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"content": "\u003cp>\n\t\u003ci>By: Steve Hochman\u003c/i>\u003c/p>\n\u003cp>\n\tA ganglion is a cluster of nerve cells. “Ganglion Reef” is the title of the debut album from the Los Angeles band Wand. If that makes you expect some sensory overload, you’d be right.\u003c/p>\n\u003cp>\n\tThe quartet brings spirit, style and appealing pop sensibilities to the world of fuzzed-out, DIY \u003ca href=\"http://www.californiareport.org/archive/R201408291630/d\" target=\"_self\" class=\"rssmi_more\" rel=\"noopener\"> …read more\u003c/a> \u003c/p>\n\u003cp>Source: \u003ca href=\"http://www.californiareport.org/archive/R201408291630/d\" target=\"_self\" title=\"Pop Music Review: Wand's 'Ganglion Reef'\" rel=\"noopener\">TCR Music\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/tdl_templogo-e1408481727479-300x186.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/events/pick/hiero-day/\">Event Information\u003c/a>\u003c/h3>\n\u003ch4>Hiero Day\u003c/h4>\n\u003cdiv class=\"event-desc\">Huge, free hip-hop block party in Oakland.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Sept. 1, 2014\u003c/h4>\n\u003cp>11am-6pm\u003c/p>\n\u003c/div>\n\u003cdiv class=\"event-venue\">95 Linden St., Oakland\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/events/pick/hiero-day/\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Even if you’re not a hip-hop fan, you’ve surely noticed the ubiquitous logo: three dots as eyes, above a straight line, in a circle. Such is the mark of Oakland’s longest-running hip-hop collective the Heiroglyphics, and this week, the members celebrate their continued collaboration with a huge block party called Heiro Day. Now in its third year, the free event brings together East Bay institutions like Zion-I, Mac Mall, Mystik Journeymen and the Grouch & Eligh with up-and-comers like Fashawn, Casey Veggies, Free the Robots and many, many others on three stages. Food trucks, producers, DJs, beer from the on-site Linden Street Brewery, clothing booths and a skate area round out the all-day, all-ages bash.\u003c/p>\n\u003cp>Live and on stage, the Heiroglyphics themselves come with one small but notable caveat. Though their most famous export Del tha Funkee Homosapien has appeared on smash hits (the Gorillaz’ “\u003ca href=\"https://www.youtube.com/watch?v=LoQYw49saqc\" target=\"_blank\" rel=\"noopener\">Clint Eastwood\u003c/a>“) and makes solid albums (\u003cem>No Need For Alarm\u003c/em>), he’s often underwhelming on stage, and those who come solely to see his set may be let down. Del is more than made up for, however, by the Souls of Mischief, who are one of the top ten live hip-hop acts in world. With skilled mic technique, unmatched energy, flawless segues and a natural chemistry that hasn’t waned in 21 years together, the Souls are the act to catch at Heiro Day. That’s especially true with this month’s release of the group’s stellar new album, \u003cem>There is Only Now\u003c/em>, produced by it-producer of the moment Adrian Younge—but of course, whenever the Souls drop the beat to their breakout hit “\u003ca href=\"https://www.youtube.com/watch?v=0VwfYCFYZws\" target=\"_blank\" rel=\"noopener\">’93 ’til Infinity\u003c/a>,” the past comes roaring back. Throughout the entire city on Labor Day weekend, nothing will represent Oakland hip-hop more than that one rapturous moment.\u003c/p>\n\u003cp>\u003cstrong>THE COST OF FREEDOM\u003c/strong>: Tickets to Heiro Day are technically available for no charge, but in order to “Keep Heiro Day Free,” organizers have installed a pay-what-you-will system for tickets on the event website. The free tickets are now gone, as are the dirt-cheap-priced options (starting at $1), but you can still get into the all-day event for a steal.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"headline": "A Way to Help Someone With ALS That Doesn't Involve Getting Soaked",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/tdl_templogo-e1408481727479-300x186.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/events/pick/jason-becker-not-dead-yet-festival-3/\">Event Information\u003c/a>\u003c/h3>\n\u003ch4>Jason Becker Benefit\u003c/h4>\n\u003cdiv class=\"event-desc\">Virtuoso guitars for a good cause.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Aug 30, 2014\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">Great American Music Hall\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/events/pick/jason-becker-not-dead-yet-festival-3/\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>If your Facebook feed is clogged with people dumping ice water over their heads but you still don’t know exactly what ALS stands for, much less what the disease does, you’re not alone. More than one user on Twitter has taken a cursory glance at a Wikipedia page for the disease and glibly characterized the acronym as “A Long Story.”\u003c/p>\n\u003cp>But Amyotrophic lateral sclerosis, more commonly known as Lou Gherig’s disease, is no joke, taking a hugely degenerative toll on the body. In the Bay Area music community, virtuoso guitarist Jason Becker has been living with ALS since 1989. In 1997, he was given six months to live, but as the dry title of a recent documentary on the pioneering speed-metal musician says, he’s not dead yet.\u003c/p>\n\u003cp>Among all this ice-dumping of late, Becker got a huge celebrity endorsement from John Mayer, who not only dedicated his own viral soaking to Becker but opened his viral video by playing “Air,” a Becker composition, on guitar. This week, the third-annual ‘Jason Becker’s Not Dead Yet’ benefit raises funds for Becker’s medical costs, and features the above-pictured Richie Kotzen (Poison, Mr. Big), Michael Lee Firkins, SpiralArms and Ben Woods. The night offers a chance to see some incredible guitar playing and help out a Bay Area musician… but for the love of the club’s soundmen and janitors, don’t bring a bucket of ice water.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"title": "Oakland's Whirr Will Blast the Rickshaw Stop with a New Album",
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"content": "\u003cp>The tempestuous sounds of Oakland rock quintet Whirr walk a bold line between menace and comfort. Like being wrapped in layers of heavy blanket, their music can be sweltering and claustrophobic or comfortably warm.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/whirrpipedreams.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/whirrpipedreams.jpg\" alt=\"whirrpipedreams\" width=\"640\" height=\"640\" class=\"alignright size-full wp-image-10141090\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/whirrpipedreams.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/whirrpipedreams-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/whirrpipedreams-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/whirrpipedreams-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/whirrpipedreams-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/whirrpipedreams-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/whirrpipedreams-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/whirrpipedreams-75x75.jpg 75w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003c/p>\n\u003cp>They pull this off by producing a big onslaught of sound. On their debut LP \u003ci>Pipe Dreams\u003c/i>, Whirr’s three heavily amplified guitarists play over each other, cloaking their melodies in thick distortion. Within the guitars’ aggressively brutal textures are quietly caressing vocals that seem contrastingly innocent and gentle. Tracks “Flashback” and “Formulas and Frequencies” move at a leisurely pace with sweet, sunbathed melodies. “Bogus” and “Home is where my head is” accelerate and explode.\u003c/p>\n\u003cp>The effect of this dual nature can be polarizing. The album could provide the background music for a relaxing drive on a cloudy day or be the soundtrack for an anxiety attack. It’s too raucous to be denoted as typical shoegaze and too lush and wistful to be punk. Live, Whirr’s volume is almost ear shattering, but even then its noisy envelopment is captivating. \u003c/p>\n\u003cp>Now, after months of touring and songwriting post \u003ci>Pipe Dreams\u003c/i> and 2013’s \u003ci>Around\u003c/i> EP, Whirr is set to release its second album \u003ci>Sway\u003c/i> on September 23, 2014. Luckily, fans can catch the band’s record release show at the Rickshaw Stop on August 30 and get a live preview. Tickets are $10 in advance or $12 at the door.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Whirr’s already shared two tracks online from the upcoming album. The singles, “Mumble” and “Heavy,” show that the band hasn’t changed its sound, but has grown more focused and streamlined in delivery.\u003c/p>\n\u003cp>[soundcloud url=”https://api.soundcloud.com/tracks/160114439″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /]\u003c/p>\n\u003cp>Unlike the somewhat jarring guitar textures of \u003ci>Pipe Dreams\u003c/i>, these two songs display a more coordinated interplay of guitar work with cleaner production. The blurriness that once shrouded the melodies has subsided, without sacrificing the lustrous reverb the band is known for. The lead guitar lines on “Mumble” stay clear and distinct, even when the song erupts in fuzz 2/3 of the way through. The appropriately titled “Heavy” begins with a dismal, sludgy crawl and then expands and builds with tuneful intensity. Both tracks have an ebb and flow of conflicting elements — of beauty and ugliness, aggression and restraint — that make them captivating.\u003c/p>\n\u003cp>I spoke to guitarist Nick Bassett briefly about Whirr’s origin, their general sound, and the new album. Judging from Bassett’s confidence, we should expect it to be a good one.\u003c/p>\n\u003cp>\u003cb>How did Whirr get together?\u003c/b>\u003c/p>\n\u003cp>We’ve all been friends since after high school. We were all into punk and skating and stuff like that and we just hung out, decided to start a band.\u003c/p>\n\u003cp>\u003cb>How would you characterize Whirr’s sound? What bands or artists do you draw inspiration from?\u003c/b>\u003c/p>\n\u003cp>I don’t know, there’s not any particular band, I think. I don’t know any — honestly there are so many different bands; it’s not just pigeonholed into My Bloody Valentine or something like that. There are all kinds; we all listen to different stuff. We all listen to [laughs] ZZ top, R&B, soul, all kinds of punk and hardcore.\u003c/p>\n\u003cfigure id=\"attachment_10140781\" class=\"wp-caption alignright\" style=\"max-width: 989px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Whirr-Tour-dates.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Whirr-Tour-dates.jpg\" alt=\"Whirr tour poster. Taken from artist's website.\" width=\"989\" height=\"1280\" class=\"size-full wp-image-10140781\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Whirr-Tour-dates.jpg 989w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Whirr-Tour-dates-400x517.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Whirr-Tour-dates-231x300.jpg 231w\" sizes=\"(max-width: 989px) 100vw, 989px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Whirr tour poster\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>How has Whirr’s sound changed over the years?\u003c/b>\u003c/p>\n\u003cp>I guess it’s changed but it’s not intentional, it just happened. We just keep writing songs and they keep going however they’re going to go. We didn’t set out to change our sound on our new record or anything like that\u003c/p>\n\u003cp>\u003cb>What was the writing process like for \u003ci>Sway\u003c/i>? Was it any different from \u003ci>Pipe Dreams\u003c/i>? If so, how?\u003c/b>\u003c/p>\n\u003cp>It was different since I was in Philadelphia. so I wasn’t around for all of it. We weren’t together really. But other than that we all just wrote songs, came together and recorded them. It wasn’t too different.\u003c/p>\n\u003cp>\u003cb>How do you feel about the completed product? Does it live up to your expectations?\u003c/b>\u003c/p>\n\u003cp>Yes, I think it’s perfect.\u003c/p>\n\u003cp>\u003cb>How does this record differ from your previous releases?\u003c/b>\u003c/p>\n\u003cp>Well, every record we do is better than the last one and this one is following that same stairway up to the top.\u003c/p>\n\u003cp>\u003cb>What is your favorite venue to play in the Bay Area?\u003c/b>\u003c/p>\n\u003cp>Probably The Ol’ Dopehouse. It’s in Oakland on 14th and Wood Street.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Whirr’s record release party is on August 30, 2014 at The Rickshaw Stop in San Francisco. For \u003ca href=\"http://www.rickshawstop.com/event/622893-whirr-record-release-san-francisco/\"> more information \u003c/a> visit rickshawstop.com.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>The tempestuous sounds of Oakland rock quintet Whirr walk a bold line between menace and comfort. Like being wrapped in layers of heavy blanket, their music can be sweltering and claustrophobic or comfortably warm.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/whirrpipedreams.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/whirrpipedreams.jpg\" alt=\"whirrpipedreams\" width=\"640\" height=\"640\" class=\"alignright size-full wp-image-10141090\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/whirrpipedreams.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/whirrpipedreams-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/whirrpipedreams-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/whirrpipedreams-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/whirrpipedreams-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/whirrpipedreams-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/whirrpipedreams-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/whirrpipedreams-75x75.jpg 75w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003c/p>\n\u003cp>They pull this off by producing a big onslaught of sound. On their debut LP \u003ci>Pipe Dreams\u003c/i>, Whirr’s three heavily amplified guitarists play over each other, cloaking their melodies in thick distortion. Within the guitars’ aggressively brutal textures are quietly caressing vocals that seem contrastingly innocent and gentle. Tracks “Flashback” and “Formulas and Frequencies” move at a leisurely pace with sweet, sunbathed melodies. “Bogus” and “Home is where my head is” accelerate and explode.\u003c/p>\n\u003cp>The effect of this dual nature can be polarizing. The album could provide the background music for a relaxing drive on a cloudy day or be the soundtrack for an anxiety attack. It’s too raucous to be denoted as typical shoegaze and too lush and wistful to be punk. Live, Whirr’s volume is almost ear shattering, but even then its noisy envelopment is captivating. \u003c/p>\n\u003cp>Now, after months of touring and songwriting post \u003ci>Pipe Dreams\u003c/i> and 2013’s \u003ci>Around\u003c/i> EP, Whirr is set to release its second album \u003ci>Sway\u003c/i> on September 23, 2014. Luckily, fans can catch the band’s record release show at the Rickshaw Stop on August 30 and get a live preview. Tickets are $10 in advance or $12 at the door.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Whirr’s already shared two tracks online from the upcoming album. The singles, “Mumble” and “Heavy,” show that the band hasn’t changed its sound, but has grown more focused and streamlined in delivery.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003cdiv class='utils-parseShortcode-shortcodes-__shortcodes__shortcodeWrapper'>\n \u003ciframe width='”100%”' height='”450″'\n scrolling='no' frameborder='no'\n src='https://w.soundcloud.com/player/?url=”https://api.soundcloud.com/tracks/160114439″&visual=true&”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true”'\n title='”https://api.soundcloud.com/tracks/160114439″'>\n \u003c/iframe>\n \u003c/div>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Unlike the somewhat jarring guitar textures of \u003ci>Pipe Dreams\u003c/i>, these two songs display a more coordinated interplay of guitar work with cleaner production. The blurriness that once shrouded the melodies has subsided, without sacrificing the lustrous reverb the band is known for. The lead guitar lines on “Mumble” stay clear and distinct, even when the song erupts in fuzz 2/3 of the way through. The appropriately titled “Heavy” begins with a dismal, sludgy crawl and then expands and builds with tuneful intensity. Both tracks have an ebb and flow of conflicting elements — of beauty and ugliness, aggression and restraint — that make them captivating.\u003c/p>\n\u003cp>I spoke to guitarist Nick Bassett briefly about Whirr’s origin, their general sound, and the new album. Judging from Bassett’s confidence, we should expect it to be a good one.\u003c/p>\n\u003cp>\u003cb>How did Whirr get together?\u003c/b>\u003c/p>\n\u003cp>We’ve all been friends since after high school. We were all into punk and skating and stuff like that and we just hung out, decided to start a band.\u003c/p>\n\u003cp>\u003cb>How would you characterize Whirr’s sound? What bands or artists do you draw inspiration from?\u003c/b>\u003c/p>\n\u003cp>I don’t know, there’s not any particular band, I think. I don’t know any — honestly there are so many different bands; it’s not just pigeonholed into My Bloody Valentine or something like that. There are all kinds; we all listen to different stuff. We all listen to [laughs] ZZ top, R&B, soul, all kinds of punk and hardcore.\u003c/p>\n\u003cfigure id=\"attachment_10140781\" class=\"wp-caption alignright\" style=\"max-width: 989px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Whirr-Tour-dates.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Whirr-Tour-dates.jpg\" alt=\"Whirr tour poster. Taken from artist's website.\" width=\"989\" height=\"1280\" class=\"size-full wp-image-10140781\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Whirr-Tour-dates.jpg 989w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Whirr-Tour-dates-400x517.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Whirr-Tour-dates-231x300.jpg 231w\" sizes=\"(max-width: 989px) 100vw, 989px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Whirr tour poster\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cb>How has Whirr’s sound changed over the years?\u003c/b>\u003c/p>\n\u003cp>I guess it’s changed but it’s not intentional, it just happened. We just keep writing songs and they keep going however they’re going to go. We didn’t set out to change our sound on our new record or anything like that\u003c/p>\n\u003cp>\u003cb>What was the writing process like for \u003ci>Sway\u003c/i>? Was it any different from \u003ci>Pipe Dreams\u003c/i>? If so, how?\u003c/b>\u003c/p>\n\u003cp>It was different since I was in Philadelphia. so I wasn’t around for all of it. We weren’t together really. But other than that we all just wrote songs, came together and recorded them. It wasn’t too different.\u003c/p>\n\u003cp>\u003cb>How do you feel about the completed product? Does it live up to your expectations?\u003c/b>\u003c/p>\n\u003cp>Yes, I think it’s perfect.\u003c/p>\n\u003cp>\u003cb>How does this record differ from your previous releases?\u003c/b>\u003c/p>\n\u003cp>Well, every record we do is better than the last one and this one is following that same stairway up to the top.\u003c/p>\n\u003cp>\u003cb>What is your favorite venue to play in the Bay Area?\u003c/b>\u003c/p>\n\u003cp>Probably The Ol’ Dopehouse. It’s in Oakland on 14th and Wood Street.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Whirr’s record release party is on August 30, 2014 at The Rickshaw Stop in San Francisco. For \u003ca href=\"http://www.rickshawstop.com/event/622893-whirr-record-release-san-francisco/\"> more information \u003c/a> visit rickshawstop.com.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/tdl_templogo-e1408481727479-300x186.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/events/pick/quetzal/\">Event Information\u003c/a>\u003c/h3>\n\u003ch4>Quetzal\u003c/h4>\n\u003cdiv class=\"event-desc\">Two shows in the Bay Area.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Aug. 30, 2014\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">Blackbird Tavern, San Jose\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/events/pick/quetzal/\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Aug. 31, 2014\u003c/h4>\n\u003c/div>\n\u003cdiv class=\"event-venue\">Yerba Buena Gardens, San Francisco\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/events/pick/quetzal-2/\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>How many musicians could weave a touching story of romance from the everyday sight of an injured, dirty pigeon? In the case of Southern California band \u003ca href=\"http://www.quetzalband.com/\" target=\"_blank\" rel=\"noopener\">Quetzal\u003c/a>, such corollaries come naturally. Singer Martha Gonzalez and guitarist Quetzal Flores spotted such a bird at Los Angeles’ Union Station one day, and went home to write “Palomo Vagabundo,” a slow lament for the ways urban environments grind away at our innate openness to love one another.\u003c/p>\n\u003cp>After 20 years of distilling and combining many styles from throughout Latin music’s history, Quetzal is a “Chicano rock band” in umbrella terms only. More folk-based than Los Lobos, less hip-hop than Ozomatli, the six-piece band best fits into the \u003cem>son jarocho\u003c/em> tradition. Key to that tradition are all-night fandangos and a key place in social justice issues. As Gonzalez, a professor at Scripps College in Pomona, told journalist Oliver Wang earlier this year: “There’s a historical and political trajectory in rhythm, and that’s how it was meant to be.”\u003c/p>\n\u003cp>When Quetzal play in San Jose this week in support of their new release \u003cem>Quetzanimales\u003c/em>, they do so in the afterglow of a 2013 Grammy win, and just one week after San Jose’s own norteño heroes Los Tigres del Norte earned a star on Hollywood’s Walk of Fame. The next afternoon, they play a free outdoor show in San Francisco. Expect a lively party with a social message—and plenty of dancing.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/tdl_templogo-e1408481727479-300x186.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/events/pick/roy-hargrove-quintet/2014-08-27/\">Event Information\u003c/a>\u003c/h3>\n\u003ch4>Roy Hargrove Quintet\u003c/h4>\n\u003cdiv class=\"event-desc\">Pioneering jazz trumpeter.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>Aug. 27-30, 2014\u003c/h4>\n\u003cp>8pm & 10pm\u003c/p>\n\u003c/div>\n\u003cdiv class=\"event-venue\">Yoshi’s, San Francisco\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/events/pick/roy-hargrove-quintet/2014-08-27/\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>The prevailing narrative on Roy Hargrove is like a roller coaster, full of twists and turns.\u003c/p>\n\u003cp>The Chicago-based trumpeter could have easily turned in the Grammy-winning 1997 album \u003cem>Habana\u003c/em> with his Afro-Cuban band Crisol, gone to sleep for 15 years and cemented his place in modern jazz history. Instead, he hooked up with hip-hop producers Questlove and J. Dilla to became a key player in the nascent neo-soul movement, contributing to watershed albums like Common’s \u003cem>Like Water for Chocolate\u003c/em>, Erykah Badu’s \u003cem>Mama’s Gun\u003c/em> and D’Angelo’s \u003cem>Voodoo\u003c/em>. Two years later, he’d found the RH Factor, a swampy, funk-laden outfit, and in 2008 he released \u003cem>Earfood\u003c/em>, an deep quintet release taking up prime real estate on many critics’ year-end lists.\u003c/p>\n\u003cp>Then, for the past five years, Hargrove hasn’t released even one new album.\u003c/p>\n\u003cp>Roller coasters also have ups and downs, and yeah, Hargrove this year has had some of \u003ca href=\"http://nypost.com/2014/05/29/roy-hargrove-admits-to-cocaine-possession/\">those\u003c/a>, too. After postponing dates in March, he returns this week to assign his narrative back in the skyward direction, and he brings an incredible quintet of Justin Robinson, Sullivan Fortner, Ameen Saleem and Quincy Phillips as rocket fuel. Funk, hard bop and lightning-fast playing propel Hargrove’s uptempo numbers, while on ballads, his embouchure is capable of pure silk.\u003c/p>\n\u003cp>More recent \u003ca href=\"http://www.youtube.com/playlist?list=PLNkfhiwzE6_pJr5037_PcJJ5bjlQTsvwt\">live performances\u003c/a> have shown the Hargrove quintet in full force. When they return to Yoshi’s this week, well, it’s like Bette Davis said in \u003cem>All About Eve\u003c/em>: Fasten your seatbelts—it’s going to be a bumpy night.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"title": "Fall Preview: 12 Concerts You Can't Miss",
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"content": "\u003cfigure id=\"attachment_13304\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"size-full wp-image-13304\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/concert-fox-theater.jpg\" alt=\"Photo: Al Case, via Flickr\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/concert-fox-theater.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/concert-fox-theater-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://www.flickr.com/photos/60035031@N06/7288061968/\">Al Case\u003c/a>, via Flickr\u003c/figcaption>\u003c/figure>\n\u003cp>Fall is perfect for a lot of things: experiencing nostalgia overload in front of back-to-school displays at Target, playing in leaves, eating your weight in pumpkin pie and/or candy corn, and spending cozy nights with your favorite bands. With the summer festival circuit in the rearview, it's the perfect time to get up close and personal with the musicians who keep you moving all year long. Here are 12 must-see concerts coming to the Bay Area this season.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13278\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/owen.jpg\" alt=\"owen\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen.jpg 1365w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Owen Pallett\u003c/strong>\u003cbr>\nSeptember 12, 2014\u003cbr>\nThe Great American Music Hall\u003c/p>\n\u003cp>You might not expect a whole lot from someone who names one of his first albums \u003cem>He Poos Clouds\u003c/em>, but you'd be surprised. Since getting his start under the moniker Final Fantasy, Owen Pallett has been making gorgeous violin-heavy albums that feel like novels read aloud by a choir boy. When he's not telling his own stories, Pallett gets nominated for Oscars (he worked on the score for \u003cem>Her\u003c/em>) and lends his talent to musicians like Arcade Fire, Taylor Swift, R.E.M. and Grizzly Bear.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13294\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/drake-lil-wayne.jpg\" alt=\"drake-lil-wayne\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne.jpg 500w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Drake vs Lil Wayne\u003c/strong>\u003cbr>\nSeptember 16, 2014\u003cbr>\nShoreline Ampitheatre\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2014/08/07/beyonce-and-jay-z-divorce-on-the-run-tour-san-francisco/\">Beyonce and Jay Z pretty much perfected\u003c/a> the co-headlining template, so it'll be interesting to see what these two bring to the table. The match-up is being touted as a rap battle combined with a '90s fighting game. Capcom, maker of \u003cem>Street Fighter\u003c/em>, is a cosponsor of the tour and has crafted an app that allows the audience to vote on superhero versions of the rappers, with a winner being crowned at the end of the night. So who are you putting your money on: Drake, the smooth-talking crooner, or Lil Wayne, the troublemaking MC?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13280\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/chvrches.jpg\" alt=\"chvrches\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">CHVRCHES\u003c/strong>\u003cbr>\nSeptember 18, 2014\u003cbr>\nThe Fox Theater\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2014/08/11/outside-lands-2014-kanye-kim-kardashian-macklemore-and-everything-else-you-missed/\">Due to drama at a Canadian airport\u003c/a>, CHVRCHES was forced to stand up hundreds of fans at this year's Outside Lands Music Festival. But the Scottish trio hope to make up for it with this headlining Oakland gig. Their sound has been likened to \"\u003cspan style=\"color: #252525\">a godless hurricane of kinetic pop energy.\" If that description doesn't get your pulse buzzing, call a doctor.\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13281\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/lykke-li.jpeg\" alt=\"lykke li\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li.jpeg 512w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-400x400.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-32x32.jpeg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-64x64.jpeg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-96x96.jpeg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-128x128.jpeg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-75x75.jpeg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Lykke Li\u003c/strong>\u003cbr>\nSeptember 21, 2014\u003cbr>\nFox Theater\u003c/p>\n\u003cp>Lykke Li is only 28, but her voice carries the wisdom and pain of a much older woman. Listening to her latest album, \u003cem>I Never Learn\u003c/em>, feels like falling through a tear in the time/space continuum and ending up smack dab in the middle of your last breakup, wailing on the bathroom floor. We've all been there and it's therapeutic to shout out the lyrics of love lost with a bunch of strangers, followed by dancing it all off to her earlier, spunkier work. Fun fact: Lykke Li split her youth between Sweden, a mountaintop in Portugal, Morocco, India, and Nepal. \u003ca href=\"http://up-ship.com/blog/wp-content/uploads/2014/07/themoreyouknow.gif\">The more you know\u003c/a>!\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13282\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/trust.jpg\" alt=\"trust\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Trust\u003c/strong>\u003cbr>\nSeptember 28, 2014\u003cbr>\nMezzanine\u003c/p>\n\u003cp>Downsizing from a duo to a solo project could derail the sound or lead to just calling it quits. Thankfully, Robert Alfons didn't throw in the towel; instead, he made a brilliant electronic record that would make Kate Bush and the Cocteau Twins proud, and will make you dance like you just don't care.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13283\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/lorde.jpg\" alt=\"lorde\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde.jpg 988w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Lorde\u003c/strong>\u003cbr>\nOctober 2, 2014\u003cbr>\nGreek Theatre - U.C. Berkeley\u003c/p>\n\u003cp>You already know the details: she's from New Zealand, ridiculously young and even more talented. The first woman to top the Billboard Alternative Songs chart since Tracy Bonham in 1996 (which happens to be the year she was born), Lorde is just getting started (just imagine what she will be capable of when she graduates high school!). Go for the music, stay for \u003ca href=\"http://s3.amazonaws.com/images.hitfix.com/assets/3617/big.gif\">the weird dancing\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13284\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/cibo.jpg\" alt=\"cibo matto\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo.jpg 805w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Hardly Strictly Bluegrass\u003c/strong>\u003cbr>\nOctober 3 - 5, 2014\u003cbr>\nGolden Gate Park\u003c/p>\n\u003cp>It doesn't matter whether you know the bands or not; the experience makes it all worthwhile. There's the friendly, all-American vibe, the shared whiskey on blankets, the fog through the park, and the fact that all the merriment is free! This year's lineup includes Cibo Matto, Emmylou Harris, Yo La Tengo, Chris Isaak, Thao & The Get Down Stay Down, and dozens more.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13285\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/outkast.jpg\" alt=\"outkast\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast.jpg 658w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Treasure Island Music Festival\u003c/strong>\u003cbr>\nOctober 18, 2014\u003cbr>\nTreasure Island\u003c/p>\n\u003cp>Imagine watching a reunited Outkast on an island in the middle of the Bay while the golden sun dips behind San Francisco's hills. Pinch yourself; this could be your real life. To sweeten the deal, Massive Attack, TV on the Radio, The New Pornographers, alt-J, Washed Out, Banks, and Janelle Monáe will also be there. Here's \u003ca href=\"http://blogs.kqed.org/pop/2014/06/17/treasure-island-music-festival-2014-lineup-announced-heres-the-only-playlist-you-need-to-get-ready-outkast/\">a playlist to help you get ready\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13286\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/big-freedia.jpg\" alt=\"big-freedia\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia.jpg 430w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Big Freedia\u003c/strong>\u003cbr>\nOctober 23, 2014\u003cbr>\nMezzanine\u003c/p>\n\u003cp>Fresh off \u003ca href=\"http://blogs.kqed.org/pop/2014/08/11/outside-lands-2014-kanye-kim-kardashian-macklemore-and-everything-else-you-missed/\">booty bouncing while passing out beignets at Outside Lands\u003c/a>, Big Freedia is coming back to shake things up again. Guaranteed to slap a smile on your face.\u003c/p>\n\u003cp> \u003cbr>\n \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13288\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/rhye.jpg\" alt=\"rhye\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye.jpg 458w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Rhye\u003c/strong>\u003cbr>\nNovember 9, 2014\u003cbr>\nThe Fox Theater\u003c/p>\n\u003cp>The heart eyes emoji was invented to express how one feels after listening to Rhye. Romance coupled with soul hasn't been done this well since Sade. Take someone you love, even if that person is yourself!\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13289\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Justin-Timberlake-LP.png\" alt=\"Justin-Timberlake-LP\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP.png 575w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-400x400.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-32x32.png 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-64x64.png 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-96x96.png 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-128x128.png 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-75x75.png 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Justin Timberlake\u003c/strong>\u003cbr>\nNovember 22, 2014\u003cbr>\nOracle Arena\u003c/p>\n\u003cp>We owe Justin Timberlake a great deal for bringing sexy back, not to mention all \u003ca href=\"http://www.buzzfeed.com/sarahguy/30-lol-worthy-pictures-of-nsync-that-are-seriousl-9yqw\">those LOL-worthy looks\u003c/a> from the NSYNC days. The least we can do is attend this show and sing along to every word.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13290\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n.jpg\" alt=\"fleetwood mac\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n.jpg 900w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Fleetwood Mac\u003c/strong>\u003cbr>\nNovember 25, 2014\u003cbr>\nSAP Center at San Jose\u003c/p>\n\u003cp>I saved the best for last. No, really, Fleetwood Mac is the best. The breakups, the makeups, the accusations of witchcraft, the drugs, the music they recorded in Sausalito, it's all so legendary. The band toured just last year, but, this time around, they have Christine McVie on board, which marks the first time the band has performed together since 1998! You would be a fool to miss this.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Which shows are you most looking forward to this fall?\u003c/p>\n\n",
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"excerpt": "With the summer festival circuit in the rearview, it's the perfect time to get up close and personal with your favorite bands.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13304\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"size-full wp-image-13304\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/concert-fox-theater.jpg\" alt=\"Photo: Al Case, via Flickr\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/concert-fox-theater.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/concert-fox-theater-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"https://www.flickr.com/photos/60035031@N06/7288061968/\">Al Case\u003c/a>, via Flickr\u003c/figcaption>\u003c/figure>\n\u003cp>Fall is perfect for a lot of things: experiencing nostalgia overload in front of back-to-school displays at Target, playing in leaves, eating your weight in pumpkin pie and/or candy corn, and spending cozy nights with your favorite bands. With the summer festival circuit in the rearview, it's the perfect time to get up close and personal with the musicians who keep you moving all year long. Here are 12 must-see concerts coming to the Bay Area this season.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13278\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/owen.jpg\" alt=\"owen\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen.jpg 1365w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/owen-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Owen Pallett\u003c/strong>\u003cbr>\nSeptember 12, 2014\u003cbr>\nThe Great American Music Hall\u003c/p>\n\u003cp>You might not expect a whole lot from someone who names one of his first albums \u003cem>He Poos Clouds\u003c/em>, but you'd be surprised. Since getting his start under the moniker Final Fantasy, Owen Pallett has been making gorgeous violin-heavy albums that feel like novels read aloud by a choir boy. When he's not telling his own stories, Pallett gets nominated for Oscars (he worked on the score for \u003cem>Her\u003c/em>) and lends his talent to musicians like Arcade Fire, Taylor Swift, R.E.M. and Grizzly Bear.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13294\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/drake-lil-wayne.jpg\" alt=\"drake-lil-wayne\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne.jpg 500w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/drake-lil-wayne-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Drake vs Lil Wayne\u003c/strong>\u003cbr>\nSeptember 16, 2014\u003cbr>\nShoreline Ampitheatre\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2014/08/07/beyonce-and-jay-z-divorce-on-the-run-tour-san-francisco/\">Beyonce and Jay Z pretty much perfected\u003c/a> the co-headlining template, so it'll be interesting to see what these two bring to the table. The match-up is being touted as a rap battle combined with a '90s fighting game. Capcom, maker of \u003cem>Street Fighter\u003c/em>, is a cosponsor of the tour and has crafted an app that allows the audience to vote on superhero versions of the rappers, with a winner being crowned at the end of the night. So who are you putting your money on: Drake, the smooth-talking crooner, or Lil Wayne, the troublemaking MC?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13280\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/chvrches.jpg\" alt=\"chvrches\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/chvrches-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">CHVRCHES\u003c/strong>\u003cbr>\nSeptember 18, 2014\u003cbr>\nThe Fox Theater\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2014/08/11/outside-lands-2014-kanye-kim-kardashian-macklemore-and-everything-else-you-missed/\">Due to drama at a Canadian airport\u003c/a>, CHVRCHES was forced to stand up hundreds of fans at this year's Outside Lands Music Festival. But the Scottish trio hope to make up for it with this headlining Oakland gig. Their sound has been likened to \"\u003cspan style=\"color: #252525\">a godless hurricane of kinetic pop energy.\" If that description doesn't get your pulse buzzing, call a doctor.\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13281\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/lykke-li.jpeg\" alt=\"lykke li\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li.jpeg 512w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-400x400.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-32x32.jpeg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-64x64.jpeg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-96x96.jpeg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-128x128.jpeg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lykke-li-75x75.jpeg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Lykke Li\u003c/strong>\u003cbr>\nSeptember 21, 2014\u003cbr>\nFox Theater\u003c/p>\n\u003cp>Lykke Li is only 28, but her voice carries the wisdom and pain of a much older woman. Listening to her latest album, \u003cem>I Never Learn\u003c/em>, feels like falling through a tear in the time/space continuum and ending up smack dab in the middle of your last breakup, wailing on the bathroom floor. We've all been there and it's therapeutic to shout out the lyrics of love lost with a bunch of strangers, followed by dancing it all off to her earlier, spunkier work. Fun fact: Lykke Li split her youth between Sweden, a mountaintop in Portugal, Morocco, India, and Nepal. \u003ca href=\"http://up-ship.com/blog/wp-content/uploads/2014/07/themoreyouknow.gif\">The more you know\u003c/a>!\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13282\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/trust.jpg\" alt=\"trust\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/trust-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Trust\u003c/strong>\u003cbr>\nSeptember 28, 2014\u003cbr>\nMezzanine\u003c/p>\n\u003cp>Downsizing from a duo to a solo project could derail the sound or lead to just calling it quits. Thankfully, Robert Alfons didn't throw in the towel; instead, he made a brilliant electronic record that would make Kate Bush and the Cocteau Twins proud, and will make you dance like you just don't care.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13283\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/lorde.jpg\" alt=\"lorde\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde.jpg 988w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/lorde-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Lorde\u003c/strong>\u003cbr>\nOctober 2, 2014\u003cbr>\nGreek Theatre - U.C. Berkeley\u003c/p>\n\u003cp>You already know the details: she's from New Zealand, ridiculously young and even more talented. The first woman to top the Billboard Alternative Songs chart since Tracy Bonham in 1996 (which happens to be the year she was born), Lorde is just getting started (just imagine what she will be capable of when she graduates high school!). Go for the music, stay for \u003ca href=\"http://s3.amazonaws.com/images.hitfix.com/assets/3617/big.gif\">the weird dancing\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13284\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/cibo.jpg\" alt=\"cibo matto\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo.jpg 805w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/cibo-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Hardly Strictly Bluegrass\u003c/strong>\u003cbr>\nOctober 3 - 5, 2014\u003cbr>\nGolden Gate Park\u003c/p>\n\u003cp>It doesn't matter whether you know the bands or not; the experience makes it all worthwhile. There's the friendly, all-American vibe, the shared whiskey on blankets, the fog through the park, and the fact that all the merriment is free! This year's lineup includes Cibo Matto, Emmylou Harris, Yo La Tengo, Chris Isaak, Thao & The Get Down Stay Down, and dozens more.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13285\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/outkast.jpg\" alt=\"outkast\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast.jpg 658w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outkast-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Treasure Island Music Festival\u003c/strong>\u003cbr>\nOctober 18, 2014\u003cbr>\nTreasure Island\u003c/p>\n\u003cp>Imagine watching a reunited Outkast on an island in the middle of the Bay while the golden sun dips behind San Francisco's hills. Pinch yourself; this could be your real life. To sweeten the deal, Massive Attack, TV on the Radio, The New Pornographers, alt-J, Washed Out, Banks, and Janelle Monáe will also be there. Here's \u003ca href=\"http://blogs.kqed.org/pop/2014/06/17/treasure-island-music-festival-2014-lineup-announced-heres-the-only-playlist-you-need-to-get-ready-outkast/\">a playlist to help you get ready\u003c/a>.\u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13286\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/big-freedia.jpg\" alt=\"big-freedia\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia.jpg 430w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/big-freedia-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Big Freedia\u003c/strong>\u003cbr>\nOctober 23, 2014\u003cbr>\nMezzanine\u003c/p>\n\u003cp>Fresh off \u003ca href=\"http://blogs.kqed.org/pop/2014/08/11/outside-lands-2014-kanye-kim-kardashian-macklemore-and-everything-else-you-missed/\">booty bouncing while passing out beignets at Outside Lands\u003c/a>, Big Freedia is coming back to shake things up again. Guaranteed to slap a smile on your face.\u003c/p>\n\u003cp> \u003cbr>\n \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13288\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/rhye.jpg\" alt=\"rhye\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye.jpg 458w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/rhye-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Rhye\u003c/strong>\u003cbr>\nNovember 9, 2014\u003cbr>\nThe Fox Theater\u003c/p>\n\u003cp>The heart eyes emoji was invented to express how one feels after listening to Rhye. Romance coupled with soul hasn't been done this well since Sade. Take someone you love, even if that person is yourself!\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13289\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/Justin-Timberlake-LP.png\" alt=\"Justin-Timberlake-LP\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP.png 575w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-400x400.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-32x32.png 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-64x64.png 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-96x96.png 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-128x128.png 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/Justin-Timberlake-LP-75x75.png 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Justin Timberlake\u003c/strong>\u003cbr>\nNovember 22, 2014\u003cbr>\nOracle Arena\u003c/p>\n\u003cp>We owe Justin Timberlake a great deal for bringing sexy back, not to mention all \u003ca href=\"http://www.buzzfeed.com/sarahguy/30-lol-worthy-pictures-of-nsync-that-are-seriousl-9yqw\">those LOL-worthy looks\u003c/a> from the NSYNC days. The least we can do is attend this show and sing along to every word.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003cstrong>\u003cimg class=\"alignleft wp-image-13290\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n.jpg\" alt=\"fleetwood mac\" width=\"200\" height=\"200\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n.jpg 900w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-800x800.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/1491618_10152304272249138_1725121988_n-75x75.jpg 75w\" sizes=\"(max-width: 200px) 100vw, 200px\">Fleetwood Mac\u003c/strong>\u003cbr>\nNovember 25, 2014\u003cbr>\nSAP Center at San Jose\u003c/p>\n\u003cp>I saved the best for last. No, really, Fleetwood Mac is the best. The breakups, the makeups, the accusations of witchcraft, the drugs, the music they recorded in Sausalito, it's all so legendary. The band toured just last year, but, this time around, they have Christine McVie on board, which marks the first time the band has performed together since 1998! You would be a fool to miss this.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Which shows are you most looking forward to this fall?\u003c/p>\n\n\u003c/div>\u003c/p>",
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"title": "Bay Curious",
"tagline": "Exploring the Bay Area, one question at a time",
"info": "KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg",
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"source": "kqed",
"order": 3
},
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"npr": "https://www.npr.org/podcasts/500557090/bay-curious",
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}
},
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"id": "bbc-world-service",
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"info": "The day's top stories from BBC News compiled twice daily in the week, once at weekends.",
"airtime": "MON-FRI 9pm-10pm, TUE-FRI 1am-2am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg",
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"meta": {
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"source": "BBC World Service"
},
"link": "/radio/program/bbc-world-service",
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"rss": "https://podcasts.files.bbci.co.uk/p02nq0gn.rss"
}
},
"californiareport": {
"id": "californiareport",
"title": "The California Report",
"tagline": "California, day by day",
"info": "KQED’s statewide radio news program providing daily coverage of issues, trends and public policy decisions.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-California-Report-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/californiareport",
"meta": {
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"source": "kqed",
"order": 8
},
"link": "/californiareport",
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"amazon": "https://music.amazon.com/podcasts/26099305-72af-4542-9dde-ac1807fe36d5/kqed-s-the-california-report",
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}
},
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"id": "californiareportmagazine",
"title": "The California Report Magazine",
"tagline": "Your state, your stories",
"info": "Every week, The California Report Magazine takes you on a road trip for the ears: to visit the places and meet the people who make California unique. The in-depth storytelling podcast from the California Report.",
"airtime": "FRI 4:30pm-5pm, 6:30pm-7pm, 11pm-11:30pm",
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"officialWebsiteLink": "/californiareportmagazine",
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"order": 10
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM3NjkwNjk1OTAz",
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"rss": "https://ww2.kqed.org/news/tag/tcrmag/feed/podcast"
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},
"city-arts": {
"id": "city-arts",
"title": "City Arts & Lectures",
"info": "A one-hour radio program to hear celebrated writers, artists and thinkers address contemporary ideas and values, often discussing the creative process. Please note: tapes or transcripts are not available",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/cityartsandlecture-300x300.jpg",
"officialWebsiteLink": "https://www.cityarts.net/",
"airtime": "SUN 1pm-2pm, TUE 10pm, WED 1am",
"meta": {
"site": "news",
"source": "City Arts & Lectures"
},
"link": "https://www.cityarts.net",
"subscribe": {
"tuneIn": "https://tunein.com/radio/City-Arts-and-Lectures-p692/",
"rss": "https://www.cityarts.net/feed/"
}
},
"closealltabs": {
"id": "closealltabs",
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"info": "Close All Tabs breaks down how digital culture shapes our world through thoughtful insights and irreverent humor.",
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"officialWebsiteLink": "/podcasts/closealltabs",
"meta": {
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"source": "kqed",
"order": 1
},
"link": "/podcasts/closealltabs",
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"code-switch-life-kit": {
"id": "code-switch-life-kit",
"title": "Code Switch / Life Kit",
"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg",
"meta": {
"site": "radio",
"source": "npr"
},
"link": "/radio/program/code-switch-life-kit",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy",
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"rss": "https://feeds.npr.org/510312/podcast.xml"
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},
"commonwealth-club": {
"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2",
"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
"officialWebsiteLink": "/forum",
"meta": {
"site": "news",
"source": "kqed",
"order": 9
},
"link": "/forum",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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}
},
"freakonomics-radio": {
"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
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},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
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"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
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},
"how-i-built-this": {
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"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
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"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
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"officialWebsiteLink": "/podcasts/hyphenacion",
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"order": 15
},
"link": "/podcasts/hyphenacion",
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},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
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"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"source": "kqed",
"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
"site": "news",
"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
"site": "news",
"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
"spotify": "https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"
}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/morning-edition"
},
"onourwatch": {
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