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"content": "\u003cdiv class=\"post-body\">\u003cp>SFAI’s future has been in question since March 2020. Facing budget shortfalls and decreased enrollment, SFAI announced that it would not be enrolling new students for the fall 2020 semester. The art school began encouraging students who could not complete their degrees before May to transfer elsewhere, preparing their staff and faculty for mass layoffs.\u003c/p>\n\u003cp>In the nearly two years since, SFAI has remained open in a limited capacity, offering classes to a greatly reduced student body. Current enrollment is just 56 students. In a statement provided to KQED, SFAI said, “Joining with USF would provide new opportunities for SFAI students while stabilizing SFAI’s future.”\u003c/p>\n\u003cp>In October 2020, the University of California Regents saved SFAI from foreclosure by buying SFAI’s $19.7 million debt from a private bank. Per that agreement, the UC Regents are currently the landlords for the art school’s Chestnut Street campus. If the sale to USF proceeds as planned, USF will assume responsibility for the Chestnut Street campus and its assets, including the Diego Rivera mural, which the Board of Supervisors voted to bestow landmark designation upon in January 2021.\u003c/p>\n\u003cp>It is unclear if the tenant agreement with the UC Regents will continue after the sale. USF said the school “is in communication with the UC Regents regarding their ongoing organizational relationship with SFAI and the resolution of any outstanding financial obligations going forward.”\u003c/p>\n\u003cp>SFAI also holds a 60-year lease on a Fort Mason campus, a space that has been rented out since the pandemic to other nonprofit organizations, including the Hamlin School, and used for temporary exhibitions by the Svane Family Foundation and Gallery Wendi Norris. USF said the school will explore options for the property in consultation with SFAI and Fort Mason Center. According to SFAI, “The intention is for all students and faculty to benefit from the quality assets and facilities at SFAI, including Fort Mason in the future.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>SFAI Board Chair Lonnie Graham is quoted in the announcement saying, “This union would create an innovative confluence of the arts and academics to advance a curriculum that reinforces the value of the arts in changing the world.”\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Meat Loaf, the Grammy-winning American singer and actor, has died at the age of 74. An official announcement \u003ca href=\"https://www.facebook.com/MeatLoaf\" target=\"_blank\" rel=\"noopener noreferrer\">was posted to his Facebook page\u003c/a> early Friday morning.\u003c/p>\n\u003cp>Meat Loaf, born Marvin Lee Aday, was best known for the 1977 album \u003cem>Bat Out Of Hell\u003c/em>, one of the best selling albums of all time, having sold 43 million copies worldwide. Meat Loaf won a 1994 Grammy Award for the song “I’d Do Anything For Love.”\u003c/p>\n\u003cp>Meat Loaf also appeared in over 65 movies, with iconic roles in \u003cem>The Rocky Horror Picture Show\u003c/em> and \u003cem>Fight Club\u003c/em>, among others.\u003c/p>\n\u003cp>“We know how much he meant to so many of you and we truly appreciate all of the love and support as we move through this time of grief in losing such an inspiring artist and beautiful man,” the statement read. “We thank you for your understanding of our need for privacy at this time. From his heart to your souls…don’t ever stop rocking!”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=3QGMCSCFoKA\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The cause of death is unknown at this time.\u003c/p>\n\u003cp>\u003cem>Bat Out Of Hell\u003c/em> was a landmark album for the singer and for rock n’ roll overall, with one critic describing it as “\u003ca href=\"https://jimsteinman.com/batmusical/kickedopendoor.htm\" target=\"_blank\" rel=\"noopener noreferrer\">like Springsteen on Broadway on steroids\u003c/a>.” \u003cem>Rolling Stone\u003c/em> listed \u003ca href=\"https://www.rollingstone.com/music/music-lists/500-greatest-albums-of-all-time-156826/the-yardbirds-roger-the-engineer-a-k-a-over-under-sideways-down-46344/\" target=\"_blank\" rel=\"noopener noreferrer\">the album at 343 on its list\u003c/a> of the 500 greatest albums of all time published in 2003 and 2012, but \u003ca href=\"https://www.rollingstone.com/music/music-lists/best-albums-of-all-time-1062063/jay-z-the-blueprint-3-1063183/\" target=\"_blank\" rel=\"noopener noreferrer\">was left off its 2020 revision\u003c/a>.\u003c/p>\n\u003cp>Meat Loaf’s death comes one year after composer, lyricist, and record producer Jim Steinman, his creative partner on \u003cem>Bat Out Of Hell\u003c/em> and many other projects, \u003ca href=\"https://www.npr.org/2021/04/20/989245089/jim-steinman-writer-of-operatic-rock-hits-for-meat-loaf-and-celine-dion-dies-at-\" target=\"_blank\" rel=\"noopener noreferrer\">died of kidney failure.\u003c/a>\u003c/p>\n\u003cp>In 2017, \u003cem>Bat Out Of Hell\u003c/em> \u003ca href=\"https://www.telegraph.co.uk/music/what-to-listen-to/everyone-hated-bat-jim-steinman-meat-loaf-made-misunderstood/\" target=\"_blank\" rel=\"noopener noreferrer\">was adapted by Steinman\u003c/a> into a stage production, \u003cem>Bat Out Of Hell: The Musical\u003c/em>. It opened at Manchester’s Opera House in the U.K. and later made its U.S. debut at New York City Center.\u003c/p>\n\u003cp>The full statement is below:\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13908423 aligncenter\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/Screen-Shot-2022-01-21-at-1.21.32-AM-800x908.png\" alt=\"\" width=\"800\" height=\"908\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-21-at-1.21.32-AM-800x908.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-21-at-1.21.32-AM-1020x1158.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-21-at-1.21.32-AM-160x182.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-21-at-1.21.32-AM-768x872.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-21-at-1.21.32-AM-1353x1536.png 1353w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-21-at-1.21.32-AM.png 1360w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Meat+Loaf%2C+Grammy-winning+singer+famous+for+%27I%27d+Do+Anything+For+Love%2C%27+has+died&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Currently the museum’s acting associate director for collections and operations, Chavez Lamar \u003ca href=\"https://www.si.edu/newsdesk/releases/cynthia-chavez-lamar-named-director-national-museum-american-indian\" target=\"_blank\" rel=\"noopener noreferrer\">said in a statement\u003c/a> that she was excited to begin her new job and work with the museum’s experienced staff.\u003c/p>\n\u003cp>“Together, we will leverage the museum’s reputation to support shared initiatives with partners in the U.S. and around the world to amplify Indigenous knowledge and perspectives all in the interest of further informing the American public and international audiences of the beauty, tenacity and richness of Indigenous cultures, arts and histories,” she said.\u003c/p>\n\u003cp>Chavez Lamar is an enrolled member at San Felipe Pueblo, and her maternal ancestry includes Hopi, Tewa and Navajo.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>She’ll be the third director of the National Museum of the American Indian. Kevin Gover, a citizen of the Pawnee Tribe, served as director from 2007 to 2021, and W. Richard West Jr., who is Southern Cheyenne, became the museum’s founding director in 1990.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Chavez Lamar interned for the museum in 1994, worked there as a curator in the early 2000s and then returned for her most recent stint in 2014.\u003c/p>\n\u003cp>The curator, author and scholar also previously served as director of the Indian Arts Research Center at the School for Advanced Research in Santa Fe and the Indian Pueblo Cultural Center in Albuquerque.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In her new role, Chavez Lamar will oversee three facilities: the National Museum of the American Indian, the George Gustav Heye Center in Lower Manhattan and the Cultural Resources Center in Suitland, Md.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org/\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Cynthia+Chavez+Lamar+becomes+the+first+Native+woman+to+lead+a+Smithsonian+museum&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Every year, \u003ca href=\"https://sfgfta.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Grants for the Arts\u003c/a> awards the most sought-after type of nonprofit funding to San Francisco arts organizations: unrestricted general operating support. This kind of money isn’t sexy or splashy, but it helps nonprofits keep the lights on, pay their staff and maintain public programming in one of the most expensive cities in the United States.\u003c/p>\n\u003cp>[aside postID='arts_13907929']Established by the city of San Francisco in 1961 and funded by hotel tax revenue, Grants for the Arts (GFTA) is a much-relied-upon funding source in the city’s arts nonprofit world. Its recipients range from the very large (the San Francisco Symphony, the Exploratorium) to the very small (SF Urban Film Fest, Western Neighborhoods Project). Since its inception, it has distributed nearly $400 million to hundreds of San Francisco arts nonprofits. In 2018, San Francisco voters \u003ca href=\"https://www.kqed.org/news/11704700/s-f-voters-say-yes-to-restoring-hotel-tax-funding-for-arts-and-culture\" rel=\"noopener noreferrer\" target=\"_blank\">overwhelmingly supported its funding\u003c/a>.\u003c/p>\n\u003cp>But over the past few months, arts administrators across the city have become increasingly distressed by the significant delays they’ve experienced while trying to get the money they were promised—and by the confusing communications they’re getting from the city’s granting organization itself.\u003c/p>\n\u003ch2>‘Nobody’s gotten the money yet’\u003c/h2>\n\u003cp>The July 2021–June 2022 GFTA grantees include \u003ca href=\"https://sfgfta.org/wp-content/uploads/2021/09/FY22-Allocation-Index-Arts-for-Website.pdf\" rel=\"noopener noreferrer\" target=\"_blank\">226 organizations\u003c/a> who were awarded amounts ranging from $10,000 to $450,000. (Instead of receiving that amount upfront, nonprofits spend against their grant amount and submit paperwork for reimbursement.) KQED reached out to 34 GFTA grantees for this story. Of the 20 nonprofits KQED was able to contact as of publication, five had not yet received grant agreements. Two nonprofits received their agreements in just the past three days. And only one of the nonprofits who had submitted the paperwork for reimbursements (some as long ago as November) had received any funds—six months into the grant cycle.\u003c/p>\n\u003cp>Based on his own reconnaissance, Barry Threw, executive director of Gray Area Foundation for the Arts, says, “Nobody’s gotten the money yet.” That’s a stark difference from years past. “Usually you’re able to invoice half of it the year of the announcement and then invoice the other half in the spring of the next year,” he explains. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside postID='news_11704700']Adding to nonprofits’ frustrations, GFTA has not yet released any information about their FY23 grant cycle, applications for which would normally be due in February 2022. Arts administrators emphasize this is not an easy application process. The packet of required materials can run to dozens of pages, including a lengthy narrative, a budget snapshot, materials relating to board membership, a recent financial review, multiple tax forms, a list of previous and planned events, brochures and press clippings. \u003c/p>\n\u003cp>Last year, GFTA even teamed up with Intersection for the Arts to offer a four-part workshop and lab series to coach nonprofits through the process and make the grant more accessible to first-time applicants. But if last year’s GFTA watchword was “equity,” this year’s seems to be “TBD.”\u003c/p>\n\u003ch2>‘The process has become a big mystery’\u003c/h2>\n\u003cp>Seeking information on the status of their current grant cycle, KQED received an auto-reply from GFTA that paints a picture of a severely understaffed organization. The email explains that GFTA is “down to a team of two,” and that two employees from the San Francisco Arts Commission have been brought on to help with the workload. In a bullet-point list of what appear to be frequent email topics, the auto-reply states that the release date for the next grant cycle “has not been identified.”\u003c/p>\n\u003cp>A spokesperson from the Office of the City Administrator, which oversees GFTA, provided KQED with a statement about the delays: “Many city departments are experiencing staffing impacts currently as the result of the pandemic. It has and will continue to be a priority to get grant funding and contracts out to all of our city service providers and the Arts Commission and Grants for the Arts staff are working together to do just that.”\u003c/p>\n\u003cp>GFTA grantees who spoke to KQED say it’s been difficult to get in contact with anyone at the organization to even check on the status of their grant agreements. KQED’s multiple calls to the office went unanswered.\u003c/p>\n\u003cp>Arts administrators say that in past years, even during the pandemic, the granting process worked fairly smoothly and on schedule; staff were accessible and supportive of the organizations GFTA funded. But they began to notice a string of departures from GFTA after Director Vallie Brown was \u003ca href=\"https://www.kqed.org/arts/13892925/vallie-brown-appointed-to-lead-sfs-main-nonprofit-arts-funding-agency\" rel=\"noopener noreferrer\" target=\"_blank\">appointed to the position\u003c/a> by Mayor London Breed in February 2021. All four staff members who worked at GFTA prior to Brown’s arrival have since retired or left, and only one new employee has joined. \u003c/p>\n\u003cfigure id=\"attachment_13892960\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/VallieBrown.jpg\" alt=\"A woman in a blue patterned shirt poses smiling\" width=\"800\" height=\"619\" class=\"size-full wp-image-13892960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/VallieBrown.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/VallieBrown-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/VallieBrown-768x594.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Vallie Brown was appointed as director of Grants for the Arts by Mayor London Breed. \u003ccite>(Andrew Rettmann)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Perhaps as a result of these staffing changes, current GFTA grantees have been asked to re-submit their information as many as four or five times in recent months, sowing confusion and anxiety in an already strained sector. \u003c/p>\n\u003cp>Jeff Thomas, executive director of San Francisco Center for the Book, remembers when GFTA had a staff of five. “The general feeling is that a lot of really good people have left for whatever reason, that it’s now vastly understaffed in order to be able to do all the good things that they had been doing in the past,” he says. “And that the process has become a big mystery that is really sort of stressing people out.”\u003c/p>\n\u003ch2>‘What if I lose my funding?’\u003c/h2>\n\u003cp>After months of being asked for and resubmitting their information, GFTA grantees received a Nov. 11 email from Brown. The subject line read “URGENT”: \u003c/p>\n\u003cblockquote>\u003cp>I appreciate how the lion’s share of the organizations we’re privileged to support have diligently worked to meet the requirements for our FY22 General Operating Support grant. However, many of you continue to have outstanding documentation, which impedes my staff’s (and those who are helping us from the SFAC) ability to generate your contracts. … \u003c/p>\n\u003cp>If GFTA does not have all of your documents by Wednesday, November 17, 2021, we cannot guarantee your contract will be executed in a timely manner. The onus is on you to make sure you are in compliance with my department and the City, and I hope you’re able to be responsive to the emails that my staff has been distributing for several weeks.\u003c/p>\u003c/blockquote>\n\u003cp>Even administrators who knew all their materials were in good standing suddenly felt doubt. The mass email, says Gray Area’s Threw, made it unclear who was actually missing information. “Do you have our stuff or not?” he wondered. \u003c/p>\n\u003cp>“It just got to be very frustrating where people were thinking they were done, and then all of a sudden, everybody was thrown off,” says Thomas. “What if I can’t prove that I sent it in? And what if I lose my funding?” he remembers asking. “I mean, it’s a major source of funding for a lot of small organizations.”\u003c/p>\n\u003cp>Jennifer Walsh, executive director of ABADÁ-Capoeira San Francisco, says they still don’t have a grant agreement despite having submitted all the required documents. “We did receive an email explaining they are working hard to get agreements out so they can begin processing reimbursements,” Walsh wrote via email, emphasizing that GFTA is one of the organization’s primary funders and they are deeply grateful for the support. While hopeful that GFTA will get agreements and payments out to people as soon as possible, Walsh wrote, “Funding delays do put a strain on our operating budget, since we use funding for fixed costs, including rent.”\u003c/p>\n\u003cp>Many of the arts administrators KQED reached out to for this article would not go on the record about their experiences. \u003c/p>\n\u003cp>“The pandemic is still going on,” says Thomas of San Francisco Center for the Book. “There’s no more Paycheck Protection Program, there’s no more of this other funding. No one wants to speak out against an organization where they may be getting some substantial funding.”\u003c/p>\n\u003cp>“I think that GFTA has been such an amazing organization,” Thomas continues. “There’s no reason it couldn’t come back and be that again, but it just feels like it’s going through a rough patch.” \u003c/p>\n\u003cp>A rough patch, unfortunately, that affects the bottom line of 226 San Francisco arts nonprofits.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ci>This story includes reporting by Julian Sorapuru.\u003c/i>\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Established by the city of San Francisco in 1961 and funded by hotel tax revenue, Grants for the Arts (GFTA) is a much-relied-upon funding source in the city’s arts nonprofit world. Its recipients range from the very large (the San Francisco Symphony, the Exploratorium) to the very small (SF Urban Film Fest, Western Neighborhoods Project). Since its inception, it has distributed nearly $400 million to hundreds of San Francisco arts nonprofits. In 2018, San Francisco voters \u003ca href=\"https://www.kqed.org/news/11704700/s-f-voters-say-yes-to-restoring-hotel-tax-funding-for-arts-and-culture\" rel=\"noopener noreferrer\" target=\"_blank\">overwhelmingly supported its funding\u003c/a>.\u003c/p>\n\u003cp>But over the past few months, arts administrators across the city have become increasingly distressed by the significant delays they’ve experienced while trying to get the money they were promised—and by the confusing communications they’re getting from the city’s granting organization itself.\u003c/p>\n\u003ch2>‘Nobody’s gotten the money yet’\u003c/h2>\n\u003cp>The July 2021–June 2022 GFTA grantees include \u003ca href=\"https://sfgfta.org/wp-content/uploads/2021/09/FY22-Allocation-Index-Arts-for-Website.pdf\" rel=\"noopener noreferrer\" target=\"_blank\">226 organizations\u003c/a> who were awarded amounts ranging from $10,000 to $450,000. (Instead of receiving that amount upfront, nonprofits spend against their grant amount and submit paperwork for reimbursement.) KQED reached out to 34 GFTA grantees for this story. Of the 20 nonprofits KQED was able to contact as of publication, five had not yet received grant agreements. Two nonprofits received their agreements in just the past three days. And only one of the nonprofits who had submitted the paperwork for reimbursements (some as long ago as November) had received any funds—six months into the grant cycle.\u003c/p>\n\u003cp>Based on his own reconnaissance, Barry Threw, executive director of Gray Area Foundation for the Arts, says, “Nobody’s gotten the money yet.” That’s a stark difference from years past. “Usually you’re able to invoice half of it the year of the announcement and then invoice the other half in the spring of the next year,” he explains. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Adding to nonprofits’ frustrations, GFTA has not yet released any information about their FY23 grant cycle, applications for which would normally be due in February 2022. Arts administrators emphasize this is not an easy application process. The packet of required materials can run to dozens of pages, including a lengthy narrative, a budget snapshot, materials relating to board membership, a recent financial review, multiple tax forms, a list of previous and planned events, brochures and press clippings. \u003c/p>\n\u003cp>Last year, GFTA even teamed up with Intersection for the Arts to offer a four-part workshop and lab series to coach nonprofits through the process and make the grant more accessible to first-time applicants. But if last year’s GFTA watchword was “equity,” this year’s seems to be “TBD.”\u003c/p>\n\u003ch2>‘The process has become a big mystery’\u003c/h2>\n\u003cp>Seeking information on the status of their current grant cycle, KQED received an auto-reply from GFTA that paints a picture of a severely understaffed organization. The email explains that GFTA is “down to a team of two,” and that two employees from the San Francisco Arts Commission have been brought on to help with the workload. In a bullet-point list of what appear to be frequent email topics, the auto-reply states that the release date for the next grant cycle “has not been identified.”\u003c/p>\n\u003cp>A spokesperson from the Office of the City Administrator, which oversees GFTA, provided KQED with a statement about the delays: “Many city departments are experiencing staffing impacts currently as the result of the pandemic. It has and will continue to be a priority to get grant funding and contracts out to all of our city service providers and the Arts Commission and Grants for the Arts staff are working together to do just that.”\u003c/p>\n\u003cp>GFTA grantees who spoke to KQED say it’s been difficult to get in contact with anyone at the organization to even check on the status of their grant agreements. KQED’s multiple calls to the office went unanswered.\u003c/p>\n\u003cp>Arts administrators say that in past years, even during the pandemic, the granting process worked fairly smoothly and on schedule; staff were accessible and supportive of the organizations GFTA funded. But they began to notice a string of departures from GFTA after Director Vallie Brown was \u003ca href=\"https://www.kqed.org/arts/13892925/vallie-brown-appointed-to-lead-sfs-main-nonprofit-arts-funding-agency\" rel=\"noopener noreferrer\" target=\"_blank\">appointed to the position\u003c/a> by Mayor London Breed in February 2021. All four staff members who worked at GFTA prior to Brown’s arrival have since retired or left, and only one new employee has joined. \u003c/p>\n\u003cfigure id=\"attachment_13892960\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2021/02/VallieBrown.jpg\" alt=\"A woman in a blue patterned shirt poses smiling\" width=\"800\" height=\"619\" class=\"size-full wp-image-13892960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/VallieBrown.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/VallieBrown-160x124.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2021/02/VallieBrown-768x594.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Vallie Brown was appointed as director of Grants for the Arts by Mayor London Breed. \u003ccite>(Andrew Rettmann)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Perhaps as a result of these staffing changes, current GFTA grantees have been asked to re-submit their information as many as four or five times in recent months, sowing confusion and anxiety in an already strained sector. \u003c/p>\n\u003cp>Jeff Thomas, executive director of San Francisco Center for the Book, remembers when GFTA had a staff of five. “The general feeling is that a lot of really good people have left for whatever reason, that it’s now vastly understaffed in order to be able to do all the good things that they had been doing in the past,” he says. “And that the process has become a big mystery that is really sort of stressing people out.”\u003c/p>\n\u003ch2>‘What if I lose my funding?’\u003c/h2>\n\u003cp>After months of being asked for and resubmitting their information, GFTA grantees received a Nov. 11 email from Brown. The subject line read “URGENT”: \u003c/p>\n\u003cblockquote>\u003cp>I appreciate how the lion’s share of the organizations we’re privileged to support have diligently worked to meet the requirements for our FY22 General Operating Support grant. However, many of you continue to have outstanding documentation, which impedes my staff’s (and those who are helping us from the SFAC) ability to generate your contracts. … \u003c/p>\n\u003cp>If GFTA does not have all of your documents by Wednesday, November 17, 2021, we cannot guarantee your contract will be executed in a timely manner. The onus is on you to make sure you are in compliance with my department and the City, and I hope you’re able to be responsive to the emails that my staff has been distributing for several weeks.\u003c/p>\u003c/blockquote>\n\u003cp>Even administrators who knew all their materials were in good standing suddenly felt doubt. The mass email, says Gray Area’s Threw, made it unclear who was actually missing information. “Do you have our stuff or not?” he wondered. \u003c/p>\n\u003cp>“It just got to be very frustrating where people were thinking they were done, and then all of a sudden, everybody was thrown off,” says Thomas. “What if I can’t prove that I sent it in? And what if I lose my funding?” he remembers asking. “I mean, it’s a major source of funding for a lot of small organizations.”\u003c/p>\n\u003cp>Jennifer Walsh, executive director of ABADÁ-Capoeira San Francisco, says they still don’t have a grant agreement despite having submitted all the required documents. “We did receive an email explaining they are working hard to get agreements out so they can begin processing reimbursements,” Walsh wrote via email, emphasizing that GFTA is one of the organization’s primary funders and they are deeply grateful for the support. While hopeful that GFTA will get agreements and payments out to people as soon as possible, Walsh wrote, “Funding delays do put a strain on our operating budget, since we use funding for fixed costs, including rent.”\u003c/p>\n\u003cp>Many of the arts administrators KQED reached out to for this article would not go on the record about their experiences. \u003c/p>\n\u003cp>“The pandemic is still going on,” says Thomas of San Francisco Center for the Book. “There’s no more Paycheck Protection Program, there’s no more of this other funding. No one wants to speak out against an organization where they may be getting some substantial funding.”\u003c/p>\n\u003cp>“I think that GFTA has been such an amazing organization,” Thomas continues. “There’s no reason it couldn’t come back and be that again, but it just feels like it’s going through a rough patch.” \u003c/p>\n\u003cp>A rough patch, unfortunately, that affects the bottom line of 226 San Francisco arts nonprofits.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>The Castro Theatre, a 100-year-old jewel of the film community in San Francisco, is set to become a live music and events venue after a year-long makeover. The renovated theater will broaden its programming to include “comedy, music, film, community and private events and more,” according to \u003ca href=\"https://apeconcerts.com/venues/castro-theatre/\" rel=\"noopener noreferrer\" target=\"_blank\">a statement\u003c/a> by the new operators.\u003c/p>\n\u003cp>The theater will be managed by Another Planet Entertainment, the Bay Area-based live music promoter which co-produces the Outside Lands music festival and operates the Bill Graham Civic Auditorium, the Greek Theatre, the Fox Theatre, the Independent and other music venues. Another Planet does not operate any movie theaters, or venues with regular film programming.\u003c/p>\n\u003cp>Currently it is unclear exactly how much film will be shown at the renovated Castro Theatre. Speaking with KQED on Wednesday, Another Planet CEO Gregg Perloff repeatedly said it was too soon to tell.\u003c/p>\n\u003cp>“I know this isn’t a great answer for you, but we’ve just started,” Perloff said, in response to questions about film programming. “This is really our first week talking to people. And we plan on talking to a lot of people in the community. And of course all the people who have rented the theater—find out what it is they’re all about and what they plan on doing. So I can’t give you definitive answers right now.”\u003c/p>\n\u003cp>As of Wednesday, Another Planet had not been been in touch with any independent film bookers who would book a regular daily schedule of films, Perloff said. \u003c/p>\n\u003cfigure id=\"attachment_13908354\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/Castro.Street-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13908354\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Castro.Street-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Castro.Street-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Castro.Street-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Castro.Street-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Castro.Street-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Castro.Street.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Castro Theatre has been a central fixture of San Francisco’s Castro District since 1922. \u003ccite>(Tobias Kleinlercher / Wikipedia)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“You don’t want to change the historic nature of the theatre,” said Perloff. “We absolutely want to do film. We absolutely want to honor the LGBTQ community. And so, what they’ve historically done, we want to do a lot of that. We also want to add to it by doing other things. What those other things are? Could be a lecture. Could be comedy. Could be music. We plan to try anything.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>For the past decade, the Castro Theatre had been booked by Keith Arnold, whose experience working with Berkeley’s Fine Arts Cinema and the Sundance Film Festival informed the Castro’s repertory programming, which included movies both new and old on a daily basis. The Castro Theatre has also long been home to several film festivals like Frameline, the San Francisco Silent Film Festival, and the San Francisco Jewish Film Festival, among others.\u003c/p>\n\u003cp>Existing contracts with the Castro are being honored before renovation begins, Perloff said. Frameline’s executive director James Woolley said, in an email to KQED: “We are pleased to confirm that the Frameline46 San Francisco International LGBTQ+ Film Festival will proceed at the Castro Theatre, June 16-26, 2022.”\u003c/p>\n\u003cp>SFFILM, the San Francisco International Film Festival, is still scheduled to run April 21–May 1 this year, as well. (The Noir City film festival had planned to move to the Grand Lake Theatre in Oakland this month before postponing due to the spread of the omicron variant.) \u003c/p>\n\u003cp>Construction on the theater will begin later this year.\u003c/p>\n\u003cfigure id=\"attachment_13827376\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/03/SFIFFLogo_COVER-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13827376\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/SFIFFLogo_COVER-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/SFIFFLogo_COVER-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/SFIFFLogo_COVER-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/SFIFFLogo_COVER-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/SFIFFLogo_COVER.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/SFIFFLogo_COVER-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/SFIFFLogo_COVER-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/SFIFFLogo_COVER-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/SFIFFLogo_COVER-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/SFIFFLogo_COVER-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A packed house at the Castro Theatre. \u003ccite>(Courtesy of SFFILM)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The Castro Theatre is a wonderful building that we will upgrade for more use in the future,” said Perloff in a \u003ca href=\"https://apeconcerts.com/venues/castro-theatre/\" rel=\"noopener noreferrer\" target=\"_blank\">statement\u003c/a> Wednesday morning. “We want to activate and re-energize the building, making improvements to the customer and artist experience, including dressing room upgrades, restoring the marquee and blade and expanding food and beverage service.” \u003c/p>\n\u003cp>Additional upgrades would include a new sound system, sound, lighting, production, and heating and air conditioning system. An expanded backstage and lobby and a renovated marquee are planned, along with a restoration of the theater’s iconic neon sign. \u003c/p>\n\u003cp>Chris Nasser Padian, the vice president of Bay Properties Inc., which owns the Castro Theatre, called Another Planet “an ideal partner” for the Castro, “as they have a rich history with the City and in rehabilitating historic venues.”\u003c/p>\n\u003cp>Perloff said that Another Planet approached the Nasser family to make a deal for the building, and that, to his knowledge, no other promoters were in contention for management of the theater. \u003c/p>\n\u003cp>https://www.instagram.com/p/CY69fTPrI4G/\u003c/p>\n\u003cp>Today’s news answers a long-standing question on the lips of moviegoers over the past year and a half.\u003c/p>\n\u003cp>During the pandemic, while other independent movie theaters like the Roxie Theatre, the Balboa Theatre and the New Parkway Theatre cautiously re-opened, the Castro Theatre sat conspicuously dark, hosting occasional one-off concerts and events.\u003c/p>\n\u003cp>Most recently, the theatre hosted the world premiere for \u003cem>The Matrix Resurrections\u003c/em> and a special screening of \u003cem>West Side Story\u003c/em> with Rita Moreno in attendance.\u003c/p>\n\u003cp>A fundraising campaign for a new organ at the Castro Theatre, to be played by beloved fixture David Hegarty, had \u003ca href=\"https://hoodline.com/2021/01/castro-theatre-s-massive-new-hybrid-organ-may-get-installed-in-time-for-cinemas-to-reopen/\" rel=\"noopener noreferrer\" target=\"_blank\">recently raised\u003c/a> over $800,000 in donations. Perloff said that while there are no renovation plans for the stage that would make it impossible to install the organ, Another Planet has yet to get specifications for it.\u003c/p>\n\u003cp>“We got kind of thrown a curveball by this idea of a new organ,” Perloff said, adding that Another Planet has been in touch with Hegarty and the nonprofit CODA. “This is the kind of thing we’re dealing with in working out our construction plans: what does the organ need? So we’re certainly working or planning on working with CODA.”\u003c/p>\n\u003cp>Asked about moviegoers who think of the Castro Theatre as a family member, and are worried that they’re losing it forever, Perloff emphasized the upcoming restoration.\u003c/p>\n\u003cp>“They’re not losing it,” Perloff said of the Castro. “This is a labor of love for us. We make our money doing big shows like Outside Lands. What we’re doing is: this is a diamond, and we’re polishing the diamond. That’s how you should look at it.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>A grand reopening for the theater is scheduled for 2023. \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Castro Theatre, a 100-year-old jewel of the film community in San Francisco, is set to become a live music and events venue after a year-long makeover. The renovated theater will broaden its programming to include “comedy, music, film, community and private events and more,” according to \u003ca href=\"https://apeconcerts.com/venues/castro-theatre/\" rel=\"noopener noreferrer\" target=\"_blank\">a statement\u003c/a> by the new operators.\u003c/p>\n\u003cp>The theater will be managed by Another Planet Entertainment, the Bay Area-based live music promoter which co-produces the Outside Lands music festival and operates the Bill Graham Civic Auditorium, the Greek Theatre, the Fox Theatre, the Independent and other music venues. Another Planet does not operate any movie theaters, or venues with regular film programming.\u003c/p>\n\u003cp>Currently it is unclear exactly how much film will be shown at the renovated Castro Theatre. Speaking with KQED on Wednesday, Another Planet CEO Gregg Perloff repeatedly said it was too soon to tell.\u003c/p>\n\u003cp>“I know this isn’t a great answer for you, but we’ve just started,” Perloff said, in response to questions about film programming. “This is really our first week talking to people. And we plan on talking to a lot of people in the community. And of course all the people who have rented the theater—find out what it is they’re all about and what they plan on doing. So I can’t give you definitive answers right now.”\u003c/p>\n\u003cp>As of Wednesday, Another Planet had not been been in touch with any independent film bookers who would book a regular daily schedule of films, Perloff said. \u003c/p>\n\u003cfigure id=\"attachment_13908354\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/Castro.Street-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"size-medium wp-image-13908354\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Castro.Street-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Castro.Street-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Castro.Street-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Castro.Street-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Castro.Street-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Castro.Street.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The Castro Theatre has been a central fixture of San Francisco’s Castro District since 1922. \u003ccite>(Tobias Kleinlercher / Wikipedia)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“You don’t want to change the historic nature of the theatre,” said Perloff. “We absolutely want to do film. We absolutely want to honor the LGBTQ community. And so, what they’ve historically done, we want to do a lot of that. We also want to add to it by doing other things. What those other things are? Could be a lecture. Could be comedy. Could be music. We plan to try anything.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>For the past decade, the Castro Theatre had been booked by Keith Arnold, whose experience working with Berkeley’s Fine Arts Cinema and the Sundance Film Festival informed the Castro’s repertory programming, which included movies both new and old on a daily basis. The Castro Theatre has also long been home to several film festivals like Frameline, the San Francisco Silent Film Festival, and the San Francisco Jewish Film Festival, among others.\u003c/p>\n\u003cp>Existing contracts with the Castro are being honored before renovation begins, Perloff said. Frameline’s executive director James Woolley said, in an email to KQED: “We are pleased to confirm that the Frameline46 San Francisco International LGBTQ+ Film Festival will proceed at the Castro Theatre, June 16-26, 2022.”\u003c/p>\n\u003cp>SFFILM, the San Francisco International Film Festival, is still scheduled to run April 21–May 1 this year, as well. (The Noir City film festival had planned to move to the Grand Lake Theatre in Oakland this month before postponing due to the spread of the omicron variant.) \u003c/p>\n\u003cp>Construction on the theater will begin later this year.\u003c/p>\n\u003cfigure id=\"attachment_13827376\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2018/03/SFIFFLogo_COVER-800x450.jpg\" alt=\"\" width=\"800\" height=\"450\" class=\"size-medium wp-image-13827376\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/SFIFFLogo_COVER-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/SFIFFLogo_COVER-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/SFIFFLogo_COVER-768x432.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/SFIFFLogo_COVER-1020x574.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/SFIFFLogo_COVER.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/SFIFFLogo_COVER-1180x664.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/SFIFFLogo_COVER-960x540.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/SFIFFLogo_COVER-240x135.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/SFIFFLogo_COVER-375x211.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/03/SFIFFLogo_COVER-520x293.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A packed house at the Castro Theatre. \u003ccite>(Courtesy of SFFILM)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The Castro Theatre is a wonderful building that we will upgrade for more use in the future,” said Perloff in a \u003ca href=\"https://apeconcerts.com/venues/castro-theatre/\" rel=\"noopener noreferrer\" target=\"_blank\">statement\u003c/a> Wednesday morning. “We want to activate and re-energize the building, making improvements to the customer and artist experience, including dressing room upgrades, restoring the marquee and blade and expanding food and beverage service.” \u003c/p>\n\u003cp>Additional upgrades would include a new sound system, sound, lighting, production, and heating and air conditioning system. An expanded backstage and lobby and a renovated marquee are planned, along with a restoration of the theater’s iconic neon sign. \u003c/p>\n\u003cp>Chris Nasser Padian, the vice president of Bay Properties Inc., which owns the Castro Theatre, called Another Planet “an ideal partner” for the Castro, “as they have a rich history with the City and in rehabilitating historic venues.”\u003c/p>\n\u003cp>Perloff said that Another Planet approached the Nasser family to make a deal for the building, and that, to his knowledge, no other promoters were in contention for management of the theater. \u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Today’s news answers a long-standing question on the lips of moviegoers over the past year and a half.\u003c/p>\n\u003cp>During the pandemic, while other independent movie theaters like the Roxie Theatre, the Balboa Theatre and the New Parkway Theatre cautiously re-opened, the Castro Theatre sat conspicuously dark, hosting occasional one-off concerts and events.\u003c/p>\n\u003cp>Most recently, the theatre hosted the world premiere for \u003cem>The Matrix Resurrections\u003c/em> and a special screening of \u003cem>West Side Story\u003c/em> with Rita Moreno in attendance.\u003c/p>\n\u003cp>A fundraising campaign for a new organ at the Castro Theatre, to be played by beloved fixture David Hegarty, had \u003ca href=\"https://hoodline.com/2021/01/castro-theatre-s-massive-new-hybrid-organ-may-get-installed-in-time-for-cinemas-to-reopen/\" rel=\"noopener noreferrer\" target=\"_blank\">recently raised\u003c/a> over $800,000 in donations. Perloff said that while there are no renovation plans for the stage that would make it impossible to install the organ, Another Planet has yet to get specifications for it.\u003c/p>\n\u003cp>“We got kind of thrown a curveball by this idea of a new organ,” Perloff said, adding that Another Planet has been in touch with Hegarty and the nonprofit CODA. “This is the kind of thing we’re dealing with in working out our construction plans: what does the organ need? So we’re certainly working or planning on working with CODA.”\u003c/p>\n\u003cp>Asked about moviegoers who think of the Castro Theatre as a family member, and are worried that they’re losing it forever, Perloff emphasized the upcoming restoration.\u003c/p>\n\u003cp>“They’re not losing it,” Perloff said of the Castro. “This is a labor of love for us. We make our money doing big shows like Outside Lands. What we’re doing is: this is a diamond, and we’re polishing the diamond. That’s how you should look at it.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>A grand reopening for the theater is scheduled for 2023. \u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Influential Fashion Journalist André Leon Talley Dies at 73",
"headTitle": "Influential Fashion Journalist André Leon Talley Dies at 73 | KQED",
"content": "\u003cp>André Leon Talley, the towering former creative director and editor at large of \u003cem>Vogue\u003c/em> magazine, has died. He was 73.\u003c/p>\n\u003cp>Talley’s literary agent David Vigliano confirmed Talley’s death to \u003cem>USA Today\u003c/em> late Tuesday, but no additional details were immediately available.\u003c/p>\n\u003cp>https://twitter.com/CoutureIsBeyond/status/1483638128099434501\u003c/p>\n\u003cp>Talley was an influential fashion journalist who worked at \u003cem>Women’s Wear Daily\u003c/em> and\u003cem> Vogue\u003c/em> and was a regular in the front row of fashion shows in New York and Europe. At 6-feet-6 inches tall, Talley cut an imposing figure wherever he went, with his stature, his considerable influence on the fashion world, and his bold looks.\u003c/p>\n\u003cp>In a 2013 \u003cem>Vanity Fair\u003c/em> spread titled “The Eyeful Tower,” Talley was described as “perhaps the industry’s most important link to the past.” Designer Tom Ford told the magazine Talley was “one of the last great fashion editors who has an incredible sense of fashion history. … He can see through everything you do to the original reference, predict what was on your inspiration board.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Designer Diane von Furstenberg praised Talley on Instagram, writing: “no one saw the world in a more glamorous way than you did … no one was grander and more soulful than you were.”\u003c/p>\n\u003cp>https://www.instagram.com/p/CY5U2yINHxm/\u003c/p>\n\u003cp>In his 2003 memoir, \u003cem>A.L.T.: A Memoir\u003c/em>, Talley focused on two of the most important women in his life: his maternal grandmother, Bennie Frances Davis and the late fashion editor Diana Vreeland.\u003c/p>\n\u003cp>“Bennie Frances Davis may have looked like a typical, African American domestic worker to many of the people who saw her on an ordinary day, but I, who could see her soul, could also see her secret: that even while she wore a hair net and work clothes to scrub toilets and floors, she wore an invisible diadem,” he wrote.\u003c/p>\n\u003cp>His relationship with \u003cem>Vogue\u003c/em> started at Duke University, where his grandmother cleaned dorms; Talley would walk to campus in his youth to read the magazine.\u003c/p>\n\u003cp>Talley was also a familiar figure to TV audiences, serving as a judge on \u003cem>America’s Top Model\u003c/em> and appearing on\u003ca href=\"https://www.youtube.com/watch?v=EMWuURfGjBQ\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem> Sex and the City\u003c/em>\u003c/a> and\u003cem> Empire\u003c/em>.\u003c/p>\n\u003cp>https://twitter.com/theprophetpizza/status/1483641481537724417\u003c/p>\n\u003cp>Raised in Durham, N.C., Talley worked assorted jobs before arriving in New York in the 1970s, soon meeting Vreeland striking up a friendship that lasted until her death in 1989.\u003c/p>\n\u003cp>Talley worked as a park ranger in Washington, D.C., and Maryland, where he told visitors about slaves who built Fort Washington and dressed up like a Civil War soldier, he told the \u003cem>Associated Press\u003c/em> in 2003.\u003c/p>\n\u003cp>[aside postid='arts_13833651']After stints with \u003cem>Interview\u003c/em> magazine and \u003cem>Women’s Wear Daily\u003c/em>, Talley was hired at \u003cem>Vogue\u003c/em> in 1983 by Editor in Chief Anna Wintour and was appointed its creative director in 1988.\u003c/p>\n\u003cp>Talley released another memoir in 2020, \u003cem>The Chiffon Trenches\u003c/em>, that included gossipy behind-the-scenes tales about Wintour and other fashion figures like the late designer Karl Lagerfeld.\u003c/p>\n\u003cp>Of all the elements of a person’s apparel, Talley considered shoes to be most important.\u003c/p>\n\u003cp>“You can tell everything about a person by what he puts on his feet,” Talley told the AP.\u003c/p>\n\u003cp>“If it’s a man and you can see the reflection of his face on the top of his black shoes, it means they’ve been polished to perfection. … If it’s a woman and she’s wearing shoes that hurt … well, shoes that hurt are very fashionable!”\u003c/p>\n\u003cp>https://twitter.com/cassandrapintro/status/1483639434692239363\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Talley’s death was first reported by celebrity website TMZ.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Influential+fashion+journalist+Andr%C3%A9+Leon+Talley+dies+at+73&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Designer Diane von Furstenberg praised Talley on Instagram, writing: “no one saw the world in a more glamorous way than you did … no one was grander and more soulful than you were.”\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In his 2003 memoir, \u003cem>A.L.T.: A Memoir\u003c/em>, Talley focused on two of the most important women in his life: his maternal grandmother, Bennie Frances Davis and the late fashion editor Diana Vreeland.\u003c/p>\n\u003cp>“Bennie Frances Davis may have looked like a typical, African American domestic worker to many of the people who saw her on an ordinary day, but I, who could see her soul, could also see her secret: that even while she wore a hair net and work clothes to scrub toilets and floors, she wore an invisible diadem,” he wrote.\u003c/p>\n\u003cp>His relationship with \u003cem>Vogue\u003c/em> started at Duke University, where his grandmother cleaned dorms; Talley would walk to campus in his youth to read the magazine.\u003c/p>\n\u003cp>Talley was also a familiar figure to TV audiences, serving as a judge on \u003cem>America’s Top Model\u003c/em> and appearing on\u003ca href=\"https://www.youtube.com/watch?v=EMWuURfGjBQ\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem> Sex and the City\u003c/em>\u003c/a> and\u003cem> Empire\u003c/em>.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>After stints with \u003cem>Interview\u003c/em> magazine and \u003cem>Women’s Wear Daily\u003c/em>, Talley was hired at \u003cem>Vogue\u003c/em> in 1983 by Editor in Chief Anna Wintour and was appointed its creative director in 1988.\u003c/p>\n\u003cp>Talley released another memoir in 2020, \u003cem>The Chiffon Trenches\u003c/em>, that included gossipy behind-the-scenes tales about Wintour and other fashion figures like the late designer Karl Lagerfeld.\u003c/p>\n\u003cp>Of all the elements of a person’s apparel, Talley considered shoes to be most important.\u003c/p>\n\u003cp>“You can tell everything about a person by what he puts on his feet,” Talley told the AP.\u003c/p>\n\u003cp>“If it’s a man and you can see the reflection of his face on the top of his black shoes, it means they’ve been polished to perfection. … If it’s a woman and she’s wearing shoes that hurt … well, shoes that hurt are very fashionable!”\u003c/p>\u003c/p>\u003c/div>",
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"title": "Prince Andrew and His Sexual Assault Trial Explained: A Timeline",
"headTitle": "Prince Andrew and His Sexual Assault Trial Explained: A Timeline | KQED",
"content": "\u003cp>You’ve heard Prince Andrew’s name. You know he was pals with Ghislaine Maxwell and Jeffrey Epstein. And you know he’s been named in sexual assault allegations related to hanging out with those two toads. But until his legal troubles landed on these shores recently, it’s fairly likely that most Americans had never even heard of Prince Andrew. (He’s barely even in \u003cem>The Crown\u003c/em> for crying out loud!)\u003c/p>\n\u003cp>Allow me, then, to explain who Prince Andrew (a.k.a. the Duke of York) is, why he’s about to stand trial in an American court, and why this is all such a huge deal in England. (So huge, in fact, that Harry’s big bro William reportedly views Andrew as “a threat” to the royal family. Yikes.)\u003c/p>\n\u003ch2>The basics\u003c/h2>\n\u003cp>Who is Prince Andrew, anyway?\u003c/p>\n\u003cul>\n\u003cli>Andrew is the third child of Queen Elizabeth II, little brother to Prince Charles, and uncle to Princes Harry and William. He is ninth in line to the throne, landing after Charles, William, William’s three kids, Harry, and Harry and Meghan’s two children. In that order.\u003c/li>\n\u003cli>The peak of Andrew’s celebrity came in the late 1980s after he married Sarah “Fergie” Ferguson (who \u003cem>Friends\u003c/em> fans might remember from Season 4’s \u003ca href=\"https://www.youtube.com/watch?v=-s9aoeeGwJA\" target=\"_blank\" rel=\"noopener noreferrer\">London episode\u003c/a>). The couple were tabloid staples throughout the ’80s and early ’90s, and had two daughters—Princess Beatrice in 1988 and Princess Eugenie in 1990. (You might recognize the sisters from \u003ca href=\"https://www.harpersbazaar.com/celebrity/latest/a22629594/princess-eugenie-princess-beatrice-cried-royal-wedding-hats/\" target=\"_blank\" rel=\"noopener noreferrer\">the crazy crap they wore on their heads to William’s wedding\u003c/a>.)\u003c/li>\n\u003cli>Andrew first became friends with Ghislaine Maxwell in the mid-1980s when she was studying at Oxford University. The English upper classes have a tendency to stick together, and Maxwell was both wealthy and well-connected thanks to her father, Robert, \u003ca href=\"https://en.wikipedia.org/wiki/Robert_Maxwell\" target=\"_blank\" rel=\"noopener noreferrer\">a controversial media tycoon.\u003c/a> The Maxwells’ press links would have undoubtedly been alluring for Andrew. (Remember what Harry said in his Oprah interview about “\u003ca href=\"https://www.bustle.com/entertainment/prince-harry-says-the-royal-family-is-scared-of-the-uk-tabloids-turning-on-them\" target=\"_blank\" rel=\"noopener noreferrer\">the invisible contract between the [royals] and the U.K. tabloids\u003c/a>“? Robert Maxwell owned one of the biggest papers in the country.)\u003c/li>\n\u003cli>Ghislaine Maxwell was the person who first introduced Andrew to Jeffrey Epstein, though exactly when remains unclear. The prince says they were introduced in 1999; his own private secretary claims it happened in the early ’90s.\u003c/li>\n\u003c/ul>\n\u003ch2>The legal background\u003c/h2>\n\u003cp>Jeffrey Epstein and Ghislaine Maxwell’s spiraling legal concerns have been slowly creeping up on Andrew for over a decade. Here’s what happened and when:\u003c/p>\n\u003cp>\u003cstrong>2008:\u003c/strong> Epstein pleads guilty to soliciting and procuring a minor for prostitution. His 18-month sentence—later reduced to 13 months—amounts to little more than a slap on the wrist; he’s still allowed to leave jail and go to work for 12 hours a day, six days a week. The only upside of this farce? Epstein has to make payments to some of his victims, and officially becomes a registered sex offender.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>2009:\u003c/strong> Epstein reaches a private settlement with Virginia Giuffre over charges that he sexually abused her with Ghislaine Maxwell’s “assistance and participation” between 1999 and 2002. The civil case also references abuse by Epstein’s “adult male peers, including royalty, politicians, academicians [and] businessmen.” Giuffre receives $500,000 from Epstein and agrees to release “any other person or entity who could have been included as a potential defendant” from further legal actions.\u003c/p>\n\u003cp>[aside postID='arts_13901947,arts_13866072,arts_13893693']\u003cstrong>2011:\u003c/strong> During a conversation with Giuffre—who began speaking out about her history with Epstein and Maxwell in 2010—journalist Michael Thomas stumbles across the now-infamous photo of Andrew with his arm around Giuffre. Eight years later, Thomas will step up and defend its authenticity on British television.\u003c/p>\n\u003cp>\u003cstrong>Jan. 2015:\u003c/strong> Giuffre files a defamation lawsuit against Ghislaine Maxwell after Maxwell tells the press that Giuffre’s claims about Epstein’s sex trafficking operation are “obvious lies.” In documents relating to the case, Giuffre says she was forced to have sex with Andrew at the behest of Maxwell and Epstein in 2001, when the prince was 41 and she was 17.\u003c/p>\n\u003cp>\u003cstrong>Jan. 2015:\u003c/strong> Buckingham Palace releases a statement defending Andrew: “It is emphatically denied that H.R.H. The Duke of York had any form of sexual contact or relationship with Virginia Roberts. [Roberts is Giuffre’s maiden name.] The allegations made are false and without any foundation.” \u003ca href=\"https://www.theguardian.com/uk-news/2015/jan/04/prince-andrew-denies-underage-sex-claims-buckingham-palace\" target=\"_blank\" rel=\"noopener noreferrer\">Palace aides say Andrew will continue to work as usual\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>May. 2017:\u003c/strong> The defamation case between Giuffre and Maxwell is \u003ca href=\"https://www.courthousenews.com/billionaires-alleged-sex-slave-settles-libel-case/\" target=\"_blank\" rel=\"noopener noreferrer\">settled for an undisclosed amount of money\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jul. 2019: \u003c/strong>Epstein is arrested on federal sex trafficking and conspiracy charges. He pleads not guilty, is denied bail and, according to prison officials, subsequently makes an unsuccessful suicide attempt in his cell.\u003c/p>\n\u003cp>\u003cstrong>Aug. 9, 2019:\u003c/strong> Court documents from Maxwell and Giuffre’s 2015 defamation suit are unsealed, revealing more details about Giuffre’s allegations against Andrew. Giuffre’s testimony says she endured three separate assaults by Andrew. One at Epstein’s home in New York, one at Maxwell’s home in London, and one at Epstein’s private island, \u003ca href=\"https://en.wikipedia.org/wiki/Little_Saint_James,_U.S._Virgin_Islands\" target=\"_blank\" rel=\"noopener noreferrer\">Little Saint James\u003c/a>. She adds that: “Epstein instructed her ‘to give the prince whatever he demanded, and required [her] to report back to him on the details of the sexual abuse’.”\u003c/p>\n\u003cp>\u003cstrong>Aug. 10, 2019:\u003c/strong> Epstein’s dead body is found in his cell at New York’s Metropolitan Correction Center. Authorities claim it was a suicide. The internet does not believe them.\u003c/p>\n\u003cfigure id=\"attachment_13908152\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13908152\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/eps.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/eps.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/eps-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/eps-768x432.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Just one of the many ‘Epstein Didn’t Kill Himself’ memes that emerged after his death.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Nov. 16, 2019\u003c/strong>: Andrew makes \u003ca href=\"https://www.youtube.com/watch?v=QtBS8COhhhM\" target=\"_blank\" rel=\"noopener noreferrer\">a disastrous appearance on respected BBC TV show, \u003c/a>\u003cem>Newsnight. \u003c/em>During his interview with Emily Maitlis:\u003c/p>\n\u003cul>\n\u003cli style=\"list-style-type: none\">\n\u003cul>\n\u003cli>Andrew suggests the famous photo of him with his arm around Guiffre may be “doctored” because he is “not one to, as it were, hug. And public displays of affection are not something that I do.”\u003c/li>\n\u003cli>Andrew also states: “I don’t believe it’s a picture of me in London because … when I go out in London, I wear a suit and a tie.”\u003c/li>\n\u003cli>Andrew responds to an assertion by Giuffre that he sweat profusely during a trip to a London nightclub, with a claim that it’s “almost impossible for [him] to sweat” after “an overdose of adrenalin” that occurred during the Falklands War.\u003c/li>\n\u003cli>Andrew says on the night the photo is said to have been taken, he was taking his daughter Beatrice to a pizza chain restaurant just outside London.\u003c/li>\n\u003cli>Andrew admits to staying with Epstein, even after the financier’s 2008 conviction, because Epstein’s home was “a convenient place to stay.”\u003c/li>\n\u003c/ul>\n\u003c/li>\n\u003c/ul>\n\u003cp>Andrew is widely mocked both online and in Britain’s newspapers. One website, \u003ca href=\"https://royalcentral.co.uk/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Royal Central\u003c/em>\u003c/a>, described his performance as: “plane crashing into an oil tanker, causing a tsunami, triggering a nuclear explosion level bad.”\u003c/p>\n\u003cp>\u003cstrong>Nov. 20, 2019:\u003c/strong> Andrew announces he is stepping back from public duties “for the forseeable future.” Multiple companies and charities take steps to cut ties with him.\u003c/p>\n\u003cp>https://twitter.com/royalfamily/status/1197213153852977153?lang=en\u003c/p>\n\u003cp>\u003cstrong>Nov. 24, 2019:\u003c/strong> Queen Elizabeth cancels Andrew’s 60th birthday party. Because: consequences.\u003c/p>\n\u003cp>\u003cstrong>Dec. 2019:\u003c/strong> Buckingham Palace responds to press inquiries about Andrew’s situation by re-issuing the \u003ca href=\"https://www.cnn.com/2019/12/02/uk/prince-andrew-virginia-giuffre-panorama-intl-gbr/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">statement\u003c/a> put out in his defense in Jan. 2015.\u003c/p>\n\u003cp>\u003cstrong>Jul. 2020:\u003c/strong> Ghislaine Maxwell is arrested in a small New Hampshire town, after many months spent evading authorities.\u003c/p>\n\u003cp>\u003cstrong>Dec. 29, 2021: \u003c/strong>Maxwell is convicted of sex trafficking a minor, transporting a minor with the intent to engage in criminal sexual activity, and three conspiracy-related felonies. Giuffre is mentioned during the trial on several occasions. One witness—an abuse survivor—testifies that Giuffre had previously shared that she’d had sex with Prince Andrew.\u003c/p>\n\u003ch2>The Current Lawsuit\u003c/h2>\n\u003cfigure id=\"attachment_13908189\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13908189\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/andrew-newsnight-800x472.png\" alt=\"A close-up of Prince Andrew's face, tilted to one side and looking browbeaten.\" width=\"800\" height=\"472\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/andrew-newsnight-800x472.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/andrew-newsnight-1020x602.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/andrew-newsnight-160x94.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/andrew-newsnight-768x453.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/andrew-newsnight-1536x907.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/andrew-newsnight-2048x1209.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/andrew-newsnight-1920x1134.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Prince Andrew, digging his own grave on ‘Newsnight’, in Nov. 2019. \u003ccite>('Newsnight'/ BBC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Sept. 2021:\u003c/strong> Prince Andrew is served with a civil suit, after weeks of failed attempts by Giuffre’s team. The prince is instructed to respond to the case by Oct. 29.\u003c/p>\n\u003cp>\u003cstrong>Oct. 11, 2021:\u003c/strong> London police announce they have no plans to pursue a case against Prince Andrew after “reviewing” Giuffre’s evidence over the summer. The British public collectively rolls its eyes.\u003c/p>\n\u003cp>\u003cstrong>Sept. 2021 – Jan. 4, 2022:\u003c/strong> Andrew’s lawyers argue repeatedly that Giuffre’s 2009 settlement with Epstein means she no longer has grounds to go after Andrew in court.\u003c/p>\n\u003cp>\u003cstrong>Jan. 12, 2022:\u003c/strong> Judge Lewis Kaplan disagrees and rules that Giuffre’s lawsuit against Andrew can, in fact, go ahead, because Andrew was “not a party” to the 2009 settlement reached by Giuffre and Epstein. Andrew’s trial is set for some time at the end of 2022.\u003c/p>\n\u003cp>\u003cstrong>Jan. 13, 2022:\u003c/strong> The Queen strips Andrew of “military affiliations and royal patronages,” officially removes him from public duties, and announces to the world that—well—he’s basically on his own now. Which is a huge deal, especially since Andrew has long been considered her favorite son.\u003c/p>\n\u003cfigure id=\"attachment_13908126\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13908126\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/Screen-Shot-2022-01-13-at-10.41.31-AM-800x495.png\" alt=\"\" width=\"800\" height=\"495\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-13-at-10.41.31-AM-800x495.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-13-at-10.41.31-AM-1020x631.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-13-at-10.41.31-AM-160x99.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-13-at-10.41.31-AM-768x475.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-13-at-10.41.31-AM-1536x951.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-13-at-10.41.31-AM-2048x1268.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-13-at-10.41.31-AM-1920x1188.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The official royal message in which Queen Elizabeth II essentially cuts off Prince Andrew from the rest of the royal family. \u003ccite>(Twitter/ @theroyalfamily)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This also means that Andrew may no longer be addressed as “His Royal Highness” (“H.R.H.”)—a huge blow for any member of the royal family. (When Diana lost her H.R.H. title after her split from Charles, it was widely considered by the public to be a vindictive move by the royal family.)\u003c/p>\n\u003ch2>What’s next?\u003c/h2>\n\u003cp>A big ol’ mess, that’s what. Nothing like this has ever happened to a member of the royal family before and there is literally no way for Andrew to come out of things unscathed. His options are as follows:\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>Attempting to delay the trial and hoping for a miracle.\u003c/strong> \u003ca href=\"https://www.youtube.com/watch?v=xOrNKylaohc\" target=\"_blank\" rel=\"noopener noreferrer\">Some pundits\u003c/a> even think Andrew might try and use the fact that Giuffre is based in Australia to get the case thrown out on a technicality.\u003c/li>\n\u003cli>\u003cstrong>Reaching an out of court settlement with Giuffre.\u003c/strong> Only problem is, Giuffre would have to agree to it—and she does not seem terribly interested in letting this man off the hook right now.\u003c/li>\n\u003cli>\u003cstrong>Rolling with the trial and hoping for the best.\u003c/strong> That would involve Andrew giving evidence or a deposition under oath. Which given how \u003cem>Newsnight\u003c/em> went, doesn’t seem like a smart choice.\u003c/li>\n\u003cli>\u003cstrong>Simply not showing up.\u003c/strong> Which sounds totally bananas, but the royal family \u003cem>is \u003c/em>totally bananas. A no-show could lead to a default judgment, however—which, in his absence, would undoubtedly not fall in Andrew’s favor.\u003c/li>\n\u003c/ul>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>One thing’s for sure, we’ve got months to go until this is finally resolved. Watch this space.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>You’ve heard Prince Andrew’s name. You know he was pals with Ghislaine Maxwell and Jeffrey Epstein. And you know he’s been named in sexual assault allegations related to hanging out with those two toads. But until his legal troubles landed on these shores recently, it’s fairly likely that most Americans had never even heard of Prince Andrew. (He’s barely even in \u003cem>The Crown\u003c/em> for crying out loud!)\u003c/p>\n\u003cp>Allow me, then, to explain who Prince Andrew (a.k.a. the Duke of York) is, why he’s about to stand trial in an American court, and why this is all such a huge deal in England. (So huge, in fact, that Harry’s big bro William reportedly views Andrew as “a threat” to the royal family. Yikes.)\u003c/p>\n\u003ch2>The basics\u003c/h2>\n\u003cp>Who is Prince Andrew, anyway?\u003c/p>\n\u003cul>\n\u003cli>Andrew is the third child of Queen Elizabeth II, little brother to Prince Charles, and uncle to Princes Harry and William. He is ninth in line to the throne, landing after Charles, William, William’s three kids, Harry, and Harry and Meghan’s two children. In that order.\u003c/li>\n\u003cli>The peak of Andrew’s celebrity came in the late 1980s after he married Sarah “Fergie” Ferguson (who \u003cem>Friends\u003c/em> fans might remember from Season 4’s \u003ca href=\"https://www.youtube.com/watch?v=-s9aoeeGwJA\" target=\"_blank\" rel=\"noopener noreferrer\">London episode\u003c/a>). The couple were tabloid staples throughout the ’80s and early ’90s, and had two daughters—Princess Beatrice in 1988 and Princess Eugenie in 1990. (You might recognize the sisters from \u003ca href=\"https://www.harpersbazaar.com/celebrity/latest/a22629594/princess-eugenie-princess-beatrice-cried-royal-wedding-hats/\" target=\"_blank\" rel=\"noopener noreferrer\">the crazy crap they wore on their heads to William’s wedding\u003c/a>.)\u003c/li>\n\u003cli>Andrew first became friends with Ghislaine Maxwell in the mid-1980s when she was studying at Oxford University. The English upper classes have a tendency to stick together, and Maxwell was both wealthy and well-connected thanks to her father, Robert, \u003ca href=\"https://en.wikipedia.org/wiki/Robert_Maxwell\" target=\"_blank\" rel=\"noopener noreferrer\">a controversial media tycoon.\u003c/a> The Maxwells’ press links would have undoubtedly been alluring for Andrew. (Remember what Harry said in his Oprah interview about “\u003ca href=\"https://www.bustle.com/entertainment/prince-harry-says-the-royal-family-is-scared-of-the-uk-tabloids-turning-on-them\" target=\"_blank\" rel=\"noopener noreferrer\">the invisible contract between the [royals] and the U.K. tabloids\u003c/a>“? Robert Maxwell owned one of the biggest papers in the country.)\u003c/li>\n\u003cli>Ghislaine Maxwell was the person who first introduced Andrew to Jeffrey Epstein, though exactly when remains unclear. The prince says they were introduced in 1999; his own private secretary claims it happened in the early ’90s.\u003c/li>\n\u003c/ul>\n\u003ch2>The legal background\u003c/h2>\n\u003cp>Jeffrey Epstein and Ghislaine Maxwell’s spiraling legal concerns have been slowly creeping up on Andrew for over a decade. Here’s what happened and when:\u003c/p>\n\u003cp>\u003cstrong>2008:\u003c/strong> Epstein pleads guilty to soliciting and procuring a minor for prostitution. His 18-month sentence—later reduced to 13 months—amounts to little more than a slap on the wrist; he’s still allowed to leave jail and go to work for 12 hours a day, six days a week. The only upside of this farce? Epstein has to make payments to some of his victims, and officially becomes a registered sex offender.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>2009:\u003c/strong> Epstein reaches a private settlement with Virginia Giuffre over charges that he sexually abused her with Ghislaine Maxwell’s “assistance and participation” between 1999 and 2002. The civil case also references abuse by Epstein’s “adult male peers, including royalty, politicians, academicians [and] businessmen.” Giuffre receives $500,000 from Epstein and agrees to release “any other person or entity who could have been included as a potential defendant” from further legal actions.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cstrong>2011:\u003c/strong> During a conversation with Giuffre—who began speaking out about her history with Epstein and Maxwell in 2010—journalist Michael Thomas stumbles across the now-infamous photo of Andrew with his arm around Giuffre. Eight years later, Thomas will step up and defend its authenticity on British television.\u003c/p>\n\u003cp>\u003cstrong>Jan. 2015:\u003c/strong> Giuffre files a defamation lawsuit against Ghislaine Maxwell after Maxwell tells the press that Giuffre’s claims about Epstein’s sex trafficking operation are “obvious lies.” In documents relating to the case, Giuffre says she was forced to have sex with Andrew at the behest of Maxwell and Epstein in 2001, when the prince was 41 and she was 17.\u003c/p>\n\u003cp>\u003cstrong>Jan. 2015:\u003c/strong> Buckingham Palace releases a statement defending Andrew: “It is emphatically denied that H.R.H. The Duke of York had any form of sexual contact or relationship with Virginia Roberts. [Roberts is Giuffre’s maiden name.] The allegations made are false and without any foundation.” \u003ca href=\"https://www.theguardian.com/uk-news/2015/jan/04/prince-andrew-denies-underage-sex-claims-buckingham-palace\" target=\"_blank\" rel=\"noopener noreferrer\">Palace aides say Andrew will continue to work as usual\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>May. 2017:\u003c/strong> The defamation case between Giuffre and Maxwell is \u003ca href=\"https://www.courthousenews.com/billionaires-alleged-sex-slave-settles-libel-case/\" target=\"_blank\" rel=\"noopener noreferrer\">settled for an undisclosed amount of money\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>Jul. 2019: \u003c/strong>Epstein is arrested on federal sex trafficking and conspiracy charges. He pleads not guilty, is denied bail and, according to prison officials, subsequently makes an unsuccessful suicide attempt in his cell.\u003c/p>\n\u003cp>\u003cstrong>Aug. 9, 2019:\u003c/strong> Court documents from Maxwell and Giuffre’s 2015 defamation suit are unsealed, revealing more details about Giuffre’s allegations against Andrew. Giuffre’s testimony says she endured three separate assaults by Andrew. One at Epstein’s home in New York, one at Maxwell’s home in London, and one at Epstein’s private island, \u003ca href=\"https://en.wikipedia.org/wiki/Little_Saint_James,_U.S._Virgin_Islands\" target=\"_blank\" rel=\"noopener noreferrer\">Little Saint James\u003c/a>. She adds that: “Epstein instructed her ‘to give the prince whatever he demanded, and required [her] to report back to him on the details of the sexual abuse’.”\u003c/p>\n\u003cp>\u003cstrong>Aug. 10, 2019:\u003c/strong> Epstein’s dead body is found in his cell at New York’s Metropolitan Correction Center. Authorities claim it was a suicide. The internet does not believe them.\u003c/p>\n\u003cfigure id=\"attachment_13908152\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13908152\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/eps.jpg\" alt=\"\" width=\"800\" height=\"450\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/eps.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/eps-160x90.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/eps-768x432.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Just one of the many ‘Epstein Didn’t Kill Himself’ memes that emerged after his death.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Nov. 16, 2019\u003c/strong>: Andrew makes \u003ca href=\"https://www.youtube.com/watch?v=QtBS8COhhhM\" target=\"_blank\" rel=\"noopener noreferrer\">a disastrous appearance on respected BBC TV show, \u003c/a>\u003cem>Newsnight. \u003c/em>During his interview with Emily Maitlis:\u003c/p>\n\u003cul>\n\u003cli style=\"list-style-type: none\">\n\u003cul>\n\u003cli>Andrew suggests the famous photo of him with his arm around Guiffre may be “doctored” because he is “not one to, as it were, hug. And public displays of affection are not something that I do.”\u003c/li>\n\u003cli>Andrew also states: “I don’t believe it’s a picture of me in London because … when I go out in London, I wear a suit and a tie.”\u003c/li>\n\u003cli>Andrew responds to an assertion by Giuffre that he sweat profusely during a trip to a London nightclub, with a claim that it’s “almost impossible for [him] to sweat” after “an overdose of adrenalin” that occurred during the Falklands War.\u003c/li>\n\u003cli>Andrew says on the night the photo is said to have been taken, he was taking his daughter Beatrice to a pizza chain restaurant just outside London.\u003c/li>\n\u003cli>Andrew admits to staying with Epstein, even after the financier’s 2008 conviction, because Epstein’s home was “a convenient place to stay.”\u003c/li>\n\u003c/ul>\n\u003c/li>\n\u003c/ul>\n\u003cp>Andrew is widely mocked both online and in Britain’s newspapers. One website, \u003ca href=\"https://royalcentral.co.uk/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>Royal Central\u003c/em>\u003c/a>, described his performance as: “plane crashing into an oil tanker, causing a tsunami, triggering a nuclear explosion level bad.”\u003c/p>\n\u003cp>\u003cstrong>Nov. 20, 2019:\u003c/strong> Andrew announces he is stepping back from public duties “for the forseeable future.” Multiple companies and charities take steps to cut ties with him.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003cstrong>Nov. 24, 2019:\u003c/strong> Queen Elizabeth cancels Andrew’s 60th birthday party. Because: consequences.\u003c/p>\n\u003cp>\u003cstrong>Dec. 2019:\u003c/strong> Buckingham Palace responds to press inquiries about Andrew’s situation by re-issuing the \u003ca href=\"https://www.cnn.com/2019/12/02/uk/prince-andrew-virginia-giuffre-panorama-intl-gbr/index.html\" target=\"_blank\" rel=\"noopener noreferrer\">statement\u003c/a> put out in his defense in Jan. 2015.\u003c/p>\n\u003cp>\u003cstrong>Jul. 2020:\u003c/strong> Ghislaine Maxwell is arrested in a small New Hampshire town, after many months spent evading authorities.\u003c/p>\n\u003cp>\u003cstrong>Dec. 29, 2021: \u003c/strong>Maxwell is convicted of sex trafficking a minor, transporting a minor with the intent to engage in criminal sexual activity, and three conspiracy-related felonies. Giuffre is mentioned during the trial on several occasions. One witness—an abuse survivor—testifies that Giuffre had previously shared that she’d had sex with Prince Andrew.\u003c/p>\n\u003ch2>The Current Lawsuit\u003c/h2>\n\u003cfigure id=\"attachment_13908189\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13908189\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/andrew-newsnight-800x472.png\" alt=\"A close-up of Prince Andrew's face, tilted to one side and looking browbeaten.\" width=\"800\" height=\"472\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/andrew-newsnight-800x472.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/andrew-newsnight-1020x602.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/andrew-newsnight-160x94.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/andrew-newsnight-768x453.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/andrew-newsnight-1536x907.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/andrew-newsnight-2048x1209.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/andrew-newsnight-1920x1134.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Prince Andrew, digging his own grave on ‘Newsnight’, in Nov. 2019. \u003ccite>('Newsnight'/ BBC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Sept. 2021:\u003c/strong> Prince Andrew is served with a civil suit, after weeks of failed attempts by Giuffre’s team. The prince is instructed to respond to the case by Oct. 29.\u003c/p>\n\u003cp>\u003cstrong>Oct. 11, 2021:\u003c/strong> London police announce they have no plans to pursue a case against Prince Andrew after “reviewing” Giuffre’s evidence over the summer. The British public collectively rolls its eyes.\u003c/p>\n\u003cp>\u003cstrong>Sept. 2021 – Jan. 4, 2022:\u003c/strong> Andrew’s lawyers argue repeatedly that Giuffre’s 2009 settlement with Epstein means she no longer has grounds to go after Andrew in court.\u003c/p>\n\u003cp>\u003cstrong>Jan. 12, 2022:\u003c/strong> Judge Lewis Kaplan disagrees and rules that Giuffre’s lawsuit against Andrew can, in fact, go ahead, because Andrew was “not a party” to the 2009 settlement reached by Giuffre and Epstein. Andrew’s trial is set for some time at the end of 2022.\u003c/p>\n\u003cp>\u003cstrong>Jan. 13, 2022:\u003c/strong> The Queen strips Andrew of “military affiliations and royal patronages,” officially removes him from public duties, and announces to the world that—well—he’s basically on his own now. Which is a huge deal, especially since Andrew has long been considered her favorite son.\u003c/p>\n\u003cfigure id=\"attachment_13908126\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13908126\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/Screen-Shot-2022-01-13-at-10.41.31-AM-800x495.png\" alt=\"\" width=\"800\" height=\"495\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-13-at-10.41.31-AM-800x495.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-13-at-10.41.31-AM-1020x631.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-13-at-10.41.31-AM-160x99.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-13-at-10.41.31-AM-768x475.png 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-13-at-10.41.31-AM-1536x951.png 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-13-at-10.41.31-AM-2048x1268.png 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/Screen-Shot-2022-01-13-at-10.41.31-AM-1920x1188.png 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">The official royal message in which Queen Elizabeth II essentially cuts off Prince Andrew from the rest of the royal family. \u003ccite>(Twitter/ @theroyalfamily)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>This also means that Andrew may no longer be addressed as “His Royal Highness” (“H.R.H.”)—a huge blow for any member of the royal family. (When Diana lost her H.R.H. title after her split from Charles, it was widely considered by the public to be a vindictive move by the royal family.)\u003c/p>\n\u003ch2>What’s next?\u003c/h2>\n\u003cp>A big ol’ mess, that’s what. Nothing like this has ever happened to a member of the royal family before and there is literally no way for Andrew to come out of things unscathed. His options are as follows:\u003c/p>\n\u003cul>\n\u003cli>\u003cstrong>Attempting to delay the trial and hoping for a miracle.\u003c/strong> \u003ca href=\"https://www.youtube.com/watch?v=xOrNKylaohc\" target=\"_blank\" rel=\"noopener noreferrer\">Some pundits\u003c/a> even think Andrew might try and use the fact that Giuffre is based in Australia to get the case thrown out on a technicality.\u003c/li>\n\u003cli>\u003cstrong>Reaching an out of court settlement with Giuffre.\u003c/strong> Only problem is, Giuffre would have to agree to it—and she does not seem terribly interested in letting this man off the hook right now.\u003c/li>\n\u003cli>\u003cstrong>Rolling with the trial and hoping for the best.\u003c/strong> That would involve Andrew giving evidence or a deposition under oath. Which given how \u003cem>Newsnight\u003c/em> went, doesn’t seem like a smart choice.\u003c/li>\n\u003cli>\u003cstrong>Simply not showing up.\u003c/strong> Which sounds totally bananas, but the royal family \u003cem>is \u003c/em>totally bananas. A no-show could lead to a default judgment, however—which, in his absence, would undoubtedly not fall in Andrew’s favor.\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>One thing’s for sure, we’ve got months to go until this is finally resolved. Watch this space.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Maya Angelou is the First Black Woman to be Featured on a U.S. Quarter",
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"content": "\u003cp>A new quarter featuring legendary poet and civil rights activist \u003ca href=\"https://www.npr.org/sections/thetwo-way/2014/06/09/320290733/book-news-maya-angelou-remembered-as-having-the-voice-of-god\" target=\"_blank\" rel=\"noopener noreferrer\">Maya Angelou\u003c/a> and other trailblazing American women officially started shipping to banks on Monday, the U.S. Mint \u003ca href=\"https://www.usmint.gov/news/press-releases/united-states-mint-begins-shipping-first-american-women-quarters-program-coins\" target=\"_blank\" rel=\"noopener noreferrer\">announced. \u003c/a>Angelou is the first Black woman to appear on the quarter.\u003c/p>\n\u003cp>The Maya Angelou design is the first quarter in the “American Women Quarters Program,” a four-year program that will include coins featuring prominent women in U.S. history.\u003c/p>\n\u003cp>The other honorees include astronaut Sally Ride; actress Anna May Wong; suffragist and politician Nina Otero-Warren; and Wilma Mankiller, the first female principal chief of the Cherokee Nation. The coins featuring the other honorees will be shipped out this year through 2025, according to the Mint.\u003c/p>\n\u003cp>Angelou, who died in 2014 at the age of 86, held many distinctions. She received a Presidential Medal of Freedom from former President Barack Obama and won the Literarian Award (an honorary National Book Award). In 1992, she became the first Black woman (and second-ever poet) to write and present a poem at a presidential inauguration, in 1992. She also held more than 30 honorary degrees and published more than 30 bestselling works.\u003c/p>\n\u003cp>[aside postID=news_10431582,arts_13875319]Angelou’s connections to the Bay Area are vast, having moved to the city at the age of 12. When she was 16, Angelou became San Francisco’s first Black female streetcar conductor. In her mid-20s, she performed calypso and blues at the Purple Onion in North Beach. Later, in 1968, she wrote and produced \u003ca href=\"https://www.kqed.org/news/10431582/from-the-archive-maya-angelou-hosts-1968-series-blacks-blues-black\" target=\"_blank\" rel=\"noopener noreferrer\">a 10-part series for KQED titled “Blacks, Blues, Black!”\u003c/a> In 1973, she moved briefly to Sonoma County.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Each 2022 quarter is designed to reflect the breadth and depth of accomplishments being celebrated throughout this historic coin program. Maya Angelou, featured on the reverse of this first coin in the series, used words to inspire and uplift,” Mint Deputy Director Ventris C. Gibson said in a \u003ca href=\"https://www.usmint.gov/news/press-releases/united-states-mint-begins-shipping-first-american-women-quarters-program-coins\" target=\"_blank\" rel=\"noopener noreferrer\">statement\u003c/a>.\u003c/p>\n\u003cp>The Angelou quarter shows the writer and poet on the “tails” side of the coin, with her arms uplifted. Behind her are a bird and the rising sun. The Mint says those images are “inspired by her poetry and symbolic of the way she lived.”\u003c/p>\n\u003cp>The “heads” side features a portrait of George Washington by a female sculptor that was first recommended to the Mint back in 1932. At the time, it selected a design by John Flanagan to portray Washington.\u003c/p>\n\u003cp>Treasury Secretary Janet Yellen celebrated the new coins, praising how far America has “progressed as a society.”\u003c/p>\n\u003cp>“I’m very proud that these coins celebrate the contributions of some of America’s most remarkable women, including Maya Angelou,” Yellen said in a separate \u003ca href=\"https://home.treasury.gov/news/press-releases/jy0554\" target=\"_blank\" rel=\"noopener noreferrer\">statement\u003c/a>.\u003c/p>\n\u003cp>Several lawmakers, such as California Democrat Rep. Barbara Lee and\u003ca href=\"https://twitter.com/SenCortezMasto/status/1480621493499355144?s=20\" target=\"_blank\" rel=\"noopener noreferrer\"> Senator Catherine Cortez Masto of Nevada\u003c/a>, applauded the release of the new coin on Monday.\u003c/p>\n\u003cp>“The phenomenal women who shaped American history have gone unrecognized for too long—especially women of color,” Lee said in a \u003ca href=\"https://twitter.com/RepBarbaraLee/status/1480601346562797579?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">tweet\u003c/a>. “Proud to have led this bill to honor their legacies.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Lee was influential in introducing the \u003ca href=\"https://www.congress.gov/bill/116th-congress/house-bill/1923\" target=\"_blank\" rel=\"noopener noreferrer\">Circulating Collectible Coin Redesign Act of 2020\u003c/a>; the act passed in Jan. 2021 and essentially paved the way for the design of the new commemoration coins.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>This story includes reporting from KQED’s Gabe Meline. Copyright 2022 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+poet+Maya+Angelou+is+the+first+Black+woman+to+be+featured+on+a+U.S.+quarter&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A new quarter featuring legendary poet and civil rights activist \u003ca href=\"https://www.npr.org/sections/thetwo-way/2014/06/09/320290733/book-news-maya-angelou-remembered-as-having-the-voice-of-god\" target=\"_blank\" rel=\"noopener noreferrer\">Maya Angelou\u003c/a> and other trailblazing American women officially started shipping to banks on Monday, the U.S. Mint \u003ca href=\"https://www.usmint.gov/news/press-releases/united-states-mint-begins-shipping-first-american-women-quarters-program-coins\" target=\"_blank\" rel=\"noopener noreferrer\">announced. \u003c/a>Angelou is the first Black woman to appear on the quarter.\u003c/p>\n\u003cp>The Maya Angelou design is the first quarter in the “American Women Quarters Program,” a four-year program that will include coins featuring prominent women in U.S. history.\u003c/p>\n\u003cp>The other honorees include astronaut Sally Ride; actress Anna May Wong; suffragist and politician Nina Otero-Warren; and Wilma Mankiller, the first female principal chief of the Cherokee Nation. The coins featuring the other honorees will be shipped out this year through 2025, according to the Mint.\u003c/p>\n\u003cp>Angelou, who died in 2014 at the age of 86, held many distinctions. She received a Presidential Medal of Freedom from former President Barack Obama and won the Literarian Award (an honorary National Book Award). In 1992, she became the first Black woman (and second-ever poet) to write and present a poem at a presidential inauguration, in 1992. She also held more than 30 honorary degrees and published more than 30 bestselling works.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Angelou’s connections to the Bay Area are vast, having moved to the city at the age of 12. When she was 16, Angelou became San Francisco’s first Black female streetcar conductor. In her mid-20s, she performed calypso and blues at the Purple Onion in North Beach. Later, in 1968, she wrote and produced \u003ca href=\"https://www.kqed.org/news/10431582/from-the-archive-maya-angelou-hosts-1968-series-blacks-blues-black\" target=\"_blank\" rel=\"noopener noreferrer\">a 10-part series for KQED titled “Blacks, Blues, Black!”\u003c/a> In 1973, she moved briefly to Sonoma County.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Each 2022 quarter is designed to reflect the breadth and depth of accomplishments being celebrated throughout this historic coin program. Maya Angelou, featured on the reverse of this first coin in the series, used words to inspire and uplift,” Mint Deputy Director Ventris C. Gibson said in a \u003ca href=\"https://www.usmint.gov/news/press-releases/united-states-mint-begins-shipping-first-american-women-quarters-program-coins\" target=\"_blank\" rel=\"noopener noreferrer\">statement\u003c/a>.\u003c/p>\n\u003cp>The Angelou quarter shows the writer and poet on the “tails” side of the coin, with her arms uplifted. Behind her are a bird and the rising sun. The Mint says those images are “inspired by her poetry and symbolic of the way she lived.”\u003c/p>\n\u003cp>The “heads” side features a portrait of George Washington by a female sculptor that was first recommended to the Mint back in 1932. At the time, it selected a design by John Flanagan to portray Washington.\u003c/p>\n\u003cp>Treasury Secretary Janet Yellen celebrated the new coins, praising how far America has “progressed as a society.”\u003c/p>\n\u003cp>“I’m very proud that these coins celebrate the contributions of some of America’s most remarkable women, including Maya Angelou,” Yellen said in a separate \u003ca href=\"https://home.treasury.gov/news/press-releases/jy0554\" target=\"_blank\" rel=\"noopener noreferrer\">statement\u003c/a>.\u003c/p>\n\u003cp>Several lawmakers, such as California Democrat Rep. Barbara Lee and\u003ca href=\"https://twitter.com/SenCortezMasto/status/1480621493499355144?s=20\" target=\"_blank\" rel=\"noopener noreferrer\"> Senator Catherine Cortez Masto of Nevada\u003c/a>, applauded the release of the new coin on Monday.\u003c/p>\n\u003cp>“The phenomenal women who shaped American history have gone unrecognized for too long—especially women of color,” Lee said in a \u003ca href=\"https://twitter.com/RepBarbaraLee/status/1480601346562797579?s=20\" target=\"_blank\" rel=\"noopener noreferrer\">tweet\u003c/a>. “Proud to have led this bill to honor their legacies.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Lee was influential in introducing the \u003ca href=\"https://www.congress.gov/bill/116th-congress/house-bill/1923\" target=\"_blank\" rel=\"noopener noreferrer\">Circulating Collectible Coin Redesign Act of 2020\u003c/a>; the act passed in Jan. 2021 and essentially paved the way for the design of the new commemoration coins.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>This story includes reporting from KQED’s Gabe Meline. Copyright 2022 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=The+poet+Maya+Angelou+is+the+first+Black+woman+to+be+featured+on+a+U.S.+quarter&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Robert Durst, Real Estate Heir, Dies in Prison at 78",
"headTitle": "Robert Durst, Real Estate Heir, Dies in Prison at 78 | KQED",
"content": "\u003cp>LOS ANGELES — Robert Durst, the wealthy New York real estate heir and failed fugitive who was dogged for decades with suspicion in the disappearance and deaths of those around him before he was convicted of killing his best friend and sentenced to life in prison, has died. He was 78.\u003c/p>\n\u003cp>Durst died in a state prison hospital facility in Stockton, his attorney Chip Lewis said. He said it was from natural causes due to a number of health issues.\u003c/p>\n\u003cp>[aside postid='arts_12300484']Durst was convicted in September of shooting Susan Berman at point-blank range in 2000 at her Los Angeles home. He was sentenced to life Oct. 14. Two days later, \u003ca href=\"https://www.npr.org/2021/10/16/1046786931/robert-durst-covid-19\" target=\"_blank\" rel=\"noopener noreferrer\">he was hospitalized with COVID-19\u003c/a>, his trial attorney Dick DeGuerin said.\u003c/p>\n\u003cp>Durst had long been suspected of killing his wife, Kathie, who went missing in 1982 and has been declared legally dead. He was finally \u003ca href=\"https://www.npr.org/2021/11/01/1051278966/robert-durst-indicted-1982-murder-wife-kathie\" target=\"_blank\" rel=\"noopener noreferrer\">indicted in November for second-degree murder in her death\u003c/a>.\u003c/p>\n\u003ch3>The twists of the cases against him\u003c/h3>\n\u003cp>Prosecutors in Los Angeles presented evidence Durst silenced Berman because she helped him cover up Kathie’s killing and was about to talk to investigators. They also argued he killed a Texas man who discovered his identity when he was living secretly in Galveston after Berman’s killing. Durst was acquitted of murder in that case in 2003, after testifying he shot him in self-defense.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Durst discussed the cases and made several damning statements including a stunning confession during an unguarded moment in \u003ca href=\"https://www.npr.org/2021/09/17/1038465926/robert-durst-convicted-of-murder-in-best-friends-killing\" target=\"_blank\" rel=\"noopener noreferrer\">the six-part HBO documentary series \u003cem>The Jinx: The Life and Deaths of Robert Durst.\u003c/em>\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=8ZabDYB7ijM\u003c/p>\n\u003cp>The show made his name known to a new generation and brought renewed scrutiny and suspicion from authorities. He was arrested in Berman’s killing the night before the final episode, which closed with him mumbling to himself in a bathroom while still wearing a hot mic saying: “You’re caught! What the hell did I do? Killed them all, of course.”\u003c/p>\n\u003cp>The quotes were later revealed to have been manipulated for dramatic effect but the production—done with Durst’s cooperation against the advice from his lawyer and friends—dredged up new evidence including an envelope that connected Durst to the scene of Berman’s killing as well as incriminating statements he made.\u003c/p>\n\u003cp>Police had received a note directing them to Berman’s home with only the word “CADAVER” written in block letters.\u003c/p>\n\u003cp>In interviews given between 2010 and 2015, Durst told the makers of the \u003cem>The Jinx\u003c/em> that he didn’t write the note, but whoever did had killed her.\u003c/p>\n\u003cp>“You’re writing a note to the police that only the killer could have written,” Durst said.\u003c/p>\n\u003cp>His defense lawyers conceded in the run-up to trial that Durst had written the note, and prosecutors said it amounted to a confession.\u003c/p>\n\u003ch3>How the trial unfolded\u003c/h3>\n\u003cp>Clips from \u003cem>The Jinx\u003c/em>, and from the 2010 movie \u003cem>All Good Things\u003c/em> in which Ryan Gosling played a fictionalized version of Durst, had starring roles at trial.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=6rTd81E226U\u003c/p>\n\u003cp>As did Durst himself. His attorneys again took the risk of putting him on the stand for what turned out to be about three weeks of testimony. It didn’t work as it had in Texas.\u003c/p>\n\u003cp>Under devastating cross-examination by prosecutor John Lewin, Durst admitted he lied under oath in the past and would do it again to get out of trouble.\u003c/p>\n\u003cp>“‘Did you kill Susan Berman?’ is strictly a hypothetical,” Durst said from the stand. “I did not kill Susan Berman. But if I had, I would lie about it.”\u003c/p>\n\u003cp>The jury promptly returned a guilty verdict.\u003c/p>\n\u003cp>It long appeared he would avoid any such convictions.\u003c/p>\n\u003cp>Durst went on the run in late 2000 after New York authorities reopened an investigation into his wife’s disappearance, renting a modest apartment in Galveston and disguising himself as a mute woman.\u003c/p>\n\u003cp>In 2001, the body parts of a neighbor, Morris Black, began washing up in Galveston Bay.\u003c/p>\n\u003cp>[aside postid='pop_97139']Arrested in the killing, Durst jumped bail. He was arrested for shoplifting a sandwich six weeks later in Bethlehem, Pennsylvania, where he had gone to college. Police found $37,000 cash and two handguns in his car.\u003c/p>\n\u003cp>He would testify that Black had pulled a gun on him and died when the weapon went off during a struggle. He told jurors in detail how he bought tools and dismembered and disposed of Black’s body. He was acquitted of murder. He pleaded guilty to violating his bail, and to evidence tampering for the dismemberment. He served three years in prison.\u003c/p>\n\u003ch3>Durst’s health issues\u003c/h3>\n\u003cp>Durst had bladder cancer and his health deteriorated during the Berman trial. He was escorted into court in a wheelchair wearing prison attire each day because his attorneys said he was unable to change into a suit. But the judge declined further delays after a 14-month pause during the coronavirus pandemic.\u003c/p>\n\u003cp>DeGuerin said Durst was “very, very sick” at his sentencing hearing and it was the worst he looked in the 20 years he spent representing him.\u003c/p>\n\u003cp>Durst entered the courtroom with wide-eyed vacant stare. Near the end of the hearing after Berman’s loved ones told the judge how her death upended their lives, Durst coughed hard and then appeared to struggle to breathe. His chest heaved and he pulled his mask down below his mouth and began to gulp for air.\u003c/p>\n\u003ch3>The heir’s upbringing\u003c/h3>\n\u003cp>The son of real estate magnate Seymour Durst, Robert Durst was born April 12, 1943, and grew up in Scarsdale, New York. He would later say that at age 7, he witnessed his mother’s death in a fall from their home.\u003c/p>\n\u003cp>[aside postid='pop_109009']He graduated with an economics degree in 1965 from Lehigh University, where he played lacrosse. He entered a doctoral program at the University of California, Los Angeles, where he met Berman, but dropped out and returned to New York in 1969.\u003c/p>\n\u003cp>He became a developer in the family business, but his father passed him over to make his younger brother, and rival, Douglas the head of the Durst Organization in 1992.\u003c/p>\n\u003cp>In 1971, Robert Durst met Kathie McCormack, and the two married on his 30th birthday in 1973.\u003c/p>\n\u003cp>In January 1982, his wife was a student in her final year at medical school when she disappeared. She had shown up unexpectedly at a friend’s dinner party in Newtown, Connecticut, then left after a call from her husband to return to their home in South Salem, New York.\u003c/p>\n\u003cp>Robert Durst told police he last saw her when he put her on a train to stay at their apartment in Manhattan because she had classes the next day.\u003c/p>\n\u003cp>He would divorce her eight years later, claiming spousal abandonment, and in 2017, at her family’s request, she was declared legally dead.\u003c/p>\n\u003cp>Robert Durst is survived by his second wife Debrah Charatan, whom he married in 2000. He had no children.\u003c/p>\n\u003cp>Under California law, a conviction is vacated if a defendant dies while the case is under appeal, said Laurie Levenson, a law professor at Loyola Law School.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Lewis said an appeal was filed for Durst.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Robert+Durst%2C+real+estate+heir%2C+dies+in+prison+at+78&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>LOS ANGELES — Robert Durst, the wealthy New York real estate heir and failed fugitive who was dogged for decades with suspicion in the disappearance and deaths of those around him before he was convicted of killing his best friend and sentenced to life in prison, has died. He was 78.\u003c/p>\n\u003cp>Durst died in a state prison hospital facility in Stockton, his attorney Chip Lewis said. He said it was from natural causes due to a number of health issues.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Durst was convicted in September of shooting Susan Berman at point-blank range in 2000 at her Los Angeles home. He was sentenced to life Oct. 14. Two days later, \u003ca href=\"https://www.npr.org/2021/10/16/1046786931/robert-durst-covid-19\" target=\"_blank\" rel=\"noopener noreferrer\">he was hospitalized with COVID-19\u003c/a>, his trial attorney Dick DeGuerin said.\u003c/p>\n\u003cp>Durst had long been suspected of killing his wife, Kathie, who went missing in 1982 and has been declared legally dead. He was finally \u003ca href=\"https://www.npr.org/2021/11/01/1051278966/robert-durst-indicted-1982-murder-wife-kathie\" target=\"_blank\" rel=\"noopener noreferrer\">indicted in November for second-degree murder in her death\u003c/a>.\u003c/p>\n\u003ch3>The twists of the cases against him\u003c/h3>\n\u003cp>Prosecutors in Los Angeles presented evidence Durst silenced Berman because she helped him cover up Kathie’s killing and was about to talk to investigators. They also argued he killed a Texas man who discovered his identity when he was living secretly in Galveston after Berman’s killing. Durst was acquitted of murder in that case in 2003, after testifying he shot him in self-defense.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Durst discussed the cases and made several damning statements including a stunning confession during an unguarded moment in \u003ca href=\"https://www.npr.org/2021/09/17/1038465926/robert-durst-convicted-of-murder-in-best-friends-killing\" target=\"_blank\" rel=\"noopener noreferrer\">the six-part HBO documentary series \u003cem>The Jinx: The Life and Deaths of Robert Durst.\u003c/em>\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/8ZabDYB7ijM'\n title='//www.youtube.com/embed/8ZabDYB7ijM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>The show made his name known to a new generation and brought renewed scrutiny and suspicion from authorities. He was arrested in Berman’s killing the night before the final episode, which closed with him mumbling to himself in a bathroom while still wearing a hot mic saying: “You’re caught! What the hell did I do? Killed them all, of course.”\u003c/p>\n\u003cp>The quotes were later revealed to have been manipulated for dramatic effect but the production—done with Durst’s cooperation against the advice from his lawyer and friends—dredged up new evidence including an envelope that connected Durst to the scene of Berman’s killing as well as incriminating statements he made.\u003c/p>\n\u003cp>Police had received a note directing them to Berman’s home with only the word “CADAVER” written in block letters.\u003c/p>\n\u003cp>In interviews given between 2010 and 2015, Durst told the makers of the \u003cem>The Jinx\u003c/em> that he didn’t write the note, but whoever did had killed her.\u003c/p>\n\u003cp>“You’re writing a note to the police that only the killer could have written,” Durst said.\u003c/p>\n\u003cp>His defense lawyers conceded in the run-up to trial that Durst had written the note, and prosecutors said it amounted to a confession.\u003c/p>\n\u003ch3>How the trial unfolded\u003c/h3>\n\u003cp>Clips from \u003cem>The Jinx\u003c/em>, and from the 2010 movie \u003cem>All Good Things\u003c/em> in which Ryan Gosling played a fictionalized version of Durst, had starring roles at trial.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/6rTd81E226U'\n title='//www.youtube.com/embed/6rTd81E226U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>As did Durst himself. His attorneys again took the risk of putting him on the stand for what turned out to be about three weeks of testimony. It didn’t work as it had in Texas.\u003c/p>\n\u003cp>Under devastating cross-examination by prosecutor John Lewin, Durst admitted he lied under oath in the past and would do it again to get out of trouble.\u003c/p>\n\u003cp>“‘Did you kill Susan Berman?’ is strictly a hypothetical,” Durst said from the stand. “I did not kill Susan Berman. But if I had, I would lie about it.”\u003c/p>\n\u003cp>The jury promptly returned a guilty verdict.\u003c/p>\n\u003cp>It long appeared he would avoid any such convictions.\u003c/p>\n\u003cp>Durst went on the run in late 2000 after New York authorities reopened an investigation into his wife’s disappearance, renting a modest apartment in Galveston and disguising himself as a mute woman.\u003c/p>\n\u003cp>In 2001, the body parts of a neighbor, Morris Black, began washing up in Galveston Bay.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>Arrested in the killing, Durst jumped bail. He was arrested for shoplifting a sandwich six weeks later in Bethlehem, Pennsylvania, where he had gone to college. Police found $37,000 cash and two handguns in his car.\u003c/p>\n\u003cp>He would testify that Black had pulled a gun on him and died when the weapon went off during a struggle. He told jurors in detail how he bought tools and dismembered and disposed of Black’s body. He was acquitted of murder. He pleaded guilty to violating his bail, and to evidence tampering for the dismemberment. He served three years in prison.\u003c/p>\n\u003ch3>Durst’s health issues\u003c/h3>\n\u003cp>Durst had bladder cancer and his health deteriorated during the Berman trial. He was escorted into court in a wheelchair wearing prison attire each day because his attorneys said he was unable to change into a suit. But the judge declined further delays after a 14-month pause during the coronavirus pandemic.\u003c/p>\n\u003cp>DeGuerin said Durst was “very, very sick” at his sentencing hearing and it was the worst he looked in the 20 years he spent representing him.\u003c/p>\n\u003cp>Durst entered the courtroom with wide-eyed vacant stare. Near the end of the hearing after Berman’s loved ones told the judge how her death upended their lives, Durst coughed hard and then appeared to struggle to breathe. His chest heaved and he pulled his mask down below his mouth and began to gulp for air.\u003c/p>\n\u003ch3>The heir’s upbringing\u003c/h3>\n\u003cp>The son of real estate magnate Seymour Durst, Robert Durst was born April 12, 1943, and grew up in Scarsdale, New York. He would later say that at age 7, he witnessed his mother’s death in a fall from their home.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>He graduated with an economics degree in 1965 from Lehigh University, where he played lacrosse. He entered a doctoral program at the University of California, Los Angeles, where he met Berman, but dropped out and returned to New York in 1969.\u003c/p>\n\u003cp>He became a developer in the family business, but his father passed him over to make his younger brother, and rival, Douglas the head of the Durst Organization in 1992.\u003c/p>\n\u003cp>In 1971, Robert Durst met Kathie McCormack, and the two married on his 30th birthday in 1973.\u003c/p>\n\u003cp>In January 1982, his wife was a student in her final year at medical school when she disappeared. She had shown up unexpectedly at a friend’s dinner party in Newtown, Connecticut, then left after a call from her husband to return to their home in South Salem, New York.\u003c/p>\n\u003cp>Robert Durst told police he last saw her when he put her on a train to stay at their apartment in Manhattan because she had classes the next day.\u003c/p>\n\u003cp>He would divorce her eight years later, claiming spousal abandonment, and in 2017, at her family’s request, she was declared legally dead.\u003c/p>\n\u003cp>Robert Durst is survived by his second wife Debrah Charatan, whom he married in 2000. He had no children.\u003c/p>\n\u003cp>Under California law, a conviction is vacated if a defendant dies while the case is under appeal, said Laurie Levenson, a law professor at Loyola Law School.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Lewis said an appeal was filed for Durst.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2022 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Robert+Durst%2C+real+estate+heir%2C+dies+in+prison+at+78&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"title": "Actor and Comedian Bob Saget Dies at 65",
"headTitle": "Actor and Comedian Bob Saget Dies at 65 | KQED",
"content": "\u003cp>Actor, comedian and director Bob Saget has died at age 65.\u003c/p>\n\u003cp>The Orange County Sheriff’s Office in Florida said deputies were called to the Ritz-Carlton in Orlando on Sunday after an unresponsive man was found in a hotel room.\u003c/p>\n\u003cp>“The man was identified as Robert Saget & pronounced deceased on scene. Detectives found no signs of foul play or drug use in this case,” \u003ca href=\"https://twitter.com/OrangeCoSheriff/status/1480340290917609473?s=20\">the sheriff’s office said\u003c/a>. Saget was on tour and had done a show near Jacksonville a day earlier.\u003c/p>\n\u003cp>Saget was a prominent presence on American television screens throughout the 1990s as the host of \u003cem>America’s Funniest Home Videos\u003c/em>, and the father Danny Tanner on \u003cem>Full House\u003c/em>, which was set in San Francisco.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=TJsPgsYbFDg\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>He was also the narrator on the show \u003cem>How I Met Your Mother\u003c/em> from 2005 to 2014 and reprised the Danny Tanner role on the Netflix reboot \u003cem>Fuller House\u003c/em> between 2016 and 2020. And Saget often played himself or parodies of himself in one-time or recurring roles in TV shows and movies.\u003c/p>\n\u003cp>Tributes poured in on social media from Saget’s co-stars and friends.\u003c/p>\n\u003cp>“I am broken. I am gutted. I am in complete and utter shock. I will never ever have another friend like him. I love you so much Bobby,” \u003ca href=\"https://twitter.com/JohnStamos/status/1480354937267576833?s=20\">wrote\u003c/a> John Stamos, a \u003cem>Full House\u003c/em> co-star.\u003c/p>\n\u003cp>TV producer Norman Lear \u003ca href=\"https://twitter.com/TheNormanLear/status/1480349081847304192?s=20\">said\u003c/a> Saget was a close friend who “was as lovely a human as he was funny. And to my mind, he was hilarious.”\u003c/p>\n\u003cp>[aside postID='pop_50688']“I don’t even know what to say about Bob Saget. I loved him and was so lucky to work with someone so funny, soulful and kind,” \u003ca href=\"https://twitter.com/HimymCraig/status/1480347068006817795?s=20\">said\u003c/a> \u003cem>How I Met Your Mother\u003c/em> co-creator Craig Thomas.\u003c/p>\n\u003cp>Saget also had credits as a director, with his most notable being the cult favorite movie \u003cem>Dirty Work\u003c/em> from 1998 with \u003ca href=\"https://www.npr.org/2021/09/14/1037069333/norm-macdonald-dead-snl-comedian\">Norm Macdonald\u003c/a>.\u003c/p>\n\u003cp>Saget was a stand-up comedian as well, having started at age 17, he wrote in his \u003ca href=\"https://www.google.com/books/edition/Dirty_Daddy/AfpNAgAAQBAJ?hl=en&gbpv=1&pg=PT6&printsec=frontcover\">2014 memoir \u003cem>Dirty Daddy\u003c/em>\u003c/a>\u003cem>. \u003c/em>His jokes were known to be dirty — a marked contrast to his \u003cem>Full House\u003c/em> character’s loving and wholesome father persona.\u003c/p>\n\u003cp>“In my career I’ve had the fortune of being able to work continually in radically diverse creative worlds,” he wrote. “By day I’ve done some of the most family-friendly TV imaginable. Then, often in the same day, I’ve gone onstage in the L.A. comedy clubs and whirled off with an adolescent’s delight about my grandma’s projectile diarrhea.”\u003c/p>\n\u003cp>Saget’s 2014 comedy album \u003cem>That’s What I’m Talkin’ About\u003c/em> was nominated for a Grammy.\u003c/p>\n\u003cp>Saget \u003ca href=\"https://magazine.medlineplus.gov/article/dont-give-up-hope\">also advocated for\u003c/a> people facing scleroderma, a chronic autoimmune disease. His sister, Gay Saget, died of the disease in her 40s.\u003c/p>\n\u003cp>In his memoir, Saget said jokes have helped him deal with tragedy. And he offered what could have been his own parting words in the book’s introduction.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The goal of living a full life is so, at its end, you’ll have learned some things along the journey,” he wrote. “I’m nowhere near the end yet, but I’ve already had some incredible experiences. I’ve met and worked with some amazing people, I’ve lived, I’ve loved, I’ve cried … and through it all, I did it my way.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2022 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" rel=\"noopener noreferrer\" target=\"_blank\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Actor+and+comedian+Bob+Saget+dies+at+65&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Actor, comedian and director Bob Saget has died at age 65.\u003c/p>\n\u003cp>The Orange County Sheriff’s Office in Florida said deputies were called to the Ritz-Carlton in Orlando on Sunday after an unresponsive man was found in a hotel room.\u003c/p>\n\u003cp>“The man was identified as Robert Saget & pronounced deceased on scene. Detectives found no signs of foul play or drug use in this case,” \u003ca href=\"https://twitter.com/OrangeCoSheriff/status/1480340290917609473?s=20\">the sheriff’s office said\u003c/a>. Saget was on tour and had done a show near Jacksonville a day earlier.\u003c/p>\n\u003cp>Saget was a prominent presence on American television screens throughout the 1990s as the host of \u003cem>America’s Funniest Home Videos\u003c/em>, and the father Danny Tanner on \u003cem>Full House\u003c/em>, which was set in San Francisco.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/TJsPgsYbFDg'\n title='//www.youtube.com/embed/TJsPgsYbFDg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>He was also the narrator on the show \u003cem>How I Met Your Mother\u003c/em> from 2005 to 2014 and reprised the Danny Tanner role on the Netflix reboot \u003cem>Fuller House\u003c/em> between 2016 and 2020. And Saget often played himself or parodies of himself in one-time or recurring roles in TV shows and movies.\u003c/p>\n\u003cp>Tributes poured in on social media from Saget’s co-stars and friends.\u003c/p>\n\u003cp>“I am broken. I am gutted. I am in complete and utter shock. I will never ever have another friend like him. I love you so much Bobby,” \u003ca href=\"https://twitter.com/JohnStamos/status/1480354937267576833?s=20\">wrote\u003c/a> John Stamos, a \u003cem>Full House\u003c/em> co-star.\u003c/p>\n\u003cp>TV producer Norman Lear \u003ca href=\"https://twitter.com/TheNormanLear/status/1480349081847304192?s=20\">said\u003c/a> Saget was a close friend who “was as lovely a human as he was funny. And to my mind, he was hilarious.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>“I don’t even know what to say about Bob Saget. I loved him and was so lucky to work with someone so funny, soulful and kind,” \u003ca href=\"https://twitter.com/HimymCraig/status/1480347068006817795?s=20\">said\u003c/a> \u003cem>How I Met Your Mother\u003c/em> co-creator Craig Thomas.\u003c/p>\n\u003cp>Saget also had credits as a director, with his most notable being the cult favorite movie \u003cem>Dirty Work\u003c/em> from 1998 with \u003ca href=\"https://www.npr.org/2021/09/14/1037069333/norm-macdonald-dead-snl-comedian\">Norm Macdonald\u003c/a>.\u003c/p>\n\u003cp>Saget was a stand-up comedian as well, having started at age 17, he wrote in his \u003ca href=\"https://www.google.com/books/edition/Dirty_Daddy/AfpNAgAAQBAJ?hl=en&gbpv=1&pg=PT6&printsec=frontcover\">2014 memoir \u003cem>Dirty Daddy\u003c/em>\u003c/a>\u003cem>. \u003c/em>His jokes were known to be dirty — a marked contrast to his \u003cem>Full House\u003c/em> character’s loving and wholesome father persona.\u003c/p>\n\u003cp>“In my career I’ve had the fortune of being able to work continually in radically diverse creative worlds,” he wrote. “By day I’ve done some of the most family-friendly TV imaginable. Then, often in the same day, I’ve gone onstage in the L.A. comedy clubs and whirled off with an adolescent’s delight about my grandma’s projectile diarrhea.”\u003c/p>\n\u003cp>Saget’s 2014 comedy album \u003cem>That’s What I’m Talkin’ About\u003c/em> was nominated for a Grammy.\u003c/p>\n\u003cp>Saget \u003ca href=\"https://magazine.medlineplus.gov/article/dont-give-up-hope\">also advocated for\u003c/a> people facing scleroderma, a chronic autoimmune disease. His sister, Gay Saget, died of the disease in her 40s.\u003c/p>\n\u003cp>In his memoir, Saget said jokes have helped him deal with tragedy. And he offered what could have been his own parting words in the book’s introduction.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The goal of living a full life is so, at its end, you’ll have learned some things along the journey,” he wrote. “I’m nowhere near the end yet, but I’ve already had some incredible experiences. I’ve met and worked with some amazing people, I’ve lived, I’ve loved, I’ve cried … and through it all, I did it my way.” \u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2022 NPR. To see more, visit \u003ca href=\"https://www.npr.org\" rel=\"noopener noreferrer\" target=\"_blank\">NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Actor+and+comedian+Bob+Saget+dies+at+65&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>In Bay Area hip-hop, where San Francisco, Oakland, Richmond and Vallejo reign supreme, a producer from San Jose united the region and became a key architect of one of its most notable musical movements: hyphy. The party-centric subgenre became the Bay Area’s signature sound in the 2000s, and wouldn’t have been possible without Traxamillion’s uptempo, bass-heavy production on essential tracks like Keak Da Sneak’s “Super Hyphy,” The Jacka’s “Glamorous Lifestyle” and Traxamillion’s own “Sideshow,” featuring Too $hort and Mistah F.A.B. \u003c/p>\n\u003cp>Traxamillion, born Sultan Banks, died at the age of 42 on Jan. 2 at his aunt’s home in Santa Clara, where he was receiving in-home care for nasopharyngeal cancer. He is survived by his 19-year-old son Elijah Banks, his father Darryl Cudgel and countless friends and collaborators from the Bay Area hip-hop community, where he was a key figure. \u003c/p>\n\u003cp>“It’s my loss—it’s every rapper, it’s everybody in the Bay—it’s all our loss,” says Too $hort. “It’s a family, it goes generations. And he was a real member of that family.”\u003c/p>\n\u003cp>“He really left his impact on the culture, on the music we listen to, what we like, our style of music. You know, the whole hyphy movement,” says Keak Da Sneak.\u003c/p>\n\u003cp>“Rest in heaven, man, Trax, we love you,” he continues. “You’ll always be in our hearts, you’ll never be forgotten. We made history together.”\u003c/p>\n\u003cfigure id=\"attachment_13907708\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/IMG_1281-800x1200.jpeg\" alt=\"Portrait of hip-hop producer Traxamillion, who died Jan. 2, 2022 at 42 years old.\" width=\"800\" height=\"1200\" class=\"size-medium wp-image-13907708\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/IMG_1281-800x1200.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/IMG_1281-1020x1530.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/IMG_1281-160x240.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/IMG_1281-768x1152.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/IMG_1281-1024x1536.jpeg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/IMG_1281-1365x2048.jpeg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/IMG_1281-1920x2880.jpeg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/IMG_1281-scaled.jpeg 1707w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Traxamillion. \u003ccite>(Kevin Allen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>A San Jose prodigy\u003c/h2>\n\u003cp>Born in Newark, New Jersey and raised in San Jose from the age of nine, Traxamillion began making beats at 12 years old on a keyboard his grandmother gave him for Christmas. “I used to listen to the radio all the time and just play the songs on the radio,” he said in 2016 during a \u003ca href=\"https://www.youtube.com/watch?v=e-_ZsLFIwmM\" rel=\"noopener noreferrer\" target=\"_blank\">music workshop for youth at the San Jose Public Library\u003c/a>. “That’s how I really learned how to make beats. I felt like I was able to get a peek inside [the artists’] mind and how they did this.” \u003c/p>\n\u003cp>Traxamillion was just 14 when he showed up to a backyard MC battle in San Jose and promptly blew away the competition, according to Demone Carter, now a co-host of the rap podcast \u003cem>Dad Bod Rap Pod\u003c/em>. Soon after, Traxamillion recorded a diss track in his bedroom to another rapper in town, then showed up to school with hand-dubbed cassette tapes of the song, and handed all 20 or 30 of them out to fellow classmates.\u003c/p>\n\u003cp>“I know he is renowned as a producer, but his rap chops are fuckin’ incredible. He had the rhythm, and the cadence, and the voice,” says Carter. “You could hear the musicality in his raps.”\u003c/p>\n\u003cp>Before long, Traxamillion was producing and rapping alongside Carter and Jesse Jones in a group called Lackadaisical, heavily inspired by Oakland’s Souls of Mischief and fellow San Jose crew The Dereliks. One of the few hip-hop groups in San Jose at the time, Lackadaisical played pep rallies, art galleries and downtown clubs, and recorded an EP that Traxamillion co-produced.\u003c/p>\n\u003cp>“We were super young, didn’t have any production equipment, and he was making pause-loop tapes that we would rap to,” says Carter. “Even then, he had a vision. He wanted to go somewhere with the music—as we all did at that time, but you could tell, internally, he had it, and he wasn’t afraid to own it.” \u003c/p>\n\u003cp>https://youtu.be/eumCos1fh5Y\u003c/p>\n\u003cp>After Lackadaisical disbanded, Traxamillion set his sights beyond the underground scene. With an eye toward the millennial success of producers like The Neptunes, Traxamillion bought new equipment and evolved his production style, combining the high-energy Latin freestyle he’d heard growing up among San Jose’s immigrant communities with the futuristic knock of Timbaland.\u003c/p>\n\u003cp>“Back in the hyphy movement, one of the main conversations going on was, ‘We need to be able to compete on a national level.’ A lot of other regions had their producers, and we had ours, but there had been a lull in the Bay Area,” remembers fellow hip-hop producer Trackademicks, who came up with Traxamillion in the early 2000s. “It was time for new folks. … Traxamillion was kind of the big breakout for the hyphy movement.” \u003c/p>\n\u003ch2>A key architect of hyphy\u003c/h2>\n\u003cp>One night at a party in San Jose, Traxamillion watched people doing a new dance with a particular manic energy. “So I was tryin’ to figure out a beat that went with that while they was in the room dancin’,” \u003ca href=\"https://podcasts.apple.com/mu/podcast/episode-30-super-hyphy-with-guest-traxamillion/id1369624840?i=1000416187793\" rel=\"noopener noreferrer\" target=\"_blank\">Traxamillion told \u003cem>Dad Bod Rap Pod\u003c/em>\u003c/a> podcast in 2018.\u003c/p>\n\u003cp>[pullquote size='large' citation='Keak Da Sneak']“He really left his impact on the culture, on the music we listen to, what we like, our style of music. You know, the whole hyphy movement.”[/pullquote]\u003c/p>\n\u003cp>He knew the beat was special, so he waited outside the stage door after a Keak da Sneak show and passed him a CD. Keak nodded and continued to his van. A few months later, in 2005, Keak’s recording of “Super Hyphy” became Traxamillion’s first hit—and a tectonic shift for Bay Area hip-hop. The song not only coalesced new, frenetic musical ideas bubbling in the region, it coined an entire era.\u003c/p>\n\u003cp>“When I first met Keak, he told me, ‘Man, your beats and my voice—it’s a marriage,’” \u003ca href=\"https://48hills.org/2022/01/rip-bay-genius-producer-traxamillion-read-our-profile-from-2006/\" rel=\"noopener noreferrer\" target=\"_blank\">Traxamillion told \u003cem>San Francisco Bay Guardian\u003c/em>\u003c/a> in 2006. \u003c/p>\n\u003cp>https://youtu.be/w7zd6fVCORE\u003c/p>\n\u003cp>“Super Hyphy” hit No. 40 on Billboard’s Rhythmic Top 40 chart, and took a local movement to the national stage. Propelled by Traxamillion’s production–along with that of Rick Rock, The Mekanix, Droop-E, Sean T and others–hyphy became the West Coast’s answer to Atlanta’s crunk sound that dominated the airwaves at the time. \u003c/p>\n\u003cp>The hyphy movement birthed huge songs—E-40’s “Tell Me When To Go,” Mac Dre’s “Feelin’ Myself,” Mistah F.A.B.’s “N.E.W. Oakland”—but “Super Hyphy” was, indisputably, its namesake anthem.\u003c/p>\n\u003cp>“The impact of that song—that song will never die,” says Keak Da Sneak, adding that he and Traxamillion continued to work together throughout the years and have unreleased music in the pipeline. \u003c/p>\n\u003cp>“We always had fun doing music,” he says. “We would get in there and it would turn into something, you know what I mean. A lot of people don’t just got that ability to always come up with something good. This is a chemistry.”\u003c/p>\n\u003cp>“Traxamillion the composer created sonic adventures that exemplified Bay Area culture,” Mistah F.A.B. says via text message. “I will forever be in debt for what he did, not only for me personally but his role in the elevation and recognition of my region. Stanley to Sultan, thank you for being a friend … way deeper than music.” \u003c/p>\n\u003cp>https://youtu.be/h4d7UwaNrIQ\u003c/p>\n\u003ch2>A lasting legacy\u003c/h2>\n\u003cp>Traxamillion’s mid-2000s reign continued with The Jacka’s “Glamorous Lifestyle,” and his 2006 album \u003cem>The Slapp Addict\u003c/em>—with vocals from Turf Talk, Zion I, Too $hort, Keak Da Sneak, Mistah F.A.B. and his own raps—is considered hyphy music canon. But his output never slowed. His 2016 album, \u003cem>The Tech Boom\u003c/em>, put the spotlight on his hometown, San Jose. \u003c/p>\n\u003cp>“He was a legend in San Jose,” says friend and former manager Kevin “K9” Pringle, adding that Traxamillion would also make sure people outside of the city knew where he was from. “During the hyphy days everyone assumed he was from Oakland, and he would always correct them. ‘No, I’m from San Jose.’”\u003c/p>\n\u003cp>https://youtu.be/bPbgNHDpgAY\u003c/p>\n\u003cp>Through that connection to Pringle, a bond that formed around 2002, Traxamillion met Kevin Allen, formerly known as Erk Tha Jerk. “I called him the Timbaland of the Bay,” says Allen, explaining that Traxamillion was someone who could add a certain sauce to any given project.\u003c/p>\n\u003cp>While recording his 2009 hit “Right Here,” Allen says Traxamillion engineered the session and contributed additional vocals. “We turned a joke into a song,” Allen reflects. “I came back the next day and he added so many layers and textures and harmonies to it, it was like OK—it’s a hit.”\u003c/p>\n\u003cp>Traxamillion was an organized and professional producer who worked on everything from R&B tracks to an album inspired by video game sounds, but nothing spoke more to his brand than the slaps he made during the hyphy movement.\u003c/p>\n\u003cp>[pullquote size='large' citation='Mistah F.A.B.']“I will forever be in debt for what he did, not only for me personally but his role in the elevation and recognition of my region.”[/pullquote]\u003c/p>\n\u003cp>“If you’re from the Bay, Trax probably did one of the biggest songs for your city,” says manager PK, noting how impressive that was for anyone—let alone someone from San Jose. Listing popular songs Traxamillion produced for The Jacka, Dem Hoodstarz and San Quinn, PK says, “There weren’t a lot of songs on the radio from the Bay before he started doing what he was doing. It was like, if you want to get on the radio, ‘I need to get with Trax, I need to make a slap.’”\u003c/p>\n\u003cp>Traxamillion’s last release was his 2021 album \u003cem>Sirens\u003c/em>, which featured over a dozen up-and-coming women rappers and singers. “He spoke about how women are kind of dominating rap music right now, really doing our thing,” says Qing Qi, one of the featured artists on the album. “He was like, ‘I need to get all the talented women from the Bay Area and put them together.’”\u003c/p>\n\u003cp>Qing Qi grew up listening to Traxamillion’s productions, and was nervous when she got to the studio. But she quickly found that he was a generous collaborator. “After I was done [recording], he was going crazy,” she says of their song together, “Big D.” “He was like, ‘Play it back, play it back! That’s a hit!’”\u003c/p>\n\u003cp>https://youtu.be/rsMhenbNtjE\u003c/p>\n\u003cp>In a male-dominated rap scene, Qing Qi appreciated the way Traxamillion used his influence to break down gender barriers. It was an endeavor he wanted to continue. “It’s just so much more of a lane that he could have curated,” she says. \u003c/p>\n\u003cp>Traxamillion continued to branch out and work with national acts. In 2020 he produced City Girls’ “Broke N—-s” featuring Yo Gotti, and last year he was the maestro on E-40’s track “I Stand On That” featuring Joyner Lucas and T.I. PK says that Houston’s Paul Wall also has a forthcoming project entirely produced by Traxamillion and well-known Bay Area producer RobLo.\u003c/p>\n\u003cp>And though his profile continued to grow, over the years Traxamillion kept one foot rooted in his community, working as a mentor to younger artists and high school students. “People were drawn to him and loved his music,” says PK. “He was really a better person than a producer.”\u003c/p>\n\u003cp>With Traxamillion’s passing, the Bay Area mourns the loss of a great. But Traxamillion’s music and influence will endure well beyond this region for years to come. “The hyphy movement will never die if you dissect and listen to the beats,” says Too $hort. “And Trax was instrumental to that evolution. I don’t know who turned me on to Traxamillion, but once they did there was no turning back.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>In Bay Area hip-hop, where San Francisco, Oakland, Richmond and Vallejo reign supreme, a producer from San Jose united the region and became a key architect of one of its most notable musical movements: hyphy. The party-centric subgenre became the Bay Area’s signature sound in the 2000s, and wouldn’t have been possible without Traxamillion’s uptempo, bass-heavy production on essential tracks like Keak Da Sneak’s “Super Hyphy,” The Jacka’s “Glamorous Lifestyle” and Traxamillion’s own “Sideshow,” featuring Too $hort and Mistah F.A.B. \u003c/p>\n\u003cp>Traxamillion, born Sultan Banks, died at the age of 42 on Jan. 2 at his aunt’s home in Santa Clara, where he was receiving in-home care for nasopharyngeal cancer. He is survived by his 19-year-old son Elijah Banks, his father Darryl Cudgel and countless friends and collaborators from the Bay Area hip-hop community, where he was a key figure. \u003c/p>\n\u003cp>“It’s my loss—it’s every rapper, it’s everybody in the Bay—it’s all our loss,” says Too $hort. “It’s a family, it goes generations. And he was a real member of that family.”\u003c/p>\n\u003cp>“He really left his impact on the culture, on the music we listen to, what we like, our style of music. You know, the whole hyphy movement,” says Keak Da Sneak.\u003c/p>\n\u003cp>“Rest in heaven, man, Trax, we love you,” he continues. “You’ll always be in our hearts, you’ll never be forgotten. We made history together.”\u003c/p>\n\u003cfigure id=\"attachment_13907708\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2022/01/IMG_1281-800x1200.jpeg\" alt=\"Portrait of hip-hop producer Traxamillion, who died Jan. 2, 2022 at 42 years old.\" width=\"800\" height=\"1200\" class=\"size-medium wp-image-13907708\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/IMG_1281-800x1200.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/IMG_1281-1020x1530.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/IMG_1281-160x240.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/IMG_1281-768x1152.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/IMG_1281-1024x1536.jpeg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/IMG_1281-1365x2048.jpeg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/IMG_1281-1920x2880.jpeg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/01/IMG_1281-scaled.jpeg 1707w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Traxamillion. \u003ccite>(Kevin Allen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>A San Jose prodigy\u003c/h2>\n\u003cp>Born in Newark, New Jersey and raised in San Jose from the age of nine, Traxamillion began making beats at 12 years old on a keyboard his grandmother gave him for Christmas. “I used to listen to the radio all the time and just play the songs on the radio,” he said in 2016 during a \u003ca href=\"https://www.youtube.com/watch?v=e-_ZsLFIwmM\" rel=\"noopener noreferrer\" target=\"_blank\">music workshop for youth at the San Jose Public Library\u003c/a>. “That’s how I really learned how to make beats. I felt like I was able to get a peek inside [the artists’] mind and how they did this.” \u003c/p>\n\u003cp>Traxamillion was just 14 when he showed up to a backyard MC battle in San Jose and promptly blew away the competition, according to Demone Carter, now a co-host of the rap podcast \u003cem>Dad Bod Rap Pod\u003c/em>. Soon after, Traxamillion recorded a diss track in his bedroom to another rapper in town, then showed up to school with hand-dubbed cassette tapes of the song, and handed all 20 or 30 of them out to fellow classmates.\u003c/p>\n\u003cp>“I know he is renowned as a producer, but his rap chops are fuckin’ incredible. He had the rhythm, and the cadence, and the voice,” says Carter. “You could hear the musicality in his raps.”\u003c/p>\n\u003cp>Before long, Traxamillion was producing and rapping alongside Carter and Jesse Jones in a group called Lackadaisical, heavily inspired by Oakland’s Souls of Mischief and fellow San Jose crew The Dereliks. One of the few hip-hop groups in San Jose at the time, Lackadaisical played pep rallies, art galleries and downtown clubs, and recorded an EP that Traxamillion co-produced.\u003c/p>\n\u003cp>“We were super young, didn’t have any production equipment, and he was making pause-loop tapes that we would rap to,” says Carter. “Even then, he had a vision. He wanted to go somewhere with the music—as we all did at that time, but you could tell, internally, he had it, and he wasn’t afraid to own it.” \u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/eumCos1fh5Y'\n title='//www.youtube.com/embed/eumCos1fh5Y'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>After Lackadaisical disbanded, Traxamillion set his sights beyond the underground scene. With an eye toward the millennial success of producers like The Neptunes, Traxamillion bought new equipment and evolved his production style, combining the high-energy Latin freestyle he’d heard growing up among San Jose’s immigrant communities with the futuristic knock of Timbaland.\u003c/p>\n\u003cp>“Back in the hyphy movement, one of the main conversations going on was, ‘We need to be able to compete on a national level.’ A lot of other regions had their producers, and we had ours, but there had been a lull in the Bay Area,” remembers fellow hip-hop producer Trackademicks, who came up with Traxamillion in the early 2000s. “It was time for new folks. … Traxamillion was kind of the big breakout for the hyphy movement.” \u003c/p>\n\u003ch2>A key architect of hyphy\u003c/h2>\n\u003cp>One night at a party in San Jose, Traxamillion watched people doing a new dance with a particular manic energy. “So I was tryin’ to figure out a beat that went with that while they was in the room dancin’,” \u003ca href=\"https://podcasts.apple.com/mu/podcast/episode-30-super-hyphy-with-guest-traxamillion/id1369624840?i=1000416187793\" rel=\"noopener noreferrer\" target=\"_blank\">Traxamillion told \u003cem>Dad Bod Rap Pod\u003c/em>\u003c/a> podcast in 2018.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>He knew the beat was special, so he waited outside the stage door after a Keak da Sneak show and passed him a CD. Keak nodded and continued to his van. A few months later, in 2005, Keak’s recording of “Super Hyphy” became Traxamillion’s first hit—and a tectonic shift for Bay Area hip-hop. The song not only coalesced new, frenetic musical ideas bubbling in the region, it coined an entire era.\u003c/p>\n\u003cp>“When I first met Keak, he told me, ‘Man, your beats and my voice—it’s a marriage,’” \u003ca href=\"https://48hills.org/2022/01/rip-bay-genius-producer-traxamillion-read-our-profile-from-2006/\" rel=\"noopener noreferrer\" target=\"_blank\">Traxamillion told \u003cem>San Francisco Bay Guardian\u003c/em>\u003c/a> in 2006. \u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/w7zd6fVCORE'\n title='//www.youtube.com/embed/w7zd6fVCORE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>“Super Hyphy” hit No. 40 on Billboard’s Rhythmic Top 40 chart, and took a local movement to the national stage. Propelled by Traxamillion’s production–along with that of Rick Rock, The Mekanix, Droop-E, Sean T and others–hyphy became the West Coast’s answer to Atlanta’s crunk sound that dominated the airwaves at the time. \u003c/p>\n\u003cp>The hyphy movement birthed huge songs—E-40’s “Tell Me When To Go,” Mac Dre’s “Feelin’ Myself,” Mistah F.A.B.’s “N.E.W. Oakland”—but “Super Hyphy” was, indisputably, its namesake anthem.\u003c/p>\n\u003cp>“The impact of that song—that song will never die,” says Keak Da Sneak, adding that he and Traxamillion continued to work together throughout the years and have unreleased music in the pipeline. \u003c/p>\n\u003cp>“We always had fun doing music,” he says. “We would get in there and it would turn into something, you know what I mean. A lot of people don’t just got that ability to always come up with something good. This is a chemistry.”\u003c/p>\n\u003cp>“Traxamillion the composer created sonic adventures that exemplified Bay Area culture,” Mistah F.A.B. says via text message. “I will forever be in debt for what he did, not only for me personally but his role in the elevation and recognition of my region. Stanley to Sultan, thank you for being a friend … way deeper than music.” \u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/h4d7UwaNrIQ'\n title='//www.youtube.com/embed/h4d7UwaNrIQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003ch2>A lasting legacy\u003c/h2>\n\u003cp>Traxamillion’s mid-2000s reign continued with The Jacka’s “Glamorous Lifestyle,” and his 2006 album \u003cem>The Slapp Addict\u003c/em>—with vocals from Turf Talk, Zion I, Too $hort, Keak Da Sneak, Mistah F.A.B. and his own raps—is considered hyphy music canon. But his output never slowed. His 2016 album, \u003cem>The Tech Boom\u003c/em>, put the spotlight on his hometown, San Jose. \u003c/p>\n\u003cp>“He was a legend in San Jose,” says friend and former manager Kevin “K9” Pringle, adding that Traxamillion would also make sure people outside of the city knew where he was from. “During the hyphy days everyone assumed he was from Oakland, and he would always correct them. ‘No, I’m from San Jose.’”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/bPbgNHDpgAY'\n title='//www.youtube.com/embed/bPbgNHDpgAY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Through that connection to Pringle, a bond that formed around 2002, Traxamillion met Kevin Allen, formerly known as Erk Tha Jerk. “I called him the Timbaland of the Bay,” says Allen, explaining that Traxamillion was someone who could add a certain sauce to any given project.\u003c/p>\n\u003cp>While recording his 2009 hit “Right Here,” Allen says Traxamillion engineered the session and contributed additional vocals. “We turned a joke into a song,” Allen reflects. “I came back the next day and he added so many layers and textures and harmonies to it, it was like OK—it’s a hit.”\u003c/p>\n\u003cp>Traxamillion was an organized and professional producer who worked on everything from R&B tracks to an album inspired by video game sounds, but nothing spoke more to his brand than the slaps he made during the hyphy movement.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“If you’re from the Bay, Trax probably did one of the biggest songs for your city,” says manager PK, noting how impressive that was for anyone—let alone someone from San Jose. Listing popular songs Traxamillion produced for The Jacka, Dem Hoodstarz and San Quinn, PK says, “There weren’t a lot of songs on the radio from the Bay before he started doing what he was doing. It was like, if you want to get on the radio, ‘I need to get with Trax, I need to make a slap.’”\u003c/p>\n\u003cp>Traxamillion’s last release was his 2021 album \u003cem>Sirens\u003c/em>, which featured over a dozen up-and-coming women rappers and singers. “He spoke about how women are kind of dominating rap music right now, really doing our thing,” says Qing Qi, one of the featured artists on the album. “He was like, ‘I need to get all the talented women from the Bay Area and put them together.’”\u003c/p>\n\u003cp>Qing Qi grew up listening to Traxamillion’s productions, and was nervous when she got to the studio. But she quickly found that he was a generous collaborator. “After I was done [recording], he was going crazy,” she says of their song together, “Big D.” “He was like, ‘Play it back, play it back! That’s a hit!’”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/rsMhenbNtjE'\n title='//www.youtube.com/embed/rsMhenbNtjE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>In a male-dominated rap scene, Qing Qi appreciated the way Traxamillion used his influence to break down gender barriers. It was an endeavor he wanted to continue. “It’s just so much more of a lane that he could have curated,” she says. \u003c/p>\n\u003cp>Traxamillion continued to branch out and work with national acts. In 2020 he produced City Girls’ “Broke N—-s” featuring Yo Gotti, and last year he was the maestro on E-40’s track “I Stand On That” featuring Joyner Lucas and T.I. PK says that Houston’s Paul Wall also has a forthcoming project entirely produced by Traxamillion and well-known Bay Area producer RobLo.\u003c/p>\n\u003cp>And though his profile continued to grow, over the years Traxamillion kept one foot rooted in his community, working as a mentor to younger artists and high school students. “People were drawn to him and loved his music,” says PK. “He was really a better person than a producer.”\u003c/p>\n\u003cp>With Traxamillion’s passing, the Bay Area mourns the loss of a great. But Traxamillion’s music and influence will endure well beyond this region for years to come. “The hyphy movement will never die if you dissect and listen to the beats,” says Too $hort. “And Trax was instrumental to that evolution. I don’t know who turned me on to Traxamillion, but once they did there was no turning back.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Betty White, a Beloved Icon and Actress Since the Beginning of TV, Has Died at Age 99",
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"content": "\u003cp>Betty White was on TV since \u003ca href=\"https://www.npr.org/2014/11/02/360425512/betty-white-the-golden-girl-from-the-golden-days-of-television\" target=\"_blank\" rel=\"noopener noreferrer\">the beginning of TV\u003c/a>. And in an industry where it’s often about being young and hot, White got more popular the older she got. White’s agent, Jeff Witjas, first confirmed the death of the widely beloved actress to \u003ca href=\"https://people.com/tv/betty-white-the-golden-girls-and-hot-in-cleveland-star-dead-at-99/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>People\u003c/em>\u003c/a> magazine on Friday.\u003c/p>\n\u003cp>White was best known for two characters: The first was Sue Ann Nivens from the \u003cem>Mary Tyler Moore Show\u003c/em>. White called the character “your sickeningly sweet neighborhood nymphomaniac.” And then there was the naïve Rose Nylund on \u003cem>The Golden Girls\u003c/em>, whose greatest disappointment was losing her hometown’s Butter Queen pageant due to “churn tampering.”\u003c/p>\n\u003cp>White often played characters that seemed innocent on the surface. But underneath, there was something mischievous, even sexual going on. Hosting \u003cem>Saturday Night Live\u003c/em>, she dropped double entendres during a spoof of NPR called “Delicious Dish,” joking that “my muffin hasn’t had a cherry since 1939.”\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=F_tVJ2rHHSA\u003c/p>\n\u003cp>White was like a maiden aunt who loved to cut loose and say something outrageous, says Barry Monush. He’s a researcher at the Paley Center for Media. “I mean, that’s the type of relative, everybody loves relatives like that, the aunt who comes over and speaks her mind, you know, and yet is sweet at the same time.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>And White had been a part of the family—so to speak—for a long time. She was born January 17, 1922, into a family that loved outdoor activities like camping and hiking. Her parents also loved animals, and White was passionate about animal advocacy work throughout her life.\u003c/p>\n\u003cp>As a young woman she got involved with local theater, radio, and eventually the brand new medium of television, co-hosting a live variety show in LA in the late 40s—for five hours a day. In the 1950s White helped create a sitcom called \u003cem>Life with Elizabeth\u003c/em>; she was the star and the producer. And all through her career, she had a constant side-gig as “the first lady of game shows.”\u003c/p>\n\u003cp>“I love games and I love game shows,” she once said. “I think it’s good mental exercise. I think it keeps everybody kind of alert and kind of on his toes.”\u003c/p>\n\u003cp>She was charming, funny, and a good improviser on shows like \u003cem>What’s My Line\u003c/em>, \u003cem>Password\u003c/em>, \u003cem>The Match Game\u003c/em>, and \u003cem>Pyramid\u003c/em>. She even found love on the game show circuit, marrying the host of \u003cem>Password\u003c/em>, Allen Ludden.\u003c/p>\n\u003cp>Getting older was good for White’s career. She got her role on \u003cem>The Mary Tyler Moore Show\u003c/em> at age 51. From 63 to 70 she was one of the Golden Girls. And she never stopped after that, doing TV shows, sitcoms, movies, commercials, and live celebrity appearances.\u003c/p>\n\u003cp>Towards the end of her life you could say she cashed in big on another role—the role of Betty White. She was in her late 80s when she did a commercial for Snickers during the 2010 Super Bowl. In it, White is playing some rough and tumble football with the guys. She’s a mess on the field; she misses a throw and makes a rude remark about her opponent’s girlfriend.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=3MbXGDKFC4A\u003c/p>\n\u003cp>That commercial launched her most recent success, and it showed that people of all ages seemed to be wild about White. In fact, she got the gig hosting \u003cem>Saturday Night Live\u003c/em> because of her younger fans, who launched a Facebook campaign to get her on the show.\u003c/p>\n\u003cp>Barry Monush says White had a certain coolness factor. “There’s just something about her where people are on her side. And they love that she’s in there kicking it at 90 years old.”\u003c/p>\n\u003cp>But that long career did have a down side. She’d been a widow since her husband’s death in 1981. And she outlived many of the people she knew and loved; in 2010, she choked up during an interview for \u003cem>Inside the Actors Studio\u003c/em> when the conversation turned to the three other Golden Girls, who have all died. “You lop three members of your family off and you just… you never get over it,” she said.\u003c/p>\n\u003cp>Despite that sadness, White almost always kept things funny and upbeat. In a memoir, White wrote that humor is all about rhythm. And she had outstanding timing—in her individual performances, and with her entire career.\u003c/p>\n\u003cp>That helped her roll with the punches throughout the decades, and made her popular and well-loved from her 20s to her 90s.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=cHEcaz-L7LA\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Betty+White%2C+a+beloved+icon+and+actress+since+the+beginning+of+TV%2C+has+died+at+age+99&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Betty White was on TV since \u003ca href=\"https://www.npr.org/2014/11/02/360425512/betty-white-the-golden-girl-from-the-golden-days-of-television\" target=\"_blank\" rel=\"noopener noreferrer\">the beginning of TV\u003c/a>. And in an industry where it’s often about being young and hot, White got more popular the older she got. White’s agent, Jeff Witjas, first confirmed the death of the widely beloved actress to \u003ca href=\"https://people.com/tv/betty-white-the-golden-girls-and-hot-in-cleveland-star-dead-at-99/\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>People\u003c/em>\u003c/a> magazine on Friday.\u003c/p>\n\u003cp>White was best known for two characters: The first was Sue Ann Nivens from the \u003cem>Mary Tyler Moore Show\u003c/em>. White called the character “your sickeningly sweet neighborhood nymphomaniac.” And then there was the naïve Rose Nylund on \u003cem>The Golden Girls\u003c/em>, whose greatest disappointment was losing her hometown’s Butter Queen pageant due to “churn tampering.”\u003c/p>\n\u003cp>White often played characters that seemed innocent on the surface. But underneath, there was something mischievous, even sexual going on. Hosting \u003cem>Saturday Night Live\u003c/em>, she dropped double entendres during a spoof of NPR called “Delicious Dish,” joking that “my muffin hasn’t had a cherry since 1939.”\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/F_tVJ2rHHSA'\n title='//www.youtube.com/embed/F_tVJ2rHHSA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>White was like a maiden aunt who loved to cut loose and say something outrageous, says Barry Monush. He’s a researcher at the Paley Center for Media. “I mean, that’s the type of relative, everybody loves relatives like that, the aunt who comes over and speaks her mind, you know, and yet is sweet at the same time.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And White had been a part of the family—so to speak—for a long time. She was born January 17, 1922, into a family that loved outdoor activities like camping and hiking. Her parents also loved animals, and White was passionate about animal advocacy work throughout her life.\u003c/p>\n\u003cp>As a young woman she got involved with local theater, radio, and eventually the brand new medium of television, co-hosting a live variety show in LA in the late 40s—for five hours a day. In the 1950s White helped create a sitcom called \u003cem>Life with Elizabeth\u003c/em>; she was the star and the producer. And all through her career, she had a constant side-gig as “the first lady of game shows.”\u003c/p>\n\u003cp>“I love games and I love game shows,” she once said. “I think it’s good mental exercise. I think it keeps everybody kind of alert and kind of on his toes.”\u003c/p>\n\u003cp>She was charming, funny, and a good improviser on shows like \u003cem>What’s My Line\u003c/em>, \u003cem>Password\u003c/em>, \u003cem>The Match Game\u003c/em>, and \u003cem>Pyramid\u003c/em>. She even found love on the game show circuit, marrying the host of \u003cem>Password\u003c/em>, Allen Ludden.\u003c/p>\n\u003cp>Getting older was good for White’s career. She got her role on \u003cem>The Mary Tyler Moore Show\u003c/em> at age 51. From 63 to 70 she was one of the Golden Girls. And she never stopped after that, doing TV shows, sitcoms, movies, commercials, and live celebrity appearances.\u003c/p>\n\u003cp>Towards the end of her life you could say she cashed in big on another role—the role of Betty White. She was in her late 80s when she did a commercial for Snickers during the 2010 Super Bowl. In it, White is playing some rough and tumble football with the guys. She’s a mess on the field; she misses a throw and makes a rude remark about her opponent’s girlfriend.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/3MbXGDKFC4A'\n title='//www.youtube.com/embed/3MbXGDKFC4A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>That commercial launched her most recent success, and it showed that people of all ages seemed to be wild about White. In fact, she got the gig hosting \u003cem>Saturday Night Live\u003c/em> because of her younger fans, who launched a Facebook campaign to get her on the show.\u003c/p>\n\u003cp>Barry Monush says White had a certain coolness factor. “There’s just something about her where people are on her side. And they love that she’s in there kicking it at 90 years old.”\u003c/p>\n\u003cp>But that long career did have a down side. She’d been a widow since her husband’s death in 1981. And she outlived many of the people she knew and loved; in 2010, she choked up during an interview for \u003cem>Inside the Actors Studio\u003c/em> when the conversation turned to the three other Golden Girls, who have all died. “You lop three members of your family off and you just… you never get over it,” she said.\u003c/p>\n\u003cp>Despite that sadness, White almost always kept things funny and upbeat. In a memoir, White wrote that humor is all about rhythm. And she had outstanding timing—in her individual performances, and with her entire career.\u003c/p>\n\u003cp>That helped her roll with the punches throughout the decades, and made her popular and well-loved from her 20s to her 90s.\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/cHEcaz-L7LA'\n title='//www.youtube.com/embed/cHEcaz-L7LA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2021 NPR. To see more, \u003ca href=\"https://www.npr.org\" target=\"_blank\" rel=\"noopener noreferrer\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Betty+White%2C+a+beloved+icon+and+actress+since+the+beginning+of+TV%2C+has+died+at+age+99&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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"pri-the-world": {
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"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
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},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
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},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
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"officialWebsiteLink": "https://www.revealnews.org/episodes/",
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},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
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