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"content": "\u003cp>United Airlines is having a really bad couple of weeks, to put it mildly. In late March, \u003ca href=\"https://www.nytimes.com/2017/03/26/us/united-airlines-leggings.html?_r=0\">a gate agent decided \u003c/a>two teenage girls couldn't board a flight simply because they were wearing leggings. 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Surely, the visual of police dragging this man's bleeding body down the aisle would inspire a more empathetic response than United's stubborn statement on the leggings controversy, right? Yeah, not so much:\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n.png\">\u003cimg class=\"aligncenter size-full wp-image-74685\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n.png\" alt=\"17757341_1327123630658509_9048340344818008346_n\" width=\"400\" height=\"400\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n-160x160.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n-240x240.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n-375x375.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n-32x32.png 32w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n-50x50.png 50w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n-64x64.png 64w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n-96x96.png 96w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n-128x128.png 128w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n-150x150.png 150w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Re-accommodate?! That's what we're calling this?\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/Ack5tk2.gif\">\u003cimg class=\"aligncenter size-full wp-image-74686\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/Ack5tk2.gif\" alt=\"Ack5tk2\" width=\"320\" height=\"181\">\u003c/a>\u003c/p>\n\u003cp>And United CEO Oscar Munoz was just getting started. In an email to employees, he stood by the \"procedures\" followed on that flight and didn't waste any time getting into some victim blaming, calling the customer \"disruptive and belligerent.\" More disruptive and belligerent than calling in a mini militia to manhandle an innocent person while people scream in the background?\u003c/p>\n\u003cp>Turns out CEOs don't get to word vomit into the void without consequences. United stock took a huge nose-dive, losing nearly one billion dollars in a single day.\u003c/p>\n\u003cp>https://twitter.com/Anthony/status/851805788851122177\u003c/p>\n\u003cp>https://twitter.com/BlackGirlNerds/status/851798908829388800\u003c/p>\n\u003cp>https://twitter.com/xcusemybeauty/status/851901476041445376\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>And just like that, Munoz is suddenly super duper sorry. Here's his latest attempt at putting words in a non-outrageous order:\u003c/p>\n\u003cp>\u003cem>Dear Team,\u003c/em>\u003c/p>\n\u003cp>\u003cem>The truly horrific event that occurred on this flight has elicited many responses from all of us: outrage, anger, disappointment. I share all of those sentiments, and one above all: my deepest apologies for what happened. Like you, I continue to be disturbed by what happened on this flight and I deeply apologize to the customer forcibly removed and to all the customers aboard. No one should ever be mistreated this way.\u003c/em>\u003c/p>\n\u003cp>\u003cem>I want you to know that we take full responsibility and we will work to make it right.\u003c/em>\u003c/p>\n\u003cp>\u003cem>It's never too late to do the right thing. I have committed to our customers and our employees that we are going to fix what's broken so this never happens again. This will include a thorough review of crew movement, our policies for incentivizing volunteers in these situations, how we handle oversold situations and an examination of how we partner with airport authorities and local law enforcement. We'll communicate the results of our review by April 30\u003csup>th\u003c/sup>.\u003c/em>\u003c/p>\n\u003cp>\u003cem>I promise you we will do better.\u003c/em>\u003c/p>\n\u003cp>\u003cem>Sincerely,\u003c/em>\u003c/p>\n\u003cp>\u003cem>Oscar\u003c/em>\u003c/p>\n\u003cp>Munoz wants to be on a first-name basis now, as if to remind us that he's just a human being doing his best (you know, kind of like how that customer is simply a human being who was trying to get from point A to point B without getting violently attacked and villainized for no reason). And to think, all of this could have been avoided if Munoz hadn't insisted that body-slamming an innocent person was normal.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>So, in the words of great philosopher Justin Bieber, is it too late now to say sorry? Time -- and the stock market -- will tell.\u003c/p>\n\n",
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"excerpt": "After losing nearly a billion dollars in one day, the United CEO is suddenly very, very sorry.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>United Airlines is having a really bad couple of weeks, to put it mildly. In late March, \u003ca href=\"https://www.nytimes.com/2017/03/26/us/united-airlines-leggings.html?_r=0\">a gate agent decided \u003c/a>two teenage girls couldn't board a flight simply because they were wearing leggings. Despite an immediate backlash, United stood by the decision:\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>LeggingsGate was soon overshadowed by \u003ca href=\"https://ww2.kqed.org/pop/2017/04/04/police-brutality-is-officially-over-thanks-to-kendall-jenners-messy-pepsi-commercial/\">Pepsi and Kendall Jenner's collaborative attempt\u003c/a> at eliminating police brutality, war, and all the world's other problems with free soda. \u003cem>It's going to be a while before a corporation matches that level of messy\u003c/em>, we thought. \u003cem>Hold my beer\u003c/em>, United responded.\u003c/p>\n\u003cp>By now, most of us have seen the horrifying videos of a man being assaulted and forcibly removed from a flight, not because he did anything wrong, but because United agents wanted to give his seat to one of their coworkers. Surely, the visual of police dragging this man's bleeding body down the aisle would inspire a more empathetic response than United's stubborn statement on the leggings controversy, right? Yeah, not so much:\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n.png\">\u003cimg class=\"aligncenter size-full wp-image-74685\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n.png\" alt=\"17757341_1327123630658509_9048340344818008346_n\" width=\"400\" height=\"400\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n-160x160.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n-240x240.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n-375x375.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n-32x32.png 32w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n-50x50.png 50w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n-64x64.png 64w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n-96x96.png 96w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n-128x128.png 128w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/17757341_1327123630658509_9048340344818008346_n-150x150.png 150w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Re-accommodate?! That's what we're calling this?\u003c/p>\n\u003cp>\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/Ack5tk2.gif\">\u003cimg class=\"aligncenter size-full wp-image-74686\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/Ack5tk2.gif\" alt=\"Ack5tk2\" width=\"320\" height=\"181\">\u003c/a>\u003c/p>\n\u003cp>And United CEO Oscar Munoz was just getting started. In an email to employees, he stood by the \"procedures\" followed on that flight and didn't waste any time getting into some victim blaming, calling the customer \"disruptive and belligerent.\" More disruptive and belligerent than calling in a mini militia to manhandle an innocent person while people scream in the background?\u003c/p>\n\u003cp>Turns out CEOs don't get to word vomit into the void without consequences. United stock took a huge nose-dive, losing nearly one billion dollars in a single day.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp> \u003c/p>\n\u003cp>And just like that, Munoz is suddenly super duper sorry. Here's his latest attempt at putting words in a non-outrageous order:\u003c/p>\n\u003cp>\u003cem>Dear Team,\u003c/em>\u003c/p>\n\u003cp>\u003cem>The truly horrific event that occurred on this flight has elicited many responses from all of us: outrage, anger, disappointment. I share all of those sentiments, and one above all: my deepest apologies for what happened. Like you, I continue to be disturbed by what happened on this flight and I deeply apologize to the customer forcibly removed and to all the customers aboard. No one should ever be mistreated this way.\u003c/em>\u003c/p>\n\u003cp>\u003cem>I want you to know that we take full responsibility and we will work to make it right.\u003c/em>\u003c/p>\n\u003cp>\u003cem>It's never too late to do the right thing. I have committed to our customers and our employees that we are going to fix what's broken so this never happens again. This will include a thorough review of crew movement, our policies for incentivizing volunteers in these situations, how we handle oversold situations and an examination of how we partner with airport authorities and local law enforcement. We'll communicate the results of our review by April 30\u003csup>th\u003c/sup>.\u003c/em>\u003c/p>\n\u003cp>\u003cem>I promise you we will do better.\u003c/em>\u003c/p>\n\u003cp>\u003cem>Sincerely,\u003c/em>\u003c/p>\n\u003cp>\u003cem>Oscar\u003c/em>\u003c/p>\n\u003cp>Munoz wants to be on a first-name basis now, as if to remind us that he's just a human being doing his best (you know, kind of like how that customer is simply a human being who was trying to get from point A to point B without getting violently attacked and villainized for no reason). And to think, all of this could have been avoided if Munoz hadn't insisted that body-slamming an innocent person was normal.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>So, in the words of great philosopher Justin Bieber, is it too late now to say sorry? Time -- and the stock market -- will tell.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "The Best Fictional Librarians from Popular Culture",
"title": "The Best Fictional Librarians from Popular Culture",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cp>National Library Workers' Day is an opportunity to celebrate librarians for everything they do, and they do a lot. They act as our teachers, our tour guides through the world of knowledge, and even our social workers. They help us develop a lifelong passion for literature, find jobs, and make it through the paper that's due in two hours. In short: they're heroes.\u003c/p>\n\u003cp>So today, let’s celebrate some of the best fictional librarians from popular culture. I’m going to go ahead and mix characters from TV, movies, books, and comics, because you know what I do when I hear a rule? I break it! Unless I’m in a library, in which case I follow all rules. No one should mess with a librarian.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Giles (\u003cem>Buffy the Vampire Slayer\u003c/em>)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/tumblr_inline_n6k5fumgks1r76eny.gif\">\u003cimg class=\"aligncenter size-full wp-image-73949\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/tumblr_inline_n6k5fumgks1r76eny.gif\" alt=\"giles buffy\" width=\"500\" height=\"290\">\u003c/a>\u003c/p>\n\u003cp>His Britishness! The way he takes off his glasses and rubs them on his shirt during awkward moments! His bad boy past! This is a man who loves the reference section, and knows how to use it. And just like real-life librarians, he is often pivotal in stopping the apocalypse.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=E_M108B3mdY\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Wan Shi Tong and the Knowledge Seekers (\u003cem>Avatar: The Last Airbender \u003c/em>&\u003cem> The Legend of Korra\u003c/em>)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/tumblr_inline_ndlza3tihn1ra76z6.gif\">\u003cimg class=\"aligncenter size-full wp-image-73958\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/tumblr_inline_ndlza3tihn1ra76z6.gif\" alt=\"airbender owl\" width=\"500\" height=\"201\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/Helpful_Knowledge_Seeker.png\">\u003cimg class=\"aligncenter size-large wp-image-73959\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/Helpful_Knowledge_Seeker.png\" alt=\"Helpful_Knowledge_Seeker\" width=\"444\" height=\"250\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/04/Helpful_Knowledge_Seeker.png 444w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/Helpful_Knowledge_Seeker-160x90.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/Helpful_Knowledge_Seeker-240x135.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/Helpful_Knowledge_Seeker-375x211.png 375w\" sizes=\"(max-width: 444px) 100vw, 444px\">\u003c/a>\u003c/p>\n\u003cp>Although he only appears in a handful of episodes, Wan Shi Tong, a spirit owl who oversees a library served by spirit foxes, is unforgettable. I wish I could go to a library staffed by highly literate foxes! Oh, wait, that’s every library! (See what I did there?)\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=U4nTq17Ml_E\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Death (\u003cem>Bitterblue\u003c/em> by Kristin Cashore)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/13188729.jpg\">\u003cimg class=\"aligncenter size-full wp-image-73972\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/13188729.jpg\" alt=\"13188729\" width=\"315\" height=\"475\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/04/13188729.jpg 315w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/13188729-160x241.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/13188729-240x362.jpg 240w\" sizes=\"(max-width: 315px) 100vw, 315px\">\u003c/a>\u003c/p>\n\u003cp>Death (pronounced to rhyme with teeth) is cranky and cantankerous in the best way. This badass elder librarian knows every book ever written by heart. When a king burns the library to hide the past, the librarian must rewrite each book from memory, the sole defender against historical amnesia.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Conan the Librarian (\u003cem>UHF\u003c/em>)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/GRMKhFy.gif\">\u003cimg class=\"aligncenter size-full wp-image-73973\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/GRMKhFy.gif\" alt=\"GRMKhFy\" width=\"418\" height=\"225\">\u003c/a>\u003c/p>\n\u003cp>Not every librarian has to wear glasses; some wear fur loincloths and carry swords! To this day “Don’t you know the Dewey Decimal System?!” remains one of my favorite movie quotes. I wish this was a real movie, instead of a fake trailer inside of a movie.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=mZHoHaAYHq8\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>A-Through-L (\u003cstrong>\u003cem>The Girl Who Soared Over Fairyland and Cut the Moon in Two\u003c/em> by Catherynne M. Valente\u003cem>)\u003c/em>\u003c/strong>\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/Girl-Who-Circumnavigated-Fairyland-The-20.jpg\">\u003cimg class=\"aligncenter wp-image-73977\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/Girl-Who-Circumnavigated-Fairyland-The-20-160x229.jpg\" alt=\"Girl-Who-Circumnavigated-Fairyland-The-20\" width=\"350\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/04/Girl-Who-Circumnavigated-Fairyland-The-20-160x229.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/Girl-Who-Circumnavigated-Fairyland-The-20-800x1145.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/Girl-Who-Circumnavigated-Fairyland-The-20-768x1099.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/Girl-Who-Circumnavigated-Fairyland-The-20-1020x1460.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/Girl-Who-Circumnavigated-Fairyland-The-20-960x1374.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/Girl-Who-Circumnavigated-Fairyland-The-20-240x343.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/Girl-Who-Circumnavigated-Fairyland-The-20-375x537.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/Girl-Who-Circumnavigated-Fairyland-The-20-520x744.jpg 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/Girl-Who-Circumnavigated-Fairyland-The-20.jpg 1118w\" sizes=\"(max-width: 350px) 100vw, 350px\">\u003c/a>\u003c/p>\n\u003cp>A-Through-L has encyclopedic knowledge of everything beginning with -- you guessed it -- the letters A through L, but unlike most librarians, he can also fly and breathe fire. Half \u003ca href=\"https://en.wikipedia.org/wiki/Wyvern\">wyvern\u003c/a>, half library, all heart, he’ll fly you up to the tall shelves.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Lucien (\u003cem>The Sandman\u003c/em> comics)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/5096377-3d64a380-0d2b-012d-ae37-0050569428b1.jpg\">\u003cimg class=\"aligncenter size-full wp-image-73974\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/5096377-3d64a380-0d2b-012d-ae37-0050569428b1.jpg\" alt=\"5096377-3d64a380-0d2b-012d-ae37-0050569428b1\" width=\"306\" height=\"470\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/04/5096377-3d64a380-0d2b-012d-ae37-0050569428b1.jpg 306w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/5096377-3d64a380-0d2b-012d-ae37-0050569428b1-160x246.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/5096377-3d64a380-0d2b-012d-ae37-0050569428b1-240x369.jpg 240w\" sizes=\"(max-width: 306px) 100vw, 306px\">\u003c/a>\u003c/p>\n\u003cp>Imagine being the keeper of a library containing every book ever written or even thought of. All of the librarians reading this just drooled a little bit.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Amma / Marian Ashcroft (\u003cem>Beautiful Creatures\u003c/em>, the movie and book)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_73976\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich.jpg\">\u003cimg class=\"wp-image-73976 size-large\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich-1020x679.jpg\" alt=\"beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich\" width=\"640\" height=\"426\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich-1020x679.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich-800x532.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich-768x511.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich-1180x785.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich-960x639.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich-520x346.jpg 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich.jpg 1800w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Warner Bros.\u003c/figcaption>\u003c/figure>\n\u003cp>Marian Ashcroft is the librarian for both the regular mortal library of small town Gatlin and the magical library that is hidden beneath. She sends books in the mail, helping homebound residents discretely access magic, she quotes Shakespeare, and she’s brave enough to defy both dark magicians and small-minded school boards. Plus, in the movie, she’s played by Viola Davis.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Mary (\u003cem>Party Girl\u003c/em>)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/partygirl_zps9248ddf1.gif\">\u003cimg class=\"aligncenter size-full wp-image-73975\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/partygirl_zps9248ddf1.gif\" alt=\"partygirl_zps9248ddf1\" width=\"245\" height=\"186\">\u003c/a>\u003c/p>\n\u003cp>Parker Posey’s character single-handedly inspired a generation to become librarians. Voguing with NYC’s party elite by night, cross-referencing by day, Mary does it all, while rocking the hottest outfits of the '90s. Word of warning: Don't mess with the Dewey Decimal System or she will yell in your face.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=gzbDdgWiaS0\u003c/p>\n\n",
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"excerpt": "National Library Workers' Day is an opportunity to celebrate librarians for everything they do, and they do a lot.",
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"headline": "The Best Fictional Librarians from Popular Culture",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>National Library Workers' Day is an opportunity to celebrate librarians for everything they do, and they do a lot. They act as our teachers, our tour guides through the world of knowledge, and even our social workers. They help us develop a lifelong passion for literature, find jobs, and make it through the paper that's due in two hours. In short: they're heroes.\u003c/p>\n\u003cp>So today, let’s celebrate some of the best fictional librarians from popular culture. I’m going to go ahead and mix characters from TV, movies, books, and comics, because you know what I do when I hear a rule? I break it! Unless I’m in a library, in which case I follow all rules. No one should mess with a librarian.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Giles (\u003cem>Buffy the Vampire Slayer\u003c/em>)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/tumblr_inline_n6k5fumgks1r76eny.gif\">\u003cimg class=\"aligncenter size-full wp-image-73949\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/tumblr_inline_n6k5fumgks1r76eny.gif\" alt=\"giles buffy\" width=\"500\" height=\"290\">\u003c/a>\u003c/p>\n\u003cp>His Britishness! The way he takes off his glasses and rubs them on his shirt during awkward moments! His bad boy past! This is a man who loves the reference section, and knows how to use it. And just like real-life librarians, he is often pivotal in stopping the apocalypse.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/E_M108B3mdY'\n title='//www.youtube.com/embed/E_M108B3mdY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp style=\"text-align: center\">\u003cstrong>Wan Shi Tong and the Knowledge Seekers (\u003cem>Avatar: The Last Airbender \u003c/em>&\u003cem> The Legend of Korra\u003c/em>)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/tumblr_inline_ndlza3tihn1ra76z6.gif\">\u003cimg class=\"aligncenter size-full wp-image-73958\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/tumblr_inline_ndlza3tihn1ra76z6.gif\" alt=\"airbender owl\" width=\"500\" height=\"201\">\u003c/a>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/Helpful_Knowledge_Seeker.png\">\u003cimg class=\"aligncenter size-large wp-image-73959\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/Helpful_Knowledge_Seeker.png\" alt=\"Helpful_Knowledge_Seeker\" width=\"444\" height=\"250\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/04/Helpful_Knowledge_Seeker.png 444w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/Helpful_Knowledge_Seeker-160x90.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/Helpful_Knowledge_Seeker-240x135.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/Helpful_Knowledge_Seeker-375x211.png 375w\" sizes=\"(max-width: 444px) 100vw, 444px\">\u003c/a>\u003c/p>\n\u003cp>Although he only appears in a handful of episodes, Wan Shi Tong, a spirit owl who oversees a library served by spirit foxes, is unforgettable. I wish I could go to a library staffed by highly literate foxes! Oh, wait, that’s every library! (See what I did there?)\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/U4nTq17Ml_E'\n title='//www.youtube.com/embed/U4nTq17Ml_E'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp style=\"text-align: center\">\u003cstrong>Death (\u003cem>Bitterblue\u003c/em> by Kristin Cashore)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/13188729.jpg\">\u003cimg class=\"aligncenter size-full wp-image-73972\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/13188729.jpg\" alt=\"13188729\" width=\"315\" height=\"475\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/04/13188729.jpg 315w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/13188729-160x241.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/13188729-240x362.jpg 240w\" sizes=\"(max-width: 315px) 100vw, 315px\">\u003c/a>\u003c/p>\n\u003cp>Death (pronounced to rhyme with teeth) is cranky and cantankerous in the best way. This badass elder librarian knows every book ever written by heart. When a king burns the library to hide the past, the librarian must rewrite each book from memory, the sole defender against historical amnesia.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Conan the Librarian (\u003cem>UHF\u003c/em>)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/GRMKhFy.gif\">\u003cimg class=\"aligncenter size-full wp-image-73973\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/GRMKhFy.gif\" alt=\"GRMKhFy\" width=\"418\" height=\"225\">\u003c/a>\u003c/p>\n\u003cp>Not every librarian has to wear glasses; some wear fur loincloths and carry swords! To this day “Don’t you know the Dewey Decimal System?!” remains one of my favorite movie quotes. I wish this was a real movie, instead of a fake trailer inside of a movie.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/mZHoHaAYHq8'\n title='//www.youtube.com/embed/mZHoHaAYHq8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp style=\"text-align: center\">\u003cstrong>A-Through-L (\u003cstrong>\u003cem>The Girl Who Soared Over Fairyland and Cut the Moon in Two\u003c/em> by Catherynne M. Valente\u003cem>)\u003c/em>\u003c/strong>\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/Girl-Who-Circumnavigated-Fairyland-The-20.jpg\">\u003cimg class=\"aligncenter wp-image-73977\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/Girl-Who-Circumnavigated-Fairyland-The-20-160x229.jpg\" alt=\"Girl-Who-Circumnavigated-Fairyland-The-20\" width=\"350\" height=\"501\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/04/Girl-Who-Circumnavigated-Fairyland-The-20-160x229.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/Girl-Who-Circumnavigated-Fairyland-The-20-800x1145.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/Girl-Who-Circumnavigated-Fairyland-The-20-768x1099.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/Girl-Who-Circumnavigated-Fairyland-The-20-1020x1460.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/Girl-Who-Circumnavigated-Fairyland-The-20-960x1374.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/Girl-Who-Circumnavigated-Fairyland-The-20-240x343.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/Girl-Who-Circumnavigated-Fairyland-The-20-375x537.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/Girl-Who-Circumnavigated-Fairyland-The-20-520x744.jpg 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/Girl-Who-Circumnavigated-Fairyland-The-20.jpg 1118w\" sizes=\"(max-width: 350px) 100vw, 350px\">\u003c/a>\u003c/p>\n\u003cp>A-Through-L has encyclopedic knowledge of everything beginning with -- you guessed it -- the letters A through L, but unlike most librarians, he can also fly and breathe fire. Half \u003ca href=\"https://en.wikipedia.org/wiki/Wyvern\">wyvern\u003c/a>, half library, all heart, he’ll fly you up to the tall shelves.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Lucien (\u003cem>The Sandman\u003c/em> comics)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/5096377-3d64a380-0d2b-012d-ae37-0050569428b1.jpg\">\u003cimg class=\"aligncenter size-full wp-image-73974\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/5096377-3d64a380-0d2b-012d-ae37-0050569428b1.jpg\" alt=\"5096377-3d64a380-0d2b-012d-ae37-0050569428b1\" width=\"306\" height=\"470\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/04/5096377-3d64a380-0d2b-012d-ae37-0050569428b1.jpg 306w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/5096377-3d64a380-0d2b-012d-ae37-0050569428b1-160x246.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/5096377-3d64a380-0d2b-012d-ae37-0050569428b1-240x369.jpg 240w\" sizes=\"(max-width: 306px) 100vw, 306px\">\u003c/a>\u003c/p>\n\u003cp>Imagine being the keeper of a library containing every book ever written or even thought of. All of the librarians reading this just drooled a little bit.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Amma / Marian Ashcroft (\u003cem>Beautiful Creatures\u003c/em>, the movie and book)\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_73976\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich.jpg\">\u003cimg class=\"wp-image-73976 size-large\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich-1020x679.jpg\" alt=\"beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich\" width=\"640\" height=\"426\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich-1020x679.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich-160x106.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich-800x532.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich-768x511.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich-1180x785.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich-960x639.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich-240x160.jpg 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich-375x250.jpg 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich-520x346.jpg 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/04/beautiful-creatures-viola-davis-alice-englert-alden-ehrenreich.jpg 1800w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Warner Bros.\u003c/figcaption>\u003c/figure>\n\u003cp>Marian Ashcroft is the librarian for both the regular mortal library of small town Gatlin and the magical library that is hidden beneath. She sends books in the mail, helping homebound residents discretely access magic, she quotes Shakespeare, and she’s brave enough to defy both dark magicians and small-minded school boards. Plus, in the movie, she’s played by Viola Davis.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Mary (\u003cem>Party Girl\u003c/em>)\u003c/strong>\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/partygirl_zps9248ddf1.gif\">\u003cimg class=\"aligncenter size-full wp-image-73975\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/04/partygirl_zps9248ddf1.gif\" alt=\"partygirl_zps9248ddf1\" width=\"245\" height=\"186\">\u003c/a>\u003c/p>\n\u003cp>Parker Posey’s character single-handedly inspired a generation to become librarians. Voguing with NYC’s party elite by night, cross-referencing by day, Mary does it all, while rocking the hottest outfits of the '90s. Word of warning: Don't mess with the Dewey Decimal System or she will yell in your face.\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gzbDdgWiaS0'\n title='//www.youtube.com/embed/gzbDdgWiaS0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>[contextly_sidebar id=\"ZIdpZ6mjeWhq2bGqc8uejTM6fx1TERR9\"]Is there anything Steph Curry can't do? Judging by his recent appearance on Carpool Karaoke, I'm going to go with a firm nope. Not only can he carry a tune, but, thanks to \u003ca href=\"https://ww2.kqed.org/pop/2015/06/17/why-riley-curry-is-the-true-mvp-of-the-nba-finals/\">the influence of Queen Riley\u003c/a>, he knows every word to songs from \u003cem>Frozen\u003c/em> and \u003cem>Moana\u003c/em>.\u003c/p>\n\u003cp>\u003cstrong>Warning:\u003c/strong> Watching this video will make you want to have an Angelina Jolie-sized brood with Steph.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Wdj-jTioKcg\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>Retired California Superior Court Judge LaDoris Cordell is already a Bay Area legal celebrity. She was the first black woman judge on any court in Northern California when Gov. Jerry Brown appointed her to the Municipal Court in 1982. When Cordell won an open election to a seat on the Superior Court in 1988, she became the first black judge on the Superior Court in Santa Clara County.\u003c/p>\n\u003cp>Now Cordell is going national, as the presiding judge on \u003ca href=\"http://www.fox.com/you-the-jury\" target=\"_blank\" rel=\"noopener noreferrer\">You the Jury\u003c/a>, a court reality drama premiering Friday, Apr. 7 on \u003cem>Fox TV\u003c/em>. The show delivers real civil trials, with the added frisson of viewers getting to serve as jurors and deciding the cases.\u003c/p>\n\u003cp>“Believe me, it was the last thing I would ever think of,” Cordell says. “Even now, I see the commercial on the TV and I think ‘Is this for real? This is for real!'”\u003c/p>\n\u003cp>Cordell had initial misgivings about participating in the project. “I worked so long and hard to establish a solid reputation, I didn’t want to get involved in anything stupid or silly,” she says. But after talking with the show’s producers, Cordell felt assured they wanted someone with serious credentials to preside over an orderly courtroom, even if it’s on a Hollywood sound stage with a live audience.\u003c/p>\n\u003cp>Cordell isn’t the only “real” legal eagle in \u003cem>You the Jury. \u003c/em>The prosecutors and defenders are high-profile attorneys like Jose Baez, who defended Casey Anthony, a Florida woman who was accused of killing her two-year-old daughter in 2008, and Benjamin Crump, who represented the family of African-American teenager Trayvon Martin.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>Here’s the first episode, involving civil culpability for the alleged murder of \u003ca href=\"http://people.com/crime/robyn-gardner-missing-in-aruba/\" target=\"_blank\" rel=\"noopener noreferrer\">Robyn Gardner\u003c/a>:\u003c/b>\u003cbr>\nhttp://www.fox.com/watch/916799555835/7833819648\u003c/p>\n\u003cp>\u003cem>Fox\u003c/em> taped eight weekly episodes with Cordell last year. In each, the team edited down an eight-hour trial to fit into a one-hour show. “The lawyers were so well prepared. They’re sharp,” Cordell says, acknowledging that wasn’t always the case during her time on the bench.\u003c/p>\n\u003cp>It’s Cordell’s job to keep things moving along, instruct the audience/jury, and announce the verdict on live TV. “Whatever viewing America votes, that’s going to be it, the verdict, in real cases,” Cordell says.\u003c/p>\n\u003cp>Viewers weigh in, \u003cem>American Idol\u003c/em>-style, via text or the \u003cem>Fox Now\u003c/em> app, for around five minutes after the episode ends in their respective time zones. Fox taped two endings for each segment. Conceivably, a decision rendered on the East Coast could be overturned three hours later on the West Coast. But whatever happens, the decisions are legally binding.\u003c/p>\n\u003cfigure id=\"attachment_13008447\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13008447\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/kim-kardashian-commonwealth-cordell-800x450.jpg\" alt=\"Judge LaDoris Cordell, at ease in front of a camera, even sitting next to Kim Kardashian.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/kim-kardashian-commonwealth-cordell.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/kim-kardashian-commonwealth-cordell-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/kim-kardashian-commonwealth-cordell-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/kim-kardashian-commonwealth-cordell-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/kim-kardashian-commonwealth-cordell-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/kim-kardashian-commonwealth-cordell-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Judge LaDoris Cordell, at ease in front of a camera, even sitting next to Kim Kardashian. \u003ccite>(Photo: Courtesy of Sonya Abrams)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Cordell, 67, left her seat on the Superior Court bench after almost 19 years. That was in February 2001. “I got very bored sometimes, sitting in court,” Cordell says of her years on the bench. This was especially true, she says, when the cases were about mundane issues.\u003c/p>\n\u003cp>Involving free speech, gay rights, religious freedom, and wrongful death, the cases on \u003cem>You the Jury \u003c/em>promise to hold the judge’s full attention. “These are grander issues,” Cordell says. “They’re not clear cut, which is what makes the show so interesting.”\u003c/p>\n\u003cp>Cordell has taken on some high-profile roles in recent years, legally speaking. She led a three-judge panel on racism at the San Francisco Police Department and recently finished chairing a commission that evaluated the jails in Santa Clara County after an inmate was allegedly beaten to death by guards.\u003c/p>\n\u003cp>She’s also a huge fan of the televised legal drama genre. “I love it!” she says. Her favorites include \u003cem>Law & Order\u003c/em> — “I watch the reruns all the time” — and \u003cem>The Good Wife\u003c/em>.\u003c/p>\n\u003cp>But when an independent talent search company contacted her via email about being on TV herself, Cordell had serious doubts. It was her partner who urged her to hit reply.\u003c/p>\n\u003cp>She was impressed with the initial conversation she had with the talent firm. “I need to tell you I’m gay,” Cordell says she told her interviewer. “And he said, ‘That’s great!’ Five, ten years ago, it would have been a deal killer. It’s amazing how things have changed.”\u003c/p>\n\u003cp>The interviewer also asked Cordell why she should be the judge on \u003cem>You the Jury\u003c/em>. “Because my teeth are white, and I have good posture,” she replied. As the saying goes, case closed.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cem>‘You the Jury,’ presided over by LaDoris Cordell, premieres at 9 p.m. Friday, Ap. 7, 2017 on Fox TV. More information \u003ca href=\"http://www.fox.com/you-the-jury\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>here\u003c/strong>\u003c/a>.\u003c/em>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Retired California Superior Court Judge LaDoris Cordell is already a Bay Area legal celebrity. She was the first black woman judge on any court in Northern California when Gov. Jerry Brown appointed her to the Municipal Court in 1982. When Cordell won an open election to a seat on the Superior Court in 1988, she became the first black judge on the Superior Court in Santa Clara County.\u003c/p>\n\u003cp>Now Cordell is going national, as the presiding judge on \u003ca href=\"http://www.fox.com/you-the-jury\" target=\"_blank\" rel=\"noopener noreferrer\">You the Jury\u003c/a>, a court reality drama premiering Friday, Apr. 7 on \u003cem>Fox TV\u003c/em>. The show delivers real civil trials, with the added frisson of viewers getting to serve as jurors and deciding the cases.\u003c/p>\n\u003cp>“Believe me, it was the last thing I would ever think of,” Cordell says. “Even now, I see the commercial on the TV and I think ‘Is this for real? This is for real!'”\u003c/p>\n\u003cp>Cordell had initial misgivings about participating in the project. “I worked so long and hard to establish a solid reputation, I didn’t want to get involved in anything stupid or silly,” she says. But after talking with the show’s producers, Cordell felt assured they wanted someone with serious credentials to preside over an orderly courtroom, even if it’s on a Hollywood sound stage with a live audience.\u003c/p>\n\u003cp>Cordell isn’t the only “real” legal eagle in \u003cem>You the Jury. \u003c/em>The prosecutors and defenders are high-profile attorneys like Jose Baez, who defended Casey Anthony, a Florida woman who was accused of killing her two-year-old daughter in 2008, and Benjamin Crump, who represented the family of African-American teenager Trayvon Martin.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>Here’s the first episode, involving civil culpability for the alleged murder of \u003ca href=\"http://people.com/crime/robyn-gardner-missing-in-aruba/\" target=\"_blank\" rel=\"noopener noreferrer\">Robyn Gardner\u003c/a>:\u003c/b>\u003cbr>\nhttp://www.fox.com/watch/916799555835/7833819648\u003c/p>\n\u003cp>\u003cem>Fox\u003c/em> taped eight weekly episodes with Cordell last year. In each, the team edited down an eight-hour trial to fit into a one-hour show. “The lawyers were so well prepared. They’re sharp,” Cordell says, acknowledging that wasn’t always the case during her time on the bench.\u003c/p>\n\u003cp>It’s Cordell’s job to keep things moving along, instruct the audience/jury, and announce the verdict on live TV. “Whatever viewing America votes, that’s going to be it, the verdict, in real cases,” Cordell says.\u003c/p>\n\u003cp>Viewers weigh in, \u003cem>American Idol\u003c/em>-style, via text or the \u003cem>Fox Now\u003c/em> app, for around five minutes after the episode ends in their respective time zones. Fox taped two endings for each segment. Conceivably, a decision rendered on the East Coast could be overturned three hours later on the West Coast. But whatever happens, the decisions are legally binding.\u003c/p>\n\u003cfigure id=\"attachment_13008447\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13008447\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/04/kim-kardashian-commonwealth-cordell-800x450.jpg\" alt=\"Judge LaDoris Cordell, at ease in front of a camera, even sitting next to Kim Kardashian.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/kim-kardashian-commonwealth-cordell.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/kim-kardashian-commonwealth-cordell-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/kim-kardashian-commonwealth-cordell-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/kim-kardashian-commonwealth-cordell-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/kim-kardashian-commonwealth-cordell-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/04/kim-kardashian-commonwealth-cordell-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Judge LaDoris Cordell, at ease in front of a camera, even sitting next to Kim Kardashian. \u003ccite>(Photo: Courtesy of Sonya Abrams)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Cordell, 67, left her seat on the Superior Court bench after almost 19 years. That was in February 2001. “I got very bored sometimes, sitting in court,” Cordell says of her years on the bench. This was especially true, she says, when the cases were about mundane issues.\u003c/p>\n\u003cp>Involving free speech, gay rights, religious freedom, and wrongful death, the cases on \u003cem>You the Jury \u003c/em>promise to hold the judge’s full attention. “These are grander issues,” Cordell says. “They’re not clear cut, which is what makes the show so interesting.”\u003c/p>\n\u003cp>Cordell has taken on some high-profile roles in recent years, legally speaking. She led a three-judge panel on racism at the San Francisco Police Department and recently finished chairing a commission that evaluated the jails in Santa Clara County after an inmate was allegedly beaten to death by guards.\u003c/p>\n\u003cp>She’s also a huge fan of the televised legal drama genre. “I love it!” she says. Her favorites include \u003cem>Law & Order\u003c/em> — “I watch the reruns all the time” — and \u003cem>The Good Wife\u003c/em>.\u003c/p>\n\u003cp>But when an independent talent search company contacted her via email about being on TV herself, Cordell had serious doubts. It was her partner who urged her to hit reply.\u003c/p>\n\u003cp>She was impressed with the initial conversation she had with the talent firm. “I need to tell you I’m gay,” Cordell says she told her interviewer. “And he said, ‘That’s great!’ Five, ten years ago, it would have been a deal killer. It’s amazing how things have changed.”\u003c/p>\n\u003cp>The interviewer also asked Cordell why she should be the judge on \u003cem>You the Jury\u003c/em>. “Because my teeth are white, and I have good posture,” she replied. As the saying goes, case closed.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cem>‘You the Jury,’ presided over by LaDoris Cordell, premieres at 9 p.m. Friday, Ap. 7, 2017 on Fox TV. More information \u003ca href=\"http://www.fox.com/you-the-jury\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cstrong>here\u003c/strong>\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Baez, Shakur & Journey Make Odd Trio for Rock Hall of Fame",
"headTitle": "Baez, Shakur & Journey Make Odd Trio for Rock Hall of Fame | KQED",
"content": "\u003cp>The Bay Area is sending three of its best to the \u003ca href=\"https://www.rockhall.com/2017-induction-class\" target=\"_blank\" rel=\"noopener\">Rock and Roll Hall of Fame on Friday, Apr. 7.\u003c/a> Joan Baez, Tupac Shakur, and the band Journey will be inducted in a ceremony in Brooklyn. It’s a trio from three very different corners of the rock universe.\u003c/p>\n\u003cp>\u003cstrong>Joan Baez: A folk singer with pop star reach \u003c/strong>\u003c/p>\n\u003cp>Baez, who lives in Woodside, debuted at the Newport Folk Festival at 18 in 1959, around the time she earned the nickname “The Barefoot Madonna,” because she often performed without shoes. The 60s were a time when folk music was just as big as rock and roll, and far more political. So Baez, her mentor Pete Seeger, and her onetime boyfriend Bob Dylan (whose career she boosted), among others, could score pop hits. This was possible even as they protested the Vietnam War, or, as Baez did, lead hundreds of thousands in singing “We Shall Overcome” at the March on Washington in 1963.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=7akuOFp-ET8\u003c/p>\n\u003cp>Baez \u003ca href=\"http://www.sfchronicle.com/music/article/Joan-Baez-opens-up-on-retirement-Rock-Hall-11044107.php\" target=\"_blank\" rel=\"noopener\">told the San Francisco Chronicle\u003c/a> recently she’s issuing one last album, \u003cem>Fare Thee Well\u003c/em>, before retiring after 58 years of performing and recording.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Tupac Shakur: A contradictory character\u003c/strong>\u003c/p>\n\u003cp>Politics is one point of similarity between Baez and Oakland’s Tupac Shakur. He was the son of Black Panther parents, and wrote smart lyrics about racial injustice and the perils of gangster life. Shakur was convicted on sexual assault charges, and he became a player in an infamous East coast-West coast rivalry that probably got him killed in a drive-by shooting in 1996, when he was just 25 years old.\u003c/p>\n\u003cp>You can hear some of the contradictions in Shakur’s life and work in a song like “Dear Mama,” added a few years ago to the National Recording Registry in the Library of Congress. Shakur wrote it for his mother Afeni Shakur, with lyrics that both extolled her and called her out for being a crackhead.\u003c/p>\n\u003cblockquote>\u003cp>“For a woman it ain’t easy trying to raise a man\u003cbr>\nYou always was committed\u003cbr>\nA poor single mother on welfare, tell me how ya did it\u003cbr>\nThere’s no way I can pay you back\u003cbr>\nBut the plan is to show you that I understand\u003cbr>\nYou are appreciated.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Mb1ZvUDvLDY\u003c/p>\u003c/blockquote>\n\u003cp>\u003cstrong>Journey: A controversial choice?\u003c/strong>\u003c/p>\n\u003cp>In some ways, San Francisco’s Journey is the most controversial choice for the Rock and Roll Hall of Fame. People have strong feelings about a band that’s synonymous with bombastic arena rock. There’s an \u003ca href=\"https://www.facebook.com/groups/2205093643/\" target=\"_blank\" rel=\"noopener\">“I Hate Journey”\u003c/a> Facebook page, where comments include, “A lot of their music came across as insincere corporate pap.”\u003c/p>\n\u003cp>Still, the band has remained enormously popular for decades. Before co-founding Journey, lead guitarist Neil Schon was a member of Santana, and during Journey’s heyday in the 1970’s and 1980’s, the band wrote and recorded songs with easy-to-like lyrics and great musical hooks, like “Wheel in the Sky,” and “Don’t Stop Believin’,” a song that reached a new generation after it was featured on the TV show \u003cem>Glee\u003c/em> in 2009.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=VcjzHMhBtf0\u003c/p>\n\u003cp>Journey’s personnel has changed a lot over the years, with only Schon surviving from the band’s first gig in 1973. This is another cause of controversy regarding the band’s induction into the Rock and Roll Hall of Fame. \u003ca href=\"https://consequenceofsound.net/2017/03/sorry-journey-fans-steve-perry-will-skedaddle-before-the-bands-rock-and-roll-hall-of-fame-performance/\" target=\"_blank\" rel=\"noopener\">Former lead singer Steve Perry is scheduled to appear at the induction ceremony, but Schon has said Perry won’t sing with the band. \u003c/a>That honor will go to Arnel Pineda, who has been touring and recording with Journey since 2007.\u003c/p>\n\u003cp>\u003cstrong>Past Bay Area Hall of Famers\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.hbo.com/2017-rock-and-roll-hall-of-fame-induction-ceremony/about/index.html\" target=\"_blank\" rel=\"noopener\">The induction ceremony will air on HBO\u003c/a>. Another way to honor the Bay Area’s current and \u003ca href=\"http://www.sfgate.com/music/article/Rock-Roll-Hall-of-Fame-inductees-with-Bay-Area-5960478.php\" target=\"_blank\" rel=\"noopener\">former\u003c/a> Hall of Fame members is to visit Oakland’s Chapel of the Chimes, \u003ca href=\"https://ww2.kqed.org/news/2014/07/05/chapel_of_the_chimes_oakland/\" target=\"_blank\" rel=\"noopener\">where inductee (1991) John Lee Hooker has a crypt\u003c/a> inscribed with the words “King of the Boogie.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Bay Area is sending three of its best to the \u003ca href=\"https://www.rockhall.com/2017-induction-class\" target=\"_blank\" rel=\"noopener\">Rock and Roll Hall of Fame on Friday, Apr. 7.\u003c/a> Joan Baez, Tupac Shakur, and the band Journey will be inducted in a ceremony in Brooklyn. It’s a trio from three very different corners of the rock universe.\u003c/p>\n\u003cp>\u003cstrong>Joan Baez: A folk singer with pop star reach \u003c/strong>\u003c/p>\n\u003cp>Baez, who lives in Woodside, debuted at the Newport Folk Festival at 18 in 1959, around the time she earned the nickname “The Barefoot Madonna,” because she often performed without shoes. The 60s were a time when folk music was just as big as rock and roll, and far more political. So Baez, her mentor Pete Seeger, and her onetime boyfriend Bob Dylan (whose career she boosted), among others, could score pop hits. This was possible even as they protested the Vietnam War, or, as Baez did, lead hundreds of thousands in singing “We Shall Overcome” at the March on Washington in 1963.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7akuOFp-ET8'\n title='//www.youtube.com/embed/7akuOFp-ET8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Baez \u003ca href=\"http://www.sfchronicle.com/music/article/Joan-Baez-opens-up-on-retirement-Rock-Hall-11044107.php\" target=\"_blank\" rel=\"noopener\">told the San Francisco Chronicle\u003c/a> recently she’s issuing one last album, \u003cem>Fare Thee Well\u003c/em>, before retiring after 58 years of performing and recording.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Tupac Shakur: A contradictory character\u003c/strong>\u003c/p>\n\u003cp>Politics is one point of similarity between Baez and Oakland’s Tupac Shakur. He was the son of Black Panther parents, and wrote smart lyrics about racial injustice and the perils of gangster life. Shakur was convicted on sexual assault charges, and he became a player in an infamous East coast-West coast rivalry that probably got him killed in a drive-by shooting in 1996, when he was just 25 years old.\u003c/p>\n\u003cp>You can hear some of the contradictions in Shakur’s life and work in a song like “Dear Mama,” added a few years ago to the National Recording Registry in the Library of Congress. Shakur wrote it for his mother Afeni Shakur, with lyrics that both extolled her and called her out for being a crackhead.\u003c/p>\n\u003cblockquote>\u003cp>“For a woman it ain’t easy trying to raise a man\u003cbr>\nYou always was committed\u003cbr>\nA poor single mother on welfare, tell me how ya did it\u003cbr>\nThere’s no way I can pay you back\u003cbr>\nBut the plan is to show you that I understand\u003cbr>\nYou are appreciated.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Mb1ZvUDvLDY\u003c/p>\u003c/blockquote>\n\u003cp>\u003cstrong>Journey: A controversial choice?\u003c/strong>\u003c/p>\n\u003cp>In some ways, San Francisco’s Journey is the most controversial choice for the Rock and Roll Hall of Fame. People have strong feelings about a band that’s synonymous with bombastic arena rock. There’s an \u003ca href=\"https://www.facebook.com/groups/2205093643/\" target=\"_blank\" rel=\"noopener\">“I Hate Journey”\u003c/a> Facebook page, where comments include, “A lot of their music came across as insincere corporate pap.”\u003c/p>\n\u003cp>Still, the band has remained enormously popular for decades. Before co-founding Journey, lead guitarist Neil Schon was a member of Santana, and during Journey’s heyday in the 1970’s and 1980’s, the band wrote and recorded songs with easy-to-like lyrics and great musical hooks, like “Wheel in the Sky,” and “Don’t Stop Believin’,” a song that reached a new generation after it was featured on the TV show \u003cem>Glee\u003c/em> in 2009.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/VcjzHMhBtf0'\n title='//www.youtube.com/embed/VcjzHMhBtf0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Journey’s personnel has changed a lot over the years, with only Schon surviving from the band’s first gig in 1973. This is another cause of controversy regarding the band’s induction into the Rock and Roll Hall of Fame. \u003ca href=\"https://consequenceofsound.net/2017/03/sorry-journey-fans-steve-perry-will-skedaddle-before-the-bands-rock-and-roll-hall-of-fame-performance/\" target=\"_blank\" rel=\"noopener\">Former lead singer Steve Perry is scheduled to appear at the induction ceremony, but Schon has said Perry won’t sing with the band. \u003c/a>That honor will go to Arnel Pineda, who has been touring and recording with Journey since 2007.\u003c/p>\n\u003cp>\u003cstrong>Past Bay Area Hall of Famers\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.hbo.com/2017-rock-and-roll-hall-of-fame-induction-ceremony/about/index.html\" target=\"_blank\" rel=\"noopener\">The induction ceremony will air on HBO\u003c/a>. Another way to honor the Bay Area’s current and \u003ca href=\"http://www.sfgate.com/music/article/Rock-Roll-Hall-of-Fame-inductees-with-Bay-Area-5960478.php\" target=\"_blank\" rel=\"noopener\">former\u003c/a> Hall of Fame members is to visit Oakland’s Chapel of the Chimes, \u003ca href=\"https://ww2.kqed.org/news/2014/07/05/chapel_of_the_chimes_oakland/\" target=\"_blank\" rel=\"noopener\">where inductee (1991) John Lee Hooker has a crypt\u003c/a> inscribed with the words “King of the Boogie.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In recent months, people have been taking to the streets (and the airports, and the town halls) to voice their concerns about what's happening in this country. The solidarity and recommitment to political action have been beautiful to witness. It was only a matter of time before some corporation tried to monetize it all.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=dA5Yq1DLSmQ\u003c/p>\n\u003cp>In Pepsi's new commercial, clunkily titled \"Live For Now Moments Anthem,\" a crowd as diverse as a United Colors of Benetton ad marches for some generic form of peace. A hot Asian cellist chugs some Pepsi before joining the march (#priorities). He walks by Kendall Jenner and convinces her to scrap her photoshoot and get woke with a single sexy look.\u003c/p>\n\u003cp>Protected by her white privilege, Kendall walks right up to the line of police and offers an olive branch in the form of a can of Pepsi. One of the cops decides to drink it instead of assaulting someone. Everyone cheers! The arc of history is long but bends toward soda! World peace finally gets its right swipe! White people finally agree that black lives do matter! Trans people can pee wherever they want! Women finally snag the full dollar! All forms of bigotry and fascism: cancelled! Thanks, Pepsi!\u003c/p>\n\u003cp>To make matters even more worthy of all the eye rolls, the image of Kendall handing over the revolutionary can of cola is more than a little reminiscent of this image of Ieshia Evans:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://twitter.com/mayaelysee/status/849387923816550402\u003c/p>\n\u003cp>Needless to say, Twitter has some feelings (and jokes) about all of this:\u003c/p>\n\u003cp>https://twitter.com/daweiner/status/849386517722169346\u003c/p>\n\u003cp>https://twitter.com/MicahSingleton/status/849394433275703298\u003c/p>\n\u003cp>https://twitter.com/petertaggart/status/849396993915047937\u003c/p>\n\u003cp>https://twitter.com/JMN/status/849381988041719809\u003c/p>\n\u003cp>https://twitter.com/ultratwigs/status/849394294209359872\u003c/p>\n\u003cp>https://twitter.com/braddybb/status/849383181392515075\u003c/p>\n\u003cp>https://twitter.com/francis_maxwell/status/849387517585522689\u003c/p>\n\u003cp>https://twitter.com/MorganJerkins/status/849391643782467584\u003c/p>\n\u003cp>I don't know about you, but I'm not going to hold my breath for that apology.\u003c/p>\n\u003cp>\u003cstrong>UPDATE (April, 5, 2017):\u003c/strong> Pepsi defended their tone-deaf ad yesterday through the following statement:\u003c/p>\n\u003cblockquote>\u003cp>\"The creative showcases a moment of unity, and a point where multiple storylines converge in the final advert. It depicts various groups of people embracing a spontaneous moment, and showcasing Pepsi’s brand rallying cry to 'Live For Now,' in an exploration of what that truly means to live life unbounded, unfiltered and uninhibited.\"\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>Today, they've apologized and decided to pull the ad:\u003c/p>\n\u003cblockquote>\u003cp>\"Pepsi was trying to project a global message of unity, peace and understanding. Clearly we missed the mark, and we apologize. We did not intend to make light of any serious issue. We are removing the content and halting any further rollout. We also apologize for putting Kendall Jenner in this position.\"\u003c/p>\u003c/blockquote>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>I don't know about you, but I'm not going to hold my breath for that apology.\u003c/p>\n\u003cp>\u003cstrong>UPDATE (April, 5, 2017):\u003c/strong> Pepsi defended their tone-deaf ad yesterday through the following statement:\u003c/p>\n\u003cblockquote>\u003cp>\"The creative showcases a moment of unity, and a point where multiple storylines converge in the final advert. It depicts various groups of people embracing a spontaneous moment, and showcasing Pepsi’s brand rallying cry to 'Live For Now,' in an exploration of what that truly means to live life unbounded, unfiltered and uninhibited.\"\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>Today, they've apologized and decided to pull the ad:\u003c/p>\n\u003cblockquote>\u003cp>\"Pepsi was trying to project a global message of unity, peace and understanding. Clearly we missed the mark, and we apologize. We did not intend to make light of any serious issue. We are removing the content and halting any further rollout. We also apologize for putting Kendall Jenner in this position.\"\u003c/p>\u003c/blockquote>\n\n\u003c/div>\u003c/p>",
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"title": "'Jon Stewart of Egypt' Looks for More than Just Laughs in U.S.",
"headTitle": "‘Jon Stewart of Egypt’ Looks for More than Just Laughs in U.S. | KQED",
"content": "\u003cp>When he appears on Tuesday, Apr. 4 at the University of California Berkeley’s Zellerbach Hall, \u003ca href=\"https://en.wikipedia.org/wiki/Bassem_Youssef\">Bassem Youssef \u003c/a>promises to be his usual funny self: a guy who, with a wry quip or odd facial expression, can induce laughter about very hard truths.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\" target=\"_blank\" rel=\"noopener\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-12667846\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg\" alt=\"100Days_300x300z\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>Millions of Americans know Youssef as “the Jon Stewart of Egypt,” a designation that references Youssef’s former Arabic-language TV show \u003ca href=\"https://en.wikipedia.org/wiki/Al_Bernameg\">\u003cem>Al-Bernameg\u003c/em>\u003c/a> (البرنامج), in which the comedian satirized Egyptian society before a weekly audience of 30 million people. During the \u003ca href=\"https://en.wikipedia.org/wiki/Arab_Spring\">2011 Arab Spring revolutions\u003c/a> and the turmoil surrounding \u003ca href=\"https://en.wikipedia.org/wiki/Mohamed_Morsi\">Mohamed Morsi\u003c/a>‘s presidential election and deposition in Egypt, humor made Youssef famous.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Jon Stewart with Bassem Youssef at Albernameg (English sub) البرنامج لقاء باسم يوسف مع جون ستيوارت\" width=\"500\" height=\"281\" src=\"https://www.youtube.com/embed/ZveBqA4xy0A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>It also led to Youssef’s arrest by the Egyptian government and eventual forced exile from his homeland.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Today, Youssef lives in the United States, and he’s experiencing a \u003cem>very \u003c/em>American moment — at the center of a giant media spotlight. The comedian’s new memoir, \u003cem>\u003ca href=\"https://www.harpercollins.com/9780062659989/revolution-for-dummies#audio-player\">Revolution for Dummies\u003c/a>,\u003c/em> is getting lots of attention, \u003ca href=\"https://www.youtube.com/watch?v=0o_MGKvYG3s\">including from Stephen Colbert\u003c/a>. Youssef is also the subject of the new documentary \u003ca href=\"http://ticklinggiants.com/\">\u003cem>Tickling Giants\u003c/em>\u003c/a> that’s getting rave reviews (“an ebullient ode to freedom,” \u003ca href=\"http://variety.com/2017/film/reviews/tickling-giants-review-boussem-youssef-jon-stewart-1202015825/\">said\u003c/a> \u003cem>Variety\u003c/em>) and drawing crowds around the U.S.\u003c/p>\n\u003cp>By phone from Los Angeles, where he lives with his wife and young daughter, Youssef spoke to KQED about the ups and downs of life in the spotlight, in advance of his appearance in the Bay Area under the auspices of Cal Performances.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Bassem Youssef Worries He's In The Middle Eastern Version Of 'Get Out'\" width=\"500\" height=\"281\" src=\"https://www.youtube.com/embed/0o_MGKvYG3s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Do you miss Egypt and your show \u003cem>Al-Bernameg\u003c/em>?\u003c/strong>\u003c/p>\n\u003cp>Of course I do. But I’m in a different life now. I’m starting over in a new country with new audiences and new references. I have very realistic expectations. If I have moderate success here – for example having my own foothold in the American media – that will be enough for me. The show in Egypt had its time, and that was it.\u003c/p>\n\u003cp>\u003cstrong>In the fall of 2016, you were a \u003ca href=\"http://cddrl.fsi.stanford.edu/news/bassem-youssef-joins-ard-visiting-scholar\">visiting scholar\u003c/a> at Stanford – with the Program on Arab Reform and Democracy at the university’s Center on Democracy, Development, and the Rule of Law. Is teaching at a university so different from doing comedy?\u003c/strong>\u003cspan style=\"font-size: 10.0pt;font-family: 'Arial','sans-serif';color: black\"> \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_12979811\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12979811 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Bassem_Photo-Credit_Coucla-Refaat_Profile-e1490981174725-800x452.jpg\" alt=\"Bassem Youssef\" width=\"800\" height=\"452\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Bassem_Photo-Credit_Coucla-Refaat_Profile-e1490981174725-800x452.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Bassem_Photo-Credit_Coucla-Refaat_Profile-e1490981174725-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Bassem_Photo-Credit_Coucla-Refaat_Profile-e1490981174725-768x434.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Bassem_Photo-Credit_Coucla-Refaat_Profile-e1490981174725-1020x577.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Bassem_Photo-Credit_Coucla-Refaat_Profile-e1490981174725-1180x667.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Bassem_Photo-Credit_Coucla-Refaat_Profile-e1490981174725-960x543.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Bassem_Photo-Credit_Coucla-Refaat_Profile-e1490981174725-240x136.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Bassem_Photo-Credit_Coucla-Refaat_Profile-e1490981174725-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Bassem_Photo-Credit_Coucla-Refaat_Profile-e1490981174725-520x294.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Bassem_Photo-Credit_Coucla-Refaat_Profile-e1490981174725.jpg 1330w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bassem Youssef \u003ccite>(Photo: Courtesy of Coucla Refaat)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Well, in 2015 \u003ca href=\"http://iop.harvard.edu/fellows/bassem-youssef\">I was an academic at Harvard\u003c/a>, and engaging with students is something beautiful, because you have all these young students who are hungry to know more about politics outside the realm of the books they read. And, of course they sometimes turn to you for answers that the biggest, most veteran political scientists and leaders don’t have the answer for, like, “When are things going to change?” and “Do you think there’s hope?” Of course, we struggle in that. But it’s a great experience. I learned from them as much as they learned from me.\u003c/p>\n\u003cp>\u003cstrong>You’re very funny in front of a camera. But you can also be serious. Who is the real Bassem Youssef?\u003c/strong>\u003c/p>\n\u003cp>I enjoy more intellectual conversations than just cracking jokes. I’m a much more serious person in real life. Maybe before the show, I was that kind of guy – someone who liked to crack jokes. But after the show happened, it was kind of like my persona was doing the show, and my person was exhausted by that persona. In real life, I’m much more mellow.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Revolution for Dummies\u003c/em> reminds readers that you got involved in the Arab Spring protests, and started doing your show, somewhat reluctantly. You were a practicing doctor before all this.\u003c/strong>\u003c/p>\n\u003cp>I was only one example of millions of people who, after 30 years of living under a dictator, just thought it doesn’t matter to get involved because nothing will ever change. The revolution came and signified the change, and many people who had left Egypt came back. It changed all of us – I can’t say if it was for better or for worse.\u003c/p>\n\u003cp>\u003cstrong>When Jon Stewart visited your show in Egypt, you joked with your audience – in Arabic – that Stewart was “the Bassem Youssef of America.” Do you get tired of being compared to Jon Stewart? \u003c/strong>\u003c/p>\n\u003cp>We have this joke going on a lot between Jon and me. I’m honored to be mentioned in the same sentence as Jon Stewart. He’s an idol. I’ve watched him for 10 years. For me, it doesn’t get old. But it serves a practical purpose: It tells people who I am in four words: ‘Jon Stewart of Egypt.’ So people can automatically make a reference instead of trying to explain it to them the history of what I did, and what happened in Egypt.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Bassem Youssef \u003ca href=\"https://calperformances.org/performances/2016-17/speakers/bassem-youssef.php\">appears\u003c/a> on Tuesday, Apr. 4 at the Cal Performances event, “The Joke is Mightier than the Sword.”\u003c/em>\u003c/p>\n\n",
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"excerpt": "With a book, documentary, and Ivy League visiting scholar credits to his name, Egyptian comedian Bassem Youssef is thriving in exile, where his satirical, Arabic-language TV show satirized Egyptian society before a weekly audience of 30 million people -- and got him into trouble with the government.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>When he appears on Tuesday, Apr. 4 at the University of California Berkeley’s Zellerbach Hall, \u003ca href=\"https://en.wikipedia.org/wiki/Bassem_Youssef\">Bassem Youssef \u003c/a>promises to be his usual funny self: a guy who, with a wry quip or odd facial expression, can induce laughter about very hard truths.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/2017/01/18/first-100-days-art-in-the-age-of-trump/\" target=\"_blank\" rel=\"noopener\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-12667846\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg\" alt=\"100Days_300x300z\" width=\"300\" height=\"300\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-160x160.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-240x240.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-50x50.jpg 50w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/01/100Days_300x300z-1-150x150.jpg 150w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/a>\u003c/p>\n\u003cp>Millions of Americans know Youssef as “the Jon Stewart of Egypt,” a designation that references Youssef’s former Arabic-language TV show \u003ca href=\"https://en.wikipedia.org/wiki/Al_Bernameg\">\u003cem>Al-Bernameg\u003c/em>\u003c/a> (البرنامج), in which the comedian satirized Egyptian society before a weekly audience of 30 million people. During the \u003ca href=\"https://en.wikipedia.org/wiki/Arab_Spring\">2011 Arab Spring revolutions\u003c/a> and the turmoil surrounding \u003ca href=\"https://en.wikipedia.org/wiki/Mohamed_Morsi\">Mohamed Morsi\u003c/a>‘s presidential election and deposition in Egypt, humor made Youssef famous.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Jon Stewart with Bassem Youssef at Albernameg (English sub) البرنامج لقاء باسم يوسف مع جون ستيوارت\" width=\"500\" height=\"281\" src=\"https://www.youtube.com/embed/ZveBqA4xy0A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>It also led to Youssef’s arrest by the Egyptian government and eventual forced exile from his homeland.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Today, Youssef lives in the United States, and he’s experiencing a \u003cem>very \u003c/em>American moment — at the center of a giant media spotlight. The comedian’s new memoir, \u003cem>\u003ca href=\"https://www.harpercollins.com/9780062659989/revolution-for-dummies#audio-player\">Revolution for Dummies\u003c/a>,\u003c/em> is getting lots of attention, \u003ca href=\"https://www.youtube.com/watch?v=0o_MGKvYG3s\">including from Stephen Colbert\u003c/a>. Youssef is also the subject of the new documentary \u003ca href=\"http://ticklinggiants.com/\">\u003cem>Tickling Giants\u003c/em>\u003c/a> that’s getting rave reviews (“an ebullient ode to freedom,” \u003ca href=\"http://variety.com/2017/film/reviews/tickling-giants-review-boussem-youssef-jon-stewart-1202015825/\">said\u003c/a> \u003cem>Variety\u003c/em>) and drawing crowds around the U.S.\u003c/p>\n\u003cp>By phone from Los Angeles, where he lives with his wife and young daughter, Youssef spoke to KQED about the ups and downs of life in the spotlight, in advance of his appearance in the Bay Area under the auspices of Cal Performances.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"Bassem Youssef Worries He's In The Middle Eastern Version Of 'Get Out'\" width=\"500\" height=\"281\" src=\"https://www.youtube.com/embed/0o_MGKvYG3s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>\u003cstrong>Do you miss Egypt and your show \u003cem>Al-Bernameg\u003c/em>?\u003c/strong>\u003c/p>\n\u003cp>Of course I do. But I’m in a different life now. I’m starting over in a new country with new audiences and new references. I have very realistic expectations. If I have moderate success here – for example having my own foothold in the American media – that will be enough for me. The show in Egypt had its time, and that was it.\u003c/p>\n\u003cp>\u003cstrong>In the fall of 2016, you were a \u003ca href=\"http://cddrl.fsi.stanford.edu/news/bassem-youssef-joins-ard-visiting-scholar\">visiting scholar\u003c/a> at Stanford – with the Program on Arab Reform and Democracy at the university’s Center on Democracy, Development, and the Rule of Law. Is teaching at a university so different from doing comedy?\u003c/strong>\u003cspan style=\"font-size: 10.0pt;font-family: 'Arial','sans-serif';color: black\"> \u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_12979811\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12979811 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Bassem_Photo-Credit_Coucla-Refaat_Profile-e1490981174725-800x452.jpg\" alt=\"Bassem Youssef\" width=\"800\" height=\"452\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Bassem_Photo-Credit_Coucla-Refaat_Profile-e1490981174725-800x452.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Bassem_Photo-Credit_Coucla-Refaat_Profile-e1490981174725-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Bassem_Photo-Credit_Coucla-Refaat_Profile-e1490981174725-768x434.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Bassem_Photo-Credit_Coucla-Refaat_Profile-e1490981174725-1020x577.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Bassem_Photo-Credit_Coucla-Refaat_Profile-e1490981174725-1180x667.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Bassem_Photo-Credit_Coucla-Refaat_Profile-e1490981174725-960x543.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Bassem_Photo-Credit_Coucla-Refaat_Profile-e1490981174725-240x136.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Bassem_Photo-Credit_Coucla-Refaat_Profile-e1490981174725-375x212.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Bassem_Photo-Credit_Coucla-Refaat_Profile-e1490981174725-520x294.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Bassem_Photo-Credit_Coucla-Refaat_Profile-e1490981174725.jpg 1330w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bassem Youssef \u003ccite>(Photo: Courtesy of Coucla Refaat)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Well, in 2015 \u003ca href=\"http://iop.harvard.edu/fellows/bassem-youssef\">I was an academic at Harvard\u003c/a>, and engaging with students is something beautiful, because you have all these young students who are hungry to know more about politics outside the realm of the books they read. And, of course they sometimes turn to you for answers that the biggest, most veteran political scientists and leaders don’t have the answer for, like, “When are things going to change?” and “Do you think there’s hope?” Of course, we struggle in that. But it’s a great experience. I learned from them as much as they learned from me.\u003c/p>\n\u003cp>\u003cstrong>You’re very funny in front of a camera. But you can also be serious. Who is the real Bassem Youssef?\u003c/strong>\u003c/p>\n\u003cp>I enjoy more intellectual conversations than just cracking jokes. I’m a much more serious person in real life. Maybe before the show, I was that kind of guy – someone who liked to crack jokes. But after the show happened, it was kind of like my persona was doing the show, and my person was exhausted by that persona. In real life, I’m much more mellow.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Revolution for Dummies\u003c/em> reminds readers that you got involved in the Arab Spring protests, and started doing your show, somewhat reluctantly. You were a practicing doctor before all this.\u003c/strong>\u003c/p>\n\u003cp>I was only one example of millions of people who, after 30 years of living under a dictator, just thought it doesn’t matter to get involved because nothing will ever change. The revolution came and signified the change, and many people who had left Egypt came back. It changed all of us – I can’t say if it was for better or for worse.\u003c/p>\n\u003cp>\u003cstrong>When Jon Stewart visited your show in Egypt, you joked with your audience – in Arabic – that Stewart was “the Bassem Youssef of America.” Do you get tired of being compared to Jon Stewart? \u003c/strong>\u003c/p>\n\u003cp>We have this joke going on a lot between Jon and me. I’m honored to be mentioned in the same sentence as Jon Stewart. He’s an idol. I’ve watched him for 10 years. For me, it doesn’t get old. But it serves a practical purpose: It tells people who I am in four words: ‘Jon Stewart of Egypt.’ So people can automatically make a reference instead of trying to explain it to them the history of what I did, and what happened in Egypt.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Bassem Youssef \u003ca href=\"https://calperformances.org/performances/2016-17/speakers/bassem-youssef.php\">appears\u003c/a> on Tuesday, Apr. 4 at the Cal Performances event, “The Joke is Mightier than the Sword.”\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>The artist and gay activist Gilbert Baker has died in New York; he was 65. In 1978, Baker designed the rainbow flag, which has since become widely known as a symbol of LGBTQ pride and civil rights.\u003c/p>\n\u003cp>A vigil is planned at 7pm on Friday, March 31 in \u003ca href=\"https://www.facebook.com/events/1917863981815411/\" target=\"_blank\" rel=\"noopener\">Harvey Milk Plaza\u003c/a>, according to the \u003cem>San Francisco Bay Times\u003c/em>, which recently featured Baker on \u003ca href=\"https://issuu.com/sfbt/docs/03.09.17_final.small\" target=\"_blank\" rel=\"noopener\">its cover\u003c/a>.\u003c/p>\n\u003cp>“I am heartbroken,” wrote fellow activist Cleve Jones on his Facebook page. “My dearest friend in the world is gone. Gilbert gave the world the Rainbow Flag; he gave me forty years of love and friendship. I can’t stop crying. I love you forever Gilbert Baker.”\u003c/p>\n\u003cfigure id=\"attachment_12983964\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12983964\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Gilbert-Baker-The-white-House-e1491007138668-800x616.jpg\" alt=\"Gilbert Baker with President Barack Obama\" width=\"800\" height=\"616\">\u003cfigcaption class=\"wp-caption-text\">Gilbert Baker with President Barack Obama \u003ccite>(Photo: Courtesy of the White House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Baker designed the rainbow flag in San Francisco at the request of the city’s first openly gay supervisor, Harvey Milk, in an effort to create a symbol of unity for the LGBTQ community.\u003c/p>\n\u003cp>The original featured eight stripes: hot pink, red, orange, yellow, green, turquoise, indigo and violet. Baker changed the design the following year to the six-striped one used today, with red at the top and violet at the bottom.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“We called him Betsy Ross,” said Tom Ammiano, a former supervisor and state lawmaker who was also a contemporary and friend of Baker’s. “He always had a theatrical sense. He liked color and design. Every time you look at that flag. That is Gilbert.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Baker said of his creation, “It all goes back to the first moment of the first flag back in 1978 for me. Raising it up and seeing it there blowing in the wind for everyone to see. It completely astounded me that people just got it, in an instant like a bolt of lightning — that this was their flag. It belonged to all of us. It was the most thrilling moment of my life.”\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The artist and gay activist Gilbert Baker has died in New York; he was 65. In 1978, Baker designed the rainbow flag, which has since become widely known as a symbol of LGBTQ pride and civil rights.\u003c/p>\n\u003cp>A vigil is planned at 7pm on Friday, March 31 in \u003ca href=\"https://www.facebook.com/events/1917863981815411/\" target=\"_blank\" rel=\"noopener\">Harvey Milk Plaza\u003c/a>, according to the \u003cem>San Francisco Bay Times\u003c/em>, which recently featured Baker on \u003ca href=\"https://issuu.com/sfbt/docs/03.09.17_final.small\" target=\"_blank\" rel=\"noopener\">its cover\u003c/a>.\u003c/p>\n\u003cp>“I am heartbroken,” wrote fellow activist Cleve Jones on his Facebook page. “My dearest friend in the world is gone. Gilbert gave the world the Rainbow Flag; he gave me forty years of love and friendship. I can’t stop crying. I love you forever Gilbert Baker.”\u003c/p>\n\u003cfigure id=\"attachment_12983964\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12983964\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Gilbert-Baker-The-white-House-e1491007138668-800x616.jpg\" alt=\"Gilbert Baker with President Barack Obama\" width=\"800\" height=\"616\">\u003cfigcaption class=\"wp-caption-text\">Gilbert Baker with President Barack Obama \u003ccite>(Photo: Courtesy of the White House)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Baker designed the rainbow flag in San Francisco at the request of the city’s first openly gay supervisor, Harvey Milk, in an effort to create a symbol of unity for the LGBTQ community.\u003c/p>\n\u003cp>The original featured eight stripes: hot pink, red, orange, yellow, green, turquoise, indigo and violet. Baker changed the design the following year to the six-striped one used today, with red at the top and violet at the bottom.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We called him Betsy Ross,” said Tom Ammiano, a former supervisor and state lawmaker who was also a contemporary and friend of Baker’s. “He always had a theatrical sense. He liked color and design. Every time you look at that flag. That is Gilbert.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Baker said of his creation, “It all goes back to the first moment of the first flag back in 1978 for me. Raising it up and seeing it there blowing in the wind for everyone to see. It completely astounded me that people just got it, in an instant like a bolt of lightning — that this was their flag. It belonged to all of us. It was the most thrilling moment of my life.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>\u003cstrong>KQED’s Cy Musiker and David Wiegand share their picks for great shows around the Bay Area this week.\u003c/strong>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=X2b8_eZtjvo\u003c/p>\n\u003cp>\u003cstrong>March 31-April 3\u003c/strong>: Bach composed a number of motets for double chorus, always for special occasions, and the \u003ca href=\"http://www.americanbach.org/index.html\" target=\"_blank\" rel=\"noopener\">American Bach Soloists \u003c/a>(ABS) have programmed a full evening of these ethereal choral works. Music director Jeffrey Thomas led the ensemble in two of these pieces,”Singet dem Herrn ein neues Lied” and “Fürchte dich nicht, ich bin bei dir” at the 2012 Berkeley Festival & Exhibition, but ABS has added works for double chorus they say have only recently been attributed to Bach, which sounds like a promise of musical discovery. Details for the concert in Belvedere, Berkeley, San Francisco, and Davis \u003ca href=\"http://www.americanbach.org/2017-04.html\" target=\"_blank\" rel=\"noopener\">are here\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=6jWBCnIHe9A\u003c/p>\n\u003cp>\u003cstrong>March 30-April 23:\u003c/strong> \u003ca href=\"http://www.telegraph.co.uk/theatre/what-to-see/needles-and-opium-miles-davis-meets-jean-cocteau--review/\" target=\"_blank\" rel=\"noopener\">\u003cem>Needles and Opium\u003c/em>\u003c/a> is a play about \u003ca href=\"https://www.theguardian.com/music/2006/may/25/jazz\" target=\"_blank\" rel=\"noopener\">Miles Davis and his love for French singer Juliette Greco \u003c/a>and heroin in the Paris of 1949, as well as movie director \u003ca href=\"https://en.wikipedia.org/wiki/Jean_Cocteau\" target=\"_blank\" rel=\"noopener\">Jean Cocteau\u003c/a>‘s dalliance with New York City and opium the same year. It’s an odd concept, but exactly what we might expect from French-Canadian theater director \u003ca href=\"http://lacaserne.net/index2.php/robertlepage/\" target=\"_blank\" rel=\"noopener\">Robert Lepage\u003c/a>. This revival of Lepage’s 1989 piece will be performed in a cube hanging over the \u003ca href=\"http://www.act-sf.org/\" target=\"_blank\" rel=\"noopener\">American Conservatory Theater\u003c/a>‘s Geary Stage with an acrobat playing Miles Davis. Lepage’s work, at its best, is always a dazzling, disorienting puzzle. Details for the San Francisco run are \u003ca href=\"http://www.act-sf.org/home/box_office/1617_season/needles_and_opium.html\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_12978571\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12978571\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Wooster-Town-Hall-800x496.jpg\" alt=\"The Wooster Group presents ‘The Town Hall‘ Affair, the recreation of a seminal debate on feminism from 1971\" width=\"800\" height=\"496\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Wooster-Town-Hall.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Wooster-Town-Hall-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Wooster-Town-Hall-768x476.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Wooster-Town-Hall-240x149.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Wooster-Town-Hall-375x233.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Wooster-Town-Hall-520x322.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Wooster Group presents ‘The Town Hall‘ Affair, the recreation of a seminal debate on feminism from 1971 \u003ccite>(Photo: Courtesy of The Wooster Group)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>April 6-16\u003c/strong>: In \u003cem>The Town Hall Affair, \u003c/em>New York’s \u003ca href=\"http://thewoostergroup.org/blog/\" target=\"_blank\" rel=\"noopener\">The Wooster Group \u003c/a>brings to life a real-life debate from 1971 between the writer \u003ca href=\"https://www.theguardian.com/books/booksblog/2007/nov/13/farewelltonormanmailerase\" target=\"_blank\" rel=\"noopener\">Norman Mailer\u003c/a>, a hardcore macho chauvinist, and some of the biggest names in second wave feminism, including Germaine Greer, Jacqueline Ceballos, and Susan Sontag. The play is based on a documentary about the evening, \u003ca href=\"https://vimeo.com/78950738\" target=\"_blank\" rel=\"noopener\">\u003cem>Town Bloody Hall\u003c/em>\u003c/a>, made under challenging conditions by D.A. Pennebaker and Chris Hegedus. The theatrical result should be maddening and enlightening. Details for the run of \u003cem>Town Hall Affair \u003c/em>at Z Space in San Francisco are\u003ca href=\"http://www.zspace.org/the-town-hall-affair/\" target=\"_blank\" rel=\"noopener\"> here.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Zw7DfFVga5Y\u003c/p>\n\u003cp>\u003cstrong>April 1 & 2\u003c/strong>: \u003ca href=\"http://www.muccapazza.com/\" target=\"_blank\" rel=\"noopener\">Mucca Pazza \u003c/a>is a 20 plus member ensemble based in Chicago that gleefully deconstructs the whole idea of a marching band. As you can see and hear in the video above, they do it with lots of brass, drums and cheerleaders. The music is a blend of gypsy jazz and New Orleans funk. What could be bad? Details for Mucca Pazza’s performance at the Mondavi Center in Davis on Saturday are \u003ca href=\"https://www.mondaviarts.org/event/2016-17/mucca-pazza\" target=\"_blank\" rel=\"noopener\">here,\u003c/a> and details for their Sunday show at San Francisco’s Bottom of the Hill are \u003ca href=\"http://www.muccapazza.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_12978570\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12978570 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138-800x508.jpg\" alt=\"A photo by Dorothea Lange from 'Exclusion: The Presidio’s Role in World War II Japanese American Incarceration‘ at the Presidio of San Francisco\" width=\"800\" height=\"508\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138-800x508.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138-768x488.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138-1020x647.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138-1920x1219.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138-1180x749.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138-960x609.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138-240x152.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138-375x238.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138-520x330.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A photo by Dorothea Lange from ‘Exclusion: The Presidio’s Role in World War II Japanese American Incarceration‘ at the Presidio of San Francisco \u003ccite>(Photo: Dorothea Lange)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>April 1-March 2018\u003c/strong>: On April 1, 75 years ago, the U.S. began registering and forcing Japanese Americans on the West Coast behind barbed wire at incarceration camps like Manzanar and Tule Lake. It’s mostly forgotten today, but the Presidio’s presiding officer at the time, General John Dewitt, oversaw the internment process. To commemorate that terrible breach of American values, The Presidio is opening the show \u003cem>Exclusion: The Presidio’s Role in World War II Japanese American Incarceration.\u003c/em>The Presidio’s director of heritage programs, Eric Blind, says one thing the show explores is the fact that fabricated news stories are an old tactic. “There were fake news stories going around saying that some of the Pearl Harbor bombers were wearing American university graduation rings, and this idea that there was a fifth column inside the United States ready to be spies and saboteurs from the Japanese American community,” Blind says. “None of these things were found to be true. But it did lead to bad decisions.” Details for \u003cem>Exclusion\u003c/em> at the Presidio Officers’ Club are \u003ca href=\"http://www.presidio.gov/officers-club/exhibitions/special-exhibition-exclusion\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>https://vimeo.com/208527770\u003c/p>\n\u003cp>\u003cstrong>April 5-19:\u003c/strong> You could simply disappear into the dark for days on end at the \u003cem>60th San Francisco International Film Festival\u003c/em>. It’s a rite of spring with its 120 or so showings of features, documentaries, and cartoons. There are also seminars, like one on on \u003cem>Vertigo\u003c/em> and another on \u003cem>Citizen Kane\u003c/em>, both hosted by San Francisco film historian \u003ca href=\"https://en.wikipedia.org/wiki/David_Thomson_(film_critic)\" target=\"_blank\" rel=\"noopener\">David Thomson\u003c/a>. Local highlights include Peter Bratt with his documentary \u003cem>Dolores\u003c/em> about farm worker leader Dolores Huerta, and Peter Nicks’\u003cem>\u003ca href=\"http://www.sffilm.org/festival/lineup/the-force#.WN2UDm8rKJA\" target=\"_blank\" rel=\"noopener\">The Force\u003c/a>, \u003c/em>a documentary about the Oakland Police Department. Details for the SF International Film Fest are \u003ca href=\"http://www.sffilm.org/festival\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ytXTtXSgpPc\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>April 3:\u003c/strong> The band Wire was born 40 years ago in London England, and they sound as tough and intense as they ever did on their new album \u003cem>Silver/Lead\u003c/em>. They’re formalists in a way, sticking to a classic, guitar-heavy sound. Yet they always find new things to say. The three old guys — Robert Gray on drums, Graham Lewis on bass guitar, and Colin Newman on guitar — are as punk as ever, and Matt Simms, the new guy since 2010, adds more awesome guitar work. Details on this chance to hear rock history at Slim’s on Monday are \u003ca href=\"http://www.slimspresents.com/event/wire-slims/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"title": "Cy and David's Picks: A Modern Marching Band, Recalling a Racial Injustice, and Getting Wired | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>KQED’s Cy Musiker and David Wiegand share their picks for great shows around the Bay Area this week.\u003c/strong>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/X2b8_eZtjvo'\n title='//www.youtube.com/embed/X2b8_eZtjvo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>March 31-April 3\u003c/strong>: Bach composed a number of motets for double chorus, always for special occasions, and the \u003ca href=\"http://www.americanbach.org/index.html\" target=\"_blank\" rel=\"noopener\">American Bach Soloists \u003c/a>(ABS) have programmed a full evening of these ethereal choral works. Music director Jeffrey Thomas led the ensemble in two of these pieces,”Singet dem Herrn ein neues Lied” and “Fürchte dich nicht, ich bin bei dir” at the 2012 Berkeley Festival & Exhibition, but ABS has added works for double chorus they say have only recently been attributed to Bach, which sounds like a promise of musical discovery. Details for the concert in Belvedere, Berkeley, San Francisco, and Davis \u003ca href=\"http://www.americanbach.org/2017-04.html\" target=\"_blank\" rel=\"noopener\">are here\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/6jWBCnIHe9A'\n title='//www.youtube.com/embed/6jWBCnIHe9A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>March 30-April 23:\u003c/strong> \u003ca href=\"http://www.telegraph.co.uk/theatre/what-to-see/needles-and-opium-miles-davis-meets-jean-cocteau--review/\" target=\"_blank\" rel=\"noopener\">\u003cem>Needles and Opium\u003c/em>\u003c/a> is a play about \u003ca href=\"https://www.theguardian.com/music/2006/may/25/jazz\" target=\"_blank\" rel=\"noopener\">Miles Davis and his love for French singer Juliette Greco \u003c/a>and heroin in the Paris of 1949, as well as movie director \u003ca href=\"https://en.wikipedia.org/wiki/Jean_Cocteau\" target=\"_blank\" rel=\"noopener\">Jean Cocteau\u003c/a>‘s dalliance with New York City and opium the same year. It’s an odd concept, but exactly what we might expect from French-Canadian theater director \u003ca href=\"http://lacaserne.net/index2.php/robertlepage/\" target=\"_blank\" rel=\"noopener\">Robert Lepage\u003c/a>. This revival of Lepage’s 1989 piece will be performed in a cube hanging over the \u003ca href=\"http://www.act-sf.org/\" target=\"_blank\" rel=\"noopener\">American Conservatory Theater\u003c/a>‘s Geary Stage with an acrobat playing Miles Davis. Lepage’s work, at its best, is always a dazzling, disorienting puzzle. Details for the San Francisco run are \u003ca href=\"http://www.act-sf.org/home/box_office/1617_season/needles_and_opium.html\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_12978571\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12978571\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/Wooster-Town-Hall-800x496.jpg\" alt=\"The Wooster Group presents ‘The Town Hall‘ Affair, the recreation of a seminal debate on feminism from 1971\" width=\"800\" height=\"496\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Wooster-Town-Hall.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Wooster-Town-Hall-160x99.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Wooster-Town-Hall-768x476.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Wooster-Town-Hall-240x149.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Wooster-Town-Hall-375x233.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/Wooster-Town-Hall-520x322.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Wooster Group presents ‘The Town Hall‘ Affair, the recreation of a seminal debate on feminism from 1971 \u003ccite>(Photo: Courtesy of The Wooster Group)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>April 6-16\u003c/strong>: In \u003cem>The Town Hall Affair, \u003c/em>New York’s \u003ca href=\"http://thewoostergroup.org/blog/\" target=\"_blank\" rel=\"noopener\">The Wooster Group \u003c/a>brings to life a real-life debate from 1971 between the writer \u003ca href=\"https://www.theguardian.com/books/booksblog/2007/nov/13/farewelltonormanmailerase\" target=\"_blank\" rel=\"noopener\">Norman Mailer\u003c/a>, a hardcore macho chauvinist, and some of the biggest names in second wave feminism, including Germaine Greer, Jacqueline Ceballos, and Susan Sontag. The play is based on a documentary about the evening, \u003ca href=\"https://vimeo.com/78950738\" target=\"_blank\" rel=\"noopener\">\u003cem>Town Bloody Hall\u003c/em>\u003c/a>, made under challenging conditions by D.A. Pennebaker and Chris Hegedus. The theatrical result should be maddening and enlightening. Details for the run of \u003cem>Town Hall Affair \u003c/em>at Z Space in San Francisco are\u003ca href=\"http://www.zspace.org/the-town-hall-affair/\" target=\"_blank\" rel=\"noopener\"> here.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Zw7DfFVga5Y'\n title='//www.youtube.com/embed/Zw7DfFVga5Y'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>April 1 & 2\u003c/strong>: \u003ca href=\"http://www.muccapazza.com/\" target=\"_blank\" rel=\"noopener\">Mucca Pazza \u003c/a>is a 20 plus member ensemble based in Chicago that gleefully deconstructs the whole idea of a marching band. As you can see and hear in the video above, they do it with lots of brass, drums and cheerleaders. The music is a blend of gypsy jazz and New Orleans funk. What could be bad? Details for Mucca Pazza’s performance at the Mondavi Center in Davis on Saturday are \u003ca href=\"https://www.mondaviarts.org/event/2016-17/mucca-pazza\" target=\"_blank\" rel=\"noopener\">here,\u003c/a> and details for their Sunday show at San Francisco’s Bottom of the Hill are \u003ca href=\"http://www.muccapazza.com/\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_12978570\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-12978570 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138-800x508.jpg\" alt=\"A photo by Dorothea Lange from 'Exclusion: The Presidio’s Role in World War II Japanese American Incarceration‘ at the Presidio of San Francisco\" width=\"800\" height=\"508\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138-800x508.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138-160x102.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138-768x488.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138-1020x647.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138-1920x1219.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138-1180x749.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138-960x609.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138-240x152.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138-375x238.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138-520x330.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/03/EXCLUSION_001-Lange-Order-No-e1490913891138.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A photo by Dorothea Lange from ‘Exclusion: The Presidio’s Role in World War II Japanese American Incarceration‘ at the Presidio of San Francisco \u003ccite>(Photo: Dorothea Lange)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>April 1-March 2018\u003c/strong>: On April 1, 75 years ago, the U.S. began registering and forcing Japanese Americans on the West Coast behind barbed wire at incarceration camps like Manzanar and Tule Lake. It’s mostly forgotten today, but the Presidio’s presiding officer at the time, General John Dewitt, oversaw the internment process. To commemorate that terrible breach of American values, The Presidio is opening the show \u003cem>Exclusion: The Presidio’s Role in World War II Japanese American Incarceration.\u003c/em>The Presidio’s director of heritage programs, Eric Blind, says one thing the show explores is the fact that fabricated news stories are an old tactic. “There were fake news stories going around saying that some of the Pearl Harbor bombers were wearing American university graduation rings, and this idea that there was a fifth column inside the United States ready to be spies and saboteurs from the Japanese American community,” Blind says. “None of these things were found to be true. But it did lead to bad decisions.” Details for \u003cem>Exclusion\u003c/em> at the Presidio Officers’ Club are \u003ca href=\"http://www.presidio.gov/officers-club/exhibitions/special-exhibition-exclusion\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>April 5-19:\u003c/strong> You could simply disappear into the dark for days on end at the \u003cem>60th San Francisco International Film Festival\u003c/em>. It’s a rite of spring with its 120 or so showings of features, documentaries, and cartoons. There are also seminars, like one on on \u003cem>Vertigo\u003c/em> and another on \u003cem>Citizen Kane\u003c/em>, both hosted by San Francisco film historian \u003ca href=\"https://en.wikipedia.org/wiki/David_Thomson_(film_critic)\" target=\"_blank\" rel=\"noopener\">David Thomson\u003c/a>. Local highlights include Peter Bratt with his documentary \u003cem>Dolores\u003c/em> about farm worker leader Dolores Huerta, and Peter Nicks’\u003cem>\u003ca href=\"http://www.sffilm.org/festival/lineup/the-force#.WN2UDm8rKJA\" target=\"_blank\" rel=\"noopener\">The Force\u003c/a>, \u003c/em>a documentary about the Oakland Police Department. Details for the SF International Film Fest are \u003ca href=\"http://www.sffilm.org/festival\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ytXTtXSgpPc'\n title='//www.youtube.com/embed/ytXTtXSgpPc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>\u003cstrong>April 3:\u003c/strong> The band Wire was born 40 years ago in London England, and they sound as tough and intense as they ever did on their new album \u003cem>Silver/Lead\u003c/em>. They’re formalists in a way, sticking to a classic, guitar-heavy sound. Yet they always find new things to say. The three old guys — Robert Gray on drums, Graham Lewis on bass guitar, and Colin Newman on guitar — are as punk as ever, and Matt Simms, the new guy since 2010, adds more awesome guitar work. Details on this chance to hear rock history at Slim’s on Monday are \u003ca href=\"http://www.slimspresents.com/event/wire-slims/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"Q.Logo.Break\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>[contextly_sidebar id=\"Yknj1xZIdalECnTXbTagkjYK8Lf9iwHV\"]When I decided to travel across the country to hear stories about identity and privilege, Idaho kept coming up as a place I needed to visit. In 2016, the state \u003ca href=\"http://www.pewresearch.org/fact-tank/2016/12/06/just-10-states-resettled-more-than-half-of-recent-refugees-to-u-s/ft_16-12-02_usrefugees_percapita/\">ranked third\u003c/a> (behind Nebraska and North Dakota) in welcoming the most refugees per capita. Rural red states dominating that list kind of shocked me, so I had to see it for myself.\u003c/p>\n\u003cp>After driving for hours, surrounded by nothing, I finally made it to Boise. The downtown area felt more like my small rural hometown in the middle of Louisiana than a state capital. My research there led to several refugee resettlement agencies, and Marwan Sweedan’s name kept coming up as a \"man about town\" I had to meet. Two minutes into our conversation, I could already see why.\u003c/p>\n\u003cp>A former surgeon, Sweedan came to the United States from Iraq as a refugee in 2008. A graduate of one of the most elite medical schools in the Middle East, he had worked at Ramadi Hospital with a focus on supporting mentally and physically challenged patients, a highly vulnerable and marginalized group in Iraq.\u003c/p>\n\u003cp>During the occupation of their country, many Iraqis volunteered to help the U.S. government. Sweedan, along with many of his family members, was among them. He helped establish the Commission of Public Integrity, an anti-corruption program created to foster good governance in Iraq and counter corruption in Iraqi officials.\u003c/p>\n\u003cp>\u003cem>Anti-corruption? Maybe he can help us clean up Washington?\u003c/em> I thought.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Because of his work, Marwan Sweedan and his brothers faced assassination attempts. His own father was kidnapped and assassinated because of Marwan’s support of U.S. troops. Luckily, Marwan escaped to Jordan, where he worked with insurance companies as a consultant before getting help from an American friend and future mentor to receive refugee status in the United States.\u003c/p>\n\u003cp>His first destination upon arrival? San Francisco.\u003c/p>\n\u003cp>\"That was a cultural shock,\" Sweedan chuckled, describing his first few days in the U.S. \"The first time I was out was at night and it was Halloween. I called my friend, my mentor, and I told him, 'It's Halloween and I'm outside in the streets in San Francisco.' And he was laughing, 'Don't have a first impression, wait for me to explain things to you.'\"\u003c/p>\n\u003cp>Marwan eventually got more comfortable, thanks to weekly meetings with his mentor, where they would talk about all things American culture, from politics to history to holidays. Gratitude for that relationship is one of the reasons why Marwan now spends so much of his time volunteering with Global Impact to support new refugees in their resettlement in Boise and connect them with services and jobs.\u003c/p>\n\u003cp>In addition to the help of his mentor, Sweedan also attributes much of his acclimation to enlisting in the Army.\u003c/p>\n\u003cp>Upon arriving in San Francisco, Sweedan went from being an esteemed surgeon in Iraq to working as a technician in a tissue bank. Although he was quickly promoted, he decided to join the Army as a combat medic, hoping to use his medical skills to support his adopted home country.\u003c/p>\n\u003cp>\"I felt like I built a bridge, without carrying a weapon or being deployed,\" Sweedan beamed with pride. Superiors quickly realized that Sweedan’s wealth of knowledge on Iraq was an asset. Throughout his service, he gave a series of nine lectures on the customs, history, and language of Iraq to better prepare troops for their deployment. But the learning was mutual.\u003c/p>\n\u003cp>\"Joining the military helped me learn a lot about the United States. I worked with liberals and conservatives. Maybe there were people who didn’t agree with me or didn’t like me, but we all had to work together,\" he says.\u003c/p>\n\u003cp>This across-the-aisle mentality prepared him for a move from the expensive Bay Area to Boise, a town he now loves. I was happy to hear that, but had to ask about whether he had experienced any racism and Islamophobia. Could he feel a shift?\u003c/p>\n\u003cp>What I got was a resounding yes. ''For a while, people here [in Boise] carried their guns, and they were walking behind Muslims here, especially women wearing their scarves.'' But the Bay Area wasn't always kind either. ''In San Francisco, I got yelled at too. I was there right as feelings towards Iraq turned for the worse.''\u003c/p>\n\u003cp>To my surprise, Marwan shrugged these memories off, smiled, and reminded me of two things: he had experienced worse in his similarly divided homeland, and despite his circumstances, he always aims to be a bridge of understanding.\u003c/p>\n\u003cp>\"I lived in conservative areas and liberal areas. People don’t hate people, but ideas clash with ideas. And people are afraid of what they don’t know,\" Sweedan said.\u003c/p>\n\u003cp>Recognized by the Obama administration as a \"Champion of Change,\" Sweedan has a clear message on people with anti-refugee beliefs: \"I want to be fair to them. I understand their point of view. A lot of Americans felt like both Republicans and Democrats have failed them for the past 30 years because the government became paralyzed. On TV, you hear a lot about refugees, so a lot of people were feeling, what about us?\"\u003c/p>\n\u003cp>I found myself moved by Sweedan’s level of empathy. It’s that sort of reflection, compassion, and curiosity that I find missing in national conversations around immigration and refugees. Sweedan risked his life and the life of his family by supporting the U.S. in Iraq. After losing his father because of this, he still decided to serve the U.S. again as an Army medic. And yet, here he was, being sympathetic to people who are often the least understanding of his plight.\u003c/p>\n\u003cp>He chalks it up to a general lack of understanding about the refugee experience, a reason why he continues telling his story to anyone who will listen.\u003c/p>\n\u003cp>\"I get it. They love this country, they want to protect this country. But I love and want to protect this country too,\" Sweedan said.\u003c/p>\n\u003cp>So how does this U.S. veteran / Muslim / surgeon / Iraqi refugee identify?\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\"I'm an Idahoan.\"\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>When I decided to travel across the country to hear stories about identity and privilege, Idaho kept coming up as a place I needed to visit. In 2016, the state \u003ca href=\"http://www.pewresearch.org/fact-tank/2016/12/06/just-10-states-resettled-more-than-half-of-recent-refugees-to-u-s/ft_16-12-02_usrefugees_percapita/\">ranked third\u003c/a> (behind Nebraska and North Dakota) in welcoming the most refugees per capita. Rural red states dominating that list kind of shocked me, so I had to see it for myself.\u003c/p>\n\u003cp>After driving for hours, surrounded by nothing, I finally made it to Boise. The downtown area felt more like my small rural hometown in the middle of Louisiana than a state capital. My research there led to several refugee resettlement agencies, and Marwan Sweedan’s name kept coming up as a \"man about town\" I had to meet. Two minutes into our conversation, I could already see why.\u003c/p>\n\u003cp>A former surgeon, Sweedan came to the United States from Iraq as a refugee in 2008. A graduate of one of the most elite medical schools in the Middle East, he had worked at Ramadi Hospital with a focus on supporting mentally and physically challenged patients, a highly vulnerable and marginalized group in Iraq.\u003c/p>\n\u003cp>During the occupation of their country, many Iraqis volunteered to help the U.S. government. Sweedan, along with many of his family members, was among them. He helped establish the Commission of Public Integrity, an anti-corruption program created to foster good governance in Iraq and counter corruption in Iraqi officials.\u003c/p>\n\u003cp>\u003cem>Anti-corruption? Maybe he can help us clean up Washington?\u003c/em> I thought.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Because of his work, Marwan Sweedan and his brothers faced assassination attempts. His own father was kidnapped and assassinated because of Marwan’s support of U.S. troops. Luckily, Marwan escaped to Jordan, where he worked with insurance companies as a consultant before getting help from an American friend and future mentor to receive refugee status in the United States.\u003c/p>\n\u003cp>His first destination upon arrival? San Francisco.\u003c/p>\n\u003cp>\"That was a cultural shock,\" Sweedan chuckled, describing his first few days in the U.S. \"The first time I was out was at night and it was Halloween. I called my friend, my mentor, and I told him, 'It's Halloween and I'm outside in the streets in San Francisco.' And he was laughing, 'Don't have a first impression, wait for me to explain things to you.'\"\u003c/p>\n\u003cp>Marwan eventually got more comfortable, thanks to weekly meetings with his mentor, where they would talk about all things American culture, from politics to history to holidays. Gratitude for that relationship is one of the reasons why Marwan now spends so much of his time volunteering with Global Impact to support new refugees in their resettlement in Boise and connect them with services and jobs.\u003c/p>\n\u003cp>In addition to the help of his mentor, Sweedan also attributes much of his acclimation to enlisting in the Army.\u003c/p>\n\u003cp>Upon arriving in San Francisco, Sweedan went from being an esteemed surgeon in Iraq to working as a technician in a tissue bank. Although he was quickly promoted, he decided to join the Army as a combat medic, hoping to use his medical skills to support his adopted home country.\u003c/p>\n\u003cp>\"I felt like I built a bridge, without carrying a weapon or being deployed,\" Sweedan beamed with pride. Superiors quickly realized that Sweedan’s wealth of knowledge on Iraq was an asset. Throughout his service, he gave a series of nine lectures on the customs, history, and language of Iraq to better prepare troops for their deployment. But the learning was mutual.\u003c/p>\n\u003cp>\"Joining the military helped me learn a lot about the United States. I worked with liberals and conservatives. Maybe there were people who didn’t agree with me or didn’t like me, but we all had to work together,\" he says.\u003c/p>\n\u003cp>This across-the-aisle mentality prepared him for a move from the expensive Bay Area to Boise, a town he now loves. I was happy to hear that, but had to ask about whether he had experienced any racism and Islamophobia. Could he feel a shift?\u003c/p>\n\u003cp>What I got was a resounding yes. ''For a while, people here [in Boise] carried their guns, and they were walking behind Muslims here, especially women wearing their scarves.'' But the Bay Area wasn't always kind either. ''In San Francisco, I got yelled at too. I was there right as feelings towards Iraq turned for the worse.''\u003c/p>\n\u003cp>To my surprise, Marwan shrugged these memories off, smiled, and reminded me of two things: he had experienced worse in his similarly divided homeland, and despite his circumstances, he always aims to be a bridge of understanding.\u003c/p>\n\u003cp>\"I lived in conservative areas and liberal areas. People don’t hate people, but ideas clash with ideas. And people are afraid of what they don’t know,\" Sweedan said.\u003c/p>\n\u003cp>Recognized by the Obama administration as a \"Champion of Change,\" Sweedan has a clear message on people with anti-refugee beliefs: \"I want to be fair to them. I understand their point of view. A lot of Americans felt like both Republicans and Democrats have failed them for the past 30 years because the government became paralyzed. On TV, you hear a lot about refugees, so a lot of people were feeling, what about us?\"\u003c/p>\n\u003cp>I found myself moved by Sweedan’s level of empathy. It’s that sort of reflection, compassion, and curiosity that I find missing in national conversations around immigration and refugees. Sweedan risked his life and the life of his family by supporting the U.S. in Iraq. After losing his father because of this, he still decided to serve the U.S. again as an Army medic. And yet, here he was, being sympathetic to people who are often the least understanding of his plight.\u003c/p>\n\u003cp>He chalks it up to a general lack of understanding about the refugee experience, a reason why he continues telling his story to anyone who will listen.\u003c/p>\n\u003cp>\"I get it. They love this country, they want to protect this country. But I love and want to protect this country too,\" Sweedan said.\u003c/p>\n\u003cp>So how does this U.S. veteran / Muslim / surgeon / Iraqi refugee identify?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Designers are rolling out their spring lines and the runways are looking more diverse than ever. But the comparative abundance of models who are people of color didn't happen overnight.\u003c/p>\n\u003cp>There was the occasional — very occasional — model who wasn't white in the 50s and early 60s on runways. But African-American models put American couture on the map in 1973 when they walked the runway in France in what's become known as \u003ca href=\"http://www.npr.org/2015/03/19/393823017/how-a-1970s-fashion-faceoff-put-american-designers-in-the-spotlight\">The Battle of Versailles\u003c/a>.\u003c/p>\n\u003cp>Almost instantly, black models were The Thing for a brief, halcyon period. But by the mid-80s, with a few glorious exceptions, the catwalks had regained a distinctly milky aspect.\u003c/p>\n\u003cp>Many designers' casting directors — the people choose models for shows — would specify they wanted a \"certain look.\" And for a long time that look was very, very pale.\u003c/p>\n\u003cp>Things got so monochromatic that in 2013 Bethann Hardison, a former model and modeling agency owner, and supermodels Iman and Naomi Campbell formed an organization called Diversity Coalition, to insist on runways that included women of color. The Coalition even penned a manifesto addressed to the international fashion industry, saying the runways needed to be a lot more varied in hue, especially at the darker end of the spectrum.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"The decision to use basically all-white models reveals a trait that is unbecoming to modern society,\" the authors wrote.\u003c/p>\n\u003cp>Then they named names.\u003c/p>\n\u003cp>That, said James Scully, is what gets people's attention. Scully, a model, casting director and activist, recently wrote \u003ca href=\"http://www.thefashionspot.com/runway-news/737855-james-scully-calls-out-balenciaga-and-lanvin-casting/\">an Instagram post\u003c/a> that claimed that the House of Lanvin had requested no women of color be included in the go-sees for casting its latest show.\u003c/p>\n\u003cp>Lanvin insisted that was incorrect—but in the end, 6 women of color were in its lineup.\u003c/p>\n\u003cp>Earlier this month, The Fashion Spot, an online forum for fashion insiders, released its \u003ca href=\"http://www.thefashionspot.com/runway-news/740117-runway-diversity-report-fall-2017/\">Runway Diversity Report\u003c/a> for Fall 2017. The report surveyed 241 shows during the fall 2017 season. Almost 28 percent of the models in those shows, collectively, were people of color. The report looked at national and international runways and found the highest racial diversity across the four major participating cities (New York, London, Milan, and Paris) was in New York, where 31.5 percent of the models were people of color.\u003c/p>\n\u003cp>Jennifer Davidson, editor in chief of The Fashion Spot, told \u003cem>The\u003c/em> \u003cem>New York Times\u003c/em> \"I personally don't think 31.5 is enough, but it's definitely an improvement.\"\u003c/p>\n\u003cp>It's a tricky thing, casting. Directors have a vision for their lines — but what if that vision doesn't include a more inclusive palette? \"It's an aesthetic decision, it's not personal\" used to be a standard response from some designers. Marc Jacobs is one of the designers the Diversity Coalition called out in 2013 for being diversity-impoverished. He again found himself in the fashion world's crosshairs last year when he sent mostly white models down the runway in rainbow-colored yarn dreadlocks.\u003c/p>\n\u003cp>Jacobs was mystified at some of the outrage from people who charged him with cultural appropriation. Openly questioning why \u003ca href=\"https://www.theguardian.com/fashion/2016/sep/20/marc-jacobs-apologises-using-white-models-dreadlocks-cultural-\">white models wearing dreadlocks\u003c/a> was offensive, he suggested that his critics wouldn't \"criticize women of color for straightening their hair.\" Eventually Jacobs \u003ca href=\"http://www.usmagazine.com/stylish/news/marc-jacobs-apologizes-for-dreadlocks-comments-w440863\">apologized on Instagram\u003c/a> \"for the lack of sensitivity unintentionally expressed by my brevity.\"\u003c/p>\n\u003cp>And, tellingly, he was among the designers with one of the most diverse runway lineups for fall 2017 — 66 percent models of color (see photo above).\u003c/p>\n\u003cp>The Fashion Spot has begun to tabulate not just racial diversity, but other kinds as well: designers that use older models, models who are transgender and plus-sized models. Of those groups, there has been more representation of plus-sized women than any other difference, but the door has been opened for other kinds of diversity. (Dolce & Gabbana dressed Italian nonnas (gramdmas) in its current campaign, and have for a few seasons. At J Crew, entire families replaced models to show off the retailer's wares.)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>These steps are not only good, but smart: the world, and fashion's consumer base, is getting more varied by the day. Having the runway mirror the real world a little more closely will lead to the industry's favorite sound: ka-ching, ka-ching.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=On+Fashion+Runways%2C+Inclusion+Is+About+More+Than+Color&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"The decision to use basically all-white models reveals a trait that is unbecoming to modern society,\" the authors wrote.\u003c/p>\n\u003cp>Then they named names.\u003c/p>\n\u003cp>That, said James Scully, is what gets people's attention. Scully, a model, casting director and activist, recently wrote \u003ca href=\"http://www.thefashionspot.com/runway-news/737855-james-scully-calls-out-balenciaga-and-lanvin-casting/\">an Instagram post\u003c/a> that claimed that the House of Lanvin had requested no women of color be included in the go-sees for casting its latest show.\u003c/p>\n\u003cp>Lanvin insisted that was incorrect—but in the end, 6 women of color were in its lineup.\u003c/p>\n\u003cp>Earlier this month, The Fashion Spot, an online forum for fashion insiders, released its \u003ca href=\"http://www.thefashionspot.com/runway-news/740117-runway-diversity-report-fall-2017/\">Runway Diversity Report\u003c/a> for Fall 2017. The report surveyed 241 shows during the fall 2017 season. Almost 28 percent of the models in those shows, collectively, were people of color. The report looked at national and international runways and found the highest racial diversity across the four major participating cities (New York, London, Milan, and Paris) was in New York, where 31.5 percent of the models were people of color.\u003c/p>\n\u003cp>Jennifer Davidson, editor in chief of The Fashion Spot, told \u003cem>The\u003c/em> \u003cem>New York Times\u003c/em> \"I personally don't think 31.5 is enough, but it's definitely an improvement.\"\u003c/p>\n\u003cp>It's a tricky thing, casting. Directors have a vision for their lines — but what if that vision doesn't include a more inclusive palette? \"It's an aesthetic decision, it's not personal\" used to be a standard response from some designers. Marc Jacobs is one of the designers the Diversity Coalition called out in 2013 for being diversity-impoverished. He again found himself in the fashion world's crosshairs last year when he sent mostly white models down the runway in rainbow-colored yarn dreadlocks.\u003c/p>\n\u003cp>Jacobs was mystified at some of the outrage from people who charged him with cultural appropriation. Openly questioning why \u003ca href=\"https://www.theguardian.com/fashion/2016/sep/20/marc-jacobs-apologises-using-white-models-dreadlocks-cultural-\">white models wearing dreadlocks\u003c/a> was offensive, he suggested that his critics wouldn't \"criticize women of color for straightening their hair.\" Eventually Jacobs \u003ca href=\"http://www.usmagazine.com/stylish/news/marc-jacobs-apologizes-for-dreadlocks-comments-w440863\">apologized on Instagram\u003c/a> \"for the lack of sensitivity unintentionally expressed by my brevity.\"\u003c/p>\n\u003cp>And, tellingly, he was among the designers with one of the most diverse runway lineups for fall 2017 — 66 percent models of color (see photo above).\u003c/p>\n\u003cp>The Fashion Spot has begun to tabulate not just racial diversity, but other kinds as well: designers that use older models, models who are transgender and plus-sized models. Of those groups, there has been more representation of plus-sized women than any other difference, but the door has been opened for other kinds of diversity. (Dolce & Gabbana dressed Italian nonnas (gramdmas) in its current campaign, and have for a few seasons. At J Crew, entire families replaced models to show off the retailer's wares.)\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>These steps are not only good, but smart: the world, and fashion's consumer base, is getting more varied by the day. Having the runway mirror the real world a little more closely will lead to the industry's favorite sound: ka-ching, ka-ching.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2017 NPR. To see more, visit http://www.npr.org/.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=On+Fashion+Runways%2C+Inclusion+Is+About+More+Than+Color&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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},
"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"morning-edition": {
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"pbs-newshour": {
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},
"perspectives": {
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"order": 14
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 5
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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