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"disqusTitle": "On College Radio Day, KUSF Staff Fight (and Spin) On",
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"content": "\u003cfigure id=\"attachment_42809\" class=\"wp-caption alignright\" style=\"max-width: 150px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/10/kusflogo.jpeg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/10/kusflogo.jpeg\" alt=\"\" title=\"kusflogo\" width=\"150\" height=\"150\" class=\"size-full wp-image-42809\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">KUSF, no longer heard on 90.3 FM\u003c/figcaption>\u003c/figure>\n\u003cp>Hundreds of college radio stations around the country came together yesterday to proclaim Oct 11 College Radio Day. The celebration of stations that often have a cult following came amidst a particularly trying time for the format. From the Washington Post:\u003c/p>\n\u003cblockquote>\u003cp>Quirky, loud and unpredictable, college radio has dwelt for a half-century at the left of the dial, a youthful counterpart to public radio. The genre seeded protest in the ’70s and launched the careers of U2 and R.E.M. in the ’80s, but now finds itself under siege. Over the past decade, the economics of radio have pushed more than a dozen major stations off the airwaves.\u003c/p>\n\u003cp>One by one, universities are selling off stations to raise cash. FM licenses in major markets are worth millions. Recent sales include KUSF at the University of San Francisco, KTRU at Rice University in Houston and WXEL at Barry University in Miami.\u003c/p>\u003c/blockquote>\n\u003cp>The January sale of KUSF to the Classical Public Radio Network, just one transaction in a \u003ca href=\"http://ww2.kqed.org/news/2011/01/18/kusf-to-leave-air-move-to-online-online-broadast/\">multi-station radio shake-up\u003c/a> of the Bay Area dial, set off strenuous protests by the station's staff and fans. Many of the DJs and programmers moved to the online-only KUSF in Exile (\u003ca href=\"http://kusfinexile.tumblr.com/\">\u003cstrong>listen here\u003c/strong>\u003c/a>), an effort to keep the music playing while KUSF's sale of its license awaits FCC approval. From the \u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/09/15/PK5Q1L1CAA.DTL&ao=all#ixzz1YSqfsnTW\">San Francisco Chronicle\u003c/a> last month: \u003c/p>\n\u003cblockquote>\u003cp>Eight months after the deal that moved KDFC from 102.1 to 90.3 FM, which long had been home to iconic college station KUSF, the sale is still awaiting Federal Communications Commission approval. The delay may be due, at least in part, to the protests that began soon after KUSF was unplugged.\n\u003c/p>\u003c/blockquote>\n\u003cp>KQED's Nina Thorsen spoke yesterday with KUSF Music Director Irwin Swirnoff, who online deejays the sa,e Friday morning show he did when the station was heard on the radio. Swirnoff talked about the current effort by KUSF supporters to get the FCC to hold public hearings on the sale and why he thinks it's so important to preserve college radio in a community.\u003c/p>\n\u003cp>Below is an edited transcript of the interview...\u003c/p>\n\u003cblockquote>\u003cp>\u003cstrong>What's the current status of KUSF?\u003c/strong>\u003c/p>\n\u003cp>We launched KUSF in Exile while we wait for and continue to work on getting this proposed sale of KUSF stopped. It's still not been finalized by the FCC. We've been successful in delaying the finalization of the sale, and we've been happy to see that the FCC is paying close attention to it. They're investigating the sale, they sent letters of inquiry to USF and the buyer, and we're hopeful that we have a chance to get public hearings on this matter. \u003c!--more-->\u003c/p>\n\u003cp>\u003cstrong>What would be the time frame of that? \u003c/strong>\u003c/p>\n\u003cp>When you're dealing with the FCC, the time frame is always anybody's guess. We're hoping that before year's end, the FCC would either grant public hearings or make a decision one way or the other. We know that they're taking their time with all of the inquiries they asked for and are going through the responses. It could be November or December or it could go into next year. \u003c/p>\n\u003cp>\u003cstrong>And while this is happening you've got KUSF in Exile broadcasting online…\u003c/strong>\u003c/p>\n\u003cp>Yes. That came out of this really amazing moment that's come out of the tragedy that happened to KUSF and other college radio stations, where the stations are forming close bonds and unifying. WFMU on the east coast, for instance, stepped forward to host our stream, and we've experienced this camaraderie with stations around the country. This culminated with WFMU coming to town in Feburary, and we webcast live out of Amoeba (the record store in the Mission) on 15 stations around the country. That was the launch of KUSF in Exile. \u003c/p>\n\u003cp>\u003cstrong>Talk about philosophically why you think a college should have a radio station. \u003c/strong>\u003c/p>\n\u003cp>I think a college with a licensed radio station has a unique opportunity to link the university into the city in which its participating and engaging with. At KUSF that's exactly what was happening. We had programming in 12 different languages, really unique and forward thinking music programming. This allowed student and faculty to engage with what's happening on campus but make those connections throughout the city. \u003c/p>\n\u003cp>What we're ultimately fighting is not so much USF deciding it wants to sell the station, but shutting out the community that ran the station and doing it behind our backs and not allowing the community and students and faculty to come together and raise the money to buy the transmitter. \u003c/p>\n\u003cp>We think the station is an asset that provides the ability to attract new students and to use it as a living laboratory, so that you're no longer just talking about ideas but you're actually putting them into action and producing shows that connect directly with what you're learning in the classroom.\u003c/p>\n\u003cp>\u003cstrong>Are there people who were listening to the broadcast who aren't able to do it online? \u003c/strong>\u003c/p>\n\u003cp>Yes. We're treating KUSF online as a reminder of why we want to get back on the terrestrial dial, because it absolutely isn't the same. I hear from many listeners throughout the city that it was a big part of their being in the car, driving to work, or provided a communal experience for their household. We're losing a lot of that now. We're losing people who work outdoors and listen to the radio. \u003c/p>\n\u003cp>The Internet isn't free and not everybody has access to it. A lot of the shows that were really popular on KUSF definitely had an audience that was listening on the radio. So we're having not the same kind of interaction from our listenership. \u003c/p>\n\u003cp>It speaks to the magic of radio that you can be somewhere in your day and a DJ, often a student, is orchestrating a set of music that then connects to you and speaks to you in that moment. \u003c/p>\n\u003cp>\u003cstrong>What about the effect of music services like Spotify and Pandora?\u003c/strong>\u003c/p>\n\u003cp>A human DJ with a lot of passion is able to connect dots that go through eras and go through socio-political movements. So you can connect how 50s blues speaks to 90s hip hop and how early folk music has a similar spirit to the origins of early disco in terms of disco being a folk music for the queer community. \u003c/p>\n\u003cp>I think that those are only things that a DJ behind the booth has the ability to do. It's the curatorial hand of a DJ that's so important, because it brings that very human level to it and makes connections that aren't just purely aesthetical but are also speaking to how music is an ongoing language. \u003c/p>\n\u003cp>So you can play early classical music alongside early electronic music, for instance. I think what often happens is that we all become very compartmentalized in the way we think not only about music but about everything. So things become \"24 hour classical,\" we put things in ghettoes instead of realizing they actually have a larger life than we often give them credit for. \u003c/p>\n\u003cp>\u003cstrong>Anything else?\u003c/strong>\u003c/p>\n\u003cp>We're excited that the fight to save KUSF is still very much alive and about the support we've gotten from the city and the community at large, and we're not going to stop fighting because we think that maintaining this sort of community radio in San Francisco is essential. \u003c/p>\n\u003c/blockquote>\n\u003cp>For a different perspective, way back in January KQED's Cy Musiker interviewed KDFC Music Director Rik Malone. KDFC took over KUSF's 90.3 spot on the dial, and Malone talked about the boon the sale would be for classical music listeners in San Francisco. You can \u003ca href=\"http://ww2.kqed.org/news/2011/01/19/bay-area-radio-shakeup-kdfc-kusf-kufx/\">listen to that interview here\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_42809\" class=\"wp-caption alignright\" style=\"max-width: 150px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/10/kusflogo.jpeg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/10/kusflogo.jpeg\" alt=\"\" title=\"kusflogo\" width=\"150\" height=\"150\" class=\"size-full wp-image-42809\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">KUSF, no longer heard on 90.3 FM\u003c/figcaption>\u003c/figure>\n\u003cp>Hundreds of college radio stations around the country came together yesterday to proclaim Oct 11 College Radio Day. The celebration of stations that often have a cult following came amidst a particularly trying time for the format. From the Washington Post:\u003c/p>\n\u003cblockquote>\u003cp>Quirky, loud and unpredictable, college radio has dwelt for a half-century at the left of the dial, a youthful counterpart to public radio. The genre seeded protest in the ’70s and launched the careers of U2 and R.E.M. in the ’80s, but now finds itself under siege. Over the past decade, the economics of radio have pushed more than a dozen major stations off the airwaves.\u003c/p>\n\u003cp>One by one, universities are selling off stations to raise cash. FM licenses in major markets are worth millions. Recent sales include KUSF at the University of San Francisco, KTRU at Rice University in Houston and WXEL at Barry University in Miami.\u003c/p>\u003c/blockquote>\n\u003cp>The January sale of KUSF to the Classical Public Radio Network, just one transaction in a \u003ca href=\"http://ww2.kqed.org/news/2011/01/18/kusf-to-leave-air-move-to-online-online-broadast/\">multi-station radio shake-up\u003c/a> of the Bay Area dial, set off strenuous protests by the station's staff and fans. Many of the DJs and programmers moved to the online-only KUSF in Exile (\u003ca href=\"http://kusfinexile.tumblr.com/\">\u003cstrong>listen here\u003c/strong>\u003c/a>), an effort to keep the music playing while KUSF's sale of its license awaits FCC approval. From the \u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2011/09/15/PK5Q1L1CAA.DTL&ao=all#ixzz1YSqfsnTW\">San Francisco Chronicle\u003c/a> last month: \u003c/p>\n\u003cblockquote>\u003cp>Eight months after the deal that moved KDFC from 102.1 to 90.3 FM, which long had been home to iconic college station KUSF, the sale is still awaiting Federal Communications Commission approval. The delay may be due, at least in part, to the protests that began soon after KUSF was unplugged.\n\u003c/p>\u003c/blockquote>\n\u003cp>KQED's Nina Thorsen spoke yesterday with KUSF Music Director Irwin Swirnoff, who online deejays the sa,e Friday morning show he did when the station was heard on the radio. Swirnoff talked about the current effort by KUSF supporters to get the FCC to hold public hearings on the sale and why he thinks it's so important to preserve college radio in a community.\u003c/p>\n\u003cp>Below is an edited transcript of the interview...\u003c/p>\n\u003cblockquote>\u003cp>\u003cstrong>What's the current status of KUSF?\u003c/strong>\u003c/p>\n\u003cp>We launched KUSF in Exile while we wait for and continue to work on getting this proposed sale of KUSF stopped. It's still not been finalized by the FCC. We've been successful in delaying the finalization of the sale, and we've been happy to see that the FCC is paying close attention to it. They're investigating the sale, they sent letters of inquiry to USF and the buyer, and we're hopeful that we have a chance to get public hearings on this matter. \u003c!--more-->\u003c/p>\n\u003cp>\u003cstrong>What would be the time frame of that? \u003c/strong>\u003c/p>\n\u003cp>When you're dealing with the FCC, the time frame is always anybody's guess. We're hoping that before year's end, the FCC would either grant public hearings or make a decision one way or the other. We know that they're taking their time with all of the inquiries they asked for and are going through the responses. It could be November or December or it could go into next year. \u003c/p>\n\u003cp>\u003cstrong>And while this is happening you've got KUSF in Exile broadcasting online…\u003c/strong>\u003c/p>\n\u003cp>Yes. That came out of this really amazing moment that's come out of the tragedy that happened to KUSF and other college radio stations, where the stations are forming close bonds and unifying. WFMU on the east coast, for instance, stepped forward to host our stream, and we've experienced this camaraderie with stations around the country. This culminated with WFMU coming to town in Feburary, and we webcast live out of Amoeba (the record store in the Mission) on 15 stations around the country. That was the launch of KUSF in Exile. \u003c/p>\n\u003cp>\u003cstrong>Talk about philosophically why you think a college should have a radio station. \u003c/strong>\u003c/p>\n\u003cp>I think a college with a licensed radio station has a unique opportunity to link the university into the city in which its participating and engaging with. At KUSF that's exactly what was happening. We had programming in 12 different languages, really unique and forward thinking music programming. This allowed student and faculty to engage with what's happening on campus but make those connections throughout the city. \u003c/p>\n\u003cp>What we're ultimately fighting is not so much USF deciding it wants to sell the station, but shutting out the community that ran the station and doing it behind our backs and not allowing the community and students and faculty to come together and raise the money to buy the transmitter. \u003c/p>\n\u003cp>We think the station is an asset that provides the ability to attract new students and to use it as a living laboratory, so that you're no longer just talking about ideas but you're actually putting them into action and producing shows that connect directly with what you're learning in the classroom.\u003c/p>\n\u003cp>\u003cstrong>Are there people who were listening to the broadcast who aren't able to do it online? \u003c/strong>\u003c/p>\n\u003cp>Yes. We're treating KUSF online as a reminder of why we want to get back on the terrestrial dial, because it absolutely isn't the same. I hear from many listeners throughout the city that it was a big part of their being in the car, driving to work, or provided a communal experience for their household. We're losing a lot of that now. We're losing people who work outdoors and listen to the radio. \u003c/p>\n\u003cp>The Internet isn't free and not everybody has access to it. A lot of the shows that were really popular on KUSF definitely had an audience that was listening on the radio. So we're having not the same kind of interaction from our listenership. \u003c/p>\n\u003cp>It speaks to the magic of radio that you can be somewhere in your day and a DJ, often a student, is orchestrating a set of music that then connects to you and speaks to you in that moment. \u003c/p>\n\u003cp>\u003cstrong>What about the effect of music services like Spotify and Pandora?\u003c/strong>\u003c/p>\n\u003cp>A human DJ with a lot of passion is able to connect dots that go through eras and go through socio-political movements. So you can connect how 50s blues speaks to 90s hip hop and how early folk music has a similar spirit to the origins of early disco in terms of disco being a folk music for the queer community. \u003c/p>\n\u003cp>I think that those are only things that a DJ behind the booth has the ability to do. It's the curatorial hand of a DJ that's so important, because it brings that very human level to it and makes connections that aren't just purely aesthetical but are also speaking to how music is an ongoing language. \u003c/p>\n\u003cp>So you can play early classical music alongside early electronic music, for instance. I think what often happens is that we all become very compartmentalized in the way we think not only about music but about everything. So things become \"24 hour classical,\" we put things in ghettoes instead of realizing they actually have a larger life than we often give them credit for. \u003c/p>\n\u003cp>\u003cstrong>Anything else?\u003c/strong>\u003c/p>\n\u003cp>We're excited that the fight to save KUSF is still very much alive and about the support we've gotten from the city and the community at large, and we're not going to stop fighting because we think that maintaining this sort of community radio in San Francisco is essential. \u003c/p>\n\u003c/blockquote>\n\u003cp>For a different perspective, way back in January KQED's Cy Musiker interviewed KDFC Music Director Rik Malone. KDFC took over KUSF's 90.3 spot on the dial, and Malone talked about the boon the sale would be for classical music listeners in San Francisco. You can \u003ca href=\"http://ww2.kqed.org/news/2011/01/19/bay-area-radio-shakeup-kdfc-kusf-kufx/\">listen to that interview here\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Netflix Abandons Qwikster -- Analysis From Gartner",
"title": "Netflix Abandons Qwikster -- Analysis From Gartner",
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"content": "\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/10/netflixlogo.jpg\">\u003cimg class=\"alignright size-full wp-image-42505\" title=\"netflixlogo\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/10/netflixlogo.jpg\" alt=\"\" width=\"94\" height=\"94\">\u003c/a>Netflix today announced it is \u003ca href=\"http://www.sfgate.com/cgi-bin/article.cgi?f=/g/a/2011/10/10/bloomberg_articlesLSV9H36JTSE9.DTL\">abandoning its short-lived plan to spin off its tried-and-true DVD-by-mail service\u003c/a> from its perceived business of the future, streaming movies and TV shows directly into customers' homes.\u003c/p>\n\u003cp>This new confusion comes on top of an ill-received price increase for its streaming service that prompted a slew of customer cancellations. Netflix last month slashed projected subscriber numbers for the third quarter by one million.\u003c/p>\n\u003cp>KQED's Peter Jon Shuler today talked to Allen Weiner, research VP for Gartner's media service, about the latest strategic contretemps by the Los Gatos-based company.\u003c/p>\n\u003cblockquote>\u003cp>\u003cstrong>What do you make of all the moves Netflix has made recently?\u003c/strong>\u003c/p>\n\u003cp>Netflix is trying to accomplish a couple of things. They want to move where the biggest opportunity is for the company in their direct-to-consumer delivery space, but at the same time they don’t' want to abandon customers who have been loyal in certain channels. So this has led to some confusion in terms of pricing and services and then basically starting up a new brand when the Netflix brand has been the one that people have relied on.\u003c/p>\n\u003cp>\u003cstrong>\u003c/strong>\u003c/p>\n\u003caside class=\"pullquote alignleft\">\n\u003cp>Netflix has a relatively short period of time to get its act together and to lock down consumers\u003c/p>\n\u003cp>\u003cstrong>\u003c/strong>\u003c/p>\u003c/aside>\n\u003cp>In some ways the streaming and disk by mail businesses are quite different...\u003c/p>\n\u003cp>They're differing businesses and have totally different structures, plus they have different release windows, which is the biggest issue. \u003c/p>\n\u003cp>A lot of this has probably occurred because of what Amazon is doing. Amazon will release its Fire tablet in mid-November and it's going to offer people a huge amount of streaming at a reduced cost through Amazon Prime. So Netflix has a relatively short period of time to get its act together and to lock down consumers.\u003c/p>\n\u003cp>The future of Netflix is in streaming, mostly because the infrastructure cost of mailing DVDs is much greater than it is for streaming.\u003c/p>\n\u003cp>\u003cstrong>So Netflix has backed off, and Qwikster is the new New Coke…\u003c/strong>\u003c/p>\n\u003cp>It's more the new Edsel. Because it's been put to the graveyard and not only that it's essentially like one of those TV shows that gets canceled before it even hits the air. Netflix is wise to put everything under one umbrella, one brand; it makes for easier marketing, it causes a lot less confusion. Clearly consumers are used to having the different product categories.\u003c/p>\n\u003caside class=\"pullquote alignleft\">I think [Netflix's] immediate threat right now is going to be Amazon...\n\u003c/aside>\n\u003cp>The issue that Netflix needs to face is how they can start moving some of those physical DVD titles into the streaming service. That's the biggest challenge. New titles that come out on, say, a Tuesday are not available for streaming right away. The cost for licensing -- that would be enormous. How they offer the quality of the physical DVD service in the streaming service is going to be one of the challenges the company needs to answer.\u003c/p>\n\u003cp>Right now the content in the streaming service, any way you cut it, is long on convenience but relatively thin on quality. It looks like a decent cable system: lots of content there but stuff that's relatively old or out of the mainstream. 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It's clearly the only way to go in that world.\u003c/p>\u003c/blockquote>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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So this has led to some confusion in terms of pricing and services and then basically starting up a new brand when the Netflix brand has been the one that people have relied on.\u003c/p>\n\u003cp>\u003cstrong>\u003c/strong>\u003c/p>\n\u003caside class=\"pullquote alignleft\">\n\u003cp>Netflix has a relatively short period of time to get its act together and to lock down consumers\u003c/p>\n\u003cp>\u003cstrong>\u003c/strong>\u003c/p>\u003c/aside>\n\u003cp>In some ways the streaming and disk by mail businesses are quite different...\u003c/p>\n\u003cp>They're differing businesses and have totally different structures, plus they have different release windows, which is the biggest issue. \u003c/p>\n\u003cp>A lot of this has probably occurred because of what Amazon is doing. Amazon will release its Fire tablet in mid-November and it's going to offer people a huge amount of streaming at a reduced cost through Amazon Prime. 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"content": "\u003cfigure id=\"attachment_42498\" class=\"wp-caption alignright\" style=\"max-width: 293px\">\u003ca href=\"http://www.flickr.com/photos/sjsharktank/6231292445/sizes/m/in/photostream/\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/10/sandcastle.jpg\" alt=\"\" title=\"sandcastle\" width=\"293\" height=\"220\" class=\"size-full wp-image-42498\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: sjsharktank, Flickr\u003c/figcaption>\u003c/figure>\n\u003cp>On Saturday, the 28th annual sandcastle contest at Ocean Beach took place. The competition among local schools is held each year by \u003ca href=\"http://leap4kids.org/collection/\">Leap\u003c/a>, an organization that brings arts programs into Bay Area schools.\u003c/p>\n\u003cp>This year's winner, according to the Richmond District Blog of San Francisco : \u003ca href=\"http://richmondsfblog.com/wp-content/uploads/2011/10/sc5.jpg\">The Awesome Fireblasting Dragon\u003c/a>, created by the Creative Arts Charter School.\u003c/p>\n\u003cp>Below are photos from this year's contest:\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://richmondsfblog.com/2011/10/10/creative-arts-charter-school-takes-top-prize-in-the-leap-sandcastle-contest/\">Richmond District Blog of San Francisco\u003c/a>\n\u003c/li>\u003cli>\u003ca href=\"http://oceanbeachbulletin.com/2011/10/09/having-a-blast-on-ocean-beach-at-leaps-sand-castle-contest/\">Ocean Beach Bulletin\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://www.sfgate.com/cgi-bin/object/article?f=/c/a/2011/10/09/BAL71LF8V6.DTL&object=\">SF Chronicle\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://www.flickr.com/search/?q=san+francisco+sand+castle&s=rec\">Flickr\u003c/a>\n\u003c/li>\u003cli>\u003ca href=\"http://leap4kids.org/collection/index.php?option=com_content&task=view&id=212&Itemid=314\">Photos from last year\u003c/a>\n\u003c/li>\n\u003c/ul>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>(AP) NEW YORK -- Netflix is abandoning its widely panned decision to separate its DVD-by-mail and Internet streaming services because it would make them more difficult to use.\u003c/p>\n\u003cp>Subscribers will be able to use both services under one account and one password, CEO Reed Hastings said Monday in a blog post.\u003c/p>\n\u003cp>Investors saw the reversal as an Oscar-worthy move, sending the stock up $11.24, or 9.6 percent, to $128.45 in premarket trading.\u003c/p>\n\u003cp>Less than a month ago, the Netflix said it would split the DVD rental business off on a new website, to be called Qwikster.\u003c/p>\n\u003cp>Subscribers howled at the move, saying they saw Netflix as a destination for movies in general and didn't want to manage two accounts.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"It is clear that for many of our members two websites would make things more difficult, so we are going to keep Netflix as one place to go for streaming and DVDs,\" Hastings said in the blog post.\u003c/p>\n\u003cp>In July, the company said that customers who want streaming movies and DVDs will have to pay for them separately. The \"Qwikster\" announcement was a follow-up to that change. Analysts saw it as a way for Netflix to distance itself from the older DVD business, which has less future potential than Internet streaming.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Even with Monday's premarket bounce, Netflix's shares have been savaged by the price change and the \"Qwikster\" initiative. They've lost more than half their value since July. \u003c/p>\n\n",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
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"title": "Latino USA",
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
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"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"source": "American Public Media"
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"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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