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"content": "\u003cp>Who would have expected November to offer a slew of new releases from Bay Area bands? The month promises long-awaited new records — and local shows — from \u003ca href=\"http://www.facebook.com/maushausmusic\">Maus Haus\u003c/a> and \u003ca href=\"http://www.facebook.com/SocialStudies101\">Social Studies\u003c/a>, as well as psychy new offerings from \u003ca href=\"http://www.thelovedimension.com/\">The Love Dimension\u003c/a> and \u003ca href=\"http://www.facebook.com/goldenvoid\">Golden Void\u003c/a> (a new project that includes Earthless guitarist Isaiah Mitchell). And that list doesn’t even include new albums and upcoming shows by \u003ca href=\"http://www.facebook.com/markeitzel\">Mark Eitzel\u003c/a> and \u003ca href=\"http://tamarynmusic.com/\">Tamaryn\u003c/a>!\u003c/p>\n\u003cp>Yes, this mix is a little more local-heavy than normal, but the touring highlights include some big ones. Canadian trio \u003ca href=\"http://www.facebook.com/metz\">METZ\u003c/a> is touring behind a ton of buzz and a loud, rocking new album on Sub Pop, while Welsh band \u003ca href=\"http://futureoftheleft.net/\">Future Of The Left\u003c/a> is bringing their intense, energetic live show to Slim’s as part of a nationwide trip.\u003c/p>\n\u003cp>Enjoy the mix and then go see some shows!\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Gentleman-Jesse-His-Men/243949526051\">Gentleman Jesse\u003c/a> — “Eat Me Alive”\u003cbr>Performing at the \u003ca href=\"http://hemlocktavern.com/calendar.php\">Hemlock Tavern\u003c/a> on November 14 with Midnite Snaxxx and Cocktails.\u003c/p>\n\u003cp>\u003ca href=\"http://www.thelovedimension.com/\">The Love Dimension\u003c/a> — “True Love Comes ‘Round Again”\u003cbr>Topping an all-local bill at the \u003ca href=\"http://www.slimspresents.com/\">Great American Music Hall\u003c/a> on November 15; Os Beaches, The Jaunting Martyrs and more support.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/goldenvoid\">Golden Void\u003c/a> — “The Curve”\u003cbr>Headlining the Hemlock Tavern on November 23; Phil Manley and Joel Robinow Band will also perform.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/aplacetoburystrangers\">A Place To Bury Strangers\u003c/a> — “You Are The One”\u003cbr>Joining Bleeding Rainbow and DJ Joel Gion at \u003ca href=\"http://www.theindependentsf.com/\">The Independent\u003c/a> on November 7.\u003c/p>\n\u003cp>\u003ca href=\"http://tamarynmusic.com/\">Tamaryn\u003c/a> — “Heavenly Bodies”\u003cbr>Tropic Of Cancer and The She’s support Tamaryn at \u003ca href=\"http://www.theindependentsf.com/\">The Independent\u003c/a> on November 24.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/maushausmusic\">Maus Haus\u003c/a> — “No More Girls”\u003cbr>Celebrating the release of their new EP at the \u003ca href=\"http://www.rickshawstop.com/\">Rickshaw Stop\u003c/a> on November 3 with Sister Crayon and Radiation City.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/Twerpsmusic\">Twerps\u003c/a> — “Dreamin”\u003cbr>Co-headlining the \u003ca href=\"http://www.rickshawstop.com/\">Rickshaw Stop\u003c/a> on November 2 with White Fence; The Mallard opens.\u003c/p>\n\u003cp>\u003ca href=\"http://www.titusandronicus.net/\">Titus Andronicus\u003c/a> — “Upon Viewing Oregon’s Landscape With the Flood of Detritus”\u003cbr>Touring with Ceremony, both bands will be at the \u003ca href=\"http://www.slimspresents.com/\">Great American Music Hall\u003c/a> on November 12.\u003c/p>\n\u003cp>\u003ca href=\"http://futureoftheleft.net/\">Future Of The Left\u003c/a> — “Failed Olympic Bid”\u003cbr>Supporting Andrew Jackson Jihad on November 14 at \u003ca href=\"http://www.slimspresents.com/\">Slim’s\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/metz\">METZ\u003c/a> — “Headache”\u003cbr>Appearing with Tiger High and One Hundred Percent at \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on November 5.\u003c/p>\n\u003cp>\u003ca href=\"http://www.acnewman.net/\">A.C. 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"content": "\u003cp>The \u003ci>Noise Pop Podcast\u003c/i> is putting your musical knowledge to the test again! We’re serving up another game of \u003ci>Six Degrees of Kevin Barnes\u003c/i>, this time with a Halloween theme. In case you missed the last game, it goes like this: there are eight tracks in this mix and each one is connected to the next. Identify the tracks and the connections between each song and you could win tickets to see \u003ca href=\"http://do415.com/event/2012/10/27/120-minutes-presents-salem-jack-dj-set-brooke-candy-live\">Salem at Elbo Room\u003c/a> on Saturday, October 27, 2012. Email your answers to \u003ca href=\"mailto:podcast@noisepop.com\">podcast@noisepop.com\u003c/a>. The first person to identify all the songs and their connections, or the person who gets the most correct, will win. The winner will be contacted directly, so check your in-boxes. On October 27, after the contest closes, we will post the answers in the comment section below. Good luck everyone and have fun!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cp>The Bay Area has held a prominent place in punk music since punk first became a thing, with groups like \u003ca href=\"http://crimesf.com/\">Crime\u003c/a>, \u003ca href=\"http://en.wikipedia.org/wiki/Avengers_(band)\">Avengers\u003c/a>, \u003ca href=\"http://www.flipperrules.com/\">Flipper\u003c/a>, and \u003ca href=\"http://www.deadkennedys.com/\">Dead Kennedys\u003c/a> among the genre’s most important ’70s and ’80s bands. As punk artists began to achieve mainstream success in the ’90s, Bay Area bands were again at the forefront, while a wide variety of acts continued to operate independently on local labels like \u003ca href=\"http://www.lookoutrecords.com/\">Lookout!\u003c/a> and \u003ca href=\"http://www.fatwreck.com/\">Fat Wreck Chords\u003c/a>.\u003c/p>\n\u003cp>Given that history, it shouldn’t be surprising to find that there’s still a wealth of talented local punk bands today. Moreover, the continued vitality of local punk is aided by the existence of inspired local institutions that support the genre, from the longstanding publication \u003ca href=\"http://maximumrocknroll.com/\">\u003ci>Maximum Rocknroll\u003c/i>\u003c/a> and the Berkeley venue \u003ca href=\"http://www.924gilman.org\">924 Gilman\u003c/a>, to more recent developments like \u003ca href=\"http://www.1234gorecords.com/\">1-2-3-4 Go!\u003c/a> and \u003ca href=\"http://www.thrillhouserecords.com/\">Thrillhouse Records\u003c/a>.\u003c/p>\n\u003cp>This mix tape provides a sampling of Bay Area bands from the worlds of punk rock, pop-punk, post-punk, art-punk and beyond, even if it only scratches the surface of great local bands in the punk universe. And while the set definitely reflects personal biases toward Ramones-y pop, gloomy post-punk, and damaged weirdness, it’s jam-packed with great songs to enjoy.\u003c/p>\n\u003cp>\u003cu>\u003cstrong>Tracklisting:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003ca href=\"http://wildmoth.blogspot.com/\">Wild Moth\u003c/a> — “Mourning Glow”\u003cbr>\u003ca href=\"http://synthid.blogspot.com/\">Synthetic ID\u003c/a> — “White Walls”\u003cbr>\u003ca href=\"http://www.ceremonyhc.com/\">Ceremony\u003c/a> — “Everything Burns”\u003cbr>\u003ca href=\"http://www.facebook.com/pages/comadre/294550772482\">Comadre\u003c/a> — “Free Based”\u003cbr>\u003ca href=\"http://www.facebook.com/pages/LOMA-PRIETA/69571119156\">Loma Prieta\u003c/a> — “Fly By Night”\u003cbr>\u003ca href=\"http://www.facebook.com/terrymalts\">Terry Malts\u003c/a> — “Disconnect”\u003cbr>\u003ca href=\"http://www.facebook.com/pages/Grandmas-Boyfriend/220075284692581\">Grandma’s Boyfriend\u003c/a> — “Nobody Knows”\u003cbr>\u003ca href=\"http://streeteaters.com/\">Street Eaters\u003c/a> — “Culture War”\u003cbr>\u003ca href=\"http://rnkxrx.tumblr.com/\">Rank/Xerox\u003c/a> — “In A Hole”\u003cbr>\u003ca href=\"http://yipunx.angelfire.com/\">Yi\u003c/a> — “Host Body”\u003cbr>\u003ca href=\"http://www.facebook.com/pages/The-UZI-RASH-Group-and-their-Band/127073393419?fref=ts\">Uzi Rash\u003c/a> — “Golden Dawn”\u003cbr>\u003ca href=\"http://www.facebook.com/pages/Midnite-Snaxxx/105627569476640?fref=ts\">Midnite Snaxxx\u003c/a> — “S.O.S.”\u003cbr>\u003ca href=\"http://www.facebook.com/pages/Apogee-Sound-Club/157012071047499\">Apogee Sound Club\u003c/a> — “The Corporation Song”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "Listen to \u003ci>The Bay Bridged\u003c/i> mix surveying the current state of the Bay Area punk scene, including Rank/Xerox, Street Eaters, Loma Prieta, Wild Moth, Ceremony and more.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The Bay Area has held a prominent place in punk music since punk first became a thing, with groups like \u003ca href=\"http://crimesf.com/\">Crime\u003c/a>, \u003ca href=\"http://en.wikipedia.org/wiki/Avengers_(band)\">Avengers\u003c/a>, \u003ca href=\"http://www.flipperrules.com/\">Flipper\u003c/a>, and \u003ca href=\"http://www.deadkennedys.com/\">Dead Kennedys\u003c/a> among the genre’s most important ’70s and ’80s bands. As punk artists began to achieve mainstream success in the ’90s, Bay Area bands were again at the forefront, while a wide variety of acts continued to operate independently on local labels like \u003ca href=\"http://www.lookoutrecords.com/\">Lookout!\u003c/a> and \u003ca href=\"http://www.fatwreck.com/\">Fat Wreck Chords\u003c/a>.\u003c/p>\n\u003cp>Given that history, it shouldn’t be surprising to find that there’s still a wealth of talented local punk bands today. Moreover, the continued vitality of local punk is aided by the existence of inspired local institutions that support the genre, from the longstanding publication \u003ca href=\"http://maximumrocknroll.com/\">\u003ci>Maximum Rocknroll\u003c/i>\u003c/a> and the Berkeley venue \u003ca href=\"http://www.924gilman.org\">924 Gilman\u003c/a>, to more recent developments like \u003ca href=\"http://www.1234gorecords.com/\">1-2-3-4 Go!\u003c/a> and \u003ca href=\"http://www.thrillhouserecords.com/\">Thrillhouse Records\u003c/a>.\u003c/p>\n\u003cp>This mix tape provides a sampling of Bay Area bands from the worlds of punk rock, pop-punk, post-punk, art-punk and beyond, even if it only scratches the surface of great local bands in the punk universe. And while the set definitely reflects personal biases toward Ramones-y pop, gloomy post-punk, and damaged weirdness, it’s jam-packed with great songs to enjoy.\u003c/p>\n\u003cp>\u003cu>\u003cstrong>Tracklisting:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003ca href=\"http://wildmoth.blogspot.com/\">Wild Moth\u003c/a> — “Mourning Glow”\u003cbr>\u003ca href=\"http://synthid.blogspot.com/\">Synthetic ID\u003c/a> — “White Walls”\u003cbr>\u003ca href=\"http://www.ceremonyhc.com/\">Ceremony\u003c/a> — “Everything Burns”\u003cbr>\u003ca href=\"http://www.facebook.com/pages/comadre/294550772482\">Comadre\u003c/a> — “Free Based”\u003cbr>\u003ca href=\"http://www.facebook.com/pages/LOMA-PRIETA/69571119156\">Loma Prieta\u003c/a> — “Fly By Night”\u003cbr>\u003ca href=\"http://www.facebook.com/terrymalts\">Terry Malts\u003c/a> — “Disconnect”\u003cbr>\u003ca href=\"http://www.facebook.com/pages/Grandmas-Boyfriend/220075284692581\">Grandma’s Boyfriend\u003c/a> — “Nobody Knows”\u003cbr>\u003ca href=\"http://streeteaters.com/\">Street Eaters\u003c/a> — “Culture War”\u003cbr>\u003ca href=\"http://rnkxrx.tumblr.com/\">Rank/Xerox\u003c/a> — “In A Hole”\u003cbr>\u003ca href=\"http://yipunx.angelfire.com/\">Yi\u003c/a> — “Host Body”\u003cbr>\u003ca href=\"http://www.facebook.com/pages/The-UZI-RASH-Group-and-their-Band/127073393419?fref=ts\">Uzi Rash\u003c/a> — “Golden Dawn”\u003cbr>\u003ca href=\"http://www.facebook.com/pages/Midnite-Snaxxx/105627569476640?fref=ts\">Midnite Snaxxx\u003c/a> — “S.O.S.”\u003cbr>\u003ca href=\"http://www.facebook.com/pages/Apogee-Sound-Club/157012071047499\">Apogee Sound Club\u003c/a> — “The Corporation Song”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>On Day One of \u003cb>Treasure Island Music Festival\u003c/b> the only fog in sight came from the stage. Indian summer was in full swing and this day of dance music provided a fitting end to San Francisco’s extended summer season.\u003c/p>\n\u003cp>Now in its sixth year, the \u003cb>Treasure Island Music Festival\u003c/b> is one tight ship. They’ve got island time down, with fun pop-up shops, a mobile beauty parlor, DIY camp for making friendship bracelets and hanging out, food for the foodies, food for the carnival goers, and island recreation (Ferris wheel and outdoor games). Time passed without much effort, which is often a difficult task at a large festival where folks are waiting around to hear those two or three bands they came to see. With a nice mix of old school acts (Public Enemy), big Northern California talent (Dirty Ghosts, Toro Y Moi, Joanna Newsom, Tycho, Ty Segall, etc), and high quality international acts (The xx, SBTRKT, M83), the fest was designed to appeal to a fairly diverse audience. I was excited to see about half of the bands I knew and completely blown out of the water by eighty percent of the bands I didn’t know. \u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/treasure3.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003c/p>\n\u003cp>Here are some highlights from the weekend based almost exclusively on a crowd dance-o-meter and the general satisfaction of those around me.\u003c/p>\n\u003cp>The dancing started at the Tunnel Stage facing the San Francisco skyline, with the Bay Bridge just out of reach. Grimes completely delivered, transforming her unique sound into surprisingly sweet, fun, and uplifting beats. Claire Boucher’s project is often categorized as “dream-pop,” but her roots are in experimental electronic and industrial music. These characteristics are present in Grimes’ releases, but live it was as if they had been pumped full of adrenaline — a little bit ’90s, a little bit of noise pop, and lot of echoing voice. Just two songs into the set a sailboat slowly drifted behind the stage, the top quarter of its sails visible, a perfect complement to the breeziness of the music.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Matthew Dear’s performance on \u003cb>Treasure Island’s\u003c/b> main Bridge Stage was good but a little out of place; the hard edges of Detroit techno and layered alt-rock came through loud and clear, but the music calls for a dark, cold basement, with a bit of condensation on the walls. A gorgeous outdoor venue on a lovely day just doesn’t lend itself to glitch. Dear’s haunting voice, and harsh synths make more sense in the dark.\u003c/p>\n\u003cp>The acts on the smaller Tunnel Stage, really out-shined the main Bridge Stage on Saturday. Toro y Moi cruised through their set mid-way through the lineup. Front man Chazwick Bundick’s effortless vocals backed by a mix of progressive rock and electronica land him in the chill category, which was perfect for SF’s Indian summer. Not a head in the crowd was left stationary.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/treasure6.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003c/p>\n\u003cp>The sun was low in the sky when AraabMuzik took the stage and remained so during his entire set, hovering behind him as if mesmerized like the rest of us. The blinding light placed Abraham Orellanz in dramatic silhouette outlining his lightning fast hands as they produced beats without stopping for anything or anyone. As another of the famous one-man bands, AraabMuzik blends Hip-hop, Dubstep and Electronic. Even though he was not the headliner, Orellanz basically stole the show, throwing down an almost impossible challenge to Girl Talk, the day’s closing act.\u003c/p>\n\u003cp>It was pretty cool to see Public Enemy on a stage, live, and in person. This iconic political rap group just celebrated twenty-five years together with two new albums. Flava Flav announced that Public Enemy has been nominated for induction into the Rock and Roll Hall of Fame, and with that he just might retire the clock around his neck. The energy was good with Public Enemy in command, but then I must have missed something because the vibe in the crowd turned sour — due to some comment made by Chuck D — and never really recovered for the rest of the set. \u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/treasure7.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003c/p>\n\u003cp>The considerably anticipated performance (can we call it a performance?) of Girl Talk was received well by a pulsing crowd. Greg Gillis samples popular music to assemble new songs. The meticulous process is commendable, but in terms of performing, Girl Talk had some ultra hip mashed-up visuals (owls, cats, banana gifs) and a stage full of people dancing. Leaf blowers propelled streamers into the crowd. However, these spectacular gestures were incongruous with the sight of Gillis head banging behind a computer full of songs that had already been mixed. I’m not a huge fan of the mash-up, and I’ve never really grown to love Girl Talk as much as my friends do, but I have to say he really pulled it out for a headliner. Near the end of the set Gillis passed the mic over to a friend who proposed to his girlfriend on stage. She said, “yes.” Who doesn’t love a musician for that? \u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/treasure2.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003c/p>\n\u003cp>On Day Two, Joanna Newsom’s mid-afternoon set was charming. Dressed in red gingham, she transported us to her far away land full of forests, hunters, lost loves, daddy long legs, and old-world tales of a made-up lore. Newsom’s famous harp and quirky voice carried the whimsy of her long tunes out on the wind, bringing the characters weaved in her imagination to vivid life on stage. She debuted a new song at \u003cb>Treasure Island\u003c/b>, performing “Look and Despair” solo on the piano.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=cRuPSf2Zh34&w=480&h=270]\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/treasure4.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003c/p>\n\u003cp>M83 must have had a staff of people harvesting the fog over the Bay Area Sunday morning for their performance that night. The band combined a ton of the stuff and a masked wolf-man with lasers shooting out of his fingers to inspire smiles, smiles for miles from the crowd. M83 made running in place look sexy. The French band’s set was calculated, vibrant, and layered. Their bubbly synths poured into the crowd, the soft waning vocals built up like an electrical storm gaining more and more power the longer each song went on. Their crescendo came a bit too soon, however. The favored M83 song “Midnight City” came a little more than halfway into the set propelling the crowd into a rush of excitement only to be followed by several lesser known tunes and a dragged out ending.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/treasure5.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003c/p>\n\u003cp>The much-anticipated moment of truth was delivered by The xx. The simultaneously subtle and elaborate stage lighting transported us off the island into a dream, much like an xx album. The group’s sultry and deliberate vocals filled the sound system with a satisfaction I don’t normally associate with outdoor music festivals. It felt as though their soft whispers were amplified on the illusory clouds in the stage above them. The lush light show backing them complimented the accretion of Romy Madley-Croft’s hazy guitar and Oliver Sim’s seductive voice. Their sound became a whole body experience that was impossible not to feel.\u003c/p>\n\u003cp>The \u003cb>Treasure Island Music Festival\u003c/b> rocks. On the sunniest day, with the best weather, the crowds were completely manageable. There was a substantial amount of people on the island, but it never felt claustrophobic. The stages are close together, easy to maneuver between and the timing was almost never off. I asked Allyson Baker of Dirty Ghosts why she was excited to play \u003cb>Treasure Island\u003c/b> and she followed with this response, “It’s one of the best festivals in the country and it’s incredibly well run.”\u003c/p>\n\u003cp>What makes \u003cb>Treasure Island Music Festival\u003c/b> stand out from other music festivals is its careful selection and pairing of bands per day. Rather than the “something for everyone” approach, this festival aimed for a cohesive vibe. Programmed almost like a mix tape from a lover, each act fit perfectly between the ones that came before and after, adding something to a developing musical dialogue. Overwhelming and exhausting are adjectives almost always used to describe music festivals. \u003cb>Treasure Island\u003c/b> provides high quality bands within a high quality production. The island has everything any festival goer could possibly want or need and the shuttle to and from San Francisco is truly better than navigating your own vehicle — even at the end of the night the line was always moving. These are the things that make seeing your favorite band at a festival worth it. \u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Photos by Emmanuel Hapsis and Amanda Roscoe Mayo.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Day One of \u003cb>Treasure Island Music Festival\u003c/b> the only fog in sight came from the stage. Indian summer was in full swing and this day of dance music provided a fitting end to San Francisco’s extended summer season.\u003c/p>\n\u003cp>Now in its sixth year, the \u003cb>Treasure Island Music Festival\u003c/b> is one tight ship. They’ve got island time down, with fun pop-up shops, a mobile beauty parlor, DIY camp for making friendship bracelets and hanging out, food for the foodies, food for the carnival goers, and island recreation (Ferris wheel and outdoor games). Time passed without much effort, which is often a difficult task at a large festival where folks are waiting around to hear those two or three bands they came to see. With a nice mix of old school acts (Public Enemy), big Northern California talent (Dirty Ghosts, Toro Y Moi, Joanna Newsom, Tycho, Ty Segall, etc), and high quality international acts (The xx, SBTRKT, M83), the fest was designed to appeal to a fairly diverse audience. I was excited to see about half of the bands I knew and completely blown out of the water by eighty percent of the bands I didn’t know. \u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/treasure3.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003c/p>\n\u003cp>Here are some highlights from the weekend based almost exclusively on a crowd dance-o-meter and the general satisfaction of those around me.\u003c/p>\n\u003cp>The dancing started at the Tunnel Stage facing the San Francisco skyline, with the Bay Bridge just out of reach. Grimes completely delivered, transforming her unique sound into surprisingly sweet, fun, and uplifting beats. Claire Boucher’s project is often categorized as “dream-pop,” but her roots are in experimental electronic and industrial music. These characteristics are present in Grimes’ releases, but live it was as if they had been pumped full of adrenaline — a little bit ’90s, a little bit of noise pop, and lot of echoing voice. Just two songs into the set a sailboat slowly drifted behind the stage, the top quarter of its sails visible, a perfect complement to the breeziness of the music.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Matthew Dear’s performance on \u003cb>Treasure Island’s\u003c/b> main Bridge Stage was good but a little out of place; the hard edges of Detroit techno and layered alt-rock came through loud and clear, but the music calls for a dark, cold basement, with a bit of condensation on the walls. A gorgeous outdoor venue on a lovely day just doesn’t lend itself to glitch. Dear’s haunting voice, and harsh synths make more sense in the dark.\u003c/p>\n\u003cp>The acts on the smaller Tunnel Stage, really out-shined the main Bridge Stage on Saturday. Toro y Moi cruised through their set mid-way through the lineup. Front man Chazwick Bundick’s effortless vocals backed by a mix of progressive rock and electronica land him in the chill category, which was perfect for SF’s Indian summer. Not a head in the crowd was left stationary.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/treasure6.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003c/p>\n\u003cp>The sun was low in the sky when AraabMuzik took the stage and remained so during his entire set, hovering behind him as if mesmerized like the rest of us. The blinding light placed Abraham Orellanz in dramatic silhouette outlining his lightning fast hands as they produced beats without stopping for anything or anyone. As another of the famous one-man bands, AraabMuzik blends Hip-hop, Dubstep and Electronic. Even though he was not the headliner, Orellanz basically stole the show, throwing down an almost impossible challenge to Girl Talk, the day’s closing act.\u003c/p>\n\u003cp>It was pretty cool to see Public Enemy on a stage, live, and in person. This iconic political rap group just celebrated twenty-five years together with two new albums. Flava Flav announced that Public Enemy has been nominated for induction into the Rock and Roll Hall of Fame, and with that he just might retire the clock around his neck. The energy was good with Public Enemy in command, but then I must have missed something because the vibe in the crowd turned sour — due to some comment made by Chuck D — and never really recovered for the rest of the set. \u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/treasure7.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003c/p>\n\u003cp>The considerably anticipated performance (can we call it a performance?) of Girl Talk was received well by a pulsing crowd. Greg Gillis samples popular music to assemble new songs. The meticulous process is commendable, but in terms of performing, Girl Talk had some ultra hip mashed-up visuals (owls, cats, banana gifs) and a stage full of people dancing. Leaf blowers propelled streamers into the crowd. However, these spectacular gestures were incongruous with the sight of Gillis head banging behind a computer full of songs that had already been mixed. I’m not a huge fan of the mash-up, and I’ve never really grown to love Girl Talk as much as my friends do, but I have to say he really pulled it out for a headliner. Near the end of the set Gillis passed the mic over to a friend who proposed to his girlfriend on stage. She said, “yes.” Who doesn’t love a musician for that? \u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/treasure2.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003c/p>\n\u003cp>On Day Two, Joanna Newsom’s mid-afternoon set was charming. Dressed in red gingham, she transported us to her far away land full of forests, hunters, lost loves, daddy long legs, and old-world tales of a made-up lore. Newsom’s famous harp and quirky voice carried the whimsy of her long tunes out on the wind, bringing the characters weaved in her imagination to vivid life on stage. She debuted a new song at \u003cb>Treasure Island\u003c/b>, performing “Look and Despair” solo on the piano.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/cRuPSf2Zh34'\n title='//www.youtube.com/embed/cRuPSf2Zh34'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/treasure4.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003c/p>\n\u003cp>M83 must have had a staff of people harvesting the fog over the Bay Area Sunday morning for their performance that night. The band combined a ton of the stuff and a masked wolf-man with lasers shooting out of his fingers to inspire smiles, smiles for miles from the crowd. M83 made running in place look sexy. The French band’s set was calculated, vibrant, and layered. Their bubbly synths poured into the crowd, the soft waning vocals built up like an electrical storm gaining more and more power the longer each song went on. Their crescendo came a bit too soon, however. The favored M83 song “Midnight City” came a little more than halfway into the set propelling the crowd into a rush of excitement only to be followed by several lesser known tunes and a dragged out ending.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/treasure5.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003c/p>\n\u003cp>The much-anticipated moment of truth was delivered by The xx. The simultaneously subtle and elaborate stage lighting transported us off the island into a dream, much like an xx album. The group’s sultry and deliberate vocals filled the sound system with a satisfaction I don’t normally associate with outdoor music festivals. It felt as though their soft whispers were amplified on the illusory clouds in the stage above them. The lush light show backing them complimented the accretion of Romy Madley-Croft’s hazy guitar and Oliver Sim’s seductive voice. Their sound became a whole body experience that was impossible not to feel.\u003c/p>\n\u003cp>The \u003cb>Treasure Island Music Festival\u003c/b> rocks. On the sunniest day, with the best weather, the crowds were completely manageable. There was a substantial amount of people on the island, but it never felt claustrophobic. The stages are close together, easy to maneuver between and the timing was almost never off. I asked Allyson Baker of Dirty Ghosts why she was excited to play \u003cb>Treasure Island\u003c/b> and she followed with this response, “It’s one of the best festivals in the country and it’s incredibly well run.”\u003c/p>\n\u003cp>What makes \u003cb>Treasure Island Music Festival\u003c/b> stand out from other music festivals is its careful selection and pairing of bands per day. Rather than the “something for everyone” approach, this festival aimed for a cohesive vibe. Programmed almost like a mix tape from a lover, each act fit perfectly between the ones that came before and after, adding something to a developing musical dialogue. Overwhelming and exhausting are adjectives almost always used to describe music festivals. \u003cb>Treasure Island\u003c/b> provides high quality bands within a high quality production. The island has everything any festival goer could possibly want or need and the shuttle to and from San Francisco is truly better than navigating your own vehicle — even at the end of the night the line was always moving. These are the things that make seeing your favorite band at a festival worth it. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>San Francisco doesn’t really have much of an autumn. But what our city lacks in foliage it makes up for in festivals. Both \u003ca href=\"http://www.hardlystrictlybluegrass.com/\">Hardly Strictly Bluegrass\u003c/a> and the upcoming \u003ca href=\"http://lineup.treasureislandfestival.com/?sort=day\">Treasure Island Music Festival\u003c/a> are opportunities to see old favorites, and discover some new ones. And in honor of those headliners and soon-to-be headliners, this episode features some great new music from festival pros, alongside a few musicians we think you’ll be donning dayglo for soon enough.\u003c/p>\n\u003cp>\u003cb>Tracklist:\u003c/b>\u003cbr>1. “Here I Am” — Adam Green and Binki Shapiro, \u003ci>Adam Green and Binki Shapiro\u003c/i>\u003cbr>2. “Losing You” — Solange, single\u003cbr>3. “Time” — Merchandise, \u003ci>Children of Desire\u003c/i>\u003cbr>4. “The Hill” — Snowmine, \u003ci>Laminate Pet Animal\u003c/i>\u003cbr>5. “Nature Boy” — Young Buffalo, \u003ci>Young Buffalo\u003c/i>\u003cbr>6. “Latch” — Disclosure, single\u003cbr>7. “Feels Like We Only Go Backwards” — Tame Impala, \u003ci>Lonerism\u003c/i>\u003cbr>8. “Teardrop Windows” — Benjamin Gibbard, \u003ci>Former Lives\u003c/i>\u003cbr>9. “Fuck You All the Time” — Jeremih, \u003ci>Late Nights With Jeremih\u003c/i> mixtape\u003cbr>10. “Cry For Judas” — Mountain Goats, \u003ci>Transcendental Youth\u003c/i>\u003cbr>11. “Belispeak II” — Purity Ring + Danny Brown, single\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco doesn’t really have much of an autumn. But what our city lacks in foliage it makes up for in festivals. Both \u003ca href=\"http://www.hardlystrictlybluegrass.com/\">Hardly Strictly Bluegrass\u003c/a> and the upcoming \u003ca href=\"http://lineup.treasureislandfestival.com/?sort=day\">Treasure Island Music Festival\u003c/a> are opportunities to see old favorites, and discover some new ones. And in honor of those headliners and soon-to-be headliners, this episode features some great new music from festival pros, alongside a few musicians we think you’ll be donning dayglo for soon enough.\u003c/p>\n\u003cp>\u003cb>Tracklist:\u003c/b>\u003cbr>1. “Here I Am” — Adam Green and Binki Shapiro, \u003ci>Adam Green and Binki Shapiro\u003c/i>\u003cbr>2. “Losing You” — Solange, single\u003cbr>3. “Time” — Merchandise, \u003ci>Children of Desire\u003c/i>\u003cbr>4. “The Hill” — Snowmine, \u003ci>Laminate Pet Animal\u003c/i>\u003cbr>5. “Nature Boy” — Young Buffalo, \u003ci>Young Buffalo\u003c/i>\u003cbr>6. “Latch” — Disclosure, single\u003cbr>7. “Feels Like We Only Go Backwards” — Tame Impala, \u003ci>Lonerism\u003c/i>\u003cbr>8. “Teardrop Windows” — Benjamin Gibbard, \u003ci>Former Lives\u003c/i>\u003cbr>9. “Fuck You All the Time” — Jeremih, \u003ci>Late Nights With Jeremih\u003c/i> mixtape\u003cbr>10. “Cry For Judas” — Mountain Goats, \u003ci>Transcendental Youth\u003c/i>\u003cbr>11. “Belispeak II” — Purity Ring + Danny Brown, single\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>Live music in the Bay Area in October means two big local music festivals in \u003ca href=\"http://www.thebaybridged.com/2012/09/19/mixtape-hardly-strictly-bluegrass-2012-preview-mix-podcast-287/\">Hardly Strictly Bluegrass\u003c/a> and \u003ca href=\"http://www.thebaybridged.com/2012/09/25/mixtape-2012-treasure-island-music-festival-mix-podcast-288/\">Treasure Island\u003c/a>, but smaller indoor temptations abound all month long. \u003ca href=\"http://www.facebook.com/pages/chris-cohen/147680308689555\">Chris Cohen\u003c/a> has a resume full of involvement in great bands, including Deerhoof and Cryptacize, but his new solo album is an intimate work that ranks as one of this year’s highlights; we’re excited for his return to SF for a show later this month. Other compelling performers arriving in SF include Austin instrumental rock band \u003ca href=\"http://www.facebook.com/pages/Balmorhea/32316089021\">Balmorhea\u003c/a> and LA retro-pop act \u003ca href=\"http://www.facebook.com/allahlasmusic\">Allah-Las\u003c/a>.\u003c/p>\n\u003cp>Also noteworthy: \u003ca href=\"http://www.facebook.com/CorinTuckerBand\">Corin Tucker\u003c/a> and \u003ca href=\"http://www.dragcity.com/artists/laetitia-sadier\">Laetitia Sadier\u003c/a> emerged from indie royalty Sleater-Kinney and Stereolab with solo projects, and both are now touring in support of well-received new albums. Finally, an overview of great concerts this month simply won’t be complete without mentioning that John Dwyer’s pre-Oh-Sees band \u003ca href=\"http://en.wikipedia.org/wiki/Coachwhips\">Coachwhips\u003c/a> are reuniting for two nights of mayhem.\u003c/p>\n\u003cp>Enjoy the mix and then go see some shows!\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/chris-cohen/147680308689555\">Chris Cohen\u003c/a> (“Caller No 99”)\u003cbr>Performing at the \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-10-18\">Hemlock Tavern\u003c/a> on October 18 with Ashley Eriksson (of Lake) and Coconut.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/unnaturalhelpers\">Unnatural Helpers\u003c/a> (“Toil”)\u003cbr>Playing with Cheap Time and Warm Soda at the \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-10-20\">Hemlock Tavern\u003c/a> on October 20 and \u003ca href=\"http://www.924gilman.org/blog/events/\">924 Gilman\u003c/a> on October 21.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/CorinTuckerBand\">Corin Tucker Band\u003c/a> (“Groundhog Day”)\u003cbr>Coming to \u003ca href=\"http://cafedunord.com/\">Cafe Du Nord\u003c/a> on October 10 with Mecca Normal.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/battlehooch\">Battlehooch\u003c/a> (“Joke”)\u003cbr>In residency at \u003ca href=\"http://theknockoutsf.com/\">The Knockout\u003c/a> every Wednesday in October.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/allahlasmusic\">Allah-Las\u003c/a> (“Busman’s Holiday”)\u003cbr>Co-headlining \u003ca href=\"http://www.bimbos365club.com/event/148159/\">Bimbo’s\u003c/a> with Nick Waterhouse on October 20.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/TheeOhSees\">Thee Oh Sees\u003c/a> (“Flood’s New Light”)\u003cbr>Returning to the \u003ca href=\"http://www.slimspresents.com/events/2012-10-12/thee-oh-sees/\">Great American Music Hall\u003c/a> with Sic Alps, Sonny and The Sunsets, and The Mallard on October 12.\u003c/p>\n\u003cp>\u003ca href=\"http://en.wikipedia.org/wiki/Coachwhips\">Coachwhips\u003c/a> (“I Made A Bomb”)\u003cbr>Reuniting for two shows at the \u003ca href=\"http://www.facebook.com/events/419084014804869/\">Total Trash Halloween weekend\u003c/a>, with shows at the Verdi Club and the Lobot Gallery on October 27 and 28, respectively.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/MelodysEchoChamber\">Melody’s Echo Chamber\u003c/a> (“Endless Shore”)\u003cbr>Supporting The Raveonettes at \u003ca href=\"http://www.bimbos365club.com/event/128561/\">Bimbo’s\u003c/a> on October 12.\u003c/p>\n\u003cp>\u003ca href=\"http://www.dragcity.com/artists/laetitia-sadier\">Laetitia Sadier\u003c/a> (“Find Me the Pulse of the Universe”)\u003cbr>Joining Orca Team, Pageants and DJ Dominique Leone at \u003ca href=\"http://www.bottomofthehill.com/\">Bottom of the Hill\u003c/a> on October 5.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/purebathingculture\">Pure Bathing Culture\u003c/a> (“Ivory Coast”)\u003cbr>Playing with Exitmusic and Sun Airway at the Rickshaw Stop on October 16.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Balmorhea/32316089021\">Balmorhea\u003c/a> (“Pyrakantha”)\u003cbr>Performing with Young Moon at \u003ca href=\"http://www.bottomofthehill.com/\">Bottom of the Hill\u003c/a> on October 29.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/jasonlytle\">Jason Lytle\u003c/a> (“Tomorrow’s Started”)\u003cbr>Performing at the \u003ca href=\"http://cafedunord.com/\">Swedish American Hall\u003c/a> on October 19 with Sea of Bees.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/lordhuron\">Lord Huron\u003c/a> (“Time to Run”)\u003cbr>Headlining \u003ca href=\"http://www.theindependentsf.com/event/140928/\">The Independent\u003c/a> on October 24 with Night Moves.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/whitearrows\">White Arrows\u003c/a> (“Get Gone”)\u003cbr>Coming to the \u003ca href=\"http://www.brickandmortarmusic.com/event/152519/\">Brick & Mortar Music Hall\u003c/a> on October 24 with Young Digerati and Miles the DJ.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/kflaymusic\">K.Flay\u003c/a> (“LA Again [feat. Michna]”)\u003cbr>Appearing at the \u003ca href=\"http://www.treasureislandfestival.com/2012/\">Treasure Island Music Festival\u003c/a> and at a \u003ca href=\"http://www.theindependentsf.com/event/166849/\">Treasure Island night show\u003c/a> on October 12.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Live music in the Bay Area in October means two big local music festivals in \u003ca href=\"http://www.thebaybridged.com/2012/09/19/mixtape-hardly-strictly-bluegrass-2012-preview-mix-podcast-287/\">Hardly Strictly Bluegrass\u003c/a> and \u003ca href=\"http://www.thebaybridged.com/2012/09/25/mixtape-2012-treasure-island-music-festival-mix-podcast-288/\">Treasure Island\u003c/a>, but smaller indoor temptations abound all month long. \u003ca href=\"http://www.facebook.com/pages/chris-cohen/147680308689555\">Chris Cohen\u003c/a> has a resume full of involvement in great bands, including Deerhoof and Cryptacize, but his new solo album is an intimate work that ranks as one of this year’s highlights; we’re excited for his return to SF for a show later this month. Other compelling performers arriving in SF include Austin instrumental rock band \u003ca href=\"http://www.facebook.com/pages/Balmorhea/32316089021\">Balmorhea\u003c/a> and LA retro-pop act \u003ca href=\"http://www.facebook.com/allahlasmusic\">Allah-Las\u003c/a>.\u003c/p>\n\u003cp>Also noteworthy: \u003ca href=\"http://www.facebook.com/CorinTuckerBand\">Corin Tucker\u003c/a> and \u003ca href=\"http://www.dragcity.com/artists/laetitia-sadier\">Laetitia Sadier\u003c/a> emerged from indie royalty Sleater-Kinney and Stereolab with solo projects, and both are now touring in support of well-received new albums. Finally, an overview of great concerts this month simply won’t be complete without mentioning that John Dwyer’s pre-Oh-Sees band \u003ca href=\"http://en.wikipedia.org/wiki/Coachwhips\">Coachwhips\u003c/a> are reuniting for two nights of mayhem.\u003c/p>\n\u003cp>Enjoy the mix and then go see some shows!\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/chris-cohen/147680308689555\">Chris Cohen\u003c/a> (“Caller No 99”)\u003cbr>Performing at the \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-10-18\">Hemlock Tavern\u003c/a> on October 18 with Ashley Eriksson (of Lake) and Coconut.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/unnaturalhelpers\">Unnatural Helpers\u003c/a> (“Toil”)\u003cbr>Playing with Cheap Time and Warm Soda at the \u003ca href=\"http://hemlocktavern.com/prog_guide.php?adate_id=2012-10-20\">Hemlock Tavern\u003c/a> on October 20 and \u003ca href=\"http://www.924gilman.org/blog/events/\">924 Gilman\u003c/a> on October 21.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/CorinTuckerBand\">Corin Tucker Band\u003c/a> (“Groundhog Day”)\u003cbr>Coming to \u003ca href=\"http://cafedunord.com/\">Cafe Du Nord\u003c/a> on October 10 with Mecca Normal.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/battlehooch\">Battlehooch\u003c/a> (“Joke”)\u003cbr>In residency at \u003ca href=\"http://theknockoutsf.com/\">The Knockout\u003c/a> every Wednesday in October.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/allahlasmusic\">Allah-Las\u003c/a> (“Busman’s Holiday”)\u003cbr>Co-headlining \u003ca href=\"http://www.bimbos365club.com/event/148159/\">Bimbo’s\u003c/a> with Nick Waterhouse on October 20.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/TheeOhSees\">Thee Oh Sees\u003c/a> (“Flood’s New Light”)\u003cbr>Returning to the \u003ca href=\"http://www.slimspresents.com/events/2012-10-12/thee-oh-sees/\">Great American Music Hall\u003c/a> with Sic Alps, Sonny and The Sunsets, and The Mallard on October 12.\u003c/p>\n\u003cp>\u003ca href=\"http://en.wikipedia.org/wiki/Coachwhips\">Coachwhips\u003c/a> (“I Made A Bomb”)\u003cbr>Reuniting for two shows at the \u003ca href=\"http://www.facebook.com/events/419084014804869/\">Total Trash Halloween weekend\u003c/a>, with shows at the Verdi Club and the Lobot Gallery on October 27 and 28, respectively.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/MelodysEchoChamber\">Melody’s Echo Chamber\u003c/a> (“Endless Shore”)\u003cbr>Supporting The Raveonettes at \u003ca href=\"http://www.bimbos365club.com/event/128561/\">Bimbo’s\u003c/a> on October 12.\u003c/p>\n\u003cp>\u003ca href=\"http://www.dragcity.com/artists/laetitia-sadier\">Laetitia Sadier\u003c/a> (“Find Me the Pulse of the Universe”)\u003cbr>Joining Orca Team, Pageants and DJ Dominique Leone at \u003ca href=\"http://www.bottomofthehill.com/\">Bottom of the Hill\u003c/a> on October 5.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/purebathingculture\">Pure Bathing Culture\u003c/a> (“Ivory Coast”)\u003cbr>Playing with Exitmusic and Sun Airway at the Rickshaw Stop on October 16.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/pages/Balmorhea/32316089021\">Balmorhea\u003c/a> (“Pyrakantha”)\u003cbr>Performing with Young Moon at \u003ca href=\"http://www.bottomofthehill.com/\">Bottom of the Hill\u003c/a> on October 29.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/jasonlytle\">Jason Lytle\u003c/a> (“Tomorrow’s Started”)\u003cbr>Performing at the \u003ca href=\"http://cafedunord.com/\">Swedish American Hall\u003c/a> on October 19 with Sea of Bees.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/lordhuron\">Lord Huron\u003c/a> (“Time to Run”)\u003cbr>Headlining \u003ca href=\"http://www.theindependentsf.com/event/140928/\">The Independent\u003c/a> on October 24 with Night Moves.\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/whitearrows\">White Arrows\u003c/a> (“Get Gone”)\u003cbr>Coming to the \u003ca href=\"http://www.brickandmortarmusic.com/event/152519/\">Brick & Mortar Music Hall\u003c/a> on October 24 with Young Digerati and Miles the DJ.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://www.facebook.com/kflaymusic\">K.Flay\u003c/a> (“LA Again [feat. Michna]”)\u003cbr>Appearing at the \u003ca href=\"http://www.treasureislandfestival.com/2012/\">Treasure Island Music Festival\u003c/a> and at a \u003ca href=\"http://www.theindependentsf.com/event/166849/\">Treasure Island night show\u003c/a> on October 12.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>By its twelfth year, you’d be forgiven for taking the annual occurrence of the \u003cstrong>\u003ca href=\"http://www.hardlystrictlybluegrass.com/\">Hardly Strictly Bluegrass Festival\u003c/a>\u003c/strong> for granted. The passing of founder Warren Hellman in December, however, brought with it a reminder that tens of thousands of people didn’t always flock to Golden Gate Park for three free days of music each fall. In fact, when one takes all of those elements — the large crowds, the no-cost attendance, the numerous off-the-dial performers — into consideration, the festival’s continued vitality seems less inevitable and far more astonishing.\u003c/p>\n\u003cp>True to its name, \u003cb>Hardly Strictly Bluegrass 12\u003c/b> (October 5-7, 2012) includes artists from a range of genres, pulling together an eclectic mix of legends (Elvis Costello, Steve Earle, Robyn Hitchcock, and Nick Lowe among them) and buzz bands (The Lumineers, The Head and the Heart, The Civil Wars), with some locals (Chuck Prophet, Tiny Television) and compelling weirdos (Dirty Three, Giant Giant Sand) thrown in for good measure. If not every artist at \u003cb>HSB 12\u003c/b> is an indie rock fan’s cup of tea, this mixtape makes the case that you would be plenty satisfied attending the festival even if you couldn’t tell the difference between old-time music and neo-traditional country.\u003c/p>\n\u003cp>\u003cu>\u003cstrong>Tracklisting:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>1. \u003ca href=\"http://www.thecalmingseas.com/\">Beachwood Sparks\u003c/a> — “Sparks Fly Again”\u003cbr>2. \u003ca href=\"http://www.dragcity.com/artists/dirty-three\">Dirty Three\u003c/a> — “Rising below”\u003cbr>3. \u003ca href=\"http://nicklowe.com/\">Nick Lowe\u003c/a> — “Checkout Time”\u003cbr>4. \u003ca href=\"http://howegelb.com/\">Giant Giant Sand\u003c/a> — “Forever and a Day”\u003cbr>5. \u003ca href=\"http://chuckprophet.com/\">Chuck Prophet\u003c/a> — “Castro Halloween”\u003cbr>6. \u003ca href=\"http://jonlangford.de/\">Jon Langford\u003c/a> — “Sentimental Marching Song”\u003cbr>7. \u003ca href=\"http://www.robynhitchcock.com/\">Robyn Hitchcock\u003c/a> — “Twitch 4 Sam Surfer”\u003cbr>8. \u003ca href=\"http://pattersonhood.com/\">Patterson Hood\u003c/a> — “Come Back Little Star”\u003cbr>9. \u003ca href=\"http://thelumineers.com/\">The Lumineers\u003c/a> — “Big Parade”\u003cbr>10. \u003ca href=\"http://www.theheartlessbastards.com/\">Heartless Bastards\u003c/a> — “Parted Ways”\u003cbr>11. \u003ca href=\"http://www.tinytele.com/\">Tiny Television\u003c/a> — “Hallelujah”\u003cbr>12. \u003ca href=\"http://www.theheadandtheheart.com/\">The Head and the Heart\u003c/a> — “Lost in My Mind”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>By its twelfth year, you’d be forgiven for taking the annual occurrence of the \u003cstrong>\u003ca href=\"http://www.hardlystrictlybluegrass.com/\">Hardly Strictly Bluegrass Festival\u003c/a>\u003c/strong> for granted. The passing of founder Warren Hellman in December, however, brought with it a reminder that tens of thousands of people didn’t always flock to Golden Gate Park for three free days of music each fall. In fact, when one takes all of those elements — the large crowds, the no-cost attendance, the numerous off-the-dial performers — into consideration, the festival’s continued vitality seems less inevitable and far more astonishing.\u003c/p>\n\u003cp>True to its name, \u003cb>Hardly Strictly Bluegrass 12\u003c/b> (October 5-7, 2012) includes artists from a range of genres, pulling together an eclectic mix of legends (Elvis Costello, Steve Earle, Robyn Hitchcock, and Nick Lowe among them) and buzz bands (The Lumineers, The Head and the Heart, The Civil Wars), with some locals (Chuck Prophet, Tiny Television) and compelling weirdos (Dirty Three, Giant Giant Sand) thrown in for good measure. If not every artist at \u003cb>HSB 12\u003c/b> is an indie rock fan’s cup of tea, this mixtape makes the case that you would be plenty satisfied attending the festival even if you couldn’t tell the difference between old-time music and neo-traditional country.\u003c/p>\n\u003cp>\u003cu>\u003cstrong>Tracklisting:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>1. \u003ca href=\"http://www.thecalmingseas.com/\">Beachwood Sparks\u003c/a> — “Sparks Fly Again”\u003cbr>2. \u003ca href=\"http://www.dragcity.com/artists/dirty-three\">Dirty Three\u003c/a> — “Rising below”\u003cbr>3. \u003ca href=\"http://nicklowe.com/\">Nick Lowe\u003c/a> — “Checkout Time”\u003cbr>4. \u003ca href=\"http://howegelb.com/\">Giant Giant Sand\u003c/a> — “Forever and a Day”\u003cbr>5. \u003ca href=\"http://chuckprophet.com/\">Chuck Prophet\u003c/a> — “Castro Halloween”\u003cbr>6. \u003ca href=\"http://jonlangford.de/\">Jon Langford\u003c/a> — “Sentimental Marching Song”\u003cbr>7. \u003ca href=\"http://www.robynhitchcock.com/\">Robyn Hitchcock\u003c/a> — “Twitch 4 Sam Surfer”\u003cbr>8. \u003ca href=\"http://pattersonhood.com/\">Patterson Hood\u003c/a> — “Come Back Little Star”\u003cbr>9. \u003ca href=\"http://thelumineers.com/\">The Lumineers\u003c/a> — “Big Parade”\u003cbr>10. \u003ca href=\"http://www.theheartlessbastards.com/\">Heartless Bastards\u003c/a> — “Parted Ways”\u003cbr>11. \u003ca href=\"http://www.tinytele.com/\">Tiny Television\u003c/a> — “Hallelujah”\u003cbr>12. \u003ca href=\"http://www.theheadandtheheart.com/\">The Head and the Heart\u003c/a> — “Lost in My Mind”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Meklit Hadero and Quinn DeVeaux Bring Out the Best in Each Other",
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"content": "\u003cp>Talking to me about their new album of eclectic music, Meklit Hadero and Quinn DeVeaux keep using the word “we.” As in, “We’re lyrics freaks.” And, “We love the poetry of songs.” They sound like one of those couples that have been together for years — you know, the kind where each partner finish each other’s sentences — but Hadero and DeVeaux are relative newcomers to each other’s lives, and that’s what makes their musical collaboration even more impressive.\u003c/p>\n\u003cp>Released this week, their album — titled, appropriately enough, \u003ci>Meklit & Quinn \u003c/i> — is a seamless journey through a genre-defying lineup of songs. A smattering of their own tunes are there, but it’s mostly reinterpretations of other artists’ work, highlighted by Neil Young’s “Music Arcade,” Stevie Wonder’s “I Was Made to Love Her,” the Talking Heads’ “This Must Be the Place,” and Sam Cooke’s “Bring It On Home to Me.” Throughout the album, DeVeaux punctuates songs with steady guitar work and a soothing, resonant voice. Hadero offers a voice that’s mellifluous and malleable, a sonic gift that’s capable of sounding jazzy, bluesy, folk-rocky, and any other style she wants to inhabit. Their singing styles are entirely complementary, with DeVeaux the yin to Hadero’s yang. \u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=v0XxPO_R2Bg&w=500&h=281]\u003c/p>\n\u003cp>Based in the Bay Area (DeVeaux in Oakland, Hadero in San Francisco), the singer-songwriters are in the middle of a nationwide tour that stops on Sunday, September 23, at the Monterey Jazz Festival, and Tuesday, September 25, at Yoshi’s Oakland.\u003c/p>\n\u003cp>“When it comes to sensibility, we both really trust each other,” Hadero says. “We started the process (of \u003ci>Meklit & Quinn \u003c/i>) by bringing each other songs, and then both of us would go off and make super low-fi garage-band arrangements, where we recorded from microphones on our computers, and we built from there.” \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/meklit-quinn.jpg\" style=\"margin-bottom: 10px\">\u003c/p>\n\u003cp>Their overlapping backgrounds made it easier. Hadero and DeVeaux both have CVs that stretch across America and American music. DeVeaux, who was raised in Indiana and went to college in Washington State, embraces multiple genres of music, especially blues, soul and gospel. Hadero, who was born in Ethiopia and raised in New York, Iowa, and Florida before attending college in New Haven, Conn., can sound at home in everything from hip-hop to straight-ahead jazz. On a song like “I Was Made to Love Her,” Hadero and Deveaux slow down the original version and apply a swanky veneer, giving the song a new, stylish mojo that makes you want to move Soul Train-style through a dance corridor. Other songs, like “Neighborhoods #1 (Tunnels),” which Arcade Fire initially did, are slower and more soul-stirring. My favorite number is “Look at What the Light Did Now,” a version of a tune by Bay Area singer Kyle Field that’s a moving tribute to a moment of transformation. \u003ci>Meklit & Quinn \u003c/i> features 21 other singers and musicians who provide accompaniment, everything from washboard to tuba, so the album is a collective effort. Its roots go back to May of 2010, when Hadero and DeVeaux performed on the same marquee at Bimbo’s 365 Club and did an impromptu on-stage encore of Cooke’s iconic, “Bring It on Home to Me.” That song ends their new album. \u003c/p>\n\u003cp>“That’s a song that both of us have lived with, and that’s a song that’s inside of both of us,” says Hadero. Seconds later, DeVeaux articulates a similar sentiment: “That’s a song I grew up with. When you hear it, it immediately has a place in your life. I started off doing the harmony, and Meklit did the melody, and it came together.” \u003c/p>\n\u003cp>Though performing for several years, and with several albums already released before \u003ci>Meklit & Quinn\u003c/i>, Hadero and DeVeaux are really at the first stages of their careers, when they are still new to many people who hear them on radio, or hear about them from word-of-mouth.\u003c/p>\n\u003cp>“Our collaboration happened really, really naturally,” says Hadero. “Collaboration is such a key aspect to your artistic growth. Everybody brings out something different in you. You see that in friendships. You see that in work relationships. Everywhere that interaction happens, a different part of you comes out. The Arcade Fire song, for example, I’ve been thinking about since 2004. And I wanted to do it in my set, but I never could. I never could. And I realized it was because of the tenderness that’s in that song. And the thing that I wanted to bring out only made sense as a duet. So, when Quinn and I started working on the song, I felt like it completed my idea of what I wanted to do with that song.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Meklit Hadero and Quinn DeVeaux perform Sunday, September 23, at the \u003ca href=\"http://www.montereyjazzfestival.org/2012/\">Monterey Jazz Festival\u003c/a>, and Tuesday, September 25, at \u003ca href=\"http://www.yoshis.com/oakland\">Yoshi’s Oakland\u003c/a>.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/meklit-quinn.jpg\" style=\"margin-bottom: 10px\">\u003c/p>\n\u003cp>Their overlapping backgrounds made it easier. Hadero and DeVeaux both have CVs that stretch across America and American music. DeVeaux, who was raised in Indiana and went to college in Washington State, embraces multiple genres of music, especially blues, soul and gospel. Hadero, who was born in Ethiopia and raised in New York, Iowa, and Florida before attending college in New Haven, Conn., can sound at home in everything from hip-hop to straight-ahead jazz. On a song like “I Was Made to Love Her,” Hadero and Deveaux slow down the original version and apply a swanky veneer, giving the song a new, stylish mojo that makes you want to move Soul Train-style through a dance corridor. Other songs, like “Neighborhoods #1 (Tunnels),” which Arcade Fire initially did, are slower and more soul-stirring. My favorite number is “Look at What the Light Did Now,” a version of a tune by Bay Area singer Kyle Field that’s a moving tribute to a moment of transformation. \u003ci>Meklit & Quinn \u003c/i> features 21 other singers and musicians who provide accompaniment, everything from washboard to tuba, so the album is a collective effort. Its roots go back to May of 2010, when Hadero and DeVeaux performed on the same marquee at Bimbo’s 365 Club and did an impromptu on-stage encore of Cooke’s iconic, “Bring It on Home to Me.” That song ends their new album. \u003c/p>\n\u003cp>“That’s a song that both of us have lived with, and that’s a song that’s inside of both of us,” says Hadero. Seconds later, DeVeaux articulates a similar sentiment: “That’s a song I grew up with. When you hear it, it immediately has a place in your life. I started off doing the harmony, and Meklit did the melody, and it came together.” \u003c/p>\n\u003cp>Though performing for several years, and with several albums already released before \u003ci>Meklit & Quinn\u003c/i>, Hadero and DeVeaux are really at the first stages of their careers, when they are still new to many people who hear them on radio, or hear about them from word-of-mouth.\u003c/p>\n\u003cp>“Our collaboration happened really, really naturally,” says Hadero. “Collaboration is such a key aspect to your artistic growth. Everybody brings out something different in you. You see that in friendships. You see that in work relationships. Everywhere that interaction happens, a different part of you comes out. The Arcade Fire song, for example, I’ve been thinking about since 2004. And I wanted to do it in my set, but I never could. I never could. And I realized it was because of the tenderness that’s in that song. And the thing that I wanted to bring out only made sense as a duet. So, when Quinn and I started working on the song, I felt like it completed my idea of what I wanted to do with that song.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Meklit Hadero and Quinn DeVeaux perform Sunday, September 23, at the \u003ca href=\"http://www.montereyjazzfestival.org/2012/\">Monterey Jazz Festival\u003c/a>, and Tuesday, September 25, at \u003ca href=\"http://www.yoshis.com/oakland\">Yoshi’s Oakland\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cp>For his newest documentary, ODC Theater Resident Artist Paul Festa chronicled himself taking lessons on the Tchaikovsky violin concerto from various artists, none of whom are violinists. It’s OK because Festa is a violinist, and he knew the piece quite well to begin with.\u003c/p>\n\u003cp>It’s more than OK, actually, because it’s fascinating. What makes someone a “real” artist? What hinders him? In Festa’s case, a hand injury has been a factor, and his film doesn’t shy away from talk of debilitating wounds, which can be psychological as well as physical. \u003ci>Tie It Into My Hand\u003c/i> is what he calls it, quoting E. E. Cummings’ exaltation of someone who with fingers unable to hold a brush would issue that command — notable both for its determination and for needing someone else’s help.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/tieit.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003cbr>Portrait of Paul Festa by Greg Gorman\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/tieit2.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003cbr>John Fisher and Carey Perloff\u003c/p>\n\u003cp>Some of Festa’s instructors will seem familiar. Some are famous in their fields. Rather than waste time with introductions, however, he gets right to the lessons. And rather than training his camera on himself, he trains it on these others — advising, psychoanalyzing, challenging, consoling, and indeed instructing. Collectively they are a perceptive, open-hearted bunch, with much wisdom to share. “Oh, it’s so sweet,” one says, upon hearing a few bars. “I don’t know why you don’t have a career. Something must be wrong with your personality.” As another puts it, “We’re the frightened ones. It’s very scary being in front of your camera.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/tieit3.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003cbr>Peter Coyote\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/tieit4.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003cbr>Eisa Davis\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://a.s.kqed.net/img/arts/blog/tieit5.jpg\" style=\"margin-bottom: 10px\" alt=\"\">\u003cbr>Monique Jenkinson, a.k.a. Fauxnique\u003c/p>\n\u003cp>In the similarly structured \u003ci>Apparition of the Eternal Church\u003c/i>, from 2006, Festa gathered an array of personal responses to Olivier Messiaen’s 1932 organ composition by filming people listening to it through headphones and parsing what they hear. In 2010’s \u003ci>The Glitter Emergency\u003c/i>, his fable in the silent-film style, and a rapturous fusion of camp and class, Festa cast himself as a pixie violinist, advising a peg-legged ballerina, “Do not turn away from the magic within you.”\u003c/p>\n\u003cp>\u003ci>Tie It Into My Hand\u003c/i> might be construed as a personal and spiritual synthesis of those earlier works. It’s also a highly elevated therapeutic exercise, innately inspirational without ever seeming too cheesy or self-serious, and the kind of thing you urgently want to share with your creative kin before even seeing how it ends. Ultimately Festa both illuminates and transcends the most universal aspects of performance anxiety, with the performance in question being not just a specific concerto but the entirety of the artist’s life.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Tie It Into My Hand\u003c/i> screens Friday, September 21 and Saturday, September 22, with \u003ci>The Glitter Emergency\u003c/i> at ODC Theater in San Francisco. Paul Festa accompanies the screenings with a live performance of the Tchaikovsky violin concerto. For \u003ca href=\"http://odctheater.org/\">tickets and information\u003c/a>, visit odctheater.org.\u003c/p>\n\n",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
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"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
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"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
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"officialWebsiteLink": "/podcasts/closealltabs",
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"order": 1
},
"link": "/podcasts/closealltabs",
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"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"meta": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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},
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"id": "freakonomics-radio",
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"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"here-and-now": {
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
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"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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"rss": "https://feeds.npr.org/510308/podcast.xml"
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},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
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"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
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"source": "wnyc"
},
"link": "/radio/program/on-the-media",
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