window.__IS_SSR__=true
window.__INITIAL_STATE__={
"attachmentsReducer": {
"audio_0": {
"type": "attachments",
"id": "audio_0",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background0.jpg"
}
}
},
"audio_1": {
"type": "attachments",
"id": "audio_1",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background1.jpg"
}
}
},
"audio_2": {
"type": "attachments",
"id": "audio_2",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background2.jpg"
}
}
},
"audio_3": {
"type": "attachments",
"id": "audio_3",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background3.jpg"
}
}
},
"audio_4": {
"type": "attachments",
"id": "audio_4",
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/news/wp-content/themes/KQED-unified/img/audio_bgs/background4.jpg"
}
}
},
"placeholder": {
"type": "attachments",
"id": "placeholder",
"imgSizes": {
"thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"medium": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"medium_large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-768x512.jpg",
"width": 768,
"height": 512,
"mimeType": "image/jpeg"
},
"large": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"1536x1536": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-lrg": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1536x1024.jpg",
"width": 1536,
"height": 1024,
"mimeType": "image/jpeg"
},
"fd-med": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"fd-sm": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-800x533.jpg",
"width": 800,
"height": 533,
"mimeType": "image/jpeg"
},
"post-thumbnail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"twentyfourteen-full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1038x576.jpg",
"width": 1038,
"height": 576,
"mimeType": "image/jpeg"
},
"xxsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-160x107.jpg",
"width": 160,
"height": 107,
"mimeType": "image/jpeg"
},
"xsmall": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"small": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-672x372.jpg",
"width": 672,
"height": 372,
"mimeType": "image/jpeg"
},
"xlarge": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1020x680.jpg",
"width": 1020,
"height": 680,
"mimeType": "image/jpeg"
},
"full-width": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1-1920x1280.jpg",
"width": 1920,
"height": 1280,
"mimeType": "image/jpeg"
},
"guest-author-32": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 32,
"height": 32,
"mimeType": "image/jpeg"
},
"guest-author-50": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 50,
"height": 50,
"mimeType": "image/jpeg"
},
"guest-author-64": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 64,
"height": 64,
"mimeType": "image/jpeg"
},
"guest-author-96": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 96,
"height": 96,
"mimeType": "image/jpeg"
},
"guest-author-128": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 128,
"height": 128,
"mimeType": "image/jpeg"
},
"detail": {
"file": "https://cdn.kqed.org/wp-content/uploads/2025/01/KQED-Default-Image-816638274-1333x1333-1-160x160.jpg",
"width": 160,
"height": 160,
"mimeType": "image/jpeg"
},
"kqedFullSize": {
"file": "https://cdn.kqed.org/wp-content/uploads/2024/12/KQED-Default-Image-816638274-2000x1333-1.jpg",
"width": 2000,
"height": 1333
}
}
},
"arts_10121732": {
"type": "attachments",
"id": "arts_10121732",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10121732",
"found": true
},
"parent": 121732,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/06/bb-mantles-2484.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/06/bb-mantles-2484-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1370475816,
"modified": 1370475816,
"caption": null,
"description": null,
"title": "Live This Month: June 2013-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10121725": {
"type": "attachments",
"id": "arts_10121725",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10121725",
"found": true
},
"parent": 121725,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/06/np-boards-248.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/06/np-boards-248-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/06/np-boards-248-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/06/np-boards-248-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/06/np-boards-248-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/06/np-boards-248-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1370466328,
"modified": 1370466328,
"caption": null,
"description": null,
"title": "June 2013-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10121184": {
"type": "attachments",
"id": "arts_10121184",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10121184",
"found": true
},
"parent": 121184,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/weeknd2485.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/weeknd2485-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1369377108,
"modified": 1369377108,
"caption": null,
"description": null,
"title": "Indie Songs to Set the Mood-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10120870": {
"type": "attachments",
"id": "arts_10120870",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10120870",
"found": true
},
"parent": 120870,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/DatePalmsbyVickyFongKQED1.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/DatePalmsbyVickyFongKQED1-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/DatePalmsbyVickyFongKQED1-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/DatePalmsbyVickyFongKQED1-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/DatePalmsbyVickyFongKQED1-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/DatePalmsbyVickyFongKQED1-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1368684168,
"modified": 1368684168,
"caption": null,
"description": null,
"title": "Mixtape: San Francisco's Newest Psychedelic Sounds-Date Palms",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10120774": {
"type": "attachments",
"id": "arts_10120774",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10120774",
"found": true
},
"parent": 120774,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/bottlerock2486.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/bottlerock2486-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/bottlerock2486-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/bottlerock2486-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/bottlerock2486-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/bottlerock2486-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1368521232,
"modified": 1368521232,
"caption": null,
"description": null,
"title": "BottleRock Napa: A Music Festival in Wine Country-Photo by Emily Radcliffe and BottleRock Napa Valley",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10120555": {
"type": "attachments",
"id": "arts_10120555",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10120555",
"found": true
},
"parent": 120555,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/deafheaven248.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/deafheaven248-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/deafheaven248-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/deafheaven248-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/deafheaven248-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/deafheaven248-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1368031168,
"modified": 1368031168,
"caption": null,
"description": null,
"title": "May 2013-Deafheaven",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10120462": {
"type": "attachments",
"id": "arts_10120462",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10120462",
"found": true
},
"parent": 120462,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/bottlerock2485.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/bottlerock2485-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1367912321,
"modified": 1367912321,
"caption": null,
"description": null,
"title": "A BottleRock 2013 Wish List-GROUPLOVE",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10120203": {
"type": "attachments",
"id": "arts_10120203",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10120203",
"found": true
},
"parent": 120203,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/kurtvileKQED1.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/kurtvileKQED1-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/kurtvileKQED1-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/kurtvileKQED1-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/kurtvileKQED1-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/05/kurtvileKQED1-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1367518611,
"modified": 1367518611,
"caption": null,
"description": null,
"title": "Live This Month: May 2013-Kurt Vile",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10119911": {
"type": "attachments",
"id": "arts_10119911",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10119911",
"found": true
},
"parent": 119911,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/04/npoddtime248.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/04/npoddtime248-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/04/npoddtime248-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/04/npoddtime248-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/04/npoddtime248-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/04/npoddtime248-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1366920535,
"modified": 1366920535,
"caption": null,
"description": null,
"title": "Best Songs In Odd Time-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10119779": {
"type": "attachments",
"id": "arts_10119779",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10119779",
"found": true
},
"parent": 119779,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/04/watsky2484.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/04/watsky2484-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1366688517,
"modified": 1366688517,
"caption": null,
"description": null,
"title": "Watsky, a Hopeful Rapper on a Shining Trajectory-Photo by Ellie Stills",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10119684": {
"type": "attachments",
"id": "arts_10119684",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10119684",
"found": true
},
"parent": 119684,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/04/GiraffageKQED1.jpg",
"width": 248,
"height": 140
},
"guest-author-96": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/04/GiraffageKQED1-96x96.jpg",
"width": 96,
"mimeType": "image/jpeg",
"height": 96
},
"guest-author-64": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/04/GiraffageKQED1-64x64.jpg",
"width": 64,
"mimeType": "image/jpeg",
"height": 64
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/04/GiraffageKQED1-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
},
"guest-author-32": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/04/GiraffageKQED1-32x32.jpg",
"width": 32,
"mimeType": "image/jpeg",
"height": 32
},
"guest-author-128": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/04/GiraffageKQED1-128x128.jpg",
"width": 128,
"mimeType": "image/jpeg",
"height": 128
}
},
"publishDate": 1366526668,
"modified": 1366526668,
"caption": null,
"description": null,
"title": "Mixtape: Bay Area Artists, Remixing and Remixed-Giraffage",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
},
"arts_10119528": {
"type": "attachments",
"id": "arts_10119528",
"meta": {
"index": "attachments_1716263798",
"site": "arts",
"id": "10119528",
"found": true
},
"parent": 119528,
"imgSizes": {
"kqedFullSize": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/04/atcr2484.jpg",
"width": 248,
"height": 140
},
"detail": {
"file": "https://ww2.kqed.org/app/uploads/sites/2/2013/04/atcr2484-75x75.jpg",
"width": 75,
"mimeType": "image/jpeg",
"height": 75
}
},
"publishDate": 1366230686,
"modified": 1366230686,
"caption": null,
"description": null,
"title": "With A Tribe Called Red, Native American Music Gets a Dramatic Makeover-",
"credit": null,
"status": "inherit",
"isLoading": false,
"fetchFailed": false
}
},
"audioPlayerReducer": {
"postId": "stream_live",
"isPaused": true,
"isPlaying": false,
"pfsActive": false,
"pledgeModalIsOpen": true,
"playerDrawerIsOpen": false,
"liveAudioPlayStartedAt": 0,
"liveAudioPlayContext": ""
},
"authorsReducer": {
"128435": {
"type": "authors",
"id": "128435",
"meta": {
"override": true
},
"slug": "128435",
"name": "Jonathan Curiel",
"firstName": "Jonathan",
"lastName": "Curiel",
"bio": "Jonathan Curiel has written widely about music, film, books, art, photography and other cultural subjects. \u003ci>SF Weekly's\u003c/i> art critic, he is a former staff writer with the \u003ci>San Francisco Chronicle\u003c/i>, and has also written on the arts for \u003ca href=\"http://www.salon.com/\">Salon\u003c/a>, the \u003ci>Christian Science Monitor\u003c/i>, \u003ci>The Wire\u003c/i> (a London music magazine), \u003ci>Tablet\u003c/i> and \u003ci>GlobalPost\u003c/i>. He has researched architecture at England's Oxford University, taught music journalism at the UCLA Herb Alpert School of Music, and been a juror at the San Francisco International Film Festival.",
"email": "jonathancuriel@hotmail.com",
"isLoading": false
},
"aroscoemayo": {
"type": "authors",
"id": "74",
"meta": {
"index": "authors_1716337520",
"id": "74",
"found": true
},
"name": "Amanda Roscoe Mayo",
"firstName": "Amanda",
"lastName": "Roscoe Mayo",
"slug": "aroscoemayo",
"email": "FAKE_aroscoemayo@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": null,
"bio": "Amanda Roscoe Mayo is an independent curator and arts and music journalist based in Chicago, exhibiting nationally and published internationally. She received her master's degree in curatorial practice from California College of the Arts in San Francisco. The exhibitions she produces are critically curated to engage a multi-generational dialogue with a focus on emerging artists. In addition to her numerous curatorial projects, she is a regular contributing music, arts, and film writer for Mosshouse and San Francisco Arts Quarterly (SFAQ). While in San Francisco she wrote for KQED Arts as a music and film journalist.",
"avatar": "https://secure.gravatar.com/avatar/705add037f6315db7f253a35dbf7bae4?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": null,
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"Contributor",
"subscriber"
]
}
],
"headData": {
"title": "Amanda Roscoe Mayo | KQED",
"description": null,
"ogImgSrc": "https://secure.gravatar.com/avatar/705add037f6315db7f253a35dbf7bae4?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/705add037f6315db7f253a35dbf7bae4?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/aroscoemayo"
},
"kqedarts": {
"type": "authors",
"id": "92",
"meta": {
"index": "authors_1716337520",
"id": "92",
"found": true
},
"name": "KQED Arts",
"firstName": "KQED",
"lastName": "Arts",
"slug": "kqedarts",
"email": "arts@kqed.org",
"display_author_email": false,
"staff_mastheads": [],
"title": "KQED Staff",
"bio": null,
"avatar": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g",
"twitter": null,
"facebook": null,
"instagram": "https://www.instagram.com/kqed_arts/",
"linkedin": null,
"sites": [
{
"site": "arts",
"roles": [
"contributor"
]
},
{
"site": "pop",
"roles": [
"contributor"
]
},
{
"site": "science",
"roles": [
"author"
]
},
{
"site": "food",
"roles": [
"contributor"
]
}
],
"headData": {
"title": "KQED Arts | KQED",
"description": "KQED Staff",
"ogImgSrc": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g",
"twImgSrc": "https://secure.gravatar.com/avatar/321c9ebfeb7736f9e55366a6d3399ab0?s=600&d=blank&r=g"
},
"isLoading": false,
"link": "/author/kqedarts"
}
},
"pagesReducer": {
"arts_category_music": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"score": 10.85072
},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"title": "Music",
"pageMeta": {
"site": "arts",
"WpPageTemplate": "page-topic-editorial",
"currentPage": 371
},
"blocks": [
{
"blockName": "kqed/post-list",
"attrs": {
"layout": "cardArticle2",
"query": "posts/arts?category=music",
"seeMore": false,
"paginated": true,
"page": 371
}
},
{
"blockName": "kqed/ad"
}
]
}
},
"pfsSessionReducer": {},
"postsReducer": {
"stream_live": {
"type": "live",
"id": "stream_live",
"audioUrl": "https://streams.kqed.org/kqedradio",
"title": "Live Stream",
"excerpt": "Live Stream information currently unavailable.",
"link": "/radio",
"featImg": "",
"label": {
"name": "KQED Live",
"link": "/"
}
},
"stream_kqedNewscast": {
"type": "posts",
"id": "stream_kqedNewscast",
"audioUrl": "https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1",
"title": "KQED Newscast",
"featImg": "",
"label": {
"name": "88.5 FM",
"link": "/"
}
},
"arts_121732": {
"type": "posts",
"id": "arts_121732",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "121732",
"score": null,
"sort": [
1370475816000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 147
},
"blocks": [],
"publishDate": 1370475816,
"format": "audio",
"title": "Live This Month: June 2013",
"headTitle": "Live This Month: June 2013 | KQED",
"content": "\u003cp>A whole slew of great Bay Area bands are celebrating the release of new albums this month, and we’ve included songs from a number of them in this episode. As we say in the show, \u003ca href=\"https://www.facebook.com/pages/The-Mantles/147297444375\">The Mantles\u003c/a> have long been one of our favorite local bands, and early cuts from \u003cem>Long Enough To Leave\u003c/em> indicate it’s another winner from this jangle-pop quartet. Similarly, the title track from \u003ca href=\"https://www.facebook.com/thespyrals\">The Spyrals\u003c/a>‘ new LP offers rock and roll equally (and skillfully) informed by the worlds of garage and psych. In addition, we’ve also included new music from local post-punk band \u003ca href=\"https://www.facebook.com/CreativeAdult\">Creative Adult\u003c/a> and East Bay Afro-indie soul band \u003ca href=\"https://www.facebook.com/hearbellsmusic\">Bells Atlas\u003c/a>.\u003c/p>\n\u003cp>On the touring front, \u003ca href=\"https://www.facebook.com/valleysvalleysvalleys\">Valleys\u003c/a> craft expansive atmospheric pop with a strong sense of dynamics, a sound that they’re able to deliver live despite only having two members. As \u003ca href=\"https://www.facebook.com/pages/Monster-Rally/195506680491737\">Monster Rally\u003c/a>, visual artist Ted Feighan crafts pop songs out of samples of old records; he’s put out several albums on Oakland’s Gold Robot Records. Finally, if it’s lo-fi with a weird streak that you’re looking for, both \u003ca href=\"https://www.facebook.com/pages/JAPANTHER/22378113409\">Japanther\u003c/a> and \u003ca href=\"http://hengebeat.bandcamp.com/\">Total Control\u003c/a> are arriving in SF this month. Total Control’s show finds the band sandwiched between Fuzz and Thee Oh Sees for what promises to be a hell of a show.\u003c/p>\n\u003cp>Enjoy the podcast and then go see some concerts!\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/The-Mantles/147297444375\">The Mantles\u003c/a> — “Brown Balloon”\u003cbr>Celebrating \u003cem>Long Enough To Leave\u003c/em> with shows at the \u003ca href=\"http://www.rickshawstop.com/calendar/\">Rickshaw Stop\u003c/a> on June 14 and the \u003ca href=\"https://www.facebook.com/events/546472748724850/\">White Horse Bar\u003c/a> on June 22.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/valleysvalleysvalleys\">Valleys\u003c/a> — “Hounds”\u003cbr>Coming to \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on June 26; Weeknight and Disappearing People also play.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/COLDCAVE\">Cold Cave\u003c/a> — “God Made The World”\u003cbr>Boyd Rice joins Wesley Eisold’s band at \u003ca href=\"http://publicsf.com/listing\">Public Works\u003c/a> on June 15.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/JAPANTHER/22378113409\">Japanther\u003c/a> — “Stolen Flowers”\u003cbr>Playing on June 28 at \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> with Defiance, Ohio and Psilovision.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/CreativeAdult\">Creative Adult\u003c/a> — “Bulls In The Yard”\u003cbr>Supporting The New Trust at \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on June 21.\u003c/p>\n\u003cp>\u003ca href=\"http://hengebeat.bandcamp.com/\">Total Control\u003c/a> — “The Hammer”\u003cbr>The Australian band’s US tour concludes with a show at the \u003ca href=\"http://www.sf-eagle.com\">Eagle Tavern\u003c/a> on June 8 and one at \u003ca href=\"http://www.uptownnightclub.com/\">The Uptown\u003c/a> on June 9.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/Buffalo-Tooth/189782587748231\">Buffalo Tooth\u003c/a> — “Only Son”\u003cbr>Performing at the \u003ca href=\"http://hemlocktavern.com/calendar.php\">Hemlock Tavern\u003c/a> with The Trashies and Scraper on June 12.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/thespyrals\">The Spyrals\u003c/a> — “Out of Sight”\u003cbr>Celebrating the release of \u003cem>Out of Sight\u003c/em> at the \u003ca href=\"http://www.brickandmortarmusic.com/\">Brick & Mortar Music Hall\u003c/a> on June 26 with Deep Space, Disappearing People, Al Lover, Max Pain, and DJ Darragh Skelton.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/blitzentrapper\">Blitzen Trapper\u003c/a> — “Love the Way You Walk Away”\u003cbr>Joining Fruit Bats, Cass McCombs, Damien Jurado, Jessica Pratt and more at the \u003ca href=\"http://www.huichicamusicfestival.com/lineup/\">Huichica Music Festival\u003c/a> on June 14 and 15.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/Monster-Rally/195506680491737\">Monster Rally\u003c/a> — “Honey”\u003cbr>Headlining the \u003ca href=\"http://www.brickandmortarmusic.com/\">Brick & Mortar Music Hall\u003c/a> on June 23, with support from Steezy Ray Vibes, Shortcircles, and duckyousucker.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/H3YD33J\">D33J\u003c/a> — “Park (Tape Version)”\u003cbr>D33J’s North American tour with Baths comes to the \u003ca href=\"http://www.slimspresents.com/calendar/\">Great American Music Hall\u003c/a> on June 29.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/handssounds\">Hands\u003c/a> — “Trouble”\u003cbr>On June 21, the LA band’s tour stops at \u003ca href=\"http://www.brickandmortarmusic.com/\">Brick & Mortar Music Hall\u003c/a>; also performing: Be Calm Honcho and Ally Hasche and The Bad Boys.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/hearbellsmusic\">Bells Atlas\u003c/a> — “Incessant Noise”\u003cbr>Throwing an album release party for \u003cem>Bells Atlas\u003c/em> at \u003ca href=\"http://www.thenewparish.com/\">The New Parish\u003c/a> on June 14 with The Seshen and DJ Treat-U-Nice.\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 590,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 18
},
"modified": 1705049927,
"excerpt": "Listen the The Bay Bridged mix of bands performing live in the Bay Area this month, including The Mantles, Cold Cave, The Spyrals, Blitzen Trapper, Monster Rally, and more.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Listen the The Bay Bridged mix of bands performing live in the Bay Area this month, including The Mantles, Cold Cave, The Spyrals, Blitzen Trapper, Monster Rally, and more.",
"title": "Live This Month: June 2013 | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Live This Month: June 2013",
"datePublished": "2013-06-05T16:43:36-07:00",
"dateModified": "2024-01-12T00:58:47-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "live_this_month_june_2013",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/baybridged/",
"audioUrl": "http://media.libsyn.com/media/thebaybridged/LTM_June_2013.mp3",
"sticky": false,
"path": "/arts/121732/live_this_month_june_2013",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>A whole slew of great Bay Area bands are celebrating the release of new albums this month, and we’ve included songs from a number of them in this episode. As we say in the show, \u003ca href=\"https://www.facebook.com/pages/The-Mantles/147297444375\">The Mantles\u003c/a> have long been one of our favorite local bands, and early cuts from \u003cem>Long Enough To Leave\u003c/em> indicate it’s another winner from this jangle-pop quartet. Similarly, the title track from \u003ca href=\"https://www.facebook.com/thespyrals\">The Spyrals\u003c/a>‘ new LP offers rock and roll equally (and skillfully) informed by the worlds of garage and psych. In addition, we’ve also included new music from local post-punk band \u003ca href=\"https://www.facebook.com/CreativeAdult\">Creative Adult\u003c/a> and East Bay Afro-indie soul band \u003ca href=\"https://www.facebook.com/hearbellsmusic\">Bells Atlas\u003c/a>.\u003c/p>\n\u003cp>On the touring front, \u003ca href=\"https://www.facebook.com/valleysvalleysvalleys\">Valleys\u003c/a> craft expansive atmospheric pop with a strong sense of dynamics, a sound that they’re able to deliver live despite only having two members. As \u003ca href=\"https://www.facebook.com/pages/Monster-Rally/195506680491737\">Monster Rally\u003c/a>, visual artist Ted Feighan crafts pop songs out of samples of old records; he’s put out several albums on Oakland’s Gold Robot Records. Finally, if it’s lo-fi with a weird streak that you’re looking for, both \u003ca href=\"https://www.facebook.com/pages/JAPANTHER/22378113409\">Japanther\u003c/a> and \u003ca href=\"http://hengebeat.bandcamp.com/\">Total Control\u003c/a> are arriving in SF this month. Total Control’s show finds the band sandwiched between Fuzz and Thee Oh Sees for what promises to be a hell of a show.\u003c/p>\n\u003cp>Enjoy the podcast and then go see some concerts!\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/The-Mantles/147297444375\">The Mantles\u003c/a> — “Brown Balloon”\u003cbr>Celebrating \u003cem>Long Enough To Leave\u003c/em> with shows at the \u003ca href=\"http://www.rickshawstop.com/calendar/\">Rickshaw Stop\u003c/a> on June 14 and the \u003ca href=\"https://www.facebook.com/events/546472748724850/\">White Horse Bar\u003c/a> on June 22.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/valleysvalleysvalleys\">Valleys\u003c/a> — “Hounds”\u003cbr>Coming to \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on June 26; Weeknight and Disappearing People also play.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/COLDCAVE\">Cold Cave\u003c/a> — “God Made The World”\u003cbr>Boyd Rice joins Wesley Eisold’s band at \u003ca href=\"http://publicsf.com/listing\">Public Works\u003c/a> on June 15.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/JAPANTHER/22378113409\">Japanther\u003c/a> — “Stolen Flowers”\u003cbr>Playing on June 28 at \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> with Defiance, Ohio and Psilovision.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/CreativeAdult\">Creative Adult\u003c/a> — “Bulls In The Yard”\u003cbr>Supporting The New Trust at \u003ca href=\"http://www.bottomofthehill.com/calendar.html\">Bottom of the Hill\u003c/a> on June 21.\u003c/p>\n\u003cp>\u003ca href=\"http://hengebeat.bandcamp.com/\">Total Control\u003c/a> — “The Hammer”\u003cbr>The Australian band’s US tour concludes with a show at the \u003ca href=\"http://www.sf-eagle.com\">Eagle Tavern\u003c/a> on June 8 and one at \u003ca href=\"http://www.uptownnightclub.com/\">The Uptown\u003c/a> on June 9.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/Buffalo-Tooth/189782587748231\">Buffalo Tooth\u003c/a> — “Only Son”\u003cbr>Performing at the \u003ca href=\"http://hemlocktavern.com/calendar.php\">Hemlock Tavern\u003c/a> with The Trashies and Scraper on June 12.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/thespyrals\">The Spyrals\u003c/a> — “Out of Sight”\u003cbr>Celebrating the release of \u003cem>Out of Sight\u003c/em> at the \u003ca href=\"http://www.brickandmortarmusic.com/\">Brick & Mortar Music Hall\u003c/a> on June 26 with Deep Space, Disappearing People, Al Lover, Max Pain, and DJ Darragh Skelton.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/blitzentrapper\">Blitzen Trapper\u003c/a> — “Love the Way You Walk Away”\u003cbr>Joining Fruit Bats, Cass McCombs, Damien Jurado, Jessica Pratt and more at the \u003ca href=\"http://www.huichicamusicfestival.com/lineup/\">Huichica Music Festival\u003c/a> on June 14 and 15.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/Monster-Rally/195506680491737\">Monster Rally\u003c/a> — “Honey”\u003cbr>Headlining the \u003ca href=\"http://www.brickandmortarmusic.com/\">Brick & Mortar Music Hall\u003c/a> on June 23, with support from Steezy Ray Vibes, Shortcircles, and duckyousucker.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/H3YD33J\">D33J\u003c/a> — “Park (Tape Version)”\u003cbr>D33J’s North American tour with Baths comes to the \u003ca href=\"http://www.slimspresents.com/calendar/\">Great American Music Hall\u003c/a> on June 29.\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/handssounds\">Hands\u003c/a> — “Trouble”\u003cbr>On June 21, the LA band’s tour stops at \u003ca href=\"http://www.brickandmortarmusic.com/\">Brick & Mortar Music Hall\u003c/a>; also performing: Be Calm Honcho and Ally Hasche and The Bad Boys.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/hearbellsmusic\">Bells Atlas\u003c/a> — “Incessant Noise”\u003cbr>Throwing an album release party for \u003cem>Bells Atlas\u003c/em> at \u003ca href=\"http://www.thenewparish.com/\">The New Parish\u003c/a> on June 14 with The Seshen and DJ Treat-U-Nice.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/121732/live_this_month_june_2013",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_147"
],
"featImg": "arts_10121732",
"label": "arts_147"
},
"arts_121725": {
"type": "posts",
"id": "arts_121725",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "121725",
"score": null,
"sort": [
1370466328000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 146
},
"blocks": [],
"publishDate": 1370466328,
"format": "audio",
"title": "June 2013",
"headTitle": "June 2013 | KQED",
"content": "\u003cp>This spring and summer is teeming with much-anticipated new releases from Disclosure and Boards of Canada to The National, just to name a few. We’re playing tracks from these along with music from up-and-coming artists making some noise of their own around the Internet.\u003c/p>\n\u003cp>\u003cb>Tracklist:\u003c/b>\u003cbr>1. “I Saw You from the Lifeboat” — Liars, single\u003cbr>2. “Is This How You Feel” — The Preatures, \u003ci>Shaking Hands\u003c/i>\u003cbr>3. “Doin’ It Right” — Daft Punk, \u003ci>Random Access Memories\u003c/i>\u003cbr>4. “Don?t Lie” — Vampire Weekend, \u003ci>Modern Vampires of the City\u003c/i>\u003cbr>5. “Hell of A Night” — ScHoolboy Q, \u003ci>Oxymoron\u003c/i>\u003cbr> 6. “Reach For The Dead” — Boards of Canada, \u003ci>Tomorrow’s Harvest\u003c/i>\u003cbr>7. “When a Fire Starts to Burn” — Disclosure, \u003ci>Settle\u003c/i>\u003cbr>8. “U Da Best” — WET, U Da Best/Bad Idea single\u003cbr>9. “I Need My Girl” — The National, \u003ci>Trouble Will Find Me\u003c/i>\u003cbr>10. “JSMN” — Bad Boxes, \u003ci>JSMN\u003c/i>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 170,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 4
},
"modified": 1705049928,
"excerpt": "Listen to the latest \u003ci>Noise Pop Podcast\u003c/i> featuring a mix of new tunes for June 2013, including: Boards of Canada, Liars, Daft Punk, Vampire Weekend, The National, and more.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Listen to the latest Noise Pop Podcast featuring a mix of new tunes for June 2013, including: Boards of Canada, Liars, Daft Punk, Vampire Weekend, The National, and more.",
"title": "June 2013 | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "June 2013",
"datePublished": "2013-06-05T14:05:28-07:00",
"dateModified": "2024-01-12T00:58:48-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "june_2013",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/noisepop/",
"audioUrl": "http://traffic.libsyn.com/noisepop/June_2013.mp3",
"sticky": false,
"path": "/arts/121725/june_2013",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This spring and summer is teeming with much-anticipated new releases from Disclosure and Boards of Canada to The National, just to name a few. We’re playing tracks from these along with music from up-and-coming artists making some noise of their own around the Internet.\u003c/p>\n\u003cp>\u003cb>Tracklist:\u003c/b>\u003cbr>1. “I Saw You from the Lifeboat” — Liars, single\u003cbr>2. “Is This How You Feel” — The Preatures, \u003ci>Shaking Hands\u003c/i>\u003cbr>3. “Doin’ It Right” — Daft Punk, \u003ci>Random Access Memories\u003c/i>\u003cbr>4. “Don?t Lie” — Vampire Weekend, \u003ci>Modern Vampires of the City\u003c/i>\u003cbr>5. “Hell of A Night” — ScHoolboy Q, \u003ci>Oxymoron\u003c/i>\u003cbr> 6. “Reach For The Dead” — Boards of Canada, \u003ci>Tomorrow’s Harvest\u003c/i>\u003cbr>7. “When a Fire Starts to Burn” — Disclosure, \u003ci>Settle\u003c/i>\u003cbr>8. “U Da Best” — WET, U Da Best/Bad Idea single\u003cbr>9. “I Need My Girl” — The National, \u003ci>Trouble Will Find Me\u003c/i>\u003cbr>10. “JSMN” — Bad Boxes, \u003ci>JSMN\u003c/i>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/121725/june_2013",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_146"
],
"featImg": "arts_10121725",
"label": "arts_146"
},
"arts_121184": {
"type": "posts",
"id": "arts_121184",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "121184",
"score": null,
"sort": [
1369377108000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 146
},
"blocks": [],
"publishDate": 1369377108,
"format": "audio",
"title": "Indie Songs to Set the Mood",
"headTitle": "Indie Songs to Set the Mood | KQED",
"content": "\u003cp>We’ve all thought about this – what to play during that certain time with your loved one (or the one you just met) to set the mood? The right music can really make a good intimate moment better; and bad music can end that moment altogether. So from the soft and sweet to hardcore, we’ve put together a list of some indie tracks to start your evening, or afternoon, or first thing in the morning off right; no matter what kind of music you’re into.\u003c/p>\n\u003cp>Tracklist:\u003c/p>\n\u003cp>\u003c/p>\u003cul>Jaime’s picks:\u003cbr>1. “Headache” — METZ, \u003ci>METZ\u003c/i>\u003cbr>2. “Plaster Casts of Everything” — Liars, \u003ci>Liars\u003c/i>\u003cbr>3. “Come With Me” — CEO, \u003ci>White Magic\u003c/i>\u003cbr>4. “Innh Dahh” — Matthew Dear, \u003ci>Black City\u003c/i>\n\u003cul>Olivia’s picks:\u003c/ul>\n\u003cp> 5. “Tin Man” — Future Islands, \u003ci>In Evening Air\u003c/i>\u003cbr>6. “15 Step” — Radiohead, \u003ci>In Rainbows\u003c/i>\u003cbr>7. “Zebra” — Beach House, \u003ci>Teen Dream\u003c/i>\u003cbr>8. “BTSTU” — Jai Paul, single\u003c/p>\n\u003cul>Dawson’s picks:\u003c/ul>\n\u003cp>9. “Sweet Talk” — Jessie Ware, \u003ci>Devotion\u003c/i>\u003cbr>10. “The Morning” — The Weeknd, \u003ci>Trilogy\u003c/i>\u003cbr>11. “Gaudy Side of Town” — Gayngs, \u003ci>Relayted\u003c/i>\u003cbr>12. “Heartbeats” — The Knife, \u003ci>Deep Cuts\u003c/i>\u003c/p>\n\u003c/ul>\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 208,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 7
},
"modified": 1705049956,
"excerpt": "Listen to the newest Noise Pop picks for you and your partner's listening pleasure, featuring Liars, Future Islands, Beach House, Jessie Ware, and The Weeknd. \u003cb>Note: this episode contains adult language and situations.\u003c/b>",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Listen to the newest Noise Pop picks for you and your partner's listening pleasure, featuring Liars, Future Islands, Beach House, Jessie Ware, and The Weeknd. Note: this episode contains adult language and situations.",
"title": "Indie Songs to Set the Mood | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Indie Songs to Set the Mood",
"datePublished": "2013-05-23T23:31:48-07:00",
"dateModified": "2024-01-12T00:59:16-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "indie_songs_to_set_the_mood",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/noisepop/",
"audioUrl": "http://traffic.libsyn.com/noisepop/Indie_Songs_To_Set_The_Mood.mp3",
"sticky": false,
"path": "/arts/121184/indie_songs_to_set_the_mood",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>We’ve all thought about this – what to play during that certain time with your loved one (or the one you just met) to set the mood? The right music can really make a good intimate moment better; and bad music can end that moment altogether. So from the soft and sweet to hardcore, we’ve put together a list of some indie tracks to start your evening, or afternoon, or first thing in the morning off right; no matter what kind of music you’re into.\u003c/p>\n\u003cp>Tracklist:\u003c/p>\n\u003cp>\u003c/p>\u003cul>Jaime’s picks:\u003cbr>1. “Headache” — METZ, \u003ci>METZ\u003c/i>\u003cbr>2. “Plaster Casts of Everything” — Liars, \u003ci>Liars\u003c/i>\u003cbr>3. “Come With Me” — CEO, \u003ci>White Magic\u003c/i>\u003cbr>4. “Innh Dahh” — Matthew Dear, \u003ci>Black City\u003c/i>\n\u003cul>Olivia’s picks:\u003c/ul>\n\u003cp> 5. “Tin Man” — Future Islands, \u003ci>In Evening Air\u003c/i>\u003cbr>6. “15 Step” — Radiohead, \u003ci>In Rainbows\u003c/i>\u003cbr>7. “Zebra” — Beach House, \u003ci>Teen Dream\u003c/i>\u003cbr>8. “BTSTU” — Jai Paul, single\u003c/p>\n\u003cul>Dawson’s picks:\u003c/ul>\n\u003cp>9. “Sweet Talk” — Jessie Ware, \u003ci>Devotion\u003c/i>\u003cbr>10. “The Morning” — The Weeknd, \u003ci>Trilogy\u003c/i>\u003cbr>11. “Gaudy Side of Town” — Gayngs, \u003ci>Relayted\u003c/i>\u003cbr>12. “Heartbeats” — The Knife, \u003ci>Deep Cuts\u003c/i>\u003c/p>\n\u003c/ul>\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/121184/indie_songs_to_set_the_mood",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_146"
],
"featImg": "arts_10121184",
"label": "arts_146"
},
"arts_120870": {
"type": "posts",
"id": "arts_120870",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "120870",
"score": null,
"sort": [
1368684168000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 147
},
"blocks": [],
"publishDate": 1368684168,
"format": "audio",
"title": "Mixtape: San Francisco's Newest Psychedelic Sounds",
"headTitle": "Mixtape: San Francisco’s Newest Psychedelic Sounds | KQED",
"content": "\u003cp>It’s almost 18 months since we last did \u003ca href=\"http://www.thebaybridged.com/2011/12/23/2011-in-review-mixtape-highlights-from-sf-psych-drone-and-shoegaze/\">a psych-focused mixtape\u003c/a>, which means there’s quite a bit to catch up on. The Bay continues to be a vital source for top-notch mind-expanding bands, whether it’s the heady drones of \u003ca href=\"https://www.facebook.com/pages/Carlton-Melton-band-page/142609689122268\" target=\"_blank\" rel=\"noopener\">Carlton Melton\u003c/a> and \u003ca href=\"https://www.facebook.com/datepalmsofpsalms\" target=\"_blank\" rel=\"noopener\">Date Palms\u003c/a>, or the swaggering rock of \u003ca href=\"https://www.facebook.com/pages/Glitter-Wizard/77619029508\" target=\"_blank\" rel=\"noopener\">Glitter Wizard\u003c/a> and \u003ca href=\"https://www.facebook.com/CooCooBirds\" target=\"_blank\" rel=\"noopener\">Coo Coo Birds\u003c/a>.\u003c/p>\n\u003cp>Several of the groups included here have new records either out now or coming out soon. Prolific instrumental duo \u003ca href=\"https://www.facebook.com/pages/Barn-Owl/238373636592\" target=\"_blank\" rel=\"noopener\">Barn Owl\u003c/a> just released its fifth album, \u003cem>V\u003c/em>, on Thrill Jockey; meanwhile, cosmic rock group \u003ca href=\"https://www.facebook.com/Lumerians\" target=\"_blank\" rel=\"noopener\">Lumerians\u003c/a> is serving up \u003cem>The High Frontier\u003c/em> later this year. While we’ve been following some of these bands for years, it’s exciting that they’re joined here by a number of newer arrivals, like \u003ca href=\"http://troubleinmindrecs.com/bands/fuzz.html\" target=\"_blank\" rel=\"noopener\">Fuzz\u003c/a> (a heavy rock project from Ty Segall and Charlie Moothart), \u003ca href=\"https://www.facebook.com/GroupRhoda\" target=\"_blank\" rel=\"noopener\">Group Rhoda\u003c/a>‘s experimental synth songs, and electrified jams from \u003ca href=\"https://www.facebook.com/goldenvoid\" target=\"_blank\" rel=\"noopener\">Golden Void\u003c/a> and \u003ca href=\"https://www.facebook.com/PhilManleyLifeCoach\" target=\"_blank\" rel=\"noopener\">Life Coach\u003c/a> (both of which feature the guitar work of Isaiah Mitchell of Earthless).\u003c/p>\n\u003cp>\u003cu>\u003cstrong>Track Listing:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003ca href=\"http://troubleinmindrecs.com/bands/fuzz.html\" target=\"_blank\" rel=\"noopener\">Fuzz\u003c/a> — “This Time I Got A Reason”\u003cbr>\u003ca href=\"https://www.facebook.com/datepalmsofpsalms\" target=\"_blank\" rel=\"noopener\">Date Palms\u003c/a> — “Yuba Reprise”\u003cbr>\u003ca href=\"https://www.facebook.com/GroupRhoda\" target=\"_blank\" rel=\"noopener\">Group Rhoda\u003c/a> — “Fire”\u003cbr>\u003ca href=\"https://www.facebook.com/Lumerians\" target=\"_blank\" rel=\"noopener\">Lumerians\u003c/a> — “Tawazula”\u003cbr>\u003ca href=\"https://www.facebook.com/pages/Glitter-Wizard/77619029508\" target=\"_blank\" rel=\"noopener\">Glitter Wizard\u003c/a> — “Motorider”\u003cbr>\u003ca href=\"https://www.facebook.com/pages/Carlton-Melton-band-page/142609689122268\" target=\"_blank\" rel=\"noopener\">Carlton Melton\u003c/a> — “Space Treader”\u003cbr>\u003ca href=\"https://www.facebook.com/pages/Disappearing-People/203599926337159\" target=\"_blank\" rel=\"noopener\">Disappearing People\u003c/a> — “1”\u003cbr>\u003ca href=\"https://www.facebook.com/TheElectricShepherd\" target=\"_blank\" rel=\"noopener\">Electric Shepherd\u003c/a> — “Imitation Gardens (pt. 1)”\u003cbr>\u003ca href=\"https://www.facebook.com/goldenvoid\" target=\"_blank\" rel=\"noopener\">Golden Void\u003c/a> — “Virtue”\u003cbr>\u003ca href=\"https://www.facebook.com/pages/Barn-Owl/238373636592\" target=\"_blank\" rel=\"noopener\">Barn Owl\u003c/a> — “The Long Shadow”\u003cbr>\u003ca href=\"https://www.facebook.com/CooCooBirds\" target=\"_blank\" rel=\"noopener\">Coo Coo Birds\u003c/a> — “Dealerman”\u003cbr>\u003ca href=\"https://www.facebook.com/PhilManleyLifeCoach\" target=\"_blank\" rel=\"noopener\">Life Coach\u003c/a> — “Fireball”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 263,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 6
},
"modified": 1705049973,
"excerpt": "Listen to the new \u003ci>Bay Bridged\u003c/i> mix of Bay Area psych-rock, featuring Lumerians, Disappearing People, Golden Void, Coo Coo Birds, Barn Owl, and more.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Listen to the new Bay Bridged mix of Bay Area psych-rock, featuring Lumerians, Disappearing People, Golden Void, Coo Coo Birds, Barn Owl, and more.",
"title": "Mixtape: San Francisco's Newest Psychedelic Sounds | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Mixtape: San Francisco's Newest Psychedelic Sounds",
"datePublished": "2013-05-15T23:02:48-07:00",
"dateModified": "2024-01-12T00:59:33-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "mixtape_san_franciscos_newest_psychedelic_sounds",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/baybridged/",
"audioUrl": "http://media.libsyn.com/media/thebaybridged/2013_Psych_Mixtape.mp3",
"sticky": false,
"path": "/arts/120870/mixtape_san_franciscos_newest_psychedelic_sounds",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s almost 18 months since we last did \u003ca href=\"http://www.thebaybridged.com/2011/12/23/2011-in-review-mixtape-highlights-from-sf-psych-drone-and-shoegaze/\">a psych-focused mixtape\u003c/a>, which means there’s quite a bit to catch up on. The Bay continues to be a vital source for top-notch mind-expanding bands, whether it’s the heady drones of \u003ca href=\"https://www.facebook.com/pages/Carlton-Melton-band-page/142609689122268\" target=\"_blank\" rel=\"noopener\">Carlton Melton\u003c/a> and \u003ca href=\"https://www.facebook.com/datepalmsofpsalms\" target=\"_blank\" rel=\"noopener\">Date Palms\u003c/a>, or the swaggering rock of \u003ca href=\"https://www.facebook.com/pages/Glitter-Wizard/77619029508\" target=\"_blank\" rel=\"noopener\">Glitter Wizard\u003c/a> and \u003ca href=\"https://www.facebook.com/CooCooBirds\" target=\"_blank\" rel=\"noopener\">Coo Coo Birds\u003c/a>.\u003c/p>\n\u003cp>Several of the groups included here have new records either out now or coming out soon. Prolific instrumental duo \u003ca href=\"https://www.facebook.com/pages/Barn-Owl/238373636592\" target=\"_blank\" rel=\"noopener\">Barn Owl\u003c/a> just released its fifth album, \u003cem>V\u003c/em>, on Thrill Jockey; meanwhile, cosmic rock group \u003ca href=\"https://www.facebook.com/Lumerians\" target=\"_blank\" rel=\"noopener\">Lumerians\u003c/a> is serving up \u003cem>The High Frontier\u003c/em> later this year. While we’ve been following some of these bands for years, it’s exciting that they’re joined here by a number of newer arrivals, like \u003ca href=\"http://troubleinmindrecs.com/bands/fuzz.html\" target=\"_blank\" rel=\"noopener\">Fuzz\u003c/a> (a heavy rock project from Ty Segall and Charlie Moothart), \u003ca href=\"https://www.facebook.com/GroupRhoda\" target=\"_blank\" rel=\"noopener\">Group Rhoda\u003c/a>‘s experimental synth songs, and electrified jams from \u003ca href=\"https://www.facebook.com/goldenvoid\" target=\"_blank\" rel=\"noopener\">Golden Void\u003c/a> and \u003ca href=\"https://www.facebook.com/PhilManleyLifeCoach\" target=\"_blank\" rel=\"noopener\">Life Coach\u003c/a> (both of which feature the guitar work of Isaiah Mitchell of Earthless).\u003c/p>\n\u003cp>\u003cu>\u003cstrong>Track Listing:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003ca href=\"http://troubleinmindrecs.com/bands/fuzz.html\" target=\"_blank\" rel=\"noopener\">Fuzz\u003c/a> — “This Time I Got A Reason”\u003cbr>\u003ca href=\"https://www.facebook.com/datepalmsofpsalms\" target=\"_blank\" rel=\"noopener\">Date Palms\u003c/a> — “Yuba Reprise”\u003cbr>\u003ca href=\"https://www.facebook.com/GroupRhoda\" target=\"_blank\" rel=\"noopener\">Group Rhoda\u003c/a> — “Fire”\u003cbr>\u003ca href=\"https://www.facebook.com/Lumerians\" target=\"_blank\" rel=\"noopener\">Lumerians\u003c/a> — “Tawazula”\u003cbr>\u003ca href=\"https://www.facebook.com/pages/Glitter-Wizard/77619029508\" target=\"_blank\" rel=\"noopener\">Glitter Wizard\u003c/a> — “Motorider”\u003cbr>\u003ca href=\"https://www.facebook.com/pages/Carlton-Melton-band-page/142609689122268\" target=\"_blank\" rel=\"noopener\">Carlton Melton\u003c/a> — “Space Treader”\u003cbr>\u003ca href=\"https://www.facebook.com/pages/Disappearing-People/203599926337159\" target=\"_blank\" rel=\"noopener\">Disappearing People\u003c/a> — “1”\u003cbr>\u003ca href=\"https://www.facebook.com/TheElectricShepherd\" target=\"_blank\" rel=\"noopener\">Electric Shepherd\u003c/a> — “Imitation Gardens (pt. 1)”\u003cbr>\u003ca href=\"https://www.facebook.com/goldenvoid\" target=\"_blank\" rel=\"noopener\">Golden Void\u003c/a> — “Virtue”\u003cbr>\u003ca href=\"https://www.facebook.com/pages/Barn-Owl/238373636592\" target=\"_blank\" rel=\"noopener\">Barn Owl\u003c/a> — “The Long Shadow”\u003cbr>\u003ca href=\"https://www.facebook.com/CooCooBirds\" target=\"_blank\" rel=\"noopener\">Coo Coo Birds\u003c/a> — “Dealerman”\u003cbr>\u003ca href=\"https://www.facebook.com/PhilManleyLifeCoach\" target=\"_blank\" rel=\"noopener\">Life Coach\u003c/a> — “Fireball”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/120870/mixtape_san_franciscos_newest_psychedelic_sounds",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_147"
],
"featImg": "arts_10120870",
"label": "arts_147"
},
"arts_120774": {
"type": "posts",
"id": "arts_120774",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "120774",
"score": null,
"sort": [
1368517632000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1368517632,
"format": "standard",
"title": "BottleRock Napa: A Music Festival in Wine Country",
"headTitle": "BottleRock Napa: A Music Festival in Wine Country | KQED",
"content": "\u003cp>\u003cb>BottleRock\u003c/b> set up shop in wine country for five days this past week at the Napa Expo Center. It was \u003ci>hot\u003c/i>, in the 80s and sunny as could be. The crowd was extremely eclectic, filled with Napa locals, Sacramento folks, well-dressed wine aficionados, and young pseudo hipsters. With bands like Zac Brown Band, The Black Keys, and Dwight Yoakam, the music pot was melted.\u003c/p>\n\u003cp>It was interesting to be outside the circuit of music festivals that usually cater to indie lovers such as myself. I was surrounded by people sipping wine — and as Sharon Van Etten put it, “Capri-sun cocktails” — discussing the previous day’s acts with fervor. While waiting for Edward Sharpe and the Magnetic Zeros to take the stage on Saturday, the group around me recounted the Black Keys’ closing performance on Friday night.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/05/14/TheBlackKeysPhotographerJeromeBrunetBottleRock11.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>The Black Keys. Photo courtesy of Jerome Brunet and BottleRock Napa Valley\u003c/center>\n\u003cp>The Black Keys was a special set. As I mentioned in my pre-festival \u003ca href=\"http://www.kqed.org/arts/music/article.jsp?essid=120462\">wish list\u003c/a>, I was excited to see their creative stage set-up in the spirit of blues brothers’ rock. This tour’s stage consisted of a wall of various light fixtures, antique to new. The band members themselves seemed a bit fatigued on the tail end of their world tour, but they played to an audience that was more than excited to scream along with every word, going ballistic during their favorite songs.\u003c/p>\n\u003cp>One highlight was their performance of “Little Black Submarines” off their 2011 release, \u003ci>El Camino\u003c/i>. The song built slowly and beautifully with singer Dan Auerbach soloing on his Harmony guitar, spotlit on a dark stage. The lights went out just before the bridge, exploding moments later with drummer Pat Carney joining in, pushing the momentum forward and transforming the downbeat soul rock song into a rock and roll jam. The Black Keys were in full form. It’s about time for a new album (rumor has it they’re recording this summer) so I expect an even more evolved tour from them the next time around. Needless to say, no one left \u003cb>BottleRock\u003c/b> Friday night without having sufficiently rocked out, myself included. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/05/14/BestCoastPhotographerPaigeParsonsBottleRock1.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Best Coast. Photo courtesy of Paige Parsons and BottleRock Napa Valley\u003c/center>\n\u003cp>There were three main stages at \u003cb>BottleRock\u003c/b>, one very large, one medium sized, and one small and intimate. The medium-sized Citi Stage proved to be my favorite on Saturday. I only strayed for Best Coast at the Willpower Stage upon my arrival to the fest in the early afternoon. They were a pleasant surprise. I didn’t enjoy Best Coast at \u003ca href=\"http://www.kqed.org/arts/music/article.jsp?essid=109564\">Treasure Island last year\u003c/a> as much as I hoped I would. This time, their set closely resembled the soaring surf rock on their records. Best Coast was spot on early in the day and the “best” (pun intended), way to start the festival for me on Saturday in Napa. \u003c/p>\n\u003cp>After Best Coast I settled at the Citi Stage for Sharon Van Etten. I absolutely adore Van Etten’s dark and airy folk songs, but was skeptical as to how they would translate on a blazing hot summer day, with the sun beating down. Her set was transcendent and powerful. Her electric guitar pierced the heat and transported us to a cooler, darker place, so much so I almost forgot how much I was sweating.\u003c/p>\n\u003cp>Dwight Yoakam graced the Citi Stage with his presence after Allen Stone. The band donned sequined western wear blazers and Dwight rocked his cowboy hat and double denim. He had a story about each song, playing old favorites such as “Honky Tonk Man” and “A Thousand Miles From Nowhere.” He gave us some sage advice not to look directly into the sun, and thanked us for coming out in the heat of the day for some country and Western.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/05/14/EdSharpe3.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Edward Sharpe and the Magnetic Zeros. Photo courtesy of BottleRock Napa Valley\u003c/center>\n\u003cp>I counted ten members of Edward Sharpe and the Magnetic Zeros on stage at \u003cb>BottleRock\u003c/b>, the usual number. What always intrigues me about this Los Angeles-based band is how comfortable they are on stage. Singers Alexander Ebert and Jade Castrinos interact with each other and the audience with ease and excitement. Ebert engaged the crowd with questions, story telling, and feedback. The set ended on the highest of notes and a cloud of dust with the popular track “Home.”\u003c/p>\n\u003cp>Sunday was even warmer with a bit more of a breeze. I sought refuge under the wind-screened pavilion of the Miner Stage for Mavis Staples. She commanded that stage and that microphone like a Roman emperor and when the first notes of “The Weight” began to play with “I rode into Nazareth…” all the heat-stricken people under that pavilion shot to their feet. Throughout her set I was breathless and in disbelief that I was standing before this living legend who could provide such deliverance with her voice. Near the end of her performance of “Freedom Highway” she trailed on and on: “Made up my mind and I won’t turn around… I will be on freedom highway until Dr. King’s dream has been realized. I \u003ci>won’t\u003c/i> turn around.”\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/05/14/GroupLovePhotographerDylanBonickBottleRock3.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>GROUPLOVE. Photo courtesy of Dylan Bonick and BottleRock Napa Valley\u003c/center>\n\u003cp>Without comparison to Mavis Staples, because let’s just be honest, that would be music blasphemy, GROUPLOVE stole my heart at \u003cb>BottleRock\u003c/b>. Hannah Hooper told terrible joke, “Hey Napa, you guys got any grapes?” and it was impossible to be upset in the face of her infectious charisma. Every song they played had the audience smiling, jumping, and climbing as high into the air as they could. The band seemed to be enjoying themselves too. “Slow” began just like that, slow, with Hooper showcasing her gorgeous emotive vocals. The musical arrangement built steadily and rapidly with just a touch of agitation foreshadowing the eruption at the finale of the song. All eyes were on the band as they threw their heads back and forth in perfect time.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>I tend to enjoy seeing folk bands and low key music live at a festival, but \u003cb>BottleRock\u003c/b> was too hot for that. The sweat was already rolling down everyone’s back, so what’s left is to dance, it makes the heat bearable. Tickets are already available for next year’s fest, scheduled for May 9-11, 2014, a bold move without a line-up, but there really is something for everyone at this festival. For \u003ca href=\"http://bottlerocknapavalley.com/\">more information\u003c/a> visit bottlerocknapavalley.com.\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1125,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 17
},
"modified": 1705049977,
"excerpt": "A recap of last weekend's rollicking wine-country music festival, from the overheated trenches.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "A recap of last weekend's rollicking wine-country music festival, from the overheated trenches.",
"title": "BottleRock Napa: A Music Festival in Wine Country | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "BottleRock Napa: A Music Festival in Wine Country",
"datePublished": "2013-05-14T00:47:12-07:00",
"dateModified": "2024-01-12T00:59:37-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "bottlerock_napa_a_music_festival_in_wine_country",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/music/music-festivalreport/",
"sticky": false,
"path": "/arts/120774/bottlerock_napa_a_music_festival_in_wine_country",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cb>BottleRock\u003c/b> set up shop in wine country for five days this past week at the Napa Expo Center. It was \u003ci>hot\u003c/i>, in the 80s and sunny as could be. The crowd was extremely eclectic, filled with Napa locals, Sacramento folks, well-dressed wine aficionados, and young pseudo hipsters. With bands like Zac Brown Band, The Black Keys, and Dwight Yoakam, the music pot was melted.\u003c/p>\n\u003cp>It was interesting to be outside the circuit of music festivals that usually cater to indie lovers such as myself. I was surrounded by people sipping wine — and as Sharon Van Etten put it, “Capri-sun cocktails” — discussing the previous day’s acts with fervor. While waiting for Edward Sharpe and the Magnetic Zeros to take the stage on Saturday, the group around me recounted the Black Keys’ closing performance on Friday night.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/05/14/TheBlackKeysPhotographerJeromeBrunetBottleRock11.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>The Black Keys. Photo courtesy of Jerome Brunet and BottleRock Napa Valley\u003c/center>\n\u003cp>The Black Keys was a special set. As I mentioned in my pre-festival \u003ca href=\"http://www.kqed.org/arts/music/article.jsp?essid=120462\">wish list\u003c/a>, I was excited to see their creative stage set-up in the spirit of blues brothers’ rock. This tour’s stage consisted of a wall of various light fixtures, antique to new. The band members themselves seemed a bit fatigued on the tail end of their world tour, but they played to an audience that was more than excited to scream along with every word, going ballistic during their favorite songs.\u003c/p>\n\u003cp>One highlight was their performance of “Little Black Submarines” off their 2011 release, \u003ci>El Camino\u003c/i>. The song built slowly and beautifully with singer Dan Auerbach soloing on his Harmony guitar, spotlit on a dark stage. The lights went out just before the bridge, exploding moments later with drummer Pat Carney joining in, pushing the momentum forward and transforming the downbeat soul rock song into a rock and roll jam. The Black Keys were in full form. It’s about time for a new album (rumor has it they’re recording this summer) so I expect an even more evolved tour from them the next time around. Needless to say, no one left \u003cb>BottleRock\u003c/b> Friday night without having sufficiently rocked out, myself included. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/05/14/BestCoastPhotographerPaigeParsonsBottleRock1.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Best Coast. Photo courtesy of Paige Parsons and BottleRock Napa Valley\u003c/center>\n\u003cp>There were three main stages at \u003cb>BottleRock\u003c/b>, one very large, one medium sized, and one small and intimate. The medium-sized Citi Stage proved to be my favorite on Saturday. I only strayed for Best Coast at the Willpower Stage upon my arrival to the fest in the early afternoon. They were a pleasant surprise. I didn’t enjoy Best Coast at \u003ca href=\"http://www.kqed.org/arts/music/article.jsp?essid=109564\">Treasure Island last year\u003c/a> as much as I hoped I would. This time, their set closely resembled the soaring surf rock on their records. Best Coast was spot on early in the day and the “best” (pun intended), way to start the festival for me on Saturday in Napa. \u003c/p>\n\u003cp>After Best Coast I settled at the Citi Stage for Sharon Van Etten. I absolutely adore Van Etten’s dark and airy folk songs, but was skeptical as to how they would translate on a blazing hot summer day, with the sun beating down. Her set was transcendent and powerful. Her electric guitar pierced the heat and transported us to a cooler, darker place, so much so I almost forgot how much I was sweating.\u003c/p>\n\u003cp>Dwight Yoakam graced the Citi Stage with his presence after Allen Stone. The band donned sequined western wear blazers and Dwight rocked his cowboy hat and double denim. He had a story about each song, playing old favorites such as “Honky Tonk Man” and “A Thousand Miles From Nowhere.” He gave us some sage advice not to look directly into the sun, and thanked us for coming out in the heat of the day for some country and Western.\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/05/14/EdSharpe3.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>Edward Sharpe and the Magnetic Zeros. Photo courtesy of BottleRock Napa Valley\u003c/center>\n\u003cp>I counted ten members of Edward Sharpe and the Magnetic Zeros on stage at \u003cb>BottleRock\u003c/b>, the usual number. What always intrigues me about this Los Angeles-based band is how comfortable they are on stage. Singers Alexander Ebert and Jade Castrinos interact with each other and the audience with ease and excitement. Ebert engaged the crowd with questions, story telling, and feedback. The set ended on the highest of notes and a cloud of dust with the popular track “Home.”\u003c/p>\n\u003cp>Sunday was even warmer with a bit more of a breeze. I sought refuge under the wind-screened pavilion of the Miner Stage for Mavis Staples. She commanded that stage and that microphone like a Roman emperor and when the first notes of “The Weight” began to play with “I rode into Nazareth…” all the heat-stricken people under that pavilion shot to their feet. Throughout her set I was breathless and in disbelief that I was standing before this living legend who could provide such deliverance with her voice. Near the end of her performance of “Freedom Highway” she trailed on and on: “Made up my mind and I won’t turn around… I will be on freedom highway until Dr. King’s dream has been realized. I \u003ci>won’t\u003c/i> turn around.”\u003c/p>\n\u003cp>\u003c/p>\u003ccenter>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/05/14/GroupLovePhotographerDylanBonickBottleRock3.jpg\" style=\"margin-bottom: 10px;\" alt=\"\">\u003cbr>GROUPLOVE. Photo courtesy of Dylan Bonick and BottleRock Napa Valley\u003c/center>\n\u003cp>Without comparison to Mavis Staples, because let’s just be honest, that would be music blasphemy, GROUPLOVE stole my heart at \u003cb>BottleRock\u003c/b>. Hannah Hooper told terrible joke, “Hey Napa, you guys got any grapes?” and it was impossible to be upset in the face of her infectious charisma. Every song they played had the audience smiling, jumping, and climbing as high into the air as they could. The band seemed to be enjoying themselves too. “Slow” began just like that, slow, with Hooper showcasing her gorgeous emotive vocals. The musical arrangement built steadily and rapidly with just a touch of agitation foreshadowing the eruption at the finale of the song. All eyes were on the band as they threw their heads back and forth in perfect time.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I tend to enjoy seeing folk bands and low key music live at a festival, but \u003cb>BottleRock\u003c/b> was too hot for that. The sweat was already rolling down everyone’s back, so what’s left is to dance, it makes the heat bearable. Tickets are already available for next year’s fest, scheduled for May 9-11, 2014, a bold move without a line-up, but there really is something for everyone at this festival. For \u003ca href=\"http://bottlerocknapavalley.com/\">more information\u003c/a> visit bottlerocknapavalley.com.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/120774/bottlerock_napa_a_music_festival_in_wine_country",
"authors": [
"110"
],
"categories": [
"arts_69"
],
"tags": [
"arts_1006",
"arts_596"
],
"featImg": "arts_10120774",
"label": "arts"
},
"arts_120555": {
"type": "posts",
"id": "arts_120555",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "120555",
"score": null,
"sort": [
1368031168000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 146
},
"blocks": [],
"publishDate": 1368031168,
"format": "audio",
"title": "May 2013",
"headTitle": "May 2013 | KQED",
"content": "\u003cp>Maybe it was the week of freakishly hot (for San Francisco) weather and the start of summer, but this playlist is chock full of songs intended to help you loosen up or lose your cool. Also our most expletive-laden playlist in a while, this playlist features bangers from Savages and Deafheaven and intense R&B jams from Twigs and Until the Ribbon Breaks.\u003c/p>\n\u003cp>Tracklist:\u003c/p>\n\u003cp>1. “You and Me” — Disclosure ft. Eliza Doolittle, \u003ci>Settle\u003c/i>\u003cbr>2. “Shut Up” — Savages, \u003ci>Silence Yourself\u003c/i>\u003cbr>3. “How?s That” — Twigs, \u003ci>Twigs EP\u003c/i>\u003cbr>4. “Will “The Thrill”” — Cayucas, \u003ci>Bigfoot\u003c/i>\u003cbr>5. “Dream House” — Deafheaven, \u003ci>Sunbather\u003c/i>\u003cbr>6. “Head In The Cloud” — Cobalt Cranes, \u003ci>Head in the Clouds\u003c/i>\u003cbr>7. “Chain Smoker” — Chance The Rapper, \u003ci>Acid Rap\u003c/i> mixtape\u003cbr>8. “Get Free” — Major Lazer featuring Amber Coffman from the Dirty Projectors, \u003ci>Free The Universe\u003c/i>\u003cbr>9. “She’s on Fire” — King Tuff, \u003ci>Garage Swim\u003c/i>\u003cbr>10. “Pressure” — Until The Ribbon Breaks ft. Mr. MFV eXquire, single\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 180,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 5
},
"modified": 1705049985,
"excerpt": "Listen to the Noise Pop mix of red-hot tunes for May, featuring Twigs, Cayucas, Chance The Rapper, King Tuff, Deafheaven and more.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Listen to the Noise Pop mix of red-hot tunes for May, featuring Twigs, Cayucas, Chance The Rapper, King Tuff, Deafheaven and more.",
"title": "May 2013 | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "May 2013",
"datePublished": "2013-05-08T09:39:28-07:00",
"dateModified": "2024-01-12T00:59:45-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "may_2013",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/noisepop/",
"audioUrl": "http://traffic.libsyn.com/noisepop/May_2013_File.mp3",
"sticky": false,
"path": "/arts/120555/may_2013",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Maybe it was the week of freakishly hot (for San Francisco) weather and the start of summer, but this playlist is chock full of songs intended to help you loosen up or lose your cool. Also our most expletive-laden playlist in a while, this playlist features bangers from Savages and Deafheaven and intense R&B jams from Twigs and Until the Ribbon Breaks.\u003c/p>\n\u003cp>Tracklist:\u003c/p>\n\u003cp>1. “You and Me” — Disclosure ft. Eliza Doolittle, \u003ci>Settle\u003c/i>\u003cbr>2. “Shut Up” — Savages, \u003ci>Silence Yourself\u003c/i>\u003cbr>3. “How?s That” — Twigs, \u003ci>Twigs EP\u003c/i>\u003cbr>4. “Will “The Thrill”” — Cayucas, \u003ci>Bigfoot\u003c/i>\u003cbr>5. “Dream House” — Deafheaven, \u003ci>Sunbather\u003c/i>\u003cbr>6. “Head In The Cloud” — Cobalt Cranes, \u003ci>Head in the Clouds\u003c/i>\u003cbr>7. “Chain Smoker” — Chance The Rapper, \u003ci>Acid Rap\u003c/i> mixtape\u003cbr>8. “Get Free” — Major Lazer featuring Amber Coffman from the Dirty Projectors, \u003ci>Free The Universe\u003c/i>\u003cbr>9. “She’s on Fire” — King Tuff, \u003ci>Garage Swim\u003c/i>\u003cbr>10. “Pressure” — Until The Ribbon Breaks ft. Mr. MFV eXquire, single\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/120555/may_2013",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_146"
],
"featImg": "arts_10120555",
"label": "arts_146"
},
"arts_120462": {
"type": "posts",
"id": "arts_120462",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "120462",
"score": null,
"sort": [
1367912321000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1367912321,
"format": "standard",
"title": "A BottleRock 2013 Wish List",
"headTitle": "A BottleRock 2013 Wish List | KQED",
"content": "\u003cp>\u003ca href=\"http://bottlerocknapavalley.com/\">BottleRock\u003c/a> begins tomorrow, May 8, 2013, in Napa Valley. As if anyone needs a reason to go to wine country, here are more than a few. KQED Arts is going for the music but there’s comedy, food, wine and craft beer to keep festival-goers happy. The lineup is diverse, with older bands like Cake, Jane’s Addiction, and Dwight Yoakam paired with indie favorites from all genres. Like most large festivals there are a few stages and overlapping sets, but here are my must sees for BottleRock 2013.\u003c/p>\n\u003cp>\u003cb>\u003cu>WEDNESDAY: May 8\u003c/u>\u003c/b>\u003c/p>\n\u003cp>\u003cb>Family of the Year\u003c/b> is a sweet dance psych-rock pop band from Los Angeles. They’ll kick things off in proper California style. And while fellow Angelenos Best Coast will be performing at the festival later in the week, Family of the Year is the better choice.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=mHeK0Cwr9sg?rel=0&w=480&h=270]\u003c/p>\n\u003cp>\u003cb>\u003cu>THURSDAY: May 9\u003c/u>\u003c/b>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cb>Delta Spirit\u003c/b> is another incredible California band. I first saw them in Austin, TX seven years ago as an opening band. To this day I can’t remember who headlined the concert — Delta Spirit completely stole the show. Today, their songwriting remains strong and heads a call for progress and hope. On stage, in the sun, before an audience is where they really shine. Don’t miss this gem early in the day.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=xIHx9CYPgQo?rel=0&w=480&h=270]\u003c/p>\n\u003cp>I’ve heard about \u003cb>The Avett Brothers\u003c/b> for years and I’m looking forward to hearing them live as the headliners for Thursday night. Their folk-pop-bluegrass combination should compliment a warm summer night in Napa nicely.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=e5CMDmxtpbc?rel=0&w=480&h=360]\u003c/p>\n\u003cp>\u003cb>\u003cu>FRIDAY: May 10\u003c/u>\u003c/b>\u003c/p>\n\u003cp>Dare I say it but I’m most excited for Friday at BottleRock: one of my favorite live bands is performing. \u003cb>The Black Keys\u003c/b> can command a stage as a duo better than most five- to eight-piece bands. They are first and foremost a blues band, capable of rocking every second of their set. Usually a full band joins them for at least half of their performance, and their stage design is always intriguing. For a hard-working blues band, they don’t take themselves too seriously — expect stage props. Plus, you’ll want to dance like this guy in their video for “Lonely Boy.”\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=a_426RiwST8?rel=0&w=480&h=270]\u003c/p>\n\u003cp>Other highlights on my Friday radar are \u003cb>Alabama Shakes\u003c/b>, \u003cb>Dirty Projectors\u003c/b>, and of course \u003cb>The Flaming Lips\u003c/b>. I haven’t yet had the pleasure of seeing Oklahoma-based band The Flaming Lips at a festival, but I’ve seen the pictures and heard the tales. I can’t wait to see what they’ve got in store for this show. Here’s a taste from their David Letterman appearance.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=ng-9vMA1moY?rel=0&w=480&h=270]\u003c/p>\n\u003cp>\u003cb>\u003cu>SATURDAY: May 11\u003c/u>\u003c/b>\u003c/p>\n\u003cp>\u003cb>Edward Sharpe and the Magnetic Zeros\u003c/b> will be out in full force before sunset on Saturday. This 20-person (sometimes more) band is a treat to see live. They transform the stage with great Americana folk music, creating one special moment after another with call and response verses, banjos, and an upright bass.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=08WeoqWilRQ?rel=0&w=480&h=270]\u003c/p>\n\u003cp>Saturday yields some of my other favorites as well, featuring \u003cb>Tift Merrit\u003c/b>, \u003cb>Sharon Van Etten\u003c/b>, \u003cb>Iron and Wine\u003c/b>, and \u003cb>Dwight Yoakam\u003c/b>. \u003c/p>\n\u003cp>\u003cu>\u003cb>SUNDAY: May 12\u003c/b>\u003c/u>\u003c/p>\n\u003cp>Sunday is for reminiscing about the ’90s with \u003cb>Cake\u003c/b>, \u003cb>The Wallflowers\u003c/b>, and \u003cb>Train\u003c/b>. If you’d prefer to stay in the present, \u003cb>GROUPLOVE\u003c/b>‘s lifted vocals, upbeat harmonies, and climbing hooks will have you dancing in the sun.\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=1x1wjGKHjBI?rel=0&w=480&h=270]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>BottleRock runs May 8-12, 2013 at the Napa Expo in Napa Valley. For \u003ca href=\"http://bottlerocknapavalley.com/\">tickets and more information\u003c/a>, visit bottlerocknapavalley.com.\u003c/p>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 702,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 24
},
"modified": 1705049987,
"excerpt": "Five days of must-see music from the Napa Valley music, comedy, food and drink festival, BottleRock.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Five days of must-see music from the Napa Valley music, comedy, food and drink festival, BottleRock.",
"title": "A BottleRock 2013 Wish List | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "A BottleRock 2013 Wish List",
"datePublished": "2013-05-07T00:38:41-07:00",
"dateModified": "2024-01-12T00:59:47-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "a_bottlerock_2013_wish_list",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/music/",
"sticky": false,
"path": "/arts/120462/a_bottlerock_2013_wish_list",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://bottlerocknapavalley.com/\">BottleRock\u003c/a> begins tomorrow, May 8, 2013, in Napa Valley. As if anyone needs a reason to go to wine country, here are more than a few. KQED Arts is going for the music but there’s comedy, food, wine and craft beer to keep festival-goers happy. The lineup is diverse, with older bands like Cake, Jane’s Addiction, and Dwight Yoakam paired with indie favorites from all genres. Like most large festivals there are a few stages and overlapping sets, but here are my must sees for BottleRock 2013.\u003c/p>\n\u003cp>\u003cb>\u003cu>WEDNESDAY: May 8\u003c/u>\u003c/b>\u003c/p>\n\u003cp>\u003cb>Family of the Year\u003c/b> is a sweet dance psych-rock pop band from Los Angeles. They’ll kick things off in proper California style. And while fellow Angelenos Best Coast will be performing at the festival later in the week, Family of the Year is the better choice.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/mHeK0Cwr9sg?rel=0'\n title='//www.youtube.com/embed/mHeK0Cwr9sg?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>\u003cu>THURSDAY: May 9\u003c/u>\u003c/b>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cb>Delta Spirit\u003c/b> is another incredible California band. I first saw them in Austin, TX seven years ago as an opening band. To this day I can’t remember who headlined the concert — Delta Spirit completely stole the show. Today, their songwriting remains strong and heads a call for progress and hope. On stage, in the sun, before an audience is where they really shine. Don’t miss this gem early in the day.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/xIHx9CYPgQo?rel=0'\n title='//www.youtube.com/embed/xIHx9CYPgQo?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>I’ve heard about \u003cb>The Avett Brothers\u003c/b> for years and I’m looking forward to hearing them live as the headliners for Thursday night. Their folk-pop-bluegrass combination should compliment a warm summer night in Napa nicely.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/e5CMDmxtpbc?rel=0'\n title='//www.youtube.com/embed/e5CMDmxtpbc?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>\u003cu>FRIDAY: May 10\u003c/u>\u003c/b>\u003c/p>\n\u003cp>Dare I say it but I’m most excited for Friday at BottleRock: one of my favorite live bands is performing. \u003cb>The Black Keys\u003c/b> can command a stage as a duo better than most five- to eight-piece bands. They are first and foremost a blues band, capable of rocking every second of their set. Usually a full band joins them for at least half of their performance, and their stage design is always intriguing. For a hard-working blues band, they don’t take themselves too seriously — expect stage props. Plus, you’ll want to dance like this guy in their video for “Lonely Boy.”\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/a_426RiwST8?rel=0'\n title='//www.youtube.com/embed/a_426RiwST8?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Other highlights on my Friday radar are \u003cb>Alabama Shakes\u003c/b>, \u003cb>Dirty Projectors\u003c/b>, and of course \u003cb>The Flaming Lips\u003c/b>. I haven’t yet had the pleasure of seeing Oklahoma-based band The Flaming Lips at a festival, but I’ve seen the pictures and heard the tales. I can’t wait to see what they’ve got in store for this show. Here’s a taste from their David Letterman appearance.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ng-9vMA1moY?rel=0'\n title='//www.youtube.com/embed/ng-9vMA1moY?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003cb>\u003cu>SATURDAY: May 11\u003c/u>\u003c/b>\u003c/p>\n\u003cp>\u003cb>Edward Sharpe and the Magnetic Zeros\u003c/b> will be out in full force before sunset on Saturday. This 20-person (sometimes more) band is a treat to see live. They transform the stage with great Americana folk music, creating one special moment after another with call and response verses, banjos, and an upright bass.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/08WeoqWilRQ?rel=0'\n title='//www.youtube.com/embed/08WeoqWilRQ?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Saturday yields some of my other favorites as well, featuring \u003cb>Tift Merrit\u003c/b>, \u003cb>Sharon Van Etten\u003c/b>, \u003cb>Iron and Wine\u003c/b>, and \u003cb>Dwight Yoakam\u003c/b>. \u003c/p>\n\u003cp>\u003cu>\u003cb>SUNDAY: May 12\u003c/b>\u003c/u>\u003c/p>\n\u003cp>Sunday is for reminiscing about the ’90s with \u003cb>Cake\u003c/b>, \u003cb>The Wallflowers\u003c/b>, and \u003cb>Train\u003c/b>. If you’d prefer to stay in the present, \u003cb>GROUPLOVE\u003c/b>‘s lifted vocals, upbeat harmonies, and climbing hooks will have you dancing in the sun.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/1x1wjGKHjBI?rel=0'\n title='//www.youtube.com/embed/1x1wjGKHjBI?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>BottleRock runs May 8-12, 2013 at the Napa Expo in Napa Valley. For \u003ca href=\"http://bottlerocknapavalley.com/\">tickets and more information\u003c/a>, visit bottlerocknapavalley.com.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/120462/a_bottlerock_2013_wish_list",
"authors": [
"74"
],
"categories": [
"arts_69"
],
"featImg": "arts_10120462",
"label": "arts"
},
"arts_120203": {
"type": "posts",
"id": "arts_120203",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "120203",
"score": null,
"sort": [
1367518611000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 147
},
"blocks": [],
"publishDate": 1367518611,
"format": "audio",
"title": "Live This Month: May 2013",
"headTitle": "Live This Month: May 2013 | KQED",
"content": "\u003cp>Few recent artists have transitioned from lo-fi to hi-fi better than \u003ca href=\"https://www.facebook.com/kurtvileofphilly\" target=\"_blank\" rel=\"noopener\">Kurt Vile\u003c/a>, whose latest album, \u003cem>Wakin on a Pretty Daze\u003c/em>, is another winner from the Philly-based musician, full of long, languid songs that feel spacious but not aimless. A sense of space also guides \u003ca href=\"http://www.clinicvoot.org/\" target=\"_blank\" rel=\"noopener\">Clinic\u003c/a>‘s psych-pop offering \u003cem>Free Reign\u003c/em>; in fact, the group just released an alternate collection, \u003cem>Free Reign II\u003c/em>, with the original album’s songs reconfigured in an appropriately mind-expanding fashion by Oneohtrix Point Never’s Daniel Lopatin. More tightly constructed is \u003ca href=\"https://www.facebook.com/Shoutoutlouds\" target=\"_blank\" rel=\"noopener\">Shout Out Louds\u003c/a>‘ album \u003cem>Optica\u003c/em>. The Swedish band’s new release fuses elements of disco and chamber pop into lively, addictive tunes.\u003c/p>\n\u003cp>Like Vile, \u003ca href=\"https://www.facebook.com/pages/Mikal-Cronin/258115417544637\" target=\"_blank\" rel=\"noopener\">Mikal Cronin\u003c/a> is also making the move from low to high fidelity look easy. Cronin’s been making great music for a while now, solo and as a member of Moonhearts and Ty Segall’s band, but \u003cem>MCII\u003c/em>, arriving on Merge Records, feels like the big screen debut of a real power pop talent. Meanwhile, Sacramento’s \u003ca href=\"https://www.facebook.com/teramelosmusic\" target=\"_blank\" rel=\"noopener\">Tera Melos\u003c/a> just released a new album of frenzied, mathy rock called \u003cem>X’ed Out\u003c/em> and are embarking on a US tour to support. With new records also arriving recently from \u003ca href=\"https://www.facebook.com/coolghouls\" target=\"_blank\" rel=\"noopener\">Cool Ghouls\u003c/a> and \u003ca href=\"https://www.facebook.com/metalmother\" target=\"_blank\" rel=\"noopener\">Metal Mother\u003c/a>, it’s certainly a busy time for Bay Area bands.\u003c/p>\n\u003cp>Enjoy the podcast and then go see some shows!\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/kurtvileofphilly\" target=\"_blank\" rel=\"noopener\">Kurt Vile\u003c/a> — “Never Run Away”\u003cbr>Kurt Vile and the Violators, The Fresh & Onlys, and Steve Gunn play on May 8 \u003ca href=\"http://www.theindependentsf.com/\" target=\"_blank\" rel=\"noopener\">at The Independent\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/coolghouls\" target=\"_blank\" rel=\"noopener\">Cool Ghouls\u003c/a> — “Grace”\u003cbr>Playing a free show \u003ca href=\"http://www.brickandmortarmusic.com/\" target=\"_blank\" rel=\"noopener\">at the Brick & Mortar Music Hall\u003c/a> on May 7; also performing are Pyyramids and Hindu Pirates\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/blanktapes\" target=\"_blank\" rel=\"noopener\">The Blank Tapes\u003c/a> — “Holy Roller”\u003cbr>Coming to \u003ca href=\"http://www.thechapelsf.com/\" target=\"_blank\" rel=\"noopener\">The Chapel\u003c/a> on May 9 and \u003ca href=\"http://www.thenewparish.com\" target=\"_blank\" rel=\"noopener\">The New Parish\u003c/a> on May 23\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/do.the.eggroll\" target=\"_blank\" rel=\"noopener\">Peach Kelli Pop\u003c/a> — “Dreamphone”\u003cbr>Performing at \u003ca href=\"http://www.thechapelsf.com/\" target=\"_blank\" rel=\"noopener\">The Chapel\u003c/a> on May 11 and \u003ca href=\"http://www.thenewparish.com/\" target=\"_blank\" rel=\"noopener\">The New Parish\u003c/a> on May 18\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/Disappears/130849953637535\" target=\"_blank\" rel=\"noopener\">Disappears\u003c/a> — “Replicate”\u003cbr>\u003ca href=\"http://www.bottomofthehill.com/calendar.html\" target=\"_blank\" rel=\"noopener\">Playing Bottom of the Hill\u003c/a> on May 18 with LENZ and The Tambo Rays\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/teramelosmusic\" target=\"_blank\" rel=\"noopener\">Tera Melos\u003c/a> — “Tropic Lame”\u003cbr>TTNG and E V Kain support this Sacramento band on May 25 \u003ca href=\"http://www.bottomofthehill.com/calendar.html\" target=\"_blank\" rel=\"noopener\">at Bottom of the Hill\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://www.clinicvoot.org/\" target=\"_blank\" rel=\"noopener\">Clinic\u003c/a> — “Miss You”\u003cbr>Headlining the \u003ca href=\"http://www.rickshawstop.com/calendar/\" target=\"_blank\" rel=\"noopener\">Rickshaw Stop\u003c/a> with No Joy on May 2\u003c/p>\n\u003cp>\u003ca href=\"https://sites.google.com/site/yellowelectric/\" target=\"_blank\" rel=\"noopener\">Grouper\u003c/a> — “Vital”\u003cbr>Joined by Ilyas Ahmed, Grouper performs at the Hemlock Tavern on May 28 with Danny Paul Grody and Irwin Swirnoff\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/metalmother\" target=\"_blank\" rel=\"noopener\">Metal Mother\u003c/a> — “Prism”\u003cbr>Celebrating the new album \u003cem>Ionika\u003c/em> at \u003ca href=\"http://publicsf.com/events/tearistmetal-mother-record-releaseuncanny-valleysome-ember-8851\" target=\"_blank\" rel=\"noopener\">Public Works\u003c/a> on May 2; Tearist, Uncanny Valley, and Some Ember also perform\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/Shoutoutlouds\" target=\"_blank\" rel=\"noopener\">Shout Out Louds\u003c/a> — “Blue Ice”\u003cbr>On May 22, the Swedish band’s tour with Haerts \u003ca href=\"http://www.slimspresents.com/\" target=\"_blank\" rel=\"noopener\">comes to the Great American Music Hall\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/Mikal-Cronin/258115417544637\" target=\"_blank\" rel=\"noopener\">Mikal Cronin\u003c/a> — “Shout It Out”\u003cbr>Celebrating the release of \u003cem>MCII\u003c/em> \u003ca href=\"http://www.rickshawstop.com/calendar/\" target=\"_blank\" rel=\"noopener\">at the Rickshaw Stop\u003c/a> on May 25\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/blowkisses\" target=\"_blank\" rel=\"noopener\">Kisses\u003c/a> — “Funny Heartbeat”\u003cbr>\u003ca href=\"http://www.rickshawstop.com/calendar/\" target=\"_blank\" rel=\"noopener\">Coming to the Rickshaw Stop\u003c/a> on May 14; Sister Crayon and Astronauts, etc. support\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/CHVRCHES\" target=\"_blank\" rel=\"noopener\">CHVRCHES\u003c/a> — “Recover”\u003cbr>The Scottish buzz band \u003ca href=\"http://mezzaninesf.com/\" target=\"_blank\" rel=\"noopener\">performs at the Mezzanine\u003c/a> on May 29 with Still Corners\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/suunsband\" target=\"_blank\" rel=\"noopener\">Suuns\u003c/a> — “2020”\u003cbr>Appearing at \u003ca href=\"http://www.bottomofthehill.com/calendar.html\" target=\"_blank\" rel=\"noopener\">Bottom of the Hill\u003c/a> on May 28 with Wymond Miles and Foli\u003c/p>\n\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 552,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 20
},
"modified": 1705049990,
"excerpt": "Listen to the newest \u003ci>Bay Bridged\u003c/i> mix of great local and out-of-town bands performing in the coming month in the San Francisco Bay Area, featuring Kurt Vile, Tera Melos, Clinic, Shout Out Louds, Suuns and more.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Listen to the newest Bay Bridged mix of great local and out-of-town bands performing in the coming month in the San Francisco Bay Area, featuring Kurt Vile, Tera Melos, Clinic, Shout Out Louds, Suuns and more.",
"title": "Live This Month: May 2013 | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Live This Month: May 2013",
"datePublished": "2013-05-02T11:16:51-07:00",
"dateModified": "2024-01-12T00:59:50-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "live_this_month_may_2013",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/baybridged/",
"audioUrl": "http://media.libsyn.com/media/thebaybridged/LTM_May_2013.mp3",
"sticky": false,
"path": "/arts/120203/live_this_month_may_2013",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Few recent artists have transitioned from lo-fi to hi-fi better than \u003ca href=\"https://www.facebook.com/kurtvileofphilly\" target=\"_blank\" rel=\"noopener\">Kurt Vile\u003c/a>, whose latest album, \u003cem>Wakin on a Pretty Daze\u003c/em>, is another winner from the Philly-based musician, full of long, languid songs that feel spacious but not aimless. A sense of space also guides \u003ca href=\"http://www.clinicvoot.org/\" target=\"_blank\" rel=\"noopener\">Clinic\u003c/a>‘s psych-pop offering \u003cem>Free Reign\u003c/em>; in fact, the group just released an alternate collection, \u003cem>Free Reign II\u003c/em>, with the original album’s songs reconfigured in an appropriately mind-expanding fashion by Oneohtrix Point Never’s Daniel Lopatin. More tightly constructed is \u003ca href=\"https://www.facebook.com/Shoutoutlouds\" target=\"_blank\" rel=\"noopener\">Shout Out Louds\u003c/a>‘ album \u003cem>Optica\u003c/em>. The Swedish band’s new release fuses elements of disco and chamber pop into lively, addictive tunes.\u003c/p>\n\u003cp>Like Vile, \u003ca href=\"https://www.facebook.com/pages/Mikal-Cronin/258115417544637\" target=\"_blank\" rel=\"noopener\">Mikal Cronin\u003c/a> is also making the move from low to high fidelity look easy. Cronin’s been making great music for a while now, solo and as a member of Moonhearts and Ty Segall’s band, but \u003cem>MCII\u003c/em>, arriving on Merge Records, feels like the big screen debut of a real power pop talent. Meanwhile, Sacramento’s \u003ca href=\"https://www.facebook.com/teramelosmusic\" target=\"_blank\" rel=\"noopener\">Tera Melos\u003c/a> just released a new album of frenzied, mathy rock called \u003cem>X’ed Out\u003c/em> and are embarking on a US tour to support. With new records also arriving recently from \u003ca href=\"https://www.facebook.com/coolghouls\" target=\"_blank\" rel=\"noopener\">Cool Ghouls\u003c/a> and \u003ca href=\"https://www.facebook.com/metalmother\" target=\"_blank\" rel=\"noopener\">Metal Mother\u003c/a>, it’s certainly a busy time for Bay Area bands.\u003c/p>\n\u003cp>Enjoy the podcast and then go see some shows!\u003c/p>\n\u003cp>\u003cu>\u003cstrong>About the bands:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/kurtvileofphilly\" target=\"_blank\" rel=\"noopener\">Kurt Vile\u003c/a> — “Never Run Away”\u003cbr>Kurt Vile and the Violators, The Fresh & Onlys, and Steve Gunn play on May 8 \u003ca href=\"http://www.theindependentsf.com/\" target=\"_blank\" rel=\"noopener\">at The Independent\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/coolghouls\" target=\"_blank\" rel=\"noopener\">Cool Ghouls\u003c/a> — “Grace”\u003cbr>Playing a free show \u003ca href=\"http://www.brickandmortarmusic.com/\" target=\"_blank\" rel=\"noopener\">at the Brick & Mortar Music Hall\u003c/a> on May 7; also performing are Pyyramids and Hindu Pirates\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/blanktapes\" target=\"_blank\" rel=\"noopener\">The Blank Tapes\u003c/a> — “Holy Roller”\u003cbr>Coming to \u003ca href=\"http://www.thechapelsf.com/\" target=\"_blank\" rel=\"noopener\">The Chapel\u003c/a> on May 9 and \u003ca href=\"http://www.thenewparish.com\" target=\"_blank\" rel=\"noopener\">The New Parish\u003c/a> on May 23\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/do.the.eggroll\" target=\"_blank\" rel=\"noopener\">Peach Kelli Pop\u003c/a> — “Dreamphone”\u003cbr>Performing at \u003ca href=\"http://www.thechapelsf.com/\" target=\"_blank\" rel=\"noopener\">The Chapel\u003c/a> on May 11 and \u003ca href=\"http://www.thenewparish.com/\" target=\"_blank\" rel=\"noopener\">The New Parish\u003c/a> on May 18\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/Disappears/130849953637535\" target=\"_blank\" rel=\"noopener\">Disappears\u003c/a> — “Replicate”\u003cbr>\u003ca href=\"http://www.bottomofthehill.com/calendar.html\" target=\"_blank\" rel=\"noopener\">Playing Bottom of the Hill\u003c/a> on May 18 with LENZ and The Tambo Rays\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/teramelosmusic\" target=\"_blank\" rel=\"noopener\">Tera Melos\u003c/a> — “Tropic Lame”\u003cbr>TTNG and E V Kain support this Sacramento band on May 25 \u003ca href=\"http://www.bottomofthehill.com/calendar.html\" target=\"_blank\" rel=\"noopener\">at Bottom of the Hill\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"http://www.clinicvoot.org/\" target=\"_blank\" rel=\"noopener\">Clinic\u003c/a> — “Miss You”\u003cbr>Headlining the \u003ca href=\"http://www.rickshawstop.com/calendar/\" target=\"_blank\" rel=\"noopener\">Rickshaw Stop\u003c/a> with No Joy on May 2\u003c/p>\n\u003cp>\u003ca href=\"https://sites.google.com/site/yellowelectric/\" target=\"_blank\" rel=\"noopener\">Grouper\u003c/a> — “Vital”\u003cbr>Joined by Ilyas Ahmed, Grouper performs at the Hemlock Tavern on May 28 with Danny Paul Grody and Irwin Swirnoff\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/metalmother\" target=\"_blank\" rel=\"noopener\">Metal Mother\u003c/a> — “Prism”\u003cbr>Celebrating the new album \u003cem>Ionika\u003c/em> at \u003ca href=\"http://publicsf.com/events/tearistmetal-mother-record-releaseuncanny-valleysome-ember-8851\" target=\"_blank\" rel=\"noopener\">Public Works\u003c/a> on May 2; Tearist, Uncanny Valley, and Some Ember also perform\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/Shoutoutlouds\" target=\"_blank\" rel=\"noopener\">Shout Out Louds\u003c/a> — “Blue Ice”\u003cbr>On May 22, the Swedish band’s tour with Haerts \u003ca href=\"http://www.slimspresents.com/\" target=\"_blank\" rel=\"noopener\">comes to the Great American Music Hall\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/Mikal-Cronin/258115417544637\" target=\"_blank\" rel=\"noopener\">Mikal Cronin\u003c/a> — “Shout It Out”\u003cbr>Celebrating the release of \u003cem>MCII\u003c/em> \u003ca href=\"http://www.rickshawstop.com/calendar/\" target=\"_blank\" rel=\"noopener\">at the Rickshaw Stop\u003c/a> on May 25\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/blowkisses\" target=\"_blank\" rel=\"noopener\">Kisses\u003c/a> — “Funny Heartbeat”\u003cbr>\u003ca href=\"http://www.rickshawstop.com/calendar/\" target=\"_blank\" rel=\"noopener\">Coming to the Rickshaw Stop\u003c/a> on May 14; Sister Crayon and Astronauts, etc. support\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/CHVRCHES\" target=\"_blank\" rel=\"noopener\">CHVRCHES\u003c/a> — “Recover”\u003cbr>The Scottish buzz band \u003ca href=\"http://mezzaninesf.com/\" target=\"_blank\" rel=\"noopener\">performs at the Mezzanine\u003c/a> on May 29 with Still Corners\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/suunsband\" target=\"_blank\" rel=\"noopener\">Suuns\u003c/a> — “2020”\u003cbr>Appearing at \u003ca href=\"http://www.bottomofthehill.com/calendar.html\" target=\"_blank\" rel=\"noopener\">Bottom of the Hill\u003c/a> on May 28 with Wymond Miles and Foli\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/120203/live_this_month_may_2013",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_147"
],
"featImg": "arts_10120203",
"label": "arts_147"
},
"arts_119911": {
"type": "posts",
"id": "arts_119911",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "119911",
"score": null,
"sort": [
1366920535000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 146
},
"blocks": [],
"publishDate": 1366920535,
"format": "audio",
"title": "Best Songs In Odd Time",
"headTitle": "Best Songs In Odd Time | KQED",
"content": "\u003cp>They say music is math, and we couldn’t agree more. This episode explores the numbers behind some of the most unique rhythms in pop music. Sometimes we get bored with a typical four-to-the-floor beat, so we discuss and play some of our favorite pop songs of all time that utilize odd time signatures. And, for those of you who have no idea what a time signature is, we do a very quick explanation toward the beginning. Enjoy!\u003c/p>\n\u003cp>Tracklist:\u003c/p>\n\u003cp>1. “7/4 (Shoreline)” — Broken Social Scene, \u003ci>Broken Social Scene\u003c/i> (7/4)\u003cbr>2. “Get Lucky” — Daft Punk, \u003ci>Random Access Memory\u003c/i> (4/4)\u003cbr>3.”Waltz #2″ — Elliott Smith, \u003ci>XO\u003c/i> (3/4)\u003cbr>4. “Come On Feel The Illinoise” — Sufjan Stevens, \u003ci>Illinois\u003c/i> (5/4 then 4/4)\u003cbr>5. “Money” — Pink Floyd, \u003ci>Dark Side of The Moon\u003c/i> (7/4)\u003cbr>6. “Solsbury Hill” — Peter Gabriel, \u003ci>Peter Gabriel\u003c/i> (7/4)\u003cbr>7. “Walk on Air” — Minus The Bear, \u003ci>Injustice\u003c/i> (5/4)\u003cbr>8. “Ddiamondd” — Battles, \u003ci>Mirrored\u003c/i> (?)\u003cbr>9. “Pyramid Song” — Radiohead, \u003ci>Amnesiac\u003c/i> (?!?!?)\u003cbr>10. “Everything In It’s Right Place” — Radiohead, \u003ci>Kid A\u003c/i> (10/4)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 211,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 5
},
"modified": 1705050011,
"excerpt": "Listen to the new Noise Pop mix of songs with uniquely odd time signatures, featuring Elliott Smith, Broken Social Scene, Peter Gabriel, Radiohead, Sufjan Stevens, Pink Floyd, and more!",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Listen to the new Noise Pop mix of songs with uniquely odd time signatures, featuring Elliott Smith, Broken Social Scene, Peter Gabriel, Radiohead, Sufjan Stevens, Pink Floyd, and more!",
"title": "Best Songs In Odd Time | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Best Songs In Odd Time",
"datePublished": "2013-04-25T13:08:55-07:00",
"dateModified": "2024-01-12T01:00:11-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "best_songs_in_odd_time",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/noisepop/",
"audioUrl": "http://traffic.libsyn.com/noisepop/Odd_Time_mp3.mp3",
"sticky": false,
"path": "/arts/119911/best_songs_in_odd_time",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>They say music is math, and we couldn’t agree more. This episode explores the numbers behind some of the most unique rhythms in pop music. Sometimes we get bored with a typical four-to-the-floor beat, so we discuss and play some of our favorite pop songs of all time that utilize odd time signatures. And, for those of you who have no idea what a time signature is, we do a very quick explanation toward the beginning. Enjoy!\u003c/p>\n\u003cp>Tracklist:\u003c/p>\n\u003cp>1. “7/4 (Shoreline)” — Broken Social Scene, \u003ci>Broken Social Scene\u003c/i> (7/4)\u003cbr>2. “Get Lucky” — Daft Punk, \u003ci>Random Access Memory\u003c/i> (4/4)\u003cbr>3.”Waltz #2″ — Elliott Smith, \u003ci>XO\u003c/i> (3/4)\u003cbr>4. “Come On Feel The Illinoise” — Sufjan Stevens, \u003ci>Illinois\u003c/i> (5/4 then 4/4)\u003cbr>5. “Money” — Pink Floyd, \u003ci>Dark Side of The Moon\u003c/i> (7/4)\u003cbr>6. “Solsbury Hill” — Peter Gabriel, \u003ci>Peter Gabriel\u003c/i> (7/4)\u003cbr>7. “Walk on Air” — Minus The Bear, \u003ci>Injustice\u003c/i> (5/4)\u003cbr>8. “Ddiamondd” — Battles, \u003ci>Mirrored\u003c/i> (?)\u003cbr>9. “Pyramid Song” — Radiohead, \u003ci>Amnesiac\u003c/i> (?!?!?)\u003cbr>10. “Everything In It’s Right Place” — Radiohead, \u003ci>Kid A\u003c/i> (10/4)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/119911/best_songs_in_odd_time",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_146"
],
"featImg": "arts_10119911",
"label": "arts_146"
},
"arts_119779": {
"type": "posts",
"id": "arts_119779",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "119779",
"score": null,
"sort": [
1366684917000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1366684917,
"format": "standard",
"title": "Watsky, a Hopeful Rapper on a Shining Trajectory",
"headTitle": "Watsky, a Hopeful Rapper on a Shining Trajectory | KQED",
"content": "\u003cp>It’s not often we think of rappers as a hopeful bunch, a group of dreamers high on the wonders of life. But every so often a person comes along with the right combination of skills and message to turn an entire genre upside down. This is the story of George Watsky. \u003c/p>\n\u003cp>George Watsky, a San Francisco native, spent his teen years writing, doing poetry slams, and attending San Francisco University High School. He was good at it, winning more often than not and even gaining mention in the \u003ca href=\"http://www.sfgate.com/bayarea/johnson/article/Local-poets-lift-voices-at-nationals-2499431.php\">\u003ci>SF Gate\u003c/i>\u003c/a> where he was described as “the Bay Area’s reigning teen champion”. In 2006 he received his first international recognition when he became the Youth Speaks Grand Slam Poetry Champion. After that it was Brave New Voices International Poetry Slam Champion and Emerson College and even a feature on the HBO series \u003ci>Russell Simmons Presents Def Poetry\u003c/i>. But if you’re waiting for the part of the story when that one big break that sends him over the edge, you might be disappointed. There is no such perfect heroic moment in Watsky’s shining trajectory, and frankly that is something of a relief. \u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=1SWZ7qWEjUs?rel=0&w=500&h=281]\u003c/p>\n\u003cp>The start of his current internet fame was back in the wild west days of YouTube. Scrolling back through the archives of his channel it becomes obvious that six years ago (YouTube itself is only eight years old) it was still just an experiment for the young rapper. His channel is a testament to the experimental nature of his work but also clear evidence of the sheer amount of work he puts into the craft. His early videos feature live performance recorded with whatever was available. As his following grew his work become more polished; in well-shot snippets his writing, performance, and editing all began to support each other. Then in January of 2011, after years of work, performance, awards, schooling, and the rest, something clicked. A video titled “Pale kid raps fast” (now called “Watsky raps fast”) went viral, gaining to date over 24 million views. Less than two weeks later he was featured on the \u003ca href=\"http://www.youtube.com/watch?v=iTbufdUHM-E\">\u003ci>Ellen Degeneres Show\u003c/i>\u003c/a> to show off his skills. \u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=I6XLswqiX0s?rel=0&w=500&h=281]\u003c/p>\n\u003cp>This March his most recent album, \u003ci>Cardboard Castles\u003c/i>, was released by Steel Wool Media, a company Watsky co-founded. The same day the album topped the iTunes Hip Hop chart (first in the UK and Canada and then in the U.S.), an astonishing feat for an entirely independent publisher and artist, in large part due to his Twitter and YouTube campaign. But these efforts would fall flat if his work did not speak in a language his audience was hungry for. Instead of showing off he lets us see both his laudable qualities and his failings, “Suspended the same month I won the city science fair. I won most likely to succeed and teachers nightmare.” And when Watsky says don’t worry we are all in this together, we believe him — his honesty and everyman demeanor gives voice to our fear and anxieties.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=ryq_NaO_eXw?rel=0&w=500&h=281]\u003c/p>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 565,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 9
},
"modified": 1705050015,
"excerpt": "A local rapper evolves from high school talent to YouTube sensation, becoming the voice of a generation.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "A local rapper evolves from high school talent to YouTube sensation, becoming the voice of a generation.",
"title": "Watsky, a Hopeful Rapper on a Shining Trajectory | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Watsky, a Hopeful Rapper on a Shining Trajectory",
"datePublished": "2013-04-22T19:41:57-07:00",
"dateModified": "2024-01-12T01:00:15-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "watsky_a_hopeful_rapper_on_a_shining_trajectory",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/music/music-popculture/",
"sticky": false,
"path": "/arts/119779/watsky_a_hopeful_rapper_on_a_shining_trajectory",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>It’s not often we think of rappers as a hopeful bunch, a group of dreamers high on the wonders of life. But every so often a person comes along with the right combination of skills and message to turn an entire genre upside down. This is the story of George Watsky. \u003c/p>\n\u003cp>George Watsky, a San Francisco native, spent his teen years writing, doing poetry slams, and attending San Francisco University High School. He was good at it, winning more often than not and even gaining mention in the \u003ca href=\"http://www.sfgate.com/bayarea/johnson/article/Local-poets-lift-voices-at-nationals-2499431.php\">\u003ci>SF Gate\u003c/i>\u003c/a> where he was described as “the Bay Area’s reigning teen champion”. In 2006 he received his first international recognition when he became the Youth Speaks Grand Slam Poetry Champion. After that it was Brave New Voices International Poetry Slam Champion and Emerson College and even a feature on the HBO series \u003ci>Russell Simmons Presents Def Poetry\u003c/i>. But if you’re waiting for the part of the story when that one big break that sends him over the edge, you might be disappointed. There is no such perfect heroic moment in Watsky’s shining trajectory, and frankly that is something of a relief. \u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/1SWZ7qWEjUs?rel=0'\n title='//www.youtube.com/embed/1SWZ7qWEjUs?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>The start of his current internet fame was back in the wild west days of YouTube. Scrolling back through the archives of his channel it becomes obvious that six years ago (YouTube itself is only eight years old) it was still just an experiment for the young rapper. His channel is a testament to the experimental nature of his work but also clear evidence of the sheer amount of work he puts into the craft. His early videos feature live performance recorded with whatever was available. As his following grew his work become more polished; in well-shot snippets his writing, performance, and editing all began to support each other. Then in January of 2011, after years of work, performance, awards, schooling, and the rest, something clicked. A video titled “Pale kid raps fast” (now called “Watsky raps fast”) went viral, gaining to date over 24 million views. Less than two weeks later he was featured on the \u003ca href=\"http://www.youtube.com/watch?v=iTbufdUHM-E\">\u003ci>Ellen Degeneres Show\u003c/i>\u003c/a> to show off his skills. \u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/I6XLswqiX0s?rel=0'\n title='//www.youtube.com/embed/I6XLswqiX0s?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>This March his most recent album, \u003ci>Cardboard Castles\u003c/i>, was released by Steel Wool Media, a company Watsky co-founded. The same day the album topped the iTunes Hip Hop chart (first in the UK and Canada and then in the U.S.), an astonishing feat for an entirely independent publisher and artist, in large part due to his Twitter and YouTube campaign. But these efforts would fall flat if his work did not speak in a language his audience was hungry for. Instead of showing off he lets us see both his laudable qualities and his failings, “Suspended the same month I won the city science fair. I won most likely to succeed and teachers nightmare.” And when Watsky says don’t worry we are all in this together, we believe him — his honesty and everyman demeanor gives voice to our fear and anxieties.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ryq_NaO_eXw?rel=0'\n title='//www.youtube.com/embed/ryq_NaO_eXw?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/119779/watsky_a_hopeful_rapper_on_a_shining_trajectory",
"authors": [
"139"
],
"categories": [
"arts_69"
],
"featImg": "arts_10119779",
"label": "arts"
},
"arts_119684": {
"type": "posts",
"id": "arts_119684",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "119684",
"score": null,
"sort": [
1366526668000
]
},
"parent": 0,
"labelTerm": {
"site": "arts",
"term": 147
},
"blocks": [],
"publishDate": 1366526668,
"format": "audio",
"title": "Mixtape: Bay Area Artists, Remixing and Remixed",
"headTitle": "Mixtape: Bay Area Artists, Remixing and Remixed | KQED",
"content": "\u003cp>All too frequently, remixes are just \u003cem>okay\u003c/em>, but when they are great, they’re really something special. A truly great remix can shed new light on the original artist’s work and stand on its own as a unique creation. That’s no easy feat, either, given the tension between staying true to an original song’s components and a reworker’s desire to create something new and personal.\u003c/p>\n\u003cp>These days, it feels far too easy to get remix fatigue. Reworkings seem to pop up almost immediately after original songs are released, and they can come in such a volume that it can be a challenge to separate the excellent from mediocre.\u003c/p>\n\u003cp>This mixtape attempts to do just that, highlighting twenty recent songs showcasing San Francisco Bay Area artists getting remixed, Bay Area artists doing the remixing, or, in most cases included here, both. It’s a freewheeling collection that includes a wide variety of exciting local talents.\u003c/p>\n\u003cp>\u003cu>\u003cstrong>Track Listing:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/Naytronix/209196535802293\" target=\"_blank\" rel=\"noopener\">Naytronix\u003c/a> — “Baby Don’t Walk Away (\u003ca href=\"https://www.facebook.com/yalls\" target=\"_blank\" rel=\"noopener\">Yalls\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/Mwahahamusic\" target=\"_blank\" rel=\"noopener\">Mwahaha\u003c/a> — “Sleep Deep (\u003ca href=\"https://www.facebook.com/pages/Odd-Nosdam/158249880937204\" target=\"_blank\" rel=\"noopener\">Odd Nosdam\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/RELIGIOUSGIRLS\" target=\"_blank\" rel=\"noopener\">Relgious Girls\u003c/a> — “OG (\u003ca href=\"https://www.facebook.com/pages/METH-DAD/254625414589523\" target=\"_blank\" rel=\"noopener\">Meth Dad\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/tussleSF\" target=\"_blank\" rel=\"noopener\">Tussle\u003c/a> — “Morituri Te Salutant (\u003ca href=\"http://www.neubauten.org/alex-hacke\" target=\"_blank\" rel=\"noopener\">Alexander Hacke\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/jamesandevander\" target=\"_blank\" rel=\"noopener\">James & Evander\u003c/a> — “Living the Dream (\u003ca href=\"http://courtship.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Courtship\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/exraysvision\" target=\"_blank\" rel=\"noopener\">Exray’s\u003c/a> — “Yellow Light (\u003ca href=\"https://www.facebook.com/pages/SHIGETO/349930070025\" target=\"_blank\" rel=\"noopener\">Shigeto\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/hellohandsome.net\" target=\"_blank\" rel=\"noopener\">Hello Handsome\u003c/a> — “Big Deal (\u003ca href=\"https://www.facebook.com/pages/Shortcircles/194324263933669\">Shortcircles\u003c/a> Remix)”\u003cbr>\u003ca href=\"http://howtodestroyangels.com/\" target=\"_blank\" rel=\"noopener\">How to destroy angels\u003c/a> — “Ice Age (\u003ca href=\"https://www.facebook.com/thesoftmoon\" target=\"_blank\" rel=\"noopener\">The Soft Moon\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/Youngprisms\" target=\"_blank\" rel=\"noopener\">Young Prisms\u003c/a> — “Floating in Blue (\u003ca href=\"https://www.facebook.com/violens\" target=\"_blank\" rel=\"noopener\">Violens\u003c/a> Remix)”\u003cbr>\u003ca href=\"http://troubleinmindrecs.com/bands/fuzz.html\" target=\"_blank\" rel=\"noopener\">Fuzz\u003c/a> — “Fuzz’s Fourth Dream (\u003ca href=\"https://www.facebook.com/pages/Al-Lover/136850922995107\" target=\"_blank\" rel=\"noopener\">Al Lover\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/SunbeamRd\" target=\"_blank\" rel=\"noopener\">Sunbeam Rd.\u003c/a> — “Forum (\u003ca href=\"https://soundcloud.com/bubblegum-crisis\" target=\"_blank\" rel=\"noopener\">Bubblegum Crisis\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/B.HAMILSTAN\" target=\"_blank\" rel=\"noopener\">B. Hamilton\u003c/a> “Gold Tooth (\u003ca href=\"https://www.facebook.com/parentz\" target=\"_blank\" rel=\"noopener\">Parentz\u003c/a> Remix)\u003cbr>\u003ca href=\"https://www.facebook.com/TheBoganVia\" target=\"_blank\" rel=\"noopener\">Bogan Via\u003c/a> — “Kanye (\u003ca href=\"https://www.facebook.com/Geographerfan\" target=\"_blank\" rel=\"noopener\">Geographer\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/tychomusic\" target=\"_blank\" rel=\"noopener\">Tycho\u003c/a> — “Dive (\u003ca href=\"https://www.facebook.com/keepshellyinathens\" target=\"_blank\" rel=\"noopener\">Keep Shelly In Athens\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/giraffage\" target=\"_blank\" rel=\"noopener\">Giraffage\u003c/a> & \u003ca href=\"https://www.facebook.com/frofimusic\" target=\"_blank\" rel=\"noopener\">XXYYXX\u003c/a> — “Even Though (\u003ca href=\"https://www.facebook.com/BlackbirdBlackbirdSF\" target=\"_blank\" rel=\"noopener\">Blackbird Blackbird\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/lofifnk\" target=\"_blank\" rel=\"noopener\">Lo-Fi-Fnk\u003c/a> — “Shut The World Out (\u003ca href=\"https://www.facebook.com/friendzonemusic\" target=\"_blank\" rel=\"noopener\">Friendzone\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/BlackbirdBlackbirdSF\" target=\"_blank\" rel=\"noopener\">Blackbird Blackbird\u003c/a> — “Keep It Up (\u003ca href=\"https://www.facebook.com/DISTALDUB\" target=\"_blank\" rel=\"noopener\">Distal\u003c/a> Remix)”\u003cbr>\u003ca href=\"http://en.wikipedia.org/wiki/Perfume_(Japanese_band)\" target=\"_blank\" rel=\"noopener\">Perfume\u003c/a> — “Computer City (\u003ca href=\"https://www.facebook.com/giraffage\" target=\"_blank\" rel=\"noopener\">Giraffage\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/Seatraffic\" target=\"_blank\" rel=\"noopener\">Seatraffic\u003c/a> — “Superficial Heart (\u003ca href=\"https://soundcloud.com/yr-skull\" target=\"_blank\" rel=\"noopener\">YR SKULL\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/TRAILSANDWAYS\" target=\"_blank\" rel=\"noopener\">Trails and Ways\u003c/a> — “Border Crosser (\u003ca href=\"https://www.facebook.com/theseshen\" target=\"_blank\" rel=\"noopener\">The Seshen\u003c/a> Remix)”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
"stats": {
"hasVideo": false,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 368,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 7
},
"modified": 1705050019,
"excerpt": "Listen to \u003ci>The Bay Bridged\u003c/i> podcast of \"truly great\" remixes of or by Bay Area artists.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "Listen to The Bay Bridged podcast of "truly great" remixes of or by Bay Area artists.",
"title": "Mixtape: Bay Area Artists, Remixing and Remixed | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "Mixtape: Bay Area Artists, Remixing and Remixed",
"datePublished": "2013-04-20T23:44:28-07:00",
"dateModified": "2024-01-12T01:00:19-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [],
"slug": "mixtape_bay_area_artists_remixing_and_remixed",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/programs/baybridged/",
"audioUrl": "http://media.libsyn.com/media/thebaybridged/Remixes_Mixtape.mp3",
"sticky": false,
"path": "/arts/119684/mixtape_bay_area_artists_remixing_and_remixed",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>All too frequently, remixes are just \u003cem>okay\u003c/em>, but when they are great, they’re really something special. A truly great remix can shed new light on the original artist’s work and stand on its own as a unique creation. That’s no easy feat, either, given the tension between staying true to an original song’s components and a reworker’s desire to create something new and personal.\u003c/p>\n\u003cp>These days, it feels far too easy to get remix fatigue. Reworkings seem to pop up almost immediately after original songs are released, and they can come in such a volume that it can be a challenge to separate the excellent from mediocre.\u003c/p>\n\u003cp>This mixtape attempts to do just that, highlighting twenty recent songs showcasing San Francisco Bay Area artists getting remixed, Bay Area artists doing the remixing, or, in most cases included here, both. It’s a freewheeling collection that includes a wide variety of exciting local talents.\u003c/p>\n\u003cp>\u003cu>\u003cstrong>Track Listing:\u003c/strong>\u003c/u>\u003c/p>\n\u003cp>\u003ca href=\"https://www.facebook.com/pages/Naytronix/209196535802293\" target=\"_blank\" rel=\"noopener\">Naytronix\u003c/a> — “Baby Don’t Walk Away (\u003ca href=\"https://www.facebook.com/yalls\" target=\"_blank\" rel=\"noopener\">Yalls\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/Mwahahamusic\" target=\"_blank\" rel=\"noopener\">Mwahaha\u003c/a> — “Sleep Deep (\u003ca href=\"https://www.facebook.com/pages/Odd-Nosdam/158249880937204\" target=\"_blank\" rel=\"noopener\">Odd Nosdam\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/RELIGIOUSGIRLS\" target=\"_blank\" rel=\"noopener\">Relgious Girls\u003c/a> — “OG (\u003ca href=\"https://www.facebook.com/pages/METH-DAD/254625414589523\" target=\"_blank\" rel=\"noopener\">Meth Dad\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/tussleSF\" target=\"_blank\" rel=\"noopener\">Tussle\u003c/a> — “Morituri Te Salutant (\u003ca href=\"http://www.neubauten.org/alex-hacke\" target=\"_blank\" rel=\"noopener\">Alexander Hacke\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/jamesandevander\" target=\"_blank\" rel=\"noopener\">James & Evander\u003c/a> — “Living the Dream (\u003ca href=\"http://courtship.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Courtship\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/exraysvision\" target=\"_blank\" rel=\"noopener\">Exray’s\u003c/a> — “Yellow Light (\u003ca href=\"https://www.facebook.com/pages/SHIGETO/349930070025\" target=\"_blank\" rel=\"noopener\">Shigeto\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/hellohandsome.net\" target=\"_blank\" rel=\"noopener\">Hello Handsome\u003c/a> — “Big Deal (\u003ca href=\"https://www.facebook.com/pages/Shortcircles/194324263933669\">Shortcircles\u003c/a> Remix)”\u003cbr>\u003ca href=\"http://howtodestroyangels.com/\" target=\"_blank\" rel=\"noopener\">How to destroy angels\u003c/a> — “Ice Age (\u003ca href=\"https://www.facebook.com/thesoftmoon\" target=\"_blank\" rel=\"noopener\">The Soft Moon\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/Youngprisms\" target=\"_blank\" rel=\"noopener\">Young Prisms\u003c/a> — “Floating in Blue (\u003ca href=\"https://www.facebook.com/violens\" target=\"_blank\" rel=\"noopener\">Violens\u003c/a> Remix)”\u003cbr>\u003ca href=\"http://troubleinmindrecs.com/bands/fuzz.html\" target=\"_blank\" rel=\"noopener\">Fuzz\u003c/a> — “Fuzz’s Fourth Dream (\u003ca href=\"https://www.facebook.com/pages/Al-Lover/136850922995107\" target=\"_blank\" rel=\"noopener\">Al Lover\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/SunbeamRd\" target=\"_blank\" rel=\"noopener\">Sunbeam Rd.\u003c/a> — “Forum (\u003ca href=\"https://soundcloud.com/bubblegum-crisis\" target=\"_blank\" rel=\"noopener\">Bubblegum Crisis\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/B.HAMILSTAN\" target=\"_blank\" rel=\"noopener\">B. Hamilton\u003c/a> “Gold Tooth (\u003ca href=\"https://www.facebook.com/parentz\" target=\"_blank\" rel=\"noopener\">Parentz\u003c/a> Remix)\u003cbr>\u003ca href=\"https://www.facebook.com/TheBoganVia\" target=\"_blank\" rel=\"noopener\">Bogan Via\u003c/a> — “Kanye (\u003ca href=\"https://www.facebook.com/Geographerfan\" target=\"_blank\" rel=\"noopener\">Geographer\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/tychomusic\" target=\"_blank\" rel=\"noopener\">Tycho\u003c/a> — “Dive (\u003ca href=\"https://www.facebook.com/keepshellyinathens\" target=\"_blank\" rel=\"noopener\">Keep Shelly In Athens\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/giraffage\" target=\"_blank\" rel=\"noopener\">Giraffage\u003c/a> & \u003ca href=\"https://www.facebook.com/frofimusic\" target=\"_blank\" rel=\"noopener\">XXYYXX\u003c/a> — “Even Though (\u003ca href=\"https://www.facebook.com/BlackbirdBlackbirdSF\" target=\"_blank\" rel=\"noopener\">Blackbird Blackbird\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/lofifnk\" target=\"_blank\" rel=\"noopener\">Lo-Fi-Fnk\u003c/a> — “Shut The World Out (\u003ca href=\"https://www.facebook.com/friendzonemusic\" target=\"_blank\" rel=\"noopener\">Friendzone\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/BlackbirdBlackbirdSF\" target=\"_blank\" rel=\"noopener\">Blackbird Blackbird\u003c/a> — “Keep It Up (\u003ca href=\"https://www.facebook.com/DISTALDUB\" target=\"_blank\" rel=\"noopener\">Distal\u003c/a> Remix)”\u003cbr>\u003ca href=\"http://en.wikipedia.org/wiki/Perfume_(Japanese_band)\" target=\"_blank\" rel=\"noopener\">Perfume\u003c/a> — “Computer City (\u003ca href=\"https://www.facebook.com/giraffage\" target=\"_blank\" rel=\"noopener\">Giraffage\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/Seatraffic\" target=\"_blank\" rel=\"noopener\">Seatraffic\u003c/a> — “Superficial Heart (\u003ca href=\"https://soundcloud.com/yr-skull\" target=\"_blank\" rel=\"noopener\">YR SKULL\u003c/a> Remix)”\u003cbr>\u003ca href=\"https://www.facebook.com/TRAILSANDWAYS\" target=\"_blank\" rel=\"noopener\">Trails and Ways\u003c/a> — “Border Crosser (\u003ca href=\"https://www.facebook.com/theseshen\" target=\"_blank\" rel=\"noopener\">The Seshen\u003c/a> Remix)”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/119684/mixtape_bay_area_artists_remixing_and_remixed",
"authors": [
"92"
],
"categories": [
"arts_69"
],
"affiliates": [
"arts_147"
],
"featImg": "arts_10119684",
"label": "arts_147"
},
"arts_119528": {
"type": "posts",
"id": "arts_119528",
"meta": {
"index": "posts_1716263798",
"site": "arts",
"id": "119528",
"score": null,
"sort": [
1366230686000
]
},
"parent": 0,
"labelTerm": {
"site": "arts"
},
"blocks": [],
"publishDate": 1366230686,
"format": "standard",
"title": "With A Tribe Called Red, Native American Music Gets a Dramatic Makeover",
"headTitle": "With A Tribe Called Red, Native American Music Gets a Dramatic Makeover | KQED",
"content": "\u003cp>Every week, some kind of controversy emerges that sheds new (or renewed) light on the way Native American people are perceived by non-Natives. Last week, it was the auction of masks in Paris, which Hopi leaders tried to stop after saying the objects were stolen and too sacred to be sold for profit. Two weeks ago, it was a plea by former FCC officials for the NFL’s Washington Redskins to change their name — or face a possible ban on TV broadcasters’ use of the moniker.\u003c/p>\n\u003cp>The clamor for change can be seen in the music of A Tribe Called Red, a Native American group of DJs touring the United States and performing in San Francisco on Friday night, April 19, 2013. The group’s music incorporates traditional Native American chants and singing, and layers it with techno beats and other electronic segues that give the songs a dancehall pulse. During their performances, A Tribe Called Red incorporates clips of Hollywood films depicting stereotypical imagery of Native Americans. Through music and video, A Tribe Called Red is reinterpreting the Native American experience, saying there’s room to have fun \u003ci>and\u003c/i> spark awareness of the antiquated views that still remain of a people whom Christopher Columbus labeled “Indian.” \u003c/p>\n\u003cp>[youtube http://www.youtube.com/watch?v=lpkUISUx3Lo?rel=0&w=480&h=360]\u003c/p>\n\u003cp>“What we’re using is pow wow music, and pow wow music is party music in a sense — it’s dance music,” Bear Witness, one of A Tribe Called Red’s three members, tells me in a phone interview from Canada. “We’re using music that we use for competition pow wows, so it’s music to make you dance. Bringing it into the club — we’re remixing dance music with dance music. As for the images, I like to say that we’re ‘decolonizing’ them, and indigenizing them. We’re indigenizing the club spaces and making them our own.”\u003c/p>\n\u003cp>A Tribe Called Red is widely known in music circles in Ottawa, where it’s based, and in such other Canadian cities like Toronto, but the group emerged on an international level last year when it released an eponymous album, for free, on the internet. Word-of-mouth and good reviews quickly bumped the album onto best-seller lists, and by the end of 2012, the \u003ci>Washington Post\u003c/i> had called the release one of the year’s 10 best albums (on a list headed by Frank Ocean and Neil Young). This year, A Tribe Called Red is performing at some of the biggest U.S. venues for emerging artists. Last month it was South by Southwest in Austin, Texas, and this month — after San Francisco – it’s the New Orleans Jazz and Heritage Festival. \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>What’s alluring about the group’s music is the way the trio — Bear Witness, DJ Shub and DJ NDN — utterly transforms familiar Native American sounds. The song “Electric Pow Wow Drum” is — as its name suggests — a wild, pulse-driven reinterpretation of the traditional Native American pow wow that brings together tribespeople. “Woodcarver,” about a Native American woodcarver shot to death by Seattle police in 2010, uses media reports of the killing to recreates the shooting itself with Native American chants in the background. And “General Generations” locks the voice of an older Native American man to the sounds of electronic beats. The songs practically demand you to move your feet while simultaneously investigating your own understanding of Native American culture.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/04/17/ATCR2.jpg\" style=\"margin-bottom: 10px\">\u003cbr>A Tribe Called Red is made up of (left to right) DJ NDN, DJ Shub, and Bear Witness. Photo by Pat Bolduc.\u003c/p>\n\u003cp>At some of the A Tribe Called Red’s shows, non-Native fans have shown up with traditional Native American headdresses and “war paint,” thinking they’re paying homage to the culture that the DJs are celebrating. But Bear Witness discourages that sort of fan-identification because, he says, it trivializes the culture. \u003c/p>\n\u003cp>“It’s a common thing where people think, ‘Oh, I’m going to honor you, ‘” he says. “We had a show last month in Montreal where I counted at least six or seven headdresses in the audience. At a show in Toronto, people came in war paint, but after that show, a conversation started on Facebook when photos of the show came out. Both sides (people defending the war paint, and those against it) got pretty nasty. But what came out of the whole discussion eventually was a few of the people who did show up in war paint realizing that they had done something wrong, and apologizing, and saying, ‘Thank you for setting me straight.'”\u003c/p>\n\u003cp>Occasionally, A Tribe Called Red will have to answer to Native American elders who object to the venues the group plays. “The only real reaction we’ve gotten from people in a negative sense is from people who aren’t necessarily comfortable with us using ‘pow wow’ in a situation where alcohol is being served,” he says. “But at the same time, people who’ve expressed a concern around that have always followed up with, ‘I really like what you’re doing.’ We’re walking a fine line with what we’re doing, and it takes a lot of care, so that people from our community are comfortable with what we’re doing.” \u003c/p>\n\u003cp>A Tribe Called Red takes inspiration from Redbone, which in the early 1970s was the first Native American rock group to get international recognition. “Come and Get Your Love,” Redbone’s most popular hit, had no recognizable Native American elements to it — at least on the radio — but the group’s concerts were another matter, with Redbone wearing Native American clothing and adding Native American rituals to the song. Redbone’s other music was downright political — as in “We Were All Wounded at Wounded Knee,” where the lyrics announced, “We were all wounded at Wounded Knee, you and me, in the name of Manifest Destiny,” and, “We’ll sing, sing, sing our story until the truth is heard. There’s a whole new generation. Braves who dream of veneration who were not wiped out by the 7th Cavalry.” \u003c/p>\n\u003cp>Bear Witness, who’s 35, is part of a new generation of Native North Americans who say they’re trying to broaden the connections between their culture and the culture at large. You can see this broadening in the annual Native American Music Awards, which gives honors in such categories as “Best Blues Recording,” “Best Pop Recording,” “Best Rap/Hip-Hop Recording,” and “Best Pow Wow Recording.” This year’s Native American Music Awards is May 10. Just by getting on stage and playing music that attracts a wide audience, A Tribe Called Red is extending the boundaries of what can be called “Native American music.” Bear Witness grew up in an activist household, and he initially got into DJing as a teenager to escape an environment where nearly everything — from discussions at home to lessons at his school — was premised on how to take the Native American movement higher.\u003c/p>\n\u003cp>“I wanted to get away from that feeing of having to be political all the time,” says Bear Witness. “But that’s what comes with being Aboriginal. I tried to rebel against it, but the more I did, the more I found myself in this place where I had to be political. Just being Aboriginal is being political. That fact that I wake up in the morning and do anything is political, because of everything in this world that’s been done to stop my culture. So, the fact I know my culture, and that I know my history, and that I’m living and thriving — it starts from a political thing. It’s a responsibility, but it’s a responsibility that you can’t get away from. To be an Aboriginal artist, and to be in the public eye, you automatically have to talk about political things because that’s the understanding you have to create as an artist. If I’m just talking to my own people, well, yes, I don’t have to be political. But as soon as I’m outside my community, I have to talk about those issues. I have to talk about the world that we live in.”\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>A Tribe Called Red performs Friday, April 19, 9:00pm, at Thee Parkside in San Francisco. For \u003ca href=\"http://www.theeparkside.com/\">tickets and more information,\u003c/a> visit theeparkside.com.\u003c/p>\n\n",
"stats": {
"hasVideo": true,
"hasChartOrMap": false,
"hasAudio": false,
"hasPolis": false,
"wordCount": 1518,
"hasGoogleForm": false,
"hasGallery": false,
"hasHearkenModule": false,
"iframeSrcs": [],
"paragraphCount": 16
},
"modified": 1705050027,
"excerpt": "The group, which performs Friday, April 19, 2013 in San Francisco, uses electronic beats to push the boundaries of an ancient art form.",
"headData": {
"twImgId": "",
"twTitle": "",
"ogTitle": "",
"ogImgId": "",
"twDescription": "",
"description": "The group, which performs Friday, April 19, 2013 in San Francisco, uses electronic beats to push the boundaries of an ancient art form.",
"title": "With A Tribe Called Red, Native American Music Gets a Dramatic Makeover | KQED",
"ogDescription": "",
"schema": {
"@context": "https://schema.org",
"@type": "Article",
"headline": "With A Tribe Called Red, Native American Music Gets a Dramatic Makeover",
"datePublished": "2013-04-17T13:31:26-07:00",
"dateModified": "2024-01-12T01:00:27-08:00",
"image": "https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"
}
},
"guestAuthors": [
{
"userLogin": "jonathan-curiel",
"firstName": "Jonathan",
"lastName": "Curiel",
"website": "",
"displayName": "Jonathan Curiel",
"linkedAccount": "jcuriel",
"nickname": "",
"description": "Jonathan Curiel has written widely about music, film, books, art, photography and other cultural subjects. \u003ci>SF Weekly's\u003c/i> art critic, he is a former staff writer with the \u003ci>San Francisco Chronicle\u003c/i>, and has also written on the arts for \u003ca href=\"http://www.salon.com/\">Salon\u003c/a>, the \u003ci>Christian Science Monitor\u003c/i>, \u003ci>The Wire\u003c/i> (a London music magazine), \u003ci>Tablet\u003c/i> and \u003ci>GlobalPost\u003c/i>. He has researched architecture at England's Oxford University, taught music journalism at the UCLA Herb Alpert School of Music, and been a juror at the San Francisco International Film Festival.",
"userEmail": "jonathancuriel@hotmail.com",
"ID": "128435",
"type": "guest-author",
"userNicename": "jonathan-curiel"
}
],
"slug": "with_a_tribe_called_red_native_american_music_gets_a_dramatic_makeover",
"status": "publish",
"sourceUrl": "http://www.kqed.org/arts/category/music/",
"sticky": false,
"path": "/arts/119528/with_a_tribe_called_red_native_american_music_gets_a_dramatic_makeover",
"audioTrackLength": null,
"parsedContent": [
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>Every week, some kind of controversy emerges that sheds new (or renewed) light on the way Native American people are perceived by non-Natives. Last week, it was the auction of masks in Paris, which Hopi leaders tried to stop after saying the objects were stolen and too sacred to be sold for profit. Two weeks ago, it was a plea by former FCC officials for the NFL’s Washington Redskins to change their name — or face a possible ban on TV broadcasters’ use of the moniker.\u003c/p>\n\u003cp>The clamor for change can be seen in the music of A Tribe Called Red, a Native American group of DJs touring the United States and performing in San Francisco on Friday night, April 19, 2013. The group’s music incorporates traditional Native American chants and singing, and layers it with techno beats and other electronic segues that give the songs a dancehall pulse. During their performances, A Tribe Called Red incorporates clips of Hollywood films depicting stereotypical imagery of Native Americans. Through music and video, A Tribe Called Red is reinterpreting the Native American experience, saying there’s room to have fun \u003ci>and\u003c/i> spark awareness of the antiquated views that still remain of a people whom Christopher Columbus labeled “Indian.” \u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/lpkUISUx3Lo?rel=0'\n title='//www.youtube.com/embed/lpkUISUx3Lo?rel=0'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cp>“What we’re using is pow wow music, and pow wow music is party music in a sense — it’s dance music,” Bear Witness, one of A Tribe Called Red’s three members, tells me in a phone interview from Canada. “We’re using music that we use for competition pow wows, so it’s music to make you dance. Bringing it into the club — we’re remixing dance music with dance music. As for the images, I like to say that we’re ‘decolonizing’ them, and indigenizing them. We’re indigenizing the club spaces and making them our own.”\u003c/p>\n\u003cp>A Tribe Called Red is widely known in music circles in Ottawa, where it’s based, and in such other Canadian cities like Toronto, but the group emerged on an international level last year when it released an eponymous album, for free, on the internet. Word-of-mouth and good reviews quickly bumped the album onto best-seller lists, and by the end of 2012, the \u003ci>Washington Post\u003c/i> had called the release one of the year’s 10 best albums (on a list headed by Frank Ocean and Neil Young). This year, A Tribe Called Red is performing at some of the biggest U.S. venues for emerging artists. Last month it was South by Southwest in Austin, Texas, and this month — after San Francisco – it’s the New Orleans Jazz and Heritage Festival. \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "fullwidth"
},
"numeric": [
"fullwidth"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>What’s alluring about the group’s music is the way the trio — Bear Witness, DJ Shub and DJ NDN — utterly transforms familiar Native American sounds. The song “Electric Pow Wow Drum” is — as its name suggests — a wild, pulse-driven reinterpretation of the traditional Native American pow wow that brings together tribespeople. “Woodcarver,” about a Native American woodcarver shot to death by Seattle police in 2010, uses media reports of the killing to recreates the shooting itself with Native American chants in the background. And “General Generations” locks the voice of an older Native American man to the sounds of electronic beats. The songs practically demand you to move your feet while simultaneously investigating your own understanding of Native American culture.\u003c/p>\n\u003cp>\u003cimg decoding=\"async\" src=\"http://u.s.kqed.net/2013/04/17/ATCR2.jpg\" style=\"margin-bottom: 10px\">\u003cbr>A Tribe Called Red is made up of (left to right) DJ NDN, DJ Shub, and Bear Witness. Photo by Pat Bolduc.\u003c/p>\n\u003cp>At some of the A Tribe Called Red’s shows, non-Native fans have shown up with traditional Native American headdresses and “war paint,” thinking they’re paying homage to the culture that the DJs are celebrating. But Bear Witness discourages that sort of fan-identification because, he says, it trivializes the culture. \u003c/p>\n\u003cp>“It’s a common thing where people think, ‘Oh, I’m going to honor you, ‘” he says. “We had a show last month in Montreal where I counted at least six or seven headdresses in the audience. At a show in Toronto, people came in war paint, but after that show, a conversation started on Facebook when photos of the show came out. Both sides (people defending the war paint, and those against it) got pretty nasty. But what came out of the whole discussion eventually was a few of the people who did show up in war paint realizing that they had done something wrong, and apologizing, and saying, ‘Thank you for setting me straight.'”\u003c/p>\n\u003cp>Occasionally, A Tribe Called Red will have to answer to Native American elders who object to the venues the group plays. “The only real reaction we’ve gotten from people in a negative sense is from people who aren’t necessarily comfortable with us using ‘pow wow’ in a situation where alcohol is being served,” he says. “But at the same time, people who’ve expressed a concern around that have always followed up with, ‘I really like what you’re doing.’ We’re walking a fine line with what we’re doing, and it takes a lot of care, so that people from our community are comfortable with what we’re doing.” \u003c/p>\n\u003cp>A Tribe Called Red takes inspiration from Redbone, which in the early 1970s was the first Native American rock group to get international recognition. “Come and Get Your Love,” Redbone’s most popular hit, had no recognizable Native American elements to it — at least on the radio — but the group’s concerts were another matter, with Redbone wearing Native American clothing and adding Native American rituals to the song. Redbone’s other music was downright political — as in “We Were All Wounded at Wounded Knee,” where the lyrics announced, “We were all wounded at Wounded Knee, you and me, in the name of Manifest Destiny,” and, “We’ll sing, sing, sing our story until the truth is heard. There’s a whole new generation. Braves who dream of veneration who were not wiped out by the 7th Cavalry.” \u003c/p>\n\u003cp>Bear Witness, who’s 35, is part of a new generation of Native North Americans who say they’re trying to broaden the connections between their culture and the culture at large. You can see this broadening in the annual Native American Music Awards, which gives honors in such categories as “Best Blues Recording,” “Best Pop Recording,” “Best Rap/Hip-Hop Recording,” and “Best Pow Wow Recording.” This year’s Native American Music Awards is May 10. Just by getting on stage and playing music that attracts a wide audience, A Tribe Called Red is extending the boundaries of what can be called “Native American music.” Bear Witness grew up in an activist household, and he initially got into DJing as a teenager to escape an environment where nearly everything — from discussions at home to lessons at his school — was premised on how to take the Native American movement higher.\u003c/p>\n\u003cp>“I wanted to get away from that feeing of having to be political all the time,” says Bear Witness. “But that’s what comes with being Aboriginal. I tried to rebel against it, but the more I did, the more I found myself in this place where I had to be political. Just being Aboriginal is being political. That fact that I wake up in the morning and do anything is political, because of everything in this world that’s been done to stop my culture. So, the fact I know my culture, and that I know my history, and that I’m living and thriving — it starts from a political thing. It’s a responsibility, but it’s a responsibility that you can’t get away from. To be an Aboriginal artist, and to be in the public eye, you automatically have to talk about political things because that’s the understanding you have to create as an artist. If I’m just talking to my own people, well, yes, I don’t have to be political. But as soon as I’m outside my community, I have to talk about those issues. I have to talk about the world that we live in.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
"attributes": {
"named": {},
"numeric": []
}
},
{
"type": "component",
"content": "",
"name": "ad",
"attributes": {
"named": {
"label": "floatright"
},
"numeric": [
"floatright"
]
}
},
{
"type": "contentString",
"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A Tribe Called Red performs Friday, April 19, 9:00pm, at Thee Parkside in San Francisco. For \u003ca href=\"http://www.theeparkside.com/\">tickets and more information,\u003c/a> visit theeparkside.com.\u003c/p>\n\n\u003c/div>\u003c/p>",
"attributes": {
"named": {},
"numeric": []
}
}
],
"link": "/arts/119528/with_a_tribe_called_red_native_american_music_gets_a_dramatic_makeover",
"authors": [
"128435"
],
"categories": [
"arts_69"
],
"featImg": "arts_10119528",
"label": "arts"
}
},
"podcastsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"podcasts": {}
},
"radioProgramsReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"radioPrograms": {}
},
"radioSearchSegmentsReducer": {},
"programsReducer": {
"all-things-considered": {
"id": "all-things-considered",
"title": "All Things Considered",
"info": "Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.",
"airtime": "MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/all-things-considered/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/all-things-considered"
},
"american-suburb-podcast": {
"id": "american-suburb-podcast",
"title": "American Suburb: The Podcast",
"tagline": "The flip side of gentrification, told through one town",
"info": "Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg",
"officialWebsiteLink": "/news/series/american-suburb-podcast",
"meta": {
"site": "news",
"source": "kqed",
"order": 19
},
"link": "/news/series/american-suburb-podcast/",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/RBrW",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328",
"tuneIn": "https://tunein.com/radio/American-Suburb-p1086805/",
"rss": "https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"
}
},
"baycurious": {
"id": "baycurious",
"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Bay Curious",
"officialWebsiteLink": "/news/series/baycurious",
"meta": {
"site": "news",
"source": "kqed",
"order": 3
},
"link": "/podcasts/baycurious",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/bay-curious/id1172473406",
"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
"rss": "https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast",
"amazon": "https://music.amazon.com/podcasts/9a90d476-aa04-455d-9a4c-0871ed6216d4/bay-curious",
"stitcher": "https://www.stitcher.com/podcast/kqed/bay-curious",
"spotify": "https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"
}
},
"bbc-world-service": {
"id": "bbc-world-service",
"title": "BBC World Service",
"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.bbc.co.uk/sounds/play/live:bbc_world_service",
"meta": {
"site": "news",
"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2",
"tuneIn": "https://tunein.com/radio/BBC-World-Service-p455581/",
"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report",
"officialWebsiteLink": "/californiareport",
"meta": {
"site": "news",
"source": "kqed",
"order": 8
},
"link": "/californiareport",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-the-california-report/id79681292",
"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
"npr": "https://www.npr.org/podcasts/432285393/the-california-report",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-the-california-report-podcast-8838",
"rss": "https://ww2.kqed.org/news/tag/tcram/feed/podcast"
}
},
"californiareportmagazine": {
"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Magazine-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The California Report Magazine",
"officialWebsiteLink": "/californiareportmagazine",
"meta": {
"site": "news",
"source": "kqed",
"order": 10
},
"link": "/californiareportmagazine",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-california-report-magazine/id1314750545",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
"npr": "https://www.npr.org/podcasts/564733126/the-california-report-magazine",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-california-report-magazine",
"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
}
},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
"title": "Close All Tabs",
"tagline": "Your irreverent guide to the trends redefining our world",
"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/02/CAT_2_Tile-scaled.jpg",
"imageAlt": "KQED Close All Tabs",
"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
"site": "news",
"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/close-all-tabs/id214663465",
"rss": "https://feeds.megaphone.fm/KQINC6993880386",
"amazon": "https://music.amazon.com/podcasts/92d9d4ac-67a3-4eed-b10a-fb45d45b1ef2/close-all-tabs",
"spotify": "https://open.spotify.com/show/6LAJFHnGK1pYXYzv6SIol6?si=deb0cae19813417c"
}
},
"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
"spotify": "https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV",
"rss": "https://feeds.npr.org/510312/podcast.xml"
}
},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
"tuneIn": "https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"
}
},
"forum": {
"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
"npr": "https://www.npr.org/podcasts/432307980/forum",
"stitcher": "https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast",
"rss": "https://feeds.megaphone.fm/KQINC9557381633"
}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
"airtime": "MON-FRI 7pm-8pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/fresh-air/",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/fresh-air",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/4s8b",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Fresh-Air-p17/",
"rss": "https://feeds.npr.org/381444908/podcast.xml"
}
},
"here-and-now": {
"id": "here-and-now",
"title": "Here & Now",
"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
"airtime": "MON-THU 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://www.wbur.org/hereandnow",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/here-and-now",
"subsdcribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661",
"tuneIn": "https://tunein.com/radio/Here--Now-p211/",
"rss": "https://feeds.npr.org/510051/podcast.xml"
}
},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/hidden-brain/id1028908750?mt=2",
"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
"tuneIn": "https://tunein.com/podcasts/Arts--Culture-Podcasts/How-I-Built-This-p910896/",
"rss": "https://feeds.npr.org/510313/podcast.xml"
}
},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
"site": "news",
"source": "kqed",
"order": 15
},
"link": "/podcasts/hyphenacion",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/hyphenaci%C3%B3n/id1191591838",
"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
"youtube": "https://www.youtube.com/c/kqedarts",
"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
"site": "news",
"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
"subscribe": {
"npr": "https://www.npr.org/podcasts/790253322/the-political-mind-of-jerry-brown",
"apple": "https://itunes.apple.com/us/podcast/id1492194549",
"rss": "https://ww2.kqed.org/news/series/jerrybrown/feed/podcast/",
"tuneIn": "http://tun.in/pjGcK",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-political-mind-of-jerry-brown",
"spotify": "https://open.spotify.com/show/54C1dmuyFyKMFttY6X2j6r?si=K8SgRCoISNK6ZbjpXrX5-w",
"amazon": "https://music.amazon.com/podcasts/44420f75-3b0e-4301-ab3b-16da6b09e543/the-political-mind-of-jerry-brown"
}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Latino-USA-p621/",
"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201853034&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/APM-Marketplace-p88/",
"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
"npr": "https://rpb3r.app.goo.gl/onourwatch",
"spotify": "https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x",
"tuneIn": "https://tunein.com/radio/On-Our-Watch-p1436229/",
"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
"site": "radio",
"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
}
},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/political-breakdown/id1327641087",
"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
"stitcher": "https://www.stitcher.com/podcast/kqed/political-breakdown",
"spotify": "https://open.spotify.com/show/07RVyIjIdk2WDuVehvBMoN",
"rss": "https://ww2.kqed.org/news/tag/political-breakdown/feed/podcast"
}
},
"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
"site": "news",
"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/possible/id1677184070",
"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
}
},
"pri-the-world": {
"id": "pri-the-world",
"title": "PRI's The World: Latest Edition",
"info": "Each weekday, host Marco Werman and his team of producers bring you the world's most interesting stories in an hour of radio that reminds us just how small our planet really is.",
"airtime": "MON-FRI 2pm-3pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-World-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pri.org/programs/the-world",
"meta": {
"site": "news",
"source": "PRI"
},
"link": "/radio/program/pri-the-world",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pris-the-world-latest-edition/id278196007?mt=2",
"tuneIn": "https://tunein.com/podcasts/News--Politics-Podcasts/PRIs-The-World-p24/",
"rss": "http://feeds.feedburner.com/pri/theworld"
}
},
"radiolab": {
"id": "radiolab",
"title": "Radiolab",
"info": "A two-time Peabody Award-winner, Radiolab is an investigation told through sounds and stories, and centered around one big idea. In the Radiolab world, information sounds like music and science and culture collide. Hosted by Jad Abumrad and Robert Krulwich, the show is designed for listeners who demand skepticism, but appreciate wonder. WNYC Studios is the producer of other leading podcasts including Freakonomics Radio, Death, Sex & Money, On the Media and many more.",
"airtime": "SUN 12am-1am, SAT 2pm-3pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/radiolab1400.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/radiolab/",
"meta": {
"site": "science",
"source": "WNYC"
},
"link": "/radio/program/radiolab",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/radiolab/id152249110?mt=2",
"tuneIn": "https://tunein.com/radio/RadioLab-p68032/",
"rss": "https://feeds.wnyc.org/radiolab"
}
},
"reveal": {
"id": "reveal",
"title": "Reveal",
"info": "Created by The Center for Investigative Reporting and PRX, Reveal is public radios first one-hour weekly radio show and podcast dedicated to investigative reporting. Credible, fact based and without a partisan agenda, Reveal combines the power and artistry of driveway moment storytelling with data-rich reporting on critically important issues. The result is stories that inform and inspire, arming our listeners with information to right injustices, hold the powerful accountable and improve lives.Reveal is hosted by Al Letson and showcases the award-winning work of CIR and newsrooms large and small across the nation. In a radio and podcast market crowded with choices, Reveal focuses on important and often surprising stories that illuminate the world for our listeners.",
"airtime": "SAT 4pm-5pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/reveal300px.png",
"officialWebsiteLink": "https://www.revealnews.org/episodes/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/reveal",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/reveal/id886009669",
"tuneIn": "https://tunein.com/radio/Reveal-p679597/",
"rss": "http://feeds.revealradio.org/revealpodcast"
}
},
"rightnowish": {
"id": "rightnowish",
"title": "Rightnowish",
"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Rightnowish-Podcast-Tile-500x500-1.jpg",
"imageAlt": "KQED Rightnowish with Pendarvis Harshaw",
"officialWebsiteLink": "/podcasts/rightnowish",
"meta": {
"site": "arts",
"source": "kqed",
"order": 16
},
"link": "/podcasts/rightnowish",
"subscribe": {
"npr": "https://www.npr.org/podcasts/721590300/rightnowish",
"rss": "https://ww2.kqed.org/arts/programs/rightnowish/feed/podcast",
"apple": "https://podcasts.apple.com/us/podcast/rightnowish/id1482187648",
"stitcher": "https://www.stitcher.com/podcast/kqed/rightnowish",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMxMjU5MTY3NDc4",
"spotify": "https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I"
}
},
"science-friday": {
"id": "science-friday",
"title": "Science Friday",
"info": "Science Friday is a weekly science talk show, broadcast live over public radio stations nationwide. Each week, the show focuses on science topics that are in the news and tries to bring an educated, balanced discussion to bear on the scientific issues at hand. Panels of expert guests join host Ira Flatow, a veteran science journalist, to discuss science and to take questions from listeners during the call-in portion of the program.",
"airtime": "FRI 11am-1pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Science-Friday-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/science-friday",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/science-friday",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=73329284&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Science-Friday-p394/",
"rss": "http://feeds.wnyc.org/science-friday"
}
},
"snap-judgment": {
"id": "snap-judgment",
"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
"airtime": "SAT 1pm-2pm, 9pm-10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/05/Snap-Judgment-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Snap Judgment",
"officialWebsiteLink": "https://snapjudgment.org",
"meta": {
"site": "arts",
"source": "kqed",
"order": 4
},
"link": "https://snapjudgment.org",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/snap-judgment/id283657561",
"npr": "https://www.npr.org/podcasts/449018144/snap-judgment",
"stitcher": "https://www.pandora.com/podcast/snap-judgment/PC:241?source=stitcher-sunset",
"spotify": "https://open.spotify.com/show/3Cct7ZWmxHNAtLgBTqjC5v",
"rss": "https://snap.feed.snapjudgment.org/"
}
},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Sold-Out-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Sold Out: Rethinking Housing in America",
"officialWebsiteLink": "/podcasts/soldout",
"meta": {
"site": "news",
"source": "kqed",
"order": 13
},
"link": "/podcasts/soldout",
"subscribe": {
"npr": "https://www.npr.org/podcasts/911586047/s-o-l-d-o-u-t-a-new-future-for-housing",
"apple": "https://podcasts.apple.com/us/podcast/introducing-sold-out-rethinking-housing-in-america/id1531354937",
"rss": "https://feeds.megaphone.fm/soldout",
"spotify": "https://open.spotify.com/show/38dTBSk2ISFoPiyYNoKn1X",
"stitcher": "https://www.stitcher.com/podcast/kqed/sold-out-rethinking-housing-in-america",
"tunein": "https://tunein.com/radio/SOLD-OUT-Rethinking-Housing-in-America-p1365871/"
}
},
"spooked": {
"id": "spooked",
"title": "Spooked",
"tagline": "True-life supernatural stories",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/10/Spooked-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Spooked",
"officialWebsiteLink": "https://spookedpodcast.org/",
"meta": {
"site": "news",
"source": "kqed",
"order": 7
},
"link": "https://spookedpodcast.org/",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/spooked/id1279361017",
"npr": "https://www.npr.org/podcasts/549547848/snap-judgment-presents-spooked",
"spotify": "https://open.spotify.com/show/76571Rfl3m7PLJQZKQIGCT",
"rss": "https://feeds.simplecast.com/TBotaapn"
}
},
"tech-nation": {
"id": "tech-nation",
"title": "Tech Nation Radio Podcast",
"info": "Tech Nation is a weekly public radio program, hosted by Dr. Moira Gunn. Founded in 1993, it has grown from a simple interview show to a multi-faceted production, featuring conversations with noted technology and science leaders, and a weekly science and technology-related commentary.",
"airtime": "FRI 10pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Tech-Nation-Radio-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "http://technation.podomatic.com/",
"meta": {
"site": "science",
"source": "Tech Nation Media"
},
"link": "/radio/program/tech-nation",
"subscribe": {
"rss": "https://technation.podomatic.com/rss2.xml"
}
},
"ted-radio-hour": {
"id": "ted-radio-hour",
"title": "TED Radio Hour",
"info": "The TED Radio Hour is a journey through fascinating ideas, astonishing inventions, fresh approaches to old problems, and new ways to think and create.",
"airtime": "SUN 3pm-4pm, SAT 10pm-11pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/tedRadioHour.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/ted-radio-hour/?showDate=2018-06-22",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/ted-radio-hour",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/8vsS",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=523121474&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/TED-Radio-Hour-p418021/",
"rss": "https://feeds.npr.org/510298/podcast.xml"
}
},
"thebay": {
"id": "thebay",
"title": "The Bay",
"tagline": "Local news to keep you rooted",
"info": "Host Devin Katayama walks you through the biggest story of the day with reporters and newsmakers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Bay-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Bay",
"officialWebsiteLink": "/podcasts/thebay",
"meta": {
"site": "radio",
"source": "kqed",
"order": 2
},
"link": "/podcasts/thebay",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-bay/id1350043452",
"amazon": "https://music.amazon.com/podcasts/d800ea4c-7a2c-42f2-b861-edaf78a5db0b/the-bay",
"npr": "https://www.npr.org/podcasts/586725995/the-bay",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-bay",
"spotify": "https://open.spotify.com/show/4BIKBKIujizLHlIlBNaAqQ",
"rss": "https://feeds.megaphone.fm/KQINC8259786327"
}
},
"thelatest": {
"id": "thelatest",
"title": "The Latest",
"tagline": "Trusted local news in real time",
"info": "",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/05/The-Latest-2025-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Latest",
"officialWebsiteLink": "/thelatest",
"meta": {
"site": "news",
"source": "kqed",
"order": 6
},
"link": "/thelatest",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-latest-from-kqed/id1197721799",
"npr": "https://www.npr.org/podcasts/1257949365/the-latest-from-k-q-e-d",
"spotify": "https://open.spotify.com/show/5KIIXMgM9GTi5AepwOYvIZ?si=bd3053fec7244dba",
"rss": "https://feeds.megaphone.fm/KQINC9137121918"
}
},
"theleap": {
"id": "theleap",
"title": "The Leap",
"tagline": "What if you closed your eyes, and jumped?",
"info": "Stories about people making dramatic, risky changes, told by award-winning public radio reporter Judy Campbell.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Leap-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Leap",
"officialWebsiteLink": "/podcasts/theleap",
"meta": {
"site": "news",
"source": "kqed",
"order": 17
},
"link": "/podcasts/theleap",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/the-leap/id1046668171",
"npr": "https://www.npr.org/podcasts/447248267/the-leap",
"stitcher": "https://www.stitcher.com/podcast/kqed/the-leap",
"spotify": "https://open.spotify.com/show/3sSlVHHzU0ytLwuGs1SD1U",
"rss": "https://ww2.kqed.org/news/programs/the-leap/feed/podcast"
}
},
"the-moth-radio-hour": {
"id": "the-moth-radio-hour",
"title": "The Moth Radio Hour",
"info": "Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.",
"airtime": "SAT 8pm-9pm and SUN 11am-12pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/theMoth.jpg",
"officialWebsiteLink": "https://themoth.org/",
"meta": {
"site": "arts",
"source": "prx"
},
"link": "/radio/program/the-moth-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/the-moth-podcast/id275699983?mt=2",
"tuneIn": "https://tunein.com/radio/The-Moth-p273888/",
"rss": "http://feeds.themoth.org/themothpodcast"
}
},
"the-new-yorker-radio-hour": {
"id": "the-new-yorker-radio-hour",
"title": "The New Yorker Radio Hour",
"info": "The New Yorker Radio Hour is a weekly program presented by the magazine's editor, David Remnick, and produced by WNYC Studios and The New Yorker. Each episode features a diverse mix of interviews, profiles, storytelling, and an occasional burst of humor inspired by the magazine, and shaped by its writers, artists, and editors. This isn't a radio version of a magazine, but something all its own, reflecting the rich possibilities of audio storytelling and conversation. Theme music for the show was composed and performed by Merrill Garbus of tUnE-YArDs.",
"airtime": "SAT 10am-11am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-New-Yorker-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/tnyradiohour",
"meta": {
"site": "arts",
"source": "WNYC"
},
"link": "/radio/program/the-new-yorker-radio-hour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/id1050430296",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/New-Yorker-Radio-Hour-p803804/",
"rss": "https://feeds.feedburner.com/newyorkerradiohour"
}
},
"the-sam-sanders-show": {
"id": "the-sam-sanders-show",
"title": "The Sam Sanders Show",
"info": "One of public radio's most dynamic voices, Sam Sanders helped launch The NPR Politics Podcast and hosted NPR's hit show It's Been A Minute. Now, the award-winning host returns with something brand new, The Sam Sanders Show. Every week, Sam Sanders and friends dig into the culture that shapes our lives: what's driving the biggest trends, how artists really think, and even the memes you can't stop scrolling past. Sam is beloved for his way of unpacking the world and bringing you up close to fresh currents and engaging conversations. The Sam Sanders Show is smart, funny and always a good time.",
"airtime": "FRI 12-1pm AND SAT 11am-12pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/11/The-Sam-Sanders-Show-Podcast-Tile-400x400-1.jpg",
"officialWebsiteLink": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"meta": {
"site": "arts",
"source": "KCRW"
},
"link": "https://www.kcrw.com/shows/the-sam-sanders-show/latest",
"subscribe": {
"rss": "https://feed.cdnstream1.com/zjb/feed/download/ac/28/59/ac28594c-e1d0-4231-8728-61865cdc80e8.xml"
}
},
"the-splendid-table": {
"id": "the-splendid-table",
"title": "The Splendid Table",
"info": "\u003cem>The Splendid Table\u003c/em> hosts our nation's conversations about cooking, sustainability and food culture.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Splendid-Table-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.splendidtable.org/",
"airtime": "SUN 10-11 pm",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/the-splendid-table"
},
"this-american-life": {
"id": "this-american-life",
"title": "This American Life",
"info": "This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. Another 2.5 million people download the weekly podcast. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards.",
"airtime": "SAT 12pm-1pm, 7pm-8pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/thisAmericanLife.png",
"officialWebsiteLink": "https://www.thisamericanlife.org/",
"meta": {
"site": "news",
"source": "wbez"
},
"link": "/radio/program/this-american-life",
"subscribe": {
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=201671138&at=11l79Y&ct=nprdirectory",
"rss": "https://www.thisamericanlife.org/podcast/rss.xml"
}
},
"tinydeskradio": {
"id": "tinydeskradio",
"title": "Tiny Desk Radio",
"info": "We're bringing the best of Tiny Desk to the airwaves, only on public radio.",
"airtime": "SUN 8pm and SAT 9pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/04/300x300-For-Member-Station-Logo-Tiny-Desk-Radio-@2x.png",
"officialWebsiteLink": "https://www.npr.org/series/g-s1-52030/tiny-desk-radio",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/tinydeskradio",
"subscribe": {
"rss": "https://feeds.npr.org/g-s1-52030/rss.xml"
}
},
"wait-wait-dont-tell-me": {
"id": "wait-wait-dont-tell-me",
"title": "Wait Wait... Don't Tell Me!",
"info": "Peter Sagal and Bill Kurtis host the weekly NPR News quiz show alongside some of the best and brightest news and entertainment personalities.",
"airtime": "SUN 10am-11am, SAT 11am-12pm, SAT 6pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Wait-Wait-Podcast-Tile-300x300-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/wait-wait-dont-tell-me/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/wait-wait-dont-tell-me",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/Xogv",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=121493804&at=11l79Y&ct=nprdirectory",
"tuneIn": "https://tunein.com/radio/Wait-Wait-Dont-Tell-Me-p46/",
"rss": "https://feeds.npr.org/344098539/podcast.xml"
}
},
"weekend-edition-saturday": {
"id": "weekend-edition-saturday",
"title": "Weekend Edition Saturday",
"info": "Weekend Edition Saturday wraps up the week's news and offers a mix of analysis and features on a wide range of topics, including arts, sports, entertainment, and human interest stories. The two-hour program is hosted by NPR's Peabody Award-winning Scott Simon.",
"airtime": "SAT 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-saturday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-saturday"
},
"weekend-edition-sunday": {
"id": "weekend-edition-sunday",
"title": "Weekend Edition Sunday",
"info": "Weekend Edition Sunday features interviews with newsmakers, artists, scientists, politicians, musicians, writers, theologians and historians. The program has covered news events from Nelson Mandela's 1990 release from a South African prison to the capture of Saddam Hussein.",
"airtime": "SUN 5am-10am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Weekend-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/weekend-edition-sunday/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/weekend-edition-sunday"
}
},
"racesReducer": {},
"racesGenElectionReducer": {},
"racesGenElection2026Reducer": {},
"radioSchedulesReducer": {},
"listsReducer": {
"posts/arts?category=music": {
"isFetching": false,
"latestQuery": {
"from": 4440,
"size": 12
},
"vitalsOnly": false,
"totalRequested": 12,
"isLoading": false,
"isLoadingMore": true,
"total": {
"value": 4928,
"relation": "eq"
},
"items": [
"arts_121732",
"arts_121725",
"arts_121184",
"arts_120870",
"arts_120774",
"arts_120555",
"arts_120462",
"arts_120203",
"arts_119911",
"arts_119779",
"arts_119684",
"arts_119528"
],
"complete": true
}
},
"recallGuideReducer": {
"intros": {},
"policy": {},
"candidates": {}
},
"savedArticleReducer": {
"articles": [],
"status": {}
},
"newslettersReducer": {
"isFetching": false,
"fetchFailed": false,
"hasFetched": false,
"newsletters": {},
"isSubscribing": false,
"isUnsubscribing": false,
"subscribedNewsletters": {}
},
"termsReducer": {
"about": {
"name": "About",
"type": "terms",
"id": "about",
"slug": "about",
"link": "/about",
"taxonomy": "site"
},
"arts": {
"name": "Arts & Culture",
"grouping": [
"arts",
"pop",
"trulyca"
],
"description": "KQED Arts provides daily in-depth coverage of the Bay Area's music, art, film, performing arts, literature and arts news, as well as cultural commentary and criticism.",
"type": "terms",
"id": "arts",
"slug": "arts",
"link": "/arts",
"taxonomy": "site"
},
"artschool": {
"name": "Art School",
"parent": "arts",
"type": "terms",
"id": "artschool",
"slug": "artschool",
"link": "/artschool",
"taxonomy": "site"
},
"bayareabites": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "bayareabites",
"slug": "bayareabites",
"link": "/food",
"taxonomy": "site"
},
"bayareahiphop": {
"name": "Bay Area Hiphop",
"type": "terms",
"id": "bayareahiphop",
"slug": "bayareahiphop",
"link": "/bayareahiphop",
"taxonomy": "site"
},
"campaign21": {
"name": "Campaign 21",
"type": "terms",
"id": "campaign21",
"slug": "campaign21",
"link": "/campaign21",
"taxonomy": "site"
},
"careers": {
"name": "Careers",
"type": "terms",
"id": "careers",
"slug": "careers",
"link": "/careers",
"taxonomy": "site"
},
"checkplease": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"parent": "food",
"type": "terms",
"id": "checkplease",
"slug": "checkplease",
"link": "/food",
"taxonomy": "site"
},
"education": {
"name": "Education",
"grouping": [
"education"
],
"type": "terms",
"id": "education",
"slug": "education",
"link": "/education",
"taxonomy": "site"
},
"elections": {
"name": "Elections",
"type": "terms",
"id": "elections",
"slug": "elections",
"link": "/elections",
"taxonomy": "site"
},
"events": {
"name": "Events",
"type": "terms",
"id": "events",
"slug": "events",
"link": "/events",
"taxonomy": "site"
},
"event": {
"name": "Event",
"alias": "events",
"type": "terms",
"id": "event",
"slug": "event",
"link": "/event",
"taxonomy": "site"
},
"filmschoolshorts": {
"name": "Film School Shorts",
"type": "terms",
"id": "filmschoolshorts",
"slug": "filmschoolshorts",
"link": "/filmschoolshorts",
"taxonomy": "site"
},
"food": {
"name": "KQED food",
"grouping": [
"food",
"bayareabites",
"checkplease"
],
"type": "terms",
"id": "food",
"slug": "food",
"link": "/food",
"taxonomy": "site"
},
"forum": {
"name": "Forum",
"relatedContentQuery": "posts/forum?",
"parent": "news",
"type": "terms",
"id": "forum",
"slug": "forum",
"link": "/forum",
"taxonomy": "site"
},
"futureofyou": {
"name": "Future of You",
"grouping": [
"science",
"futureofyou"
],
"parent": "science",
"type": "terms",
"id": "futureofyou",
"slug": "futureofyou",
"link": "/futureofyou",
"taxonomy": "site"
},
"jpepinheart": {
"name": "KQED food",
"relatedContentQuery": "posts/food,bayareabites,checkplease",
"parent": "food",
"type": "terms",
"id": "jpepinheart",
"slug": "jpepinheart",
"link": "/food",
"taxonomy": "site"
},
"liveblog": {
"name": "Live Blog",
"type": "terms",
"id": "liveblog",
"slug": "liveblog",
"link": "/liveblog",
"taxonomy": "site"
},
"livetv": {
"name": "Live TV",
"parent": "tv",
"type": "terms",
"id": "livetv",
"slug": "livetv",
"link": "/livetv",
"taxonomy": "site"
},
"lowdown": {
"name": "The Lowdown",
"relatedContentQuery": "posts/lowdown?",
"parent": "news",
"type": "terms",
"id": "lowdown",
"slug": "lowdown",
"link": "/lowdown",
"taxonomy": "site"
},
"mindshift": {
"name": "Mindshift",
"parent": "news",
"description": "MindShift explores the future of education by highlighting the innovative – and sometimes counterintuitive – ways educators and parents are helping all children succeed.",
"type": "terms",
"id": "mindshift",
"slug": "mindshift",
"link": "/mindshift",
"taxonomy": "site"
},
"news": {
"name": "News",
"grouping": [
"news",
"forum"
],
"type": "terms",
"id": "news",
"slug": "news",
"link": "/news",
"taxonomy": "site"
},
"newsletters": {
"name": "newsletters",
"type": "terms",
"id": "newsletters",
"slug": "newsletters",
"link": "/newsletters",
"taxonomy": "site"
},
"perspectives": {
"name": "Perspectives",
"parent": "radio",
"type": "terms",
"id": "perspectives",
"slug": "perspectives",
"link": "/perspectives",
"taxonomy": "site"
},
"podcasts": {
"name": "Podcasts",
"type": "terms",
"id": "podcasts",
"slug": "podcasts",
"link": "/podcasts",
"taxonomy": "site"
},
"pop": {
"name": "Pop",
"parent": "arts",
"type": "terms",
"id": "pop",
"slug": "pop",
"link": "/pop",
"taxonomy": "site"
},
"pressroom": {
"name": "Pressroom",
"type": "terms",
"id": "pressroom",
"slug": "pressroom",
"link": "/pressroom",
"taxonomy": "site"
},
"quest": {
"name": "Quest",
"parent": "science",
"type": "terms",
"id": "quest",
"slug": "quest",
"link": "/quest",
"taxonomy": "site"
},
"radio": {
"name": "Radio",
"grouping": [
"forum",
"perspectives"
],
"description": "Listen to KQED Public Radio – home of Forum and The California Report – on 88.5 FM in San Francisco, 89.3 FM in Sacramento, 88.3 FM in Santa Rosa and 88.1 FM in Martinez.",
"type": "terms",
"id": "radio",
"slug": "radio",
"link": "/radio",
"taxonomy": "site"
},
"root": {
"name": "KQED",
"image": "https://ww2.kqed.org/app/uploads/2020/02/KQED-OG-Image@1x.png",
"imageWidth": 1200,
"imageHeight": 630,
"headData": {
"title": "KQED | News, Radio, Podcasts, TV | Public Media for Northern California",
"description": "KQED provides public radio, television, and independent reporting on issues that matter to the Bay Area. We’re the NPR and PBS member station for Northern California."
},
"type": "terms",
"id": "root",
"slug": "root",
"link": "/root",
"taxonomy": "site"
},
"science": {
"name": "Science",
"grouping": [
"science",
"futureofyou"
],
"description": "KQED Science brings you award-winning science and environment coverage from the Bay Area and beyond.",
"type": "terms",
"id": "science",
"slug": "science",
"link": "/science",
"taxonomy": "site"
},
"stateofhealth": {
"name": "State of Health",
"parent": "science",
"type": "terms",
"id": "stateofhealth",
"slug": "stateofhealth",
"link": "/stateofhealth",
"taxonomy": "site"
},
"support": {
"name": "Support",
"type": "terms",
"id": "support",
"slug": "support",
"link": "/support",
"taxonomy": "site"
},
"thedolist": {
"name": "The Do List",
"parent": "arts",
"type": "terms",
"id": "thedolist",
"slug": "thedolist",
"link": "/thedolist",
"taxonomy": "site"
},
"trulyca": {
"name": "Truly CA",
"grouping": [
"arts",
"pop",
"trulyca"
],
"parent": "arts",
"type": "terms",
"id": "trulyca",
"slug": "trulyca",
"link": "/trulyca",
"taxonomy": "site"
},
"tv": {
"name": "TV",
"type": "terms",
"id": "tv",
"slug": "tv",
"link": "/tv",
"taxonomy": "site"
},
"voterguide": {
"name": "Voter Guide",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "voterguide",
"slug": "voterguide",
"link": "/voterguide",
"taxonomy": "site"
},
"guiaelectoral": {
"name": "Guia Electoral",
"parent": "elections",
"alias": "elections",
"type": "terms",
"id": "guiaelectoral",
"slug": "guiaelectoral",
"link": "/guiaelectoral",
"taxonomy": "site"
},
"arts_category_music": {
"isLoading": true
},
"arts_69": {
"type": "terms",
"id": "arts_69",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "69",
"found": true
},
"relationships": {},
"featImg": null,
"name": "Music",
"description": null,
"taxonomy": "category",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "Music Archives | KQED Arts",
"ogDescription": null
},
"ttid": 70,
"slug": "music",
"isLoading": false,
"link": "/arts/category/music"
},
"arts_147": {
"type": "terms",
"id": "arts_147",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "147",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/logo-thebaybridged1.png",
"name": "The Bay Bridged",
"description": null,
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "The Bay Bridged Archives | KQED Arts",
"ogDescription": null
},
"ttid": 148,
"slug": "the-bay-bridged",
"isLoading": false,
"link": "/arts/affiliate/the-bay-bridged"
},
"arts_146": {
"type": "terms",
"id": "arts_146",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "146",
"found": true
},
"relationships": {},
"featImg": "https://ww2.kqed.org/app/uploads/sites/2/2014/04/masthead-noisepop1.png",
"name": "Noise Pop",
"description": "The Noise Pop Podcast is a bi-monthly series showcasing noteworthy new releases from the independent and underground music scene, produced by Noise Pop: San Francisco’s favorite indie music, arts and film festival. KQED Arts has discontinued distributing the podcast, but you can find it \u003ca href=\"http://www.noisepop.com/podcast/\" target=\"_blank\">on their website\u003c/a>. ",
"taxonomy": "affiliate",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": "The Noise Pop Podcast is a bi-monthly series showcasing noteworthy new releases from the independent and underground music scene, produced by Noise Pop: San Francisco’s favorite indie music, arts and film festival. KQED Arts has discontinued distributing the podcast, but you can find it on their website.",
"title": "Noise Pop Archives | KQED Arts",
"ogDescription": null
},
"ttid": 147,
"slug": "noise-pop",
"isLoading": false,
"link": "/arts/affiliate/noise-pop"
},
"arts_1006": {
"type": "terms",
"id": "arts_1006",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "1006",
"found": true
},
"relationships": {},
"featImg": null,
"name": "guide",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "guide Archives | KQED Arts",
"ogDescription": null
},
"ttid": 1023,
"slug": "guide",
"isLoading": false,
"link": "/arts/tag/guide"
},
"arts_596": {
"type": "terms",
"id": "arts_596",
"meta": {
"index": "terms_1716263798",
"site": "arts",
"id": "596",
"found": true
},
"relationships": {},
"featImg": null,
"name": "ntv",
"description": null,
"taxonomy": "tag",
"headData": {
"twImgId": null,
"twTitle": null,
"ogTitle": null,
"ogImgId": null,
"twDescription": null,
"description": null,
"title": "ntv Archives | KQED Arts",
"ogDescription": null
},
"ttid": 602,
"slug": "ntv",
"isLoading": false,
"link": "/arts/tag/ntv"
}
},
"userPermissionsReducer": {
"wpLoggedIn": false
},
"eventsReducer": {},
"fssReducer": {},
"tvDailyScheduleReducer": {},
"tvWeeklyScheduleReducer": {},
"tvPrimetimeScheduleReducer": {},
"tvMonthlyScheduleReducer": {},
"userAccountReducer": {
"user": {
"email": null,
"emailStatus": "EMAIL_UNVALIDATED",
"loggedStatus": "LOGGED_OUT",
"loggingChecked": false,
"articles": [],
"firstName": null,
"lastName": null,
"phoneNumber": null,
"fetchingMembership": false,
"membershipError": false,
"memberships": [
{
"id": null,
"startDate": null,
"firstName": null,
"lastName": null,
"familyNumber": null,
"memberNumber": null,
"memberSince": null,
"expirationDate": null,
"pfsEligible": false,
"isSustaining": false,
"membershipLevel": "Prospect",
"membershipStatus": "Non Member",
"lastGiftDate": null,
"renewalDate": null,
"lastDonationAmount": null
}
]
},
"authModal": {
"isOpen": false,
"view": "LANDING_VIEW"
},
"error": null
},
"youthMediaReducer": {},
"checkPleaseReducer": {
"filterData": {
"region": {
"key": "Restaurant Region",
"filters": [
"Any Region"
]
},
"cuisine": {
"key": "Restaurant Cuisine",
"filters": [
"Any Cuisine"
]
}
},
"restaurantDataById": {},
"restaurantIdsSorted": [],
"error": null
},
"userAgentReducer": {
"userAgent": "Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)",
"isBot": true
},
"requestOutcomesReducer": {
"notFound": []
}
}
