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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>We wonder whether self-care might be bad for us.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/02/woman-afraid-of-her-own-face-mask-in-mirror-reflection-scared-gif-animation.gif\">\u003cimg class=\"aligncenter size-full wp-image-62102\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/02/woman-afraid-of-her-own-face-mask-in-mirror-reflection-scared-gif-animation.gif\" alt=\"woman-afraid-of-her-own-face-mask-in-mirror-reflection-scared-gif-animation\" width=\"500\" height=\"225\">\u003c/a>\u003c/p>\n\u003cp>We get into the latest way Jon Voight has embarrassed his daughter, Angelina Jolie.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/02/large-1.gif\">\u003cimg class=\"aligncenter size-full wp-image-62103\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/02/large-1.gif\" alt=\"large (1)\" width=\"390\" height=\"427\">\u003c/a>\u003c/p>\n\u003cp>We catch up on scary news stories from Florida.\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/02/14161231211031.gif\">\u003cimg class=\"aligncenter size-full wp-image-62104\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/02/14161231211031.gif\" alt=\"14161231211031\" width=\"500\" height=\"221\">\u003c/a>\u003c/p>\n\u003cp>We give props to renegade animals from around the world, who are stealing candy and judging humans:\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/02/giphy-6.gif\">\u003cimg class=\"aligncenter size-full wp-image-62105\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/02/giphy-6.gif\" alt=\"giphy (6)\" width=\"400\" height=\"263\">\u003c/a>\u003c/p>\n\u003cp>And we ride out on a recitation of Llama Llama Red Pajama by Migos:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/XX7JAHddY84'\n title='//www.youtube.com/embed/XX7JAHddY84'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>Until next week! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Lola Kirke Just Found Out How the World Punishes Confident Women",
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"content": "\u003cp>\u003ca href=\"https://www.instagram.com/lolakirke/?hl=en\">Lola Kirke\u003c/a> isn't a household name yet. Despite roles in \u003ca href=\"http://www.imdb.com/title/tt2267998/?ref_=nv_sr_1\">\u003cem>Gone Girl\u003c/em>\u003c/a> and Noah Baumbach's \u003cem>\u003ca href=\"http://www.imdb.com/title/tt2872462/?ref_=nv_sr_1\">Mistress America,\u003c/a> \u003c/em>most know her as the younger sister of\u003cem> \u003c/em>\u003ca href=\"http://www.imdb.com/name/nm3733434/\">Jemima Kirke\u003c/a>, who plays Jessa in \u003ca href=\"http://www.imdb.com/title/tt1723816/?ref_=fn_al_tt_1\">\u003cem>Girls\u003c/em>\u003c/a>. But a slew of movies coming out this year -- including \u003ca href=\"http://www.imdb.com/title/tt3532216/?ref_=nm_flmg_act_2\">\u003cem>American Made\u003c/em>\u003c/a>, alongside \u003ca href=\"https://ww2.kqed.org/pop/2017/01/10/why-dont-exposes-about-the-inner-workings-of-scientology-hurt-tom-cruises-career/\">Tom Cruise\u003c/a> -- mean that Lola Kirke is probably enjoying the last gasps of relative anonymity.\u003c/p>\n\u003cp>A few weeks ago, however, Kirke got a taste of the insanity that comes with being a human in the limelight, after she Instagrammed an \u003ca href=\"https://www.instagram.com/p/BPBJC9zhu0o/?taken-by=lolakirke&hl=en\">eight-second video of herself\u003c/a> casually dancing to Carly Simon, resplendent in nothing but flesh-colored underwear, dangly earrings and high heels, with the caption \"Red carpet ready!\" It was a video shot before the actress attended this year's \u003ca href=\"https://ww2.kqed.org/pop/2017/01/09/the-very-best-gifs-from-the-2017-golden-globes/\">Golden Globes\u003c/a>, and it captured the excitement and joy of the moment for a young star who is still thrilled to be invited to such events.\u003c/p>\n\u003cp>[contextly_sidebar id=\"1qNtm5cdJMx4heH5oA5RxfiD4JU6xp7n\"]\u003c/p>\n\u003cp>It's important to note that Lola Kirke has, at the time of writing, 28k followers on Instagram. The photo of her \u003ca href=\"https://www.instagram.com/p/BPBmafzBdk8/?taken-by=lolakirke&hl=en\">actually on the red carpet\u003c/a> later that night is a pretty solid representation of what usually happens on her page -- 5,640 likes, 339 comments. By comparison, the underwear video garnered a whopping 3 million views and 1,500 comments. Her caption attached to the aforementioned red carpet pic succinctly explains why: \"Thanks to all you beautiful people who didn't send me death threats on account of my #awesome #hairyarmpits!\"\u003c/p>\n\u003cp>To read through all 1,500 comments under Lola's underwear video is to experience everything bad that happens to people on social media in one handily condensed and unedited nightmare spiral -- not to mention how gender roles influence how we humans look at each other and interact in real life.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>On the surface, the outrage at Lola's video does seem entirely based in disgust at her unshaven armpits. In one comment thread, she is called \"ugly,\" \"nasty,\" and \"bitch\" so many times that counting each instance becomes a Herculean task. Kirke is also repeatedly referred to as \"slutty,\" \"gross,\" \"hoe,\" \"disgusting,\" and \"unhygienic.\" The emoji with the closed eyes and the surgical face shield is used hundreds of times.\u003c/p>\n\u003cp>Interrupting this endless tirade of insults are supporters, desperate to remind Lola that she is \"beautiful\" and \"awesome,\" but the hate just keeps coming at a rate that demonstrates that this isn't just about one moderately famous woman's underarms.\u003c/p>\n\u003cp>The men leaving insults on the thread mostly make it about them. @triggeredredmemes says: \"I don’t want a bitch that won’t shave in bed with me.\" @anthony_ramirez.24 says: \"I wish I didn’t see this.\" @just_finding_nemo says: \"I don’t understand why some women don’t shave their armpits.\" @xx_.king._xx says: \"it’s different on a dude but you bring a female in the picture that look decent then got hairy ass armpits that sh-t ain’t adding up. plus idk a dude that like that on there girl.\" And @tiamobieber seems to feel threatened by having a woman embrace something that he believes is a male privilege: \"Disgusting! YOU ARE A WOMEN NOT A MAN.\"\u003c/p>\n\u003cp>Then there are the men who think this must be a publicity stunt, for no right-thinking woman would ever willingly leave hair on her body without real (financial?) motivation to do so. @Mohragabfans says: \"Clearly she doesn’t have a career. Nobody is paying her any mind. So, she figured. Growing my disgusting armpit hair will get my whack ass self on some headlines (which happened) but don’t forget, she did that all to grab the medias attention. It’s sad to be this desperate and thirsty.\" @Joshsa7 agrees: \"I love her but she is so badly trying to prove a point by not shaving its unbecoming.\"\u003c/p>\n\u003cp>Interestingly, the women expressing outrage make it about their own idea of feminine roles, which, in turn, often reveal some serious, internalized misogyny. Some have strange notions about the dangers of armpit hair for women like @lizre, who states: \"If you people don’t like to shower, shave, brush your teeth etc. Fine but the truth is that it is disgusting without hygiene people can get sick.\"\u003c/p>\n\u003cp>Then there's anti-underwear police like @solas_one, who says: \"Someone tell her that we have kids in instagram.. we don’t need to poison there minds with this kind of sh-t…someone tell her to send this video to her husband and not to a bunch of perverts…\" and michelle_cookie101, who says: \"I’m reporting you bitch for nudity and porn… Shave your pits dude.\"\u003c/p>\n\u003cp>The overriding message, if you subject yourself to the entire thread of comments, is twofold: 1. Lola Kirke must be brought down a peg or two, and 2. Women's bodies are public property to be dissected and commented on at will. Much of the thread issues outright demands to shave, as if Lola's body is a public monument to be designed by and voted on in a virtual town hall.\u003c/p>\n\u003cp>The amount of attention focused on Lola Kirke for this one, silly, short clip also demonstrates how much our culture has been focused, for so many decades, on making women feel terrible about themselves at every opportunity. Not only do many of the Instagram commenters make that their goal, but a major reason this post generated an abnormal amount of traffic is because, in those eight brief seconds, it was clear that Lola Kirke was feeling good -- about her body, about herself, about her life. And the sight of that turned out to be so jarring, on such a deep level for a great many observers that they felt the need to remind Lola -- and all of us -- that there is a real price to pay if you allow the world to know you are a confident woman. If you happen to be such a woman with the nerve to not observe every single one of the extremely narrow rules around American beauty ideals, things will be even worse for you.\u003c/p>\n\u003cp>Earlier this month, \u003ca href=\"http://www.lennyletter.com/culture/interviews/a684/growing-into-yourself/\">Lena Dunham interviewed Camila Cabello\u003c/a> about how the 19-year-old has coped with stardom in the pop group Fifth Harmony. Wise beyond her years, Cabello said: \"The best decision that I've taken in my career thus far has been this year; I've just stayed away from social media. I don't go on it... Even though I know that there's way more support than there is hate, I don't have that in my head.\"\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>It's a sad state of affairs when young, famous women must close themselves off from social media -- something most of their non-famous peers use daily -- in order to avoid having around-the-clock hate directed at them. Here's hoping Lola Kirke can provide a positive example of how to rise above and beyond it, while we wait for online culture to catch up.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.instagram.com/lolakirke/?hl=en\">Lola Kirke\u003c/a> isn't a household name yet. Despite roles in \u003ca href=\"http://www.imdb.com/title/tt2267998/?ref_=nv_sr_1\">\u003cem>Gone Girl\u003c/em>\u003c/a> and Noah Baumbach's \u003cem>\u003ca href=\"http://www.imdb.com/title/tt2872462/?ref_=nv_sr_1\">Mistress America,\u003c/a> \u003c/em>most know her as the younger sister of\u003cem> \u003c/em>\u003ca href=\"http://www.imdb.com/name/nm3733434/\">Jemima Kirke\u003c/a>, who plays Jessa in \u003ca href=\"http://www.imdb.com/title/tt1723816/?ref_=fn_al_tt_1\">\u003cem>Girls\u003c/em>\u003c/a>. But a slew of movies coming out this year -- including \u003ca href=\"http://www.imdb.com/title/tt3532216/?ref_=nm_flmg_act_2\">\u003cem>American Made\u003c/em>\u003c/a>, alongside \u003ca href=\"https://ww2.kqed.org/pop/2017/01/10/why-dont-exposes-about-the-inner-workings-of-scientology-hurt-tom-cruises-career/\">Tom Cruise\u003c/a> -- mean that Lola Kirke is probably enjoying the last gasps of relative anonymity.\u003c/p>\n\u003cp>A few weeks ago, however, Kirke got a taste of the insanity that comes with being a human in the limelight, after she Instagrammed an \u003ca href=\"https://www.instagram.com/p/BPBJC9zhu0o/?taken-by=lolakirke&hl=en\">eight-second video of herself\u003c/a> casually dancing to Carly Simon, resplendent in nothing but flesh-colored underwear, dangly earrings and high heels, with the caption \"Red carpet ready!\" It was a video shot before the actress attended this year's \u003ca href=\"https://ww2.kqed.org/pop/2017/01/09/the-very-best-gifs-from-the-2017-golden-globes/\">Golden Globes\u003c/a>, and it captured the excitement and joy of the moment for a young star who is still thrilled to be invited to such events.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>It's important to note that Lola Kirke has, at the time of writing, 28k followers on Instagram. The photo of her \u003ca href=\"https://www.instagram.com/p/BPBmafzBdk8/?taken-by=lolakirke&hl=en\">actually on the red carpet\u003c/a> later that night is a pretty solid representation of what usually happens on her page -- 5,640 likes, 339 comments. By comparison, the underwear video garnered a whopping 3 million views and 1,500 comments. Her caption attached to the aforementioned red carpet pic succinctly explains why: \"Thanks to all you beautiful people who didn't send me death threats on account of my #awesome #hairyarmpits!\"\u003c/p>\n\u003cp>To read through all 1,500 comments under Lola's underwear video is to experience everything bad that happens to people on social media in one handily condensed and unedited nightmare spiral -- not to mention how gender roles influence how we humans look at each other and interact in real life.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>On the surface, the outrage at Lola's video does seem entirely based in disgust at her unshaven armpits. In one comment thread, she is called \"ugly,\" \"nasty,\" and \"bitch\" so many times that counting each instance becomes a Herculean task. Kirke is also repeatedly referred to as \"slutty,\" \"gross,\" \"hoe,\" \"disgusting,\" and \"unhygienic.\" The emoji with the closed eyes and the surgical face shield is used hundreds of times.\u003c/p>\n\u003cp>Interrupting this endless tirade of insults are supporters, desperate to remind Lola that she is \"beautiful\" and \"awesome,\" but the hate just keeps coming at a rate that demonstrates that this isn't just about one moderately famous woman's underarms.\u003c/p>\n\u003cp>The men leaving insults on the thread mostly make it about them. @triggeredredmemes says: \"I don’t want a bitch that won’t shave in bed with me.\" @anthony_ramirez.24 says: \"I wish I didn’t see this.\" @just_finding_nemo says: \"I don’t understand why some women don’t shave their armpits.\" @xx_.king._xx says: \"it’s different on a dude but you bring a female in the picture that look decent then got hairy ass armpits that sh-t ain’t adding up. plus idk a dude that like that on there girl.\" And @tiamobieber seems to feel threatened by having a woman embrace something that he believes is a male privilege: \"Disgusting! YOU ARE A WOMEN NOT A MAN.\"\u003c/p>\n\u003cp>Then there are the men who think this must be a publicity stunt, for no right-thinking woman would ever willingly leave hair on her body without real (financial?) motivation to do so. @Mohragabfans says: \"Clearly she doesn’t have a career. Nobody is paying her any mind. So, she figured. Growing my disgusting armpit hair will get my whack ass self on some headlines (which happened) but don’t forget, she did that all to grab the medias attention. It’s sad to be this desperate and thirsty.\" @Joshsa7 agrees: \"I love her but she is so badly trying to prove a point by not shaving its unbecoming.\"\u003c/p>\n\u003cp>Interestingly, the women expressing outrage make it about their own idea of feminine roles, which, in turn, often reveal some serious, internalized misogyny. Some have strange notions about the dangers of armpit hair for women like @lizre, who states: \"If you people don’t like to shower, shave, brush your teeth etc. Fine but the truth is that it is disgusting without hygiene people can get sick.\"\u003c/p>\n\u003cp>Then there's anti-underwear police like @solas_one, who says: \"Someone tell her that we have kids in instagram.. we don’t need to poison there minds with this kind of sh-t…someone tell her to send this video to her husband and not to a bunch of perverts…\" and michelle_cookie101, who says: \"I’m reporting you bitch for nudity and porn… Shave your pits dude.\"\u003c/p>\n\u003cp>The overriding message, if you subject yourself to the entire thread of comments, is twofold: 1. Lola Kirke must be brought down a peg or two, and 2. Women's bodies are public property to be dissected and commented on at will. Much of the thread issues outright demands to shave, as if Lola's body is a public monument to be designed by and voted on in a virtual town hall.\u003c/p>\n\u003cp>The amount of attention focused on Lola Kirke for this one, silly, short clip also demonstrates how much our culture has been focused, for so many decades, on making women feel terrible about themselves at every opportunity. Not only do many of the Instagram commenters make that their goal, but a major reason this post generated an abnormal amount of traffic is because, in those eight brief seconds, it was clear that Lola Kirke was feeling good -- about her body, about herself, about her life. And the sight of that turned out to be so jarring, on such a deep level for a great many observers that they felt the need to remind Lola -- and all of us -- that there is a real price to pay if you allow the world to know you are a confident woman. If you happen to be such a woman with the nerve to not observe every single one of the extremely narrow rules around American beauty ideals, things will be even worse for you.\u003c/p>\n\u003cp>Earlier this month, \u003ca href=\"http://www.lennyletter.com/culture/interviews/a684/growing-into-yourself/\">Lena Dunham interviewed Camila Cabello\u003c/a> about how the 19-year-old has coped with stardom in the pop group Fifth Harmony. Wise beyond her years, Cabello said: \"The best decision that I've taken in my career thus far has been this year; I've just stayed away from social media. I don't go on it... Even though I know that there's way more support than there is hate, I don't have that in my head.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It's a sad state of affairs when young, famous women must close themselves off from social media -- something most of their non-famous peers use daily -- in order to avoid having around-the-clock hate directed at them. Here's hoping Lola Kirke can provide a positive example of how to rise above and beyond it, while we wait for online culture to catch up.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Our episode starts where \u003ca target=\"_blank\" href=\"https://ww2.kqed.org/pop/2017/01/22/victoria-season-1-episode-2-recap-all-the-single-ladies/\" rel=\"noopener\">the last\u003c/a> left off. Albert rudely interrupts Victoria’s concerto, when he could have very easily cooled his jets and waited for her to finish doing her thing. Victoria’s cute dog, Dash, is like, \u003cem>Did he just? Oh, hell naw!\u003c/em> He runs up to Albert and \u003ca href=\"https://ww2.kqed.org/pop/2017/01/29/pbs-victoria-season-1-episode-3-recap-youre-so-vain/\" target=\"_blank\" id=\"rssmi_more\" rel=\"noopener\"> …read more\u003c/a> \u003c/p>\n\u003cp>Source:: \u003ca href=\"https://ww2.kqed.org/pop/2017/01/29/pbs-victoria-season-1-episode-3-recap-youre-so-vain/\" target=\"_blank\" title=\"‘Victoria’ Season 1, Episode 3 Recap: You’re So Vain\" rel=\"noopener\">KQED Pop\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "\u003cp>Our episode starts where \u003ca target=\"_blank\" href=\"https://ww2.kqed.org/pop/2017/01/22/victoria-season-1-episode-2-recap-all-the-single-ladies/\" rel=\"noopener\">the last\u003c/a> left off. Albert rudely interrupts Victoria's concerto, when he could have very easily cooled his jets and waited for her to finish doing her thing. Victoria's cute dog, Dash, is like, \u003cem>Did he just? Oh, hell naw!\u003c/em> He runs up to Albert and \u003ca href=\"https://ww2.kqed.org/pop/2017/01/29/pbs-victoria-season-1-episode-3-recap-youre-so-vain/\" target=\"_blank\" id=\"rssmi_more\" rel=\"noopener\"> ...read more\u003c/a>",
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"content": "\u003cp>It was a bright hot day in June. Or possibly July. And the clocks almost certainly weren't striking thirteen, because they don't do that in this country.\u003c/p>\n\u003cp>But it WAS the summer of 1984. I was 9 years old, and my father was handing me a beat-up paperback with an anonymous-looking white and green cover; his old college copy of George Orwell's \u003cem>1984\u003c/em>. \"Here,\" he said. \"I think you're ready for this.\" My dad has always had a weirdly inflated sense of my intellectual abilities.\u003c/p>\n\u003cp>And I was captivated, instantly. I have this pet theory that some books, the ones you encounter as a child and read over and over again, somehow work themselves into your mental DNA so that everything you encounter later in life contains ghostly references to whatever that original text was — tubes of saccharine tablets in the grocery store, mystery meat in the high school lunch room, red scarves, glass paperweights, cold April days, rats, the number 101 in any context; so many things have that tingle of association.\u003c/p>\n\u003cp>Not that I understood even vaguely what the hell was going on in \u003cem>1984\u003c/em> the first time I read it. But I was sucked down deep into Orwell's strange gray world, so different from candy-colored '80s America. To a 9-year-old stuffed full of fantasy novels, Orwell's world-building ability was the big draw; the sights and sounds and — unfortunately sometimes — smells of Airstrip One were alien but vividly real. (Though the less said here about the scene in the holding cell with Parsons and the lavatory pan, the better.)\u003c/p>\n\u003cp>And that's the thing: I was so caught by that world that I revisited it again and again, at least once a year, all the way through college. Every time I re-read it, something new would unfold itself from the pages for me — first, the tragedy of Winston and Julia, and the way that love is sometimes just naivete.\u003c/p>\n\u003caside class=\"pullquote alignright\">I invite you to pull up a chair (in that little alcove the telescreen can't see), pour yourself a glass of oily ersatz Victory Gin, and dive in.\u003c/aside>\n\u003cp>Then, when I was 12, my dad the former political science professor explained totalitarianism to me — I was mostly impressed with myself for being able to pronounce the word, never mind understanding the concept, but it added a new dimension to what had become my favorite book.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>On the next re-reading, I began to understand the way language shapes thought, and how Orwell's villainous Inner Party is determined to eradicate concepts like freedom by removing the ability to speak about them — powerful ideas for a budding writer.\u003c/p>\n\u003cp>And finally somewhere in my mid-teens, I found myself reading the 'Goldstein's Book' chapters instead of skipping them as too complicated, and the whole structure of a society built on constant warfare clicked into place; here were the ideas driving this world I was so fascinated with, and they made scary sense.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The adjective \"Orwellian\" gets tossed around with abandon these days. It's become such a cliche that the intensity of the original experience, the layers of thought and meaning, can get lost in the noise — so I invite you to pull up a chair (in that little alcove the telescreen can't see), pour yourself a glass of oily ersatz Victory Gin, and dive in. You, too, will find yourself rolling down that glorious corridor. You, too, will love Big Brother.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=You%2C+Too%2C+Will+Love+Big+Brother%3A+A+Life+Of+Reading+And+Rereading+%271984%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>On the next re-reading, I began to understand the way language shapes thought, and how Orwell's villainous Inner Party is determined to eradicate concepts like freedom by removing the ability to speak about them — powerful ideas for a budding writer.\u003c/p>\n\u003cp>And finally somewhere in my mid-teens, I found myself reading the 'Goldstein's Book' chapters instead of skipping them as too complicated, and the whole structure of a society built on constant warfare clicked into place; here were the ideas driving this world I was so fascinated with, and they made scary sense.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The adjective \"Orwellian\" gets tossed around with abandon these days. It's become such a cliche that the intensity of the original experience, the layers of thought and meaning, can get lost in the noise — so I invite you to pull up a chair (in that little alcove the telescreen can't see), pour yourself a glass of oily ersatz Victory Gin, and dive in. You, too, will find yourself rolling down that glorious corridor. You, too, will love Big Brother.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=You%2C+Too%2C+Will+Love+Big+Brother%3A+A+Life+Of+Reading+And+Rereading+%271984%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Ben's Chili Bowl, a D.C. restaurant famous for its half-smokes, celebrity drop-ins, and ties to the civil rights movement, is preparing for some redecorating. This week, the restaurant painted over the giant mural of Bill Cosby, Donnie Simpson, Chuck Brown and President Barack Obama that has lived on its outside walls since 2012.\u003c/p>\n\u003cp>Kamal Ali, one of the restaurant's owners, said his customers have been talking about that mural for a long time, arguing over who should or shouldn't be featured. Now, he said, it's time to let the public decide. \"We'd like people to tag the mural with positive sentiments of healing the country. And the world,\" he said. \"We just had the inauguration, lots of protests, the Women's March, which was huge, and then there's the Black Lives Matter movement, with police brutality and those things going on. So it just seemed like an appropriate time.\"\u003c/p>\n\u003cfigure id=\"attachment_61146\" class=\"wp-caption aligncenter\" style=\"max-width: 2733px\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e.jpg\">\u003cimg class=\"size-full wp-image-61146\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e.jpg\" alt=\"Virginia Ali, matriarch of the Ali family, of Ben's Chili Bowl, with her sons Sage (from left), Nizam and Kamal on the eve of their 55th-anniversary celebration, Aug. 21, 2013.\" width=\"2733\" height=\"2050\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e.jpg 2733w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e-520x390.jpg 520w\" sizes=\"(max-width: 2733px) 100vw, 2733px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Virginia Ali, matriarch of the Ali family, of Ben's Chili Bowl, with her sons Sage (from left), Nizam and Kamal on the eve of their 55th-anniversary celebration, Aug. 21, 2013. \u003ccite>(Photo: The Washington Post/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The beloved restaurant is asking fans and customers to \u003ca href=\"http://benschilibowl.com/vote/\">vote \u003c/a>on who should be depicted on the new mural. The list of new possibilities includes 59 artists, celebrities, activists, athletes, politicians and chefs: everyone from Gandhi to Kevin Durant to Nikki Giovanni to Rachael Ray. There are some local D.C. heroes, too, like Charlene Drew Jarvis, a longtime public servant and former president of Southeastern University. There are international superstars, like Michael Jackson and Oprah Winfrey. Voters can also write in their own suggestions if they aren't inspired by anyone on the list.\u003c/p>\n\u003cp>Already, over 5,000 people have voted in the online poll, which will stay open through the end of February. Fans have begun to weigh in on Twitter, with a strong contingent pushing to keep Obama on the wall. Some want women to finally be represented — a fact that Ali said is reflected in the poll, which includes 21 women.\u003c/p>\n\u003cp>The owners of Ben's Chili Bowl hope to have a decision made in March, and the new mural is slated to be up by April 1. 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So it just seemed like an appropriate time.\"\u003c/p>\n\u003cfigure id=\"attachment_61146\" class=\"wp-caption aligncenter\" style=\"max-width: 2733px\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e.jpg\">\u003cimg class=\"size-full wp-image-61146\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e.jpg\" alt=\"Virginia Ali, matriarch of the Ali family, of Ben's Chili Bowl, with her sons Sage (from left), Nizam and Kamal on the eve of their 55th-anniversary celebration, Aug. 21, 2013.\" width=\"2733\" height=\"2050\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e.jpg 2733w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e-800x600.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e-768x576.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e-1020x765.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e-1920x1440.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e-1180x885.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e-960x720.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e-375x281.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/gettyimages-177188708-771d924d4bd3bf074454d951b27d69294fccf70e-520x390.jpg 520w\" sizes=\"(max-width: 2733px) 100vw, 2733px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Virginia Ali, matriarch of the Ali family, of Ben's Chili Bowl, with her sons Sage (from left), Nizam and Kamal on the eve of their 55th-anniversary celebration, Aug. 21, 2013. \u003ccite>(Photo: The Washington Post/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The beloved restaurant is asking fans and customers to \u003ca href=\"http://benschilibowl.com/vote/\">vote \u003c/a>on who should be depicted on the new mural. 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"content": "\u003cp>Merriam-Webster has a message for the Trump administration: There is no such thing as an \"alternative fact.\" There are facts, and then there are falsehoods.\u003c/p>\n\u003cp>That memo was at least implied this week when the dictionary publisher \u003ca href=\"https://www.merriam-webster.com/news-trend-watch/conway-alternative-facts-20170122\" target=\"_blank\">tweeted the definition\u003c/a> of a fact just hours after Trump adviser Kellyanne Conway appeared on \u003cem>Meet The Press\u003c/em> and referred to statements by White House press secretary Sean Spicer about the inaugural crowd size as \"alternative facts.\"\u003c/p>\n\u003cp>https://twitter.com/MerriamWebster/status/823221915171061760?ref_src=twsrc%5Etfw\u003c/p>\n\u003cp>Later, Merriam-Webster threw another dig at Conway by tweeting an alternative definition of the word \"fact.\"\u003c/p>\n\u003cp>https://twitter.com/MerriamWebster/status/824026625373306884?ref_src=twsrc%5Etfw\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The idea for those tweets came from the dictionary's Trend Watch feature, Lauren Naturale, social media manager at Merriam-Webster, \u003ca href=\"http://www.vox.com/conversations/2017/1/25/14378798/merriam-webster-dictionary-twitter\" target=\"_blank\">told Vox.com\u003c/a>. 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Throughout the presidential campaign, Merriam-Webster developed its funny style of delicately trolling Trump on social media.\u003c/p>\n\u003cp>When Trump accused China of stealing a U.S. drone back in December, calling the act \"unpresidented,\" Merriam-Webster's Twitter account mocked the president-elect for misspelling \"unprecedented\" and making up a new term. Trump corrected himself and deleted the tweet, but by then Merriam-Webster had already tweeted \"Huh\" as its word of the day.\u003c/p>\n\u003cp>https://twitter.com/MerriamWebster/status/810117698558562304?ref_src=twsrc%5Etfw\u003c/p>\n\u003cp>During the presidential debates, Merriam-Webster also threw some shade at Trump's unique rhetoric.\u003c/p>\n\u003cp>After Trump's comments referring to \"bad hombres,\" the dictionary's site saw a \u003ca href=\"https://www.merriam-webster.com/news-trend-watch/confusion-after-trumps-bad-hombres-comment-led-to-a-spike-in-lookups-for-ombre-20161019\" target=\"_blank\">surge in searches\u003c/a> for the word \"ombré\" but was quick to point out the difference between the two words. \"Hombre\" is the Spanish word for \"man,\" while \"ombré\" refers to \"having shades or colors that fade into each other.\"\u003c/p>\n\u003cp>https://twitter.com/MerriamWebster/status/788915032658702337?ref_src=twsrc%5Etfw\u003c/p>\n\u003cp>https://twitter.com/MerriamWebster/status/788914054115057664?ref_src=twsrc%5Etfw\u003c/p>\n\u003cp>And the dictionary publisher attempted to \u003ca href=\"https://www.merriam-webster.com/news-trend-watch/did-trump-say-bigly-or-big-league-20160927\" target=\"_blank\">set the record straight\u003c/a> on a major perplexing question of the campaign: Did Trump say \"bigly\" or \"big league\"? Merriam-Webster highlighted that \"bigly\" is in fact a real word, but concluded that Trump was using \"big league\" as an adverb, which is uncommon.\u003c/p>\n\u003cp>https://twitter.com/MerriamWebster/status/788915239618224130?ref_src=twsrc%5Etfw\u003c/p>\n\u003cp>Despite all of this mocking, Naturale clarifies that Merriam-Webster's social media strategy goes beyond that. She says it reflects Merriam-Webster's quirky identity while furthering its goal of sharing knowledge as experts on language.\u003c/p>\n\u003cp>On Sunday — one day after the Women's March drew millions of people worldwide — Merriam-Webster tweeted the definition of \"vanguard\" with a GIF of Sylvia Rivera, a transgender activist.\u003c/p>\n\u003cp>https://twitter.com/MerriamWebster/status/823379809262796800?ref_src=twsrc%5Etfw\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\"Smart people are curious about the world, and smart people are curious about the other people who live in that world,\" Naturale told Vox. \"Our Twitter reflects that attitude.\"\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 NPR. 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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It's been a hard week, to say the least. But we made it to Friday! And what better way to celebrate than watching music videos while your boss isn't looking?\u003c/p>\n\u003cp>On Thursday night, Missy Elliott sensed that we need her more than ever and dropped a brand new single \u003cem>and\u003c/em> a music video in one fell swoop. Exercise ball choreography: check! Light-up helmets: check! Diamond-encrusted tracksuit: check! Lyrics that reference \u003cem>Scandal\u003c/em>, Kanye, Bruce Lee, and Andre 3000: check, check, check, check! It's a good feeling when an artist knows exactly what you need, and delivers.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/TwyPsUd9LAk'\n title='//www.youtube.com/embed/TwyPsUd9LAk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>If you're craving even more Missy, you're in luck; a documentary about her career is coming soon:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/BmZ_Vt1Lbuc'\n title='//www.youtube.com/embed/BmZ_Vt1Lbuc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Pop princess-in-exile Taylor Swift also dropped a music video last night for her \u003cem>Fifty Shades Darker\u003c/em> collaboration with ZAYN, \"I Don't Wanna Live Forever.\" A few parts are reminiscent of that time James Franco and Anne Hathaway hosted the Oscars together; ZAYN refuses to emote and manages to seem bored when destroying a hotel room, while Taylor overcompensates to make up the difference. But the video is pretty to look at, and I'm happy it exists.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7F37r50VUTQ'\n title='//www.youtube.com/embed/7F37r50VUTQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>And because I love y'all, here's a music video by Pillar Point that's from a year ago, but never gets old. Life goal: vogue and duck walk through the streets and markets of Bogotá like you DGAF\u003cem>:\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/BU6dAAfg-qk'\n title='//www.youtube.com/embed/BU6dAAfg-qk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp style=\"text-align: center\">Happy Friday!\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/403075933.gif\">\u003cimg class=\"aligncenter size-full wp-image-58264\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/403075933.gif\" alt=\"britney happy gif\" width=\"450\" height=\"331\">\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "cy-and-davids-picks-themes-from-the-60s-a-minimalists-birthday-and-a-candy-ass",
"title": "Cy and David's Picks: Themes from the '60s, A Minimalist's Birthday, and a Candy Ass",
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"headTitle": "Cy and David’s Picks: Themes from the ’60s, A Minimalist’s Birthday, and a Candy Ass | KQED",
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"content": "\u003cp>\u003cstrong>KQED’s Cy Musiker and David Wiegand share their picks for great show around the Bay Area this week.\u003c/strong>\u003c/p>\n\u003cp>http://www.kqed.org/.stream/mp3splice/radio/thedolist/2017/01/TDL20170127.mp3\u003c/p>\n\u003cp>Here at KQED Arts, we’ve launched \u003cem>\u003ca href=\"https://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\" target=\"_blank\" rel=\"noopener\">First 100 days: Art in the Age of Trump\u003c/a>\u003c/em>, a series of stories about how Bay Area artists respond to the new administration. Comedian \u003ca href=\"http://www.zahracomedy.com/\" target=\"_blank\" rel=\"noopener\">Zahra Noorbaksh’s\u003c/a> new show tackles what it’s like to be a Muslim comedian under this new administration.\u003c/p>\n\u003cfigure id=\"attachment_12295296\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12295296\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-800x434.jpg\" alt=\"Comedian Zahra Noorbaksh host the podcast ‘Good Muslim, Bad Muslim’\" width=\"800\" height=\"434\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-800x434.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-160x87.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-768x416.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-1020x553.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-1920x1041.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-1180x640.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-960x520.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-240x130.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-375x203.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-520x282.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Comedian Zahra Noorbaksh hosts the podcast ‘Good Muslim, Bad Muslim.’ \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Somehow Noorbaksh, recently featured on \u003ca href=\"http://www.npr.org/2017/01/18/510346895/after-trumps-election-a-non-practicing-muslim-returns-to-prayer\" target=\"_blank\" rel=\"noopener\">Fresh Air\u003c/a>, manages to be funny about everything from Muslim registries and deportation centers to pussy hats. \u003cem>On Behalf of All Muslims\u003c/em> is at a venue we don’t usually cover, the Islamic Center of Northern California in Oakland, and runs \u003cstrong>Feb. 2–4 and 9–13\u003c/strong>. Details \u003ca href=\"http://obam.brownpapertickets.com/?utm_source=General+Interest&utm_campaign=02196f2d80-EMAIL_CAMPAIGN_2017_01_14&utm_medium=email&utm_term=0_5b5b50c93c-02196f2d80-93088781\" target=\"_blank\" rel=\"noopener\">here.\u003c/a> Now the rest of the show.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=RAhNYRTV0Sg\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Jan. 29\u003c/strong>: Bay Area Jazz violinist Mads Tolling and his Mads Men are mining the \u003cem>Mad Men\u003c/em> TV era, finding musical gold in the theme music for TV shows and movies from the sixties — everything from the classic-cool of \u003cem>Mission Impossible\u003c/em> (Lalo Schifrin) and \u003cem>The Pink Panther\u003c/em> (Henry Mancini) to the classic-corn of \u003cem>The Flintstones\u003c/em> (Hoyt Curtin, Joseph Barbera and William Hanna). Details for their two album release shows (\u003cem>Playing the ’60s\u003c/em>) at Yoshi’s in Oakland are right \u003ca href=\"http://www.yoshis.com/event/1230483-mads-tolling-mads-men-oakland/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_12681839\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12681839\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993-800x415.jpg\" alt=\"Hi Jewboy/Hi by Cary Liebowitz is part of the career retrospective at the Contemporary Jewish Museum\" width=\"800\" height=\"415\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993-800x415.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993-160x83.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993-768x398.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993-1020x529.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993-1920x996.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993-1180x612.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993-960x498.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993-240x124.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993-375x195.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993-520x270.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993.jpg 2032w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hi Jewboy/Hi by Cary Liebowitz is part of the career retrospective at the Contemporary Jewish Museum. \u003ccite>(Photo: Courtesy of the artist and INVISIBLE-EXPORTS. Cary Leibowitz: Museum Show)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Jan. 26–June 25\u003c/strong>: Artist Cary Liebowitz also goes by the name Candy Ass. It fits his image as a self-deprecating, funny, gay, Jewish artist. A lot of his work is text based: a hot pink canvas with the words “Do these pants make me look Jewish,” and a “Go Fags!” sports pennant. It may sound lighthearted, or offensive, but Liebowitz fearlessly digs into issues of depression and self-esteem in ways no one has before. His first career retrospective continues at San Francisco’s \u003ca href=\"https://www.thecjm.org/\" target=\"_blank\" rel=\"noopener\">Contemporary Jewish Museum\u003c/a>. Details \u003ca href=\"https://www.thecjm.org/exhibitions/12\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ZXJWO2FQ16c\u003c/p>\n\u003cp>\u003cstrong>Jan. 29\u003c/strong>: It’s been a season of important birthdays for a groundbreaking generation of a classical composers. Berkeley’s John Adams turns 70 (more on that next week), Philip Glass just turned 80, and so did \u003ca href=\"http://www.stevereich.com/\" target=\"_blank\" rel=\"noopener\">Steve Reich,\u003c/a> who sets up exquisite rhythms, often featuring marimbas and clapping hands, and then shifts the pattern just a bit to take you into a new musical universe. Reich is in Berkeley to oversee the premiere of a new work, \u003cem>Runner, \u003c/em>a co-commission by \u003ca href=\"https://calperformances.org/\" target=\"_blank\" rel=\"noopener\">Cal Performances\u003c/a> with the crackerjack chamber group \u003ca href=\"http://signalensemble.org/\" target=\"_blank\" rel=\"noopener\">Ensemble Signal\u003c/a>, led by Brad Lubman. Details for the show at Zellerbach Hall are \u003ca href=\"https://calperformances.org/performances/2016-17/new-music/ensemble-signal.php\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11268315\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11268315\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/01/Carney-KronosCROP-800x450.jpg\" alt=\"Ralph Carney (third from left) plays with the Kronos Quartet at the 2015 Cabrillo Festival of Contemporary Music in Santa Cruz\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Carney-KronosCROP-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Carney-KronosCROP-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Carney-KronosCROP-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Carney-KronosCROP-1180x663.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Carney-KronosCROP-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Carney-KronosCROP.jpg 1919w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ralph Carney (third from left) plays with the Kronos Quartet at the 2015 Cabrillo Festival of Contemporary Music in Santa Cruz \u003ccite>(Courtesy: Ralph Carney)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Feb. 2-4\u003c/strong>: We rarely feature more than one classical show on The Do List, but how we can we neglect the routine brilliance of the \u003ca href=\"http://www.kronosquartet.org/\" target=\"_blank\" rel=\"noopener\">Kronos Quartet\u003c/a>. David Harrington and his contemporary chamber group is staging its annual festival at \u003ca href=\"https://www.sfjazz.org/\" target=\"_blank\" rel=\"noopener\">SFJAZZ\u003c/a>, doing four nights of category-defying music, including pieces by the Who’s Pete Townshend, Van Dyke Parks, Van Anh Vo, new work from Sahba Aminikia, and lots more. Details are \u003ca href=\"http://kronosquartet.org/kronos-festival-2017\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_12682039\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12682039 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy%E2%80%99s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company%E2%80%99s-production-of-Tom-Stoppard%E2%80%99s-The-Real-Thing-e1485470995314-800x465.jpg\" alt=\"Annie (Liz Sklar) resists Billy’s (Tommy Gorrebeeck) advances in Aurora Theatre Company’s production of Tom Stoppard’s The Real Thing\" width=\"800\" height=\"465\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy’s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company’s-production-of-Tom-Stoppard’s-The-Real-Thing-e1485470995314-800x465.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy’s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company’s-production-of-Tom-Stoppard’s-The-Real-Thing-e1485470995314-160x93.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy’s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company’s-production-of-Tom-Stoppard’s-The-Real-Thing-e1485470995314-768x447.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy’s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company’s-production-of-Tom-Stoppard’s-The-Real-Thing-e1485470995314-1020x593.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy’s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company’s-production-of-Tom-Stoppard’s-The-Real-Thing-e1485470995314-1920x1117.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy’s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company’s-production-of-Tom-Stoppard’s-The-Real-Thing-e1485470995314-1180x686.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy’s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company’s-production-of-Tom-Stoppard’s-The-Real-Thing-e1485470995314-960x558.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy’s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company’s-production-of-Tom-Stoppard’s-The-Real-Thing-e1485470995314-240x140.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy’s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company’s-production-of-Tom-Stoppard’s-The-Real-Thing-e1485470995314-375x218.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy’s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company’s-production-of-Tom-Stoppard’s-The-Real-Thing-e1485470995314-520x302.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy’s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company’s-production-of-Tom-Stoppard’s-The-Real-Thing-e1485470995314.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Annie (Liz Sklar) resists Billy’s (Tommy Gorrebeeck) advances in Aurora Theatre Company’s production of Tom Stoppard’s The Real Thing \u003ccite>(Photo: David Allen/Aurora Theatre)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Jan. 27–March 5\u003c/strong>: Tom Stoppard is a master of sometimes very abstruse theater, like \u003cem>\u003ca href=\"https://www.amazon.com/Coast-Utopia-Voyage-Shipwreck-Salvage/dp/0802143407\" target=\"_blank\" rel=\"noopener\">The Coast of Utopia\u003c/a>,\u003c/em> his trilogy on the birth of Russian radicalism. But in 1982’s \u003cem>The Real Thing\u003c/em>, he wrote a play that’s both intellectually rigorous, and about love and marriage, feelings and humor. This is a show where it really matters who plays the women, and we’re in good hands with Bay Area stars Liz Sklar and \u003ca href=\"http://www.carriepaff.com/CarriePaff/Home.html\" target=\"_blank\" rel=\"noopener\">Carrie Paff\u003c/a>, with Timothy Near directing. Can’t wait. Details for the run at the \u003ca href=\"https://auroratheatre.org/index.php?option=com_theatre&view=press_show&id=131\" target=\"_blank\" rel=\"noopener\">Aurora Theatre\u003c/a> in Berkeley are \u003ca href=\"https://www.auroratheatre.org/index.php?option=com_theatre&view=show&id=131\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=1b9n0Amr9RI\u003c/p>\n\u003cp>\u003cstrong>Feb. 2 and 3\u003c/strong>: \u003ca href=\"https://runthejewels.com/\" target=\"_blank\" rel=\"noopener\">Run the Jewels\u003c/a>, El-P and Killer Mike, are two very cool, very odd, very funny rappers, combining amazingly inventive profanities with politics. They’ve released a new album that challenges our new President (“We return from the depths of the badland / With a gun and a knife in our waistband / Went to war with the Devil and Shaytan / He wore a bad toupee and a spray tan”), and an upcoming appearance on \u003ca href=\"https://www.youtube.com/watch?v=G5Da2ISBiEw\" target=\"_blank\" rel=\"noopener\">\u003cem>Portlandia \u003c/em>\u003c/a>(very funny). It’s hard to be more relevant. Details for their show at City National Civic in San Jose are \u003ca href=\"http://sanjosetheaters.org/event/run-the-jewels/?instance_id=8164\" target=\"_blank\" rel=\"noopener\">here.\u003c/a> Their show at the Fox in Oakland is sold out (but details \u003ca href=\"http://thefoxoakland.com/events/run-the-jewels-run-the-world-tour/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>).\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"excerpt": "This week, it's rappers El-P and Killer Mike, a Steve Reich celebration, Muslim comedy and the artist known as Candy Ass in Cy and David's pick for the best events this week.",
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"title": "Cy and David's Picks: Themes from the '60s, A Minimalist's Birthday, and a Candy Ass | KQED",
"description": "This week, it's rappers El-P and Killer Mike, a Steve Reich celebration, Muslim comedy and the artist known as Candy Ass in Cy and David's pick for the best events this week.",
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"headline": "Cy and David's Picks: Themes from the '60s, A Minimalist's Birthday, and a Candy Ass",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>KQED’s Cy Musiker and David Wiegand share their picks for great show around the Bay Area this week.\u003c/strong>\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Here at KQED Arts, we’ve launched \u003cem>\u003ca href=\"https://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\" target=\"_blank\" rel=\"noopener\">First 100 days: Art in the Age of Trump\u003c/a>\u003c/em>, a series of stories about how Bay Area artists respond to the new administration. Comedian \u003ca href=\"http://www.zahracomedy.com/\" target=\"_blank\" rel=\"noopener\">Zahra Noorbaksh’s\u003c/a> new show tackles what it’s like to be a Muslim comedian under this new administration.\u003c/p>\n\u003cfigure id=\"attachment_12295296\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12295296\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-800x434.jpg\" alt=\"Comedian Zahra Noorbaksh host the podcast ‘Good Muslim, Bad Muslim’\" width=\"800\" height=\"434\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-800x434.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-160x87.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-768x416.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-1020x553.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-1920x1041.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-1180x640.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-960x520.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-240x130.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-375x203.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401-520x282.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/11/Zahra-Noorbaksh-4-e1485465889401.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Comedian Zahra Noorbaksh hosts the podcast ‘Good Muslim, Bad Muslim.’ \u003ccite>(Photo: Cy Musiker/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Somehow Noorbaksh, recently featured on \u003ca href=\"http://www.npr.org/2017/01/18/510346895/after-trumps-election-a-non-practicing-muslim-returns-to-prayer\" target=\"_blank\" rel=\"noopener\">Fresh Air\u003c/a>, manages to be funny about everything from Muslim registries and deportation centers to pussy hats. \u003cem>On Behalf of All Muslims\u003c/em> is at a venue we don’t usually cover, the Islamic Center of Northern California in Oakland, and runs \u003cstrong>Feb. 2–4 and 9–13\u003c/strong>. Details \u003ca href=\"http://obam.brownpapertickets.com/?utm_source=General+Interest&utm_campaign=02196f2d80-EMAIL_CAMPAIGN_2017_01_14&utm_medium=email&utm_term=0_5b5b50c93c-02196f2d80-93088781\" target=\"_blank\" rel=\"noopener\">here.\u003c/a> Now the rest of the show.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/RAhNYRTV0Sg'\n title='//www.youtube.com/embed/RAhNYRTV0Sg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Jan. 29\u003c/strong>: Bay Area Jazz violinist Mads Tolling and his Mads Men are mining the \u003cem>Mad Men\u003c/em> TV era, finding musical gold in the theme music for TV shows and movies from the sixties — everything from the classic-cool of \u003cem>Mission Impossible\u003c/em> (Lalo Schifrin) and \u003cem>The Pink Panther\u003c/em> (Henry Mancini) to the classic-corn of \u003cem>The Flintstones\u003c/em> (Hoyt Curtin, Joseph Barbera and William Hanna). Details for their two album release shows (\u003cem>Playing the ’60s\u003c/em>) at Yoshi’s in Oakland are right \u003ca href=\"http://www.yoshis.com/event/1230483-mads-tolling-mads-men-oakland/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_12681839\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12681839\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993-800x415.jpg\" alt=\"Hi Jewboy/Hi by Cary Liebowitz is part of the career retrospective at the Contemporary Jewish Museum\" width=\"800\" height=\"415\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993-800x415.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993-160x83.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993-768x398.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993-1020x529.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993-1920x996.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993-1180x612.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993-960x498.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993-240x124.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993-375x195.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993-520x270.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/3-CL-CaryLeibowitz-HiJewboy-e1485468732993.jpg 2032w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Hi Jewboy/Hi by Cary Liebowitz is part of the career retrospective at the Contemporary Jewish Museum. \u003ccite>(Photo: Courtesy of the artist and INVISIBLE-EXPORTS. Cary Leibowitz: Museum Show)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Jan. 26–June 25\u003c/strong>: Artist Cary Liebowitz also goes by the name Candy Ass. It fits his image as a self-deprecating, funny, gay, Jewish artist. A lot of his work is text based: a hot pink canvas with the words “Do these pants make me look Jewish,” and a “Go Fags!” sports pennant. It may sound lighthearted, or offensive, but Liebowitz fearlessly digs into issues of depression and self-esteem in ways no one has before. His first career retrospective continues at San Francisco’s \u003ca href=\"https://www.thecjm.org/\" target=\"_blank\" rel=\"noopener\">Contemporary Jewish Museum\u003c/a>. Details \u003ca href=\"https://www.thecjm.org/exhibitions/12\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ZXJWO2FQ16c'\n title='//www.youtube.com/embed/ZXJWO2FQ16c'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Jan. 29\u003c/strong>: It’s been a season of important birthdays for a groundbreaking generation of a classical composers. Berkeley’s John Adams turns 70 (more on that next week), Philip Glass just turned 80, and so did \u003ca href=\"http://www.stevereich.com/\" target=\"_blank\" rel=\"noopener\">Steve Reich,\u003c/a> who sets up exquisite rhythms, often featuring marimbas and clapping hands, and then shifts the pattern just a bit to take you into a new musical universe. Reich is in Berkeley to oversee the premiere of a new work, \u003cem>Runner, \u003c/em>a co-commission by \u003ca href=\"https://calperformances.org/\" target=\"_blank\" rel=\"noopener\">Cal Performances\u003c/a> with the crackerjack chamber group \u003ca href=\"http://signalensemble.org/\" target=\"_blank\" rel=\"noopener\">Ensemble Signal\u003c/a>, led by Brad Lubman. Details for the show at Zellerbach Hall are \u003ca href=\"https://calperformances.org/performances/2016-17/new-music/ensemble-signal.php\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_11268315\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11268315\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/01/Carney-KronosCROP-800x450.jpg\" alt=\"Ralph Carney (third from left) plays with the Kronos Quartet at the 2015 Cabrillo Festival of Contemporary Music in Santa Cruz\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Carney-KronosCROP-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Carney-KronosCROP-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Carney-KronosCROP-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Carney-KronosCROP-1180x663.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Carney-KronosCROP-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/01/Carney-KronosCROP.jpg 1919w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ralph Carney (third from left) plays with the Kronos Quartet at the 2015 Cabrillo Festival of Contemporary Music in Santa Cruz \u003ccite>(Courtesy: Ralph Carney)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Feb. 2-4\u003c/strong>: We rarely feature more than one classical show on The Do List, but how we can we neglect the routine brilliance of the \u003ca href=\"http://www.kronosquartet.org/\" target=\"_blank\" rel=\"noopener\">Kronos Quartet\u003c/a>. David Harrington and his contemporary chamber group is staging its annual festival at \u003ca href=\"https://www.sfjazz.org/\" target=\"_blank\" rel=\"noopener\">SFJAZZ\u003c/a>, doing four nights of category-defying music, including pieces by the Who’s Pete Townshend, Van Dyke Parks, Van Anh Vo, new work from Sahba Aminikia, and lots more. Details are \u003ca href=\"http://kronosquartet.org/kronos-festival-2017\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_12682039\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12682039 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy%E2%80%99s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company%E2%80%99s-production-of-Tom-Stoppard%E2%80%99s-The-Real-Thing-e1485470995314-800x465.jpg\" alt=\"Annie (Liz Sklar) resists Billy’s (Tommy Gorrebeeck) advances in Aurora Theatre Company’s production of Tom Stoppard’s The Real Thing\" width=\"800\" height=\"465\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy’s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company’s-production-of-Tom-Stoppard’s-The-Real-Thing-e1485470995314-800x465.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy’s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company’s-production-of-Tom-Stoppard’s-The-Real-Thing-e1485470995314-160x93.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy’s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company’s-production-of-Tom-Stoppard’s-The-Real-Thing-e1485470995314-768x447.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy’s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company’s-production-of-Tom-Stoppard’s-The-Real-Thing-e1485470995314-1020x593.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy’s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company’s-production-of-Tom-Stoppard’s-The-Real-Thing-e1485470995314-1920x1117.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy’s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company’s-production-of-Tom-Stoppard’s-The-Real-Thing-e1485470995314-1180x686.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy’s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company’s-production-of-Tom-Stoppard’s-The-Real-Thing-e1485470995314-960x558.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy’s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company’s-production-of-Tom-Stoppard’s-The-Real-Thing-e1485470995314-240x140.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy’s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company’s-production-of-Tom-Stoppard’s-The-Real-Thing-e1485470995314-375x218.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy’s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company’s-production-of-Tom-Stoppard’s-The-Real-Thing-e1485470995314-520x302.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/Annie-Liz-Sklar-resists-Billy’s-Tommy-Gorrebeeck-advances-in-Aurora-Theatre-Company’s-production-of-Tom-Stoppard’s-The-Real-Thing-e1485470995314.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Annie (Liz Sklar) resists Billy’s (Tommy Gorrebeeck) advances in Aurora Theatre Company’s production of Tom Stoppard’s The Real Thing \u003ccite>(Photo: David Allen/Aurora Theatre)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Jan. 27–March 5\u003c/strong>: Tom Stoppard is a master of sometimes very abstruse theater, like \u003cem>\u003ca href=\"https://www.amazon.com/Coast-Utopia-Voyage-Shipwreck-Salvage/dp/0802143407\" target=\"_blank\" rel=\"noopener\">The Coast of Utopia\u003c/a>,\u003c/em> his trilogy on the birth of Russian radicalism. But in 1982’s \u003cem>The Real Thing\u003c/em>, he wrote a play that’s both intellectually rigorous, and about love and marriage, feelings and humor. This is a show where it really matters who plays the women, and we’re in good hands with Bay Area stars Liz Sklar and \u003ca href=\"http://www.carriepaff.com/CarriePaff/Home.html\" target=\"_blank\" rel=\"noopener\">Carrie Paff\u003c/a>, with Timothy Near directing. Can’t wait. Details for the run at the \u003ca href=\"https://auroratheatre.org/index.php?option=com_theatre&view=press_show&id=131\" target=\"_blank\" rel=\"noopener\">Aurora Theatre\u003c/a> in Berkeley are \u003ca href=\"https://www.auroratheatre.org/index.php?option=com_theatre&view=show&id=131\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/1b9n0Amr9RI'\n title='//www.youtube.com/embed/1b9n0Amr9RI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Feb. 2 and 3\u003c/strong>: \u003ca href=\"https://runthejewels.com/\" target=\"_blank\" rel=\"noopener\">Run the Jewels\u003c/a>, El-P and Killer Mike, are two very cool, very odd, very funny rappers, combining amazingly inventive profanities with politics. They’ve released a new album that challenges our new President (“We return from the depths of the badland / With a gun and a knife in our waistband / Went to war with the Devil and Shaytan / He wore a bad toupee and a spray tan”), and an upcoming appearance on \u003ca href=\"https://www.youtube.com/watch?v=G5Da2ISBiEw\" target=\"_blank\" rel=\"noopener\">\u003cem>Portlandia \u003c/em>\u003c/a>(very funny). It’s hard to be more relevant. 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"content": "\u003cp>We look at celebrities who've leved-up for inspiration, imagine alternate universes (what if Iman was President? what if Aaliyah was with us? what if Whitney never met Bobby?), and check up on Young Thug, Chelsea Handler, and Serena Williams.\u003c/p>\n\u003cp>[audio src=\"https://dts.podtrac.com/redirect.mp3/www.kqed.org/.stream/mp3splice/radio/thecooler/2017/01/CandyMandy.mp3\" title=\"Mandy Moore Reinvented Herself, and So Can You!\" program=\"The Cooler\" image=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/03/clo.jpg\"]\u003c/p>\n\u003caside class=\"aligncenter\">\n\u003cdiv>\u003ca href=\"https://itunes.apple.com/us/podcast/the-cooler/id1041117499?mt=2\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/DownloadOniTunes_100x100.png\" width=\"75px\">\u003c/a> \u003ca href=\"https://play.google.com/music/m/Ig3hk6qa4fzcgjp2kagptfgu4u4?t=The_Cooler\" target=\"_blank\">\u003cimg class=\"alignnone\" src=\"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/11/Google_Play_100x100.png\" width=\"75px\">\u003c/a>\u003c/div>\n\u003c/aside>\n\u003cp> \u003c/p>\n\u003cp>It's the beginning of a new year, and anything is possible! If Mandy Moore can transform from an under-appreciated pop singer...\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/mandymoore.gif\">\u003cbr>\n\u003c/a>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/f2692838c23e833202970833057a3499.gif\">\u003cimg class=\"aligncenter size-full wp-image-60806\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/f2692838c23e833202970833057a3499.gif\" alt=\"f2692838c23e833202970833057a3499\" width=\"408\" height=\"306\">\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>... into a respected actress and Golden Globe nominee, who says we can't make something out of our lives?\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/tumblr_lqzedx9ZPL1qa66pm.gif\">\u003cimg class=\"aligncenter size-full wp-image-60805\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/tumblr_lqzedx9ZPL1qa66pm.gif\" alt=\"tumblr_lqzedx9ZPL1qa66pm\" width=\"400\" height=\"220\">\u003c/a>\u003c/p>\n\u003cp>And since we're already communicating in Mandy gifs, check out young Mandy weirdly waving with her naked foot:\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60804\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/mandymoore.gif\" alt=\"mandymoore\" width=\"342\" height=\"278\">\u003c/p>\n\u003cp>Recent weeks have felt like we're living in an alternate reality, so we thought it might be fun to dream up some pop culture what-if scenarios. What if Iman was our President?\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/tumblr_m89l0adLM81qzluxqo2_250.gif\">\u003cimg class=\"aligncenter size-full wp-image-60809\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/tumblr_m89l0adLM81qzluxqo2_250.gif\" alt=\"tumblr_m89l0adLM81qzluxqo2_250\" width=\"245\" height=\"260\">\u003c/a>\u003c/p>\n\u003cp>What if Aaliyah was still here?\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/1132750.gif\">\u003cbr>\n\u003c/a> \u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/aaliyah-aaliyah-27871122-245-259.gif\">\u003cimg class=\"aligncenter size-full wp-image-60812\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/aaliyah-aaliyah-27871122-245-259.gif\" alt=\"aaliyah-aaliyah-27871122-245-259\" width=\"245\" height=\"259\">\u003c/a>\u003c/p>\n\u003cp>And what if Whitney had never met Bobby?\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/gif-gif.gif\">\u003cimg class=\"aligncenter size-full wp-image-60814\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/gif-gif.gif\" alt=\"gif-gif\" width=\"480\" height=\"360\">\u003c/a>\u003c/p>\n\u003cp>We give props to Ryan Staake for finishing a $100k Young Thug video, despite the fact that Young Thug didn't bother showing up for the shoot. Watch how he turned that lemon of a situation into music video lemonade:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=_9L3j-lVLwk\u003c/p>\n\u003cp>We are troubled by the fact that, despite some gains for women in Hollywood (an all-female Ghostbusters! a woman front-and-center on a \u003cem>Star Wars\u003c/em> poster!), \u003ca href=\"https://medium.freecodecamp.com/women-only-said-27-of-the-words-in-2016s-biggest-movies-955cb480c3c4#.dt4eq9j9d\">women only said 27% of the words\u003c/a> in 2016's biggest movies:\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/ashley-wagner-bs1.gif\">\u003cimg class=\"aligncenter size-full wp-image-60815\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/ashley-wagner-bs1.gif\" alt=\"ashley-wagner-bs1\" width=\"302\" height=\"198\">\u003c/a>\u003c/p>\n\u003ch1 id=\"aac7\" class=\"graf graf--h3 graf--leading graf--title\">\u003c/h1>\n\u003cp>We try to make sense of Chelsea Handler saying that the Kardashians are the reason Trump got elected, while also saying Megyn Kelly is swell:\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/tenor.gif\">\u003cimg class=\"aligncenter size-full wp-image-60808\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/tenor.gif\" alt=\"tenor\" width=\"360\" height=\"230\">\u003c/a>\u003c/p>\n\u003cp>And we ride out on “Dove” by Pillar Point, which has the best music video you've seen in a long while:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=BU6dAAfg-qk\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Until next week! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>... into a respected actress and Golden Globe nominee, who says we can't make something out of our lives?\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/tumblr_lqzedx9ZPL1qa66pm.gif\">\u003cimg class=\"aligncenter size-full wp-image-60805\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/tumblr_lqzedx9ZPL1qa66pm.gif\" alt=\"tumblr_lqzedx9ZPL1qa66pm\" width=\"400\" height=\"220\">\u003c/a>\u003c/p>\n\u003cp>And since we're already communicating in Mandy gifs, check out young Mandy weirdly waving with her naked foot:\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60804\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/mandymoore.gif\" alt=\"mandymoore\" width=\"342\" height=\"278\">\u003c/p>\n\u003cp>Recent weeks have felt like we're living in an alternate reality, so we thought it might be fun to dream up some pop culture what-if scenarios. What if Iman was our President?\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/tumblr_m89l0adLM81qzluxqo2_250.gif\">\u003cimg class=\"aligncenter size-full wp-image-60809\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/tumblr_m89l0adLM81qzluxqo2_250.gif\" alt=\"tumblr_m89l0adLM81qzluxqo2_250\" width=\"245\" height=\"260\">\u003c/a>\u003c/p>\n\u003cp>What if Aaliyah was still here?\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/1132750.gif\">\u003cbr>\n\u003c/a> \u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/aaliyah-aaliyah-27871122-245-259.gif\">\u003cimg class=\"aligncenter size-full wp-image-60812\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/aaliyah-aaliyah-27871122-245-259.gif\" alt=\"aaliyah-aaliyah-27871122-245-259\" width=\"245\" height=\"259\">\u003c/a>\u003c/p>\n\u003cp>And what if Whitney had never met Bobby?\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/gif-gif.gif\">\u003cimg class=\"aligncenter size-full wp-image-60814\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/gif-gif.gif\" alt=\"gif-gif\" width=\"480\" height=\"360\">\u003c/a>\u003c/p>\n\u003cp>We give props to Ryan Staake for finishing a $100k Young Thug video, despite the fact that Young Thug didn't bother showing up for the shoot. Watch how he turned that lemon of a situation into music video lemonade:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_9L3j-lVLwk'\n title='//www.youtube.com/embed/_9L3j-lVLwk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>We are troubled by the fact that, despite some gains for women in Hollywood (an all-female Ghostbusters! a woman front-and-center on a \u003cem>Star Wars\u003c/em> poster!), \u003ca href=\"https://medium.freecodecamp.com/women-only-said-27-of-the-words-in-2016s-biggest-movies-955cb480c3c4#.dt4eq9j9d\">women only said 27% of the words\u003c/a> in 2016's biggest movies:\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/ashley-wagner-bs1.gif\">\u003cimg class=\"aligncenter size-full wp-image-60815\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/ashley-wagner-bs1.gif\" alt=\"ashley-wagner-bs1\" width=\"302\" height=\"198\">\u003c/a>\u003c/p>\n\u003ch1 id=\"aac7\" class=\"graf graf--h3 graf--leading graf--title\">\u003c/h1>\n\u003cp>We try to make sense of Chelsea Handler saying that the Kardashians are the reason Trump got elected, while also saying Megyn Kelly is swell:\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/tenor.gif\">\u003cimg class=\"aligncenter size-full wp-image-60808\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/tenor.gif\" alt=\"tenor\" width=\"360\" height=\"230\">\u003c/a>\u003c/p>\n\u003cp>And we ride out on “Dove” by Pillar Point, which has the best music video you've seen in a long while:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/BU6dAAfg-qk'\n title='//www.youtube.com/embed/BU6dAAfg-qk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>Until next week! \u003ca href=\"https://itunes.apple.com/us/podcast/id1041117499\" target=\"_blank\">Subscribe and rate us in iTunes\u003c/a>! And find us on \u003ca href=\"https://www.facebook.com/KQED-Pop-336039936485067/timeline/\" target=\"_blank\">Facebook\u003c/a> and \u003ca href=\"https://twitter.com/kqedpop\" target=\"_blank\">Twitter\u003c/a>!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "A Six-Year-Old Girl Reviews 'A Walk to Remember'",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>Released on Jan. 25, 2002, the Mandy Moore classic \u003cem>A Walk To Remember\u003c/em> is celebrating its 15th anniversary today. \u003cem>Entertainment Tonight\u003c/em> has \u003ca href=\"http://www.etonline.com/movies/208097_a_walk_to_remember_turns_15_take_a_trip_down_memory_lane_with_mandy_moore_and_shane_west/\" target=\"_blank\">the video interview\u003c/a> with Moore and Shane West; \u003cem>Entertainment Weekly\u003c/em> has \u003ca href=\"http://ew.com/movies/2017/01/25/mandy-moore-shane-west-walk-to-remember/\" target=\"_blank\">the Q&A\u003c/a>; and Moore herself has the \u003ca href=\"https://www.instagram.com/p/BPsXyp-gD4h/\" target=\"_blank\">Instagram post asking fans for their favorite scenes\u003c/a>.\u003c/p>\n\u003cp>To add to the festivities, we've chosen to honor the film the best way we know how: by showing \u003cem>A Walk to Remember\u003c/em> to a six-year-old girl and asking her to write down what she thinks. Here she is: Lena!\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-medium wp-image-60764\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/LenaFarting-800x559.jpg\" alt=\"LenaFarting\" width=\"800\" height=\"559\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/LenaFarting-800x559.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/LenaFarting-160x112.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/LenaFarting-768x537.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/LenaFarting.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/LenaFarting-240x168.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/LenaFarting-375x262.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/LenaFarting-520x363.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Our request was simple -- we asked Lena to pause the movie when she felt any strong emotions, and to write them down in a small notepad when she did. We promise we did not guide her or feed her any ideas; all thoughts are her own.\u003c/p>\n\u003cp>Let's go scene by scene, presented with her comments -- and followed by her summary of \u003cem>A Walk to Remember\u003c/em> that will melt your heart.\u003c/p>\n\u003ch2>1.\u003c/h2>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60767\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Walk1.jpg\" alt=\"Walk1\" width=\"600\" height=\"666\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk1.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk1-160x178.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk1-240x266.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk1-375x416.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk1-520x577.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/original.gif\">\u003cimg class=\"aligncenter size-full wp-image-60738\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.17.42-PM.png\" alt=\"Screen Shot 2017-01-25 at 1.17.42 PM\" width=\"1129\" height=\"496\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.17.42-PM.png 1129w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.17.42-PM-160x70.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.17.42-PM-800x351.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.17.42-PM-768x337.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.17.42-PM-1020x448.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.17.42-PM-960x422.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.17.42-PM-240x105.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.17.42-PM-375x165.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.17.42-PM-520x228.png 520w\" sizes=\"(max-width: 1129px) 100vw, 1129px\">\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/original.gif\">\u003cimg class=\"aligncenter size-full wp-image-60737\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.18.03-PM.png\" alt=\"Screen Shot 2017-01-25 at 1.18.03 PM\" width=\"1130\" height=\"496\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.18.03-PM.png 1130w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.18.03-PM-160x70.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.18.03-PM-800x351.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.18.03-PM-768x337.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.18.03-PM-1020x448.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.18.03-PM-960x421.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.18.03-PM-240x105.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.18.03-PM-375x165.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.18.03-PM-520x228.png 520w\" sizes=\"(max-width: 1130px) 100vw, 1130px\">\u003c/a>\u003c/p>\n\u003ch2>2.\u003c/h2>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60768\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Walk2.jpg\" alt=\"Walk2\" width=\"600\" height=\"666\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk2.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk2-160x178.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk2-240x266.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk2-375x416.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk2-520x577.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/original.gif\">\u003cimg class=\"aligncenter size-full wp-image-60736\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.19.50-PM.png\" alt=\"Screen Shot 2017-01-25 at 1.19.50 PM\" width=\"1134\" height=\"490\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.19.50-PM.png 1134w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.19.50-PM-160x69.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.19.50-PM-800x346.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.19.50-PM-768x332.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.19.50-PM-1020x441.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.19.50-PM-960x415.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.19.50-PM-240x104.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.19.50-PM-375x162.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.19.50-PM-520x225.png 520w\" sizes=\"(max-width: 1134px) 100vw, 1134px\">\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/original.gif\">\u003cimg class=\"aligncenter size-full wp-image-60735\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.20.57-PM.png\" alt=\"Screen Shot 2017-01-25 at 1.20.57 PM\" width=\"1132\" height=\"492\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.20.57-PM.png 1132w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.20.57-PM-160x70.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.20.57-PM-800x348.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.20.57-PM-768x334.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.20.57-PM-1020x443.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.20.57-PM-960x417.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.20.57-PM-240x104.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.20.57-PM-375x163.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.20.57-PM-520x226.png 520w\" sizes=\"(max-width: 1132px) 100vw, 1132px\">\u003c/a>\u003c/p>\n\u003ch2>3.\u003c/h2>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60769\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Walk3.jpg\" alt=\"Walk3\" width=\"600\" height=\"666\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk3.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk3-160x178.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk3-240x266.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk3-375x416.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk3-520x577.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/original.gif\">\u003cimg class=\"aligncenter size-full wp-image-60732\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.29.37-PM.png\" alt=\"Screen Shot 2017-01-25 at 1.29.37 PM\" width=\"1133\" height=\"492\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.29.37-PM.png 1133w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.29.37-PM-160x69.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.29.37-PM-800x347.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.29.37-PM-768x334.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.29.37-PM-1020x443.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.29.37-PM-960x417.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.29.37-PM-240x104.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.29.37-PM-375x163.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.29.37-PM-520x226.png 520w\" sizes=\"(max-width: 1133px) 100vw, 1133px\">\u003c/a>\u003c/p>\n\u003ch2>4.\u003c/h2>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60770\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Walk4.jpg\" alt=\"Walk4\" width=\"600\" height=\"666\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk4.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk4-160x178.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk4-240x266.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk4-375x416.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk4-520x577.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/original.gif\">\u003cimg class=\"aligncenter size-full wp-image-60731\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.06-PM.png\" alt=\"Screen Shot 2017-01-25 at 1.32.06 PM\" width=\"1131\" height=\"493\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.06-PM.png 1131w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.06-PM-160x70.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.06-PM-800x349.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.06-PM-768x335.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.06-PM-1020x445.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.06-PM-960x418.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.06-PM-240x105.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.06-PM-375x163.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.06-PM-520x227.png 520w\" sizes=\"(max-width: 1131px) 100vw, 1131px\">\u003cimg class=\"aligncenter size-full wp-image-60730\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.21-PM.png\" alt=\"Screen Shot 2017-01-25 at 1.32.21 PM\" width=\"1134\" height=\"496\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.21-PM.png 1134w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.21-PM-160x70.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.21-PM-800x350.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.21-PM-768x336.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.21-PM-1020x446.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.21-PM-960x420.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.21-PM-240x105.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.21-PM-375x164.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.21-PM-520x227.png 520w\" sizes=\"(max-width: 1134px) 100vw, 1134px\">\u003c/a>\u003c/p>\n\u003ch2>5.\u003c/h2>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60771\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Walk5.jpg\" alt=\"Walk5\" width=\"600\" height=\"666\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk5.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk5-160x178.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk5-240x266.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk5-375x416.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk5-520x577.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/a-walk-to-remember-5.gif\">\u003cimg class=\"aligncenter size-full wp-image-60729\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/a-walk-to-remember-5.gif\" alt=\"a-walk-to-remember-5\" width=\"500\" height=\"220\">\u003c/a>\u003c/p>\n\u003ch2>6.\u003c/h2>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60772\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Walk6.jpg\" alt=\"Walk6\" width=\"600\" height=\"666\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk6.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk6-160x178.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk6-240x266.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk6-375x416.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk6-520x577.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/sickness.gif\">\u003cimg class=\"aligncenter size-full wp-image-60725\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/sickness.gif\" alt=\"sickness\" width=\"500\" height=\"278\">\u003c/a>\u003c/p>\n\u003ch2>7.\u003c/h2>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60773\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Walk7.jpg\" alt=\"Walk7\" width=\"600\" height=\"666\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk7.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk7-160x178.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk7-240x266.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk7-375x416.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk7-520x577.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/hqdefault.jpg\">\u003cimg class=\"aligncenter size-full wp-image-60727\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/hqdefault.jpg\" alt=\"hqdefault\" width=\"480\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/hqdefault.jpg 480w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/hqdefault-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/hqdefault-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/hqdefault-375x281.jpg 375w\" sizes=\"(max-width: 480px) 100vw, 480px\">\u003c/a>\u003c/p>\n\u003ch2>8.\u003c/h2>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60774\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Walk8.jpg\" alt=\"Walk8\" width=\"600\" height=\"666\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk8.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk8-160x178.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk8-240x266.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk8-375x416.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk8-520x577.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60739\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/13283495.gif\" alt=\"13283495\" width=\"500\" height=\"173\">\u003c/p>\n\u003ch2>9.\u003c/h2>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60775\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Walk9.jpg\" alt=\"Walk9\" width=\"600\" height=\"666\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk9.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk9-160x178.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk9-240x266.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk9-375x416.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk9-520x577.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/1465431211-tumblr-mptr5zv37i1sw9vgvo1-500.gif\">\u003cimg class=\"aligncenter size-full wp-image-60741\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/1465431211-tumblr-mptr5zv37i1sw9vgvo1-500.gif\" alt=\"1465431211-tumblr-mptr5zv37i1sw9vgvo1-500\" width=\"500\" height=\"205\">\u003c/a>\u003c/p>\n\u003ch2>10.\u003c/h2>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60776\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Walk10.jpg\" alt=\"Walk10\" width=\"600\" height=\"666\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk10.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk10-160x178.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk10-240x266.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk10-375x416.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk10-520x577.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60723\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/original.gif\" alt=\"original\" width=\"500\" height=\"213\">\u003c/p>\n\u003ch2>Epilogue\u003c/h2>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60777\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Walk11.jpg\" alt=\"Walk11\" width=\"600\" height=\"666\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk11.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk11-160x178.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk11-240x266.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk11-375x416.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk11-520x577.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\n",
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"excerpt": "We asked a first-grader with a notepad to write down her thoughts while watching Mandy Moore's classic film.",
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"description": "We asked a first-grader with a notepad to write down her thoughts while watching Mandy Moore's classic film.",
"title": "A Six-Year-Old Girl Reviews 'A Walk to Remember' | KQED",
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"headline": "A Six-Year-Old Girl Reviews 'A Walk to Remember'",
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"slug": "a-six-year-old-girl-reviews-a-walk-to-remember",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Released on Jan. 25, 2002, the Mandy Moore classic \u003cem>A Walk To Remember\u003c/em> is celebrating its 15th anniversary today. \u003cem>Entertainment Tonight\u003c/em> has \u003ca href=\"http://www.etonline.com/movies/208097_a_walk_to_remember_turns_15_take_a_trip_down_memory_lane_with_mandy_moore_and_shane_west/\" target=\"_blank\">the video interview\u003c/a> with Moore and Shane West; \u003cem>Entertainment Weekly\u003c/em> has \u003ca href=\"http://ew.com/movies/2017/01/25/mandy-moore-shane-west-walk-to-remember/\" target=\"_blank\">the Q&A\u003c/a>; and Moore herself has the \u003ca href=\"https://www.instagram.com/p/BPsXyp-gD4h/\" target=\"_blank\">Instagram post asking fans for their favorite scenes\u003c/a>.\u003c/p>\n\u003cp>To add to the festivities, we've chosen to honor the film the best way we know how: by showing \u003cem>A Walk to Remember\u003c/em> to a six-year-old girl and asking her to write down what she thinks. Here she is: Lena!\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-medium wp-image-60764\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/LenaFarting-800x559.jpg\" alt=\"LenaFarting\" width=\"800\" height=\"559\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/LenaFarting-800x559.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/LenaFarting-160x112.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/LenaFarting-768x537.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/LenaFarting.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/LenaFarting-240x168.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/LenaFarting-375x262.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/LenaFarting-520x363.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>Our request was simple -- we asked Lena to pause the movie when she felt any strong emotions, and to write them down in a small notepad when she did. We promise we did not guide her or feed her any ideas; all thoughts are her own.\u003c/p>\n\u003cp>Let's go scene by scene, presented with her comments -- and followed by her summary of \u003cem>A Walk to Remember\u003c/em> that will melt your heart.\u003c/p>\n\u003ch2>1.\u003c/h2>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60767\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Walk1.jpg\" alt=\"Walk1\" width=\"600\" height=\"666\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk1.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk1-160x178.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk1-240x266.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk1-375x416.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk1-520x577.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/original.gif\">\u003cimg class=\"aligncenter size-full wp-image-60738\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.17.42-PM.png\" alt=\"Screen Shot 2017-01-25 at 1.17.42 PM\" width=\"1129\" height=\"496\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.17.42-PM.png 1129w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.17.42-PM-160x70.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.17.42-PM-800x351.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.17.42-PM-768x337.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.17.42-PM-1020x448.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.17.42-PM-960x422.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.17.42-PM-240x105.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.17.42-PM-375x165.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.17.42-PM-520x228.png 520w\" sizes=\"(max-width: 1129px) 100vw, 1129px\">\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/original.gif\">\u003cimg class=\"aligncenter size-full wp-image-60737\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.18.03-PM.png\" alt=\"Screen Shot 2017-01-25 at 1.18.03 PM\" width=\"1130\" height=\"496\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.18.03-PM.png 1130w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.18.03-PM-160x70.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.18.03-PM-800x351.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.18.03-PM-768x337.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.18.03-PM-1020x448.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.18.03-PM-960x421.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.18.03-PM-240x105.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.18.03-PM-375x165.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.18.03-PM-520x228.png 520w\" sizes=\"(max-width: 1130px) 100vw, 1130px\">\u003c/a>\u003c/p>\n\u003ch2>2.\u003c/h2>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60768\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Walk2.jpg\" alt=\"Walk2\" width=\"600\" height=\"666\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk2.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk2-160x178.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk2-240x266.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk2-375x416.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk2-520x577.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/original.gif\">\u003cimg class=\"aligncenter size-full wp-image-60736\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.19.50-PM.png\" alt=\"Screen Shot 2017-01-25 at 1.19.50 PM\" width=\"1134\" height=\"490\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.19.50-PM.png 1134w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.19.50-PM-160x69.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.19.50-PM-800x346.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.19.50-PM-768x332.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.19.50-PM-1020x441.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.19.50-PM-960x415.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.19.50-PM-240x104.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.19.50-PM-375x162.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.19.50-PM-520x225.png 520w\" sizes=\"(max-width: 1134px) 100vw, 1134px\">\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/original.gif\">\u003cimg class=\"aligncenter size-full wp-image-60735\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.20.57-PM.png\" alt=\"Screen Shot 2017-01-25 at 1.20.57 PM\" width=\"1132\" height=\"492\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.20.57-PM.png 1132w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.20.57-PM-160x70.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.20.57-PM-800x348.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.20.57-PM-768x334.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.20.57-PM-1020x443.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.20.57-PM-960x417.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.20.57-PM-240x104.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.20.57-PM-375x163.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.20.57-PM-520x226.png 520w\" sizes=\"(max-width: 1132px) 100vw, 1132px\">\u003c/a>\u003c/p>\n\u003ch2>3.\u003c/h2>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60769\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Walk3.jpg\" alt=\"Walk3\" width=\"600\" height=\"666\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk3.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk3-160x178.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk3-240x266.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk3-375x416.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk3-520x577.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/original.gif\">\u003cimg class=\"aligncenter size-full wp-image-60732\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.29.37-PM.png\" alt=\"Screen Shot 2017-01-25 at 1.29.37 PM\" width=\"1133\" height=\"492\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.29.37-PM.png 1133w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.29.37-PM-160x69.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.29.37-PM-800x347.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.29.37-PM-768x334.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.29.37-PM-1020x443.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.29.37-PM-960x417.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.29.37-PM-240x104.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.29.37-PM-375x163.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.29.37-PM-520x226.png 520w\" sizes=\"(max-width: 1133px) 100vw, 1133px\">\u003c/a>\u003c/p>\n\u003ch2>4.\u003c/h2>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60770\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Walk4.jpg\" alt=\"Walk4\" width=\"600\" height=\"666\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk4.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk4-160x178.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk4-240x266.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk4-375x416.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk4-520x577.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/original.gif\">\u003cimg class=\"aligncenter size-full wp-image-60731\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.06-PM.png\" alt=\"Screen Shot 2017-01-25 at 1.32.06 PM\" width=\"1131\" height=\"493\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.06-PM.png 1131w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.06-PM-160x70.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.06-PM-800x349.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.06-PM-768x335.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.06-PM-1020x445.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.06-PM-960x418.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.06-PM-240x105.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.06-PM-375x163.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.06-PM-520x227.png 520w\" sizes=\"(max-width: 1131px) 100vw, 1131px\">\u003cimg class=\"aligncenter size-full wp-image-60730\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.21-PM.png\" alt=\"Screen Shot 2017-01-25 at 1.32.21 PM\" width=\"1134\" height=\"496\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.21-PM.png 1134w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.21-PM-160x70.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.21-PM-800x350.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.21-PM-768x336.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.21-PM-1020x446.png 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.21-PM-960x420.png 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.21-PM-240x105.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.21-PM-375x164.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Screen-Shot-2017-01-25-at-1.32.21-PM-520x227.png 520w\" sizes=\"(max-width: 1134px) 100vw, 1134px\">\u003c/a>\u003c/p>\n\u003ch2>5.\u003c/h2>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60771\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Walk5.jpg\" alt=\"Walk5\" width=\"600\" height=\"666\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk5.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk5-160x178.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk5-240x266.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk5-375x416.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk5-520x577.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/a-walk-to-remember-5.gif\">\u003cimg class=\"aligncenter size-full wp-image-60729\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/a-walk-to-remember-5.gif\" alt=\"a-walk-to-remember-5\" width=\"500\" height=\"220\">\u003c/a>\u003c/p>\n\u003ch2>6.\u003c/h2>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60772\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Walk6.jpg\" alt=\"Walk6\" width=\"600\" height=\"666\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk6.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk6-160x178.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk6-240x266.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk6-375x416.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk6-520x577.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/sickness.gif\">\u003cimg class=\"aligncenter size-full wp-image-60725\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/sickness.gif\" alt=\"sickness\" width=\"500\" height=\"278\">\u003c/a>\u003c/p>\n\u003ch2>7.\u003c/h2>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60773\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Walk7.jpg\" alt=\"Walk7\" width=\"600\" height=\"666\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk7.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk7-160x178.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk7-240x266.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk7-375x416.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk7-520x577.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/hqdefault.jpg\">\u003cimg class=\"aligncenter size-full wp-image-60727\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/hqdefault.jpg\" alt=\"hqdefault\" width=\"480\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/hqdefault.jpg 480w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/hqdefault-160x120.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/hqdefault-240x180.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/hqdefault-375x281.jpg 375w\" sizes=\"(max-width: 480px) 100vw, 480px\">\u003c/a>\u003c/p>\n\u003ch2>8.\u003c/h2>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60774\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Walk8.jpg\" alt=\"Walk8\" width=\"600\" height=\"666\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk8.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk8-160x178.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk8-240x266.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk8-375x416.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk8-520x577.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60739\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/13283495.gif\" alt=\"13283495\" width=\"500\" height=\"173\">\u003c/p>\n\u003ch2>9.\u003c/h2>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60775\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Walk9.jpg\" alt=\"Walk9\" width=\"600\" height=\"666\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk9.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk9-160x178.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk9-240x266.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk9-375x416.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk9-520x577.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/1465431211-tumblr-mptr5zv37i1sw9vgvo1-500.gif\">\u003cimg class=\"aligncenter size-full wp-image-60741\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/1465431211-tumblr-mptr5zv37i1sw9vgvo1-500.gif\" alt=\"1465431211-tumblr-mptr5zv37i1sw9vgvo1-500\" width=\"500\" height=\"205\">\u003c/a>\u003c/p>\n\u003ch2>10.\u003c/h2>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60776\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Walk10.jpg\" alt=\"Walk10\" width=\"600\" height=\"666\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk10.jpg 600w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk10-160x178.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk10-240x266.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk10-375x416.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/01/Walk10-520x577.jpg 520w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60723\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/original.gif\" alt=\"original\" width=\"500\" height=\"213\">\u003c/p>\n\u003ch2>Epilogue\u003c/h2>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-60777\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/01/Walk11.jpg\" 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"content": "\u003cp>A non-scientific study I just made up (#AlternativeFacts) finds that the average American sees Kellyanne Conway's face at least once every 60 minutes. This means it's time for your hourly dose, in the form of this 1998 standup comedy routine that you will never un-see.\u003c/p>\n\u003cp>A sneak peek of what's in store:\u003c/p>\n\u003cul>\n\u003cli>a sick Halley's Comet reference\u003c/li>\n\u003cli>a super-original joke about how much men think about sex (a lot! LOL!)\u003c/li>\n\u003cli>a child abuse joke that ends with a \u003cem>the-Redskins-suck-at-football\u003c/em> punchline\u003c/li>\n\u003cli>an \u003cem>Ally McBeal\u003c/em> shout-out\u003c/li>\n\u003cli>a musical number involving a red feather boa\u003c/li>\n\u003c/ul>\n\u003cp>... and more!\u003c/p>\n\u003cp>Watch, if you dare:\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=kKFUL_dksUA\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A non-scientific study I just made up (#AlternativeFacts) finds that the average American sees Kellyanne Conway's face at least once every 60 minutes. This means it's time for your hourly dose, in the form of this 1998 standup comedy routine that you will never un-see.\u003c/p>\n\u003cp>A sneak peek of what's in store:\u003c/p>\n\u003cul>\n\u003cli>a sick Halley's Comet reference\u003c/li>\n\u003cli>a super-original joke about how much men think about sex (a lot! LOL!)\u003c/li>\n\u003cli>a child abuse joke that ends with a \u003cem>the-Redskins-suck-at-football\u003c/em> punchline\u003c/li>\n\u003cli>an \u003cem>Ally McBeal\u003c/em> shout-out\u003c/li>\n\u003cli>a musical number involving a red feather boa\u003c/li>\n\u003c/ul>\n\u003cp>... and more!\u003c/p>\n\u003cp>Watch, if you dare:\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/kKFUL_dksUA'\n title='//www.youtube.com/embed/kKFUL_dksUA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"id": "baycurious",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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},
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},
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"order": 8
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"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"order": 1
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"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
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"source": "Commonwealth Club of California"
},
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"title": "Forum",
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"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
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"order": 9
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"meta": {
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"source": "WNYC"
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"id": "fresh-air",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"hidden-brain": {
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"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"airtime": "SUN 7pm-8pm",
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"source": "NPR"
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"how-i-built-this": {
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"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
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"airtime": "SUN 7:30pm-8pm",
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"hyphenacion": {
"id": "hyphenacion",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"jerrybrown": {
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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},
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"id": "latino-usa",
"title": "Latino USA",
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
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},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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