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"content": "\u003cfigure id=\"attachment_83308\" class=\"wp-caption alignright\" style=\"max-width: 150px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/instagram.jpg\">\u003cimg class=\"size-thumbnail wp-image-83308\" title=\"instagram\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/instagram-150x150.jpg\" alt=\"Justin Sullivan/Gettyimages\" width=\"150\" height=\"150\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Justin Sullivan/Gettyimages\u003c/figcaption>\u003c/figure>\n\u003cp>Instagram has announced that it will not change its policies on advertising in its upcoming Terms of Service and privacy policy update.\u003c/p>\n\u003cp>Company co-founder Kevin Systrom said in a \u003ca href=\"http://blog.instagram.com/post/38421250999/updated-terms-of-service-based-on-your-feedback\">blog post Thursday night\u003c/a> that the section that had included new language on advertising will remain unchanged from the version that has been in effect since 2010. The San Francisco-based photo-sharing app, bought by Facebook this year for $1 billion, sparked a backlash among users when it released new language that seemed to indicate the company could include their content in advertising. That language has been eliminated from the Terms of Service and privacy policy \u003ca href=\"http://instagram.com/about/legal/terms/updated/\">update\u003c/a> that will take effect Jan. 16, Systrom wrote.\u003c/p>\n\u003cp>Instagram had \u003ca href=\"http://ww2.kqed.org/news/2012/12/18/instagram-says-users-photos-wont-appear-in-ads/\">previously announced\u003c/a> that it would be revising its policy update plans due to the controversy.\u003c/p>\n\u003cp>\"There was confusion and real concern about what our possible advertising products could look like and how they would work,\" Systrom wrote in his post Thursday. \"Going forward, rather than obtain permission from you to introduce possible advertising products we have not yet developed, we are going to take the time to complete our plans, and then come back to our users and explain how we would like for our advertising business to work.\"\u003c/p>\n\u003cp>Here's the language that caused the kerfuffle:\u003c/p>\n\u003cblockquote>\u003cp>Some or all of the Service may be supported by advertising revenue. To help us deliver interesting paid or sponsored content or promotions, you agree that a business or other entity may pay us to display your username, likeness, photos (along with any associated metadata), and/or actions you take, in connection with paid or sponsored content or promotions, without any compensation to you.\u003c/p>\u003c/blockquote>\n\u003cp>\"I want to be really clear: Instagram has no intention of selling your photos, and we never did. We don’t own your photos – you do,\" Systrom wrote Thursday.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_83308\" class=\"wp-caption alignright\" style=\"max-width: 150px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/instagram.jpg\">\u003cimg class=\"size-thumbnail wp-image-83308\" title=\"instagram\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/instagram-150x150.jpg\" alt=\"Justin Sullivan/Gettyimages\" width=\"150\" height=\"150\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Justin Sullivan/Gettyimages\u003c/figcaption>\u003c/figure>\n\u003cp>Instagram has announced that it will not change its policies on advertising in its upcoming Terms of Service and privacy policy update.\u003c/p>\n\u003cp>Company co-founder Kevin Systrom said in a \u003ca href=\"http://blog.instagram.com/post/38421250999/updated-terms-of-service-based-on-your-feedback\">blog post Thursday night\u003c/a> that the section that had included new language on advertising will remain unchanged from the version that has been in effect since 2010. The San Francisco-based photo-sharing app, bought by Facebook this year for $1 billion, sparked a backlash among users when it released new language that seemed to indicate the company could include their content in advertising. That language has been eliminated from the Terms of Service and privacy policy \u003ca href=\"http://instagram.com/about/legal/terms/updated/\">update\u003c/a> that will take effect Jan. 16, Systrom wrote.\u003c/p>\n\u003cp>Instagram had \u003ca href=\"http://ww2.kqed.org/news/2012/12/18/instagram-says-users-photos-wont-appear-in-ads/\">previously announced\u003c/a> that it would be revising its policy update plans due to the controversy.\u003c/p>\n\u003cp>\"There was confusion and real concern about what our possible advertising products could look like and how they would work,\" Systrom wrote in his post Thursday. \"Going forward, rather than obtain permission from you to introduce possible advertising products we have not yet developed, we are going to take the time to complete our plans, and then come back to our users and explain how we would like for our advertising business to work.\"\u003c/p>\n\u003cp>Here's the language that caused the kerfuffle:\u003c/p>\n\u003cblockquote>\u003cp>Some or all of the Service may be supported by advertising revenue. To help us deliver interesting paid or sponsored content or promotions, you agree that a business or other entity may pay us to display your username, likeness, photos (along with any associated metadata), and/or actions you take, in connection with paid or sponsored content or promotions, without any compensation to you.\u003c/p>\u003c/blockquote>\n\u003cp>\"I want to be really clear: Instagram has no intention of selling your photos, and we never did. We don’t own your photos – you do,\" Systrom wrote Thursday.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Interview: Instagram Superstar Richard Koci Hernandez on Terms of Service Controversy",
"title": "Interview: Instagram Superstar Richard Koci Hernandez on Terms of Service Controversy",
"headTitle": "News Fix | KQED News",
"content": "\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/instagram.jpg\">\u003cimg class=\"alignright size-full wp-image-83308\" title=\"instagram\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/instagram.jpg\" alt=\"\" width=\"235\" height=\"157\">\u003c/a>\u003cstrong>UPDATE 6:10 a.m. Oct. 21:\u003c/strong> Instagram has announced that it will not change its policies on advertising in its upcoming Terms of Service update. Company co-founder Kevin Systrom said in a blog post that the policies will remain unchanged from the version that has been in effect since 2010. Read the blog post \u003ca href=\"http://blog.instagram.com/post/38421250999/updated-terms-of-service-based-on-your-feedback\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cem>Original post:\u003c/em>\u003c/p>\n\u003cp>Many photographers yesterday went insta-crazy over Instagram's change in its terms of service. The San Francisco-based photo-sharing app, \u003ca href=\"http://ww2.kqed.org/news/2012/04/09/facebook-to-buy-instagram-for-1-billion/\" target=\"_blank\">bought by Facebook\u003c/a> this year for a cool billion dollars, sparked a \u003ca href=\"https://twitter.com/search?q=instagram%20TOS&src=typd\" target=\"_blank\">backlash\u003c/a> among users when it released\u003cstrong> \u003ca href=\"http://instagram.com/about/legal/terms/updated/\">new language\u003c/a>\u003c/strong> that seemed to indicate the company owned their content. Here's one of the relevant passages:\u003c/p>\n\u003cblockquote>\u003cp>Some or all of the Service may be supported by advertising revenue. To help us deliver interesting paid or sponsored content or promotions, you agree that a business or other entity may pay us to display your username, likeness, photos (along with any associated metadata), and/or actions you take, in connection with paid or sponsored content or promotions, without any compensation to you.\u003c/p>\u003c/blockquote>\n\u003caside class=\"pullquote alignleft\">\u003ca href=\"http://ww2.kqed.org/news/2012/12/19/interview-instagram-superstar-richard-koci-herandez-on-terms-of-service-controversy/#interview\">\u003cstrong>Interview with Richard Koci Hernandez\u003c/strong>\u003c/a>\u003c/aside>\n\u003cp>\u003ca href=\"http://news.cnet.com/8301-13578_3-57559710-38/instagram-says-it-now-has-the-right-to-sell-your-photos/\">CNET\u003c/a> and the New York Times' \u003ca href=\"http://bits.blogs.nytimes.com/2012/12/17/what-instagrams-new-terms-of-service-mean-for-you/\">Bits blog\u003c/a>, among others, put up posts on the practical implications of that language, helping to galvanize the resulting hue and cry that forced Instagram to issue a \u003cstrong>\u003ca href=\"http://blog.instagram.com/post/38252135408/thank-you-and-were-listening\">blog post\u003c/a>\u003c/strong> backing away from the changes. Written by co-founder Kevin Systrom, the post was titled \"Thank you, and we're listening.\" Systrom said Instagram has no plans to utilize user photos in ads and does not claim ownership rights over them. \u003c!--more-->\u003c/p>\n\u003cp>Extracts from the post:\u003c/p>\n\u003cblockquote>\u003cp>\u003cem>Advertising on Instagram\u003c/em>\u003c/p>\n\u003cp>Our intention in updating the terms was to communicate that we’d like to experiment with innovative advertising that feels appropriate on Instagram. Instead it was interpreted by many that we were going to sell your photos to others without any compensation. This is not true and it is our mistake that this language is confusing. To be clear: it is not our intention to sell your photos. We are working on updated language in the terms to make sure this is clear…\u003c/p>\n\u003cp>The language we proposed also raised question about whether your photos can be part of an advertisement. We do not have plans for anything like this and because of that we’re going to remove the language that raised the question.\u003c/p>\n\u003cp>\u003cem>Ownership Rights\u003c/em>\u003c/p>\n\u003cp>Instagram users own their content and Instagram does not claim any ownership rights over your photos. Nothing about this has changed. We respect that there are creative artists and hobbyists alike that pour their heart into creating beautiful photos, and we respect that your photos are your photos. Period.\u003c/p>\n\u003cp>\u003cem>Privacy Settings\u003c/em>\u003c/p>\n\u003cp>Nothing has changed about the control you have over who can see your photos. If you set your photos to private, Instagram only shares your photos with the people you’ve approved to follow you.\u003c/p>\u003c/blockquote>\n\u003cp>One of the most prominent Instagram users to publicly rebel yesterday was \u003ca href=\"http://richardkocihernandez.com/\">Richard Koci Hernandez\u003c/a>. Hernandez is an Emmy-ward winning multimedia artist who teaches at Cal's graduate journalism school. He's been described as an \"\u003ca href=\"http://www.slate.com/slideshows/life/instagram-superstar-richard-koci-hernandez-reflects.html\">Instagram superstar,\u003c/a>\" and his work using the app has been featured on the \u003ca href=\"http://lens.blogs.nytimes.com/2011/06/09/a-distinctive-voice-on-instagram/\">New York Times' Lens blog\u003c/a>. Yesterday, Hernandez \u003ca href=\"http://web.stagram.com/n/koci/\">posted the following on Webstagram\u003c/a>, an Instagram photo-viewing site.\u003c/p>\n\u003cblockquote>\u003cp>(B)y now you've all read about Instagram's new terms of service ... We're all going to feel different about what this means for us as individual creators and that is expected. I see myself as a 'cautious optimist,' so I have my fingers crossed that they, Instagram, will listen to the voice of the community and reverse the new terms of service, but I'm not holding my breath. I don't feel like debating the terms of service or being too nostalgic about the old days of Instagram, I feel that it's much better just to take our work and more importantly friendship and conversation to another place that respects our rights and ownership as creators. Let's move the party to a new location.\u003c/p>\n\u003cp>Until then, I'll be posting any new photographs on Flickr user name Koci Hernandez , Starmatic and EyeEm user Koci. I'll keep this account open until January 16 so that I can follow the developments and continue to be optimistic about a possible change.\u003c/p>\u003c/blockquote>\n\u003cp>\u003ca name=\"interview\">\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>After Instagram announced that it would amend its TOS language to allay user concerns, KQED's Dan Brekke asked Hernandez how he was feeling about the whole thing, now. Hernandez said he still had a \"sour taste\" over the incident, and that he would prefer to pay for this type of service from the start rather than be subject to a \"bait and switch.\"\u003c/p>\n\u003cp>Edited transcript:\u003c/p>\n\u003cp>\u003cstrong>DAN BREKKE\u003c/strong>: First off, you have some concerns about privacy?\u003c/p>\n\u003caside class=\"pullquote alignleft\">My perspective is, just say, 'Hey, I’m going to charge you for this experience ... Everybody hates the bait and switch.'\u003cbr>\n--Richard Koci Hernandez\n\u003c/aside>\n\u003cp>\u003cstrong>RICHARD KOCI HERANDEZ\u003c/strong>: When Instagram announced the proposed changes in terms of service it was kind of an eye-opener. Funnily enough it was straightforward. Usually you read these terms of service and they are so full of legalese it makes your head spin.\u003c/p>\n\u003cp>But they were clear in their initial message that by uploading your photos to Instagram, Instagram would have the ability to use your logo, likeness, and images and take those and potentially sell them to a third party who could then use them in an advertisement.\u003c/p>\n\u003cp>But the scarier part of the language to me was the sentence that said it was possible we wouldn’t even tag those ads as advertisements. For me it was quite scary, not about the monetary issue, but the content of the images. I am very protective of the images I post, be it my daughter or a random person on the street, and I would hate to have those images show up somewhere without my knowledge, possibly in the wrong context.\u003c/p>\n\u003cp>That really rubbed me the wrong way. Since then Instagram has of course reversed or basically put the brakes on and said, “Stop, stop, wait, that’s not what me meant. Let us be clear about our intentions.”\u003c/p>\n\u003cp>I, a large part of my social network and the social sphere of the Internet was vehemently against this language. But I also knew there was potential for misunderstanding. This isn’t the first time that social networks have changed terms of service and people started reacting or reading into it something that wasn’t intended. Facebook, who now owns Instagram, has had many of those issues.\u003c/p>\n\u003cp>\u003cstrong>DB\u003c/strong>: You said you were exploring transferring your photos to other services because of this. You also expressed some concern that Instagram can’t be trusted now. Do you still feel that way?\u003c/p>\n\u003cp>\u003cstrong>RKH\u003c/strong>: There is a sense of uneasiness despite what Instagram has said. There is a sense that any company is looking to monetize itself. I am the kind of person who doesn’t mind ads in my community, who is used to seeing and sitting through ads. I’m also not opposed to paying for products and services that I enjoy.\u003c/p>\n\u003cp>What I don’t like is when you offer me this wonderful thing and you don’t offer me an opportunity to pay for it in a traditional sense. And with all of this flimflam and legalese about what we will do with your content -- it feels like I need to be more protective in the future.\u003c/p>\n\u003cp>I think what’s happening with Instagram is a good thing, because I think people are reading the fine print. I think we do understand that we are giving away a certain amount of privacy when we upload onto the Internet.\u003c/p>\n\u003cp>Instagram co-founder Kevin Systrom and I were both at the South by Southwest conference last year, and I looked him in the eye and asked him about trust. And I really do believe that he really does believe in the creators owning their own work, and that he really wants to find a way to advertise and offer the best experience. But there is still a bit of a sour taste in my mouth.\u003c/p>\n\u003cp>Instagram, which was once a very small, almost underground community, is now part of a very large social network, and things will change. The pressure to make and monetize these communities and apps is huge, but it makes me the user a little more reticent about using them, and stepping more and more away from Instagram and finding another community to share my photos.\u003c/p>\n\u003cp>There are networks that report that, “Hey, we’re not Instagram. We want to be small. We just want community.” But you never know. I bet if you look far enough back Instagram said this when they were three people in a garage trying to make something happen.\u003c/p>\n\u003cp>I don’t know that there is any such app or group of people in this day and age and this space that’s going to say, “Here come and play, come and have conversation and we’re going to bite the bullet and take on all the cost.” Because you know there is always a price to pay. Because it costs money to host hundreds and thousands and millions of people’s conversations and photos.\u003c/p>\n\u003cp>My perspective is, just say, “Hey, I’m going to charge you for this experience.” I think we may see a new era of transparency as fallout from this. Which is if you see the service, people will be willing to pay for it to be ad-free, and they will be willing to pay for a certain guaranteed level of privacy for their content.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Everybody hates the bait and switch, and sometimes you see it in an app. They say it’s free and you download it and use it and find out that to use all the services you have to purchase the service of $3.99. Maybe this lack of clarity on Instagram’s part in terms of what they were trying to do with their terms of service might turn the tide in social networks, and especially in social photography services, and basically have the user understand, “Hey, this costs money. Pay for it. Pay a small fee.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/instagram.jpg\">\u003cimg class=\"alignright size-full wp-image-83308\" title=\"instagram\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/instagram.jpg\" alt=\"\" width=\"235\" height=\"157\">\u003c/a>\u003cstrong>UPDATE 6:10 a.m. Oct. 21:\u003c/strong> Instagram has announced that it will not change its policies on advertising in its upcoming Terms of Service update. Company co-founder Kevin Systrom said in a blog post that the policies will remain unchanged from the version that has been in effect since 2010. Read the blog post \u003ca href=\"http://blog.instagram.com/post/38421250999/updated-terms-of-service-based-on-your-feedback\">here\u003c/a>.\u003c/p>\n\u003cp>\u003cem>Original post:\u003c/em>\u003c/p>\n\u003cp>Many photographers yesterday went insta-crazy over Instagram's change in its terms of service. The San Francisco-based photo-sharing app, \u003ca href=\"http://ww2.kqed.org/news/2012/04/09/facebook-to-buy-instagram-for-1-billion/\" target=\"_blank\">bought by Facebook\u003c/a> this year for a cool billion dollars, sparked a \u003ca href=\"https://twitter.com/search?q=instagram%20TOS&src=typd\" target=\"_blank\">backlash\u003c/a> among users when it released\u003cstrong> \u003ca href=\"http://instagram.com/about/legal/terms/updated/\">new language\u003c/a>\u003c/strong> that seemed to indicate the company owned their content. Here's one of the relevant passages:\u003c/p>\n\u003cblockquote>\u003cp>Some or all of the Service may be supported by advertising revenue. To help us deliver interesting paid or sponsored content or promotions, you agree that a business or other entity may pay us to display your username, likeness, photos (along with any associated metadata), and/or actions you take, in connection with paid or sponsored content or promotions, without any compensation to you.\u003c/p>\u003c/blockquote>\n\u003caside class=\"pullquote alignleft\">\u003ca href=\"http://ww2.kqed.org/news/2012/12/19/interview-instagram-superstar-richard-koci-herandez-on-terms-of-service-controversy/#interview\">\u003cstrong>Interview with Richard Koci Hernandez\u003c/strong>\u003c/a>\u003c/aside>\n\u003cp>\u003ca href=\"http://news.cnet.com/8301-13578_3-57559710-38/instagram-says-it-now-has-the-right-to-sell-your-photos/\">CNET\u003c/a> and the New York Times' \u003ca href=\"http://bits.blogs.nytimes.com/2012/12/17/what-instagrams-new-terms-of-service-mean-for-you/\">Bits blog\u003c/a>, among others, put up posts on the practical implications of that language, helping to galvanize the resulting hue and cry that forced Instagram to issue a \u003cstrong>\u003ca href=\"http://blog.instagram.com/post/38252135408/thank-you-and-were-listening\">blog post\u003c/a>\u003c/strong> backing away from the changes. Written by co-founder Kevin Systrom, the post was titled \"Thank you, and we're listening.\" Systrom said Instagram has no plans to utilize user photos in ads and does not claim ownership rights over them. \u003c!--more-->\u003c/p>\n\u003cp>Extracts from the post:\u003c/p>\n\u003cblockquote>\u003cp>\u003cem>Advertising on Instagram\u003c/em>\u003c/p>\n\u003cp>Our intention in updating the terms was to communicate that we’d like to experiment with innovative advertising that feels appropriate on Instagram. Instead it was interpreted by many that we were going to sell your photos to others without any compensation. This is not true and it is our mistake that this language is confusing. To be clear: it is not our intention to sell your photos. We are working on updated language in the terms to make sure this is clear…\u003c/p>\n\u003cp>The language we proposed also raised question about whether your photos can be part of an advertisement. We do not have plans for anything like this and because of that we’re going to remove the language that raised the question.\u003c/p>\n\u003cp>\u003cem>Ownership Rights\u003c/em>\u003c/p>\n\u003cp>Instagram users own their content and Instagram does not claim any ownership rights over your photos. Nothing about this has changed. We respect that there are creative artists and hobbyists alike that pour their heart into creating beautiful photos, and we respect that your photos are your photos. Period.\u003c/p>\n\u003cp>\u003cem>Privacy Settings\u003c/em>\u003c/p>\n\u003cp>Nothing has changed about the control you have over who can see your photos. If you set your photos to private, Instagram only shares your photos with the people you’ve approved to follow you.\u003c/p>\u003c/blockquote>\n\u003cp>One of the most prominent Instagram users to publicly rebel yesterday was \u003ca href=\"http://richardkocihernandez.com/\">Richard Koci Hernandez\u003c/a>. Hernandez is an Emmy-ward winning multimedia artist who teaches at Cal's graduate journalism school. He's been described as an \"\u003ca href=\"http://www.slate.com/slideshows/life/instagram-superstar-richard-koci-hernandez-reflects.html\">Instagram superstar,\u003c/a>\" and his work using the app has been featured on the \u003ca href=\"http://lens.blogs.nytimes.com/2011/06/09/a-distinctive-voice-on-instagram/\">New York Times' Lens blog\u003c/a>. Yesterday, Hernandez \u003ca href=\"http://web.stagram.com/n/koci/\">posted the following on Webstagram\u003c/a>, an Instagram photo-viewing site.\u003c/p>\n\u003cblockquote>\u003cp>(B)y now you've all read about Instagram's new terms of service ... We're all going to feel different about what this means for us as individual creators and that is expected. I see myself as a 'cautious optimist,' so I have my fingers crossed that they, Instagram, will listen to the voice of the community and reverse the new terms of service, but I'm not holding my breath. I don't feel like debating the terms of service or being too nostalgic about the old days of Instagram, I feel that it's much better just to take our work and more importantly friendship and conversation to another place that respects our rights and ownership as creators. Let's move the party to a new location.\u003c/p>\n\u003cp>Until then, I'll be posting any new photographs on Flickr user name Koci Hernandez , Starmatic and EyeEm user Koci. I'll keep this account open until January 16 so that I can follow the developments and continue to be optimistic about a possible change.\u003c/p>\u003c/blockquote>\n\u003cp>\u003ca name=\"interview\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After Instagram announced that it would amend its TOS language to allay user concerns, KQED's Dan Brekke asked Hernandez how he was feeling about the whole thing, now. Hernandez said he still had a \"sour taste\" over the incident, and that he would prefer to pay for this type of service from the start rather than be subject to a \"bait and switch.\"\u003c/p>\n\u003cp>Edited transcript:\u003c/p>\n\u003cp>\u003cstrong>DAN BREKKE\u003c/strong>: First off, you have some concerns about privacy?\u003c/p>\n\u003caside class=\"pullquote alignleft\">My perspective is, just say, 'Hey, I’m going to charge you for this experience ... Everybody hates the bait and switch.'\u003cbr>\n--Richard Koci Hernandez\n\u003c/aside>\n\u003cp>\u003cstrong>RICHARD KOCI HERANDEZ\u003c/strong>: When Instagram announced the proposed changes in terms of service it was kind of an eye-opener. Funnily enough it was straightforward. Usually you read these terms of service and they are so full of legalese it makes your head spin.\u003c/p>\n\u003cp>But they were clear in their initial message that by uploading your photos to Instagram, Instagram would have the ability to use your logo, likeness, and images and take those and potentially sell them to a third party who could then use them in an advertisement.\u003c/p>\n\u003cp>But the scarier part of the language to me was the sentence that said it was possible we wouldn’t even tag those ads as advertisements. For me it was quite scary, not about the monetary issue, but the content of the images. I am very protective of the images I post, be it my daughter or a random person on the street, and I would hate to have those images show up somewhere without my knowledge, possibly in the wrong context.\u003c/p>\n\u003cp>That really rubbed me the wrong way. Since then Instagram has of course reversed or basically put the brakes on and said, “Stop, stop, wait, that’s not what me meant. Let us be clear about our intentions.”\u003c/p>\n\u003cp>I, a large part of my social network and the social sphere of the Internet was vehemently against this language. But I also knew there was potential for misunderstanding. This isn’t the first time that social networks have changed terms of service and people started reacting or reading into it something that wasn’t intended. Facebook, who now owns Instagram, has had many of those issues.\u003c/p>\n\u003cp>\u003cstrong>DB\u003c/strong>: You said you were exploring transferring your photos to other services because of this. You also expressed some concern that Instagram can’t be trusted now. Do you still feel that way?\u003c/p>\n\u003cp>\u003cstrong>RKH\u003c/strong>: There is a sense of uneasiness despite what Instagram has said. There is a sense that any company is looking to monetize itself. I am the kind of person who doesn’t mind ads in my community, who is used to seeing and sitting through ads. I’m also not opposed to paying for products and services that I enjoy.\u003c/p>\n\u003cp>What I don’t like is when you offer me this wonderful thing and you don’t offer me an opportunity to pay for it in a traditional sense. And with all of this flimflam and legalese about what we will do with your content -- it feels like I need to be more protective in the future.\u003c/p>\n\u003cp>I think what’s happening with Instagram is a good thing, because I think people are reading the fine print. I think we do understand that we are giving away a certain amount of privacy when we upload onto the Internet.\u003c/p>\n\u003cp>Instagram co-founder Kevin Systrom and I were both at the South by Southwest conference last year, and I looked him in the eye and asked him about trust. And I really do believe that he really does believe in the creators owning their own work, and that he really wants to find a way to advertise and offer the best experience. But there is still a bit of a sour taste in my mouth.\u003c/p>\n\u003cp>Instagram, which was once a very small, almost underground community, is now part of a very large social network, and things will change. The pressure to make and monetize these communities and apps is huge, but it makes me the user a little more reticent about using them, and stepping more and more away from Instagram and finding another community to share my photos.\u003c/p>\n\u003cp>There are networks that report that, “Hey, we’re not Instagram. We want to be small. We just want community.” But you never know. I bet if you look far enough back Instagram said this when they were three people in a garage trying to make something happen.\u003c/p>\n\u003cp>I don’t know that there is any such app or group of people in this day and age and this space that’s going to say, “Here come and play, come and have conversation and we’re going to bite the bullet and take on all the cost.” Because you know there is always a price to pay. Because it costs money to host hundreds and thousands and millions of people’s conversations and photos.\u003c/p>\n\u003cp>My perspective is, just say, “Hey, I’m going to charge you for this experience.” I think we may see a new era of transparency as fallout from this. Which is if you see the service, people will be willing to pay for it to be ad-free, and they will be willing to pay for a certain guaranteed level of privacy for their content.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Everybody hates the bait and switch, and sometimes you see it in an app. They say it’s free and you download it and use it and find out that to use all the services you have to purchase the service of $3.99. Maybe this lack of clarity on Instagram’s part in terms of what they were trying to do with their terms of service might turn the tide in social networks, and especially in social photography services, and basically have the user understand, “Hey, this costs money. Pay for it. Pay a small fee.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Videos: Portlandia, Adult Swim Children's Hospital, Adventures of Pete & Pete, More at SF Sketchfest",
"title": "Videos: Portlandia, Adult Swim Children's Hospital, Adventures of Pete & Pete, More at SF Sketchfest",
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"content": "\u003cp>\u003ca href=\"http://sfsketchfest.com/x/\">SF Sketchfest\u003c/a>, the annual festival of comedians, is coming Jan. 24 to Feb. 10 to \u003ca href=\"http://sfsketchfest.com/x/venues/\">venues\u003c/a> around San Francisco.\u003c/p>\n\u003cp>KQED's Lizzy Acker has put together these highlights, with sample videos:\u003c/p>\n\u003cul>\n\u003cli>A tribute to IFC's Portlandia with creators Fred Armisen, Carrie Brownstein and Jonathan Krisel on Wednesday, January 30 at 8:00pm at Herbst Theatre.\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/aQttrkzWOo4?rel=0\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cli>A tribute to the creators and cast of Adult Swim’s Childrens Hospital with Rob Corddry, Lake Bell, Beth Dover, Erinn Hayes, Rob Huebel, Ken Marino and executive producers David Wain and Jonathan Stern at Cobb’s Comedy Club on Saturday, February 9 at 8:00pm.\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/K0P_wfjKQi8?rel=0\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>A viewing of Welcome to the Dollhouse with the special Peaches Christ pre-show treatment with musical numbers and a very special guest appearance by the film’s star, “Dawn Wiener” herself, Heather Matarazzo on Friday, February 8 at 7:00pm at the Castro Theatre.\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/JhXGDDN4PMI?rel=0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>In An Evening with Pootie, the cult classic comedy Pootie Tang will be introduced by actor Lance Crouther, appearing in character as Pootie. Crouther will reappear as himself for a post-film Q&A session on Friday, February 8 at 10:00pm at the Castro Theatre. \u003ciframe src=\"http://www.youtube.com/embed/dpV2ULCb6WU?rel=0\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>In a special 20th Anniversary show, the cast and creators of Nickelodeon’s The Adventures of Pete and Pete will reunite for performances, live music, clips, audience Q&A and lots of surprises. The show’s creators, Will McRobb and Chris Viscardi, will be joined by actors Mike Maronna, Danny Tamberelli, Toby Huss and Rick Gomez on Friday, January 25 at 8:00pm at Marines’ Memorial Theatre.\u003ciframe src=\"http://www.youtube.com/embed/wTcpqzQbRTI?rel=0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>The cast and creative team behind the Yahoo! Comedy Channel web series Burning Love will bring together cast members from both the first and upcoming second seasons for a panel discussion on Sunday, February 10 at 4:00pm at Cobb’s Comedy Club. Scheduled to appear are season one’s bachelor (and the series’ director) Ken Marino, season two’s bachelorette June Diane Raphael, host Michael Ian Black, writer/actress Erica Oyama, executive producer Jonathan Stern, and series stars Beth Dover, Ryan Hansen, Rob Huebel, Natasha Leggero, Joe Lo Truglio, Paul Scheer, Adam Scott and Janet Varney.\n\u003cdiv>\n\u003cp>\u003ciframe src=\"http://d.yimg.com/nl/vyc/site/player.html#shareUrl=http%3A%2F%2Fscreen.yahoo.com%2Fburning-love-meet-mark-29306644.html&vid=29306644&browseCarouselUI=hide&repeat=0&startScreenCarouselUI=hide\" frameborder=\"0\" width=\"576\" height=\"324\">\u003c/iframe>\u003c/p>\n\u003c/div>\n\u003c/li>\n\u003cli>At Party Down with Party Down on Saturday, February 9 at 4:00pm at Cobb’s Comedy Club, actors from the cult classic television show including Adam Scott, Ken Marino, Ryan Hansen and Martin Starr, will discuss the beloved series, about a group of struggling actors working as caterers in Los Angeles.\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/814EYp1kFSc?rel=0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>Celebrity Autobiography returns to SF Sketchfest on Saturday, February 9 at 8:00pm and Sunday, February 10 at 5:00pm at the Marines’ Memorial Theatre with new hits and old classics. This year Jennifer Coolidge (American Pie), Rachel Dratch (30 Rock), Janeane Garofalo (Wet Hot American Summer), Laraine Newman (Saturday Night Live), Maya Rudolph (Bridesmaids), Fred Willard(Best in Show) and Celebrity Autobiography’s co-creatorsEugene Pack and Dayle Reyfel read memoirs of celebs such as Snooki, Streisand, Hasselhoff, Madonna, Beyonce, Bieber and beyond!\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/unD2bzhDkLk?rel=0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>Maya Rudolph (Saturday Night Live, Bridesmaids) & Gretchen Lieberum are Princess: An Evening of the Music of Prince. When Maya performed Prince’s “Darling Nikki” on Late Night with Jimmy Fallon recently, Gawker called it “ingenious” and “the best thing on TV.” Don’t miss Princess’s Bay Area debut on Friday, February 8 at 8pm and 10:30pm at Yoshi’s San Francisco. You can \u003ca href=\"http://gawker.com/5944948/maya-rudolph-and-the-roots-performing-princes-darling-nikki-was-the-best-thing-on-tv-last-night\">see their work on Gawker\u003c/a>.\u003c/li>\n\u003cli>Los Angeles-based comedy/folk music duo Garfunkel and Oates, also known as comedians and actresses Kate Micucci and Riki Lindhome, bring their show to the Rickshaw Stop on Sunday, February 10 at 8:00pm, along with special guest Dragon Boy Suede, the comedic rapper and MC created by comedian Howard Kremer.\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/tJRzBpFjJS8?rel=0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>The Nerdist Podcast with Chris Hardwick, Jonah Ray and Matt Mira returns to the festival on Saturday, February 2 at 7:00pm at the Marines’ Memorial Theatre.\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/hlP_KniNQHw?rel=0\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>Professor Blastoff, the science-themed podcast hosted by comedy sensation Tig Notaro and her friends Kyle Dunnigan and David Huntsberger, makes its Sketchfest debut with two very unique and different live events. The first event is on Wednesday, January 30 at 8:00pm at Cobb’s Comedy Club, and the second is part of SF Sketchfest’s Comedy NightLife at the California Academy of Sciences on Thursday, January 31 at 6:00pm.\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/V97lvUKYisA?rel=0\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>SF Sketchfest and Adult Swim present the Delocated Witness Protection Program Variety Show, featuring performances by the show’s star, Jon Glaser, who will be joined by very special guests including Steve Agee, Eugene Mirman, Mary Lynn Rajskub and Kristen Schaal on Saturday, January 26 at 10:00pm at Cobb’s Comedy Club.\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/kekRJsh7A6w?rel=0\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>Stella: The Classic Nightclub Show, features Michael Ian Black, Michael Showalter and David Wain. They will be joined by guest comedians and musicians at Mezzanine on Sunday, February 10 at 8:00pm. You can see their work on \u003ca href=\"http://www.stellacomedy.com/shorts.html#20\">www.stellacomedy.com\u003c/a>.\u003c/li>\n\u003cli>For Judah Friedlander and American Tripps Ping-Pong Party, audiences will first watch a stand-up set by The World Champion Judah Friedlander (“Frank Rossitano” on 30 Rock. After Judah’s set, join him and the American Tripps partiers for an epic throwdown of “Berlin-style” ping-pong on Wednesday, February 6 at the Verdi Club.\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/1cx2rITN1pg?rel=0\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>A comedy game show! Iron Comic with Nato Green and Moshe Kasher and their guest comics Maria Bamford, Michael Ian Black, Andy Kindler, Natasha Leggero and Michael Showalter on Saturday, February 9 at 10:30pm at Cobb’s Comedy Club.\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/6hTalYPHebE?rel=0\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>SF Sketchfest Comedy NightLife at the California Academy of Sciences on Thursday, January 31 at 6pm. Featuring Chris Hardwick, Tig Notaro, Greg Proops, Brent Weinbach, Myq Kaplan, Will Franken and more. NightLife features food, drinks and DJs and is for guests ages 21 and over.\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/ye3u_HBEe8o?rel=0\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003c/ul>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://sfsketchfest.com/x/\">SF Sketchfest\u003c/a>, the annual festival of comedians, is coming Jan. 24 to Feb. 10 to \u003ca href=\"http://sfsketchfest.com/x/venues/\">venues\u003c/a> around San Francisco.\u003c/p>\n\u003cp>KQED's Lizzy Acker has put together these highlights, with sample videos:\u003c/p>\n\u003cul>\n\u003cli>A tribute to IFC's Portlandia with creators Fred Armisen, Carrie Brownstein and Jonathan Krisel on Wednesday, January 30 at 8:00pm at Herbst Theatre.\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/aQttrkzWOo4?rel=0\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cli>A tribute to the creators and cast of Adult Swim’s Childrens Hospital with Rob Corddry, Lake Bell, Beth Dover, Erinn Hayes, Rob Huebel, Ken Marino and executive producers David Wain and Jonathan Stern at Cobb’s Comedy Club on Saturday, February 9 at 8:00pm.\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/K0P_wfjKQi8?rel=0\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>A viewing of Welcome to the Dollhouse with the special Peaches Christ pre-show treatment with musical numbers and a very special guest appearance by the film’s star, “Dawn Wiener” herself, Heather Matarazzo on Friday, February 8 at 7:00pm at the Castro Theatre.\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/JhXGDDN4PMI?rel=0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>In An Evening with Pootie, the cult classic comedy Pootie Tang will be introduced by actor Lance Crouther, appearing in character as Pootie. Crouther will reappear as himself for a post-film Q&A session on Friday, February 8 at 10:00pm at the Castro Theatre. \u003ciframe src=\"http://www.youtube.com/embed/dpV2ULCb6WU?rel=0\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>In a special 20th Anniversary show, the cast and creators of Nickelodeon’s The Adventures of Pete and Pete will reunite for performances, live music, clips, audience Q&A and lots of surprises. The show’s creators, Will McRobb and Chris Viscardi, will be joined by actors Mike Maronna, Danny Tamberelli, Toby Huss and Rick Gomez on Friday, January 25 at 8:00pm at Marines’ Memorial Theatre.\u003ciframe src=\"http://www.youtube.com/embed/wTcpqzQbRTI?rel=0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>The cast and creative team behind the Yahoo! Comedy Channel web series Burning Love will bring together cast members from both the first and upcoming second seasons for a panel discussion on Sunday, February 10 at 4:00pm at Cobb’s Comedy Club. Scheduled to appear are season one’s bachelor (and the series’ director) Ken Marino, season two’s bachelorette June Diane Raphael, host Michael Ian Black, writer/actress Erica Oyama, executive producer Jonathan Stern, and series stars Beth Dover, Ryan Hansen, Rob Huebel, Natasha Leggero, Joe Lo Truglio, Paul Scheer, Adam Scott and Janet Varney.\n\u003cdiv>\n\u003cp>\u003ciframe src=\"http://d.yimg.com/nl/vyc/site/player.html#shareUrl=http%3A%2F%2Fscreen.yahoo.com%2Fburning-love-meet-mark-29306644.html&vid=29306644&browseCarouselUI=hide&repeat=0&startScreenCarouselUI=hide\" frameborder=\"0\" width=\"576\" height=\"324\">\u003c/iframe>\u003c/p>\n\u003c/div>\n\u003c/li>\n\u003cli>At Party Down with Party Down on Saturday, February 9 at 4:00pm at Cobb’s Comedy Club, actors from the cult classic television show including Adam Scott, Ken Marino, Ryan Hansen and Martin Starr, will discuss the beloved series, about a group of struggling actors working as caterers in Los Angeles.\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/814EYp1kFSc?rel=0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>Celebrity Autobiography returns to SF Sketchfest on Saturday, February 9 at 8:00pm and Sunday, February 10 at 5:00pm at the Marines’ Memorial Theatre with new hits and old classics. This year Jennifer Coolidge (American Pie), Rachel Dratch (30 Rock), Janeane Garofalo (Wet Hot American Summer), Laraine Newman (Saturday Night Live), Maya Rudolph (Bridesmaids), Fred Willard(Best in Show) and Celebrity Autobiography’s co-creatorsEugene Pack and Dayle Reyfel read memoirs of celebs such as Snooki, Streisand, Hasselhoff, Madonna, Beyonce, Bieber and beyond!\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/unD2bzhDkLk?rel=0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>Maya Rudolph (Saturday Night Live, Bridesmaids) & Gretchen Lieberum are Princess: An Evening of the Music of Prince. When Maya performed Prince’s “Darling Nikki” on Late Night with Jimmy Fallon recently, Gawker called it “ingenious” and “the best thing on TV.” Don’t miss Princess’s Bay Area debut on Friday, February 8 at 8pm and 10:30pm at Yoshi’s San Francisco. You can \u003ca href=\"http://gawker.com/5944948/maya-rudolph-and-the-roots-performing-princes-darling-nikki-was-the-best-thing-on-tv-last-night\">see their work on Gawker\u003c/a>.\u003c/li>\n\u003cli>Los Angeles-based comedy/folk music duo Garfunkel and Oates, also known as comedians and actresses Kate Micucci and Riki Lindhome, bring their show to the Rickshaw Stop on Sunday, February 10 at 8:00pm, along with special guest Dragon Boy Suede, the comedic rapper and MC created by comedian Howard Kremer.\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/tJRzBpFjJS8?rel=0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>The Nerdist Podcast with Chris Hardwick, Jonah Ray and Matt Mira returns to the festival on Saturday, February 2 at 7:00pm at the Marines’ Memorial Theatre.\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/hlP_KniNQHw?rel=0\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>Professor Blastoff, the science-themed podcast hosted by comedy sensation Tig Notaro and her friends Kyle Dunnigan and David Huntsberger, makes its Sketchfest debut with two very unique and different live events. The first event is on Wednesday, January 30 at 8:00pm at Cobb’s Comedy Club, and the second is part of SF Sketchfest’s Comedy NightLife at the California Academy of Sciences on Thursday, January 31 at 6:00pm.\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/V97lvUKYisA?rel=0\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>SF Sketchfest and Adult Swim present the Delocated Witness Protection Program Variety Show, featuring performances by the show’s star, Jon Glaser, who will be joined by very special guests including Steve Agee, Eugene Mirman, Mary Lynn Rajskub and Kristen Schaal on Saturday, January 26 at 10:00pm at Cobb’s Comedy Club.\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/kekRJsh7A6w?rel=0\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>Stella: The Classic Nightclub Show, features Michael Ian Black, Michael Showalter and David Wain. They will be joined by guest comedians and musicians at Mezzanine on Sunday, February 10 at 8:00pm. You can see their work on \u003ca href=\"http://www.stellacomedy.com/shorts.html#20\">www.stellacomedy.com\u003c/a>.\u003c/li>\n\u003cli>For Judah Friedlander and American Tripps Ping-Pong Party, audiences will first watch a stand-up set by The World Champion Judah Friedlander (“Frank Rossitano” on 30 Rock. After Judah’s set, join him and the American Tripps partiers for an epic throwdown of “Berlin-style” ping-pong on Wednesday, February 6 at the Verdi Club.\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/1cx2rITN1pg?rel=0\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>A comedy game show! Iron Comic with Nato Green and Moshe Kasher and their guest comics Maria Bamford, Michael Ian Black, Andy Kindler, Natasha Leggero and Michael Showalter on Saturday, February 9 at 10:30pm at Cobb’s Comedy Club.\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/6hTalYPHebE?rel=0\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003cli>SF Sketchfest Comedy NightLife at the California Academy of Sciences on Thursday, January 31 at 6pm. Featuring Chris Hardwick, Tig Notaro, Greg Proops, Brent Weinbach, Myq Kaplan, Will Franken and more. NightLife features food, drinks and DJs and is for guests ages 21 and over.\u003cbr>\n\u003ciframe src=\"http://www.youtube.com/embed/ye3u_HBEe8o?rel=0\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Permit For Outside Lands Festival in GG Park Extended 8 Years",
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"content": "\u003cp>SAN FRANCISCO (BCN) Organizers of the \u003ca href=\"http://www.sfoutsidelands.com/\" target=\"_blank\">Outside Lands Music & Arts Festiva\u003c/a>l Tuesday were granted an eight-year extension to their permit for the event in San Francisco's Golden Gate Park.\u003c/p>\n\u003cfigure id=\"attachment_82772\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://www.flickr.com/photos/jessicasarahs/7778989020/sizes/m/in/photostream/\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/outsidelands-300x250.jpg\" alt=\"\" title=\"outsidelands\" width=\"300\" height=\"250\" class=\"size-medium wp-image-82772\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The band Grandaddty at Outside Lands, 2012 (JessicaSarahS/Flickr)\u003c/figcaption>\u003c/figure>\n\u003cp>The San Francisco Board of Supervisors unanimously voted Tuesday to extend the permit for Another Planet Entertainment, which runs the event, until 2021.\u003c/p>\n\u003cp>The agreement allows the organizers to increase the attendance capacity for the three-day festival from 50,000 to 75,000 but requires them to pay more rent to the city as well as an annual $15,000 payment to assist in renovating the site after the event.\u003c/p>\n\u003cp>Outside Lands \"represents a tremendous benefit to our recreation and parks and our city,\" said Supervisor Eric Mar, whose district includes the festival site in Golden Gate Park. \u003c/p>\n\u003cp>Mar said since Outside Lands started in 2008, festival organizers have improved their outreach to neighbors who had concerns over sound and traffic impacts as well as their collaboration with the city to make sure the event runs smoothly.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"They've really improved the concert and addressed many major concerns of residents,\" he said. \u003c!--more-->\u003c/p>\n\u003cp>Other terms of the agreement include requiring Another Planet Entertainment to host an annual job fair in the neighborhoods near the park to encourage local hires for the event, and also for the organizers to endow a gardener at $89,000 per year to assist in the maintenance of the festival site.\u003c/p>\n\u003caside class=\"pullquote alignleft\">\u003ca href=\"http://www.youtube.com/user/OutsideLands\" target=\"_blank\">Outside Lands Festival video\u003c/a>\u003c/aside>\n\u003cp>Organizers last week announced the dates for next year's festival, which will run from Aug. 9-11, 2013.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The 2012 event was headlined by Metallica, Stevie Wonder, Neil Young and the Foo Fighters.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>SAN FRANCISCO (BCN) Organizers of the \u003ca href=\"http://www.sfoutsidelands.com/\" target=\"_blank\">Outside Lands Music & Arts Festiva\u003c/a>l Tuesday were granted an eight-year extension to their permit for the event in San Francisco's Golden Gate Park.\u003c/p>\n\u003cfigure id=\"attachment_82772\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://www.flickr.com/photos/jessicasarahs/7778989020/sizes/m/in/photostream/\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/outsidelands-300x250.jpg\" alt=\"\" title=\"outsidelands\" width=\"300\" height=\"250\" class=\"size-medium wp-image-82772\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The band Grandaddty at Outside Lands, 2012 (JessicaSarahS/Flickr)\u003c/figcaption>\u003c/figure>\n\u003cp>The San Francisco Board of Supervisors unanimously voted Tuesday to extend the permit for Another Planet Entertainment, which runs the event, until 2021.\u003c/p>\n\u003cp>The agreement allows the organizers to increase the attendance capacity for the three-day festival from 50,000 to 75,000 but requires them to pay more rent to the city as well as an annual $15,000 payment to assist in renovating the site after the event.\u003c/p>\n\u003cp>Outside Lands \"represents a tremendous benefit to our recreation and parks and our city,\" said Supervisor Eric Mar, whose district includes the festival site in Golden Gate Park. \u003c/p>\n\u003cp>Mar said since Outside Lands started in 2008, festival organizers have improved their outreach to neighbors who had concerns over sound and traffic impacts as well as their collaboration with the city to make sure the event runs smoothly.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"They've really improved the concert and addressed many major concerns of residents,\" he said. \u003c!--more-->\u003c/p>\n\u003cp>Other terms of the agreement include requiring Another Planet Entertainment to host an annual job fair in the neighborhoods near the park to encourage local hires for the event, and also for the organizers to endow a gardener at $89,000 per year to assist in the maintenance of the festival site.\u003c/p>\n\u003caside class=\"pullquote alignleft\">\u003ca href=\"http://www.youtube.com/user/OutsideLands\" target=\"_blank\">Outside Lands Festival video\u003c/a>\u003c/aside>\n\u003cp>Organizers last week announced the dates for next year's festival, which will run from Aug. 9-11, 2013.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The 2012 event was headlined by Metallica, Stevie Wonder, Neil Young and the Foo Fighters.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "News Pix: Olive Harvest, Holiday Festivities and Miss Richmond",
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"headTitle": "News Pix: Olive Harvest, Holiday Festivities and Miss Richmond | KQED",
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"content": "\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/PhotoWeek121207olives.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-82392\" title=\"PhotoWeek121207olives\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/PhotoWeek121207olives.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>Much of the olive oil on grocery store shelves is imported from Italy or Spain, but California has a growing reputation as a producer of quality olive oil. KQED’s Bay Area Bites \u003ca href=\"http://blogs.kqed.org/bayareabites/2012/12/05/inside-california-olive-ranch-during-harvest/\">visited one farm\u003c/a> about 60 miles north of Sacramento to see how they make it. California Olive Ranch produces 60 percent of the olive oil that is grown in California. (Stephanie Hua/KQED)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/PhotoWeek121207martinez.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-82377\" title=\"PhotoWeek121207martinez\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/PhotoWeek121207martinez.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>Kelly Ferreira, 49, went to jail four times for trespassing on his foreclosed Martinez home, which he lost in 2010. “They took my house, so I broke in, four times. At that time, I was full of anger. Someone took my home…There’re a lot of empty houses around here and it’s a shame.” He is now in the \u003ca href=\"http://richmondconfidential.org/2012/11/28/of-the-street/\">Bay Area Rescue Mission recovery program\u003c/a>. (Pearly Tan/\u003ca href=\"http://richmondconfidential.org/\">Richmond Confidential\u003c/a>)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/PhotoWeek121207flushot.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-82379\" title=\"PhotoWeek121207flushot\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/PhotoWeek121207flushot.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>Yahir Martinez, a student at Verde Elementary, musters his courage to receive a free flu shot at the \u003ca href=\"http://richmondconfidential.org/2012/12/03/latina-center-celebrates-christmas-with-food-dance-and-giving/\">Latina Center in Richmond\u003c/a> Saturday afternoon. Walgreens community leader, Emilio Alonso, said they were prepared to give 200 shots. (Tyler Orsburn/\u003ca href=\"http://richmondconfidential.org/\">Richmond Confidential\u003c/a>)\u003c!--more-->\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/PhotoWeek121207HolidayParty.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-82382\" title=\"PhotoWeek121207HolidayParty\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/PhotoWeek121207HolidayParty.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>Joshua Lee, 7, is giving his mom, Helene Lee, a pine branch to help her make a wreath at the 27th annual \u003ca href=\"http://peninsulapress.com/2012/12/02/volunteers-create-holiday-wonderland-at-waldorf-school-in-los-altos-photos/\">Holiday Faire\u003c/a> on Dec 1 at Waldorf School of the Peninsula on its Los Altos campus (Anna Li / \u003ca href=\"http://peninsulapress.com/\">Peninsula Press\u003c/a>)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/PhotoWeek121207missRichmond.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-82385\" title=\"PhotoWeek121207missRichmond\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/PhotoWeek121207missRichmond.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>“Miss Richmond” Alexis Pickins was recognized by the Richmond City Council Nov. 27 and will go on to compete in the Miss Black California pageant later this month and Miss California in January. The first in her family to go to college and now senior at U.C. Berkeley, Pickins was praised by the council as being a role model. (Avni Nijhawan/\u003ca href=\"http://richmondconfidential.org/\">Richmond Confidential\u003c/a>)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/PhotoWeek121207tiredcrowd.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-82386\" title=\"PhotoWeek121207tiredcrowd\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/PhotoWeek121207tiredcrowd.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>Shopping-weary crowds grow impatient in the minutes before the annual lighting of the Christmas tree in Union Square on Black Friday. (Jason Winshell /\u003ca href=\"http://sfpublicpress.org/\">SF Public Press\u003c/a>)\u003c/p>\n\n",
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"title": "News Pix: Olive Harvest, Holiday Festivities and Miss Richmond | KQED",
"description": "Much of the olive oil on grocery store shelves is imported from Italy or Spain, but California has a growing reputation as a producer of quality olive oil. KQED's Bay Area Bites visited one farm about 60 miles north of Sacramento to see how they make it. California Olive Ranch produces 60 percent of the olive oil that is grown in California. (Stephanie Hua/KQED) Kelly Ferreira, 49, went to jail four times for trespassing on his foreclosed Martinez home, which he lost in 2010. “They took my house, so I broke in, four times. At that time, I was full",
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"headline": "News Pix: Olive Harvest, Holiday Festivities and Miss Richmond",
"datePublished": "2012-12-07T11:41:07-08:00",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/PhotoWeek121207olives.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-82392\" title=\"PhotoWeek121207olives\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/PhotoWeek121207olives.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>Much of the olive oil on grocery store shelves is imported from Italy or Spain, but California has a growing reputation as a producer of quality olive oil. KQED’s Bay Area Bites \u003ca href=\"http://blogs.kqed.org/bayareabites/2012/12/05/inside-california-olive-ranch-during-harvest/\">visited one farm\u003c/a> about 60 miles north of Sacramento to see how they make it. California Olive Ranch produces 60 percent of the olive oil that is grown in California. (Stephanie Hua/KQED)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/PhotoWeek121207martinez.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-82377\" title=\"PhotoWeek121207martinez\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/PhotoWeek121207martinez.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>Kelly Ferreira, 49, went to jail four times for trespassing on his foreclosed Martinez home, which he lost in 2010. “They took my house, so I broke in, four times. At that time, I was full of anger. Someone took my home…There’re a lot of empty houses around here and it’s a shame.” He is now in the \u003ca href=\"http://richmondconfidential.org/2012/11/28/of-the-street/\">Bay Area Rescue Mission recovery program\u003c/a>. (Pearly Tan/\u003ca href=\"http://richmondconfidential.org/\">Richmond Confidential\u003c/a>)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/PhotoWeek121207flushot.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-82379\" title=\"PhotoWeek121207flushot\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/PhotoWeek121207flushot.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>Yahir Martinez, a student at Verde Elementary, musters his courage to receive a free flu shot at the \u003ca href=\"http://richmondconfidential.org/2012/12/03/latina-center-celebrates-christmas-with-food-dance-and-giving/\">Latina Center in Richmond\u003c/a> Saturday afternoon. Walgreens community leader, Emilio Alonso, said they were prepared to give 200 shots. (Tyler Orsburn/\u003ca href=\"http://richmondconfidential.org/\">Richmond Confidential\u003c/a>)\u003c!--more-->\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/PhotoWeek121207HolidayParty.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-82382\" title=\"PhotoWeek121207HolidayParty\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/PhotoWeek121207HolidayParty.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>Joshua Lee, 7, is giving his mom, Helene Lee, a pine branch to help her make a wreath at the 27th annual \u003ca href=\"http://peninsulapress.com/2012/12/02/volunteers-create-holiday-wonderland-at-waldorf-school-in-los-altos-photos/\">Holiday Faire\u003c/a> on Dec 1 at Waldorf School of the Peninsula on its Los Altos campus (Anna Li / \u003ca href=\"http://peninsulapress.com/\">Peninsula Press\u003c/a>)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/PhotoWeek121207missRichmond.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-82385\" title=\"PhotoWeek121207missRichmond\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/PhotoWeek121207missRichmond.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>“Miss Richmond” Alexis Pickins was recognized by the Richmond City Council Nov. 27 and will go on to compete in the Miss Black California pageant later this month and Miss California in January. The first in her family to go to college and now senior at U.C. Berkeley, Pickins was praised by the council as being a role model. (Avni Nijhawan/\u003ca href=\"http://richmondconfidential.org/\">Richmond Confidential\u003c/a>)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cfigure id=\"attachment_82085\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/brubeck640.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-82085\" title=\"brubeck640\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/brubeck640.jpg\" alt=\"Dave Brubeck in 2009. NICHOLAS KAMM/AFP/Getty Images\" width=\"640\" height=\"422\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Dave Brubeck in 2009. NICHOLAS KAMM/AFP/Getty Images\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>by Jon Brooks and Ian Hill\u003c/em>\u003c/p>\n\u003cp>From AP…\u003c/p>\n\u003cblockquote>\u003cp>Jazz composer and pianist Dave Brubeck, whose pioneering style in pieces such as “Take Five” caught listeners’ ears with exotic, challenging rhythms, has died. He was 91.\u003c/p>\n\u003cp>Brubeck died Wednesday morning of heart failure after being stricken while on his way to a cardiology appointment with his son Darius, said his manager Russell Gloyd. Brubeck would have turned 92 on Thursday.\u003c/p>\n\u003cp>Brubeck had a career that spanned almost all American jazz since World War II. He formed The Dave Brubeck Quartet in 1951 and was the first modern jazz musician to be pictured on the cover of Time magazine — on Nov. 8, 1954 — and he helped define the swinging, smoky rhythms of 1950s and ’60s club jazz. \u003ca href=\"http://ww2.kqed.org/news/2012/12/05/manager-pioneering-jazz-composer-dave-brubeck-has-died/#obit\">Full obituary\u003c/a>\u003c/p>\u003c/blockquote>\n\u003caside class=\"pullquote alignleft\">\n\u003cul>\n\u003cul>Listen to Brubeck music…\n\u003cli>\u003ca href=\"http://www.npr.org/player/v2/mediaPlayer.html?action=1&t=1&islist=false&id=121085947&m=121024423\">\u003cstrong>Live at Newport Jazz Festival, 2009\u003c/strong>\u003c/a> (NPR)\u003c/li>\n\u003cli>\u003ca href=\"http://www.npr.org/artists/15156676/dave-brubeck\">\u003cstrong>More concerts, interviews, profiles\u003c/strong>\u003c/a> (NPR)\u003c/li>\n\u003cli>\u003ca href=\"http://www.pandora.com/station/play/1158168907434319659\">\u003cstrong>Dave Brubeck station\u003c/strong>\u003c/a> (Pandora)\u003c/li>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/brubeckdojo.mp3%7Ctitles=brubeckdojo\">\u003cstrong>Brubeck quartet plays ‘Take 5’ with SF Taiko Dojo\u003c/strong>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Brubeck was born in Concord and attended Mills College in Oakland, where, he \u003ca href=\"http://www.oaklandmagazine.com/Oakland-Magazine/October-2007/The-Evolution-Starts-Now/\" target=\"_blank\" rel=\"noopener\">told Oakland Magazine in 2007\u003c/a>, the Dave Brubeck Octet was formed. From that article:\u003c/p>\n\u003cblockquote>\u003cp>The octet was born right in [French composer Darius] Milhaud’s class. When he said, ‘How many of you play jazz?’ We all started thinking, ‘Uh oh, is this going to be like all the other teachers in conservatories?’ But we raised our hands anyway, and he said, ‘All right, I’d like you to write for the jazz instrumentation,’ and that’s the way the octet was born. He got the first concert for us right there at Mills, for the girls. The guys all, well, I think quite a few romances and some marriages came out of that.\u003c/p>\u003c/blockquote>\n\u003cp>The California Report jazz critic Andrew Gilbert told KQED’s Cy Musiker that Brubeck developed his first following at the Blackhawk jazz club in the Tenderloin. “When people talk about West Coast jazz, that tends to be associated with the Southern California scene,” Gilbert said. “[Brubeck] was really doing something else.”\u003c/p>\n\u003cp>For a great Brubeck San Francisco moment, listen to this recording of the Brubeck quartet playing with \u003ca href=\"http://en.wikipedia.org/wiki/San_Francisco_Taiko_Dojo\" target=\"_blank\" rel=\"noopener\">San Francisco Taiko Dojo\u003c/a> in 2001.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/brubeckdojo.mp3%7Ctitles=brubeckdojo\" target=\"_blank\" rel=\"noopener\">\u003cstrong>Audio: “Take 5” with Brubeck and SF Taiko Dojo in 2001\u003c/strong>\u003c/a>\u003cbr>\n[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/brubeckdojo.mp3|titles=brubeckdojo]\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>Jazz critic Gilbert said Brubeck was “really a giant. He made so many different contributions. At the start he developed his own unmistakable sound on the piano – percussive, exciting. And at least on the surface it was really uninfluenced by his generation’s dominant figures, swing-era masters like Teddy Wilson, Earl Hines, Art Tatum. He really developed his own sound.”\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/brubeckgilbert.mp3%7Ctitles=brubeckgilbert\">\u003cstrong>Jazz critic Andrew Gilbert on Brubeck\u003c/strong>\u003c/a>\u003cbr>\n[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/brubeckgilbert.mp3|titles=brubeckgilbert]\u003c/p>\n\u003cp>Brubeck’s influence can still be heard and seen in Stockton, where the legendary jazz musician attended college at what is now the University of the Pacific. The school is home to the Brubeck Institute, which maintains a collection of Brubeck’s correspondence, music manuscripts and other documents. The institute also organizes an annual Brubeck Festival that featured performances by Brubeck himself in recent years. And it offers fellowships for students who perform nationally as the Brubeck Institute Jazz Quintet. (Here’s some \u003ca href=\"http://www.youtube.com/embed/tv9ZgJVXGEI\" target=\"_blank\" rel=\"noopener\">video\u003c/a>of the quintet). A street named after the pianist – Dave Brubeck Way – runs next to the university.\u003c/p>\n\u003cp>The next Brubeck Jazz Festival at the university is \u003ca href=\"http://www.pacific.edu/About-Pacific/Newsroom/2012/September-2012/2013-Brubeck-Festival.html\" target=\"_blank\" rel=\"noopener\">coming up Mar 18-23, 2013\u003c/a>.\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>KQED’s Stephanie Martin spoke to Patrick Langham, the university’s director of jazz studies and a professor of music there. Langham said that Brubeck met his wife Iola at the university, and that is connection to the area ran deep.\u003c/p>\n\u003cp>“Even though he was the Dave Brubeck who we knew as a jazz legend, he never really forgot where he came from. He never forgot this area and how his family owned this huge ranch and expected him to sort of go and be a part of that family tradition. But then he chose to go with music, and they supported him. His grounding never left.”\u003c/p>\n\u003cp>Langham also spoke about Brubeck’s work around civil rights and his musical legacy. It’s a good interview; listen to it here…\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/brubeckinstit.mp3\">\u003cstrong>University of the Pacific’s Patrick Langham on Dave Brubeck\u003c/strong>\u003c/a>\u003cbr>\n[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/brubeckinstit.mp3|titles=brubeckinstit]\u003c/p>\n\u003cp>\u003ca name=\"obit\">\u003c/a>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Here’s the full obituary from AP:\u003c/p>\n\u003cblockquote>\u003cp>HARTFORD, Conn. — Jazz composer and pianist Dave Brubeck, whose pioneering style in pieces such as “Take Five” caught listeners’ ears with exotic, challenging rhythms, has died. He was 91.\u003c/p>\n\u003cp>Brubeck died Wednesday morning of heart failure after being stricken while on his way to a cardiology appointment with his son Darius, said his manager Russell Gloyd. Brubeck would have turned 92 on Thursday.\u003c/p>\n\u003cp>Brubeck had a career that spanned almost all American jazz since World War II. He formed The Dave Brubeck Quartet in 1951 and was the first modern jazz musician to be pictured on the cover of Time magazine — on Nov. 8, 1954 — and he helped define the swinging, smoky rhythms of 1950s and ’60s club jazz.\u003c/p>\n\u003cp>The seminal album “Time Out,” released by the quartet in 1959, was the first ever million-selling jazz LP, and is still among the best-selling jazz albums of all time. It opens with “Blue Rondo a la Turk” in 9/8 time — nine beats to the measure instead of the customary two, three or four beats.\u003c/p>\n\u003cp>A piano-and-saxophone whirlwind based loosely on a Mozart piece, “Blue Rondo” eventually intercuts between Brubeck’s piano and a more traditional 4/4 jazz rhythm.\u003c/p>\n\u003cp>The album also features “Take Five” — in 5/4 time — which became the Quartet’s signature theme and even made the Billboard singles chart in 1961. It was composed by Brubeck’s longtime saxophonist, Paul Desmond.\u003c/p>\n\u003cp>“When you start out with goals — mine were to play polytonally and polyrhythmically — you never exhaust that,” Brubeck told The Associated Press in 1995. “I started doing that in the 1940s. It’s still a challenge to discover what can be done with just those two elements.”\u003c/p>\n\u003cp>After service in World War II and study at Mills College in Oakland, Calif., Brubeck formed an octet including Desmond on alto sax and Dave van Kreidt on tenor, Cal Tjader on drums and Bill Smith on clarinet. The group played Brubeck originals and standards by other composers, including some early experimentation in unusual time signatures. Their groundbreaking album “Dave Brubeck Octet” was recorded in 1946.\u003c/p>\n\u003cp>The group evolved into the Quartet, which played colleges and universities. The Quartet’s first album, “Jazz at Oberlin,” was recorded live at Oberlin College in Ohio in 1953.\u003c/p>\n\u003cp>Ten years later, Joe Morello on drums and Eugene Wright on bass joined with Brubeck and Desmond to produce “Time Out.”\u003c/p>\n\u003cp>In later years Brubeck composed music for operas, ballet, even a contemporary Mass.\u003c/p>\n\u003cp>In 1988, he played for Mikhail Gorbachev, at a dinner in Moscow that then-President Ronald Reagan hosted for the Soviet leader.\u003c/p>\n\u003cp>“I can’t understand Russian, but I can understand body language,” said Brubeck, after seeing the general secretary tapping his foot.\u003c/p>\n\u003cp>In the late 1980s, Brubeck contributed music for one episode of an eight-part series of television specials, “This Is America, Charlie Brown.”\u003c/p>\n\u003cp>His music was for an episode involving NASA and the space station. He worked with three of his sons — Chris on bass trombone and electric bass, Dan on drums and Matthew on cello — and included excerpts from his Mass “To Hope! A Celebration,” his oratorio “A Light in the Wilderness,” and a piece he had composed but never recorded, “Quiet As the Moon.”\u003c/p>\n\u003cp>“That’s the beauty of music,” he told the AP in 1992. “You can take a theme from a Bach sacred chorale and improvise. It doesn’t make any difference where the theme comes from; the treatment of it can be jazz.”\u003c/p>\n\u003cp>In 2006, the University of Notre Dame gave Brubeck its Laetare Medal, awarded each year to a Roman Catholic “whose genius has ennobled the arts and sciences, illustrated the ideals of the church and enriched the heritage of humanity.”\u003c/p>\n\u003cp>At the age of 88, in 2009, Brubeck was still touring, in spite of a viral infection that threatened his heart and made him miss an April show at his alma mater, the University of the Pacific.\u003c/p>\n\u003cp>By June, though, he was playing in Chicago, where the Tribune critic wrote that “Brubeck was coaxing from the piano a high lyricism more typically encountered in the music of Chopin.”\u003c/p>\n\u003cp>More acclaim came his way when it was announced that he would be a recipient of the Kennedy Center Honors at a ceremony in late 2009.\u003c/p>\n\u003cp>Brubeck told the AP the announcement would have delighted his late mother, Elizabeth Ivey Brubeck, a classical pianist who was initially disappointed by her youngest son’s interest in jazz. (He added that she had lived long enough to come to appreciate his music.)\u003c/p>\n\u003cp>Born in Concord, Calif., on Dec. 6, 1920, Brubeck actually had planned to become a rancher like his father. He attended the College of the Pacific (now the University of the Pacific) in 1938, intending to major in veterinary medicine and return to the family’s 45,000-acre spread.\u003c/p>\n\u003cp>But within a year Brubeck was drawn to music. He graduated in 1942 and was drafted by the Army, where he served — mostly as a musician — under Gen. George S. Patton in Europe. At the time, his Wolfpack Band was the only racially integrated unit in the military.\u003c/p>\n\u003cp>In an interview for Ken Burns’ PBS miniseries “Jazz,” Brubeck talked about playing for troops with his integrated band, only to return to the U.S. to see his black bandmates refused service in a restaurant in Texas.\u003c/p>\n\u003cp>Brubeck and his wife, Iola, had five sons and a daughter. Four of his sons — Chris on trombone and electric bass, Dan on drums, Darius on keyboards and Matthew on cello — played with the London Symphony Orchestra in a birthday tribute to Brubeck in December 2000.\u003c/p>\n\u003cp>“We never had a rift,” Chris Brubeck once said of living and playing with his father. “I think music has always been a good communication tool, so we didn’t have a rift. We’ve always had music in common.”\u003c/p>\u003c/blockquote>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_82085\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/brubeck640.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-82085\" title=\"brubeck640\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/brubeck640.jpg\" alt=\"Dave Brubeck in 2009. NICHOLAS KAMM/AFP/Getty Images\" width=\"640\" height=\"422\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Dave Brubeck in 2009. NICHOLAS KAMM/AFP/Getty Images\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>by Jon Brooks and Ian Hill\u003c/em>\u003c/p>\n\u003cp>From AP…\u003c/p>\n\u003cblockquote>\u003cp>Jazz composer and pianist Dave Brubeck, whose pioneering style in pieces such as “Take Five” caught listeners’ ears with exotic, challenging rhythms, has died. He was 91.\u003c/p>\n\u003cp>Brubeck died Wednesday morning of heart failure after being stricken while on his way to a cardiology appointment with his son Darius, said his manager Russell Gloyd. Brubeck would have turned 92 on Thursday.\u003c/p>\n\u003cp>Brubeck had a career that spanned almost all American jazz since World War II. He formed The Dave Brubeck Quartet in 1951 and was the first modern jazz musician to be pictured on the cover of Time magazine — on Nov. 8, 1954 — and he helped define the swinging, smoky rhythms of 1950s and ’60s club jazz. \u003ca href=\"http://ww2.kqed.org/news/2012/12/05/manager-pioneering-jazz-composer-dave-brubeck-has-died/#obit\">Full obituary\u003c/a>\u003c/p>\u003c/blockquote>\n\u003caside class=\"pullquote alignleft\">\n\u003cul>\n\u003cul>Listen to Brubeck music…\n\u003cli>\u003ca href=\"http://www.npr.org/player/v2/mediaPlayer.html?action=1&t=1&islist=false&id=121085947&m=121024423\">\u003cstrong>Live at Newport Jazz Festival, 2009\u003c/strong>\u003c/a> (NPR)\u003c/li>\n\u003cli>\u003ca href=\"http://www.npr.org/artists/15156676/dave-brubeck\">\u003cstrong>More concerts, interviews, profiles\u003c/strong>\u003c/a> (NPR)\u003c/li>\n\u003cli>\u003ca href=\"http://www.pandora.com/station/play/1158168907434319659\">\u003cstrong>Dave Brubeck station\u003c/strong>\u003c/a> (Pandora)\u003c/li>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/brubeckdojo.mp3%7Ctitles=brubeckdojo\">\u003cstrong>Brubeck quartet plays ‘Take 5’ with SF Taiko Dojo\u003c/strong>\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Brubeck was born in Concord and attended Mills College in Oakland, where, he \u003ca href=\"http://www.oaklandmagazine.com/Oakland-Magazine/October-2007/The-Evolution-Starts-Now/\" target=\"_blank\" rel=\"noopener\">told Oakland Magazine in 2007\u003c/a>, the Dave Brubeck Octet was formed. From that article:\u003c/p>\n\u003cblockquote>\u003cp>The octet was born right in [French composer Darius] Milhaud’s class. When he said, ‘How many of you play jazz?’ We all started thinking, ‘Uh oh, is this going to be like all the other teachers in conservatories?’ But we raised our hands anyway, and he said, ‘All right, I’d like you to write for the jazz instrumentation,’ and that’s the way the octet was born. He got the first concert for us right there at Mills, for the girls. The guys all, well, I think quite a few romances and some marriages came out of that.\u003c/p>\u003c/blockquote>\n\u003cp>The California Report jazz critic Andrew Gilbert told KQED’s Cy Musiker that Brubeck developed his first following at the Blackhawk jazz club in the Tenderloin. “When people talk about West Coast jazz, that tends to be associated with the Southern California scene,” Gilbert said. “[Brubeck] was really doing something else.”\u003c/p>\n\u003cp>For a great Brubeck San Francisco moment, listen to this recording of the Brubeck quartet playing with \u003ca href=\"http://en.wikipedia.org/wiki/San_Francisco_Taiko_Dojo\" target=\"_blank\" rel=\"noopener\">San Francisco Taiko Dojo\u003c/a> in 2001.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/brubeckdojo.mp3%7Ctitles=brubeckdojo\" target=\"_blank\" rel=\"noopener\">\u003cstrong>Audio: “Take 5” with Brubeck and SF Taiko Dojo in 2001\u003c/strong>\u003c/a>\u003cbr>\n\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>Jazz critic Gilbert said Brubeck was “really a giant. He made so many different contributions. At the start he developed his own unmistakable sound on the piano – percussive, exciting. And at least on the surface it was really uninfluenced by his generation’s dominant figures, swing-era masters like Teddy Wilson, Earl Hines, Art Tatum. He really developed his own sound.”\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/brubeckgilbert.mp3%7Ctitles=brubeckgilbert\">\u003cstrong>Jazz critic Andrew Gilbert on Brubeck\u003c/strong>\u003c/a>\u003cbr>\n\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Brubeck’s influence can still be heard and seen in Stockton, where the legendary jazz musician attended college at what is now the University of the Pacific. The school is home to the Brubeck Institute, which maintains a collection of Brubeck’s correspondence, music manuscripts and other documents. The institute also organizes an annual Brubeck Festival that featured performances by Brubeck himself in recent years. And it offers fellowships for students who perform nationally as the Brubeck Institute Jazz Quintet. (Here’s some \u003ca href=\"http://www.youtube.com/embed/tv9ZgJVXGEI\" target=\"_blank\" rel=\"noopener\">video\u003c/a>of the quintet). A street named after the pianist – Dave Brubeck Way – runs next to the university.\u003c/p>\n\u003cp>The next Brubeck Jazz Festival at the university is \u003ca href=\"http://www.pacific.edu/About-Pacific/Newsroom/2012/September-2012/2013-Brubeck-Festival.html\" target=\"_blank\" rel=\"noopener\">coming up Mar 18-23, 2013\u003c/a>.\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>KQED’s Stephanie Martin spoke to Patrick Langham, the university’s director of jazz studies and a professor of music there. Langham said that Brubeck met his wife Iola at the university, and that is connection to the area ran deep.\u003c/p>\n\u003cp>“Even though he was the Dave Brubeck who we knew as a jazz legend, he never really forgot where he came from. He never forgot this area and how his family owned this huge ranch and expected him to sort of go and be a part of that family tradition. But then he chose to go with music, and they supported him. His grounding never left.”\u003c/p>\n\u003cp>Langham also spoke about Brubeck’s work around civil rights and his musical legacy. It’s a good interview; listen to it here…\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/12/brubeckinstit.mp3\">\u003cstrong>University of the Pacific’s Patrick Langham on Dave Brubeck\u003c/strong>\u003c/a>\u003cbr>\n\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Here’s the full obituary from AP:\u003c/p>\n\u003cblockquote>\u003cp>HARTFORD, Conn. — Jazz composer and pianist Dave Brubeck, whose pioneering style in pieces such as “Take Five” caught listeners’ ears with exotic, challenging rhythms, has died. He was 91.\u003c/p>\n\u003cp>Brubeck died Wednesday morning of heart failure after being stricken while on his way to a cardiology appointment with his son Darius, said his manager Russell Gloyd. Brubeck would have turned 92 on Thursday.\u003c/p>\n\u003cp>Brubeck had a career that spanned almost all American jazz since World War II. He formed The Dave Brubeck Quartet in 1951 and was the first modern jazz musician to be pictured on the cover of Time magazine — on Nov. 8, 1954 — and he helped define the swinging, smoky rhythms of 1950s and ’60s club jazz.\u003c/p>\n\u003cp>The seminal album “Time Out,” released by the quartet in 1959, was the first ever million-selling jazz LP, and is still among the best-selling jazz albums of all time. It opens with “Blue Rondo a la Turk” in 9/8 time — nine beats to the measure instead of the customary two, three or four beats.\u003c/p>\n\u003cp>A piano-and-saxophone whirlwind based loosely on a Mozart piece, “Blue Rondo” eventually intercuts between Brubeck’s piano and a more traditional 4/4 jazz rhythm.\u003c/p>\n\u003cp>The album also features “Take Five” — in 5/4 time — which became the Quartet’s signature theme and even made the Billboard singles chart in 1961. It was composed by Brubeck’s longtime saxophonist, Paul Desmond.\u003c/p>\n\u003cp>“When you start out with goals — mine were to play polytonally and polyrhythmically — you never exhaust that,” Brubeck told The Associated Press in 1995. “I started doing that in the 1940s. It’s still a challenge to discover what can be done with just those two elements.”\u003c/p>\n\u003cp>After service in World War II and study at Mills College in Oakland, Calif., Brubeck formed an octet including Desmond on alto sax and Dave van Kreidt on tenor, Cal Tjader on drums and Bill Smith on clarinet. The group played Brubeck originals and standards by other composers, including some early experimentation in unusual time signatures. Their groundbreaking album “Dave Brubeck Octet” was recorded in 1946.\u003c/p>\n\u003cp>The group evolved into the Quartet, which played colleges and universities. The Quartet’s first album, “Jazz at Oberlin,” was recorded live at Oberlin College in Ohio in 1953.\u003c/p>\n\u003cp>Ten years later, Joe Morello on drums and Eugene Wright on bass joined with Brubeck and Desmond to produce “Time Out.”\u003c/p>\n\u003cp>In later years Brubeck composed music for operas, ballet, even a contemporary Mass.\u003c/p>\n\u003cp>In 1988, he played for Mikhail Gorbachev, at a dinner in Moscow that then-President Ronald Reagan hosted for the Soviet leader.\u003c/p>\n\u003cp>“I can’t understand Russian, but I can understand body language,” said Brubeck, after seeing the general secretary tapping his foot.\u003c/p>\n\u003cp>In the late 1980s, Brubeck contributed music for one episode of an eight-part series of television specials, “This Is America, Charlie Brown.”\u003c/p>\n\u003cp>His music was for an episode involving NASA and the space station. He worked with three of his sons — Chris on bass trombone and electric bass, Dan on drums and Matthew on cello — and included excerpts from his Mass “To Hope! A Celebration,” his oratorio “A Light in the Wilderness,” and a piece he had composed but never recorded, “Quiet As the Moon.”\u003c/p>\n\u003cp>“That’s the beauty of music,” he told the AP in 1992. “You can take a theme from a Bach sacred chorale and improvise. It doesn’t make any difference where the theme comes from; the treatment of it can be jazz.”\u003c/p>\n\u003cp>In 2006, the University of Notre Dame gave Brubeck its Laetare Medal, awarded each year to a Roman Catholic “whose genius has ennobled the arts and sciences, illustrated the ideals of the church and enriched the heritage of humanity.”\u003c/p>\n\u003cp>At the age of 88, in 2009, Brubeck was still touring, in spite of a viral infection that threatened his heart and made him miss an April show at his alma mater, the University of the Pacific.\u003c/p>\n\u003cp>By June, though, he was playing in Chicago, where the Tribune critic wrote that “Brubeck was coaxing from the piano a high lyricism more typically encountered in the music of Chopin.”\u003c/p>\n\u003cp>More acclaim came his way when it was announced that he would be a recipient of the Kennedy Center Honors at a ceremony in late 2009.\u003c/p>\n\u003cp>Brubeck told the AP the announcement would have delighted his late mother, Elizabeth Ivey Brubeck, a classical pianist who was initially disappointed by her youngest son’s interest in jazz. (He added that she had lived long enough to come to appreciate his music.)\u003c/p>\n\u003cp>Born in Concord, Calif., on Dec. 6, 1920, Brubeck actually had planned to become a rancher like his father. He attended the College of the Pacific (now the University of the Pacific) in 1938, intending to major in veterinary medicine and return to the family’s 45,000-acre spread.\u003c/p>\n\u003cp>But within a year Brubeck was drawn to music. He graduated in 1942 and was drafted by the Army, where he served — mostly as a musician — under Gen. George S. Patton in Europe. At the time, his Wolfpack Band was the only racially integrated unit in the military.\u003c/p>\n\u003cp>In an interview for Ken Burns’ PBS miniseries “Jazz,” Brubeck talked about playing for troops with his integrated band, only to return to the U.S. to see his black bandmates refused service in a restaurant in Texas.\u003c/p>\n\u003cp>Brubeck and his wife, Iola, had five sons and a daughter. Four of his sons — Chris on trombone and electric bass, Dan on drums, Darius on keyboards and Matthew on cello — played with the London Symphony Orchestra in a birthday tribute to Brubeck in December 2000.\u003c/p>\n\u003cp>“We never had a rift,” Chris Brubeck once said of living and playing with his father. “I think music has always been a good communication tool, so we didn’t have a rift. We’ve always had music in common.”\u003c/p>\u003c/blockquote>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>SAN FRANCISCO (AP) Netflix's video subscription service has trumped pay-TV channels and grabbed the rights to show Disney movies shortly after they finish their runs in theaters.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/04/netflixlogo.jpg\">\u003cimg class=\"alignleft size-full wp-image-63124\" title=\"netflixlogo\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/04/netflixlogo.jpg\" alt=\"\" width=\"94\" height=\"94\">\u003c/a>The multiyear licensing agreement announced Tuesday represents a breakthrough for Netflix as it tries to add more recent movies to a popular service that streams video over high-speed Internet connections. Netflix says the deal with make it \"the exclusive U.S. subscription television service for first-run live-action and animated feature films from The Walt Disney Studios.\"\u003c/p>\n\u003cp>Investors applauded Netflix's coup, lifting the company's stock by $7.65, or more than 10 percent, to $83.65 in afternoon trading.\u003c/p>\n\u003caside class=\"pullquote alignleft\">\u003ca href=\"http://finance.yahoo.com/q?s=nflx&ql=1\" target=\"_blank\">NFLX realtime stock quote\u003c/a> (Yahoo! Finance) \u003c/aside>\n\u003cp>It's the first time that one of Hollywood's major studios has sold the coveted rights to Netflix Inc. instead of a premium TV network such as HBO, Starz and Showtime. DreamWorks Animation SKG Inc. licensed the pay-TV rights to its movies to Netflix last year under a deal that begins in 2013, but those movies don't wield the same box-office appeal as Disney, whose stable includes Pixar Animation and Marvel.\u003c/p>\n\u003cp>Starz currently holds the rights to The Walt Disney Co.'s movies under a deal that expires in 2015.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Beginning in 2016, Netflix will be able to show Disney movies about seven months after they leave theaters.\u003c/p>\n\u003cp>In Tuesday's \u003ca href=\"https://signup.netflix.com/MediaCenter/Press\" target=\"_blank\">news release\u003c/a>, Netflix didn't disclose how much it is paying Disney.\u003c/p>\n\u003cp>The Disney deal gives Netflix a measure of revenge against Starz, which had been demanding a price that \u003ca href=\"http://ww2.kqed.org/news/2011/09/01/netflix-increased-prices-damaging-deal-news-and-8-stock-drop-all-in-one-day/\" target=\"_blank\">Netflix refused to pay when their licensing agreement expired\u003c/a> earlier this year. The Starz rights had included Disney movies, so losing that access had been seen as a blow to Netflix.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The stock price of Liberty Media Corp., Starz' owner, dropped $6.62, or 6 percent, to $104.43 in afternoon trading.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>SAN FRANCISCO (AP) Netflix's video subscription service has trumped pay-TV channels and grabbed the rights to show Disney movies shortly after they finish their runs in theaters.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/04/netflixlogo.jpg\">\u003cimg class=\"alignleft size-full wp-image-63124\" title=\"netflixlogo\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/04/netflixlogo.jpg\" alt=\"\" width=\"94\" height=\"94\">\u003c/a>The multiyear licensing agreement announced Tuesday represents a breakthrough for Netflix as it tries to add more recent movies to a popular service that streams video over high-speed Internet connections. Netflix says the deal with make it \"the exclusive U.S. subscription television service for first-run live-action and animated feature films from The Walt Disney Studios.\"\u003c/p>\n\u003cp>Investors applauded Netflix's coup, lifting the company's stock by $7.65, or more than 10 percent, to $83.65 in afternoon trading.\u003c/p>\n\u003caside class=\"pullquote alignleft\">\u003ca href=\"http://finance.yahoo.com/q?s=nflx&ql=1\" target=\"_blank\">NFLX realtime stock quote\u003c/a> (Yahoo! Finance) \u003c/aside>\n\u003cp>It's the first time that one of Hollywood's major studios has sold the coveted rights to Netflix Inc. instead of a premium TV network such as HBO, Starz and Showtime. DreamWorks Animation SKG Inc. licensed the pay-TV rights to its movies to Netflix last year under a deal that begins in 2013, but those movies don't wield the same box-office appeal as Disney, whose stable includes Pixar Animation and Marvel.\u003c/p>\n\u003cp>Starz currently holds the rights to The Walt Disney Co.'s movies under a deal that expires in 2015.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Beginning in 2016, Netflix will be able to show Disney movies about seven months after they leave theaters.\u003c/p>\n\u003cp>In Tuesday's \u003ca href=\"https://signup.netflix.com/MediaCenter/Press\" target=\"_blank\">news release\u003c/a>, Netflix didn't disclose how much it is paying Disney.\u003c/p>\n\u003cp>The Disney deal gives Netflix a measure of revenge against Starz, which had been demanding a price that \u003ca href=\"http://ww2.kqed.org/news/2011/09/01/netflix-increased-prices-damaging-deal-news-and-8-stock-drop-all-in-one-day/\" target=\"_blank\">Netflix refused to pay when their licensing agreement expired\u003c/a> earlier this year. The Starz rights had included Disney movies, so losing that access had been seen as a blow to Netflix.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The stock price of Liberty Media Corp., Starz' owner, dropped $6.62, or 6 percent, to $104.43 in afternoon trading.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "News Pix: Big Storm, Big Hearts and Oysters",
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"content": "\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130storm.jpg\">\u003cimg class=\"aligncenter size-full wp-image-81528\" title=\"PhotoWeek121130storm\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130storm.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>The platform at Oakland’s MacArthur BART station, shot from San Francisco-bound train during Friday morning commute in the middle of a \u003ca href=\"http://ww2.kqed.org/news/2012/11/30/live-updates-bay-area-rain-traffic/\">the latest\u003c/a> in a series of storms. (Dan Brekke/\u003ca href=\"http://www.kqed.org/news/\">KQED\u003c/a>)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130boxing.jpg\">\u003cimg class=\"aligncenter size-full wp-image-81529\" title=\"PhotoWeek121130boxing\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130boxing.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>Delleon Brown strikes his opponent during a bout at the \u003ca href=\"http://richmondconfidential.org/2012/11/27/rpal-boxing-program-helps-youth-overcome-fears-gain-confidence/\">boxing exhibition hosted by the Richmond Police Activities League\u003c/a> on Saturday, November 17th, 2012. (Erik Reyna/\u003ca href=\"http://richmondconfidential.org/\">Richmond Confidential\u003c/a>)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130oysters.jpg\">\u003cimg class=\"aligncenter size-full wp-image-81530\" title=\"PhotoWeek121130oysters\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130oysters.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>Volunteers and staff from \u003ca href=\"http://richmondconfidential.org/2012/11/26/wading-with-the-oyster-catchers/\">The Watershed Project counted Olympia oysters\u003c/a> along a transect line on Sunday, November 11. The Richmond-based environmental nonprofit was assisting the National Estuarine Research and Reserve System with a study on the effects of climate change on oysters. (Sean Greene/\u003ca href=\"http://richmondconfidential.org/\">Richmond Confidential\u003c/a>)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130tgiving.jpg\">\u003cimg class=\"aligncenter size-full wp-image-81531\" title=\"PhotoWeek121130tgiving\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130tgiving.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>Menbere Aklilu hosted her \u003ca href=\"http://richmondconfidential.org/2012/11/22/salute-restaurant-continues-tradition-with-free-meals-for-the-homeless/\">second annual Thanksgiving meal\u003c/a> for the homeless at her restaurant, \u003ca href=\"http://www.salutemarinabay.com/\" target=\"_blank\">Salute\u003c/a>, in Richmond. Her restaurant prepared 600 meals this year. \"They've never been treated this way,\" Aklilu said of those she's serving. \"So I treated them with dignity.\" (Rachel de Leon/\u003ca href=\"http://richmondconfidential.org/\">Richmond Confidential\u003c/a>)\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130seaweed.jpg\">\u003cimg class=\"aligncenter size-full wp-image-81532\" title=\"PhotoWeek121130seaweed\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130seaweed.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>At the University Herbarium, tucked inside the basement of the Valley Life Sciences building at U.C. Berkeley, seaweed expert Kathy Ann Miller is leading a team of students to digitally photograph 76,000 stunning specimens of seaweed collected from the coasts of California, Oregon and Washington. Many of the red, green and brown seaweeds date back to the 1800s and most of the specimens have been preserved on paper and annotated with handwritten collection notes. The project will culminate next summer with the creation of a database featuring not only the high-resolution photographs, but also a Google map to reveal the geographic coordinates where each specimen was collected. Miller hopes that the database will be a valuable scientific tool. (Sheraz Sadiq/\u003ca href=\"http://www.kqed.org/science/\">KQED Science\u003c/a>)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130yarnbomb.jpg\">\u003cimg class=\"aligncenter size-full wp-image-81535\" title=\"PhotoWeek121130yarnbomb\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130yarnbomb.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>\u003c/p>\n\u003cp>Yarn bombing is an art form involving outdoor installations, covering existing urban objects with yarn, and adding color, coziness, and a handmade touch to urban landscapes. Bay Area artist and yarn bomber, \u003ca href=\"http://www.kqed.org/arts/visualarts/article.jsp?essid=110699\">Street Color\u003c/a>, decorates everything from bike racks to BART seats. (Kristin Farr/\u003ca href=\"http://www.kqed.org/arts/\">KQED Arts\u003c/a>)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130treelighting.jpg\">\u003cimg class=\"aligncenter size-full wp-image-81542\" title=\"PhotoWeek121130treelighting\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130treelighting.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>Local artist and former America’s Got Talent contestant Manuel Romero belts a holiday song on Friday, Nov 23, in downtown San Jose. The city kicked off its \u003ca href=\"http://peninsulapress.com/2012/11/25/holiday-kickoff-family-flock-to-san-jose-lighting-shoppers-swarm-palo-alto-multimedia/\">33\u003csup>rd\u003c/sup> annual Christmas in the Park\u003c/a> with an opening night Tree Lighting Ceremony for a 60-foot Community Giving Tree. (Melissa Pandika/\u003ca href=\"http://peninsulapress.com/\">Peninsula Press\u003c/a>)\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130storm.jpg\">\u003cimg class=\"aligncenter size-full wp-image-81528\" title=\"PhotoWeek121130storm\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130storm.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>The platform at Oakland’s MacArthur BART station, shot from San Francisco-bound train during Friday morning commute in the middle of a \u003ca href=\"http://ww2.kqed.org/news/2012/11/30/live-updates-bay-area-rain-traffic/\">the latest\u003c/a> in a series of storms. (Dan Brekke/\u003ca href=\"http://www.kqed.org/news/\">KQED\u003c/a>)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130boxing.jpg\">\u003cimg class=\"aligncenter size-full wp-image-81529\" title=\"PhotoWeek121130boxing\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130boxing.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>Delleon Brown strikes his opponent during a bout at the \u003ca href=\"http://richmondconfidential.org/2012/11/27/rpal-boxing-program-helps-youth-overcome-fears-gain-confidence/\">boxing exhibition hosted by the Richmond Police Activities League\u003c/a> on Saturday, November 17th, 2012. (Erik Reyna/\u003ca href=\"http://richmondconfidential.org/\">Richmond Confidential\u003c/a>)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130oysters.jpg\">\u003cimg class=\"aligncenter size-full wp-image-81530\" title=\"PhotoWeek121130oysters\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130oysters.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>Volunteers and staff from \u003ca href=\"http://richmondconfidential.org/2012/11/26/wading-with-the-oyster-catchers/\">The Watershed Project counted Olympia oysters\u003c/a> along a transect line on Sunday, November 11. The Richmond-based environmental nonprofit was assisting the National Estuarine Research and Reserve System with a study on the effects of climate change on oysters. (Sean Greene/\u003ca href=\"http://richmondconfidential.org/\">Richmond Confidential\u003c/a>)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130tgiving.jpg\">\u003cimg class=\"aligncenter size-full wp-image-81531\" title=\"PhotoWeek121130tgiving\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130tgiving.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>Menbere Aklilu hosted her \u003ca href=\"http://richmondconfidential.org/2012/11/22/salute-restaurant-continues-tradition-with-free-meals-for-the-homeless/\">second annual Thanksgiving meal\u003c/a> for the homeless at her restaurant, \u003ca href=\"http://www.salutemarinabay.com/\" target=\"_blank\">Salute\u003c/a>, in Richmond. Her restaurant prepared 600 meals this year. \"They've never been treated this way,\" Aklilu said of those she's serving. \"So I treated them with dignity.\" (Rachel de Leon/\u003ca href=\"http://richmondconfidential.org/\">Richmond Confidential\u003c/a>)\u003c/p>\n\u003cp>\u003c!--more-->\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130seaweed.jpg\">\u003cimg class=\"aligncenter size-full wp-image-81532\" title=\"PhotoWeek121130seaweed\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130seaweed.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>At the University Herbarium, tucked inside the basement of the Valley Life Sciences building at U.C. Berkeley, seaweed expert Kathy Ann Miller is leading a team of students to digitally photograph 76,000 stunning specimens of seaweed collected from the coasts of California, Oregon and Washington. Many of the red, green and brown seaweeds date back to the 1800s and most of the specimens have been preserved on paper and annotated with handwritten collection notes. The project will culminate next summer with the creation of a database featuring not only the high-resolution photographs, but also a Google map to reveal the geographic coordinates where each specimen was collected. Miller hopes that the database will be a valuable scientific tool. (Sheraz Sadiq/\u003ca href=\"http://www.kqed.org/science/\">KQED Science\u003c/a>)\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130yarnbomb.jpg\">\u003cimg class=\"aligncenter size-full wp-image-81535\" title=\"PhotoWeek121130yarnbomb\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130yarnbomb.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>\u003c/p>\n\u003cp>Yarn bombing is an art form involving outdoor installations, covering existing urban objects with yarn, and adding color, coziness, and a handmade touch to urban landscapes. Bay Area artist and yarn bomber, \u003ca href=\"http://www.kqed.org/arts/visualarts/article.jsp?essid=110699\">Street Color\u003c/a>, decorates everything from bike racks to BART seats. (Kristin Farr/\u003ca href=\"http://www.kqed.org/arts/\">KQED Arts\u003c/a>)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130treelighting.jpg\">\u003cimg class=\"aligncenter size-full wp-image-81542\" title=\"PhotoWeek121130treelighting\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/PhotoWeek121130treelighting.jpg\" alt=\"\" width=\"640\" height=\"400\">\u003c/a>Local artist and former America’s Got Talent contestant Manuel Romero belts a holiday song on Friday, Nov 23, in downtown San Jose. The city kicked off its \u003ca href=\"http://peninsulapress.com/2012/11/25/holiday-kickoff-family-flock-to-san-jose-lighting-shoppers-swarm-palo-alto-multimedia/\">33\u003csup>rd\u003c/sup> annual Christmas in the Park\u003c/a> with an opening night Tree Lighting Ceremony for a 60-foot Community Giving Tree. (Melissa Pandika/\u003ca href=\"http://peninsulapress.com/\">Peninsula Press\u003c/a>)\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "The Return of the Parkway: Oakland Theater Tries to Revive Tradition",
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"content": "\u003cp>\u003cem>by Lauren Benichou\u003c/em>\u003c/p>\n\u003cp>Movie sequels rarely do as well as the originals. The owners of the New Parkway Theater are betting that trend doesn’t apply to theaters themselves.\u003c/p>\n\u003cfigure id=\"attachment_80582\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/Parkway.jpg\">\u003cimg class=\"size-medium wp-image-80582\" title=\"Parkway\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/Parkway-300x199.jpg\" alt=\"\" width=\"300\" height=\"199\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The New Parkway Theater is getting its permits in order. (Lauren Benichou/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>On Nov. 30, the \u003ca href=\"http://thenewparkway.com/index.html\">New Parkway Theater\u003c/a> hopes to replicate the success of the beloved Parkway Theater at the foot of Park Boulevard in Oakland where the audience could lounge on couches and loveseats while chugging beers or munching pizza. The original Parkway \u003ca href=\"http://www.kqed.org/a/kqednews/R903201730\">closed\u003c/a>in March of 2009.\u003c/p>\n\u003cp>The New Parkway is popping up in the sizzling Uptown neighborhood at 474 24\u003csup>th\u003c/sup> Street. Local businesses threw the theater a welcome-to-the-neighborhood party Oct. 24th.\u003c/p>\n\u003cp>\u003c!--more-->The theater is still under construction, but true to the spirit of the original Parkway, surrounding stores opened their spaces for screenings of movies like \u003ca href=\"http://www.imdb.com/title/tt0069704/\">“American Graffiti,”\u003c/a> \u003ca href=\"The%20Night%20of%20the%20Living%20Dead,%E2%80%9D\">“The Night of the Living Dead,”\u003c/a> and \u003ca href=\"http://www.imdb.com/title/tt0162346/\">“Ghost World,”\u003c/a> selling empanadas, chocolate truffles and other treats… along with beer.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>And as the management of the theater hoped, some old Parkway devotees gathered for the party. “I left a Giants' game to come here,” said Risa Nye, a former regular. “So, you know, that means a lot.”\u003c/p>\n\u003cp>The new owners are optimistic they can avoid the fate of the old Parkway’s owners, Kyle and Catherine Fischer, who \u003ca href=\"http://www.kqed.org/a/kqednews/R903201730\">shut the theater down\u003c/a> in 2009. According to the \u003ca href=\"http://www.eastbayexpress.com/gyrobase/picture-pub-pizza--poof/Content?oid=1370525&showFullText=true\">East Bay Express\u003c/a>, the old Parkway made money, but the Fischers became overextended after investing in a sister location in El Cerrito.\u003c/p>\n\u003cp>The New Parkway owners \u003ca href=\"http://thenewparkway.com/history.html\">wrote\u003c/a> this about the old ones:\u003c/p>\n\u003cblockquote>\u003cp>You can call the Fischers poor managers, you can call them overambitious, or you can say that they had the bad fortune of trying to expand in a contracting economy, but there is no denying that they built a wildly popular, incredibly unique, highly acclaimed, and financially successful theater in a part of Oakland where many doubters would have said it could never be done. We plan to follow in their footsteps.\u003c/p>\u003c/blockquote>\n\u003cp>\u003cstrong>Parkway II\u003c/strong>\u003c/p>\n\u003cp>After a failed attempt to reopen at the original location, J. Moses Ceaser, the managing partner of the New Parkway, connected with Matthew Iglehart, who owns a couple of properties in the Uptown area and wanted to rent one out as a theater. By December 2011, a new lease was signed.\u003c/p>\n\u003cp>Will “The Thrill” Viharo was the former programmer for the original Parkway and is now the publicist and event consultant. “It’s like the cancellation of Star Trek,” he says. “So there [are] all these ‘trekkies’ out there, or Parkway heads, and they’ve been wanting this show to come back. So this is kind of like Parkway the Next Generation.”\u003c/p>\n\u003cp>The new management of the theater will follow the same basic concept as its predecessor but plans improvements.\u003c/p>\n\u003cp>Managing partner J. Moses Ceaser says people complained about the quality of the food and the cleanliness of the original venue. “I think we can be kind of Parkway-plus in that regard,” he says.\u003c/p>\n\u003cp>But opening an independent theater is one thing. Keeping it open is another, especially with the New Parkway’s unusual format.\u003c/p>\n\u003cp>The Cerrito is now leased to \u003ca href=\"http://www.rialtocinemas.com/index.php\">Rialto Cinemas\u003c/a>, which also runs the only independent theater in Berkeley, the Elmwood. Like the Parkway, the Cerrito serves food and alcoholic beverages, but unlike the old one, the New Parkway runs new releases as well as older movies.\u003c/p>\n\u003cp>Ky Boyd, the proprietor of Rialto Cinemas, says running an independent theater is hard because a single venue can’t depend on a big company to bail it out if it hits rough times. “It’s a challenging business but a very rewarding one in ways other than finances,” he says.\u003c/p>\n\u003cp>It can be even more difficult to successfully run a theater if it only plays second-run movies, meaning new releases that can be 3 to 5 weeks old. “Movies are perishable products,” he says. “They don’t always do well in their second cycle.”\u003c/p>\n\u003cp>And serving restaurant quality food in a theater, as Boyd does in the Cerrito, requires extensive planning. “You have a much higher operating cost everyday that you have to plan for,” he says. “But it is always a good time to open a new theater especially when you are bringing entertainment and you are anchoring in a neighborhood that didn’t have a theater before.”\u003c/p>\n\u003cp>Parkwayheads won’t have to wait much longer for the grand opening and The New Parkway is already programming upcoming events like a Parkway Classic night. Every Thursday, the New Parkway will be screening movies that made the old Parkway famous with classic cult movies.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Stay tuned for “Revenge of the Parkway.”\u003c/p>\n\n",
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"description": "by Lauren Benichou Movie sequels rarely do as well as the originals. The owners of the New Parkway Theater are betting that trend doesn’t apply to theaters themselves. On Nov. 30, the New Parkway Theater hopes to replicate the success of the beloved Parkway Theater at the foot of Park Boulevard in Oakland where the",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>by Lauren Benichou\u003c/em>\u003c/p>\n\u003cp>Movie sequels rarely do as well as the originals. The owners of the New Parkway Theater are betting that trend doesn’t apply to theaters themselves.\u003c/p>\n\u003cfigure id=\"attachment_80582\" class=\"wp-caption alignright\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/Parkway.jpg\">\u003cimg class=\"size-medium wp-image-80582\" title=\"Parkway\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/Parkway-300x199.jpg\" alt=\"\" width=\"300\" height=\"199\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The New Parkway Theater is getting its permits in order. (Lauren Benichou/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp>On Nov. 30, the \u003ca href=\"http://thenewparkway.com/index.html\">New Parkway Theater\u003c/a> hopes to replicate the success of the beloved Parkway Theater at the foot of Park Boulevard in Oakland where the audience could lounge on couches and loveseats while chugging beers or munching pizza. The original Parkway \u003ca href=\"http://www.kqed.org/a/kqednews/R903201730\">closed\u003c/a>in March of 2009.\u003c/p>\n\u003cp>The New Parkway is popping up in the sizzling Uptown neighborhood at 474 24\u003csup>th\u003c/sup> Street. Local businesses threw the theater a welcome-to-the-neighborhood party Oct. 24th.\u003c/p>\n\u003cp>\u003c!--more-->The theater is still under construction, but true to the spirit of the original Parkway, surrounding stores opened their spaces for screenings of movies like \u003ca href=\"http://www.imdb.com/title/tt0069704/\">“American Graffiti,”\u003c/a> \u003ca href=\"The%20Night%20of%20the%20Living%20Dead,%E2%80%9D\">“The Night of the Living Dead,”\u003c/a> and \u003ca href=\"http://www.imdb.com/title/tt0162346/\">“Ghost World,”\u003c/a> selling empanadas, chocolate truffles and other treats… along with beer.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And as the management of the theater hoped, some old Parkway devotees gathered for the party. “I left a Giants' game to come here,” said Risa Nye, a former regular. “So, you know, that means a lot.”\u003c/p>\n\u003cp>The new owners are optimistic they can avoid the fate of the old Parkway’s owners, Kyle and Catherine Fischer, who \u003ca href=\"http://www.kqed.org/a/kqednews/R903201730\">shut the theater down\u003c/a> in 2009. According to the \u003ca href=\"http://www.eastbayexpress.com/gyrobase/picture-pub-pizza--poof/Content?oid=1370525&showFullText=true\">East Bay Express\u003c/a>, the old Parkway made money, but the Fischers became overextended after investing in a sister location in El Cerrito.\u003c/p>\n\u003cp>The New Parkway owners \u003ca href=\"http://thenewparkway.com/history.html\">wrote\u003c/a> this about the old ones:\u003c/p>\n\u003cblockquote>\u003cp>You can call the Fischers poor managers, you can call them overambitious, or you can say that they had the bad fortune of trying to expand in a contracting economy, but there is no denying that they built a wildly popular, incredibly unique, highly acclaimed, and financially successful theater in a part of Oakland where many doubters would have said it could never be done. We plan to follow in their footsteps.\u003c/p>\u003c/blockquote>\n\u003cp>\u003cstrong>Parkway II\u003c/strong>\u003c/p>\n\u003cp>After a failed attempt to reopen at the original location, J. Moses Ceaser, the managing partner of the New Parkway, connected with Matthew Iglehart, who owns a couple of properties in the Uptown area and wanted to rent one out as a theater. By December 2011, a new lease was signed.\u003c/p>\n\u003cp>Will “The Thrill” Viharo was the former programmer for the original Parkway and is now the publicist and event consultant. “It’s like the cancellation of Star Trek,” he says. “So there [are] all these ‘trekkies’ out there, or Parkway heads, and they’ve been wanting this show to come back. So this is kind of like Parkway the Next Generation.”\u003c/p>\n\u003cp>The new management of the theater will follow the same basic concept as its predecessor but plans improvements.\u003c/p>\n\u003cp>Managing partner J. Moses Ceaser says people complained about the quality of the food and the cleanliness of the original venue. “I think we can be kind of Parkway-plus in that regard,” he says.\u003c/p>\n\u003cp>But opening an independent theater is one thing. Keeping it open is another, especially with the New Parkway’s unusual format.\u003c/p>\n\u003cp>The Cerrito is now leased to \u003ca href=\"http://www.rialtocinemas.com/index.php\">Rialto Cinemas\u003c/a>, which also runs the only independent theater in Berkeley, the Elmwood. Like the Parkway, the Cerrito serves food and alcoholic beverages, but unlike the old one, the New Parkway runs new releases as well as older movies.\u003c/p>\n\u003cp>Ky Boyd, the proprietor of Rialto Cinemas, says running an independent theater is hard because a single venue can’t depend on a big company to bail it out if it hits rough times. “It’s a challenging business but a very rewarding one in ways other than finances,” he says.\u003c/p>\n\u003cp>It can be even more difficult to successfully run a theater if it only plays second-run movies, meaning new releases that can be 3 to 5 weeks old. “Movies are perishable products,” he says. “They don’t always do well in their second cycle.”\u003c/p>\n\u003cp>And serving restaurant quality food in a theater, as Boyd does in the Cerrito, requires extensive planning. “You have a much higher operating cost everyday that you have to plan for,” he says. “But it is always a good time to open a new theater especially when you are bringing entertainment and you are anchoring in a neighborhood that didn’t have a theater before.”\u003c/p>\n\u003cp>Parkwayheads won’t have to wait much longer for the grand opening and The New Parkway is already programming upcoming events like a Parkway Classic night. Every Thursday, the New Parkway will be screening movies that made the old Parkway famous with classic cult movies.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Stay tuned for “Revenge of the Parkway.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Fatwa Against His Life, Iranian Musician to Play at UC Berkeley",
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"content": "\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/20121115-News-Iranian_Musician.mp3\" target=\"_blank\">Listen to the complete radio story here.\u003c/a>\u003c/p>\n\u003cp>[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/20121115-News-Iranian_Musician.mp3|titles=Iranian-Rapper-Shahin-Najafi-KQED]\u003c/p>\n\u003cfigure id=\"attachment_80405\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/Najafi-web.jpg\">\u003cimg class=\"size-medium wp-image-80405\" title='Shahin Najafi had a fatwa placed on him after releasing the song \"Naghi.\"' src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/Najafi-web-300x282.jpg\" alt=\"\" width=\"300\" height=\"282\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Shahin Najafi had a fatwa placed on him after releasing the song \"Naghi.\"\u003c/figcaption>\u003c/figure>\n\u003cp>This week a popular Iranian rapper is coming out of hiding to perform in Berkeley at his first U.S. concert.\u003c/p>\n\u003cp>Last spring an Iranian cleric issued a religious proclamation, or \"fatwa,\" putting a $100,000 bounty on the head of \u003ca href=\"https://www.facebook.com/shahinnajafi666\" target=\"_blank\">Shahin Najafi\u003c/a> after he released a song criticizing Iranian politics.\u003c/p>\n\u003cp>Najafi is so controversial he's even the subject of an Iranian video game in which the object is to kill him. Najafi says he's actually played the game himself.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"It was pretty cool, I got to kill myself,\" Najafi says in Farsi. \"But then I came back. So, I enjoyed that.\"\u003c/p>\n\u003cp>Najafi finds it sad that anyone would want him dead badly enough to produce a video game to that end.\u003c/p>\n\u003cp>\"I feel pretty disappointed that...an Iranian person sat down and made that game. And how much hate they have in their heart disappoints me and I feel sorry for them.\"\u003c/p>\n\u003cp>The fatwa is just the latest in a series of problems with Iranian authorities that Najafi has experienced. In 2005 he was arrested for performing concerts that officials claimed were \"inciting unrest\" and \"undermining leadership.\" He fled the country and moved to Germany, where he produced the work that prompted the fatwa -- a rap about issues facing the country. The song criticizes international sanctions, empty political slogans, and the irony of nationalists praying on Chinese-made rugs. It was released on Youtube and it's called \"\u003ca href=\"http://www.youtube.com/watch?v=4rDXhjIN030\" target=\"_blank\">Naghi\u003c/a>.\"\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe src=\"http://www.youtube.com/embed/4rDXhjIN030\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp> \u003c/p>\n\u003cp>\u003c!--more-->\"Releasing Naghi was the final nail in the coffin,\" says Najafi. \"Where they unequivocally stated how they felt about me, which was I should die.\"\u003c/p>\n\u003cp>That's when Najafi went into hiding in Germany. But after six months of keeping a low profile, he's now taking a risk and going on a concert tour. His first stop -- Berkeley, California. \u003c!--more-->\u003c/p>\n\u003caside class=\"pullquote alignleft\">\u003ca href=\"https://commerce.cpsma.berkeley.edu/tickets/tickets/reserve_best.aspx?performanceNumber=8241&\" target=\"_blank\">Buy tickets to Najafi's concert\u003c/a> this Friday at UC Berkeley Wheeler Hall\u003c/aside>\n\u003cp>\"We have security, we are being security conscious about different aspects of the concerts and everything else, where I’m staying and all,\" Najafi says.\u003c/p>\n\u003cp>Najafi says he’s actually less scared here than in Europe. That's because he thinks the Iranian government is less likely to lay a hand on him on U.S. soil for fear of international attention. Najafi says he hopes his concerts can bring the Iranian diaspora together.\u003c/p>\n\u003cp>\"Art is like a sledgehammer in that a sledgehammer’s function is both to shape and to break.\"\u003c/p>\n\u003cp>Najafi thinks his sledgehammer music is a lot more effective than politics.\u003c/p>\n\u003cp>\"I’ve always doubted the power of politics in bringing people together. Art, on the other hand, brings people together all the time. Art can make you cry, it can make you laugh.\"\u003c/p>\n\u003cp>And it can make your life pretty complicated if you're an Iranian artist who's challenging authority.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[audio:http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/11/20121115-News-Iranian_Musician.mp3|titles=Iranian-Rapper-Shahin-Najafi-KQED]\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"It was pretty cool, I got to kill myself,\" Najafi says in Farsi. \"But then I came back. So, I enjoyed that.\"\u003c/p>\n\u003cp>Najafi finds it sad that anyone would want him dead badly enough to produce a video game to that end.\u003c/p>\n\u003cp>\"I feel pretty disappointed that...an Iranian person sat down and made that game. And how much hate they have in their heart disappoints me and I feel sorry for them.\"\u003c/p>\n\u003cp>The fatwa is just the latest in a series of problems with Iranian authorities that Najafi has experienced. In 2005 he was arrested for performing concerts that officials claimed were \"inciting unrest\" and \"undermining leadership.\" He fled the country and moved to Germany, where he produced the work that prompted the fatwa -- a rap about issues facing the country. The song criticizes international sanctions, empty political slogans, and the irony of nationalists praying on Chinese-made rugs. It was released on Youtube and it's called \"\u003ca href=\"http://www.youtube.com/watch?v=4rDXhjIN030\" target=\"_blank\">Naghi\u003c/a>.\"\u003c/p>\n\u003cdiv style=\"text-align: center\">\u003ciframe src=\"http://www.youtube.com/embed/4rDXhjIN030\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp> \u003c/p>\n\u003cp>\u003c!--more-->\"Releasing Naghi was the final nail in the coffin,\" says Najafi. \"Where they unequivocally stated how they felt about me, which was I should die.\"\u003c/p>\n\u003cp>That's when Najafi went into hiding in Germany. But after six months of keeping a low profile, he's now taking a risk and going on a concert tour. His first stop -- Berkeley, California. \u003c!--more-->\u003c/p>\n\u003caside class=\"pullquote alignleft\">\u003ca href=\"https://commerce.cpsma.berkeley.edu/tickets/tickets/reserve_best.aspx?performanceNumber=8241&\" target=\"_blank\">Buy tickets to Najafi's concert\u003c/a> this Friday at UC Berkeley Wheeler Hall\u003c/aside>\n\u003cp>\"We have security, we are being security conscious about different aspects of the concerts and everything else, where I’m staying and all,\" Najafi says.\u003c/p>\n\u003cp>Najafi says he’s actually less scared here than in Europe. That's because he thinks the Iranian government is less likely to lay a hand on him on U.S. soil for fear of international attention. Najafi says he hopes his concerts can bring the Iranian diaspora together.\u003c/p>\n\u003cp>\"Art is like a sledgehammer in that a sledgehammer’s function is both to shape and to break.\"\u003c/p>\n\u003cp>Najafi thinks his sledgehammer music is a lot more effective than politics.\u003c/p>\n\u003cp>\"I’ve always doubted the power of politics in bringing people together. Art, on the other hand, brings people together all the time. Art can make you cry, it can make you laugh.\"\u003c/p>\n\u003cp>And it can make your life pretty complicated if you're an Iranian artist who's challenging authority.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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},
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"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
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},
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"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
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"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
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"order": 1
},
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
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"source": "WNYC"
},
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
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},
"fresh-air": {
"id": "fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
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"link": "/radio/program/hidden-brain",
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"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
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