window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_11370951": {
"type": "attachments",
"id": "arts_11370951",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11370951",
"found": true
},
"parent": 11370839,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/Macbethrightone-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/Macbethrightone-400x237.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 237
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/Macbethrightone-960x570.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 570
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/Macbethrightone-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/Macbethrightone.jpg",
"width": 3652,
"height": 2168
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/Macbethrightone-1180x701.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 701
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/Macbethrightone-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/Macbethrightone-800x475.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 475
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/Macbethrightone-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/Macbethrightone-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/Macbethrightone-1920x1140.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1140
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/Macbethrightone-1180x701.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 701
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/Macbethrightone-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/Macbethrightone-768x456.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 456
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/Macbethrightone-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1456822661,
"modified": 1456822706,
"caption": "(L to R) Macbeth (Conleth Hill) confers with Lady Macbeth (Frances McDormand). Photo: Kevin Berne.",
"description": null,
"title": "Macbethrightone",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11375015": {
"type": "attachments",
"id": "arts_11375015",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11375015",
"found": true
},
"parent": 11374909,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RS18694_DmitryEtAl.JPG-qut-e1456966720397-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RS18694_DmitryEtAl.JPG-qut-e1456966720397-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RS18694_DmitryEtAl.JPG-qut-e1456966720397-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RS18694_DmitryEtAl.JPG-qut-e1456966720397-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RS18694_DmitryEtAl.JPG-qut-e1456966720397.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RS18694_DmitryEtAl.JPG-qut-e1456966720397-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RS18694_DmitryEtAl.JPG-qut-e1456966720397-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RS18694_DmitryEtAl.JPG-qut-e1456966720397-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RS18694_DmitryEtAl.JPG-qut-e1456966720397-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RS18694_DmitryEtAl.JPG-qut-e1456966720397-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RS18694_DmitryEtAl.JPG-qut-e1456966720397-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RS18694_DmitryEtAl.JPG-qut-e1456966720397-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RS18694_DmitryEtAl.JPG-qut-e1456966720397-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RS18694_DmitryEtAl.JPG-qut-e1456966720397-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RS18694_DmitryEtAl.JPG-qut-e1456966720397-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1456964152,
"modified": 1457734411,
"caption": "Larry Chavez (l), Dmitry Piterman (c) and Marc Del Piero (r) celebrate plans to remake the Museum of Monterey as a showcase for Piterman's extensive collection of works by Salvador Dalí.",
"description": "Larry Chavez (l), Dmitry Piterman (c) and Marc Del Piero (r) celebrate plans to remake the Museum of Monterey as a showcase for Piterman's extensive collection of works by Salvador Dalí.",
"title": "RS18694_DmitryEtAl.JPG-qut",
"credit": "Courtesy: Katya Semmes ",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11374703": {
"type": "attachments",
"id": "arts_11374703",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11374703",
"found": true
},
"parent": 11374700,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RobinWilliams-tunnelCROP-1024x576.jpg",
"width": 1024,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RobinWilliams-tunnelCROP-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RobinWilliams-tunnelCROP-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RobinWilliams-tunnelCROP-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RobinWilliams-tunnelCROP.jpg",
"width": 1024,
"height": 576
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RobinWilliams-tunnelCROP-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RobinWilliams-tunnelCROP-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RobinWilliams-tunnelCROP-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RobinWilliams-tunnelCROP-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RobinWilliams-tunnelCROP-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RobinWilliams-tunnelCROP-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/03/RobinWilliams-tunnelCROP-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1456952970,
"modified": 1456953012,
"caption": "New sign for Robin Williams tunnel",
"description": "New sign for Robin Williams tunnel",
"title": "RobinWilliams tunnelCROP",
"credit": "Courtesy: Caltrans",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"news_10883095": {
"type": "attachments",
"id": "news_10883095",
"meta": {
"index": "attachments_1716263798",
"site": "news",
"id": "10883095",
"found": true
},
"parent": 10879280,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/02/BudAndErnesto-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/02/BudAndErnesto-400x320.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 320
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/02/BudAndErnesto-960x768.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 768
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/02/BudAndErnesto-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/02/BudAndErnesto.jpg",
"width": 1920,
"height": 1536
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/02/BudAndErnesto-1920x1536.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1536
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/02/BudAndErnesto-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/02/BudAndErnesto-800x640.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 640
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/02/BudAndErnesto-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/02/BudAndErnesto-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"jmtc-small-thumb": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/02/BudAndErnesto-280x150.jpg",
"width": 280,
"mimeType": "image/jpeg",
"height": 150
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/02/BudAndErnesto-1920x1536.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1536
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/02/BudAndErnesto-1180x944.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 944
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/02/BudAndErnesto-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/10/2016/02/BudAndErnesto-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1456872713,
"modified": 1456882081,
"caption": "\"Bordertown\" is based on next door neighbors in a fictional bordertown: the Buckwalds and Gonzalezes. Bud Buckwald (L) is a border patrol agent. Ernesto Gonzalez, a gardener, is his family's patriarch.",
"description": "\"Bordertown\" is based on next door neighbors in a fictional bordertown: the Buckwalds and Gonzalezes. Bud Buckwald (L) is a border patrol agent. Ernesto Gonzalez, a gardener, is his family's patriarch.",
"title": "BudAndErnesto",
"credit": "Courtesy Fox",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11316818": {
"type": "attachments",
"id": "arts_11316818",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11316818",
"found": true
},
"parent": 11316584,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Coltrane_CROP-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Coltrane_CROP-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Coltrane_CROP.jpg",
"width": 800,
"height": 450
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Coltrane_CROP-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Coltrane_CROP-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Coltrane_CROP-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Coltrane_CROP-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Coltrane_CROP-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Coltrane_CROP-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Coltrane_CROP-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1455148533,
"modified": 1455148595,
"caption": "A piece of John Coltrane -inspired art from the St. John Will I Am Coltrane African Orthodox Church",
"description": "A piece of John Coltrane -inspired art from the St. John Will I Am Coltrane African Orthodox Church",
"title": "Coltrane_CROP",
"credit": "Courtesy: St. John Will I Am Coltrane African Orthodox Church",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11300055": {
"type": "attachments",
"id": "arts_11300055",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11300055",
"found": true
},
"parent": 11300054,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/ap_615005467773_wide-87a352588e3da7cf48d4f606890ae278af31f985-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/ap_615005467773_wide-87a352588e3da7cf48d4f606890ae278af31f985-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/ap_615005467773_wide-87a352588e3da7cf48d4f606890ae278af31f985-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/ap_615005467773_wide-87a352588e3da7cf48d4f606890ae278af31f985-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/ap_615005467773_wide-87a352588e3da7cf48d4f606890ae278af31f985-e1464733628124.jpg",
"width": 1920,
"height": 1080
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/ap_615005467773_wide-87a352588e3da7cf48d4f606890ae278af31f985-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/ap_615005467773_wide-87a352588e3da7cf48d4f606890ae278af31f985-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/ap_615005467773_wide-87a352588e3da7cf48d4f606890ae278af31f985-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/ap_615005467773_wide-87a352588e3da7cf48d4f606890ae278af31f985-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/ap_615005467773_wide-87a352588e3da7cf48d4f606890ae278af31f985-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/ap_615005467773_wide-87a352588e3da7cf48d4f606890ae278af31f985-1920x1080.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1080
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/ap_615005467773_wide-87a352588e3da7cf48d4f606890ae278af31f985-1180x664.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 664
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/ap_615005467773_wide-87a352588e3da7cf48d4f606890ae278af31f985-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/ap_615005467773_wide-87a352588e3da7cf48d4f606890ae278af31f985-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/ap_615005467773_wide-87a352588e3da7cf48d4f606890ae278af31f985-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1454574067,
"modified": 1454574148,
"caption": "Bill Cosby arrives for a court appearance on Wednesday in Norristown, Pa. The judge has ruled that the case against him will proceed, despite a claim that he was promised immunity a decade ago.",
"description": "Bill Cosby arrives for a court appearance on Wednesday in Norristown, Pa. The judge has ruled that the case against him will proceed, despite a claim that he was promised immunity a decade ago.",
"title": "Bill Cosby arrives for a court appearance Wednesday in Norristown, Pa. The judge has ruled that the case against him will proceed, despite a claim that he was promised immunity a decade ago.",
"credit": "Photo: Ed Hille-Pool/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11369971": {
"type": "attachments",
"id": "arts_11369971",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11369971",
"found": true
},
"parent": 11369864,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/GGN_IB_View_Ramp-400x227.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 227
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/GGN_IB_View_Ramp-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/GGN_IB_View_Ramp.jpg",
"width": 800,
"height": 454
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/GGN_IB_View_Ramp-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/GGN_IB_View_Ramp-800x454.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 454
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/GGN_IB_View_Ramp-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/GGN_IB_View_Ramp-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/GGN_IB_View_Ramp-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/GGN_IB_View_Ramp-768x436.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 436
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/GGN_IB_View_Ramp-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1456790939,
"modified": 1456816932,
"caption": "Concept drawing of India Basin Park by Gustafson Guthrie Nichol ",
"description": "Concept drawing of India Basin Park by Gustafson Guthrie Nichol ",
"title": "GGN_IB_View_Ramp",
"credit": "Courtesy: San Francisco Department of Recreation and Parks",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11369858": {
"type": "attachments",
"id": "arts_11369858",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11369858",
"found": true
},
"parent": 11369752,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Chris-Rock-OscarsCROP-400x225.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 225
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Chris-Rock-OscarsCROP-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Chris-Rock-OscarsCROP.jpg",
"width": 850,
"height": 478
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Chris-Rock-OscarsCROP-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Chris-Rock-OscarsCROP-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Chris-Rock-OscarsCROP-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Chris-Rock-OscarsCROP-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Chris-Rock-OscarsCROP-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Chris-Rock-OscarsCROP-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Chris-Rock-OscarsCROP-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1456785413,
"modified": 1456785561,
"caption": "Host Chris Rock says goodnight while actor Michael Keaton looks on onstage during the 88th Annual Academy Awards ",
"description": "Host Chris Rock says goodnight while actor Michael Keaton looks on onstage during the 88th Annual Academy Awards",
"title": "88th Annual Academy Awards - Show",
"credit": "Photo: Kevin Winter/Getty Images",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11362380": {
"type": "attachments",
"id": "arts_11362380",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11362380",
"found": true
},
"parent": 0,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Untitled-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Untitled-e1456529752389-400x257.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 257
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Untitled-960x540.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 540
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Untitled-e1456529752389-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Untitled-e1456529752389.jpg",
"width": 745,
"height": 478
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Untitled-e1456529752389-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Untitled-800x450.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 450
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Untitled-e1456529752389-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Untitled-e1456529752389-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Untitled-e1456529752389-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Untitled-768x432.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 432
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Untitled-e1456529752389-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1456529712,
"modified": 1456535818,
"caption": "Newly discovered cantata by Handel.",
"description": "Newly discovered cantata by Handel",
"title": "Newly discovered cantata by Handel",
"credit": "Photo Courtesy of John Roberts",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11364721": {
"type": "attachments",
"id": "arts_11364721",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11364721",
"found": true
},
"parent": 11364611,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Farruquito-Aitor-Lara-e1456608581318-1038x576.png",
"width": 1038,
"mimeType": "image/png",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Farruquito-Aitor-Lara-e1456608581318-400x238.png",
"width": 400,
"mimeType": "image/png",
"height": 238
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Farruquito-Aitor-Lara-e1456608581318-960x572.png",
"width": 960,
"mimeType": "image/png",
"height": 572
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Farruquito-Aitor-Lara-e1456608581318-672x372.png",
"width": 672,
"mimeType": "image/png",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Farruquito-Aitor-Lara-e1456608581318.png",
"width": 1216,
"height": 724
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Farruquito-Aitor-Lara-e1456608581318-1180x703.png",
"width": 1180,
"mimeType": "image/png",
"height": 703
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Farruquito-Aitor-Lara-e1456608581318-96x96.png",
"width": 96,
"mimeType": "image/png",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Farruquito-Aitor-Lara-e1456608581318-800x476.png",
"width": 800,
"mimeType": "image/png",
"height": 476
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Farruquito-Aitor-Lara-e1456608581318-64x64.png",
"width": 64,
"mimeType": "image/png",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Farruquito-Aitor-Lara-e1456608581318-32x32.png",
"width": 32,
"mimeType": "image/png",
"height": 32
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Farruquito-Aitor-Lara-e1456608581318-1180x703.png",
"width": 1180,
"mimeType": "image/png",
"height": 703
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Farruquito-Aitor-Lara-e1456608581318-75x75.png",
"width": 75,
"mimeType": "image/png",
"height": 75
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Farruquito-Aitor-Lara-e1456608581318-768x457.png",
"width": 768,
"mimeType": "image/png",
"height": 457
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Farruquito-Aitor-Lara-e1456608581318-128x128.png",
"width": 128,
"mimeType": "image/png",
"height": 128
}
},
"publishDate": 1456608533,
"modified": 1456608568,
"caption": "The Sevillan flamenco star Farruquito",
"description": "The Sevillan flamenco star Farruquito",
"title": "Farruquito Aitor Lara",
"credit": "Photo: Aito Lara",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11360007": {
"type": "attachments",
"id": "arts_11360007",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11360007",
"found": true
},
"parent": 11359048,
"imgSizes": {
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Melba-Liston-400x266.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 266
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Melba-Liston.jpg",
"width": 500,
"height": 333
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Melba-Liston-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Melba-Liston-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Melba-Liston-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Melba-Liston-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/Melba-Liston-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1456453596,
"modified": 1456453609,
"caption": "Trombonist Melba Liston",
"description": null,
"title": "Trombonist Melba Liston",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_11355729": {
"type": "attachments",
"id": "arts_11355729",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "11355729",
"found": true
},
"parent": 11353957,
"imgSizes": {
"twentyfourteen-full-width": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/faces-1038x576.jpg",
"width": 1038,
"mimeType": "image/jpeg",
"height": 576
},
"thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/faces-400x240.jpg",
"width": 400,
"mimeType": "image/jpeg",
"height": 240
},
"fd-sm": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/faces-960x575.jpg",
"width": 960,
"mimeType": "image/jpeg",
"height": 575
},
"post-thumbnail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/faces-672x372.jpg",
"width": 672,
"mimeType": "image/jpeg",
"height": 372
},
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/faces.jpg",
"width": 2400,
"height": 1438
},
"large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/faces-1180x707.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 707
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/faces-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"medium": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/faces-800x479.jpg",
"width": 800,
"mimeType": "image/jpeg",
"height": 479
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/faces-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/faces-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"fd-lrg": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/faces-1920x1150.jpg",
"width": 1920,
"mimeType": "image/jpeg",
"height": 1150
},
"fd-med": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/faces-1180x707.jpg",
"width": 1180,
"mimeType": "image/jpeg",
"height": 707
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/faces-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"medium_large": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/faces-768x460.jpg",
"width": 768,
"mimeType": "image/jpeg",
"height": 460
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2016/02/faces-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1456326505,
"modified": 1456326555,
"caption": "Portraits from McCalman's project, Illustrated Black History. ",
"description": "Portraits from McCalman's project, Illustrated Black History. ",
"title": "Portraits from McCalman's project, Illustrated Black History.",
"credit": "Courtesy: George McCalman",
"status": "inherit",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"byline_arts_11374700": {
"type": "authors",
"id": "byline_arts_11374700",
"meta": {
"override": true
},
"slug": "byline_arts_11374700",
"name": "Associated Press",
"isLoading": false
},
"byline_arts_11372194": {
"type": "authors",
"id": "byline_arts_11372194",
"meta": {
"override": true
},
"slug": "byline_arts_11372194",
"name": "Maryclaire Dale, Associated Press",
"isLoading": false
},
"byline_arts_11369752": {
"type": "authors",
"id": "byline_arts_11369752",
"meta": {
"override": true
},
"slug": "byline_arts_11369752",
"name": "Associated Press",
"isLoading": false
},
"cmusiker": {
"type": "authors",
"id": "32",
"meta": {
"index": "authors_1716337520",
"id": "32",
"found": true
},
"name": "Cy Musiker",
"firstName": "Cy",
"lastName": "Musiker",
"slug": "cmusiker",
"email": "cmusiker@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": "Cy Musiker is a former co-host of The Do List and a former reporter covering the arts for KQED News and The California Report. He loves live performance, especially great theater, jazz, roots music, anything by Mahler. Cy has an MJ from UC Berkeley's School of Journalism, and got his BA from Hampshire College. His work has been recognized by the Society for Professional Journalists with their Sigma Delta Chi Award for Public Service in Journalism. When he can, Cy likes to swim in Tomales Bay, run with his dog in the East Bay Hills, and hike the Sierra.",
"avatar": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"Contributor",
"subscriber"
]
},
{
"site": "news",
"roles": [
"author"
]
},
{
"site": "bayareabites",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Cy Musiker | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/05eaba5c5696ce8f062e4ea2df428a43?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/cmusiker"
},
"kjones": {
"type": "authors",
"id": "93",
"meta": {
"index": "authors_1716337520",
"id": "93",
"found": true
},
"name": "Kevin L. Jones",
"firstName": "Kevin",
"lastName": "Jones",
"slug": "kjones",
"email": "kjones@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/12c65b5633ed39d0a59bb7f497eff645?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"subscriber"
]
},
{
"site": "styleguide",
"roles": [
"contributor"
]
},
{
"site": "artschool",
"roles": [
"subscriber"
]
},
{
"site": "news",
"roles": [
"subscriber"
]
},
{
"site": "pop",
"roles": [
"subscriber"
]
}
],
"headData": {
"title": "Kevin L. Jones | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/12c65b5633ed39d0a59bb7f497eff645?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/12c65b5633ed39d0a59bb7f497eff645?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/kjones"
},
"rachael-myrow": {
"type": "authors",
"id": "251",
"meta": {
"index": "authors_1716337520",
"id": "251",
"found": true
},
"name": "Rachael Myrow",
"firstName": "Rachael",
"lastName": "Myrow",
"slug": "rachael-myrow",
"email": "rmyrow@kqed.org",
"display_author_email": true,
"staff_mastheads": [
"news"
],
"title": "Senior Editor of KQED's Silicon Valley News Desk",
"bio": "• I write and edit stories about how Silicon Valley power and policies shape everyday life in California. I’m also passionate about making Bay Area history and culture more accessible to a broad public. • I’ve been a journalist for most of my life, starting in high school with The Franklin Press in Los Angeles, where I grew up. While earning my first degree in English at UC Berkeley, I got my start in public radio at KALX-FM. After completing a second degree in journalism at Cal, I landed my first professional job at Marketplace, then moved on to KPCC (now LAist), and then KQED, where I hosted The California Report for more than seven years. • My reporting has appeared on NPR, The World, WBUR’s \u003ci>Here & Now\u003c/i>, and the BBC. I also guest host for KQED’s \u003ci>Forum\u003c/i>, as well as the Commonwealth Club in San Francisco. • I speak periodically on media, democracy and technology issues, and do voiceover work for documentaries and educational video projects. • Outside of the studio, you'll find me hiking Bay Area trails and whipping up Insta-ready meals in my kitchen. • I do not accept gifts, money, or favors from anyone connected to my reporting, I don't pay people for information, and I do not support or donate to political causes. • I strive to treat the people I report on with fairness, honesty, and respect. I also recognize there are often multiple sides to a story and work to verify information through multiple sources and documentation. If I get something wrong, I correct it.",
"avatar": "https://secure.gravatar.com/avatar/3ed8a3c5f26025e4a805ba634cda8cd764906b97438a6d9ce216b044e340da4e?s=600&d=blank&r=g",
"twitter": "rachaelmyrow",
"bluesky": null,
"facebook": null,
"instagram": null,
"linkedin": "https://www.linkedin.com/in/rachaelmyrow/",
"sites": [
{
"site": "arts",
"roles": [
"administrator"
]
},
{
"site": "news",
"roles": [
"edit_others_posts",
"editor"
]
},
{
"site": "futureofyou",
"roles": [
"editor"
]
},
{
"site": "bayareabites",
"roles": [
"editor"
]
},
{
"site": "stateofhealth",
"roles": [
"editor"
]
},
{
"site": "science",
"roles": [
"editor"
]
},
{
"site": "food",
"roles": [
"editor"
]
},
{
"site": "forum",
"roles": [
"editor"
]
},
{
"site": "liveblog",
"roles": [
"author"
]
}
],
"headData": {
"title": "Rachael Myrow | KQED",
"description": "Senior Editor of KQED's Silicon Valley News Desk",
"ogImgSrc": "https://secure.gravatar.com/avatar/3ed8a3c5f26025e4a805ba634cda8cd764906b97438a6d9ce216b044e340da4e?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/3ed8a3c5f26025e4a805ba634cda8cd764906b97438a6d9ce216b044e340da4e?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/rachael-myrow"
},
"jwilkins": {
"type": "authors",
"id": "8668",
"meta": {
"index": "authors_1716337520",
"id": "8668",
"found": true
},
"name": "John Wilkins",
"firstName": "John",
"lastName": "Wilkins",
"slug": "jwilkins",
"email": "Johnrwilkins@aol.com",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": "John Wilkins is the theater critic for KQED Arts. He was the Artistic Director of Last Planet Theatre for ten years and teaches in the Writing and Literature program at CCA. Follow him on Twitter @johnrwilkins2",
"avatar": "https://secure.gravatar.com/avatar/7798fcc8a10bee0e04387b724b492df7?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"subscriber"
]
}
],
"headData": {
"title": "John Wilkins | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/7798fcc8a10bee0e04387b724b492df7?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/7798fcc8a10bee0e04387b724b492df7?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/jwilkins"
},
"qkim": {
"type": "authors",
"id": "11099",
"meta": {
"index": "authors_1716337520",
"id": "11099",
"found": true
},
"name": "Queena Sook Kim",
"firstName": "Queena",
"lastName": "Kim",
"slug": "qkim",
"email": "qkim@kqed.org",
"display_author_email": false,
"staff_mastheads": [
"news"
],
"title": "Senior Editor",
"bio": "\u003cspan style=\"font-weight: 400;\">Queena Sook Kim is a former senior editor of the weekend desk at KQED. Before taking on that post, she was the Senior Editor of the Silicon Valley Desk and was the \u003c/span>\u003cspan style=\"font-weight: 400;\">host of The California Report. The daily morning show airs on KQED in San Francisco, one of the nation’s largest NPR affiliates, and on 30 stations across the state. In that role, she produces and reports on news, politics and life in the Golden State. Queena likes to take sideways look at the larger trends changing the state. One of her favorite stories asked\u003c/span>\u003ca href=\"https://ww2.kqed.org/news/2015/02/15/why-the-heck-do-mexican-reporters-on-public-radio-say-their-names-that-way\"> \u003cspan style=\"font-weight: 400;\">why Latino journalists “over’pronounce” their Spanish surnames\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400;\"> as a way of looking at how immigration is creating a culture shift in California.\u003c/span>\r\n\r\n\u003cspan style=\"font-weight: 400;\">Before joining The California Report, Queena was a \u003ca href=\"http://www.marketplace.org/people/queena-kim\">Senior Reporter covering technology for Marketplace\u003c/a>, the daily business show that airs on public radio. Queena covered daily tech business stories and reported on larger technology trends. She did a series of stories looking at role of social engineering in hacking and on a start-up in Silicon Valley that’s trying to use technology, instead of animals, to make meat that bleeds.\u003c/span>\r\n\r\n\u003cspan style=\"font-weight: 400;\">Queena started her career as a business journalist at the Wall Street Journal, where she spent four years covering the paper, home building and toy industries. She wrote A1 stories about the unusually aggressive tactics KB Home took against its home buyers. and the resurgence of “Cracker” architecture in Florida. She also wrote section front stories on marketing trends and\u003c/span>\r\n\r\n\u003cspan style=\"font-weight: 400;\">As a journalist, Queena has spent much of her career helping start-up editorial products. She was on the founding editorial team of The Bay Citizen, an experimental, online news site in San Francisco that was funded by the late hillbilly billionaire Warren Hellman. In 2009, Queena received a grant from the Corporation of Public Broadcasting to start-up a podcast called \u003ca href=\"https://soundcloud.com/cyberfrequencies\">CyberFrequencies\u003c/a>, which reported on the culture of technology. She also helped start-up two radio shows - Off-Ramp and Pacific Drift - for KPCC, the NPR-affiliate in Los Angeles. Off-Ramp was awarded 1st Place for news and Public Affairs programming by the PRINDI and the L.A. Press club. \u003ca href=\"https://soundcloud.com/queena-sook-kim\">Queena’s stories have appeared \u003c/a>on NPR’s Day to Day, Hearing Voices, WNYC’s Studio 360, WBUR’s Here and Now, BBC’s Global Perspectives and New York Times’ multimedia page.\u003c/span>\r\n\r\n\u003cspan style=\"font-weight: 400;\">In 1994, Queena won a Fulbright Grant to teach and study in Seoul, South Korea. She was also selected to be a Teach For America Corps Member in 1991 and taught elementary school in the Inglewood Unified School District in Southern California.\u003c/span>\r\n\r\n\u003cspan style=\"font-weight: 400;\">Queena is a frequent public speaker and has given talks at UC Berkeley, Stanford University, San Francisco State University, PRINDI conference and the Craigslist Foundation Boot Camp. Queena went to UC Berkeley’s Graduate School of Journalism and graduated cum laude from New York University with a B.A. in Politics. She grew up in Southern California and lives in Berkeley, Ca in a big fixer on which she spends most weekends, well, fixing.\u003c/span>",
"avatar": "https://secure.gravatar.com/avatar/b72382fd0db351b99f8a31939f4853fc?s=600&d=blank&r=g",
"twitter": "queenasookkim",
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "news",
"roles": [
"subscriber"
]
},
{
"site": "forum",
"roles": [
"author"
]
},
{
"site": "breakingnews",
"roles": [
"editor"
]
}
],
"headData": {
"title": "Queena Sook Kim | KQED",
"description": "Senior Editor",
"ogImgSrc": "https://secure.gravatar.com/avatar/b72382fd0db351b99f8a31939f4853fc?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/b72382fd0db351b99f8a31939f4853fc?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/qkim"
},
"crnoveno": {
"type": "authors",
"id": "11208",
"meta": {
"index": "authors_1716337520",
"id": "11208",
"found": true
},
"name": "Creo Noveno",
"firstName": "Creo",
"lastName": "Noveno",
"slug": "crnoveno",
"email": "creonoveno@gmail.com",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Contributor",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/0df6606b8e36036309fd287052246d01?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"subscriber"
]
},
{
"site": "pop",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "Creo Noveno | KQED",
"description": "KQED Contributor",
"ogImgSrc": "https://secure.gravatar.com/avatar/0df6606b8e36036309fd287052246d01?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/0df6606b8e36036309fd287052246d01?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/crnoveno"
},
"msanchez": {
"type": "authors",
"id": "11226",
"meta": {
"index": "authors_1716337520",
"id": "11226",
"found": true
},
"name": "María Soledad Sánchez",
"firstName": "María",
"lastName": "Soledad Sánchez",
"slug": "msanchez",
"email": "mssanchezy1@yahoo.com",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/8efb6cc0a92177d8c13207157ba3e05f?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "María Soledad Sánchez | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/8efb6cc0a92177d8c13207157ba3e05f?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/8efb6cc0a92177d8c13207157ba3e05f?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/msanchez"
}
},
"pagesReducer": {
"arts_category_news": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"score": 10.810295
},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"title": "News",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 261
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=news",
"seeMore": false,
"paginated": true,
"page": 261
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_11370839": {
"type": "posts",
"id": "arts_11370839",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11370839",
"score": null,
"sort": [
1456966840000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1456966840,
"format": "standard",
"title": "Frances McDormand and Conleth Hill Attempt 'Macbeth'",
"headTitle": "Frances McDormand and Conleth Hill Attempt ‘Macbeth’ | KQED",
"content": "\u003cp>Daniel Sullivan’s production of Shakespeare’s \u003cem>Macbeth\u003c/em> at the Berkeley Repertory Theatre begins with a soldier strapped to a tree, Christ like, and the three witches milling about, prepping his body for God knows what. It feels malevolent without being foreboding, and that’s good.\u003c/p>\n\u003cp>Then we realize that film and stage star Frances McDormand, cast as Lady Macbeth, is also one of the witches — and rightfully bearded as Banquo notes — “You should be women, / And yet your beards forbid me to interpret / That you are so.” McDormand is an actress of great precision and wit; a comic capable of slipping into the horrific with a wink. And so the casting is inspired: this is a \u003cem>Macbeth\u003c/em> that springs from a witch’s imagination.\u003c/p>\n\u003cp>You can feel the play slither into an unexpected and wicked balance. Here is the type of sly poisoning of the soul that Shakespeare imagined. A dash of star peaking out from an unexpected corner of the production, and like Macbeth, we’re hooked. Follow McDormand and you follow the evil — witch, wife, plot, kill, chaos, and a frenzied and terrifying descent into madness. The possibilities are intoxicating.\u003c/p>\n\u003cp>But Sullivan doesn’t take advantage of this propulsive energy, and the production just kind of floats away without purpose or vision. The loss of steam happens within the first 15 minutes. It was as if the director, actors, and everyone else involved decided to quit; that they simply lost the will to bring \u003cem>Macbeth\u003c/em> to life.\u003c/p>\n\u003cp>In the title role, \u003cem>Game of Thrones\u003c/em> star Conleth Hill hams and mugs for laughs, behaving as if his mere presence should be enough to satisfy us. There are wild special effects that say nothing about the action on stage; in fact, they distract from it. At one point, an orange moon turns blue and then back again for no apparent reason. The ensemble of actors seem lost to each other, as if they were performing in radically different productions. And the fight choreography is an embarrassment of large clanking swords that tells us nothing of Macbeth or the world in which he lives. They’re just random effects of the night.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The joy of \u003cem>Macbeth \u003c/em>is the joy of living at its most savage. I don’t know about you, but I always want more, and more, and more of this play — the witches, the prophecies, the violence, the chaos, the crazed embrace of every dream, every murderous ambition, and every sidelong hope, no matter what the cost. Without that headlong rush into hell, it’s just reciting lines.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Macbeth\u003c/em> runs through April 10th at The Berkeley Repertory Theatre in Berkeley. For tickets and information go to www.berkeleyrep.org.\u003c/strong>\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 486,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 9
},
"modified": 1705044965,
"excerpt": "A star-studded cast doesn't save this expensively produced, poor executed version of Shakespeare's 'Scottish Play'",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "A star-studded cast doesn't save this expensively produced, poor executed version of Shakespeare's 'Scottish Play'",
"title": "Frances McDormand and Conleth Hill Attempt 'Macbeth' | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Frances McDormand and Conleth Hill Attempt 'Macbeth'",
"datePublished": "2016-03-02T17:00:40-08:00",
"dateModified": "2024-01-11T23:36:05-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "frances-mcdormand-and-conleth-hill-attempt-macbeth",
"status": "publish",
"sticky": false,
"path": "/arts/11370839/frances-mcdormand-and-conleth-hill-attempt-macbeth",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Daniel Sullivan’s production of Shakespeare’s \u003cem>Macbeth\u003c/em> at the Berkeley Repertory Theatre begins with a soldier strapped to a tree, Christ like, and the three witches milling about, prepping his body for God knows what. It feels malevolent without being foreboding, and that’s good.\u003c/p>\n\u003cp>Then we realize that film and stage star Frances McDormand, cast as Lady Macbeth, is also one of the witches — and rightfully bearded as Banquo notes — “You should be women, / And yet your beards forbid me to interpret / That you are so.” McDormand is an actress of great precision and wit; a comic capable of slipping into the horrific with a wink. And so the casting is inspired: this is a \u003cem>Macbeth\u003c/em> that springs from a witch’s imagination.\u003c/p>\n\u003cp>You can feel the play slither into an unexpected and wicked balance. Here is the type of sly poisoning of the soul that Shakespeare imagined. A dash of star peaking out from an unexpected corner of the production, and like Macbeth, we’re hooked. Follow McDormand and you follow the evil — witch, wife, plot, kill, chaos, and a frenzied and terrifying descent into madness. The possibilities are intoxicating.\u003c/p>\n\u003cp>But Sullivan doesn’t take advantage of this propulsive energy, and the production just kind of floats away without purpose or vision. The loss of steam happens within the first 15 minutes. It was as if the director, actors, and everyone else involved decided to quit; that they simply lost the will to bring \u003cem>Macbeth\u003c/em> to life.\u003c/p>\n\u003cp>In the title role, \u003cem>Game of Thrones\u003c/em> star Conleth Hill hams and mugs for laughs, behaving as if his mere presence should be enough to satisfy us. There are wild special effects that say nothing about the action on stage; in fact, they distract from it. At one point, an orange moon turns blue and then back again for no apparent reason. The ensemble of actors seem lost to each other, as if they were performing in radically different productions. And the fight choreography is an embarrassment of large clanking swords that tells us nothing of Macbeth or the world in which he lives. They’re just random effects of the night.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The joy of \u003cem>Macbeth \u003c/em>is the joy of living at its most savage. I don’t know about you, but I always want more, and more, and more of this play — the witches, the prophecies, the violence, the chaos, the crazed embrace of every dream, every murderous ambition, and every sidelong hope, no matter what the cost. Without that headlong rush into hell, it’s just reciting lines.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Macbeth\u003c/em> runs through April 10th at The Berkeley Repertory Theatre in Berkeley. For tickets and information go to www.berkeleyrep.org.\u003c/strong>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11370839/frances-mcdormand-and-conleth-hill-attempt-macbeth",
"authors": [
"8668"
],
"categories": [
"arts_235",
"arts_967"
],
"featImg": "arts_11370951",
"label": "arts"
},
"arts_11374909": {
"type": "posts",
"id": "arts_11374909",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11374909",
"score": null,
"sort": [
1456966746000
]
},
"guestAuthors": [],
"slug": "salvador-dali-collection-coming-to-monterey",
"title": "Salvador Dalí Collection Coming to Monterey",
"publishDate": 1456966746,
"format": "standard",
"headTitle": "Salvador Dalí Collection Coming to Monterey | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>The Museum of Monterey is about to become home to the largest collection of works by Salvador Dalí on the West Coast, thanks to the arrival of 543 original etchings, lithographs, sculptures and tapestries by the Spanish surrealist artist. The collection will join the \u003ca href=\"http://www.montereybayaquarium.org/\" target=\"_blank\" rel=\"noopener\">Aquarium\u003c/a> and the \u003ca href=\"http://www.montereyjazzfestival.org/\" target=\"_blank\" rel=\"noopener\">Jazz Festival\u003c/a> as one of Monterey’s major tourist draws.\u003c/p>\n\u003cp>It’s not as bizarre an idea as you might think. Dalí lived in Monterey off and on for seven years in the 1940s. The artist was a regular at the city’s famous Hotel Del Monte, the historic starting point for the 17-mile drive.\u003c/p>\n\u003cp>Watch Paramount Pictures’ coverage of a surrealist fundraiser Dalí threw for European artists displaced by World War II in 1941.\u003c/p>\n\u003cp>[youtube https://www.youtube.com/watch?v=vg6i4E0Woak]\u003c/p>\n\u003cp>Stars like Bob Hope, Clark Gable, Bing Crosby, and Alfred Hitchcock reportedly attended, too. Dalí was not above fraternizing with local artists, though. He was an early member of the \u003ca href=\"http://carmelart.org/history/\" target=\"_blank\" rel=\"noopener\">Carmel Art Association\u003c/a>, actively participating in the group’s activities when he wasn’t in New York or Hollywood.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Last year, the Monterey History and Art Association went looking for a fresh focus for the Museum of Monterey. Since its start in 1992, the institution, which doesn’t charge admission, has attracted fewer than 25,000 visitors a year and has failed to break even.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/251082631″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=’166′ iframe=”true” /]\u003c/p>\n\u003cp>Highlighting local history is part of the organization’s mission. So after a call went out for fresh ideas, board members were excited to hear from a local businessman keen to share his Dalí collection with the public –- a collection unmatched by anything outside Europe or \u003ca href=\"http://thedali.org/\" target=\"_blank\" rel=\"noopener\">The Dalí\u003c/a> \u003ca href=\"http://thedali.org/\" target=\"_blank\" rel=\"noopener\">Museum\u003c/a> in Florida.\u003c/p>\n\u003cp>\u003cstrong>Nuts for Dalí\u003c/strong>\u003c/p>\n\u003cp>Dmitry Piterman maintains homes in Oakland and Pebble Beach, and he’s mad for Dalí. After earning a track scholarship to UC Berkeley, Piterman competed in the US Olympic trials for the 1992 games in Barcelona. He failed to qualify. But as a result of his visit to Spain, Piterman discovered Dalí. As Piterman’s career in real estate blossomed over the years, he plowed a fair bit of his spare income into Dalí’s art work.\u003c/p>\n\u003cp>Piterman has exhibited his collection before in Spain and Belgium. Now he’ll get to have a strong hand in the day-to-day management of the exhibition space in Monterey, and at a museum that is putting his collection front and center.\u003c/p>\n\u003cp>Association president Larry Chavez says he hopes to add to the collection from the museum’s own archives as well as from future purchases Piterman might make and from other Dalí art collectors.\u003c/p>\n\u003cp>\u003cstrong>The Fate of the Existing Collection\u003c/strong>\u003c/p>\n\u003cp>What’s going to happen to the existing collection? Work that was on loan is going back to its original owners. Much of it is headed to the \u003ca href=\"http://www.nps.gov/safr/index.htm\" target=\"_blank\" rel=\"noopener\">San Francisco Maritime Museum\u003c/a>. Local outfits like the \u003ca href=\"http://monterey.org/library/California-History-Room\" target=\"_blank\" rel=\"noopener\">Monterey Public Library\u003c/a> and the \u003ca href=\"http://www.dliflc.edu/about/command-history-office-3/\" target=\"_blank\" rel=\"noopener\">Defense Language Institute\u003c/a> will house other materials. Chavez adds there will also be a small exhibit of non-Dalí items at the museum and/or another location nearby.\u003c/p>\n\u003cp>Monterey County vigorously celebrates writers who’ve spent time in the region, including John Steinbeck, Robert Louis Stevenson, Robinson Jeffers, Henry Miller and Jack Kerouac. Dalí’s connection to the city is much less well known.\u003c/p>\n\u003cp>“Dalí, with his extravagance and with his out of the box thinking, probably chose Monterey because he found this a little haven for himself,” says Chavez.\u003c/p>\n\u003cp>The new Dalí museum will open in May, just in time for the summer tourist season.\u003c/p>\n\u003cp>\u003cstrong>Dalí on \u003cem>What’s My Line\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=f7SSkVpM4lE\u003c/p>\n\n",
"blocks": [],
"excerpt": "The Museum of Monterey is about to become home to West Coast's largest collection of work by the famed Spanish surrealist artist.",
"status": "publish",
"parent": 0,
"modified": 1726710228,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 20,
"wordCount": 701
},
"headData": {
"title": "Salvador Dalí Collection Coming to Monterey | KQED",
"description": "The Museum of Monterey is about to become home to West Coast's largest collection of work by the famed Spanish surrealist artist.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Salvador Dalí Collection Coming to Monterey",
"datePublished": "2016-03-02T16:59:06-08:00",
"dateModified": "2024-09-18T18:43:48-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/11374909/salvador-dali-collection-coming-to-monterey",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Museum of Monterey is about to become home to the largest collection of works by Salvador Dalí on the West Coast, thanks to the arrival of 543 original etchings, lithographs, sculptures and tapestries by the Spanish surrealist artist. The collection will join the \u003ca href=\"http://www.montereybayaquarium.org/\" target=\"_blank\" rel=\"noopener\">Aquarium\u003c/a> and the \u003ca href=\"http://www.montereyjazzfestival.org/\" target=\"_blank\" rel=\"noopener\">Jazz Festival\u003c/a> as one of Monterey’s major tourist draws.\u003c/p>\n\u003cp>It’s not as bizarre an idea as you might think. Dalí lived in Monterey off and on for seven years in the 1940s. The artist was a regular at the city’s famous Hotel Del Monte, the historic starting point for the 17-mile drive.\u003c/p>\n\u003cp>Watch Paramount Pictures’ coverage of a surrealist fundraiser Dalí threw for European artists displaced by World War II in 1941.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/vg6i4E0Woak'\n title='//www.youtube.com/embed/vg6i4E0Woak'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Stars like Bob Hope, Clark Gable, Bing Crosby, and Alfred Hitchcock reportedly attended, too. Dalí was not above fraternizing with local artists, though. He was an early member of the \u003ca href=\"http://carmelart.org/history/\" target=\"_blank\" rel=\"noopener\">Carmel Art Association\u003c/a>, actively participating in the group’s activities when he wasn’t in New York or Hollywood.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Last year, the Monterey History and Art Association went looking for a fresh focus for the Museum of Monterey. Since its start in 1992, the institution, which doesn’t charge admission, has attracted fewer than 25,000 visitors a year and has failed to break even.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='’166′'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/251082631″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/251082631″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Highlighting local history is part of the organization’s mission. So after a call went out for fresh ideas, board members were excited to hear from a local businessman keen to share his Dalí collection with the public –- a collection unmatched by anything outside Europe or \u003ca href=\"http://thedali.org/\" target=\"_blank\" rel=\"noopener\">The Dalí\u003c/a> \u003ca href=\"http://thedali.org/\" target=\"_blank\" rel=\"noopener\">Museum\u003c/a> in Florida.\u003c/p>\n\u003cp>\u003cstrong>Nuts for Dalí\u003c/strong>\u003c/p>\n\u003cp>Dmitry Piterman maintains homes in Oakland and Pebble Beach, and he’s mad for Dalí. After earning a track scholarship to UC Berkeley, Piterman competed in the US Olympic trials for the 1992 games in Barcelona. He failed to qualify. But as a result of his visit to Spain, Piterman discovered Dalí. As Piterman’s career in real estate blossomed over the years, he plowed a fair bit of his spare income into Dalí’s art work.\u003c/p>\n\u003cp>Piterman has exhibited his collection before in Spain and Belgium. Now he’ll get to have a strong hand in the day-to-day management of the exhibition space in Monterey, and at a museum that is putting his collection front and center.\u003c/p>\n\u003cp>Association president Larry Chavez says he hopes to add to the collection from the museum’s own archives as well as from future purchases Piterman might make and from other Dalí art collectors.\u003c/p>\n\u003cp>\u003cstrong>The Fate of the Existing Collection\u003c/strong>\u003c/p>\n\u003cp>What’s going to happen to the existing collection? Work that was on loan is going back to its original owners. Much of it is headed to the \u003ca href=\"http://www.nps.gov/safr/index.htm\" target=\"_blank\" rel=\"noopener\">San Francisco Maritime Museum\u003c/a>. Local outfits like the \u003ca href=\"http://monterey.org/library/California-History-Room\" target=\"_blank\" rel=\"noopener\">Monterey Public Library\u003c/a> and the \u003ca href=\"http://www.dliflc.edu/about/command-history-office-3/\" target=\"_blank\" rel=\"noopener\">Defense Language Institute\u003c/a> will house other materials. Chavez adds there will also be a small exhibit of non-Dalí items at the museum and/or another location nearby.\u003c/p>\n\u003cp>Monterey County vigorously celebrates writers who’ve spent time in the region, including John Steinbeck, Robert Louis Stevenson, Robinson Jeffers, Henry Miller and Jack Kerouac. Dalí’s connection to the city is much less well known.\u003c/p>\n\u003cp>“Dalí, with his extravagance and with his out of the box thinking, probably chose Monterey because he found this a little haven for himself,” says Chavez.\u003c/p>\n\u003cp>The new Dalí museum will open in May, just in time for the summer tourist season.\u003c/p>\n\u003cp>\u003cstrong>Dalí on \u003cem>What’s My Line\u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/f7SSkVpM4lE'\n title='//www.youtube.com/embed/f7SSkVpM4lE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11374909/salvador-dali-collection-coming-to-monterey",
"authors": [
"251"
],
"categories": [
"arts_1",
"arts_235",
"arts_70"
],
"tags": [
"arts_1037",
"arts_596"
],
"featImg": "arts_11375015",
"label": "arts"
},
"arts_11374700": {
"type": "posts",
"id": "arts_11374700",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11374700",
"score": null,
"sort": [
1456953050000
]
},
"guestAuthors": [],
"slug": "robin-williams-tunnel-now-identified-by-new-sign",
"title": "Robin Williams Tunnel Now Identified by New Sign",
"publishDate": 1456953050,
"format": "standard",
"headTitle": "Robin Williams Tunnel Now Identified by New Sign | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>A tunnel with rainbow arches that connects the Golden Gate Bridge to greater Marin County has officially become the Robin Williams tunnel.\u003c/p>\n\u003cp>The San Francisco Chronicle reports that the new Robin Williams Tunnel signs were installed Monday night.\u003c/p>\n\u003cp>The tunnel was unofficially known as the Waldo Tunnel.\u003c/p>\n\u003cp>The California State Senate last year approved a resolution to change the tunnel’s name to honor the late actor and comedian.\u003c/p>\n\u003cp>Williams first moved to the Bay Area when he was a teenager and continued to live in the North Bay until his death in 2014.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The two signs — one for each side of the tunnel — cost $3,000 that was paid for using private donations.\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved.\u003c/p>\n\u003cp>— \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Additional reporting by Kevin L. Jones\u003c/p>\n\n",
"blocks": [],
"excerpt": null,
"status": "publish",
"parent": 0,
"modified": 1726710243,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 11,
"wordCount": 134
},
"headData": {
"title": "Robin Williams Tunnel Now Identified by New Sign | KQED",
"description": "A tunnel with rainbow arches that connects the Golden Gate Bridge to greater Marin County has officially become the Robin Williams tunnel. The San Francisco Chronicle reports that the new Robin Williams Tunnel signs were installed Monday night. The tunnel was unofficially known as the Waldo Tunnel. The California State Senate last year approved a resolution to change the tunnel's name to honor the late actor and comedian. Williams first moved to the Bay Area when he was a teenager and continued to live in the North Bay until his death in 2014. The two signs — one for each",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Robin Williams Tunnel Now Identified by New Sign",
"datePublished": "2016-03-02T13:10:50-08:00",
"dateModified": "2024-09-18T18:44:03-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprByline": "Associated Press",
"path": "/arts/11374700/robin-williams-tunnel-now-identified-by-new-sign",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A tunnel with rainbow arches that connects the Golden Gate Bridge to greater Marin County has officially become the Robin Williams tunnel.\u003c/p>\n\u003cp>The San Francisco Chronicle reports that the new Robin Williams Tunnel signs were installed Monday night.\u003c/p>\n\u003cp>The tunnel was unofficially known as the Waldo Tunnel.\u003c/p>\n\u003cp>The California State Senate last year approved a resolution to change the tunnel’s name to honor the late actor and comedian.\u003c/p>\n\u003cp>Williams first moved to the Bay Area when he was a teenager and continued to live in the North Bay until his death in 2014.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The two signs — one for each side of the tunnel — cost $3,000 that was paid for using private donations.\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved.\u003c/p>\n\u003cp>— \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Additional reporting by Kevin L. Jones\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11374700/robin-williams-tunnel-now-identified-by-new-sign",
"authors": [
"byline_arts_11374700"
],
"categories": [
"arts_968",
"arts_74",
"arts_235",
"arts_990"
],
"tags": [
"arts_1310",
"arts_596"
],
"featImg": "arts_11374703",
"label": "arts"
},
"news_10879280": {
"type": "posts",
"id": "news_10879280",
"meta": {
"index": "posts_1716263798",
"site": "news",
"id": "10879280",
"score": null,
"sort": [
1456905953000
]
},
"guestAuthors": [],
"slug": "how-the-comedy-of-bordertown-perfectly-addresses-immigration-tensions",
"title": "How the Comedy of ‘Bordertown’ Nails Immigration Tensions",
"publishDate": 1456905953,
"format": "standard",
"headTitle": "How the Comedy of ‘Bordertown’ Nails Immigration Tensions | KQED",
"labelTerm": {
"term": 72,
"site": "news"
},
"content": "\u003cp>I don’t think I’m going out on a limb here by saying it’s been a wacky presidential primary season. And while reasonable minds can disagree on immigration policy, we can all agree that \u003ca href=\"https://www.youtube.com/watch?v=Yi33KkhKRWs\">lots of ugly things\u003c/a> are being said about immigrants.\u003c/p>\n\u003cp>For some insight, I turned to an unlikely source: \u003ca href=\"http://www.fox.com/watch/594219587792/7765855488\">“Bordertown.”\u003c/a> It’s an animated sitcom on Fox, set in the fictional bordertown of Mexifornia. It’s basically a comedy about immigration.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/249017415″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]\u003c/p>\n\u003cp>In the \u003ca href=\"http://www.fox.com/watch/598904899611/7765855488\">second episode\u003c/a>, Mexifornia residents congregate at a town hall meeting to discuss what to do with a $10 million windfall to the city budget.\u003c/p>\n\u003cp>“I think it should go toward building a border wall,” suggests Bud Buckwald, a border patrol agent and one of the show’s main characters.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Sound familiar?\u003c/p>\n\u003cp>http://www.fox.com/watch/598904899611/7765855488\u003c/p>\n\u003cp>“We wrote the show two years ago, before Donald Trump,” says \u003ca href=\"http://laloalcaraz.com/\">Lalo Alcaraz\u003c/a>, a writer and consultant on “Bordertown.”\u003c/p>\n\u003cp>America has been going through a huge demographic shift, and this election season is bringing the huge rifts it’s created into stark relief. Alcaraz, a longtime political cartoonist in Los Angeles, says animated comedy could be the best way for us to address these controversial topics head-on.\u003c/p>\n\u003cp>This wouldn’t be the first time Americans turned to comedy during times of social upheaval. “Bordertown” creator \u003ca href=\"http://www.imdb.com/name/nm0378262/\" target=\"_blank\" rel=\"noopener\">Mark Hentemann\u003c/a> modeled his animated sitcom on \u003ca href=\"http://www.imdb.com/title/tt0066626/\">“All in the Family.”\u003c/a> The legendary sitcom was set in the 1970s, in the midst of the Civil Rights Movement.\u003c/p>\n\u003cfigure id=\"attachment_10883078\" class=\"wp-caption alignright\" style=\"max-width: 436px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-10883078\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/02/LaloAlcaraz-800x940.jpg\" alt='Lalo Alcaraz, writer, cartoonist and consultant on \"Bordertown.\"' width=\"436\" height=\"512\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2016/02/LaloAlcaraz-800x940.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/02/LaloAlcaraz-400x470.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/02/LaloAlcaraz.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/02/LaloAlcaraz-1180x1387.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/02/LaloAlcaraz-960x1128.jpg 960w\" sizes=\"(max-width: 436px) 100vw, 436px\">\u003cfigcaption class=\"wp-caption-text\">Lalo Alcaraz, writer, cartoonist and consultant on “Bordertown.” \u003ccite>(Wikimedia Commons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Back in the ‘All In the Family’ days in the ’70s, Archie Bunker was complaining about Black Power, feminism, the emerging gay rights movement,” Alcaraz says. “This is an updated version, and set in a place where we can talk about those things.”\u003c/p>\n\u003cp>While “All In the Family” was based in Queens and focused on urban issues, “Bordertown” is set on the outskirts of America. But the issues it raises are at the center of our political debate.\u003c/p>\n\u003cp>The show is based on two families, the Buckwalds and Gonzalezes. They are next-door neighbors. The Buckwalds are headed by Bud, who is a border patrol agent. And Ernesto, a gardener, is the patriarch of his clan.\u003c/p>\n\u003cp>“Bud Buckwald, who’s kind of a bigoted Archie Bunker-ish white guy,” Alcaraz says. “He feels out of sorts. He feels like his world has changed and can’t cope with the new reality that is the U.S.”\u003c/p>\n\u003cp>In one episode, Bud Buckwald bemoans what he sees, as his status declines in an increasingly diverse America.\u003c/p>\n\u003cp>“You know I was always told if I worked for the man long enough, eventually I’d become the man,” Buckwald says. “Well, I’ve been working at that station for 20 years but I ain’t the man. Steve is. Even Ernesto is the boss of his grass thingy. It’s like the Mexican has become the man and I’ve become the Mexican.”\u003c/p>\n\u003cp>And Bud’s Mexican immigrant neighbor, Ernesto?\u003c/p>\n\u003cfigure id=\"attachment_10883241\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/02/BordertownDriving-800x510.jpg\" alt=\"Bud (L) is enraged when he finds out that his daughter is engaged to J.C., Ernesto’s nephew.\" width=\"800\" height=\"510\" class=\"size-medium wp-image-10883241\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2016/02/BordertownDriving-800x510.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/02/BordertownDriving-400x255.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/02/BordertownDriving.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/02/BordertownDriving-1180x752.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/02/BordertownDriving-960x612.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bud (L) is enraged when he finds out that his daughter is engaged to J.C., Ernesto’s nephew. \u003ccite>(Courtesy Fox)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Ernesto Gonzalez has been in the U.S. for 25 years or so and is doing a little bit better than Bud, and Bud cannot deal with that,” Alcaraz says.\u003c/p>\n\u003cp>But like all the characters in “Bordertown,” and really, in much of America, Ernesto’s views on immigration are not easily understood.\u003c/p>\n\u003cp>In the episode about the border wall, Ernesto’s nephew urges him to speak out against it. Ernesto obliges and starts by telling the crowd, “I came to the U.S. where everybody’s voice can be heard and counted.”\u003c/p>\n\u003cp>Alcaraz says you think Ernesto is going to give an inspiring speech about how great America is, but it quickly devolves.\u003c/p>\n\u003cp>Ernesto hails America’s democratic process. It might not be perfect, he says, but it’s better than the government he left behind. And then he ends his speech by saying, “So in conclusion, Gonzalez landscaping, we love you lawn time!”\u003c/p>\n\u003cp>Alcaraz says the scene is a riff on how immigrants may have a political point of view, but at the end of the day they’re very practical people.\u003c/p>\n\u003cp>http://www.fox.com/watch/592630339703/7765855488\u003c/p>\n\u003cp>“In animation and cartoons, I firmly believe you can say so much more that you can’t in live action or boring old essays,” Alcaraz says.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The jury is still out as to whether audiences agree, and there’s no word yet if “Bordertown” will get a second season. But a Trump presidency might make a second season too irresistible to pass up.\u003c/p>\n\n",
"blocks": [],
"excerpt": "Longtime political cartoonist Lalo Alcaraz says the animated show could be the best way to address controversial topics head-on.",
"status": "publish",
"parent": 0,
"modified": 1721104180,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 26,
"wordCount": 907
},
"headData": {
"title": "How the Comedy of ‘Bordertown’ Nails Immigration Tensions | KQED",
"description": "Longtime political cartoonist Lalo Alcaraz says the animated show could be the best way to address controversial topics head-on.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "NewsArticle",
"headline": "How the Comedy of ‘Bordertown’ Nails Immigration Tensions",
"datePublished": "2016-03-02T00:05:53-08:00",
"dateModified": "2024-07-15T21:29:40-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"isAccessibleForFree": "True",
"publisher": {
"@type": "NewsMediaOrganization",
"@id": "https://www.kqed.org/#organization",
"name": "KQED",
"logo": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png",
"url": "https://www.kqed.org",
"sameAs": [
"https://www.facebook.com/KQED",
"https://twitter.com/KQED",
"https://www.instagram.com/kqed/",
"https://www.tiktok.com/@kqedofficial",
"https://www.linkedin.com/company/kqed",
"https://www.youtube.com/channel/UCeC0IOo7i1P_61zVUWbJ4nw"
]
}
}
},
"sticky": false,
"path": "/news/10879280/how-the-comedy-of-bordertown-perfectly-addresses-immigration-tensions",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>I don’t think I’m going out on a limb here by saying it’s been a wacky presidential primary season. And while reasonable minds can disagree on immigration policy, we can all agree that \u003ca href=\"https://www.youtube.com/watch?v=Yi33KkhKRWs\">lots of ugly things\u003c/a> are being said about immigrants.\u003c/p>\n\u003cp>For some insight, I turned to an unlikely source: \u003ca href=\"http://www.fox.com/watch/594219587792/7765855488\">“Bordertown.”\u003c/a> It’s an animated sitcom on Fox, set in the fictional bordertown of Mexifornia. It’s basically a comedy about immigration.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”166″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/249017415″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/249017415″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>In the \u003ca href=\"http://www.fox.com/watch/598904899611/7765855488\">second episode\u003c/a>, Mexifornia residents congregate at a town hall meeting to discuss what to do with a $10 million windfall to the city budget.\u003c/p>\n\u003cp>“I think it should go toward building a border wall,” suggests Bud Buckwald, a border patrol agent and one of the show’s main characters.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Sound familiar?\u003c/p>\n\u003cp>http://www.fox.com/watch/598904899611/7765855488\u003c/p>\n\u003cp>“We wrote the show two years ago, before Donald Trump,” says \u003ca href=\"http://laloalcaraz.com/\">Lalo Alcaraz\u003c/a>, a writer and consultant on “Bordertown.”\u003c/p>\n\u003cp>America has been going through a huge demographic shift, and this election season is bringing the huge rifts it’s created into stark relief. Alcaraz, a longtime political cartoonist in Los Angeles, says animated comedy could be the best way for us to address these controversial topics head-on.\u003c/p>\n\u003cp>This wouldn’t be the first time Americans turned to comedy during times of social upheaval. “Bordertown” creator \u003ca href=\"http://www.imdb.com/name/nm0378262/\" target=\"_blank\" rel=\"noopener\">Mark Hentemann\u003c/a> modeled his animated sitcom on \u003ca href=\"http://www.imdb.com/title/tt0066626/\">“All in the Family.”\u003c/a> The legendary sitcom was set in the 1970s, in the midst of the Civil Rights Movement.\u003c/p>\n\u003cfigure id=\"attachment_10883078\" class=\"wp-caption alignright\" style=\"max-width: 436px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-10883078\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/02/LaloAlcaraz-800x940.jpg\" alt='Lalo Alcaraz, writer, cartoonist and consultant on \"Bordertown.\"' width=\"436\" height=\"512\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2016/02/LaloAlcaraz-800x940.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/02/LaloAlcaraz-400x470.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/02/LaloAlcaraz.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/02/LaloAlcaraz-1180x1387.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/02/LaloAlcaraz-960x1128.jpg 960w\" sizes=\"(max-width: 436px) 100vw, 436px\">\u003cfigcaption class=\"wp-caption-text\">Lalo Alcaraz, writer, cartoonist and consultant on “Bordertown.” \u003ccite>(Wikimedia Commons)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Back in the ‘All In the Family’ days in the ’70s, Archie Bunker was complaining about Black Power, feminism, the emerging gay rights movement,” Alcaraz says. “This is an updated version, and set in a place where we can talk about those things.”\u003c/p>\n\u003cp>While “All In the Family” was based in Queens and focused on urban issues, “Bordertown” is set on the outskirts of America. But the issues it raises are at the center of our political debate.\u003c/p>\n\u003cp>The show is based on two families, the Buckwalds and Gonzalezes. They are next-door neighbors. The Buckwalds are headed by Bud, who is a border patrol agent. And Ernesto, a gardener, is the patriarch of his clan.\u003c/p>\n\u003cp>“Bud Buckwald, who’s kind of a bigoted Archie Bunker-ish white guy,” Alcaraz says. “He feels out of sorts. He feels like his world has changed and can’t cope with the new reality that is the U.S.”\u003c/p>\n\u003cp>In one episode, Bud Buckwald bemoans what he sees, as his status declines in an increasingly diverse America.\u003c/p>\n\u003cp>“You know I was always told if I worked for the man long enough, eventually I’d become the man,” Buckwald says. “Well, I’ve been working at that station for 20 years but I ain’t the man. Steve is. Even Ernesto is the boss of his grass thingy. It’s like the Mexican has become the man and I’ve become the Mexican.”\u003c/p>\n\u003cp>And Bud’s Mexican immigrant neighbor, Ernesto?\u003c/p>\n\u003cfigure id=\"attachment_10883241\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2016/02/BordertownDriving-800x510.jpg\" alt=\"Bud (L) is enraged when he finds out that his daughter is engaged to J.C., Ernesto’s nephew.\" width=\"800\" height=\"510\" class=\"size-medium wp-image-10883241\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/10/2016/02/BordertownDriving-800x510.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/02/BordertownDriving-400x255.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/02/BordertownDriving.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/02/BordertownDriving-1180x752.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/10/2016/02/BordertownDriving-960x612.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Bud (L) is enraged when he finds out that his daughter is engaged to J.C., Ernesto’s nephew. \u003ccite>(Courtesy Fox)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Ernesto Gonzalez has been in the U.S. for 25 years or so and is doing a little bit better than Bud, and Bud cannot deal with that,” Alcaraz says.\u003c/p>\n\u003cp>But like all the characters in “Bordertown,” and really, in much of America, Ernesto’s views on immigration are not easily understood.\u003c/p>\n\u003cp>In the episode about the border wall, Ernesto’s nephew urges him to speak out against it. Ernesto obliges and starts by telling the crowd, “I came to the U.S. where everybody’s voice can be heard and counted.”\u003c/p>\n\u003cp>Alcaraz says you think Ernesto is going to give an inspiring speech about how great America is, but it quickly devolves.\u003c/p>\n\u003cp>Ernesto hails America’s democratic process. It might not be perfect, he says, but it’s better than the government he left behind. And then he ends his speech by saying, “So in conclusion, Gonzalez landscaping, we love you lawn time!”\u003c/p>\n\u003cp>Alcaraz says the scene is a riff on how immigrants may have a political point of view, but at the end of the day they’re very practical people.\u003c/p>\n\u003cp>http://www.fox.com/watch/592630339703/7765855488\u003c/p>\n\u003cp>“In animation and cartoons, I firmly believe you can say so much more that you can’t in live action or boring old essays,” Alcaraz says.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The jury is still out as to whether audiences agree, and there’s no word yet if “Bordertown” will get a second season. But a Trump presidency might make a second season too irresistible to pass up.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/news/10879280/how-the-comedy-of-bordertown-perfectly-addresses-immigration-tensions",
"authors": [
"11099"
],
"programs": [
"news_72"
],
"categories": [
"news_223",
"news_1169",
"news_8",
"news_13"
],
"tags": [
"news_17286",
"news_472"
],
"featImg": "news_10883095",
"label": "news_72"
},
"arts_11372302": {
"type": "posts",
"id": "arts_11372302",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11372302",
"score": null,
"sort": [
1456870770000
]
},
"guestAuthors": [],
"slug": "coltrane-church-eviction-has-been-delayed-for-60-days",
"title": "Coltrane Church: Eviction Has Been Delayed for 60 Days",
"publishDate": 1456870770,
"format": "standard",
"headTitle": "Coltrane Church: Eviction Has Been Delayed for 60 Days | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>\u003cb>UPDATED:\u003c/b> March 1, 4:30pm. \u003c/p>\n\u003cp>San Francisco’s Saint John Will I Am Coltrane African Orthodox Church planned to protest their impending eviction Tuesday, but thanks to some good news received just hours before, they are going to be celebrating instead.\u003c/p>\n\u003cp>The church received a notice \u003ca href=\"http://ww2.kqed.org/arts/2016/02/24/coltrane-church-told-by-san-francisco-sheriff-it-has-a-week-to-relocate/\" target=\"_blank\" rel=\"noopener\">last week from the San Francisco’s Sheriff’s Department\u003c/a> that it must remove all of its possessions from its space in the West Bay Community Center by the morning of March 2. After fighting for weeks, the church appeared to have little recourse.\u003c/p>\n\u003cp>But just minutes before 2pm, the Coltrane Church tweeted from its account that “The People’s Power Prevails!”\u003c/p>\n\u003cp>https://twitter.com/ColtraneAOC/status/704785319099441152\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>On the church’s Facebook page, representatives thanked the church’s supporters:\u003c/p>\n\u003cp>https://www.facebook.com/stjohncoltranechurchwest/photos/a.284607624917.186773.274649844917/10154488586324918/\u003c/p>\n\u003cp>The church announced that it was celebrating in front of its current location — 1286 Fillmore St., San Francisco — at 4pm Tuesday.\u003c/p>\n\u003cp>At the event, attended by dozens of supporters and local media, Archbishop Franzo King, who co-founded the church back in 1971, arrived to applause.\u003c/p>\n\u003cp>“It was not a reprieve; we just refused to leave at gunpoint,” King told the crowd.\u003c/p>\n\u003cp>After speaking with the media, King announced that another meeting would be held on March 20 at 11am, where church representatives would discuss issues they had with the landlords, the managers of the West Bay Community Center. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>This story will be updated when new details are learned.\u003c/i>\u003c/p>\n\n",
"blocks": [],
"excerpt": "San Francisco's Coltrane Church gets a two-month reprieve to raise funds and relocate.",
"status": "publish",
"parent": 0,
"modified": 1726788156,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 12,
"wordCount": 260
},
"headData": {
"title": "Coltrane Church: Eviction Has Been Delayed for 60 Days | KQED",
"description": "San Francisco's Coltrane Church gets a two-month reprieve to raise funds and relocate.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Coltrane Church: Eviction Has Been Delayed for 60 Days",
"datePublished": "2016-03-01T14:19:30-08:00",
"dateModified": "2024-09-19T16:22:36-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/11372302/coltrane-church-eviction-has-been-delayed-for-60-days",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>UPDATED:\u003c/b> March 1, 4:30pm. \u003c/p>\n\u003cp>San Francisco’s Saint John Will I Am Coltrane African Orthodox Church planned to protest their impending eviction Tuesday, but thanks to some good news received just hours before, they are going to be celebrating instead.\u003c/p>\n\u003cp>The church received a notice \u003ca href=\"http://ww2.kqed.org/arts/2016/02/24/coltrane-church-told-by-san-francisco-sheriff-it-has-a-week-to-relocate/\" target=\"_blank\" rel=\"noopener\">last week from the San Francisco’s Sheriff’s Department\u003c/a> that it must remove all of its possessions from its space in the West Bay Community Center by the morning of March 2. After fighting for weeks, the church appeared to have little recourse.\u003c/p>\n\u003cp>But just minutes before 2pm, the Coltrane Church tweeted from its account that “The People’s Power Prevails!”\u003c/p>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "singleTwitterStatus",
"attributes": {
"named": {
"id": "704785319099441152"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>On the church’s Facebook page, representatives thanked the church’s supporters:\u003c/p>\n\u003cp>https://www.facebook.com/stjohncoltranechurchwest/photos/a.284607624917.186773.274649844917/10154488586324918/\u003c/p>\n\u003cp>The church announced that it was celebrating in front of its current location — 1286 Fillmore St., San Francisco — at 4pm Tuesday.\u003c/p>\n\u003cp>At the event, attended by dozens of supporters and local media, Archbishop Franzo King, who co-founded the church back in 1971, arrived to applause.\u003c/p>\n\u003cp>“It was not a reprieve; we just refused to leave at gunpoint,” King told the crowd.\u003c/p>\n\u003cp>After speaking with the media, King announced that another meeting would be held on March 20 at 11am, where church representatives would discuss issues they had with the landlords, the managers of the West Bay Community Center. \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>This story will be updated when new details are learned.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11372302/coltrane-church-eviction-has-been-delayed-for-60-days",
"authors": [
"93"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_596"
],
"featImg": "arts_11316818",
"label": "arts"
},
"arts_11372194": {
"type": "posts",
"id": "arts_11372194",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11372194",
"score": null,
"sort": [
1456869596000
]
},
"guestAuthors": [],
"slug": "appeals-court-puts-bill-cosbys-criminal-case-on-hold",
"title": "Appeals Court Puts Bill Cosby's Criminal Case on Hold",
"publishDate": 1456869596,
"format": "standard",
"headTitle": "Appeals Court Puts Bill Cosby’s Criminal Case on Hold | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Bill Cosby’s criminal sex-assault case was temporarily halted days before a key hearing while a Pennsylvania appeals court considers his effort to have the case thrown out before trial.\u003c/p>\n\u003cp>[contextly_sidebar id=”cx6xkDwsVMlWQRp7QgOpFDFFi1XoUWAJ”]\u003c/p>\n\u003cp>The Pennsylvania Superior Court granted Cosby a postponement Tuesday while the court decides whether to hear Cosby’s pretrial appeal. His preliminary hearing had been set for next week.\u003c/p>\n\u003cp>Cosby, 78, is accused of drugging and molesting a Temple University employee in his suburban Philadelphia home in 2004.\u003c/p>\n\u003cp>He said he had a promise from a former district attorney that he would never be charged over his encounter with Andrea Constand. However, a different district attorney reopened the case last year and filed charges in December, weeks before the statute of limitations expired.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The preliminary hearing to determine if probable cause exists to send the case to trial had been set for March 8. The hearing seemed likely to be postponed unless the Superior Court quickly decided to quash his appeal.\u003c/p>\n\u003cp>Prosecutors have argued that he does not have the right to a pretrial appeal and should instead file the usual post-trial appeal if he is convicted. A Montgomery County judge who heard two days of evidence on the issue agreed and refused to ask the appeals court to intervene. The judge, Common Pleas Judge Steven O’Neill, could end up with the case if it goes to trial.\u003c/p>\n\u003cp>O’Neill found no credible evidence of a binding agreement that Cosby would never be charged. The former district attorney, Bruce Castor, had testified for Cosby but acknowledged there was no written agreement forged.\u003c/p>\n\u003cp>Cosby is embroiled in civil litigation in several states, but the Pennsylvania case is the only one to lead to criminal charges. He has teams of lawyers for the case itself, for appellate issues and for a countersuit he filed last month against accuser Andrea Constand. He also is embroiled in defamation lawsuits with some of the dozens of women around the country who accuse him of molesting them.\u003c/p>\n\u003cp>Cosby has posted $1 million bail in the Pennsylvania case. He faces five to 10 years in prison if convicted of felony indecent assault.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved.\u003c/p>\n\n",
"blocks": [],
"excerpt": null,
"status": "publish",
"parent": 0,
"modified": 1726710250,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 13,
"wordCount": 377
},
"headData": {
"title": "Appeals Court Puts Bill Cosby's Criminal Case on Hold | KQED",
"description": "Bill Cosby's criminal sex-assault case was temporarily halted days before a key hearing while a Pennsylvania appeals court considers his effort to have the case thrown out before trial. The Pennsylvania Superior Court granted Cosby a postponement Tuesday while the court decides whether to hear Cosby's pretrial appeal. His preliminary hearing had been set for next week. Cosby, 78, is accused of drugging and molesting a Temple University employee in his suburban Philadelphia home in 2004. He said he had a promise from a former district attorney that he would never be charged over his encounter with Andrea",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Appeals Court Puts Bill Cosby's Criminal Case on Hold",
"datePublished": "2016-03-01T13:59:56-08:00",
"dateModified": "2024-09-18T18:44:10-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprByline": "Maryclaire Dale, Associated Press",
"path": "/arts/11372194/appeals-court-puts-bill-cosbys-criminal-case-on-hold",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Bill Cosby’s criminal sex-assault case was temporarily halted days before a key hearing while a Pennsylvania appeals court considers his effort to have the case thrown out before trial.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The Pennsylvania Superior Court granted Cosby a postponement Tuesday while the court decides whether to hear Cosby’s pretrial appeal. His preliminary hearing had been set for next week.\u003c/p>\n\u003cp>Cosby, 78, is accused of drugging and molesting a Temple University employee in his suburban Philadelphia home in 2004.\u003c/p>\n\u003cp>He said he had a promise from a former district attorney that he would never be charged over his encounter with Andrea Constand. However, a different district attorney reopened the case last year and filed charges in December, weeks before the statute of limitations expired.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The preliminary hearing to determine if probable cause exists to send the case to trial had been set for March 8. The hearing seemed likely to be postponed unless the Superior Court quickly decided to quash his appeal.\u003c/p>\n\u003cp>Prosecutors have argued that he does not have the right to a pretrial appeal and should instead file the usual post-trial appeal if he is convicted. A Montgomery County judge who heard two days of evidence on the issue agreed and refused to ask the appeals court to intervene. The judge, Common Pleas Judge Steven O’Neill, could end up with the case if it goes to trial.\u003c/p>\n\u003cp>O’Neill found no credible evidence of a binding agreement that Cosby would never be charged. The former district attorney, Bruce Castor, had testified for Cosby but acknowledged there was no written agreement forged.\u003c/p>\n\u003cp>Cosby is embroiled in civil litigation in several states, but the Pennsylvania case is the only one to lead to criminal charges. He has teams of lawyers for the case itself, for appellate issues and for a countersuit he filed last month against accuser Andrea Constand. He also is embroiled in defamation lawsuits with some of the dozens of women around the country who accuse him of molesting them.\u003c/p>\n\u003cp>Cosby has posted $1 million bail in the Pennsylvania case. He faces five to 10 years in prison if convicted of felony indecent assault.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11372194/appeals-court-puts-bill-cosbys-criminal-case-on-hold",
"authors": [
"byline_arts_11372194"
],
"categories": [
"arts_968",
"arts_74",
"arts_235",
"arts_990"
],
"tags": [
"arts_1254",
"arts_596"
],
"featImg": "arts_11300055",
"label": "arts"
},
"arts_11369864": {
"type": "posts",
"id": "arts_11369864",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11369864",
"score": null,
"sort": [
1456793646000
]
},
"guestAuthors": [],
"slug": "design-team-chosen-for-indian-basin-shoreline-parks-project",
"title": "Design Team Chosen for India Basin Shoreline Parks Project",
"publishDate": 1456793646,
"format": "standard",
"headTitle": "Design Team Chosen for India Basin Shoreline Parks Project | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>The San Francisco Department of Recreation and Parks has chosen landscape architecture firm Gustafson Guthrie Nichol (GGN) to lead the redesign of two parks along San Francisco’s India Basin shoreline, SF Recs and Parks announced late last week. The development is the latest in a string of “creative placemaking” projects in the Bay Area aimed at making the region more livable and creatively engaging.\u003c/p>\n\u003cp>The firm won a design competition that asked applicants to reimagine two sites — 900 Innes and India Basin Shoreline Park — as a single, 1.5-mile-long stretch of park space along the city’s southeast shoreline. SF Recs and Parks required the proposals to include five design elements: continuous connector trails, bike paths, increased access to the shoreline, enhanced habitats and gathering spaces. The design firms were also asked to restore the historic Shipwright’s Cottage at 900 Innes as well as find ways to provide recreation, such as human-powered boating.\u003c/p>\n\u003cfigure id=\"attachment_11370080\" class=\"wp-caption alignright\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11370080\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/GGN_IB_View_Aerialshrunk.jpg\" alt=\"Aerial view of GGN's proposal for India Basin Park\" width=\"600\" height=\"312\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/GGN_IB_View_Aerialshrunk.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/GGN_IB_View_Aerialshrunk-400x208.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Aerial view of GGN’s proposal for India Basin Park \u003ccite>(Courtesy: San Francisco Department of Recreation and Parks)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Seattle-based GGN beat 19 other firms for the project. GGN is known internationally for its work. The company’s portfolio includes projects for the Bill & Melinda Gates Foundation Campus in Seattle, the Lurie Garden at Millennium Park in Chicago, and several projects with the Smithsonian Institution in Washington, D.C., including the National Museum of African American History and Culture.\u003c/p>\n\u003cp>“India Basin includes a rare expanse of original tideflats and preserved boatyard architecture, says Shannon Nichol, founding principal of GGN. “Our approach to the competition further softened the shoreline, added walking routes across Innes Avenue between the water and the neighborhood, and sized the park’s spaces for everyday activities.”\u003c/p>\n\u003cp>Located in what the parks department describes as “a long-neglected corner of the city,” India Basin is one of San Francisco’s last remaining tracts of wetlands, sitting in a post-industrial area near Bayview Hunter’s Point with few amenities nearby. City officials say the park project will give new recreational access to nearby communities.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"blocks": [],
"excerpt": null,
"status": "publish",
"parent": 0,
"modified": 1726710261,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 7,
"wordCount": 376
},
"headData": {
"title": "Design Team Chosen for India Basin Shoreline Parks Project | KQED",
"description": "The San Francisco Department of Recreation and Parks has chosen landscape architecture firm Gustafson Guthrie Nichol (GGN) to lead the redesign of two parks along San Francisco's India Basin shoreline, SF Recs and Parks announced late last week. The development is the latest in a string of "creative placemaking" projects in the Bay Area aimed at making the region more livable and creatively engaging. The firm won a design competition that asked applicants to reimagine two sites -- 900 Innes and India Basin Shoreline Park -- as a single, 1.5-mile-long stretch of park space along the city's southeast shoreline. SF Recs and Parks required the proposals",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Design Team Chosen for India Basin Shoreline Parks Project",
"datePublished": "2016-02-29T16:54:06-08:00",
"dateModified": "2024-09-18T18:44:21-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/11369864/design-team-chosen-for-indian-basin-shoreline-parks-project",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The San Francisco Department of Recreation and Parks has chosen landscape architecture firm Gustafson Guthrie Nichol (GGN) to lead the redesign of two parks along San Francisco’s India Basin shoreline, SF Recs and Parks announced late last week. The development is the latest in a string of “creative placemaking” projects in the Bay Area aimed at making the region more livable and creatively engaging.\u003c/p>\n\u003cp>The firm won a design competition that asked applicants to reimagine two sites — 900 Innes and India Basin Shoreline Park — as a single, 1.5-mile-long stretch of park space along the city’s southeast shoreline. SF Recs and Parks required the proposals to include five design elements: continuous connector trails, bike paths, increased access to the shoreline, enhanced habitats and gathering spaces. The design firms were also asked to restore the historic Shipwright’s Cottage at 900 Innes as well as find ways to provide recreation, such as human-powered boating.\u003c/p>\n\u003cfigure id=\"attachment_11370080\" class=\"wp-caption alignright\" style=\"max-width: 600px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11370080\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/GGN_IB_View_Aerialshrunk.jpg\" alt=\"Aerial view of GGN's proposal for India Basin Park\" width=\"600\" height=\"312\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/GGN_IB_View_Aerialshrunk.jpg 600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/GGN_IB_View_Aerialshrunk-400x208.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003cfigcaption class=\"wp-caption-text\">Aerial view of GGN’s proposal for India Basin Park \u003ccite>(Courtesy: San Francisco Department of Recreation and Parks)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Seattle-based GGN beat 19 other firms for the project. GGN is known internationally for its work. The company’s portfolio includes projects for the Bill & Melinda Gates Foundation Campus in Seattle, the Lurie Garden at Millennium Park in Chicago, and several projects with the Smithsonian Institution in Washington, D.C., including the National Museum of African American History and Culture.\u003c/p>\n\u003cp>“India Basin includes a rare expanse of original tideflats and preserved boatyard architecture, says Shannon Nichol, founding principal of GGN. “Our approach to the competition further softened the shoreline, added walking routes across Innes Avenue between the water and the neighborhood, and sized the park’s spaces for everyday activities.”\u003c/p>\n\u003cp>Located in what the parks department describes as “a long-neglected corner of the city,” India Basin is one of San Francisco’s last remaining tracts of wetlands, sitting in a post-industrial area near Bayview Hunter’s Point with few amenities nearby. City officials say the park project will give new recreational access to nearby communities.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11369864/design-team-chosen-for-indian-basin-shoreline-parks-project",
"authors": [
"93"
],
"categories": [
"arts_235",
"arts_70"
],
"tags": [
"arts_1310",
"arts_596"
],
"featImg": "arts_11369971",
"label": "arts"
},
"arts_11369752": {
"type": "posts",
"id": "arts_11369752",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11369752",
"score": null,
"sort": [
1456785574000
]
},
"guestAuthors": [],
"slug": "academy-awards-take-on-issues-beyond-oscarssowhite",
"title": "Academy Awards Take on Issues Beyond #OscarsSoWhite",
"publishDate": 1456785574,
"format": "standard",
"headTitle": "Academy Awards Take on Issues Beyond #OscarsSoWhite | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>Hollywood’s diversity crisis has loomed large over awards season and the big question going into the 88th annual Academy Awards was whether it would dominate the ceremony, too. It did, of course, but it wasn’t alone.\u003c/p>\n\u003cp>The evening turned out to be a platform not just for racial representation in the movies, led by host Chris Rock’s incisive insight and parody, but a wide array of causes, from global warming and bank reform to sexual abuse in church and on campus. It was a subtle plea from the film community that the movies and artists honored at Sunday night’s ceremony did have purpose and meaning — even in this second year of #OscarsSoWhite.\u003c/p>\n\u003cp>The \u003cem>Spotlight\u003c/em> team, which won the first and last prize of the night — best original screenplay and best picture — and nothing else, celebrated the Pulitzer Prize-winning work of The Boston Globe journalists who exposed sex abuses in the Roman Catholic Church and the conversation the film has renewed around the world.\u003c/p>\n\u003cp>Leonardo DiCaprio, the forgone best-actor winner for \u003cem>The Revenant\u003c/em>, used the platform to talk about his life’s passion outside of acting — climate change, which got a “thank you” from the official White House Instagram account.\u003c/p>\n\u003cp>Adam McKay and Charles Randolph, who won for best adapted screenplay for \u003cem>The Big Short\u003c/em>, spoke about the need for finance reform.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>And Pakistani director Sharmeen Obaid-Chinoy, whose \u003cem>A Girl in the River: The Price of Forgiveness\u003c/em> spoke to the impact of her film.\u003c/p>\n\u003cp>“This week, the Pakistani prime minister said he would change the law on honor killing of women,” said Obaid-Chinoy, who was also the only female director to win an award at Sunday’s ceremony. “That is the power of film.”\u003c/p>\n\u003cp>In some ways, the Oscars have always been a place where winners use the podium and their 45 seconds to opine on causes directly or indirectly related to the movies, from Sacheen Littlefeather’s speech about Native American rights 43 years ago to Patricia Arquette’s call last year for pay equality for women.\u003c/p>\n\u003cp>But perhaps no ceremony has had such a pointed target, and nothing this year could eclipse #OscarsSoWhite, which was woven into the fabric of the show, thanks to Rock. He launched immediately into the uproar over the lack of diversity in this year’s nominees, and didn’t let up, dubbing the show “The White People’s Choice Awards” at the start.\u003c/p>\n\u003cp>Rock ensured that the topic remained at the forefront throughout the proceedings, usually finding hearty laughs in the process.\u003c/p>\n\u003cp>In an award show traditionally known for song-and-dance routines and high doses of glamour, Rock gave the 88th Academy Awards a charged atmosphere, keeping with the outcry that followed a second straight year of all-white acting nominees.\u003c/p>\n\u003cp>Streaks, broken and extended, dominated much of the evening, with an expected best actress win to Brie Larson for her breakout performance in the mother-son captive drama \u003cem>Room\u003c/em> and a best supporting actress win for Swedish actress Alicia Vikander for the transgender pioneer tale \u003cem>The Danish Girl\u003c/em>.\u003c/p>\n\u003cp>Gasps went around the Dolby when Mark Rylance won best supporting actor for Steven Spielberg’s “Bridge of Spies” over Sylvester Stallone. Nominated a second time for the role of Rocky Balboa 39 years later, Stallone had been expected to win his first acting Oscar for the “Rocky” sequel “Creed.”\u003c/p>\n\u003cp>The night’s most-awarded film, however, went to neither “Spotlight” nor “The Revenant.” George Miller’s post-apocalyptic chase film, “Mad Max: Fury Road,” sped away with six awards in technical categories for editing, makeup, production design, sound editing, sound mixing and costume design.\u003c/p>\n\u003cp>Alejando Inarritu, whose win for “The Revenant” meant three straight years of Mexican filmmakers winning best director and his second consecutive win, was one of the few recipients to remark passionately on diversity in his acceptance speech.\u003c/p>\n\u003cp>Mexican cinematographer Emmanuel Lubezki (“The Revenant”) also became the first cinematographer to win three times in a row.\u003c/p>\n\u003cp>Talk of election was largely absent from the ceremony, though Vice President Joe Biden was met by a standing ovation before talking about sexual assault on college campuses in an introduction to best-song nominee Lady Gaga.\u003c/p>\n\u003cp>Best animated feature film went to “Inside Out,” Pixar’s eighth win in the category. Asif Kapadia’s Amy Winehouse portrait, “Amy,” took best documentary. Hungary’s concentration camp drama “Son of Saul” won best foreign language film.\u003c/p>\n\u003cp>Composer Ennio Morricone, at 87, landed his first competitive Oscar for “The Hateful Eight.”\u003c/p>\n\u003cp>But the wins at times felt secondary to the unflinching host. Rock said he deliberated over joining the Oscars boycott and bowing out as host, but concluded: “The last thing I need is to lose another job to Kevin Hart.”\u003c/p>\n\u003cp>Down the street from the Dolby Theatre, Rev. Al Sharpton led several dozen demonstrators in protest against a second straight year of all-white acting nominees.\u003c/p>\n\u003cp>The acting nominees restored “OscarsSoWhite” to prominence and led Spike Lee (an honorary Oscar winner this year) and Jada Pinkett Smith to announce that they wouldn’t attend the show. Several top African American filmmakers, Ryan Coogler (“Creed”) and Ava DuVernay (“Selma”) spent the evening not at the Oscars but in Flint, Michigan, raising money for the water-contaminated city.\u003c/p>\n\u003cp>Rock also sought to add perspective to the turmoil. Rock said this year didn’t differ much from Oscar history, but that black people earlier were “too busy being raped and lynched to worry about who won best cinematographer.”\u003c/p>\n\u003cp>In a quick response to the growing crisis, Cheryl Boone Isaacs, president of the Academy of Motion Picture Arts and Sciences, led reforms to diversify the academy’s overwhelming white and male membership.\u003c/p>\n\u003cp>In her remarks during the show, Boone Isaacs strongly defended the changes, quoting Martin Luther King Jr. and urging each Oscar attendee to bring greater opportunity to the industry.\u003c/p>\n\u003cp>Last year’s telecast, hosted by Neil Patrick Harris, slid 16 percent to 36.6 million viewers, a six-year low. How the controversy, and Rock’s head-on approach, will affect ratings for the ABC show is the new big question, not to mention how well the causes of the movies and their artists will live in the conversation beyond Sunday’s show.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved.\u003c/p>\n\n",
"blocks": [],
"excerpt": null,
"status": "publish",
"parent": 0,
"modified": 1726710269,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 29,
"wordCount": 1125
},
"headData": {
"title": "Academy Awards Take on Issues Beyond #OscarsSoWhite | KQED",
"description": "Hollywood's diversity crisis has loomed large over awards season and the big question going into the 88th annual Academy Awards was whether it would dominate the ceremony, too. It did, of course, but it wasn't alone. The evening turned out to be a platform not just for racial representation in the movies, led by host Chris Rock's incisive insight and parody, but a wide array of causes, from global warming and bank reform to sexual abuse in church and on campus. It was a subtle plea from the film community that the movies and artists honored at Sunday night's ceremony",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Academy Awards Take on Issues Beyond #OscarsSoWhite",
"datePublished": "2016-02-29T14:39:34-08:00",
"dateModified": "2024-09-18T18:44:29-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"nprByline": "Associated Press",
"path": "/arts/11369752/academy-awards-take-on-issues-beyond-oscarssowhite",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Hollywood’s diversity crisis has loomed large over awards season and the big question going into the 88th annual Academy Awards was whether it would dominate the ceremony, too. It did, of course, but it wasn’t alone.\u003c/p>\n\u003cp>The evening turned out to be a platform not just for racial representation in the movies, led by host Chris Rock’s incisive insight and parody, but a wide array of causes, from global warming and bank reform to sexual abuse in church and on campus. It was a subtle plea from the film community that the movies and artists honored at Sunday night’s ceremony did have purpose and meaning — even in this second year of #OscarsSoWhite.\u003c/p>\n\u003cp>The \u003cem>Spotlight\u003c/em> team, which won the first and last prize of the night — best original screenplay and best picture — and nothing else, celebrated the Pulitzer Prize-winning work of The Boston Globe journalists who exposed sex abuses in the Roman Catholic Church and the conversation the film has renewed around the world.\u003c/p>\n\u003cp>Leonardo DiCaprio, the forgone best-actor winner for \u003cem>The Revenant\u003c/em>, used the platform to talk about his life’s passion outside of acting — climate change, which got a “thank you” from the official White House Instagram account.\u003c/p>\n\u003cp>Adam McKay and Charles Randolph, who won for best adapted screenplay for \u003cem>The Big Short\u003c/em>, spoke about the need for finance reform.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And Pakistani director Sharmeen Obaid-Chinoy, whose \u003cem>A Girl in the River: The Price of Forgiveness\u003c/em> spoke to the impact of her film.\u003c/p>\n\u003cp>“This week, the Pakistani prime minister said he would change the law on honor killing of women,” said Obaid-Chinoy, who was also the only female director to win an award at Sunday’s ceremony. “That is the power of film.”\u003c/p>\n\u003cp>In some ways, the Oscars have always been a place where winners use the podium and their 45 seconds to opine on causes directly or indirectly related to the movies, from Sacheen Littlefeather’s speech about Native American rights 43 years ago to Patricia Arquette’s call last year for pay equality for women.\u003c/p>\n\u003cp>But perhaps no ceremony has had such a pointed target, and nothing this year could eclipse #OscarsSoWhite, which was woven into the fabric of the show, thanks to Rock. He launched immediately into the uproar over the lack of diversity in this year’s nominees, and didn’t let up, dubbing the show “The White People’s Choice Awards” at the start.\u003c/p>\n\u003cp>Rock ensured that the topic remained at the forefront throughout the proceedings, usually finding hearty laughs in the process.\u003c/p>\n\u003cp>In an award show traditionally known for song-and-dance routines and high doses of glamour, Rock gave the 88th Academy Awards a charged atmosphere, keeping with the outcry that followed a second straight year of all-white acting nominees.\u003c/p>\n\u003cp>Streaks, broken and extended, dominated much of the evening, with an expected best actress win to Brie Larson for her breakout performance in the mother-son captive drama \u003cem>Room\u003c/em> and a best supporting actress win for Swedish actress Alicia Vikander for the transgender pioneer tale \u003cem>The Danish Girl\u003c/em>.\u003c/p>\n\u003cp>Gasps went around the Dolby when Mark Rylance won best supporting actor for Steven Spielberg’s “Bridge of Spies” over Sylvester Stallone. Nominated a second time for the role of Rocky Balboa 39 years later, Stallone had been expected to win his first acting Oscar for the “Rocky” sequel “Creed.”\u003c/p>\n\u003cp>The night’s most-awarded film, however, went to neither “Spotlight” nor “The Revenant.” George Miller’s post-apocalyptic chase film, “Mad Max: Fury Road,” sped away with six awards in technical categories for editing, makeup, production design, sound editing, sound mixing and costume design.\u003c/p>\n\u003cp>Alejando Inarritu, whose win for “The Revenant” meant three straight years of Mexican filmmakers winning best director and his second consecutive win, was one of the few recipients to remark passionately on diversity in his acceptance speech.\u003c/p>\n\u003cp>Mexican cinematographer Emmanuel Lubezki (“The Revenant”) also became the first cinematographer to win three times in a row.\u003c/p>\n\u003cp>Talk of election was largely absent from the ceremony, though Vice President Joe Biden was met by a standing ovation before talking about sexual assault on college campuses in an introduction to best-song nominee Lady Gaga.\u003c/p>\n\u003cp>Best animated feature film went to “Inside Out,” Pixar’s eighth win in the category. Asif Kapadia’s Amy Winehouse portrait, “Amy,” took best documentary. Hungary’s concentration camp drama “Son of Saul” won best foreign language film.\u003c/p>\n\u003cp>Composer Ennio Morricone, at 87, landed his first competitive Oscar for “The Hateful Eight.”\u003c/p>\n\u003cp>But the wins at times felt secondary to the unflinching host. Rock said he deliberated over joining the Oscars boycott and bowing out as host, but concluded: “The last thing I need is to lose another job to Kevin Hart.”\u003c/p>\n\u003cp>Down the street from the Dolby Theatre, Rev. Al Sharpton led several dozen demonstrators in protest against a second straight year of all-white acting nominees.\u003c/p>\n\u003cp>The acting nominees restored “OscarsSoWhite” to prominence and led Spike Lee (an honorary Oscar winner this year) and Jada Pinkett Smith to announce that they wouldn’t attend the show. Several top African American filmmakers, Ryan Coogler (“Creed”) and Ava DuVernay (“Selma”) spent the evening not at the Oscars but in Flint, Michigan, raising money for the water-contaminated city.\u003c/p>\n\u003cp>Rock also sought to add perspective to the turmoil. Rock said this year didn’t differ much from Oscar history, but that black people earlier were “too busy being raped and lynched to worry about who won best cinematographer.”\u003c/p>\n\u003cp>In a quick response to the growing crisis, Cheryl Boone Isaacs, president of the Academy of Motion Picture Arts and Sciences, led reforms to diversify the academy’s overwhelming white and male membership.\u003c/p>\n\u003cp>In her remarks during the show, Boone Isaacs strongly defended the changes, quoting Martin Luther King Jr. and urging each Oscar attendee to bring greater opportunity to the industry.\u003c/p>\n\u003cp>Last year’s telecast, hosted by Neil Patrick Harris, slid 16 percent to 36.6 million viewers, a six-year low. How the controversy, and Rock’s head-on approach, will affect ratings for the ABC show is the new big question, not to mention how well the causes of the movies and their artists will live in the conversation beyond Sunday’s show.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11369752/academy-awards-take-on-issues-beyond-oscarssowhite",
"authors": [
"byline_arts_11369752"
],
"categories": [
"arts_74",
"arts_69",
"arts_235"
],
"tags": [
"arts_596"
],
"featImg": "arts_11369858",
"label": "arts"
},
"arts_11362499": {
"type": "posts",
"id": "arts_11362499",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11362499",
"score": null,
"sort": [
1456776054000
]
},
"guestAuthors": [],
"slug": "uc-berkeley-professor-rediscovers-lost-handel-cantata",
"title": "UC Berkeley Professor Rediscovers Lost Handel Cantata",
"publishDate": 1456776054,
"format": "standard",
"headTitle": "UC Berkeley Professor Rediscovers Lost Handel Cantata | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>A University of California Berkeley professor has uncovered a new Handel cantata.\u003c/p>\n\u003cp>A few years ago, UC Music Librarian Emeritus John Roberts struck up a friendship with Dutch conductor \u003ca href=\"http://www.tonkoopman.nl/\" target=\"_blank\" rel=\"noopener\">Ton Koopman, \u003c/a>who sometimes visits the Bay Area to conduct the San Francisco Symphony. Koopman collects old and rare music scores, and asked Roberts to evaluate a manuscript from his collection. Roberts determined that it was an early version of the cantata \u003cem>\u003ca href=\"https://www.youtube.com/watch?v=dNBamvfO6dc\" target=\"_blank\" rel=\"noopener\">Tu fedel? Tu costante?\u003c/a>,\u003c/em> \u003cem>HWV 171.\u003c/em>\u003c/p>\n\u003cp>“Of the four arias in the cantata, three of them were completely new,” Roberts said in a phone interview. “But they definitely were Handel, and it’s very high quality music.”\u003c/p>\n\u003cfigure id=\"attachment_11362507\" class=\"wp-caption alignright\" style=\"max-width: 526px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11362507 size-medium\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Prof.-John-Roberts-e1456611540486-526x600.jpg\" alt=\"Professor John Roberts of UC Berkeley \" width=\"526\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Prof.-John-Roberts-e1456611540486-526x600.jpg 526w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Prof.-John-Roberts-e1456611540486-400x456.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Prof.-John-Roberts-e1456611540486-768x876.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Prof.-John-Roberts-e1456611540486-1035x1180.jpg 1035w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Prof.-John-Roberts-e1456611540486-1180x1345.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Prof.-John-Roberts-e1456611540486-960x1094.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Prof.-John-Roberts-e1456611540486.jpg 1192w\" sizes=\"(max-width: 526px) 100vw, 526px\">\u003cfigcaption class=\"wp-caption-text\">Professor John Roberts of UC Berkeley \u003ccite>(Photo: Courtesy UC Berkeley)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Roberts believes Handel wrote this version of the cantata in Italy in 1705 or 1706. “It’s really quite rare to come across this much new music,” Roberts said.\u003c/p>\n\u003cp>Apparently, others had looked at the manuscript and failed to recognize it’s importance. Roberts ascribes his discovery to luck and skill. “You don’t find these things by hunting,” Roberts said. “You trip over them.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Koopman conducts the cantata in Amsterdam on Saturday, Apr. 9. Roberts says he plans to be there for the modern premiere.\u003c/p>\n\n",
"blocks": [],
"excerpt": "Composed in 1705 or 1706, 'Tu fedel? Tu costante?,' will receive its modern premiere in Amsterdam on Apr. 9",
"status": "publish",
"parent": 0,
"modified": 1726710274,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 8,
"wordCount": 226
},
"headData": {
"title": "UC Berkeley Professor Rediscovers Lost Handel Cantata | KQED",
"description": "Composed in 1705 or 1706, 'Tu fedel? Tu costante?,' will receive its modern premiere in Amsterdam on Apr. 9",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "UC Berkeley Professor Rediscovers Lost Handel Cantata",
"datePublished": "2016-02-29T12:00:54-08:00",
"dateModified": "2024-09-18T18:44:34-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/11362499/uc-berkeley-professor-rediscovers-lost-handel-cantata",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A University of California Berkeley professor has uncovered a new Handel cantata.\u003c/p>\n\u003cp>A few years ago, UC Music Librarian Emeritus John Roberts struck up a friendship with Dutch conductor \u003ca href=\"http://www.tonkoopman.nl/\" target=\"_blank\" rel=\"noopener\">Ton Koopman, \u003c/a>who sometimes visits the Bay Area to conduct the San Francisco Symphony. Koopman collects old and rare music scores, and asked Roberts to evaluate a manuscript from his collection. Roberts determined that it was an early version of the cantata \u003cem>\u003ca href=\"https://www.youtube.com/watch?v=dNBamvfO6dc\" target=\"_blank\" rel=\"noopener\">Tu fedel? Tu costante?\u003c/a>,\u003c/em> \u003cem>HWV 171.\u003c/em>\u003c/p>\n\u003cp>“Of the four arias in the cantata, three of them were completely new,” Roberts said in a phone interview. “But they definitely were Handel, and it’s very high quality music.”\u003c/p>\n\u003cfigure id=\"attachment_11362507\" class=\"wp-caption alignright\" style=\"max-width: 526px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11362507 size-medium\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Prof.-John-Roberts-e1456611540486-526x600.jpg\" alt=\"Professor John Roberts of UC Berkeley \" width=\"526\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Prof.-John-Roberts-e1456611540486-526x600.jpg 526w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Prof.-John-Roberts-e1456611540486-400x456.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Prof.-John-Roberts-e1456611540486-768x876.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Prof.-John-Roberts-e1456611540486-1035x1180.jpg 1035w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Prof.-John-Roberts-e1456611540486-1180x1345.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Prof.-John-Roberts-e1456611540486-960x1094.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Prof.-John-Roberts-e1456611540486.jpg 1192w\" sizes=\"(max-width: 526px) 100vw, 526px\">\u003cfigcaption class=\"wp-caption-text\">Professor John Roberts of UC Berkeley \u003ccite>(Photo: Courtesy UC Berkeley)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Roberts believes Handel wrote this version of the cantata in Italy in 1705 or 1706. “It’s really quite rare to come across this much new music,” Roberts said.\u003c/p>\n\u003cp>Apparently, others had looked at the manuscript and failed to recognize it’s importance. Roberts ascribes his discovery to luck and skill. “You don’t find these things by hunting,” Roberts said. “You trip over them.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Koopman conducts the cantata in Amsterdam on Saturday, Apr. 9. Roberts says he plans to be there for the modern premiere.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11362499/uc-berkeley-professor-rediscovers-lost-handel-cantata",
"authors": [
"32"
],
"categories": [
"arts_69",
"arts_235"
],
"tags": [
"arts_746",
"arts_596"
],
"featImg": "arts_11362380",
"label": "arts"
},
"arts_11364611": {
"type": "posts",
"id": "arts_11364611",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11364611",
"score": null,
"sort": [
1456761623000
]
},
"guestAuthors": [],
"slug": "farruquito-channels-dramatic-life-events-into-forceful-flamenco",
"title": "Farruquito Channels Dramatic Life Events into Forceful Flamenco",
"publishDate": 1456761623,
"format": "standard",
"headTitle": "Farruquito Channels Dramatic Life Events into Forceful Flamenco | KQED",
"labelTerm": {
"term": 140,
"site": "arts"
},
"content": "\u003cp>Juan Manuel Fernández Montoya (or Farruquito as he is better known) is one of the most famous names in flamenco — and one of the most tragic. In 2001, the now 33-year-old performer watched his father, singer Juan Fernández Flores (“El Moreno”) die on stage while they were performing together in Argentina. Two years later, while driving recklessly in his hometown, Farruquito ran over a pedestrian and fled the scene. The victim, Benjamín Olalla, died six hours later. Farruquito spent three years in prison, and the terrible accident has permeated his outlook ever since.\u003c/p>\n\u003cp>The dramatic events of Farruquito’s life come across palpably in the way he performs. A dancer of small stature and agile build, his facial expressions convey as much intensity of feeling as his dancing.\u003cbr>\nFarruquito is the headline act at this year’s \u003ca href=\"http://www.bayareaflamencofestival.org/Bay_Area_Flamenco_Festival_2016.html\" target=\"_blank\" rel=\"noopener\">Bay Area Flamenco Festival\u003c/a>. The artist has been absent from local stages since 2003 when he performed at Zellerbach Hall in Berkeley. Born into a famous flamenco dynasty, the son of dancer Rosario Montoya Manzano (“La Farruca”) and grandson of dancer Antonio Montoya Flores (“El Farruco”), Farruquito has been dancing since he was a toddler.\u003c/p>\n\u003cfigure id=\"attachment_11364719\" class=\"wp-caption alignnone\" style=\"max-width: 948px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11364719 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Farruquito_ElCordobes-e1456608449327.jpg\" alt=\"Farruquito embodies flamenco as a way of life\" width=\"948\" height=\"595\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Farruquito_ElCordobes-e1456608449327.jpg 948w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Farruquito_ElCordobes-e1456608449327-400x251.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Farruquito_ElCordobes-e1456608449327-800x502.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Farruquito_ElCordobes-e1456608449327-768x482.jpg 768w\" sizes=\"(max-width: 948px) 100vw, 948px\">\u003cfigcaption class=\"wp-caption-text\">Farruquito embodies flamenco as a way of life \u003ccite>(Photo: El Cordobés)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Farruquito’s new touring show, \u003cem>Improvisao\u003c/em> (“Improvisation”) takes the performer back to his roots: “It’s a demonstration of what I’ve learned in this profession,” the artist says. “Singing, guitar, and dance fuse together with absolute freedom to create a different show every night.” In addition to his appearance in San Francisco, Farruquito is performing \u003cem>Improvisao\u003c/em> around the country, with dates in New York, Boston, and Los Angeles among other major U.S. cities.\u003c/p>\n\u003cp>\u003cstrong>Lessons from a great\u003c/strong>\u003c/p>\n\u003cp>Farruquito’s chief teacher and mentor is his grandfather. El Farruco’s unique personal style — very sober, very masculine, yet very humane — gave flamenco a new face: the face of a patriarch that used dance to instill pride and value in his people. Farruquito has many stories to share about his grandfather. Once, Farruco was teaching Farruquito―then a child―the “soleá”. Soleá is a particular dance within flamenco — one of the most dramatic; its name derives from the word “soledad,” meaning “solitude.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“When you dance soleá, it is like walking on a wooden bridge,” Farruco told his grandson. “You take a false step and down you go, into the precipice.”\u003cbr>\n“What precipice?” Farruquito asked.\u003cbr>\n“The precipice of the soleá,” Farruco responded.\u003c/p>\n\u003cp>What the veteran dancer meant to impart to the novice with this dramatic explanation is that every dance follows a strict path with it its rhythm and beat. If you miss a beat, you fall from the dance into oblivion.\u003c/p>\n\u003cp>\u003cstrong>A blending of many cultures\u003c/strong>\u003c/p>\n\u003cp>Flamenco was born in the streets of Spain, a place where people have been dancing for millennia. In antiquity, Romans employed dancers from the Iberian Peninsula, admiring their dexterity and grace. Later, a mixture of cultures―Iberians, Jews, Muslims, Gypsies, Africans―all blended to create flamenco in the southernmost regions of Spain. There, in Andalucía, the Gypsy community took flamenco to a limitless beauty.\u003c/p>\n\u003cp>In Andalucía, flamenco is a way of processing life, bringing together people of all social strata and different ethnicities to celebrate religious and non-religious festivities. For many, it is a means of expressing individuality.\u003c/p>\n\u003cp>There are those, however, that have taken flamenco from its folk origins to a polished, highly professionalized art form. In the 20th century, the Farruco family became legendary throughout Spain and beyond for sharing flamenco with audiences around the world. As one of the most prominent inheritors of the flamenco tradition, Farruquito blends fiercely stunning and intricate rhythmic foot patterns―performed at harrowing speeds―with elegant and expressive body movements.\u003c/p>\n\u003cp>Watch Farruquito in action here:\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"11th Annual Bay Area Flamenco Festival presents FARRUQUITO\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/zmRgxmPtwsU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>“Farruquito is a vibrant young artist who has garnered world-wide recognition at the highest level as he continues to deepen his personal approach to flamenco, bringing his family’s dance legacy firmly into the 21st century,” says Nina Menéndez, founder and artistic director of the Bay Area Flamenco Festival. “With \u003cem>Improvisao\u003c/em>, he makes a strong aesthetic statement affirming flamenco’s improvisational essence and its roots in the vernacular culture of the Andalucían Gypsies.”\u003c/p>\n\u003cp>\u003cstrong>A starry entourage\u003c/strong>\u003c/p>\n\u003cp>At this year’s Bay Area Flamenco Festival, Farruquito is joined by a roster of stars, including his favorite young female dancer, Gema Moneo. Moneo has appeared at the Bay Area Flamenco Festival on several occasions since Menéndez first introduced her to U.S. audiences in San Francisco, Los Angeles, and New York in 2012. Vocalist Encarna Anillo is also part of Farruquito’s entourage at the festival. When singing, Anillo strives to get beyond the technical aspects of her art form, sharing with Farruquito the desire to return to the primeval spontaneous core of flamenco.\u003c/p>\n\u003cfigure id=\"attachment_11364718\" class=\"wp-caption aligncenter\" style=\"max-width: 4413px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11364718 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/GemaMoneo_ChristineFu-e1456608245498.jpg\" alt=\"Gema Moneo (red scarf) on stage at the Bay Area Flamenco Festival 2015.\" width=\"4413\" height=\"2872\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/GemaMoneo_ChristineFu-e1456608245498.jpg 4413w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/GemaMoneo_ChristineFu-e1456608245498-400x260.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/GemaMoneo_ChristineFu-e1456608245498-800x521.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/GemaMoneo_ChristineFu-e1456608245498-768x500.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/GemaMoneo_ChristineFu-e1456608245498-1180x768.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/GemaMoneo_ChristineFu-e1456608245498-1920x1250.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/GemaMoneo_ChristineFu-e1456608245498-960x625.jpg 960w\" sizes=\"(max-width: 4413px) 100vw, 4413px\">\u003cfigcaption class=\"wp-caption-text\">Gema Moneo (red scarf) on stage at the Bay Area Flamenco Festival 2015. \u003ccite>(Photo: Christine Fu)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Festival continues on Wednesday, Mar. 9 with a collaboration between Cuban jazz wizard Gonzalo Rubalcaba and Gypsy flamenco diva Esperanza Fernández. The duo pays homage to two greats of the mid-twentieth century: Beny Moré (one of the foremost exponents of traditional Cuban “sonero” singing) and Spanish Gypsy flamenco vocalist Manolo Caracol.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>For more information about the 11th Annual Bay Area Flamenco Festival go \u003ca href=\"http://www.BayAreaFlamencoFestival.org\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/strong>\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
"blocks": [],
"excerpt": "Following tragic hit and run accident in 2003, Spanish star makes long-awaited return to Bay Area Flamenco Festival \r\n",
"status": "publish",
"parent": 0,
"modified": 1726702692,
"stats": {
"hasAudio": false,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 20,
"wordCount": 964
},
"headData": {
"title": "Farruquito Channels Dramatic Life Events into Forceful Flamenco | KQED",
"description": "Following tragic hit and run accident in 2003, Spanish star makes long-awaited return to Bay Area Flamenco Festival \r\n",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Farruquito Channels Dramatic Life Events into Forceful Flamenco",
"datePublished": "2016-02-29T08:00:23-08:00",
"dateModified": "2024-09-18T16:38:12-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/11364611/farruquito-channels-dramatic-life-events-into-forceful-flamenco",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Juan Manuel Fernández Montoya (or Farruquito as he is better known) is one of the most famous names in flamenco — and one of the most tragic. In 2001, the now 33-year-old performer watched his father, singer Juan Fernández Flores (“El Moreno”) die on stage while they were performing together in Argentina. Two years later, while driving recklessly in his hometown, Farruquito ran over a pedestrian and fled the scene. The victim, Benjamín Olalla, died six hours later. Farruquito spent three years in prison, and the terrible accident has permeated his outlook ever since.\u003c/p>\n\u003cp>The dramatic events of Farruquito’s life come across palpably in the way he performs. A dancer of small stature and agile build, his facial expressions convey as much intensity of feeling as his dancing.\u003cbr>\nFarruquito is the headline act at this year’s \u003ca href=\"http://www.bayareaflamencofestival.org/Bay_Area_Flamenco_Festival_2016.html\" target=\"_blank\" rel=\"noopener\">Bay Area Flamenco Festival\u003c/a>. The artist has been absent from local stages since 2003 when he performed at Zellerbach Hall in Berkeley. Born into a famous flamenco dynasty, the son of dancer Rosario Montoya Manzano (“La Farruca”) and grandson of dancer Antonio Montoya Flores (“El Farruco”), Farruquito has been dancing since he was a toddler.\u003c/p>\n\u003cfigure id=\"attachment_11364719\" class=\"wp-caption alignnone\" style=\"max-width: 948px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11364719 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Farruquito_ElCordobes-e1456608449327.jpg\" alt=\"Farruquito embodies flamenco as a way of life\" width=\"948\" height=\"595\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Farruquito_ElCordobes-e1456608449327.jpg 948w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Farruquito_ElCordobes-e1456608449327-400x251.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Farruquito_ElCordobes-e1456608449327-800x502.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Farruquito_ElCordobes-e1456608449327-768x482.jpg 768w\" sizes=\"(max-width: 948px) 100vw, 948px\">\u003cfigcaption class=\"wp-caption-text\">Farruquito embodies flamenco as a way of life \u003ccite>(Photo: El Cordobés)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Farruquito’s new touring show, \u003cem>Improvisao\u003c/em> (“Improvisation”) takes the performer back to his roots: “It’s a demonstration of what I’ve learned in this profession,” the artist says. “Singing, guitar, and dance fuse together with absolute freedom to create a different show every night.” In addition to his appearance in San Francisco, Farruquito is performing \u003cem>Improvisao\u003c/em> around the country, with dates in New York, Boston, and Los Angeles among other major U.S. cities.\u003c/p>\n\u003cp>\u003cstrong>Lessons from a great\u003c/strong>\u003c/p>\n\u003cp>Farruquito’s chief teacher and mentor is his grandfather. El Farruco’s unique personal style — very sober, very masculine, yet very humane — gave flamenco a new face: the face of a patriarch that used dance to instill pride and value in his people. Farruquito has many stories to share about his grandfather. Once, Farruco was teaching Farruquito―then a child―the “soleá”. Soleá is a particular dance within flamenco — one of the most dramatic; its name derives from the word “soledad,” meaning “solitude.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“When you dance soleá, it is like walking on a wooden bridge,” Farruco told his grandson. “You take a false step and down you go, into the precipice.”\u003cbr>\n“What precipice?” Farruquito asked.\u003cbr>\n“The precipice of the soleá,” Farruco responded.\u003c/p>\n\u003cp>What the veteran dancer meant to impart to the novice with this dramatic explanation is that every dance follows a strict path with it its rhythm and beat. If you miss a beat, you fall from the dance into oblivion.\u003c/p>\n\u003cp>\u003cstrong>A blending of many cultures\u003c/strong>\u003c/p>\n\u003cp>Flamenco was born in the streets of Spain, a place where people have been dancing for millennia. In antiquity, Romans employed dancers from the Iberian Peninsula, admiring their dexterity and grace. Later, a mixture of cultures―Iberians, Jews, Muslims, Gypsies, Africans―all blended to create flamenco in the southernmost regions of Spain. There, in Andalucía, the Gypsy community took flamenco to a limitless beauty.\u003c/p>\n\u003cp>In Andalucía, flamenco is a way of processing life, bringing together people of all social strata and different ethnicities to celebrate religious and non-religious festivities. For many, it is a means of expressing individuality.\u003c/p>\n\u003cp>There are those, however, that have taken flamenco from its folk origins to a polished, highly professionalized art form. In the 20th century, the Farruco family became legendary throughout Spain and beyond for sharing flamenco with audiences around the world. As one of the most prominent inheritors of the flamenco tradition, Farruquito blends fiercely stunning and intricate rhythmic foot patterns―performed at harrowing speeds―with elegant and expressive body movements.\u003c/p>\n\u003cp>Watch Farruquito in action here:\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" title=\"11th Annual Bay Area Flamenco Festival presents FARRUQUITO\" width=\"640\" height=\"360\" src=\"https://www.youtube.com/embed/zmRgxmPtwsU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003c/iframe>\u003c/p>\n\u003cp>“Farruquito is a vibrant young artist who has garnered world-wide recognition at the highest level as he continues to deepen his personal approach to flamenco, bringing his family’s dance legacy firmly into the 21st century,” says Nina Menéndez, founder and artistic director of the Bay Area Flamenco Festival. “With \u003cem>Improvisao\u003c/em>, he makes a strong aesthetic statement affirming flamenco’s improvisational essence and its roots in the vernacular culture of the Andalucían Gypsies.”\u003c/p>\n\u003cp>\u003cstrong>A starry entourage\u003c/strong>\u003c/p>\n\u003cp>At this year’s Bay Area Flamenco Festival, Farruquito is joined by a roster of stars, including his favorite young female dancer, Gema Moneo. Moneo has appeared at the Bay Area Flamenco Festival on several occasions since Menéndez first introduced her to U.S. audiences in San Francisco, Los Angeles, and New York in 2012. Vocalist Encarna Anillo is also part of Farruquito’s entourage at the festival. When singing, Anillo strives to get beyond the technical aspects of her art form, sharing with Farruquito the desire to return to the primeval spontaneous core of flamenco.\u003c/p>\n\u003cfigure id=\"attachment_11364718\" class=\"wp-caption aligncenter\" style=\"max-width: 4413px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11364718 size-full\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/GemaMoneo_ChristineFu-e1456608245498.jpg\" alt=\"Gema Moneo (red scarf) on stage at the Bay Area Flamenco Festival 2015.\" width=\"4413\" height=\"2872\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/GemaMoneo_ChristineFu-e1456608245498.jpg 4413w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/GemaMoneo_ChristineFu-e1456608245498-400x260.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/GemaMoneo_ChristineFu-e1456608245498-800x521.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/GemaMoneo_ChristineFu-e1456608245498-768x500.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/GemaMoneo_ChristineFu-e1456608245498-1180x768.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/GemaMoneo_ChristineFu-e1456608245498-1920x1250.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/GemaMoneo_ChristineFu-e1456608245498-960x625.jpg 960w\" sizes=\"(max-width: 4413px) 100vw, 4413px\">\u003cfigcaption class=\"wp-caption-text\">Gema Moneo (red scarf) on stage at the Bay Area Flamenco Festival 2015. \u003ccite>(Photo: Christine Fu)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The Festival continues on Wednesday, Mar. 9 with a collaboration between Cuban jazz wizard Gonzalo Rubalcaba and Gypsy flamenco diva Esperanza Fernández. The duo pays homage to two greats of the mid-twentieth century: Beny Moré (one of the foremost exponents of traditional Cuban “sonero” singing) and Spanish Gypsy flamenco vocalist Manolo Caracol.\u003c/p>\n\u003cp>\u003cem>\u003cstrong>For more information about the 11th Annual Bay Area Flamenco Festival go \u003ca href=\"http://www.BayAreaFlamencoFestival.org\" target=\"_blank\" rel=\"noopener\">here\u003c/a>.\u003c/strong>\u003c/em>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11364611/farruquito-channels-dramatic-life-events-into-forceful-flamenco",
"authors": [
"11226"
],
"programs": [
"arts_140"
],
"categories": [
"arts_966",
"arts_69",
"arts_235"
],
"tags": [
"arts_1119",
"arts_1118",
"arts_596"
],
"featImg": "arts_11364721",
"label": "arts_140"
},
"arts_11359048": {
"type": "posts",
"id": "arts_11359048",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11359048",
"score": null,
"sort": [
1456450862000
]
},
"guestAuthors": [],
"slug": "cy-and-davids-picks-cinequest-in-san-jose-a-female-jazz-pioneer-and-the-suffers",
"title": "Cy and David's Picks: Cinequest in San Jose, a Female Jazz Pioneer, and the Suffers",
"publishDate": 1456450862,
"format": "standard",
"headTitle": "Cy and David’s Picks: Cinequest in San Jose, a Female Jazz Pioneer, and the Suffers | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003caside class=\"aligncenter\">\n\u003ch4>featured, guide, ntv, the-do-list-featuredfeatured, guide, ntv, the-do-list-featuredKQED’s Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.\u003c/h4>\n\u003cp>http://www.kqed.org/.stream/anon/radio/thedolist/2016/02/TDL20160226a.mp3\u003c/p>\n\u003c/aside>\n\u003cp> \u003c/p>\n\u003cp>https://www.youtube.com/watch?v=RM3hj-6F1pk\u003c/p>\n\u003cp>\u003cstrong>Feb 27:\u003c/strong> The R&B band \u003ca href=\"http://www.thesuffers.com/\" target=\"_blank\" rel=\"noopener\">The Suffers\u003c/a> begins every show by thrusting their arms in the air, and then they earn that championship gesture with great shows. These are 10 very good musicians who’ve been kicking around the Houston music scene for years, but something special clicked when co-founders Adam Castaneda and Pat Kelly hooked up with Kam Franklin, a singer with a vivid voice and presence.They’re opening for Lake Street Dive at the \u003ca href=\"http://sfmasonic.com/event/lake-street-dive/\" target=\"_blank\" rel=\"noopener\">Masonic Saturday night.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=KOJ57_HrWXU\u003c/p>\n\u003cp>\u003cstrong>March 1-13:\u003c/strong> \u003ca href=\"http://www.cinequest.org/\" target=\"_blank\" rel=\"noopener\">Cinequest\u003c/a> kicks off next week in San Jose, a festival that for 26 years has been exploring the links between technology and the movies, the original virtual reality. Co-founders Halfan Hussey and Kathleen Powell have scheduled a perfect opening night film, \u003cem>\u003ca href=\"http://www.bleeckerstreetmedia.com/eyeinthesky\" target=\"_blank\" rel=\"noopener\">Eye in the Sky,\u003c/a> \u003c/em>about drones, state assassinations and moral dilemmas, with a killer cast (sorry for the pun) in Helen Mirren (\u003cem>The Queen\u003c/em>), Aaron Paul (\u003cem>Breaking Bad\u003c/em>), and the late Alan Rickman (\u003cem>Harry Potter\u003c/em>). Cinequest’s own Maverick Studio is screening a work in progress,\u003ca href=\"http://www.mrinvinciblethemovie.com/\" target=\"_blank\" rel=\"noopener\"> \u003cem>Mr. Invincible\u003c/em>,\u003c/a> which uses a new three-screen format. Also worth a look: \u003cem>\u003ca href=\"https://www.facebook.com/FRIENDSEFFINGFRIENDSEFFINGFRIENDS/\" target=\"_blank\" rel=\"noopener\">Friends Effing Friends Effing Friends\u003c/a>,\u003c/em> directed by Quincy Rose, Woody Allen’s godson, and James Franco’s new film, \u003cem>\u003ca href=\"http://www.imdb.com/title/tt1735907/\" target=\"_blank\" rel=\"noopener\">The Adderall Diaries.\u003c/a> \u003c/em>Franco and Berkeley’s Rita Moreno get the festival’s Maverick Spirit awards this year. Details \u003ca href=\"http://www.cinequest.org/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ojwANp_D_fE\u003c/p>\n\u003cp>\u003cstrong>March 3: \u003c/strong>This next item is a tribute to a female jazz pioneer, the great trombonist and arranger Melba Liston. She was one of the few women to play with the big bands in the 1940’s. She wrote a lot of music and wrote hundreds of arrangements for bands including those led by Quincy Jones, Dizzy Gillespie and Randy Weston. Now the young Bay Area raised trombonist \u003ca href=\"https://www.youtube.com/watch?v=ojwANp_D_fE\" target=\"_blank\" rel=\"noopener\">Natalie Cressman\u003c/a> is doing a tribute to Liston. She told us she’s been writing out Liston’s arrangement by listening to Liston’s old recordings, because very few of her charts are available. Cressman says she’s in awe of the the detail in the charts.\u003c/p>\n\u003cfigure id=\"attachment_11359646\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11359646\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Natalie-Cressman.jpg\" alt=\"Natalie Cressman\" width=\"640\" height=\"345\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Natalie-Cressman.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Natalie-Cressman-400x216.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Natalie Cressman \u003ccite>(Photo Credit: Courtesy SFJAZZ)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Because she came up playing not the lead part but in the section,” Cressman says, “that kind of gave her this perspective of wanting to make every single part beautiful. Because she found herself being bored sometimes playing those stock arrangements, she wanted to make all the parts free and special. \u003ca href=\"https://www.sfjazz.org/events/2015-16/0303/natalie-cressman\" target=\"_blank\" rel=\"noopener\">Cressman and her band play the Joe Henderson Lab at SFJAZZ Thursday night.\u003c/a>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=wLR3Bsdu36k\u003c/p>\n\u003cp>\u003cstrong>March 10-12:\u003c/strong> We’re looking a little bit ahead now with a \u003cstrong>FAR-OUT!\u003c/strong> selection — a show you should get tickets for early, or risk a sellout. It’s the annual visit to the Bay Area by the \u003ca href=\"https://www.facebook.com/BillTJonesArnieZaneDanceCompany/\" target=\"_blank\" rel=\"noopener\">Bill T. Jones/Arnie Zane Dance Company\u003c/a>. They’re doing a YBCA co-commission, a piece based on an oral history Jones did with Dora Amelan, a French Jewish nurse and social worker who somehow survived World War II. \u003ca href=\"http://tickets.ybca.org/single/PSDetail.aspx?psn=20511\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11359650\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11359650 size-large\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Word-For-Word-e1456444029772-1180x693.jpg\" alt=\"Lady Gregory (Stephanie Hunt) is seduced by the poet Blunt (Rudy Guerrero). From Colm Tóibín's "Silence."\" width=\"640\" height=\"376\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Word-For-Word-e1456444029772-1180x693.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Word-For-Word-e1456444029772-400x235.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Word-For-Word-e1456444029772-800x470.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Word-For-Word-e1456444029772-768x451.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Word-For-Word-e1456444029772-960x564.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Word-For-Word-e1456444029772.jpg 1400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Lady Gregory (Stephanie Hunt) is seduced by the poet Blunt (Rudy Guerrero). From Colm Tóibín’s “Silence.” \u003ccite>(Photo Credit: Julie Schuchard)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Continuing through April 3:\u003c/strong> There’s been something great in every show I’ve seen at \u003ca href=\"http://zspace.org/w4w\" target=\"_blank\" rel=\"noopener\">Word for Word\u003c/a> — that’s the company that puts short stories on the stage, word for word from the original text, and makes it work as great drama. The company is opening a new show, a pair of stories: one by \u003ca href=\"http://www.emmadonoghue.com/\" target=\"_blank\" rel=\"noopener\">Emma Donoghue \u003c/a>and one by \u003ca href=\"http://www.colmtoibin.com/\" target=\"_blank\" rel=\"noopener\">Colm Tóibín\u003c/a>. There’s a surprising Academy Awards connection for these two authors. Toibin wrote the novel \u003cem>Brooklyn\u003c/em>, and Donoghue wrote \u003cem>Room \u003c/em>— both nominated for \u003ca href=\"http://oscar.go.com/nominees\" target=\"_blank\" rel=\"noopener\">best picture awards\u003c/a>. Here are the details for Word for Word’s \u003cem>\u003ca href=\"http://zspace.org/w4w/donoghue-and-toibin\" target=\"_blank\" rel=\"noopener\">Stories by Emma Donoghue and Colm Tóibín\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=d0BNwyrEDiA\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Feb 26: \u003c/strong>Kid Cudi is a Speedin’ Bullet 2 Heaven. At least that’s the name of his newest album and current tour. This avatar of trippy hip-hop is embracing positivity, and his own quirks with half sung, half chanted lyrics like “I’m what you made, God / F— yes, I’m so odd.” We like odd here at The Do List. Details \u003ca href=\"http://sfmasonic.com/event/kid-cudi/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\n",
"blocks": [],
"excerpt": "Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.",
"status": "publish",
"parent": 0,
"modified": 1726788162,
"stats": {
"hasAudio": true,
"hasVideo": true,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 9,
"wordCount": 844
},
"headData": {
"title": "Cy and David's Picks: Cinequest in San Jose, a Female Jazz Pioneer, and the Suffers | KQED",
"description": "Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Cy and David's Picks: Cinequest in San Jose, a Female Jazz Pioneer, and the Suffers",
"datePublished": "2016-02-25T17:41:02-08:00",
"dateModified": "2024-09-19T16:22:42-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/11359048/cy-and-davids-picks-cinequest-in-san-jose-a-female-jazz-pioneer-and-the-suffers",
"audioUrl": "http://www.kqed.org/.stream/anon/radio/thedolist/2016/02/TDL20160226a.mp3",
"audioDuration": null,
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"aligncenter\">\n\u003ch4>featured, guide, ntv, the-do-list-featuredfeatured, guide, ntv, the-do-list-featuredKQED’s Cy Musiker and David Wiegand share their picks for great events around the Bay Area this week.\u003c/h4>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "audioLink",
"attributes": {
"named": {
"src": "http://www.kqed.org/.stream/anon/radio/thedolist/2016/02/TDL20160226a.mp3"
},
"numeric": []
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/aside>\n\u003cp> \u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/RM3hj-6F1pk'\n title='//www.youtube.com/embed/RM3hj-6F1pk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>Feb 27:\u003c/strong> The R&B band \u003ca href=\"http://www.thesuffers.com/\" target=\"_blank\" rel=\"noopener\">The Suffers\u003c/a> begins every show by thrusting their arms in the air, and then they earn that championship gesture with great shows. These are 10 very good musicians who’ve been kicking around the Houston music scene for years, but something special clicked when co-founders Adam Castaneda and Pat Kelly hooked up with Kam Franklin, a singer with a vivid voice and presence.They’re opening for Lake Street Dive at the \u003ca href=\"http://sfmasonic.com/event/lake-street-dive/\" target=\"_blank\" rel=\"noopener\">Masonic Saturday night.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/KOJ57_HrWXU'\n title='//www.youtube.com/embed/KOJ57_HrWXU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>March 1-13:\u003c/strong> \u003ca href=\"http://www.cinequest.org/\" target=\"_blank\" rel=\"noopener\">Cinequest\u003c/a> kicks off next week in San Jose, a festival that for 26 years has been exploring the links between technology and the movies, the original virtual reality. Co-founders Halfan Hussey and Kathleen Powell have scheduled a perfect opening night film, \u003cem>\u003ca href=\"http://www.bleeckerstreetmedia.com/eyeinthesky\" target=\"_blank\" rel=\"noopener\">Eye in the Sky,\u003c/a> \u003c/em>about drones, state assassinations and moral dilemmas, with a killer cast (sorry for the pun) in Helen Mirren (\u003cem>The Queen\u003c/em>), Aaron Paul (\u003cem>Breaking Bad\u003c/em>), and the late Alan Rickman (\u003cem>Harry Potter\u003c/em>). Cinequest’s own Maverick Studio is screening a work in progress,\u003ca href=\"http://www.mrinvinciblethemovie.com/\" target=\"_blank\" rel=\"noopener\"> \u003cem>Mr. Invincible\u003c/em>,\u003c/a> which uses a new three-screen format. Also worth a look: \u003cem>\u003ca href=\"https://www.facebook.com/FRIENDSEFFINGFRIENDSEFFINGFRIENDS/\" target=\"_blank\" rel=\"noopener\">Friends Effing Friends Effing Friends\u003c/a>,\u003c/em> directed by Quincy Rose, Woody Allen’s godson, and James Franco’s new film, \u003cem>\u003ca href=\"http://www.imdb.com/title/tt1735907/\" target=\"_blank\" rel=\"noopener\">The Adderall Diaries.\u003c/a> \u003c/em>Franco and Berkeley’s Rita Moreno get the festival’s Maverick Spirit awards this year. Details \u003ca href=\"http://www.cinequest.org/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ojwANp_D_fE'\n title='//www.youtube.com/embed/ojwANp_D_fE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>March 3: \u003c/strong>This next item is a tribute to a female jazz pioneer, the great trombonist and arranger Melba Liston. She was one of the few women to play with the big bands in the 1940’s. She wrote a lot of music and wrote hundreds of arrangements for bands including those led by Quincy Jones, Dizzy Gillespie and Randy Weston. Now the young Bay Area raised trombonist \u003ca href=\"https://www.youtube.com/watch?v=ojwANp_D_fE\" target=\"_blank\" rel=\"noopener\">Natalie Cressman\u003c/a> is doing a tribute to Liston. She told us she’s been writing out Liston’s arrangement by listening to Liston’s old recordings, because very few of her charts are available. Cressman says she’s in awe of the the detail in the charts.\u003c/p>\n\u003cfigure id=\"attachment_11359646\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11359646\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Natalie-Cressman.jpg\" alt=\"Natalie Cressman\" width=\"640\" height=\"345\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Natalie-Cressman.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Natalie-Cressman-400x216.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Natalie Cressman \u003ccite>(Photo Credit: Courtesy SFJAZZ)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“Because she came up playing not the lead part but in the section,” Cressman says, “that kind of gave her this perspective of wanting to make every single part beautiful. Because she found herself being bored sometimes playing those stock arrangements, she wanted to make all the parts free and special. \u003ca href=\"https://www.sfjazz.org/events/2015-16/0303/natalie-cressman\" target=\"_blank\" rel=\"noopener\">Cressman and her band play the Joe Henderson Lab at SFJAZZ Thursday night.\u003c/a>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/wLR3Bsdu36k'\n title='//www.youtube.com/embed/wLR3Bsdu36k'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cstrong>March 10-12:\u003c/strong> We’re looking a little bit ahead now with a \u003cstrong>FAR-OUT!\u003c/strong> selection — a show you should get tickets for early, or risk a sellout. It’s the annual visit to the Bay Area by the \u003ca href=\"https://www.facebook.com/BillTJonesArnieZaneDanceCompany/\" target=\"_blank\" rel=\"noopener\">Bill T. Jones/Arnie Zane Dance Company\u003c/a>. They’re doing a YBCA co-commission, a piece based on an oral history Jones did with Dora Amelan, a French Jewish nurse and social worker who somehow survived World War II. \u003ca href=\"http://tickets.ybca.org/single/PSDetail.aspx?psn=20511\" target=\"_blank\" rel=\"noopener\">Details here\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_11359650\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-11359650 size-large\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Word-For-Word-e1456444029772-1180x693.jpg\" alt=\"Lady Gregory (Stephanie Hunt) is seduced by the poet Blunt (Rudy Guerrero). From Colm Tóibín's "Silence."\" width=\"640\" height=\"376\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Word-For-Word-e1456444029772-1180x693.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Word-For-Word-e1456444029772-400x235.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Word-For-Word-e1456444029772-800x470.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Word-For-Word-e1456444029772-768x451.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Word-For-Word-e1456444029772-960x564.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Word-For-Word-e1456444029772.jpg 1400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Lady Gregory (Stephanie Hunt) is seduced by the poet Blunt (Rudy Guerrero). From Colm Tóibín’s “Silence.” \u003ccite>(Photo Credit: Julie Schuchard)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Continuing through April 3:\u003c/strong> There’s been something great in every show I’ve seen at \u003ca href=\"http://zspace.org/w4w\" target=\"_blank\" rel=\"noopener\">Word for Word\u003c/a> — that’s the company that puts short stories on the stage, word for word from the original text, and makes it work as great drama. The company is opening a new show, a pair of stories: one by \u003ca href=\"http://www.emmadonoghue.com/\" target=\"_blank\" rel=\"noopener\">Emma Donoghue \u003c/a>and one by \u003ca href=\"http://www.colmtoibin.com/\" target=\"_blank\" rel=\"noopener\">Colm Tóibín\u003c/a>. There’s a surprising Academy Awards connection for these two authors. Toibin wrote the novel \u003cem>Brooklyn\u003c/em>, and Donoghue wrote \u003cem>Room \u003c/em>— both nominated for \u003ca href=\"http://oscar.go.com/nominees\" target=\"_blank\" rel=\"noopener\">best picture awards\u003c/a>. Here are the details for Word for Word’s \u003cem>\u003ca href=\"http://zspace.org/w4w/donoghue-and-toibin\" target=\"_blank\" rel=\"noopener\">Stories by Emma Donoghue and Colm Tóibín\u003c/a>.\u003c/em>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/d0BNwyrEDiA'\n title='//www.youtube.com/embed/d0BNwyrEDiA'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Feb 26: \u003c/strong>Kid Cudi is a Speedin’ Bullet 2 Heaven. At least that’s the name of his newest album and current tour. This avatar of trippy hip-hop is embracing positivity, and his own quirks with half sung, half chanted lyrics like “I’m what you made, God / F— yes, I’m so odd.” We like odd here at The Do List. Details \u003ca href=\"http://sfmasonic.com/event/kid-cudi/\" target=\"_blank\" rel=\"noopener\">here.\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11359048/cy-and-davids-picks-cinequest-in-san-jose-a-female-jazz-pioneer-and-the-suffers",
"authors": [
"32"
],
"categories": [
"arts_1",
"arts_966",
"arts_235",
"arts_967"
],
"tags": [
"arts_1118",
"arts_1006",
"arts_596",
"arts_626"
],
"featImg": "arts_11360007",
"label": "arts"
},
"arts_11353957": {
"type": "posts",
"id": "arts_11353957",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "11353957",
"score": null,
"sort": [
1456450795000
]
},
"guestAuthors": [],
"slug": "black-as-ink-revisiting-black-history-through-sf-artists-work",
"title": "Black as Ink: Revisiting Black History Through SF Artist's Work",
"publishDate": 1456450795,
"format": "standard",
"headTitle": "Black as Ink: Revisiting Black History Through SF Artist’s Work | KQED",
"labelTerm": {
"site": "arts"
},
"content": "\u003cp>While discussions over \u003ca href=\"http://ww2.kqed.org/pop/2016/02/06/beyonce-surprise-drops-new-single-and-video-before-super-bowl-performance/\" target=\"_blank\" rel=\"noopener\">Beyonce’s Super Bowl one-two punch\u003c/a> and the \u003ca href=\"http://ww2.kqed.org/news/2016/02/22/usc-study-hollywood-has-a-major-diversity-problem\" target=\"_blank\" rel=\"noopener\">continuing controversy\u003c/a> ignited by #OscarsSoWhite packed this year’s Black History Month, art director George McCalman and content strategist Ebony Haight sought to commemorate the occasion by showcasing lesser-known pioneers in black history.\u003c/p>\n\u003cp>The two collaborated on a a series of portraits of Edna Lewis, Gordon Parks and other notable individuals, which are posted on \u003ca href=\"https://www.instagram.com/mccalmanco/\" target=\"_blank\" rel=\"noopener\">McCalman’s company Instagram\u003c/a> under the hashtag #illustratedblackhistory.\u003c/p>\n\u003cp>Haight initially posted stock photos and short biographies of obscure figures in black history on her Instagram, which inspired San Francisco artist McCalman to create a personal project.\u003c/p>\n\u003cp>“I didn’t think about it again until I painted a portrait of \u003ca href=\"https://twitter.com/mccalmanco/status/671868760412688384\" target=\"_blank\" rel=\"noopener\">Rosa Parks\u003c/a> on her birthday, and it flashed in my head to do a series of portraits,” McCalman says. “I just wanted to get to know and foster my own sense of history – it was just an itch I had to scratch.”\u003c/p>\n\u003cp>The black-and-white portraits are done in a mix of pen, pencil, ink and watercolor, each in styles that McCalman felt would reflect his connection to the subjects best. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I feel like I’m communing with people I’ve never met before through the course of researching them, and I feel inspired all over again when I paint them,” he says. \u003c/p>\n\u003cp>McCalman seeks to produce 29 portraits by the end of Black History Month, though he says there may be plans to extend it to a full year, or even publishing a book on an illustrated guide to black history. \u003c/p>\n\u003cp>“I grew up in an era where black history was something you learned in school, but there tended to be more focus on Civil Rights than the real history throughout the creation of the United States,” McCalman says. “The past year I just realized how critical it is, because even though we have so much technology, we’re still so ignorant about history. I think this is just a different way to access our legacy.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ci>Below are a few examples of McCalman’s work, from his \u003ca href=\"https://www.instagram.com/mccalmanco/\" target=\"_blank\" rel=\"noopener\">Instagram feed\u003c/a>:\u003c/i> \u003c/p>\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-version=\"6\" style=\"background:#FFF;border:0;border-radius:3px;margin-left: 100px;max-width:658px;padding:0;width:99.375%;width:-webkit-calc(100% - 2px);width:calc(100% - 2px)\">\n\u003cdiv style=\"padding:8px\">\n\u003cdiv style=\"background:#F8F8F8;line-height:0;margin-top:40px;padding:62.4537037037% 0;text-align:center;width:100%\">\n\u003cdiv style=\"base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAAGFBMVEUiIiI9PT0eHh4gIB4hIBkcHBwcHBwcHBydr+JQAAAACHRSTlMABA4YHyQsM5jtaMwAAADfSURBVDjL7ZVBEgMhCAQBAf//42xcNbpAqakcM0ftUmFAAIBE81IqBJdS3lS6zs3bIpB9WED3YYXFPmHRfT8sgyrCP1x8uEUxLMzNWElFOYCV6mHWWwMzdPEKHlhLw7NWJqkHc4uIZphavDzA2JPzUDsBZziNae2S6owH8xPmX8G7zzgKEOPUoYHvGz1TBCxMkd3kwNVbU0gKHkx+iZILf77IofhrY1nYFnB/lQPb79drWOyJVa/DAvg9B/rLB4cC+Nqgdz/TvBbBnr6GBReqn/nRmDgaQEej7WhonozjF+Y2I/fZou/qAAAAAElFTkSuQmCC);height:44px;margin:0 auto -44px;position:relative;top:-22px;width:44px\">\u003c/div>\n\u003c/div>\n\u003cp style=\"margin:8px 0 0 0;padding:0 4px\"> \u003ca href=\"https://www.instagram.com/p/BB0COn5iPHi/\" style=\"color:#000;font-family:Arial,sans-serif;font-size:14px;font-style:normal;font-weight:normal;line-height:17px;text-decoration:none\" target=\"_blank\" rel=\"noopener\">A day late but not a dollar short. My friend @isawstephen wrote this poem about Frederick Douglass and Valentines Day yesterday and I thought it was amazing! / Painting: @mccalmanco The Internet has images of hearts and sweethearts on lock today. Instead I'll use this space to embrace the greatest essayist and orator to ever grace this nation. Frederick Douglass was born a slave who did not know his birthday, so he chose Valentine's. He did not read until he was a teen. Knowledge was the pathway for slaves, he would later say. But you need feet for freedom too. \"I prayed for twenty years But received no answer until I prayed with my feet.\" Just one of the infinite number of thought provoking quotes he spoke or wrote. When I think of my words and legacy, my liberties and the things I'd like to leave behind, I find I channel him more than any other man, because of his eloquence, grit and wisdom that continue to outlive him. \"People might not get all they work for in this world, but they must certainly work for all they get.\" I'm flexin my hustle muscle. When I compare my struggle, I'm absolved of my trouble, but emboldened to open doors closed – And move forward. Progress doesn't idle, I suspect my idol would utter. I don't know why he chose Valentine's Maybe because love is liberation It's worth dying for It is a relentless fight with no culmination in which freedom is not uniform and must be formed within the designs of the love you opine – It is a divine celebration. Love is strength and hope. It is your wife the seamstress on the Underground Railroad sewing your clothes like a tailor in the mold of a sailor so you can meet her on the shores of freedom's sea. Love is the opposite of isolation. It is emancipation, and I suspect that's why this birth date was picked by the great abolitionist. #HistoricPOC #BlackHistory #AmericanHistory #BlackBeauty #BlackHistoryMonth #BlackLivesMatter #BlackTwitter #BlackInstagram #OurHistory #EducateYourself #History #Herstory #blackhistorymonthphotochallenge #IllustratedBlackHistory\u003c/a>\u003c/p>\n\u003cp style=\"color:#c9c8cd;font-family:Arial,sans-serif;font-size:14px;line-height:17px;margin-bottom:0;margin-top:8px;overflow:hidden;padding:8px 0 7px;text-align:center\">A photo posted by @mccalmanco on Feb 15, 2016 at 8:07am PST\u003c/p>\n\u003c/div>\n\u003c/blockquote>\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-version=\"6\" style=\"background:#FFF;border:0;border-radius:3px;margin-left: 100px;max-width:658px;padding:0;width:99.375%;width:-webkit-calc(100% - 2px);width:calc(100% - 2px)\">\n\u003cdiv style=\"padding:8px\">\n\u003cdiv style=\"background:#F8F8F8;line-height:0;margin-top:40px;padding:62.5% 0;text-align:center;width:100%\">\n\u003cdiv style=\"base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAAGFBMVEUiIiI9PT0eHh4gIB4hIBkcHBwcHBwcHBydr+JQAAAACHRSTlMABA4YHyQsM5jtaMwAAADfSURBVDjL7ZVBEgMhCAQBAf//42xcNbpAqakcM0ftUmFAAIBE81IqBJdS3lS6zs3bIpB9WED3YYXFPmHRfT8sgyrCP1x8uEUxLMzNWElFOYCV6mHWWwMzdPEKHlhLw7NWJqkHc4uIZphavDzA2JPzUDsBZziNae2S6owH8xPmX8G7zzgKEOPUoYHvGz1TBCxMkd3kwNVbU0gKHkx+iZILf77IofhrY1nYFnB/lQPb79drWOyJVa/DAvg9B/rLB4cC+Nqgdz/TvBbBnr6GBReqn/nRmDgaQEej7WhonozjF+Y2I/fZou/qAAAAAElFTkSuQmCC);height:44px;margin:0 auto -44px;position:relative;top:-22px;width:44px\">\u003c/div>\n\u003c/div>\n\u003cp style=\"margin:8px 0 0 0;padding:0 4px\"> \u003ca href=\"https://www.instagram.com/p/BBTT5ZAiPE-/\" style=\"color:#000;font-family:Arial,sans-serif;font-size:14px;font-style:normal;font-weight:normal;line-height:17px;text-decoration:none\" target=\"_blank\" rel=\"noopener\">\"At first I wasn't sure I had the talent, but I did know I had a fear of failure, and that fear compelled me to fight off anything that might abet it.\" – Gordon Parks, photographer, activist, humanitarian. / Painting: @mccalmanco #HistoricPOC #BlackHistory #AmericanHistory #BlackBeauty #BlackHistoryMonth #BlackLivesMatter #BlackTwitter #BlackInstagram #OurHistory #EducateYourself #History #blackhistorymonthphotochallenge #IllustratedBlackHistory #GordonParks\u003c/a>\u003c/p>\n\u003cp style=\"color:#c9c8cd;font-family:Arial,sans-serif;font-size:14px;line-height:17px;margin-bottom:0;margin-top:8px;overflow:hidden;padding:8px 0 7px;text-align:center\">A photo posted by @mccalmanco on Feb 2, 2016 at 3:07pm PST\u003c/p>\n\u003c/div>\n\u003c/blockquote>\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-version=\"6\" style=\"background:#FFF;border:0;border-radius:3px;margin-left: 100px;max-width:658px;padding:0;width:99.375%;width:-webkit-calc(100% - 2px);width:calc(100% - 2px)\">\n\u003cdiv style=\"padding:8px\">\n\u003cdiv style=\"background:#F8F8F8;line-height:0;margin-top:40px;padding:62.4537037037% 0;text-align:center;width:100%\">\n\u003cdiv style=\"base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAAGFBMVEUiIiI9PT0eHh4gIB4hIBkcHBwcHBwcHBydr+JQAAAACHRSTlMABA4YHyQsM5jtaMwAAADfSURBVDjL7ZVBEgMhCAQBAf//42xcNbpAqakcM0ftUmFAAIBE81IqBJdS3lS6zs3bIpB9WED3YYXFPmHRfT8sgyrCP1x8uEUxLMzNWElFOYCV6mHWWwMzdPEKHlhLw7NWJqkHc4uIZphavDzA2JPzUDsBZziNae2S6owH8xPmX8G7zzgKEOPUoYHvGz1TBCxMkd3kwNVbU0gKHkx+iZILf77IofhrY1nYFnB/lQPb79drWOyJVa/DAvg9B/rLB4cC+Nqgdz/TvBbBnr6GBReqn/nRmDgaQEej7WhonozjF+Y2I/fZou/qAAAAAElFTkSuQmCC);height:44px;margin:0 auto -44px;position:relative;top:-22px;width:44px\">\u003c/div>\n\u003c/div>\n\u003cp style=\"margin:8px 0 0 0;padding:0 4px\"> \u003ca href=\"https://www.instagram.com/p/BBqzCLxCPLd/\" style=\"color:#000;font-family:Arial,sans-serif;font-size:14px;font-style:normal;font-weight:normal;line-height:17px;text-decoration:none\" target=\"_blank\" rel=\"noopener\">Alain LeRoy Locke (b. 1885 – d. 1954) was a writer/philosopher credited as the father of the Harlem Renaissance. He graduated from Harvard University and was the first African American to win a Rhodes Scholarship. He was denied admission to the University of Oxford because of his skin color. He then went on to teach at Howard University after he received his doctorate in philosophy and bachelors in literature. Locke is well known for promoting the arts within the Harlem community and calling on artists to look at Africa for inspiration. / Painting: @mccalmanco #HistoricPOC #BlackHistory #AmericanHistory #BlackBeauty #BlackHistoryMonth #BlackLivesMatter #BlackTwitter #BlackInstagram #OurHistory #EducateYourself #History #Herstory #blackhistorymonthphotochallenge #IllustratedBlackHistory\u003c/a>\u003c/p>\n\u003cp style=\"color:#c9c8cd;font-family:Arial,sans-serif;font-size:14px;line-height:17px;margin-bottom:0;margin-top:8px;overflow:hidden;padding:8px 0 7px;text-align:center\">A photo posted by @mccalmanco on Feb 11, 2016 at 6:01pm PST\u003c/p>\n\u003c/div>\n\u003c/blockquote>\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-version=\"6\" style=\"background:#FFF;border:0;border-radius:3px;margin-left: 100px;max-width:658px;padding:0;width:99.375%;width:-webkit-calc(100% - 2px);width:calc(100% - 2px)\">\n\u003cdiv style=\"padding:8px\">\n\u003cdiv style=\"background:#F8F8F8;line-height:0;margin-top:40px;padding:62.4537037037% 0;text-align:center;width:100%\">\n\u003cdiv style=\"base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAAGFBMVEUiIiI9PT0eHh4gIB4hIBkcHBwcHBwcHBydr+JQAAAACHRSTlMABA4YHyQsM5jtaMwAAADfSURBVDjL7ZVBEgMhCAQBAf//42xcNbpAqakcM0ftUmFAAIBE81IqBJdS3lS6zs3bIpB9WED3YYXFPmHRfT8sgyrCP1x8uEUxLMzNWElFOYCV6mHWWwMzdPEKHlhLw7NWJqkHc4uIZphavDzA2JPzUDsBZziNae2S6owH8xPmX8G7zzgKEOPUoYHvGz1TBCxMkd3kwNVbU0gKHkx+iZILf77IofhrY1nYFnB/lQPb79drWOyJVa/DAvg9B/rLB4cC+Nqgdz/TvBbBnr6GBReqn/nRmDgaQEej7WhonozjF+Y2I/fZou/qAAAAAElFTkSuQmCC);height:44px;margin:0 auto -44px;position:relative;top:-22px;width:44px\">\u003c/div>\n\u003c/div>\n\u003cp style=\"margin:8px 0 0 0;padding:0 4px\"> \u003ca href=\"https://www.instagram.com/p/BB5tWFgiPP3/\" style=\"color:#000;font-family:Arial,sans-serif;font-size:14px;font-style:normal;font-weight:normal;line-height:17px;text-decoration:none\" target=\"_blank\" rel=\"noopener\">My friend @marianisel is a fan of the legendary Celia Cruz (b. 1925 – d. 2003) and I asked her to write a tribute to La Reina de la Salsa. Here is what she said: \"Celia's music has been the soundtrack to much of my Latina life: family cookouts, road trips, deep-house cleaning, and moments when I need an emotional tune-up. She was always around; and as I grew spiritually and politically, so did my love and admiration for Celia. Celia sang with fierce Afro-Cuban pride; she sang of her blackness and her beloved Orishas. There is a long and messy history of anti-blackness in the Latinx community, and Celia was having none of it. There is a moment in the documentary \"Soul Power\" when Celia lands in Zaire, kneels and kisses the ground. She was not allowed to return to her native Cuba for political reasons, but I think that day in Zaire she returned home in a deeper way. In 2003, I was working at Latina magazine when Celia passed. I remember someone yelling the news around the office, and silence fell. We worked diligently to honor her legacy. I had to work on a round-up of her life in pictures, all the while not believing she was gone.\" / Painting: @mccalmanco #HistoricPOC #BlackHistory #AmericanHistory #BlackBeauty #BlackHistoryMonth #BlackLivesMatter #BlackTwitter #BlackInstagram #OurHistory #EducateYourself #History #Herstory #blackhistorymonthphotochallenge #IllustratedBlackHistory\u003c/a>\u003c/p>\n\u003cp style=\"color:#c9c8cd;font-family:Arial,sans-serif;font-size:14px;line-height:17px;margin-bottom:0;margin-top:8px;overflow:hidden;padding:8px 0 7px;text-align:center\">A photo posted by @mccalmanco on Feb 17, 2016 at 1:00pm PST\u003c/p>\n\u003c/div>\n\u003c/blockquote>\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-version=\"6\" style=\"background:#FFF;border:0;border-radius:3px;margin-left: 100px;max-width:658px;padding:0;width:99.375%;width:-webkit-calc(100% - 2px);width:calc(100% - 2px)\">\n\u003cdiv style=\"padding:8px\">\n\u003cdiv style=\"background:#F8F8F8;line-height:0;margin-top:40px;padding:62.4537037037% 0;text-align:center;width:100%\">\n\u003cdiv style=\"base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAAGFBMVEUiIiI9PT0eHh4gIB4hIBkcHBwcHBwcHBydr+JQAAAACHRSTlMABA4YHyQsM5jtaMwAAADfSURBVDjL7ZVBEgMhCAQBAf//42xcNbpAqakcM0ftUmFAAIBE81IqBJdS3lS6zs3bIpB9WED3YYXFPmHRfT8sgyrCP1x8uEUxLMzNWElFOYCV6mHWWwMzdPEKHlhLw7NWJqkHc4uIZphavDzA2JPzUDsBZziNae2S6owH8xPmX8G7zzgKEOPUoYHvGz1TBCxMkd3kwNVbU0gKHkx+iZILf77IofhrY1nYFnB/lQPb79drWOyJVa/DAvg9B/rLB4cC+Nqgdz/TvBbBnr6GBReqn/nRmDgaQEej7WhonozjF+Y2I/fZou/qAAAAAElFTkSuQmCC);height:44px;margin:0 auto -44px;position:relative;top:-22px;width:44px\">\u003c/div>\n\u003c/div>\n\u003cp style=\"margin:8px 0 0 0;padding:0 4px\"> \u003ca href=\"https://www.instagram.com/p/BBsy0SVCPHG/\" style=\"color:#000;font-family:Arial,sans-serif;font-size:14px;font-style:normal;font-weight:normal;line-height:17px;text-decoration:none\" target=\"_blank\" rel=\"noopener\">Kathleen Neal Cleaver (b. 1945) is a lawyer, professor and former Black Panther. She attended a quaker high school and went to Oberlin for college. While there, she became invested in activism and dropped out in 1966 to become involved in the SNCC (Student Nonviolent Coordinating Committee). She met Elridge Cleaver and became involved with the Black Panther party was in its infancy. She became the first woman involved in its central organization and among a small group of women prominent in the party. They were married in 1967. Kathleen went back to school in 1981, attending Yale University, then Yale Law School. She and Eldridge divorced in 1987. She is currently serving as a senior lecturer at Emory University School of Law. / Painting: @mccalmanco #HistoricPOC #BlackHistory #AmericanHistory #BlackBeauty #BlackHistoryMonth #BlackLivesMatter #BlackTwitter #BlackInstagram #OurHistory #EducateYourself #History #Herstory #blackhistorymonthphotochallenge #IllustratedBlackHistory\u003c/a>\u003c/p>\n\u003cp style=\"color:#c9c8cd;font-family:Arial,sans-serif;font-size:14px;line-height:17px;margin-bottom:0;margin-top:8px;overflow:hidden;padding:8px 0 7px;text-align:center\">A photo posted by @mccalmanco on Feb 12, 2016 at 12:38pm PST\u003c/p>\n\u003c/div>\n\u003c/blockquote>\n\n",
"blocks": [],
"excerpt": null,
"status": "publish",
"parent": 0,
"modified": 1726771240,
"stats": {
"hasAudio": false,
"hasVideo": false,
"hasChartOrMap": false,
"iframeSrcs": [],
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"hasPolis": false,
"paragraphCount": 11,
"wordCount": 1342
},
"headData": {
"title": "Black as Ink: Revisiting Black History Through SF Artist's Work | KQED",
"description": "While discussions over Beyonce's Super Bowl one-two punch and the continuing controversy ignited by #OscarsSoWhite packed this year's Black History Month, art director George McCalman and content strategist Ebony Haight sought to commemorate the occasion by showcasing lesser-known pioneers in black history. The two collaborated on a a series of portraits of Edna Lewis, Gordon Parks and other notable individuals, which are posted on McCalman’s company Instagram under the hashtag #illustratedblackhistory. Haight initially posted stock photos and short biographies of obscure figures in black history on her Instagram, which inspired San Francisco artist McCalman to create a personal project. “I didn’t think about it again until I painted a portrait of Rosa",
"ogTitle": "",
"ogDescription": "",
"ogImgId": "",
"twTitle": "",
"twDescription": "",
"twImgId": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Black as Ink: Revisiting Black History Through SF Artist's Work",
"datePublished": "2016-02-25T17:39:55-08:00",
"dateModified": "2024-09-19T11:40:40-07:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"sticky": false,
"path": "/arts/11353957/black-as-ink-revisiting-black-history-through-sf-artists-work",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>While discussions over \u003ca href=\"http://ww2.kqed.org/pop/2016/02/06/beyonce-surprise-drops-new-single-and-video-before-super-bowl-performance/\" target=\"_blank\" rel=\"noopener\">Beyonce’s Super Bowl one-two punch\u003c/a> and the \u003ca href=\"http://ww2.kqed.org/news/2016/02/22/usc-study-hollywood-has-a-major-diversity-problem\" target=\"_blank\" rel=\"noopener\">continuing controversy\u003c/a> ignited by #OscarsSoWhite packed this year’s Black History Month, art director George McCalman and content strategist Ebony Haight sought to commemorate the occasion by showcasing lesser-known pioneers in black history.\u003c/p>\n\u003cp>The two collaborated on a a series of portraits of Edna Lewis, Gordon Parks and other notable individuals, which are posted on \u003ca href=\"https://www.instagram.com/mccalmanco/\" target=\"_blank\" rel=\"noopener\">McCalman’s company Instagram\u003c/a> under the hashtag #illustratedblackhistory.\u003c/p>\n\u003cp>Haight initially posted stock photos and short biographies of obscure figures in black history on her Instagram, which inspired San Francisco artist McCalman to create a personal project.\u003c/p>\n\u003cp>“I didn’t think about it again until I painted a portrait of \u003ca href=\"https://twitter.com/mccalmanco/status/671868760412688384\" target=\"_blank\" rel=\"noopener\">Rosa Parks\u003c/a> on her birthday, and it flashed in my head to do a series of portraits,” McCalman says. “I just wanted to get to know and foster my own sense of history – it was just an itch I had to scratch.”\u003c/p>\n\u003cp>The black-and-white portraits are done in a mix of pen, pencil, ink and watercolor, each in styles that McCalman felt would reflect his connection to the subjects best. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I feel like I’m communing with people I’ve never met before through the course of researching them, and I feel inspired all over again when I paint them,” he says. \u003c/p>\n\u003cp>McCalman seeks to produce 29 portraits by the end of Black History Month, though he says there may be plans to extend it to a full year, or even publishing a book on an illustrated guide to black history. \u003c/p>\n\u003cp>“I grew up in an era where black history was something you learned in school, but there tended to be more focus on Civil Rights than the real history throughout the creation of the United States,” McCalman says. “The past year I just realized how critical it is, because even though we have so much technology, we’re still so ignorant about history. I think this is just a different way to access our legacy.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>Below are a few examples of McCalman’s work, from his \u003ca href=\"https://www.instagram.com/mccalmanco/\" target=\"_blank\" rel=\"noopener\">Instagram feed\u003c/a>:\u003c/i> \u003c/p>\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-version=\"6\" style=\"background:#FFF;border:0;border-radius:3px;margin-left: 100px;max-width:658px;padding:0;width:99.375%;width:-webkit-calc(100% - 2px);width:calc(100% - 2px)\">\n\u003cdiv style=\"padding:8px\">\n\u003cdiv style=\"background:#F8F8F8;line-height:0;margin-top:40px;padding:62.4537037037% 0;text-align:center;width:100%\">\n\u003cdiv style=\"base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAAGFBMVEUiIiI9PT0eHh4gIB4hIBkcHBwcHBwcHBydr+JQAAAACHRSTlMABA4YHyQsM5jtaMwAAADfSURBVDjL7ZVBEgMhCAQBAf//42xcNbpAqakcM0ftUmFAAIBE81IqBJdS3lS6zs3bIpB9WED3YYXFPmHRfT8sgyrCP1x8uEUxLMzNWElFOYCV6mHWWwMzdPEKHlhLw7NWJqkHc4uIZphavDzA2JPzUDsBZziNae2S6owH8xPmX8G7zzgKEOPUoYHvGz1TBCxMkd3kwNVbU0gKHkx+iZILf77IofhrY1nYFnB/lQPb79drWOyJVa/DAvg9B/rLB4cC+Nqgdz/TvBbBnr6GBReqn/nRmDgaQEej7WhonozjF+Y2I/fZou/qAAAAAElFTkSuQmCC);height:44px;margin:0 auto -44px;position:relative;top:-22px;width:44px\">\u003c/div>\n\u003c/div>\n\u003cp style=\"margin:8px 0 0 0;padding:0 4px\"> \u003ca href=\"https://www.instagram.com/p/BB0COn5iPHi/\" style=\"color:#000;font-family:Arial,sans-serif;font-size:14px;font-style:normal;font-weight:normal;line-height:17px;text-decoration:none\" target=\"_blank\" rel=\"noopener\">A day late but not a dollar short. My friend @isawstephen wrote this poem about Frederick Douglass and Valentines Day yesterday and I thought it was amazing! / Painting: @mccalmanco The Internet has images of hearts and sweethearts on lock today. Instead I'll use this space to embrace the greatest essayist and orator to ever grace this nation. Frederick Douglass was born a slave who did not know his birthday, so he chose Valentine's. He did not read until he was a teen. Knowledge was the pathway for slaves, he would later say. But you need feet for freedom too. \"I prayed for twenty years But received no answer until I prayed with my feet.\" Just one of the infinite number of thought provoking quotes he spoke or wrote. When I think of my words and legacy, my liberties and the things I'd like to leave behind, I find I channel him more than any other man, because of his eloquence, grit and wisdom that continue to outlive him. \"People might not get all they work for in this world, but they must certainly work for all they get.\" I'm flexin my hustle muscle. When I compare my struggle, I'm absolved of my trouble, but emboldened to open doors closed – And move forward. Progress doesn't idle, I suspect my idol would utter. I don't know why he chose Valentine's Maybe because love is liberation It's worth dying for It is a relentless fight with no culmination in which freedom is not uniform and must be formed within the designs of the love you opine – It is a divine celebration. Love is strength and hope. It is your wife the seamstress on the Underground Railroad sewing your clothes like a tailor in the mold of a sailor so you can meet her on the shores of freedom's sea. Love is the opposite of isolation. It is emancipation, and I suspect that's why this birth date was picked by the great abolitionist. #HistoricPOC #BlackHistory #AmericanHistory #BlackBeauty #BlackHistoryMonth #BlackLivesMatter #BlackTwitter #BlackInstagram #OurHistory #EducateYourself #History #Herstory #blackhistorymonthphotochallenge #IllustratedBlackHistory\u003c/a>\u003c/p>\n\u003cp style=\"color:#c9c8cd;font-family:Arial,sans-serif;font-size:14px;line-height:17px;margin-bottom:0;margin-top:8px;overflow:hidden;padding:8px 0 7px;text-align:center\">A photo posted by @mccalmanco on Feb 15, 2016 at 8:07am PST\u003c/p>\n\u003c/div>\n\u003c/blockquote>\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-version=\"6\" style=\"background:#FFF;border:0;border-radius:3px;margin-left: 100px;max-width:658px;padding:0;width:99.375%;width:-webkit-calc(100% - 2px);width:calc(100% - 2px)\">\n\u003cdiv style=\"padding:8px\">\n\u003cdiv style=\"background:#F8F8F8;line-height:0;margin-top:40px;padding:62.5% 0;text-align:center;width:100%\">\n\u003cdiv style=\"base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAAGFBMVEUiIiI9PT0eHh4gIB4hIBkcHBwcHBwcHBydr+JQAAAACHRSTlMABA4YHyQsM5jtaMwAAADfSURBVDjL7ZVBEgMhCAQBAf//42xcNbpAqakcM0ftUmFAAIBE81IqBJdS3lS6zs3bIpB9WED3YYXFPmHRfT8sgyrCP1x8uEUxLMzNWElFOYCV6mHWWwMzdPEKHlhLw7NWJqkHc4uIZphavDzA2JPzUDsBZziNae2S6owH8xPmX8G7zzgKEOPUoYHvGz1TBCxMkd3kwNVbU0gKHkx+iZILf77IofhrY1nYFnB/lQPb79drWOyJVa/DAvg9B/rLB4cC+Nqgdz/TvBbBnr6GBReqn/nRmDgaQEej7WhonozjF+Y2I/fZou/qAAAAAElFTkSuQmCC);height:44px;margin:0 auto -44px;position:relative;top:-22px;width:44px\">\u003c/div>\n\u003c/div>\n\u003cp style=\"margin:8px 0 0 0;padding:0 4px\"> \u003ca href=\"https://www.instagram.com/p/BBTT5ZAiPE-/\" style=\"color:#000;font-family:Arial,sans-serif;font-size:14px;font-style:normal;font-weight:normal;line-height:17px;text-decoration:none\" target=\"_blank\" rel=\"noopener\">\"At first I wasn't sure I had the talent, but I did know I had a fear of failure, and that fear compelled me to fight off anything that might abet it.\" – Gordon Parks, photographer, activist, humanitarian. / Painting: @mccalmanco #HistoricPOC #BlackHistory #AmericanHistory #BlackBeauty #BlackHistoryMonth #BlackLivesMatter #BlackTwitter #BlackInstagram #OurHistory #EducateYourself #History #blackhistorymonthphotochallenge #IllustratedBlackHistory #GordonParks\u003c/a>\u003c/p>\n\u003cp style=\"color:#c9c8cd;font-family:Arial,sans-serif;font-size:14px;line-height:17px;margin-bottom:0;margin-top:8px;overflow:hidden;padding:8px 0 7px;text-align:center\">A photo posted by @mccalmanco on Feb 2, 2016 at 3:07pm PST\u003c/p>\n\u003c/div>\n\u003c/blockquote>\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-version=\"6\" style=\"background:#FFF;border:0;border-radius:3px;margin-left: 100px;max-width:658px;padding:0;width:99.375%;width:-webkit-calc(100% - 2px);width:calc(100% - 2px)\">\n\u003cdiv style=\"padding:8px\">\n\u003cdiv style=\"background:#F8F8F8;line-height:0;margin-top:40px;padding:62.4537037037% 0;text-align:center;width:100%\">\n\u003cdiv style=\"base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAAGFBMVEUiIiI9PT0eHh4gIB4hIBkcHBwcHBwcHBydr+JQAAAACHRSTlMABA4YHyQsM5jtaMwAAADfSURBVDjL7ZVBEgMhCAQBAf//42xcNbpAqakcM0ftUmFAAIBE81IqBJdS3lS6zs3bIpB9WED3YYXFPmHRfT8sgyrCP1x8uEUxLMzNWElFOYCV6mHWWwMzdPEKHlhLw7NWJqkHc4uIZphavDzA2JPzUDsBZziNae2S6owH8xPmX8G7zzgKEOPUoYHvGz1TBCxMkd3kwNVbU0gKHkx+iZILf77IofhrY1nYFnB/lQPb79drWOyJVa/DAvg9B/rLB4cC+Nqgdz/TvBbBnr6GBReqn/nRmDgaQEej7WhonozjF+Y2I/fZou/qAAAAAElFTkSuQmCC);height:44px;margin:0 auto -44px;position:relative;top:-22px;width:44px\">\u003c/div>\n\u003c/div>\n\u003cp style=\"margin:8px 0 0 0;padding:0 4px\"> \u003ca href=\"https://www.instagram.com/p/BBqzCLxCPLd/\" style=\"color:#000;font-family:Arial,sans-serif;font-size:14px;font-style:normal;font-weight:normal;line-height:17px;text-decoration:none\" target=\"_blank\" rel=\"noopener\">Alain LeRoy Locke (b. 1885 – d. 1954) was a writer/philosopher credited as the father of the Harlem Renaissance. He graduated from Harvard University and was the first African American to win a Rhodes Scholarship. He was denied admission to the University of Oxford because of his skin color. He then went on to teach at Howard University after he received his doctorate in philosophy and bachelors in literature. Locke is well known for promoting the arts within the Harlem community and calling on artists to look at Africa for inspiration. / Painting: @mccalmanco #HistoricPOC #BlackHistory #AmericanHistory #BlackBeauty #BlackHistoryMonth #BlackLivesMatter #BlackTwitter #BlackInstagram #OurHistory #EducateYourself #History #Herstory #blackhistorymonthphotochallenge #IllustratedBlackHistory\u003c/a>\u003c/p>\n\u003cp style=\"color:#c9c8cd;font-family:Arial,sans-serif;font-size:14px;line-height:17px;margin-bottom:0;margin-top:8px;overflow:hidden;padding:8px 0 7px;text-align:center\">A photo posted by @mccalmanco on Feb 11, 2016 at 6:01pm PST\u003c/p>\n\u003c/div>\n\u003c/blockquote>\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-version=\"6\" style=\"background:#FFF;border:0;border-radius:3px;margin-left: 100px;max-width:658px;padding:0;width:99.375%;width:-webkit-calc(100% - 2px);width:calc(100% - 2px)\">\n\u003cdiv style=\"padding:8px\">\n\u003cdiv style=\"background:#F8F8F8;line-height:0;margin-top:40px;padding:62.4537037037% 0;text-align:center;width:100%\">\n\u003cdiv style=\"base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAAGFBMVEUiIiI9PT0eHh4gIB4hIBkcHBwcHBwcHBydr+JQAAAACHRSTlMABA4YHyQsM5jtaMwAAADfSURBVDjL7ZVBEgMhCAQBAf//42xcNbpAqakcM0ftUmFAAIBE81IqBJdS3lS6zs3bIpB9WED3YYXFPmHRfT8sgyrCP1x8uEUxLMzNWElFOYCV6mHWWwMzdPEKHlhLw7NWJqkHc4uIZphavDzA2JPzUDsBZziNae2S6owH8xPmX8G7zzgKEOPUoYHvGz1TBCxMkd3kwNVbU0gKHkx+iZILf77IofhrY1nYFnB/lQPb79drWOyJVa/DAvg9B/rLB4cC+Nqgdz/TvBbBnr6GBReqn/nRmDgaQEej7WhonozjF+Y2I/fZou/qAAAAAElFTkSuQmCC);height:44px;margin:0 auto -44px;position:relative;top:-22px;width:44px\">\u003c/div>\n\u003c/div>\n\u003cp style=\"margin:8px 0 0 0;padding:0 4px\"> \u003ca href=\"https://www.instagram.com/p/BB5tWFgiPP3/\" style=\"color:#000;font-family:Arial,sans-serif;font-size:14px;font-style:normal;font-weight:normal;line-height:17px;text-decoration:none\" target=\"_blank\" rel=\"noopener\">My friend @marianisel is a fan of the legendary Celia Cruz (b. 1925 – d. 2003) and I asked her to write a tribute to La Reina de la Salsa. Here is what she said: \"Celia's music has been the soundtrack to much of my Latina life: family cookouts, road trips, deep-house cleaning, and moments when I need an emotional tune-up. She was always around; and as I grew spiritually and politically, so did my love and admiration for Celia. Celia sang with fierce Afro-Cuban pride; she sang of her blackness and her beloved Orishas. There is a long and messy history of anti-blackness in the Latinx community, and Celia was having none of it. There is a moment in the documentary \"Soul Power\" when Celia lands in Zaire, kneels and kisses the ground. She was not allowed to return to her native Cuba for political reasons, but I think that day in Zaire she returned home in a deeper way. In 2003, I was working at Latina magazine when Celia passed. I remember someone yelling the news around the office, and silence fell. We worked diligently to honor her legacy. I had to work on a round-up of her life in pictures, all the while not believing she was gone.\" / Painting: @mccalmanco #HistoricPOC #BlackHistory #AmericanHistory #BlackBeauty #BlackHistoryMonth #BlackLivesMatter #BlackTwitter #BlackInstagram #OurHistory #EducateYourself #History #Herstory #blackhistorymonthphotochallenge #IllustratedBlackHistory\u003c/a>\u003c/p>\n\u003cp style=\"color:#c9c8cd;font-family:Arial,sans-serif;font-size:14px;line-height:17px;margin-bottom:0;margin-top:8px;overflow:hidden;padding:8px 0 7px;text-align:center\">A photo posted by @mccalmanco on Feb 17, 2016 at 1:00pm PST\u003c/p>\n\u003c/div>\n\u003c/blockquote>\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-version=\"6\" style=\"background:#FFF;border:0;border-radius:3px;margin-left: 100px;max-width:658px;padding:0;width:99.375%;width:-webkit-calc(100% - 2px);width:calc(100% - 2px)\">\n\u003cdiv style=\"padding:8px\">\n\u003cdiv style=\"background:#F8F8F8;line-height:0;margin-top:40px;padding:62.4537037037% 0;text-align:center;width:100%\">\n\u003cdiv style=\"base64,iVBORw0KGgoAAAANSUhEUgAAACwAAAAsCAMAAAApWqozAAAAGFBMVEUiIiI9PT0eHh4gIB4hIBkcHBwcHBwcHBydr+JQAAAACHRSTlMABA4YHyQsM5jtaMwAAADfSURBVDjL7ZVBEgMhCAQBAf//42xcNbpAqakcM0ftUmFAAIBE81IqBJdS3lS6zs3bIpB9WED3YYXFPmHRfT8sgyrCP1x8uEUxLMzNWElFOYCV6mHWWwMzdPEKHlhLw7NWJqkHc4uIZphavDzA2JPzUDsBZziNae2S6owH8xPmX8G7zzgKEOPUoYHvGz1TBCxMkd3kwNVbU0gKHkx+iZILf77IofhrY1nYFnB/lQPb79drWOyJVa/DAvg9B/rLB4cC+Nqgdz/TvBbBnr6GBReqn/nRmDgaQEej7WhonozjF+Y2I/fZou/qAAAAAElFTkSuQmCC);height:44px;margin:0 auto -44px;position:relative;top:-22px;width:44px\">\u003c/div>\n\u003c/div>\n\u003cp style=\"margin:8px 0 0 0;padding:0 4px\"> \u003ca href=\"https://www.instagram.com/p/BBsy0SVCPHG/\" style=\"color:#000;font-family:Arial,sans-serif;font-size:14px;font-style:normal;font-weight:normal;line-height:17px;text-decoration:none\" target=\"_blank\" rel=\"noopener\">Kathleen Neal Cleaver (b. 1945) is a lawyer, professor and former Black Panther. She attended a quaker high school and went to Oberlin for college. While there, she became invested in activism and dropped out in 1966 to become involved in the SNCC (Student Nonviolent Coordinating Committee). She met Elridge Cleaver and became involved with the Black Panther party was in its infancy. She became the first woman involved in its central organization and among a small group of women prominent in the party. They were married in 1967. Kathleen went back to school in 1981, attending Yale University, then Yale Law School. She and Eldridge divorced in 1987. She is currently serving as a senior lecturer at Emory University School of Law. / Painting: @mccalmanco #HistoricPOC #BlackHistory #AmericanHistory #BlackBeauty #BlackHistoryMonth #BlackLivesMatter #BlackTwitter #BlackInstagram #OurHistory #EducateYourself #History #Herstory #blackhistorymonthphotochallenge #IllustratedBlackHistory\u003c/a>\u003c/p>\n\u003cp style=\"color:#c9c8cd;font-family:Arial,sans-serif;font-size:14px;line-height:17px;margin-bottom:0;margin-top:8px;overflow:hidden;padding:8px 0 7px;text-align:center\">A photo posted by @mccalmanco on Feb 12, 2016 at 12:38pm PST\u003c/p>\n\u003c/div>\n\u003c/blockquote>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/11353957/black-as-ink-revisiting-black-history-through-sf-artists-work",
"authors": [
"11208"
],
"categories": [
"arts_235",
"arts_70"
],
"tags": [
"arts_820",
"arts_1346",
"arts_1254",
"arts_596"
],
"featImg": "arts_11355729",
"label": "arts"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=news": {
"isFetching": false,
"latestQuery": {
"from": 3120,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 3717,
"relation": "eq"
},
"items": [
"arts_11370839",
"arts_11374909",
"arts_11374700",
"news_10879280",
"arts_11372302",
"arts_11372194",
"arts_11369864",
"arts_11369752",
"arts_11362499",
"arts_11364611",
"arts_11359048",
"arts_11353957"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_news": {
"isLoading": true
},
"arts_235": {
"type": "terms",
"id": "arts_235",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "235",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED Arts",
"ogDescription": null
},
"ttid": 236,
"slug": "news",
"isLoading": false,
"link": "/arts/category/news"
},
"arts_967": {
"type": "terms",
"id": "arts_967",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "967",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Theater",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Theater Archives | KQED Arts",
"ogDescription": null
},
"ttid": 985,
"slug": "theater",
"isLoading": false,
"link": "/arts/category/theater"
},
"arts_1": {
"type": "terms",
"id": "arts_1",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1,
"slug": "arts",
"isLoading": false,
"link": "/arts/category/arts"
},
"arts_70": {
"type": "terms",
"id": "arts_70",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "70",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Visual Arts",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Visual Arts Archives | KQED Arts",
"ogDescription": null
},
"ttid": 71,
"slug": "visualarts",
"isLoading": false,
"link": "/arts/category/visualarts"
},
"arts_1037": {
"type": "terms",
"id": "arts_1037",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1037",
"found": true
},
"relationships": {},
"featImg": null,
"name": "audio",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "audio Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1054,
"slug": "audio",
"isLoading": false,
"link": "/arts/tag/audio"
},
"arts_596": {
"type": "terms",
"id": "arts_596",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "596",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ntv",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ntv Archives | KQED Arts",
"ogDescription": null
},
"ttid": 602,
"slug": "ntv",
"isLoading": false,
"link": "/arts/tag/ntv"
},
"arts_968": {
"type": "terms",
"id": "arts_968",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "968",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Comedy",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Comedy Archives | KQED Arts",
"ogDescription": null
},
"ttid": 986,
"slug": "comedy",
"isLoading": false,
"link": "/arts/category/comedy"
},
"arts_74": {
"type": "terms",
"id": "arts_74",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "74",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Movies",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Movies Archives | KQED Arts",
"ogDescription": null
},
"ttid": 75,
"slug": "movies",
"isLoading": false,
"link": "/arts/category/movies"
},
"arts_990": {
"type": "terms",
"id": "arts_990",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "990",
"found": true
},
"relationships": {},
"featImg": null,
"name": "TV",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "TV Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1008,
"slug": "tv",
"isLoading": false,
"link": "/arts/category/tv"
},
"arts_1310": {
"type": "terms",
"id": "arts_1310",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1310",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Art in the Open",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Art in the Open Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1322,
"slug": "art-in-the-open",
"isLoading": false,
"link": "/arts/tag/art-in-the-open"
},
"news_72": {
"type": "terms",
"id": "news_72",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "72",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/10/2014/10/TCR-2-Logo-Web-Banners-03.png",
"name": "The California Report",
"description": null,
"taxonomy": "program",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "The California Report Archives | KQED News",
"ogDescription": null
},
"ttid": 6969,
"slug": "the-california-report",
"isLoading": false,
"link": "/news/program/the-california-report"
},
"news_223": {
"type": "terms",
"id": "news_223",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "223",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Arts and Culture",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Arts and Culture Archives | KQED News",
"ogDescription": null
},
"ttid": 231,
"slug": "arts-and-culture",
"isLoading": false,
"link": "/news/category/arts-and-culture"
},
"news_1169": {
"type": "terms",
"id": "news_1169",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "1169",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Immigration",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Immigration Archives | KQED News",
"ogDescription": null
},
"ttid": 1180,
"slug": "immigration",
"isLoading": false,
"link": "/news/category/immigration"
},
"news_8": {
"type": "terms",
"id": "news_8",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "8",
"found": true
},
"relationships": {},
"featImg": null,
"name": "News",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "News Archives | KQED News",
"ogDescription": null
},
"ttid": 8,
"slug": "news",
"isLoading": false,
"link": "/news/category/news"
},
"news_13": {
"type": "terms",
"id": "news_13",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "13",
"found": true
},
"relationships": {},
"name": "Politics",
"slug": "politics",
"taxonomy": "category",
"description": null,
"featImg": null,
"headData": {
"title": "Politics | KQED News",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 13,
"isLoading": false,
"link": "/news/category/politics"
},
"news_17286": {
"type": "terms",
"id": "news_17286",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "17286",
"found": true
},
"relationships": {},
"featImg": null,
"name": "tcr",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "tcr Archives | KQED News",
"ogDescription": null
},
"ttid": 17318,
"slug": "tcr",
"isLoading": false,
"link": "/news/tag/tcr"
},
"news_472": {
"type": "terms",
"id": "news_472",
"meta": {
"index": "terms_1716263798",
"site": "news",
"id": "472",
"found": true
},
"relationships": {},
"featImg": null,
"name": "television",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "television Archives | KQED News",
"ogDescription": null
},
"ttid": 481,
"slug": "television",
"isLoading": false,
"link": "/news/tag/television"
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_1254": {
"type": "terms",
"id": "arts_1254",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1254",
"found": true
},
"relationships": {},
"featImg": null,
"name": "exclude",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "exclude Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1266,
"slug": "exclude",
"isLoading": false,
"link": "/arts/tag/exclude"
},
"arts_746": {
"type": "terms",
"id": "arts_746",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "746",
"found": true
},
"relationships": {},
"featImg": null,
"name": "news",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "news Archives | KQED Arts",
"ogDescription": null
},
"ttid": 764,
"slug": "news-2",
"isLoading": false,
"link": "/arts/tag/news-2"
},
"arts_140": {
"type": "terms",
"id": "arts_140",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "140",
"found": true
},
"relationships": {},
"name": "The Do List",
"slug": "the-do-list",
"taxonomy": "program",
"description": null,
"featImg": "https://cdn.kqed.org/wp-content/uploads/sites/2/2015/11/The-Do-LIst-logo-2014-horizontal-015.png",
"headData": {
"title": "The Do List Archives | KQED Arts",
"description": null,
"ogTitle": null,
"ogDescription": null,
"ogImgId": null,
"twTitle": null,
"twDescription": null,
"twImgId": null
},
"ttid": 141,
"isLoading": false,
"link": "/arts/program/the-do-list"
},
"arts_966": {
"type": "terms",
"id": "arts_966",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "966",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Dance",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Dance Archives | KQED Arts",
"ogDescription": null
},
"ttid": 984,
"slug": "dance",
"isLoading": false,
"link": "/arts/category/dance"
},
"arts_1119": {
"type": "terms",
"id": "arts_1119",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1119",
"found": true
},
"relationships": {},
"featImg": null,
"name": "feature",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "feature Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1136,
"slug": "feature",
"isLoading": false,
"link": "/arts/tag/feature"
},
"arts_1118": {
"type": "terms",
"id": "arts_1118",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1118",
"found": true
},
"relationships": {},
"featImg": null,
"name": "featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1135,
"slug": "featured",
"isLoading": false,
"link": "/arts/tag/featured"
},
"arts_1006": {
"type": "terms",
"id": "arts_1006",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1006",
"found": true
},
"relationships": {},
"featImg": null,
"name": "guide",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "guide Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1023,
"slug": "guide",
"isLoading": false,
"link": "/arts/tag/guide"
},
"arts_626": {
"type": "terms",
"id": "arts_626",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "626",
"found": true
},
"relationships": {},
"featImg": null,
"name": "the-do-list-featured",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "the-do-list-featured Archives | KQED Arts",
"ogDescription": null
},
"ttid": 634,
"slug": "the-do-list-featured",
"isLoading": false,
"link": "/arts/tag/the-do-list-featured"
},
"arts_820": {
"type": "terms",
"id": "arts_820",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "820",
"found": true
},
"relationships": {},
"featImg": null,
"name": "art",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "art Archives | KQED Arts",
"ogDescription": null
},
"ttid": 838,
"slug": "art",
"isLoading": false,
"link": "/arts/tag/art"
},
"arts_1346": {
"type": "terms",
"id": "arts_1346",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1346",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Black Panthers",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Black Panthers Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1358,
"slug": "black-panthers",
"isLoading": false,
"link": "/arts/tag/black-panthers"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
}
}
