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"content": "\u003cp>Even though Sumaya Kaur Sidibe was just 6 years old when Kamala Harris was inaugurated as vice president, she understood the significance of the moment.\u003c/p>\n\u003cp>“Kamala Harris is Black and Indian. She was awesome because it felt great to have another Black and Asian person. I’m mixed, and I’m proud of it,” then-6-year-old Sumaya said.\u003c/p>\n\u003cp>Back then, The California Report Magazine brought you a \u003ca href=\"https://www.kqed.org/news/11856610/shes-black-and-indian-like-me-what-seeing-kamala-harris-means-to-6-year-old-sumaya-and-her-parents\">story\u003c/a> about Sumaya watching the 2021 inauguration with her two-year-old sister, Jaleela, and her parents, Joti Singh and Bongo Sidibe. The Bay Area family whooped and cheered “Ka-ma-la” as the trumpets blared from the television, the kids adding some impromptu harmonica solos.\u003c/p>\n\u003cp>“We keep telling them, ‘You know, she’s just like you. She’s Black and Indian,’” Sidibe said in 2021. “That gives the little ones more hope that they can do something like that. I mean, when you look at the history of the United States, there’s never been a woman as a vice president, especially a woman of color. That’s a big, big step.”\u003c/p>\n\u003cfigure id=\"attachment_11856617\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11856617\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-scaled.jpg\" alt=\"A Black man and Indian woman sit next to two small children of mixed heritage looking at a screen off-camera.\" width=\"2560\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-536x402.jpg 536w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Sidibe-Singh Family watch the inauguration of Joe Biden and Kamala Harris in 2021: Bongo Sidibe, Jaleela Aissata Singh, Joti Singh and Sumaya Kaur Sidibe (left-right). \u003ccite>(Courtesy of Bongo Sidibe and Joti Singh)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>“It would have been really great for her to say, ‘I’m both’ ”\u003c/h2>\n\u003cp>Nearly four years later, the Singh-Sidibe family is not nearly as enthusiastic about Kamala Harris as they were on Inauguration Day 2021.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Sumaya is now 10, and her sense of her identity has developed as her family has visited relatives in India, where her maternal grandparents came from, and Guinea, where her father was born. Her family uses the term “Blazian” to describe their mixed-race daughters, and she proudly claims both Black and South Asian heritage.\u003c/p>\n\u003cfigure id=\"attachment_12009594\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-17-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12009594\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-17-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-17-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-17-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-17-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-17-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-17-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-17-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Sisters Jaleela Aissata Singh, 5, and Sumaya Kaur Sidibe, 10, pose for a portrait at their home in Oakland. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sumaya is disappointed Harris hasn’t \u003ca href=\"https://www.npr.org/2024/10/14/1211483987/what-would-a-mixed-race-president-mean-for-the-u-s\">talked more about her mixed-race identity\u003c/a> as she tries to tell the nation her story on the campaign trail. She thinks Harris could have pushed back more forcefully against \u003ca href=\"https://www.npr.org/2024/08/01/nx-s1-5059200/at-black-journalism-convention-trump-attacks-kamala-harris-racial-identity\">false claims by Donald Trump \u003c/a>that she hasn’t always been Black or that she’s monoracial, with only Indian heritage.\u003c/p>\n\u003cp>“[Trump’s] not mixed race, so he doesn’t know how she feels about who she is. That wasn’t cool.” Sumaya said at her home in Oakland recently. “She should have been like, ‘I am mixed race, and I’m proud of it. No one can tell me I’m not or who I am.’ It would have been really great for her to say, ‘I’m both.’ ”\u003cb> \u003c/b>\u003c/p>\n\u003cp>“People really don’t understand that you can have two identities that are meshed into one, that you can embody being Black and Indian, that you can have both of those,” added Singh. “I think that was a moment for [Harris] to really speak to that. She’s not embracing and reaching out to the mixed-race community. She’s not like putting that at the forefront: ‘Yes, I’m one of you, and I see you.’\u003c/p>\n\u003cfigure id=\"attachment_12010572\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Vijay-Rakhra-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12010572\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Vijay-Rakhra-scaled.jpg\" alt=\"A group of mostly women wearing colorful clothing dance on a stage.\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Vijay-Rakhra-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Vijay-Rakhra-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Vijay-Rakhra-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Vijay-Rakhra-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Vijay-Rakhra-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Vijay-Rakhra-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Vijay-Rakhra-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Joti Singh leads a dance lesson at the 10th-anniversary celebration of Duniya Dance and Drum Company at Dance Mission Theater in 2018. \u003ccite>(Courtesy of Vijay Rakhra)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Sidibe-Singh family celebrates the fusion of Black and South Asian identities not only at home but in their professional lives. Singh is trained in Indian dance, Sidibe is a West African drummer. Together, they run the Bay Area-based \u003ca href=\"https://www.duniyadance.com/\">Duniya Dance and Drum Company\u003c/a>, which blends dance forms from Punjab, like bhangra, with Guinean drumming and dance.\u003c/p>\n\u003cfigure id=\"attachment_12010581\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Paul-K-Benjamin-scaled.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12010581\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Paul-K-Benjamin-scaled.jpeg\" alt=\"An Indian woman dressed in orange and black and a Black man dressed in white playing a drum perform on a stage.\" width=\"2560\" height=\"1703\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Paul-K-Benjamin-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Paul-K-Benjamin-800x532.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Paul-K-Benjamin-1020x679.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Paul-K-Benjamin-160x106.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Paul-K-Benjamin-1536x1022.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Paul-K-Benjamin-2048x1363.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Paul-K-Benjamin-1920x1278.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Joti Singh and Bongo Sidibe perform “Half and Halves,” a show about the history of mixed Punjabi-Mexican families in California. \u003ccite>(Courtesy of Paul K. Benjamin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sumaya and Jaleela grew up watching rehearsals, and Sumaya performed in some of the company’s shows.\u003c/p>\n\u003cp>“I think it’s a really powerful way for the kids to also understand and be able to embody both of the cultures where they come from and learn about these stories that are part of their ancestral stories,” Singh said. “They understand they’re not just one or the other. They don’t have to choose. They get to have both of these really, really rich cultures, and that’s a blessing.”\u003c/p>\n\u003cfigure id=\"attachment_12010570\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Amal-Bisharat-4-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12010570\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Amal-Bisharat-4-scaled.jpg\" alt=\"A Black man stands to the left side of a stage holding a drum while an Indian woman and a younger mixed race girl dance wearing purple, green and yellow clothing.\" width=\"2560\" height=\"1709\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Amal-Bisharat-4-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Amal-Bisharat-4-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Amal-Bisharat-4-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Amal-Bisharat-4-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Amal-Bisharat-4-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Amal-Bisharat-4-2048x1367.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Amal-Bisharat-4-1920x1282.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Joti Singh (center) dances with her daughter Sumaya Kaur Sidibe (right) as Bongo Sidibe drums (left) at a performance at the Yerba Buena Gardens Festival in 2022. The show, called Ghadar Geet, highlights the early 20th-century history of the Ghadar Party, which fought for India’s independence from its headquarters in San Francisco. \u003ccite>(Courtesy of Amal Bisharat)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Representation is not enough\u003c/h2>\n\u003cp>While many Indian Americans \u003ca href=\"https://x.com/ajainb/status/1847057088339726751?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1847057088339726751%7Ctwgr%5Ecc8e4e0b97076a50d6a5c076c188598689ca1e59%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Ftimesofindia.indiatimes.com%2Fworld%2Fus%2Fwatch-indian-americans-rolls-out-bollywood-inspired-video-to-support-kamala-harris%2Farticleshow%2F114332395.cms\">support Harris\u003c/a>, Singh is among a group of South Asian progressives who say she \u003ca href=\"https://www.npr.org/2024/10/08/nx-s1-5131223/some-indian-american-democrats-see-themselves-in-harris-others-see-the-limits\">doesn’t reflect their priorities\u003c/a>.\u003cbr>\n\u003cb>\u003cbr>\n\u003c/b>The conflict in Gaza is the issue that’s really dampened the Sidibe-Singh family’s enthusiasm for the Harris campaign. They’ve taken their kids to protests. Signs reading ‘Asians for a Liberated Palestine’ and ‘Black Power for Palestinian Resistance’ hang in their front window.\u003c/p>\n\u003cfigure id=\"attachment_12010735\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-30_QED-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12010735\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-30_QED-KQED.jpg\" alt=\"Two young mixed race girls stand and sit playing the drums next to an Indian woman and Black man.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-30_QED-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-30_QED-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-30_QED-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-30_QED-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-30_QED-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-30_QED-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Singh-Sidibe family practices drumming in their backyard in Oakland. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“That’s my main concern,” Sidibe said. “Is she going to try to help stop the war in Palestine? Is she going to stop sending weapons to Israel?”\u003c/p>\n\u003cp>Despite his opposition to Donald Trump, Sidibe is unsure he’ll vote for Harris. Singh has decided to vote third party instead.\u003c/p>\n\u003cp>“We’re getting messages about \u003ca href=\"https://www.kqed.org/news/12000525/water-at-22-oakland-schools-tested-high-for-lead-its-no-surprise-parents-and-teachers-say\">lead being in the water at schools\u003c/a> [in Oakland]. It’s just so infuriating that on our local level, we’re dealing with these issues, and we have to read every day about how our president, our vice president, our Congress is sending billions of dollars in weapons to Israel,” Singh said. “I don’t have any faith that [Harris] is going to change that. People have just given her their vote so easily without even holding her accountable for these things. ‘But she’s not Donald Trump.’ That’s not enough.”\u003c/p>\n\u003cfigure id=\"attachment_12009593\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-11-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12009593\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-11-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-11-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-11-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-11-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-11-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-11-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-11-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Singh-Sidibe family pose for a portrait at their home in Oakland. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Even though Kamala Harris is Black and Indian and from Oakland, just like her kids, representation only goes so far, Singh said.\u003c/p>\n\u003cp>“You have to peel away layers and look deeper,” she said. “Honestly, if we had a candidate that was closer to my values but was a white man, I would vote for him.”\u003c/p>\n\u003cp>As for Sumaya, she’s just frustrated that, as a 10-year-old, she doesn’t get to cast a ballot. But if she could, she would vote for Harris over Trump and hand Harris a list of priorities to tackle as president.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>“Peace and human rights. Human rights are like free health care for everybody. Food and shelter for everybody,” she said. “No one [should be] discriminated against just because they’re them. And [the president should be] inspiring or encouraging people to show who they are.”\u003c/p>\n\n",
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"excerpt": "Like Kamala Harris, Sumaya Kaur Sidibe is Black and South Asian, and she's from Oakland. She’s got some ideas about what the candidate should say when Donald Trump — or anyone else — questions her racial identity.",
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"title": "A 10-Year-Old’s Advice for Kamala Harris on Embracing Her Mixed Heritage | KQED",
"description": "Like Kamala Harris, Sumaya Kaur Sidibe is Black and South Asian, and she's from Oakland. She’s got some ideas about what the candidate should say when Donald Trump — or anyone else — questions her racial identity.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Even though Sumaya Kaur Sidibe was just 6 years old when Kamala Harris was inaugurated as vice president, she understood the significance of the moment.\u003c/p>\n\u003cp>“Kamala Harris is Black and Indian. She was awesome because it felt great to have another Black and Asian person. I’m mixed, and I’m proud of it,” then-6-year-old Sumaya said.\u003c/p>\n\u003cp>Back then, The California Report Magazine brought you a \u003ca href=\"https://www.kqed.org/news/11856610/shes-black-and-indian-like-me-what-seeing-kamala-harris-means-to-6-year-old-sumaya-and-her-parents\">story\u003c/a> about Sumaya watching the 2021 inauguration with her two-year-old sister, Jaleela, and her parents, Joti Singh and Bongo Sidibe. The Bay Area family whooped and cheered “Ka-ma-la” as the trumpets blared from the television, the kids adding some impromptu harmonica solos.\u003c/p>\n\u003cp>“We keep telling them, ‘You know, she’s just like you. She’s Black and Indian,’” Sidibe said in 2021. “That gives the little ones more hope that they can do something like that. I mean, when you look at the history of the United States, there’s never been a woman as a vice president, especially a woman of color. That’s a big, big step.”\u003c/p>\n\u003cfigure id=\"attachment_11856617\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11856617\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-scaled.jpg\" alt=\"A Black man and Indian woman sit next to two small children of mixed heritage looking at a screen off-camera.\" width=\"2560\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-1832x1374.jpg 1832w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-1376x1032.jpg 1376w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-1044x783.jpg 1044w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-632x474.jpg 632w, https://cdn.kqed.org/wp-content/uploads/sites/10/2021/01/PXL_20210120_165110631-536x402.jpg 536w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Sidibe-Singh Family watch the inauguration of Joe Biden and Kamala Harris in 2021: Bongo Sidibe, Jaleela Aissata Singh, Joti Singh and Sumaya Kaur Sidibe (left-right). \u003ccite>(Courtesy of Bongo Sidibe and Joti Singh)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>“It would have been really great for her to say, ‘I’m both’ ”\u003c/h2>\n\u003cp>Nearly four years later, the Singh-Sidibe family is not nearly as enthusiastic about Kamala Harris as they were on Inauguration Day 2021.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Sumaya is now 10, and her sense of her identity has developed as her family has visited relatives in India, where her maternal grandparents came from, and Guinea, where her father was born. Her family uses the term “Blazian” to describe their mixed-race daughters, and she proudly claims both Black and South Asian heritage.\u003c/p>\n\u003cfigure id=\"attachment_12009594\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-17-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12009594\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-17-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-17-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-17-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-17-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-17-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-17-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-17-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Sisters Jaleela Aissata Singh, 5, and Sumaya Kaur Sidibe, 10, pose for a portrait at their home in Oakland. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sumaya is disappointed Harris hasn’t \u003ca href=\"https://www.npr.org/2024/10/14/1211483987/what-would-a-mixed-race-president-mean-for-the-u-s\">talked more about her mixed-race identity\u003c/a> as she tries to tell the nation her story on the campaign trail. She thinks Harris could have pushed back more forcefully against \u003ca href=\"https://www.npr.org/2024/08/01/nx-s1-5059200/at-black-journalism-convention-trump-attacks-kamala-harris-racial-identity\">false claims by Donald Trump \u003c/a>that she hasn’t always been Black or that she’s monoracial, with only Indian heritage.\u003c/p>\n\u003cp>“[Trump’s] not mixed race, so he doesn’t know how she feels about who she is. That wasn’t cool.” Sumaya said at her home in Oakland recently. “She should have been like, ‘I am mixed race, and I’m proud of it. No one can tell me I’m not or who I am.’ It would have been really great for her to say, ‘I’m both.’ ”\u003cb> \u003c/b>\u003c/p>\n\u003cp>“People really don’t understand that you can have two identities that are meshed into one, that you can embody being Black and Indian, that you can have both of those,” added Singh. “I think that was a moment for [Harris] to really speak to that. She’s not embracing and reaching out to the mixed-race community. She’s not like putting that at the forefront: ‘Yes, I’m one of you, and I see you.’\u003c/p>\n\u003cfigure id=\"attachment_12010572\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Vijay-Rakhra-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12010572\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Vijay-Rakhra-scaled.jpg\" alt=\"A group of mostly women wearing colorful clothing dance on a stage.\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Vijay-Rakhra-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Vijay-Rakhra-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Vijay-Rakhra-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Vijay-Rakhra-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Vijay-Rakhra-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Vijay-Rakhra-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Vijay-Rakhra-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Joti Singh leads a dance lesson at the 10th-anniversary celebration of Duniya Dance and Drum Company at Dance Mission Theater in 2018. \u003ccite>(Courtesy of Vijay Rakhra)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Sidibe-Singh family celebrates the fusion of Black and South Asian identities not only at home but in their professional lives. Singh is trained in Indian dance, Sidibe is a West African drummer. Together, they run the Bay Area-based \u003ca href=\"https://www.duniyadance.com/\">Duniya Dance and Drum Company\u003c/a>, which blends dance forms from Punjab, like bhangra, with Guinean drumming and dance.\u003c/p>\n\u003cfigure id=\"attachment_12010581\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Paul-K-Benjamin-scaled.jpeg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12010581\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Paul-K-Benjamin-scaled.jpeg\" alt=\"An Indian woman dressed in orange and black and a Black man dressed in white playing a drum perform on a stage.\" width=\"2560\" height=\"1703\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Paul-K-Benjamin-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Paul-K-Benjamin-800x532.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Paul-K-Benjamin-1020x679.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Paul-K-Benjamin-160x106.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Paul-K-Benjamin-1536x1022.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Paul-K-Benjamin-2048x1363.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Paul-K-Benjamin-1920x1278.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Joti Singh and Bongo Sidibe perform “Half and Halves,” a show about the history of mixed Punjabi-Mexican families in California. \u003ccite>(Courtesy of Paul K. Benjamin)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sumaya and Jaleela grew up watching rehearsals, and Sumaya performed in some of the company’s shows.\u003c/p>\n\u003cp>“I think it’s a really powerful way for the kids to also understand and be able to embody both of the cultures where they come from and learn about these stories that are part of their ancestral stories,” Singh said. “They understand they’re not just one or the other. They don’t have to choose. They get to have both of these really, really rich cultures, and that’s a blessing.”\u003c/p>\n\u003cfigure id=\"attachment_12010570\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Amal-Bisharat-4-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12010570\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Amal-Bisharat-4-scaled.jpg\" alt=\"A Black man stands to the left side of a stage holding a drum while an Indian woman and a younger mixed race girl dance wearing purple, green and yellow clothing.\" width=\"2560\" height=\"1709\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Amal-Bisharat-4-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Amal-Bisharat-4-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Amal-Bisharat-4-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Amal-Bisharat-4-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Amal-Bisharat-4-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Amal-Bisharat-4-2048x1367.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/Amal-Bisharat-4-1920x1282.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Joti Singh (center) dances with her daughter Sumaya Kaur Sidibe (right) as Bongo Sidibe drums (left) at a performance at the Yerba Buena Gardens Festival in 2022. The show, called Ghadar Geet, highlights the early 20th-century history of the Ghadar Party, which fought for India’s independence from its headquarters in San Francisco. \u003ccite>(Courtesy of Amal Bisharat)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Representation is not enough\u003c/h2>\n\u003cp>While many Indian Americans \u003ca href=\"https://x.com/ajainb/status/1847057088339726751?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1847057088339726751%7Ctwgr%5Ecc8e4e0b97076a50d6a5c076c188598689ca1e59%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Ftimesofindia.indiatimes.com%2Fworld%2Fus%2Fwatch-indian-americans-rolls-out-bollywood-inspired-video-to-support-kamala-harris%2Farticleshow%2F114332395.cms\">support Harris\u003c/a>, Singh is among a group of South Asian progressives who say she \u003ca href=\"https://www.npr.org/2024/10/08/nx-s1-5131223/some-indian-american-democrats-see-themselves-in-harris-others-see-the-limits\">doesn’t reflect their priorities\u003c/a>.\u003cbr>\n\u003cb>\u003cbr>\n\u003c/b>The conflict in Gaza is the issue that’s really dampened the Sidibe-Singh family’s enthusiasm for the Harris campaign. They’ve taken their kids to protests. Signs reading ‘Asians for a Liberated Palestine’ and ‘Black Power for Palestinian Resistance’ hang in their front window.\u003c/p>\n\u003cfigure id=\"attachment_12010735\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-30_QED-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12010735\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-30_QED-KQED.jpg\" alt=\"Two young mixed race girls stand and sit playing the drums next to an Indian woman and Black man.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-30_QED-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-30_QED-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-30_QED-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-30_QED-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-30_QED-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-30_QED-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Singh-Sidibe family practices drumming in their backyard in Oakland. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“That’s my main concern,” Sidibe said. “Is she going to try to help stop the war in Palestine? Is she going to stop sending weapons to Israel?”\u003c/p>\n\u003cp>Despite his opposition to Donald Trump, Sidibe is unsure he’ll vote for Harris. Singh has decided to vote third party instead.\u003c/p>\n\u003cp>“We’re getting messages about \u003ca href=\"https://www.kqed.org/news/12000525/water-at-22-oakland-schools-tested-high-for-lead-its-no-surprise-parents-and-teachers-say\">lead being in the water at schools\u003c/a> [in Oakland]. It’s just so infuriating that on our local level, we’re dealing with these issues, and we have to read every day about how our president, our vice president, our Congress is sending billions of dollars in weapons to Israel,” Singh said. “I don’t have any faith that [Harris] is going to change that. People have just given her their vote so easily without even holding her accountable for these things. ‘But she’s not Donald Trump.’ That’s not enough.”\u003c/p>\n\u003cfigure id=\"attachment_12009593\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-11-KQED.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12009593\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-11-KQED.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-11-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-11-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-11-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-11-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-11-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/20241014_MIXEDREVISITED_GC-11-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The Singh-Sidibe family pose for a portrait at their home in Oakland. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Even though Kamala Harris is Black and Indian and from Oakland, just like her kids, representation only goes so far, Singh said.\u003c/p>\n\u003cp>“You have to peel away layers and look deeper,” she said. “Honestly, if we had a candidate that was closer to my values but was a white man, I would vote for him.”\u003c/p>\n\u003cp>As for Sumaya, she’s just frustrated that, as a 10-year-old, she doesn’t get to cast a ballot. But if she could, she would vote for Harris over Trump and hand Harris a list of priorities to tackle as president.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Peace and human rights. Human rights are like free health care for everybody. Food and shelter for everybody,” she said. “No one [should be] discriminated against just because they’re them. And [the president should be] inspiring or encouraging people to show who they are.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "charli-xcx-troye-sivan-san-franciscos-chase-center-october-20-bag-policy-parking",
"title": "Seeing Charli xcx and Troye Sivan at San Francisco's Chase Center? From Bag Policy to Parking, What to Know",
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"headTitle": "Seeing Charli xcx and Troye Sivan at San Francisco’s Chase Center? From Bag Policy to Parking, What to Know | KQED",
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"content": "\u003cp>If you’ve got tickets for Charli xcx and Troye Sivan’s \u003cem>Sweat\u003c/em> tour at San Francisco’s Chase Center on Oct. 20, you’ll be \u003ca href=\"https://www.youtube.com/watch?v=bg9EmWTRt3Y\">hearing those club classics\u003c/a>.\u003c/p>\n\u003cp>And while Charli herself has declared \u003ca href=\"https://www.kqed.org/news/11997647/brat-kamala-harris-charli-xcx-coconut-tree-donald-trump\">brat summer\u003c/a> \u003ca href=\"https://x.com/charli_xcx/status/1830695037925237025\">officially over\u003c/a>, the SF show — which also features\u003ca href=\"https://chasecenter.com/events/charli-xcx-and-troye-sivan-20241020/\"> special guest Shygirl \u003c/a>— comes on the heels of her new album \u003ca href=\"https://www.youtube.com/watch?v=bvy6aox2Sgw&list=PL-2HG0C5jJQE-D-1odtlA47fbP7oCg62e\">\u003cem>Brat, and it’s completely different but also still brat\u003c/em>, \u003c/a>with remixes and new tracks featuring artists like \u003ca href=\"https://www.youtube.com/watch?v=6YO2_O1L_YY\">kesha\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=jfL8Vu9PfW8&list=PL-2HG0C5jJQE-D-1odtlA47fbP7oCg62e&index=3\">Ariana Grande\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=99dsnI6M-a4&list=PL-2HG0C5jJQE-D-1odtlA47fbP7oCg62e&index=7\">Caroline Polachek\u003c/a>:\u003c/p>\n\u003cp>https://twitter.com/charli_xcx/status/1844916739550908789?s=46&t=7BBzFwo6eYLzJIVfAlumEQ\u003c/p>\n\u003cp>Keep reading for everything you need to know about seeing Charli xcx on Sunday, from the Chase Center’s bag policy to parking, tickets and more. Be sure to \u003ca href=\"https://twitter.com/ChaseCenter\">follow Chase Center on social media\u003c/a> for any last-minute updates.\u003c/p>\n\u003cp>(And if you’re going to Sunday’s show, look for the KQED mics — we’ll be there, talking to Charli and Troye Sivan fans about the afterlife of \u003ca href=\"https://www.kqed.org/news/11997449/why-kamala-harris-is-having-a-brat-summer\">brat summer \u003c/a>in the run-up to the November election, as part of \u003ca href=\"https://www.kqed.org/fandomvote\">our Fandom Vote interview series\u003c/a>.)\u003c/p>\n\u003cp>\u003cstrong>Jump straight to:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#chase-center-bag-policy\">What’s the Chase Center bag policy for the Charli xcx show?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#charli-xcx-tickets\">Can I still get Charli xcx \u003cem>Sweat\u003c/em> tour tickets?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#chase-center-parking\">Where is parking for Chase Center?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003ch2>\u003cstrong>What time does the show at Chase Center start?\u003c/strong>\u003c/h2>\n\u003cp>Doors are \u003ca href=\"https://chasecenter.com/events/charli-xcx-and-troye-sivan-20241020/\">slated to open at 6:30 p.m., and the show starts at 7:30 p.m. \u003c/a>\u003c/p>\n\u003cp>As with many concerts, be prepared for a long night. If you don’t mind spoilers, you can view \u003ca href=\"https://open.spotify.com/playlist/5TTFhDs8EU1qPf54tlQuX6\">Charli xcx and Troye Sivan’s likely setlist for San Francisco on Spotify\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://www.orlandoweekly.com/music/charli-xcx-and-troye-sivan-put-the-sweat-in-the-sweat-tour-at-orlandos-kia-center-37955300\">Concertgoers on the Sweat tour have reported heavy use of strobe lighting\u003c/a>, so folks with light sensitivity should be advised. Even if you don’t have any documented issues with strobe lights, you may want to consider taking a style note from Charli herself and packing a pair of large dark sunglasses.\u003c/p>\n\u003ch2>\u003cstrong>\u003ca id=\"chase-center-bag-policy\">\u003c/a>What’s the Chase Center bag policy?\u003c/strong>\u003c/h2>\n\u003cp>Backpacks (except for single-compartment drawstring bags) and hard-sided bags of any kind are prohibited from entering Chase Center.\u003c/p>\n\u003cp>Any other bag you bring must be smaller than 14 x 14 x 6 inches in size.\u003c/p>\n\u003cp>Bags that do not meet the requirements can be checked at one of Chase’s two bag check locations for a fee of $10. Bag check is at the corner of 16th Street and Terry Francois Boulevard.\u003c/p>\n\u003cp>Here are some more \u003ca href=\"https://www.chasecenter.com/a-to-z-guide\">things you cannot bring into the \u003cem>Sweat\u003c/em> tour show at Chase Center\u003c/a>:\u003c/p>\n\u003cul>\n\u003cli>Bottles and cans\u003c/li>\n\u003cli>Refillable water bottles\u003c/li>\n\u003cli>Signs over 11 x 17 inches or attached to any pole or stick\u003c/li>\n\u003cli>Masks that cover the whole face. (Face coverings to lower your risks of catching — or spreading — COVID-19, like N95 masks, are allowed)\u003c/li>\n\u003cli>Lights, tripods and professional recording equipment. Flash photography is not allowed\u003c/li>\n\u003cli>Noise-making devices, such as air horns, whistles or cowbells\u003c/li>\n\u003cli>Weapons and self-defense items of any kind, including mace, knives and tasers\u003c/li>\n\u003cli>Selfie sticks\u003c/li>\n\u003c/ul>\n\u003cp>What else \u003cem>can\u003c/em> you bring to Chase Center? These items include:\u003c/p>\n\u003cul>\n\u003cli>Baby bags, plastic bottles and formula\u003c/li>\n\u003cli>Diaper bags (with a child)\u003c/li>\n\u003cli>Bags accepted as medical bags\u003c/li>\n\u003cli>Umbrellas\u003c/li>\n\u003cli>Binoculars\u003c/li>\n\u003c/ul>\n\u003cp>While portable phone chargers are not prohibited, Chase Center also offers charging stations compatible with most cellphone devices. Guests may rent a portable charger to take back to their seats for $2 per 30 minutes.\u003c/p>\n\u003ch2>\u003cstrong>How do I know if I’ve got a good seat at the \u003cem>Sweat \u003c/em>tour Chase Center show?\u003c/strong>\u003c/h2>\n\u003cp>If you are anxious about anything obscuring your sight of the stage or how you want to get to your seat fast, you can check out the view from your seat using \u003ca href=\"https://warriors.io-media.com/web/index.html\">Chase Center’s Virtual Venue map\u003c/a>.\u003c/p>\n\u003ch2>\u003cstrong>What should I know about accessibility at Chase Center?\u003c/strong>\u003c/h2>\n\u003cp>Chase Center addresses questions about accessibility in its online \u003ca href=\"https://www.chasecenter.com/a-to-z-guide\">A to Z Guide\u003c/a>, which includes information about accessible parking, hearing assistance, ADA-compliant restrooms and service animals.\u003c/p>\n\u003cp>The venue says guests can request complimentary wheelchair escorts by visiting the kiosks located at \u003ca href=\"https://cdn.nba.com/teams/uploads/sites/1610612744/2024/02/CC_Portals_Map_Update_3202x2550_2024-.jpg\">Portal 13 and Portal 52\u003c/a> or texting 833-CC4-FANS.\u003c/p>\n\u003cp>To schedule an American Sign Language interpreter, guests should contact guestexperiences@warriors.com ahead of time.\u003c/p>\n\u003ch2>\u003cstrong>\u003ca id=\"chase-center-parking\">\u003c/a>What should I know about parking at and near Chase Center?\u003c/strong>\u003c/h2>\n\u003cp>Chase Center has \u003ca href=\"https://chasecenter.com/plan-your-visit/transportation/parking/\">a guide to its parking garage.\u003c/a> Tickets for the \u003ca href=\"https://www.ticketmaster.com/chase-center-parking-charli-xcx-troye-san-francisco-california-10-20-2024/event/1C006091DEDE445F\">parking garage are $50\u003c/a>.\u003c/p>\n\u003cp>The venue’s website also refers fans to the \u003ca href=\"https://spothero.com/search?kind=event&id=907572&view=dl\">third-party parking website SpotHero\u003c/a> for other non-Chase Center parking options nearby. It costs $75 to reserve a spot nearest to the stadium, with a two-minute walk.\u003c/p>\n\u003cp>There are also cheaper parking options farther away. So, if you’re driving to the show but haven’t secured your parking yet, consider wearing comfier shoes for the walk over and back.\u003c/p>\n\u003ch2>\u003cstrong>What about using rideshare services like Lyft and Uber at Chase Center?\u003c/strong>\u003c/h2>\n\u003cp>While getting to the venue using a rideshare service might be fairly smooth, trying to find a car after the show is almost \u003cem>certainly\u003c/em> going to be a challenge — and this author is speaking from personal experience. Due to surge pricing, it will also be far more expensive to get an Uber or Lyft as you exit the venue.\u003c/p>\n\u003cp>There are\u003ca href=\"https://images.ctfassets.net/0lzgl3qjkmm1/6k8OJ6yu4tTfjV4wHsmKTG/0b4cc696d2b3f2360ad34bbc16ffbffd/uber-map.png\"> multiple designated pickup and drop-off zones\u003c/a> located within one block of Chase Center. Upon arrival, use one of the designated passenger loading zones (white curbs) along Terry A Francois Boulevard for a safe curbside drop-off. The website also notes, under “\u003ca href=\"https://www.chasecenter.com/a-to-z-guide\">Drop-off Locations,\u003c/a>” that “if you prefer to walk/take the train to a location where it’s easier to ride-hail, we encourage taking the train/walking along Forth Street towards the Forth and King Caltrain Station.”\u003c/p>\n\u003cp>As you leave the show, rideshare apps will automatically display the best places to get picked up within a five-minute walk radius.\u003c/p>\n\u003cp>Accessible drop-offs and pickups are along the curb of 16th Street and Terry Francois Boulevard, with accessible entry and exit from the East Entrance. For folks with mobility considerations, the venue can provide a wheelchair to transport guests from Thrive City Plaza or the main lobby to their seats.\u003c/p>\n\u003ch2>\u003cstrong>What’s the best way to take public transit to the \u003cem>Sweat\u003c/em> tour?\u003c/strong>\u003c/h2>\n\u003cp>Public transit schedules can always be subject to change. Check the timings for your route on the day of the show itself, and be sure of your very last service home. Chase Center has a \u003ca href=\"https://chasecenter.com/transportation-guide\">comprehensive guide to public transportation\u003c/a> on its website.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080.jpg\" width=\"1080\" height=\"1080\">\u003c/p>\n\u003cp>\u003cstrong>SF Muni\u003c/strong>\u003c/p>\n\u003cp>Any Chase Center patron who shows their event ticket at Muni turnstiles and boarding platforms can \u003ca href=\"https://www.sfmta.com/fares/your-chase-center-event-ticket-your-muni-fare\">ride Muni \u003cem>without \u003c/em>charge\u003c/a>.\u003c/p>\n\u003cp>There is a Muni Metro rail stop serving the venue on the T Third Street line, which connects Chinatown and Sunnydale. See \u003ca href=\"https://www.sfmta.com/routes/t-third-street\">the Muni Metro schedule\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>BART\u003c/strong>\u003c/p>\n\u003cp>Several BART stations have convenient connections to get to the venue.\u003c/p>\n\u003cp>Muni Route 22 connects to the 16th Street and Mission BART station. This stop is located on Third Street and Gene Friend Way.\u003c/p>\n\u003cp>Muni Route 15 serves as a connection to Montgomery Street BART station. This stop is located on Third Street and Warriors Way.\u003c/p>\n\u003cp>You can transfer to the new Union Square Muni Metro rail station from Powell BART station via the underground corridor to take the T Third Street line or S Shuttle Mission Bay line to the UCSF/Chase Center stop.\u003c/p>\n\u003cp>You can find more information and schedules \u003ca href=\"https://www.bart.gov/\">on the BART website\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Caltrain\u003c/strong>\u003c/p>\n\u003cp>If you take Caltrain to San Francisco, you can walk 15–20 minutes along Fourth Street and turn left on Gene Friend Way to Chase Center.\u003c/p>\n\u003cp>You can also transfer from the Caltrain station to the Muni Metro T Third Street platform, which is located across the street, and take Muni to the UCSF/Chase Center stop.\u003c/p>\n\u003cp>Since the show is on a Sunday, the last train leaving San Francisco is around 12 a.m., but be sure to check \u003ca href=\"https://www.caltrain.com/media/33908\">the Caltrain’s weekend schedule.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Biking\u003c/strong>\u003c/p>\n\u003cp>Chase Center offers guests free bike valet for the first 300 bikes an hour before start time. The valet is available along 16th Street. Public bike parking is available along 16th Street and Terry Francois Boulevard.\u003c/p>\n\u003cp>There is also a \u003ca href=\"https://www.lyft.com/bikes/bay-wheels\">Lyft/Bay Wheels bike share station\u003c/a> at the intersection of Warriors Way and Terry Francois Boulevard. While they’re convenient and easy to use, the limited availability of these bikes means you should have a backup plan — or you might get stranded.\u003c/p>\n\u003ch2>\u003cstrong>\u003ca id=\"charli-xcx-tickets\">\u003c/a>Can I still get a ticket to the \u003cem>Sweat\u003c/em> tour?\u003c/strong>\u003c/h2>\n\u003cp>According to Ticketmaster, \u003ca href=\"https://www.ticketmaster.com/event/1C00608C0CE59BEB\">tickets are still available\u003c/a>, with the lowest at $279\u003c/p>\n\u003cp>You may find better deals with resale tickets on sites like \u003ca href=\"https://www.stubhub.com/charli-xcx-san-francisco-tickets-10-20-2024/event/153441948/?quantity=1\">StubHub, \u003c/a> but you should make sure you are not purchasing fake tickets. Read more tips about \u003ca href=\"https://www.kqed.org/news/11956083/taylor-swift-levis-stadium-eras-santa-clara-tickets#taylorswifttickets\">avoiding ticket resale scams\u003c/a>.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "What to know about seeing Charli xcx and Troye Sivan on Sunday at Chase Center on the Sweat tour.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you’ve got tickets for Charli xcx and Troye Sivan’s \u003cem>Sweat\u003c/em> tour at San Francisco’s Chase Center on Oct. 20, you’ll be \u003ca href=\"https://www.youtube.com/watch?v=bg9EmWTRt3Y\">hearing those club classics\u003c/a>.\u003c/p>\n\u003cp>And while Charli herself has declared \u003ca href=\"https://www.kqed.org/news/11997647/brat-kamala-harris-charli-xcx-coconut-tree-donald-trump\">brat summer\u003c/a> \u003ca href=\"https://x.com/charli_xcx/status/1830695037925237025\">officially over\u003c/a>, the SF show — which also features\u003ca href=\"https://chasecenter.com/events/charli-xcx-and-troye-sivan-20241020/\"> special guest Shygirl \u003c/a>— comes on the heels of her new album \u003ca href=\"https://www.youtube.com/watch?v=bvy6aox2Sgw&list=PL-2HG0C5jJQE-D-1odtlA47fbP7oCg62e\">\u003cem>Brat, and it’s completely different but also still brat\u003c/em>, \u003c/a>with remixes and new tracks featuring artists like \u003ca href=\"https://www.youtube.com/watch?v=6YO2_O1L_YY\">kesha\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=jfL8Vu9PfW8&list=PL-2HG0C5jJQE-D-1odtlA47fbP7oCg62e&index=3\">Ariana Grande\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=99dsnI6M-a4&list=PL-2HG0C5jJQE-D-1odtlA47fbP7oCg62e&index=7\">Caroline Polachek\u003c/a>:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>Keep reading for everything you need to know about seeing Charli xcx on Sunday, from the Chase Center’s bag policy to parking, tickets and more. Be sure to \u003ca href=\"https://twitter.com/ChaseCenter\">follow Chase Center on social media\u003c/a> for any last-minute updates.\u003c/p>\n\u003cp>(And if you’re going to Sunday’s show, look for the KQED mics — we’ll be there, talking to Charli and Troye Sivan fans about the afterlife of \u003ca href=\"https://www.kqed.org/news/11997449/why-kamala-harris-is-having-a-brat-summer\">brat summer \u003c/a>in the run-up to the November election, as part of \u003ca href=\"https://www.kqed.org/fandomvote\">our Fandom Vote interview series\u003c/a>.)\u003c/p>\n\u003cp>\u003cstrong>Jump straight to:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#chase-center-bag-policy\">What’s the Chase Center bag policy for the Charli xcx show?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#charli-xcx-tickets\">Can I still get Charli xcx \u003cem>Sweat\u003c/em> tour tickets?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#chase-center-parking\">Where is parking for Chase Center?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003ch2>\u003cstrong>What time does the show at Chase Center start?\u003c/strong>\u003c/h2>\n\u003cp>Doors are \u003ca href=\"https://chasecenter.com/events/charli-xcx-and-troye-sivan-20241020/\">slated to open at 6:30 p.m., and the show starts at 7:30 p.m. \u003c/a>\u003c/p>\n\u003cp>As with many concerts, be prepared for a long night. If you don’t mind spoilers, you can view \u003ca href=\"https://open.spotify.com/playlist/5TTFhDs8EU1qPf54tlQuX6\">Charli xcx and Troye Sivan’s likely setlist for San Francisco on Spotify\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://www.orlandoweekly.com/music/charli-xcx-and-troye-sivan-put-the-sweat-in-the-sweat-tour-at-orlandos-kia-center-37955300\">Concertgoers on the Sweat tour have reported heavy use of strobe lighting\u003c/a>, so folks with light sensitivity should be advised. Even if you don’t have any documented issues with strobe lights, you may want to consider taking a style note from Charli herself and packing a pair of large dark sunglasses.\u003c/p>\n\u003ch2>\u003cstrong>\u003ca id=\"chase-center-bag-policy\">\u003c/a>What’s the Chase Center bag policy?\u003c/strong>\u003c/h2>\n\u003cp>Backpacks (except for single-compartment drawstring bags) and hard-sided bags of any kind are prohibited from entering Chase Center.\u003c/p>\n\u003cp>Any other bag you bring must be smaller than 14 x 14 x 6 inches in size.\u003c/p>\n\u003cp>Bags that do not meet the requirements can be checked at one of Chase’s two bag check locations for a fee of $10. Bag check is at the corner of 16th Street and Terry Francois Boulevard.\u003c/p>\n\u003cp>Here are some more \u003ca href=\"https://www.chasecenter.com/a-to-z-guide\">things you cannot bring into the \u003cem>Sweat\u003c/em> tour show at Chase Center\u003c/a>:\u003c/p>\n\u003cul>\n\u003cli>Bottles and cans\u003c/li>\n\u003cli>Refillable water bottles\u003c/li>\n\u003cli>Signs over 11 x 17 inches or attached to any pole or stick\u003c/li>\n\u003cli>Masks that cover the whole face. (Face coverings to lower your risks of catching — or spreading — COVID-19, like N95 masks, are allowed)\u003c/li>\n\u003cli>Lights, tripods and professional recording equipment. Flash photography is not allowed\u003c/li>\n\u003cli>Noise-making devices, such as air horns, whistles or cowbells\u003c/li>\n\u003cli>Weapons and self-defense items of any kind, including mace, knives and tasers\u003c/li>\n\u003cli>Selfie sticks\u003c/li>\n\u003c/ul>\n\u003cp>What else \u003cem>can\u003c/em> you bring to Chase Center? These items include:\u003c/p>\n\u003cul>\n\u003cli>Baby bags, plastic bottles and formula\u003c/li>\n\u003cli>Diaper bags (with a child)\u003c/li>\n\u003cli>Bags accepted as medical bags\u003c/li>\n\u003cli>Umbrellas\u003c/li>\n\u003cli>Binoculars\u003c/li>\n\u003c/ul>\n\u003cp>While portable phone chargers are not prohibited, Chase Center also offers charging stations compatible with most cellphone devices. Guests may rent a portable charger to take back to their seats for $2 per 30 minutes.\u003c/p>\n\u003ch2>\u003cstrong>How do I know if I’ve got a good seat at the \u003cem>Sweat \u003c/em>tour Chase Center show?\u003c/strong>\u003c/h2>\n\u003cp>If you are anxious about anything obscuring your sight of the stage or how you want to get to your seat fast, you can check out the view from your seat using \u003ca href=\"https://warriors.io-media.com/web/index.html\">Chase Center’s Virtual Venue map\u003c/a>.\u003c/p>\n\u003ch2>\u003cstrong>What should I know about accessibility at Chase Center?\u003c/strong>\u003c/h2>\n\u003cp>Chase Center addresses questions about accessibility in its online \u003ca href=\"https://www.chasecenter.com/a-to-z-guide\">A to Z Guide\u003c/a>, which includes information about accessible parking, hearing assistance, ADA-compliant restrooms and service animals.\u003c/p>\n\u003cp>The venue says guests can request complimentary wheelchair escorts by visiting the kiosks located at \u003ca href=\"https://cdn.nba.com/teams/uploads/sites/1610612744/2024/02/CC_Portals_Map_Update_3202x2550_2024-.jpg\">Portal 13 and Portal 52\u003c/a> or texting 833-CC4-FANS.\u003c/p>\n\u003cp>To schedule an American Sign Language interpreter, guests should contact guestexperiences@warriors.com ahead of time.\u003c/p>\n\u003ch2>\u003cstrong>\u003ca id=\"chase-center-parking\">\u003c/a>What should I know about parking at and near Chase Center?\u003c/strong>\u003c/h2>\n\u003cp>Chase Center has \u003ca href=\"https://chasecenter.com/plan-your-visit/transportation/parking/\">a guide to its parking garage.\u003c/a> Tickets for the \u003ca href=\"https://www.ticketmaster.com/chase-center-parking-charli-xcx-troye-san-francisco-california-10-20-2024/event/1C006091DEDE445F\">parking garage are $50\u003c/a>.\u003c/p>\n\u003cp>The venue’s website also refers fans to the \u003ca href=\"https://spothero.com/search?kind=event&id=907572&view=dl\">third-party parking website SpotHero\u003c/a> for other non-Chase Center parking options nearby. It costs $75 to reserve a spot nearest to the stadium, with a two-minute walk.\u003c/p>\n\u003cp>There are also cheaper parking options farther away. So, if you’re driving to the show but haven’t secured your parking yet, consider wearing comfier shoes for the walk over and back.\u003c/p>\n\u003ch2>\u003cstrong>What about using rideshare services like Lyft and Uber at Chase Center?\u003c/strong>\u003c/h2>\n\u003cp>While getting to the venue using a rideshare service might be fairly smooth, trying to find a car after the show is almost \u003cem>certainly\u003c/em> going to be a challenge — and this author is speaking from personal experience. Due to surge pricing, it will also be far more expensive to get an Uber or Lyft as you exit the venue.\u003c/p>\n\u003cp>There are\u003ca href=\"https://images.ctfassets.net/0lzgl3qjkmm1/6k8OJ6yu4tTfjV4wHsmKTG/0b4cc696d2b3f2360ad34bbc16ffbffd/uber-map.png\"> multiple designated pickup and drop-off zones\u003c/a> located within one block of Chase Center. Upon arrival, use one of the designated passenger loading zones (white curbs) along Terry A Francois Boulevard for a safe curbside drop-off. The website also notes, under “\u003ca href=\"https://www.chasecenter.com/a-to-z-guide\">Drop-off Locations,\u003c/a>” that “if you prefer to walk/take the train to a location where it’s easier to ride-hail, we encourage taking the train/walking along Forth Street towards the Forth and King Caltrain Station.”\u003c/p>\n\u003cp>As you leave the show, rideshare apps will automatically display the best places to get picked up within a five-minute walk radius.\u003c/p>\n\u003cp>Accessible drop-offs and pickups are along the curb of 16th Street and Terry Francois Boulevard, with accessible entry and exit from the East Entrance. For folks with mobility considerations, the venue can provide a wheelchair to transport guests from Thrive City Plaza or the main lobby to their seats.\u003c/p>\n\u003ch2>\u003cstrong>What’s the best way to take public transit to the \u003cem>Sweat\u003c/em> tour?\u003c/strong>\u003c/h2>\n\u003cp>Public transit schedules can always be subject to change. Check the timings for your route on the day of the show itself, and be sure of your very last service home. Chase Center has a \u003ca href=\"https://chasecenter.com/transportation-guide\">comprehensive guide to public transportation\u003c/a> on its website.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/02/CC_BM_20231005_CC_Transportation_MapCC_BM_20231005_CC_Transportation_Map_1080x1080.jpg\" width=\"1080\" height=\"1080\">\u003c/p>\n\u003cp>\u003cstrong>SF Muni\u003c/strong>\u003c/p>\n\u003cp>Any Chase Center patron who shows their event ticket at Muni turnstiles and boarding platforms can \u003ca href=\"https://www.sfmta.com/fares/your-chase-center-event-ticket-your-muni-fare\">ride Muni \u003cem>without \u003c/em>charge\u003c/a>.\u003c/p>\n\u003cp>There is a Muni Metro rail stop serving the venue on the T Third Street line, which connects Chinatown and Sunnydale. See \u003ca href=\"https://www.sfmta.com/routes/t-third-street\">the Muni Metro schedule\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>BART\u003c/strong>\u003c/p>\n\u003cp>Several BART stations have convenient connections to get to the venue.\u003c/p>\n\u003cp>Muni Route 22 connects to the 16th Street and Mission BART station. This stop is located on Third Street and Gene Friend Way.\u003c/p>\n\u003cp>Muni Route 15 serves as a connection to Montgomery Street BART station. This stop is located on Third Street and Warriors Way.\u003c/p>\n\u003cp>You can transfer to the new Union Square Muni Metro rail station from Powell BART station via the underground corridor to take the T Third Street line or S Shuttle Mission Bay line to the UCSF/Chase Center stop.\u003c/p>\n\u003cp>You can find more information and schedules \u003ca href=\"https://www.bart.gov/\">on the BART website\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Caltrain\u003c/strong>\u003c/p>\n\u003cp>If you take Caltrain to San Francisco, you can walk 15–20 minutes along Fourth Street and turn left on Gene Friend Way to Chase Center.\u003c/p>\n\u003cp>You can also transfer from the Caltrain station to the Muni Metro T Third Street platform, which is located across the street, and take Muni to the UCSF/Chase Center stop.\u003c/p>\n\u003cp>Since the show is on a Sunday, the last train leaving San Francisco is around 12 a.m., but be sure to check \u003ca href=\"https://www.caltrain.com/media/33908\">the Caltrain’s weekend schedule.\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>Biking\u003c/strong>\u003c/p>\n\u003cp>Chase Center offers guests free bike valet for the first 300 bikes an hour before start time. The valet is available along 16th Street. Public bike parking is available along 16th Street and Terry Francois Boulevard.\u003c/p>\n\u003cp>There is also a \u003ca href=\"https://www.lyft.com/bikes/bay-wheels\">Lyft/Bay Wheels bike share station\u003c/a> at the intersection of Warriors Way and Terry Francois Boulevard. While they’re convenient and easy to use, the limited availability of these bikes means you should have a backup plan — or you might get stranded.\u003c/p>\n\u003ch2>\u003cstrong>\u003ca id=\"charli-xcx-tickets\">\u003c/a>Can I still get a ticket to the \u003cem>Sweat\u003c/em> tour?\u003c/strong>\u003c/h2>\n\u003cp>According to Ticketmaster, \u003ca href=\"https://www.ticketmaster.com/event/1C00608C0CE59BEB\">tickets are still available\u003c/a>, with the lowest at $279\u003c/p>\n\u003cp>You may find better deals with resale tickets on sites like \u003ca href=\"https://www.stubhub.com/charli-xcx-san-francisco-tickets-10-20-2024/event/153441948/?quantity=1\">StubHub, \u003c/a> but you should make sure you are not purchasing fake tickets. Read more tips about \u003ca href=\"https://www.kqed.org/news/11956083/taylor-swift-levis-stadium-eras-santa-clara-tickets#taylorswifttickets\">avoiding ticket resale scams\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop\u003c/a> is a weekly radio series hosted by the KQED weekend news team. In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>Combo Tezeta is an East Bay band that plays cumbia music inspired by Peruvian psychedelic rock from the 1960s and 1970s.\u003c/p>\n\u003cp>Danny Snyder, from Berkeley, plays both the guitar and organ for the band. Abraham Aguilar is from Hercules and plays the bass. In the early 2000s, Snyder decided to start playing a style of music called surf rock, which incorporates electric guitars imitating the sound of waves crashing.\u003c/p>\n\u003cp>“And at the same time, Abraham and his friends also decided to start playing surf rock,” Snyder says. “Even though I’m quite a bit older, we were in the same scene, and we became good friends early on.”\u003c/p>\n\u003cp>Snyder, who’s in his late 50s, says that many people at his age would be hanging up their guitars while he feels like he’s just getting started. The rest of the band members are in their mid-30s. Eventually, he and Aguilar’s friends all decided to switch from playing surf rock to Latin music in cumbia.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“The transition for us came from listening to two albums in particular,” Aguilar says. “One of them is by a band from Mexico City called Sonido Gallo Negro and a compilation album called ‘The Roots of Chicha.’”\u003c/p>\n\u003cp>Traditional cumbia music uses brass instruments and an accordion, which Snyder says gives the music more of a folk feel to it.\u003c/p>\n\u003cp>“In the early to mid-sixties, rock and roll music was filtering down to Peru, and it mixed in with the cumbias that they were playing there, which had filtered down from Columbia and all mixed together,” he says. “It created a new sound that kind of exploded.”\u003c/p>\n\u003cp>Snyder says once the band was exposed to the “Roots of Chicha” and Sonido Gallo Negro, they felt more confident and incorporated surf rock into the music.\u003c/p>\n\u003cp>“Because we played surf music, which is an instrumental guitar style, at least the way we played it, we’re able to incorporate the instrumental guitar leads and melodies throughout the song,” he says. “Even if there’s singing going on, we interweave that.”\u003c/p>\n\u003cp>Snyder says that what separated that style of music from what Combo Tezeta was doing before was the fact that it was designed to make people dance. Aguilar says that at the end of the day, “you just want to produce something cool, something fun.”\u003c/p>\n\u003cp>The band’s members also include Franklin Aguilar, Jonathan Rodriguez, Tony Bald, Santiago Ruiz, and Cesar Flores.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If you’d like to hear Combo Tezeta live, the band will be performing at Eli’s Mile High Club in Oakland on Nov. 23. To hear past episodes of the Sunday Music Drop, \u003ca href=\"https://www.kqed.org/sundaymusicdrop\">click here\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“The transition for us came from listening to two albums in particular,” Aguilar says. “One of them is by a band from Mexico City called Sonido Gallo Negro and a compilation album called ‘The Roots of Chicha.’”\u003c/p>\n\u003cp>Traditional cumbia music uses brass instruments and an accordion, which Snyder says gives the music more of a folk feel to it.\u003c/p>\n\u003cp>“In the early to mid-sixties, rock and roll music was filtering down to Peru, and it mixed in with the cumbias that they were playing there, which had filtered down from Columbia and all mixed together,” he says. “It created a new sound that kind of exploded.”\u003c/p>\n\u003cp>Snyder says once the band was exposed to the “Roots of Chicha” and Sonido Gallo Negro, they felt more confident and incorporated surf rock into the music.\u003c/p>\n\u003cp>“Because we played surf music, which is an instrumental guitar style, at least the way we played it, we’re able to incorporate the instrumental guitar leads and melodies throughout the song,” he says. “Even if there’s singing going on, we interweave that.”\u003c/p>\n\u003cp>Snyder says that what separated that style of music from what Combo Tezeta was doing before was the fact that it was designed to make people dance. Aguilar says that at the end of the day, “you just want to produce something cool, something fun.”\u003c/p>\n\u003cp>The band’s members also include Franklin Aguilar, Jonathan Rodriguez, Tony Bald, Santiago Ruiz, and Cesar Flores.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If you’d like to hear Combo Tezeta live, the band will be performing at Eli’s Mile High Club in Oakland on Nov. 23. To hear past episodes of the Sunday Music Drop, \u003ca href=\"https://www.kqed.org/sundaymusicdrop\">click here\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>Angrybaby is a dance music artist born and raised in Albany who grew up playing classical piano. After experimenting by making music with rap and hip-hop, he became interested in dance music in college. Previously, he had thought of the genre as cheesy party music.\u003c/p>\n\u003cp>“When I really started to study it, it felt like the most freeing type of music that I had ever listened to or attempted to make,” Angrybaby says. “There’s this inherent sort of rebelliousness with it.”\u003c/p>\n\u003cp>He says dance music is the only type of music that allows him to be an artist, producer and singer. With other musical styles he made, he relied heavily on another rapper or artist to rap over his beats.\u003c/p>\n\u003cp>Angrybaby says “Back to Life” is probably his favorite song that he’s ever made.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I’ve always thought dance music shouldn’t have a verse, a pre-chorus, a chorus [or] a second verse,” he says. “It shouldn’t be a song. It should be kind of like this ambient droning beat, potentially with a driving baseline. And I think [“Back to Life”] was just so different in that it was an actual song.”\u003c/p>\n\u003cp>In high school, he was introduced to lip-syncing and enjoyed performing for audiences. Once he started creating his own music and getting a crowd reaction, it became the “most addictive feeling.”\u003c/p>\n\u003cp>“It’s like you are having this shared experience with this large group of people and it feels just very human,” Angrybaby says.\u003c/p>\n\u003cp>He says much of his musical content deals with the concept of love, whether it’s between two romantic partners, the relationship with parents or with a friend.\u003c/p>\n\u003cp>“I’ve always been one to listen to the instrumental portion of music before I listen to the lyrical stuff,” Angrybaby says. “I hope people take away [that] ‘Wow, this is a great song,’ but secondly, I really hope it provides a listener a view into dance music that they wouldn’t normally get.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Angrybaby will release a nine-song project called \u003cem>\u003ca href=\"https://found.ee/afterwork-1\">AFTERWORK\u003c/a>\u003c/em> on Oct. 11, announcing show dates soon after, so you can go hear him live.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I’ve always thought dance music shouldn’t have a verse, a pre-chorus, a chorus [or] a second verse,” he says. “It shouldn’t be a song. It should be kind of like this ambient droning beat, potentially with a driving baseline. And I think [“Back to Life”] was just so different in that it was an actual song.”\u003c/p>\n\u003cp>In high school, he was introduced to lip-syncing and enjoyed performing for audiences. Once he started creating his own music and getting a crowd reaction, it became the “most addictive feeling.”\u003c/p>\n\u003cp>“It’s like you are having this shared experience with this large group of people and it feels just very human,” Angrybaby says.\u003c/p>\n\u003cp>He says much of his musical content deals with the concept of love, whether it’s between two romantic partners, the relationship with parents or with a friend.\u003c/p>\n\u003cp>“I’ve always been one to listen to the instrumental portion of music before I listen to the lyrical stuff,” Angrybaby says. “I hope people take away [that] ‘Wow, this is a great song,’ but secondly, I really hope it provides a listener a view into dance music that they wouldn’t normally get.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Angrybaby will release a nine-song project called \u003cem>\u003ca href=\"https://found.ee/afterwork-1\">AFTERWORK\u003c/a>\u003c/em> on Oct. 11, announcing show dates soon after, so you can go hear him live.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "oaklands-black-cowboy-association-celebrates-50-years-with-parade-and-festival",
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"content": "\u003cp>The \u003ca href=\"https://www.visitoakland.com/event/obca-50th-annual-black-cowboy-parade-and-festival/32722/#about\">Oakland Black Cowboy Association celebrated 50 years\u003c/a> this weekend as hundreds of Black Oaklanders flocked to De Fremery Park to enjoy music, good food, a shared love of horses and to celebrate and honor the contribution of Black cowboys to the history and settling of the American West.\u003c/p>\n\u003cp>OBCA President Wilbert McAlister said what he likes most about the parade is seeing the community come together.\u003c/p>\n\u003cp>“\u003cb>\u003c/b>The smiles on children’s faces, the smiles on young adults when they see the child happy and in a safe environment. The smiles on grandma … and grandpa, when they see the grandchildren having clean, safe, fun and they’re not worried and nervous and scared,” said McAlister, a grandparent himself.\u003c/p>\n\u003cfigure id=\"attachment_12008150\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008150\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-01-2000.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-01-2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-01-2000-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-01-2000-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-01-2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-01-2000-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-01-2000-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Left: Wilbert McAlister, president of the Oakland Black Cowboy Association, poses for a photo after the OBCA parade. Right: A belt buckle worn by McAlister. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We have a lot of people out here, and we have the same clean pride. And since I’ve been a president, we just try to keep it going on. And today, it’s a beautiful day,” he added.\u003c/p>\n\u003cfigure id=\"attachment_12008155\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008155\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-019-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-019-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-019-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-019-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-019-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-019-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-019-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jaelah (left), 12, a member of the Blue Bird Riders from Manteca, rides with her friend Aniyah, 13, during the parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12008162\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008162\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-012-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-012-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-012-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-012-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-012-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-012-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-012-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Tolani King (left) cheers as the parade passes. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12008207\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008207\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-030-BL_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-030-BL_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-030-BL_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-030-BL_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-030-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-030-BL_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-030-BL_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Earl Riley (center) rides his horse Big Momma alongside Joe Cummings on Ghost during the parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Attendees reflected on the sense of community they’ve worked to preserve over the years and shared their hopes that future generations will keep the scene alive.\u003c/p>\n\u003cp>Melanie Jackson comes from a family of horse enthusiasts and is introducing her 3-year-old daughter to riding as well.\u003c/p>\n\u003cp>“Being able to learn things from both my parents, my mom and my dad have been riding for years and years, and then them passing on that passion to me and being able to just pass that along to my daughter, who’s just a toddler has been great,” Jackson said.\u003c/p>\n\u003cfigure id=\"attachment_12008182\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008182\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-039-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-039-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-039-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-039-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-039-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-039-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-039-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jade, 3, rides Paloma alongside her mother, Melanie Jackson, during the OBCA parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12008205\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008205\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-02-2.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-02-2.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-02-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-02-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-02-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-02-2-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-02-2-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Left: Levar, 12, rides Mocha before the Oakland Black Cowboy Association parade in Oakland on Oct. 5, 2024. Right: Kona Wood stands on the back of his horse Whiskey Smoke. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Samuel Styles is an avid horse rider who works with the Oakland Black Cowboy Association and traces his lifelong passion back to a moment over three decades ago.\u003c/p>\n\u003cp>“First time I saw black people on horses was at the Oakland Black Cowboy Parade when I was 5 years old. I’m 38 now,” Styles said.\u003c/p>\n\u003cfigure id=\"attachment_12008186\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008186\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-018-BL_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-018-BL_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-018-BL_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-018-BL_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-018-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-018-BL_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-018-BL_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Samuel Styles (left), aka Cowboy Styles, rides in the parade near De Fremery Park. He’s talking to a member of ‘Shadows of The Knight’ whom Styles said helped block off side streets. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12008187\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008187\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-033-BL_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-033-BL_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-033-BL_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-033-BL_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-033-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-033-BL_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-033-BL_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Samuel Styles holds a medal after riding in the parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12008198\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008198\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-007-BL_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-007-BL_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-007-BL_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-007-BL_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-007-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-007-BL_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-007-BL_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A crowd watches as the Oakland Black Cowboy Association parade starts at De Fremery Park. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Styles said that while the parade has become shorter over the years, the celebration has been drawing more people at each parade, with music and horse rides serving as part of the attraction.\u003c/p>\n\u003cp>“\u003cb>\u003c/b>I usually have my family … we’ll come out and we’ll barbecue and be cowboys … just partying, playing music, having a good time, chilling as people kind of disperse amongst the day,” he said.\u003c/p>\n\u003cfigure id=\"attachment_12008183\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008183\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-040-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-040-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-040-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-040-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-040-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-040-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-040-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Oakland mayor Sheng Thao rides in the OBCA parade near De Fremery Park in Oakland on Oct. 5, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12008196\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008196\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-016-BL_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-016-BL_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-016-BL_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-016-BL_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-016-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-016-BL_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-016-BL_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Pete Taylor rides his horse Bueno during the OBCA parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12008175\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008175\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-020-BL-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-020-BL-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-020-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-020-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-020-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-020-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-020-BL-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-020-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">A group of riders participate in the parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Carolyn Jackson calls herself “an avid horseman” who has been at it for over 40 years. She has her own association of Black riders, too, but comes out to the OBCA parade to show support and celebrate a shared passion together.\u003c/p>\n\u003cp>“I am just so glad to see so many Black horsemen,” Jackson said. “I thought that after COVID and the recession, a lot of people got out of it. So I’m very happy to see,e especially younger people,e still trying to keep it alive. I love to see it.”\u003c/p>\n\u003cfigure id=\"attachment_12008188\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008188\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-003-BL_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-003-BL_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-003-BL_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-003-BL_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-003-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-003-BL_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-003-BL_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Mariella, 9, gets her hair done before performing with the dance group Royal Chaos at the OBCA parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12008192\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008192\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-002-BL_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-002-BL_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-002-BL_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-002-BL_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-002-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-002-BL_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-002-BL_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jaelah, 12, a member of the Blue Bird Riders from Manteca, prepares her horse Honey for her friend to ride before the OBCA parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In a hopeful sign that the parade will live on, kids lined up by the dozens to get a short ride.\u003c/p>\n\u003cfigure id=\"attachment_12008156\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008156\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-006-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-006-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-006-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-006-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-006-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-006-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-006-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bryant Johnson rides his horse Cane with his son Bryant Jr. on the back during the Oakland Black Cowboy Association parade in Oakland on Oct. 5, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mia Marshall explains how she started out just coming out to enjoy the parade, and after riding the same horse three parades in a row, she ended up becoming a Black cowgirl herself. She loves letting others ride the horses.\u003c/p>\n\u003cp>“\u003cb>\u003c/b>We love doing the parades. We set up shop and let people ride [the horses],” Marshall said. “We’ve gone to elderly facilities because horses are very therapeutic for the elderly, for people with dementia, old-timers, and so forth. And veterans.”\u003c/p>\n\u003cfigure id=\"attachment_12008193\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008193\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-027-BL_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-027-BL_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-027-BL_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-027-BL_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-027-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-027-BL_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-027-BL_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A group of riders participate in the OBCA parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12008194\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008194\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-021-BL_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-021-BL_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-021-BL_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-021-BL_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-021-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-021-BL_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-021-BL_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Spectators watch as the parade passes by. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12008195\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008195\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-001-BL_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-001-BL_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-001-BL_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-001-BL_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-001-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-001-BL_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-001-BL_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Trophies sit on top of a vehicle representing Lonnie Scoggins Sr., one of the original members of the Oakland Black Cowboy Association, which was started in 1974, during the OBCA parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"excerpt": "The OBCA marked its 50th anniversary in Oakland with a parade, rides and partying, celebrating the contribution of people of color in the settling of the West.",
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"title": "Oakland's Black Cowboy Association Celebrates 50 Years With Parade and Festival | KQED",
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"headline": "Oakland's Black Cowboy Association Celebrates 50 Years With Parade and Festival",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The \u003ca href=\"https://www.visitoakland.com/event/obca-50th-annual-black-cowboy-parade-and-festival/32722/#about\">Oakland Black Cowboy Association celebrated 50 years\u003c/a> this weekend as hundreds of Black Oaklanders flocked to De Fremery Park to enjoy music, good food, a shared love of horses and to celebrate and honor the contribution of Black cowboys to the history and settling of the American West.\u003c/p>\n\u003cp>OBCA President Wilbert McAlister said what he likes most about the parade is seeing the community come together.\u003c/p>\n\u003cp>“\u003cb>\u003c/b>The smiles on children’s faces, the smiles on young adults when they see the child happy and in a safe environment. The smiles on grandma … and grandpa, when they see the grandchildren having clean, safe, fun and they’re not worried and nervous and scared,” said McAlister, a grandparent himself.\u003c/p>\n\u003cfigure id=\"attachment_12008150\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008150\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-01-2000.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-01-2000.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-01-2000-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-01-2000-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-01-2000-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-01-2000-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-01-2000-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Left: Wilbert McAlister, president of the Oakland Black Cowboy Association, poses for a photo after the OBCA parade. Right: A belt buckle worn by McAlister. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We have a lot of people out here, and we have the same clean pride. And since I’ve been a president, we just try to keep it going on. And today, it’s a beautiful day,” he added.\u003c/p>\n\u003cfigure id=\"attachment_12008155\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008155\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-019-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-019-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-019-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-019-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-019-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-019-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-019-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jaelah (left), 12, a member of the Blue Bird Riders from Manteca, rides with her friend Aniyah, 13, during the parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12008162\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008162\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-012-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-012-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-012-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-012-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-012-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-012-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-012-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Tolani King (left) cheers as the parade passes. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12008207\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008207\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-030-BL_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-030-BL_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-030-BL_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-030-BL_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-030-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-030-BL_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-030-BL_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Earl Riley (center) rides his horse Big Momma alongside Joe Cummings on Ghost during the parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Attendees reflected on the sense of community they’ve worked to preserve over the years and shared their hopes that future generations will keep the scene alive.\u003c/p>\n\u003cp>Melanie Jackson comes from a family of horse enthusiasts and is introducing her 3-year-old daughter to riding as well.\u003c/p>\n\u003cp>“Being able to learn things from both my parents, my mom and my dad have been riding for years and years, and then them passing on that passion to me and being able to just pass that along to my daughter, who’s just a toddler has been great,” Jackson said.\u003c/p>\n\u003cfigure id=\"attachment_12008182\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008182\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-039-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-039-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-039-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-039-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-039-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-039-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-039-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jade, 3, rides Paloma alongside her mother, Melanie Jackson, during the OBCA parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12008205\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008205\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-02-2.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-02-2.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-02-2-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-02-2-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-02-2-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-02-2-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-Diptych-02-2-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Left: Levar, 12, rides Mocha before the Oakland Black Cowboy Association parade in Oakland on Oct. 5, 2024. Right: Kona Wood stands on the back of his horse Whiskey Smoke. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Samuel Styles is an avid horse rider who works with the Oakland Black Cowboy Association and traces his lifelong passion back to a moment over three decades ago.\u003c/p>\n\u003cp>“First time I saw black people on horses was at the Oakland Black Cowboy Parade when I was 5 years old. I’m 38 now,” Styles said.\u003c/p>\n\u003cfigure id=\"attachment_12008186\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008186\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-018-BL_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-018-BL_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-018-BL_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-018-BL_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-018-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-018-BL_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-018-BL_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Samuel Styles (left), aka Cowboy Styles, rides in the parade near De Fremery Park. He’s talking to a member of ‘Shadows of The Knight’ whom Styles said helped block off side streets. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12008187\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008187\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-033-BL_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-033-BL_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-033-BL_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-033-BL_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-033-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-033-BL_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-033-BL_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Samuel Styles holds a medal after riding in the parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12008198\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008198\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-007-BL_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-007-BL_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-007-BL_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-007-BL_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-007-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-007-BL_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-007-BL_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A crowd watches as the Oakland Black Cowboy Association parade starts at De Fremery Park. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Styles said that while the parade has become shorter over the years, the celebration has been drawing more people at each parade, with music and horse rides serving as part of the attraction.\u003c/p>\n\u003cp>“\u003cb>\u003c/b>I usually have my family … we’ll come out and we’ll barbecue and be cowboys … just partying, playing music, having a good time, chilling as people kind of disperse amongst the day,” he said.\u003c/p>\n\u003cfigure id=\"attachment_12008183\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008183\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-040-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-040-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-040-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-040-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-040-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-040-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-040-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Oakland mayor Sheng Thao rides in the OBCA parade near De Fremery Park in Oakland on Oct. 5, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12008196\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008196\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-016-BL_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-016-BL_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-016-BL_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-016-BL_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-016-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-016-BL_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-016-BL_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Pete Taylor rides his horse Bueno during the OBCA parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12008175\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008175\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-020-BL-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-020-BL-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-020-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-020-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-020-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-020-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-020-BL-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-020-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">A group of riders participate in the parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Carolyn Jackson calls herself “an avid horseman” who has been at it for over 40 years. She has her own association of Black riders, too, but comes out to the OBCA parade to show support and celebrate a shared passion together.\u003c/p>\n\u003cp>“I am just so glad to see so many Black horsemen,” Jackson said. “I thought that after COVID and the recession, a lot of people got out of it. So I’m very happy to see,e especially younger people,e still trying to keep it alive. I love to see it.”\u003c/p>\n\u003cfigure id=\"attachment_12008188\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008188\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-003-BL_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-003-BL_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-003-BL_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-003-BL_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-003-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-003-BL_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-003-BL_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Mariella, 9, gets her hair done before performing with the dance group Royal Chaos at the OBCA parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12008192\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008192\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-002-BL_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-002-BL_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-002-BL_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-002-BL_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-002-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-002-BL_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-002-BL_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Jaelah, 12, a member of the Blue Bird Riders from Manteca, prepares her horse Honey for her friend to ride before the OBCA parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In a hopeful sign that the parade will live on, kids lined up by the dozens to get a short ride.\u003c/p>\n\u003cfigure id=\"attachment_12008156\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008156\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-006-BL.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-006-BL.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-006-BL-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-006-BL-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-006-BL-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-006-BL-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-006-BL-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Bryant Johnson rides his horse Cane with his son Bryant Jr. on the back during the Oakland Black Cowboy Association parade in Oakland on Oct. 5, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Mia Marshall explains how she started out just coming out to enjoy the parade, and after riding the same horse three parades in a row, she ended up becoming a Black cowgirl herself. She loves letting others ride the horses.\u003c/p>\n\u003cp>“\u003cb>\u003c/b>We love doing the parades. We set up shop and let people ride [the horses],” Marshall said. “We’ve gone to elderly facilities because horses are very therapeutic for the elderly, for people with dementia, old-timers, and so forth. And veterans.”\u003c/p>\n\u003cfigure id=\"attachment_12008193\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008193\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-027-BL_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-027-BL_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-027-BL_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-027-BL_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-027-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-027-BL_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-027-BL_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A group of riders participate in the OBCA parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12008194\" class=\"wp-caption aligncenter\" style=\"max-width: 1999px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008194\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-021-BL_qed.jpg\" alt=\"\" width=\"1999\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-021-BL_qed.jpg 1999w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-021-BL_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-021-BL_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-021-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-021-BL_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-021-BL_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 1999px) 100vw, 1999px\">\u003cfigcaption class=\"wp-caption-text\">Spectators watch as the parade passes by. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_12008195\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12008195\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-001-BL_qed.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-001-BL_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-001-BL_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-001-BL_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-001-BL_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-001-BL_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/10/241005-OaklandBlackCowboyParade-001-BL_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Trophies sit on top of a vehicle representing Lonnie Scoggins Sr., one of the original members of the Oakland Black Cowboy Association, which was started in 1974, during the OBCA parade. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>This weekend, you might get your chance to see \u003ca href=\"https://www.kqed.org/arts/13961499/hardly-strictly-bluegrass-2024-initial-lineup-free-golden-gate-park\">\u003cem>the\u003c/em> Patti Smith\u003c/a> for free — and many more artists.\u003c/p>\n\u003cp>Hardly Strictly Bluegrass, often just called “Hardly Strictly” or HSB, is San Francisco’s \u003ca href=\"https://www.kqed.org/arts/13961499/hardly-strictly-bluegrass-2024-initial-lineup-free-golden-gate-park\">free music festival for all ages\u003c/a> and has a long lineup this year, with performances from country, folk, and R&B performers — and, of course, bluegrass too. No tickets or RSVP is needed for the festival.\u003c/p>\n\u003cp>Can’t make the festival but want to watch? KQED.org will\u003ca href=\"https://www.kqed.org/event/4680\"> livestream Hardly Strictly on Friday, Oct. 4\u003c/a>, with performances from the Banjo Stage all weekend.\u003c/p>\n\u003cp>If it’s been a while since you attended the festival, there are \u003ca href=\"https://www.hardlystrictlybluegrass.com/info/#venue\">some newer rules to keep in mind before you head in this year. \u003c/a>Read more to learn how to best plan for Hardly Strictly.\u003c/p>\n\u003cp>\u003cstrong>Jump straight to:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#schedule\">What’s the Hardly Strictly schedule?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#parking\">Where is parking for Hardly Strictly?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#bring\">What food and drink can I still bring into Hardly Strictly (and what’s now banned)?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003ch2>What are the basics at Hardly Strictly?\u003c/h2>\n\u003cp>Hardly Strictly will be held at Hellman Hollow and Lindley and Marx meadows in Golden Gate Park on Friday, Oct. 4, Saturday, Oct. 5 and Sunday, Oct. 6.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Entrances will open on Friday at 11 a.m. and at 9 a.m. on both Saturday and Sunday. Attendees are asked to enter via \u003ca href=\"https://www.hardlystrictlybluegrass.com/faq-info\">any of these four openings\u003c/a>:\u003c/p>\n\u003cul>\n\u003cli>JFK Drive and Transverse Drive.\u003c/li>\n\u003cli>Fulton Street and 30th Avenue.\u003c/li>\n\u003cli>JFK Drive and 36th Avenue.\u003c/li>\n\u003cli>South Polo Field.\u003c/li>\n\u003c/ul>\n\u003cp>Here is a map of entrances, bathrooms and more:\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12007138\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB2024map-800x542.png\" alt=\"\" width=\"800\" height=\"542\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB2024map-800x542.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB2024map-1020x691.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB2024map-160x108.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB2024map.png 1304w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Performances end daily at 7 p.m.\u003c/p>\n\u003cp>It gets crowded at Hardly Strictly, so it’s good to get there early to claim your spot (although this might make subsequent stage-hopping hard). There is also a \u003ca href=\"https://www.hardlystrictlybluegrass.com/info/#venue\">“sweep” of the park by waste management\u003c/a> each night after performances end, so you can’t “save your place” the day before.\u003c/p>\n\u003ch2>What will the weather be like this year?\u003c/h2>\n\u003cp>Usually, Golden Gate Park is an area of San Francisco that you can rely on to bring the chill even on the balmiest days.\u003c/p>\n\u003cp>That said, \u003ca href=\"https://www.kqed.org/science/1994574/bay-area-faces-another-heat-wave-this-week-as-fire-risk-rises\">the Bay Area is in the middle of a heat wave right now\u003c/a>, bringing a heat advisory that the National Weather Service’s Bay Area office says could be extended beyond Wednesday.\u003c/p>\n\u003cp>\u003ca href=\"https://forecast.weather.gov/product.php?format=ci&glossary=1&issuedby=mtr&product=afd&site=mtr&version=1\">Keep an eye on the weather forecast \u003c/a>and plan to bring the usual Golden Gate Park survival kit: water, sunscreen and layers.\u003c/p>\n\u003ch2>\u003ca id=\"schedule\">\u003c/a>What’s the Hardly Strictly schedule, and which artists are playing?\u003c/h2>\n\u003cp>The \u003ca href=\"https://www.hardlystrictlybluegrass.com/schedule\">entire lineup and schedule can be found on the Hardly Strictly website\u003c/a>. Highlights include:\u003c/p>\n\u003cul>\n\u003cli>Famed singer, writer, and poet \u003ca href=\"https://www.pattismith.net/intro.html\">Patti Smith\u003c/a>\u003c/li>\n\u003cli>Singer-songwriter \u003ca href=\"https://www.haley-heynderickx.com/about\">Haley Heynderickx\u003c/a>\u003c/li>\n\u003cli>Pop band \u003ca href=\"https://youtu.be/gn5EWQtlevI?si=F6NwtasjKqDYnh8R\">Big Star\u003c/a>, who are celebrating the 50th anniversary of their influential album \u003cem>Radio City\u003c/em>\u003c/li>\n\u003cli>2024 Grammy winner \u003ca href=\"https://youtu.be/1Q_pdutDQPs?si=Hl2zC9n5F83LIPCh\">Bobby Rush\u003c/a>\u003c/li>\n\u003cli>Folk band \u003ca href=\"https://youtu.be/KQKPmO2vgjc?si=e2jaHWmaisznXqEu\">The Wood Brothers \u003c/a>\u003c/li>\n\u003cli>Folk-meets-art pop singer \u003ca href=\"https://youtu.be/ng-m9CCgyCc?si=JN4uyWSpY-npqcCX\">The Bones of J.R. Jones\u003c/a>\u003c/li>\n\u003c/ul>\n\u003ch2>\u003ca id=\"bring\">\u003c/a>What can I bring to Hardly Strictly?\u003c/h2>\n\u003cp>Expect a security presence at Hardly Strictly, meaning body scanners and a potential search of bags and coolers.\u003c/p>\n\u003cp>If you haven’t been to HSB for a while, many of these measures will be new to you — including the fences and being asked to enter at the four main entry points (as described above). These \u003ca href=\"https://datebook.sfchronicle.com/music/hardly-strictly-announces-new-security-measures-leave-your-cooler-at-home\">security measures were implemented in 2019\u003c/a> after a wave of mass shootings across the U.S. at large events.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-12007148\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB24dodonts.png\" alt=\"\" width=\"757\" height=\"885\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB24dodonts.png 757w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB24dodonts-160x187.png 160w\" sizes=\"(max-width: 757px) 100vw, 757px\">\u003c/p>\n\u003cp>Clear bags are recommended for the easiest access. Regular bags (like a non-transparent backpack) over 22″ x 15″ x 10″ will be redirected to a physical search, which will probably cause some delay as you enter the festival.\u003c/p>\n\u003cp>Larger hard-sided coolers, like the one seen in the image above, are “discouraged” and will be searched before you can bring them in — which HSB organizers advise may also cause delays in entering. Organizers say that the festival “reserves the right to reject any cooler for any reason.”\u003c/p>\n\u003cp>Beer and wine can be brought, but should be in non-glass containers.\u003c/p>\n\u003cp>Blankets and tarps up to 5′ x 7′ and short-backed chairs and collapsible wagons are allowed.\u003c/p>\n\u003cp>Dogs are allowed to join in, but they must be on a leash.\u003c/p>\n\u003cp>\u003cstrong>You cannot bring:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>High-backed chairs\u003c/li>\n\u003cli>Tables\u003c/li>\n\u003cli>Tents\u003c/li>\n\u003cli>Umbrellas and shade structures\u003c/li>\n\u003cli>Items with an open flame, firearms, drones, fireworks\u003c/li>\n\u003cli>Kegs, beverages for the purpose of vending\u003c/li>\n\u003cli>Glass containers\u003c/li>\n\u003cli>Devices for amplified sound or any item/device that could cause damage or injury\u003c/li>\n\u003cli>Cameras are okay but without tripods or \u003ca href=\"https://www.hardlystrictlybluegrass.com/info/#venue\">“intrusive equipment.”\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>Smoking is also not allowed in any area in Golden Gate Park due to a San Francisco ordinance.\u003c/p>\n\u003ch2>What about food at Hardly Strictly?\u003c/h2>\n\u003cp>Guests are also allowed to bring their own food (just no glass containers).\u003c/p>\n\u003cp>You can \u003ca href=\"https://www.hardlystrictlybluegrass.com/food-and-beverages\">scope out the list of vendors on Hardly Strictly’s website\u003c/a>. Plan for things to be cashless, and see \u003ca href=\"https://b694fae9-cb85-4756-bccc-c3c83afc8c36.usrfiles.com/ugd/b694fa_6dc56242d3f14a7aa23894a5a1e1386c.pdf\">a map of where the vendors will be (PDF)\u003c/a>.\u003c/p>\n\u003cp>The Bluegrass General Store also allows attendees to pick up picnic supplies, clothing, ice, water and more. There is free water available near bathrooms, between Banjo Stage and Arrow Meadow, as well as McClaren Pass.\u003c/p>\n\u003ch2>Will there be a bus running in the park during Hardly Strictly?\u003c/h2>\n\u003cp>The park service will be \u003ca href=\"https://www.sfrecpark.org/1617/Golden-Gate-Park-Free-Shuttle\">running their shuttle during the music festival\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfrecpark.org/1617/Golden-Gate-Park-Free-Shuttle\">Get the shuttle hours and schedule.\u003c/a>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12007196\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Mapshuttle2024-800x303.png\" alt=\"\" width=\"800\" height=\"303\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Mapshuttle2024-800x303.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Mapshuttle2024-1020x386.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Mapshuttle2024-160x61.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Mapshuttle2024.png 1212w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003ch2>What does public transit look like during Hardly Strictly?\u003c/h2>\n\u003cp>You can consult \u003ca class=\"c-link\" href=\"https://www.sfmta.com/travel-updates/hardly-strictly-bluegrass-october-4-6-2024\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.sfmta.com/travel-updates/hardly-strictly-bluegrass-october-4-6-2024\" data-sk=\"tooltip_parent\">SFMTA’s webpage for the quickest updates for Muni\u003c/a>, including extra service during festival days.\u003c/p>\n\u003cp>There will be no bike valet this year, but places to park your bike can be found on the HSB map. Organizers ask people not to “lock bikes to trees or fences.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12007198\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB2024map-1-800x542.png\" alt=\"\" width=\"800\" height=\"542\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB2024map-1-800x542.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB2024map-1-1020x691.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB2024map-1-160x108.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB2024map-1.png 1304w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003ch2>What roads will be closed around Golden Gate Park?\u003c/h2>\n\u003cp>According to \u003ca href=\"https://www.hardlystrictlybluegrass.com/faq-info\">Hardly Strictly’s website\u003c/a>, these roads will be closed before and during the event:\u003c/p>\n\u003cul>\n\u003cli>JFK Drive between Transverse Drive and Chain of Lakes Drive.\u003c/li>\n\u003cli>36th Avenue between Fulton and JFK Drive.\u003c/li>\n\u003cli>30th Avenue between Fulton and JFK Drive.\u003c/li>\n\u003cli>Transverse Drive between Crossover Drive (25th Avenue) and MLK Drive.\u003c/li>\n\u003cli>Overlook Drive between Transverse and Middle Drive West.\u003c/li>\n\u003cli>Middle Drive West between Transverse and Martin Luther King Jr. Drive.\u003c/li>\n\u003cli>Metson Drive between Middle Drive West and MLK.\u003c/li>\n\u003cli>Parking area at Polo Fields at North Stables and on Metson Drive (south side of Polo fields).\u003c/li>\n\u003cli>MLK Westbound Between 25th Avenue and Chain of Lakes\u003c/li>\n\u003c/ul>\n\u003ch2>\u003ca id=\"parking\">\u003c/a>What parking is available at Hardly Strictly?\u003c/h2>\n\u003cp>Hardly Strictly encourages public transportation to the event. If you choose to drive, however, there may be paid parking on a first-come, first-serve basis.\u003c/p>\n\u003cp>Below are the paid parking lots that are usually available during this event. However, they are independently owned, so Hardly Strictly \u003ca href=\"https://www.hardlystrictlybluegrass.com/info/#transportation\">cannot guarantee it will be the same this year.\u003c/a>\u003c/p>\n\u003cul>\n\u003cli>George Washington High School — 600 32nd Ave.\u003c/li>\n\u003cli>Argonne — 680 18th Ave.\u003c/li>\n\u003cli>Jefferson Elementary School — 1725 Irving St.\u003c/li>\n\u003cli>Lawton Alternative School — 1570 31st Ave.\u003c/li>\n\u003cli>Lafayette Elementary — 4545 Anza St.\u003c/li>\n\u003c/ul>\n\u003cp>Accessible parking is available along JFK, west of Chain of Lakes. There will be shuttle stops at JFK & Bernice Rodgers Way, JFK & Chain of Lakes, JFK near Gate 3 entry and GGP Senior Center, 6101 Fulton St.\u003c/p>\n\u003cp>Remember, if you’re choosing to try to park near Hardly Strictly, \u003ca href=\"https://www.kqed.org/news/11959477/car-break-ins-bay-area-glass-repair-what-to-do\">break-ins are common in San Francisco\u003c/a> — so leave nothing visible in your vehicle, and if at all possible, leave your trunk exposed to show it’s empty. Don’t leave any electronics like laptops in your vehicle, even if you think they’re hidden. \u003ca href=\"https://www.kqed.org/news/11959799/how-to-avoid-a-car-break-in-bay-area\">Read more about how to potentially reduce your risk of getting your car broken into.\u003c/a>\u003c/p>\n\u003cp>During Hardly Strictly, the SFMTA will enforce blocked driveways “on a complaint basis only,” says SFMTA. Of course, that’s not giving you free rein to block a person’s driveway — they’ll almost certainly make that complaint and have you towed if they don’t recognize your car.\u003c/p>\n\u003ch2>How does rideshare pickup/drop-off work at Hardly Strictly?\u003c/h2>\n\u003cp>There will be taxi stands at Fulton from 22nd Avenue to 24th Avenue.\u003c/p>\n\u003cp>There are pickups and drop-offs for rideshares like Lyft and Uber around “Washington High School on both 30th Avenue between Anza and Balboa and on Balboa between 30th and 31st [avenues],” according to the \u003ca href=\"https://www.hardlystrictlybluegrass.com/info/\">Hardly Strictly website\u003c/a>.\u003c/p>\n\u003cp>There are pickups on Irving between 25th Avenue and 27th Avenue.\u003c/p>\n\u003cp>“Due to the large amounts of traffic coming to and from the park, ridesharing apps will only allow pin drops from the designated pickup area, so you should make your way to the drop-off/pickup location before calling for your ride,” the website notes.\u003c/p>\n\u003ch2>What should I know about accessibility at Hardly Strictly?\u003c/h2>\n\u003cp>Guests who seek \u003ca href=\"https://www.hardlystrictlybluegrass.com/faq-info\">accessible services can get a wristband\u003c/a>. The map below highlights accessible services at Hardly Strictly, like entrances, viewing spots and accessible portable bathrooms.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12007200\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/access2024-800x597.png\" alt=\"\" width=\"800\" height=\"597\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/access2024-800x597.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/access2024-160x119.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/access2024.png 1019w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>There are also shuttles throughout the park; the stops include:\u003c/p>\n\u003cul>\n\u003cli>JFK and Bernice Rodgers Way.\u003c/li>\n\u003cli>JFK and Chain of Lakes.\u003c/li>\n\u003cli>JFK near the Gate 3 entry.\u003c/li>\n\u003cli>GGP Senior Center — 6101 Fulton St.\u003c/li>\n\u003c/ul>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12007201\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/access2024more-800x596.png\" alt=\"\" width=\"800\" height=\"596\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/access2024more-800x596.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/access2024more-1020x760.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/access2024more-160x119.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/access2024more.png 1022w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Accessible parking is available along JFK, west of Chain of Lakes.\u003c/p>\n\u003cp>The Accessibility Ambassador tent is at “JFK and 36th Ave., adjacent to Gate 3 at Spreckels Lake,” according to their website. You will get a number at the tent to text, in case you need to request a golf cart to reach you.\u003c/p>\n\u003cp>Accessible golf-cart stops are along JFK:\u003c/p>\n\u003cul>\n\u003cli>Lloyd Lake (pedestrian path) for Banjo and Arrow.\u003c/li>\n\u003cli>Marx Meadow for Rooster.\u003c/li>\n\u003cli>30th Avenue for Swan and Towers of Gold.\u003c/li>\n\u003c/ul>\n\u003cp>There will be a medical team at the festival. The nearest hospital is Health Connection St. Mary’s Hospital & Medical Center at 450 Stanyan St.\u003c/p>\n\u003ch2>What should I do in a crowd?\u003c/h2>\n\u003cp>Crowds can be overwhelming for some people. With \u003ca href=\"https://www.npr.org/2021/11/11/1054765905/what-went-wrong-at-astroworld-the-deadly-dynamics-of-crowd-surge\">past tragic incidents at other festivals\u003c/a>, it does not hurt to be cautious and prepared. Read \u003ca href=\"https://www.npr.org/2021/11/09/1053828800/south-korea-seoul-halloween-crowd-safety-tips\">NPR’s full guide on what to do if you find yourself caught in a crowd crush\u003c/a>.\u003c/p>\n\u003cp>According to Mehdi Moussaïd, a research scientist in Berlin who studies crowd behavior, rely on your instincts and senses if you feel like the crowd is getting too dense. If you get stuck in a crush, move with the crowd, put your arms out in front of your chest and hold them there.\u003c/p>\n\u003cp>“In this position, you would have some space, just a little bit, to push for half a centimeter or just 1 centimeter — enough for you to keep breathing,” \u003ca href=\"https://www.npr.org/2021/11/09/1053828800/south-korea-seoul-halloween-crowd-safety-tips\">Moussaïd told NPR in 2022\u003c/a>. “It’s not going to be comfortable. You’re going to be feeling really bad, but at least you’ll survive.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Nastia Voynovskaya and Gabe Meline contributed to this report.\u003c/em>\u003c/p>\n\n",
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"excerpt": "Hardly Strictly Bluegrass is San Francisco's 20-year-plus music festival for all ages with a 73-artist lineup this year. With new rules in effect, learn how to best plan for the free festival.",
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"title": "Hardly Strictly 2024: The Schedule, Parking, Maps and What You Can Bring | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This weekend, you might get your chance to see \u003ca href=\"https://www.kqed.org/arts/13961499/hardly-strictly-bluegrass-2024-initial-lineup-free-golden-gate-park\">\u003cem>the\u003c/em> Patti Smith\u003c/a> for free — and many more artists.\u003c/p>\n\u003cp>Hardly Strictly Bluegrass, often just called “Hardly Strictly” or HSB, is San Francisco’s \u003ca href=\"https://www.kqed.org/arts/13961499/hardly-strictly-bluegrass-2024-initial-lineup-free-golden-gate-park\">free music festival for all ages\u003c/a> and has a long lineup this year, with performances from country, folk, and R&B performers — and, of course, bluegrass too. No tickets or RSVP is needed for the festival.\u003c/p>\n\u003cp>Can’t make the festival but want to watch? KQED.org will\u003ca href=\"https://www.kqed.org/event/4680\"> livestream Hardly Strictly on Friday, Oct. 4\u003c/a>, with performances from the Banjo Stage all weekend.\u003c/p>\n\u003cp>If it’s been a while since you attended the festival, there are \u003ca href=\"https://www.hardlystrictlybluegrass.com/info/#venue\">some newer rules to keep in mind before you head in this year. \u003c/a>Read more to learn how to best plan for Hardly Strictly.\u003c/p>\n\u003cp>\u003cstrong>Jump straight to:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>\u003ca href=\"#schedule\">What’s the Hardly Strictly schedule?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#parking\">Where is parking for Hardly Strictly?\u003c/a>\u003c/strong>\u003c/li>\n\u003cli>\u003cstrong>\u003ca href=\"#bring\">What food and drink can I still bring into Hardly Strictly (and what’s now banned)?\u003c/a>\u003c/strong>\u003c/li>\n\u003c/ul>\n\u003ch2>What are the basics at Hardly Strictly?\u003c/h2>\n\u003cp>Hardly Strictly will be held at Hellman Hollow and Lindley and Marx meadows in Golden Gate Park on Friday, Oct. 4, Saturday, Oct. 5 and Sunday, Oct. 6.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Entrances will open on Friday at 11 a.m. and at 9 a.m. on both Saturday and Sunday. Attendees are asked to enter via \u003ca href=\"https://www.hardlystrictlybluegrass.com/faq-info\">any of these four openings\u003c/a>:\u003c/p>\n\u003cul>\n\u003cli>JFK Drive and Transverse Drive.\u003c/li>\n\u003cli>Fulton Street and 30th Avenue.\u003c/li>\n\u003cli>JFK Drive and 36th Avenue.\u003c/li>\n\u003cli>South Polo Field.\u003c/li>\n\u003c/ul>\n\u003cp>Here is a map of entrances, bathrooms and more:\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12007138\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB2024map-800x542.png\" alt=\"\" width=\"800\" height=\"542\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB2024map-800x542.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB2024map-1020x691.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB2024map-160x108.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB2024map.png 1304w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Performances end daily at 7 p.m.\u003c/p>\n\u003cp>It gets crowded at Hardly Strictly, so it’s good to get there early to claim your spot (although this might make subsequent stage-hopping hard). There is also a \u003ca href=\"https://www.hardlystrictlybluegrass.com/info/#venue\">“sweep” of the park by waste management\u003c/a> each night after performances end, so you can’t “save your place” the day before.\u003c/p>\n\u003ch2>What will the weather be like this year?\u003c/h2>\n\u003cp>Usually, Golden Gate Park is an area of San Francisco that you can rely on to bring the chill even on the balmiest days.\u003c/p>\n\u003cp>That said, \u003ca href=\"https://www.kqed.org/science/1994574/bay-area-faces-another-heat-wave-this-week-as-fire-risk-rises\">the Bay Area is in the middle of a heat wave right now\u003c/a>, bringing a heat advisory that the National Weather Service’s Bay Area office says could be extended beyond Wednesday.\u003c/p>\n\u003cp>\u003ca href=\"https://forecast.weather.gov/product.php?format=ci&glossary=1&issuedby=mtr&product=afd&site=mtr&version=1\">Keep an eye on the weather forecast \u003c/a>and plan to bring the usual Golden Gate Park survival kit: water, sunscreen and layers.\u003c/p>\n\u003ch2>\u003ca id=\"schedule\">\u003c/a>What’s the Hardly Strictly schedule, and which artists are playing?\u003c/h2>\n\u003cp>The \u003ca href=\"https://www.hardlystrictlybluegrass.com/schedule\">entire lineup and schedule can be found on the Hardly Strictly website\u003c/a>. Highlights include:\u003c/p>\n\u003cul>\n\u003cli>Famed singer, writer, and poet \u003ca href=\"https://www.pattismith.net/intro.html\">Patti Smith\u003c/a>\u003c/li>\n\u003cli>Singer-songwriter \u003ca href=\"https://www.haley-heynderickx.com/about\">Haley Heynderickx\u003c/a>\u003c/li>\n\u003cli>Pop band \u003ca href=\"https://youtu.be/gn5EWQtlevI?si=F6NwtasjKqDYnh8R\">Big Star\u003c/a>, who are celebrating the 50th anniversary of their influential album \u003cem>Radio City\u003c/em>\u003c/li>\n\u003cli>2024 Grammy winner \u003ca href=\"https://youtu.be/1Q_pdutDQPs?si=Hl2zC9n5F83LIPCh\">Bobby Rush\u003c/a>\u003c/li>\n\u003cli>Folk band \u003ca href=\"https://youtu.be/KQKPmO2vgjc?si=e2jaHWmaisznXqEu\">The Wood Brothers \u003c/a>\u003c/li>\n\u003cli>Folk-meets-art pop singer \u003ca href=\"https://youtu.be/ng-m9CCgyCc?si=JN4uyWSpY-npqcCX\">The Bones of J.R. Jones\u003c/a>\u003c/li>\n\u003c/ul>\n\u003ch2>\u003ca id=\"bring\">\u003c/a>What can I bring to Hardly Strictly?\u003c/h2>\n\u003cp>Expect a security presence at Hardly Strictly, meaning body scanners and a potential search of bags and coolers.\u003c/p>\n\u003cp>If you haven’t been to HSB for a while, many of these measures will be new to you — including the fences and being asked to enter at the four main entry points (as described above). These \u003ca href=\"https://datebook.sfchronicle.com/music/hardly-strictly-announces-new-security-measures-leave-your-cooler-at-home\">security measures were implemented in 2019\u003c/a> after a wave of mass shootings across the U.S. at large events.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-12007148\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB24dodonts.png\" alt=\"\" width=\"757\" height=\"885\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB24dodonts.png 757w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB24dodonts-160x187.png 160w\" sizes=\"(max-width: 757px) 100vw, 757px\">\u003c/p>\n\u003cp>Clear bags are recommended for the easiest access. Regular bags (like a non-transparent backpack) over 22″ x 15″ x 10″ will be redirected to a physical search, which will probably cause some delay as you enter the festival.\u003c/p>\n\u003cp>Larger hard-sided coolers, like the one seen in the image above, are “discouraged” and will be searched before you can bring them in — which HSB organizers advise may also cause delays in entering. Organizers say that the festival “reserves the right to reject any cooler for any reason.”\u003c/p>\n\u003cp>Beer and wine can be brought, but should be in non-glass containers.\u003c/p>\n\u003cp>Blankets and tarps up to 5′ x 7′ and short-backed chairs and collapsible wagons are allowed.\u003c/p>\n\u003cp>Dogs are allowed to join in, but they must be on a leash.\u003c/p>\n\u003cp>\u003cstrong>You cannot bring:\u003c/strong>\u003c/p>\n\u003cul>\n\u003cli>High-backed chairs\u003c/li>\n\u003cli>Tables\u003c/li>\n\u003cli>Tents\u003c/li>\n\u003cli>Umbrellas and shade structures\u003c/li>\n\u003cli>Items with an open flame, firearms, drones, fireworks\u003c/li>\n\u003cli>Kegs, beverages for the purpose of vending\u003c/li>\n\u003cli>Glass containers\u003c/li>\n\u003cli>Devices for amplified sound or any item/device that could cause damage or injury\u003c/li>\n\u003cli>Cameras are okay but without tripods or \u003ca href=\"https://www.hardlystrictlybluegrass.com/info/#venue\">“intrusive equipment.”\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cp>Smoking is also not allowed in any area in Golden Gate Park due to a San Francisco ordinance.\u003c/p>\n\u003ch2>What about food at Hardly Strictly?\u003c/h2>\n\u003cp>Guests are also allowed to bring their own food (just no glass containers).\u003c/p>\n\u003cp>You can \u003ca href=\"https://www.hardlystrictlybluegrass.com/food-and-beverages\">scope out the list of vendors on Hardly Strictly’s website\u003c/a>. Plan for things to be cashless, and see \u003ca href=\"https://b694fae9-cb85-4756-bccc-c3c83afc8c36.usrfiles.com/ugd/b694fa_6dc56242d3f14a7aa23894a5a1e1386c.pdf\">a map of where the vendors will be (PDF)\u003c/a>.\u003c/p>\n\u003cp>The Bluegrass General Store also allows attendees to pick up picnic supplies, clothing, ice, water and more. There is free water available near bathrooms, between Banjo Stage and Arrow Meadow, as well as McClaren Pass.\u003c/p>\n\u003ch2>Will there be a bus running in the park during Hardly Strictly?\u003c/h2>\n\u003cp>The park service will be \u003ca href=\"https://www.sfrecpark.org/1617/Golden-Gate-Park-Free-Shuttle\">running their shuttle during the music festival\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfrecpark.org/1617/Golden-Gate-Park-Free-Shuttle\">Get the shuttle hours and schedule.\u003c/a>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12007196\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Mapshuttle2024-800x303.png\" alt=\"\" width=\"800\" height=\"303\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Mapshuttle2024-800x303.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Mapshuttle2024-1020x386.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Mapshuttle2024-160x61.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Mapshuttle2024.png 1212w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003ch2>What does public transit look like during Hardly Strictly?\u003c/h2>\n\u003cp>You can consult \u003ca class=\"c-link\" href=\"https://www.sfmta.com/travel-updates/hardly-strictly-bluegrass-october-4-6-2024\" target=\"_blank\" rel=\"noopener noreferrer\" data-stringify-link=\"https://www.sfmta.com/travel-updates/hardly-strictly-bluegrass-october-4-6-2024\" data-sk=\"tooltip_parent\">SFMTA’s webpage for the quickest updates for Muni\u003c/a>, including extra service during festival days.\u003c/p>\n\u003cp>There will be no bike valet this year, but places to park your bike can be found on the HSB map. Organizers ask people not to “lock bikes to trees or fences.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12007198\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB2024map-1-800x542.png\" alt=\"\" width=\"800\" height=\"542\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB2024map-1-800x542.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB2024map-1-1020x691.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB2024map-1-160x108.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/HSB2024map-1.png 1304w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003ch2>What roads will be closed around Golden Gate Park?\u003c/h2>\n\u003cp>According to \u003ca href=\"https://www.hardlystrictlybluegrass.com/faq-info\">Hardly Strictly’s website\u003c/a>, these roads will be closed before and during the event:\u003c/p>\n\u003cul>\n\u003cli>JFK Drive between Transverse Drive and Chain of Lakes Drive.\u003c/li>\n\u003cli>36th Avenue between Fulton and JFK Drive.\u003c/li>\n\u003cli>30th Avenue between Fulton and JFK Drive.\u003c/li>\n\u003cli>Transverse Drive between Crossover Drive (25th Avenue) and MLK Drive.\u003c/li>\n\u003cli>Overlook Drive between Transverse and Middle Drive West.\u003c/li>\n\u003cli>Middle Drive West between Transverse and Martin Luther King Jr. Drive.\u003c/li>\n\u003cli>Metson Drive between Middle Drive West and MLK.\u003c/li>\n\u003cli>Parking area at Polo Fields at North Stables and on Metson Drive (south side of Polo fields).\u003c/li>\n\u003cli>MLK Westbound Between 25th Avenue and Chain of Lakes\u003c/li>\n\u003c/ul>\n\u003ch2>\u003ca id=\"parking\">\u003c/a>What parking is available at Hardly Strictly?\u003c/h2>\n\u003cp>Hardly Strictly encourages public transportation to the event. If you choose to drive, however, there may be paid parking on a first-come, first-serve basis.\u003c/p>\n\u003cp>Below are the paid parking lots that are usually available during this event. However, they are independently owned, so Hardly Strictly \u003ca href=\"https://www.hardlystrictlybluegrass.com/info/#transportation\">cannot guarantee it will be the same this year.\u003c/a>\u003c/p>\n\u003cul>\n\u003cli>George Washington High School — 600 32nd Ave.\u003c/li>\n\u003cli>Argonne — 680 18th Ave.\u003c/li>\n\u003cli>Jefferson Elementary School — 1725 Irving St.\u003c/li>\n\u003cli>Lawton Alternative School — 1570 31st Ave.\u003c/li>\n\u003cli>Lafayette Elementary — 4545 Anza St.\u003c/li>\n\u003c/ul>\n\u003cp>Accessible parking is available along JFK, west of Chain of Lakes. There will be shuttle stops at JFK & Bernice Rodgers Way, JFK & Chain of Lakes, JFK near Gate 3 entry and GGP Senior Center, 6101 Fulton St.\u003c/p>\n\u003cp>Remember, if you’re choosing to try to park near Hardly Strictly, \u003ca href=\"https://www.kqed.org/news/11959477/car-break-ins-bay-area-glass-repair-what-to-do\">break-ins are common in San Francisco\u003c/a> — so leave nothing visible in your vehicle, and if at all possible, leave your trunk exposed to show it’s empty. Don’t leave any electronics like laptops in your vehicle, even if you think they’re hidden. \u003ca href=\"https://www.kqed.org/news/11959799/how-to-avoid-a-car-break-in-bay-area\">Read more about how to potentially reduce your risk of getting your car broken into.\u003c/a>\u003c/p>\n\u003cp>During Hardly Strictly, the SFMTA will enforce blocked driveways “on a complaint basis only,” says SFMTA. Of course, that’s not giving you free rein to block a person’s driveway — they’ll almost certainly make that complaint and have you towed if they don’t recognize your car.\u003c/p>\n\u003ch2>How does rideshare pickup/drop-off work at Hardly Strictly?\u003c/h2>\n\u003cp>There will be taxi stands at Fulton from 22nd Avenue to 24th Avenue.\u003c/p>\n\u003cp>There are pickups and drop-offs for rideshares like Lyft and Uber around “Washington High School on both 30th Avenue between Anza and Balboa and on Balboa between 30th and 31st [avenues],” according to the \u003ca href=\"https://www.hardlystrictlybluegrass.com/info/\">Hardly Strictly website\u003c/a>.\u003c/p>\n\u003cp>There are pickups on Irving between 25th Avenue and 27th Avenue.\u003c/p>\n\u003cp>“Due to the large amounts of traffic coming to and from the park, ridesharing apps will only allow pin drops from the designated pickup area, so you should make your way to the drop-off/pickup location before calling for your ride,” the website notes.\u003c/p>\n\u003ch2>What should I know about accessibility at Hardly Strictly?\u003c/h2>\n\u003cp>Guests who seek \u003ca href=\"https://www.hardlystrictlybluegrass.com/faq-info\">accessible services can get a wristband\u003c/a>. The map below highlights accessible services at Hardly Strictly, like entrances, viewing spots and accessible portable bathrooms.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12007200\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/access2024-800x597.png\" alt=\"\" width=\"800\" height=\"597\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/access2024-800x597.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/access2024-160x119.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/access2024.png 1019w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>There are also shuttles throughout the park; the stops include:\u003c/p>\n\u003cul>\n\u003cli>JFK and Bernice Rodgers Way.\u003c/li>\n\u003cli>JFK and Chain of Lakes.\u003c/li>\n\u003cli>JFK near the Gate 3 entry.\u003c/li>\n\u003cli>GGP Senior Center — 6101 Fulton St.\u003c/li>\n\u003c/ul>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12007201\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/access2024more-800x596.png\" alt=\"\" width=\"800\" height=\"596\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/access2024more-800x596.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/access2024more-1020x760.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/access2024more-160x119.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/access2024more.png 1022w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Accessible parking is available along JFK, west of Chain of Lakes.\u003c/p>\n\u003cp>The Accessibility Ambassador tent is at “JFK and 36th Ave., adjacent to Gate 3 at Spreckels Lake,” according to their website. You will get a number at the tent to text, in case you need to request a golf cart to reach you.\u003c/p>\n\u003cp>Accessible golf-cart stops are along JFK:\u003c/p>\n\u003cul>\n\u003cli>Lloyd Lake (pedestrian path) for Banjo and Arrow.\u003c/li>\n\u003cli>Marx Meadow for Rooster.\u003c/li>\n\u003cli>30th Avenue for Swan and Towers of Gold.\u003c/li>\n\u003c/ul>\n\u003cp>There will be a medical team at the festival. The nearest hospital is Health Connection St. Mary’s Hospital & Medical Center at 450 Stanyan St.\u003c/p>\n\u003ch2>What should I do in a crowd?\u003c/h2>\n\u003cp>Crowds can be overwhelming for some people. With \u003ca href=\"https://www.npr.org/2021/11/11/1054765905/what-went-wrong-at-astroworld-the-deadly-dynamics-of-crowd-surge\">past tragic incidents at other festivals\u003c/a>, it does not hurt to be cautious and prepared. Read \u003ca href=\"https://www.npr.org/2021/11/09/1053828800/south-korea-seoul-halloween-crowd-safety-tips\">NPR’s full guide on what to do if you find yourself caught in a crowd crush\u003c/a>.\u003c/p>\n\u003cp>According to Mehdi Moussaïd, a research scientist in Berlin who studies crowd behavior, rely on your instincts and senses if you feel like the crowd is getting too dense. If you get stuck in a crush, move with the crowd, put your arms out in front of your chest and hold them there.\u003c/p>\n\u003cp>“In this position, you would have some space, just a little bit, to push for half a centimeter or just 1 centimeter — enough for you to keep breathing,” \u003ca href=\"https://www.npr.org/2021/11/09/1053828800/south-korea-seoul-halloween-crowd-safety-tips\">Moussaïd told NPR in 2022\u003c/a>. “It’s not going to be comfortable. You’re going to be feeling really bad, but at least you’ll survive.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Nastia Voynovskaya and Gabe Meline contributed to this report.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Analog Dog: 'Disco Dani, Part One'",
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"content": "\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop\u003c/a> is a weekly radio series hosted by the KQED weekend news team. In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>This week’s episode of Sunday Music Drop is about a band that came about following a discussion on … the universe.\u003c/p>\n\u003cp>“On a fateful day, we played a show together, and then a few months later, [fellow band member Rob Nicol] was at Hardly Strictly Bluegrass on a blanket, and we sat down for like a good couple hours together and talked about the nature of reality in the universe,” says Austin Wasielewski, vocalist, guitarist, keyboard and synth player for Analog Dog. “Then we found our other mates and the five years have gone by, like, in the blink of an eye.”\u003c/p>\n\u003cp>In that blink of the eye, Analog Dog has become a project that Wasielewski says embraces “magical thinking” in a way that enables them to “break beyond those boundaries and see the depth of our connection to each other and the depth of our connection to the earth.”\u003c/p>\n\u003cp>“So I think that we strive to awaken that magic within people so that we can kind of exist in a more community space and in a more magical space,” Wasielewski says.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Analog Dog is a San Francisco band inspired by the Bay Area, which Nicol considers a “hotbed of ideas and cultural growth” — and yet, none of the band members are from the Bay Area.\u003c/p>\n\u003cp>“We hail almost like, distinctly from every corner of the country except for California and the West Coast,” Nicol says. “And so we all ended up here, and I think what brought us all out here is ideas.\u003c/p>\n\u003cp>“If you look at like the Grateful Dead and you look at California in general and all the artists that have come out from the West, I think that there’s just a there’s a pull and their gravity that brought us all here that I don’t think is in any way coincidence.”\u003c/p>\n\u003cp>So, what does Analog Dog sound like?\u003c/p>\n\u003cp>“… Its music is essentially genre fluid … encompassed in rock and roll roots, indie vibes, disco-dance passion, some improvisation and jam philosophy, with a little bit of jazz sprinkled on top.”\u003c/p>\n\u003cp>Their song “Disco Dani, Part One” is not just any song for them, it’s the one they close almost every show with, because “by then, everybody’s warmed up and it just hits in such a simple, fun way.”\u003c/p>\n\u003cp>“People lose it because we lose it because we know no matter where we’re at in the set, no matter how the set went, we just have this closer that everybody’s going to lose their pants … you wouldn’t believe the pants!”\u003c/p>\n\u003cp>There’s a song called Patience by Tame Impala. And I was super into it, and I was like, let’s write one like this and our keyboardist Jason. He kind of had a lick based on that, and we worked through that.\u003c/p>\n\u003cp>We also felt that if it was just part one — that’s been done a million times — It’s a great song, but it’s still just like a pop song. And so [we made] part two [which] has these… just like we got into three different keys and there’s time changes and it just goes crazy!\u003c/p>\n\u003cp>Rob Nicol describes the “flux” that underlies the song.\u003c/p>\n\u003cp>“[On the one hand, it’s a] kind of pop and really palatable, easy-to-digest music. And then this other hand in a more complex, challenging musical landscape that we’re both inspired by. And so it’s finding that right balance that people can connect with, but also that will keep things, keep people, keep people coming back to find something new.”\u003c/p>\n\u003cp>\u003ca href=\"https://www.analogdogband.com/\">Analog Dog\u003c/a> also includes Celia Ford on bass and vocals; Jason Blasingame on keyboard, synth and saxophone; and Kale Frank on drums. They will perform live at \u003ca href=\"https://www.jamcellarsballroom.com/tm-attraction/analog-dog/\">JaM Cellars Ballroom in Napa on Oct. 18\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop\u003c/a> is a weekly radio series hosted by the KQED weekend news team. In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>This week’s episode of Sunday Music Drop is about a band that came about following a discussion on … the universe.\u003c/p>\n\u003cp>“On a fateful day, we played a show together, and then a few months later, [fellow band member Rob Nicol] was at Hardly Strictly Bluegrass on a blanket, and we sat down for like a good couple hours together and talked about the nature of reality in the universe,” says Austin Wasielewski, vocalist, guitarist, keyboard and synth player for Analog Dog. “Then we found our other mates and the five years have gone by, like, in the blink of an eye.”\u003c/p>\n\u003cp>In that blink of the eye, Analog Dog has become a project that Wasielewski says embraces “magical thinking” in a way that enables them to “break beyond those boundaries and see the depth of our connection to each other and the depth of our connection to the earth.”\u003c/p>\n\u003cp>“So I think that we strive to awaken that magic within people so that we can kind of exist in a more community space and in a more magical space,” Wasielewski says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Analog Dog is a San Francisco band inspired by the Bay Area, which Nicol considers a “hotbed of ideas and cultural growth” — and yet, none of the band members are from the Bay Area.\u003c/p>\n\u003cp>“We hail almost like, distinctly from every corner of the country except for California and the West Coast,” Nicol says. “And so we all ended up here, and I think what brought us all out here is ideas.\u003c/p>\n\u003cp>“If you look at like the Grateful Dead and you look at California in general and all the artists that have come out from the West, I think that there’s just a there’s a pull and their gravity that brought us all here that I don’t think is in any way coincidence.”\u003c/p>\n\u003cp>So, what does Analog Dog sound like?\u003c/p>\n\u003cp>“… Its music is essentially genre fluid … encompassed in rock and roll roots, indie vibes, disco-dance passion, some improvisation and jam philosophy, with a little bit of jazz sprinkled on top.”\u003c/p>\n\u003cp>Their song “Disco Dani, Part One” is not just any song for them, it’s the one they close almost every show with, because “by then, everybody’s warmed up and it just hits in such a simple, fun way.”\u003c/p>\n\u003cp>“People lose it because we lose it because we know no matter where we’re at in the set, no matter how the set went, we just have this closer that everybody’s going to lose their pants … you wouldn’t believe the pants!”\u003c/p>\n\u003cp>There’s a song called Patience by Tame Impala. And I was super into it, and I was like, let’s write one like this and our keyboardist Jason. He kind of had a lick based on that, and we worked through that.\u003c/p>\n\u003cp>We also felt that if it was just part one — that’s been done a million times — It’s a great song, but it’s still just like a pop song. And so [we made] part two [which] has these… just like we got into three different keys and there’s time changes and it just goes crazy!\u003c/p>\n\u003cp>Rob Nicol describes the “flux” that underlies the song.\u003c/p>\n\u003cp>“[On the one hand, it’s a] kind of pop and really palatable, easy-to-digest music. And then this other hand in a more complex, challenging musical landscape that we’re both inspired by. And so it’s finding that right balance that people can connect with, but also that will keep things, keep people, keep people coming back to find something new.”\u003c/p>\n\u003cp>\u003ca href=\"https://www.analogdogband.com/\">Analog Dog\u003c/a> also includes Celia Ford on bass and vocals; Jason Blasingame on keyboard, synth and saxophone; and Kale Frank on drums. They will perform live at \u003ca href=\"https://www.jamcellarsballroom.com/tm-attraction/analog-dog/\">JaM Cellars Ballroom in Napa on Oct. 18\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"title": "SF to Buy New Home for GLBT Museum, Preserving Century of LGBTQ History",
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"content": "\u003cp>After decades of shuffling between temporary locations, the nation’s first museum dedicated to \u003ca href=\"https://www.kqed.org/news/tag/lgbt\">LGBT\u003c/a> culture and history will have a new home, Mayor London Breed announced Thursday.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/tag/san-francisco\">San Francisco\u003c/a> plans to purchase a spacious 14,640-square-foot lot at 2280 Market St. to serve as the new GLBT Historical Society Museum and Archives site.\u003c/p>\n\u003cp>“It’s been a labor of love for so many people working together for decades,” said Roberto Ordeñana, the executive director of the GLBT Historical Society, the nonprofit that stewards the museum.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Almost 20 years ago, the GLBT Historical Society created a storefront museum on 18th Street in the Castro, where the museum is currently housed.\u003c/p>\n\u003cp>The museum’s collection, which draws from a vast archive spanning a century of local LGBTQ history and activism, includes priceless cultural artifacts, including \u003ca href=\"https://www.kqed.org/news/11876846/never-take-it-down-the-original-1978-rainbow-flag-returns-to-sf\">remnants of the original rainbow pride flag\u003c/a>, first flown in 1978. The museum also cares for the bloodstained suit worn by Supervisor Harvey Milk, who represented the Castro, when he was assassinated in 1978.\u003c/p>\n\u003cp>Supervisor Rafael Mandelman said he’s welcomed foreign dignitaries to the 1,600-square-foot site, including the Queen of the Netherlands.\u003c/p>\n\u003cfigure id=\"attachment_12006547\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12006547\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum.jpg\" alt=\"\" width=\"2000\" height=\"1499\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum-1020x764.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum-1536x1151.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum-1920x1439.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A visitor to the GLBT Historical Society Museum listens intently to the recorded will of Harvey Milk, the first openly gay member of the San Francisco Board of Supervisors, who was assassinated in 1978. \u003ccite>(Gerard Koskovich/GLBT Historical Society)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It is the place where people come to learn about the queer history of the Castro and in San Francisco,” Mandelman said. “It’s been great, but it is small, and it has never been understood to be the permanent home for the [GLBT] historical society.\u003c/p>\n\u003cp>Mandelman credits Breed, whose office committed $12.5 million for the acquisition in 2021, and state Sen. Scott Wiener (D-San Francisco), who helped secure an additional $5.5 million in state funding, for making the new site a reality.\u003c/p>\n\u003cp>Wiener said the effort to establish the museum will help educate future generations about the community’s history.\u003c/p>\n\u003cfigure id=\"attachment_12006736\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12006736\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum4.jpg\" alt=\"\" width=\"2000\" height=\"1499\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum4.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum4-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum4-1020x764.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum4-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum4-1536x1151.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum4-1920x1439.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The archives include over a thousand collections spanning a century’s worth of LGBTQ history in San Francisco and Northern California. \u003ccite>(Courtesy GLBT Historical Society)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We need to understand where we came from,” Wiener said. “There are people who came before us, people who fought, who struggled, who died, and who built the movement and built the community.”\u003c/p>\n\u003cp>On Tuesday, Breed and Mandelman will introduce legislation before the Board of Supervisors to officially purchase the Upper Market space.\u003c/p>\n\u003cp>[aside postID=news_11989910 hero='https://cdn.kqed.org/wp-content/uploads/sites/10/2024/06/0M6A0928_qut-1020x648.jpg']\u003c/p>\n\u003cp>Once the supervisors approve the agreement, the city will enter into a lease agreement with the GLBT Historical Society and the Community Arts Stabilization Trust, which works to secure affordable spaces for nonprofit arts and culture organizations.\u003c/p>\n\u003cp>Ordeñana said the museum will uplift LGBTQ history while also shining a light on the equality struggles that still remain. He said this means reckoning with the community’s shortcomings, including the historical exclusion of people of color, transgender people and women.\u003c/p>\n\u003cp>“Having an organization that prioritizes a strong racial and gender equity framework and the ability to lift up those stories from the communities that are most impacted by intersecting oppression has been incredibly important for us,” Ordeñana said.\u003c/p>\n\u003cfigure id=\"attachment_12006737\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12006737\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum5.jpg\" alt=\"\" width=\"2000\" height=\"1084\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum5.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum5-800x434.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum5-1020x553.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum5-160x87.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum5-1536x833.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum5-1920x1041.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The exhibit uses archival materials and artifacts to share historical events of the LGBTQ community in San Francisco. \u003ccite>(Gerard Koskovich/GLBT Historical Society)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This means exploring a name change for the new museum, Ordeñana said, so that the diverse communities of San Francisco may see themselves more accurately reflected.\u003c/p>\n\u003cp>Ordeñana knows firsthand that life in San Francisco “isn’t always easy” for gay and trans people. A San Francisco native, he was born to parents who immigrated from Central America. It wasn’t until he got involved with arts, culture and HIV/AIDS prevention work that he found his sense of community.\u003c/p>\n\u003cfigure id=\"attachment_12006735\" class=\"wp-caption aligncenter\" style=\"max-width: 1889px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12006735\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum3.jpg\" alt=\"\" width=\"1889\" height=\"1416\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum3.jpg 1889w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum3-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum3-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum3-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum3-1536x1151.jpg 1536w\" sizes=\"(max-width: 1889px) 100vw, 1889px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco will be the first in the nation to have a permanent space for it’s groundbreaking LGBTQ history museum and archives. \u003ccite>(Gerard Koskovich/GLBT Historical Society)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On Friday, city and state officials, the GLBT Historical Society and community members celebrated at the proposed museum site with a commemoration ceremony and a performance by the San Francisco Gay Men’s Chorus.\u003c/p>\n\u003cp>“This is an incredibly proud moment for me as someone who was born and raised here to be able to support the stewardship of this incredible collection,” Ordeñana said. “It’s vital for San Francisco to continue being that beacon of hope for the entire world to really understand both the struggles and the resilience of our community.”\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After decades of shuffling between temporary locations, the nation’s first museum dedicated to \u003ca href=\"https://www.kqed.org/news/tag/lgbt\">LGBT\u003c/a> culture and history will have a new home, Mayor London Breed announced Thursday.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/tag/san-francisco\">San Francisco\u003c/a> plans to purchase a spacious 14,640-square-foot lot at 2280 Market St. to serve as the new GLBT Historical Society Museum and Archives site.\u003c/p>\n\u003cp>“It’s been a labor of love for so many people working together for decades,” said Roberto Ordeñana, the executive director of the GLBT Historical Society, the nonprofit that stewards the museum.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Almost 20 years ago, the GLBT Historical Society created a storefront museum on 18th Street in the Castro, where the museum is currently housed.\u003c/p>\n\u003cp>The museum’s collection, which draws from a vast archive spanning a century of local LGBTQ history and activism, includes priceless cultural artifacts, including \u003ca href=\"https://www.kqed.org/news/11876846/never-take-it-down-the-original-1978-rainbow-flag-returns-to-sf\">remnants of the original rainbow pride flag\u003c/a>, first flown in 1978. The museum also cares for the bloodstained suit worn by Supervisor Harvey Milk, who represented the Castro, when he was assassinated in 1978.\u003c/p>\n\u003cp>Supervisor Rafael Mandelman said he’s welcomed foreign dignitaries to the 1,600-square-foot site, including the Queen of the Netherlands.\u003c/p>\n\u003cfigure id=\"attachment_12006547\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12006547\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum.jpg\" alt=\"\" width=\"2000\" height=\"1499\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum-1020x764.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum-1536x1151.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum-1920x1439.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">A visitor to the GLBT Historical Society Museum listens intently to the recorded will of Harvey Milk, the first openly gay member of the San Francisco Board of Supervisors, who was assassinated in 1978. \u003ccite>(Gerard Koskovich/GLBT Historical Society)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It is the place where people come to learn about the queer history of the Castro and in San Francisco,” Mandelman said. “It’s been great, but it is small, and it has never been understood to be the permanent home for the [GLBT] historical society.\u003c/p>\n\u003cp>Mandelman credits Breed, whose office committed $12.5 million for the acquisition in 2021, and state Sen. Scott Wiener (D-San Francisco), who helped secure an additional $5.5 million in state funding, for making the new site a reality.\u003c/p>\n\u003cp>Wiener said the effort to establish the museum will help educate future generations about the community’s history.\u003c/p>\n\u003cfigure id=\"attachment_12006736\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12006736\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum4.jpg\" alt=\"\" width=\"2000\" height=\"1499\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum4.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum4-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum4-1020x764.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum4-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum4-1536x1151.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum4-1920x1439.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The archives include over a thousand collections spanning a century’s worth of LGBTQ history in San Francisco and Northern California. \u003ccite>(Courtesy GLBT Historical Society)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We need to understand where we came from,” Wiener said. “There are people who came before us, people who fought, who struggled, who died, and who built the movement and built the community.”\u003c/p>\n\u003cp>On Tuesday, Breed and Mandelman will introduce legislation before the Board of Supervisors to officially purchase the Upper Market space.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Once the supervisors approve the agreement, the city will enter into a lease agreement with the GLBT Historical Society and the Community Arts Stabilization Trust, which works to secure affordable spaces for nonprofit arts and culture organizations.\u003c/p>\n\u003cp>Ordeñana said the museum will uplift LGBTQ history while also shining a light on the equality struggles that still remain. He said this means reckoning with the community’s shortcomings, including the historical exclusion of people of color, transgender people and women.\u003c/p>\n\u003cp>“Having an organization that prioritizes a strong racial and gender equity framework and the ability to lift up those stories from the communities that are most impacted by intersecting oppression has been incredibly important for us,” Ordeñana said.\u003c/p>\n\u003cfigure id=\"attachment_12006737\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12006737\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum5.jpg\" alt=\"\" width=\"2000\" height=\"1084\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum5.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum5-800x434.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum5-1020x553.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum5-160x87.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum5-1536x833.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum5-1920x1041.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The exhibit uses archival materials and artifacts to share historical events of the LGBTQ community in San Francisco. \u003ccite>(Gerard Koskovich/GLBT Historical Society)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This means exploring a name change for the new museum, Ordeñana said, so that the diverse communities of San Francisco may see themselves more accurately reflected.\u003c/p>\n\u003cp>Ordeñana knows firsthand that life in San Francisco “isn’t always easy” for gay and trans people. A San Francisco native, he was born to parents who immigrated from Central America. It wasn’t until he got involved with arts, culture and HIV/AIDS prevention work that he found his sense of community.\u003c/p>\n\u003cfigure id=\"attachment_12006735\" class=\"wp-caption aligncenter\" style=\"max-width: 1889px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12006735\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum3.jpg\" alt=\"\" width=\"1889\" height=\"1416\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum3.jpg 1889w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum3-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum3-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum3-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/GLBTMuseum3-1536x1151.jpg 1536w\" sizes=\"(max-width: 1889px) 100vw, 1889px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco will be the first in the nation to have a permanent space for it’s groundbreaking LGBTQ history museum and archives. \u003ccite>(Gerard Koskovich/GLBT Historical Society)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On Friday, city and state officials, the GLBT Historical Society and community members celebrated at the proposed museum site with a commemoration ceremony and a performance by the San Francisco Gay Men’s Chorus.\u003c/p>\n\u003cp>“This is an incredibly proud moment for me as someone who was born and raised here to be able to support the stewardship of this incredible collection,” Ordeñana said. “It’s vital for San Francisco to continue being that beacon of hope for the entire world to really understand both the struggles and the resilience of our community.”\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"title": "How Kamala Harris Was Shaped by The Rainbow Sign, Berkeley’s 1970s Black Cultural Center",
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"content": "\u003cp>\u003cem>This is an updated version of a story originally published in January, 2022. As Kamala Harris takes center stage as a presidential candidate and tries to tell the nation her story, we wanted to revisit The Rainbow Sign and its influence on her as a child growing up in Berkeley. \u003ca href=\"http://itunes.apple.com/us/podcast/the-california-report-magazine/id1314750545?mt=2\">Listen to this and more in-depth storytelling by subscribing to The California Report Magazine podcast\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[dropcap]T[/dropcap]oday, it’s an unassuming beige building on a busy Berkeley street. But in the 1970s, it housed a groundbreaking center for Black culture, politics and art — a place that profoundly shaped Vice President Kamala Harris’ young life.\u003c/p>\n\u003cp>The Rainbow Sign hosted dozens of high-profile Black luminaries, including James Baldwin, Nina Simone, Maya Angelou and Shirley Chisholm, the first Black woman elected to Congress who, in another first, went on to run for president in 1972.\u003c/p>\n\u003cfigure id=\"attachment_11901153\" class=\"wp-caption aligncenter\" style=\"max-width: 1340px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/image5.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11901153\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/image5.png\" alt=\"Author James Baldwin greet a young child and mother at the door.\" width=\"1340\" height=\"1308\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/image5.png 1340w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/image5-800x781.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/image5-1020x996.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/image5-160x156.png 160w\" sizes=\"(max-width: 1340px) 100vw, 1340px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Author James Baldwin greets visitors to The Rainbow Sign in Berkeley in the 1970s. \u003ccite>(Courtesy Odette Pollar)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11901155\" class=\"wp-caption aligncenter\" style=\"max-width: 1370px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/image14.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11901155\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/image14.png\" alt=\"Author James Baldwin smokes a cigarette with a woman.\" width=\"1370\" height=\"1376\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/image14.png 1370w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/image14-800x804.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/image14-1020x1024.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/image14-160x161.png 160w\" sizes=\"(max-width: 1370px) 100vw, 1370px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Baldwin and The Rainbow Sign founder Mary Ann Pollar take a smoke break. \u003ccite>(Courtesy Odette Pollar)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Located at the corner of Grove (now Martin Luther King Jr. Way) and Derby streets in Berkeley, The Rainbow Sign was a Black-centered space that was open to all — as a performance venue, a political organizing nexus and a legendary cafe. Its founder, \u003ca href=\"https://www.kqed.org/arts/13926548/mary-ann-pollar-presents-rainbow-sign-berkeley-nina-simone-bob-dylan\">Mary Ann Pollar\u003c/a>, saw it as part of a movement for the liberation of all people through art, education and community building.\u003c/p>\n\u003cfigure id=\"attachment_11901145\" class=\"wp-caption aligncenter\" style=\"max-width: 1086px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/Copy-of-thumb_513741919.937318_1024.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11901145\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/Copy-of-thumb_513741919.937318_1024.jpg\" alt=\"A flyer that says 'The Rainbow Sign' with a picture of a man.\" width=\"1086\" height=\"724\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/Copy-of-thumb_513741919.937318_1024.jpg 1086w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/Copy-of-thumb_513741919.937318_1024-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/Copy-of-thumb_513741919.937318_1024-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/Copy-of-thumb_513741919.937318_1024-160x107.jpg 160w\" sizes=\"(max-width: 1086px) 100vw, 1086px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">An invitation for the opening night of The Rainbow Sign in 1971. \u003ccite>(Courtesy Odette Pollar )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Rainbow Sign opened its doors in 1971, but was forced to shut down just six years later, in 1977, after its founders couldn’t raise enough money to buy the building.\u003c/p>\n\u003cp>Despite its short existence, the venue left an indelible mark on many young people in the community who attended events in the intimate wood-paneled hall and had the unique opportunity to engage with its legendary performers and guests.\u003c/p>\n\u003cfigure id=\"attachment_11901143\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/Art.16-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11901143\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/Art.16-scaled.jpg\" alt=\"Kamala Harris as a young girl.\" width=\"2560\" height=\"1753\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/Art.16-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/Art.16-800x548.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/Art.16-1020x698.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/Art.16-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/Art.16-1536x1052.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/Art.16-2048x1402.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/Art.16-1920x1315.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kamala Harris, at age seven, in Berkeley. In her memoir, Harris recalls attending events as a young girl at The Rainbow Sign, including a Nina Simone concert. \u003ccite>(Courtesy Kamala Harris/Penguin Random House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11901151\" class=\"wp-caption alignright\" style=\"max-width: 187px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/RS-nina-simone-brochure.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-11901151\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/RS-nina-simone-brochure.jpg\" alt=\"A flyer for a Nina Simone performance.\" width=\"187\" height=\"280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/RS-nina-simone-brochure.jpg 468w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/RS-nina-simone-brochure-160x240.jpg 160w\" sizes=\"(max-width: 187px) 100vw, 187px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A flyer for a series of Nina Simone performances at The Rainbow Sign, one of which Kamala Harris attended when she was seven. \u003ccite>(Courtesy Odette Pollar)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As a young girl in Berkeley in the 1970s, Harris was among those impressionable visitors. In her 2019 autobiography, “The Truths We Hold: An American Journey,” she describes her experience attending concerts and events, including one particular memory from when she was seven of seeing Nina Simone perform.\u003c/p>\n\u003cblockquote>\u003cp>\u003cem>“My favorite night of the week was Thursday. On Thursdays, you could always find us in an unassuming beige building on the corner of what was then Grove Street and Derby. Once a mortuary, the building I knew was bursting with life, home to a pioneering black cultural center, the Rainbow Sign. … It was where I learned that artistic expression, ambition and intelligence were cool. It was where I came to understand that there is no better way to feed someone’s brain than by bringing together food, poetry, politics, music, dance and art.”\u003c/em>\u003c/p>\u003c/blockquote>\n\u003cp>This week, The California Report Magazine takes you inside The Rainbow Sign to hear from some of the artists, audience members and cultural and political leaders whose lives were shaped by this remarkable California cultural landmark.\u003c/p>\n\u003cfigure id=\"attachment_11901149\" class=\"wp-caption aligncenter\" style=\"max-width: 900px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/rainbowsign_dance_750.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11901149\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/rainbowsign_dance_750.png\" alt=\"Women in a dance class.\" width=\"900\" height=\"601\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/rainbowsign_dance_750.png 750w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/rainbowsign_dance_750-160x107.png 160w\" sizes=\"(max-width: 900px) 100vw, 900px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A dance class at The Rainbow Sign in the 1970s. \u003ccite>(Courtesy Odette Pollar)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11901148\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/IMG_4523-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11901148\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/IMG_4523-scaled.jpg\" alt=\"The front of a building with columns.\" width=\"2560\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/IMG_4523-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/IMG_4523-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/IMG_4523-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/IMG_4523-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/IMG_4523-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/IMG_4523-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/IMG_4523-1920x1440.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The building on Martin Luther King Jr. Way and Derby streets in Berkeley, where The Rainbow Sign was once located. \u003ccite>(Marisa Lagos/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Special thanks to Tessa Rissacher and Max Lopez, who as UC Berkeley undergraduate students worked to compile an extensive \u003ca href=\"https://revolution.berkeley.edu/projects/rainbow-sign/\">online archive\u003c/a> of documents, photographs and memorabilia from The Rainbow Sign.\u003c/p>\n\u003cp>\u003cem>Audio excerpted from “The Truths We Hold: An American Journey” by Kamala Harris, read by the author. Copyright 2019 by Kamala D. Harris. Production copyright 2019, Penguin Random House LLC. All rights reserved.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>This is an updated version of a story originally published in January, 2022. As Kamala Harris takes center stage as a presidential candidate and tries to tell the nation her story, we wanted to revisit The Rainbow Sign and its influence on her as a child growing up in Berkeley. \u003ca href=\"http://itunes.apple.com/us/podcast/the-california-report-magazine/id1314750545?mt=2\">Listen to this and more in-depth storytelling by subscribing to The California Report Magazine podcast\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class=\"utils-parseShortcode-shortcodes-__dropcapShortcode__dropcap\">T\u003c/span>\u003c/p>\u003cp>oday, it’s an unassuming beige building on a busy Berkeley street. But in the 1970s, it housed a groundbreaking center for Black culture, politics and art — a place that profoundly shaped Vice President Kamala Harris’ young life.\u003c/p>\n\u003cp>The Rainbow Sign hosted dozens of high-profile Black luminaries, including James Baldwin, Nina Simone, Maya Angelou and Shirley Chisholm, the first Black woman elected to Congress who, in another first, went on to run for president in 1972.\u003c/p>\n\u003cfigure id=\"attachment_11901153\" class=\"wp-caption aligncenter\" style=\"max-width: 1340px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/image5.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11901153\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/image5.png\" alt=\"Author James Baldwin greet a young child and mother at the door.\" width=\"1340\" height=\"1308\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/image5.png 1340w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/image5-800x781.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/image5-1020x996.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/image5-160x156.png 160w\" sizes=\"(max-width: 1340px) 100vw, 1340px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Author James Baldwin greets visitors to The Rainbow Sign in Berkeley in the 1970s. \u003ccite>(Courtesy Odette Pollar)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11901155\" class=\"wp-caption aligncenter\" style=\"max-width: 1370px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/image14.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11901155\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/image14.png\" alt=\"Author James Baldwin smokes a cigarette with a woman.\" width=\"1370\" height=\"1376\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/image14.png 1370w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/image14-800x804.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/image14-1020x1024.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/image14-160x161.png 160w\" sizes=\"(max-width: 1370px) 100vw, 1370px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Baldwin and The Rainbow Sign founder Mary Ann Pollar take a smoke break. \u003ccite>(Courtesy Odette Pollar)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Located at the corner of Grove (now Martin Luther King Jr. Way) and Derby streets in Berkeley, The Rainbow Sign was a Black-centered space that was open to all — as a performance venue, a political organizing nexus and a legendary cafe. Its founder, \u003ca href=\"https://www.kqed.org/arts/13926548/mary-ann-pollar-presents-rainbow-sign-berkeley-nina-simone-bob-dylan\">Mary Ann Pollar\u003c/a>, saw it as part of a movement for the liberation of all people through art, education and community building.\u003c/p>\n\u003cfigure id=\"attachment_11901145\" class=\"wp-caption aligncenter\" style=\"max-width: 1086px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/Copy-of-thumb_513741919.937318_1024.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11901145\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/Copy-of-thumb_513741919.937318_1024.jpg\" alt=\"A flyer that says 'The Rainbow Sign' with a picture of a man.\" width=\"1086\" height=\"724\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/Copy-of-thumb_513741919.937318_1024.jpg 1086w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/Copy-of-thumb_513741919.937318_1024-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/Copy-of-thumb_513741919.937318_1024-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/Copy-of-thumb_513741919.937318_1024-160x107.jpg 160w\" sizes=\"(max-width: 1086px) 100vw, 1086px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">An invitation for the opening night of The Rainbow Sign in 1971. \u003ccite>(Courtesy Odette Pollar )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Rainbow Sign opened its doors in 1971, but was forced to shut down just six years later, in 1977, after its founders couldn’t raise enough money to buy the building.\u003c/p>\n\u003cp>Despite its short existence, the venue left an indelible mark on many young people in the community who attended events in the intimate wood-paneled hall and had the unique opportunity to engage with its legendary performers and guests.\u003c/p>\n\u003cfigure id=\"attachment_11901143\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/Art.16-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11901143\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/Art.16-scaled.jpg\" alt=\"Kamala Harris as a young girl.\" width=\"2560\" height=\"1753\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/Art.16-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/Art.16-800x548.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/Art.16-1020x698.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/Art.16-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/Art.16-1536x1052.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/Art.16-2048x1402.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/Art.16-1920x1315.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Kamala Harris, at age seven, in Berkeley. In her memoir, Harris recalls attending events as a young girl at The Rainbow Sign, including a Nina Simone concert. \u003ccite>(Courtesy Kamala Harris/Penguin Random House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11901151\" class=\"wp-caption alignright\" style=\"max-width: 187px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/RS-nina-simone-brochure.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-11901151\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/RS-nina-simone-brochure.jpg\" alt=\"A flyer for a Nina Simone performance.\" width=\"187\" height=\"280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/RS-nina-simone-brochure.jpg 468w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/RS-nina-simone-brochure-160x240.jpg 160w\" sizes=\"(max-width: 187px) 100vw, 187px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A flyer for a series of Nina Simone performances at The Rainbow Sign, one of which Kamala Harris attended when she was seven. \u003ccite>(Courtesy Odette Pollar)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As a young girl in Berkeley in the 1970s, Harris was among those impressionable visitors. In her 2019 autobiography, “The Truths We Hold: An American Journey,” she describes her experience attending concerts and events, including one particular memory from when she was seven of seeing Nina Simone perform.\u003c/p>\n\u003cblockquote>\u003cp>\u003cem>“My favorite night of the week was Thursday. On Thursdays, you could always find us in an unassuming beige building on the corner of what was then Grove Street and Derby. Once a mortuary, the building I knew was bursting with life, home to a pioneering black cultural center, the Rainbow Sign. … It was where I learned that artistic expression, ambition and intelligence were cool. It was where I came to understand that there is no better way to feed someone’s brain than by bringing together food, poetry, politics, music, dance and art.”\u003c/em>\u003c/p>\u003c/blockquote>\n\u003cp>This week, The California Report Magazine takes you inside The Rainbow Sign to hear from some of the artists, audience members and cultural and political leaders whose lives were shaped by this remarkable California cultural landmark.\u003c/p>\n\u003cfigure id=\"attachment_11901149\" class=\"wp-caption aligncenter\" style=\"max-width: 900px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/rainbowsign_dance_750.png\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11901149\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/rainbowsign_dance_750.png\" alt=\"Women in a dance class.\" width=\"900\" height=\"601\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/rainbowsign_dance_750.png 750w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/rainbowsign_dance_750-160x107.png 160w\" sizes=\"(max-width: 900px) 100vw, 900px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A dance class at The Rainbow Sign in the 1970s. \u003ccite>(Courtesy Odette Pollar)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_11901148\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003ca href=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/IMG_4523-scaled.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11901148\" src=\"https://ww2.kqed.org/app/uploads/sites/10/2022/01/IMG_4523-scaled.jpg\" alt=\"The front of a building with columns.\" width=\"2560\" height=\"1920\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/IMG_4523-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/IMG_4523-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/IMG_4523-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/IMG_4523-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/IMG_4523-1536x1152.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/IMG_4523-2048x1536.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/10/2022/01/IMG_4523-1920x1440.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The building on Martin Luther King Jr. Way and Derby streets in Berkeley, where The Rainbow Sign was once located. \u003ccite>(Marisa Lagos/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Special thanks to Tessa Rissacher and Max Lopez, who as UC Berkeley undergraduate students worked to compile an extensive \u003ca href=\"https://revolution.berkeley.edu/projects/rainbow-sign/\">online archive\u003c/a> of documents, photographs and memorabilia from The Rainbow Sign.\u003c/p>\n\u003cp>\u003cem>Audio excerpted from “The Truths We Hold: An American Journey” by Kamala Harris, read by the author. Copyright 2019 by Kamala D. Harris. Production copyright 2019, Penguin Random House LLC. All rights reserved.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"slug": "pinole-honors-punk-icons-green-day-with-key-to-the-city",
"title": "Pinole Honors Punk Icons Green Day With Key to the City",
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"headTitle": "Pinole Honors Punk Icons Green Day With Key to the City | KQED",
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"content": "\u003cp>Hundreds of fans of the punk rock band Green Day cheered as Pinole city officials honored the band members for their impact and ties to the local community with the key to the city, a commemorative plaque and mural outside a 7-Eleven store on Sunday afternoon.\u003c/p>\n\u003cp>As eager fans wearing Green Day T-shirts waited for the band to show up, they sang along to their favorite songs and held instruments and memorabilia they hoped to get autographed.\u003c/p>\n\u003cfigure id=\"attachment_12005877\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-63_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12005877\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-63_qed.jpg\" alt=\"A man wearing sun glasses writes on an object as several people reach out to him behind a gate.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-63_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-63_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-63_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-63_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-63_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-63_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Green Day band member Billie Joe Armstrong signs autographs outside of a 7-Eleven in Pinole, the band’s go-to spot in high school. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Just to be in close proximity with them is really exciting for me,” says Jasmine Buckles, who arrived in the morning from San Ramon to wait for the event. “I just went to their concert on Friday night at Oracle Park, and it was amazing.”\u003c/p>\n\u003cp>Buckles brought along Funko Pop figures modeled after the band members to get signed.\u003c/p>\n\u003cfigure id=\"attachment_12005873\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-49_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12005873\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-49_qed.jpg\" alt=\"A person holds three toy figurines next to a crowd of people.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-49_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-49_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-49_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-49_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-49_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-49_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A Green Day fan with Funko Pops of the Green Day band members attends the event honoring the band. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Green Day first formed in 1986 in the town of Rodeo, 3 miles north of Sunday’s event. Band members Billie Joe Armstrong and Mike Dirnt both attended Pinole Valley High School, right across the street from the 7-Eleven.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I didn’t quite make it all the way through high school,” Armstrong says in a short speech. “But Mike did, and the day after he graduated from high school, we took off on our first tour.”\u003c/p>\n\u003cp>Calling the band’s return to Pinole a “full circle” moment, Armstrong acknowledged family and friends, including his mother, siblings and his first piano teacher.\u003c/p>\n\u003cp>The small crowd in Pinole paled in comparison to the 42,000 fans who came to see the band two nights earlier in a sold-out show at Oracle Park in San Francisco. Green Day is currently on a stadium tour, playing their albums “Dookie” and “American Idiot,” as well as their fan favorites. The tour ends on Sept. 28 at Petco Park in San Diego.\u003c/p>\n\u003cfigure id=\"attachment_12005874\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-53_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12005874\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-53_qed.jpg\" alt=\"A woman holds her phone as a man leans in to pose for a photo behind a crow of people.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-53_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-53_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-53_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-53_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-53_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-53_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Green Day band member Mike Dirnt takes a selfie with fan Alyssa Arriola of Reno outside of a 7-Eleven in Pinole. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Free coffee samples were provided by the band’s Punk Bunny Coffee brand. Green Day recently announced a partnership with 7-Eleven to release their Anniversary Blend of coffee, celebrating the 30th anniversary of their breakout album “Dookie,” as well as commemorating the convenience store’s 60th anniversary.\u003c/p>\n\u003cfigure id=\"attachment_12005871\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-38_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12005871\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-38_qed.jpg\" alt=\"Two women and three men stand next to each other with one holding up a plaque with a key on it.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-38_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-38_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-38_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-38_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-38_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-38_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Pinole Mayor Maureen Toms gives punk rock band Green Day the key to the city at the local 7-Eleven, honoring the band’s impact in their community. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“There absolutely is local pride in having them from Pinole, and of course coming back to visit us and having the kickoff for their coffee company right here locally,” Pinole Mayor Maureen Toms says. “The key to the city is just a symbolic gesture that we’re recognizing that these folks are important.”\u003c/p>\n\u003cfigure id=\"attachment_12005868\" class=\"wp-caption aligncenter\" style=\"max-width: 1975px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-26_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12005868\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-26_qed.jpg\" alt=\"A man holds a plaque with a key on it.\" width=\"1975\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-26_qed.jpg 1975w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-26_qed-800x540.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-26_qed-1020x688.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-26_qed-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-26_qed-1536x1037.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-26_qed-1920x1296.jpg 1920w\" sizes=\"(max-width: 1975px) 100vw, 1975px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Green Day band member Billie Joe Armstrong holds Pinole’s key to the city, presented to the band for their impact in the community. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Toms says representatives from Punk Bunny and Green Day reached out to city staff about plans for the plaque dedication, and they were excited to participate.\u003c/p>\n\u003cfigure id=\"attachment_12005867\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-25_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12005867\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-25_qed.jpg\" alt=\"Someone's hand makes a punk rock gesture next to a plaque.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-25_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-25_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-25_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-25_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-25_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-25_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Punk rock band Green Day gets presented with a plaque, honoring the band’s impact in the community, at a 7-Eleven in Pinole. The plaque pays tribute to the band’s lyrics. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Green Day’s commemorative plaque was unveiled outside of the 7-Eleven store, one of the band members’ frequent hangout spots in high school. The plaque featured lyrics from the song “Jesus of Suburbia,” reading, “At the center of the earth in the parking lot of the 7-Eleven… Billie, Mike and Tre were here.”\u003c/p>\n\u003cp>Band members also spray-painted their signatures on a mural dedicated to the band.\u003c/p>\n\u003cfigure id=\"attachment_12005872\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-42_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12005872\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-42_qed.jpg\" alt=\"A man wearing sun glasses spray paints a wall.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-42_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-42_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-42_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-42_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-42_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-42_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Green Day’s Billie Joe Armstrong spray paints his name on a mural in the band’s honor at a 7-Eleven in Pinole. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In his speech, bassist Mike Dirnt acknowledged how much attitudes about punk had changed since he and Armstrong walked the halls of Pinole Valley High School.\u003c/p>\n\u003cp>“I look around now and think, wow, half of us would have gotten beat up back then for looking the way we look now. And now, the same people who might have wanted to beat us up, they understand us, and we’re understood all around the planet. So this is an amazing thing. … Great things can come from anywhere,” Dirnt says.\u003c/p>\n\u003cfigure id=\"attachment_12005878\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-33_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12005878\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-33_qed.jpg\" alt=\"Three men stand together next to a person in an animal mascot costume with their hands raised.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-33_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-33_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-33_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-33_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-33_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-33_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Punk rock band Green Day gets presented with Pinole’s key to the city, a plaque and mural, honoring the band’s impact in the community. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“When you live here and are raised here, you feel like they’re just a part of everything that is the East Bay,” says Sarah Paine, who arrived early to the store with her 10-year-old daughter Virginia Gale waiting in anticipation. “They played their music, and you just knew they were icons. It was great. My teenage self is very happy right now.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>KQED’s Spencer Whitney, Katherine Monahan and Gina Castro contributed reporting to this story.\u003c/em>\u003c/p>\n\n",
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"excerpt": "Hundreds of fans lined up outside a 7-Eleven to cheer on Green Day as the band was presented with Pinole's key to the city, a commemorative plaque and mural honoring their impact.",
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"title": "Pinole Honors Punk Icons Green Day With Key to the City | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Hundreds of fans of the punk rock band Green Day cheered as Pinole city officials honored the band members for their impact and ties to the local community with the key to the city, a commemorative plaque and mural outside a 7-Eleven store on Sunday afternoon.\u003c/p>\n\u003cp>As eager fans wearing Green Day T-shirts waited for the band to show up, they sang along to their favorite songs and held instruments and memorabilia they hoped to get autographed.\u003c/p>\n\u003cfigure id=\"attachment_12005877\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-63_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12005877\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-63_qed.jpg\" alt=\"A man wearing sun glasses writes on an object as several people reach out to him behind a gate.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-63_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-63_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-63_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-63_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-63_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-63_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Green Day band member Billie Joe Armstrong signs autographs outside of a 7-Eleven in Pinole, the band’s go-to spot in high school. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Just to be in close proximity with them is really exciting for me,” says Jasmine Buckles, who arrived in the morning from San Ramon to wait for the event. “I just went to their concert on Friday night at Oracle Park, and it was amazing.”\u003c/p>\n\u003cp>Buckles brought along Funko Pop figures modeled after the band members to get signed.\u003c/p>\n\u003cfigure id=\"attachment_12005873\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-49_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12005873\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-49_qed.jpg\" alt=\"A person holds three toy figurines next to a crowd of people.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-49_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-49_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-49_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-49_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-49_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-49_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A Green Day fan with Funko Pops of the Green Day band members attends the event honoring the band. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Green Day first formed in 1986 in the town of Rodeo, 3 miles north of Sunday’s event. Band members Billie Joe Armstrong and Mike Dirnt both attended Pinole Valley High School, right across the street from the 7-Eleven.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I didn’t quite make it all the way through high school,” Armstrong says in a short speech. “But Mike did, and the day after he graduated from high school, we took off on our first tour.”\u003c/p>\n\u003cp>Calling the band’s return to Pinole a “full circle” moment, Armstrong acknowledged family and friends, including his mother, siblings and his first piano teacher.\u003c/p>\n\u003cp>The small crowd in Pinole paled in comparison to the 42,000 fans who came to see the band two nights earlier in a sold-out show at Oracle Park in San Francisco. Green Day is currently on a stadium tour, playing their albums “Dookie” and “American Idiot,” as well as their fan favorites. The tour ends on Sept. 28 at Petco Park in San Diego.\u003c/p>\n\u003cfigure id=\"attachment_12005874\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-53_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12005874\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-53_qed.jpg\" alt=\"A woman holds her phone as a man leans in to pose for a photo behind a crow of people.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-53_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-53_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-53_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-53_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-53_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-53_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Green Day band member Mike Dirnt takes a selfie with fan Alyssa Arriola of Reno outside of a 7-Eleven in Pinole. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Free coffee samples were provided by the band’s Punk Bunny Coffee brand. Green Day recently announced a partnership with 7-Eleven to release their Anniversary Blend of coffee, celebrating the 30th anniversary of their breakout album “Dookie,” as well as commemorating the convenience store’s 60th anniversary.\u003c/p>\n\u003cfigure id=\"attachment_12005871\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-38_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12005871\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-38_qed.jpg\" alt=\"Two women and three men stand next to each other with one holding up a plaque with a key on it.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-38_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-38_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-38_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-38_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-38_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-38_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Pinole Mayor Maureen Toms gives punk rock band Green Day the key to the city at the local 7-Eleven, honoring the band’s impact in their community. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“There absolutely is local pride in having them from Pinole, and of course coming back to visit us and having the kickoff for their coffee company right here locally,” Pinole Mayor Maureen Toms says. “The key to the city is just a symbolic gesture that we’re recognizing that these folks are important.”\u003c/p>\n\u003cfigure id=\"attachment_12005868\" class=\"wp-caption aligncenter\" style=\"max-width: 1975px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-26_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12005868\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-26_qed.jpg\" alt=\"A man holds a plaque with a key on it.\" width=\"1975\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-26_qed.jpg 1975w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-26_qed-800x540.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-26_qed-1020x688.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-26_qed-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-26_qed-1536x1037.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-26_qed-1920x1296.jpg 1920w\" sizes=\"(max-width: 1975px) 100vw, 1975px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Green Day band member Billie Joe Armstrong holds Pinole’s key to the city, presented to the band for their impact in the community. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Toms says representatives from Punk Bunny and Green Day reached out to city staff about plans for the plaque dedication, and they were excited to participate.\u003c/p>\n\u003cfigure id=\"attachment_12005867\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-25_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12005867\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-25_qed.jpg\" alt=\"Someone's hand makes a punk rock gesture next to a plaque.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-25_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-25_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-25_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-25_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-25_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-25_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Punk rock band Green Day gets presented with a plaque, honoring the band’s impact in the community, at a 7-Eleven in Pinole. The plaque pays tribute to the band’s lyrics. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Green Day’s commemorative plaque was unveiled outside of the 7-Eleven store, one of the band members’ frequent hangout spots in high school. The plaque featured lyrics from the song “Jesus of Suburbia,” reading, “At the center of the earth in the parking lot of the 7-Eleven… Billie, Mike and Tre were here.”\u003c/p>\n\u003cp>Band members also spray-painted their signatures on a mural dedicated to the band.\u003c/p>\n\u003cfigure id=\"attachment_12005872\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-42_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12005872\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-42_qed.jpg\" alt=\"A man wearing sun glasses spray paints a wall.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-42_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-42_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-42_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-42_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-42_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-42_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Green Day’s Billie Joe Armstrong spray paints his name on a mural in the band’s honor at a 7-Eleven in Pinole. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>In his speech, bassist Mike Dirnt acknowledged how much attitudes about punk had changed since he and Armstrong walked the halls of Pinole Valley High School.\u003c/p>\n\u003cp>“I look around now and think, wow, half of us would have gotten beat up back then for looking the way we look now. And now, the same people who might have wanted to beat us up, they understand us, and we’re understood all around the planet. So this is an amazing thing. … Great things can come from anywhere,” Dirnt says.\u003c/p>\n\u003cfigure id=\"attachment_12005878\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003ca href=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-33_qed.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12005878\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-33_qed.jpg\" alt=\"Three men stand together next to a person in an animal mascot costume with their hands raised.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-33_qed.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-33_qed-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-33_qed-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-33_qed-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-33_qed-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/20240922_GreenDayPinole_GC-33_qed-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Punk rock band Green Day gets presented with Pinole’s key to the city, a plaque and mural, honoring the band’s impact in the community. \u003ccite>(Gina Castro/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“When you live here and are raised here, you feel like they’re just a part of everything that is the East Bay,” says Sarah Paine, who arrived early to the store with her 10-year-old daughter Virginia Gale waiting in anticipation. “They played their music, and you just knew they were icons. It was great. My teenage self is very happy right now.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>KQED’s Spencer Whitney, Katherine Monahan and Gina Castro contributed reporting to this story.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>Singer and songwriter Karina Gill of Cindy, a San Francisco and Oakland-based “song-based” lo-fi band, started writing songs around 2017, and had never been in a band or played music before.\u003c/p>\n\u003cp>“One of my roommates at the time was a drummer and kind of overheard me in the house and offered to play with me, and that’s sort of how it got started as a band,” said Gill. “As soon as I started [playing music], I could tell that this was a way that I could make myself understood in a way that really isn’t available in any other medium.”\u003c/p>\n\u003cp>Gill describes the band’s sound as “song music,” because it adheres to a song structure and the songs are written based on her experiences and thoughts over the years. “All Weekend” was inspired by her experience during an elevator ride in a public library with a stranger who was focused on their own internal world. The song is about people’s “doubleness,” referring to their external and internal experiences.\u003c/p>\n\u003cp>“You can be thinking about something entirely [different that’s] not in front of you while sitting on the bus or on the train or walking down the street,” she said. “This song touches on that in a lot of different ways, both through experiences of having interactions with strangers and also just that sense of having a private world going on as you walk through a public space.” \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Regarding the band’s name, Gill says that she wanted something opaque that didn’t tell anyone much about the music. “It’s one of those names that fits a lot of different types and lots of personalities,” she said. “And so I liked how it was recognizable, but also didn’t lead you down a specific road of thought.”\u003c/p>\n\u003cp>Gill hopes people will pay attention to the music in a relaxed way. “I think that’s a kind of great thing to hear something and have your ear caught long enough that you’re not thinking about what you have to eat for dinner or whatever [and] that you’re able to just pay attention to the experience of it,” she said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The band’s members also include Olly Lipton, Stayzhe Rodriguez, and Will Smith. “All Weekend” also features Stanley Martinez on guitar and Mike Ramos on drums. You can see them perform at the \u003ca href=\"https://www.4-star-movies.com/calendar-of-events/the-reds-pinks-and-purples-cindy-7pm-doors-8pm-show-20\">Four Star Theater\u003c/a> in San Francisco on Oct. 11th at 7 p.m.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>Singer and songwriter Karina Gill of Cindy, a San Francisco and Oakland-based “song-based” lo-fi band, started writing songs around 2017, and had never been in a band or played music before.\u003c/p>\n\u003cp>“One of my roommates at the time was a drummer and kind of overheard me in the house and offered to play with me, and that’s sort of how it got started as a band,” said Gill. “As soon as I started [playing music], I could tell that this was a way that I could make myself understood in a way that really isn’t available in any other medium.”\u003c/p>\n\u003cp>Gill describes the band’s sound as “song music,” because it adheres to a song structure and the songs are written based on her experiences and thoughts over the years. “All Weekend” was inspired by her experience during an elevator ride in a public library with a stranger who was focused on their own internal world. The song is about people’s “doubleness,” referring to their external and internal experiences.\u003c/p>\n\u003cp>“You can be thinking about something entirely [different that’s] not in front of you while sitting on the bus or on the train or walking down the street,” she said. “This song touches on that in a lot of different ways, both through experiences of having interactions with strangers and also just that sense of having a private world going on as you walk through a public space.” \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Regarding the band’s name, Gill says that she wanted something opaque that didn’t tell anyone much about the music. “It’s one of those names that fits a lot of different types and lots of personalities,” she said. “And so I liked how it was recognizable, but also didn’t lead you down a specific road of thought.”\u003c/p>\n\u003cp>Gill hopes people will pay attention to the music in a relaxed way. “I think that’s a kind of great thing to hear something and have your ear caught long enough that you’re not thinking about what you have to eat for dinner or whatever [and] that you’re able to just pay attention to the experience of it,” she said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The band’s members also include Olly Lipton, Stayzhe Rodriguez, and Will Smith. “All Weekend” also features Stanley Martinez on guitar and Mike Ramos on drums. You can see them perform at the \u003ca href=\"https://www.4-star-movies.com/calendar-of-events/the-reds-pinks-and-purples-cindy-7pm-doors-8pm-show-20\">Four Star Theater\u003c/a> in San Francisco on Oct. 11th at 7 p.m.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "sf-artist-curates-exhibition-that-amplifies-reparations-reclaims-the-citys-black-history",
"title": "SF Artist Curates Exhibition That Amplifies Reparations, Reclaims the City’s Black History",
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"content": "\u003cp>\u003cem>\u003cstrong>Editor’s Note:\u003c/strong> This story is part of KQED’s coverage of reparations in California. For more information on the project, \u003ca href=\"https://www.kqed.org/reparations\">click here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Auttrianna Ward was walking around Fisherman’s Wharf with her father when she picked up a map of the city. Ward, then 8, couldn’t find Hunters Point, the neighborhood her family had lived in for generations, on the map.\u003c/p>\n\u003cp>It was left off.\u003c/p>\n\u003cp>“At first, I was confused,” Ward, a 35-year-old artist and curator, recently told KQED. “This is the city I grew up in, but the neighborhood I lived in wasn’t on the tourist map. I realized in moments like that that they didn’t want us to be seen by other parts of San Francisco or by tourists.\u003c/p>\n\u003cp>“They didn’t want us to be a reflection of the city.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The omission of Hunters Point, once a predominantly Black neighborhood, stuck with Ward, who was raised around activism. A new art exhibition taps into that spirit.\u003c/p>\n\u003cp>\u003cem>The Remedy is Solidarity: A Global Multimedia Anthology on Reparations Volume 1.1: Too Much Like Right\u003c/em>, an art exhibition in support of San Francisco’s African American Reparations Advisory Committee and curated by Ward, with Malik Seneferu, opened Saturday. The exhibition seeks to spark dialogue about reparations, as well as highlight the history, displacement and trauma of the city’s Black community.\u003c/p>\n\u003cp>\u003cem>Too Much Like Right\u003c/em> is the title of Ward’s experimental film that takes on the systemic injustices incurred by Black families in San Francisco through family interviews, archival footage and more. \u003cem>The Remedy is Solidarity\u003c/em> is associated with the Museum of the African Diaspora’s \u003ca href=\"https://www.kqed.org/arts/13965269/the-bay-areas-first-ever-black-art-week-is-coming\">“Nexus: SF/Bay Area Black Art Week,” which begins Oct. 1\u003c/a>.\u003c/p>\n\u003cp>“We want to make reparations irresistible,” Ward said. “Art is a way to make those ideas accessible and to open up the imagination to what reparations can look like.”\u003c/p>\n\u003cp>ZEAL, a creative arts alliance and social impact studio, produced the exhibition.\u003c/p>\n\u003cp>“\u003cem>The Remedy is Solidarity\u003c/em> is a growing collection of exhibitions, scenes, photo text essays, short artistic films that give a contemporary, fresh look at the reparations movement today,” ZEAL’s co-founder, Allen Kwabena-Frimpong, said. “We’re seeing the opportunity for people to be able to grapple with that process, hopefully from a space of joy rather than a space of burden.”\u003c/p>\n\u003cfigure id=\"attachment_12005669\" class=\"wp-caption alignleft\" style=\"max-width: 568px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12005669\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week.png\" alt=\"\" width=\"568\" height=\"758\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week.png 568w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-160x214.png 160w\" sizes=\"(max-width: 568px) 100vw, 568px\">\u003cfigcaption class=\"wp-caption-text\">Allen Kwabena Frimpong (left), ZEAL co-founder and principal cultural design and executive producer of “The Remedy is Solidarity: A Global Multimedia Anthology on Reparations,” stands next to Auttrianna Ward, an artist and exhibition curator. \u003ccite>(Courtesy Anya GTA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ward, a fourth-generation San Franciscan, is a descendant of the Rogers family — a family of activists, community leaders and artists. Her great-uncle, Adam Rogers, was a street activist who was credited with helping to ease tensions during the Hunters Point racial uprising of 1966. His son, Terrell Rogers, was an anti-violence activist and founder of the Peacekeepers, a nonprofit group.\u003c/p>\n\u003cp>The Rogers family was part of the Great Migration. Seeking relief from racial segregation, discrimination and lynchings, the totems of Jim Crow-era laws and racial terror, an estimated six million Black Americans left the south for more hospitable treatment in other regions from about 1910-1970.\u003c/p>\n\u003cp>Hundreds of thousands of Black people relocated to California, settling in Los Angeles, San Francisco and Oakland, securing wartime jobs and building communities. In San Francisco, Black people and other racial minorities were segregated in neighborhoods like the Fillmore, the Western Addition and Hunters Point.\u003c/p>\n\u003cp>The Fillmore became known as the “Harlem of the West” because of the large number of Black businesses and entertainment venues in the area. Black people thrived for decades in the Fillmore until the San Francisco Redevelopment Agency embarked on one of the largest projects of urban renewal on the West Coast. More than 13,000 residents were displaced, leading to the loss in homeownership and household wealth.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11956963/how-black-californians-had-their-land-stolen\">The theft of land, displacement and erasure has tormented Black people since emancipation\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_12005671\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12005671\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Auttrianna-Ward-We-too-sing-San-Francisco-2024.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Auttrianna-Ward-We-too-sing-San-Francisco-2024.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Auttrianna-Ward-We-too-sing-San-Francisco-2024-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Auttrianna-Ward-We-too-sing-San-Francisco-2024-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Auttrianna-Ward-We-too-sing-San-Francisco-2024-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Auttrianna-Ward-We-too-sing-San-Francisco-2024-1536x864.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Artist and exhibition curator, Auttrianna Ward’s “We, too, sing, San Francisco 2024.” \u003ccite>(Courtesy ZEAL)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Since the early 1970s, much of San Francisco’s Black population has been heavily concentrated in the Western Addition and Bayview-Hunters Point. Black residents became more isolated, because restrictive housing covenants denied them the right to own homes in other neighborhoods.\u003c/p>\n\u003cp>“People didn’t know that we existed,” Ward said. “This is a story many Black natives know, but it is not a part of the story told about San Francisco nationally or globally.”\u003c/p>\n\u003cp>In 2021, California launched the first statewide task force to study reparations for Black people, which \u003ca href=\"https://www.kqed.org/reparations\">KQED has reported on since its inception\u003c/a>. The task force’s final report, published in June 2023, had over 100 policy proposals, as well as a plan to provide direct cash payments to eligible residents.\u003c/p>\n\u003cp>In February, the California Legislative Black Caucus announced the 14 reparations bills it was prioritizing, a curated list to test the limits of the state Legislature’s commitment to racial justice. None of the introduced bills included cash payments.\u003c/p>\n\u003cp>The centerpiece was a bill that would have formed the California American Freedman’s Affairs Agency to administer reparations programs, which faced little opposition from lawmakers. \u003ca href=\"https://www.kqed.org/news/12002804/centerpiece-reparations-bill-derailed-by-newsoms-late-request-heres-why\">Last-minute pressure from Gov. Gavin Newsom’s staff to change the bill divided Black lawmakers and stalled the bill\u003c/a>.\u003c/p>\n\u003cp>In San Francisco, the Board of Supervisors formally apologized to Black people and their descendants for the city’s role in perpetuating racism and discrimination in February. But that is the only recommendation, from more than 100 proposals made by the city’s African American Reparations Advisory Committee, that has won approval.\u003c/p>\n\u003cfigure id=\"attachment_12005673\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12005673\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Cheryl-Derricotte2-800x1000.jpg\" alt=\"\" width=\"800\" height=\"1000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Cheryl-Derricotte2-800x1000.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Cheryl-Derricotte2-1020x1274.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Cheryl-Derricotte2-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Cheryl-Derricotte2-1229x1536.jpg 1229w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Cheryl-Derricotte2-1639x2048.jpg 1639w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Cheryl-Derricotte2-1920x2399.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Cheryl-Derricotte2.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cheryl Derricotte’s “How I Crossed Over” will be featured in “The Remedy is Solidarity: A Global Multimedia Anthology on Reparations Volume 1.1 Too Much Like Right,” an exhibition that opened at Swim Gallery on Sept. 21. \u003ccite>(Courtesy ZEAL)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>The Remedy is Solidarity\u003c/em> kicked off Saturday at the Yerba Buena Center for the Arts with Ward’s film and a panel discussion moderated by Eric McDonnell, chair of the city’s reparations committee. A group show featuring visual artists also opened at the Swim Gallery.\u003c/p>\n\u003cp>Today, ZEAL will host a reparations summit at Yerba Buena, including a panel titled “On the Issue of Compensation: Our Cultural Value in the Creative Economy.” The panel, moderated by Anshantia Oso, senior director of Media 2070 and a ZEAL co-founder, will feature Ward and Frimpong.\u003c/p>\n\u003cp>They will be joined on the panel by Monetta White, executive director and CEO of MoAD, and Otis R. Taylor Jr., KQED’s managing editor of the news and enterprise, and the editor of “The Road to Reparations,” the organization’s project chronicling the reparations effort in California.\u003c/p>\n\u003cp>\u003cem>The Remedy is Solidarity’s \u003c/em>programming includes collages created by youth from the Alice Griffith housing redevelopment project in the Bayview that will be projected in the Hunters Point Naval Shipyard.\u003c/p>\n\u003cp>The project will close on Oct. 20 with a healing day at Adam Rogers Park in the Bayview. The park is named after Ward’s great-uncle, who was referred to as the Mayor of Bayview by some residents. Dr. Cheryl Grills, a member of the California Reparations Task Force, will lead the conversation in the context of the film \u003cem>Pathologizing the Black Family\u003c/em>.\u003c/p>\n\u003cp>In Ward’s household, as well as other Black homes in the city, “too much like right” was a common expression, she said. It refers to the most logical or obvious course of action — like an opportunity to address or repair harm — not taken. The koan inspired the project’s title, which Ward offered as both an invitation and a challenge to San Francisco.\u003c/p>\n\u003cp>“Why wouldn’t we want a better version of our community? Will San Francisco do what is right or would that be too much like right?” she said.\u003c/p>\n\u003cp>\u003cem>For more information on “The Remedy is Solidarity: A Global Multimedia Anthology on Reparations Volume 1.1: Too Much Like Right,” visit \u003ca href=\"http://TheRemedyisSolidarity.com\">TheRemedyisSolidarity.com\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"excerpt": "San Francisco artist and curator Auttrianna Ward brings home a project that seeks to bring Black creatives into conversation with policymakers about reparations.",
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"title": "SF Artist Curates Exhibition That Amplifies Reparations, Reclaims the City’s Black History | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>Editor’s Note:\u003c/strong> This story is part of KQED’s coverage of reparations in California. For more information on the project, \u003ca href=\"https://www.kqed.org/reparations\">click here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>Auttrianna Ward was walking around Fisherman’s Wharf with her father when she picked up a map of the city. Ward, then 8, couldn’t find Hunters Point, the neighborhood her family had lived in for generations, on the map.\u003c/p>\n\u003cp>It was left off.\u003c/p>\n\u003cp>“At first, I was confused,” Ward, a 35-year-old artist and curator, recently told KQED. “This is the city I grew up in, but the neighborhood I lived in wasn’t on the tourist map. I realized in moments like that that they didn’t want us to be seen by other parts of San Francisco or by tourists.\u003c/p>\n\u003cp>“They didn’t want us to be a reflection of the city.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The omission of Hunters Point, once a predominantly Black neighborhood, stuck with Ward, who was raised around activism. A new art exhibition taps into that spirit.\u003c/p>\n\u003cp>\u003cem>The Remedy is Solidarity: A Global Multimedia Anthology on Reparations Volume 1.1: Too Much Like Right\u003c/em>, an art exhibition in support of San Francisco’s African American Reparations Advisory Committee and curated by Ward, with Malik Seneferu, opened Saturday. The exhibition seeks to spark dialogue about reparations, as well as highlight the history, displacement and trauma of the city’s Black community.\u003c/p>\n\u003cp>\u003cem>Too Much Like Right\u003c/em> is the title of Ward’s experimental film that takes on the systemic injustices incurred by Black families in San Francisco through family interviews, archival footage and more. \u003cem>The Remedy is Solidarity\u003c/em> is associated with the Museum of the African Diaspora’s \u003ca href=\"https://www.kqed.org/arts/13965269/the-bay-areas-first-ever-black-art-week-is-coming\">“Nexus: SF/Bay Area Black Art Week,” which begins Oct. 1\u003c/a>.\u003c/p>\n\u003cp>“We want to make reparations irresistible,” Ward said. “Art is a way to make those ideas accessible and to open up the imagination to what reparations can look like.”\u003c/p>\n\u003cp>ZEAL, a creative arts alliance and social impact studio, produced the exhibition.\u003c/p>\n\u003cp>“\u003cem>The Remedy is Solidarity\u003c/em> is a growing collection of exhibitions, scenes, photo text essays, short artistic films that give a contemporary, fresh look at the reparations movement today,” ZEAL’s co-founder, Allen Kwabena-Frimpong, said. “We’re seeing the opportunity for people to be able to grapple with that process, hopefully from a space of joy rather than a space of burden.”\u003c/p>\n\u003cfigure id=\"attachment_12005669\" class=\"wp-caption alignleft\" style=\"max-width: 568px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12005669\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week.png\" alt=\"\" width=\"568\" height=\"758\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week.png 568w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-160x214.png 160w\" sizes=\"(max-width: 568px) 100vw, 568px\">\u003cfigcaption class=\"wp-caption-text\">Allen Kwabena Frimpong (left), ZEAL co-founder and principal cultural design and executive producer of “The Remedy is Solidarity: A Global Multimedia Anthology on Reparations,” stands next to Auttrianna Ward, an artist and exhibition curator. \u003ccite>(Courtesy Anya GTA)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ward, a fourth-generation San Franciscan, is a descendant of the Rogers family — a family of activists, community leaders and artists. Her great-uncle, Adam Rogers, was a street activist who was credited with helping to ease tensions during the Hunters Point racial uprising of 1966. His son, Terrell Rogers, was an anti-violence activist and founder of the Peacekeepers, a nonprofit group.\u003c/p>\n\u003cp>The Rogers family was part of the Great Migration. Seeking relief from racial segregation, discrimination and lynchings, the totems of Jim Crow-era laws and racial terror, an estimated six million Black Americans left the south for more hospitable treatment in other regions from about 1910-1970.\u003c/p>\n\u003cp>Hundreds of thousands of Black people relocated to California, settling in Los Angeles, San Francisco and Oakland, securing wartime jobs and building communities. In San Francisco, Black people and other racial minorities were segregated in neighborhoods like the Fillmore, the Western Addition and Hunters Point.\u003c/p>\n\u003cp>The Fillmore became known as the “Harlem of the West” because of the large number of Black businesses and entertainment venues in the area. Black people thrived for decades in the Fillmore until the San Francisco Redevelopment Agency embarked on one of the largest projects of urban renewal on the West Coast. More than 13,000 residents were displaced, leading to the loss in homeownership and household wealth.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/news/11956963/how-black-californians-had-their-land-stolen\">The theft of land, displacement and erasure has tormented Black people since emancipation\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_12005671\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12005671\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Auttrianna-Ward-We-too-sing-San-Francisco-2024.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Auttrianna-Ward-We-too-sing-San-Francisco-2024.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Auttrianna-Ward-We-too-sing-San-Francisco-2024-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Auttrianna-Ward-We-too-sing-San-Francisco-2024-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Auttrianna-Ward-We-too-sing-San-Francisco-2024-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Auttrianna-Ward-We-too-sing-San-Francisco-2024-1536x864.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Artist and exhibition curator, Auttrianna Ward’s “We, too, sing, San Francisco 2024.” \u003ccite>(Courtesy ZEAL)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Since the early 1970s, much of San Francisco’s Black population has been heavily concentrated in the Western Addition and Bayview-Hunters Point. Black residents became more isolated, because restrictive housing covenants denied them the right to own homes in other neighborhoods.\u003c/p>\n\u003cp>“People didn’t know that we existed,” Ward said. “This is a story many Black natives know, but it is not a part of the story told about San Francisco nationally or globally.”\u003c/p>\n\u003cp>In 2021, California launched the first statewide task force to study reparations for Black people, which \u003ca href=\"https://www.kqed.org/reparations\">KQED has reported on since its inception\u003c/a>. The task force’s final report, published in June 2023, had over 100 policy proposals, as well as a plan to provide direct cash payments to eligible residents.\u003c/p>\n\u003cp>In February, the California Legislative Black Caucus announced the 14 reparations bills it was prioritizing, a curated list to test the limits of the state Legislature’s commitment to racial justice. None of the introduced bills included cash payments.\u003c/p>\n\u003cp>The centerpiece was a bill that would have formed the California American Freedman’s Affairs Agency to administer reparations programs, which faced little opposition from lawmakers. \u003ca href=\"https://www.kqed.org/news/12002804/centerpiece-reparations-bill-derailed-by-newsoms-late-request-heres-why\">Last-minute pressure from Gov. Gavin Newsom’s staff to change the bill divided Black lawmakers and stalled the bill\u003c/a>.\u003c/p>\n\u003cp>In San Francisco, the Board of Supervisors formally apologized to Black people and their descendants for the city’s role in perpetuating racism and discrimination in February. But that is the only recommendation, from more than 100 proposals made by the city’s African American Reparations Advisory Committee, that has won approval.\u003c/p>\n\u003cfigure id=\"attachment_12005673\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12005673\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Cheryl-Derricotte2-800x1000.jpg\" alt=\"\" width=\"800\" height=\"1000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Cheryl-Derricotte2-800x1000.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Cheryl-Derricotte2-1020x1274.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Cheryl-Derricotte2-160x200.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Cheryl-Derricotte2-1229x1536.jpg 1229w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Cheryl-Derricotte2-1639x2048.jpg 1639w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Cheryl-Derricotte2-1920x2399.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Black-Art-Week-Cheryl-Derricotte2.jpg 2000w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Cheryl Derricotte’s “How I Crossed Over” will be featured in “The Remedy is Solidarity: A Global Multimedia Anthology on Reparations Volume 1.1 Too Much Like Right,” an exhibition that opened at Swim Gallery on Sept. 21. \u003ccite>(Courtesy ZEAL)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>The Remedy is Solidarity\u003c/em> kicked off Saturday at the Yerba Buena Center for the Arts with Ward’s film and a panel discussion moderated by Eric McDonnell, chair of the city’s reparations committee. A group show featuring visual artists also opened at the Swim Gallery.\u003c/p>\n\u003cp>Today, ZEAL will host a reparations summit at Yerba Buena, including a panel titled “On the Issue of Compensation: Our Cultural Value in the Creative Economy.” The panel, moderated by Anshantia Oso, senior director of Media 2070 and a ZEAL co-founder, will feature Ward and Frimpong.\u003c/p>\n\u003cp>They will be joined on the panel by Monetta White, executive director and CEO of MoAD, and Otis R. Taylor Jr., KQED’s managing editor of the news and enterprise, and the editor of “The Road to Reparations,” the organization’s project chronicling the reparations effort in California.\u003c/p>\n\u003cp>\u003cem>The Remedy is Solidarity’s \u003c/em>programming includes collages created by youth from the Alice Griffith housing redevelopment project in the Bayview that will be projected in the Hunters Point Naval Shipyard.\u003c/p>\n\u003cp>The project will close on Oct. 20 with a healing day at Adam Rogers Park in the Bayview. The park is named after Ward’s great-uncle, who was referred to as the Mayor of Bayview by some residents. Dr. Cheryl Grills, a member of the California Reparations Task Force, will lead the conversation in the context of the film \u003cem>Pathologizing the Black Family\u003c/em>.\u003c/p>\n\u003cp>In Ward’s household, as well as other Black homes in the city, “too much like right” was a common expression, she said. It refers to the most logical or obvious course of action — like an opportunity to address or repair harm — not taken. The koan inspired the project’s title, which Ward offered as both an invitation and a challenge to San Francisco.\u003c/p>\n\u003cp>“Why wouldn’t we want a better version of our community? Will San Francisco do what is right or would that be too much like right?” she said.\u003c/p>\n\u003cp>\u003cem>For more information on “The Remedy is Solidarity: A Global Multimedia Anthology on Reparations Volume 1.1: Too Much Like Right,” visit \u003ca href=\"http://TheRemedyisSolidarity.com\">TheRemedyisSolidarity.com\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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"order": 19
},
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}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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},
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},
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"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
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},
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},
"californiareport": {
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"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"officialWebsiteLink": "/californiareport",
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"order": 8
},
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},
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"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"order": 10
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"order": 1
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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}
},
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"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"id": "fresh-air",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
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