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"title": "I Still Hear The Drum: A Tribe Called Red Brings Nation II Nation to The New Parish",
"headTitle": "I Still Hear The Drum: A Tribe Called Red Brings Nation II Nation to The New Parish | KQED",
"content": "\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/tdl_templogo-e1408481727479-300x186.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/events/pick/a-tribe-called-red/\">Event Information\u003c/a>\u003c/h3>\n\u003ch4>A Tribe Called Red\u003c/h4>\n\u003cdiv class=\"event-desc\">Experience the electric powwow.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>August 28\u003c/h4>\n\u003cp>9:00pm\u003c/p>\n\u003c/div>\n\u003cdiv class=\"event-venue\">The New Parish\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/events/pick/a-tribe-called-red/\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Your knowledge of dance music does nothing to help you understand yesterday. It may in fact limit your ability to understand tomorrow. What little you know of powwows, what gobs you know of whatever fills your days – it’s likely that none of it prepares you to understand \u003ca href=\"http://www.ifhurbanrez.org/\" target=\"_blank\" rel=\"noopener\">the rising of the “urban rez”\u003c/a> as conveyed by DJ NDN, Bear Witness, and 2oolMan, otherwise known as A Tribe Called Red.\u003c/p>\n\u003cp>Some of us have been ready longer than others. Having marinated in our own generational displacement and resilience, some of us already know how A Tribe Called Red \u003ca href=\"https://www.youtube.com/watch?v=z4M1EPB5FUI\" target=\"_blank\" rel=\"noopener\">buries fluorescence into heads\u003c/a>. Dancers flash and glow in whirlwinds of strobe and black light. Sometimes tears well up in the bottom halves of eyes, sometimes they spill over, sometimes we manage to choke them back.\u003c/p>\n\u003cp>Sometimes, if a crowd screams out loud, is it because they recognize the sound of the drum? If a drum screams, is it because it recognizes tradition retreating too deep into our past? Between throttled reservation land, federal relocation plan, and gentrifying waves, what is lost and how do we regain it? A Tribe Called Red offers answers.\u003c/p>\n\u003cp>http://youtu.be/PJRZ4_rXAzE\u003c/p>\n\u003cp>Examining misrepresentation, flipping racist imagery, and bolstering thousand year-old traditions, A Tribe Called Red presents 21st-century storytelling across media. As a Native American DJ collective out of Canada, the scope of danceable saga orchestrated by Bear Witness, 2oolman, and DJ NDN finds root in the Cayugan and Ojibwe histories that are their origin points. On August 28, at Oakland’s The New Parish, you’ll experience the sound and vision that have propelled the group far and wide since the 2008 birth of their weekly Electric Powwow party in Ottowa.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>When’s the last time you heard a Northern Cree love song chopped and looped beneath swirling Hollywood drama Native romance video snippets? Not once? It’s just that sort of never never that’s broken down since A Tribe Called Red \u003ca href=\"http://atribecalledred.com\" target=\"_blank\" rel=\"noopener\">distributed their eponymous debut online for free in 2012\u003c/a>. Since then they’ve continued to feed a Native community that hardly finds itself reflected in a larger society that is, in the ultimate irony of all things, \u003ca href=\"http://www.vibe.com/article/kim-kardashian-selfie-book\" target=\"_blank\" rel=\"noopener\">infatuated with incessant self-reflection\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_10140748\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/nationalbumcover.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10140748\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/nationalbumcover.jpg\" alt=\"Never scared to collaborate with like minds, ATCR fashioned their newest release artwork with California native, Ernesto Yerena.\" width=\"640\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-75x75.jpg 75w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Never scared to collaborate with like minds, ATCR fashioned their newest release artwork with California native, Ernesto Yerena.\u003c/figcaption>\u003c/figure>\n\u003cp>What’s the natural human response to invisibility? If the phrase “\u003ca href=\"http://www.nps.gov/trte/index.htm\" target=\"_blank\" rel=\"noopener\">Trail of Tears\u003c/a>” stirs any thoughts for you, then you understand a degree of the significance at play when we talk about a beat down leaving you more alive than bleeding. For First Nation youth in the Bay Area, the reclaiming of cultural space delivered by A Tribe Called Red is as danceable as any revolution can be. A Tribe Called Red is community restorative healing by design. They are \u003ca href=\"http://www.squamishchief.com/lifestyles/squamish-nation-youth-dance-into-the-future-1.1311220\" target=\"_blank\" rel=\"noopener\">a youth-sanctioned style\u003c/a> of informed care. Call it reclaiming cultural space. Call it housecleaning. The wail of air horns, the click-clack of shotguns loading; certain pistol grip steel clappers leave you wounded, bleeding out, sprawled upside down across city hall steps, and some wheels of steel revolve to leave you reborn, vibrating out from your core, dripping history from your pores.\u003c/p>\n\u003cp>Walk long enough through Oakland to cool down after your boogie induced sweat and you’ll stroll across traditional four directions symbols painted on sidewalks fanning out from downtown into Berkeley and the East. These icons are guideposts for a living memory. One of them is front and center on the sidewalk near \u003ca href=\"https://www.facebook.com/pages/Intertribal-Friendship-House/251798591568899?sk=info/\" target=\"_blank\" rel=\"noopener\">Intertribal Friendship House\u003c/a> entrance on International Boulevard. The House has been a sort of Indigenous Ellis Island in the Bay Area since opening its doors in 1955 on the heels of \u003ca href=\"http://www.pbs.org/indiancountry/history/relocate.html\" target=\"_blank\" rel=\"noopener\">a government relocation program\u003c/a> that found thousands of Native people relocated to the Bay. Today the House serves thousands of local Native people and their descendants, as well as a larger community of First Nation people who represent 100 tribes from around the hemisphere.\u003c/p>\n\u003cfigure id=\"attachment_10140749\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/mountains.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10140749\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/mountains.jpg\" alt=\"A range of mountains. A Tribe Called Red; Photo courtesey of Brudder Falling Tree\" width=\"640\" height=\"853\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/mountains.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/mountains-400x533.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/mountains-225x300.jpg 225w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A range of mountains. A Tribe Called Red; Photo courtesey of Brudder Falling Tree\u003c/figcaption>\u003c/figure>\n\u003cp>Make your way into the Friendship House and no one can tell you who painted the \u003ca href=\"http://waterbearwhiskers.tumblr.com/image/92666155524/\" target=\"_blank\" rel=\"noopener\">four directions icon on pavement citywide\u003c/a>, but a few will praise the road of A Tribe Called Red. One of those supporters is Intertribal Friendship House Executive Director, Carol Wahpepah of the Ojibwe Nation. Past a freshly watered garden, beyond a charge of murals depicting Native American historical figures and living history, at the end of long hall hung with archival photos from the House’s beginnings, Carol lights up softly at mention of the group.\u003c/p>\n\u003cp>“A young woman and her parents were up here and I mentioned A Tribe Called Red was going to be at The New Parish and she immediately got excited,” says Carol. “What they do gives pride to the community,” she says, peering out at the community garden just past the office window, beyond a desk piled with flyers for upcoming events. The sight of the garden is a reassurance of sorts, that something healthy is certain at the Intertribal Friendship House, and perhaps in Oakland at large.\u003c/p>\n\u003cp>It’s a sense of wellness through culture that’s as certain as the nocturnal certainty of four on the floor. As certain as the Tribune tower, as certain as the Transamerica Pyramid, is the certainty of the Painted Desert, of a Black Mountain ridge that sweeps from underfoot in slopes and crags that speak millennia; as powerful as an expanse of grasslands scanned from a distance as it rolls out like a tight woven tapestry sliced by wind.\u003c/p>\n\u003cp>A Tribe Called Red is likewise an impressive geography of sound and vision: a hoop and its dancer are an alluring portal deftly played; an audience and its exuberance are a spontaneous nation fresh and waking; a remix of animated caricatures is a rewriting of history that propels a new story.\u003c/p>\n\u003cp>Do you hear the drums yet?\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003ci>A Tribe Called Red\u003c/i> plays Thursday, August 28, 2014, at the New Parish in Oakland. For \u003ca href=\"http://www.thenewparish.com/event/611329-tribe-called-red-oakland\" target=\"_blank\" rel=\"noopener\">more information\u003c/a> visit thenewparish.com.\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"event-info alignright\">\n\u003cfigure>\u003ca href=\"http://ww2.kqed.org/arts/programs/the-do-list/\">\u003cimg decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/tdl_templogo-e1408481727479-300x186.png\" alt=\"\" width=\"100\">\u003c/a>\u003c/figure>\n\u003ch3>\u003ca href=\"http://ww2.kqed.org/events/pick/a-tribe-called-red/\">Event Information\u003c/a>\u003c/h3>\n\u003ch4>A Tribe Called Red\u003c/h4>\n\u003cdiv class=\"event-desc\">Experience the electric powwow.\u003c/div>\n\u003cdiv class=\"event-dates\">\n\u003ch4>August 28\u003c/h4>\n\u003cp>9:00pm\u003c/p>\n\u003c/div>\n\u003cdiv class=\"event-venue\">The New Parish\u003c/div>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/events/pick/a-tribe-called-red/\">Details and tickets\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Your knowledge of dance music does nothing to help you understand yesterday. It may in fact limit your ability to understand tomorrow. What little you know of powwows, what gobs you know of whatever fills your days – it’s likely that none of it prepares you to understand \u003ca href=\"http://www.ifhurbanrez.org/\" target=\"_blank\" rel=\"noopener\">the rising of the “urban rez”\u003c/a> as conveyed by DJ NDN, Bear Witness, and 2oolMan, otherwise known as A Tribe Called Red.\u003c/p>\n\u003cp>Some of us have been ready longer than others. Having marinated in our own generational displacement and resilience, some of us already know how A Tribe Called Red \u003ca href=\"https://www.youtube.com/watch?v=z4M1EPB5FUI\" target=\"_blank\" rel=\"noopener\">buries fluorescence into heads\u003c/a>. Dancers flash and glow in whirlwinds of strobe and black light. Sometimes tears well up in the bottom halves of eyes, sometimes they spill over, sometimes we manage to choke them back.\u003c/p>\n\u003cp>Sometimes, if a crowd screams out loud, is it because they recognize the sound of the drum? If a drum screams, is it because it recognizes tradition retreating too deep into our past? Between throttled reservation land, federal relocation plan, and gentrifying waves, what is lost and how do we regain it? A Tribe Called Red offers answers.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/PJRZ4_rXAzE'\n title='//www.youtube.com/embed/PJRZ4_rXAzE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Examining misrepresentation, flipping racist imagery, and bolstering thousand year-old traditions, A Tribe Called Red presents 21st-century storytelling across media. As a Native American DJ collective out of Canada, the scope of danceable saga orchestrated by Bear Witness, 2oolman, and DJ NDN finds root in the Cayugan and Ojibwe histories that are their origin points. On August 28, at Oakland’s The New Parish, you’ll experience the sound and vision that have propelled the group far and wide since the 2008 birth of their weekly Electric Powwow party in Ottowa.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>When’s the last time you heard a Northern Cree love song chopped and looped beneath swirling Hollywood drama Native romance video snippets? Not once? It’s just that sort of never never that’s broken down since A Tribe Called Red \u003ca href=\"http://atribecalledred.com\" target=\"_blank\" rel=\"noopener\">distributed their eponymous debut online for free in 2012\u003c/a>. Since then they’ve continued to feed a Native community that hardly finds itself reflected in a larger society that is, in the ultimate irony of all things, \u003ca href=\"http://www.vibe.com/article/kim-kardashian-selfie-book\" target=\"_blank\" rel=\"noopener\">infatuated with incessant self-reflection\u003c/a>.\u003c/p>\n\u003cfigure id=\"attachment_10140748\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/nationalbumcover.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10140748\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/nationalbumcover.jpg\" alt=\"Never scared to collaborate with like minds, ATCR fashioned their newest release artwork with California native, Ernesto Yerena.\" width=\"640\" height=\"640\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/nationalbumcover-75x75.jpg 75w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Never scared to collaborate with like minds, ATCR fashioned their newest release artwork with California native, Ernesto Yerena.\u003c/figcaption>\u003c/figure>\n\u003cp>What’s the natural human response to invisibility? If the phrase “\u003ca href=\"http://www.nps.gov/trte/index.htm\" target=\"_blank\" rel=\"noopener\">Trail of Tears\u003c/a>” stirs any thoughts for you, then you understand a degree of the significance at play when we talk about a beat down leaving you more alive than bleeding. For First Nation youth in the Bay Area, the reclaiming of cultural space delivered by A Tribe Called Red is as danceable as any revolution can be. A Tribe Called Red is community restorative healing by design. They are \u003ca href=\"http://www.squamishchief.com/lifestyles/squamish-nation-youth-dance-into-the-future-1.1311220\" target=\"_blank\" rel=\"noopener\">a youth-sanctioned style\u003c/a> of informed care. Call it reclaiming cultural space. Call it housecleaning. The wail of air horns, the click-clack of shotguns loading; certain pistol grip steel clappers leave you wounded, bleeding out, sprawled upside down across city hall steps, and some wheels of steel revolve to leave you reborn, vibrating out from your core, dripping history from your pores.\u003c/p>\n\u003cp>Walk long enough through Oakland to cool down after your boogie induced sweat and you’ll stroll across traditional four directions symbols painted on sidewalks fanning out from downtown into Berkeley and the East. These icons are guideposts for a living memory. One of them is front and center on the sidewalk near \u003ca href=\"https://www.facebook.com/pages/Intertribal-Friendship-House/251798591568899?sk=info/\" target=\"_blank\" rel=\"noopener\">Intertribal Friendship House\u003c/a> entrance on International Boulevard. The House has been a sort of Indigenous Ellis Island in the Bay Area since opening its doors in 1955 on the heels of \u003ca href=\"http://www.pbs.org/indiancountry/history/relocate.html\" target=\"_blank\" rel=\"noopener\">a government relocation program\u003c/a> that found thousands of Native people relocated to the Bay. Today the House serves thousands of local Native people and their descendants, as well as a larger community of First Nation people who represent 100 tribes from around the hemisphere.\u003c/p>\n\u003cfigure id=\"attachment_10140749\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/mountains.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10140749\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/mountains.jpg\" alt=\"A range of mountains. A Tribe Called Red; Photo courtesey of Brudder Falling Tree\" width=\"640\" height=\"853\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/mountains.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/mountains-400x533.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/mountains-225x300.jpg 225w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A range of mountains. A Tribe Called Red; Photo courtesey of Brudder Falling Tree\u003c/figcaption>\u003c/figure>\n\u003cp>Make your way into the Friendship House and no one can tell you who painted the \u003ca href=\"http://waterbearwhiskers.tumblr.com/image/92666155524/\" target=\"_blank\" rel=\"noopener\">four directions icon on pavement citywide\u003c/a>, but a few will praise the road of A Tribe Called Red. One of those supporters is Intertribal Friendship House Executive Director, Carol Wahpepah of the Ojibwe Nation. Past a freshly watered garden, beyond a charge of murals depicting Native American historical figures and living history, at the end of long hall hung with archival photos from the House’s beginnings, Carol lights up softly at mention of the group.\u003c/p>\n\u003cp>“A young woman and her parents were up here and I mentioned A Tribe Called Red was going to be at The New Parish and she immediately got excited,” says Carol. “What they do gives pride to the community,” she says, peering out at the community garden just past the office window, beyond a desk piled with flyers for upcoming events. The sight of the garden is a reassurance of sorts, that something healthy is certain at the Intertribal Friendship House, and perhaps in Oakland at large.\u003c/p>\n\u003cp>It’s a sense of wellness through culture that’s as certain as the nocturnal certainty of four on the floor. As certain as the Tribune tower, as certain as the Transamerica Pyramid, is the certainty of the Painted Desert, of a Black Mountain ridge that sweeps from underfoot in slopes and crags that speak millennia; as powerful as an expanse of grasslands scanned from a distance as it rolls out like a tight woven tapestry sliced by wind.\u003c/p>\n\u003cp>A Tribe Called Red is likewise an impressive geography of sound and vision: a hoop and its dancer are an alluring portal deftly played; an audience and its exuberance are a spontaneous nation fresh and waking; a remix of animated caricatures is a rewriting of history that propels a new story.\u003c/p>\n\u003cp>Do you hear the drums yet?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ci>A Tribe Called Red\u003c/i> plays Thursday, August 28, 2014, at the New Parish in Oakland. For \u003ca href=\"http://www.thenewparish.com/event/611329-tribe-called-red-oakland\" target=\"_blank\" rel=\"noopener\">more information\u003c/a> visit thenewparish.com.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"content": "\u003cfigure id=\"attachment_13174\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-13174\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/10605843_760425207334209_456137645_o-1024x494.jpg\" alt=\"morning gloryville\" width=\"640\" height=\"309\">\u003cfigcaption class=\"wp-caption-text\">Photo: Brittni Zacher\u003c/figcaption>\u003c/figure>\n\u003cp>For the past two weeks, I've been trying to become a morning person, the kind that makes their bed, showers behind their ears, cooks a healthy breakfast, goes for a walk, does something darling like puzzling over a crossword on a park bench, all before heading to work, buzzing with productivity and contentment. This has not been easy. I don't drink coffee so the waft of Folgers is not going to do the trick. But what might is \u003ca href=\"https://www.facebook.com/morninggloryvillesanfrancisco\">Morning Gloryville\u003c/a>, a break-of-dawn rave party that got its start in East London a year ago and has since spread to Amsterdam, Tokyo, Sydney, and now San Francisco.\u003c/p>\n\u003cp>Why rave so early in the day, you ask? \"Free improvised dancing in space uniquely wakes up your body, mind and creativity and will leave you feeling more energized and alive than you could ever imagine.\" If that's not convincing enough for you, attendees will be greeted by \"Wake-up Angels,\" who will provide coffee, superfood smoothies, and even massages. It's all going down tomorrow (August 20, 2014) at 2050 Bryant St in the Mission starting at 6:30am. See you there?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"title": "Mixtape: New Bay Area Bands with Great Musical Resumes",
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"content": "\u003caside class=\"aligncenter\">\n\u003ch4>Listen to \u003ci>The Bay Bridged\u003c/i> mix of bands with great musical resumes, including VANIISH, Miserable, Joel Gion, Joshua Cook & the Key of Now, Flesh World, Foli and more.\u003c/h4>\n\u003cp>http://media.libsyn.com/media/thebaybridged/Musical_Resumes_Mix.mp3\u003cbr>\n\u003c/p>\u003c/aside>\n\u003cp>In a scene as active as the San Francisco Bay Area, it’s not uncommon to learn that the members of your favorite band are also involved in other musical projects. It’s also not surprising to see bands break up, burn out or go through significant lineup changes, enabling former players to explore new terrain on their own. All of this means that a number of newer bands with unfamiliar names might have some familiar faces — or, perhaps more appropriately, voices — involved. It also means that if you’re a fan of a San Francisco band, chances are you’d also be interested in some of the other projects of its current and former members.\u003c/p>\n\u003cp>This mixtape collects songs from emerging Bay Area bands whose members have been in other notable local projects. As you’ll hear, a number of these groups occupy the same universes as their members’ other works, but they’re all unique and interesting irrespective of their biographies. They’re also ten bands you’ll definitely want to check out.\u003c/p>\n\u003cp>\u003cspan style=\"text-decoration: underline\">\u003cstrong>About the bands:\u003c/strong>\u003c/span>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Vaniish.png\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Vaniish-400x267.png\" alt=\"Vaniish\" width=\"400\" height=\"267\" class=\"alignleft size-thumbnail wp-image-10140685\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Vaniish-400x267.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Vaniish-300x200.png 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Vaniish.png 800w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch5>\u003ca href=\"https://www.facebook.com/vaniishband\" target=\"_blank\" rel=\"noopener\">VANIISH\u003c/a> – “Memory Work”\u003cbr>From: San Francisco\u003cbr>\u003c/h5>\n\u003cp>Keven Tecon (currently also of Wax Idols, formerly of The Soft Moon) began his new project VANIISH last year. Forming a quartet that also includes Wax Idols’ Amy Rosenoff on bass, the band’s just released \u003cem>Memory Work\u003c/em>. The album, rich with atmospherics, was produced by SF’s Monte Vallier, who has also recorded great albums for Weekend, Wax Idols and others.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/New-Faultlines.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/New-Faultlines-400x265.jpg\" alt=\"New-Faultlines\" width=\"400\" height=\"265\" class=\"alignleft size-thumbnail wp-image-10140692\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/New-Faultlines-400x265.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/New-Faultlines-300x198.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/New-Faultlines.jpg 590w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch5>\u003ca href=\"https://www.facebook.com/newfaultlines\" target=\"_blank\" rel=\"noopener\">New Faultlines\u003c/a> – “Lifeguard”\u003cbr>From: Oakland\u003cbr>\u003c/h5>\n\u003cp>Led by brothers Zach and Luke Robbins, the members of New Faultlines have performed with Nobunny, The Mallard, Useless Eaters, and more over the years. In addition to two cassette tapes, the garage pop group’s recent 7″ is the last record from the reliable Dulc-i-tone label, which describes it as “a perfect final offering from Dulc-i-Tone’s fine family of beautifully handmade and fucked-up musical treasures.”\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Pat-Thomas3.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Pat-Thomas3-400x269.jpg\" alt=\"Pat-Thomas3\" width=\"400\" height=\"269\" class=\"alignleft size-thumbnail wp-image-10140695\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Pat-Thomas3-400x269.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Pat-Thomas3-300x202.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Pat-Thomas3.jpg 590w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch5>\u003ca href=\"https://www.facebook.com/coolghouls\" target=\"_blank\" rel=\"noopener\">Pat Thomas\u003c/a> – “Not Right Now”\u003cbr>From: San Francisco\u003cbr>\u003c/h5>\n\u003cp>As the bassist of the beloved Cool Ghouls, Pat Thomas has written one third of the band’s songs, but he wrote and performed all of his solo album, \u003cem>Coasters Riding in the Air\u003c/em>. Out now on Empty Cellar Records, the LP offers more of the consistently great rock and roll the Ghouls are known for.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/MINOT.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/MINOT-400x266.jpg\" alt=\"MINOT\" width=\"400\" height=\"266\" class=\"alignleft size-thumbnail wp-image-10140698\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/MINOT-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/MINOT-300x200.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/MINOT.jpg 900w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch5>\u003ca href=\"https://www.facebook.com/Minotband\" target=\"_blank\" rel=\"noopener\">MINOT\u003c/a> – “Tharsis”\u003cbr>From: Oakland\u003cbr>\u003c/h5>\n\u003cp>Out last month, \u003cem>Equal/Opposite\u003c/em> is the first LP from MINOT, a rock trio whose tight, intricate playing confirms its members’ lengthy musical experience. Matthew Solberg previously played guitar in the stellar instrumental band From Monument To Masses and was a member of Turks with MINOT drummer Shannon Corr. Bass player Ben Thorne also performs complex rock songs in the terrific Tartufi.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/joel-gion-apple-bonkers.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/joel-gion-apple-bonkers-400x400.jpg\" alt=\"joel-gion-apple-bonkers\" width=\"400\" height=\"400\" class=\"alignleft size-thumbnail wp-image-10140699\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/joel-gion-apple-bonkers-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/joel-gion-apple-bonkers-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/joel-gion-apple-bonkers-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/joel-gion-apple-bonkers-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/joel-gion-apple-bonkers-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/joel-gion-apple-bonkers-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/joel-gion-apple-bonkers-75x75.jpg 75w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/joel-gion-apple-bonkers.jpg 1030w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch5>\u003ca href=\"https://www.facebook.com/joelgionapplebonkers\" target=\"_blank\" rel=\"noopener\">Joel Gion\u003c/a> – “Yes”\u003cbr>From: San Francisco\u003cbr>\u003c/h5>\n\u003cp>Current and former members of Brian Jonestown Massacre appear on Joel Gion’s solo debut, which is hardly a surprise given Gion’s longstanding role as BJM’s tambourine player. \u003cem>Apple Bonkers\u003c/em> — a reference to the tech boom, according to the label — offers the musician an opportunity to showcase his personal take on psychedelic rock-pop.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Foli1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Foli1-400x266.jpg\" alt=\"Foli1\" width=\"400\" height=\"266\" class=\"alignleft size-thumbnail wp-image-10140701\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Foli1-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Foli1-300x199.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Foli1.jpg 590w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch5>\u003ca href=\"https://www.facebook.com/folisound\" target=\"_blank\" rel=\"noopener\">Foli\u003c/a> – “Figure Eight”\u003cbr>From: San Francisco\u003cbr>\u003c/h5>\n\u003cp>Ben McClintock and Tom Smith, both members of the stellar indie pop band Social Studies, are joined by Cam Bateman in Foli. The psych-touched rock band isn’t maybe as new as some of the others in this mix, having released \u003cem>A La Maquina\u003c/em> early last year, but the group is definitely one to keep an eye on, especially with a new LP coming soon.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Sandys.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Sandys-400x400.jpg\" alt=\"Sandys\" width=\"400\" height=\"400\" class=\"alignleft size-thumbnail wp-image-10140702\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Sandys-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Sandys-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Sandys-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Sandys-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Sandys-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Sandys-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Sandys-75x75.jpg 75w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Sandys.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch5>\u003ca href=\"https://www.facebook.com/sandyscastle\" target=\"_blank\" rel=\"noopener\">Sandy’s\u003c/a> – “Yuba Diamond”\u003cbr>From: San Francisco\u003cbr>\u003c/h5>\n\u003cp>Sandy’s is a new project from Alexi Glickman, whose band The Botticellis released \u003cem>Old Home Movies\u003c/em>, one of our favorite 2008 albums. After that group broke up, Glickman recorded and toured with Little Wings before developing Sandy’s as a solo project. \u003cem>Fourth Dementia\u003c/em> features a revolving cast of performers joining him, including members of Sonny & The Sunsets, The Botticellis, and Yesway.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/image0024.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/image0024-400x263.jpg\" alt=\"image0024\" width=\"400\" height=\"263\" class=\"alignleft size-thumbnail wp-image-10140703\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/image0024-400x263.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/image0024-300x197.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/image0024.jpg 769w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch5>\u003ca href=\"https://www.facebook.com/miserablegrl\" target=\"_blank\" rel=\"noopener\">Miserable\u003c/a> – “Bell Jar”\u003cbr>From: San Francisco\u003cbr>\u003c/h5>\n\u003cp>Previously a singer in local heavy shoegaze band Whirr, Kristina Esfandiari recently launched two compelling projects, Miserable and \u003ca href=\"https://www.facebook.com/pages/King-Woman/116386155058898\" target=\"_blank\" rel=\"noopener\">King Woman\u003c/a>. The \u003cem>Halloween Dream\u003c/em> EP, which came out in February on \u003ca href=\"http://thenativesound.limitedrun.com/products/523173-miserable-halloween-dream\" target=\"_blank\" rel=\"noopener\">The Native Sound\u003c/a>, is alternately dreamy and intense.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Flesh-World.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Flesh-World-400x400.jpg\" alt=\"Flesh-World\" width=\"400\" height=\"400\" class=\"alignleft size-thumbnail wp-image-10140704\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Flesh-World-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Flesh-World-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Flesh-World-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Flesh-World-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Flesh-World-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Flesh-World-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Flesh-World-75x75.jpg 75w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Flesh-World.jpg 864w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch5>\u003ca href=\"https://www.facebook.com/pages/Flesh-World/692261370835698\" target=\"_blank\" rel=\"noopener\">Flesh World\u003c/a> – “A Sturdy Swiss Hiker”\u003cbr>From: San Francisco\u003cbr>\u003c/h5>\n\u003cp>Jess Scott’s terrific band Brilliant Colors and vital label Make-a-Mess Records make any new project she’s involved in one to check out. And Flesh World, formed with Scott Moore of Limp Wrist, offers melodic punk-meets-post-punk with a roughly distorted edge. \u003ca href=\"http://lavidaesunmus.bandcamp.com/album/flesh-world-mlp\" target=\"_blank\" rel=\"noopener\">La Vida Es En Mus\u003c/a> released the band’s first LP late last year.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/544214_417198231704504_623812546_n1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/544214_417198231704504_623812546_n1-400x324.jpg\" alt=\"544214_417198231704504_623812546_n1\" width=\"400\" height=\"324\" class=\"alignleft size-thumbnail wp-image-10140705\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/544214_417198231704504_623812546_n1-400x324.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/544214_417198231704504_623812546_n1-300x243.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/544214_417198231704504_623812546_n1.jpg 590w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch5>\u003ca href=\"https://www.facebook.com/keyofnow\" target=\"_blank\" rel=\"noopener\">Joshua Cook & The Key of Now\u003c/a> – “A Prayer For You”\u003cbr>From: San Francisco\u003cbr>\u003c/h5>\n\u003cp>\u003c/p>\n\u003cp>Joshua Cook used to be the lead guitarist and backing vocalist for the ascending The Soft White Sixties, and he’s brought both of those talents to his new solo project with The Key of Now. Cook’s debut solo album, \u003cem>Misadventures Part One\u003c/em>, arrived last November.\u003c/p>\n\n",
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"excerpt": "Listen to \u003ci>The Bay Bridged\u003c/i> mix of new Bay Area bands with great musical resumes, including VANIISH, Miserable, Joel Gion, Joshua Cook & the Key of Now, Flesh World, Foli and more.",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"aligncenter\">\n\u003ch4>Listen to \u003ci>The Bay Bridged\u003c/i> mix of bands with great musical resumes, including VANIISH, Miserable, Joel Gion, Joshua Cook & the Key of Now, Flesh World, Foli and more.\u003c/h4>\n\u003cp>http://media.libsyn.com/media/thebaybridged/Musical_Resumes_Mix.mp3\u003cbr>\n\u003c/p>\u003c/aside>\n\u003cp>In a scene as active as the San Francisco Bay Area, it’s not uncommon to learn that the members of your favorite band are also involved in other musical projects. It’s also not surprising to see bands break up, burn out or go through significant lineup changes, enabling former players to explore new terrain on their own. All of this means that a number of newer bands with unfamiliar names might have some familiar faces — or, perhaps more appropriately, voices — involved. It also means that if you’re a fan of a San Francisco band, chances are you’d also be interested in some of the other projects of its current and former members.\u003c/p>\n\u003cp>This mixtape collects songs from emerging Bay Area bands whose members have been in other notable local projects. As you’ll hear, a number of these groups occupy the same universes as their members’ other works, but they’re all unique and interesting irrespective of their biographies. They’re also ten bands you’ll definitely want to check out.\u003c/p>\n\u003cp>\u003cspan style=\"text-decoration: underline\">\u003cstrong>About the bands:\u003c/strong>\u003c/span>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Vaniish.png\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Vaniish-400x267.png\" alt=\"Vaniish\" width=\"400\" height=\"267\" class=\"alignleft size-thumbnail wp-image-10140685\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Vaniish-400x267.png 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Vaniish-300x200.png 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Vaniish.png 800w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch5>\u003ca href=\"https://www.facebook.com/vaniishband\" target=\"_blank\" rel=\"noopener\">VANIISH\u003c/a> – “Memory Work”\u003cbr>From: San Francisco\u003cbr>\u003c/h5>\n\u003cp>Keven Tecon (currently also of Wax Idols, formerly of The Soft Moon) began his new project VANIISH last year. Forming a quartet that also includes Wax Idols’ Amy Rosenoff on bass, the band’s just released \u003cem>Memory Work\u003c/em>. The album, rich with atmospherics, was produced by SF’s Monte Vallier, who has also recorded great albums for Weekend, Wax Idols and others.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/New-Faultlines.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/New-Faultlines-400x265.jpg\" alt=\"New-Faultlines\" width=\"400\" height=\"265\" class=\"alignleft size-thumbnail wp-image-10140692\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/New-Faultlines-400x265.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/New-Faultlines-300x198.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/New-Faultlines.jpg 590w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch5>\u003ca href=\"https://www.facebook.com/newfaultlines\" target=\"_blank\" rel=\"noopener\">New Faultlines\u003c/a> – “Lifeguard”\u003cbr>From: Oakland\u003cbr>\u003c/h5>\n\u003cp>Led by brothers Zach and Luke Robbins, the members of New Faultlines have performed with Nobunny, The Mallard, Useless Eaters, and more over the years. In addition to two cassette tapes, the garage pop group’s recent 7″ is the last record from the reliable Dulc-i-tone label, which describes it as “a perfect final offering from Dulc-i-Tone’s fine family of beautifully handmade and fucked-up musical treasures.”\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Pat-Thomas3.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Pat-Thomas3-400x269.jpg\" alt=\"Pat-Thomas3\" width=\"400\" height=\"269\" class=\"alignleft size-thumbnail wp-image-10140695\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Pat-Thomas3-400x269.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Pat-Thomas3-300x202.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Pat-Thomas3.jpg 590w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch5>\u003ca href=\"https://www.facebook.com/coolghouls\" target=\"_blank\" rel=\"noopener\">Pat Thomas\u003c/a> – “Not Right Now”\u003cbr>From: San Francisco\u003cbr>\u003c/h5>\n\u003cp>As the bassist of the beloved Cool Ghouls, Pat Thomas has written one third of the band’s songs, but he wrote and performed all of his solo album, \u003cem>Coasters Riding in the Air\u003c/em>. Out now on Empty Cellar Records, the LP offers more of the consistently great rock and roll the Ghouls are known for.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/MINOT.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/MINOT-400x266.jpg\" alt=\"MINOT\" width=\"400\" height=\"266\" class=\"alignleft size-thumbnail wp-image-10140698\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/MINOT-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/MINOT-300x200.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/MINOT.jpg 900w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch5>\u003ca href=\"https://www.facebook.com/Minotband\" target=\"_blank\" rel=\"noopener\">MINOT\u003c/a> – “Tharsis”\u003cbr>From: Oakland\u003cbr>\u003c/h5>\n\u003cp>Out last month, \u003cem>Equal/Opposite\u003c/em> is the first LP from MINOT, a rock trio whose tight, intricate playing confirms its members’ lengthy musical experience. Matthew Solberg previously played guitar in the stellar instrumental band From Monument To Masses and was a member of Turks with MINOT drummer Shannon Corr. Bass player Ben Thorne also performs complex rock songs in the terrific Tartufi.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/joel-gion-apple-bonkers.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/joel-gion-apple-bonkers-400x400.jpg\" alt=\"joel-gion-apple-bonkers\" width=\"400\" height=\"400\" class=\"alignleft size-thumbnail wp-image-10140699\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/joel-gion-apple-bonkers-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/joel-gion-apple-bonkers-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/joel-gion-apple-bonkers-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/joel-gion-apple-bonkers-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/joel-gion-apple-bonkers-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/joel-gion-apple-bonkers-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/joel-gion-apple-bonkers-75x75.jpg 75w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/joel-gion-apple-bonkers.jpg 1030w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch5>\u003ca href=\"https://www.facebook.com/joelgionapplebonkers\" target=\"_blank\" rel=\"noopener\">Joel Gion\u003c/a> – “Yes”\u003cbr>From: San Francisco\u003cbr>\u003c/h5>\n\u003cp>Current and former members of Brian Jonestown Massacre appear on Joel Gion’s solo debut, which is hardly a surprise given Gion’s longstanding role as BJM’s tambourine player. \u003cem>Apple Bonkers\u003c/em> — a reference to the tech boom, according to the label — offers the musician an opportunity to showcase his personal take on psychedelic rock-pop.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Foli1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Foli1-400x266.jpg\" alt=\"Foli1\" width=\"400\" height=\"266\" class=\"alignleft size-thumbnail wp-image-10140701\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Foli1-400x266.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Foli1-300x199.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Foli1.jpg 590w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch5>\u003ca href=\"https://www.facebook.com/folisound\" target=\"_blank\" rel=\"noopener\">Foli\u003c/a> – “Figure Eight”\u003cbr>From: San Francisco\u003cbr>\u003c/h5>\n\u003cp>Ben McClintock and Tom Smith, both members of the stellar indie pop band Social Studies, are joined by Cam Bateman in Foli. The psych-touched rock band isn’t maybe as new as some of the others in this mix, having released \u003cem>A La Maquina\u003c/em> early last year, but the group is definitely one to keep an eye on, especially with a new LP coming soon.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Sandys.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Sandys-400x400.jpg\" alt=\"Sandys\" width=\"400\" height=\"400\" class=\"alignleft size-thumbnail wp-image-10140702\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Sandys-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Sandys-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Sandys-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Sandys-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Sandys-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Sandys-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Sandys-75x75.jpg 75w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Sandys.jpg 960w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch5>\u003ca href=\"https://www.facebook.com/sandyscastle\" target=\"_blank\" rel=\"noopener\">Sandy’s\u003c/a> – “Yuba Diamond”\u003cbr>From: San Francisco\u003cbr>\u003c/h5>\n\u003cp>Sandy’s is a new project from Alexi Glickman, whose band The Botticellis released \u003cem>Old Home Movies\u003c/em>, one of our favorite 2008 albums. After that group broke up, Glickman recorded and toured with Little Wings before developing Sandy’s as a solo project. \u003cem>Fourth Dementia\u003c/em> features a revolving cast of performers joining him, including members of Sonny & The Sunsets, The Botticellis, and Yesway.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/image0024.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/image0024-400x263.jpg\" alt=\"image0024\" width=\"400\" height=\"263\" class=\"alignleft size-thumbnail wp-image-10140703\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/image0024-400x263.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/image0024-300x197.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/image0024.jpg 769w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch5>\u003ca href=\"https://www.facebook.com/miserablegrl\" target=\"_blank\" rel=\"noopener\">Miserable\u003c/a> – “Bell Jar”\u003cbr>From: San Francisco\u003cbr>\u003c/h5>\n\u003cp>Previously a singer in local heavy shoegaze band Whirr, Kristina Esfandiari recently launched two compelling projects, Miserable and \u003ca href=\"https://www.facebook.com/pages/King-Woman/116386155058898\" target=\"_blank\" rel=\"noopener\">King Woman\u003c/a>. The \u003cem>Halloween Dream\u003c/em> EP, which came out in February on \u003ca href=\"http://thenativesound.limitedrun.com/products/523173-miserable-halloween-dream\" target=\"_blank\" rel=\"noopener\">The Native Sound\u003c/a>, is alternately dreamy and intense.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Flesh-World.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/Flesh-World-400x400.jpg\" alt=\"Flesh-World\" width=\"400\" height=\"400\" class=\"alignleft size-thumbnail wp-image-10140704\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Flesh-World-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Flesh-World-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Flesh-World-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Flesh-World-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Flesh-World-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Flesh-World-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Flesh-World-75x75.jpg 75w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/Flesh-World.jpg 864w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch5>\u003ca href=\"https://www.facebook.com/pages/Flesh-World/692261370835698\" target=\"_blank\" rel=\"noopener\">Flesh World\u003c/a> – “A Sturdy Swiss Hiker”\u003cbr>From: San Francisco\u003cbr>\u003c/h5>\n\u003cp>Jess Scott’s terrific band Brilliant Colors and vital label Make-a-Mess Records make any new project she’s involved in one to check out. And Flesh World, formed with Scott Moore of Limp Wrist, offers melodic punk-meets-post-punk with a roughly distorted edge. \u003ca href=\"http://lavidaesunmus.bandcamp.com/album/flesh-world-mlp\" target=\"_blank\" rel=\"noopener\">La Vida Es En Mus\u003c/a> released the band’s first LP late last year.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/544214_417198231704504_623812546_n1.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/544214_417198231704504_623812546_n1-400x324.jpg\" alt=\"544214_417198231704504_623812546_n1\" width=\"400\" height=\"324\" class=\"alignleft size-thumbnail wp-image-10140705\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/544214_417198231704504_623812546_n1-400x324.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/544214_417198231704504_623812546_n1-300x243.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/544214_417198231704504_623812546_n1.jpg 590w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003c/p>\n\u003ch5>\u003ca href=\"https://www.facebook.com/keyofnow\" target=\"_blank\" rel=\"noopener\">Joshua Cook & The Key of Now\u003c/a> – “A Prayer For You”\u003cbr>From: San Francisco\u003cbr>\u003c/h5>\n\u003cp>\u003c/p>\n\u003cp>Joshua Cook used to be the lead guitarist and backing vocalist for the ascending The Soft White Sixties, and he’s brought both of those talents to his new solo project with The Key of Now. Cook’s debut solo album, \u003cem>Misadventures Part One\u003c/em>, arrived last November.\u003c/p>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Taylor Swift Debuts New Single \"Shake It Off\" a.k.a. Your New Guilty Pleasure",
"title": "Taylor Swift Debuts New Single \"Shake It Off\" a.k.a. Your New Guilty Pleasure",
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"content": "\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13154\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/taylor-swift.jpg\" alt=\"taylor-swift\" width=\"640\" height=\"361\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/taylor-swift.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/taylor-swift-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>I don't know about you, but I sure felt 22 (or, let's be real, a lot younger) while waiting for Taylor Swift's secretive live feed to begin. Elevator music eventually gave way to Taylor on the top of the Empire State Building awkwardly waving at a helicopter. Wind got in her eyes a lot. Then, she went inside to greet the mostly high school girl audience and tell them three secrets. Since you're busy and don't want anyone finding you reading an article about Taylor Swift, I'll just get right to it.\u003c/p>\n\u003cp>1. She has a new single called \"Shake It Off,\" which actually has the phrase \"\u003ca href=\"http://www.raidious.com/wp-content/uploads/2014/01/42924-haters-gonna-hate-fat-kid-gif-VHex.gif\">haters gonna hate\u003c/a>\" in it. Taylor danced with audience members and messed people's hair up and generally was a creature with 0% social anxiety, the yang to the \u003ca href=\"http://bkhemphill.files.wordpress.com/2013/01/tumblr_lv0ux7nfhc1qc665yo1_400.gif?w=474\">the Zoloft egg\u003c/a>'s yin.\u003c/p>\n\u003cp>\u003ciframe src=\"//giphy.com/embed/ylyUQlefrsHXL8CLvi\" width=\"500\" height=\"268\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\">\u003c/iframe>\u003c/p>\n\u003cp>2. She named her new album \u003cem>1989\u003c/em>, which comes out on October 27th, because that's the year she was born and she's obsessed with the boldness of late '80s pop. She also loves Polaroids so she used one for the cover. She also had this to say about what led to the album's theme: \"All I think about are metaphors and cats.\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13151\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/tumblr_naix12pVk01s5j98io1_500.gif\" alt=\"taylor swift 1989\" width=\"500\" height=\"350\">\u003c/p>\n\u003cp>3. She shot a music video for \"Shake It Off\" that captured how much she loves dancing, even if she looks silly doing it (see: every award show she's ever been to). Taylor is put amidst ballerinas, interpretive dancers, cheerleaders, and -- sigh -- twerkers, to cheesy, but mostly cute results. This song will be everywhere for the next few months so you might as well learn all the words now.\u003cbr>\nhttp://youtu.be/nfWlot6h_JM\u003c/p>\n\u003cp style=\"text-align: center\">Fin.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13153\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/tumblr_naiwz6c35d1rnwc9zo2_500.gif\" alt=\"taylor swift shake it off\" width=\"500\" height=\"205\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cimg class=\"aligncenter size-full wp-image-13154\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/taylor-swift.jpg\" alt=\"taylor-swift\" width=\"640\" height=\"361\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/taylor-swift.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/taylor-swift-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/p>\n\u003cp>I don't know about you, but I sure felt 22 (or, let's be real, a lot younger) while waiting for Taylor Swift's secretive live feed to begin. Elevator music eventually gave way to Taylor on the top of the Empire State Building awkwardly waving at a helicopter. Wind got in her eyes a lot. Then, she went inside to greet the mostly high school girl audience and tell them three secrets. Since you're busy and don't want anyone finding you reading an article about Taylor Swift, I'll just get right to it.\u003c/p>\n\u003cp>1. She has a new single called \"Shake It Off,\" which actually has the phrase \"\u003ca href=\"http://www.raidious.com/wp-content/uploads/2014/01/42924-haters-gonna-hate-fat-kid-gif-VHex.gif\">haters gonna hate\u003c/a>\" in it. Taylor danced with audience members and messed people's hair up and generally was a creature with 0% social anxiety, the yang to the \u003ca href=\"http://bkhemphill.files.wordpress.com/2013/01/tumblr_lv0ux7nfhc1qc665yo1_400.gif?w=474\">the Zoloft egg\u003c/a>'s yin.\u003c/p>\n\u003cp>\u003ciframe src=\"//giphy.com/embed/ylyUQlefrsHXL8CLvi\" width=\"500\" height=\"268\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\">\u003c/iframe>\u003c/p>\n\u003cp>2. She named her new album \u003cem>1989\u003c/em>, which comes out on October 27th, because that's the year she was born and she's obsessed with the boldness of late '80s pop. She also loves Polaroids so she used one for the cover. She also had this to say about what led to the album's theme: \"All I think about are metaphors and cats.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cp>I don’t know about you, but I sure felt 22 (or, let’s be real, a lot younger) while waiting for Taylor Swift’s secretive live feed to begin. Elevator music eventually gave way to Taylor on the top of the Empire State Building awkwardly waving at a helicopter. Wind got in \u003ca href=\"http://ww2.kqed.org/pop/2014/08/18/taylor-swift-debuts-new-single-shake-it-off-a-k-a-your-new-guilty-pleasure-1989/\" target=\"_self\" class=\"rssmi_more\" rel=\"noopener\"> …read more\u003c/a> \u003c/p>\n\u003cp>Source: \u003ca href=\"http://ww2.kqed.org/pop/2014/08/18/taylor-swift-debuts-new-single-shake-it-off-a-k-a-your-new-guilty-pleasure-1989/\" target=\"_self\" title=\"Taylor Swift Debuts New Single “Shake It Off” a.k.a. Your New Guilty Pleasure\" rel=\"noopener\">Pop Music\u003c/a>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003caside class=\"aligncenter\">\n\u003ch4>Listen to Youth Radio’s piece on Stockton’s storefront punk scene:\u003c/h4>\n\u003cp>http://pd.npr.org/anon.npr-mp3/npr/me/2014/08/20140813_me_in_stockton_calif_punks_are_the_new_mall_rats.mp3\u003c/p>\n\u003c/aside>\n\u003cp>\u003cem>Part of a series on the past, present and future of America’s malls\u003c/em>\u003c/p>\n\u003cp>I’m outside a strip mall in Stockton, Calif. It’s got a big Asian grocery store, a pet shop and a secondhand store called D. Thrift. There are about 50 kids my age — all in their late teens and early 20s — talking and smoking in front of an empty storefront. It used to be a cellphone shop and before that a place that sold diet pills, but tonight it’s the best underground rock show in town, headlining Stockton’s own \u003ca href=\"http://www.bandsintown.com/SatanWriders\">Satan Wriders\u003c/a>.\u003c/p>\n\u003cp>Now, this vacant retail space is one of the only places for young bands in Stockton to play. So how did this pretty normal strip mall come to be the hub of a blossoming indie scene? Well, it has pretty much everything to do with Frankie Soto and Long Nguyen.\u003c/p>\n\u003cp>Soto is the frontman for a dream pop band called \u003ca href=\"http://surfclub.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Surf Club\u003c/a>, and Nguyen is the landlord at this strip mall.\u003c/p>\n\u003cfigure id=\"attachment_10140575\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/frankie_soto_sq-d20cae0e23954df5a4f78e13fc8c0c1e2a68dfe2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10140575 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/frankie_soto_sq-d20cae0e23954df5a4f78e13fc8c0c1e2a68dfe2-400x400.jpg\" alt=\"Frankie Soto is in charge of the "underground" rock shows at an empty storefront in Stockton's Normandy Village Shopping Center.\" width=\"400\" height=\"400\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/frankie_soto_sq-d20cae0e23954df5a4f78e13fc8c0c1e2a68dfe2-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/frankie_soto_sq-d20cae0e23954df5a4f78e13fc8c0c1e2a68dfe2-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/frankie_soto_sq-d20cae0e23954df5a4f78e13fc8c0c1e2a68dfe2-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/frankie_soto_sq-d20cae0e23954df5a4f78e13fc8c0c1e2a68dfe2-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/frankie_soto_sq-d20cae0e23954df5a4f78e13fc8c0c1e2a68dfe2-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/frankie_soto_sq-d20cae0e23954df5a4f78e13fc8c0c1e2a68dfe2-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/frankie_soto_sq-d20cae0e23954df5a4f78e13fc8c0c1e2a68dfe2-75x75.jpg 75w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/frankie_soto_sq-d20cae0e23954df5a4f78e13fc8c0c1e2a68dfe2.jpg 844w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Frankie Soto is in charge of the “underground” rock shows at an empty storefront in Stockton’s Normandy Village Shopping Center. \u003ccite>(Brett Myers/Youth Radio)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>You don’t often find 20-year-old Latino indie rock kids and 40-something Asian mall owners becoming fast friends, but that’s exactly what happened here. Soto and Nguyen’s story starts at a music festival in San Francisco, back in 2012. Nguyen was amazed to see a Stockton band, Soto’s Surf Club, onstage.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“They just blew me out of the water,” Nguyen recalls. “They were really young. I think half of the band was under 21. So after they were playing at the bar, they had to immediately get off the stage and they could only watch from the sidewalk.”\u003c/p>\n\u003cp>Nguyen eagerly introduced himself, saying, “I own the D. Thrift! Just come play in it.”\u003c/p>\n\u003cp>It wasn’t until a few months later, with few local music venues left in Stockton, that Soto decided to take him up on the offer.\u003c/p>\n\u003cp>Once Soto stepped inside the spot, he fell in love with it. “It’s like super intimate. I kind of like it. It’s, like, perfect. It’s kind of small but it’s, like, exactly what we need,” he says.\u003c/p>\n\u003cp>For the past two years, the D. Thrift has become a place for young Stockton bands to play their first concert. As word got out, touring acts that might have skipped over the town started to book their shows here. Lately there’s been about a show a month.\u003c/p>\n\u003cp>Besides that, there isn’t too much for young people to do in town. “I think that’s why a lot of kids come out to our shows every time — it’s something to do,” Soto says.\u003c/p>\n\u003cp>Looking at the crowd, you do get the sense that it is for everyone. There’s a $5 suggested donation at the entrance, but even if you’re broke you’re still welcome. All night long, Soto waves in curious people. In one way, it’s like every mall you’ve ever driven by, but on closer inspection, there’s something special about this place and these concerts.\u003c/p>\n\u003cp>Standing proudly in front of his strip mall, Nguyen described the population he serves: “It is a boiling pot of Americans: white Americans, black Americans, Latinos, Cambodians, Vietnamese, all kinds of Middle Eastern, Indian as well.”\u003c/p>\n\u003cp>There’s a certain magic about the D. Thrift, especially when you compare it to a lot of other places in Stockton. Kim Eng and Bob Guevara are the performers in tonight’s opening act, \u003ca href=\"https://soundcloud.com/civil-act\" target=\"_blank\" rel=\"noopener\">Kismet Aura\u003c/a>. Their families fled violence in Cambodia and Mexico, respectively, only to find more here in Stockton. “It’s all right here. … Honestly, there’s parks where you can find guns in,” Guevera says, as he points down the street.\u003c/p>\n\u003cp>But the shows at D. Thrift are one of their favorite things in town.\u003c/p>\n\u003cp>Guevera says, “It’s the only thing giving me hope right now. Where I hope it goes is the direction where we find a new community out here.”\u003c/p>\n\u003cp>“Just some stability, some community,” adds Eng, “’cause we never really had that.”\u003c/p>\n\u003cp>Long Nguyen and Frankie Soto’s friendship has created a home for a new music scene.\u003c/p>\n\u003cp>“No one throws shows like us. But no one really can just have access. I consider us super lucky to have Long on our side,” Soto says.\u003c/p>\n\u003cp>And tonight, Long Nguyen is leaning on a back wall near Soto, grinning and proud. He shouts over the music to me: “Can you feel this? This positive energy?”\u003c/p>\n\u003cp>It’s an energy that turned an empty storefront into something more.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was produced by\u003c/em> \u003ca href=\"http://youthradio.org/\" target=\"_blank\" rel=\"noopener\">Youth Radio\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2014 Youth Radio. To see more, visit \u003ca href=\"http://www.youthradio.org/\">http://www.youthradio.org/\u003c/a>.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=In+Stockton%2C+Calif.%2C+Punks+Are+The+New+Mall+Rats&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\" alt=\"\">\u003c/div>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003caside class=\"aligncenter\">\n\u003ch4>Listen to Youth Radio’s piece on Stockton’s storefront punk scene:\u003c/h4>\n\u003cp>http://pd.npr.org/anon.npr-mp3/npr/me/2014/08/20140813_me_in_stockton_calif_punks_are_the_new_mall_rats.mp3\u003c/p>\n\u003c/aside>\n\u003cp>\u003cem>Part of a series on the past, present and future of America’s malls\u003c/em>\u003c/p>\n\u003cp>I’m outside a strip mall in Stockton, Calif. It’s got a big Asian grocery store, a pet shop and a secondhand store called D. Thrift. There are about 50 kids my age — all in their late teens and early 20s — talking and smoking in front of an empty storefront. It used to be a cellphone shop and before that a place that sold diet pills, but tonight it’s the best underground rock show in town, headlining Stockton’s own \u003ca href=\"http://www.bandsintown.com/SatanWriders\">Satan Wriders\u003c/a>.\u003c/p>\n\u003cp>Now, this vacant retail space is one of the only places for young bands in Stockton to play. So how did this pretty normal strip mall come to be the hub of a blossoming indie scene? Well, it has pretty much everything to do with Frankie Soto and Long Nguyen.\u003c/p>\n\u003cp>Soto is the frontman for a dream pop band called \u003ca href=\"http://surfclub.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Surf Club\u003c/a>, and Nguyen is the landlord at this strip mall.\u003c/p>\n\u003cfigure id=\"attachment_10140575\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/frankie_soto_sq-d20cae0e23954df5a4f78e13fc8c0c1e2a68dfe2.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-10140575 size-thumbnail\" src=\"http://ww2.kqed.org/arts/wp-content/uploads/sites/2/2014/08/frankie_soto_sq-d20cae0e23954df5a4f78e13fc8c0c1e2a68dfe2-400x400.jpg\" alt=\"Frankie Soto is in charge of the "underground" rock shows at an empty storefront in Stockton's Normandy Village Shopping Center.\" width=\"400\" height=\"400\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/frankie_soto_sq-d20cae0e23954df5a4f78e13fc8c0c1e2a68dfe2-400x400.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/frankie_soto_sq-d20cae0e23954df5a4f78e13fc8c0c1e2a68dfe2-300x300.jpg 300w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/frankie_soto_sq-d20cae0e23954df5a4f78e13fc8c0c1e2a68dfe2-32x32.jpg 32w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/frankie_soto_sq-d20cae0e23954df5a4f78e13fc8c0c1e2a68dfe2-64x64.jpg 64w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/frankie_soto_sq-d20cae0e23954df5a4f78e13fc8c0c1e2a68dfe2-96x96.jpg 96w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/frankie_soto_sq-d20cae0e23954df5a4f78e13fc8c0c1e2a68dfe2-128x128.jpg 128w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/frankie_soto_sq-d20cae0e23954df5a4f78e13fc8c0c1e2a68dfe2-75x75.jpg 75w, https://cdn.kqed.org/wp-content/uploads/sites/2/2014/08/frankie_soto_sq-d20cae0e23954df5a4f78e13fc8c0c1e2a68dfe2.jpg 844w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Frankie Soto is in charge of the “underground” rock shows at an empty storefront in Stockton’s Normandy Village Shopping Center. \u003ccite>(Brett Myers/Youth Radio)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>You don’t often find 20-year-old Latino indie rock kids and 40-something Asian mall owners becoming fast friends, but that’s exactly what happened here. Soto and Nguyen’s story starts at a music festival in San Francisco, back in 2012. Nguyen was amazed to see a Stockton band, Soto’s Surf Club, onstage.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“They just blew me out of the water,” Nguyen recalls. “They were really young. I think half of the band was under 21. So after they were playing at the bar, they had to immediately get off the stage and they could only watch from the sidewalk.”\u003c/p>\n\u003cp>Nguyen eagerly introduced himself, saying, “I own the D. Thrift! Just come play in it.”\u003c/p>\n\u003cp>It wasn’t until a few months later, with few local music venues left in Stockton, that Soto decided to take him up on the offer.\u003c/p>\n\u003cp>Once Soto stepped inside the spot, he fell in love with it. “It’s like super intimate. I kind of like it. It’s, like, perfect. It’s kind of small but it’s, like, exactly what we need,” he says.\u003c/p>\n\u003cp>For the past two years, the D. Thrift has become a place for young Stockton bands to play their first concert. As word got out, touring acts that might have skipped over the town started to book their shows here. Lately there’s been about a show a month.\u003c/p>\n\u003cp>Besides that, there isn’t too much for young people to do in town. “I think that’s why a lot of kids come out to our shows every time — it’s something to do,” Soto says.\u003c/p>\n\u003cp>Looking at the crowd, you do get the sense that it is for everyone. There’s a $5 suggested donation at the entrance, but even if you’re broke you’re still welcome. All night long, Soto waves in curious people. In one way, it’s like every mall you’ve ever driven by, but on closer inspection, there’s something special about this place and these concerts.\u003c/p>\n\u003cp>Standing proudly in front of his strip mall, Nguyen described the population he serves: “It is a boiling pot of Americans: white Americans, black Americans, Latinos, Cambodians, Vietnamese, all kinds of Middle Eastern, Indian as well.”\u003c/p>\n\u003cp>There’s a certain magic about the D. Thrift, especially when you compare it to a lot of other places in Stockton. Kim Eng and Bob Guevara are the performers in tonight’s opening act, \u003ca href=\"https://soundcloud.com/civil-act\" target=\"_blank\" rel=\"noopener\">Kismet Aura\u003c/a>. Their families fled violence in Cambodia and Mexico, respectively, only to find more here in Stockton. “It’s all right here. … Honestly, there’s parks where you can find guns in,” Guevera says, as he points down the street.\u003c/p>\n\u003cp>But the shows at D. Thrift are one of their favorite things in town.\u003c/p>\n\u003cp>Guevera says, “It’s the only thing giving me hope right now. Where I hope it goes is the direction where we find a new community out here.”\u003c/p>\n\u003cp>“Just some stability, some community,” adds Eng, “’cause we never really had that.”\u003c/p>\n\u003cp>Long Nguyen and Frankie Soto’s friendship has created a home for a new music scene.\u003c/p>\n\u003cp>“No one throws shows like us. But no one really can just have access. I consider us super lucky to have Long on our side,” Soto says.\u003c/p>\n\u003cp>And tonight, Long Nguyen is leaning on a back wall near Soto, grinning and proud. He shouts over the music to me: “Can you feel this? This positive energy?”\u003c/p>\n\u003cp>It’s an energy that turned an empty storefront into something more.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was produced by\u003c/em> \u003ca href=\"http://youthradio.org/\" target=\"_blank\" rel=\"noopener\">Youth Radio\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">Copyright 2014 Youth Radio. To see more, visit \u003ca href=\"http://www.youthradio.org/\">http://www.youthradio.org/\u003c/a>.\u003cimg decoding=\"async\" src=\"http://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=In+Stockton%2C+Calif.%2C+Punks+Are+The+New+Mall+Rats&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\" alt=\"\">\u003c/div>\n\n\u003c/div>\u003c/p>",
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"disqusTitle": "Outside Lands 2014 Photos + Video: Haim Hair, Big Freedia's Bouncing Beignets, Macklemore Proposal",
"title": "Outside Lands 2014 Photos + Video: Haim Hair, Big Freedia's Bouncing Beignets, Macklemore Proposal",
"headTitle": "Bay Area Bites | KQED Food",
"content": "\u003cp>This weekend's \u003ca href=\"http://www.sfoutsidelands.com/home/\" target=\"_blank\">Outside Lands\u003c/a> festival in San Francisco's Golden Gate Park was a whirlwind of overstimulation. Quality hand-held food & drink offerings from local restaurants and vendors trended towards \u003ca href=\"http://ww2.kqed.org/bayareabites/2014/08/10/from-bacon-to-bounce-twerking-and-pigging-out-at-outside-lands/\" target=\"_blank\">\u003cstrong>pork indulgence and chocolate obsession\u003c/strong>\u003c/a>. The new \u003ca href=\"http://www.sfoutsidelands.com/gastromagic/\" target=\"_blank\">GastroMagic\u003c/a> stage further enhanced the mashup of food and performance that is so characteristic of Bay Area culture. Between \u003ca href=\"http://ww2.kqed.org/bayareabites/2014/08/10/from-bacon-to-bounce-twerking-and-pigging-out-at-outside-lands/\" target=\"_blank\">meals\u003c/a> there was music. Here is a collection of memorable moments from the festivities. \u003c/p>\n\u003cp>\u003cstrong>All photos and video by Wendy Goodfriend\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_85953\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/este-haim-hair1000.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/este-haim-hair1000.jpg\" alt=\"Serious hair flipping from Este Haim. Photo: Wendy Goodfriend\" width=\"1000\" height=\"667\" class=\"size-full wp-image-85953\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Serious hair flipping accompanying bass face from Este Haim.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_85942\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/danielle-haim1000guitar.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/danielle-haim1000guitar.jpg\" alt=\"Danielle Haim from Haim. Photo: Wendy Goodfriend\" width=\"1000\" height=\"667\" class=\"size-full wp-image-85942\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Danielle Haim from Haim.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_85978\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/haim-sisters10001.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/haim-sisters10001.jpg\" alt=\"Danielle and Este Haim. Photo: Wendy Goodfriend\" width=\"1000\" height=\"667\" class=\"size-full wp-image-85978\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Danielle and Este Haim.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_85925\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/happy-people1000.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/happy-people1000.jpg\" alt=\"Festive Happy People at Outside Lands. Photo: Wendy Goodfriend\" width=\"1000\" height=\"667\" class=\"size-full wp-image-85925\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Festive Happy People at Outside Lands.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_85933\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/big-freedia10001.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/big-freedia10001.jpg\" alt='Big Freedia \"Queen of Bounce\" at the Beignets & Bounce Brunch. Photo: Wendy Goodfriend' width=\"1000\" height=\"667\" class=\"size-full wp-image-85933\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Big Freedia \"Queen of Bounce\" at the Beignets & Bounce Brunch.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_85934\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/big-freedia1000a.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/big-freedia1000a.jpg\" alt=\"Big Freedia performs at GastroMagic. Photo: Wendy Goodfriend\" width=\"1000\" height=\"667\" class=\"size-full wp-image-85934\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Big Freedia call and response performance at GastroMagic.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Warning: Explicit material contains graphic twerking\u003c/strong>\u003cbr>\n[youtube //www.youtube.com/watch?v=QhJaf0MXvLs]\u003c/p>\n\u003cfigure id=\"attachment_85932\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/big-freedia-fans1000.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/big-freedia-fans1000.jpg\" alt=\"Watching Big Freedia Beignets & Bounce Brunch. Photo: Wendy Goodfriend\" width=\"1000\" height=\"667\" class=\"size-full wp-image-85932\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Watching Big Freedia Beignets & Bounce Brunch.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_85985\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/macklemore-point1000.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/macklemore-point1000.jpg\" alt=\"Macklemore initiates the on stage marriage proposal. Photo: Wendy Goodfriend\" width=\"1000\" height=\"667\" class=\"size-full wp-image-85985\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Macklemore initiates the on stage marriage proposal.\u003c/figcaption>\u003c/figure>\n\u003cp>[gallery type=\"slideshow\" link=\"file\" ids=\"86004,86037,86036,86005,86006,86002,86007,85986\"]\u003c/p>\n\u003cfigure id=\"attachment_85990\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/mary-lambert1000.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/mary-lambert1000.jpg\" alt='Mary Lambert sings \"Same Love\".' width=\"1000\" height=\"667\" class=\"size-full wp-image-85990\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Mary Lambert sings \"Same Love.\"\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_85969\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/grouplove1000c.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/grouplove1000c.jpg\" alt=\"Hannah Hooper from Grouplove. Photo: Wendy Goodfriend\" width=\"1000\" height=\"667\" class=\"size-full wp-image-85969\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Hannah Hooper from Grouplove.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/singer-winelands.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/singer-winelands.jpg\" alt=\"Singer at Outside Lands. Photo: Wendy Goodfriend\" width=\"1000\" height=\"667\" class=\"aligncenter size-full wp-image-86012\">\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_85971\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/guy-lawrence-disclosure1000.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/guy-lawrence-disclosure1000.jpg\" alt=\"Guy Lawrence from Disclosure. Photo: Wendy Goodfriend\" width=\"1000\" height=\"667\" class=\"size-full wp-image-85971\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Guy Lawrence from Disclosure.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_86119\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/dumdumgirl1000.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/dumdumgirl1000.jpg\" alt=\"Jules from the Dum Dum Girls. Photo: Wendy Goodfriend\" width=\"1000\" height=\"1031\" class=\"size-full wp-image-86119\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Jules from the Dum Dum Girls.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_86016\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/smoking1000.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/smoking1000.jpg\" alt=\"Smoking a cigarette. Photo: Wendy Goodfriend\" width=\"1000\" height=\"667\" class=\"size-full wp-image-86016\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Smoking a cigarette.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_86001\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/pot-flag1000.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/pot-flag1000.jpg\" alt=\"United States of Marijuana. Photo: Wendy Goodfriend\" width=\"1000\" height=\"667\" class=\"size-full wp-image-86001\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">United States of Marijuana.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_85998\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/none-of-your-biz1000.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/none-of-your-biz1000.jpg\" alt=\"24 Bottles of None of Your Fucking Business at Hell Brew Revue. Photo: Wendy Goodfriend\" width=\"1000\" height=\"667\" class=\"size-full wp-image-85998\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">24 Bottles of None of Your Fucking Business at Hell Brew Revue.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_85957\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/flotsam-band-fans1000.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/flotsam-band-fans1000.jpg\" alt=\"Slim Jenkins at Hell Brew Revue. Photo: Wendy Goodfriend\" width=\"1000\" height=\"667\" class=\"size-full wp-image-85957\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Slim Jenkins at Hell Brew Revue.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_86010\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/sculpture1000a.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/sculpture1000a.jpg\" alt=\"Climbable sculptures by Eos Montana - perfect for texting. Photo: Wendy Goodfriend\" width=\"1000\" height=\"667\" class=\"size-full wp-image-86010\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Climbable sculptures by Eos Montana - perfect for texting.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Warning: Explicit material contains graphic language.\u003c/strong>\u003cbr>\n[youtube //www.youtube.com/watch?v=qMHgKyi8B-E]\u003c/p>\n\u003cfigure id=\"attachment_86108\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/audience1000.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/audience1000.jpg\" alt=\"The crowd for Duck Sauce. Photo: Wendy Goodfriend\" width=\"1000\" height=\"667\" class=\"size-full wp-image-86108\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The crowd for Duck Sauce.\u003c/figcaption>\u003c/figure>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"excerpt": "This weekend’s Outside Lands festival in San Francisco’s Golden Gate Park was a whirlwind of overstimulation. The new GastroMagic stage further enhanced the mashup of food and performance that is so characteristic of Bay Area culture. Between meals there was music. Here is a collection of memorable moments from the festivities.",
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"description": "This weekend’s Outside Lands festival in San Francisco’s Golden Gate Park was a whirlwind of overstimulation. The new GastroMagic stage further enhanced the mashup of food and performance that is so characteristic of Bay Area culture. Between meals there was music. Here is a collection of memorable moments from the festivities.",
"title": "Outside Lands 2014 Photos + Video: Haim Hair, Big Freedia's Bouncing Beignets, Macklemore Proposal | KQED",
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"headline": "Outside Lands 2014 Photos + Video: Haim Hair, Big Freedia's Bouncing Beignets, Macklemore Proposal",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>This weekend's \u003ca href=\"http://www.sfoutsidelands.com/home/\" target=\"_blank\">Outside Lands\u003c/a> festival in San Francisco's Golden Gate Park was a whirlwind of overstimulation. Quality hand-held food & drink offerings from local restaurants and vendors trended towards \u003ca href=\"http://ww2.kqed.org/bayareabites/2014/08/10/from-bacon-to-bounce-twerking-and-pigging-out-at-outside-lands/\" target=\"_blank\">\u003cstrong>pork indulgence and chocolate obsession\u003c/strong>\u003c/a>. The new \u003ca href=\"http://www.sfoutsidelands.com/gastromagic/\" target=\"_blank\">GastroMagic\u003c/a> stage further enhanced the mashup of food and performance that is so characteristic of Bay Area culture. Between \u003ca href=\"http://ww2.kqed.org/bayareabites/2014/08/10/from-bacon-to-bounce-twerking-and-pigging-out-at-outside-lands/\" target=\"_blank\">meals\u003c/a> there was music. Here is a collection of memorable moments from the festivities. \u003c/p>\n\u003cp>\u003cstrong>All photos and video by Wendy Goodfriend\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_85953\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/este-haim-hair1000.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/este-haim-hair1000.jpg\" alt=\"Serious hair flipping from Este Haim. Photo: Wendy Goodfriend\" width=\"1000\" height=\"667\" class=\"size-full wp-image-85953\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Serious hair flipping accompanying bass face from Este Haim.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_85942\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/danielle-haim1000guitar.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/danielle-haim1000guitar.jpg\" alt=\"Danielle Haim from Haim. Photo: Wendy Goodfriend\" width=\"1000\" height=\"667\" class=\"size-full wp-image-85942\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Danielle Haim from Haim.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_85978\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/haim-sisters10001.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/haim-sisters10001.jpg\" alt=\"Danielle and Este Haim. Photo: Wendy Goodfriend\" width=\"1000\" height=\"667\" class=\"size-full wp-image-85978\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Danielle and Este Haim.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_85925\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/happy-people1000.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/happy-people1000.jpg\" alt=\"Festive Happy People at Outside Lands. Photo: Wendy Goodfriend\" width=\"1000\" height=\"667\" class=\"size-full wp-image-85925\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Festive Happy People at Outside Lands.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_85933\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/big-freedia10001.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/big-freedia10001.jpg\" alt='Big Freedia \"Queen of Bounce\" at the Beignets & Bounce Brunch. Photo: Wendy Goodfriend' width=\"1000\" height=\"667\" class=\"size-full wp-image-85933\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Big Freedia \"Queen of Bounce\" at the Beignets & Bounce Brunch.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_85934\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/big-freedia1000a.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/big-freedia1000a.jpg\" alt=\"Big Freedia performs at GastroMagic. Photo: Wendy Goodfriend\" width=\"1000\" height=\"667\" class=\"size-full wp-image-85934\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Big Freedia call and response performance at GastroMagic.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Warning: Explicit material contains graphic twerking\u003c/strong>\u003cbr>\n\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/QhJaf0MXvLs'\n title='//www.youtube.com/embed/QhJaf0MXvLs'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/p>\n\u003cfigure id=\"attachment_85932\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/big-freedia-fans1000.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/big-freedia-fans1000.jpg\" alt=\"Watching Big Freedia Beignets & Bounce Brunch. Photo: Wendy Goodfriend\" width=\"1000\" height=\"667\" class=\"size-full wp-image-85932\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Watching Big Freedia Beignets & Bounce Brunch.\u003c/figcaption>\u003c/figure>\n\u003cfigure id=\"attachment_85985\" class=\"wp-caption aligncenter\" style=\"max-width: 1000px\">\u003ca href=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/macklemore-point1000.jpg\">\u003cimg src=\"http://ww2.kqed.org/bayareabites/wp-content/uploads/sites/24/2014/08/macklemore-point1000.jpg\" alt=\"Macklemore initiates the on stage marriage proposal. Photo: Wendy Goodfriend\" width=\"1000\" height=\"667\" class=\"size-full wp-image-85985\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Macklemore initiates the on stage marriage proposal.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\u003c/div>",
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"disqusTitle": "Outside Lands 2014: Kanye, Kim Kardashian, Macklemore and Everything Else You Missed",
"title": "Outside Lands 2014: Kanye, Kim Kardashian, Macklemore and Everything Else You Missed",
"headTitle": "KQED Pop | KQED Arts",
"content": "\u003cfigure id=\"attachment_13088\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/outside-lands-2014.jpg\" alt=\"Photo: Wendy Goodfriend\" width=\"640\" height=\"360\" class=\"size-full wp-image-13088\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/outside-lands-2014.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/outside-lands-2014-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca>\u003c/a>Wendy Goodfriend\u003c/figcaption>\u003c/figure>\n\u003cp>There are plenty of reasons why you might decide not to attend Outside Lands. Agoraphobia, a malnourished checking account, a distaste for frostbite, etc. If you didn't make it out to Golden Gate Park this weekend for whatever reason, don't sweat it; here's what you missed.\u003c/p>\n\u003cp>- Kanye West wore a weird mask and stopped mid-song several times to rant about his haters and teach the audience how to mosh. \"This ain't no concierge, maitre'd music,\" he reminded the crowd. Despite the hopes and dreams of many, Jay Z and Beyonce \u003ca href=\"http://blogs.kqed.org/pop/2014/08/07/beyonce-and-jay-z-divorce-on-the-run-tour-san-francisco/\">did not stick around\u003c/a> San Francisco to make a cameo. But Kim Kardashian made an appearance. We were hoping for Khloe, but this will do.\u003c/p>\n\u003cp>http://youtu.be/k0DlUnl3imk\u003c/p>\n\u003cp>- Big Freedia. Bounce Music. Beignet Brunch. Whoever thought up this alliterative daydream deserves the key to the city or something. Just watch.\u003c/p>\n\u003cp>http://youtu.be/pGwxP_xV450\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>- Judging by the huge crowd that chose Macklemore's set over Tom Petty's, it appears as though he's here to stay. It's hard to decide if that's a good thing or not cause, for every stupid thing he does (coming out in a mariachi costume), he pulls a nice gesture to equal things out (giving the stage to a woman who proposed to her girlfriend).\u003c/p>\n\u003cp>http://youtu.be/6_BbxW6Av00\u003c/p>\n\u003cp>- Wayne Coyne of the Flaming Lips wore \u003ca href=\"http://www.billboard.com/files/styles/promo_650/public/media/wayne-coyne-flaming-lips-outside-lands-billboard-2014-650x430.jpg\">a muscle bodysuit\u003c/a> with tinsel hanging off his crotch and was surrounded by people dressed like a rainbow, a mushroom, and a jolly sun. He then got into his trademark bubble and rolled around the crowd. Acid trip or concert?\u003c/p>\n\u003cp>http://youtu.be/VByddk2wCmY\u003c/p>\n\u003cp>- San Francisco has changed so much since Bay Area legend Jerry Garcia was cruising around, but Tom Petty kept the spirit of what the city used to be alive with a tribute.\u003c/p>\n\u003cp>http://youtu.be/BaNeq23U6eo\u003c/p>\n\u003cp>- Something you didn't miss out on: Chvrches. Only half the band made it out of Vancouver. Really, Canada? First Justin Bieber, now this?\u003c/p>\n\u003cblockquote class=\"twitter-tweet\" lang=\"en\">\u003cp>Guys, we are so sorry that we can't play \u003ca href=\"https://twitter.com/sfoutsidelands\">@sfoutsidelands\u003c/a> due Vancouver airport mess ups+a healthy dose of bad luck: \u003ca href=\"https://t.co/6dMFh9XqtH\">https://t.co/6dMFh9XqtH\u003c/a>\u003c/p>\n\u003cp>— CHVRCHΞS (@CHVRCHES) \u003ca href=\"https://twitter.com/CHVRCHES/statuses/498558170831134720\">August 10, 2014\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp> \u003c/p>\n\u003cp>Haven't had enough of Outside Lands? \u003ca href=\"http://blogs.kqed.org/pop/2014/04/08/outside-lands-2014-the-only-playlist-you-need-to-get-ready-kanye-macklemore-tom-petty/\">Check out our playlist\u003c/a>, featuring all the acts from this year's lineup!\u003c/p>\n\u003cfigure id=\"attachment_13089\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/kanye.jpg\" alt=\"Photo: Wendy Goodfriend\" width=\"640\" height=\"427\" class=\"size-full wp-image-13089\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/kanye.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/kanye-400x266.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca>\u003c/a>Wendy Goodfriend\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>Kanye thanks you for your time!\u003c/p>\n\n",
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"excerpt": "Agoraphobia or a distaste for frostbite get in the way of you and Outside Lands this year? No sweat; here's what you missed!",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>- Judging by the huge crowd that chose Macklemore's set over Tom Petty's, it appears as though he's here to stay. It's hard to decide if that's a good thing or not cause, for every stupid thing he does (coming out in a mariachi costume), he pulls a nice gesture to equal things out (giving the stage to a woman who proposed to her girlfriend).\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/6_BbxW6Av00'\n title='//www.youtube.com/embed/6_BbxW6Av00'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>- Wayne Coyne of the Flaming Lips wore \u003ca href=\"http://www.billboard.com/files/styles/promo_650/public/media/wayne-coyne-flaming-lips-outside-lands-billboard-2014-650x430.jpg\">a muscle bodysuit\u003c/a> with tinsel hanging off his crotch and was surrounded by people dressed like a rainbow, a mushroom, and a jolly sun. He then got into his trademark bubble and rolled around the crowd. Acid trip or concert?\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/VByddk2wCmY'\n title='//www.youtube.com/embed/VByddk2wCmY'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>- San Francisco has changed so much since Bay Area legend Jerry Garcia was cruising around, but Tom Petty kept the spirit of what the city used to be alive with a tribute.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/BaNeq23U6eo'\n title='//www.youtube.com/embed/BaNeq23U6eo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>- Something you didn't miss out on: Chvrches. Only half the band made it out of Vancouver. Really, Canada? First Justin Bieber, now this?\u003c/p>\n\u003cblockquote class=\"twitter-tweet\" lang=\"en\">\u003cp>Guys, we are so sorry that we can't play \u003ca href=\"https://twitter.com/sfoutsidelands\">@sfoutsidelands\u003c/a> due Vancouver airport mess ups+a healthy dose of bad luck: \u003ca href=\"https://t.co/6dMFh9XqtH\">https://t.co/6dMFh9XqtH\u003c/a>\u003c/p>\n\u003cp>— CHVRCHΞS (@CHVRCHES) \u003ca href=\"https://twitter.com/CHVRCHES/statuses/498558170831134720\">August 10, 2014\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp> \u003c/p>\n\u003cp>Haven't had enough of Outside Lands? \u003ca href=\"http://blogs.kqed.org/pop/2014/04/08/outside-lands-2014-the-only-playlist-you-need-to-get-ready-kanye-macklemore-tom-petty/\">Check out our playlist\u003c/a>, featuring all the acts from this year's lineup!\u003c/p>\n\u003cfigure id=\"attachment_13089\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/kanye.jpg\" alt=\"Photo: Wendy Goodfriend\" width=\"640\" height=\"427\" class=\"size-full wp-image-13089\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/kanye.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/kanye-400x266.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca>\u003c/a>Wendy Goodfriend\u003c/figcaption>\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>Kanye thanks you for your time!\u003c/p>\n\n\u003c/div>\u003c/p>",
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"info": "\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />",
"airtime": "SUN 9pm-10pm",
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"meta": {
"site": "radio",
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"id": "commonwealth-club",
"title": "Commonwealth Club of California Podcast",
"info": "The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.",
"airtime": "THU 10pm, FRI 1am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.commonwealthclub.org/podcasts",
"meta": {
"site": "news",
"source": "Commonwealth Club of California"
},
"link": "/radio/program/commonwealth-club",
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"google": "https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw",
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}
},
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"id": "forum",
"title": "Forum",
"tagline": "The conversation starts here",
"info": "KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.",
"airtime": "MON-FRI 9am-11am, 10pm-11pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Forum with Mina Kim and Alexis Madrigal",
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"source": "kqed",
"order": 9
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz",
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"id": "freakonomics-radio",
"title": "Freakonomics Radio",
"info": "Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png",
"officialWebsiteLink": "http://freakonomics.com/",
"airtime": "SUN 1am-2am, SAT 3pm-4pm",
"meta": {
"site": "radio",
"source": "WNYC"
},
"link": "/radio/program/freakonomics-radio",
"subscribe": {
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"apple": "https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519",
"tuneIn": "https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/",
"rss": "https://feeds.feedburner.com/freakonomicsradio"
}
},
"fresh-air": {
"id": "fresh-air",
"title": "Fresh Air",
"info": "Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.",
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"link": "/radio/program/fresh-air",
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"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/381444908/podcast.xml"
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"id": "here-and-now",
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"info": "A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.",
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"rss": "https://feeds.npr.org/510051/podcast.xml"
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},
"hidden-brain": {
"id": "hidden-brain",
"title": "Hidden Brain",
"info": "Shankar Vedantam uses science and storytelling to reveal the unconscious patterns that drive human behavior, shape our choices and direct our relationships.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/05/hiddenbrain.jpg",
"officialWebsiteLink": "https://www.npr.org/series/423302056/hidden-brain",
"airtime": "SUN 7pm-8pm",
"meta": {
"site": "news",
"source": "NPR"
},
"link": "/radio/program/hidden-brain",
"subscribe": {
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"tuneIn": "https://tunein.com/podcasts/Science-Podcasts/Hidden-Brain-p787503/",
"rss": "https://feeds.npr.org/510308/podcast.xml"
}
},
"how-i-built-this": {
"id": "how-i-built-this",
"title": "How I Built This with Guy Raz",
"info": "Guy Raz dives into the stories behind some of the world's best known companies. How I Built This weaves a narrative journey about innovators, entrepreneurs and idealists—and the movements they built.",
"imageSrc": "https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/howIBuiltThis.png",
"officialWebsiteLink": "https://www.npr.org/podcasts/510313/how-i-built-this",
"airtime": "SUN 7:30pm-8pm",
"meta": {
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"source": "npr"
},
"link": "/radio/program/how-i-built-this",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/3zxy",
"apple": "https://itunes.apple.com/us/podcast/how-i-built-this-with-guy-raz/id1150510297?mt=2",
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"rss": "https://feeds.npr.org/510313/podcast.xml"
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},
"hyphenacion": {
"id": "hyphenacion",
"title": "Hyphenación",
"tagline": "Where conversation and cultura meet",
"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/03/Hyphenacion_FinalAssets_PodcastTile.png",
"imageAlt": "KQED Hyphenación",
"officialWebsiteLink": "/podcasts/hyphenacion",
"meta": {
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"order": 15
},
"link": "/podcasts/hyphenacion",
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"spotify": "https://open.spotify.com/show/2p3Fifq96nw9BPcmFdIq0o?si=39209f7b25774f38",
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"amazon": "https://music.amazon.com/podcasts/6c3dd23c-93fb-4aab-97ba-1725fa6315f1/hyphenaci%C3%B3n",
"rss": "https://feeds.megaphone.fm/KQINC2275451163"
}
},
"jerrybrown": {
"id": "jerrybrown",
"title": "The Political Mind of Jerry Brown",
"tagline": "Lessons from a lifetime in politics",
"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/The-Political-Mind-of-Jerry-Brown-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED The Political Mind of Jerry Brown",
"officialWebsiteLink": "/podcasts/jerrybrown",
"meta": {
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"order": 18
},
"link": "/podcasts/jerrybrown",
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"apple": "https://itunes.apple.com/us/podcast/id1492194549",
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}
},
"latino-usa": {
"id": "latino-usa",
"title": "Latino USA",
"airtime": "MON 1am-2am, SUN 6pm-7pm",
"info": "Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/latinoUsa.jpg",
"officialWebsiteLink": "http://latinousa.org/",
"meta": {
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"source": "npr"
},
"link": "/radio/program/latino-usa",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/xtTd",
"apple": "https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=79681317&at=11l79Y&ct=nprdirectory",
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"rss": "https://feeds.npr.org/510016/podcast.xml"
}
},
"marketplace": {
"id": "marketplace",
"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Marketplace-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.marketplace.org/",
"meta": {
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"source": "American Public Media"
},
"link": "/radio/program/marketplace",
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"rss": "https://feeds.publicradio.org/public_feeds/marketplace-pm/rss/rss"
}
},
"masters-of-scale": {
"id": "masters-of-scale",
"title": "Masters of Scale",
"info": "Masters of Scale is an original podcast in which LinkedIn co-founder and Greylock Partner Reid Hoffman sets out to describe and prove theories that explain how great entrepreneurs take their companies from zero to a gazillion in ingenious fashion.",
"airtime": "Every other Wednesday June 12 through October 16 at 8pm (repeats Thursdays at 2am)",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Masters-of-Scale-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://mastersofscale.com/",
"meta": {
"site": "radio",
"source": "WaitWhat"
},
"link": "/radio/program/masters-of-scale",
"subscribe": {
"apple": "http://mastersofscale.app.link/",
"rss": "https://rss.art19.com/masters-of-scale"
}
},
"mindshift": {
"id": "mindshift",
"title": "MindShift",
"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED MindShift: How We Will Learn",
"officialWebsiteLink": "/mindshift/",
"meta": {
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"source": "kqed",
"order": 12
},
"link": "/podcasts/mindshift",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
"npr": "https://www.npr.org/podcasts/464615685/mind-shift-podcast",
"stitcher": "https://www.stitcher.com/podcast/kqed/stories-teachers-share",
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}
},
"morning-edition": {
"id": "morning-edition",
"title": "Morning Edition",
"info": "\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.",
"airtime": "MON-FRI 3am-9am",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.npr.org/programs/morning-edition/",
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"link": "/radio/program/morning-edition"
},
"onourwatch": {
"id": "onourwatch",
"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg",
"imageAlt": "On Our Watch from NPR and KQED",
"officialWebsiteLink": "/podcasts/onourwatch",
"meta": {
"site": "news",
"source": "kqed",
"order": 11
},
"link": "/podcasts/onourwatch",
"subscribe": {
"apple": "https://podcasts.apple.com/podcast/id1567098962",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw",
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"stitcher": "https://www.stitcher.com/show/on-our-watch",
"rss": "https://feeds.npr.org/510360/podcast.xml"
}
},
"on-the-media": {
"id": "on-the-media",
"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
"airtime": "SUN 2pm-3pm, MON 12am-1am",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png",
"officialWebsiteLink": "https://www.wnycstudios.org/shows/otm",
"meta": {
"site": "news",
"source": "wnyc"
},
"link": "/radio/program/on-the-media",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2",
"tuneIn": "https://tunein.com/radio/On-the-Media-p69/",
"rss": "http://feeds.wnyc.org/onthemedia"
}
},
"pbs-newshour": {
"id": "pbs-newshour",
"title": "PBS NewsHour",
"info": "Analysis, background reports and updates from the PBS NewsHour putting today's news in context.",
"airtime": "MON-FRI 3pm-4pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.pbs.org/newshour/",
"meta": {
"site": "news",
"source": "pbs"
},
"link": "/radio/program/pbs-newshour",
"subscribe": {
"apple": "https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2",
"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
"rss": "https://www.pbs.org/newshour/feeds/rss/podcasts/show"
}
},
"perspectives": {
"id": "perspectives",
"title": "Perspectives",
"tagline": "KQED's series of daily listener commentaries since 1991",
"info": "KQED's series of daily listener commentaries since 1991.",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2025/01/Perspectives_Tile_Final.jpg",
"imageAlt": "KQED Perspectives",
"officialWebsiteLink": "/perspectives/",
"meta": {
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"source": "kqed",
"order": 14
},
"link": "/perspectives",
"subscribe": {
"apple": "https://podcasts.apple.com/us/podcast/id73801135",
"npr": "https://www.npr.org/podcasts/432309616/perspectives",
"rss": "https://ww2.kqed.org/perspectives/category/perspectives/feed/",
"google": "https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"
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},
"planet-money": {
"id": "planet-money",
"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
"airtime": "SUN 3pm-4pm",
"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
"officialWebsiteLink": "https://www.npr.org/sections/money/",
"meta": {
"site": "news",
"source": "npr"
},
"link": "/radio/program/planet-money",
"subscribe": {
"npr": "https://rpb3r.app.goo.gl/M4f5",
"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
"tuneIn": "https://tunein.com/podcasts/Business--Economics-Podcasts/Planet-Money-p164680/",
"rss": "https://feeds.npr.org/510289/podcast.xml"
}
},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
"imageAlt": "KQED Political Breakdown",
"officialWebsiteLink": "/podcasts/politicalbreakdown",
"meta": {
"site": "radio",
"source": "kqed",
"order": 5
},
"link": "/podcasts/politicalbreakdown",
"subscribe": {
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"amazon": "https://music.amazon.com/podcasts/e0c2d153-ad36-4c8d-901d-f1da6a724824/political-breakdown",
"npr": "https://www.npr.org/podcasts/572155894/political-breakdown",
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