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"content": "\u003cp>The Prince Estate has announced plans to release another album of previously unreleased tracks recorded between 1981 and 1991. The album, titled \u003cem>Originals\u003c/em>, will be available June 7 exclusively on Tidal’s Hi-Fi subscription tier, with physical copies, downloads and wider streaming services following on June 21. It features 15 demo versions of songs Prince wrote and recorded for other artists, including Sheila E., The Time and Kenny Rogers. Fourteen of the tracks have never been released before.\u003c/p>\n\u003cp>[aside postID='arts_13833817' *hero='08-e1527720308667-1180x664.jpg'* target='_blank']\u003c/p>\n\u003cp>Several of the songs were big hits for the bands at the time. “Manic Monday,” which Prince originally wrote for his protégé girl group Apollonia 6, ultimately appeared on The Bangles’ 1986 album \u003cem>Different Light \u003c/em>and spent several weeks near the top of the pop charts. “The Glamorous Life,” written for Sheila E., was a number-one hit on the dance charts in 1984, while Sinead O’Connor’s version of “Nothing Compares 2 U” spent a month at number one on the Hot 100 in 1990.\u003c/p>\n\u003cp>\u003cem>Originals \u003c/em>follows last year’s \u003cem>Piano and a Microphone 1983, \u003c/em>a collection of intimate home recordings by Prince.\u003c/p>\n\u003cp>This fall, the Prince estate and Random House will also release a new memoir by the artist titled \u003cem>The Beautiful Ones\u003c/em>. It’s due out Oct. 29 and will include snippets of Prince’s handwritten lyrics, original scrapbooks and never-before-seen photos.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>Originals\u003c/em> full track listing:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>1. “Sex Shooter”\u003cbr>\n2. “Jungle Love”\u003cbr>\n3. “Manic Monday”\u003cbr>\n4. “Noon Rendezvous”\u003cbr>\n5. “Make-Up”\u003cbr>\n6. “100 MPH”\u003cbr>\n7. “You’re My Love”\u003cbr>\n8. “Holly Rock”\u003cbr>\n9. “Baby, You’re a Trip”\u003cbr>\n10. “The Glamorous Life”\u003cbr>\n11. “Gigolos Get Lonely Too”\u003cbr>\n12. “Love… Thy Will Be Done”\u003cbr>\n13. “Dear Michaelangelo”\u003cbr>\n14. “Wouldn’t You Love to Love Me?”\u003cbr>\n15. “Nothing Compares 2 U”\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=An+Album+From+Prince%27s+Vault%2C+And+His+Memoir%2C+Are+Coming&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Several of the songs were big hits for the bands at the time. “Manic Monday,” which Prince originally wrote for his protégé girl group Apollonia 6, ultimately appeared on The Bangles’ 1986 album \u003cem>Different Light \u003c/em>and spent several weeks near the top of the pop charts. “The Glamorous Life,” written for Sheila E., was a number-one hit on the dance charts in 1984, while Sinead O’Connor’s version of “Nothing Compares 2 U” spent a month at number one on the Hot 100 in 1990.\u003c/p>\n\u003cp>\u003cem>Originals \u003c/em>follows last year’s \u003cem>Piano and a Microphone 1983, \u003c/em>a collection of intimate home recordings by Prince.\u003c/p>\n\u003cp>This fall, the Prince estate and Random House will also release a new memoir by the artist titled \u003cem>The Beautiful Ones\u003c/em>. It’s due out Oct. 29 and will include snippets of Prince’s handwritten lyrics, original scrapbooks and never-before-seen photos.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>Originals\u003c/em> full track listing:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>After weeks of hand-wringing, vote-wrangling and even some stern finger-wagging from the Department of Justice, the Academy of Motion Picture Arts and Sciences has declined to pursue a controversial proposal to change the Oscars’ eligibility rules.\u003c/p>\n\u003cp>That proposal, \u003ca href=\"https://variety.com/2019/film/news/steven-spielberg-academy-netflix-oscar-competition-1203153872/\">reportedly pushed by\u003c/a> megadirector Steven Spielberg, would have made it difficult for streaming services such as Netflix to compete for the academy’s big prizes by restricting eligibility to just films that got a significant run in theaters. Films that debuted online and only got a limited theatrical release simply would be out of luck.\u003c/p>\n\u003cp>But when the academy’s \u003ca href=\"https://www.oscars.org/about/board-of-governors\">board of governors\u003c/a> released its rules for next year’s prize — a book that runs to 35 pages, all told — the would-be changes were not among them.\u003c/p>\n\u003cp>[documentcloud url=”https://www.documentcloud.org/documents/5977147-92aa-Rules.html” responsive=true]\u003c/p>\n\u003cp>“We support the theatrical experience as integral to the art of motion pictures, and this weighed heavily in our discussions,” John Bailey, president of the academy, said in a statement \u003ca href=\"https://www.oscars.org/news/academy-announces-rules-92nd-oscars\">released Tuesday night\u003c/a>. “Our rules currently require theatrical exhibition, and also allow for a broad selection of films to be submitted for Oscars consideration.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The updates that \u003cem>did \u003c/em>make their way into the rulebook were rather more innocuous.\u003c/p>\n\u003cp>The animated feature category was placed on surer footing. It used to be the case that the category’s prize would only be given out if at least eight eligible films were released that year. That caveat now has been stripped from the record.\u003c/p>\n\u003cp>And the foreign language film category has gotten a name change. Just call it the international feature film category now.\u003c/p>\n\u003cp>“We have noted that the reference to ‘Foreign’ is outdated within the global filmmaking community,” said Larry Karaszewski and Diane Weyermann, the co-chairs of the category’s committee. “We believe that International Feature Film better represents this category, and promotes a positive and inclusive view of filmmaking, and the art of film as a universal experience.”\u003c/p>\n\u003cp>There were a few other changes too, of course, which you can check out in the full text of \u003ca href=\"https://assets.documentcloud.org/documents/5976684/92aa-Rules.pdf\">the rulebook\u003c/a> below. But none made nearly the impact as the change that never was.\u003c/p>\n\u003cp>Not long after the idea to restrict eligibility surfaced publicly, the objections arrived in a deluge. Netflix, which has leaped enthusiastically into the arena of prestige films, with efforts such as its 2019 \u003ca href=\"https://www.npr.org/2018/12/13/676190124/in-roma-a-director-recreates-the-city-and-the-caretaker-of-his-youth\">best picture nominee\u003c/a>, \u003cem>Roma\u003c/em>, pointedly \u003ca href=\"https://twitter.com/NetflixFilm/status/1102418557760024578\">subtweeted the proposal\u003c/a>. The company said it supports broadening access to films and “giving filmmakers more ways to share art” — and that “these things are not mutually exclusive.”\u003c/p>\n\u003cfigure id=\"attachment_13855735\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13855735\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/GettyImages-1131936201-800x540.jpg\" alt=\": Alfonso Cuaron, winner of Best Foreign Language Film, Best Director and Best Cinematography for 'Roma,' poses in the press room during the 91st Annual Academy Awards at Hollywood and Highland on February 24, 2019 in Hollywood, California. \" width=\"800\" height=\"540\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-1131936201-800x540.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-1131936201-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-1131936201-768x518.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-1131936201-1020x688.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-1131936201.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">: Alfonso Cuaron, winner of Best Foreign Language Film, Best Director and Best Cinematography for ‘Roma,’ poses in the press room during the 91st Annual Academy Awards at Hollywood and Highland on February 24, 2019 in Hollywood, California. \u003ccite>(Frazer Harrison/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Federal authorities got involved in the dust-up as well. Justice Department official \u003ca href=\"https://www.justice.gov/atr/staff-profile/meet-assistant-attorney-general\">Makan Delrahim\u003c/a> warned the academy that the proposed restrictions \u003ca href=\"https://www.npr.org/2019/04/03/709429778/justice-department-warns-academy-new-oscar-rules-may-raise-antitrust-concerns\">“may raise antitrust concerns”\u003c/a> if they serve to eliminate competition and hurt the sales of certain movies.\u003c/p>\n\u003cp>Given the notable financial boost offered by Oscars recognition — which, in the case of at least one \u003ca href=\"https://deadline.com/2017/03/moonlight-table-19-love-taxes-specialty-box-office-1202037156/\">recent best picture winner\u003c/a>, represented 10% of its total box office gross — the Justice Department may have had a reasonable argument if it decided to bring a lawsuit.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Bailey suggested that the decision Tuesday doesn’t exactly mean the conversation is over, however: “We plan to further study the profound changes occurring in our industry and continue discussions with our members about these issues.”\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>After weeks of hand-wringing, vote-wrangling and even some stern finger-wagging from the Department of Justice, the Academy of Motion Picture Arts and Sciences has declined to pursue a controversial proposal to change the Oscars’ eligibility rules.\u003c/p>\n\u003cp>That proposal, \u003ca href=\"https://variety.com/2019/film/news/steven-spielberg-academy-netflix-oscar-competition-1203153872/\">reportedly pushed by\u003c/a> megadirector Steven Spielberg, would have made it difficult for streaming services such as Netflix to compete for the academy’s big prizes by restricting eligibility to just films that got a significant run in theaters. Films that debuted online and only got a limited theatrical release simply would be out of luck.\u003c/p>\n\u003cp>But when the academy’s \u003ca href=\"https://www.oscars.org/about/board-of-governors\">board of governors\u003c/a> released its rules for next year’s prize — a book that runs to 35 pages, all told — the would-be changes were not among them.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The updates that \u003cem>did \u003c/em>make their way into the rulebook were rather more innocuous.\u003c/p>\n\u003cp>The animated feature category was placed on surer footing. It used to be the case that the category’s prize would only be given out if at least eight eligible films were released that year. That caveat now has been stripped from the record.\u003c/p>\n\u003cp>And the foreign language film category has gotten a name change. Just call it the international feature film category now.\u003c/p>\n\u003cp>“We have noted that the reference to ‘Foreign’ is outdated within the global filmmaking community,” said Larry Karaszewski and Diane Weyermann, the co-chairs of the category’s committee. “We believe that International Feature Film better represents this category, and promotes a positive and inclusive view of filmmaking, and the art of film as a universal experience.”\u003c/p>\n\u003cp>There were a few other changes too, of course, which you can check out in the full text of \u003ca href=\"https://assets.documentcloud.org/documents/5976684/92aa-Rules.pdf\">the rulebook\u003c/a> below. But none made nearly the impact as the change that never was.\u003c/p>\n\u003cp>Not long after the idea to restrict eligibility surfaced publicly, the objections arrived in a deluge. Netflix, which has leaped enthusiastically into the arena of prestige films, with efforts such as its 2019 \u003ca href=\"https://www.npr.org/2018/12/13/676190124/in-roma-a-director-recreates-the-city-and-the-caretaker-of-his-youth\">best picture nominee\u003c/a>, \u003cem>Roma\u003c/em>, pointedly \u003ca href=\"https://twitter.com/NetflixFilm/status/1102418557760024578\">subtweeted the proposal\u003c/a>. The company said it supports broadening access to films and “giving filmmakers more ways to share art” — and that “these things are not mutually exclusive.”\u003c/p>\n\u003cfigure id=\"attachment_13855735\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13855735\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/GettyImages-1131936201-800x540.jpg\" alt=\": Alfonso Cuaron, winner of Best Foreign Language Film, Best Director and Best Cinematography for 'Roma,' poses in the press room during the 91st Annual Academy Awards at Hollywood and Highland on February 24, 2019 in Hollywood, California. \" width=\"800\" height=\"540\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-1131936201-800x540.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-1131936201-160x108.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-1131936201-768x518.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-1131936201-1020x688.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/GettyImages-1131936201.jpg 1024w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">: Alfonso Cuaron, winner of Best Foreign Language Film, Best Director and Best Cinematography for ‘Roma,’ poses in the press room during the 91st Annual Academy Awards at Hollywood and Highland on February 24, 2019 in Hollywood, California. \u003ccite>(Frazer Harrison/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Federal authorities got involved in the dust-up as well. Justice Department official \u003ca href=\"https://www.justice.gov/atr/staff-profile/meet-assistant-attorney-general\">Makan Delrahim\u003c/a> warned the academy that the proposed restrictions \u003ca href=\"https://www.npr.org/2019/04/03/709429778/justice-department-warns-academy-new-oscar-rules-may-raise-antitrust-concerns\">“may raise antitrust concerns”\u003c/a> if they serve to eliminate competition and hurt the sales of certain movies.\u003c/p>\n\u003cp>Given the notable financial boost offered by Oscars recognition — which, in the case of at least one \u003ca href=\"https://deadline.com/2017/03/moonlight-table-19-love-taxes-specialty-box-office-1202037156/\">recent best picture winner\u003c/a>, represented 10% of its total box office gross — the Justice Department may have had a reasonable argument if it decided to bring a lawsuit.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Bailey suggested that the decision Tuesday doesn’t exactly mean the conversation is over, however: “We plan to further study the profound changes occurring in our industry and continue discussions with our members about these issues.”\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Mere days after Coachella 2019—where the specter of Beyoncé’s grand performance last year loomed large—she premiered \u003cem>Homecoming: A Beyoncé Film\u003c/em> on Netflix today, as expected. [aside postid='forum_2010101870195']\u003c/p>\n\u003cp>But, ever the generous queen, Beyoncé offered up a worthwhile supplement. A live album showcasing over an hour and a half’s worth of the over two-hour performance is out now. Covering 40 tracks—which comprises a vast bricolage of her own discography and others’—it features her cover of Maze’s “Before I Let Go,” her cover of “Lift Every Voice and Sing” and Blue’s own take of the black national anthem.\u003c/p>\n\u003cp>For what it’s worth: \u003cem>Lemonade\u003c/em> still is not on Spotify, so for subscribers, this might be the best way to hear “Formation,” “Hold Up” and “Freedom,” among other interspersed \u003cem>Lemonade\u003c/em> tracks.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://open.spotify.com/embed/album/35S1JCj5paIfElT2GODl6x\" width=\"800\" height=\"800\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Copyright to NPR. For more, visit \u003ca href=\"http://npr.org\" target=\"_blank\" rel=\"noopener\">NPR.org\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"title": "Spoken in Westeros, Born in California: How 'Game of Thrones' Languages Were Invented",
"headTitle": "Spoken in Westeros, Born in California: How ‘Game of Thrones’ Languages Were Invented | KQED",
"content": "\u003cp>The premiere episode of the final season of \u003cem>Game of Thrones\u003c/em> drew a record 17.4 million viewers across various platforms. But it’s not just HBO’s hit show that’s drawing big numbers. More than 1 million people have signed up to learn High Valyrian, a fictional language spoken in the series.\u003c/p>\n\u003cp>For linguist David Peterson, it all started six years after he graduated from UC Berkeley.\u003c/p>\n\u003cp>The \u003cem>Game of Thrones\u003c/em> producers held a competition looking for someone to create a different language, one for the Dothraki people, the nomadic warriors of Essos.\u003c/p>\n\u003cp>Peterson won, and went on to become the show’s language creator. With just a couple of lines to go on from George R. R. Martin’s books, Peterson also created High Valyrian, the native tongue of Daenerys Stormborn and House Targaryen.\u003c/p>\n\u003cp>Now some 1.2 million people have signed up to learn High Valyrian on the free language-learning app Duolingo. According to Duolingo, High Valyrian \u003ca href=\"https://www.duolingo.com/courses\" target=\"_blank\" rel=\"noopener\">currently has as many active learners as Hebrew\u003c/a>.\u003c/p>\n\u003cp>So why is High Valyrian so popular?\u003c/p>\n\u003cp>“Well first let’s be serious. It’s the dragons. That’s what draws people. I mean Daenerys is cool, but the dragons are awesome. So I’m sure that’s part of it.”\u003c/p>\n\u003cp>Peterson recalls when High Valyrian was first introduced during Season 3, when Daenerys says, “A dragon is not a slave.”\u003c/p>\n\u003cp>“It was a really cool moment for the series, a very memorable moment for the series,” said Peterson. “And unlike many memorable moments of the series, it was a positive one.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=bjkVgYZB0aA\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>KQED first spoke with Peterson in the summer of 2017 when he was a visiting professor at UC Berkeley, teaching students how to speak and write like characters in \u003cem>Game of Thrones\u003c/em>.\u003c/p>\n\u003cp>He assigned each of his students one language to build from the \u003cem>Game of Thrones\u003c/em> universe. John Clements created one for the people of Sarnor.\u003c/p>\n\u003cp>Clements, who was majoring in computer science at the University of Arkansas, said creating languages has been a hobby of his since he was a kid.\u003c/p>\n\u003cp>“It’s always something I’ve been interested in,” said Clements. “I remember in middle school I would sit at lunch and make up alphabets.”\u003c/p>\n\u003cfigure id=\"attachment_13655084\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13655084\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/RS25979_FullSizeRender-1-qut-800x600.jpg\" alt=\"Student Dash Stevens has a background in linguistics and has been creating his own languages for several years.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25979_FullSizeRender-1-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25979_FullSizeRender-1-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25979_FullSizeRender-1-qut-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25979_FullSizeRender-1-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25979_FullSizeRender-1-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25979_FullSizeRender-1-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25979_FullSizeRender-1-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25979_FullSizeRender-1-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25979_FullSizeRender-1-qut-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25979_FullSizeRender-1-qut.jpg 1632w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Student Dash Stevens has a background in linguistics and has been creating his own languages for several years. \u003ccite>(Tiffany Camhi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Fellow student Dash Stevens fleshed out the language of the people of Jogos Nhai. Stevens studied linguistics at the University of Hawaii, and has been inventing new tongues for years.\u003c/p>\n\u003cp>“It’s got a base consonant and then from there it has markings for vowels,” said Stevens of his linguistic project. “The closest kind of writing system in existence would be devanagari for Hindi.”\u003c/p>\n\u003cfigure id=\"attachment_13659116\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13659116\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/RS25980_FullSizeRender-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25980_FullSizeRender-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25980_FullSizeRender-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25980_FullSizeRender-qut-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25980_FullSizeRender-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25980_FullSizeRender-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25980_FullSizeRender-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25980_FullSizeRender-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25980_FullSizeRender-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25980_FullSizeRender-qut-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25980_FullSizeRender-qut.jpg 1632w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">U.C. Berkeley visiting professor David Peterson runs through translation exercises in a recent class. \u003ccite>(Tiffany Camhi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The class was a crash-course in linguistics through a \u003cem>Game of Thrones\u003c/em> lens, said Peterson.\u003c/p>\n\u003cp>“In learning how to do this stuff you’re basically learning everything that there is to know about language,” Peterson said.\u003c/p>\n\u003cp>As for how that course went in 2017, Peterson said he was pleased with his students’ progress.\u003c/p>\n\u003cp>“There have been lots of theft-worthy ideas that I’ve seen,” said Peterson.\u003c/p>\n\u003cp>Peterson said one of the most essential things the students learn is to make languages that people actually want to use on a daily basis. “That is what all languages are going to have in common,” said Peterson. “They evolve structures that are going to be useful in some way.”\u003c/p>\n\u003cp>For example, a word in English that would not be useful — if it existed — is “cattif.” Peterson made up the word and said it means “17 cats.”\u003c/p>\n\u003cp>Peterson said most people would have very little use for a word that means 17 cats, so it would just fall out of use. “That’s because of the way the human brain works, the way that we live our lives and our experience with cats.”\u003c/p>\n\u003cp>For the students, that meant making several changes to their languages to make them truly practical. Stevens said he went through seven versions of his written system.\u003c/p>\n\u003cp>“If you want something to be even remotely realistic, you have to have that kind of depth to it,” Stevens said.\u003c/p>\n\u003cfigure id=\"attachment_13655086\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13655086\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/RS25981_IMG_0595-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25981_IMG_0595-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25981_IMG_0595-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25981_IMG_0595-qut-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25981_IMG_0595-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25981_IMG_0595-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25981_IMG_0595-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25981_IMG_0595-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25981_IMG_0595-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25981_IMG_0595-qut-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25981_IMG_0595-qut.jpg 1632w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">One of many drafts of Dash Stevens’ writing system for the people of Jogos Nhai. \u003ccite>(Tiffany Camhi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>So could one of these students be the next hot new language inventor in Hollywood?\u003c/p>\n\u003cp>The entertainment industry is just starting to develop serious careers for language creators, said Peterson. So the good news for his students: jobs are on the way.\u003c/p>\n\u003cp>Although Peterson calls Orange County home, he watched the Season 8 premiere back on the Berkeley campus with some students Sunday night. And like all fans, he’s bracing himself because he knows a lot is about to go down in whatever language the character speaks.\u003c/p>\n\u003cp>\u003cem>This post includes reporting from KCRW’s Jenny Hamel and KQED’s David Marks. A version of this story was originally published on July 14, 2017.\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n",
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"excerpt": "More than 1 million people have signed up online to learn High Valyrian, a fictional ‘Game of Thrones’ language. For creator David Peterson, it all started after he graduated from UC Berkeley and entered a contest.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The premiere episode of the final season of \u003cem>Game of Thrones\u003c/em> drew a record 17.4 million viewers across various platforms. But it’s not just HBO’s hit show that’s drawing big numbers. More than 1 million people have signed up to learn High Valyrian, a fictional language spoken in the series.\u003c/p>\n\u003cp>For linguist David Peterson, it all started six years after he graduated from UC Berkeley.\u003c/p>\n\u003cp>The \u003cem>Game of Thrones\u003c/em> producers held a competition looking for someone to create a different language, one for the Dothraki people, the nomadic warriors of Essos.\u003c/p>\n\u003cp>Peterson won, and went on to become the show’s language creator. With just a couple of lines to go on from George R. R. Martin’s books, Peterson also created High Valyrian, the native tongue of Daenerys Stormborn and House Targaryen.\u003c/p>\n\u003cp>Now some 1.2 million people have signed up to learn High Valyrian on the free language-learning app Duolingo. According to Duolingo, High Valyrian \u003ca href=\"https://www.duolingo.com/courses\" target=\"_blank\" rel=\"noopener\">currently has as many active learners as Hebrew\u003c/a>.\u003c/p>\n\u003cp>So why is High Valyrian so popular?\u003c/p>\n\u003cp>“Well first let’s be serious. It’s the dragons. That’s what draws people. I mean Daenerys is cool, but the dragons are awesome. So I’m sure that’s part of it.”\u003c/p>\n\u003cp>Peterson recalls when High Valyrian was first introduced during Season 3, when Daenerys says, “A dragon is not a slave.”\u003c/p>\n\u003cp>“It was a really cool moment for the series, a very memorable moment for the series,” said Peterson. “And unlike many memorable moments of the series, it was a positive one.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/bjkVgYZB0aA'\n title='//www.youtube.com/embed/bjkVgYZB0aA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>KQED first spoke with Peterson in the summer of 2017 when he was a visiting professor at UC Berkeley, teaching students how to speak and write like characters in \u003cem>Game of Thrones\u003c/em>.\u003c/p>\n\u003cp>He assigned each of his students one language to build from the \u003cem>Game of Thrones\u003c/em> universe. John Clements created one for the people of Sarnor.\u003c/p>\n\u003cp>Clements, who was majoring in computer science at the University of Arkansas, said creating languages has been a hobby of his since he was a kid.\u003c/p>\n\u003cp>“It’s always something I’ve been interested in,” said Clements. “I remember in middle school I would sit at lunch and make up alphabets.”\u003c/p>\n\u003cfigure id=\"attachment_13655084\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13655084\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/RS25979_FullSizeRender-1-qut-800x600.jpg\" alt=\"Student Dash Stevens has a background in linguistics and has been creating his own languages for several years.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25979_FullSizeRender-1-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25979_FullSizeRender-1-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25979_FullSizeRender-1-qut-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25979_FullSizeRender-1-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25979_FullSizeRender-1-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25979_FullSizeRender-1-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25979_FullSizeRender-1-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25979_FullSizeRender-1-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25979_FullSizeRender-1-qut-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25979_FullSizeRender-1-qut.jpg 1632w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Student Dash Stevens has a background in linguistics and has been creating his own languages for several years. \u003ccite>(Tiffany Camhi/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Fellow student Dash Stevens fleshed out the language of the people of Jogos Nhai. Stevens studied linguistics at the University of Hawaii, and has been inventing new tongues for years.\u003c/p>\n\u003cp>“It’s got a base consonant and then from there it has markings for vowels,” said Stevens of his linguistic project. “The closest kind of writing system in existence would be devanagari for Hindi.”\u003c/p>\n\u003cfigure id=\"attachment_13659116\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13659116\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/RS25980_FullSizeRender-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25980_FullSizeRender-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25980_FullSizeRender-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25980_FullSizeRender-qut-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25980_FullSizeRender-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25980_FullSizeRender-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25980_FullSizeRender-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25980_FullSizeRender-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25980_FullSizeRender-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25980_FullSizeRender-qut-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25980_FullSizeRender-qut.jpg 1632w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">U.C. Berkeley visiting professor David Peterson runs through translation exercises in a recent class. \u003ccite>(Tiffany Camhi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The class was a crash-course in linguistics through a \u003cem>Game of Thrones\u003c/em> lens, said Peterson.\u003c/p>\n\u003cp>“In learning how to do this stuff you’re basically learning everything that there is to know about language,” Peterson said.\u003c/p>\n\u003cp>As for how that course went in 2017, Peterson said he was pleased with his students’ progress.\u003c/p>\n\u003cp>“There have been lots of theft-worthy ideas that I’ve seen,” said Peterson.\u003c/p>\n\u003cp>Peterson said one of the most essential things the students learn is to make languages that people actually want to use on a daily basis. “That is what all languages are going to have in common,” said Peterson. “They evolve structures that are going to be useful in some way.”\u003c/p>\n\u003cp>For example, a word in English that would not be useful — if it existed — is “cattif.” Peterson made up the word and said it means “17 cats.”\u003c/p>\n\u003cp>Peterson said most people would have very little use for a word that means 17 cats, so it would just fall out of use. “That’s because of the way the human brain works, the way that we live our lives and our experience with cats.”\u003c/p>\n\u003cp>For the students, that meant making several changes to their languages to make them truly practical. Stevens said he went through seven versions of his written system.\u003c/p>\n\u003cp>“If you want something to be even remotely realistic, you have to have that kind of depth to it,” Stevens said.\u003c/p>\n\u003cfigure id=\"attachment_13655086\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13655086\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2017/07/RS25981_IMG_0595-qut-800x600.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25981_IMG_0595-qut-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25981_IMG_0595-qut-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25981_IMG_0595-qut-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25981_IMG_0595-qut-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25981_IMG_0595-qut-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25981_IMG_0595-qut-960x720.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25981_IMG_0595-qut-240x180.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25981_IMG_0595-qut-375x281.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25981_IMG_0595-qut-520x390.jpg 520w, https://cdn.kqed.org/wp-content/uploads/sites/2/2017/07/RS25981_IMG_0595-qut.jpg 1632w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">One of many drafts of Dash Stevens’ writing system for the people of Jogos Nhai. \u003ccite>(Tiffany Camhi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>So could one of these students be the next hot new language inventor in Hollywood?\u003c/p>\n\u003cp>The entertainment industry is just starting to develop serious careers for language creators, said Peterson. So the good news for his students: jobs are on the way.\u003c/p>\n\u003cp>Although Peterson calls Orange County home, he watched the Season 8 premiere back on the Berkeley campus with some students Sunday night. And like all fans, he’s bracing himself because he knows a lot is about to go down in whatever language the character speaks.\u003c/p>\n\u003cp>\u003cem>This post includes reporting from KCRW’s Jenny Hamel and KQED’s David Marks. A version of this story was originally published on July 14, 2017.\u003c/em>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
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"slug": "10-coachella-performances-worth-watching-on-youtube-this-weekend",
"title": "10 Coachella Performances Worth Watching On YouTube This Weekend",
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"content": "\u003cp>Now in its 19th year, the \u003ca href=\"https://www.youtube.com/user/coachella\">Coachella Valley Music and Arts Festival\u003c/a> is more than a music festival, or even a lifestyle. It’s a capital-M moment that seems to stop the world. (And not \u003cem>entirely\u003c/em> because Beyoncé willed it so last year.) Beyond the experience of bearing witness to celebrities of the A- and D-lists as they drench themselves in sweat and dust while gorging on trendy cuisine and novelty cocktails, Coachella’s influence extends far beyond the festival grounds of Indio, California.\u003c/p>\n\u003cp>Even Coachella seems to be aware of this: For the first time ever, it’s doubling down on its festival streams by showcasing both weekends of the festival. Emergent K-pop group BLACKPINK is set to broadcast its message of sensory-overload pop music \u003ca href=\"https://www.latimes.com/business/hollywood/la-fi-ct-youtube-coachella-times-square-20190408-story.html\">in Times Square\u003c/a> this weekend. Childish Gambino and Rihanna premiered a new film, and with the aid of Amazon and YouTube, will premiere it globally this weekend for free.\u003c/p>\n\u003cp>For those looking to avoid the hefty price tag of a festival pass — or reluctant to experience Coachella anywhere but on a couch — we’ve got you covered. The only catch: You’ll need to watch it \u003ca href=\"https://www.youtube.com/user/coachella/coachellalive\">live on YouTube\u003c/a>, as Coachella does not make its sets available after the fact as on-demand videos.\u003c/p>\n\u003cp>So, without further ado, here are 10 Coachella 2019 acts worth planning your weekend around, in chronological order. And if you’re the adventurous sort, you can scan and skip between a whopping 83 live performances across three channels at \u003ca href=\"https://www.youtube.com/user/coachella/coachellalive\">youtube.com/user/coachella/coachellalive\u003c/a>.\u003c/p>\n\u003ch3 class=\"hed\">10 Coachella Sets We’re Watching This Weekend\u003c/h3>\n\u003ch4>Kacey Musgraves\u003c/h4>\n\u003cfigure id=\"attachment_13854931\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854931\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/gettyimages-1134354848-5b17415d54e71f6f69f45040c5d07f81a6ccbdb2-800x600.jpg\" alt=\"Kacey Musgraves performs onstage for Loretta Lynn: An All-Star Birthday Celebration Concert at Bridgestone Arena on April 1, 2019 in Nashville, Tennessee.\" width=\"800\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">Kacey Musgraves performs onstage for Loretta Lynn: An All-Star Birthday Celebration Concert at Bridgestone Arena on April 1, 2019 in Nashville, Tennessee.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Day: \u003c/strong>Friday\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Time:\u003c/strong> 8:55 p.m. ET / 5:55 p.m. PT\u003c/p>\n\u003cp>\u003cstrong>Where: \u003c/strong>Channel 1\u003c/p>\n\u003cp>Even if it’s not quite golden hour elsewhere, getting to see Kacey Musgraves perform as the sun wanes in Coachella might just be worth the price of admission. (Lucky for you, it only requires access to a device that streams YouTube.)\u003c/p>\n\u003ch4>BLACKPINK\u003c/h4>\n\u003cfigure id=\"attachment_13854934\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854934\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/gettyimages-1098327268-f3b5abd610964c14e98248532cca79ff9f4ae201-800x600.jpg\" alt=\"Girl group BLACKPINK performs on stage during the 8th Gaon Chart K-Pop Awards on January 23, 2019 in Seoul, South Korea. (Photo by Chung Sung-Jun/Getty Images)\" width=\"800\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">Girl group BLACKPINK performs on stage during the 8th Gaon Chart K-Pop Awards on January 23, 2019 in Seoul, South Korea. (Photo by Chung Sung-Jun/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Day: \u003c/strong>Friday\u003c/p>\n\u003cp>\u003cstrong>Time:\u003c/strong> 11:30 p.m. ET / 8:30 p.m. PT\u003c/p>\n\u003cp>\u003cstrong>Where: \u003c/strong>Channel 1\u003c/p>\n\u003cp>BLACKPINK’s Coachella set is one for the books: It’s the first ever K-pop group to perform at the hallowed festival grounds — and quite possibly the first act ever to simulcast a Coachella set from Times Square. If BLACKPINK is good enough for Times Square, it’s good enough for your living room, right?\u003c/p>\n\u003ch4>Janelle Monáe\u003c/h4>\n\u003cfigure id=\"attachment_13854936\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854936\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/gettyimages-1130408167-8985f8827768a01762d9a72ab6d2806afbba0377-800x600.jpg\" alt=\"Janelle Monae performs at the AT&T Pre Game Concert leading in to NBA All-Star on Sunday, February 17, 2019 at EpiCentre Theater in Charlotte, North Carolina.\" width=\"800\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monae performs at the AT&T Pre Game Concert leading in to NBA All-Star on Sunday, February 17, 2019 at EpiCentre Theater in Charlotte, North Carolina.\u003c/figcaption>\u003c/figure>\n\u003cdiv>\n\u003cp>\u003cstrong>Day: \u003c/strong>Friday\u003c/p>\n\u003cp>\u003cstrong>Time:\u003c/strong> 1:30 a.m. ET / 10:30 p.m. PT\u003c/p>\n\u003cp>\u003cstrong>Where: \u003c/strong>Channel 1\u003c/p>\n\u003cp>No introduction needed: Janelle Monáe is an electric presence live. Come for her excellent music; stay for what will surely be a spectacle when she breaks out “Pynk.”\u003c/p>\n\u003c/div>\n\u003cdiv>\n\u003ch4>Billie Eilish\u003c/h4>\n\u003cfigure id=\"attachment_13855014\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13855014 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/Billie-Eilish-800x600.jpg\" alt=\"Billie Eilish performs on stage during KROQ Absolut Almost Acoustic Christmas at The Forum on December 9, 2018 in Inglewood, California.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/Billie-Eilish.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/Billie-Eilish-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/Billie-Eilish-768x576.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Billie Eilish performs on stage during KROQ Absolut Almost Acoustic Christmas at The Forum on December 9, 2018 in Inglewood, California. \u003ccite>(Kevin Winter/Getty Images for KROQ/Entercom)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Day: \u003c/strong>Saturday\u003c/p>\n\u003cp>\u003cstrong>Time:\u003c/strong> 12:50 a.m. ET / 9:50 a.m. PT\u003c/p>\n\u003cp>\u003cstrong>Where: \u003c/strong>Channel 1\u003c/p>\n\u003cp>The one time this author saw Billie Eilish, her gloomy pop whipped a sold-out club full of Gen Z-ers into a total frenzy — and that was months before the release of her star-making album \u003cem>When We All Fall Asleep, Where Do We Go?\u003c/em> If anything, this one’s worth throwing on in the event you’re struggling to keep up with the kids.\u003c/p>\n\u003ch3>Tame Impala\u003c/h3>\n\u003cfigure id=\"attachment_13854940\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854940\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/gettyimages-596739456-9da84f4f754005b4bf7b56124b7a03d4d521e356-800x600.jpg\" alt=\"Kevin Parker of Tame Impala performs onstage during FYF Fest 2016 at Los Angeles Sports Arena on August 27, 2016 in Los Angeles, California.\" width=\"800\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">Kevin Parker of Tame Impala performs onstage during FYF Fest 2016 at Los Angeles Sports Arena on August 27, 2016 in Los Angeles, California. \u003ccite>(Kevin Winter/Getty Images for FYF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\u003cdiv>\n\u003cp>\u003cstrong>Day: \u003c/strong>Saturday\u003c/p>\n\u003cp>\u003cstrong>Time:\u003c/strong> 2:00 a.m. ET / 11:00 p.m. PT\u003c/p>\n\u003cp>\u003cstrong>Where: \u003c/strong>Channel 1\u003c/p>\n\u003cp>There probably won’t be a better nightcap for your Saturday than Tame Impala’s groovy psychedelia. Bandleader Kevin Parker will almost certainly break out a few new songs, too.\u003c/p>\n\u003ch3>Little Simz\u003c/h3>\n\u003cfigure id=\"attachment_13854942\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854942\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/gettyimages-947860284-37ee00888c22a0d5f9342d6ad03d06115098c9f5-800x600.jpg\" alt=\"Little Simz performs on stage, as thousands of Global Citizens unite with leading UK artists industry leaders, and non-profit organizations for Global Citizen Live London, at the O2 Academy Brixton on April 17, 2018 in London, England.\" width=\"800\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">Little Simz performs on stage, as thousands of Global Citizens unite with leading UK artists industry leaders, and non-profit organizations for Global Citizen Live London, at the O2 Academy Brixton on April 17, 2018 in London, England. \u003ccite>(John Phillips/Getty Images for Global Citizen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Day: \u003c/strong>Saturday\u003c/p>\n\u003cp>\u003cstrong>Time:\u003c/strong> 3:00 a.m. ET / 12:00 a.m. PT\u003c/p>\n\u003cp>\u003cstrong>Where: \u003c/strong>Channel 3\u003c/p>\n\u003cp>…but if you’re looking to stay up, U.K. rapper Little Simz put out a stellar album this year titled \u003cem>GREY Area\u003c/em>. At 25, she’s a commanding, already-seasoned stage presence.\u003c/p>\n\u003c/div>\n\u003ch4>Bad Bunny\u003c/h4>\n\u003cfigure id=\"attachment_13854944\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854944\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/gettyimages-1128323097-2fc7c2e7e7ee1dc244489d901fbc47a064a089dd-800x600.jpg\" alt=\"Puerto Rican singer Bad Bunny performs during the 60th Vina del Mar International Song Festival in Vina del Mar, Chile, on March 1, 2019.\" width=\"800\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">Puerto Rican singer Bad Bunny performs during the 60th Vina del Mar International Song Festival in Vina del Mar, Chile, on March 1, 2019. \u003ccite>(Claudio Reyes/AFP/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Day: \u003c/strong>Sunday\u003c/p>\n\u003cp>\u003cstrong>Time:\u003c/strong> 8:55 p.m. ET / 5:55 p.m. PT\u003c/p>\n\u003cp>\u003cstrong>Where: \u003c/strong>Channel 1\u003c/p>\n\u003cp>You’d be remiss to skip Bad Bunny, \u003cem>urbano\u003c/em>‘s Puerto Rican goofball prince, live. Still riding the wave of his immaculate, long-awaited debut \u003cem>X 100PRE\u003c/em>, Bad Bunny has charisma and charm for days.\u003c/p>\n\u003ch3>Pusha T\u003c/h3>\n\u003cfigure id=\"attachment_13854946\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854946\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/gettyimages-976138098-70fb8236baf65585d64ef5f3bd680737cb46666e-800x600.jpg\" alt=\"Rapper Pusha T performs during the debut of his residency at Drai's Beach Club - Nightclub at The Cromwell Las Vegas on June 16, 2018 in Las Vegas, Nevada.\" width=\"800\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">Rapper Pusha T performs during the debut of his residency at Drai’s Beach Club – Nightclub at The Cromwell Las Vegas on June 16, 2018 in Las Vegas, Nevada. \u003ccite>(Ethan Miller/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Day: \u003c/strong>Sunday\u003c/p>\n\u003cp>\u003cstrong>Time:\u003c/strong> 12:35 a.m. ET / 9:35 p.m. PT\u003c/p>\n\u003cp>\u003cstrong>Where: \u003c/strong>Channel 2\u003c/p>\n\u003cp>King Push decreed himself the steel-eyed sorcerer of rap with \u003cem>DAYTONA\u003c/em>. Come witness his proper coronation.\u003c/p>\n\u003ch4>Lizzo\u003c/h4>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_13854957\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854957\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/gettyimages-1138973705-847714832fad830b4821e07af2a54003f9fc385f-s800-c85-800x599.jpg\" alt=\"Lizzo performs onstage at the 30th Annual GLAAD Media Awards Los Angeles at The Beverly Hilton Hotel on March 28, 2019 in Beverly Hills, California.\" width=\"800\" height=\"599\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/gettyimages-1138973705-847714832fad830b4821e07af2a54003f9fc385f-s800-c85.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/gettyimages-1138973705-847714832fad830b4821e07af2a54003f9fc385f-s800-c85-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/gettyimages-1138973705-847714832fad830b4821e07af2a54003f9fc385f-s800-c85-768x575.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lizzo performs onstage at the 30th Annual GLAAD Media Awards Los Angeles at The Beverly Hilton Hotel on March 28, 2019 in Beverly Hills, California. \u003ccite>(Matt Winkelmeyer/Getty Images for GLAAD)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Day: \u003c/strong>Sunday\u003c/p>\n\u003cp>\u003cstrong>Time:\u003c/strong> 1:40 a.m. ET / 10:40 p.m. PT\u003c/p>\n\u003cp>\u003cstrong>Where: \u003c/strong>Channel 2\u003c/p>\n\u003cp>We don’t know what to tell you: If \u003ca href=\"https://www.youtube.com/watch?v=XaCrQL_8eMY\">the “Juice” video\u003c/a> won’t convince you to watch, maybe the promise of Lizzo twerking whilst playing the flute will.\u003c/p>\n\u003ch4>Ariana Grande\u003c/h4>\n\u003cfigure id=\"attachment_13854955\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854955\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/gettyimages-1069288780-4ae435d1526144806d2207f009fd31cf60009467-s800-c85-800x599.jpg\" alt=\"Ariana Grande\" width=\"800\" height=\"599\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/gettyimages-1069288780-4ae435d1526144806d2207f009fd31cf60009467-s800-c85.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/gettyimages-1069288780-4ae435d1526144806d2207f009fd31cf60009467-s800-c85-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/gettyimages-1069288780-4ae435d1526144806d2207f009fd31cf60009467-s800-c85-768x575.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ariana Grande \u003ccite>(Bennett Raglin/Getty Images for FIJI Water)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Day: \u003c/strong>Sunday\u003c/p>\n\u003cp>\u003cstrong>Time:\u003c/strong> 1:35 a.m. ET / 10:35 p.m. PT\u003c/p>\n\u003cp>\u003cstrong>Where: \u003c/strong>Channel 2\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>To cap off the whole festival, come witness one of pop music’s biggest stars as she caps off a stunning run of music. (And, for what it’s worth, tickets for her ongoing tour sold out months in advance. This might be your only chance to see her.)\u003c/p>\n\u003chr>\n\u003cdiv class=\"fullattribution\">Copyright 2019 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=10+Coachella+Performances+Worth+Watching+On+YouTube+This+Weekend&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Now in its 19th year, the \u003ca href=\"https://www.youtube.com/user/coachella\">Coachella Valley Music and Arts Festival\u003c/a> is more than a music festival, or even a lifestyle. It’s a capital-M moment that seems to stop the world. (And not \u003cem>entirely\u003c/em> because Beyoncé willed it so last year.) Beyond the experience of bearing witness to celebrities of the A- and D-lists as they drench themselves in sweat and dust while gorging on trendy cuisine and novelty cocktails, Coachella’s influence extends far beyond the festival grounds of Indio, California.\u003c/p>\n\u003cp>Even Coachella seems to be aware of this: For the first time ever, it’s doubling down on its festival streams by showcasing both weekends of the festival. Emergent K-pop group BLACKPINK is set to broadcast its message of sensory-overload pop music \u003ca href=\"https://www.latimes.com/business/hollywood/la-fi-ct-youtube-coachella-times-square-20190408-story.html\">in Times Square\u003c/a> this weekend. Childish Gambino and Rihanna premiered a new film, and with the aid of Amazon and YouTube, will premiere it globally this weekend for free.\u003c/p>\n\u003cp>For those looking to avoid the hefty price tag of a festival pass — or reluctant to experience Coachella anywhere but on a couch — we’ve got you covered. The only catch: You’ll need to watch it \u003ca href=\"https://www.youtube.com/user/coachella/coachellalive\">live on YouTube\u003c/a>, as Coachella does not make its sets available after the fact as on-demand videos.\u003c/p>\n\u003cp>So, without further ado, here are 10 Coachella 2019 acts worth planning your weekend around, in chronological order. And if you’re the adventurous sort, you can scan and skip between a whopping 83 live performances across three channels at \u003ca href=\"https://www.youtube.com/user/coachella/coachellalive\">youtube.com/user/coachella/coachellalive\u003c/a>.\u003c/p>\n\u003ch3 class=\"hed\">10 Coachella Sets We’re Watching This Weekend\u003c/h3>\n\u003ch4>Kacey Musgraves\u003c/h4>\n\u003cfigure id=\"attachment_13854931\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854931\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/gettyimages-1134354848-5b17415d54e71f6f69f45040c5d07f81a6ccbdb2-800x600.jpg\" alt=\"Kacey Musgraves performs onstage for Loretta Lynn: An All-Star Birthday Celebration Concert at Bridgestone Arena on April 1, 2019 in Nashville, Tennessee.\" width=\"800\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">Kacey Musgraves performs onstage for Loretta Lynn: An All-Star Birthday Celebration Concert at Bridgestone Arena on April 1, 2019 in Nashville, Tennessee.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Day: \u003c/strong>Friday\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Time:\u003c/strong> 8:55 p.m. ET / 5:55 p.m. PT\u003c/p>\n\u003cp>\u003cstrong>Where: \u003c/strong>Channel 1\u003c/p>\n\u003cp>Even if it’s not quite golden hour elsewhere, getting to see Kacey Musgraves perform as the sun wanes in Coachella might just be worth the price of admission. (Lucky for you, it only requires access to a device that streams YouTube.)\u003c/p>\n\u003ch4>BLACKPINK\u003c/h4>\n\u003cfigure id=\"attachment_13854934\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854934\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/gettyimages-1098327268-f3b5abd610964c14e98248532cca79ff9f4ae201-800x600.jpg\" alt=\"Girl group BLACKPINK performs on stage during the 8th Gaon Chart K-Pop Awards on January 23, 2019 in Seoul, South Korea. (Photo by Chung Sung-Jun/Getty Images)\" width=\"800\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">Girl group BLACKPINK performs on stage during the 8th Gaon Chart K-Pop Awards on January 23, 2019 in Seoul, South Korea. (Photo by Chung Sung-Jun/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Day: \u003c/strong>Friday\u003c/p>\n\u003cp>\u003cstrong>Time:\u003c/strong> 11:30 p.m. ET / 8:30 p.m. PT\u003c/p>\n\u003cp>\u003cstrong>Where: \u003c/strong>Channel 1\u003c/p>\n\u003cp>BLACKPINK’s Coachella set is one for the books: It’s the first ever K-pop group to perform at the hallowed festival grounds — and quite possibly the first act ever to simulcast a Coachella set from Times Square. If BLACKPINK is good enough for Times Square, it’s good enough for your living room, right?\u003c/p>\n\u003ch4>Janelle Monáe\u003c/h4>\n\u003cfigure id=\"attachment_13854936\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854936\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/gettyimages-1130408167-8985f8827768a01762d9a72ab6d2806afbba0377-800x600.jpg\" alt=\"Janelle Monae performs at the AT&T Pre Game Concert leading in to NBA All-Star on Sunday, February 17, 2019 at EpiCentre Theater in Charlotte, North Carolina.\" width=\"800\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">Janelle Monae performs at the AT&T Pre Game Concert leading in to NBA All-Star on Sunday, February 17, 2019 at EpiCentre Theater in Charlotte, North Carolina.\u003c/figcaption>\u003c/figure>\n\u003cdiv>\n\u003cp>\u003cstrong>Day: \u003c/strong>Friday\u003c/p>\n\u003cp>\u003cstrong>Time:\u003c/strong> 1:30 a.m. ET / 10:30 p.m. PT\u003c/p>\n\u003cp>\u003cstrong>Where: \u003c/strong>Channel 1\u003c/p>\n\u003cp>No introduction needed: Janelle Monáe is an electric presence live. Come for her excellent music; stay for what will surely be a spectacle when she breaks out “Pynk.”\u003c/p>\n\u003c/div>\n\u003cdiv>\n\u003ch4>Billie Eilish\u003c/h4>\n\u003cfigure id=\"attachment_13855014\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13855014 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/Billie-Eilish-800x600.jpg\" alt=\"Billie Eilish performs on stage during KROQ Absolut Almost Acoustic Christmas at The Forum on December 9, 2018 in Inglewood, California.\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/Billie-Eilish.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/Billie-Eilish-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/Billie-Eilish-768x576.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Billie Eilish performs on stage during KROQ Absolut Almost Acoustic Christmas at The Forum on December 9, 2018 in Inglewood, California. \u003ccite>(Kevin Winter/Getty Images for KROQ/Entercom)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Day: \u003c/strong>Saturday\u003c/p>\n\u003cp>\u003cstrong>Time:\u003c/strong> 12:50 a.m. ET / 9:50 a.m. PT\u003c/p>\n\u003cp>\u003cstrong>Where: \u003c/strong>Channel 1\u003c/p>\n\u003cp>The one time this author saw Billie Eilish, her gloomy pop whipped a sold-out club full of Gen Z-ers into a total frenzy — and that was months before the release of her star-making album \u003cem>When We All Fall Asleep, Where Do We Go?\u003c/em> If anything, this one’s worth throwing on in the event you’re struggling to keep up with the kids.\u003c/p>\n\u003ch3>Tame Impala\u003c/h3>\n\u003cfigure id=\"attachment_13854940\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854940\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/gettyimages-596739456-9da84f4f754005b4bf7b56124b7a03d4d521e356-800x600.jpg\" alt=\"Kevin Parker of Tame Impala performs onstage during FYF Fest 2016 at Los Angeles Sports Arena on August 27, 2016 in Los Angeles, California.\" width=\"800\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">Kevin Parker of Tame Impala performs onstage during FYF Fest 2016 at Los Angeles Sports Arena on August 27, 2016 in Los Angeles, California. \u003ccite>(Kevin Winter/Getty Images for FYF)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003c/div>\n\u003cdiv>\n\u003cp>\u003cstrong>Day: \u003c/strong>Saturday\u003c/p>\n\u003cp>\u003cstrong>Time:\u003c/strong> 2:00 a.m. ET / 11:00 p.m. PT\u003c/p>\n\u003cp>\u003cstrong>Where: \u003c/strong>Channel 1\u003c/p>\n\u003cp>There probably won’t be a better nightcap for your Saturday than Tame Impala’s groovy psychedelia. Bandleader Kevin Parker will almost certainly break out a few new songs, too.\u003c/p>\n\u003ch3>Little Simz\u003c/h3>\n\u003cfigure id=\"attachment_13854942\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854942\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/gettyimages-947860284-37ee00888c22a0d5f9342d6ad03d06115098c9f5-800x600.jpg\" alt=\"Little Simz performs on stage, as thousands of Global Citizens unite with leading UK artists industry leaders, and non-profit organizations for Global Citizen Live London, at the O2 Academy Brixton on April 17, 2018 in London, England.\" width=\"800\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">Little Simz performs on stage, as thousands of Global Citizens unite with leading UK artists industry leaders, and non-profit organizations for Global Citizen Live London, at the O2 Academy Brixton on April 17, 2018 in London, England. \u003ccite>(John Phillips/Getty Images for Global Citizen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Day: \u003c/strong>Saturday\u003c/p>\n\u003cp>\u003cstrong>Time:\u003c/strong> 3:00 a.m. ET / 12:00 a.m. PT\u003c/p>\n\u003cp>\u003cstrong>Where: \u003c/strong>Channel 3\u003c/p>\n\u003cp>…but if you’re looking to stay up, U.K. rapper Little Simz put out a stellar album this year titled \u003cem>GREY Area\u003c/em>. At 25, she’s a commanding, already-seasoned stage presence.\u003c/p>\n\u003c/div>\n\u003ch4>Bad Bunny\u003c/h4>\n\u003cfigure id=\"attachment_13854944\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854944\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/gettyimages-1128323097-2fc7c2e7e7ee1dc244489d901fbc47a064a089dd-800x600.jpg\" alt=\"Puerto Rican singer Bad Bunny performs during the 60th Vina del Mar International Song Festival in Vina del Mar, Chile, on March 1, 2019.\" width=\"800\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">Puerto Rican singer Bad Bunny performs during the 60th Vina del Mar International Song Festival in Vina del Mar, Chile, on March 1, 2019. \u003ccite>(Claudio Reyes/AFP/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Day: \u003c/strong>Sunday\u003c/p>\n\u003cp>\u003cstrong>Time:\u003c/strong> 8:55 p.m. ET / 5:55 p.m. PT\u003c/p>\n\u003cp>\u003cstrong>Where: \u003c/strong>Channel 1\u003c/p>\n\u003cp>You’d be remiss to skip Bad Bunny, \u003cem>urbano\u003c/em>‘s Puerto Rican goofball prince, live. Still riding the wave of his immaculate, long-awaited debut \u003cem>X 100PRE\u003c/em>, Bad Bunny has charisma and charm for days.\u003c/p>\n\u003ch3>Pusha T\u003c/h3>\n\u003cfigure id=\"attachment_13854946\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854946\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/gettyimages-976138098-70fb8236baf65585d64ef5f3bd680737cb46666e-800x600.jpg\" alt=\"Rapper Pusha T performs during the debut of his residency at Drai's Beach Club - Nightclub at The Cromwell Las Vegas on June 16, 2018 in Las Vegas, Nevada.\" width=\"800\" height=\"600\">\u003cfigcaption class=\"wp-caption-text\">Rapper Pusha T performs during the debut of his residency at Drai’s Beach Club – Nightclub at The Cromwell Las Vegas on June 16, 2018 in Las Vegas, Nevada. \u003ccite>(Ethan Miller/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Day: \u003c/strong>Sunday\u003c/p>\n\u003cp>\u003cstrong>Time:\u003c/strong> 12:35 a.m. ET / 9:35 p.m. PT\u003c/p>\n\u003cp>\u003cstrong>Where: \u003c/strong>Channel 2\u003c/p>\n\u003cp>King Push decreed himself the steel-eyed sorcerer of rap with \u003cem>DAYTONA\u003c/em>. Come witness his proper coronation.\u003c/p>\n\u003ch4>Lizzo\u003c/h4>\n\u003cp> \u003c/p>\n\u003cfigure id=\"attachment_13854957\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854957\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/gettyimages-1138973705-847714832fad830b4821e07af2a54003f9fc385f-s800-c85-800x599.jpg\" alt=\"Lizzo performs onstage at the 30th Annual GLAAD Media Awards Los Angeles at The Beverly Hilton Hotel on March 28, 2019 in Beverly Hills, California.\" width=\"800\" height=\"599\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/gettyimages-1138973705-847714832fad830b4821e07af2a54003f9fc385f-s800-c85.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/gettyimages-1138973705-847714832fad830b4821e07af2a54003f9fc385f-s800-c85-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/gettyimages-1138973705-847714832fad830b4821e07af2a54003f9fc385f-s800-c85-768x575.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Lizzo performs onstage at the 30th Annual GLAAD Media Awards Los Angeles at The Beverly Hilton Hotel on March 28, 2019 in Beverly Hills, California. \u003ccite>(Matt Winkelmeyer/Getty Images for GLAAD)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Day: \u003c/strong>Sunday\u003c/p>\n\u003cp>\u003cstrong>Time:\u003c/strong> 1:40 a.m. ET / 10:40 p.m. PT\u003c/p>\n\u003cp>\u003cstrong>Where: \u003c/strong>Channel 2\u003c/p>\n\u003cp>We don’t know what to tell you: If \u003ca href=\"https://www.youtube.com/watch?v=XaCrQL_8eMY\">the “Juice” video\u003c/a> won’t convince you to watch, maybe the promise of Lizzo twerking whilst playing the flute will.\u003c/p>\n\u003ch4>Ariana Grande\u003c/h4>\n\u003cfigure id=\"attachment_13854955\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854955\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/gettyimages-1069288780-4ae435d1526144806d2207f009fd31cf60009467-s800-c85-800x599.jpg\" alt=\"Ariana Grande\" width=\"800\" height=\"599\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/gettyimages-1069288780-4ae435d1526144806d2207f009fd31cf60009467-s800-c85.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/gettyimages-1069288780-4ae435d1526144806d2207f009fd31cf60009467-s800-c85-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/gettyimages-1069288780-4ae435d1526144806d2207f009fd31cf60009467-s800-c85-768x575.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Ariana Grande \u003ccite>(Bennett Raglin/Getty Images for FIJI Water)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Day: \u003c/strong>Sunday\u003c/p>\n\u003cp>\u003cstrong>Time:\u003c/strong> 1:35 a.m. ET / 10:35 p.m. PT\u003c/p>\n\u003cp>\u003cstrong>Where: \u003c/strong>Channel 2\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>To cap off the whole festival, come witness one of pop music’s biggest stars as she caps off a stunning run of music. (And, for what it’s worth, tickets for her ongoing tour sold out months in advance. This might be your only chance to see her.)\u003c/p>\n\u003chr>\n\u003cdiv class=\"fullattribution\">Copyright 2019 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=10+Coachella+Performances+Worth+Watching+On+YouTube+This+Weekend&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Trump Posted A Video With Music From A Batman Movie. Warner Bros. Had It Taken Down",
"headTitle": "Trump Posted A Video With Music From A Batman Movie. Warner Bros. Had It Taken Down | KQED",
"content": "\u003cp>On Tuesday, President Trump tweeted out a video. He gave no explanation of what it was or where it came from — just \u003ca href=\"https://www.bbc.com/news/world-us-canada-47878038\">an exhortation\u003c/a> to “MAKE AMERICA GREAT AGAIN!”\u003c/p>\n\u003cp>The video was odd — it opened with footage of various Washington landmarks interspersed with clips of Barack Obama and Hillary and Bill Clinton. Then came clips of Trump visiting a factory, Trump meeting with Kim Jong Un, the Brett Kavanaugh confirmation hearing, and clips of actors Rosie O’Donnell, Bryan Cranston and Amy Schumer, mixed in with shots of Trump at campaign rallies.\u003c/p>\n\u003cp>As a dramatic score played, words appeared on the screen: “First they ignore you. Then they laugh at you. Then they call you racist. Donald J. Trump. Your vote. Proved them all wrong. Trump: The Great Victory 2020.”\u003c/p>\n\u003cp>Just a few hours later, the video was taken down from YouTube.\u003c/p>\n\u003cfigure id=\"attachment_13854764\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854764\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/removed_wide-e5275f60617e7e69ae3468a86a6f432434bd518a-800x450.png\" alt=\"The video was removed from YouTube after Warner Bros. complained that the use of music from The Dark Knight Rises was a violation of its copyright.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/removed_wide-e5275f60617e7e69ae3468a86a6f432434bd518a-800x450.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/removed_wide-e5275f60617e7e69ae3468a86a6f432434bd518a-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/removed_wide-e5275f60617e7e69ae3468a86a6f432434bd518a-768x432.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/removed_wide-e5275f60617e7e69ae3468a86a6f432434bd518a.png 905w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The video was removed from YouTube after Warner Bros. complained that the use of music from The Dark Knight Rises was a violation of its copyright. \u003ccite>(Screenshot by NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At issue was that dramatic score: It is music composed by Hans Zimmer for the soundtrack to the Warner Bros. 2012 Batman film \u003cem>The Dark Knight Rises\u003c/em>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In a statement, Warner Bros. said that the video’s use of its music was unauthorized: “We are working through the appropriate legal channels to have it removed.”\u003c/p>\n\u003cp>Trump later deleted the tweet. As of Wednesday afternoon, \u003ca href=\"https://www.youtube.com/watch?v=adu9nKQtGv0\">near-copies of the video\u003c/a> were still on YouTube.\u003c/p>\n\u003cp>The video was apparently not created by the Trump campaign but rather by a fan. “The video was made by a supporter,” a campaign aide \u003ca href=\"https://www.cnn.com/2019/04/10/politics/warner-bros-copyright-trump-2020-dark-knight-rises/index.html\">told CNN\u003c/a>. “We like to share content from diehard supporters, and this is just another example of how hard Trump supporters fight for the President.”\u003c/p>\n\u003cp>The video was \u003ca href=\"https://www.reddit.com/r/The_Donald/comments/b9m5do/trump_2020_coming_soon_keep_america_great/\">posted \u003c/a>to a pro-Trump Reddit channel last week. The account that posted the video to the r/The_Donald subreddit \u003ca href=\"https://www.reddit.com/user/knock-nevisTDF\">wrote\u003c/a> Tuesday that the video was made a couple of weeks ago, and its creator was shocked and delighted when Trump shared it.\u003c/p>\n\u003cp>“I’m honored,” the person wrote. “My dad has [Trump’s] tweet printed so I can frame it.”\u003c/p>\n\u003cp>Artists including \u003ca href=\"https://www.npr.org/sections/thetwo-way/2015/06/17/415158962/neil-young-is-displeased-that-donald-trump-was-rockin-in-the-free-world\">Neil Young\u003c/a>, \u003ca href=\"https://www.npr.org/2018/10/30/662168950/after-pittburgh-pharrell-demands-trump-never-play-happy-again\">Pharrell Williams\u003c/a> and \u003ca href=\"https://www.rollingstone.com/music/music-news/prince-estate-donald-trump-purple-rain-rally-737428/\">the estate of Prince\u003c/a> have all previously demanded that the Trump campaign stop playing their music, complaining that their songs had been used without permission.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>NPR’s Brandon Carter contributed to this report.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003c/div>\n\n",
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"excerpt": "As a dramatic score plays, words appear on the screen: \"First they ignore you. Then they laugh at you. Then they call you racist.\" The video used music from 'The Dark Knight Rises' without permission.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Tuesday, President Trump tweeted out a video. He gave no explanation of what it was or where it came from — just \u003ca href=\"https://www.bbc.com/news/world-us-canada-47878038\">an exhortation\u003c/a> to “MAKE AMERICA GREAT AGAIN!”\u003c/p>\n\u003cp>The video was odd — it opened with footage of various Washington landmarks interspersed with clips of Barack Obama and Hillary and Bill Clinton. Then came clips of Trump visiting a factory, Trump meeting with Kim Jong Un, the Brett Kavanaugh confirmation hearing, and clips of actors Rosie O’Donnell, Bryan Cranston and Amy Schumer, mixed in with shots of Trump at campaign rallies.\u003c/p>\n\u003cp>As a dramatic score played, words appeared on the screen: “First they ignore you. Then they laugh at you. Then they call you racist. Donald J. Trump. Your vote. Proved them all wrong. Trump: The Great Victory 2020.”\u003c/p>\n\u003cp>Just a few hours later, the video was taken down from YouTube.\u003c/p>\n\u003cfigure id=\"attachment_13854764\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13854764\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/04/removed_wide-e5275f60617e7e69ae3468a86a6f432434bd518a-800x450.png\" alt=\"The video was removed from YouTube after Warner Bros. complained that the use of music from The Dark Knight Rises was a violation of its copyright.\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/removed_wide-e5275f60617e7e69ae3468a86a6f432434bd518a-800x450.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/removed_wide-e5275f60617e7e69ae3468a86a6f432434bd518a-160x90.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/removed_wide-e5275f60617e7e69ae3468a86a6f432434bd518a-768x432.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/04/removed_wide-e5275f60617e7e69ae3468a86a6f432434bd518a.png 905w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The video was removed from YouTube after Warner Bros. complained that the use of music from The Dark Knight Rises was a violation of its copyright. \u003ccite>(Screenshot by NPR)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At issue was that dramatic score: It is music composed by Hans Zimmer for the soundtrack to the Warner Bros. 2012 Batman film \u003cem>The Dark Knight Rises\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In a statement, Warner Bros. said that the video’s use of its music was unauthorized: “We are working through the appropriate legal channels to have it removed.”\u003c/p>\n\u003cp>Trump later deleted the tweet. As of Wednesday afternoon, \u003ca href=\"https://www.youtube.com/watch?v=adu9nKQtGv0\">near-copies of the video\u003c/a> were still on YouTube.\u003c/p>\n\u003cp>The video was apparently not created by the Trump campaign but rather by a fan. “The video was made by a supporter,” a campaign aide \u003ca href=\"https://www.cnn.com/2019/04/10/politics/warner-bros-copyright-trump-2020-dark-knight-rises/index.html\">told CNN\u003c/a>. “We like to share content from diehard supporters, and this is just another example of how hard Trump supporters fight for the President.”\u003c/p>\n\u003cp>The video was \u003ca href=\"https://www.reddit.com/r/The_Donald/comments/b9m5do/trump_2020_coming_soon_keep_america_great/\">posted \u003c/a>to a pro-Trump Reddit channel last week. The account that posted the video to the r/The_Donald subreddit \u003ca href=\"https://www.reddit.com/user/knock-nevisTDF\">wrote\u003c/a> Tuesday that the video was made a couple of weeks ago, and its creator was shocked and delighted when Trump shared it.\u003c/p>\n\u003cp>“I’m honored,” the person wrote. “My dad has [Trump’s] tweet printed so I can frame it.”\u003c/p>\n\u003cp>Artists including \u003ca href=\"https://www.npr.org/sections/thetwo-way/2015/06/17/415158962/neil-young-is-displeased-that-donald-trump-was-rockin-in-the-free-world\">Neil Young\u003c/a>, \u003ca href=\"https://www.npr.org/2018/10/30/662168950/after-pittburgh-pharrell-demands-trump-never-play-happy-again\">Pharrell Williams\u003c/a> and \u003ca href=\"https://www.rollingstone.com/music/music-news/prince-estate-donald-trump-purple-rain-rally-737428/\">the estate of Prince\u003c/a> have all previously demanded that the Trump campaign stop playing their music, complaining that their songs had been used without permission.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>NPR’s Brandon Carter contributed to this report.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\">NPR\u003c/a>.\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Beyond The Summer Of Love, 'Get Together' Is An Anthem For Every Season",
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"content": "\u003cp>The song sometimes called the “hippie national anthem” can be found in all kinds of places. It’s been used on \u003cem>The Simpsons\u003c/em> and in \u003cem>Forrest Gump,\u003c/em> recorded dozens of times by the likes of The Kingston Trio, The Dave Clark Five, Jefferson Airplane, The Staples Singers and the Carpenters (twice). You may have even heard it \u003ca href=\"https://www.youtube.com/watch?v=ha15CfHe3FI\">in a Walmart commercial\u003c/a> a few years ago.\u003c/p>\n\u003cp>The song has gone by a few different names: “Let’s Get Together,” Everybody Get Together.” But the best-known version is called, simply, “\u003ca href=\"https://www.youtube.com/watch?v=7xGxQXmu7Os\">Get Together\u003c/a>.” It was recorded by The Youngbloods in 1967 — the same year as the Summer of Love, where it would become a constant presence.\u003c/p>\n\u003cp>https://youtu.be/7xGxQXmu7Os\u003c/p>\n\u003cp>In 1967, the Vietnam War was raging. The Youngbloods’ lead singer, Jesse Colin Young, remembers, “Back then we were all subject to the draft. That made everything more life and death. And hope is what comes out of that song.”\u003c/p>\n\u003cp>Young was a folk singer and guitarist with two albums under his belt when he met guitarist Jerry Corbitt on the folk scene in Cambridge, Mass. They put The Youngbloods together in New York City with drummer Joe Bauer and multi-instrumentalist Lowell Levinger, known as Banana. The band rehearsed in Greenwich Village’s Café au Go Go when there wasn’t a show happening, and that’s where Young first heard “Get Together.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“It was a Sunday afternoon and I was walking through the Village and thought, ‘Oh, the Go Go’s gonna be dark. I’ll call the band; we can rehearse,’ ” Young recalls. “I walked down the stairs and it turned out to be an open mic. I thought I would turn around and go home. But Buzzy Linhart was onstage singing ‘Get Together.’ That song just stopped me in my tracks.”\u003c/p>\n\u003cp>[aside postID='arts_13806888' *hero='https://ww2.kqed.org/wp-content/uploads/sites/2/2017/08/AceofCups_KQEDthumb.jpg'* target='_blank']\u003c/p>\n\u003cp>Young says it was the lyrics that really grabbed him. ” ‘\u003cem>Love is but a song we sing / Fear’s the way we die\u003c/em>.’ Wow — the human condition in two lines.”\u003c/p>\n\u003cp>The lyrics grabbed \u003ca href=\"https://www.npr.org/artists/14948570/lizz-wright\">Lizz Wright\u003c/a>, too: The jazz and gospel singer recorded “Get Together” in 2004 for her album \u003cem>Dreaming Wide Awake\u003c/em>. She’s a fan of one verse in particular:\u003c/p>\n\u003cblockquote>\u003cp>\u003cem>If you hear the song I sing\u003cbr>\nYou will understand\u003cbr>\nYou hold the key to love and fear\u003cbr>\nAll in your trembling hand\u003cbr>\nJust one key unlocks them both\u003cbr>\nIt’s there at your command\u003c/em>\u003c/p>\u003c/blockquote>\n\u003cp>“It’s so clear, and the imagery is fantastic,” Wright says. “In our uncertainty, in our not fully knowing, we are still holding so much power and choosing to learn by love or to learn by fear as we go. And I just love how this verse puts it back in our in our court as individuals.”\u003c/p>\n\u003cp>https://youtu.be/OnNEBAU_NYo\u003c/p>\n\u003cp>The song was written in the early 1960s by Chester Powers, who performed under the name Dino Valenti. The son of carnival performers, he made a name for himself in the folk clubs of Greenwich Village. Though he had already left for the West Coast when The Youngbloods formed, Young did meet him years later.\u003c/p>\n\u003cp>“I met him at a motorcycle shop in Marin County — we were both living in the Bay Area,” Young says. “I was surprised Dino was kind of a tough guy. I thought to myself, ‘Wow, the angels just took a hold of you one day and put this song in your head, and you brought it to us.'”\u003c/p>\n\u003cp>David Freiberg of Jefferson Starship puts the song’s origin around 1964. He was in Los Angeles visiting a friend, “and in pops Dino Valenti driving in like a crazy [man] and says, ‘Hey man, listen to this song I just wrote!’ ” Freiberg recalls. “And we listened to it and went, ‘Oh my goodness! How great that song is.’ And we’re quickly writing down the lyrics to it.”\u003c/p>\n\u003cp>He also remembers hearing Valenti perform for the first time. “He stomped his foot so hard on the stage it was like there were drums playing with him,” he says. “A lot of energy, very fiery kind of guy, but he was so talented.” Freiberg eventually got to know Valenti well when they played together in Quicksilver Messenger Service.\u003c/p>\n\u003cp>When the Youngbloods’ version of Valenti’s song came out, it became part of the soundtrack for the Summer of Love in San Francisco, making Valenti something of a local celebrity. But when he got busted for drug possession, he had to sell the rights to “Get Together” to pay for a lawyer and avoid a possible 10-year prison sentence, according to music journalist \u003ca href=\"http://www.benfongtorres.com/\">Ben Fong-Torres\u003c/a>.\u003c/p>\n\u003cp>[aside postID='arts_13444149' *hero='https://ww2.kqed.org/wp-content/uploads/sites/2/2017/06/920x920-001.jpg'* target='_blank']\u003c/p>\n\u003cp>“As he famously said,” Fong-Torres recalls, ” ‘For 10 years of my life? Man, I can write another song.’ ” Valenti did eventually recover the rights later in life, before his death in 1994.\u003c/p>\n\u003cp>Valenti’s most famous song went on to have a life of its own. Though it didn’t get much national attention in 1967, two years later The Youngbloods’ version was used in a public service announcement for the \u003ca href=\"https://nccj.org/about/our-story\">National Conference of Christians and Jews\u003c/a>. People started calling their radio stations requesting the song. Young remembers what happened next.\u003c/p>\n\u003cp>“Augie Blum, the head of promotion at RCA, went to his boss and said, ‘I want this song again. Now’s the time for it.’ And they told him, ‘Now Augie, we don’t do that. You know we released it once. That’s it.’ And he said, ‘You release a song again or I’m out of here.’ He was too valuable for them to lose,” Young explains. “So they put it out again, and he was right, of course. The country was ready.”\u003c/p>\n\u003cp>The Youngbloods’ version of “Get Together” went to No. 5 on \u003cem>Billboard\u003c/em>‘s Hot 100 chart. Fong-Torres says it captured the zeitgeist of the time, albeit in a roundabout way: “It took a band from New York City to give San Francisco and the Haight-Ashbury generation its anthem.”\u003c/p>\n\u003cp>One meaning of the word “anthem” is a psalm or hymn. “Get Together” definitely carries that message for Young, who was a born-again Christian in his teens.\u003c/p>\n\u003cp>“I think Dino must have had some church upbringing, because he’s talking about, ‘Some may come and some may go. We will surely pass.’ This is very Eastern philosophy, and new to some of us at that point,” Young says. ” ‘When the one that left us here returns for us at last / We are just a moment’s sunlight fading in the grass.’ Wow.”\u003c/p>\n\u003cp>Freiberg, however, points out a word change: “The Youngbloods’ version says, ‘When the \u003cem>one\u003c/em> that left us here returns for us at last.’ Dino said the lyric was supposed to be, ‘When the \u003cem>wind\u003c/em> that left us here.’ I like that best ’cause it symbolizes the cosmic wind and the interconnection of everything.” He adds, “But then, I’m a Buddhist.”\u003c/p>\n\u003cp>An early review of the song even asked why it’s not sung in church. Wright thinks it should be. “There was just all this imagery, some of it even edging on biblical imagery,” Wright says. “I just felt like this is one of those songs that helped me speak better, speak everything else better. And when I first heard it, I knew that it would make me better as a messenger.”\u003c/p>\n\u003cp>And Young says it still carries a message — for our times.\u003c/p>\n\u003cp>“Every night I sing it, it’s my favorite part of the show because the people sing,” he says. “I played it in Central Park this past summer, and that was on the first anniversary of Charlottesville. Those people sang it stronger than I’ve ever heard it sung. Some people were pumping their fists, and I realized they were saying, ‘We choose love.’ ”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" src=\"https://www.npr.org/player/embed/711545679/711693301\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>. To see more, visit .\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Beyond+The+Summer+Of+Love%2C+%27Get+Together%27+Is+An+Anthem+For+Every+Season&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The song sometimes called the “hippie national anthem” can be found in all kinds of places. It’s been used on \u003cem>The Simpsons\u003c/em> and in \u003cem>Forrest Gump,\u003c/em> recorded dozens of times by the likes of The Kingston Trio, The Dave Clark Five, Jefferson Airplane, The Staples Singers and the Carpenters (twice). You may have even heard it \u003ca href=\"https://www.youtube.com/watch?v=ha15CfHe3FI\">in a Walmart commercial\u003c/a> a few years ago.\u003c/p>\n\u003cp>The song has gone by a few different names: “Let’s Get Together,” Everybody Get Together.” But the best-known version is called, simply, “\u003ca href=\"https://www.youtube.com/watch?v=7xGxQXmu7Os\">Get Together\u003c/a>.” It was recorded by The Youngbloods in 1967 — the same year as the Summer of Love, where it would become a constant presence.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7xGxQXmu7Os'\n title='//www.youtube.com/embed/7xGxQXmu7Os'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In 1967, the Vietnam War was raging. The Youngbloods’ lead singer, Jesse Colin Young, remembers, “Back then we were all subject to the draft. That made everything more life and death. And hope is what comes out of that song.”\u003c/p>\n\u003cp>Young was a folk singer and guitarist with two albums under his belt when he met guitarist Jerry Corbitt on the folk scene in Cambridge, Mass. They put The Youngbloods together in New York City with drummer Joe Bauer and multi-instrumentalist Lowell Levinger, known as Banana. The band rehearsed in Greenwich Village’s Café au Go Go when there wasn’t a show happening, and that’s where Young first heard “Get Together.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Young says it was the lyrics that really grabbed him. ” ‘\u003cem>Love is but a song we sing / Fear’s the way we die\u003c/em>.’ Wow — the human condition in two lines.”\u003c/p>\n\u003cp>The lyrics grabbed \u003ca href=\"https://www.npr.org/artists/14948570/lizz-wright\">Lizz Wright\u003c/a>, too: The jazz and gospel singer recorded “Get Together” in 2004 for her album \u003cem>Dreaming Wide Awake\u003c/em>. She’s a fan of one verse in particular:\u003c/p>\n\u003cblockquote>\u003cp>\u003cem>If you hear the song I sing\u003cbr>\nYou will understand\u003cbr>\nYou hold the key to love and fear\u003cbr>\nAll in your trembling hand\u003cbr>\nJust one key unlocks them both\u003cbr>\nIt’s there at your command\u003c/em>\u003c/p>\u003c/blockquote>\n\u003cp>“It’s so clear, and the imagery is fantastic,” Wright says. “In our uncertainty, in our not fully knowing, we are still holding so much power and choosing to learn by love or to learn by fear as we go. And I just love how this verse puts it back in our in our court as individuals.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/OnNEBAU_NYo'\n title='//www.youtube.com/embed/OnNEBAU_NYo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The song was written in the early 1960s by Chester Powers, who performed under the name Dino Valenti. The son of carnival performers, he made a name for himself in the folk clubs of Greenwich Village. Though he had already left for the West Coast when The Youngbloods formed, Young did meet him years later.\u003c/p>\n\u003cp>“I met him at a motorcycle shop in Marin County — we were both living in the Bay Area,” Young says. “I was surprised Dino was kind of a tough guy. I thought to myself, ‘Wow, the angels just took a hold of you one day and put this song in your head, and you brought it to us.'”\u003c/p>\n\u003cp>David Freiberg of Jefferson Starship puts the song’s origin around 1964. He was in Los Angeles visiting a friend, “and in pops Dino Valenti driving in like a crazy [man] and says, ‘Hey man, listen to this song I just wrote!’ ” Freiberg recalls. “And we listened to it and went, ‘Oh my goodness! How great that song is.’ And we’re quickly writing down the lyrics to it.”\u003c/p>\n\u003cp>He also remembers hearing Valenti perform for the first time. “He stomped his foot so hard on the stage it was like there were drums playing with him,” he says. “A lot of energy, very fiery kind of guy, but he was so talented.” Freiberg eventually got to know Valenti well when they played together in Quicksilver Messenger Service.\u003c/p>\n\u003cp>When the Youngbloods’ version of Valenti’s song came out, it became part of the soundtrack for the Summer of Love in San Francisco, making Valenti something of a local celebrity. But when he got busted for drug possession, he had to sell the rights to “Get Together” to pay for a lawyer and avoid a possible 10-year prison sentence, according to music journalist \u003ca href=\"http://www.benfongtorres.com/\">Ben Fong-Torres\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“As he famously said,” Fong-Torres recalls, ” ‘For 10 years of my life? Man, I can write another song.’ ” Valenti did eventually recover the rights later in life, before his death in 1994.\u003c/p>\n\u003cp>Valenti’s most famous song went on to have a life of its own. Though it didn’t get much national attention in 1967, two years later The Youngbloods’ version was used in a public service announcement for the \u003ca href=\"https://nccj.org/about/our-story\">National Conference of Christians and Jews\u003c/a>. People started calling their radio stations requesting the song. Young remembers what happened next.\u003c/p>\n\u003cp>“Augie Blum, the head of promotion at RCA, went to his boss and said, ‘I want this song again. Now’s the time for it.’ And they told him, ‘Now Augie, we don’t do that. You know we released it once. That’s it.’ And he said, ‘You release a song again or I’m out of here.’ He was too valuable for them to lose,” Young explains. “So they put it out again, and he was right, of course. The country was ready.”\u003c/p>\n\u003cp>The Youngbloods’ version of “Get Together” went to No. 5 on \u003cem>Billboard\u003c/em>‘s Hot 100 chart. Fong-Torres says it captured the zeitgeist of the time, albeit in a roundabout way: “It took a band from New York City to give San Francisco and the Haight-Ashbury generation its anthem.”\u003c/p>\n\u003cp>One meaning of the word “anthem” is a psalm or hymn. “Get Together” definitely carries that message for Young, who was a born-again Christian in his teens.\u003c/p>\n\u003cp>“I think Dino must have had some church upbringing, because he’s talking about, ‘Some may come and some may go. We will surely pass.’ This is very Eastern philosophy, and new to some of us at that point,” Young says. ” ‘When the one that left us here returns for us at last / We are just a moment’s sunlight fading in the grass.’ Wow.”\u003c/p>\n\u003cp>Freiberg, however, points out a word change: “The Youngbloods’ version says, ‘When the \u003cem>one\u003c/em> that left us here returns for us at last.’ Dino said the lyric was supposed to be, ‘When the \u003cem>wind\u003c/em> that left us here.’ I like that best ’cause it symbolizes the cosmic wind and the interconnection of everything.” He adds, “But then, I’m a Buddhist.”\u003c/p>\n\u003cp>An early review of the song even asked why it’s not sung in church. Wright thinks it should be. “There was just all this imagery, some of it even edging on biblical imagery,” Wright says. “I just felt like this is one of those songs that helped me speak better, speak everything else better. And when I first heard it, I knew that it would make me better as a messenger.”\u003c/p>\n\u003cp>And Young says it still carries a message — for our times.\u003c/p>\n\u003cp>“Every night I sing it, it’s my favorite part of the show because the people sing,” he says. “I played it in Central Park this past summer, and that was on the first anniversary of Charlottesville. Those people sang it stronger than I’ve ever heard it sung. Some people were pumping their fists, and I realized they were saying, ‘We choose love.’ ”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Sixteen parents, including actress Lori Loughlin and her husband, fashion designer Mossimo Giannulli, face new charges in the college admissions scandal that has already snared dozens of wealthy individuals. The Justice Department announced Tuesday that a second superseding indictment has charged them with money laundering and conspiring to commit fraud.\u003c/p>\n\u003cp>The indictment, which was handed down by a grand jury in Boston, comes just a day after 14 of their co-defendants — including actress Felicity Huffman, 13 other parents and one coach — \u003ca href=\"https://www.npr.org/2019/04/08/711136472/felicity-huffman-and-12-other-parents-to-plead-guilty-in-college-cheating-scanda\">said they would plead guilty\u003c/a> to playing a role in the alleged multimillion-dollar scheme to cheat the college admissions process through fraud and bribery.\u003c/p>\n\u003cp>All told, \u003ca href=\"https://www.justice.gov/usao-ma/investigations-college-admissions-and-testing-bribery-scheme\">50 individuals\u003c/a> have been charged in the scandal — 33 of whom were parents allegedly seeking to boost their children’s admission prospects through doctored standardized tests and bribes to college athletics coaches. The alleged ringleader, William “Rick” Singer, pleaded guilty last month to charges ranging from racketeering conspiracy to obstruction of justice.\u003c/p>\n\u003cp>\u003ca href=\"https://www.npr.org/2019/03/12/702539140/u-s-accuses-actresses-others-of-fraud-in-wide-college-admissions-scandal\">Already accused\u003c/a> of participating in the scheme, the 16 parents facing new charges Tuesday also allegedly sought to disguise that participation.\u003c/p>\n\u003cp>According to a statement \u003ca href=\"https://www.justice.gov/usao-ma/pr/16-parents-involved-college-admissions-scandal-indicted-federal-grand-jury-boston\">released by federal officials\u003c/a>, the individuals laundered their payments “by funneling them through Singer’s purported charity and his for-profit corporation, as well as by transferring money into the United States, from outside the United States, for the purpose of promoting the fraud scheme.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The indictment significantly escalates the legal jeopardy and potential consequences these 16 parents face. Each of the new charges — one count of conspiracy to commit money laundering and one count of conspiracy to commit mail and wire fraud — carries a possible penalty of up to 20 years in prison and a fine of at least $250,000.\u003c/p>\n\u003cp>In its statement, the Justice Department identified the 16 parents included in Tuesday’s indictment:\u003c/p>\n\u003cblockquote>\u003cp>Gamal Abdelaziz, 62, aka “Gamal Aziz,” of Las Vegas, Nev.;\u003cbr>\nDiane Blake, 55, of Ross, Calif.;\u003cbr>\nTodd Blake, 53, of Ross, Calif.;\u003cbr>\nI-Hsin “Joey” Chen, 64, of Newport Beach, Calif.;\u003cbr>\nMossimo Giannulli, 55, of Los Angeles, Calif.;\u003cbr>\nElizabeth Henriquez, 56, of Atherton, Calif.;\u003cbr>\nManuel Henriquez, 56, of Atherton, Calif.;\u003cbr>\nDouglas Hodge, 61, of Laguna Beach, Calif.;\u003cbr>\nMichelle Janavs, 48, of Newport Coast, Calif.;\u003cbr>\nElisabeth Kimmel, 54, of Las Vegas, Nev.;\u003cbr>\nLori Loughlin, 54, of Los Angeles, Calif.;\u003cbr>\nWilliam McGlashan, Jr., 55, of Mill Valley, Calif.;\u003cbr>\nMarci Palatella, 63, of Hillsborough, Calif.;\u003cbr>\nJohn Wilson, 59, of Lynnfield, Mass.;\u003cbr>\nHomayoun Zadeh, 57, of Calabasas, Calif.; and\u003cbr>\nRobert Zangrillo, 52, of Miami, Fla.\u003c/p>\u003c/blockquote>\n\u003cp>Loughlin, an actress formerly starring on \u003cem>Full House\u003c/em>, is perhaps the most widely known figure among the co-defendants. Prosecutors have accused her and her husband of conspiring to get their daughters admitted to the University of Southern California, paying Singer and others to have them falsely portrayed as recruits to the women’s crew team.\u003c/p>\n\u003ch3>Read the full indictment\u003c/h3>\n\u003cp>[documentcloud url=”https://www.documentcloud.org/documents/5809942-Second-Superseding-Indictment-0-NPR.html” responsive=true]\u003c/p>\n\u003cp>Last month \u003ca href=\"https://www.npr.org/2019/03/19/704934041/usc-suspends-accounts-of-students-allegedly-linked-to-admissions-bribery-scandal\">the university announced\u003c/a> that the academic status of students associated with the case has been placed on hold, preventing them from registering for classes or withdrawing from the school while the school has placed them under review.\u003c/p>\n\u003cp>But Loughlin and Giannulli were far from alone in the new indictment. Others include several senior executives of private investment and real estate firms, as well as magnates in the fields of shipping, food and media.\u003c/p>\n\u003cp>Their arraignment date has not yet been scheduled.\u003c/p>\n\u003cp>The indictment closely follows the announcement that more than a dozen of their co-defendants have decided to plead guilty to their own charges, in accordance with plea agreements. Among them was Huffman, a longtime television actress in her own right.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“My daughter knew absolutely nothing about my actions, and in my misguided and profoundly wrong way, I have betrayed her. This transgression toward her and the public I will carry for the rest of my life,” Huffman said in a statement of apology released Monday. “My desire to help my daughter is no excuse to break the law or engage in dishonesty.”\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 NPR. To see more, visit https://www.npr.org.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Lori+Loughlin%2C+15+Others+Indicted+On+New+Charges+In+College+Admissions+Scandal&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The indictment significantly escalates the legal jeopardy and potential consequences these 16 parents face. Each of the new charges — one count of conspiracy to commit money laundering and one count of conspiracy to commit mail and wire fraud — carries a possible penalty of up to 20 years in prison and a fine of at least $250,000.\u003c/p>\n\u003cp>In its statement, the Justice Department identified the 16 parents included in Tuesday’s indictment:\u003c/p>\n\u003cblockquote>\u003cp>Gamal Abdelaziz, 62, aka “Gamal Aziz,” of Las Vegas, Nev.;\u003cbr>\nDiane Blake, 55, of Ross, Calif.;\u003cbr>\nTodd Blake, 53, of Ross, Calif.;\u003cbr>\nI-Hsin “Joey” Chen, 64, of Newport Beach, Calif.;\u003cbr>\nMossimo Giannulli, 55, of Los Angeles, Calif.;\u003cbr>\nElizabeth Henriquez, 56, of Atherton, Calif.;\u003cbr>\nManuel Henriquez, 56, of Atherton, Calif.;\u003cbr>\nDouglas Hodge, 61, of Laguna Beach, Calif.;\u003cbr>\nMichelle Janavs, 48, of Newport Coast, Calif.;\u003cbr>\nElisabeth Kimmel, 54, of Las Vegas, Nev.;\u003cbr>\nLori Loughlin, 54, of Los Angeles, Calif.;\u003cbr>\nWilliam McGlashan, Jr., 55, of Mill Valley, Calif.;\u003cbr>\nMarci Palatella, 63, of Hillsborough, Calif.;\u003cbr>\nJohn Wilson, 59, of Lynnfield, Mass.;\u003cbr>\nHomayoun Zadeh, 57, of Calabasas, Calif.; and\u003cbr>\nRobert Zangrillo, 52, of Miami, Fla.\u003c/p>\u003c/blockquote>\n\u003cp>Loughlin, an actress formerly starring on \u003cem>Full House\u003c/em>, is perhaps the most widely known figure among the co-defendants. Prosecutors have accused her and her husband of conspiring to get their daughters admitted to the University of Southern California, paying Singer and others to have them falsely portrayed as recruits to the women’s crew team.\u003c/p>\n\u003ch3>Read the full indictment\u003c/h3>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>An estimated 28,000 gamers and industry insiders have descended on San Francisco this week for this year’s \u003ca href=\"https://www.gdconf.com\" target=\"_blank\" rel=\"noopener\">Game Developers Conference\u003c/a> (GDC). But despite the fact millions of women worldwide \u003ci>play\u003c/i> games, there’s still a giant gender divide on the development side.\u003c/p>\n\u003cp>[aside postID='arts_13827545,arts_13843649' label='Related Coverage']Every year, conference organizers conduct a survey of attendees. This year, the split is roughly 80/20; as in, 77 percent male attendees, 19 percent female, two percent “other” and two percent declined to answer.\u003c/p>\n\u003cp>“It’s a small but noticeable shift from last year, when 80 percent of survey respondents identified as ‘male’ and just 17 percent identified as ‘female,’” wrote GDC spokesperson Chrissy Kelleher.\u003c/p>\n\u003cp>In other words, the gaming workforce looks quite similar to the tech workforce in general, from a gender perspective.\u003c/p>\n\u003cp>That was the topic du jour at this week’s Microsoft Women in Gaming Rally, a GDC-adjacent mixer in San Francisco with about 1,000 attendees, mostly women, who gathered to mingle and enjoy the feeling of dominating a room for a few hours.\u003c/p>\n\u003cfigure id=\"attachment_13853441\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13853441\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-21-at-10.04.11-AM-800x476.png\" alt=\"Male avatars, like Octavio Silva from EA's "Apex Legend Season 1," still outnumber females avatars by a wide margin. Female gamers say they want more female avatars, with a wider variety of back stories.\" width=\"800\" height=\"476\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-21-at-10.04.11-AM-800x476.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-21-at-10.04.11-AM-160x95.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-21-at-10.04.11-AM-768x457.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-21-at-10.04.11-AM-1020x606.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-21-at-10.04.11-AM-1200x714.png 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-21-at-10.04.11-AM.png 1480w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Male avatars, like Octavio Silva from EA’s ‘Apex Legend Season 1,’ still outnumber female avatars by a wide margin. Females gamers say they want more female avatars, with a wider variety of back stories. \u003ccite>(Photo: Courtesy of Electronic Arts)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I’m not alone, and there are so many powerful women out here. It’s fantastic,” said Kristie Ramirez, a program manager at \u003ca href=\"https://www.ea.com\" target=\"_blank\" rel=\"noopener\">Electronic Arts\u003c/a>, who’s been in gaming for seven years now.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In addition to addressing gender disparities, gaming could also be a lot more welcoming to people of color, going beyond mixers and \u003ca href=\"https://www.xbox.com/en-US/developers/gaming-for-everyone/communities/women\" target=\"_blank\" rel=\"noopener\">community groups\u003c/a> to attract, hire and retain talent. Ramirez suggested the industry make an effort to get the word out to generations coming up, starting in middle school.\u003c/p>\n\u003cp>“You can be a lawyer here [in gaming]. You can be an accountant. You can be a marketer. You don’t just have to be a developer. Just get in here. We want you. We want your perspective!” Ramirez said.\u003c/p>\n\u003cp>Of course, many women want to develop.\u003c/p>\n\u003cp>Laura Dell first realized she wanted to when she was 14 years old. “I got into games because of \u003ca href=\"https://www.ea.com/games/the-sims\" target=\"_blank\" rel=\"noopener\">\u003cem>The Sims\u003c/em>\u003c/a>, which is my favorite all-time game. They released a developer diary, and [watching it] I suddenly had this epiphany that people make games. They don’t just exist!”\u003c/p>\n\u003cfigure id=\"attachment_13853447\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13853447 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-19-at-3.40.02-PM-800x651.png\" alt=\"Microsoft publicly posts its diversity statistics. Gender-wise in tech, the split is roughly 80/20 male to female.\" width=\"800\" height=\"651\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-19-at-3.40.02-PM-800x651.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-19-at-3.40.02-PM-160x130.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-19-at-3.40.02-PM-768x625.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-19-at-3.40.02-PM-1020x830.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-19-at-3.40.02-PM-1200x976.png 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-19-at-3.40.02-PM.png 1716w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Microsoft publicly posts its diversity statistics. Gender-wise in tech, the split is roughly 80/20 male to female. \u003ccite>(Photo: Courtesy of Microsoft)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Naomi McArthur, a game designer for \u003ca href=\"https://www.riotgames.com/en\" target=\"_blank\" rel=\"noopener\">Riot Games,\u003c/a> used to be an academic studying applied neuroscience. “I was given a lot of opportunities, and I had a lot of mentorship. I feel really lucky for that, because it let me grow into the game designer I am today,” McArthur said.\u003c/p>\n\u003cp>Women at the Microsoft event reported their experiences varied greatly from one company to another. “How can we be really intentional about including all different types of gamers, making sure inclusion is a part of the narrative from the very beginning?” asked Katy Jo Wright, director of \u003ca href=\"https://www.xbox.com/en-US/developers/gaming-for-everyone\" target=\"_blank\" rel=\"noopener\">Gaming for Everyone\u003c/a> at Xbox.\u003c/p>\n\u003cp>A \u003ca href=\"https://www.gamesindustry.biz/articles/2018-12-05-playgroundz-women-now-make-up-22-percent-of-esports-teams\" target=\"_blank\" rel=\"noopener\">recent study\u003c/a> from the gaming company \u003ca href=\"https://www.playgroundz.io\" target=\"_blank\" rel=\"noopener\">Playgroundz\u003c/a> found that most women stick to the mobile gaming world these days: \u003ca href=\"https://www.pokemongo.com/en-us/\" target=\"_blank\" rel=\"noopener\">\u003cem>Pokémon Go\u003c/em>\u003c/a> and \u003ca href=\"https://www.angrybirds.com/games/angry-birds-match/\" target=\"_blank\" rel=\"noopener\">\u003cem>Angry Birds Match\u003c/em>\u003c/a>, as opposed to games popular on \u003ca href=\"https://www.twitch.tv\" target=\"_blank\" rel=\"noopener\">Twitch\u003c/a> and esports, like \u003cem>Fortnite\u003c/em>. Today, women make up only 30% of gamers on YouTube, 22% of esports team members, and 19.5% of gamers on Twitch.\u003c/p>\n\u003cp>In part, it’s a question of continuing evidence of toxicity in the culture (recent news that \u003ca href=\"https://steamcommunity.com/games/593110/announcements/detail/1808664240304050758\" target=\"_blank\" rel=\"noopener\">the game \u003cem>Rape Day\u003c/em> will not ship on Steam\u003c/a> notwithstanding).\u003c/p>\n\u003cp>But it’s also a question of representation. It was literally days ago that Chiquita Evans (a.k.a. Chiquitae126) became the first woman ever drafted into the \u003ca href=\"https://2kleague.nba.com\" target=\"_blank\" rel=\"noopener\">NBA 2K League\u003c/a>. It’s a milestone, but one that leaves people wondering why progress is coming so slowly.\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=7Z4SvZW8fYU]\u003c/p>\n\u003cp>Ashley Columbo of \u003ca href=\"https://www.ubisoft.com/en-us/\" target=\"_blank\" rel=\"noopener\">Ubisoft\u003c/a> would like to see a change-up in the story lines. “This rugged-dude-going-on-an-adventure kind of thing is the main image you see in the industry. So while it’s moving in the right direction, I feel that’s what needs to change: the stories we’re seeing,” Columbo said.\u003c/p>\n\u003cp>For Maria Ramos, who runs the YouTube channel \u003ca href=\"https://www.youtube.com/channel/UCJQxPvs-Xsy-chtX9KdCuvw/featured\" target=\"_blank\" rel=\"noopener\">Grown Women Gaming\u003c/a>, more and better female avatars would help change gaming culture. Ramos plays everything: \u003ca href=\"https://www.cyberpunk.net/en/\" target=\"_blank\" rel=\"noopener\">\u003cem>Cyperpunk 2077\u003c/em>\u003c/a>, Tom Clancy’s \u003ca href=\"https://tomclancy-thedivision.ubisoft.com/game/en-us/the-division-2\" target=\"_blank\" rel=\"noopener\">\u003cem>The Division 2\u003c/em>\u003c/a>, \u003ca href=\"https://www.guerrilla-games.com/play/horizon\" target=\"_blank\" rel=\"noopener\">\u003cem>Horizon Zero Dawn\u003c/em>\u003c/a>, you name it.\u003c/p>\n\u003cp>“That’s how I decompress. That’s my glass of beer, you know, at the end of the day,” Ramos said. When I ask what she wants to see more of, she replied, “More women lead roles in video games. I don’t want the cliche ‘sexy girl,’ or the ‘damsel in distress,’ or anything of that nature.”\u003c/p>\n\u003cp>But Hannah Wolf, director of digital operations at Ubisoft, argued women don’t necessarily want avatars that look like them; and for that matter, neither do men. Her own 16 year-old son, for example, likes to play female characters.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“There are far more constructive ways to engage in personalities and personas that are different from who they are in real life,” Wolf said.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>An estimated 28,000 gamers and industry insiders have descended on San Francisco this week for this year’s \u003ca href=\"https://www.gdconf.com\" target=\"_blank\" rel=\"noopener\">Game Developers Conference\u003c/a> (GDC). But despite the fact millions of women worldwide \u003ci>play\u003c/i> games, there’s still a giant gender divide on the development side.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Every year, conference organizers conduct a survey of attendees. This year, the split is roughly 80/20; as in, 77 percent male attendees, 19 percent female, two percent “other” and two percent declined to answer.\u003c/p>\n\u003cp>“It’s a small but noticeable shift from last year, when 80 percent of survey respondents identified as ‘male’ and just 17 percent identified as ‘female,’” wrote GDC spokesperson Chrissy Kelleher.\u003c/p>\n\u003cp>In other words, the gaming workforce looks quite similar to the tech workforce in general, from a gender perspective.\u003c/p>\n\u003cp>That was the topic du jour at this week’s Microsoft Women in Gaming Rally, a GDC-adjacent mixer in San Francisco with about 1,000 attendees, mostly women, who gathered to mingle and enjoy the feeling of dominating a room for a few hours.\u003c/p>\n\u003cfigure id=\"attachment_13853441\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13853441\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-21-at-10.04.11-AM-800x476.png\" alt=\"Male avatars, like Octavio Silva from EA's "Apex Legend Season 1," still outnumber females avatars by a wide margin. Female gamers say they want more female avatars, with a wider variety of back stories.\" width=\"800\" height=\"476\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-21-at-10.04.11-AM-800x476.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-21-at-10.04.11-AM-160x95.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-21-at-10.04.11-AM-768x457.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-21-at-10.04.11-AM-1020x606.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-21-at-10.04.11-AM-1200x714.png 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-21-at-10.04.11-AM.png 1480w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Male avatars, like Octavio Silva from EA’s ‘Apex Legend Season 1,’ still outnumber female avatars by a wide margin. Females gamers say they want more female avatars, with a wider variety of back stories. \u003ccite>(Photo: Courtesy of Electronic Arts)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“I’m not alone, and there are so many powerful women out here. It’s fantastic,” said Kristie Ramirez, a program manager at \u003ca href=\"https://www.ea.com\" target=\"_blank\" rel=\"noopener\">Electronic Arts\u003c/a>, who’s been in gaming for seven years now.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In addition to addressing gender disparities, gaming could also be a lot more welcoming to people of color, going beyond mixers and \u003ca href=\"https://www.xbox.com/en-US/developers/gaming-for-everyone/communities/women\" target=\"_blank\" rel=\"noopener\">community groups\u003c/a> to attract, hire and retain talent. Ramirez suggested the industry make an effort to get the word out to generations coming up, starting in middle school.\u003c/p>\n\u003cp>“You can be a lawyer here [in gaming]. You can be an accountant. You can be a marketer. You don’t just have to be a developer. Just get in here. We want you. We want your perspective!” Ramirez said.\u003c/p>\n\u003cp>Of course, many women want to develop.\u003c/p>\n\u003cp>Laura Dell first realized she wanted to when she was 14 years old. “I got into games because of \u003ca href=\"https://www.ea.com/games/the-sims\" target=\"_blank\" rel=\"noopener\">\u003cem>The Sims\u003c/em>\u003c/a>, which is my favorite all-time game. They released a developer diary, and [watching it] I suddenly had this epiphany that people make games. They don’t just exist!”\u003c/p>\n\u003cfigure id=\"attachment_13853447\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13853447 size-medium\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-19-at-3.40.02-PM-800x651.png\" alt=\"Microsoft publicly posts its diversity statistics. Gender-wise in tech, the split is roughly 80/20 male to female.\" width=\"800\" height=\"651\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-19-at-3.40.02-PM-800x651.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-19-at-3.40.02-PM-160x130.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-19-at-3.40.02-PM-768x625.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-19-at-3.40.02-PM-1020x830.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-19-at-3.40.02-PM-1200x976.png 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2019/03/Screen-Shot-2019-03-19-at-3.40.02-PM.png 1716w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Microsoft publicly posts its diversity statistics. Gender-wise in tech, the split is roughly 80/20 male to female. \u003ccite>(Photo: Courtesy of Microsoft)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Naomi McArthur, a game designer for \u003ca href=\"https://www.riotgames.com/en\" target=\"_blank\" rel=\"noopener\">Riot Games,\u003c/a> used to be an academic studying applied neuroscience. “I was given a lot of opportunities, and I had a lot of mentorship. I feel really lucky for that, because it let me grow into the game designer I am today,” McArthur said.\u003c/p>\n\u003cp>Women at the Microsoft event reported their experiences varied greatly from one company to another. “How can we be really intentional about including all different types of gamers, making sure inclusion is a part of the narrative from the very beginning?” asked Katy Jo Wright, director of \u003ca href=\"https://www.xbox.com/en-US/developers/gaming-for-everyone\" target=\"_blank\" rel=\"noopener\">Gaming for Everyone\u003c/a> at Xbox.\u003c/p>\n\u003cp>A \u003ca href=\"https://www.gamesindustry.biz/articles/2018-12-05-playgroundz-women-now-make-up-22-percent-of-esports-teams\" target=\"_blank\" rel=\"noopener\">recent study\u003c/a> from the gaming company \u003ca href=\"https://www.playgroundz.io\" target=\"_blank\" rel=\"noopener\">Playgroundz\u003c/a> found that most women stick to the mobile gaming world these days: \u003ca href=\"https://www.pokemongo.com/en-us/\" target=\"_blank\" rel=\"noopener\">\u003cem>Pokémon Go\u003c/em>\u003c/a> and \u003ca href=\"https://www.angrybirds.com/games/angry-birds-match/\" target=\"_blank\" rel=\"noopener\">\u003cem>Angry Birds Match\u003c/em>\u003c/a>, as opposed to games popular on \u003ca href=\"https://www.twitch.tv\" target=\"_blank\" rel=\"noopener\">Twitch\u003c/a> and esports, like \u003cem>Fortnite\u003c/em>. Today, women make up only 30% of gamers on YouTube, 22% of esports team members, and 19.5% of gamers on Twitch.\u003c/p>\n\u003cp>In part, it’s a question of continuing evidence of toxicity in the culture (recent news that \u003ca href=\"https://steamcommunity.com/games/593110/announcements/detail/1808664240304050758\" target=\"_blank\" rel=\"noopener\">the game \u003cem>Rape Day\u003c/em> will not ship on Steam\u003c/a> notwithstanding).\u003c/p>\n\u003cp>But it’s also a question of representation. It was literally days ago that Chiquita Evans (a.k.a. Chiquitae126) became the first woman ever drafted into the \u003ca href=\"https://2kleague.nba.com\" target=\"_blank\" rel=\"noopener\">NBA 2K League\u003c/a>. It’s a milestone, but one that leaves people wondering why progress is coming so slowly.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/7Z4SvZW8fYU'\n title='//www.youtube.com/embed/7Z4SvZW8fYU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Ashley Columbo of \u003ca href=\"https://www.ubisoft.com/en-us/\" target=\"_blank\" rel=\"noopener\">Ubisoft\u003c/a> would like to see a change-up in the story lines. “This rugged-dude-going-on-an-adventure kind of thing is the main image you see in the industry. So while it’s moving in the right direction, I feel that’s what needs to change: the stories we’re seeing,” Columbo said.\u003c/p>\n\u003cp>For Maria Ramos, who runs the YouTube channel \u003ca href=\"https://www.youtube.com/channel/UCJQxPvs-Xsy-chtX9KdCuvw/featured\" target=\"_blank\" rel=\"noopener\">Grown Women Gaming\u003c/a>, more and better female avatars would help change gaming culture. Ramos plays everything: \u003ca href=\"https://www.cyberpunk.net/en/\" target=\"_blank\" rel=\"noopener\">\u003cem>Cyperpunk 2077\u003c/em>\u003c/a>, Tom Clancy’s \u003ca href=\"https://tomclancy-thedivision.ubisoft.com/game/en-us/the-division-2\" target=\"_blank\" rel=\"noopener\">\u003cem>The Division 2\u003c/em>\u003c/a>, \u003ca href=\"https://www.guerrilla-games.com/play/horizon\" target=\"_blank\" rel=\"noopener\">\u003cem>Horizon Zero Dawn\u003c/em>\u003c/a>, you name it.\u003c/p>\n\u003cp>“That’s how I decompress. That’s my glass of beer, you know, at the end of the day,” Ramos said. When I ask what she wants to see more of, she replied, “More women lead roles in video games. I don’t want the cliche ‘sexy girl,’ or the ‘damsel in distress,’ or anything of that nature.”\u003c/p>\n\u003cp>But Hannah Wolf, director of digital operations at Ubisoft, argued women don’t necessarily want avatars that look like them; and for that matter, neither do men. Her own 16 year-old son, for example, likes to play female characters.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“There are far more constructive ways to engage in personalities and personas that are different from who they are in real life,” Wolf said.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Disney Officially Owns 21st Century Fox",
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"content": "\u003cp>Homer Simpson probably won’t become the newest member of the Avengers, but anything’s possible now that Disney owns 21st Century Fox.\u003c/p>\n\u003cp>One year after the Walt Disney Co. announced the $71.3 billion merger, it’s official. The deal, which closed Wednesday at 12:02 a.m. Eastern time, reshapes the media landscape and makes Disney an even greater entertainment behemoth. In bolstering its trove of characters and stories, the acquisition also puts Disney in a stronger position to take on Netflix and other streaming companies when it launches its own service, Disney+, later this year.\u003c/p>\n\u003cp>Disney, which already owns the Pixar, Marvel and the Star Wars brands, will now also get Deadpool and the Fox-owned Marvel characters such as the X-Men and Fantastic Four, allowing for the full Marvel family to be united. Disney also now owns former Fox television networks such as FX Networks and National Geographic Partners. Disney will also get Fox’s 30 percent ownership of Hulu, giving Disney a controlling share of 60 percent.\u003c/p>\n\u003cp>https://twitter.com/AlJean/status/1108134895799267329\u003c/p>\n\u003cp>Now that Fox Corp. has sold off most of its entertainment properties, it has become a standalone company that will retain ownership of its broadcast network, owned-and-operated network affiliates, the Fox News Channel, Fox Business Network and Fox Sports.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Former House speaker Paul Ryan is joining the board of directors of the new Fox Corp. NPR’s David Folkenflik \u003ca href=\"https://www.wbur.org/hereandnow/2019/03/19/paul-ryan-joins-fox\">told WBUR’s “Here and Now”\u003c/a> that Fox’s decision to retain Ryan “is in keeping with the way in which Rupert Murdoch and his family has operated over the years, where they have acquired, essentially, a lot of major political heavyweights to be on their corporate boards, occasionally as top executives — essentially as a hedge” against the fairly heavy regulations that media companies sometimes face.\u003c/p>\n\u003cp>https://twitter.com/VancityReynolds/status/1108002378064822272\u003c/p>\n\u003cp>The deal has been in the works for more than a year, but wasn’t official until various regulatory agencies around the world gave their approvals. After \u003ca href=\"https://variety.com/2018/biz/news/disney-fox-acquisition-comcast-timeline-1202758220/\">months of flirting\u003c/a> with the idea, Disney and Fox announced in December 2017 that they had agreed to a \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/12/14/568829541/this-mouse-swallows-part-of-a-fox-disney-buys-much-of-murdoch-empire\">$52.4 billion deal\u003c/a> that would sell off most of Rupert Murdoch’s entertainment properties. As Folkenflik reported at the time, the acquisition offered a chance for Disney to “consolidate holdings, bringing together talented leaders in television and movie production, major cable properties and a vast network of local sports cable channels to fold into Disney’s ESPN programming.”\u003c/p>\n\u003cp>The deal hit a snag in 2018 when Comcast unexpectedly \u003ca href=\"https://www.npr.org/2018/06/13/619748496/comcast-puts-in-65-billion-bid-for-21st-century-fox\">bid $65 billion \u003c/a>to lure Fox away from Disney. But Disney was able to keep the deal moving forward when it \u003ca href=\"https://www.npr.org/2018/07/19/630439333/disney-prevails-in-hunt-for-fox-as-comcast-drops-bid\">upped its offer \u003c/a>to $71 billion. The Justice Department OK’d the acquisition last summer as long as Disney, which owns ESPN, \u003ca href=\"https://www.npr.org/2018/06/27/624075667/justice-department-disney-can-buy-21st-century-fox-but-with-one-caveat\">agreed to sell off\u003c/a> 22 regional sports networks that were originally part of the purchase.\u003c/p>\n\u003cp>For Fox, the decision to sell many of its entertainment properties was motivated mostly by “fear, opportunity and pragmatism,” Folkenflik explained. “Fear of the seemingly bottomless wallets of Netflix, Amazon and possibly Apple to spend on new shows; opportunity to cash out assets at a possible peak; and pragmatism in finally resolving the professional fates of Murdoch’s sons, Lachlan and James, as well the fortunes of four other Murdoch children who do not play a role in the company.”\u003c/p>\n\u003cp>The acquisition could have negative consequences. NPR TV Critic Eric Deggans told NPR’s Morning Edition that thousands of people will likely lose their jobs as Disney consolidates its properties.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Note:\u003c/em>\u003c/strong>\u003cem> Both Walt Disney Pictures and 20th Century Fox have funded NPR.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>.\u003c/div>\n\n",
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"excerpt": "The $71 billion deal strengthens Disney's portfolio and gives it even more leverage to compete against other streaming powerhouses.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>The deal has been in the works for more than a year, but wasn’t official until various regulatory agencies around the world gave their approvals. After \u003ca href=\"https://variety.com/2018/biz/news/disney-fox-acquisition-comcast-timeline-1202758220/\">months of flirting\u003c/a> with the idea, Disney and Fox announced in December 2017 that they had agreed to a \u003ca href=\"https://www.npr.org/sections/thetwo-way/2017/12/14/568829541/this-mouse-swallows-part-of-a-fox-disney-buys-much-of-murdoch-empire\">$52.4 billion deal\u003c/a> that would sell off most of Rupert Murdoch’s entertainment properties. As Folkenflik reported at the time, the acquisition offered a chance for Disney to “consolidate holdings, bringing together talented leaders in television and movie production, major cable properties and a vast network of local sports cable channels to fold into Disney’s ESPN programming.”\u003c/p>\n\u003cp>The deal hit a snag in 2018 when Comcast unexpectedly \u003ca href=\"https://www.npr.org/2018/06/13/619748496/comcast-puts-in-65-billion-bid-for-21st-century-fox\">bid $65 billion \u003c/a>to lure Fox away from Disney. But Disney was able to keep the deal moving forward when it \u003ca href=\"https://www.npr.org/2018/07/19/630439333/disney-prevails-in-hunt-for-fox-as-comcast-drops-bid\">upped its offer \u003c/a>to $71 billion. The Justice Department OK’d the acquisition last summer as long as Disney, which owns ESPN, \u003ca href=\"https://www.npr.org/2018/06/27/624075667/justice-department-disney-can-buy-21st-century-fox-but-with-one-caveat\">agreed to sell off\u003c/a> 22 regional sports networks that were originally part of the purchase.\u003c/p>\n\u003cp>For Fox, the decision to sell many of its entertainment properties was motivated mostly by “fear, opportunity and pragmatism,” Folkenflik explained. “Fear of the seemingly bottomless wallets of Netflix, Amazon and possibly Apple to spend on new shows; opportunity to cash out assets at a possible peak; and pragmatism in finally resolving the professional fates of Murdoch’s sons, Lachlan and James, as well the fortunes of four other Murdoch children who do not play a role in the company.”\u003c/p>\n\u003cp>The acquisition could have negative consequences. NPR TV Critic Eric Deggans told NPR’s Morning Edition that thousands of people will likely lose their jobs as Disney consolidates its properties.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Note:\u003c/em>\u003c/strong>\u003cem> Both Walt Disney Pictures and 20th Century Fox have funded NPR.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2019 \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener\">NPR\u003c/a>.\u003c/div>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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},
"mindshift": {
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"morning-edition": {
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"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
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"onourwatch": {
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"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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},
"pbs-newshour": {
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},
"perspectives": {
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"order": 14
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"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"politicalbreakdown": {
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"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 5
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
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"source": "Possible"
},
"link": "/radio/program/possible",
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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