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"content": "\u003cp>A few weeks ago, the Bay Area hip-hop duo \u003ca href=\"http://blackalicious.com/\" target=\"_blank\">Blackalicious\u003c/a> ended their decade-long hiatus with the release of a brand-new album. Yet despite its effortless flow, the album’s creation was far from easy.\u003c/p>\n\u003cp>Since 1992, Blackalicious has released four albums -- each one chock-full of MC Gift of Gab’s virtuosic wordplay and positive messages, and producer Chief Xcel’s soulful, lush arrangements. They cemented their reputation as masters of their craft with 2002’s breakout album, \"Blazing Arrow,\" and even skeptics may find it hard to not break into a grin while listening to Gab’s ever-accelerating, lightning-fast flow on their beloved track, \u003ca href=\"https://youtu.be/w8YM22wqFkw?t=47\">“Alphabet Aerobics.”\u003c/a>\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/228750161\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003cp>Much to the chagrin of their fans, in 2005 the duo took a break to work on solo albums and other collaborations. Yet Gab and X, who have known each other since high school in Sacramento, couldn’t be kept apart.\u003c/p>\n\u003cp>“2012 came and we said, ‘Hey it’s been a minute, time to get back to the mothership,’ ” Gab recalls.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“A lot of our communications happens in the sheer nonverbal,” X chimes in. “If something hits, he’ll scrunch up his nose and bob his head and then I know he’s thinking ‘I’m gonna murder this track.’ That’s when I know I’ve struck fire.\"\u003c/p>\n\u003cp>But around the same time that Blackalicious started working on new material, Gab’s health took a sharp turn.\u003c/p>\n\u003cfigure id=\"attachment_10720073\" class=\"wp-caption alignright\" style=\"max-width: 477px\">\u003cimg class=\" wp-image-10720073\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/10/GabXcelBW-800x545.jpg\" alt=\"Gift of Gab (L) and Chief Xcel.\" width=\"477\" height=\"325\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/10/GabXcelBW-800x545.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/GabXcelBW-400x273.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/GabXcelBW-1440x982.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/GabXcelBW.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/GabXcelBW-1180x804.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/GabXcelBW-960x655.jpg 960w\" sizes=\"(max-width: 477px) 100vw, 477px\">\u003cfigcaption class=\"wp-caption-text\">Gift of Gab (L) and Chief Xcel. \u003ccite>(Photo: Nicole Mago)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It was almost like I thought I had the flu,” Gab says. “I would be walking and get tired after 20 steps. I was bedridden and it wouldn't stop. And then I didn't eat for four days.”\u003c/p>\n\u003cp>High blood pressure and diabetes run in Gab’s family.\u003c/p>\n\u003cp>“I knew I hadn’t been living right,” he admits, and acknowledges that his lifestyle had caught up with him.\u003c/p>\n\u003cp>“I felt kinda helpless because I didn’t know what to do and I didn’t know how to deal with it,” he adds. Doctors told him that his kidneys were failing. He was put on dialysis, a machine that removes, cleans and replaces his blood. Each session takes five hours; he gets treatment three times a week.\u003c/p>\n\u003cp>Yet during the dialysis sessions, Gab began writing with newfound urgency.\u003c/p>\n\u003caside class=\"pullquote alignleft\">'We’re all gonna be handed obstacles, it’s just what you do with them.'\u003ccite>Gift of Gab\u003c/cite>\u003c/aside>\n\u003cp>“One day I took a pad and a pen there and I wrote two songs.” He realized, “This is exactly where I’m supposed to be.”\u003c/p>\n\u003cp>The duo composed 60 songs in total, which they whittled down to 16 for \"IMANI Vol. 1,\" their fifth album. The title is the Swahili word for faith.\u003c/p>\n\u003cp>“Your experience makes your record,” Gab reflects. “There’s glimpses of it throughout the album.”\u003c/p>\n\u003cp>With the album finished, they began plotting a world tour. But with the fragile state of Gab’s health, they weren’t sure it could even happen.\u003c/p>\n\u003cp>“[The] first show we did after I started dialysis was SXSW in Texas, and that was a hard show,” Gab recalls. “I can still remember the first rehearsal. I don't think I was even able to get through a song.”\u003c/p>\n\u003cfigure id=\"attachment_10720077\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10720077 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/10/ImaniCover-800x800.jpg\" alt=\""IMANI Vol. 1" is Blackalicious' first album in 10 years.\" width=\"800\" height=\"800\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/10/ImaniCover-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/ImaniCover-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/ImaniCover-1440x1441.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/ImaniCover.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/ImaniCover-1180x1181.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/ImaniCover-960x961.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/ImaniCover-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/ImaniCover-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/ImaniCover-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/ImaniCover-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/ImaniCover-75x75.jpg 75w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">\"IMANI Vol. 1\" is Blackalicious' first album in 10 years.\u003c/figcaption>\u003c/figure>\n\u003cp>In order for the tour to succeed, Gab would need regular dialysis on the road. Gradually, his body adjusted to the treatment. They started doing one-off shows, and now they’re in the middle of a four-month tour that’s taking them from Switzerland to Singapore.\u003c/p>\n\u003cp>“And I feel great,” Gab practically shouts. He left for Europe, where Blackalicious is currently touring, days ahead of X, so he would have time to receive dialysis and rest.\u003c/p>\n\u003cp>Over two decades into their career, Blackalicious are at the top of their game, and they aren’t showing any sign of slowing down.\u003c/p>\n\u003cp>“We had amassed so much work doing Vol 1,” X explains, “that we thought there was no way we could tell the whole story in 16 songs.”\u003c/p>\n\u003cp>So now the duo is hard at work on \"IMANI Vol. 2 and 3,\" which will be released over the next year and a half. It’s a daring move for any artist, but for Blackalicious, it’s a testament to one of the most lasting and exciting collaborations in hip-hop.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“This whole thing man, life is all about turning negatives into positives,” says Gab. “We’re all gonna be handed obstacles. It’s just what you do with them.\"\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A few weeks ago, the Bay Area hip-hop duo \u003ca href=\"http://blackalicious.com/\" target=\"_blank\">Blackalicious\u003c/a> ended their decade-long hiatus with the release of a brand-new album. Yet despite its effortless flow, the album’s creation was far from easy.\u003c/p>\n\u003cp>Since 1992, Blackalicious has released four albums -- each one chock-full of MC Gift of Gab’s virtuosic wordplay and positive messages, and producer Chief Xcel’s soulful, lush arrangements. They cemented their reputation as masters of their craft with 2002’s breakout album, \"Blazing Arrow,\" and even skeptics may find it hard to not break into a grin while listening to Gab’s ever-accelerating, lightning-fast flow on their beloved track, \u003ca href=\"https://youtu.be/w8YM22wqFkw?t=47\">“Alphabet Aerobics.”\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/228750161&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/228750161'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Much to the chagrin of their fans, in 2005 the duo took a break to work on solo albums and other collaborations. Yet Gab and X, who have known each other since high school in Sacramento, couldn’t be kept apart.\u003c/p>\n\u003cp>“2012 came and we said, ‘Hey it’s been a minute, time to get back to the mothership,’ ” Gab recalls.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“A lot of our communications happens in the sheer nonverbal,” X chimes in. “If something hits, he’ll scrunch up his nose and bob his head and then I know he’s thinking ‘I’m gonna murder this track.’ That’s when I know I’ve struck fire.\"\u003c/p>\n\u003cp>But around the same time that Blackalicious started working on new material, Gab’s health took a sharp turn.\u003c/p>\n\u003cfigure id=\"attachment_10720073\" class=\"wp-caption alignright\" style=\"max-width: 477px\">\u003cimg class=\" wp-image-10720073\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/10/GabXcelBW-800x545.jpg\" alt=\"Gift of Gab (L) and Chief Xcel.\" width=\"477\" height=\"325\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/10/GabXcelBW-800x545.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/GabXcelBW-400x273.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/GabXcelBW-1440x982.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/GabXcelBW.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/GabXcelBW-1180x804.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/GabXcelBW-960x655.jpg 960w\" sizes=\"(max-width: 477px) 100vw, 477px\">\u003cfigcaption class=\"wp-caption-text\">Gift of Gab (L) and Chief Xcel. \u003ccite>(Photo: Nicole Mago)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“It was almost like I thought I had the flu,” Gab says. “I would be walking and get tired after 20 steps. I was bedridden and it wouldn't stop. And then I didn't eat for four days.”\u003c/p>\n\u003cp>High blood pressure and diabetes run in Gab’s family.\u003c/p>\n\u003cp>“I knew I hadn’t been living right,” he admits, and acknowledges that his lifestyle had caught up with him.\u003c/p>\n\u003cp>“I felt kinda helpless because I didn’t know what to do and I didn’t know how to deal with it,” he adds. Doctors told him that his kidneys were failing. He was put on dialysis, a machine that removes, cleans and replaces his blood. Each session takes five hours; he gets treatment three times a week.\u003c/p>\n\u003cp>Yet during the dialysis sessions, Gab began writing with newfound urgency.\u003c/p>\n\u003caside class=\"pullquote alignleft\">'We’re all gonna be handed obstacles, it’s just what you do with them.'\u003ccite>Gift of Gab\u003c/cite>\u003c/aside>\n\u003cp>“One day I took a pad and a pen there and I wrote two songs.” He realized, “This is exactly where I’m supposed to be.”\u003c/p>\n\u003cp>The duo composed 60 songs in total, which they whittled down to 16 for \"IMANI Vol. 1,\" their fifth album. The title is the Swahili word for faith.\u003c/p>\n\u003cp>“Your experience makes your record,” Gab reflects. “There’s glimpses of it throughout the album.”\u003c/p>\n\u003cp>With the album finished, they began plotting a world tour. But with the fragile state of Gab’s health, they weren’t sure it could even happen.\u003c/p>\n\u003cp>“[The] first show we did after I started dialysis was SXSW in Texas, and that was a hard show,” Gab recalls. “I can still remember the first rehearsal. I don't think I was even able to get through a song.”\u003c/p>\n\u003cfigure id=\"attachment_10720077\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10720077 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/10/ImaniCover-800x800.jpg\" alt=\""IMANI Vol. 1" is Blackalicious' first album in 10 years.\" width=\"800\" height=\"800\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/10/ImaniCover-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/ImaniCover-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/ImaniCover-1440x1441.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/ImaniCover.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/ImaniCover-1180x1181.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/ImaniCover-960x961.jpg 960w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/ImaniCover-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/ImaniCover-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/ImaniCover-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/ImaniCover-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/ImaniCover-75x75.jpg 75w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">\"IMANI Vol. 1\" is Blackalicious' first album in 10 years.\u003c/figcaption>\u003c/figure>\n\u003cp>In order for the tour to succeed, Gab would need regular dialysis on the road. Gradually, his body adjusted to the treatment. They started doing one-off shows, and now they’re in the middle of a four-month tour that’s taking them from Switzerland to Singapore.\u003c/p>\n\u003cp>“And I feel great,” Gab practically shouts. He left for Europe, where Blackalicious is currently touring, days ahead of X, so he would have time to receive dialysis and rest.\u003c/p>\n\u003cp>Over two decades into their career, Blackalicious are at the top of their game, and they aren’t showing any sign of slowing down.\u003c/p>\n\u003cp>“We had amassed so much work doing Vol 1,” X explains, “that we thought there was no way we could tell the whole story in 16 songs.”\u003c/p>\n\u003cp>So now the duo is hard at work on \"IMANI Vol. 2 and 3,\" which will be released over the next year and a half. It’s a daring move for any artist, but for Blackalicious, it’s a testament to one of the most lasting and exciting collaborations in hip-hop.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“This whole thing man, life is all about turning negatives into positives,” says Gab. “We’re all gonna be handed obstacles. It’s just what you do with them.\"\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Graphic novelist \u003ca href=\"http://geneyang.com/\" target=\"_blank\" rel=\"noopener\">Gene Luen Yang\u003c/a> takes on questions of race, identity and assimilation in his work. As it turns out, he’s also exploring those ideas at home.\u003c/p>\n\u003cp>Yang is the author of “The Shadow Hero,” about a character who many consider to be the \u003ca href=\"http://www.npr.org/sections/codeswitch/2014/07/15/330121290/was-the-green-turtle-the-first-asian-american-superhero\" target=\"_blank\" rel=\"noopener\">first Asian-American superhero\u003c/a>. Yang has something of a superhero status himself in the world of comics. He’s authored two National Book Award nominees, “Boxers & Saints” and “\u003ca href=\"http://us.macmillan.com/americanbornchinese/geneluenyang\" target=\"_blank\" rel=\"noopener\">American Born Chinese\u003c/a>.” (Yang’s latest book is called “Secret Coders.”)\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/228115979″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>We caught up with him by email to talk about the cultural mashup in his home.\u003c/p>\n\u003cp>Q: KQED’s “\u003ca href=\"http://ww2.kqed.org/news/tag/so-well-spoken\" target=\"_blank\" rel=\"noopener\">So Well Spoken\u003c/a>” is taking up the idea of multiracial families, and you’ve said you’re in one. What kind is yours?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>A: My marriage is multicultural, not multiracial. I am Chinese-American and my wife is Korean-American. We have a lot in common. We grew up in the same neighborhood, went to the same high school. We are both Roman Catholic. We both attended a college in the University of California system. (I went to Cal and she went to UC San Diego.) We both worked as teachers for years.\u003c/p>\n\u003cp>As far as marriages go, ours is fairly low conflict. We have our seasons, but overall we’re stable. When we do have conflicts, however, they tend to stem from differences in culture.\u003c/p>\n\u003cfigure id=\"attachment_10713728\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/10/RS16984_ShadowHero-Cov-300rbg-2-qut.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10713728\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/10/RS16984_ShadowHero-Cov-300rbg-2-qut-800x1238.jpg\" alt=\"Gene Luen Yang is the author of The Shadow Hero, about a character who many consider to be the first Asian-American superhero. Yang is also the author of American Born Chinese and Boxers & Saints.\" width=\"800\" height=\"1238\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/10/RS16984_ShadowHero-Cov-300rbg-2-qut-800x1238.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/10/RS16984_ShadowHero-Cov-300rbg-2-qut-400x619.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/10/RS16984_ShadowHero-Cov-300rbg-2-qut-1440x2228.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/10/RS16984_ShadowHero-Cov-300rbg-2-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/10/RS16984_ShadowHero-Cov-300rbg-2-qut-1180x1825.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/10/RS16984_ShadowHero-Cov-300rbg-2-qut-960x1485.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Gene Luen Yang is the author of “The Shadow Hero,” about a character who many consider to be the first Asian-American superhero. Yang is also the author of “American Born Chinese “and “Boxers & Saints.” \u003ccite>(Courtesy of Gene Luen Yang)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Q: Does being with someone from another culture have particular challenges? How does that play out in your home?\u003c/p>\n\u003cp>A: As far as cultures go, China and Korea are fairly close. I mean, they share a border. There’s been a lot of cultural exchange over the centuries. There’s a sizable Korean minority in China, and the same is true for the Chinese in Korea.\u003c/p>\n\u003cp>You’d figure cultural differences between a Korean-American and a Chinese-American wouldn’t be that big of a deal, but they are. Early on, my wife and I decided that we would attend a Korean-American church and send our kids to weekend Chinese-language school. That’s how we’d stay in touch with both cultures.\u003c/p>\n\u003cp>But then when we actually lived it out, all these unexpected feelings came up. My wife felt uneasy that our kids didn’t know how to speak Korean. I felt uneasy that my kids weren’t growing up with the same Chinese traditions as I did in my home church.\u003c/p>\n\u003cp>I don’t know if there’s a good solution to that uneasiness. Wall Street Journal [columnist] Jeff Yang talks about how the culture of an immigrant community is like water in a bucket. When the water gets passed from the bucket of one generation to the next, some of it spills out. If you marry someone with the exact same cultural background, less water spills out.\u003c/p>\n\u003cp>I guess my wife and I just have to make peace with the inevitable spillage. And, perhaps more hopefully, we can encourage our kids to see themselves as part of the emerging Asian-American subculture.\u003c/p>\n\u003cp>Q: How can these differences be funny sometimes?\u003c/p>\n\u003cp>A: In Korean restaurants, they sometimes have these flat, metal, beautifully crafted chopsticks. I still can’t get used to them. I know it’s stupid. It’s shameful for an Asian-American guy to complain about chopsticks of any kind.\u003c/p>\n\u003cp>Q: A Supreme Court ruling made interracial marriage fully legal at the federal level in the 1960s. That means some people living today were alive when it was still illegal to marry someone of another race. What do you say about that?\u003c/p>\n\u003cp>A: Of course people of different races and cultures ought to be able to marry each other. Humans are humans. Also, culture is fluid, and the boundaries between cultures are often blurry.\u003c/p>\n\u003cp>Even so, spouses of different cultures ought to go into their marriages with their eyes open. Culture is real. Culture is a thing. And something kicks in after you have kids. Maybe it’s biological? I don’t know. But cultural habits that didn’t seem all that important before kids can suddenly feel very, very important after kids.\u003c/p>\n\u003cp>Q: Any advice? Anything to add?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>A: If you’re in a multicultural or multiracial relationship, talk it out. You have to treat culture as an important part of who you are, because it is. It’s as important in a marriage as money, as time, as intimacy. Don’t treat culture as something superfluous.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Graphic novelist \u003ca href=\"http://geneyang.com/\" target=\"_blank\" rel=\"noopener\">Gene Luen Yang\u003c/a> takes on questions of race, identity and assimilation in his work. As it turns out, he’s also exploring those ideas at home.\u003c/p>\n\u003cp>Yang is the author of “The Shadow Hero,” about a character who many consider to be the \u003ca href=\"http://www.npr.org/sections/codeswitch/2014/07/15/330121290/was-the-green-turtle-the-first-asian-american-superhero\" target=\"_blank\" rel=\"noopener\">first Asian-American superhero\u003c/a>. Yang has something of a superhero status himself in the world of comics. He’s authored two National Book Award nominees, “Boxers & Saints” and “\u003ca href=\"http://us.macmillan.com/americanbornchinese/geneluenyang\" target=\"_blank\" rel=\"noopener\">American Born Chinese\u003c/a>.” (Yang’s latest book is called “Secret Coders.”)\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/228115979″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/228115979″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>We caught up with him by email to talk about the cultural mashup in his home.\u003c/p>\n\u003cp>Q: KQED’s “\u003ca href=\"http://ww2.kqed.org/news/tag/so-well-spoken\" target=\"_blank\" rel=\"noopener\">So Well Spoken\u003c/a>” is taking up the idea of multiracial families, and you’ve said you’re in one. What kind is yours?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A: My marriage is multicultural, not multiracial. I am Chinese-American and my wife is Korean-American. We have a lot in common. We grew up in the same neighborhood, went to the same high school. We are both Roman Catholic. We both attended a college in the University of California system. (I went to Cal and she went to UC San Diego.) We both worked as teachers for years.\u003c/p>\n\u003cp>As far as marriages go, ours is fairly low conflict. We have our seasons, but overall we’re stable. When we do have conflicts, however, they tend to stem from differences in culture.\u003c/p>\n\u003cfigure id=\"attachment_10713728\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/10/RS16984_ShadowHero-Cov-300rbg-2-qut.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10713728\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/10/RS16984_ShadowHero-Cov-300rbg-2-qut-800x1238.jpg\" alt=\"Gene Luen Yang is the author of The Shadow Hero, about a character who many consider to be the first Asian-American superhero. Yang is also the author of American Born Chinese and Boxers & Saints.\" width=\"800\" height=\"1238\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/10/RS16984_ShadowHero-Cov-300rbg-2-qut-800x1238.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/10/RS16984_ShadowHero-Cov-300rbg-2-qut-400x619.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/10/RS16984_ShadowHero-Cov-300rbg-2-qut-1440x2228.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/10/RS16984_ShadowHero-Cov-300rbg-2-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/10/RS16984_ShadowHero-Cov-300rbg-2-qut-1180x1825.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/10/RS16984_ShadowHero-Cov-300rbg-2-qut-960x1485.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Gene Luen Yang is the author of “The Shadow Hero,” about a character who many consider to be the first Asian-American superhero. Yang is also the author of “American Born Chinese “and “Boxers & Saints.” \u003ccite>(Courtesy of Gene Luen Yang)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Q: Does being with someone from another culture have particular challenges? How does that play out in your home?\u003c/p>\n\u003cp>A: As far as cultures go, China and Korea are fairly close. I mean, they share a border. There’s been a lot of cultural exchange over the centuries. There’s a sizable Korean minority in China, and the same is true for the Chinese in Korea.\u003c/p>\n\u003cp>You’d figure cultural differences between a Korean-American and a Chinese-American wouldn’t be that big of a deal, but they are. Early on, my wife and I decided that we would attend a Korean-American church and send our kids to weekend Chinese-language school. That’s how we’d stay in touch with both cultures.\u003c/p>\n\u003cp>But then when we actually lived it out, all these unexpected feelings came up. My wife felt uneasy that our kids didn’t know how to speak Korean. I felt uneasy that my kids weren’t growing up with the same Chinese traditions as I did in my home church.\u003c/p>\n\u003cp>I don’t know if there’s a good solution to that uneasiness. Wall Street Journal [columnist] Jeff Yang talks about how the culture of an immigrant community is like water in a bucket. When the water gets passed from the bucket of one generation to the next, some of it spills out. If you marry someone with the exact same cultural background, less water spills out.\u003c/p>\n\u003cp>I guess my wife and I just have to make peace with the inevitable spillage. And, perhaps more hopefully, we can encourage our kids to see themselves as part of the emerging Asian-American subculture.\u003c/p>\n\u003cp>Q: How can these differences be funny sometimes?\u003c/p>\n\u003cp>A: In Korean restaurants, they sometimes have these flat, metal, beautifully crafted chopsticks. I still can’t get used to them. I know it’s stupid. It’s shameful for an Asian-American guy to complain about chopsticks of any kind.\u003c/p>\n\u003cp>Q: A Supreme Court ruling made interracial marriage fully legal at the federal level in the 1960s. That means some people living today were alive when it was still illegal to marry someone of another race. What do you say about that?\u003c/p>\n\u003cp>A: Of course people of different races and cultures ought to be able to marry each other. Humans are humans. Also, culture is fluid, and the boundaries between cultures are often blurry.\u003c/p>\n\u003cp>Even so, spouses of different cultures ought to go into their marriages with their eyes open. Culture is real. Culture is a thing. And something kicks in after you have kids. Maybe it’s biological? I don’t know. But cultural habits that didn’t seem all that important before kids can suddenly feel very, very important after kids.\u003c/p>\n\u003cp>Q: Any advice? Anything to add?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>A: If you’re in a multicultural or multiracial relationship, talk it out. You have to treat culture as an important part of who you are, because it is. It’s as important in a marriage as money, as time, as intimacy. Don’t treat culture as something superfluous.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>It's an after-school ritual for Abigayle de la Rosa to stop at La Original Paleteria y Neveria (The Original Ice Cream Shop) and get a scoop of Mexican ice cream in her bustling San Jose neighborhood, called Calle Willow.\u003c/p>\n\u003cp>Since it opened on Willow Street a year ago, the shop has become her version of \"31 Flavors.\" The surrounding area resembles parts of Mexico City, with storefront signs written in Spanish, merchants selling fresh flowers, jewelry, sidewalk tacos and pictures of the Virgencita de Guadalupe, patron saint of Mexico. The neighborhood is wedged between downtown's glistening office buildings and Willow Glen, one of the most affluent areas in Silicon Valley.\u003c/p>\n\u003cp>De la Rosa is only 10 years old, but she's fully aware that on Sunday her neighborhood will be one of many on full display when six miles of city streets will be closed to cars but open to people to walk, bicycle, skateboard or travel by any nonmotorized mode of transportation.\u003c/p>\n\u003cp>It's the inaugural \u003ca href=\"http://vivacallesj.org/\" target=\"_blank\">Viva CalleSJ\u003c/a> open streets event, a festival stretching from downtown San Jose to Little Saigon to East San Jose that aims to encourage residents to explore parts of the city they know little about.\u003c/p>\n\u003cfigure id=\"attachment_10712086\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/10/UPDATED_VivaCalleSJ_RouteMap.jpg\">\u003cimg class=\"size-thumbnail wp-image-10712086\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/10/UPDATED_VivaCalleSJ_RouteMap-400x263.jpg\" alt=\"Map of the VivaCalleSJ route for Sunday from 10 a.m. to 3 p.m.\" width=\"400\" height=\"263\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/10/UPDATED_VivaCalleSJ_RouteMap-400x263.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/UPDATED_VivaCalleSJ_RouteMap-800x525.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/UPDATED_VivaCalleSJ_RouteMap-1440x945.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/UPDATED_VivaCalleSJ_RouteMap-1920x1260.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/UPDATED_VivaCalleSJ_RouteMap-1180x775.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/UPDATED_VivaCalleSJ_RouteMap-960x630.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Map of the VivaCalleSJ route for Sunday from 10 a.m. to 3 p.m. \u003ccite>(VivaCalleSJ/city of San Jose )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"I think this bike ride will bring a lot more people here,\" says De la Rosa. \"There's a lot of cool things to see and the ice cream is delicious.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"Viva calle!\" is a Spanish phrase that translates to \"long live the streets!\" Organizers say the event is a test run for future street events. Can sprawling San Jose, where Teslas and hybrid cars are king, get people out of their car -- and comfort zones -- to explore the city?\u003c/p>\n\u003cp>Ed Solis, recreation superintendent of San Jose's Department of Parks, Recreation & Neighborhood Services, thinks so. He says a major goal of Viva CalleSJ is to make a giant city known for its distinctive neighborhoods and diverse cultures a little more accessible. He's expecting 30,000 people to turn out in a city that is 180 square miles and has a population of 1 million.\u003c/p>\n\u003cp>\"People are going to be traversing a number of communities, social-economic lines and cultural lines, and our hope is to unify the city through open streets,\" says Solis.\u003c/p>\n\u003cp>Elder Palles says he plans to be there. He lives in the nearby town of Milpitas and believes once people get to know the flavor of the downtown neighborhoods they will return. He comes to Calle Willow to pick up his daughter from school most days.\u003c/p>\n\u003cp>\"I feel at home here,\"he says. \"I live in Milpitas and all you see are the neighbors with closed doors. Look over here, how everyone is walking.\"\u003c/p>\n\u003cp>The city of San Jose, the \u003ca href=\"http://bikesiliconvalley.org/\" target=\"_blank\">Silicon Valley Bicycle Coalition\u003c/a> and Knight Foundation are the main sponsors, providing the funding for Viva CalleSJ. So far the cost is $300,000 to pay for everything from police to shutting down the streets.\u003c/p>\n\u003cp>Viva CalleSJ is similar to open streets events like Sunday Streets in \u003ca href=\"http://www.sundaystreetssf.com/what-is-sunday-streets-2/\" target=\"_blank\">San Francisco\u003c/a> and \u003ca href=\"https://www.facebook.com/SundayStreetsBerkeley\" target=\"_blank\">Berkeley\u003c/a> and Oakland's \u003ca href=\"http://oaklavia.org/\" target=\"_blank\">Oaklavia\u003c/a>. But maybe the closest parallel is to a bigger city well to the south.\u003c/p>\n\u003cp>A year ago, San Jose officials traveled to Los Angeles to look at how that city launched an open streets event in 2010 it calls \u003ca href=\"http://www.ciclavia.org/\" target=\"_blank\">CicLAvia\u003c/a>. CicLAvia was inspired by events in Bogota, Columbia and Mexico City. L.A. has been ramping up the number of rides each year, attracting between 50,000 and 100,000 riders, and designing different routes.\u003c/p>\n\u003cp>Romel Pascual, CicLAvia executive director, says there are similarities between the two cities.\u003c/p>\n\u003cp>\"San Jose is a smaller version of Los Angeles,\" he says. \"(W)e are made up of distinct neighborhoods that aren't just defined by different cultures but blended like it is in San Jose.\"\u003c/p>\n\u003cp>Pascual says studies show the event has been successful in drawing people from all over Los Angeles and increasing business along the route.\u003c/p>\n\u003cp>\"About 75 percent of all the ZIP codes in Los Angeles were represented along the route,\" he says. \"The amazing thing is the jump in businesses along the routes from 25 to 60 percent. These are mostly service-oriented businesses like restaurants and coffee shops.\"\u003c/p>\n\u003cp>Local San Jose residents want that kind of success in neighborhoods such as central San Jose's Little Saigon, where many Vietnamese immigrants settled after the Vietnam War ended in 1975. Cecille Nguyen, who was born in San Jose and whose parents were immigrants, has been helping promote Viva CalleSJ.\u003c/p>\n\u003cfigure id=\"attachment_10712357\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/10/Vietnamese-woman.jpg\">\u003cimg class=\"size-thumbnail wp-image-10712357\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/10/Vietnamese-woman-400x300.jpg\" alt=\"Part of the Viva CalleSJ route leading into Little Saigon.\" width=\"400\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/10/Vietnamese-woman-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/Vietnamese-woman-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/Vietnamese-woman-1440x1080.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/Vietnamese-woman-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/Vietnamese-woman-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/Vietnamese-woman-960x720.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Part of the Viva CalleSJ route leading into Little Saigon. \u003ccite>(Beth Willon/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"Vietnamese people are very much passionate about their food and culinary skills but I think it's a bit neglected sometimes that the Vietnamese are known for their friendliness and willingness to help and serve,\" she says. \"I think that is something that will surprise everyone. No matter what service you're looking for here, you're going to find someone who can help you out.\"\u003c/p>\n\u003cp>Carlos Velazquez, outreach manager for the Silicon Valley Bicycle Coalition, stressed the importance of overcoming the isolation of neighborhoods. The Calle Willow neighborhood, for example, while close to downtown and Willow Glen, is separated by roadway bridges.\u003c/p>\n\u003cp>Valazquez, who's trying to drum up more business sponsors for future events, says when he worked in Chicago he observed how neighborhoods divided by bridges or railroad tracks suffered a disconnect between people.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"I'm really hoping to get people young and old,\" he says. \"This isn't a bike race. We want \u003cem>abuelitas\u003c/em> (grandmothers) being led in their wheelchairs by their granddaughters. We want to see people walking and skateboarding. We want everyone to feel comfortable using the streets and see that this is theirs and something they can do.\"\u003c/p>\n\n",
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"excerpt": "Sunday open streets event aims to encourage San Joseans and out-of-towners to explore the vast South Bay city. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It's an after-school ritual for Abigayle de la Rosa to stop at La Original Paleteria y Neveria (The Original Ice Cream Shop) and get a scoop of Mexican ice cream in her bustling San Jose neighborhood, called Calle Willow.\u003c/p>\n\u003cp>Since it opened on Willow Street a year ago, the shop has become her version of \"31 Flavors.\" The surrounding area resembles parts of Mexico City, with storefront signs written in Spanish, merchants selling fresh flowers, jewelry, sidewalk tacos and pictures of the Virgencita de Guadalupe, patron saint of Mexico. The neighborhood is wedged between downtown's glistening office buildings and Willow Glen, one of the most affluent areas in Silicon Valley.\u003c/p>\n\u003cp>De la Rosa is only 10 years old, but she's fully aware that on Sunday her neighborhood will be one of many on full display when six miles of city streets will be closed to cars but open to people to walk, bicycle, skateboard or travel by any nonmotorized mode of transportation.\u003c/p>\n\u003cp>It's the inaugural \u003ca href=\"http://vivacallesj.org/\" target=\"_blank\">Viva CalleSJ\u003c/a> open streets event, a festival stretching from downtown San Jose to Little Saigon to East San Jose that aims to encourage residents to explore parts of the city they know little about.\u003c/p>\n\u003cfigure id=\"attachment_10712086\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/10/UPDATED_VivaCalleSJ_RouteMap.jpg\">\u003cimg class=\"size-thumbnail wp-image-10712086\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/10/UPDATED_VivaCalleSJ_RouteMap-400x263.jpg\" alt=\"Map of the VivaCalleSJ route for Sunday from 10 a.m. to 3 p.m.\" width=\"400\" height=\"263\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/10/UPDATED_VivaCalleSJ_RouteMap-400x263.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/UPDATED_VivaCalleSJ_RouteMap-800x525.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/UPDATED_VivaCalleSJ_RouteMap-1440x945.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/UPDATED_VivaCalleSJ_RouteMap-1920x1260.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/UPDATED_VivaCalleSJ_RouteMap-1180x775.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/UPDATED_VivaCalleSJ_RouteMap-960x630.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Map of the VivaCalleSJ route for Sunday from 10 a.m. to 3 p.m. \u003ccite>(VivaCalleSJ/city of San Jose )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"I think this bike ride will bring a lot more people here,\" says De la Rosa. \"There's a lot of cool things to see and the ice cream is delicious.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"Viva calle!\" is a Spanish phrase that translates to \"long live the streets!\" Organizers say the event is a test run for future street events. Can sprawling San Jose, where Teslas and hybrid cars are king, get people out of their car -- and comfort zones -- to explore the city?\u003c/p>\n\u003cp>Ed Solis, recreation superintendent of San Jose's Department of Parks, Recreation & Neighborhood Services, thinks so. He says a major goal of Viva CalleSJ is to make a giant city known for its distinctive neighborhoods and diverse cultures a little more accessible. He's expecting 30,000 people to turn out in a city that is 180 square miles and has a population of 1 million.\u003c/p>\n\u003cp>\"People are going to be traversing a number of communities, social-economic lines and cultural lines, and our hope is to unify the city through open streets,\" says Solis.\u003c/p>\n\u003cp>Elder Palles says he plans to be there. He lives in the nearby town of Milpitas and believes once people get to know the flavor of the downtown neighborhoods they will return. He comes to Calle Willow to pick up his daughter from school most days.\u003c/p>\n\u003cp>\"I feel at home here,\"he says. \"I live in Milpitas and all you see are the neighbors with closed doors. Look over here, how everyone is walking.\"\u003c/p>\n\u003cp>The city of San Jose, the \u003ca href=\"http://bikesiliconvalley.org/\" target=\"_blank\">Silicon Valley Bicycle Coalition\u003c/a> and Knight Foundation are the main sponsors, providing the funding for Viva CalleSJ. So far the cost is $300,000 to pay for everything from police to shutting down the streets.\u003c/p>\n\u003cp>Viva CalleSJ is similar to open streets events like Sunday Streets in \u003ca href=\"http://www.sundaystreetssf.com/what-is-sunday-streets-2/\" target=\"_blank\">San Francisco\u003c/a> and \u003ca href=\"https://www.facebook.com/SundayStreetsBerkeley\" target=\"_blank\">Berkeley\u003c/a> and Oakland's \u003ca href=\"http://oaklavia.org/\" target=\"_blank\">Oaklavia\u003c/a>. But maybe the closest parallel is to a bigger city well to the south.\u003c/p>\n\u003cp>A year ago, San Jose officials traveled to Los Angeles to look at how that city launched an open streets event in 2010 it calls \u003ca href=\"http://www.ciclavia.org/\" target=\"_blank\">CicLAvia\u003c/a>. CicLAvia was inspired by events in Bogota, Columbia and Mexico City. L.A. has been ramping up the number of rides each year, attracting between 50,000 and 100,000 riders, and designing different routes.\u003c/p>\n\u003cp>Romel Pascual, CicLAvia executive director, says there are similarities between the two cities.\u003c/p>\n\u003cp>\"San Jose is a smaller version of Los Angeles,\" he says. \"(W)e are made up of distinct neighborhoods that aren't just defined by different cultures but blended like it is in San Jose.\"\u003c/p>\n\u003cp>Pascual says studies show the event has been successful in drawing people from all over Los Angeles and increasing business along the route.\u003c/p>\n\u003cp>\"About 75 percent of all the ZIP codes in Los Angeles were represented along the route,\" he says. \"The amazing thing is the jump in businesses along the routes from 25 to 60 percent. These are mostly service-oriented businesses like restaurants and coffee shops.\"\u003c/p>\n\u003cp>Local San Jose residents want that kind of success in neighborhoods such as central San Jose's Little Saigon, where many Vietnamese immigrants settled after the Vietnam War ended in 1975. Cecille Nguyen, who was born in San Jose and whose parents were immigrants, has been helping promote Viva CalleSJ.\u003c/p>\n\u003cfigure id=\"attachment_10712357\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/10/Vietnamese-woman.jpg\">\u003cimg class=\"size-thumbnail wp-image-10712357\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/10/Vietnamese-woman-400x300.jpg\" alt=\"Part of the Viva CalleSJ route leading into Little Saigon.\" width=\"400\" height=\"300\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/10/Vietnamese-woman-400x300.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/Vietnamese-woman-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/Vietnamese-woman-1440x1080.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/Vietnamese-woman-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/Vietnamese-woman-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/10/Vietnamese-woman-960x720.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Part of the Viva CalleSJ route leading into Little Saigon. \u003ccite>(Beth Willon/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\"Vietnamese people are very much passionate about their food and culinary skills but I think it's a bit neglected sometimes that the Vietnamese are known for their friendliness and willingness to help and serve,\" she says. \"I think that is something that will surprise everyone. No matter what service you're looking for here, you're going to find someone who can help you out.\"\u003c/p>\n\u003cp>Carlos Velazquez, outreach manager for the Silicon Valley Bicycle Coalition, stressed the importance of overcoming the isolation of neighborhoods. The Calle Willow neighborhood, for example, while close to downtown and Willow Glen, is separated by roadway bridges.\u003c/p>\n\u003cp>Valazquez, who's trying to drum up more business sponsors for future events, says when he worked in Chicago he observed how neighborhoods divided by bridges or railroad tracks suffered a disconnect between people.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"I'm really hoping to get people young and old,\" he says. \"This isn't a bike race. We want \u003cem>abuelitas\u003c/em> (grandmothers) being led in their wheelchairs by their granddaughters. We want to see people walking and skateboarding. We want everyone to feel comfortable using the streets and see that this is theirs and something they can do.\"\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Why Talk About Race? Responding to Critics of 'So Well Spoken'",
"title": "Why Talk About Race? Responding to Critics of 'So Well Spoken'",
"headTitle": "So Well Spoken | News Fix | KQED News",
"content": "\u003cp style=\"text-align: left;\">\u003cspan style=\"font-weight: 400;\">Ever since I was a kid, I've wanted to create and host a show. Now I'm getting that chance. So far, most of the reaction to \u003c/span>\u003ca href=\"http://ww2.kqed.org/news/series/sowellspoken\" target=\"_blank\">\u003ci>\u003cspan style=\"font-weight: 400;\">So Well Spoken\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400;\"> has been positive, sent in by people who are ready to have open and honest discussions about race, culture and diversity:\u003c/span>\u003c/p>\n\u003cblockquote>\u003cp>It's a scary issue, race, and I think I admire your effort to dip your toe into this water, because it's very tumultuous right now.\u003c/p>\n\u003cp style=\"text-align: right;\">--Scott\u003c/p>\n\u003c/blockquote>\n\u003cp>Nobody has all the answers to these tough questions, least of all KQED, but we can help ask good questions and create a safe space to talk. T\u003cspan style=\"font-weight: 400;\">he outpouring of personal stories and thoughts from all walks of life, from as far away as Germany, demonstrates the need for this:\u003c/span>\u003c/p>\n\u003caside class=\"alignright\">\u003ca href=\"http://ww2.kqed.org/news/series/sowellspoken\" target=\"_blank\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/10/So-Well-Spoken-Sidebar.jpg\" alt=\"\">\u003c/a>\n\u003ch3>Candid conversations about race and identity with Joshua Johnson\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/news/series/sowellspoken\" target=\"_blank\">Read more stories\u003c/a> in this series\u003c/li>\n\u003cli>Tune in Oct. 5 at 11 a.m. on 88.5 or \u003ca href=\"http://www.kqed.org/radio/listen/\" target=\"_blank\">listen live\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cblockquote>\u003cp>I’m not sure how to compliment a person of color. Maybe I’m overly sensitive to being white and coming across as condescending. I appreciate our differences but I get stuck on what to say. This situation may not be prevalent, but... I don’t feel very well spoken in these circumstances.\u003c/p>\n\u003cp style=\"text-align: right;\">--Cheryl\u003c/p>\n\u003c/blockquote>\n\u003cp style=\"text-align: left;\">\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003cspan style=\"font-weight: 400;\">Still, we know that some folks just don’t like the idea of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">So Well Spoken\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> at all: They believe that we’re chasing shadows, dealing in hyperbole and basically wasting time. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">For example, our story about a woman who had a rough situation involving the word “\u003c/span>\u003ca href=\"http://ww2.kqed.org/news/2015/09/10/4-tips-for-dealing-with-racially-charged-insults-like-uppity\">\u003cspan style=\"font-weight: 400;\">uppity\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">” drew this tweet from a listener in San Francisco:\u003c/span>\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/NPR\">@NPR\u003c/a> Now UPPITY is a racist? \u003ca href=\"https://twitter.com/KQED\">@KQED\u003c/a> should just fire all their reporters. Report the real news, stop trying to create news. \u003ca href=\"https://twitter.com/hashtag/kqedspoken?src=hash\">#kqedspoken\u003c/a>\u003c/p>\n\u003cblockquote class=\"twitter-tweet\" lang=\"en\">\u003cp>— Josche Schaekar (@ifampresident) \u003ca href=\"https://twitter.com/ifampresident/status/641997376282980353\">September 10, 2015\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>\u003cspan style=\"font-weight: 400;\">However, uppity didn’t just recently become a racist term. \u003c/span>\u003cspan style=\"font-weight: 400;\">In fact\u003c/span>\u003cspan style=\"font-weight: 400;\">, the word has quite a long and \u003c/span>\u003ca href=\"http://abcnews.go.com/US/story?id=5823018\">\u003cspan style=\"font-weight: 400;\">loaded history\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Public media organizations like KQED strive not just to report the news as it happens, but also to explore issues, ideas, events and cultures. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">So Well Spoken\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> is the latter type of effort at a time when race \u003c/span>\u003cspan style=\"font-weight: 400;\">and\u003c/span> \u003cspan style=\"font-weight: 400;\">culture\u003c/span>\u003cspan style=\"font-weight: 400;\"> are \u003c/span>\u003cspan style=\"font-weight: 400;\">featured\u003c/span> \u003cspan style=\"font-weight: 400;\">prominently in the\u003c/span> \u003cspan style=\"font-weight: 400;\">news\u003c/span>\u003cspan style=\"font-weight: 400;\">. (Recent examples \u003ca href=\"http://minnesota.cbslocal.com/2015/09/28/marathon-organizers-respond-to-black-lives-matter-plans/\">here\u003c/a>, \u003ca href=\"http://www.thestate.com/news/local/crime/article35679474.html\">here\u003c/a>, \u003ca href=\"http://www.cnn.com/2015/09/27/politics/ben-carson-muslim-president-sharia-law/\">here\u003c/a>, \u003ca href=\"http://www.dailymail.co.uk/news/article-3251743/Asians-set-overtake-Hispanics-largest-group-immigrants-2065-number-foreign-borns-nears-record-high.html\">here\u003c/a>, \u003ca href=\"http://www.nytimes.com/2015/09/14/us/panel-studying-racial-divide-in-missouri-presents-a-blunt-picture-of-inequity.html?_r=0\">here\u003c/a>, \u003ca href=\"http://www.washingtonpost.com/news/post-politics/wp/2015/09/24/jeb-bush-win-black-voters-with-aspiration-not-free-stuff/\">here \u003c/a>and \u003ca href=\"https://www.bostonglobe.com/arts/2015/09/01/idris-elba-too-street-play-james-bond/4VRukURkTRU3Tud8ChUwYK/story.html\">here\u003c/a>.)\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">On Facebook, one person took strong issue with our recent story about the concept of \u003c/span>\u003ca href=\"http://ww2.kqed.org/news/2015/09/24/how-to-acknowledge-prejudice-and-white-privilege-without-the-guilt\">\u003cspan style=\"font-weight: 400;\">white privilege\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">:\u003c/span>\u003c/p>\n\u003cblockquote>\u003cp>\u003cspan style=\"font-weight: 400;\">2 MAs, 20 years teaching experience abroad, and I have the privilege of teaching ESL in the great East Bay for $17 net an hr at an ESL school in the super cool, super liberal, full of super-duper love for the homeless city of Berkeley - concern for those of us who work for a living, not so much.. Oh, I forgot!! I'm WHITE so I'm \"privileged\". Gotcha.\u003c/span>\u003c/p>\u003c/blockquote>\n\u003cp>That story also prompted a similar reaction from Dick in San Jose, who left us a voicemail:\u003c/p>\n\u003cblockquote>\u003cp>\u003cspan style=\"font-weight: 400;\">...I've had to work for everything I've got, so maybe stop spreading the propaganda that all white people are privileged. It's more of a socioeconomic, where you were raised and how much money your parents and how good your parents are at parenting you. So come on, guys, you're smarter than that. It's not about race really. So please, stop with this. Please. Every day. It's half intellectual conversation, half propaganda, “white men are horrible”... come on. Grow up.\u003c/span>\u003c/p>\u003c/blockquote>\n\u003cp>\u003cspan style=\"font-weight: 400;\">It's true that not all whites are equally privileged. However, \u003c/span>\u003ca href=\"http://www.theroot.com/articles/culture/2014/07/white_privilege_extends_to_the_poor.html\">\u003cspan style=\"font-weight: 400;\">research\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> shows that white privilege transcends socioeconomics. Another \u003c/span>\u003ca href=\"http://www.gsb.stanford.edu/insights/why-whites-downplay-their-individual-racial-privileges?utm_source=Stanford+Business&utm_campaign=4c6f7c1217-Stanford-Business-Issue-71-9-20-2015&utm_medium=email&utm_term=0_0b5214e34b-4c6f7c1217-73746881&ct=t(Stanford-Business-Issue-71-9-20-2015)\">\u003cspan style=\"font-weight: 400;\">study\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> shows that the “I’ve worked for everything I’ve got” argument often comes up among people who are reluctant to acknowledge the impact of white privilege. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Some of the criticism has been very helpful. One listener, a white male who declined to give his name or city, suggested that we create an email address for feedback (initially, we took only calls and social media posts). \u003c/span>\u003c/p>\n\u003cp>[contextly_sidebar id=\"AcH6DuDzdNGzOTy3x0o2Uqhrd2MIzsII\"]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">His concern was that people like him wouldn't share their stories unless they could do so privately and think through their words. That was an excellent point, and we added \u003c/span>\u003ca href=\"mailto:SoWellSpoken@KQED.org\">\u003cspan style=\"font-weight: 400;\">SoWellSpoken@KQED.org\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> to meet that need.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Perhaps our most vocal critic is Henry, a listener in Napa who was very upset over our \u003ca href=\"http://ww2.kqed.org/news/kqed-so-well-spoken\">story\u003c/a> about the recent incident aboard the Napa Valley Wine Train:\u003c/span>\u003c/p>\n\u003cblockquote>\u003cp>\u003cspan style=\"font-weight: 400;\">...I think KQED in particular is obsessed with race, and I think the more you talk about it, the worse it gets. one of the reasons race in America is so tenuous and so tense right now, is because of the over-obsession with liberal media like yourselves, and I hope you have the b---- to put this on the radio, OK? Because we're sick and tired of it.\u003c/span>\u003c/p>\u003c/blockquote>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Whether you like \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">So Well Spoken\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> or not, whether you agree with the assessments of our guests or not, whether you think this approach is right or wrong, the mere fact that you are engaging with us makes you part of the dialogue. And part of the solution. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">I’m encouraged by these comments, critical and complimentary. We’ve aired only four segments so far -- hardly enough to get into the nuances of race, culture, diversity and identity. Today we air the first hourlong show, where we hope to consider more of those nuances.\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">\u003cem>So Well Spoken\u003c/em> is a safe space to have dangerous conversations. Pushing the critics away would violate the spirit of this project because, at the end of the day, we really do need one another. I think \u003ca href=\"http://www.pbs.org/wnet/african-americans-many-rivers-to-cross/history/100-amazing-facts/who-designed-the-march-on-washington/\">Bayard Rustin\u003c/a>, the main organizer of the 1963 March On Washington, said it best:\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">“We are all one. And if we do not know it, we will learn it the hard way.”\u003c/span>\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp style=\"text-align: left;\">\u003cspan style=\"font-weight: 400;\">Ever since I was a kid, I've wanted to create and host a show. Now I'm getting that chance. So far, most of the reaction to \u003c/span>\u003ca href=\"http://ww2.kqed.org/news/series/sowellspoken\" target=\"_blank\">\u003ci>\u003cspan style=\"font-weight: 400;\">So Well Spoken\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400;\"> has been positive, sent in by people who are ready to have open and honest discussions about race, culture and diversity:\u003c/span>\u003c/p>\n\u003cblockquote>\u003cp>It's a scary issue, race, and I think I admire your effort to dip your toe into this water, because it's very tumultuous right now.\u003c/p>\n\u003cp style=\"text-align: right;\">--Scott\u003c/p>\n\u003c/blockquote>\n\u003cp>Nobody has all the answers to these tough questions, least of all KQED, but we can help ask good questions and create a safe space to talk. T\u003cspan style=\"font-weight: 400;\">he outpouring of personal stories and thoughts from all walks of life, from as far away as Germany, demonstrates the need for this:\u003c/span>\u003c/p>\n\u003caside class=\"alignright\">\u003ca href=\"http://ww2.kqed.org/news/series/sowellspoken\" target=\"_blank\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/10/So-Well-Spoken-Sidebar.jpg\" alt=\"\">\u003c/a>\n\u003ch3>Candid conversations about race and identity with Joshua Johnson\u003c/h3>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/news/series/sowellspoken\" target=\"_blank\">Read more stories\u003c/a> in this series\u003c/li>\n\u003cli>Tune in Oct. 5 at 11 a.m. on 88.5 or \u003ca href=\"http://www.kqed.org/radio/listen/\" target=\"_blank\">listen live\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cblockquote>\u003cp>I’m not sure how to compliment a person of color. Maybe I’m overly sensitive to being white and coming across as condescending. I appreciate our differences but I get stuck on what to say. This situation may not be prevalent, but... I don’t feel very well spoken in these circumstances.\u003c/p>\n\u003cp style=\"text-align: right;\">--Cheryl\u003c/p>\n\u003c/blockquote>\n\u003cp style=\"text-align: left;\">\u003cspan style=\"font-weight: 400;\"> \u003c/span>\u003cspan style=\"font-weight: 400;\">Still, we know that some folks just don’t like the idea of \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">So Well Spoken\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> at all: They believe that we’re chasing shadows, dealing in hyperbole and basically wasting time. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">For example, our story about a woman who had a rough situation involving the word “\u003c/span>\u003ca href=\"http://ww2.kqed.org/news/2015/09/10/4-tips-for-dealing-with-racially-charged-insults-like-uppity\">\u003cspan style=\"font-weight: 400;\">uppity\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">” drew this tweet from a listener in San Francisco:\u003c/span>\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/NPR\">@NPR\u003c/a> Now UPPITY is a racist? \u003ca href=\"https://twitter.com/KQED\">@KQED\u003c/a> should just fire all their reporters. Report the real news, stop trying to create news. \u003ca href=\"https://twitter.com/hashtag/kqedspoken?src=hash\">#kqedspoken\u003c/a>\u003c/p>\n\u003cblockquote class=\"twitter-tweet\" lang=\"en\">\u003cp>— Josche Schaekar (@ifampresident) \u003ca href=\"https://twitter.com/ifampresident/status/641997376282980353\">September 10, 2015\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>\u003cspan style=\"font-weight: 400;\">However, uppity didn’t just recently become a racist term. \u003c/span>\u003cspan style=\"font-weight: 400;\">In fact\u003c/span>\u003cspan style=\"font-weight: 400;\">, the word has quite a long and \u003c/span>\u003ca href=\"http://abcnews.go.com/US/story?id=5823018\">\u003cspan style=\"font-weight: 400;\">loaded history\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Public media organizations like KQED strive not just to report the news as it happens, but also to explore issues, ideas, events and cultures. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">So Well Spoken\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> is the latter type of effort at a time when race \u003c/span>\u003cspan style=\"font-weight: 400;\">and\u003c/span> \u003cspan style=\"font-weight: 400;\">culture\u003c/span>\u003cspan style=\"font-weight: 400;\"> are \u003c/span>\u003cspan style=\"font-weight: 400;\">featured\u003c/span> \u003cspan style=\"font-weight: 400;\">prominently in the\u003c/span> \u003cspan style=\"font-weight: 400;\">news\u003c/span>\u003cspan style=\"font-weight: 400;\">. (Recent examples \u003ca href=\"http://minnesota.cbslocal.com/2015/09/28/marathon-organizers-respond-to-black-lives-matter-plans/\">here\u003c/a>, \u003ca href=\"http://www.thestate.com/news/local/crime/article35679474.html\">here\u003c/a>, \u003ca href=\"http://www.cnn.com/2015/09/27/politics/ben-carson-muslim-president-sharia-law/\">here\u003c/a>, \u003ca href=\"http://www.dailymail.co.uk/news/article-3251743/Asians-set-overtake-Hispanics-largest-group-immigrants-2065-number-foreign-borns-nears-record-high.html\">here\u003c/a>, \u003ca href=\"http://www.nytimes.com/2015/09/14/us/panel-studying-racial-divide-in-missouri-presents-a-blunt-picture-of-inequity.html?_r=0\">here\u003c/a>, \u003ca href=\"http://www.washingtonpost.com/news/post-politics/wp/2015/09/24/jeb-bush-win-black-voters-with-aspiration-not-free-stuff/\">here \u003c/a>and \u003ca href=\"https://www.bostonglobe.com/arts/2015/09/01/idris-elba-too-street-play-james-bond/4VRukURkTRU3Tud8ChUwYK/story.html\">here\u003c/a>.)\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">On Facebook, one person took strong issue with our recent story about the concept of \u003c/span>\u003ca href=\"http://ww2.kqed.org/news/2015/09/24/how-to-acknowledge-prejudice-and-white-privilege-without-the-guilt\">\u003cspan style=\"font-weight: 400;\">white privilege\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\">:\u003c/span>\u003c/p>\n\u003cblockquote>\u003cp>\u003cspan style=\"font-weight: 400;\">2 MAs, 20 years teaching experience abroad, and I have the privilege of teaching ESL in the great East Bay for $17 net an hr at an ESL school in the super cool, super liberal, full of super-duper love for the homeless city of Berkeley - concern for those of us who work for a living, not so much.. Oh, I forgot!! I'm WHITE so I'm \"privileged\". Gotcha.\u003c/span>\u003c/p>\u003c/blockquote>\n\u003cp>That story also prompted a similar reaction from Dick in San Jose, who left us a voicemail:\u003c/p>\n\u003cblockquote>\u003cp>\u003cspan style=\"font-weight: 400;\">...I've had to work for everything I've got, so maybe stop spreading the propaganda that all white people are privileged. It's more of a socioeconomic, where you were raised and how much money your parents and how good your parents are at parenting you. So come on, guys, you're smarter than that. It's not about race really. So please, stop with this. Please. Every day. It's half intellectual conversation, half propaganda, “white men are horrible”... come on. Grow up.\u003c/span>\u003c/p>\u003c/blockquote>\n\u003cp>\u003cspan style=\"font-weight: 400;\">It's true that not all whites are equally privileged. However, \u003c/span>\u003ca href=\"http://www.theroot.com/articles/culture/2014/07/white_privilege_extends_to_the_poor.html\">\u003cspan style=\"font-weight: 400;\">research\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> shows that white privilege transcends socioeconomics. Another \u003c/span>\u003ca href=\"http://www.gsb.stanford.edu/insights/why-whites-downplay-their-individual-racial-privileges?utm_source=Stanford+Business&utm_campaign=4c6f7c1217-Stanford-Business-Issue-71-9-20-2015&utm_medium=email&utm_term=0_0b5214e34b-4c6f7c1217-73746881&ct=t(Stanford-Business-Issue-71-9-20-2015)\">\u003cspan style=\"font-weight: 400;\">study\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> shows that the “I’ve worked for everything I’ve got” argument often comes up among people who are reluctant to acknowledge the impact of white privilege. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Some of the criticism has been very helpful. One listener, a white male who declined to give his name or city, suggested that we create an email address for feedback (initially, we took only calls and social media posts). \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">His concern was that people like him wouldn't share their stories unless they could do so privately and think through their words. That was an excellent point, and we added \u003c/span>\u003ca href=\"mailto:SoWellSpoken@KQED.org\">\u003cspan style=\"font-weight: 400;\">SoWellSpoken@KQED.org\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> to meet that need.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Perhaps our most vocal critic is Henry, a listener in Napa who was very upset over our \u003ca href=\"http://ww2.kqed.org/news/kqed-so-well-spoken\">story\u003c/a> about the recent incident aboard the Napa Valley Wine Train:\u003c/span>\u003c/p>\n\u003cblockquote>\u003cp>\u003cspan style=\"font-weight: 400;\">...I think KQED in particular is obsessed with race, and I think the more you talk about it, the worse it gets. one of the reasons race in America is so tenuous and so tense right now, is because of the over-obsession with liberal media like yourselves, and I hope you have the b---- to put this on the radio, OK? Because we're sick and tired of it.\u003c/span>\u003c/p>\u003c/blockquote>\n\u003cp>\u003cspan style=\"font-weight: 400;\">Whether you like \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400;\">So Well Spoken\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400;\"> or not, whether you agree with the assessments of our guests or not, whether you think this approach is right or wrong, the mere fact that you are engaging with us makes you part of the dialogue. And part of the solution. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">I’m encouraged by these comments, critical and complimentary. We’ve aired only four segments so far -- hardly enough to get into the nuances of race, culture, diversity and identity. Today we air the first hourlong show, where we hope to consider more of those nuances.\u003cbr>\n\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400;\">\u003cem>So Well Spoken\u003c/em> is a safe space to have dangerous conversations. Pushing the critics away would violate the spirit of this project because, at the end of the day, we really do need one another. I think \u003ca href=\"http://www.pbs.org/wnet/african-americans-many-rivers-to-cross/history/100-amazing-facts/who-designed-the-march-on-washington/\">Bayard Rustin\u003c/a>, the main organizer of the 1963 March On Washington, said it best:\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400;\">“We are all one. And if we do not know it, we will learn it the hard way.”\u003c/span>\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The true measure of any \u003ca href=\"http://www.loslobos.org/site/\" target=\"_blank\">Los Lobos\u003c/a> album is not in the things we expect to hear, although that’s all there on the new “Gates of Gold,” the band’s 17th overall studio release and first in five years.\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/225595251\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003cp>Yes, there’s a nice little Norteño-style waltz and a snappy \u003ca href=\"http://www.npr.org/sections/altlatino/2013/09/30/227834004/cumbia-the-musical-backbone-of-latin-america\" target=\"_blank\">cumbia\u003c/a>, both featuring David Hidalgo’s accordion.\u003c/p>\n\u003cp>Yes, Cesar Rosas growls through a gritty grinder, “Mistreated Boogie Blues.”\u003c/p>\n\u003cp>And yes, in “Too Small Heart” there’s a scorching turn at a classic rock style, in this case an out-and-out homage to Jimi Hendrix — like Rosas, a lefty guitarist.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>But the real gauge, always, is in the things we don’t expect, the things that take the band, and us, to new places.\u003c/p>\n\u003cp>The set’s second song, “When We Were Free,” is a dreamy meditation, slinky and seductive, a sort of jazzy tone poem. Here, gloriously, are the collective talents of Hidalgo, Rosas, Louie Perez, Conrad Lozano and Steve Berlin.\u003c/p>\n\u003cp>\u003cimg class=\"alignright size-full wp-image-10695947\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/RS16782_Lobos-Gates-of-Gold-Working-Cvr-qut.jpg\" alt=\"RS16782_Lobos Gates of Gold Working Cvr-qut\" width=\"382\" height=\"380\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16782_Lobos-Gates-of-Gold-Working-Cvr-qut.jpg 382w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16782_Lobos-Gates-of-Gold-Working-Cvr-qut-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16782_Lobos-Gates-of-Gold-Working-Cvr-qut-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16782_Lobos-Gates-of-Gold-Working-Cvr-qut-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16782_Lobos-Gates-of-Gold-Working-Cvr-qut-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16782_Lobos-Gates-of-Gold-Working-Cvr-qut-75x75.jpg 75w\" sizes=\"(max-width: 382px) 100vw, 382px\">\u003c/p>\n\u003cp>Four of those five have played together for more than 40 years, since they were teens in East L.A. getting wedding and party gigs. And Berlin joined more than 30 years ago, in the time when the band had taken hold in the post-punk Hollywood roots music scene.\u003c/p>\n\u003cp>Well, ever since 1992’s landmark “\u003ca href=\"http://articles.latimes.com/2012/sep/15/entertainment/la-et-ms-los-lobos-20120916\" target=\"_blank\">Kiko\u003c/a>” — a magic-realism reinvention of the band — it’s seemed that \u003cem>anything\u003c/em> was possible from Los Lobos. And yet this song hits with surprise and delight.\u003c/p>\n\u003cp>The music here is only possible with that kind of community, family feel. (And to accent that and move it forward, the drummer on the album is one David Hidalgo Jr., an already established player with time in Social Distortion, Suicidal Tendencies and other bands, as well as occasional stints with his dad’s band on the road in recent years.)\u003c/p>\n\u003cp>Now, we could spend a lot of time talking about that history. But esteemed journalist Chris Morris has taken care of that with his new, detailed and definitive book, “\u003ca href=\"https://www.kirkusreviews.com/book-reviews/chris-morris/los-lobos/\" target=\"_blank\">Los Lobos: Dream in Blue\u003c/a>.” His central point is that the Los Lobos story isn’t only about East L.A., or the Mexican-American experience. It’s an \u003cem>American\u003c/em> story.\u003c/p>\n\u003cp>As expansive as this band’s sound and stance can be, “Gates of Gold” is marked by an inward, ruminative tone. That’s established from the start with the opening song, the sorrowful, loss-filled “Made to Break Your Heart,” with guest \u003ca href=\"http://www.sydstraw.net/bio.html\" target=\"_blank\">Syd Straw\u003c/a> joining in on vocals. But while the words are sad, the sturdy, engaging Americana-ism of the music keeps the door open to hope.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>That hope is explicit in the album’s title song. With an old-timey folk-gospel feel, Hidalgo sings Perez’s lyrics about the gates of gold revealing new horizons, where there is “mystery untold.” Whether taken as about matters spiritual or earthly, it’s a mystery that holds untold promise. And that’s what we expect from Los Lobos.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The true measure of any \u003ca href=\"http://www.loslobos.org/site/\" target=\"_blank\">Los Lobos\u003c/a> album is not in the things we expect to hear, although that’s all there on the new “Gates of Gold,” the band’s 17th overall studio release and first in five years.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/225595251&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/225595251'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Yes, there’s a nice little Norteño-style waltz and a snappy \u003ca href=\"http://www.npr.org/sections/altlatino/2013/09/30/227834004/cumbia-the-musical-backbone-of-latin-america\" target=\"_blank\">cumbia\u003c/a>, both featuring David Hidalgo’s accordion.\u003c/p>\n\u003cp>Yes, Cesar Rosas growls through a gritty grinder, “Mistreated Boogie Blues.”\u003c/p>\n\u003cp>And yes, in “Too Small Heart” there’s a scorching turn at a classic rock style, in this case an out-and-out homage to Jimi Hendrix — like Rosas, a lefty guitarist.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But the real gauge, always, is in the things we don’t expect, the things that take the band, and us, to new places.\u003c/p>\n\u003cp>The set’s second song, “When We Were Free,” is a dreamy meditation, slinky and seductive, a sort of jazzy tone poem. Here, gloriously, are the collective talents of Hidalgo, Rosas, Louie Perez, Conrad Lozano and Steve Berlin.\u003c/p>\n\u003cp>\u003cimg class=\"alignright size-full wp-image-10695947\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/RS16782_Lobos-Gates-of-Gold-Working-Cvr-qut.jpg\" alt=\"RS16782_Lobos Gates of Gold Working Cvr-qut\" width=\"382\" height=\"380\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16782_Lobos-Gates-of-Gold-Working-Cvr-qut.jpg 382w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16782_Lobos-Gates-of-Gold-Working-Cvr-qut-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16782_Lobos-Gates-of-Gold-Working-Cvr-qut-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16782_Lobos-Gates-of-Gold-Working-Cvr-qut-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16782_Lobos-Gates-of-Gold-Working-Cvr-qut-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16782_Lobos-Gates-of-Gold-Working-Cvr-qut-75x75.jpg 75w\" sizes=\"(max-width: 382px) 100vw, 382px\">\u003c/p>\n\u003cp>Four of those five have played together for more than 40 years, since they were teens in East L.A. getting wedding and party gigs. And Berlin joined more than 30 years ago, in the time when the band had taken hold in the post-punk Hollywood roots music scene.\u003c/p>\n\u003cp>Well, ever since 1992’s landmark “\u003ca href=\"http://articles.latimes.com/2012/sep/15/entertainment/la-et-ms-los-lobos-20120916\" target=\"_blank\">Kiko\u003c/a>” — a magic-realism reinvention of the band — it’s seemed that \u003cem>anything\u003c/em> was possible from Los Lobos. And yet this song hits with surprise and delight.\u003c/p>\n\u003cp>The music here is only possible with that kind of community, family feel. (And to accent that and move it forward, the drummer on the album is one David Hidalgo Jr., an already established player with time in Social Distortion, Suicidal Tendencies and other bands, as well as occasional stints with his dad’s band on the road in recent years.)\u003c/p>\n\u003cp>Now, we could spend a lot of time talking about that history. But esteemed journalist Chris Morris has taken care of that with his new, detailed and definitive book, “\u003ca href=\"https://www.kirkusreviews.com/book-reviews/chris-morris/los-lobos/\" target=\"_blank\">Los Lobos: Dream in Blue\u003c/a>.” His central point is that the Los Lobos story isn’t only about East L.A., or the Mexican-American experience. It’s an \u003cem>American\u003c/em> story.\u003c/p>\n\u003cp>As expansive as this band’s sound and stance can be, “Gates of Gold” is marked by an inward, ruminative tone. That’s established from the start with the opening song, the sorrowful, loss-filled “Made to Break Your Heart,” with guest \u003ca href=\"http://www.sydstraw.net/bio.html\" target=\"_blank\">Syd Straw\u003c/a> joining in on vocals. But while the words are sad, the sturdy, engaging Americana-ism of the music keeps the door open to hope.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>That hope is explicit in the album’s title song. With an old-timey folk-gospel feel, Hidalgo sings Perez’s lyrics about the gates of gold revealing new horizons, where there is “mystery untold.” Whether taken as about matters spiritual or earthly, it’s a mystery that holds untold promise. And that’s what we expect from Los Lobos.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "love-in-the-digital-age-gomathi-prashanth",
"title": "Love in the Digital Age: Gomathi & Prashanth",
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"content": "\u003cp>In India, middle-class couples used to find each other and marry through family connections, a marriage broker or by way of a newspaper ad. Today, they — and their counterparts around the world — are just as likely to use any one of an explosion of matrimonial websites, some with apps for your smartphone. Two of the largest sites are \u003ca href=\"http://www.shaadi.com/\">\u003cu>Shaadi.com\u003c/u>\u003c/a> and \u003ca href=\"http://www.bharatmatrimony.com/\">\u003cu>Bharatmatrimony.com\u003c/u>\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_10689918\" class=\"wp-caption alignright\" style=\"max-width: 200px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/RS16723_BharatMatrimony.com_.PNG-qut1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10689918\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/RS16723_BharatMatrimony.com_.PNG-qut1-400x710.jpg\" alt=\"Screen shot from the iPhone app.\" width=\"200\" height=\"355\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16723_BharatMatrimony.com_.PNG-qut1-400x710.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16723_BharatMatrimony.com_.PNG-qut1.jpg 640w\" sizes=\"(max-width: 200px) 100vw, 200px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Screen shot from the iPhone app. \u003ccite>(Courtesy of BharatMatrimony)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A growing number of the profiles on these sites are written by the hopeful wedding seekers themselves, but those with a more traditional mindset will allow their parents to write them. That was the case for Gomathi Ramakrishnan and her husband, Prashanth Vishnumangalam Narayanan:\u003c/p>\n\u003cp>\u003cem>Gomathi: She’s intelligent…pursing her Master’s in Canada…she’s homely and traditional…plays Badminton…she’s cute. \u003c/em>\u003c/p>\n\u003cp>\u003cem>Prashanth: He’s an Iyer Brahmin…he doesn’t eat meat…he doesn’t drink. He’s a good boy. He’s done his bachelor’s, he’s done his master’s, and he’s based out of California.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Gomathi\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>About three years ago, Gomathi was 22 years old and working to complete a master’s degree in neuroscience at the University of Alberta in Edmonton, Canada. One day her father called from her hometown of Chennai in southern India. “We’re going to put up a profile for you on Bharatmatrimony.com,” he said matter-of-factly.\u003c/p>\n\u003cdiv class=\"callout alignright\">\n\u003cp>\u003cimg decoding=\"async\" class=\"alignleft\" src=\"http://u.s.kqed.net/2015/09/14/LITDApodcastlogo.jpg\" alt=\"\">\u003c/p>\n\u003ch3>\u003ca href=\"https://itunes.apple.com/us/podcast/love-in-the-digital-age/id1037051180?mt=2\">Subscribe in iTunes\u003c/a>\u003c/h3>\n\u003cp>Don’t miss an episode of ‘Love in the Digital Age’\u003c/p>\n\u003c/div>\n\u003cp>Gomathi delights in sharing what happened next. “He started entering \u003cem>his\u003c/em> profile information. He typed his name, he typed his age, and he typed all stuff about him.” In retrospect, she figures he probably thought he was registering, as opposed to creating a profile. But the error became apparent when the first bite of interest came from an older woman.\u003c/p>\n\u003cp>“My dad was like, ‘Why is someone who is 50 years old giving information for my daughter?’ ” Gomathi giggles.\u003c/p>\n\u003cp>A tech-savvy cousin soon came to the rescue — and now Gomathi was on the hot seat. “Within two weeks, he [her father] came back with a list of 15 guys. I was really overwhelmed!”\u003c/p>\n\u003cp>She demurred, but her dad insisted, and then begged her to at least call his favorite: Prashanth.\u003c/p>\n\u003cp>\u003cstrong>Prashanth\u003c/strong>\u003c/p>\n\u003cp>Prashanth Vishnumangalam Narayanan was 27, a Fremont resident and established consultant on supply chain management for PricewaterhouseCoopers in San Jose, when he started getting curious calls from his mother in Chennai.\u003c/p>\n\u003cfigure id=\"attachment_10694743\" class=\"wp-caption alignright\" style=\"max-width: 361px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10694743\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/GomathiPrashanthVERT.jpg\" alt=\"Gomathi and Prashanth\" width=\"361\" height=\"554\">\u003cfigcaption class=\"wp-caption-text\">Gomathi and Prashanth\u003c/figcaption>\u003c/figure>\n\u003cp>She told him women were expressing interest in getting to know him better, which made no sense, until she admitted she’d posted a profile of him online. Soon after, she sent him a list of 25 matches. And she hardly let the matter rest there.\u003c/p>\n\u003cp>“I had my mom’s sister call me and say, ‘This is the right time to talk.’ Then I had my grandma call me and say, ‘This is the right time to talk.’ Then my dad, then everybody, decided to take turns calling me, and say, ‘This is the right time to talk,’ ” says Prashanth. It was obvious he had to talk to somebody, soon. He had to name at least one candidate.\u003c/p>\n\u003cp>Prashanth chose Gomathi.\u003c/p>\n\u003cp>\u003cstrong>Semi-Arranged Marriage\u003c/strong>\u003c/p>\n\u003cp>Even though their parents wrote the profiles, picked the candidates and met each other before giving the go-ahead to Gomathi and Prashanth, they call the process that led to their wedding \u003cem>semi-arranged. \u003c/em>That’s because they did get to pick who to talk to, and they got to talk for nine months before settling on each other.\u003c/p>\n\u003cp>Prashanth explains, “I got introduced to the person I was getting married to through family relations and connections, and they established the connection through a digital website. But then we talked, and we really understood each other, and we got married. I had my freedom, and she had her freedom.”\u003c/p>\n\u003cp>That said, even with the freedom to choose over time, they still felt pressure to come to a decision eventually.\u003c/p>\n\u003cp>[contextly_sidebar id=”SkD29tNEiyVCEFchT7DTtN443eU0BTSA”]\u003c/p>\n\u003cp>Had Gomathi and Prashanth not liked each other, they would have worked through match No. 2, No. 3 — and so on — until they agreed to somebody their parents found suitable.\u003c/p>\n\u003cp>Gomathi says the two sets of parents got along really well. “Based on their hard work, they were able to come up in life,” she says. “That was something, that both of them have mutual respect for each other. That was something that I also wanted in the person that I was going to marry.”\u003c/p>\n\u003cp>Then came the first phone call. “I remember Gomathi being the one who asked a lot more questions than me asking her,” says Prashanth, laughing. “She was like, ‘Who’s your favorite actress? Who’s your favorite actor? What movies do you like?’ I found her to be very full of energy.”\u003c/p>\n\u003cp>The couple began phoning, texting and talking on FaceTime regularly.\u003c/p>\n\u003cp>After a few months, Prashanth and Gomathi decided to meet in Canada. The gravity of it all hit Prashanth as he went through the airport in Edmonton. When the visa officer asked him the purpose of his visit, he said he was going to see “a friend.” A friend he had never met, perhaps his future wife. Prashanth had seen Gomathi only virtually, and he scanned the airport for her. “She seemed small. And I was like, “I’ve seen her before.’ Then I realized: That’s Gomathi!”\u003c/p>\n\u003cfigure id=\"attachment_10689853\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/Gomathi-Prashanth.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10689853 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/Gomathi-Prashanth-800x600.jpg\" alt=\"Gomathi and Prashanth at home in Fremont, California\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/Gomathi-Prashanth-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/Gomathi-Prashanth-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/Gomathi-Prashanth-1440x1080.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/Gomathi-Prashanth-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/Gomathi-Prashanth-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/Gomathi-Prashanth-960x720.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Gomathi and Prashanth at home in Fremont, California \u003ccite>(Polly Stryker/KQED )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gomathi remembers, “It felt really odd, because you have spoken to this person over the phone, but you haven’t met the other person.”\u003c/p>\n\u003cp>They spent a long weekend getting to know each other: going out to eat, taking walks, watching the movie “Brave.” When Gomathi cried during the film, Prashanth felt touched by her empathy with the characters. But by the time he left Canada, Gomathi had not made a decision.\u003c/p>\n\u003cp>“I felt kind of sad,” Prashanth says. “I thought, initially, I wasn’t emotionally invested, but I learned that I’d been \u003cem>heavily\u003c/em> emotionally invested.”\u003c/p>\n\u003cp>“You need to understand the person really well before getting married,” Gomathi says, “because it’s a one-time thing, and you just don’t want to screw it up. You just don’t want to make a decision until you know, ‘Yes, this is it!’ ”\u003c/p>\n\u003cp>Prashanth’s mother urged him to talk to other matches from Bharat Matrimony. He told her he wasn’t interested.\u003c/p>\n\u003cp>The couple talked for several more months. Gomathi says her love for Prashanth “deepened more when I realized who Prashanth was and what sort of a guy he was. When I was able to trust him, I really fell for him. I know in my heart that he has high moral standards. That was the point that I came to when I decided, ‘Yes, I should get engaged to Prashanth.’ ”\u003c/p>\n\u003cp>It didn’t hurt that Prashanth plays a mean game of badminton, Gomathi’s favorite sport. The wedding was on. Their families organized a lavish three-day event that took place in Chennai on June 28, 2013.\u003c/p>\n\u003cp>\u003cstrong>Fremont, Capital of Indian California\u003c/strong>\u003c/p>\n\u003cp>Today, Gomathi and Prashanth live in Fremont, home to a large and growing population of immigrants from India, filled with bustling Indian restaurants and stores. \u003ca href=\"http://politicalscience.ucr.edu/people/faculty/ramakrishnan/\">\u003cu>Karthick Ramakrishnan\u003c/u>\u003c/a> (no relation to Gomathi), professor of Public Policy at UC Riverside, says that Indian immigration more than doubled in Silicon Valley between 2000-2014.\u003c/p>\n\u003cfigure id=\"attachment_10689913\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/RS16712_aapidata-kqed-infog-southbay-qut.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10689913 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/RS16712_aapidata-kqed-infog-southbay-qut-800x667.jpg\" alt='Indian population size and growth in Alameda and Santa Clara counties from 2000-2014, according to the U.S. Census, as distinct from the \"Other Asian\" category.' width=\"800\" height=\"667\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16712_aapidata-kqed-infog-southbay-qut-800x667.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16712_aapidata-kqed-infog-southbay-qut-400x333.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16712_aapidata-kqed-infog-southbay-qut-1440x1200.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16712_aapidata-kqed-infog-southbay-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16712_aapidata-kqed-infog-southbay-qut-1180x983.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16712_aapidata-kqed-infog-southbay-qut-960x800.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Indian population size and growth in Alameda and Santa Clara counties from 2000-2014, according to the U.S. Census, as distinct from the “Other Asian” category. \u003ccite>(Courtesy of Professor Karthick Ramakrishnan)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That shift is reflected in the number of Californians on Indian matrimonial websites. Shaadi’s chief marketing officer, \u003ca href=\"http://brandequity.economictimes.indiatimes.com/news/the-people-report/aditya-save-is-shaadi-coms-new-cmo-anupam-mittal-steps-down-as-ceo/48013510\">\u003cu>\u003cspan style=\"color: #0000ff\">Aditya Save\u003c/span>\u003c/u>\u003c/a>, says approximately 200,000 accounts are registered to people living in the state. He adds that the platform is used mostly by South Asians — and not just first-generation immigrants.\u003c/p>\n\u003cp>“A lot of our platform is used by people of Indian origin, born in the U.S., the UK and Australia. A larger percentage of that 200,000 (in California) would be people who are American citizens, born in America, but of Indian descent,” he says. For those spouse seekers, Save says it’s more likely they’ll set up their own profiles, as opposed to letting their parents do it.\u003c/p>\n\u003cp>Today, Gomathi Ramakrishnan co-manages a neuroscience lab at UC San Francisco. Prashanth still works at PricewaterhouseCoopers.\u003c/p>\n\u003cp>Their lives as newlyweds are filled with pleasures they enjoy together: playing badminton, watching TV shows like “\u003ca href=\"http://www.hbo.com/game-of-thrones\">\u003cu>Game of Thrones\u003c/u>\u003c/a>\u003ca href=\"http://www.hbo.com/game-of-thrones\">”\u003c/a> and eating ice cream at \u003ca href=\"mailto:https://www.coldstonecreamery.com\">\u003cu>Cold Stone Creamery\u003c/u>\u003c/a>. Gomathi isn’t shy when she explains how she and Prashanth found compatibility first, allowing love to follow after.\u003c/p>\n\u003cp>“Love doesn’t happen one sudden day,” she says. “It takes a really long time. I feel like we are still falling in love.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cspan style=\"color: #000000;font-family: Calibri\">\u003cem>This podcast features music by Karthick Iyer (“Brovabarama” and “Manavyalakim”).\u003c/em> \u003c/span>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In India, middle-class couples used to find each other and marry through family connections, a marriage broker or by way of a newspaper ad. Today, they — and their counterparts around the world — are just as likely to use any one of an explosion of matrimonial websites, some with apps for your smartphone. Two of the largest sites are \u003ca href=\"http://www.shaadi.com/\">\u003cu>Shaadi.com\u003c/u>\u003c/a> and \u003ca href=\"http://www.bharatmatrimony.com/\">\u003cu>Bharatmatrimony.com\u003c/u>\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_10689918\" class=\"wp-caption alignright\" style=\"max-width: 200px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/RS16723_BharatMatrimony.com_.PNG-qut1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10689918\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/RS16723_BharatMatrimony.com_.PNG-qut1-400x710.jpg\" alt=\"Screen shot from the iPhone app.\" width=\"200\" height=\"355\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16723_BharatMatrimony.com_.PNG-qut1-400x710.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16723_BharatMatrimony.com_.PNG-qut1.jpg 640w\" sizes=\"(max-width: 200px) 100vw, 200px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Screen shot from the iPhone app. \u003ccite>(Courtesy of BharatMatrimony)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A growing number of the profiles on these sites are written by the hopeful wedding seekers themselves, but those with a more traditional mindset will allow their parents to write them. That was the case for Gomathi Ramakrishnan and her husband, Prashanth Vishnumangalam Narayanan:\u003c/p>\n\u003cp>\u003cem>Gomathi: She’s intelligent…pursing her Master’s in Canada…she’s homely and traditional…plays Badminton…she’s cute. \u003c/em>\u003c/p>\n\u003cp>\u003cem>Prashanth: He’s an Iyer Brahmin…he doesn’t eat meat…he doesn’t drink. He’s a good boy. He’s done his bachelor’s, he’s done his master’s, and he’s based out of California.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Gomathi\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>About three years ago, Gomathi was 22 years old and working to complete a master’s degree in neuroscience at the University of Alberta in Edmonton, Canada. One day her father called from her hometown of Chennai in southern India. “We’re going to put up a profile for you on Bharatmatrimony.com,” he said matter-of-factly.\u003c/p>\n\u003cdiv class=\"callout alignright\">\n\u003cp>\u003cimg decoding=\"async\" class=\"alignleft\" src=\"http://u.s.kqed.net/2015/09/14/LITDApodcastlogo.jpg\" alt=\"\">\u003c/p>\n\u003ch3>\u003ca href=\"https://itunes.apple.com/us/podcast/love-in-the-digital-age/id1037051180?mt=2\">Subscribe in iTunes\u003c/a>\u003c/h3>\n\u003cp>Don’t miss an episode of ‘Love in the Digital Age’\u003c/p>\n\u003c/div>\n\u003cp>Gomathi delights in sharing what happened next. “He started entering \u003cem>his\u003c/em> profile information. He typed his name, he typed his age, and he typed all stuff about him.” In retrospect, she figures he probably thought he was registering, as opposed to creating a profile. But the error became apparent when the first bite of interest came from an older woman.\u003c/p>\n\u003cp>“My dad was like, ‘Why is someone who is 50 years old giving information for my daughter?’ ” Gomathi giggles.\u003c/p>\n\u003cp>A tech-savvy cousin soon came to the rescue — and now Gomathi was on the hot seat. “Within two weeks, he [her father] came back with a list of 15 guys. I was really overwhelmed!”\u003c/p>\n\u003cp>She demurred, but her dad insisted, and then begged her to at least call his favorite: Prashanth.\u003c/p>\n\u003cp>\u003cstrong>Prashanth\u003c/strong>\u003c/p>\n\u003cp>Prashanth Vishnumangalam Narayanan was 27, a Fremont resident and established consultant on supply chain management for PricewaterhouseCoopers in San Jose, when he started getting curious calls from his mother in Chennai.\u003c/p>\n\u003cfigure id=\"attachment_10694743\" class=\"wp-caption alignright\" style=\"max-width: 361px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10694743\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/GomathiPrashanthVERT.jpg\" alt=\"Gomathi and Prashanth\" width=\"361\" height=\"554\">\u003cfigcaption class=\"wp-caption-text\">Gomathi and Prashanth\u003c/figcaption>\u003c/figure>\n\u003cp>She told him women were expressing interest in getting to know him better, which made no sense, until she admitted she’d posted a profile of him online. Soon after, she sent him a list of 25 matches. And she hardly let the matter rest there.\u003c/p>\n\u003cp>“I had my mom’s sister call me and say, ‘This is the right time to talk.’ Then I had my grandma call me and say, ‘This is the right time to talk.’ Then my dad, then everybody, decided to take turns calling me, and say, ‘This is the right time to talk,’ ” says Prashanth. It was obvious he had to talk to somebody, soon. He had to name at least one candidate.\u003c/p>\n\u003cp>Prashanth chose Gomathi.\u003c/p>\n\u003cp>\u003cstrong>Semi-Arranged Marriage\u003c/strong>\u003c/p>\n\u003cp>Even though their parents wrote the profiles, picked the candidates and met each other before giving the go-ahead to Gomathi and Prashanth, they call the process that led to their wedding \u003cem>semi-arranged. \u003c/em>That’s because they did get to pick who to talk to, and they got to talk for nine months before settling on each other.\u003c/p>\n\u003cp>Prashanth explains, “I got introduced to the person I was getting married to through family relations and connections, and they established the connection through a digital website. But then we talked, and we really understood each other, and we got married. I had my freedom, and she had her freedom.”\u003c/p>\n\u003cp>That said, even with the freedom to choose over time, they still felt pressure to come to a decision eventually.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Had Gomathi and Prashanth not liked each other, they would have worked through match No. 2, No. 3 — and so on — until they agreed to somebody their parents found suitable.\u003c/p>\n\u003cp>Gomathi says the two sets of parents got along really well. “Based on their hard work, they were able to come up in life,” she says. “That was something, that both of them have mutual respect for each other. That was something that I also wanted in the person that I was going to marry.”\u003c/p>\n\u003cp>Then came the first phone call. “I remember Gomathi being the one who asked a lot more questions than me asking her,” says Prashanth, laughing. “She was like, ‘Who’s your favorite actress? Who’s your favorite actor? What movies do you like?’ I found her to be very full of energy.”\u003c/p>\n\u003cp>The couple began phoning, texting and talking on FaceTime regularly.\u003c/p>\n\u003cp>After a few months, Prashanth and Gomathi decided to meet in Canada. The gravity of it all hit Prashanth as he went through the airport in Edmonton. When the visa officer asked him the purpose of his visit, he said he was going to see “a friend.” A friend he had never met, perhaps his future wife. Prashanth had seen Gomathi only virtually, and he scanned the airport for her. “She seemed small. And I was like, “I’ve seen her before.’ Then I realized: That’s Gomathi!”\u003c/p>\n\u003cfigure id=\"attachment_10689853\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/Gomathi-Prashanth.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10689853 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/Gomathi-Prashanth-800x600.jpg\" alt=\"Gomathi and Prashanth at home in Fremont, California\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/Gomathi-Prashanth-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/Gomathi-Prashanth-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/Gomathi-Prashanth-1440x1080.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/Gomathi-Prashanth-1920x1440.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/Gomathi-Prashanth-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/Gomathi-Prashanth-960x720.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Gomathi and Prashanth at home in Fremont, California \u003ccite>(Polly Stryker/KQED )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Gomathi remembers, “It felt really odd, because you have spoken to this person over the phone, but you haven’t met the other person.”\u003c/p>\n\u003cp>They spent a long weekend getting to know each other: going out to eat, taking walks, watching the movie “Brave.” When Gomathi cried during the film, Prashanth felt touched by her empathy with the characters. But by the time he left Canada, Gomathi had not made a decision.\u003c/p>\n\u003cp>“I felt kind of sad,” Prashanth says. “I thought, initially, I wasn’t emotionally invested, but I learned that I’d been \u003cem>heavily\u003c/em> emotionally invested.”\u003c/p>\n\u003cp>“You need to understand the person really well before getting married,” Gomathi says, “because it’s a one-time thing, and you just don’t want to screw it up. You just don’t want to make a decision until you know, ‘Yes, this is it!’ ”\u003c/p>\n\u003cp>Prashanth’s mother urged him to talk to other matches from Bharat Matrimony. He told her he wasn’t interested.\u003c/p>\n\u003cp>The couple talked for several more months. Gomathi says her love for Prashanth “deepened more when I realized who Prashanth was and what sort of a guy he was. When I was able to trust him, I really fell for him. I know in my heart that he has high moral standards. That was the point that I came to when I decided, ‘Yes, I should get engaged to Prashanth.’ ”\u003c/p>\n\u003cp>It didn’t hurt that Prashanth plays a mean game of badminton, Gomathi’s favorite sport. The wedding was on. Their families organized a lavish three-day event that took place in Chennai on June 28, 2013.\u003c/p>\n\u003cp>\u003cstrong>Fremont, Capital of Indian California\u003c/strong>\u003c/p>\n\u003cp>Today, Gomathi and Prashanth live in Fremont, home to a large and growing population of immigrants from India, filled with bustling Indian restaurants and stores. \u003ca href=\"http://politicalscience.ucr.edu/people/faculty/ramakrishnan/\">\u003cu>Karthick Ramakrishnan\u003c/u>\u003c/a> (no relation to Gomathi), professor of Public Policy at UC Riverside, says that Indian immigration more than doubled in Silicon Valley between 2000-2014.\u003c/p>\n\u003cfigure id=\"attachment_10689913\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/RS16712_aapidata-kqed-infog-southbay-qut.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10689913 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/RS16712_aapidata-kqed-infog-southbay-qut-800x667.jpg\" alt='Indian population size and growth in Alameda and Santa Clara counties from 2000-2014, according to the U.S. Census, as distinct from the \"Other Asian\" category.' width=\"800\" height=\"667\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16712_aapidata-kqed-infog-southbay-qut-800x667.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16712_aapidata-kqed-infog-southbay-qut-400x333.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16712_aapidata-kqed-infog-southbay-qut-1440x1200.jpg 1440w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16712_aapidata-kqed-infog-southbay-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16712_aapidata-kqed-infog-southbay-qut-1180x983.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2015/09/RS16712_aapidata-kqed-infog-southbay-qut-960x800.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Indian population size and growth in Alameda and Santa Clara counties from 2000-2014, according to the U.S. Census, as distinct from the “Other Asian” category. \u003ccite>(Courtesy of Professor Karthick Ramakrishnan)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That shift is reflected in the number of Californians on Indian matrimonial websites. Shaadi’s chief marketing officer, \u003ca href=\"http://brandequity.economictimes.indiatimes.com/news/the-people-report/aditya-save-is-shaadi-coms-new-cmo-anupam-mittal-steps-down-as-ceo/48013510\">\u003cu>\u003cspan style=\"color: #0000ff\">Aditya Save\u003c/span>\u003c/u>\u003c/a>, says approximately 200,000 accounts are registered to people living in the state. He adds that the platform is used mostly by South Asians — and not just first-generation immigrants.\u003c/p>\n\u003cp>“A lot of our platform is used by people of Indian origin, born in the U.S., the UK and Australia. A larger percentage of that 200,000 (in California) would be people who are American citizens, born in America, but of Indian descent,” he says. For those spouse seekers, Save says it’s more likely they’ll set up their own profiles, as opposed to letting their parents do it.\u003c/p>\n\u003cp>Today, Gomathi Ramakrishnan co-manages a neuroscience lab at UC San Francisco. Prashanth still works at PricewaterhouseCoopers.\u003c/p>\n\u003cp>Their lives as newlyweds are filled with pleasures they enjoy together: playing badminton, watching TV shows like “\u003ca href=\"http://www.hbo.com/game-of-thrones\">\u003cu>Game of Thrones\u003c/u>\u003c/a>\u003ca href=\"http://www.hbo.com/game-of-thrones\">”\u003c/a> and eating ice cream at \u003ca href=\"mailto:https://www.coldstonecreamery.com\">\u003cu>Cold Stone Creamery\u003c/u>\u003c/a>. Gomathi isn’t shy when she explains how she and Prashanth found compatibility first, allowing love to follow after.\u003c/p>\n\u003cp>“Love doesn’t happen one sudden day,” she says. “It takes a really long time. I feel like we are still falling in love.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"color: #000000;font-family: Calibri\">\u003cem>This podcast features music by Karthick Iyer (“Brovabarama” and “Manavyalakim”).\u003c/em> \u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Judge Throws Out Publisher's Claim to 'Happy Birthday' Copyright",
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"content": "\u003cp>LOS ANGELES — In a gift to many musicians, moviemakers and other content creators, a federal judge has found that the song \"Happy Birthday To You\" is entirely in the public domain.\u003c/p>\n\u003cp>The ruling could mean millions lost for the music publishing company that has been collecting on the copyright to one of the most widely sung songs in the world.\u003c/p>\n\u003cfigure id=\"attachment_10694173\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/Happy-Birthday-To-You-e1442990739684.jpg\">\u003cimg class=\"wp-image-10694173 size-thumbnail\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/Happy-Birthday-To-You-e1442990739684-400x334.jpg\" alt='Words and music to the song, \"Happy Birthday\" -- also known as \"Happy Birthday to You.\"' width=\"400\" height=\"334\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/Happy-Birthday-To-You-e1442990739684-400x334.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Happy-Birthday-To-You-e1442990739684-800x668.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Happy-Birthday-To-You-e1442990739684.jpg 849w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Words and music to the song 'Happy Birthday' -- also known as 'Happy Birthday to You.'\u003c/figcaption>\u003c/figure>\n\u003cp>U.S. District Judge George H. King found Tuesday that the song's original copyright, obtained by the Clayton F. Summy Co. from the song's writers and bought for $15 million in 1988 by Warner/Chappell Music Inc., covered only specific piano arrangements of the song, not its lyrics.\u003c/p>\n\u003cp>The basic \"Happy Birthday\" melody, derived from another popular children's song, \"Good Morning to All,\" has long been in the public domain, and King's decision, though it could be appealed, makes the entirety fair game for use.\u003c/p>\n\u003cp>\" 'Happy Birthday' is finally free after 80 years,\" Randall Newman, one of the plaintiffs' attorneys, told the Los Angeles Times.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>One of the co-plaintiffs, \u003ca href=\"https://www.facebook.com/rupamarya\" target=\"_blank\">Rupa Marya\u003c/a> of the San Francisco-based group \u003ca href=\"http://www.theaprilfishes.com/\" target=\"_blank\">Rupa and The April Fishes\u003c/a>, also praised the decision as momentous, saying, \"I hope we can start reimagining copyright law to do what it's supposed to do -- protect the creations of people who make stuff so that we can continue to make more stuff.\"\u003c/p>\n\u003cp>Marya said she had paid Warner/Chappell $455 to include the song on a live album during which members of her band and the audience sang the song to her the night before her birthday.\u003c/p>\n\u003cp>Warner/Chappell has said it doesn't try to collect royalties from just anyone singing the song but those who use it in a commercial enterprise.\u003c/p>\n\u003cp>\"We are looking at the court's lengthy opinion and considering our options,\" Warner/Chappell said in a statement following Tuesday's ruling.\u003c/p>\n\u003cp>King's decision comes in a lawsuit filed two years ago by Good Morning To You Productions Corp., which is working on a documentary film tentatively titled \"Happy Birthday.\" The company challenged the copyright, arguing that the song should be \"dedicated to public use and in the public domain.\"\u003c/p>\n\u003cp>\"Because Summy Co. never acquired the rights to the 'Happy Birthday' lyrics, defendants, as Summy Co.'s purported successors-in-interest, do not own a valid copyright in the Happy Birthday lyrics,\" King concluded in his 43-page ruling.\u003c/p>\n\u003cp>The lawsuit also asked for monetary damages and restitution of more than $5 million in licensing fees it said in 2013 that Warner/Chappell had collected from thousands of people and groups who have paid to use the song over the years.\u003c/p>\n\u003cp>Marshall Lamm, a spokesman for one of the plaintiffs' lawyers, said that issue would be determined later.\u003c/p>\n\u003cp>In his ruling, King went into great detail about the history of \"Happy Birthday To You,\" and its derivation from \"Good Morning to All.\"\u003c/p>\n\u003cp>That song was written by sisters Mildred Hill and Patty Hill sometime before 1893, the judge said, adding that the sisters assigned the rights to it and other songs to Clayton F. Summy, who copyrighted and published them in a book titled \"Song Stories for the Kindergarten.\"\u003c/p>\n\u003cp>\"The origins of the lyrics to Happy Birthday ... are less clear,\" the judge continued, adding the first known reference to them appeared in a 1901 article in the Inland Educator and Indiana School Journal.\u003c/p>\n\u003cp>The full lyrics themselves, King said, didn't appear in print until 1911.\u003c/p>\n\u003cp>Since then, they have become the most famous lyrics in the English language, according to Guinness World Records. The song is also sung in countless other languages around the world.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Associated Press Writer Andrew Dalton contributed to this report.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>LOS ANGELES — In a gift to many musicians, moviemakers and other content creators, a federal judge has found that the song \"Happy Birthday To You\" is entirely in the public domain.\u003c/p>\n\u003cp>The ruling could mean millions lost for the music publishing company that has been collecting on the copyright to one of the most widely sung songs in the world.\u003c/p>\n\u003cfigure id=\"attachment_10694173\" class=\"wp-caption alignleft\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/Happy-Birthday-To-You-e1442990739684.jpg\">\u003cimg class=\"wp-image-10694173 size-thumbnail\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/Happy-Birthday-To-You-e1442990739684-400x334.jpg\" alt='Words and music to the song, \"Happy Birthday\" -- also known as \"Happy Birthday to You.\"' width=\"400\" height=\"334\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/Happy-Birthday-To-You-e1442990739684-400x334.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Happy-Birthday-To-You-e1442990739684-800x668.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Happy-Birthday-To-You-e1442990739684.jpg 849w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Words and music to the song 'Happy Birthday' -- also known as 'Happy Birthday to You.'\u003c/figcaption>\u003c/figure>\n\u003cp>U.S. District Judge George H. King found Tuesday that the song's original copyright, obtained by the Clayton F. Summy Co. from the song's writers and bought for $15 million in 1988 by Warner/Chappell Music Inc., covered only specific piano arrangements of the song, not its lyrics.\u003c/p>\n\u003cp>The basic \"Happy Birthday\" melody, derived from another popular children's song, \"Good Morning to All,\" has long been in the public domain, and King's decision, though it could be appealed, makes the entirety fair game for use.\u003c/p>\n\u003cp>\" 'Happy Birthday' is finally free after 80 years,\" Randall Newman, one of the plaintiffs' attorneys, told the Los Angeles Times.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>One of the co-plaintiffs, \u003ca href=\"https://www.facebook.com/rupamarya\" target=\"_blank\">Rupa Marya\u003c/a> of the San Francisco-based group \u003ca href=\"http://www.theaprilfishes.com/\" target=\"_blank\">Rupa and The April Fishes\u003c/a>, also praised the decision as momentous, saying, \"I hope we can start reimagining copyright law to do what it's supposed to do -- protect the creations of people who make stuff so that we can continue to make more stuff.\"\u003c/p>\n\u003cp>Marya said she had paid Warner/Chappell $455 to include the song on a live album during which members of her band and the audience sang the song to her the night before her birthday.\u003c/p>\n\u003cp>Warner/Chappell has said it doesn't try to collect royalties from just anyone singing the song but those who use it in a commercial enterprise.\u003c/p>\n\u003cp>\"We are looking at the court's lengthy opinion and considering our options,\" Warner/Chappell said in a statement following Tuesday's ruling.\u003c/p>\n\u003cp>King's decision comes in a lawsuit filed two years ago by Good Morning To You Productions Corp., which is working on a documentary film tentatively titled \"Happy Birthday.\" The company challenged the copyright, arguing that the song should be \"dedicated to public use and in the public domain.\"\u003c/p>\n\u003cp>\"Because Summy Co. never acquired the rights to the 'Happy Birthday' lyrics, defendants, as Summy Co.'s purported successors-in-interest, do not own a valid copyright in the Happy Birthday lyrics,\" King concluded in his 43-page ruling.\u003c/p>\n\u003cp>The lawsuit also asked for monetary damages and restitution of more than $5 million in licensing fees it said in 2013 that Warner/Chappell had collected from thousands of people and groups who have paid to use the song over the years.\u003c/p>\n\u003cp>Marshall Lamm, a spokesman for one of the plaintiffs' lawyers, said that issue would be determined later.\u003c/p>\n\u003cp>In his ruling, King went into great detail about the history of \"Happy Birthday To You,\" and its derivation from \"Good Morning to All.\"\u003c/p>\n\u003cp>That song was written by sisters Mildred Hill and Patty Hill sometime before 1893, the judge said, adding that the sisters assigned the rights to it and other songs to Clayton F. Summy, who copyrighted and published them in a book titled \"Song Stories for the Kindergarten.\"\u003c/p>\n\u003cp>\"The origins of the lyrics to Happy Birthday ... are less clear,\" the judge continued, adding the first known reference to them appeared in a 1901 article in the Inland Educator and Indiana School Journal.\u003c/p>\n\u003cp>The full lyrics themselves, King said, didn't appear in print until 1911.\u003c/p>\n\u003cp>Since then, they have become the most famous lyrics in the English language, according to Guinness World Records. The song is also sung in countless other languages around the world.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Associated Press Writer Andrew Dalton contributed to this report.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Lake County Cracks Down on Looting of Native American Artifacts",
"title": "Lake County Cracks Down on Looting of Native American Artifacts",
"headTitle": "The California Report | KQED News",
"content": "\u003cp>The wildfires ravaging Lake County this summer might have an impact unnoticed by most people: the increased looting of ancient Native American artifacts.\u003c/p>\n\u003cp>Local Pomo residents worry that the fires, which have cleared trees and structures off land, and the drought, which has lowered water levels at Clear Lake, are making it easier for looters to unearth relics that belonged to their ancestors.\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/225040171\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003cp>Although theft at Native American sites is nothing new, local sheriff's deputies are being trained for the first time in how to identify and investigate these crimes. That led to the arrest last month of a man suspected of stealing obsidian arrowheads and other artifacts.\u003c/p>\n\u003cp>The case may be the first arrest of its kind in Lake County, according to the Lake County Sheriff’s Office.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Cultural treasures\u003c/strong>\u003c/p>\n\u003cp>The obsidian cutting tools at the center of this case look similar to the arrowheads that Batsulwin Brown is pulling out of a small box at Big Valley Rancheria near the city of Lakeport. The reservation is home to Pomo Indians who have a long history of hunting and fishing in Clear Lake, the largest natural freshwater lake wholly within the state.\u003c/p>\n\u003cp>Brown, tribal historic preservation officer at Big Valley, picks through the arrowheads, which he estimates are at least 500 years old.\u003c/p>\n\u003cfigure id=\"attachment_10692360\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-10692360\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/ObsidianHeads-800x562.jpg\" alt=\"Obsidian spear and arrowheads such as these at the Big Valley Rancheria of Pomo Indians in Lake County may fetch hundreds of dollars in the black market. Local Pomo people want to recover these items and stop these crimes.\" width=\"800\" height=\"562\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/ObsidianHeads-800x562.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/ObsidianHeads-400x281.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/ObsidianHeads-1440x1011.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/ObsidianHeads.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/ObsidianHeads-1180x828.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/ObsidianHeads-960x674.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Obsidian spear and arrowheads such as these at the Big Valley Rancheria of Pomo Indians in Lake County may fetch hundreds of dollars in the black market. Local Pomo people want to recover these items and stop these crimes. \u003ccite>(Farida Jhabvala Romero/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“This is one of the most defined pieces here. Feel the edges. It still has a very sharp edge,” says Brown.\u003c/p>\n\u003cp>Next, he carefully removes a collection of clam shell beads from labeled plastic bags. He estimates these beads are about 5,000 years old.\u003c/p>\n\u003cp>“They are fragile. You can see some of the white residue coming on my fingers from the shells,” says Brown, adding that local authorities returned these beads to the Big Valley Band of Pomo Indians after a landowner dug them up from his garden and turned them in.\u003c/p>\n\u003cp>For Brown, these artifacts are invaluable. They connect today’s Pomo to their ancestors in a physical way.\u003c/p>\n\u003cp>“Helps paint a picture for us of what went on out there if we don’t have any members or direct descendants who lived at that site to give us more information,” says Brown, who grew up at the Elem Pomo reservation near the town of Clearlake Oaks, playing at a \u003ca href=\"http://www.epa.gov/superfund/eparecovery/sulphur_bank.html\" target=\"_blank\">Superfund site\u003c/a> next door.\u003c/p>\n\u003cp>He considers the mercury pollution from that mine, which he says led to deadly cancers among his relatives, as one of many injustices faced by local tribes.\u003c/p>\n\u003cfigure id=\"attachment_10692355\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10692355 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/BatsulwinBrown-800x489.jpg\" alt=\"Batsulwin Brown, tribal historic preservation officer for the Big Valley Band of Pomo Indians, at Clear Lake on Sept. 10. Brown is concerned that the lake’s drop in water levels and wildfires are making archaeological sites easier to loot.\" width=\"800\" height=\"489\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/BatsulwinBrown-800x489.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/BatsulwinBrown-400x244.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/BatsulwinBrown-1440x880.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/BatsulwinBrown.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/BatsulwinBrown-1180x721.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/BatsulwinBrown-960x587.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Batsulwin Brown, tribal historic preservation officer for the Big Valley Rancheria at Clear Lake on Sept. 10. Brown is concerned that wildfires and the lake’s drop in water levels are making archaeological sites more accessible to looters. \u003ccite>(Farida Jhabvala Romero/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Part of the healing needed by Native American communities, says Brown, is brought about by piecing together their rich history from ancient artifacts.\u003c/p>\n\u003cp>But Brown and other native residents fear that in many cases, tools, effigies and other remains from Pomo archaeological sites are stolen for commercial gain.\u003c/p>\n\u003cp>\u003cstrong>The arrest\u003c/strong>\u003c/p>\n\u003cp>On Aug. 22, Lake County Deputy Sheriff Richard Kreutzer discovered obsidian cutting tools and other artifacts inside the van of a man he suspected of being high on methamphetamines and trespassing on private property.\u003c/p>\n\u003cp>“I booked him on felony possession of these artifacts, and the investigation is ongoing,” says Kreutzer, who has worked with the sheriff’s office since 2012. “I’m currently trying to confirm where the items were removed from to bring this evidence to a judge.”\u003c/p>\n\u003cfigure id=\"attachment_10685641\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/RS16686_IMG_9481.JPG-qut.jpg\">\u003cimg class=\"wp-image-10685641 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/RS16686_IMG_9481.JPG-qut-800x533.jpg\" alt=\"Two days after receiving a training on archaeological crimes, Lake County Deputy Sheriff Richard Kreutzer arrested a transient man suspected of looting Native American artifacts on August 22. This arrest may be the first its kind in Lake County. Kreutzer was photographed at the Sheriff's offices in Lakeport.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16686_IMG_9481.JPG-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16686_IMG_9481.JPG-qut-400x267.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16686_IMG_9481.JPG-qut-1440x960.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16686_IMG_9481.JPG-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16686_IMG_9481.JPG-qut-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16686_IMG_9481.JPG-qut-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Two days after receiving a training on archaeological crimes, Lake County Deputy Sheriff Richard Kreutzer arrested a transient man suspected of looting Native American artifacts on Aug. 22. This arrest may be the first its kind in Lake County. Kreutzer was photographed at the Sheriff's offices in Lakeport. \u003ccite>(Farida Jhabvala Romero/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The arrest came only two days after Kreutzer and other deputies took an intensive, three-day training on archeological crimes. The event was co-hosted by the \u003ca href=\"http://www.koination.com/\" target=\"_blank\">Koi Nation of Northern California\u003c/a>, the \u003ca href=\"http://www.upperlakepomo.com/\" target=\"_blank\">Habematolel Pomo of Upper Lake\u003c/a> and Kreutzer’s boss, Sheriff Brian Martin, who took office this year.\u003c/p>\n\u003cp>Federal and state laws prohibit people from taking these artifacts. In California, the \u003ca href=\"http://www.leginfo.ca.gov/pub/01-02/bill/sen/sb_1801-1850/sb_1816_bill_20020630_amended_asm.pdf\" target=\"_blank\">Native American Historic Resource Protection Act\u003c/a> punishes the unlawful excavation or destruction of Native American sites as a misdemeanor.\u003c/p>\n\u003cp>But until now, this law hadn't been enforced here. That is why the sheriff’s office says this arrest might be the first of its kind in Lake County.\u003c/p>\n\u003cp>“In all honesty, I might have come across these types of things in other calls but didn’t necessarily knew what they were,” says Kreutzer. “Now thanks to this training ... we are a little more aware of what we are looking at.”\u003c/p>\n\u003cp>Forensic archaeologist Martin McAllister led the training and has worked on hundreds of cases involving looters in Arizona and other parts of the country since 1977. He says archaeological crimes are frequently connected to drug use, especially meth, with looters selling relics to buy drugs.\u003c/p>\n\u003cfigure id=\"attachment_10692364\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10692364 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/BeadsAndHead-800x530.jpg\" alt=\"Clam shell beads and an obsidian spearhead are some of the items recovered by the Big Valley Band of Pomo Indians near Clear Lake.\" width=\"800\" height=\"530\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/BeadsAndHead-800x530.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/BeadsAndHead-400x265.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/BeadsAndHead-1440x955.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/BeadsAndHead.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/BeadsAndHead-1180x782.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/BeadsAndHead-960x637.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Clam shell beads and an obsidian spearhead were recovered by the Big Valley Band of Pomo Indians near the city of Lakeport. A local landowner found the beads in his property and turned them in to local authorities, while the Big Valley historic preservation team identified the spearhead during a public works project. \u003ccite>(Farida Jhabvala Romero/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Typically (looters) are going to be high on some type of drug like methamphetamine. They are going to be armed, and they know what they are doing is illegal, so it can create a very dangerous situation out there on the ground,” says McAllister by phone from Missoula, Montana, where he resides.\u003c/p>\n\u003cp>McAllister says that once these items wind up in the black market, they can fetch big money.\u003c/p>\n\u003cp>“It’s a multimillion-dollar industry here in the United States,” says McAllister, adding that the international black market for all archaeologically significant items is estimated at $7 billion. “It’s second only to drugs and weapons, in terms of the amount of money it generates every year.”\u003c/p>\n\u003cp>The high incidence of meth use in Lake County likely plays a role in looting, says McAllister. Lake County leads the state's 58 counties in terms of drug-induced deaths, according to the most recent \u003ca href=\"http://www.cdph.ca.gov/programs/ohir/Documents/OHIRProfiles2015.pdf\">figures\u003c/a> from the California Department of Public Health.\u003c/p>\n\u003cp>McAllister says that drought conditions and wildfires are exposing archaeological sites around Clear Lake that were not visible, making these potential troves more accessible than before.\u003c/p>\n\u003cp>\u003cstrong>Wildfires and drought increase access in Lake County\u003c/strong>\u003c/p>\n\u003cp>Wildfires raging in the area since July have burned vegetation and structures in 171,000 acres so far. At the same time, the state’s four-year drought is making Clear Lake’s shoreline recede as water levels drop.\u003c/p>\n\u003cp>In September 2011, Clear Lake’s water levels were about 2 feet higher than today, says Andrew Watson, field office chief at the U.S. Geological Survey Ukiah branch. During a wet year such as 1984, water levels were 10 feet higher than today, he says.\u003c/p>\n\u003cp>[contextly_sidebar id=\"tv6V4uHzKsYZriZwzLbfJiFDY0J1FgoL\"]\u003c/p>\n\u003cp>But Dino Beltran, from the Koi Nation, says the theft of Native American relics has occurred for many decades, regardless of the weather. He first alerted authorities to these crimes after he spotted a pair of suspicious diggers on marshland near his ancestral home.\u003c/p>\n\u003cp>“People trying to benefit from somebody else's belongings that should be left on the ground,” says Beltran, who pushed for the training with local law enforcement. “I mean they are sacred objects. You don’t see Native Americans going to a cemetery and digging up the cemetery, so why would anyone want to do anything sacrilegious to a Native American site?”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Though the looting case in Lake County is still under investigation, the sheriff’s office and Beltran believe that the items recovered by Kreutzer are most likely from the Koi Nation. The suspect was released on bail a few days after the arrest.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The wildfires ravaging Lake County this summer might have an impact unnoticed by most people: the increased looting of ancient Native American artifacts.\u003c/p>\n\u003cp>Local Pomo residents worry that the fires, which have cleared trees and structures off land, and the drought, which has lowered water levels at Clear Lake, are making it easier for looters to unearth relics that belonged to their ancestors.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/225040171&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/225040171'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Although theft at Native American sites is nothing new, local sheriff's deputies are being trained for the first time in how to identify and investigate these crimes. That led to the arrest last month of a man suspected of stealing obsidian arrowheads and other artifacts.\u003c/p>\n\u003cp>The case may be the first arrest of its kind in Lake County, according to the Lake County Sheriff’s Office.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Cultural treasures\u003c/strong>\u003c/p>\n\u003cp>The obsidian cutting tools at the center of this case look similar to the arrowheads that Batsulwin Brown is pulling out of a small box at Big Valley Rancheria near the city of Lakeport. The reservation is home to Pomo Indians who have a long history of hunting and fishing in Clear Lake, the largest natural freshwater lake wholly within the state.\u003c/p>\n\u003cp>Brown, tribal historic preservation officer at Big Valley, picks through the arrowheads, which he estimates are at least 500 years old.\u003c/p>\n\u003cfigure id=\"attachment_10692360\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"size-medium wp-image-10692360\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/ObsidianHeads-800x562.jpg\" alt=\"Obsidian spear and arrowheads such as these at the Big Valley Rancheria of Pomo Indians in Lake County may fetch hundreds of dollars in the black market. Local Pomo people want to recover these items and stop these crimes.\" width=\"800\" height=\"562\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/ObsidianHeads-800x562.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/ObsidianHeads-400x281.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/ObsidianHeads-1440x1011.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/ObsidianHeads.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/ObsidianHeads-1180x828.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/ObsidianHeads-960x674.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Obsidian spear and arrowheads such as these at the Big Valley Rancheria of Pomo Indians in Lake County may fetch hundreds of dollars in the black market. Local Pomo people want to recover these items and stop these crimes. \u003ccite>(Farida Jhabvala Romero/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“This is one of the most defined pieces here. Feel the edges. It still has a very sharp edge,” says Brown.\u003c/p>\n\u003cp>Next, he carefully removes a collection of clam shell beads from labeled plastic bags. He estimates these beads are about 5,000 years old.\u003c/p>\n\u003cp>“They are fragile. You can see some of the white residue coming on my fingers from the shells,” says Brown, adding that local authorities returned these beads to the Big Valley Band of Pomo Indians after a landowner dug them up from his garden and turned them in.\u003c/p>\n\u003cp>For Brown, these artifacts are invaluable. They connect today’s Pomo to their ancestors in a physical way.\u003c/p>\n\u003cp>“Helps paint a picture for us of what went on out there if we don’t have any members or direct descendants who lived at that site to give us more information,” says Brown, who grew up at the Elem Pomo reservation near the town of Clearlake Oaks, playing at a \u003ca href=\"http://www.epa.gov/superfund/eparecovery/sulphur_bank.html\" target=\"_blank\">Superfund site\u003c/a> next door.\u003c/p>\n\u003cp>He considers the mercury pollution from that mine, which he says led to deadly cancers among his relatives, as one of many injustices faced by local tribes.\u003c/p>\n\u003cfigure id=\"attachment_10692355\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10692355 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/BatsulwinBrown-800x489.jpg\" alt=\"Batsulwin Brown, tribal historic preservation officer for the Big Valley Band of Pomo Indians, at Clear Lake on Sept. 10. Brown is concerned that the lake’s drop in water levels and wildfires are making archaeological sites easier to loot.\" width=\"800\" height=\"489\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/BatsulwinBrown-800x489.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/BatsulwinBrown-400x244.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/BatsulwinBrown-1440x880.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/BatsulwinBrown.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/BatsulwinBrown-1180x721.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/BatsulwinBrown-960x587.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Batsulwin Brown, tribal historic preservation officer for the Big Valley Rancheria at Clear Lake on Sept. 10. Brown is concerned that wildfires and the lake’s drop in water levels are making archaeological sites more accessible to looters. \u003ccite>(Farida Jhabvala Romero/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Part of the healing needed by Native American communities, says Brown, is brought about by piecing together their rich history from ancient artifacts.\u003c/p>\n\u003cp>But Brown and other native residents fear that in many cases, tools, effigies and other remains from Pomo archaeological sites are stolen for commercial gain.\u003c/p>\n\u003cp>\u003cstrong>The arrest\u003c/strong>\u003c/p>\n\u003cp>On Aug. 22, Lake County Deputy Sheriff Richard Kreutzer discovered obsidian cutting tools and other artifacts inside the van of a man he suspected of being high on methamphetamines and trespassing on private property.\u003c/p>\n\u003cp>“I booked him on felony possession of these artifacts, and the investigation is ongoing,” says Kreutzer, who has worked with the sheriff’s office since 2012. “I’m currently trying to confirm where the items were removed from to bring this evidence to a judge.”\u003c/p>\n\u003cfigure id=\"attachment_10685641\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/RS16686_IMG_9481.JPG-qut.jpg\">\u003cimg class=\"wp-image-10685641 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/RS16686_IMG_9481.JPG-qut-800x533.jpg\" alt=\"Two days after receiving a training on archaeological crimes, Lake County Deputy Sheriff Richard Kreutzer arrested a transient man suspected of looting Native American artifacts on August 22. This arrest may be the first its kind in Lake County. Kreutzer was photographed at the Sheriff's offices in Lakeport.\" width=\"800\" height=\"533\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16686_IMG_9481.JPG-qut-800x533.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16686_IMG_9481.JPG-qut-400x267.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16686_IMG_9481.JPG-qut-1440x960.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16686_IMG_9481.JPG-qut.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16686_IMG_9481.JPG-qut-1180x787.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/RS16686_IMG_9481.JPG-qut-960x640.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Two days after receiving a training on archaeological crimes, Lake County Deputy Sheriff Richard Kreutzer arrested a transient man suspected of looting Native American artifacts on Aug. 22. This arrest may be the first its kind in Lake County. Kreutzer was photographed at the Sheriff's offices in Lakeport. \u003ccite>(Farida Jhabvala Romero/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The arrest came only two days after Kreutzer and other deputies took an intensive, three-day training on archeological crimes. The event was co-hosted by the \u003ca href=\"http://www.koination.com/\" target=\"_blank\">Koi Nation of Northern California\u003c/a>, the \u003ca href=\"http://www.upperlakepomo.com/\" target=\"_blank\">Habematolel Pomo of Upper Lake\u003c/a> and Kreutzer’s boss, Sheriff Brian Martin, who took office this year.\u003c/p>\n\u003cp>Federal and state laws prohibit people from taking these artifacts. In California, the \u003ca href=\"http://www.leginfo.ca.gov/pub/01-02/bill/sen/sb_1801-1850/sb_1816_bill_20020630_amended_asm.pdf\" target=\"_blank\">Native American Historic Resource Protection Act\u003c/a> punishes the unlawful excavation or destruction of Native American sites as a misdemeanor.\u003c/p>\n\u003cp>But until now, this law hadn't been enforced here. That is why the sheriff’s office says this arrest might be the first of its kind in Lake County.\u003c/p>\n\u003cp>“In all honesty, I might have come across these types of things in other calls but didn’t necessarily knew what they were,” says Kreutzer. “Now thanks to this training ... we are a little more aware of what we are looking at.”\u003c/p>\n\u003cp>Forensic archaeologist Martin McAllister led the training and has worked on hundreds of cases involving looters in Arizona and other parts of the country since 1977. He says archaeological crimes are frequently connected to drug use, especially meth, with looters selling relics to buy drugs.\u003c/p>\n\u003cfigure id=\"attachment_10692364\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-10692364 size-medium\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/BeadsAndHead-800x530.jpg\" alt=\"Clam shell beads and an obsidian spearhead are some of the items recovered by the Big Valley Band of Pomo Indians near Clear Lake.\" width=\"800\" height=\"530\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/BeadsAndHead-800x530.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/BeadsAndHead-400x265.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/BeadsAndHead-1440x955.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/BeadsAndHead.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/BeadsAndHead-1180x782.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/BeadsAndHead-960x637.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Clam shell beads and an obsidian spearhead were recovered by the Big Valley Band of Pomo Indians near the city of Lakeport. A local landowner found the beads in his property and turned them in to local authorities, while the Big Valley historic preservation team identified the spearhead during a public works project. \u003ccite>(Farida Jhabvala Romero/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Typically (looters) are going to be high on some type of drug like methamphetamine. They are going to be armed, and they know what they are doing is illegal, so it can create a very dangerous situation out there on the ground,” says McAllister by phone from Missoula, Montana, where he resides.\u003c/p>\n\u003cp>McAllister says that once these items wind up in the black market, they can fetch big money.\u003c/p>\n\u003cp>“It’s a multimillion-dollar industry here in the United States,” says McAllister, adding that the international black market for all archaeologically significant items is estimated at $7 billion. “It’s second only to drugs and weapons, in terms of the amount of money it generates every year.”\u003c/p>\n\u003cp>The high incidence of meth use in Lake County likely plays a role in looting, says McAllister. Lake County leads the state's 58 counties in terms of drug-induced deaths, according to the most recent \u003ca href=\"http://www.cdph.ca.gov/programs/ohir/Documents/OHIRProfiles2015.pdf\">figures\u003c/a> from the California Department of Public Health.\u003c/p>\n\u003cp>McAllister says that drought conditions and wildfires are exposing archaeological sites around Clear Lake that were not visible, making these potential troves more accessible than before.\u003c/p>\n\u003cp>\u003cstrong>Wildfires and drought increase access in Lake County\u003c/strong>\u003c/p>\n\u003cp>Wildfires raging in the area since July have burned vegetation and structures in 171,000 acres so far. At the same time, the state’s four-year drought is making Clear Lake’s shoreline recede as water levels drop.\u003c/p>\n\u003cp>In September 2011, Clear Lake’s water levels were about 2 feet higher than today, says Andrew Watson, field office chief at the U.S. Geological Survey Ukiah branch. During a wet year such as 1984, water levels were 10 feet higher than today, he says.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>But Dino Beltran, from the Koi Nation, says the theft of Native American relics has occurred for many decades, regardless of the weather. He first alerted authorities to these crimes after he spotted a pair of suspicious diggers on marshland near his ancestral home.\u003c/p>\n\u003cp>“People trying to benefit from somebody else's belongings that should be left on the ground,” says Beltran, who pushed for the training with local law enforcement. “I mean they are sacred objects. You don’t see Native Americans going to a cemetery and digging up the cemetery, so why would anyone want to do anything sacrilegious to a Native American site?”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Though the looting case in Lake County is still under investigation, the sheriff’s office and Beltran believe that the items recovered by Kreutzer are most likely from the Koi Nation. The suspect was released on bail a few days after the arrest.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Jack Larson, Jimmy Olsen From Early 'Superman' Show, Dies",
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"content": "\u003cp>The man who made a mark in Baby Boom America as a cub reporter has died: Actor Jack Larson, who played a sidekick to Superman's alter ego Clark Kent at the fictional Daily Planet newspaper, was 87.\u003c/p>\n\u003cp>The actor and playwright died at his home in the Los Angeles community of Brentwood, according to \u003ca href=\"http://losangeles.cbslocal.com/2015/09/21/actor-playwright-jack-larson-dies-at-87/\">CBS Los Angeles\u003c/a>, \u003cem>Variety \u003c/em>and multiple news outlets. A cause of death was not mentioned.\u003c/p>\n\u003cp>Larson rose to prominence in the 1950s, when \"The Adventures of Superman\" sidetracked his dreams of being a stage actor on Broadway. The runaway success of that show, starring George Reeves, made it hard for Larson to find new work; he eventually found success in writing plays and librettos.\u003c/p>\n\u003cp>\u003ca href=\"http://www.nytimes.com/2015/09/21/arts/television/jack-larson-a-playwright-better-known-as-jimmy-olsen-in-superman-dies-at-87.html\">The New York Times\u003c/a> reports:\u003c/p>\n\u003cblockquote>\u003cp>\"Although Mr. Larson was pleased that Jimmy Olsen developed into a comic role, his fears of being typecast were realized. After a particularly upsetting encounter with the producer Mervyn LeRoy, he was advised by the actor Montgomery Clift, with whom Mr. Larson was having a romantic relationship, to stop putting himself in those casting situations. So Mr. Larson gave up acting and made a new career.\"\u003c/p>\u003c/blockquote>\n\u003cp>That new career saw Larson write librettos and plays, including \"The Candied House\" (1966) and \"Chuck\" (1968), as well as helping produce films such as \"Perfect\" (1985) and \"Bright Lights, Big City\" (1988). On both plays and films, he often collaborated with his longtime partner, James Bridges.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In turning to writing, Larson was also returning to the thing that had first brought him to the world of theater, when his instructors at Pasadena Junior College encouraged him to write.\u003c/p>\n\u003cp>Born in Los Angeles in 1928, Larson grew up in the Los Angeles suburb of Montebello. His mother worked as a Western Union clerk, and his father drove a milk truck and bowled -- something he passed along to his son.\u003c/p>\n\u003cp>According to the \u003ca href=\"http://www.supermanhomepage.com/tv/tv.php?topic=cast-crew/jack-larson\">Superman Homepage\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>\"While he did not enjoy school, Larson did like to bowl. By the age of 14, he had become the California state champion for his age group and was good enough to think that he would eventually turn professional. But, in the fall of 1945, Larson enrolled in the Pasadena Junior College (now known as Pasadena City College), an event that would drastically change his life. Larson said, 'My instructors discovered that I had a gift for writing and motivated me to write plays, and to be in plays as well.'\"\u003c/p>\u003c/blockquote>\n\u003cp>When he first started auditioning for parts in film studio projects, Larson later recounted, he lost out on one early job (portraying a kid on a bike) to a young woman who would go on to be a star.\u003c/p>\n\u003cp>\"Marilyn Monroe got that part. It was her first part,\" he said in an interview for David Poland's \"\u003ca href=\"https://www.youtube.com/watch?v=AA7n8Xszg08\">Oral History of Hollywood\u003c/a>\" series. With a laugh, he added, \"We wonder how she got it. But they changed it from a boy on a bicycle to a girl on a bicycle.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In the 1990s, Larson appeared in episodes of \"Superboy\" and \"Lois and Clark: The New Adventures of Superman.\" In the latter, he portrayed an older version of Jimmy Olsen.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Jack+Larson%2C+Jimmy+Olsen+From+%27Superman%27+TV+Shows%2C+Dies&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\" alt=\"\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The man who made a mark in Baby Boom America as a cub reporter has died: Actor Jack Larson, who played a sidekick to Superman's alter ego Clark Kent at the fictional Daily Planet newspaper, was 87.\u003c/p>\n\u003cp>The actor and playwright died at his home in the Los Angeles community of Brentwood, according to \u003ca href=\"http://losangeles.cbslocal.com/2015/09/21/actor-playwright-jack-larson-dies-at-87/\">CBS Los Angeles\u003c/a>, \u003cem>Variety \u003c/em>and multiple news outlets. A cause of death was not mentioned.\u003c/p>\n\u003cp>Larson rose to prominence in the 1950s, when \"The Adventures of Superman\" sidetracked his dreams of being a stage actor on Broadway. The runaway success of that show, starring George Reeves, made it hard for Larson to find new work; he eventually found success in writing plays and librettos.\u003c/p>\n\u003cp>\u003ca href=\"http://www.nytimes.com/2015/09/21/arts/television/jack-larson-a-playwright-better-known-as-jimmy-olsen-in-superman-dies-at-87.html\">The New York Times\u003c/a> reports:\u003c/p>\n\u003cblockquote>\u003cp>\"Although Mr. Larson was pleased that Jimmy Olsen developed into a comic role, his fears of being typecast were realized. After a particularly upsetting encounter with the producer Mervyn LeRoy, he was advised by the actor Montgomery Clift, with whom Mr. Larson was having a romantic relationship, to stop putting himself in those casting situations. So Mr. Larson gave up acting and made a new career.\"\u003c/p>\u003c/blockquote>\n\u003cp>That new career saw Larson write librettos and plays, including \"The Candied House\" (1966) and \"Chuck\" (1968), as well as helping produce films such as \"Perfect\" (1985) and \"Bright Lights, Big City\" (1988). On both plays and films, he often collaborated with his longtime partner, James Bridges.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In turning to writing, Larson was also returning to the thing that had first brought him to the world of theater, when his instructors at Pasadena Junior College encouraged him to write.\u003c/p>\n\u003cp>Born in Los Angeles in 1928, Larson grew up in the Los Angeles suburb of Montebello. His mother worked as a Western Union clerk, and his father drove a milk truck and bowled -- something he passed along to his son.\u003c/p>\n\u003cp>According to the \u003ca href=\"http://www.supermanhomepage.com/tv/tv.php?topic=cast-crew/jack-larson\">Superman Homepage\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>\"While he did not enjoy school, Larson did like to bowl. By the age of 14, he had become the California state champion for his age group and was good enough to think that he would eventually turn professional. But, in the fall of 1945, Larson enrolled in the Pasadena Junior College (now known as Pasadena City College), an event that would drastically change his life. Larson said, 'My instructors discovered that I had a gift for writing and motivated me to write plays, and to be in plays as well.'\"\u003c/p>\u003c/blockquote>\n\u003cp>When he first started auditioning for parts in film studio projects, Larson later recounted, he lost out on one early job (portraying a kid on a bike) to a young woman who would go on to be a star.\u003c/p>\n\u003cp>\"Marilyn Monroe got that part. It was her first part,\" he said in an interview for David Poland's \"\u003ca href=\"https://www.youtube.com/watch?v=AA7n8Xszg08\">Oral History of Hollywood\u003c/a>\" series. With a laugh, he added, \"We wonder how she got it. But they changed it from a boy on a bicycle to a girl on a bicycle.\"\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In the 1990s, Larson appeared in episodes of \"Superboy\" and \"Lois and Clark: The New Adventures of Superman.\" In the latter, he portrayed an older version of Jimmy Olsen.\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2015 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Jack+Larson%2C+Jimmy+Olsen+From+%27Superman%27+TV+Shows%2C+Dies&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\" alt=\"\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "In Search of the Gold Rush Status Meal: The Hangtown Fry",
"title": "In Search of the Gold Rush Status Meal: The Hangtown Fry",
"headTitle": "California Foodways | The California Report | KQED News",
"content": "\u003cp>If you want to recreate the Gold Rush experience -- without all the terrible conditions -- you can pan for gold, even descend into mines. In a few places, you can even eat the most prized meal of the Gold Rush, with a kind of bizarre combination of ingredients. That’s what I went off to El Dorado County in search of: the Hangtown Fry.\u003c/p>\n\u003cp>I called almost all the restaurants in the town of Placerville before I struck gold at the Buttercup Pantry.\u003c/p>\n\u003cp>[soundcloud url=\"https://api.soundcloud.com/tracks/224524886\" params=\"color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" iframe=\"true\" /]\u003c/p>\n\u003cp>“We are the only place left that I know of that still serves the Hangtown Fry,” says Erica Houston, whose family owns the place.\u003c/p>\n\u003cp>“Don’t forget: there is a disclaimer,\" she says with a laugh. \"It is eat at your own risk. If you don’t like it, you have been warned. Seriously.\"\u003c/p>\n\u003cfigure id=\"attachment_10688560\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/HangtownFryButtercup-800x698.jpg\" alt=\"The Hangtown Fry at the Buttercup Pantry in Placerville.\" width=\"800\" height=\"698\" class=\"size-medium wp-image-10688560\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/HangtownFryButtercup-800x698.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/HangtownFryButtercup-400x349.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/HangtownFryButtercup-1440x1256.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/HangtownFryButtercup.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/HangtownFryButtercup-1180x1029.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/HangtownFryButtercup-960x837.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Hangtown Fry at the Buttercup Pantry in Placerville. \u003ccite>(Vickie Ly/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It’s made of eggs, bacon -- and oysters. Houston has never tried it, but I do. And after a few bites, my biggest takeaway is that the bacon really helps the dish.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>None of the restaurant staff I talked to had tried the Hangtown Fry. So why serve it?\u003c/p>\n\u003cp>“Because it’s cool,” says Houston. “It’s a unique piece of history we were able to recreate, because we are old Hangtown.”\u003c/p>\n\u003cp>To find out the history behind that name, Hangtown, I visit local historian Marilyn Ferguson at the \u003ca href=\"http://eldoradocountyhistoricalsociety.org/fountaintallman2.htm\">Fountain and Tallman Museum\u003c/a> on Main Street.\u003c/p>\n\u003cp>[contextly_sidebar id=\"7vKoOQn9IZdNlSlq7aKliHeHtJmTG4U0\"]\u003c/p>\n\u003cp>She says, for the people staking claims here in 1849, before statehood, “They had to have some kind of rule of law, some control over the bad guys: the gamblers, the robbers, those kinds of people. They didn’t fool around with them.”\u003c/p>\n\u003cp>So when a few men who were on the run from a murder rap robbed a guy in Placerville, they were tried and hanged. And a nickname was born.\u003c/p>\n\u003cfigure id=\"attachment_10688565\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/Ferguson-800x565.jpg\" alt=\"Marilyn Ferguson, local historian at the Fountain and Tallman Museum on Main Street in Placerville.\" width=\"800\" height=\"565\" class=\"size-medium wp-image-10688565\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/Ferguson-800x565.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Ferguson-400x282.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Ferguson-1440x1016.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Ferguson.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Ferguson-1180x833.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Ferguson-960x678.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Marilyn Ferguson, local historian at the Fountain and Tallman Museum on Main Street in Placerville. \u003ccite>(Vickie Ly/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Hangtown is certainly an attention-getter!” says Ferguson. And not a bad name for a mining camp, right?\u003c/p>\n\u003cp>“That’s right,\" she says. \"It was a deterrent.”\u003c/p>\n\u003cp>So what about the Hangtown Fry? Alhough Ferguson hasn’t found any firsthand accounts, it’s widely believed to have been created in 1849 or ’50.\u003c/p>\n\u003cp>“A miner hit it rich,” says Ferguson. “He came into the El Dorado Hotel and ordered the most expensive things they had on the menu, which turned out to be oysters, bacon and eggs.” That's because these ingredients were hard to come by.\u003c/p>\n\u003cfigure id=\"attachment_10688567\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/TadichGrill-800x694.jpg\" alt=\"San Francisco's Tadich Grill started in 1849 as a coffee tent on the wharf. They've been serving the Hangtown Fry for over 160 years.\" width=\"800\" height=\"694\" class=\"size-medium wp-image-10688567\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichGrill-800x694.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichGrill-400x347.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichGrill-1440x1250.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichGrill.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichGrill-1180x1024.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichGrill-960x833.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco's Tadich Grill started in 1849 as a coffee tent on the wharf. They've been serving the Hangtown Fry for over 160 years. \u003ccite>(Vickie Ly/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Oysters from San Francisco Bay -- transported by horseback, on ice -- could cost $1 each. Some are even believed to have been shipped in barrels from the East Coast, around the Horn. And in those early years of the Gold Rush, there were very few farms with livestock like chickens and pigs. The Hangtown Fry denoted status.\u003c/p>\n\u003cp>“He was letting people know he was rich,” Ferguson says, “and he could have anything he wanted.”\u003c/p>\n\u003cp>The normal options were paltry. In a glass case at the museum, Ferguson points out an old bill of fare from the El Dorado Hotel in 1850 that indicated that the scale was at the end of the bar. All items had to be paid for in gold.\u003c/p>\n\u003cp>“There’s a menu here: They had beef, they had jackrabbit, they had grizzly bear,” says Ferguson. Grizzly bear was prepared three different ways.\u003c/p>\n\u003cfigure id=\"attachment_10688571\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/Hanna-800x592.jpg\" alt=\"Tadich Grill general manager David Hanna.\" width=\"800\" height=\"592\" class=\"size-medium wp-image-10688571\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/Hanna-800x592.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Hanna-400x296.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Hanna-1440x1065.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Hanna.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Hanna-1180x873.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Hanna-960x710.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tadich Grill general manager David Hanna. \u003ccite>(Vickie Ly/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When I tell that to David Hanna, general manager of San Francisco’s \u003ca href=\"http://www.tadichgrill.com/\">Tadich Grill\u003c/a>, he laughs, “You won’t find that here! It might sell, but you won’t find that here.”\u003c/p>\n\u003cp>It’s a classic seafood restaurant -- think wooden booths, waiters in white jackets and three-martini lunches even today -- that began in 1849.\u003c/p>\n\u003cp>“Three Croatian immigrants started it off as a tent on the long wharf, serving coffee to merchant sailors as they came into the bay,” says Hanna.\u003c/p>\n\u003cp>Ever since the restaurant went brick and mortar over 160 years ago, it has served a Hangtown Fry. Its origin story is a little different.\u003c/p>\n\u003cfigure id=\"attachment_10688628\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/TadichFry-800x496.jpg\" alt=\"The Tadich Grill's version of the Hangtown Fry.\" width=\"800\" height=\"496\" class=\"size-medium wp-image-10688628\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichFry-800x496.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichFry-400x248.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichFry-1440x893.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichFry.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichFry-1180x731.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichFry-960x595.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Tadich Grill's version of the Hangtown Fry. \u003ccite>(Vickie Ly/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The one we tell is, it was one of the last meals that people condemned to die would order,” says Hanna. Those guys on Gold Rush death row knew they could extend their lives by requesting such hard-to-get ingredients.\u003c/p>\n\u003cp>He takes me into the kitchen, where cook Luis DeLeon crisps breaded oysters and bacon strips in a deep fryer, then whisks three eggs. He tosses scallions and tomatoes in a buttered pan on the stovetop, then pours the eggs over the fried bits, frittata-style.\u003c/p>\n\u003cp>And since I’m a believer in second chances, this dish is for me. It’s really different having those oysters deep-fried. I’d order it again.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>This fall, for the first time ever, the Tadich Grill is expanding, opening a sister restaurant in Washington, D.C. On the menu? The Hangtown Fry.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you want to recreate the Gold Rush experience -- without all the terrible conditions -- you can pan for gold, even descend into mines. In a few places, you can even eat the most prized meal of the Gold Rush, with a kind of bizarre combination of ingredients. That’s what I went off to El Dorado County in search of: the Hangtown Fry.\u003c/p>\n\u003cp>I called almost all the restaurants in the town of Placerville before I struck gold at the Buttercup Pantry.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='100%' height='166'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=https://api.soundcloud.com/tracks/224524886&visual=true&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false'\n title='https://api.soundcloud.com/tracks/224524886'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>“We are the only place left that I know of that still serves the Hangtown Fry,” says Erica Houston, whose family owns the place.\u003c/p>\n\u003cp>“Don’t forget: there is a disclaimer,\" she says with a laugh. \"It is eat at your own risk. If you don’t like it, you have been warned. Seriously.\"\u003c/p>\n\u003cfigure id=\"attachment_10688560\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/HangtownFryButtercup-800x698.jpg\" alt=\"The Hangtown Fry at the Buttercup Pantry in Placerville.\" width=\"800\" height=\"698\" class=\"size-medium wp-image-10688560\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/HangtownFryButtercup-800x698.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/HangtownFryButtercup-400x349.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/HangtownFryButtercup-1440x1256.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/HangtownFryButtercup.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/HangtownFryButtercup-1180x1029.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/HangtownFryButtercup-960x837.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Hangtown Fry at the Buttercup Pantry in Placerville. \u003ccite>(Vickie Ly/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It’s made of eggs, bacon -- and oysters. Houston has never tried it, but I do. And after a few bites, my biggest takeaway is that the bacon really helps the dish.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>None of the restaurant staff I talked to had tried the Hangtown Fry. So why serve it?\u003c/p>\n\u003cp>“Because it’s cool,” says Houston. “It’s a unique piece of history we were able to recreate, because we are old Hangtown.”\u003c/p>\n\u003cp>To find out the history behind that name, Hangtown, I visit local historian Marilyn Ferguson at the \u003ca href=\"http://eldoradocountyhistoricalsociety.org/fountaintallman2.htm\">Fountain and Tallman Museum\u003c/a> on Main Street.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>She says, for the people staking claims here in 1849, before statehood, “They had to have some kind of rule of law, some control over the bad guys: the gamblers, the robbers, those kinds of people. They didn’t fool around with them.”\u003c/p>\n\u003cp>So when a few men who were on the run from a murder rap robbed a guy in Placerville, they were tried and hanged. And a nickname was born.\u003c/p>\n\u003cfigure id=\"attachment_10688565\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/Ferguson-800x565.jpg\" alt=\"Marilyn Ferguson, local historian at the Fountain and Tallman Museum on Main Street in Placerville.\" width=\"800\" height=\"565\" class=\"size-medium wp-image-10688565\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/Ferguson-800x565.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Ferguson-400x282.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Ferguson-1440x1016.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Ferguson.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Ferguson-1180x833.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Ferguson-960x678.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Marilyn Ferguson, local historian at the Fountain and Tallman Museum on Main Street in Placerville. \u003ccite>(Vickie Ly/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Hangtown is certainly an attention-getter!” says Ferguson. And not a bad name for a mining camp, right?\u003c/p>\n\u003cp>“That’s right,\" she says. \"It was a deterrent.”\u003c/p>\n\u003cp>So what about the Hangtown Fry? Alhough Ferguson hasn’t found any firsthand accounts, it’s widely believed to have been created in 1849 or ’50.\u003c/p>\n\u003cp>“A miner hit it rich,” says Ferguson. “He came into the El Dorado Hotel and ordered the most expensive things they had on the menu, which turned out to be oysters, bacon and eggs.” That's because these ingredients were hard to come by.\u003c/p>\n\u003cfigure id=\"attachment_10688567\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/TadichGrill-800x694.jpg\" alt=\"San Francisco's Tadich Grill started in 1849 as a coffee tent on the wharf. They've been serving the Hangtown Fry for over 160 years.\" width=\"800\" height=\"694\" class=\"size-medium wp-image-10688567\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichGrill-800x694.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichGrill-400x347.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichGrill-1440x1250.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichGrill.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichGrill-1180x1024.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichGrill-960x833.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco's Tadich Grill started in 1849 as a coffee tent on the wharf. They've been serving the Hangtown Fry for over 160 years. \u003ccite>(Vickie Ly/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Oysters from San Francisco Bay -- transported by horseback, on ice -- could cost $1 each. Some are even believed to have been shipped in barrels from the East Coast, around the Horn. And in those early years of the Gold Rush, there were very few farms with livestock like chickens and pigs. The Hangtown Fry denoted status.\u003c/p>\n\u003cp>“He was letting people know he was rich,” Ferguson says, “and he could have anything he wanted.”\u003c/p>\n\u003cp>The normal options were paltry. In a glass case at the museum, Ferguson points out an old bill of fare from the El Dorado Hotel in 1850 that indicated that the scale was at the end of the bar. All items had to be paid for in gold.\u003c/p>\n\u003cp>“There’s a menu here: They had beef, they had jackrabbit, they had grizzly bear,” says Ferguson. Grizzly bear was prepared three different ways.\u003c/p>\n\u003cfigure id=\"attachment_10688571\" class=\"wp-caption alignleft\" style=\"max-width: 800px\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/Hanna-800x592.jpg\" alt=\"Tadich Grill general manager David Hanna.\" width=\"800\" height=\"592\" class=\"size-medium wp-image-10688571\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/Hanna-800x592.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Hanna-400x296.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Hanna-1440x1065.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Hanna.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Hanna-1180x873.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/Hanna-960x710.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Tadich Grill general manager David Hanna. \u003ccite>(Vickie Ly/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>When I tell that to David Hanna, general manager of San Francisco’s \u003ca href=\"http://www.tadichgrill.com/\">Tadich Grill\u003c/a>, he laughs, “You won’t find that here! It might sell, but you won’t find that here.”\u003c/p>\n\u003cp>It’s a classic seafood restaurant -- think wooden booths, waiters in white jackets and three-martini lunches even today -- that began in 1849.\u003c/p>\n\u003cp>“Three Croatian immigrants started it off as a tent on the long wharf, serving coffee to merchant sailors as they came into the bay,” says Hanna.\u003c/p>\n\u003cp>Ever since the restaurant went brick and mortar over 160 years ago, it has served a Hangtown Fry. Its origin story is a little different.\u003c/p>\n\u003cfigure id=\"attachment_10688628\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2015/09/TadichFry-800x496.jpg\" alt=\"The Tadich Grill's version of the Hangtown Fry.\" width=\"800\" height=\"496\" class=\"size-medium wp-image-10688628\" srcset=\"https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichFry-800x496.jpg 800w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichFry-400x248.jpg 400w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichFry-1440x893.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichFry.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichFry-1180x731.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/10/2015/09/TadichFry-960x595.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Tadich Grill's version of the Hangtown Fry. \u003ccite>(Vickie Ly/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The one we tell is, it was one of the last meals that people condemned to die would order,” says Hanna. Those guys on Gold Rush death row knew they could extend their lives by requesting such hard-to-get ingredients.\u003c/p>\n\u003cp>He takes me into the kitchen, where cook Luis DeLeon crisps breaded oysters and bacon strips in a deep fryer, then whisks three eggs. He tosses scallions and tomatoes in a buttered pan on the stovetop, then pours the eggs over the fried bits, frittata-style.\u003c/p>\n\u003cp>And since I’m a believer in second chances, this dish is for me. It’s really different having those oysters deep-fried. I’d order it again.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>This fall, for the first time ever, the Tadich Grill is expanding, opening a sister restaurant in Washington, D.C. On the menu? The Hangtown Fry.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "san-franciscos-le-video-will-either-be-sold-or-close-owner-says",
"title": "San Francisco's Le Video Still Awaits Fate",
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"headTitle": "San Francisco’s Le Video Still Awaits Fate | KQED",
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"content": "\u003cp>\u003cstrong>Update: Thursday, Sept. 17, 2015: \u003c/strong>Well, it’s been over a week since our original post, and still no word on whether Le Video will fade to black or be able to sell its massive collection to the mystery business it has been in negotiation with — which would keep its 90,000 titles intact and available to the San Francisco public. (See below.)\u003c/p>\n\u003cp>Owner Catherine Tchen had hoped to hear from the prospective buyer by the end of last week, but she’s still on tenterhooks, as whoever it is apparently continues to weigh the deal.\u003c/p>\n\u003cp>“I’m assuming the adage, no news is good news,” she told me today. “I’m hopeful the deal will go through because the people know we’re on a time crunch. They’re totally aware of our deadline, and the deadline is how long can we pay the bills.”\u003c/p>\n\u003cp>Tchen said she is anxious to reach a resolution one way or the other because she wants customers who have purchased prepaid packages to have enough time to use their remaining rentals; she said she won’t be able to issue refunds. The store stopped selling these at the beginning of August, Tchen said, in anticipation of having to close.\u003c/p>\n\u003cp>As to the identity of the company she’s in discussion with, all she will say is, “It’s people who are film lovers and who really sustain the arts, and it would be a great home for the collection.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Guesses, anyone?\u003c/p>\n\u003cp>\u003cstrong>Original post\u003c/strong>\u003c/p>\n\u003cp>No one really knows how many titles San Francisco’s \u003ca href=\"http://www.levideo.com/\" target=\"_blank\" rel=\"noopener\">Le Video\u003c/a> has in stock. The store thinks it’s around 90,000, but that’s an estimate. The breadth of the collection, containing many rare and out-of-print films from around the world, has long elated browsing cinephiles, though much less frequently in recent years as consumers gravitated in throngs to online services like Netflix, Amazon and iTunes.\u003c/p>\n\u003cp>Now the story of the long slow decline of Le Video, an Inner Sunset fixture for 35 years, has reached what appears to be a climax: The store is currently in discussion with a prospective buyer, owner Catherine Tchen said, and if the deal doesn’t go through, Le Video will sell off its massive collection and close down by Dec. 31.\u003c/p>\n\u003cp>Tchen hopes to know the final outcome by Friday, she said.\u003c/p>\n\u003cp>So who might buy the store? Tchen wouldn’t say, but she thought the potential new owner would be a good fit in keeping the film’s huge inventory available.\u003c/p>\n\u003cp>“If [the deal] does go through it will really be amazing, because the people I’m talking to have the perfect form and have the perfect name and probably have the perfect energy in thinking out of the box for a collection like Le Video’s,” she said.\u003c/p>\n\u003cp>Tchen said if an agreement is reached, the store would move from its present location and might take a new name. “That doesn’t matter to me,” she said. “It’s being kept in one place and open to the public is my goal. If [the collection] belongs to a university, it’s OK for me, because I’ll recover a little bit of what I have put in of my personal money … but people wouldn’t have access to it.\u003c/p>\n\u003cp>“The people I’m talking to will keep it open to the public. It will have room to grow and be much more. I assume it will be a store; it might also be cross-promoted with what they do.”\u003c/p>\n\u003cp>But if a deal can’t be reached, she said, she will sell the collection to the public, in what is bound to be a frenzy of film lovers looking for cinematic gold. “All the movies would be up for sale,” Tchen said. “Every week the price would go down.”\u003c/p>\n\u003cp>Le Video’s dwindling customer base has seen this movie before, so to speak. In March 2014, Tchen wrote on Facebook that barring a “miracle,” she would shut down at the end of April. The store had been losing money for years, and she could no longer afford to house the copious but unprofitable collection in the large ground floor of the building she owns, rather than renting the space out.\u003c/p>\n\u003cp>But the store used a successful Indiegogo campaign to finance a transition to an upstairs space one-fourth the size, renting out the bottom floor to Green Apple Books, another iconic San Francisco retailer. But John Taylor, the store’s manager and buyer, said business has dropped by about another one-third since the move.\u003c/p>\n\u003cp>“Mainly just people didn’t know we were here,” he said. “They’d walk by and see the bookstore, and no matter how many signs we have out front, no one sees them. People would say, ‘You need a sign.’ We have three signs. There’s not much more we can do in the sign department.’ People just assumed we were closed and there’s no way to really change that perception.”\u003c/p>\n\u003cp>Tchen, for her part, said the problem lies in the store’s enthusiastic but infrequent customer base. “People call and say, ‘Do you have this?’ and say, ‘Oh my God, I can’t believe you have it, you were my last resort.’ People think about us when they’ve exhausted every other resource. And of course we have what they want 99 percent of the time. The problem is we can’t keep the door open.” She said more than 3,000 new customers came in from January to May, “but most of those people came once because they just couldn’t find it anywhere else.”\u003c/p>\n\u003cp>Tchen, 61, lives in Portland and is a native of Paris. She came to San Francisco in 1976. She started Le Video as a window display in her camera store, and it eventually took over. She said the building is her only means of income, and she simply cannot afford anymore to subsidize the business, in part because she has to support her mother, who has dementia.\u003c/p>\n\u003cp>“I don’t have a penny left to put toward it,” she said. “My greatest satisfaction has always been to be able to buy everything, to hunt for movies. I can’t hunt anymore because I can’t even afford to buy what comes out in this country.”\u003c/p>\n\u003cp>If the deal that is now under consideration falls through, she would be open to another buyer if one emerged, she said. However, the sale of the collection would commence sooner rather than later.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>This post was corrected to note that Le Video had 3,000 customers from January to May, not just in May. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Update: Thursday, Sept. 17, 2015: \u003c/strong>Well, it’s been over a week since our original post, and still no word on whether Le Video will fade to black or be able to sell its massive collection to the mystery business it has been in negotiation with — which would keep its 90,000 titles intact and available to the San Francisco public. (See below.)\u003c/p>\n\u003cp>Owner Catherine Tchen had hoped to hear from the prospective buyer by the end of last week, but she’s still on tenterhooks, as whoever it is apparently continues to weigh the deal.\u003c/p>\n\u003cp>“I’m assuming the adage, no news is good news,” she told me today. “I’m hopeful the deal will go through because the people know we’re on a time crunch. They’re totally aware of our deadline, and the deadline is how long can we pay the bills.”\u003c/p>\n\u003cp>Tchen said she is anxious to reach a resolution one way or the other because she wants customers who have purchased prepaid packages to have enough time to use their remaining rentals; she said she won’t be able to issue refunds. The store stopped selling these at the beginning of August, Tchen said, in anticipation of having to close.\u003c/p>\n\u003cp>As to the identity of the company she’s in discussion with, all she will say is, “It’s people who are film lovers and who really sustain the arts, and it would be a great home for the collection.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Guesses, anyone?\u003c/p>\n\u003cp>\u003cstrong>Original post\u003c/strong>\u003c/p>\n\u003cp>No one really knows how many titles San Francisco’s \u003ca href=\"http://www.levideo.com/\" target=\"_blank\" rel=\"noopener\">Le Video\u003c/a> has in stock. The store thinks it’s around 90,000, but that’s an estimate. The breadth of the collection, containing many rare and out-of-print films from around the world, has long elated browsing cinephiles, though much less frequently in recent years as consumers gravitated in throngs to online services like Netflix, Amazon and iTunes.\u003c/p>\n\u003cp>Now the story of the long slow decline of Le Video, an Inner Sunset fixture for 35 years, has reached what appears to be a climax: The store is currently in discussion with a prospective buyer, owner Catherine Tchen said, and if the deal doesn’t go through, Le Video will sell off its massive collection and close down by Dec. 31.\u003c/p>\n\u003cp>Tchen hopes to know the final outcome by Friday, she said.\u003c/p>\n\u003cp>So who might buy the store? Tchen wouldn’t say, but she thought the potential new owner would be a good fit in keeping the film’s huge inventory available.\u003c/p>\n\u003cp>“If [the deal] does go through it will really be amazing, because the people I’m talking to have the perfect form and have the perfect name and probably have the perfect energy in thinking out of the box for a collection like Le Video’s,” she said.\u003c/p>\n\u003cp>Tchen said if an agreement is reached, the store would move from its present location and might take a new name. “That doesn’t matter to me,” she said. “It’s being kept in one place and open to the public is my goal. If [the collection] belongs to a university, it’s OK for me, because I’ll recover a little bit of what I have put in of my personal money … but people wouldn’t have access to it.\u003c/p>\n\u003cp>“The people I’m talking to will keep it open to the public. It will have room to grow and be much more. I assume it will be a store; it might also be cross-promoted with what they do.”\u003c/p>\n\u003cp>But if a deal can’t be reached, she said, she will sell the collection to the public, in what is bound to be a frenzy of film lovers looking for cinematic gold. “All the movies would be up for sale,” Tchen said. “Every week the price would go down.”\u003c/p>\n\u003cp>Le Video’s dwindling customer base has seen this movie before, so to speak. In March 2014, Tchen wrote on Facebook that barring a “miracle,” she would shut down at the end of April. The store had been losing money for years, and she could no longer afford to house the copious but unprofitable collection in the large ground floor of the building she owns, rather than renting the space out.\u003c/p>\n\u003cp>But the store used a successful Indiegogo campaign to finance a transition to an upstairs space one-fourth the size, renting out the bottom floor to Green Apple Books, another iconic San Francisco retailer. But John Taylor, the store’s manager and buyer, said business has dropped by about another one-third since the move.\u003c/p>\n\u003cp>“Mainly just people didn’t know we were here,” he said. “They’d walk by and see the bookstore, and no matter how many signs we have out front, no one sees them. People would say, ‘You need a sign.’ We have three signs. There’s not much more we can do in the sign department.’ People just assumed we were closed and there’s no way to really change that perception.”\u003c/p>\n\u003cp>Tchen, for her part, said the problem lies in the store’s enthusiastic but infrequent customer base. “People call and say, ‘Do you have this?’ and say, ‘Oh my God, I can’t believe you have it, you were my last resort.’ People think about us when they’ve exhausted every other resource. And of course we have what they want 99 percent of the time. The problem is we can’t keep the door open.” She said more than 3,000 new customers came in from January to May, “but most of those people came once because they just couldn’t find it anywhere else.”\u003c/p>\n\u003cp>Tchen, 61, lives in Portland and is a native of Paris. She came to San Francisco in 1976. She started Le Video as a window display in her camera store, and it eventually took over. She said the building is her only means of income, and she simply cannot afford anymore to subsidize the business, in part because she has to support her mother, who has dementia.\u003c/p>\n\u003cp>“I don’t have a penny left to put toward it,” she said. “My greatest satisfaction has always been to be able to buy everything, to hunt for movies. I can’t hunt anymore because I can’t even afford to buy what comes out in this country.”\u003c/p>\n\u003cp>If the deal that is now under consideration falls through, she would be open to another buyer if one emerged, she said. However, the sale of the collection would commence sooner rather than later.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\u003ca href=\"http://www.loc.gov/poetry/laureate.html\">Juan Felipe Herrera\u003c/a>, the first Latino to serve as \u003ca href=\"http://www.loc.gov/poetry/about_laureate.html\">U.S. poet laureate\u003c/a>, gives his inaugural reading Tuesday night at the Library of Congress in Washington, D.C. If his name sounds familiar, it’s probably because he served as \u003ca href=\"http://www.cac.ca.gov/initiatives/pl.php\">California poet laureate \u003c/a>from 2012-2014.\u003c/p>\n\u003cp>His life and work have been about pushing beyond borders, from moving between languages to write in Spanglish, to moving up and down the state with his migrant farmworker parents, to exploring the intersection of poetry and life.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/223999632″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>“A poem doesn’t tell you what to do,” says Herrera. “It doesn’t push you around. It doesn’t have a set of rules that you have to abide by. It’s kind of a kind letter that just happens to be in front of you, and it wants to talk to you.”\u003c/p>\n\u003cp>Herrera is the author of 28 books, including poetry, novels for young adults and collections for children. He was born near Fresno, and retired there after teaching at UC Riverside and Cal State Fresno. He’s the second \u003ca href=\"http://ww2.kqed.org/news/2015/02/20/philip-levine-benjamin-boone-fresno-jazz-poetry\">Fresno poet\u003c/a> in four years to be named U.S. poet laureate — and that’s a point of pride for a city that doesn’t get much credit for its arts scene.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[contextly_sidebar id=”VRqloIJHRG1vRXRmDiRsCReYSSr52nCO”]\u003c/p>\n\u003cp>A point of pride for \u003cem>The California Report\u003c/em>: Herrera wrote \u003ca href=\"http://ww2.kqed.org/news/2015/06/12/in-the-studio-with-juan-felipe-herrera-so-much-to-say\">his first live radio poem\u003c/a> just for our show, as he was talking with Scott Shafer earlier this summer.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Herrera’s project as poet laureate will be to invite people across the nation to \u003ca href=\"http://www.loc.gov/today/pr/2015/15-156.html\">contribute a verse\u003c/a> to an epic, collective poem about the American Experience. He’s calling it “La Casa de Colores,” the House of Colors.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://www.loc.gov/poetry/laureate.html\">Juan Felipe Herrera\u003c/a>, the first Latino to serve as \u003ca href=\"http://www.loc.gov/poetry/about_laureate.html\">U.S. poet laureate\u003c/a>, gives his inaugural reading Tuesday night at the Library of Congress in Washington, D.C. If his name sounds familiar, it’s probably because he served as \u003ca href=\"http://www.cac.ca.gov/initiatives/pl.php\">California poet laureate \u003c/a>from 2012-2014.\u003c/p>\n\u003cp>His life and work have been about pushing beyond borders, from moving between languages to write in Spanglish, to moving up and down the state with his migrant farmworker parents, to exploring the intersection of poetry and life.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/223999632″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/223999632″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>“A poem doesn’t tell you what to do,” says Herrera. “It doesn’t push you around. It doesn’t have a set of rules that you have to abide by. It’s kind of a kind letter that just happens to be in front of you, and it wants to talk to you.”\u003c/p>\n\u003cp>Herrera is the author of 28 books, including poetry, novels for young adults and collections for children. He was born near Fresno, and retired there after teaching at UC Riverside and Cal State Fresno. He’s the second \u003ca href=\"http://ww2.kqed.org/news/2015/02/20/philip-levine-benjamin-boone-fresno-jazz-poetry\">Fresno poet\u003c/a> in four years to be named U.S. poet laureate — and that’s a point of pride for a city that doesn’t get much credit for its arts scene.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"tagline": "The flip side of gentrification, told through one town",
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},
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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},
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"order": 8
},
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},
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"order": 1
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
},
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"hidden-brain": {
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"airtime": "SUN 7pm-8pm",
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"source": "NPR"
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"airtime": "SUN 7:30pm-8pm",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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