on around the Passover or the dinner table. We feel as if a lot of that debate has now become silenced, that people have become afraid of it. We wanted to bring back what these debates were about between Communists and socialists and Bundists and so forth, who would debate what was the future of the Jewish people. \u003c/p>\n\u003cp>For us, this was an exciting possibility because a lot of people, especially the young, have no idea about these debates. They've heard just little bits. But most of it has been hidden under the covers. We wanted to bring it out and say if you scratch people who are Jewish, you're going to find their parents of all these different faiths -- Orthodox, Reform, Conservative, atheist, Communist, Socialist. You're going to find that kind of crazy diversity. \u003c/p>\n\u003cp>Every group in the Jewish community has these different histories but most people are not talking about them so we wanted to revivify them and bring it into consciousness. A lot of young people have responded by saying now they see what was going they we didn't really know the details of these silenced discussions at the dinner table or the seder table. \u003c/p>\n\u003cp>\u003cem>Deborah Kaufman\u003c/em>\u003cbr>\nThere was one other aspect of this in regard to Jewish Communists. People who were members or thought to be members of the Communist Party were kicked out of Jewish institutions during the McCarthy era. We wanted to put that in to show there's an effort going on right now to marginalize people who are critical of the occupation, that there's a new McCarthyism. So people can see that people lost their jobs, were silenced, and that the problems we're facing today with the excommunication of certain ideas have a history. \u003c/p>\n\u003cp>\u003cstrong>What do you want audiences take away from this film? \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Deborah Kaufman\u003c/strong>\u003cbr>\nWe're hoping that people will first of all be able to speak about things they were afraid to speak about. That people shouldn’t be afraid to ask questions about Israel or what Israel is doing or afraid to ask questions about the past or how we remember and memorialize the past. And we hope that people ask these questions of each other in a civil and respectful way, even as they're critical. \u003c/p>\n\u003cp>\u003cstrong>Alan Snitow\u003c/strong>\u003c/p>\n\u003cp>I think we're hoping the film will be a catalyst for discussions, that people will realize that there's a new spirit out in the land, not just in the Jewish community, but also about the possibility of recreating the liberal and progressive alliances, as in the civil rights movement or the anti-Vietnam War movement. \u003c/p>\n\u003cp>Not going back exactly to those kinds of things, but that it is possible to have a progressive politics in the U.S., not just on questions of Israel, but on issues in the U.S. about identity and victimization. How do you create coalitions that will work? For a long time this kind of discussion has been silenced, people were afraid to talk about it for fear of breaking ranks within the group. We want to say it's not about breaking ranks; you can make coalitions, you can change politics, you have the possibility of reviving politics in this country by making alliances and by bringing the debate to the fore.\n\u003c/p>\u003c/blockquote>\n\u003cp>\u003ca href=\"http://www.youtube.com/watch?v=-IZ6729dih0&feature=player_embedded\">Clips from the film here\u003c/a> and \u003ca href=\"http://www.youtube.com/user/snitowkaufman\">here\u003c/a>.\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe width=\"425\" height=\"349\" src=\"http://www.youtube.com/embed/-IZ6729dih0\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Related:\u003c/p>\n\u003cul>\n\u003cli>\u003ca>'Between Two Worlds': Jewish identity turf wars\u003c/a> (SF Chronicle)\n\u003c/li>\u003cli>\u003ca href=\"http://www.nypress.com/blog-9277-oye-vey_-lsbetween-two-worldsrs-tackles-jewish-inf.html\">Oye-Vey! ‘Between Two Worlds’ Tackles Jewish Infighting\u003c/a> (New York Press)\u003c/li>\n\u003c/ul>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>I once interviewed a normally outspoken media analyst who suddenly went off the record when speaking about people's reactions to the Israeli-Palestinian issue, because who needed the angry emails? \u003c/p>\n\u003cp>In my 15 years covering news online, I have learned that even a carefully neutral story related to the Israeli-Palestinian conflict can draw howls of protest from adherents on both sides of the issue.\u003c/p>\n\u003cfigure id=\"attachment_35988\" class=\"wp-caption alignleft\" style=\"max-width: 324px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/08/Castro_signs.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/08/Castro_signs.jpg\" alt=\"\" title=\"Castro_signs\" width=\"324\" height=\"182\" class=\"size-full wp-image-35988\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Snitow-Kaufman Productions\u003c/figcaption>\u003c/figure>\n\u003cp>The increasingly incendiary debate is the subject of \u003ca href=\"http://btwthemovie.org/\">\u003cem>Between Two Worlds\u003c/em>\u003c/a>, a documentary by Berkeley filmmakers Alan Snitow and Deborah Kaufman, shown at the Castro Theatre as part of the \u003ca href=\"http://www.sfjff.org/\">San Francisco Jewish Film Festival\u003c/a> last week. The film moves to Berkeley Rep's Roda Theatre on Wednesday, Aug 3; the Roxie in San Francisco, Aug 5 - 11; and the Blue Light in Cupertino, Aug 16. \u003c/p>\n\u003cp>\"Who speaks for Jews today?\" the documentary's festival blurb begins. \"In this personal essay, Snitow and Kaufman embark on an intimate, far-ranging exploration of the ideological fissures running through contemporary Jewish life. They turn their camera on recent flashpoints in American Jewish identity, including campus debates over divestment from Israel and the 2009 \u003ca href=\"http://www.sfjff.org/sites/default/files/docs/SFJFF_statement_on_RACHEL.pdf\">controversy (pdf)\u003c/a> stemming from SFJFF’s screening of (the documentary) \u003ca href=\"http://www.google.com/search?q=rachel+corrie\">\u003cem>Rachel\u003c/em>\u003c/a>. The filmmakers ask how each generation reshapes, reclaims or rejects its parents’ definition of community values.\"\u003c/p>\n\u003cp>Before the film festival screening, KQED's Cy Musiker interviewed Snitow and Kaufman about their work and the issues they hope it will raise. An edited transcript follows each audio clip below. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cblockquote>\u003cp>\u003cstrong>The film is inspired by this intense and divisive protest over the showing of the film \u003cem>Rachel\u003c/em> at the jewish film festival in 2009. But I'm guessing these are concerns that have been percolating with you for some years. When did these crystallize into the idea for a film?\u003c/strong> \u003c/p>\n\u003cp>\u003cem>Alan Snitow\u003c/em>\u003cbr>\nWe were working on the film several years before the Jewish Film Festival explosion, dealing with a variety of other issues, and then suddenly this whole brouhaha over whether or not you could say certain things or meet with certain people publicly inside the Jewish community boiled to the surface.\u003c/p>\n\u003cp>We had had no plans of filming there, but it just so quickly exploded in front of Peter Stein, the festival director, that we thought we'd better address the issue. \u003c/p>\n\u003cp>\u003cstrong>It was like a case study in this question. Can you explain this debate over American Jewish values and who defines them? \u003c/strong>\u003c/p>\n\u003cp>\u003cem>Alan Snitow\u003c/em>\u003cbr>\nThe whole film was aimed at dealing with the question of who has the right to speak for the Jewish community and what is permissible debate inside the community. This has been a battleground for many years, but it really hit a new high around 2009, when the sense was that we really have to crack down on this debate particularly as it affects Israel. \u003c/p>\n\u003cp>And we felt that we should address this because in fact this kind of crackdown has happened inside a a number of ethnic communities in the past and is happening not just on the issue of Israel inside the Jewish community. \u003c/p>\n\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cblockquote>\u003cp>\u003cstrong>On the origins of the film\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Deborah Kaufman\u003c/em>\u003cbr>\nThe film originally was going to be called Discontinuity because it was really about addressing questions of change when there's a lot of intermarriage, when we're revisiting historical questions about the Holocaust and the establishment of the state of Israel, all these things that are hot buttons within the Jewish community. \u003c/p>\n\u003cp>And particularly within our own families, where we came from backgrounds that were very engaged. My father was very involved as a Zionist, Alan's mother was a Communist. These are the secular faiths of American Jews that we wanted to explore. \u003c/p>\n\u003cp>But what happened was everything kept being drawn back toward arguments about Israel and the relationship of the American Jewish community to Israel. And as we got into our production, every argument kind of circled back to that. We wanted to explore that in a way that was respectful but at the same time critical. \u003c/p>\n\u003cp>\u003cstrong>And underlying everything was the fact that there was a real hostility to open debate both from the right and the left, and that was very visible at the film festival. \u003c/strong>\u003c/p>\n\u003cp>\u003cem>Alan Snitow\u003c/em>\u003cbr>\nBoth sides got together, the extremes, sort of silencing debate in the middle, at the Jewish film festival, and this has happened throughout. \u003c/p>\n\u003cp>One of the things we found out: Many, many people inside the Jewish community feel that they're not entitled to speak, that they're not legitimate, that they're not authentic enough , that they don't know Hebrew. All these kinds of things that undermine people's thinking, 'why don’t I have a real right to say something or what I think or ask questions?' \u003c/p>\n\u003cp>And we also found that's a feeling outside the Jewish community. There are a lot of people who don't want to get involved in this debate because it's too toxic or they don't want to be called an anti-Semite. Or they'd be showing their ignorance. \u003c/p>\n\u003cp>So we thought the purpose of the film had to be to raise these issues in a public way and say, look, the only way of making any kind of progress or dealing with change is to have them out in the open and really debate them. \u003c/p>\n\u003cp>I think people are somewhat justifiably afraid, because of the long history of victimization, of people attacking the existence of the state of Israel, of a minority community always sort of circling the wagons. There are long traditions of that sort. Recently this has, I think, expanded exponentially because now you have a very conservative government in Israel that is cracking down on debate inside Israel itself. \u003c/p>\n\u003cp>So how do American Jews, primarily a liberal community, deal with supporting Israel at the time when Israel is violating both internally with its down debate and in the occupied territories with the Palestinians many of the liberal values that American Jews have grown up with?\u003c/p>\n\u003cp>\u003cem>Deborah Kaufman\u003c/em>\u003cbr>\nThe Jewish community has long been a community of debate. So the fact that it has become so vicious -– it's an argument, not a debate; people are screaming at each other –- I think is significant because it shows that something's really changed internally. \u003c/p>\n\u003cp>You can say in part it's due to the Tea Party summer that happened in 2009 and the kind of general aura of bullying and vituperation that exists in the media and in our communities, but I think this question about the direction of Israel, particularly since the most right-wing government it's ever had, is challenging the American community to face its values and make some hard choices. And I think that's triggering a lot of the amplification of the argument and it's also triggering a kind of walking away by the younger generation that doesn't want to get involved with these toxic arguments anymore. That's also why we wanted to make this movie, to draw people back into the debate that we think should be happening in a more civil way.\n\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cblockquote>\u003cp>\u003cstrong>One of the questions you ask is how does the Holocaust both inform and warp the dialogue about Jewish values. Can you explain how you deal with that in the film?\u003c/strong> \u003c/p>\n\u003cp>\u003cem>Alan Snitow\u003c/em>\u003cbr>\nThe Holocaust has become central to Jewish identity, really around the world but particularly in the United States. \u003c/p>\n\u003cp>What's happened is there's been a kind of trend toward competing victimizations among all ethnic groups in the U.S., and the Holocaust is a major claim of primacy about how our victimization is so severe. Using the claim of our victimization can lead to sort of strange hypocrisies every once in awhile. One of the leading organizations dealing with the history of the Holocaust, teaching lessons of the Holocaust, teaching tolerance around the Holocaust, can suddenly also find itself doing something like building a Holocaust museum on top of a Muslim cemetery in Jerusalem. \u003c/p>\n\u003cp>So in that case, there was a claim by the Museum of Tolerance that they were so legitimate because of the past victimization of the Jewish people that they could do something like this that is on the holy ground of another people. We think that this is something that is not just about Jews. All groups who base their identity on victimization rather than who they are and the positive sides of their histories will get into that kind of frame. \u003c/p>\n\u003cp>\u003cem>Deborah Kaufman\u003c/em>\u003cbr>\nThe Holocaust has become kind of a dominant form of identification for Jewish life in the United States. There's been millions of dollars poured into Holocaust memorials and museums; we're building them not just in the United States but abroad. \u003c/p>\n\u003cp>I think in this film we're trying to ask an important question: How is all this memorialization being used politically? What are the outcomes of this kind of effort to not just educate the next generation about what happened during WW II, but to make a statement about the primacy of our own victimization? Is it healthy? Where does it lead? And what we're finding is that it's kind of a tribal effort that's not about building alliances, but rather about facing the future alone. \u003c/p>\n\u003cp>The effort of the Simon Wiesenthal Center's Museum of Tolerance in Jerusalem, we found, was not greeted with a lot of warmth by all the residents in Jerusalem that we talked to. They were thinking that this was a very strange American effort that had no place there.\n\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cblockquote>\u003cp>\u003cstrong>Your dad, Deborah, was a Zionist and smuggled munitions to Palestine, and your mom, Alan, was a socialist and a member of the Communist Party, working on civil rights issues with the American Jewish Congress. How do those stories tie in with these bigger themes?\u003c/strong>\u003c/p>\n\u003cp>\u003cem>Deborah Kaufman\u003c/em>\u003cbr>\nWe wanted to explore our family histories because we felt our parents' ideologies were a kind of secular faith. The Jewish community is not just a religious community but one that has a lot of idealism and spirit and one that's had a lot of impact on the 20th century and our own generation. We wanted to look at our parents in order to anchor the conflicts of today in something of the past. \u003c/p>\n\u003cp>It turns out that my father was very active on the right wing and Alan's father on the left wing. Together they create a kind of whole of the picture of the diversity of the secular faiths of the Jewish community in America. \u003c/p>\n\u003cp>\u003cem>Alan Snitow\u003c/em>\u003cbr>\nThere's always been this debate going on around the Passover or the dinner table. We feel as if a lot of that debate has now become silenced, that people have become afraid of it. We wanted to bring back what these debates were about between Communists and socialists and Bundists and so forth, who would debate what was the future of the Jewish people. \u003c/p>\n\u003cp>For us, this was an exciting possibility because a lot of people, especially the young, have no idea about these debates. They've heard just little bits. But most of it has been hidden under the covers. We wanted to bring it out and say if you scratch people who are Jewish, you're going to find their parents of all these different faiths -- Orthodox, Reform, Conservative, atheist, Communist, Socialist. You're going to find that kind of crazy diversity. \u003c/p>\n\u003cp>Every group in the Jewish community has these different histories but most people are not talking about them so we wanted to revivify them and bring it into consciousness. A lot of young people have responded by saying now they see what was going they we didn't really know the details of these silenced discussions at the dinner table or the seder table. \u003c/p>\n\u003cp>\u003cem>Deborah Kaufman\u003c/em>\u003cbr>\nThere was one other aspect of this in regard to Jewish Communists. People who were members or thought to be members of the Communist Party were kicked out of Jewish institutions during the McCarthy era. We wanted to put that in to show there's an effort going on right now to marginalize people who are critical of the occupation, that there's a new McCarthyism. So people can see that people lost their jobs, were silenced, and that the problems we're facing today with the excommunication of certain ideas have a history. \u003c/p>\n\u003cp>\u003cstrong>What do you want audiences take away from this film? \u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Deborah Kaufman\u003c/strong>\u003cbr>\nWe're hoping that people will first of all be able to speak about things they were afraid to speak about. That people shouldn’t be afraid to ask questions about Israel or what Israel is doing or afraid to ask questions about the past or how we remember and memorialize the past. And we hope that people ask these questions of each other in a civil and respectful way, even as they're critical. \u003c/p>\n\u003cp>\u003cstrong>Alan Snitow\u003c/strong>\u003c/p>\n\u003cp>I think we're hoping the film will be a catalyst for discussions, that people will realize that there's a new spirit out in the land, not just in the Jewish community, but also about the possibility of recreating the liberal and progressive alliances, as in the civil rights movement or the anti-Vietnam War movement. \u003c/p>\n\u003cp>Not going back exactly to those kinds of things, but that it is possible to have a progressive politics in the U.S., not just on questions of Israel, but on issues in the U.S. about identity and victimization. How do you create coalitions that will work? For a long time this kind of discussion has been silenced, people were afraid to talk about it for fear of breaking ranks within the group. We want to say it's not about breaking ranks; you can make coalitions, you can change politics, you have the possibility of reviving politics in this country by making alliances and by bringing the debate to the fore.\n\u003c/p>\u003c/blockquote>\n\u003cp>\u003ca href=\"http://www.youtube.com/watch?v=-IZ6729dih0&feature=player_embedded\">Clips from the film here\u003c/a> and \u003ca href=\"http://www.youtube.com/user/snitowkaufman\">here\u003c/a>.\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe width=\"425\" height=\"349\" src=\"http://www.youtube.com/embed/-IZ6729dih0\" frameborder=\"0\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Related:\u003c/p>\n\u003cul>\n\u003cli>\u003ca>'Between Two Worlds': Jewish identity turf wars\u003c/a> (SF Chronicle)\n\u003c/li>\u003cli>\u003ca href=\"http://www.nypress.com/blog-9277-oye-vey_-lsbetween-two-worldsrs-tackles-jewish-inf.html\">Oye-Vey! ‘Between Two Worlds’ Tackles Jewish Infighting\u003c/a> (New York Press)\u003c/li>\n\u003c/ul>\n\n\u003c/div>\u003c/p>",
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},
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"id": "city-arts",
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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}
},
"closealltabs": {
"id": "closealltabs",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
},
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"meta": {
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"source": "WNYC"
},
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
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"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
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"source": "NPR"
},
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"how-i-built-this": {
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"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"link": "/radio/program/how-i-built-this",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"order": 15
},
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
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"order": 18
},
"link": "/podcasts/jerrybrown",
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"meta": {
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
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"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/onourwatch",
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"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
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"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
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},
"link": "/radio/program/pbs-newshour",
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"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
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"officialWebsiteLink": "/perspectives/",
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
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