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With the summer festival circuit in the rearview, it's the perfect time to get up close and personal with the musicians who keep you moving all year long. Here are 12 must-see concerts coming to the Bay Area this season.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13278\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/owen.jpg\" alt=\"owen\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen.jpg 1365w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Owen Pallett\u003c/strong>\u003cbr>\nSeptember 12, 2014\u003cbr>\nThe Great American Music Hall\u003c/p>\n\u003cp>You might not expect a whole lot from someone who names one of his first albums \u003cem>He Poos Clouds\u003c/em>, but you'd be surprised. Since getting his start under the moniker Final Fantasy, Owen Pallett has been making gorgeous violin-heavy albums that feel like novels read aloud by a choir boy. When he's not telling his own stories, Pallett gets nominated for Oscars (he worked on the score for \u003cem>Her\u003c/em>) and lends his talent to musicians like Arcade Fire, Taylor Swift, R.E.M. and Grizzly Bear.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13294\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/drake-lil-wayne.jpg\" alt=\"drake-lil-wayne\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne.jpg 500w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Drake vs Lil Wayne\u003c/strong>\u003cbr>\nSeptember 16, 2014\u003cbr>\nShoreline Ampitheatre\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2014/08/07/beyonce-and-jay-z-divorce-on-the-run-tour-san-francisco/\">Beyonce and Jay Z pretty much perfected\u003c/a> the co-headlining template, so it'll be interesting to see what these two bring to the table. The match-up is being touted as a rap battle combined with a '90s fighting game. Capcom, maker of \u003cem>Street Fighter\u003c/em>, is a cosponsor of the tour and has crafted an app that allows the audience to vote on superhero versions of the rappers, with a winner being crowned at the end of the night. So who are you putting your money on: Drake, the smooth-talking crooner, or Lil Wayne, the troublemaking MC?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13280\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/chvrches.jpg\" alt=\"chvrches\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">CHVRCHES\u003c/strong>\u003cbr>\nSeptember 18, 2014\u003cbr>\nThe Fox Theater\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2014/08/11/outside-lands-2014-kanye-kim-kardashian-macklemore-and-everything-else-you-missed/\">Due to drama at a Canadian airport\u003c/a>, CHVRCHES was forced to stand up hundreds of fans at this year's Outside Lands Music Festival. But the Scottish trio hope to make up for it with this headlining Oakland gig. Their sound has been likened to \"\u003cspan style=\"color: #252525\">a godless hurricane of kinetic pop energy.\" If that description doesn't get your pulse buzzing, call a doctor.\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13281\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/lykke-li.jpeg\" alt=\"lykke li\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li.jpeg 512w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-400x400.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-32x32.jpeg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-64x64.jpeg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-96x96.jpeg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-128x128.jpeg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-75x75.jpeg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Lykke Li\u003c/strong>\u003cbr>\nSeptember 21, 2014\u003cbr>\nFox Theater\u003c/p>\n\u003cp>Lykke Li is only 28, but her voice carries the wisdom and pain of a much older woman. Listening to her latest album, \u003cem>I Never Learn\u003c/em>, feels like falling through a tear in the time/space continuum and ending up smack dab in the middle of your last breakup, wailing on the bathroom floor. We've all been there and it's therapeutic to shout out the lyrics of love lost with a bunch of strangers, followed by dancing it all off to her earlier, spunkier work. Fun fact: Lykke Li split her youth between Sweden, a mountaintop in Portugal, Morocco, India, and Nepal. \u003ca href=\"http://up-ship.com/blog/wp-content/uploads/2014/07/themoreyouknow.gif\">The more you know\u003c/a>!\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13282\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/trust.jpg\" alt=\"trust\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Trust\u003c/strong>\u003cbr>\nSeptember 28, 2014\u003cbr>\nMezzanine\u003c/p>\n\u003cp>Downsizing from a duo to a solo project could derail the sound or lead to just calling it quits. Thankfully, Robert Alfons didn't throw in the towel; instead, he made a brilliant electronic record that would make Kate Bush and the Cocteau Twins proud, and will make you dance like you just don't care.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13283\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/lorde.jpg\" alt=\"lorde\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde.jpg 988w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Lorde\u003c/strong>\u003cbr>\nOctober 2, 2014\u003cbr>\nGreek Theatre - U.C. Berkeley\u003c/p>\n\u003cp>You already know the details: she's from New Zealand, ridiculously young and even more talented. The first woman to top the Billboard Alternative Songs chart since Tracy Bonham in 1996 (which happens to be the year she was born), Lorde is just getting started (just imagine what she will be capable of when she graduates high school!). Go for the music, stay for \u003ca href=\"http://s3.amazonaws.com/images.hitfix.com/assets/3617/big.gif\">the weird dancing\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13284\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/cibo.jpg\" alt=\"cibo matto\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo.jpg 805w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Hardly Strictly Bluegrass\u003c/strong>\u003cbr>\nOctober 3 - 5, 2014\u003cbr>\nGolden Gate Park\u003c/p>\n\u003cp>It doesn't matter whether you know the bands or not; the experience makes it all worthwhile. There's the friendly, all-American vibe, the shared whiskey on blankets, the fog through the park, and the fact that all the merriment is free! This year's lineup includes Cibo Matto, Emmylou Harris, Yo La Tengo, Chris Isaak, Thao & The Get Down Stay Down, and dozens more.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13285\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/outkast.jpg\" alt=\"outkast\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast.jpg 658w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Treasure Island Music Festival\u003c/strong>\u003cbr>\nOctober 18, 2014\u003cbr>\nTreasure Island\u003c/p>\n\u003cp>Imagine watching a reunited Outkast on an island in the middle of the Bay while the golden sun dips behind San Francisco's hills. Pinch yourself; this could be your real life. To sweeten the deal, Massive Attack, TV on the Radio, The New Pornographers, alt-J, Washed Out, Banks, and Janelle Monáe will also be there. Here's \u003ca href=\"http://blogs.kqed.org/pop/2014/06/17/treasure-island-music-festival-2014-lineup-announced-heres-the-only-playlist-you-need-to-get-ready-outkast/\">a playlist to help you get ready\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13286\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/big-freedia.jpg\" alt=\"big-freedia\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia.jpg 430w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Big Freedia\u003c/strong>\u003cbr>\nOctober 23, 2014\u003cbr>\nMezzanine\u003c/p>\n\u003cp>Fresh off \u003ca href=\"http://blogs.kqed.org/pop/2014/08/11/outside-lands-2014-kanye-kim-kardashian-macklemore-and-everything-else-you-missed/\">booty bouncing while passing out beignets at Outside Lands\u003c/a>, Big Freedia is coming back to shake things up again. Guaranteed to slap a smile on your face.\u003c/p>\n\u003cp> \u003cbr>\n \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13288\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/rhye.jpg\" alt=\"rhye\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye.jpg 458w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Rhye\u003c/strong>\u003cbr>\nNovember 9, 2014\u003cbr>\nThe Fox Theater\u003c/p>\n\u003cp>The heart eyes emoji was invented to express how one feels after listening to Rhye. Romance coupled with soul hasn't been done this well since Sade. Take someone you love, even if that person is yourself!\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13289\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Justin-Timberlake-LP.png\" alt=\"Justin-Timberlake-LP\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP.png 575w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-400x400.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-32x32.png 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-64x64.png 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-96x96.png 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-128x128.png 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-75x75.png 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Justin Timberlake\u003c/strong>\u003cbr>\nNovember 22, 2014\u003cbr>\nOracle Arena\u003c/p>\n\u003cp>We owe Justin Timberlake a great deal for bringing sexy back, not to mention all \u003ca href=\"http://www.buzzfeed.com/sarahguy/30-lol-worthy-pictures-of-nsync-that-are-seriousl-9yqw\">those LOL-worthy looks\u003c/a> from the NSYNC days. The least we can do is attend this show and sing along to every word.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13290\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n.jpg\" alt=\"fleetwood mac\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n.jpg 900w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Fleetwood Mac\u003c/strong>\u003cbr>\nNovember 25, 2014\u003cbr>\nSAP Center at San Jose\u003c/p>\n\u003cp>I saved the best for last. No, really, Fleetwood Mac is the best. The breakups, the makeups, the accusations of witchcraft, the drugs, the music they recorded in Sausalito, it's all so legendary. The band toured just last year, but, this time around, they have Christine McVie on board, which marks the first time the band has performed together since 1998! You would be a fool to miss this.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Which shows are you most looking forward to this fall?\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13304\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"size-full wp-image-13304\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/concert-fox-theater.jpg\" alt=\"Photo: Al Case, via Flickr\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/concert-fox-theater.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/concert-fox-theater-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://www.flickr.com/photos/60035031@N06/7288061968/\">Al Case\u003c/a>, via Flickr\u003c/figcaption>\u003c/figure>\n\u003cp>Fall is perfect for a lot of things: experiencing nostalgia overload in front of back-to-school displays at Target, playing in leaves, eating your weight in pumpkin pie and/or candy corn, and spending cozy nights with your favorite bands. With the summer festival circuit in the rearview, it's the perfect time to get up close and personal with the musicians who keep you moving all year long. Here are 12 must-see concerts coming to the Bay Area this season.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13278\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/owen.jpg\" alt=\"owen\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen.jpg 1365w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Owen Pallett\u003c/strong>\u003cbr>\nSeptember 12, 2014\u003cbr>\nThe Great American Music Hall\u003c/p>\n\u003cp>You might not expect a whole lot from someone who names one of his first albums \u003cem>He Poos Clouds\u003c/em>, but you'd be surprised. Since getting his start under the moniker Final Fantasy, Owen Pallett has been making gorgeous violin-heavy albums that feel like novels read aloud by a choir boy. When he's not telling his own stories, Pallett gets nominated for Oscars (he worked on the score for \u003cem>Her\u003c/em>) and lends his talent to musicians like Arcade Fire, Taylor Swift, R.E.M. and Grizzly Bear.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13294\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/drake-lil-wayne.jpg\" alt=\"drake-lil-wayne\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne.jpg 500w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Drake vs Lil Wayne\u003c/strong>\u003cbr>\nSeptember 16, 2014\u003cbr>\nShoreline Ampitheatre\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2014/08/07/beyonce-and-jay-z-divorce-on-the-run-tour-san-francisco/\">Beyonce and Jay Z pretty much perfected\u003c/a> the co-headlining template, so it'll be interesting to see what these two bring to the table. The match-up is being touted as a rap battle combined with a '90s fighting game. Capcom, maker of \u003cem>Street Fighter\u003c/em>, is a cosponsor of the tour and has crafted an app that allows the audience to vote on superhero versions of the rappers, with a winner being crowned at the end of the night. So who are you putting your money on: Drake, the smooth-talking crooner, or Lil Wayne, the troublemaking MC?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13280\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/chvrches.jpg\" alt=\"chvrches\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">CHVRCHES\u003c/strong>\u003cbr>\nSeptember 18, 2014\u003cbr>\nThe Fox Theater\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2014/08/11/outside-lands-2014-kanye-kim-kardashian-macklemore-and-everything-else-you-missed/\">Due to drama at a Canadian airport\u003c/a>, CHVRCHES was forced to stand up hundreds of fans at this year's Outside Lands Music Festival. But the Scottish trio hope to make up for it with this headlining Oakland gig. Their sound has been likened to \"\u003cspan style=\"color: #252525\">a godless hurricane of kinetic pop energy.\" If that description doesn't get your pulse buzzing, call a doctor.\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13281\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/lykke-li.jpeg\" alt=\"lykke li\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li.jpeg 512w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-400x400.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-32x32.jpeg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-64x64.jpeg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-96x96.jpeg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-128x128.jpeg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-75x75.jpeg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Lykke Li\u003c/strong>\u003cbr>\nSeptember 21, 2014\u003cbr>\nFox Theater\u003c/p>\n\u003cp>Lykke Li is only 28, but her voice carries the wisdom and pain of a much older woman. Listening to her latest album, \u003cem>I Never Learn\u003c/em>, feels like falling through a tear in the time/space continuum and ending up smack dab in the middle of your last breakup, wailing on the bathroom floor. We've all been there and it's therapeutic to shout out the lyrics of love lost with a bunch of strangers, followed by dancing it all off to her earlier, spunkier work. Fun fact: Lykke Li split her youth between Sweden, a mountaintop in Portugal, Morocco, India, and Nepal. \u003ca href=\"http://up-ship.com/blog/wp-content/uploads/2014/07/themoreyouknow.gif\">The more you know\u003c/a>!\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13282\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/trust.jpg\" alt=\"trust\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Trust\u003c/strong>\u003cbr>\nSeptember 28, 2014\u003cbr>\nMezzanine\u003c/p>\n\u003cp>Downsizing from a duo to a solo project could derail the sound or lead to just calling it quits. Thankfully, Robert Alfons didn't throw in the towel; instead, he made a brilliant electronic record that would make Kate Bush and the Cocteau Twins proud, and will make you dance like you just don't care.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13283\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/lorde.jpg\" alt=\"lorde\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde.jpg 988w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Lorde\u003c/strong>\u003cbr>\nOctober 2, 2014\u003cbr>\nGreek Theatre - U.C. Berkeley\u003c/p>\n\u003cp>You already know the details: she's from New Zealand, ridiculously young and even more talented. The first woman to top the Billboard Alternative Songs chart since Tracy Bonham in 1996 (which happens to be the year she was born), Lorde is just getting started (just imagine what she will be capable of when she graduates high school!). Go for the music, stay for \u003ca href=\"http://s3.amazonaws.com/images.hitfix.com/assets/3617/big.gif\">the weird dancing\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13284\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/cibo.jpg\" alt=\"cibo matto\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo.jpg 805w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Hardly Strictly Bluegrass\u003c/strong>\u003cbr>\nOctober 3 - 5, 2014\u003cbr>\nGolden Gate Park\u003c/p>\n\u003cp>It doesn't matter whether you know the bands or not; the experience makes it all worthwhile. There's the friendly, all-American vibe, the shared whiskey on blankets, the fog through the park, and the fact that all the merriment is free! This year's lineup includes Cibo Matto, Emmylou Harris, Yo La Tengo, Chris Isaak, Thao & The Get Down Stay Down, and dozens more.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13285\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/outkast.jpg\" alt=\"outkast\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast.jpg 658w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Treasure Island Music Festival\u003c/strong>\u003cbr>\nOctober 18, 2014\u003cbr>\nTreasure Island\u003c/p>\n\u003cp>Imagine watching a reunited Outkast on an island in the middle of the Bay while the golden sun dips behind San Francisco's hills. Pinch yourself; this could be your real life. To sweeten the deal, Massive Attack, TV on the Radio, The New Pornographers, alt-J, Washed Out, Banks, and Janelle Monáe will also be there. Here's \u003ca href=\"http://blogs.kqed.org/pop/2014/06/17/treasure-island-music-festival-2014-lineup-announced-heres-the-only-playlist-you-need-to-get-ready-outkast/\">a playlist to help you get ready\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13286\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/big-freedia.jpg\" alt=\"big-freedia\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia.jpg 430w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Big Freedia\u003c/strong>\u003cbr>\nOctober 23, 2014\u003cbr>\nMezzanine\u003c/p>\n\u003cp>Fresh off \u003ca href=\"http://blogs.kqed.org/pop/2014/08/11/outside-lands-2014-kanye-kim-kardashian-macklemore-and-everything-else-you-missed/\">booty bouncing while passing out beignets at Outside Lands\u003c/a>, Big Freedia is coming back to shake things up again. Guaranteed to slap a smile on your face.\u003c/p>\n\u003cp> \u003cbr>\n \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13288\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/rhye.jpg\" alt=\"rhye\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye.jpg 458w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Rhye\u003c/strong>\u003cbr>\nNovember 9, 2014\u003cbr>\nThe Fox Theater\u003c/p>\n\u003cp>The heart eyes emoji was invented to express how one feels after listening to Rhye. Romance coupled with soul hasn't been done this well since Sade. Take someone you love, even if that person is yourself!\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13289\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Justin-Timberlake-LP.png\" alt=\"Justin-Timberlake-LP\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP.png 575w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-400x400.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-32x32.png 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-64x64.png 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-96x96.png 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-128x128.png 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-75x75.png 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Justin Timberlake\u003c/strong>\u003cbr>\nNovember 22, 2014\u003cbr>\nOracle Arena\u003c/p>\n\u003cp>We owe Justin Timberlake a great deal for bringing sexy back, not to mention all \u003ca href=\"http://www.buzzfeed.com/sarahguy/30-lol-worthy-pictures-of-nsync-that-are-seriousl-9yqw\">those LOL-worthy looks\u003c/a> from the NSYNC days. The least we can do is attend this show and sing along to every word.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13290\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n.jpg\" alt=\"fleetwood mac\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n.jpg 900w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Fleetwood Mac\u003c/strong>\u003cbr>\nNovember 25, 2014\u003cbr>\nSAP Center at San Jose\u003c/p>\n\u003cp>I saved the best for last. No, really, Fleetwood Mac is the best. The breakups, the makeups, the accusations of witchcraft, the drugs, the music they recorded in Sausalito, it's all so legendary. The band toured just last year, but, this time around, they have Christine McVie on board, which marks the first time the band has performed together since 1998! You would be a fool to miss this.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Which shows are you most looking forward to this fall?\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Watch Interpol Live In Concert, Performing Songs from New Album",
"headTitle": "Watch Interpol Live In Concert, Performing Songs from New Album | KQED",
"content": "\u003cp>The indie rock band that helped resuscitate the New York music scene in the early aughts recently with the classic album, \u003ci>Turn On The Bright Lights,\u003c/i> is about to release its fifth record. The upcoming album, \u003cem>El Pintor\u003c/em>, is the band’s first since 2010. The album’s lead single, “All The Rage Back Home,” hit No. 1 on Billboard’s Twitter chart. \u003c/p>\n\u003cp>The band will be playing tonight in Los Angeles will begin streaming on NPR Music at approximately at 10 p.m. ET (7 p.m. PT). The band will play songs from \u003cem>El Pintor\u003c/em> (out Sept. 9) in public for the first time.\u003c/p>\n\u003cp>\u003ciframe loading=\"lazy\" src=\"http://www.npr.org/templates/event/eventCard.php?storyId=340189598&http://ww2.kqed.org/arts/2014/08/26/watch-interpol-live-in-concert-performing-songs-from-new-album/&twittersource=@KQEDarts\" width=\"650\" height=\"1000\">\u003c/iframe>\u003c/p>\n\u003cp>The band is also streaming their new album on \u003ca href=\"http://www.npr.org/2014/08/26/341629732/first-listen-interpol-el-pintor\" target=\"_blank\" rel=\"noopener\"> on NPR Music.\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/tdl_templogo-e1408481727479-300x186.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/events/pick/mission-of-burma/\">Event Information\u003c/a>\u003c/h3>\n\u003ch4>Mission of Burma\u003c/h4>\n\u003cdiv class=\"event-desc\">Reunited band brings the goods.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Aug. 29, 2014\u003c/h4>\n\u003cp>8:30pm\u003c/p>\n\u003c/div>\n\u003cdiv class=\"event-venue\">The Independent\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/events/pick/mission-of-burma/\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Any band that names their first two releases \u003cem>Academy Fight Song\u003c/em> and \u003cem>Signals, Calls and Marches\u003c/em> is clearly out to make a statement, and in the case of Mission of Burma, that statement was made rather loudly. So loudly, in fact, that just two years after their debut, guitarist Roger Miller developed tinnitus, left the band, and that was that. Mission of Burma was no more.\u003c/p>\n\u003cp>Or so it seemed. After being hailed by key figures in grunge as an influence, and a high-profile reissue campaign, the groundbreaking post-punk Boston band reunited—this time, with a plexiglass sound barrier around the drums to protect Miller’s ears. The result, since 2002, has been one of the most fruitful band reunions amidst the glut of cash-in, go-through-the-motions, greatest-hits reunions as of late. Mission of Burma took the novel step of actually writing, recording and releasing new music, which bears the band’s influences of free jazz and 20th-century classical infusing their trademark \u003cem>strum und bang\u003c/em>.\u003c/p>\n\u003cp>If you’ve ever suffered through a rote, dull reunion by a band that clearly isn’t into it, you know the pain of watching old heroes fade away. Since their hiatus, Mission of Burma have kept a vibrant spirit, one that’s still loud, and still inspirational.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cfigure id=\"attachment_13233\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-13233\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Abernathy_Children_on_front_line_leading_the_SELMA_TO_MONTGOMERY_MARCH_for_the_RIGHT_TO_VOTE-1024x694.jpg\" alt=\"Photo: Wiki Commons\" width=\"640\" height=\"434\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://commons.wikimedia.org/wiki/File:Abernathy_Children_on_front_line_leading_the_SELMA_TO_MONTGOMERY_MARCH_for_the_RIGHT_TO_VOTE.JPG\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Music is a multi-purpose tool. It can help you \u003ca href=\"http://blogs.kqed.org/pop/2013/02/01/heartbreak-kqed-pop-forum-help-you-through-breakups/\">get over a breakup\u003c/a> or resuscitate happy childhood memories or even neurologically \u003ca href=\"http://youtu.be/Fw7Y78aqf_I\">bring you out of an Alzheimer's-induced haze\u003c/a>. There's something about listening to music, singing along to it and creating it that is primal, a full body experience; the senses wake up, hearts are laid out, we feel alive.\u003c/p>\n\u003cp>During particularly trying times throughout history, this musical power has been harnessed in the form of protest songs that express pain, foster a sense of unity, allow the space to process, and hold up the promise of a better tomorrow. Spirituals like \"\u003ca href=\"http://youtu.be/2NDwW8onaoA\">Sometimes I Feel Like a Motherless Child\u003c/a>\" and \"\u003ca href=\"http://youtu.be/SP5EfwBWgg0\">Go Down, Moses\u003c/a>\" gave voice to the oppression of 19th century slave life. Billie Holiday's \"\u003ca href=\"http://youtu.be/h4ZyuULy9zs\">Strange Fruit\u003c/a>\" pushed back against lynching in the 1930s. And the civil rights movement of the 1960s brought out songs about terrible injustice (Bob Dylan's \"\u003ca href=\"http://www.dailymotion.com/video/xpo27l_bob-dylan-the-lonesome-death-of-hattie-carroll_music\">The Lonesome Death of Hattie Carroll\u003c/a>\") and the hope that it would end (\"\u003ca href=\"http://youtu.be/2b24Ewk934g\">We Shall Overcome\u003c/a>\" and Sam Cooke's \"\u003ca href=\"http://youtu.be/gbO2_077ixs\">A Change Is Gonna Come\u003c/a>\").\u003c/p>\n\u003cp>The events in Ferguson over the past few weeks have reminded us of the ugly reality of our country: we have made progress, but we still have a long way to go and plenty left to sing about. Inspired by Michael Brown's murder and the aftermath, J. Cole and Lauryn Hill are separately continuing the tradition of protest music.\u003c/p>\n\u003cp>\u003ciframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/163235131&color=0066cc&auto_play=false&hide_related=true&show_comments=false&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\">\u003c/iframe>\u003c/p>\n\u003cp>In \"Be Free,\" Cole pairs goosebump-inducing lines like \"All we wanna do is take the chains off / All we wanna do is be free\" and \"...\u003cspan style=\"color: #000000\">ain't no gun they can make that could kill my soul\" with witness testimony from Michael Brown's friend. Warning: this will make you cry.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/164022059&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\">\u003c/iframe>\u003c/p>\n\u003cp>Set to the tune of \u003cem>The Sound of Music\u003c/em>'s \"My Favorite Things,\" Lauryn Hill's \"Black Rage\" isn't directly about Michael Brown (she's been performing it since 2012), but she dedicated the song to his memory this week because in a way it is about Michael in that it spells out all the foundational racism that led to his murder being possible.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Martin Luther King famously reassured a nation, \"The arc of the moral universe is long, but it bends towards justice.\" We will get there someday. Until then, it's important to have songs like these for the long road ahead.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13233\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-13233\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Abernathy_Children_on_front_line_leading_the_SELMA_TO_MONTGOMERY_MARCH_for_the_RIGHT_TO_VOTE-1024x694.jpg\" alt=\"Photo: Wiki Commons\" width=\"640\" height=\"434\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://commons.wikimedia.org/wiki/File:Abernathy_Children_on_front_line_leading_the_SELMA_TO_MONTGOMERY_MARCH_for_the_RIGHT_TO_VOTE.JPG\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Music is a multi-purpose tool. It can help you \u003ca href=\"http://blogs.kqed.org/pop/2013/02/01/heartbreak-kqed-pop-forum-help-you-through-breakups/\">get over a breakup\u003c/a> or resuscitate happy childhood memories or even neurologically \u003ca href=\"http://youtu.be/Fw7Y78aqf_I\">bring you out of an Alzheimer's-induced haze\u003c/a>. There's something about listening to music, singing along to it and creating it that is primal, a full body experience; the senses wake up, hearts are laid out, we feel alive.\u003c/p>\n\u003cp>During particularly trying times throughout history, this musical power has been harnessed in the form of protest songs that express pain, foster a sense of unity, allow the space to process, and hold up the promise of a better tomorrow. Spirituals like \"\u003ca href=\"http://youtu.be/2NDwW8onaoA\">Sometimes I Feel Like a Motherless Child\u003c/a>\" and \"\u003ca href=\"http://youtu.be/SP5EfwBWgg0\">Go Down, Moses\u003c/a>\" gave voice to the oppression of 19th century slave life. Billie Holiday's \"\u003ca href=\"http://youtu.be/h4ZyuULy9zs\">Strange Fruit\u003c/a>\" pushed back against lynching in the 1930s. And the civil rights movement of the 1960s brought out songs about terrible injustice (Bob Dylan's \"\u003ca href=\"http://www.dailymotion.com/video/xpo27l_bob-dylan-the-lonesome-death-of-hattie-carroll_music\">The Lonesome Death of Hattie Carroll\u003c/a>\") and the hope that it would end (\"\u003ca href=\"http://youtu.be/2b24Ewk934g\">We Shall Overcome\u003c/a>\" and Sam Cooke's \"\u003ca href=\"http://youtu.be/gbO2_077ixs\">A Change Is Gonna Come\u003c/a>\").\u003c/p>\n\u003cp>The events in Ferguson over the past few weeks have reminded us of the ugly reality of our country: we have made progress, but we still have a long way to go and plenty left to sing about. Inspired by Michael Brown's murder and the aftermath, J. Cole and Lauryn Hill are separately continuing the tradition of protest music.\u003c/p>\n\u003cp>\u003ciframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/163235131&color=0066cc&auto_play=false&hide_related=true&show_comments=false&show_user=true&show_reposts=false\" width=\"100%\" height=\"166\" frameborder=\"no\" scrolling=\"no\">\u003c/iframe>\u003c/p>\n\u003cp>In \"Be Free,\" Cole pairs goosebump-inducing lines like \"All we wanna do is take the chains off / All we wanna do is be free\" and \"...\u003cspan style=\"color: #000000\">ain't no gun they can make that could kill my soul\" with witness testimony from Michael Brown's friend. Warning: this will make you cry.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Zoo Labs, a Musician’s Incubator in West Oakland",
"headTitle": "Zoo Labs, a Musician’s Incubator in West Oakland | KQED",
"content": "\u003caside class=\"aligncenter\">\n\u003ch4>Listen to Cy Musiker’s piece on the West Oakland recording studio Zoo Labs:\u003c/h4>\n\u003cp>http://www.kqed.org/.stream/anon/radio/RDnews/2014/08/MusikerZooLabsFeature.mp3\u003cbr>\n\u003c/p>\u003c/aside>\n\u003cp>The pop music industry may not be dead, but it’s in serious disarray. There’s are plenty of musicians writing and performing songs, but they almost have to give away their music, and clubs don’t pay very well. So how do they make a living if they’re not named Beyoncé or Paul McCartney?\u003c/p>\n\u003cp>Zoo Labs may have an answer. It’s a music studio in West Oakland, a kind of band incubator, offering two week all-expenses paid workshops where musicians can learn the same skills as those wielded by a Silicon Valley entrepreneur. \u003c/p>\n\u003cp>“Musicians are start-ups also,” Anna Acquistapace said recently. She co-founded the Zoo Labs residency program with an old business school friend Vinitha Watson. \u003c/p>\n\u003cp>“There’s just a fundamental place that music plays in people’s lives,” says Watson. “But the plight of the musician not being able to pay their rent, or support their families or their art was really confounding to me.”\u003c/p>\n\u003cfigure id=\"attachment_10140969\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Doug-Stuart-Derek-Barber-Geneva-Harrison-Sandra-Lawson-Ndu-of-Bells-Atlas.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Doug-Stuart-Derek-Barber-Geneva-Harrison-Sandra-Lawson-Ndu-of-Bells-Atlas.jpg\" alt=\"Doug Stuart, Derek Barber, Geneva Harrison, Sandra Lawson Ndu of Bells Atlas (Courtesy of Zoo Labs)\" width=\"800\" height=\"652\" class=\"size-full wp-image-10140969\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Doug-Stuart-Derek-Barber-Geneva-Harrison-Sandra-Lawson-Ndu-of-Bells-Atlas.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Doug-Stuart-Derek-Barber-Geneva-Harrison-Sandra-Lawson-Ndu-of-Bells-Atlas-400x326.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Doug-Stuart-Derek-Barber-Geneva-Harrison-Sandra-Lawson-Ndu-of-Bells-Atlas-300x244.jpg 300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Doug Stuart, Derek Barber, Geneva Harrison, Sandra Lawson Ndu of Bells Atlas (Courtesy of Zoo Labs)\u003c/figcaption>\u003c/figure>\n\u003cp>So starting in January of this year, Acquistapace and Watson began recruiting bands for the residency program, bands with what Acquistapace called “hustle and resource magnetism, that can be innovative in their approach to their music.” \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The most recent beneficiaries have been two Oakland groups: Afropop innovators \u003ca href=\"http://www.bellsatlas.com/\" target=\"_blank\" rel=\"noopener\">Bells Atlas\u003c/a> and hip-hop futurists \u003ca href=\"http://boskolive.com/tag/electrospit/\" target=\"_blank\" rel=\"noopener\">Electrospit.\u003c/a>\u003c/p>\n\u003cp>“A lot of times we focus so much on the music, the business aspect of things feels like work, says Bells Atlas bassist and co-founder Doug Stuart. “And these workshops have been really refreshing, because its offered us ways of coming at this business in a creative way.” \u003c/p>\n\u003cp>I talked to Stuart and his band mates at nine in the morning on day four of the residency. Percussionist Geneva Harrison was still in her bedroll, finishing a bowl of cereal. During the residency, the band members bunk and eat in a mini-suites next to a full kitchen, staffed by a chef hired to feed the musicians. Harrison said the workshops are forcing band members to ask and answer hard questions like “What is the dream? And what is it you’re trying to build around that?” \u003c/p>\n\u003cp>And how do you deal with marketing issues many artists wish they could ignore, “Like how do you brand yourself,” Harrison said. “I’m turning this thing that I love into a product and that’s so in-genuine and weird.”\u003c/p>\n\u003cp>Not that Harrison and Bells Atlas singer Sandra Lawson Ndu don’t want everyone to be downloading their songs off iTunes. \u003c/p>\n\u003cp>“This is more like using our imagination and putting it out there,” Ndu said. “And that’s what it means to brand in a more beautiful way.”\u003c/p>\n\u003cp>Bells Atlas learned more about branding and generating revenue from about two dozen presenters during the residency. On day four, they gathered in a Zoo Labs meeting room for a seminar with design consultant Sven Newman of the firm Daylight. He suggested the band members keep Post-its or some other note-taking tool to track audience preferences for everything from songs to instrumentation.\u003c/p>\n\u003cp>“That is where design thinking is being like an anthropologist, or a therapist.” Newman offered, while marking up a whiteboard. “So you’re really trying to get to the whys. Why aren’t people coming to our shows, or why do they just love that song?”\u003c/p>\n\u003cfigure id=\"attachment_10140971\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Bosko-Kante-at-Zoo-Labs.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Bosko-Kante-at-Zoo-Labs.jpg\" alt=\"Bosko Kante at Zoo Labs (courtesy of Zoo Labs)\" width=\"800\" height=\"1200\" class=\"size-full wp-image-10140971\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Bosko-Kante-at-Zoo-Labs.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Bosko-Kante-at-Zoo-Labs-400x600.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Bosko-Kante-at-Zoo-Labs-200x300.jpg 200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bosko Kante at Zoo Labs (courtesy of Zoo Labs)\u003c/figcaption>\u003c/figure>\n\u003cp>There were other seminars: how to make a viral video and how to improve team (band) dynamics. And the bands get hours and hours of a precious resource, time in the studio to record new songs. Zoo Labs, a non-profit founded by Watson’s husband, is a working studio, with gorgeous new digital and analog equipment.\u003c/p>\n\u003cp>I came back at 10:30 the same night to visit with members of Electrospit, the other band in this Zoo Labs session, as they worked on a new song. (I’ll explain the name in a minute.) \u003c/p>\n\u003cp>Bosko Kante founded this brand new ensemble. He’s a musician who’s worked with Big Boi and Kanye West, but he said he’d sought the Zoo Labs residency to learn how to make his own music, and still make a decent living. \u003c/p>\n\u003cp>“Being able to do all the things necessary for a release,” said Kante. “The social media, the marketing, the visuals, the video.”\u003c/p>\n\u003cp>Kante’s instrument is the Talk Box — a little known device that’s been around for decades that consists of a plastic tube that connects to the player’s mouth and to a midi keyboard. Kante plays the keyboard and uses his mouth, but not his larynx, to shape the notes into words, and that wet-ware meets hard-ware device gave the band its name.\u003c/p>\n\u003cp>Electrospit DJ and producer Pete Miser says the residency allowed the band to work on a business plan for the talk-box itself, making it more portable for starters. \u003c/p>\n\u003cp>“And now we’re having discussions about downloadable voice profiles, and giving voice lifts to people who have lost their larynx,” said Miser. “It’s that Bay Area start up optimism is making us realize… that so many things are possible.”\u003c/p>\n\u003cp>The Electrospit and Bells Atlas residency was just the third for Zoo Labs, so it’s not clear yet how well it’s working to create what Vinitha Watson calls her utopia: “a middle class of musicians.”\u003c/p>\n\u003cp>Bells Atlas plays a show at the Rickshaw Stop on Aug. 29.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Another pair of bands, one from Los Angeles and one from Connecticut, move into Zoo Labs in September. \u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"aligncenter\">\n\u003ch4>Listen to Cy Musiker’s piece on the West Oakland recording studio Zoo Labs:\u003c/h4>\n\u003cp>http://www.kqed.org/.stream/anon/radio/RDnews/2014/08/MusikerZooLabsFeature.mp3\u003cbr>\n\u003c/p>\u003c/aside>\n\u003cp>The pop music industry may not be dead, but it’s in serious disarray. There’s are plenty of musicians writing and performing songs, but they almost have to give away their music, and clubs don’t pay very well. So how do they make a living if they’re not named Beyoncé or Paul McCartney?\u003c/p>\n\u003cp>Zoo Labs may have an answer. It’s a music studio in West Oakland, a kind of band incubator, offering two week all-expenses paid workshops where musicians can learn the same skills as those wielded by a Silicon Valley entrepreneur. \u003c/p>\n\u003cp>“Musicians are start-ups also,” Anna Acquistapace said recently. She co-founded the Zoo Labs residency program with an old business school friend Vinitha Watson. \u003c/p>\n\u003cp>“There’s just a fundamental place that music plays in people’s lives,” says Watson. “But the plight of the musician not being able to pay their rent, or support their families or their art was really confounding to me.”\u003c/p>\n\u003cfigure id=\"attachment_10140969\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Doug-Stuart-Derek-Barber-Geneva-Harrison-Sandra-Lawson-Ndu-of-Bells-Atlas.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Doug-Stuart-Derek-Barber-Geneva-Harrison-Sandra-Lawson-Ndu-of-Bells-Atlas.jpg\" alt=\"Doug Stuart, Derek Barber, Geneva Harrison, Sandra Lawson Ndu of Bells Atlas (Courtesy of Zoo Labs)\" width=\"800\" height=\"652\" class=\"size-full wp-image-10140969\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Doug-Stuart-Derek-Barber-Geneva-Harrison-Sandra-Lawson-Ndu-of-Bells-Atlas.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Doug-Stuart-Derek-Barber-Geneva-Harrison-Sandra-Lawson-Ndu-of-Bells-Atlas-400x326.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Doug-Stuart-Derek-Barber-Geneva-Harrison-Sandra-Lawson-Ndu-of-Bells-Atlas-300x244.jpg 300w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Doug Stuart, Derek Barber, Geneva Harrison, Sandra Lawson Ndu of Bells Atlas (Courtesy of Zoo Labs)\u003c/figcaption>\u003c/figure>\n\u003cp>So starting in January of this year, Acquistapace and Watson began recruiting bands for the residency program, bands with what Acquistapace called “hustle and resource magnetism, that can be innovative in their approach to their music.” \u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The most recent beneficiaries have been two Oakland groups: Afropop innovators \u003ca href=\"http://www.bellsatlas.com/\" target=\"_blank\" rel=\"noopener\">Bells Atlas\u003c/a> and hip-hop futurists \u003ca href=\"http://boskolive.com/tag/electrospit/\" target=\"_blank\" rel=\"noopener\">Electrospit.\u003c/a>\u003c/p>\n\u003cp>“A lot of times we focus so much on the music, the business aspect of things feels like work, says Bells Atlas bassist and co-founder Doug Stuart. “And these workshops have been really refreshing, because its offered us ways of coming at this business in a creative way.” \u003c/p>\n\u003cp>I talked to Stuart and his band mates at nine in the morning on day four of the residency. Percussionist Geneva Harrison was still in her bedroll, finishing a bowl of cereal. During the residency, the band members bunk and eat in a mini-suites next to a full kitchen, staffed by a chef hired to feed the musicians. Harrison said the workshops are forcing band members to ask and answer hard questions like “What is the dream? And what is it you’re trying to build around that?” \u003c/p>\n\u003cp>And how do you deal with marketing issues many artists wish they could ignore, “Like how do you brand yourself,” Harrison said. “I’m turning this thing that I love into a product and that’s so in-genuine and weird.”\u003c/p>\n\u003cp>Not that Harrison and Bells Atlas singer Sandra Lawson Ndu don’t want everyone to be downloading their songs off iTunes. \u003c/p>\n\u003cp>“This is more like using our imagination and putting it out there,” Ndu said. “And that’s what it means to brand in a more beautiful way.”\u003c/p>\n\u003cp>Bells Atlas learned more about branding and generating revenue from about two dozen presenters during the residency. On day four, they gathered in a Zoo Labs meeting room for a seminar with design consultant Sven Newman of the firm Daylight. He suggested the band members keep Post-its or some other note-taking tool to track audience preferences for everything from songs to instrumentation.\u003c/p>\n\u003cp>“That is where design thinking is being like an anthropologist, or a therapist.” Newman offered, while marking up a whiteboard. “So you’re really trying to get to the whys. Why aren’t people coming to our shows, or why do they just love that song?”\u003c/p>\n\u003cfigure id=\"attachment_10140971\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Bosko-Kante-at-Zoo-Labs.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Bosko-Kante-at-Zoo-Labs.jpg\" alt=\"Bosko Kante at Zoo Labs (courtesy of Zoo Labs)\" width=\"800\" height=\"1200\" class=\"size-full wp-image-10140971\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Bosko-Kante-at-Zoo-Labs.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Bosko-Kante-at-Zoo-Labs-400x600.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Bosko-Kante-at-Zoo-Labs-200x300.jpg 200w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Bosko Kante at Zoo Labs (courtesy of Zoo Labs)\u003c/figcaption>\u003c/figure>\n\u003cp>There were other seminars: how to make a viral video and how to improve team (band) dynamics. And the bands get hours and hours of a precious resource, time in the studio to record new songs. Zoo Labs, a non-profit founded by Watson’s husband, is a working studio, with gorgeous new digital and analog equipment.\u003c/p>\n\u003cp>I came back at 10:30 the same night to visit with members of Electrospit, the other band in this Zoo Labs session, as they worked on a new song. (I’ll explain the name in a minute.) \u003c/p>\n\u003cp>Bosko Kante founded this brand new ensemble. He’s a musician who’s worked with Big Boi and Kanye West, but he said he’d sought the Zoo Labs residency to learn how to make his own music, and still make a decent living. \u003c/p>\n\u003cp>“Being able to do all the things necessary for a release,” said Kante. “The social media, the marketing, the visuals, the video.”\u003c/p>\n\u003cp>Kante’s instrument is the Talk Box — a little known device that’s been around for decades that consists of a plastic tube that connects to the player’s mouth and to a midi keyboard. Kante plays the keyboard and uses his mouth, but not his larynx, to shape the notes into words, and that wet-ware meets hard-ware device gave the band its name.\u003c/p>\n\u003cp>Electrospit DJ and producer Pete Miser says the residency allowed the band to work on a business plan for the talk-box itself, making it more portable for starters. \u003c/p>\n\u003cp>“And now we’re having discussions about downloadable voice profiles, and giving voice lifts to people who have lost their larynx,” said Miser. “It’s that Bay Area start up optimism is making us realize… that so many things are possible.”\u003c/p>\n\u003cp>The Electrospit and Bells Atlas residency was just the third for Zoo Labs, so it’s not clear yet how well it’s working to create what Vinitha Watson calls her utopia: “a middle class of musicians.”\u003c/p>\n\u003cp>Bells Atlas plays a show at the Rickshaw Stop on Aug. 29.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Another pair of bands, one from Los Angeles and one from Connecticut, move into Zoo Labs in September. \u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003caside class=\"aligncenter\">\n\u003ch4>Listen to the Noise Pop Podcast’s mix of the best instrumental songs in rock, pop and electronic:\u003c/h4>\n\u003cp>http://traffic.libsyn.com/noisepop/Instrumental_1.mp3\u003cbr>\n\u003c/p>\u003c/aside>\n\u003cp>Who needs lyrics? There are so many great songs that kill the vocals and let the rest of the band do the talking. This episode celebrates some of the best instrumental songs in rock, pop, and electronic music. The one rule we applied to this is that the artist has to historically be a vocal-fronted band (i.e. no Dick Dale, Explosions in The Sky, Budos Band, etc…). So, enjoy! We’ll leave you with the immortal lyrics of a saccharine late ’80s country hit “…you say it best, when you say nothing at all.”\n\u003c/p>\n\u003cp>\u003cspan style=\"text-decoration: underline\">Track Listing:\u003c/span>\u003c/p>\n\u003col>\n\u003cli>“Yoga Means Union” – Ambulance LTD, \u003ci>Ambulance LTD\u003c/i>\u003c/li>\n\u003cli>“I Am Citizen Insane” – Radiohead, \u003ci>COM LAG (2plus2isfive)\u003c/i>\u003c/li>\n\u003cli>“The Commercial” – Wire, \u003ci>Pink Flag\u003c/i>\u003c/li>\n\u003cli>“Det Du Tänker Idag Är Du Imorn” – Dungen, \u003ci>Ta Det Lungt\u003c/i>\u003c/li>\n\u003cli>“Theme For A Pretty Girl That Makes You Believe God Exists” – Eels, \u003ci>Blinking Lights and Other Revelations\u003c/i>\u003c/li>\n\u003cli>“Swarfiga” – Kasabian, \u003ci>Ryder Pauper Lunatic Asylum\u003c/i>\u003c/li>\n\u003cli>“45:33” – LCD Soundsystem, \u003ci>45:33\u003c/i>\u003c/li>\n\u003cli>“Everyone’s A VIP To Someone” – The Go! Team, \u003ci>Thunder, Lightning, Strike\u003c/i>\u003c/li>\n\u003cli>“Bron Yr Aur” – Led Zeppelin, \u003ci>Physical Graffiti\u003c/i>\u003c/li>\n\u003cli>“Year of the Dragon” – Sufjan Stevens (Arranged by Nico Muhly), \u003ci>Run Rabbit Run\u003c/i>\u003c/li>\n\u003cli>“Cecilia Ann” – Pixies, \u003ci>Bossanova\u003c/i>\u003c/li>\n\u003c/ol>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"aligncenter\">\n\u003ch4>Listen to the Noise Pop Podcast’s mix of the best instrumental songs in rock, pop and electronic:\u003c/h4>\n\u003cp>http://traffic.libsyn.com/noisepop/Instrumental_1.mp3\u003cbr>\n\u003c/p>\u003c/aside>\n\u003cp>Who needs lyrics? There are so many great songs that kill the vocals and let the rest of the band do the talking. This episode celebrates some of the best instrumental songs in rock, pop, and electronic music. The one rule we applied to this is that the artist has to historically be a vocal-fronted band (i.e. no Dick Dale, Explosions in The Sky, Budos Band, etc…). So, enjoy! We’ll leave you with the immortal lyrics of a saccharine late ’80s country hit “…you say it best, when you say nothing at all.”\n\u003c/p>\n\u003cp>\u003cspan style=\"text-decoration: underline\">Track Listing:\u003c/span>\u003c/p>\n\u003col>\n\u003cli>“Yoga Means Union” – Ambulance LTD, \u003ci>Ambulance LTD\u003c/i>\u003c/li>\n\u003cli>“I Am Citizen Insane” – Radiohead, \u003ci>COM LAG (2plus2isfive)\u003c/i>\u003c/li>\n\u003cli>“The Commercial” – Wire, \u003ci>Pink Flag\u003c/i>\u003c/li>\n\u003cli>“Det Du Tänker Idag Är Du Imorn” – Dungen, \u003ci>Ta Det Lungt\u003c/i>\u003c/li>\n\u003cli>“Theme For A Pretty Girl That Makes You Believe God Exists” – Eels, \u003ci>Blinking Lights and Other Revelations\u003c/i>\u003c/li>\n\u003cli>“Swarfiga” – Kasabian, \u003ci>Ryder Pauper Lunatic Asylum\u003c/i>\u003c/li>\n\u003cli>“45:33” – LCD Soundsystem, \u003ci>45:33\u003c/i>\u003c/li>\n\u003cli>“Everyone’s A VIP To Someone” – The Go! Team, \u003ci>Thunder, Lightning, Strike\u003c/i>\u003c/li>\n\u003cli>“Bron Yr Aur” – Led Zeppelin, \u003ci>Physical Graffiti\u003c/i>\u003c/li>\n\u003cli>“Year of the Dragon” – Sufjan Stevens (Arranged by Nico Muhly), \u003ci>Run Rabbit Run\u003c/i>\u003c/li>\n\u003cli>“Cecilia Ann” – Pixies, \u003ci>Bossanova\u003c/i>\u003c/li>\n\u003c/ol>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "I Still Hear The Drum: A Tribe Called Red Brings Nation II Nation to The New Parish",
"headTitle": "I Still Hear The Drum: A Tribe Called Red Brings Nation II Nation to The New Parish | KQED",
"content": "\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/tdl_templogo-e1408481727479-300x186.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/events/pick/a-tribe-called-red/\">Event Information\u003c/a>\u003c/h3>\n\u003ch4>A Tribe Called Red\u003c/h4>\n\u003cdiv class=\"event-desc\">Experience the electric powwow.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>August 28\u003c/h4>\n\u003cp>9:00pm\u003c/p>\n\u003c/div>\n\u003cdiv class=\"event-venue\">The New Parish\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/events/pick/a-tribe-called-red/\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Your knowledge of dance music does nothing to help you understand yesterday. It may in fact limit your ability to understand tomorrow. What little you know of powwows, what gobs you know of whatever fills your days – it’s likely that none of it prepares you to understand \u003ca href=\"http://www.ifhurbanrez.org/\" target=\"_blank\" rel=\"noopener\">the rising of the “urban rez”\u003c/a> as conveyed by DJ NDN, Bear Witness, and 2oolMan, otherwise known as A Tribe Called Red.\u003c/p>\n\u003cp>Some of us have been ready longer than others. Having marinated in our own generational displacement and resilience, some of us already know how A Tribe Called Red \u003ca href=\"https://www.youtube.com/watch?v=z4M1EPB5FUI\" target=\"_blank\" rel=\"noopener\">buries fluorescence into heads\u003c/a>. Dancers flash and glow in whirlwinds of strobe and black light. Sometimes tears well up in the bottom halves of eyes, sometimes they spill over, sometimes we manage to choke them back.\u003c/p>\n\u003cp>Sometimes, if a crowd screams out loud, is it because they recognize the sound of the drum? If a drum screams, is it because it recognizes tradition retreating too deep into our past? Between throttled reservation land, federal relocation plan, and gentrifying waves, what is lost and how do we regain it? A Tribe Called Red offers answers.\u003c/p>\n\u003cp>http://youtu.be/PJRZ4_rXAzE\u003c/p>\n\u003cp>Examining misrepresentation, flipping racist imagery, and bolstering thousand year-old traditions, A Tribe Called Red presents 21st-century storytelling across media. As a Native American DJ collective out of Canada, the scope of danceable saga orchestrated by Bear Witness, 2oolman, and DJ NDN finds root in the Cayugan and Ojibwe histories that are their origin points. On August 28, at Oakland’s The New Parish, you’ll experience the sound and vision that have propelled the group far and wide since the 2008 birth of their weekly Electric Powwow party in Ottowa.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>When’s the last time you heard a Northern Cree love song chopped and looped beneath swirling Hollywood drama Native romance video snippets? Not once? It’s just that sort of never never that’s broken down since A Tribe Called Red \u003ca href=\"http://atribecalledred.com\" target=\"_blank\" rel=\"noopener\">distributed their eponymous debut online for free in 2012\u003c/a>. Since then they’ve continued to feed a Native community that hardly finds itself reflected in a larger society that is, in the ultimate irony of all things, \u003ca href=\"http://www.vibe.com/article/kim-kardashian-selfie-book\" target=\"_blank\" rel=\"noopener\">infatuated with incessant self-reflection\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_10140748\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/nationalbumcover.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10140748\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/nationalbumcover.jpg\" alt=\"Never scared to collaborate with like minds, ATCR fashioned their newest release artwork with California native, Ernesto Yerena.\" width=\"640\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-75x75.jpg 75w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Never scared to collaborate with like minds, ATCR fashioned their newest release artwork with California native, Ernesto Yerena.\u003c/figcaption>\u003c/figure>\n\u003cp>What’s the natural human response to invisibility? If the phrase “\u003ca href=\"http://www.nps.gov/trte/index.htm\" target=\"_blank\" rel=\"noopener\">Trail of Tears\u003c/a>” stirs any thoughts for you, then you understand a degree of the significance at play when we talk about a beat down leaving you more alive than bleeding. For First Nation youth in the Bay Area, the reclaiming of cultural space delivered by A Tribe Called Red is as danceable as any revolution can be. A Tribe Called Red is community restorative healing by design. They are \u003ca href=\"http://www.squamishchief.com/lifestyles/squamish-nation-youth-dance-into-the-future-1.1311220\" target=\"_blank\" rel=\"noopener\">a youth-sanctioned style\u003c/a> of informed care. Call it reclaiming cultural space. Call it housecleaning. The wail of air horns, the click-clack of shotguns loading; certain pistol grip steel clappers leave you wounded, bleeding out, sprawled upside down across city hall steps, and some wheels of steel revolve to leave you reborn, vibrating out from your core, dripping history from your pores.\u003c/p>\n\u003cp>Walk long enough through Oakland to cool down after your boogie induced sweat and you’ll stroll across traditional four directions symbols painted on sidewalks fanning out from downtown into Berkeley and the East. These icons are guideposts for a living memory. One of them is front and center on the sidewalk near \u003ca href=\"https://www.facebook.com/pages/Intertribal-Friendship-House/251798591568899?sk=info/\" target=\"_blank\" rel=\"noopener\">Intertribal Friendship House\u003c/a> entrance on International Boulevard. The House has been a sort of Indigenous Ellis Island in the Bay Area since opening its doors in 1955 on the heels of \u003ca href=\"http://www.pbs.org/indiancountry/history/relocate.html\" target=\"_blank\" rel=\"noopener\">a government relocation program\u003c/a> that found thousands of Native people relocated to the Bay. Today the House serves thousands of local Native people and their descendants, as well as a larger community of First Nation people who represent 100 tribes from around the hemisphere.\u003c/p>\n\u003cfigure id=\"attachment_10140749\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/mountains.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10140749\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/mountains.jpg\" alt=\"A range of mountains. A Tribe Called Red; Photo courtesey of Brudder Falling Tree\" width=\"640\" height=\"853\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/mountains.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/mountains-400x533.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/mountains-225x300.jpg 225w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A range of mountains. A Tribe Called Red; Photo courtesey of Brudder Falling Tree\u003c/figcaption>\u003c/figure>\n\u003cp>Make your way into the Friendship House and no one can tell you who painted the \u003ca href=\"http://waterbearwhiskers.tumblr.com/image/92666155524/\" target=\"_blank\" rel=\"noopener\">four directions icon on pavement citywide\u003c/a>, but a few will praise the road of A Tribe Called Red. One of those supporters is Intertribal Friendship House Executive Director, Carol Wahpepah of the Ojibwe Nation. Past a freshly watered garden, beyond a charge of murals depicting Native American historical figures and living history, at the end of long hall hung with archival photos from the House’s beginnings, Carol lights up softly at mention of the group.\u003c/p>\n\u003cp>“A young woman and her parents were up here and I mentioned A Tribe Called Red was going to be at The New Parish and she immediately got excited,” says Carol. “What they do gives pride to the community,” she says, peering out at the community garden just past the office window, beyond a desk piled with flyers for upcoming events. The sight of the garden is a reassurance of sorts, that something healthy is certain at the Intertribal Friendship House, and perhaps in Oakland at large.\u003c/p>\n\u003cp>It’s a sense of wellness through culture that’s as certain as the nocturnal certainty of four on the floor. As certain as the Tribune tower, as certain as the Transamerica Pyramid, is the certainty of the Painted Desert, of a Black Mountain ridge that sweeps from underfoot in slopes and crags that speak millennia; as powerful as an expanse of grasslands scanned from a distance as it rolls out like a tight woven tapestry sliced by wind.\u003c/p>\n\u003cp>A Tribe Called Red is likewise an impressive geography of sound and vision: a hoop and its dancer are an alluring portal deftly played; an audience and its exuberance are a spontaneous nation fresh and waking; a remix of animated caricatures is a rewriting of history that propels a new story.\u003c/p>\n\u003cp>Do you hear the drums yet?\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ci>A Tribe Called Red\u003c/i> plays Thursday, August 28, 2014, at the New Parish in Oakland. For \u003ca href=\"http://www.thenewparish.com/event/611329-tribe-called-red-oakland\" target=\"_blank\" rel=\"noopener\">more information\u003c/a> visit thenewparish.com.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/tdl_templogo-e1408481727479-300x186.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/events/pick/a-tribe-called-red/\">Event Information\u003c/a>\u003c/h3>\n\u003ch4>A Tribe Called Red\u003c/h4>\n\u003cdiv class=\"event-desc\">Experience the electric powwow.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>August 28\u003c/h4>\n\u003cp>9:00pm\u003c/p>\n\u003c/div>\n\u003cdiv class=\"event-venue\">The New Parish\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/events/pick/a-tribe-called-red/\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Your knowledge of dance music does nothing to help you understand yesterday. It may in fact limit your ability to understand tomorrow. What little you know of powwows, what gobs you know of whatever fills your days – it’s likely that none of it prepares you to understand \u003ca href=\"http://www.ifhurbanrez.org/\" target=\"_blank\" rel=\"noopener\">the rising of the “urban rez”\u003c/a> as conveyed by DJ NDN, Bear Witness, and 2oolMan, otherwise known as A Tribe Called Red.\u003c/p>\n\u003cp>Some of us have been ready longer than others. Having marinated in our own generational displacement and resilience, some of us already know how A Tribe Called Red \u003ca href=\"https://www.youtube.com/watch?v=z4M1EPB5FUI\" target=\"_blank\" rel=\"noopener\">buries fluorescence into heads\u003c/a>. Dancers flash and glow in whirlwinds of strobe and black light. Sometimes tears well up in the bottom halves of eyes, sometimes they spill over, sometimes we manage to choke them back.\u003c/p>\n\u003cp>Sometimes, if a crowd screams out loud, is it because they recognize the sound of the drum? If a drum screams, is it because it recognizes tradition retreating too deep into our past? Between throttled reservation land, federal relocation plan, and gentrifying waves, what is lost and how do we regain it? A Tribe Called Red offers answers.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/PJRZ4_rXAzE'\n title='//www.youtube.com/embed/PJRZ4_rXAzE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Examining misrepresentation, flipping racist imagery, and bolstering thousand year-old traditions, A Tribe Called Red presents 21st-century storytelling across media. As a Native American DJ collective out of Canada, the scope of danceable saga orchestrated by Bear Witness, 2oolman, and DJ NDN finds root in the Cayugan and Ojibwe histories that are their origin points. On August 28, at Oakland’s The New Parish, you’ll experience the sound and vision that have propelled the group far and wide since the 2008 birth of their weekly Electric Powwow party in Ottowa.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>When’s the last time you heard a Northern Cree love song chopped and looped beneath swirling Hollywood drama Native romance video snippets? Not once? It’s just that sort of never never that’s broken down since A Tribe Called Red \u003ca href=\"http://atribecalledred.com\" target=\"_blank\" rel=\"noopener\">distributed their eponymous debut online for free in 2012\u003c/a>. Since then they’ve continued to feed a Native community that hardly finds itself reflected in a larger society that is, in the ultimate irony of all things, \u003ca href=\"http://www.vibe.com/article/kim-kardashian-selfie-book\" target=\"_blank\" rel=\"noopener\">infatuated with incessant self-reflection\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_10140748\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/nationalbumcover.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10140748\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/nationalbumcover.jpg\" alt=\"Never scared to collaborate with like minds, ATCR fashioned their newest release artwork with California native, Ernesto Yerena.\" width=\"640\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-75x75.jpg 75w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Never scared to collaborate with like minds, ATCR fashioned their newest release artwork with California native, Ernesto Yerena.\u003c/figcaption>\u003c/figure>\n\u003cp>What’s the natural human response to invisibility? If the phrase “\u003ca href=\"http://www.nps.gov/trte/index.htm\" target=\"_blank\" rel=\"noopener\">Trail of Tears\u003c/a>” stirs any thoughts for you, then you understand a degree of the significance at play when we talk about a beat down leaving you more alive than bleeding. For First Nation youth in the Bay Area, the reclaiming of cultural space delivered by A Tribe Called Red is as danceable as any revolution can be. A Tribe Called Red is community restorative healing by design. They are \u003ca href=\"http://www.squamishchief.com/lifestyles/squamish-nation-youth-dance-into-the-future-1.1311220\" target=\"_blank\" rel=\"noopener\">a youth-sanctioned style\u003c/a> of informed care. Call it reclaiming cultural space. Call it housecleaning. The wail of air horns, the click-clack of shotguns loading; certain pistol grip steel clappers leave you wounded, bleeding out, sprawled upside down across city hall steps, and some wheels of steel revolve to leave you reborn, vibrating out from your core, dripping history from your pores.\u003c/p>\n\u003cp>Walk long enough through Oakland to cool down after your boogie induced sweat and you’ll stroll across traditional four directions symbols painted on sidewalks fanning out from downtown into Berkeley and the East. These icons are guideposts for a living memory. One of them is front and center on the sidewalk near \u003ca href=\"https://www.facebook.com/pages/Intertribal-Friendship-House/251798591568899?sk=info/\" target=\"_blank\" rel=\"noopener\">Intertribal Friendship House\u003c/a> entrance on International Boulevard. The House has been a sort of Indigenous Ellis Island in the Bay Area since opening its doors in 1955 on the heels of \u003ca href=\"http://www.pbs.org/indiancountry/history/relocate.html\" target=\"_blank\" rel=\"noopener\">a government relocation program\u003c/a> that found thousands of Native people relocated to the Bay. Today the House serves thousands of local Native people and their descendants, as well as a larger community of First Nation people who represent 100 tribes from around the hemisphere.\u003c/p>\n\u003cfigure id=\"attachment_10140749\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/mountains.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10140749\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/mountains.jpg\" alt=\"A range of mountains. A Tribe Called Red; Photo courtesey of Brudder Falling Tree\" width=\"640\" height=\"853\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/mountains.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/mountains-400x533.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/mountains-225x300.jpg 225w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A range of mountains. A Tribe Called Red; Photo courtesey of Brudder Falling Tree\u003c/figcaption>\u003c/figure>\n\u003cp>Make your way into the Friendship House and no one can tell you who painted the \u003ca href=\"http://waterbearwhiskers.tumblr.com/image/92666155524/\" target=\"_blank\" rel=\"noopener\">four directions icon on pavement citywide\u003c/a>, but a few will praise the road of A Tribe Called Red. One of those supporters is Intertribal Friendship House Executive Director, Carol Wahpepah of the Ojibwe Nation. Past a freshly watered garden, beyond a charge of murals depicting Native American historical figures and living history, at the end of long hall hung with archival photos from the House’s beginnings, Carol lights up softly at mention of the group.\u003c/p>\n\u003cp>“A young woman and her parents were up here and I mentioned A Tribe Called Red was going to be at The New Parish and she immediately got excited,” says Carol. “What they do gives pride to the community,” she says, peering out at the community garden just past the office window, beyond a desk piled with flyers for upcoming events. The sight of the garden is a reassurance of sorts, that something healthy is certain at the Intertribal Friendship House, and perhaps in Oakland at large.\u003c/p>\n\u003cp>It’s a sense of wellness through culture that’s as certain as the nocturnal certainty of four on the floor. As certain as the Tribune tower, as certain as the Transamerica Pyramid, is the certainty of the Painted Desert, of a Black Mountain ridge that sweeps from underfoot in slopes and crags that speak millennia; as powerful as an expanse of grasslands scanned from a distance as it rolls out like a tight woven tapestry sliced by wind.\u003c/p>\n\u003cp>A Tribe Called Red is likewise an impressive geography of sound and vision: a hoop and its dancer are an alluring portal deftly played; an audience and its exuberance are a spontaneous nation fresh and waking; a remix of animated caricatures is a rewriting of history that propels a new story.\u003c/p>\n\u003cp>Do you hear the drums yet?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
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"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
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"order": 8
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},
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
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"source": "Commonwealth Club of California"
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"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
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"order": 9
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"hidden-brain": {
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"airtime": "SUN 7pm-8pm",
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"airtime": "SUN 7:30pm-8pm",
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"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"order": 18
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},
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"id": "latino-usa",
"title": "Latino USA",
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"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
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},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
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},
"masters-of-scale": {
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"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
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"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
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"source": "WaitWhat"
},
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"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
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"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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