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"content": "\u003cp>Oh, the weather outside is frightful. But don’t head to the multiplex to stay warm. Not if you’re seeing \u003cem>Nosferatu\u003c/em>, anyway. Bring your hand warmers, toe warmers, heart warmers and soul warmers — this update of the 1922 silent vampire classic will chill you to the bone.\u003c/p>\n\u003cp>But it may not terrify you. Everything in Robert Eggers’ faithful, even adoring remake, from his picturesque 19th century German town to those bleak mountain snowscapes leading to that (brrr) imposing castle in Transylvania, looks great. But with its stylized, often stilted dialogue and overly dramatic storytelling, it feels more like everyone is living in a quaint period painting rather than a world populated by real humans (and, well, vampires) made of flesh and, er, blood.\u003c/p>\n\u003cp>[aside postid='arts_13967549']Eggers, who writes and directs here, has described being haunted since youth with F.W. Murnau’s 1922 \u003cem>Nosferatu\u003c/em>, starring Max Schreck (which borrowed so much from Bram Stoker’s 1897 novel \u003cem>Dracula\u003c/em> that the author’s estate sued for copyright infringement). Eggers has said he wanted to present a true vampire, meaning the original folk variety — the horrifying, ugly, venal sort. Not the seduce-you-in-a-dinner-jacket kind.\u003c/p>\n\u003cp>And certainly not the “veggie vampire” who drinks only animal blood (think\u003ca href=\"https://video.kqed.org/video/flicks-the-stars-of-twilight-breaking-dawn/\">\u003cem> Twilight\u003c/em>\u003c/a>). No, Eggers’ vampire, Count Orlok, wants only human blood — preferably from a lovely damsel.\u003c/p>\n\u003cp>The damsel here would be young wife Ellen (Lily-Rose Depp), the focus of Orlok’s obsessive desires. In a nod to changing times, Eggers brings the character to the forefront and suggests that in 19th century society, she was unfairly seen as “hysterical” when actually, she was, you know, possessed. The lovely Depp fully commits to the high drama — but we don’t learn much about what’s in her head. Like everything here, it’s a stylized performance that feels like a piece of art but keeps us at a distance.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>After a prologue in which Ellen’s spiritual connection to Orlok is established, we begin our story in fictional Wisborg, on the Baltic coast. Ellen has just been married to handsome, fresh-faced Thomas Hutter (Nicholas Hoult, giving his all), who aims to gain employment with a real estate firm.\u003c/p>\n\u003cp>But first, Thomas is told by the shady-looking boss, he must undertake an out-of-town assignment, traveling into the Carpathian mountains to obtain the signature of a shadowy client on the deed for a local fixer-upper. And he sets off, to the protestations of Ellen, who has been having some truly terrible dreams.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=nulvWqYUM8k\u003c/p>\n\u003cp>Note to self: When accepting job assignments, maybe think twice if your boss is sending you, solo, deep into wintry Transylvania? But if Thomas had used his noggin and sat home by the fire with his bride, we would have no movie.\u003c/p>\n\u003cp>Waiting for Thomas in the dark, lonely castle — the exteriors of which were actually filmed in Transylvania — is Orlok himself (Bill Skarsgård, truly unrecognizable in heavy, ugly makeup). They get down to business, but Thomas unfortunately cuts his finger, and his blood awakens a thirst in Orlok. Thomas soon realizes he’s in a very bad place and needs to get back to his wife forthwith.\u003c/p>\n\u003cp>[aside postid='quest_46386']Back in Wisborg, Ellen is staying with the couple’s friends, the Hardings (Aaron Taylor-Johnson and Emma Corrin, not given much to work with), and suffering from seizures and spells. Orlok is calling to her, staking his claim. The friends are trying to help, and when traditional medicine fails they turn to a specialist in the occult — and a gift to the rest of us, because he’s played by Willem Dafoe.\u003c/p>\n\u003cp>Dafoe’s naturally witty presence gives us a sense of relief from the stylized dialogue as the movie travels to its inevitable conclusion, and surely what true horror fans are waiting for: Orlok’s climactic confrontation with Ellen.\u003c/p>\n\u003cp>For such fans, the frightening tableau of a skeletal Orlok lying atop a drained Ellen will be satisfying enough to make the experience worthwhile. The rest of us might leave with the same feeling we had in the beginning: a deep but distant chill.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Nosferatu’ is released nationwide on Jan. 1, 2025.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Oh, the weather outside is frightful. But don’t head to the multiplex to stay warm. Not if you’re seeing \u003cem>Nosferatu\u003c/em>, anyway. Bring your hand warmers, toe warmers, heart warmers and soul warmers — this update of the 1922 silent vampire classic will chill you to the bone.\u003c/p>\n\u003cp>But it may not terrify you. Everything in Robert Eggers’ faithful, even adoring remake, from his picturesque 19th century German town to those bleak mountain snowscapes leading to that (brrr) imposing castle in Transylvania, looks great. But with its stylized, often stilted dialogue and overly dramatic storytelling, it feels more like everyone is living in a quaint period painting rather than a world populated by real humans (and, well, vampires) made of flesh and, er, blood.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Eggers, who writes and directs here, has described being haunted since youth with F.W. Murnau’s 1922 \u003cem>Nosferatu\u003c/em>, starring Max Schreck (which borrowed so much from Bram Stoker’s 1897 novel \u003cem>Dracula\u003c/em> that the author’s estate sued for copyright infringement). Eggers has said he wanted to present a true vampire, meaning the original folk variety — the horrifying, ugly, venal sort. Not the seduce-you-in-a-dinner-jacket kind.\u003c/p>\n\u003cp>And certainly not the “veggie vampire” who drinks only animal blood (think\u003ca href=\"https://video.kqed.org/video/flicks-the-stars-of-twilight-breaking-dawn/\">\u003cem> Twilight\u003c/em>\u003c/a>). No, Eggers’ vampire, Count Orlok, wants only human blood — preferably from a lovely damsel.\u003c/p>\n\u003cp>The damsel here would be young wife Ellen (Lily-Rose Depp), the focus of Orlok’s obsessive desires. In a nod to changing times, Eggers brings the character to the forefront and suggests that in 19th century society, she was unfairly seen as “hysterical” when actually, she was, you know, possessed. The lovely Depp fully commits to the high drama — but we don’t learn much about what’s in her head. Like everything here, it’s a stylized performance that feels like a piece of art but keeps us at a distance.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>After a prologue in which Ellen’s spiritual connection to Orlok is established, we begin our story in fictional Wisborg, on the Baltic coast. Ellen has just been married to handsome, fresh-faced Thomas Hutter (Nicholas Hoult, giving his all), who aims to gain employment with a real estate firm.\u003c/p>\n\u003cp>But first, Thomas is told by the shady-looking boss, he must undertake an out-of-town assignment, traveling into the Carpathian mountains to obtain the signature of a shadowy client on the deed for a local fixer-upper. And he sets off, to the protestations of Ellen, who has been having some truly terrible dreams.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/nulvWqYUM8k'\n title='//www.youtube.com/embed/nulvWqYUM8k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Note to self: When accepting job assignments, maybe think twice if your boss is sending you, solo, deep into wintry Transylvania? But if Thomas had used his noggin and sat home by the fire with his bride, we would have no movie.\u003c/p>\n\u003cp>Waiting for Thomas in the dark, lonely castle — the exteriors of which were actually filmed in Transylvania — is Orlok himself (Bill Skarsgård, truly unrecognizable in heavy, ugly makeup). They get down to business, but Thomas unfortunately cuts his finger, and his blood awakens a thirst in Orlok. Thomas soon realizes he’s in a very bad place and needs to get back to his wife forthwith.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Back in Wisborg, Ellen is staying with the couple’s friends, the Hardings (Aaron Taylor-Johnson and Emma Corrin, not given much to work with), and suffering from seizures and spells. Orlok is calling to her, staking his claim. The friends are trying to help, and when traditional medicine fails they turn to a specialist in the occult — and a gift to the rest of us, because he’s played by Willem Dafoe.\u003c/p>\n\u003cp>Dafoe’s naturally witty presence gives us a sense of relief from the stylized dialogue as the movie travels to its inevitable conclusion, and surely what true horror fans are waiting for: Orlok’s climactic confrontation with Ellen.\u003c/p>\n\u003cp>For such fans, the frightening tableau of a skeletal Orlok lying atop a drained Ellen will be satisfying enough to make the experience worthwhile. The rest of us might leave with the same feeling we had in the beginning: a deep but distant chill.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Nosferatu’ is released nationwide on Jan. 1, 2025.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Love Turkeys? ‘Blood Freak’ Is the Perfect Thanksgiving Revenge Movie",
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"content": "\u003cfigure id=\"attachment_13968623\" class=\"wp-caption aligncenter\" style=\"max-width: 1309px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968623\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/blood-freak.png\" alt=\"A 1970s-era slasher movie poster, featuring a beautiful woman being dragged away by a man-sized turkey.\" width=\"1309\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/blood-freak.png 1309w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/blood-freak-800x1222.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/blood-freak-1020x1558.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/blood-freak-160x244.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/blood-freak-768x1173.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/blood-freak-1005x1536.png 1005w\" sizes=\"(max-width: 1309px) 100vw, 1309px\">\u003cfigcaption class=\"wp-caption-text\">‘Blood Freak.’ Yes, that is a man-turkey kidnapping a woman. Just go with it. \u003ccite>(Clamil Productions)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As we all know (and probably try to ignore as much as possible), this is an extremely bad time of year to be a turkey. As such, you might be wondering this \u003ca href=\"https://www.kqed.org/arts/tag/thanksgiving\">Thanksgiving\u003c/a> how best to distract the very sad herbivores in your life. Fortunately, we have a suggestion! It’s called \u003cem>Blood Freak\u003c/em>: a preposterous (and occasionally gory) slasher flick from 1972. Better yet: the character at the center of the movie has the head of a turkey and a thirst for human blood. (A turkey? Turning the tables on us? Doesn’t that sound like fun? Anyone? No?)\u003c/p>\n\u003cp>I’m getting ahead of myself.\u003c/p>\n\u003cp>Our story begins with our leading man/future turkey (his name is Herschell) riding his motorcycle on a freeway. He pulls over to help a beautiful young woman named Angel who has a flat tire, and the two hit it off. Herschell has recently returned from Vietnam and is trying his darnedest to look like Vegas-era Elvis, which I genuinely didn’t know was a thing that anyone did unless they were kind of joking.\u003c/p>\n\u003cfigure id=\"attachment_13968622\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968622\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/elvis-steve.png\" alt=\"A brooding man wearing a black shirt stands, black hair blowing in the breeze.\" width=\"2000\" height=\"1112\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/elvis-steve.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/elvis-steve-800x445.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/elvis-steve-1020x567.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/elvis-steve-160x89.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/elvis-steve-768x427.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/elvis-steve-1536x854.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/elvis-steve-1038x576.png 1038w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/elvis-steve-1920x1068.png 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">See what I mean? \u003ccite>(Clamil Productions)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Naturally, this being the 1970s, Herschell and Angel immediately go to a drug-fueled party at Angel’s sister Ann’s house. For some reason, hanging out in this den of iniquity is the elderly owner of a turkey farm. (Don’t ask questions!) And for some reason, he immediately offers Herschell a job. (Seems totally fine!)\u003c/p>\n\u003cp>Angel won’t stop talking about the Bible and is less fun than she looks, so Herschell does sex with Ann instead and smokes mysterious drugs that Ann provides. Hours later, Herschell finds himself sweating and writhing around in pain on Ann’s leopard-print waterbed. (You heard me…) Ann gives him more unspecified drugs to smoke, which immediately makes him feel better. Herschell then angrily declares that he is “hooked,” which is kind of amazing if you know anything at all about how drugs work.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In the morning, Herschell heads to the poultry farm, where his job involves eating turkey that has been chemically altered for government-related testing reasons. A variety of men wearing white lab coats are as vague as possible about the reasons for this, lest this movie make any salient points about anything whatsoever.\u003c/p>\n\u003cp>[aside postid='arts_13879754']After Herschell eats the chemically enhanced turkey, he immediately passes out in the grass and starts having seizures. When Herschell wakes up hours later, he has turned into a turkey himself — but only from the neck up because special effects are expensive. (See also: \u003ca href=\"https://kalamazoomuseum.org/full-calendar/the-fly-1958\">the grand finale of 1958’s \u003cem>The Fly\u003c/em>\u003c/a>.) Herschell stumbles back to Ann’s (on foot, which kind of sucks because I really wanted to see a turkey riding a motorcycle today).\u003c/p>\n\u003cp>Because his mouth only makes “gobble-gobble” noises now, Herschell passes Ann handwritten notes explaining that he’s turned into a turkey mutant. Which is fairly obvious because he looks like this now:\u003c/p>\n\u003cfigure id=\"attachment_13968625\" class=\"wp-caption aligncenter\" style=\"max-width: 1470px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968625\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/hersh.png\" alt=\"A man's body with the head of an evil-looking turkey.\" width=\"1470\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/hersh.png 1470w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/hersh-800x1088.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/hersh-1020x1388.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/hersh-160x218.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/hersh-768x1045.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/hersh-1129x1536.png 1129w\" sizes=\"(max-width: 1470px) 100vw, 1470px\">\u003cfigcaption class=\"wp-caption-text\">It’s a man-turkey. And he wants to drink your blood. But only if you do drugs. It’s complicated, okay? \u003ccite>(Clamil Productions)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ann takes all of this pretty well and calmly makes a (frankly brilliant) speech about whether or not their kids are going to look like turkeys now. (Aside from another scene in which an attempted rapist has his leg sawn off, this is my favorite moment in the entire movie. Turkey-headed children, for the win!)\u003c/p>\n\u003cp>[aside postid='arts_13939927']Off the cuff entirely, Herschell decides to go on a killing spree, specifically targeting drug users and then drinking their blood. (One of them is a lady he called “a tramp” at the drug party, so she obviously deserves this.) When Herschell murders ladies, the same (short) scream track plays on a loop over and over again in the background and we’re not supposed to notice. Which is actually a lot more fun than it sounds.\u003c/p>\n\u003cp>Herschell does not have an efficient system for gathering and drinking his victims’ blood, so just cups his hands into the stream and does a slurping thing with his giant beak. GET YOURSELF A BUCKET, TURKEY-HERSCHELL. YOU’RE WASTING SO MUCH DRUG-BLOOD.\u003c/p>\n\u003cfigure id=\"attachment_13968628\" class=\"wp-caption aligncenter\" style=\"max-width: 900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968628\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/turkey-murder.png\" alt=\"A man in a white t-shirt and jeans stands stunned while a man with a turkey head grips him by the neck.\" width=\"900\" height=\"634\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/turkey-murder.png 900w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/turkey-murder-800x564.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/turkey-murder-160x113.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/turkey-murder-768x541.png 768w\" sizes=\"(max-width: 900px) 100vw, 900px\">\u003cfigcaption class=\"wp-caption-text\">Herschell the turkey-man, doing an attack. \u003ccite>(Clamil Productions)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I don’t want to spoil the ending, but it involves finding sobriety, God and a nice pier to stand on. Also, I would be remiss if I didn’t mention the fact that this entire movie is sporadically interrupted by a guy in a shiny shirt, smoking a cigarette from behind a desk and trying desperately to provide sensible, \u003cem>Twilight Zone\u003c/em>-esque commentary. (This is not very successful. In part because this gentleman is reading his lines off a piece of paper. Also in part because he resembles what would happen if Christopher Lee and Ron Jeremy combined forces to become one human.)\u003c/p>\n\u003cp>Shiny shirt guy’s real name is Brad F. Grinter and he co-wrote and co-directed \u003cem>Blood Freak\u003c/em> with Steve Hawkes. And guess who played Herschell? Steve Hawkes, that’s who! Which means Hawkes and Grinter actually did all of this to themselves, on purpose, entirely willingly. And for that? We should all be grateful.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Blood Freak’ is streaming for free on \u003ca href=\"https://watch.plex.tv/watch/movie/blood-freak\">Plex\u003c/a> right now.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13968623\" class=\"wp-caption aligncenter\" style=\"max-width: 1309px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968623\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/blood-freak.png\" alt=\"A 1970s-era slasher movie poster, featuring a beautiful woman being dragged away by a man-sized turkey.\" width=\"1309\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/blood-freak.png 1309w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/blood-freak-800x1222.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/blood-freak-1020x1558.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/blood-freak-160x244.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/blood-freak-768x1173.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/blood-freak-1005x1536.png 1005w\" sizes=\"(max-width: 1309px) 100vw, 1309px\">\u003cfigcaption class=\"wp-caption-text\">‘Blood Freak.’ Yes, that is a man-turkey kidnapping a woman. Just go with it. \u003ccite>(Clamil Productions)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>As we all know (and probably try to ignore as much as possible), this is an extremely bad time of year to be a turkey. As such, you might be wondering this \u003ca href=\"https://www.kqed.org/arts/tag/thanksgiving\">Thanksgiving\u003c/a> how best to distract the very sad herbivores in your life. Fortunately, we have a suggestion! It’s called \u003cem>Blood Freak\u003c/em>: a preposterous (and occasionally gory) slasher flick from 1972. Better yet: the character at the center of the movie has the head of a turkey and a thirst for human blood. (A turkey? Turning the tables on us? Doesn’t that sound like fun? Anyone? No?)\u003c/p>\n\u003cp>I’m getting ahead of myself.\u003c/p>\n\u003cp>Our story begins with our leading man/future turkey (his name is Herschell) riding his motorcycle on a freeway. He pulls over to help a beautiful young woman named Angel who has a flat tire, and the two hit it off. Herschell has recently returned from Vietnam and is trying his darnedest to look like Vegas-era Elvis, which I genuinely didn’t know was a thing that anyone did unless they were kind of joking.\u003c/p>\n\u003cfigure id=\"attachment_13968622\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968622\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/elvis-steve.png\" alt=\"A brooding man wearing a black shirt stands, black hair blowing in the breeze.\" width=\"2000\" height=\"1112\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/elvis-steve.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/elvis-steve-800x445.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/elvis-steve-1020x567.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/elvis-steve-160x89.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/elvis-steve-768x427.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/elvis-steve-1536x854.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/elvis-steve-1038x576.png 1038w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/elvis-steve-1920x1068.png 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">See what I mean? \u003ccite>(Clamil Productions)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Naturally, this being the 1970s, Herschell and Angel immediately go to a drug-fueled party at Angel’s sister Ann’s house. For some reason, hanging out in this den of iniquity is the elderly owner of a turkey farm. (Don’t ask questions!) And for some reason, he immediately offers Herschell a job. (Seems totally fine!)\u003c/p>\n\u003cp>Angel won’t stop talking about the Bible and is less fun than she looks, so Herschell does sex with Ann instead and smokes mysterious drugs that Ann provides. Hours later, Herschell finds himself sweating and writhing around in pain on Ann’s leopard-print waterbed. (You heard me…) Ann gives him more unspecified drugs to smoke, which immediately makes him feel better. Herschell then angrily declares that he is “hooked,” which is kind of amazing if you know anything at all about how drugs work.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In the morning, Herschell heads to the poultry farm, where his job involves eating turkey that has been chemically altered for government-related testing reasons. A variety of men wearing white lab coats are as vague as possible about the reasons for this, lest this movie make any salient points about anything whatsoever.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>After Herschell eats the chemically enhanced turkey, he immediately passes out in the grass and starts having seizures. When Herschell wakes up hours later, he has turned into a turkey himself — but only from the neck up because special effects are expensive. (See also: \u003ca href=\"https://kalamazoomuseum.org/full-calendar/the-fly-1958\">the grand finale of 1958’s \u003cem>The Fly\u003c/em>\u003c/a>.) Herschell stumbles back to Ann’s (on foot, which kind of sucks because I really wanted to see a turkey riding a motorcycle today).\u003c/p>\n\u003cp>Because his mouth only makes “gobble-gobble” noises now, Herschell passes Ann handwritten notes explaining that he’s turned into a turkey mutant. Which is fairly obvious because he looks like this now:\u003c/p>\n\u003cfigure id=\"attachment_13968625\" class=\"wp-caption aligncenter\" style=\"max-width: 1470px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968625\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/hersh.png\" alt=\"A man's body with the head of an evil-looking turkey.\" width=\"1470\" height=\"2000\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/hersh.png 1470w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/hersh-800x1088.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/hersh-1020x1388.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/hersh-160x218.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/hersh-768x1045.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/hersh-1129x1536.png 1129w\" sizes=\"(max-width: 1470px) 100vw, 1470px\">\u003cfigcaption class=\"wp-caption-text\">It’s a man-turkey. And he wants to drink your blood. But only if you do drugs. It’s complicated, okay? \u003ccite>(Clamil Productions)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ann takes all of this pretty well and calmly makes a (frankly brilliant) speech about whether or not their kids are going to look like turkeys now. (Aside from another scene in which an attempted rapist has his leg sawn off, this is my favorite moment in the entire movie. Turkey-headed children, for the win!)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Off the cuff entirely, Herschell decides to go on a killing spree, specifically targeting drug users and then drinking their blood. (One of them is a lady he called “a tramp” at the drug party, so she obviously deserves this.) When Herschell murders ladies, the same (short) scream track plays on a loop over and over again in the background and we’re not supposed to notice. Which is actually a lot more fun than it sounds.\u003c/p>\n\u003cp>Herschell does not have an efficient system for gathering and drinking his victims’ blood, so just cups his hands into the stream and does a slurping thing with his giant beak. GET YOURSELF A BUCKET, TURKEY-HERSCHELL. YOU’RE WASTING SO MUCH DRUG-BLOOD.\u003c/p>\n\u003cfigure id=\"attachment_13968628\" class=\"wp-caption aligncenter\" style=\"max-width: 900px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13968628\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/turkey-murder.png\" alt=\"A man in a white t-shirt and jeans stands stunned while a man with a turkey head grips him by the neck.\" width=\"900\" height=\"634\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/turkey-murder.png 900w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/turkey-murder-800x564.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/turkey-murder-160x113.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/11/turkey-murder-768x541.png 768w\" sizes=\"(max-width: 900px) 100vw, 900px\">\u003cfigcaption class=\"wp-caption-text\">Herschell the turkey-man, doing an attack. \u003ccite>(Clamil Productions)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>I don’t want to spoil the ending, but it involves finding sobriety, God and a nice pier to stand on. Also, I would be remiss if I didn’t mention the fact that this entire movie is sporadically interrupted by a guy in a shiny shirt, smoking a cigarette from behind a desk and trying desperately to provide sensible, \u003cem>Twilight Zone\u003c/em>-esque commentary. (This is not very successful. In part because this gentleman is reading his lines off a piece of paper. Also in part because he resembles what would happen if Christopher Lee and Ron Jeremy combined forces to become one human.)\u003c/p>\n\u003cp>Shiny shirt guy’s real name is Brad F. Grinter and he co-wrote and co-directed \u003cem>Blood Freak\u003c/em> with Steve Hawkes. And guess who played Herschell? Steve Hawkes, that’s who! Which means Hawkes and Grinter actually did all of this to themselves, on purpose, entirely willingly. And for that? We should all be grateful.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Blood Freak’ is streaming for free on \u003ca href=\"https://watch.plex.tv/watch/movie/blood-freak\">Plex\u003c/a> right now.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In new horror movie \u003cem>Heretic\u003c/em>, the terror begins with the promise of a home-cooked blueberry pie. The pie is just one of the ways in which the villain of the piece, Mr. Reed (a superbly sinister Hugh Grant) lures two Mormon missionaries into his spiraling nightmare of a home. The pie — or rather, the lack of one — is the first indication Sister Barnes (\u003cem>Yellowjackets\u003c/em>’ Sophie Thatcher) and Sister Paxton (Chloe East) have that they’re in danger. Blueberry pie appears again and again throughout.\u003c/p>\n\u003cp>[aside postid='pop_105670']That pie is just one of several seemingly innocuous items used to terrifying effect in \u003cem>Heretic\u003c/em>. There’s a watering can. The key to a bike lock. A scented candle. A record player. A letter opener. A box of matches. Not one but four different editions of Monopoly (yes, the board game). These are the objects that raise the stakes in \u003cem>Heretic\u003c/em>, a story that believably centers a homely Englishman in a cozy cardigan as its most malevolent presence. The film also consistently uses the good manners and polite vernaculars of its three central characters to fray nerves and raise tension. It is a masterful and refreshing way to reinvent the horror house trope.\u003c/p>\n\u003cp>Mr. Reed’s reasons for luring the missionaries into his home aren’t immediately clear. His pretense that he wishes to learn more about the Church of the Latter Day Saints lasts only minutes and, sensing something is amiss, the women make a very sensible attempt at escape that proves fruitless. (One of the engaging things about \u003cem>Heretic\u003c/em> is that the women at the center of it consistently make the best decisions available to them, unlike so many horror protagonists.)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=O9i2vmFhSSY\u003c/p>\n\u003cp>Before long, once he has Barnes and Paxton captured, Reed does his darnedest to persuade the women that Jesus is a mere “echo of something real” that existed eons before the birth of Christ. (This section is so well done, it might have some viewers running home and checking the foundations of their own faith.) This all slowly escalates until Reed chillingly forces Barnes and Paxton to choose between two doors that may or may not lead to an exit from his home: one is marked “belief,” the other “disbelief.” What happens to them after that … I’d rather not spoil the experience.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>What I will say is that one of \u003cem>Heretic\u003c/em>’s greatest successes is the way it permits its central characters to do spiritual battle. Mr. Reed is a theologian who desperately wants to take two sheltered missionaries down a peg or two. He — and the audience — is not expecting it when the young, seemingly naive women turn out to be worthy intellectual adversaries. Of course, the greatest (and darkest) surprises of all come once everyone reaches the lowest point of the house. The camera’s brief nod to an illustration of Dante’s \u003cem>Inferno\u003c/em> is no accident.\u003c/p>\n\u003cp>[aside postid='arts_13904911']\u003cem>Heretic\u003c/em> is the kind of perfect storm that doesn’t come along often enough in the horror genre. It benefits from excellent casting (Grant is a revelation), beautiful but discombobulating direction and a brilliantly cerebral undercurrent that runs throughout. But it doesn’t skimp on the things horror fans expect from their genre either: grotesque imagery, out-of-left-field shocks, red herrings and, yes, a decent amount of bloodletting.\u003c/p>\n\u003cp>Horror has been guilty for many years of taking Christian concepts and boiling them down to their most simplistic tenets. It’s all too easy to pit evil against good, demon against holy person and have God (or Satan — thanks, \u003cem>Hereditary\u003c/em>!) win out in the end. What \u003cem>Heretic\u003c/em> does is infinitely more complex and thought-provoking. And that’s a more delicious experience than gobbling down any number of blueberry pies.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>‘Heretic’ opens nationwide on Nov. 8, 2024.\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>That pie is just one of several seemingly innocuous items used to terrifying effect in \u003cem>Heretic\u003c/em>. There’s a watering can. The key to a bike lock. A scented candle. A record player. A letter opener. A box of matches. Not one but four different editions of Monopoly (yes, the board game). These are the objects that raise the stakes in \u003cem>Heretic\u003c/em>, a story that believably centers a homely Englishman in a cozy cardigan as its most malevolent presence. The film also consistently uses the good manners and polite vernaculars of its three central characters to fray nerves and raise tension. It is a masterful and refreshing way to reinvent the horror house trope.\u003c/p>\n\u003cp>Mr. Reed’s reasons for luring the missionaries into his home aren’t immediately clear. His pretense that he wishes to learn more about the Church of the Latter Day Saints lasts only minutes and, sensing something is amiss, the women make a very sensible attempt at escape that proves fruitless. (One of the engaging things about \u003cem>Heretic\u003c/em> is that the women at the center of it consistently make the best decisions available to them, unlike so many horror protagonists.)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/O9i2vmFhSSY'\n title='//www.youtube.com/embed/O9i2vmFhSSY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Before long, once he has Barnes and Paxton captured, Reed does his darnedest to persuade the women that Jesus is a mere “echo of something real” that existed eons before the birth of Christ. (This section is so well done, it might have some viewers running home and checking the foundations of their own faith.) This all slowly escalates until Reed chillingly forces Barnes and Paxton to choose between two doors that may or may not lead to an exit from his home: one is marked “belief,” the other “disbelief.” What happens to them after that … I’d rather not spoil the experience.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cem>Heretic\u003c/em> is the kind of perfect storm that doesn’t come along often enough in the horror genre. It benefits from excellent casting (Grant is a revelation), beautiful but discombobulating direction and a brilliantly cerebral undercurrent that runs throughout. But it doesn’t skimp on the things horror fans expect from their genre either: grotesque imagery, out-of-left-field shocks, red herrings and, yes, a decent amount of bloodletting.\u003c/p>\n\u003cp>Horror has been guilty for many years of taking Christian concepts and boiling them down to their most simplistic tenets. It’s all too easy to pit evil against good, demon against holy person and have God (or Satan — thanks, \u003cem>Hereditary\u003c/em>!) win out in the end. What \u003cem>Heretic\u003c/em> does is infinitely more complex and thought-provoking. And that’s a more delicious experience than gobbling down any number of blueberry pies.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>‘Heretic’ opens nationwide on Nov. 8, 2024.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Some are well-worn warnings as familiar as the changing of seasons. Others are slow burns that end with a bang. Still others are just plain eerie.\u003c/p>\n\u003cp>[aside postid='arts_13884403']Stories of spiritual entities, paranormal activity and creepy cryptids are passed through generations the world over, becoming local legends that only sometimes reach across borders and cultures.\u003c/p>\n\u003cp>So if the sordid tales you grew up with no longer make you shiver, it’s time to reanimate your roster with global tales of ghosts, hauntings, and petrifying processions.\u003c/p>\n\u003cp>With Halloween nigh, and the season in many parts of the world ripe for campfires and spooky stories, people gravitate toward fear even in a complex and sometimes scary world. Here are some favorites — lore and fiction, with maybe some truth sprinkled throughout — that The Associated Press gathered from its journalists around the planet:\u003c/p>\n\u003cfigure id=\"attachment_13967490\" class=\"wp-caption aligncenter\" style=\"max-width: 2464px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13967490\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1126292043.jpg\" alt=\"An Asian person in white face paint posing in a menacing position.\" width=\"2464\" height=\"1648\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1126292043.jpg 2464w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1126292043-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1126292043-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1126292043-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1126292043-768x514.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1126292043-1536x1027.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1126292043-2048x1370.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1126292043-1920x1284.jpg 1920w\" sizes=\"(max-width: 2464px) 100vw, 2464px\">\u003cfigcaption class=\"wp-caption-text\">Yo-ho, yo-ho, beware fake paper money scatterings! \u003ccite>(K. Y. Cheng/South China Morning Post via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>China: The corpse walkers\u003c/h2>\n\u003cp>If you were out on the road in China in the old days — if you believe the stories, that is — you might have encountered a strange procession.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>First, a man carrying a white paper lantern and scattering fake paper money ahead of them, chanting, “Yo ho, yo ho.” Then, a towering, hooded black figure wearing a ghastly mask and marching in an awkward, wooden gait. Bringing up the rear, another man guiding the giant by touch, perhaps with a black cat.\u003c/p>\n\u003cp>They were corpse walkers — and the giant was the corpse.\u003c/p>\n\u003cp>[aside postid='arts_13883118']Bad things happen when someone gets buried far from home: Without descendants to feed their spirit and keep their grave clean, they’ll have a hard time settling in. They could even come back as a hungry ghost. So when a traveler died, the family would hire people who knew the strange art of walking a stiff body home.\u003c/p>\n\u003cp>When interviewer Liao Yiwu asked about memories of corpse walkers in the 2000s, some said they’d use a black cat to imbue the body with static electricity to make it walk. Others said there was a third man hiding under the cloak and giving the corpse a piggyback ride.\u003c/p>\n\u003cp>People kept their distance, he wrote, but the corpse walkers were always welcome at inns because they paid three times the normal rate and were said to bring good luck.\u003c/p>\n\u003cp>— By David Cohen in Bangkok\u003c/p>\n\u003ch2>France: The legend of St. Denis\u003c/h2>\n\u003cp>One of France’s oldest spooky legends is also one of its most gruesome, because it involves a walking headless corpse.\u003c/p>\n\u003cp>Said to have been Paris’ first bishop, Denis — later St. Denis — went on to lend his name to what is now the northern Paris suburb of Saint-Denis, famous for its magnificent basilica, its soccer stadium and the Olympic village that housed athletes during the Paris Games.\u003c/p>\n\u003cp>The third-century Roman rulers of what was then Gaul were apparently less than thrilled that Denis and companions Rustique and Éleuthère were making converts. Even after tossing them in prison, Denis continued to celebrate Mass. In some accounts, Denis suffered all manner of unspeakable tortures to make him renounce his faith — not just run-of-the-mill flagellation, but also mauling by famished wild beasts and being locked in a scorching oven.\u003c/p>\n\u003cp>Eventually, the three were sentenced to death and beheaded.\u003c/p>\n\u003cp>Legend has it that Denis’ corpse, lifted by two angels, picked up his severed head and walked from the Mount of Martyrs — the supposed execution site now called Montmartre — for about 6 kilometers (nearly 4 miles) before collapsing in the village of Catulliacum, now the town of Saint-Denis.\u003c/p>\n\u003cp>In Montmartre today, Suzanne Buisson Square has a statue of St. Denis holding his head, which he is said to have washed in the waters of a fountain there before staggering away with it.\u003c/p>\n\u003cp>— By John Leicester in Paris\u003c/p>\n\u003ch2>Mongolia: The death worm\u003c/h2>\n\u003cp>Slithering beneath the vast dunes of the Gobi Desert, legend has it, is the monstrous Mongolian Death Worm. It kills prey by squirting lethal venom and can even electrocute from a distance. So goes the folklore that has since inspired depictions of deadly giant worms in movies and fiction. In Mongolia, the creature is known as olgoi khorkhoi, which roughly translates as “intestine worm.”\u003c/p>\n\u003cp>[aside postid='arts_13894837']The critter became known abroad after American paleontologist and explorer Roy Chapman Andrews wrote about it in his 1926 book, “On the Trail of Ancient Man: A Narrative of the Field Work of the Central Asiatic Expeditions.” During a meeting with the Mongolian premier, Andrews was asked to capture a specimen of the giant worm.\u003c/p>\n\u003cp>“None of those present ever had seen the creature, but they all firmly believed in its existence and described it minutely,” he wrote. “It is shaped like a sausage about two feet long, has no head nor legs and is so poisonous that merely to touch it means instant death.”\u003c/p>\n\u003cp>Some believe the lore began with a more common animal — a snake called the Tartar sand boa. Others, undeterred, believe the giant worms exists. Subsequent expeditions have yet to yield any proof.\u003c/p>\n\u003cp>— By Emily Wang Fujiyama in Beijing\u003c/p>\n\u003cfigure id=\"attachment_13967491\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13967491 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1288523353-scaled.jpg\" alt=\"A traditional print depicting a woman throwing a knife at a man's chest. Behind her stands a demon with a a bent nose and long ears.\" width=\"2560\" height=\"1771\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1288523353-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1288523353-800x553.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1288523353-1020x705.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1288523353-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1288523353-768x531.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1288523353-1536x1062.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1288523353-2048x1416.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1288523353-1920x1328.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Maybe don’t get involved with Bárbara, fellas… \u003ccite>(Sepia Times/Universal Images Group via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Brazil: Bárbara of the Pleasures\u003c/h2>\n\u003cp>It’s the turn of the 19th century, and colonial Rio de Janeiro is bustling. There are merchants, vendors, enslaved people, sailors — and a Portuguese immigrant, about 20 years old, named Bárbara. Legend says she stabbed her sleeping husband to run off with a lover, who then began exploiting her. Bárbara killed him, too, and was on her own.\u003c/p>\n\u003cp>As the story goes, she turned to sex work inside the Teles Arch. The dank, dark passage led off the plaza where the Portuguese emperor sat, and members of the royal court became faithful clients of the beautiful courtesan known as Bárbara of the Pleasures.\u003c/p>\n\u003cp>But age and disease caught up to her. One chronicler, Hermeto Lima, wrote in 1921 of a hole in Bárbara’s nose, her bulging eyes, scratched eyelids and skeletal hands.\u003c/p>\n\u003cp>[aside postid='arts_13919589']To rejuvenate, Bárbara started washing with animal blood. When that failed, it’s said, she used blood from infants abandoned in the Wheel of the Exposed — the revolving compartment for foundlings outside a Catholic institution. Between 1738 and 1848, 20,966 babies were left in the wheel, according to text of an imperial ministry report provided by Esther Arantes, a retired professor in the infancy department of the State University of Rio de Janeiro.\u003c/p>\n\u003cp>Arantes’ archival research yielded no evidence of Bárbara, but Rio’s rumor mill claimed otherwise:\u003c/p>\n\u003cp>Whenever someone brought a baby to the wheel, “the miserable woman, like a toad, came out from her hiding place, and ran to steal the child,” Lima wrote, adding Bárbara would make sure to drip its blood upon her leprous ulcers.\u003c/p>\n\u003cp>Bárbara disappeared, but her story lingers. Word is that she still prowls Teles Arch by night, surviving on the blood of babes.\u003c/p>\n\u003cp>— By David Biller in Rio de Janeiro\u003c/p>\n\u003ch2>Nigeria: Madam Koi Koi\u003c/h2>\n\u003cp>In Nigeria, the “Madam Koi Koi” ghost story was a nightmare for students in boarding secondary schools.\u003c/p>\n\u003cp>The “madam” in question often walked around hostels with her red heels, especially at night, the sound of “koi koi” trailing behind her. You dare not come out if anyone raised an alarm that they heard the sound. Sometimes horrified students ran out and hostels were shut until morning, or even for days.\u003c/p>\n\u003cp>The backstory? No one knows for sure, but one popular theory was that she was fired as a teacher and died days later — vengeful, jobless and sad.\u003c/p>\n\u003cp>— By Dyepkazah Shibayan in Abuja, Nigeria\u003c/p>\n\u003ch2>Britain: The Talbot Hotel\u003c/h2>\n\u003cp>A sobbing woman. Ghostly, dressed in white — or, sometimes, black. And a storied oak staircase with royal connections.\u003c/p>\n\u003cp>The spooky stories revolve around a staircase that still stands at The Talbot Hotel in Oundle — a United Kingdom market town about 85 miles (135 kilometers) north of London that’s been around since the 1500s.\u003c/p>\n\u003cp>[aside postid='arts_13892672']Mary, Queen of Scots — rival to England’s Queen Elizabeth I — is said to have descended the very same flight of steps on the way to her execution in 1587. But at the time, the multilevel structure was part of nearby Fotheringhay Castle, the site of Mary’s beheading.\u003c/p>\n\u003cp>Nearly four decades later, the Talbot was rebuilt using stones and other material salvaged from the abandoned Fotheringhay — including the castle’s storied staircase.\u003c/p>\n\u003cp>Guests and staff have reported seeing a ghostly woman on the stairs, and some have said they heard sobbing in the wee hours — all thought to be the doomed queen. The Associated Press has visited several times and can confirm quality coffee and cakes, but not the presence of ghosts.\u003c/p>\n\u003cp>— By Laurie Kellman in London\u003c/p>\n\u003cfigure id=\"attachment_13967514\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13967514\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1166220179-scaled.jpg\" alt=\"A ghostly woman wearing a long white dress stands on some train tracks, at a distance.\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1166220179-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1166220179-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1166220179-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1166220179-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1166220179-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1166220179-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1166220179-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1166220179-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">A train collision killed 139 passengers in 1987, giving rise to many mystical stories around the railway. \u003ccite>(Lord Henri Voton/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Indonesia: Ghosts of the Bintaro train tragedy\u003c/h2>\n\u003cp>The Bintaro train tragedy of October 1987 is well known in Indonesia. The head-on collision between two commuter trains in the southern area of Jakarta is considered one the deadliest train accidents in the country’s history.\u003c/p>\n\u003cp>The collision killed 139 passengers, giving rise to many mystical stories around the railway.\u003c/p>\n\u003cp>In the 37 years since the crash, many local residents and railway workers have reported seeing apparitions of people dressed in old, bloodstained clothing, wandering near the tracks where the tragedy took place. As the local urban legend goes, these ghostly figures are believed to be the spirits of those who perished in the accident and remain unable to move on to the afterlife. Some people also say there was a figure wandering around and looking for his body parts.\u003c/p>\n\u003cp>In 2013, another train accident happened at the same track, only 200 meters (yards) from the 1987 accident. The commuter train hit a petrol truck in the crossing gate, killing seven people, including the train engineer.\u003c/p>\n\u003cp>— By Edna Tarigan in Jakarta, Indonesia\u003c/p>\n\u003ch2>The Philippines: The ghost on Balete Drive\u003c/h2>\n\u003cp>Ask anyone in Manila about Balete Drive and many will associate it with the mysterious “white lady” who appears at night.\u003c/p>\n\u003cp>The street, named after trees that used to line its sidewalks in suburban Quezon city, has been the subject of scary stories that have been told and retold since the 1950s. There are claims that a beautiful woman with long hair dressed in white would sometimes suddenly appear at night — then just disappear without a trace.\u003c/p>\n\u003cp>[aside postid='arts_13881990']It is said that the sightings were reported by taxi drivers working on late-night shifts. Some claim she would appear asking for a ride and then suddenly disappear from the passenger seat as the vehicle moves. Others say her image would appear at the rearview mirror of drivers driving alone and vanish just as quickly.\u003c/p>\n\u003cp>“I haven’t seen her,” says 53-year-old Roberto Perez, who works part-time near Balete Drive, “but when I pass there between midnight to about 1:30, I get goosebumps, so I just quickly turn to another street.”\u003c/p>\n\u003cp>The tale’s origins are unknown. There are varying accounts why the ghost appears along Balete Drive, but the most common story is that decades ago, a girl died due to a car accident along the street. Horror movies in the Philippines have been produced based on this urban legend.\u003c/p>\n\u003cp>— By Celine Rosario in Bangkok and Aaron Favila in Manila, Philippines\u003c/p>\n\u003cfigure id=\"attachment_13967492\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13967492 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1347423986-scaled.jpg\" alt=\"Closeup of a bronze statue of a bride with cobwebs on her face.\" width=\"2560\" height=\"1706\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1347423986-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1347423986-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1347423986-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1347423986-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1347423986-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1347423986-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1347423986-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1347423986-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">A marble bride in Argentina. Because marble brides are everywhere. \u003ccite>(Rosie Betancourt/Jeffrey Greenberg/Universal Images Group via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Hungary: The marble bride\u003c/h2>\n\u003cp>Through the branches of stately trees on a leafy avenue in Hungary’s capital, passersby can spot an unusual figure keeping solemn watch from above: the statue of a woman with a mournful expression peering from a stone balcony.\u003c/p>\n\u003cp>The sculpture, known as the “marble bride,” is unlike any of the other frescoes on surrounding buildings in Budapest, and the mystery of its presence has produced legends going back nearly a century.\u003c/p>\n\u003cp>In one, a young couple shared an apartment in the building when the husband was called to fight in World War I. The wife waited patiently on the balcony each day for his return, and when a letter arrived with news of his death on the front, the woman died of a broken heart.\u003c/p>\n\u003cp>But the letter had been mistaken. When the husband returned home and found his wife had died, he had a sculpture carved in her honor and placed where she had spent so many days faithfully waiting.\u003c/p>\n\u003cp>Another legend says that the husband never returned from the war and, unable to accept his death, the woman stayed waiting on the balcony and eventually turned to stone, and still waits today for a reunion that will never come.\u003c/p>\n\u003cp>— By Justin Spike in Budapest, Hungary\u003c/p>\n\u003ch2>Thailand: Lady Nak of Phra Khanong\u003c/h2>\n\u003cp>Bangkok is home to one of Thailand’s most famous pieces of folklore: the tragic love of Mae Nak, or the Lady Nak of Phra Khanong.\u003c/p>\n\u003cp>[aside postid='arts_13917340']The young and pregnant Nak was waiting for her husband, Mak, to come back from war to their home on the banks of Phra Khanong canal. Nak and her baby died during childbirth, but Mak still came home to see them waiting. With his unwavering love, Mak rejected warnings that Nak was a ghost until he saw her stretching her arm from the upper-floor porch to the ground to pick up a lime. He fled, and Nak started terrorizing the town in grief and fury.\u003c/p>\n\u003cp>In one variation of the story’s ending, Nak was stopped either by a shaman who captured her in a clay jar, or a powerful Buddhist monk who performed a rite to rest her spirit in peace.\u003c/p>\n\u003cp>The story has been reinterpreted into dozens of movies, with the critically acclaimed 1999 version becoming the first Thai movie to gross over 100 million baht — about $2.7 million at the time. The shrine dedicated to Nak at Wat Mahabut, the temple where her body is believed to be buried, is famous for worshippers seeing their prayers about love and children being answered.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>— By Jintamas Saksornchai in Bangkok\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Stories of spiritual entities, paranormal activity and creepy cryptids are passed through generations the world over, becoming local legends that only sometimes reach across borders and cultures.\u003c/p>\n\u003cp>So if the sordid tales you grew up with no longer make you shiver, it’s time to reanimate your roster with global tales of ghosts, hauntings, and petrifying processions.\u003c/p>\n\u003cp>With Halloween nigh, and the season in many parts of the world ripe for campfires and spooky stories, people gravitate toward fear even in a complex and sometimes scary world. Here are some favorites — lore and fiction, with maybe some truth sprinkled throughout — that The Associated Press gathered from its journalists around the planet:\u003c/p>\n\u003cfigure id=\"attachment_13967490\" class=\"wp-caption aligncenter\" style=\"max-width: 2464px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13967490\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1126292043.jpg\" alt=\"An Asian person in white face paint posing in a menacing position.\" width=\"2464\" height=\"1648\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1126292043.jpg 2464w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1126292043-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1126292043-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1126292043-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1126292043-768x514.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1126292043-1536x1027.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1126292043-2048x1370.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1126292043-1920x1284.jpg 1920w\" sizes=\"(max-width: 2464px) 100vw, 2464px\">\u003cfigcaption class=\"wp-caption-text\">Yo-ho, yo-ho, beware fake paper money scatterings! \u003ccite>(K. Y. Cheng/South China Morning Post via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>China: The corpse walkers\u003c/h2>\n\u003cp>If you were out on the road in China in the old days — if you believe the stories, that is — you might have encountered a strange procession.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>First, a man carrying a white paper lantern and scattering fake paper money ahead of them, chanting, “Yo ho, yo ho.” Then, a towering, hooded black figure wearing a ghastly mask and marching in an awkward, wooden gait. Bringing up the rear, another man guiding the giant by touch, perhaps with a black cat.\u003c/p>\n\u003cp>They were corpse walkers — and the giant was the corpse.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Bad things happen when someone gets buried far from home: Without descendants to feed their spirit and keep their grave clean, they’ll have a hard time settling in. They could even come back as a hungry ghost. So when a traveler died, the family would hire people who knew the strange art of walking a stiff body home.\u003c/p>\n\u003cp>When interviewer Liao Yiwu asked about memories of corpse walkers in the 2000s, some said they’d use a black cat to imbue the body with static electricity to make it walk. Others said there was a third man hiding under the cloak and giving the corpse a piggyback ride.\u003c/p>\n\u003cp>People kept their distance, he wrote, but the corpse walkers were always welcome at inns because they paid three times the normal rate and were said to bring good luck.\u003c/p>\n\u003cp>— By David Cohen in Bangkok\u003c/p>\n\u003ch2>France: The legend of St. Denis\u003c/h2>\n\u003cp>One of France’s oldest spooky legends is also one of its most gruesome, because it involves a walking headless corpse.\u003c/p>\n\u003cp>Said to have been Paris’ first bishop, Denis — later St. Denis — went on to lend his name to what is now the northern Paris suburb of Saint-Denis, famous for its magnificent basilica, its soccer stadium and the Olympic village that housed athletes during the Paris Games.\u003c/p>\n\u003cp>The third-century Roman rulers of what was then Gaul were apparently less than thrilled that Denis and companions Rustique and Éleuthère were making converts. Even after tossing them in prison, Denis continued to celebrate Mass. In some accounts, Denis suffered all manner of unspeakable tortures to make him renounce his faith — not just run-of-the-mill flagellation, but also mauling by famished wild beasts and being locked in a scorching oven.\u003c/p>\n\u003cp>Eventually, the three were sentenced to death and beheaded.\u003c/p>\n\u003cp>Legend has it that Denis’ corpse, lifted by two angels, picked up his severed head and walked from the Mount of Martyrs — the supposed execution site now called Montmartre — for about 6 kilometers (nearly 4 miles) before collapsing in the village of Catulliacum, now the town of Saint-Denis.\u003c/p>\n\u003cp>In Montmartre today, Suzanne Buisson Square has a statue of St. Denis holding his head, which he is said to have washed in the waters of a fountain there before staggering away with it.\u003c/p>\n\u003cp>— By John Leicester in Paris\u003c/p>\n\u003ch2>Mongolia: The death worm\u003c/h2>\n\u003cp>Slithering beneath the vast dunes of the Gobi Desert, legend has it, is the monstrous Mongolian Death Worm. It kills prey by squirting lethal venom and can even electrocute from a distance. So goes the folklore that has since inspired depictions of deadly giant worms in movies and fiction. In Mongolia, the creature is known as olgoi khorkhoi, which roughly translates as “intestine worm.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The critter became known abroad after American paleontologist and explorer Roy Chapman Andrews wrote about it in his 1926 book, “On the Trail of Ancient Man: A Narrative of the Field Work of the Central Asiatic Expeditions.” During a meeting with the Mongolian premier, Andrews was asked to capture a specimen of the giant worm.\u003c/p>\n\u003cp>“None of those present ever had seen the creature, but they all firmly believed in its existence and described it minutely,” he wrote. “It is shaped like a sausage about two feet long, has no head nor legs and is so poisonous that merely to touch it means instant death.”\u003c/p>\n\u003cp>Some believe the lore began with a more common animal — a snake called the Tartar sand boa. Others, undeterred, believe the giant worms exists. Subsequent expeditions have yet to yield any proof.\u003c/p>\n\u003cp>— By Emily Wang Fujiyama in Beijing\u003c/p>\n\u003cfigure id=\"attachment_13967491\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13967491 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1288523353-scaled.jpg\" alt=\"A traditional print depicting a woman throwing a knife at a man's chest. Behind her stands a demon with a a bent nose and long ears.\" width=\"2560\" height=\"1771\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1288523353-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1288523353-800x553.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1288523353-1020x705.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1288523353-160x111.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1288523353-768x531.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1288523353-1536x1062.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1288523353-2048x1416.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1288523353-1920x1328.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Maybe don’t get involved with Bárbara, fellas… \u003ccite>(Sepia Times/Universal Images Group via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Brazil: Bárbara of the Pleasures\u003c/h2>\n\u003cp>It’s the turn of the 19th century, and colonial Rio de Janeiro is bustling. There are merchants, vendors, enslaved people, sailors — and a Portuguese immigrant, about 20 years old, named Bárbara. Legend says she stabbed her sleeping husband to run off with a lover, who then began exploiting her. Bárbara killed him, too, and was on her own.\u003c/p>\n\u003cp>As the story goes, she turned to sex work inside the Teles Arch. The dank, dark passage led off the plaza where the Portuguese emperor sat, and members of the royal court became faithful clients of the beautiful courtesan known as Bárbara of the Pleasures.\u003c/p>\n\u003cp>But age and disease caught up to her. One chronicler, Hermeto Lima, wrote in 1921 of a hole in Bárbara’s nose, her bulging eyes, scratched eyelids and skeletal hands.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>To rejuvenate, Bárbara started washing with animal blood. When that failed, it’s said, she used blood from infants abandoned in the Wheel of the Exposed — the revolving compartment for foundlings outside a Catholic institution. Between 1738 and 1848, 20,966 babies were left in the wheel, according to text of an imperial ministry report provided by Esther Arantes, a retired professor in the infancy department of the State University of Rio de Janeiro.\u003c/p>\n\u003cp>Arantes’ archival research yielded no evidence of Bárbara, but Rio’s rumor mill claimed otherwise:\u003c/p>\n\u003cp>Whenever someone brought a baby to the wheel, “the miserable woman, like a toad, came out from her hiding place, and ran to steal the child,” Lima wrote, adding Bárbara would make sure to drip its blood upon her leprous ulcers.\u003c/p>\n\u003cp>Bárbara disappeared, but her story lingers. Word is that she still prowls Teles Arch by night, surviving on the blood of babes.\u003c/p>\n\u003cp>— By David Biller in Rio de Janeiro\u003c/p>\n\u003ch2>Nigeria: Madam Koi Koi\u003c/h2>\n\u003cp>In Nigeria, the “Madam Koi Koi” ghost story was a nightmare for students in boarding secondary schools.\u003c/p>\n\u003cp>The “madam” in question often walked around hostels with her red heels, especially at night, the sound of “koi koi” trailing behind her. You dare not come out if anyone raised an alarm that they heard the sound. Sometimes horrified students ran out and hostels were shut until morning, or even for days.\u003c/p>\n\u003cp>The backstory? No one knows for sure, but one popular theory was that she was fired as a teacher and died days later — vengeful, jobless and sad.\u003c/p>\n\u003cp>— By Dyepkazah Shibayan in Abuja, Nigeria\u003c/p>\n\u003ch2>Britain: The Talbot Hotel\u003c/h2>\n\u003cp>A sobbing woman. Ghostly, dressed in white — or, sometimes, black. And a storied oak staircase with royal connections.\u003c/p>\n\u003cp>The spooky stories revolve around a staircase that still stands at The Talbot Hotel in Oundle — a United Kingdom market town about 85 miles (135 kilometers) north of London that’s been around since the 1500s.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Mary, Queen of Scots — rival to England’s Queen Elizabeth I — is said to have descended the very same flight of steps on the way to her execution in 1587. But at the time, the multilevel structure was part of nearby Fotheringhay Castle, the site of Mary’s beheading.\u003c/p>\n\u003cp>Nearly four decades later, the Talbot was rebuilt using stones and other material salvaged from the abandoned Fotheringhay — including the castle’s storied staircase.\u003c/p>\n\u003cp>Guests and staff have reported seeing a ghostly woman on the stairs, and some have said they heard sobbing in the wee hours — all thought to be the doomed queen. The Associated Press has visited several times and can confirm quality coffee and cakes, but not the presence of ghosts.\u003c/p>\n\u003cp>— By Laurie Kellman in London\u003c/p>\n\u003cfigure id=\"attachment_13967514\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13967514\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1166220179-scaled.jpg\" alt=\"A ghostly woman wearing a long white dress stands on some train tracks, at a distance.\" width=\"2560\" height=\"1707\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1166220179-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1166220179-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1166220179-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1166220179-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1166220179-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1166220179-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1166220179-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1166220179-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">A train collision killed 139 passengers in 1987, giving rise to many mystical stories around the railway. \u003ccite>(Lord Henri Voton/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Indonesia: Ghosts of the Bintaro train tragedy\u003c/h2>\n\u003cp>The Bintaro train tragedy of October 1987 is well known in Indonesia. The head-on collision between two commuter trains in the southern area of Jakarta is considered one the deadliest train accidents in the country’s history.\u003c/p>\n\u003cp>The collision killed 139 passengers, giving rise to many mystical stories around the railway.\u003c/p>\n\u003cp>In the 37 years since the crash, many local residents and railway workers have reported seeing apparitions of people dressed in old, bloodstained clothing, wandering near the tracks where the tragedy took place. As the local urban legend goes, these ghostly figures are believed to be the spirits of those who perished in the accident and remain unable to move on to the afterlife. Some people also say there was a figure wandering around and looking for his body parts.\u003c/p>\n\u003cp>In 2013, another train accident happened at the same track, only 200 meters (yards) from the 1987 accident. The commuter train hit a petrol truck in the crossing gate, killing seven people, including the train engineer.\u003c/p>\n\u003cp>— By Edna Tarigan in Jakarta, Indonesia\u003c/p>\n\u003ch2>The Philippines: The ghost on Balete Drive\u003c/h2>\n\u003cp>Ask anyone in Manila about Balete Drive and many will associate it with the mysterious “white lady” who appears at night.\u003c/p>\n\u003cp>The street, named after trees that used to line its sidewalks in suburban Quezon city, has been the subject of scary stories that have been told and retold since the 1950s. There are claims that a beautiful woman with long hair dressed in white would sometimes suddenly appear at night — then just disappear without a trace.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>It is said that the sightings were reported by taxi drivers working on late-night shifts. Some claim she would appear asking for a ride and then suddenly disappear from the passenger seat as the vehicle moves. Others say her image would appear at the rearview mirror of drivers driving alone and vanish just as quickly.\u003c/p>\n\u003cp>“I haven’t seen her,” says 53-year-old Roberto Perez, who works part-time near Balete Drive, “but when I pass there between midnight to about 1:30, I get goosebumps, so I just quickly turn to another street.”\u003c/p>\n\u003cp>The tale’s origins are unknown. There are varying accounts why the ghost appears along Balete Drive, but the most common story is that decades ago, a girl died due to a car accident along the street. Horror movies in the Philippines have been produced based on this urban legend.\u003c/p>\n\u003cp>— By Celine Rosario in Bangkok and Aaron Favila in Manila, Philippines\u003c/p>\n\u003cfigure id=\"attachment_13967492\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13967492 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1347423986-scaled.jpg\" alt=\"Closeup of a bronze statue of a bride with cobwebs on her face.\" width=\"2560\" height=\"1706\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1347423986-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1347423986-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1347423986-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1347423986-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1347423986-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1347423986-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1347423986-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/GettyImages-1347423986-1920x1280.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">A marble bride in Argentina. Because marble brides are everywhere. \u003ccite>(Rosie Betancourt/Jeffrey Greenberg/Universal Images Group via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Hungary: The marble bride\u003c/h2>\n\u003cp>Through the branches of stately trees on a leafy avenue in Hungary’s capital, passersby can spot an unusual figure keeping solemn watch from above: the statue of a woman with a mournful expression peering from a stone balcony.\u003c/p>\n\u003cp>The sculpture, known as the “marble bride,” is unlike any of the other frescoes on surrounding buildings in Budapest, and the mystery of its presence has produced legends going back nearly a century.\u003c/p>\n\u003cp>In one, a young couple shared an apartment in the building when the husband was called to fight in World War I. The wife waited patiently on the balcony each day for his return, and when a letter arrived with news of his death on the front, the woman died of a broken heart.\u003c/p>\n\u003cp>But the letter had been mistaken. When the husband returned home and found his wife had died, he had a sculpture carved in her honor and placed where she had spent so many days faithfully waiting.\u003c/p>\n\u003cp>Another legend says that the husband never returned from the war and, unable to accept his death, the woman stayed waiting on the balcony and eventually turned to stone, and still waits today for a reunion that will never come.\u003c/p>\n\u003cp>— By Justin Spike in Budapest, Hungary\u003c/p>\n\u003ch2>Thailand: Lady Nak of Phra Khanong\u003c/h2>\n\u003cp>Bangkok is home to one of Thailand’s most famous pieces of folklore: the tragic love of Mae Nak, or the Lady Nak of Phra Khanong.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The young and pregnant Nak was waiting for her husband, Mak, to come back from war to their home on the banks of Phra Khanong canal. Nak and her baby died during childbirth, but Mak still came home to see them waiting. With his unwavering love, Mak rejected warnings that Nak was a ghost until he saw her stretching her arm from the upper-floor porch to the ground to pick up a lime. He fled, and Nak started terrorizing the town in grief and fury.\u003c/p>\n\u003cp>In one variation of the story’s ending, Nak was stopped either by a shaman who captured her in a clay jar, or a powerful Buddhist monk who performed a rite to rest her spirit in peace.\u003c/p>\n\u003cp>The story has been reinterpreted into dozens of movies, with the critically acclaimed 1999 version becoming the first Thai movie to gross over 100 million baht — about $2.7 million at the time. The shrine dedicated to Nak at Wat Mahabut, the temple where her body is believed to be buried, is famous for worshippers seeing their prayers about love and children being answered.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>— By Jintamas Saksornchai in Bangkok\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "7 (More) Bay Area Horror Movies For Your Halloween Viewing Pleasure",
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"content": "\u003cp>Back in 2021, I put together a handy little guide to \u003ca href=\"https://www.kqed.org/arts/13904911/bay-area-horror-movies\">seven Bay Area horror movies\u003c/a> perfect for all of your cozy, under-a-blanket, pumpkin spice-sipping October viewing needs. And yet! A bunch of you were not quite satisfied with the original list and, in the last few years, KQED has been bombarded with requests for us to list more scary celluloid moments from our locale.\u003c/p>\n\u003cp>Fine, fear enthusiasts. You win. Let’s do this! (\u003cem>Again.\u003c/em>)\u003c/p>\n\u003ch2>All About Evil (2010)\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=FzKZ-KXLtak\u003c/p>\n\u003cp>Shot in and around San Francisco’s \u003ca href=\"https://victoriatheatre.org/\">Victoria Theater\u003c/a>, \u003cem>All About Evil \u003c/em>was written and directed by Joshua Grannell, better known to most of us as \u003ca href=\"https://www.kqed.org/arts/13933318/best-bay-area-halloween-events-2023-san-francisco-oakland-san-jose\">Peaches Christ\u003c/a>. Gloriously camp and terrifically twisted, this 2010 slasher has a plot that would make John Waters proud, gory murder scenes that are genuinely shocking, plus a passion for small movie theaters that is quintessentially Bay Area.\u003c/p>\n\u003cp>Natasha Lyonne is clearly having the time of her life in her starring role as a murderous movie-house owner. She’s in good company too. Mink Stole shows up, as does Elvira herself \u003ca href=\"https://www.imdb.com/name/nm0005308/?ref_=ttfc_fc_cl_t8\">Cassandra Peterson\u003c/a>, in a deliciously low-key cameo. \u003cem>All About Evil\u003c/em> isn’t just perfect for Halloween, it should be required viewing for every movie lover in San Francisco.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>‘All About Evil’ is streaming on Shudder and AMC+.\u003c/em>\u003c/p>\n\u003ch2>Sacred Blood (2015)\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=HIj7Qkr8WYU\u003c/p>\n\u003cp>This movie has it all! Beautiful, territorial Chinatown vampires! Gun-toting European circus performers! Michael Madsen doing cop stuff! Dastardly flying poodles! Kato Kaelin! (Yes, \u003ca href=\"https://en.wikipedia.org/wiki/Kato_Kaelin\">\u003cem>that\u003c/em> Kato Kaelin\u003c/a>.) At its core though, Christopher Coppola’s creative goth horror is a love letter to late nights on the streets of San Francisco. It also absolutely revels in the sight of powerful women punishing misogynistic men. (Hooray!)\u003c/p>\n\u003cp>If all that weren’t enough, \u003cem>Sacred Blood\u003c/em> offers a jaunt around some of the city’s oldest nightspots including \u003ca href=\"https://condorsf.com/\">the Condor\u003c/a>, \u003ca href=\"https://www.yelp.com/biz/li-po-cocktail-lounge-san-francisco\">Li Po Lounge\u003c/a> and \u003ca href=\"https://www.yelp.com/biz/edinburgh-castle-pub-san-francisco-2\">Edinburgh Castle\u003c/a>. Is \u003cem>Sacred Blood\u003c/em> a little slow in places? Sure! Still worth a watch, though.\u003c/p>\n\u003cp>\u003cem>‘Sacred Blood’ is streaming now on Pluto TV and Plex.\u003c/em>\u003c/p>\n\u003ch2>Twixt (2011)\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=xP7cQnOcU7I\u003c/p>\n\u003cp>Christopher Coppola’s uncle (some fellow named Francis Ford) made his own vampire thriller a few years back as well. Though, between the movie’s small town vibes, goofy characters and creepy undertones, it feels more like a David Lynch project than anything else. (And yes, it’s almost as difficult to follow.)\u003c/p>\n\u003cp>[aside postid='arts_13933318']Much of \u003cem>Twixt\u003c/em> was filmed on Coppola’s Napa County estate, as well as in small towns further north in Lake County. It stars Val Kilmer as a horror novelist who finds himself in Swann Valley, a place where he gets all his best ideas while sleeping. That’s in part because sleep allows him to sojourn with teenage vampires, the ghost of Edgar Allan Poe and a bunch of dead children. Things get even creepier when he’s awake, though, thanks to a Ouija board-touting sheriff, a dead girl in the morgue, a Baudelaire-spouting emo kid and a clock tower with seven faces.\u003c/p>\n\u003cp>So, yes — in case you were wondering — this one is more of a mood than a movie.\u003c/p>\n\u003cp>\u003cem>‘Twixt’ (AKA: ‘B’Twixt Now and Sunrise’) is available to rent on AppleTV+.\u003c/em>\u003c/p>\n\u003ch2>Winchester (2018)\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=UDVjX2OBrwc\u003c/p>\n\u003cp>Look, we all know it’s preposterous for \u003cem>Winchester\u003c/em> to declare the San José mystery mansion as “the most haunted house in history,” but there’s something extraordinarily fun about seeing this sprawling but familiar tourist attraction captured on film. If you’ve never paid the Winchester Mystery House a visit in real life, you’ll also benefit from real architectural trivia that’s worked into the script. (If you’ve ever wanted to see Sarah Snook from \u003ca href=\"https://kqed.org/arts/13930048/succession-creator-on-finale-jesse-armstrong-shiv-tom-sarah-snook-kieran-culkin\">\u003cem>Succession\u003c/em>\u003c/a> sternly talking about hardwood parquet floors, this movie is for you!)\u003c/p>\n\u003cp>Though mostly hokey, there are a couple of good jump scares, a possessed white-eyed, red-headed child and Helen Mirren doing the most half-assed American accent in history. (Truly chilling.) Ah, just have fun with it…\u003c/p>\n\u003cp>\u003cem>‘Winchester’ is streaming now on Freevee and Plex.\u003c/em>\u003c/p>\n\u003ch2>Stigmata (1999)\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=rwsTYQ26QDQ\u003c/p>\n\u003cp>If you think about Patricia Arquette in the ’90s, your mind probably goes straight to \u003cem>True Romance\u003c/em>. But if you want to see her being the most ’90s of all of the ’90s, do not skip \u003cem>Stigmata.\u003c/em> Leather pants! Belly piercings! Butterfly clips! Shiny Alanis Morissette shirts! It’s like a Delia’s catalog exploded all over this thing. (Which is, of course, a good thing.)\u003c/p>\n\u003cp>The plot goes like this: Arquette’s gal-about-town, Frankie, gets sent a cursed crucifix from her dumb-tourist mom in Brazil, and promptly starts bleeding all over the place and having visions of nails getting hammered into feet. Byrne’s priest investigator shows up to … look shocked and take photos of her, basically? If none of that holds any appeal, stay tuned for the scene where a bunch of priests wander around the Palace of Fine Arts and pretend it’s the Vatican. Hilarious.\u003c/p>\n\u003cp>\u003cem>‘Stigmata’ is streaming now on Roku, Hoopla, Tubi and Pluto TV.\u003c/em>\u003c/p>\n\u003ch2>The Lost Boys (1987)\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=Q786UsnOcsY\u003c/p>\n\u003cp>Okay, so fine. This one isn’t technically set in the nine-county Bay Area region, and it wasn’t filmed here, either. But it’s close enough, dammit! All of the moody, teenage, bloodsucking action in this ’80s classic takes place in Santa Cruz instead. (“Santa Carla” if you’re Corey Haim in a shoulder-padded, hypercolor ensemble or Corey Feldman in a \u003cem>Rambo\u003c/em> headband.) The justification for including it in this list lies in the part where David (Keifer Sutherland, at his sauciest) explains that he and his merry band of hair metal vampires wouldn’t have a cave to live in (or presumably a pipe to hang upside from) if it wasn’t for the “big one hit[ting] San Francisco in 1906.” BOOM! That’ll do!\u003c/p>\n\u003cp>This movie is incredibly stupid and brilliant and everyone should watch it (again) immediately. Even if only to see Alex Winter’s crimped mullet hanging upside down.\u003c/p>\n\u003cp>\u003cem>‘The Lost Boys’ is available to rent on Apple TV+, Amazon Prime and Spectrum.\u003c/em>\u003c/p>\n\u003ch2>The Dead Pit (1989)\u003c/h2>\n\u003cp>https://www.youtube.com/watch?v=QX6V-tZn9VA\u003c/p>\n\u003cp>For over a century, the sprawling campus of grand white buildings at 4000 Lafayette St. in Santa Clara served as a mental health facility. The buildings started life in 1885 as “the Great Asylum for the Insane” and closed in 2011 as “\u003ca href=\"https://en.wikipedia.org/wiki/Agnews_Developmental_Center\">Agnews Developmental Center\u003c/a>.” Five years before Green Day filmed the band’s “\u003ca href=\"https://www.youtube.com/watch?v=NUTGr5t3MoY\">Basket Case\u003c/a>” video on location there, this schlocky, outdated horror ran amok with the buildings’ real-life history as well.\u003c/p>\n\u003cp>[aside postid='arts_13904911']The story revolves around a young (and sometimes gratuitously disrobed) woman who finds herself locked up because of what appears to be trauma-induced amnesia. What she doesn’t know is that she’s locked in an institution that’s awash with zombies — creations of a diabolical, now-dead doctor who routinely performed experiments on the brains of living patients. It’s all in the worst possible taste, of course — which means some of you are sure to enjoy it.\u003c/p>\n\u003cp>\u003cem>‘The Dead Pit’ is streaming on Apple TV+.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Happy Halloween, horror fans! (And please, don’t make me do this again next year.)\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Back in 2021, I put together a handy little guide to \u003ca href=\"https://www.kqed.org/arts/13904911/bay-area-horror-movies\">seven Bay Area horror movies\u003c/a> perfect for all of your cozy, under-a-blanket, pumpkin spice-sipping October viewing needs. And yet! A bunch of you were not quite satisfied with the original list and, in the last few years, KQED has been bombarded with requests for us to list more scary celluloid moments from our locale.\u003c/p>\n\u003cp>Fine, fear enthusiasts. You win. Let’s do this! (\u003cem>Again.\u003c/em>)\u003c/p>\n\u003ch2>All About Evil (2010)\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/FzKZ-KXLtak'\n title='//www.youtube.com/embed/FzKZ-KXLtak'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Shot in and around San Francisco’s \u003ca href=\"https://victoriatheatre.org/\">Victoria Theater\u003c/a>, \u003cem>All About Evil \u003c/em>was written and directed by Joshua Grannell, better known to most of us as \u003ca href=\"https://www.kqed.org/arts/13933318/best-bay-area-halloween-events-2023-san-francisco-oakland-san-jose\">Peaches Christ\u003c/a>. Gloriously camp and terrifically twisted, this 2010 slasher has a plot that would make John Waters proud, gory murder scenes that are genuinely shocking, plus a passion for small movie theaters that is quintessentially Bay Area.\u003c/p>\n\u003cp>Natasha Lyonne is clearly having the time of her life in her starring role as a murderous movie-house owner. She’s in good company too. Mink Stole shows up, as does Elvira herself \u003ca href=\"https://www.imdb.com/name/nm0005308/?ref_=ttfc_fc_cl_t8\">Cassandra Peterson\u003c/a>, in a deliciously low-key cameo. \u003cem>All About Evil\u003c/em> isn’t just perfect for Halloween, it should be required viewing for every movie lover in San Francisco.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>‘All About Evil’ is streaming on Shudder and AMC+.\u003c/em>\u003c/p>\n\u003ch2>Sacred Blood (2015)\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/HIj7Qkr8WYU'\n title='//www.youtube.com/embed/HIj7Qkr8WYU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>This movie has it all! Beautiful, territorial Chinatown vampires! Gun-toting European circus performers! Michael Madsen doing cop stuff! Dastardly flying poodles! Kato Kaelin! (Yes, \u003ca href=\"https://en.wikipedia.org/wiki/Kato_Kaelin\">\u003cem>that\u003c/em> Kato Kaelin\u003c/a>.) At its core though, Christopher Coppola’s creative goth horror is a love letter to late nights on the streets of San Francisco. It also absolutely revels in the sight of powerful women punishing misogynistic men. (Hooray!)\u003c/p>\n\u003cp>If all that weren’t enough, \u003cem>Sacred Blood\u003c/em> offers a jaunt around some of the city’s oldest nightspots including \u003ca href=\"https://condorsf.com/\">the Condor\u003c/a>, \u003ca href=\"https://www.yelp.com/biz/li-po-cocktail-lounge-san-francisco\">Li Po Lounge\u003c/a> and \u003ca href=\"https://www.yelp.com/biz/edinburgh-castle-pub-san-francisco-2\">Edinburgh Castle\u003c/a>. Is \u003cem>Sacred Blood\u003c/em> a little slow in places? Sure! Still worth a watch, though.\u003c/p>\n\u003cp>\u003cem>‘Sacred Blood’ is streaming now on Pluto TV and Plex.\u003c/em>\u003c/p>\n\u003ch2>Twixt (2011)\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/xP7cQnOcU7I'\n title='//www.youtube.com/embed/xP7cQnOcU7I'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Christopher Coppola’s uncle (some fellow named Francis Ford) made his own vampire thriller a few years back as well. Though, between the movie’s small town vibes, goofy characters and creepy undertones, it feels more like a David Lynch project than anything else. (And yes, it’s almost as difficult to follow.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Much of \u003cem>Twixt\u003c/em> was filmed on Coppola’s Napa County estate, as well as in small towns further north in Lake County. It stars Val Kilmer as a horror novelist who finds himself in Swann Valley, a place where he gets all his best ideas while sleeping. That’s in part because sleep allows him to sojourn with teenage vampires, the ghost of Edgar Allan Poe and a bunch of dead children. Things get even creepier when he’s awake, though, thanks to a Ouija board-touting sheriff, a dead girl in the morgue, a Baudelaire-spouting emo kid and a clock tower with seven faces.\u003c/p>\n\u003cp>So, yes — in case you were wondering — this one is more of a mood than a movie.\u003c/p>\n\u003cp>\u003cem>‘Twixt’ (AKA: ‘B’Twixt Now and Sunrise’) is available to rent on AppleTV+.\u003c/em>\u003c/p>\n\u003ch2>Winchester (2018)\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/UDVjX2OBrwc'\n title='//www.youtube.com/embed/UDVjX2OBrwc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Look, we all know it’s preposterous for \u003cem>Winchester\u003c/em> to declare the San José mystery mansion as “the most haunted house in history,” but there’s something extraordinarily fun about seeing this sprawling but familiar tourist attraction captured on film. If you’ve never paid the Winchester Mystery House a visit in real life, you’ll also benefit from real architectural trivia that’s worked into the script. (If you’ve ever wanted to see Sarah Snook from \u003ca href=\"https://kqed.org/arts/13930048/succession-creator-on-finale-jesse-armstrong-shiv-tom-sarah-snook-kieran-culkin\">\u003cem>Succession\u003c/em>\u003c/a> sternly talking about hardwood parquet floors, this movie is for you!)\u003c/p>\n\u003cp>Though mostly hokey, there are a couple of good jump scares, a possessed white-eyed, red-headed child and Helen Mirren doing the most half-assed American accent in history. (Truly chilling.) Ah, just have fun with it…\u003c/p>\n\u003cp>\u003cem>‘Winchester’ is streaming now on Freevee and Plex.\u003c/em>\u003c/p>\n\u003ch2>Stigmata (1999)\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/rwsTYQ26QDQ'\n title='//www.youtube.com/embed/rwsTYQ26QDQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>If you think about Patricia Arquette in the ’90s, your mind probably goes straight to \u003cem>True Romance\u003c/em>. But if you want to see her being the most ’90s of all of the ’90s, do not skip \u003cem>Stigmata.\u003c/em> Leather pants! Belly piercings! Butterfly clips! Shiny Alanis Morissette shirts! It’s like a Delia’s catalog exploded all over this thing. (Which is, of course, a good thing.)\u003c/p>\n\u003cp>The plot goes like this: Arquette’s gal-about-town, Frankie, gets sent a cursed crucifix from her dumb-tourist mom in Brazil, and promptly starts bleeding all over the place and having visions of nails getting hammered into feet. Byrne’s priest investigator shows up to … look shocked and take photos of her, basically? If none of that holds any appeal, stay tuned for the scene where a bunch of priests wander around the Palace of Fine Arts and pretend it’s the Vatican. Hilarious.\u003c/p>\n\u003cp>\u003cem>‘Stigmata’ is streaming now on Roku, Hoopla, Tubi and Pluto TV.\u003c/em>\u003c/p>\n\u003ch2>The Lost Boys (1987)\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Q786UsnOcsY'\n title='//www.youtube.com/embed/Q786UsnOcsY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Okay, so fine. This one isn’t technically set in the nine-county Bay Area region, and it wasn’t filmed here, either. But it’s close enough, dammit! All of the moody, teenage, bloodsucking action in this ’80s classic takes place in Santa Cruz instead. (“Santa Carla” if you’re Corey Haim in a shoulder-padded, hypercolor ensemble or Corey Feldman in a \u003cem>Rambo\u003c/em> headband.) The justification for including it in this list lies in the part where David (Keifer Sutherland, at his sauciest) explains that he and his merry band of hair metal vampires wouldn’t have a cave to live in (or presumably a pipe to hang upside from) if it wasn’t for the “big one hit[ting] San Francisco in 1906.” BOOM! That’ll do!\u003c/p>\n\u003cp>This movie is incredibly stupid and brilliant and everyone should watch it (again) immediately. Even if only to see Alex Winter’s crimped mullet hanging upside down.\u003c/p>\n\u003cp>\u003cem>‘The Lost Boys’ is available to rent on Apple TV+, Amazon Prime and Spectrum.\u003c/em>\u003c/p>\n\u003ch2>The Dead Pit (1989)\u003c/h2>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/QX6V-tZn9VA'\n title='//www.youtube.com/embed/QX6V-tZn9VA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>For over a century, the sprawling campus of grand white buildings at 4000 Lafayette St. in Santa Clara served as a mental health facility. The buildings started life in 1885 as “the Great Asylum for the Insane” and closed in 2011 as “\u003ca href=\"https://en.wikipedia.org/wiki/Agnews_Developmental_Center\">Agnews Developmental Center\u003c/a>.” Five years before Green Day filmed the band’s “\u003ca href=\"https://www.youtube.com/watch?v=NUTGr5t3MoY\">Basket Case\u003c/a>” video on location there, this schlocky, outdated horror ran amok with the buildings’ real-life history as well.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>The story revolves around a young (and sometimes gratuitously disrobed) woman who finds herself locked up because of what appears to be trauma-induced amnesia. What she doesn’t know is that she’s locked in an institution that’s awash with zombies — creations of a diabolical, now-dead doctor who routinely performed experiments on the brains of living patients. It’s all in the worst possible taste, of course — which means some of you are sure to enjoy it.\u003c/p>\n\u003cp>\u003cem>‘The Dead Pit’ is streaming on Apple TV+.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Happy Halloween, horror fans! (And please, don’t make me do this again next year.)\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In an early scene in \u003cem>Smile 2\u003c/em>, the fictional pop superstar Skye Riley is in her drug dealer’s apartment. “Do you believe in weird stuff?” he asks her, between doing lines of coke.\u003c/p>\n\u003cp>You certainly will after this horror romp — writer-director Parker Finn’s second movie that suddenly opens up the franchise with the promises of multiple directions in the future. Not for that drug dealer, though: He soon smiles at her demonically as he repeatedly slams a 35-pound gym weight into his head, making it hamburger.\u003c/p>\n\u003cp>[aside postid='arts_13966259']\u003cem>Smile 2\u003c/em> lands as unsettling grins are plastered on pumpkins and politicians alike as we approach Halloween and Election Day, and the psychotic, overly made-up leads of \u003ca href=\"https://www.kqed.org/arts/13966048/joker-folie-a-deux-movie-review-joaquin-phoenix-lady-gaga\">\u003cem>Joker: Folie à Deux\u003c/em>\u003c/a> have been putting up a brave face at their terrible box-office numbers.\u003c/p>\n\u003cp>So it’s the perfect time for a sequel to 2020’s \u003cem>Smile\u003c/em>, which bridged the gap between elevated art horror and straight-out, unapologetic slasher. Finn this time takes on fame, a better tonal fit than the generational trauma of the first. It’s a meditation on breakdowns in the public eye, with a side dish of body horror.\u003c/p>\n\u003cp>We start six days after the last movie but they are barely connected — a single character for a few minutes — as we watch a demon that forces its victims to smile before meeting a gruesome end working its way into the low-level drug game.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The evil entity will eventually glom onto our heroine, Skye, a fictional Grammy-winning pop superstar akin to if Lady Gaga and Miley Cyrus had a baby. We meet her a year after a horrific car crash she was in that killed her famous boyfriend and left her with a Vicodin addiction and rumors about whether she had anything to do with it. That drug dealer has now infected Skye, but she has no idea what’s in store (or in score, the terrific work of Cristobal Tapia de Veer).\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=FU_bAopCcSE\u003c/p>\n\u003cp>One thing to really beam about is leading lady Naomi Scott going for it all-out, all snot, smeared blood and wide-eyed, full on-fear. Scott manages to pour her humanity into the part — diva, whimpering, defiant, strung out, panicked. She even sings on the soundtrack — songs that are credible hits.\u003c/p>\n\u003cp>The smile demon collides with Skye as she’s about to launch a comeback tour and the pressure is on. Finn is at his best here, mocking confessional TV interviews — a Drew Barrymore cameo, a nice touch — full of self-work and apologies: “I let you down and I promise this will never happen again.” Her management demands that she show up “smile and read from the teleprompter.” Skye’s mom — on the payroll — is little help: “You need to stay hydrated,” she tells her after Skye is clearly in torment.\u003c/p>\n\u003cp>[aside postid='arts_13904911']Finn has become a much more assured filmmaker and uses humor so well here, from nasty gangsters enjoying pumpkin Frappuccinos to our heroine Googling “Does vomit have DNA?” He’s still fond of jump-scares and blood spurting and gross-out tricks, like a body dragged by a truck until it’s just a smear with entrails. One delightful moment has Skye chased by demonic backup dancers, a Bob Fosse-meets-\u003cem>Thriller\u003c/em> sequence.\u003c/p>\n\u003cp>Finn also has a ball putting his heroines into cringe-worthy situations. In the first movie, a murdered cat got bundled into a kid’s birthday present. In this one, it’s an impromptu speech in front of music industry types that goes horrifically off the rails. He’s got a deeper target: How do we quiet those voices in our heads that say we’re no good?\u003c/p>\n\u003cp>Finn’s script sometime lags as he searches for an ending for \u003cem>Smile 2\u003c/em>, seemingly in two minds, before basically delivering both, kicking up dream sequences and alternate timelines like a squid pumping out ink to cover its tracks. Over two hours ends up being too long.\u003c/p>\n\u003cp>But he has found a great satirical target, given life to a third film easily and showcased another rising star to watch. That’s a reason to, well, smile about.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Smile 2’ is out nationwide on Oct. 18, 2024.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cem>Smile 2\u003c/em> lands as unsettling grins are plastered on pumpkins and politicians alike as we approach Halloween and Election Day, and the psychotic, overly made-up leads of \u003ca href=\"https://www.kqed.org/arts/13966048/joker-folie-a-deux-movie-review-joaquin-phoenix-lady-gaga\">\u003cem>Joker: Folie à Deux\u003c/em>\u003c/a> have been putting up a brave face at their terrible box-office numbers.\u003c/p>\n\u003cp>So it’s the perfect time for a sequel to 2020’s \u003cem>Smile\u003c/em>, which bridged the gap between elevated art horror and straight-out, unapologetic slasher. Finn this time takes on fame, a better tonal fit than the generational trauma of the first. It’s a meditation on breakdowns in the public eye, with a side dish of body horror.\u003c/p>\n\u003cp>We start six days after the last movie but they are barely connected — a single character for a few minutes — as we watch a demon that forces its victims to smile before meeting a gruesome end working its way into the low-level drug game.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The evil entity will eventually glom onto our heroine, Skye, a fictional Grammy-winning pop superstar akin to if Lady Gaga and Miley Cyrus had a baby. We meet her a year after a horrific car crash she was in that killed her famous boyfriend and left her with a Vicodin addiction and rumors about whether she had anything to do with it. That drug dealer has now infected Skye, but she has no idea what’s in store (or in score, the terrific work of Cristobal Tapia de Veer).\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/FU_bAopCcSE'\n title='//www.youtube.com/embed/FU_bAopCcSE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>One thing to really beam about is leading lady Naomi Scott going for it all-out, all snot, smeared blood and wide-eyed, full on-fear. Scott manages to pour her humanity into the part — diva, whimpering, defiant, strung out, panicked. She even sings on the soundtrack — songs that are credible hits.\u003c/p>\n\u003cp>The smile demon collides with Skye as she’s about to launch a comeback tour and the pressure is on. Finn is at his best here, mocking confessional TV interviews — a Drew Barrymore cameo, a nice touch — full of self-work and apologies: “I let you down and I promise this will never happen again.” Her management demands that she show up “smile and read from the teleprompter.” Skye’s mom — on the payroll — is little help: “You need to stay hydrated,” she tells her after Skye is clearly in torment.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Finn has become a much more assured filmmaker and uses humor so well here, from nasty gangsters enjoying pumpkin Frappuccinos to our heroine Googling “Does vomit have DNA?” He’s still fond of jump-scares and blood spurting and gross-out tricks, like a body dragged by a truck until it’s just a smear with entrails. One delightful moment has Skye chased by demonic backup dancers, a Bob Fosse-meets-\u003cem>Thriller\u003c/em> sequence.\u003c/p>\n\u003cp>Finn also has a ball putting his heroines into cringe-worthy situations. In the first movie, a murdered cat got bundled into a kid’s birthday present. In this one, it’s an impromptu speech in front of music industry types that goes horrifically off the rails. He’s got a deeper target: How do we quiet those voices in our heads that say we’re no good?\u003c/p>\n\u003cp>Finn’s script sometime lags as he searches for an ending for \u003cem>Smile 2\u003c/em>, seemingly in two minds, before basically delivering both, kicking up dream sequences and alternate timelines like a squid pumping out ink to cover its tracks. Over two hours ends up being too long.\u003c/p>\n\u003cp>But he has found a great satirical target, given life to a third film easily and showcased another rising star to watch. That’s a reason to, well, smile about.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Smile 2’ is out nationwide on Oct. 18, 2024.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13966268\" style=\"font-weight: bold;background-color: transparent;font-size: 16px\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man.png\" alt=\"A huge wicker structure built in the shape of a man, stands on a hillside with a ladder propped up against its center. On the ground a circle of people with torches stand.\" width=\"2000\" height=\"1568\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man-800x627.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man-1020x800.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man-160x125.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man-768x602.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man-1536x1204.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man-1920x1505.png 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/p>\n\u003cp>In 1973’s ‘The Wicker Man,’ British policeman (Edward Woodward) visits a remote Scottish island to find that the locals have embraced a form of paganism.It’s October. Some of your neighbors will spend this, the official first weekend of spooky season, going all-out with inflatable yard skeletons and ghosts. They will embark upon the annual attempt to make candy corn, aka high-fructose ear wax, a thing. They’ll adorn their front porches with those cotton spider webs that look nothing like real spider webs and instead just make it look like they went and ritually murdered a white sweater so they could hang its dismembered corpse across their doorway as a grisly warning to all other knitwear.\u003c/p>\n\u003cp>[aside postid='arts_13962878']For me, it’s a more simple, elemental formula: Hot cider, cider donuts, folk horror.\u003c/p>\n\u003cp>The appeal of cider and donuts is universal, but folk horror might need some defining. Essentially, it’s horror set in remote, isolated areas where nature still holds sway. Well, nature paired with the superstitious beliefs of the locals, who tend to treat unwary outsiders with suspicion (if the outsiders are lucky) or malice (if they’re not).\u003c/p>\n\u003cp>The classic example is 1973’s \u003ca href=\"https://www.kqed.org/pop/112213/how-religious-sect-movies-like-midsommar-get-so-far-under-our-skin\">\u003cem>The Wicker Man\u003c/em>\u003c/a>, in which an uptight, devout, and veddy \u003cem>veddy \u003c/em>British policeman (Edward Woodward) visits a remote Scottish island to investigate the disappearance of a young girl. Turns out the locals have embraced a form of Celtic paganism, which doesn’t sit right with him. He says as much to the island’s aristocratic leader, a mysterious and charismatic sort played by Christopher Lee. Things don’t end well for our poor British bobby — though presumably the island \u003cem>will \u003c/em>enjoy a bountiful harvest, so, you know: Big picture, it’s still a win.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=a-tDnavDCwI\u003c/p>\n\u003cp>Other founding classics of the genre include 1968’s \u003cem>The Witchfinder General\u003c/em> and 1971’s \u003cem>The Blood on Satan’s Claws\u003c/em>, which of the three films has the least going for it, apart from its title, which is, all reasonable people can agree, \u003cem>metal AF\u003c/em>.\u003c/p>\n\u003cp>I love me some folk horror, and am never happier than when I can while away a damp, foggy (and thus obligingly atmospheric) October afternoon mainlining new and old examples of the form like \u003cem>Kill List\u003c/em>, \u003cem>You Won’t Be Alone\u003c/em>, \u003cem>Viv\u003c/em>,\u003cem> The Ritual\u003c/em>, \u003cem>Häxan\u003c/em>, \u003cem>The Medium\u003c/em>, \u003cem>Apostle\u003c/em>, \u003cem>Midsommar\u003c/em>, \u003cem>The Witch\u003c/em>, \u003cem>Hereditary\u003c/em>, \u003cem>Night of the Demon\u003c/em>, \u003cem>A Field in England\u003c/em>, \u003cem>Robin Redbreast\u003c/em>, and \u003cem>Men\u003c/em>. (Looking for more examples? Check out the documentary \u003cem>Woodlands Dark and Days Bewitched: A History of Folk Horror\u003c/em>.)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=iQXmlf3Sefg\u003c/p>\n\u003cp>Some folk horror involves supernatural elements, but I confess a particular fondness for those stories that don’t — stories where it’s the folk themselves (read: the locals, and their beliefs) who are the true and only source of the horror. (I won’t spoil which of the above films traffic in human vs. supernatural evil, in case you haven’t seen them.)\u003c/p>\n\u003ch3>Talismans and turtlenecks\u003c/h3>\n\u003cp>\u003cem>The Wicker Man\u003c/em> was the first folk horror film I saw as a kid, which is maybe why I harbor a deep love of folk horror set in ’70s Britain, a time and place when an interest in the occult became faddish, inspiring a wave of folk horror specifically inflected with Satanic panic. Many of these films were set in the past, but those like \u003cem>The Wicker Man \u003c/em>were set in the then-present, a time when men wore wavy hair and tight bell bottoms. Christopher Lee’s Lord Summerisle, for example, sported a kicky tweed leisure suit topped off by a burnt-orange sweater.\u003c/p>\n\u003cp>[aside postid='arts_13964075']It’s why I think of this very specific subgenre of ’70s folk horror as Talismans and Turtlenecks.\u003c/p>\n\u003cp>I just came across a new-to-me example of T & T last Sunday afternoon, which was suitably cold and wet and misty: 1970’s \u003cem>The Dunwich Horror\u003c/em>. A stiff-haired Sandra Dee, desperately attempting to shake her goody-goody image, plays a woman who falls under the sway of a young and hilariously intense, wide-eyed Dean Stockwell. (Seriously, you keep waiting for his character to blink, but instead he just keeps goggling fixedly at the world around him. At one point he makes a pot of tea, staring at it so fiercely through every stage of the process you start to wonder if he’s trying to convince it to hop into bed with him.)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=QA1WCp8hGB0\u003c/p>\n\u003cp>Don’t get me wrong: It’s a cheesy film, filled with crummy dialogue and hammy acting and cheap sets and one fight scene so wildly inept that has to be seen to be disbelieved. I won’t reveal if the threat hanging over the film is human or supernatural (though the fact that it’s based on an H.P. Lovecraft short story should tip you off). But I \u003cem>will \u003c/em>say that Stockwell sports a thick, curly hairdo, a cravat, two count-em \u003cem>two \u003c/em>pinky rings, and a huge mustache that curls \u003cem>under \u003c/em>itself at either end, in the process effectively turning my guy’s mouth into a parenthetical statement.\u003c/p>\n\u003cp>[aside postid='arts_13962666']You can watch it for free, with commercials, on Pluto TV, which I swear is a real streaming service and not something I made up. \u003cem>The Dunwich Horror\u003c/em> is not remotely scary, but it does have something to say, I suppose, about the madness of crowds and what, back in grad school, we used to call “othering.” (The Stockwell character is the scion of an eccentric family that the local community has shunned for generations, you see.)\u003c/p>\n\u003cp>And that, of course, is the abiding appeal of folk horror: It takes those universal feelings of alienation and isolation that make us all feel like outsiders in our own communities and gives them flesh. When the supernatural is involved, sometimes that flesh pulses and oozes. Sometimes it’s furry and clawed.\u003c/p>\n\u003cp>But whenever the story is about our collective tendency to cling to belief in the supernatural, the flesh involved is all too human, and probably gets stabbed with a sacrificial dagger in the final reel. Happy spooky season, y’all.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=1Vnghdsjmd0\u003c/p>\n\u003cp>\u003cem>This piece also appeared in NPR’s Pop Culture Happy Hour newsletter. \u003c/em>\u003ca href=\"https://www.npr.org/newsletter/pop-culture\">\u003cem>Sign up for the newsletter\u003c/em>\u003c/a>\u003cem> so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Listen to Pop Culture Happy Hour on \u003c/em>\u003ca href=\"http://n.pr/3xNgYt9\">\u003cem>Apple Podcasts\u003c/em>\u003c/a>\u003cem> and \u003c/em>\u003ca href=\"http://n.pr/3ELR3n6\">\u003cem>Spotify\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13966268\" style=\"font-weight: bold;background-color: transparent;font-size: 16px\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man.png\" alt=\"A huge wicker structure built in the shape of a man, stands on a hillside with a ladder propped up against its center. On the ground a circle of people with torches stand.\" width=\"2000\" height=\"1568\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man-800x627.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man-1020x800.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man-160x125.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man-768x602.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man-1536x1204.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/10/wicker-man-1920x1505.png 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003c/p>\n\u003cp>In 1973’s ‘The Wicker Man,’ British policeman (Edward Woodward) visits a remote Scottish island to find that the locals have embraced a form of paganism.It’s October. Some of your neighbors will spend this, the official first weekend of spooky season, going all-out with inflatable yard skeletons and ghosts. They will embark upon the annual attempt to make candy corn, aka high-fructose ear wax, a thing. They’ll adorn their front porches with those cotton spider webs that look nothing like real spider webs and instead just make it look like they went and ritually murdered a white sweater so they could hang its dismembered corpse across their doorway as a grisly warning to all other knitwear.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>For me, it’s a more simple, elemental formula: Hot cider, cider donuts, folk horror.\u003c/p>\n\u003cp>The appeal of cider and donuts is universal, but folk horror might need some defining. Essentially, it’s horror set in remote, isolated areas where nature still holds sway. Well, nature paired with the superstitious beliefs of the locals, who tend to treat unwary outsiders with suspicion (if the outsiders are lucky) or malice (if they’re not).\u003c/p>\n\u003cp>The classic example is 1973’s \u003ca href=\"https://www.kqed.org/pop/112213/how-religious-sect-movies-like-midsommar-get-so-far-under-our-skin\">\u003cem>The Wicker Man\u003c/em>\u003c/a>, in which an uptight, devout, and veddy \u003cem>veddy \u003c/em>British policeman (Edward Woodward) visits a remote Scottish island to investigate the disappearance of a young girl. Turns out the locals have embraced a form of Celtic paganism, which doesn’t sit right with him. He says as much to the island’s aristocratic leader, a mysterious and charismatic sort played by Christopher Lee. Things don’t end well for our poor British bobby — though presumably the island \u003cem>will \u003c/em>enjoy a bountiful harvest, so, you know: Big picture, it’s still a win.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/a-tDnavDCwI'\n title='//www.youtube.com/embed/a-tDnavDCwI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Other founding classics of the genre include 1968’s \u003cem>The Witchfinder General\u003c/em> and 1971’s \u003cem>The Blood on Satan’s Claws\u003c/em>, which of the three films has the least going for it, apart from its title, which is, all reasonable people can agree, \u003cem>metal AF\u003c/em>.\u003c/p>\n\u003cp>I love me some folk horror, and am never happier than when I can while away a damp, foggy (and thus obligingly atmospheric) October afternoon mainlining new and old examples of the form like \u003cem>Kill List\u003c/em>, \u003cem>You Won’t Be Alone\u003c/em>, \u003cem>Viv\u003c/em>,\u003cem> The Ritual\u003c/em>, \u003cem>Häxan\u003c/em>, \u003cem>The Medium\u003c/em>, \u003cem>Apostle\u003c/em>, \u003cem>Midsommar\u003c/em>, \u003cem>The Witch\u003c/em>, \u003cem>Hereditary\u003c/em>, \u003cem>Night of the Demon\u003c/em>, \u003cem>A Field in England\u003c/em>, \u003cem>Robin Redbreast\u003c/em>, and \u003cem>Men\u003c/em>. (Looking for more examples? Check out the documentary \u003cem>Woodlands Dark and Days Bewitched: A History of Folk Horror\u003c/em>.)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/iQXmlf3Sefg'\n title='//www.youtube.com/embed/iQXmlf3Sefg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Some folk horror involves supernatural elements, but I confess a particular fondness for those stories that don’t — stories where it’s the folk themselves (read: the locals, and their beliefs) who are the true and only source of the horror. (I won’t spoil which of the above films traffic in human vs. supernatural evil, in case you haven’t seen them.)\u003c/p>\n\u003ch3>Talismans and turtlenecks\u003c/h3>\n\u003cp>\u003cem>The Wicker Man\u003c/em> was the first folk horror film I saw as a kid, which is maybe why I harbor a deep love of folk horror set in ’70s Britain, a time and place when an interest in the occult became faddish, inspiring a wave of folk horror specifically inflected with Satanic panic. Many of these films were set in the past, but those like \u003cem>The Wicker Man \u003c/em>were set in the then-present, a time when men wore wavy hair and tight bell bottoms. Christopher Lee’s Lord Summerisle, for example, sported a kicky tweed leisure suit topped off by a burnt-orange sweater.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>It’s why I think of this very specific subgenre of ’70s folk horror as Talismans and Turtlenecks.\u003c/p>\n\u003cp>I just came across a new-to-me example of T & T last Sunday afternoon, which was suitably cold and wet and misty: 1970’s \u003cem>The Dunwich Horror\u003c/em>. A stiff-haired Sandra Dee, desperately attempting to shake her goody-goody image, plays a woman who falls under the sway of a young and hilariously intense, wide-eyed Dean Stockwell. (Seriously, you keep waiting for his character to blink, but instead he just keeps goggling fixedly at the world around him. At one point he makes a pot of tea, staring at it so fiercely through every stage of the process you start to wonder if he’s trying to convince it to hop into bed with him.)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/QA1WCp8hGB0'\n title='//www.youtube.com/embed/QA1WCp8hGB0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Don’t get me wrong: It’s a cheesy film, filled with crummy dialogue and hammy acting and cheap sets and one fight scene so wildly inept that has to be seen to be disbelieved. I won’t reveal if the threat hanging over the film is human or supernatural (though the fact that it’s based on an H.P. Lovecraft short story should tip you off). But I \u003cem>will \u003c/em>say that Stockwell sports a thick, curly hairdo, a cravat, two count-em \u003cem>two \u003c/em>pinky rings, and a huge mustache that curls \u003cem>under \u003c/em>itself at either end, in the process effectively turning my guy’s mouth into a parenthetical statement.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>You can watch it for free, with commercials, on Pluto TV, which I swear is a real streaming service and not something I made up. \u003cem>The Dunwich Horror\u003c/em> is not remotely scary, but it does have something to say, I suppose, about the madness of crowds and what, back in grad school, we used to call “othering.” (The Stockwell character is the scion of an eccentric family that the local community has shunned for generations, you see.)\u003c/p>\n\u003cp>And that, of course, is the abiding appeal of folk horror: It takes those universal feelings of alienation and isolation that make us all feel like outsiders in our own communities and gives them flesh. When the supernatural is involved, sometimes that flesh pulses and oozes. Sometimes it’s furry and clawed.\u003c/p>\n\u003cp>But whenever the story is about our collective tendency to cling to belief in the supernatural, the flesh involved is all too human, and probably gets stabbed with a sacrificial dagger in the final reel. Happy spooky season, y’all.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/1Vnghdsjmd0'\n title='//www.youtube.com/embed/1Vnghdsjmd0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>This piece also appeared in NPR’s Pop Culture Happy Hour newsletter. \u003c/em>\u003ca href=\"https://www.npr.org/newsletter/pop-culture\">\u003cem>Sign up for the newsletter\u003c/em>\u003c/a>\u003cem> so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Listen to Pop Culture Happy Hour on \u003c/em>\u003ca href=\"http://n.pr/3xNgYt9\">\u003cem>Apple Podcasts\u003c/em>\u003c/a>\u003cem> and \u003c/em>\u003ca href=\"http://n.pr/3ELR3n6\">\u003cem>Spotify\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Halloween Superfans See the Culture Catching Up to Them (and Their 12-foot Skeleton Pal)",
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"content": "\u003cp>Home Depot was about to launch something big — really big — when the pandemic hit in the spring of 2020: a 12-foot skeleton.\u003c/p>\n\u003cp>“There were a lot of internal discussions. It was like, is there going to be Halloween this year?” said Lance Allen, senior merchant of decorative holiday at Home Depot. “Are customers going to think this is in poor taste? Should we go forward with it?’”\u003c/p>\n\u003cp>[aside postid='arts_13962878']Home Depot did. And the towering skeleton arrived at the perfect time.\u003c/p>\n\u003cp>“Nobody could possibly need a 12-foot skeleton, but everybody wanted a 12-foot skeleton,” Allen said.\u003c/p>\n\u003cp>The retailer’s gamble upped the game for decorations. A population stuck at home and wanting some semblance of community entertainment created a Halloween phenomenon that’s now bigger than any one store. (Others carry various versions of the larger-than-life skeleton.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>And as stores race to get the latest and greatest Halloween score out as soon as possible, superfans say it’s about time.\u003c/p>\n\u003ch2>Halloween is celebrated earlier\u003c/h2>\n\u003cp>Home Depot’s 12-foot skeleton is affectionately known by fans across the internet and globe as “Skelly.” When Skelly was launched, the thinking was that he’d be out for a week or two leading up to Halloween night, Allen said, the usual consumer behavior observed at the time.\u003c/p>\n\u003cp>But the pandemic changed that timeline.\u003c/p>\n\u003cp>“Everybody started decorating in early October for something to do,” Allen said. “And we’ve really seen a shift in the market where now people are decorating for Halloween how we’ve seen with Christmas historically, planning out decorations five to six weeks, two months ahead of time.”\u003c/p>\n\u003cp>[aside postid='arts_13936916']Mak Ralston, a Halloween fanatic known as Haunt Former on YouTube, who posts Halloween videos year-round, has noticed the shift.\u003c/p>\n\u003cp>“There used to be a kind of a calendar as to when I would expect things to come out in stores,” Ralston said, noting that orange and black and witches and skeletons used to roll in at the start of September, maybe mid-August.\u003c/p>\n\u003cp>“This year, I saw some stuff in stores for Halloween in June, early July,” he said. “It’s never been earlier.”\u003c/p>\n\u003ch2>For some, it’s always Halloween\u003c/h2>\n\u003cp>“Some average people who aren’t as invested don’t realize that for people who are really committed to both Halloween and the horror culture, they’re in it to win it like all year,” Ralston said.\u003c/p>\n\u003cp>“I can post a video about a horror movie or about a Halloween mask that’s coming out in October in February, and people eat it up,” he said.\u003c/p>\n\u003cp>Nate Rambaud, known as That Guy Nate on Youtube, started his channel by posting videos of abandoned stores such as Toys ‘R’ Us, a niche interest on the video-sharing platform. Now with more than 440,000 subscribers, his bread and butter is a more spooky niche. He posts videos touring Spirit Halloween locations, which often occupy abandoned stores.\u003c/p>\n\u003cp>[aside postid='arts_13935838']Rambaud has been to well over 300 Spirit Halloween locations in all 50 states.\u003c/p>\n\u003cp>“Halloween is so easy to attach to. It doesn’t require anybody else whatsoever,” said Rambaud.\u003c/p>\n\u003cp>Christmas “kind of requires other people, your family. You’re out buying stuff for people. And then kids sit around and wait for Christmas — that’s really all they can do for Christmas,” he said. “But Halloween — anyone can associate with Halloween and you can do it any time all the time.”\u003c/p>\n\u003cp>As a result of the year-round party, Skelly’s had some work done for his fifth birthday. Allen said the new Skellys for sale this season will have more UV additive to hold up against the sun longer, along with a more durable resin mixture to withstand colder temperatures. And he now has a dog.\u003c/p>\n\u003cp>“People are taking the skeletons on dates. They’re going out to the beach, he’s playing in the sand,” Allen said. “We’ve seen him at weddings.”\u003c/p>\n\u003cp>Jacob Humphrey, an artist in Texas, helps moderate a Facebook group of Home Depot Halloween superfans. There is a little bit of healthy competition over decorations, he said.\u003c/p>\n\u003cp>“A lot of times people will say, ‘I know this is not as good as everyone else’s, but I wanted to share this,’” Humphrey said. Group members join to find like-minded fans, he said, “but let’s be honest, people want to show off.”\u003c/p>\n\u003ch2>Why are so many people so wild about Halloween?\u003c/h2>\n\u003cp>Perhaps it all has to do with a fundamental part of the holiday: children.\u003c/p>\n\u003cp>Humphrey was out painting his fence recently when a girl walked by. She told him his house always has the best decorations.\u003c/p>\n\u003cp>[aside postid='arts_13904911']“I didn’t realize kids memorize that. And that’s really kind of a badge of honor,” Humphrey said. ”Also, like, great, now I have no choice, I’m going to make sure I do a great job.”\u003c/p>\n\u003cp>Ralston recalled that growing up, he was the kid who carried around a skeleton instead of a teddy bear.\u003c/p>\n\u003cp>And Rambaud, whose videos showcase Halloween animatronics worth hundreds of dollars, remembers a simpler time from his childhood that helped spark his love for Halloween.\u003c/p>\n\u003cp>“My dad used to make what he would call a spook tunnel. He would take cardboard boxes, like refrigerator boxes, and he put them all together and made a maze that we had to crawl through,” he said. ”That was our little haunted house.”\u003c/p>\n\u003cp>To Humphrey, the holiday’s appeal can be summarized this way:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Halloween is an extrovert day for introverts,” he said. “Why wouldn’t you want to celebrate that?”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Mak Ralston, a Halloween fanatic known as Haunt Former on YouTube, who posts Halloween videos year-round, has noticed the shift.\u003c/p>\n\u003cp>“There used to be a kind of a calendar as to when I would expect things to come out in stores,” Ralston said, noting that orange and black and witches and skeletons used to roll in at the start of September, maybe mid-August.\u003c/p>\n\u003cp>“This year, I saw some stuff in stores for Halloween in June, early July,” he said. “It’s never been earlier.”\u003c/p>\n\u003ch2>For some, it’s always Halloween\u003c/h2>\n\u003cp>“Some average people who aren’t as invested don’t realize that for people who are really committed to both Halloween and the horror culture, they’re in it to win it like all year,” Ralston said.\u003c/p>\n\u003cp>“I can post a video about a horror movie or about a Halloween mask that’s coming out in October in February, and people eat it up,” he said.\u003c/p>\n\u003cp>Nate Rambaud, known as That Guy Nate on Youtube, started his channel by posting videos of abandoned stores such as Toys ‘R’ Us, a niche interest on the video-sharing platform. Now with more than 440,000 subscribers, his bread and butter is a more spooky niche. He posts videos touring Spirit Halloween locations, which often occupy abandoned stores.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Rambaud has been to well over 300 Spirit Halloween locations in all 50 states.\u003c/p>\n\u003cp>“Halloween is so easy to attach to. It doesn’t require anybody else whatsoever,” said Rambaud.\u003c/p>\n\u003cp>Christmas “kind of requires other people, your family. You’re out buying stuff for people. And then kids sit around and wait for Christmas — that’s really all they can do for Christmas,” he said. “But Halloween — anyone can associate with Halloween and you can do it any time all the time.”\u003c/p>\n\u003cp>As a result of the year-round party, Skelly’s had some work done for his fifth birthday. Allen said the new Skellys for sale this season will have more UV additive to hold up against the sun longer, along with a more durable resin mixture to withstand colder temperatures. And he now has a dog.\u003c/p>\n\u003cp>“People are taking the skeletons on dates. They’re going out to the beach, he’s playing in the sand,” Allen said. “We’ve seen him at weddings.”\u003c/p>\n\u003cp>Jacob Humphrey, an artist in Texas, helps moderate a Facebook group of Home Depot Halloween superfans. There is a little bit of healthy competition over decorations, he said.\u003c/p>\n\u003cp>“A lot of times people will say, ‘I know this is not as good as everyone else’s, but I wanted to share this,’” Humphrey said. Group members join to find like-minded fans, he said, “but let’s be honest, people want to show off.”\u003c/p>\n\u003ch2>Why are so many people so wild about Halloween?\u003c/h2>\n\u003cp>Perhaps it all has to do with a fundamental part of the holiday: children.\u003c/p>\n\u003cp>Humphrey was out painting his fence recently when a girl walked by. She told him his house always has the best decorations.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“I didn’t realize kids memorize that. And that’s really kind of a badge of honor,” Humphrey said. ”Also, like, great, now I have no choice, I’m going to make sure I do a great job.”\u003c/p>\n\u003cp>Ralston recalled that growing up, he was the kid who carried around a skeleton instead of a teddy bear.\u003c/p>\n\u003cp>And Rambaud, whose videos showcase Halloween animatronics worth hundreds of dollars, remembers a simpler time from his childhood that helped spark his love for Halloween.\u003c/p>\n\u003cp>“My dad used to make what he would call a spook tunnel. He would take cardboard boxes, like refrigerator boxes, and he put them all together and made a maze that we had to crawl through,” he said. ”That was our little haunted house.”\u003c/p>\n\u003cp>To Humphrey, the holiday’s appeal can be summarized this way:\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“Halloween is an extrovert day for introverts,” he said. “Why wouldn’t you want to celebrate that?”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "best-san-francisco-bay-area-halloween-events-2024",
"title": "Goths, Shocks and Alien Rocks: 10 Bay Area Halloween Events for 2024",
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"headTitle": "Goths, Shocks and Alien Rocks: 10 Bay Area Halloween Events for 2024 | KQED",
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"content": "\u003cp>Aaah, it’s that time of year once more. A Spirit Halloween store just sprang up at the strip mall. Target checkouts are awash with gigantic skeletons. And every child in the vicinity is demanding dangerously sharp cutting implements with which to annihilate a pumpkin or five. That means it’s time to start planning your Halloween schedule in earnest.\u003c/p>\n\u003cp>Luckily, we have some suggestions.\u003c/p>\n\u003cfigure id=\"attachment_13964054\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13964054 size-full\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-2153420734-1.jpg\" alt=\"A woman wearing an elaborate headdress and face mask made of beading, PVC, feathers and lace. She is carrying a black parasol.\" width=\"2000\" height=\"1602\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-2153420734-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-2153420734-1-800x641.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-2153420734-1-1020x817.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-2153420734-1-160x128.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-2153420734-1-768x615.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-2153420734-1-1536x1230.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-2153420734-1-1920x1538.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Goths: not ones to half-ass anything. Especially Halloween. \u003ccite>(Craig Stennett/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/the-gathering-of-the-goths-halloween-festival-tickets-951700219977\">The Gathering of the Goths\u003c/a>\u003c/h2>\n\u003cp>\u003cem>USS Hornet Sea, Air and Space Museum, Alameda\u003cbr>\n\u003c/em>\u003cem>Oct. 19, 5 p.m.\u003c/em>\u003c/p>\n\u003cp>Goths are dark, rubbery and be-corseted all year-round, so just imagine the effort they put in when they’ve got a haunted ship full of bands, food and something called a “poison and elixir bar” to hang out on.\u003c/p>\n\u003cp>The USS Hornet puts on a Halloween spectacular every year, but this one promises to be next level, with performances from four dark wave bands including Oakland’s \u003ca href=\"https://www.youtube.com/watch?v=43v0MzucOG0\">Jeweled Snakes\u003c/a> and San Francisco’s \u003ca href=\"https://www.youtube.com/watch?v=OBwMiPL6_h4\">Octavian Winters\u003c/a>. There will also be DJs, costume contests, tarot readings and a Halloween art, fashion and decor market. Optional add-ons to the regular tickets include creepy-crawly crafting from \u003ca href=\"https://silvermooncuriosities.com/\">Silver Moon Curiosities\u003c/a> and — oh, but of course — ghost tours.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It’s not uncommon for after-dark visitors to the Hornet to report apparitions, disembodied voices, strange light anomalies and objects moving on their own. But be warned: This might be one evening when distinguishing between the living and the dead is trickier than usual.\u003c/p>\n\u003cfigure id=\"attachment_13963750\" class=\"wp-caption aligncenter\" style=\"max-width: 1386px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13963750\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-1.29.23%E2%80%AFPM.png\" alt=\"Two women in witchy costumes stand behind a table of wine bottles and Halloween decorations.\" width=\"1386\" height=\"914\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-1.29.23 PM.png 1386w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-1.29.23 PM-800x528.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-1.29.23 PM-1020x673.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-1.29.23 PM-160x106.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-1.29.23 PM-768x506.png 768w\" sizes=\"auto, (max-width: 1386px) 100vw, 1386px\">\u003cfigcaption class=\"wp-caption-text\">The di Rosa Center for Contemporary Art is about to transform into an activity-packed haunted house. \u003ccite>(Courtesy of the di Rosa Center for Contemporary Art)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://dirosa.my.salesforce-sites.com/ticket#/events/a0SVT000004aixt2AA\">Halloween at di Rosa Day\u003c/a>\u003c/h2>\n\u003cp>\u003cem>di Rosa Center for Contemporary Art, Napa\u003c/em>\u003cbr>\n\u003cem>Oct. 26, 11 a.m\u003cspan style=\"font-weight: 400\">–\u003c/span>4 p.m.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://selbysohn.com/\">Selby Sohn\u003c/a> has always been an artist adept at mixing the playful with the discomfiting. It makes perfect sense then that she’d be providing some of the artwork (and wearable sculptures!) for di Rosa Day — a family-friendly Halloween spectacular being held at the contemporary art gallery.\u003c/p>\n\u003cp>The outdoor sculptures that live on di Rosa’s 217-acre property are mind-bending in the best of times, and on Oct. 26, they’ll be accompanied by trick or treating, a costume parade, hands-on art activities (including making \u003ca href=\"https://en.wikipedia.org/wiki/Zoetrope\">zoetropes\u003c/a>!) and, best of all, a haunted house. Not just any haunted house, either — it will be situated inside the gallery’s former winery, a circular stone structure complete with a bell tower that dates back to 1886. Don’t worry, parents — there will also be wine.\u003c/p>\n\u003cp>(Selby Sohn has previously written for KQED.)\u003c/p>\n\u003cfigure id=\"attachment_13963725\" class=\"wp-caption aligncenter\" style=\"max-width: 1422px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13963725\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-12.39.22%E2%80%AFPM.png\" alt=\"A man in a tuxedo stands in a grand dining room clutching a ouija board.\" width=\"1422\" height=\"966\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-12.39.22 PM.png 1422w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-12.39.22 PM-800x543.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-12.39.22 PM-1020x693.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-12.39.22 PM-160x109.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-12.39.22 PM-768x522.png 768w\" sizes=\"auto, (max-width: 1422px) 100vw, 1422px\">\u003cfigcaption class=\"wp-caption-text\">Magician and San Francisco history buff Christian Cagigal. \u003ccite>(Courtesy of Christian Cagigal)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.christiancagigal.com/tickets1.html\">Christian Cagigal’s Witching Hour\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Hotel Majestic, San Francisco\u003c/em>\u003cbr>\n\u003cem>October 2\u003cspan style=\"font-weight: 400\">–\u003c/span>25, 7:30 p.m.\u003c/em>\u003c/p>\n\u003cp>If its Trip Advisor and Yelp reviews are to be believed, the Hotel Majestic is a perfect location for any Halloween event. Strange footsteps, lights turning on by themselves and strange bouts of sleep paralysis have all been reported. One reviewer even claimed to see “a ghost girl walking around the hallway across [from] my bed… She had long brown hair and wore a Victorian dress.”\u003c/p>\n\u003cp>Christian Cagigal will enchant guests at the 122-year-old hotel with his magic and illusion skills, as well as his vast knowledge of local history. Apparently, Cagigal will also be bringing a variety of interactive, spirit-goading props along, including ouija boards, strange artifacts and antique dolls. If that doesn’t inspire terrifying Victorian ghost children to appear, nothing will.\u003c/p>\n\u003cfigure id=\"attachment_13964055\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13964055\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/niles.png\" alt=\"A Day of the Dead altar, decorated with flowers, skulls and crosses, set up on a green lawn. \" width=\"2000\" height=\"1191\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/niles.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/niles-800x476.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/niles-1020x607.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/niles-160x95.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/niles-768x457.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/niles-1536x915.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/niles-1920x1143.png 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The Niles Altar Walk honors the dead in a variety of beautiful ways every year. \u003ccite>(Courtesy of the Niles Main Street Association)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.niles.org/annual-events/niles-altar-walk\">The Niles Altar Walk\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Niles Town Plaza, Fremont\u003c/em>\u003cbr>\n\u003cem>Nov. 3, 2\u003cspan style=\"font-weight: 400\">–\u003c/span>9 p.m.\u003c/em>\u003c/p>\n\u003cp>The Niles Altar Walk is neither the biggest nor the splashiest Dia de Los Muertos event in the Bay Area. Where it distinguishes itself is in its family-friendly warmth, and a spirit that is rooted entirely in celebrating the dead, be they recently deceased loved ones or long-gone ancestors. Because it eschews commercialism, the downtown celebration has been a genuinely moving occasion every year since it first started in 2012.\u003c/p>\n\u003cp>Featuring traditional performances by local children and adults, as well as opportunities for visitors to honor their own loved ones, this is a Day of the Dead experience that provides enough space for true reflection.\u003c/p>\n\u003cfigure id=\"attachment_13963795\" class=\"wp-caption aligncenter\" style=\"max-width: 1946px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13963795\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-4.57.19%E2%80%AFPM.png\" alt=\"A small boy stares out of his misty window at night. On the other side of the glass, a menacing figure with glowing eyes.\" width=\"1946\" height=\"1088\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-4.57.19 PM.png 1946w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-4.57.19 PM-800x447.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-4.57.19 PM-1020x570.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-4.57.19 PM-160x89.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-4.57.19 PM-768x429.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-4.57.19 PM-1536x859.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-4.57.19 PM-1920x1073.png 1920w\" sizes=\"auto, (max-width: 1946px) 100vw, 1946px\">\u003cfigcaption class=\"wp-caption-text\">You might wanna close your curtains, kid. Jordan Preston Carter as Mark Petrie in ‘Salem’s Lot.’ \u003ccite>(Max)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Self-Guided Horror Movie Marathon\u003c/h2>\n\u003cp>\u003cem>Everywhere, Bay Area\u003c/em>\u003c/p>\n\u003cp>Fall 2024 has so many promising horror movies on offer, it’s hard to narrow the best ones down into a shortlist. For those of you wanting a theater experience, consider \u003ca href=\"https://www.kqed.org/arts/13964075/sinister-and-unhinged-james-mcavoy-is-the-host-from-hell-in-speak-no-evil\">\u003cem>Speak No Evil\u003c/em> \u003c/a>(Sept. 13), a remake of a 2022 Danish movie that’s in possession of one of the most twisted endings in recent memory. Then there’s \u003ca href=\"https://www.youtube.com/watch?v=mUj_H-4SXPk\">\u003cem>Last Straw\u003c/em>\u003c/a> (Sept. 20), a stylish but claustrophobic horror about a lone waitress fending off masked intruders at an all-night diner. Halle Berry leads \u003ca href=\"https://www.youtube.com/watch?v=-H3yhfkJBnQ\">\u003cem>Never Let Go\u003c/em>\u003c/a> (Sept. 20) as a mom raising two kids in a post-apocalyptic nightmare where only the ropes physically tethering them together can keep the family safe.\u003c/p>\n\u003cp>If you’d rather stream your horror from under the safety of a blanket, check out the long-awaited remake of Stephen King’s creepy vampire classic \u003cem>Salem’s Lot\u003c/em> (October) on Max. Paramount+ has a \u003cem>Rosemary’s Baby\u003c/em> prequel, \u003ca href=\"https://www.youtube.com/watch?v=BJwvOC2i3VQ\">\u003cem>Apartment 7A\u003c/em>\u003c/a> (Sept. 27) starring the always-wonderful Diane Wiest as everyone’s favorite homey Satan-worshipper, Mrs. Castevet. Finally, from Netflix, Sam Raimmi and the studios that brought you \u003cem>Barbarian\u003c/em>, there’s \u003cem>Don’t Move\u003c/em> (Oct. 25), a film tailor-made for anyone whose recurring nightmares revolve around needing to run but not being able to.\u003c/p>\n\u003cfigure id=\"attachment_13964124\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13964124\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1373069317-scaled.jpg\" alt=\"A string quartet performs in a circle, surrounded by candles.\" width=\"2560\" height=\"1828\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1373069317-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1373069317-800x571.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1373069317-1020x729.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1373069317-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1373069317-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1373069317-1536x1097.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1373069317-2048x1463.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1373069317-1920x1371.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">The Listeso String Quartet will be performing Halloween-inspired classics at the First Presbyterian Church of Oakland. \u003ccite>(Andrew Chin/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.visitoakland.com/event/candlelight%3A-a-haunted-evening-of-halloween-classics/33010/\">Candlelight: A Haunted Evening of Halloween Classics\u003c/a>\u003c/h2>\n\u003cp>\u003cem>First Presbyterian Church, Oakland\u003c/em>\u003cbr>\n\u003cem>Oct. 31, 7 p.m\u003c/em>\u003c/p>\n\u003cp>Heading to church isn’t the first thing most people think of doing for a Halloween night out, but the \u003ca href=\"https://www.listeso.com/\">Listeso String Quartet\u003c/a> is giving everyone a solid reason to go this year.\u003c/p>\n\u003cp>The classical musicians will be doing two candlelit performances — at 7 p.m. and 9 p.m. — inside Oakland’s beautiful (and appropriately dramatic) First Presbyterian Church. And the setlist consists entirely of Halloween- and horror-inspired songs, including Michael Jackson’s “Thriller,” “Tubular Bells” by Mike Oldfield and songs by Danny Elfman from \u003cem>The Nightmare Before Christmas\u003c/em> and \u003cem>Beetlejuice\u003c/em>. Expect to leave thoroughly bewitched.\u003c/p>\n\u003cfigure id=\"attachment_13964129\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13964129\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-629417691-scaled-e1726101678653.jpg\" alt=\"Close up on a black and red flower with a yellow center.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">A ‘Black Knight’ dahlia. \u003ccite>(FlowerPhotos/Universal Images Group via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/create-a-goth-garden-this-halloween-cupertino-tickets-998819956377?aff=ebdssbdestsearch\">Goth Gardening\u003c/a>\u003c/h2>\n\u003cp>\u003cem>SummerWinds Nursery, Cupertino\u003c/em>\u003cbr>\n\u003cem>Oct. 13, 10:30 a.m.\u003c/em>\u003c/p>\n\u003cp>Anyone can hang a skeleton on their doorstep for Halloween, but for the folks who prefer to celebrate the dark arts all year-round, more dedication is required. Which is exactly why Cupertino’s SummerWinds Nursery is throwing a Goth Gardening class in the middle of October.\u003c/p>\n\u003cp>The 60-minute, Halloween-inspired guide will teach you how to keep your planter boxes and gardens mysterious and enchanting. By the end, you should know how to distinguish between your black dahlias, black velvet petunias and midnight mystic hyacinths. Before you know it, you’ll have the ghostly garden of your dreams.\u003c/p>\n\u003cfigure id=\"attachment_13964050\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13964050\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2.-FatalAbductionDoctorAlien02.jpg\" alt=\"A woman with other-worldly bumps on her face, wearing green scrubs and gloves, leans over the body of a grey alien menacingly. \" width=\"2000\" height=\"1335\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2.-FatalAbductionDoctorAlien02.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2.-FatalAbductionDoctorAlien02-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2.-FatalAbductionDoctorAlien02-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2.-FatalAbductionDoctorAlien02-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2.-FatalAbductionDoctorAlien02-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2.-FatalAbductionDoctorAlien02-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2.-FatalAbductionDoctorAlien02-1920x1282.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">There’s more than one kind of alien — and one kind of terror — in this year’s Into the Dark production, ‘Fatal Abduction.’ \u003ccite>(Courtesy of ‘Into the Dark: Fatal Abduction’)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.intothedarksf.com/\">Into the Dark: Fatal Abduction\u003c/a>\u003c/h2>\n\u003cp>\u003cem>The San Francisco Mint, San Francisco\u003c/em>\u003cbr>\n\u003cem>Oct. 4\u003cspan style=\"font-weight: 400\">–\u003c/span>Nov. 3, times vary\u003c/em>\u003c/p>\n\u003cp>Last year, the theme was cults. The year before that, it was something to do with seances, and also vampires. This year, the maniacs and drag queens behind \u003cem>Into the Dark\u003c/em> are exploring all things alien abduction, time travel, climate change and — sure, why not? — evil lizard people.\u003c/p>\n\u003cp>As usual, the venue is the Mint, the cast is as huge as the concept, and visitors should anticipate a fully immersive, highly theatrical haunted house vibe. Oh, and the Fang Bang Bar will be back open for all of your libation-related needs.\u003c/p>\n\u003cp>This year — because of course there’s a twist! — VIP ticket holders will also have access to Justin Cooter’s Roadhouse Bar. Cooter is purportedly an amateur wrestler and alien abductee who’ll be performing, line dancing and indulging in bouts of arm wrestling. This entire event will, of course, be almost unfathomably bonkers — and that’s precisely why you should go.\u003c/p>\n\u003cfigure id=\"attachment_13964108\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13964108\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1756859857.jpg\" alt=\"A man dressed as Captain America and a woman dressed as a witch walk a dog through streets busy with people in costumes. A dog dressed as a lobster is nearby on a cart.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1756859857.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1756859857-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1756859857-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1756859857-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1756859857-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1756859857-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1756859857-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Parade participants (including a lobster dog!) at Sausalito’s 2023 Halloween parade. \u003ccite>(Tayfun Coskun/Anadolu via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sausalito.gov/departments/parks-and-recreation/events/halloween-sausalito\">Halloween Sausalito\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Station 1 Firehouse, Sausalito\u003c/em>\u003cbr>\n\u003cem>Oct. 31, 6 p.m.\u003c/em>\u003c/p>\n\u003cp>As far as Halloween events go, there are few as joyful as Sausalito’s annual street party — an explosion of costumed humans and dogs wandering the streets and sharing treats.\u003c/p>\n\u003cp>The fun kicks off with a parade starting at the \u003ca href=\"https://www.sausalito.gov/Home/Components/FacilityDirectory/FacilityDirectory/64/451\">Station One Firehouse\u003c/a> and ending at \u003ca href=\"https://www.sausalito.gov/Home/Components/FacilityDirectory/FacilityDirectory/90/840\">Robin Sweeny Park\u003c/a>. The four-block walking distance makes this a delightfully leisurely stroll that’s suitable for all ages and most fitness levels. After a touch of trick or treating at the park with local vendors, the highlight of the evening commences. I am of course referring to the annual dog costume contest. The event is free to enter and there are three categories of competition: best little dog, best big dog (for pooches over 35 pounds) and best human and dog couple. Pity the poor judges having to figure out who to give prizes to.\u003c/p>\n\u003cp>After that — get ready to \u003ca href=\"https://www.youtube.com/watch?v=UnWe9Zl2kDY\">feel the zing\u003c/a>! — there’s a screening of \u003cem>\u003ca href=\"https://www.imdb.com/title/tt0837562/\">Hotel Transylvania\u003c/a>\u003c/em> inside City Hall. Family fun at its finest.\u003c/p>\n\u003cfigure id=\"attachment_13964130\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13964130\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-916493350-scaled-e1726106683174.jpg\" alt=\"Barman giving cocktail to woman at a busy Halloween party.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">Are you a witch? Gilman Brewing Company would like you to pay them a visit. \u003ccite>(Wundervisuals/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://allevents.in/berkeley/vintage-witch-market-in-berkeley/10000971989405477\">Vintage Witch Market\u003c/a>\u003cbr>\n\u003cem style=\"font-size: 16px;font-weight: 400\">Gilman Brewing Company, Berkeley\u003cbr>\n\u003c/em>\u003cem style=\"font-size: 16px;font-weight: 400\">Oct. 20, 12\u003cspan style=\"font-weight: 400\">–\u003c/span>5 p.m.\u003c/em>\u003c/h2>\n\u003cp>A bar full of witches? Surrounded by everything they need to cast their spells? What could possibly go wrong!\u003c/p>\n\u003cp>To put it mildly, Gilman Brewing Company’s Vintage Witch Market isn’t your average Halloween-themed pop-up market. For a start, it really is geared towards practicing witches with stalls selling herbs, spell-casting kits, brooms, divination tools and so much more. On top of that, attendees are encouraged to wear their best witch finery. Midway through the day, prizes will be given out to the best sexy witch, vintage witch and movie witch. Just don’t be surprised if one of them puts a spell on you…\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Happy Halloween, everyone!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Aaah, it’s that time of year once more. A Spirit Halloween store just sprang up at the strip mall. Target checkouts are awash with gigantic skeletons. And every child in the vicinity is demanding dangerously sharp cutting implements with which to annihilate a pumpkin or five. That means it’s time to start planning your Halloween schedule in earnest.\u003c/p>\n\u003cp>Luckily, we have some suggestions.\u003c/p>\n\u003cfigure id=\"attachment_13964054\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13964054 size-full\" style=\"font-weight: bold;background-color: transparent;color: #767676\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-2153420734-1.jpg\" alt=\"A woman wearing an elaborate headdress and face mask made of beading, PVC, feathers and lace. She is carrying a black parasol.\" width=\"2000\" height=\"1602\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-2153420734-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-2153420734-1-800x641.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-2153420734-1-1020x817.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-2153420734-1-160x128.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-2153420734-1-768x615.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-2153420734-1-1536x1230.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-2153420734-1-1920x1538.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Goths: not ones to half-ass anything. Especially Halloween. \u003ccite>(Craig Stennett/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/the-gathering-of-the-goths-halloween-festival-tickets-951700219977\">The Gathering of the Goths\u003c/a>\u003c/h2>\n\u003cp>\u003cem>USS Hornet Sea, Air and Space Museum, Alameda\u003cbr>\n\u003c/em>\u003cem>Oct. 19, 5 p.m.\u003c/em>\u003c/p>\n\u003cp>Goths are dark, rubbery and be-corseted all year-round, so just imagine the effort they put in when they’ve got a haunted ship full of bands, food and something called a “poison and elixir bar” to hang out on.\u003c/p>\n\u003cp>The USS Hornet puts on a Halloween spectacular every year, but this one promises to be next level, with performances from four dark wave bands including Oakland’s \u003ca href=\"https://www.youtube.com/watch?v=43v0MzucOG0\">Jeweled Snakes\u003c/a> and San Francisco’s \u003ca href=\"https://www.youtube.com/watch?v=OBwMiPL6_h4\">Octavian Winters\u003c/a>. There will also be DJs, costume contests, tarot readings and a Halloween art, fashion and decor market. Optional add-ons to the regular tickets include creepy-crawly crafting from \u003ca href=\"https://silvermooncuriosities.com/\">Silver Moon Curiosities\u003c/a> and — oh, but of course — ghost tours.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It’s not uncommon for after-dark visitors to the Hornet to report apparitions, disembodied voices, strange light anomalies and objects moving on their own. But be warned: This might be one evening when distinguishing between the living and the dead is trickier than usual.\u003c/p>\n\u003cfigure id=\"attachment_13963750\" class=\"wp-caption aligncenter\" style=\"max-width: 1386px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13963750\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-1.29.23%E2%80%AFPM.png\" alt=\"Two women in witchy costumes stand behind a table of wine bottles and Halloween decorations.\" width=\"1386\" height=\"914\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-1.29.23 PM.png 1386w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-1.29.23 PM-800x528.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-1.29.23 PM-1020x673.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-1.29.23 PM-160x106.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-1.29.23 PM-768x506.png 768w\" sizes=\"auto, (max-width: 1386px) 100vw, 1386px\">\u003cfigcaption class=\"wp-caption-text\">The di Rosa Center for Contemporary Art is about to transform into an activity-packed haunted house. \u003ccite>(Courtesy of the di Rosa Center for Contemporary Art)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://dirosa.my.salesforce-sites.com/ticket#/events/a0SVT000004aixt2AA\">Halloween at di Rosa Day\u003c/a>\u003c/h2>\n\u003cp>\u003cem>di Rosa Center for Contemporary Art, Napa\u003c/em>\u003cbr>\n\u003cem>Oct. 26, 11 a.m\u003cspan style=\"font-weight: 400\">–\u003c/span>4 p.m.\u003c/em>\u003c/p>\n\u003cp>\u003ca href=\"https://selbysohn.com/\">Selby Sohn\u003c/a> has always been an artist adept at mixing the playful with the discomfiting. It makes perfect sense then that she’d be providing some of the artwork (and wearable sculptures!) for di Rosa Day — a family-friendly Halloween spectacular being held at the contemporary art gallery.\u003c/p>\n\u003cp>The outdoor sculptures that live on di Rosa’s 217-acre property are mind-bending in the best of times, and on Oct. 26, they’ll be accompanied by trick or treating, a costume parade, hands-on art activities (including making \u003ca href=\"https://en.wikipedia.org/wiki/Zoetrope\">zoetropes\u003c/a>!) and, best of all, a haunted house. Not just any haunted house, either — it will be situated inside the gallery’s former winery, a circular stone structure complete with a bell tower that dates back to 1886. Don’t worry, parents — there will also be wine.\u003c/p>\n\u003cp>(Selby Sohn has previously written for KQED.)\u003c/p>\n\u003cfigure id=\"attachment_13963725\" class=\"wp-caption aligncenter\" style=\"max-width: 1422px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13963725\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-12.39.22%E2%80%AFPM.png\" alt=\"A man in a tuxedo stands in a grand dining room clutching a ouija board.\" width=\"1422\" height=\"966\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-12.39.22 PM.png 1422w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-12.39.22 PM-800x543.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-12.39.22 PM-1020x693.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-12.39.22 PM-160x109.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-12.39.22 PM-768x522.png 768w\" sizes=\"auto, (max-width: 1422px) 100vw, 1422px\">\u003cfigcaption class=\"wp-caption-text\">Magician and San Francisco history buff Christian Cagigal. \u003ccite>(Courtesy of Christian Cagigal)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.christiancagigal.com/tickets1.html\">Christian Cagigal’s Witching Hour\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Hotel Majestic, San Francisco\u003c/em>\u003cbr>\n\u003cem>October 2\u003cspan style=\"font-weight: 400\">–\u003c/span>25, 7:30 p.m.\u003c/em>\u003c/p>\n\u003cp>If its Trip Advisor and Yelp reviews are to be believed, the Hotel Majestic is a perfect location for any Halloween event. Strange footsteps, lights turning on by themselves and strange bouts of sleep paralysis have all been reported. One reviewer even claimed to see “a ghost girl walking around the hallway across [from] my bed… She had long brown hair and wore a Victorian dress.”\u003c/p>\n\u003cp>Christian Cagigal will enchant guests at the 122-year-old hotel with his magic and illusion skills, as well as his vast knowledge of local history. Apparently, Cagigal will also be bringing a variety of interactive, spirit-goading props along, including ouija boards, strange artifacts and antique dolls. If that doesn’t inspire terrifying Victorian ghost children to appear, nothing will.\u003c/p>\n\u003cfigure id=\"attachment_13964055\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13964055\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/niles.png\" alt=\"A Day of the Dead altar, decorated with flowers, skulls and crosses, set up on a green lawn. \" width=\"2000\" height=\"1191\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/niles.png 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/niles-800x476.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/niles-1020x607.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/niles-160x95.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/niles-768x457.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/niles-1536x915.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/niles-1920x1143.png 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">The Niles Altar Walk honors the dead in a variety of beautiful ways every year. \u003ccite>(Courtesy of the Niles Main Street Association)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.niles.org/annual-events/niles-altar-walk\">The Niles Altar Walk\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Niles Town Plaza, Fremont\u003c/em>\u003cbr>\n\u003cem>Nov. 3, 2\u003cspan style=\"font-weight: 400\">–\u003c/span>9 p.m.\u003c/em>\u003c/p>\n\u003cp>The Niles Altar Walk is neither the biggest nor the splashiest Dia de Los Muertos event in the Bay Area. Where it distinguishes itself is in its family-friendly warmth, and a spirit that is rooted entirely in celebrating the dead, be they recently deceased loved ones or long-gone ancestors. Because it eschews commercialism, the downtown celebration has been a genuinely moving occasion every year since it first started in 2012.\u003c/p>\n\u003cp>Featuring traditional performances by local children and adults, as well as opportunities for visitors to honor their own loved ones, this is a Day of the Dead experience that provides enough space for true reflection.\u003c/p>\n\u003cfigure id=\"attachment_13963795\" class=\"wp-caption aligncenter\" style=\"max-width: 1946px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13963795\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-4.57.19%E2%80%AFPM.png\" alt=\"A small boy stares out of his misty window at night. On the other side of the glass, a menacing figure with glowing eyes.\" width=\"1946\" height=\"1088\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-4.57.19 PM.png 1946w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-4.57.19 PM-800x447.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-4.57.19 PM-1020x570.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-4.57.19 PM-160x89.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-4.57.19 PM-768x429.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-4.57.19 PM-1536x859.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/Screenshot-2024-09-05-at-4.57.19 PM-1920x1073.png 1920w\" sizes=\"auto, (max-width: 1946px) 100vw, 1946px\">\u003cfigcaption class=\"wp-caption-text\">You might wanna close your curtains, kid. Jordan Preston Carter as Mark Petrie in ‘Salem’s Lot.’ \u003ccite>(Max)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>Self-Guided Horror Movie Marathon\u003c/h2>\n\u003cp>\u003cem>Everywhere, Bay Area\u003c/em>\u003c/p>\n\u003cp>Fall 2024 has so many promising horror movies on offer, it’s hard to narrow the best ones down into a shortlist. For those of you wanting a theater experience, consider \u003ca href=\"https://www.kqed.org/arts/13964075/sinister-and-unhinged-james-mcavoy-is-the-host-from-hell-in-speak-no-evil\">\u003cem>Speak No Evil\u003c/em> \u003c/a>(Sept. 13), a remake of a 2022 Danish movie that’s in possession of one of the most twisted endings in recent memory. Then there’s \u003ca href=\"https://www.youtube.com/watch?v=mUj_H-4SXPk\">\u003cem>Last Straw\u003c/em>\u003c/a> (Sept. 20), a stylish but claustrophobic horror about a lone waitress fending off masked intruders at an all-night diner. Halle Berry leads \u003ca href=\"https://www.youtube.com/watch?v=-H3yhfkJBnQ\">\u003cem>Never Let Go\u003c/em>\u003c/a> (Sept. 20) as a mom raising two kids in a post-apocalyptic nightmare where only the ropes physically tethering them together can keep the family safe.\u003c/p>\n\u003cp>If you’d rather stream your horror from under the safety of a blanket, check out the long-awaited remake of Stephen King’s creepy vampire classic \u003cem>Salem’s Lot\u003c/em> (October) on Max. Paramount+ has a \u003cem>Rosemary’s Baby\u003c/em> prequel, \u003ca href=\"https://www.youtube.com/watch?v=BJwvOC2i3VQ\">\u003cem>Apartment 7A\u003c/em>\u003c/a> (Sept. 27) starring the always-wonderful Diane Wiest as everyone’s favorite homey Satan-worshipper, Mrs. Castevet. Finally, from Netflix, Sam Raimmi and the studios that brought you \u003cem>Barbarian\u003c/em>, there’s \u003cem>Don’t Move\u003c/em> (Oct. 25), a film tailor-made for anyone whose recurring nightmares revolve around needing to run but not being able to.\u003c/p>\n\u003cfigure id=\"attachment_13964124\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13964124\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1373069317-scaled.jpg\" alt=\"A string quartet performs in a circle, surrounded by candles.\" width=\"2560\" height=\"1828\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1373069317-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1373069317-800x571.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1373069317-1020x729.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1373069317-160x114.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1373069317-768x549.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1373069317-1536x1097.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1373069317-2048x1463.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1373069317-1920x1371.jpg 1920w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">The Listeso String Quartet will be performing Halloween-inspired classics at the First Presbyterian Church of Oakland. \u003ccite>(Andrew Chin/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.visitoakland.com/event/candlelight%3A-a-haunted-evening-of-halloween-classics/33010/\">Candlelight: A Haunted Evening of Halloween Classics\u003c/a>\u003c/h2>\n\u003cp>\u003cem>First Presbyterian Church, Oakland\u003c/em>\u003cbr>\n\u003cem>Oct. 31, 7 p.m\u003c/em>\u003c/p>\n\u003cp>Heading to church isn’t the first thing most people think of doing for a Halloween night out, but the \u003ca href=\"https://www.listeso.com/\">Listeso String Quartet\u003c/a> is giving everyone a solid reason to go this year.\u003c/p>\n\u003cp>The classical musicians will be doing two candlelit performances — at 7 p.m. and 9 p.m. — inside Oakland’s beautiful (and appropriately dramatic) First Presbyterian Church. And the setlist consists entirely of Halloween- and horror-inspired songs, including Michael Jackson’s “Thriller,” “Tubular Bells” by Mike Oldfield and songs by Danny Elfman from \u003cem>The Nightmare Before Christmas\u003c/em> and \u003cem>Beetlejuice\u003c/em>. Expect to leave thoroughly bewitched.\u003c/p>\n\u003cfigure id=\"attachment_13964129\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13964129\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-629417691-scaled-e1726101678653.jpg\" alt=\"Close up on a black and red flower with a yellow center.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">A ‘Black Knight’ dahlia. \u003ccite>(FlowerPhotos/Universal Images Group via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.eventbrite.com/e/create-a-goth-garden-this-halloween-cupertino-tickets-998819956377?aff=ebdssbdestsearch\">Goth Gardening\u003c/a>\u003c/h2>\n\u003cp>\u003cem>SummerWinds Nursery, Cupertino\u003c/em>\u003cbr>\n\u003cem>Oct. 13, 10:30 a.m.\u003c/em>\u003c/p>\n\u003cp>Anyone can hang a skeleton on their doorstep for Halloween, but for the folks who prefer to celebrate the dark arts all year-round, more dedication is required. Which is exactly why Cupertino’s SummerWinds Nursery is throwing a Goth Gardening class in the middle of October.\u003c/p>\n\u003cp>The 60-minute, Halloween-inspired guide will teach you how to keep your planter boxes and gardens mysterious and enchanting. By the end, you should know how to distinguish between your black dahlias, black velvet petunias and midnight mystic hyacinths. Before you know it, you’ll have the ghostly garden of your dreams.\u003c/p>\n\u003cfigure id=\"attachment_13964050\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13964050\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2.-FatalAbductionDoctorAlien02.jpg\" alt=\"A woman with other-worldly bumps on her face, wearing green scrubs and gloves, leans over the body of a grey alien menacingly. \" width=\"2000\" height=\"1335\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2.-FatalAbductionDoctorAlien02.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2.-FatalAbductionDoctorAlien02-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2.-FatalAbductionDoctorAlien02-1020x681.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2.-FatalAbductionDoctorAlien02-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2.-FatalAbductionDoctorAlien02-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2.-FatalAbductionDoctorAlien02-1536x1025.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/2.-FatalAbductionDoctorAlien02-1920x1282.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">There’s more than one kind of alien — and one kind of terror — in this year’s Into the Dark production, ‘Fatal Abduction.’ \u003ccite>(Courtesy of ‘Into the Dark: Fatal Abduction’)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.intothedarksf.com/\">Into the Dark: Fatal Abduction\u003c/a>\u003c/h2>\n\u003cp>\u003cem>The San Francisco Mint, San Francisco\u003c/em>\u003cbr>\n\u003cem>Oct. 4\u003cspan style=\"font-weight: 400\">–\u003c/span>Nov. 3, times vary\u003c/em>\u003c/p>\n\u003cp>Last year, the theme was cults. The year before that, it was something to do with seances, and also vampires. This year, the maniacs and drag queens behind \u003cem>Into the Dark\u003c/em> are exploring all things alien abduction, time travel, climate change and — sure, why not? — evil lizard people.\u003c/p>\n\u003cp>As usual, the venue is the Mint, the cast is as huge as the concept, and visitors should anticipate a fully immersive, highly theatrical haunted house vibe. Oh, and the Fang Bang Bar will be back open for all of your libation-related needs.\u003c/p>\n\u003cp>This year — because of course there’s a twist! — VIP ticket holders will also have access to Justin Cooter’s Roadhouse Bar. Cooter is purportedly an amateur wrestler and alien abductee who’ll be performing, line dancing and indulging in bouts of arm wrestling. This entire event will, of course, be almost unfathomably bonkers — and that’s precisely why you should go.\u003c/p>\n\u003cfigure id=\"attachment_13964108\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13964108\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1756859857.jpg\" alt=\"A man dressed as Captain America and a woman dressed as a witch walk a dog through streets busy with people in costumes. A dog dressed as a lobster is nearby on a cart.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1756859857.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1756859857-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1756859857-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1756859857-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1756859857-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1756859857-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-1756859857-1920x1280.jpg 1920w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Parade participants (including a lobster dog!) at Sausalito’s 2023 Halloween parade. \u003ccite>(Tayfun Coskun/Anadolu via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sausalito.gov/departments/parks-and-recreation/events/halloween-sausalito\">Halloween Sausalito\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Station 1 Firehouse, Sausalito\u003c/em>\u003cbr>\n\u003cem>Oct. 31, 6 p.m.\u003c/em>\u003c/p>\n\u003cp>As far as Halloween events go, there are few as joyful as Sausalito’s annual street party — an explosion of costumed humans and dogs wandering the streets and sharing treats.\u003c/p>\n\u003cp>The fun kicks off with a parade starting at the \u003ca href=\"https://www.sausalito.gov/Home/Components/FacilityDirectory/FacilityDirectory/64/451\">Station One Firehouse\u003c/a> and ending at \u003ca href=\"https://www.sausalito.gov/Home/Components/FacilityDirectory/FacilityDirectory/90/840\">Robin Sweeny Park\u003c/a>. The four-block walking distance makes this a delightfully leisurely stroll that’s suitable for all ages and most fitness levels. After a touch of trick or treating at the park with local vendors, the highlight of the evening commences. I am of course referring to the annual dog costume contest. The event is free to enter and there are three categories of competition: best little dog, best big dog (for pooches over 35 pounds) and best human and dog couple. Pity the poor judges having to figure out who to give prizes to.\u003c/p>\n\u003cp>After that — get ready to \u003ca href=\"https://www.youtube.com/watch?v=UnWe9Zl2kDY\">feel the zing\u003c/a>! — there’s a screening of \u003cem>\u003ca href=\"https://www.imdb.com/title/tt0837562/\">Hotel Transylvania\u003c/a>\u003c/em> inside City Hall. Family fun at its finest.\u003c/p>\n\u003cfigure id=\"attachment_13964130\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13964130\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/09/GettyImages-916493350-scaled-e1726106683174.jpg\" alt=\"Barman giving cocktail to woman at a busy Halloween party.\" width=\"1920\" height=\"1280\">\u003cfigcaption class=\"wp-caption-text\">Are you a witch? Gilman Brewing Company would like you to pay them a visit. \u003ccite>(Wundervisuals/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://allevents.in/berkeley/vintage-witch-market-in-berkeley/10000971989405477\">Vintage Witch Market\u003c/a>\u003cbr>\n\u003cem style=\"font-size: 16px;font-weight: 400\">Gilman Brewing Company, Berkeley\u003cbr>\n\u003c/em>\u003cem style=\"font-size: 16px;font-weight: 400\">Oct. 20, 12\u003cspan style=\"font-weight: 400\">–\u003c/span>5 p.m.\u003c/em>\u003c/h2>\n\u003cp>A bar full of witches? Surrounded by everything they need to cast their spells? What could possibly go wrong!\u003c/p>\n\u003cp>To put it mildly, Gilman Brewing Company’s Vintage Witch Market isn’t your average Halloween-themed pop-up market. For a start, it really is geared towards practicing witches with stalls selling herbs, spell-casting kits, brooms, divination tools and so much more. On top of that, attendees are encouraged to wear their best witch finery. Midway through the day, prizes will be given out to the best sexy witch, vintage witch and movie witch. Just don’t be surprised if one of them puts a spell on you…\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Happy Halloween, everyone!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "sinister-and-unhinged-james-mcavoy-is-the-host-from-hell-in-speak-no-evil",
"title": "Sinister and Unhinged, James McAvoy Is the Host From Hell in ‘Speak No Evil’",
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"headTitle": "Sinister and Unhinged, James McAvoy Is the Host From Hell in ‘Speak No Evil’ | KQED",
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"content": "\u003cp>Quick. Has there ever been a horror film set in a country home with a decent cell signal?\u003c/p>\n\u003cp>Nope, and there’s no signal at Paddy and Ciara’s house, either, deep in the English countryside. Soon, that land line will be cut, too, but we’re getting ahead of ourselves.\u003c/p>\n\u003cp>[aside postid='arts_13904911']Paddy and Ciara are that fun-but-somewhat-odd British couple whom Louise and Ben, early in \u003cem>Speak No Evil\u003c/em>, meet on their idyllic Tuscan family holiday. Americans based in London, Louise and Ben are at loose ends, with both job and relationship issues. And so, when the new acquaintances write to invite them for a country weekend, they decide to go.\u003c/p>\n\u003cp>After all, how bad could it be?\u003c/p>\n\u003cp>Don’t answer that. There are many such moments in the first two-thirds of \u003cem>Speak No Evil\u003c/em>, a Hollywood remake of the 2022 Danish film, here starring a deeply menacing James McAvoy. Moments where Louise and Ben, out of mere politeness and social convention, act against their instincts, which tell them something is wrong — very wrong.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Director James Watkins and especially his excellent troupe of actors, adult and children alike, do a nice job of building the tension, slowly but surely. Until all bloody hell breaks loose, of course. And then, in its third act, \u003cem>Speak No Evil\u003c/em> becomes an entertaining but routine horror flick, with predictable results.\u003c/p>\n\u003cp>But for a while, it’s a way more intelligent film. And the jumpy moments work — I’ll confess to literally springing out of my seat when someone uneventfully turned on a power drill.\u003c/p>\n\u003cp>We begin in stunning Tuscany, where Louise (Mackenzie Davis, in the film’s most accessible and empathetic performance) and Ben (Scoot McNairy, all nerves and insecurity) are vacationing with 11-year-old daughter Agnes (Alix West Lefler). At the pool, they meet Paddy (McAvoy) and Ciara (Aisling Franciosi), a British couple with a disabled son, Ant, apparently born without a proper tongue.\u003c/p>\n\u003cp>One day in town, Paddy offers Agnes a ride on his Vespa. Louise is frightened to see her daughter disappear on the motorbike with a strange man, but it would be churlish to say no, right?\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=FjzxI6uf8H8&t=47s\u003c/p>\n\u003cp>In briefly sketched backstories, we learn that Louise and Ben moved to London for Ben’s job, but he was soon downsized out. As for Paddy, all we know is he’s a doctor.\u003c/p>\n\u003cp>[aside postid='arts_13936524']At least, we think he is. The Americans, accepting the weekend invitation back in England, arrive at the secluded country home in dead of night. Immediately something feels off. The rooms are quirky but musty, the sheets stained. How can a doctor live like this, Louise asks? Ben brushes off her concern, quipping that even Downton Abbey is in terrible shape.\u003c/p>\n\u003cp>When the couple cooks dinner, Paddy proudly explains they’ve butchered their prize goose in their guests’ honor. He proffers Louise a forkful — even though he well knows she’s a vegetarian. Louise is disgusted but, politely, takes a bite.\u003c/p>\n\u003cp>Daughter Agnes, too, is freaked out. She’s being made to sleep on the floor next to Ant (Dan Hough, poignant in a role with no words.) And the next evening, when everyone dresses for a special dinner out, Paddy and Ciara inform Louise and Ben that the kids will stay home with a strange male babysitter. “We’ve had mannies before,” Ben tells Louise, unconvincingly.\u003c/p>\n\u003cp>Soon, though, we have the obligatory attempt to flee, followed by the “Oh no, we have to go back” moment — you know, where you’re yelling: “No!” But return the family does.\u003c/p>\n\u003cp>In perhaps the movie’s most effective scene, the two kids have put together a dance routine. The parents sit back proudly to watch, but repeatedly, Paddy stops the routine to admonish, brutally, his son, telling him he’s out of rhythm. McAvoy, a terrific actor who has made villainy part of his potent toolbox, is truly chilling as he becomes unhinged by his son’s inability to keep time.\u003c/p>\n\u003cp>[aside postid='arts_13962666']Then there’s the scene fans of \u003cem>The Shining\u003c/em> will recognize as the “Here’s Johnny,” Jack Nicholson moment. By then, everything’s gone off the rails, and it’s time for the blood to flow, predictably.\u003c/p>\n\u003cp>If there’s a moral here, it’s to trust those instincts when things feel wrong. But if movie characters did that, the horror genre would not exist.\u003c/p>\n\u003cp>Still, there’s some satisfaction to be had, especially in the creative use of household implements to inflict pain and death. Revenge, they say, is a dish best served cold — except in horror films, where it is served raw and bloody, with a side of toxic cleaning fluid.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Speak No Evil’ is released nationwide on Sept. 13, 2024.\u003c/em>\u003c/p>\n\n",
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"excerpt": "This thrilling remake of a Danish horror film is a stern reminder that politeness isn't always a good thing.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Quick. Has there ever been a horror film set in a country home with a decent cell signal?\u003c/p>\n\u003cp>Nope, and there’s no signal at Paddy and Ciara’s house, either, deep in the English countryside. Soon, that land line will be cut, too, but we’re getting ahead of ourselves.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Paddy and Ciara are that fun-but-somewhat-odd British couple whom Louise and Ben, early in \u003cem>Speak No Evil\u003c/em>, meet on their idyllic Tuscan family holiday. Americans based in London, Louise and Ben are at loose ends, with both job and relationship issues. And so, when the new acquaintances write to invite them for a country weekend, they decide to go.\u003c/p>\n\u003cp>After all, how bad could it be?\u003c/p>\n\u003cp>Don’t answer that. There are many such moments in the first two-thirds of \u003cem>Speak No Evil\u003c/em>, a Hollywood remake of the 2022 Danish film, here starring a deeply menacing James McAvoy. Moments where Louise and Ben, out of mere politeness and social convention, act against their instincts, which tell them something is wrong — very wrong.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Director James Watkins and especially his excellent troupe of actors, adult and children alike, do a nice job of building the tension, slowly but surely. Until all bloody hell breaks loose, of course. And then, in its third act, \u003cem>Speak No Evil\u003c/em> becomes an entertaining but routine horror flick, with predictable results.\u003c/p>\n\u003cp>But for a while, it’s a way more intelligent film. And the jumpy moments work — I’ll confess to literally springing out of my seat when someone uneventfully turned on a power drill.\u003c/p>\n\u003cp>We begin in stunning Tuscany, where Louise (Mackenzie Davis, in the film’s most accessible and empathetic performance) and Ben (Scoot McNairy, all nerves and insecurity) are vacationing with 11-year-old daughter Agnes (Alix West Lefler). At the pool, they meet Paddy (McAvoy) and Ciara (Aisling Franciosi), a British couple with a disabled son, Ant, apparently born without a proper tongue.\u003c/p>\n\u003cp>One day in town, Paddy offers Agnes a ride on his Vespa. Louise is frightened to see her daughter disappear on the motorbike with a strange man, but it would be churlish to say no, right?\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/FjzxI6uf8H8'\n title='//www.youtube.com/embed/FjzxI6uf8H8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In briefly sketched backstories, we learn that Louise and Ben moved to London for Ben’s job, but he was soon downsized out. As for Paddy, all we know is he’s a doctor.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>At least, we think he is. The Americans, accepting the weekend invitation back in England, arrive at the secluded country home in dead of night. Immediately something feels off. The rooms are quirky but musty, the sheets stained. How can a doctor live like this, Louise asks? Ben brushes off her concern, quipping that even Downton Abbey is in terrible shape.\u003c/p>\n\u003cp>When the couple cooks dinner, Paddy proudly explains they’ve butchered their prize goose in their guests’ honor. He proffers Louise a forkful — even though he well knows she’s a vegetarian. Louise is disgusted but, politely, takes a bite.\u003c/p>\n\u003cp>Daughter Agnes, too, is freaked out. She’s being made to sleep on the floor next to Ant (Dan Hough, poignant in a role with no words.) And the next evening, when everyone dresses for a special dinner out, Paddy and Ciara inform Louise and Ben that the kids will stay home with a strange male babysitter. “We’ve had mannies before,” Ben tells Louise, unconvincingly.\u003c/p>\n\u003cp>Soon, though, we have the obligatory attempt to flee, followed by the “Oh no, we have to go back” moment — you know, where you’re yelling: “No!” But return the family does.\u003c/p>\n\u003cp>In perhaps the movie’s most effective scene, the two kids have put together a dance routine. The parents sit back proudly to watch, but repeatedly, Paddy stops the routine to admonish, brutally, his son, telling him he’s out of rhythm. McAvoy, a terrific actor who has made villainy part of his potent toolbox, is truly chilling as he becomes unhinged by his son’s inability to keep time.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Then there’s the scene fans of \u003cem>The Shining\u003c/em> will recognize as the “Here’s Johnny,” Jack Nicholson moment. By then, everything’s gone off the rails, and it’s time for the blood to flow, predictably.\u003c/p>\n\u003cp>If there’s a moral here, it’s to trust those instincts when things feel wrong. But if movie characters did that, the horror genre would not exist.\u003c/p>\n\u003cp>Still, there’s some satisfaction to be had, especially in the creative use of household implements to inflict pain and death. Revenge, they say, is a dish best served cold — except in horror films, where it is served raw and bloody, with a side of toxic cleaning fluid.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Speak No Evil’ is released nationwide on Sept. 13, 2024.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cem>Blink Twice\u003c/em> is the kind of movie you want to rewatch the moment it’s over. Not because it’s perfect. Rather, because it’s so densely packed — with symbolism, with striking tableaus, with \u003cem>messages\u003c/em> — you want to make sure you didn’t miss anything. Truth is, there’s so much going on here, you probably did.\u003c/p>\n\u003cp>\u003cem>Blink Twice\u003c/em> begins with Frida (Naomi Ackie) and Jess (Alia Shawkat) sneaking into an important gala being held by controversial tech billionaire Slater King (Channing Tatum). Frida is harboring a crush on Slater after meeting him while waiting tables at the gala the previous year. Slater, it quickly becomes clear, seems to be interested in Frida. (\u003cem>Blink Twice\u003c/em> benefits from the fact that Ackie and Tatum absolutely crackle together in these early scenes.)\u003c/p>\n\u003cfigure id=\"attachment_13962672\" class=\"wp-caption aligncenter\" style=\"max-width: 1878px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962672\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/blink-twice.png\" alt=\"A group of attractive people wearing formal evening wear gather on a grand set of outdoor steps and cheer.\" width=\"1878\" height=\"1194\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/blink-twice.png 1878w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/blink-twice-800x509.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/blink-twice-1020x648.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/blink-twice-160x102.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/blink-twice-768x488.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/blink-twice-1536x977.png 1536w\" sizes=\"(max-width: 1878px) 100vw, 1878px\">\u003cfigcaption class=\"wp-caption-text\">The exceptional cast of ‘Blink Twice’ includes Channing Tatum, Naomi Ackie, Alia Shawkat, Adria Arjona and Christian Slater. \u003ccite>(MGM)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After a night spent hanging with Slater’s entourage, Slater invites Frida and Jess to join a group escapade to Slater’s private island. The two, eager for an adventure, immediately take him up on the offer. They land the following morning at his beautiful resort/home, where all guests are provided with matching clothes and toiletries, and asked to surrender their phones.\u003c/p>\n\u003cp>[aside postid='arts_13962187']For days on end, an endless supply of champagne flows, many drugs are imbibed, ample pool time is enjoyed and lavish meals are served every night. Something, however, is clearly amiss on the island. The staff are strangely mute, except for one exceptionally creepy woman who is tasked with killing a specific breed of snake on the island. “Red robin,” she spits at Frida every time they cross paths. “Red robin!” It’s a warning of some kind, of course — one that immediately brings to mind the pained expressions of the house staff in \u003cem>Get Out\u003c/em>.\u003c/p>\n\u003cp>That’s not the only way in which \u003cem>Blink Twice\u003c/em> resembles \u003cem>Get Out\u003c/em>. This, too, is a thriller concerned with mind control, hierarchical power and being trapped by other people’s manipulations and machinations. Whereas the villains of \u003cem>Get Out\u003c/em> target their victims’ race, in \u003cem>Blink Twice\u003c/em> the target is gender. Despite ample buildup, when the truth of what happens nightly on the island is finally revealed, it is genuinely shocking. It also comes with a few visuals that — word of warning — will probably haunt female viewers for days.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=aMcmfonGWY4\u003c/p>\n\u003cp>\u003cem>Blink Twice\u003c/em> marks Zoë Kravitz’s directorial debut, and if the masterful and striking scene-building here is anything to go by, she has a solid future behind the camera. \u003cem>Blink Twice\u003c/em> is also blessed with an exceptional cast whose group chemistry is believable to the point of immersive. A surprising standout is Adria Arjona, who puts in a star-making turn as Sarah, a reality TV star whose island awakening feels viscerally real and propels the latter half of the movie. Christian Slater and Haley Joel Osment, playing pals of tech billionaire Slater, excellently portray slightly dorky men at different stages of mid-life crises. As for Tatum, he’s never been better.\u003c/p>\n\u003cp>If there are criticisms to be made of \u003cem>Blink Twice\u003c/em>, it’s that the movie packs too much into its run time. The attempts at comic relief often fall flat, and while the ending of the movie is satisfying as it’s unfurling, even a modicum of closer examination reveals some significant plot holes. That said, \u003cem>Blink Twice\u003c/em> has salient points to make about trauma, patriarchy, capitalism and female solidarity. It may be a little busy, but viewers are at zero risk of boredom.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Blink Twice’ is released nationwide on Aug. 23, 2024. \u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Blink Twice\u003c/em> is the kind of movie you want to rewatch the moment it’s over. Not because it’s perfect. Rather, because it’s so densely packed — with symbolism, with striking tableaus, with \u003cem>messages\u003c/em> — you want to make sure you didn’t miss anything. Truth is, there’s so much going on here, you probably did.\u003c/p>\n\u003cp>\u003cem>Blink Twice\u003c/em> begins with Frida (Naomi Ackie) and Jess (Alia Shawkat) sneaking into an important gala being held by controversial tech billionaire Slater King (Channing Tatum). Frida is harboring a crush on Slater after meeting him while waiting tables at the gala the previous year. Slater, it quickly becomes clear, seems to be interested in Frida. (\u003cem>Blink Twice\u003c/em> benefits from the fact that Ackie and Tatum absolutely crackle together in these early scenes.)\u003c/p>\n\u003cfigure id=\"attachment_13962672\" class=\"wp-caption aligncenter\" style=\"max-width: 1878px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962672\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/blink-twice.png\" alt=\"A group of attractive people wearing formal evening wear gather on a grand set of outdoor steps and cheer.\" width=\"1878\" height=\"1194\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/blink-twice.png 1878w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/blink-twice-800x509.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/blink-twice-1020x648.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/blink-twice-160x102.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/blink-twice-768x488.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/blink-twice-1536x977.png 1536w\" sizes=\"(max-width: 1878px) 100vw, 1878px\">\u003cfigcaption class=\"wp-caption-text\">The exceptional cast of ‘Blink Twice’ includes Channing Tatum, Naomi Ackie, Alia Shawkat, Adria Arjona and Christian Slater. \u003ccite>(MGM)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>After a night spent hanging with Slater’s entourage, Slater invites Frida and Jess to join a group escapade to Slater’s private island. The two, eager for an adventure, immediately take him up on the offer. They land the following morning at his beautiful resort/home, where all guests are provided with matching clothes and toiletries, and asked to surrender their phones.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>For days on end, an endless supply of champagne flows, many drugs are imbibed, ample pool time is enjoyed and lavish meals are served every night. Something, however, is clearly amiss on the island. The staff are strangely mute, except for one exceptionally creepy woman who is tasked with killing a specific breed of snake on the island. “Red robin,” she spits at Frida every time they cross paths. “Red robin!” It’s a warning of some kind, of course — one that immediately brings to mind the pained expressions of the house staff in \u003cem>Get Out\u003c/em>.\u003c/p>\n\u003cp>That’s not the only way in which \u003cem>Blink Twice\u003c/em> resembles \u003cem>Get Out\u003c/em>. This, too, is a thriller concerned with mind control, hierarchical power and being trapped by other people’s manipulations and machinations. Whereas the villains of \u003cem>Get Out\u003c/em> target their victims’ race, in \u003cem>Blink Twice\u003c/em> the target is gender. Despite ample buildup, when the truth of what happens nightly on the island is finally revealed, it is genuinely shocking. It also comes with a few visuals that — word of warning — will probably haunt female viewers for days.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/aMcmfonGWY4'\n title='//www.youtube.com/embed/aMcmfonGWY4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>Blink Twice\u003c/em> marks Zoë Kravitz’s directorial debut, and if the masterful and striking scene-building here is anything to go by, she has a solid future behind the camera. \u003cem>Blink Twice\u003c/em> is also blessed with an exceptional cast whose group chemistry is believable to the point of immersive. A surprising standout is Adria Arjona, who puts in a star-making turn as Sarah, a reality TV star whose island awakening feels viscerally real and propels the latter half of the movie. Christian Slater and Haley Joel Osment, playing pals of tech billionaire Slater, excellently portray slightly dorky men at different stages of mid-life crises. As for Tatum, he’s never been better.\u003c/p>\n\u003cp>If there are criticisms to be made of \u003cem>Blink Twice\u003c/em>, it’s that the movie packs too much into its run time. The attempts at comic relief often fall flat, and while the ending of the movie is satisfying as it’s unfurling, even a modicum of closer examination reveals some significant plot holes. That said, \u003cem>Blink Twice\u003c/em> has salient points to make about trauma, patriarchy, capitalism and female solidarity. It may be a little busy, but viewers are at zero risk of boredom.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Blink Twice’ is released nationwide on Aug. 23, 2024. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Let’s get one thing out of the way first: I did not entirely understand everything that happens in \u003cem>Cuckoo\u003c/em>, a new indie \u003ca href=\"https://www.kqed.org/pop/tag/horror\">horror\u003c/a> in theaters Friday.\u003c/p>\n\u003cp>This could be more of a me problem than with the storytelling, but there are a lot of strange things happening at this particular Alpine resort. It’s run by a bespectacled German hotelier named Herr König, played with an off-kilter menace by Dan Stevens.\u003c/p>\n\u003cp>[aside postid='arts_13962094']Some of the occurrences are underexplained, others underexplored. Herr König seems particularly worried about things that happen after dark, but not so much about guests wandering into the reception and general store in a wobbly stupor and vomit. Are they drunk? Sick? Should someone help them? All we get is: “It happens.” The hospital, too, is eerily empty. Sonic vibrations often ripple through the land, causing scenes to repeat until reaching a violent crescendo. And no one seems to listen to or care about anything 17-year-old Gretchen (\u003ca href=\"https://www.kqed.org/arts/13891785/hbos-euphoria-specials-offer-rare-depths-about-the-lives-of-teen-girls\">Hunter Schafer\u003c/a>) has to say, no matter how banged up she gets. The quick escalation of her injuries, and the widening disinterest of her father, approaches comedy.\u003c/p>\n\u003cp>Ambiguity can be wonderful for mystery and worldbuilding; It can also be frustrating. And more often than not, detailed explanations just make everything lamer. \u003cem>Cuckoo\u003c/em> dips into all of the above. Even so, it is undeniably fascinating, original and even occasionally fun, in a very twisted and deranged way in which laughter is your involuntary response to something horrifying. In her captivating lead performance, Schafer really goes through it, both physically and emotionally.\u003c/p>\n\u003cp>It also features Stevens sporting tiny, rimless glasses with sinisterly scandi-cool monochrome outfits, and a screaming ghoul with Hitchcockian glamour in a hooded trench and white-framed oval sunnies. Rarely is it a bad idea for a horror film to lean into style, and \u003cem>Cuckoo\u003c/em> fully commits.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=NuON7HH0UkQ\u003c/p>\n\u003cp>\u003cem>Cuckoo\u003c/em> is the brainchild of German director Tilman Singer, but credit also goes to Singer’s predecessors: The works of \u003ca href=\"https://www.kqed.org/pop/107430/david-lynch-has-found-a-new-way-to-terrify-us-post-twin-peaks\">David Lynch\u003c/a> and Dario Argento among them. Gretchen is a reluctant resident in the idyllic, modern home with her detached father (Martin Csokas), stepmother (Jessica Henwick) and mute half-sister Alma (Mila Lieu). She leaves increasingly desperate messages on her mother’s answering machine in America.\u003c/p>\n\u003cp>It’s certainly an exaggerated but apt portrait of a new family where the remnants of the old are treated like a nuisance. When Alma starts having seizures during the vibrations, which no one but Gretchen seems to remember or acknowledge, the parents’ attention turns fully to the young girl. They can barely be bothered to care about Gretchen’s miraculous survival of a horrifying car wreck; Alma is in the same hospital because of the episodes.\u003c/p>\n\u003cp>[aside postid='arts_13961732']As with many horrors, the big reveals were, for this critic, a little underwhelming — a strained attempt at a unifying theory for this weird place that doesn’t add much ultimately. And yet the emotional connection to Gretchen and her complex relationship with Alma does pay off in unexpected ways.\u003c/p>\n\u003cp>Also, Stevens deserves special acknowledgement for his contributions to \u003cem>Cuckoo\u003c/em>. This is a man who could have easily languished in blandly handsome leading man roles and instead is becoming one of our great character actors. He is regularly the best and most memorable part of whatever he’s in just by his sheer commitment to going there, whether it’s his Hawaiian shirt wearing titan veterinarian in \u003cem>Godzilla x Kong\u003c/em>, his Russian pop star in \u003cem>Eurovision\u003c/em> or any number of his deranged horror characters. He and Schafer, always a compelling presence, make \u003cem>Cuckoo\u003c/em> very much worth it. They exist far too comfortably in this dreamy, nightmarish world dreamt up by Singer that is well worth a watch.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Cuckoo’ is released nationwide on Aug. 9, 2024.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Some of the occurrences are underexplained, others underexplored. Herr König seems particularly worried about things that happen after dark, but not so much about guests wandering into the reception and general store in a wobbly stupor and vomit. Are they drunk? Sick? Should someone help them? All we get is: “It happens.” The hospital, too, is eerily empty. Sonic vibrations often ripple through the land, causing scenes to repeat until reaching a violent crescendo. And no one seems to listen to or care about anything 17-year-old Gretchen (\u003ca href=\"https://www.kqed.org/arts/13891785/hbos-euphoria-specials-offer-rare-depths-about-the-lives-of-teen-girls\">Hunter Schafer\u003c/a>) has to say, no matter how banged up she gets. The quick escalation of her injuries, and the widening disinterest of her father, approaches comedy.\u003c/p>\n\u003cp>Ambiguity can be wonderful for mystery and worldbuilding; It can also be frustrating. And more often than not, detailed explanations just make everything lamer. \u003cem>Cuckoo\u003c/em> dips into all of the above. Even so, it is undeniably fascinating, original and even occasionally fun, in a very twisted and deranged way in which laughter is your involuntary response to something horrifying. In her captivating lead performance, Schafer really goes through it, both physically and emotionally.\u003c/p>\n\u003cp>It also features Stevens sporting tiny, rimless glasses with sinisterly scandi-cool monochrome outfits, and a screaming ghoul with Hitchcockian glamour in a hooded trench and white-framed oval sunnies. Rarely is it a bad idea for a horror film to lean into style, and \u003cem>Cuckoo\u003c/em> fully commits.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>As with many horrors, the big reveals were, for this critic, a little underwhelming — a strained attempt at a unifying theory for this weird place that doesn’t add much ultimately. And yet the emotional connection to Gretchen and her complex relationship with Alma does pay off in unexpected ways.\u003c/p>\n\u003cp>Also, Stevens deserves special acknowledgement for his contributions to \u003cem>Cuckoo\u003c/em>. This is a man who could have easily languished in blandly handsome leading man roles and instead is becoming one of our great character actors. He is regularly the best and most memorable part of whatever he’s in just by his sheer commitment to going there, whether it’s his Hawaiian shirt wearing titan veterinarian in \u003cem>Godzilla x Kong\u003c/em>, his Russian pop star in \u003cem>Eurovision\u003c/em> or any number of his deranged horror characters. He and Schafer, always a compelling presence, make \u003cem>Cuckoo\u003c/em> very much worth it. They exist far too comfortably in this dreamy, nightmarish world dreamt up by Singer that is well worth a watch.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Cuckoo’ is released nationwide on Aug. 9, 2024.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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},
"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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