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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco’s loss is Atlanta’s gain.\u003c/p>\n\u003cp>\u003ca href=\"https://www.sfballet.org/company/dancers/principals/Gennadi_Nedvigin\" target=\"_blank\" rel=\"noopener\">Gennadi Nedvigin,\u003c/a> a principal dancer with \u003ca href=\"https://www.sfballet.org/\" target=\"_blank\" rel=\"noopener\">San Francisco Ballet\u003c/a>, will take over August 1 as artistic director at \u003ca href=\"http://www.atlantaballet.com/\" target=\"_blank\" rel=\"noopener\">Atlanta Ballet\u003c/a>, replacing outgoing director John McFall.\u003c/p>\n\u003cp>Nedvigin, 39, is Russian and trained at the Bolshoi School. He joined SF Ballet as a soloist in 1997. SF Ballet announced today that Nedvigin’s final performance will take place sometime during the company’s run of \u003cem> Onegin,\u003c/em> which begins April 30.\u003c/p>\n\u003cp>“Gennadi is an incredibly talented dancer who—after 19 years with the company—is still performing at a very high level and I am very proud of him,” SF Ballet Artistic Director Helgi Tomasson said in a statement. “I have no doubt that his professionalism, coupled with his passion and respect for the art form will make him a wonderful leader for Atlanta Ballet.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>\"The X-Files\" revival has gotten some \u003ca href=\"http://www.nytimes.com/2016/01/27/arts/television/x-files-ratings-stay-strong.html\" target=\"_blank\">big ratings\u003c/a>. Clearly a lot of fans (if \u003ca href=\"http://variety.com/2016/tv/features/the-x-files-season-finale-review-my-struggle-ii-1201712181/\" target=\"_blank\">not\u003c/a> \u003ca href=\"http://www.vox.com/2016/2/24/11104426/the-x-files-finale-recap-bad\" target=\"_blank\">critics\u003c/a>) are over the moon at its return, as this Twitter search on \"\u003ca href=\"https://twitter.com/search?q=x-files%20best%20show%20ever&src=typd\" target=\"_blank\">X-Files Best Show Ever\u003c/a>\" will attest.\u003c/p>\n\u003cp>As much as we'd love to jump on the bandwagon and cover the infiltration of alien DNA in our genome, the funding isn't quite there, yet. Luckily, the inclusion of CRISPR/Cas9 as a major plot point in the season finale Monday does give us a convenient excuse to get in on the action.\u003c/p>\n\u003cp>CRISPR/Cas9, as we have been \u003ca href=\"http://ww2.kqed.org/futureofyou/tag/crispr/\" target=\"_blank\">writing about\u003c/a>, is a cutting-edge gene-editing technique that has been heralded as a \u003ca href=\"http://ww2.kqed.org/futureofyou/CRISPR%3A-What-You-Need-to-Know-About-the-Medical-Science-%27Breakthrough-of-the-Year%27\" target=\"_blank\">breakthrough technology\u003c/a>, inspiring \u003ca href=\"http://ww2.kqed.org/futureofyou/2016/02/22/gene-editing-coming-to-a-kitchen-counter-near-you/\" target=\"_blank\">high expectations for\u003c/a> -- as well as \u003ca href=\"https://www.theguardian.com/science/2016/feb/12/rogue-scientists-could-exploit-gene-editing-technology-experts-warn\" target=\"_blank\">warnings about\u003c/a> -- potential uses.\u003c/p>\n\u003cfigure id=\"attachment_118123\" class=\"wp-caption alignright\" style=\"max-width: 338px\">\u003cimg class=\"wp-image-118123 size-medium\" src=\"http://ww2.kqed.org/futureofyou/wp-content/uploads/sites/13/2017/02/duchovny-e1456426674504-338x600.jpg\" alt=\"X-Files science advisor Anne Simon and David Duchovny in Vancouver, August 2015.\" width=\"338\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/13/2017/02/duchovny-e1456426674504-338x600.jpg 338w, https://ww2.kqed.org/app/uploads/sites/13/2017/02/duchovny-e1456426674504-400x711.jpg 400w, https://ww2.kqed.org/app/uploads/sites/13/2017/02/duchovny-e1456426674504-768x1365.jpg 768w, https://ww2.kqed.org/app/uploads/sites/13/2017/02/duchovny-e1456426674504-664x1180.jpg 664w, https://ww2.kqed.org/app/uploads/sites/13/2017/02/duchovny-e1456426674504-960x1707.jpg 960w, https://ww2.kqed.org/app/uploads/sites/13/2017/02/duchovny-e1456426674504.jpg 1080w\" sizes=\"(max-width: 338px) 100vw, 338px\">\u003cfigcaption class=\"wp-caption-text\">X-Files science advisor Anne Simon and David Duchovny in Vancouver, August 2015. \u003ccite>(Courtesy Anne Simon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Anne Simon, a University of Maryland virologist who also happens to be a science advisor on \"The X-Files,\" has taken note. She co-wrote the finale's story, along with microbiologist Margaret Fearon and show creator Chris Carter. The plot involves humans who are stripped of their immune systems. This is accomplished via CRISPR/Cas9.\u003c/p>\n\u003cp>\"He asked me to come up with something that would kill off everybody,\" she said of Carter Wednesday. \"That took a lot of thought. It had to be something simple enough to get across to the public. I began thinking if you just got rid of the \u003ca href=\"http://ghr.nlm.nih.gov/gene/ADA\" target=\"_blank\">ADA gene\u003c/a> -- I teach this -- you would not have an immune system. That’s the \u003ca href=\"http://ww2.kqed.org/futureofyou/CRISPR%3A-What-You-Need-to-Know-About-the-Medical-Science-%27Breakthrough-of-the-Year%27\" target=\"_blank\">Boy in the Bubble syndrome\u003c/a>. The idea is that a long time ago [the aliens and human conspirators] must have put something in our genome that would get rid of the gene.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>(In the show, the mechanism for introducing alien DNA into the human genome is the smallpox vaccine, which \"doubtless made \u003ca href=\"http://www.pbs.org/wgbh/frontline/article/jenny-mccarthy-were-not-an-anti-vaccine-movement-were-pro-safe-vaccine/\" target=\"_blank\">Jenny McCarthy\u003c/a> the happiest 'X-Files' viewer of the night,\" \u003ca href=\"https://www.yahoo.com/tv/x-files-finale-review-ep-6-my-struggle-141222649.html\" target=\"_blank\">wrote\u003c/a> a Yahoo! TV critic.)\u003c/p>\n\u003cp>Simon said she and co-writer Fearon had to do a lot of explaining to Carter as to how CRISPR works.\u003c/p>\n\u003cp>http://ww2.kqed.org/futureofyou/wp-content/uploads/sites/13/2016/02/CRISPR-is-Here.jpg\u003c/p>\n\u003cp>\"Between the two of us we’re trying to explain it to him on the phone and showing him YouTube videos and stuff, and he \u003cem>kind\u003c/em> of gets it.\"\u003c/p>\n\u003cp>She said she looked at the script every day to check on the science. \"It really is accurate. I was happy at the end.\"\u003c/p>\n\u003cp>Accurate within the bounds of sci-fi/conspiracy theory, of course. Simon said she suggested the story have the mass gene deletion triggered by the increase in CO2 -- global warming. But Carter opted to make the triggering mechanism ... \u003ca href=\"http://thevane.gawker.com/why-i-write-about-and-debunk-the-chemtrail-conspiracy-1581896346\" target=\"_blank\">chemtrails\u003c/a>.\u003c/p>\n\u003cp>\"Chris wanted to use chemtrails, which is \u003ca href=\"http://thevane.gawker.com/why-i-write-about-and-debunk-the-chemtrail-conspiracy-1581896346\" target=\"_blank\">big in conspiracy theories\u003c/a>. I don’t even know what it is,\" Simon said.\u003c/p>\n\u003cp>She first connected with Carter, back in the day, through a family connection. \"He needed to talk to a biologist. I thought, 'We'll get the microscopes right.\"\u003c/p>\n\u003cp>At one point, Carter named a character after Simon, but her fictional self was short-lived. \"I had visions of her being Scully and Mulder’s partner, and helping them solve cases scientifically. And then I get killed off. \"\u003c/p>\n\u003cp>She thinks the character of Dana Scully has been great for encouraging female scientists.\u003c/p>\n\u003cp>\"She has been a wonderful draw for young people. I hear from so many people over Twitter who say they went into science because of 'The X-Files.'\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Whether the show comes back for more episodes is still an open question. But the signs are \u003ca href=\"http://www.ew.com/article/2016/01/29/x-files-ratings\" target=\"_blank\">encouraging\u003c/a>. FOX, no doubt, is suggesting we all stay tuned.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\"The X-Files\" revival has gotten some \u003ca href=\"http://www.nytimes.com/2016/01/27/arts/television/x-files-ratings-stay-strong.html\" target=\"_blank\">big ratings\u003c/a>. Clearly a lot of fans (if \u003ca href=\"http://variety.com/2016/tv/features/the-x-files-season-finale-review-my-struggle-ii-1201712181/\" target=\"_blank\">not\u003c/a> \u003ca href=\"http://www.vox.com/2016/2/24/11104426/the-x-files-finale-recap-bad\" target=\"_blank\">critics\u003c/a>) are over the moon at its return, as this Twitter search on \"\u003ca href=\"https://twitter.com/search?q=x-files%20best%20show%20ever&src=typd\" target=\"_blank\">X-Files Best Show Ever\u003c/a>\" will attest.\u003c/p>\n\u003cp>As much as we'd love to jump on the bandwagon and cover the infiltration of alien DNA in our genome, the funding isn't quite there, yet. Luckily, the inclusion of CRISPR/Cas9 as a major plot point in the season finale Monday does give us a convenient excuse to get in on the action.\u003c/p>\n\u003cp>CRISPR/Cas9, as we have been \u003ca href=\"http://ww2.kqed.org/futureofyou/tag/crispr/\" target=\"_blank\">writing about\u003c/a>, is a cutting-edge gene-editing technique that has been heralded as a \u003ca href=\"http://ww2.kqed.org/futureofyou/CRISPR%3A-What-You-Need-to-Know-About-the-Medical-Science-%27Breakthrough-of-the-Year%27\" target=\"_blank\">breakthrough technology\u003c/a>, inspiring \u003ca href=\"http://ww2.kqed.org/futureofyou/2016/02/22/gene-editing-coming-to-a-kitchen-counter-near-you/\" target=\"_blank\">high expectations for\u003c/a> -- as well as \u003ca href=\"https://www.theguardian.com/science/2016/feb/12/rogue-scientists-could-exploit-gene-editing-technology-experts-warn\" target=\"_blank\">warnings about\u003c/a> -- potential uses.\u003c/p>\n\u003cfigure id=\"attachment_118123\" class=\"wp-caption alignright\" style=\"max-width: 338px\">\u003cimg class=\"wp-image-118123 size-medium\" src=\"http://ww2.kqed.org/futureofyou/wp-content/uploads/sites/13/2017/02/duchovny-e1456426674504-338x600.jpg\" alt=\"X-Files science advisor Anne Simon and David Duchovny in Vancouver, August 2015.\" width=\"338\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/13/2017/02/duchovny-e1456426674504-338x600.jpg 338w, https://ww2.kqed.org/app/uploads/sites/13/2017/02/duchovny-e1456426674504-400x711.jpg 400w, https://ww2.kqed.org/app/uploads/sites/13/2017/02/duchovny-e1456426674504-768x1365.jpg 768w, https://ww2.kqed.org/app/uploads/sites/13/2017/02/duchovny-e1456426674504-664x1180.jpg 664w, https://ww2.kqed.org/app/uploads/sites/13/2017/02/duchovny-e1456426674504-960x1707.jpg 960w, https://ww2.kqed.org/app/uploads/sites/13/2017/02/duchovny-e1456426674504.jpg 1080w\" sizes=\"(max-width: 338px) 100vw, 338px\">\u003cfigcaption class=\"wp-caption-text\">X-Files science advisor Anne Simon and David Duchovny in Vancouver, August 2015. \u003ccite>(Courtesy Anne Simon)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Anne Simon, a University of Maryland virologist who also happens to be a science advisor on \"The X-Files,\" has taken note. She co-wrote the finale's story, along with microbiologist Margaret Fearon and show creator Chris Carter. The plot involves humans who are stripped of their immune systems. This is accomplished via CRISPR/Cas9.\u003c/p>\n\u003cp>\"He asked me to come up with something that would kill off everybody,\" she said of Carter Wednesday. \"That took a lot of thought. It had to be something simple enough to get across to the public. I began thinking if you just got rid of the \u003ca href=\"http://ghr.nlm.nih.gov/gene/ADA\" target=\"_blank\">ADA gene\u003c/a> -- I teach this -- you would not have an immune system. That’s the \u003ca href=\"http://ww2.kqed.org/futureofyou/CRISPR%3A-What-You-Need-to-Know-About-the-Medical-Science-%27Breakthrough-of-the-Year%27\" target=\"_blank\">Boy in the Bubble syndrome\u003c/a>. The idea is that a long time ago [the aliens and human conspirators] must have put something in our genome that would get rid of the gene.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>(In the show, the mechanism for introducing alien DNA into the human genome is the smallpox vaccine, which \"doubtless made \u003ca href=\"http://www.pbs.org/wgbh/frontline/article/jenny-mccarthy-were-not-an-anti-vaccine-movement-were-pro-safe-vaccine/\" target=\"_blank\">Jenny McCarthy\u003c/a> the happiest 'X-Files' viewer of the night,\" \u003ca href=\"https://www.yahoo.com/tv/x-files-finale-review-ep-6-my-struggle-141222649.html\" target=\"_blank\">wrote\u003c/a> a Yahoo! TV critic.)\u003c/p>\n\u003cp>Simon said she and co-writer Fearon had to do a lot of explaining to Carter as to how CRISPR works.\u003c/p>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\"Between the two of us we’re trying to explain it to him on the phone and showing him YouTube videos and stuff, and he \u003cem>kind\u003c/em> of gets it.\"\u003c/p>\n\u003cp>She said she looked at the script every day to check on the science. \"It really is accurate. I was happy at the end.\"\u003c/p>\n\u003cp>Accurate within the bounds of sci-fi/conspiracy theory, of course. Simon said she suggested the story have the mass gene deletion triggered by the increase in CO2 -- global warming. But Carter opted to make the triggering mechanism ... \u003ca href=\"http://thevane.gawker.com/why-i-write-about-and-debunk-the-chemtrail-conspiracy-1581896346\" target=\"_blank\">chemtrails\u003c/a>.\u003c/p>\n\u003cp>\"Chris wanted to use chemtrails, which is \u003ca href=\"http://thevane.gawker.com/why-i-write-about-and-debunk-the-chemtrail-conspiracy-1581896346\" target=\"_blank\">big in conspiracy theories\u003c/a>. I don’t even know what it is,\" Simon said.\u003c/p>\n\u003cp>She first connected with Carter, back in the day, through a family connection. \"He needed to talk to a biologist. I thought, 'We'll get the microscopes right.\"\u003c/p>\n\u003cp>At one point, Carter named a character after Simon, but her fictional self was short-lived. \"I had visions of her being Scully and Mulder’s partner, and helping them solve cases scientifically. And then I get killed off. \"\u003c/p>\n\u003cp>She thinks the character of Dana Scully has been great for encouraging female scientists.\u003c/p>\n\u003cp>\"She has been a wonderful draw for young people. I hear from so many people over Twitter who say they went into science because of 'The X-Files.'\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Whether the show comes back for more episodes is still an open question. But the signs are \u003ca href=\"http://www.ew.com/article/2016/01/29/x-files-ratings\" target=\"_blank\">encouraging\u003c/a>. FOX, no doubt, is suggesting we all stay tuned.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "coltrane-church-told-by-san-francisco-sheriff-it-has-a-week-to-relocate",
"title": "Coltrane Church Told By San Francisco Sheriff It Has a Week To Relocate",
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"content": "\u003cp>A representative from the San Francisco Sheriff’s Department Wednesday informed the Saint John Coltrane Church that it must move in a week, according to a church pastor.\u003c/p>\n\u003cp>Reverend Wanika K. Stephens said that a notice was left on the door of the church stating that all of the church’s belongings must be removed from its storefront space on Fillmore Street by 6:01am on March 2, or they become the possessions of the building’s landlords.\u003c/p>\n\u003cp>The notice did not shock church members, as they had been expecting it \u003ca href=\"http://ww2.kqed.org/arts/2016/02/10/coltrane-church-says-its-under-threat-of-being-priced-out-of-san-francisco/\" target=\"_blank\" rel=\"noopener\">since the beginning of the month\u003c/a>. Still, Stephens said that the church had hoped for a reprieve, and church leaders have scheduled a meeting with San Francisco officials on Tuesday, hoping the city will pressure the landlord, The West Bay Community Center, to give the church more time to relocate.\u003c/p>\n\u003cfigure id=\"attachment_11357083\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11357083\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Wanika-Stephens-400x600.jpg\" alt=\"Reverend Wanika Stephens\" width=\"400\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Wanika-Stephens-400x600.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Wanika-Stephens.jpg 403w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Reverend Wanika Stephens \u003ccite>(Courtesy: Saint John Coltrane Church)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We’re not asking for anything that we don’t deserve but a little fairness in this situation,” Stephens said.\u003c/p>\n\u003cp>The move means that the \u003ca href=\"http://ww2.kqed.org/arts/2016/02/16/little-hope-for-saving-coltrane-church-last-vestige-of-sf-jazz-district/\" target=\"_blank\" rel=\"noopener\">Fillmore Jazz Preservation District would lose one of two remaining venues\u003c/a> promoting jazz in the neighborhood, as well as one of the last black-run organizations in an area once known as the “Harlem of the West.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The notice comes the day after the \u003ca href=\"http://sanfrancisco.granicus.com/MediaPlayer.php?view_id=10&clip_id=24774\" target=\"_blank\" rel=\"noopener\">San Francisco Board of Supervisors\u003c/a> honored the Coltrane Church as part of Black History Month.\u003c/p>\n\u003cp>The church, established in 1971, received a commendation by city leaders as part of Black History Month for spreading the music of jazz legend John Coltrane and “uplifting people every day,” according to Supervisor Eric Mar, who nominated the church and its founders, Archbishop Franzo King and Supreme Mother Rev. Marina King, for the special honor.\u003c/p>\n\u003cp>“[The Kings are] building a legacy for African American communities by not only preserving and promoting Coltrane’s music and message, but also really supporting residents facing suffering and misery by uplifting them,” Mar said. Mar began his statements by saying that the music of Coltrane changed his life.\u003c/p>\n\u003cp>At the supervisors meeting, Archbishop King, a San Francisco resident since 1948, described those working to push out the church as “enemies of the people.”\u003c/p>\n\u003cp>“Our fight then is not for a storefront on Fillmore Street. The focus of our efforts are to snatch back from the jaws of the defilers of human dignity the rights of black and brown communities to live and prosper in this city that they have given their labor and their culture,” King said.\u003c/p>\n\u003cp>King says that the West Bay Community Center wants to move the church out of their current space because they want to move in tenants that can afford $4,000 a month rent. A potential renter appears to be the black-owned Sun Reporter, according to the \u003ca href=\"http://www.sfchronicle.com/bayarea/article/Sermons-continue-amid-rent-squeeze-at-Church-of-6845687.php\" target=\"_blank\" rel=\"noopener\">San Francisco Chronicle\u003c/a>.\u003c/p>\n\u003cp>Lawyers representing the West Bay Community Center say the church hasn’t paid its rent in a year, which Stephens confirms. (Read the \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Statement-to-Media-on-West-Bay-v.-St.-John-Coltrane-Church.pdf\" target=\"_blank\" rel=\"noopener\">attorney’s statement here\u003c/a>.)\u003c/p>\n\u003cp>But Stephens and church members insist that was because the center had refused their checks.\u003c/p>\n\u003cp>“This is not about rent. We have had our rent money,” King said at the Supervisors meeting. “This is about someone having a plan to move us as the last voice of revolutionary commitment in the Fillmore District.”\u003c/p>\n\u003cfigure id=\"attachment_11357082\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11357082\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Archbishop-Franzo-King-400x600.jpg\" alt=\"Archbishop Franzo King\" width=\"400\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Archbishop-Franzo-King-400x600.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Archbishop-Franzo-King.jpg 403w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Archbishop Franzo King \u003ccite>(Courtesy: Saint John Coltrane Church)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Though the church continues to ask city officials for help, they have said previously that they were unable to intervene. Still, at the meeting Tuesday, Mar called on residents to support the church.\u003c/p>\n\u003cp>“The John Coltrane Church has been a key force in the Fillmore District. They’re facing some serious times right now, so I’m hoping that people support them in their struggle to stay in the Fillmore.”\u003c/p>\n\u003cp>It looks like Sunday could be the church’s last service at its current location. But Stephens says she hopes that the church will be able to host a service somewhere on Easter Sunday.\u003c/p>\n\u003cp>“It’s something that the people want. Every day they keep coming, they show up at the door. And we need to be here to open that door so people can come in and receive what they need.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>The church has set up an online petition for those who want to support their cause. \u003ca href=\"https://www.change.org/p/west-bay-confrence-center-london-breed-edwin-lee-nadia-sesay-hands-off-the-coltrane-church\" target=\"_blank\" rel=\"noopener\">You can see it here.\u003c/a>\u003c/i>\u003c/p>\n\n",
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"excerpt": "Rev. Wanika K. Stephens said a notice was left on the door stating that all of the church’s belongings must be removed by 6:01am on March 2.",
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"title": "Coltrane Church Told By San Francisco Sheriff It Has a Week To Relocate | KQED",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A representative from the San Francisco Sheriff’s Department Wednesday informed the Saint John Coltrane Church that it must move in a week, according to a church pastor.\u003c/p>\n\u003cp>Reverend Wanika K. Stephens said that a notice was left on the door of the church stating that all of the church’s belongings must be removed from its storefront space on Fillmore Street by 6:01am on March 2, or they become the possessions of the building’s landlords.\u003c/p>\n\u003cp>The notice did not shock church members, as they had been expecting it \u003ca href=\"http://ww2.kqed.org/arts/2016/02/10/coltrane-church-says-its-under-threat-of-being-priced-out-of-san-francisco/\" target=\"_blank\" rel=\"noopener\">since the beginning of the month\u003c/a>. Still, Stephens said that the church had hoped for a reprieve, and church leaders have scheduled a meeting with San Francisco officials on Tuesday, hoping the city will pressure the landlord, The West Bay Community Center, to give the church more time to relocate.\u003c/p>\n\u003cfigure id=\"attachment_11357083\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11357083\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Wanika-Stephens-400x600.jpg\" alt=\"Reverend Wanika Stephens\" width=\"400\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Wanika-Stephens-400x600.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Wanika-Stephens.jpg 403w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Reverend Wanika Stephens \u003ccite>(Courtesy: Saint John Coltrane Church)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“We’re not asking for anything that we don’t deserve but a little fairness in this situation,” Stephens said.\u003c/p>\n\u003cp>The move means that the \u003ca href=\"http://ww2.kqed.org/arts/2016/02/16/little-hope-for-saving-coltrane-church-last-vestige-of-sf-jazz-district/\" target=\"_blank\" rel=\"noopener\">Fillmore Jazz Preservation District would lose one of two remaining venues\u003c/a> promoting jazz in the neighborhood, as well as one of the last black-run organizations in an area once known as the “Harlem of the West.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The notice comes the day after the \u003ca href=\"http://sanfrancisco.granicus.com/MediaPlayer.php?view_id=10&clip_id=24774\" target=\"_blank\" rel=\"noopener\">San Francisco Board of Supervisors\u003c/a> honored the Coltrane Church as part of Black History Month.\u003c/p>\n\u003cp>The church, established in 1971, received a commendation by city leaders as part of Black History Month for spreading the music of jazz legend John Coltrane and “uplifting people every day,” according to Supervisor Eric Mar, who nominated the church and its founders, Archbishop Franzo King and Supreme Mother Rev. Marina King, for the special honor.\u003c/p>\n\u003cp>“[The Kings are] building a legacy for African American communities by not only preserving and promoting Coltrane’s music and message, but also really supporting residents facing suffering and misery by uplifting them,” Mar said. Mar began his statements by saying that the music of Coltrane changed his life.\u003c/p>\n\u003cp>At the supervisors meeting, Archbishop King, a San Francisco resident since 1948, described those working to push out the church as “enemies of the people.”\u003c/p>\n\u003cp>“Our fight then is not for a storefront on Fillmore Street. The focus of our efforts are to snatch back from the jaws of the defilers of human dignity the rights of black and brown communities to live and prosper in this city that they have given their labor and their culture,” King said.\u003c/p>\n\u003cp>King says that the West Bay Community Center wants to move the church out of their current space because they want to move in tenants that can afford $4,000 a month rent. A potential renter appears to be the black-owned Sun Reporter, according to the \u003ca href=\"http://www.sfchronicle.com/bayarea/article/Sermons-continue-amid-rent-squeeze-at-Church-of-6845687.php\" target=\"_blank\" rel=\"noopener\">San Francisco Chronicle\u003c/a>.\u003c/p>\n\u003cp>Lawyers representing the West Bay Community Center say the church hasn’t paid its rent in a year, which Stephens confirms. (Read the \u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Statement-to-Media-on-West-Bay-v.-St.-John-Coltrane-Church.pdf\" target=\"_blank\" rel=\"noopener\">attorney’s statement here\u003c/a>.)\u003c/p>\n\u003cp>But Stephens and church members insist that was because the center had refused their checks.\u003c/p>\n\u003cp>“This is not about rent. We have had our rent money,” King said at the Supervisors meeting. “This is about someone having a plan to move us as the last voice of revolutionary commitment in the Fillmore District.”\u003c/p>\n\u003cfigure id=\"attachment_11357082\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11357082\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/Archbishop-Franzo-King-400x600.jpg\" alt=\"Archbishop Franzo King\" width=\"400\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Archbishop-Franzo-King-400x600.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/Archbishop-Franzo-King.jpg 403w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Archbishop Franzo King \u003ccite>(Courtesy: Saint John Coltrane Church)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Though the church continues to ask city officials for help, they have said previously that they were unable to intervene. Still, at the meeting Tuesday, Mar called on residents to support the church.\u003c/p>\n\u003cp>“The John Coltrane Church has been a key force in the Fillmore District. They’re facing some serious times right now, so I’m hoping that people support them in their struggle to stay in the Fillmore.”\u003c/p>\n\u003cp>It looks like Sunday could be the church’s last service at its current location. But Stephens says she hopes that the church will be able to host a service somewhere on Easter Sunday.\u003c/p>\n\u003cp>“It’s something that the people want. Every day they keep coming, they show up at the door. And we need to be here to open that door so people can come in and receive what they need.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>The church has set up an online petition for those who want to support their cause. \u003ca href=\"https://www.change.org/p/west-bay-confrence-center-london-breed-edwin-lee-nadia-sesay-hands-off-the-coltrane-church\" target=\"_blank\" rel=\"noopener\">You can see it here.\u003c/a>\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Other Minds Archives Headed for UC Santa Cruz",
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"content": "\u003cp>\u003ca href=\"http://otherminds.org/\" target=\"_blank\" rel=\"noopener\">Other Minds\u003c/a>, the San Francisco-based champion of avant-garde music, has found a home for its archives at UC Santa Cruz.\u003c/p>\n\u003cfigure id=\"attachment_11356079\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11356079\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/RS18603_OM-3-Laurie-Anderson-Photo-John-Fago-qut-400x324.jpg\" alt=\"Laurie Anderson at OM 3\" width=\"400\" height=\"324\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18603_OM-3-Laurie-Anderson-Photo-John-Fago-qut-400x324.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18603_OM-3-Laurie-Anderson-Photo-John-Fago-qut-740x600.jpg 740w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18603_OM-3-Laurie-Anderson-Photo-John-Fago-qut-768x623.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18603_OM-3-Laurie-Anderson-Photo-John-Fago-qut-1180x957.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18603_OM-3-Laurie-Anderson-Photo-John-Fago-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18603_OM-3-Laurie-Anderson-Photo-John-Fago-qut-960x779.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Laurie Anderson at OM 3 \u003ccite>(Courtesy John Fago)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For Other Minds’ executive and artistic director Charles Amirkhanian, this development a dream come true. “I’ve been working on this for years,” Amirkhanian says. “I always intended to have a collection of materials in a library. Our history often gets lost. I’ve saved every letter sent to me by a composer, every CD. I’m also happy these materials end up in a place where the teachers are sympathetic to the music.”\u003c/p>\n\u003cp>The non-profit he started has been championing experimental jazz and classical music for more than 20 years, in large part through its annual festival, bringing together composers who first spend time working with each other in a collective residency at \u003ca href=\"http://djerassi.org/\" target=\"_blank\" rel=\"noopener\">Djerassi\u003c/a>, a ranch in Woodside. Big name headliners include \u003ca href=\"http://www.philipglass.com/\" target=\"_blank\" rel=\"noopener\">Philip Glass\u003c/a>, \u003ca href=\"http://www.laurieanderson.com/\" target=\"_blank\" rel=\"noopener\">Laurie Anderson\u003c/a> and \u003ca href=\"http://www.meredithmonk.org/\" target=\"_blank\" rel=\"noopener\">Meredith Monk\u003c/a>.\u003c/p>\n\u003cp>[contextly_sidebar id=”lJwL0nL66iKsVhzSl1I0HEejufk5iVeQ”]\u003c/p>\n\u003cp>Monk, who participated in the very first Other Minds Festival in 1993, returns\u003ca href=\"http://otherminds.org/pdf/ShortVers_Press_Release_OM_21v02.pdf\" target=\"_blank\" rel=\"noopener\"> this year\u003c/a>, a rarity for an organization that prides itself on avoiding repeats on the roster. Over the years, Other Minds has presented close to 200 composers from all over the world.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The organization works hard to cultivate and celebrate experimental music on the West Coast: In addition to the festival, Other Minds also hosts a weekly radio show on the San Francisco-based radio station \u003ca href=\"http://kalw.org/programs/music-other-minds-kalw-0#stream/0\" target=\"_blank\" rel=\"noopener\">KALW\u003c/a>, an online radio station with the Internet Archive called \u003ca href=\"http://radiom.org/\" target=\"_blank\" rel=\"noopener\">radiOM\u003c/a>, and a \u003ca href=\"http://webstore.otherminds.org/\" target=\"_blank\" rel=\"noopener\">record label\u003c/a>.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/248703391″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=’166′ iframe=”true” /]\u003c/p>\n\u003cp>A composer himself and for many years, the music director at the Berkeley-based radio station \u003ca href=\"https://kpfa.org/\" target=\"_blank\" rel=\"noopener\">KPFA\u003c/a>, Amirkhanian is the heart and soul of the operation:. As such, he got his hands on a wealth of musical archives on the verge of being tossed, including music and interviews that date back to the 1940s. Those are now headed to Santa Cruz. The cache includes 4,000 reel-to-reel, cassette, DAT and video tapes from KPFA, along with 125 boxes of records, musical scores, artwork, and a toy piano used in a concert. (Yes, that’s a \u003ca href=\"https://www.youtube.com/watch?v=vcVNBULyN8A&feature=youtu.be\" target=\"_blank\" rel=\"noopener\">thing\u003c/a>.)\u003c/p>\n\u003cp>According to Other Minds spokesman Blaine Todd, UC Santa Cruz is a practical and aesthetic fit for the collection. “Other maverick artists are archived there,” Todd says, “including the poet Kenneth Patchen, the Grateful Dead, and probably most relevantly the composer Lou Harrison, whose innovative approach to music has served as a guiding spirit to the work Other Minds does.”\u003c/p>\n\u003cp>\u003cstrong>Watch a Documentary Made When Others Minds Turned 20:\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=0I0kTOOUqjI\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://otherminds.org/\" target=\"_blank\" rel=\"noopener\">Other Minds\u003c/a>, the San Francisco-based champion of avant-garde music, has found a home for its archives at UC Santa Cruz.\u003c/p>\n\u003cfigure id=\"attachment_11356079\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-11356079\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/RS18603_OM-3-Laurie-Anderson-Photo-John-Fago-qut-400x324.jpg\" alt=\"Laurie Anderson at OM 3\" width=\"400\" height=\"324\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18603_OM-3-Laurie-Anderson-Photo-John-Fago-qut-400x324.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18603_OM-3-Laurie-Anderson-Photo-John-Fago-qut-740x600.jpg 740w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18603_OM-3-Laurie-Anderson-Photo-John-Fago-qut-768x623.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18603_OM-3-Laurie-Anderson-Photo-John-Fago-qut-1180x957.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18603_OM-3-Laurie-Anderson-Photo-John-Fago-qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/RS18603_OM-3-Laurie-Anderson-Photo-John-Fago-qut-960x779.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003cfigcaption class=\"wp-caption-text\">Laurie Anderson at OM 3 \u003ccite>(Courtesy John Fago)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>For Other Minds’ executive and artistic director Charles Amirkhanian, this development a dream come true. “I’ve been working on this for years,” Amirkhanian says. “I always intended to have a collection of materials in a library. Our history often gets lost. I’ve saved every letter sent to me by a composer, every CD. I’m also happy these materials end up in a place where the teachers are sympathetic to the music.”\u003c/p>\n\u003cp>The non-profit he started has been championing experimental jazz and classical music for more than 20 years, in large part through its annual festival, bringing together composers who first spend time working with each other in a collective residency at \u003ca href=\"http://djerassi.org/\" target=\"_blank\" rel=\"noopener\">Djerassi\u003c/a>, a ranch in Woodside. Big name headliners include \u003ca href=\"http://www.philipglass.com/\" target=\"_blank\" rel=\"noopener\">Philip Glass\u003c/a>, \u003ca href=\"http://www.laurieanderson.com/\" target=\"_blank\" rel=\"noopener\">Laurie Anderson\u003c/a> and \u003ca href=\"http://www.meredithmonk.org/\" target=\"_blank\" rel=\"noopener\">Meredith Monk\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Monk, who participated in the very first Other Minds Festival in 1993, returns\u003ca href=\"http://otherminds.org/pdf/ShortVers_Press_Release_OM_21v02.pdf\" target=\"_blank\" rel=\"noopener\"> this year\u003c/a>, a rarity for an organization that prides itself on avoiding repeats on the roster. Over the years, Other Minds has presented close to 200 composers from all over the world.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The organization works hard to cultivate and celebrate experimental music on the West Coast: In addition to the festival, Other Minds also hosts a weekly radio show on the San Francisco-based radio station \u003ca href=\"http://kalw.org/programs/music-other-minds-kalw-0#stream/0\" target=\"_blank\" rel=\"noopener\">KALW\u003c/a>, an online radio station with the Internet Archive called \u003ca href=\"http://radiom.org/\" target=\"_blank\" rel=\"noopener\">radiOM\u003c/a>, and a \u003ca href=\"http://webstore.otherminds.org/\" target=\"_blank\" rel=\"noopener\">record label\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='’166′'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/248703391″&visual=true&”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false”'\n title='”https://api.soundcloud.com/tracks/248703391″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>A composer himself and for many years, the music director at the Berkeley-based radio station \u003ca href=\"https://kpfa.org/\" target=\"_blank\" rel=\"noopener\">KPFA\u003c/a>, Amirkhanian is the heart and soul of the operation:. As such, he got his hands on a wealth of musical archives on the verge of being tossed, including music and interviews that date back to the 1940s. Those are now headed to Santa Cruz. The cache includes 4,000 reel-to-reel, cassette, DAT and video tapes from KPFA, along with 125 boxes of records, musical scores, artwork, and a toy piano used in a concert. (Yes, that’s a \u003ca href=\"https://www.youtube.com/watch?v=vcVNBULyN8A&feature=youtu.be\" target=\"_blank\" rel=\"noopener\">thing\u003c/a>.)\u003c/p>\n\u003cp>According to Other Minds spokesman Blaine Todd, UC Santa Cruz is a practical and aesthetic fit for the collection. “Other maverick artists are archived there,” Todd says, “including the poet Kenneth Patchen, the Grateful Dead, and probably most relevantly the composer Lou Harrison, whose innovative approach to music has served as a guiding spirit to the work Other Minds does.”\u003c/p>\n\u003cp>\u003cstrong>Watch a Documentary Made When Others Minds Turned 20:\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/0I0kTOOUqjI'\n title='//www.youtube.com/embed/0I0kTOOUqjI'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Hear ye, hear ye! The purple one is coming to town!\u003c/p>\n\u003cp>Prince, arguably one of the funkiest men on the planet, announced the first dates of his “Piano and a Microphone” tour Tuesday, and at the top of the itinerary is two back-to-back shows on Sunday, Feb. 28 at the \u003ca href=\"http://www.ticketmaster.com/event/1C005057D4476C7F?page=tmus&tmid=1C005057D4476C7F\" target=\"_blank\" rel=\"noopener\">Paramount Theatre in Oakland\u003c/a>. \u003c/p>\n\u003cp>Tickets go on sale at noon Wednesday, Feb. 24 for both shows — 7pm and 10pm. Prices range from $99-$275 and in an effort to deter scalpers, all tickets are Will Call and must be collected by the original purchaser. In order to obtain your tickets, you must provide your credit card and and a photo ID at the ticket window.\u003c/p>\n\u003cp>The show will feature Prince (full name Prince Rogers Nelson) onstage by himself playing a set full of hits and rarities on a grand piano. At a Feb. 16 show in Melbourne, Australia, Prince played a set dedicated to former protégé Denise “Vanity” Matthews, \u003ca href=\"http://ww2.kqed.org/arts/2016/02/16/singer-actress-vanity-a-prince-protege-dies-at-a-fremont-hospital/\" target=\"_blank\" rel=\"noopener\">who died at a Fremont hospital\u003c/a> just a few days before. Between emotional performances of tracks like “Little Red Corvette” and “The Ladder,” \u003ca href=\"http://www.rollingstone.com/music/news/prince-pays-tribute-to-vanity-at-australia-concert-20160217\" target=\"_blank\" rel=\"noopener\">he told stories about his former muse.\u003c/a> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>Security agents at San Francisco International Airport (SFO) Sunday forced a popular Sikh comedian to remove his turban and walk in public without it, a violation of his religion.\u003c/p>\n\u003cp>Toronto’s Jasmeet Singh, also known as a \u003ca href=\"https://www.youtube.com/user/JusReign\" target=\"_blank\" rel=\"noopener\">YouTube personality Jus Reign\u003c/a>, performed at UC Berkeley over the weekend. Before flying out of SFO on Sunday, he says agents from Covenant Aviation Security required him to take off his turban for an inspection in a private screening room.\u003c/p>\n\u003cp>https://twitter.com/JusReign/status/701666120986599425\u003c/p>\n\u003cp>After sending Singh’s turban through an X-ray machine, the TSA agents reportedly did not provide him with a mirror to help him put it on properly. Instead, he was forced to walk through the terminal to a private bathroom without the head gear \u003ca href=\"http://fateh.sikhnet.com/s/WhyTurbans\" target=\"_blank\" rel=\"noopener\">his religion requires him to wear in public at all times\u003c/a>.\u003c/p>\n\u003cp>https://twitter.com/JusReign/status/701667508038688768\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>As of Tuesday, the TSA had yet to release a statement regarding the incident. But as of 2010, airplane passengers are not required by security to remove their turbans if removing them makes them uncomfortable, \u003ca href=\"http://www.mercurynews.com/san-francisco/ci_29550052/sfo-sikh-comedian-forced-remove-turban-walk-public\" target=\"_blank\" rel=\"noopener\">according to previous reports\u003c/a>.\u003c/p>\n\u003cp>Singh says he \u003ca href=\"http://www.vice.com/en_ca/read/toronto-youtube-star-jus-reign-was-forced-to-remove-his-turban-at-a-california-airport\" target=\"_blank\" rel=\"noopener\">travels by airplane at least twice a month\u003c/a> and has never been asked before to remove his turban.\u003c/p>\n\u003cp>https://twitter.com/JusReign/status/701669047339868161\u003c/p>\n\u003cp>In 2012, the Sikh Coalition won a concession from the Department of Homeland Security, that it would provide mirrors in screening rooms all over the country.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As of Tuesday, the TSA, who contracts with Covenant Aviation Security. has yet to receive a formal complaint from Singh, \u003ca href=\"http://www.nbcbayarea.com/news/local/Sikh-YouTuber-Jasmeet-Singh-Jus-Reign-Turban-SFO-Bathroom-369830571.html\" target=\"_blank\" rel=\"noopener\">according to reports\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cp>Hey there, good lookin'. Are you single, ready to mingle, and tired of interacting with people who don't share your exact views on federal education and health care policy? Have we got news for you!\u003c/p>\n\u003cp>Yes, it's \u003ca href=\"https://berniesingles.com/\" target=\"_blank\">BernieSingles.com\u003c/a>, a new dating website for Bernie Sanders supporters, by Bernie Sanders supporters. Or, as its tag line puts it, a place to \"Meet other people who understand \u003cstrong>the world!\u003c/strong>\"\u003c/p>\n\u003cp>The site, which currently boasts some 5,600 members and counting, was founded by 19-year-old Arizona State University student Colten Caudle -- who, the\u003ca href=\"http://www.huffingtonpost.com/entry/bernie-singles-find-love_us_56c7913fe4b0928f5a6bea1f\" target=\"_blank\"> Huffington Post notes\u003c/a>, met his girlfriend through a Bernie Sanders Facebook group earlier this month. (The two have yet to meet IRL.)\u003c/p>\n\u003cp>\"Bernie Singles first started as a spinoff to the wildly popular Facebook group \u003ca href=\"https://www.facebook.com/groups/berniesandersmemes/\" target=\"_blank\">Bernie Sanders’ Dank Meme Stash\u003c/a>, as the group \u003ca href=\"https://www.facebook.com/groups/1553767758247375/\" target=\"_blank\">Bernie Sanders’ Dank Meme (BSDM) \u003cem>Singles\u003c/em>\u003c/a>,\" explains the site's \"About\" page, thoroughly ensuring that no one over the age of 40 will understand a damn thing these people are saying. \"As the group began to grow, people would suggest even more ways to group, by personal preference, or sexual orientation, etc. This is where Bernie Singles was born.\"\u003c/p>\n\u003cp>So! Who's on it? From a brief glance, the user base appears to be a lot of college students and other singles in their twenties, including many people who seem to enjoy calling Sanders their dad. Like Alyssa, a 24-year-old from Massachusetts, whose profile includes the following:\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>Recently at a bar I yelled at a Rubio supporter who was talking about Bernie not being a patriot and the usual jargon and said ”don’t talk about daddy and the fam like that!” So basically lets do that together.\u003c/em>\u003c/p>\n\u003cp>Then, of course, there are the jokers -- like user \u003ca href=\"https://berniesingles.com/members/presidenttrump/\" target=\"_blank\">Donald Trump\u003c/a>, who appears to be flirting with a user named after his daughter, \u003ca href=\"https://berniesingles.com/members/ivankatrump/\" target=\"_blank\">Ivanka\u003c/a>, in a nod to one of Trump's\u003ca href=\"http://www.deathandtaxesmag.com/279091/donald-trump-ivanka-trump-photo-gross/\" target=\"_blank\"> creepiest tendencies\u003c/a>.\u003c/p>\n\u003cp>Meanwhile, the site's \"groups\" feature allows users to connect with other Berners in their geographic region, or to join micro-communities like \"Christians for Bernie,\" \"Musicians for Bernie,\" \"Horse Lovers 4 Bernie,\" and the ever-popular \"Girls Who Are Down For Threesomes.\"\u003c/p>\n\u003cp>On balance, the site seems to be shaping up as half-chatroom, half-safe space for people to \"talk Bernie\" at each other -- which is apparently necessary, given recent stories about Bernie supporters using \u003ca href=\"http://theslot.jezebel.com/an-interview-with-a-man-who-was-campaigned-at-by-bernie-1757807599\" target=\"_blank\">non-Bernie specific dating sites\u003c/a> to do\u003ca href=\"http://www.huffingtonpost.com/entry/bernie-sanders-supporters-tinder_us_56b4d85de4b01d80b24605b0\" target=\"_blank\"> just that\u003c/a>. True political discussion appears to be in short supply, having taken a backseat to the idea that if two individuals are both feeling the Bern, they probably have a good shot at being friends, compatible sexual partners, or at the very least comrades in dank memedom.\u003c/p>\n\u003cp>One could see the site as just the latest evidence that Sanders' cult of personality has snowballed into an underdog-themed cultural phenomenon more in line with the way people root for, say, the bobsled team from \u003cem>Cool Runnings\u003c/em> than anything having to do with actual policies or platforms.\u003c/p>\n\u003cp>Or, you know, we could call it \"the Internet.\" Lord knows \u003ca href=\"https://berniesingles.com/members/johnellisbush/\" target=\"_blank\">Jeb Bush\u003c/a> needed a new hobby this week anyway.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n",
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"excerpt": "If Bernie Bros are your type -- or you're just looking to share dank memes! -- the internet, as usual, has you covered. ",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Hey there, good lookin'. Are you single, ready to mingle, and tired of interacting with people who don't share your exact views on federal education and health care policy? Have we got news for you!\u003c/p>\n\u003cp>Yes, it's \u003ca href=\"https://berniesingles.com/\" target=\"_blank\">BernieSingles.com\u003c/a>, a new dating website for Bernie Sanders supporters, by Bernie Sanders supporters. Or, as its tag line puts it, a place to \"Meet other people who understand \u003cstrong>the world!\u003c/strong>\"\u003c/p>\n\u003cp>The site, which currently boasts some 5,600 members and counting, was founded by 19-year-old Arizona State University student Colten Caudle -- who, the\u003ca href=\"http://www.huffingtonpost.com/entry/bernie-singles-find-love_us_56c7913fe4b0928f5a6bea1f\" target=\"_blank\"> Huffington Post notes\u003c/a>, met his girlfriend through a Bernie Sanders Facebook group earlier this month. (The two have yet to meet IRL.)\u003c/p>\n\u003cp>\"Bernie Singles first started as a spinoff to the wildly popular Facebook group \u003ca href=\"https://www.facebook.com/groups/berniesandersmemes/\" target=\"_blank\">Bernie Sanders’ Dank Meme Stash\u003c/a>, as the group \u003ca href=\"https://www.facebook.com/groups/1553767758247375/\" target=\"_blank\">Bernie Sanders’ Dank Meme (BSDM) \u003cem>Singles\u003c/em>\u003c/a>,\" explains the site's \"About\" page, thoroughly ensuring that no one over the age of 40 will understand a damn thing these people are saying. \"As the group began to grow, people would suggest even more ways to group, by personal preference, or sexual orientation, etc. This is where Bernie Singles was born.\"\u003c/p>\n\u003cp>So! Who's on it? From a brief glance, the user base appears to be a lot of college students and other singles in their twenties, including many people who seem to enjoy calling Sanders their dad. Like Alyssa, a 24-year-old from Massachusetts, whose profile includes the following:\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Recently at a bar I yelled at a Rubio supporter who was talking about Bernie not being a patriot and the usual jargon and said ”don’t talk about daddy and the fam like that!” So basically lets do that together.\u003c/em>\u003c/p>\n\u003cp>Then, of course, there are the jokers -- like user \u003ca href=\"https://berniesingles.com/members/presidenttrump/\" target=\"_blank\">Donald Trump\u003c/a>, who appears to be flirting with a user named after his daughter, \u003ca href=\"https://berniesingles.com/members/ivankatrump/\" target=\"_blank\">Ivanka\u003c/a>, in a nod to one of Trump's\u003ca href=\"http://www.deathandtaxesmag.com/279091/donald-trump-ivanka-trump-photo-gross/\" target=\"_blank\"> creepiest tendencies\u003c/a>.\u003c/p>\n\u003cp>Meanwhile, the site's \"groups\" feature allows users to connect with other Berners in their geographic region, or to join micro-communities like \"Christians for Bernie,\" \"Musicians for Bernie,\" \"Horse Lovers 4 Bernie,\" and the ever-popular \"Girls Who Are Down For Threesomes.\"\u003c/p>\n\u003cp>On balance, the site seems to be shaping up as half-chatroom, half-safe space for people to \"talk Bernie\" at each other -- which is apparently necessary, given recent stories about Bernie supporters using \u003ca href=\"http://theslot.jezebel.com/an-interview-with-a-man-who-was-campaigned-at-by-bernie-1757807599\" target=\"_blank\">non-Bernie specific dating sites\u003c/a> to do\u003ca href=\"http://www.huffingtonpost.com/entry/bernie-sanders-supporters-tinder_us_56b4d85de4b01d80b24605b0\" target=\"_blank\"> just that\u003c/a>. True political discussion appears to be in short supply, having taken a backseat to the idea that if two individuals are both feeling the Bern, they probably have a good shot at being friends, compatible sexual partners, or at the very least comrades in dank memedom.\u003c/p>\n\u003cp>One could see the site as just the latest evidence that Sanders' cult of personality has snowballed into an underdog-themed cultural phenomenon more in line with the way people root for, say, the bobsled team from \u003cem>Cool Runnings\u003c/em> than anything having to do with actual policies or platforms.\u003c/p>\n\u003cp>Or, you know, we could call it \"the Internet.\" Lord knows \u003ca href=\"https://berniesingles.com/members/johnellisbush/\" target=\"_blank\">Jeb Bush\u003c/a> needed a new hobby this week anyway.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Audiences Strip Off and Get Steamy at Southern Exposure",
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"content": "\u003cp>Saunas aren’t very sociable places. People tend to sit and sweat in silence. But put a sauna in the middle of an art gallery and you get a very different vibe.\u003c/p>\n\u003cp>In fact, it’s nothing short of a party inside the unusual sauna that forms the centerpiece of Los Angeles-based artist Michael Parker’s \u003cem>Steam Work\u003c/em>, an interactive installation currently on display at \u003ca href=\"https://www.soex.org\" target=\"_blank\" rel=\"noopener\">Southern Exposure\u003c/a> in San Francisco.\u003c/p>\n\u003cfigure id=\"attachment_11353362\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11353362\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/IMG_0964.jpg\" alt=\"Michael Parker, 'Steam Egg 2' at Southern Exposure.\" width=\"1200\" height=\"900\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0964.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0964-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0964-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0964-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0964-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0964-960x720.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Michael Parker, ‘Steam Egg 2’ at Southern Exposure. \u003ccite>(Photo by Raheleh (Minoosh) Zomorodinia / Southern Exposure)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Don your swimsuit and crawl in through a hole in the bottom of the massive, mirror-tiled, egg-shaped construction, whereupon friendly strangers are likely to be on hand to help you up onto a narrow ledge. There you will sit — the hot, dark space holds up to eight people perched in close quarters — chatting and schvitzing to your heart’s content before your new buddies help you get out again so you can cool off.\u003c/p>\n\u003cp>I’ve certainly never had an experience like that at \u003ca href=\"http://kabukisprings.com/\" target=\"_blank\" rel=\"noopener\">Kabuki Springs\u003c/a> spa in Japantown or the \u003ca href=\"http://banyasf.com/\" target=\"_blank\" rel=\"noopener\">Archimedes Banya\u003c/a> in Hunters Point.\u003c/p>\n\u003cp>But you don’t have to get undressed and sweaty to feel immersed in Parker’s playful yet thoughtful installation. There’s a lot to be said of experiencing the piece from any part of the gallery’s space, fully clothed.\u003c/p>\n\u003cfigure id=\"attachment_11353365\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11353365\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/MG_7699.jpg\" alt=\"There's plenty to experience in 'Steam Work,' even fully clothed.\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7699.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7699-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7699-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7699-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7699-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7699-960x640.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">There’s plenty to experience in ‘Steam Work,’ even fully clothed. \u003ccite>(Photo by Matt Shaprio / Southern Exposure)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Grab one of dozens of cups from shelves scattered along the walls and help yourself to cooling water; watch rivulets of the same cascading from a reservoir down a series of MacGyver-like slides above your head; contemplate the sanity of the occasional intrepid sauna-goer sploshing about in a cold plunge tub after getting very hot. Besides the fully-functional \u003cem>Steam Egg 2\u003c/em>, which the artist built from scrap industrial parts that he found near his studio, most of the rest of the intricate pieces (the cups, the slides, even the big cold plunge baths) are fashioned by hand from gleamingly glazed, roughly hewn clay.\u003c/p>\n\u003cfigure id=\"attachment_11353361\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11353361\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/IMG_0787.jpg\" alt=\"A cool water reservoir for a post-steam splash.\" width=\"1200\" height=\"900\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0787.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0787-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0787-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0787-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0787-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0787-960x720.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">A cool water reservoir for a post-steam splash. \u003ccite>(Photo by Raheleh (Minoosh) Zomorodinia / Southern Exposure)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On Saturday nights during the show’s run (the sauna is also in operation on Thursdays) Southern Exposure adds an olfactory element to the experience. There’s a resident “Herb J” on hand (like a DJ who tickles not your ears but rather your nostrils) to mix various oils into the steam. So when you’re sitting inside the sauna’s dark, round enclave, scents of fir, grapefruit or sandalwood might waft across your conscience.\u003c/p>\n\u003cfigure id=\"attachment_11353360\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11353360\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/MG_7929.jpg\" alt=\"Fresh and fragrant boughs line the ceramic troughs.\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7929.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7929-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7929-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7929-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7929-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7929-960x640.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Fresh and fragrant boughs line the ceramic troughs. \u003ccite>(Photo by Matt Shapiro / Southern Exposure)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The image of all those almost-naked people climbing in and out of a hot, giant egg is a powerful one, especially with spring in the air of San Francisco right now. It’s a time of rebirth. But then there’s the reality of growing old, a reality that Parker’s wonderment-filled art draws into sharp relief. Who hasn’t experienced a moment in their life when they wish they could crawl back into the womb? If it weren’t so hot and sweaty in there, I for one would never want to leave.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Michael Parker’s \u003cem>Steam Work\u003c/em>\u003c/strong> is on view at Southern Exposure in San Francisco through March 19, 2016. For more information, visit \u003ca href=\"https://www.soex.org/projects-exhibitions/steam-work\" target=\"_blank\" rel=\"noopener\">soex.org\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Saunas aren’t very sociable places. People tend to sit and sweat in silence. But put a sauna in the middle of an art gallery and you get a very different vibe.\u003c/p>\n\u003cp>In fact, it’s nothing short of a party inside the unusual sauna that forms the centerpiece of Los Angeles-based artist Michael Parker’s \u003cem>Steam Work\u003c/em>, an interactive installation currently on display at \u003ca href=\"https://www.soex.org\" target=\"_blank\" rel=\"noopener\">Southern Exposure\u003c/a> in San Francisco.\u003c/p>\n\u003cfigure id=\"attachment_11353362\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11353362\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/IMG_0964.jpg\" alt=\"Michael Parker, 'Steam Egg 2' at Southern Exposure.\" width=\"1200\" height=\"900\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0964.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0964-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0964-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0964-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0964-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0964-960x720.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Michael Parker, ‘Steam Egg 2’ at Southern Exposure. \u003ccite>(Photo by Raheleh (Minoosh) Zomorodinia / Southern Exposure)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Don your swimsuit and crawl in through a hole in the bottom of the massive, mirror-tiled, egg-shaped construction, whereupon friendly strangers are likely to be on hand to help you up onto a narrow ledge. There you will sit — the hot, dark space holds up to eight people perched in close quarters — chatting and schvitzing to your heart’s content before your new buddies help you get out again so you can cool off.\u003c/p>\n\u003cp>I’ve certainly never had an experience like that at \u003ca href=\"http://kabukisprings.com/\" target=\"_blank\" rel=\"noopener\">Kabuki Springs\u003c/a> spa in Japantown or the \u003ca href=\"http://banyasf.com/\" target=\"_blank\" rel=\"noopener\">Archimedes Banya\u003c/a> in Hunters Point.\u003c/p>\n\u003cp>But you don’t have to get undressed and sweaty to feel immersed in Parker’s playful yet thoughtful installation. There’s a lot to be said of experiencing the piece from any part of the gallery’s space, fully clothed.\u003c/p>\n\u003cfigure id=\"attachment_11353365\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11353365\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/MG_7699.jpg\" alt=\"There's plenty to experience in 'Steam Work,' even fully clothed.\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7699.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7699-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7699-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7699-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7699-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7699-960x640.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">There’s plenty to experience in ‘Steam Work,’ even fully clothed. \u003ccite>(Photo by Matt Shaprio / Southern Exposure)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Grab one of dozens of cups from shelves scattered along the walls and help yourself to cooling water; watch rivulets of the same cascading from a reservoir down a series of MacGyver-like slides above your head; contemplate the sanity of the occasional intrepid sauna-goer sploshing about in a cold plunge tub after getting very hot. Besides the fully-functional \u003cem>Steam Egg 2\u003c/em>, which the artist built from scrap industrial parts that he found near his studio, most of the rest of the intricate pieces (the cups, the slides, even the big cold plunge baths) are fashioned by hand from gleamingly glazed, roughly hewn clay.\u003c/p>\n\u003cfigure id=\"attachment_11353361\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11353361\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/IMG_0787.jpg\" alt=\"A cool water reservoir for a post-steam splash.\" width=\"1200\" height=\"900\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0787.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0787-400x300.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0787-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0787-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0787-1180x885.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/IMG_0787-960x720.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">A cool water reservoir for a post-steam splash. \u003ccite>(Photo by Raheleh (Minoosh) Zomorodinia / Southern Exposure)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>On Saturday nights during the show’s run (the sauna is also in operation on Thursdays) Southern Exposure adds an olfactory element to the experience. There’s a resident “Herb J” on hand (like a DJ who tickles not your ears but rather your nostrils) to mix various oils into the steam. So when you’re sitting inside the sauna’s dark, round enclave, scents of fir, grapefruit or sandalwood might waft across your conscience.\u003c/p>\n\u003cfigure id=\"attachment_11353360\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11353360\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/02/MG_7929.jpg\" alt=\"Fresh and fragrant boughs line the ceramic troughs.\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7929.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7929-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7929-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7929-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7929-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/02/MG_7929-960x640.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Fresh and fragrant boughs line the ceramic troughs. \u003ccite>(Photo by Matt Shapiro / Southern Exposure)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The image of all those almost-naked people climbing in and out of a hot, giant egg is a powerful one, especially with spring in the air of San Francisco right now. It’s a time of rebirth. But then there’s the reality of growing old, a reality that Parker’s wonderment-filled art draws into sharp relief. Who hasn’t experienced a moment in their life when they wish they could crawl back into the womb? If it weren’t so hot and sweaty in there, I for one would never want to leave.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Michael Parker’s \u003cem>Steam Work\u003c/em>\u003c/strong> is on view at Southern Exposure in San Francisco through March 19, 2016. For more information, visit \u003ca href=\"https://www.soex.org/projects-exhibitions/steam-work\" target=\"_blank\" rel=\"noopener\">soex.org\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Taylor Swift Donates $250K to Kesha Amid Fight with Dr. Luke",
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"content": "\u003cp>Taylor Swift is giving some financial assistance to fellow pop star Kesha as she fights to get out of a contract with a record producer she has accused of sexually assaulting her.\u003c/p>\n\u003cp>A representative for Swift confirmed Sunday that Swift had donated $250,000 to Kesha in a “show of support” to help her in her legal fight against megahit producer Dr. Luke.\u003c/p>\n\u003cp>On Friday, the “Tik Tok” singer sobbed in court as a judge denied her bid to get out of her contract with Dr. Luke, who has worked with artists including Britney Spears, Katy Perry and Nicki Minaj.\u003c/p>\n\u003cp>Dr. Luke has denied Kesha’s allegations, and his lawyers reiterated his views in a statement Monday. Attorney Christine Lepera called Kesha’s accusations “outright lies that have been advanced to extort a contract renegotiation and money.”\u003c/p>\n\u003cp>While Friday’s court decision is not the final judgment in the case, the ruling has led to an outpouring of support for Kesha on social media from other celebrities, including Kelly Clarkson, who once worked with Dr. Luke.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Dr. Luke, whose real name is Lukas Gottwald, posted denials of Kesha’s claims on Twitter.\u003c/p>\n\u003cp>“I didn’t rape Kesha and I have never had sex with her,” one of his posts read. “Kesha and I were friends for many years and she was like my little sister.”\u003c/p>\n\u003cp>A rep for Kesha did not immediately return a message seeking comment on Swift’s donation. Kesha’s attorneys declined to comment on Lepera’s statement Monday.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n",
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"description": "Taylor Swift is giving some financial assistance to fellow pop star Kesha as she fights to get out of a contract with a record producer she has accused of sexually assaulting her. A representative for Swift confirmed Sunday that Swift had donated $250,000 to Kesha in a "show of support" to help her in her legal fight against megahit producer Dr. Luke. On Friday, the "Tik Tok" singer sobbed in court as a judge denied her bid to get out of her contract with Dr. Luke, who has worked with artists including Britney Spears, Katy Perry and Nicki Minaj. Dr.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Taylor Swift is giving some financial assistance to fellow pop star Kesha as she fights to get out of a contract with a record producer she has accused of sexually assaulting her.\u003c/p>\n\u003cp>A representative for Swift confirmed Sunday that Swift had donated $250,000 to Kesha in a “show of support” to help her in her legal fight against megahit producer Dr. Luke.\u003c/p>\n\u003cp>On Friday, the “Tik Tok” singer sobbed in court as a judge denied her bid to get out of her contract with Dr. Luke, who has worked with artists including Britney Spears, Katy Perry and Nicki Minaj.\u003c/p>\n\u003cp>Dr. Luke has denied Kesha’s allegations, and his lawyers reiterated his views in a statement Monday. Attorney Christine Lepera called Kesha’s accusations “outright lies that have been advanced to extort a contract renegotiation and money.”\u003c/p>\n\u003cp>While Friday’s court decision is not the final judgment in the case, the ruling has led to an outpouring of support for Kesha on social media from other celebrities, including Kelly Clarkson, who once worked with Dr. Luke.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Dr. Luke, whose real name is Lukas Gottwald, posted denials of Kesha’s claims on Twitter.\u003c/p>\n\u003cp>“I didn’t rape Kesha and I have never had sex with her,” one of his posts read. “Kesha and I were friends for many years and she was like my little sister.”\u003c/p>\n\u003cp>A rep for Kesha did not immediately return a message seeking comment on Swift’s donation. Kesha’s attorneys declined to comment on Lepera’s statement Monday.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 The Associated Press. All rights reserved. \u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "a-trip-to-the-up-bay-in-search-of-vallejos-burgeoning-art-community",
"title": "A Trip to the 'Up-Bay' in Search of Vallejo's Burgeoning Art Community",
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"content": "\u003cp>It started as a day trip and ended with searches on Zillow. We — visual arts editor Sarah Hotchkiss and KQED Arts contributor Lakshmi Sarah — had lofty goals for our sojourn to Vallejo. We would take in the local flavor, visit arts organizations, meet artists, tour some studios, eat lunch and be back on the road by 3pm.\u003c/p>\n\u003cp>We had no idea what we were getting into.\u003c/p>\n\u003cp>The impetus for our trip was a deluge of messages in response to our \u003ca href=\"http://ww2.kqed.org/arts/2015/10/20/new-map-charts-changing-landscape-for-arts-in-bay-area/\">Oct. 2015 map\u003c/a> of recently closed, relocated or opened arts spaces in the Bay Area. “I will say, from my experience as well as the experiences of other artists that I know and work with, Vallejo is the burgeoning art community you are looking for,” wrote Cate Muzaffar. “We are having an art explosion in Vallejo!” wrote Sherry Tobin.\u003c/p>\n\u003cp>\u003cem>Well, alright then\u003c/em>, we said, \u003cem>if the community we didn’t know we were looking for is just 30 miles away, let’s go check out this explosion\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_11174529\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11174529\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/Artiszen1200.jpg\" alt=\"A view of ArtisZen over an art car.\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Artiszen1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Artiszen1200-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Artiszen1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Artiszen1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Artiszen1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Artiszen1200-960x640.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">A view of ArtisZen over an art car. \u003ccite>(Photo: Lakshmi Sarah/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Vallejo: City of Opportunity\u003c/h3>\n\u003cp>Vallejo might be best known for declaring bankruptcy in 2008. Until Stockton followed suit in 2012, Vallejo was the largest city in California to do so. The stigma from this badge of dishonor is still tangible, but the city is making strides to achieve economic stability — even growth — four years after a federal judge released them from their Chapter 9 status.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Today, the city’s population hovers around 120,000. According to the 2010 census, the demographics break down to 25 percent white, 22.1 percent Black, 22.6 percent Hispanic or Latino, and 24.9 percent Asian. The largest employers in Vallejo are Kaiser Permanente, Six Flags Discovery Kingdom (yes, the theme park) and the Vallejo Unified School District.\u003c/p>\n\u003cp>But we drove there to talk to a different subset of the community — the artists, the makers, the publishers, the experimental concert organizers — those able to hold court in their garage, community arts center or decommissioned naval base in the middle of a Thursday.\u003c/p>\n\u003cp>We wanted to know if Vallejo offers a viable alternative to eking out art practices in cramped (yet bustling) cities with astronomical rents. And this wasn’t just a personal quest. In September 2015, when the San Francisco Arts Commission \u003ca href=\"http://ww2.kqed.org/arts/2015/09/16/survey-confirms-market-forces-pushing-artists-out-of-san-francisco/\" target=\"_blank\" rel=\"noopener\">surveyed individual artists\u003c/a> about their space needs, 28 percent of respondents had been or were being displaced from their homes, 26 percent from their studios and 23 percent from both. Vallejo was a litmus test: Can an arts community grow and flourish in a remote city still recovering from bankruptcy?\u003c/p>\n\u003cfigure id=\"attachment_10962213\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10962213\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/09/Individual-Artists-Space-Need-Analysis_DISPLACEMENT.jpg\" alt=\"Example slide from SFAC report\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/09/Individual-Artists-Space-Need-Analysis_DISPLACEMENT.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/09/Individual-Artists-Space-Need-Analysis_DISPLACEMENT-400x300.jpg 400w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Example slide from SFAC report \u003ccite>(Courtesy: SFAC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The numbers were promising. According to the housing site \u003ca href=\"https://www.zumper.com/blog/2016/01/zumper-national-rent-report-january-2016/\" target=\"_blank\" rel=\"noopener\">Zumper\u003c/a>, average rent for a one-bedroom apartment in Vallejo is $1,100; in Oakland that jumps to $2,210 and in San Francisco, it’s a cool $3,490. In the same SFAC survey, artists pay an average of $1.75 per square foot for their studio spaces. In Vallejo’s Coal Shed Studios, one of the city’s largest complexes of artists’ working spaces, the average rate is $1 per square foot, a price that was set 10 years ago.\u003c/p>\n\u003cp>With all these figures rumbling in our heads, it didn’t take as long as we expected to drive up I-80 from Oakland, across the Carquinez Bridge and into downtown Vallejo. “It’s so close!” we said to each other with surprise.\u003c/p>\n\u003cfigure id=\"attachment_11174534\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11174534\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/SuperClassyB1200.jpg\" alt=\"Andy Rottner displays 'S, T, Steketee,' a book with art by Liz Steketee.\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassyB1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassyB1200-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassyB1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassyB1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassyB1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassyB1200-960x640.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Andy Rottner displays ‘S, T, Steketee,’ a book with art by Liz Steketee. \u003ccite>(Photo: Lakshmi Sarah/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>A Super Classy Garage\u003c/h3>\n\u003cp>Trees making the shift from green to red, orange and yellow lined the streets. Winding up a hill on the east side of town, we arrived at the home of \u003ca href=\"http://www.superclassypublishing.com/\" target=\"_blank\" rel=\"noopener\">Super Classy Publishing\u003c/a>, a nondescript ranch style house on a suburban street that could have been anywhere in the Bay Area.\u003c/p>\n\u003cp>It is also the home of Andy and Katie Rottner, who have turned their garage (“Who needs to park their car in their garage?” says Katie) into a small publishing operation. The couple moved to Vallejo from Oakland in 2013, finding a house with plenty of space for both their young family and their studio, not to mention sweeping views of the city and San Pablo Bay. Making meticulous cloth-covered boxes and limited edition artist books — many one-of-a-kind — the Rottners carve out a supplemental income doing what they love.\u003c/p>\n\u003cfigure id=\"attachment_11174533\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11174533\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/SuperClassy1200.jpg\" alt=\"Super Classy Publishing book 'I'm Over Here Now,' with art by Danny White.\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassy1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassy1200-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassy1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassy1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassy1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassy1200-960x640.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Super Classy Publishing book ‘I’m Over Here Now,’ with art by Danny White. \u003ccite>(Photo: Lakshmi Sarah/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While Katie works from home as a marketing copywriter, Andy teaches bookbinding at the San Francisco Art Institute and San Francisco Center for the Book, commuting several days a week into San Francisco. He often takes the ferry, which he deems “very civilized” in comparison to the “very grim” stop-and-go highway traffic during commuting hours.\u003c/p>\n\u003cp>Relative newcomers to the city, the Rottners also feel a bit disconnected from the local arts scene. Their clients come mostly from San Francisco and the East Bay. “I wish we were better connected to the day-to-day art world in Vallejo,” said Andy. “I think the art world here is super grassroots. People are very prideful about it, but there’s no central forum.”\u003c/p>\n\u003cp>“Well the Hub is sort of that,” said Katie.\u003c/p>\n\u003cp>Speak of the devil, we said — we’re going there next.\u003c/p>\n\u003cfigure id=\"attachment_11174535\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11174535\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/Window-SherryTobin1200.jpg\" alt=\"Vallejo Art Window by Brad Isdrab.\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Window-SherryTobin1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Window-SherryTobin1200-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Window-SherryTobin1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Window-SherryTobin1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Window-SherryTobin1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Window-SherryTobin1200-960x640.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Vallejo Art Window by Brad Isdrab. \u003ccite>(Photo: Lakshmi Sarah/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Hubbub at the Hub\u003c/h3>\n\u003cp>At the corner of Georgia and Marin Streets in downtown Vallejo stands \u003ca href=\"http://oddfellowsvallejo.org/\" target=\"_blank\" rel=\"noopener\">Odd Fellows San Pablo Lodge #43\u003c/a>, home to the city’s longstanding chapter of the community-minded social club.\u003c/p>\n\u003cp>“Since the 1990s, downtown Vallejo has slowly turned into a near-ghost town, with empty storefronts lining what was once the booming main street of Vallejo,” the lodge wrote on its Facebook page in August 2013. “We need to bring business and life back to downtown.” With that, the order’s ground-floor retail space transformed into \u003ca href=\"http://www.thehubvallejo.com/Home_-_The_Hub_Vallejo.html\" target=\"_blank\" rel=\"noopener\">the Hub\u003c/a>, a multi-purpose space hosting workshops and events, selling artists’ wares and providing a gathering space for arts enthusiasts of all ages.\u003c/p>\n\u003cp>When we arrived, the Hub was bustling. Easily two dozen people roamed through the displays of art, crafted objects and jewelry. It wasn’t just a crowd of casual shoppers; everyone clearly knew each other. Realization dawned: They were all here to meet us.\u003c/p>\n\u003cfigure id=\"attachment_11174536\" class=\"wp-caption alignright\" style=\"max-width: 427px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11174536\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/IMG_7014-e1450490596273.jpg\" alt=\"Utility box art in downtown Vallejo.\" width=\"427\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/IMG_7014-e1450490596273.jpg 427w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/IMG_7014-e1450490596273-400x600.jpg 400w\" sizes=\"(max-width: 427px) 100vw, 427px\">\u003cfigcaption class=\"wp-caption-text\">Utility box art in downtown Vallejo. \u003ccite>(Photo: Lakshmi Sarah/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Word had spread through Ric Duran, a self-described “volunteer junkie” active with a wide variety of Vallejo organizations. Duran told us he made more friends in six months of living in Vallejo than he did in six years of life in San Francisco. The crowd he’d gathered was tangible proof of that.\u003c/p>\n\u003cp>Over the next two hours we talked to everyone — from the “oldest living Vallejo artist” to the president of the Vallejo Symphony. If the day’s conversation floated into a word cloud above our heads, “community,” “belonging,” “great energy” and “momentum” emerged as the clear favorites.\u003c/p>\n\u003cp>Vallejo resident Karen Sims spoke of the range of community-based initiatives, saying the artistic opportunities in the city give people “vibrancy and hope.” Erin Bakke, artist and founder of \u003ca href=\"http://vallejoartwindows.com/\" target=\"_blank\" rel=\"noopener\">Vallejo Art Windows\u003c/a>, a project that puts local artists’ installations in vacant storefronts, said, “You can feel it, there’s a vibe… it’s very energizing.”\u003c/p>\n\u003cp>The superlatives themselves gained momentum. Chris Viridian, one of the Hub’s co-founders, moved to Vallejo after the city filed for bankruptcy. At the time, his monthly mortgage cost less than what he had been paying in rent elsewhere. “A lot of artists moved in because it was cheap,” he said. “Right now, what we have is very reminiscent of what we had in Paris in the 1930s,” he said. “It is always the artists that turn the communities around.”\u003c/p>\n\u003cp>The Rottners touched on this very subject earlier in the day, but with a hint more caution: “I think the issue is, you make Vallejo better, but you don’t want to change its essential nature. Part of what’s great about it is how it is now,” said Andy. “I think that’s something a lot of places in the Bay Area are facing. How do you improve things?”\u003c/p>\n\u003cp>The Hub and people gathered within it seem to focus their energies on the downtown area, in a grassroots form of \u003ca href=\"https://www.arts.gov/sites/default/files/CreativePlacemaking-Paper.pdf\" target=\"_blank\" rel=\"noopener\">creative placemaking\u003c/a>. The second Friday of every month, the \u003ca href=\"http://www.vallejoartwalk.com/vallejoartwalk/home.html\" target=\"_blank\" rel=\"noopener\">Vallejo Art Walk\u003c/a> brings artists, food vendors, musicians and locals to the downtown blocks, joining forces with 31 nearby businesses. Across the street from the Hub, the folks at Artiszen — not to be confused with having anything to do with Zen Buddhism — talked to us about their planned summer arts classes for Vallejo children. The city’s annual Mad Hatter Holiday Festival gathers flame-spouting art cars, the local California Maritime Academy’s marching band and (this year) Storm Troopers in a parade down Georgia Street, ending with a tree-lighting festival.\u003c/p>\n\u003cp>Such gathering spots and events, instituted by a local arts community of mostly transplants, have entwined themselves in the very fabric of the city. But in the push to revitalize downtown Vallejo through the arts scene, is there still room for projects that don’t produce objects or fit under the umbrella of “community arts”? What does it mean to live in Vallejo if you don’t make large-scale Burning Man sculptures, steampunk accoutrements or window displays?\u003c/p>\n\u003cp>As we left the Hub, we set out to answer that very question.\u003c/p>\n\u003cfigure id=\"attachment_11174531\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11174531\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/ReSoundA1200.jpg\" alt=\"An old storage building on Mare Island, where Re:Sound concerts take place.\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundA1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundA1200-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundA1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundA1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundA1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundA1200-960x640.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">An old storage building on Mare Island, where Re:Sound concerts take place. \u003ccite>(Photo: Lakshmi Sarah/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Reverb with Re:Sound\u003c/h3>\n\u003cp>After a hurried but delicious lunch at Gracie’s BBQ, we journeyed across the Napa River to Mare Island. The Mare Island Naval Shipyard, a major element of the city’s economic engine throughout its history, closed in 1996, leaving behind rusting equipment, acres of empty buildings and the loss of 5,800 jobs. Today the strip of land is home to (among others) Touro University, a golf club, a prefabricated home company and the \u003ca href=\"http://www.mareislandpreserve.org/MareIslandPreserve/Homepage.html\" target=\"_blank\" rel=\"noopener\">Mare Island Shoreline Heritage Preserve\u003c/a>, aka the location of an experimental sound concert series called \u003ca href=\"http://www.re-sound.net/\" target=\"_blank\" rel=\"noopener\">Re:Sound\u003c/a>.\u003c/p>\n\u003cp>Sound artist and special education teacher Jen Boyd greeted us at what looked like the end of Railroad Avenue, unlocking a chain-link gate to lead us deeper into the preserve, fennel surrounding us pungently on all sides.\u003c/p>\n\u003cp>Re:Sound is just one year old, but Boyd says the response has been extremely positive. Her two- to five-hour-long concerts bring sound artist luminaries into a cavernous concrete building formerly used by the Navy to store munitions. “Everyone I bring here is like, ‘I didn’t know this existed,’” she says.\u003c/p>\n\u003cfigure id=\"attachment_11174530\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11174530\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/ReSound1200.jpg\" alt=\"Jen Boyd against a background of wild fennel.\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSound1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSound1200-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSound1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSound1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSound1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSound1200-960x640.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Jen Boyd against a background of wild fennel. \u003ccite>(Photo: Lakshmi Sarah/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Her voice echoes for what feels like forever — the building creates a six-second tail of reverberation. “When artists play here, their pieces are driven by the space,” she says. Each concert draws an audience of about 120 people from all over Northern California to what Boyd likes to a call “a forgotten space.”\u003c/p>\n\u003cp>For Boyd, who relocated from Oakland to buy a home in Vallejo in 2010, Re:Sound is a labor of love. She provides the generators, porta-potties and promotional materials for each concert, and helps the performers out as much as possible with travel costs. “I wanted to bring something to Vallejo,” she says. “I play a lot in San Francisco and Los Angeles and I just wanted to bring something here.”\u003c/p>\n\u003cp>The next Re:Sound concert will be a two-day affair on Feb. 20 and 21, scheduled to coincide with the \u003ca href=\"http://www.sfbayflywayfestival.com/San_Francisco_Bay_Flyway_Festival/San_Francisco_Bay_Flyway_Festival.html\" target=\"_blank\" rel=\"noopener\">San Francisco Bay Flyway Festival\u003c/a>, a celebration of aviary wildlife at the peak of their migration. Distancing herself from certain activities at the Hub (fire-breathing sculpture, for one), she underlines the importance of listening to nature — in both the Re:Sound concerts and her own work.\u003c/p>\n\u003cp>Does Boyd, like everyone else we met, think we, too, should move to Vallejo? Yes, but with a caveat: “I think people should come so we can start more diverse stuff.”\u003c/p>\n\u003cfigure id=\"attachment_11174532\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11174532\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/ReSoundB1200.jpg\" alt=\"The interior, resounding space of the Re:Sound building.\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundB1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundB1200-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundB1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundB1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundB1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundB1200-960x640.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">The interior, resounding space of the Re:Sound building. \u003ccite>(Photo: Lakshmi Sarah/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>What We Didn’t See\u003c/h3>\n\u003cp>It was time to leave the “Up-Bay.” (We don’t know if this is a real thing that people say, we only heard it once.) But surrounded by eight-foot-tall fennel plants, the car wouldn’t start. Would we be trapped on Mare Island forever? Would that be so bad?\u003c/p>\n\u003cp>Partly due to our prolonged stay at the Hub, and partly due to our own underestimation of what Vallejo had to offer, we ran out of time to accomplish our day trip’s lofty goals. We didn’t see the restored interior of the \u003ca href=\"http://empresstheatre.org/\" target=\"_blank\" rel=\"noopener\">Empress Theatre\u003c/a>, a 471-seat music and performance venue downtown. We didn’t have time to visit the \u003ca href=\"http://coalshedstudios.com/\" target=\"_blank\" rel=\"noopener\">Coal Shed Studios\u003c/a> on Mare Island, where 18 artists pursue their practices. We did meet Henry Beecher, chair of the \u003ca href=\"http://www.mccunecollection.org/\" target=\"_blank\" rel=\"noopener\">McCune Rare Book and Art Collection\u003c/a>, but we couldn’t browse the collection itself. We ate BBQ chicken, but we didn’t sample any recommended taco trucks. We didn’t even catch a glimpse of the ferry to San Francisco, let alone sample the \u003ca href=\"http://www.mareislandbrewingco.com/\" target=\"_blank\" rel=\"noopener\">Mare Island Brewing Company’s Taproom\u003c/a>.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>The car finally started and we began our reverse commute back to the East Bay. With rental rates in the Bay Area showing no sign of decline, perhaps Vallejo \u003ci>is\u003c/i> the burgeoning art community you’re looking for. We barely scratched the surface. And \u003ca href=\"http://www.zillow.com/vallejo-ca/\" target=\"_blank\" rel=\"noopener\">Zillow’s looking good\u003c/a>, at least to Lakshmi.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It started as a day trip and ended with searches on Zillow. We — visual arts editor Sarah Hotchkiss and KQED Arts contributor Lakshmi Sarah — had lofty goals for our sojourn to Vallejo. We would take in the local flavor, visit arts organizations, meet artists, tour some studios, eat lunch and be back on the road by 3pm.\u003c/p>\n\u003cp>We had no idea what we were getting into.\u003c/p>\n\u003cp>The impetus for our trip was a deluge of messages in response to our \u003ca href=\"http://ww2.kqed.org/arts/2015/10/20/new-map-charts-changing-landscape-for-arts-in-bay-area/\">Oct. 2015 map\u003c/a> of recently closed, relocated or opened arts spaces in the Bay Area. “I will say, from my experience as well as the experiences of other artists that I know and work with, Vallejo is the burgeoning art community you are looking for,” wrote Cate Muzaffar. “We are having an art explosion in Vallejo!” wrote Sherry Tobin.\u003c/p>\n\u003cp>\u003cem>Well, alright then\u003c/em>, we said, \u003cem>if the community we didn’t know we were looking for is just 30 miles away, let’s go check out this explosion\u003c/em>.\u003c/p>\n\u003cfigure id=\"attachment_11174529\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11174529\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/Artiszen1200.jpg\" alt=\"A view of ArtisZen over an art car.\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Artiszen1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Artiszen1200-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Artiszen1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Artiszen1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Artiszen1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Artiszen1200-960x640.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">A view of ArtisZen over an art car. \u003ccite>(Photo: Lakshmi Sarah/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Vallejo: City of Opportunity\u003c/h3>\n\u003cp>Vallejo might be best known for declaring bankruptcy in 2008. Until Stockton followed suit in 2012, Vallejo was the largest city in California to do so. The stigma from this badge of dishonor is still tangible, but the city is making strides to achieve economic stability — even growth — four years after a federal judge released them from their Chapter 9 status.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Today, the city’s population hovers around 120,000. According to the 2010 census, the demographics break down to 25 percent white, 22.1 percent Black, 22.6 percent Hispanic or Latino, and 24.9 percent Asian. The largest employers in Vallejo are Kaiser Permanente, Six Flags Discovery Kingdom (yes, the theme park) and the Vallejo Unified School District.\u003c/p>\n\u003cp>But we drove there to talk to a different subset of the community — the artists, the makers, the publishers, the experimental concert organizers — those able to hold court in their garage, community arts center or decommissioned naval base in the middle of a Thursday.\u003c/p>\n\u003cp>We wanted to know if Vallejo offers a viable alternative to eking out art practices in cramped (yet bustling) cities with astronomical rents. And this wasn’t just a personal quest. In September 2015, when the San Francisco Arts Commission \u003ca href=\"http://ww2.kqed.org/arts/2015/09/16/survey-confirms-market-forces-pushing-artists-out-of-san-francisco/\" target=\"_blank\" rel=\"noopener\">surveyed individual artists\u003c/a> about their space needs, 28 percent of respondents had been or were being displaced from their homes, 26 percent from their studios and 23 percent from both. Vallejo was a litmus test: Can an arts community grow and flourish in a remote city still recovering from bankruptcy?\u003c/p>\n\u003cfigure id=\"attachment_10962213\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10962213\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/09/Individual-Artists-Space-Need-Analysis_DISPLACEMENT.jpg\" alt=\"Example slide from SFAC report\" width=\"800\" height=\"600\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/09/Individual-Artists-Space-Need-Analysis_DISPLACEMENT.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/09/Individual-Artists-Space-Need-Analysis_DISPLACEMENT-400x300.jpg 400w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Example slide from SFAC report \u003ccite>(Courtesy: SFAC)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The numbers were promising. According to the housing site \u003ca href=\"https://www.zumper.com/blog/2016/01/zumper-national-rent-report-january-2016/\" target=\"_blank\" rel=\"noopener\">Zumper\u003c/a>, average rent for a one-bedroom apartment in Vallejo is $1,100; in Oakland that jumps to $2,210 and in San Francisco, it’s a cool $3,490. In the same SFAC survey, artists pay an average of $1.75 per square foot for their studio spaces. In Vallejo’s Coal Shed Studios, one of the city’s largest complexes of artists’ working spaces, the average rate is $1 per square foot, a price that was set 10 years ago.\u003c/p>\n\u003cp>With all these figures rumbling in our heads, it didn’t take as long as we expected to drive up I-80 from Oakland, across the Carquinez Bridge and into downtown Vallejo. “It’s so close!” we said to each other with surprise.\u003c/p>\n\u003cfigure id=\"attachment_11174534\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11174534\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/SuperClassyB1200.jpg\" alt=\"Andy Rottner displays 'S, T, Steketee,' a book with art by Liz Steketee.\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassyB1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassyB1200-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassyB1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassyB1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassyB1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassyB1200-960x640.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Andy Rottner displays ‘S, T, Steketee,’ a book with art by Liz Steketee. \u003ccite>(Photo: Lakshmi Sarah/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>A Super Classy Garage\u003c/h3>\n\u003cp>Trees making the shift from green to red, orange and yellow lined the streets. Winding up a hill on the east side of town, we arrived at the home of \u003ca href=\"http://www.superclassypublishing.com/\" target=\"_blank\" rel=\"noopener\">Super Classy Publishing\u003c/a>, a nondescript ranch style house on a suburban street that could have been anywhere in the Bay Area.\u003c/p>\n\u003cp>It is also the home of Andy and Katie Rottner, who have turned their garage (“Who needs to park their car in their garage?” says Katie) into a small publishing operation. The couple moved to Vallejo from Oakland in 2013, finding a house with plenty of space for both their young family and their studio, not to mention sweeping views of the city and San Pablo Bay. Making meticulous cloth-covered boxes and limited edition artist books — many one-of-a-kind — the Rottners carve out a supplemental income doing what they love.\u003c/p>\n\u003cfigure id=\"attachment_11174533\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11174533\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/SuperClassy1200.jpg\" alt=\"Super Classy Publishing book 'I'm Over Here Now,' with art by Danny White.\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassy1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassy1200-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassy1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassy1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassy1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/SuperClassy1200-960x640.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Super Classy Publishing book ‘I’m Over Here Now,’ with art by Danny White. \u003ccite>(Photo: Lakshmi Sarah/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>While Katie works from home as a marketing copywriter, Andy teaches bookbinding at the San Francisco Art Institute and San Francisco Center for the Book, commuting several days a week into San Francisco. He often takes the ferry, which he deems “very civilized” in comparison to the “very grim” stop-and-go highway traffic during commuting hours.\u003c/p>\n\u003cp>Relative newcomers to the city, the Rottners also feel a bit disconnected from the local arts scene. Their clients come mostly from San Francisco and the East Bay. “I wish we were better connected to the day-to-day art world in Vallejo,” said Andy. “I think the art world here is super grassroots. People are very prideful about it, but there’s no central forum.”\u003c/p>\n\u003cp>“Well the Hub is sort of that,” said Katie.\u003c/p>\n\u003cp>Speak of the devil, we said — we’re going there next.\u003c/p>\n\u003cfigure id=\"attachment_11174535\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11174535\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/Window-SherryTobin1200.jpg\" alt=\"Vallejo Art Window by Brad Isdrab.\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Window-SherryTobin1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Window-SherryTobin1200-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Window-SherryTobin1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Window-SherryTobin1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Window-SherryTobin1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/Window-SherryTobin1200-960x640.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Vallejo Art Window by Brad Isdrab. \u003ccite>(Photo: Lakshmi Sarah/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Hubbub at the Hub\u003c/h3>\n\u003cp>At the corner of Georgia and Marin Streets in downtown Vallejo stands \u003ca href=\"http://oddfellowsvallejo.org/\" target=\"_blank\" rel=\"noopener\">Odd Fellows San Pablo Lodge #43\u003c/a>, home to the city’s longstanding chapter of the community-minded social club.\u003c/p>\n\u003cp>“Since the 1990s, downtown Vallejo has slowly turned into a near-ghost town, with empty storefronts lining what was once the booming main street of Vallejo,” the lodge wrote on its Facebook page in August 2013. “We need to bring business and life back to downtown.” With that, the order’s ground-floor retail space transformed into \u003ca href=\"http://www.thehubvallejo.com/Home_-_The_Hub_Vallejo.html\" target=\"_blank\" rel=\"noopener\">the Hub\u003c/a>, a multi-purpose space hosting workshops and events, selling artists’ wares and providing a gathering space for arts enthusiasts of all ages.\u003c/p>\n\u003cp>When we arrived, the Hub was bustling. Easily two dozen people roamed through the displays of art, crafted objects and jewelry. It wasn’t just a crowd of casual shoppers; everyone clearly knew each other. Realization dawned: They were all here to meet us.\u003c/p>\n\u003cfigure id=\"attachment_11174536\" class=\"wp-caption alignright\" style=\"max-width: 427px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11174536\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/IMG_7014-e1450490596273.jpg\" alt=\"Utility box art in downtown Vallejo.\" width=\"427\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/IMG_7014-e1450490596273.jpg 427w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/IMG_7014-e1450490596273-400x600.jpg 400w\" sizes=\"(max-width: 427px) 100vw, 427px\">\u003cfigcaption class=\"wp-caption-text\">Utility box art in downtown Vallejo. \u003ccite>(Photo: Lakshmi Sarah/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Word had spread through Ric Duran, a self-described “volunteer junkie” active with a wide variety of Vallejo organizations. Duran told us he made more friends in six months of living in Vallejo than he did in six years of life in San Francisco. The crowd he’d gathered was tangible proof of that.\u003c/p>\n\u003cp>Over the next two hours we talked to everyone — from the “oldest living Vallejo artist” to the president of the Vallejo Symphony. If the day’s conversation floated into a word cloud above our heads, “community,” “belonging,” “great energy” and “momentum” emerged as the clear favorites.\u003c/p>\n\u003cp>Vallejo resident Karen Sims spoke of the range of community-based initiatives, saying the artistic opportunities in the city give people “vibrancy and hope.” Erin Bakke, artist and founder of \u003ca href=\"http://vallejoartwindows.com/\" target=\"_blank\" rel=\"noopener\">Vallejo Art Windows\u003c/a>, a project that puts local artists’ installations in vacant storefronts, said, “You can feel it, there’s a vibe… it’s very energizing.”\u003c/p>\n\u003cp>The superlatives themselves gained momentum. Chris Viridian, one of the Hub’s co-founders, moved to Vallejo after the city filed for bankruptcy. At the time, his monthly mortgage cost less than what he had been paying in rent elsewhere. “A lot of artists moved in because it was cheap,” he said. “Right now, what we have is very reminiscent of what we had in Paris in the 1930s,” he said. “It is always the artists that turn the communities around.”\u003c/p>\n\u003cp>The Rottners touched on this very subject earlier in the day, but with a hint more caution: “I think the issue is, you make Vallejo better, but you don’t want to change its essential nature. Part of what’s great about it is how it is now,” said Andy. “I think that’s something a lot of places in the Bay Area are facing. How do you improve things?”\u003c/p>\n\u003cp>The Hub and people gathered within it seem to focus their energies on the downtown area, in a grassroots form of \u003ca href=\"https://www.arts.gov/sites/default/files/CreativePlacemaking-Paper.pdf\" target=\"_blank\" rel=\"noopener\">creative placemaking\u003c/a>. The second Friday of every month, the \u003ca href=\"http://www.vallejoartwalk.com/vallejoartwalk/home.html\" target=\"_blank\" rel=\"noopener\">Vallejo Art Walk\u003c/a> brings artists, food vendors, musicians and locals to the downtown blocks, joining forces with 31 nearby businesses. Across the street from the Hub, the folks at Artiszen — not to be confused with having anything to do with Zen Buddhism — talked to us about their planned summer arts classes for Vallejo children. The city’s annual Mad Hatter Holiday Festival gathers flame-spouting art cars, the local California Maritime Academy’s marching band and (this year) Storm Troopers in a parade down Georgia Street, ending with a tree-lighting festival.\u003c/p>\n\u003cp>Such gathering spots and events, instituted by a local arts community of mostly transplants, have entwined themselves in the very fabric of the city. But in the push to revitalize downtown Vallejo through the arts scene, is there still room for projects that don’t produce objects or fit under the umbrella of “community arts”? What does it mean to live in Vallejo if you don’t make large-scale Burning Man sculptures, steampunk accoutrements or window displays?\u003c/p>\n\u003cp>As we left the Hub, we set out to answer that very question.\u003c/p>\n\u003cfigure id=\"attachment_11174531\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11174531\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/ReSoundA1200.jpg\" alt=\"An old storage building on Mare Island, where Re:Sound concerts take place.\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundA1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundA1200-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundA1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundA1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundA1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundA1200-960x640.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">An old storage building on Mare Island, where Re:Sound concerts take place. \u003ccite>(Photo: Lakshmi Sarah/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>Reverb with Re:Sound\u003c/h3>\n\u003cp>After a hurried but delicious lunch at Gracie’s BBQ, we journeyed across the Napa River to Mare Island. The Mare Island Naval Shipyard, a major element of the city’s economic engine throughout its history, closed in 1996, leaving behind rusting equipment, acres of empty buildings and the loss of 5,800 jobs. Today the strip of land is home to (among others) Touro University, a golf club, a prefabricated home company and the \u003ca href=\"http://www.mareislandpreserve.org/MareIslandPreserve/Homepage.html\" target=\"_blank\" rel=\"noopener\">Mare Island Shoreline Heritage Preserve\u003c/a>, aka the location of an experimental sound concert series called \u003ca href=\"http://www.re-sound.net/\" target=\"_blank\" rel=\"noopener\">Re:Sound\u003c/a>.\u003c/p>\n\u003cp>Sound artist and special education teacher Jen Boyd greeted us at what looked like the end of Railroad Avenue, unlocking a chain-link gate to lead us deeper into the preserve, fennel surrounding us pungently on all sides.\u003c/p>\n\u003cp>Re:Sound is just one year old, but Boyd says the response has been extremely positive. Her two- to five-hour-long concerts bring sound artist luminaries into a cavernous concrete building formerly used by the Navy to store munitions. “Everyone I bring here is like, ‘I didn’t know this existed,’” she says.\u003c/p>\n\u003cfigure id=\"attachment_11174530\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11174530\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/ReSound1200.jpg\" alt=\"Jen Boyd against a background of wild fennel.\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSound1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSound1200-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSound1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSound1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSound1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSound1200-960x640.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">Jen Boyd against a background of wild fennel. \u003ccite>(Photo: Lakshmi Sarah/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Her voice echoes for what feels like forever — the building creates a six-second tail of reverberation. “When artists play here, their pieces are driven by the space,” she says. Each concert draws an audience of about 120 people from all over Northern California to what Boyd likes to a call “a forgotten space.”\u003c/p>\n\u003cp>For Boyd, who relocated from Oakland to buy a home in Vallejo in 2010, Re:Sound is a labor of love. She provides the generators, porta-potties and promotional materials for each concert, and helps the performers out as much as possible with travel costs. “I wanted to bring something to Vallejo,” she says. “I play a lot in San Francisco and Los Angeles and I just wanted to bring something here.”\u003c/p>\n\u003cp>The next Re:Sound concert will be a two-day affair on Feb. 20 and 21, scheduled to coincide with the \u003ca href=\"http://www.sfbayflywayfestival.com/San_Francisco_Bay_Flyway_Festival/San_Francisco_Bay_Flyway_Festival.html\" target=\"_blank\" rel=\"noopener\">San Francisco Bay Flyway Festival\u003c/a>, a celebration of aviary wildlife at the peak of their migration. Distancing herself from certain activities at the Hub (fire-breathing sculpture, for one), she underlines the importance of listening to nature — in both the Re:Sound concerts and her own work.\u003c/p>\n\u003cp>Does Boyd, like everyone else we met, think we, too, should move to Vallejo? Yes, but with a caveat: “I think people should come so we can start more diverse stuff.”\u003c/p>\n\u003cfigure id=\"attachment_11174532\" class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11174532\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2015/12/ReSoundB1200.jpg\" alt=\"The interior, resounding space of the Re:Sound building.\" width=\"1200\" height=\"800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundB1200.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundB1200-400x267.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundB1200-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundB1200-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundB1200-1180x787.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/12/ReSoundB1200-960x640.jpg 960w\" sizes=\"(max-width: 1200px) 100vw, 1200px\">\u003cfigcaption class=\"wp-caption-text\">The interior, resounding space of the Re:Sound building. \u003ccite>(Photo: Lakshmi Sarah/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch3>What We Didn’t See\u003c/h3>\n\u003cp>It was time to leave the “Up-Bay.” (We don’t know if this is a real thing that people say, we only heard it once.) But surrounded by eight-foot-tall fennel plants, the car wouldn’t start. Would we be trapped on Mare Island forever? Would that be so bad?\u003c/p>\n\u003cp>Partly due to our prolonged stay at the Hub, and partly due to our own underestimation of what Vallejo had to offer, we ran out of time to accomplish our day trip’s lofty goals. We didn’t see the restored interior of the \u003ca href=\"http://empresstheatre.org/\" target=\"_blank\" rel=\"noopener\">Empress Theatre\u003c/a>, a 471-seat music and performance venue downtown. We didn’t have time to visit the \u003ca href=\"http://coalshedstudios.com/\" target=\"_blank\" rel=\"noopener\">Coal Shed Studios\u003c/a> on Mare Island, where 18 artists pursue their practices. We did meet Henry Beecher, chair of the \u003ca href=\"http://www.mccunecollection.org/\" target=\"_blank\" rel=\"noopener\">McCune Rare Book and Art Collection\u003c/a>, but we couldn’t browse the collection itself. We ate BBQ chicken, but we didn’t sample any recommended taco trucks. We didn’t even catch a glimpse of the ferry to San Francisco, let alone sample the \u003ca href=\"http://www.mareislandbrewingco.com/\" target=\"_blank\" rel=\"noopener\">Mare Island Brewing Company’s Taproom\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The car finally started and we began our reverse commute back to the East Bay. With rental rates in the Bay Area showing no sign of decline, perhaps Vallejo \u003ci>is\u003c/i> the burgeoning art community you’re looking for. We barely scratched the surface. And \u003ca href=\"http://www.zillow.com/vallejo-ca/\" target=\"_blank\" rel=\"noopener\">Zillow’s looking good\u003c/a>, at least to Lakshmi.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"slug": "usc-study-hollywood-has-a-major-diversity-problem",
"title": "USC Study: Hollywood Has a Major Diversity Problem",
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"headTitle": "USC Study: Hollywood Has a Major Diversity Problem | KQED",
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"content": "\u003cp>A newly released study suggests diversity in TV and film is so bad that the hashtag #OscarsSoWhite should probably be changed to #HollywoodSoWhite.\u003c/p>\n\u003cp>That’s because of an “epidemic of invisibility” cited by researchers at the University of Southern California, who analyzed more than 21,000 characters and behind-the-scenes workers on more than 400 films and TV shows released from September 2014 through August 2015. They tabulated representations of gender, race, ethnicity and sexual status.\u003c/p>\n\u003cp>“We’re seeing that there’s not just a diversity problem in Hollywood; there’s actually an inclusion crisis,” Stacy L. Smith, one of the study’s authors and founding director of the Media, Diversity and Social Change Initiative at USC’s Annenberg School for Communication and Journalism, said in an interview.\u003c/p>\n\u003cp>The study, \u003ca href=\"http://annenberg.usc.edu/pages/~/media/MDSCI/CARDReport%20FINAL%2022216.ashx\">titled “Inclusion or Invisibility? Comprehensive Annenberg Report on Diversity in Entertainment,”\u003c/a> found just one-third of speaking characters were female (33.5 percent), despite the fact that women represent just over half the population in America. Just 28.3 percent of characters with dialogue were from nonwhite racial/ethnic groups, though such groups are nearly 40 percent of the U.S. population.\u003c/p>\n\u003caside class=\"pullquote alignright\">‘I think we’re seeing, across the landscape, an erasure of certain groups… This is really [an] epidemic of invisibility.’\u003ccite>USC study author Stacy L. Smith\u003c/cite>\u003c/aside>\n\u003cp>With less than a week before an Oscars ceremony that has already been criticized for an all-white slate of acting nominees, the study shows the film industry does worse than television.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Just 3.4 percent of film directors were female, and only 7 percent of films had a cast whose balance of race and ethnicity reflected the country’s diversity. In broadcast TV, 17 percent of directors were female and 19 percent of programs were ethnically balanced.\u003c/p>\n\u003cp>Broadcast TV also saw a number of TV shows featuring characters of color debut during the study’s tabulation period, including \u003cem>Black-ish\u003c/em> and \u003cem>Fresh Off the Boat\u003c/em> on ABC, \u003cem>Jane the Virgin\u003c/em> on The CW, and \u003cem>Empire\u003c/em> on Fox.\u003c/p>\n\u003cp>Still, when researchers looked at all TV shows — including broadcast, cable and streaming services — they also found underrepresentation, noting that women of color over 40 were deemed “largely invisible” and just 22 percent of TV series creators were female.\u003c/p>\n\u003cp>Overall, the study found half the films and TV shows they analyzed had no Asian-speaking characters and more than one-fifth of them had no black characters with dialogue. Just 2 percent of speaking characters were identified as lesbian, gay, bisexual or transsexual, and more than half the LGBT characters in all the films they examined came from two movies.\u003c/p>\n\u003cp>“The film industry still functions as a straight, white, boy’s club,” the study states. In the interview, Smith says, “I think we’re seeing, across the landscape, an erasure of certain groups; women, people of color, the LGBT community … this is really [an] epidemic of invisibility that points to a lack of inclusivity across [film and TV].”\u003c/p>\n\u003cp>[contextly_sidebar id=”H0tNBlaRREak7fdaT3Do83mArhct2tNW”]\u003c/p>\n\u003cp>When looking at how women are depicted, the study found female characters were four times more likely to be shown in sexy attire, three times more likely to show some nudity and nearly four times as likely to be referred to as physically attractive.\u003c/p>\n\u003cp>But their results also indicated films and TV shows with women or people of color in the important jobs behind the scenes — director, producer or writer — tended to have better diversity numbers.\u003c/p>\n\u003cp>Across TV and film, the underrepresentation of nonwhite characters falls mostly on Hispanics. Among more than 10,000 characters whose race or ethnicity could be identified, proportions of white, black and Asian characters came close to U.S. population figures. But Hispanics were just 5.8 percent of characters, despite being about 17 percent of the U.S. population, according to Census Bureau data.\u003c/p>\n\u003cp>Researchers examined 109 films and 305 TV series across broadcast, cable and digital platforms. They also looked at more than 1,500 executives and graded 10 media companies for their onscreen and behind-the-scenes representation of women and people of color.\u003c/p>\n\u003cp>None of the six film distributors evaluated — 21st Century Fox, NBC Universal, Sony, the Walt Disney Company, Time Warner or Viacom — received a passing grade for inclusion. But among the TV companies they examined, Disney and the CW performed best, at 70 percent.\u003c/p>\n\u003cp>The study’s authors also suggest solutions for the lack of diversity, including creating target goals for inclusion that would be public and drawing up lists of potential hires for writing and directing jobs that would be 50 percent female and 38 percent people of color.\u003c/p>\n\u003cp>“It’s about who is greenlighting those decisions and who is giving the OK for certain stories to be told,” Smith says. “When a very narrow slice of the population is in control of power and has the ability to greenlight a project, then we are going to see products and stories that reflect that narrow worldview.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A newly released study suggests diversity in TV and film is so bad that the hashtag #OscarsSoWhite should probably be changed to #HollywoodSoWhite.\u003c/p>\n\u003cp>That’s because of an “epidemic of invisibility” cited by researchers at the University of Southern California, who analyzed more than 21,000 characters and behind-the-scenes workers on more than 400 films and TV shows released from September 2014 through August 2015. They tabulated representations of gender, race, ethnicity and sexual status.\u003c/p>\n\u003cp>“We’re seeing that there’s not just a diversity problem in Hollywood; there’s actually an inclusion crisis,” Stacy L. Smith, one of the study’s authors and founding director of the Media, Diversity and Social Change Initiative at USC’s Annenberg School for Communication and Journalism, said in an interview.\u003c/p>\n\u003cp>The study, \u003ca href=\"http://annenberg.usc.edu/pages/~/media/MDSCI/CARDReport%20FINAL%2022216.ashx\">titled “Inclusion or Invisibility? Comprehensive Annenberg Report on Diversity in Entertainment,”\u003c/a> found just one-third of speaking characters were female (33.5 percent), despite the fact that women represent just over half the population in America. Just 28.3 percent of characters with dialogue were from nonwhite racial/ethnic groups, though such groups are nearly 40 percent of the U.S. population.\u003c/p>\n\u003caside class=\"pullquote alignright\">‘I think we’re seeing, across the landscape, an erasure of certain groups… This is really [an] epidemic of invisibility.’\u003ccite>USC study author Stacy L. Smith\u003c/cite>\u003c/aside>\n\u003cp>With less than a week before an Oscars ceremony that has already been criticized for an all-white slate of acting nominees, the study shows the film industry does worse than television.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Just 3.4 percent of film directors were female, and only 7 percent of films had a cast whose balance of race and ethnicity reflected the country’s diversity. In broadcast TV, 17 percent of directors were female and 19 percent of programs were ethnically balanced.\u003c/p>\n\u003cp>Broadcast TV also saw a number of TV shows featuring characters of color debut during the study’s tabulation period, including \u003cem>Black-ish\u003c/em> and \u003cem>Fresh Off the Boat\u003c/em> on ABC, \u003cem>Jane the Virgin\u003c/em> on The CW, and \u003cem>Empire\u003c/em> on Fox.\u003c/p>\n\u003cp>Still, when researchers looked at all TV shows — including broadcast, cable and streaming services — they also found underrepresentation, noting that women of color over 40 were deemed “largely invisible” and just 22 percent of TV series creators were female.\u003c/p>\n\u003cp>Overall, the study found half the films and TV shows they analyzed had no Asian-speaking characters and more than one-fifth of them had no black characters with dialogue. Just 2 percent of speaking characters were identified as lesbian, gay, bisexual or transsexual, and more than half the LGBT characters in all the films they examined came from two movies.\u003c/p>\n\u003cp>“The film industry still functions as a straight, white, boy’s club,” the study states. In the interview, Smith says, “I think we’re seeing, across the landscape, an erasure of certain groups; women, people of color, the LGBT community … this is really [an] epidemic of invisibility that points to a lack of inclusivity across [film and TV].”\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>When looking at how women are depicted, the study found female characters were four times more likely to be shown in sexy attire, three times more likely to show some nudity and nearly four times as likely to be referred to as physically attractive.\u003c/p>\n\u003cp>But their results also indicated films and TV shows with women or people of color in the important jobs behind the scenes — director, producer or writer — tended to have better diversity numbers.\u003c/p>\n\u003cp>Across TV and film, the underrepresentation of nonwhite characters falls mostly on Hispanics. Among more than 10,000 characters whose race or ethnicity could be identified, proportions of white, black and Asian characters came close to U.S. population figures. But Hispanics were just 5.8 percent of characters, despite being about 17 percent of the U.S. population, according to Census Bureau data.\u003c/p>\n\u003cp>Researchers examined 109 films and 305 TV series across broadcast, cable and digital platforms. They also looked at more than 1,500 executives and graded 10 media companies for their onscreen and behind-the-scenes representation of women and people of color.\u003c/p>\n\u003cp>None of the six film distributors evaluated — 21st Century Fox, NBC Universal, Sony, the Walt Disney Company, Time Warner or Viacom — received a passing grade for inclusion. But among the TV companies they examined, Disney and the CW performed best, at 70 percent.\u003c/p>\n\u003cp>The study’s authors also suggest solutions for the lack of diversity, including creating target goals for inclusion that would be public and drawing up lists of potential hires for writing and directing jobs that would be 50 percent female and 38 percent people of color.\u003c/p>\n\u003cp>“It’s about who is greenlighting those decisions and who is giving the OK for certain stories to be told,” Smith says. “When a very narrow slice of the population is in control of power and has the ability to greenlight a project, then we are going to see products and stories that reflect that narrow worldview.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Copyright 2016 NPR. To see more, visit http://www.npr.org/.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>Peter Mondavi, a Napa Valley wine country innovator who led his family's Charles Krug Winery through more than a half-century of change, has died. He was 101.\u003c/p>\n\u003cp>Mondavi died Saturday at his home in St. Helena, said Wendy Lane Stevens, a member of the C. Mondavi and Family board of directors.\u003c/p>\n\u003cp>Mondavi, who battled his more famous brother Robert Mondavi for control of Charles Krug, began his career at a time when the Napa Valley was known chiefly for cheap wine, and witnessed it grow into one of the world's premiere wine regions.\u003c/p>\n\u003cp>He played a part in that rise, pioneering a number of improvements to California winemaking, including the use of cold fermentation for white wines and sterile filtration. Charles Krug has been in the hands of the Mondavi family since 1943, when it was purchased by Mondavi's parents, Cesare and Rosa.\u003c/p>\n\u003cp>Peter and Robert ran the winery together after Cesare's death in 1959 but were unable to agree on management styles and split, with Robert founding the Robert Mondavi Winery in 1966. Later, the brothers reconciled and in 2005 celebrated their reunion by making a special blend of wine together.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Today, Peter Mondavi's sons lead the family business. Marc Mondavi heads the 1.4 million-case CK Mondavi Vineyards division, producer of a popular line of affordable wines, and Peter Jr. leads Charles Krug, producer of premium Napa Valley wines.\u003c/p>\n\u003cp>Born Nov. 8, 1914, the youngest of four children, Mondavi got his start as a boy packing boxes for his father's grape-shipping business. He went on to earn a degree in economics from Stanford University in 1937 and was drawn to the wine business, studying enology at UC Berkeley.\u003c/p>\n\u003cp>World War II interrupted his career and Mondavi served in the military, returning stateside in 1946. Four years later he married Blanche Hurtzig, who died in 2010. The couple had three children, Marc, Peter Jr. and a daughter, Siena.\u003c/p>\n\u003cp>In his studies, Mondavi had researched the effects of cold fermentation on white and rose wines, which then were being fermented at higher temperatures, which meant they lost their fruity character through oxidation. He applied what he learned at the winery to make fresher whites.\u003c/p>\n\u003cp>Charles Krug also was the first Napa Valley winery to import French oak barrels to use in aging wine, and in 1963 was among the first to vintage-date varietal wines.\u003c/p>\n\u003cp>Determined to keep the winery family-owned despite corporate buyouts happening throughout the valley — the Robert Mondavi Winery was sold to Constellation Brands in 2004 — Peter Mondavi worked to preserve the family holdings, investing $24 million over a nine-year period to replant most of the vineyards and farm them sustainably. Today, the Peter Mondavi family owns 850 acres of prime vineyards in the Napa Valley.\u003c/p>\n\u003cp>Though he didn't run the day-to-day business, Mondavi continued to be a fixture at the office, climbing the two flights of stairs to his office even as a centenarian. He credited his stamina to good genes, hard work, pasta Bolognese — and a daily glass of cabernet sauvignon.\u003c/p>\n\u003cp>___\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story contains biographical information compiled by former Associated Press Writer Michelle Locke.\u003c/em>\u003c/p>\n\n",
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"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
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"order": 19
},
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
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"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
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"order": 3
},
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}
},
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"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
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"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
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"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
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},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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}
},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
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"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"order": 1
},
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"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
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},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
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},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"meta": {
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"source": "kqed",
"order": 9
},
"link": "/forum",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
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"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
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"link": "/radio/program/how-i-built-this",
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"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"order": 15
},
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"order": 18
},
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
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